1 00:00:01,000 --> 00:00:05,440 Speaker 1: Look mad oh, I see you. Look over there. How 2 00:00:05,519 --> 00:00:15,600 Speaker 1: is that culture? Yes? Goodness, here we are even I 3 00:00:15,680 --> 00:00:18,680 Speaker 1: am having such a good time. I mean, we're here 4 00:00:18,720 --> 00:00:21,720 Speaker 1: in l A together. I want to just really savor 5 00:00:22,000 --> 00:00:24,760 Speaker 1: this concept of us being in the studio together, because 6 00:00:25,400 --> 00:00:28,680 Speaker 1: for so long this has not been the reality of 7 00:00:28,720 --> 00:00:33,000 Speaker 1: this podcast. In fact, people have written things up about how, 8 00:00:33,000 --> 00:00:36,040 Speaker 1: oh my god, lost Culturistas made it work being you know, 9 00:00:36,159 --> 00:00:38,239 Speaker 1: bi coastal and such. And I don't want to be 10 00:00:38,280 --> 00:00:40,920 Speaker 1: celebrated for that because I don't prefer that. I actually 11 00:00:40,960 --> 00:00:43,080 Speaker 1: don't prefer it. And I think that all of our 12 00:00:43,200 --> 00:00:46,280 Speaker 1: episodes that we've done in COVID or No One, Void, 13 00:00:46,280 --> 00:00:49,080 Speaker 1: not Cannon, I don't think of them. Are we taking 14 00:00:49,080 --> 00:00:52,680 Speaker 1: them off the count? Little girl? Little girl? Are we 15 00:00:52,720 --> 00:00:55,240 Speaker 1: taking them off the count? We'll be taking off They'll 16 00:00:55,280 --> 00:00:57,680 Speaker 1: be taking off the They don't count as episodes, and 17 00:00:57,680 --> 00:01:00,639 Speaker 1: we're starting over. No, just kidding. In fact, we are 18 00:01:00,720 --> 00:01:04,520 Speaker 1: barreling towards our three, which we have announced. I feel 19 00:01:04,560 --> 00:01:08,800 Speaker 1: great is the Great Global Songbook. Lock Culture is just 20 00:01:08,920 --> 00:01:12,680 Speaker 1: presents the Great Global song the three hundred songs of 21 00:01:12,720 --> 00:01:15,959 Speaker 1: the Great Global Song Book. That is our episode. We 22 00:01:16,000 --> 00:01:20,680 Speaker 1: are soaring towards it. And um, really we're taking suggestions. 23 00:01:20,680 --> 00:01:23,080 Speaker 1: We're taking your suggestions. We you. I will just say 24 00:01:23,120 --> 00:01:25,480 Speaker 1: that you and I have not been We have not 25 00:01:25,600 --> 00:01:27,920 Speaker 1: discussed this yet because normally we have I think for 26 00:01:28,080 --> 00:01:31,080 Speaker 1: before to two moments, like, really, it was just a 27 00:01:31,120 --> 00:01:32,960 Speaker 1: Google doc. Basically, I don't want to reveal too much 28 00:01:33,000 --> 00:01:34,600 Speaker 1: about the process. Well, I don't want to reveal too 29 00:01:34,640 --> 00:01:36,560 Speaker 1: much about the process because then it just takes away 30 00:01:36,560 --> 00:01:39,240 Speaker 1: from the enjoyment of the experience, sir, because the thing 31 00:01:39,280 --> 00:01:40,560 Speaker 1: is they don't want to see the work, you know 32 00:01:40,600 --> 00:01:44,000 Speaker 1: what I mean? When Meryl Streeps does adaptation. When Meryl 33 00:01:44,000 --> 00:01:46,000 Speaker 1: Streeps does adaptation, you don't want to know that she 34 00:01:46,160 --> 00:01:48,440 Speaker 1: how she how she got there. You just want to 35 00:01:48,480 --> 00:01:52,880 Speaker 1: see what's her face Susan or Lean exactly, smoking weed, 36 00:01:53,000 --> 00:01:57,600 Speaker 1: smoking weed and getting high. Of course, adaptation Meryl's greatest performance, 37 00:01:57,920 --> 00:02:00,600 Speaker 1: one of them. So I don't to say too much 38 00:02:00,600 --> 00:02:02,600 Speaker 1: about the Google doc of it all, but suffice it 39 00:02:02,680 --> 00:02:04,400 Speaker 1: to say there was one for the top two hundred, 40 00:02:04,440 --> 00:02:08,120 Speaker 1: and will there be one for the great Space? Watch 41 00:02:08,160 --> 00:02:09,959 Speaker 1: this space? Can they say? I don't think it's gonna 42 00:02:10,000 --> 00:02:12,480 Speaker 1: be a Google doc. I think it's gonna be a 43 00:02:12,480 --> 00:02:17,720 Speaker 1: Google sheet because I want some fucking filters on that bitch. 44 00:02:17,960 --> 00:02:22,280 Speaker 1: That'll be good for being tables. Yeah. I don't know 45 00:02:22,280 --> 00:02:24,680 Speaker 1: how to use Google sheet, so I think that this 46 00:02:24,720 --> 00:02:27,480 Speaker 1: would be a huge opportunity for me because then once 47 00:02:27,480 --> 00:02:31,240 Speaker 1: I learned Google sheet, this guy's limits. I am so 48 00:02:31,320 --> 00:02:33,960 Speaker 1: interested in computers and how they work. Did you know 49 00:02:34,040 --> 00:02:35,880 Speaker 1: that I used to be a person who didn't who 50 00:02:35,960 --> 00:02:39,240 Speaker 1: believed that my computer didn't make PDFs. There was a 51 00:02:39,280 --> 00:02:42,880 Speaker 1: time in our lives when Matt Rodgers said, I have 52 00:02:43,000 --> 00:02:47,360 Speaker 1: a virus on my MacBook that doesn't let me create 53 00:02:47,480 --> 00:02:53,960 Speaker 1: PDF and you to send things to study, and she'd 54 00:02:54,000 --> 00:02:56,600 Speaker 1: make them into PDFs and print them out for me, 55 00:02:57,000 --> 00:03:00,720 Speaker 1: because I into that my computer did not many PDFs. 56 00:03:00,800 --> 00:03:02,320 Speaker 1: Oh my god, and you and you were connested. The 57 00:03:03,040 --> 00:03:06,480 Speaker 1: source of the virus was porn. For sure, it's gonna 58 00:03:06,520 --> 00:03:10,040 Speaker 1: be something I watched so much porn, But porn that 59 00:03:10,160 --> 00:03:13,280 Speaker 1: was always scrambled limited to the browser. It wasn't you're 60 00:03:13,400 --> 00:03:16,600 Speaker 1: downloading things never, So then how would the virus make 61 00:03:16,639 --> 00:03:20,040 Speaker 1: its way? I think viruses could be really sneaky about, 62 00:03:20,480 --> 00:03:22,600 Speaker 1: especially now in the age of oh my god, you 63 00:03:22,639 --> 00:03:25,560 Speaker 1: know this, this this oicron virus can just sneak in 64 00:03:25,560 --> 00:03:28,080 Speaker 1: the cracks. You know, it doesn't matter who acted it 65 00:03:28,160 --> 00:03:34,560 Speaker 1: or not, doesn't matter. Um I I wanna um just 66 00:03:34,680 --> 00:03:37,400 Speaker 1: really rejoice in the fact that our guest is with 67 00:03:37,480 --> 00:03:40,080 Speaker 1: us today. The third appearance on the show. Third appearance 68 00:03:40,120 --> 00:03:42,400 Speaker 1: on the show, they get a jacket, they get No, 69 00:03:42,480 --> 00:03:45,080 Speaker 1: we don't have one. We don't have the kind of money. UM, 70 00:03:45,160 --> 00:03:49,960 Speaker 1: I mean we This was even before her half hour 71 00:03:50,040 --> 00:03:53,320 Speaker 1: on the stand Ups on Netflix came in, which is exemplary. 72 00:03:53,440 --> 00:03:57,520 Speaker 1: But we've one of my favorites, and we faggots have 73 00:03:57,600 --> 00:03:59,800 Speaker 1: been out here saying me you Josh Sharp, Aaron Jackson 74 00:03:59,840 --> 00:04:03,160 Speaker 1: have all been saying our favorite stand up comedian, my 75 00:04:03,360 --> 00:04:08,600 Speaker 1: belo period, my beloved friend and guest on this podcast, 76 00:04:08,680 --> 00:04:11,880 Speaker 1: Jared Freeder, the director and writer of Three Months out 77 00:04:11,920 --> 00:04:16,120 Speaker 1: Now on Paramount This when when there was a moment 78 00:04:16,120 --> 00:04:18,680 Speaker 1: where I was during early days of COVID, when I 79 00:04:18,720 --> 00:04:22,400 Speaker 1: was on the zoom on the podcast Couples Therapy with 80 00:04:22,480 --> 00:04:26,839 Speaker 1: Naomi and Andy of Fantastic Fantastic podcast, and I had 81 00:04:26,920 --> 00:04:29,400 Speaker 1: Jared come into the room to bring me something because 82 00:04:29,440 --> 00:04:31,200 Speaker 1: I knew that when he looked on the screen and 83 00:04:31,240 --> 00:04:34,039 Speaker 1: son Naomi, I knew what would happen. His jaw would 84 00:04:34,120 --> 00:04:37,720 Speaker 1: drop and he would say, you're my favorite comedian. And 85 00:04:37,760 --> 00:04:39,680 Speaker 1: that's what happened. And that's what happened. And he said 86 00:04:39,680 --> 00:04:41,400 Speaker 1: this in front of me, in front of Joe Kim, 87 00:04:41,440 --> 00:04:43,719 Speaker 1: in front of all sorts of comedians. He says, no, 88 00:04:44,279 --> 00:04:47,480 Speaker 1: Naomi is my favorite comedian, and he does an impression 89 00:04:47,520 --> 00:04:54,039 Speaker 1: of her responsibly. He says, he says, white women, that's 90 00:04:54,120 --> 00:04:56,359 Speaker 1: that's classic name. And he says, what is it my 91 00:04:56,440 --> 00:04:59,839 Speaker 1: Melanie's my angelus or whatever it is. Don't go running 92 00:04:59,839 --> 00:05:02,679 Speaker 1: in alone in the in the streets or whatever whatever 93 00:05:02,720 --> 00:05:05,360 Speaker 1: it is. Um, that joke isn't in the special. Please 94 00:05:05,440 --> 00:05:07,520 Speaker 1: check out the special. Check her out on Mythic Quest 95 00:05:07,560 --> 00:05:10,680 Speaker 1: as Carol um she id, And this is this is 96 00:05:10,720 --> 00:05:14,520 Speaker 1: someone who writes an acts flawlessly and does stand up. No. 97 00:05:14,640 --> 00:05:17,000 Speaker 1: This is like this is like the Triple Crown Renaissance woman. 98 00:05:17,440 --> 00:05:19,360 Speaker 1: But this is the comedy. This is the comedy, Like, 99 00:05:19,600 --> 00:05:21,520 Speaker 1: this is what we wish we could do when you 100 00:05:21,520 --> 00:05:25,320 Speaker 1: can write, act and stand up. I'm no, I'm you're 101 00:05:25,360 --> 00:05:27,679 Speaker 1: you're saying this in like a jokey way, like don't 102 00:05:27,680 --> 00:05:30,799 Speaker 1: ever project anything onto me. I think it's like truly, 103 00:05:30,880 --> 00:05:33,840 Speaker 1: like no one can do that. There's no one that 104 00:05:33,880 --> 00:05:38,760 Speaker 1: can do that. No, I'm thinking because I'm gonna. I'm 105 00:05:38,920 --> 00:05:41,520 Speaker 1: I'm saying like, it's so hard to do all three. 106 00:05:41,560 --> 00:05:43,640 Speaker 1: That's all I'm saying. I mean. And the people who 107 00:05:43,640 --> 00:05:46,640 Speaker 1: are like supposedly do well and being fucking crooks, they're 108 00:05:46,680 --> 00:05:50,559 Speaker 1: crooks of criminals. Sometimes I see these people, Okay, yeah, 109 00:05:50,680 --> 00:05:52,200 Speaker 1: listen to me, look at me, and I'm looking at 110 00:05:52,240 --> 00:05:54,960 Speaker 1: I see these stand ups written movies and they write 111 00:05:54,960 --> 00:05:58,359 Speaker 1: they've written the movie and they acted it. And I'm like, 112 00:05:59,040 --> 00:06:02,800 Speaker 1: you've stolen this returning from someone else. Not, I guess not, 113 00:06:02,920 --> 00:06:07,800 Speaker 1: I guess. Oh, there's there's wealth to be shared with 114 00:06:07,880 --> 00:06:13,599 Speaker 1: our guests. I'm so excited she's here. Welcome into your 115 00:06:13,640 --> 00:06:20,280 Speaker 1: ears na only at bargain. Wow, that was an introduction 116 00:06:20,400 --> 00:06:24,119 Speaker 1: for my dream journy. You bring it to you every ball, 117 00:06:24,920 --> 00:06:27,320 Speaker 1: bring it to you every ball. Yes, that is absolutely true. 118 00:06:27,400 --> 00:06:30,080 Speaker 1: I will point out that you are also both triple Crowns. 119 00:06:30,360 --> 00:06:32,960 Speaker 1: You were like, no, it does stand up direct, We're 120 00:06:33,040 --> 00:06:37,600 Speaker 1: not triple We're not triple Crowns. I've seen you both 121 00:06:37,640 --> 00:06:43,080 Speaker 1: do stand up. Also, can we also say four actually vocalistas? 122 00:06:43,360 --> 00:06:46,400 Speaker 1: Come on now that Cultista and Vocalista. You only opened 123 00:06:46,400 --> 00:06:48,120 Speaker 1: for me on my Christmas show? Oh my god, what 124 00:06:48,240 --> 00:06:53,400 Speaker 1: the one? Here are the ones? How was that so fun? 125 00:06:53,920 --> 00:06:55,599 Speaker 1: In a fun time? And then O Crowns shut the 126 00:06:55,600 --> 00:06:59,880 Speaker 1: hell down? And then you're like DC by going on 127 00:07:00,000 --> 00:07:02,200 Speaker 1: aywhere else? Yeah, but I I don't know, Like I 128 00:07:02,279 --> 00:07:06,000 Speaker 1: was just like so happy to provide my audience with Naomi. 129 00:07:06,240 --> 00:07:08,760 Speaker 1: Like I was just like, and they lit up. She 130 00:07:08,920 --> 00:07:11,360 Speaker 1: was doing a service. You weren't providing them anything. I 131 00:07:11,440 --> 00:07:14,480 Speaker 1: was just saying the show, and so she was on it, 132 00:07:14,520 --> 00:07:18,040 Speaker 1: and so therefore I was like helping to provide the sustenance. 133 00:07:18,080 --> 00:07:23,000 Speaker 1: You are a purveyor of that good, of that good goody. 134 00:07:23,640 --> 00:07:27,320 Speaker 1: How are you feeling? I am you know what? Honey? Yeah, 135 00:07:27,480 --> 00:07:30,000 Speaker 1: I'll be real, I say, I'm doing my best. Yeah, 136 00:07:30,120 --> 00:07:32,679 Speaker 1: no matter what it is, any given day, I'm giving 137 00:07:32,680 --> 00:07:34,600 Speaker 1: you the best that I got Anita Baker style. Honey. 138 00:07:34,600 --> 00:07:36,560 Speaker 1: I can't do anymore. I can't do any more than 139 00:07:36,600 --> 00:07:39,400 Speaker 1: what I'm doing. The best. Naomi's best is very good. 140 00:07:39,520 --> 00:07:41,600 Speaker 1: You have to be so thrilled with the response to 141 00:07:41,600 --> 00:07:44,080 Speaker 1: your special I mean everyone like was like just over 142 00:07:44,080 --> 00:07:46,760 Speaker 1: the moon about it. And everyone already obviously knew. I mean, 143 00:07:46,800 --> 00:07:48,800 Speaker 1: if they didn't know, that's insane. But I also feel 144 00:07:48,800 --> 00:07:50,240 Speaker 1: like in the last couple of years, like it has 145 00:07:50,280 --> 00:07:52,760 Speaker 1: been a little bit of a moment, don't you feel no, 146 00:07:53,200 --> 00:07:55,240 Speaker 1: And isn't that so funny, like when you're like, oh 147 00:07:55,560 --> 00:07:57,480 Speaker 1: we again, we you know how this stuff works. I 148 00:07:57,560 --> 00:07:59,920 Speaker 1: think it was funny when the half hour came out, 149 00:08:00,040 --> 00:08:03,000 Speaker 1: like Okay, Hollywood, when are you calling Hollywood? Like waiting 150 00:08:03,000 --> 00:08:05,880 Speaker 1: for the phone ring this most recent one. Yeah, when 151 00:08:06,000 --> 00:08:09,240 Speaker 1: I was like, Holly was not calling, well maybe they 152 00:08:09,280 --> 00:08:10,800 Speaker 1: get lost my number. And then at one point I 153 00:08:10,840 --> 00:08:13,320 Speaker 1: thought it was Hollywood calling and it was just CVS 154 00:08:13,880 --> 00:08:16,440 Speaker 1: and it was just like really hard, you know. But 155 00:08:16,720 --> 00:08:18,520 Speaker 1: I am so happy that it's out in the world 156 00:08:18,640 --> 00:08:21,000 Speaker 1: and that feeling of you know, when you out here 157 00:08:21,040 --> 00:08:24,360 Speaker 1: just feeling like especially in the pandemic. You know what 158 00:08:24,360 --> 00:08:25,640 Speaker 1: I'm saying, like when we were in the house for 159 00:08:25,680 --> 00:08:28,520 Speaker 1: so long. Because what I'm happy about with that is 160 00:08:28,560 --> 00:08:30,760 Speaker 1: that I put that together in two months after not 161 00:08:30,800 --> 00:08:37,360 Speaker 1: being would you guys tape that August five and I 162 00:08:37,440 --> 00:08:41,079 Speaker 1: got the invite may so I June July to hit 163 00:08:41,120 --> 00:08:43,240 Speaker 1: the streets, put it together, try to bamboraze it and 164 00:08:43,240 --> 00:08:45,680 Speaker 1: then put it out there and be like I hope 165 00:08:45,720 --> 00:08:48,320 Speaker 1: they like so I was really so happy. I'm sorry 166 00:08:48,320 --> 00:08:50,840 Speaker 1: to cut you off. I'm not so seamless. You couldn't 167 00:08:50,840 --> 00:08:53,079 Speaker 1: even tell like where they were cutting in and out of, 168 00:08:53,160 --> 00:08:54,840 Speaker 1: if they were at all. It just felt like that 169 00:08:54,920 --> 00:08:57,040 Speaker 1: was just that was that one show. Yeah, yeah, I 170 00:08:57,040 --> 00:08:59,800 Speaker 1: think maybe one joke from the second show, but it 171 00:08:59,800 --> 00:09:01,120 Speaker 1: was there, you go. I mean like it was just 172 00:09:01,160 --> 00:09:03,280 Speaker 1: so perfect anyway, sorry, no, thank you. I mean, I mean, 173 00:09:03,280 --> 00:09:06,160 Speaker 1: I'll always take the accolades. Obviously interrupt me to give 174 00:09:06,160 --> 00:09:09,480 Speaker 1: me a receiver over here, so what you do it twice? 175 00:09:09,520 --> 00:09:13,480 Speaker 1: But they felt that one was I said, I literally said, 176 00:09:13,480 --> 00:09:15,560 Speaker 1: after we like you better use that seven o clock show. 177 00:09:16,320 --> 00:09:20,520 Speaker 1: The audience was perfection, And then the second show it 178 00:09:20,600 --> 00:09:23,080 Speaker 1: was like, and it's funny because the second shows where 179 00:09:23,080 --> 00:09:25,800 Speaker 1: all the people I knew were coming, Oh, so I 180 00:09:25,800 --> 00:09:27,480 Speaker 1: expect that wouldn't be a little you know, it's late 181 00:09:27,480 --> 00:09:31,320 Speaker 1: show energy. And when I say you've tep, you never 182 00:09:31,400 --> 00:09:34,080 Speaker 1: know the science There is no science to it. There 183 00:09:34,080 --> 00:09:38,240 Speaker 1: really isn't. Like it was funny because having performed a 184 00:09:38,280 --> 00:09:41,880 Speaker 1: bunch in December, like um and after after, like you said, 185 00:09:42,040 --> 00:09:45,200 Speaker 1: not for such a long time, like the audiences are 186 00:09:45,200 --> 00:09:48,880 Speaker 1: definitely there, but but not every audience is like, we're 187 00:09:48,960 --> 00:09:54,480 Speaker 1: so excited audiences where I was a group, you're like, Okay, 188 00:09:54,559 --> 00:09:58,720 Speaker 1: y'all are a B plus you know what I mean? Great? Yeah, 189 00:09:58,920 --> 00:10:01,960 Speaker 1: we love a B plus will because it keeps you hungry, 190 00:10:02,280 --> 00:10:05,040 Speaker 1: keeps you humble, keeps you keeps you humble and hungry. 191 00:10:05,360 --> 00:10:08,719 Speaker 1: I don't think Hollywood calls anymore. That that's not how 192 00:10:08,800 --> 00:10:13,120 Speaker 1: I text. They text, but then also to knock on 193 00:10:13,160 --> 00:10:15,959 Speaker 1: their doorge an, I mean like you have to door knock, kay, 194 00:10:16,000 --> 00:10:19,439 Speaker 1: you to speak for your right. Oh my god, I 195 00:10:19,520 --> 00:10:22,080 Speaker 1: am running, okay for local four or five child as 196 00:10:22,080 --> 00:10:24,520 Speaker 1: a city council person. Oh my god, we need you, 197 00:10:24,720 --> 00:10:28,280 Speaker 1: we need you. I would make calls for you. Thank 198 00:10:28,280 --> 00:10:30,360 Speaker 1: you so much. Oh are you kidding me? I would 199 00:10:30,400 --> 00:10:33,880 Speaker 1: make calls. I would campus the hell out of any neighborhood. 200 00:10:34,400 --> 00:10:36,720 Speaker 1: I have you heard about naomiic paragain? Yeah? I am 201 00:10:36,760 --> 00:10:39,840 Speaker 1: calling on behalf of the naomiic paragain. Okay, Well, um, 202 00:10:40,040 --> 00:10:43,719 Speaker 1: have you seen brought cities she brought on that? You 203 00:10:43,760 --> 00:10:46,920 Speaker 1: would be a good politician? Yes, you really would. Sometimes 204 00:10:46,920 --> 00:10:48,760 Speaker 1: I do think of it. I do, but I don't 205 00:10:48,760 --> 00:10:51,120 Speaker 1: you know. They're all crooks, you know, And so I 206 00:10:51,480 --> 00:10:52,880 Speaker 1: I like, do I really want to be involved in that, 207 00:10:52,920 --> 00:10:54,120 Speaker 1: but I would kind of like to be because I 208 00:10:54,160 --> 00:10:56,560 Speaker 1: would like to be like fun politicians, That's what I mean. 209 00:10:56,600 --> 00:10:58,920 Speaker 1: It's like the thing about politicians. I feel like so 210 00:10:58,960 --> 00:11:01,480 Speaker 1: many of them are so fucking boring. Like I honestly 211 00:11:01,559 --> 00:11:03,680 Speaker 1: think that we could win more seats if we just 212 00:11:03,679 --> 00:11:06,640 Speaker 1: put some stars up there. And I don't mean actors 213 00:11:06,720 --> 00:11:11,520 Speaker 1: turned this, I just mean people with star quality. Personality 214 00:11:13,880 --> 00:11:17,320 Speaker 1: has star quality, and I think that's why everyone was like, 215 00:11:17,440 --> 00:11:19,920 Speaker 1: who the funk is that? And then then like, of 216 00:11:19,960 --> 00:11:23,000 Speaker 1: course her policies are amazing and like everything is great, 217 00:11:23,040 --> 00:11:26,640 Speaker 1: but there is that intangible that like it really doesn't matter. 218 00:11:26,640 --> 00:11:28,600 Speaker 1: And you see it with the presidential race. It's like, 219 00:11:29,000 --> 00:11:32,560 Speaker 1: you know, very few of them have star quality, right right, 220 00:11:32,840 --> 00:11:37,079 Speaker 1: Bernie had it, joke, kind of had. But like but 221 00:11:37,800 --> 00:11:40,160 Speaker 1: for some people, for some people, some people were like, 222 00:11:40,280 --> 00:11:42,680 Speaker 1: oh that Joe Biden, what you know? But you know what, 223 00:11:42,760 --> 00:11:44,760 Speaker 1: that was not star That was comfort, and that was 224 00:11:44,880 --> 00:11:49,160 Speaker 1: comfort that came from Stockholm syndrome. Okay, someone who is 225 00:11:49,240 --> 00:11:51,840 Speaker 1: not known true love and saying, well, that reminds me 226 00:11:51,880 --> 00:11:54,720 Speaker 1: of daddy, even though Daddy wasn't good to me. You 227 00:11:54,760 --> 00:11:57,160 Speaker 1: know what, I'm saying it was like it was like 228 00:11:57,480 --> 00:12:00,400 Speaker 1: it was like Daddy on his deathbed said I'll take 229 00:12:00,440 --> 00:12:05,600 Speaker 1: care of you, and you believe Daddy, but you're still dying. 230 00:12:06,280 --> 00:12:10,480 Speaker 1: Daddy's dying. Daddy died, Obama's gone, Daddy died. I thought 231 00:12:10,520 --> 00:12:13,400 Speaker 1: Daddy was this country, and I know Daddy in this analogy, 232 00:12:13,480 --> 00:12:20,959 Speaker 1: Daddy is Obama and he's you say, and then you 233 00:12:22,679 --> 00:12:26,120 Speaker 1: can you imagine like I have to pivot, can you 234 00:12:26,480 --> 00:12:28,640 Speaker 1: with the POC actually being out in this world repping 235 00:12:28,640 --> 00:12:31,640 Speaker 1: a Caucasian literally be like I have a white friend 236 00:12:31,720 --> 00:12:34,199 Speaker 1: and you should listen to him. I won't do I 237 00:12:34,240 --> 00:12:36,400 Speaker 1: won't do it in a million years. Well, he didn't 238 00:12:36,400 --> 00:12:37,880 Speaker 1: want to do what he wanted to do. He wanted 239 00:12:37,880 --> 00:12:39,960 Speaker 1: it to be Kamala, but then she kept kind of flopping. 240 00:12:40,760 --> 00:12:44,880 Speaker 1: So I feel like I should just be clear and 241 00:12:44,960 --> 00:12:47,319 Speaker 1: say that I did not mean to simp for Mr 242 00:12:47,400 --> 00:12:52,400 Speaker 1: Biden and that I just wanted to bring up examples 243 00:12:52,440 --> 00:12:58,880 Speaker 1: outside of the AOC. Do we reveal M I don't. 244 00:12:59,240 --> 00:13:02,000 Speaker 1: We can reveal if we if we want, Yes, Are 245 00:13:02,040 --> 00:13:06,120 Speaker 1: you ready for this? We received a text from our 246 00:13:06,120 --> 00:13:10,800 Speaker 1: manager saying, L O L would you ever have miss 247 00:13:10,920 --> 00:13:17,520 Speaker 1: Jen Saki on the what I think and it was immediate. 248 00:13:17,520 --> 00:13:20,480 Speaker 1: I was hiking at Griffith last week and I was like, no, 249 00:13:21,120 --> 00:13:24,080 Speaker 1: I don't think we can. I was like, I just 250 00:13:24,080 --> 00:13:27,199 Speaker 1: don't think it would be fun. Beyond that, it's just 251 00:13:28,320 --> 00:13:31,280 Speaker 1: we can't. It's not that we don't support it so 252 00:13:31,400 --> 00:13:34,679 Speaker 1: that we can endorse. Also, like what happened? Did do 253 00:13:34,679 --> 00:13:36,679 Speaker 1: you think her people reached out to your people? So? 254 00:13:36,840 --> 00:13:39,840 Speaker 1: I think our man are maybe we whatever. No, I 255 00:13:39,880 --> 00:13:42,320 Speaker 1: don't think we should cut it out. This is around life, 256 00:13:42,320 --> 00:13:44,040 Speaker 1: this is what we experience. Our managers were on a 257 00:13:44,120 --> 00:13:48,160 Speaker 1: call with the White House Press team, social media team, 258 00:13:48,280 --> 00:13:52,520 Speaker 1: some such we have on right. I guess they were 259 00:13:52,559 --> 00:13:55,079 Speaker 1: talking a lot of like industry folks about like things 260 00:13:55,120 --> 00:13:59,640 Speaker 1: that you know, the administration, Edgy. You don't be fun 261 00:13:59,640 --> 00:14:03,200 Speaker 1: at edgy A racing student. Dad, continue, what did Jenna 262 00:14:03,200 --> 00:14:06,120 Speaker 1: say she was gonna do? She? I don't think so, honey, reporter, 263 00:14:07,360 --> 00:14:10,800 Speaker 1: my grill. I don't think sending every house in America 264 00:14:11,080 --> 00:14:15,240 Speaker 1: COVID test what. I don't want to do that for 265 00:14:15,360 --> 00:14:19,000 Speaker 1: all you know, I don't think so, honey. My guy 266 00:14:19,040 --> 00:14:20,760 Speaker 1: who does my hair, why did you give me this Mr? 267 00:14:20,840 --> 00:14:25,200 Speaker 1: Sloan haircut? Among you like trust, stay up in here like, 268 00:14:26,400 --> 00:14:28,280 Speaker 1: maybe it would be fun if we if we gave 269 00:14:28,280 --> 00:14:31,560 Speaker 1: her a script, maybe we could turn it around for Jen. 270 00:14:32,080 --> 00:14:33,440 Speaker 1: Not that I think it's is it. I don't know, 271 00:14:33,520 --> 00:14:36,040 Speaker 1: do people not like denzaging? I feel like after that 272 00:14:36,120 --> 00:14:40,280 Speaker 1: Margarita um line, do you know what I'm talking about? 273 00:14:39,320 --> 00:14:44,160 Speaker 1: What this was? After this was after um I think 274 00:14:44,160 --> 00:14:47,280 Speaker 1: it was after Bill that Better died or something, um 275 00:14:47,320 --> 00:14:50,880 Speaker 1: It's final death or some something like that. And then 276 00:14:50,960 --> 00:14:52,680 Speaker 1: Jen was like on some talk show it might have 277 00:14:52,680 --> 00:14:54,400 Speaker 1: been the view, might have been some other daytime thing 278 00:14:54,400 --> 00:14:58,760 Speaker 1: where she was like, I understand that we're all feeling frustrated, 279 00:14:58,800 --> 00:15:01,000 Speaker 1: but I think we all just got to take a weekend, 280 00:15:01,240 --> 00:15:04,080 Speaker 1: take a kickboxing class, have a margaritaity with your girls, 281 00:15:04,120 --> 00:15:06,040 Speaker 1: and come back because you have a fight to fight, 282 00:15:06,400 --> 00:15:09,880 Speaker 1: just like that and just like that, Oh my god, 283 00:15:10,320 --> 00:15:12,240 Speaker 1: See that is a you know what I think of 284 00:15:12,280 --> 00:15:16,320 Speaker 1: that That is aggressively basic. That's an attack of basicness. 285 00:15:16,680 --> 00:15:19,560 Speaker 1: But you know, but it's this thing where like, outside 286 00:15:19,560 --> 00:15:23,800 Speaker 1: of the Twitter sphere, is that speaking to a segment 287 00:15:23,800 --> 00:15:27,080 Speaker 1: of the population that like we we just don't haven't 288 00:15:27,120 --> 00:15:29,120 Speaker 1: like we're completely out of touch with like a group 289 00:15:29,120 --> 00:15:32,200 Speaker 1: of a huge swath of the people who do hear 290 00:15:32,200 --> 00:15:36,040 Speaker 1: that and go go off girl? Absolutely not, especially the 291 00:15:36,120 --> 00:15:39,120 Speaker 1: kickboxing class part because you can sub in with beverage 292 00:15:39,120 --> 00:15:41,280 Speaker 1: of your choice for the second half and whatever you like. 293 00:15:41,360 --> 00:15:50,240 Speaker 1: She's like, what's relatable kickboxing? Literally, it's just like pressed 294 00:15:50,360 --> 00:15:56,960 Speaker 1: juice and read um wimen lobitches. You know, Like then 295 00:15:57,000 --> 00:16:02,800 Speaker 1: we group whatever I mean. But the fact is, I 296 00:16:02,840 --> 00:16:06,400 Speaker 1: mean we have actually people like um, they tweet in 297 00:16:06,520 --> 00:16:09,120 Speaker 1: and they say we want to Naomi back. That is 298 00:16:09,160 --> 00:16:11,600 Speaker 1: a true honor. You know, it was the funniest woman 299 00:16:11,640 --> 00:16:13,280 Speaker 1: in America. Well, I was going to reach out to 300 00:16:13,320 --> 00:16:15,440 Speaker 1: you guys. I feel like maybe I did too before 301 00:16:15,440 --> 00:16:16,960 Speaker 1: it was coming out, and I was like, hey, can 302 00:16:17,000 --> 00:16:19,160 Speaker 1: I come to the pot. That is like the hardest 303 00:16:19,160 --> 00:16:21,000 Speaker 1: thing for me to do, to reach out to people 304 00:16:21,000 --> 00:16:23,840 Speaker 1: and like ask them if I can like do their thing, 305 00:16:24,040 --> 00:16:26,040 Speaker 1: even though I feel like at this point, I'm don't 306 00:16:26,040 --> 00:16:28,240 Speaker 1: know y'all at least eight years, you know what I mean, 307 00:16:28,280 --> 00:16:30,120 Speaker 1: at least I feel like I've known y'all out in 308 00:16:30,120 --> 00:16:33,080 Speaker 1: these streets and I'm like, um, I know you're building 309 00:16:33,120 --> 00:16:35,840 Speaker 1: an empire and actually wondering if you remember that one 310 00:16:35,840 --> 00:16:39,880 Speaker 1: time we were in a green room. I think it 311 00:16:39,960 --> 00:16:42,240 Speaker 1: was an old little fields. Yeah, it's old little field, 312 00:16:42,360 --> 00:16:45,600 Speaker 1: the bigger one, old little field. Um, and we said 313 00:16:45,800 --> 00:16:49,920 Speaker 1: we don't have it tonight, and then you sent me 314 00:16:49,960 --> 00:16:52,200 Speaker 1: that text and I was like, of it wasn't It 315 00:16:52,240 --> 00:16:53,840 Speaker 1: wasn't one of those. First of all, I should say 316 00:16:53,880 --> 00:16:58,120 Speaker 1: that anytime I see, anytime I see someone asked for 317 00:16:58,160 --> 00:17:02,720 Speaker 1: a favor, I go, no, I'm I'm so fucking I'm not. Yeah, 318 00:17:03,240 --> 00:17:05,640 Speaker 1: it's not. It's not like no, open, it's just like, oh, 319 00:17:05,760 --> 00:17:07,399 Speaker 1: I guess I'm just usually I know. It's not that. 320 00:17:07,440 --> 00:17:09,600 Speaker 1: It's that I'm usually distracted enough to be like I 321 00:17:09,640 --> 00:17:12,400 Speaker 1: need to think about this later, like hearing from you 322 00:17:12,480 --> 00:17:14,080 Speaker 1: and like hearing that the special is coming at the 323 00:17:14,080 --> 00:17:15,720 Speaker 1: half hour is coming, and I was like, oh my god, 324 00:17:15,920 --> 00:17:18,320 Speaker 1: of course yeah it was. It's it's I think you 325 00:17:18,480 --> 00:17:21,280 Speaker 1: are going into this with enough goodwill from so many people, 326 00:17:21,320 --> 00:17:23,440 Speaker 1: with so many people that like you are you can 327 00:17:23,600 --> 00:17:26,159 Speaker 1: actually pull that lever and sent because the thing is, 328 00:17:26,200 --> 00:17:30,160 Speaker 1: I think you are like a comedians comedian whereas and like, 329 00:17:30,240 --> 00:17:34,200 Speaker 1: it's just we're so excited. Everyone in the comedy community 330 00:17:34,280 --> 00:17:37,040 Speaker 1: is so excited to see you succeed, and like that's 331 00:17:37,080 --> 00:17:38,800 Speaker 1: for real. Well, and now it's to me I will 332 00:17:38,800 --> 00:17:40,119 Speaker 1: say this right when we say, like, how do you 333 00:17:40,119 --> 00:17:43,400 Speaker 1: feel you know about the response to special Nothing touches 334 00:17:43,440 --> 00:17:46,199 Speaker 1: me more than the people when I reach out to you. 335 00:17:46,240 --> 00:17:49,359 Speaker 1: Sorry comedians watched it. I was like, do you know 336 00:17:49,400 --> 00:17:51,520 Speaker 1: how hard it is to watch another comedian do anything? 337 00:17:52,040 --> 00:17:53,280 Speaker 1: You know what I mean? Like when you're out here 338 00:17:53,280 --> 00:17:55,359 Speaker 1: and like trying and you're just like what tot this 339 00:17:55,640 --> 00:18:00,360 Speaker 1: up between like seeing people sets all the time, or 340 00:18:00,680 --> 00:18:03,240 Speaker 1: where you at emotionally at the time somebody else coming out, 341 00:18:03,240 --> 00:18:05,400 Speaker 1: you know, I mean, I was like, oh my god, 342 00:18:05,440 --> 00:18:07,879 Speaker 1: you actually chose to watch this and you're off time. 343 00:18:08,400 --> 00:18:10,560 Speaker 1: Thank you for this blessing that is, that is the 344 00:18:10,560 --> 00:18:12,480 Speaker 1: truth in the light, and that is definitely what made 345 00:18:12,480 --> 00:18:16,120 Speaker 1: me feel like, Okay, okay, I'm one of I'm one 346 00:18:16,160 --> 00:18:20,280 Speaker 1: of you now. Isn't it funny? Though, Like like because 347 00:18:20,320 --> 00:18:22,399 Speaker 1: I would I would think of you as like someone 348 00:18:22,440 --> 00:18:25,240 Speaker 1: who's like reached such a thing. But it's like you 349 00:18:25,320 --> 00:18:28,040 Speaker 1: still feel and I still feel this way too, Like 350 00:18:28,400 --> 00:18:30,520 Speaker 1: sometimes I even have a hard time even saying I'm 351 00:18:30,560 --> 00:18:33,120 Speaker 1: a comedian still because I feel like there's this thing, 352 00:18:33,160 --> 00:18:37,879 Speaker 1: there's this assumption when you say you're a comedian that 353 00:18:37,960 --> 00:18:39,840 Speaker 1: you're funny it's like, you know, I have a tough 354 00:18:39,880 --> 00:18:41,560 Speaker 1: time saying I'm a singer too, you know what I mean. 355 00:18:41,600 --> 00:18:44,520 Speaker 1: It's like it's hard to like claim this thing or 356 00:18:44,560 --> 00:18:46,320 Speaker 1: even actor, like I don't know what it is like 357 00:18:46,400 --> 00:18:48,600 Speaker 1: or where I have to get to make sure that 358 00:18:48,640 --> 00:18:51,679 Speaker 1: I'm okay with saying I am who I am, and 359 00:18:51,720 --> 00:18:53,560 Speaker 1: then it goes away over time, like I guess now 360 00:18:53,600 --> 00:18:56,359 Speaker 1: that I make money doing these certain things, it's like easier. 361 00:18:56,440 --> 00:18:59,040 Speaker 1: But when did you feel comfortable saying you were what 362 00:18:59,160 --> 00:19:03,960 Speaker 1: you were? Well, it's interesting so um among friends and 363 00:19:04,000 --> 00:19:08,800 Speaker 1: people who who were in it easily immediately. I was 364 00:19:08,800 --> 00:19:10,280 Speaker 1: actually on the lift a couple of days ago and 365 00:19:10,320 --> 00:19:11,680 Speaker 1: the guy asked me what I did and I said 366 00:19:11,680 --> 00:19:13,800 Speaker 1: I was a comedian and he was like really where? 367 00:19:13,800 --> 00:19:18,360 Speaker 1: And I go Netflix. The ability to something specifically now 368 00:19:18,440 --> 00:19:20,080 Speaker 1: makes me feel like I could tell a stranger off 369 00:19:20,080 --> 00:19:22,880 Speaker 1: the street, because when you, you know, go to somebody's 370 00:19:22,920 --> 00:19:25,760 Speaker 1: like I'm writer, it's like, okay, we would, I know, 371 00:19:25,800 --> 00:19:27,680 Speaker 1: It's like I don't know what you would. I don't 372 00:19:27,680 --> 00:19:30,040 Speaker 1: know your life, you know. But it's like now it 373 00:19:30,040 --> 00:19:33,159 Speaker 1: feels like there's enough things that I could point to 374 00:19:33,200 --> 00:19:36,560 Speaker 1: at any given time that now it feels like that's okay. 375 00:19:36,920 --> 00:19:40,679 Speaker 1: And it's also for the people, for instance, who have 376 00:19:40,760 --> 00:19:42,679 Speaker 1: no idea what we really do or what it entails. 377 00:19:43,160 --> 00:19:45,160 Speaker 1: You can at least point to this end result because 378 00:19:45,160 --> 00:19:47,840 Speaker 1: it's so My mom will still ask me about projects 379 00:19:47,880 --> 00:19:50,280 Speaker 1: from like three years ago, right because you'll be like, well, 380 00:19:50,320 --> 00:19:53,280 Speaker 1: whatever happened with that? And I'm like nothing, because but 381 00:19:53,400 --> 00:19:55,840 Speaker 1: you're out it. And I was like, uh, just know what, 382 00:19:56,200 --> 00:19:58,879 Speaker 1: Like maybe girl, you can't ask you gotta let go 383 00:19:58,920 --> 00:20:02,000 Speaker 1: and let go. It's so interesting, like being in this 384 00:20:02,040 --> 00:20:05,640 Speaker 1: is so different than what than than being outside it. Yeah, 385 00:20:05,800 --> 00:20:08,480 Speaker 1: And to be honest, I've this is this is quickly 386 00:20:08,520 --> 00:20:09,840 Speaker 1: just me saying this. I don't want to. I don't 387 00:20:09,840 --> 00:20:11,639 Speaker 1: I'm not like that pulling focus or anything. I just 388 00:20:11,760 --> 00:20:14,080 Speaker 1: I I I feel like I too, have had this 389 00:20:14,200 --> 00:20:16,359 Speaker 1: crisis recently where I'm like, I don't think I can 390 00:20:16,400 --> 00:20:19,080 Speaker 1: call myself a comedian. I don't think I can call 391 00:20:19,160 --> 00:20:23,200 Speaker 1: myself a writer. I don't think I can call myself 392 00:20:23,240 --> 00:20:25,159 Speaker 1: an actor. At this point, I'm like, I'm truly like, 393 00:20:25,400 --> 00:20:32,040 Speaker 1: what is mine? There's no Yeah, I guess I guess 394 00:20:32,080 --> 00:20:36,000 Speaker 1: there's something different about like the um whatever you put 395 00:20:36,040 --> 00:20:40,240 Speaker 1: on your like taxes, this is whatever you like, however 396 00:20:40,280 --> 00:20:45,000 Speaker 1: you like, identify and relate to like your craft. Yes, 397 00:20:45,080 --> 00:20:47,040 Speaker 1: and I guess I'm not feeling like I guess I 398 00:20:47,040 --> 00:20:51,680 Speaker 1: need to return to like this craft work relationship with it. Well. 399 00:20:51,680 --> 00:20:54,000 Speaker 1: It's interesting because I will say, as much as you're 400 00:20:54,040 --> 00:20:55,800 Speaker 1: both like so wrong and you're all the things that 401 00:20:55,840 --> 00:20:58,440 Speaker 1: you don't think you are, I also really appreciate the 402 00:20:58,440 --> 00:21:00,000 Speaker 1: fact that you're willing to stop and look within and say, 403 00:21:00,040 --> 00:21:01,760 Speaker 1: am I comedian? Because too many people are saying their 404 00:21:01,800 --> 00:21:06,080 Speaker 1: comedians are saying they're comedians out here. Okay, a viral 405 00:21:06,119 --> 00:21:09,000 Speaker 1: tweet does not a comedian make, and I think I am. 406 00:21:09,040 --> 00:21:10,920 Speaker 1: And of course we can all be everything. And it's 407 00:21:10,920 --> 00:21:13,000 Speaker 1: not like what is stand up or whatever, But there 408 00:21:13,080 --> 00:21:16,040 Speaker 1: is something for me about the um I hold in 409 00:21:16,160 --> 00:21:19,080 Speaker 1: high regard the work it takes to stand up in 410 00:21:19,080 --> 00:21:23,679 Speaker 1: front of people and win them over a live performance aspect. 411 00:21:23,680 --> 00:21:25,200 Speaker 1: And if you have not had to do that to me, 412 00:21:25,480 --> 00:21:27,560 Speaker 1: I'm not got a personality. You're an actor, Like, don't 413 00:21:27,600 --> 00:21:30,439 Speaker 1: get me wrong, you have built up your crowd, but 414 00:21:30,480 --> 00:21:34,000 Speaker 1: you know, I had to hit the streets and kind 415 00:21:34,000 --> 00:21:36,399 Speaker 1: of had your head, your soul eroded in a certain okay, 416 00:21:36,520 --> 00:21:39,480 Speaker 1: and then like you know, replenish, it's a different thing. 417 00:21:39,520 --> 00:21:41,600 Speaker 1: I'm also excited to get to the point now with 418 00:21:41,720 --> 00:21:44,800 Speaker 1: I mean hopefully and I'm knocking on wood with the 419 00:21:44,920 --> 00:21:46,960 Speaker 1: numbers going down, and like you know, they're saying that 420 00:21:47,000 --> 00:21:49,760 Speaker 1: Europe is like an quote unquote endgame of the pandemic. 421 00:21:49,800 --> 00:21:52,760 Speaker 1: I'm really excited for people that are young and people 422 00:21:52,800 --> 00:21:55,800 Speaker 1: that were starting out to be able to resume getting 423 00:21:55,840 --> 00:21:58,320 Speaker 1: better and getting out there on stage, because I think 424 00:21:58,359 --> 00:22:02,120 Speaker 1: that one of the big Obviously there's so many tragedies 425 00:22:02,160 --> 00:22:04,960 Speaker 1: and sad elements of what we've been through in the 426 00:22:05,000 --> 00:22:07,840 Speaker 1: past three years now, but I just think of myself 427 00:22:07,920 --> 00:22:10,880 Speaker 1: as a developing talent when I was in my twenties 428 00:22:10,920 --> 00:22:13,679 Speaker 1: and like really grinding and like waiting tables and that 429 00:22:13,880 --> 00:22:16,919 Speaker 1: stage time was so important. And I think about the 430 00:22:17,000 --> 00:22:21,800 Speaker 1: generation of people who just because of bad timing right 431 00:22:21,800 --> 00:22:23,800 Speaker 1: when they were about to get their stuff and like 432 00:22:23,840 --> 00:22:27,159 Speaker 1: the live scene was really thriving and then this happened 433 00:22:27,160 --> 00:22:29,800 Speaker 1: and that had to stop. And not everyone is good at, 434 00:22:30,119 --> 00:22:33,080 Speaker 1: you know, being malleable enough to go to the zoom 435 00:22:33,200 --> 00:22:36,040 Speaker 1: or to go do front facing on Instagram, or or 436 00:22:36,160 --> 00:22:38,000 Speaker 1: to be a self starter and write something and like 437 00:22:38,280 --> 00:22:42,639 Speaker 1: get yourself out there, like it's not necessarily true that 438 00:22:42,720 --> 00:22:44,440 Speaker 1: because you're a great life performer, you're going to be 439 00:22:44,480 --> 00:22:46,880 Speaker 1: good at all that stuff. So just to know that, 440 00:22:46,920 --> 00:22:49,639 Speaker 1: like you know, shows are happening again and to have 441 00:22:49,720 --> 00:22:52,639 Speaker 1: seen it firsthand, like it's just nice because I know 442 00:22:52,680 --> 00:22:56,280 Speaker 1: how invaluable that is and that it creates real performers. 443 00:22:56,280 --> 00:22:59,320 Speaker 1: So it's nice to see the thing about live performance 444 00:22:59,440 --> 00:23:03,760 Speaker 1: is that you can jump into it and then figure 445 00:23:03,800 --> 00:23:06,560 Speaker 1: out what you're good at and it doesn't have to 446 00:23:06,600 --> 00:23:09,280 Speaker 1: be live performance. Does that make sense? Yes? Yes, Well 447 00:23:09,280 --> 00:23:12,280 Speaker 1: you're learning how you connect with people, and especially you're learning. 448 00:23:12,280 --> 00:23:14,080 Speaker 1: At least for me, it was I learned how people 449 00:23:14,119 --> 00:23:17,840 Speaker 1: saw me right when I get up? What is your expectation? 450 00:23:18,119 --> 00:23:20,359 Speaker 1: How do I play with it and play into it? 451 00:23:20,640 --> 00:23:23,159 Speaker 1: And so And it took me only of course, getting 452 00:23:23,200 --> 00:23:26,160 Speaker 1: up in front of so many different people and realizing okay, right, 453 00:23:26,240 --> 00:23:28,920 Speaker 1: and and there is that obviously of course it leads 454 00:23:28,920 --> 00:23:32,880 Speaker 1: to like sick, sick levels of self consciousness and self obsession, 455 00:23:33,000 --> 00:23:36,480 Speaker 1: but also a self awareness that can be very helpful. Yeah, 456 00:23:36,520 --> 00:23:39,720 Speaker 1: that's I think when you know, I feel bad for 457 00:23:39,760 --> 00:23:43,640 Speaker 1: people who kind of came up online because I mean, 458 00:23:43,640 --> 00:23:45,359 Speaker 1: obviously it can be great and you out here logan 459 00:23:45,359 --> 00:23:47,840 Speaker 1: polling it with your toiled mansions or whatever. But also 460 00:23:47,920 --> 00:23:50,000 Speaker 1: the way you engage your humanity, it's like kind of 461 00:23:50,080 --> 00:23:53,040 Speaker 1: such an extreme yeah, and it's like but also like 462 00:23:53,600 --> 00:23:56,160 Speaker 1: people love you what I fucking hate and there's no 463 00:23:57,240 --> 00:24:01,800 Speaker 1: It's like it's also you are you are literally calculating 464 00:24:01,840 --> 00:24:05,600 Speaker 1: and negotiating your timing um and you don't actually know 465 00:24:05,640 --> 00:24:07,719 Speaker 1: how to engage with things because it is like there 466 00:24:07,800 --> 00:24:09,840 Speaker 1: is something about being in front of a live audience. 467 00:24:09,880 --> 00:24:11,720 Speaker 1: And you know, I used to say, this is another 468 00:24:11,720 --> 00:24:13,959 Speaker 1: reason why I think it's a shame that you know, 469 00:24:14,280 --> 00:24:17,399 Speaker 1: we've had like the downfall of like UCB Chelsea, because 470 00:24:17,400 --> 00:24:20,320 Speaker 1: what I always thought about, like watching really good improvisers 471 00:24:20,320 --> 00:24:22,879 Speaker 1: in that space was they were able to do something 472 00:24:22,960 --> 00:24:25,080 Speaker 1: really small and get a reaction just because of the 473 00:24:25,119 --> 00:24:29,159 Speaker 1: way that space and it created great actors, you know 474 00:24:29,200 --> 00:24:31,760 Speaker 1: what I mean. Like, and it's like you would only 475 00:24:31,880 --> 00:24:36,399 Speaker 1: understand that from seeing, observing and performing in a space 476 00:24:36,440 --> 00:24:38,639 Speaker 1: like that. So those spaces are really important, and so 477 00:24:38,680 --> 00:24:41,200 Speaker 1: every time one shuts down or like something goes down 478 00:24:41,200 --> 00:24:44,760 Speaker 1: with something, I'm like, gosh, that's like a whole legion 479 00:24:44,920 --> 00:24:48,080 Speaker 1: of performers that would have thrived and been so great 480 00:24:48,119 --> 00:24:51,119 Speaker 1: and like you know, it's it's it's so it's frustrating, 481 00:24:51,119 --> 00:24:53,959 Speaker 1: but like I'm hopeful that like they'll return. It's just 482 00:24:55,119 --> 00:24:57,600 Speaker 1: it's just it's been a long time since, like I 483 00:24:57,720 --> 00:25:01,520 Speaker 1: have thought to myself, oh, I should go I should 484 00:25:01,520 --> 00:25:04,680 Speaker 1: see like I might be doing something in the summer. 485 00:25:04,720 --> 00:25:06,840 Speaker 1: I don't know yet. But the only hesitancy I have 486 00:25:06,960 --> 00:25:09,320 Speaker 1: around it is that I haven't done it in so long, 487 00:25:09,359 --> 00:25:13,080 Speaker 1: and I kind of compartmentalized SNL it's its own animals 488 00:25:13,160 --> 00:25:16,159 Speaker 1: as its own animals with a separate skill set. Then 489 00:25:16,240 --> 00:25:19,120 Speaker 1: what I used to do, which was like go up, 490 00:25:19,359 --> 00:25:23,679 Speaker 1: either do like a weird six minutes set or do 491 00:25:23,800 --> 00:25:26,920 Speaker 1: like something completely. Did you do power points and stuff? 492 00:25:26,920 --> 00:25:29,280 Speaker 1: Would you ever? I did power points every now and 493 00:25:29,320 --> 00:25:31,120 Speaker 1: then I would do Matt and I would do your 494 00:25:31,160 --> 00:25:33,919 Speaker 1: lip things. I would there was I was kind of 495 00:25:33,960 --> 00:25:37,439 Speaker 1: like getting like something close to like a fifteen minute 496 00:25:38,119 --> 00:25:40,440 Speaker 1: sat down. I mean, now none of it is that 497 00:25:40,560 --> 00:25:42,320 Speaker 1: usable in it anymore, I don't think. But I have 498 00:25:42,320 --> 00:25:44,560 Speaker 1: a question. I feel like I I've fully like shed 499 00:25:44,600 --> 00:25:54,440 Speaker 1: that and left that behind in a weird way. As 500 00:25:54,520 --> 00:25:59,960 Speaker 1: you guys have gained an audience and attention, do you 501 00:26:00,320 --> 00:26:04,000 Speaker 1: feel freer in that meaning, Okay, there are people who 502 00:26:04,040 --> 00:26:05,520 Speaker 1: liked me. I can kind of get on stage and 503 00:26:05,520 --> 00:26:07,320 Speaker 1: have fun now, you know, you know, as opposed to 504 00:26:07,320 --> 00:26:09,640 Speaker 1: that feeling of like oh good, what's it gonna be? 505 00:26:10,200 --> 00:26:13,879 Speaker 1: Or do you feel like no, It's like it's a 506 00:26:13,920 --> 00:26:18,159 Speaker 1: different thing. There is a there is like one. So 507 00:26:18,240 --> 00:26:22,040 Speaker 1: I did. The first show I did going back after 508 00:26:22,119 --> 00:26:25,240 Speaker 1: not performing for legit two years is Greta and I 509 00:26:25,280 --> 00:26:27,359 Speaker 1: had a headlining show in New York Comedy Festival, and 510 00:26:27,440 --> 00:26:33,040 Speaker 1: so I did, I did like and I was like, 511 00:26:33,040 --> 00:26:38,520 Speaker 1: oh yeah, I and I went up and did minutes 512 00:26:38,720 --> 00:26:40,840 Speaker 1: which which not only had I not had I quote 513 00:26:40,920 --> 00:26:43,359 Speaker 1: unquote not done in a while, I had never done. 514 00:26:44,000 --> 00:26:46,679 Speaker 1: And it was it was you loved it. I loved it. 515 00:26:47,080 --> 00:26:49,400 Speaker 1: And my my touring agent was there and he was like, 516 00:26:49,560 --> 00:26:51,240 Speaker 1: why didn't you ever tell me you could do that? 517 00:26:51,440 --> 00:26:53,920 Speaker 1: And I was like, to be honest with you, it's 518 00:26:54,000 --> 00:26:57,280 Speaker 1: somewhere in a somewhere somewhere in between. I didn't know 519 00:26:57,400 --> 00:27:02,240 Speaker 1: I could. And I just don't want to calm myself 520 00:27:02,600 --> 00:27:06,760 Speaker 1: a stand up like unless I really because I respected 521 00:27:06,840 --> 00:27:09,680 Speaker 1: so much and because I respect people like you so much, 522 00:27:09,720 --> 00:27:12,080 Speaker 1: and I respect people like you know Joel and like 523 00:27:12,200 --> 00:27:13,760 Speaker 1: Megan Gaily, you know what I mean, like people that 524 00:27:13,800 --> 00:27:17,680 Speaker 1: are my peers. But but I can see the hard 525 00:27:17,760 --> 00:27:20,280 Speaker 1: yards they put it on that art form, and so honestly, 526 00:27:20,480 --> 00:27:23,080 Speaker 1: like when it comes to myself as a performer, I 527 00:27:23,119 --> 00:27:25,720 Speaker 1: don't know how you feel, but yes, it is nice 528 00:27:25,800 --> 00:27:28,120 Speaker 1: to know that I have people out there that enjoy 529 00:27:28,240 --> 00:27:30,480 Speaker 1: what I do and enjoy my voice, and so therefore 530 00:27:30,600 --> 00:27:32,840 Speaker 1: I don't feel as nervous about putting that into the 531 00:27:32,880 --> 00:27:36,360 Speaker 1: container that is the stand up thing. But and then 532 00:27:36,400 --> 00:27:38,960 Speaker 1: when I went out from my Christmas show and did 533 00:27:39,000 --> 00:27:41,439 Speaker 1: a bunch of dates and had such a nice like 534 00:27:41,560 --> 00:27:44,879 Speaker 1: turn out and everything, it was nice because I didn't 535 00:27:44,920 --> 00:27:47,720 Speaker 1: think they came out just to cheer for me. I 536 00:27:47,760 --> 00:27:49,919 Speaker 1: think they came out because they wanted to see it. 537 00:27:50,080 --> 00:27:51,760 Speaker 1: And then they like you know what I mean, Like, 538 00:27:51,800 --> 00:27:54,800 Speaker 1: I don't think it was this thing of like, oh, 539 00:27:54,920 --> 00:27:56,880 Speaker 1: I can go out there and do anything, because if 540 00:27:56,920 --> 00:27:59,320 Speaker 1: that was the case, I would and just make the 541 00:27:59,400 --> 00:28:03,440 Speaker 1: check and then go. But like this feeds who I am, 542 00:28:03,480 --> 00:28:05,520 Speaker 1: Like I really that's what I want to be as 543 00:28:05,520 --> 00:28:08,240 Speaker 1: a comedian and an actor, etcetera. So it just gives 544 00:28:08,240 --> 00:28:10,639 Speaker 1: you an excuse and it also just kind of it 545 00:28:10,840 --> 00:28:13,640 Speaker 1: lets you kind of I feel free to try things 546 00:28:13,640 --> 00:28:16,400 Speaker 1: and have fun, which is how I unlock personally how 547 00:28:16,800 --> 00:28:20,040 Speaker 1: I don't know, Yeah, yeah, I think that's I I 548 00:28:20,119 --> 00:28:24,199 Speaker 1: kind of really identify with all of that. And I 549 00:28:24,280 --> 00:28:29,760 Speaker 1: don't mean to sound like super umm like like a 550 00:28:29,840 --> 00:28:32,800 Speaker 1: downer on this, but like I feel like it's on 551 00:28:32,800 --> 00:28:35,280 Speaker 1: this note of like compartmentalizing all this stuff with S 552 00:28:35,320 --> 00:28:37,919 Speaker 1: and L. Now I'm kind of like, well, I have 553 00:28:38,040 --> 00:28:41,920 Speaker 1: all of these support systems at my job. We're literally 554 00:28:41,920 --> 00:28:44,479 Speaker 1: like I can like get the costume down and I 555 00:28:44,480 --> 00:28:46,680 Speaker 1: can like get all these things like get get the 556 00:28:46,720 --> 00:28:48,280 Speaker 1: look in the makeup and the writing and the cute 557 00:28:48,280 --> 00:28:51,040 Speaker 1: cards all like lined up so that I can like 558 00:28:51,360 --> 00:28:55,680 Speaker 1: just plug in and do it. Like it takes this 559 00:28:55,920 --> 00:29:00,000 Speaker 1: different self sufficiency obviously to like write your own material, 560 00:29:00,280 --> 00:29:03,520 Speaker 1: be the only person on stage unembellished, like to do 561 00:29:03,600 --> 00:29:07,120 Speaker 1: it yourself, and I kind of don't know, I kind 562 00:29:07,120 --> 00:29:08,360 Speaker 1: of need to work up the nerve to do it 563 00:29:08,400 --> 00:29:11,240 Speaker 1: again because once you do it, once you do it, 564 00:29:10,880 --> 00:29:14,760 Speaker 1: remember it's there. Yeah, yeah, you gotta break the seal. Yeah, definitely, definitely, 565 00:29:14,920 --> 00:29:18,280 Speaker 1: And there is something about like that's for me what 566 00:29:18,320 --> 00:29:20,800 Speaker 1: I always wanted, like my when I came like dreams 567 00:29:20,840 --> 00:29:23,719 Speaker 1: for comedy, all I have ever wanted was the ability 568 00:29:23,760 --> 00:29:26,880 Speaker 1: to like drop in places, right I do saying can 569 00:29:26,920 --> 00:29:30,520 Speaker 1: I do that? And then also to know an audience 570 00:29:30,560 --> 00:29:33,960 Speaker 1: is there for me, so it doesn't all have to 571 00:29:33,960 --> 00:29:37,160 Speaker 1: be perfect. They like me enough to go on a journey, 572 00:29:37,520 --> 00:29:40,480 Speaker 1: you know, and those are I think you're there. She's 573 00:29:40,560 --> 00:29:43,120 Speaker 1: definitely better. We'll see it depends. It depends on where 574 00:29:43,120 --> 00:29:44,440 Speaker 1: it's so funny. I did to show it Largo a 575 00:29:44,440 --> 00:29:46,080 Speaker 1: couple of days ago, and what I tell you it 576 00:29:46,160 --> 00:29:52,400 Speaker 1: was loosen two jokes in a dream and it and 577 00:29:52,440 --> 00:29:54,160 Speaker 1: I was like, and I hadn't been up in like 578 00:29:54,200 --> 00:29:56,560 Speaker 1: six weeks and I just hadn't you know, you always 579 00:29:56,560 --> 00:29:58,320 Speaker 1: just don't have sh in your head like I didn't have. 580 00:29:59,520 --> 00:30:01,080 Speaker 1: And so I was like, well, we'll see how much 581 00:30:01,120 --> 00:30:03,920 Speaker 1: good will have a mask and they say, girl, you 582 00:30:04,000 --> 00:30:09,800 Speaker 1: better dance the moment it was not imagine that audience, 583 00:30:11,040 --> 00:30:13,320 Speaker 1: but I guess it happens, but like it happens, but 584 00:30:13,400 --> 00:30:15,800 Speaker 1: it was just so I was like, oh, and I go, okay, 585 00:30:15,840 --> 00:30:18,120 Speaker 1: I see, I see you want the a game. I see. 586 00:30:19,000 --> 00:30:23,360 Speaker 1: Do you love a gay audience? I actually do. I'm 587 00:30:23,400 --> 00:30:25,400 Speaker 1: not even actually do like don't you die for you? 588 00:30:25,600 --> 00:30:28,680 Speaker 1: I know, but it's funny. It's a specific like gentle 589 00:30:28,840 --> 00:30:32,760 Speaker 1: indoor Gays, I saw, I've seen you at the Duplex 590 00:30:33,080 --> 00:30:39,920 Speaker 1: fucking kill I missed that? Is that is gentle indoor Gays? Yes, yes, 591 00:30:40,160 --> 00:30:43,680 Speaker 1: like you know, just just it's a soft boy. We 592 00:30:43,800 --> 00:30:45,800 Speaker 1: both read Babysitters Club, you know what I mean? Like 593 00:30:45,880 --> 00:30:51,440 Speaker 1: that's the ghosts. Oh my god, absolutely a drowned prince. 594 00:30:51,640 --> 00:30:58,080 Speaker 1: You know that funny. I feel like you are. I 595 00:30:58,120 --> 00:31:01,000 Speaker 1: feel like the stand up is going to be something 596 00:31:01,040 --> 00:31:03,640 Speaker 1: that like the return on the investment of that is 597 00:31:03,680 --> 00:31:06,600 Speaker 1: going to come over time and later. Like it's the 598 00:31:06,600 --> 00:31:08,400 Speaker 1: thing that the thing about Netflix I think is that 599 00:31:08,480 --> 00:31:10,360 Speaker 1: like these stand ups is that like they live on 600 00:31:10,400 --> 00:31:13,200 Speaker 1: there forever perpetuity, and like people will just that will 601 00:31:13,240 --> 00:31:15,840 Speaker 1: be like the gateway that will keep the window will 602 00:31:15,840 --> 00:31:18,400 Speaker 1: stay open on that and people will just keep discovering you. Yeah, 603 00:31:18,480 --> 00:31:20,760 Speaker 1: I think, yeah, No, it's nice. It's funny. What has 604 00:31:20,760 --> 00:31:24,160 Speaker 1: your so you you you reference something before we started, 605 00:31:24,160 --> 00:31:25,240 Speaker 1: but I know we're going to get to it. But 606 00:31:25,280 --> 00:31:29,120 Speaker 1: what's the media diet been lately? It's so funny because 607 00:31:29,160 --> 00:31:34,080 Speaker 1: I have I've been into a lot of um British 608 00:31:34,280 --> 00:31:37,240 Speaker 1: BBC give me a procedural. But it's a procedural that 609 00:31:37,320 --> 00:31:40,840 Speaker 1: is an international rump. I am traveling from my couch, 610 00:31:41,560 --> 00:31:44,920 Speaker 1: especially just that I'm watching something called Vandervalk and he's 611 00:31:44,960 --> 00:31:47,800 Speaker 1: a cop and he's an Amsterdam and it is gorgeous. 612 00:31:48,240 --> 00:31:50,680 Speaker 1: These bodies in the canal. I said, I'd love to 613 00:31:52,120 --> 00:31:54,200 Speaker 1: They gotta look in the canal because there's always a body. 614 00:31:54,440 --> 00:31:56,520 Speaker 1: If you want to go on an adventures a cop, 615 00:31:56,640 --> 00:31:58,160 Speaker 1: you got to look in the canal. You have to. 616 00:31:58,320 --> 00:32:01,240 Speaker 1: And I was like, this is gorgeous, And then okay, 617 00:32:01,280 --> 00:32:04,920 Speaker 1: I really tried. I had started Real Housewives of Salt 618 00:32:05,000 --> 00:32:08,560 Speaker 1: Lake City. I had never watched a housewave and right 619 00:32:08,600 --> 00:32:10,880 Speaker 1: because it's also only the one season, so I could, 620 00:32:11,240 --> 00:32:12,480 Speaker 1: you know, I didn't have to catch up on like 621 00:32:12,600 --> 00:32:16,640 Speaker 1: nine years. However, I did not like watching it by 622 00:32:16,640 --> 00:32:19,640 Speaker 1: myself because there were so much like conversation and things 623 00:32:19,720 --> 00:32:21,840 Speaker 1: I wanted to say, Like I would like text a 624 00:32:21,840 --> 00:32:23,080 Speaker 1: friend of mine who would watch it and just like 625 00:32:23,080 --> 00:32:24,960 Speaker 1: out of the blue and I'd be like, what is 626 00:32:24,960 --> 00:32:27,120 Speaker 1: she on a pole in her damn house on the weekend? 627 00:32:27,200 --> 00:32:28,960 Speaker 1: And she would be like, what are you talking about? 628 00:32:29,080 --> 00:32:31,120 Speaker 1: And he's not watching it with you. Oh no, he 629 00:32:31,160 --> 00:32:33,040 Speaker 1: won't do such a thing. He won't do such a thing. 630 00:32:33,040 --> 00:32:35,560 Speaker 1: But also any we need separate So do you guys 631 00:32:35,640 --> 00:32:38,280 Speaker 1: really do you guys have separate media diets? We do. 632 00:32:38,360 --> 00:32:40,680 Speaker 1: We overlap on a couple of things, but definitely separate 633 00:32:40,720 --> 00:32:44,440 Speaker 1: media diets. For instance, he's watching a lot of Seinfeld. 634 00:32:44,960 --> 00:32:47,320 Speaker 1: Really he just like, let me go back. You know, 635 00:32:47,320 --> 00:32:48,920 Speaker 1: it's like a very like almost that you know that 636 00:32:49,080 --> 00:32:52,160 Speaker 1: um comfort watching keep it there, like I'm kind kind 637 00:32:52,160 --> 00:32:57,000 Speaker 1: of checked out, and then um, you know British stuff. 638 00:32:57,080 --> 00:32:59,080 Speaker 1: We watched a lot now, but it's funny the stuff 639 00:32:59,120 --> 00:33:01,440 Speaker 1: we watched, Like, I don't I don't really want to 640 00:33:01,440 --> 00:33:04,160 Speaker 1: feel stress in any way, so I just want to 641 00:33:04,200 --> 00:33:07,880 Speaker 1: watch though I'm just like peacemaker, what's reach you're doing with? 642 00:33:08,320 --> 00:33:10,520 Speaker 1: Like I just watched I just watched nonsense and I 643 00:33:10,600 --> 00:33:13,640 Speaker 1: find that very Have you tried the Guilded Age? No, 644 00:33:13,960 --> 00:33:16,520 Speaker 1: maybe that's it doesn't have some person. I always find 645 00:33:16,520 --> 00:33:18,880 Speaker 1: that time period. And also the Downton Abbey's like that 646 00:33:18,960 --> 00:33:21,720 Speaker 1: stuff was really stuffy, and especially that down to sheet. 647 00:33:21,760 --> 00:33:24,080 Speaker 1: I watching forty five minutes to see you touch somebody's hands. 648 00:33:24,960 --> 00:33:27,560 Speaker 1: I can't. I can't want a hand brush, and that's 649 00:33:27,560 --> 00:33:30,160 Speaker 1: a romance the guilded Age, like the American version of 650 00:33:30,160 --> 00:33:33,280 Speaker 1: Downton Abbey, which to me takes a lot out of it. 651 00:33:33,280 --> 00:33:36,680 Speaker 1: It's like, but what I will say is like it's 652 00:33:36,720 --> 00:33:39,040 Speaker 1: it's Julian Fellows so and like I think he got 653 00:33:39,040 --> 00:33:41,120 Speaker 1: away with a lot of Downton abby because it was 654 00:33:41,160 --> 00:33:43,960 Speaker 1: like very British and like therefore you didn't recognize that 655 00:33:44,000 --> 00:33:45,560 Speaker 1: a lot of the writing was like really on the nose. 656 00:33:45,600 --> 00:33:48,080 Speaker 1: But the writing is literally this, Hello, I'm here in 657 00:33:48,120 --> 00:33:51,400 Speaker 1: the room. Now are you? Yes? I am. What should 658 00:33:51,400 --> 00:33:54,080 Speaker 1: we discuss? Well, the matter at hand? Yes, of course, 659 00:33:54,120 --> 00:33:55,960 Speaker 1: the matter at hand? What do you think of it? 660 00:33:56,200 --> 00:34:00,600 Speaker 1: This same but a little different? Well, and this mile disagreement. 661 00:34:00,640 --> 00:34:03,520 Speaker 1: I'm gonna let you know that I want to do this. 662 00:34:04,000 --> 00:34:06,520 Speaker 1: Go do it and I'll see you there by. Look 663 00:34:06,520 --> 00:34:10,680 Speaker 1: out the window scene it's just like so on the 664 00:34:10,760 --> 00:34:14,720 Speaker 1: notes I would watch that. It's just long like it's 665 00:34:14,719 --> 00:34:17,000 Speaker 1: it's HBoL Max. So it's like our plus the cast 666 00:34:17,080 --> 00:34:20,080 Speaker 1: is great. Carry coon is eating it up, isn't it? Carry? 667 00:34:20,160 --> 00:34:24,879 Speaker 1: Con Christine Baranski Cyndia Nick, first lady of Max. What 668 00:34:25,000 --> 00:34:28,719 Speaker 1: is that about? I mean? Now that governor she's a 669 00:34:28,880 --> 00:34:33,080 Speaker 1: tech of ail. Absolutely. She was like I tried, I 670 00:34:33,239 --> 00:34:36,920 Speaker 1: tried to political candidate, candidate, that's how that's that my 671 00:34:37,040 --> 00:34:39,520 Speaker 1: first question mark about And just like that, I'm like, yeah, 672 00:34:39,560 --> 00:34:41,960 Speaker 1: but we wouldn't have this Cynthia with a governor, and 673 00:34:41,960 --> 00:34:46,160 Speaker 1: so therefore do we need it? We have gotten record 674 00:34:46,200 --> 00:34:50,440 Speaker 1: to say that we the finale righted so many wrongs. 675 00:34:50,600 --> 00:34:53,520 Speaker 1: Did it really didn't right and actually literally right the wrong. 676 00:34:53,640 --> 00:34:57,399 Speaker 1: We just enjoyed the finale, made the should be, made 677 00:34:57,400 --> 00:35:00,320 Speaker 1: the whole season worth it interesting. Could not. I watched 678 00:35:00,320 --> 00:35:03,640 Speaker 1: the first three episodes that I watched, Episode I Believe seven, 679 00:35:04,560 --> 00:35:08,200 Speaker 1: I was living. I was living from the beginning, and 680 00:35:08,280 --> 00:35:10,560 Speaker 1: I just felt like I could not. I could never 681 00:35:10,680 --> 00:35:13,560 Speaker 1: get right with it. And I just felt like, if 682 00:35:13,560 --> 00:35:15,439 Speaker 1: there's one thing I felt is there, like honey, time 683 00:35:15,520 --> 00:35:17,360 Speaker 1: is short, I could get I could get to Cocode 684 00:35:17,400 --> 00:35:20,000 Speaker 1: any day. I can't be wasting a town, and just 685 00:35:20,080 --> 00:35:21,840 Speaker 1: like that, right right, and then I got I was 686 00:35:21,920 --> 00:35:26,120 Speaker 1: glad when Charlotte's puffiness went down the first couple episodes, 687 00:35:26,120 --> 00:35:27,719 Speaker 1: I go, what did they do to? I kind of 688 00:35:27,760 --> 00:35:32,200 Speaker 1: just wish that these people who decided to book and 689 00:35:32,239 --> 00:35:35,160 Speaker 1: then decided to get work right before, we'll just think 690 00:35:35,200 --> 00:35:41,280 Speaker 1: about settle like you know, you know your schedule, like 691 00:35:41,280 --> 00:35:44,040 Speaker 1: like get it three months before, you know what I mean, 692 00:35:44,200 --> 00:35:47,359 Speaker 1: like not two weeks before. I know. Like sometimes it's 693 00:35:47,400 --> 00:35:50,359 Speaker 1: just I have nothing against people doing anything they want, 694 00:35:50,440 --> 00:35:52,600 Speaker 1: do whatever you want. It's just time it out right 695 00:35:52,680 --> 00:35:55,600 Speaker 1: right right right right. Because she literally transformed between episodes, 696 00:35:56,000 --> 00:35:58,279 Speaker 1: hadn't settled, Yeah, And I didn't realize. I was like 697 00:35:58,400 --> 00:36:00,759 Speaker 1: worried because it made me very nerve because I think 698 00:36:00,800 --> 00:36:04,279 Speaker 1: you would have that level of cash and fame as 699 00:36:04,320 --> 00:36:06,640 Speaker 1: somebody would still do you wrong like that. I was like, 700 00:36:06,760 --> 00:36:10,719 Speaker 1: my god, no one's safe, there's no immunity. For a minute, 701 00:36:10,760 --> 00:36:13,040 Speaker 1: I was like, Okay, I guess it's just the process. 702 00:36:13,360 --> 00:36:16,799 Speaker 1: I learned. That's just the process. Wealth does not inoculate 703 00:36:16,800 --> 00:36:24,040 Speaker 1: you from shocking like this. Would you ever get anything done? 704 00:36:24,160 --> 00:36:25,680 Speaker 1: I want to do? Um? I want to I want 705 00:36:25,680 --> 00:36:27,279 Speaker 1: to kind of melt this off and give me an 706 00:36:27,280 --> 00:36:31,920 Speaker 1: actual jaw line. You're talking about your chin, the chin neck, 707 00:36:32,000 --> 00:36:35,000 Speaker 1: and like you see right here, the jaw here. Kind 708 00:36:35,000 --> 00:36:37,400 Speaker 1: of kind of get that down. That's that's all. I 709 00:36:37,440 --> 00:36:41,880 Speaker 1: think that as as men were interested in this area 710 00:36:41,920 --> 00:36:46,920 Speaker 1: because what's so desirable is that really is that strong? Um? 711 00:36:47,000 --> 00:36:49,040 Speaker 1: And so that I think is something that as we 712 00:36:49,080 --> 00:36:51,399 Speaker 1: get into our thirties, like we look at more and more. 713 00:36:51,560 --> 00:36:54,680 Speaker 1: And I also I look at my parents and sometimes 714 00:36:54,680 --> 00:36:56,239 Speaker 1: I see that they have a little bit of that. 715 00:36:57,480 --> 00:36:59,279 Speaker 1: I'm not gonna but I'm just gonna say, like, as 716 00:36:59,320 --> 00:37:01,520 Speaker 1: you age, like and you see and you see people 717 00:37:01,560 --> 00:37:03,279 Speaker 1: in your family get that, you think, oh, I might 718 00:37:03,280 --> 00:37:05,040 Speaker 1: get that, And that's a natural part of the human 719 00:37:05,040 --> 00:37:09,799 Speaker 1: aging process. But because you're in the distorted, dystopian Hollywood 720 00:37:09,920 --> 00:37:12,840 Speaker 1: entertainment industry, you think you're aware of that type of 721 00:37:12,840 --> 00:37:15,759 Speaker 1: thing that I definitely wouldn't be right had I been 722 00:37:15,800 --> 00:37:19,520 Speaker 1: like a straight investment banker or whatever. It's funny because 723 00:37:19,520 --> 00:37:22,360 Speaker 1: I saw you op posted a picture on Instagram. I 724 00:37:22,400 --> 00:37:24,120 Speaker 1: don't know a couple of weeks ago that I texted you, 725 00:37:24,280 --> 00:37:27,839 Speaker 1: are the smoke and mirrors working that day? Let me know, 726 00:37:28,600 --> 00:37:32,600 Speaker 1: always working? But it was it was, you know, you 727 00:37:32,719 --> 00:37:35,000 Speaker 1: had a picture of your nose and your nose is busted. 728 00:37:35,239 --> 00:37:37,080 Speaker 1: And I remember texting you being like, are you okay? 729 00:37:37,200 --> 00:37:38,759 Speaker 1: And they're like, oh, that was in the past. But 730 00:37:38,840 --> 00:37:40,439 Speaker 1: my first thought, I said, to come out he didn't 731 00:37:40,440 --> 00:37:44,320 Speaker 1: get a damn nose job, but not technically, but what 732 00:37:44,480 --> 00:37:48,080 Speaker 1: you did. I had ad I was born with an 733 00:37:48,120 --> 00:37:51,560 Speaker 1: inch long cyst and these so I don't know if 734 00:37:51,600 --> 00:37:53,520 Speaker 1: you if you look at old pictures of me, I 735 00:37:53,520 --> 00:37:56,680 Speaker 1: had like a red certainly like a we can say, 736 00:37:56,680 --> 00:37:59,200 Speaker 1: a whole like a dimple in the middle of my nose, 737 00:37:59,440 --> 00:38:01,200 Speaker 1: and it was getting to the point where it would 738 00:38:01,239 --> 00:38:04,560 Speaker 1: get like infected, and so I had to say it 739 00:38:04,640 --> 00:38:07,560 Speaker 1: wasn't even an elective. It wasn't really elective. No, I 740 00:38:07,680 --> 00:38:11,080 Speaker 1: medically needed it. But because like insurance companies are like, oh, 741 00:38:11,080 --> 00:38:14,760 Speaker 1: it's a rhino plasty, that must be an elective surgery, 742 00:38:14,800 --> 00:38:17,719 Speaker 1: they did not cover it. So I paid coins what 743 00:38:18,040 --> 00:38:21,200 Speaker 1: to get a rhino septo and get this inch long 744 00:38:21,520 --> 00:38:24,040 Speaker 1: cyst in my nose that I was born with removed 745 00:38:24,640 --> 00:38:27,120 Speaker 1: best thing I ever did, and now it's like not 746 00:38:27,200 --> 00:38:29,879 Speaker 1: an issue. But I did. I can say I got 747 00:38:29,920 --> 00:38:32,760 Speaker 1: work done right, right, right right, and I'm very happy 748 00:38:32,760 --> 00:38:38,160 Speaker 1: that I did. And honestly, like I told him, I 749 00:38:38,200 --> 00:38:39,840 Speaker 1: was like, you know, I really don't want to change 750 00:38:39,880 --> 00:38:41,759 Speaker 1: the way I look. And I was like, I really 751 00:38:41,760 --> 00:38:44,000 Speaker 1: like the Grescian shape of my nose, like I like it. 752 00:38:44,000 --> 00:38:46,160 Speaker 1: I don't want to look different. And they were like, well, 753 00:38:46,239 --> 00:38:47,759 Speaker 1: you know, the thing is like, when you have a 754 00:38:47,800 --> 00:38:49,400 Speaker 1: surgery like this, you will look a little different. I 755 00:38:49,440 --> 00:38:53,279 Speaker 1: was like, okay, we'll make me look better. Okay. Then 756 00:38:53,280 --> 00:38:57,040 Speaker 1: I wanted to be Thunder up top and like this 757 00:38:58,200 --> 00:39:00,040 Speaker 1: um but you know, it's just it is what it is. 758 00:39:00,200 --> 00:39:02,279 Speaker 1: But I know guys, guys that are a little bit 759 00:39:02,320 --> 00:39:05,120 Speaker 1: older than us, Like I know, we worked on a 760 00:39:05,200 --> 00:39:08,040 Speaker 1: movie with someone who's thirty eight and he is incredible 761 00:39:08,040 --> 00:39:09,560 Speaker 1: skin and I asked him, like, what do you do 762 00:39:09,640 --> 00:39:11,120 Speaker 1: And He's like, when I was thirty one, I started 763 00:39:11,120 --> 00:39:14,600 Speaker 1: getting botox preventatively. So that's something that's on My co 764 00:39:14,680 --> 00:39:17,160 Speaker 1: host Megan Gaily from the I Love a Lifetime podcast, 765 00:39:17,320 --> 00:39:20,440 Speaker 1: which which is so fun We didn't mentioned a couple 766 00:39:20,440 --> 00:39:22,880 Speaker 1: of therapy and I but also Matt. It was so 767 00:39:22,920 --> 00:39:26,440 Speaker 1: funny though because Matt like doesn't like scary and I'm like, okay, 768 00:39:26,480 --> 00:39:28,799 Speaker 1: Lifetime it's thrillers only, honey. And when this one comes 769 00:39:28,800 --> 00:39:31,080 Speaker 1: on and it's like, I was terrified. I was watching 770 00:39:31,120 --> 00:39:34,040 Speaker 1: my laptop. What was what was it called Psychogranny? I 771 00:39:34,040 --> 00:39:36,839 Speaker 1: watched the movie called Psychogranny about Lifetime is horror now 772 00:39:37,440 --> 00:39:44,640 Speaker 1: it's it's thriller, thriller, chiller, thriller Chiller tell that okay, 773 00:39:44,719 --> 00:39:48,080 Speaker 1: but and it was. But she's been doing botox for forever, 774 00:39:48,200 --> 00:39:51,240 Speaker 1: and I'm I thinks I'm too much of a pessimist, 775 00:39:51,280 --> 00:39:53,440 Speaker 1: Like I'm always just afraid of something going wrong. I know, 776 00:39:53,480 --> 00:39:55,160 Speaker 1: I get it, you know, but it's not that I 777 00:39:55,200 --> 00:39:58,360 Speaker 1: don't think like, yeah, I'm just always like, oh lord, 778 00:39:58,440 --> 00:40:00,120 Speaker 1: what do they leave something in me? And next think 779 00:40:01,600 --> 00:40:05,440 Speaker 1: when you when you think about it not as not 780 00:40:05,600 --> 00:40:10,640 Speaker 1: as botox, but as botulism toxin scary. I mean it's 781 00:40:10,680 --> 00:40:12,840 Speaker 1: like then it's like, oh God, that sounds like it 782 00:40:12,880 --> 00:40:14,799 Speaker 1: could go wrong. And also you want the person that's 783 00:40:15,080 --> 00:40:17,120 Speaker 1: doing it to be good. But you can find those 784 00:40:17,160 --> 00:40:19,799 Speaker 1: person that those people you just have to pay for 785 00:40:19,840 --> 00:40:21,600 Speaker 1: it and look for it and take time to like 786 00:40:21,800 --> 00:40:27,359 Speaker 1: figure out wather gay from. But I guess what you're 787 00:40:27,360 --> 00:40:29,160 Speaker 1: saying is that with the Kristen Davis of it all, 788 00:40:29,160 --> 00:40:32,680 Speaker 1: it's like it's hard to you're you're you're there's no 789 00:40:32,920 --> 00:40:36,359 Speaker 1: escaping rough work. Some rough yeah, like some rough times. 790 00:40:36,360 --> 00:40:37,840 Speaker 1: Now because you said you got that done. You know 791 00:40:37,920 --> 00:40:40,920 Speaker 1: your schedule, you planned it, your timing shot the pilot 792 00:40:40,960 --> 00:40:43,799 Speaker 1: of of I Love That for you last March, and 793 00:40:43,840 --> 00:40:45,960 Speaker 1: it was such a pain in the ask putting makeup 794 00:40:46,000 --> 00:40:47,680 Speaker 1: on my nose, and it was such a thing, like 795 00:40:47,719 --> 00:40:49,920 Speaker 1: I was taking so long on the chair because as 796 00:40:49,920 --> 00:40:52,560 Speaker 1: a result of it, my nose was irritated. It was painful, 797 00:40:52,840 --> 00:40:55,440 Speaker 1: and so I was like, I'm not putting myself through 798 00:40:55,480 --> 00:40:57,480 Speaker 1: this or a makeup department through this. Again. I was 799 00:40:57,480 --> 00:40:59,319 Speaker 1: pretty confident to get picked up. So I was like, 800 00:40:59,400 --> 00:41:04,040 Speaker 1: let's fucking this. So I got get this the doctor 801 00:41:04,120 --> 00:41:06,840 Speaker 1: who put Mary Joe but A Fuko's face back together 802 00:41:06,920 --> 00:41:09,719 Speaker 1: after the Long Island Lolita Amy Fisher herself shot her 803 00:41:09,760 --> 00:41:12,800 Speaker 1: in the face. I got him to put my nose 804 00:41:13,000 --> 00:41:15,399 Speaker 1: back on. How did you Okay? I did not even 805 00:41:15,440 --> 00:41:20,440 Speaker 1: think he'd be a veil around but like you know 806 00:41:20,480 --> 00:41:21,759 Speaker 1: what I mean, Like you'd be like, okay, I can 807 00:41:21,800 --> 00:41:23,080 Speaker 1: see you in four years, do you know what I mean? 808 00:41:23,560 --> 00:41:26,160 Speaker 1: That kind of guys in Beverly Hills. And I was like, 809 00:41:26,280 --> 00:41:28,600 Speaker 1: I was like, let's go. And I got an amazing 810 00:41:28,640 --> 00:41:32,160 Speaker 1: germansologist that recommended him to me. Went did it? It 811 00:41:32,239 --> 00:41:34,359 Speaker 1: was done well? But after the surgery he did tell 812 00:41:34,360 --> 00:41:37,640 Speaker 1: me he's like, it was a really hard surgery. He 813 00:41:37,800 --> 00:41:39,879 Speaker 1: was like, he was like, I'm really happy you came 814 00:41:39,920 --> 00:41:43,600 Speaker 1: to me. And I was like, okay, but honestly, like 815 00:41:43,640 --> 00:41:46,959 Speaker 1: after some like scar treatments, like it looks yeah good yeah, 816 00:41:47,239 --> 00:41:50,480 Speaker 1: and I also don't look different. Right. You feel lucky. 817 00:41:50,600 --> 00:41:59,840 Speaker 1: I feel so lucky, but also you deserve improved and 818 00:42:00,040 --> 00:42:02,600 Speaker 1: also not for nothing, but they did a Scepto plastic two, 819 00:42:02,680 --> 00:42:06,120 Speaker 1: so my breathing looks better. Helped breathing because everyone's got 820 00:42:06,120 --> 00:42:11,440 Speaker 1: that little deviation. Of course, what would you get done? 821 00:42:11,480 --> 00:42:13,839 Speaker 1: Have you had anything done? I haven't had anything done. 822 00:42:14,080 --> 00:42:15,520 Speaker 1: I do. It's son you were talking about like draw 823 00:42:15,560 --> 00:42:19,359 Speaker 1: like I'm noticing, and it's funny that dang half out everybody. Also, 824 00:42:19,480 --> 00:42:21,000 Speaker 1: I had to look at like four edits, you know, 825 00:42:21,040 --> 00:42:24,200 Speaker 1: I mean studying yourself and I said, is it's too 826 00:42:24,560 --> 00:42:26,120 Speaker 1: I mean, we just watched ourselves in a thing and 827 00:42:26,120 --> 00:42:28,880 Speaker 1: it's we had were in crisis. We're in crisis. And 828 00:42:28,880 --> 00:42:30,680 Speaker 1: then meanwhile it's like I'm hearing you say this, and 829 00:42:30,680 --> 00:42:33,080 Speaker 1: I'm like, you looked fucking stunned. And I didn't know, 830 00:42:34,080 --> 00:42:35,600 Speaker 1: you know, I was terrible first of all, to you 831 00:42:35,680 --> 00:42:38,560 Speaker 1: a straight white man. Did my makeup? No? And I 832 00:42:38,840 --> 00:42:41,160 Speaker 1: do that, you know what I mean? Some of the 833 00:42:41,160 --> 00:42:43,520 Speaker 1: stuff I'm like, is this non? Where is he this 834 00:42:43,600 --> 00:42:45,719 Speaker 1: was in New York and a white woman did my hair. 835 00:42:46,280 --> 00:42:50,280 Speaker 1: And when I say, what, this is gonna live online 836 00:42:50,320 --> 00:42:54,640 Speaker 1: forever in eighty countries, and you got these occasions touch 837 00:42:54,719 --> 00:42:56,680 Speaker 1: in my face. Yeah, but you looked great. You looked 838 00:42:56,680 --> 00:42:59,480 Speaker 1: really good. It worked itself out. But part of what 839 00:42:59,600 --> 00:43:02,480 Speaker 1: we didn't you some of that second set is because 840 00:43:02,520 --> 00:43:04,319 Speaker 1: between the taping and there's like no time because I 841 00:43:04,320 --> 00:43:06,680 Speaker 1: was like last on the first show, first on the 842 00:43:06,719 --> 00:43:08,479 Speaker 1: second show, how many how many of you guys because 843 00:43:08,480 --> 00:43:13,880 Speaker 1: they know that they got and Dusty Slay three oh yeah, 844 00:43:14,000 --> 00:43:16,840 Speaker 1: and so so between there's like not much time. Certainly 845 00:43:16,880 --> 00:43:18,160 Speaker 1: I worked up a sweat, you know, I like to 846 00:43:18,160 --> 00:43:20,799 Speaker 1: be very active, and so then he just sort of 847 00:43:20,840 --> 00:43:25,840 Speaker 1: like shelacked on this much lighter stuff and so like 848 00:43:25,880 --> 00:43:29,640 Speaker 1: whenever the camera's like punching in washed the fun out. 849 00:43:29,680 --> 00:43:31,360 Speaker 1: I was looking like yeah I was. It was just 850 00:43:31,400 --> 00:43:34,680 Speaker 1: like and also like cool, it wasn't even warm. I 851 00:43:34,719 --> 00:43:36,560 Speaker 1: will definitely show you photo. I will show you some 852 00:43:36,600 --> 00:43:38,920 Speaker 1: of the original promo pictures. Right, I go, can you 853 00:43:38,960 --> 00:43:41,719 Speaker 1: please make me look my skin colors? And then I'd 854 00:43:41,840 --> 00:43:43,759 Speaker 1: like send them pictures of my actual I was like, 855 00:43:43,760 --> 00:43:45,680 Speaker 1: here's where I was looking good and I was like, 856 00:43:45,719 --> 00:43:48,920 Speaker 1: can you match that? Um, and so it was like, oh, 857 00:43:48,960 --> 00:43:51,719 Speaker 1: good lord. But I just remember just you know, when 858 00:43:51,760 --> 00:43:53,799 Speaker 1: you look at yourself and she's like okay, and you 859 00:43:53,880 --> 00:43:57,319 Speaker 1: have to just freaking let go nothing I can know 860 00:43:57,440 --> 00:44:00,440 Speaker 1: about what somebody's gonna think. And we were like, no 861 00:44:00,480 --> 00:44:02,560 Speaker 1: one is thinking about those little things as much as 862 00:44:02,560 --> 00:44:05,120 Speaker 1: you are. So that's another psychological to go over, especially 863 00:44:05,160 --> 00:44:07,879 Speaker 1: when you're tall and when you're on camera looking down 864 00:44:07,920 --> 00:44:10,080 Speaker 1: at people a lot, like when you look down and 865 00:44:10,160 --> 00:44:13,359 Speaker 1: like this happens, like for example, in the show I'm 866 00:44:13,360 --> 00:44:15,600 Speaker 1: shooting now, like I'm taller than all these ladies, so 867 00:44:15,600 --> 00:44:17,560 Speaker 1: I'm looking down at them like this, and it's just 868 00:44:17,719 --> 00:44:23,680 Speaker 1: I know, the chin be chinning. But also like I 869 00:44:23,840 --> 00:44:27,960 Speaker 1: was not somebody you know, I will do whatever to 870 00:44:28,080 --> 00:44:30,879 Speaker 1: get the laugh. I'm not necessarily trying to look cute 871 00:44:30,880 --> 00:44:34,320 Speaker 1: when I'm on stage, right, so I will into something. 872 00:44:34,480 --> 00:44:37,040 Speaker 1: But then when you see it kind of bigger, it's like, babe, girl, 873 00:44:37,160 --> 00:44:39,799 Speaker 1: you damn. But like in the moments, like of course, 874 00:44:39,840 --> 00:44:41,759 Speaker 1: like that was fun for me to do, and then 875 00:44:41,840 --> 00:44:43,400 Speaker 1: it was just funny when they were like, okay, you 876 00:44:43,400 --> 00:44:46,960 Speaker 1: have some promotional photos. I was like, regectgect reject in 877 00:44:47,000 --> 00:44:50,080 Speaker 1: the moment it works, Yeah, you just take a step. 878 00:44:50,080 --> 00:44:53,480 Speaker 1: It's upset. That's another thing with live performances, like you 879 00:44:53,520 --> 00:44:56,920 Speaker 1: figure out your little little tricks that work, like like 880 00:44:57,000 --> 00:44:59,279 Speaker 1: you're a little kind of shifts and moments that work, 881 00:44:59,360 --> 00:45:01,120 Speaker 1: like you know, you're little things, and then you look 882 00:45:01,120 --> 00:45:04,080 Speaker 1: at them on camera and you're like, oh, and you 883 00:45:04,160 --> 00:45:07,480 Speaker 1: got my trick and trick is ugly and you got 884 00:45:07,760 --> 00:45:11,400 Speaker 1: You got to learn to not hate the skills photographer. 885 00:45:11,760 --> 00:45:16,520 Speaker 1: It's not it's not it's not their fault. It's God's faults. 886 00:45:16,800 --> 00:45:18,680 Speaker 1: Are they you know, they happen to press the shutter 887 00:45:18,719 --> 00:45:20,520 Speaker 1: at the at the weird at the wrong time. Look, 888 00:45:20,560 --> 00:45:24,120 Speaker 1: I'm a mover. It's hard for them the right and 889 00:45:24,120 --> 00:45:25,040 Speaker 1: so a lot of you know, when you have a 890 00:45:25,080 --> 00:45:26,719 Speaker 1: lot of comics who do kind of just stand in place, 891 00:45:26,760 --> 00:45:30,360 Speaker 1: it's really easy to just get them being killed. Whereas Henny, 892 00:45:30,640 --> 00:45:34,239 Speaker 1: I'm using the space, you're filling the negative space. And yes, 893 00:45:34,560 --> 00:45:37,520 Speaker 1: thank you connectic, connectic, kinesthetic and the suit. We have 894 00:45:37,560 --> 00:45:41,720 Speaker 1: to shout out the Susan Alexandra bag Oh absolutely shout 895 00:45:41,719 --> 00:45:44,080 Speaker 1: out Sydney Washington for making that connection for me, like 896 00:45:44,120 --> 00:45:46,879 Speaker 1: two days before the tacause I'm like, I love her bag. 897 00:45:46,920 --> 00:45:49,520 Speaker 1: And then she was like, Susan Alexandra, here's her here's 898 00:45:49,520 --> 00:45:51,680 Speaker 1: her number. And I was like, oh my gosh, she 899 00:45:51,719 --> 00:45:53,520 Speaker 1: gave me back. And I lived, you know, because I 900 00:45:53,640 --> 00:45:55,319 Speaker 1: love to bring my bag on stage because I don't 901 00:45:55,320 --> 00:45:58,560 Speaker 1: trust people, but I knew it to be special and 902 00:45:59,040 --> 00:46:01,360 Speaker 1: I didn't want to do it to start and and 903 00:46:01,400 --> 00:46:02,880 Speaker 1: I couldn't figure out how to start to set. And 904 00:46:02,920 --> 00:46:05,000 Speaker 1: then I was just like, but every time I bring 905 00:46:05,000 --> 00:46:07,040 Speaker 1: the bag, it just kind of loosens up the room. Yeah, 906 00:46:07,080 --> 00:46:10,640 Speaker 1: but I was like solid bit to start out on, 907 00:46:10,680 --> 00:46:12,560 Speaker 1: and we have those little things it's like, and they're tried, 908 00:46:12,600 --> 00:46:15,320 Speaker 1: and I never I never fault uh someone who have 909 00:46:15,440 --> 00:46:18,640 Speaker 1: seen do this similarly structured set multiple times. I never 910 00:46:18,680 --> 00:46:23,080 Speaker 1: fought them for doing the same ten poles like start, midpoint, finish, 911 00:46:23,160 --> 00:46:25,480 Speaker 1: like if they're all like consistent, I'm like, yes, that 912 00:46:25,560 --> 00:46:28,279 Speaker 1: works on a structural level. But I wasn't sure because right, 913 00:46:28,320 --> 00:46:30,480 Speaker 1: of course you could do it when like we're performing 914 00:46:30,480 --> 00:46:32,640 Speaker 1: in some Drinkie Balls theater. But I was like, this 915 00:46:32,719 --> 00:46:35,280 Speaker 1: is a taping. You know, my bag is actually safe somewhere. 916 00:46:36,120 --> 00:46:38,400 Speaker 1: But I was like, well, who really knows. We're in 917 00:46:38,480 --> 00:46:41,880 Speaker 1: times Square. I was like, I just gonna have it, 918 00:46:41,920 --> 00:46:43,600 Speaker 1: and I didn't have my phone in there. I had 919 00:46:43,600 --> 00:46:48,400 Speaker 1: my room key and I had oh my god, you 920 00:46:48,440 --> 00:46:50,280 Speaker 1: get Yeah, of course you guys give up your apartment 921 00:46:50,280 --> 00:46:53,319 Speaker 1: in New York, right that was your mom's place. Yes, yes, 922 00:46:54,000 --> 00:46:55,680 Speaker 1: she's still there. Yeah, but we were like, you know, 923 00:46:55,680 --> 00:46:58,640 Speaker 1: it's for the taping and everything. We were at the 924 00:46:58,640 --> 00:47:00,680 Speaker 1: hotel they were taping up because we had to do 925 00:47:00,719 --> 00:47:02,839 Speaker 1: all this, you know, running back and forth. Did Mom 926 00:47:02,840 --> 00:47:05,880 Speaker 1: come to one of the shows and and Mama, she 927 00:47:05,960 --> 00:47:09,640 Speaker 1: always his notes and after the seven though, she came 928 00:47:09,640 --> 00:47:11,800 Speaker 1: to this early show and she texted me, she goes, Naomi, 929 00:47:12,160 --> 00:47:17,640 Speaker 1: I haven't laughed so hard? That was that was great? No, no, 930 00:47:18,840 --> 00:47:22,640 Speaker 1: And she usually has one notes and are do you 931 00:47:22,680 --> 00:47:26,360 Speaker 1: get them? Are you kind of like, Mom, man, we 932 00:47:26,400 --> 00:47:28,480 Speaker 1: don't need this. We don't need those notes, do you 933 00:47:28,520 --> 00:47:30,760 Speaker 1: know what I mean? It's already been done, the show's been. 934 00:47:31,080 --> 00:47:32,799 Speaker 1: I don't need to telling me has should warn something else? 935 00:47:32,840 --> 00:47:36,399 Speaker 1: The shows been that kind of stuff, And so it's 936 00:47:36,480 --> 00:47:40,640 Speaker 1: like mom notes about this joke, but even that is 937 00:47:40,680 --> 00:47:42,279 Speaker 1: a mom version. She was like, do you have to 938 00:47:42,280 --> 00:47:46,359 Speaker 1: say that? You know? Parental notes and my experience as 939 00:47:46,400 --> 00:47:49,520 Speaker 1: well I've always been about my appearance and not even 940 00:47:49,680 --> 00:47:51,719 Speaker 1: my appearance or my dad will always be like on 941 00:47:51,760 --> 00:47:54,360 Speaker 1: Sundays will be like, wow, I loved how you played 942 00:47:54,360 --> 00:47:56,839 Speaker 1: a news reporter. I loved how you looked like a 943 00:47:56,880 --> 00:48:00,239 Speaker 1: normal person. And I'm like, Okay, I understand what you're saying, 944 00:48:00,280 --> 00:48:03,120 Speaker 1: like that it wasn't like a total fucking faggot on 945 00:48:03,160 --> 00:48:05,520 Speaker 1: TV and you're happy about that, and I and you 946 00:48:05,520 --> 00:48:07,840 Speaker 1: know what, like that's what the that's what the parental 947 00:48:07,840 --> 00:48:18,640 Speaker 1: feedback usually ends up being for me. Parental feeds. I 948 00:48:18,680 --> 00:48:20,520 Speaker 1: have to say, I'm pretty lucky with this. My parents 949 00:48:20,640 --> 00:48:25,279 Speaker 1: kind of my parents kind of getting and I think 950 00:48:25,360 --> 00:48:28,399 Speaker 1: I think that they they've kind of, like, um, seen 951 00:48:28,520 --> 00:48:32,040 Speaker 1: me do a lot on like they were coming to 952 00:48:32,120 --> 00:48:34,160 Speaker 1: like my sketch comedy shows in college where it was 953 00:48:34,239 --> 00:48:37,440 Speaker 1: like all the humor was basically sex, so you know 954 00:48:37,480 --> 00:48:39,040 Speaker 1: what I mean like that, so they've kind of seen 955 00:48:39,120 --> 00:48:41,520 Speaker 1: the whole thing. I think that now that it's become 956 00:48:42,840 --> 00:48:46,080 Speaker 1: sort of more personality driven, my dad says things like 957 00:48:46,160 --> 00:48:48,480 Speaker 1: it's great to be a fly on the wall, like 958 00:48:48,520 --> 00:48:51,480 Speaker 1: my dad. My dad really likes the episodes of this 959 00:48:51,520 --> 00:48:54,640 Speaker 1: podcast where it's like he loves the study episodes because 960 00:48:54,640 --> 00:48:56,920 Speaker 1: it's just like he and sometimes I have to remind 961 00:48:56,920 --> 00:48:58,640 Speaker 1: myself that he's listening to It was like, and I 962 00:48:58,719 --> 00:49:01,120 Speaker 1: don't I never do why, like when it's just here 963 00:49:01,160 --> 00:49:03,560 Speaker 1: because we pop off or whatever. But I think there 964 00:49:03,680 --> 00:49:08,040 Speaker 1: is something about um parents getting to genuinely actually get 965 00:49:08,120 --> 00:49:10,960 Speaker 1: to know their kids and their work because I'm not 966 00:49:11,040 --> 00:49:13,560 Speaker 1: going to go home and with my mom and dad 967 00:49:13,560 --> 00:49:16,960 Speaker 1: be like, well, it's been tough with me bottoming recently, 968 00:49:17,160 --> 00:49:20,000 Speaker 1: because you know what I mean. Whereas where I'm with him, 969 00:49:20,080 --> 00:49:22,520 Speaker 1: it's kind of just like, you know, I say these 970 00:49:22,520 --> 00:49:26,200 Speaker 1: things because that's how I feel and it is part 971 00:49:26,200 --> 00:49:29,160 Speaker 1: of my comedy, part of my experience. But um, I 972 00:49:29,239 --> 00:49:33,279 Speaker 1: would I don't think at this point anything would surprise them, 973 00:49:33,320 --> 00:49:36,160 Speaker 1: and I don't think they feel like it's not like 974 00:49:36,200 --> 00:49:38,280 Speaker 1: it maybe was in the beginning where they're like maybe 975 00:49:38,280 --> 00:49:39,960 Speaker 1: this or maybe that. Like I think they know that 976 00:49:40,040 --> 00:49:44,080 Speaker 1: I know what's up right? Does mom listen to your podcast? No? 977 00:49:44,200 --> 00:49:47,200 Speaker 1: But Uncle Fred does, and Uncle Brand will be commenting. 978 00:49:47,200 --> 00:49:49,279 Speaker 1: I was like, you're very active on Instagram Uncle for you, 979 00:49:49,440 --> 00:49:50,719 Speaker 1: I don't, I'm not ready, but it is. And then 980 00:49:50,760 --> 00:49:51,920 Speaker 1: I'll be talking to a pout and then I'm like 981 00:49:51,960 --> 00:49:55,560 Speaker 1: oh my god, uncle Fred, I'll remember because and but 982 00:49:55,560 --> 00:49:58,239 Speaker 1: it's just funny because he's never said anything to me 983 00:49:58,880 --> 00:50:01,319 Speaker 1: like it's in common on stuff. He's never like written me, 984 00:50:01,360 --> 00:50:03,200 Speaker 1: you know, a message, or been like yah, man, I'm 985 00:50:03,239 --> 00:50:05,400 Speaker 1: worried he just but he doesn't. But I have to 986 00:50:05,400 --> 00:50:08,760 Speaker 1: remember that. But it's just so funny. I'm pretty glad 987 00:50:08,840 --> 00:50:11,839 Speaker 1: that she doesn't. She hasn't really done a deep dive 988 00:50:11,920 --> 00:50:14,920 Speaker 1: on podcasts as a concept. I will not encourage it. 989 00:50:15,200 --> 00:50:18,319 Speaker 1: I will not tell her how. I just said, you 990 00:50:18,320 --> 00:50:21,520 Speaker 1: know what, just know they happen. She did listen to Lifetime. 991 00:50:21,920 --> 00:50:24,040 Speaker 1: She was like, oh, I like the beginning, which means 992 00:50:24,040 --> 00:50:28,440 Speaker 1: she only heard the intro right, yes, yes, she was 993 00:50:28,480 --> 00:50:31,320 Speaker 1: like this sounds fun um And so I was like, great, 994 00:50:31,600 --> 00:50:33,200 Speaker 1: you know, I'm not I'm not gonna let It took 995 00:50:33,239 --> 00:50:36,319 Speaker 1: me so long just to let her come see me perform. 996 00:50:36,440 --> 00:50:38,600 Speaker 1: We can't. It's like can you have? Can you have anything? 997 00:50:39,880 --> 00:50:42,000 Speaker 1: That's the thing. You've got to draw these lines, you know, 998 00:50:42,040 --> 00:50:45,440 Speaker 1: the public, the private or not even just private. As 999 00:50:45,480 --> 00:50:48,040 Speaker 1: much as you know you and your parents, Matt y'all 1000 00:50:48,040 --> 00:50:51,800 Speaker 1: are like hanging out golfing, loving each other in Disney World. 1001 00:50:52,120 --> 00:50:55,319 Speaker 1: You know what I mean, and there's like an ease there, 1002 00:50:55,640 --> 00:50:58,880 Speaker 1: whereas I think I am still very much controlling the 1003 00:50:59,000 --> 00:51:04,520 Speaker 1: narrative and yeah, recalibrating the distance and not not in 1004 00:51:04,719 --> 00:51:08,000 Speaker 1: not in like a a dysfunctional way. I'm sorry, but 1005 00:51:08,000 --> 00:51:09,320 Speaker 1: you know what I mean. Like that's that's why I 1006 00:51:09,360 --> 00:51:11,239 Speaker 1: feel like I to be honest, I feel like I 1007 00:51:11,280 --> 00:51:14,279 Speaker 1: do that a lot um and it's okay. And I 1008 00:51:14,280 --> 00:51:17,560 Speaker 1: think my parents understand that, and it's it's fine because 1009 00:51:17,560 --> 00:51:20,520 Speaker 1: there's been a lot of pain in the journey towards me, 1010 00:51:20,560 --> 00:51:23,880 Speaker 1: like doing what I do right right, so it should 1011 00:51:24,200 --> 00:51:25,879 Speaker 1: a lot of it is sacred to me. And also 1012 00:51:25,920 --> 00:51:27,880 Speaker 1: I feel like now they understand it because it's so 1013 00:51:28,000 --> 00:51:30,360 Speaker 1: objective your success. Yes, you know what I mean, like it, 1014 00:51:30,440 --> 00:51:32,440 Speaker 1: Whereas like I think it was kind of a morphous 1015 00:51:32,440 --> 00:51:35,319 Speaker 1: to them before because they didn't understand what like where 1016 00:51:35,320 --> 00:51:37,520 Speaker 1: I would end up, right, yeah, and now that it's 1017 00:51:37,560 --> 00:51:40,000 Speaker 1: like and they didn't even really know what Saturday Night 1018 00:51:40,040 --> 00:51:42,080 Speaker 1: Live was, right but then it but then it ended 1019 00:51:42,120 --> 00:51:44,279 Speaker 1: up being like a thing like sitting in like you know, 1020 00:51:44,760 --> 00:51:46,960 Speaker 1: an uber and having your driver be like what have 1021 00:51:47,040 --> 00:51:49,480 Speaker 1: you what have you done? And you can say like Netflix, 1022 00:51:49,520 --> 00:51:52,120 Speaker 1: and like it took like other people to tell my 1023 00:51:52,160 --> 00:51:55,359 Speaker 1: parents so well, that came in to my mom too. 1024 00:51:55,480 --> 00:51:57,520 Speaker 1: I remember when I first started writing on Broad City 1025 00:51:57,960 --> 00:52:01,200 Speaker 1: and again and even Common Central, like Mama, she's like, 1026 00:52:01,239 --> 00:52:04,680 Speaker 1: she has a whip series. And then she was at 1027 00:52:04,680 --> 00:52:06,920 Speaker 1: work and there was a young a young lawyer in 1028 00:52:06,960 --> 00:52:09,520 Speaker 1: the in the elevator and like one of my mom's 1029 00:52:09,520 --> 00:52:11,040 Speaker 1: friends is like, you know house Naomi. She's like, oh, 1030 00:52:11,040 --> 00:52:12,640 Speaker 1: she's good, she's on she's working on this thing called 1031 00:52:12,640 --> 00:52:16,840 Speaker 1: broad City. And then the lawyer young ladies like and 1032 00:52:16,880 --> 00:52:18,719 Speaker 1: then my mom came home and was like, what is 1033 00:52:18,760 --> 00:52:21,880 Speaker 1: this broad say, yeah, it's like it's been two years, 1034 00:52:22,719 --> 00:52:23,960 Speaker 1: but it's true. It's like you have to hear from 1035 00:52:23,960 --> 00:52:27,000 Speaker 1: other people to kind of understand where it stands. Well, 1036 00:52:27,040 --> 00:52:30,359 Speaker 1: it's so fascinating now too, because we are so far 1037 00:52:30,400 --> 00:52:33,560 Speaker 1: away from the monoculture. Then unless it's like yellow Stone, 1038 00:52:34,239 --> 00:52:37,200 Speaker 1: which my parents do watch, not everyone knows it, like 1039 00:52:37,239 --> 00:52:38,880 Speaker 1: I wrote for the other two, which is like a 1040 00:52:39,000 --> 00:52:41,880 Speaker 1: huge show within the gay community with the comedy community. 1041 00:52:41,920 --> 00:52:44,600 Speaker 1: But then and No Shade. But like you talk to 1042 00:52:44,640 --> 00:52:47,360 Speaker 1: people who are like my parents and they don't know 1043 00:52:47,400 --> 00:52:50,280 Speaker 1: what the funk that is like, but it means everything 1044 00:52:50,320 --> 00:52:51,920 Speaker 1: to people that live in New York in l A 1045 00:52:52,040 --> 00:52:54,360 Speaker 1: and like huge and like, oh my god, love that show. Whatever. 1046 00:52:54,560 --> 00:52:57,160 Speaker 1: People don't know what that is, people don't know what 1047 00:52:57,280 --> 00:52:59,880 Speaker 1: Q force it? Right, I know, I love it. Oh 1048 00:53:00,200 --> 00:53:04,319 Speaker 1: while I have you here? Were you also singing giving 1049 00:53:04,360 --> 00:53:06,879 Speaker 1: me the falsetto of the Little Boy from Geno? Thank you? 1050 00:53:07,000 --> 00:53:09,640 Speaker 1: I thought, so, I said, that's Matt's falsetto. And then 1051 00:53:09,640 --> 00:53:10,920 Speaker 1: it's such a fun line where he goes, can I 1052 00:53:11,000 --> 00:53:13,480 Speaker 1: kill him? He's a threat to me? And so I 1053 00:53:13,600 --> 00:53:18,040 Speaker 1: just like it was you. You know when people tell 1054 00:53:18,080 --> 00:53:20,319 Speaker 1: me that they liked you for us, I was so 1055 00:53:21,360 --> 00:53:23,520 Speaker 1: very I wasn't. I wasn't. Like a friend's birthday party 1056 00:53:23,520 --> 00:53:25,319 Speaker 1: recently in a couple of days came over and they 1057 00:53:25,320 --> 00:53:28,240 Speaker 1: were like, I just and on set this the second 1058 00:53:28,280 --> 00:53:30,920 Speaker 1: idea came over and she was like I had just 1059 00:53:30,960 --> 00:53:34,680 Speaker 1: found out something. And then she's like your twink And 1060 00:53:34,719 --> 00:53:38,400 Speaker 1: I was like I am and I came out of 1061 00:53:38,400 --> 00:53:41,880 Speaker 1: her mouth and I was like, she's like, you're a twink. 1062 00:53:42,200 --> 00:53:47,319 Speaker 1: I thought I heard that your twink? Twink? I was like, 1063 00:53:47,640 --> 00:53:49,480 Speaker 1: I was like and I was like not for like 1064 00:53:49,600 --> 00:53:54,280 Speaker 1: nine years like this, but like it's it's interesting because 1065 00:53:54,320 --> 00:53:56,359 Speaker 1: like my parents only know what the should I work 1066 00:53:56,400 --> 00:53:59,640 Speaker 1: on is is because I tell them because I'm not 1067 00:53:59,719 --> 00:54:03,279 Speaker 1: working on and even the network shows like Our, people 1068 00:54:03,360 --> 00:54:06,360 Speaker 1: don't know that, you know what. I looks so excited 1069 00:54:06,400 --> 00:54:11,719 Speaker 1: to see succeed is like that is so great. And 1070 00:54:11,719 --> 00:54:14,280 Speaker 1: also to see Janelle on it, and like that feels 1071 00:54:15,239 --> 00:54:20,239 Speaker 1: she's so funny. It feels just like our and I 1072 00:54:20,239 --> 00:54:22,640 Speaker 1: don't know Quinta, but like I do know Janelle a 1073 00:54:22,640 --> 00:54:25,319 Speaker 1: little bit, like but I know that people know them 1074 00:54:25,360 --> 00:54:29,560 Speaker 1: around and to see that cross over and to see 1075 00:54:29,560 --> 00:54:31,400 Speaker 1: her be like the star of that show and like 1076 00:54:31,680 --> 00:54:34,120 Speaker 1: it be a mainstream success and people really like it, 1077 00:54:34,200 --> 00:54:37,359 Speaker 1: Like that's very rare. Yes, it's a great premise for 1078 00:54:37,480 --> 00:54:39,440 Speaker 1: a comedy to where it's like and it feels very 1079 00:54:39,480 --> 00:54:40,839 Speaker 1: oft the time, where it's like, oh, these teachers are 1080 00:54:40,840 --> 00:54:43,320 Speaker 1: like underresourced and like they're gonna make it work themselves. 1081 00:54:43,320 --> 00:54:45,000 Speaker 1: Like that's the thing is. It's like you you think, 1082 00:54:45,040 --> 00:54:47,880 Speaker 1: like situation comedy in an elementary school or whatever it 1083 00:54:48,000 --> 00:54:50,040 Speaker 1: is like in the public school is going to be like, oh, 1084 00:54:50,080 --> 00:54:52,120 Speaker 1: we've seen it, but then there is that very specific 1085 00:54:52,160 --> 00:54:55,879 Speaker 1: angle of the underfunded, underresourced thing and it's like makes 1086 00:54:55,920 --> 00:54:59,040 Speaker 1: it timely without feeling beating you over the heaven and 1087 00:54:59,040 --> 00:55:02,279 Speaker 1: I'm just excited to to you because there is success 1088 00:55:02,320 --> 00:55:04,640 Speaker 1: in the industry in terms of, yes, I got something made, 1089 00:55:04,880 --> 00:55:07,440 Speaker 1: and then there's real success in terms of, like I 1090 00:55:07,480 --> 00:55:11,839 Speaker 1: got a network thing. I made it people either like 1091 00:55:12,040 --> 00:55:14,839 Speaker 1: someone recognized the talent or like the goods. That's one 1092 00:55:14,920 --> 00:55:18,319 Speaker 1: success I made. The thing that's another success people know 1093 00:55:18,400 --> 00:55:21,839 Speaker 1: it exists is the third success. You know, like they're 1094 00:55:21,840 --> 00:55:24,200 Speaker 1: the different ways and you have to sometimes just you 1095 00:55:24,239 --> 00:55:30,560 Speaker 1: know exactly. The Quintin thing is so cool because, um, 1096 00:55:30,560 --> 00:55:31,880 Speaker 1: I think that the right up in Vulture was that, 1097 00:55:31,920 --> 00:55:33,120 Speaker 1: like I think they did a profile on her where 1098 00:55:33,120 --> 00:55:34,920 Speaker 1: they were like she like kind of like for her 1099 00:55:34,960 --> 00:55:37,560 Speaker 1: to like make a network comedy sort of like pop 1100 00:55:37,600 --> 00:55:40,520 Speaker 1: off this way is like yeah, pretty great, Yeah, especially 1101 00:55:40,520 --> 00:55:45,040 Speaker 1: because not often do they succeed because there's so many 1102 00:55:45,280 --> 00:55:46,799 Speaker 1: I mean, think about how hard it is. Well, she 1103 00:55:46,840 --> 00:55:49,319 Speaker 1: and I we're developing both ABC at the same time, 1104 00:55:49,920 --> 00:55:53,400 Speaker 1: and so yeah, that this particularly, I think that time 1105 00:55:53,480 --> 00:55:55,640 Speaker 1: in that cycle where it was like and also to 1106 00:55:55,719 --> 00:55:57,919 Speaker 1: a kind of overlapped in the pandemic started because first 1107 00:55:58,080 --> 00:56:00,080 Speaker 1: like we like you, but now we want you to 1108 00:56:00,160 --> 00:56:05,200 Speaker 1: backup script. Okay, now it's like a boom and all 1109 00:56:05,239 --> 00:56:06,880 Speaker 1: that kind of stuff, and so you know, just to 1110 00:56:06,920 --> 00:56:09,359 Speaker 1: get through all of that and also for nobody over 1111 00:56:09,400 --> 00:56:11,400 Speaker 1: there to give up on her, you know, to be like, 1112 00:56:11,680 --> 00:56:14,120 Speaker 1: let's make this, let's do this. Do you know? That's like, 1113 00:56:14,160 --> 00:56:17,839 Speaker 1: I mean, blessings all around, but you gotta you gotta 1114 00:56:17,880 --> 00:56:21,920 Speaker 1: run your own room soon. And it's it's talent you 1115 00:56:22,400 --> 00:56:25,160 Speaker 1: don't know in the room though Okay I didn't. Okay, see, 1116 00:56:25,200 --> 00:56:27,520 Speaker 1: I just assumed for whatever reason, just because you've been 1117 00:56:27,520 --> 00:56:29,520 Speaker 1: in you've you've done the job so well for so 1118 00:56:29,560 --> 00:56:31,640 Speaker 1: long that like maybe you would want to level up 1119 00:56:31,640 --> 00:56:32,839 Speaker 1: and do it. But if you just want to be talent, 1120 00:56:33,080 --> 00:56:35,120 Speaker 1: god bless. Like I'd love to write it, but you 1121 00:56:35,160 --> 00:56:37,760 Speaker 1: know what it is actually when I see what performer 1122 00:56:37,760 --> 00:56:41,680 Speaker 1: showrunners have done, you know, working on difficult people for instance, 1123 00:56:41,719 --> 00:56:44,560 Speaker 1: obviously Broad City and like and again that's a little 1124 00:56:44,560 --> 00:56:48,080 Speaker 1: different because LEAs they right and then shoot, but sometimes 1125 00:56:48,080 --> 00:56:51,399 Speaker 1: that overlaps and it's like, honestly, do not care what 1126 00:56:51,520 --> 00:56:54,840 Speaker 1: color tie the extra is wearing, right, but the showrunner 1127 00:56:54,840 --> 00:56:56,839 Speaker 1: needs to having a page and everyone the very least 1128 00:56:56,840 --> 00:56:58,960 Speaker 1: someone's gonna ask for it. I don't even like when 1129 00:56:58,960 --> 00:57:02,759 Speaker 1: people behind me and mine or like let alone if 1130 00:57:02,760 --> 00:57:04,640 Speaker 1: a bunch of people are waiting for my opinion on 1131 00:57:04,719 --> 00:57:08,520 Speaker 1: something for it to begin. It's especially when you are 1132 00:57:08,680 --> 00:57:11,239 Speaker 1: like I see Vanessa do it like she's the star 1133 00:57:11,280 --> 00:57:14,120 Speaker 1: of the show. She like created the show, she like 1134 00:57:14,640 --> 00:57:16,240 Speaker 1: is an EP on the show. She does all these 1135 00:57:16,240 --> 00:57:19,920 Speaker 1: things and like the first episode, and it's just it's 1136 00:57:20,160 --> 00:57:23,560 Speaker 1: so much work and the only like I think about this, 1137 00:57:23,600 --> 00:57:25,080 Speaker 1: Like I think about, like what would it be like, 1138 00:57:25,120 --> 00:57:27,000 Speaker 1: you know, for us to have our own show, And 1139 00:57:27,040 --> 00:57:29,160 Speaker 1: it's like you really have to fall in love with 1140 00:57:29,200 --> 00:57:32,120 Speaker 1: the idea because you have it has to be your life. 1141 00:57:32,400 --> 00:57:34,560 Speaker 1: Like that's the thing is. It's like when we talk 1142 00:57:34,600 --> 00:57:36,840 Speaker 1: about like making a show or like what I think, 1143 00:57:36,880 --> 00:57:38,480 Speaker 1: I think about what I want that to be, It's 1144 00:57:38,520 --> 00:57:40,880 Speaker 1: like I have to really wait to make sure that 1145 00:57:40,920 --> 00:57:44,240 Speaker 1: it's the right thing, saying the right thing with the 1146 00:57:44,320 --> 00:57:47,280 Speaker 1: right people in the right way, because you have to 1147 00:57:47,440 --> 00:57:50,000 Speaker 1: be a hundred percent on board because it is a 1148 00:57:50,160 --> 00:57:54,280 Speaker 1: hud of your energy. It is so hard to be 1149 00:57:54,400 --> 00:57:58,320 Speaker 1: that person, I mean eighty with shrill and still has 1150 00:57:58,360 --> 00:58:02,520 Speaker 1: such a sunny disposition. I know, and I cry if 1151 00:58:02,560 --> 00:58:05,360 Speaker 1: I think too much about it. How is that possible? 1152 00:58:06,000 --> 00:58:08,600 Speaker 1: Honestly superhuman. Okay, the fact that you can already like 1153 00:58:08,760 --> 00:58:12,200 Speaker 1: draw that boundary within yourself is huge and like will 1154 00:58:12,240 --> 00:58:13,800 Speaker 1: mean good things. And then if you just want to 1155 00:58:13,800 --> 00:58:16,560 Speaker 1: be talent for now, then yes, oh my god, please 1156 00:58:16,640 --> 00:58:18,720 Speaker 1: just like well, I feel like I feel like we're 1157 00:58:18,760 --> 00:58:23,040 Speaker 1: like encouraged to want to be but we're also okay 1158 00:58:23,080 --> 00:58:25,480 Speaker 1: because I I secretly want that too, I think, And 1159 00:58:25,840 --> 00:58:28,040 Speaker 1: it's been I haven't really been able to say that, 1160 00:58:28,320 --> 00:58:33,959 Speaker 1: don't be talent. I'm obsessed with being talented. Honestly, thank you, 1161 00:58:34,080 --> 00:58:36,520 Speaker 1: because here's the thing. And also I'm happy to write. 1162 00:58:36,720 --> 00:58:38,640 Speaker 1: But also, but here's the other thing I will say. 1163 00:58:38,880 --> 00:58:41,040 Speaker 1: And again, I hope I'm not sound like I'm preaching 1164 00:58:41,040 --> 00:58:42,920 Speaker 1: on you. No, no, no, no, no. I think the 1165 00:58:42,960 --> 00:58:45,080 Speaker 1: thing is we're in a business, you know where we 1166 00:58:45,120 --> 00:58:47,520 Speaker 1: are creative and there is a very big difference between 1167 00:58:47,520 --> 00:58:51,040 Speaker 1: a creative voice and a managerial voice, knowing how to delegate, 1168 00:58:51,120 --> 00:58:52,960 Speaker 1: know on how to communicate you. And I would say 1169 00:58:52,960 --> 00:58:54,800 Speaker 1: you right now if I'm your Boston probably crowned in 1170 00:58:54,800 --> 00:58:57,200 Speaker 1: the bathroom, and we just don't need it. We need 1171 00:58:57,240 --> 00:58:59,880 Speaker 1: someone professional, we need someone focused, We need someone not 1172 00:59:00,040 --> 00:59:02,040 Speaker 1: emotionally attached to this and you know what you know, 1173 00:59:02,040 --> 00:59:04,600 Speaker 1: because like if I'm doing something and then you're like 1174 00:59:04,640 --> 00:59:08,120 Speaker 1: it's gonna work, I'm like this is who. Yeah, I've 1175 00:59:08,160 --> 00:59:12,320 Speaker 1: almost I've almost cried like several times over nothing, and 1176 00:59:12,360 --> 00:59:19,160 Speaker 1: I'm like and I'm number six, but like I walk 1177 00:59:19,160 --> 00:59:20,680 Speaker 1: away from a take and I'm like, I hope we 1178 00:59:20,760 --> 00:59:22,800 Speaker 1: got it, and the tears come to my eyes and 1179 00:59:22,800 --> 00:59:25,200 Speaker 1: I'm like, thank god, I'm not more invested in something 1180 00:59:25,240 --> 00:59:27,440 Speaker 1: because I would be a wreck. Like you have to 1181 00:59:27,480 --> 00:59:30,400 Speaker 1: like actually like look at yourself and be like maybe 1182 00:59:30,440 --> 00:59:33,080 Speaker 1: like right now where I'm at, like it is better 1183 00:59:33,120 --> 00:59:35,520 Speaker 1: for me to just soak up and sponge and like learn, 1184 00:59:35,640 --> 00:59:38,920 Speaker 1: like you know, it's it's it's all a process, you know. 1185 00:59:39,000 --> 00:59:42,320 Speaker 1: Not everyone is fucking and who knows if she even 1186 00:59:42,360 --> 00:59:44,800 Speaker 1: really was ready Like Lena Dunn, I'm ready to run 1187 00:59:44,840 --> 00:59:48,280 Speaker 1: and create her show and start at two or three, 1188 00:59:48,600 --> 00:59:50,520 Speaker 1: like you know what I mean, Like you think because 1189 00:59:50,560 --> 00:59:53,480 Speaker 1: these things are done, that they're possible, that they are 1190 00:59:53,520 --> 00:59:56,880 Speaker 1: the standards right, and they're not. They're not. They're not. 1191 00:59:56,960 --> 01:00:00,280 Speaker 1: There's something I love about I think part what I 1192 01:00:00,320 --> 01:00:03,000 Speaker 1: love about, like, for instance, being on a set is 1193 01:00:03,040 --> 01:00:05,320 Speaker 1: the feeling of being a cog and wheel, not in 1194 01:00:05,320 --> 01:00:07,240 Speaker 1: a bad way. But there's something when you are standing 1195 01:00:07,240 --> 01:00:09,120 Speaker 1: on a set and you look out and it's like 1196 01:00:09,200 --> 01:00:13,240 Speaker 1: sixty up, hand, make it happen. Lift and ship, got 1197 01:00:13,240 --> 01:00:15,200 Speaker 1: the cargo shorts full of stuff and all the pole 1198 01:00:15,960 --> 01:00:18,400 Speaker 1: you realize my job is to stand here and make 1199 01:00:18,440 --> 01:00:20,960 Speaker 1: it easy for you. Yes, And that is such in 1200 01:00:21,000 --> 01:00:25,280 Speaker 1: a way, the simplicity of that is very sounding to me. Yes, 1201 01:00:25,440 --> 01:00:27,000 Speaker 1: I like that way more than like, you know, if 1202 01:00:27,000 --> 01:00:28,240 Speaker 1: everyone comes, he's like, what do you think, what do 1203 01:00:28,320 --> 01:00:30,120 Speaker 1: you feel? What do you want? What do you you know? 1204 01:00:30,240 --> 01:00:33,280 Speaker 1: Then you get you start to fatigue, and also you 1205 01:00:33,320 --> 01:00:34,880 Speaker 1: just believe your own hyping. You start to think you 1206 01:00:34,880 --> 01:00:37,000 Speaker 1: are the center of the universe. You can and that 1207 01:00:37,160 --> 01:00:38,640 Speaker 1: that's so funny because like at the end of the 1208 01:00:38,720 --> 01:00:40,720 Speaker 1: day of the other day, like we were leaving the 1209 01:00:40,800 --> 01:00:42,520 Speaker 1: end of the day and like a sound guy came 1210 01:00:42,520 --> 01:00:44,160 Speaker 1: over and he was like, hey, thanks for today, and 1211 01:00:44,240 --> 01:00:45,760 Speaker 1: I was like, thank you. And it's like because we 1212 01:00:45,920 --> 01:00:47,360 Speaker 1: both did it, you know what I mean, Like just 1213 01:00:47,360 --> 01:00:50,680 Speaker 1: because you're appearing on camera, you literally you have to 1214 01:00:50,760 --> 01:00:52,800 Speaker 1: all work together and it is a team. And that's why, 1215 01:00:52,880 --> 01:00:55,880 Speaker 1: like you know, you never That's why I like that. 1216 01:00:55,960 --> 01:00:59,200 Speaker 1: Like the Ayazi stuff, is like you have to support 1217 01:00:59,280 --> 01:01:02,880 Speaker 1: with all your because it just doesn't happen without every 1218 01:01:02,920 --> 01:01:06,000 Speaker 1: single person and you never understand that more with them 1219 01:01:06,000 --> 01:01:08,400 Speaker 1: when you're on a set and like that community is 1220 01:01:08,440 --> 01:01:10,960 Speaker 1: being built and it's just it's really I don't know, 1221 01:01:11,040 --> 01:01:14,520 Speaker 1: I'm like, it's been really learning experience and great and 1222 01:01:14,880 --> 01:01:19,440 Speaker 1: it's just so hard to do certain big tasks at 1223 01:01:19,480 --> 01:01:23,320 Speaker 1: the job like that, and I have more than one hat. Yes, definitely, definitely. 1224 01:01:23,840 --> 01:01:28,480 Speaker 1: I was watching um, don't ask why, a bunch of 1225 01:01:28,560 --> 01:01:32,400 Speaker 1: Julia Roberts interviews from the last three years. No, I'm sorry, 1226 01:01:32,440 --> 01:01:35,360 Speaker 1: I have to ask what because I'm I think I'm 1227 01:01:35,400 --> 01:01:37,959 Speaker 1: like newly, I'm like, I'm obsessed with her once again 1228 01:01:38,000 --> 01:01:40,760 Speaker 1: in my life. You read that read that piece about 1229 01:01:40,840 --> 01:01:43,680 Speaker 1: that that piece again in Vulture about um what it 1230 01:01:43,720 --> 01:01:47,280 Speaker 1: was about how um she really wanted to lean into 1231 01:01:47,320 --> 01:01:49,840 Speaker 1: being this unlikable protagonist and my best friend's wedding she 1232 01:01:49,840 --> 01:01:51,520 Speaker 1: wanted to sort of like Sully. Her image is this 1233 01:01:51,640 --> 01:01:54,880 Speaker 1: like good girl rom Colm Lyad only nineties but anyway, 1234 01:01:55,080 --> 01:01:56,720 Speaker 1: and then it just like let me down down this 1235 01:01:56,880 --> 01:01:58,440 Speaker 1: path of just watching a bunch of videos and like, 1236 01:01:58,560 --> 01:02:00,680 Speaker 1: you know this is so I know this is gonna 1237 01:02:00,720 --> 01:02:04,080 Speaker 1: sound so stupid, but it's stuck with me where she 1238 01:02:04,360 --> 01:02:06,880 Speaker 1: um They asked her what's like an essential you need 1239 01:02:06,920 --> 01:02:08,960 Speaker 1: on set? Like what's the thing that you need on set? 1240 01:02:09,000 --> 01:02:11,400 Speaker 1: And like they're probably asking her like, oh, fucking Jade, 1241 01:02:11,520 --> 01:02:12,960 Speaker 1: like they want to answer out of her like a 1242 01:02:13,040 --> 01:02:15,480 Speaker 1: Jade ruler or something, you know, like a snack. But 1243 01:02:15,520 --> 01:02:18,680 Speaker 1: then she just goes no, honestly, like camaraderie, like this 1244 01:02:18,840 --> 01:02:21,200 Speaker 1: sense that like we're all doing this together. And I'm like, oh, 1245 01:02:21,280 --> 01:02:23,919 Speaker 1: she's been doing this for so long. That's that's probably 1246 01:02:24,040 --> 01:02:27,000 Speaker 1: she's lead with For her. She literally married a cameraman. 1247 01:02:27,720 --> 01:02:30,760 Speaker 1: It's so hot and they're always the hottest people on 1248 01:02:30,800 --> 01:02:33,720 Speaker 1: the set. Yeah, He's like, what crew guys are hot? 1249 01:02:34,000 --> 01:02:36,760 Speaker 1: Oh my god, I know they can always get And 1250 01:02:36,760 --> 01:02:38,240 Speaker 1: I said, I was like a man in a cargo 1251 01:02:38,320 --> 01:02:42,320 Speaker 1: shirt with a little bit of a stubble Kelston, I'm 1252 01:02:42,400 --> 01:02:46,000 Speaker 1: really into it. The lesbian cargo short energy on on 1253 01:02:46,040 --> 01:02:48,960 Speaker 1: a set is so so hot to me. I will 1254 01:02:49,000 --> 01:02:50,959 Speaker 1: anyone in a cargo short, if they're on a movie 1255 01:02:51,000 --> 01:02:55,800 Speaker 1: set or films a TV set, I will explore the 1256 01:02:55,840 --> 01:03:01,439 Speaker 1: idea of sex with Internally it's going down, going down inside, Yeah, 1257 01:03:01,960 --> 01:03:05,680 Speaker 1: it's going down inside, going down inside. That's what it is. 1258 01:03:05,960 --> 01:03:08,240 Speaker 1: That's what sex is, actually sex, it's going down inside, 1259 01:03:08,320 --> 01:03:11,800 Speaker 1: going down inside. That's a real culture. It's really culture 1260 01:03:11,840 --> 01:03:24,919 Speaker 1: number seventy. That's what sex is. Actually it's going down inside. Well, 1261 01:03:24,920 --> 01:03:26,440 Speaker 1: I think it's time. I think it might be the 1262 01:03:26,480 --> 01:03:28,960 Speaker 1: time for I don't think so, honey, Which is an 1263 01:03:29,080 --> 01:03:33,280 Speaker 1: iconic segment i'd say in podcast history, and only very 1264 01:03:33,400 --> 01:03:37,800 Speaker 1: few podcasts have really had a segment that has really 1265 01:03:38,400 --> 01:03:41,760 Speaker 1: been so impactful in the culture that people have written 1266 01:03:41,880 --> 01:03:45,320 Speaker 1: articles about it, you know, like people talk about people 1267 01:03:46,080 --> 01:03:49,560 Speaker 1: talk and it's our want of men to section where 1268 01:03:49,640 --> 01:03:52,080 Speaker 1: we run against something in pop culture and we go 1269 01:03:52,160 --> 01:03:55,080 Speaker 1: absolutely off on it until it's dragged in the mud 1270 01:03:55,080 --> 01:03:58,720 Speaker 1: and doesn't show itself in pop culture public again again, Okay, 1271 01:03:58,800 --> 01:04:02,480 Speaker 1: I'm ready you this Matt Rogers has something? Yeah, is 1272 01:04:02,520 --> 01:04:04,520 Speaker 1: Matt Rodgers. I don't think so many time starts now, 1273 01:04:04,640 --> 01:04:07,600 Speaker 1: I don't think so. Harlie Charlie Pooth given me a boner. 1274 01:04:08,040 --> 01:04:11,480 Speaker 1: How come you're so hot, Charlie Pooth? It looks like 1275 01:04:11,520 --> 01:04:14,000 Speaker 1: you sort of barely try and I in the best 1276 01:04:14,040 --> 01:04:17,160 Speaker 1: way you are that like naturally hot little boy, and 1277 01:04:17,200 --> 01:04:19,800 Speaker 1: I feel like you're so talented and when you flow 1278 01:04:19,920 --> 01:04:22,040 Speaker 1: up on Instagram a little super cut of you writing 1279 01:04:22,040 --> 01:04:24,320 Speaker 1: a hits fucking song when it's like today, I wanted 1280 01:04:24,360 --> 01:04:26,360 Speaker 1: to write a song about this, and he's like, dude, dodd, dude, 1281 01:04:26,360 --> 01:04:28,480 Speaker 1: and I figured maybe it could be And he's just 1282 01:04:28,480 --> 01:04:30,680 Speaker 1: putting it together and he like, well, we're like a 1283 01:04:30,680 --> 01:04:33,080 Speaker 1: little tank top or like just be fully shirtless, like 1284 01:04:33,280 --> 01:04:35,400 Speaker 1: he's a little tease boy. And I'm like, why are 1285 01:04:35,440 --> 01:04:37,760 Speaker 1: you doing this? I don't think so, honey, because here's 1286 01:04:37,800 --> 01:04:40,080 Speaker 1: the deal. Then I go on your Spotify and I'm 1287 01:04:40,080 --> 01:04:42,160 Speaker 1: looking through the songs and I'm not like in love 1288 01:04:42,240 --> 01:04:44,760 Speaker 1: with any of the songs in love with you? You 1289 01:04:44,800 --> 01:04:47,080 Speaker 1: know what. They're all like A minus. I don't have 1290 01:04:47,200 --> 01:04:49,760 Speaker 1: my A plus Charlie Pooth pooth pooth, but it's making 1291 01:04:49,800 --> 01:04:52,200 Speaker 1: my pooth be wet. And here's the thing, he can 1292 01:04:52,240 --> 01:04:55,200 Speaker 1: have my boothy. And even though I hate that word, 1293 01:04:55,640 --> 01:04:59,040 Speaker 1: Charlie Pooth, I'm literally so sexually attracted to him, and 1294 01:04:59,080 --> 01:05:01,960 Speaker 1: it's so effortless, a little cut in his eyebrow, Like 1295 01:05:02,000 --> 01:05:04,400 Speaker 1: what the fuck? I never thought i'd be a poother, 1296 01:05:04,440 --> 01:05:06,720 Speaker 1: but I'm poother, I think. And that's one minute you 1297 01:05:06,720 --> 01:05:09,000 Speaker 1: need to listen to empty Cops. You need to listen 1298 01:05:09,040 --> 01:05:12,160 Speaker 1: to how how long you need to listen to girlfriend? 1299 01:05:12,240 --> 01:05:15,120 Speaker 1: Obviously there the hits are there. You know what song like, 1300 01:05:15,680 --> 01:05:23,040 Speaker 1: um uh how long? Then go yeah? I mean he's 1301 01:05:23,040 --> 01:05:25,959 Speaker 1: he's so good and then sometimes he'll like literally throw 1302 01:05:26,080 --> 01:05:31,760 Speaker 1: together like kidding me. He's like it's so hot and sexy. 1303 01:05:31,840 --> 01:05:36,160 Speaker 1: How genius he is and he's so hot, and I 1304 01:05:36,240 --> 01:05:38,959 Speaker 1: get the feeling that he's one of those straight guys 1305 01:05:39,000 --> 01:05:41,280 Speaker 1: that you'd meet that you'd be in love with, but 1306 01:05:41,320 --> 01:05:45,360 Speaker 1: he a little bit don't you give energy? Because he 1307 01:05:45,480 --> 01:05:47,160 Speaker 1: is to me and like, oh, I see what you're saying, 1308 01:05:47,160 --> 01:05:48,560 Speaker 1: like as a gay man, like he's telling the line 1309 01:05:48,560 --> 01:05:50,400 Speaker 1: with you. I think that kind of boy where it's 1310 01:05:50,400 --> 01:05:52,800 Speaker 1: like I could I went to Wesleyan, which was very 1311 01:05:52,840 --> 01:05:55,240 Speaker 1: like artsy for like hippie dippy at the time, and 1312 01:05:55,840 --> 01:05:58,080 Speaker 1: I see him he up with you at four in 1313 01:05:58,120 --> 01:05:59,920 Speaker 1: number one and playing acoustic guitar, and You're like, are 1314 01:06:00,000 --> 01:06:02,920 Speaker 1: gonna hook up or what? He's just like kind of 1315 01:06:02,960 --> 01:06:06,240 Speaker 1: being close, he's gonna cuddle you all night, infuriate and 1316 01:06:06,240 --> 01:06:07,680 Speaker 1: then you like, don't hear from him again? Do you 1317 01:06:07,720 --> 01:06:09,080 Speaker 1: know what I mean? That kind of feeling you would 1318 01:06:09,080 --> 01:06:12,600 Speaker 1: have rather had sex with him, but he's like it's 1319 01:06:12,600 --> 01:06:16,120 Speaker 1: also like he's almost just like playing it closeness without 1320 01:06:16,200 --> 01:06:21,680 Speaker 1: actually having to be close. It's just's he posted this 1321 01:06:21,720 --> 01:06:26,560 Speaker 1: photo of him on a massage table and like the 1322 01:06:26,600 --> 01:06:29,520 Speaker 1: towel was like you could see like top but and 1323 01:06:29,560 --> 01:06:31,800 Speaker 1: I was like, you know exactly what you're doing, and 1324 01:06:32,000 --> 01:06:37,000 Speaker 1: fuck you because it works. It's like retail therapy and works. 1325 01:06:37,080 --> 01:06:40,400 Speaker 1: Just it just works. And the thing is like you 1326 01:06:40,440 --> 01:06:43,520 Speaker 1: get the sense that like he trying to stumbled into 1327 01:06:43,560 --> 01:06:45,760 Speaker 1: being this hot, figured out he was and was like 1328 01:06:45,800 --> 01:06:47,960 Speaker 1: hell yeah. But it's interesting because I also feel like 1329 01:06:48,200 --> 01:06:50,800 Speaker 1: he probably he he knew he was cute when he 1330 01:06:50,840 --> 01:06:53,360 Speaker 1: was young, and obviously there's like a touch, right because 1331 01:06:53,400 --> 01:06:56,240 Speaker 1: wasn't he someone who made his own songs? And then right, 1332 01:06:56,400 --> 01:06:58,040 Speaker 1: and so it's like so you already know when you're 1333 01:06:58,040 --> 01:06:59,760 Speaker 1: a YouTube boy, you know that like the people are 1334 01:06:59,800 --> 01:07:01,720 Speaker 1: liking what they're seeing. But then you get to the 1335 01:07:01,760 --> 01:07:03,920 Speaker 1: point where like people are literally crying when they look 1336 01:07:03,960 --> 01:07:08,200 Speaker 1: at you top. But to the thing too, though, is 1337 01:07:08,240 --> 01:07:11,320 Speaker 1: he as he's getting older, he's actually getting hotter, whereas 1338 01:07:11,360 --> 01:07:14,400 Speaker 1: like I used to think she's getting yeah, a little 1339 01:07:14,440 --> 01:07:16,880 Speaker 1: little little grizzle, which is kind of kind of really 1340 01:07:16,920 --> 01:07:19,680 Speaker 1: even hotter. He's not cleaning it up, he's kind of 1341 01:07:19,760 --> 01:07:21,560 Speaker 1: dressing it down. And I also love and I say 1342 01:07:21,600 --> 01:07:24,600 Speaker 1: this with all love and respect, but it looks like 1343 01:07:24,680 --> 01:07:27,000 Speaker 1: he's not in the fucking gym every single day, like 1344 01:07:27,240 --> 01:07:29,960 Speaker 1: only caring about that. He's like that natural hotness where 1345 01:07:29,960 --> 01:07:32,760 Speaker 1: I'm just like sometimes when I see these guys like that, 1346 01:07:32,800 --> 01:07:34,360 Speaker 1: maybe I would have thought was hot when I was 1347 01:07:34,400 --> 01:07:38,440 Speaker 1: like twelve, like Mark Wahlberg like made a muscle and like, 1348 01:07:38,720 --> 01:07:40,120 Speaker 1: you know, I did a motion picture with him and 1349 01:07:40,160 --> 01:07:43,280 Speaker 1: we had to hold hands for an entire day. How 1350 01:07:44,360 --> 01:07:46,800 Speaker 1: it was okay, it felt very strange and like very 1351 01:07:47,000 --> 01:07:48,960 Speaker 1: you know, it's just like what am I doing here? 1352 01:07:49,520 --> 01:07:51,240 Speaker 1: And then I had it was like the second day 1353 01:07:51,320 --> 01:07:53,560 Speaker 1: and maybe to hold it. That is, he's very like 1354 01:07:54,040 --> 01:07:56,320 Speaker 1: very like kind of chill person. But then as soon 1355 01:07:56,360 --> 01:07:58,680 Speaker 1: as it's time for him to do, he just does 1356 01:07:58,720 --> 01:08:00,560 Speaker 1: what he has to do and the cameras off and 1357 01:08:00,560 --> 01:08:05,320 Speaker 1: then he's like all right, he's managing his energy. He's 1358 01:08:05,360 --> 01:08:07,720 Speaker 1: like a typical like person of like when we were younger, 1359 01:08:07,760 --> 01:08:10,160 Speaker 1: it was like this is who's hot? And I was like, yeah, 1360 01:08:10,200 --> 01:08:11,600 Speaker 1: you're right, And I was used to be horned up 1361 01:08:11,640 --> 01:08:14,320 Speaker 1: for that. But nowadays it's kind of like, I don't know, 1362 01:08:14,520 --> 01:08:18,160 Speaker 1: like someone looks like they're like less, they don't look 1363 01:08:18,160 --> 01:08:19,680 Speaker 1: like yeah, like they don't. You don't want to make it. 1364 01:08:20,520 --> 01:08:21,760 Speaker 1: You don't want to see that. It's a lot of 1365 01:08:21,760 --> 01:08:24,799 Speaker 1: work and who's just naturally living their life as opposed 1366 01:08:24,800 --> 01:08:26,320 Speaker 1: to someone who you see and you're like, Okay, I 1367 01:08:26,400 --> 01:08:28,519 Speaker 1: know there's no carbohydrates. A lout in his house. Yeah, 1368 01:08:28,520 --> 01:08:30,400 Speaker 1: you know that gets a little sweaty for me. I'm 1369 01:08:30,439 --> 01:08:32,120 Speaker 1: just like, I don't know. Maybe it's also a thing 1370 01:08:32,160 --> 01:08:36,160 Speaker 1: of like I wouldn't know what to do with all that, 1371 01:08:36,439 --> 01:08:40,439 Speaker 1: you know what I mean, Like I I still will 1372 01:08:40,479 --> 01:08:43,400 Speaker 1: stumble across the market mark pick within the Calvin I mean, 1373 01:08:43,400 --> 01:08:46,519 Speaker 1: you're a human gay man. So it's like, I'm like, 1374 01:08:46,560 --> 01:08:50,680 Speaker 1: how did this person like this? It's shocked, crazy and 1375 01:08:50,920 --> 01:08:53,439 Speaker 1: smiling and this big old thighs like I mean, like 1376 01:08:53,479 --> 01:08:56,679 Speaker 1: it's crazy. I mean, it's fully insane, Like I don't 1377 01:08:56,760 --> 01:09:02,320 Speaker 1: I also think Calvin Klein adds are like a heterosexual 1378 01:09:02,960 --> 01:09:07,200 Speaker 1: weapon of war towards gay men to slow us death. 1379 01:09:07,200 --> 01:09:09,559 Speaker 1: But now they want us to be slow, but they 1380 01:09:09,560 --> 01:09:11,360 Speaker 1: want us jack it off at home. So we're tired 1381 01:09:11,479 --> 01:09:14,240 Speaker 1: off our game. I think it's a long game term 1382 01:09:15,240 --> 01:09:17,800 Speaker 1: by the heterosexual. But now Calvinklinn I think is really 1383 01:09:17,840 --> 01:09:21,479 Speaker 1: like embracing their queer and in a very authentic way. 1384 01:09:21,520 --> 01:09:25,160 Speaker 1: I truly believe this. Like Calvin Klein is like he's 1385 01:09:25,160 --> 01:09:27,200 Speaker 1: trying to get he's trying to no, no, no, because 1386 01:09:27,360 --> 01:09:29,960 Speaker 1: you're going to do I didn't think that this summer, 1387 01:09:31,000 --> 01:09:32,840 Speaker 1: but I know. I literally they just had me host 1388 01:09:32,880 --> 01:09:36,920 Speaker 1: their like live show at Pride and it was it 1389 01:09:37,000 --> 01:09:38,720 Speaker 1: was kind of great to see. I was like, oh 1390 01:09:38,800 --> 01:09:42,240 Speaker 1: that the people here like internally like like care I 1391 01:09:43,280 --> 01:09:49,160 Speaker 1: Calvin Klein carts actually like Calvin cares they do. I 1392 01:09:49,200 --> 01:09:51,479 Speaker 1: want to wow you joking about And the fact is 1393 01:09:51,560 --> 01:09:53,360 Speaker 1: I'll get in the gym for six months to be 1394 01:09:53,400 --> 01:09:55,479 Speaker 1: in an AT. I'm not. I wasn't in an AD. 1395 01:09:55,520 --> 01:09:57,679 Speaker 1: I'm not even saying I was in I'm saying I'm saying. 1396 01:09:57,920 --> 01:10:00,600 Speaker 1: I'm saying for me, the goal, the goal would be 1397 01:10:00,840 --> 01:10:03,640 Speaker 1: in an ad fine throwing me the money and the attention. 1398 01:10:03,720 --> 01:10:05,719 Speaker 1: I thought about the ads. For me, it's about the 1399 01:10:05,720 --> 01:10:09,080 Speaker 1: the sort of inclusivity, not even the inclusivity, it's just 1400 01:10:09,120 --> 01:10:12,680 Speaker 1: like because that feels too like buzzworthy I feel like 1401 01:10:12,680 --> 01:10:18,719 Speaker 1: they really have always been about I don't know, the queers. 1402 01:10:18,960 --> 01:10:22,760 Speaker 1: It doesn't matter where we're cutting this out. You know, 1403 01:10:22,880 --> 01:10:24,640 Speaker 1: we have to teach you because we love you. But 1404 01:10:24,680 --> 01:10:28,840 Speaker 1: I think, but I believe that maybe I don't think 1405 01:10:28,880 --> 01:10:30,920 Speaker 1: they knew what they were doing initially when they just 1406 01:10:31,120 --> 01:10:33,760 Speaker 1: when they discovered what it was, they embraced it and 1407 01:10:33,760 --> 01:10:36,120 Speaker 1: they did a better job of it than most of 1408 01:10:36,160 --> 01:10:40,599 Speaker 1: these fucking companies that there was. There was a UM. 1409 01:10:41,240 --> 01:10:45,160 Speaker 1: There was a like season where they had Kellen Lutts 1410 01:10:45,760 --> 01:10:49,920 Speaker 1: and the Cod Brooks from True Blood and it was 1411 01:10:49,960 --> 01:10:51,439 Speaker 1: the who the whole thing was it? It was called 1412 01:10:51,640 --> 01:10:56,680 Speaker 1: it was it was Calvin Klein X and it was 1413 01:10:56,720 --> 01:10:59,680 Speaker 1: like literally it was macd it was Kellen Lutts, and 1414 01:10:59,720 --> 01:11:03,160 Speaker 1: there was Um an Asian guy and the Latino and 1415 01:11:03,360 --> 01:11:06,080 Speaker 1: they racism with it because I was jacking off to 1416 01:11:06,120 --> 01:11:12,840 Speaker 1: all four and so basically like UM. But literally the 1417 01:11:12,880 --> 01:11:16,880 Speaker 1: campaign was like you want to see my ship and 1418 01:11:16,920 --> 01:11:19,240 Speaker 1: it was just them to them talking ship to camera 1419 01:11:19,320 --> 01:11:22,479 Speaker 1: and it was Calvin klent X like mark your Spot. 1420 01:11:22,760 --> 01:11:26,559 Speaker 1: That was the campaign. It was like I'm Google it woo, 1421 01:11:26,800 --> 01:11:29,040 Speaker 1: It's like mark your spot because it was like X 1422 01:11:29,080 --> 01:11:31,000 Speaker 1: like on the on the band. He's like, you want 1423 01:11:31,000 --> 01:11:32,760 Speaker 1: to see my ship, like talking about their cocks, like 1424 01:11:32,920 --> 01:11:34,400 Speaker 1: I know you want to see it, and like all 1425 01:11:34,439 --> 01:11:36,760 Speaker 1: four of them were like talking to the camera and 1426 01:11:36,800 --> 01:11:39,880 Speaker 1: I'm like spinning outcoming. This is how you know that 1427 01:11:39,920 --> 01:11:43,320 Speaker 1: I'm not like purely shilling for Calvin Klein, is that 1428 01:11:43,640 --> 01:11:45,839 Speaker 1: you want to see my ship and then mark the spot. 1429 01:11:46,040 --> 01:11:49,240 Speaker 1: I think pooh. Well, I wasn't thinking of pooh at 1430 01:11:49,240 --> 01:11:52,840 Speaker 1: the time. I was thinking of like this. Oh that's 1431 01:11:52,840 --> 01:11:56,200 Speaker 1: what he was thinking, Like, well, I'm telling you, what 1432 01:11:56,280 --> 01:11:58,479 Speaker 1: was your anything? So honey, I don't think so, honey, 1433 01:11:58,680 --> 01:12:07,600 Speaker 1: was Charlie Charlie? Yeah? Great, okay, so now I think 1434 01:12:06,800 --> 01:12:09,599 Speaker 1: you do Okay, alright, so this will be a moment 1435 01:12:10,040 --> 01:12:12,719 Speaker 1: in time. Um bone yang, I don't think so honey. 1436 01:12:12,800 --> 01:12:16,160 Speaker 1: Time starts now. I don't think so honey. Cars that 1437 01:12:16,280 --> 01:12:22,679 Speaker 1: don't have a car play, okay. I need my phone 1438 01:12:23,040 --> 01:12:25,879 Speaker 1: io s e Gooes system around me at all times, 1439 01:12:26,240 --> 01:12:30,200 Speaker 1: especially when I'm driving down these streets of Los Angeles. 1440 01:12:30,560 --> 01:12:32,599 Speaker 1: I want to be able to tap my little messages 1441 01:12:32,840 --> 01:12:35,000 Speaker 1: icon and see what people are texting me as if 1442 01:12:35,040 --> 01:12:36,880 Speaker 1: it was my phone. I want to be I don't 1443 01:12:36,880 --> 01:12:39,120 Speaker 1: want to be a wide screen I want to see 1444 01:12:39,240 --> 01:12:43,400 Speaker 1: different panels Google Maps on one, Spotify on the other. Second. 1445 01:12:43,479 --> 01:12:51,599 Speaker 1: Who knows, maybe uh um overcast on another podcast staff listen. 1446 01:12:52,479 --> 01:12:56,280 Speaker 1: I am having the worst time driving around this little 1447 01:12:56,280 --> 01:12:59,519 Speaker 1: rental coroller around Los Angeles right now because seconds they 1448 01:12:59,560 --> 01:13:03,439 Speaker 1: don't have car Play and I am taken out of 1449 01:13:03,640 --> 01:13:07,599 Speaker 1: the ecosystem. Yeah, that's right. I'm a little Apple boy 1450 01:13:07,960 --> 01:13:10,920 Speaker 1: and I need my products and car Play one of 1451 01:13:10,960 --> 01:13:13,120 Speaker 1: the best Apple products ever made. I don't think so 1452 01:13:13,160 --> 01:13:15,120 Speaker 1: many cars that don't have car Play, and that's what 1453 01:13:15,200 --> 01:13:17,439 Speaker 1: I meant it. It's so funny because when I first 1454 01:13:17,439 --> 01:13:20,280 Speaker 1: moved to l A, I said to myself, I was like, 1455 01:13:20,479 --> 01:13:22,160 Speaker 1: I can't have every one of my I don't think 1456 01:13:22,200 --> 01:13:24,880 Speaker 1: so Honey's now be car related. He's in l A 1457 01:13:24,960 --> 01:13:28,760 Speaker 1: for days and it's like no car play. I was 1458 01:13:28,760 --> 01:13:31,080 Speaker 1: actually just gonna ask if you m mc an event 1459 01:13:31,280 --> 01:13:34,679 Speaker 1: hosted by Apple car Play. I did a pride event 1460 01:13:34,720 --> 01:13:38,280 Speaker 1: for Apple car Player. I think they've always they've been 1461 01:13:38,400 --> 01:13:41,800 Speaker 1: very authentic about career people using car play, such as myself. 1462 01:13:41,960 --> 01:13:46,560 Speaker 1: But here's the thing. I I used car Play and 1463 01:13:46,600 --> 01:13:51,320 Speaker 1: then you're at the whim of WiFi and it can 1464 01:13:51,360 --> 01:13:53,600 Speaker 1: get shitty because when you're needing to plug in an 1465 01:13:53,640 --> 01:13:57,240 Speaker 1: address and your WiFi or a car play acts up 1466 01:13:57,280 --> 01:13:58,880 Speaker 1: and you're on the four or five or the or 1467 01:13:58,920 --> 01:14:00,760 Speaker 1: the one on one. It's like and you're haven't to 1468 01:14:00,760 --> 01:14:03,040 Speaker 1: negotiate that or else, or you're gonna miss your exit 1469 01:14:03,120 --> 01:14:05,559 Speaker 1: and you're on the freeway like you know, it's trick, 1470 01:14:05,640 --> 01:14:08,880 Speaker 1: it's treacherous. Teller. Well, you know I don't drive. So 1471 01:14:09,080 --> 01:14:13,000 Speaker 1: everything you're telling me is it looks like part of 1472 01:14:13,040 --> 01:14:15,639 Speaker 1: why I don't. It's too much, too much. You want 1473 01:14:15,680 --> 01:14:17,240 Speaker 1: me to look at the map and you want me 1474 01:14:17,280 --> 01:14:20,160 Speaker 1: to drive. Who do you think I am? No, of course. 1475 01:14:20,200 --> 01:14:21,920 Speaker 1: And then now you got me going to the damn 1476 01:14:22,000 --> 01:14:26,760 Speaker 1: target and Burbank buying a pop socket holder yep for 1477 01:14:26,960 --> 01:14:29,800 Speaker 1: the car vents ye. And now it just feels too 1478 01:14:29,960 --> 01:14:33,080 Speaker 1: it's a lot. I don't have the confidence necessary. Now 1479 01:14:33,120 --> 01:14:36,519 Speaker 1: I'm gonna tell you right now what No, nothing, nothing, 1480 01:14:36,640 --> 01:14:38,840 Speaker 1: I got to I don't think. So, Honey's in my head, 1481 01:14:39,080 --> 01:14:41,400 Speaker 1: I see, and I just I'm like, maybe we have 1482 01:14:41,439 --> 01:14:43,720 Speaker 1: to like flip a coin. You alluded to one of 1483 01:14:43,760 --> 01:14:45,920 Speaker 1: the topics I know, and then the other one is 1484 01:14:45,960 --> 01:14:48,960 Speaker 1: more is much more general. Okay, So here's what I'd 1485 01:14:48,960 --> 01:14:51,439 Speaker 1: say I would say, if it's going to influence you, 1486 01:14:53,000 --> 01:14:55,360 Speaker 1: and just like that has taken up a ton of 1487 01:14:55,360 --> 01:14:58,840 Speaker 1: space on this podcast, and I know you came in 1488 01:14:58,880 --> 01:15:00,639 Speaker 1: with this. I don't think so, Hunt. We can still 1489 01:15:00,640 --> 01:15:03,599 Speaker 1: discuss it, and it can be discussed, and I'm also open. 1490 01:15:03,640 --> 01:15:06,760 Speaker 1: Are you doing both? I think because you've put a 1491 01:15:06,760 --> 01:15:08,000 Speaker 1: lot of time and didn't just like that, are you 1492 01:15:08,080 --> 01:15:09,360 Speaker 1: gonna say that too, that you spent a lot of 1493 01:15:09,360 --> 01:15:11,120 Speaker 1: time and just like that, I was gonna say that 1494 01:15:11,240 --> 01:15:13,960 Speaker 1: you have earned the rights to do both if you 1495 01:15:13,960 --> 01:15:16,679 Speaker 1: would like, Wow, that's gorgeous, So you can do both. 1496 01:15:16,760 --> 01:15:18,760 Speaker 1: And I'm but I'm telling you, if it feels like 1497 01:15:18,960 --> 01:15:22,080 Speaker 1: righting your spirits, only pick one personally. And I would 1498 01:15:22,120 --> 01:15:24,680 Speaker 1: never be like, whatever you want, I'm gonna actually give 1499 01:15:24,680 --> 01:15:27,040 Speaker 1: you my opinion. We've talked about it. Just like that. 1500 01:15:27,160 --> 01:15:29,800 Speaker 1: I've just I've decided, Okay, okay, I've decided to me, 1501 01:15:30,080 --> 01:15:32,559 Speaker 1: this is Naomi and Pegans. I don't think so, honey, 1502 01:15:32,560 --> 01:15:35,720 Speaker 1: her time starts now. I don't think so, honey. Restaurants 1503 01:15:35,760 --> 01:15:39,679 Speaker 1: with small plate, small place as the meal, how dare 1504 01:15:39,720 --> 01:15:42,720 Speaker 1: you the fact is maybe charging so much for a 1505 01:15:42,720 --> 01:15:45,080 Speaker 1: small play You're like, Okay, that's entree and it shows 1506 01:15:45,120 --> 01:15:50,439 Speaker 1: up and it's like four scallops. Honey. I don't think so, honey, 1507 01:15:50,640 --> 01:15:54,080 Speaker 1: made for sharing. Honey, we had a PANDEMI I don't 1508 01:15:54,080 --> 01:15:56,559 Speaker 1: know you, and you don't know my hung below. I 1509 01:15:56,600 --> 01:16:00,200 Speaker 1: don't think so, honey. We do things differently at this restaurant. 1510 01:16:00,360 --> 01:16:02,439 Speaker 1: I don't want different I want to give you money 1511 01:16:02,439 --> 01:16:05,519 Speaker 1: in exchange for food, and I wanted to be enough 1512 01:16:05,560 --> 01:16:08,760 Speaker 1: food that I walk out feeling like I'm by throw up. Yes, 1513 01:16:08,960 --> 01:16:11,120 Speaker 1: that's how I choose to eat when I'm out in 1514 01:16:11,160 --> 01:16:14,479 Speaker 1: these streets. I don't think so, hendy. You know what 1515 01:16:14,640 --> 01:16:18,200 Speaker 1: I would suggest, like four little plates per person and 1516 01:16:18,240 --> 01:16:23,160 Speaker 1: that how dare you you? I got to cobble together 1517 01:16:23,240 --> 01:16:26,160 Speaker 1: all four food groups from five different plates, I got 1518 01:16:26,200 --> 01:16:29,160 Speaker 1: to pick up. How dare you I just put it 1519 01:16:29,160 --> 01:16:30,960 Speaker 1: all on one plate. We need to get them goddamn 1520 01:16:31,000 --> 01:16:33,320 Speaker 1: kindergarten plates back. When you put a vegetable in one hole, 1521 01:16:33,439 --> 01:16:36,000 Speaker 1: you put another hole, You've put the car of another hole, 1522 01:16:36,760 --> 01:16:41,840 Speaker 1: and then one minute I would say, I'm happy I 1523 01:16:41,880 --> 01:16:47,120 Speaker 1: steered you that in one hole. You know I want 1524 01:16:47,200 --> 01:16:49,880 Speaker 1: the plates, those plates back to I don't care how 1525 01:16:50,000 --> 01:16:52,760 Speaker 1: juvenile that makes me sound. I want the plates like that. 1526 01:16:53,080 --> 01:16:55,920 Speaker 1: I'm sick of l A loves a small plate. They 1527 01:16:56,000 --> 01:16:58,840 Speaker 1: love everything, honeyway in in space that with the top. 1528 01:16:59,600 --> 01:17:02,280 Speaker 1: We just went across the street to Danny's Trey Host Tacos. 1529 01:17:02,760 --> 01:17:04,720 Speaker 1: And here's the thing, the small plates. And obviously you 1530 01:17:04,800 --> 01:17:08,320 Speaker 1: order the tacos and they're delicious and they're amazing, but 1531 01:17:08,400 --> 01:17:11,599 Speaker 1: this is a read on me there and they're therefore 1532 01:17:11,840 --> 01:17:14,680 Speaker 1: on small plates. I never know how many is to 1533 01:17:16,040 --> 01:17:19,679 Speaker 1: So what I what had just happened was we went 1534 01:17:19,760 --> 01:17:23,160 Speaker 1: over there and I ordered to Baha Baha fish tacos 1535 01:17:23,160 --> 01:17:25,400 Speaker 1: them two black and salmon tacos, and it was too 1536 01:17:25,479 --> 01:17:27,479 Speaker 1: much food. It was too much topic. And I think 1537 01:17:27,479 --> 01:17:30,559 Speaker 1: I should have ordered too, and had the glock that 1538 01:17:30,600 --> 01:17:34,640 Speaker 1: we have, I would have been okay and fine, right right. 1539 01:17:34,720 --> 01:17:38,920 Speaker 1: Small plates gets you to overorder, that's exactly what they want. 1540 01:17:39,040 --> 01:17:41,360 Speaker 1: But and also too, I think small plates encourages all 1541 01:17:41,400 --> 01:17:45,880 Speaker 1: this like sharing, and I really don't like sharing, especially 1542 01:17:46,200 --> 01:17:48,320 Speaker 1: away from my fo, I know, especially now, but even 1543 01:17:48,320 --> 01:17:50,600 Speaker 1: like it's any like even Andy and I, you know, 1544 01:17:50,760 --> 01:17:53,800 Speaker 1: been together, damn you twelve years, and it'll be like okay, 1545 01:17:53,960 --> 01:17:55,360 Speaker 1: but like can I have something? I'm like you should 1546 01:17:55,360 --> 01:17:58,519 Speaker 1: get your yeah, like we're out and they're hungry, like 1547 01:17:59,479 --> 01:18:02,920 Speaker 1: I'm not a good share It's not he doesn't like 1548 01:18:03,000 --> 01:18:05,360 Speaker 1: that about me. Do you like, are you a big 1549 01:18:05,439 --> 01:18:08,240 Speaker 1: Like yeah, like take a little bite. I will always 1550 01:18:08,280 --> 01:18:11,280 Speaker 1: offered bites to people. I like sometimes I like trying 1551 01:18:11,280 --> 01:18:14,600 Speaker 1: to prove nothing. I'm offering bite. I'm not trying to 1552 01:18:14,600 --> 01:18:17,519 Speaker 1: prove anything. I don't mother Teresa, but I want to. 1553 01:18:17,720 --> 01:18:20,679 Speaker 1: I want a ban barter system, not a barter system. 1554 01:18:20,720 --> 01:18:24,479 Speaker 1: I just go mad, ordered something delicious, try a little bite, 1555 01:18:24,479 --> 01:18:28,200 Speaker 1: and he always just shoots me the darkest. Where were 1556 01:18:28,200 --> 01:18:30,200 Speaker 1: you the day when you were like you're like you 1557 01:18:30,240 --> 01:18:32,200 Speaker 1: said something like, hey, can I have a little bit 1558 01:18:32,200 --> 01:18:38,000 Speaker 1: of that? And I was like, yeah, I don't remember, 1559 01:18:38,040 --> 01:18:40,680 Speaker 1: but you remember it was Mexico City, Mexico City. I 1560 01:18:40,680 --> 01:18:44,839 Speaker 1: was like, hey, how is some't that? You were like yeah, 1561 01:18:44,960 --> 01:18:47,360 Speaker 1: I understand because you had to assess. You were like, okay, 1562 01:18:47,400 --> 01:18:49,800 Speaker 1: do I want him in my play? If he takes something? 1563 01:18:49,840 --> 01:18:54,760 Speaker 1: Will I be secretly mad? Later I get it, I 1564 01:18:54,800 --> 01:18:57,479 Speaker 1: get I'm a completion with my meals, but I feel 1565 01:18:57,479 --> 01:18:58,880 Speaker 1: like I didn't have it if I didn't have all 1566 01:18:58,880 --> 01:19:01,000 Speaker 1: of it, Like even if i'm I'll eat the whole thing, 1567 01:19:01,040 --> 01:19:02,680 Speaker 1: like I don't like to take things home. I like 1568 01:19:02,720 --> 01:19:05,200 Speaker 1: to finish it. So that and so today was frustrating 1569 01:19:05,200 --> 01:19:06,760 Speaker 1: for me for that reason because I left a lot 1570 01:19:06,800 --> 01:19:10,160 Speaker 1: of what was not me, which I hate. But also 1571 01:19:10,240 --> 01:19:13,880 Speaker 1: it's like, usually when I'm ordering on a menu, there 1572 01:19:13,920 --> 01:19:16,799 Speaker 1: are like four things I want. So when I picked 1573 01:19:16,880 --> 01:19:19,600 Speaker 1: the one thing, that means I picked it, and I 1574 01:19:19,720 --> 01:19:23,000 Speaker 1: chose it and I committed to it. Okay, so that's mine. Yes, 1575 01:19:24,240 --> 01:19:28,519 Speaker 1: you have the same time and same choices, right, you 1576 01:19:28,560 --> 01:19:29,920 Speaker 1: know what I will do to where it's like, oh, 1577 01:19:29,920 --> 01:19:32,400 Speaker 1: you want to try some this. We each get our 1578 01:19:32,439 --> 01:19:35,120 Speaker 1: own main and we'll pick something that we can share, 1579 01:19:35,840 --> 01:19:37,680 Speaker 1: meaning like a third Yes I did say a third 1580 01:19:37,800 --> 01:19:39,920 Speaker 1: entree for two people, and then you can each have 1581 01:19:39,960 --> 01:19:43,080 Speaker 1: a little bity. But that's sensible, okay, but you can't 1582 01:19:43,080 --> 01:19:46,040 Speaker 1: come up in my plate. What you know what else? 1583 01:19:46,080 --> 01:19:48,280 Speaker 1: I don't like My mother does this, and this is 1584 01:19:48,520 --> 01:19:52,519 Speaker 1: really stupid and counterintuitive. But I'll have my meal, she'll 1585 01:19:52,560 --> 01:19:55,280 Speaker 1: have hers, and she doesn't want to eat all her food, 1586 01:19:55,400 --> 01:19:57,040 Speaker 1: so she'll be like, here, Matt, I want you to 1587 01:19:57,040 --> 01:20:01,200 Speaker 1: have my mom. I said thank you. We've got two 1588 01:20:01,240 --> 01:20:03,880 Speaker 1: fights about it. Said thank you. She's like, just try it. 1589 01:20:03,960 --> 01:20:05,559 Speaker 1: I want you to have it. No, Mom, I have 1590 01:20:05,640 --> 01:20:08,000 Speaker 1: my own thing. You have it. Then it's on my 1591 01:20:08,040 --> 01:20:11,000 Speaker 1: plate and put it on like stop, I'm like, and 1592 01:20:11,040 --> 01:20:13,160 Speaker 1: then I have it and it's good. But that's not 1593 01:20:13,280 --> 01:20:17,880 Speaker 1: the point. I just I said, no, imagine imagine your 1594 01:20:17,920 --> 01:20:20,320 Speaker 1: mom doing that, but not even saying, here, have something. 1595 01:20:20,320 --> 01:20:26,360 Speaker 1: My mom wordlessly puts starts to scoop her food into 1596 01:20:26,360 --> 01:20:29,640 Speaker 1: mine and I don't, Mom, stop it. We don't, and 1597 01:20:29,840 --> 01:20:32,080 Speaker 1: me and my sister and yelled her. And she's gotten 1598 01:20:32,160 --> 01:20:35,840 Speaker 1: upset because she's like, I'm being attacked. No, Mom, we 1599 01:20:35,880 --> 01:20:40,000 Speaker 1: are telling you, but then you feel crazy because you're right. 1600 01:20:40,080 --> 01:20:43,080 Speaker 1: We do. We do this every year once a year. 1601 01:20:43,120 --> 01:20:46,839 Speaker 1: She gets upset that we we it's part. It's exactly 1602 01:20:47,040 --> 01:20:49,840 Speaker 1: like an adult. And I said, no respect. My bounces yea. 1603 01:20:50,680 --> 01:20:53,439 Speaker 1: And I'm not snapping. I'm just like, no, thank you, 1604 01:20:53,479 --> 01:20:57,880 Speaker 1: I'm having my thing. Well, it's really good. I don't 1605 01:20:57,880 --> 01:21:01,360 Speaker 1: doubt that. I just have this because then, like I said, 1606 01:21:01,479 --> 01:21:05,280 Speaker 1: as a completionist, with food, I'll finish everything and once 1607 01:21:05,320 --> 01:21:07,599 Speaker 1: it's on my plate, I feel like I must eat 1608 01:21:07,640 --> 01:21:13,400 Speaker 1: it assignment. And also with appetizers, they'll be like Matt 1609 01:21:13,640 --> 01:21:16,679 Speaker 1: finished that. I'm like, but I wait, enjoyed my meal, 1610 01:21:17,040 --> 01:21:20,599 Speaker 1: and then they'll say, no, we're not gonna eat it. 1611 01:21:20,880 --> 01:21:23,160 Speaker 1: You have to eat it. And now all of a sudden, 1612 01:21:23,200 --> 01:21:27,080 Speaker 1: it's is in position because if it doesn't get eating, 1613 01:21:27,160 --> 01:21:29,800 Speaker 1: it's my faults. Why is it on you? Because I 1614 01:21:29,840 --> 01:21:32,559 Speaker 1: think they look at me like a thirty one year 1615 01:21:32,560 --> 01:21:35,519 Speaker 1: old man who's still like a sixteen year old man, like, well, 1616 01:21:35,560 --> 01:21:38,240 Speaker 1: he's a growing boy, and our son and our daughter 1617 01:21:38,360 --> 01:21:40,680 Speaker 1: is not gonna eat it. I used to always say 1618 01:21:40,720 --> 01:21:41,960 Speaker 1: that when I was younger. I always say I'm a 1619 01:21:41,960 --> 01:21:44,600 Speaker 1: growing boy because you never heard the phrase she's a 1620 01:21:44,600 --> 01:21:48,880 Speaker 1: growing girl eat a lot. I'm a growing boy because 1621 01:21:49,200 --> 01:21:51,720 Speaker 1: I've always had a very big appetite. And I said, 1622 01:21:51,720 --> 01:21:54,160 Speaker 1: I'm a growing boy. Now do you want to have 1623 01:21:54,200 --> 01:21:56,760 Speaker 1: a platform to talk about Steve? And just like that, yeah, 1624 01:21:56,800 --> 01:22:00,000 Speaker 1: please share, okay, just really quickly. I just don't appreciate 1625 01:22:00,320 --> 01:22:03,560 Speaker 1: the way they did Steve dirty on it just like that, Okay, 1626 01:22:03,680 --> 01:22:06,400 Speaker 1: especially given you know the canon, Okay, the history of 1627 01:22:06,439 --> 01:22:09,960 Speaker 1: this show. She all, she put him through it for 1628 01:22:10,080 --> 01:22:12,679 Speaker 1: sleeping with someone else. We've also already seen the story 1629 01:22:12,680 --> 01:22:14,640 Speaker 1: of Steve and I don't have sex, so why that 1630 01:22:14,680 --> 01:22:17,439 Speaker 1: was even the story? Also, why did you have to 1631 01:22:17,439 --> 01:22:20,640 Speaker 1: make his entire character Steve can't hear. That was like 1632 01:22:20,680 --> 01:22:23,679 Speaker 1: his whole characters. Just like what and I said, y'all 1633 01:22:23,720 --> 01:22:25,840 Speaker 1: did his ass wrong? You had him meeting you on 1634 01:22:25,920 --> 01:22:27,680 Speaker 1: the Brooklyn Bridge. First of all, making anyone go to 1635 01:22:27,720 --> 01:22:35,640 Speaker 1: Brooklyn is just you're speaking. Yes, I guess from what 1636 01:22:35,760 --> 01:22:38,599 Speaker 1: I hear, David, I give himself pitched the Steve can't hear. 1637 01:22:39,760 --> 01:22:44,200 Speaker 1: You treat him like just talent exactly he did. Yes, 1638 01:22:44,240 --> 01:22:47,680 Speaker 1: I did hear. But also, honey, it's called a shade. 1639 01:22:47,840 --> 01:22:51,280 Speaker 1: It's not the entire drawing. Okay, gave me some nuance. 1640 01:22:51,320 --> 01:22:53,120 Speaker 1: Did you see the episode where he was flopping around 1641 01:22:53,120 --> 01:22:56,639 Speaker 1: that farmer's market. Yes, that's what I seen in that episode. 1642 01:22:56,640 --> 01:22:58,880 Speaker 1: I wouldn't watched more either. It was that made me 1643 01:22:59,000 --> 01:23:01,160 Speaker 1: so mad, And I was like, and he is I 1644 01:23:01,280 --> 01:23:03,439 Speaker 1: just like Steve. It's just like a good man who 1645 01:23:03,520 --> 01:23:07,880 Speaker 1: been out here trying his best. And like Audo, like 1646 01:23:08,240 --> 01:23:10,840 Speaker 1: he's so hot, you know, you know I love an honest, 1647 01:23:10,880 --> 01:23:13,559 Speaker 1: petite man. Yes, And I don't know like they did 1648 01:23:13,640 --> 01:23:17,080 Speaker 1: him so wrong. I just felt, like Miranda, what they 1649 01:23:17,160 --> 01:23:21,160 Speaker 1: tried to They tried to play the audience by making 1650 01:23:21,240 --> 01:23:25,240 Speaker 1: us think he forgot how to finger her. I mean also, 1651 01:23:25,400 --> 01:23:27,519 Speaker 1: I'm sorry. They also wanted me to think that it 1652 01:23:27,560 --> 01:23:29,479 Speaker 1: was not attractive because you know that in the kitchen 1653 01:23:29,920 --> 01:23:31,800 Speaker 1: and he's like what and then he like goes to 1654 01:23:31,840 --> 01:23:33,760 Speaker 1: wash his hands, and you can tell that Miranda's like, 1655 01:23:33,960 --> 01:23:36,920 Speaker 1: make it sexy. I said, absolutely not. If there's anything 1656 01:23:36,960 --> 01:23:39,040 Speaker 1: I love after three years of co but it's hand hygiene. 1657 01:23:39,240 --> 01:23:41,439 Speaker 1: I want you taking the full twenty seconds. You're gonna 1658 01:23:41,439 --> 01:23:45,840 Speaker 1: go into a mucous membrane of mine ingers. It's a 1659 01:23:45,920 --> 01:23:47,600 Speaker 1: east In fact. When it to happen, I was like, 1660 01:23:47,640 --> 01:23:51,120 Speaker 1: there's nothing hotter than a hand washed me. And they 1661 01:23:51,120 --> 01:23:52,960 Speaker 1: tried to make it seem like and then she gave 1662 01:23:53,040 --> 01:23:54,559 Speaker 1: him all of like twelve seconds and I was like, 1663 01:23:54,560 --> 01:23:58,000 Speaker 1: forget it. And I just said, well, cha fingers me 1664 01:23:58,080 --> 01:24:02,599 Speaker 1: with weed resident on their fingers. Disgusting. Oh god, don't 1665 01:24:02,600 --> 01:24:04,719 Speaker 1: you hate that? For a lot of people, Cha Diaz 1666 01:24:04,880 --> 01:24:07,880 Speaker 1: is their introduction to stand up comedy, where people who 1667 01:24:07,920 --> 01:24:14,920 Speaker 1: think that like that's what comedy is, change involve gros 1668 01:24:16,960 --> 01:24:20,200 Speaker 1: when's your next comedy concert? I have a huge comedy 1669 01:24:20,200 --> 01:24:26,160 Speaker 1: concert happening. It's also a pilot and it's uh and 1670 01:24:26,160 --> 01:24:28,320 Speaker 1: I'm throwing a big party about it. What I have 1671 01:24:28,360 --> 01:24:32,240 Speaker 1: a rehearsed music number. You should come. It's in the 1672 01:24:32,320 --> 01:24:37,439 Speaker 1: basement of Bowery ball Room. I couldn't believe it was 1673 01:24:40,240 --> 01:24:44,200 Speaker 1: mcgreet surreal. It was mgreat surreal to watch what happened. 1674 01:24:44,240 --> 01:24:48,439 Speaker 1: Oh my god, I am not a pipe but peep. 1675 01:24:48,920 --> 01:24:50,760 Speaker 1: What I think is they need to bring Steve back 1676 01:24:50,800 --> 01:24:53,040 Speaker 1: for the second season, and Miranda needs to be having 1677 01:24:53,040 --> 01:24:55,920 Speaker 1: a tough time with Chay, and then Steve is there 1678 01:24:56,040 --> 01:24:57,720 Speaker 1: because I don't know, like they have like a thing 1679 01:24:57,800 --> 01:24:59,920 Speaker 1: to go to with their son. And Steve brings his 1680 01:25:00,439 --> 01:25:04,479 Speaker 1: smoke show Hot New Girlfriends played by Naomi and there 1681 01:25:04,720 --> 01:25:08,519 Speaker 1: they are extended the talent, extended sex scenes where he's 1682 01:25:08,600 --> 01:25:11,639 Speaker 1: playing the pipe. Thank you. That would be the dream. 1683 01:25:11,760 --> 01:25:13,680 Speaker 1: And I would say, who, how did I get you 1684 01:25:13,760 --> 01:25:16,080 Speaker 1: on sale? You know what I mean? You get you 1685 01:25:16,160 --> 01:25:18,200 Speaker 1: getting him on the rack? And I just said, you 1686 01:25:18,280 --> 01:25:21,040 Speaker 1: know what you are. All of a sudden, he's flew 1687 01:25:21,160 --> 01:25:23,839 Speaker 1: into sex again. He forgot like it was speaking Spanish. 1688 01:25:24,160 --> 01:25:27,479 Speaker 1: He was like, oh, I forgot that, And like he's 1689 01:25:27,520 --> 01:25:30,240 Speaker 1: like acting like his fingers didn't he hasn't used them 1690 01:25:30,240 --> 01:25:33,120 Speaker 1: in years. He forgot had a finger forgot. He did 1691 01:25:33,200 --> 01:25:35,080 Speaker 1: not forget she didn't give him time to figure out 1692 01:25:35,080 --> 01:25:37,280 Speaker 1: what was what. Pull your panties down, Pull your pants down. 1693 01:25:37,400 --> 01:25:38,760 Speaker 1: You just gonna tell me to put a hand in 1694 01:25:38,800 --> 01:25:40,240 Speaker 1: the front, and I'm just gonna know where everything is. 1695 01:25:40,320 --> 01:25:42,280 Speaker 1: That ain't how word no, And of course it's gonna 1696 01:25:42,280 --> 01:25:45,120 Speaker 1: be on sexy. You just did the dishes. Also enough 1697 01:25:45,120 --> 01:25:48,479 Speaker 1: for another Miranda. Maybe it's you, Okay, you suck, thank 1698 01:25:48,560 --> 01:25:55,400 Speaker 1: you for Miranda, Okay, whatever. They deserve each other's like 1699 01:25:55,720 --> 01:25:57,400 Speaker 1: you d m me three months ago, I don't drink 1700 01:25:57,400 --> 01:26:01,320 Speaker 1: my d you got a gm me again. Miranda is nasty. 1701 01:26:01,479 --> 01:26:08,360 Speaker 1: She thinks she's always right. She's annoying. What a fall 1702 01:26:08,439 --> 01:26:12,680 Speaker 1: true fall? Well, I mean whatever we can. We can 1703 01:26:12,720 --> 01:26:14,679 Speaker 1: talk about this all night. But you know something about 1704 01:26:14,800 --> 01:26:19,040 Speaker 1: the rational viewers character blowing up her life like this 1705 01:26:19,240 --> 01:26:21,840 Speaker 1: is sort of I don't know, a big, big swing. 1706 01:26:21,880 --> 01:26:24,240 Speaker 1: That is as big a swing as killing off big 1707 01:26:24,280 --> 01:26:26,559 Speaker 1: which you which you have to respect. I mean, if 1708 01:26:26,560 --> 01:26:27,880 Speaker 1: they were going to come back, I guess they had 1709 01:26:27,920 --> 01:26:29,679 Speaker 1: to do a lot with it, and they certainly didn't. 1710 01:26:29,680 --> 01:26:31,559 Speaker 1: Like we said, it was a perfect season of television 1711 01:26:31,600 --> 01:26:38,000 Speaker 1: and we highly await, anticipate the second season to the 1712 01:26:38,000 --> 01:26:40,080 Speaker 1: finale was the finale is gonna. It's gonna leave you 1713 01:26:40,080 --> 01:26:41,760 Speaker 1: in a good mood. You're gonna you're gonna love the 1714 01:26:41,760 --> 01:26:46,360 Speaker 1: way you look. You guarantee it, guarantee it. Listen. This 1715 01:26:46,439 --> 01:26:50,040 Speaker 1: was again a perfect episode. And Netflix is on. Namick 1716 01:26:50,120 --> 01:26:53,519 Speaker 1: Paragon is here and she was um an absolute joy 1717 01:26:53,560 --> 01:26:55,920 Speaker 1: to have as always, And this is your third time, 1718 01:26:56,120 --> 01:26:57,840 Speaker 1: and this makes you a legend. This makes me a 1719 01:26:57,840 --> 01:27:04,920 Speaker 1: triple threat, actually three last. We actually have an announcement, Naomi. 1720 01:27:05,280 --> 01:27:08,320 Speaker 1: We would like to give you an award. It's a 1721 01:27:08,560 --> 01:27:12,680 Speaker 1: prestigious Last Culturess Award and it's the Last Culture That's 1722 01:27:12,880 --> 01:27:18,559 Speaker 1: Icon Award. Past recipients have included Hot Reagan and he's 1723 01:27:18,600 --> 01:27:22,040 Speaker 1: only and now now you you are in the Hall 1724 01:27:22,080 --> 01:27:24,320 Speaker 1: of Fame that is, that's only the only hall of 1725 01:27:24,320 --> 01:27:26,280 Speaker 1: fame I want to be in. Thank you so much, 1726 01:27:26,640 --> 01:27:28,479 Speaker 1: And it's just been an honor to grow with you. 1727 01:27:28,880 --> 01:27:32,200 Speaker 1: Thank you. You're you're actually now ineligible for all other 1728 01:27:32,240 --> 01:27:34,559 Speaker 1: hall of fames. So it's good that you said that. Okay, 1729 01:27:34,600 --> 01:27:37,360 Speaker 1: well exactly, Thank goodness, Thank goodness, it all works out. 1730 01:27:37,560 --> 01:27:39,720 Speaker 1: Remember that time I texted you, Matt and said I 1731 01:27:39,760 --> 01:27:42,000 Speaker 1: want to win whatever like you were doing, like a 1732 01:27:42,040 --> 01:27:44,800 Speaker 1: top or like something like one of the list, right, 1733 01:27:45,000 --> 01:27:49,559 Speaker 1: I want to win. Put me on the list. The 1734 01:27:49,560 --> 01:27:51,400 Speaker 1: Cultural Awards came out and she said, I want to win, 1735 01:27:52,720 --> 01:27:56,720 Speaker 1: and you have to reward that. Well, they're canceled. That's 1736 01:27:56,720 --> 01:27:58,479 Speaker 1: not how it works. I said, that's actually not how 1737 01:27:58,479 --> 01:28:01,040 Speaker 1: it works. But I'm sure they're canceled. But you have 1738 01:28:01,080 --> 01:28:03,800 Speaker 1: an Icon Award now and then maybe we'll print something 1739 01:28:03,800 --> 01:28:06,280 Speaker 1: out for you like a certificate. Maybe we won't, but 1740 01:28:06,320 --> 01:28:09,400 Speaker 1: either way, you stand by, stand by. Well, this was 1741 01:28:09,479 --> 01:28:11,880 Speaker 1: a perfect episode, like we said, what a what an 1742 01:28:11,880 --> 01:28:14,719 Speaker 1: incredible time, and we end every episode with the song. 1743 01:28:15,800 --> 01:28:23,160 Speaker 1: Sometimes I run, sometimes I hide, sometimes I'm scared and 1744 01:28:23,720 --> 01:28:29,800 Speaker 1: I really want. It's to hold you down. Will you 1745 01:28:30,000 --> 01:28:36,160 Speaker 1: did baby early this time? Bye?