WEBVTT - Succession Series Finale

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<v Speaker 1>Warning. This podcast contained spoilers for the series finale of

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<v Speaker 1>Succession on HBO. Hello, my name is Jason Concepcion and

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<v Speaker 1>I'm Rosey Night and welcome to x ray Vision, the

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<v Speaker 1>Crooked Media podcast where we're diving deepen to your favorite show.

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<v Speaker 1>This episode movies, comics, and pop culture, but really just

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<v Speaker 1>one show, the finale, the series finale of Succession.

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<v Speaker 2>YEP. In this episode, we've got actually kind of two

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<v Speaker 2>finales because it's the finale of Market Moves. The Market

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<v Speaker 2>Moves comes to an end as we talk about Succession

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<v Speaker 2>season four, episode ten, the series finale, one of the

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<v Speaker 2>greatest series finales of all time. I think I'm saying

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<v Speaker 2>it's happening, and in and out we've got Joe talking

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<v Speaker 2>about Netflix's Vulture and Legendary Defender. I'm very excited to

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<v Speaker 2>hear that because people love that show and the fandom

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<v Speaker 2>is very passionate.

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<v Speaker 1>Coming up Market Moves the finale, series finale of my

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<v Speaker 1>series finale. Too much pain.

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<v Speaker 3>Here's what I say, pain sponges.

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<v Speaker 1>Here, you can take a break, put a sticker on

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<v Speaker 1>your brain. I can save your space.

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<v Speaker 3>And I don't like eyes because they're face eggs. Clap

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<v Speaker 3>along if you suck the biggest stick in the room,

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<v Speaker 3>Clap along.

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<v Speaker 1>If you feel like a puppet for Big Luke, clap along.

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<v Speaker 1>If you feel like your wife's slopes are filled with

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<v Speaker 1>the juice.

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<v Speaker 2>Go long.

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<v Speaker 1>If you feel like sucking. D is for Market Moves Mackets.

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<v Speaker 1>Let's go.

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<v Speaker 2>Market Move's album coming soon, Coming soon. Go.

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<v Speaker 1>It's the finale of Marcot Moves. Yes, oh, folks, what

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<v Speaker 1>a show. What a finale? What an ascendance by Thomas

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<v Speaker 1>the Quizzling whams Gans. Let's get into it. We start

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<v Speaker 1>on deal Day, New York City. Ken arrives at waste

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<v Speaker 1>oar HQ. He's dapping up the crew. He's saying hi

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<v Speaker 1>to everybody. Hey, Hey, Corpy the DM everybody. Uh enter Telly, Telly,

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<v Speaker 1>who I love, has entered into our lives kind of

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<v Speaker 1>late in the life of the series. But Telly is

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<v Speaker 1>and every organization needs a Telly. Telly is the person

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<v Speaker 1>who's actually good at their job. But the powers that

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<v Speaker 1>keep Telly hidden away, like in a closet somewhere, and

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<v Speaker 1>you only really break Telly out when you need him,

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<v Speaker 1>but you do it privately, so nobody knows that Telly

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<v Speaker 1>is actually the one who knows.

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<v Speaker 2>Shit, Jason, are you saying they stashed Telly so nobody

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<v Speaker 2>saw the tapes. They keep him away.

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<v Speaker 1>That's really what happened. So Ken walks in, and Telly

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<v Speaker 1>as the truth teller, and the guy who sees clearly

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<v Speaker 1>immediately briefs Ken on what's going on with Stewie. He

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<v Speaker 1>just got off the phone with Stewie's guy, and Stuwie

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<v Speaker 1>is they don't have Stewie, and Ken is like what who? What?

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<v Speaker 1>He pulls himself together and he says, Okay, I can

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<v Speaker 1>get Stewie on board. I'll just get a phone called

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<v Speaker 1>with Stewie and this is a play and this is

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<v Speaker 1>just a smoke screen, and I can get Stewie. And

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<v Speaker 1>if I don't get Stewie, there's like a couple. I

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<v Speaker 1>have some backups in mind, so we have a path

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<v Speaker 1>to getting the votes. And then Telly is like, okay,

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<v Speaker 1>but like your votes include Roman and where is Roman?

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<v Speaker 1>No one's seen Roman, nobody's heard from Roman and Roman

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<v Speaker 1>and Ken is like, don't worry. I got Roman. I

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<v Speaker 1>don't know where Roman is, but I got him. I

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<v Speaker 1>have his votes. I got him. It doesn't matter. I

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<v Speaker 1>don't know where he is. We go to Lucas HQ

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<v Speaker 1>where Shiv is telling Lucas the stewing news that Ken

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<v Speaker 1>doesn't have STEWI anymore, and she rattles off a straw pole.

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<v Speaker 1>She's got it all. Listen, Kelly does it in his head.

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<v Speaker 1>Shiv needs a little piece of paper, but that's okay,

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<v Speaker 1>and she rattles it off, and she's like, listen, you

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<v Speaker 1>can cut the pizza any way you want, but the

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<v Speaker 1>pie is all yours, Lucas, It's all go Joe baby,

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<v Speaker 1>It's in the fucking bag. And also not that I

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<v Speaker 1>care about it, Luke, but you know, Tom remember whatever

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<v Speaker 1>you know, Like, whichever way you want to go with that,

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<v Speaker 1>I'm good. And Lucas is like, listen, I've had a

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<v Speaker 1>few vibe checks with Tom. Uh and you know, what

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<v Speaker 1>do you think? What do you think? And Shiv is like, well, uh,

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<v Speaker 1>and I quote, he's very competent, but if he irks

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<v Speaker 1>you or if it's complicated, it is okay. He is

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<v Speaker 1>very plausible corporate matter, but he's also just a highly interchangeable,

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<v Speaker 1>modular part. And I would say that to his faith.

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<v Speaker 2>She would, she definitely would say that, this absolutely fucking would.

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<v Speaker 1>And she, you know, she lets Lucas know in closing

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<v Speaker 1>that Tom will suck the biggest dick in the room.

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<v Speaker 1>So let me ask prompt number one. Is that the

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<v Speaker 1>nicest thing that Shiv has ever said about Tom, that

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<v Speaker 1>he will suck the best.

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<v Speaker 2>You know what, I will say, I believe in this

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<v Speaker 2>moment it is probably the best thing she's ever done Tom,

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<v Speaker 2>because I think this is the most important line in

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<v Speaker 2>all of succession, which is fantastic. And I think this

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<v Speaker 2>is the moment that Lucas Mattson knows Thomas his guy.

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<v Speaker 2>Because you know what, HIV can say that to Tom's face.

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<v Speaker 2>Tom would probably agree and add some flowery language about

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<v Speaker 2>how good he would be at sucking the biggest dick.

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<v Speaker 2>But if Chiv would never say that about herself. HIV

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<v Speaker 2>does not see herself that way, and that is what

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<v Speaker 2>Lucas needs. So this is Shiv's greatest gift to great

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<v Speaker 2>It's a great.

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<v Speaker 1>Call, and it leads us into our next prompt, which

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<v Speaker 1>we will get to shortly. But I think you're right

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<v Speaker 1>Number one. Shiv would say this and much worse to

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<v Speaker 1>Tom's faith. She'd say She's said lots of truly, truly

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<v Speaker 1>awful things over the course of this series too directly

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<v Speaker 1>to Tom's visage, including as I love to point out,

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<v Speaker 1>asking him on his wedding night if they could have

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<v Speaker 1>an ophoop marriage. Uh, and I agree with you. Clearly,

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<v Speaker 1>Lucas wants a quizzling, wants a puppet. Does not want

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<v Speaker 1>anybody with their own thoughts, who will voice their own thoughts,

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<v Speaker 1>who will even seem as if they're voicing their own thoughts.

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<v Speaker 1>He wants a pure cutout. And and Shiv letting Lucas

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<v Speaker 1>know that Tom will drop to his knees at the

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<v Speaker 1>snap of a finger, lets Lucas know that, Yeah, I

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<v Speaker 1>think Tom is the guy. Shiv takes a call from

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<v Speaker 1>her mom, Lady Caroline, the wonderful Lady Caroline coming in

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<v Speaker 1>a hot coming in absolute like star fucking power, unbelievable stuff.

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<v Speaker 1>So from this and we learned that Roman has gone

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<v Speaker 1>to ground at Mummy's house in Barbados, wonderful, wonderful little

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<v Speaker 1>little getaway place. Although Lady Caroline is you know, let's

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<v Speaker 1>know the need of the house. Obviously it's still leaking.

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<v Speaker 1>It's a it's a ship box. No, it's a beautiful mansion.

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<v Speaker 1>Shiv tells Lucas. Okay, I have a location on Roman.

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<v Speaker 1>He's with my mom. I'm going there to get him

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<v Speaker 1>because we need to have you know, we get Let's

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<v Speaker 1>get as many of the Roys on side as we

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<v Speaker 1>can so this thing isn't perceived as quote Lady Macbeth

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<v Speaker 1>Part two, which brings us to a prompt number two.

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<v Speaker 1>So we see in this scene that Lucas is a

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<v Speaker 1>little There is a vanity I think vanity fair piece

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<v Speaker 1>about Lucas, and the art is an illustration of Shiv

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<v Speaker 1>holding matts and strings making him dance to the tune,

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<v Speaker 1>so that Matson is the puppet, not Shiv. And clearly

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<v Speaker 1>this profile is is wondering you know who is really

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<v Speaker 1>running things at Gojo, And here is Shiv showing at

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<v Speaker 1>least that she has some awareness of that perception being

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<v Speaker 1>out there saying, you know, I don't want this to

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<v Speaker 1>look like Lady Macbeth part two. And we can get

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<v Speaker 1>another if we get to the roy if we get

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<v Speaker 1>Roman on side. Now it looks like there's two Roys

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<v Speaker 1>holding Lucas's strings and it's not just me being not

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<v Speaker 1>So this leads us to our Shiv comes from the

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<v Speaker 1>political world, communications in politics. How did she fuck this up?

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<v Speaker 1>How did she You know, if it was Ken Even

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<v Speaker 1>or certainly her dad or any other of the power

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<v Speaker 1>players here, they'd be on the phone to their version

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<v Speaker 1>of Hugo or Carolina and they'd be like, Okay, here's

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<v Speaker 1>this profiles coming. Make sure it makes me look like

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<v Speaker 1>the puppet, not Lucas. I'm the puppet. How did she

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<v Speaker 1>fuck this up?

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<v Speaker 2>So the headline is really interesting because it says like,

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<v Speaker 2>is Lucas Madison taking over the world, but then it

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<v Speaker 2>has the puppet sh shift puppeteerium. I actually think this

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<v Speaker 2>is Shiv's own arrogance. I think Shiv and Kelly have

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<v Speaker 2>the same problem, which is they have so much self belief.

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<v Speaker 2>Schiv says something really interesting late in this episode where

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<v Speaker 2>she says like Mason believes in me, and it's like

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<v Speaker 2>she truly believes. She's like, well, this is just like

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<v Speaker 2>a funny image like and also it wouldn't be so

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<v Speaker 2>terrible if there was one bit of information that did

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<v Speaker 2>look like I was the one was puppeteering him, even

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<v Speaker 2>if it's just like a joke. I want people to

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<v Speaker 2>know that I'm a partner in this. And there's this

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<v Speaker 2>kind of like sparring ground look Shiv's biggest mistake throughout

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<v Speaker 2>all of this. As much as it has been absolutely

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<v Speaker 2>joyful to watch her stab her brother's love act, I

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<v Speaker 2>love it. She knew Madison was an abuser. She knows

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<v Speaker 2>he hates women, He makes Holocaust jokes. He is not

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<v Speaker 2>a person you can trust, and he's also not a

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<v Speaker 2>person who's ego you can ever stop stroking. And I

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<v Speaker 2>think it is that, like you said, Schiv fucked this

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<v Speaker 2>up because it's that duality of that, it's not a

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<v Speaker 2>coincidence he's reading that piece and she says that line

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<v Speaker 2>about Tom and then he makes that choice.

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<v Speaker 1>Yeah.

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<v Speaker 2>I think if there was, if it was if the

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<v Speaker 2>image had been the other way around, if it had

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<v Speaker 2>been him puppeteering her this kind of weird, you know, caricature,

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<v Speaker 2>he might have been more amenable to her being the puppet.

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<v Speaker 2>But I think, really it was never gonna happen because

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<v Speaker 2>she's a woman.

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<v Speaker 1>Uh, I got the other way. I think it might

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<v Speaker 1>have happened. I certainly. Uh. The things that Lucas says

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<v Speaker 1>about Shov later lead me to believe that, you know,

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<v Speaker 1>he was pushing boundaries, and I think, you know, given

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<v Speaker 1>the right circumstances, he'd love to have Shiv working for

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<v Speaker 1>him to push those boundaries, you know, wherever he felt

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<v Speaker 1>like it. But I also feel like, when you're right,

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<v Speaker 1>this is Shiv's arrogance, she said. She says, as Lucas

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<v Speaker 1>is looking at the piece, Oh, do you want me

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<v Speaker 1>to call the reporter, She's the reporter on speed dial.

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<v Speaker 1>She probably sourced for him and probably told that. She

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<v Speaker 1>probably probably approved the oddest she probably said. And by

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<v Speaker 1>the way, just you know, on background, like I am, like,

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<v Speaker 1>I'm a partner and all this stuff. So I think this,

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<v Speaker 1>you're right, This was her arrogance. This was her wanting

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<v Speaker 1>to signal like, hey, I'm I'm a player. I'm also

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<v Speaker 1>a player, and I think it fucked her up. But

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<v Speaker 1>I do think that there was a world in which

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<v Speaker 1>Shiv acts supine enough and spineless enough and is on

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<v Speaker 1>top of this kind of messaging. You know it, you know,

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<v Speaker 1>is communicating and broadcasting to everyone who will listen. Hey,

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<v Speaker 1>it's Lucas running things. It's Lucas running things. I'm just

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<v Speaker 1>he just wants me here like as a as a flag,

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<v Speaker 1>a roy flag. And also because I have the the

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<v Speaker 1>you know, the next in line roy baby in my belly.

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<v Speaker 1>I think that I think there's a world in which

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<v Speaker 1>Lucas would have gone for it.

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<v Speaker 2>I think you're right. I actually think that shows how

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<v Speaker 2>naive Shiv was in this situation, because actually that's a

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<v Speaker 2>very easy pr message, and she could have even like

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<v Speaker 2>if she could have just gotten over this need to

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<v Speaker 2>be like her brothers, she could have just even acted

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<v Speaker 2>that way to Matson in the room. She's always coming

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<v Speaker 2>in trying to talk about like numbers and like her

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<v Speaker 2>and he's like, you know what, one ship, you don't

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<v Speaker 2>know what you're talking about. None of you do. You're

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<v Speaker 2>none of you are serious people. That's the realist thing,

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<v Speaker 2>Logan said. Logan was right, ding ding ding ring the bell.

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<v Speaker 2>But also like you could have just played him. Mattson

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<v Speaker 2>is also not a serious person. Like you could have

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<v Speaker 2>played the subservient woman who's just gonna do whatever he says,

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<v Speaker 2>and then actually gotten your power from just the fact

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<v Speaker 2>that he really wouldn't have known what was going on

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<v Speaker 2>outside of his little fancy in his head. But instead

0:13:31.120 --> 0:13:34.600
<v Speaker 2>she wanted to play the big balls, you know, tough

0:13:34.760 --> 0:13:37.880
<v Speaker 2>girl boss situation, and as we know, there never goes well.

0:13:38.280 --> 0:13:41.600
<v Speaker 1>It does not go well. Shiv then calls Tom, and

0:13:41.640 --> 0:13:46.520
<v Speaker 1>she has an interesting proposition. She says, Hey, wouldn't it

0:13:46.520 --> 0:13:49.280
<v Speaker 1>be great, Uh, you know, if you were so Ameniambal

0:13:49.440 --> 0:13:54.320
<v Speaker 1>to continue like maybe living this very very toxic lie

0:13:54.440 --> 0:13:58.559
<v Speaker 1>of ours, wouldn't that be convenient? You know, we can

0:13:58.600 --> 0:14:00.959
<v Speaker 1>lock it down right now, we can it back down

0:14:01.280 --> 0:14:05.000
<v Speaker 1>and start living his husband and wife again. You know,

0:14:05.160 --> 0:14:06.679
<v Speaker 1>if you're into that, what do you think?

0:14:08.520 --> 0:14:08.720
<v Speaker 2>You know?

0:14:08.760 --> 0:14:11.760
<v Speaker 1>What do you say? What's up? This is probably the

0:14:11.800 --> 0:14:16.480
<v Speaker 1>smartest thing that Shiv has done in this entire series,

0:14:16.920 --> 0:14:19.320
<v Speaker 1>because I think this is the thing that gives her

0:14:19.400 --> 0:14:22.400
<v Speaker 1>the out that we see the end of the episode

0:14:22.680 --> 0:14:23.840
<v Speaker 1>and Tom says he doesn't know.

0:14:24.200 --> 0:14:28.040
<v Speaker 2>I totally agree. Okay, mini prompt. Do you think Shiv

0:14:28.160 --> 0:14:31.760
<v Speaker 2>means it? Because there is a line where she says

0:14:31.800 --> 0:14:34.640
<v Speaker 2>to him, you know, we've already said the worst things

0:14:34.680 --> 0:14:37.040
<v Speaker 2>you can ever say to each other, so like we're

0:14:37.080 --> 0:14:40.320
<v Speaker 2>basically starting here knowing the worst things about each other.

0:14:40.640 --> 0:14:44.240
<v Speaker 2>That to me actually sounds like there is at least

0:14:44.360 --> 0:14:47.120
<v Speaker 2>five percent of her who's like, oh, maybe this could

0:14:47.360 --> 0:14:51.000
<v Speaker 2>be the least terrible option for me, rather than just

0:14:51.120 --> 0:14:53.480
<v Speaker 2>like it being kind of a pretense, I think there

0:14:53.560 --> 0:14:57.360
<v Speaker 2>is a tiny piece of her that sees some kind

0:14:57.400 --> 0:15:03.200
<v Speaker 2>of safety net in Tom emotionally or something. I think

0:15:03.240 --> 0:15:07.320
<v Speaker 2>there's like a sparkle that that this isn't just a pretense.

0:15:07.440 --> 0:15:09.600
<v Speaker 2>I think there's something in there where Sheiv knows like

0:15:09.640 --> 0:15:11.880
<v Speaker 2>she's a horrible person, but here's somebody who knows that

0:15:12.000 --> 0:15:12.840
<v Speaker 2>too and accepts.

0:15:12.920 --> 0:15:15.680
<v Speaker 1>Uh. I think that there is that, you know, it's

0:15:15.720 --> 0:15:19.760
<v Speaker 1>that very it's that thing from that maybe people have

0:15:19.840 --> 0:15:23.640
<v Speaker 1>experienced in toxic and or codependent relationships where it's bad,

0:15:24.240 --> 0:15:26.800
<v Speaker 1>but the badness is kind of all you know, yes,

0:15:27.040 --> 0:15:29.480
<v Speaker 1>and you're comfortable with the badness. I think there is

0:15:29.520 --> 0:15:32.360
<v Speaker 1>something to that. I also think it's a I think

0:15:32.400 --> 0:15:35.320
<v Speaker 1>it's a power move from Shiv as well, in which

0:15:35.440 --> 0:15:37.360
<v Speaker 1>she is kind of, you know, just as she was

0:15:37.400 --> 0:15:42.080
<v Speaker 1>saying to Lucas, like, let's project a unified from continuity.

0:15:42.120 --> 0:15:44.600
<v Speaker 1>We get the Roys on side. It looks good. I

0:15:44.640 --> 0:15:48.920
<v Speaker 1>think from her perspective, it's going to be me. I'm CEO.

0:15:49.480 --> 0:15:51.920
<v Speaker 1>I bring my husband along. He's subservient to me.

0:15:53.320 --> 0:15:55.080
<v Speaker 2>We have a child with the roy We have.

0:15:55.040 --> 0:15:57.560
<v Speaker 1>A child with the roy name. It looks great. The

0:15:57.640 --> 0:16:03.880
<v Speaker 1>Roys are continuing to run waste and it burnishes my reputation.

0:16:04.560 --> 0:16:07.520
<v Speaker 1>As you know, the big Boss lady, and I think

0:16:07.560 --> 0:16:14.480
<v Speaker 1>it looks good, and I think that's the play.

0:16:13.560 --> 0:16:17.760
<v Speaker 2>Play five, like maybe an inkling of something real deep down.

0:16:19.160 --> 0:16:22.520
<v Speaker 1>I think she thinks she's saving Tom. Yes she does

0:16:22.680 --> 0:16:23.680
<v Speaker 1>at this point in time.

0:16:23.880 --> 0:16:24.800
<v Speaker 2>Oh the irony.

0:16:25.800 --> 0:16:32.360
<v Speaker 1>Greg, who has overheard this phone call, immediately scampers off

0:16:32.400 --> 0:16:35.520
<v Speaker 1>to Ken's camp with the news of Romans location. Ken

0:16:35.520 --> 0:16:39.360
<v Speaker 1>then calls Mon and confirms, and he tells his his

0:16:39.720 --> 0:16:42.800
<v Speaker 1>a new assistant, New Jests, who he refers to as

0:16:42.920 --> 0:16:43.880
<v Speaker 1>new Jess.

0:16:44.400 --> 0:16:46.440
<v Speaker 2>Good for Jess, I'm glad she just called the funk

0:16:46.520 --> 0:16:50.320
<v Speaker 2>out of that. He doesn't even know. He doesn't my name.

0:16:52.400 --> 0:16:55.520
<v Speaker 1>Nud Jess, Nu Jess, he tells New Jess. Hey, listen,

0:16:55.520 --> 0:16:58.120
<v Speaker 1>book me on the book me on the on our

0:16:58.160 --> 0:17:02.640
<v Speaker 1>fastest private jet to the career. Shive arrives first in

0:17:02.720 --> 0:17:05.679
<v Speaker 1>Barbados to find Roman with fresh stitches over his brow.

0:17:06.200 --> 0:17:12.639
<v Speaker 1>Ken then follows as When Ken is pulling in, he

0:17:12.800 --> 0:17:19.560
<v Speaker 1>finally gets in touch with Stewie, who basically assures him like, yeah,

0:17:19.600 --> 0:17:22.760
<v Speaker 1>it's all good, we got it. Ken and Shive then

0:17:22.880 --> 0:17:26.760
<v Speaker 1>spar on which side Roman is on in front of Roman,

0:17:26.800 --> 0:17:29.600
<v Speaker 1>and Roman is like, you know, waffling back and forth.

0:17:29.720 --> 0:17:33.600
<v Speaker 1>Ken is losing his mind over it. Shiv then like

0:17:34.560 --> 0:17:38.800
<v Speaker 1>absolutely rubs her assumed victory. And this is pure Shiv.

0:17:39.760 --> 0:17:43.960
<v Speaker 1>She thinks she's won. It's not even the game hasn't

0:17:44.000 --> 0:17:50.240
<v Speaker 1>even started. There's no time. Yeah, she's got it fucking sewn.

0:17:49.960 --> 0:17:52.320
<v Speaker 2>I wan and you guys are foxed and you just

0:17:52.359 --> 0:17:55.680
<v Speaker 2>need to accept it and celebrate me for fucking once.

0:17:57.119 --> 0:18:01.200
<v Speaker 1>She does like the Allen iverson fucking step over of

0:18:02.160 --> 0:18:07.320
<v Speaker 1>Ken and it is it's almost you can see this

0:18:07.720 --> 0:18:11.000
<v Speaker 1>everything that happens in Barbados, including this kind of beginning.

0:18:12.000 --> 0:18:15.280
<v Speaker 1>And this is what's so great about this show is

0:18:15.320 --> 0:18:19.840
<v Speaker 1>that you can really feel this cycle of the siblings

0:18:19.880 --> 0:18:23.119
<v Speaker 1>come together. Yeah, one of them, one or several of

0:18:23.160 --> 0:18:25.680
<v Speaker 1>them think they've won whatever the thing is. Now they're

0:18:25.680 --> 0:18:28.639
<v Speaker 1>bickering and rubbing in each other's face. Then they have

0:18:28.680 --> 0:18:31.239
<v Speaker 1>a big blow up, then they come together, and then

0:18:31.280 --> 0:18:34.600
<v Speaker 1>it all falls apart, starting to cycle again. Like this cycle,

0:18:35.400 --> 0:18:40.480
<v Speaker 1>you just can feel that it has taken place multiple times,

0:18:41.000 --> 0:18:44.480
<v Speaker 1>over multiple things, over the course of their lives.

0:18:44.760 --> 0:18:47.919
<v Speaker 2>You know what. It's such it's such brilliant writing because

0:18:48.320 --> 0:18:53.119
<v Speaker 2>in that moment, even though like Shiv is making so

0:18:53.240 --> 0:18:56.479
<v Speaker 2>many bad choices throughout this show, when she says to Kendle,

0:18:56.520 --> 0:18:58.800
<v Speaker 2>she's like, I won, Like, can't you just be happy

0:18:58.840 --> 0:19:01.199
<v Speaker 2>for me one time? Like you just celebrate me. I

0:19:01.320 --> 0:19:04.040
<v Speaker 2>actually was like, yeah, fucking yeah, because you know what,

0:19:04.200 --> 0:19:06.359
<v Speaker 2>they never do. Like, even though I knew it was

0:19:06.400 --> 0:19:08.919
<v Speaker 2>going to be a short lived victory for her, I'm like,

0:19:09.000 --> 0:19:11.240
<v Speaker 2>you know what, for once, she was the one who

0:19:11.240 --> 0:19:13.240
<v Speaker 2>managed to fuck you guys over, and it seems like

0:19:13.280 --> 0:19:16.240
<v Speaker 2>most of her life that has not been she has

0:19:16.240 --> 0:19:18.440
<v Speaker 2>not been the winning party, you know. But you're right,

0:19:18.480 --> 0:19:22.119
<v Speaker 2>that cycle of seeing them and that unbelievable closeness that

0:19:22.160 --> 0:19:24.240
<v Speaker 2>we get when they come together, and then it's it's

0:19:24.280 --> 0:19:27.480
<v Speaker 2>you know, it's the cycle of it's the promise, the betrayal,

0:19:27.640 --> 0:19:30.280
<v Speaker 2>the promise, the betrayal, the promise, the betrayal. That's and

0:19:30.320 --> 0:19:31.680
<v Speaker 2>it was started by their dad.

0:19:33.119 --> 0:19:37.960
<v Speaker 1>I completely agree with you about that. It would be

0:19:38.040 --> 0:19:42.160
<v Speaker 1>wonderful if the Roys were less toxic than they are

0:19:42.320 --> 0:19:49.240
<v Speaker 1>and yeah, and less uh, you know, traumatized, because clearly

0:19:50.160 --> 0:19:52.959
<v Speaker 1>Shiv must have done things over the course of her

0:19:53.000 --> 0:19:57.000
<v Speaker 1>life that would and should garner praise from her brothers.

0:19:57.040 --> 0:19:59.960
<v Speaker 1>At the same time, I look at this and I'm like, man, Shiv,

0:20:01.560 --> 0:20:07.160
<v Speaker 1>you actually have to win first, and that's it. That's

0:20:07.200 --> 0:20:08.400
<v Speaker 1>my deal with it.

0:20:08.600 --> 0:20:14.000
<v Speaker 2>My favorite thing about this episode is that they managed

0:20:14.040 --> 0:20:18.480
<v Speaker 2>to balance these moments where you're just so invested in

0:20:18.520 --> 0:20:21.600
<v Speaker 2>the characters while also always reminding you, like, these are

0:20:21.680 --> 0:20:25.000
<v Speaker 2>terrible people and they're fucking idiots, Like they're really really

0:20:25.119 --> 0:20:29.639
<v Speaker 2>stupid and arrogant, and that is going to be their downfall,

0:20:29.680 --> 0:20:32.359
<v Speaker 2>and even that downfall comes with a cushion of billions

0:20:32.359 --> 0:20:33.000
<v Speaker 2>of dollars.

0:20:34.280 --> 0:20:36.920
<v Speaker 1>We'll get to that in a moment because I can't

0:20:37.200 --> 0:20:40.800
<v Speaker 1>I really can't wait to talk about that. X Ray

0:20:40.880 --> 0:20:52.679
<v Speaker 1>Vision will be back, and we're back. Tom and Gregor

0:20:52.680 --> 0:20:55.440
<v Speaker 1>are at a gallery opening with Lucas. Lucas has been

0:20:55.920 --> 0:20:59.639
<v Speaker 1>dragging both of them around, doing this kind of like

0:21:00.080 --> 0:21:05.280
<v Speaker 1>open ended vibe check that you know, it's unclear that

0:21:05.359 --> 0:21:07.879
<v Speaker 1>Tom and Greg really know that's what it is, but

0:21:07.960 --> 0:21:12.520
<v Speaker 1>he's been keeping them close. Tom really can't figure out

0:21:12.800 --> 0:21:15.760
<v Speaker 1>how to talk about art. I forget the line, what

0:21:15.800 --> 0:21:19.240
<v Speaker 1>does he say? The colors really go well? And then

0:21:19.320 --> 0:21:21.520
<v Speaker 1>Lucas walks away and he goes over to Greg and

0:21:21.560 --> 0:21:26.000
<v Speaker 1>basically rakes Greg over the colls for not jumping in

0:21:26.040 --> 0:21:29.720
<v Speaker 1>to save like a lumpy conversation and letting him say, like,

0:21:29.880 --> 0:21:31.720
<v Speaker 1>I guess the colors go well, like does that what

0:21:31.880 --> 0:21:33.840
<v Speaker 1>even work? Is that good? Yeah?

0:21:33.880 --> 0:21:36.199
<v Speaker 2>I think. Greg's like, shouldn't you have said together? And

0:21:36.200 --> 0:21:38.879
<v Speaker 2>He's like, yeah, the colors go, well, it's fine, it's fine.

0:21:40.720 --> 0:21:43.000
<v Speaker 1>Tom is like, listen, you need to figure it out

0:21:43.080 --> 0:21:46.960
<v Speaker 1>because like you're fucked, like Lucas hates you, like he's

0:21:46.960 --> 0:21:49.600
<v Speaker 1>gonna cut off your fucking head and fucking cut off

0:21:49.600 --> 0:21:51.760
<v Speaker 1>your dick and you're done, Like you're gonna be making

0:21:51.840 --> 0:21:53.680
<v Speaker 1>like no money. You're gonna be making like forty thousand

0:21:53.720 --> 0:21:55.560
<v Speaker 1>dollars a year. And Greg's like, actually he likes me,

0:21:56.160 --> 0:21:59.720
<v Speaker 1>and Tom is like, no, he fucking does not like you.

0:22:00.280 --> 0:22:05.600
<v Speaker 1>Prompt number three Rosie For people who don't care about art,

0:22:05.800 --> 0:22:08.080
<v Speaker 1>how do you pretend to care about art? What is

0:22:08.160 --> 0:22:13.000
<v Speaker 1>something you can say about a piece of art that

0:22:13.040 --> 0:22:16.000
<v Speaker 1>you don't care about that will make the person you

0:22:16.040 --> 0:22:18.560
<v Speaker 1>are standing with think this person really knows art?

0:22:18.640 --> 0:22:21.399
<v Speaker 2>Okay, just say like a long word to be Like.

0:22:21.520 --> 0:22:23.760
<v Speaker 2>I've gone to many gallery openings when I was a

0:22:23.760 --> 0:22:26.040
<v Speaker 2>teenager in London. They would have them all the time,

0:22:26.080 --> 0:22:27.639
<v Speaker 2>and we would just go in them and just rinse

0:22:27.680 --> 0:22:30.520
<v Speaker 2>all the free drinks, like just trek every glass of wine,

0:22:31.359 --> 0:22:33.200
<v Speaker 2>and a lot of times they want kind of scrubby

0:22:33.240 --> 0:22:35.240
<v Speaker 2>looking kids in there because they feel like it makes

0:22:35.240 --> 0:22:39.080
<v Speaker 2>it feel like, it makes it street, it makes it authentic,

0:22:39.240 --> 0:22:41.880
<v Speaker 2>like they're they're gentrifying the neighborhood with a gallery. Let's

0:22:41.960 --> 0:22:43.800
<v Speaker 2>let some kids in. So we've been doing all the word.

0:22:43.880 --> 0:22:45.520
<v Speaker 2>So here are some great lines. This is the kind

0:22:45.520 --> 0:22:46.920
<v Speaker 2>of shit you hear when you go to these things.

0:22:47.280 --> 0:22:49.000
<v Speaker 2>If you're not sure what to say, just look at

0:22:48.960 --> 0:22:51.600
<v Speaker 2>and be like, oh, it's so esoteric.

0:22:52.400 --> 0:22:52.960
<v Speaker 1>Oh I like that.

0:22:53.520 --> 0:22:56.800
<v Speaker 2>You can also be like, yeah, this one's really existential,

0:22:57.720 --> 0:22:59.600
<v Speaker 2>just like put a long word if it begins with

0:22:59.640 --> 0:23:02.679
<v Speaker 2>an e, you know, something like that. Or if you

0:23:02.680 --> 0:23:04.879
<v Speaker 2>want to be like if you're trying to impress Lucas

0:23:04.920 --> 0:23:06.880
<v Speaker 2>Matts and I'd just go around and be like, oh,

0:23:06.920 --> 0:23:09.959
<v Speaker 2>this is a little terrible. This is shit, Yeah exactly,

0:23:10.000 --> 0:23:12.200
<v Speaker 2>but you don't like it, like you know so much

0:23:12.200 --> 0:23:15.200
<v Speaker 2>about that, this awe is terrible, right, I'd be like.

0:23:15.359 --> 0:23:18.080
<v Speaker 1>Let me try it. I'm standing next to Lucas. This

0:23:18.119 --> 0:23:21.760
<v Speaker 1>one's shit. This one's shit, also shit, this one is

0:23:21.840 --> 0:23:22.840
<v Speaker 1>powerfully erotic.

0:23:23.440 --> 0:23:26.280
<v Speaker 2>Yes, that's perfect. This is like Lucas would hire you

0:23:26.400 --> 0:23:30.159
<v Speaker 2>as CEO. Goodbye, Tom. That's like he'd be like, Okay,

0:23:30.200 --> 0:23:32.800
<v Speaker 2>his ten million dollars, buy me a piece of art,

0:23:34.040 --> 0:23:35.720
<v Speaker 2>powerfully erotic art.

0:23:36.359 --> 0:23:40.040
<v Speaker 1>The siblings come back together at Sunset and Barbados, and

0:23:40.080 --> 0:23:43.280
<v Speaker 1>here is really where I'm like, oh you can you

0:23:43.320 --> 0:23:46.359
<v Speaker 1>know whatever they were arguing about, the cars, the toys,

0:23:46.440 --> 0:23:49.000
<v Speaker 1>their toys, video games, whatever it was that they argued

0:23:49.000 --> 0:23:53.040
<v Speaker 1>about his kids. You can see how this exact cycle

0:23:53.480 --> 0:23:55.400
<v Speaker 1>played out over the course of their lives. They argue,

0:23:55.440 --> 0:23:57.960
<v Speaker 1>and now they come back together somewhere on the veranda

0:23:58.119 --> 0:24:00.600
<v Speaker 1>at the out and the you know, and in the

0:24:00.640 --> 0:24:04.160
<v Speaker 1>woods on the edge of the property and smoking weed

0:24:04.359 --> 0:24:06.879
<v Speaker 1>or having drinks, and now they're coming back together. So

0:24:06.960 --> 0:24:11.920
<v Speaker 1>this is what they're doing at Sunset. They've joined back

0:24:11.920 --> 0:24:14.200
<v Speaker 1>together to try and figure out how to take control

0:24:14.280 --> 0:24:17.120
<v Speaker 1>of the family legacy. But it starts with Shiv once again.

0:24:17.200 --> 0:24:20.639
<v Speaker 1>She's one. She wants to let them know that she

0:24:20.720 --> 0:24:22.760
<v Speaker 1>has won, and that she knows she has won, and

0:24:22.840 --> 0:24:26.200
<v Speaker 1>she wants them to just accept it, get used to it,

0:24:26.280 --> 0:24:30.000
<v Speaker 1>like admit I want I beat you and just deal

0:24:30.080 --> 0:24:35.480
<v Speaker 1>with it. Back with Lucas and Tom, they're having dinner,

0:24:36.680 --> 0:24:41.840
<v Speaker 1>making some small talk. Lucas doesn't like the Xerox Bronzino

0:24:41.920 --> 0:24:42.320
<v Speaker 1>of the life.

0:24:42.320 --> 0:24:44.520
<v Speaker 2>I'm telling you this is why you say things as shit,

0:24:44.880 --> 0:24:47.560
<v Speaker 2>because most people like that don't like things or don't

0:24:47.600 --> 0:24:49.919
<v Speaker 2>want you to know that you like things. Tom compliments

0:24:49.960 --> 0:24:53.200
<v Speaker 2>the food, but Lucas hates it. If Tom had come

0:24:53.200 --> 0:24:54.720
<v Speaker 2>out with the I hate the food, he might have

0:24:54.720 --> 0:24:58.240
<v Speaker 2>gotten a little PowerPoint. But instead he proves exactly what

0:24:58.320 --> 0:25:00.560
<v Speaker 2>Lucas wants because as soon as Lucas said it's bad,

0:25:00.840 --> 0:25:02.840
<v Speaker 2>Tom's like, yeah, we might have been ill advised.

0:25:02.880 --> 0:25:04.240
<v Speaker 1>This was yeah, And then he's like, I'm going to

0:25:04.280 --> 0:25:08.760
<v Speaker 1>fucking kill Greg. Like Greg is dead, I'll Greg. She

0:25:08.960 --> 0:25:12.440
<v Speaker 1>just like instinctively is like, let me fucking kick Greg.

0:25:12.440 --> 0:25:14.760
<v Speaker 2>And then a little bit because Greg, because.

0:25:14.560 --> 0:25:18.400
<v Speaker 1>Whatever Greg did, he did it poorly and we need

0:25:18.400 --> 0:25:22.760
<v Speaker 1>to figure this out. Uh. Lucas then says, okay, Tom,

0:25:23.760 --> 0:25:26.520
<v Speaker 1>you pitch yourself. Pitch yourself as the guy, pitch yourself

0:25:26.520 --> 0:25:29.040
<v Speaker 1>as CEO. Tom says, listen, you know, I'll keep it simple,

0:25:30.440 --> 0:25:36.520
<v Speaker 1>low costs, high margins. I will, you know, eat any

0:25:37.160 --> 0:25:40.680
<v Speaker 1>kind of shit that needs eating, day or night, anytime

0:25:41.119 --> 0:25:43.600
<v Speaker 1>of day that ship needs eating, I'll eat the ship.

0:25:44.600 --> 0:25:47.480
<v Speaker 1>Look at what I did for cruises that was a big,

0:25:48.000 --> 0:25:52.199
<v Speaker 1>huge pile of shit sandwiches, and I fucking ate it.

0:25:52.359 --> 0:25:55.840
<v Speaker 1>Also not mentioned in this conversation, but I'm going to

0:25:55.880 --> 0:25:58.560
<v Speaker 1>mention it for him. I you know, Tom was willing

0:25:58.560 --> 0:26:01.119
<v Speaker 1>to go to prison. He wasn't happy about it.

0:26:01.200 --> 0:26:02.800
<v Speaker 2>He didn't like it. He was gonna do it.

0:26:03.000 --> 0:26:09.119
<v Speaker 1>He was gonna eat that particular fece sandwich.

0:26:09.640 --> 0:26:09.760
<v Speaker 2>Uh.

0:26:10.119 --> 0:26:13.480
<v Speaker 1>And then you know, he's happy to fire anybody anytime.

0:26:13.560 --> 0:26:16.520
<v Speaker 1>Like he will cut heads off and scoop out eyeballs

0:26:16.520 --> 0:26:19.199
<v Speaker 1>in his own words, he will make Greg do that.

0:26:19.359 --> 0:26:23.080
<v Speaker 1>But still, anybody that needs firing, he will fire. And

0:26:23.119 --> 0:26:24.960
<v Speaker 1>then Lucas is like, what about on a hang level,

0:26:25.080 --> 0:26:28.040
<v Speaker 1>you know? And then Tom was like, Man, I'm grinder.

0:26:28.640 --> 0:26:32.560
<v Speaker 1>I grind because I worry. I worry about, uh, you know,

0:26:32.600 --> 0:26:36.280
<v Speaker 1>my career. I worry about my personal well being. I

0:26:36.320 --> 0:26:38.159
<v Speaker 1>worry about everything, and that keeps me up at night.

0:26:38.200 --> 0:26:40.639
<v Speaker 1>That makes me means I'm working all the time, and

0:26:40.680 --> 0:26:42.560
<v Speaker 1>I'm gonna be worried about your interest. And I think

0:26:42.600 --> 0:26:47.600
<v Speaker 1>this was very I think this was very convincing for Lucas,

0:26:48.640 --> 0:26:52.960
<v Speaker 1>the way that Tom is completely and totally subservient and

0:26:53.000 --> 0:26:57.680
<v Speaker 1>not just that, but I heard in the Official Succession

0:26:57.720 --> 0:27:02.439
<v Speaker 1>pod sarsguard said that he in his mind Lucas noticed

0:27:02.480 --> 0:27:05.479
<v Speaker 1>that Tom wasn't at the funeral and he was working,

0:27:05.600 --> 0:27:09.399
<v Speaker 1>and he said, Aha, that just works. Yeah, he just

0:27:09.440 --> 0:27:10.240
<v Speaker 1>will work for me.

0:27:10.600 --> 0:27:13.600
<v Speaker 2>I think it's also like incredibly honest in a show

0:27:13.600 --> 0:27:17.640
<v Speaker 2>where everybody lies. Tom's life has been absolutely fucking ruined

0:27:17.720 --> 0:27:21.320
<v Speaker 2>by his job, by his anxiety, by working for ATM,

0:27:21.560 --> 0:27:24.040
<v Speaker 2>by being with Shiv, Like everything he does makes his

0:27:24.080 --> 0:27:27.840
<v Speaker 2>life worse, and he will just keep doing it in

0:27:27.840 --> 0:27:31.840
<v Speaker 2>this pursuit of nice things, of wealth, of security, of status.

0:27:32.080 --> 0:27:36.080
<v Speaker 2>And I think that is very appealing to Lucas because

0:27:36.080 --> 0:27:38.720
<v Speaker 2>that's exactly what he wants. And he sees that Tom

0:27:38.800 --> 0:27:42.280
<v Speaker 2>is already someone who's in a deep amount of pain

0:27:42.440 --> 0:27:46.639
<v Speaker 2>and personal turmoil, and that's great because that's exactly what

0:27:46.720 --> 0:27:49.080
<v Speaker 2>Lucas wants. Lucas wants a pain sponge.

0:27:49.320 --> 0:27:53.080
<v Speaker 1>He sees that turmoil. I love that term pain sponge

0:27:53.119 --> 0:27:57.960
<v Speaker 1>so good. Lucas sees that turmoil, he sees the subservience

0:27:58.200 --> 0:28:00.520
<v Speaker 1>of Tom, and he says, Okay, let's see how.

0:28:00.880 --> 0:28:01.560
<v Speaker 2>Yes, how.

0:28:03.000 --> 0:28:06.320
<v Speaker 1>See how just how badly you want to lay on

0:28:06.400 --> 0:28:12.360
<v Speaker 1>my lap lap dog. Here's my concerns with your wife, Chivroy,

0:28:12.960 --> 0:28:17.119
<v Speaker 1>My concerns about her are number one on a just

0:28:17.160 --> 0:28:19.359
<v Speaker 1>business level. She has too many ideas. I don't need that.

0:28:19.960 --> 0:28:23.119
<v Speaker 1>I have my own ideas. My mind's going way too fast.

0:28:23.160 --> 0:28:26.400
<v Speaker 1>In fact, I probably have some sort of add kind

0:28:26.400 --> 0:28:29.480
<v Speaker 1>of underlying issue, and I don't need somebody coming in

0:28:29.560 --> 0:28:31.960
<v Speaker 1>and kind of like mucking up what is already chaotic

0:28:32.040 --> 0:28:35.760
<v Speaker 1>thought process. I need somebody who's just gonna execute and

0:28:35.840 --> 0:28:40.360
<v Speaker 1>follow orders. And then also, you know there's this thing

0:28:40.440 --> 0:28:42.200
<v Speaker 1>where like I kind of want to fuck your wife,

0:28:42.280 --> 0:28:46.120
<v Speaker 1>and you know I've already done that with Ebba.

0:28:46.240 --> 0:28:48.320
<v Speaker 2>And I think your wife would fuck me. That's why

0:28:48.360 --> 0:28:50.760
<v Speaker 2>I think you're like and I think she would fuck.

0:28:50.600 --> 0:28:53.480
<v Speaker 1>Me under the right circumstances. I really think your wife

0:28:53.480 --> 0:28:56.000
<v Speaker 1>would also fuck me. Sorry if this is weird, by

0:28:56.040 --> 0:28:58.800
<v Speaker 1>the way, and to which Tom replies, no, no, no, no, men,

0:28:59.320 --> 0:28:59.920
<v Speaker 1>we're both men.

0:29:00.200 --> 0:29:04.440
<v Speaker 2>That's when he senses the job. That's it. He absolutely

0:29:04.520 --> 0:29:05.920
<v Speaker 2>the moment that the job is his.

0:29:06.480 --> 0:29:10.320
<v Speaker 1>He ties the fucking ball on it right there, and

0:29:10.400 --> 0:29:13.040
<v Speaker 1>Lucas says, you know, we get messy if I fucked

0:29:13.080 --> 0:29:16.120
<v Speaker 1>your wife and again she wants it. Uh, And so

0:29:16.160 --> 0:29:18.680
<v Speaker 1>I thought, why not get the guy who put the

0:29:18.720 --> 0:29:20.560
<v Speaker 1>baby and the baby lady.

0:29:22.720 --> 0:29:27.080
<v Speaker 2>Lucas Madson the world's biggest misogynist, just like unbelievable.

0:29:27.600 --> 0:29:32.840
<v Speaker 1>Next prompt, what the fuck does that mean? Can this

0:29:33.080 --> 0:29:36.720
<v Speaker 1>play that one to me? Okay, so what does that mean?

0:29:37.200 --> 0:29:41.280
<v Speaker 2>I think that Madson is like an old school like

0:29:41.480 --> 0:29:45.520
<v Speaker 2>piece of shit misogynist, Like he is like, well, a

0:29:45.560 --> 0:29:49.480
<v Speaker 2>woman doesn't get pregnant, a man gets her pregnant, right right,

0:29:49.480 --> 0:29:53.400
<v Speaker 2>And rather than me hiring a woman who is stupid

0:29:53.480 --> 0:29:56.760
<v Speaker 2>enough to get pregnant, like why don't I hire the

0:29:56.800 --> 0:30:00.360
<v Speaker 2>guy who was clever enough to get her pregnant? Like

0:30:00.400 --> 0:30:03.960
<v Speaker 2>he's I think this whole like why move by you? Good?

0:30:04.040 --> 0:30:04.640
<v Speaker 2>Move by you?

0:30:04.880 --> 0:30:05.040
<v Speaker 1>Yes?

0:30:05.120 --> 0:30:07.480
<v Speaker 2>I mean, And I think the real truth is like

0:30:07.600 --> 0:30:10.960
<v Speaker 2>in that moment he's going off, Tom's like we're men line,

0:30:11.280 --> 0:30:13.400
<v Speaker 2>But the real truth is he just wants Tom because

0:30:13.400 --> 0:30:15.280
<v Speaker 2>Tom's gonna do what he wants and be his pain

0:30:15.400 --> 0:30:18.920
<v Speaker 2>sponge and he hates women. But I like the way

0:30:18.960 --> 0:30:21.560
<v Speaker 2>he tries to explain it, where he's like, why not

0:30:21.680 --> 0:30:24.120
<v Speaker 2>get the guy who but the baby and the baby lady?

0:30:24.160 --> 0:30:25.959
<v Speaker 2>Even Tom, I feel like it's just like what the

0:30:26.040 --> 0:30:27.840
<v Speaker 2>fuck are you talking about? But I'll take it. I

0:30:27.880 --> 0:30:31.360
<v Speaker 2>also just want to say the moment when Tom does not,

0:30:31.480 --> 0:30:34.000
<v Speaker 2>I feel like Tom really When Madson says pitch me,

0:30:34.600 --> 0:30:37.880
<v Speaker 2>Tom thinks he's pitching to stay in the company after

0:30:37.920 --> 0:30:41.520
<v Speaker 2>the merger. He has no idea. So when Matson says

0:30:41.560 --> 0:30:43.560
<v Speaker 2>that to him, Tom's reaction is just like.

0:30:45.320 --> 0:30:46.600
<v Speaker 1>So fucking good.

0:30:47.160 --> 0:30:51.960
<v Speaker 2>He's saw it coming, even less than anybody watching the show.

0:30:53.120 --> 0:30:55.560
<v Speaker 1>A little me just I just need to push back lately,

0:30:56.120 --> 0:31:00.720
<v Speaker 1>like all Lucas did is refer to this man's wife

0:31:00.720 --> 0:31:04.200
<v Speaker 1>to his face in a very coarse, sexually just normal

0:31:04.440 --> 0:31:10.480
<v Speaker 1>business situation. And yeah, he sent you know, potentially gallons

0:31:10.520 --> 0:31:14.600
<v Speaker 1>of his own frozen bodily fluids to uh, you know,

0:31:14.720 --> 0:31:20.120
<v Speaker 1>one of his underlings. But does that make him a misogynist?

0:31:20.640 --> 0:31:20.960
<v Speaker 2>Actually?

0:31:21.080 --> 0:31:25.360
<v Speaker 1>Has he agree? Maybe he's just a very generous with

0:31:25.440 --> 0:31:27.600
<v Speaker 1>his with his frozen blood.

0:31:27.640 --> 0:31:30.480
<v Speaker 2>Do you. I don't understand how strong you have to

0:31:30.520 --> 0:31:32.360
<v Speaker 2>be as a man to be able to give up

0:31:32.440 --> 0:31:35.239
<v Speaker 2>so many gallons of blood. So I think they make

0:31:35.280 --> 0:31:38.000
<v Speaker 2>a good point. I think, you know, some people may

0:31:38.040 --> 0:31:41.240
<v Speaker 2>call him a misogynist, and you know, maybe being an

0:31:41.280 --> 0:31:43.880
<v Speaker 2>old school misogynist is not even a bad thing. You know,

0:31:44.000 --> 0:31:47.240
<v Speaker 2>if you you hate people who have babies, cool, like,

0:31:47.320 --> 0:31:49.840
<v Speaker 2>maybe that's working good for you. He seems rich. I mean,

0:31:49.840 --> 0:31:52.080
<v Speaker 2>it must be going quite well. But I think I

0:31:52.120 --> 0:31:55.040
<v Speaker 2>think you were right to call me in on that one.

0:31:55.360 --> 0:31:57.280
<v Speaker 1>I look at Lucas and I think, where does all

0:31:57.280 --> 0:31:59.600
<v Speaker 1>the blood come from? How does he have?

0:31:59.720 --> 0:32:01.680
<v Speaker 2>So if you have so much blood, I need to

0:32:01.680 --> 0:32:02.560
<v Speaker 2>be a secret.

0:32:02.920 --> 0:32:06.520
<v Speaker 1>He must be different than me. He must be a

0:32:06.640 --> 0:32:09.720
<v Speaker 1>best of species. He must be better somehow, because that

0:32:09.840 --> 0:32:15.000
<v Speaker 1>man just is pumping out blood. But but and I've

0:32:15.160 --> 0:32:18.760
<v Speaker 1>just got a meager, regular humans amount of blood. That

0:32:18.960 --> 0:32:20.920
<v Speaker 1>is a superman over there. That's what I think what

0:32:21.040 --> 0:32:21.400
<v Speaker 1>I look at.

0:32:21.680 --> 0:32:22.400
<v Speaker 2>Yeah, I agree.

0:32:24.440 --> 0:32:32.040
<v Speaker 1>Greg then conveys, uh, this lightning bolt to Ken, that

0:32:32.960 --> 0:32:37.480
<v Speaker 1>shive is out and that Lucas is looking at somebody else. Uh.

0:32:37.560 --> 0:32:42.240
<v Speaker 1>And he does so with a promise, trying by trying

0:32:42.240 --> 0:32:45.040
<v Speaker 1>to extract a promise from Ken that they could quat

0:32:45.080 --> 0:32:48.840
<v Speaker 1>it up? Could he meaning add Greg to the three?

0:32:49.120 --> 0:32:51.160
<v Speaker 1>And now it's four and we're quatting it up.

0:32:51.520 --> 0:32:53.360
<v Speaker 2>I just want to say Greg's tried that I have

0:32:53.440 --> 0:32:54.880
<v Speaker 2>a secret thing too many times.

0:32:55.080 --> 0:32:55.800
<v Speaker 1>This isn't the second.

0:32:55.960 --> 0:32:59.400
<v Speaker 2>Also, I do want to point out here Tom I

0:32:59.440 --> 0:33:02.880
<v Speaker 2>feel is actually going to be very successful in his

0:33:02.960 --> 0:33:07.080
<v Speaker 2>new role, because when Greg comes to ask him what happened.

0:33:07.200 --> 0:33:10.640
<v Speaker 2>Tom does not tell Greg. Tom has realized that Greg

0:33:10.760 --> 0:33:14.040
<v Speaker 2>is a loose link, sink ships kind of guy, like

0:33:14.280 --> 0:33:16.800
<v Speaker 2>here is the weakest link. He's gonna try and betray you.

0:33:17.320 --> 0:33:19.760
<v Speaker 2>And that's just how it is. So Tom doesn't tell

0:33:19.840 --> 0:33:24.320
<v Speaker 2>him and leaves it vague. But Greg, proving his worth

0:33:24.400 --> 0:33:29.960
<v Speaker 2>in the corporate backstabbing space, uses a phone translator to

0:33:30.240 --> 0:33:33.720
<v Speaker 2>listen in to the Swedish people's conversations and that's how

0:33:33.720 --> 0:33:37.560
<v Speaker 2>he finds out. But Tom assumes that he somehow gleaned

0:33:37.560 --> 0:33:40.120
<v Speaker 2>it from their conversation and is unhappy. But I want

0:33:40.120 --> 0:33:43.000
<v Speaker 2>to just say, Tom, he's learning the lesson. In the

0:33:43.040 --> 0:33:45.400
<v Speaker 2>old days, he would have told Greg. They would have celebrated,

0:33:45.400 --> 0:33:47.560
<v Speaker 2>they would have done little disgusting brothers dance. They would

0:33:47.600 --> 0:33:51.520
<v Speaker 2>have probably like done some weird masochistic fighting, which actually

0:33:51.600 --> 0:33:55.800
<v Speaker 2>they get to later, but it is. I was very impressed.

0:33:55.800 --> 0:33:57.800
<v Speaker 2>I thought, Wow, Tom, he's coming up as CEO, Like

0:33:57.840 --> 0:34:01.880
<v Speaker 2>he understands now, this is like this is serious.

0:34:02.160 --> 0:34:06.960
<v Speaker 1>Well, he Tom, I think, understands that just as he

0:34:07.040 --> 0:34:11.520
<v Speaker 1>is Lucas's paint spongeg Greg is haint sponge. Greg is

0:34:11.600 --> 0:34:15.160
<v Speaker 1>his pain sponge. Greg is is the man who you

0:34:15.200 --> 0:34:18.000
<v Speaker 1>can uh who you can use as a foot rest

0:34:18.400 --> 0:34:20.600
<v Speaker 1>in your office. Greg is the man that you can

0:34:20.640 --> 0:34:25.719
<v Speaker 1>tell he's the crimes. And though he will eventually rat

0:34:25.760 --> 0:34:28.480
<v Speaker 1>you out because of the crimes, that's a known quantity.

0:34:28.680 --> 0:34:32.520
<v Speaker 1>There's no surprises with Greg. Greg's a fucking rat. Greg

0:34:32.560 --> 0:34:34.960
<v Speaker 1>will rat to whoever he feels like he needs to

0:34:35.040 --> 0:34:38.000
<v Speaker 1>rat to. And once you know that, Greg is very

0:34:38.160 --> 0:34:42.840
<v Speaker 1>very predictable, I'm quite useful, quite useful, quite quite useful.

0:34:43.080 --> 0:34:49.480
<v Speaker 1>It turns out, we go back to Barbados, where uh

0:34:50.239 --> 0:34:55.600
<v Speaker 1>things are happening. The siblings are coming together under the

0:34:55.680 --> 0:34:59.759
<v Speaker 1>idea that Ken is going to be the guy. And

0:34:59.800 --> 0:35:05.920
<v Speaker 1>here how it starts. First, uh Ken basically tells Shiv

0:35:06.520 --> 0:35:10.040
<v Speaker 1>after learning the news from Greg, that hey, you're out

0:35:10.440 --> 0:35:14.840
<v Speaker 1>like Matson's looking for somebody else. It might be Lawrence Yee,

0:35:14.840 --> 0:35:17.439
<v Speaker 1>a vaulter, it might be somebody else in the business. Chops,

0:35:17.440 --> 0:35:20.399
<v Speaker 1>I don't know they're looking at somebody else. So why

0:35:20.440 --> 0:35:23.319
<v Speaker 1>don't you, you know, call somebody like figure it out,

0:35:23.360 --> 0:35:27.120
<v Speaker 1>like you know, just confirm it. If don't take my

0:35:27.160 --> 0:35:29.640
<v Speaker 1>word for it, going confirm it and Shiv goes. She

0:35:29.719 --> 0:35:33.040
<v Speaker 1>gets a copy of the CEO press release and finds

0:35:33.040 --> 0:35:35.560
<v Speaker 1>that her name has been crossed out. There's just exes,

0:35:35.600 --> 0:35:37.920
<v Speaker 1>like a t K T K place holding exes, and

0:35:37.960 --> 0:35:43.280
<v Speaker 1>she knows it's real. From there, uh, Ken goes swimming

0:35:43.480 --> 0:35:47.080
<v Speaker 1>after making the pitch for hold on your seats everybody,

0:35:48.840 --> 0:35:51.759
<v Speaker 1>Ken makes the pitch for himself. I know this is

0:35:52.080 --> 0:35:58.120
<v Speaker 1>I know, huge twist, huge twist. Shiv and Rome joke

0:35:58.719 --> 0:36:02.680
<v Speaker 1>very casually about murder and Ken. I mean, they could

0:36:02.680 --> 0:36:04.480
<v Speaker 1>have done it right there in the waves, just trying.

0:36:05.080 --> 0:36:11.040
<v Speaker 2>There's I think there's a momentary truth that they both

0:36:11.120 --> 0:36:13.960
<v Speaker 2>consider in that silence, and I wouldn't have been surprised

0:36:14.000 --> 0:36:16.440
<v Speaker 2>to see it that go that way. Honestly, they probably

0:36:16.480 --> 0:36:19.040
<v Speaker 2>would have been better off. Kendall fucking sucks.

0:36:19.040 --> 0:36:24.480
<v Speaker 1>I think terrible. I think if Ken slipped into the

0:36:25.200 --> 0:36:29.880
<v Speaker 1>off that little floaty platform and into the waves and

0:36:30.080 --> 0:36:33.280
<v Speaker 1>was struggling and saying, hey, help me, I have a cramp,

0:36:33.320 --> 0:36:39.120
<v Speaker 1>and they wouldn't. I think they would. They might move

0:36:39.160 --> 0:36:43.200
<v Speaker 1>towards him with a slowness that would allow him to drown.

0:36:43.560 --> 0:36:43.919
<v Speaker 2>I think.

0:36:44.080 --> 0:36:47.560
<v Speaker 1>But they neither of them are brave enough to actually kill.

0:36:47.600 --> 0:36:50.240
<v Speaker 1>Which is why I think Ken should be the CEO,

0:36:50.320 --> 0:36:53.120
<v Speaker 1>because Ken can do it. We know that Ken can

0:36:53.200 --> 0:36:53.960
<v Speaker 1>take a lot.

0:36:54.080 --> 0:36:56.040
<v Speaker 2>You know what, he's really good. He's really good at

0:36:56.080 --> 0:36:58.759
<v Speaker 2>delivering a pitch. I can't wait to see him pitch

0:36:58.840 --> 0:36:59.960
<v Speaker 2>this to the board.

0:37:00.400 --> 0:37:05.880
<v Speaker 1>Yes. After that, they go to the kitchen, where Shiv

0:37:06.120 --> 0:37:08.719
<v Speaker 1>and Roman decide, Okay, well, Ken, you are the king,

0:37:08.760 --> 0:37:10.799
<v Speaker 1>and so we're going to play this childhood game that

0:37:11.120 --> 0:37:12.960
<v Speaker 1>clearly they had been playing meal Fit for a King,

0:37:12.960 --> 0:37:15.160
<v Speaker 1>where they just take all the stuff from the kitchen

0:37:15.239 --> 0:37:17.359
<v Speaker 1>and put it in a blender and blend it up

0:37:17.400 --> 0:37:18.880
<v Speaker 1>and make the king drink it.

0:37:20.120 --> 0:37:23.440
<v Speaker 2>Another classic succession moment here where everything you learn about

0:37:23.440 --> 0:37:27.160
<v Speaker 2>their childhood is horrific. Bite a game they played in

0:37:27.160 --> 0:37:29.279
<v Speaker 2>their childhood Fit for a King where you just make

0:37:29.320 --> 0:37:35.040
<v Speaker 2>people drink disgusting things. Everything is about humiliation and brutality

0:37:35.120 --> 0:37:38.040
<v Speaker 2>and cruelty. But this is also one of the most

0:37:38.120 --> 0:37:42.440
<v Speaker 2>heartwarming scenes in the show. It is, which is just incredible.

0:37:42.440 --> 0:37:45.200
<v Speaker 1>Because it's just wonderful to see them all getting along

0:37:45.239 --> 0:37:45.760
<v Speaker 1>as Klee.

0:37:45.760 --> 0:37:50.200
<v Speaker 2>Kyt siblings in that moment, like there's no question that

0:37:50.320 --> 0:37:51.800
<v Speaker 2>these are brothers and sisters.

0:37:52.400 --> 0:37:54.600
<v Speaker 1>Roman licks Peter's special cheese.

0:37:54.960 --> 0:37:58.759
<v Speaker 2>Oh no, Daddy, don't lick my cheese. Perfect one of

0:37:58.760 --> 0:38:01.680
<v Speaker 2>the best Roman moments in the Hall show.

0:38:02.960 --> 0:38:06.480
<v Speaker 1>Uh Roman then pours the Fit for a King potion

0:38:06.719 --> 0:38:13.040
<v Speaker 1>over Ken's head and the three of them leave Barbados

0:38:13.080 --> 0:38:19.080
<v Speaker 1>together a unified, powerful voting block. And you can tell

0:38:19.120 --> 0:38:21.759
<v Speaker 1>that they are together and they are unified because they

0:38:21.840 --> 0:38:24.319
<v Speaker 1>arrive at the airport and they're talking strategy. You do this,

0:38:24.360 --> 0:38:25.400
<v Speaker 1>and I'll talk to this person.

0:38:25.440 --> 0:38:28.080
<v Speaker 2>And here they're wearing matching black outfit.

0:38:27.840 --> 0:38:30.400
<v Speaker 1>Matching black outfits. And then they get into three different

0:38:30.440 --> 0:38:34.840
<v Speaker 1>cars to go to the same location. What what what that?

0:38:34.960 --> 0:38:35.880
<v Speaker 2>What they tail?

0:38:36.480 --> 0:38:39.800
<v Speaker 1>That detail is perfect.

0:38:40.040 --> 0:38:45.319
<v Speaker 2>But also I also it's definitely it's a big time

0:38:45.320 --> 0:38:50.520
<v Speaker 2>pound if you never never share a cab. Thank you. Yes.

0:38:50.560 --> 0:38:52.239
<v Speaker 1>If I'm a If I'm in a car with you,

0:38:52.840 --> 0:38:57.120
<v Speaker 1>whose car is who riding it? No one knows. If

0:38:57.120 --> 0:39:00.839
<v Speaker 1>I'm in my car, right, who's driver is this?

0:39:01.120 --> 0:39:03.439
<v Speaker 2>Whose driver is that? My driver? Is that my driver?

0:39:04.000 --> 0:39:04.160
<v Speaker 1>Right?

0:39:04.280 --> 0:39:05.239
<v Speaker 2>If you're the.

0:39:05.280 --> 0:39:09.719
<v Speaker 1>Driver, pull over, I need to I need to just

0:39:09.760 --> 0:39:12.399
<v Speaker 1>take a shit in the middle of the street. Who

0:39:12.440 --> 0:39:13.200
<v Speaker 1>is that driver? Listen?

0:39:13.400 --> 0:39:15.399
<v Speaker 2>You are going to listen to you. That's why they're

0:39:15.440 --> 0:39:16.080
<v Speaker 2>going to listen to you.

0:39:16.239 --> 0:39:18.200
<v Speaker 1>And that's why you always have to ride in separate cars.

0:39:18.200 --> 0:39:21.839
<v Speaker 2>They have some really great moments like that in the show.

0:39:22.160 --> 0:39:24.760
<v Speaker 2>There's a brilliant interview right now with one of the

0:39:24.800 --> 0:39:27.520
<v Speaker 2>writers of Succession that's at The Guardian. It's like it's

0:39:27.520 --> 0:39:29.439
<v Speaker 2>not an interview, actually's a think piece that she wrote

0:39:29.480 --> 0:39:32.360
<v Speaker 2>about how the story of making Succession And one of

0:39:32.400 --> 0:39:35.400
<v Speaker 2>the things she talks about is that they had a

0:39:35.440 --> 0:39:38.879
<v Speaker 2>consultant for how billionaires behave And one of the things

0:39:38.920 --> 0:39:41.640
<v Speaker 2>she pointed out is she said, their shoes only ever

0:39:41.760 --> 0:39:46.240
<v Speaker 2>touch carpet. So wherever they go, they go from the

0:39:46.280 --> 0:39:50.280
<v Speaker 2>car to the you know, airfield, there's a red carpet.

0:39:50.360 --> 0:39:52.800
<v Speaker 2>They go to the house, there's a carpet. Their shoes

0:39:52.880 --> 0:39:55.680
<v Speaker 2>never touched the ground. That was like blowing my mind

0:39:55.760 --> 0:39:57.840
<v Speaker 2>because when you watch it and you watch moments like this,

0:39:57.920 --> 0:39:59.440
<v Speaker 2>you see that it's true.

0:39:59.800 --> 0:40:01.040
<v Speaker 1>There they don't have coats.

0:40:01.239 --> 0:40:03.759
<v Speaker 2>They don't have coats, that's a big one. They don't

0:40:03.760 --> 0:40:06.360
<v Speaker 2>wear coats. They never announced that they're about to eat.

0:40:06.760 --> 0:40:08.600
<v Speaker 2>That was apparently one of the ones that she got

0:40:08.640 --> 0:40:10.640
<v Speaker 2>pulled up on a lot, like, you can't have Marsha

0:40:10.680 --> 0:40:13.640
<v Speaker 2>coming in and saying this is you know, it's been

0:40:13.719 --> 0:40:16.399
<v Speaker 2>a time or food is stuff. Billy and has don't

0:40:16.400 --> 0:40:18.080
<v Speaker 2>do that. We knew that already. But they need a

0:40:18.120 --> 0:40:20.720
<v Speaker 2>consultant on succession to tell them that.

0:40:22.160 --> 0:40:28.720
<v Speaker 1>They arrive separately at Connor and Willis their dad's old place.

0:40:29.280 --> 0:40:35.759
<v Speaker 1>Connor has created a complicated two tiered sticker system to

0:40:36.000 --> 0:40:41.440
<v Speaker 1>allocate pops belongings to whosoever has the highest priority sticker

0:40:41.520 --> 0:40:46.080
<v Speaker 1>in the particular sticking circuit round depending on what tier

0:40:46.320 --> 0:40:50.520
<v Speaker 1>the sticker is in. Connor and Willa are, we learned,

0:40:50.680 --> 0:40:53.880
<v Speaker 1>going to do long distance because Connor, of course, is

0:40:53.920 --> 0:40:58.320
<v Speaker 1>going to be the ambassador to Slovenia, and will is

0:40:58.360 --> 0:41:00.000
<v Speaker 1>going to stay close to New York, the New York

0:41:00.080 --> 0:41:03.320
<v Speaker 1>theater scene, because she's got stuff cooking and she's ready

0:41:03.320 --> 0:41:07.040
<v Speaker 1>to keep it cooking. And that's it. She seems very

0:41:07.080 --> 0:41:09.280
<v Speaker 1>excited about They're very excited, most.

0:41:09.160 --> 0:41:11.920
<v Speaker 2>Of them, Jason. They're both very excited, as Connor says,

0:41:12.840 --> 0:41:14.560
<v Speaker 2>for this new chapter in their life.

0:41:15.040 --> 0:41:17.200
<v Speaker 1>And we don't know much about what's going on with

0:41:17.280 --> 0:41:19.279
<v Speaker 1>mencon But here is where we learned from shit, is

0:41:19.320 --> 0:41:24.920
<v Speaker 1>that there has been setbacks in the court system for Mancin.

0:41:25.120 --> 0:41:28.240
<v Speaker 1>So uh is Slovenia really gonna happen?

0:41:28.400 --> 0:41:29.000
<v Speaker 2>We don't know.

0:41:29.080 --> 0:41:31.160
<v Speaker 1>But Willa seems a little troubled by the fact that

0:41:31.160 --> 0:41:33.560
<v Speaker 1>her husband might be living with her in her gigantic home.

0:41:33.760 --> 0:41:35.759
<v Speaker 2>I like the way that Shiv says, Oh, wouldn't you

0:41:35.800 --> 0:41:38.160
<v Speaker 2>be lucky you'd have him all to yourself. Now, this,

0:41:38.280 --> 0:41:42.719
<v Speaker 2>I think is actually one of the most telling Willa moments,

0:41:42.800 --> 0:41:46.640
<v Speaker 2>because I think Willa has been playing an unbelievable game

0:41:47.320 --> 0:41:49.800
<v Speaker 2>up until this point, and I think here her endgame

0:41:49.880 --> 0:41:52.680
<v Speaker 2>is truly revealed, which was put up with him long enough,

0:41:53.239 --> 0:41:55.839
<v Speaker 2>get rid of him somehow, and then live in this

0:41:55.880 --> 0:41:59.560
<v Speaker 2>giant mansion which I own with never ending funds and wants.

0:41:59.640 --> 0:42:01.840
<v Speaker 2>This set goes through, I will also be a billionaire

0:42:01.880 --> 0:42:03.960
<v Speaker 2>and I'll get half of everything if we get divorced.

0:42:04.320 --> 0:42:07.960
<v Speaker 2>I feel like she has played such a good, long

0:42:08.000 --> 0:42:11.120
<v Speaker 2>game of being supportive to Connor despite all his bullshit,

0:42:11.400 --> 0:42:13.880
<v Speaker 2>that this is a great pull out the rug moment

0:42:13.960 --> 0:42:16.879
<v Speaker 2>when you see her face drop when she thinks about

0:42:16.880 --> 0:42:18.359
<v Speaker 2>actually having to be married to him.

0:42:18.760 --> 0:42:19.879
<v Speaker 1>This is so good.

0:42:20.000 --> 0:42:23.040
<v Speaker 2>It's so good, I wrote. I wrote an article ign

0:42:23.160 --> 0:42:25.560
<v Speaker 2>that was called in the Succession finale, everyone gets what

0:42:25.600 --> 0:42:28.680
<v Speaker 2>they deserve, and I think that is Willa's getting what

0:42:28.760 --> 0:42:32.279
<v Speaker 2>she deserves. Moment is like you are even you, you

0:42:32.400 --> 0:42:35.160
<v Speaker 2>thought you could play it, but even you are probably

0:42:35.160 --> 0:42:38.839
<v Speaker 2>gonna have to end up living with Connor, drinking tambucha

0:42:39.000 --> 0:42:44.160
<v Speaker 2>in this like horrible fucking nightmare house, just full of

0:42:44.280 --> 0:42:45.200
<v Speaker 2>terrible memories.

0:42:45.960 --> 0:42:48.560
<v Speaker 1>Very sorry about it, Willa, But apparently you're going to

0:42:48.640 --> 0:42:52.000
<v Speaker 1>have to actually work to cover up the affairs that

0:42:52.120 --> 0:42:55.560
<v Speaker 1>I'm sure you're having right now. Yeah, she immediately.

0:42:55.040 --> 0:42:59.240
<v Speaker 2>Looks at her phone when she says that is she could.

0:43:00.000 --> 0:43:03.480
<v Speaker 1>I don't wait for Connor to leave town, because I'm

0:43:03.520 --> 0:43:08.400
<v Speaker 1>sure listen, Connor, I can't even pretend that he's a

0:43:08.480 --> 0:43:11.239
<v Speaker 1>nice guy, but clearly he's very devoted to whatever this

0:43:11.400 --> 0:43:16.880
<v Speaker 1>relationship is. But you know, Willa has needs as a

0:43:17.000 --> 0:43:21.239
<v Speaker 1>much much younger woman with sharing none of the interests

0:43:21.239 --> 0:43:24.920
<v Speaker 1>of her much older husband. I'm sure that she is

0:43:25.040 --> 0:43:27.680
<v Speaker 1>out in the streets doing what she needs to do.

0:43:28.239 --> 0:43:31.439
<v Speaker 1>Look now, looking after some and now Will, I'm sorry

0:43:31.480 --> 0:43:34.880
<v Speaker 1>to say, you're gonna have to rent. You're gonna have

0:43:34.920 --> 0:43:40.120
<v Speaker 1>to go into your bank accounts and rent some other places, secret,

0:43:40.320 --> 0:43:41.000
<v Speaker 1>some ten.

0:43:40.880 --> 0:43:42.440
<v Speaker 2>Thousand dollars a month apartment.

0:43:42.600 --> 0:43:44.480
<v Speaker 1>You're gonna have to do it. I'm sorry you're not

0:43:44.480 --> 0:43:46.759
<v Speaker 1>gonna be able to bring him here because what if

0:43:46.800 --> 0:43:49.279
<v Speaker 1>you get caught. That's it. It's terrible. I'm sorry to

0:43:49.320 --> 0:43:54.480
<v Speaker 1>break it. To you. Prompt, I don't even I forget

0:43:54.480 --> 0:43:57.359
<v Speaker 1>what number we're on. But next prompt, can you make

0:43:57.400 --> 0:44:00.520
<v Speaker 1>sense of the stickering system? How does it work? Do

0:44:00.560 --> 0:44:02.120
<v Speaker 1>you get yet? Tell me how it works?

0:44:02.239 --> 0:44:05.239
<v Speaker 2>So I actually rewatch this multiple times because this is

0:44:05.800 --> 0:44:09.560
<v Speaker 2>this is a really wild Conner moment, one more proof

0:44:09.640 --> 0:44:11.319
<v Speaker 2>that this man has too much time on his hands.

0:44:11.320 --> 0:44:14.360
<v Speaker 2>We know he does nothing, but the stickering sequence also

0:44:14.480 --> 0:44:16.920
<v Speaker 2>confirms one of our biggest theories here at Market Moves,

0:44:17.000 --> 0:44:20.239
<v Speaker 2>which is Connor is the only one of Logan's kids

0:44:20.239 --> 0:44:22.840
<v Speaker 2>who ever really got to be his kid. And we

0:44:22.880 --> 0:44:24.960
<v Speaker 2>get to see that a little bit further down the line.

0:44:25.000 --> 0:44:27.120
<v Speaker 2>But I think the reason he takes it so seriously

0:44:27.360 --> 0:44:32.440
<v Speaker 2>is that he sees himself as the rightful air. He

0:44:32.600 --> 0:44:34.759
<v Speaker 2>is the eldest son, no matter what someone else may

0:44:34.800 --> 0:44:38.600
<v Speaker 2>say later, and he has already actually taken what he wants.

0:44:39.120 --> 0:44:41.000
<v Speaker 2>We learn he was like, yeah, there was the first round.

0:44:41.000 --> 0:44:42.879
<v Speaker 2>It was just me. I stuck quite want. So here's

0:44:42.920 --> 0:44:46.720
<v Speaker 2>how it works. Everybody goes around and they put colored

0:44:46.760 --> 0:44:49.680
<v Speaker 2>stickers on things. They put one on it. If they

0:44:49.680 --> 0:44:51.960
<v Speaker 2>would like it a little bit, they put two on it.

0:44:52.360 --> 0:44:54.359
<v Speaker 2>If they would like it more, they put three on it.

0:44:54.360 --> 0:44:56.600
<v Speaker 2>If they would like it a lot. And essentially the

0:44:56.719 --> 0:44:59.360
<v Speaker 2>idea is this is an honesty policy. So if you

0:44:59.360 --> 0:45:01.759
<v Speaker 2>don't really want something, you just put one sticker on it.

0:45:01.840 --> 0:45:03.440
<v Speaker 2>And the idea is at the end you count up

0:45:04.280 --> 0:45:07.320
<v Speaker 2>the items that have the most stickers and whichever color

0:45:07.600 --> 0:45:09.840
<v Speaker 2>gets to keep it. But of course, as it is

0:45:09.920 --> 0:45:13.920
<v Speaker 2>immediately showcased, Roman just sees what other people have put

0:45:13.960 --> 0:45:17.000
<v Speaker 2>on his and just immediately puts more stickers. So like

0:45:17.120 --> 0:45:21.560
<v Speaker 2>it was a terrible idea made through Connor's dream that

0:45:21.760 --> 0:45:25.040
<v Speaker 2>maybe these people could be honest. And then the best

0:45:25.040 --> 0:45:29.160
<v Speaker 2>part is there's actually a secondary sex mourners.

0:45:29.239 --> 0:45:31.640
<v Speaker 1>How does the second tier mourner?

0:45:32.360 --> 0:45:35.160
<v Speaker 2>So I think the idea is if I was Kerry,

0:45:35.280 --> 0:45:37.520
<v Speaker 2>for example, who has been put with the second tier

0:45:37.560 --> 0:45:40.880
<v Speaker 2>mourners in just continuing the constant shade.

0:45:40.800 --> 0:45:44.120
<v Speaker 1>And to be honest, is fortunate to be there in

0:45:44.120 --> 0:45:46.760
<v Speaker 1>the second tiering and she's much lower.

0:45:46.800 --> 0:45:49.239
<v Speaker 2>She's probably only there because Lady Caroline let her sit

0:45:49.320 --> 0:45:52.000
<v Speaker 2>in the front. That like really up to her legal standing.

0:45:52.200 --> 0:45:54.640
<v Speaker 2>So if I was her, what I would do is

0:45:54.680 --> 0:45:57.320
<v Speaker 2>you have to go in in a brutal stickering fashion.

0:45:57.520 --> 0:45:59.719
<v Speaker 2>Anything that didn't have three stickers, I just put three

0:45:59.719 --> 0:46:02.359
<v Speaker 2>sticks is on and you're just keeping it. So that's

0:46:02.400 --> 0:46:04.080
<v Speaker 2>what I think. Once you're in the second tier, you

0:46:04.120 --> 0:46:07.120
<v Speaker 2>have to be more strategic. But the real truth is

0:46:07.440 --> 0:46:10.359
<v Speaker 2>none of them want any of it, Like they don't care.

0:46:10.960 --> 0:46:14.160
<v Speaker 2>And Connor's already taken what he wants and they literally

0:46:14.200 --> 0:46:16.520
<v Speaker 2>have a conversation about are they even gonna go to

0:46:16.600 --> 0:46:20.520
<v Speaker 2>the Great Reallocation as they call it, and they don't

0:46:20.560 --> 0:46:22.200
<v Speaker 2>really want to go, but they're kind of like, shit,

0:46:22.280 --> 0:46:24.279
<v Speaker 2>I guess we better go so it looks like we care.

0:46:24.760 --> 0:46:28.000
<v Speaker 2>So really, I think the secondary tier of mourners could

0:46:28.080 --> 0:46:31.799
<v Speaker 2>end up with some pricey gems, because really, these kids

0:46:31.800 --> 0:46:32.520
<v Speaker 2>don't give a fuck.

0:46:33.040 --> 0:46:36.360
<v Speaker 1>They don't give a fuck. Tom arrives at the Great

0:46:36.400 --> 0:46:41.120
<v Speaker 1>Stickering and he and Shiv chat about the fact that

0:46:41.160 --> 0:46:47.440
<v Speaker 1>she's gonna be Mattson's American CEO, and Shiv woof tells him,

0:46:47.600 --> 0:46:49.279
<v Speaker 1>you know, and this is what Tom was kind of

0:46:49.280 --> 0:46:52.279
<v Speaker 1>poking around for, you know, sadly, No, no, no, that's

0:46:52.280 --> 0:46:56.239
<v Speaker 1>all fucked. I don't know what happened. He's picking someone else,

0:46:56.320 --> 0:47:00.000
<v Speaker 1>maybe Lawrence maybe, uh, And then she drops a very

0:47:00.040 --> 0:47:03.040
<v Speaker 1>very important piece of information for Tom that well, how

0:47:03.080 --> 0:47:07.000
<v Speaker 1>do I know, Greg told me, Yeah, what uh, And

0:47:07.160 --> 0:47:09.640
<v Speaker 1>something about the way Tom reacts to all of this

0:47:09.840 --> 0:47:11.120
<v Speaker 1>gets her suspicions.

0:47:11.160 --> 0:47:13.160
<v Speaker 2>Yeah, can I say what? That's something is Tom says,

0:47:14.320 --> 0:47:16.239
<v Speaker 2>maybe you should just vote it through anyway.

0:47:16.520 --> 0:47:24.600
<v Speaker 1>Yeah, Tom is the least slick play all time, like

0:47:24.719 --> 0:47:26.440
<v Speaker 1>just just do it, just vote it through.

0:47:26.480 --> 0:47:29.799
<v Speaker 2>And then she's like what And he's like, I guess

0:47:29.840 --> 0:47:31.040
<v Speaker 2>I should tell you it's gonna be me.

0:47:31.080 --> 0:47:38.799
<v Speaker 4>I'm missy yeah, And she's of course like what you're no, no, no,

0:47:38.680 --> 0:47:41.080
<v Speaker 4>no way, and he tells, oh, no, no, no, that's yeah.

0:47:41.239 --> 0:47:46.480
<v Speaker 1>It's yeah, that's gonna be me. And right there you

0:47:46.600 --> 0:47:50.640
<v Speaker 1>kind of miss it because of the meltdown ship has.

0:47:51.000 --> 0:47:55.600
<v Speaker 1>But that is Tom basically soft pitching his wife to

0:47:55.640 --> 0:47:58.040
<v Speaker 1>switch side. She had talked to him earlier about hey,

0:47:58.080 --> 0:47:59.600
<v Speaker 1>do you want to keep the marriage together, and now

0:47:59.640 --> 0:48:04.279
<v Speaker 1>Tom is without saying it, is saying you voted through

0:48:04.800 --> 0:48:08.560
<v Speaker 1>and then you know, you and me, uh, and it's

0:48:08.640 --> 0:48:12.600
<v Speaker 1>happening right there. Shiv then storms off to tell Kenan

0:48:12.680 --> 0:48:16.720
<v Speaker 1>Roman the news that holy shit, it's Tom. Tom pulls

0:48:16.719 --> 0:48:21.000
<v Speaker 1>Greg aside and yells at it's so funny into a bathroom,

0:48:21.520 --> 0:48:24.800
<v Speaker 1>screams at him basically for the fact that he rated

0:48:24.920 --> 0:48:30.160
<v Speaker 1>out to shive when really it was him. He flat out.

0:48:30.239 --> 0:48:33.600
<v Speaker 2>You fly you did it. He's like, you fucking snatched

0:48:33.640 --> 0:48:35.799
<v Speaker 2>it away from me. And now they have time to

0:48:35.960 --> 0:48:38.759
<v Speaker 2>make a fucking you know, a plan, and it's like, bro,

0:48:38.920 --> 0:48:41.400
<v Speaker 2>you just did it. You you actually did it?

0:48:41.880 --> 0:48:42.040
<v Speaker 5>Was you?

0:48:42.880 --> 0:48:42.960
<v Speaker 2>You?

0:48:44.280 --> 0:48:46.840
<v Speaker 1>But this is pretty like always keep your underlings guessing

0:48:46.880 --> 0:48:48.640
<v Speaker 1>and always make him feel like it's their fault. This

0:48:48.680 --> 0:48:51.960
<v Speaker 1>is uh, you know, textbook one on one leadership from Tom. Uh.

0:48:52.040 --> 0:48:55.120
<v Speaker 1>They Tom and Greg get into it a little bit

0:48:55.120 --> 0:48:58.239
<v Speaker 1>with Tom slapping Greg and then Greg showing that he's

0:48:58.280 --> 0:49:01.480
<v Speaker 1>got a little bit of spiny slap Tom back. I

0:49:01.520 --> 0:49:03.480
<v Speaker 1>think that's when he actually.

0:49:03.640 --> 0:49:08.960
<v Speaker 2>Secures his place in Tom's court because Tom Tom likes

0:49:09.000 --> 0:49:12.040
<v Speaker 2>the fight. Him and Greg have always had this masochistic

0:49:12.800 --> 0:49:17.359
<v Speaker 2>kind of flirtation. This really toxic will they won't. They

0:49:17.520 --> 0:49:18.160
<v Speaker 2>think you can't.

0:49:18.239 --> 0:49:21.480
<v Speaker 1>You can't make a Tomletz without breaking some Greg exactly.

0:49:21.640 --> 0:49:23.600
<v Speaker 2>I mean, they are one of probably there's probably one

0:49:23.640 --> 0:49:27.640
<v Speaker 2>of the most successful and popular toxic chips on the internet.

0:49:27.960 --> 0:49:31.120
<v Speaker 2>And so I think that Greg slapping him back, that's

0:49:31.440 --> 0:49:34.080
<v Speaker 2>that's a watershed moment for their relationship.

0:49:34.880 --> 0:49:38.080
<v Speaker 1>To Masen, Mason on the other side knows Madsen then

0:49:38.080 --> 0:49:41.840
<v Speaker 1>gets uh, you know, on the back of his various

0:49:41.840 --> 0:49:45.839
<v Speaker 1>minions and it's like, get on your phones. Let's go.

0:49:46.040 --> 0:49:48.040
<v Speaker 2>What does he want to do? Like, He's just like,

0:49:48.120 --> 0:49:51.160
<v Speaker 2>I want to see phones, phones, get on your phones.

0:49:51.360 --> 0:49:53.680
<v Speaker 2>Do something be on a phone. And I'm just like, well,

0:49:53.719 --> 0:49:55.360
<v Speaker 2>they meant to do it the phones. I don't know,

0:49:55.360 --> 0:49:56.040
<v Speaker 2>but I love it.

0:49:56.719 --> 0:49:58.960
<v Speaker 1>I think he's like, I want to see you calling

0:49:59.160 --> 0:50:03.600
<v Speaker 1>the board members. Yeah, sure, make sure they are fucking

0:50:03.680 --> 0:50:06.040
<v Speaker 1>on side. The sibs arrived at the board meeting again

0:50:06.080 --> 0:50:10.000
<v Speaker 1>in three separate cars. Power move Ken, driven by Colin

0:50:10.719 --> 0:50:16.880
<v Speaker 1>now officially his guy. Colin probably the only person in

0:50:16.960 --> 0:50:19.440
<v Speaker 1>the world who knows for sure that can kill the

0:50:19.480 --> 0:50:23.960
<v Speaker 1>guy m who like could testifying in court to the

0:50:24.120 --> 0:50:25.759
<v Speaker 1>fact that Ken kill the guy.

0:50:26.680 --> 0:50:26.799
<v Speaker 2>Uh.

0:50:27.000 --> 0:50:33.400
<v Speaker 1>They march in, feeling confidently Shiven Ken are projecting confidence.

0:50:33.520 --> 0:50:36.120
<v Speaker 1>Roman is shaky goes in his office immediately to hide

0:50:36.560 --> 0:50:40.400
<v Speaker 1>Carolina then pitches Shiv as, I'm sure she's pitched everyone on.

0:50:40.600 --> 0:50:43.960
<v Speaker 1>Let's get rid of Hugo. I've got this, we don't

0:50:44.000 --> 0:50:47.200
<v Speaker 1>need Hugo. And honestly a Hugo opened them up to

0:50:47.280 --> 0:50:50.879
<v Speaker 1>insider trading very very recently, and I agree, like yeah,

0:50:50.920 --> 0:50:53.160
<v Speaker 1>I keep I keep Carolina.

0:50:53.200 --> 0:50:55.759
<v Speaker 2>Keep Carolina, and you know else as well. I like

0:50:56.320 --> 0:50:59.400
<v Speaker 2>Carolina is like very fucking smart because she pitches it

0:50:59.480 --> 0:51:02.440
<v Speaker 2>to Shive in a way that absolutely plays into shifts

0:51:02.440 --> 0:51:04.680
<v Speaker 2>like ego, where she's like, look, yeah, She's like, if

0:51:04.719 --> 0:51:07.040
<v Speaker 2>you win, She's like, we're gonna change the way the

0:51:07.080 --> 0:51:09.239
<v Speaker 2>system runs here. We're gonna make a change for the good,

0:51:09.320 --> 0:51:11.520
<v Speaker 2>you know, get rid of all the backstabbing, the lies.

0:51:11.880 --> 0:51:14.000
<v Speaker 2>I think that means getting rid of Hugo. And I

0:51:14.080 --> 0:51:16.760
<v Speaker 2>love that because it's like it plays into Shiv's liberal

0:51:16.840 --> 0:51:20.839
<v Speaker 2>delusions that she's somehow gonna make things better bye by

0:51:20.880 --> 0:51:23.880
<v Speaker 2>whatever naive weird shit that she ends up doing.

0:51:24.960 --> 0:51:29.560
<v Speaker 1>Ken sits in Dad's chair, feet on desk to receive

0:51:29.640 --> 0:51:33.319
<v Speaker 1>Stewie the you know, Shive and Roman look at this

0:51:33.520 --> 0:51:36.919
<v Speaker 1>with something like revulsion, but they get it.

0:51:37.120 --> 0:51:41.239
<v Speaker 2>They're like, it's just a chat, but also yeah, uh.

0:51:41.400 --> 0:51:44.160
<v Speaker 1>And then Ken says to Stuwie, listen, we have it. Okay,

0:51:44.200 --> 0:51:47.239
<v Speaker 1>we have it, Like, so come on board with us,

0:51:47.560 --> 0:51:50.279
<v Speaker 1>and maybe we make you chairman of the board, you know,

0:51:50.600 --> 0:51:54.320
<v Speaker 1>and it just gets you super super fucking paid. Uh,

0:51:54.360 --> 0:51:56.840
<v Speaker 1>and you know, we'll run stuff. But you get to

0:51:56.960 --> 0:51:59.080
<v Speaker 1>sit there and just collect Chairman of the board checks,

0:51:59.120 --> 0:52:01.640
<v Speaker 1>what do you say about that? Roman then freaks out

0:52:01.680 --> 0:52:05.360
<v Speaker 1>because Jerry is there, and he spirals, He completely spirals.

0:52:05.360 --> 0:52:09.000
<v Speaker 1>He looks at himself in the mirror. The the kind

0:52:09.040 --> 0:52:12.560
<v Speaker 1>of top of the drink carriage is a mirror, and

0:52:12.640 --> 0:52:14.720
<v Speaker 1>he looks at it and he sees that his face,

0:52:15.280 --> 0:52:19.479
<v Speaker 1>even though he had received a beating not that long ago,

0:52:20.320 --> 0:52:23.640
<v Speaker 1>he looks too good. He looks too normal. And he's like, well,

0:52:23.640 --> 0:52:27.319
<v Speaker 1>why they'll look at me and think Roman looks pretty good?

0:52:27.360 --> 0:52:29.600
<v Speaker 1>Why isn't it him? Like? Why is it Ken? Like

0:52:29.640 --> 0:52:32.840
<v Speaker 1>what's going on? And he's starting to spiral down and

0:52:32.880 --> 0:52:36.520
<v Speaker 1>he's like, and this is kind of Roman at his essence.

0:52:37.040 --> 0:52:42.000
<v Speaker 1>He can't they all, all the siblings can't win. They

0:52:42.000 --> 0:52:44.439
<v Speaker 1>can't do the final thing that it takes to win.

0:52:44.760 --> 0:52:48.640
<v Speaker 1>But Roman's version of that is he actually does win,

0:52:49.040 --> 0:52:51.920
<v Speaker 1>and he self destructs while he's winning. Look at him

0:52:51.920 --> 0:52:54.919
<v Speaker 1>with menkn right, that was it, the fucking golden ring

0:52:54.960 --> 0:52:57.400
<v Speaker 1>he had. He ruined it all the times that he

0:52:57.440 --> 0:52:59.960
<v Speaker 1>could have been seeing. Later, Dad approached him at sea,

0:53:00.280 --> 0:53:02.960
<v Speaker 1>sent him to executive training camp. He had that the

0:53:02.960 --> 0:53:06.120
<v Speaker 1>partnership with Jerry that seemed like a good thing, and

0:53:06.200 --> 0:53:09.319
<v Speaker 1>then he he blows it all the time, and here

0:53:09.320 --> 0:53:14.880
<v Speaker 1>he is again blowing it because but not blowing it enough.

0:53:14.960 --> 0:53:17.239
<v Speaker 1>He's like, I feel uncomfortable because I don't look like

0:53:17.280 --> 0:53:19.759
<v Speaker 1>a complete piece of shit. And so in what is

0:53:20.080 --> 0:53:27.360
<v Speaker 1>I think the scariest scene in the series, and that

0:53:27.560 --> 0:53:31.160
<v Speaker 1>speaks to just what a fucked up family this is,

0:53:31.520 --> 0:53:36.200
<v Speaker 1>Ken hugs Roman hard to his shoulder and using his

0:53:36.239 --> 0:53:39.160
<v Speaker 1>shoulder like tears open his stitches.

0:53:38.960 --> 0:53:41.640
<v Speaker 2>And he keeps pushing his head against him, even when

0:53:41.719 --> 0:53:44.880
<v Speaker 2>Roman's kind of crying out it's it's really horrific.

0:53:44.920 --> 0:53:46.319
<v Speaker 1>And week Colan just takes it.

0:53:46.440 --> 0:53:48.640
<v Speaker 2>Yeah, Roman's kind of crying, calling him a motherfucker, but

0:53:48.680 --> 0:53:52.400
<v Speaker 2>he doesn't fight back. And I think that we really

0:53:52.440 --> 0:53:57.120
<v Speaker 2>get a glimpse into Ken fully embracing that abusive side

0:53:57.120 --> 0:53:59.479
<v Speaker 2>of his dad. In the Lost episode why he told

0:53:59.640 --> 0:54:02.279
<v Speaker 2>Roman like you fucked it. When he tells him like

0:54:02.280 --> 0:54:05.040
<v Speaker 2>you fucked it, like he basically plays into Roman's insecurities,

0:54:05.200 --> 0:54:08.919
<v Speaker 2>but here that turns physical and this isn't even the

0:54:09.040 --> 0:54:11.759
<v Speaker 2>last time he does something physically abusive to Roman in

0:54:11.800 --> 0:54:14.239
<v Speaker 2>this episode, like he is ready to continue that, but

0:54:14.320 --> 0:54:17.160
<v Speaker 2>he actually sees Roman even more as a punching bag

0:54:17.760 --> 0:54:19.479
<v Speaker 2>than I think Logan ever did.

0:54:20.480 --> 0:54:32.160
<v Speaker 6>X Ray Vision will be back, and we're back. We

0:54:32.200 --> 0:54:33.360
<v Speaker 6>go to the vote.

0:54:33.640 --> 0:54:36.560
<v Speaker 1>Ken is feeling himself. He's like, let's just vote now,

0:54:36.560 --> 0:54:38.239
<v Speaker 1>why are we even talking about anything else? Can we

0:54:38.360 --> 0:54:39.440
<v Speaker 1>talk about this? Right? Yeah?

0:54:39.520 --> 0:54:42.600
<v Speaker 2>This man he sells himself. He's like, you saw me living,

0:54:42.640 --> 0:54:45.080
<v Speaker 2>plus you saw me at the funeral. He's like to

0:54:45.080 --> 0:54:47.880
<v Speaker 2>his siblings, he's like, I can pitch an idea, I

0:54:47.880 --> 0:54:48.760
<v Speaker 2>can pitch a vision.

0:54:48.960 --> 0:54:50.240
<v Speaker 1>I'm gonna come into this board.

0:54:50.400 --> 0:54:52.719
<v Speaker 2>I'm gonna pitch them a vision so good that's gonna

0:54:52.760 --> 0:54:55.440
<v Speaker 2>change everybody's mind. Instead, Ken walks in and he's like,

0:54:55.840 --> 0:54:57.799
<v Speaker 2>you know mine aren't gonna be changed. You know me,

0:54:58.080 --> 0:54:59.399
<v Speaker 2>we know how the votes are gonna land.

0:54:59.440 --> 0:55:00.200
<v Speaker 1>Let's just vote.

0:55:00.640 --> 0:55:05.600
<v Speaker 2>I was like, oh, Ohsa, your arrogance was too high

0:55:06.000 --> 0:55:10.040
<v Speaker 2>on that one. This is Ken's ultimate fall. Now that

0:55:10.200 --> 0:55:12.240
<v Speaker 2>I thought Ken was gonna go in and flop the pitch,

0:55:12.320 --> 0:55:14.560
<v Speaker 2>but I never imagined that Ken would go in and

0:55:14.600 --> 0:55:15.160
<v Speaker 2>not pitch.

0:55:15.920 --> 0:55:19.319
<v Speaker 1>Yeah. I think that first of all, one thing this

0:55:19.400 --> 0:55:22.520
<v Speaker 1>show does really really well. All good shows do this

0:55:22.600 --> 0:55:26.440
<v Speaker 1>really well. But Succession is kind of a masterclass at

0:55:26.440 --> 0:55:29.680
<v Speaker 1>how you do this is you you know there's only

0:55:29.760 --> 0:55:33.560
<v Speaker 1>Really it's hard to fool people who watch a lot

0:55:33.600 --> 0:55:36.759
<v Speaker 1>of television, and so the thing you can do is

0:55:36.840 --> 0:55:41.960
<v Speaker 1>you give them the thing before they think it's gonna happen.

0:55:42.040 --> 0:55:45.239
<v Speaker 1>Like with Tom, they basically outed that Tom was gonna

0:55:45.239 --> 0:55:47.560
<v Speaker 1>be the guy in the middle, like early in the episode,

0:55:47.680 --> 0:55:48.919
<v Speaker 1>just let you know it's gonna be Tom.

0:55:49.200 --> 0:55:50.640
<v Speaker 2>But then they're like, how do you get that?

0:55:51.080 --> 0:55:53.880
<v Speaker 1>How do you get there? And I think this part

0:55:53.880 --> 0:55:56.839
<v Speaker 1>of it Ken, how is Ken gonna self destruct? How

0:55:56.920 --> 0:55:58.880
<v Speaker 1>is he gonna lose it? How is SHITV gonna blow it?

0:55:58.920 --> 0:56:01.200
<v Speaker 1>How is Rome gonna blow it? All of this is

0:56:01.239 --> 0:56:04.239
<v Speaker 1>so perfect. So we go to the vote and it

0:56:04.280 --> 0:56:07.879
<v Speaker 1>breaks down like this, Frank of course, Yes, Sonya, Yes,

0:56:08.600 --> 0:56:10.600
<v Speaker 1>don't know who she is, Diane Lou, don't know who

0:56:10.600 --> 0:56:14.319
<v Speaker 1>she is, but yes, Ken, you know where I stand. No,

0:56:15.840 --> 0:56:18.560
<v Speaker 1>Sandy and Sandy Yes and yes.

0:56:18.800 --> 0:56:20.680
<v Speaker 2>Which is kind of shocking because I think Ken did

0:56:20.719 --> 0:56:22.880
<v Speaker 2>think he might have had them. They'd kind of talked

0:56:22.920 --> 0:56:24.440
<v Speaker 2>about the Sandy's.

0:56:25.120 --> 0:56:28.680
<v Speaker 1>Dewey we don't know him. But no, here's the shocking

0:56:28.680 --> 0:56:32.920
<v Speaker 1>one to me. Youwen who starts with the quotation from

0:56:32.960 --> 0:56:37.200
<v Speaker 1>the hippocratic oah, first do no harm? Then he says no,

0:56:37.880 --> 0:56:40.000
<v Speaker 1>he wants Ken to maintain control of the company. I

0:56:40.040 --> 0:56:42.560
<v Speaker 1>guess he thinks Lucas is worst. What is his resch

0:56:42.640 --> 0:56:43.080
<v Speaker 1>now here?

0:56:43.560 --> 0:56:47.640
<v Speaker 2>Absolutely baffling. I suppose maybe this is a bit of

0:56:47.680 --> 0:56:52.040
<v Speaker 2>an indictment on Ewan because he still can't break out

0:56:52.040 --> 0:56:55.120
<v Speaker 2>of that cycle. Or the other version of it is

0:56:55.480 --> 0:56:59.440
<v Speaker 2>he is rejecting the billions that would come from this offer,

0:57:00.040 --> 0:57:01.719
<v Speaker 2>and he's trying to make a statement in that way,

0:57:01.840 --> 0:57:04.680
<v Speaker 2>but surely giving it to Kendall, a very non serious person,

0:57:04.800 --> 0:57:07.480
<v Speaker 2>will not do no harm. I do not believe that.

0:57:07.560 --> 0:57:09.040
<v Speaker 2>I think this is a bit of an indictment on

0:57:09.080 --> 0:57:10.120
<v Speaker 2>Youan's hypocrisy.

0:57:10.520 --> 0:57:12.759
<v Speaker 1>Well, Ewan is, you know, of course, quite happy to

0:57:12.800 --> 0:57:17.880
<v Speaker 1>criticize his brother and the poison that he put into

0:57:17.880 --> 0:57:21.840
<v Speaker 1>the world through his many, many media outfits. But of

0:57:21.840 --> 0:57:26.240
<v Speaker 1>course he's quite happy to live in the literal lap

0:57:26.320 --> 0:57:31.320
<v Speaker 1>of luxury and security off of the money provided by

0:57:32.000 --> 0:57:35.880
<v Speaker 1>those concerns of his brothers that he considers to have

0:57:36.120 --> 0:57:39.400
<v Speaker 1>poisoned the nation, poisoned the lives of various people. So

0:57:39.520 --> 0:57:44.240
<v Speaker 1>Ewan is extremely compromised, and here in this moment, I

0:57:44.880 --> 0:57:47.720
<v Speaker 1>just I was just surprised that he would be so

0:57:49.000 --> 0:57:53.280
<v Speaker 1>like obviously compromised that he would just do it flat

0:57:53.320 --> 0:57:53.920
<v Speaker 1>out be like.

0:57:55.720 --> 0:57:56.720
<v Speaker 2>Family it.

0:57:56.800 --> 0:57:57.760
<v Speaker 1>Let's keep it in the family.

0:57:57.760 --> 0:58:00.600
<v Speaker 2>Okay, let's get it. He was like really moved by speech.

0:58:00.640 --> 0:58:02.680
<v Speaker 2>She was like that's for like I was feeling it.

0:58:04.200 --> 0:58:07.080
<v Speaker 1>Uh, Stuie No, and I love it. I love it.

0:58:07.120 --> 0:58:14.120
<v Speaker 1>He goes no, Team Ken, baby fucking love that. Stuwie

0:58:14.160 --> 0:58:17.080
<v Speaker 1>gets burned by Ken one more fucking time here. It

0:58:17.200 --> 0:58:20.720
<v Speaker 1>is what like how many times he believed time?

0:58:21.120 --> 0:58:22.720
<v Speaker 2>And I'm kind of like, do it for me, man,

0:58:22.840 --> 0:58:25.360
<v Speaker 2>do it because my friends like this is the one

0:58:25.400 --> 0:58:28.280
<v Speaker 2>man like, we're gonna do it. The thing I really

0:58:28.400 --> 0:58:31.320
<v Speaker 2>love about this scene, you know what, continue with the

0:58:31.400 --> 0:58:32.360
<v Speaker 2>vote breakdown.

0:58:31.960 --> 0:58:35.160
<v Speaker 1>Before okay, Roman, he waivers.

0:58:36.040 --> 0:58:37.840
<v Speaker 2>I thought he was gonna be the one to flip it.

0:58:38.480 --> 0:58:40.680
<v Speaker 1>He waivers, but then it's a no. So we have

0:58:40.840 --> 0:58:44.760
<v Speaker 1>six to six yes nos, and we go to shivet

0:58:44.800 --> 0:58:47.240
<v Speaker 1>the tie break the final vote, and Shiv is like,

0:58:48.120 --> 0:58:50.800
<v Speaker 1>I just needed I need a second. What, Yeah, I

0:58:50.840 --> 0:58:52.760
<v Speaker 1>need a second. I need to go to this other

0:58:52.840 --> 0:58:54.840
<v Speaker 1>room and just like pace around. Kenn Is like what

0:58:54.920 --> 0:58:57.200
<v Speaker 1>the fuck? He and Roman follow Shive to the other

0:58:57.280 --> 0:59:01.360
<v Speaker 1>room where we're a fucking shit show circus. Oh, carnival

0:59:01.800 --> 0:59:06.920
<v Speaker 1>of idiocy breaks out with everyone seeing in this.

0:59:07.040 --> 0:59:10.840
<v Speaker 2>Gold everyone can hear it. I just want to say

0:59:11.000 --> 0:59:14.720
<v Speaker 2>my favorite fucking thing about this. Yeah, and it plays

0:59:14.760 --> 0:59:18.760
<v Speaker 2>into everything that Succession has done so well. I absolutely

0:59:18.880 --> 0:59:21.880
<v Speaker 2>love that. It is just a fucking Russian roulette of

0:59:21.880 --> 0:59:25.120
<v Speaker 2>where she would have sat if she wasn't the last vote.

0:59:25.160 --> 0:59:27.520
<v Speaker 2>I don't believe she would have gone against it. I

0:59:27.560 --> 0:59:29.640
<v Speaker 2>think if she'd have sat anywhere else in that room

0:59:29.760 --> 0:59:32.720
<v Speaker 2>next to Ken, maybe what next to you? And I

0:59:32.760 --> 0:59:35.560
<v Speaker 2>think she would have voted no because she didn't have

0:59:35.600 --> 0:59:39.800
<v Speaker 2>this huge power. But on the she ends up sitting

0:59:39.840 --> 0:59:43.080
<v Speaker 2>in the place which suddenly she has this life changing,

0:59:43.240 --> 0:59:46.840
<v Speaker 2>billion dollar power that she has never had, and of

0:59:46.880 --> 0:59:49.400
<v Speaker 2>course she uses it to fuck over her brothers, but

0:59:49.440 --> 0:59:53.000
<v Speaker 2>not just that. I think that weight is just so huge,

0:59:53.080 --> 0:59:55.959
<v Speaker 2>and Sarah Snook absolutely sells that, Like when she walks

0:59:56.000 --> 0:59:57.760
<v Speaker 2>out of the room, she's not just doing it to

0:59:57.760 --> 0:59:59.520
<v Speaker 2>be petty, as much as I would love that to

0:59:59.560 --> 1:00:02.840
<v Speaker 2>be the answer. She feels the fucking way of this

1:00:03.080 --> 1:00:05.840
<v Speaker 2>choice that she has been given. But it's so random.

1:00:06.520 --> 1:00:08.680
<v Speaker 1>Yeah, I didn't even think about that. It really is

1:00:08.920 --> 1:00:11.600
<v Speaker 1>all about where she sat.

1:00:12.200 --> 1:00:13.320
<v Speaker 2>How crazy is that?

1:00:13.560 --> 1:00:16.440
<v Speaker 1>It's so crazy. So they get into it.

1:00:16.520 --> 1:00:18.840
<v Speaker 2>And Kendall just fucking loses that.

1:00:18.800 --> 1:00:22.560
<v Speaker 1>You know, Shiv shiit. Shiv is like, is just kind

1:00:22.560 --> 1:00:25.800
<v Speaker 1>of groping around for any rationale that makes sense, and

1:00:25.840 --> 1:00:28.520
<v Speaker 1>she grabs one that actually does make sense, which is Ken,

1:00:28.560 --> 1:00:30.320
<v Speaker 1>you can't be you. You kill the guy. Remember that,

1:00:30.880 --> 1:00:32.760
<v Speaker 1>Remember when you kill the guy. I remember what in

1:00:32.800 --> 1:00:34.880
<v Speaker 1>Italy when you admitted to us that you killed the guy.

1:00:34.880 --> 1:00:37.280
<v Speaker 1>And Kenn's like, ah, no, no, no, no I didn't. I

1:00:37.400 --> 1:00:40.000
<v Speaker 1>was I just false memory that that was like I

1:00:40.080 --> 1:00:42.320
<v Speaker 1>made it up. I made it up. I just needed

1:00:42.320 --> 1:00:44.960
<v Speaker 1>to say something in that moment, and we were, you know,

1:00:45.200 --> 1:00:47.640
<v Speaker 1>in this weird place and I was just talking that

1:00:47.720 --> 1:00:51.040
<v Speaker 1>was like bullshit. I'm good, I'm clean, I never killed

1:00:51.040 --> 1:00:53.880
<v Speaker 1>the guy. Don't fucking worry about it. Can we just

1:00:53.920 --> 1:00:56.000
<v Speaker 1>go back in there and vote I'm good? And then

1:00:56.080 --> 1:00:59.360
<v Speaker 1>Roman says, well, he's and then he screams I am

1:00:59.400 --> 1:01:04.400
<v Speaker 1>the eldest boy, which the bloodline isn't true.

1:01:07.400 --> 1:01:12.560
<v Speaker 2>Exists. I know. That moment is so crazy because he's

1:01:12.640 --> 1:01:15.040
<v Speaker 2>just standing in this office building and he's screaming, I

1:01:15.080 --> 1:01:19.000
<v Speaker 2>am the eldest son, I am the eldest son.

1:01:19.720 --> 1:01:22.400
<v Speaker 1>What a wild thing to scream.

1:01:24.760 --> 1:01:29.280
<v Speaker 2>If they weren't already aware that you'd lost it, that's

1:01:29.320 --> 1:01:32.160
<v Speaker 2>when they know. They know that you are not a

1:01:32.200 --> 1:01:36.320
<v Speaker 2>serious person, just as your father said. And Kendall's screaming

1:01:36.600 --> 1:01:40.080
<v Speaker 2>bloody murder about I'm the eldest son. I deserve this.

1:01:40.400 --> 1:01:43.720
<v Speaker 2>Even though when they were in Barbados, they all revealed

1:01:43.960 --> 1:01:45.920
<v Speaker 2>that Logan had told them at different times in their

1:01:46.000 --> 1:01:47.880
<v Speaker 2>life they would be them. Of course, so they'd all

1:01:47.920 --> 1:01:50.720
<v Speaker 2>been played into this same cycle.

1:01:51.080 --> 1:01:57.200
<v Speaker 1>But Ken really, Ken really feels it and believes it

1:01:57.520 --> 1:02:01.720
<v Speaker 1>that that is the case. So Robin points out, well, listen,

1:02:01.720 --> 1:02:05.720
<v Speaker 1>if you're gonna say that you're the bloodline just and

1:02:05.760 --> 1:02:07.720
<v Speaker 1>I'm just repeating Dad's words here, you know it's not

1:02:07.880 --> 1:02:10.760
<v Speaker 1>me same. This is what Dad said. And Dad would

1:02:10.800 --> 1:02:14.480
<v Speaker 1>say that your kids aren't even really Roys, they were

1:02:14.480 --> 1:02:18.560
<v Speaker 1>not truly as grand kids. Sophie is adopted, and Iverson

1:02:18.760 --> 1:02:22.800
<v Speaker 1>is like the son of some contractor filing cabinet maker

1:02:22.880 --> 1:02:26.040
<v Speaker 1>or whoever that worked on your house, right, but also

1:02:26.120 --> 1:02:27.520
<v Speaker 1>half Robinson. I will also.

1:02:27.440 --> 1:02:31.520
<v Speaker 2>Say, Roman sprinkles in some racism here to really get

1:02:31.640 --> 1:02:36.520
<v Speaker 2>Ken go in. But again Ken reacts in the most

1:02:36.520 --> 1:02:40.640
<v Speaker 2>horrifically another really scary moment where he just grabs Roman's

1:02:40.640 --> 1:02:44.160
<v Speaker 2>face and pushes his thumbs into the scars, and it

1:02:44.280 --> 1:02:46.600
<v Speaker 2>is like so horrific.

1:02:47.080 --> 1:02:49.880
<v Speaker 1>And everybody is watching this there. Can you imagine you're

1:02:49.880 --> 1:02:52.120
<v Speaker 1>sitting there trying to watching it.

1:02:52.280 --> 1:02:56.240
<v Speaker 2>The mail room guy is watching it, even watching everyone

1:02:56.360 --> 1:02:59.600
<v Speaker 2>is watching, not even just like Jerry and the people

1:02:59.600 --> 1:03:02.320
<v Speaker 2>who are in that room, Like everyone is watching this,

1:03:02.480 --> 1:03:05.480
<v Speaker 2>and it is the most unseerious shit you've ever seen.

1:03:05.680 --> 1:03:08.400
<v Speaker 2>Even if they'd gotten Shived to agree to the vote,

1:03:08.440 --> 1:03:10.520
<v Speaker 2>this whole thing is proof that those three shouldn't be

1:03:10.560 --> 1:03:13.240
<v Speaker 2>able to vote, and their votes would easily be able

1:03:13.280 --> 1:03:15.240
<v Speaker 2>to be like null and void in some kind of

1:03:15.240 --> 1:03:16.280
<v Speaker 2>boardroom takeover.

1:03:17.120 --> 1:03:20.560
<v Speaker 1>Absolutely. Shiv was like, get off of him, and then

1:03:21.560 --> 1:03:24.600
<v Speaker 1>Roman is like, don't touch Shiv because she's pregnant. What

1:03:24.640 --> 1:03:26.560
<v Speaker 1>the fuck? And then Shiv managed just to slip out.

1:03:26.640 --> 1:03:27.400
<v Speaker 1>She gets back in the.

1:03:27.400 --> 1:03:30.760
<v Speaker 2>Room and those two just fight.

1:03:29.960 --> 1:03:32.600
<v Speaker 1>And those two just fight for another couple of seconds,

1:03:32.640 --> 1:03:36.560
<v Speaker 1>and it just fucking happens. By the time Ken gets

1:03:36.560 --> 1:03:38.600
<v Speaker 1>in there, it's fucking over. It's over.

1:03:40.040 --> 1:03:43.120
<v Speaker 2>He stands up and he's like after him and Roman

1:03:43.160 --> 1:03:45.120
<v Speaker 2>are fighting, and he's like, we got it, we got it.

1:03:45.200 --> 1:03:47.400
<v Speaker 2>Let's go to Frank, there's still a route here, there's

1:03:47.440 --> 1:03:47.919
<v Speaker 2>still a part.

1:03:48.120 --> 1:03:49.560
<v Speaker 1>We could still do it, we can still do it.

1:03:49.560 --> 1:03:53.280
<v Speaker 2>And Roman's like, no, we're nothing, man like, we're's fucking done.

1:03:53.360 --> 1:03:55.360
<v Speaker 2>We're bullshit. And then Ken goes in and he's like,

1:03:55.360 --> 1:03:57.400
<v Speaker 2>so where are we Let's and his hairs all fucked

1:03:57.440 --> 1:03:59.560
<v Speaker 2>up and everyone just seen him have the fight and

1:03:59.600 --> 1:04:02.000
<v Speaker 2>he's like, he's like, where are we. Let's let's in

1:04:02.080 --> 1:04:04.040
<v Speaker 2>the vote. Let's just the vote. He looks like his

1:04:04.120 --> 1:04:06.360
<v Speaker 2>hair's like gelled up, like he's in a boy band.

1:04:06.440 --> 1:04:08.800
<v Speaker 2>He's like, we'll just hold the vote out, just hold

1:04:08.840 --> 1:04:11.800
<v Speaker 2>the vote out for a little while, like and Frank, nah,

1:04:12.120 --> 1:04:12.640
<v Speaker 2>it's done.

1:04:12.800 --> 1:04:17.160
<v Speaker 1>Frank's Trent tells him it's over. It's done. Sorry. Thomas CEO.

1:04:18.520 --> 1:04:23.600
<v Speaker 1>Tom walks in victorious. Uh Greg saunters up, and we

1:04:23.640 --> 1:04:26.960
<v Speaker 1>get a taste of what the early regime, early days

1:04:27.000 --> 1:04:28.640
<v Speaker 1>of the Tom regime will.

1:04:28.440 --> 1:04:29.640
<v Speaker 2>Be at Goajos.

1:04:30.320 --> 1:04:33.560
<v Speaker 1>At Gojo Go, he will first of all strap Carl

1:04:33.600 --> 1:04:36.680
<v Speaker 1>and Frank into their golden parachutes, and honestly, like Carl

1:04:36.880 --> 1:04:39.080
<v Speaker 1>made some you know, Frank was like, what do you

1:04:39.120 --> 1:04:42.600
<v Speaker 1>think we're out? This is great, like awesome, and Carl

1:04:42.680 --> 1:04:44.680
<v Speaker 1>was like, I don't know. Maybe run it back. You

1:04:44.720 --> 1:04:46.320
<v Speaker 1>don't want to run back, go to your fucking Greek

1:04:46.360 --> 1:04:46.720
<v Speaker 1>island and.

1:04:46.680 --> 1:04:50.120
<v Speaker 2>Get the truth is. This is another great example of

1:04:50.240 --> 1:04:52.680
<v Speaker 2>getting what that is up. They're gonna get their golden parachutes.

1:04:52.760 --> 1:04:55.800
<v Speaker 2>That's secure. The legacy is no longer secure, as Carl

1:04:55.840 --> 1:04:58.400
<v Speaker 2>has now realized, because he said some mad chad mad

1:04:58.480 --> 1:05:01.000
<v Speaker 2>shit to Tom ally and Season and was like, you

1:05:01.040 --> 1:05:03.760
<v Speaker 2>are nothing, nobody cares, nobody trusts you. You will amount

1:05:03.840 --> 1:05:07.000
<v Speaker 2>to zero. So I love the line. Frank's like, no way,

1:05:07.160 --> 1:05:09.000
<v Speaker 2>like not Tom and Carl's like, yeah, we should have

1:05:09.000 --> 1:05:11.720
<v Speaker 2>slit his throat in the cradle, and Frank's like yeah.

1:05:11.720 --> 1:05:13.520
<v Speaker 1>Goes without saying that we should have done that.

1:05:14.320 --> 1:05:16.480
<v Speaker 2>But they're fine. They got millions of dollars, billions of

1:05:16.520 --> 1:05:19.959
<v Speaker 2>dollars and maybe billions I think billions probably from this deal.

1:05:20.400 --> 1:05:22.880
<v Speaker 2>So they're gone strapped into the golden parachutes, shut out

1:05:22.920 --> 1:05:25.320
<v Speaker 2>of their line. But they'll do okay, they'll land softly.

1:05:25.400 --> 1:05:28.040
<v Speaker 1>Yeah, they'll be fine. I don't don't worry too much

1:05:28.080 --> 1:05:31.680
<v Speaker 1>about Frank and Carl. Jerry will stay on because, in

1:05:31.800 --> 1:05:36.439
<v Speaker 1>Tom's view, she knows, she knows how this nightmare circus works, and.

1:05:36.400 --> 1:05:38.200
<v Speaker 2>She's one of the only people who actually knows how

1:05:38.240 --> 1:05:38.840
<v Speaker 2>to do her job.

1:05:39.320 --> 1:05:44.280
<v Speaker 1>She knows how to fucking do her job. HUGO, sorry

1:05:44.280 --> 1:05:47.240
<v Speaker 1>about it, my guy, You're out. Caroline is gonna Caroline

1:05:47.280 --> 1:05:52.200
<v Speaker 1>day on. And Greg is like, what about me? What

1:05:52.240 --> 1:05:55.560
<v Speaker 1>about what about myself? Where do I land in all

1:05:55.600 --> 1:05:59.400
<v Speaker 1>of this? And Tom's like, well, you're fucked, man. You

1:05:59.440 --> 1:06:01.800
<v Speaker 1>know you make two hundred thousand as an assistant. That's

1:06:01.840 --> 1:06:04.080
<v Speaker 1>gonna come way down. It's gonna come way down. You're

1:06:04.120 --> 1:06:09.000
<v Speaker 1>gonna fucking get killed on salary. You're gonna get absolutely murdered.

1:06:09.000 --> 1:06:11.200
<v Speaker 1>But and then he puts a sticker, one of his

1:06:11.360 --> 1:06:15.960
<v Speaker 1>black stickers, on Greg's forehead. I got a place for you, buddy.

1:06:16.120 --> 1:06:18.640
<v Speaker 2>Yeah, He's like, I'm gonna save you because he owns

1:06:18.720 --> 1:06:21.840
<v Speaker 2>Greg now and yes, Miles, Greg loves it. Greg wants

1:06:21.880 --> 1:06:23.160
<v Speaker 2>to be involved.

1:06:22.880 --> 1:06:30.000
<v Speaker 1>He's in. And then we get these wonderful little mini scenes,

1:06:30.560 --> 1:06:35.880
<v Speaker 1>wordless of the three siblings in the wake of all this. Connor,

1:06:35.920 --> 1:06:36.880
<v Speaker 1>we don't care. He's fine.

1:06:37.480 --> 1:06:39.440
<v Speaker 2>He's what he's doing.

1:06:41.840 --> 1:06:46.400
<v Speaker 1>There is Roman at a bar, and you get the

1:06:46.440 --> 1:06:50.800
<v Speaker 1>sense that he will be fucking fine, like mentally, of course,

1:06:50.880 --> 1:06:54.920
<v Speaker 1>Like it's it's a tragedy that they've lost control of

1:06:54.960 --> 1:06:59.280
<v Speaker 1>their father's empire. It is so heartbreaking and all they

1:06:59.320 --> 1:07:04.080
<v Speaker 1>have to to assuage their feelings is just billions and

1:07:04.120 --> 1:07:05.960
<v Speaker 1>billions of dollars that they will get for the sale.

1:07:06.000 --> 1:07:08.360
<v Speaker 1>But is that really enough? No, but Roman will be

1:07:08.400 --> 1:07:11.440
<v Speaker 1>okay y Psychologically, I seem cho logic.

1:07:12.360 --> 1:07:14.480
<v Speaker 2>He has reached his rock bottom, and I think it's

1:07:14.560 --> 1:07:17.040
<v Speaker 2>very sad to see him alone in this moment if

1:07:17.080 --> 1:07:18.640
<v Speaker 2>you ignore the fact he's terrible person.

1:07:18.680 --> 1:07:19.720
<v Speaker 1>But like the.

1:07:21.200 --> 1:07:23.120
<v Speaker 2>Route that he has gone on this season has been

1:07:23.160 --> 1:07:26.520
<v Speaker 2>incredibly bleak. But I think that you're right, Roman's alone. Really,

1:07:26.600 --> 1:07:30.720
<v Speaker 2>Roman was kind of always alone, so women probably be fine.

1:07:31.280 --> 1:07:35.760
<v Speaker 1>Roman is the same. Can we see walking through Battery

1:07:35.840 --> 1:07:43.720
<v Speaker 1>Park looking fucking shell shocked again? It's it's very you know,

1:07:43.760 --> 1:07:47.600
<v Speaker 1>a couple of dozens of billions of dollars in cash

1:07:47.640 --> 1:07:50.160
<v Speaker 1>and stock. It's cold comfort when what you wanted was

1:07:50.240 --> 1:07:50.800
<v Speaker 1>the company.

1:07:51.160 --> 1:07:54.000
<v Speaker 2>Yeah, he needed this, This is all he could do.

1:07:54.240 --> 1:07:56.800
<v Speaker 2>What's this? He doesn't know, but he's entitled to do it.

1:07:57.120 --> 1:07:59.160
<v Speaker 2>He wanted to do it, and now he can't do it.

1:07:59.440 --> 1:08:01.640
<v Speaker 1>Now he can't do it, and now all he has

1:08:01.760 --> 1:08:04.960
<v Speaker 1>is like, you know, what's the sale? Price like ninety

1:08:05.040 --> 1:08:06.280
<v Speaker 1>eighty something, and he's.

1:08:06.160 --> 1:08:09.160
<v Speaker 2>Going like ten billion dollars nothing, that means nothing. What's

1:08:09.160 --> 1:08:09.880
<v Speaker 2>he gonna do anything?

1:08:10.160 --> 1:08:11.080
<v Speaker 1>What can you do with that?

1:08:11.240 --> 1:08:12.280
<v Speaker 2>You can't do nothing.

1:08:12.360 --> 1:08:14.600
<v Speaker 1>So he's so he's shell shocking. He's walking around and

1:08:14.600 --> 1:08:17.479
<v Speaker 1>Colin is following him from ten steps behind, as he

1:08:17.520 --> 1:08:19.479
<v Speaker 1>will do for the rest of his life. And we

1:08:19.560 --> 1:08:22.479
<v Speaker 1>notice that, by the way, have to have to have

1:08:22.600 --> 1:08:27.320
<v Speaker 1>to say when you know Ken was attempting to scoop

1:08:27.360 --> 1:08:30.360
<v Speaker 1>out Roman's eyeballs in the conference room and then was

1:08:30.400 --> 1:08:35.080
<v Speaker 1>turning into a scuffle. Where was Colin? Colin was out there, Colin,

1:08:36.040 --> 1:08:38.960
<v Speaker 1>Colin can't wait to not take a bullet for Ken.

1:08:39.160 --> 1:08:41.880
<v Speaker 2>Yeah, Colin, I know. I was watching it. I was like,

1:08:42.000 --> 1:08:44.760
<v Speaker 2>is Colin actually just gonna like push Kendall into the war?

1:08:44.960 --> 1:08:47.439
<v Speaker 2>I was like, I don't think he's. Like, this is

1:08:47.479 --> 1:08:49.400
<v Speaker 2>not a man who's there through loyalty. This is a

1:08:49.439 --> 1:08:52.439
<v Speaker 2>man who's there through blackmail and threats. Like, I don't

1:08:52.520 --> 1:08:54.639
<v Speaker 2>know how long Kendall's gonna survive.

1:08:55.160 --> 1:08:59.920
<v Speaker 1>They apparently did a scene where Ken goes over to

1:09:00.200 --> 1:09:02.320
<v Speaker 1>to go over the railing and Colin pulls it back,

1:09:02.920 --> 1:09:05.599
<v Speaker 1>but then went with the scene we see and then

1:09:05.680 --> 1:09:11.599
<v Speaker 1>we see Tom riding off in some beautiful European luxury

1:09:11.600 --> 1:09:17.160
<v Speaker 1>automobile with Shiv the power Couple ascendant. He lays his

1:09:17.200 --> 1:09:22.080
<v Speaker 1>hand on the middle armrest with his palm upwards, and

1:09:22.120 --> 1:09:26.280
<v Speaker 1>then she places her palm on his. Her hand. You

1:09:26.280 --> 1:09:28.479
<v Speaker 1>couldn't say they were intertwined, but it's more like her

1:09:28.560 --> 1:09:31.800
<v Speaker 1>hand laying openly on his. And that is the end

1:09:31.880 --> 1:09:35.599
<v Speaker 1>of the series. An incredible series. I must ask now

1:09:35.600 --> 1:09:39.400
<v Speaker 1>our final prompts, what do you think happens with everyone?

1:09:39.400 --> 1:09:41.639
<v Speaker 1>We kind of talked about Roman, but where does everyone?

1:09:41.880 --> 1:09:44.720
<v Speaker 1>Where does Shiv end up? Where does Ken end up?

1:09:45.280 --> 1:09:48.240
<v Speaker 1>Where does Connor? I guess we'll do Connor. Where does

1:09:48.240 --> 1:09:48.880
<v Speaker 1>Connor and Will?

1:09:49.560 --> 1:09:52.280
<v Speaker 2>I think Connor from Will end up living in that house,

1:09:53.080 --> 1:09:58.880
<v Speaker 2>being incredibly unhappy. I think that's the true ending of

1:09:58.920 --> 1:10:01.320
<v Speaker 2>everything that is in all. I was singing about this

1:10:01.360 --> 1:10:03.519
<v Speaker 2>a lot when I was writing about the show. They

1:10:03.600 --> 1:10:06.120
<v Speaker 2>all end the show exactly where they began it, just

1:10:06.240 --> 1:10:10.719
<v Speaker 2>exceptionally wealthy and incredibly unhappy, and I think that continues.

1:10:10.760 --> 1:10:13.000
<v Speaker 2>I think Connor and Willa have the best chance of

1:10:13.040 --> 1:10:16.519
<v Speaker 2>making it because they have some weird shit going on there,

1:10:16.560 --> 1:10:18.439
<v Speaker 2>Like maybe they'll just end up being in like an

1:10:18.479 --> 1:10:20.920
<v Speaker 2>open relationship and having all their lovers live in the

1:10:20.960 --> 1:10:23.320
<v Speaker 2>giant house like I see a version where they could

1:10:23.320 --> 1:10:28.760
<v Speaker 2>be okay. I think Shive and Tom are immensely successful

1:10:28.840 --> 1:10:32.840
<v Speaker 2>and deeply deeply depressed. I also my friend James, who

1:10:32.840 --> 1:10:35.400
<v Speaker 2>I watched Succession. We always watch it and talk about

1:10:35.400 --> 1:10:37.120
<v Speaker 2>it afterwards. He made a great point when I was

1:10:37.160 --> 1:10:41.879
<v Speaker 2>talking about everyone having their just desserts. In this episode,

1:10:41.920 --> 1:10:47.160
<v Speaker 2>Shit essentially becomes Lady Caroline. She is a trophy wife

1:10:47.160 --> 1:10:52.160
<v Speaker 2>of a figurehead of wealthy woman who has zero power

1:10:52.200 --> 1:10:55.080
<v Speaker 2>in the business space that she's in, but will likely

1:10:55.360 --> 1:10:58.679
<v Speaker 2>spend a lot of time influencing Tom's choices. And she's

1:10:58.720 --> 1:11:01.160
<v Speaker 2>about to have a kid who she's already admitted she

1:11:01.240 --> 1:11:03.760
<v Speaker 2>will not raise, will be raised by nannies. And I

1:11:03.760 --> 1:11:08.439
<v Speaker 2>think in that way she gets another incredibly depressing kind

1:11:08.439 --> 1:11:11.759
<v Speaker 2>of situation where I think the hardest one to call.

1:11:12.240 --> 1:11:14.920
<v Speaker 2>Where do you see Kendall? Where does he go from her?

1:11:15.240 --> 1:11:18.280
<v Speaker 2>Does he come back with some terrible tech start up?

1:11:18.320 --> 1:11:19.719
<v Speaker 2>Does he try and make it come back?

1:11:20.400 --> 1:11:28.960
<v Speaker 1>I think, Ken listen, Shive magnanimously offered to for no fee,

1:11:29.640 --> 1:11:33.280
<v Speaker 1>just give her brothers the IP for the hundred.

1:11:32.920 --> 1:11:34.920
<v Speaker 2>You know, she was like, I'll do that for free,

1:11:34.960 --> 1:11:35.320
<v Speaker 2>because a.

1:11:35.320 --> 1:11:37.400
<v Speaker 1>Love you can just have that you want, you want

1:11:37.400 --> 1:11:40.160
<v Speaker 1>to have that be your little startup. I think Ken

1:11:40.760 --> 1:11:43.120
<v Speaker 1>goes back to something like that. I think, whether it's

1:11:43.120 --> 1:11:46.200
<v Speaker 1>the hundred or something else, you know, Logan once famously

1:11:46.240 --> 1:11:50.080
<v Speaker 1>said to his kids, make your own damn pile. You know,

1:11:50.080 --> 1:11:52.559
<v Speaker 1>why are you fighting over my shit? Go make your

1:11:52.560 --> 1:11:56.680
<v Speaker 1>own money. And I think that Ken will eventually. I

1:11:56.680 --> 1:11:59.040
<v Speaker 1>think this is obviously going to be the defining thing

1:11:59.080 --> 1:12:02.080
<v Speaker 1>of his life, losing his dad's company. But I think

1:12:02.120 --> 1:12:08.160
<v Speaker 1>that he will attempt various schemes to make his own pile,

1:12:08.280 --> 1:12:12.960
<v Speaker 1>none of them being quite successful enough. But not to worry,

1:12:12.960 --> 1:12:15.320
<v Speaker 1>because he's got so much money that he can just keep.

1:12:15.400 --> 1:12:16.400
<v Speaker 2>He could never spend it.

1:12:16.680 --> 1:12:20.360
<v Speaker 1>He can never spend it all. He'll be fine, rom

1:12:20.360 --> 1:12:21.880
<v Speaker 1>and we said, will be fine.

1:12:22.280 --> 1:12:24.160
<v Speaker 2>I want to put a prompt you. I think that

1:12:24.240 --> 1:12:27.439
<v Speaker 2>this is a show where everybody, for the most part,

1:12:27.760 --> 1:12:29.759
<v Speaker 2>has gotten what they deserve in like a bad way,

1:12:29.840 --> 1:12:32.240
<v Speaker 2>because these are bad people. I think, if there is

1:12:32.280 --> 1:12:37.639
<v Speaker 2>a true winner at succession in a non existential Tom style,

1:12:37.760 --> 1:12:39.400
<v Speaker 2>you won, but you're trapped in a hell of your

1:12:39.439 --> 1:12:43.080
<v Speaker 2>own making. I think it's Jerry. Because Jerry was there,

1:12:43.280 --> 1:12:47.400
<v Speaker 2>I think you're to sign the Golden Parachute deal, which

1:12:47.400 --> 1:12:49.880
<v Speaker 2>I'm sure she will still get because she was there

1:12:49.920 --> 1:12:52.080
<v Speaker 2>to legally sign it. She's going to get her huge

1:12:52.120 --> 1:12:56.200
<v Speaker 2>payoff for putting up with the Roys bullshit. And then

1:12:56.280 --> 1:13:00.200
<v Speaker 2>if she wants to, if she is so inclined, she

1:13:00.320 --> 1:13:03.880
<v Speaker 2>has a choice to be a part of this other Gojo,

1:13:04.000 --> 1:13:06.640
<v Speaker 2>go and stay in this space that she's kind of

1:13:06.800 --> 1:13:10.120
<v Speaker 2>been now. Jerry's not a great person because Jerry enabled

1:13:10.160 --> 1:13:13.639
<v Speaker 2>the Roys for a long time, but within the logic

1:13:13.800 --> 1:13:15.760
<v Speaker 2>and rules of the show, she is one of the

1:13:15.760 --> 1:13:18.240
<v Speaker 2>few people who ever tried to hold them accountable even

1:13:18.280 --> 1:13:20.759
<v Speaker 2>a little bit and kind of call them on that bullshit.

1:13:20.960 --> 1:13:23.679
<v Speaker 1>I agree with you there, and I think honestly Frank

1:13:23.720 --> 1:13:24.360
<v Speaker 1>and Carl too.

1:13:24.439 --> 1:13:25.040
<v Speaker 2>They got out.

1:13:25.520 --> 1:13:30.080
<v Speaker 1>They go Carl, congratulations. Your Greek Island is on the docket.

1:13:30.160 --> 1:13:33.160
<v Speaker 1>Here it comes. I want to see that anymore.

1:13:33.040 --> 1:13:35.479
<v Speaker 2>The Greek Island Summer Holiday spin off.

1:13:36.439 --> 1:13:40.920
<v Speaker 1>I think, what is so wonderfully tragic and really what

1:13:41.080 --> 1:13:48.120
<v Speaker 1>makes this show so good and so high quality and

1:13:48.200 --> 1:13:51.400
<v Speaker 1>so timeless feeling in the way that it, you know,

1:13:51.439 --> 1:13:55.559
<v Speaker 1>evokes our emotions and allows us to ride along with

1:13:55.600 --> 1:14:00.120
<v Speaker 1>these characters who fucking suck. It's that it's pure tragedy

1:14:00.240 --> 1:14:06.560
<v Speaker 1>in the most definitional sense of classic tragedy.

1:14:07.040 --> 1:14:07.559
<v Speaker 2>The character.

1:14:08.439 --> 1:14:11.320
<v Speaker 1>These characters have a fatal flaw, each of them right,

1:14:11.680 --> 1:14:18.880
<v Speaker 1>and there really is no there's two moves that succession has,

1:14:18.920 --> 1:14:24.919
<v Speaker 1>which is the Roys try to get their dad's company

1:14:25.080 --> 1:14:29.880
<v Speaker 1>and they fail. That's it. That's the cycle. And the

1:14:29.960 --> 1:14:34.800
<v Speaker 1>show shows you that again and again and again and

1:14:35.080 --> 1:14:39.160
<v Speaker 1>heightens the way that they lose it exponentially each time,

1:14:39.280 --> 1:14:41.800
<v Speaker 1>so that it so that despite the fact that there

1:14:41.880 --> 1:14:49.760
<v Speaker 1>really is this very methodical and one note kind of predictable, predictable,

1:14:49.960 --> 1:14:52.439
<v Speaker 1>they're gonna lose it. You know they're gonna lose it.

1:14:52.960 --> 1:14:56.040
<v Speaker 1>But the question is how and how devastating will it

1:14:56.040 --> 1:14:57.920
<v Speaker 1>be and how hard will they try to win it

1:14:57.960 --> 1:15:00.720
<v Speaker 1>only to lose it this time and each time they

1:15:00.760 --> 1:15:02.880
<v Speaker 1>lose it because of the fatal flaw. I think about

1:15:02.920 --> 1:15:07.600
<v Speaker 1>like Shiv. Shiv is the woman, you know, the feminist

1:15:07.920 --> 1:15:13.920
<v Speaker 1>who told a woman, a survivor of sexual assault at

1:15:13.920 --> 1:15:17.280
<v Speaker 1>the hands of the people who worked for her father's company,

1:15:17.760 --> 1:15:19.840
<v Speaker 1>to just take the fucking money, just take the money.

1:15:19.840 --> 1:15:22.519
<v Speaker 1>And she will constantly sell out.

1:15:22.439 --> 1:15:24.600
<v Speaker 2>And when she was bonding with Matson. As soon as

1:15:24.640 --> 1:15:27.280
<v Speaker 2>he told her about Ebba, she immediately went into pr mode.

1:15:27.280 --> 1:15:30.000
<v Speaker 2>How can we silence her, I'll deal with this, I

1:15:30.000 --> 1:15:32.200
<v Speaker 2>can help you deal with this, don't worry about it.

1:15:32.560 --> 1:15:37.240
<v Speaker 2>She constantly sell out her own morals that don't exist, that.

1:15:38.680 --> 1:15:41.400
<v Speaker 1>She pretends they exist because she thinks it helps her

1:15:41.439 --> 1:15:44.200
<v Speaker 1>in the realm of like public consumption, but it doesn't.

1:15:44.479 --> 1:15:47.120
<v Speaker 1>And if she has a fatal flaw, it's that she's

1:15:47.240 --> 1:15:49.639
<v Speaker 1>very smart but thinks she's smarter than she is. Ken.

1:15:50.000 --> 1:15:55.200
<v Speaker 1>Ken's fatal flaw is that he fucking can't close. He

1:15:55.360 --> 1:15:58.600
<v Speaker 1>just can't get there and closed in Tileman and arrogance.

1:15:59.040 --> 1:16:00.919
<v Speaker 1>In fact, that is something Nao Sha.

1:16:01.000 --> 1:16:04.240
<v Speaker 2>He has that exact same problem that Shiv has in Barbados,

1:16:04.320 --> 1:16:06.760
<v Speaker 2>but it has plagued him throughout his whole life. He

1:16:07.920 --> 1:16:11.479
<v Speaker 2>expects the wind before has happened. He can't close. He

1:16:11.560 --> 1:16:14.519
<v Speaker 2>never makes the deal. He just expects the deal to

1:16:14.600 --> 1:16:16.280
<v Speaker 2>come to him.

1:16:16.720 --> 1:16:18.920
<v Speaker 1>And then Roman, who I think you could argue, is

1:16:18.920 --> 1:16:22.280
<v Speaker 1>maybe the most talented in terms of a social you know,

1:16:22.320 --> 1:16:24.120
<v Speaker 1>in terms of the part of the job that is,

1:16:24.720 --> 1:16:27.639
<v Speaker 1>in Lucas's words, vibe checks is just like hanging out

1:16:27.680 --> 1:16:30.400
<v Speaker 1>and talking shit with other powerful people. I mean, you'd

1:16:30.439 --> 1:16:33.720
<v Speaker 1>say Roman was weirdly the most the most able to

1:16:33.720 --> 1:16:36.120
<v Speaker 1>do that. You think about the way he you know,

1:16:36.200 --> 1:16:39.240
<v Speaker 1>initially before his downfall, the way he related to Makan

1:16:39.439 --> 1:16:42.640
<v Speaker 1>was both of them roasting each other. He understood on

1:16:42.720 --> 1:16:47.519
<v Speaker 1>an instinctive level that powerful people want to feel like

1:16:48.560 --> 1:16:51.920
<v Speaker 1>there is something that awakens their cruelty when you just

1:16:52.000 --> 1:16:54.719
<v Speaker 1>lay down. You need to spar with them just enough

1:16:54.760 --> 1:16:56.960
<v Speaker 1>that they feel like you're on their level. And Roman

1:16:57.320 --> 1:16:59.720
<v Speaker 1>weirdly understood that. But his fatal flaw is that he

1:16:59.880 --> 1:17:07.280
<v Speaker 1>just couldn't in victory. He needed to destroy himself. Yeah,

1:17:07.320 --> 1:17:10.679
<v Speaker 1>when he does, be sure he got the big energy

1:17:10.720 --> 1:17:14.440
<v Speaker 1>spot at the funeral, he blew it. He blows it constantly.

1:17:14.600 --> 1:17:18.599
<v Speaker 1>And the fact that these characters just did those fatal

1:17:18.680 --> 1:17:22.160
<v Speaker 1>flaw like self destructions again and again and again, and

1:17:22.240 --> 1:17:24.800
<v Speaker 1>yet every time you're just like, holy shit, I can't

1:17:24.840 --> 1:17:27.800
<v Speaker 1>believe it happened again. Yeah, that is really that is

1:17:27.880 --> 1:17:28.360
<v Speaker 1>hard to.

1:17:28.240 --> 1:17:31.400
<v Speaker 2>Do and is what makes this show so unbelievable writing.

1:17:32.040 --> 1:17:34.799
<v Speaker 2>It's just such a powerful show. And I love how

1:17:35.080 --> 1:17:37.880
<v Speaker 2>we had all kinds of theories and predictions and were

1:17:37.920 --> 1:17:40.280
<v Speaker 2>wondering about the way that they would end this show

1:17:40.360 --> 1:17:42.360
<v Speaker 2>and how out there they would go with it. But

1:17:42.400 --> 1:17:44.720
<v Speaker 2>the truth is the reason this hit so hard and

1:17:44.760 --> 1:17:47.680
<v Speaker 2>feels like the perfect finale is it follows those established

1:17:47.720 --> 1:17:50.960
<v Speaker 2>rules like you mentioned about the character archetypes, but also

1:17:51.520 --> 1:17:55.880
<v Speaker 2>it is that same mix of just absolutely bleak but

1:17:56.000 --> 1:18:01.160
<v Speaker 2>incredibly realistic, like the fact that these characters end the

1:18:01.200 --> 1:18:05.439
<v Speaker 2>show wildly richer than they were before, at least in

1:18:05.520 --> 1:18:08.040
<v Speaker 2>like liquidity and like real money that they can have,

1:18:09.040 --> 1:18:12.639
<v Speaker 2>but they still have a tragic ending that's so realistic.

1:18:12.720 --> 1:18:16.400
<v Speaker 2>Kendall will never pay for the fact that he killed someone,

1:18:17.240 --> 1:18:20.599
<v Speaker 2>have accountability, so in the world of the show, they

1:18:20.680 --> 1:18:23.680
<v Speaker 2>give him the most realistic punishment, which is having this

1:18:23.760 --> 1:18:26.280
<v Speaker 2>one thing that he always wanted ripped away from him.

1:18:26.640 --> 1:18:29.479
<v Speaker 2>And that is really interesting because I think in this

1:18:29.560 --> 1:18:32.760
<v Speaker 2>trend of eat the rich kind of programming and filmmaking,

1:18:32.800 --> 1:18:35.719
<v Speaker 2>which I do love, you know, the menu triangle of sadness,

1:18:35.760 --> 1:18:41.960
<v Speaker 2>ready or not, those offer very viscerally cathartic ideas around

1:18:42.040 --> 1:18:45.800
<v Speaker 2>how people can get their revenge. They get killed, they

1:18:45.840 --> 1:18:49.080
<v Speaker 2>get mutilated, they get eaten, they get burned, they get

1:18:49.080 --> 1:18:51.840
<v Speaker 2>blown up, and it's like, but succession doesn't do that.

1:18:51.840 --> 1:18:54.400
<v Speaker 2>Succession works within the world and says, look, here are

1:18:54.400 --> 1:18:57.800
<v Speaker 2>these people that control everything in your life. They fucking suck.

1:18:57.960 --> 1:19:01.439
<v Speaker 2>They're ridiculous, And what we can do is show you

1:19:01.479 --> 1:19:04.280
<v Speaker 2>the worst thing that can realistically happen to them, which

1:19:04.320 --> 1:19:07.120
<v Speaker 2>is being trapped in a loveless marriage but still being

1:19:07.160 --> 1:19:10.519
<v Speaker 2>incredibly rich, being alone and isolated in Roman's case, but

1:19:10.600 --> 1:19:14.120
<v Speaker 2>still being incredibly rich. Kendall not having the thing he

1:19:14.160 --> 1:19:16.479
<v Speaker 2>always felt like he was entitled to, the throne and

1:19:16.560 --> 1:19:18.920
<v Speaker 2>crown that he's wanted since he was seven when he

1:19:19.000 --> 1:19:21.000
<v Speaker 2>was told it was his. He can't have that, but

1:19:21.040 --> 1:19:25.000
<v Speaker 2>he's still incredibly rich. And I think that's why the

1:19:25.040 --> 1:19:28.879
<v Speaker 2>finale hit so hard, because those rules and that cycle

1:19:29.000 --> 1:19:32.120
<v Speaker 2>is so key to what Succession does well, and they

1:19:32.200 --> 1:19:36.160
<v Speaker 2>totally understand that and really pulled it together. I saw people,

1:19:36.479 --> 1:19:38.280
<v Speaker 2>I think it was Vanity Fair did an article where

1:19:38.280 --> 1:19:40.559
<v Speaker 2>they were like, the season four of Succession was a

1:19:40.560 --> 1:19:42.600
<v Speaker 2>mess until the finale. I don't agree. I thought this

1:19:42.640 --> 1:19:47.040
<v Speaker 2>season was brilliant. But I love that even for people

1:19:47.120 --> 1:19:52.280
<v Speaker 2>who weren't understanding or vibing with or following this season

1:19:52.320 --> 1:19:54.960
<v Speaker 2>in a way that felt impactful, that finale was so

1:19:55.000 --> 1:19:57.320
<v Speaker 2>strong that it pulled all of those threads together and

1:19:57.360 --> 1:19:59.559
<v Speaker 2>made it work like that to me shows that this

1:19:59.640 --> 1:20:03.400
<v Speaker 2>is not just recentcy biased or people being like, oh

1:20:03.400 --> 1:20:05.479
<v Speaker 2>the finale's good. Even people who didn't like the fourth

1:20:05.479 --> 1:20:07.679
<v Speaker 2>season are like, oh, this makes it work. That's how

1:20:07.720 --> 1:20:11.080
<v Speaker 2>powerful it was. They can turn around somebody's view of

1:20:11.080 --> 1:20:14.680
<v Speaker 2>the whole season. I personally think Succession has always been

1:20:14.720 --> 1:20:17.519
<v Speaker 2>a show where every season is better, and I think

1:20:17.560 --> 1:20:19.880
<v Speaker 2>that the fourth season follows that. But yeah, I mean,

1:20:20.400 --> 1:20:22.400
<v Speaker 2>what a finale? Just unbelievable.

1:20:22.439 --> 1:20:24.679
<v Speaker 1>So let me ask you this, did shev actually win

1:20:25.280 --> 1:20:29.600
<v Speaker 1>because Shiv uh, let's okay? So if she would have

1:20:29.600 --> 1:20:33.400
<v Speaker 1>gotten the job that she was gunning for CEO American

1:20:33.560 --> 1:20:38.920
<v Speaker 1>hand Pick CEO of Lucas Mattson's GOK, she would have

1:20:39.000 --> 1:20:44.160
<v Speaker 1>been powerless, or she would have needed to be truly powerless,

1:20:44.640 --> 1:20:48.400
<v Speaker 1>have no influence on Mattson's thinking, just be the cutout person,

1:20:48.439 --> 1:20:51.120
<v Speaker 1>and then she'd have Tom in her pocket and not

1:20:51.280 --> 1:20:55.080
<v Speaker 1>the other way around. But of course, like that was

1:20:55.240 --> 1:20:58.679
<v Speaker 1>never gonna happen. So is this actually the best outcome

1:20:58.720 --> 1:21:01.160
<v Speaker 1>for Shiv where she looked at it and said, here's

1:21:01.200 --> 1:21:04.759
<v Speaker 1>what keeps me in the mix. I stay by Tom's side,

1:21:04.800 --> 1:21:07.759
<v Speaker 1>I'm in his pocket. We've got the next in line

1:21:07.800 --> 1:21:11.280
<v Speaker 1>of the lineage of the Roys with us, and we're

1:21:11.320 --> 1:21:13.880
<v Speaker 1>just doing the thing that we've already been doing, but

1:21:14.560 --> 1:21:19.160
<v Speaker 1>now we're trapped in it even more devastatingly than before.

1:21:19.640 --> 1:21:24.400
<v Speaker 1>And unlike Ken, unlike Roman, unlike Connor who cares about Connor,

1:21:25.040 --> 1:21:29.400
<v Speaker 1>I still am in the mix. I have Tom's ear,

1:21:29.560 --> 1:21:33.360
<v Speaker 1>and sure Tom will never pitch Lucas on what I

1:21:33.400 --> 1:21:36.599
<v Speaker 1>think he should do, but I'm in the mix somehow. Still.

1:21:36.920 --> 1:21:38.920
<v Speaker 2>Oh, I absolutely believe that one of my favorite I

1:21:38.920 --> 1:21:41.000
<v Speaker 2>think there's two things that drove Shive in that moment.

1:21:41.040 --> 1:21:43.679
<v Speaker 2>We get the great moment when she's in the room

1:21:43.720 --> 1:21:48.320
<v Speaker 2>and theft fighting with the kids and she says to Kendall,

1:21:48.360 --> 1:21:51.760
<v Speaker 2>she says, I fucking love you, but I cannot stomach you.

1:21:52.280 --> 1:21:54.599
<v Speaker 2>And I saw a great tweet that really sums up

1:21:54.600 --> 1:21:57.040
<v Speaker 2>I think the fifty percent of it. Somebody was like,

1:21:57.439 --> 1:21:59.360
<v Speaker 2>you know, I such a good tweet. I need to

1:21:59.360 --> 1:22:01.040
<v Speaker 2>find it to credit person. We'll try and put it

1:22:01.040 --> 1:22:03.120
<v Speaker 2>in the show notes. But they said, you know, people

1:22:03.160 --> 1:22:06.479
<v Speaker 2>are saying Shiv, you know, voted against Kendall to save

1:22:06.560 --> 1:22:08.880
<v Speaker 2>him from an abusive cycle. And they were like, but

1:22:08.960 --> 1:22:11.640
<v Speaker 2>have you perhaps considered that she's just a hater. I

1:22:11.720 --> 1:22:14.200
<v Speaker 2>do think that that is fifty percent of I think

1:22:14.320 --> 1:22:17.040
<v Speaker 2>fifth pettiness was fifty percent she didn't want Kendall to

1:22:17.080 --> 1:22:20.240
<v Speaker 2>have it. But I believe the other fifty percent was,

1:22:20.320 --> 1:22:23.679
<v Speaker 2>as you pointed out, self preservation. I think Shiv weighed

1:22:23.760 --> 1:22:29.000
<v Speaker 2>up everything, all the outcomes, like doctor Strange in Infinity War,

1:22:29.240 --> 1:22:31.639
<v Speaker 2>and she worked out that that is the best outcome

1:22:31.680 --> 1:22:35.120
<v Speaker 2>for her. No question, she doesn't have to work under

1:22:35.160 --> 1:22:37.680
<v Speaker 2>Lucas Mattson. He has no influence on her life. She

1:22:37.720 --> 1:22:40.160
<v Speaker 2>does not have to be the fore guy for any

1:22:40.160 --> 1:22:43.520
<v Speaker 2>of his schemes, the bad Indian numbers. She can essentially

1:22:43.880 --> 1:22:48.839
<v Speaker 2>live as off the grid as a billionaire can raising

1:22:48.920 --> 1:22:53.160
<v Speaker 2>her baby. But I also believe that Tom is easily manipulated,

1:22:53.200 --> 1:22:55.439
<v Speaker 2>and if she really did want him to put in

1:22:55.640 --> 1:22:58.760
<v Speaker 2>things into action, she could whisper in his ear, she

1:22:58.760 --> 1:23:01.400
<v Speaker 2>could pass all tonguehim. She could, you know, be the

1:23:01.479 --> 1:23:04.639
<v Speaker 2>person who is really running the show if she wants

1:23:04.640 --> 1:23:06.559
<v Speaker 2>to put that much energy. And so I do think

1:23:06.600 --> 1:23:08.800
<v Speaker 2>on a power play level and who got the best

1:23:08.840 --> 1:23:13.080
<v Speaker 2>outcome in the Cynical roy overview, Shiv made the power

1:23:13.080 --> 1:23:16.160
<v Speaker 2>play move and made the right choice for her and

1:23:16.200 --> 1:23:17.640
<v Speaker 2>her terrible ways.

1:23:17.960 --> 1:23:22.560
<v Speaker 1>I agree, incredible series, what are close to it exactly

1:23:22.640 --> 1:23:25.800
<v Speaker 1>rewatchable show, sad to see it go, But I think

1:23:26.600 --> 1:23:30.920
<v Speaker 1>listening to Jesse on the kind of after show a

1:23:31.000 --> 1:23:35.880
<v Speaker 1>little video FEATURETTE, I do agree with them that it

1:23:36.080 --> 1:23:40.680
<v Speaker 1>logan dying, the funeral, the Gojo sale. It feels like

1:23:41.680 --> 1:23:46.599
<v Speaker 1>a natural ending place, even though it does you understand

1:23:46.640 --> 1:23:50.200
<v Speaker 1>that a writing team of this caliber could have come

1:23:50.280 --> 1:23:52.600
<v Speaker 1>up with something excellent, but it does feel like a

1:23:52.720 --> 1:23:53.960
<v Speaker 1>natural place to end.

1:23:54.479 --> 1:23:56.240
<v Speaker 2>We always talk about it. One of the hardest things,

1:23:56.320 --> 1:23:58.840
<v Speaker 2>especially if you're comic book fan, if you love TV,

1:23:59.240 --> 1:24:02.400
<v Speaker 2>is to end something on your own terms. The show

1:24:02.439 --> 1:24:04.720
<v Speaker 2>doesn't get canceled, the comic book doesn't get given to

1:24:04.760 --> 1:24:07.439
<v Speaker 2>someone else. So the fact that the team got to

1:24:07.800 --> 1:24:09.880
<v Speaker 2>end it on their own terms in a way that

1:24:09.920 --> 1:24:16.120
<v Speaker 2>feels really organic and natural and definitive, that's just a gift.

1:24:17.360 --> 1:24:21.400
<v Speaker 1>Well, it's been wonderful helping you build your bank roll

1:24:21.520 --> 1:24:22.599
<v Speaker 1>here at Market Mouza.

1:24:22.720 --> 1:24:24.280
<v Speaker 2>You should be much richer now.

1:24:24.800 --> 1:24:28.320
<v Speaker 1>You should be so so wealthy and powerful now that

1:24:28.400 --> 1:24:30.920
<v Speaker 1>you can have your own Tom. And if you're a Tom,

1:24:30.960 --> 1:24:33.639
<v Speaker 1>you can have your own Greg. And if you're a Greg,

1:24:34.000 --> 1:24:37.559
<v Speaker 1>you can hopefully work your way up by being a

1:24:37.560 --> 1:24:39.800
<v Speaker 1>pain sponge for somebody else or a pain pig for

1:24:39.880 --> 1:24:43.559
<v Speaker 1>somebody else. We wish that for you, a future of

1:24:44.280 --> 1:24:47.680
<v Speaker 1>sucking up to the rich, sucking the biggest dick in

1:24:47.720 --> 1:24:52.280
<v Speaker 1>the room, being the pain sponge, and riding that to

1:24:52.400 --> 1:24:56.080
<v Speaker 1>the success that you deserve. Always remember, if there's someone

1:24:56.200 --> 1:25:01.519
<v Speaker 1>rich and powerful out there, just suck their dick. We

1:25:01.560 --> 1:25:03.599
<v Speaker 1>want to leave you with that. We want to leave

1:25:03.680 --> 1:25:04.040
<v Speaker 1>with that.

1:25:06.680 --> 1:25:10.599
<v Speaker 2>An important life rule for everyone from Market Market Moves,

1:25:10.720 --> 1:25:13.280
<v Speaker 2>a show that has now been canceled by the network.

1:25:13.439 --> 1:25:15.320
<v Speaker 1>Yeah, up the next turnout.

1:25:24.520 --> 1:25:26.400
<v Speaker 2>In today's nerd out, will you tell us what you

1:25:26.479 --> 1:25:29.559
<v Speaker 2>love and why or a theory that you're excited to share.

1:25:29.880 --> 1:25:33.639
<v Speaker 2>Joe pictures us on Netflix's Vultron Legendary Defender.

1:25:34.120 --> 1:25:36.760
<v Speaker 5>Hi x ray, team and listeners, I want to share

1:25:36.800 --> 1:25:41.400
<v Speaker 5>the amazing content that is Netflix's Vultron Legendary Defender. This

1:25:41.560 --> 1:25:44.040
<v Speaker 5>series is a reboot of the original and on its

1:25:44.040 --> 1:25:48.240
<v Speaker 5>own fantastic animated series from the nineteen eighties, and in

1:25:48.280 --> 1:25:51.879
<v Speaker 5>so many ways honors the original content. The newest Vultron

1:25:52.200 --> 1:25:55.760
<v Speaker 5>series leverages a variety of animation styles, from the expected

1:25:55.920 --> 1:26:00.799
<v Speaker 5>traditional action animation to occasionally incorporating Japanese anime st including

1:26:00.800 --> 1:26:05.040
<v Speaker 5>to some fantastic Naruto style runs. The storyline adds a

1:26:05.080 --> 1:26:07.639
<v Speaker 5>layer of heart and emotion that most of us wouldn't

1:26:07.640 --> 1:26:12.000
<v Speaker 5>have expected or appreciated in the original series, tackling topics

1:26:12.160 --> 1:26:16.120
<v Speaker 5>like death and loss, grief, found family discrimination, and the

1:26:16.200 --> 1:26:20.479
<v Speaker 5>ultimate goal of protecting those you love. There's also various

1:26:20.560 --> 1:26:25.679
<v Speaker 5>levels of LGBTQ representation throughout, though potentially not as much

1:26:25.680 --> 1:26:29.479
<v Speaker 5>as some fans may would have liked hashtag cliants. In

1:26:29.520 --> 1:26:32.120
<v Speaker 5>the end, Voltron Legendary Defender gave us both a trip

1:26:32.120 --> 1:26:35.400
<v Speaker 5>down memory lane for US millennials and a great story

1:26:35.439 --> 1:26:39.000
<v Speaker 5>that continued develop across eight seasons. I tend to be

1:26:39.280 --> 1:26:42.559
<v Speaker 5>a bit of a heartless person, but spoiler alert, in

1:26:42.600 --> 1:26:45.439
<v Speaker 5>the last episode, I was full on weeping, knowing that

1:26:45.479 --> 1:26:48.519
<v Speaker 5>this was the last episode I'd see this family. I

1:26:48.600 --> 1:26:52.040
<v Speaker 5>encourage any fans of the original eighty series and anyone

1:26:52.080 --> 1:26:56.280
<v Speaker 5>looking for just a fun space rom Colm dramedy to

1:26:56.400 --> 1:26:59.480
<v Speaker 5>check out Vultron Legendary Defender on Netflix.

1:27:00.120 --> 1:27:02.400
<v Speaker 2>Thank you, Joe. If you have theories or passions you

1:27:02.439 --> 1:27:04.320
<v Speaker 2>want to share, hit us up at x ray at

1:27:04.360 --> 1:27:06.960
<v Speaker 2>crooked dot com. Instructions in the show notes.

1:27:08.960 --> 1:27:11.720
<v Speaker 1>That's it for us, Rosie and he plugs plugs.

1:27:11.080 --> 1:27:14.920
<v Speaker 2>Wait here, I'm here. I'm here on xtra Vision with you,

1:27:14.960 --> 1:27:18.000
<v Speaker 2>doing this cool show twice a week. I'm on letterbox,

1:27:18.080 --> 1:27:21.720
<v Speaker 2>Rosie marks. You can also find my writing at places

1:27:21.760 --> 1:27:25.920
<v Speaker 2>like ign, Polygon, Den of Geek. I'll have another cool

1:27:25.960 --> 1:27:30.599
<v Speaker 2>Den of Geek story coming up soon and we oh yeah,

1:27:30.640 --> 1:27:34.120
<v Speaker 2>and I will plug my friend Nicka Shukla, really brilliant writer.

1:27:34.240 --> 1:27:37.400
<v Speaker 2>He is currently writing Spider Man India. That book's going

1:27:37.479 --> 1:27:41.240
<v Speaker 2>to be coming out soon in the wake of Spider Verse,

1:27:41.280 --> 1:27:42.800
<v Speaker 2>so keep an eye out for that, and we'll also

1:27:42.840 --> 1:27:43.920
<v Speaker 2>have him on the show soon.

1:27:44.200 --> 1:27:49.479
<v Speaker 1>Love to hear it. Catch the next episode of X

1:27:49.520 --> 1:27:51.799
<v Speaker 1>ray Vision on Friday, June second, where we will discuss

1:27:51.880 --> 1:27:54.800
<v Speaker 1>all things across the Spider Verse and along with an

1:27:54.840 --> 1:28:00.360
<v Speaker 1>interview with director Kemp Powers. Cannot wait to see across

1:28:00.439 --> 1:28:01.240
<v Speaker 1>the Spider Verse.

1:28:01.560 --> 1:28:05.360
<v Speaker 2>I'm ready to see it. Subscribe on YouTube, where you

1:28:05.400 --> 1:28:07.320
<v Speaker 2>can watch four episodes of the show and check out

1:28:07.360 --> 1:28:09.519
<v Speaker 2>our discord to meet and hang with tons of amazing

1:28:09.520 --> 1:28:11.400
<v Speaker 2>fans and listeners plus me and Jason.

1:28:12.080 --> 1:28:16.200
<v Speaker 1>We're they're five star ratings, five star reviews. You know,

1:28:16.320 --> 1:28:17.920
<v Speaker 1>we gotta have him, you gotta give it to us.

1:28:17.920 --> 1:28:22.360
<v Speaker 1>Here is one from Still Dixie Landings to me knowledgeable,

1:28:22.400 --> 1:28:25.920
<v Speaker 1>great team and lots of fun. Thank you, Still Dixie Landings.

1:28:26.479 --> 1:28:28.920
<v Speaker 1>Extra Vision is a Crooked Media production. Show is produced

1:28:28.920 --> 1:28:31.280
<v Speaker 1>by Chris Lord and Saul Rubin and executive produced by

1:28:31.320 --> 1:28:33.840
<v Speaker 1>me Jason Simps You and Our. Editing and sound design

1:28:33.880 --> 1:28:37.840
<v Speaker 1>is by Visilis Fortopoulos. Video production by Delon Villanueva and

1:28:37.920 --> 1:28:42.080
<v Speaker 1>Rachel Guyeski. Social media by Awa Oklati and Caroline Dunn.

1:28:42.600 --> 1:28:45.320
<v Speaker 1>Thank you to Brian Basquez for a theme. See you

1:28:45.400 --> 1:28:45.880
<v Speaker 1>next time.

1:28:46.000 --> 1:28:46.240
<v Speaker 2>Go on.

1:28:49.760 --> 1:28:52.479
<v Speaker 1>Hey Mike, this is his stuff from Marine.

1:28:52.520 --> 1:28:52.720
<v Speaker 5>Yeah.

1:28:52.720 --> 1:28:56.160
<v Speaker 1>I want to talk about the Gojo sale today. You know,

1:28:56.400 --> 1:29:00.280
<v Speaker 1>I'm a guy. Let's just call him a sore so

1:29:00.360 --> 1:29:02.920
<v Speaker 1>talk about it on background. I think your listeners might

1:29:02.960 --> 1:29:05.080
<v Speaker 1>find this really interesting. I got a buddy of mine.

1:29:06.040 --> 1:29:08.759
<v Speaker 1>We go to the Giants games together. We've had season

1:29:08.800 --> 1:29:10.880
<v Speaker 1>tickets together for a long time. We go see the

1:29:10.920 --> 1:29:13.479
<v Speaker 1>Mets all the time. He's a buddy of mine for like,

1:29:13.680 --> 1:29:17.960
<v Speaker 1>we go way back. Anyways, he's let's just say he

1:29:18.120 --> 1:29:21.720
<v Speaker 1>works for ken Uh And apparently in the wake of

1:29:21.760 --> 1:29:25.800
<v Speaker 1>the deal, Ken was crying. His hair was all must up.

1:29:25.840 --> 1:29:27.880
<v Speaker 1>They said there. He said there was a fight, the

1:29:27.960 --> 1:29:31.160
<v Speaker 1>kids were fighting. Ken tried to scoop his brother's eyes out.

1:29:31.600 --> 1:29:33.640
<v Speaker 1>He walks down to the battery. He almost jumps in

1:29:33.680 --> 1:29:37.240
<v Speaker 1>the drink, and my buddy had the apparently get him

1:29:37.280 --> 1:29:41.519
<v Speaker 1>out of there. And guess here's another thing. My buddy says,

1:29:42.080 --> 1:29:44.120
<v Speaker 1>it's not the first time Ken's been in the water,

1:29:45.840 --> 1:29:48.240
<v Speaker 1>and he like, he just left it at that. He

1:29:48.320 --> 1:29:51.599
<v Speaker 1>left it very very cryptic in that kind of way.

1:29:51.640 --> 1:29:54.960
<v Speaker 1>And let me tell you some of them. My guy Collin, Sorry,

1:29:55.240 --> 1:29:59.320
<v Speaker 1>edit that out. Whatever I just said. The name, I

1:29:59.360 --> 1:30:03.960
<v Speaker 1>just say, can you edit that out, Mike? No, Okay, Well,

1:30:03.960 --> 1:30:06.080
<v Speaker 1>what I was gonna say is my guy is just

1:30:07.960 --> 1:30:12.040
<v Speaker 1>h or my girl or whoever he is. He uh,

1:30:12.360 --> 1:30:15.519
<v Speaker 1>it doesn't know. He's a very straight spoken kind of guy,

1:30:15.560 --> 1:30:17.840
<v Speaker 1>and he doesn't always speak in riddles like that, Mike.

1:30:17.920 --> 1:30:21.080
<v Speaker 1>So I think there's something serious going on. And that's

1:30:21.080 --> 1:30:23.479
<v Speaker 1>all I have to say on the Goko deal. Mike.

1:30:23.760 --> 1:30:25.080
<v Speaker 1>I'll take my hands off the end.

1:30:25.120 --> 1:30:25.360
<v Speaker 2>Thank you.