WEBVTT - Why Didn’t She Scream?

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<v Speaker 1>Hi everyone. Before we start, just a note that we

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<v Speaker 1>discussed domestic violence and sexual assault in this episode. It's

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<v Speaker 1>easy from the cheap seats to be like, well, what

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<v Speaker 1>do you still love about someone who's hurting you? But

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<v Speaker 1>it's a really complicated relationship. I'm SUSIEVNACHERM and I'm Jessica Bennett.

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<v Speaker 1>This is in retrospect, where each week we revisit a

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<v Speaker 1>cultural moment from the past that shaped us and.

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<v Speaker 2>That we just can't stop thinking about.

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<v Speaker 1>So, jess, we just finished an episode about Robin Gibbons

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<v Speaker 1>and how she was treated publicly after she admitted that

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<v Speaker 1>her husband, Mike Tyson, the then heavyweight champion of the world,

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<v Speaker 1>was physically abusive with her, and what the reaction to

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<v Speaker 1>that was.

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<v Speaker 3>There was a lot of backlash against her.

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<v Speaker 4>Yeah, and if you haven't listened to that episode, you

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<v Speaker 4>can go back and check it out. Robin's story is

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<v Speaker 4>really fascinating.

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<v Speaker 1>Yeah, And one thing I really thought about a lot

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<v Speaker 1>during the research for that episode was how often this

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<v Speaker 1>question comes up when women are in these domestic violent situations,

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<v Speaker 1>or when women are sexually assaulted, of why did she stay.

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<v Speaker 3>Or why didn't she leave, or why didn't she scream,

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<v Speaker 3>like that.

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<v Speaker 1>We have this expectations of victims, like we have a

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<v Speaker 1>way we want victims to behave, and when they deviate

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<v Speaker 1>from that, that's used to somehow discredit their version of events,

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<v Speaker 1>like somehow they're not telling the truth. Or there's also

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<v Speaker 1>just kind of this weirdly embedded idea in that that

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<v Speaker 1>it's like women's weakness that causes their abuse, Like if

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<v Speaker 1>you were stronger, you would just get up and go,

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<v Speaker 1>or if you were stronger, you'd fight physically, whereas, like

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<v Speaker 1>you know, I don't know how much fighting back physically

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<v Speaker 1>if you're fighting with the heavyweight champion of the world

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<v Speaker 1>is going to like do for you, and in fact,

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<v Speaker 1>it probably means you're going to get hurt more. Right,

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<v Speaker 1>But we just have these really deeply embedded ideas in

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<v Speaker 1>us that if you don't fight, you somehow deserve the

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<v Speaker 1>thing that happened to you, or that if.

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<v Speaker 4>You don't act a certain way, you're making it all up.

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<v Speaker 3>Right.

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<v Speaker 1>So, when I was thinking about this, I actually was

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<v Speaker 1>thinking back to that really excellent piece you did when

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<v Speaker 1>you were covering the Egen Carroll trial about why didn't

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<v Speaker 1>she scream? Which was a question that the defense really

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<v Speaker 1>put to her right as a way to discredit her. Yeah.

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<v Speaker 4>So this was a case involving Egen Carroll, who is

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<v Speaker 4>the former advice columnist and journalist who has accused Donald

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<v Speaker 4>Trump of raping her in a dressing room of a

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<v Speaker 4>department store in the nineteen nineties. But this case was

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<v Speaker 4>actually a defamation suit, and Trump was actually found liable

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<v Speaker 4>for battery under New York state law and defaming her

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<v Speaker 4>by calling her a liar when.

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<v Speaker 2>She spoke about his sexual assault.

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<v Speaker 4>But the line of questioning that the defense in that

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<v Speaker 4>case kept bringing up was why Egen Carroll did not scream?

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<v Speaker 4>If Trump had allegedly, you know, assaulted her, violently assaulted

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<v Speaker 4>her in this public dressing room, why did she let

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<v Speaker 4>him do it? Why didn't she out of the room.

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<v Speaker 4>Why didn't she pound and stop her feet and scream?

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<v Speaker 1>And look? You know, the.

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<v Speaker 2>Reality and what I found when doing this piece is

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<v Speaker 2>that actually that's a really.

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<v Speaker 4>Common response people who are in a situation, a violent situation,

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<v Speaker 4>whether it's sexual assault or otherwise, it is common for

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<v Speaker 4>them to want not scream or two to actually freeze.

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<v Speaker 4>It's a common brain response to a trauma. So that's

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<v Speaker 4>what the scholars will tell you. And you know, I

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<v Speaker 4>called up all these.

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<v Speaker 2>Scholars, But what was actually.

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<v Speaker 4>Happening in the courtroom was Trump's defense attorneys were just

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<v Speaker 4>repeatedly and repeatedly and repeatedly asking again and again and again,

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<v Speaker 4>why didn't you do this?

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<v Speaker 2>Why didn't you call the police? Why didn't you tell

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<v Speaker 2>someone sooner?

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<v Speaker 4>Why didn't you go to the doctor and have it

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<v Speaker 4>reported that you were injured? Why didn't you scrap like

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<v Speaker 4>on and on on and on, And I think what

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<v Speaker 4>you're getting at is these are the incessant questions that

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<v Speaker 4>we ask of victims.

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<v Speaker 1>Right, And it's so insidious, right, because we have these

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<v Speaker 1>are sort of arbitrary, very standards that have been set. Right, Well,

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<v Speaker 1>who decides that you have to behave a certain way

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<v Speaker 1>when you're being physically assaulted?

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<v Speaker 3>I mean the.

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<v Speaker 4>People that should decide are trauma experts, Yeah, but they're

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<v Speaker 4>not the ones being interviewed. And so it was interesting

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<v Speaker 4>when I was doing this research to learn that actually

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<v Speaker 4>a lot of these questions are.

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<v Speaker 2>Deeply baked into the law, yeah.

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<v Speaker 4>Which actually aren't arbitrary, like the question of screaming, and

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<v Speaker 4>many of these questions that are repeatedly asked of victims

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<v Speaker 4>by defense attorneys. Sometimes by the press and the public,

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<v Speaker 4>they're baked into the law. So what I learned in

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<v Speaker 4>talking to a historian, his name is John wood Sweet.

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<v Speaker 4>I want to give him credit because he explained this

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<v Speaker 4>all to me. But basically, the question of screaming can

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<v Speaker 4>be traced back to the first recorded rape trial in

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<v Speaker 4>US history, Oh Wow, which happened in seventeen ninety three.

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<v Speaker 4>It was a man named Harry Bedlow, and he raped

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<v Speaker 4>a seventeen year old seamstress inside a brothel. Now, in

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<v Speaker 4>his book on that case, this historian explains how the

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<v Speaker 4>defense of the rapist here relied on a series of

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<v Speaker 4>questions you were supposed to ask a woman, And these

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<v Speaker 4>were questions that had been created by Sir Matthew Hale.

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<v Speaker 4>If his name sounds from earlier, it's because he was

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<v Speaker 4>cited in the Dobbs anti abortion decision. So he's like

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<v Speaker 4>this old lawmaker and they had created this line of

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<v Speaker 4>questioning for women that was basically like, okay, one, did

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<v Speaker 4>she come from a good family?

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<v Speaker 1>Two?

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<v Speaker 2>Did she cry out for help? Did she fight back?

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<v Speaker 4>Did she show signs of physical violence on her body

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<v Speaker 4>or clothing?

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<v Speaker 2>Did she report the crime in a timely manner, and.

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<v Speaker 4>So these are the questions that defense attorneys are still

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<v Speaker 4>today relying on when they questioned victims.

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<v Speaker 1>I know what's crazy about that is I was thinking

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<v Speaker 1>recently about how in a lot of states with these

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<v Speaker 1>abortion bands, the only way you can get an abortion

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<v Speaker 1>is if you can prove you were raped, and that

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<v Speaker 1>these are the questions that are going to get asked

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<v Speaker 1>to actually qualify whether or not you can get an abortion,

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<v Speaker 1>Like how do you decide if someone's been raped or not?

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<v Speaker 1>And so these things do really have very real world implications.

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<v Speaker 3>And I think they get at this.

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<v Speaker 1>Idea that we don't really understand trauma and how it

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<v Speaker 1>impacts people and how people experience terrible things.

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<v Speaker 3>Yeah.

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<v Speaker 4>I mean our common understanding of this subject is like, yeah,

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<v Speaker 4>why didn't she leave or why didn't she scream?

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<v Speaker 1>Yeah? And I think actually one thing that I thought

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<v Speaker 1>was so interesting in the research about why women stay

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<v Speaker 1>is that a lot of the reasons have to do

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<v Speaker 1>with trauma bonding, which is this thing we talk about

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<v Speaker 1>very colloquially now, like I feel like everyone I know

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<v Speaker 1>it's like I went to work with this person and

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<v Speaker 1>now we're trauma bonding, and like that's I think just

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<v Speaker 1>like a very interesting thing that these things seep into

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<v Speaker 1>the culture and then get kind of reduced, because what

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<v Speaker 1>trauma bonding actually means is that when you're in an

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<v Speaker 1>abusive relationship, that cycle of abuse, the sort of like

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<v Speaker 1>tearrible thing that happens, actually draws you closer to the abuser.

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<v Speaker 1>There's this like bond that's created because the way your

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<v Speaker 1>brain sort of processes having this terrible moment and then

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<v Speaker 1>all of this seduction afterwards that's trying to convince you

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<v Speaker 1>that that moment was like not that important, actually bonds

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<v Speaker 1>you to your abuser.

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<v Speaker 4>And to basically correct everyone on TikTok, actually I wanted

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<v Speaker 4>to ask you, Suz, so you've done all this research

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<v Speaker 4>into this, and when you were researching Robin, what are

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<v Speaker 4>the actual reasons that she and others have given for

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<v Speaker 4>why they did stay.

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<v Speaker 1>Well, so there's some general reasons that we kind of

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<v Speaker 1>just have a better understanding of now, and then I'll

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<v Speaker 1>get into sort of what she has said about her

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<v Speaker 1>personal situation. But look, I think for a lot of

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<v Speaker 1>women there are financial reasons. A lot of men, especially

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<v Speaker 1>if they have children, rely on their partner for their

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<v Speaker 1>financial means and for taking care of their children. There's

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<v Speaker 1>also a lot of issues around children. If you leave

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<v Speaker 1>your spouse and he is abusive to you, that doesn't

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<v Speaker 1>necessarily mean that you will get custody because it will

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<v Speaker 1>be seen as you having abandoned your children, or you

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<v Speaker 1>don't want to leave your children with an abuser.

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<v Speaker 3>That's like a very obvious one.

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<v Speaker 1>I think there's also a lot of shame, right. I

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<v Speaker 1>think a lot of women, and Robin has talked about this,

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<v Speaker 1>don't want to admit to anyone what's happening. So if

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<v Speaker 1>they don't admit what's happening, how are they going to

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<v Speaker 1>explain or get help or the necessary kind of resources

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<v Speaker 1>they need. And most abusers have spent a lot of

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<v Speaker 1>time isolating their victims even before the physical abuse begins,

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<v Speaker 1>so often they don't have resources or friends or family

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<v Speaker 1>anymore they can rely on.

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<v Speaker 3>They're sort of in an isolated position. Got it.

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<v Speaker 1>But I think the most interesting thing I learned is

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<v Speaker 1>that actually it's also extremely dangerous to leave your abuser.

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<v Speaker 1>It's the most likely time where a homicide occurs in

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<v Speaker 1>an abusive relationship because so much has left either right

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<v Speaker 1>before a person leaves and they're sort of declaring that

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<v Speaker 1>they're going to leave or right after, because what the

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<v Speaker 1>whole abuse is about is control, and so when the

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<v Speaker 1>abuser starts to feel like they might lose control, that

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<v Speaker 1>is an extremely dangerous period in the relationship. In fact,

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<v Speaker 1>there was a study where they interviewed men who'd killed

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<v Speaker 1>their wives, and either threats of separating or actual separations

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<v Speaker 1>were most often the precipitating events that led to those homicides.

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<v Speaker 1>So we know that it's extremely dangerous for women to

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<v Speaker 1>leave and also extremely dangerous.

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<v Speaker 3>For their loved ones.

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<v Speaker 1>There's also many cases where the abuser, when they no

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<v Speaker 1>longer have access to the victim, actually kills other people

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<v Speaker 1>in their lives, friends, family, et cetera, who they feel

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<v Speaker 1>are helping them escape.

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<v Speaker 3>So these are the reasons.

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<v Speaker 1>Experts sort of say, there's lots of reasons, but these

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<v Speaker 1>are the general ones that are mo off incited. And

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<v Speaker 1>then Robin Gibbons has herself talked a lot about the

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<v Speaker 1>fact that she really felt this bond, this probably what

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<v Speaker 1>would be defined now as a trauma bond with Mike Tyson.

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<v Speaker 1>She really felt like she could save him, She felt

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<v Speaker 1>protective at him, like every time one of these incidents

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<v Speaker 1>would occur, it would terrify her. But then he would

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<v Speaker 1>be so immediately remorseful and sad and really say to

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<v Speaker 1>her like I'm broken, and she would want to fix him.

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<v Speaker 1>And you know, I think it's easy from the cheap

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<v Speaker 1>seats to be like, well, what do you still love

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<v Speaker 1>about someone who's hurting you? But you know you are

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<v Speaker 1>deeply in love with someone they don't you know. It's

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<v Speaker 1>not just like some stranger who's abusing you. This is

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<v Speaker 1>someone you have a relationship with, you feel an incredible

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<v Speaker 1>tie to.

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<v Speaker 2>And who is sick and who is sick?

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<v Speaker 1>Right who you see as ill? So you're like, you know,

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<v Speaker 1>there's all sorts of ways that you can rationalize that, right,

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<v Speaker 1>Like you wouldn't leave someone who was sick. In another way,

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<v Speaker 1>why would you leave this person. It's a really complicated relationship.

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<v Speaker 1>And she actually talked to Oprah about it at some point.

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<v Speaker 1>So Robin Gibbs went on Oprah when she wrote her

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<v Speaker 1>book in two thousand and seven, and she said, you know,

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<v Speaker 1>I felt like I had a purpose. I really felt

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<v Speaker 1>like I had to protect him and love him and

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<v Speaker 1>convince him that the world could be an okay place.

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<v Speaker 1>What's fascinating is he's physically hurting her, Like there's really

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<v Speaker 1>harrowing passages in the book, in her memoir where she's

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<v Speaker 1>describing him holding a knife to her throat or him

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<v Speaker 1>chasing her around, like there's like definitely some sexual assault.

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<v Speaker 1>But what she says about it is that she wanted

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<v Speaker 1>to take his hurt and his pain away. Oh wow, right,

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<v Speaker 1>because I think it's hard to separate yourself.

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<v Speaker 3>From that person in some ways.

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<v Speaker 1>And she finally leaves, not because she has fallen out

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<v Speaker 1>of love with him, or even that she stops talking

0:11:39.160 --> 0:11:41.080
<v Speaker 1>to him or seeing him, because she does continue to

0:11:41.080 --> 0:11:43.800
<v Speaker 1>have a relationship with him even after they start going

0:11:43.800 --> 0:11:47.000
<v Speaker 1>through this very nasty public divorce. She says she leaves

0:11:47.080 --> 0:11:49.520
<v Speaker 1>because her family. She sees what it's doing to her

0:11:49.559 --> 0:11:51.880
<v Speaker 1>mom and her sister, right, and so she's like, I

0:11:51.920 --> 0:11:54.440
<v Speaker 1>can't continue to do this to them. And I think

0:11:54.440 --> 0:11:54.880
<v Speaker 1>that's just.

0:11:54.840 --> 0:11:56.680
<v Speaker 3>Like a human response. But we don't want our.

0:11:56.640 --> 0:11:59.480
<v Speaker 1>Victims to be human, we want them to be perfect, right,

0:11:59.559 --> 0:12:04.160
<v Speaker 1>And Rob is this like very composed, beautiful, smart woman.

0:12:04.360 --> 0:12:06.760
<v Speaker 1>She's not what we imagine when we imagine a victim.

0:12:06.880 --> 0:12:09.120
<v Speaker 4>Oh, it's so interesting because it's in her case, it

0:12:09.200 --> 0:12:12.360
<v Speaker 4>was like maybe she was too beautiful and too composed,

0:12:12.360 --> 0:12:15.000
<v Speaker 4>But then in other scenarios we want them to be

0:12:15.080 --> 0:12:17.920
<v Speaker 4>more composed, like they're not composed enough, or it's making

0:12:17.920 --> 0:12:20.320
<v Speaker 4>me think of the Amber Heard and Johnny dep trial,

0:12:20.360 --> 0:12:22.959
<v Speaker 4>which you know, whatever you think about that. There were

0:12:23.040 --> 0:12:26.119
<v Speaker 4>many questions around her behavior, and actually it was fascinating

0:12:26.160 --> 0:12:28.520
<v Speaker 4>talking to Egen caroll On to her lawyers about this

0:12:28.559 --> 0:12:30.960
<v Speaker 4>too when I was covering that case, because the question

0:12:31.000 --> 0:12:33.120
<v Speaker 4>of like do you cry on the stand?

0:12:33.320 --> 0:12:34.920
<v Speaker 2>Is it too much or too little?

0:12:35.120 --> 0:12:35.719
<v Speaker 1>Do you want to.

0:12:35.640 --> 0:12:37.760
<v Speaker 4>Look put together and composed or do you want to

0:12:37.760 --> 0:12:40.320
<v Speaker 4>look a little disheveled like you've been hurt, And like

0:12:40.520 --> 0:12:43.640
<v Speaker 4>how you present yourself all these tiny details from your

0:12:43.679 --> 0:12:46.800
<v Speaker 4>hair to the way you're sitting, to how much you cry,

0:12:46.920 --> 0:12:48.120
<v Speaker 4>to does your voice crack.

0:12:48.480 --> 0:12:51.480
<v Speaker 2>It's almost like you have to perform, especially if you're

0:12:51.480 --> 0:12:52.040
<v Speaker 2>on the stand.

0:12:52.080 --> 0:12:54.080
<v Speaker 1>I mean, right, but that's so crazy because you're like

0:12:54.120 --> 0:12:56.520
<v Speaker 1>a victim of trauma. You're actually going through this like

0:12:56.559 --> 0:12:59.440
<v Speaker 1>traumatic experience. Testifying is a traumatic experience. So then to

0:12:59.480 --> 0:13:01.760
<v Speaker 1>think like I can't even imagine what it must be

0:13:01.840 --> 0:13:03.840
<v Speaker 1>like to be on display like that, and then also

0:13:04.000 --> 0:13:07.679
<v Speaker 1>worry about every tiny facial movement or.

0:13:07.720 --> 0:13:10.280
<v Speaker 4>Just like how you're betraying to see too, because it's like,

0:13:10.520 --> 0:13:12.600
<v Speaker 4>where would I have gotten the idea of what a

0:13:12.760 --> 0:13:13.880
<v Speaker 4>good victim looks like?

0:13:13.960 --> 0:13:16.280
<v Speaker 2>I don't know. It's not something that I have thought

0:13:16.320 --> 0:13:16.840
<v Speaker 2>much about.

0:13:16.920 --> 0:13:20.280
<v Speaker 4>But you're sitting there in the courtroom and you're like, oh,

0:13:20.559 --> 0:13:21.520
<v Speaker 4>is that believable?

0:13:21.679 --> 0:13:23.679
<v Speaker 1>Right? Like I think we think there's a common sense

0:13:23.760 --> 0:13:26.240
<v Speaker 1>reaction to terrible things happening to you. And like, as

0:13:26.240 --> 0:13:28.760
<v Speaker 1>someone who's gone through enormous grief my dad died when

0:13:28.800 --> 0:13:31.120
<v Speaker 1>I was young. One thing that I have really seen

0:13:31.160 --> 0:13:32.760
<v Speaker 1>a lot in my friends who are going through grief

0:13:32.800 --> 0:13:34.920
<v Speaker 1>is they feel really guilty if they're grieving in.

0:13:34.880 --> 0:13:37.080
<v Speaker 3>A certain way or not grieving in a certain way.

0:13:37.480 --> 0:13:39.679
<v Speaker 1>And one thing I can tell you is there is

0:13:39.800 --> 0:13:42.760
<v Speaker 1>no normal response to grief, Like sometimes the only response

0:13:42.840 --> 0:13:47.439
<v Speaker 1>is laughing. Sometimes the response is silence or shutting down,

0:13:47.559 --> 0:13:50.520
<v Speaker 1>and even that is often judged, Like when people lose

0:13:50.559 --> 0:13:53.120
<v Speaker 1>people in a public way, there's often this question of

0:13:53.200 --> 0:13:55.120
<v Speaker 1>like why are they so numb or why.

0:13:54.960 --> 0:13:55.680
<v Speaker 3>Are they crying?

0:13:55.960 --> 0:13:58.120
<v Speaker 4>Laughing Laughing is a really big that came up in

0:13:58.160 --> 0:14:00.840
<v Speaker 4>this trial as well, where she laughed at different points

0:14:00.840 --> 0:14:02.920
<v Speaker 4>and she would joke about it and that was sort

0:14:02.920 --> 0:14:05.240
<v Speaker 4>of her way of making sense of it and trying

0:14:05.280 --> 0:14:08.120
<v Speaker 4>to show to herself that it hadn't broken her.

0:14:08.320 --> 0:14:10.800
<v Speaker 1>Right, It's a coping mechanism exactly.

0:14:10.320 --> 0:14:14.240
<v Speaker 4>But it's weird people don't understand it. And so to

0:14:14.280 --> 0:14:16.280
<v Speaker 4>the original point, I mean, I do think that we

0:14:16.360 --> 0:14:18.119
<v Speaker 4>may have some better.

0:14:17.960 --> 0:14:19.800
<v Speaker 2>Understanding of trauma now.

0:14:19.640 --> 0:14:22.160
<v Speaker 4>Like when this trauma expert got up on the stand

0:14:22.280 --> 0:14:26.200
<v Speaker 4>in this case, you could hear her describe how just

0:14:26.280 --> 0:14:30.120
<v Speaker 4>like you said, almost any response is an okay response

0:14:30.520 --> 0:14:33.760
<v Speaker 4>to something terrible happening, because people react in all sorts

0:14:33.800 --> 0:14:37.000
<v Speaker 4>of crazy ways. So the idea of asking why did

0:14:37.080 --> 0:14:39.960
<v Speaker 4>or didn't she do X is just a misnomer.

0:14:40.480 --> 0:14:42.680
<v Speaker 1>Yeah, I mean, honestly, I have to say I was

0:14:42.760 --> 0:14:45.200
<v Speaker 1>really trying to think about how I came to have

0:14:45.280 --> 0:14:47.440
<v Speaker 1>these ideas about how people were supposed to react, but

0:14:47.480 --> 0:14:48.320
<v Speaker 1>also how I've.

0:14:48.120 --> 0:14:49.200
<v Speaker 3>Come to unlearn them.

0:14:49.440 --> 0:14:51.880
<v Speaker 1>Yeah, and I have to say that I genuinely think

0:14:51.960 --> 0:14:53.480
<v Speaker 1>this is going to sound a little out there, but

0:14:53.520 --> 0:14:56.040
<v Speaker 1>I genuinely think Law and Order SVU has changed the

0:14:56.080 --> 0:14:56.640
<v Speaker 1>culture on.

0:14:56.600 --> 0:14:57.280
<v Speaker 3>A lot of this time.

0:14:57.320 --> 0:14:59.560
<v Speaker 1>That's so interesting, Like, so much of what I've learned

0:14:59.560 --> 0:15:02.720
<v Speaker 1>from that show is this idea that people react in

0:15:02.720 --> 0:15:04.920
<v Speaker 1>all sorts of different ways, like One of the things

0:15:04.960 --> 0:15:06.760
<v Speaker 1>I remember learning from that show when I was quite

0:15:06.800 --> 0:15:10.120
<v Speaker 1>young was that often people who are sexually assaulted will

0:15:10.160 --> 0:15:12.560
<v Speaker 1>continue to maintain some sort of contact with their abuser,

0:15:12.640 --> 0:15:15.200
<v Speaker 1>and that that's always used as an example of how

0:15:15.240 --> 0:15:17.920
<v Speaker 1>they weren't abused, but that that is actually just a

0:15:17.960 --> 0:15:20.480
<v Speaker 1>mechanism by which they're trying to keep things normal and

0:15:20.960 --> 0:15:21.840
<v Speaker 1>gain control of the.

0:15:21.840 --> 0:15:24.240
<v Speaker 2>Situation or feel like it's not as bad as it is.

0:15:24.440 --> 0:15:25.160
<v Speaker 3>Yeah, and I think that.

0:15:25.280 --> 0:15:26.960
<v Speaker 1>So there's like lots of ways in which I think

0:15:27.000 --> 0:15:27.800
<v Speaker 1>that show has.

0:15:27.680 --> 0:15:30.640
<v Speaker 2>Actually met I think you're so right, and so I.

0:15:30.640 --> 0:15:32.880
<v Speaker 1>Think we are just like as a culture, trying to

0:15:33.240 --> 0:15:37.240
<v Speaker 1>get a better understanding of these issues. But the fact

0:15:37.280 --> 0:15:39.160
<v Speaker 1>that that happened in Adrian Carroll, I mean, in that

0:15:39.320 --> 0:15:42.600
<v Speaker 1>piece you had so many quotes from judges and other

0:15:42.680 --> 0:15:45.400
<v Speaker 1>people asking these wild ask questions.

0:15:45.520 --> 0:15:46.720
<v Speaker 2>Well, this is the thing, I mean.

0:15:46.880 --> 0:15:50.160
<v Speaker 4>And you know, arguably, the more stories like this that

0:15:50.320 --> 0:15:52.160
<v Speaker 4>we write and the more we talk about this, the

0:15:52.200 --> 0:15:55.320
<v Speaker 4>more it normalizes that this idea that you can respond

0:15:55.320 --> 0:15:58.200
<v Speaker 4>in all sorts of different ways and actually stigmatizes the

0:15:58.240 --> 0:16:01.200
<v Speaker 4>idea that you would ask someone why they scream. So

0:16:01.280 --> 0:16:03.720
<v Speaker 4>I looked back at all these cases over time and

0:16:03.760 --> 0:16:05.960
<v Speaker 4>things like all right, there was a nineteen eighty three

0:16:06.040 --> 0:16:10.120
<v Speaker 4>case of a woman, Cheryl Royo, who was gang raped,

0:16:10.560 --> 0:16:14.080
<v Speaker 4>and the attorney questioning her in that case said, well,

0:16:14.120 --> 0:16:16.360
<v Speaker 4>if you're living with a man, she had a partner,

0:16:16.560 --> 0:16:18.880
<v Speaker 4>what are you doing running around the streets getting raped?

0:16:19.000 --> 0:16:19.920
<v Speaker 2>Like that's insane?

0:16:19.960 --> 0:16:22.760
<v Speaker 1>Obviously, wasn't there that judge who was like, why didn't

0:16:22.760 --> 0:16:24.160
<v Speaker 1>you just like lock your knees.

0:16:24.720 --> 0:16:27.240
<v Speaker 4>There's also like in the brock Turner case, which was

0:16:27.320 --> 0:16:31.280
<v Speaker 4>one the woman who was sexually assaulted in twenty fifteen

0:16:31.360 --> 0:16:34.920
<v Speaker 4>at Stanford a college student, and the attorney asked, well,

0:16:34.960 --> 0:16:37.280
<v Speaker 4>you did a lot of partying in college, right, like

0:16:37.360 --> 0:16:39.080
<v Speaker 4>as if to equate that right.

0:16:39.120 --> 0:16:40.920
<v Speaker 1>And there was that crazy incident on Santa and where

0:16:40.960 --> 0:16:44.080
<v Speaker 1>Don Lemon asked one of Bill Cosby's rape accusers why

0:16:44.160 --> 0:16:46.680
<v Speaker 1>she didn't just like bite down on his penis like

0:16:47.000 --> 0:16:52.240
<v Speaker 1>there's just this wild cultural thing that hasn't shifted as

0:16:52.320 --> 0:16:53.120
<v Speaker 1>much as we'd like.

0:16:53.560 --> 0:16:57.600
<v Speaker 4>But yes, and the end, it's almost like often when

0:16:57.640 --> 0:16:59.840
<v Speaker 4>these cases go to trial, which is when a lot

0:16:59.880 --> 0:17:03.560
<v Speaker 4>of these questions occur, at least said out loud, either

0:17:03.640 --> 0:17:05.600
<v Speaker 4>we may have stopped following or you're not getting the

0:17:05.640 --> 0:17:07.720
<v Speaker 4>trial transcripts, or you're not in the room, so you're

0:17:07.720 --> 0:17:10.760
<v Speaker 4>not actually hearing these questions asked. But even like in

0:17:10.800 --> 0:17:14.760
<v Speaker 4>the Weinstein case, the Harvey Weinstein case, his attorney asked

0:17:14.920 --> 0:17:17.760
<v Speaker 4>one of his victims who was raped in a hotel

0:17:17.840 --> 0:17:20.560
<v Speaker 4>room in twenty thirteen, well, why'd you stay in the

0:17:20.640 --> 0:17:23.640
<v Speaker 4>room where you were attacked after you allege this occurred?

0:17:23.720 --> 0:17:25.600
<v Speaker 4>And it's the same kind of thing. It's like, yes,

0:17:25.760 --> 0:17:29.040
<v Speaker 4>sometimes you will maintain some relationship to the person, sometimes

0:17:29.080 --> 0:17:29.880
<v Speaker 4>they stay in the room.

0:17:30.040 --> 0:17:32.160
<v Speaker 1>Well, sometimes you're just in shock, like you're not quite

0:17:32.240 --> 0:17:36.239
<v Speaker 1>ready to like move, or you're afraid. It's just a

0:17:36.320 --> 0:17:38.479
<v Speaker 1>reminder that even.

0:17:38.400 --> 0:17:40.879
<v Speaker 2>You know, there is no perfect victim.

0:17:41.160 --> 0:17:43.720
<v Speaker 1>And you know, if you've gone through something or you're

0:17:43.760 --> 0:17:47.040
<v Speaker 1>going through a traumatic experience, you do not need to

0:17:47.040 --> 0:17:49.720
<v Speaker 1>feel all this expectation for how you should be. You

0:17:49.760 --> 0:18:13.400
<v Speaker 1>get to process things the way you process them.

0:18:13.800 --> 0:18:16.280
<v Speaker 3>This is in retrospect. Thanks for listening.

0:18:16.880 --> 0:18:19.359
<v Speaker 1>Is there a cultural moment you can't stop thinking about

0:18:19.600 --> 0:18:22.719
<v Speaker 1>and want us to explore in a future episode. Email

0:18:22.800 --> 0:18:26.159
<v Speaker 1>us at inretropod at gmail dot com, or find us

0:18:26.160 --> 0:18:27.840
<v Speaker 1>on Instagram at in retropod.

0:18:28.359 --> 0:18:30.919
<v Speaker 4>If you love this podcast, please rate and review us

0:18:30.960 --> 0:18:33.879
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0:18:33.920 --> 0:18:36.639
<v Speaker 4>hate it, you can post nasty comments on our Instagram,

0:18:36.680 --> 0:18:38.359
<v Speaker 4>which we may or may not delete.

0:18:38.560 --> 0:18:41.040
<v Speaker 1>You can also find us on Instagram at Jessica Bennett

0:18:41.040 --> 0:18:45.120
<v Speaker 1>and at susib NYC. Also check out Jessica's books Feminist

0:18:45.119 --> 0:18:47.000
<v Speaker 1>Fight Club and This Is eighteen.

0:18:47.520 --> 0:18:50.919
<v Speaker 4>In Retrospect is a production of iHeart Podcasts and the Media.

0:18:51.200 --> 0:18:54.719
<v Speaker 4>Lauren Hanson is our supervising producer. Derek Clements is our

0:18:54.760 --> 0:18:58.280
<v Speaker 4>engineer and sound designer. Sharon Attiya is our researcher and

0:18:58.320 --> 0:18:59.360
<v Speaker 4>associate producer.

0:19:00.000 --> 0:19:02.959
<v Speaker 1>Our executive producer from the media is Cindy Levy. Our

0:19:03.000 --> 0:19:06.439
<v Speaker 1>executive producers from iHeart are Anna Stump and Katrina Norvell.

0:19:07.040 --> 0:19:08.600
<v Speaker 3>Our artwork is from Pentagram.

0:19:08.920 --> 0:19:12.720
<v Speaker 1>Additional editing help from Mary Doo and Mike Cosparelli, Sound

0:19:12.720 --> 0:19:15.119
<v Speaker 1>correction and mastering by Amanda Rose Smith.

0:19:15.560 --> 0:19:18.200
<v Speaker 3>We are your hosts Susie Bannacarum.

0:19:17.800 --> 0:19:21.720
<v Speaker 4>And Jessica Bennett. We're also executive producers. For even more,

0:19:21.880 --> 0:19:25.280
<v Speaker 4>check out in retropod dot com. See you next week.