WEBVTT - Michael Urie Returns to Disobey Bridger Again

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<v Speaker 1>And I invited you here. I thought I made myself

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<v Speaker 1>perfectly clear. When you're a guest to my home, you

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<v Speaker 1>gotta come to me empty. And I said, no, guests,

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<v Speaker 1>your presences presents enough.

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<v Speaker 2>I already had too much stuff, So how do you

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<v Speaker 2>dare to surbey me?

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<v Speaker 3>Welcome to I said, no gifts. I'm pretter wineger. My

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<v Speaker 3>hair is still a little damp, but it'll probably dry

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<v Speaker 3>out throughout the episode, so you feel that, you'll feel

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<v Speaker 3>it as my hair gets drier and drier and starts

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<v Speaker 3>to poof. If that's how I'm starting, what could I

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<v Speaker 3>have to offer? Last night? It was you know, it's

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<v Speaker 3>just me begging the TV to show me something. Last

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<v Speaker 3>night I watched Adopted Too. This is the sequel I

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<v Speaker 3>assume to Adopted. I haven't seen Adopted, and I really

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<v Speaker 3>haven't seen Adopted Too. But it was about an evil

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<v Speaker 3>little boy who is adopted and things don't turn out

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<v Speaker 3>well for the family the adopted boy. Let's just be honest.

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<v Speaker 3>Adoption is evil, adopted people are evil. It's all obviously evil,

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<v Speaker 3>and thanks to tub we now know. I haven't seen

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<v Speaker 3>Adopted one though, so I can't speak to it. I

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<v Speaker 3>also watched Hag. I watched Hag the twob of Original.

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<v Speaker 3>That's about a woman named Mag who is a hag

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<v Speaker 3>and she I didn't watch much of that either, but

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<v Speaker 3>I think she kills her gay friend. That's my life.

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<v Speaker 3>I've skipped through too to be Originals and been mad

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<v Speaker 3>at my TV. So that's essentially where we are. Do

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<v Speaker 3>we need to talk about any business? I should remind

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<v Speaker 3>you we have YouTube. We have YouTube at home. We're

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<v Speaker 3>on YouTube. Tell your favorite tween YouTube. Somebody's created a

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<v Speaker 3>like a subreddit for the podcast, and that seems to

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<v Speaker 3>be thriving, which is nice. People are buzzing around Reddit.

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<v Speaker 3>I was so against Reddit for such a long time,

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<v Speaker 3>but it seems like it's the last place on the internet.

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<v Speaker 3>Ah Patreon, patreon dot com, slash I said, no gifts

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<v Speaker 3>the best value online. So get over there, support the podcast,

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<v Speaker 3>do whatever you want. I want to get into the

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<v Speaker 3>podcast because I mean, I just today's guest. He's nominated

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<v Speaker 3>for an Emmy. He's been nominated for an Emmy twice.

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<v Speaker 3>The truth is everybody loves him. It's Michael Yury. Michael.

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<v Speaker 3>Welcome back to I said, Nokia.

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<v Speaker 4>Oh what a pleasure. I'm so happy to be back.

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<v Speaker 4>I'm sorry that I giggled.

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<v Speaker 3>I'm sorry. I have nothing to share about.

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<v Speaker 4>My life, but your too, be habits.

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<v Speaker 3>I have nothing but to be in my life.

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<v Speaker 5>It really sounds like not to jump in to the

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<v Speaker 5>to be of it all. But Hag One and adopted

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<v Speaker 5>to feel like they might be the same.

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<v Speaker 3>They must be in the same universe. There's definitely in

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<v Speaker 3>the same level of quality. I'll say that, do we.

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<v Speaker 5>Think the family and adopted one is the same same

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<v Speaker 5>family or same child?

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<v Speaker 2>Oh?

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<v Speaker 3>Interesting, I would say that the the hag is probably

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<v Speaker 3>the babysitter in Adopted One. I bet she's circling the block.

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<v Speaker 4>It's a spin off, yes, spin off.

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<v Speaker 3>Right, mag is in her car. She's waiting for the

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<v Speaker 3>little boy to kill his first family and then she'll

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<v Speaker 3>probably she probably takes him to the It's called Sid's

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<v Speaker 3>Mental Institute. I think something like that is where it's

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<v Speaker 3>a little boy in Sid's something like that.

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<v Speaker 5>That's your dream, Sid. One day, I want to have

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<v Speaker 5>a mental institution named for.

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<v Speaker 3>Myself, Cherry's Mental Institution. Come on down. It's something like that.

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<v Speaker 3>It's like, why is there just a first name Larry's

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<v Speaker 3>Mental Institution?

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<v Speaker 4>But that's Ronson and Sons.

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<v Speaker 3>Plumb Company. Not a great mental institution.

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<v Speaker 5>I'll say, well, oh no, that's that's too bad, so

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<v Speaker 5>you don't recommend it.

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<v Speaker 3>I would not send my evil child to this one

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<v Speaker 3>because he's going to get out. It's gonna be a bloodbath.

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<v Speaker 4>Oh he escaped.

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<v Speaker 3>He escapes pretty easily, I'll be honest.

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<v Speaker 4>Oh, it goes back to his adopted family. That's what's

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<v Speaker 4>adopted one is about.

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<v Speaker 3>I think that family's dead.

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<v Speaker 4>Oh.

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<v Speaker 3>I think he finds a new family. Oh, do you

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<v Speaker 3>want to find out what happens with the I don't

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<v Speaker 3>want to spoil it because I know you're going to

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<v Speaker 3>watch it.

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<v Speaker 4>I don't think I don't think I will.

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<v Speaker 3>There's a chance we're going to get an adopt up

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<v Speaker 3>to three because he almost immediately after killing his new family,

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<v Speaker 3>finds a new Fanily.

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<v Speaker 5>Oh, so it's the same kid kids, And they gotta

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<v Speaker 5>they got to shoot these quickly because that kid that

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<v Speaker 5>actually getting older.

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<v Speaker 3>So they probably have shot like six of them already, just.

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<v Speaker 4>Holding them until the time is right, until the public

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<v Speaker 4>begs for more.

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<v Speaker 3>It sounds great Toob's pumping them out. I looked through

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<v Speaker 3>the tub Originals last night. Weirdly didn't see Adopted one.

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<v Speaker 3>I just saw Adopted two.

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<v Speaker 4>There, So Adopted one is on Apple.

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<v Speaker 3>It's a huge shift in quality, major budget slash.

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<v Speaker 4>It's on Apple and Chris Pratt's in it, and it's

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<v Speaker 4>like it's like a I spent like ten million.

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<v Speaker 3>It's a very thoughtful piece about the adoption process, and

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<v Speaker 3>Adopted two goes full bar. But I'm really recommending to

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<v Speaker 3>be to people at this point. And this is not

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<v Speaker 3>paid to advertising, it's just their there's a lot of trash. Yeah,

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<v Speaker 3>incredible amount of trash. Because I think Lifetime became kind

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<v Speaker 3>of self aware. Uh huh, Right to Be doesn't feel

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<v Speaker 3>quite as aware.

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<v Speaker 4>To Be is the new Lifetime.

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<v Speaker 3>Yeah it might be. Wow, new Lifetime Hallmark and good documentaries,

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<v Speaker 3>oh genuinely.

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<v Speaker 4>Actually actually good documentaries on to Be and it's to be?

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<v Speaker 4>Don't they have Little Toby too? To Be?

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<v Speaker 3>It's like to be. I can't do it. I don't

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<v Speaker 3>have the range of the range for two.

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<v Speaker 5>It's a it's a female voice, I believe, and it

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<v Speaker 5>goes up to be to be, well.

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<v Speaker 4>It's either to be or as I hear, not to be.

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<v Speaker 3>I feel like, wow, I think you might be the

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<v Speaker 3>first person to get to that.

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<v Speaker 5>That's my understanding of how that works. It's either to

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<v Speaker 5>be or adversely not to be on the other side

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<v Speaker 5>of it.

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<v Speaker 3>And then there's movie. Oh, there's movie.

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<v Speaker 5>Movie is a thing I haven't been saying to be wrong.

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<v Speaker 5>It's also movie.

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<v Speaker 3>I'm pretty sure there's something called movie.

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<v Speaker 4>And on movie they they play movies.

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<v Speaker 3>I think so. I think they play probably strictly movies.

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<v Speaker 3>I think movie might be a little bit more a platform,

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<v Speaker 3>a little more in control of its content. But I

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<v Speaker 3>could be wrong.

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<v Speaker 5>In control like they have, they have like technique, like style,

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<v Speaker 5>and maybe like the categories are to be. It's almost

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<v Speaker 5>like it sounds like I could make a movie and

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<v Speaker 5>put it on to be myself possibly.

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<v Speaker 3>I think we're getting close to that.

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<v Speaker 4>You can upload it.

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<v Speaker 3>Yeah, but it's got a it's got a little bit

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<v Speaker 3>of something for everybody.

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<v Speaker 4>Oh that sounds great.

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<v Speaker 3>I feel like you have a richer, faller life than me.

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<v Speaker 3>What have you been doing? That's not true at all,

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<v Speaker 3>That's simply absolutely.

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<v Speaker 5>That's not true at all. In fact, I'm wearing pants

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<v Speaker 5>that I bought with you.

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<v Speaker 3>Wait, when when did you buy paints?

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<v Speaker 4>When we buy? When do we go pants shop?

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<v Speaker 5>You and Jimmy and me were in your neighborhood. We

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<v Speaker 5>had breakfast, and we were wandering around and we happened

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<v Speaker 5>upon a very cute, little secondhand clothing shop and I

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<v Speaker 5>got these definitely female pants. Oh good for you, but

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<v Speaker 5>I wear them all the time.

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<v Speaker 4>They're so cozy.

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<v Speaker 5>And here let's see these these Oh those are great.

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<v Speaker 3>Those are really fantastic. Wait, I'm trying to think of

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<v Speaker 3>was it a leader of the pack? Was it a

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<v Speaker 3>that sounds familiar?

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<v Speaker 5>I don't remember. I just remember it was little Literally

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<v Speaker 5>the pack sounds kind of familiar.

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<v Speaker 3>Where did we had breakfast at Bells? Yes? This is

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<v Speaker 3>lining up Bells.

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<v Speaker 4>Oh, yes, that's right.

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<v Speaker 5>And then we walked down, we wandered around the neighborhood

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<v Speaker 5>and we went into this place and I saw these.

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<v Speaker 3>That sounds right, little girls shoot pants. This takes me

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<v Speaker 3>back to about like two thousand and six. I would

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<v Speaker 3>buy women's pants at like I don't know, American Eagle

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<v Speaker 3>or something they were like, because at the time it

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<v Speaker 3>was kind of almost impossible to buy a men's pant

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<v Speaker 3>that wasn't huge.

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<v Speaker 4>Uhha, right, because of the style right men.

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<v Speaker 3>Needed, right, that's what.

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<v Speaker 4>That was.

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<v Speaker 3>The pants strong enough for a man. But I think

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<v Speaker 3>I would go to like American Eagle and buy like

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<v Speaker 3>boot cut women's jeans. I guess that's fantastic.

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<v Speaker 4>Why are men's pants so big? Then?

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<v Speaker 5>Do you think that men needed big pants so that

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<v Speaker 5>the illusion of how big their penis was was was.

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<v Speaker 3>Oh interesting, it was a bigger curtain.

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<v Speaker 4>Exactly.

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<v Speaker 3>I can really hide things.

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<v Speaker 4>Nine pants because well why else would I.

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<v Speaker 5>I mean, I'm like, we're like, like, let's find the

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<v Speaker 5>tiniest pants we can.

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<v Speaker 3>Well, as a small person, it's just I've I just

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<v Speaker 3>feel like I've been living in a giant world my

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<v Speaker 3>entire life. Oh wow, and so and then there was

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<v Speaker 3>a small period when men's clothes kind of were fitted

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<v Speaker 3>through like the mid to late thousands and ten ye

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<v Speaker 3>scenes and then we're back to a boxier stuff.

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<v Speaker 4>I know now people like a big old pant.

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<v Speaker 3>Yeah, And for me it's still I'm a little I know.

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<v Speaker 3>It's like I fought so hard for things to fit.

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<v Speaker 5>I know, I know I've been I've been on the

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<v Speaker 5>elliptical for years just to spit into my girl pants.

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<v Speaker 5>Now people are like, nah, it doesn't matter. Your likes

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<v Speaker 5>could be as big as you want.

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<v Speaker 3>It can just be enormous pants.

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<v Speaker 4>Yeah, here, put on these these balloons.

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<v Speaker 3>Right, And I just don't feel like that's me.

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<v Speaker 4>No, I don't really either.

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<v Speaker 5>But but I will say I get very few compliments

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<v Speaker 5>on these brands, almost none, and it does not determin

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<v Speaker 5>me because they're so cozy. I look right, they're so

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<v Speaker 5>they like st they're kind of stretchy, and they're hot.

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<v Speaker 4>They're high water whatever you call it.

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<v Speaker 3>Oh, I didn't realize it's like a high water or

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<v Speaker 3>like a men's caprice.

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<v Speaker 5>Yeah, they're cut offs. I mean, so somebody cut them

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<v Speaker 5>at at some point, but I've just rolled them up.

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<v Speaker 3>Oh, so you were kind of forced to Otherwise that would.

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<v Speaker 5>Be Otherwise they would be misshapen and they would be

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<v Speaker 5>like not long enough or too long.

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<v Speaker 4>And so I mean I'm obsessed with them.

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<v Speaker 3>I would say, there are a little crossroads like Britney

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<v Speaker 3>Spears crossroads. It's a great look.

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<v Speaker 5>Thank you now. So that's enough compliments for me to

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<v Speaker 5>keep wearing it forever. But then sometimes I'll wear big pants,

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<v Speaker 5>not that I buy, but that people put me in

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<v Speaker 5>for right acting things, and I get all the compliments

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<v Speaker 5>because that's what's in.

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<v Speaker 3>Right now interesting, But then it's going to be out

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<v Speaker 3>and everyone's going to be embarrassed.

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<v Speaker 5>Absolutely, it's gonna be like, what were you thinking wearing

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<v Speaker 5>a big, drapy double breasted suit unfastened?

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<v Speaker 3>It's a trap.

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<v Speaker 5>It is a trap because I remember when double breasted

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<v Speaker 5>suits used to be popular, and then when they were

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<v Speaker 5>the dumbest thing we could possibly look at.

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<v Speaker 4>Isn't that crazy that like we like?

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<v Speaker 5>I remember also the hairstyles of now, even the hairstyle

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<v Speaker 5>I'm sporting, which has a little bit of like, way

0:11:53.480 --> 0:11:57.040
<v Speaker 5>more hair looks great? Thank you again, I'm with these compliments,

0:11:57.080 --> 0:11:59.000
<v Speaker 5>but like so much hair in the back, and there

0:11:59.040 --> 0:12:02.200
<v Speaker 5>was a period I feel like that was minutes ago

0:12:02.440 --> 0:12:05.720
<v Speaker 5>where men with hair in the back of their head

0:12:05.880 --> 0:12:08.120
<v Speaker 5>was the most disgusting thing, And now it's hot, it

0:12:08.160 --> 0:12:10.040
<v Speaker 5>looks great, everyone loves it.

0:12:10.240 --> 0:12:13.160
<v Speaker 3>I've said for a long time that when the clothes

0:12:13.200 --> 0:12:15.599
<v Speaker 3>you wore in middle school come back into style, you

0:12:15.640 --> 0:12:19.440
<v Speaker 3>should get to die. I think it's just like, Okay,

0:12:19.440 --> 0:12:23.520
<v Speaker 3>now I've completed the cycle onto the grave. But unfortunately,

0:12:23.559 --> 0:12:26.080
<v Speaker 3>I think you probably see that cycle probably six times

0:12:26.120 --> 0:12:31.800
<v Speaker 3>through a life. Gosh right, I mean, cruel, endless, tough experience.

0:12:32.400 --> 0:12:35.720
<v Speaker 5>We just have to keep wagging up every damn day.

0:12:37.520 --> 0:12:40.480
<v Speaker 5>It's a very beautiful day today though, been nice weather.

0:12:40.640 --> 0:12:43.360
<v Speaker 5>It has because we had a couple of like like

0:12:43.360 --> 0:12:44.480
<v Speaker 5>a June gloom.

0:12:44.920 --> 0:12:47.600
<v Speaker 3>That's all I want. You don't want the June gloe.

0:12:47.720 --> 0:12:50.120
<v Speaker 3>You like the gloom because in La once we get

0:12:50.120 --> 0:12:52.760
<v Speaker 3>out of June gloom, we're into August through November.

0:12:52.800 --> 0:12:54.800
<v Speaker 4>Hell, oh that's fair.

0:12:55.160 --> 0:12:56.480
<v Speaker 3>It's brutal.

0:12:56.640 --> 0:13:00.240
<v Speaker 4>But I love the sun like this because I I

0:13:00.520 --> 0:13:04.640
<v Speaker 4>grew up in Texas where it's humid. Oh right, so

0:13:04.679 --> 0:13:08.560
<v Speaker 4>the air is hot, and there's something about California that

0:13:08.640 --> 0:13:09.840
<v Speaker 4>the sun is hot.

0:13:10.120 --> 0:13:10.920
<v Speaker 3>Yes, but if you.

0:13:10.880 --> 0:13:12.760
<v Speaker 4>Go in the shade, it's no longer hot.

0:13:13.080 --> 0:13:13.280
<v Speaker 3>Right.

0:13:13.520 --> 0:13:17.600
<v Speaker 5>That is a miracle. It's like a miracle. And I

0:13:17.679 --> 0:13:20.439
<v Speaker 5>realized that's simple. It's just simple science. But like in

0:13:20.520 --> 0:13:23.800
<v Speaker 5>Texas where it's humid, in New York, where I most

0:13:23.800 --> 0:13:26.200
<v Speaker 5>of the time, where it's humid, like it doesn't matter

0:13:26.200 --> 0:13:28.640
<v Speaker 5>where the sun is. You walk out that door, out

0:13:28.640 --> 0:13:32.000
<v Speaker 5>of the air conditioning, and you are drenched and sweat immediately.

0:13:32.320 --> 0:13:35.160
<v Speaker 3>Yeah, I was because I was in New York in

0:13:35.240 --> 0:13:38.000
<v Speaker 3>April or maybe no, yeah, April, and I kind of

0:13:38.000 --> 0:13:40.480
<v Speaker 3>expected that the trick of New York where you're like, oh,

0:13:40.520 --> 0:13:42.360
<v Speaker 3>this is the most beautiful place in the world. Why

0:13:42.360 --> 0:13:43.240
<v Speaker 3>wouldn't I live here?

0:13:43.360 --> 0:13:43.520
<v Speaker 2>Right?

0:13:43.559 --> 0:13:46.640
<v Speaker 3>But instead it was extremely hot and then extremely cold.

0:13:46.760 --> 0:13:49.760
<v Speaker 3>So it was probably bad for a vacation, but it

0:13:49.800 --> 0:13:51.800
<v Speaker 3>was also good for me to be like, oh, yeah,

0:13:51.840 --> 0:13:53.480
<v Speaker 3>this is a large part of the year here.

0:13:53.920 --> 0:13:56.120
<v Speaker 4>Yeah, so you were there for both.

0:13:56.800 --> 0:13:58.520
<v Speaker 3>I was there. Over the course of a week. It

0:13:58.520 --> 0:14:01.880
<v Speaker 3>went from like ninety degrees to forty degrees and there

0:14:01.960 --> 0:14:03.560
<v Speaker 3>was essentially no in between.

0:14:03.720 --> 0:14:06.880
<v Speaker 4>That's a problem. Yeah, but it's like it was mom

0:14:06.920 --> 0:14:07.600
<v Speaker 4>Dommie's fault.

0:14:08.200 --> 0:14:12.720
<v Speaker 3>I believe everything. This guy's out of control. Let's get

0:14:12.800 --> 0:14:14.520
<v Speaker 3>Eric Adams back in the office.

0:14:15.360 --> 0:14:17.480
<v Speaker 4>He balanced the budget, but look at the weather.

0:14:22.800 --> 0:14:25.960
<v Speaker 3>Okay, but so you you basically did not tell me

0:14:26.000 --> 0:14:28.200
<v Speaker 3>what you've been up to other than buying pants with me.

0:14:29.680 --> 0:14:31.160
<v Speaker 3>You were trying to make me feel better about my life,

0:14:31.200 --> 0:14:33.960
<v Speaker 3>saying Bridger, you're shopping, You're going to breakfast. That was

0:14:34.000 --> 0:14:34.520
<v Speaker 3>months ago.

0:14:34.600 --> 0:14:38.200
<v Speaker 4>That was months ago, one morning, one day a year.

0:14:38.240 --> 0:14:40.840
<v Speaker 4>I go out, what else have I been doing? Let's see,

0:14:40.880 --> 0:14:43.120
<v Speaker 4>we are shooting this is the fourth season of Shrinking.

0:14:43.760 --> 0:14:48.320
<v Speaker 4>So that's television program and it's really really fun.

0:14:48.320 --> 0:14:52.480
<v Speaker 5>It's going really well, and I'm really enjoying being here

0:14:52.480 --> 0:14:56.680
<v Speaker 5>in California. I spent the fall in New York. I

0:14:56.800 --> 0:15:00.760
<v Speaker 5>was in Oh Mary, that's right, and ritured the Second

0:15:00.840 --> 0:15:05.200
<v Speaker 5>by Shakespeare and it was awesome, and New York was awesome.

0:15:05.200 --> 0:15:06.960
<v Speaker 4>New York on the autumn is really lovely.

0:15:07.040 --> 0:15:11.080
<v Speaker 5>And then I enjoyed the winter it gets and we

0:15:11.160 --> 0:15:12.800
<v Speaker 5>did have one this year, which was nice.

0:15:12.840 --> 0:15:16.200
<v Speaker 3>To defend the winter. You can't say that and then

0:15:16.400 --> 0:15:20.840
<v Speaker 3>just move on. What about winter? You like it or

0:15:20.880 --> 0:15:21.720
<v Speaker 3>you tolerated?

0:15:22.200 --> 0:15:23.280
<v Speaker 4>Interesting? Good question.

0:15:23.400 --> 0:15:25.440
<v Speaker 5>Well, I like the snow, Like when it's snows, it's

0:15:25.440 --> 0:15:28.920
<v Speaker 5>really beautiful, and like there's nothing like seeing Central Park

0:15:29.000 --> 0:15:35.200
<v Speaker 5>covered in snow doing a picture, but you can. But

0:15:35.240 --> 0:15:39.480
<v Speaker 5>then there is day three, day four of the snow

0:15:39.560 --> 0:15:44.640
<v Speaker 5>where it becomes like slushy, grosslthy, having to leap over.

0:15:45.400 --> 0:15:47.760
<v Speaker 5>But I'll say something that And this is also like

0:15:48.000 --> 0:15:51.000
<v Speaker 5>because I'm I loved being in the theater.

0:15:51.120 --> 0:15:52.000
<v Speaker 4>I love doing theater.

0:15:52.200 --> 0:15:56.040
<v Speaker 5>And in New York there's a thing that happens with

0:15:56.160 --> 0:15:59.160
<v Speaker 5>New Yorkers are just so tough, like it doesn't matter

0:15:59.200 --> 0:16:04.800
<v Speaker 5>if it's boring rain, a blizzard, horrible heat, they will

0:16:04.920 --> 0:16:09.040
<v Speaker 5>keep their plans right. And this is something that I like,

0:16:09.240 --> 0:16:12.000
<v Speaker 5>what I love about New York in the winter is

0:16:12.000 --> 0:16:15.240
<v Speaker 5>that it doesn't matter. I mean, a blizzard, maybe maybe

0:16:15.240 --> 0:16:17.520
<v Speaker 5>that'll shut the city down, But it doesn't matter. If

0:16:17.520 --> 0:16:21.520
<v Speaker 5>there's slush, if there's snow, if there's rain, if there's

0:16:21.960 --> 0:16:24.320
<v Speaker 5>horrible heat, people are gonna go and they're.

0:16:24.160 --> 0:16:25.280
<v Speaker 4>Gonna show up at the theater.

0:16:25.680 --> 0:16:28.360
<v Speaker 5>Right every time, every time it's like a horrible weather day,

0:16:28.400 --> 0:16:29.960
<v Speaker 5>and I think, oh gosh, I hope we have an

0:16:29.960 --> 0:16:30.840
<v Speaker 5>audience tonight.

0:16:31.000 --> 0:16:34.360
<v Speaker 4>They show up. And I think that's so the resiliency

0:16:34.400 --> 0:16:35.680
<v Speaker 4>of a New Yorker.

0:16:35.400 --> 0:16:39.600
<v Speaker 3>Right, the commitment, yeah, which I appreciate, and I kind

0:16:39.600 --> 0:16:42.520
<v Speaker 3>of want out of everyone but myself. I want I

0:16:42.560 --> 0:16:45.000
<v Speaker 3>want the option to be able to cancel, fake out

0:16:45.040 --> 0:16:47.600
<v Speaker 3>at last minute. Yeah, that's fair, which is a nice

0:16:47.600 --> 0:16:50.480
<v Speaker 3>thing about LA. Although I anytime I cancel on somebody,

0:16:50.640 --> 0:16:54.120
<v Speaker 3>the apologizing I do is overwhelming, and then I realize

0:16:54.560 --> 0:16:57.480
<v Speaker 3>no one here cares, No one cares. Essentially expected that

0:16:57.480 --> 0:16:59.400
<v Speaker 3>you're probably going to cancel day.

0:16:59.280 --> 0:17:02.320
<v Speaker 4>Of I think LA people are relieved when you cancel.

0:17:02.480 --> 0:17:03.000
<v Speaker 3>Oh.

0:17:03.080 --> 0:17:05.439
<v Speaker 5>I mean, of course, everyone's like, oh, thank god they

0:17:05.520 --> 0:17:06.800
<v Speaker 5>canceled so I didn't have to.

0:17:07.000 --> 0:17:11.000
<v Speaker 3>Yeah, it's really just chicken just waiting, pushing it as

0:17:11.040 --> 0:17:13.880
<v Speaker 3>far as humanly possible. I'm thinking about something tonight i'd

0:17:13.880 --> 0:17:15.760
<v Speaker 3>like to cancel and I don't even have to leave

0:17:15.760 --> 0:17:16.440
<v Speaker 3>my house for it.

0:17:16.800 --> 0:17:21.399
<v Speaker 6>Oh wow, what is it watching to be? To cancel

0:17:21.480 --> 0:17:24.240
<v Speaker 6>with yourself? Watching to I'm hoping to be? Will cancel

0:17:24.280 --> 0:17:27.159
<v Speaker 6>on me? First, you're a low point.

0:17:26.960 --> 0:17:33.320
<v Speaker 4>You're really hoping for not to be tonight. But there's

0:17:33.320 --> 0:17:34.320
<v Speaker 4>nothing I mean.

0:17:35.720 --> 0:17:37.840
<v Speaker 5>In New York, if you're like out and about and

0:17:37.880 --> 0:17:39.640
<v Speaker 5>somebody canceled, it can be like a drag.

0:17:39.680 --> 0:17:41.399
<v Speaker 4>You're like, oh, well, I came all the way downtown,

0:17:41.440 --> 0:17:41.919
<v Speaker 4>I do this.

0:17:43.400 --> 0:17:46.879
<v Speaker 5>Packed about. Yeah, I like planned for my day. But

0:17:47.040 --> 0:17:51.080
<v Speaker 5>in LA, You're right, there is something about like and

0:17:51.119 --> 0:17:55.200
<v Speaker 5>because the excuses are generally like not weather related.

0:17:54.920 --> 0:17:56.960
<v Speaker 3>Here, no, never.

0:17:58.480 --> 0:17:59.840
<v Speaker 4>There, It's like I know when I go in that,

0:18:00.800 --> 0:18:03.359
<v Speaker 4>but people do, they don't care. They're like, let's go,

0:18:03.440 --> 0:18:05.919
<v Speaker 4>let's get out there, let's do it. I don't know.

0:18:06.880 --> 0:18:09.000
<v Speaker 5>I've lived in New York since I was nineteen years

0:18:09.040 --> 0:18:13.320
<v Speaker 5>old wild and which was in the nineteen hundred and

0:18:14.960 --> 0:18:17.760
<v Speaker 5>now I have this great life where I don't have

0:18:17.800 --> 0:18:20.040
<v Speaker 5>to spend all my time there, and I think it's

0:18:20.040 --> 0:18:21.240
<v Speaker 5>made me love it.

0:18:21.040 --> 0:18:23.360
<v Speaker 3>Way more having the option to not be there.

0:18:23.200 --> 0:18:27.719
<v Speaker 4>Because I'm here half the year with this awesome gig,

0:18:27.920 --> 0:18:32.199
<v Speaker 4>and I get to visit New York and like, on

0:18:32.240 --> 0:18:34.080
<v Speaker 4>my last trip to New York a couple of weeks ago,

0:18:34.440 --> 0:18:37.400
<v Speaker 4>I saw six shows in three days.

0:18:37.800 --> 0:18:39.960
<v Speaker 3>This is another thing to me. If I see one

0:18:40.000 --> 0:18:44.240
<v Speaker 3>show in a quarter, I'm like, oh, I'm tired. Wow,

0:18:44.320 --> 0:18:45.880
<v Speaker 3>what an attention span I have.

0:18:46.800 --> 0:18:48.240
<v Speaker 4>I saw three shows in one day?

0:18:48.240 --> 0:18:49.520
<v Speaker 3>And what shows did you say?

0:18:49.560 --> 0:18:52.360
<v Speaker 4>I saw Schmiga Dune two pm. Terrific.

0:18:52.400 --> 0:18:53.320
<v Speaker 3>I've heard It's wonderful.

0:18:53.400 --> 0:18:54.000
<v Speaker 4>It was great.

0:18:54.280 --> 0:18:56.439
<v Speaker 5>And I made sure I was sitting on the aisle,

0:18:56.880 --> 0:18:59.240
<v Speaker 5>and I knew that I could zip out very quickly

0:18:59.240 --> 0:19:01.520
<v Speaker 5>as soon as the curtain I'm ready for the curtain

0:19:01.520 --> 0:19:03.600
<v Speaker 5>call to be over. And as soon as the curtain

0:19:03.640 --> 0:19:05.879
<v Speaker 5>call was over, I zipped out. I had texted my

0:19:05.960 --> 0:19:08.119
<v Speaker 5>friends in the show, I'm not coming to say hello

0:19:08.200 --> 0:19:11.240
<v Speaker 5>because I am zipping out. I have to go right downtown.

0:19:11.240 --> 0:19:14.240
<v Speaker 5>So I zipped out right by. I was really close

0:19:14.280 --> 0:19:16.480
<v Speaker 5>to the train, hopped right on the train, went downtown

0:19:17.040 --> 0:19:19.200
<v Speaker 5>and I saw, can I be Frank?

0:19:19.480 --> 0:19:21.000
<v Speaker 3>Oh? Who is this?

0:19:21.320 --> 0:19:22.440
<v Speaker 4>It's about Frank.

0:19:22.240 --> 0:19:27.360
<v Speaker 5>Maya, Okay, the comedian from the eighties, and this this

0:19:27.359 --> 0:19:32.480
<v Speaker 5>this guy Morgan put together this incredible show about Frank

0:19:32.560 --> 0:19:35.840
<v Speaker 5>Maya where he does some of the Frank Maya Frank

0:19:35.920 --> 0:19:40.320
<v Speaker 5>ditabdes and he does some of Frank's material and then

0:19:40.400 --> 0:19:45.720
<v Speaker 5>most but mostly it's Morgan's musings on the world and

0:19:46.080 --> 0:19:50.040
<v Speaker 5>Frank then and what we are lacking in the Frank

0:19:50.119 --> 0:19:54.000
<v Speaker 5>we don't have now. It's Oh, it was so good

0:19:54.359 --> 0:19:56.680
<v Speaker 5>at the Soho Playhouse, which is a really cool, really

0:19:56.760 --> 0:19:59.720
<v Speaker 5>cool space and directed by Sam Pinkleton.

0:20:00.000 --> 0:20:02.760
<v Speaker 3>Oh my god, he's everywhere. He's everywhere and has directed

0:20:02.760 --> 0:20:04.800
<v Speaker 3>one hundred things in the last like two years.

0:20:04.840 --> 0:20:07.640
<v Speaker 4>I know he's he's earned it. He's very good. I

0:20:07.680 --> 0:20:09.199
<v Speaker 4>know him because I did.

0:20:09.480 --> 0:20:12.080
<v Speaker 5>I did a solo play many years ago called Bayern

0:20:12.160 --> 0:20:16.120
<v Speaker 5>Cellar that was written by Jonathan Tolan's and in it,

0:20:16.160 --> 0:20:19.639
<v Speaker 5>I had to do a little dance that plays about

0:20:20.040 --> 0:20:22.600
<v Speaker 5>the basement mall that Barbara strikes in.

0:20:22.720 --> 0:20:26.080
<v Speaker 3>Oh my god. Yeah, her male familiar.

0:20:25.760 --> 0:20:29.600
<v Speaker 5>And to play chronicles this actor that gets hired to

0:20:29.800 --> 0:20:33.359
<v Speaker 5>run the shops okay, And what he doesn't realize until

0:20:33.960 --> 0:20:36.199
<v Speaker 5>she walks in is that it's a play acting.

0:20:36.720 --> 0:20:37.760
<v Speaker 4>It's like an acting job.

0:20:37.880 --> 0:20:39.240
<v Speaker 3>Oh shot, I love this.

0:20:39.359 --> 0:20:42.560
<v Speaker 5>It's so brilliant. This show is absolutely brilliant. She comes

0:20:42.600 --> 0:20:44.639
<v Speaker 5>down to shop and none of that's real. I mean,

0:20:44.640 --> 0:20:45.440
<v Speaker 5>the mall is real.

0:20:46.680 --> 0:20:48.960
<v Speaker 3>Can if we talk about the mall for just a second.

0:20:48.680 --> 0:20:51.080
<v Speaker 4>We could talk about the mall all, I could talk

0:20:51.080 --> 0:20:51.720
<v Speaker 4>about the mall.

0:20:51.960 --> 0:20:54.520
<v Speaker 3>What do you know about the mall? Actually, I don't

0:20:54.520 --> 0:20:56.280
<v Speaker 3>want to get off of and we need to circle

0:20:56.320 --> 0:20:58.040
<v Speaker 3>back to all of this. But you can't bring up

0:20:58.040 --> 0:21:00.560
<v Speaker 3>the ma all without let's get some facts about the mall.

0:21:00.680 --> 0:21:04.680
<v Speaker 5>What I know about the mall is and what anyone

0:21:04.720 --> 0:21:08.640
<v Speaker 5>can access is her book My Passion for Design, which

0:21:08.680 --> 0:21:10.320
<v Speaker 5>is a coffee table book that came out I want

0:21:10.359 --> 0:21:11.800
<v Speaker 5>to say in twenty eleven.

0:21:11.920 --> 0:21:13.159
<v Speaker 3>She stole the title from me.

0:21:16.280 --> 0:21:17.520
<v Speaker 4>You were going to wreck that book.

0:21:17.800 --> 0:21:19.919
<v Speaker 3>I didn't have any idea. I just loved the title,

0:21:20.600 --> 0:21:22.640
<v Speaker 3>so I'll get around for design.

0:21:24.400 --> 0:21:27.439
<v Speaker 5>She has said that she was supposed to make a

0:21:27.480 --> 0:21:31.240
<v Speaker 5>movie and it fell apart, so instead she made a book,

0:21:31.840 --> 0:21:38.960
<v Speaker 5>and the book chronicles her renovations of the Malibu Compound,

0:21:39.400 --> 0:21:44.080
<v Speaker 5>which is a giant house and then another couple of houses.

0:21:45.680 --> 0:21:48.639
<v Speaker 5>And one of the houses is a barn. Looks like

0:21:48.680 --> 0:21:52.040
<v Speaker 5>a barn is a barn, but is a house. And

0:21:52.119 --> 0:21:56.280
<v Speaker 5>in the basement of this house, that's a barn. She

0:21:56.320 --> 0:22:00.680
<v Speaker 5>has built a street of shops, so it's like cobblestone wow,

0:22:00.960 --> 0:22:04.560
<v Speaker 5>and it's different shops like a like a European arcade.

0:22:05.480 --> 0:22:11.800
<v Speaker 5>There's an antiques store, a gift shoppy, and a sweet

0:22:11.840 --> 0:22:14.960
<v Speaker 5>shop where there is a frozen yogurt machine, a dress

0:22:15.000 --> 0:22:18.160
<v Speaker 5>shop where all of her like like collective. It's it's

0:22:18.160 --> 0:22:21.240
<v Speaker 5>where she keeps her collectibles essentially, so there's she has

0:22:21.320 --> 0:22:24.840
<v Speaker 5>a doll collection. She has I think the doll shop

0:22:24.880 --> 0:22:27.280
<v Speaker 5>is called B's Doll Shop, and they're name you know,

0:22:27.280 --> 0:22:28.919
<v Speaker 5>there's like and you can see all these pictures. They

0:22:28.920 --> 0:22:31.920
<v Speaker 5>are all available online or you can get the book

0:22:32.080 --> 0:22:36.239
<v Speaker 5>My Passion for Design, which when it came out was

0:22:36.600 --> 0:22:39.000
<v Speaker 5>like six thousand dollars and now you can get on

0:22:39.040 --> 0:22:42.879
<v Speaker 5>Amazon for like ten. But I have a copy of it,

0:22:42.960 --> 0:22:45.359
<v Speaker 5>of course, and we use it in the in the play.

0:22:45.400 --> 0:22:49.120
<v Speaker 5>The play is very uh for legal reasons.

0:22:49.200 --> 0:22:52.120
<v Speaker 4>It's very clear that like this is real and what

0:22:52.200 --> 0:22:53.840
<v Speaker 4>you're about to see is not sight.

0:22:54.119 --> 0:22:57.119
<v Speaker 5>So John is a genius and like the way that

0:22:57.920 --> 0:23:00.320
<v Speaker 5>he sets it up is just it's it's it's so

0:23:00.480 --> 0:23:03.199
<v Speaker 5>fantastic and it's one of these things that like he

0:23:03.280 --> 0:23:05.560
<v Speaker 5>asked me to read the script and I read it

0:23:05.600 --> 0:23:07.040
<v Speaker 5>and I was like, this is really good. And I

0:23:07.040 --> 0:23:10.719
<v Speaker 5>asked my partner Ryan, you know lovely Ryan, I was like, well,

0:23:10.720 --> 0:23:12.440
<v Speaker 5>you just look at this, just like take a look

0:23:12.480 --> 0:23:14.320
<v Speaker 5>and tell me if you think this is something that

0:23:14.359 --> 0:23:17.480
<v Speaker 5>I should do. And we were on I'll never forget,

0:23:17.480 --> 0:23:19.360
<v Speaker 5>we were on a plane. I handed in the script

0:23:20.080 --> 0:23:24.399
<v Speaker 5>and he looked at it, and about one minute later

0:23:24.480 --> 0:23:26.080
<v Speaker 5>he said, I already think you should do this.

0:23:26.160 --> 0:23:26.480
<v Speaker 3>Wow.

0:23:26.760 --> 0:23:30.560
<v Speaker 6>It was that yeah, it was that good, like it

0:23:30.600 --> 0:23:32.000
<v Speaker 6>could be a movie at some point.

0:23:32.240 --> 0:23:33.880
<v Speaker 4>Well, wouldn't it be funny if it was a movie.

0:23:33.880 --> 0:23:35.400
<v Speaker 4>And she played of course.

0:23:35.560 --> 0:23:40.000
<v Speaker 3>Barbara, who I'm sure in the play kills someone. That's

0:23:40.000 --> 0:23:41.160
<v Speaker 3>why you have to make it clear.

0:23:41.600 --> 0:23:45.320
<v Speaker 5>Yes, in the place she kills her adopted family, but

0:23:45.400 --> 0:23:46.359
<v Speaker 5>we make clear.

0:23:46.680 --> 0:23:49.600
<v Speaker 4>At the beginning that that's not that's not.

0:23:49.440 --> 0:23:53.360
<v Speaker 3>Sure shopping this to Tuvias adopted three.

0:23:54.560 --> 0:23:56.640
<v Speaker 5>So there's this amazing sequence in the play where he's

0:23:56.680 --> 0:23:59.440
<v Speaker 5>working in bees doll shop dusting. He's like, spends a

0:23:59.440 --> 0:24:01.720
<v Speaker 5>few days there alone, and then finally she shows up

0:24:01.760 --> 0:24:03.919
<v Speaker 5>and there's a ding at the door and she walks

0:24:04.240 --> 0:24:05.920
<v Speaker 5>and he's like, what do I do now?

0:24:06.320 --> 0:24:06.439
<v Speaker 3>Oh?

0:24:06.880 --> 0:24:09.439
<v Speaker 5>And she goes she looks at him and she says,

0:24:09.560 --> 0:24:14.160
<v Speaker 5>you have nice things here, and he realizes, ohere we're

0:24:14.160 --> 0:24:17.960
<v Speaker 5>making believe and the play goes on from there and

0:24:17.960 --> 0:24:22.000
<v Speaker 5>it's just so so wonderful and like, of course we

0:24:22.320 --> 0:24:24.520
<v Speaker 5>have we poke fun at her in the play, but

0:24:24.560 --> 0:24:28.119
<v Speaker 5>it's actually quite loving and very respectful, and there's nothing

0:24:28.119 --> 0:24:30.399
<v Speaker 5>in it. He doesn't put anything in it that you

0:24:30.440 --> 0:24:33.080
<v Speaker 5>know that she hasn't said in the press or whatever like,

0:24:33.119 --> 0:24:37.400
<v Speaker 5>so there's nothing that's like false or it's just it's

0:24:37.520 --> 0:24:39.919
<v Speaker 5>just a made up fantasia.

0:24:39.359 --> 0:24:40.840
<v Speaker 3>A celebration of Barbara and her.

0:24:40.880 --> 0:24:42.200
<v Speaker 4>Mall, yes, exactly.

0:24:42.720 --> 0:24:44.280
<v Speaker 3>How do you get access? I guess you just had

0:24:44.320 --> 0:24:45.000
<v Speaker 3>to be friends with her?

0:24:45.200 --> 0:24:48.040
<v Speaker 4>Well? And then I have, of course, because because I

0:24:48.119 --> 0:24:48.560
<v Speaker 4>ran the show.

0:24:48.560 --> 0:24:49.560
<v Speaker 5>I did the show. It was a big hit in

0:24:49.560 --> 0:24:51.159
<v Speaker 5>New York. We did it first forever. I've done it

0:24:51.200 --> 0:24:55.720
<v Speaker 5>six hundred times or more, and we did it off

0:24:55.720 --> 0:24:57.960
<v Speaker 5>Broadway for a long time, and a lot of people came,

0:24:58.000 --> 0:25:01.160
<v Speaker 5>a lot of like fame and people and people who

0:25:01.280 --> 0:25:03.720
<v Speaker 5>like and there was like one time somebody stopped me

0:25:03.720 --> 0:25:05.600
<v Speaker 5>and they were like, I was one of Barbara's assistants

0:25:05.640 --> 0:25:09.080
<v Speaker 5>and this is so accurate, or or somebody who was

0:25:09.160 --> 0:25:10.119
<v Speaker 5>like how did he know?

0:25:10.880 --> 0:25:12.080
<v Speaker 4>Like, did he work there?

0:25:12.200 --> 0:25:12.360
<v Speaker 3>Oh?

0:25:13.040 --> 0:25:13.080
<v Speaker 2>It?

0:25:13.280 --> 0:25:20.000
<v Speaker 4>So it's like John just channeled something so accurately Jane.

0:25:21.480 --> 0:25:22.760
<v Speaker 4>I think it's okay if I say this.

0:25:22.960 --> 0:25:26.359
<v Speaker 5>Jane Fonda came to the show twice, okay, And she

0:25:26.480 --> 0:25:30.159
<v Speaker 5>came backstage and she was like the first thing she

0:25:30.200 --> 0:25:30.720
<v Speaker 5>said to me.

0:25:30.840 --> 0:25:32.680
<v Speaker 4>Was I've been in that mall.

0:25:35.280 --> 0:25:37.000
<v Speaker 3>I was trapped there for six weeks.

0:25:38.359 --> 0:25:41.280
<v Speaker 5>And I was like oh, and she goes, do you

0:25:41.280 --> 0:25:42.600
<v Speaker 5>think Barbara would like this?

0:25:43.359 --> 0:25:45.000
<v Speaker 4>And I was like, I don't. I don't know.

0:25:45.080 --> 0:25:47.840
<v Speaker 5>You tell me and she goes, I don't think she would.

0:25:50.760 --> 0:25:52.600
<v Speaker 5>I was like, well, it's not it's not.

0:25:52.520 --> 0:25:55.520
<v Speaker 4>Really for her. It's more about her, Like we we

0:25:55.600 --> 0:25:57.640
<v Speaker 4>love her very much. We don't want any we don't want,

0:25:57.720 --> 0:26:00.280
<v Speaker 4>don't have anything I get. We love her, love her,

0:26:00.280 --> 0:26:03.080
<v Speaker 4>that's why we're doing this. But she was, she was

0:26:03.160 --> 0:26:05.000
<v Speaker 4>very she she came twice and she brought a dog.

0:26:05.440 --> 0:26:07.600
<v Speaker 3>Oh. I've seen her with.

0:26:07.560 --> 0:26:10.359
<v Speaker 4>Her dog front the dog and it's cute.

0:26:10.520 --> 0:26:12.040
<v Speaker 3>You can't say no to Jane Fonda's dog.

0:26:12.200 --> 0:26:15.639
<v Speaker 4>It's change. Let it just a legend.

0:26:16.200 --> 0:26:18.440
<v Speaker 3>And don't think Barbara would like it? Oh yeah, Barbara's

0:26:18.440 --> 0:26:20.600
<v Speaker 3>got a sense of humor. She's got a mall.

0:26:22.560 --> 0:26:24.520
<v Speaker 4>I mean, I don't know if the mall is a

0:26:24.600 --> 0:26:26.359
<v Speaker 4>joke to her, though I think it's really just a

0:26:26.400 --> 0:26:29.000
<v Speaker 4>place to I can't think of another. I guess Graceland

0:26:29.200 --> 0:26:31.960
<v Speaker 4>or never Land, like like I'm trying to think, like

0:26:32.000 --> 0:26:39.280
<v Speaker 4>what places have stars not just done something eccentric, right,

0:26:39.359 --> 0:26:42.000
<v Speaker 4>but then also photographed it and.

0:26:42.359 --> 0:26:46.119
<v Speaker 3>Public shown off as though it was a normal.

0:26:46.200 --> 0:26:51.440
<v Speaker 5>Yeah, right, like like it's it's a step above, it's

0:26:51.480 --> 0:26:54.760
<v Speaker 5>it's not just architectural digestread.

0:26:55.320 --> 0:26:57.040
<v Speaker 4>This is a whole book.

0:26:57.720 --> 0:27:02.359
<v Speaker 5>There's a whole book chronicling the entire renovation, and like

0:27:02.560 --> 0:27:05.240
<v Speaker 5>the whole property, and there's a there's a great because

0:27:05.240 --> 0:27:09.199
<v Speaker 5>it's supposed to be. It's giving, like the whole the

0:27:09.240 --> 0:27:11.800
<v Speaker 5>whole thing is giving. And and I don't this is

0:27:11.800 --> 0:27:14.080
<v Speaker 5>not my opinion. I learned this from the play in

0:27:14.160 --> 0:27:17.840
<v Speaker 5>John Tolms. But it's giving Connecticut. It' very, it's very

0:27:18.400 --> 0:27:20.600
<v Speaker 5>there's a barn and there's like a farm. It's like

0:27:20.640 --> 0:27:25.240
<v Speaker 5>a farmhouse and in Malibu, and there's there's a great

0:27:25.280 --> 0:27:28.119
<v Speaker 5>scene in the play where he's like, no, this is

0:27:28.160 --> 0:27:32.000
<v Speaker 5>not your run of the mill barn. Barbara doesn't do

0:27:32.119 --> 0:27:34.640
<v Speaker 5>run of the mill anything, although she does in fact

0:27:34.760 --> 0:27:36.720
<v Speaker 5>run a mill. And then I opened the book and

0:27:36.760 --> 0:27:39.399
<v Speaker 5>there's a giant mill. There is a mill. There's a

0:27:39.480 --> 0:27:40.960
<v Speaker 5>mill on the property.

0:27:41.600 --> 0:27:42.760
<v Speaker 3>Is it milling anything?

0:27:42.960 --> 0:27:43.480
<v Speaker 4>I don't know.

0:27:43.640 --> 0:27:47.560
<v Speaker 5>Well, there's a there's a I guess it's in a pond, right,

0:27:47.760 --> 0:27:51.880
<v Speaker 5>It's like it's like, yes, in a pond. And and

0:27:51.920 --> 0:27:55.159
<v Speaker 5>the pond that is described to how it's a koi pond,

0:27:56.080 --> 0:27:59.240
<v Speaker 5>and she there's a great section of the book photographs

0:27:59.240 --> 0:28:01.879
<v Speaker 5>of the coypon it. It's like in the the captions

0:28:01.920 --> 0:28:03.960
<v Speaker 5>are all in her voice, right, so you can read

0:28:04.000 --> 0:28:07.639
<v Speaker 5>the whole thing in her voice. It's really delightful. I

0:28:07.720 --> 0:28:09.760
<v Speaker 5>used to do it for people after the show backstage.

0:28:09.760 --> 0:28:12.280
<v Speaker 5>It was like it was like my like my late show.

0:28:12.720 --> 0:28:14.680
<v Speaker 5>I would be like, read my favorite parts of the book.

0:28:14.680 --> 0:28:16.600
<v Speaker 4>And one of them is this section with the koi pond,

0:28:16.640 --> 0:28:21.080
<v Speaker 4>where she's it's a beautiful photo of this beautiful photography

0:28:21.119 --> 0:28:22.119
<v Speaker 4>is great. The photography.

0:28:22.200 --> 0:28:24.440
<v Speaker 5>She got this great photographer to do it named Barbara

0:28:24.440 --> 0:28:29.800
<v Speaker 5>streisand does all the principal photography. And there's a beautiful

0:28:29.800 --> 0:28:32.119
<v Speaker 5>photo of the pond with the koi in it, and

0:28:32.400 --> 0:28:34.400
<v Speaker 5>they're all black and white koi and she's like, see

0:28:34.440 --> 0:28:37.960
<v Speaker 5>my cooi. They're all black and white. A little yellow

0:28:38.040 --> 0:28:41.800
<v Speaker 5>was okay, No orange, she would that's a.

0:28:41.840 --> 0:28:44.360
<v Speaker 3>Rule for everyone. If you have the orange ones, it's

0:28:44.360 --> 0:28:49.880
<v Speaker 3>a Tacki restaurant. No orange, it's a minture golf course.

0:28:50.840 --> 0:28:53.160
<v Speaker 4>Gosh, I love her. It's fun to talk about. I

0:28:53.200 --> 0:28:54.280
<v Speaker 4>haven't thought about her in a while.

0:28:54.320 --> 0:28:56.640
<v Speaker 3>And you've never met her. Nope, that's pretty amazing. I

0:28:56.920 --> 0:28:59.880
<v Speaker 3>feel like you've met a lot of Barber streisand level.

0:29:00.600 --> 0:29:03.680
<v Speaker 5>I've met Barbara adjacent people, but not Barbara. I think

0:29:03.680 --> 0:29:04.720
<v Speaker 5>they're keeping.

0:29:04.640 --> 0:29:09.239
<v Speaker 4>Me from her. I think it's a keeping yeah, protecting her,

0:29:09.320 --> 0:29:11.760
<v Speaker 4>which you know, I mean, she's let her. I don't

0:29:11.760 --> 0:29:12.200
<v Speaker 4>need them.

0:29:12.240 --> 0:29:15.440
<v Speaker 5>I have my She's very special to me for a

0:29:15.440 --> 0:29:18.120
<v Speaker 5>lot of lots of reasons. My mom and I used

0:29:18.160 --> 0:29:20.960
<v Speaker 5>to watch this concert that she her big comeback concert

0:29:21.240 --> 0:29:23.520
<v Speaker 5>from the early nineties. We used to watch it was

0:29:23.560 --> 0:29:26.000
<v Speaker 5>one of the things that we bonded. So I love

0:29:26.040 --> 0:29:28.520
<v Speaker 5>her like I'm happy with her where she is.

0:29:28.920 --> 0:29:29.080
<v Speaker 3>Oh.

0:29:29.120 --> 0:29:32.560
<v Speaker 4>But the whole point of that was that Pinkleton so

0:29:32.640 --> 0:29:33.720
<v Speaker 4>in it.

0:29:34.000 --> 0:29:37.080
<v Speaker 5>At the time, It's well documented that she was considering

0:29:37.160 --> 0:29:41.280
<v Speaker 5>doing a film of the musical Gypsy, and so that

0:29:41.320 --> 0:29:44.280
<v Speaker 5>becomes a part of the story of the play, and

0:29:44.680 --> 0:29:47.800
<v Speaker 5>I the character that the main character. I play all

0:29:47.840 --> 0:29:50.440
<v Speaker 5>the characters, but the main character is Alex the actor,

0:29:51.000 --> 0:29:53.920
<v Speaker 5>and he had played Gypsy in high school or something,

0:29:54.560 --> 0:29:57.160
<v Speaker 5>had played Herbie in Gypsy and high school. And so

0:29:57.280 --> 0:29:59.360
<v Speaker 5>they like, there's a scene where they kind of do

0:29:59.440 --> 0:30:03.240
<v Speaker 5>it together. I like rehearsed together, and there was a

0:30:03.240 --> 0:30:07.880
<v Speaker 5>little bit of a dance. Oh, choreograph came in and

0:30:07.920 --> 0:30:08.480
<v Speaker 5>choreographed it.

0:30:08.520 --> 0:30:09.360
<v Speaker 4>That was when I first met.

0:30:09.840 --> 0:30:13.320
<v Speaker 5>It was so great and lovely, and it made me

0:30:13.360 --> 0:30:16.440
<v Speaker 5>feel so because I was like really nervous about the dancing, right,

0:30:16.760 --> 0:30:20.640
<v Speaker 5>I'm not really a dancer, and dancing alone, Oh.

0:30:20.560 --> 0:30:23.160
<v Speaker 3>That seems terrifying when you don't have anybody to distract.

0:30:23.440 --> 0:30:26.719
<v Speaker 5>Yeah, Like it's one thing to like like partner with

0:30:27.160 --> 0:30:28.120
<v Speaker 5>a person.

0:30:27.840 --> 0:30:30.760
<v Speaker 3>Of course, or have a whole team of backup dancers.

0:30:30.360 --> 0:30:31.920
<v Speaker 5>But to do it by yourself and have to play

0:30:31.920 --> 0:30:36.640
<v Speaker 5>both parts was really challenging. So he came along and yeah, wow.

0:30:36.520 --> 0:30:38.680
<v Speaker 3>That's incredible, And so that is that kind of what

0:30:38.800 --> 0:30:39.520
<v Speaker 3>led to Omary.

0:30:39.840 --> 0:30:42.600
<v Speaker 4>Well, I don't know. Actually, Omary kind of came out

0:30:42.640 --> 0:30:44.120
<v Speaker 4>of the blue for me. When they asked me to

0:30:44.120 --> 0:30:46.640
<v Speaker 4>do Omary, I couldn't believe it. I was.

0:30:46.720 --> 0:30:51.160
<v Speaker 5>I was actually the night before they asked me to

0:30:51.200 --> 0:30:54.000
<v Speaker 5>do it. I was at dinner with Ryan and we

0:30:54.000 --> 0:30:56.640
<v Speaker 5>were just talking about it. It was shortly after the

0:30:56.720 --> 0:30:59.240
<v Speaker 5>Tony's Cole had won the Tony and it was so

0:30:59.360 --> 0:31:03.760
<v Speaker 5>cool and was a big hit and we were just like,

0:31:03.880 --> 0:31:06.600
<v Speaker 5>isn't it cool that it exists? And isn't it and

0:31:07.040 --> 0:31:09.000
<v Speaker 5>we loved it. We saw it off Broadway and we

0:31:09.040 --> 0:31:10.640
<v Speaker 5>saw it on Broadway. We loved it so much, and

0:31:10.680 --> 0:31:12.000
<v Speaker 5>we're like, isn't it cool that it's a thing and

0:31:12.040 --> 0:31:15.280
<v Speaker 5>it exists and now it's a hit and it's getting audience.

0:31:15.400 --> 0:31:20.240
<v Speaker 5>Is not just like this camp cult thing.

0:31:20.600 --> 0:31:22.640
<v Speaker 4>It's like a real it's a real.

0:31:22.440 --> 0:31:26.440
<v Speaker 3>Like a miracle it does it kind of especially now, yeah.

0:31:26.200 --> 0:31:30.800
<v Speaker 5>Totally, and and it's still running. It just they just

0:31:30.880 --> 0:31:32.840
<v Speaker 5>got a new Marry last night. Make Stalter is Merry

0:31:32.880 --> 0:31:36.920
<v Speaker 5>now and Maya Runolf just finished like a huge, huge

0:31:36.920 --> 0:31:41.520
<v Speaker 5>success doing it and it's it's a good play, Like

0:31:41.600 --> 0:31:44.280
<v Speaker 5>I stand by that, like this is a good play.

0:31:44.520 --> 0:31:48.840
<v Speaker 4>It's not just funny, Oh my god. Really think it's

0:31:48.880 --> 0:31:49.520
<v Speaker 4>really smart.

0:31:49.720 --> 0:31:52.680
<v Speaker 5>Yes, and the ways that it plays with its audience

0:31:52.880 --> 0:31:56.840
<v Speaker 5>is so ingenious and so yeah, we were just talking

0:31:56.880 --> 0:31:58.160
<v Speaker 5>about it and we were like, wouldn't it be fun

0:31:58.160 --> 0:31:59.600
<v Speaker 5>to be in at something? And I had sort of

0:31:59.680 --> 0:32:02.840
<v Speaker 5>resigned myself that I wouldn't ever be in it sure

0:32:03.080 --> 0:32:04.960
<v Speaker 5>because I'm not quite enough.

0:32:05.480 --> 0:32:06.720
<v Speaker 4>I don't know why.

0:32:06.800 --> 0:32:09.280
<v Speaker 3>To Mary, I of course don't agree with whatever you're son.

0:32:10.000 --> 0:32:11.840
<v Speaker 5>And I was like, maybe I could be you know,

0:32:12.000 --> 0:32:16.440
<v Speaker 5>Mary's husband at some point. And then they came and

0:32:16.480 --> 0:32:18.680
<v Speaker 5>they asked me to play Mary's teacher and I was like, oh, yeah,

0:32:18.760 --> 0:32:19.680
<v Speaker 5>Mary's teacher.

0:32:19.960 --> 0:32:21.240
<v Speaker 4>I didn't even think about it.

0:32:21.360 --> 0:32:23.680
<v Speaker 5>It's like it was a real treat and it's like

0:32:24.480 --> 0:32:26.200
<v Speaker 5>such a good part and such a good play and

0:32:26.280 --> 0:32:29.840
<v Speaker 5>I could do it. Jinx Monsoon and command Nanjianni and

0:32:29.920 --> 0:32:33.880
<v Speaker 5>Jen Harris played Mary's chaperone, and Tony Mock, who was

0:32:34.160 --> 0:32:36.680
<v Speaker 5>the original Mary's Husband's assistant I think is what his

0:32:36.760 --> 0:32:40.360
<v Speaker 5>name is. And uh, it was. It was totally dreaming

0:32:40.480 --> 0:32:43.360
<v Speaker 5>getting to work with Jinks Monsoon. Oh my gosh, she

0:32:43.360 --> 0:32:44.240
<v Speaker 5>she's so funny.

0:32:44.320 --> 0:32:49.160
<v Speaker 4>She's so funny and so alive on stage. Like it's

0:32:49.240 --> 0:32:53.680
<v Speaker 4>like it was this. It felt like working with Sutton.

0:32:53.440 --> 0:32:56.440
<v Speaker 5>Foster or Patti both of them. I mean, it was

0:32:56.600 --> 0:32:59.640
<v Speaker 5>it was that exciting. They're like when you're on stage

0:32:59.640 --> 0:33:05.160
<v Speaker 5>with like a star that just doesn't even like need lighting,

0:33:05.560 --> 0:33:09.200
<v Speaker 5>you know what I mean, Like they're just so electric

0:33:09.320 --> 0:33:13.400
<v Speaker 5>and so vibrant and and so alive. And all three

0:33:13.440 --> 0:33:15.520
<v Speaker 5>of them, actually, I would say all three of those

0:33:16.080 --> 0:33:18.880
<v Speaker 5>those women that I've I've been in plays with at

0:33:18.880 --> 0:33:23.480
<v Speaker 5>some point were so present that I messed up and

0:33:23.520 --> 0:33:24.320
<v Speaker 5>they helped.

0:33:24.040 --> 0:33:26.720
<v Speaker 4>Me, you know what I mean, Like, like that's how

0:33:27.000 --> 0:33:33.160
<v Speaker 4>like alive they are on stage? It was it was awesome.

0:33:33.240 --> 0:33:36.320
<v Speaker 3>Do you have a dream casting for Mary?

0:33:37.000 --> 0:33:43.040
<v Speaker 4>Ooh you know that's a really good Martin short?

0:33:43.320 --> 0:33:43.920
<v Speaker 3>Oh my god?

0:33:43.920 --> 0:33:44.840
<v Speaker 4>How crazy? Would that be?

0:33:45.880 --> 0:33:48.840
<v Speaker 3>Unbelievable that we would knock down walls to see that?

0:33:49.280 --> 0:33:51.600
<v Speaker 5>Of course, like the like you know, the bad answer

0:33:51.640 --> 0:33:55.480
<v Speaker 5>is like miss Piggy, which is which was a cold

0:33:55.480 --> 0:33:57.240
<v Speaker 5>said if there was ever a movie, who will play Mary?

0:33:57.520 --> 0:33:57.640
<v Speaker 3>Right?

0:33:57.880 --> 0:33:58.280
<v Speaker 4>They said?

0:33:58.360 --> 0:34:02.640
<v Speaker 5>They said miss Piggy, which is brilliant and would be amazing.

0:34:02.680 --> 0:34:04.960
<v Speaker 5>I think it's like obviously like that's.

0:34:04.720 --> 0:34:12.239
<v Speaker 4>Limited without legs, But wouldn't that be wouldn't that be amazing? Match?

0:34:13.800 --> 0:34:16.000
<v Speaker 3>Well, I think there's something else we should talk about.

0:34:16.040 --> 0:34:18.480
<v Speaker 3>It's been kind of just in the periphery here, and

0:34:18.560 --> 0:34:20.759
<v Speaker 3>I know you've been trying to avoid the topic and

0:34:20.920 --> 0:34:23.839
<v Speaker 3>push away from an obvious mistake you made coming into

0:34:23.840 --> 0:34:24.560
<v Speaker 3>the podcast.

0:34:26.120 --> 0:34:28.520
<v Speaker 4>I just feel weird coming empty ended. I would feel

0:34:29.040 --> 0:34:29.919
<v Speaker 4>weird about that.

0:34:30.080 --> 0:34:32.200
<v Speaker 3>Well, you were on the show before and you brought

0:34:32.239 --> 0:34:35.839
<v Speaker 3>something and it was a huge explosion between us, kind

0:34:35.840 --> 0:34:39.640
<v Speaker 3>of a rift for years. I had to take you

0:34:39.680 --> 0:34:41.520
<v Speaker 3>out to an apology or you had to take me

0:34:41.600 --> 0:34:43.800
<v Speaker 3>out to an apology breakfast excuse.

0:34:43.400 --> 0:34:44.759
<v Speaker 4>Me, which was nice and I got a pair of

0:34:44.760 --> 0:34:45.279
<v Speaker 4>pants out of there.

0:34:45.360 --> 0:34:48.120
<v Speaker 3>Yeah, so it was again kind of self interest always

0:34:48.200 --> 0:34:51.640
<v Speaker 3>leads the way with Michael Yury. You brought a gift.

0:34:51.640 --> 0:34:52.799
<v Speaker 3>Should we open it here on the show?

0:34:52.840 --> 0:34:54.680
<v Speaker 4>I think it's I think we want as well. I mean,

0:34:55.000 --> 0:34:57.440
<v Speaker 4>at least clear the air, okay, I like you to

0:34:57.480 --> 0:34:59.600
<v Speaker 4>see what it is for a good or badge. I

0:34:59.640 --> 0:35:03.080
<v Speaker 4>went to some trouble to, you know, gorgeously wrap thank you,

0:35:03.280 --> 0:35:03.600
<v Speaker 4>thank you.

0:35:03.640 --> 0:35:04.960
<v Speaker 5>I went to a lot of trouble to wrap it.

0:35:05.000 --> 0:35:07.400
<v Speaker 5>And I think the color is nice and.

0:35:07.800 --> 0:35:10.719
<v Speaker 3>The bow has already fallen off. So your little job.

0:35:11.880 --> 0:35:14.880
<v Speaker 5>I just when I saw it, I thought of you immediately.

0:35:16.280 --> 0:35:18.839
<v Speaker 5>I don't know why, but it made me think of

0:35:18.880 --> 0:35:19.840
<v Speaker 5>you immediately.

0:35:20.040 --> 0:35:22.160
<v Speaker 4>It's a little big I hope you have a place

0:35:22.160 --> 0:35:22.520
<v Speaker 4>for it.

0:35:22.640 --> 0:35:26.840
<v Speaker 3>I would say it's about two feet by.

0:35:27.239 --> 0:35:32.160
<v Speaker 4>No, it's large by four maybe four.

0:35:33.400 --> 0:35:36.920
<v Speaker 3>This is we're two men with no special reasoning skills, butts,

0:35:37.280 --> 0:35:42.160
<v Speaker 3>it's like a two by it's life size guessing sizes.

0:35:42.200 --> 0:35:47.400
<v Speaker 3>This is what people like, let's say two by eighteen. Okay,

0:35:48.440 --> 0:35:49.000
<v Speaker 3>don't ask.

0:35:51.480 --> 0:35:54.080
<v Speaker 4>It seems like it's getting bigger as you hold it.

0:35:54.200 --> 0:35:54.680
<v Speaker 4>I don't know.

0:35:55.280 --> 0:35:59.400
<v Speaker 3>Large, flat, flat pink, kind of a plastic pink for us.

0:35:59.520 --> 0:36:03.120
<v Speaker 5>Right open it, rip into it. Let's see what you got.

0:36:06.440 --> 0:36:09.719
<v Speaker 3>I haven't seen the front yet, but it appears to

0:36:09.760 --> 0:36:12.640
<v Speaker 3>be some I'm gonna guess this is some sort of painting.

0:36:13.760 --> 0:36:15.640
<v Speaker 4>It's a it's a canvas. You you can kind of

0:36:15.640 --> 0:36:21.759
<v Speaker 4>see from the back that it's a canvas. Oh, and

0:36:22.200 --> 0:36:30.160
<v Speaker 4>it is revealed see it, see you guys in the

0:36:30.239 --> 0:36:30.960
<v Speaker 4>same fame.

0:36:32.760 --> 0:36:37.760
<v Speaker 3>It's a painting. It's you. It's you, Bridger.

0:36:38.360 --> 0:36:42.759
<v Speaker 4>I saw it and I said, that's you.

0:36:42.760 --> 0:36:44.040
<v Speaker 3>Where did this come from?

0:36:45.000 --> 0:36:45.040
<v Speaker 2>This?

0:36:45.840 --> 0:36:49.920
<v Speaker 3>I should describe to our non tween listener, this is

0:36:49.960 --> 0:36:53.200
<v Speaker 3>a painting of essentially me.

0:36:53.560 --> 0:36:58.440
<v Speaker 4>It's you. It's it's a it's a victory.

0:36:56.560 --> 0:37:00.160
<v Speaker 3>And maybe maybe like ginger twink.

0:37:00.080 --> 0:37:05.000
<v Speaker 5>With glasses and it's it's just it just I don't

0:37:05.000 --> 0:37:06.479
<v Speaker 5>know who else it could be.

0:37:06.719 --> 0:37:08.800
<v Speaker 3>This look, this is striking.

0:37:08.960 --> 0:37:13.640
<v Speaker 5>It has to be Bridger Wyneger fan fiction in painting form.

0:37:13.719 --> 0:37:14.960
<v Speaker 5>I just I don't know how.

0:37:15.120 --> 0:37:16.239
<v Speaker 4>I don't know how well.

0:37:16.560 --> 0:37:19.160
<v Speaker 5>I'm dying for you to get a suit like this,

0:37:19.480 --> 0:37:22.480
<v Speaker 5>oh my, and and I want there to be a

0:37:22.520 --> 0:37:23.680
<v Speaker 5>photo shoot.

0:37:25.040 --> 0:37:29.000
<v Speaker 4>With you and with these little glasses. I don't you know.

0:37:29.080 --> 0:37:31.480
<v Speaker 5>I saw it in Palm Springs at a consignment store

0:37:32.080 --> 0:37:35.960
<v Speaker 5>and it wouldn't stop staring at me, and I had to.

0:37:36.120 --> 0:37:38.080
<v Speaker 5>I had to get it for you. I've been holding

0:37:38.080 --> 0:37:40.360
<v Speaker 5>it hoping you would invite me back on the podcast

0:37:41.960 --> 0:37:43.520
<v Speaker 5>so that I can bring it for you.

0:37:43.760 --> 0:37:47.360
<v Speaker 3>Just occasional text hinting. It looks like somebody painted me

0:37:47.440 --> 0:37:52.279
<v Speaker 3>as like someone's mean accountant husband, like in uh like

0:37:53.800 --> 0:37:55.400
<v Speaker 3>yeah gilded age.

0:37:55.280 --> 0:37:58.560
<v Speaker 4>Yeah, you were like, that will ever work? We don't

0:37:58.600 --> 0:37:59.280
<v Speaker 4>have that money.

0:38:00.080 --> 0:38:04.520
<v Speaker 5>I've been looking at the books all day, honey.

0:38:04.680 --> 0:38:08.279
<v Speaker 3>It says here it was. There's a name on it.

0:38:08.280 --> 0:38:11.080
<v Speaker 3>It says Mike Michaels ninety one, which is also weird.

0:38:11.160 --> 0:38:14.239
<v Speaker 5>Yeah, yeah, I must someone someone with the last name Michaels.

0:38:14.360 --> 0:38:16.960
<v Speaker 5>I know that that probably also selfishly drew me to it.

0:38:17.680 --> 0:38:20.480
<v Speaker 3>You saw that first, this is your first time saying

0:38:20.480 --> 0:38:21.200
<v Speaker 3>the right name.

0:38:24.320 --> 0:38:27.560
<v Speaker 5>Yeah, so I guess somebody. It's also an audacious signature.

0:38:27.800 --> 0:38:29.680
<v Speaker 3>Yeah, it's a fit. I like this sort of signature.

0:38:29.840 --> 0:38:31.480
<v Speaker 3>It's just we're just writing your name.

0:38:31.600 --> 0:38:33.920
<v Speaker 4>This is my name. This is my painting I made that.

0:38:34.280 --> 0:38:35.799
<v Speaker 4>I was like, how it goes on the side, like

0:38:35.840 --> 0:38:39.319
<v Speaker 4>you don't you can't quite frame it. Oh, the canvas

0:38:39.520 --> 0:38:40.680
<v Speaker 4>is like wrapped around.

0:38:41.040 --> 0:38:44.480
<v Speaker 3>That's this is a wrapped canvas like that. This is

0:38:44.719 --> 0:38:46.399
<v Speaker 3>I mean, an original as far as we can tell.

0:38:46.560 --> 0:38:49.880
<v Speaker 4>Yeah, I think this is definitely that Michael's. Michael's touched it.

0:38:50.200 --> 0:38:52.960
<v Speaker 3>What store did you get it at? In Palm Spring?

0:38:53.160 --> 0:38:56.160
<v Speaker 4>I got it at Let's see where can we put

0:38:56.160 --> 0:38:57.760
<v Speaker 4>the estate sale?

0:38:57.920 --> 0:39:00.880
<v Speaker 5>And Palm Springs there's a lot of consign yes, and

0:39:00.880 --> 0:39:04.960
<v Speaker 5>then we love a consignment shop, and which I as

0:39:05.000 --> 0:39:08.719
<v Speaker 5>far as I know, means like you're not. It's like

0:39:08.840 --> 0:39:11.960
<v Speaker 5>they there's an owner, and then the shop is like

0:39:12.840 --> 0:39:14.040
<v Speaker 5>selling it for that owner.

0:39:14.040 --> 0:39:15.960
<v Speaker 3>Oh why didn't I've never really put any thought into

0:39:15.960 --> 0:39:16.759
<v Speaker 3>the word consignment.

0:39:16.880 --> 0:39:18.640
<v Speaker 4>I think that's what consignment means.

0:39:18.640 --> 0:39:21.000
<v Speaker 5>Because we tried to buy something from a cut assignment

0:39:21.120 --> 0:39:24.280
<v Speaker 5>shop and then we got cold feet and tried to get.

0:39:24.120 --> 0:39:25.680
<v Speaker 4>Out of it. And they were like, well, we already

0:39:25.719 --> 0:39:28.080
<v Speaker 4>told the owner. And I was like, oh, I see here.

0:39:28.320 --> 0:39:31.560
<v Speaker 4>So we're disappointing a lot of people if we don't

0:39:31.560 --> 0:39:35.520
<v Speaker 4>buy this thing, not this something else. But uh, it's

0:39:35.560 --> 0:39:38.920
<v Speaker 4>called estate sale and it's in Pump Springs.

0:39:38.960 --> 0:39:41.000
<v Speaker 5>There's a couple of them. There's one called a state sale,

0:39:41.000 --> 0:39:44.920
<v Speaker 5>there's one called Misty's and they've got you know, it's

0:39:44.960 --> 0:39:50.160
<v Speaker 5>basically like when someone moves on from this mortal coil.

0:39:50.719 --> 0:39:56.520
<v Speaker 5>There furniture can be sold. Sometimes it's donated, and and

0:39:56.680 --> 0:39:58.959
<v Speaker 5>you know, in the desert, in the in the Pump

0:39:58.960 --> 0:40:01.040
<v Speaker 5>Springs and the other desert cities, a lot of people

0:40:01.120 --> 0:40:01.520
<v Speaker 5>moving on.

0:40:02.200 --> 0:40:04.160
<v Speaker 3>Apparently that's where you go to die.

0:40:04.239 --> 0:40:05.720
<v Speaker 4>So there's a lot of great stuff.

0:40:06.600 --> 0:40:08.319
<v Speaker 3>There is a lot of good stuff out there.

0:40:08.400 --> 0:40:10.319
<v Speaker 4>A lot of people can show up there. They have

0:40:10.440 --> 0:40:14.160
<v Speaker 4>nice stuff. They spend a lifetime collecting it, and then

0:40:14.160 --> 0:40:16.400
<v Speaker 4>when they go, they you know, the kids.

0:40:16.200 --> 0:40:18.000
<v Speaker 3>Say, if we don't want any of this chunk.

0:40:18.280 --> 0:40:21.000
<v Speaker 5>Let's see what we can get for it, and they

0:40:21.120 --> 0:40:25.160
<v Speaker 5>sell it at consignment and this place a state sale.

0:40:25.200 --> 0:40:28.520
<v Speaker 4>It was on a wall and unbelievable. I know, I'm

0:40:28.600 --> 0:40:32.839
<v Speaker 4>so happy at talking I hope everyone likes it at

0:40:32.880 --> 0:40:35.520
<v Speaker 4>home or here at the studio.

0:40:35.640 --> 0:40:37.400
<v Speaker 3>It feels like it might be an we'll see if

0:40:37.400 --> 0:40:39.120
<v Speaker 3>we can figure out a way to have it here

0:40:39.160 --> 0:40:41.439
<v Speaker 3>at the studio, possibly just to make the guests even

0:40:41.440 --> 0:40:43.759
<v Speaker 3>more uncomfortable with whatever's going on.

0:40:44.120 --> 0:40:46.640
<v Speaker 4>I would be so honored if this stayed here as

0:40:46.719 --> 0:40:49.239
<v Speaker 4>part of the studio and every guest had to look

0:40:49.239 --> 0:40:50.759
<v Speaker 4>at it and acknowledge it, and you had to talk

0:40:50.760 --> 0:40:52.759
<v Speaker 4>about me every episode.

0:40:53.080 --> 0:40:56.200
<v Speaker 3>Oh that's true. This is oh so Ultimately, this is

0:40:56.320 --> 0:40:58.240
<v Speaker 3>just a publicity scam.

0:40:58.400 --> 0:41:01.239
<v Speaker 4>This is yes, this is I'm playing I'm playing two

0:41:01.280 --> 0:41:02.959
<v Speaker 4>dimensional chests with this, with this one.

0:41:03.280 --> 0:41:05.000
<v Speaker 3>This is how you stay in the convent.

0:41:05.600 --> 0:41:10.399
<v Speaker 4>This isn't a one laugh gift. This is a recurring laugh.

0:41:11.640 --> 0:41:14.040
<v Speaker 3>This is going to we have this painting of Io here,

0:41:14.200 --> 0:41:16.680
<v Speaker 3>and it's going to overshadow Io because people are always

0:41:16.719 --> 0:41:18.520
<v Speaker 3>like is that Io? Now? People are can be so

0:41:18.520 --> 0:41:21.080
<v Speaker 3>distracted from They're gonna be like is that you? And

0:41:21.440 --> 0:41:24.360
<v Speaker 3>I'll say, yes, it's from somebody I can't remember.

0:41:25.400 --> 0:41:27.640
<v Speaker 4>But the name is right there. How can you forget

0:41:27.680 --> 0:41:28.040
<v Speaker 4>the name?

0:41:28.080 --> 0:41:32.239
<v Speaker 3>It's Michaels, Michaels something. What was the thing you were

0:41:32.239 --> 0:41:32.719
<v Speaker 3>going to buy?

0:41:32.760 --> 0:41:32.880
<v Speaker 4>Then?

0:41:32.920 --> 0:41:34.840
<v Speaker 3>Got cold feet about it was a table.

0:41:35.040 --> 0:41:39.319
<v Speaker 5>It was a big, very expensive table, and we did

0:41:39.360 --> 0:41:39.920
<v Speaker 5>get out of it.

0:41:40.000 --> 0:41:43.399
<v Speaker 3>Okay, how did you like? What were you penalized?

0:41:43.560 --> 0:41:45.520
<v Speaker 4>We had to we had to work off a credit.

0:41:47.520 --> 0:41:49.080
<v Speaker 3>Well I wasn't aware of this trap.

0:41:49.560 --> 0:41:52.200
<v Speaker 5>Yeah, yeah they were. We we had a credit. Actually,

0:41:52.200 --> 0:41:52.840
<v Speaker 5>I think we still have.

0:41:53.080 --> 0:41:53.239
<v Speaker 4>No.

0:41:53.239 --> 0:41:56.399
<v Speaker 5>No, we finally did, actually because then when I got this,

0:41:56.520 --> 0:41:57.880
<v Speaker 5>we were outside the credit.

0:41:57.960 --> 0:42:00.400
<v Speaker 3>Okay, Oh this is this was almost like an escape

0:42:00.400 --> 0:42:04.760
<v Speaker 3>from a curse. The only way to break the curse

0:42:04.880 --> 0:42:07.200
<v Speaker 3>is to buy it enchanted painting.

0:42:07.280 --> 0:42:10.600
<v Speaker 4>If we didn't buy this, you might never be free.

0:42:10.880 --> 0:42:15.120
<v Speaker 4>Oh interesting, I feel like this, or you would always

0:42:15.160 --> 0:42:16.160
<v Speaker 4>be part.

0:42:15.960 --> 0:42:18.920
<v Speaker 3>Of me was trapped in the consignments. Yes, in chains,

0:42:19.680 --> 0:42:24.080
<v Speaker 3>I'm finally free. Fal maybe something good will happen.

0:42:24.520 --> 0:42:24.719
<v Speaker 2>You know.

0:42:24.800 --> 0:42:25.040
<v Speaker 3>That's so.

0:42:25.360 --> 0:42:27.040
<v Speaker 4>I sometimes feel that way because I go to a

0:42:27.040 --> 0:42:29.920
<v Speaker 4>lot of shops like that, like revivals in the Desert

0:42:30.239 --> 0:42:33.280
<v Speaker 4>are great. Or in New York we have housing works.

0:42:32.920 --> 0:42:37.480
<v Speaker 3>Yes, or the Cure what's that what it's called in

0:42:37.520 --> 0:42:41.439
<v Speaker 3>the East Village. There's a room store that's really great

0:42:41.440 --> 0:42:42.759
<v Speaker 3>there that I go to anytime I'm there.

0:42:42.880 --> 0:42:43.279
<v Speaker 4>We gotta go.

0:42:43.520 --> 0:42:48.440
<v Speaker 5>Yeah, that sounds amazing, or or hear this out of

0:42:48.480 --> 0:42:50.680
<v Speaker 5>the out of the box, you know those out of

0:42:50.680 --> 0:42:52.200
<v Speaker 5>the out of the closet, thank you?

0:42:52.280 --> 0:42:56.520
<v Speaker 3>Wow what you've been canceled as a gay person and

0:42:56.560 --> 0:42:59.680
<v Speaker 3>somehow that was came out of the box last week?

0:43:02.160 --> 0:43:02.440
<v Speaker 4>Wow?

0:43:03.239 --> 0:43:05.200
<v Speaker 5>Oh the history, all the history of out of the

0:43:05.239 --> 0:43:10.239
<v Speaker 5>closet just like thrown out the door box of the God.

0:43:10.320 --> 0:43:13.320
<v Speaker 4>That's humiliating. But those places, I love them. Those places

0:43:13.400 --> 0:43:13.759
<v Speaker 4>are great.

0:43:14.120 --> 0:43:18.040
<v Speaker 5>And I love going through the record collection. I collect vinyl.

0:43:18.160 --> 0:43:19.280
<v Speaker 4>Oh I would.

0:43:19.080 --> 0:43:20.720
<v Speaker 3>Love to, but I think I would get out of control.

0:43:20.840 --> 0:43:22.960
<v Speaker 4>Oh it's so great. I love it. So I listened

0:43:22.960 --> 0:43:24.000
<v Speaker 4>to Vinyl every day.

0:43:24.920 --> 0:43:28.480
<v Speaker 3>You've got You've got very timeless taste. I think as

0:43:28.520 --> 0:43:33.000
<v Speaker 3>far you were just a Herb Helper, Herb.

0:43:33.239 --> 0:43:35.840
<v Speaker 4>Herb Helpert, Herb Alpert.

0:43:35.880 --> 0:43:39.799
<v Speaker 3>I don't know this, but it's like you. No, I

0:43:39.800 --> 0:43:42.320
<v Speaker 3>think I'm like probably vaguely aware of his music.

0:43:42.560 --> 0:43:43.680
<v Speaker 4>You know his music for sure.

0:43:43.760 --> 0:43:46.000
<v Speaker 3>But you posted to Instagram that you wore out the

0:43:46.000 --> 0:43:47.879
<v Speaker 3>cassette tape as a child.

0:43:48.120 --> 0:43:49.360
<v Speaker 4>Yes, which is incredible.

0:43:49.480 --> 0:43:54.600
<v Speaker 5>I love Herb Alpert, love this music.

0:43:54.600 --> 0:43:56.680
<v Speaker 4>I have so many of his records on vinyl.

0:43:57.680 --> 0:44:02.759
<v Speaker 5>He plays the trumpet, okay, and he also a and

0:44:03.000 --> 0:44:06.520
<v Speaker 5>P records. I'm sorry, an R Records. He's the A

0:44:06.880 --> 0:44:09.719
<v Speaker 5>of an R Records, So like he's a he's a

0:44:09.840 --> 0:44:12.520
<v Speaker 5>very wealthy man. But he like was responsible for a lot.

0:44:12.560 --> 0:44:15.800
<v Speaker 5>He's responsible for Sergio Mendez. Like he sort of produced

0:44:15.880 --> 0:44:17.799
<v Speaker 5>he didn't you know, I mean he didn't make he

0:44:17.800 --> 0:44:20.440
<v Speaker 5>didn't teach the trumpet, but yeah, he sort of like

0:44:20.560 --> 0:44:23.799
<v Speaker 5>made that a whole wow thing and the whole possibility.

0:44:24.080 --> 0:44:28.359
<v Speaker 5>And he had great relationships with the Carpenters and Burt Bacharack.

0:44:28.680 --> 0:44:34.440
<v Speaker 5>And he's ninety one years old, Bridger, and he's still wow.

0:44:34.520 --> 0:44:38.880
<v Speaker 5>He still blows good for And he came like dancing

0:44:38.920 --> 0:44:42.160
<v Speaker 5>on at the Hollywood Bowl the other night, and he

0:44:42.280 --> 0:44:45.880
<v Speaker 5>was and he sounds great. And he has a new combo.

0:44:45.880 --> 0:44:48.080
<v Speaker 5>I don't think it's the same Tijuana brass guys, but

0:44:48.200 --> 0:44:50.920
<v Speaker 5>he's got this new group of people and it's just,

0:44:51.239 --> 0:44:53.240
<v Speaker 5>I mean, the most perfect Hollywood Bowl.

0:44:53.160 --> 0:44:56.239
<v Speaker 3>Knight who introduced you to him as a child, you.

0:44:56.200 --> 0:44:58.080
<v Speaker 4>Know, it was probably good question.

0:45:00.120 --> 0:45:03.960
<v Speaker 5>My parents probably had the tape, okay, it seemed, and

0:45:04.000 --> 0:45:07.200
<v Speaker 5>my parents had records, They had some Herb Alpert records.

0:45:07.480 --> 0:45:11.080
<v Speaker 4>It was a big deal. Like people especially you know

0:45:11.120 --> 0:45:12.880
<v Speaker 4>in the sixties and seventies. I think it was. It

0:45:13.120 --> 0:45:16.719
<v Speaker 4>was because it's great like dinner music, right, there's no

0:45:16.800 --> 0:45:17.160
<v Speaker 4>there's no.

0:45:17.120 --> 0:45:19.520
<v Speaker 3>Put on some light jazzy music in the background.

0:45:19.600 --> 0:45:21.960
<v Speaker 5>Yeah, for party, party music or dinner music. So I

0:45:22.000 --> 0:45:25.359
<v Speaker 5>think a lot of people had the records. And there's

0:45:25.360 --> 0:45:27.560
<v Speaker 5>some I read some statistics that the one year he

0:45:27.600 --> 0:45:30.400
<v Speaker 5>sold more records than the Beatles or something like that. Oh,

0:45:30.440 --> 0:45:32.880
<v Speaker 5>and I think, uh so, I think I think he

0:45:33.080 --> 0:45:37.080
<v Speaker 5>was the soundtrack of a lot of people's lives. And

0:45:37.280 --> 0:45:39.359
<v Speaker 5>you will you would know if you like put on

0:45:39.560 --> 0:45:42.080
<v Speaker 5>Herb Alpert. It's like, oh yeah, I've heard that a

0:45:42.120 --> 0:45:45.040
<v Speaker 5>lot of stuff. Get there's this great song called Rise

0:45:46.680 --> 0:45:49.759
<v Speaker 5>that I think was post Tijuana Brass. It was just

0:45:49.800 --> 0:45:52.279
<v Speaker 5>Herb Alpert. But it gets sampled all the time.

0:45:52.360 --> 0:45:54.800
<v Speaker 3>Oh interesting, Can you think of an example of being sampled?

0:45:55.920 --> 0:46:01.440
<v Speaker 4>No, I'm sorry yet, but I know it happened. Okay.

0:46:03.520 --> 0:46:05.480
<v Speaker 5>And then the tape that I wore out might have

0:46:05.640 --> 0:46:09.560
<v Speaker 5>been a tape of movie music or it might have

0:46:09.640 --> 0:46:11.000
<v Speaker 5>been like a James Bond.

0:46:11.400 --> 0:46:13.200
<v Speaker 3>Oh that makes sense.

0:46:13.040 --> 0:46:15.960
<v Speaker 5>Because that particular song which he did play the other

0:46:16.040 --> 0:46:21.000
<v Speaker 5>night that I posted a video of was Casino Royale. Okay,

0:46:21.040 --> 0:46:24.040
<v Speaker 5>which was a James Bond movie, but like a parody

0:46:24.200 --> 0:46:25.240
<v Speaker 5>James Bond movie.

0:46:25.360 --> 0:46:27.440
<v Speaker 3>I've tried figuring. I've never seen the movie, but I

0:46:27.440 --> 0:46:29.000
<v Speaker 3>feel like I've read about that at some point and

0:46:29.000 --> 0:46:32.400
<v Speaker 3>it was like, wait, I know what wasn't who was like,

0:46:32.680 --> 0:46:35.239
<v Speaker 3>especially considering now how protective people are of like I

0:46:35.680 --> 0:46:37.799
<v Speaker 3>and whatever, I know, what was this thing?

0:46:37.880 --> 0:46:40.520
<v Speaker 5>I'm not sure it was, and I should know since

0:46:40.520 --> 0:46:42.200
<v Speaker 5>I love the song so much, but I think it

0:46:42.239 --> 0:46:44.440
<v Speaker 5>was like I never saw it, but I think it

0:46:44.520 --> 0:46:47.040
<v Speaker 5>was a movie that came out in the you know,

0:46:47.160 --> 0:46:50.799
<v Speaker 5>the the golden era of James Bond, the Roger Moore,

0:46:51.120 --> 0:46:54.480
<v Speaker 5>Sean Connery era. They was there was another James Bond

0:46:54.480 --> 0:46:57.600
<v Speaker 5>movie that was a comedy and instead of it being

0:46:57.640 --> 0:47:06.040
<v Speaker 5>like Shirley Bassey singing Thunderball, it was herb Albert. Yeah,

0:47:06.080 --> 0:47:08.600
<v Speaker 5>and it's just an awesome song. And then I didn't

0:47:08.680 --> 0:47:11.799
<v Speaker 5>know this until I posted this on Instagram, But apparently

0:47:12.040 --> 0:47:15.640
<v Speaker 5>a lot of people know that music because there's a

0:47:15.800 --> 0:47:20.600
<v Speaker 5>hilarious Will Forte sketch on SNL where he plays a

0:47:20.680 --> 0:47:25.840
<v Speaker 5>coach and they're like there, it's halftime of a basketball

0:47:25.840 --> 0:47:29.200
<v Speaker 5>game and they're like down by fifty points and he's like,

0:47:29.480 --> 0:47:31.440
<v Speaker 5>my coach once played this song for me and I'm

0:47:31.440 --> 0:47:32.960
<v Speaker 5>gonna play it for you now. And he pulls out

0:47:32.960 --> 0:47:35.120
<v Speaker 5>a tape and he puts it in and it's Herb

0:47:35.160 --> 0:47:40.040
<v Speaker 5>Alpert and he just dances and it's so funny. I'd

0:47:40.080 --> 0:47:42.080
<v Speaker 5>never seen it, and all these people were messaging me.

0:47:42.040 --> 0:47:43.480
<v Speaker 3>On Instagram about it.

0:47:44.360 --> 0:47:48.239
<v Speaker 4>So I love him, Herb. I love her and I

0:47:48.280 --> 0:47:49.680
<v Speaker 4>love collecting.

0:47:50.120 --> 0:47:51.319
<v Speaker 3>How many records do you think you have?

0:47:51.920 --> 0:47:54.799
<v Speaker 5>Well, I have limited. My I don't have that many.

0:47:54.800 --> 0:47:57.399
<v Speaker 5>I have two collections. I have because I have here

0:47:57.520 --> 0:48:00.920
<v Speaker 5>and in New York, New York, we have more room,

0:48:01.040 --> 0:48:05.359
<v Speaker 5>so I have more, probably, I don't know, definitely more

0:48:05.400 --> 0:48:09.520
<v Speaker 5>than a hundred. I keep it limited, but I will

0:48:09.880 --> 0:48:11.839
<v Speaker 5>buy because sometimes you can get a record, like at

0:48:11.840 --> 0:48:14.080
<v Speaker 5>a revivals or at a housing works, like.

0:48:14.080 --> 0:48:16.880
<v Speaker 3>A great record for a dollar Oh so cheap.

0:48:17.040 --> 0:48:20.440
<v Speaker 5>It's crazy, and it's like this will give me hours

0:48:20.560 --> 0:48:21.160
<v Speaker 5>of joy.

0:48:21.520 --> 0:48:23.120
<v Speaker 3>Yeah, that's a nice way of looking at it.

0:48:23.160 --> 0:48:26.320
<v Speaker 4>And sometimes I buy. I have some records in both cities.

0:48:26.520 --> 0:48:28.200
<v Speaker 3>Oh wow, that's actually a good idea.

0:48:28.280 --> 0:48:30.279
<v Speaker 5>Yeah, because I love them so much and I see them.

0:48:30.320 --> 0:48:32.839
<v Speaker 5>You know, if there's a Bear listen, if there's a

0:48:32.880 --> 0:48:34.200
<v Speaker 5>Barry MANI Low record.

0:48:34.239 --> 0:48:35.920
<v Speaker 3>I mean you don't have the dombake that you're getting

0:48:35.920 --> 0:48:37.640
<v Speaker 3>every Barry man record.

0:48:37.320 --> 0:48:40.160
<v Speaker 4>And it's a dollar. I'm not going to leave.

0:48:40.200 --> 0:48:41.960
<v Speaker 5>First of all, I'm not going to leave a Barry

0:48:42.000 --> 0:48:45.680
<v Speaker 5>Manilow record with a dollar price tag on it. I'm

0:48:45.719 --> 0:48:49.320
<v Speaker 5>taking it just so no one else sees it and thinks,

0:48:49.320 --> 0:48:50.560
<v Speaker 5>why is that only a dollar?

0:48:50.600 --> 0:48:51.720
<v Speaker 3>Because they're protecting Barry.

0:48:51.880 --> 0:48:55.200
<v Speaker 5>I'm protecting the brand, and I will not lee. I

0:48:55.200 --> 0:48:58.200
<v Speaker 5>did this with Liza Manelli. There was Eliza Minelli at

0:48:58.239 --> 0:49:01.120
<v Speaker 5>Carnegie Hall record for a dollar and housing works, and

0:49:01.160 --> 0:49:03.120
<v Speaker 5>I said, that is that will not do.

0:49:03.680 --> 0:49:07.960
<v Speaker 4>I will not leave. Liza deserves better than to be

0:49:08.840 --> 0:49:12.160
<v Speaker 4>on sale for one dollar, and I will not leave this.

0:49:12.360 --> 0:49:15.000
<v Speaker 3>There's some poor, impressionable team that could have used that

0:49:15.080 --> 0:49:16.520
<v Speaker 3>record you've robbed.

0:49:17.440 --> 0:49:18.000
<v Speaker 4>That's true.

0:49:18.200 --> 0:49:19.760
<v Speaker 3>You've robbed them that, It's true.

0:49:19.560 --> 0:49:20.960
<v Speaker 4>But they wouldn't have known how to do it.

0:49:22.000 --> 0:49:25.080
<v Speaker 5>They wouldn't have understood why it's so important, why the

0:49:25.120 --> 0:49:27.080
<v Speaker 5>Carnegie Hall album is so important.

0:49:27.120 --> 0:49:29.080
<v Speaker 4>Because she just kicked the drugs.

0:49:29.160 --> 0:49:31.400
<v Speaker 5>So when she sings Cabaret and she says I'm not

0:49:31.520 --> 0:49:33.480
<v Speaker 5>going down like Elsie, it meant.

0:49:33.280 --> 0:49:39.680
<v Speaker 4>Something, you know, that one that's a really good album.

0:49:39.840 --> 0:49:40.279
<v Speaker 4>Oh my god.

0:49:40.520 --> 0:49:42.279
<v Speaker 3>Well, I was gonna buy it, but I can't find

0:49:42.320 --> 0:49:43.280
<v Speaker 3>an affordable copy.

0:49:43.480 --> 0:49:44.640
<v Speaker 4>So I have three.

0:49:44.760 --> 0:49:46.480
<v Speaker 3>I'll leend you.

0:49:46.640 --> 0:49:49.320
<v Speaker 5>I'll lend you my spare record player, and I actually

0:49:49.400 --> 0:49:50.480
<v Speaker 5>have a spare I have a.

0:49:50.360 --> 0:49:53.520
<v Speaker 3>Traveler Oh to keep it in your suitcase.

0:49:53.600 --> 0:49:55.759
<v Speaker 5>Yeah, I have a traveler record player that I that's

0:49:55.760 --> 0:49:57.560
<v Speaker 5>in my trailer at Shrinking right now.

0:49:57.640 --> 0:49:58.040
<v Speaker 3>Wow.

0:49:58.160 --> 0:49:59.239
<v Speaker 4>I have one in New York too.

0:49:59.320 --> 0:50:01.520
<v Speaker 5>That's amazing, No, I know, And this is a pretty

0:50:01.600 --> 0:50:05.239
<v Speaker 5>new thing for me because when the pandemic hit, Ryan

0:50:05.239 --> 0:50:08.239
<v Speaker 5>and I were, you know, quarantined as we all were,

0:50:09.120 --> 0:50:11.840
<v Speaker 5>and we were in New York, so we were like

0:50:11.920 --> 0:50:14.120
<v Speaker 5>quarantine in our little box. We didn't have outdoor space

0:50:14.200 --> 0:50:16.799
<v Speaker 5>or anything like that, and we were listening to music

0:50:16.840 --> 0:50:21.640
<v Speaker 5>all day every day and it just became like so

0:50:21.840 --> 0:50:26.200
<v Speaker 5>background because we just put on, you know, a playlist

0:50:26.360 --> 0:50:28.520
<v Speaker 5>and it would just keep playing and we didn't have

0:50:28.560 --> 0:50:30.520
<v Speaker 5>to monitor it or anything like that. And I was

0:50:30.680 --> 0:50:35.000
<v Speaker 5>and one day I said, should we start a record collection?

0:50:35.080 --> 0:50:37.680
<v Speaker 5>And it was the quickest Ryan and I ever agreed

0:50:37.719 --> 0:50:38.520
<v Speaker 5>on anything.

0:50:38.800 --> 0:50:39.759
<v Speaker 4>Really. Yeah.

0:50:39.760 --> 0:50:42.080
<v Speaker 5>Immediately He's like, yes, we should, we should. And then

0:50:42.200 --> 0:50:48.160
<v Speaker 5>because of supply chain, it took forever for us to

0:50:48.160 --> 0:50:50.640
<v Speaker 5>get our record player we ordered it, nothing was open

0:50:50.680 --> 0:50:52.239
<v Speaker 5>and it took forever. That was really sad.

0:50:52.480 --> 0:50:56.279
<v Speaker 3>Yeah, the supply chain thing was really weird, dream about

0:50:56.360 --> 0:50:59.640
<v Speaker 3>having an object, so like that'll be a year from now.

0:51:00.600 --> 0:51:01.960
<v Speaker 4>But then it did finally come.

0:51:02.000 --> 0:51:05.080
<v Speaker 5>Our record, our first record player did finally come and

0:51:05.200 --> 0:51:09.560
<v Speaker 5>we started ordering you know, records, and then that summer,

0:51:09.640 --> 0:51:14.359
<v Speaker 5>the summer of twenty twenty, we you know, quarantined and

0:51:14.400 --> 0:51:20.240
<v Speaker 5>then drove to see our families and rated the old

0:51:20.320 --> 0:51:23.480
<v Speaker 5>record collections. Oh that's so cool, So my parents, you

0:51:23.560 --> 0:51:27.920
<v Speaker 5>rated my parents' old record collection, Ryan's moms and Ryan's

0:51:28.280 --> 0:51:30.200
<v Speaker 5>stepmom's collections.

0:51:30.200 --> 0:51:32.080
<v Speaker 4>So we have a lot of really good stuff.

0:51:32.080 --> 0:51:35.319
<v Speaker 3>And your music tastes lines up enough that it's really

0:51:35.360 --> 0:51:36.280
<v Speaker 3>never an issue.

0:51:36.440 --> 0:51:39.920
<v Speaker 5>Oh yeah, me and Ryan, we have a lot of

0:51:40.000 --> 0:51:43.120
<v Speaker 5>Barry man Low that he doesn't listen to as much

0:51:43.120 --> 0:51:44.320
<v Speaker 5>as I tell sure.

0:51:44.360 --> 0:51:47.640
<v Speaker 4>And then a lot of Madonna that I listened.

0:51:47.360 --> 0:51:49.600
<v Speaker 3>Too far less okay, interesting.

0:51:49.239 --> 0:51:53.960
<v Speaker 5>Yes, I love Madonna, right, but it's not you know,

0:51:54.160 --> 0:51:56.600
<v Speaker 5>it's not my it's just not my jam.

0:51:56.960 --> 0:51:58.839
<v Speaker 3>The way it is, they line up with the sort

0:51:58.840 --> 0:52:01.160
<v Speaker 3>of listening you're usually doing, which is more for like

0:52:01.200 --> 0:52:03.160
<v Speaker 3>an elderly person.

0:52:03.920 --> 0:52:09.080
<v Speaker 4>I have the music taste of the people who's furniture's

0:52:09.080 --> 0:52:10.080
<v Speaker 4>in consignments.

0:52:11.160 --> 0:52:14.160
<v Speaker 3>Who do you think is like the most current musician

0:52:14.320 --> 0:52:15.440
<v Speaker 3>or band that you listened to?

0:52:15.560 --> 0:52:17.320
<v Speaker 4>Oh, okay, Harry Styles.

0:52:17.400 --> 0:52:19.440
<v Speaker 3>Okay, that's correct. I really like Harry Styles.

0:52:19.520 --> 0:52:24.600
<v Speaker 5>Yeah, that's probably that's new. He has a new album

0:52:24.680 --> 0:52:27.320
<v Speaker 5>that's great, which I really like. I went to his concert.

0:52:27.640 --> 0:52:29.000
<v Speaker 5>I wasn't a fan.

0:52:28.880 --> 0:52:29.960
<v Speaker 4>Until I went to his concert.

0:52:30.040 --> 0:52:30.640
<v Speaker 3>Oh interesting.

0:52:30.719 --> 0:52:33.800
<v Speaker 5>Yeah, I was invited to go because I knew someone

0:52:33.840 --> 0:52:36.360
<v Speaker 5>in the uh in the opener.

0:52:36.640 --> 0:52:39.719
<v Speaker 4>Oh and oh my god.

0:52:40.080 --> 0:52:41.080
<v Speaker 3>It's probably a big show.

0:52:41.360 --> 0:52:43.880
<v Speaker 4>Oh my god. It was like it was crazy.

0:52:44.280 --> 0:52:46.640
<v Speaker 5>It was at Madison Square Garden and we watched from

0:52:46.680 --> 0:52:52.040
<v Speaker 5>a box actually above and he was just that album

0:52:52.400 --> 0:52:54.920
<v Speaker 5>that I think I already kind of knew that album

0:52:55.000 --> 0:52:56.160
<v Speaker 5>because Ryan had gotten it.

0:52:56.200 --> 0:52:59.560
<v Speaker 4>But that second album, his second album.

0:52:59.600 --> 0:53:01.640
<v Speaker 3>More not the newest one, but them.

0:53:01.840 --> 0:53:04.160
<v Speaker 4>Yeah. One has the like music for a sushi restaurant

0:53:04.200 --> 0:53:07.440
<v Speaker 4>and it's called but it is.

0:53:08.160 --> 0:53:13.799
<v Speaker 5>It is so amazing, And this concert was just it

0:53:13.840 --> 0:53:19.240
<v Speaker 5>was It was Madison Square Garden was like literally shaking.

0:53:19.360 --> 0:53:22.960
<v Speaker 3>Oh, I'm sure I can't imagine the sound alone.

0:53:23.040 --> 0:53:25.520
<v Speaker 5>And to be kind of above it with a bird's

0:53:25.560 --> 0:53:28.279
<v Speaker 5>eye view was like and I had just this is

0:53:28.280 --> 0:53:31.479
<v Speaker 5>a random I had just been there like a week

0:53:31.560 --> 0:53:34.960
<v Speaker 5>earlier for Billy Joel. Oh wow, to see Billy Joel

0:53:35.040 --> 0:53:38.400
<v Speaker 5>in one of his last concerts at the in his

0:53:38.480 --> 0:53:41.719
<v Speaker 5>residency mats. Remember he did one a month for years.

0:53:42.239 --> 0:53:44.600
<v Speaker 5>I saw it a couple of times, but the last

0:53:44.640 --> 0:53:46.359
<v Speaker 5>time I saw it it was I was like, oh,

0:53:46.400 --> 0:53:49.840
<v Speaker 5>I've never seen a concert this crazy before, this raucous.

0:53:49.920 --> 0:53:51.120
<v Speaker 4>And then a week later.

0:53:51.680 --> 0:53:54.640
<v Speaker 3>Harry said, sorry, Billy, no one cares.

0:53:54.760 --> 0:53:59.000
<v Speaker 4>Harryes that hold my cosmo or whatever. Harry styles drinks.

0:53:59.280 --> 0:54:03.200
<v Speaker 5>But what it's what was really special that night was

0:54:03.239 --> 0:54:05.720
<v Speaker 5>like they went nuts. But the song that the audience

0:54:05.760 --> 0:54:09.000
<v Speaker 5>went the craziest for was you don't Know You're beautiful.

0:54:09.440 --> 0:54:11.959
<v Speaker 5>Oh it's a one direction song.

0:54:12.080 --> 0:54:13.400
<v Speaker 3>Oh yeah, of course.

0:54:14.880 --> 0:54:18.000
<v Speaker 4>That makes you beautiful? And it was I was so

0:54:18.200 --> 0:54:21.239
<v Speaker 4>moved because it's like all these girls, all these like

0:54:21.760 --> 0:54:27.560
<v Speaker 4>teenage girls, and that song is so sweet. It's such

0:54:27.560 --> 0:54:30.840
<v Speaker 4>a sweet and that's that's our anthem. It's an anthem. Yeah, totally,

0:54:30.840 --> 0:54:34.000
<v Speaker 4>it's an anthem for everybody. Yeah, so I think, yeah,

0:54:34.000 --> 0:54:36.479
<v Speaker 4>that's probably the one that's say. Oh you know who else?

0:54:36.719 --> 0:54:39.520
<v Speaker 4>I really like Brandy Carlisle, Okay, really.

0:54:39.280 --> 0:54:41.560
<v Speaker 3>Into her anytime I hear Brandy Carlisle, I feel like

0:54:41.760 --> 0:54:43.440
<v Speaker 3>it's somebody from the seventies.

0:54:43.560 --> 0:54:44.719
<v Speaker 4>Yeah, she's totally got that five.

0:54:44.760 --> 0:54:47.560
<v Speaker 3>Maybe that's why, right right, that makes sense to me.

0:54:47.960 --> 0:54:52.279
<v Speaker 5>And you know, Harry Styles now is giving you know,

0:54:52.320 --> 0:54:56.720
<v Speaker 5>that kind of performance is not unlike you know my

0:54:56.880 --> 0:54:57.440
<v Speaker 5>man alone.

0:54:57.440 --> 0:54:59.759
<v Speaker 3>Oh he's very He's our next barrier in the seven

0:55:00.120 --> 0:55:03.000
<v Speaker 3>of You know, there'll be people watching him in Vegas

0:55:03.000 --> 0:55:04.640
<v Speaker 3>in forty years. No kind of thing.

0:55:04.840 --> 0:55:07.360
<v Speaker 4>But you know, Menilo just beat cancer.

0:55:07.680 --> 0:55:08.520
<v Speaker 3>Oh good for him.

0:55:08.800 --> 0:55:11.879
<v Speaker 5>Yes, wow, he just had cancer and like had part

0:55:11.880 --> 0:55:14.680
<v Speaker 5>of his lung removes six months ago, and he's back

0:55:14.760 --> 0:55:17.840
<v Speaker 5>doing arena concerts. He's back on toes eighty three.

0:55:18.040 --> 0:55:20.840
<v Speaker 3>This sort of thing to me, this the Herb at

0:55:20.880 --> 0:55:23.919
<v Speaker 3>ninety one is like I got ripped off genetically because

0:55:23.960 --> 0:55:26.120
<v Speaker 3>I couldn't do it now, you know what I mean.

0:55:26.280 --> 0:55:28.839
<v Speaker 3>I'm just like, well, I just really got ripped off.

0:55:29.120 --> 0:55:31.200
<v Speaker 5>But you got to think like with her, like thinking

0:55:31.200 --> 0:55:33.759
<v Speaker 5>about Herb Albert and Barry Metelo, which I do a lot,

0:55:34.120 --> 0:55:38.879
<v Speaker 5>I believe you kind of figure like that exercise of

0:55:39.640 --> 0:55:43.440
<v Speaker 5>blowing through a trumpet or singing, you know, like a

0:55:43.520 --> 0:55:46.800
<v Speaker 5>ninety minute concert two hundred and fifty times a year.

0:55:47.120 --> 0:55:49.839
<v Speaker 4>Like, that's going to be really good for you. Your

0:55:49.880 --> 0:55:51.520
<v Speaker 4>heart and your lungs must.

0:55:51.280 --> 0:55:55.680
<v Speaker 5>Be an incredible shape if you're doing that so consistently. Yeah,

0:55:55.719 --> 0:55:57.360
<v Speaker 5>for so many decades.

0:55:57.000 --> 0:56:00.720
<v Speaker 3>Being surrounded by an audience of screaming Michael Yuri's.

0:56:00.080 --> 0:56:07.720
<v Speaker 4>Yes, fueling you well, taking you to Berry Madelove.

0:56:08.320 --> 0:56:10.800
<v Speaker 3>Does he ever? He's only ever in Vegas.

0:56:11.120 --> 0:56:14.960
<v Speaker 4>He's doing a stadium tour right now. Not here, not.

0:56:15.239 --> 0:56:17.400
<v Speaker 5>I don't know when he's going to be back in California.

0:56:17.480 --> 0:56:18.840
<v Speaker 5>But we're going to Vegas.

0:56:19.160 --> 0:56:21.319
<v Speaker 3>We should we should all go. And does he live

0:56:21.320 --> 0:56:23.960
<v Speaker 3>in Palm Springs? Yeah, I think you're going to cross paths.

0:56:24.120 --> 0:56:27.960
<v Speaker 5>Oh I've met him many times. Yeah, Oh, no, we're pals.

0:56:28.440 --> 0:56:29.840
<v Speaker 5>I never met.

0:56:31.000 --> 0:56:31.560
<v Speaker 4>We're pals.

0:56:31.719 --> 0:56:35.879
<v Speaker 5>I the second I back in the day when Ugly

0:56:35.920 --> 0:56:38.280
<v Speaker 5>Betty was first on TV, which is my big break.

0:56:38.640 --> 0:56:41.920
<v Speaker 4>As soon as I was on TV, I used every

0:56:42.400 --> 0:56:48.479
<v Speaker 4>every ounce of influence to meet Barry made my first Yeah.

0:56:48.560 --> 0:56:50.279
<v Speaker 5>The first time I saw him in concert, I was

0:56:50.280 --> 0:56:52.880
<v Speaker 5>in the Nosebleeds at Madison Square Garden. But then the

0:56:52.960 --> 0:56:55.880
<v Speaker 5>second time that was in Vegas and I got to

0:56:55.920 --> 0:56:59.439
<v Speaker 5>meet him, and uh, and he has come to see

0:56:59.440 --> 0:57:00.200
<v Speaker 5>me he came to see.

0:57:00.080 --> 0:57:00.719
<v Speaker 4>Buyer and Selling.

0:57:00.880 --> 0:57:01.840
<v Speaker 3>Oh that's so lovely.

0:57:01.920 --> 0:57:03.160
<v Speaker 4>You came to see the BARBISTI SAMs.

0:57:03.200 --> 0:57:04.440
<v Speaker 3>He may have been in the mall.

0:57:04.640 --> 0:57:05.239
<v Speaker 4>He may have.

0:57:05.760 --> 0:57:07.719
<v Speaker 3>They have a great duet together, and I can see

0:57:07.760 --> 0:57:08.799
<v Speaker 3>him hitting up the mall.

0:57:09.080 --> 0:57:11.839
<v Speaker 5>And he came to see Torts songs. He's a he's

0:57:11.880 --> 0:57:14.680
<v Speaker 5>a good guy. He's a really good guy. Yeah, and

0:57:14.719 --> 0:57:17.840
<v Speaker 5>all the people he keeps around him are very cool.

0:57:18.040 --> 0:57:24.280
<v Speaker 5>And I have had many lovely nights in theaters watching me.

0:57:25.440 --> 0:57:26.560
<v Speaker 4>I know, I'm such a weird now.

0:57:27.480 --> 0:57:30.280
<v Speaker 3>I think it's nice. Is there anything left to say

0:57:30.280 --> 0:57:32.160
<v Speaker 3>about this haunted painting of me?

0:57:33.400 --> 0:57:36.440
<v Speaker 5>Well, I'm glad it's back with you after you posed

0:57:36.480 --> 0:57:42.560
<v Speaker 5>for it in a previous life. Before that that Bridger

0:57:42.640 --> 0:57:44.040
<v Speaker 5>died of consumption or whatever.

0:57:45.760 --> 0:57:48.680
<v Speaker 4>I think. I don't know. I'm just so happy you

0:57:48.720 --> 0:57:49.200
<v Speaker 4>have I know.

0:57:49.560 --> 0:57:51.280
<v Speaker 3>I mean, this is just I think this is a

0:57:51.400 --> 0:57:53.760
<v Speaker 3>top This may be the best gift that's ever been

0:57:53.760 --> 0:57:55.400
<v Speaker 3>done on the podcast. I mean, like, how do we

0:57:55.440 --> 0:57:58.800
<v Speaker 3>top this? This is a crazy thing. It's you, This

0:57:58.840 --> 0:58:00.000
<v Speaker 3>is an insane object.

0:58:00.320 --> 0:58:03.680
<v Speaker 4>It was looking at me from the wall State sound

0:58:03.720 --> 0:58:04.000
<v Speaker 4>to me.

0:58:04.280 --> 0:58:07.080
<v Speaker 5>It's so I'm so I love it. I also I

0:58:07.760 --> 0:58:11.800
<v Speaker 5>love I love this kind of this era, Like I

0:58:11.840 --> 0:58:13.480
<v Speaker 5>think I think I could have lived.

0:58:14.040 --> 0:58:17.280
<v Speaker 3>Oh, sure, you could easily slip into this sort of thing.

0:58:17.360 --> 0:58:18.800
<v Speaker 3>I can see you in the sort of suit.

0:58:19.360 --> 0:58:21.520
<v Speaker 4>You too, I mean, your hair almost giving.

0:58:21.920 --> 0:58:23.120
<v Speaker 3>I'm the guy in the painting.

0:58:23.960 --> 0:58:24.840
<v Speaker 4>Hair is dried now.

0:58:25.200 --> 0:58:30.800
<v Speaker 7>Okay, thank god, thank god. But I think I think

0:58:30.800 --> 0:58:33.800
<v Speaker 7>it's going to be very happy with unbelievable. Wow, this

0:58:33.880 --> 0:58:36.920
<v Speaker 7>is a cherished object. I don't even know what to say.

0:58:37.480 --> 0:58:39.040
<v Speaker 4>It's definitely better than my last gift.

0:58:39.200 --> 0:58:41.760
<v Speaker 3>The last gift was very thought so, but this is like,

0:58:42.280 --> 0:58:43.960
<v Speaker 3>I mean, it's just now we've got a whole range

0:58:43.960 --> 0:58:44.320
<v Speaker 3>of things.

0:58:44.480 --> 0:58:47.680
<v Speaker 4>Yeah, you could actually use the previous gift to measure Wow.

0:58:47.680 --> 0:58:50.360
<v Speaker 3>Interesting that we had kind of a measurement topic.

0:58:50.600 --> 0:58:54.800
<v Speaker 4>I mean, last time I got you a measuring tape

0:58:54.840 --> 0:58:59.880
<v Speaker 4>from Ikea. But I was just because I was inspired

0:58:59.880 --> 0:59:04.480
<v Speaker 4>by Paul really rip I know, the best, the absolute

0:59:04.560 --> 0:59:07.960
<v Speaker 4>best his documentary since we last spoke.

0:59:08.600 --> 0:59:12.400
<v Speaker 3>It came out good, so good, yeah, really beautiful.

0:59:12.720 --> 0:59:19.520
<v Speaker 4>Wasn't that thing just yeah? So moving and so haunting.

0:59:19.280 --> 0:59:22.720
<v Speaker 3>Yeah, and heartbreaking and just I mean the way it ends.

0:59:23.040 --> 0:59:25.960
<v Speaker 3>Just listener, if you haven't seen the Paul Rubins documentary,

0:59:26.880 --> 0:59:31.600
<v Speaker 3>what are you watching to be adopted? Well, of course,

0:59:31.640 --> 0:59:32.320
<v Speaker 3>but after that.

0:59:34.640 --> 0:59:38.440
<v Speaker 5>But also like it's really special because it's sad, of course,

0:59:39.040 --> 0:59:41.200
<v Speaker 5>and they shot it when he was still alive, and

0:59:41.240 --> 0:59:47.440
<v Speaker 5>now he's not alive, and that he kept his sickness

0:59:47.240 --> 0:59:50.880
<v Speaker 5>his almost a secret was like so heartbreaking. Yes, but

0:59:50.960 --> 0:59:53.200
<v Speaker 5>I when I found most heartbreaking about it was to

0:59:53.240 --> 0:59:56.520
<v Speaker 5>see that he and I felt this when he was

0:59:56.560 --> 0:59:57.640
<v Speaker 5>on your podcast.

0:59:58.320 --> 1:00:04.200
<v Speaker 4>He's still so, he was still so mercurial and hambish.

1:00:03.720 --> 1:00:06.680
<v Speaker 3>And oh it's so he's so funny and such just

1:00:06.720 --> 1:00:10.320
<v Speaker 3>like a pain, you know what I mean, in like

1:00:10.360 --> 1:00:11.400
<v Speaker 3>a perfect way.

1:00:11.560 --> 1:00:16.960
<v Speaker 4>Yes, this like little little gnat that you can't possibly control.

1:00:17.160 --> 1:00:19.560
<v Speaker 4>And there he is being brilliant. You see it in

1:00:19.600 --> 1:00:22.880
<v Speaker 4>his eyes. There's that that genius is still still there.

1:00:22.960 --> 1:00:24.560
<v Speaker 3>It's like the part of pee Wee that like the

1:00:24.640 --> 1:00:27.520
<v Speaker 3>rude pee wee, Like, oh it's incredible.

1:00:27.720 --> 1:00:28.959
<v Speaker 4>Yeah.

1:00:29.200 --> 1:00:31.640
<v Speaker 3>Okay, well, I think we should play a game or two.

1:00:32.880 --> 1:00:35.440
<v Speaker 3>I need a number between one and ten from you.

1:00:36.040 --> 1:00:36.280
<v Speaker 4>Eight.

1:00:36.600 --> 1:00:39.440
<v Speaker 3>Okay, First, I'd like you to promote, recommend, do whatever

1:00:39.480 --> 1:00:39.840
<v Speaker 3>you want.

1:00:40.160 --> 1:00:40.600
<v Speaker 4>Okay.

1:00:41.840 --> 1:00:45.720
<v Speaker 5>Well, Season four Shrinking is being shot right now. The

1:00:45.840 --> 1:00:49.920
<v Speaker 5>first three seasons are available. I recently narrated an audio

1:00:49.960 --> 1:00:52.200
<v Speaker 5>book that I'm very proud of, called Take Me with

1:00:52.280 --> 1:00:55.120
<v Speaker 5>You by the great Stephen Rowley. It's a great book.

1:00:55.320 --> 1:00:58.760
<v Speaker 5>Read it or listen to me read it. I will

1:00:58.920 --> 1:01:02.920
<v Speaker 5>be leaving from here to go to London for a

1:01:02.960 --> 1:01:08.240
<v Speaker 5>few weeks where I have the great fortune of reprising

1:01:08.240 --> 1:01:14.440
<v Speaker 5>the role of Amy's Amy Amy Mary's.

1:01:14.880 --> 1:01:18.960
<v Speaker 3>Oh Amy, that's the two le version.

1:01:23.440 --> 1:01:27.160
<v Speaker 5>Oh Amy, Oh my god, about who who's that about?

1:01:27.160 --> 1:01:31.000
<v Speaker 3>That's a long lost Amy Lincoln. You never hear about

1:01:31.040 --> 1:01:33.440
<v Speaker 3>Amy Amy Lincoln.

1:01:33.680 --> 1:01:37.520
<v Speaker 4>Oh my god, that's good Lincoln's brother's wife.

1:01:39.040 --> 1:01:42.520
<v Speaker 5>Oh Mary, uh in o Mary, the role of o

1:01:42.600 --> 1:01:45.880
<v Speaker 5>Mary's teacher. I get to reprise that for two weeks

1:01:46.360 --> 1:01:50.200
<v Speaker 5>with the Great Cola Scola, and we're going to be

1:01:50.200 --> 1:01:53.880
<v Speaker 5>filming it for HBO, which is like just like so dreamy,

1:01:53.920 --> 1:01:56.880
<v Speaker 5>and it's a crazy honor to have been asked out

1:01:56.880 --> 1:01:59.720
<v Speaker 5>of all of the amazing actors who have played Mary's teacher.

1:02:00.440 --> 1:02:01.960
<v Speaker 4>So I'll be heading to do that.

1:02:01.960 --> 1:02:05.000
<v Speaker 3>That's so, I mean, the HBO part is so exciting

1:02:05.000 --> 1:02:07.160
<v Speaker 3>the amount of attempts I've tried to boot like the

1:02:07.160 --> 1:02:09.439
<v Speaker 3>show because I want to watch it again. Oh there's

1:02:09.480 --> 1:02:11.520
<v Speaker 3>a whole I can't find it anywhere on live Tim

1:02:11.560 --> 1:02:13.480
<v Speaker 3>like interesting because I'm not in New York, I can't

1:02:13.520 --> 1:02:14.960
<v Speaker 3>see every version of the show. It's like, I just

1:02:15.000 --> 1:02:17.320
<v Speaker 3>want to see it again. Thank god it's going to

1:02:17.360 --> 1:02:21.120
<v Speaker 3>be I haven't seen it since I don't know, February

1:02:21.120 --> 1:02:23.680
<v Speaker 3>of twenty.

1:02:23.760 --> 1:02:24.560
<v Speaker 4>Yeah, I'm still doing it.

1:02:24.640 --> 1:02:30.480
<v Speaker 5>Yeah, Yeah, it's I'm so excited. I'm honored. And I

1:02:30.800 --> 1:02:32.520
<v Speaker 5>still can't really believe it. I can't believe. I can't

1:02:32.520 --> 1:02:34.560
<v Speaker 5>believe Shrinking is letting me go do it. I can't

1:02:34.560 --> 1:02:38.240
<v Speaker 5>believe they wanted me. And I can't believe I get

1:02:38.280 --> 1:02:42.840
<v Speaker 5>to be part of memorializing it forever like there, it

1:02:42.880 --> 1:02:47.600
<v Speaker 5>will be the archive forever for anyone Tony any time.

1:02:47.680 --> 1:02:49.560
<v Speaker 5>And and I think about, I mean, I think about

1:02:49.560 --> 1:02:56.040
<v Speaker 5>how important watching theater on screens was for me before

1:02:56.400 --> 1:02:58.760
<v Speaker 5>I had access to the theater. And I think about

1:02:58.760 --> 1:03:01.040
<v Speaker 5>like the kids all of the country that are going

1:03:01.080 --> 1:03:04.160
<v Speaker 5>to see this and see something that that is possible

1:03:04.160 --> 1:03:08.680
<v Speaker 5>for them. And so that's that's pretty awesome and pretty exciting.

1:03:10.160 --> 1:03:11.800
<v Speaker 5>Do you like to watch bootlegs?

1:03:11.800 --> 1:03:14.120
<v Speaker 3>This is like I'm not you know, I'm not a

1:03:14.200 --> 1:03:16.240
<v Speaker 3>huge theater person. I wasn't really I had really not

1:03:16.680 --> 1:03:19.320
<v Speaker 3>experienced any theater until Jim and I started dating, but

1:03:21.160 --> 1:03:22.440
<v Speaker 3>O Mary was the first thing where I was like,

1:03:22.480 --> 1:03:24.240
<v Speaker 3>I just love it so much, I want to just

1:03:24.320 --> 1:03:26.360
<v Speaker 3>have a copy of it. And Jim introduced me to

1:03:26.440 --> 1:03:30.080
<v Speaker 3>the whole world of uh, slime tutorials. Are you familiar?

1:03:30.560 --> 1:03:32.720
<v Speaker 5>Okay, so this is what I was gonna ask, because

1:03:32.720 --> 1:03:35.000
<v Speaker 5>there's a is it called slime tutorial?

1:03:35.000 --> 1:03:38.840
<v Speaker 3>That's yeah, you like on YouTube. You type in like

1:03:38.920 --> 1:03:42.000
<v Speaker 3>the name of the show and Broadway. I'm sorry, but

1:03:42.040 --> 1:03:45.000
<v Speaker 3>it's happening you and then you type in slime tutorial.

1:03:45.040 --> 1:03:47.400
<v Speaker 3>And there will frequently be bootlegs. But Oh Mary has

1:03:47.400 --> 1:03:48.560
<v Speaker 3>done a very good job of that not.

1:03:48.480 --> 1:03:49.360
<v Speaker 4>Happened keeping it out.

1:03:50.640 --> 1:03:52.760
<v Speaker 3>So that's good I mean for.

1:03:53.320 --> 1:03:56.160
<v Speaker 4>Oh Mary, not good for me the home viewer. Good

1:03:56.160 --> 1:03:57.960
<v Speaker 4>for a home box office HBO.

1:03:58.320 --> 1:04:00.800
<v Speaker 5>I feel like, like a bootleg of a show that's

1:04:00.840 --> 1:04:05.640
<v Speaker 5>no longer available, is I feel like, ethically I'm okay

1:04:05.680 --> 1:04:08.919
<v Speaker 5>with watching a bootleg of Oh, I don't know, say,

1:04:09.000 --> 1:04:10.480
<v Speaker 5>when Bernadette Peters.

1:04:10.280 --> 1:04:14.439
<v Speaker 4>Was in Hello Dolly. Preservation and that's that's preservation. That's

1:04:14.480 --> 1:04:15.800
<v Speaker 4>like the ancient texts.

1:04:15.880 --> 1:04:20.640
<v Speaker 5>Yes, because you know, Lincoln Center Library makes archival recordings

1:04:21.240 --> 1:04:24.560
<v Speaker 5>of a lot of shows right that aren't released, that

1:04:24.600 --> 1:04:26.640
<v Speaker 5>are not released, but you can go to the library

1:04:27.360 --> 1:04:30.640
<v Speaker 5>and plead your case to watch it, which is basically

1:04:30.680 --> 1:04:32.360
<v Speaker 5>just like I'm anationing for it, and I you know,

1:04:32.400 --> 1:04:34.880
<v Speaker 5>you can see sort of I'm working on it. I'm

1:04:34.880 --> 1:04:36.760
<v Speaker 5>working on it in a scene class or I'm under

1:04:36.800 --> 1:04:38.240
<v Speaker 5>saper and they'll let you watch it, but you have

1:04:38.280 --> 1:04:42.320
<v Speaker 5>to sit there and watch it. So you know, that's

1:04:42.320 --> 1:04:45.960
<v Speaker 5>probably they probably have Omry there. Okay, they probably have

1:04:46.120 --> 1:04:49.880
<v Speaker 5>Bette Midler and Hello Dolly there, But Bernadette Peters and

1:04:49.960 --> 1:04:53.400
<v Speaker 5>Hello Dolly isn't at the Lincoln Center Archives. So where

1:04:53.400 --> 1:04:56.160
<v Speaker 5>else will I get that? Yes, I saw it twice

1:04:56.640 --> 1:04:59.640
<v Speaker 5>when she did it, But what if I need.

1:04:59.520 --> 1:04:59.960
<v Speaker 4>To watch it?

1:05:00.120 --> 1:05:02.360
<v Speaker 3>Guess Mary will need to for my heart.

1:05:03.440 --> 1:05:07.720
<v Speaker 5>But I did not know this slime tutorial and we

1:05:07.800 --> 1:05:11.080
<v Speaker 5>might be in trouble for even saying it with the

1:05:11.120 --> 1:05:12.080
<v Speaker 5>bootleg community.

1:05:12.120 --> 1:05:15.040
<v Speaker 3>But I think I've talked about it on this podcast before.

1:05:15.080 --> 1:05:16.560
<v Speaker 4>Okay, fine, then then it's on you.

1:05:16.720 --> 1:05:18.480
<v Speaker 3>I'll be honest. I think it's a I think it's

1:05:18.520 --> 1:05:20.680
<v Speaker 3>kind of failing it. It's failed me, So what can

1:05:20.760 --> 1:05:21.160
<v Speaker 3>you say?

1:05:21.240 --> 1:05:24.080
<v Speaker 5>Well, I wonder if there's a bigger crackdown on shows

1:05:24.080 --> 1:05:26.960
<v Speaker 5>that are still running. Oh, probably because they don't. They

1:05:27.000 --> 1:05:31.040
<v Speaker 5>want to like drive people to right. So I don't know,

1:05:31.320 --> 1:05:34.040
<v Speaker 5>and who knows when they'll release this? Oh, Mary, you

1:05:34.040 --> 1:05:37.680
<v Speaker 5>know they released Hamilton the Pro Shot as they call

1:05:37.760 --> 1:05:40.080
<v Speaker 5>it Hamilton while the show's still running.

1:05:40.080 --> 1:05:42.160
<v Speaker 4>So it's still running, right, and it doesn't seem to

1:05:42.240 --> 1:05:42.560
<v Speaker 4>have hurt.

1:05:42.760 --> 1:05:44.800
<v Speaker 3>I think it feels like a just an ad for

1:05:44.840 --> 1:05:45.800
<v Speaker 3>the to go see the show.

1:05:45.840 --> 1:05:49.040
<v Speaker 5>Basically, yeah, go see another group of people. Do it right,

1:05:49.040 --> 1:05:51.360
<v Speaker 5>and here's this group, and go see another group of people.

1:05:52.600 --> 1:05:53.360
<v Speaker 3>Okay, let's play it.

1:05:53.480 --> 1:05:54.280
<v Speaker 4>Okay, let's play game.

1:05:54.320 --> 1:05:56.280
<v Speaker 3>First. We're going to play a game called Invite List.

1:05:56.600 --> 1:05:58.840
<v Speaker 4>Yes, I'm going to I know this game.

1:06:00.080 --> 1:06:02.000
<v Speaker 3>Name a list of start naming a list of celebrities.

1:06:02.040 --> 1:06:03.680
<v Speaker 3>You tell me if they're invited or not invited, and

1:06:03.680 --> 1:06:06.600
<v Speaker 3>I have ten. You get to pick ten, okay, and

1:06:06.640 --> 1:06:08.880
<v Speaker 3>you can say why or not why not? You can

1:06:08.920 --> 1:06:12.240
<v Speaker 3>say whatever you want and Ellis will keep tracks, so

1:06:12.280 --> 1:06:14.040
<v Speaker 3>you don't have to, okay, what unless you want to

1:06:14.080 --> 1:06:14.400
<v Speaker 3>keep tracking?

1:06:14.400 --> 1:06:16.400
<v Speaker 4>And I kind of want to because I've seen this.

1:06:17.080 --> 1:06:19.680
<v Speaker 4>I know this game. You gotta be careful, fan of

1:06:19.680 --> 1:06:22.520
<v Speaker 4>the pod, so I know that sometimes people end up

1:06:22.520 --> 1:06:27.000
<v Speaker 4>with ten people and you just have to be careful.

1:06:26.800 --> 1:06:27.840
<v Speaker 3>Yes, you got to be careful.

1:06:27.840 --> 1:06:29.360
<v Speaker 4>Ten's not that many.

1:06:29.400 --> 1:06:35.760
<v Speaker 3>It's an exclusive party. Yeah, all right, Robin uh not invited.

1:06:36.080 --> 1:06:39.760
<v Speaker 3>Damon John who's that he is one of the Shark

1:06:39.800 --> 1:06:41.120
<v Speaker 3>Tank shark.

1:06:40.880 --> 1:06:43.160
<v Speaker 4>Definitely, No, no, no, sorry, I'm sorry.

1:06:43.840 --> 1:06:48.320
<v Speaker 3>Paul Hollywood, these people this is crazy.

1:06:49.080 --> 1:06:50.160
<v Speaker 4>Paul Hollywood.

1:06:50.760 --> 1:06:52.800
<v Speaker 3>Do you know who Paul Hollywood is? When you're out

1:06:52.840 --> 1:06:57.440
<v Speaker 3>of touch with modern culture. He's one of the judges

1:06:57.480 --> 1:06:58.480
<v Speaker 3>on Great British Bakeoff?

1:06:58.600 --> 1:07:01.640
<v Speaker 4>Oh of course, okay, yeah, Paul Hollywood's.

1:07:01.080 --> 1:07:04.680
<v Speaker 3>In Okay, Meredith Mark's real housewife of SLIC City.

1:07:05.360 --> 1:07:05.680
<v Speaker 4>Sorry.

1:07:05.720 --> 1:07:11.440
<v Speaker 5>Francis McDormand, oh absolutely, Frances McDormand lives in our neighborhood. No, yes,

1:07:12.400 --> 1:07:15.080
<v Speaker 5>like really close to us, and we live on the

1:07:15.120 --> 1:07:19.800
<v Speaker 5>first floor and what and so sometimes depending on the

1:07:19.800 --> 1:07:21.919
<v Speaker 5>time of day and depending on how our how our

1:07:21.960 --> 1:07:25.120
<v Speaker 5>blinds are, people can see into our apartment and we

1:07:25.200 --> 1:07:27.760
<v Speaker 5>can see people walk by, which we kind of like,

1:07:28.000 --> 1:07:30.040
<v Speaker 5>I mean, we're not weird exhibition, it's like that.

1:07:30.000 --> 1:07:31.120
<v Speaker 4>But like it's kind of fun.

1:07:31.160 --> 1:07:32.160
<v Speaker 3>It's people watching it.

1:07:32.720 --> 1:07:36.000
<v Speaker 5>And I was we were sitting at the in our

1:07:36.080 --> 1:07:39.400
<v Speaker 5>kitchen and having a conversation and Ryan was like, oh

1:07:39.400 --> 1:07:42.200
<v Speaker 5>my god, Francis mcdormant just walked by and she nodded

1:07:42.280 --> 1:07:45.400
<v Speaker 5>at me, and I was like, no, she didn't, and

1:07:45.440 --> 1:07:47.480
<v Speaker 5>he was like, I'm I swear to god she did.

1:07:47.560 --> 1:07:50.400
<v Speaker 5>And then a few minutes later we left to I

1:07:50.400 --> 1:07:53.360
<v Speaker 5>think walk the Dog, and sure enough we saw her nearby.

1:07:53.640 --> 1:07:56.480
<v Speaker 3>Oh, I'd pass away. There are so few actors I

1:07:56.520 --> 1:07:57.480
<v Speaker 3>really care about.

1:07:57.640 --> 1:07:59.120
<v Speaker 4>She's amazing, just one.

1:07:58.960 --> 1:08:01.840
<v Speaker 3>Of the all time great. Okay, so invited.

1:08:02.160 --> 1:08:06.000
<v Speaker 5>Invited, So Paul Hollywood and Francis McDorman.

1:08:06.200 --> 1:08:11.880
<v Speaker 3>I'm sure they'll really get along. Mark Zuckerberg, No, God,

1:08:12.920 --> 1:08:13.640
<v Speaker 3>Kim Jong.

1:08:13.520 --> 1:08:19.679
<v Speaker 4>Un next to No, No, Kim. Sorry.

1:08:19.960 --> 1:08:21.479
<v Speaker 3>I don't think you're gonna know who this person is.

1:08:21.520 --> 1:08:24.080
<v Speaker 3>But maybe she's great Slater. Do you know this person?

1:08:24.439 --> 1:08:26.200
<v Speaker 3>You got to get into Slater. She's got maybe the

1:08:26.280 --> 1:08:27.040
<v Speaker 3>album of the year.

1:08:27.280 --> 1:08:30.000
<v Speaker 4>Oh okay, God, this is humiliating. I don't know anything

1:08:30.000 --> 1:08:30.880
<v Speaker 4>about pop culture.

1:08:31.760 --> 1:08:35.320
<v Speaker 3>But probably not invited for you, I guess not. Angela

1:08:35.360 --> 1:08:38.720
<v Speaker 3>Bassett absolutely invited. She's fantastic.

1:08:38.800 --> 1:08:41.599
<v Speaker 5>I met her once backstage. She came to see Actually

1:08:41.600 --> 1:08:43.400
<v Speaker 5>it was I was. It was a two shows happening

1:08:43.439 --> 1:08:45.840
<v Speaker 5>at the same time, and we shared a backstage and

1:08:45.880 --> 1:08:48.080
<v Speaker 5>she had seen the other one. But I walked back

1:08:48.080 --> 1:08:50.240
<v Speaker 5>and she was there, and I was like, I stopped

1:08:50.240 --> 1:08:50.960
<v Speaker 5>in my tracks.

1:08:51.520 --> 1:08:55.320
<v Speaker 3>She was fabulous. God, we need a list of just

1:08:55.360 --> 1:08:57.160
<v Speaker 3>everyone you have met, your Forrest Gump.

1:08:57.840 --> 1:09:01.679
<v Speaker 4>I am sort of like the gay forest Gup happened

1:09:01.720 --> 1:09:02.840
<v Speaker 4>to be around.

1:09:02.760 --> 1:09:06.880
<v Speaker 3>Every single person. I mean it when I say it,

1:09:07.000 --> 1:09:08.320
<v Speaker 3>everyone loves Michael Eric.

1:09:08.479 --> 1:09:11.640
<v Speaker 5>No, that can't be true. I mean it's true that

1:09:11.680 --> 1:09:13.519
<v Speaker 5>you mean it. I just don't think it's.

1:09:13.479 --> 1:09:16.120
<v Speaker 3>We should find the person who hates you. I'm gonna

1:09:16.120 --> 1:09:16.639
<v Speaker 3>begin the search.

1:09:16.840 --> 1:09:17.519
<v Speaker 4>Let's do it.

1:09:20.000 --> 1:09:26.160
<v Speaker 3>Glenn Close. Oh, absolutely, George Ta Kai oh oh.

1:09:26.200 --> 1:09:30.960
<v Speaker 5>I thought I was wearing my George Kay. I have

1:09:31.040 --> 1:09:33.439
<v Speaker 5>two T shirts that are that I wear more than

1:09:33.479 --> 1:09:35.840
<v Speaker 5>any other. One is this k ear with one Orran

1:09:35.920 --> 1:09:38.720
<v Speaker 5>T shirt and the other is O G cast to.

1:09:38.760 --> 1:09:45.280
<v Speaker 4>Star Trek amazing. Yeah, that's add George sam Altman. Who's

1:09:45.320 --> 1:09:46.200
<v Speaker 4>that a musician?

1:09:46.280 --> 1:09:49.280
<v Speaker 3>Right, He's the owner of Chat. He's kind of the

1:09:49.520 --> 1:09:55.599
<v Speaker 3>person in charge at Chat GPT. That's not I'm sorry, No,

1:09:56.320 --> 1:09:57.520
<v Speaker 3>Sylvester Stallone.

1:09:59.040 --> 1:10:01.720
<v Speaker 5>You know, there would have been a time when I

1:10:01.800 --> 1:10:06.719
<v Speaker 5>absolutely would have provided Sylvester Stallone. But in this political climate,

1:10:07.000 --> 1:10:11.879
<v Speaker 5>given then he is a supporter, I just think politically

1:10:11.880 --> 1:10:16.200
<v Speaker 5>we don't align anymore, even though I love Cliffhanger.

1:10:18.800 --> 1:10:24.040
<v Speaker 3>Okay, not invited, Sporty spice.

1:10:23.680 --> 1:10:28.600
<v Speaker 4>I'm gonna I'm gonna pass ginger spice, pass baby spice.

1:10:30.240 --> 1:10:35.000
<v Speaker 3>Past, scary spice in Victoria Beckham past.

1:10:35.240 --> 1:10:38.800
<v Speaker 4>Although although I've met Victoria Beckham and she's lovely. Wow. Yeah,

1:10:39.080 --> 1:10:41.479
<v Speaker 4>she was on Ugly Betty. She was great.

1:10:41.560 --> 1:10:44.280
<v Speaker 3>Okay, that's good to know, Vicky, Vicky keeping it really

1:10:44.360 --> 1:10:44.960
<v Speaker 3>very very cool.

1:10:45.400 --> 1:10:53.840
<v Speaker 4>Gene Simmons of Kiss was also on Ugly Betty.

1:10:53.840 --> 1:10:54.960
<v Speaker 3>Also makeup.

1:10:55.520 --> 1:10:57.120
<v Speaker 4>No, not in makeup.

1:10:58.840 --> 1:10:58.960
<v Speaker 2>Was.

1:10:59.479 --> 1:11:03.960
<v Speaker 5>I think the story was that he was that we

1:11:04.000 --> 1:11:12.240
<v Speaker 5>thought he was Becky Newton's character's father, lovely man. Politically,

1:11:12.240 --> 1:11:14.679
<v Speaker 5>I think we don't know line anymore, so I'm gonna

1:11:14.680 --> 1:11:16.080
<v Speaker 5>say no. But he did try to set me up

1:11:16.080 --> 1:11:16.799
<v Speaker 5>with his assistant.

1:11:17.160 --> 1:11:19.400
<v Speaker 3>Oh interesting, it was a gay guy. Yeah, okay, Oh

1:11:19.479 --> 1:11:21.439
<v Speaker 3>I thought it was like I got a girl for you.

1:11:21.520 --> 1:11:21.720
<v Speaker 2>No.

1:11:21.720 --> 1:11:23.519
<v Speaker 4>No, he wasn't trying to he wasn't trying to fix me.

1:11:23.960 --> 1:11:26.560
<v Speaker 4>He was he was, he was, he was sweet, He

1:11:26.640 --> 1:11:27.720
<v Speaker 4>was sweet. But I don't know.

1:11:28.120 --> 1:11:29.880
<v Speaker 3>Yeah, I guess you make a career in makeup and

1:11:29.960 --> 1:11:32.080
<v Speaker 3>platform shoes, you've got to be at least open to

1:11:32.080 --> 1:11:33.479
<v Speaker 3>the idea of people being gay.

1:11:33.560 --> 1:11:35.840
<v Speaker 5>You know what, Yes, I think so too. I think

1:11:37.000 --> 1:11:39.599
<v Speaker 5>he trademarked all that makeup.

1:11:40.120 --> 1:11:41.360
<v Speaker 3>Wow. Interesting.

1:11:41.439 --> 1:11:42.519
<v Speaker 4>He was telling me about it.

1:11:42.600 --> 1:11:45.000
<v Speaker 5>He like, he's like a very smart businessman, and he

1:11:45.080 --> 1:11:46.400
<v Speaker 5>trademarked all that makeup.

1:11:46.439 --> 1:11:47.800
<v Speaker 3>Oh shrewd right?

1:11:48.160 --> 1:11:48.599
<v Speaker 4>Interesting?

1:11:49.080 --> 1:11:51.640
<v Speaker 3>Okay, Forrest Whittaker.

1:11:54.640 --> 1:11:56.599
<v Speaker 4>Yes, I think that would be fun.

1:11:56.720 --> 1:11:58.320
<v Speaker 3>I think he would be a secretly good time.

1:11:58.600 --> 1:12:00.400
<v Speaker 4>I think he would be really interesting.

1:12:00.600 --> 1:12:01.960
<v Speaker 8>And just as an update, that's seven.

1:12:02.000 --> 1:12:02.840
<v Speaker 3>So we've got three lefts.

1:12:02.840 --> 1:12:10.000
<v Speaker 4>Oh boy, thank you Garth Brooks. I mean I do listen.

1:12:09.960 --> 1:12:13.480
<v Speaker 3>I texted, I know this is an interesting one, Garth.

1:12:13.280 --> 1:12:20.400
<v Speaker 4>Brooks, Let's do it. Come on, Garth.

1:12:20.320 --> 1:12:23.320
<v Speaker 3>Garth is you know he runs around the stage, He's

1:12:23.320 --> 1:12:25.679
<v Speaker 3>doing all sorts of things. People seem to love him.

1:12:25.760 --> 1:12:28.360
<v Speaker 4>Oh he's great. He's got friends in low places. I

1:12:28.400 --> 1:12:29.160
<v Speaker 4>think he'd be great.

1:12:29.320 --> 1:12:31.880
<v Speaker 3>Yeah. Did you ever see the Facebook video which one

1:12:32.320 --> 1:12:36.160
<v Speaker 3>him talking his first video he posted to Facebook. It's

1:12:36.600 --> 1:12:38.559
<v Speaker 3>that's one that you're gonna want to see at some point.

1:12:38.640 --> 1:12:39.240
<v Speaker 3>Get your eyes.

1:12:39.439 --> 1:12:41.759
<v Speaker 4>Is that gonna make me want to make that a goal? Change?

1:12:42.160 --> 1:12:44.280
<v Speaker 3>To make you love Garth Brooks in a new way?

1:12:44.640 --> 1:12:46.640
<v Speaker 4>Is I got friends in low places? Garth Brooks. I

1:12:46.680 --> 1:12:51.320
<v Speaker 4>think so, yeah, thunder Road, thunder Road. What about that

1:12:51.320 --> 1:12:55.759
<v Speaker 4>one where he's like, he's like the old high school

1:12:55.800 --> 1:12:58.599
<v Speaker 4>football game and he sees that lady that he knew

1:12:58.640 --> 1:13:00.800
<v Speaker 4>and now he knows he's with the right woman after

1:13:00.840 --> 1:13:08.000
<v Speaker 4>all these years. Gosh, it gets me every married stalker. Okay,

1:13:09.080 --> 1:13:14.040
<v Speaker 4>Jaden Smith? Oh uh is Jaden Smith?

1:13:14.320 --> 1:13:17.120
<v Speaker 3>This is or I guess we could say Jayden Pinkett Smith.

1:13:17.280 --> 1:13:19.800
<v Speaker 4>Oh yeah, yeah, yeah, okay, I know that is.

1:13:23.160 --> 1:13:29.839
<v Speaker 3>No. Kate Winslet. Oh absolutely, she's so good, divine Jackie

1:13:29.840 --> 1:13:35.680
<v Speaker 3>got one more? Just Jackie Chan. Nothing, Okay, this is

1:13:35.680 --> 1:13:37.720
<v Speaker 3>interesting coming up here. We were just talking about this guy.

1:13:37.760 --> 1:13:38.559
<v Speaker 3>And I'm sure.

1:13:39.000 --> 1:13:43.120
<v Speaker 5>Jackie Chan and Jaden Smith in the Karate Kid together.

1:13:44.760 --> 1:13:46.719
<v Speaker 3>I'm not the person to ask Karate Kid reboot.

1:13:46.760 --> 1:13:48.080
<v Speaker 4>That's not why this list. That's not why they're both

1:13:48.120 --> 1:13:51.160
<v Speaker 4>on the list, because they would have that to talk about.

1:13:53.400 --> 1:13:55.760
<v Speaker 3>The party would already be a buzz about Karate Kid.

1:13:55.800 --> 1:13:58.040
<v Speaker 3>That's all anybody ever talks about, and Glenn.

1:13:57.760 --> 1:14:01.479
<v Speaker 5>Close would just not stop talking about Karate Kid all night.

1:14:01.560 --> 1:14:03.240
<v Speaker 5>Forest Whitaker's like, can we at least talk about the

1:14:03.280 --> 1:14:05.519
<v Speaker 5>last king in Scotland. She's like no, no, we have

1:14:05.560 --> 1:14:06.439
<v Speaker 5>to keep talking about.

1:14:06.280 --> 1:14:09.920
<v Speaker 3>I should have booked it. Okay, Now this one's interesting

1:14:09.920 --> 1:14:12.240
<v Speaker 3>because we were talking about him earlier and he's a must.

1:14:12.640 --> 1:14:23.360
<v Speaker 3>Eric Adams Path, George R. R. Martin Pastum, Kathy Griffin.

1:14:25.360 --> 1:14:28.680
<v Speaker 5>If I was starting this list, I would say yes, absolutely,

1:14:28.720 --> 1:14:30.679
<v Speaker 5>but given that I have one slot left.

1:14:30.680 --> 1:14:34.520
<v Speaker 3>Fairytas right now, I don't know if she's right. Candace Owens,

1:14:35.560 --> 1:14:36.160
<v Speaker 3>who this is?

1:14:36.960 --> 1:14:39.439
<v Speaker 4>Yeah, that's uh wait no.

1:14:40.040 --> 1:14:42.200
<v Speaker 3>Kind of this horrible conservative person.

1:14:42.560 --> 1:14:46.559
<v Speaker 4>Yes, no, definitely not. I know you're talking about. Definitely not.

1:14:46.640 --> 1:14:49.160
<v Speaker 3>I like that person. I think kind of always losing

1:14:49.160 --> 1:14:49.559
<v Speaker 3>her mind.

1:14:50.080 --> 1:14:55.640
<v Speaker 4>King, Charles King, Charles, well, that's kind of fun. No.

1:14:55.880 --> 1:14:59.120
<v Speaker 3>Jessica Seinfeld Jerry Seinfeld's wife.

1:14:59.400 --> 1:15:00.000
<v Speaker 4>I'm gonna pass.

1:15:01.880 --> 1:15:06.560
<v Speaker 5>Daniel Craig hmm, the from Casino Royale.

1:15:06.640 --> 1:15:09.160
<v Speaker 3>Oh that's right. Well the way things come together.

1:15:09.520 --> 1:15:13.240
<v Speaker 5>But but you know they don't use the herbal and

1:15:13.280 --> 1:15:14.760
<v Speaker 5>for that reason, I'm going the same note to Daniel.

1:15:14.960 --> 1:15:19.400
<v Speaker 3>That's why that was a box office bomb. Randy Jackson

1:15:20.120 --> 1:15:21.760
<v Speaker 3>Randy Jackson from from American ISLEL.

1:15:21.880 --> 1:15:27.960
<v Speaker 4>Yes, it's a note for me dog, Scott Bayo, that's

1:15:28.000 --> 1:15:29.799
<v Speaker 4>a deaf note. No thanks, Scott got.

1:15:29.680 --> 1:15:33.400
<v Speaker 3>Bayo blocked me on Twitter very early on. Really, I mean,

1:15:33.400 --> 1:15:35.599
<v Speaker 3>I obviously was thrilled about it. I don't know what

1:15:35.640 --> 1:15:39.840
<v Speaker 3>tweet set him off. I'd love to Scott reach out.

1:15:39.920 --> 1:15:42.200
<v Speaker 4>That would be so funny to like pinpoint, which.

1:15:42.800 --> 1:15:45.719
<v Speaker 3>I would love to know what really just ruined his day?

1:15:47.040 --> 1:15:49.720
<v Speaker 3>Paula Dean Oh.

1:15:49.040 --> 1:15:53.840
<v Speaker 4>H no, Laura Dern oh okay, Yes, that's a good one.

1:15:53.920 --> 1:15:54.639
<v Speaker 4>That's a great one.

1:15:56.000 --> 1:15:57.920
<v Speaker 3>Yeah, that's a that's a good way.

1:15:57.920 --> 1:15:59.600
<v Speaker 4>Can we read it? Absolutely?

1:15:59.600 --> 1:16:04.679
<v Speaker 8>We've got Paul Hollywood, Francis McDermott, Angela Bassett, Glenn Close,

1:16:04.880 --> 1:16:10.640
<v Speaker 8>George Ta, Kai Scary Spice, Forrest Whittaker, Garth Brooks, Kate Winslet,

1:16:10.720 --> 1:16:11.519
<v Speaker 8>and Laura Dern.

1:16:11.720 --> 1:16:12.759
<v Speaker 4>This is great.

1:16:13.000 --> 1:16:13.679
<v Speaker 3>What a party?

1:16:13.800 --> 1:16:17.960
<v Speaker 4>What a great that's a great lists and you really

1:16:17.960 --> 1:16:19.960
<v Speaker 4>put some thought into it, which I appreciate.

1:16:20.520 --> 1:16:22.400
<v Speaker 3>What party is? What party would that even be?

1:16:22.640 --> 1:16:26.000
<v Speaker 4>It would be Hollywood Bowl. We'd be going to the Hollywood.

1:16:26.240 --> 1:16:29.120
<v Speaker 3>We have a box at the we get two.

1:16:28.920 --> 1:16:32.519
<v Speaker 5>Boxes next to each other, and it would be for

1:16:33.920 --> 1:16:34.920
<v Speaker 5>the Boston Pops.

1:16:35.080 --> 1:16:38.160
<v Speaker 4>No, the the Boston Pops in the LA Yeah, the

1:16:38.240 --> 1:16:40.240
<v Speaker 4>other Boston Pops. I was seeing John Williams in the

1:16:40.240 --> 1:16:40.880
<v Speaker 4>Boston Pops.

1:16:40.920 --> 1:16:42.639
<v Speaker 3>But it's the La Phil.

1:16:42.920 --> 1:16:44.960
<v Speaker 4>Yeah, really Phil, that's who.

1:16:45.000 --> 1:16:48.160
<v Speaker 5>That's who has the residency at the Bowl, right, Yes,

1:16:48.320 --> 1:16:50.559
<v Speaker 5>that's what we'd be there for, and we'd we'd get

1:16:50.680 --> 1:16:51.360
<v Speaker 5>fried Chick.

1:16:51.439 --> 1:16:54.680
<v Speaker 3>Lovely evening delicious. Well, I think that game took long

1:16:54.760 --> 1:16:56.679
<v Speaker 3>enough that we're not even going to play another game. Okay,

1:16:56.720 --> 1:16:59.040
<v Speaker 3>fair enough, But we'll answer a listener question. Will you

1:16:59.120 --> 1:17:00.000
<v Speaker 3>help me answer a question?

1:17:00.120 --> 1:17:01.639
<v Speaker 4>I would be delighted people are.

1:17:01.560 --> 1:17:04.000
<v Speaker 3>Writing into I said no gifts at gmail dot com.

1:17:04.120 --> 1:17:07.439
<v Speaker 3>Most of my listeners have no coping skills and they're

1:17:07.479 --> 1:17:11.160
<v Speaker 3>just begging a podcast for answers. So, Deer Bridger and

1:17:11.280 --> 1:17:13.760
<v Speaker 3>Lovely Guest, I have a gift conundrum. I'd love your

1:17:13.800 --> 1:17:17.000
<v Speaker 3>help with. My daughter is nearly two, and it's around

1:17:17.160 --> 1:17:19.720
<v Speaker 3>this time that all her friends are also having birthdays.

1:17:20.040 --> 1:17:21.800
<v Speaker 3>She is with all kinds of the same age at

1:17:21.800 --> 1:17:24.880
<v Speaker 3>her daycare and from our mommy and me classes. Okay,

1:17:25.479 --> 1:17:28.280
<v Speaker 3>get we get invites to all the birthday parties, and

1:17:28.320 --> 1:17:30.920
<v Speaker 3>I like going because there's nothing better than a party

1:17:30.960 --> 1:17:34.160
<v Speaker 3>that goes from nine am to noon. Okay. My daughter

1:17:34.200 --> 1:17:37.400
<v Speaker 3>also gets extra time with her friends, which is adorable. Okay, whatever,

1:17:38.000 --> 1:17:40.360
<v Speaker 3>what's the problem anyway? Do I have to get all

1:17:40.400 --> 1:17:43.559
<v Speaker 3>these kids gifts. I usually just bring them pastries or cookies.

1:17:43.760 --> 1:17:46.200
<v Speaker 3>Since I'm a baker at Proof in Atwater Village. Have

1:17:46.240 --> 1:17:49.400
<v Speaker 3>you been to Proof No delicious bakery h with an

1:17:49.439 --> 1:17:53.880
<v Speaker 3>interesting I think a very unionized bakery anyway, so that's

1:17:53.920 --> 1:17:57.040
<v Speaker 3>an easy lift. But they always seem like kind of

1:17:57.080 --> 1:17:58.840
<v Speaker 3>a cop out when I see a table full of

1:17:58.840 --> 1:18:01.720
<v Speaker 3>beautifully wrapped gifts the party, What do I do? There

1:18:01.720 --> 1:18:04.120
<v Speaker 3>are like a thousand kids and I'm not made of cash.

1:18:04.160 --> 1:18:08.000
<v Speaker 3>With love Lauren also, ps, please come to prove It

1:18:08.000 --> 1:18:10.640
<v Speaker 3>would be a pleasure to hear your thoughts on the bakes. Okay,

1:18:10.800 --> 1:18:13.080
<v Speaker 3>well you'll see me around, Lauren. I'm going to demand

1:18:13.720 --> 1:18:14.320
<v Speaker 3>the best.

1:18:14.520 --> 1:18:16.880
<v Speaker 4>It could be that, Okay.

1:18:16.920 --> 1:18:20.960
<v Speaker 3>So basically Lauren's problem or Lauren whatever, la U r

1:18:21.040 --> 1:18:24.600
<v Speaker 3>e N don't It's not my problem. The daughters to

1:18:24.960 --> 1:18:29.120
<v Speaker 3>all of the rich la children are having these fabulous

1:18:29.120 --> 1:18:33.120
<v Speaker 3>parties and demanding gifts. Parents are expecting gifts. Lauren is

1:18:33.200 --> 1:18:35.439
<v Speaker 3>working at one of our best bakeries and bringing baked

1:18:35.439 --> 1:18:36.960
<v Speaker 3>goods and she feels bad about it.

1:18:37.520 --> 1:18:39.599
<v Speaker 4>Well, gosh, I don't think she should feel bad about

1:18:39.640 --> 1:18:40.160
<v Speaker 4>that at all.

1:18:40.880 --> 1:18:45.880
<v Speaker 3>Should she be bringing expensive gifts to every toddler in

1:18:45.920 --> 1:18:47.559
<v Speaker 3>the Inland Empire.

1:18:47.680 --> 1:18:49.120
<v Speaker 4>I don't think so. I don't think.

1:18:49.240 --> 1:18:52.320
<v Speaker 5>I think what she is doing is far more interesting

1:18:52.320 --> 1:18:57.200
<v Speaker 5>and original than some high dollar trinket that the kid

1:18:57.200 --> 1:18:59.879
<v Speaker 5>will play with for a minute.

1:19:00.200 --> 1:19:02.360
<v Speaker 4>Right, and it's is it? Is she bringing enough for

1:19:02.400 --> 1:19:03.960
<v Speaker 4>the whole class? Like? Is it? Like?

1:19:04.320 --> 1:19:04.519
<v Speaker 3>Right?

1:19:04.640 --> 1:19:06.519
<v Speaker 4>Is he bringing like a plate of cookies that she

1:19:06.760 --> 1:19:12.240
<v Speaker 4>baked at her fabulous at water. I think, I think.

1:19:12.520 --> 1:19:15.519
<v Speaker 5>I think she's honestly, I think she's exactly right.

1:19:16.240 --> 1:19:17.559
<v Speaker 4>Well, you disagree.

1:19:18.000 --> 1:19:20.479
<v Speaker 3>I feel like Lauren's making a huge mistake here. She's

1:19:20.520 --> 1:19:23.160
<v Speaker 3>got these, all of these networking opportunities. She should be

1:19:23.200 --> 1:19:25.960
<v Speaker 3>looking at this as a networking opportunity, and she needs

1:19:26.000 --> 1:19:28.960
<v Speaker 3>to show up her best. She's got a she should

1:19:29.000 --> 1:19:35.679
<v Speaker 3>be bringing a Look, everybody's in debt. Why can't Lauren

1:19:35.720 --> 1:19:39.439
<v Speaker 3>be for giving away gifts? To Lauren, you're doing the

1:19:39.479 --> 1:19:44.360
<v Speaker 3>wrong thing. Keep the bakery. You're being a cheap skate.

1:19:44.600 --> 1:19:47.000
<v Speaker 3>You should show up with a gift that's minimum one

1:19:47.080 --> 1:19:51.760
<v Speaker 3>hundred dollars and that's minimum. People are talking about her,

1:19:52.200 --> 1:19:54.640
<v Speaker 3>They're saying, I'm sure the cookies are good, but I

1:19:54.640 --> 1:19:58.120
<v Speaker 3>could have gotten bought these myself, you know. Well, God,

1:19:58.120 --> 1:20:01.120
<v Speaker 3>I feel like she's flopped. I'm sure her two year

1:20:01.120 --> 1:20:06.280
<v Speaker 3>olds are so embarrassed. Mom, you just stay in the car.

1:20:06.479 --> 1:20:10.640
<v Speaker 5>So you said you're saying gifts. You say gifts, I

1:20:10.680 --> 1:20:11.360
<v Speaker 5>said gifts.

1:20:11.760 --> 1:20:14.280
<v Speaker 3>I said gifts for two year olds. I think it's

1:20:14.320 --> 1:20:19.040
<v Speaker 3>important that a two year old get an expensive gift. Yes, gifts, Yeah, okay.

1:20:18.880 --> 1:20:19.400
<v Speaker 4>That's fair.

1:20:20.400 --> 1:20:24.240
<v Speaker 5>But you know, as someone who has a two year

1:20:24.240 --> 1:20:30.599
<v Speaker 5>old on TV, I think that the I think the cookies,

1:20:30.880 --> 1:20:34.160
<v Speaker 5>cookies and pastries, you know, like a bear claw, I

1:20:34.640 --> 1:20:37.360
<v Speaker 5>think they would be welcomed and and and what what

1:20:37.360 --> 1:20:38.599
<v Speaker 5>what a unique and.

1:20:38.560 --> 1:20:44.639
<v Speaker 4>You made this? How we thank you, Lauren. The kids Lauren,

1:20:45.240 --> 1:20:47.120
<v Speaker 4>missus one have made this?

1:20:47.400 --> 1:20:49.880
<v Speaker 3>Lauren, missus Lauren she made these.

1:20:50.040 --> 1:20:51.280
<v Speaker 4>These are these are fresh?

1:20:51.400 --> 1:20:55.280
<v Speaker 5>Everyone try, but of course it is la So I

1:20:55.280 --> 1:20:58.160
<v Speaker 5>don't know, those kids might all be like, oh.

1:20:57.800 --> 1:21:00.840
<v Speaker 3>Boy, and all of these things. You've got to consider.

1:21:01.040 --> 1:21:04.000
<v Speaker 3>I've started bringing I'm trying to make it a goal

1:21:04.080 --> 1:21:06.479
<v Speaker 3>of baking cookies to take to parties instead of just

1:21:06.479 --> 1:21:11.479
<v Speaker 3>grabbing some boring drink. To really people go crazy. You

1:21:11.560 --> 1:21:14.800
<v Speaker 3>bring a nice, well made cookie to a party, you're

1:21:14.880 --> 1:21:17.439
<v Speaker 3>the talk of the town. Wow's having a great time

1:21:17.479 --> 1:21:17.800
<v Speaker 3>with them.

1:21:17.920 --> 1:21:20.040
<v Speaker 5>How often have you brought a bottle of wine and

1:21:20.160 --> 1:21:22.599
<v Speaker 5>you it just gets put away and as you leave, you're.

1:21:22.479 --> 1:21:26.400
<v Speaker 4>Like, there it is there, should just grab it. The

1:21:26.400 --> 1:21:31.800
<v Speaker 4>next party you take cookies, you know, it's let's be honest,

1:21:31.880 --> 1:21:34.400
<v Speaker 4>I'm allowed, Laurence. What kind of cookies do you make?

1:21:34.600 --> 1:21:37.160
<v Speaker 4>Chocolate chip, sea.

1:21:36.960 --> 1:21:42.080
<v Speaker 3>Salt, sea salt, sometimes with walnuts. I mean, they're phenomenal

1:21:42.400 --> 1:21:45.360
<v Speaker 3>and people love them. But only I can do that.

1:21:45.640 --> 1:21:48.799
<v Speaker 3>Lauren's stealing my thing. I think that's ultimately my problem.

1:21:50.280 --> 1:21:52.520
<v Speaker 4>They're phenomenal.

1:21:54.439 --> 1:21:54.920
<v Speaker 3>My cooking.

1:21:56.479 --> 1:21:58.559
<v Speaker 5>Do you see these Instagram videos where people are like,

1:21:58.600 --> 1:22:02.719
<v Speaker 5>all you need is is like peanut butter and one

1:22:02.920 --> 1:22:05.719
<v Speaker 5>one cocoa, one scoop of cocoa powder and a wish

1:22:05.800 --> 1:22:09.400
<v Speaker 5>and it's a brownie and it's like this is just protein.

1:22:09.640 --> 1:22:11.439
<v Speaker 5>And I'm like, that looks like a brownie and they

1:22:11.439 --> 1:22:13.639
<v Speaker 5>say it tastes like a brownie. How is that protein?

1:22:13.840 --> 1:22:15.599
<v Speaker 3>This was happening for a while that it was really

1:22:15.680 --> 1:22:19.559
<v Speaker 3>recommending the same thing, but essentially everything made out of eggs.

1:22:19.800 --> 1:22:22.840
<v Speaker 3>It was like, yeah, fifteen eggs and a piece of

1:22:22.920 --> 1:22:26.000
<v Speaker 3>chocolate and you have this is a cake. It's like no,

1:22:26.040 --> 1:22:27.800
<v Speaker 3>it's then you get in the you would look at

1:22:27.800 --> 1:22:29.720
<v Speaker 3>the comments and the people were just burning them down.

1:22:29.760 --> 1:22:34.160
<v Speaker 3>People be like, that's chocolate scrambled eggs. I loved it

1:22:34.240 --> 1:22:37.840
<v Speaker 3>so much. But there's a particular group of I think

1:22:37.880 --> 1:22:41.160
<v Speaker 3>the essentially scammers telling people that that works. That doesn't work.

1:22:41.640 --> 1:22:43.439
<v Speaker 4>It's gotta be it's gotta be false.

1:22:43.439 --> 1:22:45.760
<v Speaker 3>I mean, peanut butter and cocoa, I could imagine. I mean,

1:22:45.800 --> 1:22:49.160
<v Speaker 3>you probably joke, but when it's like eggs and a

1:22:49.160 --> 1:22:51.200
<v Speaker 3>piece of chocolate, it's like, that's simply not.

1:22:51.400 --> 1:22:53.160
<v Speaker 4>Do you ever cook? Do you use an air fryer?

1:22:53.479 --> 1:22:53.960
<v Speaker 3>I don't.

1:22:54.160 --> 1:22:57.080
<v Speaker 5>I am no cook, but I can use an air

1:22:57.080 --> 1:23:00.679
<v Speaker 5>fryer sure, and it is at it's magic.

1:23:01.600 --> 1:23:02.559
<v Speaker 3>What are you making in there?

1:23:02.680 --> 1:23:06.799
<v Speaker 4>I make? I've made steaks.

1:23:07.320 --> 1:23:10.120
<v Speaker 5>Wow, I've made Last night I had a steak with

1:23:10.479 --> 1:23:14.320
<v Speaker 5>Brussels sprouts all made out of the in the air fryer. Wow, terrific.

1:23:14.520 --> 1:23:15.280
<v Speaker 5>I've made eggs.

1:23:15.479 --> 1:23:16.320
<v Speaker 4>All you did? They have?

1:23:16.479 --> 1:23:19.400
<v Speaker 5>They have these like these like these little filters that

1:23:19.520 --> 1:23:24.840
<v Speaker 5>you can put in the air fryer. And I've made eggs,

1:23:24.880 --> 1:23:27.160
<v Speaker 5>like you just cracked the egg in there, and.

1:23:27.040 --> 1:23:29.160
<v Speaker 3>What it's like a sunny side up or what is it?

1:23:29.160 --> 1:23:30.400
<v Speaker 4>It comes out sunny side up?

1:23:30.439 --> 1:23:32.519
<v Speaker 5>I guess you like spray with a little bit of

1:23:32.880 --> 1:23:35.840
<v Speaker 5>you know, avocado oil or whatever. You puts some whatever

1:23:35.840 --> 1:23:37.559
<v Speaker 5>you want on a salt, some cheese maybe, and it

1:23:37.640 --> 1:23:41.160
<v Speaker 5>comes out perfect. It's like it's it's like it's weird,

1:23:41.200 --> 1:23:44.200
<v Speaker 5>but it is like in Back to the Future Part two,

1:23:44.360 --> 1:23:46.960
<v Speaker 5>the pizza, which she puts the tiny pizza in and

1:23:47.040 --> 1:23:50.120
<v Speaker 5>five seconds later it's it feels like that, Wow, you

1:23:50.320 --> 1:23:52.519
<v Speaker 5>put it in, you can't see what's happening in there,

1:23:52.560 --> 1:23:54.639
<v Speaker 5>and then you pull it out and the egg is cooked.

1:23:55.880 --> 1:23:57.719
<v Speaker 4>It's crazy.

1:23:57.920 --> 1:24:02.400
<v Speaker 3>The egg is the easiest possible to cook. And this

1:24:02.479 --> 1:24:03.639
<v Speaker 3>is the one thing I can cook.

1:24:03.720 --> 1:24:04.760
<v Speaker 4>I know, I can't cook it on.

1:24:05.000 --> 1:24:06.880
<v Speaker 3>A regular head Brussels sprout.

1:24:07.600 --> 1:24:10.880
<v Speaker 5>It's fantastic and it's and I'm just like it's for me.

1:24:10.960 --> 1:24:14.240
<v Speaker 5>It's the cleanup, like it's the it's the mess I'm

1:24:14.280 --> 1:24:17.040
<v Speaker 5>going to make on the stove, and then it's the

1:24:17.080 --> 1:24:18.479
<v Speaker 5>mess of clean cleaning it all up.

1:24:18.479 --> 1:24:20.120
<v Speaker 4>But with the airfare, it is so and I have

1:24:20.160 --> 1:24:22.080
<v Speaker 4>a little one, so it's very simple.

1:24:22.280 --> 1:24:24.120
<v Speaker 3>It might be time for me to just get into it.

1:24:24.240 --> 1:24:28.280
<v Speaker 5>I had to say we got one because in New York,

1:24:29.479 --> 1:24:31.160
<v Speaker 5>our this is the thing that happens when you live

1:24:31.160 --> 1:24:33.000
<v Speaker 5>in an old building in New York. We didn't have

1:24:33.120 --> 1:24:39.519
<v Speaker 5>gas for two years. WHOA, I had no idea this

1:24:39.600 --> 1:24:41.000
<v Speaker 5>was even something that could happen to you.

1:24:41.200 --> 1:24:42.479
<v Speaker 3>But it just stopped.

1:24:43.000 --> 1:24:44.840
<v Speaker 4>There was a leak in the gas line.

1:24:44.880 --> 1:24:47.559
<v Speaker 5>Summer cooking gas we had, we had heat, and we

1:24:47.640 --> 1:24:49.800
<v Speaker 5>had hot water, but we didn't have cooking gas for.

1:24:49.840 --> 1:24:52.680
<v Speaker 3>Two How do they justify that?

1:24:53.280 --> 1:24:53.839
<v Speaker 4>I mean.

1:24:55.240 --> 1:24:59.600
<v Speaker 5>They just they say tough shit, They say sorry, and

1:25:00.000 --> 1:25:02.360
<v Speaker 5>it's like and you know a lot of people I said,

1:25:02.400 --> 1:25:04.320
<v Speaker 5>and they're like, well, don't pay your rent, Like.

1:25:04.280 --> 1:25:07.160
<v Speaker 4>Well, it's not a rental, it's a co op. So

1:25:07.280 --> 1:25:08.759
<v Speaker 4>like you know, co op.

1:25:08.640 --> 1:25:10.479
<v Speaker 3>Is Yeah, you're really committed.

1:25:10.960 --> 1:25:13.559
<v Speaker 4>It's like, who do you complain to? It's it's me.

1:25:13.760 --> 1:25:16.479
<v Speaker 3>Yeah, we all are part of the team.

1:25:16.600 --> 1:25:21.880
<v Speaker 5>We all own this together. This is our problem. Yeah,

1:25:22.040 --> 1:25:24.840
<v Speaker 5>so we get an air fier. It's back now. The

1:25:24.880 --> 1:25:26.400
<v Speaker 5>gas is back now, but we still use.

1:25:26.360 --> 1:25:28.759
<v Speaker 4>The airfier because it was such a nice solution.

1:25:29.280 --> 1:25:32.280
<v Speaker 3>Wow, Okay, well it's probably time I need to cook

1:25:32.320 --> 1:25:33.920
<v Speaker 3>something for myself on occasion.

1:25:34.600 --> 1:25:34.800
<v Speaker 4>Yeah.

1:25:35.160 --> 1:25:36.000
<v Speaker 3>Ridiculous.

1:25:36.080 --> 1:25:38.800
<v Speaker 5>And when you're alone, like you know, that's another thing,

1:25:38.840 --> 1:25:41.080
<v Speaker 5>Like I'm alone out here because Ryan's in New York.

1:25:41.560 --> 1:25:44.839
<v Speaker 5>It's really easy to make something very quickly for myself.

1:25:45.000 --> 1:25:46.920
<v Speaker 3>Right, That's how I justify going out every single night

1:25:46.960 --> 1:25:48.040
<v Speaker 3>where I'm like, well I'm not going to make a

1:25:48.040 --> 1:25:48.559
<v Speaker 3>whole meal.

1:25:48.840 --> 1:25:50.240
<v Speaker 4>You got Do you go to restaurants alone?

1:25:50.360 --> 1:25:53.519
<v Speaker 3>Yeah? I love it. I go to movies alone.

1:25:53.600 --> 1:25:54.719
<v Speaker 4>I love going to the movies alone.

1:25:54.760 --> 1:25:56.559
<v Speaker 3>I think people should only go to the movies alone.

1:25:56.560 --> 1:25:59.479
<v Speaker 5>Well because because regardless, if you go to a movie

1:25:59.520 --> 1:26:04.439
<v Speaker 5>with another and that person's experience becomes your experience like everything.

1:26:04.520 --> 1:26:07.320
<v Speaker 4>Yes, and I love going the moves alone, but going

1:26:07.320 --> 1:26:10.880
<v Speaker 4>to restaurants alone depending on where I am. But I

1:26:10.920 --> 1:26:13.519
<v Speaker 4>also like, I don't want people to recognize me and

1:26:13.560 --> 1:26:16.480
<v Speaker 4>be like, why does that guy from TV have no friends?

1:26:17.280 --> 1:26:18.320
<v Speaker 4>That's what I'm afraid of.

1:26:19.920 --> 1:26:22.360
<v Speaker 3>Or you just got to own it. Yeah, No, I

1:26:23.040 --> 1:26:25.240
<v Speaker 3>like doing I like to go and read while I'm eating.

1:26:25.600 --> 1:26:26.280
<v Speaker 4>Well that's cute.

1:26:26.880 --> 1:26:28.720
<v Speaker 3>There's just something just very relaxing about it too.

1:26:28.800 --> 1:26:31.639
<v Speaker 4>I like like sitting at a counter, like at a diner.

1:26:32.280 --> 1:26:33.960
<v Speaker 3>I wish we had a closer. I go to Clark

1:26:34.000 --> 1:26:36.720
<v Speaker 3>Street Diner constantly. Oh yeah, I just know everyone there.

1:26:36.760 --> 1:26:38.720
<v Speaker 3>So I'm in a booth. I'm just the king of

1:26:38.720 --> 1:26:39.280
<v Speaker 3>the castle.

1:26:39.640 --> 1:26:43.840
<v Speaker 4>Yeah, but all right, good to know about this because

1:26:43.840 --> 1:26:45.960
<v Speaker 4>I think about going to restaurants alone.

1:26:46.160 --> 1:26:48.559
<v Speaker 3>You should do it. Try it. It feels like you're

1:26:48.680 --> 1:26:50.800
<v Speaker 3>almost like on a little business trip. That's kind of

1:26:50.840 --> 1:26:54.599
<v Speaker 3>how I feel like I'm expensing this meal. I'm expensing

1:26:54.640 --> 1:26:56.400
<v Speaker 3>simply every single meal of my life.

1:26:56.640 --> 1:26:58.840
<v Speaker 5>Had a long day of meetings. I'm going to go

1:26:58.880 --> 1:27:02.520
<v Speaker 5>back to the Marriotte after this. But in the meantime,

1:27:03.680 --> 1:27:04.920
<v Speaker 5>I do love a hotel bar.

1:27:05.680 --> 1:27:06.080
<v Speaker 4>Oh.

1:27:06.240 --> 1:27:08.360
<v Speaker 3>Interesting. I like going to a hotel bar and I

1:27:08.439 --> 1:27:09.559
<v Speaker 3>think romantic about that.

1:27:09.720 --> 1:27:11.679
<v Speaker 4>And I love room service.

1:27:12.560 --> 1:27:15.400
<v Speaker 3>I don't think I've ever gotten room service. No, never.

1:27:16.080 --> 1:27:20.040
<v Speaker 4>Oh it's fabulous. There's something they bring a tray, there's

1:27:20.040 --> 1:27:24.920
<v Speaker 4>a tiny tabasco, there's like your personal Oh it's great.

1:27:25.080 --> 1:27:26.599
<v Speaker 4>And then when you're done, you just put it in.

1:27:26.520 --> 1:27:28.640
<v Speaker 3>The hall that I like. I like the idea of

1:27:29.000 --> 1:27:31.639
<v Speaker 3>leaving trash in a hotel hallway. Oh, it's something very

1:27:31.640 --> 1:27:35.760
<v Speaker 3>appealing about that. I should give it a shot sometime. No,

1:27:36.040 --> 1:27:38.040
<v Speaker 3>I did it actually in Japan. We did it, and

1:27:38.080 --> 1:27:43.560
<v Speaker 3>it did feel incredible. What was the cuisine cheeseburgers?

1:27:43.720 --> 1:27:43.920
<v Speaker 4>No?

1:27:44.200 --> 1:27:46.920
<v Speaker 3>Really, yes, And it felt I mean it was just

1:27:46.960 --> 1:27:48.240
<v Speaker 3>like it felt amazing.

1:27:48.560 --> 1:27:48.800
<v Speaker 4>Yeah.

1:27:48.880 --> 1:27:51.639
<v Speaker 3>It comes in a yeah, like a tray with the top.

1:27:52.080 --> 1:27:53.759
<v Speaker 3>Maybe I need to get into it more often.

1:27:54.080 --> 1:27:54.599
<v Speaker 4>It's great.

1:27:54.760 --> 1:27:58.400
<v Speaker 5>I love and a breakfast. Oh there's something about like

1:27:58.439 --> 1:27:59.360
<v Speaker 5>a big.

1:27:59.280 --> 1:28:06.639
<v Speaker 4>Old, very expensive breakfast from from a hotel. It's also like, wow,

1:28:06.800 --> 1:28:07.840
<v Speaker 4>is this so expensive?

1:28:08.000 --> 1:28:09.880
<v Speaker 3>Oh that's I mean, that's what that's holding me back

1:28:09.920 --> 1:28:12.439
<v Speaker 3>every time? Yes, ruin an evening for Yes.

1:28:12.840 --> 1:28:14.840
<v Speaker 5>If I'm if I'm on someone else, if i'm if

1:28:14.880 --> 1:28:18.960
<v Speaker 5>I'm working forgets, I will I will opt to stay

1:28:19.000 --> 1:28:20.880
<v Speaker 5>in just to spend their money.

1:28:20.920 --> 1:28:26.479
<v Speaker 3>I will sink the company. Well, I've got my beautiful painting.

1:28:26.520 --> 1:28:27.519
<v Speaker 4>I'm so happy about it.

1:28:27.600 --> 1:28:29.200
<v Speaker 3>I'm so glad you could be here. Thank you so

1:28:29.640 --> 1:28:30.439
<v Speaker 3>such a joy.

1:28:30.640 --> 1:28:31.120
<v Speaker 4>I love it.

1:28:31.200 --> 1:28:37.000
<v Speaker 3>I love it here listener. The podcast is over adopted too.

1:28:38.240 --> 1:28:44.639
<v Speaker 3>I love you goodbye. I Said No Gifts is an

1:28:44.640 --> 1:28:49.800
<v Speaker 3>exactly right production. Our senior producer is Ellis Nelson, and

1:28:49.840 --> 1:28:53.760
<v Speaker 3>our episodes are beautifully mixed by Ben Toliday. The theme

1:28:53.840 --> 1:28:57.240
<v Speaker 3>song is by miracle worker Amy Mann, and we couldn't

1:28:57.280 --> 1:29:00.840
<v Speaker 3>do it without our booker, Patrick Cottner. You must follow

1:29:00.880 --> 1:29:03.360
<v Speaker 3>the show on Instagram at I Said No Gifts. That's

1:29:03.360 --> 1:29:05.880
<v Speaker 3>where you're going to see pictures of all these wonderful gifts.

1:29:05.880 --> 1:29:08.280
<v Speaker 3>I'm getting and don't you want to see the gifts?

1:29:10.000 --> 1:29:10.160
<v Speaker 2>Lie?

1:29:10.280 --> 1:29:10.679
<v Speaker 3>Invit?

1:29:10.760 --> 1:29:12.000
<v Speaker 4>Did you hear.

1:29:14.080 --> 1:29:18.960
<v Speaker 1>Thought? I made myself perfectly clear, But you're a guest

1:29:19.040 --> 1:29:26.520
<v Speaker 1>to my home. You gotta come to me empty, And

1:29:26.560 --> 1:29:31.160
<v Speaker 1>I said, no guests, you're our presences. Presents enough.

1:29:32.360 --> 1:29:36.920
<v Speaker 2>I already had too much stuff, So how do you

1:29:37.240 --> 1:29:39.240
<v Speaker 2>dare to surbey me?