WEBVTT - Country Music Superstar Jelly Roll Talks Inspiring Lyrics and Having Fans Throw Things on Stage

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<v Speaker 1>Here we go. It's another episode of thinking out loud,

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<v Speaker 1>and you're gonna want to be hanging out for this.

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<v Speaker 1>Country music singer jelly Roll stop by in the midst

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<v Speaker 1>of his sold out back road Baptism tour. He wanted

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<v Speaker 1>to talk about changing your life around and the crazy

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<v Speaker 1>things that people throw at him on stage. He's just

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<v Speaker 1>the best guy ever, and you're gonna fall in love

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<v Speaker 1>with jelly Roll right now.

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<v Speaker 2>Let's listen in. I have woke up before noon three

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<v Speaker 2>times this year and you were too open. No, you're

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<v Speaker 2>the solution. Baby. Good morning America.

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<v Speaker 1>Okay, that's worth it, jelly Roll, Welcome to the show.

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<v Speaker 2>Baby, good mounting.

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<v Speaker 1>It's just when Jelly Roll walks into the road, you

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<v Speaker 1>just feel good.

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<v Speaker 2>Thank you. It's normally because I bring an odor of

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<v Speaker 2>legal ass pot with me. Smells good.

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<v Speaker 1>We're the same to me that while driving up and

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<v Speaker 1>down the streets of New York, every single block has

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<v Speaker 1>a marijuana a store.

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<v Speaker 2>Oh dude, it's crazy, and I'm just assuming because it's

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<v Speaker 2>New York. Maybe judgmental, but I'm assuming all of them

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<v Speaker 2>are an undercover operation for something crazy like I don't know.

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<v Speaker 2>I just like to romanticize my New York is like

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<v Speaker 2>an old school gangster thing, you know, like they're stealing

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<v Speaker 2>TVs or knocking off trucks too.

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<v Speaker 1>You know, I got bad news. They seem legit when

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<v Speaker 1>I go wow out on the back road baptism tour.

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<v Speaker 1>How many how many stops do you have on this tour?

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<v Speaker 2>Dude? Last night was night nine or forty four? Yes, sir,

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<v Speaker 2>there was a Bridgeport, Connecticut.

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<v Speaker 1>Last night, just nine in. Are you okay?

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<v Speaker 2>Just oh dude, I listen. I got my first real

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<v Speaker 2>I tied one on last night. Full disclosure. I had

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<v Speaker 2>to get an ivy on the way here. But good,

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<v Speaker 2>but I feel great. No, it's been incredible, man. It's

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<v Speaker 2>I was explaining to somebody that, like, I couldn't have

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<v Speaker 2>even dreamed of this. I couldn't have even dreamed that

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<v Speaker 2>seven thousand people would buy a ticket to see me

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<v Speaker 2>in Bridgeport, Connecticut on a Wednesday, you know what I mean.

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<v Speaker 2>So it's like, I don't know, this is all surreal

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<v Speaker 2>to me. Well, at least she didn't strap one on

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<v Speaker 2>last night. Yeah, right, exactly, or have one strapped on me.

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<v Speaker 1>You could be a confusing morning. So we had someone

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<v Speaker 1>to leave us a talkback on our iHeartRadio app So

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<v Speaker 1>I literally just heard you guys talking about an interview

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<v Speaker 1>with Jelly Rolls. And as I'm heading out ninety.

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<v Speaker 2>Five dors in Delaware, I passed two tour buses and

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<v Speaker 2>then one huge pink.

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<v Speaker 1>One with Bunny Ears and XO.

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<v Speaker 2>Apparently Jelly Roles White hats her own tour bus.

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<v Speaker 1>Yes, that was pretty cool to see. Explain this to me.

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<v Speaker 1>First of all, especially sounds I hurt to her. Buses

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<v Speaker 1>more fun than yours.

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<v Speaker 2>Way more fun than my tour bus. It's way more fast.

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<v Speaker 2>And first of all, this lady is awesome, thank you. Yeah,

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<v Speaker 2>Bunny brought her own bus man, She's got her own crew.

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<v Speaker 2>It's a big old pink bus. I was dead set

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<v Speaker 2>against it, and then she took it to TikTok and

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<v Speaker 2>the people voted yep. But she's riding around in a

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<v Speaker 2>big pink spaceship with Bunny years haul over it. That

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<v Speaker 2>says Bunny x.

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<v Speaker 1>Though it sounds like and I'm making an assumptions here,

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<v Speaker 1>you guys are having a lot of fun, even though

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<v Speaker 1>you're only nine in you're having fun on this too.

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<v Speaker 2>Well. You got to remember, I'm kind of Van Wilder

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<v Speaker 2>of the music business. Anyways, you know, I kind of

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<v Speaker 2>got here a little later than everybody else and partied

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<v Speaker 2>on the way. So we're just kind of I feel

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<v Speaker 2>like it's a mobile frat party for us. None of

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<v Speaker 2>us went to college, so we're just imagining what college years,

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<v Speaker 2>what it been like. And it's a ball dude. It's

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<v Speaker 2>we're having fun on and off the stage. Maybe maybe

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<v Speaker 2>this is college. It's a different type of university.

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<v Speaker 1>Let's talk about. Let's go back, let's go back. Where

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<v Speaker 1>are you from? Tell everyone in your words, like you

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<v Speaker 1>tell everyone your story and what motivated you, in your opinion,

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<v Speaker 1>to get you where you are today.

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<v Speaker 2>I would say that I'm from Antiox, Tennessee. My mam

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<v Speaker 2>and gave me the nickname Jelly Row when I was

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<v Speaker 2>a kid. My name is Jason D. Ford. I was

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<v Speaker 2>born in Antioch, which is a little town right outside

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<v Speaker 2>of Nashville, you know, twenty thirty minutes on house kirts town.

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<v Speaker 2>And I grew up just in a house at music

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<v Speaker 2>and all I want to do is make music. And see,

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<v Speaker 2>I never had another thing I wanted to do but music,

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<v Speaker 2>you know, and this this has been my whole life.

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<v Speaker 2>I understood purpose of music when I was young You

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<v Speaker 2>and I spoke about it before, briefly, but like music

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<v Speaker 2>resonated in my household different. I watched people deal with

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<v Speaker 2>drug addictions by listening to music. I watch people get

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<v Speaker 2>sober listening to music. I watched people relapse listen to music.

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<v Speaker 2>I had all these I watched people deal with mental

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<v Speaker 2>health and trauma and tragedy through music. It was like

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<v Speaker 2>we had a house that we didn't talk a lot,

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<v Speaker 2>but we throw on records, you know what I mean.

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<v Speaker 2>So it's funny. I ended up being a big talker,

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<v Speaker 2>you know. But that's what got me into music, and

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<v Speaker 2>that's been my purpose from day one. Was I call

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<v Speaker 2>it therapeutic music. It's real music for real people with

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<v Speaker 2>real problems.

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<v Speaker 1>So you say to the other role that you always

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<v Speaker 1>wanted to be in music? Does does that mean as

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<v Speaker 1>a kid you were fintasizing a beat about becoming a

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<v Speaker 1>successful millionaire doing music or just playing honky tonks anywhere USA?

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<v Speaker 1>What what did that mean to you then?

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<v Speaker 2>Being in music? Yeah, the early dream was just hockey talks, right,

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<v Speaker 2>because I didn't see I didn't know. You know, they

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<v Speaker 2>they say you believe what you're exposed to, and I'd

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<v Speaker 2>never seen success. Right. So it was like I seen

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<v Speaker 2>dudes play the local bar and I was like, Yo,

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<v Speaker 2>if I can go play some local bars, I could

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<v Speaker 2>make some money and not have to commit uh nefarious

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<v Speaker 2>criminal activities, you know what I'm saying. I was like,

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<v Speaker 2>so I just wanted to And then I started seeing

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<v Speaker 2>scale and then that's when you start going, oh man,

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<v Speaker 2>I'm dreaming too small. This is like this thing could

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<v Speaker 2>be a thing thing, you know what I mean. But

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<v Speaker 2>initially the plan was just to you know, I guess

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<v Speaker 2>I never even associated money with it, you know what

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<v Speaker 2>I mean. I just associated like these dudes were doing

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<v Speaker 2>what they loved for a living. They were touching people

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<v Speaker 2>and they wasn't selling drugs, and that's what inspired me,

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<v Speaker 2>you know.

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<v Speaker 1>So coming up, did you did you play all roadhouses?

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<v Speaker 1>Did you? Did you ever play a show where you

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<v Speaker 1>see the movies where they put chicken wire up in front?

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<v Speaker 2>I played one of those.

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<v Speaker 1>Tell where I was going with because some people mayn't

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<v Speaker 1>understand what chicken wire and in front of the stage is.

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<v Speaker 2>This is a real thing. They put up chicken wire

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<v Speaker 2>and I and I asked them the first time I

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<v Speaker 2>got to play one, I said, why don't y'all put

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<v Speaker 2>Why chicken wire, they said, because when people were throwing

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<v Speaker 2>the beer bottles and they were hitting like regular fencing,

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<v Speaker 2>it would still crack and go through. They were like,

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<v Speaker 2>the chicken wire just kills everything. So these guys, I mean,

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<v Speaker 2>because these bars were literally rowdy enough that you got

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<v Speaker 2>behind the chicken wire because they start throwing stuff. I've

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<v Speaker 2>been I've had the most fascinating time Elvis watching all

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<v Speaker 2>these artists get stuff thrown at them on TikTok, and

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<v Speaker 2>I'm just tickled because I'm like, oh, these people never

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<v Speaker 2>played a bar. Like if you're like, you don't know,

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<v Speaker 2>I don't know what it's like not to have stuff

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<v Speaker 2>thrown at me. You know what I'm saying. I've only

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<v Speaker 2>played to this day people throw brawls or pots. I

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<v Speaker 2>get lots of pot. I mean, like Cypress Hill amounts

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<v Speaker 2>of pot thrown on the stage of It's like, I've

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<v Speaker 2>been getting stuff thrown at me my whole I played

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<v Speaker 2>the Gathering of the Juggalos. Somebody shot a bottle rocket

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<v Speaker 2>at me once at live bottle rocket. Yes they can,

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<v Speaker 2>that can get through chicken wire, Prue, I could get

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<v Speaker 2>through chicken wire. But yeah, we played. I played a

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<v Speaker 2>spot in Louisbourg, Tennessee that had chicken wire at it.

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<v Speaker 2>I'll never forget. I played a lot of places that

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<v Speaker 2>had big fences or just big you know, it's man

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<v Speaker 2>them ald just scary bars, dude.

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<v Speaker 1>But yeah, I would think that if you're playing a

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<v Speaker 1>roadhouse and they're throwing long Star beer bottles at you,

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<v Speaker 1>you are getting hit with the liquid of the beer

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<v Speaker 1>the backwash. That could be like success, they love me.

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<v Speaker 1>They're all getting messed up out there, they're loving the show.

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<v Speaker 2>Oh yeah. It was like the first time I played

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<v Speaker 2>the Gathering, they shot me with fago and I didn't

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<v Speaker 2>understand it. That was how they endeared you, Like if

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<v Speaker 2>they sprayed fago at you, if they if they sprayed

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<v Speaker 2>pea at you, they didn't like you, Okay. It was

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<v Speaker 2>that dramatic of a difference. Faygo thumbs up, pissed thumbs down.

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<v Speaker 2>How do they throw pea? Oh dude, they put a

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<v Speaker 2>pee in a bottle and throw it. Yes, and then

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<v Speaker 2>just yeah, it's crazy. I seen a girl get hit

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<v Speaker 2>with a bottle of pea at the Gathering one time.

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<v Speaker 2>Her name was u Tia Tila Tila Tequila. It was

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<v Speaker 2>Tila tequila.

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<v Speaker 1>We heard of her.

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<v Speaker 2>Absolutely, yeah. I was there when that happened, the famous

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<v Speaker 2>gathering incident. It was crazy, dude.

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<v Speaker 1>So if you get a hit with a liquid, it

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<v Speaker 1>takes a second to realize, well, either it's beer or.

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<v Speaker 2>Pe and you got to either smell it or liquor. Right,

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<v Speaker 2>It's the only way to find out, Elvis.

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<v Speaker 1>There's no time to send it to the last sit.

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<v Speaker 2>There and go or go oh god, music so glamorous,

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<v Speaker 2>this glamorous career you've chosen.

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<v Speaker 1>Well, and then you wake up one day and you're

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<v Speaker 1>on Good Morning America on ABC. You know what I'm saying.

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<v Speaker 2>Well before that, though, I was with you on the

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<v Speaker 2>Only Intrepid. That was still the coolest day we've had.

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<v Speaker 1>On That was a cool thing.

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<v Speaker 2>You know.

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<v Speaker 1>General said he's only been up and at him before

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<v Speaker 1>noon but three times, three times this year, and I

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<v Speaker 1>was because two of those because of me.

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<v Speaker 2>I'm so sorry. I'll wake up for you any day, Papa.

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<v Speaker 2>Let's talk about country music. You know, country music.

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<v Speaker 1>When I was growing up in Texas, it was about

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<v Speaker 1>pickup trucks and dogs. And you know, someone's in prison

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<v Speaker 1>and a mom involved. Right now, look at the music

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<v Speaker 1>you're putting out. It's, as you say, therapeutic, it's it's

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<v Speaker 1>truly meaningful. I mean, it's it resonates in a way

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<v Speaker 1>that country music really never used to resonate about it, right,

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<v Speaker 1>And of course this is from your personal experience in life,

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<v Speaker 1>I guess. I mean, are you seeing other country artists

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<v Speaker 1>really truly moving towards this more honest approach to their

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<v Speaker 1>music making?

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<v Speaker 2>Yeah? Yeah, I think we're going back to that era

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<v Speaker 2>a little bit right now. I think guys like Sturgel

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<v Speaker 2>or Tyler Childers, Colter wall Zach Bryant, these guys that

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<v Speaker 2>are just the singer songwriter thing is back happening in Nashville,

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<v Speaker 2>and it's incredible to watch. It's not to say every

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<v Speaker 2>other era of country music wasn't cool, but that seventies

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<v Speaker 2>era was special. When Willie was writing all these songs

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<v Speaker 2>with Wayland and all these cool collaborations were happening, and

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<v Speaker 2>there was a lot of myth building happening to the

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<v Speaker 2>outlaw movement. And I think guys like myself, Hardy Morgan

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<v Speaker 2>Wallen following that group of guys that are kind of

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<v Speaker 2>also like the other side of what Tyler Childers and

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<v Speaker 2>them do with that singer songwriter mentality and sharing a

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<v Speaker 2>different story.

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<v Speaker 1>You know, So the good old opry has made a turn.

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<v Speaker 2>Oh yes, babe, then the grand old opry is like

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<v Speaker 2>accepted us with wide arms open as well. So it's

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<v Speaker 2>been even cooler to see like the only critics we

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<v Speaker 2>get are like, you know, like the purest you know

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<v Speaker 2>what I mean, and they're gonna always. But I think

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<v Speaker 2>that what's happening for country music right now. It's never

0:10:27.679 --> 0:10:29.320
<v Speaker 2>been a cooler time to be a part of country

0:10:29.360 --> 0:10:30.240
<v Speaker 2>music than right now.

0:10:30.600 --> 0:10:33.120
<v Speaker 1>Looking at your single Need of Favor, which is still massive.

0:10:33.880 --> 0:10:36.520
<v Speaker 1>What's in the middle of its massive phase? Your number

0:10:37.000 --> 0:10:39.679
<v Speaker 1>two number one consecutive hit, is that right?

0:10:39.840 --> 0:10:40.000
<v Speaker 2>Yes?

0:10:40.240 --> 0:10:42.719
<v Speaker 1>Yeah, listen to these lyrics. I mean, we're gonna play

0:10:42.720 --> 0:10:44.480
<v Speaker 1>it in a minute. You listen to these lyrics, and

0:10:44.520 --> 0:10:46.360
<v Speaker 1>this is this is coming from a place a lot

0:10:46.360 --> 0:10:51.000
<v Speaker 1>of artists country and our country are not feeling vulnerable

0:10:51.400 --> 0:10:57.320
<v Speaker 1>and and brave enough to show right. But you it

0:10:57.400 --> 0:10:59.760
<v Speaker 1>sounds like you would rather do a song like that

0:10:59.800 --> 0:11:03.040
<v Speaker 1>than a song about moms in prison and dogs and trucks.

0:11:03.320 --> 0:11:04.600
<v Speaker 2>Yeah, So why is it.

0:11:04.559 --> 0:11:07.120
<v Speaker 1>So important to you to get that off your chest

0:11:07.160 --> 0:11:07.920
<v Speaker 1>and out of your heart?

0:11:08.160 --> 0:11:11.800
<v Speaker 2>Vulnerability? I think also like I grew up at Myron

0:11:11.880 --> 0:11:16.040
<v Speaker 2>guys like James Taylor, right, Jim Crochey. These were my heroes, right,

0:11:16.800 --> 0:11:19.720
<v Speaker 2>and these dudes that just bared their soul on these records.

0:11:19.760 --> 0:11:23.320
<v Speaker 2>You know, I just Bob Seger guys that we were

0:11:23.320 --> 0:11:25.360
<v Speaker 2>listening to against the Wind at four o'clock this morning,

0:11:25.440 --> 0:11:27.360
<v Speaker 2>drinking down the highway, and it just it's like the

0:11:27.400 --> 0:11:29.240
<v Speaker 2>first time you ever hear it. Every time you hear it,

0:11:29.679 --> 0:11:31.280
<v Speaker 2>And I just wanted to write songs for those, And

0:11:31.320 --> 0:11:32.920
<v Speaker 2>I want to write songs like those, And I wanted

0:11:32.920 --> 0:11:34.800
<v Speaker 2>to write songs for people that don't have songs wrote

0:11:34.840 --> 0:11:38.440
<v Speaker 2>about them, right, Like it is important as a songwriter

0:11:38.520 --> 0:11:41.640
<v Speaker 2>and as a commentator to sometimes talk about the things

0:11:41.679 --> 0:11:43.560
<v Speaker 2>that are people are, you know, Like I mean, we

0:11:43.640 --> 0:11:46.360
<v Speaker 2>talk about everything from drug addiction to you know, I mean,

0:11:46.360 --> 0:11:47.840
<v Speaker 2>we get you, sir, you've heard the music, you need

0:11:47.840 --> 0:11:49.240
<v Speaker 2>a favorites of a great example. I mean, we get

0:11:49.280 --> 0:11:53.400
<v Speaker 2>really raw with relationships and how we deal with things.

0:11:53.440 --> 0:11:55.679
<v Speaker 2>It's like I felt like when I was coming up,

0:11:55.720 --> 0:11:58.720
<v Speaker 2>nobody representing my culture and music, and I was like,

0:11:58.760 --> 0:12:01.080
<v Speaker 2>if I ever get a chance, you know what I mean, Like,

0:12:01.400 --> 0:12:03.720
<v Speaker 2>if God ever gives me that megaphone. I'm a scream

0:12:03.760 --> 0:12:05.920
<v Speaker 2>in it, you know what I mean. And I'm just

0:12:05.960 --> 0:12:07.880
<v Speaker 2>trying to represent those without representation.

0:12:08.559 --> 0:12:12.840
<v Speaker 1>So nine shows into this forty four stop.

0:12:12.760 --> 0:12:13.839
<v Speaker 2>Nine sellouts in a row.

0:12:14.880 --> 0:12:16.880
<v Speaker 1>Let me tell you, h nine sellouts.

0:12:17.200 --> 0:12:18.840
<v Speaker 2>Maybe it's a big deal for the big.

0:12:18.679 --> 0:12:23.280
<v Speaker 1>Gap sellouts of forty four. The fans are getting to you.

0:12:23.440 --> 0:12:26.240
<v Speaker 1>They're talking to you like, what are you hearing? Are

0:12:26.280 --> 0:12:28.480
<v Speaker 1>you hearing anything that you expected to hear? Are you

0:12:28.520 --> 0:12:31.160
<v Speaker 1>hearing anything that you did not expect to hear? From

0:12:31.200 --> 0:12:33.600
<v Speaker 1>how they are responding to what you're giving them.

0:12:33.440 --> 0:12:36.200
<v Speaker 2>The music wise, it's crazy. It's I don't know what

0:12:36.280 --> 0:12:40.079
<v Speaker 2>I expected, but the outpouring of love every night. I mean, dude.

0:12:40.520 --> 0:12:43.680
<v Speaker 2>I know artists always say this, but I mean dude,

0:12:43.679 --> 0:12:47.440
<v Speaker 2>We're laughing, dancing, and crying in that ninety minute set

0:12:47.480 --> 0:12:52.040
<v Speaker 2>every night, Me and fifteen thousand people every single night.

0:12:52.120 --> 0:12:55.120
<v Speaker 2>You know. It's It's It's church, It really is. I

0:12:55.120 --> 0:12:58.000
<v Speaker 2>didn't understand it, but my friends who aren't from the

0:12:58.080 --> 0:13:00.520
<v Speaker 2>South that are like, I don't know what a Sunday

0:13:00.559 --> 0:13:02.800
<v Speaker 2>service looks like, but I would assume this is it.

0:13:03.480 --> 0:13:05.320
<v Speaker 2>And that hit me. It hit me, especially last night

0:13:05.360 --> 0:13:07.480
<v Speaker 2>because all my new York City friends came to Bridgeport

0:13:07.840 --> 0:13:09.600
<v Speaker 2>and they were like, is this what church is like

0:13:09.679 --> 0:13:13.000
<v Speaker 2>down South? And to myself, I thought, kind of, this

0:13:13.120 --> 0:13:14.760
<v Speaker 2>is kind of what church is like. Yeah, it was

0:13:14.800 --> 0:13:16.520
<v Speaker 2>like in this really weird way. And maybe that's where

0:13:16.520 --> 0:13:18.280
<v Speaker 2>I draw a lot of that inspiration from. It's my

0:13:18.320 --> 0:13:19.240
<v Speaker 2>early roots, you know.

0:13:19.720 --> 0:13:21.679
<v Speaker 1>Yeah, go into a great church service. It's supposed to

0:13:21.679 --> 0:13:24.400
<v Speaker 1>wear you out, oh for sure, but being able to laugh. See,

0:13:24.520 --> 0:13:26.839
<v Speaker 1>I went to Southern Baptist, right, we went to church.

0:13:27.400 --> 0:13:29.400
<v Speaker 1>Not a lot of laughing in a Southern Baptist.

0:13:29.600 --> 0:13:31.240
<v Speaker 2>For a lot of hell fire and brimstone, a lot

0:13:31.800 --> 0:13:33.760
<v Speaker 2>give you a little bit of hope at the very end.

0:13:33.880 --> 0:13:36.400
<v Speaker 2>Exactly at the very end, they'd hit one major chord

0:13:36.440 --> 0:13:38.120
<v Speaker 2>on the oregan and be like, but there's hope.

0:13:38.320 --> 0:13:40.040
<v Speaker 1>And then and they keep going on and on, and

0:13:40.080 --> 0:13:41.760
<v Speaker 1>you know, there's a there's a pot roast burning back

0:13:41.800 --> 0:13:44.440
<v Speaker 1>at the house because your Sunday, your Sunday roast is burning.

0:13:44.480 --> 0:13:47.800
<v Speaker 1>But a good service is what you're giving your fans,

0:13:47.800 --> 0:13:49.480
<v Speaker 1>you know. I mean, but let's go back to laughter.

0:13:49.840 --> 0:13:52.360
<v Speaker 2>As a Southern Baptist. You know what they say, Southern

0:13:52.400 --> 0:13:55.400
<v Speaker 2>Baptists are famous for two things. What's that eating and arguing.

0:13:55.520 --> 0:13:57.400
<v Speaker 2>That's that's what they're the best at. Dude. I grew

0:13:57.440 --> 0:13:59.280
<v Speaker 2>up in a Southern Baptist church, which the Chapel the

0:13:59.360 --> 0:14:01.360
<v Speaker 2>Church I named after my album after as a little

0:14:01.400 --> 0:14:04.200
<v Speaker 2>Southern Baptist church on a back road, one hundred person church.

0:14:04.679 --> 0:14:06.920
<v Speaker 2>My daddy used to say, you know what the difference

0:14:06.920 --> 0:14:09.520
<v Speaker 2>between a Baptist and a Methodist is? I said what

0:14:09.640 --> 0:14:11.840
<v Speaker 2>he said. At least a Methodist will say hello at

0:14:11.880 --> 0:14:12.559
<v Speaker 2>the liquor store.

0:14:13.760 --> 0:14:18.160
<v Speaker 1>Right. Look, I let's talk about the laughter you guys.

0:14:18.320 --> 0:14:21.440
<v Speaker 1>I'm going to make an assumption, just the few times

0:14:21.480 --> 0:14:23.280
<v Speaker 1>we've been with you, I assume that you guys do

0:14:23.560 --> 0:14:24.360
<v Speaker 1>a lot of laughing.

0:14:24.520 --> 0:14:27.600
<v Speaker 2>Oh it hurts the tummy. We're all a bunch of

0:14:27.640 --> 0:14:32.200
<v Speaker 2>stoners that think we're comedians. So's the worst crock pot ever.

0:14:33.720 --> 0:14:37.160
<v Speaker 1>During during all the traveling and all the all the

0:14:37.200 --> 0:14:39.800
<v Speaker 1>time on stage and laughing with your friends, getting a

0:14:39.800 --> 0:14:41.680
<v Speaker 1>little messed up here and there, do you ever have

0:14:41.800 --> 0:14:44.240
<v Speaker 1>moments where you just need to go off to your

0:14:44.360 --> 0:14:46.320
<v Speaker 1>to the side and go, okay, I need some jelly

0:14:46.400 --> 0:14:49.840
<v Speaker 1>roll time? And or do you always be Are you

0:14:49.920 --> 0:14:51.960
<v Speaker 1>always the gregarious ue we have to be around people?

0:14:52.040 --> 0:14:55.640
<v Speaker 2>No? No, I love it. I'm it's it's a mixed Normally,

0:14:55.680 --> 0:14:57.560
<v Speaker 2>I just love being around people, though I just kind

0:14:57.560 --> 0:14:59.280
<v Speaker 2>of want to go. Dude, I'll sit in the back

0:14:59.360 --> 0:15:02.520
<v Speaker 2>room sometime. I'm a sleeper. That's what I really am.

0:15:02.600 --> 0:15:06.800
<v Speaker 2>I realized earlier in my career. You can't be fat, dehydrated,

0:15:06.840 --> 0:15:10.000
<v Speaker 2>and sleepy. So I have chose to sleep as much

0:15:10.080 --> 0:15:12.960
<v Speaker 2>as possible to know what I'm saying to at least

0:15:13.000 --> 0:15:14.680
<v Speaker 2>have one of those three things. Check.

0:15:15.080 --> 0:15:18.160
<v Speaker 1>Look at this forty four sold out nights. But then

0:15:18.200 --> 0:15:20.920
<v Speaker 1>you look at like a Taylor Swift whatever, how many

0:15:20.960 --> 0:15:24.200
<v Speaker 1>shows is she doing. She's like like eight hundred thousand

0:15:24.200 --> 0:15:24.920
<v Speaker 1>shows in one year.

0:15:25.080 --> 0:15:27.560
<v Speaker 2>She's been to break every record on Earth. It's been

0:15:27.560 --> 0:15:30.280
<v Speaker 2>the funnest thing to watch and what she's doing, you know,

0:15:30.360 --> 0:15:31.640
<v Speaker 2>but you're providing the same thing.

0:15:31.840 --> 0:15:34.480
<v Speaker 1>Taylor Swift is doing these shows that are just like

0:15:34.840 --> 0:15:38.960
<v Speaker 1>visually stunning. Every move she makes on stage is an

0:15:39.040 --> 0:15:44.720
<v Speaker 1>Instagram moment. Everything she says is just perfectly placed. Your

0:15:44.800 --> 0:15:48.840
<v Speaker 1>show makes you feel the same, but it seems like

0:15:48.880 --> 0:15:51.560
<v Speaker 1>it's the opposite. I'm sure there's a lot of planning

0:15:51.560 --> 0:15:53.960
<v Speaker 1>going into shows. You have a set list, but it

0:15:54.000 --> 0:15:55.640
<v Speaker 1>looks like you guys are just up there, like, just

0:15:56.040 --> 0:15:57.120
<v Speaker 1>do what do you want to do next?

0:15:57.120 --> 0:15:59.520
<v Speaker 2>All right, let's do that song. It's pretty close, man,

0:15:59.560 --> 0:16:03.560
<v Speaker 2>We're just damning, dude, we're doing I left a lot

0:16:03.560 --> 0:16:05.720
<v Speaker 2>of room in my set open for that, like for

0:16:05.760 --> 0:16:07.520
<v Speaker 2>the feeling of the room, you know what I mean,

0:16:07.520 --> 0:16:09.720
<v Speaker 2>because I feel like music is supposed to meet people

0:16:09.720 --> 0:16:14.120
<v Speaker 2>where the room is, and we're also like, I don't

0:16:14.160 --> 0:16:16.080
<v Speaker 2>know why I've always been this way, but I feel

0:16:16.120 --> 0:16:17.960
<v Speaker 2>like it sounds a little better when it's a little sloppy.

0:16:19.000 --> 0:16:20.240
<v Speaker 1>It's normal, it's organic.

0:16:20.360 --> 0:16:22.880
<v Speaker 2>Yeah, it's like there's this like supernatural thing, which I

0:16:22.880 --> 0:16:25.040
<v Speaker 2>love what Taylor does too. I am a swiftie for

0:16:25.120 --> 0:16:27.680
<v Speaker 2>the record. Now you go on the record. First time

0:16:27.680 --> 0:16:29.680
<v Speaker 2>I've ever talked about this publicly. Somebody clip it and

0:16:29.720 --> 0:16:32.400
<v Speaker 2>send it to Taylor. I love her. She's from Hendersonville, Tennessee,

0:16:32.440 --> 0:16:35.400
<v Speaker 2>and we never met, but we're like neighbors. But uh,

0:16:36.000 --> 0:16:38.360
<v Speaker 2>our stuff's just like a little more sloppy in general,

0:16:38.640 --> 0:16:41.840
<v Speaker 2>and that's just, you know, I don't know. Bob Singer

0:16:41.880 --> 0:16:43.600
<v Speaker 2>is another Bob Segert quote. He had two of my

0:16:43.640 --> 0:16:46.400
<v Speaker 2>favorite quotes of music. He said that one just search

0:16:46.480 --> 0:16:49.120
<v Speaker 2>for songs you can sing with conviction. That's quote is

0:16:49.120 --> 0:16:50.080
<v Speaker 2>on my studio wall.

0:16:50.280 --> 0:16:52.200
<v Speaker 1>Now, songs you can sing with conviction?

0:16:52.320 --> 0:16:54.520
<v Speaker 2>Yep? Just that easy, Like what the most easy way

0:16:54.560 --> 0:16:56.200
<v Speaker 2>to think of it, like just search for songs that

0:16:56.240 --> 0:16:58.720
<v Speaker 2>you can sing with conviction. And he said, man, it

0:16:58.800 --> 0:17:01.680
<v Speaker 2>was something different about this silver Bullet Band because they

0:17:01.680 --> 0:17:04.280
<v Speaker 2>played just a little sloppier. He was like, it's just

0:17:04.320 --> 0:17:06.040
<v Speaker 2>something that made it feel more, you know, like he's

0:17:06.080 --> 0:17:08.119
<v Speaker 2>when he talked about what he thought his best records were,

0:17:08.119 --> 0:17:09.640
<v Speaker 2>it was like, anytime I did something with a silver

0:17:09.680 --> 0:17:12.600
<v Speaker 2>bullet band, it was just a little more grid, a

0:17:12.600 --> 0:17:14.080
<v Speaker 2>little more slop to it. You know.

0:17:14.440 --> 0:17:16.200
<v Speaker 1>Is that just a known thing on the stage with

0:17:16.320 --> 0:17:17.680
<v Speaker 1>your band or do you ever have to stop it

0:17:17.720 --> 0:17:19.679
<v Speaker 1>down and go, hey, can you slop this up?

0:17:19.920 --> 0:17:22.560
<v Speaker 2>No? No, no, I have to unslop them. Yeah, I

0:17:22.600 --> 0:17:25.000
<v Speaker 2>have to catch them backstage before the show, like somebody

0:17:25.040 --> 0:17:28.359
<v Speaker 2>had the tequila for another hour, you know, saying because

0:17:28.400 --> 0:17:29.440
<v Speaker 2>these guys will go.

0:17:29.600 --> 0:17:32.359
<v Speaker 1>Gosh, you guys seem like you run it high and hard.

0:17:32.400 --> 0:17:34.720
<v Speaker 1>I mean, after forty four sold out shows, are you

0:17:34.720 --> 0:17:37.360
<v Speaker 1>gonna be ready for the rehabit facility?

0:17:37.400 --> 0:17:38.919
<v Speaker 2>For sure? The ones we got to check in the

0:17:38.920 --> 0:17:41.760
<v Speaker 2>class action lawsuit, I get from making people drink every

0:17:41.840 --> 0:17:45.280
<v Speaker 2>night on stage. Uh no, dude, we'll do good. We'll sleep,

0:17:45.320 --> 0:17:47.240
<v Speaker 2>I get some rest. But I also, man, I'm telling you, dude,

0:17:47.400 --> 0:17:49.840
<v Speaker 2>I drank probably two nights this whole to another band,

0:17:50.400 --> 0:17:57.480
<v Speaker 2>those degenerates, they're horrible. It's almost a prerequisite. We got

0:17:57.520 --> 0:17:59.719
<v Speaker 2>one sober guy in the band, and I like him,

0:18:00.560 --> 0:18:00.840
<v Speaker 2>you know.

0:18:02.800 --> 0:18:14.280
<v Speaker 1>Don't let him know you feel so. Look, you've been

0:18:14.280 --> 0:18:16.440
<v Speaker 1>doing music a while now, now that you've been out

0:18:16.440 --> 0:18:19.000
<v Speaker 1>of the road, what do you what have you learned

0:18:19.040 --> 0:18:22.600
<v Speaker 1>about anything, the fans, the music, the traveling whatever. That

0:18:22.920 --> 0:18:25.360
<v Speaker 1>is kind of a surprise to you, maybe a tough

0:18:25.440 --> 0:18:27.400
<v Speaker 1>question to answer without thinking about it for a minute,

0:18:27.840 --> 0:18:30.280
<v Speaker 1>Like what, like there's gotta be a learning journey going

0:18:30.320 --> 0:18:30.960
<v Speaker 1>on for you.

0:18:31.000 --> 0:18:33.439
<v Speaker 2>Well, I'm surprised still at how many people know me

0:18:33.520 --> 0:18:37.199
<v Speaker 2>outside of the show. Like this whole thing to me,

0:18:37.280 --> 0:18:41.919
<v Speaker 2>Elvis is still I don't understand it yet. Like we

0:18:42.040 --> 0:18:43.879
<v Speaker 2>still pulled up to Like I left my show the

0:18:43.920 --> 0:18:46.679
<v Speaker 2>other day to go to like a marijuana store in Maine,

0:18:47.680 --> 0:18:49.520
<v Speaker 2>and on the way back, I had a moment where

0:18:49.560 --> 0:18:51.880
<v Speaker 2>I was like, man, is traffic always is bad here

0:18:51.920 --> 0:18:56.800
<v Speaker 2>on a Tuesday? And it was my concert. Traffic and

0:18:56.840 --> 0:18:58.879
<v Speaker 2>we were waiting on the police escort to come get us.

0:18:59.040 --> 0:19:02.439
<v Speaker 2>You were the problem was the problem? I was like,

0:19:02.520 --> 0:19:06.200
<v Speaker 2>this isn't like I still don't get that. That's what's

0:19:06.240 --> 0:19:10.119
<v Speaker 2>surprising me the most is I have a concert thirty

0:19:10.119 --> 0:19:13.800
<v Speaker 2>minutes away from this marijuana store, and I took fifty

0:19:13.840 --> 0:19:15.720
<v Speaker 2>pictures at this marijuana store. You know what I mean.

0:19:15.760 --> 0:19:19.320
<v Speaker 2>It's like, it's just crazy. This is all awesome, but

0:19:19.400 --> 0:19:21.359
<v Speaker 2>just I didn't expect it. I don't know what I thought.

0:19:21.680 --> 0:19:23.879
<v Speaker 2>Even when you look at the ticket sale numbers, you're like, man,

0:19:23.880 --> 0:19:25.560
<v Speaker 2>this is a lot of humans. This is a lot

0:19:25.560 --> 0:19:28.359
<v Speaker 2>of souls and stories coming into the show tonight. But

0:19:28.520 --> 0:19:31.040
<v Speaker 2>until you see them, and when you see them in

0:19:31.080 --> 0:19:33.240
<v Speaker 2>the arena, it's one thing. But when you see them

0:19:33.240 --> 0:19:35.680
<v Speaker 2>in the parking lot, tailgate and party in or you

0:19:35.760 --> 0:19:38.680
<v Speaker 2>know what I mean, Like you see the city's hotel

0:19:38.840 --> 0:19:41.040
<v Speaker 2>selling out, You're like, I couldn't imagine what Taylor Swift

0:19:41.040 --> 0:19:42.720
<v Speaker 2>feels like. Dude, I mean you talk about her, Dude,

0:19:42.760 --> 0:19:45.040
<v Speaker 2>she shakes the entire city's economy.

0:19:45.240 --> 0:19:47.160
<v Speaker 1>They show up on the Richter scale. They literally did

0:19:47.160 --> 0:19:47.520
<v Speaker 1>one night.

0:19:47.600 --> 0:19:50.320
<v Speaker 2>God I pray for that. You would have shaked the

0:19:50.600 --> 0:19:53.400
<v Speaker 2>earth and you gotta think my fan base physically, her

0:19:53.440 --> 0:19:55.679
<v Speaker 2>fan base is twice the size of ten times the

0:19:55.680 --> 0:19:58.240
<v Speaker 2>size of mine with people, but my fan base physically

0:19:58.359 --> 0:20:00.520
<v Speaker 2>is twice the size of her fan base. So could

0:20:00.600 --> 0:20:04.720
<v Speaker 2>you imagine to wait, yeah, right, you know what I mean,

0:20:04.840 --> 0:20:07.480
<v Speaker 2>like a lot more adults. You know what I'm saying?

0:20:07.480 --> 0:20:07.919
<v Speaker 1>I gotcha.

0:20:08.200 --> 0:20:10.680
<v Speaker 2>Could you imagine the damage we would cause the met

0:20:10.680 --> 0:20:12.160
<v Speaker 2>Life Stadium if we ever got there?

0:20:13.080 --> 0:20:15.399
<v Speaker 1>You know what we talked about you doing your shows.

0:20:15.920 --> 0:20:18.560
<v Speaker 1>One day, you're gonna be taking a break. You're gonna

0:20:18.600 --> 0:20:20.920
<v Speaker 1>go see a show. You're gonna I know you're gonna

0:20:20.920 --> 0:20:22.240
<v Speaker 1>be like, do I want to go see a show?

0:20:22.680 --> 0:20:24.520
<v Speaker 1>But I'm gonna assuming the kind of show you want

0:20:24.520 --> 0:20:27.320
<v Speaker 1>to go see. Jelly Roll is what you're doing, right,

0:20:27.440 --> 0:20:29.199
<v Speaker 1>You're you're doing the kind of show you would love

0:20:29.200 --> 0:20:29.440
<v Speaker 1>to see?

0:20:29.480 --> 0:20:31.040
<v Speaker 2>Oh yeah, for right or wrong? I went to go

0:20:31.119 --> 0:20:33.320
<v Speaker 2>see Garth Brooks in Vegas the first night of his

0:20:33.400 --> 0:20:37.920
<v Speaker 2>Garth Brooks plus one residency opening night, right special man,

0:20:38.359 --> 0:20:40.840
<v Speaker 2>and uh we try to go see uh Tyler Chillers

0:20:40.920 --> 0:20:42.960
<v Speaker 2>last Sunday, but I just couldn't couldn't figure out the

0:20:43.000 --> 0:20:44.399
<v Speaker 2>travel because I had a day off. But he was

0:20:44.400 --> 0:20:46.800
<v Speaker 2>like two hours away. Wow, we still go to shows

0:20:46.840 --> 0:20:48.840
<v Speaker 2>all the time. I'm gonna look at there. One happened

0:20:48.880 --> 0:20:51.359
<v Speaker 2>here tonight somewhere we're off. I think you are the show,

0:20:51.240 --> 0:20:51.720
<v Speaker 2>not the show.

0:20:52.240 --> 0:20:55.320
<v Speaker 1>Let's go wherever you go tonight, that would be the show.

0:20:55.520 --> 0:20:57.679
<v Speaker 2>It's gonna take over a bar like it's a honkey do.

0:20:57.920 --> 0:20:59.280
<v Speaker 1>I think I've told you this before, I tell you

0:20:59.320 --> 0:21:01.480
<v Speaker 1>again before for you you run out the door. I

0:21:01.480 --> 0:21:04.320
<v Speaker 1>just want to say thank you. And look, all the

0:21:04.400 --> 0:21:07.680
<v Speaker 1>years I've been interviewing people, I still and I'll say

0:21:07.680 --> 0:21:10.159
<v Speaker 1>it until the end of my career.

0:21:10.240 --> 0:21:12.520
<v Speaker 2>You are one of the most genuinely.

0:21:12.200 --> 0:21:16.040
<v Speaker 1>Great guys to interview because you're just real and I

0:21:16.080 --> 0:21:19.439
<v Speaker 1>know exactly whatever you're serving up is what we need

0:21:19.480 --> 0:21:19.880
<v Speaker 1>to be eating.

0:21:19.920 --> 0:21:22.480
<v Speaker 2>And I appreciate it so much. Thank you for your support, man,

0:21:22.480 --> 0:21:23.920
<v Speaker 2>I want to say I want to give your flowers

0:21:23.920 --> 0:21:27.600
<v Speaker 2>and in person too, on and off air. Man, you

0:21:27.600 --> 0:21:30.080
<v Speaker 2>you stepped up for me early and continue to do

0:21:30.160 --> 0:21:33.080
<v Speaker 2>so bro even today, just taking the time to do

0:21:33.160 --> 0:21:34.760
<v Speaker 2>this with me and letting me come in a little

0:21:34.800 --> 0:21:35.560
<v Speaker 2>later than you're used to.

0:21:35.680 --> 0:21:36.720
<v Speaker 1>I could be sleeping right now.

0:21:36.800 --> 0:21:38.280
<v Speaker 2>Yeah, yeah, I know. I felt bad. I was like,

0:21:38.280 --> 0:21:40.000
<v Speaker 2>what he don't know is This is like six am

0:21:40.080 --> 0:21:41.560
<v Speaker 2>for me, and what I don't know is it's like

0:21:41.680 --> 0:21:42.520
<v Speaker 2>nine pm for him.

0:21:42.600 --> 0:21:45.119
<v Speaker 1>Yeah, we don't know what time. You're the best, jelly Roll.

0:21:45.160 --> 0:21:46.600
<v Speaker 1>Thanks for coming in today and I was sure the

0:21:46.640 --> 0:21:47.040
<v Speaker 1>man brother.

0:21:47.080 --> 0:21:47.560
<v Speaker 2>Love you man.

0:21:48.480 --> 0:21:50.200
<v Speaker 1>I've been doing this for so many years and when

0:21:50.200 --> 0:21:53.200
<v Speaker 1>you see and meet someone like Jelly Roll with all

0:21:53.200 --> 0:21:55.680
<v Speaker 1>that star power and it's all generated from that huge

0:21:55.720 --> 0:21:58.439
<v Speaker 1>heart loving I'm sure you just heard that in that

0:21:58.520 --> 0:22:00.360
<v Speaker 1>interview with him. We love you jelly Roll. I love

0:22:00.400 --> 0:22:02.960
<v Speaker 1>how he's blending the lines between his art and real

0:22:03.000 --> 0:22:05.760
<v Speaker 1>life and he created relatable lyrics that all of his

0:22:05.800 --> 0:22:08.960
<v Speaker 1>fans across the world connect with true legacy. He's leaving.

0:22:09.160 --> 0:22:11.840
<v Speaker 1>Can't wait to see what's next for jelly Roll. All right,

0:22:11.880 --> 0:22:13.480
<v Speaker 1>we have got a lot of guests coming up. I

0:22:13.520 --> 0:22:15.040
<v Speaker 1>can't wait for you to hear what we have coming

0:22:15.119 --> 0:22:17.080
<v Speaker 1>up next. If you like Thinking out Loud, make sure

0:22:17.080 --> 0:22:20.480
<v Speaker 1>you like, review and subscribe wherever you get your podcasts.

0:22:20.480 --> 0:22:25.159
<v Speaker 1>We'll see you next time. Thinking out Loud is hosted

0:22:25.160 --> 0:22:28.320
<v Speaker 1>by me Elvis Duran. The podcast is produced and edited

0:22:28.320 --> 0:22:32.359
<v Speaker 1>by Mike Coscarelli. Executive producers are Andrew Glisi and Katrina Norvel.

0:22:32.600 --> 0:22:36.040
<v Speaker 1>Special thanks to David Katz, Michael Kindheart, and Caitlin Madore.

0:22:36.160 --> 0:22:38.560
<v Speaker 1>Thinking Out Loud is part of the Elvis Duran podcast

0:22:38.560 --> 0:22:42.879
<v Speaker 1>network on iHeartRadio. For more, rate, review and subscribe to

0:22:42.960 --> 0:22:45.560
<v Speaker 1>our show and if you liked this episode, tell your friends.

0:22:45.760 --> 0:22:47.359
<v Speaker 1>Until next time, I'm Elvis Duran