1
00:00:00,840 --> 00:00:03,440
Speaker 1: Here we go. It's another episode of thinking out loud,

2
00:00:03,760 --> 00:00:06,200
Speaker 1: and you're gonna want to be hanging out for this.

3
00:00:06,400 --> 00:00:09,799
Speaker 1: Country music singer jelly Roll stop by in the midst

4
00:00:09,800 --> 00:00:12,920
Speaker 1: of his sold out back road Baptism tour. He wanted

5
00:00:12,960 --> 00:00:16,599
Speaker 1: to talk about changing your life around and the crazy

6
00:00:16,640 --> 00:00:19,279
Speaker 1: things that people throw at him on stage. He's just

7
00:00:19,320 --> 00:00:20,880
Speaker 1: the best guy ever, and you're gonna fall in love

8
00:00:20,920 --> 00:00:22,280
Speaker 1: with jelly Roll right now.

9
00:00:22,760 --> 00:00:30,360
Speaker 2: Let's listen in. I have woke up before noon three

10
00:00:30,440 --> 00:00:35,120
Speaker 2: times this year and you were too open. No, you're

11
00:00:35,159 --> 00:00:37,920
Speaker 2: the solution. Baby. Good morning America.

12
00:00:38,040 --> 00:00:43,080
Speaker 1: Okay, that's worth it, jelly Roll, Welcome to the show.

13
00:00:43,600 --> 00:00:44,839
Speaker 2: Baby, good mounting.

14
00:00:45,280 --> 00:00:47,479
Speaker 1: It's just when Jelly Roll walks into the road, you

15
00:00:47,600 --> 00:00:48,320
Speaker 1: just feel good.

16
00:00:48,800 --> 00:00:50,839
Speaker 2: Thank you. It's normally because I bring an odor of

17
00:00:52,040 --> 00:00:56,960
Speaker 2: legal ass pot with me. Smells good.

18
00:00:57,520 --> 00:01:00,200
Speaker 1: We're the same to me that while driving up and

19
00:01:00,240 --> 00:01:04,040
Speaker 1: down the streets of New York, every single block has

20
00:01:04,240 --> 00:01:05,920
Speaker 1: a marijuana a store.

21
00:01:06,040 --> 00:01:08,319
Speaker 2: Oh dude, it's crazy, and I'm just assuming because it's

22
00:01:08,360 --> 00:01:10,880
Speaker 2: New York. Maybe judgmental, but I'm assuming all of them

23
00:01:10,920 --> 00:01:14,800
Speaker 2: are an undercover operation for something crazy like I don't know.

24
00:01:14,880 --> 00:01:17,120
Speaker 2: I just like to romanticize my New York is like

25
00:01:17,160 --> 00:01:19,360
Speaker 2: an old school gangster thing, you know, like they're stealing

26
00:01:19,440 --> 00:01:21,200
Speaker 2: TVs or knocking off trucks too.

27
00:01:21,240 --> 00:01:23,000
Speaker 1: You know, I got bad news. They seem legit when

28
00:01:23,080 --> 00:01:27,440
Speaker 1: I go wow out on the back road baptism tour.

29
00:01:28,840 --> 00:01:31,319
Speaker 1: How many how many stops do you have on this tour?

30
00:01:31,640 --> 00:01:36,160
Speaker 2: Dude? Last night was night nine or forty four? Yes, sir,

31
00:01:36,240 --> 00:01:38,200
Speaker 2: there was a Bridgeport, Connecticut.

32
00:01:37,760 --> 00:01:39,800
Speaker 1: Last night, just nine in. Are you okay?

33
00:01:40,040 --> 00:01:42,679
Speaker 2: Just oh dude, I listen. I got my first real

34
00:01:42,720 --> 00:01:45,120
Speaker 2: I tied one on last night. Full disclosure. I had

35
00:01:45,120 --> 00:01:47,520
Speaker 2: to get an ivy on the way here. But good,

36
00:01:48,400 --> 00:01:50,680
Speaker 2: but I feel great. No, it's been incredible, man. It's

37
00:01:52,080 --> 00:01:54,000
Speaker 2: I was explaining to somebody that, like, I couldn't have

38
00:01:54,000 --> 00:01:57,000
Speaker 2: even dreamed of this. I couldn't have even dreamed that

39
00:01:57,800 --> 00:02:00,000
Speaker 2: seven thousand people would buy a ticket to see me

40
00:02:00,040 --> 00:02:02,560
Speaker 2: in Bridgeport, Connecticut on a Wednesday, you know what I mean.

41
00:02:02,680 --> 00:02:05,280
Speaker 2: So it's like, I don't know, this is all surreal

42
00:02:05,320 --> 00:02:07,600
Speaker 2: to me. Well, at least she didn't strap one on

43
00:02:07,680 --> 00:02:10,600
Speaker 2: last night. Yeah, right, exactly, or have one strapped on me.

44
00:02:11,639 --> 00:02:14,160
Speaker 1: You could be a confusing morning. So we had someone

45
00:02:14,160 --> 00:02:17,440
Speaker 1: to leave us a talkback on our iHeartRadio app So

46
00:02:17,520 --> 00:02:20,200
Speaker 1: I literally just heard you guys talking about an interview

47
00:02:20,200 --> 00:02:23,000
Speaker 1: with Jelly Rolls. And as I'm heading out ninety.

48
00:02:22,680 --> 00:02:27,480
Speaker 2: Five dors in Delaware, I passed two tour buses and

49
00:02:27,520 --> 00:02:29,040
Speaker 2: then one huge pink.

50
00:02:28,919 --> 00:02:30,640
Speaker 1: One with Bunny Ears and XO.

51
00:02:31,360 --> 00:02:34,919
Speaker 2: Apparently Jelly Roles White hats her own tour bus.

52
00:02:35,040 --> 00:02:37,800
Speaker 1: Yes, that was pretty cool to see. Explain this to me.

53
00:02:38,360 --> 00:02:40,440
Speaker 1: First of all, especially sounds I hurt to her. Buses

54
00:02:40,440 --> 00:02:41,639
Speaker 1: more fun than yours.

55
00:02:41,360 --> 00:02:44,080
Speaker 2: Way more fun than my tour bus. It's way more fast.

56
00:02:44,120 --> 00:02:47,399
Speaker 2: And first of all, this lady is awesome, thank you. Yeah,

57
00:02:47,400 --> 00:02:49,800
Speaker 2: Bunny brought her own bus man, She's got her own crew.

58
00:02:49,800 --> 00:02:52,200
Speaker 2: It's a big old pink bus. I was dead set

59
00:02:52,240 --> 00:02:54,639
Speaker 2: against it, and then she took it to TikTok and

60
00:02:54,680 --> 00:02:57,440
Speaker 2: the people voted yep. But she's riding around in a

61
00:02:57,480 --> 00:03:01,120
Speaker 2: big pink spaceship with Bunny years haul over it. That

62
00:03:01,240 --> 00:03:02,240
Speaker 2: says Bunny x.

63
00:03:02,200 --> 00:03:04,280
Speaker 1: Though it sounds like and I'm making an assumptions here,

64
00:03:04,400 --> 00:03:06,600
Speaker 1: you guys are having a lot of fun, even though

65
00:03:06,600 --> 00:03:08,680
Speaker 1: you're only nine in you're having fun on this too.

66
00:03:08,720 --> 00:03:10,840
Speaker 2: Well. You got to remember, I'm kind of Van Wilder

67
00:03:10,880 --> 00:03:12,959
Speaker 2: of the music business. Anyways, you know, I kind of

68
00:03:13,000 --> 00:03:15,320
Speaker 2: got here a little later than everybody else and partied

69
00:03:15,360 --> 00:03:17,480
Speaker 2: on the way. So we're just kind of I feel

70
00:03:17,520 --> 00:03:19,440
Speaker 2: like it's a mobile frat party for us. None of

71
00:03:19,520 --> 00:03:22,160
Speaker 2: us went to college, so we're just imagining what college years,

72
00:03:22,160 --> 00:03:24,760
Speaker 2: what it been like. And it's a ball dude. It's

73
00:03:25,000 --> 00:03:27,600
Speaker 2: we're having fun on and off the stage. Maybe maybe

74
00:03:27,760 --> 00:03:30,960
Speaker 2: this is college. It's a different type of university.

75
00:03:31,520 --> 00:03:34,519
Speaker 1: Let's talk about. Let's go back, let's go back. Where

76
00:03:34,560 --> 00:03:38,440
Speaker 1: are you from? Tell everyone in your words, like you

77
00:03:38,640 --> 00:03:43,800
Speaker 1: tell everyone your story and what motivated you, in your opinion,

78
00:03:43,840 --> 00:03:45,400
Speaker 1: to get you where you are today.

79
00:03:45,880 --> 00:03:49,360
Speaker 2: I would say that I'm from Antiox, Tennessee. My mam

80
00:03:49,400 --> 00:03:51,040
Speaker 2: and gave me the nickname Jelly Row when I was

81
00:03:51,040 --> 00:03:52,600
Speaker 2: a kid. My name is Jason D. Ford. I was

82
00:03:52,600 --> 00:03:54,480
Speaker 2: born in Antioch, which is a little town right outside

83
00:03:54,480 --> 00:03:56,920
Speaker 2: of Nashville, you know, twenty thirty minutes on house kirts town.

84
00:03:57,840 --> 00:04:00,600
Speaker 2: And I grew up just in a house at music

85
00:04:00,720 --> 00:04:04,160
Speaker 2: and all I want to do is make music. And see,

86
00:04:04,400 --> 00:04:06,800
Speaker 2: I never had another thing I wanted to do but music,

87
00:04:06,880 --> 00:04:10,120
Speaker 2: you know, and this this has been my whole life.

88
00:04:10,200 --> 00:04:12,640
Speaker 2: I understood purpose of music when I was young You

89
00:04:12,640 --> 00:04:16,120
Speaker 2: and I spoke about it before, briefly, but like music

90
00:04:16,160 --> 00:04:19,040
Speaker 2: resonated in my household different. I watched people deal with

91
00:04:19,120 --> 00:04:21,839
Speaker 2: drug addictions by listening to music. I watch people get

92
00:04:21,880 --> 00:04:24,760
Speaker 2: sober listening to music. I watched people relapse listen to music.

93
00:04:24,760 --> 00:04:27,839
Speaker 2: I had all these I watched people deal with mental

94
00:04:27,839 --> 00:04:31,279
Speaker 2: health and trauma and tragedy through music. It was like

95
00:04:31,320 --> 00:04:32,840
Speaker 2: we had a house that we didn't talk a lot,

96
00:04:32,880 --> 00:04:34,479
Speaker 2: but we throw on records, you know what I mean.

97
00:04:35,040 --> 00:04:36,760
Speaker 2: So it's funny. I ended up being a big talker,

98
00:04:37,000 --> 00:04:40,640
Speaker 2: you know. But that's what got me into music, and

99
00:04:40,680 --> 00:04:43,400
Speaker 2: that's been my purpose from day one. Was I call

100
00:04:43,440 --> 00:04:46,160
Speaker 2: it therapeutic music. It's real music for real people with

101
00:04:46,360 --> 00:04:46,920
Speaker 2: real problems.

102
00:04:47,040 --> 00:04:48,960
Speaker 1: So you say to the other role that you always

103
00:04:48,960 --> 00:04:51,839
Speaker 1: wanted to be in music? Does does that mean as

104
00:04:52,000 --> 00:04:54,680
Speaker 1: a kid you were fintasizing a beat about becoming a

105
00:04:54,680 --> 00:04:59,440
Speaker 1: successful millionaire doing music or just playing honky tonks anywhere USA?

106
00:05:00,120 --> 00:05:01,640
Speaker 1: What what did that mean to you then?

107
00:05:01,839 --> 00:05:05,000
Speaker 2: Being in music? Yeah, the early dream was just hockey talks, right,

108
00:05:05,040 --> 00:05:06,680
Speaker 2: because I didn't see I didn't know. You know, they

109
00:05:08,000 --> 00:05:10,600
Speaker 2: they say you believe what you're exposed to, and I'd

110
00:05:10,640 --> 00:05:13,240
Speaker 2: never seen success. Right. So it was like I seen

111
00:05:13,320 --> 00:05:15,120
Speaker 2: dudes play the local bar and I was like, Yo,

112
00:05:15,120 --> 00:05:17,360
Speaker 2: if I can go play some local bars, I could

113
00:05:17,400 --> 00:05:21,280
Speaker 2: make some money and not have to commit uh nefarious

114
00:05:21,320 --> 00:05:23,719
Speaker 2: criminal activities, you know what I'm saying. I was like,

115
00:05:23,760 --> 00:05:26,560
Speaker 2: so I just wanted to And then I started seeing

116
00:05:26,640 --> 00:05:29,080
Speaker 2: scale and then that's when you start going, oh man,

117
00:05:29,080 --> 00:05:32,240
Speaker 2: I'm dreaming too small. This is like this thing could

118
00:05:32,240 --> 00:05:33,719
Speaker 2: be a thing thing, you know what I mean. But

119
00:05:33,760 --> 00:05:36,040
Speaker 2: initially the plan was just to you know, I guess

120
00:05:36,040 --> 00:05:38,360
Speaker 2: I never even associated money with it, you know what

121
00:05:38,400 --> 00:05:41,080
Speaker 2: I mean. I just associated like these dudes were doing

122
00:05:41,080 --> 00:05:43,000
Speaker 2: what they loved for a living. They were touching people

123
00:05:43,000 --> 00:05:46,200
Speaker 2: and they wasn't selling drugs, and that's what inspired me,

124
00:05:46,279 --> 00:05:46,440
Speaker 2: you know.

125
00:05:46,520 --> 00:05:49,599
Speaker 1: So coming up, did you did you play all roadhouses?

126
00:05:50,279 --> 00:05:51,960
Speaker 1: Did you? Did you ever play a show where you

127
00:05:52,000 --> 00:05:54,560
Speaker 1: see the movies where they put chicken wire up in front?

128
00:05:54,640 --> 00:05:55,400
Speaker 2: I played one of those.

129
00:05:55,839 --> 00:05:58,520
Speaker 1: Tell where I was going with because some people mayn't

130
00:05:58,560 --> 00:06:02,200
Speaker 1: understand what chicken wire and in front of the stage is.

131
00:06:02,279 --> 00:06:04,239
Speaker 2: This is a real thing. They put up chicken wire

132
00:06:04,760 --> 00:06:06,320
Speaker 2: and I and I asked them the first time I

133
00:06:06,360 --> 00:06:08,440
Speaker 2: got to play one, I said, why don't y'all put

134
00:06:09,040 --> 00:06:13,000
Speaker 2: Why chicken wire, they said, because when people were throwing

135
00:06:13,040 --> 00:06:15,799
Speaker 2: the beer bottles and they were hitting like regular fencing,

136
00:06:16,240 --> 00:06:18,880
Speaker 2: it would still crack and go through. They were like,

137
00:06:18,920 --> 00:06:21,599
Speaker 2: the chicken wire just kills everything. So these guys, I mean,

138
00:06:21,640 --> 00:06:24,560
Speaker 2: because these bars were literally rowdy enough that you got

139
00:06:24,600 --> 00:06:27,920
Speaker 2: behind the chicken wire because they start throwing stuff. I've

140
00:06:27,920 --> 00:06:30,800
Speaker 2: been I've had the most fascinating time Elvis watching all

141
00:06:30,839 --> 00:06:33,440
Speaker 2: these artists get stuff thrown at them on TikTok, and

142
00:06:33,480 --> 00:06:35,600
Speaker 2: I'm just tickled because I'm like, oh, these people never

143
00:06:35,640 --> 00:06:38,080
Speaker 2: played a bar. Like if you're like, you don't know,

144
00:06:38,200 --> 00:06:40,400
Speaker 2: I don't know what it's like not to have stuff

145
00:06:40,440 --> 00:06:42,599
Speaker 2: thrown at me. You know what I'm saying. I've only

146
00:06:42,600 --> 00:06:47,200
Speaker 2: played to this day people throw brawls or pots. I

147
00:06:47,240 --> 00:06:50,000
Speaker 2: get lots of pot. I mean, like Cypress Hill amounts

148
00:06:50,000 --> 00:06:51,480
Speaker 2: of pot thrown on the stage of It's like, I've

149
00:06:51,480 --> 00:06:52,960
Speaker 2: been getting stuff thrown at me my whole I played

150
00:06:53,000 --> 00:06:55,880
Speaker 2: the Gathering of the Juggalos. Somebody shot a bottle rocket

151
00:06:55,920 --> 00:06:59,960
Speaker 2: at me once at live bottle rocket. Yes they can,

152
00:07:00,279 --> 00:07:02,280
Speaker 2: that can get through chicken wire, Prue, I could get

153
00:07:02,279 --> 00:07:04,080
Speaker 2: through chicken wire. But yeah, we played. I played a

154
00:07:04,080 --> 00:07:07,240
Speaker 2: spot in Louisbourg, Tennessee that had chicken wire at it.

155
00:07:08,120 --> 00:07:09,720
Speaker 2: I'll never forget. I played a lot of places that

156
00:07:09,800 --> 00:07:12,240
Speaker 2: had big fences or just big you know, it's man

157
00:07:12,280 --> 00:07:14,200
Speaker 2: them ald just scary bars, dude.

158
00:07:14,480 --> 00:07:16,120
Speaker 1: But yeah, I would think that if you're playing a

159
00:07:16,200 --> 00:07:18,840
Speaker 1: roadhouse and they're throwing long Star beer bottles at you,

160
00:07:18,840 --> 00:07:20,520
Speaker 1: you are getting hit with the liquid of the beer

161
00:07:20,640 --> 00:07:23,960
Speaker 1: the backwash. That could be like success, they love me.

162
00:07:24,000 --> 00:07:26,520
Speaker 1: They're all getting messed up out there, they're loving the show.

163
00:07:26,800 --> 00:07:28,720
Speaker 2: Oh yeah. It was like the first time I played

164
00:07:28,720 --> 00:07:31,240
Speaker 2: the Gathering, they shot me with fago and I didn't

165
00:07:31,320 --> 00:07:33,720
Speaker 2: understand it. That was how they endeared you, Like if

166
00:07:33,760 --> 00:07:36,440
Speaker 2: they sprayed fago at you, if they if they sprayed

167
00:07:36,560 --> 00:07:39,200
Speaker 2: pea at you, they didn't like you, Okay. It was

168
00:07:39,240 --> 00:07:43,080
Speaker 2: that dramatic of a difference. Faygo thumbs up, pissed thumbs down.

169
00:07:43,120 --> 00:07:45,800
Speaker 2: How do they throw pea? Oh dude, they put a

170
00:07:45,880 --> 00:07:47,640
Speaker 2: pee in a bottle and throw it. Yes, and then

171
00:07:47,800 --> 00:07:50,240
Speaker 2: just yeah, it's crazy. I seen a girl get hit

172
00:07:50,280 --> 00:07:52,000
Speaker 2: with a bottle of pea at the Gathering one time.

173
00:07:52,080 --> 00:07:56,360
Speaker 2: Her name was u Tia Tila Tila Tequila. It was

174
00:07:56,360 --> 00:07:57,560
Speaker 2: Tila tequila.

175
00:07:57,920 --> 00:07:58,560
Speaker 1: We heard of her.

176
00:07:58,560 --> 00:08:00,920
Speaker 2: Absolutely, yeah. I was there when that happened, the famous

177
00:08:00,920 --> 00:08:03,160
Speaker 2: gathering incident. It was crazy, dude.

178
00:08:03,320 --> 00:08:04,920
Speaker 1: So if you get a hit with a liquid, it

179
00:08:04,960 --> 00:08:07,480
Speaker 1: takes a second to realize, well, either it's beer or.

180
00:08:07,440 --> 00:08:10,200
Speaker 2: Pe and you got to either smell it or liquor. Right,

181
00:08:10,320 --> 00:08:12,200
Speaker 2: It's the only way to find out, Elvis.

182
00:08:13,120 --> 00:08:14,920
Speaker 1: There's no time to send it to the last sit.

183
00:08:14,800 --> 00:08:20,520
Speaker 2: There and go or go oh god, music so glamorous,

184
00:08:20,560 --> 00:08:22,960
Speaker 2: this glamorous career you've chosen.

185
00:08:28,160 --> 00:08:29,800
Speaker 1: Well, and then you wake up one day and you're

186
00:08:29,800 --> 00:08:32,560
Speaker 1: on Good Morning America on ABC. You know what I'm saying.

187
00:08:32,679 --> 00:08:34,880
Speaker 2: Well before that, though, I was with you on the

188
00:08:35,040 --> 00:08:38,280
Speaker 2: Only Intrepid. That was still the coolest day we've had.

189
00:08:38,200 --> 00:08:39,160
Speaker 1: On That was a cool thing.

190
00:08:39,200 --> 00:08:39,360
Speaker 2: You know.

191
00:08:39,600 --> 00:08:43,439
Speaker 1: General said he's only been up and at him before

192
00:08:43,520 --> 00:08:45,840
Speaker 1: noon but three times, three times this year, and I

193
00:08:45,920 --> 00:08:47,400
Speaker 1: was because two of those because of me.

194
00:08:48,640 --> 00:08:50,840
Speaker 2: I'm so sorry. I'll wake up for you any day, Papa.

195
00:08:50,920 --> 00:08:53,480
Speaker 2: Let's talk about country music. You know, country music.

196
00:08:53,520 --> 00:08:55,320
Speaker 1: When I was growing up in Texas, it was about

197
00:08:55,400 --> 00:08:57,920
Speaker 1: pickup trucks and dogs. And you know, someone's in prison

198
00:08:57,960 --> 00:09:01,439
Speaker 1: and a mom involved. Right now, look at the music

199
00:09:01,520 --> 00:09:05,040
Speaker 1: you're putting out. It's, as you say, therapeutic, it's it's

200
00:09:05,040 --> 00:09:09,839
Speaker 1: truly meaningful. I mean, it's it resonates in a way

201
00:09:09,880 --> 00:09:13,520
Speaker 1: that country music really never used to resonate about it, right,

202
00:09:13,920 --> 00:09:16,640
Speaker 1: And of course this is from your personal experience in life,

203
00:09:16,679 --> 00:09:19,360
Speaker 1: I guess. I mean, are you seeing other country artists

204
00:09:19,360 --> 00:09:22,679
Speaker 1: really truly moving towards this more honest approach to their

205
00:09:22,760 --> 00:09:23,360
Speaker 1: music making?

206
00:09:24,000 --> 00:09:25,960
Speaker 2: Yeah? Yeah, I think we're going back to that era

207
00:09:26,040 --> 00:09:28,800
Speaker 2: a little bit right now. I think guys like Sturgel

208
00:09:29,000 --> 00:09:34,960
Speaker 2: or Tyler Childers, Colter wall Zach Bryant, these guys that

209
00:09:35,000 --> 00:09:39,559
Speaker 2: are just the singer songwriter thing is back happening in Nashville,

210
00:09:39,600 --> 00:09:43,280
Speaker 2: and it's incredible to watch. It's not to say every

211
00:09:43,320 --> 00:09:46,200
Speaker 2: other era of country music wasn't cool, but that seventies

212
00:09:46,240 --> 00:09:48,640
Speaker 2: era was special. When Willie was writing all these songs

213
00:09:48,679 --> 00:09:51,600
Speaker 2: with Wayland and all these cool collaborations were happening, and

214
00:09:51,960 --> 00:09:54,120
Speaker 2: there was a lot of myth building happening to the

215
00:09:54,160 --> 00:09:58,800
Speaker 2: outlaw movement. And I think guys like myself, Hardy Morgan

216
00:09:58,840 --> 00:10:02,040
Speaker 2: Wallen following that group of guys that are kind of

217
00:10:02,080 --> 00:10:04,400
Speaker 2: also like the other side of what Tyler Childers and

218
00:10:04,400 --> 00:10:07,720
Speaker 2: them do with that singer songwriter mentality and sharing a

219
00:10:07,720 --> 00:10:08,480
Speaker 2: different story.

220
00:10:08,520 --> 00:10:10,840
Speaker 1: You know, So the good old opry has made a turn.

221
00:10:11,080 --> 00:10:13,160
Speaker 2: Oh yes, babe, then the grand old opry is like

222
00:10:13,200 --> 00:10:17,079
Speaker 2: accepted us with wide arms open as well. So it's

223
00:10:17,120 --> 00:10:20,800
Speaker 2: been even cooler to see like the only critics we

224
00:10:20,840 --> 00:10:22,839
Speaker 2: get are like, you know, like the purest you know

225
00:10:22,880 --> 00:10:24,840
Speaker 2: what I mean, and they're gonna always. But I think

226
00:10:24,880 --> 00:10:27,640
Speaker 2: that what's happening for country music right now. It's never

227
00:10:27,679 --> 00:10:29,320
Speaker 2: been a cooler time to be a part of country

228
00:10:29,360 --> 00:10:30,240
Speaker 2: music than right now.

229
00:10:30,600 --> 00:10:33,120
Speaker 1: Looking at your single Need of Favor, which is still massive.

230
00:10:33,880 --> 00:10:36,520
Speaker 1: What's in the middle of its massive phase? Your number

231
00:10:37,000 --> 00:10:39,679
Speaker 1: two number one consecutive hit, is that right?

232
00:10:39,840 --> 00:10:40,000
Speaker 2: Yes?

233
00:10:40,240 --> 00:10:42,719
Speaker 1: Yeah, listen to these lyrics. I mean, we're gonna play

234
00:10:42,720 --> 00:10:44,480
Speaker 1: it in a minute. You listen to these lyrics, and

235
00:10:44,520 --> 00:10:46,360
Speaker 1: this is this is coming from a place a lot

236
00:10:46,360 --> 00:10:51,000
Speaker 1: of artists country and our country are not feeling vulnerable

237
00:10:51,400 --> 00:10:57,320
Speaker 1: and and brave enough to show right. But you it

238
00:10:57,400 --> 00:10:59,760
Speaker 1: sounds like you would rather do a song like that

239
00:10:59,800 --> 00:11:03,040
Speaker 1: than a song about moms in prison and dogs and trucks.

240
00:11:03,320 --> 00:11:04,600
Speaker 2: Yeah, So why is it.

241
00:11:04,559 --> 00:11:07,120
Speaker 1: So important to you to get that off your chest

242
00:11:07,160 --> 00:11:07,920
Speaker 1: and out of your heart?

243
00:11:08,160 --> 00:11:11,800
Speaker 2: Vulnerability? I think also like I grew up at Myron

244
00:11:11,880 --> 00:11:16,040
Speaker 2: guys like James Taylor, right, Jim Crochey. These were my heroes, right,

245
00:11:16,800 --> 00:11:19,720
Speaker 2: and these dudes that just bared their soul on these records.

246
00:11:19,760 --> 00:11:23,320
Speaker 2: You know, I just Bob Seger guys that we were

247
00:11:23,320 --> 00:11:25,360
Speaker 2: listening to against the Wind at four o'clock this morning,

248
00:11:25,440 --> 00:11:27,360
Speaker 2: drinking down the highway, and it just it's like the

249
00:11:27,400 --> 00:11:29,240
Speaker 2: first time you ever hear it. Every time you hear it,

250
00:11:29,679 --> 00:11:31,280
Speaker 2: And I just wanted to write songs for those, And

251
00:11:31,320 --> 00:11:32,920
Speaker 2: I want to write songs like those, And I wanted

252
00:11:32,920 --> 00:11:34,800
Speaker 2: to write songs for people that don't have songs wrote

253
00:11:34,840 --> 00:11:38,440
Speaker 2: about them, right, Like it is important as a songwriter

254
00:11:38,520 --> 00:11:41,640
Speaker 2: and as a commentator to sometimes talk about the things

255
00:11:41,679 --> 00:11:43,560
Speaker 2: that are people are, you know, Like I mean, we

256
00:11:43,640 --> 00:11:46,360
Speaker 2: talk about everything from drug addiction to you know, I mean,

257
00:11:46,360 --> 00:11:47,840
Speaker 2: we get you, sir, you've heard the music, you need

258
00:11:47,840 --> 00:11:49,240
Speaker 2: a favorites of a great example. I mean, we get

259
00:11:49,280 --> 00:11:53,400
Speaker 2: really raw with relationships and how we deal with things.

260
00:11:53,440 --> 00:11:55,679
Speaker 2: It's like I felt like when I was coming up,

261
00:11:55,720 --> 00:11:58,720
Speaker 2: nobody representing my culture and music, and I was like,

262
00:11:58,760 --> 00:12:01,080
Speaker 2: if I ever get a chance, you know what I mean, Like,

263
00:12:01,400 --> 00:12:03,720
Speaker 2: if God ever gives me that megaphone. I'm a scream

264
00:12:03,760 --> 00:12:05,920
Speaker 2: in it, you know what I mean. And I'm just

265
00:12:05,960 --> 00:12:07,880
Speaker 2: trying to represent those without representation.

266
00:12:08,559 --> 00:12:12,840
Speaker 1: So nine shows into this forty four stop.

267
00:12:12,760 --> 00:12:13,839
Speaker 2: Nine sellouts in a row.

268
00:12:14,880 --> 00:12:16,880
Speaker 1: Let me tell you, h nine sellouts.

269
00:12:17,200 --> 00:12:18,840
Speaker 2: Maybe it's a big deal for the big.

270
00:12:18,679 --> 00:12:23,280
Speaker 1: Gap sellouts of forty four. The fans are getting to you.

271
00:12:23,440 --> 00:12:26,240
Speaker 1: They're talking to you like, what are you hearing? Are

272
00:12:26,280 --> 00:12:28,480
Speaker 1: you hearing anything that you expected to hear? Are you

273
00:12:28,520 --> 00:12:31,160
Speaker 1: hearing anything that you did not expect to hear? From

274
00:12:31,200 --> 00:12:33,600
Speaker 1: how they are responding to what you're giving them.

275
00:12:33,440 --> 00:12:36,200
Speaker 2: The music wise, it's crazy. It's I don't know what

276
00:12:36,280 --> 00:12:40,079
Speaker 2: I expected, but the outpouring of love every night. I mean, dude.

277
00:12:40,520 --> 00:12:43,680
Speaker 2: I know artists always say this, but I mean dude,

278
00:12:43,679 --> 00:12:47,440
Speaker 2: We're laughing, dancing, and crying in that ninety minute set

279
00:12:47,480 --> 00:12:52,040
Speaker 2: every night, Me and fifteen thousand people every single night.

280
00:12:52,120 --> 00:12:55,120
Speaker 2: You know. It's It's It's church, It really is. I

281
00:12:55,120 --> 00:12:58,000
Speaker 2: didn't understand it, but my friends who aren't from the

282
00:12:58,080 --> 00:13:00,520
Speaker 2: South that are like, I don't know what a Sunday

283
00:13:00,559 --> 00:13:02,800
Speaker 2: service looks like, but I would assume this is it.

284
00:13:03,480 --> 00:13:05,320
Speaker 2: And that hit me. It hit me, especially last night

285
00:13:05,360 --> 00:13:07,480
Speaker 2: because all my new York City friends came to Bridgeport

286
00:13:07,840 --> 00:13:09,600
Speaker 2: and they were like, is this what church is like

287
00:13:09,679 --> 00:13:13,000
Speaker 2: down South? And to myself, I thought, kind of, this

288
00:13:13,120 --> 00:13:14,760
Speaker 2: is kind of what church is like. Yeah, it was

289
00:13:14,800 --> 00:13:16,520
Speaker 2: like in this really weird way. And maybe that's where

290
00:13:16,520 --> 00:13:18,280
Speaker 2: I draw a lot of that inspiration from. It's my

291
00:13:18,320 --> 00:13:19,240
Speaker 2: early roots, you know.

292
00:13:19,720 --> 00:13:21,679
Speaker 1: Yeah, go into a great church service. It's supposed to

293
00:13:21,679 --> 00:13:24,400
Speaker 1: wear you out, oh for sure, but being able to laugh. See,

294
00:13:24,520 --> 00:13:26,839
Speaker 1: I went to Southern Baptist, right, we went to church.

295
00:13:27,400 --> 00:13:29,400
Speaker 1: Not a lot of laughing in a Southern Baptist.

296
00:13:29,600 --> 00:13:31,240
Speaker 2: For a lot of hell fire and brimstone, a lot

297
00:13:31,800 --> 00:13:33,760
Speaker 2: give you a little bit of hope at the very end.

298
00:13:33,880 --> 00:13:36,400
Speaker 2: Exactly at the very end, they'd hit one major chord

299
00:13:36,440 --> 00:13:38,120
Speaker 2: on the oregan and be like, but there's hope.

300
00:13:38,320 --> 00:13:40,040
Speaker 1: And then and they keep going on and on, and

301
00:13:40,080 --> 00:13:41,760
Speaker 1: you know, there's a there's a pot roast burning back

302
00:13:41,800 --> 00:13:44,440
Speaker 1: at the house because your Sunday, your Sunday roast is burning.

303
00:13:44,480 --> 00:13:47,800
Speaker 1: But a good service is what you're giving your fans,

304
00:13:47,800 --> 00:13:49,480
Speaker 1: you know. I mean, but let's go back to laughter.

305
00:13:49,840 --> 00:13:52,360
Speaker 2: As a Southern Baptist. You know what they say, Southern

306
00:13:52,400 --> 00:13:55,400
Speaker 2: Baptists are famous for two things. What's that eating and arguing.

307
00:13:55,520 --> 00:13:57,400
Speaker 2: That's that's what they're the best at. Dude. I grew

308
00:13:57,440 --> 00:13:59,280
Speaker 2: up in a Southern Baptist church, which the Chapel the

309
00:13:59,360 --> 00:14:01,360
Speaker 2: Church I named after my album after as a little

310
00:14:01,400 --> 00:14:04,200
Speaker 2: Southern Baptist church on a back road, one hundred person church.

311
00:14:04,679 --> 00:14:06,920
Speaker 2: My daddy used to say, you know what the difference

312
00:14:06,920 --> 00:14:09,520
Speaker 2: between a Baptist and a Methodist is? I said what

313
00:14:09,640 --> 00:14:11,840
Speaker 2: he said. At least a Methodist will say hello at

314
00:14:11,880 --> 00:14:12,559
Speaker 2: the liquor store.

315
00:14:13,760 --> 00:14:18,160
Speaker 1: Right. Look, I let's talk about the laughter you guys.

316
00:14:18,320 --> 00:14:21,440
Speaker 1: I'm going to make an assumption, just the few times

317
00:14:21,480 --> 00:14:23,280
Speaker 1: we've been with you, I assume that you guys do

318
00:14:23,560 --> 00:14:24,360
Speaker 1: a lot of laughing.

319
00:14:24,520 --> 00:14:27,600
Speaker 2: Oh it hurts the tummy. We're all a bunch of

320
00:14:27,640 --> 00:14:32,200
Speaker 2: stoners that think we're comedians. So's the worst crock pot ever.

321
00:14:33,720 --> 00:14:37,160
Speaker 1: During during all the traveling and all the all the

322
00:14:37,200 --> 00:14:39,800
Speaker 1: time on stage and laughing with your friends, getting a

323
00:14:39,800 --> 00:14:41,680
Speaker 1: little messed up here and there, do you ever have

324
00:14:41,800 --> 00:14:44,240
Speaker 1: moments where you just need to go off to your

325
00:14:44,360 --> 00:14:46,320
Speaker 1: to the side and go, okay, I need some jelly

326
00:14:46,400 --> 00:14:49,840
Speaker 1: roll time? And or do you always be Are you

327
00:14:49,920 --> 00:14:51,960
Speaker 1: always the gregarious ue we have to be around people?

328
00:14:52,040 --> 00:14:55,640
Speaker 2: No? No, I love it. I'm it's it's a mixed Normally,

329
00:14:55,680 --> 00:14:57,560
Speaker 2: I just love being around people, though I just kind

330
00:14:57,560 --> 00:14:59,280
Speaker 2: of want to go. Dude, I'll sit in the back

331
00:14:59,360 --> 00:15:02,520
Speaker 2: room sometime. I'm a sleeper. That's what I really am.

332
00:15:02,600 --> 00:15:06,800
Speaker 2: I realized earlier in my career. You can't be fat, dehydrated,

333
00:15:06,840 --> 00:15:10,000
Speaker 2: and sleepy. So I have chose to sleep as much

334
00:15:10,080 --> 00:15:12,960
Speaker 2: as possible to know what I'm saying to at least

335
00:15:13,000 --> 00:15:14,680
Speaker 2: have one of those three things. Check.

336
00:15:15,080 --> 00:15:18,160
Speaker 1: Look at this forty four sold out nights. But then

337
00:15:18,200 --> 00:15:20,920
Speaker 1: you look at like a Taylor Swift whatever, how many

338
00:15:20,960 --> 00:15:24,200
Speaker 1: shows is she doing. She's like like eight hundred thousand

339
00:15:24,200 --> 00:15:24,920
Speaker 1: shows in one year.

340
00:15:25,080 --> 00:15:27,560
Speaker 2: She's been to break every record on Earth. It's been

341
00:15:27,560 --> 00:15:30,280
Speaker 2: the funnest thing to watch and what she's doing, you know,

342
00:15:30,360 --> 00:15:31,640
Speaker 2: but you're providing the same thing.

343
00:15:31,840 --> 00:15:34,480
Speaker 1: Taylor Swift is doing these shows that are just like

344
00:15:34,840 --> 00:15:38,960
Speaker 1: visually stunning. Every move she makes on stage is an

345
00:15:39,040 --> 00:15:44,720
Speaker 1: Instagram moment. Everything she says is just perfectly placed. Your

346
00:15:44,800 --> 00:15:48,840
Speaker 1: show makes you feel the same, but it seems like

347
00:15:48,880 --> 00:15:51,560
Speaker 1: it's the opposite. I'm sure there's a lot of planning

348
00:15:51,560 --> 00:15:53,960
Speaker 1: going into shows. You have a set list, but it

349
00:15:54,000 --> 00:15:55,640
Speaker 1: looks like you guys are just up there, like, just

350
00:15:56,040 --> 00:15:57,120
Speaker 1: do what do you want to do next?

351
00:15:57,120 --> 00:15:59,520
Speaker 2: All right, let's do that song. It's pretty close, man,

352
00:15:59,560 --> 00:16:03,560
Speaker 2: We're just damning, dude, we're doing I left a lot

353
00:16:03,560 --> 00:16:05,720
Speaker 2: of room in my set open for that, like for

354
00:16:05,760 --> 00:16:07,520
Speaker 2: the feeling of the room, you know what I mean,

355
00:16:07,520 --> 00:16:09,720
Speaker 2: because I feel like music is supposed to meet people

356
00:16:09,720 --> 00:16:14,120
Speaker 2: where the room is, and we're also like, I don't

357
00:16:14,160 --> 00:16:16,080
Speaker 2: know why I've always been this way, but I feel

358
00:16:16,120 --> 00:16:17,960
Speaker 2: like it sounds a little better when it's a little sloppy.

359
00:16:19,000 --> 00:16:20,240
Speaker 1: It's normal, it's organic.

360
00:16:20,360 --> 00:16:22,880
Speaker 2: Yeah, it's like there's this like supernatural thing, which I

361
00:16:22,880 --> 00:16:25,040
Speaker 2: love what Taylor does too. I am a swiftie for

362
00:16:25,120 --> 00:16:27,680
Speaker 2: the record. Now you go on the record. First time

363
00:16:27,680 --> 00:16:29,680
Speaker 2: I've ever talked about this publicly. Somebody clip it and

364
00:16:29,720 --> 00:16:32,400
Speaker 2: send it to Taylor. I love her. She's from Hendersonville, Tennessee,

365
00:16:32,440 --> 00:16:35,400
Speaker 2: and we never met, but we're like neighbors. But uh,

366
00:16:36,000 --> 00:16:38,360
Speaker 2: our stuff's just like a little more sloppy in general,

367
00:16:38,640 --> 00:16:41,840
Speaker 2: and that's just, you know, I don't know. Bob Singer

368
00:16:41,880 --> 00:16:43,600
Speaker 2: is another Bob Segert quote. He had two of my

369
00:16:43,640 --> 00:16:46,400
Speaker 2: favorite quotes of music. He said that one just search

370
00:16:46,480 --> 00:16:49,120
Speaker 2: for songs you can sing with conviction. That's quote is

371
00:16:49,120 --> 00:16:50,080
Speaker 2: on my studio wall.

372
00:16:50,280 --> 00:16:52,200
Speaker 1: Now, songs you can sing with conviction?

373
00:16:52,320 --> 00:16:54,520
Speaker 2: Yep? Just that easy, Like what the most easy way

374
00:16:54,560 --> 00:16:56,200
Speaker 2: to think of it, like just search for songs that

375
00:16:56,240 --> 00:16:58,720
Speaker 2: you can sing with conviction. And he said, man, it

376
00:16:58,800 --> 00:17:01,680
Speaker 2: was something different about this silver Bullet Band because they

377
00:17:01,680 --> 00:17:04,280
Speaker 2: played just a little sloppier. He was like, it's just

378
00:17:04,320 --> 00:17:06,040
Speaker 2: something that made it feel more, you know, like he's

379
00:17:06,080 --> 00:17:08,119
Speaker 2: when he talked about what he thought his best records were,

380
00:17:08,119 --> 00:17:09,640
Speaker 2: it was like, anytime I did something with a silver

381
00:17:09,680 --> 00:17:12,600
Speaker 2: bullet band, it was just a little more grid, a

382
00:17:12,600 --> 00:17:14,080
Speaker 2: little more slop to it. You know.

383
00:17:14,440 --> 00:17:16,200
Speaker 1: Is that just a known thing on the stage with

384
00:17:16,320 --> 00:17:17,680
Speaker 1: your band or do you ever have to stop it

385
00:17:17,720 --> 00:17:19,679
Speaker 1: down and go, hey, can you slop this up?

386
00:17:19,920 --> 00:17:22,560
Speaker 2: No? No, no, I have to unslop them. Yeah, I

387
00:17:22,600 --> 00:17:25,000
Speaker 2: have to catch them backstage before the show, like somebody

388
00:17:25,040 --> 00:17:28,359
Speaker 2: had the tequila for another hour, you know, saying because

389
00:17:28,400 --> 00:17:29,440
Speaker 2: these guys will go.

390
00:17:29,600 --> 00:17:32,359
Speaker 1: Gosh, you guys seem like you run it high and hard.

391
00:17:32,400 --> 00:17:34,720
Speaker 1: I mean, after forty four sold out shows, are you

392
00:17:34,720 --> 00:17:37,360
Speaker 1: gonna be ready for the rehabit facility?

393
00:17:37,400 --> 00:17:38,919
Speaker 2: For sure? The ones we got to check in the

394
00:17:38,920 --> 00:17:41,760
Speaker 2: class action lawsuit, I get from making people drink every

395
00:17:41,840 --> 00:17:45,280
Speaker 2: night on stage. Uh no, dude, we'll do good. We'll sleep,

396
00:17:45,320 --> 00:17:47,240
Speaker 2: I get some rest. But I also, man, I'm telling you, dude,

397
00:17:47,400 --> 00:17:49,840
Speaker 2: I drank probably two nights this whole to another band,

398
00:17:50,400 --> 00:17:57,480
Speaker 2: those degenerates, they're horrible. It's almost a prerequisite. We got

399
00:17:57,520 --> 00:17:59,719
Speaker 2: one sober guy in the band, and I like him,

400
00:18:00,560 --> 00:18:00,840
Speaker 2: you know.

401
00:18:02,800 --> 00:18:14,280
Speaker 1: Don't let him know you feel so. Look, you've been

402
00:18:14,280 --> 00:18:16,440
Speaker 1: doing music a while now, now that you've been out

403
00:18:16,440 --> 00:18:19,000
Speaker 1: of the road, what do you what have you learned

404
00:18:19,040 --> 00:18:22,600
Speaker 1: about anything, the fans, the music, the traveling whatever. That

405
00:18:22,920 --> 00:18:25,360
Speaker 1: is kind of a surprise to you, maybe a tough

406
00:18:25,440 --> 00:18:27,400
Speaker 1: question to answer without thinking about it for a minute,

407
00:18:27,840 --> 00:18:30,280
Speaker 1: Like what, like there's gotta be a learning journey going

408
00:18:30,320 --> 00:18:30,960
Speaker 1: on for you.

409
00:18:31,000 --> 00:18:33,439
Speaker 2: Well, I'm surprised still at how many people know me

410
00:18:33,520 --> 00:18:37,199
Speaker 2: outside of the show. Like this whole thing to me,

411
00:18:37,280 --> 00:18:41,919
Speaker 2: Elvis is still I don't understand it yet. Like we

412
00:18:42,040 --> 00:18:43,879
Speaker 2: still pulled up to Like I left my show the

413
00:18:43,920 --> 00:18:46,679
Speaker 2: other day to go to like a marijuana store in Maine,

414
00:18:47,680 --> 00:18:49,520
Speaker 2: and on the way back, I had a moment where

415
00:18:49,560 --> 00:18:51,880
Speaker 2: I was like, man, is traffic always is bad here

416
00:18:51,920 --> 00:18:56,800
Speaker 2: on a Tuesday? And it was my concert. Traffic and

417
00:18:56,840 --> 00:18:58,879
Speaker 2: we were waiting on the police escort to come get us.

418
00:18:59,040 --> 00:19:02,439
Speaker 2: You were the problem was the problem? I was like,

419
00:19:02,520 --> 00:19:06,200
Speaker 2: this isn't like I still don't get that. That's what's

420
00:19:06,240 --> 00:19:10,119
Speaker 2: surprising me the most is I have a concert thirty

421
00:19:10,119 --> 00:19:13,800
Speaker 2: minutes away from this marijuana store, and I took fifty

422
00:19:13,840 --> 00:19:15,720
Speaker 2: pictures at this marijuana store. You know what I mean.

423
00:19:15,760 --> 00:19:19,320
Speaker 2: It's like, it's just crazy. This is all awesome, but

424
00:19:19,400 --> 00:19:21,359
Speaker 2: just I didn't expect it. I don't know what I thought.

425
00:19:21,680 --> 00:19:23,879
Speaker 2: Even when you look at the ticket sale numbers, you're like, man,

426
00:19:23,880 --> 00:19:25,560
Speaker 2: this is a lot of humans. This is a lot

427
00:19:25,560 --> 00:19:28,359
Speaker 2: of souls and stories coming into the show tonight. But

428
00:19:28,520 --> 00:19:31,040
Speaker 2: until you see them, and when you see them in

429
00:19:31,080 --> 00:19:33,240
Speaker 2: the arena, it's one thing. But when you see them

430
00:19:33,240 --> 00:19:35,680
Speaker 2: in the parking lot, tailgate and party in or you

431
00:19:35,760 --> 00:19:38,680
Speaker 2: know what I mean, Like you see the city's hotel

432
00:19:38,840 --> 00:19:41,040
Speaker 2: selling out, You're like, I couldn't imagine what Taylor Swift

433
00:19:41,040 --> 00:19:42,720
Speaker 2: feels like. Dude, I mean you talk about her, Dude,

434
00:19:42,760 --> 00:19:45,040
Speaker 2: she shakes the entire city's economy.

435
00:19:45,240 --> 00:19:47,160
Speaker 1: They show up on the Richter scale. They literally did

436
00:19:47,160 --> 00:19:47,520
Speaker 1: one night.

437
00:19:47,600 --> 00:19:50,320
Speaker 2: God I pray for that. You would have shaked the

438
00:19:50,600 --> 00:19:53,400
Speaker 2: earth and you gotta think my fan base physically, her

439
00:19:53,440 --> 00:19:55,679
Speaker 2: fan base is twice the size of ten times the

440
00:19:55,680 --> 00:19:58,240
Speaker 2: size of mine with people, but my fan base physically

441
00:19:58,359 --> 00:20:00,520
Speaker 2: is twice the size of her fan base. So could

442
00:20:00,600 --> 00:20:04,720
Speaker 2: you imagine to wait, yeah, right, you know what I mean,

443
00:20:04,840 --> 00:20:07,480
Speaker 2: like a lot more adults. You know what I'm saying?

444
00:20:07,480 --> 00:20:07,919
Speaker 1: I gotcha.

445
00:20:08,200 --> 00:20:10,680
Speaker 2: Could you imagine the damage we would cause the met

446
00:20:10,680 --> 00:20:12,160
Speaker 2: Life Stadium if we ever got there?

447
00:20:13,080 --> 00:20:15,399
Speaker 1: You know what we talked about you doing your shows.

448
00:20:15,920 --> 00:20:18,560
Speaker 1: One day, you're gonna be taking a break. You're gonna

449
00:20:18,600 --> 00:20:20,920
Speaker 1: go see a show. You're gonna I know you're gonna

450
00:20:20,920 --> 00:20:22,240
Speaker 1: be like, do I want to go see a show?

451
00:20:22,680 --> 00:20:24,520
Speaker 1: But I'm gonna assuming the kind of show you want

452
00:20:24,520 --> 00:20:27,320
Speaker 1: to go see. Jelly Roll is what you're doing, right,

453
00:20:27,440 --> 00:20:29,199
Speaker 1: You're you're doing the kind of show you would love

454
00:20:29,200 --> 00:20:29,440
Speaker 1: to see?

455
00:20:29,480 --> 00:20:31,040
Speaker 2: Oh yeah, for right or wrong? I went to go

456
00:20:31,119 --> 00:20:33,320
Speaker 2: see Garth Brooks in Vegas the first night of his

457
00:20:33,400 --> 00:20:37,920
Speaker 2: Garth Brooks plus one residency opening night, right special man,

458
00:20:38,359 --> 00:20:40,840
Speaker 2: and uh we try to go see uh Tyler Chillers

459
00:20:40,920 --> 00:20:42,960
Speaker 2: last Sunday, but I just couldn't couldn't figure out the

460
00:20:43,000 --> 00:20:44,399
Speaker 2: travel because I had a day off. But he was

461
00:20:44,400 --> 00:20:46,800
Speaker 2: like two hours away. Wow, we still go to shows

462
00:20:46,840 --> 00:20:48,840
Speaker 2: all the time. I'm gonna look at there. One happened

463
00:20:48,880 --> 00:20:51,359
Speaker 2: here tonight somewhere we're off. I think you are the show,

464
00:20:51,240 --> 00:20:51,720
Speaker 2: not the show.

465
00:20:52,240 --> 00:20:55,320
Speaker 1: Let's go wherever you go tonight, that would be the show.

466
00:20:55,520 --> 00:20:57,679
Speaker 2: It's gonna take over a bar like it's a honkey do.

467
00:20:57,920 --> 00:20:59,280
Speaker 1: I think I've told you this before, I tell you

468
00:20:59,320 --> 00:21:01,480
Speaker 1: again before for you you run out the door. I

469
00:21:01,480 --> 00:21:04,320
Speaker 1: just want to say thank you. And look, all the

470
00:21:04,400 --> 00:21:07,680
Speaker 1: years I've been interviewing people, I still and I'll say

471
00:21:07,680 --> 00:21:10,159
Speaker 1: it until the end of my career.

472
00:21:10,240 --> 00:21:12,520
Speaker 2: You are one of the most genuinely.

473
00:21:12,200 --> 00:21:16,040
Speaker 1: Great guys to interview because you're just real and I

474
00:21:16,080 --> 00:21:19,439
Speaker 1: know exactly whatever you're serving up is what we need

475
00:21:19,480 --> 00:21:19,880
Speaker 1: to be eating.

476
00:21:19,920 --> 00:21:22,480
Speaker 2: And I appreciate it so much. Thank you for your support, man,

477
00:21:22,480 --> 00:21:23,920
Speaker 2: I want to say I want to give your flowers

478
00:21:23,920 --> 00:21:27,600
Speaker 2: and in person too, on and off air. Man, you

479
00:21:27,600 --> 00:21:30,080
Speaker 2: you stepped up for me early and continue to do

480
00:21:30,160 --> 00:21:33,080
Speaker 2: so bro even today, just taking the time to do

481
00:21:33,160 --> 00:21:34,760
Speaker 2: this with me and letting me come in a little

482
00:21:34,800 --> 00:21:35,560
Speaker 2: later than you're used to.

483
00:21:35,680 --> 00:21:36,720
Speaker 1: I could be sleeping right now.

484
00:21:36,800 --> 00:21:38,280
Speaker 2: Yeah, yeah, I know. I felt bad. I was like,

485
00:21:38,280 --> 00:21:40,000
Speaker 2: what he don't know is This is like six am

486
00:21:40,080 --> 00:21:41,560
Speaker 2: for me, and what I don't know is it's like

487
00:21:41,680 --> 00:21:42,520
Speaker 2: nine pm for him.

488
00:21:42,600 --> 00:21:45,119
Speaker 1: Yeah, we don't know what time. You're the best, jelly Roll.

489
00:21:45,160 --> 00:21:46,600
Speaker 1: Thanks for coming in today and I was sure the

490
00:21:46,640 --> 00:21:47,040
Speaker 1: man brother.

491
00:21:47,080 --> 00:21:47,560
Speaker 2: Love you man.

492
00:21:48,480 --> 00:21:50,200
Speaker 1: I've been doing this for so many years and when

493
00:21:50,200 --> 00:21:53,200
Speaker 1: you see and meet someone like Jelly Roll with all

494
00:21:53,200 --> 00:21:55,680
Speaker 1: that star power and it's all generated from that huge

495
00:21:55,720 --> 00:21:58,439
Speaker 1: heart loving I'm sure you just heard that in that

496
00:21:58,520 --> 00:22:00,360
Speaker 1: interview with him. We love you jelly Roll. I love

497
00:22:00,400 --> 00:22:02,960
Speaker 1: how he's blending the lines between his art and real

498
00:22:03,000 --> 00:22:05,760
Speaker 1: life and he created relatable lyrics that all of his

499
00:22:05,800 --> 00:22:08,960
Speaker 1: fans across the world connect with true legacy. He's leaving.

500
00:22:09,160 --> 00:22:11,840
Speaker 1: Can't wait to see what's next for jelly Roll. All right,

501
00:22:11,880 --> 00:22:13,480
Speaker 1: we have got a lot of guests coming up. I

502
00:22:13,520 --> 00:22:15,040
Speaker 1: can't wait for you to hear what we have coming

503
00:22:15,119 --> 00:22:17,080
Speaker 1: up next. If you like Thinking out Loud, make sure

504
00:22:17,080 --> 00:22:20,480
Speaker 1: you like, review and subscribe wherever you get your podcasts.

505
00:22:20,480 --> 00:22:25,159
Speaker 1: We'll see you next time. Thinking out Loud is hosted

506
00:22:25,160 --> 00:22:28,320
Speaker 1: by me Elvis Duran. The podcast is produced and edited

507
00:22:28,320 --> 00:22:32,359
Speaker 1: by Mike Coscarelli. Executive producers are Andrew Glisi and Katrina Norvel.

508
00:22:32,600 --> 00:22:36,040
Speaker 1: Special thanks to David Katz, Michael Kindheart, and Caitlin Madore.

509
00:22:36,160 --> 00:22:38,560
Speaker 1: Thinking Out Loud is part of the Elvis Duran podcast

510
00:22:38,560 --> 00:22:42,879
Speaker 1: network on iHeartRadio. For more, rate, review and subscribe to

511
00:22:42,960 --> 00:22:45,560
Speaker 1: our show and if you liked this episode, tell your friends.

512
00:22:45,760 --> 00:22:47,359
Speaker 1: Until next time, I'm Elvis Duran