WEBVTT - 307: Coach

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<v Speaker 1>I am so excited to do this episode.

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<v Speaker 2>Why why special?

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<v Speaker 1>Is the Coach episode is the more importantly? Look, I

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<v Speaker 1>know it's called Coach, okay, and I love that. I

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<v Speaker 1>love that for the for for the show, but it

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<v Speaker 1>really should have been called the v Rab episode. The

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<v Speaker 1>Velvet Rabbit episode one of the funniest. I truly feel

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<v Speaker 1>like one of the funniest scenes that has ever happened

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<v Speaker 1>on the entire show. I can't wait till we get there.

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<v Speaker 1>We're gonna break it down. I'm gonna try not to

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<v Speaker 1>laugh through the entire thing when we're talking, because that's

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<v Speaker 1>all I want to do. Just thinking about it makes

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<v Speaker 1>me laugh.

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<v Speaker 2>Right, Okay, So here we go. Coach returns to the

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<v Speaker 2>loft and he immediately.

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<v Speaker 1>I'm already done the cutaway, the cutaway in that first

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<v Speaker 1>bit where he's just there. Yeah, I can't. I can't

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<v Speaker 1>do the recap for a second because the way he

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<v Speaker 1>is so damon, the way he does that first line

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<v Speaker 1>so serious and then goes into a full, full like

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<v Speaker 1>ludicrous line delivery. Yes, I was already dead. I was

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<v Speaker 1>dead from the beginning of this epoch. Okay, try again,

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<v Speaker 1>drag again.

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<v Speaker 2>Sorry that moment he let you know exactly what was happening,

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<v Speaker 2>so sorry, Like, Coach returns to the loft and immediately

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<v Speaker 2>things get frisky when he takes the boys to the

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<v Speaker 2>strip club Lemon Pepper Wings for Everyone. Meanwhile, Just responds

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<v Speaker 2>by calling her own girls night, which leads to her

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<v Speaker 2>and CC meeting the ultra smooth talking Artie aka Digs

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<v Speaker 2>per Usual. Winston goes too far and accidentally buys non

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<v Speaker 2>refundable bunny money. Coach is so ridiculous, I've done that.

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<v Speaker 2>Coach tries to fight his exes New Boo a Cop

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<v Speaker 2>Bow what.

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<v Speaker 1>New bootes? You could say new Boo.

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<v Speaker 2>Or bay or I'm black. I didn't want to reach bow.

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<v Speaker 1>You're like, I'm not going to go French for you.

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<v Speaker 2>We got our own terminology. Can I say my ship?

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<v Speaker 2>He's gonna says bow? Who the hell says that?

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<v Speaker 1>A lot of people?

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<v Speaker 2>No, not a lot of black people. His his exes

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<v Speaker 2>New Boo a Cop already ends naked in Jess's bed,

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<v Speaker 2>and Nick Deliver is a knockout punt that once and

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<v Speaker 2>for all solidifies Jess as his girlfriend. Fun fact, Russ

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<v Speaker 2>also Brooke Are, director of cinematography, directed this episode.

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<v Speaker 1>Yeah I remember this moment. I guess he'd been asking

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<v Speaker 1>to find like a good one, and he was our

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<v Speaker 1>dpeat super super talented, the best, and the responsible for

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<v Speaker 1>that whole look that you see that you love of

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<v Speaker 1>our show that feels. And then he yeah, and then

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<v Speaker 1>he got to direct this episode and he directed the

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<v Speaker 1>hell out of it.

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<v Speaker 2>Oh yeah, written by David Feenie now also the best.

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<v Speaker 2>Let's before we jump in, I do want to mention

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<v Speaker 2>I remember I remember being at I was at a party.

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<v Speaker 2>We were at some party when I was like industry events,

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<v Speaker 2>TV things or something like that, and I run into

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<v Speaker 2>Tay Diggs and you know, we were just chit chatting

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<v Speaker 2>and talking a little bit, and he was talking about

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<v Speaker 2>how sessed to he was with New Girl and how

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<v Speaker 2>much he loved the show. And I said, you gotta

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<v Speaker 2>come on the show. He was like, dude, I would

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<v Speaker 2>love to be on the show. Man He goes and

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<v Speaker 2>I said, well, Liz Meriweather is right over there. She

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<v Speaker 2>was in another corner of talking to somebody, and I

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<v Speaker 2>was like, bro, I'm sure she loves you. I was like,

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<v Speaker 2>your Ted Digs. Doug was like, you gotta he was like,

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<v Speaker 2>He's like, should I just walk over it. I said,

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<v Speaker 2>shut up, this goes. I'm gonna introduce you. So I

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<v Speaker 2>bring Tay over to meet Liz and then they're at

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<v Speaker 2>chit chatting and next thing you know, he's in the show.

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<v Speaker 2>Get Out, Get Out. I'm responsible for that. I got

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<v Speaker 2>no percentage of his paycheck. I got no nothing. Okay,

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<v Speaker 2>so let us dive in for a second, Hannah, We're

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<v Speaker 2>in aloft. Nick gets called Coach saying that he wants

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<v Speaker 2>to hang out, and this is whole back and forth, like, oh,

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<v Speaker 2>coach is back, Coaches back. It's super, super exciting. We

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<v Speaker 2>haven't seen this man. And then the flashback.

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<v Speaker 1>Yeah, the flashback. One of the funniest flashbacks I feel like,

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<v Speaker 1>because one group shot anytime, it's a group shot, and

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<v Speaker 1>you guys get to play drunk, as we will see

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<v Speaker 1>later in this episode is solid gold and one of

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<v Speaker 1>my favorite. It's one of those things where you like,

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<v Speaker 1>I rewound it, I kept rewinding it and then just

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<v Speaker 1>watching each of you individually, right with the choices of

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<v Speaker 1>how drunk you're going to play and interact with each other.

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<v Speaker 1>And my favorite is Max Greenfield because he interacts with

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<v Speaker 1>really no one. He's just standing there like a statue.

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<v Speaker 1>With a mad face when you're trying to like not

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<v Speaker 1>act drunk and singing so seriously, like singing like his

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<v Speaker 1>life depends on it. One of the funniest choices. It's

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<v Speaker 1>set the tone so perfectly for how ludicrous and drunky

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<v Speaker 1>this episode was gonna.

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<v Speaker 2>Be one hundred percent. And you know Schmid he comes in,

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<v Speaker 2>you know, stealing, He's stealing things essentially from the apartment.

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<v Speaker 2>When chimes Jess's toothpaste, it's justice toothpase. But I love

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<v Speaker 2>Winston goes. Is that he goes? Is that where the

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<v Speaker 2>toothpaste went? Clee?

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<v Speaker 1>By the way, that is usually like a roommate situation

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<v Speaker 1>where somebody just like has like the personal hygiene products

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<v Speaker 1>and you're just like swiping it when they're not looking.

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<v Speaker 2>That I just buy a lot more toothpaste and I

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<v Speaker 2>don't even question, I just go whatever.

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<v Speaker 1>And then one of my favorite Damon moments ever.

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<v Speaker 2>Oh my god, Nick and Schmid are fighting all of

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<v Speaker 2>a sudden, the shot of them to them three three

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<v Speaker 2>shot with with Damon's hand on both their shoulders.

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<v Speaker 1>Because you sons of bitches ready to bun, which is

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<v Speaker 1>also I just feel like that was Damon no acting

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<v Speaker 1>zero acting happened in that moment.

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<v Speaker 2>That's how he is.

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<v Speaker 1>Also did not remember that Coach is just like an

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<v Speaker 1>open doucheback, Like I didn't remember that that was like

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<v Speaker 1>the character that he played, or at least in this

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<v Speaker 1>episode where he like fully leaned into it, just being

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<v Speaker 1>like wildly like.

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<v Speaker 2>He's like that scene.

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<v Speaker 1>Where he comes into the bedroom with Nick and Jess.

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<v Speaker 2>I was just like, oh my god, oh yeah, because

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<v Speaker 2>he wants to go so he wants to go out right,

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<v Speaker 2>he wants to go to the strip club. He's making

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<v Speaker 2>he comes in out of the gate, he's swinging. He

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<v Speaker 2>calls Winston shrimp forks because he couldn't pull a basketball.

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<v Speaker 1>This is my question when I did the rewatch last night,

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<v Speaker 1>My question for you was how much did it hurt

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<v Speaker 1>you Lamar and Morris to have to act like you

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<v Speaker 1>were bad at basketball a lot?

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<v Speaker 2>You know, because and like the balls like slipping out

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<v Speaker 2>of my hand. I'm like, I could pull a basketball.

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<v Speaker 2>To me, it's it's funny. So I didn't trip about it,

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<v Speaker 2>but I was like, this doesn't make any sense, and

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<v Speaker 2>we talk about it later in the episode. Why that

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<v Speaker 2>term srip for doesn't make any sense? Because I played

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<v Speaker 2>professional basketball. So I just remember the like logically, when

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<v Speaker 2>when when this was a storyline, I went, well, this

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<v Speaker 2>doesn't make any sense because I no matter where the

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<v Speaker 2>city is, no matter where the country is, if you're

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<v Speaker 2>playing professional that means you're amongst the elite in the world. Well,

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<v Speaker 2>it didn't make.

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<v Speaker 1>Sense because of the flashback because it makes sense in

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<v Speaker 1>terms of coaches character, who is like obviously like highly insecure,

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<v Speaker 1>so like tears people down the relationships something they do well,

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<v Speaker 1>like blay basketball, and so you go like, oh, you know,

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<v Speaker 1>like you're a pro basketball player. Of course he's gonna

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<v Speaker 1>like feel insecure about it, and so he's gonna make

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<v Speaker 1>fun of you, like he's just some like you know,

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<v Speaker 1>you know, jerk or whatever. Yeah, but then they do

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<v Speaker 1>the flashback, which just shows is straight up facts, and

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<v Speaker 1>that's the part that is like confusing.

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<v Speaker 2>Logically, Yeah, that was that was wild, But I love

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<v Speaker 2>the look.

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<v Speaker 1>Trim Ros is also a top quality bully nickname.

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<v Speaker 2>Oh I mean I get called shrimp forks to this

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<v Speaker 2>day a big areas people call me shrimp forks to

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<v Speaker 2>this day.

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<v Speaker 1>I have big hands, like under the sea. A type

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<v Speaker 1>of nicknames that have stuck for you and I lionfish,

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<v Speaker 1>lionfish and shrimp forks. That's going to be our next podcast,

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<v Speaker 1>you guys.

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<v Speaker 2>Yeah, Now, Coach, he wants to take the boys to

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<v Speaker 2>a strip club, right, but Jess tells Nick that she's

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<v Speaker 2>uncomfortable with him going on a Tuesday night. Nick denies

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<v Speaker 2>being and it's like a little flustered about it. And

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<v Speaker 2>obviously he's backtracking and he's trying to figure it out

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<v Speaker 2>because he's got the pressure of coach on one side,

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<v Speaker 2>you know what, you know, what's happening with him and Jess.

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<v Speaker 2>They haven't had the conversation.

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<v Speaker 1>And capital T, capital C.

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<v Speaker 2>Yeah, and he and he kind of in a way

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<v Speaker 2>denies being Jess's boyfriend. Yeah, And and it's this and that,

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<v Speaker 2>and we've all been there where it's the labeling thing.

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<v Speaker 2>Who's labeling, who's not labeling? You know that?

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<v Speaker 1>I the time cool for like a friend who, like

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<v Speaker 1>you think, is super cool. My favorite part of that

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<v Speaker 1>exchange is when he says something absolutely you know, inappropriate, right,

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<v Speaker 1>like trying to like posture to his to coach, and

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<v Speaker 1>then she goes, she looks and she goes, what are

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<v Speaker 1>you doing? I don't know.

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<v Speaker 2>I love what he's like he's just like, I'm just

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<v Speaker 2>telling him what kind of cake to bake me?

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<v Speaker 1>Son, Oh my god. Yeah. I think that's the part

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<v Speaker 1>where she's like, what are you doing. He's like, I

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<v Speaker 1>don't know, I don't know. He's really cool and this

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<v Speaker 1>is not cool and I don't know what I'm doing.

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<v Speaker 1>And also when he yells at her, I'm so sorry.

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<v Speaker 1>I love it so much, so good, so good.

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<v Speaker 2>Now just is pissed about it. Yeah, She's like, we're

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<v Speaker 2>going out tonight.

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<v Speaker 1>That's right, medicine buddy, exactly.

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<v Speaker 2>And it tastes somebod that pineapple upside down cake that

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<v Speaker 2>she's gonna bake. Now, coach again, the fact that he.

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<v Speaker 1>Just pretends he's never met her. They lived together, they

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<v Speaker 1>spent time together.

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<v Speaker 2>Jebecca, Jebecca. I feel like he made that up.

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<v Speaker 1>No, it was in the script.

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<v Speaker 2>Rebecca was in the script.

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<v Speaker 1>I know, but it was. It was obviously like such

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<v Speaker 1>perfect writing for Damon that exactly when he said, I

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<v Speaker 1>had that same thought too, because I'm like, that's just

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<v Speaker 1>damontat funny improv. And then I looked at the script.

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<v Speaker 2>Rebecca, Jebecca, isn't there, That's in the script. Yeah, that's crazy.

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<v Speaker 1>Credit to Damon man, because you made it seem like

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<v Speaker 1>you were just like a perfect improv man.

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<v Speaker 2>Now, just and CC and they go to the bar

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<v Speaker 2>where Nick works to complain.

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<v Speaker 1>About wild place to pick up so crazy.

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<v Speaker 2>I know, like literally this bar is the only bar

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<v Speaker 2>in town because I don't go anywhere else. Just calls

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<v Speaker 2>Nick a man boy and a man child hybrid because

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<v Speaker 2>he wants to pull a dog's tail. Like it's yeah,

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<v Speaker 2>there's like there's all this childlike things of Nick that

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<v Speaker 2>she's just blurting out.

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<v Speaker 1>And you know about this last episode. This is why

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<v Speaker 1>I think that my actual, like my spirit character is Nick.

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<v Speaker 1>Because when you talked about your Halloween costume being Mickey

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<v Speaker 1>Mouse when I last saw you, I'm like so disappointed

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<v Speaker 1>I didn't get to pull your tail. This is why

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<v Speaker 1>I know, like deep down i'm Nick Miller.

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<v Speaker 2>Oh my gosh. Well, I mean, I don't know what's

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<v Speaker 2>wrong with pulling a dog's tail, but I've never done it,

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<v Speaker 2>but I guess it's bad. I thought it might be funny.

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<v Speaker 2>I don't know.

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<v Speaker 1>Don't do that. Don't do that people, Yeah, don't pull

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<v Speaker 1>around touching little animals booties just like for fun.

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<v Speaker 2>Yeah, that's weird.

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<v Speaker 1>Theme.

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<v Speaker 2>So yeah, I know, but but cci you know, she

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<v Speaker 2>encourages Jess to make Nick jealous with Artie. Artie a

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<v Speaker 2>ka Tay he digs.

0:13:11.400 --> 0:13:14.200
<v Speaker 1>Have you ever been because that flashback where they like

0:13:14.320 --> 0:13:16.840
<v Speaker 1>show us who Artie is and the fact that he's

0:13:16.880 --> 0:13:26.080
<v Speaker 1>like openly, openly opening, openly, wow, openly asking Jess out

0:13:26.520 --> 0:13:28.800
<v Speaker 1>where she's like shut your face or whatever. She says

0:13:28.840 --> 0:13:30.760
<v Speaker 1>something looks so crazy. She's like, this is not look

0:13:30.800 --> 0:13:33.160
<v Speaker 1>at you, no chance. Have you ever been hit on

0:13:33.480 --> 0:13:36.520
<v Speaker 1>or asked out by somebody that was you knew that

0:13:36.559 --> 0:13:39.840
<v Speaker 1>you were like punching like someone's so gorgeous, You're like

0:13:40.360 --> 0:13:40.760
<v Speaker 1>for real?

0:13:41.600 --> 0:13:45.680
<v Speaker 2>How yeah they happened. That happened recently.

0:13:46.520 --> 0:13:49.400
<v Speaker 1>And I was like, no, to clarify, I did not

0:13:49.520 --> 0:13:52.959
<v Speaker 1>ask you out, bro okay, like that was like a miscommunication.

0:13:53.600 --> 0:13:59.080
<v Speaker 2>You're not You're not me. But I just it was

0:13:59.160 --> 0:14:05.240
<v Speaker 2>this this lovely young lady and she was flirtatious and

0:14:05.240 --> 0:14:07.160
<v Speaker 2>and I was kind of like going like, huh, I

0:14:07.200 --> 0:14:10.440
<v Speaker 2>wonder if she is I wonder, I wonder, I wonder

0:14:10.480 --> 0:14:11.880
<v Speaker 2>if that's what it is. I wonder if she was

0:14:12.000 --> 0:14:17.040
<v Speaker 2>she's actually asking me out? And uh, it didn't work

0:14:17.040 --> 0:14:19.800
<v Speaker 2>out between us because I was I I guess I

0:14:19.840 --> 0:14:20.840
<v Speaker 2>was in my head the whole.

0:14:20.600 --> 0:14:22.640
<v Speaker 1>Time, like right, you're like, how do yours?

0:14:22.720 --> 0:14:25.680
<v Speaker 2>Just like it wasn't even like yeah it was. It

0:14:25.720 --> 0:14:28.480
<v Speaker 2>wasn't even like how it was more so like how

0:14:28.520 --> 0:14:31.320
<v Speaker 2>do I approach this in a cool manner? And I

0:14:31.320 --> 0:14:33.320
<v Speaker 2>think I think I overcooled it.

0:14:34.960 --> 0:14:37.120
<v Speaker 1>You went to you got too cool, that you got

0:14:37.400 --> 0:14:38.480
<v Speaker 1>too cool, you.

0:14:38.520 --> 0:14:40.080
<v Speaker 2>Got too cool, that I got cold. I didn't really

0:14:40.120 --> 0:14:42.480
<v Speaker 2>understand what was happening in our situation, but I think

0:14:42.520 --> 0:14:44.760
<v Speaker 2>it's all stemmed from like, oh, you want to hang

0:14:44.760 --> 0:14:48.480
<v Speaker 2>out with me, all right? Cool? Uh okay, and it's

0:14:48.520 --> 0:14:54.720
<v Speaker 2>kind of fizzled out. It happens, It happens.

0:14:55.440 --> 0:14:57.560
<v Speaker 1>I've told you my story that my Matt camp story

0:14:57.600 --> 0:15:00.440
<v Speaker 1>where like his ex was Rihanna and he then I

0:15:00.680 --> 0:15:04.560
<v Speaker 1>wanted to go and you know, have a meal with me,

0:15:04.920 --> 0:15:06.560
<v Speaker 1>And then I was just so so. It wasn't that

0:15:06.840 --> 0:15:10.280
<v Speaker 1>it was Matt Kemp that was too attractive. It was Rihanna's.

0:15:12.160 --> 0:15:16.000
<v Speaker 2>I'm so sorry if he didn't work out with y'all,

0:15:16.000 --> 0:15:17.280
<v Speaker 2>it definitely won't work out with us.

0:15:17.400 --> 0:15:20.320
<v Speaker 1>I was like, what, Rihanna's ex wants to take me

0:15:20.360 --> 0:15:24.360
<v Speaker 1>out on a no, thank you? I'm just too beautiful.

0:15:24.440 --> 0:15:29.320
<v Speaker 1>And too cool, so I'm go cold. This is now

0:15:29.360 --> 0:15:32.080
<v Speaker 1>We're at the strip club and Winston thinks he's doing

0:15:32.120 --> 0:15:40.520
<v Speaker 1>a massive flex. Oh yes, with the funniest part of

0:15:40.560 --> 0:15:44.440
<v Speaker 1>the buddy money, Can I just say is when it's

0:15:44.480 --> 0:15:51.040
<v Speaker 1>explained to him that the strippers don't take buddy money.

0:15:50.920 --> 0:15:53.920
<v Speaker 2>By money, No, it's only merch and food food.

0:15:55.920 --> 0:15:58.640
<v Speaker 1>I that was the I didn't remember that part, and

0:15:58.800 --> 0:16:00.640
<v Speaker 1>I was in tears because you think, well, well, I

0:16:00.640 --> 0:16:02.240
<v Speaker 1>guess you just have to like live at the strip

0:16:02.280 --> 0:16:04.120
<v Speaker 1>club now for the rest of your life and you

0:16:04.120 --> 0:16:07.000
<v Speaker 1>can blow through this cash. But the fact that everybody

0:16:07.080 --> 0:16:11.520
<v Speaker 1>knows that this is monopoly money, this is jokes, full job.

0:16:13.160 --> 0:16:16.280
<v Speaker 2>And I've been there not thinking that it was fake money.

0:16:16.360 --> 0:16:19.320
<v Speaker 2>I Odeed wants out to never mind, we can talk

0:16:19.360 --> 0:16:20.120
<v Speaker 2>about that another time.

0:16:23.280 --> 0:16:26.640
<v Speaker 1>You got conned at a strip club. What a shocking turn

0:16:26.680 --> 0:16:27.240
<v Speaker 1>of events.

0:16:27.240 --> 0:16:29.920
<v Speaker 2>Oh my god. I was like, what's happening, where's my money?

0:16:31.360 --> 0:16:37.240
<v Speaker 2>I can't believe it. She says, she loves me. I'm

0:16:37.240 --> 0:16:42.760
<v Speaker 2>the one. Oh my gosh. Anyway, Okay, now Coach is

0:16:42.800 --> 0:16:44.600
<v Speaker 2>saying they're not leaving a strip club until the sun

0:16:44.640 --> 0:16:47.200
<v Speaker 2>comes up. He's clearly in a he's clearly in a

0:16:47.240 --> 0:16:50.000
<v Speaker 2>weird space right now, and Schmidt and Nick they're like, man,

0:16:50.040 --> 0:16:54.080
<v Speaker 2>we got adult responsibilities at an eight am presentation and

0:16:54.720 --> 0:16:57.240
<v Speaker 2>Nick has a pissed off girlfriend to attend to, and

0:16:57.280 --> 0:17:00.920
<v Speaker 2>they fight over who should tell Coach that it's time now.

0:17:01.480 --> 0:17:03.640
<v Speaker 2>Nick suggests the guy's return to the love so Coach

0:17:03.680 --> 0:17:05.959
<v Speaker 2>can share his emotions about the break up with Malia,

0:17:06.200 --> 0:17:11.720
<v Speaker 2>but Coach says no, and Winston the Coward agrees. They

0:17:11.720 --> 0:17:16.760
<v Speaker 2>tell Nick he's whipped like cream cheese, which you know rightfully.

0:17:16.800 --> 0:17:22.040
<v Speaker 2>So now now Jess is sitting there considering, you know,

0:17:22.359 --> 0:17:28.800
<v Speaker 2>sending Nick a text. You know she's loving single life. Cci. Yeah,

0:17:28.960 --> 0:17:32.080
<v Speaker 2>terrible friend, terrible friend, great friend, terrible friend.

0:17:32.280 --> 0:17:34.920
<v Speaker 1>She's a great friend. She's like, look, he wants to

0:17:34.960 --> 0:17:38.120
<v Speaker 1>go sit at a strip club if you're not his girlfriend.

0:17:38.160 --> 0:17:40.640
<v Speaker 2>He says that to you, the shrip club is different

0:17:40.680 --> 0:17:42.879
<v Speaker 2>from going out with a guy. Does that two hmpletely

0:17:42.880 --> 0:17:43.400
<v Speaker 2>different things.

0:17:44.720 --> 0:17:47.480
<v Speaker 1>I can bring it down for you, spending your evening

0:17:48.560 --> 0:17:55.800
<v Speaker 1>a round semi naked women. That's the choice. And you're

0:17:56.840 --> 0:17:59.240
<v Speaker 1>person you're dating. We can't call him girlfriend because that's

0:17:59.240 --> 0:18:03.520
<v Speaker 1>the whole episode is expressing that they are not comfortable.

0:18:05.000 --> 0:18:08.159
<v Speaker 1>They then have the opportunity to not behave like a

0:18:08.200 --> 0:18:11.240
<v Speaker 1>girlfriend because you don't want a gu on my girlfriend.

0:18:11.520 --> 0:18:15.399
<v Speaker 2>Well, they're just two different things. See. One one is

0:18:16.240 --> 0:18:21.080
<v Speaker 2>it's a it's a age old style of entertainment, adult entertainment.

0:18:22.160 --> 0:18:25.000
<v Speaker 1>Right like he went and played like Nintendo.

0:18:25.920 --> 0:18:29.520
<v Speaker 2>No, I mean Miswell it's not no as well because

0:18:29.520 --> 0:18:32.800
<v Speaker 2>there's no there's no life as well. No, because there's

0:18:32.800 --> 0:18:36.280
<v Speaker 2>no emotions there, there's no you know, it's like it's

0:18:36.280 --> 0:18:37.960
<v Speaker 2>not like a one on one situation. There are a

0:18:38.000 --> 0:18:40.160
<v Speaker 2>bunch of people coming and going out of there. It's

0:18:40.200 --> 0:18:42.879
<v Speaker 2>like they're open for hours. And you know, this is

0:18:43.200 --> 0:18:45.200
<v Speaker 2>they make money that way, This is how they provide

0:18:45.200 --> 0:18:45.800
<v Speaker 2>for their family.

0:18:46.080 --> 0:18:48.560
<v Speaker 1>Sure, this is not This is not a conversation about

0:18:48.800 --> 0:18:51.159
<v Speaker 1>stripping or stripped clucks. This is a conversation about a

0:18:51.200 --> 0:18:55.199
<v Speaker 1>man who is sleeping with a woman and they have

0:18:55.359 --> 0:18:58.439
<v Speaker 1>feelings and the woman has said I'm not comfortable with

0:18:58.600 --> 0:19:01.560
<v Speaker 1>you going and being in a establishment where women are

0:19:01.600 --> 0:19:04.479
<v Speaker 1>taking their clothes off, and so please don't do that.

0:19:04.840 --> 0:19:06.199
<v Speaker 1>And then he's going well like, well, you know, I'm

0:19:06.200 --> 0:19:08.760
<v Speaker 1>a girlfriend, and so she goes, okay, I'm another girlfriend.

0:19:08.960 --> 0:19:11.280
<v Speaker 1>Then I might go and sit and have a drink

0:19:11.320 --> 0:19:13.080
<v Speaker 1>fully clothed with a man.

0:19:13.960 --> 0:19:15.720
<v Speaker 2>Two different things, two.

0:19:15.640 --> 0:19:20.240
<v Speaker 1>Different things, same level of discomfort and dis respect.

0:19:20.760 --> 0:19:23.879
<v Speaker 2>No, and let me explain why. Let me explain why, because,

0:19:23.880 --> 0:19:26.600
<v Speaker 2>like I said, one is a transactional thing that has

0:19:26.640 --> 0:19:29.240
<v Speaker 2>no emotions to tie to it. There's no expect when

0:19:29.240 --> 0:19:31.440
<v Speaker 2>you leave. There are the expectations that you are leaving here.

0:19:31.480 --> 0:19:34.000
<v Speaker 2>And that's it. When you are telling another man who

0:19:34.080 --> 0:19:37.480
<v Speaker 2>you know likes you, you, who's asked to date you,

0:19:37.480 --> 0:19:39.600
<v Speaker 2>you're saying, let's go sit out and have a drink.

0:19:39.880 --> 0:19:42.240
<v Speaker 2>What you're doing is you're now sending the message to

0:19:42.320 --> 0:19:46.840
<v Speaker 2>another man that you are available to receive his loving.

0:19:47.600 --> 0:19:50.919
<v Speaker 2>That's different than a strip club. Everybody knows it's a

0:19:50.920 --> 0:19:53.560
<v Speaker 2>strip club. That it's not. We're not going to date this.

0:19:53.720 --> 0:19:57.040
<v Speaker 1>The dollar bills and then she turns around and sits

0:19:57.040 --> 0:20:00.520
<v Speaker 1>on you and she has got no pants on. Okay,

0:20:01.840 --> 0:20:06.000
<v Speaker 1>we'll say that you are open to receiving some transactional loving.

0:20:06.640 --> 0:20:10.840
<v Speaker 2>No, that's about that goes back to women of the

0:20:10.920 --> 0:20:14.840
<v Speaker 2>evening strippers. That's that's not the same thing. It's not

0:20:14.920 --> 0:20:15.560
<v Speaker 2>the same thing.

0:20:15.880 --> 0:20:18.520
<v Speaker 1>I'm one of those things where we have to agree

0:20:19.080 --> 0:20:23.360
<v Speaker 1>to disagree, which is the whole episode. That is happening

0:20:23.520 --> 0:20:27.240
<v Speaker 1>except for Nick as a light bulb moment which I'll

0:20:27.240 --> 0:20:28.320
<v Speaker 1>pray for you happens.

0:20:28.920 --> 0:20:31.120
<v Speaker 2>Oh gosh, Hey listen, I haven't been to the strip

0:20:31.160 --> 0:20:33.679
<v Speaker 2>club in years, so I don't know. I don't know.

0:20:34.240 --> 0:20:36.639
<v Speaker 2>It's a fact. I'm also single, by the way, so

0:20:37.040 --> 0:20:39.359
<v Speaker 2>you know, if I wanted to go, I'm just going

0:20:39.520 --> 0:20:42.160
<v Speaker 2>I haven't. I haven't gone, you know what I mean.

0:20:42.680 --> 0:20:46.120
<v Speaker 2>Scheduling years, scheduling is crazy.

0:20:48.160 --> 0:20:49.560
<v Speaker 1>Have you ever gone to it, like in the middle

0:20:49.600 --> 0:20:51.719
<v Speaker 1>of the day, like at two o'clock or like at

0:20:51.720 --> 0:20:57.639
<v Speaker 1>eleven am a morning strip club? Ever in your life? No?

0:20:57.960 --> 0:21:02.760
<v Speaker 2>Yes, yes I did. For this episode. One fact this

0:21:02.800 --> 0:21:06.280
<v Speaker 2>episode was filmed. This episode was filmed at an actual

0:21:06.280 --> 0:21:06.840
<v Speaker 2>strip club.

0:21:07.080 --> 0:21:10.680
<v Speaker 1>No way, Yeah, where where in La do you remember?

0:21:11.200 --> 0:21:15.359
<v Speaker 2>I forget exactly where? Somewhere off Pico, I think, really, yeah,

0:21:15.440 --> 0:21:15.879
<v Speaker 2>I forget.

0:21:15.920 --> 0:21:18.000
<v Speaker 1>How are all right? Yeah?

0:21:19.080 --> 0:21:20.520
<v Speaker 2>A couple of churches, and then.

0:21:22.560 --> 0:21:27.399
<v Speaker 1>Just an eleven am strip club? Oh Art comes in

0:21:27.440 --> 0:21:31.119
<v Speaker 1>and he's got a smooth move, just takes a little

0:21:31.800 --> 0:21:34.320
<v Speaker 1>of her drink and can break it down.

0:21:35.400 --> 0:21:38.119
<v Speaker 2>Mm hmmm, which which people? Some people can do That

0:21:38.200 --> 0:21:39.200
<v Speaker 2>just means you drink too much.

0:21:39.760 --> 0:21:42.239
<v Speaker 1>Specific style of seduction.

0:21:42.359 --> 0:21:46.200
<v Speaker 2>A Shirley temple with coconut rum and a limit squeeze.

0:21:47.880 --> 0:21:49.760
<v Speaker 2>She goes at a temple Grandon because it makes her

0:21:49.760 --> 0:21:50.840
<v Speaker 2>friendly and compassionate.

0:21:52.359 --> 0:21:58.040
<v Speaker 1>Yeah, she comes and she says, I got a man, yes, yes,

0:21:58.160 --> 0:21:59.160
<v Speaker 1>which which I okay.

0:21:59.200 --> 0:22:01.520
<v Speaker 2>So that's cool that she's at least being on the

0:22:01.600 --> 0:22:03.520
<v Speaker 2>up and up and letting him know like, hey, this

0:22:03.600 --> 0:22:04.560
<v Speaker 2>is just the hangout.

0:22:06.200 --> 0:22:08.440
<v Speaker 1>Also, one of my favorite moments of this episode when

0:22:08.440 --> 0:22:10.399
<v Speaker 1>he goes to get the eyelash off of her face

0:22:11.359 --> 0:22:13.520
<v Speaker 1>and he's like, make a wish and she's like, I'm

0:22:13.560 --> 0:22:20.000
<v Speaker 1>scared too. Oh funny. The delivery, Oh fuddy was great.

0:22:20.119 --> 0:22:23.080
<v Speaker 1>So mixed messages though, by the way, yeah, so mixed

0:22:23.080 --> 0:22:26.639
<v Speaker 1>messages because he says like full respect, I'm out by yeah.

0:22:27.040 --> 0:22:28.840
<v Speaker 1>And then and.

0:22:28.800 --> 0:22:31.879
<v Speaker 2>This terrible thing because Jess is like, you know, she's

0:22:31.920 --> 0:22:34.560
<v Speaker 2>like Nick is doing more than shaking hands at the

0:22:34.600 --> 0:22:38.760
<v Speaker 2>strip club. Cec obviously is still scorned by Schmid's cheating,

0:22:38.960 --> 0:22:41.399
<v Speaker 2>says no man can be trusted. As soon as you

0:22:41.480 --> 0:22:42.440
<v Speaker 2>let your guard down, they just.

0:22:42.400 --> 0:22:45.000
<v Speaker 1>Walk out, really projecting a lot in this episode.

0:22:45.119 --> 0:22:46.960
<v Speaker 2>Oh yeah, we find out all later because she does

0:22:47.000 --> 0:22:51.480
<v Speaker 2>come clean before we get there. She owns it. Let's

0:22:51.480 --> 0:22:52.800
<v Speaker 2>go to break and then we come back. We're going

0:22:52.880 --> 0:22:54.600
<v Speaker 2>to see how much of a terrible friend cec has

0:22:54.640 --> 0:23:06.080
<v Speaker 2>been this entire episode, and we are back. We were

0:23:06.080 --> 0:23:08.240
<v Speaker 2>just discussing how terrible of a friend Ceci was.

0:23:10.800 --> 0:23:13.120
<v Speaker 1>She is not dealing with her own stuff, I will

0:23:13.160 --> 0:23:15.719
<v Speaker 1>give you that, and so she's kind of pushing it

0:23:15.800 --> 0:23:17.640
<v Speaker 1>onto Jess.

0:23:18.200 --> 0:23:21.200
<v Speaker 2>Let me ask you a question. Yeah, in this episode,

0:23:22.240 --> 0:23:23.919
<v Speaker 2>I'm not going to mention it. I'm going to let

0:23:23.960 --> 0:23:25.760
<v Speaker 2>you figure it out. Did we.

0:23:27.880 --> 0:23:31.720
<v Speaker 1>Find stop talking to me about the bear? The bear

0:23:31.880 --> 0:23:35.160
<v Speaker 1>is coming in a very special bonus episode.

0:23:35.520 --> 0:23:36.840
<v Speaker 2>Wait did it happen in this episode?

0:23:37.840 --> 0:23:38.359
<v Speaker 1>I don't know.

0:23:39.040 --> 0:23:40.960
<v Speaker 2>I don't think so. You can say bear chests?

0:23:42.359 --> 0:23:42.679
<v Speaker 1>Yeah?

0:23:43.119 --> 0:23:46.480
<v Speaker 2>Is bear a form of bunny? Bunny a form of

0:23:46.480 --> 0:23:46.800
<v Speaker 2>a bear?

0:23:47.520 --> 0:23:50.000
<v Speaker 1>Is this the episode hold on just for just between

0:23:50.560 --> 0:23:52.280
<v Speaker 1>not on the podcast? Is this the one where they

0:23:52.280 --> 0:23:53.440
<v Speaker 1>make the j Cutler joke?

0:23:54.520 --> 0:23:54.919
<v Speaker 2>I think? So?

0:23:55.080 --> 0:23:58.000
<v Speaker 1>Anybody know? And is Jay Cutler part of the Bears?

0:23:58.640 --> 0:23:59.919
<v Speaker 1>Is this the episode where they make the j.

0:24:02.400 --> 0:24:02.680
<v Speaker 2>Yes?

0:24:03.240 --> 0:24:05.600
<v Speaker 1>Then a coach or just a player?

0:24:06.400 --> 0:24:08.000
<v Speaker 2>He was a player? Ah?

0:24:08.760 --> 0:24:11.440
<v Speaker 1>Yeah, Jes makes a comedy this episode, right, Jake Cutler?

0:24:11.480 --> 0:24:12.920
<v Speaker 1>I feel like it was this episode.

0:24:13.400 --> 0:24:13.800
<v Speaker 2>It was.

0:24:17.800 --> 0:24:18.480
<v Speaker 1>Jake Cutler.

0:24:18.600 --> 0:24:22.159
<v Speaker 2>Okay, okay, okay, So, okay, so you did find the

0:24:22.160 --> 0:24:23.240
<v Speaker 2>bear Jake.

0:24:23.160 --> 0:24:25.879
<v Speaker 1>Cutler, Hello, could not be more of a bear?

0:24:27.119 --> 0:24:30.960
<v Speaker 2>Okay, so there was a Jay Cutler reference. I'll give

0:24:31.000 --> 0:24:33.560
<v Speaker 2>you that. I'll give you that one. I'll give you that.

0:24:33.560 --> 0:24:34.920
<v Speaker 2>I'm not gonna argue. I'm not gonna argue what you

0:24:35.640 --> 0:24:38.960
<v Speaker 2>We can move on. Meanwhile, Winston, he's over here trying

0:24:38.960 --> 0:24:42.200
<v Speaker 2>to get his his He's trying to get his money back.

0:24:42.400 --> 0:24:45.199
<v Speaker 2>But bunny money sales are final and only usable at

0:24:45.200 --> 0:24:46.560
<v Speaker 2>the bar, gift shop and.

0:24:46.480 --> 0:24:51.200
<v Speaker 1>Theirs to have their own form of money, I mean, I'm.

0:24:51.119 --> 0:24:54.879
<v Speaker 2>Sure some of them do, but yeah, it's almost like

0:24:54.880 --> 0:24:56.960
<v Speaker 2>a casino when you you know, you get chips instead

0:24:57.000 --> 0:24:59.280
<v Speaker 2>and you tip people with chips. I could have, but

0:24:59.640 --> 0:25:02.000
<v Speaker 2>usually I think they're redeemable in cash, like you pay

0:25:02.040 --> 0:25:04.760
<v Speaker 2>for it, you know what I mean. Where those ship

0:25:04.760 --> 0:25:06.959
<v Speaker 2>clubs are, I don't know that because I think Jenue

0:25:07.280 --> 0:25:10.800
<v Speaker 2>generally they will just take money, like actual money.

0:25:12.200 --> 0:25:14.840
<v Speaker 1>But just what the strippers do in the Velvet Rabbit,

0:25:14.920 --> 0:25:19.679
<v Speaker 1>they also only take real real money, not the bunny money.

0:25:20.160 --> 0:25:24.639
<v Speaker 2>Not at Schmidt does a body shot taste the dancer's

0:25:24.720 --> 0:25:28.080
<v Speaker 2>baby formula and his growth step immediately that.

0:25:29.760 --> 0:25:31.879
<v Speaker 1>The amount of like it just reminds me of like

0:25:31.960 --> 0:25:35.840
<v Speaker 1>the kittens, and like the lactating nipples, like they there's

0:25:35.920 --> 0:25:43.080
<v Speaker 1>a lot of these oh yeah, yeah, God feeding a baby.

0:25:43.760 --> 0:25:46.760
<v Speaker 2>Of throughout the course of the show, a lot of

0:25:46.800 --> 0:25:47.760
<v Speaker 2>people were having kids.

0:25:49.040 --> 0:25:49.280
<v Speaker 1>Uh.

0:25:49.359 --> 0:25:52.960
<v Speaker 2>Now Nick has a plan, right. The plan is to

0:25:53.000 --> 0:25:57.040
<v Speaker 2>get Coach really drunk by recreating the shot contest from

0:25:57.119 --> 0:25:59.320
<v Speaker 2>Raiders of the Lost Arcs so they can take him home.

0:26:00.160 --> 0:26:03.119
<v Speaker 2>And obviously Schmidt and Nick they fight over whether Raiders

0:26:03.200 --> 0:26:08.040
<v Speaker 2>is a pro Nazi movie or not. Now Arti tries

0:26:08.080 --> 0:26:11.040
<v Speaker 2>to be empathetic to Nick. You know, he's he's kind

0:26:11.040 --> 0:26:12.520
<v Speaker 2>of helping him out a little bit. He's like, hey, man,

0:26:12.560 --> 0:26:14.760
<v Speaker 2>he's a guy in his twenties who wants to hang

0:26:14.760 --> 0:26:17.560
<v Speaker 2>out with other guys in the twenties. She's like, no,

0:26:17.680 --> 0:26:21.560
<v Speaker 2>they're all in their thirties and it alreadys got nothing

0:26:21.600 --> 0:26:24.520
<v Speaker 2>for that one. But Jess, you know, she's trying to

0:26:24.520 --> 0:26:26.359
<v Speaker 2>get to know Artie and she learns that he owns

0:26:26.359 --> 0:26:28.080
<v Speaker 2>the coffee He don't just work at the coffee shop.

0:26:28.119 --> 0:26:31.560
<v Speaker 2>He owns the coffee shop. And he regularly takes trips

0:26:31.960 --> 0:26:35.159
<v Speaker 2>to Brazil, where Nick has never been. And did you

0:26:35.200 --> 0:26:37.200
<v Speaker 2>say Brazil Brazil.

0:26:37.920 --> 0:26:38.280
<v Speaker 1>Mmmm.

0:26:38.880 --> 0:26:43.600
<v Speaker 2>It's very taken. Its like we tried again, Brazil better,

0:26:44.160 --> 0:26:52.320
<v Speaker 2>We're gonna Brazil. Yeah, Brazil, just like that. And Jess

0:26:52.400 --> 0:26:54.440
<v Speaker 2>is really excited about that, about the way this man

0:26:54.480 --> 0:26:57.879
<v Speaker 2>says Brazil, and about the way the man says rebbye

0:26:57.880 --> 0:27:01.440
<v Speaker 2>baby buggy bumpers. I love reaction to it. It's such

0:27:01.440 --> 0:27:04.760
<v Speaker 2>a giddy bump. It was such a giddy reaction that

0:27:04.840 --> 0:27:08.640
<v Speaker 2>she had, like a very school, girly giddy, typical jest.

0:27:08.840 --> 0:27:11.520
<v Speaker 1>Some men do have that voice though, that does like

0:27:11.960 --> 0:27:14.360
<v Speaker 1>your knees go a little weak and you can't.

0:27:15.720 --> 0:27:17.920
<v Speaker 2>Thank you. Yeah, I get that.

0:27:18.080 --> 0:27:21.720
<v Speaker 1>Some man have that voice where it doesn't make a

0:27:21.760 --> 0:27:24.520
<v Speaker 1>lot of sense, but your your knees go weak and

0:27:24.560 --> 0:27:26.800
<v Speaker 1>you can't explain it. You're just like, wow, that's a

0:27:26.960 --> 0:27:27.280
<v Speaker 1>no one.

0:27:28.000 --> 0:27:29.840
<v Speaker 2>So Ty Diggs happened to be one of those people.

0:27:31.760 --> 0:27:37.000
<v Speaker 2>Now meanwhile, they're having this shot contest, but for some reason,

0:27:37.040 --> 0:27:38.840
<v Speaker 2>it's only making Coach stronger.

0:27:39.040 --> 0:27:42.800
<v Speaker 1>Arm curls he does with the stripper is one of

0:27:42.840 --> 0:27:45.080
<v Speaker 1>the funniest things because I was like, that's a that's

0:27:45.080 --> 0:27:49.919
<v Speaker 1>a real woman. It's not a stripper. It was booked

0:27:49.920 --> 0:27:51.640
<v Speaker 1>a roll a new girl.

0:27:52.280 --> 0:27:52.720
<v Speaker 2>Mm hmm.

0:27:52.920 --> 0:27:58.320
<v Speaker 1>And now it's going to do arm curls with you.

0:27:59.040 --> 0:28:00.960
<v Speaker 2>Mm hmm, what why?

0:28:01.000 --> 0:28:03.320
<v Speaker 1>Like sometimes when I look at what like a job

0:28:03.480 --> 0:28:08.040
<v Speaker 1>is in this industry, that's a wild moment in your career.

0:28:08.520 --> 0:28:11.879
<v Speaker 2>I think I remember this being a discussion where you know,

0:28:11.960 --> 0:28:14.040
<v Speaker 2>it was asked if you know they were trying to

0:28:14.080 --> 0:28:16.480
<v Speaker 2>like figure out which girl he was comfortable curling so

0:28:16.600 --> 0:28:18.960
<v Speaker 2>many times, or if they wanted to put like a

0:28:19.000 --> 0:28:23.120
<v Speaker 2>harness on to help them to help out with the curls.

0:28:24.520 --> 0:28:26.720
<v Speaker 2>But you know dam is strong, that boy's strong.

0:28:26.880 --> 0:28:28.679
<v Speaker 1>Yes, It's a funny thing because I feel like in

0:28:28.680 --> 0:28:31.919
<v Speaker 1>those moments where they ask you on the spot, feels

0:28:31.920 --> 0:28:34.040
<v Speaker 1>like especially men on the spot, like can you do

0:28:34.080 --> 0:28:39.040
<v Speaker 1>this really physical thing with this woman? Multiple times? Rarely

0:28:40.520 --> 0:28:43.520
<v Speaker 1>do you see the man say no. Because I'll remember

0:28:43.600 --> 0:28:48.920
<v Speaker 1>there's a Valentine's Day episode, I think it's season one

0:28:49.080 --> 0:28:54.959
<v Speaker 1>where it's it's the Youths episode where you know, like

0:28:54.960 --> 0:28:58.240
<v Speaker 1>they're at the house or whatever, and they asked Max

0:28:58.280 --> 0:28:59.880
<v Speaker 1>because he has to because I get into a fight

0:29:00.080 --> 0:29:04.440
<v Speaker 1>in the house to throw me over his shoulder right

0:29:04.600 --> 0:29:06.920
<v Speaker 1>and walk and walk out. He's gonna take me out

0:29:06.960 --> 0:29:09.000
<v Speaker 1>of that like the house in this Fountaine's the episode,

0:29:09.280 --> 0:29:15.120
<v Speaker 1>and I was like, he just like pick up, you know,

0:29:15.840 --> 0:29:17.800
<v Speaker 1>all one hundred plus pounds of me and just like

0:29:18.880 --> 0:29:20.680
<v Speaker 1>throw me over his shoulder and walk out. We're gonna

0:29:20.680 --> 0:29:22.320
<v Speaker 1>do this several takes. And so I went over to

0:29:22.360 --> 0:29:24.520
<v Speaker 1>Max and I was like, hey, if you want, like

0:29:24.560 --> 0:29:27.160
<v Speaker 1>when the moment happens, like I'll like help jump, you know,

0:29:27.160 --> 0:29:29.239
<v Speaker 1>like just to kind of like help or whatever. So

0:29:29.720 --> 0:29:34.800
<v Speaker 1>and Max was so offented and he was like, I

0:29:34.880 --> 0:29:37.400
<v Speaker 1>got it, Like I can throw you over my shoulder

0:29:37.400 --> 0:29:40.120
<v Speaker 1>and walk out of this like I'm good. But then

0:29:40.160 --> 0:29:44.600
<v Speaker 1>on the first take, Max, I think to like show

0:29:44.680 --> 0:29:48.320
<v Speaker 1>like I got this, threw me over his shoulder so

0:29:48.560 --> 0:29:53.880
<v Speaker 1>with such force that I flew up and landed like

0:29:54.040 --> 0:29:56.880
<v Speaker 1>right on his shoulder and I got the wind knocked

0:29:56.920 --> 0:30:01.400
<v Speaker 1>out of me. Oh wow, moving his strength, and I

0:30:01.440 --> 0:30:04.880
<v Speaker 1>remember being like, holy walk moly, like I just flew

0:30:04.960 --> 0:30:11.080
<v Speaker 1>up in the air and it was etcetera. And I

0:30:11.120 --> 0:30:14.200
<v Speaker 1>feel like for sure, Damon's like I got armcirl this

0:30:14.240 --> 0:30:16.680
<v Speaker 1>girl because she was like flailing up and down a

0:30:16.720 --> 0:30:19.080
<v Speaker 1>little bit and I was like, just slow, slow down.

0:30:19.120 --> 0:30:20.520
<v Speaker 1>We don't need to know that hard that girl.

0:30:20.560 --> 0:30:23.640
<v Speaker 2>Oh yeah, men, you know it's the machifmo we're trying

0:30:23.640 --> 0:30:24.760
<v Speaker 2>to we're trying to prove.

0:30:26.160 --> 0:30:28.320
<v Speaker 1>Just watch me. And then met all the girls like, okay,

0:30:29.080 --> 0:30:30.400
<v Speaker 1>we believe you. Slow down.

0:30:30.920 --> 0:30:35.040
<v Speaker 2>It's impressive. It's impressive you can curl the lady. So

0:30:35.200 --> 0:30:37.840
<v Speaker 2>Jess does call Nick, and what I love about this

0:30:38.000 --> 0:30:44.840
<v Speaker 2>is coach is he calls her thees g or Naggy

0:30:45.080 --> 0:30:49.640
<v Speaker 2>Naggy Jillan Hall is my favorite Naggy Naggy chilling all

0:30:50.000 --> 0:30:53.840
<v Speaker 2>And Nick says that he doesn't need help checking his woman,

0:30:54.200 --> 0:30:57.120
<v Speaker 2>but because he doesn't know.

0:30:57.160 --> 0:31:01.280
<v Speaker 1>Where, he covers the listening part of the phone and

0:31:01.360 --> 0:31:02.880
<v Speaker 1>says it loudly in her.

0:31:02.800 --> 0:31:06.120
<v Speaker 2>Ear, that's such a that's that's such a Jake thing.

0:31:06.160 --> 0:31:07.760
<v Speaker 1>I was going to say. And then when he like

0:31:07.840 --> 0:31:10.120
<v Speaker 1>turns it around, he's like coin toss. He doesn't even

0:31:10.160 --> 0:31:13.560
<v Speaker 1>know which side it is anymore. Just Jake with the phone.

0:31:13.680 --> 0:31:16.000
<v Speaker 2>That's that's Jake Johnson on the phone. He probably I'm

0:31:16.160 --> 0:31:18.400
<v Speaker 2>quite certain he's still I mean, the phone is rather

0:31:18.600 --> 0:31:21.120
<v Speaker 2>easy to use now, but I feel like he's still

0:31:21.160 --> 0:31:22.560
<v Speaker 2>a little bit like that.

0:31:23.960 --> 0:31:26.480
<v Speaker 1>And proud of and.

0:31:28.600 --> 0:31:30.680
<v Speaker 2>Well Jess overhears this and she tells Nick she's with

0:31:30.800 --> 0:31:34.720
<v Speaker 2>a man. That's right, it's right, which is my God,

0:31:34.760 --> 0:31:37.600
<v Speaker 2>this is she she went she did worse than him

0:31:37.680 --> 0:31:38.240
<v Speaker 2>in my opinion.

0:31:38.520 --> 0:31:41.920
<v Speaker 1>Well, it's also c C helped make all this happen too,

0:31:42.000 --> 0:31:45.040
<v Speaker 1>so it's not fully on Jess there, it's kind of

0:31:46.840 --> 0:31:49.720
<v Speaker 1>that's right, Okay, we found we found some common ground.

0:31:49.840 --> 0:31:53.640
<v Speaker 2>He found some common ground. It's their friends. They're both

0:31:53.680 --> 0:31:58.040
<v Speaker 2>scorned friends, two friends going through breakups, you know, throwing

0:31:58.080 --> 0:32:00.440
<v Speaker 2>out on their friends, which is causing them to potentially

0:32:00.520 --> 0:32:03.640
<v Speaker 2>go through a breakup. Now already offers to give the

0:32:03.640 --> 0:32:07.480
<v Speaker 2>girls a ride home, just Marvel's at already managed that

0:32:07.880 --> 0:32:10.600
<v Speaker 2>he managed to stay sober and also that he can

0:32:10.720 --> 0:32:11.400
<v Speaker 2>use a phone.

0:32:12.120 --> 0:32:15.960
<v Speaker 1>And now CEC realizes, like, hold on, this was just

0:32:16.040 --> 0:32:19.760
<v Speaker 1>supposed to like scare like Nick a little bit and

0:32:19.800 --> 0:32:21.800
<v Speaker 1>make just feel like she doesn't have to just sit

0:32:21.840 --> 0:32:24.040
<v Speaker 1>around and wait. But now it's getting out of hand,

0:32:24.120 --> 0:32:26.440
<v Speaker 1>and she knows how much Nick and just like really

0:32:26.440 --> 0:32:29.200
<v Speaker 1>do love each other. They just have not communicated properly

0:32:29.240 --> 0:32:32.560
<v Speaker 1>on this thing. And now CC is trying to like

0:32:33.200 --> 0:32:34.320
<v Speaker 1>moonwalk out of this.

0:32:34.960 --> 0:32:37.400
<v Speaker 2>One hundred percent. And then meanwhile we go back, you know,

0:32:37.560 --> 0:32:42.200
<v Speaker 2>we not with this scene ether you see Winston eating

0:32:42.240 --> 0:32:45.640
<v Speaker 2>lobster because it's the most expensive thing the lobster came

0:32:45.680 --> 0:32:47.360
<v Speaker 2>out gray by the way, which is like, you don't

0:32:47.360 --> 0:32:48.480
<v Speaker 2>buy a lobster at a strip.

0:32:48.360 --> 0:32:51.120
<v Speaker 1>Here's my question for you. Was that lobster real?

0:32:52.040 --> 0:32:53.400
<v Speaker 2>The lobster was real? Yes?

0:32:53.720 --> 0:32:55.640
<v Speaker 1>No? Why?

0:32:55.760 --> 0:32:56.840
<v Speaker 2>Yeah, lobster is real.

0:32:57.160 --> 0:32:59.360
<v Speaker 1>Why it's like the other thing we talked about in

0:32:59.400 --> 0:33:00.880
<v Speaker 1>the bar where you had to do that thing with

0:33:00.920 --> 0:33:03.360
<v Speaker 1>the fish and you're like it was real.

0:33:03.840 --> 0:33:09.280
<v Speaker 2>And I why yeah, they always have real food. Ew

0:33:10.440 --> 0:33:11.560
<v Speaker 2>I know, I know.

0:33:11.800 --> 0:33:14.600
<v Speaker 1>It's that's a huge lobster in front.

0:33:14.480 --> 0:33:17.280
<v Speaker 2>Of you, a huge one. You know. Never the rule

0:33:17.320 --> 0:33:19.160
<v Speaker 2>is that never buy food from a strip club unless

0:33:19.160 --> 0:33:24.800
<v Speaker 2>it's in Atlanta, like Atlanta's Atlanta's Strip club. Their their

0:33:25.200 --> 0:33:28.200
<v Speaker 2>food is the best part of the club. I mean,

0:33:28.240 --> 0:33:32.479
<v Speaker 2>I believe that Cheatahs shout out to Cheetahs. Uh just

0:33:32.640 --> 0:33:33.640
<v Speaker 2>great great.

0:33:34.000 --> 0:33:37.840
<v Speaker 1>Can I just say with Cheetahs, is it really just

0:33:38.560 --> 0:33:40.400
<v Speaker 1>you know, because the men are all.

0:33:41.840 --> 0:33:46.600
<v Speaker 2>Cheatahs, all hilarious. They're not cheating, they're just eating.

0:33:47.080 --> 0:33:49.320
<v Speaker 1>I just want to know. I just want to know

0:33:49.360 --> 0:33:51.520
<v Speaker 1>if they were being created with the name you feel

0:33:51.640 --> 0:33:55.120
<v Speaker 1>like cheating tonight, Cheatahs, we got you.

0:33:55.240 --> 0:33:57.960
<v Speaker 2>Nah, they got more class. They're not letting you cheat

0:33:58.040 --> 0:33:59.160
<v Speaker 2>on your significant other.

0:34:00.080 --> 0:34:02.480
<v Speaker 1>I'm sure they're just relationship status.

0:34:02.880 --> 0:34:05.720
<v Speaker 2>They do stays to stay open. You know, a bunch

0:34:05.760 --> 0:34:07.480
<v Speaker 2>of pissed off wives coming in there, trying to shut

0:34:07.520 --> 0:34:13.640
<v Speaker 2>the place down. Now, fed up with coaches behavior, Nick

0:34:13.680 --> 0:34:16.680
<v Speaker 2>exclaims that the relationship it's not toxic.

0:34:17.200 --> 0:34:18.359
<v Speaker 1>He starts to stand up.

0:34:18.600 --> 0:34:21.719
<v Speaker 2>Yeah, yeah, he's like, I love just he's sexy, you know,

0:34:22.040 --> 0:34:25.480
<v Speaker 2>she's she's smart, you know all these things. He really

0:34:25.480 --> 0:34:26.920
<v Speaker 2>wants to go home to be with her. And then

0:34:26.960 --> 0:34:30.560
<v Speaker 2>it's in this moment we see coach just crying. He's

0:34:30.560 --> 0:34:33.799
<v Speaker 2>crying at a strip club because Malia broke up with him,

0:34:34.000 --> 0:34:37.160
<v Speaker 2>not the other way around, and he was embarrassed. And

0:34:37.200 --> 0:34:39.719
<v Speaker 2>he admits which happens. You know, he's trying to fill

0:34:39.719 --> 0:34:43.120
<v Speaker 2>the void with naked girls. That that's a real thing.

0:34:43.440 --> 0:34:46.040
<v Speaker 2>I don't know why it doesn't work, but men try it.

0:34:47.640 --> 0:34:53.279
<v Speaker 2>Women try it too. Now, Winston he buys everyone again.

0:34:53.320 --> 0:34:57.120
<v Speaker 2>He's got this money he's got to spend, so he buys.

0:34:56.960 --> 0:35:00.279
<v Speaker 1>Us wrap gift for season two, didn't we all get velvet?

0:35:00.400 --> 0:35:03.080
<v Speaker 2>Yeah, we got velvet rabbit hats or jackets.

0:35:03.080 --> 0:35:06.000
<v Speaker 1>I want to say, and Ril was in a full

0:35:06.360 --> 0:35:11.480
<v Speaker 1>velvet rabbit sweatsuit. I think erin O'Malley was two. They

0:35:11.520 --> 0:35:14.440
<v Speaker 1>got the full sweatsuit, which, by the way, I would

0:35:14.520 --> 0:35:15.279
<v Speaker 1>love one of those.

0:35:15.920 --> 0:35:19.279
<v Speaker 2>Oh yeah, we should. Let's merch.

0:35:20.840 --> 0:35:24.279
<v Speaker 1>Merch. Yes. Also, Christmas is coming up. If you want

0:35:24.280 --> 0:35:24.640
<v Speaker 1>to get me.

0:35:24.600 --> 0:35:27.000
<v Speaker 2>Some I ain't doing it.

0:35:30.320 --> 0:35:32.879
<v Speaker 1>I know your assistant. I'm gonna tell her. Lamore told

0:35:32.920 --> 0:35:35.680
<v Speaker 1>me that he wants Christmas present this year. Could you

0:35:35.719 --> 0:35:38.120
<v Speaker 1>see if you could find the velvet rabbit full sweatsuit

0:35:41.000 --> 0:35:43.600
<v Speaker 1>our own line of communication we should do.

0:35:43.719 --> 0:35:46.960
<v Speaker 2>I oh, you sure do. I've been told That's what

0:35:47.000 --> 0:35:51.280
<v Speaker 2>I've been told. Now, Coach, you know he takes the guys.

0:35:51.800 --> 0:35:56.120
<v Speaker 1>Okay, first of all, this conversation, okay, let's go, and.

0:35:56.080 --> 0:35:59.240
<v Speaker 2>He's like, We're gonna I'm gonna confront I'm gonna confront

0:35:59.239 --> 0:36:02.040
<v Speaker 2>this guy, his new boyfriend. And then they pull up

0:36:02.080 --> 0:36:05.840
<v Speaker 2>to they pull up to a police station, the police station,

0:36:06.360 --> 0:36:11.400
<v Speaker 2>which is like what wait what, I'm confused because that

0:36:11.400 --> 0:36:13.360
<v Speaker 2>means Coach lived in La this whole time and he

0:36:13.440 --> 0:36:17.520
<v Speaker 2>never visited them. He was so absorbed in this relationship

0:36:17.520 --> 0:36:19.600
<v Speaker 2>with Malia. But he wants to pull up to a

0:36:19.640 --> 0:36:22.280
<v Speaker 2>police station and beat up a.

0:36:21.840 --> 0:36:25.440
<v Speaker 1>Drunk fight a cop at the at the police station.

0:36:26.000 --> 0:36:27.879
<v Speaker 1>So that man is all his people there.

0:36:28.480 --> 0:36:32.320
<v Speaker 2>Winston says, hey, you uh, you know the joke about

0:36:32.360 --> 0:36:35.000
<v Speaker 2>the four guys walk two white guys, two black guys

0:36:35.000 --> 0:36:40.240
<v Speaker 2>walking through a police station. The white guys walked out. Uh,

0:36:40.880 --> 0:36:43.919
<v Speaker 2>you know, but Coach is drunk, you know, and he's

0:36:43.960 --> 0:36:47.839
<v Speaker 2>trying to get revenge, and Instent' is like, I bet

0:36:47.880 --> 0:36:50.239
<v Speaker 2>I get left with this cab. Fair, I bet, I bet?

0:36:50.440 --> 0:36:53.400
<v Speaker 2>And meanwhile, Schmidt, I love that. I love this little

0:36:53.960 --> 0:36:57.080
<v Speaker 2>light argument they're having where they're hitting each other on

0:36:57.120 --> 0:37:02.080
<v Speaker 2>the back of the carne.

0:37:00.080 --> 0:37:04.120
<v Speaker 1>Saw a moment in your face. It's whatever, Nick then

0:37:04.200 --> 0:37:08.160
<v Speaker 1>says to to or Schmid says to Nick, and then

0:37:08.239 --> 0:37:11.840
<v Speaker 1>Nick reaches over and like slaps him. And I watched

0:37:11.920 --> 0:37:14.879
<v Speaker 1>you like a Lomorne smile creep across your face because

0:37:14.880 --> 0:37:18.160
<v Speaker 1>I'm like, how there is no human person that could

0:37:18.200 --> 0:37:20.960
<v Speaker 1>sit in the middle of that mess when they're in

0:37:21.080 --> 0:37:25.160
<v Speaker 1>there drunk, acting and fighting across from you, take after

0:37:25.200 --> 0:37:27.640
<v Speaker 1>you take and not break every single time that is

0:37:27.960 --> 0:37:31.160
<v Speaker 1>that is like acting Olympics right there, because it's way

0:37:31.200 --> 0:37:31.640
<v Speaker 1>too hard.

0:37:32.080 --> 0:37:35.960
<v Speaker 2>Whenever one of them hits the other, I start laughing immediately.

0:37:36.520 --> 0:37:38.759
<v Speaker 2>I And that one was the funniest because it was

0:37:38.800 --> 0:37:44.319
<v Speaker 2>just like a gentle. Their dancer back and forth had

0:37:44.360 --> 0:37:45.040
<v Speaker 2>me in tears.

0:37:45.520 --> 0:37:47.680
<v Speaker 1>Sure, I mean it's so funny to watch in the

0:37:47.840 --> 0:37:51.400
<v Speaker 1>three shot mm hmmm. Also the way you delivered the

0:37:51.480 --> 0:37:54.960
<v Speaker 1>line lift them one.

0:37:57.320 --> 0:37:59.280
<v Speaker 2>I'll try to I'll try to give away his money,

0:37:59.360 --> 0:38:02.040
<v Speaker 2>funny money. I try to get away, get rid of

0:38:02.040 --> 0:38:06.080
<v Speaker 2>this money, Sonny. Now the guys they sober up because

0:38:06.120 --> 0:38:08.279
<v Speaker 2>they see Coach escalating with the cop right.

0:38:08.239 --> 0:38:15.640
<v Speaker 1>By doing like a bunny hop going. Also, damon, oh.

0:38:15.560 --> 0:38:18.520
<v Speaker 2>My gosh, Now, Jest, she admits that she you know,

0:38:18.640 --> 0:38:20.920
<v Speaker 2>she wants to hurt Nick by having a hot conversation

0:38:21.040 --> 0:38:23.680
<v Speaker 2>with Artie. But you see your mind's Jess, you know

0:38:23.880 --> 0:38:26.120
<v Speaker 2>although Nick may be drinking on a Tuesday, that she

0:38:26.280 --> 0:38:28.360
<v Speaker 2>is also drinking on a Tuesday, and that she is

0:38:28.480 --> 0:38:28.960
<v Speaker 2>a teacher.

0:38:29.280 --> 0:38:29.680
<v Speaker 1>Teacher.

0:38:30.320 --> 0:38:34.120
<v Speaker 2>I love this line where Jess it's like, it's okay,

0:38:34.560 --> 0:38:36.120
<v Speaker 2>they'll be watching a movie anyway.

0:38:37.160 --> 0:38:39.480
<v Speaker 1>Didn't that make you automatically think about how many times

0:38:39.560 --> 0:38:42.680
<v Speaker 1>you watched a movie in school? He automatically, I remember,

0:38:42.680 --> 0:38:48.120
<v Speaker 1>because they used to roll it in thing on top

0:38:48.200 --> 0:38:53.920
<v Speaker 1>that popped the VHS in. Just sitting in a chair

0:38:54.520 --> 0:38:57.400
<v Speaker 1>like reading a book, probably trying to sober up or

0:38:57.440 --> 0:38:59.319
<v Speaker 1>deal with whatever they were actually trying to deal with

0:38:59.400 --> 0:39:01.920
<v Speaker 1>this is a human being. And it would always be

0:39:02.120 --> 0:39:05.640
<v Speaker 1>like some like voice over narrated movie like you. It

0:39:05.800 --> 0:39:09.480
<v Speaker 1>was eighteen sixty eight. She you know, like that some.

0:39:09.480 --> 0:39:11.719
<v Speaker 2>Weird what you were movie. Let me tell you what

0:39:11.760 --> 0:39:16.080
<v Speaker 2>we were watching third grade, maybe fourth third or fourth grade.

0:39:16.280 --> 0:39:20.120
<v Speaker 2>Teacher would roll on TV. We'd watch movies like Boys

0:39:20.160 --> 0:39:20.920
<v Speaker 2>in the Hood.

0:39:21.160 --> 0:39:23.920
<v Speaker 1>You were just like watching real movies like that, educational

0:39:24.000 --> 0:39:26.040
<v Speaker 1>movies like that, a documentary or something.

0:39:26.160 --> 0:39:27.719
<v Speaker 2>We watched a straight up movies. And Boys in the

0:39:27.760 --> 0:39:30.359
<v Speaker 2>Him was wild because Boys in the Hood had like

0:39:30.480 --> 0:39:32.399
<v Speaker 2>violence in it, it had nudity in it. There were

0:39:32.400 --> 0:39:34.680
<v Speaker 2>like straight up sex scenes in this movie.

0:39:34.680 --> 0:39:36.640
<v Speaker 1>In class, it was.

0:39:36.640 --> 0:39:38.640
<v Speaker 2>Like social studies, and she was just like, we're gonna

0:39:38.640 --> 0:39:42.279
<v Speaker 2>watch a movie. And I remember I remember like all

0:39:42.280 --> 0:39:44.439
<v Speaker 2>of us laughing when the sex scene came on because

0:39:44.480 --> 0:39:47.360
<v Speaker 2>it was full on nudity and it was aggressive. And

0:39:47.400 --> 0:39:49.880
<v Speaker 2>I remember us the kids laughing like oh, and the

0:39:49.880 --> 0:39:52.239
<v Speaker 2>teacher going, man, what y'all know about that?

0:39:53.040 --> 0:39:53.400
<v Speaker 1>Oh?

0:39:53.560 --> 0:40:00.839
<v Speaker 2>We were like a lot now exactly we know today educated.

0:40:02.040 --> 0:40:04.520
<v Speaker 1>Oh my goodness, yep.

0:40:04.840 --> 0:40:08.240
<v Speaker 2>Now Nick doesn't have a life plan or a day plan.

0:40:08.520 --> 0:40:12.280
<v Speaker 2>He throws pizza at seagulls. He's been trying to feed them,

0:40:12.520 --> 0:40:15.000
<v Speaker 2>and he's a really great kisser. You know, Jess is

0:40:15.040 --> 0:40:18.760
<v Speaker 2>starting to slowly realize all that she's in her description

0:40:18.880 --> 0:40:21.600
<v Speaker 2>of all the negative things about him, she slowly starts

0:40:21.600 --> 0:40:23.880
<v Speaker 2>to move into the positive things about him, you know

0:40:23.920 --> 0:40:24.120
<v Speaker 2>what I.

0:40:24.160 --> 0:40:26.880
<v Speaker 1>Mean, even the worst things about him she loves and

0:40:26.880 --> 0:40:30.759
<v Speaker 1>finds endearing, which she realizes, Yeah, she loves that bit.

0:40:30.960 --> 0:40:33.000
<v Speaker 1>She loves that. I don't say boy, she loves that boy.

0:40:34.840 --> 0:40:38.319
<v Speaker 2>And uh, you know, we go back to well she

0:40:38.320 --> 0:40:40.279
<v Speaker 2>wants him to leave. She's gonna go.

0:40:40.560 --> 0:40:43.920
<v Speaker 1>Yeah, so CEC says sorry, she owns what was really

0:40:43.920 --> 0:40:46.520
<v Speaker 1>going on with her, how she pushed it on Jess,

0:40:46.560 --> 0:40:49.280
<v Speaker 1>that this is like this has gone way out of hand,

0:40:50.760 --> 0:40:56.120
<v Speaker 1>and so she takes ownership also, like a really sweet

0:40:56.200 --> 0:40:58.960
<v Speaker 1>Jess and CC moment. It's again one of those things

0:40:58.960 --> 0:41:01.400
<v Speaker 1>that I feel like this show is always done really well,

0:41:02.400 --> 0:41:06.480
<v Speaker 1>is that they really they keep the female relationships like

0:41:06.560 --> 0:41:10.920
<v Speaker 1>that relationship so honest. Yeah, not in the common like

0:41:10.960 --> 0:41:12.720
<v Speaker 1>they don't do it for a joke, Like they always

0:41:12.800 --> 0:41:15.719
<v Speaker 1>kept that relationship so true where you can be like, oh,

0:41:15.800 --> 0:41:17.560
<v Speaker 1>that was that's just me. I'm going through my thing

0:41:17.600 --> 0:41:19.320
<v Speaker 1>and I'm sorry, I've like dragged you into it, almost

0:41:19.320 --> 0:41:21.520
<v Speaker 1>screwed up your good thing because of it. It was

0:41:21.560 --> 0:41:24.080
<v Speaker 1>really sweet and beautiful. One of the things New Girl

0:41:24.160 --> 0:41:26.759
<v Speaker 1>does so so so so well, and so they're like,

0:41:26.840 --> 0:41:30.719
<v Speaker 1>all right, we've seen the truth. And Jess also because

0:41:30.760 --> 0:41:32.719
<v Speaker 1>you love Cecia, is like, that's fine, I get it.

0:41:32.840 --> 0:41:34.920
<v Speaker 1>The problems. Let's just get this like man out the

0:41:34.960 --> 0:41:38.200
<v Speaker 1>house and I'm gonna figure this out with Nick. And

0:41:38.520 --> 0:41:47.160
<v Speaker 1>then Tait Eggs does one of the most yes wild

0:41:47.640 --> 0:41:53.560
<v Speaker 1>choices when he does the leg extension and then the

0:41:54.600 --> 0:41:56.400
<v Speaker 1>flicking of the fake water.

0:41:57.239 --> 0:41:59.360
<v Speaker 2>I was impressed by this. I was impressed by the

0:41:59.400 --> 0:42:01.680
<v Speaker 2>like extension. I'm not gonna lie to you. I was like,

0:42:01.760 --> 0:42:03.399
<v Speaker 2>I don't know how to do that. My body don't

0:42:03.440 --> 0:42:06.719
<v Speaker 2>My body don't operate that way. Is a broad Way well,

0:42:06.760 --> 0:42:09.400
<v Speaker 2>Tate Diggs is a Broadway performer. He sings, he dances,

0:42:09.400 --> 0:42:14.040
<v Speaker 2>he acts. He's probably taking a lot of our movement classes. Yeah,

0:42:14.160 --> 0:42:15.759
<v Speaker 2>you know what I mean. So I'm not able to

0:42:15.800 --> 0:42:17.680
<v Speaker 2>do that, but I will work on it. But my

0:42:17.760 --> 0:42:21.279
<v Speaker 2>legs don't make it past like ankle like my foot

0:42:21.280 --> 0:42:23.399
<v Speaker 2>gets about ankle high. That's it.

0:42:26.520 --> 0:42:26.840
<v Speaker 1>Now.

0:42:27.560 --> 0:42:31.160
<v Speaker 2>The guys, you know, like coach. You know, Nick taells

0:42:31.160 --> 0:42:34.080
<v Speaker 2>Coach that they're they're too old for this whole little

0:42:34.120 --> 0:42:36.239
<v Speaker 2>thing that they got going on this night, and this

0:42:36.280 --> 0:42:39.360
<v Speaker 2>isn't for us. And Schmidt admits that he is unhappy

0:42:39.400 --> 0:42:41.480
<v Speaker 2>since moving out, and he blames Nick. And then they

0:42:41.520 --> 0:42:43.040
<v Speaker 2>start fighting in the most.

0:42:42.960 --> 0:42:46.680
<v Speaker 1>Each other each other, even like the cop is now

0:42:46.719 --> 0:42:49.759
<v Speaker 1>just standing there. Now they start to fight each other, yes,

0:42:49.800 --> 0:42:52.280
<v Speaker 1>which is the funniest thing. And they do you gotta

0:42:52.480 --> 0:42:55.480
<v Speaker 1>I have never heard of this before. I mean, it

0:42:55.480 --> 0:42:58.520
<v Speaker 1>makes sense because it's like the Achilles heel, the ultimate

0:42:58.520 --> 0:42:59.719
<v Speaker 1>Achilles heel for a man.

0:43:00.280 --> 0:43:07.080
<v Speaker 2>Mm hmmm. They fight by flicking each other's penises, which

0:43:07.120 --> 0:43:11.359
<v Speaker 2>is so strange because men don't do that. You could,

0:43:12.160 --> 0:43:12.920
<v Speaker 2>we don't do that.

0:43:13.760 --> 0:43:17.200
<v Speaker 1>I feel like I've seen guys to go like like

0:43:17.280 --> 0:43:18.799
<v Speaker 1>to do something like that, and you can see someone

0:43:18.840 --> 0:43:22.160
<v Speaker 1>like back up, but to chase each other around a

0:43:22.160 --> 0:43:22.759
<v Speaker 1>parking lot.

0:43:23.560 --> 0:43:27.480
<v Speaker 2>Yeah, just touching each other, hitting each other in the weird.

0:43:28.600 --> 0:43:30.520
<v Speaker 1>It got a little weird, yeah for sure.

0:43:30.600 --> 0:43:32.280
<v Speaker 2>Now in the middle of all this.

0:43:33.360 --> 0:43:36.000
<v Speaker 1>Yeah, coach steps up. You think he's about to now

0:43:36.120 --> 0:43:38.720
<v Speaker 1>like go after the cop, but he has a moment

0:43:38.760 --> 0:43:42.359
<v Speaker 1>of growth mm hmmm and says like you know what

0:43:43.080 --> 0:43:44.920
<v Speaker 1>now that I'm I ball and I all do. She's

0:43:44.960 --> 0:43:47.440
<v Speaker 1>not coming back to me. She's chosen you, so just

0:43:47.480 --> 0:43:49.680
<v Speaker 1>like take care of her. And you think that that's

0:43:49.719 --> 0:43:52.200
<v Speaker 1>going to be the end of the scene. But then

0:43:52.320 --> 0:43:58.120
<v Speaker 1>the cop is Pella Room very rude.

0:44:01.400 --> 0:44:03.120
<v Speaker 2>He's like, of course I'll take care. But because I'm

0:44:03.120 --> 0:44:09.239
<v Speaker 2>not some loser, I'm like Broul he's up, Doug, He's up.

0:44:09.440 --> 0:44:11.279
<v Speaker 1>That's right, he's up.

0:44:11.320 --> 0:44:13.600
<v Speaker 2>And so they all start making fun of the guy.

0:44:14.200 --> 0:44:16.919
<v Speaker 2>Like then the rest of the cops come running out,

0:44:17.000 --> 0:44:21.480
<v Speaker 2>and then they just bolt in the weirdest the fashions.

0:44:21.480 --> 0:44:23.880
<v Speaker 2>They're running like a four man weave. They're going in

0:44:23.920 --> 0:44:26.279
<v Speaker 2>and now they're going in, and then you just see

0:44:26.320 --> 0:44:31.279
<v Speaker 2>Winston b lines it to the right with with with

0:44:31.480 --> 0:44:34.400
<v Speaker 2>Hussein bolt like speed. I gotta say, I'm quite the runner,

0:44:36.080 --> 0:44:38.680
<v Speaker 2>so fastest. Was the fastest guy in the cast, by

0:44:38.680 --> 0:44:41.320
<v Speaker 2>the way, for sure, it wasn't even close. Wasn't even close.

0:44:43.200 --> 0:44:47.440
<v Speaker 2>Now you come back, like we said, you know, already's

0:44:47.520 --> 0:44:48.239
<v Speaker 2>naked in her bed.

0:44:48.640 --> 0:44:52.560
<v Speaker 1>He's doing the splashing weird thing. And then also implying

0:44:53.560 --> 0:44:56.480
<v Speaker 1>that now like CEC should get involved.

0:44:56.880 --> 0:45:01.080
<v Speaker 2>Yes, yes. In the Brazilian.

0:45:03.080 --> 0:45:09.839
<v Speaker 1>The same as what does that actually mean?

0:45:10.280 --> 0:45:12.080
<v Speaker 2>I don't know. Atleast just take your tops off and

0:45:12.080 --> 0:45:12.640
<v Speaker 2>say it with me.

0:45:13.920 --> 0:45:16.759
<v Speaker 1>I can't now.

0:45:16.880 --> 0:45:20.240
<v Speaker 2>Nick comes home and you know, she tries to stall,

0:45:20.920 --> 0:45:23.479
<v Speaker 2>fails miserably, but when she's like, I.

0:45:23.360 --> 0:45:25.960
<v Speaker 1>Got this, I'm really good at this. Watch me. I'm

0:45:25.960 --> 0:45:27.360
<v Speaker 1>going to talk to him about some table and he

0:45:27.440 --> 0:45:31.560
<v Speaker 1>just like blows right past her and Jess doesn't have

0:45:31.680 --> 0:45:35.960
<v Speaker 1>time to get already dressed and to make this not

0:45:36.120 --> 0:45:42.319
<v Speaker 1>look terrible. And then I honestly one of the just

0:45:42.400 --> 0:45:46.760
<v Speaker 1>like the best moments, like the best moments I feel

0:45:46.760 --> 0:45:51.040
<v Speaker 1>like between the Nick and Jess relationship where she just like,

0:45:51.200 --> 0:45:54.160
<v Speaker 1>you know, like lets it all like spill out. It's

0:45:54.200 --> 0:45:55.759
<v Speaker 1>not making a lot of sense, but she's just like,

0:45:55.800 --> 0:45:57.399
<v Speaker 1>this is what really happened, and I know this looks

0:45:57.480 --> 0:45:59.319
<v Speaker 1>terrible and I can't imagine how you feel right now,

0:45:59.320 --> 0:46:02.000
<v Speaker 1>and she's just like spiraling. She's like, I just really

0:46:02.000 --> 0:46:05.560
<v Speaker 1>wish you would believe me, and expecting him to like

0:46:06.239 --> 0:46:08.959
<v Speaker 1>rip into her because it looks terrible. There's a naked

0:46:09.000 --> 0:46:12.160
<v Speaker 1>man in your bed, like for real, and he just says,

0:46:12.200 --> 0:46:15.440
<v Speaker 1>I believe you, and then just like has her back,

0:46:16.040 --> 0:46:18.759
<v Speaker 1>and it's just like you gotta go, and it was.

0:46:19.440 --> 0:46:23.640
<v Speaker 1>It's as powerful, I feel like, of a of what

0:46:25.320 --> 0:46:28.680
<v Speaker 1>most of women want in a relationship representation of that

0:46:28.840 --> 0:46:31.680
<v Speaker 1>as was the cooler kiss Like. It was just such

0:46:31.719 --> 0:46:35.920
<v Speaker 1>a like I got you, I know you don't worry

0:46:35.920 --> 0:46:38.440
<v Speaker 1>about it, and I'm gonna take this song without like

0:46:38.520 --> 0:46:44.080
<v Speaker 1>putting her on trial. Such a loving, romantic, powerful moment

0:46:44.600 --> 0:46:45.400
<v Speaker 1>in this series.

0:46:46.480 --> 0:46:49.359
<v Speaker 2>But I agree. He punches the man in the face.

0:46:49.280 --> 0:46:51.319
<v Speaker 1>And you don't you know, but remember he says we're

0:46:51.360 --> 0:46:54.200
<v Speaker 1>not equal. Artie says we're not equal. So you assume

0:46:54.440 --> 0:46:56.279
<v Speaker 1>that Nick's gonna let him get out of bed and

0:46:56.360 --> 0:46:58.960
<v Speaker 1>get dressed so they can have a fair fight. And

0:46:59.080 --> 0:47:01.360
<v Speaker 1>Nick takes it like I'm going to take my clothes

0:47:01.400 --> 0:47:03.399
<v Speaker 1>off and get into bed with you to fight you.

0:47:03.840 --> 0:47:06.600
<v Speaker 1>Is also the greatest comedic turn ever.

0:47:07.160 --> 0:47:11.880
<v Speaker 2>But here's what I'm mad about. You're right, just did nothing,

0:47:12.120 --> 0:47:17.240
<v Speaker 2>and she had the best of intentions, and she strategized

0:47:17.280 --> 0:47:23.759
<v Speaker 2>incorrectly in this evening. However, however, you did put yourself

0:47:23.920 --> 0:47:28.320
<v Speaker 2>into a horrible situation by inviting but yeah, but inviting

0:47:28.360 --> 0:47:30.160
<v Speaker 2>a strange man to your no c He tried to

0:47:30.160 --> 0:47:31.919
<v Speaker 2>get him to leave, and she's like, no, we're coming home.

0:47:31.920 --> 0:47:36.839
<v Speaker 2>He's taking us home. You did this man, and now

0:47:36.880 --> 0:47:38.840
<v Speaker 2>this man has to come and get into a fight

0:47:38.960 --> 0:47:41.040
<v Speaker 2>because of that decision, she didn't have to go to

0:47:41.080 --> 0:47:41.960
<v Speaker 2>the strip club and fight.

0:47:42.000 --> 0:47:45.520
<v Speaker 1>No strip I just have to say, relationships, you got

0:47:45.520 --> 0:47:47.600
<v Speaker 1>to learn some things the hard way. Trust me.

0:47:48.080 --> 0:47:50.080
<v Speaker 2>What if Nick couldn't fight, and then what if Nick

0:47:50.120 --> 0:47:51.960
<v Speaker 2>couldn't fight and he couldn't sucker punch? Now he over

0:47:51.960 --> 0:47:54.640
<v Speaker 2>here getting beat up on top of the whole thing

0:47:54.920 --> 0:47:58.040
<v Speaker 2>in his house by a naked man who's clearly much

0:47:58.080 --> 0:48:01.560
<v Speaker 2>stronger and better looking, and he's getting beat up because

0:48:01.560 --> 0:48:05.400
<v Speaker 2>she was feeling some type out way, like what this

0:48:05.440 --> 0:48:07.239
<v Speaker 2>is what you put You put this man through this?

0:48:07.480 --> 0:48:11.880
<v Speaker 1>He loved her anyway, Yeah, anyway, the sucker punch.

0:48:11.680 --> 0:48:13.640
<v Speaker 2>Was good though, because a cool punch.

0:48:13.880 --> 0:48:14.920
<v Speaker 1>It was a cool punch.

0:48:15.000 --> 0:48:17.160
<v Speaker 2>She did pop him. Anyway, They go and dump him.

0:48:17.360 --> 0:48:20.120
<v Speaker 2>H They addressed him in the strip club merch and

0:48:20.120 --> 0:48:22.719
<v Speaker 2>then they dumb him in the elevator. Then we cut

0:48:22.760 --> 0:48:25.080
<v Speaker 2>to winds to bringing home food from the strip club,

0:48:25.480 --> 0:48:29.320
<v Speaker 2>the deep dish gyrator, uh, the main stage, fish tacos,

0:48:29.440 --> 0:48:32.520
<v Speaker 2>the poor, some for some on me meatballs.

0:48:32.880 --> 0:48:37.960
<v Speaker 1>Sugar on me meatballs, and the best, the best pancake

0:48:38.040 --> 0:48:39.000
<v Speaker 1>name I've ever heard.

0:48:39.239 --> 0:48:45.239
<v Speaker 2>Short stack ass clap pancakes. Now, you know at the end,

0:48:45.280 --> 0:48:47.000
<v Speaker 2>Whinston's trying to get his loft makes the chip in

0:48:47.080 --> 0:48:48.800
<v Speaker 2>at least fifty cents on the dollar for the food.

0:48:48.840 --> 0:48:53.919
<v Speaker 2>But obviously ignore him or we'll be right back.

0:49:02.239 --> 0:49:03.919
<v Speaker 1>Okay, should we do one mess around question?

0:49:04.120 --> 0:49:05.359
<v Speaker 2>Yeah, I'll let you ask it.

0:49:05.719 --> 0:49:11.800
<v Speaker 1>If you had to do an erotic dance, what song

0:49:12.280 --> 0:49:13.160
<v Speaker 1>would you select?

0:49:13.520 --> 0:49:15.239
<v Speaker 2>The thong song by Cisco I was.

0:49:18.120 --> 0:49:19.920
<v Speaker 1>We Can't Let Go, we Can't let go of It

0:49:19.960 --> 0:49:22.040
<v Speaker 1>from the last episode we did we Can't Let go

0:49:22.120 --> 0:49:25.480
<v Speaker 1>of It. It's also just like, it's a good song

0:49:25.520 --> 0:49:25.799
<v Speaker 1>to dance.

0:49:25.880 --> 0:49:29.120
<v Speaker 2>It's a very catchy song. Either either that or It's

0:49:29.120 --> 0:49:30.920
<v Speaker 2>Getting Hot in Here by Nelly. I don't know.

0:49:31.000 --> 0:49:31.880
<v Speaker 1>That's a good one.

0:49:32.440 --> 0:49:35.160
<v Speaker 2>Yeah, one of those two. One of those. The videos

0:49:35.160 --> 0:49:37.320
<v Speaker 2>were cool. Cisco is running on top of a crowd

0:49:37.320 --> 0:49:40.280
<v Speaker 2>of people. That thought was really hilarious in that video.

0:49:40.520 --> 0:49:42.640
<v Speaker 1>You know what one of my other favorites is, which

0:49:42.680 --> 0:49:45.480
<v Speaker 1>would be fun to dance to the.

0:49:45.320 --> 0:49:48.480
<v Speaker 2>Bottom jeans well floorider, Come on.

0:49:49.640 --> 0:49:52.160
<v Speaker 1>Come on, that's a good one. Everybody would be you

0:49:52.200 --> 0:49:53.400
<v Speaker 1>would be dancing alone?

0:49:53.760 --> 0:49:55.880
<v Speaker 2>Oh yeah, yeah, yeah, yea yeah, yea, Yeah, that's what

0:49:55.920 --> 0:49:56.200
<v Speaker 2>you need.

0:49:56.200 --> 0:49:57.240
<v Speaker 1>You need a good sing along.

0:49:57.360 --> 0:50:00.839
<v Speaker 2>See not up there dancing alone. I can't be like

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<v Speaker 2>I can't just be out there dance by myself strip

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<v Speaker 2>and I need somebody. That's the group strip. Yeah, everybody

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<v Speaker 2>doing it well, folks. Thank you for listening.

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<v Speaker 1>Mm hmm.

0:50:10.160 --> 0:50:13.400
<v Speaker 2>We love you so so much and we love that

0:50:13.440 --> 0:50:16.440
<v Speaker 2>you allow us to do this for you. So please

0:50:16.480 --> 0:50:18.480
<v Speaker 2>make sure you follow us on ig at the mess

0:50:18.560 --> 0:50:22.239
<v Speaker 2>Around pod or you can send us a voicemail or

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<v Speaker 2>leave us a letter at the mess Around pod at

0:50:24.440 --> 0:50:25.360
<v Speaker 2>gmail dot com.

0:50:25.440 --> 0:50:28.280
<v Speaker 1>Yeah, because sometimes we do loft meetings where we answer

0:50:28.360 --> 0:50:30.600
<v Speaker 1>all of your burning questions if you don't know what

0:50:30.680 --> 0:50:32.680
<v Speaker 1>really like something that didn't make sense in an episode,

0:50:32.760 --> 0:50:35.719
<v Speaker 1>or you notice something and we address it on the

0:50:35.760 --> 0:50:38.040
<v Speaker 1>laft meeting, So make sure you send in a voicemail

0:50:38.080 --> 0:50:40.200
<v Speaker 1>then you can hear your voice all right here on

0:50:40.280 --> 0:50:41.480
<v Speaker 1>the podcast.

0:50:42.080 --> 0:50:42.920
<v Speaker 2>What are we doing next week?

0:50:42.960 --> 0:50:46.640
<v Speaker 1>Anna coming back with three zo eight menu.

0:50:46.960 --> 0:50:53.040
<v Speaker 2>Menus piece That was the mess Around. This has been

0:50:53.080 --> 0:50:57.560
<v Speaker 2>an iHeartMedia production. Our executive producer is Joel Moniche, our

0:50:57.560 --> 0:51:00.680
<v Speaker 2>engineer an editor is Mia Taylor. Edition a production from

0:51:00.719 --> 0:51:04.520
<v Speaker 2>Daniel Goodman Wendy Heisler and Kyle Vron. Our theme song

0:51:04.560 --> 0:51:07.960
<v Speaker 2>was written and composed by Ronald Jukebox Jackson. So We're

0:51:08.000 --> 0:51:18.840
<v Speaker 2>gonna catch you next time. Bye,