1 00:00:00,160 --> 00:00:03,160 Speaker 1: Hello, how are you welcome to Movie Mike's movie Podcast. 2 00:00:03,200 --> 00:00:06,160 Speaker 1: I am a movie Mike on Twitter and Instagram at 3 00:00:06,200 --> 00:00:08,959 Speaker 1: Mike Destro and on this episode, I'm talking all about 4 00:00:09,119 --> 00:00:13,160 Speaker 1: iconic movie characters who you didn't realize have very little 5 00:00:13,240 --> 00:00:16,240 Speaker 1: time on screen. Now, these are all very famous movies, 6 00:00:16,280 --> 00:00:18,800 Speaker 1: and I'm gonna break down just exactly how many minutes 7 00:00:18,880 --> 00:00:21,919 Speaker 1: they appear on screen. And I think it will surprise 8 00:00:22,000 --> 00:00:24,400 Speaker 1: you and you may even feel ripped off that you 9 00:00:24,480 --> 00:00:26,720 Speaker 1: only had this amount of time with your favorite characters 10 00:00:26,720 --> 00:00:29,200 Speaker 1: from movies. But there's also a bit of science and 11 00:00:29,360 --> 00:00:31,479 Speaker 1: theory to it, if you will, so we'll get into 12 00:00:31,520 --> 00:00:34,000 Speaker 1: that as well. It kind of explains how to make 13 00:00:34,040 --> 00:00:36,120 Speaker 1: a really great movie, so we'll get into that. We'll 14 00:00:36,159 --> 00:00:39,360 Speaker 1: also get into how much they are saying they're gonna 15 00:00:39,360 --> 00:00:41,800 Speaker 1: pay Joaquin Phoenix to make a sequel to The Joker, 16 00:00:42,159 --> 00:00:44,360 Speaker 1: And I just want to break down not who the 17 00:00:44,360 --> 00:00:46,519 Speaker 1: best Joker was, but just who had the best laughs. 18 00:00:46,720 --> 00:00:48,720 Speaker 1: So I will break those down. We'll hear the laughs 19 00:00:48,720 --> 00:00:51,120 Speaker 1: and get into all about The Joker. And then in 20 00:00:51,159 --> 00:00:53,320 Speaker 1: the movie review this week, I'm talking about the brand 21 00:00:53,360 --> 00:00:56,120 Speaker 1: new movie on Netflix called The Devil All the Time, 22 00:00:56,120 --> 00:00:58,080 Speaker 1: which I was very excited to watch. So I'll get 23 00:00:58,120 --> 00:01:00,880 Speaker 1: into my full review of that of Core spoiler free 24 00:01:00,920 --> 00:01:02,720 Speaker 1: because that's what I like to do on this podcast. 25 00:01:03,000 --> 00:01:05,319 Speaker 1: And if at this point you're not subscribe, what are 26 00:01:05,319 --> 00:01:07,000 Speaker 1: you're waiting for? It kind of hurts my feelings. We've 27 00:01:07,040 --> 00:01:08,880 Speaker 1: been listening for this long and I've been subscribed. So 28 00:01:08,920 --> 00:01:11,840 Speaker 1: wherever you're listening right now, hit that subscribe button, hit 29 00:01:11,880 --> 00:01:13,600 Speaker 1: that follow button, and make sure you get brand new 30 00:01:13,600 --> 00:01:18,360 Speaker 1: episodes every single Monday without any further ado. Let's get started. 31 00:01:18,640 --> 00:01:21,800 Speaker 1: In a world where everyone and their mother has a podcast, 32 00:01:22,360 --> 00:01:26,240 Speaker 1: one man stands to infiltrate the ears of listeners like 33 00:01:26,360 --> 00:01:30,280 Speaker 1: never before in a movie podcast. A man with so 34 00:01:30,440 --> 00:01:34,560 Speaker 1: much movie knowledge, he's basically like a walking I MTV 35 00:01:34,800 --> 00:01:42,679 Speaker 1: with glasses from the Nashville Podcast Networks Movie MI Movie Podcast. Alright, 36 00:01:42,680 --> 00:01:45,080 Speaker 1: so I want to talk about iconic movie characters with 37 00:01:45,200 --> 00:01:47,160 Speaker 1: very minimal screen time. And why I thought about this 38 00:01:47,240 --> 00:01:49,800 Speaker 1: is because I saw a new story about one year 39 00:01:49,840 --> 00:01:53,360 Speaker 1: where Tom Cruise wasn't the highest paid actor for the year, 40 00:01:54,080 --> 00:01:57,040 Speaker 1: but he put out Jack Reacher, which made him about 41 00:01:57,080 --> 00:02:00,600 Speaker 1: fifty three million dollars. And that's a movie where he's 42 00:02:00,640 --> 00:02:03,000 Speaker 1: on screen for about a hundred and thirteen minutes, So 43 00:02:03,040 --> 00:02:06,360 Speaker 1: that worked out to about twenty eight point one million 44 00:02:06,440 --> 00:02:09,760 Speaker 1: dollars per hour. If I could make that much an hour, 45 00:02:09,960 --> 00:02:12,680 Speaker 1: I would only work one hour every year for the 46 00:02:12,720 --> 00:02:14,840 Speaker 1: rest of my life. But I am not Tom Cruise. 47 00:02:14,880 --> 00:02:17,040 Speaker 1: I do not have that luxury of being a huge 48 00:02:17,120 --> 00:02:20,919 Speaker 1: movie star. At minimum. I am a mediocre movie podcaster. 49 00:02:21,160 --> 00:02:24,440 Speaker 1: But what I did think about is that's a pretty 50 00:02:24,560 --> 00:02:26,720 Speaker 1: lengthy screen time for him to be on. And that's 51 00:02:26,720 --> 00:02:29,000 Speaker 1: because that's a big Hollywood movie. If you go watch 52 00:02:29,000 --> 00:02:30,680 Speaker 1: a movie with Tom Cruise, you want to see him 53 00:02:30,720 --> 00:02:33,640 Speaker 1: the entire time. That's not necessarily the case when it 54 00:02:33,639 --> 00:02:38,240 Speaker 1: comes to other movies, because sometimes in certain movies, less 55 00:02:38,360 --> 00:02:40,920 Speaker 1: is more when there's some suspense to be created, when 56 00:02:40,960 --> 00:02:44,320 Speaker 1: there's another store to be told, sometimes showing the thing 57 00:02:44,360 --> 00:02:47,639 Speaker 1: that it seems the movie is actually about, and getting 58 00:02:47,720 --> 00:02:51,040 Speaker 1: less screen time from that actually adds more to the movie. 59 00:02:51,720 --> 00:02:54,840 Speaker 1: So what I want to cover here are instances where 60 00:02:55,720 --> 00:02:59,240 Speaker 1: the main character actually isn't in the entire movie, and 61 00:02:59,240 --> 00:03:01,440 Speaker 1: it turns out there and very few of it, And 62 00:03:01,440 --> 00:03:03,080 Speaker 1: some of these would be kind of surprising to you 63 00:03:03,120 --> 00:03:05,920 Speaker 1: to think of, Like, Okay, there's been entire fan bases 64 00:03:06,240 --> 00:03:09,280 Speaker 1: there's been t shirts, posters, people have gotten tattoos of 65 00:03:09,360 --> 00:03:12,320 Speaker 1: these characters, but they haven't even been on screen a 66 00:03:12,400 --> 00:03:15,440 Speaker 1: whole lot in the history of these movies. So I'll 67 00:03:15,440 --> 00:03:18,440 Speaker 1: break down some of the famous movies how long the 68 00:03:18,520 --> 00:03:22,480 Speaker 1: actual movie is and how many minutes they actually appear 69 00:03:22,560 --> 00:03:25,720 Speaker 1: on the screen. So first of all, let's start out 70 00:03:25,919 --> 00:03:30,400 Speaker 1: with the original Jurassic Park and how few minutes the 71 00:03:30,480 --> 00:03:35,000 Speaker 1: actual dinosaurs were in that movie. So you think Jurassic Park, okay, 72 00:03:35,000 --> 00:03:38,480 Speaker 1: it has to be an entire movie about the dinosaurs, right. Well, 73 00:03:38,800 --> 00:03:41,480 Speaker 1: with the runtime of two hours and seventeen minutes, the 74 00:03:41,520 --> 00:03:45,560 Speaker 1: actual dinosaurs are only on screen for twenty minutes, and 75 00:03:45,720 --> 00:03:50,000 Speaker 1: that is crazy because you get about six minutes of 76 00:03:50,240 --> 00:03:52,760 Speaker 1: c g I dinosaurs. So some of those dinosaurs you 77 00:03:52,760 --> 00:03:56,360 Speaker 1: see are entirely computer generated, and then the other fourteen 78 00:03:56,360 --> 00:03:59,040 Speaker 1: minutes when they're on screen or actual like practical effects. 79 00:03:59,040 --> 00:04:00,560 Speaker 1: So if you watch some of the behind the scenes 80 00:04:00,560 --> 00:04:05,760 Speaker 1: stuff of Jurassic Park, they actually created like robotic dinosaurs 81 00:04:05,800 --> 00:04:07,960 Speaker 1: that are fully functional. And I know you can't see 82 00:04:08,000 --> 00:04:09,920 Speaker 1: me as that I'm doing this when I'm actually like 83 00:04:10,280 --> 00:04:13,200 Speaker 1: acting out a robotic dinosaur while I'm recording this, But 84 00:04:13,280 --> 00:04:17,080 Speaker 1: that's how they made those dinosaurs, So at twenty minutes 85 00:04:17,080 --> 00:04:19,359 Speaker 1: of the dinosaurs, you have about a hundred and seven 86 00:04:19,400 --> 00:04:22,479 Speaker 1: minutes where it's just humans. Now, in this case, it's 87 00:04:22,520 --> 00:04:27,520 Speaker 1: partially because it's really expensive to make dinosaurs on screen. 88 00:04:27,960 --> 00:04:30,440 Speaker 1: Not only do they have to create those robotic characters, 89 00:04:30,680 --> 00:04:32,919 Speaker 1: but if you're doing a bunch of C G I dinosaurs, 90 00:04:33,240 --> 00:04:36,279 Speaker 1: that's gonna quickly add up. And then back in the nineties, 91 00:04:36,279 --> 00:04:38,760 Speaker 1: of course, you don't really have the same kind of 92 00:04:38,800 --> 00:04:41,760 Speaker 1: technology we have now. I feel like in the more 93 00:04:41,839 --> 00:04:46,120 Speaker 1: recent Jurassic Park sequels you've gotten more dinosaurs, but just 94 00:04:46,240 --> 00:04:48,880 Speaker 1: crazy to think back watching that original movie that you 95 00:04:48,960 --> 00:04:51,000 Speaker 1: don't really get a whole lot. A lot of it 96 00:04:51,120 --> 00:04:53,600 Speaker 1: is anticipation, because you know, even the first time you 97 00:04:53,640 --> 00:04:57,000 Speaker 1: see the t rex, it's like the shaking of the ground, 98 00:04:57,120 --> 00:04:59,839 Speaker 1: it's the movement. It's the anticipation of them being chased 99 00:04:59,839 --> 00:05:03,839 Speaker 1: by dinosaurs that almost makes it even more scarier. And 100 00:05:03,880 --> 00:05:06,400 Speaker 1: then it also kind of builds anticipation to the very 101 00:05:06,560 --> 00:05:08,279 Speaker 1: end of the movie where it's all a free for 102 00:05:08,360 --> 00:05:11,640 Speaker 1: all the final battle and you get to see them 103 00:05:11,640 --> 00:05:13,479 Speaker 1: in their full glory. I think if you saw the 104 00:05:13,560 --> 00:05:16,640 Speaker 1: ninosaurs throughout the entire movie you really wouldn't care as much. 105 00:05:17,279 --> 00:05:19,600 Speaker 1: But just crazy to think one of the biggest movies 106 00:05:19,640 --> 00:05:22,240 Speaker 1: of the nineties, the main characters are only there for 107 00:05:22,240 --> 00:05:24,800 Speaker 1: about twenty minutes. Let's talk about The Dark Night now. 108 00:05:24,800 --> 00:05:26,960 Speaker 1: I'm gonna get into a thing later about the Joker, 109 00:05:27,240 --> 00:05:29,000 Speaker 1: but I do want to add him into this list 110 00:05:29,080 --> 00:05:33,160 Speaker 1: because Heath Ledger as the Joker was a very medacining 111 00:05:33,200 --> 00:05:35,919 Speaker 1: presence on screen, and it almost doesn't even feel like 112 00:05:36,000 --> 00:05:39,280 Speaker 1: Heath Ledger. It feels like he really embodied the Joker 113 00:05:39,520 --> 00:05:42,200 Speaker 1: in this kind of way too, when you don't even 114 00:05:42,279 --> 00:05:46,159 Speaker 1: recognize him, you just think that Joker exists in this world, 115 00:05:46,520 --> 00:05:48,479 Speaker 1: a little bit different than I would say the Joakin 116 00:05:48,520 --> 00:05:51,479 Speaker 1: Phoenix versions, where it's a little more noticeable that you're 117 00:05:51,480 --> 00:05:54,719 Speaker 1: watching Jakin Phoenix be the Joker because you see his 118 00:05:54,839 --> 00:05:57,760 Speaker 1: kind of downfall into the character. But with this one 119 00:05:57,760 --> 00:06:01,520 Speaker 1: in the Dark Night, you're just me really immerged into 120 00:06:02,400 --> 00:06:06,440 Speaker 1: the depiction that Heath Ledger created. But this movie is 121 00:06:06,560 --> 00:06:09,320 Speaker 1: two hours and thirty two minutes, but you only get 122 00:06:09,400 --> 00:06:12,320 Speaker 1: thirty three minutes of the Joker. And why is that important? 123 00:06:12,800 --> 00:06:17,800 Speaker 1: You think such an important, iconic, memorable performance that one 124 00:06:17,839 --> 00:06:20,480 Speaker 1: of an Oscar after his death. But I think it's 125 00:06:20,520 --> 00:06:22,760 Speaker 1: the fact that he's just kind of sprinkled in there 126 00:06:22,800 --> 00:06:26,800 Speaker 1: that when Joker is on the screen, you remember every 127 00:06:26,839 --> 00:06:29,839 Speaker 1: single scene of that movie with him. So it's only 128 00:06:29,880 --> 00:06:32,360 Speaker 1: in about one five of the movie, but that really 129 00:06:32,400 --> 00:06:35,080 Speaker 1: makes it a lot more impactful. I think if you've 130 00:06:35,160 --> 00:06:37,760 Speaker 1: got any more Joker in this movie, it would kind 131 00:06:37,760 --> 00:06:40,440 Speaker 1: of take away from all those important scenes. I just 132 00:06:40,480 --> 00:06:42,560 Speaker 1: bet that was a very tough thing to do when 133 00:06:42,560 --> 00:06:45,160 Speaker 1: you're sitting down and editing this movie, of like you 134 00:06:45,200 --> 00:06:48,279 Speaker 1: want to put him more into this movie, but kind 135 00:06:48,279 --> 00:06:52,359 Speaker 1: of holding back and just having him developed and sprinkling throughout. 136 00:06:52,440 --> 00:06:54,680 Speaker 1: I think it's really important to why this movie was 137 00:06:54,720 --> 00:06:57,560 Speaker 1: so successful. And even on the other side of that, 138 00:06:57,640 --> 00:07:00,760 Speaker 1: I almost feel like you only see Batman in very 139 00:07:00,839 --> 00:07:03,680 Speaker 1: kind of sporadic moments too. And it's also really important 140 00:07:03,720 --> 00:07:07,159 Speaker 1: once he's on screen as Batman and not Bruce Wayne. 141 00:07:07,320 --> 00:07:09,400 Speaker 1: To go back in time a little bit now to 142 00:07:09,640 --> 00:07:12,800 Speaker 1: the first Star Wars movie, which is Star Wars Episode four, 143 00:07:13,360 --> 00:07:15,760 Speaker 1: A New Hope, which happens to be my favorite in 144 00:07:15,800 --> 00:07:18,840 Speaker 1: the entire Star Wars franchise. This one has a runtime 145 00:07:18,880 --> 00:07:21,400 Speaker 1: of two hours and five minutes, but Darth Vader, the 146 00:07:21,480 --> 00:07:25,560 Speaker 1: ultimate villain is only in it for twelve minutes. Yeah, 147 00:07:25,560 --> 00:07:28,520 Speaker 1: he's only in about ten percent of the entire movie, 148 00:07:29,080 --> 00:07:32,400 Speaker 1: But I would say he's probably the most famous Star 149 00:07:32,440 --> 00:07:35,880 Speaker 1: Wars character. I think he's more recognizable than any other 150 00:07:35,920 --> 00:07:40,160 Speaker 1: one in the franchise. And my relationship with Star Wars 151 00:07:40,240 --> 00:07:42,440 Speaker 1: is that I watched the new movies way before I 152 00:07:42,440 --> 00:07:46,120 Speaker 1: watched the old original movies because I just never watched 153 00:07:46,120 --> 00:07:48,400 Speaker 1: them growing up, and it wasn't until they came out 154 00:07:48,720 --> 00:07:50,760 Speaker 1: with The Force Awakens that I saw that one in 155 00:07:50,840 --> 00:07:53,400 Speaker 1: theaters and was like, Okay, I probably need to go 156 00:07:53,480 --> 00:07:56,520 Speaker 1: back and rewatch all these movies because I've seen them 157 00:07:56,600 --> 00:07:59,320 Speaker 1: referencing pretty much everything in pop culture. I just never 158 00:07:59,360 --> 00:08:02,440 Speaker 1: sat down to watch them, and I was surprised watching 159 00:08:02,480 --> 00:08:06,440 Speaker 1: them and realizing, isn't Darth in these a little bit more? 160 00:08:07,360 --> 00:08:09,800 Speaker 1: Anytime you see this movie reference or any kind of 161 00:08:09,840 --> 00:08:12,800 Speaker 1: clips shown, it probably has something with Darth Vader And 162 00:08:12,840 --> 00:08:14,680 Speaker 1: just crazy to know that they only had twelve minutes 163 00:08:14,720 --> 00:08:17,160 Speaker 1: to pick from. And then the other Star Wars character 164 00:08:17,240 --> 00:08:20,160 Speaker 1: who makes my list is one that I when I 165 00:08:20,200 --> 00:08:22,240 Speaker 1: rewatched the movies, I'm like, where is this guy got 166 00:08:22,240 --> 00:08:24,080 Speaker 1: to come in? Because it's when I hear a bunch 167 00:08:24,120 --> 00:08:26,000 Speaker 1: of people talk about and I'm like, where does he 168 00:08:26,080 --> 00:08:28,440 Speaker 1: kick in? And it's Boba Fett and he is an 169 00:08:28,480 --> 00:08:31,960 Speaker 1: episode five and six. So that's two movies. He's in 170 00:08:32,280 --> 00:08:34,720 Speaker 1: Empire Strikes Back, which is a runtime of two hours 171 00:08:34,720 --> 00:08:36,840 Speaker 1: and seven minutes, and then Return the Jedi, which is 172 00:08:36,840 --> 00:08:40,040 Speaker 1: two hours and seventeen minutes, and Boba Fett is only 173 00:08:40,040 --> 00:08:42,319 Speaker 1: in it for eighteen minutes in both of those movies. 174 00:08:42,760 --> 00:08:45,960 Speaker 1: So you have this character that kind of has like 175 00:08:45,960 --> 00:08:48,920 Speaker 1: a cult following. I don't think he's as recognizable it's 176 00:08:48,920 --> 00:08:50,920 Speaker 1: all the other Star Wars characters, because I would just 177 00:08:50,960 --> 00:08:53,800 Speaker 1: kind of see him and I would know it's Boba Fett. 178 00:08:53,840 --> 00:08:55,480 Speaker 1: But I probably couldn't make him out of a line 179 00:08:55,520 --> 00:08:57,800 Speaker 1: up in the beginning, and I didn't really know what 180 00:08:57,880 --> 00:09:00,520 Speaker 1: the appeal to him was, Like, they don't really give 181 00:09:00,600 --> 00:09:03,200 Speaker 1: him a big backstory when you're watching the movie. I 182 00:09:03,280 --> 00:09:05,240 Speaker 1: wasn't that big of a Star Wars fan then to 183 00:09:05,280 --> 00:09:08,880 Speaker 1: go and research where he came from in his entire origin, 184 00:09:09,520 --> 00:09:11,720 Speaker 1: but he looked cool, and somehow I just had this 185 00:09:12,600 --> 00:09:16,319 Speaker 1: enduring kind of relationship with fans and people who love 186 00:09:16,400 --> 00:09:18,679 Speaker 1: Boba Fett, and all of that is just for a 187 00:09:18,760 --> 00:09:22,200 Speaker 1: mere eighteen minutes on screen. That's a powerful eighteen minutes. 188 00:09:22,760 --> 00:09:25,040 Speaker 1: So both of those were pretty surprising to me. Another 189 00:09:25,080 --> 00:09:28,520 Speaker 1: one that was surprising was Beetlejuice. So this is a 190 00:09:28,600 --> 00:09:32,320 Speaker 1: movie the entire thing is named after this character, Beetle Juice, 191 00:09:32,320 --> 00:09:35,800 Speaker 1: played by Michael Keaton, one of his just most bizarre 192 00:09:35,960 --> 00:09:39,720 Speaker 1: kind of breakout roles for him. And it's probably Tim 193 00:09:39,720 --> 00:09:42,720 Speaker 1: Burton's best movie. I would say it's the most Tim 194 00:09:42,760 --> 00:09:45,439 Speaker 1: Burton e movie. And I remember watching this as a 195 00:09:45,520 --> 00:09:48,320 Speaker 1: kid and thinking it was just so quirky, and I 196 00:09:48,360 --> 00:09:50,240 Speaker 1: was like, is this supposed to be scary as it's 197 00:09:50,240 --> 00:09:51,880 Speaker 1: supposed to be a comedy, And I like that it 198 00:09:51,920 --> 00:09:54,600 Speaker 1: kind of bridges that gap of just being weird. And 199 00:09:54,640 --> 00:09:56,640 Speaker 1: like the other movies we've been talking about, you think 200 00:09:56,679 --> 00:09:58,840 Speaker 1: Beetle Juice would be in a lot more, especially if 201 00:09:58,880 --> 00:10:02,000 Speaker 1: his name is in the title of the movie. But 202 00:10:02,080 --> 00:10:04,920 Speaker 1: not only is he only in seventeen minutes of the 203 00:10:04,960 --> 00:10:07,520 Speaker 1: hour and a half, but it takes him seventy five 204 00:10:07,600 --> 00:10:10,800 Speaker 1: minutes to even show up like fully on screen. So 205 00:10:10,840 --> 00:10:12,920 Speaker 1: this is kind of a case where a character works 206 00:10:13,440 --> 00:10:16,360 Speaker 1: really well and little bursts because I think if you 207 00:10:16,480 --> 00:10:19,080 Speaker 1: go back and watch this movie. It's just so well 208 00:10:19,160 --> 00:10:22,800 Speaker 1: done you don't really notice that he's not in the 209 00:10:22,840 --> 00:10:25,760 Speaker 1: first whole chunk of the movie, because when he is, 210 00:10:25,800 --> 00:10:28,720 Speaker 1: it's so just kind of crazy, outrageous. You're getting this 211 00:10:28,840 --> 00:10:34,240 Speaker 1: unique performance and it's kind of misunderstood odd character that 212 00:10:34,360 --> 00:10:36,280 Speaker 1: once he's on the screen, it really kind of just 213 00:10:36,320 --> 00:10:39,080 Speaker 1: takes control of the entire movie. And it's the way 214 00:10:39,160 --> 00:10:42,000 Speaker 1: Michael Keaton is just so kind of goofy but also 215 00:10:42,040 --> 00:10:44,080 Speaker 1: like creepy and all like the ad lib stuff he 216 00:10:44,080 --> 00:10:46,240 Speaker 1: did in this movie, and it's just cool to see 217 00:10:46,240 --> 00:10:49,040 Speaker 1: how an actual movie character can be in the movie 218 00:10:49,040 --> 00:10:51,600 Speaker 1: for such a little amount of time. But yet come 219 00:10:51,679 --> 00:10:54,200 Speaker 1: every single Halloween, you can probably see a Beetle Juice 220 00:10:54,240 --> 00:10:57,000 Speaker 1: walking down the street kind of staying in the horror space. 221 00:10:57,520 --> 00:10:59,960 Speaker 1: You got Hannibal Lecter in the Silence of the Land. 222 00:11:00,160 --> 00:11:04,360 Speaker 1: So probably Anthony hopkins most iconic role one that got 223 00:11:04,440 --> 00:11:07,360 Speaker 1: him an Oscar, and the entire movie is two hours 224 00:11:07,360 --> 00:11:09,680 Speaker 1: and eighteen minutes and he is only in it for 225 00:11:09,760 --> 00:11:13,680 Speaker 1: twenty four So that's a pretty short amount of time 226 00:11:13,679 --> 00:11:16,160 Speaker 1: to be on screen and to not only be nominated 227 00:11:16,200 --> 00:11:18,720 Speaker 1: for an Oscar, but to win an Oscar. And I 228 00:11:18,760 --> 00:11:21,360 Speaker 1: think he comes in about second of having the least 229 00:11:21,360 --> 00:11:24,760 Speaker 1: amount of screen time and taking home a Best Actor Oscar. 230 00:11:25,760 --> 00:11:28,760 Speaker 1: The only person that hasn't beat is probably somebody he 231 00:11:28,800 --> 00:11:31,360 Speaker 1: would know, but his name is Devin and even he 232 00:11:31,480 --> 00:11:33,400 Speaker 1: was in a movie called Separate Tables way back in 233 00:11:33,440 --> 00:11:35,800 Speaker 1: the day and he won for Best Actor with only 234 00:11:35,840 --> 00:11:38,520 Speaker 1: being in the movie for fifteen minutes. That's the old 235 00:11:38,600 --> 00:11:41,880 Speaker 1: black and white movie. But in our lifetime, Anthony Hopkins 236 00:11:41,920 --> 00:11:44,200 Speaker 1: has been really the only one who's done it, and 237 00:11:44,240 --> 00:11:47,199 Speaker 1: it's mainly because he's terrifying in this movie. He's creepy, 238 00:11:47,240 --> 00:11:51,160 Speaker 1: he's weird, he feels like pure evil and only appears 239 00:11:51,160 --> 00:11:54,320 Speaker 1: in about fourteen percent of this entire movie. And he 240 00:11:54,360 --> 00:11:56,760 Speaker 1: did end up playing the character again in later movies, 241 00:11:56,840 --> 00:11:58,679 Speaker 1: but this was the smallest amount of screen time he 242 00:11:58,720 --> 00:12:00,760 Speaker 1: got on one. As they go back in time a 243 00:12:00,800 --> 00:12:03,880 Speaker 1: little bit more to a classic movie of the Wizard 244 00:12:03,880 --> 00:12:07,439 Speaker 1: of Oz, and again it falls in the villain here 245 00:12:07,480 --> 00:12:09,840 Speaker 1: because the wicked Witch of the West, who I would 246 00:12:09,880 --> 00:12:11,760 Speaker 1: say has a lot of the most famous lines of 247 00:12:11,800 --> 00:12:15,200 Speaker 1: this movie aside from Dorothy, even though she's only in 248 00:12:15,240 --> 00:12:17,280 Speaker 1: it for twelve minutes and the whole movie is an 249 00:12:17,280 --> 00:12:19,959 Speaker 1: hour and fifty two minutes. So The Wizard of Oz 250 00:12:20,080 --> 00:12:22,120 Speaker 1: is just a movie that's been parodied a bunch over 251 00:12:22,160 --> 00:12:24,480 Speaker 1: the years, and it's a lot to do with the 252 00:12:24,559 --> 00:12:27,559 Speaker 1: characters in this movie. And you think about the movie 253 00:12:27,559 --> 00:12:30,360 Speaker 1: and you realize it's more about the journey they take 254 00:12:30,400 --> 00:12:34,200 Speaker 1: on this movie. It focuses on the characters more so 255 00:12:34,280 --> 00:12:37,280 Speaker 1: than it does the villain in this movie. But nonetheless, 256 00:12:37,280 --> 00:12:40,480 Speaker 1: Margaret Thatcher's performance in this has been ranked pretty iconic, 257 00:12:40,679 --> 00:12:42,800 Speaker 1: and even with their my pretty line, she's only in 258 00:12:42,800 --> 00:12:44,760 Speaker 1: it for twelve minutes, but it's a character and a 259 00:12:44,880 --> 00:12:47,960 Speaker 1: role that will probably live on forever. All right. So 260 00:12:48,040 --> 00:12:52,240 Speaker 1: now I want to talk about some more monster based 261 00:12:52,480 --> 00:12:54,520 Speaker 1: movies where I think this kind of makes a little 262 00:12:54,559 --> 00:12:58,280 Speaker 1: bit more sense. So I've heard interviews with directors like 263 00:12:58,280 --> 00:13:01,520 Speaker 1: Steven Spielberg who say the key to making a great 264 00:13:01,559 --> 00:13:05,360 Speaker 1: movie is not giving away the monster in the movie. 265 00:13:05,440 --> 00:13:07,440 Speaker 1: The whole thing has to lead up to the reveal 266 00:13:07,920 --> 00:13:10,559 Speaker 1: and the whole anticipation of seeing the monster on screen 267 00:13:10,600 --> 00:13:13,280 Speaker 1: for the very first time. So there are certain movies 268 00:13:13,320 --> 00:13:16,559 Speaker 1: that have done this so well and are so memorable, 269 00:13:17,000 --> 00:13:19,680 Speaker 1: but you realize that you're only getting a little bit 270 00:13:19,679 --> 00:13:22,679 Speaker 1: of the monster, And I think it adds just so 271 00:13:22,760 --> 00:13:25,360 Speaker 1: much more to the movie because the whole time you're 272 00:13:25,400 --> 00:13:27,120 Speaker 1: sitting in your chair wondering, like, Oh, what's he gonna 273 00:13:27,160 --> 00:13:28,760 Speaker 1: look like? You know, what's he gonna do? How many 274 00:13:28,760 --> 00:13:30,760 Speaker 1: people is he gonna kill? Like how is he going 275 00:13:30,800 --> 00:13:32,400 Speaker 1: to first emerge? And then how are they going to 276 00:13:32,480 --> 00:13:36,520 Speaker 1: take down the monster? And it's all about anticipation. So 277 00:13:36,720 --> 00:13:38,640 Speaker 1: I really like it when a movie does something like 278 00:13:38,679 --> 00:13:41,880 Speaker 1: they give you the first opening scene and it's something 279 00:13:42,480 --> 00:13:44,840 Speaker 1: just so memorable that you maybe just get a glimpse 280 00:13:44,840 --> 00:13:46,560 Speaker 1: of what's to come. They don't really give a whole 281 00:13:46,559 --> 00:13:49,600 Speaker 1: lot of way early on, but then the whole time 282 00:13:49,600 --> 00:13:52,160 Speaker 1: it's leading up to I want to see this thing. 283 00:13:52,600 --> 00:13:55,000 Speaker 1: But when it's done really well, you're also kind of 284 00:13:55,040 --> 00:13:57,320 Speaker 1: focused on the characters in this story and how they 285 00:13:57,400 --> 00:14:00,120 Speaker 1: end up getting to this monster before you even realize it. 286 00:14:00,360 --> 00:14:04,400 Speaker 1: So let's first talk about Jaws, which probably has on 287 00:14:04,440 --> 00:14:07,440 Speaker 1: this list the least amount of screen time. The movie 288 00:14:07,520 --> 00:14:09,680 Speaker 1: is two hours and ten minutes, and the first shark 289 00:14:09,760 --> 00:14:12,559 Speaker 1: doesn't even appear until about an hour and twenty one 290 00:14:12,600 --> 00:14:15,599 Speaker 1: minutes in, and then throughout the entire movie, Jaws is 291 00:14:15,679 --> 00:14:18,840 Speaker 1: only on the screen for a total of four minutes. 292 00:14:19,560 --> 00:14:22,320 Speaker 1: That's four minutes a shark movie. That's all you get. 293 00:14:22,560 --> 00:14:26,120 Speaker 1: So this movie was directed by Steven Spielberg, and a 294 00:14:26,160 --> 00:14:29,080 Speaker 1: lot of that had to do with because there was 295 00:14:29,120 --> 00:14:32,240 Speaker 1: a lot of malfunctioning sharks when they made this movie. 296 00:14:32,280 --> 00:14:36,640 Speaker 1: So it's basically like this actual giant robotic shark in 297 00:14:36,720 --> 00:14:39,240 Speaker 1: like a big tank that they build inside of like 298 00:14:39,280 --> 00:14:41,960 Speaker 1: a movie warehouse that they shot this movie. But they 299 00:14:41,960 --> 00:14:43,320 Speaker 1: had a lot of problems, so they were kind of 300 00:14:43,320 --> 00:14:46,360 Speaker 1: pushing it further and further back. So this is really 301 00:14:46,360 --> 00:14:49,400 Speaker 1: like the first case where this whole theory was developed, 302 00:14:49,400 --> 00:14:51,600 Speaker 1: and it was kind of on accident because Steven Spielberg 303 00:14:51,640 --> 00:14:54,240 Speaker 1: was like, Okay, we don't have the capability to show 304 00:14:54,240 --> 00:14:56,680 Speaker 1: this shark, but what we're gonna do is create anticipation 305 00:14:56,760 --> 00:15:00,400 Speaker 1: with the music and shooting things from like the sharks 306 00:15:00,440 --> 00:15:02,520 Speaker 1: point of view to where you're creating that tension and 307 00:15:02,560 --> 00:15:06,000 Speaker 1: that you know, feeling that you're actually viewing it from 308 00:15:06,040 --> 00:15:08,560 Speaker 1: the point of the shark in the movie, but you're 309 00:15:08,600 --> 00:15:11,640 Speaker 1: not actually seeing it. So it's not until like the 310 00:15:11,720 --> 00:15:13,800 Speaker 1: end of the movie where they come face to face 311 00:15:13,880 --> 00:15:15,960 Speaker 1: with the shark. He jumps on the boat, creates that 312 00:15:16,400 --> 00:15:19,480 Speaker 1: iconic scene and it makes it just so much more 313 00:15:19,560 --> 00:15:23,040 Speaker 1: impactful and memorable, even though you feel like you kind 314 00:15:23,040 --> 00:15:24,920 Speaker 1: of got ripped off by going to see a shark 315 00:15:25,000 --> 00:15:27,880 Speaker 1: movie and having very little shark action. But this is 316 00:15:28,000 --> 00:15:31,440 Speaker 1: kind of created the template for a great monster movie. 317 00:15:31,920 --> 00:15:33,640 Speaker 1: Now there are more movies that kind of follow in 318 00:15:33,640 --> 00:15:37,000 Speaker 1: this category, movies like Alien, which is an hour and 319 00:15:37,040 --> 00:15:39,560 Speaker 1: fifty seven minutes, but you only get three minutes and 320 00:15:39,600 --> 00:15:42,680 Speaker 1: thirty six seconds of the actual alien, and you don't 321 00:15:42,720 --> 00:15:45,200 Speaker 1: get the first glimpse of the alien until about an 322 00:15:45,240 --> 00:15:47,520 Speaker 1: hour into the entire movie, and you don't get the 323 00:15:47,560 --> 00:15:50,080 Speaker 1: full shot until about an hour and eight minutes. In 324 00:15:50,280 --> 00:15:53,360 Speaker 1: the same kind of deal here where you have an 325 00:15:53,400 --> 00:15:57,120 Speaker 1: alien the spaceship and you can really only show glimpses 326 00:15:57,160 --> 00:15:59,520 Speaker 1: of it, but it's almost more kind of menacing to 327 00:15:59,600 --> 00:16:03,640 Speaker 1: know that alien is lurking around behind every corner. But 328 00:16:03,680 --> 00:16:06,040 Speaker 1: then when it actually appears on the screen and Rex's habit, 329 00:16:06,280 --> 00:16:07,880 Speaker 1: it makes up for it with a body count of 330 00:16:07,920 --> 00:16:10,840 Speaker 1: about nine people in this one. So it really doesn't 331 00:16:10,880 --> 00:16:14,040 Speaker 1: take a lot of screen time to make a monster scary, 332 00:16:14,040 --> 00:16:17,080 Speaker 1: and that's kind of what's shown with this formula. Another 333 00:16:17,440 --> 00:16:19,760 Speaker 1: really great example where I thought this was really well done. 334 00:16:19,840 --> 00:16:21,560 Speaker 1: Was a movie in two thousand and eight which was 335 00:16:21,600 --> 00:16:24,640 Speaker 1: clover Field, which, at the time, like the shaky cam 336 00:16:24,760 --> 00:16:27,280 Speaker 1: kind of found footage was kind of a trendy thing 337 00:16:27,280 --> 00:16:29,600 Speaker 1: going on. But I think Cloverfield did a really good 338 00:16:29,680 --> 00:16:31,120 Speaker 1: job of it, and I think it was a kind 339 00:16:31,120 --> 00:16:34,200 Speaker 1: of an underrated movie. But I think what people had 340 00:16:34,200 --> 00:16:37,480 Speaker 1: a problem with was the whole lead up to this 341 00:16:37,520 --> 00:16:39,600 Speaker 1: movie and it coming out in theaters and the promotion 342 00:16:39,640 --> 00:16:42,680 Speaker 1: they kind of did was what are these creatures gonna 343 00:16:42,720 --> 00:16:45,360 Speaker 1: look like? So Matt Reeves is the guy who directed 344 00:16:45,400 --> 00:16:48,600 Speaker 1: this movie, and he cited Alien and Jaws as his 345 00:16:48,680 --> 00:16:51,480 Speaker 1: kind of inspiration for this movie, saying that there's nothing 346 00:16:51,520 --> 00:16:54,640 Speaker 1: more terrifying than the dread and anticipation of seeing something, 347 00:16:55,280 --> 00:16:57,000 Speaker 1: and that's really what you get in this movie. The 348 00:16:57,000 --> 00:16:59,640 Speaker 1: whole time you're wondering what these creatures who are destroying 349 00:16:59,680 --> 00:17:02,320 Speaker 1: Matt and They're gonna look like. And you get very 350 00:17:02,400 --> 00:17:05,560 Speaker 1: kind of brief glimpses of them in the very beginning 351 00:17:05,600 --> 00:17:08,240 Speaker 1: when the all the destruction is going down, and then 352 00:17:08,280 --> 00:17:10,760 Speaker 1: almost even less as they're actually like trying to run 353 00:17:10,800 --> 00:17:13,080 Speaker 1: from it and people are, you know, just dying all 354 00:17:13,119 --> 00:17:15,960 Speaker 1: around them, So you get the first partial glimpse about 355 00:17:15,960 --> 00:17:18,800 Speaker 1: twenty minutes into this movie, but you don't get that 356 00:17:18,880 --> 00:17:22,199 Speaker 1: first full shot until about an hour and four minutes, 357 00:17:22,760 --> 00:17:25,479 Speaker 1: and the entire movie they only have three minutes and 358 00:17:25,560 --> 00:17:28,520 Speaker 1: twenty six seconds of screen time. But I remember, even 359 00:17:28,560 --> 00:17:31,000 Speaker 1: before this movie came out of seeing like fan drawings 360 00:17:31,000 --> 00:17:32,960 Speaker 1: of what they thought the monsters were gonna look like 361 00:17:33,080 --> 00:17:35,520 Speaker 1: and people having like theories about it. I thought that 362 00:17:35,600 --> 00:17:37,760 Speaker 1: was just so cool. And I know that it was 363 00:17:37,880 --> 00:17:39,600 Speaker 1: kind of a trend at that time to do these 364 00:17:39,640 --> 00:17:42,120 Speaker 1: kind of found footage movies, but I think this one 365 00:17:42,160 --> 00:17:44,919 Speaker 1: did it extremely well, And even to this day, I 366 00:17:44,960 --> 00:17:47,880 Speaker 1: don't even remember exactly what the monsters look like, but 367 00:17:48,080 --> 00:17:50,760 Speaker 1: the movie kind of was a roller coaster for that, 368 00:17:50,920 --> 00:17:52,960 Speaker 1: and it was one that you got a lot of 369 00:17:53,119 --> 00:17:55,600 Speaker 1: watching in the theaters because you get to see other 370 00:17:55,680 --> 00:17:57,600 Speaker 1: people react to it, and it's a lot of fun. 371 00:17:57,840 --> 00:17:59,800 Speaker 1: I mean, you see this even like with Godzilla back 372 00:17:59,800 --> 00:18:01,159 Speaker 1: in the day, you don't get a whole lot of 373 00:18:01,160 --> 00:18:04,359 Speaker 1: actual Godzilla in the movie, but it's just that anticipation 374 00:18:04,400 --> 00:18:07,240 Speaker 1: of seeing him for the first time. Another alien movie 375 00:18:07,359 --> 00:18:10,400 Speaker 1: was Super eight, which came out inn and this when 376 00:18:10,400 --> 00:18:13,160 Speaker 1: you've got Steven Spielberg and j j Abrams teaming up 377 00:18:13,480 --> 00:18:15,840 Speaker 1: and for a movie that's an hour and fifty two minutes, 378 00:18:15,880 --> 00:18:18,520 Speaker 1: you only get about two minutes and thirty seconds of 379 00:18:18,560 --> 00:18:21,040 Speaker 1: the actual aliens in this movie. And what J. J 380 00:18:21,160 --> 00:18:23,800 Speaker 1: Abrams said about this, he says, you want to see 381 00:18:23,840 --> 00:18:26,520 Speaker 1: the monster, but at the same time, there's something wonderful 382 00:18:26,560 --> 00:18:30,520 Speaker 1: about it being withheld or hidden just off camera. And 383 00:18:30,520 --> 00:18:33,400 Speaker 1: it's kind of that idea of you create the nightmare 384 00:18:33,440 --> 00:18:36,760 Speaker 1: inside your head, and sometimes in movies which you don't 385 00:18:36,800 --> 00:18:39,640 Speaker 1: see is worse than what you do see, and even 386 00:18:39,680 --> 00:18:42,520 Speaker 1: things with like cliffhangers of wondering how something ends, you know, 387 00:18:42,720 --> 00:18:44,600 Speaker 1: somebody living or dying at the end of the movie. 388 00:18:44,760 --> 00:18:47,399 Speaker 1: Sometimes it's the plot line you create in your head 389 00:18:47,840 --> 00:18:51,120 Speaker 1: that could be even more impactful, which I know could 390 00:18:51,160 --> 00:18:53,320 Speaker 1: sound of a cheap way to get out of something, 391 00:18:53,840 --> 00:18:56,000 Speaker 1: but when it comes to monster movies, I just think 392 00:18:56,000 --> 00:18:59,520 Speaker 1: it really works. And we'll stay in the alien category 393 00:19:00,400 --> 00:19:03,080 Speaker 1: to a movie that came out in two thousand two 394 00:19:03,119 --> 00:19:06,479 Speaker 1: called Signs that comes from m Night Shamalan and another 395 00:19:06,520 --> 00:19:08,800 Speaker 1: one that I felt you get the really full effect 396 00:19:08,840 --> 00:19:11,560 Speaker 1: watching it in a movie theater, and I think the 397 00:19:11,640 --> 00:19:16,480 Speaker 1: first time I was really scared while watching a movie 398 00:19:16,480 --> 00:19:18,119 Speaker 1: in theaters was when I went to go see this 399 00:19:18,200 --> 00:19:20,960 Speaker 1: and that first time you get that glimpse of this lanky, 400 00:19:21,320 --> 00:19:24,960 Speaker 1: creepy looking alien, and it happens about twenty minutes into 401 00:19:24,960 --> 00:19:27,280 Speaker 1: the movie. You see the news report scene come on 402 00:19:27,320 --> 00:19:29,040 Speaker 1: and they're like, okay, we're gonna show you an alien 403 00:19:29,080 --> 00:19:31,639 Speaker 1: for the first time on the news and it's really 404 00:19:31,680 --> 00:19:35,880 Speaker 1: just an alien walking across an alley and you see 405 00:19:35,920 --> 00:19:37,960 Speaker 1: it and they freeze frame on it, and I remember 406 00:19:37,960 --> 00:19:41,720 Speaker 1: being so scared that driving home that night, I was like, 407 00:19:41,720 --> 00:19:43,560 Speaker 1: oh crap, we're gonna see an aliene on the way home. 408 00:19:43,600 --> 00:19:46,199 Speaker 1: Like that's how much that scene affected me. But the 409 00:19:46,280 --> 00:19:49,119 Speaker 1: movie is an hour and forty seven minutes and you 410 00:19:49,240 --> 00:19:52,600 Speaker 1: only get one minute and fifty seconds of actual aliens, 411 00:19:52,880 --> 00:19:55,160 Speaker 1: and most of that is in the very last scene. 412 00:19:55,600 --> 00:19:57,719 Speaker 1: And I think it almost worked the advantage of this 413 00:19:57,760 --> 00:19:59,720 Speaker 1: movie not to show the aliens, because when they did 414 00:19:59,800 --> 00:20:03,320 Speaker 1: show of them up close, they almost looked weird and 415 00:20:03,400 --> 00:20:07,919 Speaker 1: kind of cartoonist where you almost didn't believe it. So 416 00:20:08,000 --> 00:20:10,000 Speaker 1: I don't have a problem with the aliens not being 417 00:20:10,040 --> 00:20:12,240 Speaker 1: shown so much. I think it's more so the ending 418 00:20:12,240 --> 00:20:15,359 Speaker 1: of this movie. But they did create that tension of 419 00:20:15,400 --> 00:20:17,520 Speaker 1: just showing them a little bit, and then when they 420 00:20:17,560 --> 00:20:20,679 Speaker 1: do show them, it's a lot more scary. All right, 421 00:20:20,800 --> 00:20:22,919 Speaker 1: So I'll get off of monsters for a bit, and 422 00:20:23,000 --> 00:20:25,760 Speaker 1: ended with some animated movies. Now, one of my favorite 423 00:20:25,800 --> 00:20:29,360 Speaker 1: Disney movies was the original Lion King, And aside from 424 00:20:29,480 --> 00:20:32,160 Speaker 1: Simba and Mufasa, the ones you probably know the most 425 00:20:32,200 --> 00:20:34,280 Speaker 1: from the movie are to Moan and Pumba, But what 426 00:20:34,440 --> 00:20:37,000 Speaker 1: you don't realize is they don't really come into the 427 00:20:37,040 --> 00:20:40,119 Speaker 1: movie until almost like halfway through when Simba leaves Pride 428 00:20:40,200 --> 00:20:43,200 Speaker 1: Rock and meets to Mon and Puma, like they're really 429 00:20:43,240 --> 00:20:45,320 Speaker 1: just in the middle part of the movie, and then 430 00:20:45,359 --> 00:20:47,720 Speaker 1: have kind of one scene at the very end, but 431 00:20:47,880 --> 00:20:50,520 Speaker 1: yet they're so kind of vital to moving the movie 432 00:20:50,560 --> 00:20:53,639 Speaker 1: along to get Simba back to Pride Rock, but also 433 00:20:53,720 --> 00:20:55,960 Speaker 1: kind of being the comic relief in this movie and 434 00:20:56,560 --> 00:21:00,119 Speaker 1: a movie that's almost has a plot line of being 435 00:21:00,200 --> 00:21:02,560 Speaker 1: too dark for a kid's movie, because if you turn 436 00:21:02,640 --> 00:21:05,160 Speaker 1: this into a straight drama without to Mon and Boomba, 437 00:21:05,160 --> 00:21:08,440 Speaker 1: it would just straight up being a movie about somebody's 438 00:21:08,520 --> 00:21:11,200 Speaker 1: dad getting murdered and then going back to kill their uncles. 439 00:21:11,240 --> 00:21:14,000 Speaker 1: So without to Mote and Boomba, thinking a kuna matata. 440 00:21:14,080 --> 00:21:16,199 Speaker 1: That's really all the Lion King is. And I know 441 00:21:16,280 --> 00:21:18,600 Speaker 1: they put out Lion King one and a half, which 442 00:21:18,800 --> 00:21:21,320 Speaker 1: tells the Lion King story from their point of view, 443 00:21:21,520 --> 00:21:24,040 Speaker 1: But when you see that movie, you almost realize that 444 00:21:24,119 --> 00:21:27,560 Speaker 1: having too much to mote and boomba isn't really what 445 00:21:27,600 --> 00:21:30,159 Speaker 1: you want. It's like too much of the comedy zany 446 00:21:30,280 --> 00:21:33,000 Speaker 1: part that you realize they're almost more impactful to have 447 00:21:33,119 --> 00:21:37,199 Speaker 1: less of them. Another example is the Minions in the 448 00:21:37,240 --> 00:21:40,119 Speaker 1: first Despicable Me movie, because they're kind of the breakout 449 00:21:40,200 --> 00:21:43,520 Speaker 1: star of the Despicable Mean movies, like they're the face 450 00:21:43,880 --> 00:21:47,199 Speaker 1: of those movies. But really in those movies, they're just 451 00:21:47,280 --> 00:21:50,760 Speaker 1: in the background. They're just doing weird things that make 452 00:21:50,880 --> 00:21:53,240 Speaker 1: us laugh, but we see the movie. But when they 453 00:21:53,320 --> 00:21:56,000 Speaker 1: came out with the actual Minions movie, it was kind 454 00:21:56,000 --> 00:21:59,600 Speaker 1: of like eating a bowl of Lucky Charms with all marshmallows. 455 00:21:59,640 --> 00:22:01,439 Speaker 1: You think that's what you want, but when you eat it, 456 00:22:01,440 --> 00:22:03,840 Speaker 1: it's like, oh man, this is so much sugar and 457 00:22:03,880 --> 00:22:06,840 Speaker 1: this is so hard to eat, Like it's too much 458 00:22:06,920 --> 00:22:10,200 Speaker 1: sweet to just watch. The Minions. Don't get me wrong, 459 00:22:10,240 --> 00:22:12,760 Speaker 1: While they are funny and cute and say ridiculous things 460 00:22:12,760 --> 00:22:15,760 Speaker 1: that make us laugh. Having a movie entirely about the 461 00:22:15,800 --> 00:22:19,040 Speaker 1: minions was a bit like jumping the shark. So there 462 00:22:19,080 --> 00:22:21,320 Speaker 1: you go. There's a look into some iconic movie characters 463 00:22:21,320 --> 00:22:24,320 Speaker 1: in the actual time they actually appear on screen. I 464 00:22:24,359 --> 00:22:26,159 Speaker 1: did mention the Joker in that list, and I do 465 00:22:26,200 --> 00:22:28,800 Speaker 1: want to talk about him more because there may be 466 00:22:28,920 --> 00:22:32,280 Speaker 1: a possibility for a Joker's sequel with Joaquin Phoenix, and 467 00:22:33,040 --> 00:22:35,240 Speaker 1: I want to look at that deal and also talk 468 00:22:35,280 --> 00:22:38,119 Speaker 1: about who had the best Joker laugh. So we'll do 469 00:22:38,160 --> 00:22:44,040 Speaker 1: that next. Al Right, So I want to take a 470 00:22:44,080 --> 00:22:46,879 Speaker 1: minute and talk about the Joker because I saw last 471 00:22:46,920 --> 00:22:50,080 Speaker 1: week that it's reported that Joaquin Phoenix has been offered 472 00:22:50,200 --> 00:22:54,240 Speaker 1: fifty million dollars to make not one, but two sequels 473 00:22:54,280 --> 00:22:57,719 Speaker 1: to The Joker. Now, what's surprising to me is that 474 00:22:57,760 --> 00:23:01,240 Speaker 1: they really haven't really announced that they're making sequel, and 475 00:23:01,280 --> 00:23:03,000 Speaker 1: they still have to get a bunch of people on board. 476 00:23:03,040 --> 00:23:05,280 Speaker 1: So not only do they what King Phoenix, they want 477 00:23:05,320 --> 00:23:09,199 Speaker 1: the director Todd Phillips and the producer Bradley Cooper, yes, 478 00:23:09,320 --> 00:23:13,040 Speaker 1: the Bradley Cooper to all be a part of the sequels, 479 00:23:13,080 --> 00:23:16,040 Speaker 1: to have the same team aboard and kind of have 480 00:23:17,160 --> 00:23:19,399 Speaker 1: the same impact that the first one did, because if 481 00:23:19,440 --> 00:23:23,199 Speaker 1: you take away any of those players in this you 482 00:23:23,320 --> 00:23:26,360 Speaker 1: might not get the same result. Now, I don't think 483 00:23:26,359 --> 00:23:29,080 Speaker 1: this movie needs a sequel, but if it came out, 484 00:23:29,200 --> 00:23:31,200 Speaker 1: I would watch it because I just love the first 485 00:23:31,240 --> 00:23:34,080 Speaker 1: one how it kind of exists as its own little 486 00:23:34,160 --> 00:23:37,239 Speaker 1: piece and slice into the Joker. That's it. That's all 487 00:23:37,280 --> 00:23:38,879 Speaker 1: you need in this movie, That's all you need to 488 00:23:38,960 --> 00:23:42,600 Speaker 1: kind of discover. They kind of lend themselves to different 489 00:23:42,600 --> 00:23:45,159 Speaker 1: ways they could go, and they could connect them with 490 00:23:45,200 --> 00:23:47,639 Speaker 1: the other DC movies, but I just think this one 491 00:23:47,640 --> 00:23:50,840 Speaker 1: should stand alone, like don't mess with something that was 492 00:23:50,920 --> 00:23:54,680 Speaker 1: so great and one of my favorite movies of last year, 493 00:23:54,720 --> 00:23:57,639 Speaker 1: Like my favorite movie of last year was this, And 494 00:23:57,680 --> 00:24:01,560 Speaker 1: I think it's because what Phoenix had an entire movie 495 00:24:01,600 --> 00:24:04,080 Speaker 1: to develop the character, so you see him go from 496 00:24:04,080 --> 00:24:09,560 Speaker 1: being this odd, strange character too diving into full insanity 497 00:24:09,680 --> 00:24:12,520 Speaker 1: and straight up being out of his mind. Now I 498 00:24:12,600 --> 00:24:15,240 Speaker 1: liked his performance more than I did Heath Ledger. Now, 499 00:24:15,240 --> 00:24:17,600 Speaker 1: I don't argue with the fact of how iconic that 500 00:24:18,000 --> 00:24:21,760 Speaker 1: role was and how important that was to changing the 501 00:24:21,800 --> 00:24:25,480 Speaker 1: way comic book movies are made. But like I was 502 00:24:25,520 --> 00:24:28,280 Speaker 1: talking about earlier, he is only in thirty three minutes 503 00:24:28,280 --> 00:24:30,000 Speaker 1: of that movie, he's not the main character, and that 504 00:24:30,119 --> 00:24:32,920 Speaker 1: if we had an entire Heath Ledger movie, now, that 505 00:24:32,960 --> 00:24:37,280 Speaker 1: would be insane. So I even with this offer of 506 00:24:37,359 --> 00:24:41,200 Speaker 1: him getting tons of money, which fifty million dollars is 507 00:24:41,240 --> 00:24:44,280 Speaker 1: a lot to do two movies, I'd say the top 508 00:24:44,359 --> 00:24:47,560 Speaker 1: A list actors make about twenty million dollars per movie, 509 00:24:48,000 --> 00:24:50,040 Speaker 1: so this would be on the higher end of the 510 00:24:50,040 --> 00:24:53,920 Speaker 1: pay scale, And if they're offering him fifty million, there's 511 00:24:53,960 --> 00:24:55,720 Speaker 1: no doubt that they would offer him more if he 512 00:24:55,840 --> 00:24:59,280 Speaker 1: declined it. But I also don't think that the director, 513 00:24:59,400 --> 00:25:01,879 Speaker 1: Todd Phil it's even open to doing more. He was like, 514 00:25:01,920 --> 00:25:04,000 Speaker 1: you know what we did the one. I don't really 515 00:25:04,160 --> 00:25:08,639 Speaker 1: see this developing into a whole franchise. But in Hollywood, 516 00:25:08,640 --> 00:25:10,840 Speaker 1: you get one hit movie and they want a million 517 00:25:10,960 --> 00:25:14,600 Speaker 1: hit movies. So I don't think this is a franchise 518 00:25:14,640 --> 00:25:16,560 Speaker 1: that should be milked out for all that it's worth. 519 00:25:16,760 --> 00:25:19,159 Speaker 1: I think you keep it at one. But I just 520 00:25:19,200 --> 00:25:21,840 Speaker 1: think there's just so much money to be made, and 521 00:25:21,920 --> 00:25:24,240 Speaker 1: you can't not toy with that fact because they only 522 00:25:24,359 --> 00:25:27,879 Speaker 1: spent sixty million and ended up making a billion, so 523 00:25:28,080 --> 00:25:30,560 Speaker 1: there's a pretty good margin to make some more money. 524 00:25:30,800 --> 00:25:33,639 Speaker 1: And I know we could argue on here for a 525 00:25:33,680 --> 00:25:37,560 Speaker 1: long time of who had the best Joker performance, and 526 00:25:37,600 --> 00:25:39,159 Speaker 1: that's not what I want to talk about today. I 527 00:25:39,200 --> 00:25:43,399 Speaker 1: just want to talk about who had the best Joker laugh? 528 00:25:43,920 --> 00:25:46,160 Speaker 1: And that's kind of the thing. The Joker is known 529 00:25:46,200 --> 00:25:49,680 Speaker 1: for his crazy, over the top wardrobe, but it's really 530 00:25:49,760 --> 00:25:51,879 Speaker 1: that laugh that kind of gets you and if the 531 00:25:51,920 --> 00:25:56,679 Speaker 1: actor can do it perfectly, well, it's bone chilling. So 532 00:25:56,800 --> 00:25:58,840 Speaker 1: for this list, I threw the question up on Twitter 533 00:25:58,960 --> 00:26:01,399 Speaker 1: and asked just who has the best Joker laugh? And 534 00:26:01,440 --> 00:26:05,000 Speaker 1: I pulled the four biggest actors who have portrayed the 535 00:26:05,080 --> 00:26:07,800 Speaker 1: Joker on the big screen. So before we get to 536 00:26:07,840 --> 00:26:11,000 Speaker 1: the results, let's just see our nominees in this category. 537 00:26:11,119 --> 00:26:15,200 Speaker 1: Coming up from the movie The Joker, you have Joaquin Phoenix, 538 00:26:18,720 --> 00:26:21,440 Speaker 1: and now the second choice considered here, you have Heath 539 00:26:21,520 --> 00:26:27,440 Speaker 1: Ledger in The Dark Night as the Joker. And then 540 00:26:27,520 --> 00:26:29,360 Speaker 1: because he thought he was gonna be a bigger deal 541 00:26:29,359 --> 00:26:31,320 Speaker 1: than he actually was in a movie that ended up 542 00:26:31,359 --> 00:26:34,240 Speaker 1: being kind of bad, I gotta throw in Jared Leto 543 00:26:34,400 --> 00:26:42,440 Speaker 1: in The Suicide Squad. And then you got the O G. 544 00:26:42,800 --> 00:26:46,800 Speaker 1: Jack Nicholson back in the original Batman and here's his 545 00:26:46,880 --> 00:26:53,399 Speaker 1: memorable laugh. So I put that question up. I tallied 546 00:26:53,480 --> 00:26:56,199 Speaker 1: up the votes, and I was a bit surprised. I 547 00:26:56,280 --> 00:26:58,240 Speaker 1: kind of had an idea who you guys would rank 548 00:26:58,320 --> 00:27:01,160 Speaker 1: is number one. I just didn't know he was gonna 549 00:27:01,160 --> 00:27:03,680 Speaker 1: win by this much. But coming in in the last 550 00:27:03,680 --> 00:27:05,960 Speaker 1: place at number four with only six percent of the 551 00:27:06,040 --> 00:27:09,040 Speaker 1: vote was Jared Leto, which when they made Jared Letto's 552 00:27:09,359 --> 00:27:12,640 Speaker 1: Joker costume and his look for this movie, they kind 553 00:27:12,640 --> 00:27:15,040 Speaker 1: of went totally different, like they wanted him to be 554 00:27:15,119 --> 00:27:18,639 Speaker 1: kind of, I guess, an alternative looking Joker or just 555 00:27:18,680 --> 00:27:22,000 Speaker 1: something that was so kind of more comic, bookie and weird. 556 00:27:22,960 --> 00:27:24,920 Speaker 1: I just don't think people liked it with like all 557 00:27:24,960 --> 00:27:27,359 Speaker 1: the tattooed ha has and the grill, like, I just 558 00:27:27,400 --> 00:27:30,639 Speaker 1: don't think it really worked. And he was also only 559 00:27:30,760 --> 00:27:32,920 Speaker 1: in the movie for a very brief amount of time, 560 00:27:33,080 --> 00:27:35,720 Speaker 1: really added nothing to it. But I thought he did 561 00:27:35,720 --> 00:27:38,000 Speaker 1: have at least a cool laugh. But yeah, came in 562 00:27:38,080 --> 00:27:41,960 Speaker 1: at fourth place. Then coming in at third was Joaquin 563 00:27:42,000 --> 00:27:45,400 Speaker 1: Phoenix from The Joker. Now I really liked wa Kaine 564 00:27:45,400 --> 00:27:47,600 Speaker 1: Phoenix is laughing this. I just thought it was so 565 00:27:47,720 --> 00:27:50,760 Speaker 1: maniacal and you got this feeling of him having like 566 00:27:50,880 --> 00:27:55,919 Speaker 1: real serious mental problems that weren't funny. And also what 567 00:27:55,960 --> 00:27:57,560 Speaker 1: I looked about it is how he could turn it 568 00:27:57,600 --> 00:27:59,360 Speaker 1: off and turn it on. So there's that scene where 569 00:27:59,359 --> 00:28:02,639 Speaker 1: he's like walking out and he's laughing like crazy, but 570 00:28:02,680 --> 00:28:05,639 Speaker 1: then he just immediately jumps back into being normal and 571 00:28:05,680 --> 00:28:08,280 Speaker 1: buttoning up his shirt. But that was only enough to 572 00:28:08,320 --> 00:28:12,119 Speaker 1: get him third place. Coming in at number two was 573 00:28:12,240 --> 00:28:15,280 Speaker 1: Jack Nicholson from the original Batman. Now, it's kind of 574 00:28:15,320 --> 00:28:19,080 Speaker 1: weird to go back and watch Jack Nicholson because while 575 00:28:19,119 --> 00:28:21,440 Speaker 1: he does do a really great job as the Joker, 576 00:28:22,119 --> 00:28:25,120 Speaker 1: and he kind of laid the groundwork for everybody else, 577 00:28:25,119 --> 00:28:28,160 Speaker 1: he likes set the bar for the Joker, it's still 578 00:28:28,359 --> 00:28:32,239 Speaker 1: very much Jack Nicholson, and hearing him laugh almost has 579 00:28:32,280 --> 00:28:34,680 Speaker 1: a more comedic field than it does the other Jokers. 580 00:28:34,720 --> 00:28:38,320 Speaker 1: It's less serious and creepy, but iconic nonetheless. And then 581 00:28:38,360 --> 00:28:41,360 Speaker 1: coming in at number one with a surprising sixty one 582 00:28:41,520 --> 00:28:44,120 Speaker 1: per cent of the entire boat, so Jack Nicholson had twenty, 583 00:28:44,600 --> 00:28:48,640 Speaker 1: but straight up sweeping the pole was Heath Ledger. Now, 584 00:28:48,680 --> 00:28:51,440 Speaker 1: not only did Heath Ledger get down to laugh perfectly, 585 00:28:51,480 --> 00:28:54,880 Speaker 1: I thought, it's more so the mannerisms and the weird lips, 586 00:28:54,920 --> 00:28:57,000 Speaker 1: Max and all those kind of things that he added 587 00:28:57,040 --> 00:28:59,200 Speaker 1: to the character is why I think it was just 588 00:28:59,200 --> 00:29:02,200 Speaker 1: such a powerful, a memorable performance, Like he really made 589 00:29:02,240 --> 00:29:05,560 Speaker 1: the Joker a presence and a kind of larger than 590 00:29:05,640 --> 00:29:08,280 Speaker 1: live character to where you forget that this is somebody 591 00:29:08,400 --> 00:29:11,480 Speaker 1: acting and portraying somebody on screen. You just think that 592 00:29:11,640 --> 00:29:15,360 Speaker 1: in some world this person exists. So that's how you 593 00:29:15,360 --> 00:29:18,160 Speaker 1: guys voted. You think Heath Ledger has the best Joker laugh. 594 00:29:18,560 --> 00:29:20,080 Speaker 1: And I know there have been other people who have 595 00:29:20,120 --> 00:29:23,160 Speaker 1: played the Joker in other kind of variations, but I 596 00:29:23,200 --> 00:29:26,160 Speaker 1: just thought those were like the core. For maybe ten 597 00:29:26,240 --> 00:29:28,720 Speaker 1: years down the line will have an entirely different Joker 598 00:29:28,760 --> 00:29:31,440 Speaker 1: to add to the list. But there you go. All right. Now, 599 00:29:31,440 --> 00:29:33,440 Speaker 1: I want to talk about the brand new Netflix movie 600 00:29:33,480 --> 00:29:35,480 Speaker 1: The Devil. All the time I was excited to see 601 00:29:35,480 --> 00:29:37,280 Speaker 1: this one. I didn't want to know a whole lot 602 00:29:37,320 --> 00:29:39,200 Speaker 1: about the plot going into it because I kind of 603 00:29:39,240 --> 00:29:41,920 Speaker 1: wanted to be surprised, and I was so I knew 604 00:29:41,920 --> 00:29:43,720 Speaker 1: it was gonna be a darker side of Tom Holland 605 00:29:43,920 --> 00:29:45,920 Speaker 1: I wanted to see Robert Pattinson in it. And there's 606 00:29:45,920 --> 00:29:47,840 Speaker 1: a lot of cool things that happened in this movie. 607 00:29:48,320 --> 00:29:50,920 Speaker 1: Also a lot of disturbing things that happened in this movie, 608 00:29:50,960 --> 00:29:53,720 Speaker 1: So I'll get into my spoiler free review, but first 609 00:29:53,720 --> 00:29:55,600 Speaker 1: here's just a little bit of the Devil all the 610 00:29:55,680 --> 00:30:03,280 Speaker 1: time time First Center did something, it's called delusion. I 611 00:30:03,400 --> 00:30:11,040 Speaker 1: believe that is untrue. It is out delusion the lead 612 00:30:11,200 --> 00:30:20,200 Speaker 1: us to see delusions. So there's a lot to unpack 613 00:30:20,400 --> 00:30:22,680 Speaker 1: on this movie, So let's just start with the cast. 614 00:30:22,760 --> 00:30:25,640 Speaker 1: First of all, you have Tom Holland, who is really 615 00:30:25,680 --> 00:30:28,080 Speaker 1: just known right now for playing Spider Man, and I 616 00:30:28,120 --> 00:30:31,640 Speaker 1: thought the main thing for me watching this movie was 617 00:30:31,680 --> 00:30:35,680 Speaker 1: gonna be can I see him as anything other than that? 618 00:30:35,720 --> 00:30:38,120 Speaker 1: Because in Spider Man, the reason he works so well 619 00:30:38,280 --> 00:30:40,480 Speaker 1: is because he had a fresh take on it to 620 00:30:40,520 --> 00:30:43,960 Speaker 1: where he's like excited to be a part of the Avengers. 621 00:30:44,000 --> 00:30:47,000 Speaker 1: He's very much a teenager and like everything's brand new 622 00:30:47,040 --> 00:30:49,880 Speaker 1: to him. He has a kind of bubbly kids like 623 00:30:50,040 --> 00:30:53,800 Speaker 1: personality that I think works for Spider Man. But it's 624 00:30:53,840 --> 00:30:57,880 Speaker 1: also like could that translate into other deeper, darker roles, 625 00:30:58,080 --> 00:30:59,959 Speaker 1: which will it into later of how he did an 626 00:31:00,000 --> 00:31:01,960 Speaker 1: this one, But that was the main thing I was 627 00:31:01,960 --> 00:31:04,120 Speaker 1: looking for in this one. And then you have Robert Pattinson, 628 00:31:04,160 --> 00:31:07,880 Speaker 1: who is quietly becoming one of my favorite actors right 629 00:31:07,880 --> 00:31:11,000 Speaker 1: now because all the recent movies he's been in that 630 00:31:11,080 --> 00:31:15,000 Speaker 1: are more dramatic roles, I've really just wanted to see 631 00:31:15,040 --> 00:31:18,640 Speaker 1: to see how he takes them on. And I'm rarely 632 00:31:18,720 --> 00:31:21,680 Speaker 1: disappointed with the Robert Pattinson performance. I'm a little upset 633 00:31:21,720 --> 00:31:23,160 Speaker 1: I haven't been able to see Tenant. I want to 634 00:31:23,160 --> 00:31:26,320 Speaker 1: see that. But everything I've seen him in it's like, okay, 635 00:31:26,360 --> 00:31:29,800 Speaker 1: Like he's actually a really great actor with a very 636 00:31:29,880 --> 00:31:32,360 Speaker 1: great range that I don't think he gets enough credit for. 637 00:31:33,240 --> 00:31:36,400 Speaker 1: And I think it's still that people hold him to 638 00:31:36,480 --> 00:31:38,560 Speaker 1: being Edward from Twilight, which I think he's way far 639 00:31:38,600 --> 00:31:40,320 Speaker 1: from that. Like the first Twilight came out in two 640 00:31:40,360 --> 00:31:43,200 Speaker 1: thousand and eight, He's moved on so much more from 641 00:31:43,280 --> 00:31:46,520 Speaker 1: there that I think he really deserves a lot of credits. 642 00:31:46,560 --> 00:31:48,680 Speaker 1: So you got have him in here, you'll sell Bill 643 00:31:48,720 --> 00:31:51,400 Speaker 1: scars Guard who maybe you might not recognize his face, 644 00:31:51,440 --> 00:31:53,400 Speaker 1: And I didn't really put it together at the very 645 00:31:53,400 --> 00:31:55,280 Speaker 1: beginning either, And once I looked at out, I was like, oh, wait, 646 00:31:55,360 --> 00:31:58,040 Speaker 1: that's where I know him from. He plays Pennywise, the 647 00:31:58,040 --> 00:32:00,920 Speaker 1: Clown and the IT movies and which is such a 648 00:32:01,040 --> 00:32:05,680 Speaker 1: crazy role to play, and seeing him be a normal 649 00:32:05,760 --> 00:32:08,040 Speaker 1: person was pretty cool in this too, because he's known 650 00:32:08,080 --> 00:32:12,720 Speaker 1: for kind of having those crazy, sick like facial features 651 00:32:12,720 --> 00:32:16,160 Speaker 1: that goes along with it, and I can only imagine 652 00:32:16,640 --> 00:32:18,480 Speaker 1: the depths of your brain you have to go into 653 00:32:18,480 --> 00:32:20,640 Speaker 1: play a character like that. It was cool to have 654 00:32:20,800 --> 00:32:24,040 Speaker 1: him in just a normal role I say normally, even 655 00:32:24,080 --> 00:32:26,320 Speaker 1: though he does some pretty crazy things in this movie too. 656 00:32:26,440 --> 00:32:29,360 Speaker 1: And then you also have Sebastian stand who plays Bucky 657 00:32:29,480 --> 00:32:32,480 Speaker 1: in the Captain America and the Avengers movies. So basically 658 00:32:32,680 --> 00:32:36,120 Speaker 1: in this movie you have the New Batman, Spider Man, 659 00:32:36,640 --> 00:32:40,720 Speaker 1: and Bucky from the Avengers altogether in one but they 660 00:32:40,720 --> 00:32:44,440 Speaker 1: are playing totally different characters outside of anything you've ever 661 00:32:44,520 --> 00:32:48,440 Speaker 1: seen them in before. I really liked Sebastian Stands character 662 00:32:48,480 --> 00:32:50,680 Speaker 1: in this movie. So let's talk about what the movie 663 00:32:50,720 --> 00:32:53,360 Speaker 1: was about. So it's said in like a small town 664 00:32:53,400 --> 00:32:57,320 Speaker 1: in like southern Ohio or like West Virginia. It kind 665 00:32:57,320 --> 00:33:00,680 Speaker 1: of starts off with this, and it really just follows 666 00:33:00,680 --> 00:33:03,680 Speaker 1: these kind of bizarre characters and how all their stories 667 00:33:03,760 --> 00:33:06,760 Speaker 1: kind of intertwined. And what I what's interested in the 668 00:33:06,800 --> 00:33:11,080 Speaker 1: beginning is it starts with like thirty minutes of a 669 00:33:11,080 --> 00:33:14,720 Speaker 1: totally different story as Tom Holland as a kid and 670 00:33:14,760 --> 00:33:17,239 Speaker 1: mainly follows the story of his dad, who was a 671 00:33:17,240 --> 00:33:19,520 Speaker 1: soldier in World War Two, and then the movie moves 672 00:33:19,560 --> 00:33:22,440 Speaker 1: into the sixties, but it starts out with him getting 673 00:33:22,480 --> 00:33:24,800 Speaker 1: out of the army and then going on to start 674 00:33:24,800 --> 00:33:28,080 Speaker 1: a family and that's kind of where all the kind 675 00:33:28,120 --> 00:33:31,080 Speaker 1: of crazy, sad stuff happened. So it's really a movie 676 00:33:31,120 --> 00:33:34,840 Speaker 1: about all of the characters trying to protect their loved ones, 677 00:33:34,880 --> 00:33:36,960 Speaker 1: and there's this balance of good and evil and this, 678 00:33:37,200 --> 00:33:40,280 Speaker 1: you know, this kind of line of religion throughout the 679 00:33:40,400 --> 00:33:44,480 Speaker 1: entire movie, intertwined with a bunch of murder and death 680 00:33:44,520 --> 00:33:47,400 Speaker 1: and all these really sad things. So there's a lot 681 00:33:47,440 --> 00:33:49,480 Speaker 1: to unpack on this one. It's very dark, and I 682 00:33:49,480 --> 00:33:52,520 Speaker 1: gotta admit that by the title of the movie, I 683 00:33:52,520 --> 00:33:54,520 Speaker 1: thought there was gonna be some kind of like horror 684 00:33:54,600 --> 00:33:57,080 Speaker 1: element to it. I thought maybe there'd be like some 685 00:33:57,160 --> 00:33:59,640 Speaker 1: possession or some kind of demons just from the title 686 00:33:59,680 --> 00:34:04,760 Speaker 1: of it. But it's really people battling these evil forces 687 00:34:04,800 --> 00:34:08,200 Speaker 1: inside of them. And like I said, they're trying to 688 00:34:08,239 --> 00:34:11,640 Speaker 1: protect the people in their life, but they're having to 689 00:34:11,719 --> 00:34:15,839 Speaker 1: do it with realizing what is a good thing and 690 00:34:15,880 --> 00:34:18,120 Speaker 1: what is a bad thing when it comes to protecting 691 00:34:18,120 --> 00:34:22,160 Speaker 1: those around you. Like Tom Holland's characters saw some crazy 692 00:34:22,320 --> 00:34:26,240 Speaker 1: things and experience some very crazy trauma as a child 693 00:34:26,239 --> 00:34:27,640 Speaker 1: in this movie, and that kind of sets up the 694 00:34:27,719 --> 00:34:30,160 Speaker 1: entire movie of how he is and how he reacts 695 00:34:30,200 --> 00:34:34,400 Speaker 1: to his loved ones and protecting those people around him, 696 00:34:34,400 --> 00:34:38,560 Speaker 1: and he becomes traumatized by what happens to his dad 697 00:34:38,680 --> 00:34:42,719 Speaker 1: and also by all costs is going to do what 698 00:34:42,800 --> 00:34:45,680 Speaker 1: he can to protect his family here. And what I 699 00:34:45,719 --> 00:34:47,839 Speaker 1: liked about Tom Holland's character is this he has to 700 00:34:47,880 --> 00:34:51,399 Speaker 1: fight this line of he's seeing as the good guy 701 00:34:51,440 --> 00:34:53,400 Speaker 1: in this movie, but he does some things that are 702 00:34:53,480 --> 00:34:56,359 Speaker 1: kind of questionable, like you wouldn't see him really as 703 00:34:56,400 --> 00:34:59,920 Speaker 1: like your typical good guy, but you're still rooting for 704 00:35:00,080 --> 00:35:03,360 Speaker 1: him throughout the entire movie. So I don't want to 705 00:35:03,360 --> 00:35:05,560 Speaker 1: give away all the plot points because I think it 706 00:35:05,640 --> 00:35:08,000 Speaker 1: really kind of comes together and it's kind of a 707 00:35:08,200 --> 00:35:11,040 Speaker 1: more of a mystery than anything to watch. So giving 708 00:35:11,040 --> 00:35:13,160 Speaker 1: away specific plot points through the movie I think would 709 00:35:13,239 --> 00:35:14,480 Speaker 1: ruin it for you. But I just want to talk 710 00:35:14,480 --> 00:35:17,239 Speaker 1: about some of the themes that throughout the movie that 711 00:35:17,320 --> 00:35:19,759 Speaker 1: it kind of tackled in a unique way, and I 712 00:35:19,760 --> 00:35:21,759 Speaker 1: saw a lot of people kind of saying that this 713 00:35:21,800 --> 00:35:23,600 Speaker 1: movie was a little bit of Oscar Babe, but I 714 00:35:23,640 --> 00:35:26,880 Speaker 1: didn't really get that from from the movie. Like I know, 715 00:35:26,960 --> 00:35:29,759 Speaker 1: you have like this really stacked cast and they're doing 716 00:35:29,800 --> 00:35:34,840 Speaker 1: like maybe really high level performances, But there was nothing 717 00:35:34,880 --> 00:35:37,000 Speaker 1: about this that felt forced or like they were just 718 00:35:37,080 --> 00:35:39,120 Speaker 1: going after like, Okay, we're gonna make a movie and 719 00:35:39,160 --> 00:35:41,719 Speaker 1: get it automatically nominated for an Oscar. I don't think 720 00:35:41,760 --> 00:35:44,239 Speaker 1: that's what they were going for here. I think it's 721 00:35:44,280 --> 00:35:49,200 Speaker 1: more so the themes they decided to tackle, which will 722 00:35:49,239 --> 00:35:51,440 Speaker 1: stand apart from any other movie that it maybe up 723 00:35:51,440 --> 00:35:54,920 Speaker 1: against if it does get nominated, because it tackles religion, sex, 724 00:35:55,360 --> 00:35:58,799 Speaker 1: and death and that how all of those go back 725 00:35:58,840 --> 00:36:02,000 Speaker 1: to good and evil. So it's a really unique story 726 00:36:02,040 --> 00:36:05,600 Speaker 1: that I wasn't expecting. It was also very hard to watch. 727 00:36:05,640 --> 00:36:08,680 Speaker 1: There's some moments where it's like, oh, this is kind 728 00:36:08,680 --> 00:36:11,479 Speaker 1: of making my stomach turn a little bit. And there's 729 00:36:11,480 --> 00:36:14,680 Speaker 1: also a lot of anticipatient and dread and just worrying 730 00:36:14,719 --> 00:36:16,600 Speaker 1: about what's going to happen next. But there's some tough 731 00:36:16,680 --> 00:36:19,919 Speaker 1: images there and it's not, like I said, not necessarily 732 00:36:19,920 --> 00:36:24,440 Speaker 1: a horror movie, but very violent, very kind of dark 733 00:36:24,480 --> 00:36:27,799 Speaker 1: imagery and dark performances. But in that it was also 734 00:36:27,880 --> 00:36:30,839 Speaker 1: just refreshing to see something like this right now. It's 735 00:36:30,880 --> 00:36:32,960 Speaker 1: also a little bit of a time commitment at over 736 00:36:33,000 --> 00:36:35,560 Speaker 1: two hours, which I thought ended up being fine. I 737 00:36:35,560 --> 00:36:37,719 Speaker 1: actually think this one needs that amount of time to 738 00:36:37,760 --> 00:36:41,840 Speaker 1: take kind of course throughout the entire movie. Um, it 739 00:36:41,920 --> 00:36:43,799 Speaker 1: does start out a little slow, like I said, like 740 00:36:43,800 --> 00:36:45,840 Speaker 1: those first thirty minutes are kind of just building the 741 00:36:45,920 --> 00:36:49,160 Speaker 1: story of what comes to fruition later in the movie, 742 00:36:49,840 --> 00:36:51,799 Speaker 1: but I thought that was important. I wouldn't have taken 743 00:36:51,840 --> 00:36:54,560 Speaker 1: that out. Um. The thing that did kind of stand 744 00:36:54,600 --> 00:36:58,520 Speaker 1: out was Robert Pattinson's performance because he plays a preacher 745 00:36:58,560 --> 00:37:02,200 Speaker 1: in the movie who comes to town and he has 746 00:37:02,239 --> 00:37:05,600 Speaker 1: a Southern accent. So Robert Pattinson's a British actor if 747 00:37:05,640 --> 00:37:09,279 Speaker 1: he didn't know, and in this movie he speaks with 748 00:37:09,400 --> 00:37:13,440 Speaker 1: the Southern draw actually saw that. Robert Pattinson didn't reveal 749 00:37:13,760 --> 00:37:16,279 Speaker 1: like his Southern accent to the director until he was 750 00:37:16,320 --> 00:37:19,960 Speaker 1: actually on set and performing a scene like that's what 751 00:37:20,040 --> 00:37:22,440 Speaker 1: he decided to show them what he'd come up with, 752 00:37:22,480 --> 00:37:25,760 Speaker 1: because they wanted him to take like speech lessons and 753 00:37:26,320 --> 00:37:29,600 Speaker 1: find a way to get a southern accent that worked 754 00:37:29,600 --> 00:37:30,879 Speaker 1: in the movie, but he was like, I don't want 755 00:37:30,880 --> 00:37:33,080 Speaker 1: to do that. I'm gonna do this on my own 756 00:37:33,080 --> 00:37:35,719 Speaker 1: and kind of figure it out. And when they heard 757 00:37:35,760 --> 00:37:38,600 Speaker 1: his voice, all I said was the first time they 758 00:37:38,640 --> 00:37:40,680 Speaker 1: heard it, and it's what they ended up using in 759 00:37:40,680 --> 00:37:44,360 Speaker 1: the movie. It was a little weird, a little distracting 760 00:37:44,400 --> 00:37:46,920 Speaker 1: at times, and I saw some people commenting about it 761 00:37:46,960 --> 00:37:50,799 Speaker 1: online as well. So I think in the end it 762 00:37:50,840 --> 00:37:53,840 Speaker 1: works because he's a great actor, but maybe he could 763 00:37:53,840 --> 00:37:55,879 Speaker 1: have dialed it in a little bit more. But here's 764 00:37:55,880 --> 00:37:57,800 Speaker 1: an example of him speaking in the movie in a 765 00:37:57,800 --> 00:38:01,120 Speaker 1: Southern accent. I was gonna take care of everything. I 766 00:38:01,160 --> 00:38:04,120 Speaker 1: ain't gonna take the blame. It was a ruined me mane. 767 00:38:05,040 --> 00:38:09,520 Speaker 1: I cannot understand that. K. Yeah, so an interesting take 768 00:38:09,560 --> 00:38:12,680 Speaker 1: on that to say the least. But overall I ended 769 00:38:12,760 --> 00:38:16,120 Speaker 1: up really liking this movie, even though at times it 770 00:38:16,160 --> 00:38:19,640 Speaker 1: was hard to watch. There was just so much to 771 00:38:19,760 --> 00:38:23,280 Speaker 1: be said about watching someone go through despair and watching 772 00:38:23,400 --> 00:38:27,000 Speaker 1: someone suffer loss, and having all those teams come together 773 00:38:27,040 --> 00:38:31,880 Speaker 1: and make you question things and how this movie was 774 00:38:31,920 --> 00:38:35,520 Speaker 1: put together in piece together like a mystery that you're 775 00:38:35,840 --> 00:38:38,680 Speaker 1: wanting to follow along and figure out, how is this 776 00:38:38,719 --> 00:38:40,720 Speaker 1: all gonna end? How is this going to come together? 777 00:38:40,800 --> 00:38:44,160 Speaker 1: Like what is the goal here? I thought it was 778 00:38:44,239 --> 00:38:47,279 Speaker 1: satisfying when it came to the end, So that was 779 00:38:47,320 --> 00:38:49,279 Speaker 1: really important because there was so much build up, in 780 00:38:49,360 --> 00:38:53,160 Speaker 1: so much kind of different layers to this movie that 781 00:38:53,560 --> 00:38:55,520 Speaker 1: if it didn't pay off in the end, I would 782 00:38:55,560 --> 00:38:57,920 Speaker 1: be like, this was terrible. But it really kind of 783 00:38:57,960 --> 00:39:02,200 Speaker 1: played that line. And I think my biggest takeaway from 784 00:39:02,239 --> 00:39:05,759 Speaker 1: everything about this movie was that Tom Holland has it 785 00:39:06,760 --> 00:39:09,680 Speaker 1: as being a really great dramatic actor, like and no 786 00:39:09,880 --> 00:39:14,439 Speaker 1: point was I questioning whether or not like he could 787 00:39:14,480 --> 00:39:17,480 Speaker 1: do the dramatic stuff, even like the the fight scenes 788 00:39:17,520 --> 00:39:20,279 Speaker 1: and the more violent stuff, Like I was rooting for 789 00:39:20,360 --> 00:39:23,120 Speaker 1: him and I wanted to see more of him in 790 00:39:23,160 --> 00:39:26,280 Speaker 1: this kind of role. So I hope he kind of still, 791 00:39:26,440 --> 00:39:28,799 Speaker 1: you know, sticks around with the Marvel universe in play 792 00:39:28,840 --> 00:39:31,160 Speaker 1: Spider Man throughout how many movies they want to make 793 00:39:31,160 --> 00:39:34,239 Speaker 1: with that. But I think it would be easy for 794 00:39:34,320 --> 00:39:36,480 Speaker 1: him to hop into doing more dramatic roles on the 795 00:39:36,520 --> 00:39:38,960 Speaker 1: side and coming out with more movies like this, Like 796 00:39:39,000 --> 00:39:42,799 Speaker 1: I would watch them more often and my other takeaway was, Yeah, 797 00:39:42,840 --> 00:39:44,960 Speaker 1: I think Robert Pattinson is becoming one of my go 798 00:39:45,080 --> 00:39:49,000 Speaker 1: to actors to where I will probably watch any movie 799 00:39:49,080 --> 00:39:51,120 Speaker 1: that he puts out right now, Like I'm so kind 800 00:39:51,120 --> 00:39:53,520 Speaker 1: of zonedn't know what he's doing, and I find him 801 00:39:53,560 --> 00:39:57,279 Speaker 1: so interesting and compelling on screen that I'm gonna kind 802 00:39:57,280 --> 00:40:00,840 Speaker 1: of commit myself to consider and putting him in like 803 00:40:00,880 --> 00:40:02,840 Speaker 1: my top five actors of the last ten years, and 804 00:40:02,880 --> 00:40:05,879 Speaker 1: maybe I'll work on that list because I just think 805 00:40:05,880 --> 00:40:08,839 Speaker 1: he's up there. I think he has the chops to 806 00:40:08,840 --> 00:40:10,840 Speaker 1: take on different roles like this, and you know, he 807 00:40:10,880 --> 00:40:14,200 Speaker 1: hasn't really done like a big major Hollywood blockbuster like 808 00:40:14,200 --> 00:40:16,880 Speaker 1: a Twilight again, but he doesn't really need to anymore. 809 00:40:16,880 --> 00:40:19,640 Speaker 1: He can kind of dive into playing these more unique characters. 810 00:40:19,680 --> 00:40:22,640 Speaker 1: So all in all, I would give it four out 811 00:40:22,640 --> 00:40:25,920 Speaker 1: of five Crucifixes. You do have to prepare yourself a 812 00:40:25,920 --> 00:40:30,080 Speaker 1: little bit of you know, expecting to see some dark images. 813 00:40:30,880 --> 00:40:33,359 Speaker 1: It's a little dark and twisted and heavy. So if 814 00:40:33,400 --> 00:40:36,359 Speaker 1: you're not ready for that kind of movie, maybe not 815 00:40:36,400 --> 00:40:39,520 Speaker 1: the one for you. But if you're into like mystery 816 00:40:40,120 --> 00:40:42,759 Speaker 1: suspense in a little bit of horror, I think you'll 817 00:40:42,800 --> 00:40:46,320 Speaker 1: actually enjoy this movie, all right, And that's the episode 818 00:40:46,320 --> 00:40:47,839 Speaker 1: for this week. But before I hop out of here, 819 00:40:47,840 --> 00:40:49,919 Speaker 1: I gotta give my shout out. I do it every 820 00:40:49,960 --> 00:40:51,879 Speaker 1: single week to one of you guys are listening who 821 00:40:51,920 --> 00:40:54,120 Speaker 1: tweets me or sends me a message on Instagram, So 822 00:40:54,160 --> 00:40:56,520 Speaker 1: that's all you have to do, or you can tag 823 00:40:56,560 --> 00:40:58,600 Speaker 1: me in your Instagram story a screen child if you're 824 00:40:58,600 --> 00:41:00,600 Speaker 1: listening to this week's episode or in the episode for 825 00:41:00,640 --> 00:41:03,440 Speaker 1: that matter. I'll repost those and then pick somebody to 826 00:41:03,440 --> 00:41:05,160 Speaker 1: shout out each week. But this week I got a 827 00:41:05,160 --> 00:41:08,640 Speaker 1: shout out to Andrew Mullen. He's at a w M 828 00:41:08,719 --> 00:41:11,440 Speaker 1: Underscore seventeen on Twitter. And Andrew, I you see over 829 00:41:11,440 --> 00:41:14,360 Speaker 1: there all the time, tweeting and replying, interacting with the podcast, 830 00:41:14,520 --> 00:41:16,840 Speaker 1: and listening every single Monday. I think one of the 831 00:41:16,880 --> 00:41:20,400 Speaker 1: longest listeners of this podcast. So I really appreciate that. Thanks. Andrew. 832 00:41:20,480 --> 00:41:22,080 Speaker 1: Just wanted to give you a shout out here. And 833 00:41:22,239 --> 00:41:24,439 Speaker 1: if you find yourself board and looking for something else 834 00:41:24,480 --> 00:41:27,239 Speaker 1: to listen to, we actually have a bunch of podcasts 835 00:41:27,280 --> 00:41:29,799 Speaker 1: here on the Nashville Podcast Network that you can go 836 00:41:29,960 --> 00:41:32,160 Speaker 1: check out and listen to. And we actually just launched 837 00:41:32,160 --> 00:41:35,040 Speaker 1: a brand new podcast called Too Much to Say with 838 00:41:35,120 --> 00:41:38,719 Speaker 1: Kaylee Shore. The first episode is available now wherever you're 839 00:41:38,760 --> 00:41:40,719 Speaker 1: listening to this just searched too Much to Say with 840 00:41:40,800 --> 00:41:43,640 Speaker 1: Kaylee Shore. She's somebody who I followed on Twitter for 841 00:41:43,680 --> 00:41:45,400 Speaker 1: a while now just one of my favorite people to 842 00:41:45,480 --> 00:41:48,960 Speaker 1: follow because she's just so funny, always has a unique 843 00:41:48,960 --> 00:41:51,600 Speaker 1: take on things. She's also a country artist, and we're 844 00:41:51,640 --> 00:41:54,160 Speaker 1: really excited to have her part of the network. So 845 00:41:54,239 --> 00:41:56,560 Speaker 1: go check out her latest episode show or Some Love 846 00:41:56,640 --> 00:41:58,839 Speaker 1: over there and subscribe to that as well. I hope 847 00:41:58,840 --> 00:42:00,520 Speaker 1: you guys have a good week. I will talk to 848 00:42:00,520 --> 00:42:08,040 Speaker 1: you guys next time here and until then later m hmm.