1 00:00:07,400 --> 00:00:17,000 Speaker 1: Hello, hello, my suddenly the only person on the subline. 2 00:00:19,440 --> 00:00:34,040 Speaker 1: Anybody are you serious? Awesome power again? Pray there must 3 00:00:34,080 --> 00:00:45,440 Speaker 1: be oh h um, hello, uh, this is Ruth Tanner 4 00:00:45,600 --> 00:00:48,840 Speaker 1: in the conning tower. Is anybody in the engine room? 5 00:00:48,880 --> 00:00:53,600 Speaker 1: We're on emergency power here and I there we go? 6 00:00:55,280 --> 00:01:05,320 Speaker 1: H oh, hello is someone there? Oh? Hey, what's going on? 7 00:01:06,120 --> 00:01:11,040 Speaker 1: The lights cut out? And wait what are you doing? 8 00:01:12,400 --> 00:01:16,640 Speaker 1: Is that a knife? Wait? Stop, you get off me. 9 00:01:33,440 --> 00:01:37,360 Speaker 1: Welcome to Solve, the interactive mystery podcast where you don't 10 00:01:37,360 --> 00:01:41,080 Speaker 1: just hear about crimes, you solve them. Each episode will 11 00:01:41,120 --> 00:01:43,880 Speaker 1: present you with a different case inspired by a true crime. 12 00:01:44,319 --> 00:01:49,000 Speaker 1: You'll interrogate suspects, piece together evidence, and investigate the crime scene. 13 00:01:49,360 --> 00:01:53,040 Speaker 1: You're the detective. This is your case. Can you solve 14 00:01:53,080 --> 00:02:02,320 Speaker 1: it self? Presents going under I already told you what 15 00:02:02,360 --> 00:02:05,680 Speaker 1: I know, and that's nothing. I mean, I don't know 16 00:02:05,720 --> 00:02:07,920 Speaker 1: what happened to her, but yes, of course I knew Ruth. 17 00:02:08,440 --> 00:02:11,680 Speaker 1: We were both getting her PhDs in biology, both specializing 18 00:02:11,720 --> 00:02:14,880 Speaker 1: in biotech, both fighting for top spot in the class 19 00:02:14,880 --> 00:02:18,160 Speaker 1: ever since we started the program. It drove her crazy, 20 00:02:18,200 --> 00:02:27,440 Speaker 1: but for me it was just you know, friendly competition. Okay, everyone, 21 00:02:27,560 --> 00:02:30,280 Speaker 1: that's time pencils down. If you don't know the answer, 22 00:02:30,360 --> 00:02:32,560 Speaker 1: you'll never get it. Let's place your quizzes in the 23 00:02:32,600 --> 00:02:37,839 Speaker 1: basket on the way out. Have a good weekend, Meg Ruth, Yeah, 24 00:02:37,880 --> 00:02:41,080 Speaker 1: can I grab you two for a second? Thank you God. 25 00:02:41,120 --> 00:02:44,040 Speaker 1: I hope it isn't so he's curving music end. Seriously, Meg, 26 00:02:44,080 --> 00:02:46,240 Speaker 1: when have you ever gotten below the curve? It's not 27 00:02:46,320 --> 00:02:49,079 Speaker 1: about that. It's about some snotty undergrad writing my coattails. 28 00:02:49,480 --> 00:02:52,960 Speaker 1: Doesn't that bother you. I'm just focused on graduating and 29 00:02:53,000 --> 00:02:55,000 Speaker 1: an undergrad's not going to stop me from getting a 30 00:02:55,000 --> 00:02:59,080 Speaker 1: good placement. Did I hear placement? Because that's exactly what 31 00:02:59,120 --> 00:03:01,400 Speaker 1: I wanted to speak to you guys about now. I 32 00:03:01,480 --> 00:03:06,080 Speaker 1: know you're both focusing on bioprospecting for your thesis. Yeah, 33 00:03:06,760 --> 00:03:09,960 Speaker 1: both of us. And I mentioned this to EI Diagnostics 34 00:03:10,000 --> 00:03:13,280 Speaker 1: and they were ecstatic. Well, you know, as excited as 35 00:03:13,320 --> 00:03:17,880 Speaker 1: those guys get. That's exactly where they're focusing their cancer 36 00:03:17,960 --> 00:03:20,760 Speaker 1: research right now, and they wanted us to place someone 37 00:03:20,919 --> 00:03:26,280 Speaker 1: with that expertise. And I mentioned both of your names. Wow, thanks, 38 00:03:26,320 --> 00:03:30,280 Speaker 1: professor Strand, that's great. Yeah, it's great. Did you say 39 00:03:30,400 --> 00:03:33,320 Speaker 1: someone as a Yes, they only have room for one 40 00:03:33,360 --> 00:03:36,360 Speaker 1: placement this year, So knock them dead with your THESS 41 00:03:36,480 --> 00:03:39,160 Speaker 1: and best of luck to both of you. M hm. 42 00:03:43,000 --> 00:03:45,920 Speaker 1: Meg didn't even have any interest in bioprospecting until I 43 00:03:45,960 --> 00:03:50,320 Speaker 1: started researching it. You know, it must suck just being 44 00:03:50,360 --> 00:03:54,760 Speaker 1: so devoid of original ideas like that. But what I 45 00:03:54,800 --> 00:04:01,040 Speaker 1: said to you was I miss you. Oh yeah, you too. 46 00:04:03,080 --> 00:04:04,760 Speaker 1: So you're both gonna be fighting it up for this 47 00:04:04,800 --> 00:04:08,680 Speaker 1: placement then, yeah, except I think I found my secret weapon. 48 00:04:09,840 --> 00:04:14,160 Speaker 1: You know, Philip Wallace. It's a billionaire. Yeah, here, he's 49 00:04:14,160 --> 00:04:17,840 Speaker 1: built his own submarine. No, but that sounds like the 50 00:04:17,920 --> 00:04:20,680 Speaker 1: kind of toy those guys are into. Well, apparently it's 51 00:04:20,680 --> 00:04:22,800 Speaker 1: not just a toy. He wants to use it for 52 00:04:22,839 --> 00:04:27,640 Speaker 1: deep sea exploration, to advance medical research, final prospecting, and 53 00:04:27,839 --> 00:04:30,200 Speaker 1: knowing you, you've already called up his Company's spoken to 54 00:04:30,240 --> 00:04:34,120 Speaker 1: two assistants and his personal secretary. Billionaire Phil agreed to 55 00:04:34,120 --> 00:04:36,400 Speaker 1: meet with me next week. If I can talk him 56 00:04:36,440 --> 00:04:38,600 Speaker 1: into bring me on his team, I could get firsthand 57 00:04:38,600 --> 00:04:41,839 Speaker 1: experience on a dive. How would that look at my thesis? 58 00:04:42,720 --> 00:04:46,719 Speaker 1: That's cool, Ruth, really, but can we just not talk 59 00:04:46,760 --> 00:04:49,040 Speaker 1: about school for the rest of the night. We never 60 00:04:49,080 --> 00:04:50,800 Speaker 1: get to see each other. I just want to have 61 00:04:50,839 --> 00:04:56,880 Speaker 1: some fun. Okay, Yeah, that's fine. Good Hey girl, ka 62 00:04:57,600 --> 00:05:01,880 Speaker 1: Ca Hi Jake, are you hanging out? No? I just 63 00:05:01,960 --> 00:05:03,880 Speaker 1: popped in to say hey to a friend. I've got 64 00:05:03,880 --> 00:05:06,400 Speaker 1: to get to work. You want to walk me out? Yeah? Sure, 65 00:05:07,160 --> 00:05:12,479 Speaker 1: I'll be back in a minute. God, what is Jake 66 00:05:12,560 --> 00:05:14,520 Speaker 1: doing here? I thought you were breaking up with him? 67 00:05:15,040 --> 00:05:18,120 Speaker 1: I am, I just I don't know. I'm I'm procrastinating 68 00:05:18,560 --> 00:05:21,480 Speaker 1: that band aid off. But you are clogging your pores 69 00:05:21,520 --> 00:05:23,600 Speaker 1: with his bad vibes. Like when it's done, you can 70 00:05:23,640 --> 00:05:26,520 Speaker 1: actually concentrate on your thesis. I know. I've just had 71 00:05:26,520 --> 00:05:28,760 Speaker 1: it like a really stressful enough week as it is, 72 00:05:28,800 --> 00:05:30,640 Speaker 1: and I'm finding out Meg and I are up for 73 00:05:30,680 --> 00:05:33,800 Speaker 1: the same placements, keeping my anxiety like a steady eleven. 74 00:05:34,160 --> 00:05:36,919 Speaker 1: Did you hear anything from that Wallace guy? Uh? Yeah, 75 00:05:37,080 --> 00:05:40,880 Speaker 1: Actually he wants to meet me this weekend. But what's what? 76 00:05:41,279 --> 00:05:44,000 Speaker 1: I don't know, second thoughts. Everything I read about this 77 00:05:44,000 --> 00:05:46,640 Speaker 1: guy makes him sound like a cliche hedge fund asshole. 78 00:05:46,760 --> 00:05:48,680 Speaker 1: So you bite your tongue while he puffs his chest 79 00:05:48,680 --> 00:05:50,120 Speaker 1: out and you get to do all sorts of cool 80 00:05:50,120 --> 00:05:52,919 Speaker 1: science ship on his supervillain submarine. Okay, biting my tongue. 81 00:05:52,960 --> 00:05:55,480 Speaker 1: I can do. I'm just worried about what else he'd 82 00:05:55,480 --> 00:05:59,760 Speaker 1: be expecting from me. He's married, but there are stories. Okay, 83 00:05:59,800 --> 00:06:02,640 Speaker 1: this is an easy one. Meet him, introduce him to me. 84 00:06:02,839 --> 00:06:05,080 Speaker 1: I'll funk the horny billionaire playboy, and we'll all live 85 00:06:05,120 --> 00:06:09,960 Speaker 1: happily ever after in his underwater layer. Okay, I gotta run. 86 00:06:10,320 --> 00:06:14,240 Speaker 1: Good luck with all the men in your life. My god, 87 00:06:14,480 --> 00:06:25,479 Speaker 1: all right, thanks karaciaey Hey, oh hey, I don't mind me. 88 00:06:25,800 --> 00:06:28,960 Speaker 1: I was just playing pool by myself. Come on, it's 89 00:06:29,000 --> 00:06:33,400 Speaker 1: just Kara. It's not just Carra. I've been so crazy 90 00:06:33,400 --> 00:06:36,440 Speaker 1: focused on school lately. Well, getting my thesis published just 91 00:06:36,640 --> 00:06:40,120 Speaker 1: kind of a big fucking deal. Jake. Yeah, first, it's 92 00:06:40,160 --> 00:06:43,440 Speaker 1: the thesis. Now it's this billionaire guy. Well, my thesis 93 00:06:43,440 --> 00:06:48,200 Speaker 1: and Philip Wallace are currently connected in my career is Look, 94 00:06:48,520 --> 00:06:52,760 Speaker 1: I've just got to say this. Jacobus not interrupting anything, 95 00:06:52,800 --> 00:06:56,520 Speaker 1: am I. No, Meg, we were just leaving. Come on, 96 00:06:56,680 --> 00:06:59,320 Speaker 1: I thought we could shoot some pool, have some beers, Jake. 97 00:07:00,160 --> 00:07:04,360 Speaker 1: I Uh, Ruth wants to go, so oh well, if 98 00:07:04,440 --> 00:07:07,560 Speaker 1: Ruth wants to go, yes, Ruth wants to go. Buy Meg. 99 00:07:13,320 --> 00:07:14,960 Speaker 1: This has been the worst two days in my life. 100 00:07:15,000 --> 00:07:18,440 Speaker 1: I just I want to know what's going on Ruth. 101 00:07:18,520 --> 00:07:21,600 Speaker 1: She's not just my girlfriend, she's family, she's my everything. 102 00:07:22,480 --> 00:07:24,680 Speaker 1: I don't know she was acting weird earlier, and I 103 00:07:24,720 --> 00:07:29,400 Speaker 1: mean it's it's it's just been a really strange day 104 00:07:31,360 --> 00:07:37,120 Speaker 1: for Ruth. Yep, thanks for the ride. Yeah, everything all right? 105 00:07:37,760 --> 00:07:42,840 Speaker 1: Huh Listen, Jake, I've been meaning to talk to you 106 00:07:42,920 --> 00:07:46,160 Speaker 1: about something. Yeah. I haven't needed to talk to you 107 00:07:46,200 --> 00:07:53,440 Speaker 1: about something too. Just hold on a sack. Okay, hello, Tanner, 108 00:07:54,440 --> 00:08:00,600 Speaker 1: Yes it is Ruth Philip. Oh, hi, Mr Wall Philip. 109 00:08:00,720 --> 00:08:05,400 Speaker 1: Please if Phil would be even better? Right, Phil, thank 110 00:08:05,440 --> 00:08:08,240 Speaker 1: you so much for calling. As I'm sure your secretary 111 00:08:08,280 --> 00:08:13,560 Speaker 1: explained to you, I'm really interested tonight. Tonight, I'm going 112 00:08:13,560 --> 00:08:15,680 Speaker 1: on during amount an hour. You want to see who 113 00:08:15,680 --> 00:08:23,400 Speaker 1: all this works? Ryan rich Dick playing submarine captain. Yeah, absolutely, good, good, 114 00:08:23,440 --> 00:08:24,680 Speaker 1: good way. Don't you meet me down at the port. 115 00:08:25,680 --> 00:08:31,239 Speaker 1: I'll pick you up. What did he say? Um? Driver? Sorry? 116 00:08:31,960 --> 00:08:39,440 Speaker 1: Can we add to stop? Please? So where is this guy? Jake? 117 00:08:39,520 --> 00:08:42,160 Speaker 1: You seriously don't have to be here. I'm not letting 118 00:08:42,160 --> 00:08:45,360 Speaker 1: you get into a submarine alone with this guy. Wait? Wait, 119 00:08:45,440 --> 00:08:47,280 Speaker 1: are you saying that you'd rather not be here. No, 120 00:08:47,400 --> 00:08:50,760 Speaker 1: it's just didn't we say that we had to have 121 00:08:50,800 --> 00:08:56,320 Speaker 1: a talk. Yeah, yeah, we did, so let's add it. Ruth. 122 00:08:57,120 --> 00:08:59,480 Speaker 1: I've been thinking it over and I think it's time. 123 00:09:00,800 --> 00:09:07,640 Speaker 1: I want you to move in with me. Ruth, that's 124 00:09:07,679 --> 00:09:11,040 Speaker 1: what you wanted to talk about? Yeah? Why what were 125 00:09:11,080 --> 00:09:13,600 Speaker 1: you thinking? That we've been drifting apart for a long 126 00:09:13,640 --> 00:09:16,920 Speaker 1: time and we should go our different lady? What you 127 00:09:16,960 --> 00:09:24,560 Speaker 1: wanted to talk about? Jay? Ruth? Ah? Hi there? Uh Phil, 128 00:09:24,920 --> 00:09:32,000 Speaker 1: This is Jake, my boyfriend. Wow, nice to meet you both. Um, 129 00:09:32,000 --> 00:09:44,400 Speaker 1: Come on a board. Plenty of room for everyone. She's 130 00:09:44,440 --> 00:09:47,400 Speaker 1: Diesel Electric. The design is a mix of classic battle 131 00:09:47,440 --> 00:09:50,199 Speaker 1: sub and modern comfort. So we've got our conning tower 132 00:09:50,320 --> 00:09:53,640 Speaker 1: up here that's a classic and our luxury cabins down 133 00:09:53,640 --> 00:09:56,560 Speaker 1: there that's for comfort. Ooh, it looks like you've got 134 00:09:56,559 --> 00:10:00,040 Speaker 1: a mess hole down there. Classic and comfort. Our a 135 00:10:00,160 --> 00:10:03,560 Speaker 1: chef is absolutely incredible. You know, Jake, why don't you 136 00:10:03,600 --> 00:10:05,560 Speaker 1: hop in grab something to eat while Ruth and I 137 00:10:05,600 --> 00:10:08,640 Speaker 1: talk shop. Sarah Gay will make you anything you want. 138 00:10:10,760 --> 00:10:13,520 Speaker 1: I guess I'll meet up with you guys later. Great 139 00:10:14,280 --> 00:10:19,080 Speaker 1: write up this ladder. You know, after the war, they 140 00:10:19,120 --> 00:10:21,320 Speaker 1: started moving control rooms into the center of the ship. 141 00:10:22,840 --> 00:10:28,200 Speaker 1: So you don't really see Conning towers like this anymore. Wow. Yeah, 142 00:10:28,280 --> 00:10:32,000 Speaker 1: it's pretty cramped up here. Yeah, that's why I like it. 143 00:10:32,320 --> 00:10:34,040 Speaker 1: I could be at the top of my sub calling 144 00:10:34,080 --> 00:10:37,000 Speaker 1: the shots from here all by myself if I want 145 00:10:37,040 --> 00:10:41,200 Speaker 1: to be. So you're you're writing a thesis must be 146 00:10:41,240 --> 00:10:45,320 Speaker 1: bored out of your mind. Well, I like what I study. 147 00:10:45,480 --> 00:10:49,880 Speaker 1: So someone is young and pretty as yourself, You should 148 00:10:49,880 --> 00:10:54,600 Speaker 1: be out living, traveling, experiencing things. I stuck with your 149 00:10:54,600 --> 00:11:02,760 Speaker 1: nose in a book. Shall we continue the tour? Absolutely? Uh? 150 00:11:03,640 --> 00:11:10,520 Speaker 1: Right this way and this is my heaven. Wow, this 151 00:11:10,600 --> 00:11:14,080 Speaker 1: looks more like a city condo. I have a seat 152 00:11:14,120 --> 00:11:16,440 Speaker 1: on the couch. You you want something to drink? Uh? 153 00:11:16,760 --> 00:11:19,440 Speaker 1: Maybe just a water? You know, I don't really drink 154 00:11:19,480 --> 00:11:22,400 Speaker 1: that much myself, A bit of a lightweight really, So 155 00:11:22,480 --> 00:11:28,480 Speaker 1: what have we got? Sparkling or regular? Regular? Is fine? Thanks? There. 156 00:11:30,559 --> 00:11:33,600 Speaker 1: So you're kind of going into the opposite direction of 157 00:11:33,640 --> 00:11:38,000 Speaker 1: the billionaire space race. Literally, you know what, Let those 158 00:11:38,000 --> 00:11:40,720 Speaker 1: guys fight for what's up there. I want what's down here. 159 00:11:40,960 --> 00:11:44,000 Speaker 1: There's a whole world teeming with life and discoveries waiting 160 00:11:44,040 --> 00:11:47,920 Speaker 1: to be had, like, for example, the cure for cancer. Yes, exactly. 161 00:11:48,320 --> 00:11:50,439 Speaker 1: So you've heard that the study of deep sea sponges 162 00:11:50,480 --> 00:11:53,320 Speaker 1: has shown some promise. Yeah, I have. That's what I want. 163 00:11:53,320 --> 00:11:56,520 Speaker 1: This sub forward for research, not just drinking Margarita's under 164 00:11:56,559 --> 00:12:00,520 Speaker 1: the sea. I could use someone like you on my team. 165 00:12:00,559 --> 00:12:05,400 Speaker 1: It would probably help you boring as thesis. How deep 166 00:12:05,480 --> 00:12:09,480 Speaker 1: can we go on this? Unfortunately we're limited thet but 167 00:12:10,200 --> 00:12:12,800 Speaker 1: I've got a two man explorer. We could go down 168 00:12:12,800 --> 00:12:16,760 Speaker 1: as deep as you want. How about it? Now? What 169 00:12:16,840 --> 00:12:23,320 Speaker 1: are you busy? What's that? Yeah, we've been having some 170 00:12:23,360 --> 00:12:27,560 Speaker 1: glitches in the engine room lately. It's nothing serious. The 171 00:12:27,600 --> 00:12:29,960 Speaker 1: power cuts as a precaution. Someone will get it back 172 00:12:30,000 --> 00:12:32,600 Speaker 1: up and running in a minute. I've got emergency landing 173 00:12:32,679 --> 00:12:37,959 Speaker 1: till then. It's a good mood lighting, isn't it. Um, 174 00:12:38,000 --> 00:12:41,960 Speaker 1: Maybe we should just go find Jake. I'm sure he's fine. Yeah, 175 00:12:42,000 --> 00:12:46,680 Speaker 1: but it's um, it's really dark and I should probably 176 00:12:46,679 --> 00:12:50,480 Speaker 1: go find him. Why don't we talk some more later? Sure, 177 00:12:50,800 --> 00:12:56,040 Speaker 1: no problem, after you. I've never heard of miss Tanner 178 00:12:56,080 --> 00:13:00,400 Speaker 1: until she started calling my office NonStop. She was very 179 00:13:00,000 --> 00:13:04,520 Speaker 1: adamant about meeting. Of course, I was skeptical. Honestly, I 180 00:13:04,559 --> 00:13:07,120 Speaker 1: was surprised by her interest in the subject, but I'm 181 00:13:07,160 --> 00:13:10,199 Speaker 1: always looking for smart people to work with. It kills 182 00:13:10,240 --> 00:13:12,120 Speaker 1: me that something like this would happen on my sub 183 00:13:13,280 --> 00:13:15,960 Speaker 1: but honestly, I couldn't venture I guess about what actually happened, 184 00:13:17,000 --> 00:13:20,360 Speaker 1: other than to say she was having issues with that 185 00:13:20,480 --> 00:13:28,200 Speaker 1: boyfriend of hers. Hey, I was kitchen is like the 186 00:13:28,240 --> 00:13:30,679 Speaker 1: size of my apartment. Do you have a good time 187 00:13:30,679 --> 00:13:33,680 Speaker 1: with Captain money Bags? Jake? Come on? Can you not 188 00:13:33,760 --> 00:13:39,040 Speaker 1: be weird about this? Oh, I'm being I heard there's 189 00:13:39,080 --> 00:13:41,559 Speaker 1: a bowling alley in here somewhere. Maybe I'll go check 190 00:13:41,600 --> 00:13:49,960 Speaker 1: it out. Finally they got the light bag on. Oh 191 00:13:51,800 --> 00:14:00,800 Speaker 1: you must be rude, Hi sugar? Uh yes, sorry, she's 192 00:14:00,800 --> 00:14:03,520 Speaker 1: always acting strange when we get below a thousand feet 193 00:14:04,880 --> 00:14:09,440 Speaker 1: I want to sorry, I'm an Phillip's wife. Oh hi, 194 00:14:10,120 --> 00:14:14,560 Speaker 1: uh wow it is It is so nice to meet you. Well, 195 00:14:14,600 --> 00:14:16,840 Speaker 1: can I fix you a drink? Oh? I have a 196 00:14:16,840 --> 00:14:19,920 Speaker 1: special margarite to recipe and the staff you're never get 197 00:14:19,920 --> 00:14:26,040 Speaker 1: it right? No, thank you, I'm all right. Thanks suit yourself. 198 00:14:30,400 --> 00:14:34,080 Speaker 1: You know you're not the first young thing he's invited 199 00:14:34,120 --> 00:14:37,440 Speaker 1: down here, and you won't be the last. Phillip's got 200 00:14:37,440 --> 00:14:39,840 Speaker 1: his nasty little habit. Oh no, no, no I am. 201 00:14:39,880 --> 00:14:42,760 Speaker 1: I'm just a student that's studying. Yeah, well we've been 202 00:14:42,800 --> 00:14:47,640 Speaker 1: married only three years now, I'm wife number three, you know. 203 00:14:48,240 --> 00:14:52,200 Speaker 1: But I know him. He tinkers away it whatever fascinates him. 204 00:14:52,200 --> 00:14:55,200 Speaker 1: This year's the submarine, Next year, god knows what. But 205 00:14:55,320 --> 00:14:58,680 Speaker 1: he always comes back to me and comes baarn the 206 00:14:58,800 --> 00:15:05,360 Speaker 1: best to give. Yeah that um that that bracelet is 207 00:15:05,560 --> 00:15:10,040 Speaker 1: really something? Are those charms? Gold? Are you serious? The 208 00:15:10,160 --> 00:15:14,960 Speaker 1: fourteen carrots? Honey? Look there's the even one from my 209 00:15:15,120 --> 00:15:24,240 Speaker 1: little Sugar. I wouldn't touch her. Sorry, um okay, well 210 00:15:24,440 --> 00:15:27,840 Speaker 1: is uh is Phil around? We were just talking before? 211 00:15:28,040 --> 00:15:29,840 Speaker 1: Oh yeah, this place is so big it's easy for 212 00:15:29,840 --> 00:15:33,080 Speaker 1: people to get austin. But don't worry. I'm sure he 213 00:15:33,320 --> 00:15:38,600 Speaker 1: will find you. You know. I think Jake and I 214 00:15:38,640 --> 00:15:41,760 Speaker 1: need to get going, so maybe i'll go look for 215 00:15:41,840 --> 00:15:45,000 Speaker 1: Phil and yes, yeah, yeah, yeah, of course you go 216 00:15:45,160 --> 00:15:52,200 Speaker 1: look for feel that. They say animals have a sixth sense, 217 00:15:52,200 --> 00:15:55,280 Speaker 1: you know. Take my little Sugar for instance. She can 218 00:15:55,320 --> 00:15:58,720 Speaker 1: sniff out bullshit from a mile away. I wonder the 219 00:15:58,720 --> 00:16:01,040 Speaker 1: girl ran off. She's seen the look on her face 220 00:16:01,040 --> 00:16:04,720 Speaker 1: when she realized how was his wife? I know what 221 00:16:04,880 --> 00:16:10,560 Speaker 1: she was up to, Believe me, Bandy looking for you. 222 00:16:10,880 --> 00:16:13,520 Speaker 1: Could you not call her that? Please? She wants to 223 00:16:13,560 --> 00:16:17,040 Speaker 1: go home. I hope there's not trouble in Paradise surface 224 00:16:17,320 --> 00:16:20,120 Speaker 1: just as as soon as I can fix this. I 225 00:16:20,120 --> 00:16:23,160 Speaker 1: can't believe you're doing this again. I talked to her, Philip. 226 00:16:23,640 --> 00:16:26,440 Speaker 1: She is a child. She is a grown adult trying 227 00:16:26,440 --> 00:16:28,480 Speaker 1: to write a paper. I was that what this sobby 228 00:16:28,640 --> 00:16:32,240 Speaker 1: is just some underwater midlife crisis to lor young girls. 229 00:16:32,960 --> 00:16:34,600 Speaker 1: Damn it. And I don't have time for your ship. 230 00:16:34,760 --> 00:16:37,480 Speaker 1: I don't want another way, your little horse hanging around. Okay, 231 00:16:37,560 --> 00:16:40,240 Speaker 1: you pushed me for the last time. Do you hear me? 232 00:16:40,440 --> 00:16:47,480 Speaker 1: Everybody fucking hears you? Anne? Why so? I mean I 233 00:16:47,560 --> 00:16:52,680 Speaker 1: barely talked to the girl. She was whatever kind of bland, 234 00:16:53,000 --> 00:16:56,760 Speaker 1: impossibly young. I could be her mother. Treat me like 235 00:16:56,800 --> 00:16:58,400 Speaker 1: it too. I mean, she was like writ at and 236 00:16:58,440 --> 00:17:02,600 Speaker 1: all self involved. You know, phil probably brought her over 237 00:17:02,680 --> 00:17:06,600 Speaker 1: just to wind me up. Is he saying? You know, 238 00:17:06,680 --> 00:17:09,760 Speaker 1: he's always bringing some young any to upset me, to 239 00:17:09,760 --> 00:17:13,560 Speaker 1: see how far he could push me? Oh? Is it 240 00:17:13,600 --> 00:17:19,359 Speaker 1: hot in here? I need I need to break. Look. 241 00:17:19,760 --> 00:17:24,560 Speaker 1: All of my interactions with miss Tanner were strictly platonic. Hell, 242 00:17:24,680 --> 00:17:26,560 Speaker 1: she barely wanted to talk to me after my wife 243 00:17:26,640 --> 00:17:29,240 Speaker 1: scared her off. I brought this up to the surface. 244 00:17:29,480 --> 00:17:31,800 Speaker 1: We said our goodbyes, and she was the one who 245 00:17:31,880 --> 00:17:39,240 Speaker 1: decided to come back down the next day. That's it, Hey, babe, 246 00:17:39,280 --> 00:17:40,919 Speaker 1: I've been looking all over for you. I called you 247 00:17:40,960 --> 00:17:45,520 Speaker 1: like a hundred times yesterday. Hey care Yeah, sorry, no 248 00:17:45,720 --> 00:17:51,960 Speaker 1: signal underwater? Underwater you shush? Cretan. Wait, sweet, you went 249 00:17:51,960 --> 00:17:56,760 Speaker 1: on that guy sub yep with his wife and Jake 250 00:17:57,960 --> 00:18:01,520 Speaker 1: whooff is right. Made even more awkward by the fact 251 00:18:01,560 --> 00:18:03,399 Speaker 1: that phil really quickly invited me to go to the 252 00:18:03,440 --> 00:18:05,480 Speaker 1: bottom of the ocean with him on a mini sub. 253 00:18:06,440 --> 00:18:10,119 Speaker 1: My creeper sense is tangling online too. Anyway, I guess 254 00:18:10,160 --> 00:18:12,640 Speaker 1: that's a dead end. Now Jake is on his way 255 00:18:12,680 --> 00:18:14,560 Speaker 1: to meet me, so I have that conversation to look 256 00:18:14,600 --> 00:18:18,840 Speaker 1: forward to. Yikes, good luck with all that. I've got 257 00:18:18,840 --> 00:18:21,560 Speaker 1: to run. But call me if you need me. Okay, Yeah? Thanks? Care? 258 00:18:23,680 --> 00:18:34,880 Speaker 1: Is that him? Is that hello? Ruth? Hi? Philip? What's 259 00:18:34,880 --> 00:18:38,040 Speaker 1: going on? Look? I just wanted to say, I hope 260 00:18:38,080 --> 00:18:40,560 Speaker 1: my wife didn't offend you. It has nothing to do 261 00:18:40,640 --> 00:18:43,639 Speaker 1: with you, you know what I mean? Really, it's fine. 262 00:18:43,880 --> 00:18:45,840 Speaker 1: And then I hope I didn't put you off by 263 00:18:45,840 --> 00:18:49,000 Speaker 1: suggesting we go down and the explore together. No, I 264 00:18:49,720 --> 00:18:52,879 Speaker 1: appreciate you offering. I just thought it help with your paper. 265 00:18:53,000 --> 00:18:55,680 Speaker 1: But I'm actually taking a fellow student of yours down 266 00:18:55,680 --> 00:19:00,680 Speaker 1: on the sub tonight. Oh yeah, some one name Meg. 267 00:19:01,320 --> 00:19:03,399 Speaker 1: Enterprising young lady I managed to get hold of my 268 00:19:03,440 --> 00:19:06,159 Speaker 1: private email, told me all about the papers she's writing. 269 00:19:06,680 --> 00:19:13,520 Speaker 1: Crazy quintion. That's right, that is a crazy coincidence. Anyway, rude, here, 270 00:19:13,520 --> 00:19:15,879 Speaker 1: you're welcome to come to if you're if you're not 271 00:19:16,000 --> 00:19:26,280 Speaker 1: doing anything. Um, you know you can't about. You didn't 272 00:19:26,280 --> 00:19:29,240 Speaker 1: have to come. I just had that breakup conversation hanging 273 00:19:29,280 --> 00:19:31,840 Speaker 1: over my head while you're underwater with poor Man zelon Musk. 274 00:19:34,040 --> 00:19:37,480 Speaker 1: All right, everybody just watch a step. I wasn't expecting 275 00:19:37,480 --> 00:19:42,080 Speaker 1: it to be so big. Ruth, Ruth, what are you 276 00:19:42,080 --> 00:19:45,600 Speaker 1: doing here? Well, Phil invited me. Well, you're both writing 277 00:19:45,640 --> 00:19:47,680 Speaker 1: the same kind of little paper there, right, this will 278 00:19:47,680 --> 00:19:53,119 Speaker 1: be great. Come on, everybody aboard you conniving. Oh you'll 279 00:19:53,160 --> 00:19:58,760 Speaker 1: want to talk, okay, Yeah, I overheard her talking about 280 00:19:58,760 --> 00:20:00,919 Speaker 1: Phil at the bar. It's not like I copied her 281 00:20:00,960 --> 00:20:04,720 Speaker 1: paper looked over her shoulder during an exam. I was 282 00:20:04,800 --> 00:20:12,560 Speaker 1: just genuinely interested in amateur naval vessels. He's Diesel Electric. 283 00:20:12,600 --> 00:20:14,840 Speaker 1: The designs and mix of classic battle sub and modern 284 00:20:14,880 --> 00:20:22,840 Speaker 1: comfort great another one. You know what, Mega, I'll take 285 00:20:22,880 --> 00:20:24,520 Speaker 1: you up to the tower. I'm gonna go ahead and 286 00:20:24,520 --> 00:20:33,639 Speaker 1: start our dive. Hey, Jake, sorry about all this. Yeah, whatever, 287 00:20:34,720 --> 00:20:37,359 Speaker 1: come on, don't be like that. I didn't mean for 288 00:20:37,400 --> 00:20:39,600 Speaker 1: it to come out the way that it did. Yesterday. 289 00:20:40,480 --> 00:20:42,320 Speaker 1: You broke up with me out of the blue. It 290 00:20:42,440 --> 00:20:44,600 Speaker 1: wasn't out of the blue. We've been growing apart. There's 291 00:20:44,600 --> 00:20:47,040 Speaker 1: a bullshit for a while now. The only reason that 292 00:20:47,040 --> 00:20:49,239 Speaker 1: we've been growing apart is because you spend all your 293 00:20:49,240 --> 00:20:54,560 Speaker 1: time working on your stupid thesis. Oh my career is stupid. Now, 294 00:20:56,440 --> 00:20:59,120 Speaker 1: you know what, there's a gym in here. I'm I'm 295 00:20:59,119 --> 00:21:00,920 Speaker 1: gonna go and see if have a punging bag because 296 00:21:00,960 --> 00:21:09,200 Speaker 1: I feel like hitting something right now. Yeah, I was heartbroken. 297 00:21:09,800 --> 00:21:13,399 Speaker 1: I thought she was committed to me, to us. Of 298 00:21:13,400 --> 00:21:16,560 Speaker 1: course it made me upset. But what what was I 299 00:21:16,560 --> 00:21:20,440 Speaker 1: ever violent? No? Why would you even think that I didn't. 300 00:21:20,440 --> 00:21:23,680 Speaker 1: I'd never heard anyone, and that stupid campus citation does 301 00:21:23,680 --> 00:21:25,720 Speaker 1: not count. I got drunk in a frat party and 302 00:21:25,720 --> 00:21:27,320 Speaker 1: I pushed over a by cop on my way home. 303 00:21:27,640 --> 00:21:33,399 Speaker 1: But I would never ever hurt Ruth. Now did I 304 00:21:33,440 --> 00:21:36,480 Speaker 1: need to put an art gallery in a submarine? I 305 00:21:36,480 --> 00:21:38,560 Speaker 1: don't know, but I figured this way, I have it 306 00:21:38,640 --> 00:21:43,520 Speaker 1: if I need it. Ruth, Hey, everything okay with you? 307 00:21:43,600 --> 00:21:48,840 Speaker 1: And uh every great great? Hey make I was telling Ruth, 308 00:21:49,240 --> 00:21:52,159 Speaker 1: I have this explore mini sub You can really go 309 00:21:52,280 --> 00:21:58,080 Speaker 1: deep in it. You want to go for a dive? Oh? Um, well, 310 00:21:58,280 --> 00:22:00,680 Speaker 1: Ruth would come to right. All right, it's a two 311 00:22:00,680 --> 00:22:04,639 Speaker 1: person supped tight squeeze as it is. Well, you know, 312 00:22:05,119 --> 00:22:06,640 Speaker 1: I think I want to check out some of these 313 00:22:06,680 --> 00:22:12,280 Speaker 1: paintings for a bit. Oh sure, I'll leave you too 314 00:22:12,280 --> 00:22:16,359 Speaker 1: to it. I thought you would have gone. What are 315 00:22:16,400 --> 00:22:19,000 Speaker 1: you implying that I'd sleep with some rich asshole just 316 00:22:19,040 --> 00:22:21,919 Speaker 1: to get that placement? Oh? I didn't say. That's so 317 00:22:22,119 --> 00:22:27,480 Speaker 1: typical of you. Ruth was a little miss perfect. She 318 00:22:27,960 --> 00:22:34,080 Speaker 1: was always judging me. Ruth was smarter than me, okay, 319 00:22:34,400 --> 00:22:36,199 Speaker 1: and I don't want her for that. But what I 320 00:22:36,200 --> 00:22:39,280 Speaker 1: couldn't stand was that she never missed an opportunity to 321 00:22:39,359 --> 00:22:50,000 Speaker 1: remind me, Oh, welcome home, darling. Drinking again? What else 322 00:22:50,000 --> 00:22:53,000 Speaker 1: am I supposed to do? Down here? Shall I make 323 00:22:53,040 --> 00:22:59,880 Speaker 1: you one. I'll pass. Thank you, come on doctor's orders day. 324 00:23:00,600 --> 00:23:02,640 Speaker 1: You brought a backup, lousy in case the other one 325 00:23:02,680 --> 00:23:07,199 Speaker 1: breaks down. They're only interested in the science and trust me. 326 00:23:07,440 --> 00:23:16,840 Speaker 1: Oh of course, dear, I'm only tasting here a pay sovereign. 327 00:23:18,640 --> 00:23:24,120 Speaker 1: Thank you. You know I love you, right mm hmm, 328 00:23:24,840 --> 00:23:33,240 Speaker 1: I love you too, sweetie to us cheers, look, I 329 00:23:33,280 --> 00:23:36,280 Speaker 1: already told you and made me a margarita. She makes 330 00:23:36,320 --> 00:23:38,800 Speaker 1: them strong. I don't drink that often, so I ended 331 00:23:38,840 --> 00:23:41,840 Speaker 1: up falling asleep. When I woke up, everyone was screaming 332 00:23:42,400 --> 00:23:59,840 Speaker 1: and Ruth was dead. Hello, hello, my suddenly the only 333 00:24:00,000 --> 00:24:12,399 Speaker 1: person on the sublane. Anybody are you serious? Awesome? Power again? 334 00:24:18,680 --> 00:24:29,800 Speaker 1: There must be oh h um, hello, uh, this is 335 00:24:29,920 --> 00:24:33,320 Speaker 1: Ruth Tanner in the conning tower. Is anybody in the 336 00:24:33,320 --> 00:24:38,600 Speaker 1: engine room? We're on emergency power here and I there 337 00:24:38,600 --> 00:24:48,360 Speaker 1: we go, Oh hello, is uh someone there? Oh? Hey, 338 00:24:49,880 --> 00:24:53,879 Speaker 1: what's going on? The lights? Cut out? And wait? What 339 00:24:55,680 --> 00:25:01,480 Speaker 1: are you doing? Is that a knife? Wait? Stop, get 340 00:25:01,520 --> 00:25:22,240 Speaker 1: off me. You've reached the end of the investigation. It's 341 00:25:22,240 --> 00:25:25,640 Speaker 1: time to decide who you think Ruth's killer is. Here 342 00:25:25,640 --> 00:25:29,200 Speaker 1: are your suspects, her jilted boyfriend Jake. We've been growing 343 00:25:29,280 --> 00:25:32,240 Speaker 1: apart bullshit for a while now there The reason that 344 00:25:32,280 --> 00:25:34,479 Speaker 1: we've been growing apart is because you spend all your 345 00:25:34,480 --> 00:25:38,760 Speaker 1: time working on your stupid thesis. Her rival classmate Meg, 346 00:25:39,640 --> 00:25:42,840 Speaker 1: Ruth was smarter than me, okay, and I don't fault 347 00:25:42,880 --> 00:25:44,719 Speaker 1: her for that, But what it couldn't stand was that 348 00:25:44,760 --> 00:25:50,320 Speaker 1: she never missed an opportunity to remind me the billionaire Philip. 349 00:25:51,119 --> 00:25:53,359 Speaker 1: Damn it, I don't have time for your ship. Everybody 350 00:25:53,400 --> 00:25:58,480 Speaker 1: fucking hears you, or Philip's jealous wife an Hey, tankers away. 351 00:25:58,520 --> 00:26:01,320 Speaker 1: It would ever fascinate see you. This year's the submarine, 352 00:26:01,520 --> 00:26:04,400 Speaker 1: Next year, god knows what, but he always comes back 353 00:26:04,440 --> 00:26:07,119 Speaker 1: to me. We'll be back with the answer after a 354 00:26:07,160 --> 00:26:14,080 Speaker 1: word from our sponsor. Now it's time to find out 355 00:26:14,080 --> 00:26:18,679 Speaker 1: who killed Ruth. Ruth's killer was Philip's wife Anne. She 356 00:26:18,800 --> 00:26:21,520 Speaker 1: was fed up with Philip constantly flirting with younger girls. 357 00:26:22,760 --> 00:26:25,840 Speaker 1: He's always bringing some young antenny to upset me, to 358 00:26:25,880 --> 00:26:29,080 Speaker 1: see how far he could push me, and she became 359 00:26:29,119 --> 00:26:32,560 Speaker 1: convinced he was cheating on her with Ruth. I can't 360 00:26:32,560 --> 00:26:35,360 Speaker 1: believe you're doing this again. I talked to her, Philip. 361 00:26:35,840 --> 00:26:39,200 Speaker 1: She is a child, knowing that Philip is a self 362 00:26:39,200 --> 00:26:43,640 Speaker 1: proclaimed lightweight, she made him an extra strong Margarita shall 363 00:26:43,720 --> 00:26:48,199 Speaker 1: make you one O thank you come on doctor's orders. 364 00:26:50,520 --> 00:26:53,360 Speaker 1: So he brought a backup Lousy in case the other 365 00:26:53,359 --> 00:26:56,199 Speaker 1: one breaks down. With Philip out of the way, and 366 00:26:56,400 --> 00:27:02,000 Speaker 1: tracked Ruth down and killed her. Oh hello, If someone 367 00:27:02,040 --> 00:27:04,400 Speaker 1: there and there would have been no way to tell 368 00:27:04,440 --> 00:27:07,000 Speaker 1: that Anne was behind Ruth's murder if not for a 369 00:27:07,040 --> 00:27:11,520 Speaker 1: gift from Philip that that bracelet is really something? Are 370 00:27:11,560 --> 00:27:16,040 Speaker 1: those charms? Gold? Are you serious? Their fourteen carets? Honey? 371 00:27:16,320 --> 00:27:19,240 Speaker 1: The telltale jangle of Anne's charm bracelet could be heard 372 00:27:19,320 --> 00:27:28,320 Speaker 1: during the struggle, revealing her as Ruth's killer. This episode 373 00:27:28,400 --> 00:27:30,560 Speaker 1: was inspired by a true crime that took place in 374 00:27:30,680 --> 00:27:34,199 Speaker 1: late two thousand seventeen, when a right journalist was tasked 375 00:27:34,200 --> 00:27:37,560 Speaker 1: with interviewing an entrepreneur that had access to his own submarine. 376 00:27:38,240 --> 00:27:41,160 Speaker 1: The entrepreneur invited the young woman onto his submarine, where 377 00:27:41,160 --> 00:27:44,000 Speaker 1: she was ultimately killed on board and her remains left 378 00:27:44,000 --> 00:27:50,080 Speaker 1: out to see. Ruth was played by Ava de Luca, Verly, 379 00:27:51,080 --> 00:27:57,320 Speaker 1: Jake by David Hack, Kara by Katie McClellan, Philip by 380 00:27:57,440 --> 00:28:03,720 Speaker 1: Joe San Filippo, Anne by Cat Bayleiss, Professor stand by 381 00:28:03,800 --> 00:28:10,040 Speaker 1: Patrick Kavanaugh, meg by Natalia del Reego. His episode was 382 00:28:10,080 --> 00:28:14,520 Speaker 1: written and directed by Jennifer Helen Coates. Executive produced by 383 00:28:14,560 --> 00:28:19,120 Speaker 1: Walt Palmer and Corey Serge. Produced, recorded and mixed by 384 00:28:19,160 --> 00:28:24,920 Speaker 1: Salt Audio. Recorded at Bang Zoom Studios, Edited by Zach 385 00:28:25,040 --> 00:28:29,240 Speaker 1: Jurich for Salt Audio. Sound designed by Zach Pino for 386 00:28:29,320 --> 00:28:33,280 Speaker 1: Salt Audio. Original music and score by Noah Gersh and 387 00:28:33,400 --> 00:28:38,719 Speaker 1: Jamie Scheffman at Salt Audio. Casting by Romy Stepman, Casting 388 00:28:38,720 --> 00:28:48,120 Speaker 1: Assistant Daisy Laura. Production coordinated by Liz Lamy. Next time 389 00:28:48,120 --> 00:28:52,880 Speaker 1: on Solve, a bank robbery comes to a bloody end. 390 00:28:53,440 --> 00:28:56,280 Speaker 1: We're now receiving confirmation that among the two dead at 391 00:28:56,280 --> 00:28:59,960 Speaker 1: the attempted Crown Trust bank heist is Eddie Doyle, lead 392 00:29:00,160 --> 00:29:02,520 Speaker 1: of the Doyle Gang of bank robbers who have been 393 00:29:02,600 --> 00:29:10,960 Speaker 1: terrorizing citizens across the Northeast. Frank, Yeah, I can't believe it, 394 00:29:11,320 --> 00:29:14,440 Speaker 1: But did someone tip off the cops? Tell me how 395 00:29:14,480 --> 00:29:17,480 Speaker 1: the bank manager gets the coach to the fucking vault road. Listen, 396 00:29:17,680 --> 00:29:21,880 Speaker 1: The alarms didn't make a difference. The cops were already there. Okay, okay, 397 00:29:21,920 --> 00:29:24,680 Speaker 1: somebody called the coups and it had to be someone 398 00:29:24,720 --> 00:29:28,880 Speaker 1: in this room Tune in next week to find out