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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are heart. You may be like your

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Speaker 1: grandfather in this I don't know, but certainly both you

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Speaker 1: and your father resemble him very much physically well. He

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Speaker 1: is dead, he never saw you, and he had a

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Speaker 1: terrible life. He was defeated long before he died because,

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Speaker 1: at the bottom of his heart, he really believed what

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Speaker 1: white people said about him.

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Speaker 2: This is one of the reasons that he became so holy.

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Speaker 1: I'm sure that your father has told you something about

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Speaker 1: all that. Neither you nor your father exhibited any tendency

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Speaker 1: towards holiness.

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Speaker 2: You really are of another era.

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Speaker 1: Part of what happened when the Negro left the land

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Speaker 1: came into what the late E. Franklin Fraser called the

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Speaker 1: cities of destruction. You can only be destroyed by believing

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Speaker 1: that you really are what the white world calls a nigger.

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Speaker 1: I tell you this because I love you, and please,

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Speaker 1: don't you ever forget it. Hey, Welcome to the Black

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Speaker 1: Autils Podcast.

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Speaker 2: Oh, Rodd Karen, and we're live on a.

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Speaker 1: Wednesday, A Walking Dead Wednesday, my fave. We're giving you

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Speaker 1: too walking dead to catch up this week. Yes, we

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Speaker 1: know you already got those. Sunday, we are the last

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Speaker 1: and only podcast still recapping and walking.

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Speaker 2: Dead and enjoying it and don't you ever forget it?

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Speaker 1: Okay, and the exert will be on the right side

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Speaker 1: of history. The exert today is from, of course, the

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Speaker 1: illustrious James vall Win The Fire Next Time, which is

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Speaker 1: a classic classic novel. I feel like, uh, that's one

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Speaker 1: of those novels almost every black person has read.

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Speaker 3: Uh.

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Speaker 2: Sometimes they assigned it to you if you depend on

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Speaker 2: what courses.

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Speaker 3: You take about his writing, I've never you.

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Speaker 1: Sure read it. You should read it. It's uh, it's

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Speaker 1: on the kendle and uh, it's amazing. But yeah, what we're.

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Speaker 3: Saying, oh no and listening, I guess I understand, but

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Speaker 3: I don't. I was because what was that insert in

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Speaker 3: the middle of I know that might sound silly like.

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Speaker 1: It's in the very beginning. It's a letter that he

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Speaker 1: writes to his nephew. The whole thing is a letter

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Speaker 1: to his nephew. Coach later did one for his son

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Speaker 1: like that because it was inspired by James Baldwin. But

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Speaker 1: it's a letter to his nephew and it's kind of

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Speaker 1: like life advice, and it starts off kind of telling

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Speaker 1: him like, listen, uh, don't believe your nigga or you like,

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Speaker 1: if you believe that you are what the white man

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Speaker 1: calls a nigga, then you will act out to prove

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Speaker 1: that you are not or that, or to offset the

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Speaker 1: fact that you are ashamed of who you are.

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Speaker 2: You are ashamed of yourself.

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Speaker 1: And he said, your grandfather was a miserable man who

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Speaker 1: got a miserable life. And part of that, part of

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Speaker 1: the way he offset that niggerdom was through church and religion.

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Speaker 3: You know that makes okay, yeah, okay.

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Speaker 2: Yeah.

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Speaker 1: So he's like, you know, y'all don't have a t

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Speaker 1: you and your father don't have a tendency towards holiness.

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Speaker 1: And he was saying, holiness is in a bad thing

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Speaker 1: because you know, holiness in a lot of ways is

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Speaker 1: to scrub the sin of being black off of a

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Speaker 1: lot of black people, especially that like traditionally, in addition

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Speaker 1: to being an organizing space, church was also a place

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Speaker 1: that white people. White people let black people organize their

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Speaker 1: partially because they knew the organizing under the auspices of

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Speaker 1: religion was always going to be a kneecapped effort because

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Speaker 1: it's forgiveness, it's turned to other cheeks.

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Speaker 2: It's peace, it's docileness.

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Speaker 1: It's respectability, you know, it's suits talking well and being

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Speaker 1: serving your master well, stuff like that.

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Speaker 2: And so there was a obviously they were stupid.

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Speaker 1: Because you know we uh not every nigga that go

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Speaker 1: to churches is some docile person. But but still they

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Speaker 1: That's one of the reasons they let black people organize

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Speaker 1: the church, and also one of the reasons that they

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Speaker 1: started bombing and destroying churches and shit when black people

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Speaker 1: would ever organize or resist. That was one of the

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Speaker 1: reasons that churches were always one of the first places

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Speaker 1: to go in communis because they were organizing.

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Speaker 4: Hub.

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Speaker 2: Why do you think some of our leaders are Reverend

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Speaker 2: such and such.

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Speaker 1: You know, because those were the black men with the

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Speaker 1: voices in the pullpit and the following to organize.

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Speaker 2: You know.

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Speaker 1: I don't know if that has kept up, but we

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Speaker 1: still do have that tradition. Reverend Barber, a lot of

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Speaker 1: these black academics go and become reverend so that they

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Speaker 1: can continue that tradition even if you know, because that's

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Speaker 1: what we consider to be authentic or used to consider.

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Speaker 1: But if you look at like Michael Eric Dyson, Cornell West.

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Speaker 1: I'm not sure Melissa Airsperry is one, but a lot

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Speaker 1: of them are like ordained ministers and stuff. I don't

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Speaker 1: want to say she's not there because I don't fucking know.

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Speaker 1: A lot of these motherfuckers are like ordained ministers and shit.

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Speaker 1: Because that was black authenticity back.

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Speaker 2: In the day.

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Speaker 3: So yeah, that was a form of a form of

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Speaker 3: a validation. And uh yeah, like you say, uh that

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Speaker 3: was a trick to actually think that everybody that I

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Speaker 3: understand the concept of this religion and the way quote unquote,

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Speaker 3: particularly Christianity, because that's what most of it is. For you.

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Speaker 3: You didn't see these organizations and a lot of blackness

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Speaker 3: as far as fighting in other religions, there was normally Christianity,

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Speaker 3: And like you said, I could see them thinking, okay,

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Speaker 3: well we have quote unquote taught them, well, this is

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Speaker 3: what we want them to think. Is this is that

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Speaker 3: goes But like you say, everybody behind that quote unquote

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Speaker 3: cloth ain't got So they were like, yeah, I'm saying, Satan,

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Speaker 3: I holdly goes here, but I will put these hands

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Speaker 3: on you if you fuck with me.

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Speaker 1: Well became a place to sreititiously organize. I mean, let's

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Speaker 1: we can't organize out in the public. You know, Black

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Speaker 1: people were not even allowed to congregate unless it was

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Speaker 1: a church. So of course if that's the one time

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Speaker 1: we can meet once white people are not watching. We

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Speaker 1: all do share a plight of oppression, and so those

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Speaker 1: areame the organizing space by necessity, you know.

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Speaker 2: And then I think later, I think a huge movement.

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Speaker 1: Started when black people got when slavery was abolished and

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Speaker 1: black people were quote unquote freed. You'll look and see

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Speaker 1: that's when a whole lot of clubs and organizations, fraternities

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Speaker 1: and stuff popped up because I think Black people were like,

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Speaker 1: we want to organize it now, we don't have to

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Speaker 1: do it just strictly through church are And so there

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Speaker 1: was so many organization you can't even keep up with

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Speaker 1: our organizations around the turn of the nineteen like around

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Speaker 1: the nineteen hundreds of late eighteen hundreds, because it's like

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Speaker 1: everybody started a fucking group just because it was like,

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Speaker 1: we don't have to do this under the name of

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Speaker 1: God anymore. We can just organize and say, hey, we

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Speaker 1: don't want we want higher wages, we want to be

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Speaker 1: treated fairly in our housing let's just start an organization.

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Speaker 3: Right, and we don't have to quote unquote run it

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Speaker 3: through people go through chain to come in. We'll be like, nope,

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Speaker 3: these are the things that this particular group wont And

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Speaker 3: it don't all always have to be religious based or

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Speaker 3: formed off of religion, because a lot of that stuff

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Speaker 3: is like some of these issues whenever brought up in

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Speaker 3: the religious organizations because not that they didn't care, but

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Speaker 3: you know, whoever may be running, but like, hey, that

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Speaker 3: ain't that at the top of my agenda right now?

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Speaker 1: Well maybe, yeah, I mean once also, once those people

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Speaker 1: leave the church and organize, I mean I'm sure that

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Speaker 1: affected what church kind of became to correct because it's

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Speaker 1: not an organization resistance space as much because hey, yeah,

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Speaker 1: you know, we have created clubs for that.

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Speaker 2: Now they don't have to come here to do it.

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Speaker 1: But in the movie Harriet, which I think is a

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Speaker 1: good movie, might not be perfect but still good, still

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Speaker 1: worth seeing, one of the main characters is a priest

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Speaker 1: who goes around from plantation and plantation. He preaching to

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Speaker 1: the slaves, and he's always preaching like obey your masters

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Speaker 1: and all this stuff, and so the white people love

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Speaker 1: him and they thank the priests for coming. He also

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Speaker 1: was a dude that was hide and slaved so they

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Speaker 1: could escape to the north. And that if you didn't know,

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Speaker 1: you didn't know, even black people, if you didn't know,

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Speaker 1: you didn't know, because he needed that.

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Speaker 2: Cover of he's the docile, he's the turn the other cheek.

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Speaker 2: He used to know. It's some good masters out here.

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Speaker 2: He's that guy.

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Speaker 1: But then when you actually need to get the fuck

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Speaker 1: out of you know, South Carolina or some shit, he's

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Speaker 1: also the guy to go. All right, now, listen, these

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Speaker 1: are the ways to the North. I you're gonna follow

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Speaker 1: this path. You're gonna do that.

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Speaker 2: So that complexity existed, you know.

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Speaker 1: So anyway, let's get into this episode of The Walking Dead.

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Speaker 1: That's what you guys came for. You guys know this

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Speaker 1: is the blackout. Tips iTunes, Stitch, You're problematic. Ficial weapon

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Speaker 1: of the show is Unofficial Sports.

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Speaker 2: And Bulletball Extreme.

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Speaker 1: This episode Death is episode five of season ten, Episode

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Speaker 1: one six Overall What It Always Is, directed by Laura

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Speaker 1: Belzie and written by Ellie Jordan Jordana. It only got

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Speaker 1: three million ratings, so, of course, which we figured they would,

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Speaker 1: uh they do every season, but uh, yeah, we Uh what, Karen,

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Speaker 1: what do you think about this episode?

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Speaker 2: Overall?

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Speaker 3: I enjoyed it. I liked it a lot. I feel

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Speaker 3: as though, this is kind of excuse me, this is

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Speaker 3: kind of, uh the Nagan that I wish that we

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Speaker 3: would have got a few seasons when he first showed up,

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Speaker 3: like Nagan as Nagan and not these substitutes, like because

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Speaker 3: Jeffer Dean Morgan played the hell out of that character

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Speaker 3: and I love him in this role.

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Speaker 2: Yeah, I also love this episode we haven't.

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Speaker 1: It was like it's kind of the before the fireworks start,

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Speaker 1: I think, because I really want to see him involved

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Speaker 1: with the Walker with the Whispers.

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Speaker 3: Be a comedy show.

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Speaker 2: But I actually loved the journey he took this week. Uh.

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Speaker 2: And I liked some of the stuff that happen in Hilltop.

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Speaker 1: And uh and I just felt like this was one

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Speaker 1: of those episodes where everything was building to something. But

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Speaker 1: I was okay watching it build because I really liked

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Speaker 1: the interactions and the places they were going.

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Speaker 2: So Yeah, and I liked it.

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Speaker 3: And also it was you can quote unquote have a

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Speaker 3: filler episode did moves and this was kind of one

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Speaker 3: of them, And I appreciate these. I don't like philler

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Speaker 3: episodes that don't love you.

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Speaker 1: Just you're gonna you're gonna have some in sixteen seasons, correct,

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Speaker 1: I mean sixteen episodes per season, you're gonna have some, right,

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Speaker 1: But sometimes there's a filler episode and you're just like

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Speaker 1: nothing's happening.

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Speaker 2: And then sometimes it's like, Okay, I see how you're.

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Speaker 1: Moving the chest pieces for these things to happen, and

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Speaker 1: I'm looking forward to it, and it's not to me.

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Speaker 1: It didn't feel like they were dragging it out. I'm

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Speaker 1: expecting to come in next week, hot, hot and ready.

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Speaker 1: So at any rate, let's get into our uh, get

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Speaker 1: into our actual recap of the episode.

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Speaker 2: Wait, Spotify wants to freeze before I could play the things.

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Speaker 2: All righty, what.

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Speaker 3: You ain't gonna do is this boy?

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Speaker 1: All right, let's get into it. This episode has three

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Speaker 1: different locations. What I'm gonna try to do is break

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Speaker 1: it down by location rather than just go in chronological order.

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Speaker 1: This one might take a little bit longer to recaptain

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Speaker 1: ore than we have been doing, uh, just because a

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Speaker 1: lot of stuff was happening. But I'll see what I

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Speaker 1: can do on this. So I'm gonna start with kinda Alexandria.

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Speaker 1: It's like Alexandria. Yeah, I'll call it Alexandra, and I'll

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Speaker 1: call Meagan's segment nighan. All right, so Alexandria. This is

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Speaker 1: the shortest clip cordis Ones. Aaron is walking along a

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Speaker 1: bridge practicing some sword tricks, looking like Napoleon dynamite or

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Speaker 1: something like, like he was out of practices, karate by

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Speaker 1: hisself walking over that and lotal he was walking around

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Speaker 1: where that bridges that they're not supposed to go at.

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Speaker 2: But I don't know, but he was hanging out.

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Speaker 1: There, I think because they know that the whispers are

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Speaker 1: around and shit like that. And I don't know if

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Speaker 1: his plan was to try to run into one or what,

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Speaker 1: but he was by himself, no backup, and he sees

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Speaker 1: a whisper gut a zombie down by the creek and

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Speaker 1: the like the whisper like take leads the zimbie to

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Speaker 1: the creek, and the way they that it was Gamma,

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Speaker 1: the way that she gut the zombie, like the guts

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Speaker 1: and the juice and shit all flow into the creek,

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Speaker 1: which made me go, it's just like chemical warfare or

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Speaker 1: something like.

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Speaker 3: They're literally I'll poised in the water because you can't

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Speaker 3: survive with that water. Like that's just coming sense, right.

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Speaker 2: So then Gamma comes back to Aaron Caesars.

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Speaker 1: He doesn't confront her or say anything, but he sees

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Speaker 1: that he hides before she can see him, and so

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Speaker 1: go ahead.

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Speaker 3: No, because the thing is, uh, we were talking about this,

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Speaker 3: so I guess I wouldn't Gamma. Did Carol shot? It

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Speaker 3: must have been somebody else.

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Speaker 1: You want to say that was Gamma, and I just

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Speaker 1: went along with it, But okay, I don't know.

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Speaker 2: Somebody got shot.

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Speaker 1: I didn't know if that was Gamma not, because the

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Speaker 1: niggas looked a lot of them look alike to me.

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Speaker 3: Okay, I thought it was her, but the Parande was not.

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Speaker 1: So mad, I have no idea how to fucking That's

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Speaker 1: what's so scared about these motherfuckers. In addition to my

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Speaker 1: white woman actress blindness. I don't know which of these

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Speaker 1: zombie motherfuckers is which I know Beta and I know Alpha.

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Speaker 3: Yeah, everybody else is maybe.

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Speaker 2: Yeah, everybody else is a red shirt from Star Trek.

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Speaker 3: Come on, you're allowed to go out of any time,

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Speaker 3: and I wouldn't know the difference.

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Speaker 1: So yeah, So Gamma returns back to the camp where

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Speaker 1: Alpha and Beta are.

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Speaker 5: You have something for me.

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Speaker 3: Condemning up the creek like you wanted? I just come

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Speaker 3: back for one more guardian, the guardian taking.

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Speaker 2: Another lost now that's Beta. Beta does not like the

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Speaker 2: waste of the dead. To him.

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Speaker 1: He worships the zombies and the ultimate existence is to become.

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Speaker 2: A zombie in his mind.

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Speaker 1: So he's like, as a resource, it's disrespectful to keep

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Speaker 1: like using the dead for these other plans that aren't

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Speaker 1: just you know, like making them maybe making them attack

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Speaker 1: some people or something.

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Speaker 2: But he doesn't like using them for no purpose in

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Speaker 2: his mind.

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Speaker 3: Right, just randomly killing them. He was like, dude, why

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Speaker 3: are we killing him?

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Speaker 2: This is stupid? Yeah, and damn it up the creek

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Speaker 2: with walkers is not. He doesn't like that, and.

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Speaker 3: Truly it's not smart for them either, because guess what

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Speaker 3: they need water also.

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Speaker 2: Well drink it. Further up, get your water from before

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Speaker 2: weather zombies.

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Speaker 1: At not really, No, that's not how creeks work. Creeks

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Speaker 1: flow one way, so if you put if you contaminate

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Speaker 1: the water flowing that way, right, that's the water after

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Speaker 1: the contamination is fucked up.

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Speaker 2: The water before it is fine.

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Speaker 1: Get your water before, and the way they got ship

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Speaker 1: bordered off, they might be in the safe zone and

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Speaker 1: they're trying to fuck up our crew because they said

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Speaker 1: the creek was the They said the creek was the

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Speaker 1: new border, right, so they could be doing that anyway.

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Speaker 5: Shifts and strategy take time. Creeks, the water, the tree,

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Speaker 5: it will crush that.

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Speaker 2: Now she said the creek, the water.

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Speaker 1: Okay, that's probably them damning up the creek, putting the

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Speaker 1: juice in the water.

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Speaker 2: The tree.

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Speaker 1: Now that sounds like the tree that fell on Hilltop

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Speaker 1: last week. And I wasn't sure if it was them

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Speaker 1: or not. And I know part of the danger of

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Speaker 1: this crew is that makes you paranoid that everything is them.

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Speaker 1: But I mean that's pretty much confirmation that it was them,

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Speaker 1: and if so, that's diabolical. Now I'm like, did they

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Speaker 1: send those waves of zombies at Alexandria because I before

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Speaker 1: I said, well, maybe Dwight's right and it was the satellite.

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Speaker 1: Now I'm like, who fucking knows? These motherfuckers are just

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Speaker 1: up to no good.

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Speaker 2: Out here, right, Well, that was pretty intense, so you

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Speaker 2: do her right?

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Speaker 3: Last week?

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Speaker 1: Yeah, Well, she said they're gonna make us run around

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Speaker 1: till we get tired and stuff.

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Speaker 6: Yeah, we could really arm here thousands.

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Speaker 2: Now this is some red shirt nigga. We don't know.

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Speaker 3: Go ahead say your peace.

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Speaker 2: Now.

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Speaker 1: As a common person in a in a movie that

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Speaker 1: watched you know, somebody watched movies with villains in it.

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Speaker 1: It's never good when you're at the conference meeting and

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Speaker 1: the guy that's not really anybody makes a suggestion.

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Speaker 3: That the guy is not in like the top five

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Speaker 3: chairs make a comment.

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Speaker 2: Yeah, it's always a problem when when.

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Speaker 3: The guy back in section C three you I don't

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Speaker 3: think you get a word to her.

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Speaker 1: In the script when your names is thug number five.

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Speaker 1: Come on, it's not it's not gonna work out for you.

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Speaker 1: But he says, you know, essentially, we got thousands of

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Speaker 1: dead people and thousands of zombies in a in a horde, right,

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Speaker 1: why don't we just send the fucking hoard of them,

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Speaker 1: run them all the way over with the ship and

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Speaker 1: not and be done with it? Like, why are we

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Speaker 1: playing these fucking games?

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Speaker 2: She says, Okay, let's speak a peace piece.

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Speaker 7: Little nicks.

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Speaker 3: Getting our guardians killed at their wolves.

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Speaker 8: Why don't we.

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Speaker 2: Cut the enemy down?

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Speaker 7: Follow ons.

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Speaker 5: That is a vote? Anyone agree.

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Speaker 1: Nobody raised their hand when you know you're in trouble. Yeah,

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Speaker 1: you really needed a couple of people to raise their hand.

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Speaker 1: Everybody looked around too, and then everybody left.

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Speaker 5: That's democracy for you.

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Speaker 2: Damps cuddle back of the leg fell to his knees.

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Speaker 5: It's radials.

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Speaker 7: On.

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Speaker 5: It takes freaking collapse. The seen nicks in the right spots.

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Speaker 2: Cut his arm.

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Speaker 1: He tries it because he tried to reach for a

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Speaker 1: knife to cut her. She cut his arm, making him

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Speaker 1: drop the knife because you know these little knicks that

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Speaker 1: he says, you know they he tired of doing, just

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Speaker 1: sending the hord. She like, these little knicks hurt, and

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Speaker 1: now you can't fight back that little collapses.

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Speaker 5: The smart one go on, will a clumb stay safe?

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Speaker 9: Will waited?

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Speaker 1: She hands the rais of the blade to Beta, and

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Speaker 1: then he goes over to kill the dude.

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Speaker 2: And that's why you don't ask questions. It to me,

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Speaker 2: isn't this way?

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Speaker 1: We all wish what happened. When you have a meeting

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Speaker 1: at work and somebody's like, oh, one more question, you know.

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Speaker 3: When it's dumb, or it's something that somebody they've already covered,

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Speaker 3: or you're like, oh, bitch, we got this in the

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Speaker 3: email last week?

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Speaker 2: Where was you? Is it okay? If maybe we should?

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Speaker 2: I don't know.

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Speaker 1: I'm just spit bothering. What if we all have a

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Speaker 1: mandatory ten hours overtime next week? Would that be something

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Speaker 1: that would help with the problem?

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Speaker 3: Boss?

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Speaker 2: And you know, everybody's like this, this is democracy for you.

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Speaker 2: Cut your motherfucker hand off.

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Speaker 3: No nobody voted for this. The fuckers did shut up.

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Speaker 2: But yeah, he fucking had to ask that dumb ass question.

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Speaker 3: And also something else that she stated that kind of

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Speaker 3: stuck out when she was saying the like, basically, once

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Speaker 3: you do this, people will know where to run, which

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Speaker 3: means they're gonna have to cross that border.

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Speaker 2: Well not across the border.

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Speaker 1: I think what she's saying is, we're going to starve

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Speaker 1: out their civilization. We're gonna starve out Alexander Hilltop, all

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Speaker 1: this stuff. They when their civilization collapses because they won't

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Speaker 1: have water, they won't be able to hunt for food.

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Speaker 1: They so they don't have resources, they will start to

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Speaker 1: turn on each other. When they started to turn on

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Speaker 1: each other, they realize that the way your life doesn't work,

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Speaker 1: they ain't gonna know where to run. That gonna run

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Speaker 1: to us, and when they run to us, I'm gonna

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Speaker 1: let them join the cold and then we become stronger

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Speaker 1: because the pack becomes stronger.

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Speaker 2: And that makes sense, that's what I think, shes okay.

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Speaker 3: I thought that as either they'll come over here, you know,

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Speaker 3: and we'll have to kill them, or they come over

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Speaker 3: here will join them.

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Speaker 1: Yeah, no, I mean yeah, she was definitely talking about

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Speaker 1: joining them. Joining She says, when their world collapses, the

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Speaker 1: smart ones will know where to come when it's safe,

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Speaker 1: and then we'll be waiting.

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Speaker 2: Those are her exact words.

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Speaker 1: So to say they'll know where to come. They're saying

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Speaker 1: we're the safety. We're safe over here, so they'll join us.

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Speaker 1: Then later, uh, Gamma goes back because after the dude dies,

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Speaker 1: he becomes a zombie and Alf was like, you have

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Speaker 1: your guardian and let her go with the zombie back

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Speaker 1: to the creek to do some old uh some old

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Speaker 1: damning of the.

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Speaker 2: Creek or whatever.

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Speaker 1: Yeah, and so she does that. Aaron watches her do it,

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Speaker 1: and this time she loses her fucking shit because she

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Speaker 1: starts having flashbacks of her sister getting like basically getting

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Speaker 1: killed and how she had to basically turn her back

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Speaker 1: on her sister and let her die.

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Speaker 3: She was hard caught her right like like that. I

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Speaker 3: was thinking that shit, got the fuck with you. It

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Speaker 3: ain't like she's a.

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Speaker 1: Nobody, right, It fucks with everybody, you know. And so

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Speaker 1: she starts having these flashbacks. She's fucking thinking about her sister,

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Speaker 1: and she just starts fucking stabbing this zombie. She's stabbing

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Speaker 1: this motherfucking zombie like, oh, j coming home early, okay.

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Speaker 2: He's just shutting her out.

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Speaker 1: And she stabs so hard the knife breaks and cuts

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Speaker 1: her hand, the palm of her hand. Aaron, standing in

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Speaker 1: the cut, sees this as like, hey, hey, my name

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Speaker 1: is Aaron. Don't run, you know, don't I'm not trying

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Speaker 1: to do you any harm. He gives her a bandage

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Speaker 1: and says, you know, you can use this to wrap

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Speaker 1: your head.

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Speaker 2: You know.

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Speaker 1: I don't want any problems or just trying to understand

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Speaker 1: yab blah blah, and then she runs off before you

442
00:22:54,880 --> 00:22:56,320
Speaker 1: can say anything else.

443
00:22:56,520 --> 00:22:58,640
Speaker 3: And what made me upset with this? I was like, God, damn, Aaron,

444
00:22:58,680 --> 00:23:00,840
Speaker 3: how do you have more understanding for her? But yet

445
00:23:00,840 --> 00:23:02,440
Speaker 3: you don't have an understanding for somebody in your own

446
00:23:02,480 --> 00:23:03,040
Speaker 3: fucking group.

447
00:23:04,880 --> 00:23:06,800
Speaker 2: Yeah, I don't hind that.

448
00:23:06,880 --> 00:23:08,480
Speaker 3: You want to understand her, but you don't want to

449
00:23:08,560 --> 00:23:09,200
Speaker 3: understand them.

450
00:23:09,320 --> 00:23:11,399
Speaker 1: And I don't know if he's up to something or not,

451
00:23:11,480 --> 00:23:14,560
Speaker 1: because it's like, what would the plan be, right, you know,

452
00:23:14,760 --> 00:23:16,840
Speaker 1: to ingratiate yourself with a person of that group?

453
00:23:16,920 --> 00:23:18,240
Speaker 2: Was that? Was he really out there just.

454
00:23:18,200 --> 00:23:21,159
Speaker 1: Waiting to hopefully cross one of them and ask some

455
00:23:21,280 --> 00:23:23,040
Speaker 1: questions like you could get killed like that?

456
00:23:23,160 --> 00:23:24,520
Speaker 2: What what is he doing?

457
00:23:24,760 --> 00:23:26,360
Speaker 3: Right? Yeah?

458
00:23:26,359 --> 00:23:28,239
Speaker 2: I didn't understand his reasoning on this.

459
00:23:28,760 --> 00:23:32,680
Speaker 1: But he gives her the bandage and she runs off

460
00:23:32,840 --> 00:23:35,600
Speaker 1: and the first thing she does is show it to Alpha,

461
00:23:36,480 --> 00:23:39,760
Speaker 1: uh to see to see what happens and have that.

462
00:23:39,720 --> 00:23:42,440
Speaker 3: Clibuse you like, somebody gonna see this eventually, and you know,

463
00:23:42,560 --> 00:23:44,679
Speaker 3: we don't bandage up, so somebody's going to see and

464
00:23:44,720 --> 00:23:46,440
Speaker 3: I don't want to. I want to be the one

465
00:23:46,440 --> 00:23:48,200
Speaker 3: to tell her, you know, if I'm a doll whatever

466
00:23:48,280 --> 00:23:49,160
Speaker 3: versus somebody else.

467
00:23:50,359 --> 00:23:53,879
Speaker 2: Yeah, yea, so she showed.

468
00:23:53,920 --> 00:23:58,359
Speaker 1: That's her showing the bandage to Alpha to.

469
00:24:01,920 --> 00:24:02,200
Speaker 5: Ship.

470
00:24:20,720 --> 00:24:22,960
Speaker 2: Then Alpha takes her mask off of her face.

471
00:24:27,200 --> 00:24:29,280
Speaker 3: They don't take good care of their skin apparently.

472
00:24:30,119 --> 00:24:30,359
Speaker 2: Yeah.

473
00:24:30,680 --> 00:24:33,480
Speaker 1: Also she got a five head I noticed, like that's

474
00:24:33,480 --> 00:24:36,640
Speaker 1: a big four head dog like, I mean, I guess

475
00:24:36,640 --> 00:24:38,000
Speaker 1: that's why you are a zombie mask.

476
00:24:38,119 --> 00:24:41,800
Speaker 2: Right, come on, sorry to this woman.

477
00:24:45,040 --> 00:24:52,399
Speaker 5: But all to wed different masks different times. Call it

478
00:24:52,440 --> 00:24:58,200
Speaker 5: a kind of sacrifice like your sister.

479
00:25:03,000 --> 00:25:03,080
Speaker 3: Do.

480
00:25:03,240 --> 00:25:06,320
Speaker 7: Your sacrifice was much your great.

481
00:25:08,840 --> 00:25:17,800
Speaker 5: Man of the middle all can prove. You might just

482
00:25:17,920 --> 00:25:20,280
Speaker 5: have to wear a new mask.

483
00:25:23,359 --> 00:25:27,120
Speaker 1: So what do you think she means by you might

484
00:25:27,200 --> 00:25:28,399
Speaker 1: just have to wear a new mask?

485
00:25:29,119 --> 00:25:32,360
Speaker 3: Oh, go back out there, and since he's offering, going

486
00:25:32,440 --> 00:25:34,880
Speaker 3: over there and funcksh it up or either go over there,

487
00:25:35,119 --> 00:25:37,960
Speaker 3: find out what they're doing and keep was informed.

488
00:25:38,119 --> 00:25:39,040
Speaker 2: Like pretending to join.

489
00:25:40,119 --> 00:25:43,159
Speaker 1: That's interesting because I can't imagine our group and the

490
00:25:43,160 --> 00:25:48,200
Speaker 1: way they are now towards like Lydia accepted her. Also,

491
00:25:48,240 --> 00:25:52,679
Speaker 1: I think it's stupid of It's stupid of Alpha to

492
00:25:52,720 --> 00:25:55,840
Speaker 1: do it, because the closer those people get to that group,

493
00:25:56,080 --> 00:25:58,240
Speaker 1: one of them might see the fucking Lydia is alive,

494
00:25:58,800 --> 00:26:01,480
Speaker 1: and you know it better not be Gamma because Gamma

495
00:26:01,600 --> 00:26:04,640
Speaker 1: literally sacrificed her sister for the group. So I don't

496
00:26:04,640 --> 00:26:06,760
Speaker 1: know what Alpha's thinking, Like, I don't know if she's

497
00:26:06,800 --> 00:26:09,000
Speaker 1: gonna try to lure them into something, trick them into

498
00:26:09,000 --> 00:26:12,560
Speaker 1: something or what. But like, that's such a dangerous play

499
00:26:12,640 --> 00:26:15,639
Speaker 1: because if that woman sees Lydia, it's a rap.

500
00:26:16,000 --> 00:26:19,440
Speaker 3: Yeah. That oh either, I think that even if she's

501
00:26:19,520 --> 00:26:22,560
Speaker 3: not quote unquote join the group, she's gonna want her

502
00:26:22,560 --> 00:26:24,480
Speaker 3: to keep the interaction with Aaron going in some way

503
00:26:24,520 --> 00:26:27,240
Speaker 3: shape form fashion, like even if it's not to join

504
00:26:27,320 --> 00:26:29,320
Speaker 3: a group, but keep him coming out there by hisself.

505
00:26:30,080 --> 00:26:31,879
Speaker 2: Yeah, yeah, I mean it could be a ton of

506
00:26:31,880 --> 00:26:32,440
Speaker 2: different things.

507
00:26:32,440 --> 00:26:34,840
Speaker 1: But that was my first thought too, was, Oh, she

508
00:26:34,920 --> 00:26:38,880
Speaker 1: filtracked the group somehow, or gain error, try to act

509
00:26:38,920 --> 00:26:42,720
Speaker 1: like she's getting Aaron's trust, or maybe mislead Aaron and

510
00:26:42,760 --> 00:26:46,760
Speaker 1: thinking they're doing uh something they're not, like, oh, we're

511
00:26:46,760 --> 00:26:48,520
Speaker 1: about to go south for the for the winner.

512
00:26:48,640 --> 00:26:50,280
Speaker 2: So I don't know, like, I don't know what it

513
00:26:50,320 --> 00:26:50,679
Speaker 2: could be.

514
00:26:51,040 --> 00:26:54,240
Speaker 3: And she can also infiltrate to infiltrate the truth, infiltrate

515
00:26:54,280 --> 00:26:57,560
Speaker 3: the group by just being a regular function in person

516
00:26:57,640 --> 00:26:59,320
Speaker 3: like because don't nobody know what the fuck she look like?

517
00:27:00,160 --> 00:27:03,480
Speaker 1: Yeah, I guess, But then but then when you say

518
00:27:04,520 --> 00:27:06,800
Speaker 1: wear another mask, then I guess I don't know.

519
00:27:07,240 --> 00:27:08,879
Speaker 2: That still is dangerous for Alpha.

520
00:27:09,000 --> 00:27:11,200
Speaker 1: It is because that's saying even if she goes over

521
00:27:11,240 --> 00:27:12,880
Speaker 1: there just to say, hey, I wanted y'all.

522
00:27:12,920 --> 00:27:14,600
Speaker 2: I just want to join y'all's group. I'm not one

523
00:27:14,640 --> 00:27:18,040
Speaker 2: of them. She still might see Lydia agree, so she's

524
00:27:18,040 --> 00:27:19,919
Speaker 2: still gonna be hers. I don't know. It's such a

525
00:27:19,960 --> 00:27:22,000
Speaker 2: weird I wonder what she means.

526
00:27:22,080 --> 00:27:26,160
Speaker 3: It doesn't make sense, So I don't know what mask

527
00:27:26,280 --> 00:27:26,920
Speaker 3: is she talking about?

528
00:27:27,200 --> 00:27:28,879
Speaker 2: Right, Yeah, I don't. It doesn't make sense for her

529
00:27:28,920 --> 00:27:30,119
Speaker 2: to join our group.

530
00:27:30,760 --> 00:27:33,720
Speaker 1: But maybe some other type of way of getting information

531
00:27:33,880 --> 00:27:34,680
Speaker 1: or pretending to be.

532
00:27:36,200 --> 00:27:37,760
Speaker 2: An alliance with Aaron or something.

533
00:27:37,800 --> 00:27:40,800
Speaker 3: I don't know, you know, cause the only person knows

534
00:27:41,720 --> 00:27:42,399
Speaker 3: is Beata.

535
00:27:44,359 --> 00:27:48,160
Speaker 1: Yeah, exactly, all right, So let's go to Hilltop. We'll

536
00:27:48,240 --> 00:27:50,320
Speaker 1: save Alexandria for last.

537
00:27:50,760 --> 00:27:53,200
Speaker 2: Kelly. This is the code open by the way. Kelly

538
00:27:53,280 --> 00:27:56,280
Speaker 2: is chilling in the woods by herself. She's hunting.

539
00:27:56,440 --> 00:28:01,600
Speaker 1: She has her slingshot handy Dandy slingshot, and she spots

540
00:28:01,600 --> 00:28:04,280
Speaker 1: a pig that she's hunting, But every time she goes

541
00:28:04,280 --> 00:28:07,959
Speaker 1: to use her sling shot, her senses fade out. We

542
00:28:08,040 --> 00:28:11,440
Speaker 1: know she talked about this a few weeks ago, about

543
00:28:11,920 --> 00:28:15,080
Speaker 1: like maybe possibly losing her hearing or the ability to

544
00:28:15,160 --> 00:28:16,840
Speaker 1: hear things when a lot of boys is going on

545
00:28:16,840 --> 00:28:21,159
Speaker 1: at the same time. She can't really focus, right, But

546
00:28:21,240 --> 00:28:24,600
Speaker 1: this looked different than that because like it wasn't loudest

547
00:28:24,680 --> 00:28:27,480
Speaker 1: quiet of the woods and then you know, maybe some

548
00:28:27,520 --> 00:28:30,160
Speaker 1: bird shirping or something. But it was like every time

549
00:28:30,240 --> 00:28:33,399
Speaker 1: she went to concentrate on the shot was when she

550
00:28:33,640 --> 00:28:38,280
Speaker 1: seemed to like lose consciousness of her surroundings.

551
00:28:38,440 --> 00:28:41,120
Speaker 3: Right. Her vision was fading, her hearing was fading. They

552
00:28:41,160 --> 00:28:43,280
Speaker 3: did a very good job of kind of getting inside

553
00:28:43,280 --> 00:28:45,560
Speaker 3: of her head, like we were hearing what she was

554
00:28:45,600 --> 00:28:49,040
Speaker 3: here with a very very muffled sound, which is not

555
00:28:49,040 --> 00:28:50,360
Speaker 3: actually hearing it around her.

556
00:28:50,720 --> 00:28:53,520
Speaker 1: Yeah, it was getting like real blurry and fading in

557
00:28:53,560 --> 00:28:59,880
Speaker 1: and out anyway, so Kelly can't really hear and a zombies.

558
00:29:00,200 --> 00:29:04,600
Speaker 1: She hits the the pig with the sling shot and

559
00:29:04,600 --> 00:29:07,360
Speaker 1: it's dying, and she goes over to it to like,

560
00:29:07,760 --> 00:29:11,320
Speaker 1: you know, make sure it's dead or whatever. She's like

561
00:29:11,360 --> 00:29:13,840
Speaker 1: puts her hand on it to like feel if it's

562
00:29:13,840 --> 00:29:15,040
Speaker 1: breathing or not, and all.

563
00:29:14,880 --> 00:29:16,480
Speaker 2: This shit, and then.

564
00:29:17,960 --> 00:29:21,640
Speaker 1: Before she can really do that, a zombie walks up,

565
00:29:21,680 --> 00:29:24,800
Speaker 1: sneaks up behind her because she can't hear it, and

566
00:29:24,880 --> 00:29:31,200
Speaker 1: the zombie she kills the one zombie, but then she

567
00:29:31,360 --> 00:29:33,840
Speaker 1: looks up and there's a bunch of other zombies.

568
00:29:34,280 --> 00:29:36,760
Speaker 2: She goes to kill one of them, turns.

569
00:29:36,440 --> 00:29:38,640
Speaker 1: Around another zombie has made it over to the pig

570
00:29:38,760 --> 00:29:41,400
Speaker 1: is eating a pig. Another zombie is eating a pig.

571
00:29:41,640 --> 00:29:44,520
Speaker 1: So basically she lost out on dinner. Now it's kind

572
00:29:44,520 --> 00:29:47,480
Speaker 1: of interesting zombie logic in this turn in this case

573
00:29:47,840 --> 00:29:51,600
Speaker 1: convenience zombies, cause it's like, why would the zombies ignore

574
00:29:51,680 --> 00:29:55,239
Speaker 1: the person that's running around but go eat the the

575
00:29:55,320 --> 00:29:57,600
Speaker 1: dying pig that's not moving or making any noise.

576
00:29:57,720 --> 00:30:01,000
Speaker 2: Correct, So that was like maybe it was making noise

577
00:30:01,000 --> 00:30:03,440
Speaker 2: and we couldn't hear it because we were through Kelly's years.

578
00:30:03,480 --> 00:30:05,960
Speaker 3: But right, I don't know, And it may have been

579
00:30:06,080 --> 00:30:09,520
Speaker 3: because I think that normally when she would have shot it,

580
00:30:09,640 --> 00:30:12,160
Speaker 3: I think she would have instantly killed it, But when

581
00:30:12,200 --> 00:30:15,000
Speaker 3: she looked at it, it was still like functioning. So

582
00:30:15,080 --> 00:30:15,640
Speaker 3: I really do.

583
00:30:15,600 --> 00:30:17,800
Speaker 2: Think it may have been making noise. Right, Okay, it

584
00:30:17,800 --> 00:30:18,040
Speaker 2: may have.

585
00:30:18,080 --> 00:30:20,920
Speaker 3: Been like squealing because I think she was kind of

586
00:30:21,000 --> 00:30:24,520
Speaker 3: hurt that it didn't instantly die. She looked like, Okay,

587
00:30:24,560 --> 00:30:26,920
Speaker 3: oh my god, still alive. Something's wrong.

588
00:30:27,160 --> 00:30:29,760
Speaker 2: So then this part I'm not gonna front to me,

589
00:30:29,800 --> 00:30:30,400
Speaker 2: it's stupid.

590
00:30:30,640 --> 00:30:34,200
Speaker 1: This next part, this next part not that first part,

591
00:30:34,200 --> 00:30:35,440
Speaker 1: I don't care about that part, but.

592
00:30:35,360 --> 00:30:36,800
Speaker 2: The next part is kind of stupid.

593
00:30:37,760 --> 00:30:41,600
Speaker 1: She takes makes a beeline running away from the zombies

594
00:30:41,680 --> 00:30:44,880
Speaker 1: in the woods, knowing she can't hear anything, and she's

595
00:30:44,960 --> 00:30:50,880
Speaker 1: running so hard that she literally like runs and falls

596
00:30:50,920 --> 00:30:56,000
Speaker 1: down the hill, fucking herself up, like like getting hurt

597
00:30:56,040 --> 00:30:58,800
Speaker 1: so bad. She's like bleeding from inside her mouth and shit.

598
00:30:59,320 --> 00:31:02,200
Speaker 1: And then she up against like a rock and we

599
00:31:02,280 --> 00:31:06,440
Speaker 1: see a zombie hand and she's like about to almost

600
00:31:06,440 --> 00:31:06,880
Speaker 1: pass out.

601
00:31:06,920 --> 00:31:09,040
Speaker 2: A zombie hand like reaches.

602
00:31:08,640 --> 00:31:12,520
Speaker 1: Towards her like it's gonna eat her or something, and

603
00:31:12,560 --> 00:31:16,360
Speaker 1: then the walking dead thing blaze, And I was like,

604
00:31:16,960 --> 00:31:18,200
Speaker 1: but why did you run?

605
00:31:18,440 --> 00:31:20,800
Speaker 2: Like what what was that part about?

606
00:31:20,800 --> 00:31:23,360
Speaker 1: Because it's not like zombies be running or whatever, Like

607
00:31:24,360 --> 00:31:25,959
Speaker 1: did you think they were the whisperers?

608
00:31:26,040 --> 00:31:27,400
Speaker 2: Like why what were you running for?

609
00:31:27,720 --> 00:31:30,320
Speaker 1: Like you lost Like she totally panicked and lost her

610
00:31:30,360 --> 00:31:32,080
Speaker 1: cool and that's why she got fucked.

611
00:31:32,120 --> 00:31:33,000
Speaker 2: It was all on her.

612
00:31:33,480 --> 00:31:36,080
Speaker 3: Yeah, And I think to an extent she panted because

613
00:31:36,080 --> 00:31:39,200
Speaker 3: it's like, okay, but like you say, it makes no sense.

614
00:31:39,400 --> 00:31:42,680
Speaker 3: All your sisters are are are off, so you running

615
00:31:42,840 --> 00:31:44,800
Speaker 3: knowing that you're not at a one hundred percent capacity

616
00:31:44,800 --> 00:31:47,680
Speaker 3: I'm like you, it makes no that makes no sense.

617
00:31:47,680 --> 00:31:51,200
Speaker 3: It's like, if anything, your your sense of looking are

618
00:31:51,280 --> 00:31:54,360
Speaker 3: to go up because you know you're hearing is damn.

619
00:31:54,400 --> 00:31:59,480
Speaker 1: Like a full like like a full stride, like a

620
00:31:59,520 --> 00:32:04,000
Speaker 1: second reference full o j through the airport stride, jumping

621
00:32:04,000 --> 00:32:05,520
Speaker 1: over shit like.

622
00:32:05,520 --> 00:32:07,640
Speaker 2: It was just like what like it was hurts, It's

623
00:32:07,680 --> 00:32:08,480
Speaker 2: like what are you doing?

624
00:32:10,320 --> 00:32:14,920
Speaker 3: So? Yeah, and then the dumb part is she was there,

625
00:32:16,560 --> 00:32:18,600
Speaker 3: it was umn behind her reaches, and then we never

626
00:32:18,640 --> 00:32:19,560
Speaker 3: see that motherfucker again.

627
00:32:19,600 --> 00:32:22,640
Speaker 2: What happened? Well, yeah, we're gonna get to that though.

628
00:32:22,760 --> 00:32:26,360
Speaker 3: Okay, that was my thing. What the happened?

629
00:32:26,520 --> 00:32:28,640
Speaker 2: Yeah, I hear, I hear, I was gonna get to that.

630
00:32:31,160 --> 00:32:33,440
Speaker 3: I had questions what the thing is?

631
00:32:33,600 --> 00:32:36,520
Speaker 1: I mean, it looks at that point like obviously she's

632
00:32:36,600 --> 00:32:39,400
Speaker 1: gonna get eaten. And if she's not gonna get eaten,

633
00:32:39,520 --> 00:32:41,400
Speaker 1: then we have to wonder what the fuck is up

634
00:32:41,400 --> 00:32:44,000
Speaker 1: with that zombie because that was the most freest meal

635
00:32:44,080 --> 00:32:46,040
Speaker 1: I've ever seen, Like you think the pig was a

636
00:32:46,040 --> 00:32:46,520
Speaker 1: free meal?

637
00:32:46,760 --> 00:32:47,200
Speaker 2: Come on.

638
00:32:47,440 --> 00:32:49,880
Speaker 1: Kelly was in no condition to put up any type

639
00:32:49,920 --> 00:32:52,479
Speaker 1: of fight against any zombies for any reason.

640
00:32:53,760 --> 00:32:57,440
Speaker 2: But back at Hilltop, they're.

641
00:32:57,040 --> 00:33:00,440
Speaker 1: Working on constructing the wall where a tree he fell,

642
00:33:01,800 --> 00:33:03,760
Speaker 1: and we can see that. You know they've cut up

643
00:33:03,800 --> 00:33:06,520
Speaker 1: some trees and brought the logs, and that they're out

644
00:33:06,560 --> 00:33:08,920
Speaker 1: there killing zombies to keep them away from no construction

645
00:33:09,000 --> 00:33:09,960
Speaker 1: area and stuff like that.

646
00:33:14,680 --> 00:33:16,240
Speaker 8: I don't want know who. My chief concern would be

647
00:33:16,240 --> 00:33:18,400
Speaker 8: the hidden beauty of the grain. But with Corannity being

648
00:33:18,440 --> 00:33:22,440
Speaker 8: of the essence rifting quarters on, it'll be happy to recofisulate.

649
00:33:22,680 --> 00:33:27,160
Speaker 10: Oh no, no, just checking in no good jeans come

650
00:33:27,240 --> 00:33:29,040
Speaker 10: up with a zero waist plant claims Gus.

651
00:33:29,120 --> 00:33:30,880
Speaker 6: Every cube a come to the tree, even the bark.

652
00:33:30,960 --> 00:33:32,560
Speaker 8: It seems as good as time as any. The master

653
00:33:32,600 --> 00:33:34,200
Speaker 8: of the Pueblo order basket weaving.

654
00:33:36,480 --> 00:33:37,480
Speaker 3: Before your head off.

655
00:33:39,280 --> 00:33:42,200
Speaker 8: Thing I we're talking instead of using the extra wood

656
00:33:42,240 --> 00:33:43,920
Speaker 8: for the addition wonderful, make some weapons.

657
00:33:45,600 --> 00:33:48,880
Speaker 1: Now all of them is asking Umica who somehow umicods

658
00:33:48,880 --> 00:33:49,760
Speaker 1: will come the one in jars.

659
00:33:49,840 --> 00:33:51,840
Speaker 3: That's what I'm about to say. She and I really

660
00:33:51,840 --> 00:33:55,920
Speaker 3: do think that's because Zeke hadn't took control. Because literally,

661
00:33:55,960 --> 00:33:57,960
Speaker 3: if Zeke would have slept up, everybody would have respected

662
00:33:58,080 --> 00:34:01,760
Speaker 3: his order. But because he did say books, it couldn't

663
00:34:01,760 --> 00:34:03,760
Speaker 3: go to ship because nobody was willing to make any

664
00:34:03,760 --> 00:34:06,640
Speaker 3: fucking decisions, Like something had to be done and somebody

665
00:34:06,720 --> 00:34:07,840
Speaker 3: had to make decisions.

666
00:34:07,960 --> 00:34:12,600
Speaker 1: Yeah, and the turnover at Hilltop is like the Trump administration.

667
00:34:13,520 --> 00:34:21,880
Speaker 1: We've gone from Gregory, Maggie Terra, Jesus.

668
00:34:20,080 --> 00:34:22,960
Speaker 2: Zeke kinda I mean, who's left.

669
00:34:23,080 --> 00:34:25,839
Speaker 1: So of course our new group, you know, I can

670
00:34:25,880 --> 00:34:29,040
Speaker 1: see how they could take up leadership positions in Hilltop.

671
00:34:29,719 --> 00:34:33,080
Speaker 1: It's actually kind of masterful storytelling considering from a long

672
00:34:33,080 --> 00:34:35,319
Speaker 1: time ago they came. They showed up at Alexandria first,

673
00:34:35,320 --> 00:34:37,080
Speaker 1: and it was like, well, why can't they just stay there?

674
00:34:37,640 --> 00:34:37,799
Speaker 2: Now?

675
00:34:37,840 --> 00:34:39,880
Speaker 1: It makes sense because a lot of these motherfuckers at

676
00:34:39,920 --> 00:34:42,800
Speaker 1: Hilltop ain't gonna be here, so they're gonna.

677
00:34:42,560 --> 00:34:43,360
Speaker 2: Need some leadership.

678
00:34:43,480 --> 00:34:46,520
Speaker 1: So but All then tells her, hey, can we use

679
00:34:46,560 --> 00:34:49,399
Speaker 1: the extra wood to make weapons like catapults and shit?

680
00:34:49,719 --> 00:34:53,960
Speaker 3: Yeah, because you know, because in his mind, with you understand,

681
00:34:54,400 --> 00:34:57,560
Speaker 3: he's like, hey, if this is then we can't be

682
00:34:57,640 --> 00:35:01,520
Speaker 3: fucking unprepared. We can't be out here going it ain't

683
00:35:01,520 --> 00:35:02,719
Speaker 3: a big deal. We don't know if it's then, we

684
00:35:02,719 --> 00:35:05,040
Speaker 3: don't know if it's them, and didn't get fucked up

685
00:35:05,040 --> 00:35:05,919
Speaker 3: because we can't fly back.

686
00:35:06,040 --> 00:35:08,279
Speaker 1: Yeah, out in the earl are convinced that the that

687
00:35:08,320 --> 00:35:12,200
Speaker 1: the whispers pushed that tree down, so they're so they're like, listen,

688
00:35:12,320 --> 00:35:13,320
Speaker 1: we need weapons.

689
00:35:14,200 --> 00:35:15,600
Speaker 2: She does not allow her to make.

690
00:35:15,920 --> 00:35:17,719
Speaker 3: A couple of a couple of kind for the north wall.

691
00:35:17,760 --> 00:35:19,680
Speaker 6: Yeah no, look, I think it's a good idea, honestly.

692
00:35:19,800 --> 00:35:23,320
Speaker 6: Just know right now with the Kingdom Student House, Okay,

693
00:35:23,440 --> 00:35:25,720
Speaker 6: I got it.

694
00:35:25,760 --> 00:35:29,200
Speaker 7: So the Whisperers smashing giant hole in.

695
00:35:29,160 --> 00:35:31,040
Speaker 6: Our wall, Yeah, well we don't know, it's for sure.

696
00:35:31,080 --> 00:35:33,359
Speaker 8: Now they're throwing walkers at us every couple of hours,

697
00:35:33,360 --> 00:35:35,760
Speaker 8: and we're just gonna sit here twiddling our damn funk.

698
00:35:37,680 --> 00:35:38,200
Speaker 3: It happened.

699
00:35:38,800 --> 00:35:44,440
Speaker 1: So they're also getting the the the waves of zobbies

700
00:35:44,480 --> 00:35:49,000
Speaker 1: at Hilltop too, not as big, but still we we

701
00:35:49,040 --> 00:35:50,160
Speaker 1: saw this tactic.

702
00:35:50,000 --> 00:35:52,840
Speaker 2: On on Alexandria.

703
00:35:53,520 --> 00:35:56,840
Speaker 1: Judah brought it up last week. Now it's happening the Hilltop.

704
00:35:57,160 --> 00:35:58,240
Speaker 1: It's kind of making sense.

705
00:35:58,600 --> 00:35:58,799
Speaker 2: Yeah.

706
00:35:58,800 --> 00:36:01,920
Speaker 3: And also it's it's one of those things to where

707
00:36:02,000 --> 00:36:05,080
Speaker 3: I could see them this quote unquote disobeying her making

708
00:36:05,120 --> 00:36:06,880
Speaker 3: weapons anyway and be like, you know what, fuck that

709
00:36:06,960 --> 00:36:09,799
Speaker 3: bitch if we get anything extra anything. Actually, we're making

710
00:36:09,920 --> 00:36:13,480
Speaker 3: weapons because we don't feel right about this and we

711
00:36:13,520 --> 00:36:15,880
Speaker 3: don't agree with her decision. We're not going to flat

712
00:36:15,880 --> 00:36:19,080
Speaker 3: out quote unquote disobey her. But at the same time,

713
00:36:19,680 --> 00:36:22,839
Speaker 3: we can't be unprepared in case shit go wrong. And

714
00:36:22,880 --> 00:36:24,640
Speaker 3: she looking crazy. And my thing is, did you could

715
00:36:24,640 --> 00:36:27,440
Speaker 3: tell she's quote unquote kind of new leadership because I

716
00:36:27,800 --> 00:36:29,920
Speaker 3: personally think if Maggie or Terror would have been in

717
00:36:30,000 --> 00:36:32,560
Speaker 3: charge ship, like they'd be like, fuck, yes, make weapons.

718
00:36:33,040 --> 00:36:34,680
Speaker 2: Maybe I don't know, because.

719
00:36:36,080 --> 00:36:38,719
Speaker 1: The reason she said don't make weapons is because the

720
00:36:39,760 --> 00:36:43,239
Speaker 1: tree fell on people's housing and she's like, use the

721
00:36:43,320 --> 00:36:47,800
Speaker 1: extra for now to make housing for people because people

722
00:36:47,800 --> 00:36:48,800
Speaker 1: don't got to know where to stay.

723
00:36:49,960 --> 00:36:51,680
Speaker 2: So she didn't just say like, don't do it.

724
00:36:51,719 --> 00:36:53,759
Speaker 1: She said no, just not right now, Like that's a

725
00:36:53,800 --> 00:36:57,160
Speaker 1: great idea, we should do it, but the priority right

726
00:36:57,200 --> 00:36:59,920
Speaker 1: now is to get everybody back to a roof of

727
00:37:00,000 --> 00:37:03,080
Speaker 1: over the head minimum and then we can think about

728
00:37:03,080 --> 00:37:06,960
Speaker 1: making some weapons. Anyway, I do, I do feel you though,

729
00:37:07,000 --> 00:37:10,160
Speaker 1: I mean, it's all about priorities and you know, knowing

730
00:37:10,320 --> 00:37:12,399
Speaker 1: she also at the time she doesn't know for sure

731
00:37:12,440 --> 00:37:15,120
Speaker 1: that the white that the Whisperers did that we do

732
00:37:15,280 --> 00:37:15,640
Speaker 1: as an.

733
00:37:15,520 --> 00:37:19,200
Speaker 3: Audience right right, And so her thing is and and

734
00:37:19,320 --> 00:37:22,719
Speaker 3: to an extent her she's making a decision based off

735
00:37:22,719 --> 00:37:24,840
Speaker 3: of the nolge that she knows. She go, Okay, we

736
00:37:24,920 --> 00:37:27,560
Speaker 3: don't know. So since we don't know, I'm not gonna

737
00:37:27,600 --> 00:37:30,879
Speaker 3: respond like it's like we know this, I'm gonna say,

738
00:37:30,960 --> 00:37:33,840
Speaker 3: let's do these priorities and if the decision changes, we

739
00:37:33,880 --> 00:37:37,880
Speaker 3: will actually redirect those resources, which is a logical idea.

740
00:37:38,239 --> 00:37:38,439
Speaker 2: Right.

741
00:37:39,520 --> 00:37:43,239
Speaker 1: So then a woman comes over to her and tells her, hey, you, Mika,

742
00:37:43,840 --> 00:37:47,880
Speaker 1: somebody broke into the She shed okay, come mom and

743
00:37:47,920 --> 00:37:48,600
Speaker 1: stole some shit.

744
00:37:49,000 --> 00:37:52,719
Speaker 3: Yeah it happened again, root seller middle of the night.

745
00:37:55,760 --> 00:37:56,759
Speaker 5: What the hell was on watch?

746
00:37:58,120 --> 00:38:03,399
Speaker 1: And the person that was on watch is actually Magna. Now,

747
00:38:03,440 --> 00:38:05,600
Speaker 1: if you guys have member from last week, Umico and

748
00:38:06,200 --> 00:38:09,640
Speaker 1: Magna our lovers. But they had a quarrel over the

749
00:38:09,680 --> 00:38:13,880
Speaker 1: fact that Magna has this insecurity by Umico Apparently Yumico

750
00:38:14,000 --> 00:38:17,400
Speaker 1: was her lawyer, Magna was a criminal that Umico was defending.

751
00:38:18,000 --> 00:38:22,080
Speaker 1: And there's like an unspoken at this point. Uh, you know,

752
00:38:22,200 --> 00:38:24,759
Speaker 1: there was an unspoken type of what appeared to be

753
00:38:24,840 --> 00:38:27,839
Speaker 1: a long term argument of like you have always looked

754
00:38:27,880 --> 00:38:30,000
Speaker 1: down on me as my lawyer, and you think you

755
00:38:30,000 --> 00:38:32,600
Speaker 1: can tell me what to do, but you're not my lawyer.

756
00:38:32,360 --> 00:38:35,760
Speaker 2: No more, and you need to respect me. Blah blah blah.

757
00:38:36,000 --> 00:38:39,520
Speaker 1: Okay, well, Magna was supposed to be on guard duty

758
00:38:39,719 --> 00:38:43,279
Speaker 1: and some shit went missing from the supplies. I think

759
00:38:43,320 --> 00:38:46,799
Speaker 1: it was yeah, I think they said it was some

760
00:38:46,840 --> 00:38:48,880
Speaker 1: type of some fish or something.

761
00:38:50,440 --> 00:38:52,000
Speaker 2: So she goes to confronts Magna.

762
00:38:52,120 --> 00:38:54,960
Speaker 1: Magne's listening to music, reading a book and completely just

763
00:38:54,960 --> 00:38:59,400
Speaker 1: fucking ignores her and like to the point where she

764
00:38:59,480 --> 00:39:02,120
Speaker 1: like turns music back up and ship and.

765
00:39:02,120 --> 00:39:04,560
Speaker 2: So Umuka walks off like okay.

766
00:39:04,440 --> 00:39:08,000
Speaker 3: Like like dudey noted, okay right. Uh.

767
00:39:08,160 --> 00:39:10,959
Speaker 1: Darryl comes in on his motorcycle with sadiek. He came

768
00:39:10,960 --> 00:39:13,960
Speaker 1: from Alexandria. Him and Connie have a brief moment. He

769
00:39:14,160 --> 00:39:16,000
Speaker 1: gives her a silanguage like can we talk later?

770
00:39:16,200 --> 00:39:20,400
Speaker 3: I know there dy all rolled up in there, like

771
00:39:20,480 --> 00:39:23,799
Speaker 3: I learned this for you girl, for you.

772
00:39:24,840 --> 00:39:25,040
Speaker 2: Yeah.

773
00:39:25,080 --> 00:39:28,600
Speaker 1: I feel like Darryl and Connie, you know, I was

774
00:39:28,640 --> 00:39:31,120
Speaker 1: picking up on it, and now it's just solidified that

775
00:39:31,680 --> 00:39:35,000
Speaker 1: Darryl and Connie are definitely uh it's not just the

776
00:39:35,040 --> 00:39:38,919
Speaker 1: show me looking too far into it, like they're they're

777
00:39:38,960 --> 00:39:40,439
Speaker 1: definitely shipping them.

778
00:39:40,520 --> 00:39:44,160
Speaker 3: Yeah, he came in there like Mac on an age

779
00:39:44,239 --> 00:39:46,279
Speaker 3: of Shield. I'm gonna learn Spanish for you.

780
00:39:46,440 --> 00:39:49,600
Speaker 1: Girl, yeah, and so he says can we talk later

781
00:39:49,680 --> 00:39:53,319
Speaker 1: with fan with like a sign language. Zeke comes over

782
00:39:53,480 --> 00:39:56,279
Speaker 1: asking if they've seen Meighan, because you know, they know

783
00:39:56,320 --> 00:39:58,839
Speaker 1: that Nigga's escaped, and they're like, we ain't seen him yet,

784
00:39:58,840 --> 00:40:00,640
Speaker 1: and he's like, it just pissed me because all the

785
00:40:00,680 --> 00:40:01,399
Speaker 1: ship he put us.

786
00:40:01,360 --> 00:40:05,040
Speaker 2: Through and he gonna get away, and they're like, you

787
00:40:05,080 --> 00:40:08,320
Speaker 2: know he out there, will look for him. And then Zeke.

788
00:40:08,239 --> 00:40:10,960
Speaker 1: Coughs, and it was one of those TV costs where

789
00:40:10,960 --> 00:40:12,920
Speaker 1: it's like, I think that was supposed to be, like

790
00:40:13,239 --> 00:40:14,680
Speaker 1: people only cough on TV.

791
00:40:15,080 --> 00:40:17,239
Speaker 3: I it was part of a plot, right, They don't

792
00:40:17,280 --> 00:40:20,880
Speaker 3: call just like normally people anybody keep trucking it. It's like, no,

793
00:40:21,160 --> 00:40:22,480
Speaker 3: we want you to see this cough.

794
00:40:22,760 --> 00:40:25,080
Speaker 1: It's never like real life where somebody just coughs and

795
00:40:25,120 --> 00:40:26,680
Speaker 1: you just like move on with the rest of your

796
00:40:26,680 --> 00:40:27,840
Speaker 1: life and it never comes back up.

797
00:40:28,320 --> 00:40:30,960
Speaker 2: It's like if a person coughs on TV, they start

798
00:40:31,040 --> 00:40:35,160
Speaker 2: looking around. They definitely have an issue, even though scripted TV.

799
00:40:35,320 --> 00:40:39,239
Speaker 1: So, uh, he coughs and I did notice it, and

800
00:40:39,800 --> 00:40:41,920
Speaker 1: he has a deep to help out in the infirmary

801
00:40:41,920 --> 00:40:45,840
Speaker 1: and he says that the the they have some people

802
00:40:45,840 --> 00:40:50,120
Speaker 1: that are sick at Hilltop, which makes me wonder if

803
00:40:50,680 --> 00:40:53,400
Speaker 1: whatever the sickness that's going around, could that be related

804
00:40:53,440 --> 00:40:54,560
Speaker 1: to the water.

805
00:40:54,960 --> 00:40:56,400
Speaker 3: That's the first thing I thought.

806
00:40:57,520 --> 00:41:00,000
Speaker 1: Dary'll ask if if if He's like, so, you ain't

807
00:41:00,040 --> 00:41:03,320
Speaker 1: gonna ask about Carol as Zeke goes nah, walks.

808
00:41:03,080 --> 00:41:05,839
Speaker 3: Off like a p M nah, I'm good dog.

809
00:41:06,800 --> 00:41:09,160
Speaker 2: Uh So, some guys come here busting it.

810
00:41:09,200 --> 00:41:14,840
Speaker 3: You don't have to call It's okay, girl, because I'm

811
00:41:14,840 --> 00:41:16,759
Speaker 3: gonna be all right tonight.

812
00:41:17,600 --> 00:41:20,400
Speaker 1: Uh So, some guys come in from the hunt. Connie

813
00:41:21,080 --> 00:41:23,320
Speaker 1: looks at them and sees Kelly's not with him. She's like,

814
00:41:23,320 --> 00:41:26,760
Speaker 1: where's Kelly, and the hunting parties like she was tracking

815
00:41:27,000 --> 00:41:29,520
Speaker 1: something and said she was gonna meet us back at Hilltop.

816
00:41:29,719 --> 00:41:30,680
Speaker 2: She ain't here right.

817
00:41:30,760 --> 00:41:33,360
Speaker 3: They was like, she ain't beat us back. We because

818
00:41:33,400 --> 00:41:34,879
Speaker 3: we thought she was gonna beat us back. That's why

819
00:41:34,920 --> 00:41:35,600
Speaker 3: we didn't go looking.

820
00:41:36,040 --> 00:41:41,399
Speaker 1: And Daryl was like, Daryl sees this this exchange and

821
00:41:41,480 --> 00:41:44,200
Speaker 1: it's clear like Connie gotta go out looking for Kelly,

822
00:41:44,480 --> 00:41:47,040
Speaker 1: and you know that's gonna happen. Darryl's coming and so

823
00:41:47,160 --> 00:41:47,640
Speaker 1: it's dog.

824
00:41:47,920 --> 00:41:48,120
Speaker 2: Yeah.

825
00:41:48,200 --> 00:41:50,719
Speaker 3: Darrel was like, yeah, you're you're not going out there

826
00:41:50,760 --> 00:41:53,160
Speaker 3: by yourself and you can't hear no, I don't think.

827
00:41:53,000 --> 00:41:55,520
Speaker 1: So how does dog keep up with the motorcycle when

828
00:41:56,200 --> 00:42:00,680
Speaker 1: Daryl drives from Alexandria to to Hilltop.

829
00:42:00,760 --> 00:42:02,719
Speaker 3: I wonder, that's a strong ass dog.

830
00:42:02,920 --> 00:42:04,960
Speaker 1: Like the dog don't never get tired. They have like

831
00:42:05,000 --> 00:42:06,280
Speaker 1: a secret dog trailer.

832
00:42:06,480 --> 00:42:07,399
Speaker 3: Great fit.

833
00:42:08,760 --> 00:42:10,480
Speaker 1: So then Darryl and Connie go out in the woods

834
00:42:10,480 --> 00:42:13,800
Speaker 1: looking for Kelly. Connie blames herself for not going with Kelly.

835
00:42:14,280 --> 00:42:16,440
Speaker 1: Darryl tells her the story of how him and or

836
00:42:16,560 --> 00:42:19,480
Speaker 1: Meryl went fishing one time. And you know, Merril's a

837
00:42:19,480 --> 00:42:21,399
Speaker 1: piece of shit, we all know, but she don't know Meryl,

838
00:42:21,920 --> 00:42:22,719
Speaker 1: that's just his brother.

839
00:42:22,840 --> 00:42:24,680
Speaker 2: And so she he basically says.

840
00:42:24,520 --> 00:42:27,759
Speaker 1: Meryl like failed the boat boat flipped over something or

841
00:42:27,800 --> 00:42:30,040
Speaker 1: they fail and they fell into the water.

842
00:42:30,640 --> 00:42:32,319
Speaker 2: Darryl can swim merle camee.

843
00:42:32,400 --> 00:42:36,040
Speaker 1: He saves Meryll's life and brings her to the shore,

844
00:42:36,239 --> 00:42:38,280
Speaker 1: and he turns around and says.

845
00:42:39,000 --> 00:42:40,040
Speaker 2: Dummy, get the beer.

846
00:42:41,040 --> 00:42:43,920
Speaker 1: And Darryl like, I guess it was just lighthearted, you know,

847
00:42:43,960 --> 00:42:46,160
Speaker 1: trying to make it laugh. And it was funny because

848
00:42:46,160 --> 00:42:48,160
Speaker 1: he's doing some of it in sign language. He's had

849
00:42:48,160 --> 00:42:49,200
Speaker 1: to write some of it down.

850
00:42:49,320 --> 00:42:50,680
Speaker 3: It was like, I don't know the whole alphabet.

851
00:42:50,760 --> 00:42:51,000
Speaker 2: Girl.

852
00:42:51,160 --> 00:42:52,960
Speaker 1: Yeah, he had to write some of it down. Some

853
00:42:53,000 --> 00:42:54,480
Speaker 1: of it is her reading his lips.

854
00:42:54,840 --> 00:42:56,040
Speaker 2: It was like a real cute story.

855
00:42:56,040 --> 00:42:58,920
Speaker 1: And it's also Darryl sharing about his past which we

856
00:42:59,040 --> 00:42:59,680
Speaker 1: never get to see.

857
00:43:01,239 --> 00:43:04,160
Speaker 2: So then Dog gets to sit of Kelly. They discover.

858
00:43:05,320 --> 00:43:09,560
Speaker 1: That the zombie they find a pig that she killed

859
00:43:09,600 --> 00:43:12,560
Speaker 1: in the Zombies eight and Darryl turns around with his

860
00:43:12,640 --> 00:43:15,280
Speaker 1: crossbow because somebody comes up behind him and it's Magna.

861
00:43:15,320 --> 00:43:16,680
Speaker 2: Apparently Magna went out with.

862
00:43:16,640 --> 00:43:20,640
Speaker 1: Them looking for Kelly as well, and she shakes her

863
00:43:20,640 --> 00:43:26,000
Speaker 1: head like no sign to Kelly. Back at Hilltop, Umico

864
00:43:26,080 --> 00:43:29,880
Speaker 1: and Alden are talking and Umico says she should be

865
00:43:29,920 --> 00:43:34,200
Speaker 1: out there looking for Kelly with them, and all this

866
00:43:34,320 --> 00:43:40,040
Speaker 1: says those Magna, Daryl and Connie are capable of just

867
00:43:40,200 --> 00:43:42,719
Speaker 1: of finding Kelly and being okay, so you shouldn't worried

868
00:43:42,760 --> 00:43:47,840
Speaker 1: about that. And Earl brings up the tree falling again

869
00:43:48,239 --> 00:43:51,120
Speaker 1: and blames the Whispers again and says, you know they're

870
00:43:51,120 --> 00:43:51,840
Speaker 1: gonna come back.

871
00:43:52,400 --> 00:43:55,200
Speaker 3: Earl is like, lock her up, lock her up, like

872
00:43:55,280 --> 00:43:57,319
Speaker 3: this is some bullshit. Don't nobody hear me?

873
00:43:57,719 --> 00:43:58,840
Speaker 2: I'm speaking the truth.

874
00:43:59,320 --> 00:44:01,440
Speaker 3: He is like walked to it and he's like, hey, hey,

875
00:44:01,520 --> 00:44:03,399
Speaker 3: y'all see this, y'all see it. Ain't nobody gonna pay

876
00:44:03,440 --> 00:44:05,120
Speaker 3: me attention. I know what I'm talking about.

877
00:44:05,200 --> 00:44:08,400
Speaker 2: Retweet. Yeah, Earl only has a one track mine.

878
00:44:08,480 --> 00:44:10,480
Speaker 1: And I think the other thing I have to realize

879
00:44:10,520 --> 00:44:13,839
Speaker 1: is that Earl lost Tammy during that.

880
00:44:14,560 --> 00:44:15,760
Speaker 3: Yes he did at the bridge.

881
00:44:15,920 --> 00:44:19,400
Speaker 1: Yeah, Earl lost Tammy during that, and I think that

882
00:44:19,800 --> 00:44:23,719
Speaker 1: is going to forever mess with him. What happened to

883
00:44:23,760 --> 00:44:26,840
Speaker 1: the baby that they adopted? I wonder, like I wonder,

884
00:44:27,680 --> 00:44:29,960
Speaker 1: oh Billa and uh okay.

885
00:44:29,719 --> 00:44:33,520
Speaker 3: Yeah, remember the Billa and Jerry. So now they got

886
00:44:33,600 --> 00:44:34,880
Speaker 3: eighteen kids.

887
00:44:34,680 --> 00:44:35,480
Speaker 2: Right, Okay?

888
00:44:36,440 --> 00:44:38,839
Speaker 1: So Alden says, hey, man, you know I think about

889
00:44:38,880 --> 00:44:41,560
Speaker 1: the people who died every day, and Errol's like, as

890
00:44:41,600 --> 00:44:42,920
Speaker 1: you should basically.

891
00:44:42,560 --> 00:44:43,759
Speaker 3: Right because his girlfriend died.

892
00:44:44,360 --> 00:44:45,880
Speaker 2: Yeah, yeah in it.

893
00:44:46,840 --> 00:44:50,239
Speaker 1: So then Zeke tells the deeck uh someone stole a

894
00:44:50,320 --> 00:44:52,880
Speaker 1: quarter to medical supplies when they go to the infirmary

895
00:44:53,280 --> 00:44:56,200
Speaker 1: and they talk about a trinket that Henry made Zeke

896
00:44:56,480 --> 00:44:58,720
Speaker 1: that had fell out of Zeke's pocket or something.

897
00:44:59,040 --> 00:45:01,600
Speaker 2: And while he's talking about, you know how Henry made

898
00:45:01,640 --> 00:45:02,160
Speaker 2: this thing.

899
00:45:02,080 --> 00:45:05,839
Speaker 1: And never got to give it to him a uh,

900
00:45:05,920 --> 00:45:09,879
Speaker 1: he started he has a coughing fit. Zeke starts Coughing's like, man,

901
00:45:10,120 --> 00:45:11,960
Speaker 1: let me check you. You know, you had to deal

902
00:45:12,000 --> 00:45:14,400
Speaker 1: with that fire last week. Maybe you got some smoke inhalation.

903
00:45:15,280 --> 00:45:16,120
Speaker 2: Hey. He puts his.

904
00:45:16,120 --> 00:45:18,080
Speaker 1: Hand towards him, like yeah, let me just check you out,

905
00:45:18,120 --> 00:45:21,640
Speaker 1: and Zeke slaps his hand away real violently, like he.

906
00:45:21,880 --> 00:45:26,120
Speaker 3: Was trying to steal uh a check off his plate.

907
00:45:26,440 --> 00:45:29,360
Speaker 2: It was like, get your god damn hands off of me.

908
00:45:30,520 --> 00:45:34,279
Speaker 1: And and so it's such a and it's such a

909
00:45:34,360 --> 00:45:38,399
Speaker 1: violent slap that it's it's definitely a thing, like it's

910
00:45:38,440 --> 00:45:39,640
Speaker 1: not you. It's not one of those things that you

911
00:45:39,680 --> 00:45:42,600
Speaker 1: can avoid. Like, okay, so what's the real problem. So

912
00:45:43,120 --> 00:45:44,560
Speaker 1: is like, what's what's really going on?

913
00:45:44,680 --> 00:45:47,000
Speaker 3: Yeah, he was like okay, this is completely out of character.

914
00:45:47,120 --> 00:45:49,600
Speaker 2: What the fuck is this? Yeah, he's like I said,

915
00:45:49,640 --> 00:45:51,200
Speaker 2: I was fine like that, you know.

916
00:45:51,680 --> 00:45:55,560
Speaker 1: And so then he unbuttons his shirt and reveals to see,

917
00:45:55,840 --> 00:45:59,279
Speaker 1: I mean to Sadik that he has a lump right

918
00:45:59,320 --> 00:46:02,719
Speaker 1: around his collar bone area of his throat and.

919
00:46:02,680 --> 00:46:05,959
Speaker 2: It's grown, and it was it's what you mean, it's grown,

920
00:46:06,200 --> 00:46:06,839
Speaker 2: like it's there.

921
00:46:06,880 --> 00:46:09,160
Speaker 3: And then you can tell like this coloration like it

922
00:46:09,320 --> 00:46:09,560
Speaker 3: kind of.

923
00:46:09,719 --> 00:46:11,840
Speaker 2: Oh it's big. Yes, okay, yeah it's big.

924
00:46:12,719 --> 00:46:15,799
Speaker 1: We I wouldn't we have not seen it before. There's

925
00:46:15,920 --> 00:46:20,640
Speaker 1: not any hints of it in previous episodes. But he's like,

926
00:46:22,080 --> 00:46:24,920
Speaker 1: you know, Sadik those into his doctor thing, being like, well,

927
00:46:24,920 --> 00:46:27,920
Speaker 1: look man, we can treat this with meditation and some

928
00:46:28,000 --> 00:46:29,720
Speaker 1: other shit, and Zeke like, no, man.

929
00:46:29,600 --> 00:46:30,480
Speaker 2: I know what this is.

930
00:46:31,160 --> 00:46:33,279
Speaker 1: And he's like, well, we you know, we don't have

931
00:46:34,520 --> 00:46:36,840
Speaker 1: all the all the tusle. You know, there might be

932
00:46:36,880 --> 00:46:38,880
Speaker 1: things he can do. He's like, no, man, it's nothing

933
00:46:38,880 --> 00:46:42,000
Speaker 1: you could do about it. He said, you know, my

934
00:46:42,080 --> 00:46:45,279
Speaker 1: grandmother and my father went through this and they survived.

935
00:46:45,320 --> 00:46:49,000
Speaker 1: I watched them. It runs in my family. It's thyroid cancer.

936
00:46:49,080 --> 00:46:53,120
Speaker 1: It has a ninety eight percent survival rate. But it's

937
00:46:53,200 --> 00:46:56,319
Speaker 1: the zpop. Now it's a death sentence because what the

938
00:46:56,320 --> 00:46:57,000
Speaker 1: fuck I'm gonna do?

939
00:46:57,560 --> 00:47:02,840
Speaker 2: You can't you know, you can't chemo, it can't do surgery.

940
00:47:03,160 --> 00:47:05,719
Speaker 1: Like I'm gonna like this shit is gonna kill me now.

941
00:47:06,560 --> 00:47:10,279
Speaker 1: And Sadiq opens up to him about having PTSD from

942
00:47:10,280 --> 00:47:13,600
Speaker 1: the barn watching everybody get killed, and he says, look,

943
00:47:13,800 --> 00:47:15,800
Speaker 1: I don't have maybe I can't treat it. Maybe I

944
00:47:15,800 --> 00:47:19,319
Speaker 1: don't have the medicine techniques for that, but we can

945
00:47:19,400 --> 00:47:22,359
Speaker 1: at least start talking about these things, like we're all

946
00:47:22,400 --> 00:47:24,120
Speaker 1: going through trauma. My thing is I don't want to

947
00:47:24,160 --> 00:47:26,279
Speaker 1: talk to nobody about it. You don't want to tell

948
00:47:26,280 --> 00:47:28,480
Speaker 1: anybody about this, but he can at least talk about it.

949
00:47:30,120 --> 00:47:32,080
Speaker 1: So then out in the woods they find Kelly.

950
00:47:32,440 --> 00:47:35,600
Speaker 3: But before you on, this makes the scene with him

951
00:47:35,600 --> 00:47:37,960
Speaker 3: and Michelle makes more sense, like oh, because he was like,

952
00:47:38,040 --> 00:47:42,080
Speaker 3: I'm basically sentenced to die. So he was like me,

953
00:47:42,200 --> 00:47:43,839
Speaker 3: jumping ain't gonna make a difference. I'm gonna die.

954
00:47:44,120 --> 00:47:45,239
Speaker 2: Oh yeah, maybe.

955
00:47:45,600 --> 00:47:47,280
Speaker 1: Into a state of mind or why he was gonna

956
00:47:47,320 --> 00:47:50,400
Speaker 1: jump off that thing and why he kissed Michean.

957
00:47:50,440 --> 00:47:57,600
Speaker 2: He's like, fuck it, correct yolo. So then they find

958
00:47:57,680 --> 00:47:58,520
Speaker 2: Kelly in the woods.

959
00:47:58,719 --> 00:48:01,360
Speaker 1: Kelly says she couldn't hear before, but she's fine now,

960
00:48:01,760 --> 00:48:03,759
Speaker 1: So I don't know if it's like I don't know,

961
00:48:03,920 --> 00:48:06,200
Speaker 1: I don't know what's going on, what Kelly's condition is exactly.

962
00:48:07,400 --> 00:48:10,960
Speaker 1: So then they get Kelly some water. Magna says, hey,

963
00:48:11,000 --> 00:48:13,319
Speaker 1: we gotta get back to Hilltop. Daryl's like, man, we

964
00:48:13,360 --> 00:48:16,320
Speaker 1: need to find somewhere closer because Kelly, you know, we

965
00:48:16,440 --> 00:48:19,560
Speaker 1: too far away and Kelly, we need like supplies and

966
00:48:19,600 --> 00:48:21,759
Speaker 1: stuff to treat her wounds, and she ain't gonna make it.

967
00:48:22,040 --> 00:48:24,959
Speaker 1: And so Kelly does a sign to Magna says tell them,

968
00:48:25,440 --> 00:48:27,520
Speaker 1: and Magna kind of freezes, yeah.

969
00:48:27,320 --> 00:48:29,560
Speaker 3: And Daryl can read. They's like, tell them what.

970
00:48:29,719 --> 00:48:33,320
Speaker 1: Right, And she also made a sign something. She also

971
00:48:33,360 --> 00:48:36,000
Speaker 1: said something later he couldn't see, but anyway, because he

972
00:48:36,040 --> 00:48:38,560
Speaker 1: can't read everything, which I kind of like that they're

973
00:48:38,600 --> 00:48:41,919
Speaker 1: making it. So Daryl's not just fluently fucking in sign

974
00:48:42,000 --> 00:48:44,320
Speaker 1: language the next day, like it's like it's a process.

975
00:48:44,320 --> 00:48:46,480
Speaker 2: He's learning, like you learn a new language.

976
00:48:47,320 --> 00:48:50,120
Speaker 1: So Magna takes them to a stash of stuff that

977
00:48:50,239 --> 00:48:53,840
Speaker 1: is obviously the stolen supplies from Hilltop. This nigga been stealing.

978
00:48:53,880 --> 00:48:57,520
Speaker 1: She her and Kelly somehow been stealing. At least Kelly

979
00:48:57,600 --> 00:48:58,120
Speaker 1: knew about it.

980
00:48:58,480 --> 00:49:01,239
Speaker 3: And Darryl looks like did you know about this? She

981
00:49:01,400 --> 00:49:03,160
Speaker 3: was like, hell, no, I didn't know about this.

982
00:49:03,360 --> 00:49:05,480
Speaker 1: You have to say characters names because there's three women

983
00:49:05,840 --> 00:49:11,480
Speaker 1: that she Kelly's system of Connie, Connie kan Yeah. He

984
00:49:11,520 --> 00:49:13,360
Speaker 1: looks at Connie like did you know that it was

985
00:49:13,360 --> 00:49:16,719
Speaker 1: out here stealing this ship? And Connie like no, and

986
00:49:16,800 --> 00:49:18,719
Speaker 1: she was like look, we can just tell everybody we

987
00:49:18,760 --> 00:49:22,799
Speaker 1: found the supplies and bring and bring them back. And

988
00:49:22,920 --> 00:49:26,120
Speaker 1: Darryl kind of regrudgingly goes along with it because I

989
00:49:26,160 --> 00:49:28,880
Speaker 1: think he likes Connie right, because.

990
00:49:29,880 --> 00:49:32,239
Speaker 2: This is such a like he's clearly fucking pissed at

991
00:49:32,239 --> 00:49:32,600
Speaker 2: this shit.

992
00:49:33,040 --> 00:49:37,799
Speaker 1: He even says to Magna, like, these people took you in.

993
00:49:38,040 --> 00:49:40,960
Speaker 1: They got children and families and old people in there.

994
00:49:41,440 --> 00:49:45,280
Speaker 1: They need these supplies and y'all stole from them. And

995
00:49:45,320 --> 00:49:47,480
Speaker 1: he's like, you know, that's all you're good for is

996
00:49:47,480 --> 00:49:50,720
Speaker 1: talking shit like you like you ain't good for nothing,

997
00:49:50,920 --> 00:49:52,920
Speaker 1: And Connie says, you know, let's just act like we

998
00:49:53,000 --> 00:49:55,520
Speaker 1: found it in the woods. They bring Kelly back and

999
00:49:55,600 --> 00:49:59,319
Speaker 1: all the supplies I'm waiting for, they don't because at

1000
00:49:59,360 --> 00:50:01,920
Speaker 1: the time it seemed like nobody really noticed and they

1001
00:50:01,960 --> 00:50:04,239
Speaker 1: haven't had to explain it yet because it's like, oh great,

1002
00:50:04,239 --> 00:50:07,319
Speaker 1: thank god they found Kelly. But at some point they're

1003
00:50:07,320 --> 00:50:09,719
Speaker 1: gonna have to explain what the fuck happened. Somebody gonna

1004
00:50:09,719 --> 00:50:13,080
Speaker 1: ask questions, and I'm gonna be real interested to see

1005
00:50:13,120 --> 00:50:16,040
Speaker 1: what the penalty for that is or what the explanation is,

1006
00:50:16,080 --> 00:50:18,640
Speaker 1: because no one's gonna buy the y'all happened out in

1007
00:50:18,680 --> 00:50:21,279
Speaker 1: the woods and someone just had the supply sitting out there,

1008
00:50:22,040 --> 00:50:28,960
Speaker 1: you know. Anyway, Dante talks with Sadique on the radio,

1009
00:50:29,719 --> 00:50:35,120
Speaker 1: Dante to doctor do bro Uh, and Sadiq asked about Rosita, says,

1010
00:50:35,600 --> 00:50:39,279
Speaker 1: you know, he said, well, Rosita's you know, I think

1011
00:50:39,280 --> 00:50:41,880
Speaker 1: he's said Rosita's a little sick or something. But she

1012
00:50:41,920 --> 00:50:44,879
Speaker 1: would never like tell cop to that or something like that.

1013
00:50:45,000 --> 00:50:48,600
Speaker 1: So Sadiq's like, look, I'm gonna leave from home tonight

1014
00:50:48,640 --> 00:50:51,960
Speaker 1: and make sure that I'll take care of her once again.

1015
00:50:52,000 --> 00:50:54,360
Speaker 1: Another sick person. Could it be that water?

1016
00:50:55,800 --> 00:50:58,960
Speaker 2: You know, I don't know something, And so.

1017
00:50:59,040 --> 00:51:01,279
Speaker 3: That's a great way to get a massive amount of

1018
00:51:01,280 --> 00:51:03,040
Speaker 3: people sick really quickly.

1019
00:51:03,040 --> 00:51:07,720
Speaker 1: Right and you know, even to be to be honest,

1020
00:51:08,280 --> 00:51:10,239
Speaker 1: long shot, long shot in the dark hair.

1021
00:51:10,320 --> 00:51:12,319
Speaker 2: But I also wonder, like, could that be what's up

1022
00:51:12,320 --> 00:51:12,680
Speaker 2: with Zeke?

1023
00:51:13,440 --> 00:51:15,719
Speaker 1: Like he thinks it's thyroid cancer, but it could be

1024
00:51:15,960 --> 00:51:18,640
Speaker 1: some type of infection from that fucking water.

1025
00:51:18,800 --> 00:51:21,080
Speaker 3: I think it's an infection from the water. I understand

1026
00:51:21,120 --> 00:51:23,560
Speaker 3: him going, okay, stuff, but I think that may be

1027
00:51:23,800 --> 00:51:28,400
Speaker 3: us like the water may have caused the thorough stuff

1028
00:51:28,400 --> 00:51:31,200
Speaker 3: to be activated quote unquote, but I wouldn't surprise me

1029
00:51:31,840 --> 00:51:34,560
Speaker 3: if that is actually part of the processes, because I

1030
00:51:34,600 --> 00:51:35,840
Speaker 3: don't know nothing about water poison.

1031
00:51:36,080 --> 00:51:40,279
Speaker 1: Like, what if we get to back to Alexandria and

1032
00:51:42,160 --> 00:51:43,880
Speaker 1: Rosita had the same exact thing.

1033
00:51:44,160 --> 00:51:46,120
Speaker 3: Right, He's gonna piece that, They're gonna go no, no, no,

1034
00:51:46,280 --> 00:51:48,200
Speaker 3: this is something bigger.

1035
00:51:47,840 --> 00:51:50,560
Speaker 1: And they had the pieces out because dumb ass Aaron

1036
00:51:50,640 --> 00:51:53,080
Speaker 1: knows that the fucking water's being poison even though he

1037
00:51:53,120 --> 00:51:56,880
Speaker 1: sat there and didn't say shit, Like how could he anyway?

1038
00:51:56,960 --> 00:51:59,440
Speaker 2: All Right, so I don't don't think we've seen him

1039
00:51:59,440 --> 00:52:01,719
Speaker 2: after he saw her do it.

1040
00:52:01,960 --> 00:52:05,280
Speaker 1: He saw her kill the zarmie, sliced the guts open

1041
00:52:05,640 --> 00:52:08,319
Speaker 1: and let the let it flow into the water, and

1042
00:52:08,360 --> 00:52:10,680
Speaker 1: then he waited on her and saw her do it again.

1043
00:52:11,760 --> 00:52:14,560
Speaker 1: So my question is like, maybe we'll see next week,

1044
00:52:14,560 --> 00:52:16,560
Speaker 1: but bruh, that's not newsworthy.

1045
00:52:17,200 --> 00:52:24,160
Speaker 2: Somebody gotta know anyway, right, So uh okay.

1046
00:52:24,200 --> 00:52:26,359
Speaker 1: Sadik asked if I was bo didn't he ask if

1047
00:52:26,400 --> 00:52:28,440
Speaker 1: Carol's around, and Dante's like, yeah, I go get her,

1048
00:52:28,440 --> 00:52:32,120
Speaker 1: give me a second, and he get and then Sadik

1049
00:52:32,200 --> 00:52:36,040
Speaker 1: gets up from Milwaukee talkie radio thing and that's when.

1050
00:52:37,719 --> 00:52:38,560
Speaker 2: Zeke sits down.

1051
00:52:39,360 --> 00:52:42,960
Speaker 1: Zeke sits down basically waiting on Carol to come. Carol comes,

1052
00:52:43,040 --> 00:52:45,040
Speaker 1: but he turns the radio off right before she could

1053
00:52:45,080 --> 00:52:45,400
Speaker 1: ask her.

1054
00:52:45,800 --> 00:52:49,600
Speaker 3: Yeah, he was like, you know what, No, why don't

1055
00:52:49,840 --> 00:52:54,040
Speaker 3: you know I'm good? Yeah, And I don't think he

1056
00:52:54,080 --> 00:52:55,480
Speaker 3: wanted to tell her that he's dying.

1057
00:52:56,560 --> 00:52:58,440
Speaker 2: Yeah, So why do you think he doesn't want to

1058
00:52:58,480 --> 00:52:58,799
Speaker 2: tell her?

1059
00:52:59,480 --> 00:53:03,960
Speaker 3: Because you know he still has feelings. It's almost like, uh,

1060
00:53:04,239 --> 00:53:06,440
Speaker 3: it's not it's not like a teenage love. But he's like,

1061
00:53:06,480 --> 00:53:09,960
Speaker 3: I'm in love with this woman. I care about her,

1062
00:53:11,000 --> 00:53:12,920
Speaker 3: and I don't have the courage to let her know

1063
00:53:12,960 --> 00:53:15,920
Speaker 3: I'm dying. I don't know how she's gonna respond. I

1064
00:53:16,040 --> 00:53:18,759
Speaker 3: might I might start crying and she like, He was like,

1065
00:53:18,800 --> 00:53:21,480
Speaker 3: I don't the emotional roller coaster to it might be

1066
00:53:21,520 --> 00:53:24,399
Speaker 3: too much for him. And his thing is like, now,

1067
00:53:24,400 --> 00:53:26,680
Speaker 3: am I supposed to quote unquote get over her if

1068
00:53:26,719 --> 00:53:29,439
Speaker 3: I'm kind of repulling her back into this? If she's

1069
00:53:29,520 --> 00:53:32,280
Speaker 3: quote unquote okay without me, Like it's like a zilly

1070
00:53:32,480 --> 00:53:33,640
Speaker 3: thing's going through his mind.

1071
00:53:33,840 --> 00:53:36,359
Speaker 1: Yeah, it's just funny though, like because I also still

1072
00:53:36,360 --> 00:53:41,279
Speaker 1: be mad at her. I agreed, you know, I don't know, man,

1073
00:53:41,719 --> 00:53:43,720
Speaker 1: and I wonder if it'll be okay. If he turns

1074
00:53:43,719 --> 00:53:46,600
Speaker 1: out that he's not really dying of thyroid cancer and

1075
00:53:46,640 --> 00:53:47,400
Speaker 1: he's gonna be okay.

1076
00:53:47,600 --> 00:53:50,919
Speaker 2: I just wonder about it. At any rate, New Mico

1077
00:53:51,120 --> 00:53:54,160
Speaker 2: goes in to talk to Magna.

1078
00:53:55,200 --> 00:53:59,680
Speaker 6: Yeah, it's scary to think, though. They probably wouldn't have

1079
00:53:59,680 --> 00:54:08,600
Speaker 6: made it. You guys haven't found that stash. Sounds like

1080
00:54:08,680 --> 00:54:10,920
Speaker 6: it was pretty far off the main road to say it.

1081
00:54:12,320 --> 00:54:15,839
Speaker 6: You think I stole everything and ate it out there. Yeah,

1082
00:54:15,840 --> 00:54:19,719
Speaker 6: well it wouldn't have been the first time. Then it

1083
00:54:19,719 --> 00:54:22,600
Speaker 6: would have been smart. Yeah, or it would have been

1084
00:54:22,880 --> 00:54:27,440
Speaker 6: selfish stupid. I was gonna say a mistake. No, but

1085
00:54:28,000 --> 00:54:32,239
Speaker 6: you were thinking it for thirteen years. That's how you've

1086
00:54:32,239 --> 00:54:35,120
Speaker 6: flicked at me. That is not true since the day

1087
00:54:35,160 --> 00:54:41,440
Speaker 6: you showed up your you're fancy sued with all your fancy.

1088
00:54:41,840 --> 00:54:43,439
Speaker 11: You really want to know what I thought that day?

1089
00:54:43,800 --> 00:54:47,400
Speaker 11: I thought, here as a person, an innocent person who's

1090
00:54:47,400 --> 00:54:50,879
Speaker 11: been locked up for a crime they didn't commit, someone

1091
00:54:50,880 --> 00:54:53,399
Speaker 11: who's never trusted anybody because no one's ever trusted her.

1092
00:54:54,480 --> 00:55:01,200
Speaker 11: Someone who's good and yeah, mad, mad at everyone, not

1093
00:55:01,320 --> 00:55:02,439
Speaker 11: as well.

1094
00:55:02,600 --> 00:55:05,640
Speaker 6: The big sermon, my cousin, she was a little girl,

1095
00:55:06,840 --> 00:55:14,080
Speaker 6: and he gets to go on living his life no way,

1096
00:55:14,880 --> 00:55:26,880
Speaker 6: but nobody came for him, so I came for him.

1097
00:55:26,920 --> 00:55:33,319
Speaker 6: And there it is now that we both killed. How

1098
00:55:33,320 --> 00:55:34,640
Speaker 6: many people have we killed?

1099
00:55:34,680 --> 00:55:34,759
Speaker 3: Me?

1100
00:55:34,840 --> 00:55:40,520
Speaker 6: Go and still that look right there, I did. You

1101
00:55:40,520 --> 00:55:41,839
Speaker 6: should find ant other place to sleep.

1102
00:55:44,080 --> 00:55:44,840
Speaker 2: Mm hm hmmm.

1103
00:55:45,440 --> 00:55:51,200
Speaker 1: Lesbian drama ain't no drama like it. But uh yeah,

1104
00:55:51,239 --> 00:55:57,279
Speaker 1: so that was I guess. The backstory is Magno was

1105
00:55:57,400 --> 00:56:01,560
Speaker 1: in prison for, or I guess on trial for, and

1106
00:56:01,600 --> 00:56:04,840
Speaker 1: the dude she killed had done something to her cousin

1107
00:56:04,960 --> 00:56:08,799
Speaker 1: or something, and it sounds like whatever it was was

1108
00:56:08,840 --> 00:56:11,920
Speaker 1: pretty fucked up, and she was like, nobody's gonna do

1109
00:56:12,040 --> 00:56:14,160
Speaker 1: nothing to them, so I'm gonna go kill this motherfucker.

1110
00:56:14,560 --> 00:56:17,520
Speaker 1: And she's like, you always was judging me based off

1111
00:56:17,520 --> 00:56:19,600
Speaker 1: of that. Now maybe it's not true, maybe it is,

1112
00:56:20,360 --> 00:56:26,000
Speaker 1: but whatever proceved or real, it's now within this relationship.

1113
00:56:26,160 --> 00:56:29,359
Speaker 1: And Magna to me seems to still be fucking up.

1114
00:56:29,520 --> 00:56:33,160
Speaker 1: You're still in these supplies like you're still wrong. And

1115
00:56:33,200 --> 00:56:35,839
Speaker 1: then it's that thing that people do now or not now,

1116
00:56:35,840 --> 00:56:38,480
Speaker 1: they've always done it when they're wrong, So then they

1117
00:56:38,480 --> 00:56:41,040
Speaker 1: bring up some other shit that's not really related to it.

1118
00:56:41,040 --> 00:56:43,200
Speaker 2: It's like, what are you like?

1119
00:56:43,680 --> 00:56:46,400
Speaker 1: So are you saying you didn't do it, because if

1120
00:56:46,400 --> 00:56:48,640
Speaker 1: you're saying you didn't do it, that's one discussion, And

1121
00:56:48,880 --> 00:56:51,040
Speaker 1: you're right, I shouldn't be accusing of something you didn't do.

1122
00:56:51,400 --> 00:56:54,160
Speaker 2: And I'm sorry if you're saying you did it, but

1123
00:56:54,239 --> 00:56:56,200
Speaker 2: I should like be like, nah, it's smart.

1124
00:56:56,239 --> 00:56:58,920
Speaker 1: I'm glad you stole them twenty five percent of supplies

1125
00:56:58,960 --> 00:56:59,600
Speaker 1: from everybody.

1126
00:57:00,920 --> 00:57:02,560
Speaker 2: I'm not gonna be able to meet you there because

1127
00:57:02,560 --> 00:57:03,839
Speaker 2: you lied to me too. You didn't.

1128
00:57:03,960 --> 00:57:05,440
Speaker 1: It's not how you put me in on. If it's

1129
00:57:05,480 --> 00:57:07,839
Speaker 1: so fucking smart, why didn't you let me know about

1130
00:57:07,840 --> 00:57:11,600
Speaker 1: the shit? And then of course lastly trying to bring

1131
00:57:11,719 --> 00:57:15,600
Speaker 1: up like some old shit to be like you can't Wow,

1132
00:57:15,680 --> 00:57:17,840
Speaker 1: this is really just about how you never really respected me.

1133
00:57:17,920 --> 00:57:19,480
Speaker 2: Man, you're currently still fucking up.

1134
00:57:20,520 --> 00:57:23,320
Speaker 3: That's her thing. She could have looked past it, right,

1135
00:57:23,560 --> 00:57:26,040
Speaker 3: but she was like you.

1136
00:57:26,120 --> 00:57:26,959
Speaker 2: She could have died.

1137
00:57:27,200 --> 00:57:29,439
Speaker 3: Somebody you could see, a friend could have died because

1138
00:57:29,480 --> 00:57:33,520
Speaker 3: you're stealing shit like like that at the moment. The

1139
00:57:33,600 --> 00:57:36,440
Speaker 3: past is the past and we could have moved past it.

1140
00:57:36,520 --> 00:57:38,240
Speaker 3: You didn't even have to fucking tell me. I could

1141
00:57:38,240 --> 00:57:41,880
Speaker 3: have kept on believing my fairy tale, fucking story if

1142
00:57:41,920 --> 00:57:44,240
Speaker 3: you would have just stopped fucking up.

1143
00:57:44,520 --> 00:57:47,720
Speaker 1: The other thing too about this that's really weird is

1144
00:57:49,000 --> 00:57:51,800
Speaker 1: I do understand this idea, like I killed somebody before

1145
00:57:51,840 --> 00:57:54,240
Speaker 1: the zombie apocalypse to get revenge, and you and you

1146
00:57:54,320 --> 00:57:56,560
Speaker 1: think that's different than us killing people in the zombie

1147
00:57:56,600 --> 00:58:02,040
Speaker 1: apocalypse to survive. Yeah, I might think that different, especially

1148
00:58:02,080 --> 00:58:03,480
Speaker 1: somebody that's a lawyer or something.

1149
00:58:03,520 --> 00:58:04,200
Speaker 2: They might find that.

1150
00:58:04,360 --> 00:58:08,520
Speaker 1: Now, I'm not saying I would necessarily judge her, you know.

1151
00:58:08,840 --> 00:58:10,480
Speaker 2: And I think Magnet is looking at it.

1152
00:58:10,520 --> 00:58:12,880
Speaker 1: Like, well, we've all killed people now, so what's the

1153
00:58:12,920 --> 00:58:16,920
Speaker 1: fucking point of, you know, acting like anyone killing is

1154
00:58:16,920 --> 00:58:19,560
Speaker 1: better than the other. But it's like, that's the whole point, really,

1155
00:58:19,640 --> 00:58:22,480
Speaker 1: is that some killing is justified and some isn't. And

1156
00:58:22,520 --> 00:58:25,320
Speaker 1: that's what separates the people that you want to group

1157
00:58:25,440 --> 00:58:26,840
Speaker 1: up with from the people you can't.

1158
00:58:26,600 --> 00:58:27,840
Speaker 2: Trust, you know.

1159
00:58:28,200 --> 00:58:30,640
Speaker 3: Yeah, and that was her thing. She's looking like, Okay,

1160
00:58:31,320 --> 00:58:34,240
Speaker 3: now I can't trust your like like that. Like I

1161
00:58:34,280 --> 00:58:36,479
Speaker 3: think at the end of the day, that was her thing.

1162
00:58:36,840 --> 00:58:39,960
Speaker 3: I even think she would have bypassed knowing that she

1163
00:58:40,040 --> 00:58:42,400
Speaker 3: stole that shit, like she's okay, you bought it back, okakay.

1164
00:58:42,400 --> 00:58:42,640
Speaker 2: Cool.

1165
00:58:42,680 --> 00:58:44,880
Speaker 1: I wonder if we'll get a flashback to like their

1166
00:58:44,920 --> 00:58:48,040
Speaker 1: origin story, if that's all we're gonna get, cause I mean,

1167
00:58:48,080 --> 00:58:50,600
Speaker 1: how did they end up together? Did were they in

1168
00:58:50,640 --> 00:58:53,800
Speaker 1: the courtroom when the zombie pocalypst broke out?

1169
00:58:54,040 --> 00:58:55,520
Speaker 2: Like what hey? You know what I mean?

1170
00:58:55,680 --> 00:58:55,800
Speaker 3: Like?

1171
00:58:56,360 --> 00:58:58,919
Speaker 1: Did were they in love? And u mu oh went

1172
00:58:59,320 --> 00:59:03,280
Speaker 1: in the prison, go get her, free her magna break

1173
00:59:03,280 --> 00:59:05,439
Speaker 1: out of prison and go find you Maicole? Like how

1174
00:59:05,440 --> 00:59:07,320
Speaker 1: did this happen? I would love to see that meet

1175
00:59:07,320 --> 00:59:09,959
Speaker 1: cute now, but uh, I mean if they even stay

1176
00:59:09,960 --> 00:59:11,040
Speaker 1: a couple, Yeah.

1177
00:59:11,000 --> 00:59:15,040
Speaker 3: I don't think they will because in Umico's mind, she

1178
00:59:15,120 --> 00:59:18,000
Speaker 3: looking like no, no, no, no, no, no, you got

1179
00:59:18,080 --> 00:59:20,800
Speaker 3: to go now, Like I don't care where you go,

1180
00:59:20,880 --> 00:59:22,400
Speaker 3: but you gotta get the fuck up out of here.

1181
00:59:22,640 --> 00:59:24,640
Speaker 3: And my thing she looking like, well, you know, what

1182
00:59:24,680 --> 00:59:27,880
Speaker 3: you're doing is fucked up and like and her thing too,

1183
00:59:27,960 --> 00:59:30,080
Speaker 3: is she's all in in the group. She was like,

1184
00:59:30,120 --> 00:59:32,760
Speaker 3: they took us in, they patched me up. When we

1185
00:59:32,800 --> 00:59:35,480
Speaker 3: first got here, she looking like bitch, what is Everybody's

1186
00:59:35,480 --> 00:59:38,680
Speaker 3: looking at her like, bitch, what is wrong with you? Uh?

1187
00:59:38,720 --> 00:59:41,360
Speaker 1: And she's always been the one that was kind of distrustful.

1188
00:59:41,520 --> 00:59:44,080
Speaker 1: Remember when she was gonna go try to kill Michean.

1189
00:59:44,920 --> 00:59:46,919
Speaker 3: Yeah, on the row one that day.

1190
00:59:47,120 --> 00:59:50,240
Speaker 2: Yeah, Judah was waiting with the gun, shed have blew

1191
00:59:50,280 --> 00:59:51,200
Speaker 2: her head off. Yeah.

1192
00:59:51,240 --> 00:59:54,040
Speaker 1: The thing I keep thinking is like, you know, Magna

1193
00:59:54,240 --> 00:59:57,160
Speaker 1: may just be a fucked up person, correct, you know,

1194
00:59:57,360 --> 00:59:59,920
Speaker 1: like she's a wild card and she's just come close

1195
01:00:00,600 --> 01:00:02,560
Speaker 1: to the edge. But things have kind of worked out,

1196
01:00:02,600 --> 01:00:06,600
Speaker 1: but she keeps self sabotaging everything. So maybe she just

1197
01:00:06,600 --> 01:00:09,560
Speaker 1: this is what she does. Maybe this is her pattern.

1198
01:00:09,760 --> 01:00:12,760
Speaker 1: And so the final scene in Hilltop, Connie comes to

1199
01:00:12,880 --> 01:00:15,000
Speaker 1: check on Darryl because Darryl's about to leave with the

1200
01:00:15,040 --> 01:00:18,720
Speaker 1: dig back to Alexandria, and she apologizes for asking him

1201
01:00:18,720 --> 01:00:23,200
Speaker 1: to lie for them, and he says, I get it,

1202
01:00:23,880 --> 01:00:26,120
Speaker 1: and you know he gets it because Merle was his

1203
01:00:26,200 --> 01:00:30,080
Speaker 1: fucking brother. So he's like, yeah, I ain't shit ass

1204
01:00:30,120 --> 01:00:33,040
Speaker 1: sibling that you gotta like take the rap for sometimes.

1205
01:00:33,720 --> 01:00:37,240
Speaker 1: I know what that's like. And then he does the

1206
01:00:37,280 --> 01:00:39,800
Speaker 1: sign for like that's your family, So I get it.

1207
01:00:39,880 --> 01:00:41,760
Speaker 2: And then she does a sign of you and my

1208
01:00:41,880 --> 01:00:44,640
Speaker 2: family and he's.

1209
01:00:44,240 --> 01:00:46,840
Speaker 1: Like, you know or whatever, and I thought maybe they

1210
01:00:46,880 --> 01:00:49,320
Speaker 1: was gonna kiss her something, but they didn't. Uh, and

1211
01:00:49,360 --> 01:00:54,720
Speaker 1: then uh he bikes off with dog so and I

1212
01:00:54,760 --> 01:00:57,360
Speaker 1: was like, you're taking that loud ass motorcycle everywhere, even

1213
01:00:57,400 --> 01:01:00,920
Speaker 1: at night. All right, let's get to the meat and

1214
01:01:00,960 --> 01:01:04,920
Speaker 1: potatoes of it. So the last segment is Nagan the

1215
01:01:04,960 --> 01:01:07,480
Speaker 1: only thing I can call this segment just Nagan.

1216
01:01:08,240 --> 01:01:09,600
Speaker 2: Uh.

1217
01:01:09,720 --> 01:01:13,120
Speaker 1: And it starts with Niagan down by a stream and

1218
01:01:13,240 --> 01:01:15,960
Speaker 1: a guy sneaks up on him and gives him some

1219
01:01:16,000 --> 01:01:19,120
Speaker 1: water out of a canteen. And his name is Brandon

1220
01:01:19,240 --> 01:01:21,800
Speaker 1: and he says, it took me forever to catch up

1221
01:01:21,840 --> 01:01:27,320
Speaker 1: to you, to which I'm like, ro took me forever

1222
01:01:27,400 --> 01:01:32,520
Speaker 1: to catch up to you. So you knew Nagan was leaked,

1223
01:01:32,720 --> 01:01:37,000
Speaker 1: like you followed him out of Alexandria. And then the

1224
01:01:37,080 --> 01:01:41,520
Speaker 1: question becomes after you mentioned he followed him, do you

1225
01:01:41,520 --> 01:01:45,360
Speaker 1: think Brenta was the one who freedom possibility because you

1226
01:01:45,400 --> 01:01:47,760
Speaker 1: know his whole thing. We don't know who let Nigan

1227
01:01:47,840 --> 01:01:52,600
Speaker 1: out anyway, this Niagan fanboy.

1228
01:01:52,440 --> 01:01:56,439
Speaker 3: Or either somebody may have somebody else may have quote

1229
01:01:56,520 --> 01:01:58,439
Speaker 3: unquote let him out and he may have seen him

1230
01:01:58,520 --> 01:01:59,680
Speaker 3: and just decided to follow.

1231
01:02:00,800 --> 01:02:04,240
Speaker 2: Yeah, I don't know. This Nigan fan boy basically.

1232
01:02:03,840 --> 01:02:05,400
Speaker 3: Says, uh, number one fan.

1233
01:02:05,960 --> 01:02:08,200
Speaker 1: Yeah, he's It's like if you ever seen the Fan

1234
01:02:08,320 --> 01:02:11,360
Speaker 1: the movie with Wesley Snights, Like this is that type

1235
01:02:11,400 --> 01:02:14,680
Speaker 1: of energy This dude's a big Nigan fan, Okay, I.

1236
01:02:14,680 --> 01:02:19,120
Speaker 3: Mean big time. I mean like, uh my Human Academy

1237
01:02:19,120 --> 01:02:19,680
Speaker 3: and all Mike.

1238
01:02:20,200 --> 01:02:23,320
Speaker 1: He got all the Nigan shirts, all the Nigan collectibles,

1239
01:02:23,440 --> 01:02:24,560
Speaker 1: never moved from box.

1240
01:02:24,640 --> 01:02:28,720
Speaker 3: Come on, got the posters on the walls, Nigan action figures,

1241
01:02:28,760 --> 01:02:30,720
Speaker 3: you know, the video games.

1242
01:02:30,480 --> 01:02:32,960
Speaker 2: He went to see the Nigan musical three times.

1243
01:02:33,000 --> 01:02:35,280
Speaker 3: Come on, Nigga Museum, I have been there.

1244
01:02:35,840 --> 01:02:37,680
Speaker 2: Like he just this is what he does.

1245
01:02:37,720 --> 01:02:40,560
Speaker 1: He dresses up for Nigan is Halloween. So he's a

1246
01:02:40,600 --> 01:02:43,959
Speaker 1: big Nigan fan. And he basically said, it took forever

1247
01:02:43,960 --> 01:02:46,160
Speaker 1: for me to catch up with you. And he gives

1248
01:02:46,240 --> 01:02:48,240
Speaker 1: him because like he makes it seem like he's gonna

1249
01:02:48,320 --> 01:02:51,040
Speaker 1: like get to drop on him whe but he's like, all,

1250
01:02:51,200 --> 01:02:52,240
Speaker 1: I'm just messing with you, man.

1251
01:02:52,280 --> 01:02:54,160
Speaker 2: Here's some water. You want some water out of my canteen?

1252
01:02:54,320 --> 01:02:55,439
Speaker 2: Like and so.

1253
01:02:56,880 --> 01:02:59,320
Speaker 1: Uh and this is at the Nigans, like you know,

1254
01:02:59,440 --> 01:03:02,400
Speaker 1: Nigans play in it cool because you know this isn't

1255
01:03:02,400 --> 01:03:05,160
Speaker 1: the old school Niaguan anyway. But he's just also kind

1256
01:03:05,200 --> 01:03:10,400
Speaker 1: of a cool, con collected, very like thoughtful, calculating individual.

1257
01:03:11,800 --> 01:03:16,160
Speaker 1: So uh, this dude tells him like he does like

1258
01:03:16,240 --> 01:03:18,680
Speaker 1: the Nagan he does a Nagan whistle.

1259
01:03:19,960 --> 01:03:23,240
Speaker 2: And you know, we know what it sounds like. His whistle.

1260
01:03:23,280 --> 01:03:25,360
Speaker 2: It doesn't sound like and he.

1261
01:03:25,360 --> 01:03:27,680
Speaker 1: Says, how, you know, my dad says, that's how he

1262
01:03:27,760 --> 01:03:30,440
Speaker 1: used to do the whistle, but I'm not sure that

1263
01:03:30,480 --> 01:03:31,120
Speaker 1: I did it right.

1264
01:03:31,680 --> 01:03:35,320
Speaker 3: And he was like, we used to have vhss of it,

1265
01:03:35,360 --> 01:03:37,440
Speaker 3: but you know they got destroyed, so I'm trying to

1266
01:03:37,480 --> 01:03:38,600
Speaker 3: basically do it off memory.

1267
01:03:39,200 --> 01:03:39,439
Speaker 2: Yeah.

1268
01:03:39,800 --> 01:03:42,360
Speaker 1: And the thing is like his dad must have been

1269
01:03:42,440 --> 01:03:45,440
Speaker 1: one of the one of the saviors who followed Meigan,

1270
01:03:45,600 --> 01:03:48,760
Speaker 1: and he handed it down to his son who never

1271
01:03:48,800 --> 01:03:51,360
Speaker 1: even knows knew anything about Nigga but rumors and innu

1272
01:03:51,360 --> 01:03:54,040
Speaker 1: windos and shit correct and the lies that his father

1273
01:03:54,160 --> 01:03:54,600
Speaker 1: told him.

1274
01:03:54,720 --> 01:03:56,400
Speaker 2: Right, And I love this. It's brilliant.

1275
01:04:06,040 --> 01:04:07,880
Speaker 7: Was that it did.

1276
01:04:07,920 --> 01:04:13,400
Speaker 4: I get it. Dud have totally whistled back right, my dad.

1277
01:04:13,440 --> 01:04:14,760
Speaker 4: He used to tell me how like you and the

1278
01:04:14,760 --> 01:04:17,320
Speaker 4: Saviors would like whistle back and forth like that.

1279
01:04:17,960 --> 01:04:21,000
Speaker 12: Before you said you had some granola some shiit.

1280
01:04:24,440 --> 01:04:27,880
Speaker 4: Reasons in the busted knife. It's kind of in a

1281
01:04:27,960 --> 01:04:33,680
Speaker 4: rush when I packed it all. So you're really not

1282
01:04:33,680 --> 01:04:35,160
Speaker 4: gonna tell me how you got out of that cell?

1283
01:04:37,640 --> 01:04:39,919
Speaker 13: All right, Well, at least tell me what we're looking

1284
01:04:40,000 --> 01:04:41,920
Speaker 13: for the boy's safe.

1285
01:04:42,840 --> 01:04:45,560
Speaker 4: I get it a new sanctuary.

1286
01:04:46,720 --> 01:04:49,680
Speaker 13: How bad ass was that place? And then Rip Grimes

1287
01:04:49,720 --> 01:04:55,920
Speaker 13: comes along talk about hypocrisy, kills our parents, drags us

1288
01:04:55,920 --> 01:05:05,200
Speaker 13: to Alexandria lectures us about community bullshit. Man, I heard

1289
01:05:05,200 --> 01:05:07,280
Speaker 13: you made him cut his own kid's hand off, then

1290
01:05:07,320 --> 01:05:11,440
Speaker 13: you killed him, Crawl Grimes, I heard you shot him.

1291
01:05:11,680 --> 01:05:12,680
Speaker 7: I never did that.

1292
01:05:14,400 --> 01:05:17,680
Speaker 2: Now we know Meidan loved him from Karl.

1293
01:05:18,320 --> 01:05:18,520
Speaker 3: Right.

1294
01:05:18,800 --> 01:05:20,919
Speaker 1: See he don't know this, This dude don't notice because

1295
01:05:20,920 --> 01:05:23,640
Speaker 1: he only heard lies and shit. The other thing you

1296
01:05:23,680 --> 01:05:27,560
Speaker 1: have to remember, this guy was a kid when the

1297
01:05:27,640 --> 01:05:31,960
Speaker 1: Saviors got lost to the to the ricks crew, right,

1298
01:05:33,000 --> 01:05:37,360
Speaker 1: So he also had how much time Tom is like

1299
01:05:37,520 --> 01:05:38,960
Speaker 1: thirteen years or something his past?

1300
01:05:39,160 --> 01:05:40,960
Speaker 3: Like, yes, it's a long period a long period of

1301
01:05:41,000 --> 01:05:44,160
Speaker 3: time because we've had two time jumps since then, so

1302
01:05:44,320 --> 01:05:47,480
Speaker 3: all this time has passed since he will so he

1303
01:05:47,520 --> 01:05:50,479
Speaker 3: doesn't have an actual recollection of any of the shit

1304
01:05:50,560 --> 01:05:51,120
Speaker 3: that happened.

1305
01:05:52,760 --> 01:05:53,680
Speaker 2: And this and the.

1306
01:05:53,680 --> 01:05:57,000
Speaker 1: Reason I really loved this like this is probably my

1307
01:05:57,040 --> 01:06:00,600
Speaker 1: favorite part of this episode. It reminds me so much

1308
01:06:00,880 --> 01:06:07,000
Speaker 1: of Civil War reframing in America and how it became

1309
01:06:07,040 --> 01:06:10,240
Speaker 1: a war of Northern aggression in the South and if

1310
01:06:10,240 --> 01:06:13,240
Speaker 1: the lost cause we were just it was a valiant cause.

1311
01:06:13,280 --> 01:06:16,680
Speaker 1: It was for states rights and our freedom, state's rights

1312
01:06:16,760 --> 01:06:18,560
Speaker 1: to own slaves.

1313
01:06:19,720 --> 01:06:19,919
Speaker 2: Right.

1314
01:06:20,040 --> 01:06:24,240
Speaker 1: The Saviors were not this altruistic good group Meagan. And

1315
01:06:24,280 --> 01:06:27,320
Speaker 1: the thing is, we know that Meagan has said, well,

1316
01:06:27,480 --> 01:06:30,160
Speaker 1: you know, we don't know it's true, but he said

1317
01:06:30,240 --> 01:06:32,640
Speaker 1: just last week, like it's fucked up. But Darryl, I

1318
01:06:32,680 --> 01:06:36,040
Speaker 1: believe y'all's well, life is better than what I was doing. Like,

1319
01:06:36,120 --> 01:06:38,080
Speaker 1: so it's funny how now that I believe it, This

1320
01:06:38,160 --> 01:06:39,640
Speaker 1: is now when I get in trouble and I gotta

1321
01:06:39,640 --> 01:06:41,080
Speaker 1: get the fuck out of here because y'all's trying to

1322
01:06:41,120 --> 01:06:44,960
Speaker 1: kill me. But uh yeah, so this dude don't even

1323
01:06:45,000 --> 01:06:48,160
Speaker 1: know he fucking up, and that the framing of what

1324
01:06:48,200 --> 01:06:52,760
Speaker 1: he's saying is so such a like misrepresentation, if not

1325
01:06:52,880 --> 01:06:53,680
Speaker 1: outright lie.

1326
01:06:53,960 --> 01:06:58,440
Speaker 2: You know, I never.

1327
01:07:00,120 --> 01:07:08,480
Speaker 4: Go on.

1328
01:07:06,320 --> 01:07:07,880
Speaker 2: Niga like you want to hit her with that stick?

1329
01:07:08,440 --> 01:07:14,480
Speaker 3: I would, and I believe on that one.

1330
01:07:14,640 --> 01:07:23,160
Speaker 4: Yeah, No, definitely with you. Obviously we're both Negan, he.

1331
01:07:23,200 --> 01:07:24,960
Speaker 3: Got them crazy ass were both Nagan.

1332
01:07:27,000 --> 01:07:31,080
Speaker 1: Yeah, Brandon, just Brandon's on those people that you just

1333
01:07:31,480 --> 01:07:33,800
Speaker 1: they let you know that crazy right away and you

1334
01:07:33,880 --> 01:07:37,880
Speaker 1: just have to go, I don't know when, but we're

1335
01:07:37,920 --> 01:07:41,560
Speaker 1: gonna have it out because they're too crazy for for

1336
01:07:41,800 --> 01:07:45,600
Speaker 1: us to just keep acting like it's not a managerbal level.

1337
01:07:45,360 --> 01:07:50,080
Speaker 2: Of crazy behavior. Yeah, And so then they make it

1338
01:07:50,120 --> 01:07:52,200
Speaker 2: to a barbed wire like makes.

1339
01:07:52,000 --> 01:07:55,040
Speaker 1: Your fence of some type in the woods, which Nigan

1340
01:07:55,120 --> 01:07:58,920
Speaker 1: immediately says, all right, this must be like where the

1341
01:07:58,920 --> 01:08:02,760
Speaker 1: Whispers are marking their territory right to be like, hey,

1342
01:08:02,840 --> 01:08:06,160
Speaker 1: this is dangerous, this is don't cross this line.

1343
01:08:06,160 --> 01:08:07,720
Speaker 2: We're gonna fuck you up, We're gonna kill you.

1344
01:08:07,680 --> 01:08:13,040
Speaker 1: And ship like that, and y'all the amount of pressedness

1345
01:08:13,040 --> 01:08:15,480
Speaker 1: in Brandon, what's phenomenal?

1346
01:08:15,840 --> 01:08:21,600
Speaker 3: Yes, still fricks damn.

1347
01:08:23,280 --> 01:08:23,759
Speaker 5: Cross.

1348
01:08:24,439 --> 01:08:30,320
Speaker 13: The enemy of my enemy is my friend.

1349
01:08:34,080 --> 01:08:38,400
Speaker 1: A zombi becomes up attacks Nigan. This motherfucking Brandon did

1350
01:08:38,479 --> 01:08:42,000
Speaker 1: not help at all. And this is a struggle. Like

1351
01:08:42,080 --> 01:08:45,639
Speaker 1: Nigga is not the old Nia, Like he's emaciated, Okay,

1352
01:08:45,800 --> 01:08:51,000
Speaker 1: he's not crunches every day running three miles.

1353
01:08:51,080 --> 01:08:53,200
Speaker 3: He was like, hey, Nigga, I've been in jail cell

1354
01:08:53,320 --> 01:08:54,320
Speaker 3: doing work with you.

1355
01:08:54,360 --> 01:08:57,400
Speaker 1: Don't have a harem of wives feeding him all kinds

1356
01:08:57,400 --> 01:08:58,240
Speaker 1: of grapes.

1357
01:08:58,080 --> 01:09:00,559
Speaker 3: Like right, this this is not the same level.

1358
01:09:00,960 --> 01:09:03,280
Speaker 1: So he has to kill this walker by himself, without

1359
01:09:03,680 --> 01:09:12,040
Speaker 1: Brandon trying to help it all. Yeah, and he eventually

1360
01:09:12,160 --> 01:09:15,680
Speaker 1: uses his stick in some of the barbedear on the

1361
01:09:15,720 --> 01:09:17,639
Speaker 1: ground to decapitate the zombie.

1362
01:09:17,640 --> 01:09:43,840
Speaker 2: It's a pretty cool zombie death your health.

1363
01:09:44,840 --> 01:09:47,360
Speaker 4: Sorry, I just needed a second wrap your gift.

1364
01:09:49,479 --> 01:09:52,320
Speaker 2: He gives Nigga a barbar rap war.

1365
01:09:52,680 --> 01:09:55,120
Speaker 4: Band, wipes it all from Alexandria.

1366
01:09:55,320 --> 01:09:59,920
Speaker 1: A barbaro rap bat and he also has Nighan's jacket.

1367
01:10:00,720 --> 01:10:01,519
Speaker 2: Uh at Star.

1368
01:10:02,040 --> 01:10:04,400
Speaker 3: He was like, he was like, bro, you remember your

1369
01:10:04,400 --> 01:10:07,040
Speaker 3: best hits? I got them all. I went through the museum.

1370
01:10:07,240 --> 01:10:11,200
Speaker 3: I stole everything off the display rack right then had

1371
01:10:11,240 --> 01:10:12,160
Speaker 3: your name on it.

1372
01:10:12,479 --> 01:10:15,240
Speaker 2: Like this is like everything except for the hobbling.

1373
01:10:15,320 --> 01:10:19,120
Speaker 1: This is that movie Misery when Cathy Bates was like,

1374
01:10:19,160 --> 01:10:20,439
Speaker 1: I'm your number one fan.

1375
01:10:21,000 --> 01:10:24,160
Speaker 3: I'm number one nobody gonna love you, gonna love you

1376
01:10:24,240 --> 01:10:24,600
Speaker 3: like I do.

1377
01:10:25,240 --> 01:10:28,040
Speaker 2: Right, tell him put my shit and pants on, like

1378
01:10:28,360 --> 01:10:29,519
Speaker 2: just he was a group.

1379
01:10:29,640 --> 01:10:32,280
Speaker 3: Yeah, he should have known something was wrong whenever he

1380
01:10:32,439 --> 01:10:34,400
Speaker 3: was like, you're not gonna help me this nigga, Like, oh,

1381
01:10:34,439 --> 01:10:36,800
Speaker 3: I'm rapping your gift up while I'm struggling and it

1382
01:10:36,920 --> 01:10:37,760
Speaker 3: might die. Well.

1383
01:10:37,840 --> 01:10:40,040
Speaker 1: I do think he knew something was wrong. I don't

1384
01:10:40,040 --> 01:10:42,400
Speaker 1: think he at no point did this dude was on

1385
01:10:42,400 --> 01:10:45,320
Speaker 1: the up and over. I think he always like sums

1386
01:10:45,400 --> 01:10:48,760
Speaker 1: up with this dude, and you know, I'm gonna try

1387
01:10:48,800 --> 01:10:51,599
Speaker 1: to steer clear of him, drop drop him at some point.

1388
01:10:52,000 --> 01:10:54,000
Speaker 3: Yeah, because I think he initially he talked about car.

1389
01:10:54,000 --> 01:10:55,559
Speaker 3: He went up and he was like, you know what,

1390
01:10:55,600 --> 01:10:57,680
Speaker 3: I'm not not yet, not you. I'm a change man

1391
01:10:58,040 --> 01:11:04,320
Speaker 3: because people are source correct alright.

1392
01:11:04,479 --> 01:11:06,240
Speaker 4: It took me forever to findan.

1393
01:11:07,720 --> 01:11:09,839
Speaker 7: Find it in the back of an old storage gruge.

1394
01:11:11,000 --> 01:11:16,160
Speaker 4: My dad said he never saw you without it, So no,

1395
01:11:18,920 --> 01:11:19,280
Speaker 4: why she.

1396
01:11:19,360 --> 01:11:22,240
Speaker 7: Just put that in your back back? I don't want

1397
01:11:22,240 --> 01:11:23,040
Speaker 7: to be recognized.

1398
01:11:24,360 --> 01:11:25,160
Speaker 2: You like it though, right?

1399
01:11:28,640 --> 01:11:29,280
Speaker 3: You like it though?

1400
01:11:29,360 --> 01:11:32,200
Speaker 2: Right? What care that you like it though? Right?

1401
01:11:33,240 --> 01:11:33,439
Speaker 1: What?

1402
01:11:34,200 --> 01:11:34,439
Speaker 3: Yeah?

1403
01:11:34,600 --> 01:11:37,800
Speaker 1: And Neiga think says there's a pig like shit, yeah,

1404
01:11:37,840 --> 01:11:40,240
Speaker 1: there's a ship pig steak or something like that.

1405
01:11:41,560 --> 01:11:44,920
Speaker 3: So yeah, Buddy is super crazy got them.

1406
01:11:46,360 --> 01:11:53,080
Speaker 2: I think he reads the comics like like that's just that,

1407
01:11:53,320 --> 01:11:55,120
Speaker 2: like that, like Buddy's into it like that.

1408
01:11:55,280 --> 01:11:59,080
Speaker 1: So then, uh, the fan boy takes Nigga to a

1409
01:11:59,080 --> 01:12:01,759
Speaker 1: spot that he thinks could be like the new satuarya building,

1410
01:12:02,160 --> 01:12:03,800
Speaker 1: and it's like, can you imagine we could set this

1411
01:12:03,920 --> 01:12:05,439
Speaker 1: up and all this stuff, and then Nigan hears a

1412
01:12:05,439 --> 01:12:06,160
Speaker 1: woman screaming.

1413
01:12:06,439 --> 01:12:08,200
Speaker 2: He runs over around the corner of a bus.

1414
01:12:08,240 --> 01:12:11,679
Speaker 1: He kills a walker, but the knife when he kills

1415
01:12:11,720 --> 01:12:13,000
Speaker 1: a walker breaks off at the hill.

1416
01:12:13,320 --> 01:12:14,719
Speaker 2: Then he runs on the bus and.

1417
01:12:14,600 --> 01:12:17,680
Speaker 1: He kills some zombies like brutally.

1418
01:12:18,120 --> 01:12:20,800
Speaker 2: A woman and her kid watch like horrified.

1419
01:12:20,920 --> 01:12:24,559
Speaker 1: She kills a couple of zombies, and when Nigan kills

1420
01:12:24,560 --> 01:12:29,320
Speaker 1: the last zombie, Brandon is like, damn classic Megan.

1421
01:12:30,200 --> 01:12:32,880
Speaker 3: I was like, you are fucking useless.

1422
01:12:32,920 --> 01:12:34,880
Speaker 2: Like he attends walker stalker card.

1423
01:12:35,000 --> 01:12:37,799
Speaker 3: Okay, he was like, I don't plan on fighting those zombies.

1424
01:12:37,920 --> 01:12:39,320
Speaker 3: I just plan on watching you.

1425
01:12:39,680 --> 01:12:42,200
Speaker 1: Like he came here for the full Nigan experience, and

1426
01:12:42,240 --> 01:12:44,360
Speaker 1: he is getting it, and he is getting his life.

1427
01:12:44,439 --> 01:12:47,120
Speaker 3: He might as well stood up saying Bravo, bravo, bravo.

1428
01:12:47,280 --> 01:12:47,639
Speaker 3: Next thing.

1429
01:12:48,120 --> 01:12:50,400
Speaker 2: Yeah, He's like, thank you, thank you so much. Guys.

1430
01:12:50,400 --> 01:12:52,759
Speaker 1: I never thought I can I have your autograph? Fat

1431
01:12:52,840 --> 01:12:53,680
Speaker 1: please come on.

1432
01:12:55,240 --> 01:13:00,280
Speaker 2: And so then the woman tells Nigan that her her

1433
01:13:00,320 --> 01:13:01,080
Speaker 2: and her son.

1434
01:13:00,920 --> 01:13:03,160
Speaker 1: Milo had to run from walkers because the camp got

1435
01:13:03,200 --> 01:13:05,840
Speaker 1: overrun and so now it's just back to them two

1436
01:13:07,439 --> 01:13:09,439
Speaker 1: and she's like, I need to take him on a

1437
01:13:09,520 --> 01:13:11,920
Speaker 1: walk as she does. And then the fad boy dude

1438
01:13:12,400 --> 01:13:14,400
Speaker 1: uses this moment alone with nigan to be like, so,

1439
01:13:14,960 --> 01:13:17,479
Speaker 1: what we're gonna do with them following back to their stash?

1440
01:13:17,560 --> 01:13:21,120
Speaker 1: Kill them, take their stuff, And Nigga's like, no, then

1441
01:13:21,200 --> 01:13:23,240
Speaker 1: I just tell you I'll don'na kill kids like or whatever.

1442
01:13:23,320 --> 01:13:27,160
Speaker 1: Like He's like, no, we're not gonna do shit. And

1443
01:13:27,200 --> 01:13:31,160
Speaker 1: the guy has like a crowbar and Nigga's like, hold up,

1444
01:13:31,479 --> 01:13:34,280
Speaker 1: sit down because he was about He's like, I'm not

1445
01:13:34,520 --> 01:13:35,559
Speaker 1: I'm not speaking the code.

1446
01:13:35,600 --> 01:13:36,720
Speaker 2: I'm not saying go kill them.

1447
01:13:36,720 --> 01:13:39,599
Speaker 1: I'm telling you I think maybe you should go back,

1448
01:13:40,280 --> 01:13:42,320
Speaker 1: and he's like, what, I can't go back. They'll know

1449
01:13:42,400 --> 01:13:45,439
Speaker 1: that I'm with you and I'm a bad liar. And

1450
01:13:46,200 --> 01:13:48,639
Speaker 1: you know if I go, if I go back, they're.

1451
01:13:48,439 --> 01:13:51,080
Speaker 2: Gonna you know, I'm gonna get discovered. And it's been

1452
01:13:51,160 --> 01:13:51,519
Speaker 2: too long.

1453
01:13:51,560 --> 01:13:54,040
Speaker 1: And so Nigga says, Okay, change a plan, new plan,

1454
01:13:55,280 --> 01:13:58,760
Speaker 1: Leave me the fuck alone, don't hang around me, go

1455
01:13:58,800 --> 01:14:01,519
Speaker 1: off on your own direction, do whatever the fuck.

1456
01:14:01,360 --> 01:14:02,960
Speaker 3: You want to do. Back and you want to tell

1457
01:14:03,000 --> 01:14:04,479
Speaker 3: him you see me, I don't give a fuck.

1458
01:14:04,560 --> 01:14:06,759
Speaker 2: Yeah, I don't care where you go. Tell the truth.

1459
01:14:07,040 --> 01:14:07,280
Speaker 6: Lie.

1460
01:14:07,479 --> 01:14:09,800
Speaker 1: It just don't matter to me. I don't like you

1461
01:14:09,840 --> 01:14:12,920
Speaker 1: and I don't want you around. And then the dudes

1462
01:14:13,000 --> 01:14:14,719
Speaker 1: like you just like all the others, and he leaves

1463
01:14:14,720 --> 01:14:17,400
Speaker 1: and I said, that's how you know somebody crazy When

1464
01:14:17,400 --> 01:14:20,040
Speaker 1: they got a long list to everybody that's the grievances.

1465
01:14:20,080 --> 01:14:23,200
Speaker 2: It's like everyone's on that list, sir.

1466
01:14:23,320 --> 01:14:27,160
Speaker 3: It's you, right, that's all the others that say you

1467
01:14:27,320 --> 01:14:30,000
Speaker 3: fucking crazy, all the hundreds of other people that you've

1468
01:14:30,040 --> 01:14:32,680
Speaker 3: interacted with it. But like you ain't right, you do

1469
01:14:33,200 --> 01:14:35,679
Speaker 3: you ain't right? Yes, it's you, Nigga, Is you all

1470
01:14:35,760 --> 01:14:36,360
Speaker 3: you like?

1471
01:14:36,479 --> 01:14:40,920
Speaker 1: This list should be one person long. You stop blaming

1472
01:14:40,920 --> 01:14:45,400
Speaker 1: everybody else for your problems. Nobody else did this Like

1473
01:14:45,439 --> 01:14:47,080
Speaker 1: when like when they was in the back of that

1474
01:14:47,080 --> 01:14:50,960
Speaker 1: that that bus, Nigga was looking at him.

1475
01:14:50,120 --> 01:14:58,320
Speaker 2: Like, oh you crazy.

1476
01:14:58,080 --> 01:14:58,599
Speaker 12: I am.

1477
01:15:00,080 --> 01:15:06,160
Speaker 3: Yeah, Uh, Nigga just tweeting, and he keeps adding him

1478
01:15:06,439 --> 01:15:09,360
Speaker 3: at Nigga, I got your back dog at Nigga, I

1479
01:15:09,400 --> 01:15:10,320
Speaker 3: got your coat.

1480
01:15:10,160 --> 01:15:12,400
Speaker 1: Too, at Niga. Look at this league at Nigga. Look

1481
01:15:12,400 --> 01:15:14,519
Speaker 1: what I tweeted earlier at Niguan. Look at this other

1482
01:15:14,560 --> 01:15:16,720
Speaker 1: person tweet at Nigan And.

1483
01:15:16,760 --> 01:15:19,080
Speaker 3: Niggan told him to calm down, and all of a sudden,

1484
01:15:19,320 --> 01:15:22,879
Speaker 3: he'd a victim. How dare you tell me I'm crazy?

1485
01:15:23,400 --> 01:15:25,000
Speaker 3: This is violence against me?

1486
01:15:25,479 --> 01:15:27,160
Speaker 2: Right, Nigan? Like, am I gonna have to mute this?

1487
01:15:27,240 --> 01:15:29,800
Speaker 3: Nigga was all right, I'm trying to just let you beat.

1488
01:15:29,840 --> 01:15:31,280
Speaker 3: I'm gonna have to block you after while.

1489
01:15:31,520 --> 01:15:35,000
Speaker 1: Meanwhile, every time he watched Niggan far or cuss or anything,

1490
01:15:35,600 --> 01:15:36,439
Speaker 1: He's just sitting around.

1491
01:15:36,439 --> 01:15:38,880
Speaker 2: Nobody gonna believe this the number one fan.

1492
01:15:40,040 --> 01:15:42,040
Speaker 3: He's like, everybody gonna think I'm crazy if I talk

1493
01:15:42,080 --> 01:15:44,639
Speaker 3: about this online, everybody gonna think I'm no Norma chick.

1494
01:15:45,280 --> 01:15:52,960
Speaker 1: So then, uh, Nigan goes off and uh talks to Milo.

1495
01:15:53,520 --> 01:15:56,360
Speaker 1: After the dude has left, Brandon's left, he talks to

1496
01:15:56,360 --> 01:15:59,080
Speaker 1: the little kid Malow and and the only way Nigan

1497
01:15:59,160 --> 01:16:02,599
Speaker 1: can long story short, to have a long conversation about

1498
01:16:02,760 --> 01:16:12,320
Speaker 1: nut tapping. Uh like, this conversation is hilarious and just

1499
01:16:12,479 --> 01:16:15,240
Speaker 1: classic me and classic stupid gotsh it.

1500
01:16:16,720 --> 01:16:20,240
Speaker 12: Oh no, we're gonna crash.

1501
01:16:20,320 --> 01:16:23,800
Speaker 2: Mile was playing with an airplane.

1502
01:16:25,760 --> 01:16:29,599
Speaker 7: I don't work it out. I don't bite mom. She's

1503
01:16:29,680 --> 01:16:31,800
Speaker 7: inside packing. So we got a little bit of time

1504
01:16:31,800 --> 01:16:36,360
Speaker 7: to kill d Brano Brandon. He went looking for supplies.

1505
01:16:38,840 --> 01:16:43,320
Speaker 7: You know what, I'm gonna be real with you. I

1506
01:16:43,400 --> 01:16:48,879
Speaker 7: told Brandon to get lost. See not the best cold pilot.

1507
01:16:48,920 --> 01:16:52,400
Speaker 12: If you catch my dress, you don't catch my dress

1508
01:16:52,400 --> 01:16:52,599
Speaker 12: at all.

1509
01:16:52,680 --> 01:16:54,320
Speaker 7: There, you've never been on a plane.

1510
01:16:54,560 --> 01:16:56,040
Speaker 3: Nope, never seen one in the air.

1511
01:16:57,000 --> 01:16:59,920
Speaker 7: Oh man, that's all right, it's not your faulty guy

1512
01:17:00,160 --> 01:17:02,800
Speaker 7: turned this world into an ass pit before you were born,

1513
01:17:04,960 --> 01:17:11,679
Speaker 7: all right. Picture of this sitting on the play really

1514
01:17:11,800 --> 01:17:14,160
Speaker 7: nice comfy seats, but it feels like you've been sitting

1515
01:17:14,200 --> 01:17:19,320
Speaker 7: on the runway. Goddamn. Ever, suddenly there's this kind of.

1516
01:17:19,680 --> 01:17:20,639
Speaker 2: I'm musa get this fire.

1517
01:17:20,680 --> 01:17:22,840
Speaker 1: I want to get the nut tapping, because that was

1518
01:17:22,880 --> 01:17:24,840
Speaker 1: the part I was like, how the fuck you just

1519
01:17:24,880 --> 01:17:27,160
Speaker 1: met this key? You're talking about hitting each other in

1520
01:17:27,200 --> 01:17:29,960
Speaker 1: the bass. It's a white man thing.

1521
01:17:30,040 --> 01:17:30,760
Speaker 2: I think so much.

1522
01:17:30,800 --> 01:17:34,639
Speaker 7: You're gonna miss growing up in this screwed up world.

1523
01:17:35,600 --> 01:17:39,040
Speaker 7: You know, driving your first set of wheels, video games.

1524
01:17:39,680 --> 01:17:46,559
Speaker 7: Nut tapping, Wow, you've never heard of nut tapping seriously with.

1525
01:17:46,560 --> 01:17:51,479
Speaker 12: Big old sausage fingers like those. All right, man, the

1526
01:17:51,520 --> 01:17:55,880
Speaker 12: whole point of nut tapping catching the other guy off guard.

1527
01:17:55,680 --> 01:17:59,200
Speaker 7: All right, embarrassing him, getting even for him, calling your

1528
01:17:59,200 --> 01:18:03,639
Speaker 7: mom a slower whatever. I'm gonna keep your wrists loose

1529
01:18:03,880 --> 01:18:07,080
Speaker 7: like this leat in a casual leg.

1530
01:18:09,160 --> 01:18:13,360
Speaker 12: Flack, snip your fingers right on his nuts. Now you

1531
01:18:13,360 --> 01:18:15,160
Speaker 12: gotta remember you go low, you go to.

1532
01:18:15,280 --> 01:18:16,679
Speaker 7: How you getting nothing but dick?

1533
01:18:18,120 --> 01:18:22,639
Speaker 12: All right, let's see what you got. You're unnatural. See

1534
01:18:22,640 --> 01:18:26,240
Speaker 12: if nut tapping were a sport, you wouldn't have the

1535
01:18:26,320 --> 01:18:28,200
Speaker 12: right up and you would still be in the Hall

1536
01:18:28,280 --> 01:18:28,679
Speaker 12: of Fame.

1537
01:18:30,439 --> 01:18:33,800
Speaker 2: The fuck is oh?

1538
01:18:34,320 --> 01:18:39,439
Speaker 7: All right, kid, Janner not gonna happen without fire. Fire

1539
01:18:39,520 --> 01:18:43,320
Speaker 7: is not gonna happen without Wooden. Tell me something. You

1540
01:18:43,320 --> 01:18:44,120
Speaker 7: get all packed up?

1541
01:18:45,200 --> 01:18:51,600
Speaker 5: Yeah, yeah, you know, I know.

1542
01:18:51,720 --> 01:18:55,800
Speaker 7: The moving sucks. It's like I was telling your mom, though,

1543
01:18:56,960 --> 01:18:58,719
Speaker 7: I know a place that I'm pretty sure they're gonna

1544
01:18:58,720 --> 01:19:05,240
Speaker 7: take you in really high walls. Farm Land even has

1545
01:19:05,240 --> 01:19:08,160
Speaker 7: a mansion sitting in the middle of it hilltop. You

1546
01:19:08,280 --> 01:19:10,000
Speaker 7: just can't tell him and brought to you. All right,

1547
01:19:10,040 --> 01:19:12,479
Speaker 7: but I will get you as close as I can.

1548
01:19:12,920 --> 01:19:18,040
Speaker 7: One condition, though, keep those meaty fingers hoisted up when

1549
01:19:18,080 --> 01:19:19,200
Speaker 7: my nuts are around.

1550
01:19:20,240 --> 01:19:20,559
Speaker 2: Okay.

1551
01:19:21,560 --> 01:19:26,479
Speaker 1: Yeah, So that's like this really sweet moment with Megan

1552
01:19:26,680 --> 01:19:30,599
Speaker 1: in the Megan this way possible talking about slapping nuts

1553
01:19:30,640 --> 01:19:37,400
Speaker 1: and shit, and you know, this is the moment when

1554
01:19:37,400 --> 01:19:39,599
Speaker 1: I said, oh, this is too sweet.

1555
01:19:41,040 --> 01:19:43,559
Speaker 2: This is not sweet. Nothing on the show gets to

1556
01:19:43,560 --> 01:19:45,360
Speaker 2: be this sleep as it pend.

1557
01:19:45,400 --> 01:19:48,200
Speaker 3: So and I love classic Megan man, like this is

1558
01:19:48,200 --> 01:19:50,639
Speaker 3: the kind of stuff that it's filler. But it's also

1559
01:19:50,800 --> 01:19:53,640
Speaker 3: like I'm okay with this because I was entertained, you

1560
01:19:53,640 --> 01:19:56,120
Speaker 3: know what I mean, Like you can make an argument like, oh,

1561
01:19:56,160 --> 01:19:59,560
Speaker 3: this didn't matter, doesn't really happening with this, this storyline

1562
01:19:59,560 --> 01:20:01,400
Speaker 3: another who cares about these characters?

1563
01:20:01,439 --> 01:20:03,519
Speaker 2: And I'm like, I kind of wanted to see Megan

1564
01:20:03,600 --> 01:20:07,920
Speaker 2: do Nigan shit and this is some Nagan ship. And

1565
01:20:08,000 --> 01:20:08,919
Speaker 2: so then.

1566
01:20:10,920 --> 01:20:15,040
Speaker 1: Uh, Meagan, uh uh.

1567
01:20:15,840 --> 01:20:19,479
Speaker 2: Megan goes to oh wait am I looking at the right? Yeah? Okay.

1568
01:20:19,760 --> 01:20:22,360
Speaker 1: So then Megan goes to get the firewood, and he's

1569
01:20:22,360 --> 01:20:24,519
Speaker 1: coming back with the firewood.

1570
01:20:25,520 --> 01:20:29,559
Speaker 2: And he hears the whistle. I mean, Brandon is back.

1571
01:20:34,960 --> 01:20:36,320
Speaker 2: Now the whistle is better this time.

1572
01:20:40,520 --> 01:20:47,600
Speaker 4: That's shit, right, you must have me back on the

1573
01:20:47,640 --> 01:20:48,760
Speaker 4: bus when he kicked me out.

1574
01:20:50,080 --> 01:20:54,200
Speaker 2: Brandon has killed uh Milo and his mama.

1575
01:20:56,600 --> 01:21:00,320
Speaker 1: Somehow, Brandon thinks this is what Megan segally wanted.

1576
01:21:03,720 --> 01:21:06,040
Speaker 4: And I remember this is Meg and he's always messing

1577
01:21:06,080 --> 01:21:08,400
Speaker 4: with people keeping him in line.

1578
01:21:09,960 --> 01:21:11,680
Speaker 2: So I realized there's a test.

1579
01:21:13,520 --> 01:21:15,960
Speaker 4: It's gonna get a lot more dangerous from here on out.

1580
01:21:17,160 --> 01:21:19,519
Speaker 2: That's what you said in me. You wanted to make

1581
01:21:19,560 --> 01:21:21,360
Speaker 2: sure that I had the balls to do it, how

1582
01:21:21,400 --> 01:21:30,599
Speaker 2: to be done? What do you think I passed? Gray?

1583
01:21:31,040 --> 01:21:32,520
Speaker 2: I have Mega.

1584
01:21:33,720 --> 01:21:36,160
Speaker 1: Niaga picked up a rock and bless this nigga to death.

1585
01:21:44,280 --> 01:21:46,400
Speaker 1: And then he goes over to the bag. It gets

1586
01:21:47,280 --> 01:21:51,320
Speaker 1: the jacket and the bad out face covered.

1587
01:21:51,000 --> 01:21:57,280
Speaker 2: With blood and walks off. He tried to go straight,

1588
01:21:57,960 --> 01:22:02,960
Speaker 2: he did. He really tried. He really gave it a shot. Guys.

1589
01:22:03,439 --> 01:22:07,320
Speaker 1: I mean, I'm gonna go to trade arrow. You try

1590
01:22:07,439 --> 01:22:10,240
Speaker 1: to get out and they just suck. You're right the fuck?

1591
01:22:11,160 --> 01:22:13,640
Speaker 1: And you know, for all of us that are, you know,

1592
01:22:13,840 --> 01:22:17,120
Speaker 1: kind of fans of the asshole bad guy Nigan in

1593
01:22:17,160 --> 01:22:20,639
Speaker 1: a way, you're kind of like good Like I kind

1594
01:22:20,640 --> 01:22:22,400
Speaker 1: of was like, he's not around our.

1595
01:22:22,320 --> 01:22:26,520
Speaker 2: People, but he's back to being like Nigan Ishngan.

1596
01:22:26,760 --> 01:22:32,160
Speaker 3: And the thing is, I'm like, you know, my morals

1597
01:22:33,000 --> 01:22:34,320
Speaker 3: kind he was kind of crazy.

1598
01:22:34,560 --> 01:22:36,160
Speaker 1: Oh no, no, no, Brandan needed to die. But I

1599
01:22:36,240 --> 01:22:39,000
Speaker 1: was talking about him picking up the bat in the jacket.

1600
01:22:40,160 --> 01:22:44,559
Speaker 1: It's like, Okay, this is the transformation back to Niagan.

1601
01:22:45,400 --> 01:22:45,920
Speaker 2: You know what I mean?

1602
01:22:45,960 --> 01:22:48,000
Speaker 1: Because even with that, it didn't feel like that was

1603
01:22:48,040 --> 01:22:50,240
Speaker 1: some Nigan shit. When he killed that dude, I felt

1604
01:22:50,240 --> 01:22:52,600
Speaker 1: like he did it because that dude was that was fucked.

1605
01:22:52,360 --> 01:22:54,320
Speaker 2: Up with Brandon. Did he needed to go that die?

1606
01:22:55,000 --> 01:22:57,719
Speaker 1: But yeah, So then Nigan goes back to that place

1607
01:22:57,720 --> 01:22:59,360
Speaker 1: in the woods with the barbed wire.

1608
01:23:00,880 --> 01:23:03,240
Speaker 2: Steps over since the night. He has jacket on, he

1609
01:23:03,280 --> 01:23:11,599
Speaker 2: has his back you sorry rock and sacks of ship.

1610
01:23:11,680 --> 01:23:14,120
Speaker 2: What the fellow gotta do to get eating around here?

1611
01:23:15,720 --> 01:23:16,400
Speaker 5: That the matter?

1612
01:23:17,000 --> 01:23:20,280
Speaker 12: Hy all scared of the big bad wolf.

1613
01:23:24,680 --> 01:23:26,599
Speaker 2: A little pig, little peg.

1614
01:23:32,000 --> 01:23:35,519
Speaker 12: Let me in and there you are.

1615
01:23:37,520 --> 01:23:44,439
Speaker 7: Oh, I am gonna.

1616
01:23:45,000 --> 01:23:46,519
Speaker 3: I'm doing.

1617
01:23:52,040 --> 01:23:53,680
Speaker 7: I am gonna blow.

1618
01:23:57,400 --> 01:24:11,160
Speaker 9: You're all the way.

1619
01:24:11,360 --> 01:24:13,559
Speaker 2: Vada grabs Hi from behind and throws him on the ground.

1620
01:24:25,080 --> 01:24:25,519
Speaker 3: Let's do.

1621
01:24:29,400 --> 01:24:30,640
Speaker 2: And that's the end of the episode.

1622
01:24:31,760 --> 01:24:35,360
Speaker 1: Oh man, Megan versus Beta next week possibly, I don't

1623
01:24:35,400 --> 01:24:37,640
Speaker 1: know if they'll fight to talk it out, but it

1624
01:24:37,720 --> 01:24:39,200
Speaker 1: makes me feel like we're gonna get some of what

1625
01:24:39,240 --> 01:24:42,240
Speaker 1: we saw in the comics. He met the group man,

1626
01:24:42,439 --> 01:24:45,280
Speaker 1: so's they're not gonna do it like it's gonna like

1627
01:24:45,320 --> 01:24:48,600
Speaker 1: they're gonna at least have the meaning go down of

1628
01:24:48,760 --> 01:24:54,240
Speaker 1: nagan Uh dealing with the Whisperers and I'm so excited

1629
01:24:54,240 --> 01:24:58,439
Speaker 1: to see him as Nagan with the like fucking with

1630
01:24:58,479 --> 01:24:59,560
Speaker 1: these crazy people.

1631
01:25:00,200 --> 01:25:02,800
Speaker 3: Of the jokes, the jokes so good.

1632
01:25:04,120 --> 01:25:06,320
Speaker 2: All right, So, uh, what do you look forward to

1633
01:25:06,400 --> 01:25:07,120
Speaker 2: next week? Karen?

1634
01:25:07,520 --> 01:25:09,639
Speaker 3: Uh? We we're just talking about need to gett interacted

1635
01:25:09,680 --> 01:25:11,280
Speaker 3: with the group. How it's going to go along. I

1636
01:25:11,320 --> 01:25:13,920
Speaker 3: know it's gonna be joking, the joke time the other

1637
01:25:14,000 --> 01:25:19,360
Speaker 3: groups and how they're dealing with and and and uh,

1638
01:25:20,320 --> 01:25:24,720
Speaker 3: the back and forth between the groups on is it,

1639
01:25:24,760 --> 01:25:30,240
Speaker 3: is it not? Dam what's really going on? It's gonna

1640
01:25:30,240 --> 01:25:32,040
Speaker 3: be really interesting to see what happened. But the biggest

1641
01:25:32,080 --> 01:25:33,559
Speaker 3: thing is naging with this group.

1642
01:25:34,280 --> 01:25:38,160
Speaker 1: Yeah, I'm looking forward to what like what gets back

1643
01:25:38,400 --> 01:25:42,080
Speaker 1: what exactly as well as he the sickness is is

1644
01:25:42,200 --> 01:25:45,040
Speaker 1: Zeke really dying of h thiray cancer?

1645
01:25:45,200 --> 01:25:46,040
Speaker 2: Is something else?

1646
01:25:48,040 --> 01:25:51,719
Speaker 1: If Aaron tells everybody about what he saw in the woods,

1647
01:25:53,560 --> 01:25:57,640
Speaker 1: what Gamma's role is gonna be in this plan that

1648
01:25:57,680 --> 01:26:01,240
Speaker 1: Alpha wants to have happened? Like, I have so many

1649
01:26:01,240 --> 01:26:03,800
Speaker 1: things I'm curious about, and I want to see him

1650
01:26:03,800 --> 01:26:06,840
Speaker 1: play out in the next few weeks. I think this

1651
01:26:06,960 --> 01:26:09,120
Speaker 1: is episode five, So we got three more weeks into

1652
01:26:09,200 --> 01:26:12,679
Speaker 1: the break, which is crazy because if you would think,

1653
01:26:12,760 --> 01:26:17,120
Speaker 1: you would think that we would be like fucking exhausted

1654
01:26:17,160 --> 01:26:19,479
Speaker 1: at the Walking Dad because we've covered Fear of the

1655
01:26:19,560 --> 01:26:24,280
Speaker 1: Walking Dad sixteen weeks and then this Walking Dad is

1656
01:26:24,320 --> 01:26:28,200
Speaker 1: coming to a break, and like I said, I'm already

1657
01:26:28,320 --> 01:26:30,680
Speaker 1: kind of like, damn, only three more weeks and I

1658
01:26:30,720 --> 01:26:33,160
Speaker 1: don't know how I got here, but I'm here. I'm

1659
01:26:33,160 --> 01:26:36,479
Speaker 1: back to fully like Damn. I love this show. I

1660
01:26:36,479 --> 01:26:40,559
Speaker 1: can't wait to see more going down with it. So yeah,

1661
01:26:40,560 --> 01:26:42,639
Speaker 1: I'm looking forward to all that stuff too. And of course, yeah,

1662
01:26:42,720 --> 01:26:46,439
Speaker 1: Nigan and the Whispers is the number one attraction on

1663
01:26:46,439 --> 01:26:48,639
Speaker 1: the list for me right now, because oh my god,

1664
01:26:48,720 --> 01:26:51,920
Speaker 1: I just Leagan being Nagan, Like I'm cool, but I'm

1665
01:26:51,920 --> 01:26:54,880
Speaker 1: sick of him being humble, Like even if he's just

1666
01:26:54,880 --> 01:26:58,439
Speaker 1: putting on a freight of fake to survive and whatever,

1667
01:26:58,560 --> 01:27:01,439
Speaker 1: I just him talking crazy to them, to the fucking

1668
01:27:01,439 --> 01:27:03,559
Speaker 1: savages is gonna be so good because you know, he

1669
01:27:03,600 --> 01:27:07,439
Speaker 1: can't control his fucking mouth. Oh man, I can't wait

1670
01:27:07,520 --> 01:27:09,880
Speaker 1: to see what kind of jokes he got. All right,

1671
01:27:10,800 --> 01:27:14,479
Speaker 1: we got some comments, some emails. Thank you, Thank you

1672
01:27:14,479 --> 01:27:16,960
Speaker 1: for the guys who emails the Blackoutips at gmail dot com.

1673
01:27:17,600 --> 01:27:19,479
Speaker 1: All you people, who email us and let us know

1674
01:27:19,520 --> 01:27:21,200
Speaker 1: what you thought about our reviews and what you're thinking

1675
01:27:21,200 --> 01:27:22,640
Speaker 1: about the show, and what you want to hear is

1676
01:27:22,640 --> 01:27:28,040
Speaker 1: talk about nerd geek Ninja right sn hey, Rody Karen,

1677
01:27:28,120 --> 01:27:30,840
Speaker 1: Oh my god, roll my eyes with Mooji. This episode

1678
01:27:30,880 --> 01:27:33,280
Speaker 1: was great and annoying. I can see why most of

1679
01:27:33,280 --> 01:27:36,519
Speaker 1: the Walking Dead cast doesn't go to some of these cons.

1680
01:27:36,600 --> 01:27:39,479
Speaker 1: I bet they meet all types of weirdos. The moment

1681
01:27:39,520 --> 01:27:41,960
Speaker 1: fan boy Nigga over his mouth, I said, so when

1682
01:27:42,000 --> 01:27:42,840
Speaker 1: he's gonna die.

1683
01:27:44,400 --> 01:27:46,080
Speaker 2: I really liked this episode, really.

1684
01:27:45,920 --> 01:27:48,320
Speaker 1: Leaning into the theme of people trying to hold onto

1685
01:27:48,320 --> 01:27:50,519
Speaker 1: their humanity or getting other people to return to the

1686
01:27:51,040 --> 01:27:54,000
Speaker 1: or to or abandon theirs. Magnet and Kelly out here

1687
01:27:54,160 --> 01:27:56,720
Speaker 1: doomsday prepping because the whole community thing is too good

1688
01:27:56,760 --> 01:27:59,280
Speaker 1: to be true. Yeah, I wonder if that doomsday prepping

1689
01:27:59,280 --> 01:28:02,960
Speaker 1: because of Whisper is man right, Like, man, look, this

1690
01:28:03,040 --> 01:28:05,479
Speaker 1: Whisper shit is clearly this is gonna be the end

1691
01:28:05,479 --> 01:28:05,880
Speaker 1: of this group.

1692
01:28:05,960 --> 01:28:07,760
Speaker 2: Let's get the fuck out of here. They're not gonna

1693
01:28:07,760 --> 01:28:11,760
Speaker 2: survive this. Nigan trying to be normal and just giving up.

1694
01:28:11,800 --> 01:28:14,639
Speaker 1: Poor King Zeke not having the courage to tell Carol

1695
01:28:15,000 --> 01:28:19,720
Speaker 1: the episode title was so perfect for every situation, And

1696
01:28:19,800 --> 01:28:22,720
Speaker 1: what the fuck was Aaron doing? He dismisses Lydia, but

1697
01:28:22,880 --> 01:28:27,080
Speaker 1: it's trying to be friendly with Gemma, right. That didn't

1698
01:28:27,080 --> 01:28:30,040
Speaker 1: make sense to me unless you they're setting him up

1699
01:28:30,040 --> 01:28:32,439
Speaker 1: to be some type of fog guy or we're in

1700
01:28:32,520 --> 01:28:34,640
Speaker 1: for more hilarity when she tries to seduce him and

1701
01:28:34,680 --> 01:28:37,160
Speaker 1: he's like nah uh yeah.

1702
01:28:37,320 --> 01:28:40,400
Speaker 2: The other thing too, what Aaron is?

1703
01:28:43,120 --> 01:28:45,680
Speaker 1: I want to know what he thinks he's doing, Like,

1704
01:28:45,720 --> 01:28:47,519
Speaker 1: does he think it's part of a plan, because I

1705
01:28:47,560 --> 01:28:50,840
Speaker 1: also remember Micheon saying that they were going to have

1706
01:28:50,880 --> 01:28:53,559
Speaker 1: a plan to fight back at some point, but Carol

1707
01:28:53,600 --> 01:28:56,040
Speaker 1: shooting back made them have to kind of change things

1708
01:28:56,120 --> 01:28:59,479
Speaker 1: up a little bit. Just a few more steps and

1709
01:28:59,560 --> 01:29:03,599
Speaker 1: we'll be at full Connie and Darryl ship love y'all aman,

1710
01:29:04,200 --> 01:29:07,280
Speaker 1: thank you? Yeah, I'm ready for Connie and Darryl. What

1711
01:29:07,360 --> 01:29:12,160
Speaker 1: are we gonna call him? Connor Conroe?

1712
01:29:12,280 --> 01:29:14,000
Speaker 3: Yeah, once he gets the rest of the alphabet. He

1713
01:29:14,000 --> 01:29:16,880
Speaker 3: ain't got all the letters yet. Who you know, he's

1714
01:29:16,880 --> 01:29:19,040
Speaker 3: still learning so he alphabet?

1715
01:29:19,120 --> 01:29:19,240
Speaker 1: Oh?

1716
01:29:19,280 --> 01:29:22,439
Speaker 2: Yeah? Like what are we calling them? Donie? Some one said?

1717
01:29:22,479 --> 01:29:29,000
Speaker 1: Okay The Walk and Dad episode ten, episode.

1718
01:29:28,520 --> 01:29:30,360
Speaker 2: I mean five? What it always is?

1719
01:29:30,439 --> 01:29:30,679
Speaker 3: Kid?

1720
01:29:30,720 --> 01:29:34,760
Speaker 1: Right, saying Rod and Karen. This week's opening scene was measurizing.

1721
01:29:34,800 --> 01:29:36,519
Speaker 1: I know Kelly has due some screen time, but she

1722
01:29:36,560 --> 01:29:39,080
Speaker 1: clearly has a death wish. Am I supposed to believe

1723
01:29:39,080 --> 01:29:41,759
Speaker 1: that a whisper of spare Kelly in the hunting grounds.

1724
01:29:41,880 --> 01:29:45,200
Speaker 1: That zombie hand discolored and discolored eyes look like a guardian.

1725
01:29:45,479 --> 01:29:47,559
Speaker 2: So who saved Kelly? That's what I want to know.

1726
01:29:47,680 --> 01:29:48,760
Speaker 2: How did you get out of that?

1727
01:29:48,880 --> 01:29:50,960
Speaker 3: They may followed them, they may even know they were

1728
01:29:50,960 --> 01:29:51,559
Speaker 3: out there.

1729
01:29:52,360 --> 01:29:55,360
Speaker 1: Maybe I don't even I put it this way, y'all.

1730
01:29:55,680 --> 01:30:01,920
Speaker 1: I'm chalking it up to convenience zombie te I think

1731
01:30:02,000 --> 01:30:03,600
Speaker 1: that was just one of those things they did on

1732
01:30:03,640 --> 01:30:05,880
Speaker 1: the show. They do it all the time, but you know,

1733
01:30:05,960 --> 01:30:09,519
Speaker 1: sometimes more egregious than others. But that like Cliffhanger, like

1734
01:30:09,520 --> 01:30:12,599
Speaker 1: if you ever watch Saturday Morning cartoons and this Spider Man,

1735
01:30:12,920 --> 01:30:16,040
Speaker 1: you know, because Saturday Morning, Saturday Morning cartoons, they can't kill.

1736
01:30:15,880 --> 01:30:18,240
Speaker 2: People, right, they can't really name anybody.

1737
01:30:18,280 --> 01:30:21,040
Speaker 1: So what they'll have is like Spider Man will be

1738
01:30:21,080 --> 01:30:24,360
Speaker 1: swinging fighting doc Op and then he shoots his web

1739
01:30:24,960 --> 01:30:27,759
Speaker 1: at the building and it doesn't stick and he starts

1740
01:30:27,800 --> 01:30:32,519
Speaker 1: falling towards the streets. Like he's gonna die, and it's like, oh,

1741
01:30:32,560 --> 01:30:34,679
Speaker 1: we're going to commercial. And then when they come back,

1742
01:30:35,120 --> 01:30:38,040
Speaker 1: they come back four seconds before he actually fail and

1743
01:30:38,120 --> 01:30:40,880
Speaker 1: he just swings away and he's fine, but they needed

1744
01:30:40,920 --> 01:30:42,200
Speaker 1: a cliffhanger to go to commercial.

1745
01:30:42,640 --> 01:30:44,640
Speaker 2: This felt very Saturday Morning cartoons.

1746
01:30:44,640 --> 01:30:46,960
Speaker 3: To me. This felt Saturday Morning where you don't be

1747
01:30:47,040 --> 01:30:49,120
Speaker 3: I'm gonna kill him, it's gonna be you will meet

1748
01:30:49,160 --> 01:30:50,400
Speaker 3: your demis.

1749
01:30:50,479 --> 01:30:52,200
Speaker 1: Yeah, and so on said, that's why I have no

1750
01:30:52,280 --> 01:30:54,639
Speaker 1: ass who. That's what I'm saying. Even when you watch

1751
01:30:54,680 --> 01:30:57,880
Speaker 1: these shows without the ass that scene is even more

1752
01:30:57,920 --> 01:31:01,960
Speaker 1: glaring because you're like, what like when you're seeing without.

1753
01:31:02,080 --> 01:31:04,640
Speaker 2: The forgetfulness of three minutes of commercials between.

1754
01:31:04,360 --> 01:31:06,880
Speaker 3: Me, come back and then black for a second and

1755
01:31:06,960 --> 01:31:08,160
Speaker 3: come back, You're like, the fuck is this?

1756
01:31:08,479 --> 01:31:11,040
Speaker 1: But it's what I'm saying is it's even more glaring

1757
01:31:11,360 --> 01:31:14,640
Speaker 1: when there's no commercial. When there's a commercial, you go

1758
01:31:14,680 --> 01:31:17,200
Speaker 1: take a league, give a fucking get your you go

1759
01:31:17,560 --> 01:31:20,719
Speaker 1: get the clothes out of clothes, like the of the dryer.

1760
01:31:21,400 --> 01:31:25,200
Speaker 1: But when when you're actually like just watching it, go like,

1761
01:31:25,560 --> 01:31:27,720
Speaker 1: the motherfucker's like, I'm gonna die. And then they come

1762
01:31:27,760 --> 01:31:31,160
Speaker 1: back and he's like no, no, You're like, Oh that,

1763
01:31:31,160 --> 01:31:33,800
Speaker 1: that's just bullshit. That's what this felt like to me.

1764
01:31:34,000 --> 01:31:36,679
Speaker 1: This is just that was just Kelly not dying was bullshit.

1765
01:31:36,920 --> 01:31:37,439
Speaker 3: She should have.

1766
01:31:37,520 --> 01:31:40,360
Speaker 1: Died, you know, cause like that, that scene makes no

1767
01:31:40,400 --> 01:31:43,639
Speaker 1: sense unless they're really gonna use it, and I will

1768
01:31:43,880 --> 01:31:47,160
Speaker 1: go back and take away, take this all back if

1769
01:31:47,200 --> 01:31:49,439
Speaker 1: they actually do go back and explain that. But if not,

1770
01:31:49,439 --> 01:31:51,200
Speaker 1: I'm just I'm talking it up to just they wanted

1771
01:31:51,280 --> 01:31:53,960
Speaker 1: us to think she was gonna die. Uh. I love

1772
01:31:54,000 --> 01:31:55,640
Speaker 1: how the forest is being used like a prop in

1773
01:31:55,680 --> 01:31:57,439
Speaker 1: the game of How to Seek. You never know who

1774
01:31:57,520 --> 01:31:59,439
Speaker 1: or what will be on your right or you left

1775
01:31:59,680 --> 01:32:01,720
Speaker 1: or right behind you. But that's not why I'm here.

1776
01:32:01,760 --> 01:32:03,800
Speaker 1: Why am I here? Glad you asked, I'm here to

1777
01:32:03,840 --> 01:32:08,000
Speaker 1: announce he's back. The Niagan we all love is returned

1778
01:32:08,040 --> 01:32:11,320
Speaker 1: and reunited with Lucille in that dreadful leather jacket. I

1779
01:32:11,360 --> 01:32:15,519
Speaker 1: wonder how he feels about any back in Barbara. Can

1780
01:32:15,600 --> 01:32:17,519
Speaker 1: it be Lucille, you know what I'm saying. I wonder

1781
01:32:17,560 --> 01:32:18,479
Speaker 1: how he feels about that.

1782
01:32:18,960 --> 01:32:22,400
Speaker 3: Yeah, that's like another woman putting on your woman's dress.

1783
01:32:22,840 --> 01:32:26,120
Speaker 3: Ye ain't gonna quite feel the same because he knows.

1784
01:32:25,680 --> 01:32:29,599
Speaker 1: Right, many many thanks to Brandon forgiving us the gift

1785
01:32:29,640 --> 01:32:34,599
Speaker 1: of Niagan. Hopefully we hopefully he will start nut tapping

1786
01:32:34,600 --> 01:32:35,800
Speaker 1: some Whispero's next week.

1787
01:32:36,880 --> 01:32:42,640
Speaker 2: Classic Nigan, Oh man, I know, I know.

1788
01:32:42,720 --> 01:32:47,280
Speaker 1: He got a walking Dead Twitter account with a zombie avatar.

1789
01:32:48,120 --> 01:32:51,439
Speaker 1: The Walking Dad feedback. This is by miss CT who

1790
01:32:51,520 --> 01:32:53,800
Speaker 1: says this will be quick. I'm just hit a cake

1791
01:32:53,880 --> 01:32:56,479
Speaker 1: vane because that death wasn't his fault. Brandon was bugging

1792
01:32:56,479 --> 01:32:59,240
Speaker 1: out and needed to be stopped on his murders rampage.

1793
01:32:59,240 --> 01:33:02,160
Speaker 2: Oh I agree. I'm actually kind of sad.

1794
01:33:02,240 --> 01:33:06,720
Speaker 1: I feel like Nigan couldn't pick up the vibe completely.

1795
01:33:06,760 --> 01:33:07,719
Speaker 2: Old school nigga.

1796
01:33:07,479 --> 01:33:10,920
Speaker 1: Would have killed Brandon in the woods. He would have

1797
01:33:11,000 --> 01:33:13,800
Speaker 1: killed Brandon in the woods. Like about three seconds into

1798
01:33:13,800 --> 01:33:17,760
Speaker 1: this motherfucker talking crazy about Carl, my husband said, you're

1799
01:33:17,800 --> 01:33:20,200
Speaker 1: always have fanatics no matter what the situation is, and

1800
01:33:20,200 --> 01:33:22,920
Speaker 1: he just if he just killed the mom, Brandon would

1801
01:33:22,920 --> 01:33:25,840
Speaker 1: have been straight. I don't know about that, but killing

1802
01:33:25,880 --> 01:33:29,479
Speaker 1: that kid, especially after that hard woman's storytime, was a hell. Now,

1803
01:33:29,720 --> 01:33:32,720
Speaker 1: your niggas say he don't kill kids, so that was

1804
01:33:32,760 --> 01:33:34,800
Speaker 1: definitely it. But even if he just killed that woman,

1805
01:33:34,880 --> 01:33:37,720
Speaker 1: that's that kid's mom. I don't think Megan. I don't

1806
01:33:37,760 --> 01:33:39,400
Speaker 1: think this nigga would have been okay with that, and

1807
01:33:39,439 --> 01:33:41,519
Speaker 1: I don't think even old school nigga would have been

1808
01:33:41,520 --> 01:33:44,080
Speaker 1: okay with that same because what did he tell Brandon

1809
01:33:44,120 --> 01:33:46,280
Speaker 1: on the bus when he said, we're gonna kill the kid,

1810
01:33:46,439 --> 01:33:48,479
Speaker 1: keep him, We're gonna kill him and take their status.

1811
01:33:48,479 --> 01:33:50,080
Speaker 2: He said, people are resource yep.

1812
01:33:50,200 --> 01:33:52,760
Speaker 3: And no matter how you feel, he's always been people

1813
01:33:52,800 --> 01:33:54,680
Speaker 3: our resources. He's like, I don't kill and his like.

1814
01:33:54,960 --> 01:33:56,800
Speaker 2: Half to That's all I got.

1815
01:33:56,840 --> 01:33:58,640
Speaker 1: Thank you for hanging in there for the four of

1816
01:33:58,720 --> 01:34:02,240
Speaker 1: us watching the watch the walking Still. Hey, you know what, guys,

1817
01:34:02,280 --> 01:34:05,280
Speaker 1: that's to be frank, it's actually more fun that there's

1818
01:34:05,360 --> 01:34:06,360
Speaker 1: less people watching now.

1819
01:34:07,000 --> 01:34:09,000
Speaker 3: I've been seeing that for a hot minute. I've been

1820
01:34:09,000 --> 01:34:10,920
Speaker 3: having a ball with less people watching.

1821
01:34:11,000 --> 01:34:13,599
Speaker 1: It's only the fun people left, like people watching Watchmen

1822
01:34:13,640 --> 01:34:14,160
Speaker 1: on Sunday.

1823
01:34:14,240 --> 01:34:14,720
Speaker 2: Cool man.

1824
01:34:14,760 --> 01:34:16,519
Speaker 1: I don't have nothing bad to say about that show.

1825
01:34:16,720 --> 01:34:19,120
Speaker 1: I love that show too, But I'm just happy to

1826
01:34:19,200 --> 01:34:22,799
Speaker 1: be like, you know, over here chilling and making Joe's

1827
01:34:23,040 --> 01:34:24,960
Speaker 1: thinking about how we're gonna recap the show and all

1828
01:34:25,000 --> 01:34:25,439
Speaker 1: that stuff.

1829
01:34:25,439 --> 01:34:27,160
Speaker 2: It's just fun and.

1830
01:34:27,240 --> 01:34:29,639
Speaker 3: Y'all busy, So nobody got to be like, I don't

1831
01:34:29,680 --> 01:34:31,160
Speaker 3: like a bitch. I don't care going over there and

1832
01:34:31,160 --> 01:34:31,800
Speaker 3: watch something else.

1833
01:34:32,000 --> 01:34:34,920
Speaker 1: My husband and I have made it our ritual Sunday viewing,

1834
01:34:35,479 --> 01:34:38,639
Speaker 1: so it's always cool to leave feedback whatever possible.

1835
01:34:38,760 --> 01:34:39,960
Speaker 2: Just looking forward to hear from y'all.

1836
01:34:39,960 --> 01:34:47,400
Speaker 1: So thank you, thank you, and Turk right sit next. Hey, guys,

1837
01:34:47,479 --> 01:34:50,679
Speaker 1: poor Poomba, he was out here and the zombie Street's

1838
01:34:50,680 --> 01:34:52,360
Speaker 1: living his best life. Kelly and I had to do

1839
01:34:52,439 --> 01:34:55,040
Speaker 1: him like that. But niggas love real, so I guess

1840
01:34:55,040 --> 01:34:58,719
Speaker 1: it was inevitable. Sorry, sorry to this pig.

1841
01:34:59,280 --> 01:34:59,880
Speaker 3: I don't know.

1842
01:35:00,040 --> 01:35:05,120
Speaker 2: Oh, oh no, that pole pig. Sorry to this pig.

1843
01:35:05,479 --> 01:35:08,440
Speaker 2: Oh man, that might be the name of the episode.

1844
01:35:08,680 --> 01:35:11,680
Speaker 1: That's too good. Yeah, that pig took an al doll.

1845
01:35:11,760 --> 01:35:14,519
Speaker 1: He's out there just chilling in the jungle.

1846
01:35:15,439 --> 01:35:17,240
Speaker 2: The money jungle.

1847
01:35:17,600 --> 01:35:28,200
Speaker 10: Took that am because Kelly was thinking she was some

1848
01:35:28,320 --> 01:35:28,800
Speaker 10: other ship.

1849
01:35:29,720 --> 01:35:31,919
Speaker 1: Uh yeah, Pigs is a big part of the storyline.

1850
01:35:32,000 --> 01:35:34,479
Speaker 1: Nigg in his Uh this little pig went to the

1851
01:35:34,560 --> 01:35:35,080
Speaker 1: market ship.

1852
01:35:35,160 --> 01:35:35,439
Speaker 3: Come on.

1853
01:35:36,000 --> 01:35:38,920
Speaker 1: Uh, actually I think he was the big bad ones,

1854
01:35:38,960 --> 01:35:41,120
Speaker 1: but you know what I mean, guys, Pigs was the thing.

1855
01:35:41,160 --> 01:35:41,360
Speaker 2: Though.

1856
01:35:41,560 --> 01:35:43,800
Speaker 1: I really enjoyed the ninga storyline. The show keys re

1857
01:35:43,880 --> 01:35:46,720
Speaker 1: exploring the theme that ruthless leadership will always blow up

1858
01:35:46,760 --> 01:35:48,680
Speaker 1: in your face because it begets people who engage in

1859
01:35:48,680 --> 01:35:51,919
Speaker 1: that same violence because they don't value anyone other than themselves.

1860
01:35:51,920 --> 01:35:54,559
Speaker 2: It seems an easy way for a group to self employed.

1861
01:35:54,880 --> 01:35:59,080
Speaker 1: Well not just that man, and sadly, because the walking

1862
01:35:59,120 --> 01:36:01,479
Speaker 1: Dad is no longer, say are high fare for a

1863
01:36:01,479 --> 01:36:05,280
Speaker 1: lot of people. But I really, for one episode, I

1864
01:36:05,320 --> 01:36:07,799
Speaker 1: wish we could go back in time to when everybody

1865
01:36:08,080 --> 01:36:10,240
Speaker 1: wrote out this deep shit about it, because this week

1866
01:36:10,360 --> 01:36:13,320
Speaker 1: was it because dog, tell me that's not the alright,

1867
01:36:13,760 --> 01:36:18,080
Speaker 1: tell me that's not. These white terrorist motherfuckers now who

1868
01:36:18,360 --> 01:36:22,280
Speaker 1: believe in these myths of of of how things really went,

1869
01:36:22,880 --> 01:36:24,639
Speaker 1: and then they and then they go out and they

1870
01:36:24,720 --> 01:36:29,519
Speaker 1: do crazy sick shit thinking this is justifying, This is

1871
01:36:29,760 --> 01:36:32,439
Speaker 1: justified because this is what it used to be like

1872
01:36:32,479 --> 01:36:35,400
Speaker 1: when we was on top. And Nigga, that's a that's

1873
01:36:35,439 --> 01:36:38,519
Speaker 1: even a bastardization of what Nigan was about, right, Like

1874
01:36:38,600 --> 01:36:42,280
Speaker 1: Nigga wasn't just rolling up on innocent fucking moms and

1875
01:36:42,479 --> 01:36:46,080
Speaker 1: kids by theyself and fucking killing them the shit like that,

1876
01:36:46,280 --> 01:36:49,360
Speaker 1: Like that's but that is what happens when you have

1877
01:36:49,479 --> 01:36:55,240
Speaker 1: these mytholicized, mythologized movements of things that really were bad

1878
01:36:55,280 --> 01:36:58,680
Speaker 1: in the first place. Oh Man, Brandon was such a

1879
01:36:58,680 --> 01:37:02,439
Speaker 1: great character study, and I wonder how Nighan reckons with

1880
01:37:02,479 --> 01:37:03,200
Speaker 1: his legacy.

1881
01:37:03,680 --> 01:37:05,160
Speaker 2: Knowing that Brandon is.

1882
01:37:05,120 --> 01:37:09,240
Speaker 1: Affected by his actions. I wonder if that further cements

1883
01:37:09,320 --> 01:37:13,120
Speaker 1: that I was wrong. You know, we'll see how it

1884
01:37:13,120 --> 01:37:17,679
Speaker 1: plays out. I was two through with Aaron this week.

1885
01:37:18,160 --> 01:37:22,519
Speaker 1: Uh aa turk for aa Ron this week. You can't

1886
01:37:22,600 --> 01:37:25,559
Speaker 1: you can't forgive Niaghan, but you're out here helping whispers

1887
01:37:25,560 --> 01:37:27,280
Speaker 1: who kill people in your group for no reason.

1888
01:37:27,320 --> 01:37:30,000
Speaker 2: Bitch please, Yeah, it better be a plan.

1889
01:37:30,479 --> 01:37:33,400
Speaker 1: Magna better get her act together now the tearrors tigo

1890
01:37:33,520 --> 01:37:36,000
Speaker 1: bites are gone. I don't know how how many lesbians

1891
01:37:36,000 --> 01:37:39,439
Speaker 1: are left with her stank attitude. I would date Miko

1892
01:37:39,520 --> 01:37:42,240
Speaker 1: over her. Miko is rising in the ranks, so if

1893
01:37:42,280 --> 01:37:43,920
Speaker 1: you get hit to her, you might get to be

1894
01:37:44,040 --> 01:37:45,479
Speaker 1: the first lady like Rosea.

1895
01:37:46,400 --> 01:37:55,760
Speaker 3: You know what I keep thinking about Umico and old chemistry.

1896
01:37:55,880 --> 01:37:59,320
Speaker 1: I wonder if, because like everyone says, like you see

1897
01:37:59,320 --> 01:38:02,320
Speaker 1: two people together or whatever, we just most of us,

1898
01:38:02,320 --> 01:38:03,439
Speaker 1: our brains are wired to be like.

1899
01:38:03,439 --> 01:38:07,000
Speaker 2: Lesbian, gay, straight, whatever. But it's like she could be

1900
01:38:07,040 --> 01:38:10,120
Speaker 2: bonded right and not turn funny.

1901
01:38:10,240 --> 01:38:13,559
Speaker 3: I would if they do either way, be fine, but

1902
01:38:13,680 --> 01:38:15,280
Speaker 3: I would kind of like for them to kind of

1903
01:38:15,320 --> 01:38:18,200
Speaker 3: go that way to explored right, just to kind of

1904
01:38:18,240 --> 01:38:21,880
Speaker 3: open up those windows, to be like, hey, we're trying

1905
01:38:21,920 --> 01:38:24,439
Speaker 3: to we want you to know it's not about straight

1906
01:38:24,479 --> 01:38:26,400
Speaker 3: and gay. It's more options out there.

1907
01:38:26,880 --> 01:38:31,960
Speaker 2: Magnum might kill somebody. Uh but yeah, I mean you

1908
01:38:32,000 --> 01:38:32,840
Speaker 2: ain't acting right.

1909
01:38:33,720 --> 01:38:36,920
Speaker 1: Oh, let's see Miko's rising in the ranks. So if

1910
01:38:36,920 --> 01:38:39,840
Speaker 1: you get HITSTERI might before poor Z. Maybe there's a

1911
01:38:39,880 --> 01:38:42,679
Speaker 1: cancer Treatment Center of America in the area that can

1912
01:38:42,880 --> 01:38:44,240
Speaker 1: they can break into to treat him.

1913
01:38:44,320 --> 01:38:45,080
Speaker 2: Jerry won't know.

1914
01:38:45,040 --> 01:38:48,280
Speaker 1: What to do with himself if Zeke dies, No, he won't. Man,

1915
01:38:48,360 --> 01:38:48,960
Speaker 1: I don't want.

1916
01:38:48,800 --> 01:38:50,960
Speaker 2: To see Jerry and Jerry trying.

1917
01:38:50,720 --> 01:38:53,879
Speaker 3: To That's one person that we'll not survived.

1918
01:38:53,920 --> 01:38:55,760
Speaker 1: I don't need to see that death scene him on

1919
01:38:55,800 --> 01:38:57,400
Speaker 1: the death bed of Jerry crying.

1920
01:38:57,680 --> 01:38:59,720
Speaker 3: What because I would fucking lose it.

1921
01:39:00,560 --> 01:39:03,599
Speaker 1: How about Beth says, how beautiful Morrow's I'll jump straight

1922
01:39:03,600 --> 01:39:06,720
Speaker 1: in please, little pig, little pig, let me in here

1923
01:39:06,720 --> 01:39:10,040
Speaker 1: A littel number one excellent recap, Caroen. I was feeling

1924
01:39:10,080 --> 01:39:12,520
Speaker 1: everything you were saying about the group dynamic at Alexandria,

1925
01:39:12,520 --> 01:39:16,680
Speaker 1: I hate mob thinking hate It number two Email exclusive.

1926
01:39:17,040 --> 01:39:20,320
Speaker 1: I love Nigan. I've always loved Nigan. I'm always fifty

1927
01:39:20,320 --> 01:39:23,479
Speaker 1: percent more into him. I can say this because my

1928
01:39:23,520 --> 01:39:25,920
Speaker 1: favorite version of Rick Grinds is an insane and violent

1929
01:39:25,960 --> 01:39:28,960
Speaker 1: Michean has to knock him out. Rick Grimes Nigan had

1930
01:39:29,000 --> 01:39:31,680
Speaker 1: me at tak it like a chair, taking it like

1931
01:39:31,680 --> 01:39:35,320
Speaker 1: a cham Yeah. I fuck with Nigga hard Man. That

1932
01:39:35,560 --> 01:39:38,240
Speaker 1: teenager with Nigan need to look at the flowers sooner.

1933
01:39:38,320 --> 01:39:43,080
Speaker 1: Lizzy two, Lizzy two point oh fucking Psycho number three.

1934
01:39:43,280 --> 01:39:44,639
Speaker 2: I don't want Maggie back there.

1935
01:39:44,680 --> 01:39:46,320
Speaker 1: I said that she was born as a leader and

1936
01:39:46,360 --> 01:39:51,920
Speaker 1: when she left, wow, I said more. Yeah, I don't know, man,

1937
01:39:52,600 --> 01:39:55,559
Speaker 1: I wouldn't mind seeing Maggie back. But I hope Maggie

1938
01:39:55,560 --> 01:39:57,640
Speaker 1: comes back, and it's.

1939
01:39:57,520 --> 01:39:58,799
Speaker 2: To expand the story.

1940
01:39:58,840 --> 01:40:01,400
Speaker 1: I don't want her to just back as leader at Hilltop.

1941
01:40:01,479 --> 01:40:03,200
Speaker 1: It needs to be something that asks the story that

1942
01:40:03,479 --> 01:40:06,040
Speaker 1: her character never really bothered me, and I thought I

1943
01:40:06,080 --> 01:40:08,120
Speaker 1: did not think she was born as a leader. I

1944
01:40:08,160 --> 01:40:12,560
Speaker 1: think she was like she was more fucking about that

1945
01:40:12,720 --> 01:40:15,120
Speaker 1: life than Rick was at one point. So you like

1946
01:40:15,200 --> 01:40:18,120
Speaker 1: savage Rick grind Savage, Maggie was out here hanging niggas.

1947
01:40:19,280 --> 01:40:22,160
Speaker 3: She was you got to go, my nigga.

1948
01:40:22,560 --> 01:40:25,439
Speaker 2: She was like having prisoners of war ship.

1949
01:40:25,960 --> 01:40:29,280
Speaker 1: She was just coming out there like, uh, y'all better

1950
01:40:29,320 --> 01:40:32,200
Speaker 1: hold me, negotiate because if not, y'all, motherfucker's done, and like,

1951
01:40:32,240 --> 01:40:34,800
Speaker 1: all right, have a good one, like it was nothing in.

1952
01:40:34,760 --> 01:40:36,920
Speaker 3: People to see them back in caskets. Fuck with me

1953
01:40:37,320 --> 01:40:38,880
Speaker 3: like she was about that life.

1954
01:40:39,000 --> 01:40:42,639
Speaker 1: I don't know. Maggie's a bad bitch dog. I don't thought.

1955
01:40:42,960 --> 01:40:45,559
Speaker 1: I can't roll with you on that one. Number four.

1956
01:40:45,600 --> 01:40:47,599
Speaker 1: I still don't like the dude who left for Ocera

1957
01:40:47,720 --> 01:40:52,240
Speaker 1: side go and shut up, please, Luke. Last season he

1958
01:40:52,280 --> 01:40:54,200
Speaker 1: was written horribly. Why does every group have to have

1959
01:40:54,240 --> 01:40:55,080
Speaker 1: a member who wants to.

1960
01:40:55,080 --> 01:40:56,639
Speaker 2: Tell you pointless trivia that.

1961
01:40:56,560 --> 01:40:58,960
Speaker 1: You have to listen to because there's no TV? Why

1962
01:40:59,160 --> 01:41:00,840
Speaker 1: were they righting features for him?

1963
01:41:01,160 --> 01:41:04,200
Speaker 2: Oh that's such hate, man. Wow, that's sad.

1964
01:41:04,520 --> 01:41:05,679
Speaker 3: Something I gotta remember.

1965
01:41:05,960 --> 01:41:07,160
Speaker 2: I fuck with with Luke.

1966
01:41:07,200 --> 01:41:10,320
Speaker 1: Plus, I mean the zombie Pocala is saying you're gonna

1967
01:41:10,320 --> 01:41:13,479
Speaker 1: need some interesting niggas because ain't no TV. You know

1968
01:41:13,840 --> 01:41:16,439
Speaker 1: you gonna if you don't want to always read a book?

1969
01:41:17,160 --> 01:41:20,679
Speaker 1: Tell me about what what this violin is called? Number five,

1970
01:41:20,920 --> 01:41:22,200
Speaker 1: A guardian is a walker?

1971
01:41:22,320 --> 01:41:25,800
Speaker 2: Whoa whoa? Yeah to them crazy people? Number six? Who

1972
01:41:25,880 --> 01:41:30,240
Speaker 2: is Coco father gave or Sadik? Sadik? He is the father?

1973
01:41:30,840 --> 01:41:33,960
Speaker 2: Number seven. I'm sick of tied of Beta wanting to kill.

1974
01:41:33,800 --> 01:41:37,320
Speaker 1: Someone at Alpha stopping him, uh then asking him to

1975
01:41:37,320 --> 01:41:41,080
Speaker 1: finish what she started. It was Beta's idea. Oh yeah,

1976
01:41:41,120 --> 01:41:43,000
Speaker 1: that's her move, man, that's a power move.

1977
01:41:43,320 --> 01:41:50,839
Speaker 2: Okay. Also do like I love key fuck with Alpha's like, nope, nope, let's.

1978
01:41:50,600 --> 01:41:54,800
Speaker 3: Hear him out when you know she gonna kill she Like,

1979
01:41:54,800 --> 01:41:56,840
Speaker 3: hold up, we can get a couple of extra minutes

1980
01:41:56,840 --> 01:41:59,320
Speaker 3: of entertainment out of this. Don't kill hi right away?

1981
01:42:00,120 --> 01:42:03,760
Speaker 2: Go ahead. How many people would like to Let's put

1982
01:42:03,760 --> 01:42:07,200
Speaker 2: it to a vote. I'm like, she's gonna kill him?

1983
01:42:08,520 --> 01:42:09,320
Speaker 2: Number eight.

1984
01:42:09,439 --> 01:42:11,400
Speaker 1: I thought Kelly was a gunner, but I should have

1985
01:42:11,479 --> 01:42:13,679
Speaker 1: known when they focused on the walker's head.

1986
01:42:13,840 --> 01:42:16,680
Speaker 2: I'm stopping. I'm glad y'all were back. Thank you. How

1987
01:42:16,680 --> 01:42:17,200
Speaker 2: about Beth?

1988
01:42:17,600 --> 01:42:21,479
Speaker 1: Yeah yeah, to me, you was angry at a lot

1989
01:42:21,479 --> 01:42:24,439
Speaker 1: of stuff. But to me, I would have the main

1990
01:42:24,479 --> 01:42:27,080
Speaker 1: thing to be angry at was that Kelly's still alive FROMOW,

1991
01:42:27,560 --> 01:42:29,360
Speaker 1: not that I don't want that character be alive. But

1992
01:42:29,479 --> 01:42:32,559
Speaker 1: that shit made no sense. That Walker was literally like

1993
01:42:32,640 --> 01:42:34,320
Speaker 1: about to eat her brain. And then it was just

1994
01:42:34,360 --> 01:42:37,080
Speaker 1: like the walking dead thing and.

1995
01:42:37,040 --> 01:42:39,400
Speaker 2: I'm like, wait, what what now? Hold up?

1996
01:42:39,439 --> 01:42:41,639
Speaker 1: So Kelly died and then you come back later she's

1997
01:42:41,680 --> 01:42:44,519
Speaker 1: just laying in the woods by herself, chilling, like, oh

1998
01:42:44,560 --> 01:42:46,200
Speaker 1: my god, she just needs a little sip of water.

1999
01:42:46,240 --> 01:42:47,320
Speaker 2: Should be fine, Like what?

2000
01:42:48,160 --> 01:42:51,400
Speaker 1: All right, y'all, that's it for this recapital Walking Dad,

2001
01:42:51,439 --> 01:42:52,479
Speaker 1: thanks everybody for listening.

2002
01:42:52,520 --> 01:42:54,320
Speaker 2: Thank you for being the chattering to listen live.

2003
01:42:54,920 --> 01:42:59,240
Speaker 1: We appreciate y'all, and we'll be back Saturday with the

2004
01:42:59,240 --> 01:43:04,240
Speaker 1: feedback show. Monday morning, the tentative plan is to do

2005
01:43:04,560 --> 01:43:07,360
Speaker 1: our second episode of this Too Much with me and Bossie,

2006
01:43:08,160 --> 01:43:11,120
Speaker 1: So we should be doing that and hopefully within the

2007
01:43:11,160 --> 01:43:13,519
Speaker 1: next week or two, our girl Janelle James will be

2008
01:43:13,560 --> 01:43:14,840
Speaker 1: a guest on one of the episodes too.

2009
01:43:14,960 --> 01:43:17,760
Speaker 2: Yes, all right, child, until then, I love you, I

2010
01:43:17,800 --> 01:43:19,080
Speaker 2: love you too. Yeah,