1 00:00:00,720 --> 00:00:03,520 Speaker 1: You are listening to the Dan Patrick Show on Fox 2 00:00:03,560 --> 00:00:05,200 Speaker 1: Sports Radio Final Hour. 3 00:00:05,240 --> 00:00:07,240 Speaker 2: In this meet Friday Dan and the dan Ets Dan 4 00:00:07,320 --> 00:00:11,120 Speaker 2: Patrick Show, the trigger grills are fired up, which means 5 00:00:11,320 --> 00:00:14,440 Speaker 2: so are we. And in case you're wondering what is 6 00:00:14,520 --> 00:00:19,400 Speaker 2: the menu today, it's pork belly bond me sandwiches. I 7 00:00:19,440 --> 00:00:22,280 Speaker 2: had no idea what they were. My daughter just texts 8 00:00:22,280 --> 00:00:24,880 Speaker 2: me to say, Dad, all the kids are eating these, 9 00:00:25,280 --> 00:00:28,920 Speaker 2: and I went okay. Vietnamese summer rolls, coconut fried rice. 10 00:00:28,960 --> 00:00:32,400 Speaker 2: Who has it better than we do? No body absolutely? 11 00:00:32,440 --> 00:00:35,720 Speaker 2: Eight seven to seven three DP show email address Dpadanpatrick 12 00:00:35,760 --> 00:00:39,200 Speaker 2: dot com, Twitter handle a DP show. We will dive 13 00:00:39,240 --> 00:00:41,800 Speaker 2: into the results from last night. We have a Game 14 00:00:41,920 --> 00:00:45,560 Speaker 2: seven coming up Sunday night. And for entertainment purposes only, 15 00:00:45,600 --> 00:00:48,920 Speaker 2: okase is favored by eight and a half. Stat of 16 00:00:48,920 --> 00:00:51,320 Speaker 2: the Day brought to you by Panini America, the official 17 00:00:51,360 --> 00:00:54,279 Speaker 2: trading cards of the program. Eight seven to seven three 18 00:00:54,320 --> 00:00:57,840 Speaker 2: DP show email address Dpadanpatrick dot com, Twitter handle a 19 00:00:57,920 --> 00:01:01,160 Speaker 2: DP show. We'll get to your phone call. Coming up. 20 00:01:01,520 --> 00:01:05,680 Speaker 2: We have some news royalty here. He is the new 21 00:01:05,840 --> 00:01:09,360 Speaker 2: nightly news anchor. He took over for Lester Holt. Tom 22 00:01:09,440 --> 00:01:13,440 Speaker 2: Yamas is here and June second, you took over as 23 00:01:13,720 --> 00:01:17,800 Speaker 2: the big Cheese there as the nightly news and do 24 00:01:17,840 --> 00:01:19,360 Speaker 2: you have makeup on right now? Tom? 25 00:01:19,400 --> 00:01:20,400 Speaker 3: I got a little bit of powder. 26 00:01:20,560 --> 00:01:22,039 Speaker 4: I didn't know what I was getting into here, man 27 00:01:22,120 --> 00:01:24,280 Speaker 4: I got I was like, guys, it's a sports show, 28 00:01:24,400 --> 00:01:25,760 Speaker 4: and so I just kind of just do what they 29 00:01:25,840 --> 00:01:26,160 Speaker 4: tell me. 30 00:01:26,400 --> 00:01:28,720 Speaker 2: That's a little bit on Okay. I just didn't live. 31 00:01:28,720 --> 00:01:31,240 Speaker 2: I felt like, you, you know, went a little overboard here. 32 00:01:31,640 --> 00:01:33,280 Speaker 2: I even told them, was I just give you powder. 33 00:01:33,400 --> 00:01:34,160 Speaker 5: That's a therapy. 34 00:01:35,720 --> 00:01:39,120 Speaker 2: Okay, your lifestyle? Yeah, how does it change now that 35 00:01:39,160 --> 00:01:42,120 Speaker 2: you're on call? It feels like twenty four to seven. 36 00:01:42,200 --> 00:01:45,319 Speaker 4: I have some NBC News engineers coming to my house 37 00:01:45,400 --> 00:01:48,000 Speaker 4: next week to take over one of my rooms in 38 00:01:48,080 --> 00:01:51,080 Speaker 4: my house to make it a mobile studio that can 39 00:01:51,560 --> 00:01:53,680 Speaker 4: go live under any circumstance. 40 00:01:53,720 --> 00:01:55,600 Speaker 3: And when I when I mean under any circumstance. 41 00:01:56,080 --> 00:01:58,440 Speaker 4: If there is no Wi Fi, if there is no power, 42 00:01:58,920 --> 00:02:01,840 Speaker 4: We're getting a starlink set up and just to make 43 00:02:01,840 --> 00:02:03,680 Speaker 4: sure we can go live. And right now we are 44 00:02:03,720 --> 00:02:06,400 Speaker 4: on sort of a standby to see what the US 45 00:02:06,400 --> 00:02:09,079 Speaker 4: does with Iran, and so they're sort of working over 46 00:02:09,120 --> 00:02:10,680 Speaker 4: time to make sure we can get the studio up 47 00:02:10,760 --> 00:02:12,920 Speaker 4: and going. You know, like I have a passport on 48 00:02:12,960 --> 00:02:15,320 Speaker 4: me at all times. I got to run to the 49 00:02:15,360 --> 00:02:17,680 Speaker 4: airport and just knowing at any point the phone's going 50 00:02:17,720 --> 00:02:19,880 Speaker 4: to ring and it's like jump on a plane or 51 00:02:19,880 --> 00:02:21,960 Speaker 4: we need you to come in and you know, but 52 00:02:22,000 --> 00:02:23,480 Speaker 4: you know that when you sign up, you know that's 53 00:02:23,520 --> 00:02:24,040 Speaker 4: going to happen. 54 00:02:24,639 --> 00:02:27,760 Speaker 2: But you have three kids, Yeah, your wife and kids, 55 00:02:28,480 --> 00:02:31,280 Speaker 2: they can kind of understand that. Yeah, you know what 56 00:02:31,320 --> 00:02:34,200 Speaker 2: if you're at a soccer game, or you're at a baptism, 57 00:02:34,320 --> 00:02:35,799 Speaker 2: or you're at a graduation. 58 00:02:36,080 --> 00:02:38,720 Speaker 3: Yeah, it's tough. So I'll give you an example. 59 00:02:38,840 --> 00:02:40,560 Speaker 4: I mean, my kids have always known me to do 60 00:02:40,600 --> 00:02:42,400 Speaker 4: this job, and so they know that sort of comes 61 00:02:42,400 --> 00:02:44,520 Speaker 4: with the territory and that's part of dad's job. And 62 00:02:44,560 --> 00:02:46,360 Speaker 4: it's tough on them sometimes, right because they wake up 63 00:02:46,360 --> 00:02:48,520 Speaker 4: and I'm not there. I'm on a plane to Ukraine 64 00:02:48,639 --> 00:02:51,320 Speaker 4: or Israel or somewhere else. And that's tough, and it's 65 00:02:51,360 --> 00:02:53,120 Speaker 4: you know, conversations we have as a family when week 66 00:02:53,120 --> 00:02:55,720 Speaker 4: get home. But I'll give you an example. Last Friday, 67 00:02:55,919 --> 00:02:58,800 Speaker 4: my little guy was having his championship little league game 68 00:02:59,080 --> 00:03:02,080 Speaker 4: seven years old against a team where we have a 69 00:03:02,160 --> 00:03:04,640 Speaker 4: huge rivalry with the other coach. So this was the 70 00:03:04,680 --> 00:03:06,560 Speaker 4: biggest game of the season, and I had to be 71 00:03:06,600 --> 00:03:08,799 Speaker 4: on the desk because the game was at five thirty. 72 00:03:09,040 --> 00:03:12,160 Speaker 4: So I'm already taping segments, I'm getting ready for nightly news, 73 00:03:12,200 --> 00:03:14,720 Speaker 4: and my wife's live streaming the game, and so I'm 74 00:03:14,919 --> 00:03:16,720 Speaker 4: I'm at the corner of my eye, I'm watching the 75 00:03:16,760 --> 00:03:19,560 Speaker 4: live stream of this Little League seven U game while 76 00:03:19,600 --> 00:03:22,120 Speaker 4: I'm reading something like the serious news. But it was 77 00:03:22,200 --> 00:03:24,240 Speaker 4: during commercial breaks and I was able to watch him hits. 78 00:03:24,280 --> 00:03:26,400 Speaker 4: So it's good stuff like that. But when I'm home, 79 00:03:26,520 --> 00:03:29,480 Speaker 4: I'm dad and I'm a good husband. It's like, I'm 80 00:03:29,520 --> 00:03:31,480 Speaker 4: just focused on the family. And I think when you're 81 00:03:31,480 --> 00:03:32,679 Speaker 4: at home, that's the way it's got to be. And 82 00:03:32,680 --> 00:03:33,840 Speaker 4: when you're at work, you're at work. 83 00:03:34,280 --> 00:03:36,680 Speaker 2: At one point does it click and you go, that's 84 00:03:36,680 --> 00:03:37,360 Speaker 2: what I want to do. 85 00:03:37,920 --> 00:03:39,960 Speaker 3: You know? It's interesting. So I was I was in 86 00:03:40,000 --> 00:03:40,640 Speaker 3: the ninth grade. 87 00:03:40,640 --> 00:03:42,440 Speaker 4: I was taking a writing class on my high school 88 00:03:42,520 --> 00:03:44,960 Speaker 4: and an alumnus came in. His name was Louis Giret. 89 00:03:45,000 --> 00:03:47,800 Speaker 4: He was very you know, he's a known local reporter 90 00:03:47,800 --> 00:03:50,839 Speaker 4: and anchor. He still he's a great broadcaster, and he said, 91 00:03:50,840 --> 00:03:55,040 Speaker 4: if you like writing check out TV news. And I 92 00:03:55,080 --> 00:03:56,520 Speaker 4: went home and I was talking to my parents and 93 00:03:56,520 --> 00:03:58,840 Speaker 4: we always watched a lot of news. My parents are 94 00:03:59,200 --> 00:04:01,600 Speaker 4: Cuban refugee as they came here in the late fifties 95 00:04:01,600 --> 00:04:04,440 Speaker 4: and the early sixties, and we were constantly watching news 96 00:04:04,440 --> 00:04:06,000 Speaker 4: in English at Spanish. So it was always a part 97 00:04:06,000 --> 00:04:09,040 Speaker 4: of our life and talking politics and talking about elections, 98 00:04:09,080 --> 00:04:12,160 Speaker 4: even as a child. But when I told them that, 99 00:04:12,240 --> 00:04:15,400 Speaker 4: you know, parents, it's interesting like immigrant parents. Usually it's 100 00:04:15,440 --> 00:04:18,000 Speaker 4: like doctor, lawyer, businessman. There's like only three careers in 101 00:04:18,040 --> 00:04:21,279 Speaker 4: this world. And when I told them about this, they said, 102 00:04:21,279 --> 00:04:23,400 Speaker 4: you know what, try it out. And at fifteen I 103 00:04:23,440 --> 00:04:26,159 Speaker 4: got my first internship and so I started working in newsrooms. 104 00:04:26,200 --> 00:04:28,919 Speaker 4: At fifteen, I saw my first dead body. That summer, 105 00:04:28,960 --> 00:04:32,960 Speaker 4: I would interview local officials. Is Telemundo Telemundo, Yeah, And 106 00:04:33,600 --> 00:04:34,480 Speaker 4: so it was all in Spanish. 107 00:04:34,520 --> 00:04:35,560 Speaker 3: I mean, I couldn't even drive. 108 00:04:35,640 --> 00:04:37,800 Speaker 4: My mom would drop me off and then you know, 109 00:04:37,880 --> 00:04:39,920 Speaker 4: like within an hour, I was in the news van 110 00:04:40,000 --> 00:04:42,720 Speaker 4: with a photographer carrying the tripod and then if there 111 00:04:42,760 --> 00:04:45,240 Speaker 4: was no reporter, I would ask the questions and it 112 00:04:45,279 --> 00:04:47,200 Speaker 4: was in Spanish, and it was but it was an 113 00:04:47,200 --> 00:04:50,280 Speaker 4: incredible summer and it was. It was so much fun 114 00:04:50,279 --> 00:04:52,680 Speaker 4: and so exciting. I did every job. I ruled, prompter, 115 00:04:53,160 --> 00:04:57,280 Speaker 4: serve coffee, answer phones, go out on shoots, help the photographers. 116 00:04:57,520 --> 00:04:59,440 Speaker 4: And I did that pretty much every summer in my life. 117 00:04:59,520 --> 00:05:01,400 Speaker 4: And so I was constantly working in newsrooms. 118 00:05:01,600 --> 00:05:04,479 Speaker 2: Yeah, I tell whether it's parents who call in or 119 00:05:04,520 --> 00:05:06,359 Speaker 2: their students who call in of how to get in 120 00:05:06,400 --> 00:05:08,800 Speaker 2: the business. And I said, there's no direct route, right, 121 00:05:08,839 --> 00:05:11,960 Speaker 2: But I always say, if you don't do something, somebody 122 00:05:12,000 --> 00:05:15,320 Speaker 2: else will always think that there's going to be somebody. 123 00:05:15,680 --> 00:05:19,080 Speaker 2: And our job is to make this job look great easy. 124 00:05:19,320 --> 00:05:22,480 Speaker 2: Like I said to Bob Constace, you made it look 125 00:05:22,520 --> 00:05:26,159 Speaker 2: too easy, Bob. So there's more competition because everybody thinks 126 00:05:26,200 --> 00:05:28,840 Speaker 2: they can do sports. This isn't difficult. You turn on 127 00:05:28,880 --> 00:05:31,080 Speaker 2: a microphone, comb your hair, you're good to go. Maybe 128 00:05:31,120 --> 00:05:32,960 Speaker 2: a little powder if you need it. But I don't. 129 00:05:34,120 --> 00:05:36,520 Speaker 2: And I think that now you look great. You don't. 130 00:05:36,600 --> 00:05:37,200 Speaker 2: I've done it all. 131 00:05:37,200 --> 00:05:37,479 Speaker 6: You don't. 132 00:05:37,880 --> 00:05:38,480 Speaker 2: I don't need it. 133 00:05:38,600 --> 00:05:40,719 Speaker 3: I actually lost what you were saying. I was looking 134 00:05:40,720 --> 00:05:43,160 Speaker 3: at your eyes. But no, you're right. 135 00:05:43,200 --> 00:05:45,440 Speaker 4: And a lot of people think it's very glamorous, and 136 00:05:45,480 --> 00:05:47,479 Speaker 4: at times it can be, but it's a lot of work, 137 00:05:47,520 --> 00:05:49,960 Speaker 4: and you got to really love it, even covering something 138 00:05:50,000 --> 00:05:52,440 Speaker 4: like the Olympics, which is to me. I mean, one 139 00:05:52,480 --> 00:05:54,479 Speaker 4: of the best things that we get to cover what 140 00:05:54,600 --> 00:05:58,600 Speaker 4: people don't see is that to interview Katie Ladeki when 141 00:05:58,680 --> 00:06:00,560 Speaker 4: she wins that gold medal out of the race and 142 00:06:00,560 --> 00:06:03,880 Speaker 4: she's huffing and puffing. You have to stay planted for 143 00:06:03,960 --> 00:06:07,960 Speaker 4: two hours with your photographer standing up waiting in place 144 00:06:08,040 --> 00:06:10,240 Speaker 4: for that race to end, for her to come up, 145 00:06:10,600 --> 00:06:12,440 Speaker 4: and then you can get those ten seconds with her. 146 00:06:12,839 --> 00:06:14,560 Speaker 3: But it's incredible to get those ten seconds. 147 00:06:14,600 --> 00:06:19,240 Speaker 2: You know. I was in Cuba recently, went there kind 148 00:06:19,240 --> 00:06:24,640 Speaker 2: of a cultural exchange, and I'm glad I went. Yeah, 149 00:06:24,800 --> 00:06:27,520 Speaker 2: but it was so sad. It is because you look 150 00:06:27,560 --> 00:06:30,960 Speaker 2: at what it was and what it may never be, 151 00:06:31,960 --> 00:06:34,599 Speaker 2: and just the people who were there who will never 152 00:06:34,640 --> 00:06:38,480 Speaker 2: get out and know they will never get out. They 153 00:06:38,520 --> 00:06:44,599 Speaker 2: could not have been more hard working, loyal, caring. But 154 00:06:45,400 --> 00:06:48,839 Speaker 2: you just see these buildings and they they what that 155 00:06:49,040 --> 00:06:53,159 Speaker 2: was like in the fifties when you know, Hollywood was 156 00:06:53,200 --> 00:06:56,480 Speaker 2: going over there, there were casinos over there, hemingways over 157 00:06:56,640 --> 00:06:59,839 Speaker 2: you know, this was this was a place. The weather 158 00:07:00,120 --> 00:07:03,680 Speaker 2: is wonderful, but I'm glad I went. I don't know, 159 00:07:04,040 --> 00:07:06,599 Speaker 2: have you been back. I've never been back. I've never 160 00:07:06,839 --> 00:07:09,440 Speaker 2: I was born here. My visa has been rejected twice. 161 00:07:09,480 --> 00:07:10,840 Speaker 2: I tried to go as a journalist, but I was 162 00:07:10,880 --> 00:07:11,640 Speaker 2: rejected twice. 163 00:07:12,040 --> 00:07:16,440 Speaker 4: They usually and we're always having ongoing conversations with the 164 00:07:16,480 --> 00:07:17,800 Speaker 4: Cubans to try to go over there. 165 00:07:17,840 --> 00:07:20,200 Speaker 3: But the two times I try to go, I was rejected. 166 00:07:20,280 --> 00:07:23,480 Speaker 4: Usually they don't like Cuban American journalists, especially Cuban American 167 00:07:23,560 --> 00:07:27,040 Speaker 4: journalists who grew up in Miami. It's very sensitive and 168 00:07:27,080 --> 00:07:29,320 Speaker 4: that those those are their rules. My parents have never 169 00:07:29,400 --> 00:07:32,440 Speaker 4: never gone back. We still have family there my entire life. 170 00:07:32,440 --> 00:07:35,520 Speaker 4: We have supported family on the island. It is incredibly sad. 171 00:07:35,600 --> 00:07:38,040 Speaker 4: People have no idea of how sad it is in 172 00:07:38,080 --> 00:07:41,120 Speaker 4: Cuba and what it once was until you study it. 173 00:07:41,600 --> 00:07:43,840 Speaker 3: But it's something that you know to understand. And like 174 00:07:44,040 --> 00:07:45,000 Speaker 3: my entire life. 175 00:07:45,040 --> 00:07:48,000 Speaker 4: My parents toasted every New Year's next year in Havana 176 00:07:48,400 --> 00:07:50,840 Speaker 4: my entire life, and they'll never go back. They probably 177 00:07:50,840 --> 00:07:52,680 Speaker 4: will never go back. They're in their seventies now and they 178 00:07:52,720 --> 00:07:55,640 Speaker 4: probably will never go back. And it's incredibly sad. And 179 00:07:56,000 --> 00:07:57,880 Speaker 4: I pray for the people there, and I covered as 180 00:07:57,920 --> 00:07:58,520 Speaker 4: much as I can. 181 00:07:59,320 --> 00:08:03,160 Speaker 2: Tom Yamas is the anchor, the managing editor the nightly news. 182 00:08:03,400 --> 00:08:05,160 Speaker 2: Most dangerous setting you've been in. 183 00:08:05,680 --> 00:08:08,800 Speaker 4: Uh, There's been a few, right, because there's there's dangerous 184 00:08:08,800 --> 00:08:13,920 Speaker 4: settings when you are in extreme weather. Hurricane Katrina physically 185 00:08:14,040 --> 00:08:16,680 Speaker 4: knocked me down, whereas you're standing up and the wind 186 00:08:16,760 --> 00:08:18,440 Speaker 4: was so strong where you were in. 187 00:08:18,400 --> 00:08:20,200 Speaker 3: Mississippi physically knocked me down. 188 00:08:20,760 --> 00:08:20,880 Speaker 6: Uh. 189 00:08:21,000 --> 00:08:23,200 Speaker 3: I've been in Israel, in Ukraine. 190 00:08:23,520 --> 00:08:27,000 Speaker 4: Uh, in situations where you know, the raids go off 191 00:08:27,000 --> 00:08:29,440 Speaker 4: and you're looking out of your window and you're seeing 192 00:08:29,520 --> 00:08:32,680 Speaker 4: missiles fly into Tel Aviv and you're seeing the Iron 193 00:08:32,720 --> 00:08:36,360 Speaker 4: Dome intercepted and it's the craziest thing that you're witnessing 194 00:08:36,400 --> 00:08:39,840 Speaker 4: because you're safe, but you're not really safe because if 195 00:08:39,840 --> 00:08:43,360 Speaker 4: if the iron Dome doesn't work, that missile lands. And 196 00:08:43,480 --> 00:08:45,560 Speaker 4: I'd say those types of situations. I mean in local 197 00:08:45,600 --> 00:08:47,880 Speaker 4: news there was there was a lot of extreme weather, 198 00:08:47,920 --> 00:08:50,880 Speaker 4: but also crime scenes that sometimes you get to this 199 00:08:50,960 --> 00:08:53,520 Speaker 4: scene faster than the cops do sometimes and that's not 200 00:08:53,520 --> 00:08:54,600 Speaker 4: not a great place to be. 201 00:08:55,400 --> 00:08:57,400 Speaker 3: I'll give you a good a good story. 202 00:08:57,720 --> 00:09:00,240 Speaker 4: So when I was a young reporter in my Iami, 203 00:09:00,280 --> 00:09:03,040 Speaker 4: he was my first local news gig. Katrina was the 204 00:09:03,520 --> 00:09:05,280 Speaker 4: big hurricane, and I had sort of you know, I 205 00:09:05,440 --> 00:09:07,680 Speaker 4: had worked, I'd done a couple of hurricanes. I'd sort 206 00:09:07,679 --> 00:09:10,200 Speaker 4: of proven myself, but I was still very green. And 207 00:09:10,520 --> 00:09:13,920 Speaker 4: we were getting deployed to Mississippi and we were gonna 208 00:09:13,920 --> 00:09:16,880 Speaker 4: work for NBC News and the local station to be TVJ, 209 00:09:17,600 --> 00:09:19,160 Speaker 4: And so I said, oh, my uncle has got a 210 00:09:19,200 --> 00:09:23,080 Speaker 4: house in past Christian and I'm sure we could get 211 00:09:23,120 --> 00:09:23,840 Speaker 4: great shots. 212 00:09:23,920 --> 00:09:26,040 Speaker 3: You know, we could. We could cover the hurricane as 213 00:09:26,040 --> 00:09:26,640 Speaker 3: it rolls in. 214 00:09:26,840 --> 00:09:28,920 Speaker 4: And my photographer, who's really experienced, guy covered a lot 215 00:09:28,920 --> 00:09:30,839 Speaker 4: of hurricanes, he goes, look, man, this thing's a Cat four, 216 00:09:30,920 --> 00:09:33,559 Speaker 4: Cat five. He goes, your uncle's house in the water. 217 00:09:33,840 --> 00:09:35,520 Speaker 4: That's not a safe spoty, No, no, no, trust me, it's 218 00:09:35,520 --> 00:09:37,640 Speaker 4: gonna be great. It's gonna be great. To this day, 219 00:09:37,840 --> 00:09:40,679 Speaker 4: they have not found that house to this day. And 220 00:09:40,720 --> 00:09:43,040 Speaker 4: thank god I listened to him. We were way inland 221 00:09:43,200 --> 00:09:45,400 Speaker 4: covering the storm. We were still able to get everything. 222 00:09:45,679 --> 00:09:48,160 Speaker 4: But yeah, there's things like that all the time. And 223 00:09:48,160 --> 00:09:50,880 Speaker 4: then there's there's people on our team like Richard Engel 224 00:09:51,080 --> 00:09:54,319 Speaker 4: and Keir Simmons and Raf Stanchez and Matt Bradley that 225 00:09:54,360 --> 00:09:57,760 Speaker 4: are in war zones constantly and They're one of the 226 00:09:57,800 --> 00:10:00,880 Speaker 4: reasons why I think NBC News still so uprates itself. 227 00:10:01,000 --> 00:10:03,320 Speaker 4: There's a lot of conversations about legacy media versus new 228 00:10:03,360 --> 00:10:04,960 Speaker 4: media and whatever you want to call it. 229 00:10:05,600 --> 00:10:06,600 Speaker 3: What I know is that our. 230 00:10:06,440 --> 00:10:08,920 Speaker 4: People, our teams are in there on the front lines 231 00:10:08,960 --> 00:10:10,640 Speaker 4: day and day out, and they've been doing it for decades. 232 00:10:11,280 --> 00:10:14,600 Speaker 2: Competition with other news anchors, oh yeah, yeah. 233 00:10:14,520 --> 00:10:17,760 Speaker 4: Yeah, oh you know what in everything weightlifting and I'm joking, 234 00:10:18,280 --> 00:10:21,079 Speaker 4: could you take David Mihir, I mean arm wrestling. He's 235 00:10:21,120 --> 00:10:24,920 Speaker 4: got some big guns, but he's a he's a good friend, 236 00:10:25,000 --> 00:10:25,840 Speaker 4: and I worked there. 237 00:10:25,960 --> 00:10:28,120 Speaker 3: I learned a lot from him and and at ABC. 238 00:10:28,240 --> 00:10:29,800 Speaker 2: But he really likes his hair. 239 00:10:30,440 --> 00:10:31,240 Speaker 3: He's got good hair. 240 00:10:31,400 --> 00:10:33,840 Speaker 2: He's got good hair. He does he's got good hair. 241 00:10:34,200 --> 00:10:35,280 Speaker 3: But he's a good guy too. 242 00:10:35,360 --> 00:10:38,240 Speaker 4: And yeah, it's it's incredibly competitive, and I don't think 243 00:10:38,280 --> 00:10:40,480 Speaker 4: you get here unless you want to compete. 244 00:10:40,840 --> 00:10:43,920 Speaker 3: Uh journalism. To me, it's obviously. 245 00:10:43,600 --> 00:10:46,680 Speaker 4: About your viewers, and it's about your your readers and 246 00:10:46,720 --> 00:10:48,600 Speaker 4: your listeners, and you got to make sure you get 247 00:10:48,600 --> 00:10:50,880 Speaker 4: the story right. But but you don't want to do 248 00:10:50,880 --> 00:10:52,920 Speaker 4: anything mediocre. You want to be the best at what 249 00:10:52,960 --> 00:10:55,800 Speaker 4: you do. And so yeah, it's still highly competitive and 250 00:10:55,800 --> 00:10:59,040 Speaker 4: and it's not it's it doesn't it doesn't drive us, 251 00:10:59,400 --> 00:11:01,160 Speaker 4: but it's important to me because I think you want 252 00:11:01,160 --> 00:11:02,320 Speaker 4: to put on the best show every night. 253 00:11:02,720 --> 00:11:05,680 Speaker 2: Sports fans can be pretty rough sports. Oh my god. 254 00:11:05,720 --> 00:11:08,160 Speaker 4: If you if you read a sports story and there's 255 00:11:08,160 --> 00:11:11,040 Speaker 4: a stat that's wrong, it could be like four hundred 256 00:11:11,040 --> 00:11:14,240 Speaker 4: and forty wins and you say four forty one, I 257 00:11:14,320 --> 00:11:16,719 Speaker 4: mean you're gonna get emails, your Twitter's gonna light up. 258 00:11:18,000 --> 00:11:21,520 Speaker 3: But it's interesting because sports. We're covering sports more and 259 00:11:21,559 --> 00:11:24,000 Speaker 3: more in news, and I think it's a good thing. 260 00:11:24,320 --> 00:11:25,880 Speaker 4: You know, I actually think it's a good thing because 261 00:11:25,920 --> 00:11:29,600 Speaker 4: there's some incredible drama happening in sports and people are 262 00:11:29,600 --> 00:11:32,400 Speaker 4: tuning into live events, live sports events like they never 263 00:11:32,440 --> 00:11:33,120 Speaker 4: have before. 264 00:11:33,480 --> 00:11:35,000 Speaker 3: And so to me that that is a news event. 265 00:11:35,280 --> 00:11:37,880 Speaker 2: In some cases, sometimes we'll look at the nightly news 266 00:11:38,000 --> 00:11:41,280 Speaker 2: and you'll see the crossover story. Yeah, like Caitlin Clark huge. 267 00:11:41,400 --> 00:11:42,440 Speaker 2: We've been all over it. 268 00:11:42,480 --> 00:11:44,880 Speaker 4: And I'll tell you why, because every time I mentioned 269 00:11:44,920 --> 00:11:47,400 Speaker 4: Caitlyn Clark to someone, they have an opinion. 270 00:11:48,240 --> 00:11:51,280 Speaker 3: And a lot of women have opinions about Caitlin Clark. 271 00:11:51,440 --> 00:11:52,120 Speaker 3: And it's a. 272 00:11:52,120 --> 00:11:57,000 Speaker 4: Story that's sort of driving a lot of emotion and interest. 273 00:11:57,400 --> 00:11:59,480 Speaker 4: And one of the best things about the last incident 274 00:11:59,480 --> 00:12:01,760 Speaker 4: that happened that I noticed right off the bat was 275 00:12:02,440 --> 00:12:04,720 Speaker 4: you look at the sort of scuffle and the pushing 276 00:12:04,760 --> 00:12:07,080 Speaker 4: down and the refs, but you look at that arena 277 00:12:07,280 --> 00:12:10,120 Speaker 4: and it was packed and everyone was on their feet, 278 00:12:10,240 --> 00:12:13,760 Speaker 4: and it's like the w NBA is generating an excitement 279 00:12:13,800 --> 00:12:16,120 Speaker 4: like it never has before. It's not just Caitlin Clark. 280 00:12:16,120 --> 00:12:19,160 Speaker 4: It's all the other great players, Angel Reese, everybody else. 281 00:12:19,160 --> 00:12:22,120 Speaker 4: I mean, it's it has a moment now. Now, whether 282 00:12:22,120 --> 00:12:24,000 Speaker 4: the refs have to catch you up, we'll find out. 283 00:12:24,000 --> 00:12:26,360 Speaker 4: But but I love that we're like sort of at 284 00:12:26,400 --> 00:12:29,120 Speaker 4: the beginning of sort of this transition I think for 285 00:12:29,160 --> 00:12:29,880 Speaker 4: the league. 286 00:12:30,080 --> 00:12:33,960 Speaker 2: But how do you decide when that sports story crosses over? 287 00:12:34,600 --> 00:12:37,640 Speaker 2: I think when there's a visceral moment. I think when 288 00:12:37,679 --> 00:12:40,760 Speaker 2: there's a story that's going to hit you here or 289 00:12:40,840 --> 00:12:43,520 Speaker 2: here that's going to sort of resonate with our viewers. 290 00:12:44,280 --> 00:12:46,400 Speaker 2: We've done a few baseball stories. I'll give you a 291 00:12:46,440 --> 00:12:47,080 Speaker 2: good example. 292 00:12:48,480 --> 00:12:50,920 Speaker 4: The Yankees out called up a catcher that had been 293 00:12:50,920 --> 00:12:55,240 Speaker 4: a Miami uber driver, Cuban American guy, and that story 294 00:12:55,320 --> 00:12:57,600 Speaker 4: was incredible because He had a guy who just last 295 00:12:57,679 --> 00:13:00,679 Speaker 4: year was driving an uber and now he's backing up 296 00:13:00,960 --> 00:13:04,240 Speaker 4: Austin Wells on the New York Yankees and he's playing great. 297 00:13:04,760 --> 00:13:07,840 Speaker 4: And I think stories like that touch people, and so 298 00:13:07,840 --> 00:13:09,040 Speaker 4: those are the kind of the stories we want to 299 00:13:09,040 --> 00:13:10,960 Speaker 4: be in. And then the Olympics, there's just there's so 300 00:13:11,040 --> 00:13:13,040 Speaker 4: much drama on the Olympics because you have people who 301 00:13:13,320 --> 00:13:16,679 Speaker 4: compete their entire lives and they're either gonna meddle or 302 00:13:16,679 --> 00:13:19,720 Speaker 4: they're gonna lose that and that's a tough moment. And 303 00:13:19,920 --> 00:13:23,360 Speaker 4: I saw it just recently in Paris. We were covering 304 00:13:23,360 --> 00:13:28,480 Speaker 4: Greco Roman wrestling and there was a wrestler from maybe 305 00:13:28,520 --> 00:13:32,160 Speaker 4: it was Kazakhstan and he had just lost and he's 306 00:13:32,200 --> 00:13:35,400 Speaker 4: just a big, tough guy and he walks out to 307 00:13:35,440 --> 00:13:38,600 Speaker 4: the press line he does like an interview, and he 308 00:13:38,679 --> 00:13:42,280 Speaker 4: just collapses and starts crying like a child. And when 309 00:13:42,280 --> 00:13:44,600 Speaker 4: I tell you this guy was tough, I mean cauliflower 310 00:13:44,600 --> 00:13:47,920 Speaker 4: ere just you know, muscles. It was just like wow, 311 00:13:48,200 --> 00:13:49,840 Speaker 4: like you know, you just can't believe it. But that's 312 00:13:49,880 --> 00:13:52,560 Speaker 4: the drama that happens with the Olympics, especially for different 313 00:13:52,559 --> 00:13:54,280 Speaker 4: countries where that is their ultimate sport. 314 00:13:55,240 --> 00:13:57,200 Speaker 2: Is it required mandatory that you have to have a 315 00:13:57,200 --> 00:13:58,680 Speaker 2: feel good story at the end of the news. 316 00:13:58,960 --> 00:14:02,400 Speaker 4: You know, we want to leave people with something good 317 00:14:02,679 --> 00:14:04,520 Speaker 4: because we're gonna hit them with a lot because the 318 00:14:04,559 --> 00:14:07,559 Speaker 4: world is tough. And then we I could I could 319 00:14:07,600 --> 00:14:10,040 Speaker 4: go granular on it. The research has shown that the 320 00:14:10,120 --> 00:14:12,760 Speaker 4: viewers like it. They love there's good news tonight, that 321 00:14:12,760 --> 00:14:15,800 Speaker 4: segment we do at the end. So if our viewers 322 00:14:15,920 --> 00:14:17,319 Speaker 4: like it, we like it because at the end of 323 00:14:17,360 --> 00:14:19,960 Speaker 4: the day, and I say this, I drill this into 324 00:14:20,280 --> 00:14:20,920 Speaker 4: our staff. 325 00:14:21,120 --> 00:14:22,320 Speaker 3: We work for the viewer. 326 00:14:22,560 --> 00:14:25,240 Speaker 4: If you go in there and you think it's about us, 327 00:14:25,400 --> 00:14:27,200 Speaker 4: or you think it's about NBC News. 328 00:14:27,080 --> 00:14:28,080 Speaker 2: You're going to lose people. 329 00:14:28,400 --> 00:14:29,200 Speaker 3: At the end of the day. 330 00:14:29,200 --> 00:14:31,240 Speaker 4: You got to remember you're working for them, and if 331 00:14:31,240 --> 00:14:33,000 Speaker 4: you do that, you usually get the journalism right. 332 00:14:33,280 --> 00:14:36,240 Speaker 2: But they're required to say Tom, and then they go 333 00:14:36,280 --> 00:14:38,320 Speaker 2: into their report when you throw it out to the 334 00:14:38,360 --> 00:14:41,360 Speaker 2: White House and then they throw it back and they go, Tom, No, 335 00:14:41,480 --> 00:14:43,520 Speaker 2: it's you know, there's there's just something's required. 336 00:14:43,600 --> 00:14:45,440 Speaker 3: There's no requirement, but like it. 337 00:14:45,680 --> 00:14:46,600 Speaker 2: But what your what. 338 00:14:46,520 --> 00:14:49,040 Speaker 4: You what you want to do is you want to 339 00:14:49,040 --> 00:14:50,760 Speaker 4: make a conversational I mean you know this, I mean 340 00:14:50,800 --> 00:14:51,920 Speaker 4: you want to make a conversational. 341 00:14:51,960 --> 00:14:52,440 Speaker 3: You don't want it. 342 00:14:52,440 --> 00:14:52,880 Speaker 5: You don't want it. 343 00:14:53,080 --> 00:14:55,560 Speaker 4: You don't want people to think that they're watching something 344 00:14:55,640 --> 00:14:57,440 Speaker 4: else to take them out of it, that it feels 345 00:14:57,440 --> 00:15:00,040 Speaker 4: fake or it feels not real or authentic. And and 346 00:15:00,240 --> 00:15:03,080 Speaker 4: I think it's what we try to create is just hey, look, 347 00:15:03,480 --> 00:15:06,000 Speaker 4: I know, I know Peter Alexander, I know Gabe Gutia's 348 00:15:06,000 --> 00:15:07,800 Speaker 4: at the White House and we're having a conversation. 349 00:15:08,040 --> 00:15:09,920 Speaker 2: But you can call for a camera crew right now 350 00:15:09,960 --> 00:15:12,320 Speaker 2: if you wanted to. Yeah, yeah, no, I have some 351 00:15:12,440 --> 00:15:14,800 Speaker 2: questions about you. And so we got we got a 352 00:15:14,800 --> 00:15:17,920 Speaker 2: couple people outside, including Keith Morrison. Oh and so oh 353 00:15:18,120 --> 00:15:21,720 Speaker 2: yeah it's the new Dateline. Yeah, we've had Keith Morrison 354 00:15:21,760 --> 00:15:23,480 Speaker 2: on a couple of times. He's amazing, he's one of 355 00:15:23,480 --> 00:15:26,560 Speaker 2: the he's the goat. But he he didn't understand why 356 00:15:26,600 --> 00:15:31,400 Speaker 2: he's so popular, Keith. He everyone loves it. But he goes, 357 00:15:31,640 --> 00:15:34,280 Speaker 2: I don't know why you're having me on? And I 358 00:15:34,320 --> 00:15:38,120 Speaker 2: go you don't. He goes, no, my daughter said, you're 359 00:15:38,160 --> 00:15:42,160 Speaker 2: talking about me and I don't know. But Bill Hayter 360 00:15:42,360 --> 00:15:43,760 Speaker 2: doing his impersonation of it. 361 00:15:44,040 --> 00:15:46,320 Speaker 4: But even and it's funny because this whole that like 362 00:15:46,360 --> 00:15:48,400 Speaker 4: a lot of the audience now knows Keith from Dateline, 363 00:15:48,600 --> 00:15:52,720 Speaker 4: Keith before Dateline built an incredible career as a broadcaster 364 00:15:52,920 --> 00:15:53,640 Speaker 4: and a reporter. 365 00:15:54,040 --> 00:15:54,640 Speaker 3: I covered a. 366 00:15:54,600 --> 00:15:56,560 Speaker 4: Hurricane with him early in my career when I was 367 00:15:56,640 --> 00:15:58,720 Speaker 4: local and he was network and I'll never forget he 368 00:15:58,720 --> 00:16:01,040 Speaker 4: got into the satellite truck and he whipped out a 369 00:16:01,080 --> 00:16:05,200 Speaker 4: pencil and he just starts writing like long hand his script, 370 00:16:05,400 --> 00:16:07,680 Speaker 4: I mean, old school, and I was just like in 371 00:16:07,760 --> 00:16:09,480 Speaker 4: awe of this guy, the way he was working. 372 00:16:09,520 --> 00:16:10,520 Speaker 3: It was just amazing. 373 00:16:10,720 --> 00:16:17,240 Speaker 2: At pesky DNA. Yeah, DNA, congrats, thank you, good luck, 374 00:16:17,360 --> 00:16:19,560 Speaker 2: Thank you Dan, and uh we'll be watching. 375 00:16:19,800 --> 00:16:22,680 Speaker 3: Yeah, and you've opened my eyes here with this studio. 376 00:16:22,800 --> 00:16:26,160 Speaker 2: With your team here. Yeah, this is pretty good. Man. 377 00:16:26,800 --> 00:16:28,680 Speaker 3: I thought I had a good This is really good. 378 00:16:29,040 --> 00:16:31,640 Speaker 2: I could uh, I could see maybe you hosting this show. 379 00:16:31,880 --> 00:16:33,720 Speaker 3: We could do Oh all right, Dan, you let me know. 380 00:16:34,200 --> 00:16:37,040 Speaker 2: How about we swap what you want to do news? 381 00:16:37,520 --> 00:16:37,960 Speaker 5: I don't know. 382 00:16:38,280 --> 00:16:40,600 Speaker 4: I always I always love when they do that though, 383 00:16:40,600 --> 00:16:41,800 Speaker 4: when they when they would do that, you know, when 384 00:16:41,800 --> 00:16:45,000 Speaker 4: they would swap sportscasters and and but sometimes they bring 385 00:16:45,120 --> 00:16:46,160 Speaker 4: something it's it's pretty cool. 386 00:16:46,200 --> 00:16:50,000 Speaker 2: Sometimes I would never want to do news ever, no, no, no, no, 387 00:16:50,000 --> 00:16:53,440 Speaker 2: no no. I can interview anybody, but I wouldn't want 388 00:16:53,440 --> 00:16:54,880 Speaker 2: to do the heart. I wouldn't want to do that 389 00:16:54,920 --> 00:16:58,040 Speaker 2: on that tonightly basis. It's now because you know those 390 00:16:58,080 --> 00:17:01,280 Speaker 2: first five stories. Yeah, we may not have good news 391 00:17:01,280 --> 00:17:03,880 Speaker 2: in there. Yeah, oh no, A lot of times you don't. 392 00:17:04,160 --> 00:17:07,320 Speaker 2: It's a tough part, guys. I'm talking about the thunder 393 00:17:07,600 --> 00:17:11,879 Speaker 2: better win Sunday night. Yeah, talking about Iran, Iran. It's 394 00:17:11,920 --> 00:17:14,760 Speaker 2: a little different time. I'm doing okay, Yeah, you're doing 395 00:17:14,800 --> 00:17:18,359 Speaker 2: all okay. He is the big cheese now NBC Nightly 396 00:17:18,440 --> 00:17:21,080 Speaker 2: News taking over for Lester Holt. What a great man, 397 00:17:21,200 --> 00:17:24,040 Speaker 2: great man, great one of the best. Great man. Tom 398 00:17:24,440 --> 00:17:28,359 Speaker 2: Yamas is the anchor and managing editor of the Nightly News. 399 00:17:28,359 --> 00:17:31,200 Speaker 2: We'll take a break. We're back after this Dan Patrick show. 400 00:17:31,560 --> 00:17:34,440 Speaker 1: Fox Sports Radio has the best sports talk lineup in 401 00:17:34,480 --> 00:17:37,840 Speaker 1: the nation. Catch all of our shows at foxsports Radio 402 00:17:38,000 --> 00:17:42,080 Speaker 1: dot com and within the iHeartRadio app. Search FSR to 403 00:17:42,200 --> 00:17:44,920 Speaker 1: listen live. Most cars on the road could use a 404 00:17:44,920 --> 00:17:47,560 Speaker 1: little TLC. At Mako, they bring your car back to life. 405 00:17:47,560 --> 00:17:50,879 Speaker 1: Affordable paint chomps like clusion repairs. Get a free estimate today. 406 00:17:51,400 --> 00:17:53,680 Speaker 1: Uh oh, better get Mako. That was fun. 407 00:17:54,240 --> 00:17:59,240 Speaker 2: Tom, very nice guy and big shoes stepping in and 408 00:17:59,600 --> 00:18:03,280 Speaker 2: you're on call around the world and that, you know, 409 00:18:03,359 --> 00:18:06,440 Speaker 2: that's life changing in a lot of ways. You're the 410 00:18:07,280 --> 00:18:11,960 Speaker 2: You're the nightly anchor on NBC. So very nice guy. 411 00:18:13,119 --> 00:18:15,840 Speaker 2: Let's see Bob in Montana. Hi Bob, what's on your 412 00:18:15,840 --> 00:18:16,399 Speaker 2: mind today? 413 00:18:17,440 --> 00:18:17,680 Speaker 5: Oh? 414 00:18:17,720 --> 00:18:20,680 Speaker 6: Hey, DP, thanks for having me on again. Hey, first, 415 00:18:20,680 --> 00:18:23,560 Speaker 6: real quick, I have one of only three grated Casius 416 00:18:23,640 --> 00:18:26,879 Speaker 6: Clay rookie cards from nineteen sixty. After hearing Jim Gray, 417 00:18:27,240 --> 00:18:29,720 Speaker 6: maybe I should consider loading into his Hall of Excellence 418 00:18:29,720 --> 00:18:33,119 Speaker 6: to go on display. That would be cool. But the 419 00:18:33,160 --> 00:18:35,120 Speaker 6: real reason I'm calling is I wanted to see if 420 00:18:35,160 --> 00:18:37,760 Speaker 6: Marvin wanted to double down on our pie to the 421 00:18:37,800 --> 00:18:42,280 Speaker 6: face bet. If okayc wins, I'll send Marvin a ball 422 00:18:42,359 --> 00:18:45,240 Speaker 6: of his favorite maide in Montana booze. But if my 423 00:18:45,480 --> 00:18:48,920 Speaker 6: pacers win, Marvin has to send me an autograph copy 424 00:18:49,040 --> 00:18:51,240 Speaker 6: of his Yukon magazine that he had a couple of 425 00:18:51,320 --> 00:18:51,720 Speaker 6: years ago. 426 00:18:52,720 --> 00:18:58,120 Speaker 2: Okay, Marvin, i'man Okay, it's not a big ask from 427 00:18:58,160 --> 00:19:01,520 Speaker 2: you if you know you haven't oos all right, Bob, 428 00:19:02,359 --> 00:19:05,600 Speaker 2: Good luck with your bet. Kenny in La Hi, Kenny, 429 00:19:05,600 --> 00:19:07,760 Speaker 2: what's on your mind today? 430 00:19:08,080 --> 00:19:08,679 Speaker 7: Hey, Danny. 431 00:19:09,040 --> 00:19:13,280 Speaker 8: So, first of all, was respect to Shador Sanders. Hearken 432 00:19:13,400 --> 00:19:16,000 Speaker 8: back to Jose Canseco. I think he's a poster boy 433 00:19:16,040 --> 00:19:20,400 Speaker 8: for a team, sports guy who liked to gets meeting tickets. Secondly, 434 00:19:21,000 --> 00:19:26,280 Speaker 8: you're talking about shooters. Talk about Jamal Wilkes, hall of famer, 435 00:19:26,640 --> 00:19:31,480 Speaker 8: had that swinging shot. Shot that leads me to my poem. 436 00:19:32,480 --> 00:19:33,840 Speaker 8: Oh bust family took. 437 00:19:33,800 --> 00:19:35,280 Speaker 6: La on a great ride. 438 00:19:36,600 --> 00:19:40,119 Speaker 8: They're once With's a family named bus which since nineteen 439 00:19:40,160 --> 00:19:43,920 Speaker 8: seventy nine took La in a great ride. Ten leaguer 440 00:19:44,040 --> 00:19:47,960 Speaker 8: championships from nineteen eighty to two eighty ten. In nineteen 441 00:19:48,000 --> 00:19:50,920 Speaker 8: eighty five is to the Celtics. The Lakers finally got 442 00:19:50,920 --> 00:19:54,320 Speaker 8: off the Schneide one more title in twenty twenty one. 443 00:19:54,400 --> 00:19:56,959 Speaker 8: Daughter gd at the helm. She filled her dad with 444 00:19:57,000 --> 00:20:00,360 Speaker 8: so much pride. Now it's time for Dodger Walter as 445 00:20:00,440 --> 00:20:04,840 Speaker 8: in mark that O'Malley, you're often to be our new 446 00:20:04,920 --> 00:20:05,919 Speaker 8: Laker guide. 447 00:20:06,280 --> 00:20:10,400 Speaker 2: All right, Well, thank you, Kenny. Yes, very nice. Okay, 448 00:20:10,560 --> 00:20:11,560 Speaker 2: I'm not sure what that was trying to. 449 00:20:12,359 --> 00:20:13,960 Speaker 5: I know there wasn't a limerick, but it was something, 450 00:20:14,000 --> 00:20:15,560 Speaker 5: and I think it was clever nicely. 451 00:20:15,320 --> 00:20:19,639 Speaker 2: That Eric and Reno. Eric in Reno, what's on your 452 00:20:19,640 --> 00:20:20,159 Speaker 2: mind today? 453 00:20:21,320 --> 00:20:22,240 Speaker 9: Well howdy then. 454 00:20:22,200 --> 00:20:22,960 Speaker 2: Good worrying people. 455 00:20:23,080 --> 00:20:26,320 Speaker 9: I'm wondering if you can figure something out for me, 456 00:20:26,600 --> 00:20:29,679 Speaker 9: get to the bottom of the question. I don't understand 457 00:20:29,680 --> 00:20:34,880 Speaker 9: why the NBA has such a horribly unimaginable, uncreative name 458 00:20:35,000 --> 00:20:40,520 Speaker 9: for their championship. We've got the World Series and the 459 00:20:40,680 --> 00:20:44,280 Speaker 9: Super Bowl and the World Cup and the Stanley Cup. 460 00:20:45,080 --> 00:20:49,320 Speaker 9: But then we've got the Finals and the title. The 461 00:20:49,400 --> 00:20:52,800 Speaker 9: finals happened before every summer breaks, and I got a 462 00:20:52,840 --> 00:20:56,440 Speaker 9: title when I paid off my truck. So I don't 463 00:20:56,440 --> 00:21:00,600 Speaker 9: know what's going on with them being so unimaginative. What's 464 00:21:00,640 --> 00:21:03,000 Speaker 9: the name of their championship? And I'm wondering if. 465 00:21:02,880 --> 00:21:07,480 Speaker 2: You can explain that. I don't know. If what would 466 00:21:07,520 --> 00:21:08,240 Speaker 2: you change it to? 467 00:21:08,680 --> 00:21:11,840 Speaker 9: Eric, I don't know. 468 00:21:14,280 --> 00:21:16,160 Speaker 2: Well, if you're going to complain, you have to have 469 00:21:16,400 --> 00:21:24,159 Speaker 2: a solution. Thank you, Tod. Yes, do you do you 470 00:21:24,160 --> 00:21:27,760 Speaker 2: have a nominee for the NBA Championship that you'd like 471 00:21:27,800 --> 00:21:28,680 Speaker 2: to rename? 472 00:21:30,960 --> 00:21:33,240 Speaker 9: I don't Maybe that would be a good point, but 473 00:21:33,520 --> 00:21:35,720 Speaker 9: maybe that would be just something to just throw out. 474 00:21:35,840 --> 00:21:38,160 Speaker 2: All right, Well, we'll see if the audience can help 475 00:21:38,160 --> 00:21:38,600 Speaker 2: you out there. 476 00:21:38,680 --> 00:21:42,440 Speaker 10: Yes, Paul, it's funny because super Bowl is the dumbest 477 00:21:42,480 --> 00:21:46,040 Speaker 10: name of all time. Like if the NFL Championship were 478 00:21:46,080 --> 00:21:48,160 Speaker 10: called the Awesome Bawl, we'd all make fun of it, 479 00:21:48,400 --> 00:21:50,159 Speaker 10: But the super Bowl is just as dumb. We're just 480 00:21:50,240 --> 00:21:51,720 Speaker 10: used to it and grew up with it. And it's 481 00:21:51,720 --> 00:21:55,520 Speaker 10: based off a child's toy back in the sixties that 482 00:21:55,560 --> 00:21:56,359 Speaker 10: they based off of. 483 00:21:56,520 --> 00:22:00,320 Speaker 2: Yeah, a super Bowl. Yeah, and then all of a 484 00:22:00,359 --> 00:22:03,399 Speaker 2: sudden somebody said, want to have the super Bowl, and 485 00:22:03,400 --> 00:22:07,119 Speaker 2: that's how you got the super Bowl, because initially it 486 00:22:07,200 --> 00:22:13,440 Speaker 2: sounds like super s oup, super Bowl and super in 487 00:22:13,480 --> 00:22:19,240 Speaker 2: the Bowl. Like it's like, okay, it works. But back then, 488 00:22:19,800 --> 00:22:23,840 Speaker 2: I don't know if people go what super Bowl? Craig 489 00:22:23,840 --> 00:22:26,120 Speaker 2: in Portland, Hi, Craig, what's on your mind? 490 00:22:27,320 --> 00:22:30,320 Speaker 6: Long time listener, first time caller, Dan, I don't know. 491 00:22:30,480 --> 00:22:33,399 Speaker 6: I've never really felt compelled to call the show and 492 00:22:33,520 --> 00:22:38,520 Speaker 6: tell that horrific Rory McElroy impression. Wow, Yes, I address that, 493 00:22:39,680 --> 00:22:43,040 Speaker 6: then I'll found further review. I can't think I came 494 00:22:43,080 --> 00:22:45,960 Speaker 6: to the conclusion it actually was a pretty passable John Lemon, 495 00:22:47,480 --> 00:22:51,480 Speaker 6: speaking of impressions, I'm wondering if I could help further 496 00:22:51,600 --> 00:22:54,840 Speaker 6: Dan in his Hollywood career. If they ever decided to 497 00:22:54,840 --> 00:22:57,800 Speaker 6: do a movie of the story of Johnny Carson, I 498 00:22:57,800 --> 00:23:01,320 Speaker 6: think you'd be perfect to play Johnny Carson. I'd like 499 00:23:01,359 --> 00:23:03,680 Speaker 6: to hear you, at some point make an attempt to 500 00:23:04,800 --> 00:23:06,840 Speaker 6: do an impression of him. I'm sure it won't be 501 00:23:06,880 --> 00:23:10,600 Speaker 6: as good as your Lou Holtz, but in the last thing, 502 00:23:11,040 --> 00:23:14,080 Speaker 6: a semblance of a sports take. You know, in Portland, 503 00:23:14,080 --> 00:23:17,160 Speaker 6: we're told that Blazers are too young and that we're 504 00:23:17,200 --> 00:23:20,480 Speaker 6: a small market so we should have low expectations. Well 505 00:23:20,520 --> 00:23:22,879 Speaker 6: then you look at you know, Okac in Indiana, and 506 00:23:22,880 --> 00:23:24,760 Speaker 6: I think that pretty much dispels that. 507 00:23:25,280 --> 00:23:27,359 Speaker 2: Anyway, you guys have a great weekend, all right, Craig, 508 00:23:27,520 --> 00:23:29,880 Speaker 2: cheer up. Sound a little down in the dumps there. 509 00:23:31,680 --> 00:23:38,360 Speaker 2: Johnny Carson biopic, Yeah, I'd I'd have to try to 510 00:23:38,400 --> 00:23:43,920 Speaker 2: listen to his voice, to master that voice, and I'd 511 00:23:43,920 --> 00:23:47,240 Speaker 2: be interested in that. Books written about Johnny Carson and 512 00:23:47,320 --> 00:23:52,760 Speaker 2: the Tonight Show interesting kind of his personality, who he 513 00:23:52,920 --> 00:23:54,800 Speaker 2: was on the air and off the air. But that's 514 00:23:54,840 --> 00:23:57,040 Speaker 2: the way with a lot of those guys, you know, 515 00:23:57,400 --> 00:24:02,600 Speaker 2: Letterman on the air, Letterman off the air, Jade Leno, 516 00:24:03,560 --> 00:24:06,000 Speaker 2: you know Jay probably was the same guy off the 517 00:24:06,040 --> 00:24:08,000 Speaker 2: air as he was on the air. He always appeared 518 00:24:08,000 --> 00:24:10,639 Speaker 2: that way. Yeah, yeah, I think, yeah, he was very 519 00:24:10,720 --> 00:24:13,159 Speaker 2: he was very nice, very nice. 520 00:24:16,040 --> 00:24:16,200 Speaker 6: Oh. 521 00:24:16,240 --> 00:24:19,239 Speaker 2: I had somebody come up to me again and they 522 00:24:19,960 --> 00:24:23,040 Speaker 2: said Chris, so I think they thought it was Chris 523 00:24:23,080 --> 00:24:26,800 Speaker 2: Berman the other night. And the guy was very nice. 524 00:24:26,840 --> 00:24:29,240 Speaker 2: He goes, I wouldn't. I was at a local restaurant 525 00:24:29,240 --> 00:24:31,000 Speaker 2: and he goes, why would you come here? I go, 526 00:24:31,880 --> 00:24:36,439 Speaker 2: why not? And he goes, I don't know, like like 527 00:24:36,520 --> 00:24:39,399 Speaker 2: he I would think Chris would go someplace else, like 528 00:24:39,480 --> 00:24:42,359 Speaker 2: a big like New York, And I go, who's Chris? 529 00:24:43,119 --> 00:24:45,040 Speaker 2: And then I think he realized that he didn't have 530 00:24:45,080 --> 00:24:48,719 Speaker 2: my name right, I don't need to go to New 531 00:24:48,800 --> 00:24:49,919 Speaker 2: York every night for dinner. 532 00:24:50,280 --> 00:24:54,359 Speaker 5: Yes, Marmon, Have you or anybody else ever been approached 533 00:24:54,440 --> 00:24:57,960 Speaker 5: about doing an ESPN DOCU series or like a made 534 00:24:58,000 --> 00:24:58,480 Speaker 5: for TV. 535 00:24:59,359 --> 00:25:00,919 Speaker 2: Well, there was, it was to be a movie in 536 00:25:00,960 --> 00:25:05,800 Speaker 2: the works, and Jim Miller, who wrote the book on ESPN, 537 00:25:07,080 --> 00:25:09,520 Speaker 2: there was a script out there, but I think this 538 00:25:09,680 --> 00:25:12,480 Speaker 2: was an And I did a little bit of non 539 00:25:12,480 --> 00:25:16,120 Speaker 2: investigative work, but made a call a phone call with 540 00:25:16,160 --> 00:25:20,919 Speaker 2: somebody who had seen the treatment. They call it so 541 00:25:21,160 --> 00:25:24,040 Speaker 2: maybe not a script, but they saw sort of what 542 00:25:24,080 --> 00:25:26,240 Speaker 2: it was going to be, and I think it was 543 00:25:26,400 --> 00:25:33,639 Speaker 2: more about the beginnings of ESPN. Bill Rasmussen, who is 544 00:25:34,080 --> 00:25:36,600 Speaker 2: the one who started ESPN or had the idea for 545 00:25:37,080 --> 00:25:39,120 Speaker 2: an all sports channel, but it was going to be 546 00:25:39,160 --> 00:25:42,480 Speaker 2: in Connecticut and he came up with the idea, and 547 00:25:42,480 --> 00:25:44,600 Speaker 2: then all of a sudden they decided that they could 548 00:25:44,640 --> 00:25:47,600 Speaker 2: go nationally for the same price. I think it would 549 00:25:47,640 --> 00:25:51,520 Speaker 2: be about that, the struggles, like the Social Network, where 550 00:25:51,560 --> 00:25:54,800 Speaker 2: the struggles to get it to you know where it is, 551 00:25:55,320 --> 00:25:58,080 Speaker 2: but behind the scenes. It wouldn't be something where it's 552 00:25:58,160 --> 00:26:01,719 Speaker 2: about Chris Berman or Keith o Oberman and myself or 553 00:26:01,880 --> 00:26:04,440 Speaker 2: Stuart Scott. From what I was told, it would be 554 00:26:04,520 --> 00:26:08,840 Speaker 2: about the embryonic stages of ESPN getting it started, the 555 00:26:08,840 --> 00:26:12,439 Speaker 2: struggles you went through. Maybe drama that was involved in it, 556 00:26:14,119 --> 00:26:17,240 Speaker 2: but I haven't seen or heard anything about that, probably 557 00:26:17,240 --> 00:26:19,560 Speaker 2: in the last five years. Yes, Marvin, but. 558 00:26:19,600 --> 00:26:23,119 Speaker 5: If they do make a docu series or whatever with 559 00:26:23,280 --> 00:26:26,359 Speaker 5: you in it, the actor that plays you, would you 560 00:26:26,400 --> 00:26:27,439 Speaker 5: want to talk to him. 561 00:26:27,760 --> 00:26:31,320 Speaker 2: No, he would want to talk to me, but I 562 00:26:31,480 --> 00:26:34,480 Speaker 2: wouldn't want to talk to him because it might be 563 00:26:34,680 --> 00:26:38,360 Speaker 2: just he would he would ask for certain things or 564 00:26:39,520 --> 00:26:45,879 Speaker 2: certain how did you look? You know, your hair? I 565 00:26:45,880 --> 00:26:49,040 Speaker 2: mean I those guys want to get it down because 566 00:26:49,040 --> 00:26:51,720 Speaker 2: that's the first thing we notice. You know that John 567 00:26:51,760 --> 00:26:54,600 Speaker 2: Madden movie. First thing you notice is does Nicholas Cage 568 00:26:54,600 --> 00:26:58,840 Speaker 2: look like John Madden? And whatcha McCall? It looks just 569 00:26:59,080 --> 00:27:04,160 Speaker 2: like Al Davis. Christian Bale looks just like Al Davis. 570 00:27:04,400 --> 00:27:08,080 Speaker 2: That's what we notice. First thing. Do you look like 571 00:27:08,200 --> 00:27:12,040 Speaker 2: that person? Do you sound like that person? Those are 572 00:27:12,080 --> 00:27:15,359 Speaker 2: the biggest challenge. I remember John Goodman played Babe Ruth 573 00:27:16,080 --> 00:27:19,439 Speaker 2: and his swing was terrible, But that's all I remember 574 00:27:19,440 --> 00:27:23,360 Speaker 2: about the movie. His swing was terrible. Yeah, Paulin back in. 575 00:27:23,320 --> 00:27:25,600 Speaker 10: The day, when maybe ten years ago, we talked about 576 00:27:25,600 --> 00:27:28,199 Speaker 10: this ESPN movie. We said Jason Bateman could play you. 577 00:27:28,640 --> 00:27:31,040 Speaker 10: Definitely has the hair and probably about the age. He 578 00:27:31,119 --> 00:27:33,840 Speaker 10: might be a little older for nineties, Dan Patrick. How 579 00:27:33,880 --> 00:27:38,639 Speaker 10: about Miles Teller, very good actor, dark hair, tall. I 580 00:27:38,640 --> 00:27:39,880 Speaker 10: think he's in his late thirties. 581 00:27:39,960 --> 00:27:44,240 Speaker 2: Yeah, it would be a nice one. Yeah, I met 582 00:27:44,320 --> 00:27:48,240 Speaker 2: him at a concert. We spoke. 583 00:27:50,200 --> 00:27:53,360 Speaker 10: Another one. How about Andrew Garfield. Now I think he's British, 584 00:27:53,359 --> 00:27:55,240 Speaker 10: but he got a great American accent. 585 00:27:55,480 --> 00:28:01,960 Speaker 2: Short he is, Yeah, he looks tall. Andrew Garfield, yeah, checking, yeah, 586 00:28:02,080 --> 00:28:05,080 Speaker 2: Miles Teller was around my height. He was around six 587 00:28:05,160 --> 00:28:09,920 Speaker 2: 's two tall. Drink of water, Yeah yeah. I don't 588 00:28:09,920 --> 00:28:12,240 Speaker 2: know if they're I don't want to do a docu series. 589 00:28:12,560 --> 00:28:15,199 Speaker 2: I don't. I'm good. You guys want to see a 590 00:28:15,240 --> 00:28:22,920 Speaker 2: docu series on ESPN watch it, Thank you, Tod. 591 00:28:20,920 --> 00:28:23,280 Speaker 5: Especially if you were significantly involved, and I'd like to 592 00:28:23,320 --> 00:28:24,879 Speaker 5: see some of the all that behind the scenes. 593 00:28:24,880 --> 00:28:27,399 Speaker 2: What if I was, that'd probably be less interesting. 594 00:28:27,880 --> 00:28:29,240 Speaker 3: I might still take a peek at it, but I 595 00:28:29,240 --> 00:28:29,840 Speaker 3: would be lesson. 596 00:28:30,000 --> 00:28:32,679 Speaker 2: I don't know how interesting it is, Like, you know, 597 00:28:32,800 --> 00:28:35,720 Speaker 2: we just kind of showed up and did a show 598 00:28:35,760 --> 00:28:37,879 Speaker 2: and that was it. I mean, there were some stuff 599 00:28:37,960 --> 00:28:43,760 Speaker 2: behind the scenes, gambling that went on parties, but I 600 00:28:43,800 --> 00:28:48,160 Speaker 2: don't I don't know how exciting that would be. Plus, 601 00:28:48,200 --> 00:28:50,640 Speaker 2: I don't know if I want to revisit the nineties, 602 00:28:50,800 --> 00:28:52,280 Speaker 2: you know, yeah, s Martin. 603 00:28:52,440 --> 00:28:55,440 Speaker 5: For a certain generation people would love that, like people 604 00:28:55,440 --> 00:28:57,360 Speaker 5: in my age that grew up on you. And I'm 605 00:28:57,400 --> 00:28:59,720 Speaker 5: not saying it because you signed my checks, but look, 606 00:28:59,760 --> 00:29:02,200 Speaker 5: a lot lot of people staying on your shoulders. A 607 00:29:02,200 --> 00:29:04,480 Speaker 5: lot of people have a job because of you. They 608 00:29:04,560 --> 00:29:06,560 Speaker 5: do this because of you and Stuart Scott. 609 00:29:06,880 --> 00:29:08,239 Speaker 2: Is this a contract year for you? 610 00:29:09,920 --> 00:29:11,280 Speaker 5: I'm sorry, are you? 611 00:29:11,680 --> 00:29:14,160 Speaker 2: Are you in the last year of your contract with me? No? 612 00:29:14,160 --> 00:29:17,240 Speaker 5: No, February twenty twenty eight is when my contract. Oh okay, 613 00:29:17,360 --> 00:29:19,360 Speaker 5: I'm like Obie Topping, I'm here. 614 00:29:19,320 --> 00:29:20,920 Speaker 2: Okay, all right. 615 00:29:20,880 --> 00:29:24,440 Speaker 5: I'm playing well just because uh yes. 616 00:29:24,760 --> 00:29:27,360 Speaker 10: But an ESPN movie would be for the very casual 617 00:29:27,600 --> 00:29:29,480 Speaker 10: sports fan or even non sports fan. 618 00:29:29,520 --> 00:29:30,080 Speaker 2: I think these. 619 00:29:29,960 --> 00:29:33,600 Speaker 10: Movies like Draft Day with Kevin Cosser, the Football Movie, 620 00:29:33,880 --> 00:29:38,600 Speaker 10: and What's the one with Brad Pitt Moneyball, Moneyball, those 621 00:29:38,600 --> 00:29:41,600 Speaker 10: are for the either non sports fans or casual sports fans. 622 00:29:41,720 --> 00:29:45,120 Speaker 10: Hardcore for sports fans didn't love Moneyball or Draft Day 623 00:29:45,120 --> 00:29:47,960 Speaker 10: because it didn't ring true. But an ESPN movie we 624 00:29:48,040 --> 00:29:50,480 Speaker 10: had to be like breezy and yeah, I don't drama. 625 00:29:50,680 --> 00:29:53,000 Speaker 2: I don't want to take a trip down memory lane 626 00:29:53,760 --> 00:29:56,959 Speaker 2: with the mother ship. Like I'm fine, it is what 627 00:29:57,000 --> 00:30:00,640 Speaker 2: it is. It was what it was. Would it be 628 00:30:01,000 --> 00:30:01,560 Speaker 2: breezy and. 629 00:30:01,560 --> 00:30:04,720 Speaker 11: Drama rarely go together, by the way, Well, it'd been nice, easy, breezy, 630 00:30:04,720 --> 00:30:05,720 Speaker 11: you know a lot of drama, But it. 631 00:30:05,680 --> 00:30:06,240 Speaker 5: Has to be both. 632 00:30:06,720 --> 00:30:09,160 Speaker 10: There's like a comic relief in Draft Day, and there's 633 00:30:09,200 --> 00:30:12,240 Speaker 10: comic relief in Moneyball, but then there's like serious scenes 634 00:30:12,280 --> 00:30:13,560 Speaker 10: about Scott Hadiberg. 635 00:30:14,480 --> 00:30:16,720 Speaker 2: Yeah, I don't know if we have like a serious 636 00:30:16,800 --> 00:30:19,320 Speaker 2: scene at the mother Ship there, it has to be there. 637 00:30:19,760 --> 00:30:22,880 Speaker 10: I guess it's like the Social Network the movie. It's 638 00:30:22,920 --> 00:30:24,800 Speaker 10: like it starts out kind of fun and goofy and 639 00:30:24,840 --> 00:30:25,720 Speaker 10: then it gets really really. 640 00:30:25,840 --> 00:30:27,720 Speaker 2: Yeah, but that had to do with a lot of 641 00:30:28,000 --> 00:30:31,520 Speaker 2: billions of dollars at stake with you know people, they're 642 00:30:31,840 --> 00:30:35,000 Speaker 2: you know, stake in this and what happened. And I 643 00:30:35,040 --> 00:30:37,240 Speaker 2: don't think there's any drama like that. I mean, there 644 00:30:37,280 --> 00:30:41,280 Speaker 2: was competition, but there there it wasn't. I don't know. 645 00:30:42,680 --> 00:30:45,800 Speaker 2: I hate, I hate to let people behind the curtain 646 00:30:45,880 --> 00:30:48,360 Speaker 2: go in. Man, it wasn't interesting. I don't know. 647 00:30:48,920 --> 00:30:51,040 Speaker 5: Yes, Marvin, that serious part is going to be you 648 00:30:51,120 --> 00:30:53,080 Speaker 5: of store, Scott playing pick up basketball. 649 00:30:53,120 --> 00:30:55,840 Speaker 2: Oh yeah, I didn't even I didn't want to be 650 00:30:55,840 --> 00:30:58,640 Speaker 2: interviewed for his thirty for thirty because they wanted to 651 00:30:58,680 --> 00:31:01,520 Speaker 2: ask me about that basketball moment. I'm like, no, let 652 00:31:01,600 --> 00:31:04,240 Speaker 2: somebody else tell it. Let somebody else who was there. 653 00:31:04,960 --> 00:31:07,200 Speaker 2: I think they got Jason Jackson to tell the story 654 00:31:07,520 --> 00:31:11,280 Speaker 2: because every time I tell that story. Jason Jackson, who's 655 00:31:11,280 --> 00:31:14,720 Speaker 2: the Miami Heat broadcaster, goes, you're telling it exactly like 656 00:31:14,800 --> 00:31:17,640 Speaker 2: it happened, and I said, oh, I know, I don't 657 00:31:17,640 --> 00:31:21,240 Speaker 2: have to mince words. God rest, you know Stuart's soul, 658 00:31:21,520 --> 00:31:25,760 Speaker 2: but he knows, he knows what happened that day. But 659 00:31:25,840 --> 00:31:28,920 Speaker 2: I'm not here to do thirty for thirty and I 660 00:31:28,960 --> 00:31:32,040 Speaker 2: and let's bring in Dan Patrick to talk about that moment. 661 00:31:32,200 --> 00:31:35,959 Speaker 2: Was Stuart's cod uh? Good times? 662 00:31:36,040 --> 00:31:37,320 Speaker 5: All right? Movies coming soon? 663 00:31:37,480 --> 00:31:40,640 Speaker 2: Yeah? Yeah, maybe I got to ask Sandler to do 664 00:31:41,480 --> 00:31:46,720 Speaker 2: the ESPN movie. I don't know either that or Spielberg. 665 00:31:51,960 --> 00:31:55,120 Speaker 2: Let's take a break. I got food to eat, Yeah, eaton? 666 00:31:55,480 --> 00:31:56,080 Speaker 2: What do you think? 667 00:31:56,840 --> 00:31:58,920 Speaker 11: Yeah, I'm ready to eat some food. Actually, what I 668 00:31:58,960 --> 00:32:01,240 Speaker 11: was thinking about was how much I'm not sure I 669 00:32:01,240 --> 00:32:04,880 Speaker 11: could do Jeremy Allen White as Bruce Springsteen because I 670 00:32:04,920 --> 00:32:06,520 Speaker 11: watched the trailer and I'm sort of like, why is 671 00:32:06,560 --> 00:32:09,000 Speaker 11: the guy from the bear singing? Now? Oh wait, that's alright, 672 00:32:09,000 --> 00:32:09,800 Speaker 11: he's Bruce Springsteen. 673 00:32:09,840 --> 00:32:12,600 Speaker 2: In that I haven't seen the trailer. I did see 674 00:32:12,600 --> 00:32:14,880 Speaker 2: a picture of him portraying Bruce Springsteen. 675 00:32:14,960 --> 00:32:15,480 Speaker 6: I like him. 676 00:32:15,520 --> 00:32:17,080 Speaker 11: I like him a lot as an actor, and I 677 00:32:17,080 --> 00:32:20,920 Speaker 11: love Bruce Springsteen, but so far I'm not. I'm not 678 00:32:21,000 --> 00:32:23,000 Speaker 11: in on it, like he had to do something to 679 00:32:23,000 --> 00:32:24,840 Speaker 11: make it. Not the guy from the Bear. 680 00:32:25,520 --> 00:32:27,840 Speaker 2: Let's ask Bruce Springsteen what he thinks of the trailer. 681 00:32:28,040 --> 00:32:28,600 Speaker 5: He's the bear. 682 00:32:28,720 --> 00:32:29,240 Speaker 2: I'm the boss. 683 00:32:29,320 --> 00:32:32,240 Speaker 5: He can't be the bear. I'm the boss. Well, come 684 00:32:32,320 --> 00:32:34,080 Speaker 5: on now, buy someone. 685 00:32:33,800 --> 00:32:38,240 Speaker 2: Else, bring hold out? Last call for phone calls? 686 00:32:38,280 --> 00:32:38,920 Speaker 9: What we learn? 687 00:32:39,040 --> 00:32:40,719 Speaker 2: What's in store tomorrow? Right after this? 688 00:32:46,120 --> 00:32:52,440 Speaker 5: A dob one, no condon, a dundon the doe, no 689 00:32:52,560 --> 00:32:53,240 Speaker 5: cup of cunt. 690 00:32:53,760 --> 00:32:54,480 Speaker 7: I'm a. 691 00:32:58,920 --> 00:33:01,080 Speaker 2: Lot of fun this week. I hope you enjoyed it. 692 00:33:01,960 --> 00:33:03,760 Speaker 2: How about we go around the room. Who had the 693 00:33:03,760 --> 00:33:07,720 Speaker 2: best week in sports? Todd, I'm gonna start with you. 694 00:33:07,960 --> 00:33:10,200 Speaker 4: Best week in sports, I'm gonna give it to Sam 695 00:33:10,200 --> 00:33:14,400 Speaker 4: Reinhard clinching the Stanley Cup with four goals, Sam Rhinoid. 696 00:33:14,000 --> 00:33:17,680 Speaker 2: Not getting enough love? Okay, I didn't know who was 697 00:33:17,760 --> 00:33:21,360 Speaker 2: responsible for handing out love. Seton. How about you? Best 698 00:33:21,400 --> 00:33:22,160 Speaker 2: week in sports? 699 00:33:22,680 --> 00:33:26,360 Speaker 11: How about show hey, non ahead of schedule, getting doing well? 700 00:33:26,480 --> 00:33:28,760 Speaker 2: Okay, things moving in the right direction. That's a good week. 701 00:33:28,800 --> 00:33:32,400 Speaker 5: Getting hit by a pitch though, Yeah, Marvin, I'm gonna 702 00:33:32,400 --> 00:33:34,840 Speaker 5: go Gage Wood of Arkansas. 703 00:33:34,400 --> 00:33:39,880 Speaker 2: Throwing hair college. Yeah, but I mean they didn't. It's 704 00:33:39,920 --> 00:33:43,400 Speaker 2: a perfect game. Yeah, oh I know, Yeah, that was tough. 705 00:33:44,120 --> 00:33:46,680 Speaker 2: Gave that one away, PAULI best week in sports. 706 00:33:46,360 --> 00:33:50,080 Speaker 10: Mine's pending Sunday's results. And DJ McConnell of the Pacers. 707 00:33:50,480 --> 00:33:54,280 Speaker 10: If he can go down as helping them win this title, 708 00:33:54,320 --> 00:33:57,840 Speaker 10: it stamps his career as memorable when it was otherwise 709 00:33:57,840 --> 00:33:59,240 Speaker 10: a nice career, but not memorable. 710 00:33:59,280 --> 00:34:03,760 Speaker 2: Gritty guy, probably son of a coach. He was one 711 00:34:03,800 --> 00:34:07,880 Speaker 2: in last one out high motor. Yes, Marvin, he's. 712 00:34:07,760 --> 00:34:09,719 Speaker 5: Going to be the analyst for the Pacers for thirty 713 00:34:09,800 --> 00:34:10,640 Speaker 5: years after you retired. 714 00:34:10,760 --> 00:34:13,719 Speaker 2: You think so? Oh, for sure, like five years. He's 715 00:34:13,760 --> 00:34:17,640 Speaker 2: going to be the radio analyst for the Pacers. 716 00:34:17,200 --> 00:34:19,440 Speaker 5: Without question. He's going to replace Austin Kroscher. 717 00:34:20,080 --> 00:34:23,120 Speaker 2: How about on this day in twenty nineteen, David Gilmour 718 00:34:24,040 --> 00:34:27,800 Speaker 2: he had his guitar collection up for auction, one hundred 719 00:34:27,800 --> 00:34:31,279 Speaker 2: and thirty instruments at Christie's in New York. So he 720 00:34:31,400 --> 00:34:36,280 Speaker 2: was the Pink Floyd lead guitarist and his most iconic 721 00:34:36,360 --> 00:34:41,680 Speaker 2: guitar was called the Black Strat. It fetched almost four 722 00:34:41,719 --> 00:34:46,239 Speaker 2: million dollars. He had a Fender Stratocaster. Nineteen fifty four, 723 00:34:46,880 --> 00:34:51,160 Speaker 2: serial number zero zero zero one, and it was on 724 00:34:51,440 --> 00:34:53,440 Speaker 2: another brick in the Wall Part two that went for 725 00:34:53,520 --> 00:34:57,200 Speaker 2: one point eight million. He had a couple other guitars 726 00:34:58,000 --> 00:35:01,879 Speaker 2: Gibson Les Paul that went for four hundred and forty 727 00:35:01,960 --> 00:35:07,240 Speaker 2: thousand dollars. Man almost four million dollars for a guitar. 728 00:35:07,640 --> 00:35:09,319 Speaker 2: I don't know what you know when it comes to 729 00:35:09,440 --> 00:35:13,360 Speaker 2: rock and roll memorabilia. I know with sports memorabilia you 730 00:35:13,440 --> 00:35:15,439 Speaker 2: got to be careful with a lot of frauds, well 731 00:35:15,440 --> 00:35:18,640 Speaker 2: with art in general, But with those kind of things, 732 00:35:19,440 --> 00:35:21,879 Speaker 2: feels like David Gilmore is going to go, no, that's 733 00:35:21,880 --> 00:35:27,120 Speaker 2: my guitar, not somebody has, you know, replicated his guitar 734 00:35:27,400 --> 00:35:28,120 Speaker 2: from Pink Floyd. 735 00:35:28,200 --> 00:35:28,359 Speaker 9: Yeah. 736 00:35:28,400 --> 00:35:30,200 Speaker 2: See, yeah, that. 737 00:35:29,800 --> 00:35:34,120 Speaker 11: That black strat I think that was used on Dark 738 00:35:34,160 --> 00:35:37,799 Speaker 11: Side of the Moon, Wish You Were Here, The Wall Animals. 739 00:35:38,239 --> 00:35:41,160 Speaker 11: I mean that comfortably numb guitar solo. It's my favorite 740 00:35:41,200 --> 00:35:42,880 Speaker 11: guitar solo of all time. It's definitely one of the 741 00:35:42,920 --> 00:35:45,520 Speaker 11: best guitar solos of all time. They use that. It 742 00:35:45,640 --> 00:35:47,319 Speaker 11: was that guitar. I think that he recorded that with 743 00:35:47,360 --> 00:35:52,360 Speaker 11: That's there's some serious music pedigree on there. Yeah, a 744 00:35:52,360 --> 00:35:53,480 Speaker 11: lot of pedigree on that guitar. 745 00:35:53,640 --> 00:35:56,840 Speaker 2: Kayla in California, Hi, Kyla, what's on your mind today? 746 00:35:58,400 --> 00:35:58,560 Speaker 12: Hi? 747 00:35:58,840 --> 00:35:59,480 Speaker 5: Good morning. 748 00:36:00,280 --> 00:36:04,640 Speaker 1: My husband's an active listener and today is his fortieth birthday. 749 00:36:05,239 --> 00:36:06,880 Speaker 9: I was hoping you'd sing them a song. 750 00:36:07,960 --> 00:36:09,040 Speaker 2: What's his name, Kayla? 751 00:36:10,480 --> 00:36:21,200 Speaker 12: His name is Aaron, Happy birthday? 752 00:36:21,760 --> 00:36:25,919 Speaker 2: Thank you? Kylen. Was that Marvin saying that Kayla should 753 00:36:25,960 --> 00:36:27,400 Speaker 2: tell him sing? 754 00:36:27,400 --> 00:36:28,839 Speaker 5: Okay, new contract coming soon? 755 00:36:28,920 --> 00:36:31,560 Speaker 2: All right, all right? I like what you're doing. James 756 00:36:31,640 --> 00:36:33,720 Speaker 2: and Cincinnati. Hi, James, what's on your mind? 757 00:36:35,239 --> 00:36:35,600 Speaker 7: What up? 758 00:36:35,680 --> 00:36:35,919 Speaker 3: VP? 759 00:36:36,239 --> 00:36:42,200 Speaker 7: And then six foot of Slender one ninety hey two 760 00:36:42,239 --> 00:36:44,680 Speaker 7: things for you. I know CJ McConnell's getting a Son 761 00:36:44,719 --> 00:36:47,120 Speaker 7: of Love, but I think a silent MVP would be 762 00:36:47,160 --> 00:36:50,160 Speaker 7: Obie Top. And he's had fifteen plus and four of 763 00:36:50,200 --> 00:36:53,799 Speaker 7: the six games, and he's been carrying them, not only 764 00:36:53,840 --> 00:36:55,640 Speaker 7: on the defense end, but a little bit of a 765 00:36:55,760 --> 00:36:59,200 Speaker 7: spark off the bench and then second off. I was 766 00:36:59,239 --> 00:37:02,719 Speaker 7: at the game last absolutely electric crowd. I was in 767 00:37:02,800 --> 00:37:06,480 Speaker 7: a club level next to McAfee and stuck over and 768 00:37:06,840 --> 00:37:08,279 Speaker 7: was able to say a low to him. Man, I 769 00:37:08,320 --> 00:37:10,480 Speaker 7: don't know how anybody doesn't like that guy. I mean, 770 00:37:10,480 --> 00:37:12,759 Speaker 7: he's the most genuine dude in the world. Great guy 771 00:37:13,120 --> 00:37:14,480 Speaker 7: was able to get a picture with him. 772 00:37:14,520 --> 00:37:20,279 Speaker 2: So cool. Yeah, McFee kind of the show this day 773 00:37:20,280 --> 00:37:22,160 Speaker 2: and sports history. Paul I Got a bunch. 774 00:37:22,280 --> 00:37:25,000 Speaker 10: Nineteen thirty six, Jesse Owens set one hundred meters record 775 00:37:25,040 --> 00:37:28,320 Speaker 10: at ten point two seconds. Muhammad Ali was convicted in 776 00:37:28,400 --> 00:37:31,960 Speaker 10: Houston of bypassing the draft. Pete Rose played in his 777 00:37:32,000 --> 00:37:35,240 Speaker 10: three thousandth game. Bowls got their third title in ninety three. 778 00:37:36,000 --> 00:37:38,360 Speaker 10: Sammy Sosa hit two home runs of state. He finished 779 00:37:38,360 --> 00:37:40,680 Speaker 10: with twenty in the month of June that was ninety eight, 780 00:37:41,320 --> 00:37:43,880 Speaker 10: and Barry Bonds hit his thirty eighth home run of 781 00:37:43,880 --> 00:37:46,400 Speaker 10: the season in two thousand and one. That was the 782 00:37:46,440 --> 00:37:47,800 Speaker 10: most before the All Star Break. 783 00:37:48,400 --> 00:37:52,480 Speaker 2: Nineteen forty nine, Gussie Moran shock Wembledon by wearing a 784 00:37:52,520 --> 00:37:55,520 Speaker 2: short dress to quote look good and move more freely 785 00:37:55,560 --> 00:38:00,839 Speaker 2: on the court. I like that, Gussie. She was a tart. 786 00:38:01,280 --> 00:38:07,440 Speaker 2: She was a vixen. That's what she was. Let's see, 787 00:38:07,000 --> 00:38:09,400 Speaker 2: uh Cameron in Indiana? Hi Cameron. 788 00:38:10,040 --> 00:38:12,000 Speaker 13: Yeah, Hey, guys, I just wanted to be able to 789 00:38:12,040 --> 00:38:15,200 Speaker 13: say I called in before the Pacers won their first 790 00:38:15,320 --> 00:38:19,280 Speaker 13: title and and happy to do more. All I gotta 791 00:38:19,320 --> 00:38:23,640 Speaker 13: do is say basically made her lunch next year. Okay, 792 00:38:23,680 --> 00:38:24,960 Speaker 13: see and one? 793 00:38:25,920 --> 00:38:26,359 Speaker 5: All right? 794 00:38:26,560 --> 00:38:29,960 Speaker 2: Thank you Cameron calling on Monday. I had the Pacers 795 00:38:30,000 --> 00:38:35,480 Speaker 2: in six. Oh, that's not gonna happen. But if they 796 00:38:35,719 --> 00:38:38,280 Speaker 2: happen to win in game seven, I'm gonna take credit. 797 00:38:38,719 --> 00:38:42,000 Speaker 2: Take a little victory lamp. Yes, Mormon early legacy talk. 798 00:38:42,200 --> 00:38:45,760 Speaker 2: Rick Carlisle. Where do you put him coaching? He's already 799 00:38:45,760 --> 00:38:48,200 Speaker 2: a Hall of Famer? Yeah, but now can you put 800 00:38:48,239 --> 00:38:51,600 Speaker 2: him in there with the Leary Broun? Well? How about 801 00:38:51,640 --> 00:38:53,520 Speaker 2: we wait? How about we wait and just see what 802 00:38:53,600 --> 00:38:53,960 Speaker 2: happened to. 803 00:38:53,920 --> 00:38:55,600 Speaker 5: Hot take you the greatest coach of all time? If 804 00:38:55,600 --> 00:38:56,120 Speaker 5: you want? 805 00:38:56,480 --> 00:38:59,400 Speaker 2: Is he above Eric Spolstra if he wins another title? 806 00:38:59,560 --> 00:39:00,239 Speaker 5: Yes? Okay? 807 00:39:01,320 --> 00:39:02,799 Speaker 2: How thout we wait until Sunday night? 808 00:39:03,200 --> 00:39:04,600 Speaker 5: And if he loses, he's below? 809 00:39:04,680 --> 00:39:08,040 Speaker 2: Todd Simms. I thought we're a premature legacy Simmon. No, 810 00:39:08,080 --> 00:39:13,160 Speaker 2: he's got an NBA title? Uh, Todd? What did you learn? 811 00:39:13,200 --> 00:39:14,920 Speaker 2: On today's award nominated program? 812 00:39:15,160 --> 00:39:17,120 Speaker 3: Jeff Tigue hasn't asked to him for one yet. 813 00:39:16,920 --> 00:39:19,000 Speaker 5: But would really like a jersey from Lebron James. 814 00:39:19,320 --> 00:39:21,880 Speaker 2: Eh, how about you seat O'Connor the best you can 815 00:39:21,920 --> 00:39:24,000 Speaker 2: do in garden? Kevin Durant is just put your arm up. 816 00:39:24,400 --> 00:39:27,600 Speaker 2: I know, I know, that's it. Well, Jeff Teague is 817 00:39:27,640 --> 00:39:29,399 Speaker 2: like six to two. He's not going to be guarding 818 00:39:29,440 --> 00:39:32,160 Speaker 2: a seven footer, and that's all you can do is 819 00:39:32,200 --> 00:39:35,560 Speaker 2: basically face guard him. Probably, Marvin, what did you learn today? 820 00:39:35,760 --> 00:39:37,880 Speaker 5: Jeff Teague has PTSD because of Lebron. 821 00:39:38,440 --> 00:39:40,960 Speaker 2: Yeah, it pushed him out abound. I forget that, and 822 00:39:41,000 --> 00:39:44,480 Speaker 2: then he got death threats. Paul, what did you learn today? 823 00:39:44,560 --> 00:39:46,400 Speaker 10: Jim Gray may put you in the Hall of Excellence. 824 00:39:46,480 --> 00:39:50,439 Speaker 2: Yeah, very nice, very nice. Todd, what did I learn today? 825 00:39:50,600 --> 00:39:52,760 Speaker 4: We all learned one of the most unexpected NBA Finals 826 00:39:52,840 --> 00:39:53,560 Speaker 4: MVP and history. 827 00:39:53,640 --> 00:39:56,200 Speaker 3: Andre Igodala with the Warriors back in twenty fifteen. 828 00:39:56,520 --> 00:39:59,160 Speaker 2: Peace of mind. That's what simply Safe provides. 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