WEBVTT - From the Vault: Mystery Cults, Part 2 

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb. It is winter break, so we are

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<v Speaker 1>continuing some Vault episodes this week. This time we're going

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<v Speaker 1>to give you Part two of our Mystery Cults series.

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<v Speaker 1>This is part two of four. It originally published three four,

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<v Speaker 1>twenty twenty five.

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<v Speaker 2>Enjoy Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 3>My name is Robert Lamb, and I am Joe McCormick,

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<v Speaker 3>and we're back with Part two in our discussion of

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<v Speaker 3>the mystery religions or mystery cults of the ancient Mediterranean.

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<v Speaker 3>Mystery cult is a category used by scholars to refer

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<v Speaker 3>to worship systems in the ancient Greco Roman world that

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<v Speaker 3>we're centered around, powerful in tense experiences of secretive mystic

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<v Speaker 3>rights revealed only to the cults initiates.

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<v Speaker 1>Now.

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<v Speaker 3>In Part one of this series, we talked mainly about

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<v Speaker 3>the historical context of these rights and some about how

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<v Speaker 3>they overlapped with and differed from the most common religious

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<v Speaker 3>practices of Greek and Roman polytheism. We also talked about

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<v Speaker 3>a book that is going to be one of our

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<v Speaker 3>major background sources in these episodes. That is a book

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<v Speaker 3>called Mystery Cults in the Ancient World by Hugh Bowden,

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<v Speaker 3>who is an ancient historian at King's College, London. This

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<v Speaker 3>book was published by Thamesen Hudson. The edition both Rob

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<v Speaker 3>and I were reading is the one from twenty twenty three.

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<v Speaker 3>There was an older edition before that, and today we

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<v Speaker 3>wanted to come back and get a little bit deeper

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<v Speaker 3>into the mysteries by going beyond the general and looking

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<v Speaker 3>at a couple of specific examples.

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<v Speaker 1>Yeah, and I feel like one of the really interesting

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<v Speaker 1>things about these various mystery cults is that a lot

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<v Speaker 1>of the mysteries really do remain, like in part because

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<v Speaker 1>any knowledge that we have of the ancient world is

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<v Speaker 1>you know, is incomplete at least to some degree. But

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<v Speaker 1>also these guys were just really good at keeping their

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<v Speaker 1>mysteries intact in some cases, and what went on behind

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<v Speaker 1>closed doors like remained behind closed doors, and we just

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<v Speaker 1>have to speculate regarding the details of what say, initiation

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<v Speaker 1>rights consisted of and what they meant, both in terms

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<v Speaker 1>of like personal meaning to the initiate, but also within

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<v Speaker 1>like the sort of.

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<v Speaker 4>The larger like worldview of the particular cult.

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<v Speaker 3>That's right, and we do know a lot of things,

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<v Speaker 3>especially about the more public aspects of the mystery religions,

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<v Speaker 3>because they often had a kind of you know, public

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<v Speaker 3>facing elements and then the hidden elements. And it's particularly

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<v Speaker 3>those those secretive, hidden elements that you know they are.

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<v Speaker 3>There are many cases where we still don't really know

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<v Speaker 3>today what they were about. We may have some claims

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<v Speaker 3>from the ancient world, we may have some pieces of evidence,

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<v Speaker 3>but yeah, a lot of mysteries remain.

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<v Speaker 4>Though.

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<v Speaker 3>One thing I do want to mention, it's something we

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<v Speaker 3>got into in the last episode, is a bit of

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<v Speaker 3>clarification on the role of mystery in mystery religion, because

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<v Speaker 3>that can be somewhat misleading and could maybe cause people

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<v Speaker 3>to think about the idea of a mystery cult as

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<v Speaker 3>a religion where the main goal is to solve a

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<v Speaker 3>kind of information puzzle. It's like to get the hidden

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<v Speaker 3>answer to a question, and that really doesn't seem to

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<v Speaker 3>be what these mystery religions were primarily about. They had

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<v Speaker 3>very elements that we could absolutely call mysterious. There were

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<v Speaker 3>secret rights, there were secret sacred objects that were hidden

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<v Speaker 3>from view, and all you know, you could only see

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<v Speaker 3>what they were if you were initiated. But the main

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<v Speaker 3>goal of these religions was, especially as argued by Bowden

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<v Speaker 3>in this book, we've been talking about not primarily to

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<v Speaker 3>solve an information puzzle and like learn the secret, but

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<v Speaker 3>instead that it was to have a profound experience, to

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<v Speaker 3>take part in these mystic rights, these secret rights that

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<v Speaker 3>would cause some kind of experience or encounter directly with

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<v Speaker 3>the power of the gods.

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<v Speaker 1>So mystery very much in the sense of the Beatles

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<v Speaker 1>album from sixty seven, The Magical Mystery Tour.

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<v Speaker 3>I don't know what sense that would be.

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<v Speaker 1>Well, I don't think it really revolves around a particular

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<v Speaker 1>puzzle or a particular mystery is there, But it's more,

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<v Speaker 1>you know, versed in psychedelic weirdness and yeah, yeah, and

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<v Speaker 1>perhaps cryptic meaning. I mean, I am the Walrus, right.

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<v Speaker 1>What are we to make of this song? What are

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<v Speaker 1>we to make of the imagery associated with it?

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<v Speaker 3>I remember way back when I first heard that, I

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<v Speaker 3>was much younger, and the line about the like yellow

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<v Speaker 3>custard dripping from a dead dog's eye seemed especially unbeatlesy

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<v Speaker 3>to me.

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<v Speaker 1>They get pretty weird, they get pretty weird. There's kind

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<v Speaker 1>of the Beatles that you think you know and associate

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<v Speaker 1>with sort of the mainstream understanding of the Beatles, but

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<v Speaker 1>then you can really dig into some.

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<v Speaker 3>Weird stuff in there as well, no doubt.

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<v Speaker 1>But setting aside the mysteries of the Beatles, I would

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<v Speaker 1>like to turn our attention now to the mysteries of Mithraism.

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<v Speaker 1>We mentioned, you know, in the last episode. We're talking

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<v Speaker 1>very much about the Greco Roman world, and this is

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<v Speaker 1>definitely one from the Roman world.

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<v Speaker 3>Right, this is one coming later on the scene than

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<v Speaker 3>most of the other examples we'll end up talking about.

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<v Speaker 1>Right, right, we're talking the first through the fourth century CE,

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<v Speaker 1>so it's taking off alongside another brand new religion, that

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<v Speaker 1>of the way, centered around the teachings of Jesus Christ.

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<v Speaker 1>This would of course come to be known as Christianity

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<v Speaker 1>at least by like one hundred CE. But this is

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<v Speaker 1>where I should I should throw out that we have

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<v Speaker 1>of course mentioned Mithraism in passing or in a few

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<v Speaker 1>details on the show in the past. We mentioned mithra

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<v Speaker 1>in our Hall of Hell episode as well as in

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<v Speaker 1>our episodes on Whistling. As I mentioned then, fans of

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<v Speaker 1>the Ridley Scott produced sci fi series Raised by Wolves,

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<v Speaker 1>which ran twenty twenty through twenty twenty two. We'll also

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<v Speaker 1>remember the name as in the fictional future of this series,

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<v Speaker 1>it is the predominant religion that is practiced by one

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<v Speaker 1>of the key factions in that show. So sort of

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<v Speaker 1>like an alternate future where instead of perhaps Christianity taking

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<v Speaker 1>off as this influential human religion, what if Mithraism is

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<v Speaker 1>the religion that took off and ended up defining a civilization.

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<v Speaker 3>Rob, would it be fair to say, based on what

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<v Speaker 3>you've read that it's kind of shocking how little we

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<v Speaker 3>know about Mithraism with certainty given how popular it was

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<v Speaker 3>during its heyday in the Roman Empire.

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<v Speaker 1>Yeah, that is something that impressed me as well, because

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<v Speaker 1>we're not talking about something that was just practiced by

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<v Speaker 1>say like a few elites, you know, in the basement

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<v Speaker 1>of a palace here and there, something to that effect,

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<v Speaker 1>or a few deranged cultists. To sort of imagine the again,

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<v Speaker 1>the sort of call of Cuthulu dungeons and dragons treatment

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<v Speaker 1>of colts. Now, this was widely practiced during this time

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<v Speaker 1>period again, first through fourth century CE, and it was

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<v Speaker 1>wildly popular, especially in the Roman army and wherever the

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<v Speaker 1>Roman army went. So too traveled the mystery cult of Mithra,

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<v Speaker 1>with its temples popping up just throughout the Roman Empire

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<v Speaker 1>of the time as far north as the British Isles.

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<v Speaker 1>And we have a surviving archaeological evidence all of these

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<v Speaker 1>special temples, which we'll get back to in a bit,

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<v Speaker 1>and we can piece together some of what went on. Now.

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<v Speaker 1>One of the interesting things here that we're going to

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<v Speaker 1>dig into here is of course, the idea that we

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<v Speaker 1>have a religion, a cult an organization here, and its

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<v Speaker 1>ideas are based on pre existing religion ideas, and for

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<v Speaker 1>a while, the way historians interpreted it was to go

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<v Speaker 1>back to some of the myths that informed Roman mythraism

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<v Speaker 1>and use that to try and piece together what Roman

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<v Speaker 1>mythraism was all about. So I want you to keep

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<v Speaker 1>that in mind as I read a quote here from

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<v Speaker 1>an older source. This is from will Durant Caesar and

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<v Speaker 1>Christ from nineteen forty four, in which he writes that

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<v Speaker 1>during the period of roughly thirty CE through ninety six CE,

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<v Speaker 1>one sees a great influx of foreign faiths and Rome

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<v Speaker 1>and Roman life, and these faiths, he writes, enter into

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<v Speaker 1>Rome via returning soldiers, war captives and also merchants. A

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<v Speaker 1>lot of people are coming in and out of Rome.

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<v Speaker 1>People brought their traditional gods with them, and he writes

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<v Speaker 1>that quote. The Roman government treated these alien faiths for

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<v Speaker 1>the most part with toleration. Since it would not permit

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<v Speaker 1>foreigners to its own worship, it preferred that they should

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<v Speaker 1>practice their imported rights rather than have no religion at all.

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<v Speaker 1>In return, it required that each new faith should exercise

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<v Speaker 1>a similar tolerance towards other creeds, and should include in

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<v Speaker 1>its ritual sum obsessence to the emperor's genius and the

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<v Speaker 1>goddess Roma as an expression of loyalty to the state.

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<v Speaker 1>So we touched on this before that. Generally the Romans

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<v Speaker 1>were like, fine, you practice whatever faith you already had

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<v Speaker 1>or have or have brought with you. Just make sure

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<v Speaker 1>that it's you know, checking off the right boxes, and

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<v Speaker 1>you know, not messing up anything we have going on at.

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<v Speaker 3>The top, not questioning our authority. I don't think that

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<v Speaker 3>the Roman rule on this should be seen as generally merciful,

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<v Speaker 3>because the Roman Empire for the large part, was not

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<v Speaker 3>very merciful. It was more like they didn't really care

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<v Speaker 3>about this. Their idea of religion was not an evangelical one,

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<v Speaker 3>and they were not trying to convince other people to

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<v Speaker 3>follow it. Instead, it was just like, you need to

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<v Speaker 3>obey us and not cause problems. Otherwise, practice whatever you want.

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<v Speaker 1>Right, Yeah, I think that's a fair way of understanding it. Yeah,

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<v Speaker 1>And we don't need to lean into some idea that

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<v Speaker 1>the Roman authorities were just in general super tolerant. But

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<v Speaker 1>in this respect, you know, you can make an argument that, okay,

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<v Speaker 1>they kind of were, but only because they didn't care

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<v Speaker 1>what you're doing, as long as you didn't upset the

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<v Speaker 1>order of things. And in this section of the book

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<v Speaker 1>by Durant, he does mention Mithra. In Mithraism, he writes,

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<v Speaker 1>quote from hostile Parthia came the cult of another sudden god, Mithras.

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<v Speaker 1>Its devotees were enlisted as soldiers in the great cosmic

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<v Speaker 1>war of light against darkness, of good against evil. It

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<v Speaker 1>was a virile faith that won men rather than women,

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<v Speaker 1>and pleased the Roman legions stationed on distant frontiers where

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<v Speaker 1>where they could hardly hear the voices of their native gods.

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<v Speaker 1>So already that's a lot to unpack. We have this again,

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<v Speaker 1>this the nineteen forty four text, but the interpretation that

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<v Speaker 1>durant here seems to be making is that of a

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<v Speaker 1>foreign mystery taken up almost exclusively by male Roman soldiers

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<v Speaker 1>and worshiped in every far flung corner of the Roman

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<v Speaker 1>controlled territory. Perhaps some deity and faith that casts the

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<v Speaker 1>role of the enlisted not as mere protectors of Rome,

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<v Speaker 1>but perhaps as warriors and some sort of epic struggle

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<v Speaker 1>against the darkness. All right, So that was nineteen forty

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<v Speaker 1>four's interpretation. But where are we at now? So diving

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<v Speaker 1>into Hugh Bowden's mystery cults in the ancient world, which

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<v Speaker 1>we've been looking at here, the author does have a

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<v Speaker 1>lot to say about Mithraism, but as is often the

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<v Speaker 1>case with some of these mystery cults, there's a lot

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<v Speaker 1>we don't know and we'll never know concerning the details

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<v Speaker 1>of the faith. And it seems like the trend, he says,

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<v Speaker 1>for a while was to try and use information regarding

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<v Speaker 1>ancient worship of Mithra in ancient Iran in the interpretations

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<v Speaker 1>of this Indo Iranian faith as a way to try

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<v Speaker 1>and figure out what Roman mythri was about. Because, to

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<v Speaker 1>be clear, there was worship of a deity known as

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<v Speaker 1>Mithra in ancient Iran and accounts date back to at

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<v Speaker 1>least fourteen hundred bcee, and then eventually Mithra becomes the

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<v Speaker 1>central figure of these Roman mystery cults of Mithraism, the

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<v Speaker 1>details of which again are not all that forthcoming, But

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<v Speaker 1>we do have some literary references, we have archaeological evidence,

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<v Speaker 1>some of it fairly recent, and we also have some

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<v Speaker 1>artistic imagery that has survived. And from this a fair

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<v Speaker 1>number of conclusions can be drawn. But the current predominant interpretation,

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<v Speaker 1>according to Bowden, is that the cult of Mithra in

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<v Speaker 1>the Roman Empire was something mostly new. It was for

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<v Speaker 1>the most part for Romans and by Romans, despite these

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<v Speaker 1>Persian motifs that were applied to it. So in previous decades, again,

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<v Speaker 1>it was common for historians to try and piece together

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<v Speaker 1>the details of Mithraism, based in part on aspects of

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<v Speaker 1>the ancient Indo Orraean religion centered around Mithra, but current

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<v Speaker 1>trends tend to dismiss this. So in Bowden's chapter on Mithrasm,

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<v Speaker 1>he doesn't mention anything about soldiers of light against darkness.

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<v Speaker 1>I'm to assume that perhaps that's something that previously historians

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<v Speaker 1>drug in from the more ancient model of Mithra's worship.

0:13:21.440 --> 0:13:23.360
<v Speaker 3>You know, you can very much see the appeal of

0:13:23.360 --> 0:13:27.400
<v Speaker 3>that older interpretive lens, which tries to figure out what

0:13:27.440 --> 0:13:31.120
<v Speaker 3>a religion means by searching out the earliest versions of it,

0:13:31.200 --> 0:13:36.040
<v Speaker 3>because we tend to think about the primacy of originals,

0:13:36.520 --> 0:13:39.800
<v Speaker 3>like originals in time. You know, we've talked about this

0:13:39.880 --> 0:13:42.920
<v Speaker 3>coming up before on the podcast when we were talking

0:13:42.960 --> 0:13:46.080
<v Speaker 3>about Greek myths. We're trying to find, like, what's the

0:13:46.200 --> 0:13:49.360
<v Speaker 3>earliest written version of this so that we can know

0:13:49.400 --> 0:13:52.320
<v Speaker 3>what the real version of the myth is, you know,

0:13:52.440 --> 0:13:55.200
<v Speaker 3>but that's not actually the real version of the myth.

0:13:55.280 --> 0:13:58.760
<v Speaker 3>And finding maybe the earliest version that was written down

0:13:58.800 --> 0:14:01.880
<v Speaker 3>that we still have access to and does not tell

0:14:01.920 --> 0:14:04.840
<v Speaker 3>you how people hundreds of years later in a different

0:14:04.840 --> 0:14:07.400
<v Speaker 3>time and place understood the story or what it meant.

0:14:07.760 --> 0:14:09.960
<v Speaker 3>It just you know that, I mean, it is worth

0:14:10.080 --> 0:14:12.440
<v Speaker 3>knowing that tells you one thing, but it doesn't necessarily

0:14:12.480 --> 0:14:16.440
<v Speaker 3>tell you that thing. And so searching out myth what

0:14:16.480 --> 0:14:19.600
<v Speaker 3>a god or a religious figure meant in one time

0:14:19.640 --> 0:14:23.480
<v Speaker 3>and place, even though it came earlier, that doesn't necessarily

0:14:23.520 --> 0:14:25.680
<v Speaker 3>tell you what it meant to people in a different time,

0:14:25.760 --> 0:14:28.400
<v Speaker 3>in a different place. And I think this is still

0:14:28.400 --> 0:14:31.720
<v Speaker 3>true today. I think, actually, say, if you just went

0:14:31.840 --> 0:14:36.280
<v Speaker 3>to the New Testament and read the Gospels and then

0:14:36.400 --> 0:14:40.920
<v Speaker 3>tried to read from those and predict what form Christianity

0:14:41.000 --> 0:14:44.440
<v Speaker 3>would take as practiced, say in the United States in

0:14:44.480 --> 0:14:47.440
<v Speaker 3>the twenty first century, you'd be so far off you

0:14:47.480 --> 0:14:49.600
<v Speaker 3>have no idea what to predict from that.

0:14:50.440 --> 0:14:50.680
<v Speaker 5>Yeah.

0:14:50.800 --> 0:14:53.120
<v Speaker 1>Yeah, And I think we can point to examples of

0:14:53.120 --> 0:14:56.480
<v Speaker 1>this and other major religions as well, and also elsewhere.

0:14:56.520 --> 0:15:00.200
<v Speaker 1>Like I instantly thought to Dracula, perhaps because I had

0:15:00.240 --> 0:15:02.360
<v Speaker 1>Dracula on the mind a lot recently. But it's like,

0:15:02.440 --> 0:15:06.800
<v Speaker 1>imagine you were to examine the text known as Dracula

0:15:06.840 --> 0:15:09.960
<v Speaker 1>three thousand. Let's see what year did Dracula three thousand

0:15:10.040 --> 0:15:10.400
<v Speaker 1>come out?

0:15:10.680 --> 0:15:12.360
<v Speaker 3>Do you think I know off the top of my head.

0:15:12.400 --> 0:15:14.720
<v Speaker 1>I don't. Yeah, I expect you to two thousand and four.

0:15:15.320 --> 0:15:16.880
<v Speaker 3>Okay, okay, okay, that sounds right.

0:15:17.440 --> 0:15:20.720
<v Speaker 1>So imagine you watch a Dracula three thousand and then

0:15:20.880 --> 0:15:23.160
<v Speaker 1>you were like, I wish to understand what this film

0:15:23.200 --> 0:15:26.160
<v Speaker 1>is trying to say. I am going to read this

0:15:26.280 --> 0:15:30.080
<v Speaker 1>book by Brian Stoker, Dracula, and that shall answer all

0:15:30.080 --> 0:15:32.320
<v Speaker 1>my questions. I can take everything is in that book

0:15:32.360 --> 0:15:35.080
<v Speaker 1>and apply it to this movie and me yeah, to

0:15:35.120 --> 0:15:37.560
<v Speaker 1>a certain extent, there might be some useful connections to

0:15:37.560 --> 0:15:41.720
<v Speaker 1>be made there, But Dracula. Dracula movies are all built

0:15:41.720 --> 0:15:44.720
<v Speaker 1>around the central figure of Dracula, but the textual Dracula

0:15:45.160 --> 0:15:48.520
<v Speaker 1>in brim Stoker's original novel might not prove all that useful.

0:15:48.520 --> 0:15:52.560
<v Speaker 1>And understanding some depictions of Dracula in other media, including

0:15:52.640 --> 0:15:55.840
<v Speaker 1>Bell Lagosi's Dracula, which we discussed in Weird Howse Cinema recently,

0:15:55.960 --> 0:15:59.480
<v Speaker 1>or say Marvel Comics Dracula, The Dracula and Dracula three

0:15:59.480 --> 0:16:05.040
<v Speaker 1>thousand or or whatever Dracula update you're looking at. Sometimes

0:16:05.120 --> 0:16:09.200
<v Speaker 1>you know, a Dracula movie may just take Dracula out

0:16:09.200 --> 0:16:13.080
<v Speaker 1>of it and they're just ignoring everything else thematically, plot wise,

0:16:13.200 --> 0:16:16.280
<v Speaker 1>time period and so forth, Like the Dracula in Monster

0:16:16.360 --> 0:16:21.040
<v Speaker 1>Squad is only loosely related to the original novel.

0:16:21.320 --> 0:16:23.440
<v Speaker 3>That's right. So it may in fact be a very

0:16:23.480 --> 0:16:27.600
<v Speaker 3>interesting exercise to see which elements from the older version

0:16:27.640 --> 0:16:29.560
<v Speaker 3>are poured it into the newer version and which are

0:16:29.600 --> 0:16:32.600
<v Speaker 3>left behind. So it's not like it is useless to

0:16:32.640 --> 0:16:36.520
<v Speaker 3>compare the versions, but it is not necessary. But understanding

0:16:36.520 --> 0:16:39.640
<v Speaker 3>the earlier version does not necessarily tell you what to

0:16:39.760 --> 0:16:42.800
<v Speaker 3>expect in the newer version. Say, if we had pages

0:16:42.920 --> 0:16:45.360
<v Speaker 3>missing from the you know, all we had was like

0:16:45.400 --> 0:16:49.000
<v Speaker 3>an incomplete script of Dracula three thousand. We didn't have

0:16:49.080 --> 0:16:50.600
<v Speaker 3>the movie, and we were trying to figure out what

0:16:50.680 --> 0:16:53.440
<v Speaker 3>was still in there. Going back to the novel Dracula

0:16:53.440 --> 0:16:55.120
<v Speaker 3>would not tell us, right.

0:16:55.440 --> 0:16:58.360
<v Speaker 1>And that would be again, assuming that all all adaptations

0:16:58.400 --> 0:17:01.680
<v Speaker 1>of Dracula and all Dracula media still holds the original

0:17:01.720 --> 0:17:05.680
<v Speaker 1>novel in some regard or looks to it in some fashion.

0:17:06.720 --> 0:17:08.800
<v Speaker 1>You know, you can look at all the various examples though,

0:17:08.920 --> 0:17:12.040
<v Speaker 1>of religions where there is some sort of old text

0:17:12.480 --> 0:17:16.719
<v Speaker 1>that remains important and the particular like model of that

0:17:16.760 --> 0:17:19.719
<v Speaker 1>religion may still be unrecognizable across time, even though it's

0:17:19.760 --> 0:17:22.600
<v Speaker 1>based on the book. And in the case of Roman mythraism,

0:17:23.200 --> 0:17:26.080
<v Speaker 1>I'm not it's my understanding that we're not really dealing

0:17:26.119 --> 0:17:28.040
<v Speaker 1>with any kind of like central texts that would have

0:17:28.040 --> 0:17:32.800
<v Speaker 1>been the authority. The main authority would have been perhaps

0:17:32.800 --> 0:17:38.160
<v Speaker 1>some collection of myths, but also a modern understanding of astrology.

0:17:39.359 --> 0:17:43.520
<v Speaker 1>And so it really sounds like it takes mithra It

0:17:43.560 --> 0:17:49.400
<v Speaker 1>takes this Indo Iranian deity and then creates a new

0:17:49.480 --> 0:17:51.679
<v Speaker 1>form out of it, you know, almost kind of like

0:17:51.960 --> 0:17:57.639
<v Speaker 1>propping up some astrological ideas with the appeal of this

0:17:57.760 --> 0:18:01.840
<v Speaker 1>foreign deity and again creating something new that is by

0:18:01.920 --> 0:18:05.679
<v Speaker 1>Romans for Romans, likely with its origin according to Bowden,

0:18:06.760 --> 0:18:10.240
<v Speaker 1>in Italy, if not in Rome itself rather than the frontiers.

0:18:10.520 --> 0:18:14.560
<v Speaker 1>It was then carried out to the frontiers by Roman soldiers.

0:18:14.920 --> 0:18:27.560
<v Speaker 1>M okay, So, based on what the evidence we do

0:18:27.600 --> 0:18:32.679
<v Speaker 1>have regarding Roman Mythriism, which again involves some texts, some

0:18:32.840 --> 0:18:38.120
<v Speaker 1>archaeological evidence, and also some artistic depictions, the cult would

0:18:38.160 --> 0:18:42.680
<v Speaker 1>have met in special cave like and sometimes partially cave

0:18:42.760 --> 0:18:48.760
<v Speaker 1>based chambers. These were called mithraeum. They were long windowless

0:18:48.800 --> 0:18:53.560
<v Speaker 1>rectangles with chairs or seating down the long walls of

0:18:53.680 --> 0:18:56.919
<v Speaker 1>the chamber and so again no windows, so you just

0:18:56.960 --> 0:18:59.960
<v Speaker 1>had to depend on torches and or candles, and these

0:19:00.040 --> 0:19:04.879
<v Speaker 1>would have illuminated a strongly astrological decor so based on

0:19:05.160 --> 0:19:11.520
<v Speaker 1>archaeological evidence, the exclusively male devotees of Mithriism would often

0:19:11.640 --> 0:19:15.639
<v Speaker 1>join together, apparently in feasts that included a lot of meat,

0:19:16.080 --> 0:19:19.119
<v Speaker 1>some wine, and I have to note that I'm already

0:19:19.119 --> 0:19:21.679
<v Speaker 1>getting like a very strong Elks Club vibe here. You know,

0:19:21.720 --> 0:19:24.600
<v Speaker 1>it sounds just like a men's club where they're all

0:19:24.600 --> 0:19:28.520
<v Speaker 1>getting together to drink and eat meat and maybe observe

0:19:28.600 --> 0:19:29.119
<v Speaker 1>some rites.

0:19:29.680 --> 0:19:31.520
<v Speaker 3>I mean, if you can experience the power of the

0:19:31.560 --> 0:19:34.240
<v Speaker 3>gods and just drink with your bros at the same time,

0:19:35.080 --> 0:19:36.080
<v Speaker 3>that's a good two for one.

0:19:36.440 --> 0:19:36.680
<v Speaker 4>Yeah.

0:19:36.800 --> 0:19:42.159
<v Speaker 1>Yeah, So the astrological decor here would have included depictions

0:19:42.160 --> 0:19:46.680
<v Speaker 1>of the Sun is vitally important because Mithra is, even

0:19:46.680 --> 0:19:48.560
<v Speaker 1>in Roman mythriism.

0:19:48.560 --> 0:19:51.000
<v Speaker 4>A solar deity or a solar figure.

0:19:51.680 --> 0:19:54.639
<v Speaker 1>You have the Moon, the planets all coming together in

0:19:54.720 --> 0:19:57.639
<v Speaker 1>what we might think of as an astrological model of

0:19:57.680 --> 0:20:00.840
<v Speaker 1>the universe, and Balden argues that in the absence of

0:20:00.880 --> 0:20:04.280
<v Speaker 1>any key surviving text and only a few myths of

0:20:04.400 --> 0:20:09.159
<v Speaker 1>Mithra and his adventures slash live slash mythic existence, modern

0:20:09.240 --> 0:20:12.760
<v Speaker 1>understanding of astrology again like this would have been first

0:20:12.760 --> 0:20:16.480
<v Speaker 1>through third century understanding of the stars and then the

0:20:16.800 --> 0:20:21.200
<v Speaker 1>astrological model of how these stars and planets are impacting

0:20:21.280 --> 0:20:24.639
<v Speaker 1>our lives. This would have likely served as the unifying

0:20:24.680 --> 0:20:28.680
<v Speaker 1>factor of the religion across its various far flung forms.

0:20:28.920 --> 0:20:31.480
<v Speaker 1>You'd see some changes in the way things were depicted,

0:20:31.880 --> 0:20:34.960
<v Speaker 1>but in the absence of any kind of like top

0:20:35.080 --> 0:20:41.240
<v Speaker 1>down doctrine. This is what you had, and so a mithraem. Again,

0:20:41.320 --> 0:20:47.080
<v Speaker 1>the temple where the mithra worshipers held their ceremonies and

0:20:47.119 --> 0:20:50.479
<v Speaker 1>their feasts. It likely the building itself likely served as

0:20:50.520 --> 0:20:55.840
<v Speaker 1>a model, perhaps for further indoctrinization into the astrological secrets

0:20:55.840 --> 0:20:58.880
<v Speaker 1>of Mithraism, but also as a model of the universe

0:20:59.200 --> 0:21:02.439
<v Speaker 1>and the initiate place in it, which I think that

0:21:02.520 --> 0:21:04.600
<v Speaker 1>alone is kind of interesting to think of in terms

0:21:04.640 --> 0:21:09.439
<v Speaker 1>of soldiers in the Roman army, you know, perhaps very close,

0:21:09.560 --> 0:21:12.600
<v Speaker 1>if not on the frontiers of this, you know, this

0:21:12.720 --> 0:21:17.040
<v Speaker 1>vast region, and perhaps feeling far from home and having

0:21:17.080 --> 0:21:20.480
<v Speaker 1>some you know, maybe more specific thoughts and questions about

0:21:20.520 --> 0:21:23.200
<v Speaker 1>where I am in time and space, but perhaps those

0:21:23.720 --> 0:21:26.880
<v Speaker 1>are echoing, you know, greater questions, and maybe that's where

0:21:26.880 --> 0:21:30.760
<v Speaker 1>Mithraism comes into their lives with meaning. Now again we

0:21:30.800 --> 0:21:34.280
<v Speaker 1>have a lot of evidence, archaeological evidence about what may

0:21:34.320 --> 0:21:36.639
<v Speaker 1>have gone on at some of the feasts that they had.

0:21:37.240 --> 0:21:39.680
<v Speaker 1>There's at least one side in what is now Belgium

0:21:39.720 --> 0:21:43.720
<v Speaker 1>from the third century that suggests ritual destruction of wine

0:21:43.800 --> 0:21:46.800
<v Speaker 1>vessels as well as feasting. I think they said that

0:21:47.320 --> 0:21:51.680
<v Speaker 1>perhaps feasting exclusively on male animals, but also some eels

0:21:51.760 --> 0:21:53.960
<v Speaker 1>that Abouten points out they might not have been able

0:21:54.000 --> 0:21:56.600
<v Speaker 1>to sex the eels. Maybe they meant it me eat

0:21:56.640 --> 0:21:59.600
<v Speaker 1>only male eels as well, but at any rate, they

0:21:59.760 --> 0:22:03.800
<v Speaker 1>ate a lit meat, they drank and or ritually destroyed

0:22:03.840 --> 0:22:07.400
<v Speaker 1>wine vessels. And then he also says that there's evidence

0:22:07.800 --> 0:22:10.560
<v Speaker 1>at this one side, no other side, of a wine

0:22:10.640 --> 0:22:13.240
<v Speaker 1>vessel with a snake motif that when heated, would have

0:22:13.280 --> 0:22:18.080
<v Speaker 1>resulted in steam escaping from the serpent's mouth. Oh cool, yeah,

0:22:18.160 --> 0:22:20.479
<v Speaker 1>pretty cool. Yeah, but we don't know what that may

0:22:20.560 --> 0:22:22.920
<v Speaker 1>or may not mean. Maybe it was just cool.

0:22:23.320 --> 0:22:26.800
<v Speaker 3>Well. I don't want to comment on Mithraism specifically, but

0:22:27.280 --> 0:22:30.320
<v Speaker 3>with respect to many of the mystery religions, I think

0:22:31.000 --> 0:22:33.920
<v Speaker 3>cool on its own may have been reason enough. Again,

0:22:34.200 --> 0:22:38.240
<v Speaker 3>a lot of these cults I think you could think

0:22:38.280 --> 0:22:48.240
<v Speaker 3>of as being oriented towards producing profound, exciting, dazzling sensory experiences.

0:22:48.280 --> 0:22:51.560
<v Speaker 3>And so I don't know, a snake breathing out wine

0:22:51.600 --> 0:22:54.679
<v Speaker 3>steam that seems like that could be one of those things.

0:22:55.080 --> 0:22:57.760
<v Speaker 1>Yeah, yeah, definitely. I should also point out that I

0:22:57.760 --> 0:23:01.200
<v Speaker 1>believe the Belgium site indicates the potential potentially a large

0:23:01.240 --> 0:23:04.560
<v Speaker 1>feast like something like hundreds of individuals. But for the

0:23:04.560 --> 0:23:08.159
<v Speaker 1>most part, the mythraem were understood to be you know,

0:23:08.280 --> 0:23:11.760
<v Speaker 1>smaller places where you would have a more intimate gathering,

0:23:12.119 --> 0:23:13.960
<v Speaker 1>and if there were and you might have like more

0:23:14.000 --> 0:23:16.960
<v Speaker 1>than one mithram in a given area, so that you

0:23:16.960 --> 0:23:20.440
<v Speaker 1>could keep the number small, so that that might also

0:23:20.680 --> 0:23:24.160
<v Speaker 1>stack up with some of how we're interpreting what these

0:23:24.240 --> 0:23:28.120
<v Speaker 1>spaces and these meetings could have meant to these individuals.

0:23:28.119 --> 0:23:31.880
<v Speaker 1>You know, it would have perhaps been a smaller, comfortable

0:23:32.359 --> 0:23:36.320
<v Speaker 1>meeting and not necessarily like a grand feast, all right.

0:23:36.359 --> 0:23:40.520
<v Speaker 1>So but obviously it can't all be cozy feasts, right

0:23:40.560 --> 0:23:44.080
<v Speaker 1>because as we as we've been discussing, mystery cults also

0:23:44.320 --> 0:23:51.480
<v Speaker 1>involved at times harrowing rights of initiation, sites and sounds

0:23:51.520 --> 0:23:55.520
<v Speaker 1>that were unique in life that gave you some insight

0:23:55.680 --> 0:23:59.480
<v Speaker 1>into the inner workings of the universe or the afterlife

0:23:59.640 --> 0:24:02.840
<v Speaker 1>or what have you. And as Bowden points out, there

0:24:02.840 --> 0:24:05.840
<v Speaker 1>were apparently some rights involved here. So there were like

0:24:06.000 --> 0:24:10.639
<v Speaker 1>seven grades of Mithraism, and it's likely that each initiate

0:24:10.960 --> 0:24:15.359
<v Speaker 1>that each grade of Mithraism involved a different ritual, But

0:24:15.840 --> 0:24:19.119
<v Speaker 1>we do know a little bit about the rituals that

0:24:19.160 --> 0:24:23.800
<v Speaker 1>were involved. Most notably one that involves a sword and

0:24:23.880 --> 0:24:28.520
<v Speaker 1>a crown. For instance, a Christian writer Tertullian, who lived

0:24:29.040 --> 0:24:35.200
<v Speaker 1>roughly one through two twenty ce mentions a mithra and

0:24:35.680 --> 0:24:39.840
<v Speaker 1>right by which the initiate is taken into a dark space. Obviously,

0:24:40.040 --> 0:24:44.000
<v Speaker 1>the mithraem and offered a crown at sword point, and

0:24:44.040 --> 0:24:46.919
<v Speaker 1>then he is expected to strike the crown from their

0:24:46.960 --> 0:24:51.520
<v Speaker 1>own head onto their own shoulders and proclaim that no

0:24:51.680 --> 0:24:54.080
<v Speaker 1>mithra is my crown. I do not need any other

0:24:54.160 --> 0:24:58.800
<v Speaker 1>crown but mithra and. Based on surviving frescoes and some

0:24:58.880 --> 0:25:02.159
<v Speaker 1>evidence from some pottery, we also have some vague ideas

0:25:02.480 --> 0:25:05.080
<v Speaker 1>that the initiate would have been brought into this ritual

0:25:05.119 --> 0:25:09.439
<v Speaker 1>space bound and naked, or at least a blindfolded and naked,

0:25:09.840 --> 0:25:12.679
<v Speaker 1>and then made a kneel for the placement of the crown,

0:25:13.080 --> 0:25:15.760
<v Speaker 1>and then eventually made to lay upon the ground or

0:25:15.760 --> 0:25:19.240
<v Speaker 1>the floor of the mithram, perhaps held down even And

0:25:19.320 --> 0:25:22.560
<v Speaker 1>the general interpretation is indeed that this, at least this

0:25:22.720 --> 0:25:26.440
<v Speaker 1>grades initiation would have been rather terrifying. You know, you're

0:25:26.480 --> 0:25:30.360
<v Speaker 1>at sword point, You're naked, brought in blindfolded again into

0:25:30.359 --> 0:25:34.040
<v Speaker 1>a space that is either a cave or partially a cave,

0:25:34.400 --> 0:25:37.240
<v Speaker 1>or at least designed to be as lightless as a

0:25:37.280 --> 0:25:40.320
<v Speaker 1>cave and lit only by torches, with also these added

0:25:40.440 --> 0:25:42.320
<v Speaker 1>astrological signs around you.

0:25:42.960 --> 0:25:47.200
<v Speaker 3>It's funny, especially in this version, thinking about the comparisons

0:25:47.240 --> 0:25:50.200
<v Speaker 3>we have two more recent things in our own culture,

0:25:50.280 --> 0:25:53.480
<v Speaker 3>Like this strikes me as part religious ritual but also

0:25:53.680 --> 0:25:55.439
<v Speaker 3>just part fraternity initiation.

0:25:56.320 --> 0:25:58.480
<v Speaker 1>Yeah, it reminds me. I can't help but think of

0:25:58.520 --> 0:26:01.040
<v Speaker 1>the episode of The Simpsons with a hither the Stonecutters

0:26:01.160 --> 0:26:05.280
<v Speaker 1>stonecutters still Yeah, yeah, with the very all the different

0:26:05.280 --> 0:26:08.840
<v Speaker 1>initiation rights that were all essentially just ritually spanking each other.

0:26:09.160 --> 0:26:11.840
<v Speaker 3>I mean, in our culture, when that is depicted in

0:26:12.520 --> 0:26:15.639
<v Speaker 3>media and storytelling, it's usually played for comedy. Now, it's

0:26:15.720 --> 0:26:19.400
<v Speaker 3>kind of mocking the silliness of this, but I think

0:26:19.440 --> 0:26:23.440
<v Speaker 3>there are some pretty profound psychological reasons why, you know,

0:26:23.840 --> 0:26:29.639
<v Speaker 3>why a lot of brotherhoods or groups that are encouraging

0:26:29.680 --> 0:26:32.720
<v Speaker 3>people to form a deep bond and commit to secrecy

0:26:32.760 --> 0:26:37.040
<v Speaker 3>and things like that, why they involve painful and confusing

0:26:37.040 --> 0:26:40.040
<v Speaker 3>initiation processes. And we'll talk about that more as we

0:26:40.080 --> 0:26:43.000
<v Speaker 3>go on and discuss some of these other mystery religions.

0:26:43.440 --> 0:26:45.920
<v Speaker 3>But it seems like not an accident to me, like

0:26:45.960 --> 0:26:50.080
<v Speaker 3>there's a kind of psychological triggering mechanism involved where when

0:26:50.119 --> 0:26:54.920
<v Speaker 3>you've been through some kind of pain and suffering it

0:26:55.119 --> 0:26:57.600
<v Speaker 3>for some reason triggers you to commit more deeply.

0:26:58.200 --> 0:27:00.560
<v Speaker 1>Yeah, it's like we just pretend to to threaten to

0:27:00.640 --> 0:27:04.600
<v Speaker 1>kill you with the sword, but now we're all bros

0:27:04.640 --> 0:27:06.600
<v Speaker 1>and we can have some wines and meat that sort

0:27:06.600 --> 0:27:09.960
<v Speaker 1>of thing. That's again oversimplification of what's going on here,

0:27:10.000 --> 0:27:13.800
<v Speaker 1>but we can't help withdraw those comparisons. So at the

0:27:13.840 --> 0:27:17.000
<v Speaker 1>center of all this, we still have this solar deity

0:27:17.040 --> 0:27:20.560
<v Speaker 1>of sorts, this Mithra, at once the Sun itself and

0:27:20.640 --> 0:27:24.720
<v Speaker 1>also seemingly a servant of a greater Sun god, perhaps

0:27:24.800 --> 0:27:27.679
<v Speaker 1>born out of an eggs. I think a little unsure

0:27:27.720 --> 0:27:29.760
<v Speaker 1>in some of these depictions, like if Mithra is supposed

0:27:29.760 --> 0:27:32.080
<v Speaker 1>to be emerging from an egg or maybe it's the sun,

0:27:32.880 --> 0:27:35.879
<v Speaker 1>and then Mithra rises to chase the lunar bull with

0:27:35.920 --> 0:27:39.159
<v Speaker 1>a sword and eventually slay it, and that's where we

0:27:39.200 --> 0:27:40.120
<v Speaker 1>get to that symbol.

0:27:40.400 --> 0:27:42.439
<v Speaker 3>Yeah, this is one of the main motifs I was

0:27:42.480 --> 0:27:46.399
<v Speaker 3>familiar with, not really knowing that much about mythraism, but

0:27:46.440 --> 0:27:50.200
<v Speaker 3>I knew that there were artistic motifs that involved a

0:27:50.320 --> 0:27:53.399
<v Speaker 3>sort of fight or struggle with a giant bull, or

0:27:53.440 --> 0:27:56.080
<v Speaker 3>maybe being killed by a bull or killing the bull.

0:27:56.920 --> 0:28:03.040
<v Speaker 1>Yes, this is the Taroctiny and it is this recurring

0:28:03.359 --> 0:28:07.840
<v Speaker 1>visual motif of Mythraism. In it we see the unconquered

0:28:07.840 --> 0:28:11.600
<v Speaker 1>sun god Mithra dressed in a cloak and what is described.

0:28:12.320 --> 0:28:15.120
<v Speaker 1>I don't think he's wearing this in every depiction, but

0:28:15.240 --> 0:28:17.880
<v Speaker 1>at least it is more prominent in some a Persian

0:28:17.880 --> 0:28:21.840
<v Speaker 1>style hat, and he is grappling a bull and stabbing

0:28:21.880 --> 0:28:24.920
<v Speaker 1>it through the neck with his sword. At the same time,

0:28:25.480 --> 0:28:29.720
<v Speaker 1>a scorpion is stinging the bulls testicles, and a dog

0:28:29.760 --> 0:28:33.560
<v Speaker 1>and a snake are drinking blood from the sword wound. Okay,

0:28:35.160 --> 0:28:38.360
<v Speaker 1>All while a sun watches on a moon watches on.

0:28:38.440 --> 0:28:41.800
<v Speaker 1>There are also two figures that are present that each

0:28:41.840 --> 0:28:44.040
<v Speaker 1>have a torch, and they're sometimes part of this is too.

0:28:44.080 --> 0:28:46.480
<v Speaker 1>One is holding the torch high, one holding the torch low.

0:28:47.880 --> 0:28:53.360
<v Speaker 1>Everything is very astrologically charged here, with these different symbols

0:28:53.400 --> 0:28:59.680
<v Speaker 1>having you know, zodiac references entailed. The central idea here, though,

0:28:59.720 --> 0:29:02.080
<v Speaker 1>which may not have been revealed or apparent to all

0:29:02.080 --> 0:29:05.320
<v Speaker 1>adherents to Mithraism, is that it has to do with

0:29:05.320 --> 0:29:08.840
<v Speaker 1>the position of the sun and the constellation Taurus during

0:29:08.840 --> 0:29:09.880
<v Speaker 1>the hottest months of.

0:29:09.840 --> 0:29:12.200
<v Speaker 4>The year late July till late August.

0:29:13.680 --> 0:29:17.080
<v Speaker 1>So Balden contends that some elements of this faith may

0:29:17.240 --> 0:29:21.920
<v Speaker 1>have originally originated in Eastern Anatolia, but the cult of

0:29:21.960 --> 0:29:26.200
<v Speaker 1>Mithraism is again likely originated itself largely in Italy and

0:29:26.400 --> 0:29:29.400
<v Speaker 1>likely within Rome, and was then taken out to the

0:29:29.400 --> 0:29:34.320
<v Speaker 1>far flung frontiers by Roman soldiers. So and it's also

0:29:34.360 --> 0:29:38.280
<v Speaker 1>telling that apparently, despite its foreign elements and inspirations uite

0:29:38.320 --> 0:29:42.760
<v Speaker 1>clear inspirations, it was likely considered a very Roman thing

0:29:42.840 --> 0:29:48.560
<v Speaker 1>to do, and ultimately it backs up and acknowledges Roman ideals,

0:29:49.080 --> 0:29:52.720
<v Speaker 1>and so it likely attracted initiates who wanted to be

0:29:52.760 --> 0:29:57.080
<v Speaker 1>more Roman, including foreigners in Rome, which is interesting to

0:29:57.120 --> 0:29:59.800
<v Speaker 1>think of. It may have offered some degree of social

0:29:59.840 --> 0:30:02.920
<v Speaker 1>wors upward mobility, but it also doesn't seem to have

0:30:02.960 --> 0:30:06.720
<v Speaker 1>offered any notion of privileged status in the afterlife, but

0:30:07.040 --> 0:30:12.800
<v Speaker 1>instead likely leaned heavily on an astrology fueled understanding of

0:30:12.840 --> 0:30:15.800
<v Speaker 1>where one stood in the world and maybe in the

0:30:15.960 --> 0:30:19.840
<v Speaker 1>universe in the larger sense. I mean, this is just

0:30:19.920 --> 0:30:22.160
<v Speaker 1>me spitballing here. But it does like all these elements

0:30:22.200 --> 0:30:26.000
<v Speaker 1>they do. They do sound like the things that might

0:30:26.040 --> 0:30:31.040
<v Speaker 1>be created by people who are having a certain crisis

0:30:31.160 --> 0:30:33.800
<v Speaker 1>about like who they are and where they belong in

0:30:33.840 --> 0:30:38.760
<v Speaker 1>the world. That might fit in in an empire that

0:30:38.880 --> 0:30:42.600
<v Speaker 1>is expanding at the same time, absorbing different elements, you know.

0:30:43.800 --> 0:30:47.960
<v Speaker 1>And then this, this structure of this cult is built

0:30:47.960 --> 0:30:52.040
<v Speaker 1>out to sort of give you some level of assurance

0:30:52.040 --> 0:30:54.160
<v Speaker 1>and say, no, no, no, don't worry. We know a lot

0:30:54.160 --> 0:30:56.840
<v Speaker 1>about the movements of the stars and the planets, and

0:30:57.240 --> 0:30:59.840
<v Speaker 1>no matter how you know, crazy, everything else is getting

0:30:59.840 --> 0:31:02.440
<v Speaker 1>out there, like this can tell you exactly where you

0:31:02.480 --> 0:31:04.880
<v Speaker 1>are and who you are in the grand scheme of things.

0:31:06.640 --> 0:31:09.960
<v Speaker 3>Yeah, the meaning is written in the sky. Yeah.

0:31:10.040 --> 0:31:12.800
<v Speaker 1>But at the same time, also like, hey, this thing's

0:31:12.840 --> 0:31:16.120
<v Speaker 1>pretty popular. I want to fit in. I should probably

0:31:16.160 --> 0:31:18.160
<v Speaker 1>go to this too. I hear they sometimes have meat

0:31:18.160 --> 0:31:20.800
<v Speaker 1>and wine, so you know, I think you have to

0:31:20.840 --> 0:31:23.800
<v Speaker 1>factor all these different ideas into it. But it does

0:31:23.840 --> 0:31:27.560
<v Speaker 1>sound like the initiation rituals could be very terrifying, at

0:31:27.640 --> 0:31:30.120
<v Speaker 1>least based on the way that I am interpreting it.

0:31:30.160 --> 0:31:33.360
<v Speaker 1>And it seems like Bowden and others have interpreted maybe

0:31:33.360 --> 0:31:35.480
<v Speaker 1>it was played just for giggles, but I doubt it

0:31:35.560 --> 0:31:38.360
<v Speaker 1>based on so based on the comparisons we have in

0:31:38.520 --> 0:31:49.080
<v Speaker 1>other mystery cults.

0:31:49.960 --> 0:31:52.880
<v Speaker 3>Well, speaking of other cults, that would interface perfectly with

0:31:53.360 --> 0:31:56.520
<v Speaker 3>things that people in the ancient world wrote about. The

0:31:56.920 --> 0:31:59.400
<v Speaker 3>next example that I want to talk about. I don't

0:31:59.400 --> 0:32:02.320
<v Speaker 3>know if we'll have a chance to explore everything about

0:32:02.320 --> 0:32:04.880
<v Speaker 3>these in today's episode with the time we've got left,

0:32:04.880 --> 0:32:09.400
<v Speaker 3>but we can at least start talking about the Elusinian Mysteries,

0:32:09.520 --> 0:32:14.200
<v Speaker 3>probably the most famous mystery cult of the Greek world.

0:32:14.560 --> 0:32:18.000
<v Speaker 3>Now we know about the Eleusinian Mysteries from a number

0:32:18.120 --> 0:32:22.600
<v Speaker 3>of sources of information, primarily from what ancient authors wrote

0:32:22.640 --> 0:32:28.240
<v Speaker 3>about them, including from literature that that attempts to describe

0:32:28.240 --> 0:32:30.840
<v Speaker 3>things about them directly, but then also from literature that

0:32:30.960 --> 0:32:34.840
<v Speaker 3>makes oblique or incidental reference to them. And it turns

0:32:34.880 --> 0:32:36.600
<v Speaker 3>out there's a lot of the latter. I mean, there

0:32:36.600 --> 0:32:39.200
<v Speaker 3>will just there will just be little dialogues of Plato

0:32:39.720 --> 0:32:44.920
<v Speaker 3>where you know, Socrates says something that implies a certain

0:32:45.040 --> 0:32:48.240
<v Speaker 3>understanding of what the Eleusinian mysteries meant, but is not

0:32:48.640 --> 0:32:51.120
<v Speaker 3>meaning to talk about them directly, not like here, let's

0:32:51.160 --> 0:32:53.239
<v Speaker 3>have a discourse about them.

0:32:53.640 --> 0:32:56.880
<v Speaker 1>That's another thing I guess it's interesting, too important to

0:32:57.000 --> 0:32:59.680
<v Speaker 1>realize and discussions. It's like there's there's stuff that is

0:32:59.680 --> 0:33:04.120
<v Speaker 1>forgot because it was secret, and there's also plenty of

0:33:04.120 --> 0:33:06.040
<v Speaker 1>things that were forgotten because it was just common knowledge.

0:33:06.080 --> 0:33:07.080
<v Speaker 1>Why would you write that down?

0:33:07.240 --> 0:33:10.960
<v Speaker 3>Yeah, exactly. Also, apart from the ancient written sources, we

0:33:11.040 --> 0:33:15.240
<v Speaker 3>have some physical archaeological remains, especially at el Usis, the

0:33:15.240 --> 0:33:20.320
<v Speaker 3>cult center, including artworks that depict elements of the associated myth.

0:33:20.640 --> 0:33:24.760
<v Speaker 3>One example of the latter is a marble fragment from

0:33:24.880 --> 0:33:29.040
<v Speaker 3>the sanctuary of Demeter at Eleusis, of which there are

0:33:29.080 --> 0:33:32.520
<v Speaker 3>copies from scattered about from the Roman period as well.

0:33:32.800 --> 0:33:35.080
<v Speaker 3>But Raba included an image in our outline for you

0:33:35.120 --> 0:33:39.200
<v Speaker 3>to look at this marble relief. It shows the goddesses

0:33:39.280 --> 0:33:43.000
<v Speaker 3>Demeter and Persephone standing on either side of a nude

0:33:43.160 --> 0:33:46.480
<v Speaker 3>young man, and they are just towering over the sky.

0:33:46.880 --> 0:33:49.920
<v Speaker 3>They're much bigger than he is. The youth is thought

0:33:49.960 --> 0:33:54.600
<v Speaker 3>to probably be a figure named Tryptolemus, who is a

0:33:54.600 --> 0:33:58.040
<v Speaker 3>figure in mythology sent by Demeter to teach agriculture to

0:33:58.080 --> 0:34:01.680
<v Speaker 3>the people, sort of a kind of an intermediary prometheus

0:34:01.720 --> 0:34:05.200
<v Speaker 3>of grain in a way. And one interesting thing about

0:34:05.200 --> 0:34:07.800
<v Speaker 3>this marble relief you're looking at, rob is that the

0:34:07.840 --> 0:34:12.400
<v Speaker 3>Demeter and Persephone here are They're like holding their hands

0:34:12.480 --> 0:34:15.080
<v Speaker 3>out as if they're each holding something out to this

0:34:15.239 --> 0:34:20.279
<v Speaker 3>naked man, and their marble fingers probably originally held some

0:34:20.360 --> 0:34:23.560
<v Speaker 3>kind of object, but that object or those objects are

0:34:23.600 --> 0:34:26.040
<v Speaker 3>gone and we don't know what they were. Oh hell,

0:34:27.000 --> 0:34:30.760
<v Speaker 3>so some basic facts to ground us about the Eleusinian mysteries.

0:34:31.840 --> 0:34:35.279
<v Speaker 3>They were based out of a city called Eleusis, which

0:34:35.400 --> 0:34:38.320
<v Speaker 3>was located in the region of Attica, only about twenty

0:34:38.400 --> 0:34:41.560
<v Speaker 3>three kilometers west of the city of Athens, so pretty

0:34:41.560 --> 0:34:43.719
<v Speaker 3>close to the city of Athens and also close to

0:34:44.280 --> 0:34:49.279
<v Speaker 3>another important ancient city called Megara. The myth associated with

0:34:49.400 --> 0:34:53.239
<v Speaker 3>the mystic rights of Eleusis is a version of the

0:34:53.280 --> 0:34:57.799
<v Speaker 3>story of Demeter and Persephone. Now, as with most of

0:34:57.840 --> 0:35:00.880
<v Speaker 3>the big Greek myths, there are multiple versions of this

0:35:00.960 --> 0:35:04.000
<v Speaker 3>story in circulation, with lots of differences in the narrative.

0:35:04.320 --> 0:35:06.880
<v Speaker 3>So I am specifically going to be talking about the

0:35:07.000 --> 0:35:10.239
<v Speaker 3>version of the story found in the Greek hymn or

0:35:10.280 --> 0:35:14.520
<v Speaker 3>poem known as the Homeric Hymn to Demeter, which was

0:35:14.520 --> 0:35:18.799
<v Speaker 3>written in dactylic hexameter probably sometime between six fifty and

0:35:18.920 --> 0:35:21.960
<v Speaker 3>five fifty BCE, and this is the take on the

0:35:22.000 --> 0:35:25.520
<v Speaker 3>story that seems to directly implicate the city of el Usis.

0:35:26.320 --> 0:35:30.400
<v Speaker 3>So in this myth, Demeter, the Greek goddess of agriculture

0:35:30.400 --> 0:35:33.760
<v Speaker 3>in the Harvest, has a daughter with the god Zeus,

0:35:34.440 --> 0:35:36.400
<v Speaker 3>and in a lot of versions of the story the

0:35:36.480 --> 0:35:39.920
<v Speaker 3>daughter is named Persephone, but in the version of the

0:35:39.960 --> 0:35:43.600
<v Speaker 3>story told at Eleusis, the daughter is referred to only

0:35:43.719 --> 0:35:50.040
<v Speaker 3>as Corey, Corey or core Kore, meaning maiden. So core

0:35:50.239 --> 0:35:53.040
<v Speaker 3>and Persephone are basically the same character. But I'm going

0:35:53.080 --> 0:35:55.279
<v Speaker 3>to use core in my telling here because of the

0:35:55.320 --> 0:35:59.760
<v Speaker 3>Elusinian connection. So the trouble begins in the story when Zeus,

0:36:00.160 --> 0:36:04.560
<v Speaker 3>without the consent of Demeter, allows his brother Hades, the

0:36:04.600 --> 0:36:06.680
<v Speaker 3>god of the underworld and the king of the Dead,

0:36:07.160 --> 0:36:11.080
<v Speaker 3>to kidnap Demeter's daughter core while she is out gathering

0:36:11.120 --> 0:36:14.759
<v Speaker 3>flowers upon a plain, and Hades takes her away to

0:36:14.880 --> 0:36:19.600
<v Speaker 3>his subterranean kingdom of the dead. When Demeter finds out

0:36:19.680 --> 0:36:23.799
<v Speaker 3>that her daughter is missing, she spends nine days scouring

0:36:23.880 --> 0:36:26.920
<v Speaker 3>the earth, scouring the face of the earth in grief,

0:36:27.280 --> 0:36:30.000
<v Speaker 3>searching for her daughter by torchlight. It's mentioned that she

0:36:30.040 --> 0:36:33.440
<v Speaker 3>carries a torch, and eventually a couple of other gods,

0:36:33.480 --> 0:36:38.319
<v Speaker 3>Hecate and Helios, tell Demeter what happened, and so here

0:36:38.360 --> 0:36:41.880
<v Speaker 3>we get to the part involving the city of Eleusis. Demeter,

0:36:43.000 --> 0:36:46.200
<v Speaker 3>disgusted with Zeus and with the gods for allowing this

0:36:46.280 --> 0:36:49.960
<v Speaker 3>to happen to her daughter. She leaves Mount Olympus, disguises

0:36:50.000 --> 0:36:53.200
<v Speaker 3>herself as a human, and then walks all over the world,

0:36:53.360 --> 0:36:56.239
<v Speaker 3>and eventually she ends up in the city of Eleusis,

0:36:56.280 --> 0:36:59.759
<v Speaker 3>where she meets the family of a king named King Celius,

0:37:00.040 --> 0:37:02.800
<v Speaker 3>and she is hired to work for the king's family

0:37:03.239 --> 0:37:07.359
<v Speaker 3>as a nurse. Now, in Bowden's retelling of this myth,

0:37:07.440 --> 0:37:09.680
<v Speaker 3>there are a number of great details here that are

0:37:09.800 --> 0:37:13.879
<v Speaker 3>very cryptic to the modern reader and sort of fascinating.

0:37:13.920 --> 0:37:16.080
<v Speaker 3>For this reason. I love little details where it's like,

0:37:16.120 --> 0:37:19.720
<v Speaker 3>why include that, what does that mean? So it says

0:37:19.760 --> 0:37:22.880
<v Speaker 3>that she is invited into the house of the family

0:37:22.920 --> 0:37:25.640
<v Speaker 3>of King Celias. She has offered a chair to sit,

0:37:25.840 --> 0:37:28.279
<v Speaker 3>but says no, no, no, I'll just sit on this

0:37:28.400 --> 0:37:32.960
<v Speaker 3>stool covered in a fleece instead, And then she is

0:37:33.000 --> 0:37:35.800
<v Speaker 3>offered a cup of wine, but she refuses the wine

0:37:36.160 --> 0:37:40.200
<v Speaker 3>and instead accepts a type of beverage. It's a beverage

0:37:40.239 --> 0:37:43.960
<v Speaker 3>or perhaps a gruel, the name of which in Greek

0:37:44.080 --> 0:37:49.680
<v Speaker 3>is spelled k y k e n kai kion, but

0:37:49.760 --> 0:37:54.160
<v Speaker 3>I've heard it pronounced as kukion, so I'm gonna say kukon.

0:37:55.080 --> 0:37:59.120
<v Speaker 3>It is made of water, grain, and herbs. Bowden specifies

0:37:59.200 --> 0:38:02.080
<v Speaker 3>that the grain is barley and the herb is mint.

0:38:02.280 --> 0:38:05.600
<v Speaker 3>So think of a kind of beverage or gruel made

0:38:05.640 --> 0:38:08.000
<v Speaker 3>with barley, water and mint.

0:38:08.400 --> 0:38:11.480
<v Speaker 1>Could be good, could be good, good, be could be

0:38:11.560 --> 0:38:12.320
<v Speaker 1>rather refreshing.

0:38:12.680 --> 0:38:15.560
<v Speaker 3>Remember that drink. It may not be till the next

0:38:15.560 --> 0:38:17.680
<v Speaker 3>episode that it comes back, but it will factor in.

0:38:18.520 --> 0:38:22.280
<v Speaker 3>At elusis also in here. It says that Demeter smiles

0:38:22.280 --> 0:38:25.560
<v Speaker 3>at a joke made by a woman named Iambi. Anyway,

0:38:25.840 --> 0:38:30.320
<v Speaker 3>Demeter in disguise is hired to nurse the newborn prince

0:38:30.840 --> 0:38:35.759
<v Speaker 3>in this household. The newborn prince is named Demophoon, but

0:38:36.160 --> 0:38:40.080
<v Speaker 3>instead of feeding him each night in secret, she anoints

0:38:40.160 --> 0:38:43.280
<v Speaker 3>him with ambrosia and then exposes him to the fire

0:38:43.400 --> 0:38:46.680
<v Speaker 3>in the hearth. And there's a reason for this. This

0:38:46.760 --> 0:38:51.480
<v Speaker 3>is a process she's doing to make the boy eventually immortal,

0:38:51.640 --> 0:38:56.840
<v Speaker 3>So she's sort of transforming this baby into a god. However,

0:38:56.960 --> 0:39:01.320
<v Speaker 3>it doesn't work because one night, Demeter Intos gets caught.

0:39:01.520 --> 0:39:04.279
<v Speaker 3>She gets caught in the middle of doing this by Metanira,

0:39:05.080 --> 0:39:10.240
<v Speaker 3>Demophoon's mother, who screams in terror, which you can understand

0:39:10.280 --> 0:39:13.960
<v Speaker 3>why that would happen, but Demeter. Demeter is not happy

0:39:14.040 --> 0:39:17.160
<v Speaker 3>about this. She explains what she was doing, and she says,

0:39:17.239 --> 0:39:18.960
<v Speaker 3>you know now that the spell is broken. Now that

0:39:19.040 --> 0:39:23.319
<v Speaker 3>you've caught me, Demophoon cannot become immortal. And Demeter is

0:39:23.440 --> 0:39:26.520
<v Speaker 3>very angered by this reversal, and she says, Okay, what

0:39:26.640 --> 0:39:29.640
<v Speaker 3>you've got to do now to appease me is build

0:39:29.680 --> 0:39:32.480
<v Speaker 3>me a temple. Build a temple to me in Elyusis,

0:39:32.840 --> 0:39:35.399
<v Speaker 3>and I will teach you sacred rights that you need

0:39:35.440 --> 0:39:37.440
<v Speaker 3>to do in my honor in order to keep me

0:39:37.480 --> 0:39:41.120
<v Speaker 3>from getting really mad. Next, and I mentioned this in

0:39:41.160 --> 0:39:44.920
<v Speaker 3>the last episode, Demeter says, all grain on Earth is

0:39:44.960 --> 0:39:48.920
<v Speaker 3>going to stop growing right now. This is bad for humans,

0:39:49.000 --> 0:39:51.640
<v Speaker 3>obviously because we need that to eat, but it's also

0:39:51.719 --> 0:39:54.560
<v Speaker 3>bad for the gods because they need to receive grain

0:39:54.800 --> 0:39:59.320
<v Speaker 3>as sacrifices from humans. So it seems like this finally

0:39:59.360 --> 0:40:02.480
<v Speaker 3>gets Zeus to do something about the problem that he created.

0:40:03.040 --> 0:40:05.760
<v Speaker 3>He's like Demeter, what can I do to make you happy?

0:40:05.920 --> 0:40:09.120
<v Speaker 3>And Demeter says, give me my daughter back, and so

0:40:09.280 --> 0:40:13.520
<v Speaker 3>Zeus agrees. He sends the messenger god Hermes to Hades

0:40:13.560 --> 0:40:16.440
<v Speaker 3>to the underworld to tell him that Corey the Maiden

0:40:16.640 --> 0:40:19.520
<v Speaker 3>must be allowed to return to the world above, But

0:40:19.719 --> 0:40:22.720
<v Speaker 3>Hades has a trick up his sleeve. Before Corey leaves,

0:40:23.080 --> 0:40:26.480
<v Speaker 3>he gives her a pomegranate seed, a pomegranate seed from

0:40:26.600 --> 0:40:31.080
<v Speaker 3>the underworld, and she eats it, and now having eaten

0:40:31.120 --> 0:40:35.120
<v Speaker 3>the food of the underworld, she is ensnared. She cannot

0:40:35.160 --> 0:40:38.840
<v Speaker 3>permanently leave, and while she's free to spend two thirds

0:40:38.880 --> 0:40:41.440
<v Speaker 3>of the year up above, she has to return to

0:40:41.520 --> 0:40:44.279
<v Speaker 3>the land of the dead for one third of each year.

0:40:45.280 --> 0:40:49.480
<v Speaker 3>And this myth is often linked to seasonal cycles of

0:40:49.600 --> 0:40:53.560
<v Speaker 3>growth in agriculture, though not necessarily with the seasons you're

0:40:53.560 --> 0:40:56.239
<v Speaker 3>thinking of. I think the natural way that most people

0:40:56.239 --> 0:40:59.960
<v Speaker 3>would interpret it is okay, so you know, the dog

0:41:00.360 --> 0:41:02.960
<v Speaker 3>of the grain goddess. She can come up to the

0:41:03.040 --> 0:41:05.800
<v Speaker 3>upper world during the you know, the spring and the summer,

0:41:05.920 --> 0:41:08.520
<v Speaker 3>the warm months, and then in the winter when the

0:41:08.680 --> 0:41:12.000
<v Speaker 3>when the plants die after the harvest, she disappears into

0:41:12.040 --> 0:41:15.160
<v Speaker 3>the underworld. That may be it, but actually Bowden says

0:41:15.280 --> 0:41:18.360
<v Speaker 3>it could be the other way around, because in Greece,

0:41:18.520 --> 0:41:21.880
<v Speaker 3>the hottest part of the summer was sort of often

0:41:21.960 --> 0:41:25.280
<v Speaker 3>the least productive agricultural season because things would be very dry,

0:41:25.400 --> 0:41:27.680
<v Speaker 3>and the winter was actually used as a it was

0:41:27.680 --> 0:41:31.520
<v Speaker 3>a very productive agricultural season, and so maybe sort of

0:41:31.719 --> 0:41:34.160
<v Speaker 3>that way around instead of the way we naturally think.

0:41:35.000 --> 0:41:37.440
<v Speaker 3>But however it actually lines up with the seasonal timeline.

0:41:37.480 --> 0:41:43.960
<v Speaker 3>It's clear to understand why this myth has agricultural significance anyway.

0:41:44.040 --> 0:41:46.919
<v Speaker 3>At the end of the myth, after being comforted by

0:41:46.960 --> 0:41:50.279
<v Speaker 3>her own mother Raya, who is one of the Titans,

0:41:50.840 --> 0:41:54.280
<v Speaker 3>Demeter allows the grain to grow again, and then Demeter,

0:41:54.480 --> 0:41:57.160
<v Speaker 3>as she promised, comes back to the people of Eleusis

0:41:57.280 --> 0:42:01.760
<v Speaker 3>to teach them the mysteries. She teaches them special rights

0:42:01.800 --> 0:42:04.799
<v Speaker 3>that they would have to do in her honor. And

0:42:04.840 --> 0:42:07.640
<v Speaker 3>then I want to read from What follows is a

0:42:07.680 --> 0:42:11.160
<v Speaker 3>translation of a passage in the Homeric Hymn to Demeter,

0:42:11.640 --> 0:42:15.560
<v Speaker 3>the version that appears in Bowden's book. So it goes,

0:42:16.640 --> 0:42:20.120
<v Speaker 3>so the whole broad earth grew heavy with leafage and bloom,

0:42:20.560 --> 0:42:23.880
<v Speaker 3>and she went to the lawgiver kings Tryptolemus and horse

0:42:23.920 --> 0:42:29.600
<v Speaker 3>goating Diocles, strong Eumolpus, and Celius, leader of hosts, and

0:42:29.760 --> 0:42:33.280
<v Speaker 3>showed them the conduct of her sacred matters, and taught

0:42:33.280 --> 0:42:37.759
<v Speaker 3>her solemn rights, which one cannot depart from, or inquire

0:42:37.800 --> 0:42:42.680
<v Speaker 3>about or broadcast, for great awe of the gods restrains

0:42:42.760 --> 0:42:45.879
<v Speaker 3>us from speaking. Blessed is he of men on earth

0:42:45.880 --> 0:42:49.480
<v Speaker 3>who has beheld them, whereas he that is uninitiated in

0:42:49.520 --> 0:42:52.319
<v Speaker 3>the rights, or he that has no part in them,

0:42:52.760 --> 0:42:55.920
<v Speaker 3>never enjoys a similar lot down in the musty dark

0:42:56.000 --> 0:42:56.840
<v Speaker 3>when he is dead.

0:42:57.440 --> 0:42:58.120
<v Speaker 4>Oh wow.

0:42:58.200 --> 0:42:59.640
<v Speaker 1>So first of all, I love that this is not

0:42:59.680 --> 0:43:04.480
<v Speaker 1>from Yeah. And then but then also, unlike seemingly with

0:43:04.560 --> 0:43:08.719
<v Speaker 1>our example of mythraism, this mystery cult does seem to

0:43:08.760 --> 0:43:14.560
<v Speaker 1>impart some sort of privileged knowledge of and or destination

0:43:14.640 --> 0:43:15.520
<v Speaker 1>in the afterlife.

0:43:16.000 --> 0:43:18.440
<v Speaker 3>It does, but I want to complicate that with something

0:43:18.440 --> 0:43:20.840
<v Speaker 3>in just a minute here. So yeah, so many interesting

0:43:20.880 --> 0:43:24.520
<v Speaker 3>things going on here. The goddess teaches the people of

0:43:24.560 --> 0:43:29.240
<v Speaker 3>elusis the secret rituals, says you cannot depart from these rituals,

0:43:29.320 --> 0:43:31.800
<v Speaker 3>so don't change them, don't give them up. You cannot

0:43:31.840 --> 0:43:36.520
<v Speaker 3>ask questions about them. No talking no questioning, and you

0:43:36.560 --> 0:43:39.719
<v Speaker 3>cannot talk about them with the uninitiated. You've got to

0:43:39.800 --> 0:43:41.880
<v Speaker 3>keep them a secret only to the people who have

0:43:42.080 --> 0:43:46.520
<v Speaker 3>been initiated to the cult. And of course, if you

0:43:46.680 --> 0:43:50.000
<v Speaker 3>are initiated and you get to witness these rights, you

0:43:50.080 --> 0:43:53.920
<v Speaker 3>are blessed. If you are not initiated and know nothing

0:43:53.960 --> 0:43:56.680
<v Speaker 3>of the mysteries, then you are not blessed, and you

0:43:56.680 --> 0:43:59.360
<v Speaker 3>will apparently have a worse fate in Hades down in

0:43:59.360 --> 0:44:02.520
<v Speaker 3>the musty don't and if I'm interpreting this right, it

0:44:02.560 --> 0:44:04.920
<v Speaker 3>does not say that those who have been blessed by

0:44:04.960 --> 0:44:09.080
<v Speaker 3>witnessing the rights will not go to Hades instead. It

0:44:09.200 --> 0:44:12.759
<v Speaker 3>just seems like something is going to be different from them.

0:44:12.880 --> 0:44:24.520
<v Speaker 3>You know, it's going to be better for you. Now

0:44:24.560 --> 0:44:26.920
<v Speaker 3>to explore that a little more, this last part about

0:44:26.920 --> 0:44:30.759
<v Speaker 3>the effect of initiation to the mystic rights on a

0:44:30.800 --> 0:44:35.080
<v Speaker 3>person's lot in the afterlife. That is a major part

0:44:35.160 --> 0:44:39.399
<v Speaker 3>of how mystery cults have been understood by later scholars.

0:44:39.600 --> 0:44:43.440
<v Speaker 3>It was, i think, once widely held that the mystery

0:44:43.440 --> 0:44:47.520
<v Speaker 3>cults of the reco Roman world were mainly about improving

0:44:47.560 --> 0:44:51.279
<v Speaker 3>a person's lot in the afterlife. But Bowden argues that

0:44:51.320 --> 0:44:54.520
<v Speaker 3>at least in some cases, The evidence is this was

0:44:54.640 --> 0:44:58.439
<v Speaker 3>not a major focus of the rights, and that any

0:44:58.520 --> 0:45:01.200
<v Speaker 3>belief that you would have a better or afterlife by

0:45:01.239 --> 0:45:04.759
<v Speaker 3>having been initiated was more of a side effect of

0:45:04.840 --> 0:45:08.960
<v Speaker 3>having achieved a special closeness or direct encounter with the

0:45:09.000 --> 0:45:12.560
<v Speaker 3>gods through the mysteries. It was not the primary goal

0:45:12.800 --> 0:45:16.200
<v Speaker 3>or function of the mysteries. So we don't have evidence

0:45:16.280 --> 0:45:19.319
<v Speaker 3>that the goal was like to go to heaven by

0:45:19.360 --> 0:45:22.319
<v Speaker 3>doing these rituals. It was just kind of like there

0:45:22.800 --> 0:45:26.520
<v Speaker 3>were blessings and good things about having this mystic encounter,

0:45:26.880 --> 0:45:29.200
<v Speaker 3>about going through the rights, and one of the things

0:45:29.239 --> 0:45:32.719
<v Speaker 3>that came with it in some cases was that it's

0:45:32.719 --> 0:45:35.160
<v Speaker 3>said that something is better for you after you die.

0:45:36.320 --> 0:45:38.239
<v Speaker 1>Okay, so again, it's not that you're going to get

0:45:38.360 --> 0:45:41.400
<v Speaker 1>a better treatment in the afterlife. It's something maybe a

0:45:41.400 --> 0:45:46.080
<v Speaker 1>little more sublime. Hear me out. I don't know if

0:45:46.080 --> 0:45:48.640
<v Speaker 1>this is a good idea, a good one. It may

0:45:48.640 --> 0:45:50.960
<v Speaker 1>not be a good idea. Maybe it's not a good analogy.

0:45:51.280 --> 0:45:54.280
<v Speaker 1>But imagine you're going to go see the Android Lloyd

0:45:54.360 --> 0:45:59.360
<v Speaker 1>Weber musical Cats, and beforehand, someone who is wise and

0:45:59.440 --> 0:46:02.880
<v Speaker 1>knowledgeable comes to you and says, before you go, read

0:46:02.880 --> 0:46:05.880
<v Speaker 1>this nineteen thirty nine poetry collection Old Possum's Book of

0:46:05.920 --> 0:46:08.759
<v Speaker 1>Practical Cats by T. S. Elliott, Because of course these

0:46:08.760 --> 0:46:11.160
<v Speaker 1>are the poems that the musical is based upon. And

0:46:11.200 --> 0:46:14.239
<v Speaker 1>you might then ask, oh, if I read this, will

0:46:14.239 --> 0:46:16.719
<v Speaker 1>I have better seats? No, you will not have better

0:46:16.760 --> 0:46:19.799
<v Speaker 1>seats based on reading this, but perhaps you'll understand the

0:46:19.880 --> 0:46:23.160
<v Speaker 1>musical more, or you'll have some deeper connection with the musical,

0:46:23.440 --> 0:46:27.319
<v Speaker 1>and that will enhance the experience of it. Something to

0:46:27.360 --> 0:46:30.440
<v Speaker 1>that effect, as opposed to like, will this secret knowledge

0:46:30.560 --> 0:46:32.480
<v Speaker 1>actually get me closer to the front or give me

0:46:32.520 --> 0:46:33.439
<v Speaker 1>more legrom.

0:46:33.760 --> 0:46:36.160
<v Speaker 3>Yeah, that may well be a good analogy, except again,

0:46:36.200 --> 0:46:39.359
<v Speaker 3>it would not be about reading anything in particular here.

0:46:39.400 --> 0:46:42.040
<v Speaker 3>It would be like about having the experience. Maybe instead

0:46:42.120 --> 0:46:45.120
<v Speaker 3>it's like should you go to see the play? Like

0:46:45.200 --> 0:46:47.440
<v Speaker 3>that's really the thing that it's more like, isn't it.

0:46:47.480 --> 0:46:50.520
<v Speaker 3>It's like going to take part in and witness something

0:46:50.600 --> 0:46:54.600
<v Speaker 3>kind of be part of a collaborative theatrical experience. But yeah,

0:46:54.680 --> 0:46:56.799
<v Speaker 3>I think that's a good way of thinking about it,

0:46:56.800 --> 0:46:59.960
<v Speaker 3>because I want to read another thing that an ancient

0:47:00.080 --> 0:47:03.560
<v Speaker 3>source that Bowden mentions in the book. So you know,

0:47:03.640 --> 0:47:05.879
<v Speaker 3>many ancient authors, as we talked about last time, are

0:47:06.000 --> 0:47:09.759
<v Speaker 3>unable or unwilling to profane the cult of the Eleusinian

0:47:09.840 --> 0:47:12.200
<v Speaker 3>mysteries by sharing the secrets of its hidden rights, so

0:47:12.239 --> 0:47:15.520
<v Speaker 3>we don't get You know, many ancient sources where people

0:47:15.560 --> 0:47:18.279
<v Speaker 3>are like trying to tell us what happened inside the

0:47:18.680 --> 0:47:23.560
<v Speaker 3>inside the secret chamber, but multiple writers attest to the

0:47:23.719 --> 0:47:27.439
<v Speaker 3>power of the mysteries and the positive effect they had

0:47:27.600 --> 0:47:31.760
<v Speaker 3>on those initiated. One of those passages cited in Bowden

0:47:31.960 --> 0:47:36.880
<v Speaker 3>is from the Greek anthology by Crnagoras, published that was

0:47:36.880 --> 0:47:40.520
<v Speaker 3>written in the first century BCE, and what Crnagoras says

0:47:40.640 --> 0:47:44.440
<v Speaker 3>is quote, even if yours has always been a sedentary life,

0:47:44.760 --> 0:47:47.200
<v Speaker 3>and you have never sailed the sea nor walked the

0:47:47.280 --> 0:47:50.680
<v Speaker 3>roads of the land, you should nevertheless go to Attica

0:47:50.960 --> 0:47:53.600
<v Speaker 3>so that you may witness those nights of the festival

0:47:53.640 --> 0:47:56.560
<v Speaker 3>of Great Demeter. For then your heart may be free

0:47:56.600 --> 0:47:59.480
<v Speaker 3>of care while you live, and lighter when you go

0:47:59.560 --> 0:48:02.560
<v Speaker 3>to the land of the dead. Oh wow, yeah, So

0:48:02.800 --> 0:48:06.440
<v Speaker 3>whatever happens, it is said by many to be a

0:48:06.600 --> 0:48:10.400
<v Speaker 3>powerful experience that is perceived as life altering in a

0:48:10.440 --> 0:48:14.080
<v Speaker 3>good way. For a modern comparison, when you read some

0:48:14.120 --> 0:48:17.120
<v Speaker 3>of these ancient passages where people talk like this, It's

0:48:17.200 --> 0:48:20.360
<v Speaker 3>kind of like how some psychedelic evangelists talk about taking

0:48:20.480 --> 0:48:23.440
<v Speaker 3>LSD for the first time, Like you realize your cares

0:48:23.440 --> 0:48:26.400
<v Speaker 3>and anxieties are meaningless, you lose your fear of death.

0:48:26.480 --> 0:48:29.759
<v Speaker 3>Maybe things like that. It's also kind of the way

0:48:30.400 --> 0:48:34.839
<v Speaker 3>sometimes people talk about contemplative practices or experiences that they

0:48:34.880 --> 0:48:38.799
<v Speaker 3>believe are spiritually important, like meditation. Though the way the

0:48:38.840 --> 0:48:43.200
<v Speaker 3>mysteries are described it is a much less regular and

0:48:43.560 --> 0:48:47.319
<v Speaker 3>more high intensity experience than meditation usually is, I guess,

0:48:47.360 --> 0:48:50.200
<v Speaker 3>but similar kind of descriptions of like a way of

0:48:50.280 --> 0:48:53.719
<v Speaker 3>opening the mind, of changing your relationship to life. Your

0:48:54.080 --> 0:48:57.040
<v Speaker 3>heart is lighter, and you can be lighter when you

0:48:57.080 --> 0:48:58.240
<v Speaker 3>go to the land of the dead.

0:48:59.120 --> 0:49:02.000
<v Speaker 1>Yeah, I mean, in some ways, I'm reminded of going

0:49:02.000 --> 0:49:04.799
<v Speaker 1>to a haunted attraction here in our modern world, you know,

0:49:04.840 --> 0:49:08.320
<v Speaker 1>go to a haunted house around Halloween, where the various

0:49:08.920 --> 0:49:12.120
<v Speaker 1>actors and various tricks will be utilized to scare you

0:49:12.280 --> 0:49:14.239
<v Speaker 1>and give you a good laugh. I mean, it is

0:49:14.440 --> 0:49:18.000
<v Speaker 1>like a sensory overload experience. And granted it has no

0:49:19.120 --> 0:49:20.640
<v Speaker 1>it has no religious agenda.

0:49:20.680 --> 0:49:23.080
<v Speaker 4>Well I take that back. Sometimes it does have a religious.

0:49:22.680 --> 0:49:26.319
<v Speaker 1>Agenda, but there are those Yeah, But in general, it

0:49:26.320 --> 0:49:28.359
<v Speaker 1>does the idea of just scaring you doesn't have a

0:49:28.440 --> 0:49:31.560
<v Speaker 1>religious agenda. But now that I've accidentally mentioned it, I

0:49:31.600 --> 0:49:34.239
<v Speaker 1>am reminded Youah, maybe there's a case to be made

0:49:34.360 --> 0:49:40.520
<v Speaker 1>that like church themed or orchestrated haunted attractions like small

0:49:40.560 --> 0:49:45.320
<v Speaker 1>town affairs are kind of in keeping with mystery cults

0:49:45.600 --> 0:49:48.759
<v Speaker 1>to some degree. I guess based on my experience of

0:49:48.800 --> 0:49:54.400
<v Speaker 1>those Christian haunted house haunted attractions there tended to be

0:49:54.520 --> 0:49:58.839
<v Speaker 1>very little in terms of like supernatural content in them.

0:49:58.960 --> 0:50:03.719
<v Speaker 1>Generally they were depicting like real life hers and not

0:50:03.840 --> 0:50:07.200
<v Speaker 1>so much like here. Now you're witnessing angels, maybe you're

0:50:07.200 --> 0:50:09.880
<v Speaker 1>witnessing demons, but you know you're not going to see

0:50:10.520 --> 0:50:12.080
<v Speaker 1>glory from the other side.

0:50:12.800 --> 0:50:14.919
<v Speaker 3>I think the common recipe is you get to see

0:50:14.920 --> 0:50:17.799
<v Speaker 3>people go into hell. Yeah, and that the point of

0:50:17.840 --> 0:50:20.680
<v Speaker 3>the hell house also is a persuasive one, like it's

0:50:20.680 --> 0:50:24.040
<v Speaker 3>supposed to make you afraid that, oh, I'm going to

0:50:24.120 --> 0:50:25.799
<v Speaker 3>go to hell like the people in the play here,

0:50:25.840 --> 0:50:28.080
<v Speaker 3>and it's going to be scary if I don't say

0:50:28.120 --> 0:50:30.600
<v Speaker 3>the Sinner's prayer and get saved or go to this

0:50:30.680 --> 0:50:33.200
<v Speaker 3>church here. And so it's like a way, it's like

0:50:33.239 --> 0:50:35.319
<v Speaker 3>a foot in the door. It's trying to get you

0:50:35.600 --> 0:50:40.399
<v Speaker 3>into the actually the doctrinal religion, the regular, more low

0:50:40.440 --> 0:50:44.839
<v Speaker 3>intensity experience of going to this church, whereas with the mysteries,

0:50:44.880 --> 0:50:47.680
<v Speaker 3>it seems like the point of the mysteries was the

0:50:47.719 --> 0:50:51.080
<v Speaker 3>experience of the mysteries is like that was what it

0:50:51.120 --> 0:50:54.240
<v Speaker 3>was about. At least in the case of the Elusinian mysteries,

0:50:54.560 --> 0:50:57.360
<v Speaker 3>it wasn't like a persuasive event to try to get

0:50:57.400 --> 0:51:01.719
<v Speaker 3>you into to show up every week. Instead, it was like,

0:51:01.800 --> 0:51:04.040
<v Speaker 3>this is why you're here, this is what it's all about.

0:51:04.719 --> 0:51:06.840
<v Speaker 1>There there's often the sense that it's not something you

0:51:06.840 --> 0:51:09.440
<v Speaker 1>could even put into words exactly like it was that

0:51:09.560 --> 0:51:14.040
<v Speaker 1>level of an experience, not on keeping again, not dissimilar

0:51:14.080 --> 0:51:20.000
<v Speaker 1>from some of the accounts of psychedelic experiences and paranormal experiences.

0:51:21.680 --> 0:51:25.760
<v Speaker 1>Rather different from in that regard compared to a haunted attraction,

0:51:25.840 --> 0:51:29.520
<v Speaker 1>where generally you can describe everything quite well once you

0:51:29.640 --> 0:51:30.640
<v Speaker 1>leave the facilities.

0:51:31.280 --> 0:51:33.680
<v Speaker 3>All right, So we've talked about a written version of

0:51:33.760 --> 0:51:37.040
<v Speaker 3>the myth associating the goddess Demeter with the city of

0:51:37.040 --> 0:51:39.200
<v Speaker 3>el Jusis, and we've talked about how people in the

0:51:39.200 --> 0:51:43.600
<v Speaker 3>ancient world wrote about the personal effect of being initiated

0:51:43.719 --> 0:51:48.040
<v Speaker 3>or attending the mysteries. But what's beyond this, of course,

0:51:48.080 --> 0:51:51.480
<v Speaker 3>is to describe the rituals themselves. I think we do

0:51:51.560 --> 0:51:53.640
<v Speaker 3>not have time left to do that today, so I

0:51:53.640 --> 0:51:55.080
<v Speaker 3>think that should be where we pick up in the

0:51:55.080 --> 0:51:56.000
<v Speaker 3>next episode.

0:51:56.280 --> 0:51:58.680
<v Speaker 1>All right, so we'll meet you back here on Thursday

0:51:58.800 --> 0:52:02.160
<v Speaker 1>for our continued look at the ancient mystery cults of

0:52:02.200 --> 0:52:05.600
<v Speaker 1>the Greco Roman world. In the meantime, we'll remind you

0:52:05.640 --> 0:52:07.600
<v Speaker 1>that Stuff to Blow Your Mind is primarily a science

0:52:07.640 --> 0:52:10.719
<v Speaker 1>and culture podcast, with core episodes on Tuesdays and Thursdays,

0:52:10.960 --> 0:52:13.719
<v Speaker 1>short form episodes on Wednesdays and on Fridays. We set

0:52:13.719 --> 0:52:15.879
<v Speaker 1>aside most serious concerns to just talk about a weird

0:52:15.880 --> 0:52:17.240
<v Speaker 1>film on Weird House Cinema.

0:52:17.640 --> 0:52:21.160
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:52:21.520 --> 0:52:22.960
<v Speaker 3>If you would like to get in touch with us

0:52:22.960 --> 0:52:25.440
<v Speaker 3>with feedback on this episode or any other, to suggest

0:52:25.480 --> 0:52:27.520
<v Speaker 3>a topic for the future, or just to say hello,

0:52:27.840 --> 0:52:30.560
<v Speaker 3>you can email us at contact stuff to Blow your

0:52:30.600 --> 0:52:39.400
<v Speaker 3>Mind dot com.

0:52:39.560 --> 0:52:42.480
<v Speaker 2>Stuff to Blow Your Mind is production of iHeartRadio. For

0:52:42.560 --> 0:52:45.360
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0:52:45.520 --> 0:52:48.200
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