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Speaker 1: Look Mayre.

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Speaker 2: Oh, I see you, and look over there is that culture.

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Speaker 1: Yes, goodness, wow.

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Speaker 3: Lost cult.

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Speaker 1: Ing, lost culturesa's calling. Now much has befallen. The culture

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Speaker 1: ISAs well.

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Speaker 3: Matt came on this zoom with the words, and I

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Speaker 3: know he means storytelling when he says a story like

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Speaker 3: mine has never been told. He's about to spin a

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Speaker 3: yarn on us. Okay, picture this.

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Speaker 2: I'm spending ninety minutes packing roughly for my big what

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Speaker 2: I'm calling my big August.

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Speaker 1: So I was going to Scotland to see the Edinburgh

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Speaker 1: Fringe Festival. More on that in a bit.

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Speaker 2: Then I was going straight to Las Vegas, Nevada to

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Speaker 2: see Kelly Clarkson. Then I'm going to Orlando, Florida to

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Speaker 2: hang out with my sister and dear friends. After that,

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Speaker 2: I was to go to the Fire Island Pines. So

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Speaker 2: I was gonna say and all of August away. So

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Speaker 2: I needed to pack a ton of things. So I

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Speaker 2: spent about ninety minutes packing. I go to throw out

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Speaker 2: the garbage in my New York apartment.

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Speaker 1: It's always I leave.

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Speaker 2: It's always the garbage that gets you. I leave the apartment,

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Speaker 2: the door closes behind me.

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Speaker 1: Oh, my god, all.

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Speaker 2: My bags and my keys are in the goddamn room.

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Speaker 1: So I'm like, oh my god, my passport is in there.

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Speaker 2: Just kidding, No, it's not. I have on my person.

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Speaker 2: I have my passport, my wallet, my phone, and my AirPods.

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Speaker 2: So I had a choice to make. Do I just

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Speaker 2: straight up go to the airport with nothing but the.

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Speaker 1: Clothes on my back and none of the things I packed?

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Speaker 1: The answer was yes.

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Speaker 2: I got on a plane to Edinburgh, Scotland, where I

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Speaker 2: currently am with nothing, and did a shop in Suprior

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Speaker 2: Blue cran Trail style cran Trail in the JFK. I said,

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Speaker 2: I bought all the basics and some bags. Yeah, so

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Speaker 2: that I get here with truly nothing but the base

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Speaker 2: seeks and here we are. I'm here in Edinburgh fringe.

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Speaker 2: I'm seeing amazing shows. I'm doing amazing culture here.

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Speaker 1: Yeah, and I did that.

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Speaker 2: I committed to the culture that I said I was

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Speaker 2: going to see.

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Speaker 1: But even without all my things.

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Speaker 3: What did it feel like to walk through security with nothing?

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Speaker 1: Honestly? I was like, do I look suspicious?

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Speaker 2: Mmmm?

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Speaker 3: Interesting?

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Speaker 2: Nobody stopped me, but I was like, I know I

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Speaker 2: looked suspicious, just breezing through to an international flight.

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Speaker 1: It's a white privilege, honestly, and.

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Speaker 2: I'm ready to talk about that. And I want this

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Speaker 2: episode to be called white privilege. Yeah, this episode is

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Speaker 2: about white privilege.

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Speaker 3: We've got three white women on the podcast.

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Speaker 1: Today, Bowen Yang, Matt Rogers, and I'm the guest.

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Speaker 2: But first, before we get to the guest who actually

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Speaker 2: has a show at the Edinburgh Fringe Festival, I want

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Speaker 2: to know how you are feeling.

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Speaker 1: I'm feeling.

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Speaker 3: Really bad. I feel sick.

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Speaker 1: What's going on, Queen?

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Speaker 3: I just woke up with the sore throw and a fever.

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Speaker 3: It's not COVID yet, but I'm going she's back no

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Speaker 3: matter what this is. The virus is back. And I

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Speaker 3: have a bone to pick with Peggy Lee this thing.

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Speaker 3: He's saying, Well, she might have passed, but she glamorized

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Speaker 3: illness with the song fever.

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Speaker 1: Fever all through the night. That's not good. That is

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Speaker 1: not Are you experiencing symptoms throughout the night?

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Speaker 3: I was waking up every hour on the hour to

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Speaker 3: pee and then fall back asleep. Was having the most

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Speaker 3: intense dreams. This is no joke. Fevers. What is going

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Speaker 3: on there? I think there's something magical about fevers. It's

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Speaker 3: not just the symptom of fever, it's what it does

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Speaker 3: to you, sort of psychoactively. There's a psycho development to fever.

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Speaker 2: Describe your dreams, and by this sentence, I mean describe

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Speaker 2: the dreams you had last night during a fever, not

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Speaker 2: your big dreams and the macro sense.

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Speaker 3: Right, I don't. I'm not someone who remembers them very well.

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Speaker 3: But I think I was with the lover or something

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Speaker 3: likely story Oh my god, fever dream yeah, hi, and

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Speaker 3: the quieter of the night. I got it, and I

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Speaker 3: think I might have even had some. I think Jessel

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Speaker 3: Tank kind have been in my dream because I just

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Speaker 3: finished watching Roney and that's that's aw about all I

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Speaker 3: can remember Jessel.

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Speaker 2: Saying that Tribeca is an up and coming neighborhood. Is

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Speaker 2: why I showed that to our guests. That she couldn't

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Speaker 2: believe it, she couldn't let it go. She's not stopped

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Speaker 2: talking about it.

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Speaker 3: Or our guess just made a face. This is iconic

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Speaker 3: at first. By the way, we have our guest with

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Speaker 3: Matt on the zoom box in a different country, and

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Speaker 3: in Macbeth country.

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Speaker 1: Oh god, we've all.

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Speaker 2: Been talking about how you can't say it. Did I

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Speaker 2: ever tell you about the time I said you can't

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Speaker 2: say it in.

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Speaker 3: The theater, that's the only place you can't say it.

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Speaker 1: Well, I feel like okay.

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Speaker 2: So we were having some cocktails last night with some

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Speaker 2: of the girls, Patti Harrison and Ruby McCollister at all,

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Speaker 2: and we were all talking about and if you're a

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Speaker 2: real reader, you can look back to Ruby mccallister's episode

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Speaker 2: Dark Gay Culture when she talked about being raised in

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Speaker 2: a la theater.

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Speaker 1: It was the Core and now that became the Largo.

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Speaker 2: So I looked at her and I said, I am

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Speaker 2: not going to say the name of the Scottish play

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Speaker 2: in her presence at the Edinburgh Fringe Festival.

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Speaker 1: I'm just not doing it.

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Speaker 2: So we all had a conversation about how what exactly

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Speaker 2: happens when you do say it, and the curse of

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Speaker 2: the play and it's a very cursed town.

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Speaker 1: Before we were at the Witch as well, Oh my god,

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Speaker 1: describe it.

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Speaker 3: I want to bring our guests in. I want to

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Speaker 3: hear about the witches well from our guests.

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Speaker 2: She can really describe the witches well better than I can,

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Speaker 2: because she's sort of so smart and so gorgeous and so.

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Speaker 1: Funny, yes, and so many things.

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Speaker 2: And I will say I did see her show exquisite

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Speaker 2: Wise last night at the Edinburgh Fringe. I think I've

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Speaker 2: seen the show more than anyone else because I open

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Speaker 2: up for the guests when she does the show live.

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Speaker 2: I'm so proud of her. She's killing it up here

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Speaker 2: in Edinburgh. She just got another five star review and

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Speaker 2: the reviews have been good. The city of Edinburgh is

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Speaker 2: buzzing about Exquisite Lies and I'm having the best time

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Speaker 2: with her. It's her day off today and we're having

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Speaker 2: an amazing time. But we're gonna go see a money exchange.

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Speaker 3: Oh my god. She's in town. She's doing a show

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Speaker 3: and now it's very hard to impress foreign audience. We

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Speaker 3: know this, and she's going to tell you all about that.

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Speaker 1: But you know her. You love her. You got to

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Speaker 1: see your show at the Edinburgh Fringe Festival.

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Speaker 2: If you're here, ladies and gentlemen, hease welcome credit.

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Speaker 1: You're right next to me.

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Speaker 4: Oh my god. I I every single time I get

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Speaker 4: the chance to come on Lass Culture, I am so honored.

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Speaker 4: I really am. And what bigger honor than to be

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Speaker 4: doing it here in my absolutely show.

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Speaker 1: Flat Oh Yeah, it's really not good.

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Speaker 4: Where can we start stained wall to wall carpets for

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Speaker 4: the lab of luxury. It's all always moist you know,

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Speaker 4: the kind of wall to wall that's always wet and

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Speaker 4: you don't really know what from. But there's a little

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Speaker 4: bit of moisture everywhere. We absolutely have a shit closet.

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Speaker 1: Yeah, I was just in there.

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Speaker 4: Where this used to be. This is a very old

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Speaker 4: building and the coop stall was its own little freight

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Speaker 4: like literal closet where you would go and shit.

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Speaker 3: And E Europe doesn't get it.

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Speaker 2: You'repe.

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Speaker 3: Putting the toilet in its own room is disgusting.

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Speaker 4: Also, they have not gotten on board with a comfortable

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Speaker 4: toilet seat. It's possible, period, it is possible.

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Speaker 2: I'll tell you what to everywhere you go. And I

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Speaker 2: hate this and I don't think so honey today. Actually

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Speaker 2: I didn't tell what it is, but we were walking

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Speaker 2: earlier and it is related to this, but this is

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Speaker 2: not it.

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Speaker 1: But this is something I don't think so, honey.

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Speaker 2: Why are the lights to the bathrooms on the outside

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Speaker 2: of the room. The switch the Swiss that turns on

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Speaker 2: the lights, it's on the outside of the room like

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Speaker 2: also the buttons on these toilets in the UK.

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Speaker 4: Just oh, oh, you don't even know. You don't even

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Speaker 4: know the trick about my toilet.

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Speaker 3: What's the trick?

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Speaker 4: Well, my toilet. If you so decide to go number two,

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Speaker 4: you have to run the sink on top of my toilet. Yes,

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Speaker 4: there is a sink on top of the toil there is.

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Speaker 4: I will be providing a photo. I have to run

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Speaker 4: this sink on top of the toilet in order to

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Speaker 4: get enough water to flush your turd.

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Speaker 2: Oh my god, we're in old town, Scotland, we really are.

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Speaker 3: Yeah, app describe the witch as well? What was it like?

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Speaker 1: Like, what's so?

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Speaker 3: What's so amazing about it?

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Speaker 4: The Witch's well? O. We are winding up Potter's Way.

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Speaker 4: We are winding up the gorgeous cobblestone streets of the

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Speaker 4: ancient city. Ancient of the ancient. I'm a little ancient, yeah,

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Speaker 4: ancient of Some might say that the sixteenth century streets

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Speaker 4: of Edinburgh. And what do we stumble upon? The witches well. Now,

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Speaker 4: this well is where all of the witches would go

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Speaker 4: and drink in the fifteenth and sixteenth century before they

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Speaker 4: all got persecuted and hung.

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Speaker 3: It was like, it's to commemorate them in many to

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Speaker 3: commemorate them. Was it to be like here, drink from

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Speaker 3: here before we kill you?

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Speaker 4: Or was it yeah, it says, hey, why don't you

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Speaker 4: must in that mouth before we hang you from it?

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Speaker 1: Yeslagh it was nice.

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Speaker 4: Lag.

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Speaker 1: Yeah, those slags I do have.

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Speaker 4: My eyes have fallen on a sexual hot yeah.

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Speaker 2: Wait Scottish So it's the one place in Scotland where

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Speaker 2: you can get cold brew batch brew as they call it, yea,

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Speaker 2: And there is one barista who's just got it.

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Speaker 3: Did you ask him for ice? He doesn't look at

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Speaker 3: you like you're a fucking fool.

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Speaker 1: Tell Bowen what I said.

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Speaker 4: I said, I'm so happy you have cold brew. He

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Speaker 4: was like, oh, he's like oh yeah. I was like,

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Speaker 4: I'll be coming here every day and he said, and

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Speaker 4: I look forward to serving.

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Speaker 1: No, he said, I love to serve. He said, well,

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Speaker 1: I love to serve you. That's hot.

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Speaker 4: I said, do you want me to throw it back? Papa?

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Speaker 1: What's going on?

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Speaker 3: Papa?

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Speaker 5: Me?

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Speaker 3: Turn around?

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Speaker 1: I said, you want to split me muff? Yeah, split

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Speaker 1: me muff? You want to? I said, split me off?

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Speaker 1: I used the expression, and you want to split me mouff.

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Speaker 2: The other day to Greta and she had had a

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Speaker 2: negative reaction to it.

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Speaker 3: Well, that's accurate. You the muff is spoil.

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Speaker 4: The muff splitter. They call me the splitter I mean

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Speaker 4: when I tell you there are crazy things happening on

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Speaker 4: the stages in Edinburgh. I was at a bar the

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Speaker 4: other day with Patty Woman on stage, fully spreading open

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Speaker 4: her vagina, explaining what a labia is to a packed

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Speaker 4: bar of people.

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Speaker 3: I've never been to Edinburgh. What is the culture?

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Speaker 1: The energy?

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Speaker 3: Is it like chaos? What is your experience as someone

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Speaker 3: who has an acclaimed show there? That is that is

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Speaker 3: the dream?

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Speaker 4: Is it a claims?

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Speaker 1: Yes, you just got a five stores review.

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Speaker 2: I know.

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Speaker 4: Look what I love to sell it out? I would,

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Speaker 4: I would love to sell it out. But the reality

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Speaker 4: is this festival. It has over thirty two hundred shows

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Speaker 4: playing here, and it's everything. It's theater, it's comedy, it's

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Speaker 4: clown it's circus, it's dance, it's magic. It's literally like

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Speaker 4: any kind.

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Speaker 3: Of giving stringing boom. It's giving like the bubbles. The

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Speaker 3: bubble should be bursting soon.

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Speaker 4: Yes it is, and it's like the biggest gripe. With

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Speaker 4: the way that the fringe has changed is that it's

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Speaker 4: just become so expensive that like young people really can't

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Speaker 4: afford to attend it in the same way that used to,

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Speaker 4: you know, so now it's like you get a lot

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Speaker 4: of like middle to older age people attending it. And

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Speaker 4: you know, when I'm busting my fucking muff on stage, yeah,

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Speaker 4: talking about things that are potentially more topical to us,

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Speaker 4: it's kind of like where are the girls? You know

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Speaker 4: what I mean?

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Speaker 1: Right?

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Speaker 3: You need the girls who understands what busting a muff

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Speaker 3: even means.

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Speaker 4: Exactly, And you know I'm targeting the girls. I did

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Speaker 4: look at an eighty three year old woman on the

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Speaker 4: brink of death the other night in my show and

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Speaker 4: said that I swallowed her, looking directly in her eyes,

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Speaker 4: and she laughed. She loved it and laughed and I said, doll,

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Speaker 4: I said, I know she wanted to look at me

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Speaker 4: and been like, I've been swallowing for seventy years.

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Speaker 3: Yeah, swallowing since the Great War exactly.

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Speaker 2: There were a couple there were a couple of old

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Speaker 2: gays that came up to Greta last night were like,

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Speaker 2: you're the most talented person in the festival.

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Speaker 3: Yes, yes, yes, And the old gays see it all.

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Speaker 4: They're like, you're you're the most talented act I've ever

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Speaker 4: seen here.

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Speaker 1: No, what was that?

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Speaker 4: Yeah, that's that's Scottish.

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Speaker 1: Yeah, I guess.

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Speaker 4: I mean you really need to be rolling your your words.

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Speaker 4: Lewis Hockey like this.

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Speaker 1: Oh.

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Speaker 4: Matt has also been very bombarded with thost college fans

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Speaker 4: really Scotland, Yes, girls shaking in their boots, being like

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Speaker 4: is that the local girls?

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Speaker 1: Yes, the dolls.

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Speaker 3: Oh my god, I didn't know the reach.

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Speaker 1: I love local girls, man, are you? Look sounds nothing

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Speaker 1: like local girls. They love big star rolling through. But

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Speaker 1: I will say to just oh, it.

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Speaker 4: Is so shook to just finish sort of explaining the.

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Speaker 5: Energies, the energy, yes, which you're stuck on the witch

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Speaker 5: as well, I would say it's winter here is what

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Speaker 5: I think people also don't get.

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Speaker 4: It is fully freezing.

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Speaker 1: No, it's not freezing. It's sixty degrees. It's it.

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Speaker 2: I love getting it to be able to wear a sweatshirt, which,

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Speaker 2: by the way, we had to buy all new clothes.

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Speaker 2: I will reiterate for me right, but it is really nice,

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Speaker 2: like because it's been so goddamn hot, We've all said

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Speaker 2: it global boiling and all, but it's been so lovely

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Speaker 2: to be here. We looked at some castles. I will

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Speaker 2: say to this, the people are so nice, so nice.

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Speaker 2: The city is so excited about the festival, and you

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Speaker 2: can see why. It's really cool just like the history

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Speaker 2: or it's beautiful.

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Speaker 4: Like Harry Potter and it's crazy.

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Speaker 2: So literally my hotel is I learned it's on the

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Speaker 2: street that inspired diagonally. But it's very, very very like,

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Speaker 2: it's just amazing. What is really tough is the food?

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Speaker 3: Okay, And I'm sure you're not the first people to

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Speaker 3: say this, so I think it's okay. It's a conversation

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Speaker 3: that we're we can have constructively. What are the delicacies?

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Speaker 4: Well, the delicacy the delicacies are.

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Speaker 1: Hagis, which I had to ask what that was.

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Speaker 3: I didn't like the answer, didn't like the answer. Yeah,

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Speaker 3: do you know what's like? You asked London. Yeah, are

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Speaker 3: you asking what hagis is? Is like me asking what

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Speaker 3: the horses drama was with the owners of horses. Matt

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Speaker 3: and Matt Whitaker were like, it's too bad to say

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Speaker 3: at dinner. We can't tell you at dinner, And I

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Speaker 3: was like, oh, is it that bad? Like God, did

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Speaker 3: someone die truly shocking. Once I found out everyone.

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Speaker 2: Can just look it up. I think that they've since rectified.

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Speaker 2: Do you know about what's going down and horses?

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Speaker 1: She doesn't want to comment, And I went to Horses

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Speaker 1: with Kreta.

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Speaker 4: No, you should absolutely keep it in Bowen and I

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Speaker 4: had gorgeous meal at Horses with Aid. It was delectable.

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Speaker 4: And I think that from what I've heard, and this

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Speaker 4: could be totally false information, I think both of the

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Speaker 4: chefs are now at the picture, but I think they're

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Speaker 4: not at the both of both of them are not

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Speaker 4: at the restaurant anymore from what I glean And by

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Speaker 4: the way, it's still a tough reservation to get your

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Speaker 4: little paws on. And I don't think I don't think

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Speaker 4: that the whole you know, kitty kat of it all

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Speaker 4: kind of deterred their business.

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Speaker 2: Well so, and literally we're not going to get into

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Speaker 2: it on the pod because it's giving tw like, if

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Speaker 2: you want to find out what happened with horses, which

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Speaker 2: by the way, I think it is right to find out,

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Speaker 2: look it up on your own t I m e.

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Speaker 2: But you know what I've really discovered, especially in LA

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Speaker 2: controversy around restaurants, by people are like, we're not going

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Speaker 2: there anymore, does not stop business, because I'll tell you

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Speaker 2: what we was.

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Speaker 1: It like, it must have been like two months ago,

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Speaker 1: at the height of the scandalball. We were looking to go.

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Speaker 1: We're looking for a place to get drinks and have

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Speaker 1: some naches.

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Speaker 3: And we were ended up shorts and Sandy's no.

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Speaker 2: So basically what happened was we were around that area

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Speaker 2: and I of course refused to step.

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Speaker 1: Foot in shorts and Sandy's and I won't do it,

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Speaker 1: and I was like.

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Speaker 4: Let's just fucking go to shorts and Sandy's who cares?

353
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Speaker 4: And I was like, I can't be seen there.

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Speaker 1: I was like, I'm not being seen.

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Speaker 2: I'm no because I support and respect Ariana.

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Speaker 3: So then you guys drove past it and saw that

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Speaker 3: it was packed.

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Speaker 4: So then I was like, let me just go and

359
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Speaker 4: see because no place around there like had room. And

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Speaker 4: I was like, let me just go and see if

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Speaker 4: we can just get a drink while we wait for

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Speaker 4: a table somewhere else. Walk in packed gills. They were like, honey,

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Speaker 4: if you don't have a reservation at all this weekend,

364
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Speaker 4: you are not getting in my god, a little present

365
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Speaker 4: from there.

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Speaker 1: She got me a coach.

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Speaker 2: She got me an ash tray, and I felt good

368
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Speaker 2: about having a Schwartz and Sandy's ashtray because I can

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Speaker 2: be like late, not my little, my little duber.

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Speaker 3: I mean Chick fil A is a perfect example. You

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Speaker 3: don't know, I've stopped eating it. I really have you

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Speaker 3: need to walk that back? Honey?

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Speaker 1: Are you telling me to stand down?

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Speaker 4: Back off?

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Speaker 1: I just love I love it.

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Speaker 2: There was a time when Bowen and I would go

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Speaker 2: downtown LA to record old episodes of Lost Culture when

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Speaker 2: we were still over at Forever Dog and they had

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Speaker 2: an office down there, and Bowen would get a devilish,

380
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Speaker 2: little feverish look in his eye and he would say,

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Speaker 2: and I would say, here, we would have a tussle

382
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Speaker 2: in the street. We would get physical with each other fighting.

383
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Speaker 4: Chick fil A is like, unfortunately, very good, and.

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Speaker 3: It wouldn't be in the conversation it was bad. Do

385
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Speaker 3: you know what I'm saying?

386
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Speaker 1: And they say that about a lot of things, But you.

387
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Speaker 4: Know, it's weird that I still have never been able

388
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Speaker 4: to get behind Yeah, square burger patties at Wendy's.

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Speaker 3: I just think that's a nice that's like nice, little novelty. Shit.

390
00:19:16,119 --> 00:19:17,800
Speaker 3: It's a way to like distinguish the brand.

391
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Speaker 4: But do you how do you feel about a square burger?

392
00:19:21,280 --> 00:19:24,080
Speaker 3: Honey, it's more surface area, it's more beef.

393
00:19:24,359 --> 00:19:24,879
Speaker 4: That's true.

394
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Speaker 1: Oh, I didn't think about it.

395
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Speaker 4: You feel that it should be on sand on like.

396
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Speaker 3: A bund also square, No, because the shape of a

397
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Speaker 3: burger is round, just like how Charlie Barday tweeted when

398
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Speaker 3: people put soup in a square tupperware, that is not right.

399
00:19:39,680 --> 00:19:41,640
Speaker 3: It should be round. It should be a circle, which

400
00:19:41,680 --> 00:19:42,520
Speaker 3: is the shape of soup.

401
00:19:43,240 --> 00:19:47,240
Speaker 2: Yeah, super is a circle, especially retal culture number eighty three.

402
00:19:48,119 --> 00:19:51,160
Speaker 3: Souper is a circle. Credit to Charlie Barday.

403
00:19:51,320 --> 00:19:53,240
Speaker 1: You know, you know it's We walked.

404
00:19:53,000 --> 00:19:56,640
Speaker 2: Past Nando's earlier. I thought Nando's was great cuisine.

405
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Speaker 3: It depends you like Nando's though you've had Nanda in London.

406
00:20:00,760 --> 00:20:01,120
Speaker 1: I went.

407
00:20:01,200 --> 00:20:03,119
Speaker 2: Matt Whitaker and I went when we were in London,

408
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Speaker 2: and the way he was acting about it was like, well,

409
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Speaker 2: we have to go to Nando's if we want quality chicken.

410
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Speaker 1: And so then we sat down and ate it and

411
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Speaker 1: I thought was great.

412
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Speaker 2: I walked by Nando's earlier with Greta because we're literally

413
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Speaker 2: searching far and.

414
00:20:16,280 --> 00:20:19,320
Speaker 1: Wide for literally one bite of decent food.

415
00:20:19,200 --> 00:20:26,080
Speaker 2: Literally searching, searching, like it was like looking for fucking

416
00:20:26,680 --> 00:20:29,280
Speaker 2: the scientology woman trying to find a vegetable in this

417
00:20:29,480 --> 00:20:33,720
Speaker 2: goddamn looking for Shelley Miskovich. You can you can find

418
00:20:33,760 --> 00:20:36,200
Speaker 2: Shelley miskavision or easier in this town than a fucking

419
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Speaker 2: piece of broccoli. I'll tell you that right now. So

420
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Speaker 2: we're walking past Nando's and I go, oh my god, Nando's.

421
00:20:41,400 --> 00:20:43,720
Speaker 2: That's really good. And Greta looks at me and goes, yeah,

422
00:20:43,760 --> 00:20:49,400
Speaker 2: if you like seven eleven, Greta, she's such a bitch.

423
00:20:50,119 --> 00:20:50,960
Speaker 1: She's a slag.

424
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Speaker 4: Oh my god, I am such a.

425
00:20:53,760 --> 00:20:56,440
Speaker 1: She's a bitchy slag and a bitch slag.

426
00:20:57,119 --> 00:20:59,520
Speaker 4: And honestly put that on my fucking tombstone.

427
00:21:00,160 --> 00:21:01,879
Speaker 1: Bitchy slag, bitchy slack.

428
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Speaker 3: I think I think people in the UK have well,

429
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Speaker 3: they love Nando's, but I'm saying they have better courses.

430
00:21:09,440 --> 00:21:12,640
Speaker 1: Oh absolutely. They call each other a conte and it's

431
00:21:12,640 --> 00:21:13,880
Speaker 1: sort of like so playful.

432
00:21:14,400 --> 00:21:17,040
Speaker 4: Well, I say count in my show, and my my

433
00:21:17,119 --> 00:21:19,880
Speaker 4: producer out here was like, you know, we actually say

434
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Speaker 4: cunt all the time.

435
00:21:21,280 --> 00:21:21,800
Speaker 1: They do.

436
00:21:21,840 --> 00:21:24,800
Speaker 3: They do I know, and they know that Americans hate it?

437
00:21:24,840 --> 00:21:27,000
Speaker 3: What why do Americans hate it?

438
00:21:27,160 --> 00:21:30,280
Speaker 4: I wonder because Americans are fucking prude.

439
00:21:30,480 --> 00:21:31,320
Speaker 1: You're so uptighted.

440
00:21:31,320 --> 00:21:34,760
Speaker 4: But actually, I will say this is gonna be really controversial.

441
00:21:34,800 --> 00:21:37,359
Speaker 1: What I'm about to say. Good say it here, we

442
00:21:37,400 --> 00:21:39,840
Speaker 1: need to click, I will say.

443
00:21:39,960 --> 00:21:42,960
Speaker 4: Being and I felt this way even when I I

444
00:21:43,080 --> 00:21:45,200
Speaker 4: love London, Okay, I love.

445
00:21:45,040 --> 00:21:46,560
Speaker 1: The city, yes, love the town.

446
00:21:47,040 --> 00:21:48,760
Speaker 4: But I felt this way even when I was there

447
00:21:48,800 --> 00:21:51,560
Speaker 4: for like January and February. And I really feel this

448
00:21:51,600 --> 00:21:57,359
Speaker 4: way being in Scotland. I am proud to be an American.

449
00:21:58,840 --> 00:22:01,320
Speaker 3: Europe has a thing about it, and I think every

450
00:22:01,400 --> 00:22:04,760
Speaker 3: other continent in a way where after a while you

451
00:22:04,800 --> 00:22:08,359
Speaker 3: go take me back to the States, you know, and

452
00:22:08,440 --> 00:22:08,960
Speaker 3: I'm just.

453
00:22:09,000 --> 00:22:14,560
Speaker 4: Like, I'm like, yeah, I'm a loud American horror.

454
00:22:15,560 --> 00:22:19,000
Speaker 1: Greta was screaming on the streets earlier. Where's ketchup?

455
00:22:19,400 --> 00:22:20,639
Speaker 4: I want to ketchup?

456
00:22:22,800 --> 00:22:24,560
Speaker 3: I'm such a whore for this stuff.

457
00:22:24,600 --> 00:22:28,280
Speaker 1: I'm a whore. I'm a fucking whore. Fuck you.

458
00:22:28,359 --> 00:22:31,439
Speaker 2: I want some ketchup for my French fries.

459
00:22:31,080 --> 00:22:34,160
Speaker 1: Freedom fries. Catch up for.

460
00:22:36,160 --> 00:22:38,600
Speaker 3: Right right? Agree with this.

461
00:22:39,600 --> 00:22:41,320
Speaker 1: I'm so proud to be an American man.

462
00:22:41,720 --> 00:22:46,720
Speaker 3: Yeah, the thing patriotism is back, and it's not just

463
00:22:46,840 --> 00:22:50,040
Speaker 3: further right. I think the left should embrace patriotism, really

464
00:22:50,080 --> 00:22:50,679
Speaker 3: reclaim it.

465
00:22:51,320 --> 00:22:54,000
Speaker 4: I think that if the left embraced patriotism, we'd be

466
00:22:54,040 --> 00:22:54,879
Speaker 4: in a better place.

467
00:22:55,320 --> 00:22:56,040
Speaker 3: I agree.

468
00:22:56,320 --> 00:22:59,720
Speaker 4: Look, we're fucked up, we are. And what family is

469
00:22:59,800 --> 00:23:00,920
Speaker 4: and what family.

470
00:23:00,680 --> 00:23:03,560
Speaker 3: Isn't and what family isn't that's a rule of culture,

471
00:23:03,560 --> 00:23:07,280
Speaker 3: exactly number fifty seven America.

472
00:23:07,400 --> 00:23:08,760
Speaker 1: We're fucking fucked up.

473
00:23:09,119 --> 00:23:10,760
Speaker 3: But what isn't?

474
00:23:12,240 --> 00:23:15,520
Speaker 1: Now that's really good.

475
00:23:23,480 --> 00:23:26,119
Speaker 3: And now I remember the day, just to go back

476
00:23:26,160 --> 00:23:31,400
Speaker 3: to kunt I remember the day. It was the sixth

477
00:23:31,440 --> 00:23:35,920
Speaker 3: grade and at lunch it was like somehow the word

478
00:23:35,960 --> 00:23:39,280
Speaker 3: had gotten in, had broken in to the other kids

479
00:23:39,280 --> 00:23:41,680
Speaker 3: at lunch and they were like, we just found out

480
00:23:41,680 --> 00:23:43,879
Speaker 3: about the worst word you can possibly say.

481
00:23:44,200 --> 00:23:45,879
Speaker 1: And I was like, what is it?

482
00:23:45,880 --> 00:23:48,440
Speaker 3: The F word? They go, it's worse than the F word.

483
00:23:48,600 --> 00:23:52,320
Speaker 3: I go, what what could it be? They're like, if

484
00:23:52,359 --> 00:23:56,720
Speaker 3: you call someone this, you're dead. Well they were like,

485
00:23:56,760 --> 00:23:58,959
Speaker 3: they have the right to fucking beat the shit out

486
00:23:59,000 --> 00:24:00,560
Speaker 3: of you if you call them you call them this.

487
00:24:00,680 --> 00:24:02,600
Speaker 3: I was like, oh my god, tell me I need

488
00:24:02,640 --> 00:24:05,920
Speaker 3: to know now. Yeah, and then when I found out

489
00:24:05,920 --> 00:24:10,600
Speaker 3: what it was. I said, that's just a sound. Not

490
00:24:10,600 --> 00:24:12,640
Speaker 3: not to reduce it to that, you know, but it's

491
00:24:12,640 --> 00:24:16,440
Speaker 3: like I was like, cunt. I guess it does linguistically

492
00:24:16,760 --> 00:24:19,840
Speaker 3: have a tough it's fricative, it ends on, it starts

493
00:24:19,840 --> 00:24:22,000
Speaker 3: on a cut, it ends on a to like. It

494
00:24:22,040 --> 00:24:24,239
Speaker 3: does sound weird coming out of the mouth. But why

495
00:24:24,280 --> 00:24:26,879
Speaker 3: do Americans have an issue with it and not Brett's And.

496
00:24:28,520 --> 00:24:30,600
Speaker 4: I genuinely have no idea.

497
00:24:30,800 --> 00:24:32,400
Speaker 3: I'm sorry, I just well, I just wanted to put

498
00:24:32,440 --> 00:24:33,399
Speaker 3: it to the to the group.

499
00:24:33,520 --> 00:24:35,160
Speaker 1: You know my question.

500
00:24:35,720 --> 00:24:40,159
Speaker 4: Do you remember both obviously both of you, when you

501
00:24:40,359 --> 00:24:44,399
Speaker 4: first started incorporating curse words into your vocabulary.

502
00:24:44,440 --> 00:24:46,080
Speaker 1: I got in trouble for it in kindergarten.

503
00:24:46,640 --> 00:24:48,959
Speaker 3: Really, oh my god, I got in trouble for it

504
00:24:49,400 --> 00:24:51,679
Speaker 3: the first month of school in America.

505
00:24:52,359 --> 00:24:54,920
Speaker 4: Really wait, I need to know what you said and

506
00:24:55,200 --> 00:24:57,560
Speaker 4: to know what you go first.

507
00:24:58,040 --> 00:25:02,280
Speaker 2: So I was in kinder garden, which means I was five,

508
00:25:03,520 --> 00:25:08,920
Speaker 2: and for some reason I became fixated on using three

509
00:25:08,960 --> 00:25:11,360
Speaker 2: words and doing one hand gesture.

510
00:25:11,720 --> 00:25:15,000
Speaker 1: The words were damn, hell an ass.

511
00:25:15,760 --> 00:25:16,960
Speaker 3: What was the hand gesture?

512
00:25:17,720 --> 00:25:18,760
Speaker 1: It was the middle finger.

513
00:25:18,880 --> 00:25:23,879
Speaker 2: Oh god, I couldn't wrap my head around stopping doing

514
00:25:23,920 --> 00:25:28,160
Speaker 2: it like someone would act out to me in kindergarten,

515
00:25:28,240 --> 00:25:30,119
Speaker 2: like we'd get into like a squabble or something like

516
00:25:30,160 --> 00:25:33,320
Speaker 2: I don't know, like we both wanted to use the

517
00:25:33,359 --> 00:25:35,840
Speaker 2: fucking blue crayon or something, and I would just go

518
00:25:37,680 --> 00:25:40,000
Speaker 2: and stick my middle finger right in the face. And

519
00:25:40,040 --> 00:25:42,200
Speaker 2: then of course they all tattled on me. They all

520
00:25:42,280 --> 00:25:47,080
Speaker 2: ran to missus Smith, ancient teacher, and she was like, Matthew,

521
00:25:47,880 --> 00:25:49,920
Speaker 2: you have to stop doing that. And I would say,

522
00:25:50,240 --> 00:25:54,040
Speaker 2: damn you, damn, damn damn, and I would say, oh hell,

523
00:25:54,480 --> 00:25:57,840
Speaker 2: and I would say my ass, like this hurts my ass,

524
00:25:57,880 --> 00:26:00,359
Speaker 2: like kiss my ass. I was just saying things like

525
00:26:00,359 --> 00:26:04,320
Speaker 2: that I five years old, terrifying. I could find pictures

526
00:26:04,320 --> 00:26:06,240
Speaker 2: of me at five. Just imagine this little boy just

527
00:26:06,280 --> 00:26:07,199
Speaker 2: like using pro.

528
00:26:07,760 --> 00:26:08,960
Speaker 3: It was hilarious.

529
00:26:09,320 --> 00:26:15,120
Speaker 2: It was then my teacher fucking nailed me with this one.

530
00:26:15,800 --> 00:26:16,560
Speaker 1: She said.

531
00:26:16,800 --> 00:26:20,440
Speaker 2: She she wrote a note and she said, Matthew, this

532
00:26:20,520 --> 00:26:23,760
Speaker 2: is a note about how good you're doing in class.

533
00:26:24,200 --> 00:26:26,080
Speaker 1: Give this to your parents when you get home.

534
00:26:26,280 --> 00:26:26,399
Speaker 3: Oh.

535
00:26:26,720 --> 00:26:29,040
Speaker 1: I didn't even read it. I gave it.

536
00:26:29,119 --> 00:26:33,800
Speaker 2: I literally handed my own, like fucking death certificate to

537
00:26:33,920 --> 00:26:36,360
Speaker 2: my parents, who read it back to me. I'll never

538
00:26:36,400 --> 00:26:38,760
Speaker 2: forget my stay sat. It was one of my earliest memories.

539
00:26:39,080 --> 00:26:41,600
Speaker 2: They sat me down on the bed in my room

540
00:26:41,720 --> 00:26:43,680
Speaker 2: and they looked at me and they were so disappointed.

541
00:26:44,000 --> 00:26:46,399
Speaker 2: And they read the note, and I remember my dad goes,

542
00:26:47,080 --> 00:26:54,440
Speaker 2: Matthew has been using the words damn, hell and a

543
00:26:54,520 --> 00:26:55,760
Speaker 2: S S.

544
00:26:55,960 --> 00:26:56,600
Speaker 3: Couldn't even he.

545
00:26:56,640 --> 00:26:59,520
Speaker 1: Spelt out ass. And then he goes and he has

546
00:26:59,600 --> 00:27:02,840
Speaker 1: been using the middle finger.

547
00:27:04,560 --> 00:27:07,679
Speaker 2: And I and you know, I was in trouble. You

548
00:27:07,680 --> 00:27:10,280
Speaker 2: want to know what my punishment? My mother said, you

549
00:27:10,280 --> 00:27:15,280
Speaker 2: know what you're that? She that she I wasn't allowed

550
00:27:15,320 --> 00:27:21,040
Speaker 2: to turn on the radio for a week. Wow, you

551
00:27:21,160 --> 00:27:24,560
Speaker 2: know I carried on. I said, I said, well, where

552
00:27:24,600 --> 00:27:25,720
Speaker 2: the fuck do you think I learned it?

553
00:27:25,760 --> 00:27:26,360
Speaker 1: You slags?

554
00:27:27,600 --> 00:27:30,280
Speaker 2: And they said you better watch your tone, mister, Yes,

555
00:27:30,480 --> 00:27:33,920
Speaker 2: I said, I said, you bitches better beware.

556
00:27:34,600 --> 00:27:35,639
Speaker 3: Oh my god.

557
00:27:35,960 --> 00:27:38,280
Speaker 2: When what happened when you were an eight year old

558
00:27:38,960 --> 00:27:40,160
Speaker 2: transplant immigrant?

559
00:27:40,240 --> 00:27:41,360
Speaker 1: Really immigrant?

560
00:27:41,440 --> 00:27:47,359
Speaker 3: Well it's not really quite as dramatic, but it was recess.

561
00:27:47,560 --> 00:27:51,320
Speaker 3: We were playing four square I think a ball was

562
00:27:51,480 --> 00:27:52,960
Speaker 3: Does four square have balls in it?

563
00:27:53,560 --> 00:27:53,879
Speaker 1: Yes?

564
00:27:54,359 --> 00:27:58,960
Speaker 3: So then like someone one ball, someone like tossed or

565
00:27:59,200 --> 00:28:01,480
Speaker 3: you know, slapped the ball in my direction and it

566
00:28:01,600 --> 00:28:06,280
Speaker 3: hit me in the rear in the rear and I said,

567
00:28:06,960 --> 00:28:15,320
Speaker 3: you hit my ass And I was just being anatomically no, well,

568
00:28:15,359 --> 00:28:20,160
Speaker 3: I was being anatomically correct. But then of course these

569
00:28:20,200 --> 00:28:22,200
Speaker 3: fucking kids like tattled.

570
00:28:22,400 --> 00:28:22,960
Speaker 1: What is with.

571
00:28:24,840 --> 00:28:27,160
Speaker 4: The psychology of a tattle?

572
00:28:27,680 --> 00:28:30,920
Speaker 1: I never got it. I never never got it.

573
00:28:30,920 --> 00:28:34,920
Speaker 4: It doesn't make you look cool, and honestly, it makes

574
00:28:34,920 --> 00:28:37,240
Speaker 4: you look lame to your teachers. Like if I was

575
00:28:37,280 --> 00:28:39,080
Speaker 4: a teacher and a tattle came up to me, I

576
00:28:39,120 --> 00:28:41,760
Speaker 4: would be like, honey, you look bad.

577
00:28:42,400 --> 00:28:47,960
Speaker 3: No, you are your fucking narc Yeah, bitch, yeah, get

578
00:28:48,000 --> 00:28:51,960
Speaker 3: out my face, Get out my face.

579
00:28:52,480 --> 00:28:55,320
Speaker 4: Parent, I would call a parent and I would say, hey,

580
00:28:55,360 --> 00:28:57,880
Speaker 4: guess what, you have a kid that's a tattle.

581
00:28:58,680 --> 00:29:01,280
Speaker 1: So what happened? And then did they taddle on you?

582
00:29:01,360 --> 00:29:07,040
Speaker 3: I went to the principal's office. I didn't do it

583
00:29:07,160 --> 00:29:09,560
Speaker 3: was just the principle was. I didn't realize what a

584
00:29:09,560 --> 00:29:12,400
Speaker 3: big deal this was. Like in Canada, like no one

585
00:29:12,400 --> 00:29:15,240
Speaker 3: really went to the principal's office, I guess, but I

586
00:29:15,320 --> 00:29:17,880
Speaker 3: went to the principal's office and then she was just like,

587
00:29:18,120 --> 00:29:20,080
Speaker 3: you can't be saying these words, and we're gonna have

588
00:29:20,080 --> 00:29:22,320
Speaker 3: to I think they My parents also got a note,

589
00:29:22,920 --> 00:29:25,160
Speaker 3: but then my parents. My parents were like what like

590
00:29:25,240 --> 00:29:27,600
Speaker 3: they like didn't really care, didn't.

591
00:29:27,400 --> 00:29:28,080
Speaker 1: Really get it.

592
00:29:29,120 --> 00:29:32,320
Speaker 3: But it was a route awakening. I said, Oh, America,

593
00:29:32,360 --> 00:29:36,000
Speaker 3: America has a problem. I was eight years old, and

594
00:29:36,080 --> 00:29:41,800
Speaker 3: I thought that you knew that our culture was stunted. Yes, yes,

595
00:29:42,520 --> 00:29:44,840
Speaker 3: well you have to understand. And I keep saying this,

596
00:29:44,960 --> 00:29:50,640
Speaker 3: like I moved to Colorado right after Monica Lewinsky, John

597
00:29:50,680 --> 00:29:54,120
Speaker 3: Benet Ramsey and Columnie. So I'm over here as a child,

598
00:29:54,240 --> 00:29:58,320
Speaker 3: going America is fucked up, and we're I'm going is

599
00:29:58,360 --> 00:30:02,000
Speaker 3: the state where people get killed? I'm not I'm not

600
00:30:02,040 --> 00:30:05,160
Speaker 3: even joking, Like I was like, this is a bad place.

601
00:30:05,760 --> 00:30:11,520
Speaker 4: I last night at my show, my show, well wait

602
00:30:11,720 --> 00:30:14,960
Speaker 4: really quickly, not that anyone asked, but the first time

603
00:30:15,000 --> 00:30:18,680
Speaker 4: I got busted doing anything. First adjacent, I was flicking

604
00:30:18,720 --> 00:30:24,640
Speaker 4: off my French a pair and I would and whenever,

605
00:30:25,520 --> 00:30:27,840
Speaker 4: whenever she would turn her back to me, I would

606
00:30:27,840 --> 00:30:29,040
Speaker 4: just go both.

607
00:30:29,200 --> 00:30:31,880
Speaker 1: I would do both. And I hated her. Her name.

608
00:30:32,000 --> 00:30:34,280
Speaker 4: Her name was Olivia, and I fucking hated.

609
00:30:33,960 --> 00:30:36,400
Speaker 3: Her, I know.

610
00:30:36,440 --> 00:30:38,920
Speaker 4: And I would do double flicks and I would I

611
00:30:38,960 --> 00:30:40,680
Speaker 4: would cross them like an X.

612
00:30:41,880 --> 00:30:44,600
Speaker 1: People do that. That looks sheep crossing the middle fingers

613
00:30:46,760 --> 00:30:48,920
Speaker 1: there's nothing like just giving up.

614
00:30:49,200 --> 00:30:53,920
Speaker 4: Yeah, because I my mom loved to give people the finger,

615
00:30:54,320 --> 00:30:56,760
Speaker 4: like when we were in the car, always giving people

616
00:30:56,760 --> 00:30:58,400
Speaker 4: the finger. I love giving the finger too.

617
00:31:00,120 --> 00:31:01,800
Speaker 2: I'll never forget the first time I heard my mom

618
00:31:01,840 --> 00:31:03,840
Speaker 2: say fuck. It was because we were in the car

619
00:31:03,920 --> 00:31:06,400
Speaker 2: and there was like a traffic thing and it was

620
00:31:06,440 --> 00:31:09,480
Speaker 2: like involuntar. She was like, the fuck and I was

621
00:31:09,520 --> 00:31:12,320
Speaker 2: just like, and I remember I got all right just

622
00:31:12,360 --> 00:31:12,680
Speaker 2: about it.

623
00:31:12,720 --> 00:31:16,440
Speaker 1: I was like, I can't believe you would use that language.

624
00:31:16,480 --> 00:31:19,680
Speaker 2: And I remember I was like seven, and I was

625
00:31:19,720 --> 00:31:22,160
Speaker 2: just like I was probably just like trying out being dramatic,

626
00:31:22,200 --> 00:31:24,480
Speaker 2: but I was like we got home, I slammed the door.

627
00:31:24,520 --> 00:31:26,320
Speaker 2: I was like, I don't want to talk to you.

628
00:31:26,320 --> 00:31:29,440
Speaker 2: You aren't marred in my eyes, like you forget it, Mom, Like.

629
00:31:29,440 --> 00:31:31,320
Speaker 1: I thought, person than you are not.

630
00:31:31,680 --> 00:31:33,760
Speaker 2: And then I remember one time we were out to

631
00:31:33,840 --> 00:31:37,760
Speaker 2: dinner at TGI Fridays, my dad, my dad, my mom,

632
00:31:38,080 --> 00:31:40,880
Speaker 2: my sister, I and two other families and the guys

633
00:31:40,880 --> 00:31:43,560
Speaker 2: were like, you know, knocking back beers at TGI Fridays

634
00:31:43,600 --> 00:31:46,480
Speaker 2: like you do in the suburbs, and they said fuck

635
00:31:46,560 --> 00:31:48,800
Speaker 2: a lot loud at the dinner table, and I called

636
00:31:48,800 --> 00:31:51,160
Speaker 2: a family meeting. When I got home, I called a

637
00:31:51,200 --> 00:31:53,720
Speaker 2: family meeting with the four of us, everyone down. I said,

638
00:31:53,760 --> 00:31:58,440
Speaker 2: it was so disgusting the language that was used tonight

639
00:31:58,440 --> 00:32:02,920
Speaker 2: at TGI Fridays. What I saw tonight was not my family,

640
00:32:03,560 --> 00:32:06,080
Speaker 2: and I don't want to be associated with that type

641
00:32:06,120 --> 00:32:06,800
Speaker 2: of language.

642
00:32:07,000 --> 00:32:08,320
Speaker 1: And I know what it is.

643
00:32:08,440 --> 00:32:11,719
Speaker 2: It's Uncle George. He's a bad influence on you. And

644
00:32:11,760 --> 00:32:14,200
Speaker 2: I see you going down the drain. I see you dwindling.

645
00:32:14,400 --> 00:32:19,640
Speaker 2: And the behavior that I witnessed was Uncle George.

646
00:32:19,800 --> 00:32:22,920
Speaker 5: Like, was Uncle George George like? The Uncle George Georg

647
00:32:22,960 --> 00:32:25,400
Speaker 5: jumped out and then I jump back in a did

648
00:32:28,680 --> 00:32:30,000
Speaker 5: that so dramatic?

649
00:32:30,360 --> 00:32:31,640
Speaker 1: I just wanted to run the show.

650
00:32:31,720 --> 00:32:33,680
Speaker 2: I just wanted to call him euting, send everyone down,

651
00:32:33,720 --> 00:32:35,800
Speaker 2: and be like, look at me when I talk.

652
00:32:36,640 --> 00:32:40,800
Speaker 4: I used to hold my parents' friends hostage after dinner

653
00:32:40,840 --> 00:32:43,280
Speaker 4: parties and make them watch me dance in our living

654
00:32:43,360 --> 00:32:46,000
Speaker 4: room to back in the USSR.

655
00:32:49,000 --> 00:32:49,800
Speaker 6: Oh my god.

656
00:32:50,360 --> 00:32:51,400
Speaker 1: Bow was a performer.

657
00:32:52,000 --> 00:32:55,120
Speaker 3: I was not really was the young performing.

658
00:32:55,360 --> 00:32:56,880
Speaker 1: I'm you this special sidekick.

659
00:32:57,120 --> 00:33:00,960
Speaker 3: What I remember is one day we had a video

660
00:33:01,080 --> 00:33:06,720
Speaker 3: cassette recorder and Yang would just like improvise little sketches

661
00:33:06,760 --> 00:33:09,040
Speaker 3: and talk shows. And we would just record each other

662
00:33:09,120 --> 00:33:11,440
Speaker 3: on the cassette player and we would like speed it

663
00:33:11,520 --> 00:33:16,080
Speaker 3: up and get give ourselves Chipmunk voice. She really like

664
00:33:16,200 --> 00:33:18,280
Speaker 3: ran the show in that way, but we were more

665
00:33:18,280 --> 00:33:20,480
Speaker 3: about it's so funny. We were only about the audio

666
00:33:20,520 --> 00:33:22,040
Speaker 3: and not necessarily about the visual.

667
00:33:22,360 --> 00:33:26,960
Speaker 1: Very podcast very. That was when we should have known

668
00:33:27,000 --> 00:33:30,840
Speaker 1: that you'd be a podcaster. That's right, critically acclaimed, critically acclaimed.

669
00:33:31,360 --> 00:33:35,600
Speaker 4: Wait, last night at my show, that's the very end

670
00:33:35,600 --> 00:33:39,280
Speaker 4: of my show. My tech like got on the microphone

671
00:33:39,320 --> 00:33:42,120
Speaker 4: and was like, I'm so sorry to abruptly on the

672
00:33:42,120 --> 00:33:43,440
Speaker 4: show like this, but we it's been.

673
00:33:43,440 --> 00:33:45,960
Speaker 7: An emergency evacuation and we all need to evacuate the

674
00:33:45,960 --> 00:33:46,920
Speaker 7: building now.

675
00:33:47,200 --> 00:33:49,440
Speaker 2: Literally We'll just finished her last song that was probably

676
00:33:49,440 --> 00:33:51,479
Speaker 2: two and a half minutes after in the show, and

677
00:33:51,720 --> 00:33:53,480
Speaker 2: he was like, we have to evacuate, and me and

678
00:33:53,560 --> 00:33:56,520
Speaker 2: American and both of us wet, like, oh, there's for

679
00:33:56,560 --> 00:33:57,440
Speaker 2: sure a gun like.

680
00:33:57,440 --> 00:34:00,160
Speaker 1: Active shooter to get your stuff. Acually about it. This

681
00:34:00,200 --> 00:34:00,800
Speaker 1: is what happened.

682
00:34:00,840 --> 00:34:03,920
Speaker 4: But when we were walking out, I overheard someone being like,

683
00:34:04,320 --> 00:34:08,200
Speaker 4: I wonder what happened. Somebody probably got sick, And I

684
00:34:08,280 --> 00:34:11,200
Speaker 4: was like wow that.

685
00:34:11,200 --> 00:34:12,920
Speaker 1: We're like it's we're all getting guns.

686
00:34:14,400 --> 00:34:18,400
Speaker 4: Yeah, Like our mind immediately was like, oh, that's the

687
00:34:18,400 --> 00:34:20,359
Speaker 4: Scottish woman, like someone's probably.

688
00:34:20,360 --> 00:34:22,719
Speaker 1: Someone's probably someone fell ill.

689
00:34:22,880 --> 00:34:24,279
Speaker 4: Yeah, someone probably fell ill.

690
00:34:25,800 --> 00:34:29,359
Speaker 1: You know there's some drunk people. Someone built a beverage

691
00:34:30,080 --> 00:34:34,360
Speaker 1: evacuate the premises. Oh yeah wow.

692
00:34:35,120 --> 00:34:37,239
Speaker 3: I mean that sounds to night. I would trade that

693
00:34:37,400 --> 00:34:40,000
Speaker 3: for anything in America one.

694
00:34:40,960 --> 00:34:44,960
Speaker 4: But I think it was just our ingrained feeling of

695
00:34:45,000 --> 00:34:48,960
Speaker 4: being like the second we hear emergency evacuation, it's like

696
00:34:49,520 --> 00:34:54,760
Speaker 4: either truly like you know, airborne chemical warfare in my mind,

697
00:34:55,200 --> 00:35:01,399
Speaker 4: or like a gun an air born chemical war. Don't

698
00:35:01,400 --> 00:35:03,680
Speaker 4: even get me started, honey. I have I have been

699
00:35:03,760 --> 00:35:06,239
Speaker 4: so low. I've had so many highs and lows here

700
00:35:06,320 --> 00:35:10,440
Speaker 4: and in my lows because there is no like you know,

701
00:35:10,480 --> 00:35:13,160
Speaker 4: we we have Netflix and then like Amazon and you

702
00:35:13,200 --> 00:35:16,320
Speaker 4: know what, I've started watching and I'm on season two already.

703
00:35:17,040 --> 00:35:25,720
Speaker 4: Jack Ryan storrys, that's fair. It's not culture. I would say,

704
00:35:27,160 --> 00:35:37,680
Speaker 4: I would say culture except for what's her face obsessed?

705
00:35:37,680 --> 00:35:40,399
Speaker 4: Because in every single thing me, repase is in. It's

706
00:35:40,440 --> 00:35:44,040
Speaker 4: always like like John Krisinski hits on her.

707
00:35:44,040 --> 00:35:48,360
Speaker 7: In this way, I being like, it's like, hey, I

708
00:35:48,440 --> 00:35:53,880
Speaker 7: ever heard you speaking English? French and Italian and she

709
00:35:53,960 --> 00:35:57,160
Speaker 7: justs she was and Swedish.

710
00:35:57,520 --> 00:35:58,040
Speaker 3: I mean.

711
00:36:00,120 --> 00:36:01,520
Speaker 1: Cracking up at that.

712
00:36:02,200 --> 00:36:05,120
Speaker 4: I'm just like, what is this? What is this writing?

713
00:36:05,360 --> 00:36:06,640
Speaker 1: She brings it up out of knowing.

714
00:36:06,960 --> 00:36:10,319
Speaker 2: She goes, you know, who's such a weird actress? I

715
00:36:10,360 --> 00:36:16,480
Speaker 2: was like, okay, I said, you said interesting, interesting, interesting.

716
00:36:17,239 --> 00:36:19,680
Speaker 3: Well, I think we're the first people to talk about

717
00:36:19,800 --> 00:36:21,800
Speaker 3: Numi in decades.

718
00:36:22,560 --> 00:36:25,200
Speaker 4: Yeah, because she had a moment when she was girl

719
00:36:25,200 --> 00:36:26,120
Speaker 4: with dragon tattoos.

720
00:36:26,120 --> 00:36:28,879
Speaker 2: And don't forget she was the star of Prometheus. One

721
00:36:28,880 --> 00:36:30,680
Speaker 2: of my No one knows this, but.

722
00:36:30,640 --> 00:36:34,720
Speaker 1: It's one of my favorite films is that culture. Culture.

723
00:36:34,760 --> 00:36:35,720
Speaker 3: Emetheis culture.

724
00:36:35,960 --> 00:36:41,480
Speaker 2: Absolutely anything where Charlie has like like a cunty haircut

725
00:36:41,520 --> 00:36:43,640
Speaker 2: and she's the villain and she gets to run away

726
00:36:43,640 --> 00:36:46,200
Speaker 2: from a crashing building and gets crushed by a building.

727
00:36:46,920 --> 00:36:47,799
Speaker 1: That's culture to me.

728
00:36:48,040 --> 00:36:53,920
Speaker 4: Well is culture not John Krasinski playing a very questionable agent,

729
00:36:54,600 --> 00:36:58,160
Speaker 4: fucking Abby Cornish.

730
00:36:58,320 --> 00:37:03,680
Speaker 1: That is D list city. No oh, no, I'll tell

731
00:37:03,680 --> 00:37:04,839
Speaker 1: you who Abby Cornish is.

732
00:37:05,200 --> 00:37:10,720
Speaker 2: Abby Cornish is allegedly the girl that Ryan Phillippy left

733
00:37:10,800 --> 00:37:11,919
Speaker 2: Reese for their spoon four.

734
00:37:12,120 --> 00:37:14,280
Speaker 4: Yeah, that's probably her biggest claim to fame.

735
00:37:14,760 --> 00:37:17,840
Speaker 3: She was in The Bright star movie, Sad, Sad to

736
00:37:19,000 --> 00:37:22,239
Speaker 3: have your fame be somewhere like two degrees away from

737
00:37:22,360 --> 00:37:28,279
Speaker 3: race still and Ryan. We love Ryan obviously, but he

738
00:37:28,360 --> 00:37:29,440
Speaker 3: really did race dirty?

739
00:37:30,440 --> 00:37:34,000
Speaker 4: Yeah he did. But Ryan, I love Ryan.

740
00:37:34,360 --> 00:37:36,279
Speaker 1: I don't know. Did they do each other dirty? I don't.

741
00:37:36,320 --> 00:37:37,920
Speaker 1: I don't know if it was confirmed that there was.

742
00:37:38,200 --> 00:37:40,239
Speaker 2: She didn't think I just didn't work out because they

743
00:37:40,239 --> 00:37:42,560
Speaker 2: were so very They were like six and seven when

744
00:37:42,560 --> 00:37:44,920
Speaker 2: they had the Yeah, they were so young.

745
00:37:45,080 --> 00:37:47,759
Speaker 4: I mean Reese was pregnant in cruel intentions?

746
00:37:48,800 --> 00:37:49,919
Speaker 1: What I think?

747
00:37:51,480 --> 00:37:55,160
Speaker 4: Yes, she was pregnant in the scene in his Baby

748
00:37:55,200 --> 00:37:57,440
Speaker 4: with his baby. She is pregnant. In the scene in

749
00:37:57,480 --> 00:37:59,280
Speaker 4: the pool with his baby. She is in a one

750
00:37:59,400 --> 00:38:02,320
Speaker 4: piece and she is pregnant in that movie.

751
00:38:02,960 --> 00:38:07,000
Speaker 3: Reese Witherspoon in a pool is powerful because it's legally

752
00:38:07,040 --> 00:38:11,480
Speaker 3: blonde too. During the ocations video, Yes so good.

753
00:38:11,920 --> 00:38:14,480
Speaker 2: They're saying that had she gotten in the pool in

754
00:38:14,719 --> 00:38:17,040
Speaker 2: Morning Show season two, and that would have been her Emmy.

755
00:38:17,400 --> 00:38:19,600
Speaker 2: By the way, to you seek the trailer for Morning

756
00:38:19,600 --> 00:38:20,919
Speaker 2: Show Season three.

757
00:38:20,760 --> 00:38:22,279
Speaker 3: I did not. Should I watch it now?

758
00:38:23,120 --> 00:38:23,520
Speaker 2: I didn't?

759
00:38:23,560 --> 00:38:26,800
Speaker 1: Yeah, why don't you watch it right now? Okay? Okay, okay, okay.

760
00:38:26,840 --> 00:38:29,080
Speaker 2: So Bowen is gonna pull up the trailer for Morning

761
00:38:29,160 --> 00:38:30,280
Speaker 2: Show Season three.

762
00:38:30,400 --> 00:38:32,560
Speaker 3: I have not seen a full episode of this program.

763
00:38:32,680 --> 00:38:34,960
Speaker 1: That's okay. I want you to know.

764
00:38:35,160 --> 00:38:38,520
Speaker 2: It's it's two people's favorite show, Me and Greta's husband,

765
00:38:38,520 --> 00:38:39,040
Speaker 2: Abe Schwartz.

766
00:38:39,120 --> 00:38:41,080
Speaker 1: It's this show, and it's our favorite show.

767
00:38:41,160 --> 00:38:44,480
Speaker 2: And the readers know that I come on this podcast

768
00:38:44,640 --> 00:38:47,279
Speaker 2: every week and I give a Morning Show update, and

769
00:38:47,719 --> 00:38:50,759
Speaker 2: I don't know if the show is as good as

770
00:38:50,800 --> 00:38:52,760
Speaker 2: my updates, but it's at least close.

771
00:38:52,800 --> 00:38:57,759
Speaker 1: And please give this show a chance. Like is it

772
00:38:57,800 --> 00:38:58,880
Speaker 1: a comedy? Is a drama?

773
00:38:59,000 --> 00:39:02,760
Speaker 2: The answer is no. It exists in its own tone,

774
00:39:02,880 --> 00:39:06,360
Speaker 2: It exists in its own like sort of genre.

775
00:39:06,719 --> 00:39:11,120
Speaker 3: It's really it's really wild. They gave Greta Lee a

776
00:39:11,200 --> 00:39:12,200
Speaker 3: terrible haircut.

777
00:39:12,440 --> 00:39:16,840
Speaker 1: They gave her a terrible haircut. Everyone has a bad haircut. Yeah, okay,

778
00:39:17,440 --> 00:39:19,279
Speaker 1: I'm gonna watch and if you can play it out loud,

779
00:39:19,280 --> 00:39:20,279
Speaker 1: play it out loud?

780
00:39:21,120 --> 00:39:21,719
Speaker 3: Can you hear it?

781
00:39:22,239 --> 00:39:23,279
Speaker 1: No, it's okay, all right.

782
00:39:23,320 --> 00:39:26,200
Speaker 4: So while he's watching, I found this at a charity

783
00:39:26,200 --> 00:39:27,640
Speaker 4: shop here and get this.

784
00:39:29,160 --> 00:39:29,719
Speaker 1: I'm reading it.

785
00:39:29,719 --> 00:39:30,440
Speaker 4: It's so funny.

786
00:39:30,680 --> 00:39:33,640
Speaker 3: Oh my god, is she signed?

787
00:39:33,800 --> 00:39:33,920
Speaker 2: Yes?

788
00:39:35,200 --> 00:39:36,000
Speaker 1: Oh my god?

789
00:39:36,080 --> 00:39:38,960
Speaker 2: Okay, So, while Bowen is watching the Morning Show season

790
00:39:39,000 --> 00:39:41,640
Speaker 2: three trailer. I'm gonna tell you, Gret, I just pulled

791
00:39:41,640 --> 00:39:42,399
Speaker 2: out this.

792
00:39:42,680 --> 00:39:43,040
Speaker 1: What is this?

793
00:39:43,280 --> 00:39:46,920
Speaker 2: Joan Rivers's autobiography, One of Joan rivers books. One of

794
00:39:47,000 --> 00:39:49,759
Speaker 2: Joan Rivers's books, and she found it at what a

795
00:39:49,840 --> 00:39:53,440
Speaker 2: charity shop in Edinburgh? Open up the front cover sign

796
00:39:54,200 --> 00:40:01,800
Speaker 2: signed to Lorraine from the Botox Clinic staff Love Joe. Wow,

797
00:40:02,640 --> 00:40:04,839
Speaker 2: cracking chills here in Edinburgh.

798
00:40:04,880 --> 00:40:09,760
Speaker 4: She is so funny. This first chapter is so deeply funny.

799
00:40:09,840 --> 00:40:11,799
Speaker 1: And this is just something you can buy, like something

800
00:40:11,840 --> 00:40:13,839
Speaker 1: that's signed by Joe. Like how much was this?

801
00:40:14,280 --> 00:40:15,920
Speaker 4: Three pounds? Reading this sentence?

802
00:40:16,600 --> 00:40:19,600
Speaker 2: Every ten seconds in America someone turns fifty, and too

803
00:40:19,640 --> 00:40:21,520
Speaker 2: many of these people think it is time to call

804
00:40:21,640 --> 00:40:25,279
Speaker 2: doctor to Workian the only doctor who still makes house calls.

805
00:40:27,560 --> 00:40:29,200
Speaker 1: I don't actually get it.

806
00:40:29,000 --> 00:40:31,520
Speaker 3: What are you guys looking at?

807
00:40:31,560 --> 00:40:31,840
Speaker 1: Okay?

808
00:40:31,920 --> 00:40:34,839
Speaker 4: So I was at a charity shop with Ruby and

809
00:40:34,880 --> 00:40:39,200
Speaker 4: we found this Joan Rivers book. Don't count the candles,

810
00:40:39,200 --> 00:40:44,880
Speaker 4: count the candles, just keep the fire lit. Okay, A

811
00:40:45,239 --> 00:40:52,480
Speaker 4: signed mind book Lorraine from the Bowtop, next stop Joan.

812
00:40:53,360 --> 00:40:59,120
Speaker 4: And it is really laugh out loud funny. This bitch

813
00:40:59,360 --> 00:41:02,080
Speaker 4: is so so Let me read you the first sentence.

814
00:41:02,239 --> 00:41:07,280
Speaker 4: Are you ready let me say straight off, aging sucks.

815
00:41:07,760 --> 00:41:08,719
Speaker 1: I'm hilarious.

816
00:41:08,800 --> 00:41:11,280
Speaker 3: Oh my god, I'm hooked. I'm in. I don't understand

817
00:41:11,320 --> 00:41:13,279
Speaker 3: the doctor I don't understand the doctor Covorkiana.

818
00:41:13,360 --> 00:41:14,879
Speaker 1: What's the doctor Covorkian thing?

819
00:41:15,239 --> 00:41:19,279
Speaker 4: Welloran, he makes like he would if you wanted to

820
00:41:19,600 --> 00:41:21,320
Speaker 4: because he kills you.

821
00:41:21,400 --> 00:41:23,319
Speaker 3: Yes, I don't know that was part of it.

822
00:41:23,640 --> 00:41:28,319
Speaker 1: Oh, I thought he did what we don't know.

823
00:41:28,960 --> 00:41:33,640
Speaker 4: Doctor Covorkian was dubbed quote doctor death. Okay, my mom

824
00:41:33,680 --> 00:41:35,680
Speaker 4: had a stalker when she was working in the Pennsylvania

825
00:41:35,680 --> 00:41:38,839
Speaker 4: government and he wrote up a fake doctor Kworkian death

826
00:41:38,840 --> 00:41:42,040
Speaker 4: certificate for my mom. Isn't that fucked up anyway?

827
00:41:42,160 --> 00:41:43,040
Speaker 1: That's scary.

828
00:41:43,239 --> 00:41:48,960
Speaker 4: Doctor Gregorkian was like he was way ahead of his time. Euthanasia.

829
00:41:49,000 --> 00:41:51,040
Speaker 4: If you were if you were dying, if you had

830
00:41:51,040 --> 00:41:55,240
Speaker 4: a terminal illness, degenerative disease, whatever, you.

831
00:41:55,080 --> 00:41:57,880
Speaker 1: Could call him and he would come take care of it. Okay.

832
00:41:57,920 --> 00:41:59,759
Speaker 1: So what she's saying is when people turn fifty, I

833
00:41:59,800 --> 00:42:02,319
Speaker 1: think life is over. Yeah, okay, great, but.

834
00:42:02,360 --> 00:42:04,080
Speaker 3: You know there are a couple of guys anatomy quotes

835
00:42:04,080 --> 00:42:06,759
Speaker 3: where someone you know, George just killed someone in the

836
00:42:06,760 --> 00:42:09,080
Speaker 3: O R they'd be like paging doctor Kavorkian and then

837
00:42:09,080 --> 00:42:09,640
Speaker 3: they I.

838
00:42:09,600 --> 00:42:10,760
Speaker 1: Got it, got it? God. Okay.

839
00:42:10,800 --> 00:42:12,600
Speaker 2: So now that you've made it a Georgi O. Malley,

840
00:42:12,920 --> 00:42:15,120
Speaker 2: I can understand it. What is your review of The

841
00:42:15,120 --> 00:42:16,520
Speaker 2: Morning Show season three trailer?

842
00:42:17,840 --> 00:42:20,600
Speaker 3: I'm intrigued. What is John Ham's role?

843
00:42:21,000 --> 00:42:22,359
Speaker 1: No one knows yet.

844
00:42:22,480 --> 00:42:25,399
Speaker 3: Oh okay, they make a big deal out of him

845
00:42:25,560 --> 00:42:30,520
Speaker 3: being interviewed, and it's what is the last show that

846
00:42:30,600 --> 00:42:34,600
Speaker 3: depicted New York City in an accurate, honest way, because

847
00:42:34,640 --> 00:42:36,440
Speaker 3: it's like and just like that is pure fantasy. At

848
00:42:36,480 --> 00:42:39,040
Speaker 3: this point, I feel like this is also a fantasy

849
00:42:39,160 --> 00:42:40,120
Speaker 3: version of New York.

850
00:42:40,640 --> 00:42:43,360
Speaker 4: I'm trying to think of like the last show to

851
00:42:43,520 --> 00:42:48,759
Speaker 4: really show New York. I mean, girls, that's really tough,

852
00:42:48,800 --> 00:42:51,680
Speaker 4: but the girls, yeah, girls.

853
00:42:51,520 --> 00:42:51,680
Speaker 5: Or.

854
00:42:54,280 --> 00:42:57,759
Speaker 2: I think well, by the way, I do just want

855
00:42:57,760 --> 00:42:59,880
Speaker 2: to say I actually stopped watching it just like that.

856
00:42:59,920 --> 00:43:03,600
Speaker 2: I can't do it, really, I can't even do it

857
00:43:03,640 --> 00:43:06,879
Speaker 2: as like it's not it's not fun enough.

858
00:43:06,960 --> 00:43:08,080
Speaker 3: You missed Rosemary do it?

859
00:43:08,280 --> 00:43:08,640
Speaker 1: Did? I?

860
00:43:09,040 --> 00:43:12,040
Speaker 4: Yea? It is tough, Like the show is tough, but

861
00:43:12,080 --> 00:43:14,400
Speaker 4: when you watch it from just when you watch it

862
00:43:14,440 --> 00:43:17,200
Speaker 4: and you're like, Okay, I'm watching something that's purely camp

863
00:43:17,640 --> 00:43:19,680
Speaker 4: like that's kind of the only way you can get through.

864
00:43:19,880 --> 00:43:21,920
Speaker 2: I don't because I watched the first season like that,

865
00:43:22,120 --> 00:43:23,720
Speaker 2: and I don't think it's good.

866
00:43:24,000 --> 00:43:25,400
Speaker 1: I don't. I think it's bad.

867
00:43:25,800 --> 00:43:29,080
Speaker 3: These people are even looking at the shot. I mean,

868
00:43:29,239 --> 00:43:32,279
Speaker 3: the city view outside is clearly a backdrop, no problem, right,

869
00:43:32,719 --> 00:43:35,560
Speaker 3: but it's literally you see it hit the floor of the.

870
00:43:35,560 --> 00:43:39,319
Speaker 1: Sound stage and then is that true? Yes?

871
00:43:39,840 --> 00:43:43,879
Speaker 3: Yes, And I implore all readers Katie's publicist finalists watch

872
00:43:43,920 --> 00:43:46,640
Speaker 3: the most recent episode where you know, Aiden and Carrie

873
00:43:46,680 --> 00:43:48,919
Speaker 3: are like in Ja's apartment, just like flirting or whatever.

874
00:43:49,520 --> 00:43:51,680
Speaker 3: If you look at the city view, it hits the

875
00:43:51,800 --> 00:43:55,160
Speaker 3: floor and you see gray concrete. I'm going these the

876
00:43:55,160 --> 00:43:57,160
Speaker 3: people who make the show don't give a fuck.

877
00:43:57,719 --> 00:43:59,000
Speaker 2: No, you know, but.

878
00:43:59,480 --> 00:44:03,600
Speaker 4: Nothing grinds my gears more than the fact that Charlotte

879
00:44:03,640 --> 00:44:12,120
Speaker 4: and Harry sleep in a full size bed. Yes, it

880
00:44:12,160 --> 00:44:16,520
Speaker 4: is on to me. That is the most unbelievable thing

881
00:44:16,560 --> 00:44:17,280
Speaker 4: about the show.

882
00:44:17,719 --> 00:44:19,480
Speaker 1: I'm saying, hold the horn.

883
00:44:19,760 --> 00:44:24,719
Speaker 4: You're telling me that Charlotte, who is supposed to live

884
00:44:24,760 --> 00:44:30,960
Speaker 4: in a massive Upper east Side luxury apartment, is in

885
00:44:31,200 --> 00:44:41,080
Speaker 4: a full with her husbands. You're smoking grass gras, Yes,

886
00:44:41,960 --> 00:44:45,040
Speaker 4: you're smoking crack really is what you're what you're on,

887
00:44:46,120 --> 00:44:51,080
Speaker 4: You're on reefer and crack, because that is just not true.

888
00:44:51,480 --> 00:44:57,280
Speaker 4: And also, you know what else isn't true? Miranda sleeping

889
00:44:57,320 --> 00:45:01,880
Speaker 4: in like a twin x L sound owned booth at

890
00:45:01,920 --> 00:45:05,279
Speaker 4: her friend's house. I say, girl, get it to get her.

891
00:45:05,800 --> 00:45:06,799
Speaker 1: You're embarrassing.

892
00:45:07,920 --> 00:45:10,040
Speaker 3: What are they trying to do? I think they're trying

893
00:45:10,080 --> 00:45:13,120
Speaker 3: to do something there by putting all of like by

894
00:45:13,120 --> 00:45:16,880
Speaker 3: putting Miranda, Carrie and Charlotte in like small beds, because

895
00:45:16,920 --> 00:45:19,160
Speaker 3: Carrie's back in the old apartment in her old beds,

896
00:45:19,160 --> 00:45:25,919
Speaker 3: which is also these women, these women have tasted the

897
00:45:26,040 --> 00:45:29,880
Speaker 3: highest heights and the most rarefied air. They would not

898
00:45:30,000 --> 00:45:30,799
Speaker 3: put up with this.

899
00:45:31,600 --> 00:45:36,520
Speaker 4: Also, this show is supposed to be aspirational. Show me

900
00:45:36,719 --> 00:45:41,520
Speaker 4: a bed, I long for, Show me a bed, Show

901
00:45:41,560 --> 00:45:50,200
Speaker 4: me a Hastings mattress with Frete she what's going on?

902
00:45:50,480 --> 00:45:53,880
Speaker 4: You are giving? You were The duvet in Carrie's apartment

903
00:45:54,280 --> 00:45:55,440
Speaker 4: is actually.

904
00:45:55,040 --> 00:46:00,600
Speaker 3: From cology giving dorm. It's giving anthropology home and dorm apology.

905
00:46:00,840 --> 00:46:05,120
Speaker 4: It's anthropology home, and it's it's offensive. Had I had

906
00:46:05,160 --> 00:46:09,560
Speaker 4: better taste in my studio on twenty third and seventh

907
00:46:09,640 --> 00:46:11,120
Speaker 4: Avenue in two thousand and nine.

908
00:46:11,320 --> 00:46:14,880
Speaker 3: Okay, okay, Well, here's the thing. I don't see a

909
00:46:14,960 --> 00:46:17,759
Speaker 3: world in which it gets renewed, and I think this

910
00:46:17,840 --> 00:46:20,960
Speaker 3: is really the last. This is the last of these

911
00:46:21,000 --> 00:46:23,400
Speaker 3: women we're ever going to get, which is really sad

912
00:46:23,400 --> 00:46:23,640
Speaker 3: to me.

913
00:46:24,360 --> 00:46:27,600
Speaker 4: I agree, because I don't think that they would have

914
00:46:27,719 --> 00:46:31,920
Speaker 4: brought in Samantha for this, you know, thirty second phone

915
00:46:31,960 --> 00:46:36,040
Speaker 4: call that we're going to see because they can't. They

916
00:46:36,080 --> 00:46:40,640
Speaker 4: cannot tease us with the notion of Samantha and then

917
00:46:40,800 --> 00:46:44,000
Speaker 4: have us not get her for a third season. Like,

918
00:46:44,200 --> 00:46:47,000
Speaker 4: if there is going to be a third season, I

919
00:46:47,120 --> 00:46:50,840
Speaker 4: actually need Kim Katrell to I actually just want it

920
00:46:50,840 --> 00:46:53,680
Speaker 4: to be about her in London. Honestly, if we're supposed

921
00:46:53,719 --> 00:46:54,520
Speaker 4: to believe that's.

922
00:46:54,360 --> 00:46:58,080
Speaker 3: What her life is, Oh my god, loud American whoror

923
00:46:58,520 --> 00:47:01,600
Speaker 3: slash in London, Yeah, exactly.

924
00:47:01,680 --> 00:47:02,800
Speaker 1: Publicist energy.

925
00:47:03,200 --> 00:47:04,799
Speaker 2: It seems like do you know what though, you know,

926
00:47:04,880 --> 00:47:08,560
Speaker 2: what's one thing, it's like, thank god Samantha isn't on.

927
00:47:08,760 --> 00:47:10,839
Speaker 1: And just like that, because what would they do to her?

928
00:47:11,680 --> 00:47:15,360
Speaker 2: What would they if they've ruined all these characters this much?

929
00:47:15,440 --> 00:47:19,239
Speaker 2: And I hate saying it, but like, yeah, what would

930
00:47:19,239 --> 00:47:20,160
Speaker 2: they have done to Samantha?

931
00:47:20,200 --> 00:47:21,080
Speaker 1: I guess we'll find out.

932
00:47:21,120 --> 00:47:24,319
Speaker 2: I wonder if in the thirty second phone call they're

933
00:47:24,480 --> 00:47:26,560
Speaker 2: able to desecrate Samantha Jones.

934
00:47:27,600 --> 00:47:30,560
Speaker 3: I don't put it past them.

935
00:47:31,160 --> 00:47:33,520
Speaker 4: I mean, don't put it past them.

936
00:47:33,840 --> 00:47:37,399
Speaker 2: There's something cuckoo crazy.

937
00:47:36,920 --> 00:47:39,359
Speaker 3: I'm bummed out about this.

938
00:47:39,840 --> 00:47:41,320
Speaker 1: No. That's the thing is it's.

939
00:47:41,160 --> 00:47:44,600
Speaker 2: Like even the first season wasn't like it wasn't sex

940
00:47:44,640 --> 00:47:46,600
Speaker 2: in the City, but at least you could talk about

941
00:47:46,600 --> 00:47:48,040
Speaker 2: it in like insane ways.

942
00:47:48,480 --> 00:47:52,360
Speaker 1: Now it's just like the even the carry and Aiden stuff.

943
00:47:52,360 --> 00:48:00,960
Speaker 2: It's like, I just what exactly are they saying about Harry, Like, like,

944
00:48:01,680 --> 00:48:02,120
Speaker 2: I don't know.

945
00:48:03,160 --> 00:48:05,840
Speaker 1: Is it that like she's falling back into another fantasy?

946
00:48:06,040 --> 00:48:08,160
Speaker 2: Is it like, are we supposed to think like that

947
00:48:08,239 --> 00:48:10,960
Speaker 2: big was actually this like thing that she made a

948
00:48:11,000 --> 00:48:12,080
Speaker 2: mistake about years ago?

949
00:48:12,160 --> 00:48:13,640
Speaker 1: Like or is she about to learn her new lesson?

950
00:48:13,680 --> 00:48:17,000
Speaker 1: That's unclear thematically. I don't. I just can't find it right.

951
00:48:17,080 --> 00:48:21,799
Speaker 4: I also don't understand how she can like verbalize out

952
00:48:21,880 --> 00:48:24,880
Speaker 4: loud was big, a big mistake and then like we

953
00:48:25,120 --> 00:48:27,440
Speaker 4: just never investigate that further.

954
00:48:28,080 --> 00:48:31,720
Speaker 3: Yeah, well, I feel like what's being telegraphed so clearly

955
00:48:31,760 --> 00:48:34,799
Speaker 3: and obviously is that like something goes wrong between her

956
00:48:34,840 --> 00:48:37,239
Speaker 3: and Aiden, because so far there's been no conflict, there's

957
00:48:37,280 --> 00:48:39,200
Speaker 3: been no hardship.

958
00:48:40,400 --> 00:48:44,640
Speaker 4: Or maybe they are just ending the show and we

959
00:48:44,680 --> 00:48:48,040
Speaker 4: are just ending the show with Oh now Carrie and

960
00:48:48,120 --> 00:48:50,840
Speaker 4: Aiden move in together and that's it.

961
00:48:50,880 --> 00:48:52,480
Speaker 3: Doesn't that feel sacrilegious?

962
00:48:52,520 --> 00:48:57,120
Speaker 4: Though, yes, it feels sacrilegious. The whole thing feels sacrilegious also,

963
00:48:57,200 --> 00:48:59,600
Speaker 4: like since one has carried. I mean, I know that

964
00:48:59,640 --> 00:49:01,719
Speaker 4: Carrie was always a prude, but her whole thing was

965
00:49:01,760 --> 00:49:05,440
Speaker 4: writing about sex and love and romance and stuff, and

966
00:49:05,520 --> 00:49:08,839
Speaker 4: her now being like, don't talk about it, Oh God,

967
00:49:08,960 --> 00:49:11,480
Speaker 4: don't tell me. Like I was like what, But then

968
00:49:11,520 --> 00:49:14,880
Speaker 4: she was at lunch and said the word come. I

969
00:49:15,000 --> 00:49:18,760
Speaker 4: was like, you guys are crazy. Make a decision about

970
00:49:18,760 --> 00:49:21,520
Speaker 4: who this woman is. She's either the woman that can

971
00:49:21,560 --> 00:49:24,640
Speaker 4: no longer talk about anything sexual, she can't even talk

972
00:49:24,680 --> 00:49:26,239
Speaker 4: about a vagina.

973
00:49:26,280 --> 00:49:28,600
Speaker 2: I'm sorry, but making a decision about who she is.

974
00:49:28,760 --> 00:49:31,520
Speaker 2: She's one of the most well defined characters in the

975
00:49:31,520 --> 00:49:36,640
Speaker 2: pop culture. Reason why are we even having this conversation?

976
00:49:37,040 --> 00:49:39,960
Speaker 2: Like it's one thing for characters to like morphin change

977
00:49:40,000 --> 00:49:43,200
Speaker 2: over time, but like she does it, none of them

978
00:49:43,239 --> 00:49:47,280
Speaker 2: seem like themselves except I guess Charlotte.

979
00:49:46,920 --> 00:49:48,960
Speaker 1: Charlotte, but no, she's not sleeping in a fall.

980
00:49:49,400 --> 00:49:50,840
Speaker 4: Charlotte's not speaking in a fall.

981
00:49:51,120 --> 00:49:54,439
Speaker 2: Charlotte wouldn't have fucked a guy in a fall. Like,

982
00:49:55,160 --> 00:49:57,200
Speaker 2: let that be her wedding bed.

983
00:50:00,239 --> 00:50:03,000
Speaker 3: You're so you guys are so right, Like these women

984
00:50:03,040 --> 00:50:05,799
Speaker 3: would not tolerate a full sized bed or a twin

985
00:50:05,960 --> 00:50:08,319
Speaker 3: in a fucking recording studio room.

986
00:50:08,520 --> 00:50:11,839
Speaker 4: Also, you know what, honey, please like show me the

987
00:50:11,880 --> 00:50:16,320
Speaker 4: Hampton's house, Like one of you has to have one,

988
00:50:17,120 --> 00:50:19,680
Speaker 4: one of you has to have one. And by the way,

989
00:50:19,880 --> 00:50:23,560
Speaker 4: I don't want to see Seema and Carrie doing a

990
00:50:23,800 --> 00:50:24,840
Speaker 4: time share.

991
00:50:25,680 --> 00:50:27,719
Speaker 1: Well you're not going to. Okay, that was one thing

992
00:50:27,719 --> 00:50:28,480
Speaker 1: I let not going.

993
00:50:28,560 --> 00:50:31,279
Speaker 2: One thing I liked was Seema being like, I need

994
00:50:31,280 --> 00:50:33,239
Speaker 2: space from you because you make me feel bad.

995
00:50:33,480 --> 00:50:34,880
Speaker 1: I loved that. Loved that.

996
00:50:35,000 --> 00:50:39,320
Speaker 3: Yeah, yeah, but I'm also going why because literally Carrie's

997
00:50:39,360 --> 00:50:42,680
Speaker 3: like this the episode two episodes ago. The episode ends

998
00:50:42,680 --> 00:50:45,080
Speaker 3: on Carrie like leaving her apartment and going and just

999
00:50:45,200 --> 00:50:47,520
Speaker 3: like that, I went to meet you know, Aiden's kids

1000
00:50:47,560 --> 00:50:50,680
Speaker 3: or whatever the fuck in Virginia. Cut to the next episode.

1001
00:50:51,080 --> 00:50:52,960
Speaker 3: We're back in New York, which maybe it's like a

1002
00:50:52,960 --> 00:50:54,840
Speaker 3: New York show and that's why we don't see it.

1003
00:50:54,880 --> 00:50:58,239
Speaker 3: But I'm like, take us somewhere a little bit more provincial,

1004
00:50:58,360 --> 00:51:00,560
Speaker 3: like why not or pastoral or whatever.

1005
00:51:01,280 --> 00:51:05,320
Speaker 4: One of the most iconic episodes was La and also

1006
00:51:05,440 --> 00:51:10,680
Speaker 4: her going to Aiden's City Girl. In the What, she

1007
00:51:10,719 --> 00:51:14,759
Speaker 4: goes to his cabin and she freaks out and Samantha

1008
00:51:15,000 --> 00:51:15,759
Speaker 4: fucks like.

1009
00:51:15,840 --> 00:51:19,880
Speaker 3: The Yeah, is it just a budget thing? Do we

1010
00:51:19,880 --> 00:51:20,920
Speaker 3: think it's just budget?

1011
00:51:21,920 --> 00:51:23,520
Speaker 1: How can it possibly be right?

1012
00:51:23,600 --> 00:51:25,239
Speaker 4: Like? I just don't know. I mean, I feel like

1013
00:51:25,239 --> 00:51:29,120
Speaker 4: they blow a lot of the budget on the fashion.

1014
00:51:30,360 --> 00:51:37,880
Speaker 2: What fashion well, I mean which characters ring fashion lt W?

1015
00:51:38,680 --> 00:51:42,040
Speaker 2: I have news for you. There's difference between costume and fashion.

1016
00:51:42,640 --> 00:51:45,000
Speaker 2: My girl is still living on Sesame Street.

1017
00:51:45,920 --> 00:51:51,040
Speaker 8: Yeah, it's I've seen big Bird come out in things

1018
00:51:51,280 --> 00:51:54,719
Speaker 8: that could be the met Gala compared to what LTW

1019
00:51:54,840 --> 00:51:56,840
Speaker 8: looks like, Wow.

1020
00:52:06,480 --> 00:52:07,040
Speaker 1: Wait moment.

1021
00:52:07,160 --> 00:52:10,359
Speaker 4: Are you drinking one of my all time top five

1022
00:52:10,440 --> 00:52:13,040
Speaker 4: favorite beverages, Triple X Vitamin Water.

1023
00:52:14,000 --> 00:52:16,799
Speaker 3: I asked my sister if she had gatorade because I

1024
00:52:16,800 --> 00:52:19,520
Speaker 3: need electrolytes, I need hydration. She said, I have Triple

1025
00:52:19,760 --> 00:52:20,560
Speaker 3: X Vitamin W.

1026
00:52:20,719 --> 00:52:23,720
Speaker 4: Yes, she does dragon fruit. Dragon fruit.

1027
00:52:24,000 --> 00:52:27,080
Speaker 3: I haven't had this since high school, and I'm loving it.

1028
00:52:27,080 --> 00:52:30,319
Speaker 4: It is a treat and a half. Vitamin water goes

1029
00:52:30,360 --> 00:52:33,000
Speaker 4: down as one of my most favorite inventions.

1030
00:52:33,239 --> 00:52:34,919
Speaker 1: I liked the dragonfruit a lot.

1031
00:52:35,160 --> 00:52:37,200
Speaker 4: Yeah, I have a joke in my show about vitamin water.

1032
00:52:37,800 --> 00:52:40,640
Speaker 3: Oh my god, let's talk about vitamin water for a second,

1033
00:52:40,640 --> 00:52:43,960
Speaker 3: because do you all remember. Do y'all remember when vitamin

1034
00:52:44,000 --> 00:52:47,680
Speaker 3: water stepped onto the world stage because it was a moment.

1035
00:52:48,560 --> 00:52:54,160
Speaker 4: Yes, it honestly changed culture. Vita water, I will say changed.

1036
00:52:53,760 --> 00:52:56,440
Speaker 3: Culture because guess what you're going You're reading the labels.

1037
00:52:56,480 --> 00:52:59,479
Speaker 3: You're laughing out loud going through this.

1038
00:52:59,480 --> 00:53:02,720
Speaker 1: This is so funny. Yeah, I think Tina fe Tina

1039
00:53:02,760 --> 00:53:04,879
Speaker 1: fet I think.

1040
00:53:05,520 --> 00:53:09,200
Speaker 4: Did I think he sent reached out to miss Fay

1041
00:53:09,400 --> 00:53:11,600
Speaker 4: and said, hey, mama, love your jokes.

1042
00:53:11,840 --> 00:53:13,439
Speaker 1: Does have sent on vitamin water?

1043
00:53:14,120 --> 00:53:14,600
Speaker 4: Yeah?

1044
00:53:14,800 --> 00:53:15,040
Speaker 1: It was.

1045
00:53:15,480 --> 00:53:18,640
Speaker 4: I think he was an investor in vitamin water. It

1046
00:53:18,760 --> 00:53:22,760
Speaker 4: was like he was Curtiss.

1047
00:53:26,800 --> 00:53:30,759
Speaker 3: Now, what really rocked my world was the lemonade.

1048
00:53:31,120 --> 00:53:35,160
Speaker 4: Oh, everyone freaked it for the lemonade. Everyone freaked it

1049
00:53:35,200 --> 00:53:38,280
Speaker 4: for the lemonade too, because you could it was delicious

1050
00:53:38,320 --> 00:53:42,200
Speaker 4: with a splash of one might say, very inexpensive vodka.

1051
00:53:43,080 --> 00:53:48,080
Speaker 3: You're so right, Oh my god, in a really interesting time.

1052
00:53:48,520 --> 00:53:52,319
Speaker 1: I really did we really did. Sorry, Greg, We're gonna

1053
00:53:52,320 --> 00:53:53,160
Speaker 1: stick so no.

1054
00:53:53,239 --> 00:53:55,640
Speaker 4: I was just gonna say, two thousand and five kind

1055
00:53:55,640 --> 00:53:58,839
Speaker 4: of the year of vitamin water in many ways, the.

1056
00:53:58,840 --> 00:54:01,560
Speaker 3: Year of vitamin water, the year of Mike sparred lemonade,

1057
00:54:01,760 --> 00:54:10,000
Speaker 3: the year of off ice. For I would say, sparks.

1058
00:54:10,160 --> 00:54:12,799
Speaker 4: You remember sparks that was up in two thousand and four.

1059
00:54:13,320 --> 00:54:15,040
Speaker 2: Anybody, I just want to say, I forget what I

1060
00:54:15,040 --> 00:54:19,520
Speaker 2: said about the four logo because that was later ten wrong.

1061
00:54:19,800 --> 00:54:26,360
Speaker 5: I think, correct you what you did sparks was illegal.

1062
00:54:26,440 --> 00:54:28,840
Speaker 1: It is I think for locals illegal. Sparks is legal

1063
00:54:29,000 --> 00:54:31,000
Speaker 1: for local in their new their new.

1064
00:54:30,920 --> 00:54:37,920
Speaker 4: Iteration formulations, different Sparks was literally a red bull mixed

1065
00:54:37,960 --> 00:54:42,239
Speaker 4: with malt liquor. And it was crazy. And I used

1066
00:54:42,239 --> 00:54:45,000
Speaker 4: to hide. I used to hide, can't I had a

1067
00:54:45,080 --> 00:54:48,120
Speaker 4: hot box in my room growing up, and I used

1068
00:54:48,120 --> 00:54:50,800
Speaker 4: to hide cans of sparks in my house.

1069
00:54:51,360 --> 00:54:54,680
Speaker 2: Wait, Gretta said. Greta showed me the most fucked up,

1070
00:54:54,800 --> 00:54:59,440
Speaker 2: stupid picture of her with four modellos taped to her

1071
00:54:59,520 --> 00:55:03,880
Speaker 2: body under a house. It sneaked into Madison Square Garden

1072
00:55:03,920 --> 00:55:04,800
Speaker 2: to see what artists.

1073
00:55:05,600 --> 00:55:09,279
Speaker 4: I think we were just going to uh, I know,

1074
00:55:09,320 --> 00:55:11,160
Speaker 4: I think I was actually going to a hockey game.

1075
00:55:11,920 --> 00:55:16,640
Speaker 3: Jesus, So you smuggled in the modello I did.

1076
00:55:16,680 --> 00:55:18,680
Speaker 2: I can show you the pick, I'll say, honestly, that

1077
00:55:18,760 --> 00:55:20,879
Speaker 2: should be the photo for the episode this week.

1078
00:55:20,960 --> 00:55:26,320
Speaker 4: I'll send with you. It's really good. Yeah, I remember

1079
00:55:26,360 --> 00:55:31,560
Speaker 4: my mom found my sparks. My mom takes it out

1080
00:55:31,560 --> 00:55:33,719
Speaker 4: of My mom just goes, what the fuck is this?

1081
00:55:34,480 --> 00:55:37,520
Speaker 4: And I explained it to her and she looked at

1082
00:55:37,520 --> 00:55:40,160
Speaker 4: me and she was like, there's something really wrong with

1083
00:55:40,200 --> 00:55:42,520
Speaker 4: you and then just put it back in the hat box.

1084
00:55:43,239 --> 00:55:46,280
Speaker 3: Oh my god, do you think she should have punished

1085
00:55:46,320 --> 00:55:46,680
Speaker 3: you more?

1086
00:55:47,560 --> 00:55:50,680
Speaker 4: No, she was, she was over it. She was just

1087
00:55:50,800 --> 00:55:53,000
Speaker 4: like I was telling Matt, we were talking about things.

1088
00:55:53,239 --> 00:55:56,440
Speaker 4: We're talking about things our moms would say this morning,

1089
00:55:57,040 --> 00:55:59,799
Speaker 4: and my mom would always just be like enough with me,

1090
00:56:00,040 --> 00:56:00,879
Speaker 4: enough enough.

1091
00:56:01,120 --> 00:56:04,200
Speaker 2: Greta said that basically Maria's I don't think so, honey. Yeah,

1092
00:56:04,719 --> 00:56:08,600
Speaker 2: would be y'all with all your milks.

1093
00:56:08,200 --> 00:56:12,080
Speaker 3: Yeah, explain, would not tolerate the milks.

1094
00:56:12,480 --> 00:56:13,880
Speaker 4: No, she would just be like, this is enough. This

1095
00:56:13,960 --> 00:56:19,200
Speaker 4: is so fucking crazy. She drink drink skim milk like

1096
00:56:19,239 --> 00:56:22,960
Speaker 4: a lady, or don't have any milk at all.

1097
00:56:23,160 --> 00:56:24,440
Speaker 1: Take it, take it black.

1098
00:56:24,840 --> 00:56:26,640
Speaker 3: I think we are a critical match with milk, Like

1099
00:56:26,840 --> 00:56:28,719
Speaker 3: there's no need for a new kind of milk. I

1100
00:56:28,719 --> 00:56:30,680
Speaker 3: think there's there's a milk for every occasion.

1101
00:56:30,920 --> 00:56:34,920
Speaker 4: It also gets embarrassing, like imagine, I mean, they make it,

1102
00:56:34,960 --> 00:56:36,600
Speaker 4: but it's like going out being like, can I get

1103
00:56:36,600 --> 00:56:40,880
Speaker 4: the Can I get a pistachio almond milk latte?

1104
00:56:41,160 --> 00:56:43,120
Speaker 1: Like grow up, grow up?

1105
00:56:43,280 --> 00:56:49,600
Speaker 3: Although Starbucks Macha latte with coconut milk is heaven, you

1106
00:56:49,760 --> 00:56:52,120
Speaker 3: feel like you're on an islands.

1107
00:56:52,520 --> 00:56:53,360
Speaker 4: Coconut milk.

1108
00:56:54,200 --> 00:56:56,239
Speaker 3: No, no, no, I'm just saying I love it.

1109
00:56:56,719 --> 00:56:59,360
Speaker 4: I would like to say coconut milk has been around

1110
00:56:59,520 --> 00:57:03,200
Speaker 4: for a very very very very very long time. Coconut

1111
00:57:03,200 --> 00:57:07,480
Speaker 4: milk is not new. The girls milk saying the newer girls,

1112
00:57:07,480 --> 00:57:10,840
Speaker 4: I'm saying the Macadamian ut girls. I'm saying hemp seed girls.

1113
00:57:10,880 --> 00:57:14,040
Speaker 4: I'm saying pumpkin seed milk. I'm saying pistachio milk. I'm saying,

1114
00:57:14,080 --> 00:57:15,440
Speaker 4: it's like, come.

1115
00:57:15,239 --> 00:57:16,920
Speaker 3: On, pumpkin seed.

1116
00:57:17,480 --> 00:57:18,800
Speaker 1: I've never heard of that before.

1117
00:57:18,960 --> 00:57:27,040
Speaker 4: Would they had it at Irving the Irving Farm, Irving Farm, Yeah,

1118
00:57:27,280 --> 00:57:28,040
Speaker 4: they had it there.

1119
00:57:28,560 --> 00:57:32,760
Speaker 3: That sounds like it takes a million a million dollars

1120
00:57:32,800 --> 00:57:36,120
Speaker 3: to make it fucking condensed the pumpkin seed into milk

1121
00:57:36,240 --> 00:57:39,720
Speaker 3: worse than almond milk. It's probably the energy expenditure is

1122
00:57:39,760 --> 00:57:44,000
Speaker 3: probably crazy. You're right, Maria. Maria is right, and.

1123
00:57:44,040 --> 00:57:47,000
Speaker 2: Those really are my two friends. You can talk about

1124
00:57:47,000 --> 00:57:48,280
Speaker 2: such interesting milks.

1125
00:57:51,800 --> 00:57:55,200
Speaker 4: I have a question for the choir. Since this show

1126
00:57:55,280 --> 00:58:02,240
Speaker 4: is about culture, do you feel that they're likely story

1127
00:58:02,280 --> 00:58:05,280
Speaker 4: Do you feel that there is a perfect television show

1128
00:58:05,320 --> 00:58:09,280
Speaker 4: that didn't ever go wrong in seasons and seasons and seasons.

1129
00:58:11,560 --> 00:58:16,320
Speaker 2: Yeah, I think that pretty unimpeachable.

1130
00:58:17,600 --> 00:58:20,680
Speaker 1: I mean, for me, mad Men was pretty unimpeachable mad Men.

1131
00:58:20,840 --> 00:58:24,000
Speaker 3: I'm gonna say something kind of sure, like I roll,

1132
00:58:24,680 --> 00:58:27,280
Speaker 3: but I have been getting back into Seinfeld and I'm like, God,

1133
00:58:27,320 --> 00:58:29,720
Speaker 3: this is this, this works. It's timeless.

1134
00:58:30,240 --> 00:58:32,280
Speaker 4: Yeah, it really is timeless.

1135
00:58:32,840 --> 00:58:36,680
Speaker 2: More recently, I don't know everything has everything neither goes

1136
00:58:36,680 --> 00:58:38,840
Speaker 2: on too long or like ruins itself? Did you?

1137
00:58:38,920 --> 00:58:42,600
Speaker 3: I didn't know that the four of them blocked themselves

1138
00:58:42,640 --> 00:58:45,840
Speaker 3: on Seinfeld. They did their own they they like would

1139
00:58:45,920 --> 00:58:47,680
Speaker 3: they would all walk on and like they walk into

1140
00:58:47,720 --> 00:58:49,360
Speaker 3: Jerry's apartment and be like, okay, I think George would

1141
00:58:49,360 --> 00:58:51,560
Speaker 3: go here and like, you know, eat some Cereal over here.

1142
00:58:51,680 --> 00:58:53,480
Speaker 3: He's just talking to Elaine, Elaine sitting down on the

1143
00:58:53,480 --> 00:58:55,880
Speaker 3: couch like they were. They were all just like so

1144
00:58:56,320 --> 00:59:00,800
Speaker 3: like we got this, Like the directors so magic, I know,

1145
00:59:00,960 --> 00:59:02,920
Speaker 3: I know. And then like the fact that the four

1146
00:59:02,960 --> 00:59:06,800
Speaker 3: of them are all from different backgrounds. Jerry from stand

1147
00:59:06,920 --> 00:59:10,920
Speaker 3: up you know, Julia from sketch, Jason from theater, and

1148
00:59:10,960 --> 00:59:15,520
Speaker 3: I guess like Michael from he's stand up character actor.

1149
00:59:15,560 --> 00:59:18,640
Speaker 3: Oh he's a stand up he was. He was okay, great,

1150
00:59:18,840 --> 00:59:21,360
Speaker 3: I mean, but it's like they had such it's so

1151
00:59:22,240 --> 00:59:26,040
Speaker 3: it's such. That is like when casting was oh perfect,

1152
00:59:26,400 --> 00:59:29,360
Speaker 3: like you've got you got these four people exactly right,

1153
00:59:30,080 --> 00:59:32,080
Speaker 3: and they carry the show together equally and it's like

1154
00:59:32,200 --> 00:59:33,760
Speaker 3: it's never one person over the other.

1155
00:59:34,400 --> 00:59:34,920
Speaker 1: Mm hmmm.

1156
00:59:35,160 --> 00:59:37,480
Speaker 2: Even like well back in the day, like the multi

1157
00:59:37,520 --> 00:59:39,680
Speaker 2: cam of it all, when when some of those shows

1158
00:59:39,720 --> 00:59:42,400
Speaker 2: would really work, they would really like Cheers if you

1159
00:59:42,400 --> 00:59:45,400
Speaker 2: ever watched old Cheers, like Cheers, like Heaven really worked,

1160
00:59:45,480 --> 00:59:48,640
Speaker 2: like say what you Will about friends, friends really work,

1161
00:59:49,880 --> 00:59:52,600
Speaker 2: Will and Grace really works, Will.

1162
00:59:52,480 --> 00:59:53,440
Speaker 1: And Grace really worked.

1163
00:59:54,280 --> 00:59:59,280
Speaker 3: Just shoot me, I loved and too freakin' But with friends,

1164
00:59:59,360 --> 01:00:01,800
Speaker 3: it is like, yes, say what you will. It is

1165
01:00:01,840 --> 01:00:07,280
Speaker 3: like they found six hot people were so fucking funny

1166
01:00:07,600 --> 01:00:11,960
Speaker 3: and believably friends, like, no problem, I'm watching that's yeah,

1167
01:00:12,000 --> 01:00:13,880
Speaker 3: that's why it's a cultural phenomenon.

1168
01:00:14,000 --> 01:00:16,720
Speaker 2: I really feel like sometimes I do feel like I

1169
01:00:16,760 --> 01:00:19,520
Speaker 2: missed my calling, my era for multikim.

1170
01:00:21,320 --> 01:00:26,840
Speaker 1: I feel like I would have loved maybe I think so.

1171
01:00:27,120 --> 01:00:29,120
Speaker 3: We would have all nailed. I'm sorry to say this,

1172
01:00:29,160 --> 01:00:32,240
Speaker 3: and this sounds so fucking stupid and masturbatory. We would

1173
01:00:32,240 --> 01:00:33,160
Speaker 3: have all nailed multiicim.

1174
01:00:33,520 --> 01:00:39,640
Speaker 1: You nail multikim now. But I want nominated multi camp perform.

1175
01:00:39,800 --> 01:00:40,800
Speaker 3: No, no, no, it's different.

1176
01:00:40,960 --> 01:00:43,760
Speaker 1: I want multi Emmy nominated multi camp performer.

1177
01:00:44,600 --> 01:00:47,600
Speaker 3: I want multi cam where I'm playing a character.

1178
01:00:48,120 --> 01:00:49,160
Speaker 1: Yeah, we can do that.

1179
01:00:49,440 --> 01:00:53,160
Speaker 4: Let's do it. Let's pitch a show two Guys and

1180
01:00:53,200 --> 01:00:54,880
Speaker 4: a Girl above a pizza parlor.

1181
01:00:55,520 --> 01:00:59,160
Speaker 2: Yes, if you if the three of us rebooted two

1182
01:00:59,160 --> 01:01:00,520
Speaker 2: Guys and a Girl, and you don't.

1183
01:01:00,400 --> 01:01:05,720
Speaker 3: Think you're bitting war down period.

1184
01:01:05,760 --> 01:01:07,959
Speaker 4: I mean, I always wanted to be on Boy Meets

1185
01:01:08,000 --> 01:01:09,840
Speaker 4: World like ill.

1186
01:01:09,360 --> 01:01:12,480
Speaker 1: Oh my god, loved it, loved it, And of.

1187
01:01:12,400 --> 01:01:14,520
Speaker 4: Course I wanted to be Lizzie McGuire, But who didn't

1188
01:01:14,600 --> 01:01:15,480
Speaker 4: Everyone wanted to be Liszy.

1189
01:01:15,560 --> 01:01:18,760
Speaker 3: Everyone wanted to be Lizzy. I was team Lindsay. Not

1190
01:01:18,840 --> 01:01:21,960
Speaker 3: that Lindsay was ever in the you know, sitcom space,

1191
01:01:22,000 --> 01:01:23,080
Speaker 3: but it was.

1192
01:01:23,040 --> 01:01:25,919
Speaker 4: The may you rest. It was the Aaron Carter kind

1193
01:01:25,960 --> 01:01:31,920
Speaker 4: of controversy between Hillary and Lindsay. And all right, you

1194
01:01:31,960 --> 01:01:36,560
Speaker 4: know I I do have some piping hot T T

1195
01:01:36,760 --> 01:01:39,120
Speaker 4: T on the teens of that time.

1196
01:01:39,400 --> 01:01:40,080
Speaker 1: What not?

1197
01:01:40,280 --> 01:01:41,840
Speaker 3: Well, we can't.

1198
01:01:41,960 --> 01:01:43,000
Speaker 4: I don't think. I don't think.

1199
01:01:44,400 --> 01:01:45,760
Speaker 3: It's like the horse scandal.

1200
01:01:48,680 --> 01:01:50,960
Speaker 4: Wait, can I ask one more question now? Now I'm

1201
01:01:51,000 --> 01:01:53,760
Speaker 4: in control of the podcast. Now, Yes, me and Ruby

1202
01:01:53,800 --> 01:01:56,400
Speaker 4: have been talking about this a lot. Ruby's my roommate here.

1203
01:01:56,600 --> 01:01:57,240
Speaker 1: Happy birthday.

1204
01:01:57,320 --> 01:02:04,200
Speaker 4: Ruby Ruby an iconic Leo woman, a lioness.

1205
01:02:04,880 --> 01:02:06,120
Speaker 3: She is one of the best.

1206
01:02:06,240 --> 01:02:09,560
Speaker 2: We have see her show Tragedy at the Edinburgh Fringe Festival.

1207
01:02:09,600 --> 01:02:10,400
Speaker 1: Sorry your question.

1208
01:02:10,520 --> 01:02:12,040
Speaker 4: I think I've been going back and forth on this.

1209
01:02:12,200 --> 01:02:14,960
Speaker 4: If you and these are like really dumb, big questions,

1210
01:02:15,000 --> 01:02:16,840
Speaker 4: but when we're trying to get our mind off of

1211
01:02:16,920 --> 01:02:22,720
Speaker 4: spiraling into extreme existentialism, we are just like whatever. If

1212
01:02:22,760 --> 01:02:26,480
Speaker 4: you had to pick a band, I mean, we're doing

1213
01:02:26,480 --> 01:02:29,200
Speaker 4: it by decade, So I'm going to ask you, like,

1214
01:02:29,480 --> 01:02:33,640
Speaker 4: in a band from two thousand to twenty ten, a band,

1215
01:02:33,880 --> 01:02:36,760
Speaker 4: a singer, whatever, that you could be. But I don't

1216
01:02:36,800 --> 01:02:40,160
Speaker 4: mean just on stage. I meant be in their life.

1217
01:02:40,600 --> 01:02:42,360
Speaker 4: Who would you have chosen from that time?

1218
01:02:42,960 --> 01:02:45,920
Speaker 2: If I could be someone that was in a band

1219
01:02:46,240 --> 01:02:49,320
Speaker 2: during that time two thousand to two thousand.

1220
01:02:49,120 --> 01:02:51,440
Speaker 3: Ten, you mean like if you could hang out with

1221
01:02:51,520 --> 01:02:51,960
Speaker 3: the band.

1222
01:02:52,920 --> 01:02:59,000
Speaker 4: No, like I am, I am Christina Aguilera who switch Foot?

1223
01:03:01,440 --> 01:03:03,960
Speaker 3: I was absessed with Switchbook.

1224
01:03:05,120 --> 01:03:06,280
Speaker 4: Aren't they Christian?

1225
01:03:06,480 --> 01:03:08,960
Speaker 1: Yeah they are Christian? Yeah? Tude?

1226
01:03:10,520 --> 01:03:12,760
Speaker 3: But it was a walk to remember. It hooked me

1227
01:03:12,800 --> 01:03:15,760
Speaker 3: and I was like, is this singer okay?

1228
01:03:16,000 --> 01:03:16,560
Speaker 1: Beautiful?

1229
01:03:16,800 --> 01:03:17,600
Speaker 3: Truly gorgeous?

1230
01:03:17,720 --> 01:03:19,280
Speaker 1: I actually I think I have my answer.

1231
01:03:19,480 --> 01:03:24,320
Speaker 2: Okay, So two thousand to twenty ten, Yeah, during this time,

1232
01:03:25,360 --> 01:03:28,520
Speaker 2: a band that was cool and had a lot of

1233
01:03:28,640 --> 01:03:33,160
Speaker 2: potential and would yeah, I would be Adam Levine because

1234
01:03:33,200 --> 01:03:37,600
Speaker 2: also in Adam Levine's straight body guarantee, you like he

1235
01:03:37,720 --> 01:03:39,400
Speaker 2: was fucking models.

1236
01:03:39,600 --> 01:03:41,960
Speaker 4: He was just like he's still fucking a model.

1237
01:03:42,080 --> 01:03:44,360
Speaker 2: Well yes, but like at the time when he was

1238
01:03:44,400 --> 01:03:46,920
Speaker 2: like a single guy, yeah, he probably was.

1239
01:03:47,040 --> 01:03:49,520
Speaker 3: Like but remember the alien and I remember the.

1240
01:03:49,440 --> 01:03:51,640
Speaker 2: First time I ever saw him. The first time I

1241
01:03:51,760 --> 01:03:53,880
Speaker 2: ever saw Adam Levine, I think I was like twelve

1242
01:03:54,000 --> 01:03:57,240
Speaker 2: or thirteen when I first heard harder to breathe, and.

1243
01:03:57,160 --> 01:03:58,720
Speaker 1: I said, who is singing this? I have to find

1244
01:03:58,720 --> 01:03:59,280
Speaker 1: out right now.

1245
01:03:59,320 --> 01:04:01,680
Speaker 2: I love his I thought it was justin Timberlake, and

1246
01:04:01,680 --> 01:04:04,240
Speaker 2: then I come to find out it was Adam Levine.

1247
01:04:04,480 --> 01:04:07,720
Speaker 2: Then I watched this love music video. I thought, he

1248
01:04:08,360 --> 01:04:13,640
Speaker 2: is so fucking hot. I was so into him. I

1249
01:04:13,680 --> 01:04:14,960
Speaker 2: would be him if I could go back.

1250
01:04:15,080 --> 01:04:17,240
Speaker 3: Yes, that is the perfect answer for Matt. Wasn't he

1251
01:04:17,320 --> 01:04:19,720
Speaker 3: like wearing suits back in the day like that?

1252
01:04:20,480 --> 01:04:25,400
Speaker 2: He was so Their first album songs about Jane would I.

1253
01:04:25,400 --> 01:04:28,160
Speaker 4: Would say, one of the best albums from that deck.

1254
01:04:29,200 --> 01:04:31,640
Speaker 3: It is so good it won't be soon before long.

1255
01:04:31,680 --> 01:04:34,080
Speaker 3: Their second they had a great sophomore album too.

1256
01:04:34,240 --> 01:04:39,400
Speaker 2: Yes they did it, had that song all the really

1257
01:04:39,480 --> 01:04:42,080
Speaker 2: good and I love that and I loved them. And

1258
01:04:42,120 --> 01:04:45,480
Speaker 2: then they I think they just went like pop cringe,

1259
01:04:45,560 --> 01:04:48,280
Speaker 2: which like say what you want, Like they they touched

1260
01:04:48,320 --> 01:04:49,959
Speaker 2: in on the ability to do.

1261
01:04:49,880 --> 01:04:53,360
Speaker 1: That that's a pop sound. Yeah, they all did it,

1262
01:04:53,440 --> 01:04:55,800
Speaker 1: but they fully did it and then became you know,

1263
01:04:55,920 --> 01:04:56,560
Speaker 1: Moroon five.

1264
01:04:57,040 --> 01:04:59,880
Speaker 2: But back in the day, they really actually were cool

1265
01:05:00,040 --> 01:05:02,400
Speaker 2: and he was so hot to me.

1266
01:05:02,680 --> 01:05:04,240
Speaker 1: I loved everything about him.

1267
01:05:04,280 --> 01:05:06,560
Speaker 2: I literally couldn't control myself when I saw him I

1268
01:05:06,600 --> 01:05:08,080
Speaker 2: was like, that guy is my crush.

1269
01:05:08,240 --> 01:05:11,000
Speaker 3: Yeah, yeah, they did snl they and they sang. That

1270
01:05:11,040 --> 01:05:12,760
Speaker 3: was the first time I heard this love and I

1271
01:05:12,840 --> 01:05:15,959
Speaker 3: was like, this song is amazing. Who is that guy

1272
01:05:16,040 --> 01:05:19,960
Speaker 3: in a in a fucking suit? It was so funny. Yeah, unrecognizable.

1273
01:05:20,760 --> 01:05:22,520
Speaker 4: That was the time when like a lot of those

1274
01:05:22,640 --> 01:05:25,920
Speaker 4: bands were doing this suit thing, like remember like the Vines,

1275
01:05:26,160 --> 01:05:29,160
Speaker 4: remember like that whole genre of indie rock.

1276
01:05:29,440 --> 01:05:32,840
Speaker 2: That was also justin Timberlake doing top doing shoot and time,

1277
01:05:33,000 --> 01:05:37,040
Speaker 2: literally shoot and type branding himself what was Yes, But yeah,

1278
01:05:37,080 --> 01:05:38,720
Speaker 2: that was like guys were cool.

1279
01:05:39,280 --> 01:05:42,920
Speaker 3: Guys were cool. I would have also I would have

1280
01:05:43,000 --> 01:05:45,040
Speaker 3: also been I don't know if this counts, Greta and

1281
01:05:45,080 --> 01:05:47,800
Speaker 3: we need to hear your answer, okay, but I would

1282
01:05:47,840 --> 01:05:50,440
Speaker 3: have loved to be like Sophia and Stevens in that era.

1283
01:05:51,000 --> 01:05:54,000
Speaker 4: Oh no, that that counts. Like, like my pick is

1284
01:05:54,080 --> 01:05:57,160
Speaker 4: Karen O. I would have loved to have been Karen.

1285
01:05:57,200 --> 01:05:58,920
Speaker 4: Oh two thousand to two thousand.

1286
01:05:59,520 --> 01:06:01,000
Speaker 1: Didn't we think we saw her? We did?

1287
01:06:01,160 --> 01:06:01,320
Speaker 2: Wait?

1288
01:06:01,360 --> 01:06:05,360
Speaker 1: Where were we? Oh my god, we saw Karen.

1289
01:06:05,360 --> 01:06:07,880
Speaker 4: And Matt kept on I was freaking out and that she.

1290
01:06:07,960 --> 01:06:09,600
Speaker 1: Was being insane. She got up.

1291
01:06:09,640 --> 01:06:11,680
Speaker 2: We were we were at the table next to next

1292
01:06:11,680 --> 01:06:14,120
Speaker 2: time you were and I have to tell you you

1293
01:06:14,200 --> 01:06:20,280
Speaker 2: were being crazy table and stands. She stands staring at

1294
01:06:20,280 --> 01:06:23,000
Speaker 2: this woman. And that's one cool thing about me is

1295
01:06:23,040 --> 01:06:24,000
Speaker 2: I'm so uncool.

1296
01:06:24,080 --> 01:06:25,560
Speaker 1: I don't know who Karen Oh is.

1297
01:06:26,000 --> 01:06:28,920
Speaker 2: So Greta is staring at this woman, and I thought,

1298
01:06:29,280 --> 01:06:31,560
Speaker 2: do you have like a vendetta against this family? It

1299
01:06:31,640 --> 01:06:35,880
Speaker 2: was giving Psycho killer and then I'm like Karen, I

1300
01:06:36,000 --> 01:06:38,160
Speaker 2: dragged her out and she goes, that was Karen Oh.

1301
01:06:38,440 --> 01:06:42,000
Speaker 1: He was like, oh.

1302
01:06:40,640 --> 01:06:45,800
Speaker 4: Yeah, I was like Karen Oh, well, I mean still is.

1303
01:06:45,920 --> 01:06:51,520
Speaker 4: But of that time was no one was cooler, Like,

1304
01:06:51,760 --> 01:06:56,600
Speaker 4: no one was cooler than Karen O you, no one

1305
01:06:56,840 --> 01:06:59,960
Speaker 4: was her stage presence. She kind of just like weird

1306
01:07:00,160 --> 01:07:04,720
Speaker 4: like Bowie, like Artie, like I don't know, kind of

1307
01:07:04,800 --> 01:07:10,720
Speaker 4: byorky vibe. It's just like she was so many things

1308
01:07:10,800 --> 01:07:14,160
Speaker 4: in one body. And I love the Aas. I love

1309
01:07:14,200 --> 01:07:17,680
Speaker 4: their music so much, and I just like they're so

1310
01:07:17,800 --> 01:07:20,240
Speaker 4: good live like they're just I mean, they still are.

1311
01:07:20,400 --> 01:07:22,439
Speaker 1: But you know that's answer.

1312
01:07:23,240 --> 01:07:25,880
Speaker 4: Yeah, that's that is That is my two thousand and

1313
01:07:25,920 --> 01:07:29,120
Speaker 4: twenty ten answer. Obviously I would not want to be

1314
01:07:29,200 --> 01:07:33,560
Speaker 4: this person, but of course we're so curious what was

1315
01:07:33,600 --> 01:07:36,000
Speaker 4: it like to be a pop girl y at that time.

1316
01:07:36,160 --> 01:07:38,680
Speaker 4: I don't want to know because it was awful and

1317
01:07:38,720 --> 01:07:40,640
Speaker 4: I would never want to be in that body.

1318
01:07:41,960 --> 01:07:45,640
Speaker 2: Yeah, terrible, No, terrible to be picked apart as much

1319
01:07:45,680 --> 01:07:48,400
Speaker 2: as they were, it's just crazy.

1320
01:07:48,600 --> 01:07:50,840
Speaker 4: Well, you have no autonomy, you have no control over

1321
01:07:50,880 --> 01:07:52,000
Speaker 4: your life period.

1322
01:07:53,000 --> 01:07:54,960
Speaker 3: But you know who like really took the reins and

1323
01:07:55,240 --> 01:07:59,560
Speaker 3: I'm not even joking. Many Moore was like, I'm not

1324
01:07:59,600 --> 01:08:02,200
Speaker 3: doing all this. Let me let me switch to acting

1325
01:08:02,720 --> 01:08:04,720
Speaker 3: and let me let me let me release the covers

1326
01:08:04,760 --> 01:08:08,480
Speaker 3: album for my third album. She went, I'm already gonna

1327
01:08:08,520 --> 01:08:12,240
Speaker 3: like pivot change direction. I'm already gonna do like covers,

1328
01:08:12,520 --> 01:08:14,000
Speaker 3: like I'm not gonna be a pop star. I'm gonna

1329
01:08:14,000 --> 01:08:16,639
Speaker 3: I'm gonna do like can we still be friends?

1330
01:08:16,479 --> 01:08:18,519
Speaker 1: That? I'm like, that is a choice, and she picked

1331
01:08:18,520 --> 01:08:20,080
Speaker 1: cool music to it. She did not.

1332
01:08:20,320 --> 01:08:23,400
Speaker 2: One of those covers was like a one to one.

1333
01:08:23,520 --> 01:08:25,519
Speaker 2: This is what Mandy Moore at the time would be singing.

1334
01:08:25,520 --> 01:08:26,919
Speaker 1: It was like a little.

1335
01:08:29,320 --> 01:08:31,559
Speaker 4: Can I just say it's such a good voice.

1336
01:08:31,439 --> 01:08:32,360
Speaker 1: She has such a good.

1337
01:08:32,280 --> 01:08:34,160
Speaker 4: Nice she's a good one.

1338
01:08:34,280 --> 01:08:34,879
Speaker 3: She's important.

1339
01:08:34,960 --> 01:08:39,280
Speaker 1: Oh no, she's respected. She's an Emmy nominated actress who,

1340
01:08:39,320 --> 01:08:39,680
Speaker 1: by the.

1341
01:08:39,600 --> 01:08:43,679
Speaker 4: Way, walk to remember. As Bowen mentioned, but a few

1342
01:08:43,680 --> 01:08:49,080
Speaker 4: moments ago, breathtaking performance in sex film You.

1343
01:08:49,040 --> 01:08:51,160
Speaker 1: Got to rewatch saved, saved.

1344
01:08:54,120 --> 01:08:57,559
Speaker 4: Her layered haircut and saved is correct.

1345
01:08:57,800 --> 01:09:01,280
Speaker 2: The scene where she's like emphatically like praying is like,

1346
01:09:01,680 --> 01:09:04,400
Speaker 2: Oh my god, she really went there. She really really

1347
01:09:04,680 --> 01:09:07,640
Speaker 2: Many Moore was a Christian actress.

1348
01:09:07,800 --> 01:09:12,439
Speaker 1: She was a Christian devout icon That cast in that

1349
01:09:12,520 --> 01:09:13,599
Speaker 1: film is saved.

1350
01:09:14,040 --> 01:09:14,600
Speaker 4: Amazing.

1351
01:09:14,680 --> 01:09:16,640
Speaker 1: Jet him alone, right him alone.

1352
01:09:17,400 --> 01:09:23,840
Speaker 4: Mcaulay Culkin, Susan Sarandon's daughter with the huge tits, Patrick.

1353
01:09:23,600 --> 01:09:27,560
Speaker 3: Fugit, Oh wow, Just to go really quickly back to

1354
01:09:27,600 --> 01:09:29,920
Speaker 3: a want to remember that. We don't talk about the

1355
01:09:30,200 --> 01:09:36,760
Speaker 3: iconography of this exchange. Shane West, I want to kiss you, Mandy.

1356
01:09:36,960 --> 01:09:40,200
Speaker 3: I think I might be bad at it. Shane. That's

1357
01:09:40,720 --> 01:09:41,439
Speaker 3: not possible.

1358
01:09:41,600 --> 01:09:47,880
Speaker 1: Not just promised not to fall in love with me.

1359
01:09:48,160 --> 01:09:54,040
Speaker 2: Oh my god, Okay, what the way that I sobbed

1360
01:09:54,320 --> 01:09:55,080
Speaker 2: and sobbed.

1361
01:09:55,760 --> 01:09:58,120
Speaker 1: By the way, shout out to Adam Shankman, the director,

1362
01:09:58,520 --> 01:10:00,599
Speaker 1: shout out, we love you, ad him so.

1363
01:10:01,240 --> 01:10:04,519
Speaker 2: At the end of the movie when you hear her

1364
01:10:04,840 --> 01:10:11,040
Speaker 2: iconic hell always written, and then her love is.

1365
01:10:11,080 --> 01:10:11,920
Speaker 3: Like the wind wind.

1366
01:10:12,439 --> 01:10:14,320
Speaker 1: I can't. I can't see it, but I can feel it.

1367
01:10:14,640 --> 01:10:17,400
Speaker 4: I can feel it. Yeah, Shane was.

1368
01:10:17,560 --> 01:10:20,840
Speaker 2: I was like, wow, see him hit him another way.

1369
01:10:20,880 --> 01:10:25,840
Speaker 2: He was a constant. He was a constantly come involuntary

1370
01:10:25,880 --> 01:10:26,559
Speaker 2: com You.

1371
01:10:26,520 --> 01:10:31,320
Speaker 4: Know what I will say that Shane West the one.

1372
01:10:30,479 --> 01:10:36,240
Speaker 2: Okay free anal orgasm psyched for Shane West.

1373
01:10:36,520 --> 01:10:39,000
Speaker 1: I could feel my hat orgasm.

1374
01:10:39,439 --> 01:10:43,559
Speaker 2: Oh my god, three Richter scale rattle when I saw

1375
01:10:43,640 --> 01:10:44,360
Speaker 2: Shane West.

1376
01:10:45,080 --> 01:10:47,040
Speaker 1: Really weird little voice.

1377
01:10:47,600 --> 01:10:49,400
Speaker 4: I saw Shane West. Weren't you with me? When I

1378
01:10:49,400 --> 01:10:52,519
Speaker 4: saw him at Elkam Padre in l a like over

1379
01:10:52,640 --> 01:10:54,680
Speaker 4: during peak COVID eating outside.

1380
01:10:56,320 --> 01:10:58,720
Speaker 1: Do you want to I'm in a wist, partner. Do

1381
01:10:58,760 --> 01:11:01,519
Speaker 1: you want to tell your story about? No?

1382
01:11:02,439 --> 01:11:07,160
Speaker 3: Oh my Goddeen idol one time?

1383
01:11:07,479 --> 01:11:09,639
Speaker 1: And it's my favorite story I ever heard. But none

1384
01:11:09,680 --> 01:11:12,080
Speaker 1: of you will ever know you with the.

1385
01:11:12,160 --> 01:11:13,519
Speaker 4: Teen idol one time?

1386
01:11:13,760 --> 01:11:16,280
Speaker 1: And I did. Yeah, it was.

1387
01:11:16,320 --> 01:11:18,240
Speaker 4: There was a fingering situation happening.

1388
01:11:18,280 --> 01:11:19,800
Speaker 2: You know. I told that to a bunch of my

1389
01:11:19,880 --> 01:11:23,880
Speaker 2: gay friends and they it's the most iconic thing they

1390
01:11:24,120 --> 01:11:32,280
Speaker 2: ever heard. Laundromat getting finger She got fingered at drop

1391
01:11:32,320 --> 01:11:34,360
Speaker 2: off service by I'm not kidding you.

1392
01:11:34,720 --> 01:11:37,360
Speaker 1: One of the hottest teen idols.

1393
01:11:38,920 --> 01:11:41,920
Speaker 3: Second episode in a row, second episode in a row,

1394
01:11:42,320 --> 01:11:44,479
Speaker 3: We're fingering has entered the chat.

1395
01:11:44,680 --> 01:11:47,000
Speaker 1: I literally I've been thinking about it so much.

1396
01:11:47,040 --> 01:11:49,760
Speaker 2: I'm so horny lately. I don't know what's going on,

1397
01:11:49,880 --> 01:11:52,439
Speaker 2: and I haven't had sex in a while, so I'm

1398
01:11:52,479 --> 01:11:54,880
Speaker 2: just like, I just want to finger in there so bad.

1399
01:11:55,280 --> 01:12:01,200
Speaker 4: Well, the thing is definitely get you fingered. We can

1400
01:12:01,240 --> 01:12:03,839
Speaker 4: get you some like porky Scottish fingers.

1401
01:12:03,960 --> 01:12:08,320
Speaker 5: Oh my god, I think, yeah, finger.

1402
01:12:08,240 --> 01:12:09,240
Speaker 4: Yeah, we can.

1403
01:12:09,840 --> 01:12:11,679
Speaker 1: I one of the bus boys.

1404
01:12:11,720 --> 01:12:14,120
Speaker 4: Wait, oh, I wanted to say something. You know, what's

1405
01:12:14,160 --> 01:12:18,960
Speaker 4: the best thing about twenty twenty three the resurrection of Josh.

1406
01:12:18,600 --> 01:12:21,719
Speaker 3: Hartnett, who was aging like Richard Gere.

1407
01:12:22,560 --> 01:12:29,439
Speaker 4: Yeah, like a fine piece of wine, I mean, just

1408
01:12:29,520 --> 01:12:31,400
Speaker 4: stelectable that that man.

1409
01:12:31,720 --> 01:12:34,479
Speaker 3: And look Oppenheimer. I was happy to see Olivia Thill

1410
01:12:34,520 --> 01:12:37,360
Speaker 3: be working again. She who fucked El the pe on

1411
01:12:37,360 --> 01:12:38,680
Speaker 3: the set of Juno constantly.

1412
01:12:40,640 --> 01:12:43,240
Speaker 1: That is it is a really iconic story.

1413
01:12:43,439 --> 01:12:45,040
Speaker 4: That Elliott's book.

1414
01:12:45,240 --> 01:12:46,040
Speaker 3: I need to read it.

1415
01:12:46,080 --> 01:12:48,479
Speaker 4: His book is steaming hot Tea.

1416
01:12:49,800 --> 01:12:52,559
Speaker 3: Well, we might even from Greta about all this fingering.

1417
01:12:53,760 --> 01:12:56,639
Speaker 4: I will say, sadly, sadly it was just fingering, so

1418
01:12:56,720 --> 01:12:57,679
Speaker 4: no one started.

1419
01:12:57,760 --> 01:12:59,840
Speaker 3: Sadly, nothing sad about that.

1420
01:13:00,479 --> 01:13:04,680
Speaker 4: No, sometimes all it takes is two fingers, definitely.

1421
01:13:04,240 --> 01:13:04,559
Speaker 3: I'm good.

1422
01:13:05,000 --> 01:13:06,880
Speaker 1: I'm good with the two. I need five.

1423
01:13:07,240 --> 01:13:30,000
Speaker 2: The way it's so big and sobby down there, Oh honey.

1424
01:13:21,000 --> 01:13:22,679
Speaker 1: It's time for I don't think so, honey.

1425
01:13:22,720 --> 01:13:25,240
Speaker 2: This is our sixty second segment that we do on

1426
01:13:25,280 --> 01:13:27,599
Speaker 2: every episode of Lost Coach Recess. Today is no different.

1427
01:13:27,600 --> 01:13:29,400
Speaker 2: I'm going to be returning to the top, the themes

1428
01:13:29,400 --> 01:13:32,519
Speaker 2: of the top, Yes, themes of the top of my look,

1429
01:13:34,120 --> 01:13:36,760
Speaker 2: just kidding, more verse bottom these days with old age.

1430
01:13:37,479 --> 01:13:39,880
Speaker 1: H Okay, I'm right.

1431
01:13:39,920 --> 01:13:41,479
Speaker 3: How something this is, Matt Rogers, I don't think so

1432
01:13:41,479 --> 01:13:43,160
Speaker 3: many as time starts new, I.

1433
01:13:43,120 --> 01:13:44,160
Speaker 1: Don't think so honey.

1434
01:13:44,920 --> 01:13:49,639
Speaker 2: Calling them toilets all over Europe, it's like where's the toilet?

1435
01:13:49,960 --> 01:13:51,280
Speaker 1: Signs that say toilet.

1436
01:13:51,600 --> 01:13:55,080
Speaker 2: Toilet is a disgusting word that I don't think so

1437
01:13:55,240 --> 01:13:56,320
Speaker 2: honey about.

1438
01:13:56,840 --> 01:13:59,440
Speaker 1: They're called restrooms, they are called bathrooms.

1439
01:14:00,000 --> 01:14:03,040
Speaker 2: If we're in Europe, capitalize on your language and call

1440
01:14:03,080 --> 01:14:09,040
Speaker 2: it the loo toilet. This is a disgusting, hard word

1441
01:14:09,320 --> 01:14:10,559
Speaker 2: to wrap my head around.

1442
01:14:11,080 --> 01:14:13,040
Speaker 1: When I go to the toilet.

1443
01:14:13,040 --> 01:14:17,000
Speaker 2: That is the literal toilet itself, not the room that

1444
01:14:17,080 --> 01:14:20,360
Speaker 2: it's in. Can we have some goddamn mystery. For once

1445
01:14:20,400 --> 01:14:23,439
Speaker 2: in my life. When you say toilet, I'm thinking of

1446
01:14:23,520 --> 01:14:25,960
Speaker 2: I can they can basically taste it and smell it,

1447
01:14:26,040 --> 01:14:29,280
Speaker 2: the poop and the When you say restroom, I think

1448
01:14:29,320 --> 01:14:32,400
Speaker 2: a place you go to relieve yourself. Fine, that's kuth.

1449
01:14:32,680 --> 01:14:35,000
Speaker 2: Aren't we supposed to have some taste here in Europe?

1450
01:14:35,160 --> 01:14:37,519
Speaker 2: Isn't it supposed to be refined? Isn't it supposed to

1451
01:14:37,520 --> 01:14:40,479
Speaker 2: be the pinnacle of culture that have come over in America?

1452
01:14:40,520 --> 01:14:42,800
Speaker 2: They're slaying it by calling a bathroom. I only don't

1453
01:14:42,800 --> 01:14:44,040
Speaker 2: any toilet.

1454
01:14:44,400 --> 01:14:45,479
Speaker 3: And that's one minute.

1455
01:14:45,760 --> 01:14:47,519
Speaker 1: Now. I don't be an American.

1456
01:14:48,000 --> 01:14:50,720
Speaker 3: I don't disagree with you, but bathroom is not even

1457
01:14:50,800 --> 01:14:53,200
Speaker 3: that accurate either, right, you're not taking bad.

1458
01:14:54,600 --> 01:14:57,400
Speaker 2: Listen all this I wave in my hand at it.

1459
01:14:58,040 --> 01:15:01,439
Speaker 2: I say this two things. One put it all in

1460
01:15:01,479 --> 01:15:03,880
Speaker 2: one room. I don't want to have to take a

1461
01:15:03,880 --> 01:15:10,679
Speaker 2: ship and leave you know, the toilet, closet, closet.

1462
01:15:10,960 --> 01:15:15,479
Speaker 1: No, these are also two weird words. Those are my notes.

1463
01:15:15,640 --> 01:15:16,040
Speaker 1: I don't know.

1464
01:15:16,880 --> 01:15:20,880
Speaker 3: Okay, that is very very brave. People don't talk about

1465
01:15:20,880 --> 01:15:21,320
Speaker 3: this enough.

1466
01:15:21,920 --> 01:15:24,400
Speaker 1: I just love the way he said that. That is

1467
01:15:24,760 --> 01:15:26,120
Speaker 1: very very very brave.

1468
01:15:26,479 --> 01:15:27,599
Speaker 4: That is very brave.

1469
01:15:28,720 --> 01:15:32,280
Speaker 1: He's proud of me. Okay, well this is bone Yang's

1470
01:15:32,280 --> 01:15:34,679
Speaker 1: I don't think so, honey, and his time starts now.

1471
01:15:35,120 --> 01:15:38,640
Speaker 3: I don't think so, honey. Unicorns. My nieces love unicorns

1472
01:15:38,640 --> 01:15:41,639
Speaker 3: and they went, you know what, it's disgusting. How come

1473
01:15:41,680 --> 01:15:45,000
Speaker 3: most of them are white. It's giving supremacy period. It

1474
01:15:45,080 --> 01:15:49,160
Speaker 3: has it has a horn that's disgusting. I don't A

1475
01:15:49,200 --> 01:15:51,880
Speaker 3: horse should not have a horn. That's dangerous, that could

1476
01:15:51,960 --> 01:15:55,400
Speaker 3: really hurt someone. And these unicorns are not real. So

1477
01:15:55,439 --> 01:15:58,519
Speaker 3: why are these kids obsessed with a fake animal? They

1478
01:15:58,560 --> 01:16:02,880
Speaker 3: should be worshiping dolphin. Get unicorns out of the pantheon

1479
01:16:03,120 --> 01:16:06,519
Speaker 3: of animals that kids thirty seconds. They should just worship

1480
01:16:06,560 --> 01:16:09,439
Speaker 3: a horse like we all did growing up. I don't

1481
01:16:09,479 --> 01:16:12,200
Speaker 3: think unicorns. I think unicorns are really invading the culture

1482
01:16:12,240 --> 01:16:15,240
Speaker 3: of kids now, and I don't like it because guess

1483
01:16:15,280 --> 01:16:18,040
Speaker 3: what it sets up unreal expectations. They're gonna grow up

1484
01:16:18,040 --> 01:16:20,200
Speaker 3: and find it they're not real, and then they're gonna

1485
01:16:20,200 --> 01:16:24,320
Speaker 3: be crushed. That's their first trauma. Okay, and I'm not

1486
01:16:24,320 --> 01:16:26,639
Speaker 3: gonna be one to pick up the pieces for this generation.

1487
01:16:27,080 --> 01:16:29,840
Speaker 3: They're gonna have to do it themselves. Unicorns, you are

1488
01:16:29,920 --> 01:16:33,360
Speaker 3: ruining a whole you are creating a whole generation of children.

1489
01:16:33,600 --> 01:16:37,880
Speaker 2: And that's one minute the amount of kids who believe

1490
01:16:39,120 --> 01:16:42,040
Speaker 2: that dragons are't real because of Game of Thrones.

1491
01:16:42,120 --> 01:16:45,160
Speaker 1: They really think this, They really do.

1492
01:16:45,200 --> 01:16:48,760
Speaker 2: They think it, and they're they're not gonna not think

1493
01:16:48,800 --> 01:16:50,000
Speaker 2: it because they don't have.

1494
01:16:50,040 --> 01:16:52,640
Speaker 3: You add it to the list of things that we

1495
01:16:52,800 --> 01:16:55,960
Speaker 3: have to just tell kids about. Eventually, we tell them

1496
01:16:56,000 --> 01:16:59,760
Speaker 3: Santa isn't real, unicorns aren't real, dragons aren't real. It

1497
01:16:59,840 --> 01:17:02,480
Speaker 3: is too much.

1498
01:17:02,600 --> 01:17:06,400
Speaker 1: And you know what probably smells terrible? A unicorn's horn.

1499
01:17:07,360 --> 01:17:08,960
Speaker 4: Why do you think it smells terrible?

1500
01:17:09,920 --> 01:17:14,519
Speaker 1: It's a it's a disgusting it. It's essentially like it's

1501
01:17:14,560 --> 01:17:16,080
Speaker 1: it's an exposed bone.

1502
01:17:17,080 --> 01:17:19,639
Speaker 4: Do you think that an elephant's tusks smell bad?

1503
01:17:20,360 --> 01:17:21,360
Speaker 1: Yeah, I don't know.

1504
01:17:22,000 --> 01:17:26,360
Speaker 2: Probably probably smells like manure, Probably smells like dirty.

1505
01:17:26,160 --> 01:17:30,799
Speaker 1: Elephant, sounds like pool water. Horrible.

1506
01:17:31,840 --> 01:17:35,639
Speaker 2: I just can't with these unicorns. And here's the thing.

1507
01:17:36,600 --> 01:17:37,920
Speaker 2: You know what's better in theory than a.

1508
01:17:37,960 --> 01:17:44,000
Speaker 1: Practice a horse. I'm way better in theory than practice.

1509
01:17:44,080 --> 01:17:44,320
Speaker 2: I know.

1510
01:17:44,640 --> 01:17:46,599
Speaker 3: I know a horse is spun in a picture, but

1511
01:17:46,720 --> 01:17:47,559
Speaker 3: not in real life.

1512
01:17:48,120 --> 01:17:50,360
Speaker 2: I took a picture with one the other day that

1513
01:17:50,479 --> 01:17:53,000
Speaker 2: I want to kiss it no.

1514
01:17:53,000 --> 01:17:53,200
Speaker 3: No.

1515
01:17:54,120 --> 01:17:56,800
Speaker 1: Also, I don't think killed by a horse.

1516
01:17:57,640 --> 01:18:00,160
Speaker 3: Why did that story get so much pick up, by

1517
01:18:00,200 --> 01:18:01,760
Speaker 3: the way.

1518
01:18:01,320 --> 01:18:03,679
Speaker 2: Because I think that people were trying to make something

1519
01:18:03,720 --> 01:18:08,560
Speaker 2: out of nothing with you shading the crew story.

1520
01:18:09,080 --> 01:18:11,479
Speaker 3: Tell the story the crew was the story is that

1521
01:18:11,520 --> 01:18:14,240
Speaker 3: the you know, and and and our our first ad

1522
01:18:14,240 --> 01:18:16,879
Speaker 3: Adam asked off who I love, texted me and apologized

1523
01:18:16,920 --> 01:18:17,360
Speaker 3: and I said.

1524
01:18:17,240 --> 01:18:19,720
Speaker 1: Adam, it's not it's oh my god.

1525
01:18:20,439 --> 01:18:23,040
Speaker 3: The crew in Iceland decided to film a shot with

1526
01:18:23,160 --> 01:18:26,840
Speaker 3: a drone of me and Nora on horses, and of

1527
01:18:26,840 --> 01:18:29,719
Speaker 3: course the drone freaked out the horses and I almost

1528
01:18:29,720 --> 01:18:31,120
Speaker 3: got fucking thrown off.

1529
01:18:31,880 --> 01:18:32,040
Speaker 4: Mm.

1530
01:18:32,640 --> 01:18:36,160
Speaker 2: Yeah, And you know, you know what would have been

1531
01:18:36,200 --> 01:18:41,679
Speaker 2: a crazy headline Bow and Yang thirty two promising any

1532
01:18:41,840 --> 01:18:49,519
Speaker 2: nominated multi cam actor thrown from horse. You know, if

1533
01:18:49,680 --> 01:18:53,880
Speaker 2: unicorns were real, you could have been killed. Had that

1534
01:18:53,920 --> 01:18:56,959
Speaker 2: been a unicorn and not a horse, you would.

1535
01:18:58,680 --> 01:18:59,040
Speaker 9: The horn.

1536
01:18:59,280 --> 01:18:59,960
Speaker 1: I would have died.

1537
01:19:00,160 --> 01:19:02,360
Speaker 3: Yeah, absolutely, smelly horn.

1538
01:19:02,560 --> 01:19:04,840
Speaker 4: Yes, stinky poop poop horn.

1539
01:19:04,880 --> 01:19:07,920
Speaker 1: I said, poop poop. I can't imagine a worst headline.

1540
01:19:08,080 --> 01:19:09,440
Speaker 1: Then Bowen Yang.

1541
01:19:11,360 --> 01:19:14,080
Speaker 4: He passed away, being savored.

1542
01:19:14,640 --> 01:19:17,559
Speaker 1: He passed away, Bow and Yang passed. If I had

1543
01:19:17,600 --> 01:19:20,200
Speaker 1: gotten a call we have some bad news.

1544
01:19:20,240 --> 01:19:23,400
Speaker 3: Don't what happens is going to make me cry.

1545
01:19:23,960 --> 01:19:24,519
Speaker 1: I'm gonna cry.

1546
01:19:24,800 --> 01:19:28,280
Speaker 9: I said, what he's gone? And they said he's gone.

1547
01:19:28,840 --> 01:19:35,360
Speaker 9: I said wow. They said he was doing an episode

1548
01:19:35,360 --> 01:19:35,719
Speaker 9: of Nora.

1549
01:19:38,400 --> 01:19:41,640
Speaker 1: I said, what happened? Looking me crying? Look at me?

1550
01:19:42,439 --> 01:19:44,479
Speaker 4: They said, get close, get close.

1551
01:19:45,200 --> 01:19:51,000
Speaker 1: They said he didn't make it. I said what They

1552
01:19:51,040 --> 01:19:54,200
Speaker 1: said he was riding a horse. I said, what, what

1553
01:19:54,400 --> 01:20:00,960
Speaker 1: episode was it this? They said, well, I went to Iceland.

1554
01:20:01,040 --> 01:20:03,960
Speaker 1: They were doing a really funny story. The finally Bowen's

1555
01:20:04,040 --> 01:20:11,200
Speaker 1: character got explored it as deeper than service Way. I

1556
01:20:11,240 --> 01:20:14,320
Speaker 1: think he was running a horse. He was so such

1557
01:20:14,400 --> 01:20:19,040
Speaker 1: a funny scene on paper. He didn't make it. When

1558
01:20:19,040 --> 01:20:23,759
Speaker 1: he was thrown from the horse, he just he was killed.

1559
01:20:25,400 --> 01:20:28,600
Speaker 2: I said, well, we have to have an episode to

1560
01:20:28,600 --> 01:20:30,000
Speaker 2: speak of lost culture.

1561
01:20:32,200 --> 01:20:33,679
Speaker 1: They said, can you get sooty?

1562
01:20:34,439 --> 01:20:39,559
Speaker 2: I said, probably, said let me text her. I said, wait,

1563
01:20:39,600 --> 01:20:41,559
Speaker 2: hold on, is there gonna be a funeral?

1564
01:20:41,640 --> 01:20:42,320
Speaker 4: Like what the fuck?

1565
01:20:43,280 --> 01:20:46,439
Speaker 1: They were like, probably, Uh, you have to talk to

1566
01:20:46,600 --> 01:20:49,200
Speaker 1: the family. I was like, oh my god, Jesus Christ.

1567
01:20:50,000 --> 01:20:52,439
Speaker 3: And then and then finally this is the kicker. They go,

1568
01:20:53,320 --> 01:20:55,519
Speaker 3: I need you to come down to identify the body.

1569
01:20:55,680 --> 01:20:56,679
Speaker 1: Oh, my god.

1570
01:20:56,800 --> 01:20:58,760
Speaker 2: They made me come all the way to Iceland to

1571
01:20:58,760 --> 01:20:59,920
Speaker 2: identify the body.

1572
01:21:00,120 --> 01:21:01,639
Speaker 1: He was mauled Bowen.

1573
01:21:01,760 --> 01:21:08,040
Speaker 2: I can barely see his face had the elephant stopped

1574
01:21:08,080 --> 01:21:12,479
Speaker 2: his face out. I said, my sister, not my girl,

1575
01:21:14,080 --> 01:21:19,240
Speaker 2: not like that. They said, oh, sir, They.

1576
01:21:19,080 --> 01:21:22,800
Speaker 3: Said that this is why you would soar in multi cam.

1577
01:21:23,160 --> 01:21:24,439
Speaker 4: That's really good, Matthew.

1578
01:21:25,960 --> 01:21:27,599
Speaker 3: I think it's time for Gretta is I don't think.

1579
01:21:27,439 --> 01:21:28,360
Speaker 1: So, honey.

1580
01:21:28,439 --> 01:21:31,200
Speaker 4: Okay, okay, wait, do you want to time me?

1581
01:21:32,560 --> 01:21:35,160
Speaker 1: Go time you so you can see on the screen. Okay, okay, this.

1582
01:21:35,320 --> 01:21:37,280
Speaker 3: Is Greta titlemans. I don't think so, honey. Her time

1583
01:21:37,320 --> 01:21:37,880
Speaker 3: starts it now.

1584
01:21:38,600 --> 01:21:44,240
Speaker 4: I don't think so, honey. Military time okay, my thing?

1585
01:21:44,680 --> 01:21:46,439
Speaker 4: If you have it on your screen, what do you

1586
01:21:46,439 --> 01:21:49,240
Speaker 4: think you're better than me? That you're looking at your

1587
01:21:49,439 --> 01:21:54,280
Speaker 4: time in some European code? Honey, you're not in the military, okay.

1588
01:21:54,479 --> 01:21:57,280
Speaker 4: And also, if I'm meeting up with you and you

1589
01:21:57,280 --> 01:21:59,800
Speaker 4: have military time on your phone, you better say we're

1590
01:21:59,840 --> 01:22:03,759
Speaker 4: me at twenty two thirty, honey, because unless you're using

1591
01:22:03,960 --> 01:22:10,200
Speaker 4: my time, which is you know, eight thirty PM people

1592
01:22:10,360 --> 01:22:12,599
Speaker 4: use military time, you're not saying let's meet up at

1593
01:22:12,720 --> 01:22:15,960
Speaker 4: zero o'clock. You're not saying, oh, I was out until

1594
01:22:16,200 --> 01:22:19,760
Speaker 4: zero four. Oh I we had dinner last night at

1595
01:22:19,800 --> 01:22:24,080
Speaker 4: twenty one forty five. No bitch saying it in the

1596
01:22:24,120 --> 01:22:28,479
Speaker 4: twelve hour clock. So I'm done. Military time. We have

1597
01:22:28,600 --> 01:22:31,360
Speaker 4: it in the title. It's for the military, the militia,

1598
01:22:31,800 --> 01:22:36,160
Speaker 4: the Navy, the army men, the fighters, the firemen, the

1599
01:22:36,200 --> 01:22:37,679
Speaker 4: military period.

1600
01:22:38,720 --> 01:22:41,120
Speaker 3: And I'm proud to be an American, and I'm proud

1601
01:22:41,200 --> 01:22:41,519
Speaker 3: to be.

1602
01:22:41,760 --> 01:22:44,799
Speaker 4: An American with my twelve hour clock.

1603
01:22:45,479 --> 01:22:48,040
Speaker 3: Nice try, Lieutenant Dan, how about you tell me we're

1604
01:22:48,080 --> 01:22:49,080
Speaker 3: meeting at eight thirty.

1605
01:22:49,560 --> 01:22:51,400
Speaker 1: Yeah, this actually is a good segue.

1606
01:22:52,640 --> 01:22:55,840
Speaker 2: Bowen, Greta and I were having a conversation just now

1607
01:22:55,880 --> 01:22:59,720
Speaker 2: at lunch, like we do, Greta says, And Bowen is

1608
01:22:59,720 --> 01:23:06,160
Speaker 2: one of this actress's foremost fans. Did Natalie Portman serve

1609
01:23:06,200 --> 01:23:09,720
Speaker 2: in the Israeli military for two years? She was? She was.

1610
01:23:11,800 --> 01:23:16,679
Speaker 1: No, I told you. She didn't say she grew.

1611
01:23:16,520 --> 01:23:18,200
Speaker 3: Up on she grew up on Long Island.

1612
01:23:18,320 --> 01:23:20,519
Speaker 1: That's what I said. That's what I said.

1613
01:23:20,680 --> 01:23:22,240
Speaker 4: What did I say? I was going to tell Bowen?

1614
01:23:23,040 --> 01:23:26,559
Speaker 2: What oh that you think it's funny that Gal Gadot

1615
01:23:26,640 --> 01:23:28,160
Speaker 2: was in the Israeli military.

1616
01:23:31,360 --> 01:23:35,639
Speaker 4: But she I think I'm going to start a rumor

1617
01:23:36,280 --> 01:23:40,240
Speaker 4: that Natalie Portman served in the military and was a

1618
01:23:40,360 --> 01:23:41,600
Speaker 4: drone operator.

1619
01:23:43,920 --> 01:23:48,120
Speaker 2: That's a nat I did an impression of Natalie apartment operate.

1620
01:23:47,960 --> 01:23:52,720
Speaker 1: Driving throne. It was like this on my tail, and

1621
01:23:52,760 --> 01:23:55,640
Speaker 1: then I said, what if? What if she was like

1622
01:23:55,680 --> 01:23:57,519
Speaker 1: rehearsing her Jackie accent while she.

1623
01:23:57,560 --> 01:24:05,000
Speaker 6: Was doing the like that on my I'm on them.

1624
01:24:07,040 --> 01:24:09,040
Speaker 3: Look a look at look at my grip. I can't

1625
01:24:09,080 --> 01:24:14,720
Speaker 3: do I can't do it. Look at my Look at

1626
01:24:14,240 --> 01:24:16,240
Speaker 3: my Look at my grip.

1627
01:24:16,479 --> 01:24:18,040
Speaker 1: Yat at my grip.

1628
01:24:18,160 --> 01:24:28,759
Speaker 6: Jack it's me and Ana operating the drone, operating operating

1629
01:24:28,760 --> 01:24:29,360
Speaker 6: that I can't do.

1630
01:24:29,439 --> 01:24:30,479
Speaker 3: I need to learn that accent.

1631
01:24:30,520 --> 01:24:31,400
Speaker 1: It's like it's just great.

1632
01:24:32,120 --> 01:24:34,160
Speaker 3: It's just great. It's just great gardens.

1633
01:24:34,320 --> 01:24:37,559
Speaker 4: Operating the drug. But Atlantic, I can't do it.

1634
01:24:37,720 --> 01:24:38,320
Speaker 3: I can't I.

1635
01:24:41,439 --> 01:24:41,639
Speaker 2: Talk.

1636
01:24:41,720 --> 01:24:43,960
Speaker 3: I think the three of us are so good at

1637
01:24:44,360 --> 01:24:48,839
Speaker 3: accents in moments, but something about today in this episode.

1638
01:24:49,000 --> 01:24:51,160
Speaker 3: I'll speak for myself. I'm so sorry to bring you

1639
01:24:51,160 --> 01:24:52,720
Speaker 3: guys into this. I feel like I have not really

1640
01:24:52,760 --> 01:24:54,120
Speaker 3: stepped up to my accent game.

1641
01:24:54,240 --> 01:24:56,880
Speaker 4: No, we've been doing awful accent work today. I mean

1642
01:24:56,920 --> 01:24:59,200
Speaker 4: my Scottish accent terrible.

1643
01:25:00,080 --> 01:25:04,320
Speaker 2: Talking about I think he's been amazing often up, We're

1644
01:25:04,360 --> 01:25:04,960
Speaker 2: a good job.

1645
01:25:06,520 --> 01:25:08,920
Speaker 3: Just just just do Alan coming if you're if.

1646
01:25:08,800 --> 01:25:14,640
Speaker 9: You Oh, I love.

1647
01:25:14,360 --> 01:25:18,320
Speaker 4: Quote my most favorite movie of all time, and I'm

1648
01:25:18,320 --> 01:25:19,960
Speaker 4: gonna say it and I'll see if you too know

1649
01:25:20,000 --> 01:25:24,080
Speaker 4: what it's from. Okay, eat this for breakfast.

1650
01:25:23,560 --> 01:25:25,880
Speaker 1: Launch sex tape.

1651
01:25:26,000 --> 01:25:32,160
Speaker 2: Yeah, I'm eating bread found right air m that's set

1652
01:25:32,280 --> 01:25:36,240
Speaker 2: tape ever of all time? Yes, and then I love Sharon.

1653
01:25:36,560 --> 01:25:38,960
Speaker 2: Do you ever hear Sharon Osborne's review of that sex tape?

1654
01:25:39,040 --> 01:25:42,679
Speaker 1: No, she goes he's got to dick like a salami.

1655
01:25:44,520 --> 01:25:47,280
Speaker 3: And we're back. We're back to the accent being on point.

1656
01:25:47,720 --> 01:25:48,920
Speaker 4: He's going to take like.

1657
01:25:48,880 --> 01:25:52,800
Speaker 2: A salon, a Salomi on the talk.

1658
01:25:53,280 --> 01:25:55,720
Speaker 4: Oh I wish, I wish it was a show that

1659
01:25:55,760 --> 01:25:59,880
Speaker 4: I do. Miss I keep the Osborne's well, well, you

1660
01:26:00,200 --> 01:26:02,680
Speaker 4: miss a bo Here's my thing. I'm feeling really not

1661
01:26:02,840 --> 01:26:06,200
Speaker 4: seen in my culture this episode. I bring up God Forbid,

1662
01:26:06,240 --> 01:26:09,000
Speaker 4: I bring up Jack Ryan, and the.

1663
01:26:09,080 --> 01:26:10,479
Speaker 1: Odd was affirming you.

1664
01:26:11,000 --> 01:26:11,800
Speaker 3: I've been affirming you.

1665
01:26:12,120 --> 01:26:16,559
Speaker 4: See his energy to me, he's getting reclined in a

1666
01:26:16,680 --> 01:26:19,759
Speaker 4: chair like he wants me to pass him a fucking

1667
01:26:19,880 --> 01:26:28,320
Speaker 4: four foot Iladelph Bong okay, and you know we're here just.

1668
01:26:28,280 --> 01:26:31,400
Speaker 3: Doing your bad. We're all literally just doing our best.

1669
01:26:31,240 --> 01:26:31,600
Speaker 1: Aren't we.

1670
01:26:33,240 --> 01:26:34,639
Speaker 4: Yeah, it's nice, we are.

1671
01:26:35,320 --> 01:26:39,800
Speaker 2: Well, if you are in Edinburgh, Scotland, you've got to

1672
01:26:39,840 --> 01:26:43,000
Speaker 2: go see Exquisite Lies. Yes, please grant a title man.

1673
01:26:43,760 --> 01:26:47,000
Speaker 2: And there's also tons of other amazing shows. I'm excited

1674
01:26:47,200 --> 01:26:50,639
Speaker 2: because well, by the time this episode is out, she'll

1675
01:26:50,680 --> 01:26:54,400
Speaker 2: be gone. But Patty Harrison's my huge Tit's huge because

1676
01:26:54,439 --> 01:26:59,160
Speaker 2: Infected not Fake has been a real barn burner here, hit.

1677
01:26:59,080 --> 01:27:05,960
Speaker 4: Hit Hit, mccallister's tragedy, beg Insalter's Night of Mayhem, and

1678
01:27:06,000 --> 01:27:08,360
Speaker 4: many of them and many others, many, many more, and

1679
01:27:08,400 --> 01:27:10,880
Speaker 4: we're going to see when they exchange later.

1680
01:27:11,439 --> 01:27:13,439
Speaker 3: I love it. It is literally culture.

1681
01:27:14,080 --> 01:27:16,519
Speaker 4: I will say one final I don't think so, honey.

1682
01:27:16,600 --> 01:27:21,240
Speaker 4: Thought is that you know, reviewing is a huge part

1683
01:27:21,280 --> 01:27:24,400
Speaker 4: of the culture out here, getting reviews, getting written up,

1684
01:27:24,439 --> 01:27:27,559
Speaker 4: and thankfully, knock on wood, I've gotten some very nice reviews,

1685
01:27:27,600 --> 01:27:31,360
Speaker 4: but I did get one not so nice review. And

1686
01:27:31,439 --> 01:27:34,759
Speaker 4: here's my thing. If you want, if you are a reviewer,

1687
01:27:34,880 --> 01:27:37,840
Speaker 4: someone that's interested in that, give a POV. Don't just

1688
01:27:37,960 --> 01:27:43,000
Speaker 4: summarize what happens in a show and then at the end,

1689
01:27:43,360 --> 01:27:49,960
Speaker 4: this person said, after summarizing my show basically using my

1690
01:27:50,120 --> 01:27:54,000
Speaker 4: words that I have written about my show, she said,

1691
01:27:54,479 --> 01:27:58,599
Speaker 4: she said, there there are some laughs, but Greta is

1692
01:27:58,760 --> 01:28:02,840
Speaker 4: so unlike a bowl on stage that if there's one

1693
01:28:02,840 --> 01:28:07,800
Speaker 4: thing I know for certain, titleman won't be leaving Edinburgh

1694
01:28:07,840 --> 01:28:09,800
Speaker 4: with any new friends.

1695
01:28:10,080 --> 01:28:11,200
Speaker 1: That's just crazy.

1696
01:28:12,520 --> 01:28:16,759
Speaker 3: That is the most ad hominem bullshit. That is so personal,

1697
01:28:16,840 --> 01:28:19,479
Speaker 3: That is so like this person. What does that have

1698
01:28:19,560 --> 01:28:22,040
Speaker 3: anything to do with the fucking show, you fucking idiot.

1699
01:28:22,560 --> 01:28:24,960
Speaker 4: Oh so, honey, I'm here for work. You think I'm here?

1700
01:28:25,000 --> 01:28:27,440
Speaker 4: I mean, and by the way, I am making absolutely fabulous,

1701
01:28:27,479 --> 01:28:28,600
Speaker 4: lovely friends.

1702
01:28:28,320 --> 01:28:29,120
Speaker 1: Thank you very much.

1703
01:28:29,200 --> 01:28:32,479
Speaker 3: Literally, you're not there to make friends, no period.

1704
01:28:33,479 --> 01:28:34,080
Speaker 1: That's Kelly.

1705
01:28:35,439 --> 01:28:35,680
Speaker 10: I know.

1706
01:28:35,840 --> 01:28:38,960
Speaker 4: Dumb is dumb as shit. Dumb is a unicorn's ship.

1707
01:28:39,240 --> 01:28:42,599
Speaker 1: Usk you Are you feeling better?

1708
01:28:43,200 --> 01:28:45,080
Speaker 3: I don't know. I think the titlan All is kicking in.

1709
01:28:45,200 --> 01:28:47,439
Speaker 3: I think my hope is that I broke my fever

1710
01:28:47,600 --> 01:28:50,240
Speaker 3: last night and I'm on the up and up. If

1711
01:28:50,320 --> 01:28:52,639
Speaker 3: I miss Vegas, I will never forgive myself.

1712
01:28:52,760 --> 01:28:53,439
Speaker 1: You're not no.

1713
01:28:53,600 --> 01:28:56,479
Speaker 4: I don't want to even tell vitamin infusion. Can you

1714
01:28:56,479 --> 01:28:58,120
Speaker 4: go and get like a shot of like.

1715
01:28:58,120 --> 01:29:02,680
Speaker 2: You know between beech in your description called called the

1716
01:29:02,760 --> 01:29:03,439
Speaker 2: IV people.

1717
01:29:03,760 --> 01:29:06,200
Speaker 4: You don't need a prescription, getn't get the ivy DoPT.

1718
01:29:06,439 --> 01:29:07,200
Speaker 1: Don't come to your house.

1719
01:29:07,320 --> 01:29:10,360
Speaker 3: Yeah hm hmmm, I'm don't look into it then.

1720
01:29:10,720 --> 01:29:12,479
Speaker 4: And you can also just go and get a shot,

1721
01:29:12,520 --> 01:29:13,479
Speaker 4: like if I'd been shot.

1722
01:29:13,280 --> 01:29:15,800
Speaker 1: In your ass.

1723
01:29:16,200 --> 01:29:18,960
Speaker 4: I love them, I miss I miss getting those shots

1724
01:29:19,000 --> 01:29:19,639
Speaker 4: in my ass.

1725
01:29:19,960 --> 01:29:23,479
Speaker 2: We have to and this episode of the song because

1726
01:29:23,479 --> 01:29:24,880
Speaker 2: that's what we do every single time.

1727
01:29:26,640 --> 01:29:28,360
Speaker 3: I'll always remember.

1728
01:29:30,840 --> 01:29:40,000
Speaker 1: It was late afternoon, It lasted for and ended so soon.

1729
01:29:41,200 --> 01:29:44,360
Speaker 1: Yeah you by.

1730
01:29:45,760 --> 01:29:54,280
Speaker 11: Staring about it, doctor gas guy, I was changed and

1731
01:29:54,560 --> 01:29:57,639
Speaker 11: please and no one went fine, all.

1732
01:29:58,000 --> 01:30:01,640
Speaker 1: Feeling so deep inside.

1733
01:30:03,560 --> 01:30:05,280
Speaker 4: Inside was there?

1734
01:30:05,800 --> 01:30:14,760
Speaker 1: I realize that corri rises the moments.

1735
01:30:15,479 --> 01:30:27,479
Speaker 10: Cry cry my moments, Oh no no, I wanted to

1736
01:30:27,600 --> 01:30:28,400
Speaker 10: call you.

1737
01:30:29,320 --> 01:30:32,960
Speaker 1: I wanted to make you go away.

1738
01:30:34,280 --> 01:30:38,760
Speaker 4: I didn't you know, I wanted maybe.

1739
01:30:45,320 --> 01:30:48,000
Speaker 3: For more of that listened to a want to remember

1740
01:30:48,080 --> 01:30:50,479
Speaker 3: soundtra and her love is like the wind.

1741
01:30:50,920 --> 01:30:53,880
Speaker 1: I can't see it, but I hail it. Bye