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Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I'm

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Speaker 1: your host Movie Mike, joined by my wife and co

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Speaker 1: host Kelsey. How are you.

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Speaker 2: I'm great. We're recording this late on a Friday night,

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Speaker 2: before the snow.

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Speaker 1: We are preparing for it. We're prepared. We were so prepared.

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Speaker 2: We aren't prepared. I mean we don't have like a

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Speaker 2: generator or anything. So we're prepared for every scenario except that.

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Speaker 1: We got a lot of snacks. We have so many beverages, coffee,

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Speaker 1: we're good, battery chargers, all the things.

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Speaker 2: Honestly, shout out to my grandparents. They've given us a

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Speaker 2: lot of like emergency weather gear. We have this like

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Speaker 2: battery pack thing that's like so strong it could jump

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Speaker 2: start a car.

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Speaker 1: But we are here to talk about the OSCAR nominations.

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Speaker 1: I will give my predictions, surprises and snubs in the

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Speaker 1: movie review. I went to go see Before the Storm,

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Speaker 1: the new Chris Pratt movie Mercy.

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Speaker 2: Before the Storm is not the name of the movie.

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Speaker 2: Before the Storm is when you went to see it.

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Speaker 2: Can we also discuss what happened to me before the

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Speaker 2: storm this week? Before our driveways even icye yes, I

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Speaker 2: so we have this weird driveway. It's like not a

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Speaker 2: concrete I think it's like an aggregate material, is what

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Speaker 2: my boss thinks it is. And it gets really slick

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Speaker 2: when it rains, and so I was so careful all day.

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Speaker 2: The day it rained, I get back from working out

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Speaker 2: and I step on the driveway wrong and I go down.

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Speaker 2: I'm talking hard, like right on my elbow. I have

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Speaker 2: no chance to like try to break my fall with

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Speaker 2: anything elbow and tailbone. I come in like not fully sobbing.

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Speaker 2: I think I came in pretty.

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Speaker 1: Calm, too calm.

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Speaker 2: It was the adrenaline picked me up and got me inside.

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Speaker 2: And then I took a shower and cried the whole time.

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Speaker 2: And then I cried a lot after. My elbow's not broken.

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Speaker 2: I did have to get an X ray, but it

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Speaker 2: is like black and blue limited range of motion. Today

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Speaker 2: was the first day I could like wash my hair again.

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Speaker 2: But yeah, that's what I did this week. So I

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Speaker 2: had to get my yearly X ray. And I say

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Speaker 2: yearly because I've had to get an X ray every

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Speaker 2: year for the past like five years, because I injure myself.

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Speaker 1: You're technically on the men now, Yes, hasn't gotten worse

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Speaker 1: which is really worse.

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Speaker 2: My tailbone hurts too because I fell on that, so

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Speaker 2: getting up it's a bit difficult because I can only

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Speaker 2: use like one arm. Anyways, I just I and to

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Speaker 2: just tell everyone be careful.

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Speaker 1: And then we'll wrap it up in the trailer park

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Speaker 1: and talk about Chris hemsworst new movie Crime one oh one,

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Speaker 1: which actually looks pretty good. Mark Ruffalo, halle Berry, thank

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Speaker 1: you for being here, thank you for being subscribed. Shout

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Speaker 1: out to the Monday Morning Movie crew. And now let's

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Speaker 1: talk movies from the podcast Network Movie Mikes Movie Podcast.

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Speaker 1: All right, we will get right into the list. Kelsey

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Speaker 1: will read the category and the nominees, and I'll give

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Speaker 1: you my predictions. Let's kick it off with Best Picture.

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Speaker 2: All right. The nominees are Pigonia, F One, Frankenstein, Hamnett, Marty,

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Speaker 2: Supreme One, Battle after Another, Secret Agent, Sentimental Value, Sinners,

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Speaker 2: and Trained Dreams.

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Speaker 1: I love that there's a big variety this year.

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Speaker 2: Big variety.

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Speaker 1: You have F One, which is well, Sinners did really well,

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Speaker 1: but on top of that another just really good, commercially

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Speaker 1: successful movie that people have actually seen.

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Speaker 2: We were so surprised to how Muchweenjoy that movie loved it.

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Speaker 1: I'm glad that those movies get represented because is it

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Speaker 1: the most novel movie now? But was it really good

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Speaker 1: and it had Brad Pitt, great director and people actually

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Speaker 1: watched it. Yeah, Sinners is right up there too because

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Speaker 1: a lot of people watch that movie too, and it's

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Speaker 1: also just a really good movie, so you have some

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Speaker 1: representation here. I do think there are some snubs. I

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Speaker 1: would have liked to have seen Weapons, which also did

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Speaker 1: really well, but probably in the eyes of the Academy

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Speaker 1: not the most novel movie. They also have a hard

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Speaker 1: time recognizing horror, which Sinners is all over the place.

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Speaker 1: Has the most nominations of any movie now, which is awesome.

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Speaker 2: But there is some representation for Weapons later in the category.

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Speaker 1: Yes there is, but I would have loved to have

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Speaker 1: seen them. For Best Picture. K Pop Demon Hunters I

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Speaker 1: also think should have been in this category. Massive movie,

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Speaker 1: probably the biggest movie of the year just on streaming

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Speaker 1: numbers alone, and impact as far as like just the

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Speaker 1: culture relevance, the song everything.

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Speaker 2: I Know, multiple songs that I never watched, the whole thing.

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Speaker 1: I think that is worthy of the Best Picture because

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Speaker 1: to me, best Picture defines the year. I look back

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Speaker 1: on the Best Picture winners, and I think that is

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Speaker 1: where we stood in culture in that year. K Pop

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Speaker 1: Demon Hunters should have been nominated. Sorry, Baby should have

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Speaker 1: been nominated. So fantastic movie. I was surprised not to

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Speaker 1: see that there. And Wicked not getting anything, which is

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Speaker 1: about good.

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Speaker 2: Remember when we all thought like Wicked didn't get it,

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Speaker 2: We're like.

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Speaker 1: Oh, the definitely waiting until they close this.

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Speaker 2: Out, although I do think the first movie was better.

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Speaker 2: Was either was going to be nominated first.

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Speaker 1: But I thought they would hold off until the whole

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Speaker 1: thing was out. This is where you get your flowers.

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Speaker 1: To not get anything that is crazy. But there are

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Speaker 1: some really good nominees in there. I would say, overall,

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Speaker 1: probably the strongest class of nominees for Best Picture since

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Speaker 1: twenty nineteen.

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Speaker 2: It's really strong.

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Speaker 1: But when it comes to who I think is going

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Speaker 1: to win, I'm going to say one battle after another,

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Speaker 1: that is my prediction. It crushed at the Golden Glows,

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Speaker 1: but even if that was not in consideration here, I

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Speaker 1: just think it has the team behind it because to

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Speaker 1: win Best Picture, you also have to have a team

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Speaker 1: campaigning for you to win, and I think it also

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Speaker 1: has the best team.

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Speaker 2: Can I give my predictions or you can't cast Hane.

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Speaker 1: Just because it's just straight up like this is what

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Speaker 1: the Academy wants. It's so artsy.

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Speaker 2: Yeah, I mean it already won like Best Drama at

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Speaker 2: the Golden Globes. I think like their press tour was

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Speaker 2: really strong, and I think like even like their press

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Speaker 2: after the Golden Globes, like I just kind of feel

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Speaker 2: like they have that push on like relatability but like likability,

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Speaker 2: the cast lovable.

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Speaker 1: I mean, I would really want Sinners to win, Like

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Speaker 1: I could see that moment just being like the moment

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Speaker 1: of the night, of the entire cast and crew going

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Speaker 1: up there and accepting that award. But I almost feel

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Speaker 1: like when you see somebody get so many nominations, that

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Speaker 1: doesn't always indicate that they're going to win the big ones.

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Speaker 1: Whenever Killers of the Flower Moon had, I think at

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Speaker 1: the time the record for the most man win anything

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Speaker 1: anything big going based upon how the Academy has voted

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Speaker 1: in the past and how much I think a force

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Speaker 1: that one battle after another has behind it. That is

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Speaker 1: my prediction for Best Picture.

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Speaker 2: Next category, Best Actor, we have Timothy Chalame for Martie

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Speaker 2: Supreme chal May, Leonardo DiCaprio for one Battle after another,

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Speaker 2: Ethan Hawk and Blue Moon, Michael B. Jordan and Sinners

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Speaker 2: and Wagner Mora and The Secret Agent.

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Speaker 1: Really cool for Michael B. Jordan to get his first nomination.

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Speaker 1: I saw like he called his mom and they were

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Speaker 1: crying so sweet. You kind of forget because he's been

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Speaker 1: so successful for so long, is rich and famous. You

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Speaker 1: think that things like this wouldn't matter to him. But

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Speaker 1: it's still the pinnacle of an actor's career to be

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Speaker 1: nominated for Best Actor or Best Actress. Yeah, and I

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Speaker 1: realized that seeing that story, like, oh, this still means

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Speaker 1: a lot, Like that's what they want to It's like

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Speaker 1: an athlete wanting to win the Super Bowl. That is

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Speaker 1: still what they aspire to do. And he was really

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Speaker 1: good in Sinners. But I think the winner here is

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Speaker 1: going to be Timothy Shalloman. No I'm predicting. You don't

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Speaker 1: want him to win.

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Speaker 2: But I'm like, of all the performances in that category, I.

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Speaker 1: Just think that when you look at all these movies,

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Speaker 1: his performance is the most essential to that movie being good.

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Speaker 1: Without Timothy shallow May that is Marty Supreme, that movie

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Speaker 1: would not have the same impact. He is the driving

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Speaker 1: force behind that Leonardo DiCaprio is really good in One Battle,

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Speaker 1: but it's not his best performance and it doesn't drive

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Speaker 1: the whole movie. He has a great supporting cast there.

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Speaker 1: Michael B. Jordan does play two characters, though he plays

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Speaker 1: two people in the same movie. I feel like he

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Speaker 1: is who I want to win, but I'm predicting who

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Speaker 1: will win.

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Speaker 2: I'm going Michael B. Jordan.

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Speaker 1: Okay, I would love to see that, but I still

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Speaker 1: think it's gonna go Timothy Shallo May. He's been eve

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Speaker 1: been wanting this for so long. He got so close

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Speaker 1: with a complete unknown that IM not quite that, but

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Speaker 1: I think he wants this. The surprising thing for me

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Speaker 1: here was the Rock didn't get a nomination, not because

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Speaker 1: I think he deserved it, but just because I think

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Speaker 1: he thinks he deserved it. And that is the whole

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Speaker 1: reason I think he did the Smashing Machine was to

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Speaker 1: get an Oscar nomination at the minimum. To see him

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Speaker 1: not get one, it just reminds me that he's now

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Speaker 1: going to do a bunch of Jumanji movies and Malwana's

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Speaker 1: as much as we can crank out, because he's gonna

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Speaker 1: be like, Oh, I tried it once, it didn't work out.

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Speaker 2: I'm actually disaster movies and if you could give us

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Speaker 2: another disaster movie, we haven't had a good one since,

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Speaker 2: like Skyscraper.

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Speaker 1: Yeah, I would love another Ron Andreas. Yeah, I will

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Speaker 1: take one of those because whenever Black Adam didn't do well,

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Speaker 1: he hasn't touched the superhero genre again.

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Speaker 2: Yeah, give me, give me a disaster movie.

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Speaker 1: The Rock all right.

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Speaker 2: Next category Best Actress, Jesse Buckley for Hamnet, Rose Byrn

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Speaker 2: for If I Had legs, I'd kick you, Kate Hudson

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Speaker 2: for Song Sung Blue, Renata, Rinseve for Sentimental Value, and

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Speaker 2: Emma Stone for Pegonna.

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Speaker 1: Really cool for Rose Byrn to get her first nomination,

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Speaker 1: love that for her. Kate Hudson is a rising out

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Speaker 1: of all the performances in this past year. Kate Hudson

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Speaker 1: gets a nomination out of Nowhere song Sung Blue out

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Speaker 1: of Nowhere just gets one of the biggest nominations of

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Speaker 1: the That is wild to me. I think this is

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Speaker 1: the easiest category I've had to pay say it on.

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Speaker 2: The kind of three one two three.

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Speaker 1: Jesse Buckley, There's no way she doesn't win. There's just

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Speaker 1: no way, because I think she does outshine Paul Meskal

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Speaker 1: in that movie, which is what he's supposed to. He

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Speaker 1: didn't get a nomination at all, which is a big

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Speaker 1: injustice as well. But the emotional level of her performance

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Speaker 1: in Hamnet is just that's just instantly goes to her

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Speaker 1: next category.

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Speaker 2: Best Supporting Actor. Beniccio del Toro one battle after another,

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Speaker 2: Jacob Alordi, Frankenstein, Delroy Lindo, Sinners, Sean Penn, one battle

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Speaker 2: after another, and Stellin Scar's guards sentiment of value, who

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Speaker 2: if he want? I could only hope it is to

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Speaker 2: the tune of yeah Sure, which they like. The Golden Gloves.

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Speaker 2: The music at the Golden Globes was so weird. I

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Speaker 2: think it was like the Spotify ai DJ. I think

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Speaker 2: they just said, like they started with one and it

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Speaker 2: was just like, you know what, I got something else

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Speaker 2: for you that you're gonna love.

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Speaker 1: I think they were trying to, I would say, appeal

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Speaker 1: to a younger audience, but no one younger kid is

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Speaker 1: gonna know some of the songs that they were playing.

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Speaker 2: And then they had like people giving like live comment

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Speaker 2: and you couldn't hear it.

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Speaker 1: It was like a little bit you couldn't hear it

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Speaker 1: over the music.

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Speaker 2: It was a hot mess. There's too many things.

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Speaker 1: I think they're just trying to make the award show

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Speaker 1: more appealing to people with short attention spans.

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Speaker 2: Of sensory overloaded.

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Speaker 1: Because they also had like the map that would show

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Speaker 1: like where the person was sitting, because historically at the

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Speaker 1: Golden Globes it takes so long for the winners to

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Speaker 1: get to the stage. So they're like, how can we

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Speaker 1: make this more interesting. Let's put a map, let's blast

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Speaker 1: some music from the two thousands, and then let's have

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Speaker 1: two people giving commentary and random fun facts as they're

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Speaker 1: walking along chaotic.

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Speaker 2: Also the fact that you just said some younger people

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Speaker 2: wouldn't know all the music. I just felt so old

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Speaker 2: are you talking about? Yeah, there's a gen that doesn't

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Speaker 2: know that song?

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Speaker 1: H I think that song is at least twenty years old,

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Speaker 1: but that's like a CLASSI probably twenty three years old.

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Speaker 1: That song can drink you just call it for me.

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Speaker 1: It's between Benicio and Jacob Balordi. I think it's surprised.

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Speaker 1: Sometimes I just don't even know what constitutes a supporting

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Speaker 1: actor because Jacob Ballordi and Frankenstein is Frankenstein's monster. He

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Speaker 1: is a whole like third chapter to just hit or

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Speaker 1: maybe it's the second chapter. It's all about him. I

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Speaker 1: feel like that's way bigger than a supporting actor, so

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Speaker 1: I could have even seen him in the best actor category,

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Speaker 1: So it's almost hard to completely rule him out. But

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Speaker 1: I love Benisio so much in one Battle after another

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Speaker 1: that he had such a what I would say was

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Speaker 1: limited time on screen where I wanted more of him.

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Speaker 1: He was so good, but when he was on screen,

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Speaker 1: it was so memorable. And the entire scene of him

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Speaker 1: getting pulled over the dance the little beers, like that's

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Speaker 1: just that is the moment for me of twenty twenty five.

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Speaker 2: I think he gets it.

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Speaker 1: Yeah, that is who I have. I think it's between

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Speaker 1: them two, but I think Benisio gets it all right.

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Speaker 2: Best supporting actress Elle Fanning sentimental valume, inga Ibsider, Lily

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Speaker 2: Oz sentimental valume, Amy Madigan, Weapons Woon, Mimo Saku, centers,

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Speaker 2: and Tiana Taylor won Battle after another.

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Speaker 1: This is a tough one. There's a lot of good

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Speaker 1: people in there. I think the split in sentimental value

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Speaker 1: hurts it a little bit, just because you have essentially

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Speaker 1: two actors with the same force behind them, splitting the

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Speaker 1: vote there. Oh, this is really tough for me because

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Speaker 1: Tiana Taylor was also really good one bad. I mean,

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Speaker 1: everybody in here was really good. Amy Madigan is like

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Speaker 1: next level and Weapons because you don't even recognize her.

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Speaker 2: Yeah, I had no clue I.

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Speaker 1: Did when I was watching it. It was just hard

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Speaker 1: for me to even comprehend that that was her. I

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Speaker 1: want to go her so bad, but I think it's

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Speaker 1: because out of all these movies I love, probably I

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Speaker 1: just have like a close connection to Weapons because I

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Speaker 1: feel like it was underrepresented that I would like this

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Speaker 1: to be the only one that they actually win. But

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Speaker 1: I am also considering how they are going to vote,

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Speaker 1: and my pick for winner is l Fanning. Even though

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Speaker 1: I didn't love Sentimental Value, I still think her performance

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Speaker 1: in that, paired with how I think the Academy is

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Speaker 1: going to vote, I think she wins, which she is

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Speaker 1: first time nominated. I think that would be huge for her.

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Speaker 2: And it was really sweet how much Dakota Fanning celebrated

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Speaker 2: her too.

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Speaker 1: Yeah. I think she's Yeah, she's like crushing it right now, crushing.

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Speaker 1: I haven't seen a bad role of hers in everything

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Speaker 1: I saw her in the last year.

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Speaker 2: I'm going to go, Tiana Taylor. All right, next category,

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Speaker 2: Best Director, we have Chloe Jau for Hamnett, Josh Safty

295
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Speaker 2: from Marty Supreme, Paul Thomas Anderson for one Battle after another,

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Speaker 2: you know, a Kim Trier for sentimental value, and Ryan

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Speaker 2: Kugler for Sinners.

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Speaker 1: I want Ryan Cougler to win.

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Speaker 2: So this is a tough category.

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Speaker 1: I just how do you nominate that movie for so

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Speaker 1: many awards and have it not win because it's against

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Speaker 1: just three other what I would consider top tier movies

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Speaker 1: that are right there with it. I like Ryan Cougler

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Speaker 1: the best out of everybody here, but it's almost so

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Speaker 1: hard to bet against Paul Thomas Anderson.

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Speaker 2: Oh see, I was gonna say Chloe shoo really.

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Speaker 1: I mean, yeah's she has won it before.

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Speaker 2: I mean, I think it would be awesome for Kuchler

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Speaker 2: to win.

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Speaker 1: I think I think he would be the most in awe.

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Speaker 1: He would easily give the best speech, which is what

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Speaker 1: I love. I love seeing somebody go up there and

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Speaker 1: they talk about how much this is just completing their dream.

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Speaker 2: Don't let one of the Safti brothers up there.

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Speaker 1: Yeah, I don't see Josh Saftie even in the I

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Speaker 1: mean he is in the conversation because he is nominated, obviously,

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Speaker 1: But to me, the conversation is between Hamnett one Battle

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Speaker 1: and Sinners. Hard for me to bet against it, even

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Speaker 1: though I want Ryan Cougler. I'm gonna go Paul Thomas Anderson.

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Speaker 2: And I'm gonna go Cloe Show.

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Speaker 1: Okay.

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Speaker 2: Best Animated Feature Film Arco l e O, K Pop

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Speaker 2: Demon Hunters, Little Emily or the Character of Rain, and

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Speaker 2: Zutopia two.

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Speaker 1: Disney just always gets almost like just I mean, Zutopia

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Speaker 1: did make the most money out of any movie on

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Speaker 1: this list.

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Speaker 2: And it is one of the only movies we saw

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Speaker 2: twice lash and it.

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Speaker 1: Is really good. It's pretty good. Really hard for any

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Speaker 1: movie that is a sequel to win, but if you

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Speaker 1: are going to win, it's going to be in the

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Speaker 1: Best Animated because Toy Story three did win this category,

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Speaker 1: so not impossible. I'm surprised Eliot is nominated. I don't

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Speaker 1: feel like that is the strongest Pixar movie in the

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Speaker 1: last ten years. But I think if K Pop Demon

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Speaker 1: Hunters does not win, we riot, Yeah, like you can't.

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Speaker 1: It got two nominations total.

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Speaker 2: The biggest cultural sensation, It's it was the main attraction

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Speaker 2: of the Macy's Thanksgiving Day perides. It is the number one,

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Speaker 2: like Halloween Costume. I think it has to be that.

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Speaker 1: The most amount of hours watched. There is such a

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Speaker 1: huge disparity between one and two on Netflix between how

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Speaker 1: many hours watched. Yeah, that it swallows everything else on

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Speaker 1: Netflix right now. So I'm going k Pop Demon Hunters agreed.

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Speaker 2: Next is best adapted screenplay, bigogna, Frankenstein, Hamnet, one Battle

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Speaker 2: after Another or train Dreams.

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Speaker 1: So adapted a meaning that it was either a book

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Speaker 1: or some other work and they turn it into a screenplay,

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Speaker 1: make it into a movie. I'm gonna go Frankenstein. It

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Speaker 1: is hard to retell Frankenstein in a way that hasn't

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Speaker 1: been done before, that feels fresh, that feels unique, and

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Speaker 1: Gamel de Toro is probably the only person who could

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Speaker 1: still have success doing a story that is old at

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Speaker 1: this point. So I'm going with Frankenstein. I think that

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Speaker 1: was pretty easy.

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Speaker 2: I'm going Hamnet, betting all of my money on Hamnet.

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Speaker 1: Tang. I didn't know you'd go so hard on Hamnet.

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Speaker 2: I also liked the movie better than the book, okay,

360
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Speaker 2: because I forgot you read the book, so it is

361
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Speaker 2: not like a fast moving story. It's not like action packed,

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Speaker 2: like there are events, but it is a bit of

363
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Speaker 2: a slower movie, wouldn't you say a little more contemplated.

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Speaker 1: Yes, so much of a slow burn that if you

365
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Speaker 1: don't movies where you have to pay attention the whole

366
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Speaker 1: time and really soaking the emotions, you're not going to

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Speaker 1: have a good time.

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Speaker 2: And I think that story was better told on film

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Speaker 2: than in a book because it's a lot of descriptive

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Speaker 2: adjectives in the book, and I find that easier to

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Speaker 2: absorb in a visual medium.

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Speaker 1: You can so feel it, you can live in it.

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Speaker 2: And I just again Jesse Buckley's performance and the little

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Speaker 2: kid who played AMNet. So yeah, I'm going Hamnet. I

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Speaker 2: didn't expect to ride this hard for Hamlet, but here

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Speaker 2: we are speaking to me in this moment.

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Speaker 1: All right.

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Speaker 2: Next, the Best Original Screenplay Blue Moon. It was just

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Speaker 2: an accident, Marty, Supreme Centimental Value or sinners.

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Speaker 1: I'm going to go sinners here. I think it's going

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Speaker 1: to win, maybe not all the big awards, but I

382
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Speaker 1: think it can take some home here in the lower categories.

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Speaker 1: I'm going to go with sinners.

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Speaker 2: I agree, all right, Best International film The Secret Agent

385
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Speaker 2: from Brazil. It was just an accident. France, sentimental value, Norway,

386
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Speaker 2: Sarat Spain and the Voice of Hindrijab Tunisia.

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Speaker 1: First of all, no other choice. Where is no other choice?

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Speaker 1: How did that not get a nomination, not only for

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Speaker 1: Best International Film. I thought that was gonna be an

390
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Speaker 1: easy one.

391
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Speaker 2: We riot.

392
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Speaker 1: I thought it was worthy of getting a Best Picture

393
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Speaker 1: nomination and I was like, Okay, I didn't get Best Picture.

394
00:18:12,560 --> 00:18:17,399
Speaker 1: Maybe not that dynamic enough category was crowded, But to

395
00:18:17,520 --> 00:18:21,240
Speaker 1: not get Best International Film, that is crazy to me.

396
00:18:21,400 --> 00:18:23,960
Speaker 1: That is one of the best movies we saw it

397
00:18:24,320 --> 00:18:28,159
Speaker 1: in the last year. That being said easily goes to

398
00:18:28,240 --> 00:18:32,800
Speaker 1: sentimental value. That's it's nominated for Best Picture. I think

399
00:18:32,800 --> 00:18:34,800
Speaker 1: that's an easy one. Sentimental value all the way.

400
00:18:35,040 --> 00:18:39,040
Speaker 2: I agree next, best film editing f one Martie Supreme,

401
00:18:39,280 --> 00:18:42,400
Speaker 2: one bottle after another, sentimental value for sinners.

402
00:18:42,640 --> 00:18:46,200
Speaker 1: I think film editing is so important at because the

403
00:18:46,240 --> 00:18:49,040
Speaker 1: hardest thing about making a movie is sometimes when you're

404
00:18:49,040 --> 00:18:51,520
Speaker 1: making it, you don't know what you have yet and

405
00:18:51,560 --> 00:18:53,359
Speaker 1: you think you got it, but so much of it

406
00:18:53,400 --> 00:18:56,560
Speaker 1: is in the edit where I think some people don't realize,

407
00:18:56,600 --> 00:18:58,199
Speaker 1: like how did they not know they were making a

408
00:18:58,240 --> 00:19:01,280
Speaker 1: bad movie. It all comes down to the editing. What

409
00:19:01,720 --> 00:19:03,879
Speaker 1: take do they decide to use? Do they use the

410
00:19:03,880 --> 00:19:05,919
Speaker 1: best one? Do they piece all the story together in

411
00:19:05,960 --> 00:19:08,560
Speaker 1: a way that it was envisioned while they were making it.

412
00:19:08,760 --> 00:19:11,520
Speaker 1: Sometimes it can get lost in the edit. So I

413
00:19:11,560 --> 00:19:15,000
Speaker 1: think that is why I love that this category exists.

414
00:19:15,520 --> 00:19:17,920
Speaker 1: I'm going with Marty Supreme because I think the editing

415
00:19:18,000 --> 00:19:21,479
Speaker 1: in that movie creates an incredible pacing that made that

416
00:19:21,600 --> 00:19:24,040
Speaker 1: movie give me anxiety. And I think that all comes

417
00:19:24,040 --> 00:19:27,119
Speaker 1: in the editing, the pacing of the action, and it

418
00:19:27,160 --> 00:19:30,280
Speaker 1: always feels like it's moving forward. I think of all

419
00:19:30,359 --> 00:19:33,720
Speaker 1: the movies, it had the most unique editing. So I'm

420
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Speaker 1: going Marty Supreme.

421
00:19:34,920 --> 00:19:36,320
Speaker 2: Okay, I'm gonna go F one.

422
00:19:36,600 --> 00:19:38,359
Speaker 1: I could see that one too. I think that was

423
00:19:38,400 --> 00:19:41,600
Speaker 1: a big part of making that story feel as big

424
00:19:41,640 --> 00:19:44,280
Speaker 1: as possible, And a lot of the editing when it

425
00:19:44,320 --> 00:19:47,200
Speaker 1: came to the actual action in the races was also

426
00:19:47,280 --> 00:19:47,800
Speaker 1: really good.

427
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Speaker 2: Yeah, all right. Best costume Design Avatar, Fire and Ash, Frankenstein, Hamnett,

428
00:19:54,600 --> 00:19:56,400
Speaker 2: Marty Supreme, Sinners.

429
00:19:57,040 --> 00:19:59,159
Speaker 1: This is actually a tough category when you think about it.

430
00:19:59,160 --> 00:20:03,120
Speaker 1: I love the cast costume design category because I love

431
00:20:03,200 --> 00:20:06,399
Speaker 1: the people who win this award and go give their speech,

432
00:20:06,640 --> 00:20:09,479
Speaker 1: because those people are the most passionate of anybody in

433
00:20:09,480 --> 00:20:12,960
Speaker 1: this category. Oh yeah, if you love costume design, you

434
00:20:13,119 --> 00:20:15,560
Speaker 1: really love costume design and it.

435
00:20:15,440 --> 00:20:17,840
Speaker 2: Tells so much of a story that you don't think about,

436
00:20:17,880 --> 00:20:20,080
Speaker 2: like how important the clothes are in a movie.

437
00:20:19,800 --> 00:20:23,199
Speaker 1: The textures of clothes, the getting it right down to

438
00:20:23,280 --> 00:20:25,520
Speaker 1: the time period, and all the little things. You don't

439
00:20:25,560 --> 00:20:28,320
Speaker 1: realize how much perfect detail it adds to a story.

440
00:20:28,680 --> 00:20:31,720
Speaker 1: And in this category you have a lot of movies

441
00:20:31,760 --> 00:20:35,200
Speaker 1: set back in the like Frankenstein. The wardrobe is so important.

442
00:20:35,359 --> 00:20:40,040
Speaker 1: Yea costume is so important. Hamnet also incredibly important, Marty

443
00:20:40,119 --> 00:20:44,520
Speaker 1: Supreme also with the trousers and the old school fifties

444
00:20:44,800 --> 00:20:49,040
Speaker 1: attire super important. In Sinners they used I think a

445
00:20:49,040 --> 00:20:51,840
Speaker 1: lot of the wardrobe that was meant for the Blade movie.

446
00:20:52,359 --> 00:20:54,040
Speaker 1: So all these movies.

447
00:20:54,760 --> 00:20:56,240
Speaker 2: Is there even costumes in Avatar?

448
00:20:57,080 --> 00:21:00,520
Speaker 1: That's a good question. Make a lot of it is

449
00:21:00,600 --> 00:21:05,640
Speaker 1: computer and it's a little loinclaw. So take that one

450
00:21:05,680 --> 00:21:06,560
Speaker 1: out of the category.

451
00:21:06,600 --> 00:21:09,200
Speaker 2: We haven't mentioned that one yet. You started at Frankenstein.

452
00:21:09,320 --> 00:21:12,200
Speaker 2: I'm just skipped over at it because I didn't consider that. Well,

453
00:21:12,440 --> 00:21:13,720
Speaker 2: I guess the humans in.

454
00:21:13,720 --> 00:21:16,600
Speaker 1: It what military ulitary? That's it?

455
00:21:16,840 --> 00:21:17,080
Speaker 2: Yeah.

456
00:21:17,160 --> 00:21:20,840
Speaker 1: This that is a miss fire on fire and ash

457
00:21:20,880 --> 00:21:24,360
Speaker 1: that should not be in this category. So I think

458
00:21:24,400 --> 00:21:26,520
Speaker 1: when it comes down to it, if I had to

459
00:21:26,560 --> 00:21:29,040
Speaker 1: pick one that I would dress like, I'd be Marty Supreme,

460
00:21:29,520 --> 00:21:31,920
Speaker 1: Like that is the wardrobe I would steal from and wear.

461
00:21:32,520 --> 00:21:34,240
Speaker 1: But I think when it comes to you, who should

462
00:21:34,240 --> 00:21:36,560
Speaker 1: win this award, I'm going with Frankenstein.

463
00:21:36,720 --> 00:21:39,480
Speaker 2: I'm also going Frankenstein for this one. I love that

464
00:21:39,560 --> 00:21:43,520
Speaker 2: category Best Makeup and Hairstyling. Again, people very passionate. Yeah,

465
00:21:43,520 --> 00:21:49,240
Speaker 2: what they're doing Frankenstein, Coaku Oh Sinners, the Smashing Machine

466
00:21:49,520 --> 00:21:50,680
Speaker 2: and the Ugly Stop Sister.

467
00:21:51,480 --> 00:21:54,879
Speaker 1: Easy Frankenstein. That's because of Jacob Elordi's sitting in that

468
00:21:55,000 --> 00:21:57,000
Speaker 1: chair for an hour's total track.

469
00:21:57,480 --> 00:22:01,600
Speaker 2: Jieve Cynthia Riveo didn't. Yeah, even like Wicked get for

470
00:22:01,840 --> 00:22:04,640
Speaker 2: best Makeup and Hairstyling. She was turned green every day.

471
00:22:05,240 --> 00:22:09,440
Speaker 2: That's crazy. Yeah, And like Ariana Grande's hair is Glinda.

472
00:22:09,119 --> 00:22:11,600
Speaker 1: The good And this, I mean the Smashing Machine got

473
00:22:11,680 --> 00:22:14,240
Speaker 1: it because of the prosthetics they used on the Rock

474
00:22:14,359 --> 00:22:16,280
Speaker 1: to make him look a little bit different. Didn't make

475
00:22:16,280 --> 00:22:17,760
Speaker 1: the movie any better. But then by the end of

476
00:22:17,800 --> 00:22:19,960
Speaker 1: it he looks exactly the same because he shaves his head.

477
00:22:20,520 --> 00:22:22,639
Speaker 1: I'm going with Frankenstein, all right.

478
00:22:22,760 --> 00:22:26,920
Speaker 2: Best visual Effects Avatar, Fire and ash f one, Jurassic

479
00:22:27,040 --> 00:22:31,240
Speaker 2: World Rebirth, sorry, laughter, the Lost Bus, and Sinners. I

480
00:22:31,440 --> 00:22:33,719
Speaker 2: just wasn't expecting Jurassic World in that category.

481
00:22:33,840 --> 00:22:36,120
Speaker 1: The Lost Bus to get a nomination is kind of cool.

482
00:22:36,320 --> 00:22:39,040
Speaker 2: Yeah, I thought that was a good movie, but I

483
00:22:39,119 --> 00:22:42,359
Speaker 2: also know that we love disaster movies. Yeah, I was

484
00:22:42,359 --> 00:22:44,480
Speaker 2: a little disappointed when I found out how much okay,

485
00:22:45,080 --> 00:22:47,040
Speaker 2: not how much they embellished, because like, I didn't want

486
00:22:47,080 --> 00:22:49,000
Speaker 2: real people to go through like the trauma. But then

487
00:22:49,080 --> 00:22:51,159
Speaker 2: you're like, this based on a true story and then

488
00:22:51,200 --> 00:22:53,040
Speaker 2: you're like, oh, the parts that were the most like

489
00:22:53,160 --> 00:22:56,480
Speaker 2: harrowing parts up. So I had mixed feelings about that.

490
00:22:56,520 --> 00:22:58,280
Speaker 2: But yes, cool to get a nomination, but did have

491
00:22:58,359 --> 00:23:01,720
Speaker 2: a lot of good visual effects for stunning that made

492
00:23:01,800 --> 00:23:02,480
Speaker 2: the movie.

493
00:23:02,720 --> 00:23:06,879
Speaker 1: Sinners, I mean good, but I don't think Oscar worthy.

494
00:23:07,359 --> 00:23:10,119
Speaker 1: Jurassic World Rebirth, no way, I don't know how I mean,

495
00:23:10,160 --> 00:23:11,760
Speaker 1: I think this is kind of like, Okay, let's.

496
00:23:11,840 --> 00:23:14,280
Speaker 2: This was a paid nomination by Snickers, if you know,

497
00:23:14,359 --> 00:23:15,720
Speaker 2: you know from Snickers.

498
00:23:15,920 --> 00:23:18,879
Speaker 1: Dinosaurs didn't even look that good. In that movie, the.

499
00:23:18,920 --> 00:23:21,800
Speaker 2: Only good visual effect was Jonathan Bailey and as the

500
00:23:21,840 --> 00:23:24,159
Speaker 2: Internet took to calling them slutty little glasses.

501
00:23:24,040 --> 00:23:27,240
Speaker 1: And f one, I don't see the visual effects being

502
00:23:27,359 --> 00:23:29,920
Speaker 1: as dynamic as Avatar. I'm going with Avatar.

503
00:23:29,960 --> 00:23:31,680
Speaker 2: I was gonna say, you also skipped Avatar again, you

504
00:23:31,680 --> 00:23:32,480
Speaker 2: didn't even mention it.

505
00:23:32,600 --> 00:23:34,480
Speaker 1: I like to go back to it, but I think

506
00:23:34,520 --> 00:23:39,359
Speaker 1: it's easily Avatar, because yeah, the movie was really good looking,

507
00:23:39,480 --> 00:23:43,960
Speaker 1: visually stunning, the automatically boring last year, the only movie

508
00:23:44,240 --> 00:23:46,960
Speaker 1: we went to go see that. I truly felt like

509
00:23:47,080 --> 00:23:49,800
Speaker 1: seeing it on the big screen impacted it the most

510
00:23:50,200 --> 00:23:54,000
Speaker 1: because it really looked different. It looked like a video game.

511
00:23:54,520 --> 00:23:57,119
Speaker 2: Yeah, the beginning it had like so much motion and

512
00:23:57,200 --> 00:23:58,520
Speaker 2: we didn't even see it in three D that I

513
00:23:58,720 --> 00:23:59,920
Speaker 2: was like, I'm gonna be sick.

514
00:24:00,000 --> 00:24:02,520
Speaker 1: It's so like visual It looked like we were watching

515
00:24:02,640 --> 00:24:05,560
Speaker 1: like the highest quality screen, even though it was just

516
00:24:05,640 --> 00:24:08,639
Speaker 1: our normal screen. Wasn't iMac wasn't anything different. So for

517
00:24:08,800 --> 00:24:11,720
Speaker 1: that reason, I'm going Avatar, Fire and Ash.

518
00:24:11,760 --> 00:24:13,760
Speaker 2: I would agree with that one, all right, Best sound

519
00:24:14,359 --> 00:24:19,280
Speaker 2: f one, Frankenstein one Battle after Another, Sinners, sarat F one.

520
00:24:19,760 --> 00:24:22,560
Speaker 1: I'm going right off the bat because that sound design

521
00:24:22,720 --> 00:24:25,720
Speaker 1: was so good in F one, wouldn't put.

522
00:24:25,680 --> 00:24:28,800
Speaker 2: You in like thinking you were at an actual Formula

523
00:24:28,880 --> 00:24:29,240
Speaker 2: one race.

524
00:24:29,240 --> 00:24:32,879
Speaker 1: It sounds of the cars and the tires and the engines.

525
00:24:32,520 --> 00:24:34,920
Speaker 2: The pit crew, like just like when they'd pull in

526
00:24:35,040 --> 00:24:37,120
Speaker 2: and you're like quickly taking tires off, yeah.

527
00:24:37,000 --> 00:24:39,320
Speaker 1: And how they took out like all the other sound

528
00:24:39,359 --> 00:24:41,760
Speaker 1: at times like there was no crowd noise, there was

529
00:24:41,840 --> 00:24:45,280
Speaker 1: no score or music playing. It was so raw and

530
00:24:45,440 --> 00:24:47,960
Speaker 1: put you right in that seat with Brad Pitt that

531
00:24:48,480 --> 00:24:51,080
Speaker 1: if ever I talk about the sound during a review,

532
00:24:51,640 --> 00:24:53,280
Speaker 1: and I think out of all these movies, that was

533
00:24:53,320 --> 00:24:55,760
Speaker 1: the really only one that I brought that up. That

534
00:24:55,880 --> 00:24:57,880
Speaker 1: means it has to win. I'm going with F one,

535
00:24:58,119 --> 00:24:58,480
Speaker 1: all right.

536
00:24:58,560 --> 00:25:04,400
Speaker 2: Best cinematography Frankenstein, Marty Supreme, One Battle after Another, Sinners

537
00:25:05,040 --> 00:25:05,720
Speaker 2: or Train Dreams.

538
00:25:05,880 --> 00:25:09,560
Speaker 1: I love cinematography, and this is the really stack category.

539
00:25:10,000 --> 00:25:12,720
Speaker 2: But there's one that we watched it. Yeah, and you

540
00:25:13,200 --> 00:25:15,399
Speaker 2: said that you think you're gonna take it's gonna take it.

541
00:25:15,600 --> 00:25:20,120
Speaker 1: Because Frankenstein really good. Marty Supreme probably the weakest out

542
00:25:20,119 --> 00:25:24,200
Speaker 1: of this entire category. One Battle after Another really good,

543
00:25:24,520 --> 00:25:28,679
Speaker 1: Like there's some really greatly framed shots and just ways

544
00:25:28,720 --> 00:25:31,040
Speaker 1: that the camera is set. Also the types of camera

545
00:25:31,160 --> 00:25:35,160
Speaker 1: that they used to create such amazing depth. Sinners also

546
00:25:35,320 --> 00:25:37,560
Speaker 1: really good, had some fantastic shots. I think one of

547
00:25:37,560 --> 00:25:40,159
Speaker 1: the best shots of the year with Michael B. Jordan

548
00:25:40,640 --> 00:25:42,840
Speaker 1: and Preacher Boy at the very end with the flames

549
00:25:42,840 --> 00:25:44,879
Speaker 1: in their eyes. Like there are specific moments from all

550
00:25:44,960 --> 00:25:47,280
Speaker 1: these movies that are just set in my head as photographs.

551
00:25:47,560 --> 00:25:51,080
Speaker 1: But the one movie I watched and I was immediately

552
00:25:51,720 --> 00:25:54,159
Speaker 1: knew this was going to be my pick, Train Dreams.

553
00:25:54,880 --> 00:25:55,880
Speaker 2: It has to win.

554
00:25:56,119 --> 00:25:58,399
Speaker 1: It's in the four to three aspect ratio, which is

555
00:25:58,480 --> 00:26:01,080
Speaker 1: the square, which I love because anytime a movie is

556
00:26:01,280 --> 00:26:05,480
Speaker 1: in that ratio, that means it's committing to an art style.

557
00:26:06,000 --> 00:26:08,639
Speaker 1: And you could take any single frame of Train Dreams

558
00:26:08,960 --> 00:26:10,640
Speaker 1: and print it off and put it on your wall

559
00:26:10,680 --> 00:26:11,480
Speaker 1: and it's the great photo.

560
00:26:11,720 --> 00:26:16,400
Speaker 2: The color saturation, the tone of the film beautiful, best

561
00:26:16,440 --> 00:26:18,960
Speaker 2: color grading I've seen in a Netflix movie ever.

562
00:26:19,440 --> 00:26:23,639
Speaker 1: Stunning that even though the movie is a slower burn, Oh,

563
00:26:23,840 --> 00:26:27,120
Speaker 1: it's so good and such a visual treat because it's

564
00:26:27,160 --> 00:26:29,920
Speaker 1: so comforting and looks so good the entire time. Very

565
00:26:29,960 --> 00:26:32,240
Speaker 1: sad movie, yes, it is very sad. It's just the

566
00:26:32,280 --> 00:26:35,200
Speaker 1: story about a guy in the early nineteen hundred, just

567
00:26:35,280 --> 00:26:36,240
Speaker 1: live in his life.

568
00:26:36,080 --> 00:26:39,159
Speaker 2: And some trying to make a living as a logger.

569
00:26:39,680 --> 00:26:42,000
Speaker 1: Yeah, so if you haven't seen that one, it's also

570
00:26:42,080 --> 00:26:44,920
Speaker 1: the most accessible movie because it is on Netflix. That's

571
00:26:44,920 --> 00:26:47,879
Speaker 1: the other thing that I don't like whenever these nominations

572
00:26:47,920 --> 00:26:50,400
Speaker 1: come out is it's not always the easiest to watch

573
00:26:50,480 --> 00:26:52,119
Speaker 1: them all because some of them come out in like

574
00:26:52,200 --> 00:26:55,359
Speaker 1: small theater runs. I wish they were all available to watch.

575
00:26:55,680 --> 00:26:58,000
Speaker 2: My younger brother Major is not happy about.

576
00:26:58,160 --> 00:26:59,000
Speaker 1: Yeah, it's tough.

577
00:26:59,240 --> 00:27:02,200
Speaker 2: He's like, none of these are like on streaming, and

578
00:27:02,280 --> 00:27:04,400
Speaker 2: he's like they're not playing it like the cinemak down

579
00:27:04,440 --> 00:27:04,960
Speaker 2: the Road.

580
00:27:05,040 --> 00:27:07,280
Speaker 1: Not even some ransomtimes or you'd at the buyer for

581
00:27:07,400 --> 00:27:08,159
Speaker 1: like twenty blocks.

582
00:27:08,400 --> 00:27:08,600
Speaker 2: Yeah.

583
00:27:08,840 --> 00:27:11,360
Speaker 1: So yeah, I'm going with Train Dreams on that one.

584
00:27:11,440 --> 00:27:13,959
Speaker 1: We have my couple more categories here, all right.

585
00:27:14,119 --> 00:27:18,080
Speaker 2: Best Original Song Dear Me by Diane Warren from Diane Warren,

586
00:27:18,119 --> 00:27:23,359
Speaker 2: Relentless Golden by E. J. Mark, Sonenblick, Jung Goo Kwak You,

587
00:27:23,640 --> 00:27:27,000
Speaker 2: Han Lee Hi, Dong Nam Jong hun Son and Teddy

588
00:27:27,080 --> 00:27:30,320
Speaker 2: Park from k POB Demon Hunters. I Lied to You

589
00:27:30,480 --> 00:27:34,359
Speaker 2: by Raphael Sadik and Ludwig Gordonson from Centers Sweet Dreams

590
00:27:34,400 --> 00:27:37,240
Speaker 2: of Joy by Nicholas Pike from Viva Verdi and Trained

591
00:27:37,320 --> 00:27:40,000
Speaker 2: Dreams by Nick Caven Bryce Doesner from Trained Dreams.

592
00:27:40,240 --> 00:27:42,119
Speaker 1: I would love Ludwig to win. He's one of my

593
00:27:42,359 --> 00:27:46,720
Speaker 1: favorite musicians. He's done things for like The Mandalorian. He

594
00:27:46,960 --> 00:27:50,080
Speaker 1: was Childish Gambino's guitar player on tour for a long time,

595
00:27:50,160 --> 00:27:52,119
Speaker 1: and I saw him a couple of times. I just

596
00:27:52,280 --> 00:27:55,359
Speaker 1: like him as a person. But we've been talking about

597
00:27:55,400 --> 00:27:57,840
Speaker 1: this movie on this episode. If Golden does not win

598
00:27:57,960 --> 00:28:01,080
Speaker 1: for Best Original Song, they have to sweep both of

599
00:28:01,119 --> 00:28:02,760
Speaker 1: their categories. They have to go two for two for

600
00:28:02,880 --> 00:28:03,760
Speaker 1: me to be satisfied.

601
00:28:03,880 --> 00:28:05,399
Speaker 2: I feel like Train Dreams had to be like a

602
00:28:05,480 --> 00:28:07,720
Speaker 2: best score. Yeah, not an original song.

603
00:28:07,800 --> 00:28:11,080
Speaker 1: Yeah, the original song. It was more of the score. Yeah.

604
00:28:11,160 --> 00:28:13,280
Speaker 1: I'm gonna go Golden. I think that's an easy one.

605
00:28:13,280 --> 00:28:15,840
Speaker 2: All right. And the final one a new category this year,

606
00:28:15,960 --> 00:28:18,720
Speaker 2: best casting, which is a great category. I know it's

607
00:28:18,760 --> 00:28:21,000
Speaker 2: like a fun category, but it's like who got the

608
00:28:21,040 --> 00:28:22,280
Speaker 2: more popular people in a movie?

609
00:28:22,480 --> 00:28:24,680
Speaker 1: Okay, not necessarily, we'll talk about it.

610
00:28:24,960 --> 00:28:29,359
Speaker 2: Hamnet, Marty Supreme, One Battle after another, The Secret Agent

611
00:28:29,640 --> 00:28:30,159
Speaker 2: and Sinners.

612
00:28:30,520 --> 00:28:33,959
Speaker 1: See. My pick for this one is Marty supreme because

613
00:28:34,040 --> 00:28:37,200
Speaker 1: it has a mix of a listers like Timothy Shallowmey

614
00:28:37,320 --> 00:28:40,040
Speaker 1: and Gwyneth Paltrow. But then you have so many out

615
00:28:40,080 --> 00:28:43,160
Speaker 1: of the box people like mister Wonderful from Shark Tank.

616
00:28:43,320 --> 00:28:46,960
Speaker 2: I just like, wasn't I saw online that he was

617
00:28:47,040 --> 00:28:48,800
Speaker 2: in it, but I saw it as like a cameo,

618
00:28:49,080 --> 00:28:51,120
Speaker 2: so I was thinking just like short roll. So then

619
00:28:51,160 --> 00:28:53,800
Speaker 2: when he popped up on screen, I like couldn't place him,

620
00:28:54,160 --> 00:28:57,120
Speaker 2: but he started talking and I was like Kevin O'Leary

621
00:28:57,240 --> 00:28:58,200
Speaker 2: from Shark Tank.

622
00:28:58,680 --> 00:29:02,080
Speaker 1: And then you have Tyler the Krea, you have Ted Williams,

623
00:29:02,120 --> 00:29:04,760
Speaker 1: the guy who went viral for having the Golden Voye.

624
00:29:04,760 --> 00:29:06,480
Speaker 2: Tyler the Creator. At one point I leaned over to

625
00:29:06,520 --> 00:29:08,440
Speaker 2: you and I'm like, who is that? And you looked

626
00:29:08,480 --> 00:29:11,440
Speaker 2: at me. I was so offended, like you wanted to

627
00:29:12,360 --> 00:29:14,520
Speaker 2: maybe serve me to force papers in that the interview

628
00:29:14,520 --> 00:29:16,400
Speaker 2: because I and I was like, you said Tyler the

629
00:29:16,400 --> 00:29:17,720
Speaker 2: Creator and I was like, okay, I was just making

630
00:29:17,760 --> 00:29:20,040
Speaker 2: sure I promise I knew that's who it was. I

631
00:29:20,040 --> 00:29:22,080
Speaker 2: should have said, is that Tyler the Creator? I didn't

632
00:29:22,080 --> 00:29:24,040
Speaker 2: freeze it? Well, yes, please forgive me.

633
00:29:24,440 --> 00:29:26,760
Speaker 1: And then even the guy who plays like his business

634
00:29:26,880 --> 00:29:29,720
Speaker 1: partner in the movie was just a random guy that

635
00:29:29,840 --> 00:29:33,840
Speaker 1: Josh Saftie saw give like a viral TikTok interview after

636
00:29:33,880 --> 00:29:36,160
Speaker 1: a Knicks game. I think Josh Saftie is one of

637
00:29:36,200 --> 00:29:38,520
Speaker 1: those guys who just finds really random people to put

638
00:29:38,520 --> 00:29:42,800
Speaker 1: in his movies next to these amazing stars. So I think,

639
00:29:43,080 --> 00:29:45,520
Speaker 1: out of all the castings for this movie, even though

640
00:29:45,600 --> 00:29:48,240
Speaker 1: Sinners has also has a really great cast, One Battle

641
00:29:48,280 --> 00:29:50,920
Speaker 1: has a great cast. Since it is a new category,

642
00:29:51,040 --> 00:29:52,840
Speaker 1: I don't know how they're going to vote because I

643
00:29:52,880 --> 00:29:55,960
Speaker 1: don't know what they're looking for. Is it variety, is

644
00:29:56,000 --> 00:29:58,880
Speaker 1: it the biggest star because One Battle has Leonardo DiCaprio,

645
00:29:59,480 --> 00:30:01,360
Speaker 1: or is it just like the caliber of actor. I

646
00:30:01,400 --> 00:30:03,280
Speaker 1: don't know how they're going to vote in this. So

647
00:30:03,480 --> 00:30:05,480
Speaker 1: I'm thinking of it of just who has the most

648
00:30:05,600 --> 00:30:09,520
Speaker 1: unique cast and had probably the hardest time getting all

649
00:30:09,560 --> 00:30:12,240
Speaker 1: these people in one movie, I'm gonna go Marty Supreme.

650
00:30:12,720 --> 00:30:15,200
Speaker 2: I'm going Hamnet for the brothers that were in it.

651
00:30:15,600 --> 00:30:20,640
Speaker 2: Uh yeah, the younger brother plays Hamnet and then the

652
00:30:20,760 --> 00:30:23,280
Speaker 2: older brother is in a theater production.

653
00:30:24,000 --> 00:30:28,240
Speaker 1: It's also probably really hard to find kid actors who

654
00:30:28,320 --> 00:30:31,840
Speaker 1: can act on that level. Can you imagine the process

655
00:30:32,080 --> 00:30:32,360
Speaker 1: in that.

656
00:30:32,880 --> 00:30:36,920
Speaker 2: One of the most stunning performances I've ever seen from

657
00:30:36,960 --> 00:30:37,760
Speaker 2: a younger actor.

658
00:30:38,240 --> 00:30:41,320
Speaker 1: Truly, I haven't showed that much emotion in my entire life.

659
00:30:41,520 --> 00:30:44,800
Speaker 1: That kid showed in one movie, one performance.

660
00:30:44,400 --> 00:30:46,640
Speaker 2: And then Joe Alwin gotta say it was pretty good,

661
00:30:47,760 --> 00:30:50,720
Speaker 2: pretty good, and obviously Paul Mascal and Jesse Buckley like

662
00:30:51,080 --> 00:30:54,440
Speaker 2: phenomenal together. Have you seen the video that Chloe Shao

663
00:30:55,120 --> 00:30:57,760
Speaker 2: released of them all dancing? Oh yeah, the last hand

664
00:30:57,800 --> 00:31:00,120
Speaker 2: filming of just like that emotional release.

665
00:31:00,000 --> 00:31:01,480
Speaker 1: They're like, oh, there's some good from this movie.

666
00:31:01,640 --> 00:31:03,160
Speaker 2: Yeah, So yeah, I'm gonna go hamming it.

667
00:31:03,240 --> 00:31:06,400
Speaker 1: There some more snubs that we maybe didn't mention, Chase

668
00:31:06,480 --> 00:31:09,840
Speaker 1: Infinity not getting a nomination for one battle after another.

669
00:31:10,000 --> 00:31:13,200
Speaker 1: I thought she would get one. There. We mentioned Paul

670
00:31:13,360 --> 00:31:17,320
Speaker 1: Meskell not getting one. Jay Kelly was pretty much shut out,

671
00:31:17,360 --> 00:31:21,000
Speaker 1: George Clooney, Adam Sandler, Noah Bombback didn't get any nominations. There,

672
00:31:21,680 --> 00:31:24,640
Speaker 1: major films that did not get any Oscar nominations.

673
00:31:24,680 --> 00:31:25,280
Speaker 2: Can I read these?

674
00:31:25,640 --> 00:31:25,840
Speaker 1: Yeah?

675
00:31:26,040 --> 00:31:31,440
Speaker 2: All right? J Kelly, Superman Sorry baby material listens after

676
00:31:31,560 --> 00:31:34,400
Speaker 2: the hunt. Oh yeah, I thought that did kind of

677
00:31:34,440 --> 00:31:35,280
Speaker 2: feel like Oscar bait.

678
00:31:35,480 --> 00:31:38,160
Speaker 1: That's exactly what it felt. Like a clear oscar bait movie.

679
00:31:38,280 --> 00:31:39,680
Speaker 1: Not get any oscars.

680
00:31:39,680 --> 00:31:43,200
Speaker 2: Crazy twenty eight years later, The Long Walk, No other

681
00:31:43,320 --> 00:31:46,360
Speaker 2: choice Mmmm, Wicked for good, The Testament of Van Lee,

682
00:31:46,720 --> 00:31:48,160
Speaker 2: Kiss of the Spider Woman, so that the one with

683
00:31:48,280 --> 00:31:51,200
Speaker 2: j Low Yeah, Demon Slayer, Infinity.

684
00:31:50,800 --> 00:31:52,920
Speaker 1: Castle, Yeah, we need an anime representation.

685
00:31:53,320 --> 00:31:55,600
Speaker 2: Wake Up dead Man and knives on mister. That was good.

686
00:31:56,120 --> 00:31:57,760
Speaker 2: It was good and Mission impossible.

687
00:31:58,040 --> 00:32:01,400
Speaker 1: The Final Reckoning Yeah that probably it got sound or

688
00:32:01,480 --> 00:32:02,360
Speaker 1: visual effects.

689
00:32:02,840 --> 00:32:04,760
Speaker 2: Longest running Tom Cruise franchise.

690
00:32:05,480 --> 00:32:07,960
Speaker 1: But that is the list. Those are my predictions. The

691
00:32:08,080 --> 00:32:12,120
Speaker 1: oscars are going down on March fifteenth. I'm looking forward

692
00:32:12,160 --> 00:32:13,160
Speaker 1: to it. I think it'll be good.

693
00:32:13,360 --> 00:32:14,680
Speaker 2: It's always a fun night in this house.

694
00:32:14,920 --> 00:32:18,400
Speaker 1: Conan is hosting. And then eventually the oscars are going

695
00:32:18,480 --> 00:32:20,640
Speaker 1: to move straight to YouTube. I forgot about that, which

696
00:32:20,680 --> 00:32:22,680
Speaker 1: I think will be fine. I mean, it really doesn't

697
00:32:22,720 --> 00:32:24,200
Speaker 1: change how we watch him. We watch him on a

698
00:32:24,240 --> 00:32:27,560
Speaker 1: streaming service anyway. But we have to get like premium YouTube,

699
00:32:27,640 --> 00:32:30,360
Speaker 1: not just regular YouTube. Okay, makes it easy. I'll come

700
00:32:30,400 --> 00:32:40,480
Speaker 1: back and get my spoiler free review of Mercy. Let's

701
00:32:40,520 --> 00:32:43,160
Speaker 1: get into it now. A spoiler free movie review of

702
00:32:43,320 --> 00:32:48,320
Speaker 1: Mercy starring Chris Pratt Rebecca Ferguson Chris Pratt plays a detective.

703
00:32:48,400 --> 00:32:51,440
Speaker 1: He is on trial for the murder of his wife

704
00:32:51,480 --> 00:32:55,040
Speaker 1: and he claims, I didn't do it, but not that simple.

705
00:32:55,360 --> 00:32:58,400
Speaker 1: Takes place in the near future and he stands before

706
00:32:58,560 --> 00:33:02,040
Speaker 1: an AI judge. He has ninety minutes to prove his

707
00:33:02,160 --> 00:33:05,640
Speaker 1: innocence or else he will be killed right there in

708
00:33:05,760 --> 00:33:08,480
Speaker 1: the chair that he is being interrogated in. He is

709
00:33:08,560 --> 00:33:12,520
Speaker 1: alone in this room and everything around him is AI.

710
00:33:13,200 --> 00:33:16,200
Speaker 1: And the thing about him sitting in that chair, it's

711
00:33:16,240 --> 00:33:20,080
Speaker 1: a little bit ironic because he is the person who

712
00:33:20,240 --> 00:33:23,400
Speaker 1: is the proponent of using this system, this justice system

713
00:33:23,440 --> 00:33:26,520
Speaker 1: that is supposed to be the most perfect way to

714
00:33:27,120 --> 00:33:30,560
Speaker 1: sentence criminals because AI has no bias. AI can look

715
00:33:30,600 --> 00:33:34,240
Speaker 1: at all the data and it doesn't make decisions based

716
00:33:34,320 --> 00:33:37,320
Speaker 1: on emotions. It only makes them based on the facts.

717
00:33:37,880 --> 00:33:39,960
Speaker 1: That is what this movie is trying to tell us,

718
00:33:40,800 --> 00:33:43,360
Speaker 1: trying to have a really big message of should you

719
00:33:43,480 --> 00:33:46,880
Speaker 1: have any lenience when it comes to somebody suspected of

720
00:33:46,920 --> 00:33:49,720
Speaker 1: a murder as heinous as killing their wife, or do

721
00:33:49,800 --> 00:33:51,880
Speaker 1: you just need to look at data and is all

722
00:33:52,000 --> 00:33:56,600
Speaker 1: the proof you need in phone records and text messages

723
00:33:56,720 --> 00:33:59,480
Speaker 1: and ring cameras, which is what this movie does because

724
00:33:59,560 --> 00:34:02,960
Speaker 1: Chris Prat is essentially sitting in one location the entire

725
00:34:03,080 --> 00:34:06,520
Speaker 1: time in order to prove his innocence. He has an

726
00:34:06,720 --> 00:34:09,480
Speaker 1: entire database at his use, at his fingertips, even though

727
00:34:09,480 --> 00:34:12,880
Speaker 1: he is strapped into this chair. He can make FaceTime calls,

728
00:34:12,960 --> 00:34:15,560
Speaker 1: he can look up phone records, and he is trying

729
00:34:15,640 --> 00:34:20,040
Speaker 1: to show this AI judge a little bit of his character,

730
00:34:20,120 --> 00:34:22,640
Speaker 1: and you learn a lot about his backstory, his relationship

731
00:34:22,719 --> 00:34:25,520
Speaker 1: with his wife. I would like to say this movie

732
00:34:25,600 --> 00:34:29,640
Speaker 1: had more twist and turns, but really a very narrow plot,

733
00:34:29,960 --> 00:34:33,120
Speaker 1: and it is a movie that can get you to

734
00:34:33,200 --> 00:34:35,760
Speaker 1: the theater on that plot alone, because it's really enticing.

735
00:34:36,080 --> 00:34:38,879
Speaker 1: I often find when you can give a really great

736
00:34:38,960 --> 00:34:41,840
Speaker 1: elevator pitch to a movie where it's just downpack. You

737
00:34:41,960 --> 00:34:45,759
Speaker 1: can have it down in one sentence, maybe two. Sometimes

738
00:34:46,280 --> 00:34:48,319
Speaker 1: that is a sign of a bad movie. It could

739
00:34:48,400 --> 00:34:50,960
Speaker 1: be a movie that just got green lip because it

740
00:34:51,080 --> 00:34:53,200
Speaker 1: checked all the right boxes. You have a big A

741
00:34:53,360 --> 00:34:56,200
Speaker 1: list star with Chris Pratt, where they put him at

742
00:34:56,239 --> 00:34:58,520
Speaker 1: the front and center of every poster, and that is

743
00:34:58,560 --> 00:35:01,480
Speaker 1: how they are selling this movie. It is essentially Chris

744
00:35:01,600 --> 00:35:06,319
Speaker 1: Pratt versus Rebecca Ferguson the entire time, and everybody else

745
00:35:06,400 --> 00:35:09,800
Speaker 1: in the cast is really just lower level kind of

746
00:35:09,880 --> 00:35:12,920
Speaker 1: support here and there. That is where you spend your money.

747
00:35:13,200 --> 00:35:16,960
Speaker 1: The movie only costs sixty million dollars, which is on

748
00:35:17,120 --> 00:35:20,120
Speaker 1: the lower end of a mid range budget movie, so

749
00:35:20,200 --> 00:35:23,080
Speaker 1: it's not one hundred million dollars, big Hollywood blockbuster. You

750
00:35:23,160 --> 00:35:26,279
Speaker 1: also have to consider coming out in January, which means

751
00:35:26,400 --> 00:35:28,799
Speaker 1: maybe they don't believe a whole lot in It also

752
00:35:28,880 --> 00:35:30,800
Speaker 1: happened to come out at the time of recording this

753
00:35:32,000 --> 00:35:35,440
Speaker 1: going into a weekend where most of the country, at

754
00:35:35,520 --> 00:35:38,640
Speaker 1: least millions and millions of people around me, are all

755
00:35:38,800 --> 00:35:42,399
Speaker 1: going to be affected by this big ice storm rolling through.

756
00:35:43,080 --> 00:35:44,880
Speaker 1: So you have to imagine not a whole lot of

757
00:35:44,960 --> 00:35:48,319
Speaker 1: people are even leaving their houses right now, unless they're

758
00:35:48,320 --> 00:35:51,440
Speaker 1: going to the grocery store to get milk, eggs, and bread.

759
00:35:51,680 --> 00:35:54,480
Speaker 1: So when I rolled up to the theater on a

760
00:35:54,680 --> 00:35:58,759
Speaker 1: Friday afternoon, which is normally a little bit more full,

761
00:35:58,920 --> 00:36:01,400
Speaker 1: it was so empty. There was more salt in that

762
00:36:01,560 --> 00:36:04,279
Speaker 1: parking lot than there were cars. I don't think I

763
00:36:04,400 --> 00:36:06,400
Speaker 1: needed to see this movie on the big screen to

764
00:36:06,480 --> 00:36:09,719
Speaker 1: really experience it, And I just got flashbacks, you guys,

765
00:36:10,840 --> 00:36:13,360
Speaker 1: flashbacks to the worst movie of last year that I

766
00:36:13,440 --> 00:36:17,200
Speaker 1: talked about recently, War of the World with ice Cube,

767
00:36:17,360 --> 00:36:20,719
Speaker 1: because what you have here is in TV what they

768
00:36:20,800 --> 00:36:24,840
Speaker 1: call a bottle episode, where you don't want your characters

769
00:36:24,960 --> 00:36:28,160
Speaker 1: to leave one scene because you can't really afford it.

770
00:36:28,280 --> 00:36:30,600
Speaker 1: So if you're watching an episode where normally they go

771
00:36:30,680 --> 00:36:32,840
Speaker 1: to a lot of different locations, but for some reason

772
00:36:33,280 --> 00:36:36,920
Speaker 1: they have a plot contained entirely in one room, it's

773
00:36:36,960 --> 00:36:38,719
Speaker 1: because they were trying to save money. One of my

774
00:36:38,760 --> 00:36:42,919
Speaker 1: favorite comedies, Community did a whole episode about this, making

775
00:36:43,000 --> 00:36:45,840
Speaker 1: fun of the bottle episode. But in movies it's a

776
00:36:45,880 --> 00:36:49,399
Speaker 1: little bit different. We do have at times really great

777
00:36:49,520 --> 00:36:52,560
Speaker 1: movies that take place primarily in one location, but in

778
00:36:52,600 --> 00:36:55,360
Speaker 1: the case of Mercy, they're pleading guilty because this was

779
00:36:55,520 --> 00:36:58,560
Speaker 1: not it. And I knew within the first ten minutes

780
00:36:58,719 --> 00:37:00,640
Speaker 1: what I was going to get, and I tried to

781
00:37:00,719 --> 00:37:03,080
Speaker 1: have a little bit more optimism going into it because

782
00:37:03,120 --> 00:37:05,400
Speaker 1: I was enticed by the plot. I am not a

783
00:37:05,480 --> 00:37:09,000
Speaker 1: Chris Pratt hater, and especially when you see him coming

784
00:37:09,040 --> 00:37:12,719
Speaker 1: off of movies like the Jurassic World franchise, coming off

785
00:37:12,880 --> 00:37:16,479
Speaker 1: of Guardians of the Galaxy, his star is still super bright.

786
00:37:17,320 --> 00:37:20,640
Speaker 1: But in this case, it's not his name alone that

787
00:37:20,800 --> 00:37:23,520
Speaker 1: is gonna make this movie any better. It was so

788
00:37:23,719 --> 00:37:27,120
Speaker 1: predictable that I had it within the first ten minutes,

789
00:37:27,560 --> 00:37:29,320
Speaker 1: and I don't like to be that person who is

790
00:37:29,400 --> 00:37:31,400
Speaker 1: so annoying trying to figure out movies like this and

791
00:37:31,920 --> 00:37:36,000
Speaker 1: find so much satisfaction in it. But the writing was terrible,

792
00:37:36,080 --> 00:37:41,200
Speaker 1: bull awful. Every character was so poorly written. I will

793
00:37:41,280 --> 00:37:43,840
Speaker 1: give it to Chris Pratt. If you did not have

794
00:37:44,120 --> 00:37:48,040
Speaker 1: him in that chair, with his acting abilities, it would

795
00:37:48,080 --> 00:37:50,319
Speaker 1: have been so much worse because he was the only

796
00:37:50,440 --> 00:37:55,320
Speaker 1: one conveying any kind of real emotion that made you

797
00:37:55,920 --> 00:37:59,280
Speaker 1: believe any aspect of the story. All the supporting characters

798
00:37:59,360 --> 00:38:04,400
Speaker 1: were terribly written. It's god, everybody bad. Rebecca Ferguson did

799
00:38:04,440 --> 00:38:07,399
Speaker 1: a pretty good job, but I overall found a lot

800
00:38:07,480 --> 00:38:11,080
Speaker 1: of flaws with her character of being this AI system

801
00:38:11,160 --> 00:38:14,400
Speaker 1: that it's supposed to be without bias, and that was

802
00:38:14,440 --> 00:38:17,560
Speaker 1: the entire premise of this movie, that it is this

803
00:38:17,800 --> 00:38:20,279
Speaker 1: judge who is only looking at the facts, and I

804
00:38:20,360 --> 00:38:24,239
Speaker 1: found so many plot holes because she wasn't acting, in

805
00:38:24,360 --> 00:38:28,800
Speaker 1: my opinion, robotic enough. Nothing about that system made me

806
00:38:28,920 --> 00:38:32,560
Speaker 1: think it was so advanced in tracking down criminals, so

807
00:38:32,760 --> 00:38:35,360
Speaker 1: it was even hard for me to believe this world

808
00:38:35,680 --> 00:38:38,080
Speaker 1: that they created, and that's all they had to do

809
00:38:38,719 --> 00:38:42,279
Speaker 1: was play within their own rules, and it just did

810
00:38:42,480 --> 00:38:46,200
Speaker 1: not make sense. There were so many plot holes and

811
00:38:46,400 --> 00:38:50,360
Speaker 1: so many things that were just easily teed up to

812
00:38:50,640 --> 00:38:53,520
Speaker 1: start getting you to think one certain way, but you

813
00:38:53,640 --> 00:38:56,440
Speaker 1: knew it wasn't going to go that way. And if

814
00:38:56,480 --> 00:38:59,520
Speaker 1: you pay attention to all the characters, you like me,

815
00:38:59,640 --> 00:39:03,000
Speaker 1: can figure it out so quickly, and by the third act,

816
00:39:03,640 --> 00:39:05,560
Speaker 1: which it's not even that long of a movie, and

817
00:39:05,640 --> 00:39:07,440
Speaker 1: I think that's even how they sold the whole thing

818
00:39:07,560 --> 00:39:10,640
Speaker 1: of he has ninety minutes to figure it out. Well,

819
00:39:10,760 --> 00:39:13,759
Speaker 1: the movie just happens to be ninety minutes, so it

820
00:39:13,840 --> 00:39:16,200
Speaker 1: doesn't even happen in real time, which is the other

821
00:39:16,320 --> 00:39:20,840
Speaker 1: weird thing. But everything just seemed too convenient. All the

822
00:39:20,960 --> 00:39:25,120
Speaker 1: performances were so stiff. I was so aware that it

823
00:39:25,239 --> 00:39:27,400
Speaker 1: was just Chris Pratt sitting in a room with a

824
00:39:27,480 --> 00:39:30,640
Speaker 1: blue or a green screen. Mercy just felt like a

825
00:39:30,760 --> 00:39:34,440
Speaker 1: really poorly written black mirror episode, which if you look

826
00:39:34,480 --> 00:39:38,200
Speaker 1: at how greatly produced a black Mirror episode is compared

827
00:39:38,239 --> 00:39:40,520
Speaker 1: to something like this, which if you just compare the

828
00:39:40,560 --> 00:39:43,959
Speaker 1: budgets of a black Mirror episode to what this entire

829
00:39:44,080 --> 00:39:47,120
Speaker 1: movie took to make it is wild and shows you

830
00:39:47,520 --> 00:39:50,880
Speaker 1: that it's so much more about direction and creativity to

831
00:39:51,040 --> 00:39:53,640
Speaker 1: creating a captivating story. It's not about having a big

832
00:39:53,719 --> 00:39:56,600
Speaker 1: budget or an A list movie star. It comes down

833
00:39:56,680 --> 00:39:59,640
Speaker 1: to having a vision, and Mercy had no vision. At

834
00:39:59,680 --> 00:40:03,239
Speaker 1: six million dollars, it might as well have just put

835
00:40:03,280 --> 00:40:05,840
Speaker 1: all that money in a room and set it on fire,

836
00:40:06,239 --> 00:40:09,080
Speaker 1: because a Black Mirror episode costs ten percent of that,

837
00:40:09,680 --> 00:40:12,600
Speaker 1: and I could watch the worst Black Mirror episode and

838
00:40:12,800 --> 00:40:15,239
Speaker 1: leave with much more of an impact than I did

839
00:40:15,440 --> 00:40:18,800
Speaker 1: leaving watching Mercy. At no point was I ever engaged

840
00:40:18,840 --> 00:40:21,560
Speaker 1: in the story or sold on that it was gonna

841
00:40:21,600 --> 00:40:23,799
Speaker 1: win me back at the end. Sometimes I can tell

842
00:40:23,840 --> 00:40:26,480
Speaker 1: from the very beginning just by how many studio logos

843
00:40:26,560 --> 00:40:29,960
Speaker 1: play before the movie starts, because that just happens to

844
00:40:30,000 --> 00:40:32,759
Speaker 1: be another random indicator of if a movie is going

845
00:40:32,840 --> 00:40:36,800
Speaker 1: to be bad or not. If there are six studio logos,

846
00:40:36,800 --> 00:40:38,399
Speaker 1: which I think in this case there were only four

847
00:40:38,520 --> 00:40:41,680
Speaker 1: maybe five before a movie plays, that is kind of

848
00:40:41,680 --> 00:40:44,840
Speaker 1: a red flag unless it's just a super independent movie

849
00:40:45,280 --> 00:40:47,400
Speaker 1: that needed a lot of studios and a lot of

850
00:40:47,480 --> 00:40:52,240
Speaker 1: production companies involved. If a movie has multiple at the beginning,

851
00:40:52,280 --> 00:40:55,120
Speaker 1: which it is an MGM movie. So it will be

852
00:40:55,239 --> 00:40:59,719
Speaker 1: on Amazon probably in ninety days or so, and you

853
00:40:59,760 --> 00:41:02,200
Speaker 1: will thing any different of it, because a lot of

854
00:41:02,320 --> 00:41:05,360
Speaker 1: Chris Pratt's movies just happened to go on Amazon, and

855
00:41:05,440 --> 00:41:07,920
Speaker 1: it's gonna feel like just another thumbnail up there. I

856
00:41:08,000 --> 00:41:10,400
Speaker 1: think ultimately this movie did not read the room and

857
00:41:10,440 --> 00:41:13,320
Speaker 1: thought they could really just put out a mediocre movie

858
00:41:13,840 --> 00:41:17,279
Speaker 1: with a somewhat decent premise and get people interested in it.

859
00:41:17,600 --> 00:41:20,359
Speaker 1: But I think the bar has been raised so high

860
00:41:20,880 --> 00:41:23,000
Speaker 1: when it comes to a story like this. A man

861
00:41:23,080 --> 00:41:26,480
Speaker 1: accused of murdering his wife is I think a topic

862
00:41:26,600 --> 00:41:29,439
Speaker 1: that a lot of people would be interested now. Want

863
00:41:29,480 --> 00:41:31,640
Speaker 1: to listen to a podcast about, want to watch a

864
00:41:31,760 --> 00:41:34,320
Speaker 1: mini series, And it's not like it's a new concept.

865
00:41:34,560 --> 00:41:36,439
Speaker 1: I hate to compare it to one of the best

866
00:41:36,520 --> 00:41:40,200
Speaker 1: movies in this category, but The Fugitive, We've been doing

867
00:41:40,280 --> 00:41:43,120
Speaker 1: this song and dance for a while now. So if

868
00:41:43,160 --> 00:41:45,560
Speaker 1: you're gonna make a movie like this and give it

869
00:41:45,640 --> 00:41:49,759
Speaker 1: a modern spin of okay, everybody's fascinated with AI right now.

870
00:41:49,920 --> 00:41:52,480
Speaker 1: How it's gonna change our lives, how it's going to

871
00:41:52,600 --> 00:41:54,800
Speaker 1: impact things that we never thought it would impact like

872
00:41:54,880 --> 00:41:58,040
Speaker 1: the justice system and whether or not a person lives

873
00:41:58,160 --> 00:42:00,719
Speaker 1: or not. That is a big thing. That is something

874
00:42:00,800 --> 00:42:03,160
Speaker 1: that is a sexy topic and should have made for

875
00:42:03,280 --> 00:42:06,879
Speaker 1: a great movie. Instead, it was such a snoozefest. I'm

876
00:42:06,920 --> 00:42:09,239
Speaker 1: glad I took my own coffee with me into the theater,

877
00:42:09,600 --> 00:42:13,120
Speaker 1: Otherwise I probably would have fallen asleep. I had that

878
00:42:13,239 --> 00:42:16,920
Speaker 1: caffeine running through my veins, and even that couldn't get

879
00:42:16,920 --> 00:42:19,160
Speaker 1: me excited in this movie. It was still full on

880
00:42:19,360 --> 00:42:22,320
Speaker 1: nap material. Don't go see this movie in theaters. It

881
00:42:22,440 --> 00:42:25,000
Speaker 1: is not worth your time, especially if you're thinking, man,

882
00:42:25,040 --> 00:42:26,920
Speaker 1: I'm really good at brave this storm and try to

883
00:42:26,960 --> 00:42:29,480
Speaker 1: make it through my local cinema to go watch Chris

884
00:42:29,520 --> 00:42:32,560
Speaker 1: Pratt in this new movie. Don't do that. If you

885
00:42:32,760 --> 00:42:35,120
Speaker 1: really love Chris Pratt, which I think he is the

886
00:42:35,280 --> 00:42:38,399
Speaker 1: only redeeming quality of this He tried his hard, as

887
00:42:38,440 --> 00:42:44,920
Speaker 1: he tried so hard, give it maybe twenty minutes. Give

888
00:42:44,960 --> 00:42:48,040
Speaker 1: it twenty minutes, and if you are still wanting to

889
00:42:48,120 --> 00:42:51,960
Speaker 1: figure out what exactly happened, finish it to the end

890
00:42:52,080 --> 00:42:55,200
Speaker 1: when it comes out on streaming. Otherwise it is going

891
00:42:55,239 --> 00:42:56,840
Speaker 1: to be a movie you put on and think, what

892
00:42:57,160 --> 00:43:00,279
Speaker 1: is this. This feels so low budget for mercy. I

893
00:43:00,440 --> 00:43:06,320
Speaker 1: give it two out of five trials. It's side to

894
00:43:06,480 --> 00:43:11,080
Speaker 1: head down to movie Mike Trailer Park. Have you ever

895
00:43:11,120 --> 00:43:13,520
Speaker 1: seen a trailer and thought, Man, I've seen this movie before.

896
00:43:14,400 --> 00:43:17,320
Speaker 1: I know this is a new movie. It's not a remake.

897
00:43:17,560 --> 00:43:19,320
Speaker 1: Even though in this case it is based on a

898
00:43:19,480 --> 00:43:23,160
Speaker 1: book or a novella by the same name. It feels

899
00:43:23,200 --> 00:43:27,200
Speaker 1: so familiar in every way, checks every single box. And

900
00:43:27,360 --> 00:43:30,040
Speaker 1: even though it feels like, Okay, they just made a

901
00:43:30,120 --> 00:43:32,440
Speaker 1: movie that feels so much like a movie we've all

902
00:43:32,560 --> 00:43:35,600
Speaker 1: been there before, I still want to see it. That

903
00:43:35,719 --> 00:43:38,279
Speaker 1: is how I feel about The Crime one on one

904
00:43:38,360 --> 00:43:41,600
Speaker 1: trailer because the cast is amazing, and I think that

905
00:43:41,719 --> 00:43:43,560
Speaker 1: is what has drawing me to want to go see

906
00:43:43,600 --> 00:43:47,040
Speaker 1: this movie in theaters. Because you have Chris Hemsworth Thor himself,

907
00:43:47,440 --> 00:43:51,040
Speaker 1: Halle Berry, Mark Ruffalo aka the Incredible Hulk, so we

908
00:43:51,120 --> 00:43:53,359
Speaker 1: have a bit of an MCU connection here. You also

909
00:43:53,400 --> 00:43:56,160
Speaker 1: have Barry Keegan and what the movie is about. You

910
00:43:56,239 --> 00:43:59,360
Speaker 1: have an LA detective played by Mark Ruffalo who is

911
00:43:59,440 --> 00:44:03,640
Speaker 1: trying to this thief that leaves behind no trace of DNA,

912
00:44:03,880 --> 00:44:07,279
Speaker 1: no fingerprints. He's in and out within minutes. Of all

913
00:44:07,320 --> 00:44:10,440
Speaker 1: these robberies. The only thing he has to connect them

914
00:44:10,960 --> 00:44:13,240
Speaker 1: is that he operates on the one oh one freeway

915
00:44:13,360 --> 00:44:15,400
Speaker 1: in LA That's all he knows. So he has to

916
00:44:15,520 --> 00:44:18,719
Speaker 1: track down this guy using all these little small details.

917
00:44:19,080 --> 00:44:22,080
Speaker 1: It is his mission as a detective to find this guy.

918
00:44:22,520 --> 00:44:25,160
Speaker 1: Chris Hemsworth just happens to be really good at his job.

919
00:44:25,280 --> 00:44:27,520
Speaker 1: He is a jewel thief. He is after money and

920
00:44:27,800 --> 00:44:31,400
Speaker 1: shiny things. And he happens to find Halle Berry at

921
00:44:31,440 --> 00:44:34,680
Speaker 1: a crossroads where she is working as an insurance broker.

922
00:44:35,160 --> 00:44:38,800
Speaker 1: She is not happy in her position, so right place,

923
00:44:39,120 --> 00:44:41,359
Speaker 1: right time for her to meet a guy like Chris

924
00:44:41,440 --> 00:44:45,719
Speaker 1: Hemsworth and use him to her advantage to take some

925
00:44:45,880 --> 00:44:48,840
Speaker 1: things from her employer that she believes she is earned,

926
00:44:49,280 --> 00:44:51,800
Speaker 1: pulling off this big heist. And then you have Barry Keegan,

927
00:44:52,200 --> 00:44:54,480
Speaker 1: who is just kind of the wild card in this story,

928
00:44:54,840 --> 00:44:56,680
Speaker 1: who is going to come out of nowhere and try

929
00:44:56,719 --> 00:44:59,120
Speaker 1: to rip off the people trying to rip off the

930
00:44:59,280 --> 00:45:01,920
Speaker 1: insurance place. So that is the stage they are setting

931
00:45:02,000 --> 00:45:04,799
Speaker 1: in this movie. There are a couple of big red

932
00:45:04,880 --> 00:45:07,759
Speaker 1: flags in the trailer, but I'm gonna look past those.

933
00:45:07,920 --> 00:45:10,680
Speaker 1: We will talk about them, but before I get into more.

934
00:45:11,280 --> 00:45:13,160
Speaker 1: Here is just a little bit of the crime one

935
00:45:13,239 --> 00:45:14,280
Speaker 1: oh one trailer.

936
00:45:14,560 --> 00:45:16,920
Speaker 2: I came here to make you a business proposition for

937
00:45:17,160 --> 00:45:19,399
Speaker 2: to the same company for eleven years your VP when

938
00:45:19,440 --> 00:45:22,520
Speaker 2: it should be a partner hi value item as your

939
00:45:22,560 --> 00:45:27,040
Speaker 2: company insures. I make them disappear. Start by handing me

940
00:45:27,080 --> 00:45:30,239
Speaker 2: your phone. So you're a thief. What's the security set up?

941
00:45:30,400 --> 00:45:33,520
Speaker 2: There's a courier daring watches some gems looking at eleven

942
00:45:33,560 --> 00:45:37,000
Speaker 2: million dollars in one room, of which I want three.

943
00:45:38,239 --> 00:45:42,359
Speaker 2: Let him rob the courier and then you rob him.

944
00:45:44,000 --> 00:45:47,840
Speaker 1: So that is the plan. Chris Hemsworth and halle Berry

945
00:45:47,880 --> 00:45:50,839
Speaker 1: are gonna team up to rip off her employer. Barry

946
00:45:50,960 --> 00:45:54,200
Speaker 1: Keegan somehow gets a hold of this information. You see

947
00:45:54,280 --> 00:45:57,839
Speaker 1: him driving around La on a motorcycle. He is going

948
00:45:57,920 --> 00:46:00,399
Speaker 1: to try to rip off Chris Hemsworth as they steal

949
00:46:00,480 --> 00:46:03,640
Speaker 1: the money from the insurance broker who is protecting a

950
00:46:03,680 --> 00:46:06,440
Speaker 1: lot of jewels. There is one room that they're gonna

951
00:46:06,480 --> 00:46:09,960
Speaker 1: hit that has eleven million dollars and all halle Berry

952
00:46:10,000 --> 00:46:12,279
Speaker 1: wants out of that is three million dollars. So you

953
00:46:12,440 --> 00:46:15,800
Speaker 1: have your set pieces. And underneath that, Mark Ruffalo is

954
00:46:15,880 --> 00:46:19,520
Speaker 1: trying to figure out who Chris Hemsworth is The biggest

955
00:46:19,600 --> 00:46:24,520
Speaker 1: red flags in this trailer is one they show you

956
00:46:24,680 --> 00:46:28,520
Speaker 1: the entire movie in this a little over two minute trailer.

957
00:46:28,920 --> 00:46:31,239
Speaker 1: If you watch it from beginning to end, you know

958
00:46:31,440 --> 00:46:33,360
Speaker 1: all the beats of this story. You know what is

959
00:46:33,440 --> 00:46:36,000
Speaker 1: going to happen. Me being able to explain it like that,

960
00:46:36,560 --> 00:46:39,080
Speaker 1: I already know what I'm going to get into. So

961
00:46:39,160 --> 00:46:41,600
Speaker 1: I think in this case, the second red flag that

962
00:46:41,680 --> 00:46:44,160
Speaker 1: tells me by them showing the entire plot is they

963
00:46:44,160 --> 00:46:47,520
Speaker 1: are trying to sell the sizzle more so than the steak.

964
00:46:47,640 --> 00:46:49,480
Speaker 1: They just want to show you all these things that

965
00:46:49,520 --> 00:46:52,960
Speaker 1: you're gonna get right up front. You get Chris Hemsworth

966
00:46:53,160 --> 00:46:54,960
Speaker 1: in a role that is not Thorp. You get Mark

967
00:46:55,000 --> 00:46:57,120
Speaker 1: Ruffalo maybe in a way you've seen him recently if

968
00:46:57,160 --> 00:47:00,200
Speaker 1: you watch Task on HBO Max, which was fantastic ast

969
00:47:00,440 --> 00:47:03,839
Speaker 1: him as a detective. I think working in any kind

970
00:47:03,840 --> 00:47:06,680
Speaker 1: of law enforcement, I'm in sign me up for that.

971
00:47:07,040 --> 00:47:09,839
Speaker 1: You have halle Berry in this who you don't really

972
00:47:09,920 --> 00:47:13,040
Speaker 1: get a halle Berry movie every single year, maybe every

973
00:47:13,120 --> 00:47:16,320
Speaker 1: four or five years, So for that reason, it is

974
00:47:16,360 --> 00:47:18,879
Speaker 1: an event. So they are selling you the cast here

975
00:47:19,160 --> 00:47:22,080
Speaker 1: because they show you the entire plot of the movie

976
00:47:22,520 --> 00:47:25,359
Speaker 1: and hope that by giving you so much and telling

977
00:47:25,400 --> 00:47:28,120
Speaker 1: you all these people in it, that you will still

978
00:47:28,160 --> 00:47:30,800
Speaker 1: go pay money to watch this movie in theaters. And

979
00:47:31,000 --> 00:47:33,200
Speaker 1: I think if there's somebody who's going to get you

980
00:47:33,280 --> 00:47:35,560
Speaker 1: out to the theater out of anybody in this cast,

981
00:47:35,640 --> 00:47:37,600
Speaker 1: it is going to be halle Berry, because to me

982
00:47:37,760 --> 00:47:39,920
Speaker 1: that does feel like an event. But those are the

983
00:47:40,000 --> 00:47:42,439
Speaker 1: major red flags sticking out to me. And it also

984
00:47:42,560 --> 00:47:45,960
Speaker 1: feels very familiar, even though this isn't a reboot of anything.

985
00:47:46,080 --> 00:47:48,480
Speaker 1: It is based on a novella by the same name,

986
00:47:48,560 --> 00:47:50,880
Speaker 1: Crime one oh one, But to me it feels a

987
00:47:50,920 --> 00:47:53,759
Speaker 1: little bit like Drive with Ryan Gosling a little bit

988
00:47:53,800 --> 00:47:56,160
Speaker 1: of Baby Driver in there as well, just because you

989
00:47:56,239 --> 00:47:59,359
Speaker 1: see Chris Hemsworth looking really cool in a car also

990
00:47:59,480 --> 00:48:01,799
Speaker 1: placed Beyond on the Pines, and of the Ryan Gossling movie,

991
00:48:01,880 --> 00:48:04,640
Speaker 1: because this movie is about just one last heist, and

992
00:48:04,760 --> 00:48:08,600
Speaker 1: it always is about one last heist. A criminal like

993
00:48:08,680 --> 00:48:12,200
Speaker 1: this will never be satisfied because they need to keep

994
00:48:12,480 --> 00:48:15,600
Speaker 1: stealing more and more to feed their appetite. And I think,

995
00:48:16,000 --> 00:48:18,600
Speaker 1: just by looking at Chris hemsworth character in this it's

996
00:48:18,680 --> 00:48:21,480
Speaker 1: not so much about having enough money. It'll never be

997
00:48:21,600 --> 00:48:24,759
Speaker 1: about that it looks like he actually enjoys this. He

998
00:48:25,000 --> 00:48:29,360
Speaker 1: enjoys being so elusive and getting away, so we have

999
00:48:29,600 --> 00:48:32,080
Speaker 1: that aspect of it. It also reminds me, of course,

1000
00:48:32,239 --> 00:48:34,719
Speaker 1: of the Oceans movies. Anytime you have a Hees movie

1001
00:48:34,840 --> 00:48:37,600
Speaker 1: like this, it just has those vibes to me, and

1002
00:48:37,719 --> 00:48:40,239
Speaker 1: of course one of the greatest movies of all time Heat,

1003
00:48:40,719 --> 00:48:43,200
Speaker 1: I'm also getting those vibes as well, which they are

1004
00:48:43,360 --> 00:48:46,359
Speaker 1: making a Heat too. This kind of feels like all

1005
00:48:46,440 --> 00:48:49,520
Speaker 1: the people who weren't good enough or maybe did not

1006
00:48:49,640 --> 00:48:52,960
Speaker 1: get cast in Heat two, which that cast looks really impressive.

1007
00:48:53,160 --> 00:48:56,319
Speaker 1: Leonardo DiCaprio is a part of that. Whoever didn't get

1008
00:48:56,400 --> 00:48:59,319
Speaker 1: cast in Heat to got Crime one oh one as

1009
00:48:59,400 --> 00:49:01,479
Speaker 1: kind of a Okay, you can go do this movie.

1010
00:49:01,680 --> 00:49:03,800
Speaker 1: I mean, that's probably not the case, but that's just

1011
00:49:03,880 --> 00:49:06,640
Speaker 1: what it feels like to me. Interesting thing about this

1012
00:49:06,880 --> 00:49:11,240
Speaker 1: cast is you see the connection between the Marvel universe

1013
00:49:11,360 --> 00:49:15,400
Speaker 1: where Chris Hemsworth is returning later this year in Doomsday.

1014
00:49:16,000 --> 00:49:20,160
Speaker 1: Mark Ruffalo is not returning later this year in Doomsday.

1015
00:49:20,239 --> 00:49:22,480
Speaker 1: He confirmed it pretty recently that he's not going to

1016
00:49:22,480 --> 00:49:26,080
Speaker 1: be a part of that movie. However, he is confirmed

1017
00:49:26,160 --> 00:49:28,960
Speaker 1: to be in Spider Man Brand New Day, So that

1018
00:49:29,120 --> 00:49:32,040
Speaker 1: leaves me asking a lot of questions. Does that mean

1019
00:49:32,520 --> 00:49:35,760
Speaker 1: he's a little bit over the MCU where he doesn't

1020
00:49:35,800 --> 00:49:39,839
Speaker 1: want to do another Avengers movie, or is something going

1021
00:49:39,960 --> 00:49:43,200
Speaker 1: to happen to the Hulk in Spider Man Brand New Day, Which,

1022
00:49:43,360 --> 00:49:46,120
Speaker 1: first of all, I love that casting. I feel like

1023
00:49:46,200 --> 00:49:50,480
Speaker 1: the Hulk has been underutilized in the MCU, where I

1024
00:49:50,680 --> 00:49:54,040
Speaker 1: want fully unleashed Hulk like he is in the comic books,

1025
00:49:54,160 --> 00:49:57,360
Speaker 1: like the character that I grew up loving, the character

1026
00:49:57,480 --> 00:50:01,960
Speaker 1: I know can be the most dominant superhero out of anybody,

1027
00:50:02,440 --> 00:50:05,400
Speaker 1: be the strongest in the room at all times. But

1028
00:50:05,600 --> 00:50:08,800
Speaker 1: for some reason in the MCU has always had a

1029
00:50:08,840 --> 00:50:10,880
Speaker 1: bit of a comedic feel to him, aside from the

1030
00:50:10,920 --> 00:50:13,920
Speaker 1: first Avengers movie, which I loved him in that. But

1031
00:50:14,040 --> 00:50:17,440
Speaker 1: once we got to Professor Hulk and She Hulk, he

1032
00:50:17,560 --> 00:50:19,960
Speaker 1: became a little bit more of the comic relief and

1033
00:50:20,040 --> 00:50:22,440
Speaker 1: we saw a lot more of Mark Ruffalo, who I

1034
00:50:22,560 --> 00:50:24,960
Speaker 1: do love and I think he is a great Bruce Banner,

1035
00:50:25,440 --> 00:50:28,440
Speaker 1: but we saw more of him not hoped out. I

1036
00:50:28,520 --> 00:50:31,959
Speaker 1: don't know if it's because there's something that's gonna happen

1037
00:50:32,040 --> 00:50:35,439
Speaker 1: to his character in Spider Man. Maybe he dies, maybe

1038
00:50:35,520 --> 00:50:39,400
Speaker 1: something happens where he completely goes away, or Mark Ruffalo

1039
00:50:39,680 --> 00:50:43,080
Speaker 1: is kind of trying to move past the MCU, which

1040
00:50:43,160 --> 00:50:46,080
Speaker 1: I thought a lot more of these actors were going

1041
00:50:46,160 --> 00:50:48,360
Speaker 1: to do, and I think at one point that was

1042
00:50:48,520 --> 00:50:51,160
Speaker 1: the case. But since the last one came out in

1043
00:50:51,239 --> 00:50:54,920
Speaker 1: twenty nineteen, and they've done some cameos here and there,

1044
00:50:55,080 --> 00:50:58,520
Speaker 1: some movie here and there, but haven't done another Avengers

1045
00:50:58,640 --> 00:51:01,319
Speaker 1: movie and have had time to branch out a little

1046
00:51:01,320 --> 00:51:03,640
Speaker 1: bit and try these other movies like Hemsworth has done

1047
00:51:03,719 --> 00:51:05,919
Speaker 1: with action movies like this that I feel like he's

1048
00:51:06,040 --> 00:51:09,839
Speaker 1: really just gravitated to because maybe it's the easiest thing

1049
00:51:09,960 --> 00:51:14,480
Speaker 1: for him to flow into. But maybe that hasn't gone

1050
00:51:14,560 --> 00:51:18,680
Speaker 1: the way that they've all expected. And at the end

1051
00:51:18,719 --> 00:51:21,080
Speaker 1: of the day, it is hard to pass up that

1052
00:51:21,320 --> 00:51:24,000
Speaker 1: MCU money. And not only do you make the money,

1053
00:51:24,520 --> 00:51:27,239
Speaker 1: but you also get all the love again of people

1054
00:51:27,360 --> 00:51:31,080
Speaker 1: being excited to have you back, which those trailers got

1055
00:51:31,200 --> 00:51:34,680
Speaker 1: over a billion views online, so there is still that

1056
00:51:34,840 --> 00:51:37,160
Speaker 1: demand for it. So to be in a position where

1057
00:51:37,160 --> 00:51:39,480
Speaker 1: you can still go back to that and lean on that,

1058
00:51:40,080 --> 00:51:42,560
Speaker 1: even though you kind of wanted to set yourself apart

1059
00:51:42,640 --> 00:51:45,120
Speaker 1: from it, I have to imagine that is a really

1060
00:51:45,160 --> 00:51:48,120
Speaker 1: hard thing to do, and just being able to turn

1061
00:51:48,200 --> 00:51:51,520
Speaker 1: that down is probably one of the most impossible things

1062
00:51:51,600 --> 00:51:54,319
Speaker 1: you can do as an actor. Now I see them

1063
00:51:54,400 --> 00:51:57,560
Speaker 1: coming back for Doomsday. I definitely see a lot of

1064
00:51:57,600 --> 00:51:59,800
Speaker 1: them coming back, unless some of them die in Doomsday

1065
00:52:00,200 --> 00:52:03,759
Speaker 1: in Secret Wars, after that, I think is where we

1066
00:52:03,920 --> 00:52:06,040
Speaker 1: get a full reboot and we kind of have to

1067
00:52:06,160 --> 00:52:08,560
Speaker 1: let go a lot of these characters, which has been

1068
00:52:08,640 --> 00:52:11,439
Speaker 1: really hard for people to move on because eventually they're

1069
00:52:11,440 --> 00:52:12,920
Speaker 1: going to age out of these roles, and then we'll

1070
00:52:12,960 --> 00:52:15,120
Speaker 1: really have to move on, and then we're not going

1071
00:52:15,200 --> 00:52:17,680
Speaker 1: to be showing enough attention to all the new Avengers,

1072
00:52:18,200 --> 00:52:21,120
Speaker 1: all these other people that we've introduced and never brought

1073
00:52:21,239 --> 00:52:24,359
Speaker 1: back into the equation. Then we're gonna have an even

1074
00:52:24,600 --> 00:52:28,200
Speaker 1: harder time to bounce back and compete with DC. But

1075
00:52:28,840 --> 00:52:31,560
Speaker 1: Ruffalo at fifty eight years old, I feel like him

1076
00:52:31,600 --> 00:52:34,640
Speaker 1: in his sixties. He's done with the Hulk. Chris Hemsworth

1077
00:52:34,719 --> 00:52:37,480
Speaker 1: at a healthy forty two, I think, if he really

1078
00:52:37,640 --> 00:52:40,560
Speaker 1: wanted to, could play it well into his fifties, but

1079
00:52:40,719 --> 00:52:42,920
Speaker 1: I think he is trying to move past that a

1080
00:52:42,960 --> 00:52:45,480
Speaker 1: little bit, and seeing him in Crime one oh one

1081
00:52:45,719 --> 00:52:49,240
Speaker 1: looking very comfortable in this role and not just shoot

1082
00:52:49,320 --> 00:52:52,520
Speaker 1: him up action movie that we've seen him in like Extraction.

1083
00:52:53,440 --> 00:52:55,759
Speaker 1: This feels like a really good lane for him. And

1084
00:52:55,840 --> 00:52:58,600
Speaker 1: even though this movie feels like it's very familiar, like

1085
00:52:58,680 --> 00:53:01,759
Speaker 1: I'm gonna go into it knowing exactly what I'm going

1086
00:53:01,840 --> 00:53:03,600
Speaker 1: to get out of it, I think it's still going

1087
00:53:03,640 --> 00:53:05,640
Speaker 1: to be a good time at the theater, but I'm

1088
00:53:05,719 --> 00:53:09,000
Speaker 1: just setting moderate expectations. Crime one oh one comes out

1089
00:53:09,040 --> 00:53:12,799
Speaker 1: in theaters next month on February thirteenth, And that was.

1090
00:53:12,840 --> 00:53:16,240
Speaker 2: This week's edition of Movie Mike Trailer.

1091
00:53:15,920 --> 00:53:20,440
Speaker 1: Bars, and that is going to do it for another

1092
00:53:20,560 --> 00:53:23,440
Speaker 1: episode here of the podcast. But before I go, I

1093
00:53:23,480 --> 00:53:25,920
Speaker 1: gotta give my listeners shout out of the week. How

1094
00:53:25,960 --> 00:53:27,719
Speaker 1: do you get a listener shout out? You can DM

1095
00:53:27,840 --> 00:53:31,240
Speaker 1: me on Instagram, comment on my TikTok, or my YouTube page,

1096
00:53:31,800 --> 00:53:35,080
Speaker 1: YouTube dot com slash Mike Dstro also have a Facebook.

1097
00:53:35,440 --> 00:53:38,239
Speaker 1: You can find all the links in the episode notes

1098
00:53:38,280 --> 00:53:41,160
Speaker 1: of this podcast every single week, so whatever you like,

1099
00:53:41,320 --> 00:53:43,720
Speaker 1: or if you want to email Moviemike d at gmail

1100
00:53:43,760 --> 00:53:46,360
Speaker 1: dot com. But this week I'm going over to my

1101
00:53:46,480 --> 00:53:49,719
Speaker 1: Instagram pulling up a recent comment I got on the

1102
00:53:49,840 --> 00:53:53,080
Speaker 1: video Kelsey and I did back on her birthday where

1103
00:53:53,239 --> 00:53:55,799
Speaker 1: she went to the bookstore, had five minutes to pick

1104
00:53:55,880 --> 00:53:59,440
Speaker 1: out any books she wanted in the store, and the

1105
00:53:59,520 --> 00:54:02,320
Speaker 1: only rule was as long as she could carry it,

1106
00:54:02,880 --> 00:54:05,120
Speaker 1: she could get any books you wanted. And you can

1107
00:54:05,160 --> 00:54:07,160
Speaker 1: go watch that video if you missed it. That video

1108
00:54:07,280 --> 00:54:08,520
Speaker 1: was a while back, but if you go to my

1109
00:54:08,600 --> 00:54:10,399
Speaker 1: Instagram and you miss that, you can check that out.

1110
00:54:10,640 --> 00:54:13,120
Speaker 1: Fun game that we do every year. But I'm shouting

1111
00:54:13,160 --> 00:54:16,120
Speaker 1: out Gina who commented on that video and said thanks

1112
00:54:16,200 --> 00:54:18,160
Speaker 1: for the end of the year review, Kelsey. I am

1113
00:54:18,200 --> 00:54:21,480
Speaker 1: a bit behind on the podcast and just listened. Also,

1114
00:54:21,600 --> 00:54:24,360
Speaker 1: thanks for the validation on audio books. My husband and

1115
00:54:24,440 --> 00:54:27,080
Speaker 1: I started listening to books on long trips. It's now

1116
00:54:27,120 --> 00:54:29,640
Speaker 1: a favorite pastime that we enjoy on shorter trips and

1117
00:54:29,840 --> 00:54:32,840
Speaker 1: just while eating dinner after a long, stressful day. So

1118
00:54:33,440 --> 00:54:36,320
Speaker 1: along with that video, we also did an entire podcast

1119
00:54:36,360 --> 00:54:39,799
Speaker 1: where Kelsey did her top ten books of the last year.

1120
00:54:40,000 --> 00:54:42,680
Speaker 1: So there's a video on my Instagram and the full

1121
00:54:42,760 --> 00:54:45,600
Speaker 1: podcast that we did, so if you need some book recommendations,

1122
00:54:45,640 --> 00:54:48,399
Speaker 1: you can go check out. That episode came out back

1123
00:54:48,480 --> 00:54:50,680
Speaker 1: at the beginning of the year on January second. If

1124
00:54:50,680 --> 00:54:52,680
Speaker 1: you want to go back here on the feed. But

1125
00:54:52,800 --> 00:54:55,440
Speaker 1: thank you Gina, and to anybody who's been catching up

1126
00:54:55,480 --> 00:54:58,200
Speaker 1: on the podcast. If you're listening now and it's way

1127
00:54:58,280 --> 00:55:01,680
Speaker 1: in the future, because this one come out in January,

1128
00:55:01,760 --> 00:55:04,560
Speaker 1: but maybe if you're listening in February or March, let

1129
00:55:04,640 --> 00:55:06,759
Speaker 1: me know when you're getting caught up. Just be like, hey,

1130
00:55:06,920 --> 00:55:08,719
Speaker 1: I know it's March already, but I'm listening to the

1131
00:55:08,760 --> 00:55:11,400
Speaker 1: episode back in January where you're like, hey, if you

1132
00:55:11,440 --> 00:55:13,600
Speaker 1: were getting caught up, let me know in the future.

1133
00:55:14,040 --> 00:55:16,560
Speaker 1: So this is a message to all future listeners of

1134
00:55:16,600 --> 00:55:19,000
Speaker 1: this podcast. Maybe some aliens. I don't know, maybe an

1135
00:55:19,000 --> 00:55:22,200
Speaker 1: alien gets this feed in like another three thousand years

1136
00:55:22,239 --> 00:55:24,360
Speaker 1: and they're like, hey, just catching up on the podcast,

1137
00:55:24,680 --> 00:55:27,560
Speaker 1: even though I'd be long gone by then. But thank

1138
00:55:27,640 --> 00:55:31,560
Speaker 1: you Gina. And because I didn't mention books update on

1139
00:55:31,719 --> 00:55:34,719
Speaker 1: my book of Reading project, hell Mary, I'm still chugging along.

1140
00:55:34,840 --> 00:55:38,880
Speaker 1: Since last time I read, I think another two chapters,

1141
00:55:39,560 --> 00:55:42,000
Speaker 1: so I'm well over a fourth of the way through,

1142
00:55:42,080 --> 00:55:46,239
Speaker 1: I think now now I'm getting close to that halfway mark,

1143
00:55:46,440 --> 00:55:48,839
Speaker 1: not quite there yet, but that is my next goal,

1144
00:55:49,239 --> 00:55:52,000
Speaker 1: to get halfway through the book until March. So that

1145
00:55:52,160 --> 00:55:54,600
Speaker 1: is this week's book update. If you want to start

1146
00:55:54,600 --> 00:55:56,840
Speaker 1: a project till Mary Too, I think you still have

1147
00:55:57,000 --> 00:55:59,080
Speaker 1: enough time if you want to hop on start reading

1148
00:55:59,120 --> 00:56:00,800
Speaker 1: it so we can all go watch the movie together

1149
00:56:00,960 --> 00:56:04,080
Speaker 1: in March and be those people that say, ah, the

1150
00:56:04,160 --> 00:56:06,359
Speaker 1: book was so much better than the movie, But thank

1151
00:56:06,440 --> 00:56:10,080
Speaker 1: you for listening. And until next time, go out and

1152
00:56:10,239 --> 00:56:12,960
Speaker 1: watch good movies and I will talk to you later