WEBVTT - Peanuts (the comic) Part II

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the Peanuts Cast. I'm Josh, there's

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<v Speaker 2>Chuck been sitting in and this is part two of

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<v Speaker 2>two the Deuce, as we call it sometimes, about stuff

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<v Speaker 2>you should know about Peanuts.

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<v Speaker 1>That's right. If you remember where we left off, Charlie

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<v Speaker 1>Brown had just murdered Snoopy and was on the run

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<v Speaker 1>from the law. No, of course not. We had made

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<v Speaker 1>up and surely no one's going to listen to this

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<v Speaker 1>one first, but just to catch you up, we covered

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<v Speaker 1>most of Charles Schultz's early life, the birth of Peanuts,

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<v Speaker 1>and we had gotten up to Snoopy character wise, and

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<v Speaker 1>here we go with that little black and white beagle

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<v Speaker 1>that is probably the weirdest comic character of all time.

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<v Speaker 2>Yeah, and we said before he was based on Schultz's

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<v Speaker 2>dog Spike, who apparently could eat razor blades without getting sick.

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<v Speaker 2>He had another dog, know that. I guess Spike ate

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<v Speaker 2>razorbikes And they were like, oh, okay, he's good. That's

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<v Speaker 2>what he was in Ripley's believe it or not, for

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<v Speaker 2>eating razor blades, yeah, not getting sick. He had another

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<v Speaker 2>another dog named Snooky. Snooky and then just like the

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<v Speaker 2>Jersey short character. And then apparently his mom suggested that

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<v Speaker 2>as she was dying that if the family ever got

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<v Speaker 2>another dog, they should name it Snoopy, like s n Upi,

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<v Speaker 2>which apparently is a term of endearment in Norwegian. So

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<v Speaker 2>you put all those together, you mix them up, put

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<v Speaker 2>him in a blender, blend it, and then regret that

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<v Speaker 2>immediately you've got Snoopy.

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<v Speaker 1>Yes, Snoopy was a black and white beagle who slept

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<v Speaker 1>on top of a doghouse. Yeah, apparently that came around

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<v Speaker 1>in fifty eight. For the first few years, Snoopy actually

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<v Speaker 1>slept in the house and if you wonder why Snoopy,

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<v Speaker 1>he was on top of the house so you could

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<v Speaker 1>see Snoopy right. Very weird to have a cartoon drawn

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<v Speaker 1>inside of a doghouse, So it was just sort of

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<v Speaker 1>a utilitarian decision. Snoopy was, like I said, one of

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<v Speaker 1>the weirdest character in comics, I think, because Snoopy had

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<v Speaker 1>and my favorite thing about Snoopy was this weird fantasy

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<v Speaker 1>life that Snoopy lived where he had these alter egos.

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<v Speaker 1>I think there were more than one hundred Snoopy alter

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<v Speaker 1>egos that range from being a world famous it was

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<v Speaker 1>always world famous, usually a world famous tennis star. He

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<v Speaker 1>was a world famous surgeon, an attorney. The Fierce Vulture

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<v Speaker 1>is one of my favorite alter egos, a famous, world

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<v Speaker 1>famous author. Joe Cool was one I wasn't super into. Actually,

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<v Speaker 1>it was probably my least favorite altar.

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<v Speaker 2>That's funny. My grandma called me Joe Cool because I

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<v Speaker 2>sent her a card once as a kid and identified myself.

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<v Speaker 2>I think I signed it as Joe Cool. It really

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<v Speaker 2>called me Joe Cool from that moment on.

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<v Speaker 1>But the really weird one was the Flying Ace alter ego,

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<v Speaker 1>in which Snoopy was a was an air airplane fighter

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<v Speaker 1>pilot from World War Two that had an ongoing I

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<v Speaker 1>was about to say beef, but just ongoing battle with

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<v Speaker 1>the Red Baron fighter pilot from Germany, and that became

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<v Speaker 1>a big hit song in nineteen sixty six. It was

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<v Speaker 1>a novelty song by the Royal Guardsman that hit number

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<v Speaker 1>two in the United States, Which is I mean I

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<v Speaker 1>had this forty five that It was a time and

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<v Speaker 1>we've talked about some famous novelty songs in the past,

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<v Speaker 1>but it was a time when a novelty song could

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<v Speaker 1>be like a legit number one hit.

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<v Speaker 2>Yeah, or number two at least. Yeah. So that flying

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<v Speaker 2>Ace thing. One of the things that Peanuts is known

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<v Speaker 2>for is it was genuine, generally not political. It was

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<v Speaker 2>much more universal than that. It wasn't so narrow as

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<v Speaker 2>to like discourse on politics.

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<v Speaker 1>Right.

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<v Speaker 2>But during the Vietnam War, and Charles Schultz, remember he

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<v Speaker 2>was a veteran of World War two, very proud veteran,

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<v Speaker 2>and during the Vietnam War he gave official approval for

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<v Speaker 2>the Air Force to use Snoopy as a mascot in Vietnam.

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<v Speaker 2>And at the same time, as it became clear that

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<v Speaker 2>the United States strategy and involvement in Vietnam was just

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<v Speaker 2>a catastrophe and disastrous and being led by people who

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<v Speaker 2>were completely amoral, even Charles Schultz became dissatisfied or against

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<v Speaker 2>the Vietnam War, and he used the World War one

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<v Speaker 2>Flying Ace to comment on the Vietnam War like there

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<v Speaker 2>was it went as it became as overt as there's

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<v Speaker 2>there's one where Snoopy as World War one Flying Ace

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<v Speaker 2>has cursed the stupid war, and eventually it even spilled

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<v Speaker 2>out from the flying Ace. There's there's strips where Lioness

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<v Speaker 2>and Charlie Brown are discussing the prospect of being drafted.

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<v Speaker 2>I mean, like he got pretty anti war as a

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<v Speaker 2>matter of fact during the Vietnam era, which was really

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<v Speaker 2>out of character for not just him but also for Peanuts.

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<v Speaker 2>But like that, I think that just kind of goes

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<v Speaker 2>to show how unpopular the Vietnam War was that even

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<v Speaker 2>Charles Schultz, this conservative methodist World War Two veteran, was

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<v Speaker 2>speaking out against it through his characters.

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<v Speaker 1>Yeah, I think Franklin's dad was in Vietnam during the

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<v Speaker 1>comic strip exactly. Yeah. And by the way, I think

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<v Speaker 1>I said world War two instead of World War One.

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<v Speaker 2>So in choke correction, Oh did you say too? I'm

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<v Speaker 2>sorry I didn't correct you. I really know that I

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<v Speaker 2>missed the chance. Hey, you mentioned Joe Cool. There was

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<v Speaker 2>an offshoot of Joe Cool from the nineties, wasn't there.

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<v Speaker 1>I don't know was here.

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<v Speaker 2>Yeah, you gotta gotta mention Joe Grunge.

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<v Speaker 1>I wouldn't run for Joe Grunge.

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<v Speaker 2>I wasn't either, But I mean, I'm aware he existed.

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<v Speaker 1>I wasn't aware he existed.

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<v Speaker 2>Well, now.

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<v Speaker 1>That's good. Sounds like he rolled with the times. So

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<v Speaker 1>Snoopy had a family. We mentioned Spike. He had a

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<v Speaker 1>whole litter that he was born with, Spike, Bell, Marbles,

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<v Speaker 1>olaf Andy, Molly, and Rover, and Spike was the one

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<v Speaker 1>that I love. Spike became he became like arguably a

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<v Speaker 1>main character in the in the nineties basically, but he

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<v Speaker 1>debuted in nineteen seventy five and was you know, he

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<v Speaker 1>always had that hat on, and he had those whiskers

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<v Speaker 1>that sort of looked like a little beat nick mustache. Yeah,

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<v Speaker 1>and he lived alone in the California desert and he

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<v Speaker 1>was usually by his big cactus, and it was just

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<v Speaker 1>he was he was sort of an altar of Snoopy

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<v Speaker 1>like in demeanor.

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<v Speaker 2>Yeah, yeah, for sure, but Snoopy. It's not like Snoopy

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<v Speaker 2>was high strung or uptight. He was different. They were

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<v Speaker 2>very different, though, But I'm not sure how one was

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<v Speaker 2>a foil to the other. I think they were just different,

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<v Speaker 2>you know.

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<v Speaker 1>Oh, I don't think there were foils. I think yeah,

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<v Speaker 1>And I think Snoopy, I mean, I think he was precocious.

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<v Speaker 1>But again, it almost felt like a spin off within

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<v Speaker 1>the old thing, within the within its own thing, because

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<v Speaker 1>he and Woodstock were commonly you know, I mean He

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<v Speaker 1>would interact with the other characters, but he was often

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<v Speaker 1>doing his own thing, right.

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<v Speaker 2>Yeah, like you said with Woodstock, do you I have

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<v Speaker 2>a question for you. When you were going up? Did

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<v Speaker 2>you have the Snoopy snow cone machine?

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<v Speaker 1>I did you, lucky kid, I'm pretty sure either that

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<v Speaker 1>or a friend did. I can't remember.

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<v Speaker 2>That stuff was addictive, those those plays fun. Yeah, same here.

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<v Speaker 2>I had access to one, but I had to like

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<v Speaker 2>go play at somebody's house to get a Snoopy snow cone.

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<v Speaker 1>I don't think that. Maybe I didn't have one, or

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<v Speaker 1>if it was, it was a hand me down. I

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<v Speaker 1>know one thing for sure. My parents didn't go out

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<v Speaker 1>and buy me that thing new right.

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<v Speaker 2>They got it out of the yard sale and it

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<v Speaker 2>hadn't been washed out from the last time. Probably, So

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<v Speaker 2>there's I got one other little piece of Snoopy trivia,

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<v Speaker 2>all right. Snoop Dog he was nicknamed by his mom

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<v Speaker 2>because she thought that he looked like Snoopy as a

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<v Speaker 2>young man.

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<v Speaker 1>I could see that totally on.

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<v Speaker 2>Once you hear it, you're like, oh my god, he

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<v Speaker 2>does kind of look like Snoopy.

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<v Speaker 1>Yeah, that's very cute. Yeah, I agree, And Snoopy the

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<v Speaker 1>Dog loved smoking some wheat.

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<v Speaker 2>I don't know. I think that might have been Woodstock,

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<v Speaker 2>who I say we talk about real quick, you want

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<v Speaker 2>to sure?

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<v Speaker 1>I mean Woodstock. We talked a little bit about Woodstock

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<v Speaker 1>in the Woodstock episode because Woodstock was named for Woodstock.

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<v Speaker 1>Because June twenty second, nineteen seventy is when Woodstock the

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<v Speaker 1>bird got its name. I think it he was around

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<v Speaker 1>in the cartoon before that but didn't have a name,

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<v Speaker 1>And there were other birds in the cartoon that preceded Woodstock.

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<v Speaker 2>Yeah, and when they finally debuted Woodstock's name, it's Snoopy

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<v Speaker 2>hanging out on the roof, and I guess Woodstock had

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<v Speaker 2>been around for a while. And he said, Harry thinks

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<v Speaker 2>I finally found out what that stupid birds name is.

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<v Speaker 2>You'll never believe it. And apparently it was absolutely based

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<v Speaker 2>on Woodstock.

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<v Speaker 1>Yeah.

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<v Speaker 2>And there is a an author named Michelle Abate who

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<v Speaker 2>wrote a book on Charlie Brown and like analyzing Charlie Brown, Blackheads, Beagles,

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<v Speaker 2>and sweet Baboos, New perspectives on Charles M. Schultz Peanuts,

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<v Speaker 2>where Michelle says like Woodstock represented the younger generation, like hippies,

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<v Speaker 2>like straight up hippies, that's what Woodstock represented. They were

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<v Speaker 2>Woodstock was a like innocent and naive and just kind

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<v Speaker 2>of childlike and having fun and doing doing their own thing.

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<v Speaker 2>And then like even more r Kinley, the fact that

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<v Speaker 2>when Woodstock spoke, the only person that could understand Woodstock

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<v Speaker 2>was Snoopy and the reader can't. It's just these little

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<v Speaker 2>kind of chicken scratch lines.

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<v Speaker 1>You remember that, yeah, or Woodstock scratch.

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<v Speaker 2>So Michelle Obate makes the case that Charles Schultz, in

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<v Speaker 2>some way, shape or form, is making commentary on how

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<v Speaker 2>the older generation can't understand the younger generation. But for

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<v Speaker 2>him that was just kind of like an unusual, an

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<v Speaker 2>unusual nod, a kind nod to the younger generation to

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<v Speaker 2>a lot of people his age and from his his

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<v Speaker 2>his political bent, didn't think very highly of but apparently

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<v Speaker 2>he did.

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<v Speaker 1>All right, that's one of those that's like what I

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<v Speaker 1>was taking English classes in college when I was like, okay, yeah,

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<v Speaker 1>if you say so.

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<v Speaker 2>It's analysis, it's interpretation, like yeah, all that stuff. You

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<v Speaker 2>can make a pretty good case for it. You can

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<v Speaker 2>also you could also say like it's almost like a

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<v Speaker 2>fan theory.

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<v Speaker 1>Yeah, well I think it's for sure is. But that's

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<v Speaker 1>just what commentary is, right.

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<v Speaker 2>I think, well, it's a fan theory in an academic

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<v Speaker 2>book form.

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<v Speaker 1>Yeah, exactly. That's the only thing that separates fan theory

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<v Speaker 1>from just printing it in a book or typing right. Right.

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<v Speaker 2>But suppose there's one other thing more than once Snoopy

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<v Speaker 2>refers to Woodstock as a hippie bird. Yeah, did that

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<v Speaker 2>persuade you even further?

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<v Speaker 1>No? No, no, I didn't think he wasn't non hippie, but

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<v Speaker 1>the whole like the generational chicken scratch representing like I'm

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<v Speaker 1>just not sure about that.

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<v Speaker 2>Okay, I gotcha, But I love it.

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<v Speaker 1>I love talking about that stuff. I do too, So

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<v Speaker 1>do you like talking about Peppermint? Patty and Marcy love it?

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<v Speaker 1>A lot of people love it because a lot of

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<v Speaker 1>people it's sort of, you know, has become one of

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<v Speaker 1>these burdon or anythings where they're like, hey, listen, Peppermint,

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<v Speaker 1>Patty and Marcy are clearly gay young girls who just

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<v Speaker 1>maybe don't know it yet, and there's always been you know,

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<v Speaker 1>fan speculation about about that. And I think you know,

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<v Speaker 1>that's fine, that's all well and good. Charles Schultz himself

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<v Speaker 1>was interviewed in nineteen ninety seven and said that, you know,

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<v Speaker 1>he understood that people talk a lot about that, but

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<v Speaker 1>he said sexuality to him just wasn't relevant to the

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<v Speaker 1>comic because they were just children. And that's not to

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<v Speaker 1>say that a child, you know, can't be gay, but

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<v Speaker 1>he was like it was the kind of thing that

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<v Speaker 1>didn't enter his mind. I don't think he was like

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<v Speaker 1>offended or thought it was weird that people would speculate

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<v Speaker 1>about that, But it doesn't sound like that was his

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<v Speaker 1>bent when he drew this very sort of classic tomboy

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<v Speaker 1>character who was very good in athletics, who was called

0:12:28.400 --> 0:12:30.840
<v Speaker 1>sir By Marcy, which was always very funny to me.

0:12:32.200 --> 0:12:35.160
<v Speaker 1>But either way, two great characters. One of the favorite

0:12:35.160 --> 0:12:39.720
<v Speaker 1>things for me with Peppermint Patty was how she would

0:12:39.760 --> 0:12:45.160
<v Speaker 1>invert names. She called Charlie Brown Chuck. She did the

0:12:45.200 --> 0:12:49.160
<v Speaker 1>opposite for Lucy. She called Lucy Lucille. I think at

0:12:49.160 --> 0:12:54.719
<v Speaker 1>one point maybe it Schroeder calls her Patricia, which was

0:12:54.760 --> 0:12:57.240
<v Speaker 1>a little spin on that. But that's just a fun

0:12:57.280 --> 0:12:59.959
<v Speaker 1>little character thing that I always really enjoyed.

0:13:00.320 --> 0:13:04.120
<v Speaker 2>I always loved Peppermint Patty's voice in the TV specials.

0:13:04.640 --> 0:13:07.200
<v Speaker 1>Yeah, same, it was perfect.

0:13:07.960 --> 0:13:10.760
<v Speaker 2>Yeah, So there was a little strip or a little

0:13:10.760 --> 0:13:13.840
<v Speaker 2>period of strips where Charles Schultz, who had by this

0:13:13.880 --> 0:13:17.880
<v Speaker 2>time befriended Billy Jean King, as Title nine was being

0:13:18.480 --> 0:13:21.360
<v Speaker 2>passed or was being discussed whether it should be passed

0:13:21.440 --> 0:13:26.600
<v Speaker 2>or not. Which was which allowed equal or demanded equal

0:13:26.679 --> 0:13:32.200
<v Speaker 2>funding for women's sports? And I guess just college, right.

0:13:33.040 --> 0:13:34.720
<v Speaker 1>I'm pretty sure it was just college and there was

0:13:34.760 --> 0:13:36.720
<v Speaker 1>more to it, but I think it was about equal

0:13:36.760 --> 0:13:40.199
<v Speaker 1>opportunities and funding for college athletics.

0:13:39.800 --> 0:13:43.480
<v Speaker 2>Right, which is nuts because we're talking about the nineteen

0:13:43.600 --> 0:13:47.719
<v Speaker 2>late nineteen seventies. Isn't that crazy? But anyway, Billy Jan King,

0:13:47.880 --> 0:13:50.079
<v Speaker 2>who was a champion tennis star, was also a champion

0:13:50.120 --> 0:13:54.160
<v Speaker 2>of Title nine, and being her friend and supporter, Charles

0:13:54.160 --> 0:13:58.440
<v Speaker 2>Schultz drew some Peanuts strips basically using Peppermint Patty as

0:13:58.440 --> 0:14:01.360
<v Speaker 2>a stand in. And a lot of people are like, see,

0:14:01.480 --> 0:14:03.600
<v Speaker 2>Billy Jean King was gay. She came out in nineteen

0:14:03.640 --> 0:14:07.240
<v Speaker 2>eighty one, so of course Peppermint Patty was and that's

0:14:07.280 --> 0:14:09.360
<v Speaker 2>what Charles Schultz meant. But no, he was using her

0:14:09.400 --> 0:14:13.680
<v Speaker 2>as a stand in for a woman athlete, as Billy

0:14:13.760 --> 0:14:16.640
<v Speaker 2>Jean King was. And in that strip they're talking about

0:14:16.679 --> 0:14:19.960
<v Speaker 2>how Peppermint Patty is going to show all the men

0:14:20.040 --> 0:14:22.120
<v Speaker 2>that she can do anything they can do, and maybe

0:14:22.160 --> 0:14:25.160
<v Speaker 2>even better, and she's great at sports. And then I

0:14:25.200 --> 0:14:28.600
<v Speaker 2>think somebody asks Lucy, who's standing there, what she's going

0:14:28.680 --> 0:14:31.000
<v Speaker 2>to do because she's no good at sports, and Lucy

0:14:31.080 --> 0:14:34.240
<v Speaker 2>goes speak out so loud that Charlie Brown is doing

0:14:34.280 --> 0:14:36.800
<v Speaker 2>like a summrsault mid air. And that was just perfect

0:14:36.800 --> 0:14:40.360
<v Speaker 2>because you had Peppermint Patty, you had Lucy doing her thing,

0:14:40.400 --> 0:14:42.960
<v Speaker 2>and then you had Charlie Brown kind of standing in

0:14:43.040 --> 0:14:46.840
<v Speaker 2>for the bystanding rest of us, who are now going

0:14:46.880 --> 0:14:50.320
<v Speaker 2>to be moved by the by the arguments in favor

0:14:50.360 --> 0:14:51.040
<v Speaker 2>of title nine.

0:14:51.120 --> 0:14:56.080
<v Speaker 1>Pretty cool, amazing, So some more Peppermint Patty stuff. She

0:14:56.400 --> 0:14:58.840
<v Speaker 1>was one of three characters who did not go to

0:14:58.840 --> 0:15:00.760
<v Speaker 1>the same school as the rest of the Peanuts gang.

0:15:01.520 --> 0:15:05.960
<v Speaker 1>Peppermint Patty and Marcy and Franklin lived unquote at the

0:15:06.000 --> 0:15:10.040
<v Speaker 1>other side of town, so they sort of represented They

0:15:10.040 --> 0:15:14.480
<v Speaker 1>never came out and said it, but they represented not

0:15:15.920 --> 0:15:19.160
<v Speaker 1>poor children, but it was definitely the other side of

0:15:19.240 --> 0:15:25.040
<v Speaker 1>town type of situation, like they had broken homes, they

0:15:25.040 --> 0:15:28.080
<v Speaker 1>were they didn't get to go to the same school.

0:15:28.480 --> 0:15:32.880
<v Speaker 1>I remember when Franklin visits visits Charlie Brown's neighborhood for

0:15:32.960 --> 0:15:36.480
<v Speaker 1>the first time, he sees the psych booth, he sees

0:15:36.480 --> 0:15:39.440
<v Speaker 1>snoopy on the house, and the great Pumpkin has talked

0:15:39.480 --> 0:15:43.040
<v Speaker 1>about and he leaves the neighborhood and say to go home,

0:15:43.080 --> 0:15:46.440
<v Speaker 1>and said, this neighborhood has me shook. So it was

0:15:46.480 --> 0:15:52.040
<v Speaker 1>definitely like a demarcation line for Marcy and Franklin and

0:15:52.040 --> 0:15:57.720
<v Speaker 1>Peppermint Patty. And also Peppermint Patty her mom was, I

0:15:57.760 --> 0:16:00.760
<v Speaker 1>guess dead, like they never said, she said, but she said,

0:16:00.760 --> 0:16:03.560
<v Speaker 1>my mom's not around. Oh really she lived. Yeah, she

0:16:03.640 --> 0:16:06.920
<v Speaker 1>lived with her father only, which was a very different

0:16:06.920 --> 0:16:09.600
<v Speaker 1>thing for a comic back then. And one of my

0:16:09.640 --> 0:16:12.640
<v Speaker 1>favorite things is even though we never hear parents speaking

0:16:12.640 --> 0:16:15.960
<v Speaker 1>to things, there are references to things parents say. And

0:16:16.800 --> 0:16:20.080
<v Speaker 1>Peppermint Patty's father always called her a rare gem, which

0:16:20.080 --> 0:16:22.440
<v Speaker 1>I thought was very sweet. It is sweet because she

0:16:22.600 --> 0:16:23.680
<v Speaker 1>wasn't very smart.

0:16:24.000 --> 0:16:27.560
<v Speaker 2>So yeah, Peppermint Patty was. She was groundbreaking in a

0:16:27.560 --> 0:16:29.720
<v Speaker 2>lot of ways in that. So, yeah, she was a tomboy.

0:16:30.080 --> 0:16:34.160
<v Speaker 2>She her she was the daughter of a single parent,

0:16:34.320 --> 0:16:37.680
<v Speaker 2>her child of a single parent, and then on top

0:16:37.720 --> 0:16:40.680
<v Speaker 2>of that, she was one of the first comic strip

0:16:41.680 --> 0:16:46.080
<v Speaker 2>females who didn't who like made her own way, Like

0:16:46.160 --> 0:16:47.960
<v Speaker 2>she didn't need a man. She wasn't there to support

0:16:48.000 --> 0:16:50.680
<v Speaker 2>the man like Blondie did, Dagwood or anything like that.

0:16:50.960 --> 0:16:53.720
<v Speaker 2>She was just her own person, making her own way

0:16:54.080 --> 0:16:57.120
<v Speaker 2>by her own terms. And that was another groundbreaking thing.

0:16:57.240 --> 0:16:59.280
<v Speaker 2>I think she came along in nineteen sixty six and

0:16:59.680 --> 0:17:01.040
<v Speaker 2>people hadn't done that before.

0:17:01.800 --> 0:17:04.240
<v Speaker 1>Yeah, she had a crush on Charlie Brown, as did Marci.

0:17:05.119 --> 0:17:08.359
<v Speaker 1>Marci was very soft spoken and shy. She was very smart.

0:17:09.320 --> 0:17:11.200
<v Speaker 1>In fact, she's the one I think that points out,

0:17:11.240 --> 0:17:13.720
<v Speaker 1>like I feel kind of bad for Peppermint Patty because

0:17:13.720 --> 0:17:17.680
<v Speaker 1>she was written so unintelligently. Yeah, like her teacher gave

0:17:17.720 --> 0:17:19.359
<v Speaker 1>her a plaque at one point for being in the

0:17:19.400 --> 0:17:23.200
<v Speaker 1>D minus Hall of Fame. Yeah, and she didn't realize

0:17:23.240 --> 0:17:26.880
<v Speaker 1>Snoopy was even a dog until nineteen seventy four. What

0:17:27.480 --> 0:17:29.760
<v Speaker 1>when Marcy pointed out She used to say he was

0:17:29.760 --> 0:17:32.640
<v Speaker 1>a funny looking kid with a big nose. So they

0:17:32.640 --> 0:17:35.840
<v Speaker 1>write her really like not very intelligent. And I always

0:17:35.840 --> 0:17:38.639
<v Speaker 1>felt bad for Peppermint Patty, but Marcy was always her

0:17:38.720 --> 0:17:41.600
<v Speaker 1>loyalist friend. I don't know if I said, but also

0:17:41.600 --> 0:17:46.119
<v Speaker 1>had a crush on Charlie Brown and my favorite cute

0:17:46.119 --> 0:17:49.280
<v Speaker 1>thing ever because Marcie was the opposite of Peppermint Patty.

0:17:49.320 --> 0:17:50.880
<v Speaker 1>You know, she was smart and she was not good

0:17:50.920 --> 0:17:54.480
<v Speaker 1>at sports, whereas Peppermint Patty was the jock, and Marci

0:17:54.600 --> 0:17:57.879
<v Speaker 1>called the Super Bowl in one comic the Splendid Bowl.

0:18:00.600 --> 0:18:03.640
<v Speaker 2>She is pretty great. She didn't have a last name.

0:18:03.680 --> 0:18:07.760
<v Speaker 2>Peppermint Patty's last name was Reichardt. Marcy never had a

0:18:07.840 --> 0:18:12.200
<v Speaker 2>last name, and some people said that the reason why

0:18:12.240 --> 0:18:15.600
<v Speaker 2>is because that allowed her to be just kind of

0:18:15.600 --> 0:18:19.720
<v Speaker 2>this whatever Charles Schultz needed her to be or say

0:18:19.920 --> 0:18:24.600
<v Speaker 2>or do. But I think very quickly Marcy's character took

0:18:24.640 --> 0:18:27.720
<v Speaker 2>over and probably constrained Charles Schultz in a lot of

0:18:27.760 --> 0:18:31.560
<v Speaker 2>ways because she was just a weird little kid who

0:18:31.800 --> 0:18:35.720
<v Speaker 2>had just her own set of understanding of the world

0:18:35.720 --> 0:18:37.879
<v Speaker 2>that didn't really fit with anybody else's. It was just

0:18:37.920 --> 0:18:40.840
<v Speaker 2>totally hers. And like I said, Charles Schultz was once

0:18:40.920 --> 0:18:46.400
<v Speaker 2>asked like, why does Marcy call Patty Peppermint Patty, sir?

0:18:47.240 --> 0:18:51.280
<v Speaker 2>And apparently his response was, I have no idea. Marcy's

0:18:51.320 --> 0:18:52.639
<v Speaker 2>a very strange little girl.

0:18:54.040 --> 0:18:56.159
<v Speaker 1>Again, he's a condo it I mean, it wouldn't surprise

0:18:56.200 --> 0:18:57.360
<v Speaker 1>me that just popped into his head.

0:18:57.440 --> 0:19:00.199
<v Speaker 2>Yeah, for sure. And I hadn't realized this, but a

0:19:00.200 --> 0:19:03.760
<v Speaker 2>lot of Asian American kids took Marci to be Asian American.

0:19:04.760 --> 0:19:05.119
<v Speaker 1>Weird.

0:19:05.240 --> 0:19:08.399
<v Speaker 2>Why, I don't know. I'm not sure. I guess, I

0:19:08.440 --> 0:19:11.280
<v Speaker 2>don't know. Maybe I don't know. I have no idea,

0:19:11.400 --> 0:19:13.120
<v Speaker 2>but I saw that in several places.

0:19:13.880 --> 0:19:16.040
<v Speaker 1>All right, well, that feels like a good time for

0:19:16.040 --> 0:19:18.600
<v Speaker 1>a break. Oh yeah, sure, all right, Well we'll come

0:19:18.640 --> 0:19:22.119
<v Speaker 1>back and pick up with Franklin, one of my favorite characters,

0:19:22.160 --> 0:19:22.679
<v Speaker 1>right after this.

0:19:39.000 --> 0:19:40.600
<v Speaker 2>Softly jaw.

0:19:44.480 --> 0:19:52.679
<v Speaker 1>Soft all right. We mentioned Franklin before is when it

0:19:52.760 --> 0:19:54.159
<v Speaker 1>being one of the only three that didn't go to

0:19:54.240 --> 0:19:57.879
<v Speaker 1>the same school, lived in a different neighborhood. Franklin is

0:19:58.760 --> 0:20:01.919
<v Speaker 1>very famous, obviously for being the first black Peanuts character,

0:20:02.480 --> 0:20:06.919
<v Speaker 1>and that happened for a very purposeful reason. In nineteen

0:20:06.960 --> 0:20:09.800
<v Speaker 1>sixty eight, there was an LA school teacher named Harriet

0:20:09.800 --> 0:20:13.320
<v Speaker 1>Glickman who wrote a letter to Charles Schultz. This was

0:20:14.160 --> 0:20:17.200
<v Speaker 1>just after Martin Luther King Junior had been assassinated, and

0:20:17.240 --> 0:20:20.720
<v Speaker 1>she said, you know, we need to overcome quote the

0:20:20.760 --> 0:20:23.840
<v Speaker 1>vastie of misunderstanding, fear, hate, and violence, and I think

0:20:23.840 --> 0:20:26.680
<v Speaker 1>you should you should draw a black character for Peanuts.

0:20:26.720 --> 0:20:29.040
<v Speaker 1>I think that would be a big step forward, in

0:20:29.080 --> 0:20:33.640
<v Speaker 1>a big move. And Chultz initially declined, and it wasn't

0:20:33.680 --> 0:20:35.800
<v Speaker 1>because he didn't want to, but he said that he

0:20:35.840 --> 0:20:38.440
<v Speaker 1>thought it might be sort of to patronizing a move,

0:20:39.520 --> 0:20:42.600
<v Speaker 1>but then thought the better of it after you know,

0:20:42.720 --> 0:20:46.159
<v Speaker 1>a little bit more thought and some advice from Glickman's

0:20:46.160 --> 0:20:50.080
<v Speaker 1>neighbor who was a black man. His name was Kenneth Kelly,

0:20:50.760 --> 0:20:53.040
<v Speaker 1>and he said, you know what, I see what he's

0:20:53.040 --> 0:20:56.200
<v Speaker 1>saying about being patronizing. So if you're gonna do it,

0:20:56.800 --> 0:20:59.280
<v Speaker 1>just do it in a very casual way. Don't make

0:20:59.280 --> 0:21:02.280
<v Speaker 1>it some big revel lutionary stand. Just all of a sudden,

0:21:02.400 --> 0:21:04.400
<v Speaker 1>have this black kid in there. And that's what he did.

0:21:04.520 --> 0:21:08.960
<v Speaker 2>Yeah, And doing that like that would have this twofold effect.

0:21:08.960 --> 0:21:11.440
<v Speaker 2>One it would keep Charles Schultz from having to make

0:21:11.560 --> 0:21:15.040
<v Speaker 2>like a big social statement, but two, it would also

0:21:15.400 --> 0:21:18.120
<v Speaker 2>just show how utterly normal black kids and white kids

0:21:18.160 --> 0:21:21.560
<v Speaker 2>commingling was that there wasn't even any commentary about it.

0:21:21.560 --> 0:21:24.800
<v Speaker 2>It's just this new character who Charlie Brown met happened

0:21:24.800 --> 0:21:27.960
<v Speaker 2>to be black. That was it, and that's how it happened.

0:21:28.000 --> 0:21:30.080
<v Speaker 2>They met at the beach when Charlie Brown was on

0:21:30.160 --> 0:21:32.160
<v Speaker 2>vacation with his family and.

0:21:32.960 --> 0:21:35.359
<v Speaker 1>Can I read the comic strip? Yeah, go ahead, all right,

0:21:35.359 --> 0:21:38.359
<v Speaker 1>it's four panels. Charlie Brown's on the beach shirt off.

0:21:38.960 --> 0:21:40.600
<v Speaker 1>He's got a shirt off. You gotta take your shirt off.

0:21:40.800 --> 0:21:41.680
<v Speaker 2>It was already off.

0:21:42.200 --> 0:21:44.840
<v Speaker 1>Okay. So Franklin comes up with a beach ball and says,

0:21:45.000 --> 0:21:48.360
<v Speaker 1>is this your beach ball? Second panel, Charlie says, hey, yeah,

0:21:48.440 --> 0:21:51.040
<v Speaker 1>thank you very much. Franklin says, I was swimming out

0:21:51.040 --> 0:21:54.359
<v Speaker 1>there and it came floating. By third panel, my silly

0:21:54.440 --> 0:21:57.240
<v Speaker 1>sister threw it in the water, and Franklin says, I

0:21:57.240 --> 0:21:59.399
<v Speaker 1>see you're making a sand castle. And it's kind of

0:21:59.440 --> 0:22:02.800
<v Speaker 1>a crooked tower. And in the last panel, Franklin says

0:22:02.840 --> 0:22:05.480
<v Speaker 1>it looks kind of crooked, and Charlie said, I guess

0:22:05.560 --> 0:22:08.080
<v Speaker 1>maybe it is where I come from. I'm not famous

0:22:08.119 --> 0:22:12.680
<v Speaker 1>for doing things right, just quintessential Charlie Brown.

0:22:12.840 --> 0:22:14.440
<v Speaker 2>I acted all that up. By the way, you guys

0:22:14.440 --> 0:22:15.800
<v Speaker 2>just couldn't see it.

0:22:15.800 --> 0:22:17.280
<v Speaker 1>It was great, but it was a very sweet way

0:22:17.320 --> 0:22:21.399
<v Speaker 1>to meet. And then Charlie invited Franklin over to his

0:22:21.520 --> 0:22:24.800
<v Speaker 1>side of town, and that's where Franklin got shook.

0:22:25.800 --> 0:22:28.520
<v Speaker 2>These are the strips that we learned Franklin's dad is

0:22:28.520 --> 0:22:32.160
<v Speaker 2>off fighting in Vietnam. Yeah, and Charlie Brown. We learned

0:22:32.200 --> 0:22:34.199
<v Speaker 2>Charlie Brown's dad as a barber. I don't know if

0:22:34.200 --> 0:22:35.920
<v Speaker 2>that was the first time or not, but he mentions

0:22:35.960 --> 0:22:40.359
<v Speaker 2>this in response to Franklin talking about his dad, which,

0:22:40.640 --> 0:22:43.280
<v Speaker 2>if you'll remember, Charles Schultz's dad was a barber. So

0:22:43.280 --> 0:22:44.359
<v Speaker 2>I think that's pretty sweet.

0:22:44.960 --> 0:22:46.440
<v Speaker 1>I love it. And you know what, at the end,

0:22:46.680 --> 0:22:48.640
<v Speaker 1>we ad met at the beginning to read the very

0:22:48.640 --> 0:22:51.720
<v Speaker 1>first ever strip. Let's save that for the end.

0:22:51.800 --> 0:22:56.600
<v Speaker 2>Okay, sadly, as we can attest, when you do the

0:22:56.680 --> 0:23:02.280
<v Speaker 2>right thing and promote social unity and harmony, oftentimes ugly

0:23:02.320 --> 0:23:05.160
<v Speaker 2>people will say ugly things about it. And Charles Schultz

0:23:05.240 --> 0:23:08.040
<v Speaker 2>was no exception. He got, he said, he didn't get

0:23:08.080 --> 0:23:10.440
<v Speaker 2>like a huge amount of hate mail, but it was

0:23:10.560 --> 0:23:13.600
<v Speaker 2>very vehement and that included some of the editors of

0:23:13.600 --> 0:23:17.800
<v Speaker 2>the papers that his column was syndicated in. He could

0:23:17.840 --> 0:23:21.040
<v Speaker 2>have lost like a significant amount of money by had

0:23:21.040 --> 0:23:26.879
<v Speaker 2>the had the wrong vibe been struck and like a

0:23:26.920 --> 0:23:29.880
<v Speaker 2>push against him been you know, really kind of founded

0:23:29.920 --> 0:23:33.639
<v Speaker 2>and carried out among especially Southern newspapers, like he was

0:23:33.680 --> 0:23:37.879
<v Speaker 2>getting letters from editors saying things like, I don't appreciate seeing,

0:23:38.119 --> 0:23:40.159
<v Speaker 2>you know, black kids and white kids being portrayed in

0:23:40.200 --> 0:23:43.440
<v Speaker 2>the same school. What universe do you live in? Essentially,

0:23:43.560 --> 0:23:46.600
<v Speaker 2>like where are you getting these kind of far out ideas?

0:23:47.440 --> 0:23:49.600
<v Speaker 2>And he just basically he just shook it off. He

0:23:49.680 --> 0:23:53.040
<v Speaker 2>was like, whatever, some people are gonna they're gonna hate

0:23:53.080 --> 0:23:54.679
<v Speaker 2>it at first, but they're gonna get used to it

0:23:54.680 --> 0:23:57.080
<v Speaker 2>because I'm not stopping. And he didn't. Yeah, and he

0:23:57.240 --> 0:24:01.720
<v Speaker 2>was there's the He's looked two different ways for this

0:24:01.760 --> 0:24:06.480
<v Speaker 2>one that Franklin was never fully fleshed out to the

0:24:06.560 --> 0:24:10.199
<v Speaker 2>satisfaction of a lot of readers. And then there's another

0:24:10.760 --> 0:24:13.800
<v Speaker 2>vein where Charles Schultz has looked at is really putting

0:24:13.800 --> 0:24:17.240
<v Speaker 2>his reputation in his entire comic on the line by

0:24:17.280 --> 0:24:19.280
<v Speaker 2>doing this because he thought it was the right thing

0:24:19.520 --> 0:24:22.560
<v Speaker 2>and that it was groundbreaking and open the gates for

0:24:23.040 --> 0:24:27.280
<v Speaker 2>other comic strip artists, particularly black ones, to follow in

0:24:27.320 --> 0:24:28.360
<v Speaker 2>his footsteps.

0:24:28.880 --> 0:24:31.360
<v Speaker 1>Yeah, he threatened to quit at one point. There were

0:24:31.359 --> 0:24:34.680
<v Speaker 1>some papers that said they were gonna either not run

0:24:35.200 --> 0:24:38.920
<v Speaker 1>those strips or have them redone and he said, you're

0:24:38.960 --> 0:24:43.720
<v Speaker 1>gonna print my comics as drawn, or I'm done or

0:24:43.760 --> 0:24:47.080
<v Speaker 1>you lose me for everything, And this was to the

0:24:47.119 --> 0:24:50.600
<v Speaker 1>actual syndication company, and so they backed down and allowed

0:24:50.640 --> 0:24:53.879
<v Speaker 1>him to keep going. But one of the cartoonists that

0:24:53.920 --> 0:24:56.280
<v Speaker 1>was certainly inspired by them that you mentioned was a

0:24:56.320 --> 0:24:59.960
<v Speaker 1>guy named Rob Armstrong who did the comic strip Jumpstart,

0:25:00.960 --> 0:25:03.760
<v Speaker 1>And we mentioned that Marcy didn't have a last name.

0:25:03.800 --> 0:25:07.040
<v Speaker 1>Franklin was another character that didn't have a last name

0:25:07.080 --> 0:25:10.440
<v Speaker 1>for a while and eventually got the last name Armstrong,

0:25:11.000 --> 0:25:15.159
<v Speaker 1>named after Rob Armstrong the cartoonist, which was just a

0:25:15.160 --> 0:25:19.399
<v Speaker 1>great tribute. Chultz came to him, they became friends, and

0:25:19.480 --> 0:25:21.919
<v Speaker 1>he said, he asked him first, you know, if you

0:25:21.920 --> 0:25:24.199
<v Speaker 1>don't mind, can I use your last name? And of

0:25:24.200 --> 0:25:26.639
<v Speaker 1>course Armstrong, what do you say to that? You're just

0:25:26.800 --> 0:25:30.000
<v Speaker 1>floored and was very very touched and honored that he

0:25:30.119 --> 0:25:31.080
<v Speaker 1>became his last name.

0:25:31.160 --> 0:25:31.879
<v Speaker 2>Yeah, for sure.

0:25:32.320 --> 0:25:34.919
<v Speaker 1>It's a great story. And by the way, there's a

0:25:34.920 --> 0:25:39.160
<v Speaker 1>great article about Harry Glickman and her neighbor Kenneth Kelly.

0:25:39.640 --> 0:25:42.000
<v Speaker 1>There's a great article in Las just from a few

0:25:42.080 --> 0:25:45.960
<v Speaker 1>years ago about this story and it shows them still

0:25:46.000 --> 0:25:49.639
<v Speaker 1>friends today, hanging out and there's a great picture of

0:25:49.680 --> 0:25:52.200
<v Speaker 1>them with a little Franklin holding a Franklin stuffy.

0:25:52.320 --> 0:25:55.000
<v Speaker 2>That's sweet. I think Harry Rickman passed in the last

0:25:55.000 --> 0:25:57.399
<v Speaker 2>couple of years, but that's sweet that they were friends

0:25:57.440 --> 0:25:57.960
<v Speaker 2>till the end.

0:25:58.400 --> 0:26:01.040
<v Speaker 1>Yeah. Yeah, this is in twenty twenty. Very cute.

0:26:01.920 --> 0:26:04.159
<v Speaker 2>So who else? Can we talk up a little bit

0:26:04.160 --> 0:26:06.920
<v Speaker 2>about a couple more slightly minor characters I still think

0:26:06.960 --> 0:26:07.760
<v Speaker 2>are worth mentioning.

0:26:08.320 --> 0:26:10.600
<v Speaker 1>Yeah, I mean we definitely need to mention pig Pen,

0:26:11.440 --> 0:26:14.159
<v Speaker 1>who was a very beloved character even though he almost

0:26:14.160 --> 0:26:14.760
<v Speaker 1>does nothing.

0:26:15.240 --> 0:26:18.000
<v Speaker 2>Yeah, he was another kid who had a great, perfect

0:26:18.080 --> 0:26:21.120
<v Speaker 2>voice in the in the TV specials, it was kind

0:26:21.119 --> 0:26:25.719
<v Speaker 2>of raspy and yeah, I can't describe it any other

0:26:25.760 --> 0:26:27.520
<v Speaker 2>way but raspy. But it fit him perfectly.

0:26:28.160 --> 0:26:31.399
<v Speaker 1>Yeah. He can always dirty, always had that, the flies

0:26:31.400 --> 0:26:34.160
<v Speaker 1>and the dust around him. And I think everyone, especially

0:26:34.400 --> 0:26:36.679
<v Speaker 1>these days, kids are cleaner. But I remember in the

0:26:36.680 --> 0:26:41.000
<v Speaker 1>seventies there were I remember the dirty kids. It just

0:26:41.080 --> 0:26:43.200
<v Speaker 1>always seemed to be covered in film.

0:26:43.320 --> 0:26:45.560
<v Speaker 2>Yeah, and there was a strip. So he was introduced

0:26:45.600 --> 0:26:47.840
<v Speaker 2>in a series of strips starting in nineteen fifty four,

0:26:47.880 --> 0:26:51.600
<v Speaker 2>so pretty early on. And he says that he hasn't

0:26:51.600 --> 0:26:53.760
<v Speaker 2>got a name. He says, people just call me things,

0:26:54.080 --> 0:26:58.480
<v Speaker 2>real insulting things. Yeah, and I guess they never changed that, Like,

0:26:58.520 --> 0:27:01.199
<v Speaker 2>his name is always pig Pen. But in one of

0:27:01.200 --> 0:27:04.040
<v Speaker 2>the strips somebody's like, you know, they just presume that

0:27:04.119 --> 0:27:06.200
<v Speaker 2>he hates baths and he goes, No, I really like baths.

0:27:06.320 --> 0:27:10.280
<v Speaker 2>I just like getting dirty more, all right. So he's

0:27:10.320 --> 0:27:12.960
<v Speaker 2>like a cool little kid who also I've seen him

0:27:12.960 --> 0:27:16.800
<v Speaker 2>described as like maybe the most the one that's closest

0:27:16.840 --> 0:27:20.640
<v Speaker 2>to like self fulfillment and satisfaction and contentment of any

0:27:20.720 --> 0:27:23.440
<v Speaker 2>of the characters is pig Pen, which is pretty great.

0:27:23.920 --> 0:27:26.439
<v Speaker 1>He seems like he's never pining for something like the

0:27:26.440 --> 0:27:27.040
<v Speaker 1>rest of them are.

0:27:27.600 --> 0:27:29.640
<v Speaker 2>He just goes and does it or gets it yeah

0:27:29.720 --> 0:27:30.080
<v Speaker 2>or whatever.

0:27:30.119 --> 0:27:32.879
<v Speaker 1>And he was in Dave Did the Math. Zero point

0:27:32.960 --> 0:27:37.080
<v Speaker 1>five of the comic strips featured pig Pen. Yeah, a

0:27:37.119 --> 0:27:39.240
<v Speaker 1>little over one hundred out of almost eighteenth thousand.

0:27:40.560 --> 0:27:43.080
<v Speaker 2>There's also that Grateful Dead connection. One of the founding

0:27:43.080 --> 0:27:47.199
<v Speaker 2>members of The Grateful Dead was Ron mcnernan, whose nickname

0:27:47.240 --> 0:27:50.480
<v Speaker 2>was pig Pen. Apparently because he's a little smelly himself.

0:27:51.200 --> 0:27:52.080
<v Speaker 1>Is that way he got the name.

0:27:52.240 --> 0:27:55.440
<v Speaker 2>Yeah. And then Sally Man we got to talk about

0:27:55.520 --> 0:27:57.240
<v Speaker 2>Charlie Brown's little sister, Sally.

0:27:58.680 --> 0:28:02.200
<v Speaker 1>Yeah, with their naturally early hair, she was always proud

0:28:02.200 --> 0:28:04.639
<v Speaker 1>of that hair. Like I mentioned earlier, it might have

0:28:04.680 --> 0:28:08.200
<v Speaker 1>been the previous episode. Lucy was always jealous because Sally

0:28:09.400 --> 0:28:11.520
<v Speaker 1>Charlie got this sweet little sister and she wanted a

0:28:11.520 --> 0:28:14.160
<v Speaker 1>little sister and not Linus. They all had little crushes,

0:28:14.160 --> 0:28:16.400
<v Speaker 1>which is sweet. You know. We mentioned Lucy and Schroeder,

0:28:16.400 --> 0:28:18.879
<v Speaker 1>but Sally had a big crush on Linus, which is

0:28:18.960 --> 0:28:19.439
<v Speaker 1>very sweet.

0:28:19.800 --> 0:28:22.240
<v Speaker 2>Yeah. And one of the other things about Sally that

0:28:22.400 --> 0:28:26.000
<v Speaker 2>was great was that she when she was upset, she

0:28:26.000 --> 0:28:28.120
<v Speaker 2>would go talk to the school building.

0:28:28.760 --> 0:28:30.840
<v Speaker 1>Yeah, and it would talk back.

0:28:30.760 --> 0:28:32.719
<v Speaker 2>Yeah, it would. It would have thought bubbles, just like

0:28:32.760 --> 0:28:36.000
<v Speaker 2>Snoopy does in response to her stuff. Like one time,

0:28:36.119 --> 0:28:38.400
<v Speaker 2>I can't remember what she was talking. Oh, she said

0:28:38.400 --> 0:28:40.640
<v Speaker 2>she was scolded by her teacher for talking in class,

0:28:40.640 --> 0:28:42.960
<v Speaker 2>but the teacher was mistaken. She hadn't been talking at all,

0:28:43.360 --> 0:28:45.760
<v Speaker 2>and she was really upset about this, and the school thinks,

0:28:46.080 --> 0:28:47.240
<v Speaker 2>poor sweet baby.

0:28:48.200 --> 0:28:49.240
<v Speaker 1>Yeah, just sweet and.

0:28:49.240 --> 0:28:51.520
<v Speaker 2>Stuff like that. Like Sally just kind of attracted that

0:28:51.600 --> 0:28:52.080
<v Speaker 2>kind of thing.

0:28:52.680 --> 0:28:54.640
<v Speaker 1>Well, and the school thing kind of brings up the fact.

0:28:54.680 --> 0:28:56.120
<v Speaker 1>And I know we talked a little bit about the

0:28:56.560 --> 0:29:00.040
<v Speaker 1>minimalist style in the first episode, but so many of

0:29:00.080 --> 0:29:03.480
<v Speaker 1>his panels were just them in front of a brick wall,

0:29:03.720 --> 0:29:08.520
<v Speaker 1>or them at that psychiatrist stand or Snoopy's doghouse or

0:29:08.680 --> 0:29:11.680
<v Speaker 1>just the picture's Matt right. It was all just very

0:29:11.720 --> 0:29:13.360
<v Speaker 1>sort of spartan, sparse stuff.

0:29:13.520 --> 0:29:14.400
<v Speaker 2>Yeah, but it worked.

0:29:15.000 --> 0:29:15.360
<v Speaker 1>Yeah.

0:29:15.440 --> 0:29:19.480
<v Speaker 2>I saw it described as that that universes. It's it's

0:29:19.520 --> 0:29:22.360
<v Speaker 2>bounded by those four panels and connected by the gutters

0:29:22.360 --> 0:29:24.840
<v Speaker 2>the spaces between the four panels. But somehow it just

0:29:24.840 --> 0:29:28.800
<v Speaker 2>seems like boundless. There's no there's no geography to it.

0:29:28.880 --> 0:29:31.760
<v Speaker 2>You just are where you're where that that moment is

0:29:31.800 --> 0:29:36.480
<v Speaker 2>taking place. But you couldn't possibly imagine the Peanuts universe

0:29:36.520 --> 0:29:37.880
<v Speaker 2>in some mapped out way.

0:29:38.920 --> 0:29:42.000
<v Speaker 1>Yeah. I wonder if that's why it never occurred to

0:29:42.000 --> 0:29:46.080
<v Speaker 1>me to wonder where they were from. Yeah, yeah, I

0:29:46.160 --> 0:29:48.920
<v Speaker 1>mean have you ever thought about, like where was Peanuts based?

0:29:49.000 --> 0:29:50.640
<v Speaker 1>I like, I never even wondered that.

0:29:50.720 --> 0:29:52.920
<v Speaker 2>I never thought that or wondered that. But I saw

0:29:52.920 --> 0:29:55.560
<v Speaker 2>in a number of the essays that they presumed that

0:29:55.680 --> 0:29:58.920
<v Speaker 2>it was in the Midwest because the seasons like there

0:29:59.000 --> 0:30:01.680
<v Speaker 2>was there were there were definite seasons and Peanuts and

0:30:01.680 --> 0:30:03.440
<v Speaker 2>I think as a kid that was one of the

0:30:03.480 --> 0:30:06.040
<v Speaker 2>things that really got to me because I love the

0:30:06.080 --> 0:30:08.360
<v Speaker 2>seasons too. So to see the Peanuts gang like hanging

0:30:08.360 --> 0:30:11.560
<v Speaker 2>out in a pile of leaves, or ice skating or

0:30:11.600 --> 0:30:13.480
<v Speaker 2>something like that, or it was summer and there was

0:30:13.520 --> 0:30:17.240
<v Speaker 2>like an apple on a tree or something like. Yeah that,

0:30:17.840 --> 0:30:19.840
<v Speaker 2>even like you said, even though it's minimalists and you

0:30:19.880 --> 0:30:23.040
<v Speaker 2>can't even begin to imagine where they're from, it it

0:30:23.080 --> 0:30:26.320
<v Speaker 2>would evoke like how those kids were feeling. Like it

0:30:26.320 --> 0:30:31.000
<v Speaker 2>it added an extra layer to the dialogue or the

0:30:31.080 --> 0:30:33.640
<v Speaker 2>action or something like that, because you, as a kid,

0:30:33.840 --> 0:30:36.120
<v Speaker 2>knew how you felt when you were standing next to

0:30:36.160 --> 0:30:38.720
<v Speaker 2>a pile of leaves and it was chilly out and

0:30:39.080 --> 0:30:41.840
<v Speaker 2>Thanksgiving and Christmas were just you know, coming right down

0:30:41.880 --> 0:30:42.200
<v Speaker 2>the pike.

0:30:43.040 --> 0:30:46.959
<v Speaker 1>So we know it's not Peanuts is anywhere USA except Florida,

0:30:47.000 --> 0:30:48.480
<v Speaker 1>southern California, and Hawaii.

0:30:48.640 --> 0:30:51.880
<v Speaker 2>Yeah, and I think we said right, Charles Schultz is

0:30:51.920 --> 0:30:53.719
<v Speaker 2>from the Minneapolis Saint Paul area.

0:30:54.160 --> 0:30:55.400
<v Speaker 1>Yeah, I'm sure it was just sort of that.

0:30:55.560 --> 0:30:57.880
<v Speaker 2>Yeah, So I mean that's that's generally where it was set.

0:30:57.920 --> 0:31:01.320
<v Speaker 2>He eventually, I think, I think, not too long after

0:31:01.360 --> 0:31:05.080
<v Speaker 2>getting married the first time, moved to Santa Rosa, California

0:31:05.120 --> 0:31:08.920
<v Speaker 2>or northern California. Santa Rose is where the Charles Schultz

0:31:09.000 --> 0:31:13.360
<v Speaker 2>museum is and never never looked back. But even still,

0:31:13.360 --> 0:31:16.320
<v Speaker 2>he never the Peanuts gang never suddenly ended up in

0:31:16.360 --> 0:31:18.800
<v Speaker 2>California like they were still where they were.

0:31:19.120 --> 0:31:22.640
<v Speaker 1>You know that's funny. All right, let's do our final

0:31:22.760 --> 0:31:26.600
<v Speaker 1>break and finish up with part two of Part two

0:31:27.160 --> 0:31:28.880
<v Speaker 1>of Peanuts. Right for this, we'll be.

0:31:28.880 --> 0:31:33.520
<v Speaker 2>Right back in two and two.

0:31:46.480 --> 0:31:48.080
<v Speaker 1>Softly jaw.

0:31:51.960 --> 0:31:59.320
<v Speaker 2>Soft so chuck. If I can remember all the way

0:31:59.400 --> 0:32:03.360
<v Speaker 2>back to part one, the first episode in this pairing.

0:32:03.520 --> 0:32:05.160
<v Speaker 1>I think minutes ago.

0:32:05.240 --> 0:32:08.160
<v Speaker 2>I think I mentioned, how do you know that I.

0:32:08.120 --> 0:32:10.800
<v Speaker 1>Got a little ticker on my I got a timer.

0:32:10.920 --> 0:32:11.760
<v Speaker 2>I want one of those.

0:32:12.440 --> 0:32:13.360
<v Speaker 1>I got an egg timer?

0:32:15.280 --> 0:32:16.560
<v Speaker 2>Is it a snoopy egg timer?

0:32:17.080 --> 0:32:17.480
<v Speaker 1>It is?

0:32:17.760 --> 0:32:20.840
<v Speaker 2>Uh? So? I mentioned that there's no adults in the

0:32:20.840 --> 0:32:24.480
<v Speaker 2>Peanut world and that if they're if an adult is

0:32:24.480 --> 0:32:28.520
<v Speaker 2>is around, it's they're either being mentioned like a real

0:32:28.560 --> 0:32:32.280
<v Speaker 2>life adult or an adult in the Peanuts universe like

0:32:32.320 --> 0:32:35.560
<v Speaker 2>somebody's parent, or in the TV specials. You can hear them,

0:32:35.600 --> 0:32:37.280
<v Speaker 2>but they're off camera. You don't see them, and the

0:32:37.320 --> 0:32:40.760
<v Speaker 2>only way you hear them is that muted trombone sound effect.

0:32:40.880 --> 0:32:41.040
<v Speaker 1>Right.

0:32:41.400 --> 0:32:46.400
<v Speaker 2>Yeah, there is one strip in the Peanuts pantheon in

0:32:46.480 --> 0:32:51.160
<v Speaker 2>the eighteen thousand comic strips. There's one where adults are shown,

0:32:51.320 --> 0:32:53.840
<v Speaker 2>and even then it's just their legs.

0:32:54.440 --> 0:32:58.320
<v Speaker 1>Yeah, and even that, I think kind of like Franklin

0:32:58.400 --> 0:33:01.160
<v Speaker 1>was shook. I think Peanuts people were shook.

0:33:01.080 --> 0:33:03.480
<v Speaker 2>For sure, for a number of reasons. One this whole

0:33:03.560 --> 0:33:08.920
<v Speaker 2>series where Lucy is participating in an adult golf tournament

0:33:09.040 --> 0:33:13.280
<v Speaker 2>for some weird reason, there's way more scenery, way more

0:33:13.280 --> 0:33:15.480
<v Speaker 2>stuff going on in all the panels, right.

0:33:16.200 --> 0:33:19.560
<v Speaker 1>Yeah, I mean, yeah, it's not a four panel. Was

0:33:19.600 --> 0:33:20.720
<v Speaker 1>it from one of the books.

0:33:20.960 --> 0:33:23.720
<v Speaker 2>I don't know. It's from nineteen fifty four, so no,

0:33:23.760 --> 0:33:26.200
<v Speaker 2>it would have been before the books.

0:33:25.920 --> 0:33:28.080
<v Speaker 1>All right, I know. Oh, it's a Sunday strip. So

0:33:28.120 --> 0:33:32.080
<v Speaker 1>the Sunday's were more than four panels from May sixteenth,

0:33:32.200 --> 0:33:36.000
<v Speaker 1>nineteen fifty four. And in that they're playing golf and stuff.

0:33:36.000 --> 0:33:39.240
<v Speaker 1>She and Charlie Brown are Lucy was famously a bad

0:33:39.280 --> 0:33:42.440
<v Speaker 1>athlete as well, because she was always screwing up in

0:33:42.480 --> 0:33:44.920
<v Speaker 1>center field or in right field. But Charlie said she

0:33:44.920 --> 0:33:47.080
<v Speaker 1>played center field for some reason. And in the last

0:33:47.120 --> 0:33:52.400
<v Speaker 1>panel it shows them with three or four pair of

0:33:52.440 --> 0:33:56.080
<v Speaker 1>adult legs standing around, and it's just it's almost surreal

0:33:56.160 --> 0:34:01.240
<v Speaker 1>and disconcerting to see human legs and peanuts. Yeah, it's

0:34:01.280 --> 0:34:02.959
<v Speaker 1>just odd to see it is.

0:34:02.960 --> 0:34:06.840
<v Speaker 2>They're wearing pants with crisism and everything. It's just it's

0:34:06.920 --> 0:34:09.200
<v Speaker 2>not it ain't right, and I guess it ainate right.

0:34:09.400 --> 0:34:12.879
<v Speaker 2>Charles Schultz realized immediately that it ain't right. I can't

0:34:12.920 --> 0:34:16.040
<v Speaker 2>believe it even got out, you know, but he never

0:34:16.080 --> 0:34:16.680
<v Speaker 2>did it again.

0:34:17.920 --> 0:34:19.000
<v Speaker 1>Yeah, he got death threats.

0:34:19.400 --> 0:34:20.040
<v Speaker 2>I'm sure.

0:34:20.560 --> 0:34:23.600
<v Speaker 1>How dare you show leg Yeah, exactly. Yeah, it was

0:34:23.600 --> 0:34:25.400
<v Speaker 1>a very weird thing. I mean, I remember one thing

0:34:25.400 --> 0:34:28.840
<v Speaker 1>I remember was because I was close to my one grandfather,

0:34:29.000 --> 0:34:32.480
<v Speaker 1>my mom's dads before he died, and Charlie Brown and

0:34:32.480 --> 0:34:34.840
<v Speaker 1>Franklin are always talking about their granddads, which I always

0:34:34.880 --> 0:34:39.239
<v Speaker 1>thought was really great. Yeah, that is very sweet. We

0:34:39.280 --> 0:34:42.880
<v Speaker 1>did mention the movie the TV specials. We went in

0:34:42.920 --> 0:34:46.000
<v Speaker 1>depth into the Charlie Brown Christmas Special and do you

0:34:46.000 --> 0:34:48.239
<v Speaker 1>remember what year it was, what Christmas episode that was?

0:34:48.719 --> 0:34:52.560
<v Speaker 2>It was either December fifth or ninth, nineteen sixty five

0:34:52.719 --> 0:34:53.560
<v Speaker 2>when it first seme.

0:34:53.520 --> 0:34:57.480
<v Speaker 1>No no I met ours when we recorded our Christmas

0:34:57.480 --> 0:35:00.520
<v Speaker 1>special where we talked in detail about the christ Special.

0:35:00.600 --> 0:35:03.000
<v Speaker 2>Yeah, December fifth or ninth, nineteen sixty five.

0:35:03.719 --> 0:35:05.520
<v Speaker 1>We had a podcast in nineteen sixty five.

0:35:05.640 --> 0:35:08.640
<v Speaker 2>Yeah, we have the way back Machine. They're all over

0:35:08.680 --> 0:35:12.400
<v Speaker 2>the place. We have an episode from seven twenty CE.

0:35:13.000 --> 0:35:15.480
<v Speaker 1>Oh wow, yeah, Goody Clark and Goodie Bright.

0:35:15.640 --> 0:35:18.120
<v Speaker 2>Yeah that was a wild wild ride. Uh.

0:35:18.160 --> 0:35:20.239
<v Speaker 1>I don't remember which Christmas special we had it in,

0:35:20.280 --> 0:35:22.759
<v Speaker 1>but in one of them we we detailed Charlie Brown

0:35:22.800 --> 0:35:25.319
<v Speaker 1>Christmas and so we don't have to go over here.

0:35:25.320 --> 0:35:27.319
<v Speaker 1>But the one sort of surprising thing if you didn't

0:35:27.320 --> 0:35:29.360
<v Speaker 1>listen to that app was that they thought it was

0:35:29.400 --> 0:35:30.400
<v Speaker 1>going to be a big failure.

0:35:30.480 --> 0:35:33.520
<v Speaker 2>Right, yeah, so there was no laugh track. But this

0:35:33.680 --> 0:35:38.399
<v Speaker 2>is a cartoon featuring kids, ostensibly four kids, and there's

0:35:38.440 --> 0:35:40.319
<v Speaker 2>no laugh track to the jokes? How are the dumb

0:35:40.320 --> 0:35:42.920
<v Speaker 2>little kids going to know when to laugh? And then

0:35:42.960 --> 0:35:47.960
<v Speaker 2>it has like like one of the best jazz soundtracks

0:35:47.960 --> 0:35:51.040
<v Speaker 2>of all time. Yeah, but that's not exactly like what

0:35:51.080 --> 0:35:54.640
<v Speaker 2>the what the eight year olds are into? Right in

0:35:55.080 --> 0:35:59.080
<v Speaker 2>nineteen sixty five? Right, so yeah, the TV executives were like,

0:35:59.080 --> 0:36:01.320
<v Speaker 2>this is going to go no, and boy were they wrong.

0:36:02.200 --> 0:36:05.640
<v Speaker 1>Oh man, I mean is there aren't many more iconic

0:36:05.920 --> 0:36:07.799
<v Speaker 1>Christmas records than that one.

0:36:07.840 --> 0:36:10.960
<v Speaker 2>No, and not just Christmas records. The Great Pumpkin Waltz

0:36:11.000 --> 0:36:13.680
<v Speaker 2>is in there, which is just, for my money, the best,

0:36:13.800 --> 0:36:15.759
<v Speaker 2>the best one of the whole album, and that whole

0:36:15.800 --> 0:36:18.240
<v Speaker 2>album is great, from the first note to the last.

0:36:19.320 --> 0:36:23.160
<v Speaker 1>I shouldn't restrict that to Christmas listening. No, I don't

0:36:23.160 --> 0:36:25.000
<v Speaker 1>know if it can. That would be weird. But I

0:36:25.000 --> 0:36:28.440
<v Speaker 1>mean I probably listened to that full record at least

0:36:28.680 --> 0:36:32.160
<v Speaker 1>twenty times over the month of December. Yeah, maybe more,

0:36:32.320 --> 0:36:35.080
<v Speaker 1>probably more than once a day. Yeah, if I'm thinking about.

0:36:34.880 --> 0:36:38.000
<v Speaker 2>It, I'm really almost religious about it because I don't

0:36:38.120 --> 0:36:40.279
<v Speaker 2>I don't ever want to get sick of it, so

0:36:40.360 --> 0:36:42.839
<v Speaker 2>I'm really careful, like how often I listen to it.

0:36:43.480 --> 0:36:45.200
<v Speaker 1>Oh, I just pound it. I'd never get to it.

0:36:46.120 --> 0:36:48.200
<v Speaker 2>It also has a song that has nothing to do

0:36:48.239 --> 0:36:54.520
<v Speaker 2>with Christmas, Linus and Lucy, which is what most people

0:36:54.920 --> 0:36:58.759
<v Speaker 2>who are generally aware of Peanuts and aren't like hardcore

0:36:58.920 --> 0:37:01.280
<v Speaker 2>fans consider like the Peanuts theme.

0:37:02.640 --> 0:37:07.400
<v Speaker 1>Oh interesting. Yeah, and the uh, you know, the the

0:37:07.440 --> 0:37:10.080
<v Speaker 1>cultural icon that is the Charlie Brown Christmas tree, and

0:37:10.160 --> 0:37:12.839
<v Speaker 1>that's become part of the lexicon for a sad little

0:37:12.920 --> 0:37:13.480
<v Speaker 1>Christmas tree.

0:37:13.520 --> 0:37:15.680
<v Speaker 2>Yeah, and you can buy a Charlie Brown Christmas tree

0:37:15.680 --> 0:37:17.799
<v Speaker 2>too and put it on your tabletop, which we've done.

0:37:18.880 --> 0:37:21.719
<v Speaker 1>Oh, like a recreation or just a sad little tree.

0:37:21.760 --> 0:37:24.040
<v Speaker 2>It's well, you could do that and just call your

0:37:24.080 --> 0:37:26.080
<v Speaker 2>sad little tree Charlie Brown Christmas tree. But you can

0:37:26.080 --> 0:37:27.200
<v Speaker 2>buy one and it's.

0:37:27.040 --> 0:37:28.200
<v Speaker 1>Like like the actual Yeah.

0:37:28.480 --> 0:37:31.880
<v Speaker 2>It's got like a wooden X that it connects. It

0:37:32.480 --> 0:37:34.759
<v Speaker 2>has like a little blue blanket. Linus is blanket that

0:37:34.760 --> 0:37:36.960
<v Speaker 2>you put around the bottom like he does. It comes

0:37:37.000 --> 0:37:41.160
<v Speaker 2>with a single red ornament. It's it's wonderful. You know what, buddy,

0:37:41.480 --> 0:37:43.080
<v Speaker 2>I know what you're getting for Christmas.

0:37:43.120 --> 0:37:45.239
<v Speaker 1>Oh, I can put it next to the leg lamp.

0:37:46.400 --> 0:37:47.240
<v Speaker 2>That'd be perfect.

0:37:47.280 --> 0:37:51.160
<v Speaker 1>Actually, wow, that's great. Yeah, all right, I mean cheese.

0:37:51.280 --> 0:37:53.239
<v Speaker 1>We could sit around talk about peanuts all day long

0:37:53.880 --> 0:37:56.239
<v Speaker 1>if we're not careful, but we should wrap it up

0:37:56.280 --> 0:37:58.920
<v Speaker 1>and talk a little bit about the end of peanuts. Sadly,

0:38:00.160 --> 0:38:03.480
<v Speaker 1>Schultz said he was retiring. Announced it in December of

0:38:03.560 --> 0:38:07.680
<v Speaker 1>nineteen ninety nine. He was diagnosed with terminal colon cancer.

0:38:08.000 --> 0:38:10.320
<v Speaker 1>I don't even think we mentioned that he had a

0:38:12.200 --> 0:38:15.920
<v Speaker 1>disease throughout most of his career, right, that was like

0:38:16.000 --> 0:38:16.800
<v Speaker 1>had hand tremors.

0:38:16.920 --> 0:38:19.360
<v Speaker 2>Yes, So in nineteen eighty one, he was diagnosed with

0:38:19.480 --> 0:38:22.920
<v Speaker 2>essential tremor, which is a tremor that affects you when

0:38:22.920 --> 0:38:25.879
<v Speaker 2>you try to do something with your hands, most specifically,

0:38:26.320 --> 0:38:29.200
<v Speaker 2>and he I could draw it, yeah, like drawing seven

0:38:29.280 --> 0:38:32.799
<v Speaker 2>comic strips a week, all the every week, and you

0:38:32.840 --> 0:38:36.480
<v Speaker 2>can actually see very clearly it's a progressive illness as well,

0:38:36.600 --> 0:38:39.720
<v Speaker 2>progressive neurological disorder. So it just gets worse with time,

0:38:40.120 --> 0:38:42.759
<v Speaker 2>and you can see through the progression of peanuts the

0:38:42.880 --> 0:38:47.640
<v Speaker 2>line started getting much more squiggly. But if you look

0:38:47.680 --> 0:38:51.719
<v Speaker 2>at tests of people with hand tremors, I think the

0:38:51.760 --> 0:38:55.800
<v Speaker 2>most prevalent test is it's like draw like a circle

0:38:55.800 --> 0:38:56.560
<v Speaker 2>from the inside out.

0:38:56.600 --> 0:38:58.840
<v Speaker 1>What the hell is that called spiral?

0:38:58.920 --> 0:39:02.000
<v Speaker 2>A spiral? Thank you? You started to center and go outward

0:39:02.000 --> 0:39:04.720
<v Speaker 2>with the spiral, and they'll put that next to somebody

0:39:04.760 --> 0:39:08.000
<v Speaker 2>who doesn't have an essential tremor and what that looks like,

0:39:08.040 --> 0:39:11.080
<v Speaker 2>and it's just like night and day. So the fact

0:39:11.080 --> 0:39:15.000
<v Speaker 2>that he can even continue on for twenty years is amazing.

0:39:15.280 --> 0:39:20.560
<v Speaker 1>Yeah, jeez, unbelievable. So, yeah, ninety nine diagnosed with cancer.

0:39:20.960 --> 0:39:23.920
<v Speaker 1>He had a big backlog of comic strips that he

0:39:23.960 --> 0:39:27.399
<v Speaker 1>had drawn, so they were able to keep publishing through

0:39:27.440 --> 0:39:32.719
<v Speaker 1>his illness until the day the day after he died. Actually, yeah,

0:39:32.960 --> 0:39:36.200
<v Speaker 1>February twelfth, two thousand, he was seventy seven.

0:39:36.239 --> 0:39:38.759
<v Speaker 2>Isn't that remarkable, Like they both died at the same time,

0:39:38.880 --> 0:39:41.080
<v Speaker 2>or they both expired at the same time, Peanuts and

0:39:41.120 --> 0:39:42.200
<v Speaker 2>Charles Schultz.

0:39:42.320 --> 0:39:45.000
<v Speaker 1>Like they had that he had that many backlogs that

0:39:45.080 --> 0:39:46.360
<v Speaker 1>it just worked out like that.

0:39:46.440 --> 0:39:48.280
<v Speaker 2>Yeah, and he had that many days left.

0:39:49.040 --> 0:39:51.719
<v Speaker 1>Yeah, pretty amazing unless a family was like there were

0:39:51.719 --> 0:39:53.200
<v Speaker 1>one hundred more and they just shoved him in a

0:39:53.280 --> 0:39:56.360
<v Speaker 1>drawer and said, it's really kind of a great story

0:39:56.400 --> 0:39:56.680
<v Speaker 1>this way.

0:39:56.680 --> 0:39:58.799
<v Speaker 2>I'm hoping that's not the case me too.

0:39:59.120 --> 0:40:01.920
<v Speaker 1>His family was smart though, because they said, you know what,

0:40:02.080 --> 0:40:03.960
<v Speaker 1>we don't think anyone else should ever draw this, like

0:40:04.080 --> 0:40:09.399
<v Speaker 1>Peanuts should should stop because he's not around anymore. And

0:40:09.680 --> 0:40:14.200
<v Speaker 1>that's what happened. That syndication company, unbelievably almost honored that request.

0:40:15.040 --> 0:40:18.640
<v Speaker 1>When you see new Peanuts stuff now, whether it's like

0:40:20.440 --> 0:40:22.640
<v Speaker 1>movies and you know, the brand is still a thing,

0:40:23.040 --> 0:40:25.680
<v Speaker 1>but those those comic strips, if you see them, are

0:40:25.719 --> 0:40:26.320
<v Speaker 1>all reprints.

0:40:26.360 --> 0:40:28.560
<v Speaker 2>Yeah, supposedly it's a billion dollar brand.

0:40:29.640 --> 0:40:30.120
<v Speaker 1>I believe it.

0:40:30.160 --> 0:40:32.920
<v Speaker 2>And I read a quote from Bill Waterson from Calvin

0:40:32.920 --> 0:40:37.480
<v Speaker 2>and Hobbes, who basically was like, like merchandising cartoons and

0:40:37.480 --> 0:40:39.480
<v Speaker 2>stuff you can thank Charles Schultz for that.

0:40:40.520 --> 0:40:40.960
<v Speaker 1>Amazing.

0:40:41.080 --> 0:40:44.520
<v Speaker 2>Yeah, And then we mentioned one more thing before we

0:40:44.640 --> 0:40:48.640
<v Speaker 2>finished that. There was a tribute to Charles Schultz and

0:40:48.680 --> 0:40:53.400
<v Speaker 2>Peanuts among basically all the working comic strip artists on

0:40:53.480 --> 0:40:55.120
<v Speaker 2>November twenty six, twenty twenty two.

0:40:55.880 --> 0:40:56.360
<v Speaker 1>Very emotional.

0:40:56.520 --> 0:40:59.400
<v Speaker 2>Yeah, And you can go to the Charles Schultz Museum website.

0:40:59.840 --> 0:41:02.960
<v Speaker 2>They have links to all of them, and just some

0:41:03.040 --> 0:41:05.880
<v Speaker 2>of them are amazing, but a few stood out to me.

0:41:06.000 --> 0:41:08.560
<v Speaker 2>We talked about the Gilthorpe one, which, now that you've

0:41:08.600 --> 0:41:12.200
<v Speaker 2>heard these two episodes, go look up that Gilthorpe November

0:41:12.200 --> 0:41:17.120
<v Speaker 2>twenty six, twenty twenty two, comic strip tribute to Peanuts

0:41:17.120 --> 0:41:20.680
<v Speaker 2>because finally Charlie Brown gets to kick the football and

0:41:20.719 --> 0:41:24.560
<v Speaker 2>it's just the sweetest, sweetest thing. I can't believe that

0:41:24.600 --> 0:41:26.640
<v Speaker 2>they thought of doing that. It was just so perfect.

0:41:26.680 --> 0:41:26.879
<v Speaker 1>Great.

0:41:27.680 --> 0:41:30.279
<v Speaker 2>There was one from Curtis. You remember we talked about

0:41:30.320 --> 0:41:34.840
<v Speaker 2>how a lot of black comic strip artists credited Charles

0:41:34.840 --> 0:41:38.360
<v Speaker 2>Schultz with introducing Franklin is kind of breaking that ceiling

0:41:38.520 --> 0:41:42.280
<v Speaker 2>for them. Sure, Curtis has one where Curtis, the comic

0:41:42.320 --> 0:41:46.600
<v Speaker 2>strip character, asks Charlie Brown to hang out and or

0:41:46.680 --> 0:41:48.440
<v Speaker 2>he goes, hey, Charlie Brown, what you do? And Charlie

0:41:48.440 --> 0:41:51.440
<v Speaker 2>Brown goes just chilling, Homie, let's hang out. And as

0:41:51.440 --> 0:41:54.759
<v Speaker 2>they're walking away, Curtis turns to you, the viewer and

0:41:54.920 --> 0:41:57.440
<v Speaker 2>is like that Charlie Brown's a lot cooler than you'd think.

0:41:57.440 --> 0:42:01.480
<v Speaker 2>When he's away from that Peanuts strip, Thatch Garfield has

0:42:01.560 --> 0:42:04.959
<v Speaker 2>Snoopy bringing out like one hundred year birthday cake.

0:42:05.520 --> 0:42:07.080
<v Speaker 1>Yeah, that one's surreal looking.

0:42:07.360 --> 0:42:11.480
<v Speaker 2>And then to me, it is to me the one

0:42:12.560 --> 0:42:16.840
<v Speaker 2>I give it like the most appropriately awkwardly formal award.

0:42:17.400 --> 0:42:19.360
<v Speaker 2>Mary Worth was that Merriworth.

0:42:19.400 --> 0:42:20.799
<v Speaker 1>Okay, I thought it was so.

0:42:20.840 --> 0:42:24.000
<v Speaker 2>Maryworth is like the most bone dry soap opera and

0:42:24.239 --> 0:42:28.160
<v Speaker 2>comic strip around to begin with, and just in total

0:42:28.239 --> 0:42:31.560
<v Speaker 2>Merriworth's style. Merriworth is sitting on the couch and it

0:42:32.080 --> 0:42:35.200
<v Speaker 2>just explains how this is Charles Schultz's hundredth birthday and

0:42:35.440 --> 0:42:39.520
<v Speaker 2>they're all celebrating it. So, happy hundredth birthday, Charles Schultz.

0:42:40.640 --> 0:42:41.520
<v Speaker 2>It's just so.

0:42:43.000 --> 0:42:45.239
<v Speaker 1>It was very Yeah, it was very dry. And then

0:42:45.280 --> 0:42:48.200
<v Speaker 1>family Circle, I think Jeffy tripped over Snoopy's dead.

0:42:48.040 --> 0:42:51.439
<v Speaker 2>Body, which Charlie Brown was on the run from.

0:42:52.400 --> 0:42:54.479
<v Speaker 1>So I promised i'd read that very first comic strip,

0:42:54.560 --> 0:42:57.840
<v Speaker 1>because it's really emblematic of like what Charles Schultz was

0:42:57.840 --> 0:43:02.760
<v Speaker 1>going after, Like his debut comic strip for his baby

0:43:03.160 --> 0:43:06.200
<v Speaker 1>was this, And it's very a little more crudely drawn obviously.

0:43:06.200 --> 0:43:08.400
<v Speaker 1>But panel one, these two kids are sitting on the

0:43:08.400 --> 0:43:11.120
<v Speaker 1>sidewalk and you see Charlie Brown in the distance walking up,

0:43:11.680 --> 0:43:14.000
<v Speaker 1>and the kid on the sidewalk goes, well, here comes

0:43:14.040 --> 0:43:16.600
<v Speaker 1>old Charlie Brown. And then Charlie Brown is kind of

0:43:16.600 --> 0:43:19.400
<v Speaker 1>walking in front of him. Good old Charlie Brown, Yes, sir.

0:43:19.880 --> 0:43:22.399
<v Speaker 1>And then he walks by and they're watching him pass,

0:43:22.440 --> 0:43:25.120
<v Speaker 1>and he goes good old Charlie Brown. And then the

0:43:25.200 --> 0:43:27.759
<v Speaker 1>kid on the sidewalk in the last panel says, how

0:43:27.800 --> 0:43:33.080
<v Speaker 1>I hate him. That's the debut through the world.

0:43:33.800 --> 0:43:37.399
<v Speaker 2>That's really amazing, pretty amazing, everybody. That was a great

0:43:37.400 --> 0:43:38.239
<v Speaker 2>way to end it, Chuck.

0:43:39.000 --> 0:43:39.600
<v Speaker 1>Hey, thanks.

0:43:40.680 --> 0:43:42.759
<v Speaker 2>If you want to know more about Peanuts, just go

0:43:42.880 --> 0:43:46.160
<v Speaker 2>start reading Peanuts comic strips. Even if you didn't appreciate him,

0:43:46.480 --> 0:43:50.480
<v Speaker 2>you'll probably learn to like him more just by forcing

0:43:50.520 --> 0:43:54.240
<v Speaker 2>yourself to. And since I said that, it's time for listener, ma'am.

0:43:57.160 --> 0:43:59.200
<v Speaker 1>Short and sweet one. Here. Hey, guys, hope you're well,

0:43:59.280 --> 0:44:01.600
<v Speaker 1>your podcast, it's been a steady presence in my life

0:44:02.080 --> 0:44:04.880
<v Speaker 1>for almost four years, has got me through one many

0:44:05.080 --> 0:44:08.440
<v Speaker 1>study sessions and kitchen cleaning weekends over the years. My

0:44:08.520 --> 0:44:10.960
<v Speaker 1>friend and now partner introduced me to your show, and

0:44:10.960 --> 0:44:13.680
<v Speaker 1>I'm so thankful she did. Being long distance, it's nice

0:44:13.680 --> 0:44:15.719
<v Speaker 1>to have something to talk about and learn a few

0:44:15.760 --> 0:44:18.359
<v Speaker 1>things along the way. Of course, whenever we do see

0:44:18.360 --> 0:44:20.560
<v Speaker 1>each other, we make it a habit to put on

0:44:20.680 --> 0:44:23.880
<v Speaker 1>an episode and listen together. So I just wanted to

0:44:23.880 --> 0:44:25.920
<v Speaker 1>say thank you guys for everything you do. You make

0:44:26.000 --> 0:44:28.839
<v Speaker 1>learning about the common to the obscure exciting and fun,

0:44:29.160 --> 0:44:31.920
<v Speaker 1>and I look forward to many more years listening to you.

0:44:32.400 --> 0:44:35.239
<v Speaker 1>Have a wonderful day. This is a course for my

0:44:35.320 --> 0:44:40.360
<v Speaker 1>Canadian our new friend, Olivia c and Ottawa, Ontario, Canada,

0:44:40.480 --> 0:44:41.960
<v Speaker 1>North America, Planet Earth.

0:44:42.080 --> 0:44:44.640
<v Speaker 2>Very nice, Thanks Olivia, that was very kind of you.

0:44:44.680 --> 0:44:50.160
<v Speaker 2>What a great one to add to the Peanuts episode. Chuck, Yeah, yeah, Well,

0:44:50.200 --> 0:44:51.600
<v Speaker 2>if you want to be like Olivia and get in

0:44:51.640 --> 0:44:53.680
<v Speaker 2>touch with this and just say that you appreciate us,

0:44:53.760 --> 0:44:55.560
<v Speaker 2>we really love to hear that kind of thing once

0:44:55.640 --> 0:44:59.120
<v Speaker 2>in a while, you can wrap it up ghenttly caress

0:44:59.160 --> 0:45:01.440
<v Speaker 2>it on the bottom and send it off to stuff

0:45:01.560 --> 0:45:07.759
<v Speaker 2>podcast at iHeartRadio dot com. Stuff you Should Know is

0:45:07.760 --> 0:45:09.120
<v Speaker 2>a production of iHeartRadio.

0:45:09.600 --> 0:45:12.799
<v Speaker 1>For more podcasts my heart Radio, visit the iHeartRadio app,

0:45:13.000 --> 0:45:15.920
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.