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Speaker 1: Hey, welcome to this edition of Culturally Canceled. This is

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Speaker 1: uh one of those episodes where you know, it's great

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Speaker 1: that I get to celebrate my friend, but it's sad

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Speaker 1: that I'm celebrating him because he passed away. This episode

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Speaker 1: is dedicated to my dear friend Kango Kid Sean FECh

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Speaker 1: we Are and Uh. For those who don't know, he

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Speaker 1: was our he was on my very very first episode

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Speaker 1: of Culturally Canceled with him Smooth Bee and Lord Finesse

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Speaker 1: and uh, and subsequently he came on again with Eric

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Speaker 1: Bowser and then he came on again on another episode

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Speaker 1: and he was a very good friend of mine and uh,

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Speaker 1: just one year ago he was perfectly healthy and staying

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Speaker 1: with me in my house, and less than a year

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Speaker 1: later he's passed away, succumb to cancer. So this goes

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Speaker 1: out to legendary Kango Kid from U t FO the

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Speaker 1: hit song Rocks and Rock Sand which changed my life,

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Speaker 1: and Uh, this episode goes out to you. I love you, bro.

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Speaker 1: I'm a hip hop guy. People know that about me

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Speaker 1: that I love hip hop. I grew up with it.

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Speaker 1: It shaped my life and made me the way I

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Speaker 1: am and made me talk a certain way. Act to

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Speaker 1: certain way, be a certain way. And I'm here with

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Speaker 1: three of my heroes who are also three of my

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Speaker 1: very dear friends. Um. On my left, I have smooth

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Speaker 1: beef from the legendary nice and smooth. What's that? Baby?

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Speaker 1: Here we go, And across from me we have a

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Speaker 1: guy who defined my ninth grade for me. Um, he's

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Speaker 1: can't go from U t FO. So I said, so, baby,

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Speaker 1: don't you know, I stay, I stay on Cuman. He's

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Speaker 1: very good like that. And on my and on my

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Speaker 1: right is my right hand brother, um, the underboss himself,

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Speaker 1: the funky technician. Um, what was that other name that

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Speaker 1: I didn't know your head? Um? Was that other one?

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Speaker 1: The Ace of Trade? The Ace of Trades? Lord? So

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Speaker 1: right about now? Yeah, so we're just here. If we're

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Speaker 1: sitting in the back in my backyard, and so if

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Speaker 1: you hear wind noises or helicopters and airplanes, that's because

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Speaker 1: we're doing this outside and they're coming to get you. Well,

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Speaker 1: well you're Haitian and Canadian, so they're coming to get

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Speaker 1: you or me. No off switch with this none. So

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Speaker 1: we don't really have a plan. We don't have a

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Speaker 1: plan with this podcast. We're just kinda gonna talk. Look

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Speaker 1: at you, smooth man man. When did you meet Kango?

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Speaker 1: Did you meet Kango? Man? Yo? Kango is the coolest,

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Speaker 1: not just because you're here. This is a cool motherfu.

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Speaker 1: See let me tell you something. No no, no, no no,

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Speaker 1: I'll talking about k Kango. I met Kango in the

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Speaker 1: Latin Quarters, right, Latin Quarters. Now Kango rox in boxing.

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Speaker 1: This dude is up in it. He's up in the

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Speaker 1: Latin Quarter with the Kango. This he was like back then,

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Speaker 1: this is eighties seven, eight seven, you had already started

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Speaker 1: working with Bobby. But yeah, and I used to get

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Speaker 1: in free and the lad quarters with Bobby. No matter

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Speaker 1: fact it was eighty six, eighty six, summer eighty six,

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Speaker 1: you know that was a hot sum in the in

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Speaker 1: the in the quarters. Oh my god. It started to

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Speaker 1: taper down, but eighty six was the fire. So every

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Speaker 1: New York, every New York club I frequented with Bobby.

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Speaker 1: I got it free, of course. So everybody was like,

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Speaker 1: that's Bobby Brown, cousin, that's Bobby Brown brother. Every was

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Speaker 1: right in that car. I came up in the Latin

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Speaker 1: Quarters and my main you know how you see a

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Speaker 1: character that's like, uh, seth warfares everywhere or like like

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Speaker 1: this dude was like a like a Valentino of rap.

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Speaker 1: I'm telling you know, that's how I saw the snake

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Speaker 1: because he had to. He had the shorties going graz

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Speaker 1: and he had, I mean, ever cool content, fly intellect

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Speaker 1: and was real with it and approachable. Can't go and

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Speaker 1: never act funny style, you know what I'm saying, saying

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Speaker 1: with nests, never add funny style and we can't go

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Speaker 1: coming out before myself. He made me understand that lirical

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Speaker 1: content could exists, you know, of course, and that ever

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Speaker 1: of course, you know we had Melly mill every it

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Speaker 1: was you know, it was the best of the best,

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Speaker 1: but you added another entertainment vibe to it, swag and singing,

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Speaker 1: you know what I'm saying, bringing it back to routines.

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Speaker 1: And so I love that and it made me. It

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Speaker 1: made me say, I got a place in this ship

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Speaker 1: to meet you. Boom, Latin quarters, broads all around, a sneak.

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Speaker 1: He just so fucking cool. It's mother. I think you

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Speaker 1: had a scarf on. Yeah, yeah, it's just four guys

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Speaker 1: sitting and he's run a cravat right now. Whatever. Yeah,

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Speaker 1: he would be this is a motherfucker wearing ascots up

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Speaker 1: in the Latin Quarter. You know what I'm saying that

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Speaker 1: scot I ain't got. Yeah yeah, so he like he got.

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Speaker 1: He got the fucking the ship around it, the scarf

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Speaker 1: and ship everything, imagine, got the scarf to the side,

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Speaker 1: like bitch up can go. They're all going crazy around him.

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Speaker 1: He got his composed. He just so fucking cool. So

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Speaker 1: I was like it was up and he's like, hey,

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Speaker 1: what's up, brother, how you do? Like all right? I

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Speaker 1: was like, yo, smooth, be man coming nick, you know

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Speaker 1: what I'm saying. He was like, all right, I wish

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Speaker 1: you the best. I was like, man, that's all I

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Speaker 1: needed back then, I wish you the best, my man.

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Speaker 1: And it was that type of thing, and then that's

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Speaker 1: time went on. Over the years, time went on. You

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Speaker 1: became my brother, Yes, afternoon young rapper to him, a

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Speaker 1: big rapper. Yeah when it scarfs and he didn't want

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Speaker 1: to be an mc nah. I fell into that that

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Speaker 1: some bullshit. I wanted to be a vocalist, a songwriter, entertainer,

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Speaker 1: watching Tom Jones and Humperdink. Yeah, my people, I just

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Speaker 1: fell into the whole rap thing because it just became

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Speaker 1: an easier way for me to get into the biz

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Speaker 1: because I was already writing songs and so so the

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Speaker 1: attitude was hold on. So you're saying, I can do

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Speaker 1: what I've been doing without having to sing it. I

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Speaker 1: can just say the words I've been writing. Oh I

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Speaker 1: got this and I just fell into it, just like, yeah,

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Speaker 1: that's something. You blessed the gang who wrote Rocks and

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Speaker 1: originally we all did. Man that that is absolutely one

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Speaker 1: song that I will say every member did their part

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Speaker 1: in that song. I wrote my verse doc e. Everyone

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Speaker 1: who came be Fine, a full force be Fine came

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Speaker 1: up with that. The record company wanted us to do

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Speaker 1: a B side to a song that we presented to them.

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Speaker 1: We delivered a song called hanging Out and did that

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Speaker 1: come out? Yeah? Yeah, it came out with Roxanne because

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Speaker 1: what the record company wanted was sid Yeah, it's actually

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Speaker 1: a double A side. They're both on the same side

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Speaker 1: like side is hanging Out and rock sane vocal side

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Speaker 1: B is hanging Out in rock Sanne instrumental. Yes, it

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Speaker 1: was a double A side. Yeah, I do remember this now,

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Speaker 1: and so I remember that Flimsy as twelve in Sho.

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Speaker 1: I must had the UK copy or something because yeah,

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Speaker 1: I'm sure it wasn't like I'm sure he did a

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Speaker 1: lot of flimsy copies. It wasn't like a spine on it.

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Speaker 1: It was like those flimsy uk I'll give you some

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Speaker 1: trivia right now that I just bug all of your out.

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Speaker 1: We're being told as we speak today at the end

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Speaker 1: of twenty that Roxanne Roxanne did not go gold. It didn't.

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Speaker 1: That's bullshit, thank you. So when you say you got

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Speaker 1: your flimsy copy, I'm sure you did. I'm sure a

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Speaker 1: lot of people got there. You mean, it's sold enough

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Speaker 1: copies to go platinum. So we know he did. We

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Speaker 1: know he did. Who's fucking who is that? Select? Is correct?

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Speaker 1: Was it that mob ship that was happening back? What

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Speaker 1: it was? But I'm telling you, as we speak today,

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Speaker 1: thirty something years after the success of that song, I'm

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Speaker 1: being told, ain't go go I'm telling you right, one

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Speaker 1: of the biggest rap songs and rap his he didn't

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Speaker 1: go gold after thirty years. Yeah, that's bullshit. Who's telling

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Speaker 1: you that though? The owner of the label and something

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Speaker 1: you're supposed to you know, Yeah, that's what swing with

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Speaker 1: the handset to the fact, that's the I agree, bro,

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Speaker 1: and trust me that that has Uh that's when that's

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Speaker 1: when a nice lawyer comes into handy. Yeah, man, it

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Speaker 1: probably tells you're still own money. Oh yeah, of course

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Speaker 1: that's being yeah in Shady Rocks and that had to

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Speaker 1: go platinum the way he Yeah, the amount of records

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Speaker 1: that record spawned, and you don't tell hey, and then

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Speaker 1: he's still keeping a story. He ain't even like, nah,

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Speaker 1: you know what last year, My god, it just went

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Speaker 1: gold right six years later? No, I'm still nothing, still nothing.

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Speaker 1: Good trying, guys, good, trying about a hundred thousand away

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Speaker 1: from that. Oh yeah, that's that's yeah. Just throw that

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Speaker 1: chair that yeah man. So yes be find a Full

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Speaker 1: Force came up with this song because the label wanted

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Speaker 1: us to give them a B side to hanging Out.

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Speaker 1: And we don't remember hanging up because I'm pretty sure

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Speaker 1: I skipped rut hanging out, cooling out without it out.

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Speaker 1: It's all about hanging out, definitely. I don't even like

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Speaker 1: it when you're doing it right now whatever. Three weeks

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Speaker 1: think that ever, I don't even think my need will

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Speaker 1: ever hit that record. Yeah, I played that and the

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Speaker 1: instrumental that's yeah. And so the record company said we

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Speaker 1: want something for the B side and tapped out of

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Speaker 1: ideas at the time, and Be Fine says, all right, look,

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Speaker 1: let's just do a song about a girl named Roxanne.

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Speaker 1: We said, okay, why Rocksanne? I like the name. Okay, fine,

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Speaker 1: what do he want us to write about? He says, Kang,

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Speaker 1: I want you to write about how you're trying to

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Speaker 1: get with her and you know you're you're kicking it

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Speaker 1: to her and so on, but at the end of

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Speaker 1: the song you don't get her. I said, all right, fine, E,

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Speaker 1: I want you to do the same, and at the

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Speaker 1: end of the song you don't get her. Um Doc,

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Speaker 1: you do the same, but at the end you get up.

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Speaker 1: I'm like, whoa stop? Why he got to get and

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Speaker 1: so he goes, all right, find nobody gets So we

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Speaker 1: all went home and wrote out individual wraps and uh,

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Speaker 1: we had no idea what beat who We're gonna do

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Speaker 1: this too? So Be said, you know, we'll just do

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Speaker 1: a different beat for everyone. Again, that was his idea

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Speaker 1: as well. So I said, well, I got a beat

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Speaker 1: that I did at how He's crib. You know, can

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Speaker 1: I use that beat? And he said yeah, without even

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Speaker 1: hearing it. That's how much we all cared about this.

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Speaker 1: Full Force is a hands on production team. Nothing. People

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Speaker 1: also don't understand how much Full Force contributed to music, right, well,

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Speaker 1: this is before all that happened. No, no, I know,

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Speaker 1: but I mean it just shows you like and didn't

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Speaker 1: they write Ship for the Back Straight Boys and sing

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Speaker 1: and sing all of them hits. Samantha Fox, remember jacking.

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Speaker 1: I mean looking at pictures of Samantha Fox, she was

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Speaker 1: always topless. He got tongue time. I didn't get tongue time.

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Speaker 1: That meant to slip that out. I remember. This is

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Speaker 1: gonna happen every week until j B gets his money.

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Speaker 1: Oh yeah, that's the rush which we were in and

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Speaker 1: got edited out. That's another little story. I'll share it.

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Speaker 1: I'm gonna have to ask Russ if he can send

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Speaker 1: me that footage. I would love to get that. I

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Speaker 1: would love to us. So we presented the song. We

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Speaker 1: did this in three days. That's how much we cared

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Speaker 1: about it. Three days, gave it to the label. To you,

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Speaker 1: it was the throwaway, absolutely was. That song was not,

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Speaker 1: in my opinion, supposed to be what it became. Absolutely not.

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Speaker 1: In fact, we're the dudes telling the DJ's hanging out,

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Speaker 1: that's the hit. Man, let's play that like Nah read alert, Chuck,

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Speaker 1: chill out, Mr Magic Nah rock saying that's the hit. Okay,

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Speaker 1: DJ is no better guy. Whatever you're gonna play? Fine,

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Speaker 1: look at that and that Blue up maship just through

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Speaker 1: the sky. But Courtney, you know about that song. Don't

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Speaker 1: look at you Roxin? Yeah, God be your man, Roxine Roxin,

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Speaker 1: you get harmonize on that. We we all sang the chorus. Man,

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Speaker 1: that was it. I can't believe it did what it did. Man,

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Speaker 1: still can't what song he most proud of? Wow, that's

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Speaker 1: a great question, man, Um and that and I'm encompassing

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Speaker 1: everything you've done. I was just about to ask, are

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Speaker 1: you saying what I've written for you? T every anything

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Speaker 1: anything you have done? Okay. My answer to that is

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Speaker 1: a song I wrote called right next to Me for Whistle.

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Speaker 1: Was that on their album? Yes? It was on the album.

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Speaker 1: It went top forty on the pop charts, UM and

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Speaker 1: I think it was top ten. Yeah, I think it

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Speaker 1: was top ten UM R and B. And the reason

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Speaker 1: why is because what that meant to me when I

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Speaker 1: wrote it, and and the fact that they performed. He

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Speaker 1: here's a great story with that so um Whistle started

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Speaker 1: off as an R as a rap group. Yes, I know.

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Speaker 1: They irritated me with that because what's such a dope

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Speaker 1: record for me? As? Because I was DJ and A

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Speaker 1: starting eighty five. So when I got just bugging, I

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Speaker 1: was like, Yeo, this ship is dope. I can't wait

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Speaker 1: to hear what else they got in. The next thing

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Speaker 1: I get is always and like your going further back

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Speaker 1: and I'm like, wait, you're did the same ship for

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Speaker 1: s m d S did to me when they were

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Speaker 1: the four smcs. Then they came out with Tender Tender

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Speaker 1: let me say this about which was which was actually

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Speaker 1: the first rap group to become an R and B group.

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Speaker 1: Though four s MDS we know them as four s MCS.

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Speaker 1: They never recorded a rap song, I know. And that's what.

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Speaker 1: We never recorded a rap song as four s MCS

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Speaker 1: when they first came out, and I was after Their

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Speaker 1: first joint was to give Me to give Me Girl.

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Speaker 1: Wasn't it give Me Girl? Oh? There was another one,

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Speaker 1: um let Me love you, let Me love you? Was

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Speaker 1: it let me love you? Let Me love you? Right?

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Speaker 1: So that was their first single, so they so they

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Speaker 1: never recorded a rap song. Whistle recorded a rap song.

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Speaker 1: And that's the thing I didn't. I don't even know

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Speaker 1: how I knew back then that the four SMDs used

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Speaker 1: to be the four smcs because I was in Toronto.

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Speaker 1: We never I was just like, wait, wasn't there the

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Speaker 1: four smcs? That's probably the battle? Yeah? Yeah, because I

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Speaker 1: was like, those tapes were why is it so close

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Speaker 1: to the camoral battles? I got those? You gotta make

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Speaker 1: me some of those. I'll put on a stick for you. Ayo.

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Speaker 1: So that's how you would know about that. But um yeah,

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Speaker 1: so right next to me would be it because so

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Speaker 1: um so we recorded the song and video was just

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Speaker 1: all on the same album with just bugging no what's

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Speaker 1: it just? I don't know if right next to me

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Speaker 1: was on that album because that was don't I don't

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Speaker 1: think so. I don't know right now. That was the

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Speaker 1: only raps, none of them. There was a few raps

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Speaker 1: on they had um uh just for Fun was another

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Speaker 1: rap song. Um, there was a few. I don't remember

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Speaker 1: what was on there, to be honest, but right next

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Speaker 1: to Me wasn't on there. Still my Girl was a

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Speaker 1: song on there. They did do a few battants on

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Speaker 1: the first album. Still my Girl chance for our love.

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Speaker 1: So we had Barbara's Bedroom. I don't know if you

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Speaker 1: remember that. I only bought the twelve ands and I

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Speaker 1: when I looked at the album, I saw the titles

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Speaker 1: like this don't sound like hip hop to me. So

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Speaker 1: the second album was called Transformation, which was the group

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Speaker 1: transforming from a rap group to an R and B group.

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Speaker 1: And so that's the album that we had right next

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Speaker 1: to me on so So Video Music Box. I'm sure

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Speaker 1: your familiar uncle Ralph. Of course, I was having an

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Speaker 1: anniversary and anniversary performance and filming of this show. And uh,

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Speaker 1: the hit at the time was right next to me,

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Speaker 1: which was the ballad for Whistle. But the crowd stugged

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Speaker 1: out hip hop dudes, and it was more dudes in

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Speaker 1: the audience than there were chicks. People don't understand that

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Speaker 1: about hip hop events back in the day. People like

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Speaker 1: it must have been so many, so many chicks. I'm like, not, nope.

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Speaker 1: I'd be lucky if you found two sausage fest dudes

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Speaker 1: out in this hip hop joint. And so here comes

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Speaker 1: Whistle slated on the on the you know, on the

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Speaker 1: timeline or whatever on on the list um to do

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Speaker 1: their ballad, Oh boy, among all of these I forgot

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Speaker 1: what venue it was. It was New York. It was

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Speaker 1: in New York, and so one of the members said, na,

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Speaker 1: I'm not doing it. Jazz from Whistle Jason. No, now,

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Speaker 1: I'm not doing this, and we're like, look, this is

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Speaker 1: Ralph's event. Ralph asked us to come down. We can't

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Speaker 1: say no to Ralph, bro and this is at the show.

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Speaker 1: There wasn't days before he saying no at the show,

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Speaker 1: and you're next to go on. Now, I'm not going on.

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Speaker 1: Too many dudes out there, I'm not doing this, and

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Speaker 1: so they were like, yo, forget you. They voted on

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Speaker 1: it and they decided they're going, and he didn't go

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Speaker 1: on with them. So it's three out of the four

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Speaker 1: members now go on stage. Luckily, the lead was done

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Speaker 1: by by um Craze, so it's just whist that that

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Speaker 1: all right. So they get up there as brave as possible,

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Speaker 1: singing this R and B ballad, this love song among

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Speaker 1: all these dudes, and all of the dudes like yeah,

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Speaker 1: like kidding me, yeah, you know, talk about music calming

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Speaker 1: the savage beasts. All of these cats were like hands

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Speaker 1: in the air and I'm like, yo, you gotta be kidding.

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Speaker 1: And as I'm watching my group sing my song right

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Speaker 1: and calm this whole crowd of dudes out, I teared up. Yeah,

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Speaker 1: I'm like, yo, this is crazy that I wrote something

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Speaker 1: that has this power. That power bro so so that

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Speaker 1: would be the answer to the question. That song right

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Speaker 1: there has done so much to people who have said

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Speaker 1: to me, that was the song that I had at

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Speaker 1: my wedding or when I think of this song right

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Speaker 1: next to me, unless by it's time for me to go,

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Speaker 1: I'll call you in the morning in so I can

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00:18:01,520 --> 00:18:03,840
Speaker 1: let you know. And it was done a few times

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Speaker 1: by a few other acts. Um Left Eyes Guard rest

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Speaker 1: of her soul R and B group Black b l

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Speaker 1: a Q. Right, they did a remake of it on

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Speaker 1: their album that album with Platinum. That's my biggest song. Wow,

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Speaker 1: I didn't I didn't know this. I know I know

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Speaker 1: you had. I know you, I know you did. Just

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Speaker 1: Bugging the song that keeps on giving. See to me,

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Speaker 1: just bugging is so important to me. And as a DJ.

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Speaker 1: Remember in the DJ world because he Jeff made that

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Speaker 1: song his with the whistle, that well, that was that

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00:18:36,119 --> 00:18:38,639
Speaker 1: was cash, money and jazz. They is true. The Philly

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00:18:38,640 --> 00:18:41,200
Speaker 1: connection over there. You're right. But then Steve d when

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Speaker 1: he juggled bandam pam pam pam. Yeah, And that's when

339
00:18:45,160 --> 00:18:49,600
Speaker 1: I first saw somebody beat juggling, making beats with bam

340
00:18:49,680 --> 00:18:55,360
Speaker 1: bam bam bam, like jamaking joint bah bah bah bah

341
00:18:55,359 --> 00:19:01,320
Speaker 1: bam ba ba ba ba ba ba. And that's when

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00:19:01,320 --> 00:19:06,119
Speaker 1: he took the end. I was like, yo that when

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00:19:06,119 --> 00:19:09,760
Speaker 1: I saw Jeff Jeff take that whistle when it goes yeah,

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00:19:10,160 --> 00:19:13,320
Speaker 1: you know, I'm the Whistle is in um Will Smith's

345
00:19:13,359 --> 00:19:17,639
Speaker 1: biggest song. It's all in there, and that's my black.

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00:19:17,720 --> 00:19:21,080
Speaker 1: But I remember seeing right, you got blacks today. I

347
00:19:21,119 --> 00:19:24,720
Speaker 1: remember saying remember cash money and marvelous and and and

348
00:19:24,760 --> 00:19:26,560
Speaker 1: they'd be like, okay, just say when you saw that

349
00:19:26,560 --> 00:19:32,200
Speaker 1: girl and they played backwards were nice and then oh

350
00:19:32,320 --> 00:19:35,680
Speaker 1: that ship was so Joe. And that's probably why I

351
00:19:35,680 --> 00:19:37,480
Speaker 1: didn't buy the Whistle album because I was like, the funk,

352
00:19:37,480 --> 00:19:39,960
Speaker 1: are you doing it just to make some choices in

353
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Speaker 1: life here? But you know what, and I get it now.

354
00:19:42,160 --> 00:19:44,159
Speaker 1: I'm like, I'm an adult, so let me share this

355
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Speaker 1: part of it with you. Whistle became my outlet group

356
00:19:48,160 --> 00:19:50,399
Speaker 1: because it got to a point to where the members

357
00:19:50,440 --> 00:19:54,680
Speaker 1: of you TFO, we're vting songs I bring to the table.

358
00:19:55,800 --> 00:19:57,480
Speaker 1: So I'd say, you know, I think I think this

359
00:19:57,520 --> 00:19:59,760
Speaker 1: would be a great song for our next album. Na

360
00:20:00,080 --> 00:20:02,080
Speaker 1: I don't. I'm not digging that now. Yeah, I'm not

361
00:20:02,119 --> 00:20:04,439
Speaker 1: digging it either, Like okay, so I'm supposed to trash

362
00:20:04,480 --> 00:20:06,679
Speaker 1: this now, this thing that I spent all night, right,

363
00:20:06,760 --> 00:20:08,920
Speaker 1: I gotta put this in the garbage now like now,

364
00:20:09,000 --> 00:20:11,520
Speaker 1: So I created another group that everything that they would

365
00:20:11,520 --> 00:20:14,119
Speaker 1: turn down, I'd give it to them. Yeah, and I

366
00:20:14,200 --> 00:20:16,480
Speaker 1: create even more beef because now it's like, oh, you're

367
00:20:16,480 --> 00:20:18,960
Speaker 1: giving them all the hits. I'm giving them your rejects,

368
00:20:19,000 --> 00:20:22,200
Speaker 1: bro right right right right, giving him hits. I would

369
00:20:22,240 --> 00:20:24,679
Speaker 1: have luffed to have this here, right, you know. You

370
00:20:24,680 --> 00:20:26,920
Speaker 1: know it's funny. On the West Coast, they went backwards

371
00:20:26,920 --> 00:20:29,120
Speaker 1: with it. You got Dre who was in the World

372
00:20:29,160 --> 00:20:31,959
Speaker 1: Class Wrecking Crew, who did R and b R went

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Speaker 1: into the most fucking gangster group of all time and

374
00:20:36,119 --> 00:20:41,000
Speaker 1: that yo and look to add onto that. Dre World

375
00:20:41,000 --> 00:20:43,840
Speaker 1: Class Wrecking Crew went on the road with Bobby like

376
00:20:43,920 --> 00:20:47,840
Speaker 1: his first King of Stage tour was World Class Wrecking

377
00:20:47,960 --> 00:20:51,800
Speaker 1: Crew Club. Now vote and and ready for the world

378
00:20:52,040 --> 00:20:55,159
Speaker 1: size to watch them every night and I see them

379
00:20:55,200 --> 00:20:58,360
Speaker 1: come out and I'm the doctor and you know doing this, Yeah,

380
00:20:59,400 --> 00:21:05,760
Speaker 1: I just happen like makeup, yeah, my own eyes. And

381
00:21:05,800 --> 00:21:08,080
Speaker 1: then when he came out as Dr D I had

382
00:21:08,119 --> 00:21:11,680
Speaker 1: no idea, right, somebody exposed It was like he was

383
00:21:11,680 --> 00:21:14,119
Speaker 1: the world and I was like, and then yeah, remember

384
00:21:14,320 --> 00:21:16,600
Speaker 1: easy either that later remember when he had beat for them.

385
00:21:16,760 --> 00:21:18,760
Speaker 1: He put that picture out of Dre with the with

386
00:21:18,800 --> 00:21:21,600
Speaker 1: the doctor and then with the running Yeah yo, Doude

387
00:21:21,640 --> 00:21:25,800
Speaker 1: sounds like. And then the memory start going through like

388
00:21:25,840 --> 00:21:30,120
Speaker 1: I would we passing each other on like we're in hotels.

389
00:21:30,119 --> 00:21:32,360
Speaker 1: I'm like, yeah, what's up y'all? You know, come on, man,

390
00:21:32,440 --> 00:21:35,159
Speaker 1: you know we know so we from were from the

391
00:21:35,280 --> 00:21:37,480
Speaker 1: heart of it, right from the essence of it. So

392
00:21:37,480 --> 00:21:39,960
Speaker 1: when you get an opportunity to travel the world, all

393
00:21:40,000 --> 00:21:41,520
Speaker 1: that ship is exciting. You know what I'm saying. I

394
00:21:41,520 --> 00:21:43,159
Speaker 1: don't give a damn it. Day up there doing some

395
00:21:43,200 --> 00:21:45,760
Speaker 1: ship that's like a knock off a float on you

396
00:21:45,760 --> 00:21:49,120
Speaker 1: know what float float You know what I'm saying, Eat,

397
00:21:49,520 --> 00:21:52,399
Speaker 1: we on the road. So I'm just bugging out like

398
00:21:52,400 --> 00:21:54,720
Speaker 1: that they ship, you know, and watching Club New Vot.

399
00:21:54,720 --> 00:21:57,240
Speaker 1: I'm just trying to soak up game. But I would

400
00:21:57,240 --> 00:22:00,080
Speaker 1: see him all the time. I was ready for the

401
00:22:00,080 --> 00:22:04,080
Speaker 1: world from Michigan. Oh really, I didn't. I didn't know

402
00:22:04,119 --> 00:22:09,480
Speaker 1: that it's not ready to Flint from Flint and as

403
00:22:09,520 --> 00:22:13,240
Speaker 1: are some real dudes. What mean dude? Um Melvin? We

404
00:22:13,240 --> 00:22:17,560
Speaker 1: we hit each other on Instagram now he clicked like

405
00:22:17,640 --> 00:22:19,080
Speaker 1: on something my mind. I was like, HOLDO, is that

406
00:22:19,160 --> 00:22:22,520
Speaker 1: the real world? So I hit him? You know, DM,

407
00:22:22,800 --> 00:22:25,000
Speaker 1: like we gotta stay in touch. They are still alive?

408
00:22:25,200 --> 00:22:26,920
Speaker 1: I'm sorry, are they all still alive? I don't know

409
00:22:26,960 --> 00:22:29,679
Speaker 1: about all, but the lead singer is yeah. If they

410
00:22:29,720 --> 00:22:31,399
Speaker 1: need to go back on tour, Dog, there needs to

411
00:22:31,400 --> 00:22:34,120
Speaker 1: be because they do a lot of those reunion tours

412
00:22:34,680 --> 00:22:36,240
Speaker 1: and then there's a lot of people that don't get

413
00:22:36,280 --> 00:22:38,680
Speaker 1: put on them. I don't know for whatever reason. I

414
00:22:38,720 --> 00:22:40,119
Speaker 1: don't know if it's with the artist or with the

415
00:22:40,160 --> 00:22:43,600
Speaker 1: people forgetting that they varies. It just has to be

416
00:22:43,640 --> 00:22:45,520
Speaker 1: done the right way because the problem is they go

417
00:22:46,320 --> 00:22:47,959
Speaker 1: a lot of as I'll tell you as a fan

418
00:22:47,960 --> 00:22:49,680
Speaker 1: because I'm not in the music world. As a fan,

419
00:22:49,760 --> 00:22:52,360
Speaker 1: I look at some of those things that go, Look,

420
00:22:52,400 --> 00:22:54,080
Speaker 1: I only want to hear them do the one song

421
00:22:54,359 --> 00:22:56,359
Speaker 1: and once they're going too their be tracks I don't care,

422
00:22:57,119 --> 00:22:59,000
Speaker 1: like there was a reason you only had one hit.

423
00:22:59,080 --> 00:23:01,399
Speaker 1: Just sing the fucking one and keep it moving, you

424
00:23:01,440 --> 00:23:04,119
Speaker 1: know what I mean. I think my worst thing is

425
00:23:04,160 --> 00:23:07,200
Speaker 1: saying with with the old artist that we love is

426
00:23:07,240 --> 00:23:09,720
Speaker 1: when they say, now we're gonna do our new joint.

427
00:23:09,800 --> 00:23:14,119
Speaker 1: I agree, I agree. He'd be like, oh, that's downfalls

428
00:23:14,440 --> 00:23:17,399
Speaker 1: right right, that's the lowest point of the show because

429
00:23:18,320 --> 00:23:21,000
Speaker 1: you'll be praying that it's gonna be decent. You know

430
00:23:21,160 --> 00:23:24,200
Speaker 1: it's not gonna be decent, but you give that hope,

431
00:23:24,240 --> 00:23:28,000
Speaker 1: like I hope this be come on, and then they

432
00:23:28,119 --> 00:23:30,959
Speaker 1: still rhyming in that old format. Us. Now here's what's

433
00:23:30,960 --> 00:23:33,800
Speaker 1: funny about what you just said. You're you're addressing it

434
00:23:33,840 --> 00:23:35,800
Speaker 1: from the audience point of view, which I agree with you.

435
00:23:36,520 --> 00:23:39,199
Speaker 1: I'm the dude on stage with the rest of the

436
00:23:39,240 --> 00:23:42,560
Speaker 1: group saying we're not doing anything new. Bro, the audience

437
00:23:42,600 --> 00:23:44,240
Speaker 1: don't want to hear that. Now. Now we gotta push

438
00:23:44,240 --> 00:23:45,520
Speaker 1: this man, We gotta let them know that we we

439
00:23:45,600 --> 00:23:47,920
Speaker 1: still got it. Like, you're killing me, Bro, You're gonna

440
00:23:48,000 --> 00:23:51,080
Speaker 1: hurt us with this bitch you got right now, don't

441
00:23:51,119 --> 00:23:53,920
Speaker 1: do it. And I wish that they could hear you

442
00:23:54,000 --> 00:23:56,520
Speaker 1: from the audience going, I didn't come here, but here

443
00:23:56,560 --> 00:23:58,399
Speaker 1: a new song, right, you know what I mean. So

444
00:23:58,440 --> 00:24:00,000
Speaker 1: I'm caught in the middle on how do you get

445
00:24:00,119 --> 00:24:03,840
Speaker 1: this to not happen? I say, do the new ship first,

446
00:24:03,840 --> 00:24:10,239
Speaker 1: slipping in like uh yeah, you slip the song in

447
00:24:11,560 --> 00:24:15,760
Speaker 1: like twenty to thirty seconds, you know, and if it

448
00:24:15,800 --> 00:24:18,560
Speaker 1: ain't working, then you can say, oh, we we was bullshit.

449
00:24:19,800 --> 00:24:23,440
Speaker 1: Let's do the ship you know us for right. But again,

450
00:24:23,480 --> 00:24:25,159
Speaker 1: it's a real hard place to be when you're the

451
00:24:25,320 --> 00:24:28,200
Speaker 1: artist dealing with the rest of your group members who

452
00:24:28,400 --> 00:24:31,320
Speaker 1: wants to defy what you just said. Man, I'm like,

453
00:24:31,359 --> 00:24:33,960
Speaker 1: my dude, go ask nest. They don't want to hear

454
00:24:34,000 --> 00:24:39,800
Speaker 1: no new songs, right right right? You know. I guess

455
00:24:39,800 --> 00:24:42,600
Speaker 1: that happens in all groups. Yeah, man, happens in all groups.

456
00:24:42,640 --> 00:24:46,840
Speaker 1: I find myself jealous of solo artists bro being a

457
00:24:46,880 --> 00:24:49,480
Speaker 1: group member. My damn, I wish I could just move

458
00:24:49,560 --> 00:24:52,359
Speaker 1: the way Chubb Rock moves, the way Big Daddy Kane

459
00:24:52,440 --> 00:24:56,560
Speaker 1: can move, way Douggy can move, you know, because there's

460
00:24:56,560 --> 00:24:59,600
Speaker 1: no voting. He makes a decision. That's how it's going

461
00:24:59,640 --> 00:25:06,560
Speaker 1: down that part. I'm solo, so everything everything you say,

462
00:25:06,680 --> 00:25:10,520
Speaker 1: and you know, but I produce everything when when it's

463
00:25:11,080 --> 00:25:14,879
Speaker 1: because I'm a producer, DJ artists, so I do all three.

464
00:25:15,040 --> 00:25:18,680
Speaker 1: So when I hook up with my DJ, he got

465
00:25:18,720 --> 00:25:21,360
Speaker 1: the he got everything. He got the instrumentals, he got

466
00:25:21,400 --> 00:25:24,480
Speaker 1: everything I feel like doing that night. He got there,

467
00:25:24,520 --> 00:25:27,639
Speaker 1: but he got all the all the instrumentals, regardless, and

468
00:25:27,720 --> 00:25:30,639
Speaker 1: you address what you want to do first, second, third,

469
00:25:30,680 --> 00:25:33,639
Speaker 1: how you want to come out. Except when he gets drunk.

470
00:25:33,720 --> 00:25:38,000
Speaker 1: Now blind gets drunk, He's gonna slip. He's gonna slip

471
00:25:38,000 --> 00:25:40,040
Speaker 1: in the songs. He want to hear me perform like

472
00:25:40,320 --> 00:25:44,800
Speaker 1: he knows. Not cool, he knows I do not want

473
00:25:44,840 --> 00:25:47,240
Speaker 1: to do strictly for the ladies. If it's a bunch

474
00:25:47,280 --> 00:25:50,480
Speaker 1: of dudes in the crowd, we're not doing that song

475
00:25:52,280 --> 00:25:55,840
Speaker 1: strictly for the ladies. Now, if we come in, we

476
00:25:56,000 --> 00:25:58,880
Speaker 1: come in the spot and he sees some females, are

477
00:25:58,920 --> 00:26:07,680
Speaker 1: we doing this ship? That's this lady's in here tonight,

478
00:26:08,480 --> 00:26:11,440
Speaker 1: and you know, he'll he'll put the song in. I mean,

479
00:26:12,280 --> 00:26:14,880
Speaker 1: when me and this dude is performing, it's like a

480
00:26:14,880 --> 00:26:19,800
Speaker 1: comedy sketch up there because he's drunk. I'm drunk. We

481
00:26:19,800 --> 00:26:24,879
Speaker 1: were just but it's it's we functional alcoholics, you know,

482
00:26:24,960 --> 00:26:28,359
Speaker 1: We're not the alcoholics that go up there and messed

483
00:26:28,359 --> 00:26:31,679
Speaker 1: the whole show up. We actually look forward to getting

484
00:26:31,720 --> 00:26:34,639
Speaker 1: drunk before the show. I can't do that. He's sitting

485
00:26:34,720 --> 00:26:37,159
Speaker 1: in the we're sitting in the background, we're sitting in

486
00:26:37,160 --> 00:26:41,200
Speaker 1: the dressing room. Just he might have his his voco

487
00:26:41,480 --> 00:26:43,720
Speaker 1: or any whatever we want to drink for the night.

488
00:26:43,840 --> 00:26:47,720
Speaker 1: But you know, I'm the hip hop the hip hop nerd.

489
00:26:47,760 --> 00:26:49,720
Speaker 1: I guess when he comes. Gotta, I gotta, I gotta.

490
00:26:49,920 --> 00:26:54,679
Speaker 1: I wouldn't just narrow that down to hip hop. Okay,

491
00:26:54,800 --> 00:26:56,840
Speaker 1: I gotta, I gotta have a drink before the show.

492
00:26:56,880 --> 00:26:59,399
Speaker 1: I gotta. I need something that's going on whine me

493
00:27:00,320 --> 00:27:02,639
Speaker 1: so I could go up on stage and and be

494
00:27:02,800 --> 00:27:07,440
Speaker 1: this dude, I'm about to become sober. It's just not fun.

495
00:27:07,520 --> 00:27:11,639
Speaker 1: So I feel like it takes over me if that happens.

496
00:27:11,640 --> 00:27:14,040
Speaker 1: If I'm a little tipsy or whatever, I'm not in

497
00:27:14,119 --> 00:27:17,520
Speaker 1: full control and I want to get my high. Is

498
00:27:17,560 --> 00:27:20,560
Speaker 1: that crowd screaming? I want to get that. I want

499
00:27:20,560 --> 00:27:23,199
Speaker 1: to stay sober through it all. I can't do it

500
00:27:23,280 --> 00:27:26,520
Speaker 1: like after the show, sure, I'm fine with whatever, but beforehand,

501
00:27:26,600 --> 00:27:28,800
Speaker 1: because I've had that happen like once or twice where

502
00:27:28,800 --> 00:27:30,480
Speaker 1: I probably had a little bit too much before I

503
00:27:30,520 --> 00:27:32,879
Speaker 1: went on, and I'm like, here, what the hell? And

504
00:27:32,920 --> 00:27:35,240
Speaker 1: I know I'm not in control right now. This is

505
00:27:35,280 --> 00:27:37,679
Speaker 1: not cool, but you you said it right. It's the

506
00:27:37,880 --> 00:27:40,199
Speaker 1: it's the energy of the crowd. And but that's what

507
00:27:40,800 --> 00:27:44,399
Speaker 1: I'm working on. So when I'm on stage, I want

508
00:27:44,440 --> 00:27:47,439
Speaker 1: them to understand that. Look, man, I'm coming to perform.

509
00:27:47,600 --> 00:27:50,760
Speaker 1: That's gonna be fun. We're gonna vibe out like it's

510
00:27:50,800 --> 00:27:54,080
Speaker 1: like you gotta couch on the stage. I'm talking to

511
00:27:54,119 --> 00:27:56,879
Speaker 1: the crowd. I can look all the way in the back.

512
00:27:57,359 --> 00:28:00,320
Speaker 1: I'm pointing out things that they probably don't even know. Yo,

513
00:28:00,480 --> 00:28:03,800
Speaker 1: you've been recording, like the last three songs, you try

514
00:28:03,840 --> 00:28:06,880
Speaker 1: and get your subscribers up, like, come on, man, cut

515
00:28:06,920 --> 00:28:09,840
Speaker 1: the camera. Wait what phone you got that last that long?

516
00:28:09,920 --> 00:28:12,439
Speaker 1: You know, you do certain things to the crowd that

517
00:28:12,480 --> 00:28:16,320
Speaker 1: they go, Yo, he's spotting everything. So he's performing, but

518
00:28:16,440 --> 00:28:19,960
Speaker 1: he's looking at everything he's in the room. And then

519
00:28:20,000 --> 00:28:22,600
Speaker 1: you know, I gotta I gotta make my my my

520
00:28:22,600 --> 00:28:26,840
Speaker 1: my disclaimer when I get up on stage. Yeah, man,

521
00:28:27,000 --> 00:28:30,080
Speaker 1: all y'all FONZI motherfucker's that think y'all too cool? The

522
00:28:30,200 --> 00:28:33,800
Speaker 1: party go to the fucking back. Let people who want party.

523
00:28:33,960 --> 00:28:36,760
Speaker 1: I don't need you fucking grilling me while I'm performing. Man,

524
00:28:36,920 --> 00:28:42,320
Speaker 1: you know, A crushed your arms. Yeah, just be too cool,

525
00:28:43,720 --> 00:28:46,080
Speaker 1: like you know you're killing it and you know he's

526
00:28:46,160 --> 00:28:50,360
Speaker 1: killing it. Oh my god, I gotta date with the

527
00:28:50,400 --> 00:28:55,120
Speaker 1: Hooper triplets after Yeah, so I make the disclaimer and

528
00:28:55,160 --> 00:28:58,520
Speaker 1: they go, oh, ship, he's on some other's ship. You know,

529
00:28:58,560 --> 00:29:00,720
Speaker 1: I ain't coming here to face for y'all a face

530
00:29:00,760 --> 00:29:08,720
Speaker 1: fuck me the whole motherfucking show, you know. Yeah, I

531
00:29:08,760 --> 00:29:10,680
Speaker 1: want to go in there. I want to do the show.

532
00:29:10,720 --> 00:29:13,320
Speaker 1: I want to have fun. I want y'all a party,

533
00:29:13,440 --> 00:29:15,840
Speaker 1: because you why would you pay your money to come

534
00:29:15,880 --> 00:29:18,480
Speaker 1: to just grill somebody? Like what is that? You know?

535
00:29:19,600 --> 00:29:22,760
Speaker 1: But that was our mentality back then. Remember our generation

536
00:29:22,840 --> 00:29:25,560
Speaker 1: was the ice grilled generation. Everybody had to be hard,

537
00:29:25,720 --> 00:29:29,560
Speaker 1: mean looking, And now this generation was like, that's too intense.

538
00:29:29,640 --> 00:29:31,640
Speaker 1: We're just gonna do whatever the funk we want to do.

539
00:29:31,880 --> 00:29:34,320
Speaker 1: We're gonna do goofy dances, not make any sense when

540
00:29:34,320 --> 00:29:36,479
Speaker 1: we run, but we're having fun. That's the only thing

541
00:29:36,520 --> 00:29:38,760
Speaker 1: I admire about this younger generations that they're having a

542
00:29:38,800 --> 00:29:41,680
Speaker 1: good time with it. But when you've seen certain artists

543
00:29:41,760 --> 00:29:45,840
Speaker 1: present that energy, that's what made the show. Just to

544
00:29:45,960 --> 00:29:48,520
Speaker 1: see run DMC. I'm gonna say run DMC. Right, you

545
00:29:48,560 --> 00:29:53,320
Speaker 1: see them perform, you be like god damn. You know

546
00:29:53,400 --> 00:29:56,680
Speaker 1: a certain artists that I've seen just have used to

547
00:29:56,680 --> 00:29:59,920
Speaker 1: do that have let's say carass One. If you have

548
00:30:00,000 --> 00:30:04,120
Speaker 1: have been one show he do three hours. Man. I've

549
00:30:04,120 --> 00:30:09,240
Speaker 1: seen him throw tennis tennis balls out, tennis balls out

550
00:30:09,480 --> 00:30:11,680
Speaker 1: and put them up in the you are holding the

551
00:30:11,720 --> 00:30:15,400
Speaker 1: world in your hands, and I'm like, yo, this everybody. Man,

552
00:30:15,440 --> 00:30:19,080
Speaker 1: he would just destroy He's the one who taught me

553
00:30:19,280 --> 00:30:21,920
Speaker 1: how to do met leaves right, because people go on

554
00:30:22,040 --> 00:30:25,760
Speaker 1: stage and they do one song, stopped the crowd clap,

555
00:30:26,400 --> 00:30:30,760
Speaker 1: do another song, stop the crowd clap. No. He taught

556
00:30:30,800 --> 00:30:33,160
Speaker 1: me how he would go from one song to another

557
00:30:33,200 --> 00:30:37,560
Speaker 1: song to another song like he yeah, man, and would

558
00:30:37,560 --> 00:30:40,360
Speaker 1: destroy it. That was the best thing I think I

559
00:30:40,480 --> 00:30:44,840
Speaker 1: loved about the eighties and the nineties because if you

560
00:30:45,040 --> 00:30:50,080
Speaker 1: performed and you sound like your record, that was the ship.

561
00:30:50,280 --> 00:30:52,440
Speaker 1: I hate when I go to a show now and

562
00:30:52,480 --> 00:30:56,440
Speaker 1: it's like your your your favorite MC's on stage and

563
00:30:56,480 --> 00:31:00,400
Speaker 1: his fucking man's sang the punch line for him you know,

564
00:31:02,640 --> 00:31:05,280
Speaker 1: or the day or the days when they come on

565
00:31:05,400 --> 00:31:07,920
Speaker 1: with twenty dudes on stage and I'm like, Okay, where's

566
00:31:07,960 --> 00:31:10,560
Speaker 1: my where's my rapper, where's the guy who came to see?

567
00:31:10,640 --> 00:31:13,760
Speaker 1: Who are you? Guys? Like, if you're gonna do it right,

568
00:31:13,840 --> 00:31:18,680
Speaker 1: I've seen the perfect The perfect group that would do

569
00:31:18,880 --> 00:31:24,280
Speaker 1: that was Um leaders of the New School, Like you

570
00:31:24,360 --> 00:31:31,160
Speaker 1: got certain, yeah, but they would. They would do the

571
00:31:31,280 --> 00:31:34,880
Speaker 1: ad libs around whoever was rapping, and it felt right,

572
00:31:35,000 --> 00:31:37,920
Speaker 1: you know, because the harmon was right right. But that's

573
00:31:37,920 --> 00:31:40,360
Speaker 1: say what he did on the record anyway, right, They

574
00:31:40,400 --> 00:31:42,520
Speaker 1: did it that same way. So he's talking about the

575
00:31:42,560 --> 00:31:45,240
Speaker 1: dudes that go up on stage be all out of tune,

576
00:31:45,320 --> 00:31:49,320
Speaker 1: all out of key and shouting the ad libs, and

577
00:31:49,360 --> 00:31:52,760
Speaker 1: they sounded louder than the artists. I get what he's saying. Yeah,

578
00:31:53,040 --> 00:31:55,440
Speaker 1: they're angry fucking hood friend that they brought with him.

579
00:31:55,680 --> 00:31:57,440
Speaker 1: You're gonna take you on the road with me? What'm

580
00:31:57,480 --> 00:32:02,200
Speaker 1: I gonna do? Be on stage with me? Like it's

581
00:32:03,040 --> 00:32:05,800
Speaker 1: rob that I'm ready to die, And you know, you

582
00:32:05,840 --> 00:32:11,920
Speaker 1: get whatever the deal is. It's annoying his ship because

583
00:32:12,240 --> 00:32:15,320
Speaker 1: I would get that, and then I love rock him

584
00:32:15,360 --> 00:32:18,840
Speaker 1: but live when he decides to do it live and

585
00:32:18,880 --> 00:32:21,320
Speaker 1: he can sound like himself. But then sometimes he just

586
00:32:21,360 --> 00:32:24,040
Speaker 1: turns the mic on the crowd. Yeah, he does it

587
00:32:24,080 --> 00:32:29,479
Speaker 1: differently now and everybody wants to hear his voice. Voice.

588
00:32:30,280 --> 00:32:32,080
Speaker 1: But it's funny as you say that, and I agree

589
00:32:32,280 --> 00:32:34,080
Speaker 1: and I love I don't only take no offense. Rod

590
00:32:34,240 --> 00:32:36,840
Speaker 1: wants to say it too. Yeah, and that's why he

591
00:32:36,920 --> 00:32:44,160
Speaker 1: lets them do it. I get it, but not most

592
00:32:44,200 --> 00:32:46,840
Speaker 1: of the song. I get the cane response. I don't

593
00:32:46,840 --> 00:32:51,600
Speaker 1: want I paid to hear you, not them right. Nah,

594
00:32:51,680 --> 00:32:54,080
Speaker 1: but uh, that actic used to work for me, Like

595
00:32:54,080 --> 00:32:56,320
Speaker 1: if I forget the lyrics, that happened, No, I get

596
00:32:56,440 --> 00:32:59,200
Speaker 1: that's a perfect room. The minute I forget the lyrics,

597
00:32:59,280 --> 00:33:09,160
Speaker 1: I'm this dude like a because I'm Yeah, but I've

598
00:33:09,160 --> 00:33:18,000
Speaker 1: definitely finish that. Okay. I'm not the type of person

599
00:33:18,040 --> 00:33:20,720
Speaker 1: who passes out easily. My brain just doesn't seem to

600
00:33:20,760 --> 00:33:23,800
Speaker 1: stop going even when I'm really tired. I definitely need

601
00:33:23,880 --> 00:33:25,880
Speaker 1: some help in that area, but taking a sleeping pill

602
00:33:25,960 --> 00:33:27,840
Speaker 1: did not feel like a good choice for me, So

603
00:33:27,880 --> 00:33:30,719
Speaker 1: that's why I turned to CBD, and luckily I stumbled

604
00:33:30,760 --> 00:33:33,200
Speaker 1: across one of the most effective CBD brands out there.

605
00:33:33,440 --> 00:33:36,240
Speaker 1: Papa and Barkley, and I've been sleeping like a baby

606
00:33:36,320 --> 00:33:39,880
Speaker 1: ever since. Papa and Barkley creates award winning CBD solutions

607
00:33:39,920 --> 00:33:43,960
Speaker 1: for pain, stress, sleep and everyday wellness, and unlike less

608
00:33:43,960 --> 00:33:47,960
Speaker 1: effective CBD brands, they have an unmatched clean, chemical, free

609
00:33:48,040 --> 00:33:51,640
Speaker 1: hole plant process with proven results for my sleep issues,

610
00:33:51,880 --> 00:33:55,280
Speaker 1: I've been using the regular strength relief drops in lemongrass ginger,

611
00:33:55,680 --> 00:33:58,400
Speaker 1: and just a few drops before bed really helped to

612
00:33:58,440 --> 00:34:00,880
Speaker 1: calm my mind. Before if on Papa and Barkley, the

613
00:34:00,920 --> 00:34:02,760
Speaker 1: gears in my head would keep turning even when the

614
00:34:02,840 --> 00:34:05,880
Speaker 1: lights run out and I end up lying in bed

615
00:34:05,960 --> 00:34:09,200
Speaker 1: for at least another hour. Now that I'm using regular

616
00:34:09,239 --> 00:34:12,120
Speaker 1: strength relief drops, I really feel like I can let

617
00:34:12,120 --> 00:34:15,120
Speaker 1: go of my day finally and drift off easily and quickly.

618
00:34:15,600 --> 00:34:18,120
Speaker 1: And because Papa and Barkley is committed to using CBD

619
00:34:18,200 --> 00:34:21,560
Speaker 1: in the purest, cleanest form, I sleep even better. And

620
00:34:21,600 --> 00:34:24,480
Speaker 1: the story of how Papa and Barkley came about really

621
00:34:24,520 --> 00:34:26,800
Speaker 1: makes me want to support them as a company. Papa

622
00:34:26,800 --> 00:34:30,360
Speaker 1: and Barkley founder Adam Grossman created the groundbreaking Relief Bomb

623
00:34:30,360 --> 00:34:33,560
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624
00:34:33,600 --> 00:34:36,640
Speaker 1: homemade bomb Papa and Barkley has expanded to a full

625
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626
00:34:41,160 --> 00:34:45,800
Speaker 1: with natural, clean ingredients and whole plant, full spectrum CBD.

627
00:34:45,880 --> 00:34:48,799
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628
00:34:48,960 --> 00:34:52,000
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629
00:34:52,160 --> 00:34:55,880
Speaker 1: Their CBD Relief Bomb delivers hours of comfort with simple

630
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631
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641
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Speaker 1: slash peters. Hey everyone, this week we've got my conversation

642
00:35:39,920 --> 00:35:43,920
Speaker 1: with the Master Voices, Eric Bowser plus Kangle kid from

643
00:35:43,960 --> 00:35:47,160
Speaker 1: the legendary group U t Fo joins us this time too.

644
00:35:47,320 --> 00:35:48,680
Speaker 1: He's just having to be in the house, and I

645
00:35:48,680 --> 00:35:50,960
Speaker 1: pulled him into the thing. So this is good stuff.

646
00:35:50,960 --> 00:35:56,160
Speaker 1: People get into it and in joy. Remember Kango Kids

647
00:35:56,160 --> 00:35:59,279
Speaker 1: from you TFO? Remember Rock San Martin. Yeah he's right here.

648
00:35:59,680 --> 00:36:06,840
Speaker 1: Well who else? Who else has been in this living room?

649
00:36:06,880 --> 00:36:09,279
Speaker 1: The door is wide open. I feel like anyone could

650
00:36:09,280 --> 00:36:14,600
Speaker 1: just walk right out. Well there is holy shoot, the

651
00:36:14,719 --> 00:36:19,080
Speaker 1: legend himself who made the Kangle Kangle excuse me? So

652
00:36:19,239 --> 00:36:21,880
Speaker 1: you're just you were just on the screen. If you

653
00:36:21,920 --> 00:36:25,000
Speaker 1: want to hop in the pilot's chair, you're more than

654
00:36:25,040 --> 00:36:32,680
Speaker 1: welcome that. Yeah, you're good. Yeah, what's going on y'all?

655
00:36:32,920 --> 00:36:39,040
Speaker 1: Not much girl? Yeah? Gangle the Kangle Peter Show. Yes,

656
00:36:39,280 --> 00:36:41,440
Speaker 1: I am he, I am he. Where are you coming

657
00:36:41,440 --> 00:36:46,160
Speaker 1: from right now? I am coming from Venice Beach? Very nice.

658
00:36:46,440 --> 00:36:48,480
Speaker 1: Let's see. I did an interview earlier. I was on

659
00:36:48,760 --> 00:36:53,560
Speaker 1: Big Boys Radio Shows radio show. He's uh, we filmed it. Okay,

660
00:36:53,600 --> 00:36:56,640
Speaker 1: So he has a new show coming out called Flowers. Okay,

661
00:36:56,719 --> 00:36:59,799
Speaker 1: is it on like is it a podcast form or

662
00:36:59,840 --> 00:37:02,840
Speaker 1: is it like? I'm not sure what he's doing because

663
00:37:02,880 --> 00:37:06,880
Speaker 1: I mean, he's connecting. I was gonna say, very welcome,

664
00:37:07,080 --> 00:37:08,719
Speaker 1: get up at five in the morning and do a

665
00:37:08,800 --> 00:37:11,080
Speaker 1: morning show and then still have the energy to talk

666
00:37:11,160 --> 00:37:15,240
Speaker 1: in the evening. And yeah, yeah, we did this afternoon.

667
00:37:16,080 --> 00:37:19,240
Speaker 1: I believe it's it's going to be launched sometime in September,

668
00:37:19,280 --> 00:37:22,560
Speaker 1: I believe. But he's getting all the guests together doing

669
00:37:22,840 --> 00:37:25,360
Speaker 1: their thing. And it was a great interview, man, Legend

670
00:37:25,400 --> 00:37:29,480
Speaker 1: to legend. I'm sure, yes, I will the fan what

671
00:37:29,560 --> 00:37:32,120
Speaker 1: that was. Also, Man, it's crazy when you see two

672
00:37:32,160 --> 00:37:35,120
Speaker 1: celebrities meet each other for the first time. That's the

673
00:37:35,120 --> 00:37:40,640
Speaker 1: epitome of fanhood. This is still a fan celebrity moment

674
00:37:40,680 --> 00:37:43,080
Speaker 1: for me. I don't know. I mean, I can't go

675
00:37:43,200 --> 00:37:50,959
Speaker 1: from your t fo IM. That's how this podcast goes. Guys,

676
00:37:51,000 --> 00:37:54,200
Speaker 1: we don't Yeah, you don't know who's coming in. We

677
00:37:54,200 --> 00:38:01,000
Speaker 1: don't need invitations here, we just pop up. That's good man, good. Yes,

678
00:38:01,200 --> 00:38:03,600
Speaker 1: I was here a few months ago smoking a cigar.

679
00:38:04,040 --> 00:38:07,799
Speaker 1: Now this is the place, and that's not what I do.

680
00:38:07,880 --> 00:38:11,319
Speaker 1: But when in Rome? When when in Rome? Yeah, I

681
00:38:11,360 --> 00:38:14,919
Speaker 1: was in here with huh, let's let's make that happen. Yes,

682
00:38:15,000 --> 00:38:16,719
Speaker 1: let's see if I still know how to do this thing.

683
00:38:18,160 --> 00:38:21,160
Speaker 1: Exact flavored ones. I got got one of those javas

684
00:38:21,160 --> 00:38:23,880
Speaker 1: in the top shelf on the right, the light skin box.

685
00:38:24,560 --> 00:38:29,359
Speaker 1: What is the what is the flavor? Would you like one?

686
00:38:29,400 --> 00:38:32,920
Speaker 1: Maybe I'll have you know, spring them over here. I

687
00:38:33,000 --> 00:38:35,080
Speaker 1: might as well. This this is a once in a

688
00:38:35,120 --> 00:38:40,160
Speaker 1: lifetime opportunity. So you know, okay, it's gonna make me

689
00:38:40,239 --> 00:38:42,239
Speaker 1: sound less of a of a boy and more of

690
00:38:42,280 --> 00:38:46,239
Speaker 1: a man. Uh and that's good for voice over. I

691
00:38:46,680 --> 00:38:50,719
Speaker 1: sometimes think I'm a rabbit duck. Yeah, I was, I

692
00:38:50,760 --> 00:38:54,120
Speaker 1: was born. Yeah, I was told you got the tangle

693
00:38:54,320 --> 00:38:56,920
Speaker 1: kid and bugs, bunny, you got a ting with animals?

694
00:38:56,960 --> 00:39:08,440
Speaker 1: I guess, alright, how do you do this again? Yeah? Okay,

695
00:39:08,440 --> 00:39:10,879
Speaker 1: so hold on, what do your mouth? Just? Do not?

696
00:39:11,000 --> 00:39:14,440
Speaker 1: Do not inhale it. So for the ones only listening,

697
00:39:14,440 --> 00:39:16,920
Speaker 1: we are smoking cigars, and yes, and hail Eric, you

698
00:39:16,920 --> 00:39:19,440
Speaker 1: will be very unhappy with yourself a few half so

699
00:39:19,480 --> 00:39:21,560
Speaker 1: this will be the new favorite go to Where How

700
00:39:21,560 --> 00:39:25,080
Speaker 1: did you discover these? Russell Um A buddy of mine,

701
00:39:25,160 --> 00:39:29,520
Speaker 1: Rocky Patel. He's a big you know, he's a big

702
00:39:29,560 --> 00:39:33,400
Speaker 1: cigar maker, and he makes obviously the Rockey Patel brand,

703
00:39:33,840 --> 00:39:38,840
Speaker 1: but he also has another one called Java. Yeah, and

704
00:39:38,840 --> 00:39:41,920
Speaker 1: and these are the Javas, damn dude. And the Javas

705
00:39:41,920 --> 00:39:44,760
Speaker 1: are flavored that they have the latte which you're smoking,

706
00:39:44,760 --> 00:39:48,480
Speaker 1: and they have a chocolate and then they have a

707
00:39:48,560 --> 00:39:55,759
Speaker 1: chocolate cherry and mint. And so yeah, we would go

708
00:39:55,840 --> 00:39:58,799
Speaker 1: to Eaton Center and there's like this little like place

709
00:39:58,920 --> 00:40:01,239
Speaker 1: right by the Eaton Center where you get cigars back

710
00:40:01,239 --> 00:40:03,359
Speaker 1: in high school, and that's where me and Steve would

711
00:40:03,400 --> 00:40:06,279
Speaker 1: go to get are cheap like cheap as cigars, like

712
00:40:06,320 --> 00:40:09,399
Speaker 1: the Phillies blunt and the Swish your Sweets and all

713
00:40:09,400 --> 00:40:13,000
Speaker 1: that stuff. Those are not really cigars per se. Those

714
00:40:13,000 --> 00:40:14,839
Speaker 1: are not really meant for smoking. They think they're more

715
00:40:14,880 --> 00:40:22,440
Speaker 1: meant for rolling colts. They were like the cherry grape

716
00:40:22,480 --> 00:40:24,359
Speaker 1: flavored ones. They were actually they had like the little

717
00:40:24,400 --> 00:40:27,640
Speaker 1: tip on them, plastic plastic tip used to pretend to

718
00:40:27,680 --> 00:40:31,400
Speaker 1: be the penguin when he smoked those things. Yeah, I

719
00:40:31,440 --> 00:40:34,959
Speaker 1: remember that. Yeah, but he was just talking to big Boy,

720
00:40:35,080 --> 00:40:39,919
Speaker 1: Big Boys neighborhood. Big boy an't gonna nick big Boys

721
00:40:39,920 --> 00:40:41,680
Speaker 1: getting his star on the Walk of Fame on September.

722
00:40:41,719 --> 00:40:44,839
Speaker 1: Times was talking to him about that. I told him

723
00:40:44,840 --> 00:40:46,759
Speaker 1: I would I I wasn't going to be able to

724
00:40:46,760 --> 00:40:48,400
Speaker 1: be there for it because I was supposed to be

725
00:40:48,440 --> 00:40:50,680
Speaker 1: somewhere else and now I'm going to be here. I

726
00:40:50,719 --> 00:40:52,120
Speaker 1: called them and I was like, yo, I can do it.

727
00:40:52,719 --> 00:40:54,399
Speaker 1: It's like, man, when I said, you are a man

728
00:40:54,400 --> 00:41:01,520
Speaker 1: of your word, you have range. So I think if

729
00:41:01,800 --> 00:41:05,320
Speaker 1: we can, if you're if you're comfortable, we should work

730
00:41:05,400 --> 00:41:07,480
Speaker 1: on a on a new voice demo for you. And

731
00:41:07,680 --> 00:41:10,680
Speaker 1: and just we have everything in your house right. I

732
00:41:10,800 --> 00:41:13,319
Speaker 1: got a nice booth, separate booth from the house and

733
00:41:13,520 --> 00:41:16,920
Speaker 1: uh whisper room. And I just invested in a really

734
00:41:17,000 --> 00:41:19,840
Speaker 1: like sick microphones, like five thousand dollar mic But you

735
00:41:19,920 --> 00:41:23,759
Speaker 1: eight Neuman, is it? Well? I mean I can't. I'm

736
00:41:23,800 --> 00:41:30,960
Speaker 1: not mad, No, I can't. I can't imagine where. I

737
00:41:30,960 --> 00:41:33,960
Speaker 1: can't imagine the microphones. You must have performed beyond as

738
00:41:34,000 --> 00:41:37,399
Speaker 1: far as we don't know how we got the record deal,

739
00:41:37,480 --> 00:41:44,960
Speaker 1: but no comment. But yeah, I was just at a

740
00:41:45,000 --> 00:41:47,959
Speaker 1: session were we were talking about ribbon mikes, and like

741
00:41:49,080 --> 00:41:52,560
Speaker 1: ribbon mics are the old school microphones like r c

742
00:41:52,760 --> 00:41:56,120
Speaker 1: A days where it was just straight to tape, no digital.

743
00:41:56,560 --> 00:41:59,279
Speaker 1: Oh yeah, like powered by the pre ampts, like the

744
00:41:59,320 --> 00:42:02,600
Speaker 1: size of like car battery, you know, like now everything

745
00:42:02,640 --> 00:42:06,240
Speaker 1: is small and compact, and doesn't take much. But ribbon

746
00:42:06,280 --> 00:42:08,760
Speaker 1: mikes those were that's what Mel Blank used to record

747
00:42:08,840 --> 00:42:10,880
Speaker 1: Looney tunes on. That was that's really no room for

748
00:42:11,000 --> 00:42:13,840
Speaker 1: error on those. Well, I know, right, like because you

749
00:42:14,000 --> 00:42:16,640
Speaker 1: you have cut the tape. The tape was exactly. That's

750
00:42:16,719 --> 00:42:19,400
Speaker 1: that's how he got the job of Porky because the

751
00:42:19,400 --> 00:42:24,200
Speaker 1: original guy who had at stutter for Porky pick nice

752
00:42:24,200 --> 00:42:28,960
Speaker 1: to meet, you could get a candle kid. But but yeah,

753
00:42:29,120 --> 00:42:33,440
Speaker 1: the original guy was a real stutterer and they would

754
00:42:33,480 --> 00:42:35,600
Speaker 1: lose so much tape trying to get a take. So

755
00:42:35,640 --> 00:42:39,040
Speaker 1: they hired mel who was just you could imitate, who

756
00:42:39,040 --> 00:42:42,439
Speaker 1: could um, you can mock the stutter in a useful way. Yeah,

757
00:42:42,440 --> 00:42:45,120
Speaker 1: exactly exactly. I think I told the story. I'm not

758
00:42:45,120 --> 00:42:46,400
Speaker 1: sure I told a story on here, but there was

759
00:42:47,000 --> 00:42:50,440
Speaker 1: one time my best friend back home stacko. Um, he

760
00:42:50,480 --> 00:42:52,880
Speaker 1: was renting a basement. It was Indian people living upstairs,

761
00:42:53,600 --> 00:42:56,040
Speaker 1: and he goes, I was going to yuck out or something, goes, hey, guy,

762
00:42:56,120 --> 00:42:58,440
Speaker 1: can we bring Roger from upstairs? He wants to come

763
00:42:58,440 --> 00:43:00,759
Speaker 1: with us to here show. I'm like, ayah, sure, we're

764
00:43:00,760 --> 00:43:05,120
Speaker 1: getting right. Before Stackle gets in the car and he's

765
00:43:05,160 --> 00:43:08,239
Speaker 1: sitting beside me, No, No, he's sitting beside me because

766
00:43:08,280 --> 00:43:09,680
Speaker 1: he let this guy sit in the front seat and

767
00:43:09,719 --> 00:43:13,040
Speaker 1: Stacko sitting behind passenger seat. And right before the guy

768
00:43:13,120 --> 00:43:16,279
Speaker 1: Rodger getting goes he he stutters, so don't laugh at him?

769
00:43:16,400 --> 00:43:18,400
Speaker 1: And I go, what kind of an asshole do you

770
00:43:18,440 --> 00:43:20,839
Speaker 1: think I am? I'm just gonna laugh at the guy

771
00:43:20,880 --> 00:43:23,319
Speaker 1: with a stutter. But he didn't tell me what the

772
00:43:23,320 --> 00:43:30,600
Speaker 1: stutter was. So we're driving down the four and UH said,

773
00:43:30,640 --> 00:43:32,040
Speaker 1: rod you're going to what are you gonna go in

774
00:43:32,040 --> 00:43:39,400
Speaker 1: to college next? He's like, yeah, yeah, yeah, yeah, yeah, yeah, yeah,

775
00:43:39,520 --> 00:43:43,799
Speaker 1: I'm gonna I'm gonna go co cold Cold And I'm like,

776
00:43:43,840 --> 00:43:47,480
Speaker 1: what the fuck? And I'm no, and I'm trying not

777
00:43:47,520 --> 00:43:51,840
Speaker 1: to laugh, but I'm I'm shaking and I'm crying and

778
00:43:51,840 --> 00:43:53,799
Speaker 1: I'm looking at Stacko in the back in the mirror

779
00:43:53,800 --> 00:43:55,440
Speaker 1: and he's like, don't look and laugh, and I go,

780
00:43:56,239 --> 00:44:00,040
Speaker 1: you never told me his stutter was like this to

781
00:44:00,160 --> 00:44:03,560
Speaker 1: be another word for that man stuttering. But then as

782
00:44:03,600 --> 00:44:06,840
Speaker 1: he drank, he stopped stuttering. Uh you know you know

783
00:44:06,880 --> 00:44:10,719
Speaker 1: who did that? Aaron Hall, Yes, that's smooth Be told

784
00:44:10,760 --> 00:44:13,000
Speaker 1: us that. Yeah, man, that was him. He would stutter

785
00:44:13,080 --> 00:44:17,399
Speaker 1: like crazy as well. When when you're conversing with him,

786
00:44:17,400 --> 00:44:19,440
Speaker 1: but he was in what you get on, get on

787
00:44:19,480 --> 00:44:22,000
Speaker 1: the mic, he get in front of the camera. He's

788
00:44:22,000 --> 00:44:25,879
Speaker 1: a different dude, but just a simple conversation. He would

789
00:44:25,920 --> 00:44:30,240
Speaker 1: getting that moved Apparently James Earl Jones, Oh really, Darth Vader,

790
00:44:30,400 --> 00:44:43,480
Speaker 1: what a stutter? Apparently had a stutter. I am right.

791
00:44:49,000 --> 00:44:50,799
Speaker 1: Since you're listening to this show, I think it's safe

792
00:44:50,840 --> 00:44:54,479
Speaker 1: to say you love listening to podcasts. Right well, you'll

793
00:44:54,480 --> 00:44:57,800
Speaker 1: find a ton of bene worthy podcasts, including culturally canceled

794
00:44:58,120 --> 00:45:01,280
Speaker 1: on Amazon Music. Amazon Music has more than ten million

795
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797
00:45:09,239 --> 00:45:12,160
Speaker 1: more of a wine and true crime fan, Dr Death

798
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Speaker 1: Miracle Man is available two weeks early on Amazon Music

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Speaker 1: as well. But Amazon Music isn't just for listening to

800
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802
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803
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Speaker 1: me and want your music onto Man and add free,

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808
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Speaker 1: After having Are the Rugged Man on the show, I

809
00:45:49,520 --> 00:45:52,920
Speaker 1: definitely started doing a deep dive into all of his

810
00:45:53,000 --> 00:45:55,800
Speaker 1: songs on Amazon Music. He's such an incredible m C.

811
00:45:56,239 --> 00:45:58,759
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Speaker 1: would be my recommendation. Amazon Music makes it so easy

813
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814
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821
00:46:30,680 --> 00:46:40,160
Speaker 1: peters renews automatically cancel anytime. Terms apply. That's that's porky man,

822
00:46:40,239 --> 00:46:45,560
Speaker 1: he saying the complicated stuff. Is there a pattern to

823
00:46:45,680 --> 00:46:47,600
Speaker 1: when he stutters or is it just as your choice?

824
00:46:48,280 --> 00:46:51,160
Speaker 1: It just all depends. I think I think it just depends.

825
00:46:51,280 --> 00:46:53,719
Speaker 1: It could be anywhere, but it's usually the whole bit

826
00:46:53,840 --> 00:46:59,279
Speaker 1: is like oh, I see you got a nice, nice automobile.

827
00:46:59,440 --> 00:47:01,680
Speaker 1: Like it's like he can't say the simple thing, but

828
00:47:01,680 --> 00:47:04,440
Speaker 1: he could say the complicated. We used to do that

829
00:47:04,480 --> 00:47:06,960
Speaker 1: with rapping on the way home from school. We would

830
00:47:07,080 --> 00:47:09,920
Speaker 1: make rhymes that didn't rhyme, so I'd be like, I

831
00:47:09,960 --> 00:47:12,640
Speaker 1: was so thirsty. I couldn't think I opened up the

832
00:47:12,680 --> 00:47:18,040
Speaker 1: fridge to get me a beverage. But it still sounds

833
00:47:18,040 --> 00:47:22,320
Speaker 1: good though. Man, I feel like that's how they wrapped today.

834
00:47:23,320 --> 00:47:24,799
Speaker 1: We would do that all day on the way home

835
00:47:24,840 --> 00:47:30,840
Speaker 1: from school. Yeah, yeah, yeah, yeah. They were like, um,

836
00:47:30,920 --> 00:47:34,600
Speaker 1: it was like, I I was so hungry. I said, dude,

837
00:47:34,840 --> 00:47:37,920
Speaker 1: is there anything in your house that we could like?

838
00:47:38,239 --> 00:47:42,280
Speaker 1: Is there anything that we could have except for sustenance?

839
00:47:42,320 --> 00:47:46,000
Speaker 1: You know, just like whatever? The other words for the

840
00:47:46,080 --> 00:47:51,440
Speaker 1: rhyming word was yeah, but that's that's jokes man. An

841
00:47:51,440 --> 00:47:54,719
Speaker 1: interesting fact about Cangle my very first podcast that ever did.

842
00:47:54,719 --> 00:48:00,960
Speaker 1: He was my guest the first podcast. First. Oh my god,

843
00:48:00,960 --> 00:48:09,840
Speaker 1: I'm getting the ghost of Roger. For first podcast, it

844
00:48:09,960 --> 00:48:13,400
Speaker 1: was me, me Kango Kids, Smooth Bee from Nice and Smooth,

845
00:48:14,000 --> 00:48:17,960
Speaker 1: and Lord Finesse who lives with me. Really he's in

846
00:48:18,000 --> 00:48:21,720
Speaker 1: there right now. Yeah, I live my hip hop dreams.

847
00:48:22,560 --> 00:48:24,239
Speaker 1: And by the way, happy birthday, Kang. His birthday was

848
00:48:24,239 --> 00:48:27,880
Speaker 1: a week ago. Thank you, thank you, thank you. Birthday

849
00:48:27,880 --> 00:48:32,560
Speaker 1: week man, Still my birthday month, celebrate a month long, bro,

850
00:48:33,120 --> 00:48:36,279
Speaker 1: what I hit the double nickel? Two nickels. He still

851
00:48:36,280 --> 00:48:44,360
Speaker 1: looks like he's twenty alight, except I'm eighty three Filipino jeans.

852
00:48:44,800 --> 00:48:53,800
Speaker 1: It's that La grece. Oh, my wife makes amazing lumpias

853
00:48:54,160 --> 00:48:56,360
Speaker 1: from hand from hand, she hand rolls, grows on like

854
00:48:56,400 --> 00:48:57,800
Speaker 1: a joint, which is a little words. But you know,

855
00:48:58,200 --> 00:49:03,120
Speaker 1: I guess your old habits. She had the track suit on.

856
00:49:04,040 --> 00:49:07,719
Speaker 1: She's hip hop. That's dope though, Man, holy smokes, congrats

857
00:49:07,719 --> 00:49:11,399
Speaker 1: on fifty five years. So wait, how did you guys meet? Then?

858
00:49:12,000 --> 00:49:14,840
Speaker 1: I was obviously a fan of his growing up, I

859
00:49:14,880 --> 00:49:17,040
Speaker 1: mean ninth grade for me, at grade nine, as you

860
00:49:17,080 --> 00:49:22,600
Speaker 1: and I would call nine Canadians four. That was the

861
00:49:22,640 --> 00:49:25,960
Speaker 1: biggest record around that They had to have two had

862
00:49:25,960 --> 00:49:28,359
Speaker 1: to have two records in your crate. Rock Sand Rock

863
00:49:28,360 --> 00:49:31,040
Speaker 1: Sand was one of them, and Egyptian Lover was the

864
00:49:31,040 --> 00:49:34,120
Speaker 1: other one. Oh and Jermaine Stewart the Word is Out,

865
00:49:34,680 --> 00:49:38,279
Speaker 1: oh wow, and Beatbox. So those four records you had

866
00:49:38,320 --> 00:49:40,640
Speaker 1: to have, you had to have those of your world,

867
00:49:40,640 --> 00:49:44,480
Speaker 1: considering yourself a hip hop guy. And you know, I

868
00:49:44,480 --> 00:49:46,279
Speaker 1: never knew we'd become friends or I'd ever meet him

869
00:49:46,360 --> 00:49:49,480
Speaker 1: or anything, you know. And then we met maybe about

870
00:49:49,480 --> 00:49:52,400
Speaker 1: seven years ago. Yeah, yeah, we met. I was Mellie

871
00:49:52,400 --> 00:49:58,560
Speaker 1: Mill's birthday party, yah roasted, roasted for his birthday. And

872
00:49:58,600 --> 00:50:00,319
Speaker 1: that was at the Latin Quarter the other the Latin

873
00:50:00,400 --> 00:50:06,800
Speaker 1: Quarter on Lexington, Yeah, beneath the underneath the Radison Hotel

874
00:50:08,200 --> 00:50:12,640
Speaker 1: on Lexington. Yeah. And nobody showed up. Remember nobody showed up?

875
00:50:13,800 --> 00:50:16,080
Speaker 1: How could how could that be? And the sound system

876
00:50:16,120 --> 00:50:18,480
Speaker 1: was all fucked up, the turntables are messed up, everything,

877
00:50:18,719 --> 00:50:22,480
Speaker 1: you name it, and went down. I had invited everybody.

878
00:50:22,480 --> 00:50:25,120
Speaker 1: I was like, anybody should just come because nobody's here.

879
00:50:25,520 --> 00:50:27,160
Speaker 1: I would have been there and I heard, Yeah, it

880
00:50:27,200 --> 00:50:30,120
Speaker 1: was fun though it was. We made fun of it.

881
00:50:30,200 --> 00:50:32,759
Speaker 1: We enjoyed it. Oh yeah. Of course. Of course had

882
00:50:32,800 --> 00:50:36,560
Speaker 1: a boxer friend of mine there, Glenn, he was there,

883
00:50:36,600 --> 00:50:40,000
Speaker 1: and uh, I made fun of him. I said, my buddy, Glenn,

884
00:50:40,000 --> 00:50:42,239
Speaker 1: Tappy is here. Um, Glenn, lay down so they can

885
00:50:42,280 --> 00:50:47,880
Speaker 1: recognize you. My favorite thing to do to fighters, every

886
00:50:47,880 --> 00:50:49,480
Speaker 1: fighter I know, I tell him, hey, you don't know

887
00:50:49,560 --> 00:50:52,440
Speaker 1: this guy laid down so recognize. Yeah. Um, he used

888
00:50:52,440 --> 00:50:54,400
Speaker 1: to sell advertising on the bottom of his shoes, you know,

889
00:50:54,400 --> 00:51:02,600
Speaker 1: the kind of stuff. God and the boxers, of course

890
00:51:02,600 --> 00:51:05,239
Speaker 1: they get it eight seconds later, you know. Well, they'd

891
00:51:05,280 --> 00:51:08,520
Speaker 1: have to get a ten count before they got Hey,

892
00:51:08,920 --> 00:51:11,080
Speaker 1: I remember, remember you can't do that on television. Why

893
00:51:11,120 --> 00:51:13,640
Speaker 1: did you do those? Oh? God? Uh that was you know,

894
00:51:13,640 --> 00:51:17,160
Speaker 1: we're talking about Canadian nostalgia. How how odd the programming

895
00:51:17,239 --> 00:51:22,480
Speaker 1: was heard that Yeah, barf Burgers, barf Burgers. Yeah, Atlantis

896
00:51:22,520 --> 00:51:25,840
Speaker 1: Morrisett was on that, but that leaked through Nickelodeon. Nickelodeon

897
00:51:25,920 --> 00:51:28,880
Speaker 1: ended up showing like that's why, Like Nickelodeon had the

898
00:51:28,920 --> 00:51:34,560
Speaker 1: whole slime theme every time because I was like, that's ours. Yeah, yeah, yeah, yeah, yeah,

899
00:51:34,680 --> 00:51:38,440
Speaker 1: So you got the whole Canadian thing, the cannock connection.

900
00:51:39,320 --> 00:51:48,759
Speaker 1: We're we're both connection, uh Philippine exactly. Yeah, We're we're

901
00:51:48,800 --> 00:51:52,080
Speaker 1: from the same native Toronto, Toronto, Ontario. He's west he's

902
00:51:52,080 --> 00:51:54,720
Speaker 1: east side, on west side. Yeah, and you guys get along.

903
00:51:55,080 --> 00:52:00,239
Speaker 1: We never had now we are. Yeah, the d peace

904
00:52:00,239 --> 00:52:04,840
Speaker 1: separated us. That was back in the day. Have you

905
00:52:04,880 --> 00:52:08,640
Speaker 1: ever been to Toronto, Yes, many times. Um, we've done

906
00:52:09,000 --> 00:52:11,440
Speaker 1: shows now in the past. Fresh Fest came there, right,

907
00:52:11,800 --> 00:52:13,719
Speaker 1: not with fresh Fest? Did you go on for you

908
00:52:13,719 --> 00:52:16,240
Speaker 1: were on fresh Fest? I was on the first fresh Fest. Yeah,

909
00:52:16,239 --> 00:52:19,360
Speaker 1: I was dancing fu oh wow. Yeah yeah, so I

910
00:52:19,400 --> 00:52:22,959
Speaker 1: was on the absolute first one ever. And um cool

911
00:52:23,040 --> 00:52:25,600
Speaker 1: rock Ski hit me up about doing a fresh Fest documentary.

912
00:52:25,760 --> 00:52:27,879
Speaker 1: Oh nice, So I guess we'll talk to you about

913
00:52:27,880 --> 00:52:30,319
Speaker 1: that too. Sure, I haven't started yet, but we're just

914
00:52:30,400 --> 00:52:33,520
Speaker 1: talking about it right now. Zack. I'm very involved in

915
00:52:33,520 --> 00:52:36,560
Speaker 1: the nerdy hip hop scene. Well you're in aficionado, man,

916
00:52:36,760 --> 00:52:39,320
Speaker 1: you got the turn tables to prove it. I got

917
00:52:39,160 --> 00:52:42,480
Speaker 1: to turn to it. Yeah. Man, if you have turn

918
00:52:42,520 --> 00:52:45,640
Speaker 1: tables in your living room, that's kind of well. You're Filipino.

919
00:52:45,680 --> 00:52:48,120
Speaker 1: You should have been a good DJ. I was like

920
00:52:48,480 --> 00:52:51,680
Speaker 1: of all my friends, I was like the reverse. I

921
00:52:51,800 --> 00:52:54,359
Speaker 1: was like, you know, I never picked up the ones

922
00:52:54,400 --> 00:52:57,880
Speaker 1: in two. I never never breakdancing though with this body.

923
00:52:58,200 --> 00:53:00,600
Speaker 1: I mean, you didn't always have this I would. I

924
00:53:00,600 --> 00:53:05,839
Speaker 1: would break like that. Boy. It's all that Looney Tunes money,

925
00:53:06,160 --> 00:53:08,120
Speaker 1: I'm telling you. That was that was my focus, was

926
00:53:08,320 --> 00:53:10,920
Speaker 1: planting my ass on the couch and watching cartoons and

927
00:53:10,960 --> 00:53:14,120
Speaker 1: that was it, you know, that was that was my contribution.

928
00:53:14,200 --> 00:53:16,480
Speaker 1: To the gang, like my my homies back Home is

929
00:53:16,520 --> 00:53:20,359
Speaker 1: just doing impersonations of like you know, you know it's

930
00:53:20,360 --> 00:53:22,799
Speaker 1: funny as you guys did a raccoons um. Yeah, that

931
00:53:22,920 --> 00:53:26,759
Speaker 1: was like it was on CBC and it was like

932
00:53:27,000 --> 00:53:31,240
Speaker 1: environmental kind of conscious. You know, Canadians are always very

933
00:53:31,440 --> 00:53:35,640
Speaker 1: pro pro green and we were always thinking about the environment. Uh.

934
00:53:35,920 --> 00:53:39,319
Speaker 1: They made an animated series about a family of wilderness

935
00:53:39,360 --> 00:53:42,320
Speaker 1: creatures and all of our cartoons had to do with

936
00:53:42,360 --> 00:53:45,960
Speaker 1: wildern or programming. Yeah, we had Littlest Hobo, which was

937
00:53:47,360 --> 00:53:59,319
Speaker 1: the Littlest Hobo Okay children, not Hobo with a hard

938
00:53:59,360 --> 00:54:03,080
Speaker 1: be in the middle, but it was about it was

939
00:54:03,120 --> 00:54:04,960
Speaker 1: a German shepherd. It was a German shepherd that it

940
00:54:05,000 --> 00:54:08,600
Speaker 1: was like our lassie, so it was like Canadian Lassie.

941
00:54:08,600 --> 00:54:13,920
Speaker 1: And then we had a show called Hammy Hamster. Hammy

942
00:54:14,000 --> 00:54:16,759
Speaker 1: Hamster was a show with these hamsters and they would

943
00:54:16,800 --> 00:54:18,799
Speaker 1: always put them underwater and like, how many hamsters got

944
00:54:18,840 --> 00:54:22,520
Speaker 1: killed during this poet This wasn't my animated thing, the

945
00:54:22,640 --> 00:54:25,120
Speaker 1: real hamsters and they were drowning and then Hammy jumped

946
00:54:25,120 --> 00:54:27,040
Speaker 1: in to save him and you're like, and you know

947
00:54:27,239 --> 00:54:30,080
Speaker 1: there was no one on staff protecting those animals. There

948
00:54:30,120 --> 00:54:33,040
Speaker 1: was definitely no Peter. There was no Peter then. Yeah,

949
00:54:33,480 --> 00:54:38,839
Speaker 1: they would probably right afterwards Canadian Hill. But yeah, now

950
00:54:38,880 --> 00:54:42,440
Speaker 1: I remember what you're talking about. It was very low budget. Yeah,

951
00:54:42,640 --> 00:54:45,480
Speaker 1: but David and golithe was that Canadian or American. I

952
00:54:45,480 --> 00:54:49,600
Speaker 1: think that was American, but that was Yeah. I grew

953
00:54:49,680 --> 00:54:52,279
Speaker 1: up on that day and I never realized it was

954
00:54:52,320 --> 00:54:55,359
Speaker 1: like all this Christians. I didn't put that together either.

955
00:54:55,719 --> 00:54:58,200
Speaker 1: But then you think about, Davy, have you thought about

956
00:54:58,280 --> 00:55:02,399
Speaker 1: Jesus today? And I'm like, that was about Jesus. Yeah,

957
00:55:02,440 --> 00:55:05,480
Speaker 1: that was like a one from the shop. Davy, have

958
00:55:05,640 --> 00:55:08,960
Speaker 1: you thought about Jesus today? And I'm like no, But

959
00:55:09,000 --> 00:55:10,560
Speaker 1: can you get back to the story. I don't want

960
00:55:10,600 --> 00:55:14,880
Speaker 1: here about this. That was the what was that stop

961
00:55:14,920 --> 00:55:17,719
Speaker 1: animation that was called stop motion animal stop motion? Yeah,

962
00:55:18,400 --> 00:55:20,720
Speaker 1: we did that on my um on my Christmas special.

963
00:55:20,719 --> 00:55:22,680
Speaker 1: Do you ever see that, Yes, that we did a

964
00:55:22,719 --> 00:55:24,440
Speaker 1: lot of stop animation stuff on that. Just to throw

965
00:55:24,480 --> 00:55:29,759
Speaker 1: it back to that that's sick wait before Oh yeah,

966
00:55:31,000 --> 00:55:38,399
Speaker 1: that's seth Green Huh. Yeah, he's got that down to science. Stevey. Yeah,

967
00:55:38,440 --> 00:55:41,239
Speaker 1: because it was the dog that would talk, and the

968
00:55:41,280 --> 00:55:45,800
Speaker 1: dog sounded dopey as hell. Davy, have you finished rolling

969
00:55:45,840 --> 00:55:50,439
Speaker 1: that blunt today once one. He looks like he's made

970
00:55:50,440 --> 00:55:56,279
Speaker 1: of blunt paper. If I could beat by blunt with

971
00:55:56,280 --> 00:55:59,960
Speaker 1: you about this, Yeah, I mean it's a total rip

972
00:56:00,000 --> 00:56:01,799
Speaker 1: off of Scooby Doode now that you look at it.

973
00:56:01,920 --> 00:56:04,160
Speaker 1: I mean the same color scheme and the same color

974
00:56:05,080 --> 00:56:09,120
Speaker 1: the Lost episodes. Oh my god, that's hilarious. We we

975
00:56:09,200 --> 00:56:12,120
Speaker 1: just need to get the footage and then dub over

976
00:56:12,440 --> 00:56:15,919
Speaker 1: like the make it all funked up. Yeah, oh yeah,

977
00:56:16,840 --> 00:56:22,600
Speaker 1: have you dropped acid today? Because I'm a dog talking

978
00:56:22,600 --> 00:56:26,520
Speaker 1: to you. There's so much Canadian and we were going

979
00:56:26,560 --> 00:56:29,520
Speaker 1: over like stuff that I remember. He gat like that

980
00:56:29,640 --> 00:56:31,960
Speaker 1: there was these cheap stores growing up. They did one

981
00:56:32,040 --> 00:56:34,440
Speaker 1: called there was a store called by Way, and they

982
00:56:34,480 --> 00:56:36,280
Speaker 1: gave me these T shirts to say bye weather fucking

983
00:56:36,280 --> 00:56:42,080
Speaker 1: bomb and then they bargain. Harold's was the other one

984
00:56:40,760 --> 00:56:44,000
Speaker 1: that I did. I love my bargain Harold's one. So

985
00:56:44,040 --> 00:56:47,239
Speaker 1: these are all like defunct stores like that. My my

986
00:56:47,320 --> 00:56:50,359
Speaker 1: company in Toronto, retro Kid is like we were trying

987
00:56:50,400 --> 00:56:52,640
Speaker 1: to figure out what we could do that would make

988
00:56:52,680 --> 00:56:56,320
Speaker 1: a stand out. So because everyone's selling shirts, everyone has merched,

989
00:56:56,320 --> 00:56:59,000
Speaker 1: everyone's doing the thing. You know, we weren't like they

990
00:56:59,120 --> 00:57:02,080
Speaker 1: We weren't lucky to embraced the canle first, like you

991
00:57:02,120 --> 00:57:08,080
Speaker 1: did you claim that, so we had to do Canadian

992
00:57:08,160 --> 00:57:11,799
Speaker 1: stories to be fashionable, and U surprisingly it caught on

993
00:57:12,640 --> 00:57:16,400
Speaker 1: for whatever reason. It's dope, that's why, because people love nostalgia.

994
00:57:16,800 --> 00:57:18,880
Speaker 1: Of course, I always tell people I haven't tell my daughter.

995
00:57:18,880 --> 00:57:23,240
Speaker 1: You need more memories, baby, You need more memories other

996
00:57:23,280 --> 00:57:26,440
Speaker 1: than your fucking iPad, because when you're on your deathbed,

997
00:57:26,800 --> 00:57:29,720
Speaker 1: all you're left with is your memories. And that's probably

998
00:57:29,760 --> 00:57:32,880
Speaker 1: why um not to get on morbid. But that's probably

999
00:57:32,920 --> 00:57:36,560
Speaker 1: why dementia so shitty, because you have no memories left,

1000
00:57:37,800 --> 00:57:40,439
Speaker 1: you know. That's But then I had a friend whose

1001
00:57:40,480 --> 00:57:43,920
Speaker 1: father was passing away from that and I told him,

1002
00:57:43,920 --> 00:57:46,520
Speaker 1: you need to play him music, play him old. And

1003
00:57:46,560 --> 00:57:48,520
Speaker 1: then a lot of people's memories come back from the

1004
00:57:48,600 --> 00:57:51,320
Speaker 1: music because your brain triggers it. And even if you

1005
00:57:51,440 --> 00:57:52,920
Speaker 1: don't think they have a memory, play and they're like,

1006
00:57:53,000 --> 00:57:56,040
Speaker 1: oh you start singing along anything to you know, the

1007
00:57:56,080 --> 00:58:00,000
Speaker 1: brain is such a Yeah, it's very weird, undiscovered country.

1008
00:58:00,120 --> 00:58:03,960
Speaker 1: But it's like any little thing that could trigger something

1009
00:58:04,920 --> 00:58:07,520
Speaker 1: to get you back to a place like music. Of course,

1010
00:58:07,720 --> 00:58:11,440
Speaker 1: music and scent would be the two things that trigger

1011
00:58:11,520 --> 00:58:14,480
Speaker 1: the brain to bring you to a particular place. Yeah

1012
00:58:14,480 --> 00:58:20,480
Speaker 1: you know, Ruben friend, Reuben Um, hold on the fucking

1013
00:58:20,520 --> 00:58:35,800
Speaker 1: my rides coming, Hold on you, you're flying, Uber. It's

1014
00:58:35,840 --> 00:58:39,280
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1034
00:59:53,320 --> 00:59:56,360
Speaker 1: So Rubin was mentioning to me a long time because

1035
00:59:56,360 --> 00:59:59,880
Speaker 1: parents both passed away in the nineties and they died

1036
00:59:59,880 --> 01:00:03,040
Speaker 1: in cars and horrible. The long story short is that

1037
01:00:03,160 --> 01:00:07,680
Speaker 1: it's one of his sisters ex boyfriends when they broke up,

1038
01:00:07,680 --> 01:00:09,680
Speaker 1: got really mad and took all of her photos and

1039
01:00:09,720 --> 01:00:12,840
Speaker 1: threw them and burnt them. So he has no fucking

1040
01:00:12,840 --> 01:00:16,160
Speaker 1: photographic memories of his parents anymore. His sister had all

1041
01:00:16,160 --> 01:00:18,960
Speaker 1: of them, and so every now and then he'll find like,

1042
01:00:19,000 --> 01:00:22,120
Speaker 1: he'll get one out of somewhere and you'd be like, really, imagine,

1043
01:00:22,160 --> 01:00:24,280
Speaker 1: imagine what that's like. You have no like of course,

1044
01:00:25,760 --> 01:00:27,200
Speaker 1: on the road from time and he was talking about

1045
01:00:27,200 --> 01:00:30,280
Speaker 1: how his dad used to buy that really cheap cologne,

1046
01:00:30,320 --> 01:00:38,160
Speaker 1: Jean the Tay, and he couldn't find it anywhere. Eddie

1047
01:00:38,160 --> 01:00:40,920
Speaker 1: founded online for us and and I he had ordered

1048
01:00:40,920 --> 01:00:42,680
Speaker 1: it from me for me, and I gave it to

1049
01:00:42,760 --> 01:00:45,840
Speaker 1: him as a Christmas gift, but I packaged it in

1050
01:00:45,880 --> 01:00:47,920
Speaker 1: such a way that I said, oh, first gift was

1051
01:00:47,960 --> 01:00:50,520
Speaker 1: a box of tissues, because what the fund is this.

1052
01:00:50,600 --> 01:00:52,440
Speaker 1: I go over the next one. You're gonna need the

1053
01:00:52,440 --> 01:00:55,800
Speaker 1: tissues and he starts might start crying. Of course, I

1054
01:00:55,880 --> 01:00:58,360
Speaker 1: was like, oh, that sent would bring him right back

1055
01:00:58,400 --> 01:01:00,920
Speaker 1: to his parents. Yeah, there's all the There was a

1056
01:01:01,040 --> 01:01:03,920
Speaker 1: story and that story. This really happened to me about

1057
01:01:04,360 --> 01:01:07,040
Speaker 1: maybe thirteen or fourteen years ago. We got an email

1058
01:01:07,080 --> 01:01:12,440
Speaker 1: from this family in Toronto saying that their son had

1059
01:01:12,480 --> 01:01:14,760
Speaker 1: a golfing accident. His son is diabetic and he was

1060
01:01:14,800 --> 01:01:18,840
Speaker 1: like seventeen and one of his friends he was very diabetic.

1061
01:01:18,840 --> 01:01:20,560
Speaker 1: So they were on the course and he had to

1062
01:01:20,720 --> 01:01:23,160
Speaker 1: stop by a tree to shoot up some insulin and

1063
01:01:23,240 --> 01:01:26,160
Speaker 1: his friend to hit the fucking ball. The ball ricochet

1064
01:01:26,160 --> 01:01:27,320
Speaker 1: off the tree and hit the kid in the head.

1065
01:01:28,000 --> 01:01:30,320
Speaker 1: Kid took a couple of steps and knocked out, passed out.

1066
01:01:30,640 --> 01:01:33,480
Speaker 1: He was in a coma for like a month. Kid

1067
01:01:33,520 --> 01:01:37,120
Speaker 1: comes out of the coma, he's got full amnesia, doesn't

1068
01:01:37,160 --> 01:01:41,800
Speaker 1: remember his name, doesn't remember anything. So they're rehabbing him

1069
01:01:41,800 --> 01:01:44,440
Speaker 1: for like the next six months. He's in the hospital

1070
01:01:44,480 --> 01:01:46,840
Speaker 1: for Verse three. Then he comes out and his friends

1071
01:01:46,840 --> 01:01:50,040
Speaker 1: are coming over. They're reintroducing themselves and his family, and

1072
01:01:50,080 --> 01:01:53,480
Speaker 1: he's he's trying to remember them, but he's not. Nothing's clicking.

1073
01:01:55,040 --> 01:01:56,800
Speaker 1: And his friend comes over. He said, you want to

1074
01:01:56,840 --> 01:02:00,480
Speaker 1: watch some TV? Because yeah, sure, whatever, And they remember

1075
01:02:00,560 --> 01:02:03,280
Speaker 1: that his favorite special was one of my stand up specials.

1076
01:02:03,920 --> 01:02:05,440
Speaker 1: So this kid has no memory. They put on my

1077
01:02:05,480 --> 01:02:07,960
Speaker 1: stand up special. All of a sudden, the kid remembers

1078
01:02:08,000 --> 01:02:11,720
Speaker 1: my entire act. So his family sends me this message,

1079
01:02:11,920 --> 01:02:14,800
Speaker 1: thank you. You don't understand what you've done, and I'm like, wow,

1080
01:02:14,800 --> 01:02:16,880
Speaker 1: that's so wild. It brought his memory back. I was

1081
01:02:16,920 --> 01:02:20,480
Speaker 1: just about to ask, so I when I flew to Toronto,

1082
01:02:20,520 --> 01:02:21,840
Speaker 1: I went to go meet with the kid. I went

1083
01:02:21,880 --> 01:02:25,000
Speaker 1: to his house. The kid's name was Joe, and uh,

1084
01:02:25,560 --> 01:02:26,960
Speaker 1: you know, I was cracking jokes with them and stuff.

1085
01:02:27,000 --> 01:02:28,760
Speaker 1: I was like, do you still have me? Goes, yeah,

1086
01:02:28,760 --> 01:02:30,240
Speaker 1: I still. Sometimes I go in the kitchen, I remember

1087
01:02:30,240 --> 01:02:31,800
Speaker 1: what I went there for. I go, well, that's everybody.

1088
01:02:31,840 --> 01:02:36,080
Speaker 1: I think that same nag. I think that's just everybody,

1089
01:02:36,240 --> 01:02:38,120
Speaker 1: And I go, you ever jerking off and then forget

1090
01:02:38,120 --> 01:02:39,640
Speaker 1: what you're doing? What is this? Get out of my hand?

1091
01:02:39,680 --> 01:02:43,600
Speaker 1: You know, just like I really want to know how

1092
01:02:43,640 --> 01:02:45,520
Speaker 1: the kids doing. Joe, if you're ever watching this, let

1093
01:02:45,520 --> 01:02:47,600
Speaker 1: me know how you're doing, buddy. Uh, if you remember

1094
01:02:47,600 --> 01:02:58,160
Speaker 1: to call me fourteen years hope the kids. Okay, you

1095
01:02:58,200 --> 01:03:00,600
Speaker 1: helped him, you helped him jog his memory. Well I didn't.

1096
01:03:00,640 --> 01:03:02,160
Speaker 1: I mean the special then And that was just wild

1097
01:03:02,200 --> 01:03:03,720
Speaker 1: to get to meet his family and you know, and

1098
01:03:03,720 --> 01:03:06,040
Speaker 1: brought him to a show and everything. It was nice.

1099
01:03:07,400 --> 01:03:11,200
Speaker 1: Sometimes you don't realize what you're doing in this world. Yeah. Yeah,

1100
01:03:11,320 --> 01:03:14,040
Speaker 1: it's a famous story about Mel Blank. He was driving

1101
01:03:14,480 --> 01:03:18,240
Speaker 1: like on maul Holland I think back in gosh, maybe

1102
01:03:18,280 --> 01:03:21,960
Speaker 1: the sixties, and his car flew off like one of

1103
01:03:22,040 --> 01:03:24,800
Speaker 1: like the guardrails, probably there was no guardrail back then.

1104
01:03:25,480 --> 01:03:28,800
Speaker 1: And he was in a coma and uh, he was

1105
01:03:28,840 --> 01:03:33,280
Speaker 1: out for like a little bit. And apparently what brought

1106
01:03:33,320 --> 01:03:36,520
Speaker 1: him back was like the cartoons, Like he wasn't responding

1107
01:03:37,080 --> 01:03:41,760
Speaker 1: as Mel but responding almost in character as as bugs

1108
01:03:41,800 --> 01:03:45,280
Speaker 1: and and and others and and and It's it's kind

1109
01:03:45,280 --> 01:03:48,480
Speaker 1: of weird because when they recorded the Flintstones, Ah, he

1110
01:03:48,640 --> 01:03:51,240
Speaker 1: was Bonnie Rubble and he was doing this voice and

1111
01:03:51,280 --> 01:03:52,880
Speaker 1: they wanted him to do kind of like an art

1112
01:03:52,880 --> 01:03:56,200
Speaker 1: carnage I remember Barney changed voices at one point, and

1113
01:03:56,280 --> 01:03:58,280
Speaker 1: it's because when he came back out of the coma,

1114
01:03:58,400 --> 01:04:01,680
Speaker 1: he didn't I kind of recall what he was doing,

1115
01:04:02,560 --> 01:04:05,720
Speaker 1: and then he stooded doing good. I preferred it that way. Yeah,

1116
01:04:05,960 --> 01:04:09,160
Speaker 1: same here. And it's strange because if you look at

1117
01:04:09,560 --> 01:04:11,400
Speaker 1: the flu Stones, it was kind of like a takeoff

1118
01:04:11,400 --> 01:04:13,680
Speaker 1: on the Honeymooners and it was almost kind of like

1119
01:04:13,720 --> 01:04:18,800
Speaker 1: an art Carny kind of like send off. Yeah again,

1120
01:04:18,960 --> 01:04:22,920
Speaker 1: odd odd things happen when you're with your memory and

1121
01:04:23,000 --> 01:04:25,160
Speaker 1: your brain. And what's president us mel blank on the

1122
01:04:25,160 --> 01:04:29,560
Speaker 1: match game? You know, like this guy voice so many cartoons.

1123
01:04:29,600 --> 01:04:31,480
Speaker 1: Every time he tried to do it, he would draw

1124
01:04:31,480 --> 01:04:43,080
Speaker 1: a mel blank. Yeah. I mean with the name he

1125
01:04:43,240 --> 01:04:48,360
Speaker 1: really is, and he loves it. He's got He's got

1126
01:04:48,360 --> 01:04:51,160
Speaker 1: a million more. I know. Stick with me, kid, I

1127
01:04:51,200 --> 01:04:57,800
Speaker 1: got more. What's the one voice you hate doing? Oh?

1128
01:04:58,120 --> 01:05:00,960
Speaker 1: I hate, but like your least least liked, at least

1129
01:05:01,000 --> 01:05:03,960
Speaker 1: at least favorite to do because it's like for whatever

1130
01:05:04,000 --> 01:05:07,000
Speaker 1: reason it's taxing or whatever. That doesn't mean you don't

1131
01:05:07,000 --> 01:05:09,240
Speaker 1: like the voice. It just means you know, I'm like,

1132
01:05:09,360 --> 01:05:12,680
Speaker 1: I'm whatever whatever, or you're tired of doing as long

1133
01:05:12,720 --> 01:05:15,360
Speaker 1: as the checklers. I will never get tired of doing voices,

1134
01:05:15,520 --> 01:05:18,440
Speaker 1: for sure, because that is what what keeps me alive.

1135
01:05:19,280 --> 01:05:21,560
Speaker 1: Does he have a favorite of yours? He pimps me

1136
01:05:21,600 --> 01:05:23,200
Speaker 1: out when we go to the When we go to

1137
01:05:23,240 --> 01:05:25,480
Speaker 1: the he's five. My son. When we got in the playground,

1138
01:05:25,520 --> 01:05:28,560
Speaker 1: he's like, hey, how's it going. Uh, I'm ranker. My

1139
01:05:28,600 --> 01:05:32,960
Speaker 1: dad's bugs bunny like immediately immediately, and then he's like,

1140
01:05:33,320 --> 01:05:35,200
Speaker 1: do the voice. Do the voice? And then I'm like,

1141
01:05:35,600 --> 01:05:37,320
Speaker 1: what's up, doc? And he's like, Okay, go back to

1142
01:05:37,360 --> 01:05:42,560
Speaker 1: the car. That's great because my children could care less

1143
01:05:42,680 --> 01:05:45,880
Speaker 1: who I am. They don't even want to hear it.

1144
01:05:46,120 --> 01:05:50,040
Speaker 1: Like enough street credit for life. I mean they have

1145
01:05:50,600 --> 01:05:55,360
Speaker 1: that child that appreciate that's great. He's I I don't know.

1146
01:05:55,440 --> 01:05:57,720
Speaker 1: I think he's going to be an animation for sure.

1147
01:05:57,960 --> 01:06:01,120
Speaker 1: You could just tell, like, does he drawing? He's definitely's

1148
01:06:01,160 --> 01:06:05,600
Speaker 1: drawing all days. I can't draw worth a ship. You

1149
01:06:05,600 --> 01:06:07,320
Speaker 1: should have brought out a notepad. I would have taught

1150
01:06:07,320 --> 01:06:09,920
Speaker 1: you how to draw bugs. I could do a tutorial. No,

1151
01:06:10,200 --> 01:06:13,920
Speaker 1: my daughter could have used that. Really anytime, anytime I'm

1152
01:06:14,000 --> 01:06:16,480
Speaker 1: terrible out man, I'll bring I'll bring my kid over

1153
01:06:16,560 --> 01:06:21,840
Speaker 1: Michael J. Fox draws a straighter line than I do.

1154
01:06:22,120 --> 01:06:25,960
Speaker 1: I forgot there's tons of cameras and microphones. Um, no,

1155
01:06:26,000 --> 01:06:27,920
Speaker 1: you shouldn't want to dip that ash first. There you're

1156
01:06:27,920 --> 01:06:31,400
Speaker 1: a sliding ash. Okay, you told me as first. I mean,

1157
01:06:32,800 --> 01:06:35,040
Speaker 1: you got cancer, but that doesn't mean you got He's

1158
01:06:35,040 --> 01:06:36,560
Speaker 1: the worst, by the way, I mean for those that

1159
01:06:36,600 --> 01:06:39,560
Speaker 1: didn't know, because he was like, Yang, you can do it, man,

1160
01:06:40,320 --> 01:06:44,920
Speaker 1: Yes you can, sir. It was like really, Russ, really,

1161
01:06:45,440 --> 01:06:49,560
Speaker 1: yes you can, sir. Well if that's not a friend,

1162
01:06:49,560 --> 01:06:52,240
Speaker 1: I don't know what is. You still got it? You're

1163
01:06:52,240 --> 01:06:54,960
Speaker 1: still fighting it? I got it? Oh yeah, still fighting it? Man,

1164
01:06:55,240 --> 01:07:00,680
Speaker 1: how's it going? It's going? I mean I did three

1165
01:07:00,840 --> 01:07:03,880
Speaker 1: out of four rounds of chemo and your hair stayed.

1166
01:07:05,200 --> 01:07:07,520
Speaker 1: It's incredible. What that was one of the first questions.

1167
01:07:07,560 --> 01:07:10,520
Speaker 1: Mind's falling out without cancer? Um, I mean you should

1168
01:07:10,560 --> 01:07:19,200
Speaker 1: get cancer. Then then I had an excuse. Now, so

1169
01:07:19,240 --> 01:07:23,080
Speaker 1: I was diagnosed with colon cancer in the earlier this month,

1170
01:07:23,880 --> 01:07:28,240
Speaker 1: uh month earlier, I'm sorry, earlier this year. I said this.

1171
01:07:28,520 --> 01:07:30,959
Speaker 1: He was at my house when we noticed he wasn't

1172
01:07:30,960 --> 01:07:34,400
Speaker 1: looking so good. I wasn't Yeah, I wasn't well, and um,

1173
01:07:34,440 --> 01:07:36,680
Speaker 1: I went back for the for the check up, and

1174
01:07:36,720 --> 01:07:38,560
Speaker 1: we had the conversation. We were talking about you know,

1175
01:07:38,600 --> 01:07:42,600
Speaker 1: certain uh signs of this and I had some of

1176
01:07:42,600 --> 01:07:44,400
Speaker 1: those who had some of those signs. Yeah, and it

1177
01:07:44,400 --> 01:07:46,840
Speaker 1: turns out I was okay. Yeah. So you know, when

1178
01:07:46,960 --> 01:07:50,680
Speaker 1: when I was diagnosed, I called Russ immediately, like, bro,

1179
01:07:51,160 --> 01:07:53,120
Speaker 1: you might want to go get yourself checked right now

1180
01:07:53,120 --> 01:07:56,640
Speaker 1: those signs we were talking about. I got spit positive. Huh.

1181
01:07:56,840 --> 01:07:58,880
Speaker 1: I got spit roasted. They did the bottom and the

1182
01:07:58,920 --> 01:08:01,440
Speaker 1: top on me. I even told the doctor put an

1183
01:08:01,440 --> 01:08:06,240
Speaker 1: apple in my mouth. But I mean, and this is

1184
01:08:06,280 --> 01:08:09,360
Speaker 1: even years after years of annual checkups. I don't know

1185
01:08:09,400 --> 01:08:12,640
Speaker 1: if you know that. I was going to say, we're

1186
01:08:12,680 --> 01:08:16,960
Speaker 1: not when you have a Filipino mom, like like she no,

1187
01:08:17,120 --> 01:08:18,760
Speaker 1: not a nurse, but she might as well be. My

1188
01:08:18,880 --> 01:08:23,479
Speaker 1: dad is at Scarborough General Monday, Wednesday Friday for dialysis,

1189
01:08:23,520 --> 01:08:26,040
Speaker 1: so in my family taking it or giving it, taking it,

1190
01:08:26,080 --> 01:08:29,360
Speaker 1: taking and and it's one of those things where every

1191
01:08:29,400 --> 01:08:31,479
Speaker 1: time I talk to my mom and I, you know,

1192
01:08:31,720 --> 01:08:34,000
Speaker 1: not not to intrude on your story, it's like did

1193
01:08:34,040 --> 01:08:35,680
Speaker 1: you go to the doctor, did you get checked, did

1194
01:08:35,680 --> 01:08:37,960
Speaker 1: you check your kidneys? Did you do did you pay

1195
01:08:37,960 --> 01:08:40,040
Speaker 1: our taxas and did you check your kidneys? Yeah? And

1196
01:08:40,280 --> 01:08:42,280
Speaker 1: if they don't play them throw you in jail. So

1197
01:08:42,400 --> 01:08:44,559
Speaker 1: and I am like the worst when it comes to that.

1198
01:08:45,200 --> 01:08:47,400
Speaker 1: Almost any time I've ever been to a doctor, it's

1199
01:08:47,400 --> 01:08:49,519
Speaker 1: only because I go back for Christmas in Canada for

1200
01:08:49,560 --> 01:08:53,639
Speaker 1: a checkout. But now now you're going, yeah, well look,

1201
01:08:53,479 --> 01:08:59,519
Speaker 1: my situation was, you know, we we we self diagnose. Okay,

1202
01:08:59,640 --> 01:09:02,439
Speaker 1: I was selves before you go to the doctor, you know,

1203
01:09:02,479 --> 01:09:05,000
Speaker 1: because what the sign that we were that Russ and

1204
01:09:05,000 --> 01:09:07,240
Speaker 1: I were talking about is when you wipe, when you

1205
01:09:07,320 --> 01:09:09,840
Speaker 1: use the bathroom and you wipe and you'd see blood. Sure,

1206
01:09:10,400 --> 01:09:14,080
Speaker 1: And so the self diagnosing is, uh, you know that

1207
01:09:14,080 --> 01:09:19,799
Speaker 1: that burrito you know spices? Yeah, for sure. You know, Uh,

1208
01:09:19,840 --> 01:09:22,800
Speaker 1: maybe I pushed a little too hard. You come up

1209
01:09:22,800 --> 01:09:25,280
Speaker 1: with all these, you know reasons, and some of those

1210
01:09:25,280 --> 01:09:30,479
Speaker 1: reasons are true. It's possible, you know, but yeah, I

1211
01:09:30,880 --> 01:09:34,639
Speaker 1: know you don't have to worry about you. You also

1212
01:09:34,760 --> 01:09:37,960
Speaker 1: know I finally did after all of that, of course,

1213
01:09:37,960 --> 01:09:40,200
Speaker 1: it's like, okay, I think it's time to make that happen.

1214
01:09:40,520 --> 01:09:43,519
Speaker 1: And uh, it was definitely uh an episode that I

1215
01:09:43,560 --> 01:09:45,840
Speaker 1: went through that I said, okay, stop playing, go get

1216
01:09:45,880 --> 01:09:47,600
Speaker 1: yourself checked. And what that was is I'm in the

1217
01:09:47,640 --> 01:09:50,320
Speaker 1: privacy in my own you know room, and I had

1218
01:09:50,360 --> 01:09:53,200
Speaker 1: to pass gas and so I let it out and

1219
01:09:53,240 --> 01:09:56,920
Speaker 1: it came out with substance, and I said, yo, that's

1220
01:09:56,920 --> 01:09:58,679
Speaker 1: what I said to myself, like did I just shot?

1221
01:09:59,040 --> 01:10:00,640
Speaker 1: So I ran to the bathroo I'm going on the

1222
01:10:00,640 --> 01:10:07,120
Speaker 1: white pants and hilarious and and it was a bloody mucus.

1223
01:10:08,120 --> 01:10:09,479
Speaker 1: You know. It looked like you got punched in the

1224
01:10:09,520 --> 01:10:13,400
Speaker 1: nose and blew your nose. And um, that's when I said, okay,

1225
01:10:13,400 --> 01:10:16,240
Speaker 1: stop playing, go to the doctor and see what this is.

1226
01:10:16,479 --> 01:10:19,000
Speaker 1: No pain. I wasn't, you know, ill or anything. I

1227
01:10:19,000 --> 01:10:21,240
Speaker 1: didn't feel anything that led to any of this. When

1228
01:10:21,280 --> 01:10:23,000
Speaker 1: I saw that is when I you know, went to

1229
01:10:23,000 --> 01:10:27,840
Speaker 1: get myself checked. Yeah, and when they checked me, they said,

1230
01:10:27,920 --> 01:10:31,639
Speaker 1: you know, the doctor, female doctor said she's been doing

1231
01:10:31,680 --> 01:10:34,759
Speaker 1: this for thirty years and we will get the official

1232
01:10:34,800 --> 01:10:36,639
Speaker 1: results at the end of the week, but I can

1233
01:10:36,640 --> 01:10:39,040
Speaker 1: tell you right now it's cancer. And I was like,

1234
01:10:39,120 --> 01:10:46,800
Speaker 1: get outta here. Was it aggressive? Um? It was stage three,

1235
01:10:47,360 --> 01:10:51,799
Speaker 1: damn son, Yeah, stage three and yeah, so they removed

1236
01:10:51,800 --> 01:10:56,040
Speaker 1: the tuma. What they said is out of thirteen limp notes,

1237
01:10:56,120 --> 01:11:01,120
Speaker 1: I believe I said that correctly. Lymph notes no nodes, nodes,

1238
01:11:02,120 --> 01:11:06,800
Speaker 1: one penetrated the colon wall and h they have no

1239
01:11:06,880 --> 01:11:09,920
Speaker 1: idea where it is, and it may manifest itself into

1240
01:11:09,960 --> 01:11:13,120
Speaker 1: another form of cancer in you know, four or five years,

1241
01:11:13,680 --> 01:11:16,600
Speaker 1: and so they they're putting me through chemo as a

1242
01:11:17,080 --> 01:11:20,960
Speaker 1: cautionary to catch it wherever it is before it becomes

1243
01:11:21,080 --> 01:11:24,800
Speaker 1: something else. You feel sick after chemo makes you sick. Bro,

1244
01:11:25,479 --> 01:11:28,000
Speaker 1: My manager, who passed away from chemo many years ago

1245
01:11:28,120 --> 01:11:30,639
Speaker 1: from to me, no no, no, no, sorry from cancer

1246
01:11:30,720 --> 01:11:34,719
Speaker 1: many years ago, said to me, I was fine until

1247
01:11:34,760 --> 01:11:39,000
Speaker 1: they started curing me. Yeah, because the chemo, chemo, because

1248
01:11:39,040 --> 01:11:42,000
Speaker 1: it makes you feel man like, I said, I felt

1249
01:11:42,000 --> 01:11:45,240
Speaker 1: no pain. I wasn't sick, you know with this it

1250
01:11:45,320 --> 01:11:48,800
Speaker 1: was wasn't until they removed it and they're treating me

1251
01:11:48,920 --> 01:11:51,799
Speaker 1: for it now I'm sick. Like Yeah, I was fine.

1252
01:11:54,600 --> 01:11:56,840
Speaker 1: It was crazy. So I did three rounds, three out

1253
01:11:56,840 --> 01:11:59,960
Speaker 1: of four. And uh. I was shooting a movie about

1254
01:12:00,040 --> 01:12:03,280
Speaker 1: two months ago, and um, I was a trooper during

1255
01:12:03,360 --> 01:12:05,599
Speaker 1: you know, when they director said action, I did my thing.

1256
01:12:05,880 --> 01:12:07,760
Speaker 1: When he said cut, I ran to the corner and

1257
01:12:07,840 --> 01:12:10,400
Speaker 1: was laying on the couch. I couldn't I couldn't do it.

1258
01:12:10,400 --> 01:12:13,080
Speaker 1: It was crazy. And I had another big production coming

1259
01:12:13,160 --> 01:12:15,800
Speaker 1: up a few a month after that, and I said,

1260
01:12:15,800 --> 01:12:17,880
Speaker 1: there's no way I'm going to take this fourth round

1261
01:12:18,200 --> 01:12:20,160
Speaker 1: and be able to complete this project that I'm getting

1262
01:12:20,200 --> 01:12:23,920
Speaker 1: ready to do. So I paused, and so I I

1263
01:12:24,040 --> 01:12:26,920
Speaker 1: just completed that project. Month of August has been real

1264
01:12:26,960 --> 01:12:29,360
Speaker 1: busy for me. So I said, okay, I'll go back

1265
01:12:29,760 --> 01:12:32,519
Speaker 1: and finish that last round. What I inquired, you know

1266
01:12:32,520 --> 01:12:34,800
Speaker 1: what the doctors about is can you guys check me?

1267
01:12:34,880 --> 01:12:37,200
Speaker 1: I did three out of four, maybe you got what

1268
01:12:37,240 --> 01:12:39,320
Speaker 1: you were looking for, and I don't have to do

1269
01:12:39,400 --> 01:12:42,440
Speaker 1: the fourth. And they said they're not doing any evaluation

1270
01:12:42,520 --> 01:12:45,960
Speaker 1: until after I finished the fourth out one more to go,

1271
01:12:46,120 --> 01:12:50,840
Speaker 1: and that's pretty much standard then, and um, well, the

1272
01:12:50,880 --> 01:12:55,439
Speaker 1: regiment was I take the IVY and then I take

1273
01:12:55,960 --> 01:12:58,599
Speaker 1: pills for two weeks, four pills in the morning, four

1274
01:12:58,640 --> 01:13:01,200
Speaker 1: pills at night for two weeks chemo pills. So I'm

1275
01:13:01,200 --> 01:13:04,840
Speaker 1: basically on chemo for two weeks, and then I take

1276
01:13:04,880 --> 01:13:07,840
Speaker 1: a week off and then I go back to the

1277
01:13:07,880 --> 01:13:11,559
Speaker 1: i V and that begins round the following round. So

1278
01:13:11,640 --> 01:13:13,320
Speaker 1: I did that for three rounds. I was a trooper

1279
01:13:13,320 --> 01:13:15,479
Speaker 1: in the first and second I said, oh, this is chemo.

1280
01:13:15,560 --> 01:13:17,800
Speaker 1: I got this. I can do this. It wasn't until

1281
01:13:17,840 --> 01:13:21,400
Speaker 1: the third that I felt like I wanted to throw up,

1282
01:13:21,800 --> 01:13:27,559
Speaker 1: but nothing was coming up either end. Just the heating feeling,

1283
01:13:27,720 --> 01:13:30,200
Speaker 1: you know, it was disgusting, man. And there were other,

1284
01:13:30,400 --> 01:13:32,040
Speaker 1: you know things that I went through. For example, Um,

1285
01:13:32,360 --> 01:13:36,720
Speaker 1: I couldn't touch anything cold. They said, there's you know,

1286
01:13:37,400 --> 01:13:40,680
Speaker 1: something with your with your nerves, and and you know

1287
01:13:40,840 --> 01:13:43,400
Speaker 1: I would forget. I'll go into refrigerator to get something,

1288
01:13:43,439 --> 01:13:46,320
Speaker 1: and I'll grab a can of whatever. And I'm screaming

1289
01:13:46,360 --> 01:13:50,160
Speaker 1: like a beyond your pension because all of it feels

1290
01:13:50,200 --> 01:13:52,479
Speaker 1: like a million needles just went right into the palblem

1291
01:13:52,600 --> 01:13:57,160
Speaker 1: my hand. Wow, you know. So it's you know, other symptoms.

1292
01:13:57,240 --> 01:14:00,280
Speaker 1: My my skin complexion changed. I started to get Parker

1293
01:14:00,720 --> 01:14:03,200
Speaker 1: the palms of my hand, summer the palm. Excuse me,

1294
01:14:03,280 --> 01:14:05,800
Speaker 1: it's summertime. No, no, no, no, trust me. I had

1295
01:14:05,880 --> 01:14:07,840
Speaker 1: nothing to do with that. In factly asked me to

1296
01:14:07,880 --> 01:14:10,439
Speaker 1: stay They asked me to stay out of the sun. Yeah,

1297
01:14:10,520 --> 01:14:12,400
Speaker 1: that's what I hear, you know, because you become very

1298
01:14:12,400 --> 01:14:15,559
Speaker 1: sensitive to everything. It's crazy, man, It's not you know,

1299
01:14:15,760 --> 01:14:20,439
Speaker 1: I understand. It's designed to aide you or whatever, but

1300
01:14:20,720 --> 01:14:23,160
Speaker 1: you know that that kills you. It's like you're dying

1301
01:14:23,280 --> 01:14:26,000
Speaker 1: to live. And again, I'm not out of the woods yet,

1302
01:14:26,280 --> 01:14:29,599
Speaker 1: So I have to go back to the fourth round starting. Um,

1303
01:14:29,640 --> 01:14:32,360
Speaker 1: I'm going to start it next month September. Yeah, I'm

1304
01:14:32,400 --> 01:14:35,800
Speaker 1: gonna do it in September, and uh, you know, do

1305
01:14:35,840 --> 01:14:39,240
Speaker 1: the reevaluation and see where I stand and what the

1306
01:14:39,280 --> 01:14:42,040
Speaker 1: deal is. And uh, you know, I'm a troopers are

1307
01:14:42,479 --> 01:14:45,759
Speaker 1: you know? I want to live, but it's the dying

1308
01:14:45,880 --> 01:14:51,360
Speaker 1: part to live that's killing me. And as as that sound,

1309
01:14:51,400 --> 01:14:53,720
Speaker 1: it's so real. That's exactly what the boys but they're

1310
01:14:53,760 --> 01:14:59,320
Speaker 1: during all this, they visited that's it. Yeah's motherfucker but

1311
01:14:59,400 --> 01:15:02,240
Speaker 1: not kids. Had some of my closest friends with me

1312
01:15:02,680 --> 01:15:05,880
Speaker 1: through this. And again, I was a Trooper, so you know,

1313
01:15:05,920 --> 01:15:09,040
Speaker 1: I became like this new look of what cancer you

1314
01:15:09,040 --> 01:15:12,599
Speaker 1: know it looks like. And uh I didn't I didn't

1315
01:15:12,640 --> 01:15:17,160
Speaker 1: wear what was going on inside on the outside, well

1316
01:15:17,160 --> 01:15:19,240
Speaker 1: except for your Instagram you would post, and well I

1317
01:15:19,280 --> 01:15:22,120
Speaker 1: was posting to let everyone knows like this birtherfucker's depressing

1318
01:15:22,160 --> 01:15:29,519
Speaker 1: me on his Instagram. On Jesus the cancer kid, Jesus,

1319
01:15:30,240 --> 01:15:36,479
Speaker 1: you become with the K. Yeah, with the cans cancer

1320
01:15:36,520 --> 01:15:38,759
Speaker 1: with the K of course, I mean not an idiot,

1321
01:15:38,840 --> 01:15:42,840
Speaker 1: you know, you go, but you become the ambassador and

1322
01:15:42,880 --> 01:15:45,280
Speaker 1: you and and and make people aware. I know a

1323
01:15:45,400 --> 01:15:48,120
Speaker 1: voice over artist in our in our field, Rob Paulson

1324
01:15:48,200 --> 01:15:52,679
Speaker 1: had like throat cancer, never smoked a cigar or cigarette

1325
01:15:52,800 --> 01:15:56,160
Speaker 1: is like that from I don't know any wow, but

1326
01:15:56,240 --> 01:15:58,800
Speaker 1: I remember not hearing from him or not seeing him

1327
01:15:58,880 --> 01:16:02,360
Speaker 1: after a while, but he started the therapy and then uh,

1328
01:16:02,880 --> 01:16:04,960
Speaker 1: of course when you see him, he was just like

1329
01:16:05,200 --> 01:16:07,599
Speaker 1: half his size and he was already a small guy. Yeah,

1330
01:16:07,720 --> 01:16:09,120
Speaker 1: I was losing a lot of weight as well. You

1331
01:16:09,160 --> 01:16:13,200
Speaker 1: did get very frail looking. So it's it's amazing gained

1332
01:16:13,240 --> 01:16:17,439
Speaker 1: it back. Yeah, you lose it again. I'm about to

1333
01:16:17,479 --> 01:16:19,080
Speaker 1: lose it again. I'm about to go back in and

1334
01:16:19,120 --> 01:16:22,040
Speaker 1: do this other round. So but yeah, he had he

1335
01:16:22,080 --> 01:16:25,320
Speaker 1: had and he had throat cancer. Of all the things

1336
01:16:25,360 --> 01:16:27,720
Speaker 1: a voice over artists that never almost like the one

1337
01:16:27,760 --> 01:16:31,600
Speaker 1: like DC the rapper DC. Yeah but that was an

1338
01:16:31,640 --> 01:16:33,800
Speaker 1: accident though. Yeah, but I mean all the things you

1339
01:16:33,800 --> 01:16:37,080
Speaker 1: could lose the one thing that you're making money from. Yeah, right,

1340
01:16:37,400 --> 01:16:39,519
Speaker 1: like a runner losing a foot, Like what the is this?

1341
01:16:39,760 --> 01:16:42,479
Speaker 1: I'm done. Yeah, I could have lost an elbow. No,

1342
01:16:42,560 --> 01:16:44,800
Speaker 1: I had to lose a foot. Yeah, so he was

1343
01:16:44,840 --> 01:16:48,800
Speaker 1: like not eating and having the shakes. But he is

1344
01:16:49,520 --> 01:16:52,439
Speaker 1: back on stage performing, you know, his voice back, and

1345
01:16:52,960 --> 01:16:56,800
Speaker 1: he's Yako Warner on Animaniacs and and and Pinky from

1346
01:16:56,800 --> 01:17:01,200
Speaker 1: Pinky in the Brain that robson. I'm sad he's a

1347
01:17:01,280 --> 01:17:04,120
Speaker 1: he's a legend. But yeah, he has survived, much like

1348
01:17:04,160 --> 01:17:08,479
Speaker 1: yourself and will continue to thrive. So this is a

1349
01:17:08,479 --> 01:17:12,080
Speaker 1: pretty depressing way to end this one. Up fucking Kangle

1350
01:17:12,200 --> 01:17:15,599
Speaker 1: Kids end of our cigars Kang Kids shows up here.

1351
01:17:16,720 --> 01:17:19,599
Speaker 1: Yeah that tell folks. Yeah, that's how the only way

1352
01:17:19,600 --> 01:17:24,720
Speaker 1: you can that you're the worst. Bro. Wait, his her mine.

1353
01:17:24,760 --> 01:17:27,800
Speaker 1: I don't know who you're looking at. Okay, that's all

1354
01:17:27,800 --> 01:17:40,120
Speaker 1: of us. Heybe kick the bucket. See Loony Tunes, man,

1355
01:17:40,160 --> 01:17:43,160
Speaker 1: it always brings it back to a to a happy,

1356
01:17:43,280 --> 01:17:47,439
Speaker 1: lighter place. And did they keep the same song? Oh yeah,

1357
01:17:47,560 --> 01:17:49,599
Speaker 1: I mean they updated because I like the old sound,

1358
01:17:49,640 --> 01:17:52,599
Speaker 1: the tinny kind of they like. If you watch Looney

1359
01:17:52,640 --> 01:17:56,120
Speaker 1: Tunes cartoons on HBO, max rs is a complete throwback

1360
01:17:57,000 --> 01:17:59,599
Speaker 1: to to like the early days of Loney Tunes minus

1361
01:17:59,600 --> 01:18:03,120
Speaker 1: the races him So you know, racism made good. I

1362
01:18:03,120 --> 01:18:05,799
Speaker 1: was just talking about looney Tuns earlier. Man, they canceled

1363
01:18:05,880 --> 01:18:09,400
Speaker 1: Peppi Lapew. Bro is that he's correct because you know

1364
01:18:09,640 --> 01:18:16,320
Speaker 1: he took no for no land show. The loyals are outside.

1365
01:18:16,479 --> 01:18:18,519
Speaker 1: It's true though Peppi Lapew was kind of creepy. Though.

1366
01:18:18,600 --> 01:18:22,720
Speaker 1: Here's the thing about Pepe that everyone forgets. No, I mean,

1367
01:18:22,800 --> 01:18:25,080
Speaker 1: it's a cartoon, but the whole bit at the very

1368
01:18:25,160 --> 01:18:28,720
Speaker 1: the first two minutes of every Peppe cartoon, he is

1369
01:18:28,760 --> 01:18:31,240
Speaker 1: a skunk that walks by flowers that and then the

1370
01:18:31,240 --> 01:18:34,040
Speaker 1: flowers dropped dead because his ass smells and no one

1371
01:18:34,080 --> 01:18:36,880
Speaker 1: wants to be hugged by skunk. Uh And then yeah,

1372
01:18:36,880 --> 01:18:38,920
Speaker 1: and then he gets a little handsy. But people often

1373
01:18:38,960 --> 01:18:41,639
Speaker 1: forget when he gets covered in paint and that white

1374
01:18:41,640 --> 01:18:44,720
Speaker 1: stripe goes away, or he gets dounced with perfume, the

1375
01:18:44,800 --> 01:18:49,000
Speaker 1: cat becomes the aggressive or and he becomes the I

1376
01:18:49,080 --> 01:18:52,240
Speaker 1: forgot that people and the cart would walk underneath the

1377
01:18:52,240 --> 01:18:54,519
Speaker 1: white painting at the stripe on her back right right,

1378
01:18:55,040 --> 01:18:57,920
Speaker 1: So people forget like there was a balance to it all.

1379
01:18:58,040 --> 01:19:02,360
Speaker 1: And again, fortunately for for the ladies back in the day,

1380
01:19:02,479 --> 01:19:05,720
Speaker 1: that's what the behavior was accepted. When like I threw

1381
01:19:05,800 --> 01:19:08,280
Speaker 1: himself at you. That was the style, and that was

1382
01:19:08,320 --> 01:19:11,320
Speaker 1: the thing. You know, like almost every black and white

1383
01:19:11,320 --> 01:19:15,920
Speaker 1: film there's a guy holding a lady. You know, that

1384
01:19:16,000 --> 01:19:20,280
Speaker 1: was the thing. But this is what I I can

1385
01:19:20,760 --> 01:19:23,000
Speaker 1: agree and attest to you for today. If you're going

1386
01:19:23,040 --> 01:19:28,160
Speaker 1: to change it, you can. He's a fictional character. And

1387
01:19:28,280 --> 01:19:30,600
Speaker 1: you look at a character like Harlequin that has a

1388
01:19:30,680 --> 01:19:35,639
Speaker 1: character for preschool audience, a preteen audience, a teen audience,

1389
01:19:35,720 --> 01:19:39,560
Speaker 1: and an adult swim animated Harley Quinn or Harley Harlequinn

1390
01:19:39,600 --> 01:19:42,719
Speaker 1: like the Warner Brothers d C character and arrated our movie.

1391
01:19:42,880 --> 01:19:45,320
Speaker 1: So if you took a character like Peppe Lap, you

1392
01:19:45,360 --> 01:19:49,120
Speaker 1: could go cross platform and if you wanted to address

1393
01:19:49,160 --> 01:19:53,800
Speaker 1: it in an adulter you know. So you know that's

1394
01:19:53,880 --> 01:19:58,519
Speaker 1: that's the only thing I'll say. Lebron would have no

1395
01:19:58,600 --> 01:20:03,320
Speaker 1: part of it. It'll be the French start of my childhood. Yeah,

1396
01:20:03,880 --> 01:20:09,639
Speaker 1: deep toe, baby window, shrewsy two lips. Yeah, the two lips,

1397
01:20:10,560 --> 01:20:15,920
Speaker 1: let's not talk about that was I was literally chasing

1398
01:20:15,920 --> 01:20:24,639
Speaker 1: posey um. Yeah. Literally he never found a female skunk.

1399
01:20:24,680 --> 01:20:27,840
Speaker 1: That was the weird part. Yeah, that's true, that's true.

1400
01:20:27,960 --> 01:20:29,880
Speaker 1: If you're just joining us, it's Kandle Kid and Ken

1401
01:20:29,960 --> 01:20:33,720
Speaker 1: Jung with Russell Peters. Case, I get canceled Ken junk

1402
01:20:33,800 --> 01:20:38,400
Speaker 1: Kid and and uh for the people at Warner Brothers

1403
01:20:38,439 --> 01:20:41,720
Speaker 1: and all the people that hire Eric Bowsa. He has

1404
01:20:41,720 --> 01:20:43,439
Speaker 1: nothing to do with what we're bringing up here. This

1405
01:20:43,520 --> 01:20:45,600
Speaker 1: is all my idea. You it's fine, So canceled me.

1406
01:20:45,640 --> 01:20:47,840
Speaker 1: You don't cant No, No, you just got on Velma.

1407
01:20:47,920 --> 01:20:49,840
Speaker 1: We gotta keep you on that show. That's fine, right.

1408
01:20:50,400 --> 01:20:52,240
Speaker 1: I'm worried about your career. I'm not worried about mine.

1409
01:20:53,000 --> 01:20:58,439
Speaker 1: I'm an EmPATH in a very weird way. I'm the

1410
01:20:58,479 --> 01:21:01,559
Speaker 1: least empathetic EmPATH you've met. I'm an EmPATH. Well, you're

1411
01:21:01,560 --> 01:21:04,559
Speaker 1: a Canadian, so that's what it is. He's Haitian, so

1412
01:21:04,960 --> 01:21:07,400
Speaker 1: I am. Are you? You're not sticking around Los Angels.

1413
01:21:07,720 --> 01:21:11,320
Speaker 1: I'm leaving tomorrow morning because we're doing a a fundraiser

1414
01:21:11,360 --> 01:21:15,920
Speaker 1: for Haiti Oh wow, Me and Reuben and on at

1415
01:21:15,960 --> 01:21:19,759
Speaker 1: the Laugh Factory. That's gonna be me, George Lopez, Cedric

1416
01:21:19,800 --> 01:21:23,760
Speaker 1: the entertainer, Dale Hugley. I could probably come back. You should,

1417
01:21:23,840 --> 01:21:27,640
Speaker 1: because you're Haitian. He's Haitian. It would be nice to

1418
01:21:27,680 --> 01:21:30,560
Speaker 1: have another Haitian on board. Maybe if you down a

1419
01:21:30,600 --> 01:21:34,680
Speaker 1: spit of verse or two. I actually, because of Wycliff,

1420
01:21:35,040 --> 01:21:37,720
Speaker 1: I wrote my verse of rock sand Rock sane in

1421
01:21:37,800 --> 01:21:40,720
Speaker 1: creole because he said to me, you did tell me that.

1422
01:21:40,800 --> 01:21:42,720
Speaker 1: He said, if you are truly Haitian, sing rock sand

1423
01:21:42,800 --> 01:21:45,760
Speaker 1: Roxanne and creole right now. And I was stumped because

1424
01:21:45,760 --> 01:21:48,800
Speaker 1: I had never done that before. So I said, he's

1425
01:21:48,800 --> 01:21:53,040
Speaker 1: never catching me like that again. I went home and yeah,

1426
01:21:54,240 --> 01:22:02,000
Speaker 1: Mr um, not much him? Where you dam sollo, let's

1427
01:22:02,000 --> 01:22:08,719
Speaker 1: see can't go you see phone? Seems you show? Yeah,

1428
01:22:08,720 --> 01:22:10,200
Speaker 1: I did that. I went to home with it. Nah,

1429
01:22:10,479 --> 01:22:12,519
Speaker 1: He's never catching me like that again. So the new

1430
01:22:12,600 --> 01:22:18,200
Speaker 1: voice of Pepper a Pew should be can't you know? No,

1431
01:22:18,280 --> 01:22:20,000
Speaker 1: you can bring him. You can bring him back in

1432
01:22:20,040 --> 01:22:25,960
Speaker 1: a good way. Man, Kangle a Pew, trust me. I

1433
01:22:25,960 --> 01:22:39,880
Speaker 1: think the name stinks fresh money sharts right. This was

1434
01:22:39,920 --> 01:22:41,760
Speaker 1: a good episode. I think it turned out fine to

1435
01:22:41,800 --> 01:22:47,200
Speaker 1: Spike Kangles morbid. You know, we we were just so

1436
01:22:47,439 --> 01:22:49,960
Speaker 1: up on our Canadian selves that Kango came back and

1437
01:22:50,000 --> 01:22:52,960
Speaker 1: brought it back down to earth and really American, this

1438
01:22:53,000 --> 01:22:55,880
Speaker 1: one up for us really made a negative And we're

1439
01:22:55,920 --> 01:22:59,280
Speaker 1: gonna We're gonna give you a passport and everything and no, no, no,

1440
01:22:59,600 --> 01:23:04,640
Speaker 1: we're shate you and and everything you've done, uh in

1441
01:23:04,680 --> 01:23:07,280
Speaker 1: your career and today, just today, I had no idea.

1442
01:23:07,680 --> 01:23:09,560
Speaker 1: Did you know that he was coming? I didn't know.

1443
01:23:09,720 --> 01:23:13,320
Speaker 1: I forgot he was coming. Okay, and so did he.

1444
01:23:13,360 --> 01:23:23,880
Speaker 1: That's why he has four kids. But on that note

1445
01:23:25,240 --> 01:23:32,320
Speaker 1: or on those notes, um, I want to thank everybody

1446
01:23:32,320 --> 01:23:35,280
Speaker 1: for tuning into this episode of Culturally Canceled with myself,

1447
01:23:35,360 --> 01:23:39,080
Speaker 1: Russell Peters, my special guest, Eric Bows with the Man

1448
01:23:39,120 --> 01:23:41,880
Speaker 1: of a Thousand Voices, the New Man of a Thousand Voices,

1449
01:23:42,520 --> 01:23:45,280
Speaker 1: and Kango Kids, the Man of a Thousand Diseases. Please

1450
01:23:48,520 --> 01:23:55,840
Speaker 1: damn brother, no one safe on this podcast. Thanks for

1451
01:23:55,840 --> 01:23:58,280
Speaker 1: tuning in. Guys, We'll see you when I see you.

1452
01:24:01,439 --> 01:24:01,679
Speaker 1: Five