1 00:00:00,160 --> 00:00:04,560 Speaker 1: There's nothing finer than having Louis Capaldi strolled into the 2 00:00:04,600 --> 00:00:08,159 Speaker 1: studio and they have a seat right next to me. 3 00:00:08,640 --> 00:00:10,640 Speaker 1: What's happen? And they put his mouth to the microphone 4 00:00:10,640 --> 00:00:20,880 Speaker 1: and say these words. Good said Lewis, Hello Elvis? Can 5 00:00:20,960 --> 00:00:22,800 Speaker 1: I just say I gotta say something? It's behind the 6 00:00:22,840 --> 00:00:25,279 Speaker 1: scenes information. No one knows this, but I'm hit the 7 00:00:25,360 --> 00:00:29,440 Speaker 1: dump button. No, it's okay, don't we got it. We 8 00:00:29,480 --> 00:00:31,600 Speaker 1: caught it. You caught it. Louis Capaldi just used the 9 00:00:31,680 --> 00:00:33,680 Speaker 1: F word. So I just need to make some calls. 10 00:00:36,560 --> 00:00:38,080 Speaker 1: Can we get Can you get that out of his way? 11 00:00:38,960 --> 00:00:41,560 Speaker 1: Mister Capaldi has a show at Radio City tonight. He 12 00:00:41,600 --> 00:00:43,560 Speaker 1: can't be bothered by a phone. How's your right? You 13 00:00:43,600 --> 00:00:48,000 Speaker 1: want to go shorter? And never never go shorter, always 14 00:00:48,000 --> 00:00:50,599 Speaker 1: go along. It's your knob high enough? Can you hear 15 00:00:50,680 --> 00:00:54,280 Speaker 1: us in the headphone? This is the most difficult to 16 00:00:54,320 --> 00:00:56,400 Speaker 1: interview I've ever done. I oh, yeah, I'm I'm in. 17 00:00:56,520 --> 00:01:00,280 Speaker 1: I'm chind Elvis, I fed my I'm feddling with my 18 00:01:00,320 --> 00:01:03,800 Speaker 1: knob under the table. I love that, and yeah, we'll 19 00:01:03,920 --> 00:01:07,000 Speaker 1: here live on, Elvis. You ran in the morning show. 20 00:01:07,959 --> 00:01:10,959 Speaker 1: What's up in New York? You know what you've said, 21 00:01:11,319 --> 00:01:14,119 Speaker 1: you've said everything you needed to say. Yeah, I would. Okay, 22 00:01:14,200 --> 00:01:16,200 Speaker 1: let me give you the information. I found out that 23 00:01:16,240 --> 00:01:18,160 Speaker 1: no one else knows. This is behind the scene stuff 24 00:01:18,160 --> 00:01:21,880 Speaker 1: that you probably technically politically shouldn't know. Lewis Capaldi is 25 00:01:21,920 --> 00:01:24,920 Speaker 1: out on tour. Yeah, and a lot of artists like 26 00:01:25,000 --> 00:01:28,960 Speaker 1: to remain focused, and you know, no rif raff. This 27 00:01:29,040 --> 00:01:32,520 Speaker 1: is the only the only thing you're doing all tour. 28 00:01:32,680 --> 00:01:34,800 Speaker 1: The rest of it is, Yeah, just to the venue 29 00:01:34,800 --> 00:01:37,760 Speaker 1: and home home. Why why are we? Why are we 30 00:01:37,840 --> 00:01:41,600 Speaker 1: the chosen? I feel safe and here, I feel I 31 00:01:41,720 --> 00:01:43,960 Speaker 1: feel just at home. I feel like I could kick 32 00:01:44,000 --> 00:01:46,840 Speaker 1: off my shoes and my clothes and I wouldn't be judged. 33 00:01:47,840 --> 00:01:51,120 Speaker 1: I'd be welcomed. In fact, if I was in the nude, 34 00:01:51,200 --> 00:01:53,880 Speaker 1: we would see we would call that Lewis Capaldi raw, 35 00:01:54,160 --> 00:02:01,200 Speaker 1: Lewis Capaldi raw and uncut, which happens I am things 36 00:02:01,200 --> 00:02:04,920 Speaker 1: about every time. I know, he's just He's a wonderland. 37 00:02:05,120 --> 00:02:08,240 Speaker 1: Thank you. So I will say. I started watching How 38 00:02:08,280 --> 00:02:10,320 Speaker 1: I'm Feeling Now on Netflix last night. It just came 39 00:02:10,320 --> 00:02:13,120 Speaker 1: out yesterday. It came out yesterday. I started watching it, 40 00:02:13,200 --> 00:02:16,520 Speaker 1: and I didn't want to go the whole way I'm edging. 41 00:02:16,680 --> 00:02:21,400 Speaker 1: I'm edging, edging, I'm slowly slowly building up edging. Yeah, 42 00:02:21,440 --> 00:02:24,079 Speaker 1: I like that. It's listen, watch it in chunks. It's 43 00:02:24,160 --> 00:02:27,840 Speaker 1: quite depressing, the documentary, so it's good to break up. 44 00:02:27,960 --> 00:02:31,160 Speaker 1: When I saw the first draft, I was like, do 45 00:02:31,240 --> 00:02:33,320 Speaker 1: I die at the end of this film? It was 46 00:02:33,400 --> 00:02:36,320 Speaker 1: so bizarre. Honestly, it was like such a It was 47 00:02:36,320 --> 00:02:39,519 Speaker 1: a very depressing because it's about my mental health and 48 00:02:39,880 --> 00:02:41,880 Speaker 1: all the rest of it, but it was just it 49 00:02:41,919 --> 00:02:44,040 Speaker 1: was so depressing. So we had to like add like 50 00:02:44,080 --> 00:02:46,880 Speaker 1: a sort of happy ending because it seemed like it 51 00:02:46,960 --> 00:02:50,880 Speaker 1: was posthumous when I saw it. I know, but lewis 52 00:02:51,200 --> 00:02:53,960 Speaker 1: what you find to be depressing? Of course, it's your life, 53 00:02:54,000 --> 00:02:55,840 Speaker 1: and it's these are the these are the trials and 54 00:02:55,880 --> 00:02:58,679 Speaker 1: tribulations you go through. To us, it's it's very relatable 55 00:02:58,720 --> 00:03:01,840 Speaker 1: because mental health, even with our best friends who are 56 00:03:01,840 --> 00:03:05,000 Speaker 1: the most talented and most dynamic, mental health a part 57 00:03:05,080 --> 00:03:08,079 Speaker 1: of it. You know, Yeah, it's okay, it's okay. It's 58 00:03:08,120 --> 00:03:14,200 Speaker 1: okay to be really cool and just having a kick ass. 59 00:03:14,240 --> 00:03:17,280 Speaker 1: Can you see kick assist? You can see ass, but 60 00:03:17,320 --> 00:03:20,480 Speaker 1: you can't see it. I'm looking. Yes, it's okay to 61 00:03:20,520 --> 00:03:24,080 Speaker 1: be kicking some ass, but also going to therapy. I've 62 00:03:24,120 --> 00:03:26,760 Speaker 1: got to therapy now goods, and I've found out a 63 00:03:26,760 --> 00:03:29,000 Speaker 1: lot about myself. You know what, there's nothing wrong with 64 00:03:29,040 --> 00:03:31,840 Speaker 1: that beautiful thing. It's the more I get to know myself, 65 00:03:31,840 --> 00:03:34,600 Speaker 1: the more I dislike myself, which is strange. I get that. Yeah, 66 00:03:35,080 --> 00:03:37,200 Speaker 1: I would probably go through the same exercide. Noah, Yeah, 67 00:03:37,200 --> 00:03:40,080 Speaker 1: it's pretty bizarre. No, but it's been good. Things are well. 68 00:03:40,480 --> 00:03:44,280 Speaker 1: I'm feeling I'm on the upswing. Things are good. I 69 00:03:44,320 --> 00:03:50,240 Speaker 1: am chumscant in your your grasp of the English language, 70 00:03:50,240 --> 00:03:52,360 Speaker 1: it's fabulous, Thank you. My grasp of a lot of 71 00:03:52,400 --> 00:03:55,600 Speaker 1: things is fabulous. I bet you know another thing that 72 00:03:55,640 --> 00:03:58,160 Speaker 1: you get as you just crack open. How I'm feeling 73 00:03:58,200 --> 00:04:02,440 Speaker 1: now that the documentary is you what this incredible energy 74 00:04:02,480 --> 00:04:06,440 Speaker 1: between Lewis and his family, his mom, his dad, and 75 00:04:06,480 --> 00:04:08,880 Speaker 1: of course they start showing your baby pictures. You're naked. 76 00:04:09,120 --> 00:04:13,280 Speaker 1: I'm naked like I feel sometimes when I'm just I'm naked. 77 00:04:13,400 --> 00:04:16,400 Speaker 1: I feel naked here good but good naked. It's a 78 00:04:16,440 --> 00:04:18,520 Speaker 1: good naked. I feel good to be this naked in 79 00:04:18,560 --> 00:04:21,400 Speaker 1: front of you all, and I feel like my yeah, 80 00:04:21,440 --> 00:04:25,000 Speaker 1: my parents, I get naked in front of my parents. 81 00:04:25,120 --> 00:04:27,240 Speaker 1: That sounds odd now that I'm not at all, I 82 00:04:27,279 --> 00:04:31,200 Speaker 1: find it very refreshing. I yes, they are nice people. 83 00:04:31,279 --> 00:04:33,320 Speaker 1: My mom and dad they're a bit I'm kind of 84 00:04:33,360 --> 00:04:34,800 Speaker 1: sick of them now, if I'm being honest. I've known 85 00:04:34,839 --> 00:04:38,320 Speaker 1: them for twenty six years. My mom can really harp 86 00:04:38,400 --> 00:04:41,440 Speaker 1: on and on about a few things, and she suffocates me. 87 00:04:41,600 --> 00:04:43,800 Speaker 1: I'm telling you that she suffocates me. It's time to 88 00:04:43,880 --> 00:04:48,160 Speaker 1: break free, break loose. But this documentary, they've been great. 89 00:04:48,680 --> 00:04:51,320 Speaker 1: They really helped push it. When I saw my mom 90 00:04:51,360 --> 00:04:54,040 Speaker 1: my mum cries in it, and I was like, yes, 91 00:04:54,480 --> 00:04:58,920 Speaker 1: because that's where the money is. Okay. As soon as 92 00:04:58,960 --> 00:05:02,159 Speaker 1: I saw that, I was like, we got the Netflix 93 00:05:02,320 --> 00:05:05,440 Speaker 1: the Netflix deal, mom, good job. That was me behind 94 00:05:05,440 --> 00:05:08,880 Speaker 1: the camera. I was like, come on, I'm up. But yeah, 95 00:05:08,880 --> 00:05:12,080 Speaker 1: so she starts crying and I was like, kitching, it's lovely. 96 00:05:12,160 --> 00:05:15,360 Speaker 1: It's very Yeah. I love my mom and dad. I've 97 00:05:15,440 --> 00:05:17,960 Speaker 1: grown fond of them over the last twenty seconds, and 98 00:05:18,040 --> 00:05:20,640 Speaker 1: you will continue to continue to grow fond and fond 99 00:05:20,640 --> 00:05:25,039 Speaker 1: of them. But what's wonderful for us is we get 100 00:05:25,040 --> 00:05:27,560 Speaker 1: to be the fly on the wall to watch the 101 00:05:27,640 --> 00:05:30,640 Speaker 1: dynamics between you and your parents, but also when the 102 00:05:30,760 --> 00:05:33,400 Speaker 1: music started, how you would use a I mean you 103 00:05:33,440 --> 00:05:36,640 Speaker 1: were under age and going into clubs and playing sets, 104 00:05:36,760 --> 00:05:39,840 Speaker 1: and yeah, that's fascinating. I never knew this stuff about 105 00:05:39,839 --> 00:05:42,440 Speaker 1: you until YEA. I used to sneak into the bathrooms 106 00:05:42,480 --> 00:05:45,960 Speaker 1: and pubs and I used to hide there and I 107 00:05:46,040 --> 00:05:48,120 Speaker 1: used to wait, and I used someone used to come in, 108 00:05:48,240 --> 00:05:50,200 Speaker 1: and however I was with I was like, oh, you 109 00:05:50,240 --> 00:05:52,039 Speaker 1: can come and play your set now. And I would 110 00:05:52,040 --> 00:05:53,400 Speaker 1: come out and I would play my set and then 111 00:05:53,440 --> 00:05:57,720 Speaker 1: I would leave before anyone, anyone, anyone saw me. So 112 00:05:57,720 --> 00:06:01,320 Speaker 1: it's weird because if I had heads in public bathrooms 113 00:06:01,360 --> 00:06:05,440 Speaker 1: need I would be arrested, saying when I go to 114 00:06:05,440 --> 00:06:07,719 Speaker 1: Scotland and I had I hide and wait in men's 115 00:06:07,800 --> 00:06:10,599 Speaker 1: rooms in pubs, there's usually a different reason for gay. 116 00:06:12,200 --> 00:06:14,560 Speaker 1: But I haven't been caught. You haven't been caught. Yeah, 117 00:06:14,600 --> 00:06:16,000 Speaker 1: and that's that's what they call you. They call you 118 00:06:16,040 --> 00:06:22,160 Speaker 1: the stealth pub about from hadel Man Crawler. Yeah yeah, yeah. 119 00:06:22,960 --> 00:06:25,120 Speaker 1: But on a serious note, I will tell you this. 120 00:06:25,200 --> 00:06:28,440 Speaker 1: You know, they moved our studios from downtown to uptown Manhattan. Yes, 121 00:06:28,480 --> 00:06:31,159 Speaker 1: and here we are. I still live downtown. So every 122 00:06:31,160 --> 00:06:33,559 Speaker 1: morning sixth Avenue. We take the same route every morning 123 00:06:33,600 --> 00:06:37,239 Speaker 1: at four fifty five am, and we passed the iconic, 124 00:06:37,320 --> 00:06:41,400 Speaker 1: world famous Radio City Music Hall, which is beautiful place, 125 00:06:41,600 --> 00:06:45,040 Speaker 1: especially New Yorkers and tourists, they all love it. And 126 00:06:45,080 --> 00:06:47,360 Speaker 1: then on the Marquis, I saw your name. This is 127 00:06:47,360 --> 00:06:50,039 Speaker 1: about a month ago, maybe more. I saw your Marquis 128 00:06:50,240 --> 00:06:53,560 Speaker 1: Lewis Capaul. He went, oh my god, right down the 129 00:06:53,560 --> 00:06:55,880 Speaker 1: street from where we are now, Like, it's a beautiful 130 00:06:55,920 --> 00:06:59,680 Speaker 1: thing to have your name and beg lights and at 131 00:06:59,760 --> 00:07:03,760 Speaker 1: the right it just feels right. We'll look at where 132 00:07:03,800 --> 00:07:07,560 Speaker 1: you started playing pubs in Scotland and then before you 133 00:07:07,600 --> 00:07:12,400 Speaker 1: know it, you're playing larger clubs and they're showing footage 134 00:07:12,440 --> 00:07:14,400 Speaker 1: lest sound of you in an arena. Well the whole 135 00:07:14,400 --> 00:07:17,600 Speaker 1: place is just yes. And Europe and the UK were 136 00:07:17,600 --> 00:07:19,760 Speaker 1: playing arenas. But it's nice to come in America and 137 00:07:19,760 --> 00:07:21,040 Speaker 1: do the kind of small gigs you can. I mean, 138 00:07:21,080 --> 00:07:23,640 Speaker 1: don't get me wrong, I'm not making any money whatsoever. 139 00:07:23,840 --> 00:07:26,600 Speaker 1: It's a real if I'm being honest, that I'm actually 140 00:07:26,640 --> 00:07:28,520 Speaker 1: losing money every time I play a card up on 141 00:07:28,520 --> 00:07:32,320 Speaker 1: that stage. It's a nightmare. It's expensive. It's expense you 142 00:07:32,720 --> 00:07:37,920 Speaker 1: that's as an expensive country yes, you guys Levin money talks. 143 00:07:39,000 --> 00:07:42,240 Speaker 1: But it's good as lovely and it's just nice. Yeah, 144 00:07:42,280 --> 00:07:44,760 Speaker 1: Like you say, it's weird to come and play. Go 145 00:07:44,920 --> 00:07:47,400 Speaker 1: from playing the pubs and all the rest of it. 146 00:07:47,480 --> 00:07:49,600 Speaker 1: Hiding in bathrooms. Maybe I'll go hide in the New 147 00:07:49,680 --> 00:07:53,720 Speaker 1: York after this interview. We have a bathroom down the hall. 148 00:07:53,800 --> 00:07:55,720 Speaker 1: Let's go hide in there. Let's go hide and see what. 149 00:07:56,000 --> 00:07:57,600 Speaker 1: Let's see what we can get in to see who 150 00:07:57,680 --> 00:07:59,560 Speaker 1: we can see coming on in. I don't think you'll 151 00:07:59,560 --> 00:08:03,080 Speaker 1: be happy with the results. Remember we went to our bathroom, 152 00:08:03,400 --> 00:08:05,560 Speaker 1: they still had turned to the toilet. It's just yes, 153 00:08:06,280 --> 00:08:12,040 Speaker 1: it was full of tarts. There was there was sked 154 00:08:12,040 --> 00:08:14,520 Speaker 1: marks down the side of the pan. I don't know 155 00:08:14,560 --> 00:08:17,480 Speaker 1: if I told you that sked marks there was. There 156 00:08:17,560 --> 00:08:19,480 Speaker 1: was that went oh maybe I was like I was 157 00:08:19,520 --> 00:08:22,480 Speaker 1: like Goldilocks, right, and I was looking for the path 158 00:08:22,560 --> 00:08:25,280 Speaker 1: at the right toilet, and I said, this one has 159 00:08:25,320 --> 00:08:28,960 Speaker 1: too big of ale. And then I hand to the 160 00:08:29,000 --> 00:08:30,640 Speaker 1: next one and I said, oh, this one I has 161 00:08:30,680 --> 00:08:35,040 Speaker 1: too SMI ones just that was too small. And then 162 00:08:35,400 --> 00:08:38,400 Speaker 1: and then I found one that was just right, and 163 00:08:39,600 --> 00:08:41,720 Speaker 1: that's the one I used. Yeah, And there was just 164 00:08:41,760 --> 00:08:45,840 Speaker 1: a lovely Aroma. I just you know, well, now we 165 00:08:45,840 --> 00:08:48,280 Speaker 1: have new we have new bathrooms. First, that's a crazy 166 00:08:48,320 --> 00:08:53,600 Speaker 1: Hey Olympia, Hello Olympia, you were now pardon me stand 167 00:08:53,600 --> 00:08:56,400 Speaker 1: by while I connect you to Lewis Capaldi. Okay, connected, 168 00:08:56,480 --> 00:09:00,840 Speaker 1: please please go ahead. Hello. Oh my god, Hello Olympia. 169 00:09:00,960 --> 00:09:06,920 Speaker 1: That is an incredible name, very Greek. Thank you. Yes, yeah, 170 00:09:06,960 --> 00:09:09,240 Speaker 1: and you're from Bayside, New York and I cannot wait 171 00:09:09,240 --> 00:09:11,680 Speaker 1: to see him tonight. I'm screaming, what's happening in a 172 00:09:11,679 --> 00:09:13,760 Speaker 1: little bit. You're on with Elvis, You're out in the 173 00:09:13,760 --> 00:09:16,640 Speaker 1: morning Shool and Louis Capaldi? What do you got? What 174 00:09:16,679 --> 00:09:21,920 Speaker 1: are you doing? And who's with you? Literally I'm getting 175 00:09:21,920 --> 00:09:25,120 Speaker 1: ready to start my day and I'm go I have 176 00:09:25,160 --> 00:09:27,800 Speaker 1: no words. I'm freaking out. Tonight to night You're gonna 177 00:09:27,800 --> 00:09:30,880 Speaker 1: be at the world famous Radio City Music Hall with 178 00:09:30,960 --> 00:09:35,319 Speaker 1: the world loved Louis Capaldi. Tell us your thoughts. Yeah, 179 00:09:35,360 --> 00:09:38,360 Speaker 1: I'm so excited. I literally was one I like bought 180 00:09:38,400 --> 00:09:40,240 Speaker 1: tickets a students they went on sale. I was on 181 00:09:40,280 --> 00:09:44,000 Speaker 1: the pre sale line. I like bought two tickets with 182 00:09:44,120 --> 00:09:45,760 Speaker 1: one of my for one of my friends, and then 183 00:09:45,800 --> 00:09:47,760 Speaker 1: I literally just texted everyone and I was like Hey, 184 00:09:47,800 --> 00:09:49,400 Speaker 1: so does anyone want to come with me? Because I 185 00:09:49,440 --> 00:09:54,960 Speaker 1: bought two and I assume your friends were clamoring over 186 00:09:55,000 --> 00:10:00,520 Speaker 1: themselves to snap up the extra ticket. They absolutely were. Well, lovely, 187 00:10:00,960 --> 00:10:02,960 Speaker 1: are you are you excited? How are you excited for 188 00:10:03,000 --> 00:10:07,520 Speaker 1: the gig? I'm literally shaken. Well let me stop you 189 00:10:07,600 --> 00:10:10,480 Speaker 1: right there, Olympia. I need to tell you something. Lower 190 00:10:10,520 --> 00:10:17,319 Speaker 1: your expectations. Do not come in here expecting lights, fireworks, 191 00:10:18,120 --> 00:10:22,839 Speaker 1: you know, one of those things flows. This show is 192 00:10:23,160 --> 00:10:26,600 Speaker 1: really subpart. It's not that good, and I just want 193 00:10:26,600 --> 00:10:30,000 Speaker 1: you to make to become in expecting disappointment and be 194 00:10:30,160 --> 00:10:33,719 Speaker 1: pleasantly surprised that. Yeah do you say I say that 195 00:10:33,760 --> 00:10:36,000 Speaker 1: every time I'm right before I'm taking off my clothes. 196 00:10:36,120 --> 00:10:40,640 Speaker 1: Yeah exactly. It's like at night at Radio City. Yeah exactly, Olympia. 197 00:10:40,679 --> 00:10:42,600 Speaker 1: You know he's full of crap. You know tonight's show 198 00:10:42,679 --> 00:10:44,840 Speaker 1: is gonna be amazing. You know you're gonna be singing along, 199 00:10:45,320 --> 00:10:47,240 Speaker 1: You're gonna be a part of the fun. So don't 200 00:10:47,240 --> 00:10:50,160 Speaker 1: listen to Lewis not until tonight when the show starts. Yes, yes, 201 00:10:50,280 --> 00:10:53,360 Speaker 1: ignore him. Thank you, Thank you for your money, Olympia. 202 00:10:56,760 --> 00:11:00,079 Speaker 1: Well hold on, how much for tickets? Just out of curiosity. 203 00:11:00,960 --> 00:11:05,040 Speaker 1: I don't remember how much I paid A much favored 204 00:11:05,240 --> 00:11:10,160 Speaker 1: I'm sure they were competitive, Yes, I know, I know. 205 00:11:10,240 --> 00:11:13,720 Speaker 1: I'm sure they were very fairly priced. I'm sure they're 206 00:11:13,720 --> 00:11:17,360 Speaker 1: like Taylor Swift price. No, no, they were, they were. 207 00:11:17,679 --> 00:11:22,160 Speaker 1: They are fifteen fifteen fifteen bucks A see, well, Olympia, 208 00:11:22,280 --> 00:11:24,480 Speaker 1: have so much fun at Radio City tonight, and don't 209 00:11:24,520 --> 00:11:27,599 Speaker 1: forget to sing along every word? You know every word? Right? 210 00:11:27,400 --> 00:11:31,240 Speaker 1: I oh absolutely, that makes them feel good. All right, Olympia, 211 00:11:31,280 --> 00:11:32,839 Speaker 1: thank you. I have someone on the phone now. There 212 00:11:32,920 --> 00:11:37,480 Speaker 1: is someone missing, Danielle. Danielle could not make it. She's 213 00:11:37,520 --> 00:11:42,160 Speaker 1: on vacation celebrating her fiftieth birthday in Bermuda. Well that's nice, 214 00:11:42,240 --> 00:11:45,160 Speaker 1: isn't it. I know she really could not care less 215 00:11:45,200 --> 00:11:47,559 Speaker 1: about you, me or anyone else in this room. So 216 00:11:47,600 --> 00:11:49,280 Speaker 1: somehow we ended up getting her on the phone. Week 217 00:11:49,880 --> 00:11:54,520 Speaker 1: We woke her up and Bermude it Hello, Hello, good morning. 218 00:11:54,920 --> 00:12:01,320 Speaker 1: There you are. Hello, Danielle. You slack her? What's going on? 219 00:12:01,600 --> 00:12:03,880 Speaker 1: I want you to know I was the first one 220 00:12:03,920 --> 00:12:06,480 Speaker 1: to see your documentary and come in the room and 221 00:12:06,559 --> 00:12:09,840 Speaker 1: say how fantastic it was. Well, that's all well and good, 222 00:12:09,880 --> 00:12:12,360 Speaker 1: but you're nowhere to be seen. We're sitting here looking 223 00:12:12,360 --> 00:12:17,840 Speaker 1: at an empty chair. I despair, Danyelle, how are you house? Bermuda? 224 00:12:18,559 --> 00:12:22,120 Speaker 1: It's absolutely gorgeous. It's I mean, I've never seen water 225 00:12:22,160 --> 00:12:25,319 Speaker 1: this blue. It is insane incredible, and the crime rate 226 00:12:25,400 --> 00:12:27,240 Speaker 1: is so fantastic. I think we all need to move 227 00:12:27,280 --> 00:12:29,440 Speaker 1: here because there's nothing going on. It's great. Which do 228 00:12:29,480 --> 00:12:33,040 Speaker 1: we move it? That's not usually something when you have 229 00:12:33,200 --> 00:12:36,120 Speaker 1: going vacation, you go, you know, as beautiful as stunning 230 00:12:36,120 --> 00:12:40,160 Speaker 1: and there's no crime. No, that's not usually something I 231 00:12:40,200 --> 00:12:43,040 Speaker 1: look for my vacation spots. But hey, if it's bringing 232 00:12:43,040 --> 00:12:46,640 Speaker 1: you happiness, Danyelle, it's you sound You sound well rested, 233 00:12:47,240 --> 00:12:50,120 Speaker 1: You sound like you're having a great time. She's fifty 234 00:12:50,160 --> 00:12:53,679 Speaker 1: years old, now you're fifty. Well, she could be your mother. Yeah, 235 00:12:53,720 --> 00:12:56,520 Speaker 1: you could be my mother, Danyelle. And that's lesson. Hey, 236 00:12:57,280 --> 00:13:01,559 Speaker 1: you could be my mummy. That sounds weird when I said, 237 00:13:01,760 --> 00:13:04,320 Speaker 1: she says she found out your coming in Daniel found 238 00:13:04,320 --> 00:13:05,600 Speaker 1: out your coming in the week she's off and she 239 00:13:05,640 --> 00:13:08,319 Speaker 1: got really mad at me. She says, I'm to blame 240 00:13:08,400 --> 00:13:11,439 Speaker 1: that you scheduled Radio City during her vacation. Yeah, as 241 00:13:11,480 --> 00:13:14,160 Speaker 1: actually all the Elvis's fault so I agree with you, Danielle, 242 00:13:14,160 --> 00:13:17,199 Speaker 1: but listen you you enjoy that holiday that you're having 243 00:13:17,200 --> 00:13:19,800 Speaker 1: over there, and we'll all get back to doing real 244 00:13:19,880 --> 00:13:23,760 Speaker 1: work here. And Elvis, you're right in the morning. Shoot, 245 00:13:23,800 --> 00:13:28,559 Speaker 1: what are you doing? And who's worth whatever you do? 246 00:13:28,559 --> 00:13:31,760 Speaker 1: Do not do not get a show? Yeah, all right, Danielle, 247 00:13:31,760 --> 00:13:34,240 Speaker 1: we love you. Anything else you want to say to 248 00:13:34,320 --> 00:13:40,640 Speaker 1: Lewis here? Are you all right? Okay? Joy? Hello? Yes, 249 00:13:41,200 --> 00:13:44,680 Speaker 1: Oh you're fantastic kick ass tonight. Wish I could be 250 00:13:44,679 --> 00:13:46,840 Speaker 1: there to see you. And next time, don't schedule this 251 00:13:46,880 --> 00:13:49,680 Speaker 1: crap when I'm not there. Thank you? Okay, thank you, Danielle. 252 00:13:49,760 --> 00:13:52,440 Speaker 1: I love you so much. I'll mess you and until 253 00:13:52,600 --> 00:13:56,000 Speaker 1: next time. This has been elvish you never mind. Let's 254 00:13:56,000 --> 00:13:59,000 Speaker 1: just Danielle, thank you, Danielle. Yeah, what is this? You're 255 00:13:59,040 --> 00:14:01,040 Speaker 1: listening Elvis? Dr in the More show? Who's with you? 256 00:14:01,240 --> 00:14:05,640 Speaker 1: What are you doing? And who's with you? Scotland? Just 257 00:14:05,840 --> 00:14:07,320 Speaker 1: I just thought that was kind of like the vibe 258 00:14:07,320 --> 00:14:10,000 Speaker 1: on radio and people go a yem lewis you know 259 00:14:10,080 --> 00:14:12,280 Speaker 1: I am Scottish? Yes? And I never go back to 260 00:14:12,320 --> 00:14:14,840 Speaker 1: my motherland? Is there anything I should be? Should I 261 00:14:14,880 --> 00:14:17,400 Speaker 1: go back? Should I go Should I be drinking in 262 00:14:17,400 --> 00:14:20,760 Speaker 1: a place called the Slaughtered Lamb. You should go. You 263 00:14:20,800 --> 00:14:23,720 Speaker 1: should go to Glasgow, right, and there's these I don't 264 00:14:23,720 --> 00:14:25,320 Speaker 1: know if you have them here. You probably do these 265 00:14:25,360 --> 00:14:28,680 Speaker 1: trampoline worlds. No. Yeah, it's just like you kind of 266 00:14:28,680 --> 00:14:31,280 Speaker 1: They just a full big it's like a big warehouse 267 00:14:31,680 --> 00:14:36,080 Speaker 1: and there's trampoline's all in them. Why. I don't know. Okay, 268 00:14:36,200 --> 00:14:37,360 Speaker 1: I don't know. I don't know. I don't know. You 269 00:14:37,400 --> 00:14:39,880 Speaker 1: were going to back back up with more questions, Elvis, 270 00:14:40,200 --> 00:14:42,120 Speaker 1: you ask for suggestions. I'm answering. I have to wear 271 00:14:42,200 --> 00:14:44,520 Speaker 1: sports brought No. Yeah, yeah, but you can bounce around 272 00:14:44,520 --> 00:14:47,040 Speaker 1: in there. There's like a foam pet. There lots of 273 00:14:47,120 --> 00:14:49,880 Speaker 1: kids running around and you can just and it's okay 274 00:14:50,000 --> 00:14:54,240 Speaker 1: to like Scotland's. You'll have to go back to Scotland 275 00:14:54,240 --> 00:14:57,920 Speaker 1: because you're a lord in Scotland. Yes, I'm a lord. Yeah, 276 00:14:58,000 --> 00:15:00,960 Speaker 1: my lord to me, Lord, my lord? Do there you go? Yeah, 277 00:15:00,960 --> 00:15:03,280 Speaker 1: we spoken about that. I heard a rumor that you're 278 00:15:03,320 --> 00:15:08,120 Speaker 1: all about the Vanderpump's Rule Rules scandal. Vander Pump's Rules scandal. 279 00:15:08,520 --> 00:15:13,200 Speaker 1: Is that not true? Is that the scandal? Oh Andrew? Okay, yeah, 280 00:15:13,240 --> 00:15:15,640 Speaker 1: the scandal ball? What's that Okay, what is that? Explain? 281 00:15:16,200 --> 00:15:18,640 Speaker 1: Why is why is someone giving us questions asked that 282 00:15:18,720 --> 00:15:21,200 Speaker 1: aren't based on reality? I don't know why is it? 283 00:15:21,200 --> 00:15:25,720 Speaker 1: Please tell me American? It's an American reality show. And okay, 284 00:15:26,040 --> 00:15:30,280 Speaker 1: where's Andrew come in here? Let's fire him? Like, well, 285 00:15:30,760 --> 00:15:33,520 Speaker 1: I really wanted to be into that. Um no, you don't. 286 00:15:33,920 --> 00:15:36,800 Speaker 1: We basically somebody who cheated on somebody with somebody else, 287 00:15:36,840 --> 00:15:38,800 Speaker 1: and now there's like a whole affair going on. Here 288 00:15:38,800 --> 00:15:43,480 Speaker 1: comes Andrew Andrew. Hit hit the tip. Andrew, why did 289 00:15:43,520 --> 00:15:46,120 Speaker 1: you ask us to ask Lewis Capaldi about Vanderpump Rules 290 00:15:46,120 --> 00:15:47,440 Speaker 1: when he has no idea what it is? Well, the 291 00:15:47,480 --> 00:15:50,840 Speaker 1: only thing I was just mentioning was what trashy reality 292 00:15:50,880 --> 00:15:55,400 Speaker 1: shows do you watch? Towards? I didn't have time, and 293 00:15:55,480 --> 00:15:57,920 Speaker 1: I just know scandavalls in the news, and I just 294 00:15:57,960 --> 00:16:01,720 Speaker 1: figured ask him about It's not your fault. I love Island, 295 00:16:01,920 --> 00:16:04,840 Speaker 1: Love Island, Love Island. I did like love. I watched 296 00:16:04,840 --> 00:16:06,760 Speaker 1: Love Island for a few years and then my ex 297 00:16:06,840 --> 00:16:08,680 Speaker 1: went on it. Have I spoken about this before? Yeah, 298 00:16:08,720 --> 00:16:10,760 Speaker 1: my X was on it and then I have stopped 299 00:16:10,800 --> 00:16:13,480 Speaker 1: watching it ever since. I don't blame you, but not 300 00:16:13,520 --> 00:16:15,240 Speaker 1: because it's kind of as good though. It as good 301 00:16:15,240 --> 00:16:17,600 Speaker 1: does A lady presents it in the UK called Myajamas. 302 00:16:17,640 --> 00:16:20,360 Speaker 1: She's really cool. I like her, but yeah, I do 303 00:16:20,440 --> 00:16:22,880 Speaker 1: love Love Island. My one just now his Love is Blind. 304 00:16:23,320 --> 00:16:25,640 Speaker 1: Oh my god, I'm just talking about it. I'm huge 305 00:16:25,880 --> 00:16:28,600 Speaker 1: season four. I'm going I'm gonna watch it, watching it. 306 00:16:28,640 --> 00:16:31,160 Speaker 1: It's meant. This one's like the best one I think 307 00:16:31,320 --> 00:16:33,520 Speaker 1: that I've seen for sure. And the Union this year 308 00:16:33,600 --> 00:16:36,400 Speaker 1: is gonna be live, so you're gonna get to see all. Yes, yeah, 309 00:16:36,440 --> 00:16:38,680 Speaker 1: that's huge. Go down, Diamond. You hear that he loves 310 00:16:38,720 --> 00:16:41,400 Speaker 1: Love is Blind? Come on, That's what I'm talking says 311 00:16:41,400 --> 00:16:44,560 Speaker 1: the Senior Show. I was a bit disappointed that it 312 00:16:44,680 --> 00:16:47,640 Speaker 1: wasn't about visually impaired people falling in love, you know, 313 00:16:48,120 --> 00:16:51,000 Speaker 1: because that is also a show I would really enjoy watching. 314 00:16:51,000 --> 00:16:55,200 Speaker 1: It was false advertising. That's false advertising. Not one person's blind, 315 00:16:55,840 --> 00:16:58,800 Speaker 1: not one of them. Now you ruined it, you spoiled it. 316 00:16:58,880 --> 00:17:02,440 Speaker 1: Well spoiler, I'm America. You to that point. It is 317 00:17:02,480 --> 00:17:05,560 Speaker 1: kind of nonsense because everybody on the show is attractive. Yes, 318 00:17:05,680 --> 00:17:08,600 Speaker 1: so it's not like they have misfits or you know, yeah, 319 00:17:08,640 --> 00:17:12,760 Speaker 1: you really want someone to come in who's like, hmm, 320 00:17:12,920 --> 00:17:17,360 Speaker 1: I'm going to stop there. Yeah, you want some muggles 321 00:17:17,400 --> 00:17:19,800 Speaker 1: on there, you want some ugly people on there? I want, 322 00:17:19,960 --> 00:17:22,200 Speaker 1: I want. I want people to be so let down, 323 00:17:22,400 --> 00:17:24,240 Speaker 1: you know how they do the meeting? Yes, I want 324 00:17:24,200 --> 00:17:26,399 Speaker 1: people hold on, I gotta hit the dump button again. Ye. 325 00:17:26,560 --> 00:17:29,440 Speaker 1: Well for what I think you said the F word? No, 326 00:17:29,560 --> 00:17:34,320 Speaker 1: I didn't. I didn't swear. It's good though, because it 327 00:17:34,440 --> 00:17:36,640 Speaker 1: make you feel so if you're only yes, if you're 328 00:17:36,640 --> 00:17:39,600 Speaker 1: on the air in Scotland, can you say the F word? No, 329 00:17:39,640 --> 00:17:42,200 Speaker 1: not at all. I think it's Look, it's it's early 330 00:17:42,400 --> 00:17:46,800 Speaker 1: in the morning, it's New York City, baby, what you're doing, 331 00:17:47,800 --> 00:17:51,440 Speaker 1: who you're with? Yeah? And yeah, no, I think, oh, 332 00:17:51,480 --> 00:17:54,480 Speaker 1: just again, I just feel so comfortable. Things keeps. Things 333 00:17:54,520 --> 00:17:57,240 Speaker 1: just slip out of me when I think that's why 334 00:17:57,280 --> 00:18:01,480 Speaker 1: we should be in the bathroom. Let's get to the music. Yes, 335 00:18:02,160 --> 00:18:05,560 Speaker 1: how I'm feeling now, of course is the documentary. Let's 336 00:18:05,560 --> 00:18:08,080 Speaker 1: get to the music. Yeah. Now, this album that you 337 00:18:08,160 --> 00:18:11,639 Speaker 1: wrote in the in the behind your mom and dad's house. Yes, 338 00:18:11,920 --> 00:18:14,280 Speaker 1: it's a nice hut. It looks like No, it's not 339 00:18:14,280 --> 00:18:16,359 Speaker 1: a it's definitely it's not like a chicken. It's got 340 00:18:16,480 --> 00:18:21,439 Speaker 1: radiators and windows. That's all you need, the dough. So 341 00:18:22,080 --> 00:18:24,560 Speaker 1: what's next musically for you? I know this is a 342 00:18:24,640 --> 00:18:29,399 Speaker 1: kind of when important like music interview question, but lasting, guys, 343 00:18:29,520 --> 00:18:34,200 Speaker 1: I'm gonna I'm gonna dump out another album. Okay, I'm 344 00:18:34,200 --> 00:18:36,000 Speaker 1: gonna do it. Yeah, dump it out? You know how 345 00:18:36,000 --> 00:18:39,000 Speaker 1: it is like at this point, there's so much music 346 00:18:39,040 --> 00:18:43,199 Speaker 1: out there. I'm just adding to a dumpster fire right now. 347 00:18:43,240 --> 00:18:45,560 Speaker 1: So I'm just gonna dump it out. People are going 348 00:18:45,600 --> 00:18:47,440 Speaker 1: to either like it or not like it. I hope 349 00:18:47,480 --> 00:18:50,880 Speaker 1: they enjoy it because if they don't enjoy it, I 350 00:18:51,040 --> 00:18:54,560 Speaker 1: need to find another job. So that as i'd worry, 351 00:18:54,560 --> 00:18:57,840 Speaker 1: I have. But it's an album, a song. It's me 352 00:18:57,960 --> 00:19:04,520 Speaker 1: whining about stuff, my heartbreak, yes, my head my you know, 353 00:19:04,640 --> 00:19:09,080 Speaker 1: ever expanding waistline and this song. This is an album 354 00:19:09,520 --> 00:19:11,520 Speaker 1: that I hope people enjoy it. I'm going to put out. 355 00:19:11,640 --> 00:19:16,159 Speaker 1: It sounds exactly like the last one. Hey, the last work, 356 00:19:16,200 --> 00:19:18,280 Speaker 1: didn't it exactly? I'm not going to lie to you all. 357 00:19:18,359 --> 00:19:21,200 Speaker 1: It sounds exactly like the last one, and I think 358 00:19:21,240 --> 00:19:24,399 Speaker 1: it's all the better for it. You know, isn't it 359 00:19:24,440 --> 00:19:26,600 Speaker 1: therapeutic though? To dump this album and get you know, 360 00:19:26,680 --> 00:19:29,240 Speaker 1: get it out of your belt. No the album. Yes, yes, 361 00:19:29,320 --> 00:19:31,920 Speaker 1: I feel like I'm I'm all backed up. Yeah, I'm 362 00:19:31,960 --> 00:19:34,959 Speaker 1: clogged up, I'm bloated, and I need to squeeze an 363 00:19:35,000 --> 00:19:39,200 Speaker 1: album out of my orifice. Are you get to talk 364 00:19:39,200 --> 00:19:41,120 Speaker 1: about all these things that are on your mind and 365 00:19:41,160 --> 00:19:45,200 Speaker 1: put them to music and make it Yes, lovely, that's good. Yeah, Yeah, 366 00:19:45,240 --> 00:19:48,360 Speaker 1: I get to squeeze out a nice consumable chunk for people. Yeah. 367 00:19:49,840 --> 00:19:54,480 Speaker 1: Album's great. The album's great. It's lovely. It's fun. It's 368 00:19:54,520 --> 00:19:57,800 Speaker 1: not fun, it's quite another depressing expect Listen, guys, if 369 00:19:57,800 --> 00:20:00,160 Speaker 1: do you like waking up and putting on some when 370 00:20:00,160 --> 00:20:03,080 Speaker 1: it makes you feel sad, me too. Enjoy this album. 371 00:20:04,080 --> 00:20:06,600 Speaker 1: But you know, I know, like all jokes aside because 372 00:20:06,600 --> 00:20:08,920 Speaker 1: it is hilarious. I think it's great that you are 373 00:20:08,960 --> 00:20:11,280 Speaker 1: doing these things and talking about these things because you 374 00:20:11,720 --> 00:20:13,480 Speaker 1: come across as one of the happiest people. We always 375 00:20:13,520 --> 00:20:15,520 Speaker 1: love having you in here because you're always laughing. But 376 00:20:15,600 --> 00:20:18,919 Speaker 1: obviously there's something else going on with you behind the scenes, 377 00:20:19,280 --> 00:20:21,119 Speaker 1: and I think it's important to share that with people 378 00:20:21,240 --> 00:20:23,960 Speaker 1: because it makes them feel okay too. Yeah, I'm glad 379 00:20:24,000 --> 00:20:26,119 Speaker 1: I can use this platform. Thank you for bringing up. 380 00:20:26,160 --> 00:20:30,000 Speaker 1: I have herpes, and I would really like to put no, no, 381 00:20:30,119 --> 00:20:35,120 Speaker 1: I do have yeah anxiety, I have Tourette's, So yeah, 382 00:20:35,160 --> 00:20:36,800 Speaker 1: I do have all these things going on. I think 383 00:20:37,359 --> 00:20:41,040 Speaker 1: people always said this is a serious answer. People always said, oh, 384 00:20:41,080 --> 00:20:43,919 Speaker 1: like you really like silly and funny and then your 385 00:20:44,000 --> 00:20:47,600 Speaker 1: music's really sad. And I think this album and this 386 00:20:48,040 --> 00:20:52,480 Speaker 1: film that we've just put out really brings the two together, 387 00:20:52,720 --> 00:20:54,520 Speaker 1: do you know what I mean? And you really see 388 00:20:54,600 --> 00:20:56,800 Speaker 1: the sort of I guess the end between because I 389 00:20:56,800 --> 00:20:59,240 Speaker 1: guess it is pretty jarring just hearing the songs and 390 00:20:59,280 --> 00:21:03,280 Speaker 1: then seeing me talk about you know, a Goldie Goldilocks 391 00:21:03,440 --> 00:21:07,520 Speaker 1: poos and the lavatory and I think, yeah, that's you 392 00:21:07,560 --> 00:21:10,320 Speaker 1: could have see the sort of the bridge of that 393 00:21:10,359 --> 00:21:13,520 Speaker 1: gap between those two things. May I just from the heart, yes, 394 00:21:13,680 --> 00:21:16,240 Speaker 1: saying having you here and just knowing you were coming 395 00:21:16,240 --> 00:21:18,920 Speaker 1: in today has just it's nice to know that you're 396 00:21:18,920 --> 00:21:21,680 Speaker 1: coming in. You know, we actually I went through we 397 00:21:21,840 --> 00:21:24,359 Speaker 1: all get through bad days, crappy days, whatever. Knowing you 398 00:21:24,400 --> 00:21:25,960 Speaker 1: were coming today was great. And I'll tell you why. 399 00:21:26,160 --> 00:21:29,439 Speaker 1: We interview a lot of people, but Lewis you always 400 00:21:29,480 --> 00:21:32,320 Speaker 1: always through all the fun, through all the fun, the 401 00:21:32,320 --> 00:21:35,879 Speaker 1: filter of fun you always give us real Lewis Capaldi. 402 00:21:36,200 --> 00:21:38,600 Speaker 1: You were always very genuine with us and we always 403 00:21:38,640 --> 00:21:41,160 Speaker 1: just have a great time with you where I forget 404 00:21:41,200 --> 00:21:43,600 Speaker 1: we have these microphones here and you do too. That's 405 00:21:43,600 --> 00:21:47,719 Speaker 1: why you say the f work. Yeah one time we 406 00:21:47,760 --> 00:21:49,359 Speaker 1: had we haded it twice. No, you gave me the 407 00:21:49,480 --> 00:21:54,160 Speaker 1: s the brown word earlier. But understand that you you 408 00:21:54,240 --> 00:21:56,119 Speaker 1: are we we're just getting to know each other, all 409 00:21:56,119 --> 00:21:58,840 Speaker 1: of us, but we we love you and you always 410 00:21:58,880 --> 00:22:00,720 Speaker 1: have a place at this table. Thank you, guys. I 411 00:22:00,760 --> 00:22:03,439 Speaker 1: really appreciate it. And it's yeah, like I genuinely mean 412 00:22:03,520 --> 00:22:07,440 Speaker 1: it that I feel I feel chilled when I come 413 00:22:07,440 --> 00:22:09,080 Speaker 1: in here. That's not you can't see the same for 414 00:22:09,560 --> 00:22:12,960 Speaker 1: going into a lot of different either radio stations, TV 415 00:22:13,240 --> 00:22:15,600 Speaker 1: studios or whatever. So it feels good and it's always 416 00:22:15,600 --> 00:22:18,640 Speaker 1: needs to come back. And yeah, thank you for having 417 00:22:18,880 --> 00:22:22,080 Speaker 1: love you text messages, welcome back, Louis Capaldi. You feel 418 00:22:22,119 --> 00:22:24,040 Speaker 1: like one of the family. Love your music and your spirit. 419 00:22:24,119 --> 00:22:27,080 Speaker 1: This is turning my crappy day around less and thank 420 00:22:27,119 --> 00:22:30,320 Speaker 1: you very much. I hope your crappy day gets worse 421 00:22:30,440 --> 00:22:32,600 Speaker 1: for a bit just so you can really insert in 422 00:22:32,680 --> 00:22:34,800 Speaker 1: it and then gets better so that you can really. 423 00:22:35,040 --> 00:22:36,679 Speaker 1: I wanted to get worse before it gets better, so 424 00:22:36,720 --> 00:22:40,400 Speaker 1: you can really enjoy the better. Okay, you can't enjoy 425 00:22:40,440 --> 00:22:42,280 Speaker 1: the sunshine less you have some rain. Yeah, you can't 426 00:22:42,400 --> 00:22:47,560 Speaker 1: enjoy this this sun unless you see the Yeah, exactly 427 00:22:48,840 --> 00:22:51,919 Speaker 1: the brown in this great text. I love that you 428 00:22:51,960 --> 00:22:55,639 Speaker 1: have Susan Boyle on your show today. Oh yes, Me 429 00:22:55,760 --> 00:22:59,399 Speaker 1: and Susan Boyle had the same hairdresser for quite a 430 00:22:59,480 --> 00:23:03,000 Speaker 1: last peer my life names Caroline Boyle. She as serious. 431 00:23:03,080 --> 00:23:06,800 Speaker 1: I swear to the Lord, our God, strike me down 432 00:23:06,840 --> 00:23:09,679 Speaker 1: if I am lying. She is called Carlie Boyle and 433 00:23:09,720 --> 00:23:11,560 Speaker 1: she still cut my hair sometimes when I go home, 434 00:23:11,720 --> 00:23:14,520 Speaker 1: which she could probably you've probably noticed that actually that 435 00:23:15,119 --> 00:23:19,600 Speaker 1: me and Susan similar trim. But we went to the 436 00:23:19,640 --> 00:23:22,119 Speaker 1: same school. She wasn't boiling as well at different times. 437 00:23:22,240 --> 00:23:26,480 Speaker 1: Obviously she's like seventy something and I'm young, But yeah, 438 00:23:26,480 --> 00:23:28,680 Speaker 1: we went to the same school and everything. What did 439 00:23:28,680 --> 00:23:31,840 Speaker 1: you feel when you received an email from Elton John 440 00:23:31,960 --> 00:23:35,040 Speaker 1: about your music? I was like, oh, not this guy again. 441 00:23:37,400 --> 00:23:40,080 Speaker 1: I was like, trash I'm doing? Does it? He does it? 442 00:23:40,200 --> 00:23:43,360 Speaker 1: He loves to connect with musicians, he appreciates. Yes, he's 443 00:23:43,400 --> 00:23:45,920 Speaker 1: been very lovely to me. I've been to his house 444 00:23:45,920 --> 00:23:49,399 Speaker 1: and had lunch it was at a few times and 445 00:23:49,440 --> 00:23:53,240 Speaker 1: he's been Yeah, he's been very a supportive, a supportive person. 446 00:23:53,280 --> 00:23:55,720 Speaker 1: I something to have him in your corner. It's weird 447 00:23:55,720 --> 00:23:59,600 Speaker 1: when when I see him this conversations about my like, oh, so, 448 00:23:59,680 --> 00:24:02,240 Speaker 1: what's your single or your album going to be? Like 449 00:24:02,359 --> 00:24:06,040 Speaker 1: does you criticize? Yeah, it gives you critique and all 450 00:24:06,040 --> 00:24:09,919 Speaker 1: the rest of it. But he's quite It's very You 451 00:24:10,000 --> 00:24:11,919 Speaker 1: get so say I'm there for like six our so 452 00:24:12,000 --> 00:24:14,919 Speaker 1: having lunch or whatever. It's a long lunch. We go 453 00:24:14,960 --> 00:24:16,480 Speaker 1: in and maybe for like the first half an hour 454 00:24:16,520 --> 00:24:17,920 Speaker 1: you talk about lunch and then the rest of that 455 00:24:18,400 --> 00:24:20,640 Speaker 1: and talk about music and the rest of it. He's 456 00:24:20,640 --> 00:24:23,680 Speaker 1: asking how you are and how you're dealing with things. Right, Yeah, 457 00:24:23,680 --> 00:24:26,280 Speaker 1: it's it's it's really it's really nice. Oh, speaking of 458 00:24:26,400 --> 00:24:28,920 Speaker 1: how you're doing, you were telling us last time that 459 00:24:28,960 --> 00:24:31,400 Speaker 1: you made a bad real estate investment because of Ed Shearing, 460 00:24:32,800 --> 00:24:35,240 Speaker 1: like a bad house. It stunk the house. Let's put 461 00:24:35,240 --> 00:24:38,640 Speaker 1: it this way. If this album doesn't go well, I've 462 00:24:38,640 --> 00:24:41,800 Speaker 1: got a real issue on my hands. I saw it 463 00:24:42,000 --> 00:24:43,400 Speaker 1: d on your show seeing him was going to buy 464 00:24:43,400 --> 00:24:46,520 Speaker 1: it off me. Right, I've been chasing that man on email. Nothing, 465 00:24:46,640 --> 00:24:50,200 Speaker 1: I haven't seen him since. No, he's um so Yeah, 466 00:24:50,480 --> 00:24:54,679 Speaker 1: that house is now a shell. It's just an absolute 467 00:24:55,080 --> 00:24:57,880 Speaker 1: I've ripped it all out and like I've realized though, 468 00:24:57,920 --> 00:24:59,640 Speaker 1: this is going to be quite You're going to turn 469 00:24:59,680 --> 00:25:04,199 Speaker 1: it into palace, be fantastic right now. A squaller and 470 00:25:04,320 --> 00:25:07,600 Speaker 1: I Squallers five. We keep on finding build us and 471 00:25:07,640 --> 00:25:09,720 Speaker 1: then they keep on being like, nah, not for us. 472 00:25:09,720 --> 00:25:13,359 Speaker 1: So like I'm hot, people are turning me down to 473 00:25:13,480 --> 00:25:15,400 Speaker 1: I'm I'm offering to pay the money and they're like, nah, 474 00:25:15,480 --> 00:25:17,680 Speaker 1: not for us, that's not the one. So and so. Yeah, 475 00:25:17,960 --> 00:25:23,040 Speaker 1: Ed has still burdened my life to an incredible degree. 476 00:25:23,359 --> 00:25:25,199 Speaker 1: Go back to the Elton John thing. Remember do you? 477 00:25:25,359 --> 00:25:28,000 Speaker 1: Did you hear the story about Elton John and Charlie Pooth. No, 478 00:25:29,600 --> 00:25:33,040 Speaker 1: Charlie Pooth was in a out in La one one 479 00:25:33,080 --> 00:25:34,840 Speaker 1: day and Elton John walked in to get a coffee 480 00:25:34,880 --> 00:25:36,159 Speaker 1: or whatever, and he said, I want to talk to you. 481 00:25:36,280 --> 00:25:38,840 Speaker 1: Ellen John walked in somewhere to get coffee. Well, I 482 00:25:38,880 --> 00:25:41,040 Speaker 1: don't know, this is Charlie. This is a Charlie's version. 483 00:25:41,440 --> 00:25:45,040 Speaker 1: But Charlie had just released an album Yea and Elton 484 00:25:45,560 --> 00:25:47,600 Speaker 1: told him this is crap. He said, this is crap. 485 00:25:47,640 --> 00:25:51,480 Speaker 1: This is and Charlie pulled it up. He pulled it, 486 00:25:51,480 --> 00:25:54,720 Speaker 1: he pulled the album off. Yeah, wow, true story lesson. 487 00:25:54,960 --> 00:25:56,800 Speaker 1: I said it was all crap, and I said, we 488 00:25:56,840 --> 00:25:59,760 Speaker 1: usually put an album out called Charlie's Worst Hits or 489 00:25:59,760 --> 00:26:07,760 Speaker 1: so Charlie's Charlie's that's what. Okay, Yes, Charlie's Charlie's. Yeah, 490 00:26:07,880 --> 00:26:16,159 Speaker 1: Charlie's boss pitts, Charlie's Charlie's puffs that doing a rain 491 00:26:16,200 --> 00:26:19,080 Speaker 1: over in review of it has been Louis probably whispering 492 00:26:19,160 --> 00:26:27,280 Speaker 1: him out. Ear Charlie Puffs Greatest Greatest Hits with ant yes, 493 00:26:27,480 --> 00:26:30,600 Speaker 1: do you get it? I love it? Okay, that's a 494 00:26:30,680 --> 00:26:34,840 Speaker 1: classic and another classic eyebrow joke from me. I gotta 495 00:26:34,920 --> 00:26:37,359 Speaker 1: let him know. Yeah, but that's that sounds like Ellen 496 00:26:37,440 --> 00:26:39,320 Speaker 1: to me. Do you know what that was weird about? 497 00:26:39,359 --> 00:26:40,880 Speaker 1: When I went to see it on the first time, 498 00:26:41,240 --> 00:26:44,879 Speaker 1: I rang his doorbell and this was a niece in France. 499 00:26:45,680 --> 00:26:48,160 Speaker 1: I'm sure people know that he loves it. Was in France, 500 00:26:48,520 --> 00:26:54,320 Speaker 1: that's live. So he was like it was that's addressed, 501 00:26:54,320 --> 00:26:56,320 Speaker 1: and so I buzzed the door and I'm like, right, okay, 502 00:26:56,520 --> 00:26:58,240 Speaker 1: get yourself, because I got picked up from the airport 503 00:26:58,240 --> 00:27:01,560 Speaker 1: by one of his people and then we got driven 504 00:27:01,640 --> 00:27:03,000 Speaker 1: to the airport and I'm like, okay, heret me go, 505 00:27:03,680 --> 00:27:06,000 Speaker 1: and I'm nervous and whatever is Ellen John's house and 506 00:27:06,119 --> 00:27:09,439 Speaker 1: his lovely sprawling hills? Oh yeah? And I buzzed the 507 00:27:09,480 --> 00:27:13,000 Speaker 1: door and Elton John answers the door, his own door. Yeah, 508 00:27:13,000 --> 00:27:16,159 Speaker 1: Like that's not that's not right. I'm like, why are 509 00:27:16,160 --> 00:27:18,920 Speaker 1: you answering this door? And it really took me by surprise, 510 00:27:19,280 --> 00:27:21,760 Speaker 1: but um but yeah, it was so it was so bizarre. 511 00:27:21,760 --> 00:27:25,159 Speaker 1: I can't believe it. So there you go, the breaking news. 512 00:27:25,600 --> 00:27:28,639 Speaker 1: Elton John answers his own door. Love like us. I 513 00:27:28,640 --> 00:27:32,400 Speaker 1: can't wait. Next time I'm in Nice, I'm gonna ring 514 00:27:32,440 --> 00:27:36,040 Speaker 1: it and run. Hope that hope that's him? Like common 515 00:27:36,119 --> 00:27:40,840 Speaker 1: knowledge they oh yeah he has. I must assume Elton's 516 00:27:40,880 --> 00:27:42,720 Speaker 1: on is a house in every city in America and 517 00:27:42,880 --> 00:27:46,000 Speaker 1: around the world. Yes, exactly. I gotta play some Lewis 518 00:27:46,040 --> 00:27:49,200 Speaker 1: Capaldi music for you. Of course. It's interesting that the 519 00:27:49,200 --> 00:27:53,760 Speaker 1: title of the documentary is how I'm Feeling Now, and 520 00:27:53,840 --> 00:27:56,720 Speaker 1: the song I'm about to play is how I'm Feeling Now. 521 00:27:57,040 --> 00:27:59,679 Speaker 1: It's Kismett, But you do have a new single on 522 00:27:59,720 --> 00:28:02,600 Speaker 1: the way. What did they sing on her next? Next Friday, 523 00:28:02,760 --> 00:28:05,440 Speaker 1: fourteenth of April. That's an exclusive. Are you singing that 524 00:28:05,520 --> 00:28:08,160 Speaker 1: tonight at Radio City? I'll be singing it. I'm sing 525 00:28:08,160 --> 00:28:11,440 Speaker 1: it the other night and Washington, DC. And I was like, 526 00:28:11,520 --> 00:28:13,480 Speaker 1: guys in a single, it's really important to me. I 527 00:28:13,480 --> 00:28:16,280 Speaker 1: hope you guys love it, and it's yeah, I'm just 528 00:28:16,280 --> 00:28:18,320 Speaker 1: I'm in a narrative putting out blah blah blah. And 529 00:28:18,359 --> 00:28:20,159 Speaker 1: I started playing it and I saw a girl in 530 00:28:20,200 --> 00:28:24,080 Speaker 1: the front row yawning during it. It was it was 531 00:28:24,320 --> 00:28:26,640 Speaker 1: does not bode well for me? Did you call her out? 532 00:28:26,720 --> 00:28:28,360 Speaker 1: I dad have said, what are you doing? Her name 533 00:28:28,400 --> 00:28:32,720 Speaker 1: is Katarina and she's banned from attending all future showing 534 00:28:32,800 --> 00:28:37,960 Speaker 1: Good Katina Schmatter Arena. So if you're lucky enough to 535 00:28:37,960 --> 00:28:41,520 Speaker 1: be at Radio City tonight to see Luis Capaldi, he's 536 00:28:41,560 --> 00:28:44,800 Speaker 1: gonna sing this song. Do not yawn, staple your lips together, yeah, 537 00:28:44,920 --> 00:28:48,800 Speaker 1: keep it, keep your bloody mouth closed exactly in this. 538 00:28:48,960 --> 00:28:51,920 Speaker 1: I've never heard him say that to a woman. Yeah. 539 00:28:51,960 --> 00:28:55,840 Speaker 1: And the full album May nineteenth. It's all gonna drop, 540 00:28:56,040 --> 00:28:58,239 Speaker 1: it's all gonna come right, out at me, and I 541 00:28:58,280 --> 00:29:02,200 Speaker 1: can finally rest, I can finally feel free, I can 542 00:29:02,240 --> 00:29:04,680 Speaker 1: finally feel loose, I can let go. I can just 543 00:29:04,800 --> 00:29:07,680 Speaker 1: drop all this stuff like a cow in the field. 544 00:29:07,680 --> 00:29:10,600 Speaker 1: You're just walking it. Yeah, just keep coming. And it 545 00:29:10,840 --> 00:29:13,920 Speaker 1: is gonna smell, baby, It is gonna stink up those charts. 546 00:29:14,080 --> 00:29:18,200 Speaker 1: I can't wait. Thank you, well, thank you Lewis for 547 00:29:18,280 --> 00:29:21,200 Speaker 1: spending your time with us. Thank you and uh, of 548 00:29:21,240 --> 00:29:23,640 Speaker 1: course give him the name of the show. In the outro, 549 00:29:24,160 --> 00:29:27,160 Speaker 1: ladies and gentlemen, as Lewis Capaldi here as Elvis Shore 550 00:29:27,200 --> 00:29:29,760 Speaker 1: out in the Morning Show New York, What are you doing? 551 00:29:29,840 --> 00:29:35,080 Speaker 1: And who's with you? We love you, love you have 552 00:29:35,120 --> 00:29:37,920 Speaker 1: a great shout. Listen to Will You Forgive