WEBVTT - We should do it again. (S4 E21 "Last Week Fights, This Week Tights” - PART TWO)

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<v Speaker 1>I am all in you. I Am all in with

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<v Speaker 1>Scott Patterson, an I Heeart radio podcast. All right, everybody,

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<v Speaker 1>we're back for part two. We're gonna do a part two,

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<v Speaker 1>Season four, episode twenty one, Amy where did we leave off?

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<v Speaker 1>So Liz makes a couple of points I thought were

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<v Speaker 1>really really good in that scene. One is we learn

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<v Speaker 1>she says, you know about being married got around that

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<v Speaker 1>makes this point she could be married for fifty years.

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<v Speaker 1>They're young enough that they could be married to these soulmates.

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<v Speaker 1>And I say these because I was as Liz is

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<v Speaker 1>talking to Lorly, all I'm thinking about is Luke. Then

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<v Speaker 1>we have this moment where Lorala sees the book. So

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<v Speaker 1>I just thought those are important little moments. Then the

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<v Speaker 1>ceremony talk about it um just as funny as it gets.

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<v Speaker 1>That dippy song was. It was wonderfully bizarre. The lyrics

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<v Speaker 1>to that song could not have been more bizarre. And

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<v Speaker 1>as a songwriter, I howled and I appreciated that so

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<v Speaker 1>much because I'm writing a couple of songs right now

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<v Speaker 1>and I'm struggling with the lyrics. And I discovered something

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<v Speaker 1>yesterday which really opened up a song for me, and

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<v Speaker 1>the lyrics started coming but it's sometimes a very difficult process.

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<v Speaker 1>And the fact that he committed to those lyrics. Dippy

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<v Speaker 1>has never been but I mean it was. It was

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<v Speaker 1>just so wonderfully dippy and bizarre. Those lyrics were perfect

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<v Speaker 1>for him, was that one. Luke and Laurel are just

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<v Speaker 1>cracking use because because because the lyrics were so bizarre

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<v Speaker 1>and great, and you know, I've written songs like that

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<v Speaker 1>before that are just like, let's just try to be

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<v Speaker 1>funny and write the most absurd ridiculous and you know

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<v Speaker 1>half of my serious songs are like that anyway, But

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<v Speaker 1>does it get your juices going? Like if you start

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<v Speaker 1>just writing whatever can suddenly after you're kind of doing that,

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<v Speaker 1>then you can write a good song because you're like

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<v Speaker 1>the writer's book is gone right or something. If I

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<v Speaker 1>see the Troubadour do something like that, no, or like

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<v Speaker 1>if you're writing right and you're saying you're writing just

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<v Speaker 1>a goofy dippy song, I would think that, like it

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<v Speaker 1>just helps you get a better you get out there,

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<v Speaker 1>because right if you're taking yourself too seriously and it's

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<v Speaker 1>getting too heavy and it's like you're not coming up

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<v Speaker 1>with it, and then you just write some dippy fun song,

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<v Speaker 1>and it's and you kind of rediscover the joy of

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<v Speaker 1>songwriting through that vehicle and then yeah, kind of you

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<v Speaker 1>know it clearly this the clouds go away and then

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<v Speaker 1>you can start start writing again in a real way

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<v Speaker 1>without all of that the second guessing and judgment and

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<v Speaker 1>all of that stuff. Anyway, but it was just it

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<v Speaker 1>was just wonderful to experience somebody coming out with such

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<v Speaker 1>confidence in their song. I have so many weddings to

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<v Speaker 1>go to this year, and I was like, man, this

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<v Speaker 1>is a fun theme and I love the party. We'll

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<v Speaker 1>talk about that too, the whole thing. Yeah, but wait,

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<v Speaker 1>how about when TJ's like still driving? Just wait Jackie

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<v Speaker 1>speaking of there is a shot of Luke and Lorelai

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<v Speaker 1>in the ceremony. I don't know if you can pull

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<v Speaker 1>up the ceremony. To me, that was like, I literally

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<v Speaker 1>was like, that's that is everything. There's a shot. You

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<v Speaker 1>can't miss it when you're so basically Liz is on

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<v Speaker 1>that weird rolling out chair thing and Jess comes down. Okay, yeah,

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<v Speaker 1>they did a Charles Manson reference. Right, Oh my god,

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<v Speaker 1>it comes the cart wheel guy. Okay, so the cartwheel

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<v Speaker 1>guy goes down, you see them. Here comes t J

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<v Speaker 1>Loo look at the walk, Look at him. He's so good,

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<v Speaker 1>he is still did you see miss Patty holding in

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<v Speaker 1>a laugh? Okay, So then she's on this chair thrown.

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<v Speaker 1>I don't know what to call it. That's one of them.

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<v Speaker 1>Oh the wink, you guys, holy cleep, go back it up,

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<v Speaker 1>did you I didn't see? Look at Luke. Look at Luke.

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<v Speaker 1>Oh my god, oh goody good. Okay, So they have

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<v Speaker 1>both DeLuise brothers, and I'm pretty sure maybe it was

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<v Speaker 1>won the wink, but I'm pretty sure it's like right

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<v Speaker 1>after this, just let this play because but it might

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<v Speaker 1>have been they were let a play. So we get

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<v Speaker 1>to t J's what the kids. We shared our toys, Monkeys,

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<v Speaker 1>we lo clue, mouse trap fashions byro graph the Lilescope

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<v Speaker 1>spinning YATSI I'm winning thinking about they're laughing. Oh my god,

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<v Speaker 1>for love is the greatest toy around. Love is the

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<v Speaker 1>greatest toy around when you look just loving every minute

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<v Speaker 1>she loves. Oh, oh my god, how do you even

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<v Speaker 1>do that acting of like you're fake laughing, you're trying

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<v Speaker 1>not to laugh. But I feel like they're not even

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<v Speaker 1>fake laughing, like I would be laughing if if I

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<v Speaker 1>were the two of you, like it's funny. I don't know,

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<v Speaker 1>it's just you know, acting is was always easy with her.

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<v Speaker 1>She made it easier. It was always because you knew

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<v Speaker 1>there was somebody there who was super focused and super concentrated.

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<v Speaker 1>And the part when you're laughing and then Lucas hope, yeah, remember,

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<v Speaker 1>oh shoot we missed it. Go back, go back because

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<v Speaker 1>we missed as what yah? Can we go back? Here

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<v Speaker 1>we go, I hope everyone listening. Yeah, it's like oh yeah,

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<v Speaker 1>like yeah, what's up? So funny? God okay, So then

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<v Speaker 1>we go back to Lane's apartment and h okay. I

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<v Speaker 1>I don't know if I was just emotional, but I

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<v Speaker 1>cried twice in this episode. And this was one moment

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<v Speaker 1>where I cried, Like that part where because you just

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<v Speaker 1>see the it's more of like face acting again, like

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<v Speaker 1>the look on miss Kim's missus Kim's face like she's

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<v Speaker 1>so happy to see Lane. Yeah, And it was like

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<v Speaker 1>in that moment when she first walked, like if you

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<v Speaker 1>go back and watch, I got emotional, but like she's

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<v Speaker 1>so happy to see her until she sees the guys.

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<v Speaker 1>But like that moment she's like it's my daughter, like

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<v Speaker 1>I want to see her, you know, And so we

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<v Speaker 1>forgot to mention the scene where the ant comes over

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<v Speaker 1>and say, oh, yes him, we'll be coming here Sober

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<v Speaker 1>States or whatever. Yeah, and then that she brings a

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<v Speaker 1>bowl of soy pudding. I just love that the boys

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<v Speaker 1>were wearing like ties bowing she said, extra crunchy, like

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<v Speaker 1>you like it. I wonder how she prepped them, like

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<v Speaker 1>how what is yeah? Okay, well there's there's part of

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<v Speaker 1>this that I really enjoyed because she was coming to

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<v Speaker 1>Lane's apartment and Lane was didn't try to pretend like

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<v Speaker 1>everything was I don't know, amazing. She's like, sleep here,

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<v Speaker 1>and then this is my room, and she was like

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<v Speaker 1>very like this is me. This is what I'm doing,

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<v Speaker 1>like honestly kind of proud of herself in a weird

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<v Speaker 1>way and not hiding anything, which Laurla then calls out

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<v Speaker 1>right after, and I just like I love that for Lane.

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<v Speaker 1>I love that she was like you know what, mom,

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<v Speaker 1>this is me. What did you think when missus Kim

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<v Speaker 1>went running? Well, wait a minute, I think I think

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<v Speaker 1>the best moment for me in that scene was when

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<v Speaker 1>missus Kim was being when Lane was showing her into

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<v Speaker 1>the bedroom, right, and she walked past the boys and

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<v Speaker 1>missus Kim was still in a state of shock, and

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<v Speaker 1>she turned around and she looked the boys up and

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<v Speaker 1>down like what is that? Like, what are they like?

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<v Speaker 1>She just stopped and looked and like it was just

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<v Speaker 1>such great. She's so great, you know, really funny, Yeah,

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<v Speaker 1>really funny stuff, all all the non verbal stuff is

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<v Speaker 1>just so strong. Yeah, yeah, so strong. So she goes

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<v Speaker 1>haul and ass out of there. By the way, soy pudding,

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<v Speaker 1>I guess is a Chinese dessert. So it's like actually,

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<v Speaker 1>like it's probably a cultural thing. I don't know, but

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<v Speaker 1>remember they're vegan or vegetarian. They definitely are not super

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<v Speaker 1>into turkey legs. I don't think. I think they're vegetarian.

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<v Speaker 1>I don't know if they're vegan, but I don't know.

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<v Speaker 1>Did any really find it interesting that missus Kim ran

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<v Speaker 1>straight to Lorela? Yes, well yeah, then I love that.

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<v Speaker 1>Laura La like did it again and she's like, yeah,

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<v Speaker 1>those boys. But she also said your daughter's not hiding

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<v Speaker 1>anything from you, like she could very well could have.

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<v Speaker 1>And I was like, oh, yeah, that is an excellent point,

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<v Speaker 1>Like she's not hiding anything. Like she spent her entire

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<v Speaker 1>childhood doing Like she's showing you all her cards and

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<v Speaker 1>it's not really ashamed of it. Yeah, and she's saying

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<v Speaker 1>she's Leane is trying so hard. Yeah, Laurelize the rock

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<v Speaker 1>of that town as much as anybody. Oh yeah, you

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<v Speaker 1>know for sure. Oh my god. And then Jess ended

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<v Speaker 1>up sitting next to the guy who was like out

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<v Speaker 1>of brands. Oh that was good doing laundry for six

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<v Speaker 1>hundred guys. You know you need skills. Here was a

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<v Speaker 1>good sport this episode. He totally wait, why did I

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<v Speaker 1>write down air pants because that's what TJ said about

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<v Speaker 1>the tights. I'm calling them air pants. That's what they

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<v Speaker 1>should be called. The brand their pants. But they don't

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<v Speaker 1>have any pockets. That's the downside. I thought it was

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<v Speaker 1>very cute with Luke and Laura lyon TJ and Liz.

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<v Speaker 1>That was just so cute. Yeah, it's nice when it

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<v Speaker 1>comes together like that. Luke is so cute when Laura

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<v Speaker 1>la tells the story. Oh, speaking of face acting, Scott

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<v Speaker 1>look at Luke's face acting. So when she starts to

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<v Speaker 1>tell the story, Luke does this face like he is

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<v Speaker 1>so into her. Okay, here it comes, can't ready for it, Okay,

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<v Speaker 1>so she says something like, wait till I tell this story. Okay,

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<v Speaker 1>look at his face now, look at that? Look at that? Yes,

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<v Speaker 1>so he's so like, I mean, it goes awry. So

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<v Speaker 1>it's not like well because she called the book pathetic,

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<v Speaker 1>which was mean, but his face acting in the beginning. Sorry,

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<v Speaker 1>I'm talking about you, Scott like you're not. I'm soaking

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<v Speaker 1>it all up, kid, So just keep it coming. Face

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<v Speaker 1>acting in the beginning. Now, what did you think of

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<v Speaker 1>Luke's reaction to this book book stuff? I think it

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<v Speaker 1>was more defending himself than defending Yeah, he definitely spiraled,

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<v Speaker 1>but like I understand why. You know, like that book

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<v Speaker 1>led to this moment moment, So don't call it pathetic

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<v Speaker 1>because we're here now because of it. Right because the

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<v Speaker 1>woman that he loves and wants to marry and have

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<v Speaker 1>babies with, uh just called him pathetic in his mind?

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<v Speaker 1>So that cut deep, Lee, Yeah, like it really had

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<v Speaker 1>nothing just to do it. It's Jess. So for everybody listening, guys,

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<v Speaker 1>we the show is going on our screen. Why have

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<v Speaker 1>we not always done that? I don't know, but we

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<v Speaker 1>should We should keep continuing. I mean that was so

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<v Speaker 1>much easier. I don't know, brothers legal department or something.

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<v Speaker 1>I don't he's for us anyway. I feel like this

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<v Speaker 1>is helpful to have Jackie like pull it up. But anyway,

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<v Speaker 1>so then we be not ready to put in the

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<v Speaker 1>extra hours. Jackie. Yeah, we beat Bop to the bar.

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<v Speaker 1>And now I was sort of disappointed. I was disappointed

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<v Speaker 1>in Graham, but I also was a little disappointed in Rory.

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<v Speaker 1>I was about to say, the same thing, what a

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<v Speaker 1>what blanket? Can you? You don't need a drink to

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<v Speaker 1>have fun. Let's just l Can we go before we

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<v Speaker 1>go galloping off into the youthful pastures together? Can we

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<v Speaker 1>stay in the stable use? Yeah, you know, I it's

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<v Speaker 1>very nice seeing Luca laurel Um relax and be them

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<v Speaker 1>and be there kind of best selves with the masks

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<v Speaker 1>are off. The masks are coming off. Now you know

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<v Speaker 1>that gruffy diner guy, we don't see him anymore. He's gone.

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<v Speaker 1>He doesn't have a hat, he doesn't have the demeanor anymore.

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<v Speaker 1>He's listening to her, he's smiling. He's really spiraled over

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<v Speaker 1>the book. But for the most right, But then they

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<v Speaker 1>made you know, they made up, and yeah, it's all good.

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<v Speaker 1>I agree, he's a different he's just and she is

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<v Speaker 1>first of all, the book works. He had a lot

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<v Speaker 1>of good results from the book, and so does Jess. Yeah,

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<v Speaker 1>so I just I just wanted to get that and

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<v Speaker 1>now we can go. We're in the bar. Youthful. Graham

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<v Speaker 1>was a letdown, and so is Rory. I was like, yeah,

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<v Speaker 1>I just felt like she was being kind of like like,

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<v Speaker 1>you're not you don't have to ever see him again,

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<v Speaker 1>just like, yeah, you know, what, what did you want

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<v Speaker 1>her to do? Hang with the guys and try or

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<v Speaker 1>just try to have a conversation like she was just

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<v Speaker 1>sitting by herself, like you know, and he comes over,

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<v Speaker 1>he's being polite, he comes over, you know, she's just

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<v Speaker 1>so yeah, she's not. Yeah, every party has a pooper,

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<v Speaker 1>that's why. Look, I think she realized that she has

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<v Speaker 1>real feelings for a couple of different guys, and they're

0:14:41.280 --> 0:14:44.960
<v Speaker 1>very conflicting, and she's very confused, and it's almost like

0:14:45.040 --> 0:14:49.080
<v Speaker 1>this paralysis. Yeah, you know, and she she just doesn't

0:14:49.160 --> 0:14:53.080
<v Speaker 1>have enough rope left to give to this guy. And

0:14:53.120 --> 0:14:56.000
<v Speaker 1>she's not the bar type anyway, I get it. Yeah,

0:14:56.360 --> 0:14:59.800
<v Speaker 1>she's going to the ras Skeller and chug and doing,

0:15:00.400 --> 0:15:03.640
<v Speaker 1>like you agreed to go with this guy, at least

0:15:04.120 --> 0:15:08.200
<v Speaker 1>try to be fun. Yeah, yeah for what for ten minutes?

0:15:08.480 --> 0:15:11.600
<v Speaker 1>But she's I don't know, she's Is she really that girl?

0:15:11.640 --> 0:15:14.560
<v Speaker 1>Though she's she's not. That's why it's like not that shocking,

0:15:14.680 --> 0:15:17.040
<v Speaker 1>but I wish she would have at least tried a

0:15:17.040 --> 0:15:22.200
<v Speaker 1>little bit tried, but atm was dicey, and she has

0:15:22.280 --> 0:15:28.000
<v Speaker 1>no money, and like, make a phone call. Here's my thing.

0:15:28.720 --> 0:15:31.480
<v Speaker 1>You call the guy who's all the way in stars hollow,

0:15:31.800 --> 0:15:34.840
<v Speaker 1>like you couldn't call anyone closer like where, like what

0:15:34.920 --> 0:15:40.280
<v Speaker 1>about like Tanna or they're gone? Yeah, but even like

0:15:40.440 --> 0:15:46.720
<v Speaker 1>even at the wedding, even Emily's closer. She call Emily right,

0:15:49.480 --> 0:15:52.240
<v Speaker 1>why she called him? I mean, yeah, we know why.

0:15:52.720 --> 0:15:57.560
<v Speaker 1>But like she's so annoying. Yeah, I guess what's so annoying.

0:15:58.880 --> 0:16:02.200
<v Speaker 1>Isn't flaw us the characters? I think she is? Well,

0:16:02.200 --> 0:16:06.400
<v Speaker 1>of course not, she's not. She's not. I thank god,

0:16:06.440 --> 0:16:09.160
<v Speaker 1>because all the characters are flawed and that's what makes

0:16:09.200 --> 0:16:13.160
<v Speaker 1>them compelling. And now I'm seeing it, you know, I'm like, hmm.

0:16:13.360 --> 0:16:15.680
<v Speaker 1>She picked up the phone and called Dean. He's married,

0:16:15.720 --> 0:16:20.360
<v Speaker 1>what's going on? And she literally and she literally calls

0:16:20.400 --> 0:16:22.760
<v Speaker 1>it out. I don't want to go too far ahead,

0:16:23.280 --> 0:16:26.960
<v Speaker 1>but like, literally she calls that out. So I'm like,

0:16:27.760 --> 0:16:32.920
<v Speaker 1>are you calling him? Then? My brain because because are

0:16:33.000 --> 0:16:37.960
<v Speaker 1>so ingenious that they want us to be exasperated. Of course,

0:16:43.440 --> 0:16:46.040
<v Speaker 1>So here's my questions. We all think it was like

0:16:46.280 --> 0:16:49.000
<v Speaker 1>kind of weird she called him, right? Do we think

0:16:49.000 --> 0:16:53.440
<v Speaker 1>she intentionally called him because she wanted to spend time

0:16:53.440 --> 0:16:55.920
<v Speaker 1>with him, totally hook up with him. I don't know.

0:16:55.960 --> 0:16:58.040
<v Speaker 1>Do you think they would have kissed if Jess hadn't show.

0:16:58.520 --> 0:17:00.840
<v Speaker 1>I think I think no, don't think the would have kised.

0:17:00.840 --> 0:17:02.440
<v Speaker 1>It would have been a peck. I think they would

0:17:02.440 --> 0:17:06.080
<v Speaker 1>have touched lips. I think she wouldn't. I think that

0:17:06.119 --> 0:17:08.040
<v Speaker 1>she's still in the back of her head thinking he's

0:17:08.040 --> 0:17:11.160
<v Speaker 1>with Lindsay, but she's like trying to see where she stands.

0:17:11.640 --> 0:17:14.160
<v Speaker 1>I also think she likes the attention. I'm not gonna

0:17:14.200 --> 0:17:17.000
<v Speaker 1>lie like. I think she genuinely is like this guy

0:17:17.080 --> 0:17:20.199
<v Speaker 1>will derive from stars Hollow to Yale to pick me

0:17:20.280 --> 0:17:23.399
<v Speaker 1>up even though he's married. Like I think she like

0:17:23.480 --> 0:17:26.679
<v Speaker 1>weirdly does like that, right. I think that's either a

0:17:26.720 --> 0:17:30.399
<v Speaker 1>peck and then they part both uncomfortable, or it turns

0:17:30.440 --> 0:17:34.240
<v Speaker 1>into a rugby match and flies. You know, I definitely

0:17:34.280 --> 0:17:36.760
<v Speaker 1>think it would be interesting in an alternate universe to

0:17:36.800 --> 0:17:41.280
<v Speaker 1>see what would have happened if Jess hadn't have showed up. Oh,

0:17:41.359 --> 0:17:43.600
<v Speaker 1>you knew Jess was going to show up at that moment.

0:17:44.280 --> 0:17:46.800
<v Speaker 1>I did not know. I didn't know that. I didn't

0:17:46.840 --> 0:17:52.120
<v Speaker 1>remember that either. I saw that coming a mile away.

0:17:52.280 --> 0:17:54.840
<v Speaker 1>So before we get to that, I'm getting I'm getting

0:17:54.840 --> 0:17:57.760
<v Speaker 1>gilmore a sensitive. I know, I know when they're going

0:17:57.800 --> 0:18:00.919
<v Speaker 1>to throw a monkey wrench. So before we get to that,

0:18:00.960 --> 0:18:05.600
<v Speaker 1>we go back to the apartment and missus Kim has

0:18:05.680 --> 0:18:08.840
<v Speaker 1>come back and says, I'll have tea now, and she goes,

0:18:09.280 --> 0:18:16.360
<v Speaker 1>you two are girls. That was so good. That's my

0:18:16.400 --> 0:18:20.680
<v Speaker 1>favorite line. And we get to a very important scene,

0:18:20.920 --> 0:18:23.520
<v Speaker 1>which is Kirk is the DJ of course, which I

0:18:23.560 --> 0:18:27.080
<v Speaker 1>was really happy to say, and he's playing Kajau and

0:18:28.600 --> 0:18:32.080
<v Speaker 1>he says the happy couple should dance, and we get

0:18:32.119 --> 0:18:39.160
<v Speaker 1>there you okay? Are we okay? And then I want

0:18:39.400 --> 0:18:43.200
<v Speaker 1>you want to dance? We need to watch this part

0:18:43.320 --> 0:18:46.400
<v Speaker 1>because I wrote down he is just looking at her

0:18:46.440 --> 0:18:51.000
<v Speaker 1>and he's so happy, like your face acting here, yes,

0:18:51.560 --> 0:18:55.600
<v Speaker 1>was like next level, I said the same. Their faces

0:18:55.640 --> 0:19:00.080
<v Speaker 1>make the whole thing, okay, J So yeah, And I

0:19:00.080 --> 0:19:02.440
<v Speaker 1>love how they make up. That's like a very married couple,

0:19:02.560 --> 0:19:06.600
<v Speaker 1>like you just make up and he's he apologizes and

0:19:06.800 --> 0:19:11.080
<v Speaker 1>like she apologizes, Like that's how couples work. Crap out.

0:19:11.119 --> 0:19:14.040
<v Speaker 1>I really like that, right, And my favorite is they

0:19:14.040 --> 0:19:18.919
<v Speaker 1>started off like this, oh yeah. By the end of

0:19:18.920 --> 0:19:22.040
<v Speaker 1>it they were like literally like this, like so close

0:19:22.080 --> 0:19:24.479
<v Speaker 1>to each other. And she's so thoughtful. She's like, your

0:19:24.520 --> 0:19:27.000
<v Speaker 1>food's cold? Should we go back? And he's like, or

0:19:27.119 --> 0:19:32.480
<v Speaker 1>we can? You want to dance so good? I mean,

0:19:32.680 --> 0:19:36.360
<v Speaker 1>it's so cute and she's so cute. Look at her face. Yeah,

0:19:36.359 --> 0:19:40.040
<v Speaker 1>look at her she's so excited because she's like you

0:19:40.040 --> 0:19:42.120
<v Speaker 1>don't want it, like you never want to dance, Like

0:19:42.520 --> 0:19:45.439
<v Speaker 1>I think she appreciates it too. Also, mad props to

0:19:45.480 --> 0:19:49.800
<v Speaker 1>these background actors because they're so good. But anyway, look

0:19:49.800 --> 0:19:51.840
<v Speaker 1>at here they go and it's like, whoa, It's just

0:19:51.960 --> 0:19:55.840
<v Speaker 1>so he's playing it pretty cool for such a big moment,

0:19:55.960 --> 0:19:59.760
<v Speaker 1>right he really is. Look at like so far from

0:20:00.280 --> 0:20:02.640
<v Speaker 1>in the beginning. You're ready. They're good dancers, though, are

0:20:02.640 --> 0:20:06.280
<v Speaker 1>you good dancer? Scott? As you look at I'm not

0:20:06.480 --> 0:20:08.480
<v Speaker 1>did they teach you this? Because you guys have the

0:20:08.520 --> 0:20:12.840
<v Speaker 1>same steps and waltz and she's cute dancer too. Look

0:20:12.840 --> 0:20:15.239
<v Speaker 1>at his Look at his face. Oh there we go.

0:20:15.359 --> 0:20:19.480
<v Speaker 1>Oh my god, the smiling is so good. It's because

0:20:19.480 --> 0:20:21.800
<v Speaker 1>they're like they're trying to hold back their smells too.

0:20:21.920 --> 0:20:25.879
<v Speaker 1>Look at look at her. Look how gorgeous she is.

0:20:26.000 --> 0:20:30.040
<v Speaker 1>Look how shy? Look at you, Look at washing, look

0:20:30.080 --> 0:20:34.280
<v Speaker 1>at Luke, just like literally just can't like get take

0:20:34.359 --> 0:20:37.120
<v Speaker 1>his eyes off of her. God, yeah, this is this

0:20:37.200 --> 0:20:40.720
<v Speaker 1>is big, This is just these are beautiful moments. These

0:20:40.760 --> 0:20:47.160
<v Speaker 1>are just beautiful good. I mean I'm seeing now like

0:20:47.280 --> 0:20:50.320
<v Speaker 1>I can't. I can't believe I was a part of this.

0:20:50.320 --> 0:20:53.560
<v Speaker 1>This is just so wild, so sweet, and it doesn't

0:20:53.600 --> 0:20:56.160
<v Speaker 1>I don't even remember. I don't look like that anymore.

0:20:56.320 --> 0:20:58.440
<v Speaker 1>And it's just it's just so first of all, yes

0:20:58.480 --> 0:21:04.600
<v Speaker 1>you do, Yes, you do, you do. But I mean, yeah,

0:21:04.600 --> 0:21:08.360
<v Speaker 1>you both but you both were young. You're she's young

0:21:08.600 --> 0:21:14.160
<v Speaker 1>so much younger there too, I mean twenty years ago. Yeah.

0:21:14.400 --> 0:21:16.679
<v Speaker 1>I'll tell you one thing. This podcast has really gotten

0:21:16.720 --> 0:21:22.800
<v Speaker 1>me back in the gym. Oh are you watching these episodes?

0:21:22.840 --> 0:21:24.720
<v Speaker 1>And like and I'm like, man, I gotta get I

0:21:24.720 --> 0:21:26.920
<v Speaker 1>gotta work hard in the gym because I kind of

0:21:26.960 --> 0:21:28.440
<v Speaker 1>let it go for a while because I was sick.

0:21:28.600 --> 0:21:35.160
<v Speaker 1>We're all doing this, Yeah, I feel you. Twenty twenty

0:21:35.720 --> 0:21:39.960
<v Speaker 1>And as soon as everybody stopped wearing hard pants, yeah,

0:21:40.240 --> 0:21:44.440
<v Speaker 1>because hard pants are how you know, if you're wearing sweats,

0:21:44.440 --> 0:21:50.760
<v Speaker 1>you're like the spit Fine, Yeah you're like, yeah, hard

0:21:50.800 --> 0:21:57.640
<v Speaker 1>pants comes to get Rory. Yeah, Dean comes to get Rory.

0:21:57.800 --> 0:22:00.800
<v Speaker 1>I did think it was funny. This was funny. First

0:22:00.800 --> 0:22:04.800
<v Speaker 1>of all, she says she was on a date, which okay,

0:22:04.840 --> 0:22:06.679
<v Speaker 1>But then when she says, and I realized these are

0:22:06.720 --> 0:22:11.880
<v Speaker 1>the last people on Earth, I want to die StarCraft funny. Yeah,

0:22:13.040 --> 0:22:15.160
<v Speaker 1>what do you mean? Chad's the best drunk driver I've

0:22:15.160 --> 0:22:18.520
<v Speaker 1>ever seen. I love that she ordered all the food

0:22:18.520 --> 0:22:21.720
<v Speaker 1>on his card. I would have done the same thing, like, yeah,

0:22:21.760 --> 0:22:26.080
<v Speaker 1>we're getting the appetizers. Say, he wasn't an ass. That's

0:22:26.080 --> 0:22:28.840
<v Speaker 1>what you do to somebody that's an ass, Right, he

0:22:29.119 --> 0:22:33.119
<v Speaker 1>wasn't an ass. He tried and then she yeah, I

0:22:33.160 --> 0:22:36.600
<v Speaker 1>don't know, because she's like, we'll start with but whatever, fine,

0:22:36.680 --> 0:22:40.320
<v Speaker 1>she can. There's a couple of chinks in the Rory armor. Yeah,

0:22:40.320 --> 0:22:47.879
<v Speaker 1>she's a little push still love her, still love her. Same, same. Okay.

0:22:48.200 --> 0:22:51.240
<v Speaker 1>So then we get to the second most important scene

0:22:51.760 --> 0:22:55.720
<v Speaker 1>in this episode, which is Luke and Lorelai walking and

0:22:55.800 --> 0:22:58.719
<v Speaker 1>I love them recapping the night because nothing's better like

0:22:58.760 --> 0:23:02.159
<v Speaker 1>than a couple that do Yeah, we're always doing that, like,

0:23:02.240 --> 0:23:06.280
<v Speaker 1>oh the best the lease you you want to you

0:23:06.280 --> 0:23:09.280
<v Speaker 1>want to talk about some face acting? Yeah, yeah, okay,

0:23:09.320 --> 0:23:13.159
<v Speaker 1>so on this one, it's the end of this scene.

0:23:13.280 --> 0:23:14.960
<v Speaker 1>But but I mean, you know, play the scene out,

0:23:14.960 --> 0:23:16.879
<v Speaker 1>we can watch it. But oh yeah, watch him at

0:23:16.880 --> 0:23:20.200
<v Speaker 1>the end when he's walking walks away and her face too,

0:23:20.920 --> 0:23:23.679
<v Speaker 1>and he says, we should do it again. That was

0:23:23.800 --> 0:23:28.280
<v Speaker 1>so cute and very forward, like yeah, that might go listen,

0:23:28.280 --> 0:23:30.320
<v Speaker 1>see look at look at the This is the most

0:23:30.440 --> 0:23:34.160
<v Speaker 1>nerve wracking part of a budding relationship, is right here,

0:23:35.760 --> 0:23:37.000
<v Speaker 1>is when it goes well and you want to do

0:23:37.040 --> 0:23:39.240
<v Speaker 1>it again. Look at her face, back that up. Look

0:23:39.240 --> 0:23:41.320
<v Speaker 1>at what she just does. He goes, we should do

0:23:41.320 --> 0:23:44.719
<v Speaker 1>it again. He's like what he's Look how nervous he is.

0:23:44.760 --> 0:23:47.520
<v Speaker 1>He's so trying to be so casual and cool. Hands

0:23:47.520 --> 0:23:49.880
<v Speaker 1>in his pockets. It's just like oh yeah, yeah, yeah, yeah,

0:23:50.000 --> 0:23:52.920
<v Speaker 1>that's he's so cool because see he didn't want to

0:23:52.960 --> 0:23:54.800
<v Speaker 1>go over the top with it because if she said no,

0:23:54.840 --> 0:23:56.560
<v Speaker 1>he just goes, yeah, that's okay, bye, and then walk

0:23:56.600 --> 0:23:58.960
<v Speaker 1>away and he's like, we should go do a movie.

0:23:59.600 --> 0:24:04.480
<v Speaker 1>Movie now, got to sell himself so cool that he

0:24:04.560 --> 0:24:08.040
<v Speaker 1>makes the date he says Sunday, which is like, that's

0:24:08.080 --> 0:24:13.399
<v Speaker 1>one of stud they don't just leave it hanging right

0:24:13.440 --> 0:24:15.399
<v Speaker 1>before you see I Like, he's like, I'll see you

0:24:15.440 --> 0:24:19.560
<v Speaker 1>before that because then look at that. Look at that face. Yeah,

0:24:23.040 --> 0:24:25.399
<v Speaker 1>I mean is that you guys or is that directed?

0:24:25.640 --> 0:24:27.879
<v Speaker 1>Oh no, no, that's that's her. Look at look at

0:24:27.920 --> 0:24:31.040
<v Speaker 1>this reaction on her genius, You're amazing. And then look

0:24:31.040 --> 0:24:34.120
<v Speaker 1>at her look at that look at that right. Yeah,

0:24:34.160 --> 0:24:37.760
<v Speaker 1>she's like really this man, it's like, what what just happened?

0:24:37.920 --> 0:24:42.200
<v Speaker 1>Who is this guy? Yeah? You're exactly right. Yeah, that's

0:24:42.280 --> 0:24:48.520
<v Speaker 1>good face acting acting. Yes, she's so good. So then

0:24:49.880 --> 0:24:53.880
<v Speaker 1>too Jess and Luke and they have their moment this

0:24:53.960 --> 0:24:58.879
<v Speaker 1>is you don't want this, you don't want me to

0:24:59.880 --> 0:25:02.240
<v Speaker 1>h I'm with you. This This was very moving for

0:25:02.320 --> 0:25:07.879
<v Speaker 1>me too. When Jess comes around, Yeah, yeah, you know,

0:25:07.960 --> 0:25:10.800
<v Speaker 1>this scene made me realize like I always have been

0:25:10.960 --> 0:25:14.560
<v Speaker 1>team Jess, and this scene made me realize why because

0:25:15.119 --> 0:25:17.960
<v Speaker 1>I think out of all the boyfriends, and I know

0:25:17.960 --> 0:25:19.919
<v Speaker 1>we haven't gotten to Logan, but I think he's the

0:25:19.960 --> 0:25:23.639
<v Speaker 1>one who really grew and like he takes accountability for

0:25:23.760 --> 0:25:26.120
<v Speaker 1>himself and he knows he messed up, and he knows

0:25:26.119 --> 0:25:28.680
<v Speaker 1>that he could have been better where he can be better,

0:25:28.760 --> 0:25:31.480
<v Speaker 1>and I think that's like, this is this scene was

0:25:31.560 --> 0:25:35.920
<v Speaker 1>why I realized I was I'm team Jess, right, yeah, yeah,

0:25:35.960 --> 0:25:38.679
<v Speaker 1>I mean yeah, I don't want to say it, but

0:25:38.800 --> 0:25:41.920
<v Speaker 1>like when we get to the last scene, I was

0:25:41.960 --> 0:25:45.760
<v Speaker 1>a team Jess. Well we'll get there. It's it's like

0:25:45.880 --> 0:25:48.320
<v Speaker 1>it's I'm welling up now watching it because it's like him,

0:25:48.720 --> 0:25:52.479
<v Speaker 1>it's him apologizing to Luke, and you just feel so

0:25:52.600 --> 0:25:54.440
<v Speaker 1>much for him. Look at him, Look at him, look

0:25:54.440 --> 0:25:57.400
<v Speaker 1>at him. But here's the thing. And then Luca's Okay,

0:25:57.440 --> 0:25:59.240
<v Speaker 1>you want it back, right, you're reading this book. You

0:25:59.280 --> 0:26:01.000
<v Speaker 1>want the love back. So I'm going to tell you

0:26:01.040 --> 0:26:04.359
<v Speaker 1>that I'm always here for you. Yeah, and they hug

0:26:04.520 --> 0:26:10.960
<v Speaker 1>like it's like, come on in here and you can

0:26:11.080 --> 0:26:14.040
<v Speaker 1>see this is what I was gonna say. You cannot

0:26:14.040 --> 0:26:17.960
<v Speaker 1>tell me. You cannot tell me, the freaking tabloids cannot

0:26:17.960 --> 0:26:21.000
<v Speaker 1>tell me that all y'all did not get along be

0:26:21.240 --> 0:26:24.040
<v Speaker 1>in real life, I r L because you did. There's

0:26:24.080 --> 0:26:26.320
<v Speaker 1>no way. Look at that. That go back to that

0:26:26.400 --> 0:26:30.119
<v Speaker 1>hug What what tabloids saying. I'm saying Back in the day,

0:26:30.160 --> 0:26:32.840
<v Speaker 1>they would say things like y'all didn't get along, and

0:26:32.880 --> 0:26:36.200
<v Speaker 1>it's like you did, because that is not just Luke

0:26:36.280 --> 0:26:40.440
<v Speaker 1>and Jess hugging. That is Milo and Scott hugging. Look

0:26:40.440 --> 0:26:42.959
<v Speaker 1>at that. And Milo has told us he felt that

0:26:43.000 --> 0:26:47.080
<v Speaker 1>way about you, and frankly so did Jared. Look at that.

0:26:47.359 --> 0:26:50.960
<v Speaker 1>Look at that. That is two people that are completely

0:26:51.160 --> 0:26:55.160
<v Speaker 1>bonded in real life and on screen, Like I'm gonna

0:26:55.160 --> 0:27:00.520
<v Speaker 1>cry look at that, I mean BOTHO. What a great

0:27:00.560 --> 0:27:02.920
<v Speaker 1>way for the writers to bring that book around where

0:27:02.920 --> 0:27:05.960
<v Speaker 1>it's like it wasn't just about love for the opposite

0:27:06.000 --> 0:27:08.840
<v Speaker 1>sex or like a significant other. It was about love

0:27:08.880 --> 0:27:12.119
<v Speaker 1>for someone who you genuinely love in your life and

0:27:12.200 --> 0:27:15.800
<v Speaker 1>to say it, you know, and like in their own ways,

0:27:15.880 --> 0:27:17.920
<v Speaker 1>they both told each other how much they love each

0:27:17.920 --> 0:27:22.000
<v Speaker 1>other in this scene. Yeah, it was so great. I

0:27:22.040 --> 0:27:24.919
<v Speaker 1>love this. It's all it's all the best versions of

0:27:24.960 --> 0:27:30.159
<v Speaker 1>all of these people. Like it's just really powerful to

0:27:30.200 --> 0:27:34.240
<v Speaker 1>watch it. You just summed it up so well, Scott

0:27:34.680 --> 0:27:40.600
<v Speaker 1>that this except for Rory. Yeah, the rest of them

0:27:41.000 --> 0:27:48.160
<v Speaker 1>have really elevated, especially Jess and Luke. Yeah yeah, lor

0:27:48.280 --> 0:27:51.960
<v Speaker 1>La is totally elevated, but she's fairly there most of

0:27:52.000 --> 0:27:56.719
<v Speaker 1>the time to have her moments, right, um. Yeah, And

0:27:56.880 --> 0:28:03.760
<v Speaker 1>you look in Rory's defense, she's very confused, confused. She's

0:28:03.800 --> 0:28:06.719
<v Speaker 1>getting all of these big reactions from people, from guys,

0:28:06.760 --> 0:28:09.080
<v Speaker 1>and she's but I think, I think what's cool about

0:28:09.119 --> 0:28:12.200
<v Speaker 1>the show is up until I think this season, it

0:28:12.320 --> 0:28:16.280
<v Speaker 1>was really all about Rory, Rory, Rory and her relationships.

0:28:16.280 --> 0:28:18.600
<v Speaker 1>And then now we're taking this turn on like the

0:28:18.680 --> 0:28:21.760
<v Speaker 1>relationship between like Jess and Luke, and Luke and Morali

0:28:21.880 --> 0:28:24.840
<v Speaker 1>and like Emily and Richard. And so it's funny because

0:28:24.840 --> 0:28:26.919
<v Speaker 1>people are always like, yeah, once you go into it,

0:28:26.960 --> 0:28:29.240
<v Speaker 1>like Rory's not my favorite character. Like I know people

0:28:29.240 --> 0:28:31.920
<v Speaker 1>have said that. I kind of hate to say, it's

0:28:31.960 --> 0:28:36.600
<v Speaker 1>kind of showing here. Yeah, I don't dislike Rory until

0:28:37.480 --> 0:28:43.680
<v Speaker 1>later what later? Definitely yeah talking No, what I'm saying,

0:28:43.720 --> 0:28:47.840
<v Speaker 1>like you you create a love for these other characters.

0:28:53.400 --> 0:28:56.280
<v Speaker 1>The moment has come, the moments at the door of

0:28:56.360 --> 0:28:59.080
<v Speaker 1>the dorm, At the door of the Dorm and You're

0:28:59.120 --> 0:29:02.040
<v Speaker 1>sort of like, what's going to happen here? Like you

0:29:02.120 --> 0:29:04.400
<v Speaker 1>definitely could be wondering what is going to happen between

0:29:04.480 --> 0:29:08.920
<v Speaker 1>Dean and Rory? Hin, you was this moment I was

0:29:09.000 --> 0:29:13.800
<v Speaker 1>not going to be happy with whatever happened. But can't

0:29:13.800 --> 0:29:16.200
<v Speaker 1>you feel the tension? Can you not feel the sexual

0:29:16.320 --> 0:29:19.840
<v Speaker 1>tension here? I feel her young love? Yeah? Like when

0:29:19.840 --> 0:29:22.280
<v Speaker 1>she asks, like, where do you think? Where does Lindsey

0:29:22.320 --> 0:29:25.440
<v Speaker 1>think you are? Like, come on, he says, it doesn't matter.

0:29:25.640 --> 0:29:30.000
<v Speaker 1>This literally like just kind of facizing on top of

0:29:30.000 --> 0:29:33.000
<v Speaker 1>the cake of the argument I made last episode. Yeah, totally,

0:29:33.040 --> 0:29:38.280
<v Speaker 1>because it's like she is also recognizing Rory that like's

0:29:38.320 --> 0:29:44.000
<v Speaker 1>not being okay. Yeah, and Dean is it's admitting that

0:29:44.040 --> 0:29:47.719
<v Speaker 1>he doesn't care. Like all of these these two guys

0:29:47.840 --> 0:29:51.880
<v Speaker 1>are just so wrong right now in how they're approaching her.

0:29:51.880 --> 0:29:56.600
<v Speaker 1>They're coming at her in the wrong way. Oh I

0:29:56.680 --> 0:30:00.560
<v Speaker 1>do think, Oh no, no, no, no, I'm on your page, Scott. Okay,

0:30:00.720 --> 0:30:03.000
<v Speaker 1>you know what I'm saying. Because Jess barrels into the

0:30:03.040 --> 0:30:05.600
<v Speaker 1>apartment and says, drop everything and we'll move to New

0:30:05.680 --> 0:30:09.120
<v Speaker 1>York City, and I'm like, stop, no, right right, you

0:30:09.160 --> 0:30:11.600
<v Speaker 1>could have had a nice talk with her you could

0:30:11.600 --> 0:30:16.480
<v Speaker 1>have you could have built rebuilt the relations this differently. Yes,

0:30:16.520 --> 0:30:19.360
<v Speaker 1>he stopped rushing into the result and just correct, But

0:30:19.400 --> 0:30:21.840
<v Speaker 1>we can't expect him to become No, I understand that,

0:30:21.920 --> 0:30:24.600
<v Speaker 1>but it was frustrating to watch because I've never seen

0:30:24.640 --> 0:30:29.320
<v Speaker 1>him more vulnerable and be so so roundly rejected it.

0:30:29.640 --> 0:30:31.880
<v Speaker 1>Do you think it's because Dean was standing right there,

0:30:31.960 --> 0:30:33.920
<v Speaker 1>like if Dean wasn't standing there. Do you think this

0:30:34.000 --> 0:30:37.480
<v Speaker 1>conversation on differently? That's a good point. Yeah, that's a

0:30:37.600 --> 0:30:40.959
<v Speaker 1>very good point because he probably felt that those two

0:30:41.000 --> 0:30:43.440
<v Speaker 1>were reconnecting in him, like he's fired up. I had

0:30:43.440 --> 0:30:45.800
<v Speaker 1>to hit the fast forward button. That's a very good point.

0:30:46.000 --> 0:30:49.080
<v Speaker 1>Very good he felt when he gets there and it's

0:30:50.360 --> 0:30:57.840
<v Speaker 1>this guy. I guess it's like six fan was married though,

0:30:58.240 --> 0:31:02.560
<v Speaker 1>good walking out. The one thing I liked that Rory

0:31:02.760 --> 0:31:05.320
<v Speaker 1>did here was she told Dean to go home. Yeah,

0:31:05.480 --> 0:31:08.040
<v Speaker 1>like Dean go home. But I have like a little

0:31:08.040 --> 0:31:10.960
<v Speaker 1>bit of a revelation with this whole scene. I feel

0:31:10.960 --> 0:31:15.520
<v Speaker 1>like Dean is like so in love with Rory and

0:31:15.680 --> 0:31:20.080
<v Speaker 1>loves the world that she has and aspires to be

0:31:20.240 --> 0:31:25.120
<v Speaker 1>that way. And Jess loves Rory too. However, he does

0:31:25.160 --> 0:31:28.760
<v Speaker 1>not like the world that she's in, so like they

0:31:28.880 --> 0:31:32.480
<v Speaker 1>both want her, but in different ways. And I think

0:31:32.640 --> 0:31:36.560
<v Speaker 1>Rory just wants somebody who's at her level and loves her,

0:31:36.920 --> 0:31:39.920
<v Speaker 1>doesn't want to change their world to be with her.

0:31:40.040 --> 0:31:47.480
<v Speaker 1>Like does that make sense? Is it? No? No? Because

0:31:47.600 --> 0:31:54.200
<v Speaker 1>love is you know, Look, it's compromised. And if Jess Jesse.

0:31:54.480 --> 0:31:57.000
<v Speaker 1>I don't think Jess doesn't want to be in her world.

0:31:57.040 --> 0:32:01.160
<v Speaker 1>I think Jess knows he can't handle that world and

0:32:01.240 --> 0:32:05.760
<v Speaker 1>he's constantly going to be ridiculed and judged behind his

0:32:05.840 --> 0:32:08.400
<v Speaker 1>back in that world because of his insecurities. He's not

0:32:08.520 --> 0:32:10.680
<v Speaker 1>ready yet to enter that world. I think he does

0:32:10.800 --> 0:32:15.440
<v Speaker 1>love her, Yeah, showed up. He's still not mature enough

0:32:15.880 --> 0:32:21.240
<v Speaker 1>to deal with, you know, accepting her world and where

0:32:21.280 --> 0:32:23.680
<v Speaker 1>she comes from and existing within that world. I don't

0:32:23.720 --> 0:32:26.560
<v Speaker 1>think it's possible for him. He's one of those guys

0:32:26.600 --> 0:32:29.160
<v Speaker 1>that wants to take her out of her world and

0:32:29.960 --> 0:32:33.360
<v Speaker 1>informed their own world and then and I mean there's

0:32:33.400 --> 0:32:37.520
<v Speaker 1>a level of manipulation in narcissism here, because he just

0:32:37.560 --> 0:32:39.920
<v Speaker 1>wants to push everybody out of her world that she's

0:32:39.960 --> 0:32:43.200
<v Speaker 1>familiar with so that he can have her, right, do you, Yeah,

0:32:43.240 --> 0:32:47.400
<v Speaker 1>I think she should have said that that last. No, yeah,

0:32:47.640 --> 0:32:49.480
<v Speaker 1>I think she should have I think, Yeah, I think

0:32:49.640 --> 0:32:52.120
<v Speaker 1>I think I think because that's not what she wants.

0:32:52.320 --> 0:32:54.959
<v Speaker 1>So why why would she keep leading him on like

0:32:55.000 --> 0:32:58.800
<v Speaker 1>I was, Actually I don't know that she doesn't want him? Yeah,

0:32:58.840 --> 0:33:00.600
<v Speaker 1>well she doesn't want this for version of a guy

0:33:01.000 --> 0:33:04.160
<v Speaker 1>des correct, that's very true. She doesn't want this, and

0:33:04.200 --> 0:33:06.280
<v Speaker 1>she doesn't want to run away to New York, like,

0:33:06.400 --> 0:33:10.120
<v Speaker 1>that's not what she wants to get Yale, right, she

0:33:10.200 --> 0:33:14.360
<v Speaker 1>wants Jess to be. She wants Dean and Jess combined.

0:33:14.960 --> 0:33:18.200
<v Speaker 1>He you know, you know, Jess is just in a

0:33:18.240 --> 0:33:22.760
<v Speaker 1>completely another reality right now. He's not like you're seeing

0:33:22.760 --> 0:33:24.680
<v Speaker 1>that she's in college. She's in Yale. She's got a

0:33:24.720 --> 0:33:29.200
<v Speaker 1>future ahead of her. And it's he needs to change. Ye,

0:33:29.440 --> 0:33:31.800
<v Speaker 1>he needs to grow up. He needs to get in school,

0:33:31.840 --> 0:33:36.400
<v Speaker 1>maybe because he's he's a bright kid, right, he's the

0:33:36.400 --> 0:33:39.320
<v Speaker 1>one that needs to sort of join the human race somewhat.

0:33:39.520 --> 0:33:43.560
<v Speaker 1>And and here I go again, Here I go again,

0:33:43.880 --> 0:33:48.960
<v Speaker 1>needs to needs to get his school. I literally just

0:33:49.000 --> 0:33:52.800
<v Speaker 1>like gotch hit, Like my whole body was filled with

0:33:52.840 --> 0:33:55.680
<v Speaker 1>just chills when he was like, only tell me no

0:33:55.880 --> 0:33:57.600
<v Speaker 1>if you don't want to be And then I thought

0:33:57.640 --> 0:33:59.880
<v Speaker 1>she shouldn't have said no. I think what she should

0:33:59.880 --> 0:34:04.040
<v Speaker 1>have done to say, let me we talk, let me

0:34:04.080 --> 0:34:07.960
<v Speaker 1>think about it. Yeah, the final no was a little

0:34:09.360 --> 0:34:11.960
<v Speaker 1>but he wasn't giving her a chance to say, let

0:34:12.000 --> 0:34:14.280
<v Speaker 1>me think about it because he was just so aggressive

0:34:14.320 --> 0:34:18.799
<v Speaker 1>and you know, we're gonna go now. You know. It's

0:34:18.800 --> 0:34:21.120
<v Speaker 1>like he was like a Springsteen song, We're gonna blow

0:34:21.239 --> 0:34:26.520
<v Speaker 1>this down and run. You know, It's like Jesus. I

0:34:26.560 --> 0:34:28.800
<v Speaker 1>think I just felt for him a little bit coming

0:34:28.840 --> 0:34:32.120
<v Speaker 1>off of his conversation with Luke though, Like I'm not

0:34:32.160 --> 0:34:35.399
<v Speaker 1>saying he's in the right, but I just can't I agree. Yeah,

0:34:35.400 --> 0:34:38.919
<v Speaker 1>I felt bad because I think he's he has come

0:34:38.960 --> 0:34:42.080
<v Speaker 1>to the realization that he made some mistakes and he

0:34:42.160 --> 0:34:44.200
<v Speaker 1>does love this person and he's going to try to

0:34:44.239 --> 0:34:48.360
<v Speaker 1>show up for her. Yes, that because he wasn't doing that, however,

0:34:48.640 --> 0:34:52.320
<v Speaker 1>a little too late, boy like you. Yeah, no, I agree.

0:34:52.440 --> 0:34:55.200
<v Speaker 1>Everybody in her life, in a romantic life is just

0:34:55.280 --> 0:34:57.920
<v Speaker 1>like a daylight and a dollar short man. Yeah, but

0:34:58.040 --> 0:35:03.680
<v Speaker 1>that final no no. But I'm I am. I'm happy

0:35:04.000 --> 0:35:10.080
<v Speaker 1>that she said no. Ug I wanted her to say yes.

0:35:10.800 --> 0:35:12.120
<v Speaker 1>I don't know. I want her to like, I want

0:35:12.200 --> 0:35:18.799
<v Speaker 1>her to think about it. Yeah, that's what she That's

0:35:18.800 --> 0:35:21.279
<v Speaker 1>what she did, though her saying no was cutting time.

0:35:21.320 --> 0:35:23.120
<v Speaker 1>I want her to do that, Like she needs to

0:35:23.160 --> 0:35:25.439
<v Speaker 1>cut ties off with Dean and tell him to go home,

0:35:25.600 --> 0:35:28.160
<v Speaker 1>and she needs to tell Jess no because what he

0:35:28.239 --> 0:35:31.800
<v Speaker 1>wants is not what she wants. So like I wanted

0:35:31.800 --> 0:35:34.640
<v Speaker 1>her to do that so that she can also move on. Yeah,

0:35:34.680 --> 0:35:40.040
<v Speaker 1>I'm not team Jess, but I'm definitely not team Dean.

0:35:40.520 --> 0:35:46.520
<v Speaker 1>So this opens up this really really is opening up

0:35:47.400 --> 0:35:51.200
<v Speaker 1>a huge runway for a Logan Logan Airlines to fly

0:35:51.320 --> 0:35:59.439
<v Speaker 1>in and pick up. It's like, and there's this these

0:35:59.480 --> 0:36:02.840
<v Speaker 1>there's these couple of little planes flying around having trouble

0:36:02.920 --> 0:36:05.719
<v Speaker 1>landing and getting passengers, and then this beautiful jet flight.

0:36:05.880 --> 0:36:08.560
<v Speaker 1>First of all, you know, do you think you are

0:36:08.880 --> 0:36:10.760
<v Speaker 1>so right? Do you think it would have been interesting?

0:36:10.800 --> 0:36:12.800
<v Speaker 1>I was thinking about this after I watched the episode.

0:36:12.840 --> 0:36:15.080
<v Speaker 1>It wouldn't have been interesting if like Logan was at

0:36:15.080 --> 0:36:18.879
<v Speaker 1>the bar that night. Well, so I love you, so

0:36:21.040 --> 0:36:24.759
<v Speaker 1>I literally love it because to me, Graham Sullivan was

0:36:24.840 --> 0:36:32.600
<v Speaker 1>dipping our toe. Yeah that's why that's very true. And

0:36:33.800 --> 0:36:37.719
<v Speaker 1>I'm actually looking right now. That's sort of cock shore confident,

0:36:38.040 --> 0:36:41.239
<v Speaker 1>you know, privileged guy I don't. I don't know that

0:36:41.360 --> 0:36:45.480
<v Speaker 1>Amy Sherman Palladino was not doing that, and that Teddy

0:36:45.560 --> 0:36:48.640
<v Speaker 1>Dunn just wasn't quite right. And look he went on

0:36:48.840 --> 0:36:53.440
<v Speaker 1>to be Veronica. We've seen Logan. Mind, so Logan, we

0:36:53.480 --> 0:36:58.160
<v Speaker 1>know Logan goes No, we've never never, not Matt Zugreen

0:36:58.920 --> 0:37:01.640
<v Speaker 1>ever been in this. Did not Did I fall asleep

0:37:01.719 --> 0:37:04.640
<v Speaker 1>during one of my viewings? No, no, I'm wrong. I'm

0:37:04.680 --> 0:37:07.200
<v Speaker 1>a singer. I don't want to be No, no, I'm

0:37:07.280 --> 0:37:09.640
<v Speaker 1>speaking for some reason. I thought it was at the

0:37:09.680 --> 0:37:12.280
<v Speaker 1>beginning of the semester, but I think now I'm skipping season.

0:37:12.280 --> 0:37:15.520
<v Speaker 1>In your own mind, in your own mind, you're seeing him,

0:37:15.600 --> 0:37:18.520
<v Speaker 1>I am, yeah, you are, I know, yes, we actually

0:37:18.680 --> 0:37:21.080
<v Speaker 1>that's what I was looking up. I don't think we

0:37:21.280 --> 0:37:25.200
<v Speaker 1>get Logan. Don't tell me, don't tell don't tell me.

0:37:25.560 --> 0:37:29.719
<v Speaker 1>My headphones off, don't tell me. Thank you, future information person,

0:37:29.840 --> 0:37:34.360
<v Speaker 1>thank you. It's it's it's soon. Okay, that's Scott with

0:37:34.440 --> 0:37:39.120
<v Speaker 1>his headphone. Man. So, yeah, so I'm a little bit

0:37:39.160 --> 0:37:42.960
<v Speaker 1>nervous about Max. I'm a little nervous too. Oh yeah.

0:37:43.800 --> 0:37:46.879
<v Speaker 1>And and and apparently it even gets better than this one.

0:37:46.960 --> 0:37:55.160
<v Speaker 1>How is that possible? It unlivable, unbelievable. Um, well, I uh,

0:37:56.000 --> 0:38:00.520
<v Speaker 1>I'm I'm completely uh in awe of this show right now.

0:38:00.680 --> 0:38:04.239
<v Speaker 1>Just it's firing. I mean it's not just firing on

0:38:04.280 --> 0:38:07.440
<v Speaker 1>all cylinders. It's like it's stealing all the cylinders from

0:38:07.440 --> 0:38:11.680
<v Speaker 1>everybody else and firing on those two. Um, so it's

0:38:11.760 --> 0:38:16.520
<v Speaker 1>it's wow. And also I don't have to love everything

0:38:16.560 --> 0:38:21.640
<v Speaker 1>these characters do to love the episode, right right, Like

0:38:21.760 --> 0:38:24.719
<v Speaker 1>I can be mad at a bunch of people but

0:38:24.880 --> 0:38:27.479
<v Speaker 1>still ten out of ten. Yeah, And like how how

0:38:27.520 --> 0:38:31.360
<v Speaker 1>pissy can you be with a eighteen year old freshman

0:38:31.400 --> 0:38:34.239
<v Speaker 1>in college? I mean, she's gonna have some flaws, right,

0:38:34.320 --> 0:38:36.640
<v Speaker 1>I mean, she's still a great kid, and she's totally

0:38:36.800 --> 0:38:40.640
<v Speaker 1>you know, Um, people can be real mean to Rory. Yeah,

0:38:40.800 --> 0:38:43.239
<v Speaker 1>you think they're mean to us? Well, she kind of

0:38:43.280 --> 0:38:47.680
<v Speaker 1>deserves it right now. Sorry, in this moment, she give

0:38:47.680 --> 0:38:52.080
<v Speaker 1>her the hate rarely. We'll be back after these words

0:38:52.160 --> 0:38:57.560
<v Speaker 1>from compassion ink from Federal question for us, but season five,

0:38:57.640 --> 0:39:01.000
<v Speaker 1>who is the least flawed character of all of them?

0:39:01.960 --> 0:39:04.520
<v Speaker 1>The least flawed? Yeah, you don't have to answer. Next,

0:39:04.600 --> 0:39:09.759
<v Speaker 1>I'd say, teach, it has no flaws. He's just who

0:39:09.800 --> 0:39:14.560
<v Speaker 1>he is. Pants are you saying about season four or

0:39:14.680 --> 0:39:18.719
<v Speaker 1>season five. I'm saying this season, in season four, who

0:39:18.760 --> 0:39:21.719
<v Speaker 1>is the least flawed? But you don't have to answer today.

0:39:22.120 --> 0:39:25.240
<v Speaker 1>We probably Kurt get to see because he's the most flawed,

0:39:25.280 --> 0:39:29.280
<v Speaker 1>so therefore canceled everything out. He's the least like Suki.

0:39:29.560 --> 0:39:33.000
<v Speaker 1>She's flawed. She definitely was flawed. Remember when the whole

0:39:33.080 --> 0:39:37.200
<v Speaker 1>Laurels Suki fight happened. I'm not totally blaming Laurel on that. Suki.

0:39:37.560 --> 0:39:39.239
<v Speaker 1>I don't know. If I had to say, like, if

0:39:39.239 --> 0:39:41.879
<v Speaker 1>I had an answer right now, I would say Luke

0:39:42.239 --> 0:39:45.600
<v Speaker 1>because he's always consistent with who he is, Like he

0:39:45.640 --> 0:39:48.520
<v Speaker 1>doesn't really waver from that, but he's got flaws in

0:39:48.640 --> 0:39:51.600
<v Speaker 1>that he doesn't always open. No, no, no, you didn't

0:39:51.640 --> 0:39:54.239
<v Speaker 1>hear Danielle is you didn't hear what just Danielle said

0:39:54.239 --> 0:39:56.040
<v Speaker 1>that he doesn't have any he is who he is.

0:39:57.040 --> 0:39:59.759
<v Speaker 1>I'm just kidding. I can't hear. I hear I just

0:40:01.080 --> 0:40:04.960
<v Speaker 1>Justinian like he he everyone's flowers. But I'm saying, like

0:40:05.440 --> 0:40:09.480
<v Speaker 1>he is always consistent what he is. I don't know,

0:40:09.680 --> 0:40:13.560
<v Speaker 1>So maybe maybe the question should be rephrased, who is

0:40:13.600 --> 0:40:17.880
<v Speaker 1>the character who is the most aware of their flaws?

0:40:17.920 --> 0:40:22.040
<v Speaker 1>And accepts them. That is probably Luke, Luke M see

0:40:22.040 --> 0:40:26.879
<v Speaker 1>that's maybe maybe Luke. Yeah, that's probably who has who

0:40:26.920 --> 0:40:30.120
<v Speaker 1>has the least seem to be aware? Who who? Never

0:40:30.160 --> 0:40:32.800
<v Speaker 1>mind never mind who was the least amount of blind spots.

0:40:32.880 --> 0:40:34.719
<v Speaker 1>I was wrong because I said Emily. But she's not

0:40:34.760 --> 0:40:39.080
<v Speaker 1>aware of her flaws. She just doesn't give a yeah,

0:40:41.280 --> 0:40:51.640
<v Speaker 1>she's like unraveling. Oops, Danielle are bleeding? Wow, sorry my

0:40:51.840 --> 0:40:55.640
<v Speaker 1>virgin ears. So are we all doing ten out of ten? Or?

0:40:55.680 --> 0:40:57.279
<v Speaker 1>What do we say? Yeah? I think we should do

0:40:57.400 --> 0:41:00.320
<v Speaker 1>our own. Yeah we should. We should contain knew that

0:41:00.400 --> 0:41:04.399
<v Speaker 1>the tradition of doing our own. So, Tara, how many

0:41:05.440 --> 0:41:08.400
<v Speaker 1>points are you giving your own measuring stick? What is

0:41:08.440 --> 0:41:11.440
<v Speaker 1>your measuring stick? But trying to think I'm gonna give

0:41:11.480 --> 0:41:15.120
<v Speaker 1>it ten turkey legs, ten turkey legs. Nice, I was

0:41:15.160 --> 0:41:17.440
<v Speaker 1>gonna give it turkular. You gotta come up something different.

0:41:17.520 --> 0:41:20.040
<v Speaker 1>We cannot repeat the measurement. I will give it ten

0:41:20.360 --> 0:41:28.520
<v Speaker 1>TJ tights, airpans, airpans, tjirpants, ten bowls of soy pudding,

0:41:29.360 --> 0:41:35.080
<v Speaker 1>ten balls junkie like she likes something, Uh, you know,

0:41:35.320 --> 0:41:46.760
<v Speaker 1>I'm gonna give it, uh ten dark suits, ten shoe

0:41:46.840 --> 0:41:54.240
<v Speaker 1>polishes and used ten flowers, ten funky deodorants. We should

0:41:54.239 --> 0:41:57.480
<v Speaker 1>have all worn flower crome. Yeah, miss opportunity, you need

0:41:57.560 --> 0:42:00.839
<v Speaker 1>an excuse for a flower? I have one? Oh my god,

0:42:00.960 --> 0:42:03.120
<v Speaker 1>why didn't you wear it? I forgot though, So I

0:42:03.160 --> 0:42:05.680
<v Speaker 1>think so, I think for the loyal viewer, which most

0:42:05.840 --> 0:42:10.160
<v Speaker 1>viewers are. Uh. This episode is a culmination of so

0:42:10.320 --> 0:42:17.320
<v Speaker 1>many storylines coming to Fruition and just beautifully beautifully written, episode,

0:42:17.719 --> 0:42:21.160
<v Speaker 1>beautifully directed. I think Chris Long directed this. I remember

0:42:21.280 --> 0:42:26.200
<v Speaker 1>Chris terrific guy, terrific energy on set um And if

0:42:26.200 --> 0:42:30.239
<v Speaker 1>you're listening, Chris Messiah, come on up and do an

0:42:30.239 --> 0:42:31.799
<v Speaker 1>episode of my news. Oh my gosh, for a second,

0:42:31.840 --> 0:42:33.880
<v Speaker 1>I thought he died the way he said Long, But

0:42:34.000 --> 0:42:35.839
<v Speaker 1>he died. No, no, no, no, because you're all miss

0:42:35.880 --> 0:42:39.960
<v Speaker 1>you like, oh no no. I was like, oh no, no,

0:42:40.080 --> 0:42:45.120
<v Speaker 1>no no. Um just just I mean, what a wonderful,

0:42:45.520 --> 0:42:49.000
<v Speaker 1>wonderful viewing. Like would you want to direct an episode

0:42:49.000 --> 0:42:54.839
<v Speaker 1>of like Sullivan's Crossing? You know you never say no? Yeah,

0:42:55.000 --> 0:42:58.480
<v Speaker 1>But I'm not Canadian, so I can't direct that show.

0:42:58.560 --> 0:43:01.719
<v Speaker 1>Oh my god? Is that true? Only or can hire

0:43:01.840 --> 0:43:06.759
<v Speaker 1>Canadian directors And there's plenty of great ones. Yeah, you're

0:43:06.840 --> 0:43:09.719
<v Speaker 1>great ones. There's some very very talented folks up there,

0:43:09.760 --> 0:43:14.440
<v Speaker 1>I'll tell you, very impressive. Um, how are we going

0:43:14.480 --> 0:43:18.319
<v Speaker 1>to get like the episodes of Sullivan's crossing that will

0:43:18.400 --> 0:43:22.360
<v Speaker 1>be that will be revealed? Okay, okay, do you know

0:43:22.480 --> 0:43:25.040
<v Speaker 1>anybody that works on the show? Though maybe you could

0:43:25.080 --> 0:43:30.080
<v Speaker 1>get a little inside well I do, Oh sure that's

0:43:30.120 --> 0:43:37.880
<v Speaker 1>not going to happen. Sorry, there's good news is yes

0:43:38.120 --> 0:43:40.880
<v Speaker 1>on the way. So anyway, okay, wonderful. And I'm very

0:43:40.880 --> 0:43:42.480
<v Speaker 1>nervous about next week. I actually I'm not gonna lie.

0:43:42.480 --> 0:43:45.320
<v Speaker 1>I'm nervous, right, yeah, I am, Yeah, I am nervous.

0:43:46.080 --> 0:43:49.120
<v Speaker 1>I'm nervous. I'm nervous for Danielle. I think I'm gonna

0:43:49.120 --> 0:43:53.359
<v Speaker 1>have to watch this one twice before we talk about it. Yeah,

0:43:53.520 --> 0:43:55.520
<v Speaker 1>and I'm gonna need to walk watch it like right

0:43:55.560 --> 0:43:57.480
<v Speaker 1>before we talk about it, because otherwise I'm gonna let

0:43:57.560 --> 0:44:01.640
<v Speaker 1>something I'm watch watching the night before and then the

0:44:01.760 --> 0:44:04.520
<v Speaker 1>day off. Yeah yeah, yeah, yeah. If we don't do

0:44:04.600 --> 0:44:05.920
<v Speaker 1>it too early, because I don't want to get up

0:44:05.920 --> 0:44:10.360
<v Speaker 1>at eight and be watching. Although I do like this

0:44:10.560 --> 0:44:16.120
<v Speaker 1>time thing. I feel like we an episode. Okay, good morning,

0:44:18.440 --> 0:44:23.879
<v Speaker 1>It's like lorealized sitting at Luke's front door at five A. Yeah, right, Han,

0:44:24.040 --> 0:44:26.600
<v Speaker 1>what are you doing? I'm watching a Gilmore Girls episode.

0:44:26.600 --> 0:44:30.520
<v Speaker 1>What do you think I've done? Actually, we've got for

0:44:30.640 --> 0:44:34.000
<v Speaker 1>people listening, there may be some break in pattern here

0:44:34.080 --> 0:44:36.360
<v Speaker 1>because we've got a bunch of guests we want to

0:44:36.400 --> 0:44:39.640
<v Speaker 1>get in. So just stick with us because this is

0:44:39.719 --> 0:44:41.719
<v Speaker 1>gonna be We've got We've got a bunch of guess

0:44:41.760 --> 0:44:43.520
<v Speaker 1>we got to get in before we do the next upide.

0:44:43.520 --> 0:44:47.040
<v Speaker 1>We got a lot of happening, So everybody just all right, everybody?

0:44:47.080 --> 0:44:49.319
<v Speaker 1>So I think that's going to wrap it up. Wait

0:44:49.360 --> 0:44:53.160
<v Speaker 1>a minute, hang on, crack staff, Oh almost forgot cracked.

0:44:53.200 --> 0:44:55.040
<v Speaker 1>Oh no, put it in pop culture? Remember you want

0:44:55.040 --> 0:44:56.719
<v Speaker 1>to put it? Okay, I have an idea. Let's put

0:44:56.760 --> 0:45:00.239
<v Speaker 1>it in pop culture. That's a that's a good. Next

0:45:00.239 --> 0:45:05.400
<v Speaker 1>episode of season four, episode twenty two, Raincoats and Recipes,

0:45:05.520 --> 0:45:09.759
<v Speaker 1>that's gonna for the season finale is going to be

0:45:09.840 --> 0:45:12.880
<v Speaker 1>our next podcast. Boy, it's going It may not be

0:45:12.960 --> 0:45:17.160
<v Speaker 1>our next but it will be soon our next episode,

0:45:17.719 --> 0:45:22.400
<v Speaker 1>our next recap. Oh yeah, that's Scot's like, what is happening?

0:45:22.600 --> 0:45:25.759
<v Speaker 1>What is going on here? Because we have a bunch

0:45:25.800 --> 0:45:34.279
<v Speaker 1>of bag Gracie having oar slice Uh. Hi kids, Thank you, Tara,

0:45:34.360 --> 0:45:38.640
<v Speaker 1>thank you Danielle, thank you Amy. Uh what an episode huh.

0:45:39.000 --> 0:45:41.320
<v Speaker 1>I hope you enjoyed it. Love you guys, best fans

0:45:41.440 --> 0:45:44.400
<v Speaker 1>on the planet of which I am now one. Anyway,

0:45:44.400 --> 0:45:47.280
<v Speaker 1>We'll see you next time. Stay safe and always always

0:45:47.360 --> 0:45:51.960
<v Speaker 1>remember this one fact. I am all in. Oh good

0:45:52.000 --> 0:46:26.520
<v Speaker 1>out hey everybody, and don't forget Follow us on Instagram

0:46:26.920 --> 0:46:30.600
<v Speaker 1>at I Am all In podcast and email us at

0:46:30.840 --> 0:46:35.400
<v Speaker 1>Gilmore at iHeartRadio dot com. Oh you're Gilmore fans. If

0:46:35.400 --> 0:46:37.359
<v Speaker 1>you're looking for the best cup of coffee in the world,

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