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Speaker 1: Can I ask, is there a video element to this?

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Speaker 1: Are you going to use the video? No?

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Speaker 2: Okay, were you going to do something really funny?

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Speaker 1: No? I just had a zoo I was going to

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Speaker 1: just do a zoom background. I thought, oh yeah, fun.

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Speaker 3: But we had some visual gags plan, but we can

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Speaker 3: we can script them.

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Speaker 4: That's fine, a.

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Speaker 1: Bat the whole thing, But it's fine.

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Speaker 5: The visual stuff to us is kind of a crutch

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Speaker 5: and like having a TV show like sort of the

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Speaker 5: same thing as like, well.

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Speaker 3: Yeah, I find it just like it's fun and it

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Speaker 3: adds and it's.

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Speaker 2: Quite like comedy with comedy with a gnat, you know,

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Speaker 2: reliant on that, whereas like, yeah, you actually the art

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Speaker 2: comes from having nothing to offer.

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Speaker 1: Okay, yeah, wow, I'm just going to name some some artists.

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Speaker 1: Uh and uh, I can't think of any off the

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Speaker 1: top of my head.

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Speaker 2: Now it's you. We wouldn't expect you to.

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Speaker 1: Yeah, but what I would have done in that moment

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Speaker 1: is listed artists with an aesthetic, you know, and you

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Speaker 1: would have realized that actually beautiful image or a visual

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Speaker 1: component can actually really add to the art.

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Speaker 2: But that's just it's it's honestly one or the other.

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Speaker 5: There's a painting and there's a podcast and everything else

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Speaker 5: is cheap.

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Speaker 2: Uh and okay, it's okay. Yeah.

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Speaker 3: Yeah, it's like it's actually just like a second life.

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Speaker 3: It's it's all you understand. So yeah, a lot of ways,

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Speaker 3: it's like it's kind of like it's more creative in

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Speaker 3: a lot of ways. But I see your point.

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Speaker 5: It's basically like if you had beautiful Lisa the painting

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Speaker 5: and you had her, then having that, you needed to

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Speaker 5: have her say like, hey, what's up.

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Speaker 2: Yeah, I'm just totally unecessary. She is saying hey, what's up.

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Speaker 2: But she's doing it just with that little that sort

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Speaker 2: of side, that smirking kind of her face is doing something,

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Speaker 2: is it not?

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Speaker 6: So?

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Speaker 1: Actually, when I went to the Louver in France, I

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Speaker 1: actually had a neopod in and I was listening to

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Speaker 1: music while I while I experienced her. And I have

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Speaker 1: to tell you that multimedia experience was profound in a

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Speaker 1: way that.

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Speaker 2: You what were you what were you listening to when

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Speaker 2: you saw I can't remember right now exactly, So it's

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Speaker 2: a profound experience, one that the artist did not intend

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Speaker 2: and you can't recall the specifics of it.

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Speaker 4: Sounds pretty good, Yeah, I was fair.

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Speaker 3: Yeah, I don't think it's fits. Its just like say

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Speaker 3: that it's not good or creative. Its just that. But

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Speaker 3: like I see your point, but it's like it's you know,

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Speaker 3: it's kind of just like cutting things out that But yeah,

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Speaker 3: I see what you're saying.

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Speaker 5: And I just want to say, for Zachary, as we

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Speaker 5: start this, we are this is a podcast, so we

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Speaker 5: are going to need you to be able to come

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Speaker 5: up with with specifics, especially when you prompt them.

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Speaker 2: You could you couldn't name a single visual artist and

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Speaker 2: then you also couldn't name any music and for us,

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Speaker 2: that really is going to remove so many options for us.

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Speaker 2: And these were both concepts that you introduced.

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Speaker 1: Yeah, so when I when I when I said it,

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Speaker 1: I should probably have an idea of where it's going.

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Speaker 2: It doesn't have to be good, and frequently you'll find

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Speaker 2: when we're doing it on the show it's not. But

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Speaker 2: the fact that you just have even a sort of

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Speaker 2: a placeholder idea in there, I think is going to

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Speaker 2: get us to the finish line so that we can at.

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Speaker 7: Least that's American College for you, though that's in Australia.

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Speaker 7: That's not how we do it here.

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Speaker 4: But that's why.

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Speaker 7: That's that's very office or like a Michael Shirk kind

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Speaker 7: of mentality.

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Speaker 5: I guess American office versus British office British or or

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Speaker 5: I guess British Empire office. They introduce a concept and

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Speaker 5: then just like let it drift away, just watch it

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Speaker 5: kind of float away for.

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Speaker 4: A long It's what's not said.

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Speaker 1: You know, I believe there was a British playwright who

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Speaker 1: I can't recall the name right now.

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Speaker 2: I could feel that you weren't going to have a

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Speaker 2: playwrights name, and.

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Speaker 1: Do you know what's I was thinking Harold Pinter, but

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Speaker 1: I chose not to say it. That's the sort of

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Speaker 1: comedy I'm talking about.

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Speaker 5: Here, having something there, having a joke, a specific and

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Speaker 5: then choosing to instead to do nothing at all.

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Speaker 2: That is, can we just do the thing? Can we

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Speaker 2: just play the Can we just do it? Can we

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Speaker 2: just go?

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Speaker 4: Kevin so I piece, I got out of there.

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Speaker 2: I am deuces Lake Trow.

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Speaker 5: I'm at you know, it's a place where you bring

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Speaker 5: your TV in to paint your own TV right, beautiful

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Speaker 5: idea And I have this list like very full power

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Speaker 5: where I paint scrappy doo on the screen and kind

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Speaker 5: of a lit the like, let me add him pose

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Speaker 5: because I had an idea that like to fit him

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Speaker 5: in certain other into like Pacific rim.

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Speaker 2: And which t And I'm sorry, which TV because you

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Speaker 2: have your sharp your son, yo, you of course have

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Speaker 2: your TCL. And then last time I was there, you

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Speaker 2: were eyeing and insignia that I thought would have looked

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Speaker 2: very handsome on one of your walls. This was a Toshiba. Okay,

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Speaker 2: he said, it is a sodom. Please don't deep. It

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Speaker 2: goes very very deep. Yes, yes, one of the thick

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Speaker 2: ones goes all the way back.

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Speaker 5: And I bring it in, I paint it, I play

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Speaker 5: Pacific Grim on it.

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Speaker 2: It works perfectly.

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Speaker 5: It's so funny to see Scrappy do like fighting these

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Speaker 5: guys guy, yes, you know robots. And then they're like, okay, thanks,

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Speaker 5: will we have to fire this. They like burn it

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Speaker 5: up and weird and and they're like see you, And

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Speaker 5: I'm like, I don't get to treat this is my TV.

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Speaker 5: I don't get to keep this. I made this for myself.

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Speaker 5: And they're like, no, we give it to an we

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Speaker 5: give it to an old person.

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Speaker 2: Okay, sorry, So they do they destroy it, they give

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Speaker 2: it to an old person.

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Speaker 5: They fire it, so it's not they actually like set it.

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Speaker 5: They put it in the kiln. Yes, and that bakes

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Speaker 5: Scrappy Do onto the screen.

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Speaker 2: Oh and Scrappy Do and Charlie Day will be permanently

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Speaker 2: fuse together in that case.

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Speaker 5: Yes, And so that was another issue. Is it also

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Speaker 5: bakes whatever is currently on the screen from Pacific Rim

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Speaker 5: onto the screen. And it was Charlie Day. It's like,

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Speaker 5: I don't want that's not your favorite part. I don't

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Speaker 5: want him to be fighting him. It's not funny. It's

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Speaker 5: not funny to punch Charlie Day. That's punching down to

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Speaker 5: punch a kaiju. Okay, now we've got some comedy.

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Speaker 2: But we really shouldn't talk about Pacific Rim the whole

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Speaker 2: time because we have these guests that are.

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Speaker 5: But isn't that interesting for who we have? No, it's

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Speaker 5: so perfect. Yes, actually from that part of the world,

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Speaker 5: from the second first time that we've ever done this. Uh,

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Speaker 5: it's it's Auntie Donna. Who are these three gentlemen who

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Speaker 5: actually have their own names as well? And this is

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Speaker 5: a group of of some kind and what what about this?

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Speaker 1: Like?

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Speaker 5: What is like? Talk about what it is? And like what, like,

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Speaker 5: just talk about this? What the you know, what is this?

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Speaker 2: Because I look at this and I'm like, what, like,

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Speaker 2: tell me what this is. I'm almost almost pissed when

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Speaker 2: I see it because it's so you know, it's so confusing.

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Speaker 1: It's a tough it's a big question to open with.

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Speaker 2: You know, who's this?

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Speaker 4: What?

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Speaker 1: What?

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Speaker 4: What are we? What do we?

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Speaker 2: Who is this? Who is this? Who is who are you? So?

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Speaker 4: Who am I? Specifically?

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Speaker 1: I'm my name is Zach Okay.

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Speaker 4: Now I'm Mark.

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Speaker 2: Okay, very similar.

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Speaker 5: And yeah, and now that is a different energy which

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Speaker 5: will be great for this ongoing Mister Bad.

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Speaker 3: Yeah, we spoke about coming on with and trying to Sorry,

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Speaker 3: just touching on Yeah, I'm sorry, I was just cold.

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Speaker 4: I was just referred to as mister.

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Speaker 7: Bad by I guess a co host of the show.

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Speaker 4: I'm actually the main host.

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Speaker 2: I'm the sidekick and uh and Kevin's something of an

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Speaker 2: MC character as well, so he's really more of an

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Speaker 2: official host too.

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Speaker 7: Oh I meant nothing by it. There's nothing you know,

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Speaker 7: co hosts. A co pilot is no less a pilot

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Speaker 7: than than a pilot is.

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Speaker 5: As a pilot, it is, they don't get to touch anything.

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Speaker 2: They don't get to. I mean, they basically they have

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Speaker 2: stuff to touch, but it doesn't do anything to the plane.

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Speaker 2: They just give them kind of like it might as

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Speaker 2: well be like a children's toy. They just have a.

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Speaker 5: Little I didn't know that they have to go to

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Speaker 5: the bathroom constantly because it's very important that if they

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Speaker 5: do ever take over, if it ever is happening that

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Speaker 5: they have to take over, they cannot need to go

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Speaker 5: to the bathroom. So even if they don't have to go,

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Speaker 5: they have to try to go to the bathroom every like.

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Speaker 2: It's mainly why they're there, so that if there is

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Speaker 2: an emergency, there's one pilot who definitely doesn't have to

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Speaker 2: go to the bathroom.

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Speaker 4: I didn't know that. I didn't know that. I did.

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Speaker 4: I did know that. I did know that.

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Speaker 2: I read it back, knew it book, Zach knew it.

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Speaker 2: Mister Bad didn't. So that's interesting.

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Speaker 1: That's sort of one of the dynamics that we'll play

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Speaker 1: off on stage in our sketch comedies.

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Speaker 3: I'm very much Sweden when it comes to these things.

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Speaker 3: I didn't really know. I didn't really know.

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Speaker 2: I didn't really quiet up there.

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Speaker 3: Yeah, I'm just I'm disgusting. I like to avoid confrontation.

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Speaker 2: I forgot you were even here.

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Speaker 3: Yeah yeah, yeah, yeah yeah, get a little anxiety and.

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Speaker 2: Stuff, but yeah you're in the middle.

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Speaker 5: Okay, So the stage, the stage, like, wow, we're doing

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Speaker 5: this for real.

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Speaker 2: Huh oh, yes, it happened. We're doing do you.

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Speaker 4: Do live live stage sort of comedy.

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Speaker 2: Yeah.

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Speaker 5: We've actually done two entire tours that were five shows total.

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Speaker 2: Yep.

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Speaker 4: Yeah.

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Speaker 1: Wow, it's it's it's there's there's nothing else.

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Speaker 4: It's there, there's there's there's nothing else.

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Speaker 1: When that curtain comes up and you go, okay, this

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Speaker 1: is us.

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Speaker 4: We're in this together.

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Speaker 2: This is a room, the connection room, the community that

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Speaker 2: you form there, the you know, it's your own little world.

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Speaker 2: The whole rest of the world just disappears and you're

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Speaker 2: just communing with the audience in this way. That is like,

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Speaker 2: it's very erotic, isn't it.

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Speaker 4: Let's in a lot of ways.

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Speaker 2: Yeah, do you let's let can we let mister bad

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Speaker 2: I'm so sorry about the erotic aspects.

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Speaker 7: Bad here is mister mister bad here. I often think

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Speaker 7: when I go out there, I wonder who's sitting in

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Speaker 7: the back road tonight, who's back there? Who's going to

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Speaker 7: go home and become the next mister bad Who's because

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Speaker 7: that was you home?

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Speaker 4: And cha why people think about theater?

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Speaker 2: And I do the show for the back two and

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Speaker 2: a half rows right right then, and all the rows

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Speaker 2: in front of that don't exist in there, and I

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Speaker 2: actually basically could just just as well piss on them

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Speaker 2: because there's such goodie two shoes. Oh here I am.

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Speaker 2: I'm like right up on the stage, and they're so thirsty,

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Speaker 2: and to me, it's like I want the person who

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Speaker 2: is actually already has had been slaked, because.

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Speaker 5: You watch them like you watch the back row and

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Speaker 5: they're like arms folded and they're like, okay, prove it

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Speaker 5: right me laugh, show me something right we wait?

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Speaker 4: We actually so we would.

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Speaker 1: We were performing very instinctually for a number of years.

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Speaker 2: And the exits right there, bro, sorry to interrupt, this

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Speaker 2: is what the back row is saying. Exits right there, Bro,

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Speaker 2: I can walk there any time I want, you know,

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Speaker 2: go ahead. What were you saying?

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Speaker 1: No? No, no, absolutely, And and that was and we

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Speaker 1: found that we were all going to the back row,

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Speaker 1: right because that's that's when you're a performer. You're hungry

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Speaker 1: for that. And we actually had to sit down and

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Speaker 1: we said, look, let's split this audience into three let's

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Speaker 1: let's let's not deny that front two thirds what they

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Speaker 1: came for. So that's where Broden really took the mister

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Speaker 1: bad mantra. He's our he's our back row boy, as

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Speaker 1: we like to call him. I'm the front. I'm there

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Speaker 1: for the front. The book smarts and I'm feeling that.

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Speaker 4: Yeah, I'm in the middle.

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Speaker 3: I get the middle.

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Speaker 4: There you are?

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Speaker 2: Yeah, yeah, so quiet quiet, yeah, yeah, yeah.

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Speaker 3: You know, like I tend to not just sort of

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Speaker 3: like a waffle line. I tend to speak when I

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Speaker 3: have something to say, you know, that kind of thing,

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Speaker 3: not not not you know, podcasts very different, I understand.

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Speaker 5: Yeah, And so far you've been saying just like and

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Speaker 5: here I am kind and in the middle. But that's you.

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Speaker 5: That's big. That's really important. Talk about performing in Australia.

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Speaker 5: So Australia, I assume, is unique from a performance perspective.

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Speaker 5: This is a country of three hundred people spread out

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Speaker 5: over the territory the size of Africa. So how are

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Speaker 5: you like, is it just sort of one by one

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Speaker 5: you're getting to everybody, Like, how does this work?

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Speaker 2: Performing live that's a hue.

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Speaker 3: That's a big question.

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Speaker 1: Wow, uh mak, did you want to take that? Man?

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Speaker 1: I know you missed the middle, but but no, no.

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Speaker 2: No, he doesn't want to do that. Mark's passing on

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Speaker 2: this one. So we'll get Mark later, we hope. Who knows,

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Speaker 2: because that's the crazy thing. You're going to get three

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Speaker 2: different answers, you know from mister bad.

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Speaker 1: I don't know.

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Speaker 2: I don't know what. Well we're gonna get at most

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Speaker 2: two different answers at this point because Mark is declining

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Speaker 2: to answer. So like, I know, you're sort of the brain.

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Speaker 2: I can't answer if you want.

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Speaker 4: I can't answer if you want, but you're not gonna

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Speaker 4: like it.

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Speaker 3: I'm trying to hold my tongue here because performing in Australia, brother,

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Speaker 3: it's something else, all right, and I don't want to

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Speaker 3: upset you.

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Speaker 2: That's kind of what he's sad. Was that it must

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Speaker 2: be Yeah, it was like different. Yeah, I was sort

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Speaker 2: of talking about how it was different. Yeah, that was

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Speaker 2: the question.

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Speaker 3: I missed that. Sorry, I'm you didn't hear of that.

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Speaker 3: Had I had I heard that, I would have been

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Speaker 3: fine to because it is just a little bit different. Okay, Yeah,

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Speaker 3: you crowds are the crowds are in America, they're sort

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Speaker 3: of one way. In Australia they're a little bit they're

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Speaker 3: different different.

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Speaker 2: I'm sensing a riff coming on. This is when I

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Speaker 2: kind of kick my feet up, I pull my arms

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Speaker 2: and I go all right, time to enjoy the show because.

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Speaker 4: It's just clarifying. And I wanted to talk to Kevin, said.

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Speaker 3: I've got the reins and you're instead fans, all.

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Speaker 7: Right, is this is that okay? Is it okay to

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Speaker 7: be a bit sillier with this one?

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Speaker 2: We yes, we don't within Yeah, absolutely, Like.

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Speaker 4: I don't want to ruin your form, like the form

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Speaker 4: of your show.

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Speaker 2: No, And I don't want that either, But I do

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Speaker 2: think that guests should should feel free to get a

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Speaker 2: little bit silly, especially in these.

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Speaker 6: Silly Yeah too much, But I'll tell you what it's

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Speaker 6: it's a real relief not to have the weight of

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Speaker 6: the show on my shoulders right now, you know, we

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Speaker 6: get to just have fun.

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Speaker 5: And yeah, really then it usually is huh, Zachary, Like,

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Speaker 5: normally you are feeling that pressure of needing to carry

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Speaker 5: the rest of the time your show.

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Speaker 1: Yeah, yeah, Well look, it really depends on the type

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Speaker 1: of show we're doing. If we're doing what I like

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Speaker 1: to call the front row show, yeah, absolutely, I'm driving it.

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Speaker 4: If it's that.

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Speaker 1: The intellectual stuff, the book smart stuff. But maybe we're

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Speaker 1: doing something that's a little rougher, all a little harder,

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Speaker 1: if you will, And then we're looking for not the

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Speaker 1: book smarts, but the straight smarts. And that's what I'm

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Speaker 1: just going to handball right over to Broden, you know,

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Speaker 1: And that's the mister bad.

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Speaker 5: The best thing about words, Yeah, I'm noticing even from

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Speaker 5: the Zoom names is that we have Mark is Mark,

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Speaker 5: and Broden is Broughden, and Zachary is actually Auntie Donna

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Speaker 5: himself and so like that he has memed himself the

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Speaker 5: show and the show is him.

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Speaker 2: So we have essentially our lead character here. Even in

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Speaker 2: the Zoom Auntie Donna featuring yes Broden and yes Mark,

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Speaker 2: but zach it sort of goes without saying he is

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Speaker 2: Auntie Dunna.

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Speaker 3: It might be. It might be because Zacha signed into

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Speaker 3: the Auntie Donna business account Zoom, which we spoke about

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Speaker 3: not doing and bredon and I followed the sort of

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Speaker 3: conversation we had before this about signing into a private

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Speaker 3: accounts but Zach, why don't you let us know about that?

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Speaker 3: Why don't you explain why it says Auntie Donna.

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Speaker 1: Okay, yeah, yeah, for sure, for sure, that's a great

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Speaker 1: like sort of thought and theory. Absolutely, yes, I did

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Speaker 1: sign in on the Antie Donna account. But it's also

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Speaker 1: true that Auntie Donna started as a solo project of mine.

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Speaker 1: It was my character, great Aunt Donna living in the

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Speaker 1: House on the Hill.

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Speaker 4: And when I folded wacky family stuff, wacky family.

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Speaker 1: Yeah, and when I folded team, oh, thank you. I

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Speaker 1: can't believe you've seen that stuff. Yeah, you've seen the No.

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Speaker 2: Just families like are some of the funniest.

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Speaker 3: Like my family is Italian, so I know all about that.

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Speaker 3: Mum and mea and all of that, all of that stuff,

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Speaker 3: all the.

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Speaker 1: Well, that's when Mark we folded Mark in was for

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Speaker 1: our second show. Back then, it wasn't Auntie Donna the brand,

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Speaker 1: it was the name of the show. And for our

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Speaker 1: second show, Auntie Donna and the Italian's next Door. That's

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Speaker 1: when Mark came in. And I tell you that there

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Speaker 1: was sparks there. It was a really wonderful show that

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Speaker 1: one think the beginning of what we are now I

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Speaker 1: would love.

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Speaker 2: To see to have seen that that naming convention. Uh,

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Speaker 2: this is so funny.

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Speaker 5: I was actually uh watching an interview with Lauren the

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Speaker 5: other day who talked about if SNL had started in

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Speaker 5: a certain time period, in a certain area the era,

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Speaker 5: it would have been called Mango.

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Speaker 4: You're joking, it would have.

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Speaker 2: Been The show would have been named mister and mister Bad.

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Speaker 5: You know that he's not I'm not joking, and I'm

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Speaker 5: saying it like in a very normal, non joking way.

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Speaker 5: The show he acts crazy. The show would have been

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Speaker 5: made after the character.

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Speaker 4: I don't know Hayes. I don't know Hayes.

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Speaker 5: No, whoa, whoa, calm down, hey hey oh and we're

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00:18:51,760 --> 00:18:56,280
Speaker 5: moving like we're honestly, we're moved into like talking business

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Speaker 5: now like in the just sort of like conversation naturally.

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Speaker 2: Naming show, you know, yeah, this kind of thing where

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00:19:02,800 --> 00:19:04,240
Speaker 2: it's like, how do you name a show? How do

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00:19:04,280 --> 00:19:05,840
Speaker 2: you get a show on the air? Like you know

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00:19:06,040 --> 00:19:09,520
Speaker 2: this producers and TV and all this. I mean, there's

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Speaker 2: what you're doing, right, I mean you guys are doing

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Speaker 2: It's a show right.

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Speaker 1: Yeah real yeah real, yeah yeah yeah.

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Speaker 3: We hit the big time. We hit the big it's

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Speaker 3: a proper show. It's a real show, real big, big time,

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00:19:22,440 --> 00:19:23,840
Speaker 3: big time show, big time.

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00:19:24,160 --> 00:19:26,880
Speaker 2: And Scott Ackerman is producing, right.

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00:19:27,040 --> 00:19:33,159
Speaker 3: Yes, yes, Scott, yes, Scott, Yeah, mister, we're just going Scott. Yeah.

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Speaker 4: Comedy Bang Bang's own.

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Speaker 2: You're friends with him, yeah, good.

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00:19:36,680 --> 00:19:40,520
Speaker 3: Friends, good friends. He he he saw a stuff and

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Speaker 3: just went he reached to put this. Well, he saw,

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Speaker 3: he saw we were doing a show. We were doing

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Speaker 3: a live show, and he came. He saw the live show,

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Speaker 3: and his reaction that was, I have to I have

399
00:19:52,359 --> 00:19:55,439
Speaker 3: to work. I have to work with these boy these funny,

400
00:19:55,480 --> 00:19:58,640
Speaker 3: funny boys. Because he said to us, He's like, I

401
00:19:58,680 --> 00:20:00,720
Speaker 3: see in you what I saw in me.

402
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Speaker 5: And so he I'm you're just sorry that My question

403
00:20:06,000 --> 00:20:09,000
Speaker 5: is he reached out to you. He saw the show

404
00:20:09,080 --> 00:20:11,320
Speaker 5: and like he reached out through like your wraps or

405
00:20:11,359 --> 00:20:12,000
Speaker 5: like what happened.

406
00:20:12,040 --> 00:20:15,480
Speaker 1: But his people, his people is a man named Dave

407
00:20:15,600 --> 00:20:17,280
Speaker 1: jack Kowski who works.

408
00:20:17,080 --> 00:20:22,720
Speaker 5: Yeah, oh no, I know, don't healthy Dave Dragski. I

409
00:20:22,760 --> 00:20:23,520
Speaker 5: actually had.

410
00:20:23,640 --> 00:20:25,359
Speaker 3: Well, he works a Comedy Bang Bank. He's one of

411
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Speaker 3: the producers.

412
00:20:26,920 --> 00:20:30,720
Speaker 4: Yes, I know. It's a funny guy. He's so cool.

413
00:20:31,119 --> 00:20:32,880
Speaker 4: I know who he is.

414
00:20:34,240 --> 00:20:36,640
Speaker 3: We had burgers and the name.

415
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Speaker 2: I know, I haven't had audience with mister.

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Speaker 4: Sorry, sorry, sorry, sorry, No, I would love to, and.

417
00:20:45,880 --> 00:20:47,560
Speaker 2: It's it sounds really cool. And I've heard a lot

418
00:20:47,560 --> 00:20:50,440
Speaker 2: of people who met him and they say that he's

419
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Speaker 2: like just the best.

420
00:20:51,520 --> 00:20:54,719
Speaker 5: But yes, yes, you're you're raising your hand, mister nasty,

421
00:20:54,800 --> 00:20:55,280
Speaker 5: mister Beth.

422
00:20:55,920 --> 00:20:58,320
Speaker 7: I don't want to stop the show. This is funny,

423
00:20:58,359 --> 00:21:00,520
Speaker 7: this is funny, and I'm really happy to have come on.

424
00:21:00,600 --> 00:21:02,840
Speaker 2: It's some of the funniest ever. Well it's not even

425
00:21:02,880 --> 00:21:05,199
Speaker 2: trying to be like That's what I think is so awesome,

426
00:21:05,359 --> 00:21:06,879
Speaker 2: is like none of us are trying to be funny.

427
00:21:06,920 --> 00:21:09,480
Speaker 2: I haven't tried to say a funny thing the whole day.

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Speaker 4: I just want to point out.

429
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Speaker 7: I don't want to make a big deal out of it,

430
00:21:13,200 --> 00:21:15,480
Speaker 7: but the Zoom names seem to be changing a bit

431
00:21:16,920 --> 00:21:20,679
Speaker 7: in what manner like what well, for example, you sewn

432
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Speaker 7: your name's now you've put your name is Auntie Donna.

433
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Speaker 7: And then obviously the producer of the show, Kevin Bartet but.

434
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Speaker 2: But bart Or blast Bartelt, Bla.

435
00:21:35,960 --> 00:21:38,840
Speaker 7: Telt Mark has put his names that and I'm just

436
00:21:39,760 --> 00:21:43,080
Speaker 7: is it am I being pranked now? Or what is

437
00:21:43,080 --> 00:21:46,240
Speaker 7: is this a what is are we cracking jokes?

438
00:21:46,400 --> 00:21:48,880
Speaker 2: No, I no like I honestly, I don't know how

439
00:21:48,920 --> 00:21:49,440
Speaker 2: to do that.

440
00:21:50,920 --> 00:21:53,800
Speaker 4: Okay, Zach's changed his name to Sushi Friend.

441
00:21:54,400 --> 00:21:59,240
Speaker 1: Now, I now that was for the guys. That's a

442
00:21:59,240 --> 00:22:02,359
Speaker 1: bit of a joke we have with Dave Jackowski. I

443
00:22:02,400 --> 00:22:03,719
Speaker 1: just thought i'd do that.

444
00:22:03,760 --> 00:22:09,199
Speaker 2: But there's like a sushi was the one time, the

445
00:22:09,240 --> 00:22:11,359
Speaker 2: one time I saw him, he was coming, he was

446
00:22:11,640 --> 00:22:13,600
Speaker 2: I was outside of sushi place and I was sort

447
00:22:13,600 --> 00:22:14,080
Speaker 2: of waiting.

448
00:22:14,880 --> 00:22:18,919
Speaker 1: Yeah, Dave, Dave and Scott too.

449
00:22:19,080 --> 00:22:21,480
Speaker 3: Scott. Scott loves love sushi.

450
00:22:21,640 --> 00:22:23,919
Speaker 2: Scott does. Yeah, where's a gift?

451
00:22:24,359 --> 00:22:26,040
Speaker 3: No, no, no, he hates it as a gift And

452
00:22:26,119 --> 00:22:27,440
Speaker 3: if you gave it to him as a gift, he'd

453
00:22:27,440 --> 00:22:31,000
Speaker 3: be pissed. He'd be so don't don't don't do that.

454
00:22:31,359 --> 00:22:33,720
Speaker 2: You should know that he likes to pick his own.

455
00:22:34,640 --> 00:22:39,399
Speaker 3: Yes, yeah, he more of a train me. He likes

456
00:22:39,440 --> 00:22:40,200
Speaker 3: to get on the train.

457
00:22:40,840 --> 00:22:43,359
Speaker 2: Scott's so cool you call it a train.

458
00:22:44,520 --> 00:22:45,160
Speaker 3: That's his train?

459
00:22:46,520 --> 00:22:47,120
Speaker 1: Does she train?

460
00:22:47,400 --> 00:22:53,560
Speaker 2: So Dave reaches out is the first meeting with just Deve.

461
00:22:54,359 --> 00:22:57,040
Speaker 4: So Dave reached out to cat Dale.

462
00:22:57,440 --> 00:23:01,840
Speaker 1: Cat Dale, who is our management in Australia, and they had.

463
00:23:01,720 --> 00:23:04,040
Speaker 5: A bit of a back and forth management just like

464
00:23:04,080 --> 00:23:08,880
Speaker 5: for your for you, like just like just for you,

465
00:23:08,960 --> 00:23:09,879
Speaker 5: like you're a store.

466
00:23:10,520 --> 00:23:15,920
Speaker 3: Oh okay, so when you reach a certain level, okay,

467
00:23:16,160 --> 00:23:17,040
Speaker 3: when you sort of.

468
00:23:17,520 --> 00:23:19,520
Speaker 4: You're gonna have to go back, go back, go back,

469
00:23:19,560 --> 00:23:20,720
Speaker 4: go back.

470
00:23:21,520 --> 00:23:25,439
Speaker 5: This is so like this is uh, this is an

471
00:23:25,480 --> 00:23:30,800
Speaker 5: Australia thing. I guess in the in the States, we

472
00:23:30,880 --> 00:23:33,520
Speaker 5: don't like we're just like we don't have like a

473
00:23:33,680 --> 00:23:38,359
Speaker 5: like a person doesn't have like a manage meant that

474
00:23:38,520 --> 00:23:41,840
Speaker 5: is that is like Sean is saying that for a store.

475
00:23:42,480 --> 00:23:44,960
Speaker 1: Okay, sorry, I thought we don't actually have. This is

476
00:23:45,000 --> 00:23:47,160
Speaker 1: really a little awkward. I thought this was the Hollywood.

477
00:23:48,080 --> 00:23:50,679
Speaker 1: It's a it's a it's I'm pretty sure there's I

478
00:23:50,720 --> 00:23:53,760
Speaker 1: know a lot of artists in Hollywood that have have

479
00:23:53,880 --> 00:23:54,520
Speaker 1: what's called.

480
00:23:54,600 --> 00:23:57,720
Speaker 5: So that's so interesting because before the show, before the show.

481
00:23:57,760 --> 00:24:00,400
Speaker 4: Yes, yes you have the bring this up.

482
00:24:00,520 --> 00:24:03,040
Speaker 5: You had the opportunity to and you said you were

483
00:24:03,040 --> 00:24:05,359
Speaker 5: talking about artists and you have the opportunity to mention

484
00:24:05,520 --> 00:24:08,280
Speaker 5: any artist and you couldn't name a single one. And

485
00:24:08,320 --> 00:24:13,280
Speaker 5: so now you seem to know so many artists, okay,

486
00:24:13,359 --> 00:24:14,320
Speaker 5: and so let's see if you.

487
00:24:14,320 --> 00:24:16,480
Speaker 2: Can name one. Now, let's actually name one right.

488
00:24:16,359 --> 00:24:19,639
Speaker 4: Now, Yeah, this is very adversarial.

489
00:24:19,080 --> 00:24:22,919
Speaker 2: For it's actually not. It's just purely it's holding you

490
00:24:22,960 --> 00:24:26,080
Speaker 2: accountable for what you actually said. If that feels like

491
00:24:26,119 --> 00:24:28,600
Speaker 2: an attack, that's actually on you, my bro.

492
00:24:29,960 --> 00:24:32,359
Speaker 4: Okay, man, and that's that's totally okay.

493
00:24:32,560 --> 00:24:34,960
Speaker 1: And there are tonal differences in how we converse, you know,

494
00:24:35,000 --> 00:24:39,919
Speaker 1: Australians America we convert. It felt adversarial, okay, it felt

495
00:24:39,960 --> 00:24:40,440
Speaker 1: like you were.

496
00:24:40,359 --> 00:24:40,919
Speaker 4: Coming at me.

497
00:24:41,000 --> 00:24:43,280
Speaker 2: But I totally understand, which is on you, which is

498
00:24:43,320 --> 00:24:43,879
Speaker 2: what I said.

499
00:24:44,560 --> 00:24:48,840
Speaker 1: Okay, all right, But when you communicate in that way, and.

500
00:24:48,800 --> 00:24:52,200
Speaker 5: We were naming an artist, we were naming one artist.

501
00:24:52,560 --> 00:24:56,159
Speaker 5: I just don't want to distract from what that task

502
00:24:56,240 --> 00:24:56,840
Speaker 5: at handed.

503
00:24:57,000 --> 00:24:58,840
Speaker 3: I'm any artist, name any oddists.

504
00:24:58,880 --> 00:25:02,040
Speaker 2: He's showing interest, and he's showing interest because you said

505
00:25:02,040 --> 00:25:04,200
Speaker 2: you know a ton of artists, and it's actually polite

506
00:25:04,240 --> 00:25:05,920
Speaker 2: for him to follow up by saying, well, fucking name

507
00:25:05,960 --> 00:25:06,480
Speaker 2: one then.

508
00:25:06,640 --> 00:25:09,080
Speaker 1: Okay, yeah, absolutely, and I'm happy to know, mom, But like,

509
00:25:09,160 --> 00:25:10,320
Speaker 1: where's the detail here?

510
00:25:10,400 --> 00:25:12,560
Speaker 5: What artists do you want? A visual artist do you want?

511
00:25:13,119 --> 00:25:16,240
Speaker 5: I guess my specific request is any artist.

512
00:25:16,040 --> 00:25:20,440
Speaker 3: Bitch, name one one artist before more than had come on,

513
00:25:20,800 --> 00:25:23,080
Speaker 3: come on talking this morning.

514
00:25:22,800 --> 00:25:27,320
Speaker 4: About as I made a Netflix show.

515
00:25:27,160 --> 00:25:29,800
Speaker 2: Where you pressed in la you prep for this.

516
00:25:30,359 --> 00:25:32,040
Speaker 3: So every morning, Zach can I get on a call.

517
00:25:32,080 --> 00:25:34,240
Speaker 3: We talked about the artists we like. I don't understand

518
00:25:34,240 --> 00:25:36,920
Speaker 3: why this is so difficult for him. We talkedoke for

519
00:25:37,000 --> 00:25:41,200
Speaker 3: an hour about like, well, why why are you drowning? Well,

520
00:25:41,200 --> 00:25:45,800
Speaker 3: you're making us look like idiots, say an artist, sack, artist,

521
00:25:46,119 --> 00:25:52,000
Speaker 3: the artist sack, come on this twenty this morning. Why

522
00:25:52,040 --> 00:25:52,760
Speaker 3: is this hard?

523
00:25:53,720 --> 00:25:55,760
Speaker 1: I don't understand what I'm meant to say here. I'm

524
00:25:55,800 --> 00:26:04,879
Speaker 1: actually I'm I'm legitimately confused here, he Zach, I feel

525
00:26:04,880 --> 00:26:07,840
Speaker 1: like there's there's a lot of people getting very aggressive

526
00:26:07,920 --> 00:26:08,240
Speaker 1: with me.

527
00:26:09,000 --> 00:26:09,840
Speaker 4: I am honest.

528
00:26:10,560 --> 00:26:14,920
Speaker 2: Okay, that's great, Well call me aggressive again, because I've

529
00:26:14,960 --> 00:26:17,960
Speaker 2: clarified actually that we're being nice, we're being polite, we're

530
00:26:18,000 --> 00:26:18,880
Speaker 2: showing interest.

531
00:26:19,680 --> 00:26:23,679
Speaker 5: That is the person who initially asked I'm good on

532
00:26:23,800 --> 00:26:27,280
Speaker 5: this like we like. The question was name any artists,

533
00:26:27,320 --> 00:26:31,359
Speaker 5: and Zach's answer was me. So that to me is

534
00:26:31,400 --> 00:26:36,159
Speaker 5: like totally cool and I actually like to me and

535
00:26:36,280 --> 00:26:40,679
Speaker 5: like that is like that's connecting with me, right, and.

536
00:26:40,960 --> 00:26:43,160
Speaker 1: Thank you for that, thank you for communicating that That's

537
00:26:43,200 --> 00:26:47,000
Speaker 1: all I was asking for with that level of communication disappointing.

538
00:26:47,040 --> 00:26:49,920
Speaker 4: We have to push very hot. Well, I didn't realize

539
00:26:49,920 --> 00:26:51,760
Speaker 4: that I was included in that list.

540
00:26:52,080 --> 00:26:57,000
Speaker 2: I assume it, Zach. Of course you are, Zach. That's

541
00:26:57,080 --> 00:26:59,040
Speaker 2: the whole point. That's why you're on here.

542
00:27:00,119 --> 00:27:03,320
Speaker 1: Know if you know about a term called the impostor syndrome.

543
00:27:05,119 --> 00:27:11,080
Speaker 2: Do I do I know about the impasta syndrome? Yeah? Yeah,

544
00:27:11,160 --> 00:27:13,320
Speaker 2: I had a big ball this stuff last night. I

545
00:27:13,400 --> 00:27:16,000
Speaker 2: was I was deep in the pasta and Mark. That

546
00:27:16,160 --> 00:27:19,160
Speaker 2: was about that Mark's family except that Italian.

547
00:27:19,840 --> 00:27:24,320
Speaker 4: It's very very different past the ball not fresh. We're

548
00:27:24,359 --> 00:27:28,119
Speaker 4: not talking about in pasta syndrome.

549
00:27:28,000 --> 00:27:30,800
Speaker 2: Never ending with you believe that you are in pasta,

550
00:27:31,400 --> 00:27:32,760
Speaker 2: not talking a different thing.

551
00:27:33,080 --> 00:27:35,680
Speaker 1: That's a different talking imposta.

552
00:27:36,520 --> 00:27:38,800
Speaker 2: I don't think I be Long said it the exact

553
00:27:39,480 --> 00:27:39,760
Speaker 2: to me.

554
00:27:41,000 --> 00:27:43,919
Speaker 5: I don't it sounds when you say it is exactly

555
00:27:43,960 --> 00:27:44,359
Speaker 5: the same.

556
00:27:44,560 --> 00:27:50,520
Speaker 4: Listen, in pasta, you're an a rathiol. Okay, you're stuck in.

557
00:27:50,720 --> 00:27:53,480
Speaker 1: Maybe you're a pork, a pork and time sort of

558
00:27:53,640 --> 00:27:57,400
Speaker 1: meat mix, you know, just a pasta.

559
00:27:58,119 --> 00:28:01,359
Speaker 2: Yeah right, well, I guess that I don't think of

560
00:28:01,480 --> 00:28:11,400
Speaker 2: pork and thyme or straight beef as necessarily pasta, the.

561
00:28:11,400 --> 00:28:13,800
Speaker 3: Feeling in the what are you? What are you putting

562
00:28:13,840 --> 00:28:18,040
Speaker 3: in your raveolis? Me in your raveolis?

563
00:28:18,920 --> 00:28:23,280
Speaker 2: What's in your what's in your revels? This is America?

564
00:28:23,880 --> 00:28:26,399
Speaker 2: So pizza pizza?

565
00:28:27,280 --> 00:28:27,480
Speaker 8: Yah?

566
00:28:28,200 --> 00:28:30,560
Speaker 4: Yeah, my mouth is watering at the notion.

567
00:28:31,720 --> 00:28:34,439
Speaker 5: We put a little pizza in there. You put a

568
00:28:34,440 --> 00:28:37,400
Speaker 5: little pizza in your Yeah, a little pizza.

569
00:28:37,080 --> 00:28:41,600
Speaker 2: Of tiniest pizza you've ever seen inside the reveoli. It's

570
00:28:41,640 --> 00:28:45,680
Speaker 2: a different it's a different to what's so cool these

571
00:28:45,720 --> 00:28:48,440
Speaker 2: cultural differences and this and anytime mark that you want

572
00:28:48,480 --> 00:28:50,280
Speaker 2: to take that riff and just go.

573
00:28:50,760 --> 00:28:59,480
Speaker 3: About how things are different here and we're going to

574
00:28:59,560 --> 00:29:03,160
Speaker 3: go down on that that whole different thing I've got.

575
00:29:03,440 --> 00:29:05,080
Speaker 1: Yeah, yeah, you need to calm down.

576
00:29:05,160 --> 00:29:06,600
Speaker 3: Okay, I'm sorry, I'm sorry.

577
00:29:07,440 --> 00:29:10,479
Speaker 5: Everyone else is sitting. I want to say, so, like,

578
00:29:11,880 --> 00:29:15,719
Speaker 5: is there anywhere that you can sit during this because

579
00:29:15,760 --> 00:29:16,360
Speaker 5: you are.

580
00:29:17,400 --> 00:29:21,240
Speaker 2: I think that's sitting issue, the energy you are sitting.

581
00:29:21,760 --> 00:29:24,200
Speaker 3: Yes, I don't know why you would say that.

582
00:29:24,360 --> 00:29:26,480
Speaker 2: I thought America was the free, the freaking and now

583
00:29:26,480 --> 00:29:28,440
Speaker 2: it does look like you're saying, but before it looks

584
00:29:28,880 --> 00:29:31,800
Speaker 2: it does look different from the way it was before.

585
00:29:32,440 --> 00:29:35,720
Speaker 5: Now I'm sitting you see, you said you thought America

586
00:29:35,800 --> 00:29:37,720
Speaker 5: was a free country instead of a country that was

587
00:29:37,760 --> 00:29:39,560
Speaker 5: founded to be a prison m.

588
00:29:40,480 --> 00:29:43,440
Speaker 1: Oh okay, all right, yeah, okay, Broden, you might not

589
00:29:43,560 --> 00:29:46,600
Speaker 1: know this because you're not the book smart one. He's

590
00:29:46,640 --> 00:29:49,960
Speaker 1: referring to Australia's history as a convict colony.

591
00:29:50,120 --> 00:29:52,440
Speaker 7: So okay, yeah, no, thank you for clarifying. I would

592
00:29:52,960 --> 00:29:55,360
Speaker 7: mine's more like where can you catch and try?

593
00:29:55,400 --> 00:29:57,480
Speaker 5: And by the way, I think that's great. I'm not

594
00:29:57,520 --> 00:29:59,680
Speaker 5: saying that as a bad thing. I think it is.

595
00:29:59,800 --> 00:30:02,760
Speaker 5: I think it is good. Do you, Yes, I do.

596
00:30:02,800 --> 00:30:04,880
Speaker 5: That's why I said I only talk about stuff I

597
00:30:04,920 --> 00:30:06,200
Speaker 5: think that is good on the show.

598
00:30:06,480 --> 00:30:08,440
Speaker 2: No, this show is all about positivity.

599
00:30:09,480 --> 00:30:11,680
Speaker 4: I think it's love as a compliment.

600
00:30:11,720 --> 00:30:14,440
Speaker 7: I like that you could walk into a Walgreens and

601
00:30:14,480 --> 00:30:16,720
Speaker 7: buy a machine gun.

602
00:30:18,520 --> 00:30:19,200
Speaker 4: Landed it there.

603
00:30:21,160 --> 00:30:24,240
Speaker 5: You landed it there, so we don't Actually so that

604
00:30:24,440 --> 00:30:26,320
Speaker 5: is the kind of thing you asked before. You asked

605
00:30:26,360 --> 00:30:28,880
Speaker 5: before about like being silly and stuff. Yes, we absolutely

606
00:30:28,920 --> 00:30:33,200
Speaker 5: do that. You like, I know your show is like, I.

607
00:30:33,080 --> 00:30:33,960
Speaker 4: Think that's okay.

608
00:30:34,560 --> 00:30:36,640
Speaker 3: You want to talk about difference. Excuse me. We walk

609
00:30:36,680 --> 00:30:40,840
Speaker 3: into a Safeway, We'll buy a jar pisada, We'll buy

610
00:30:40,920 --> 00:30:42,840
Speaker 3: some prosudo maybe.

611
00:30:43,000 --> 00:30:43,600
Speaker 2: The first.

612
00:30:46,520 --> 00:30:47,760
Speaker 3: Jar pisada.

613
00:30:50,080 --> 00:30:52,400
Speaker 2: Standing an angry for this. Now what does that mean?

614
00:30:52,600 --> 00:30:56,440
Speaker 3: Well, a jar pisada. I'm sitting, I'm sitting on a chair.

615
00:30:56,840 --> 00:30:59,920
Speaker 3: A jar pisada. Well you don't we walk in the safe.

616
00:30:59,720 --> 00:31:00,600
Speaker 2: Way by education?

617
00:31:03,040 --> 00:31:07,560
Speaker 5: Jorge Posada, which was that was a baseball player.

618
00:31:08,240 --> 00:31:09,840
Speaker 2: I don't know what your version.

619
00:31:09,680 --> 00:31:13,640
Speaker 3: You had a jar of pasada playing baseball in your

620
00:31:13,960 --> 00:31:16,240
Speaker 3: Things are different, things are.

621
00:31:16,160 --> 00:31:19,080
Speaker 5: Different, different, It's different, and we will get into that,

622
00:31:19,320 --> 00:31:20,200
Speaker 5: for sure, it will.

623
00:31:20,600 --> 00:31:22,680
Speaker 1: And I think a lot of maybe the tension we

624
00:31:22,680 --> 00:31:25,680
Speaker 1: were feeling before that, as I noted, there was a

625
00:31:25,720 --> 00:31:28,200
Speaker 1: lot of aggression. I think maybe some of that was

626
00:31:28,240 --> 00:31:34,640
Speaker 1: down to misunderstanding. You know, baseball versus cricket, you know,

627
00:31:34,960 --> 00:31:39,400
Speaker 1: posada versus a you know, a jar of tomato, sauce

628
00:31:39,560 --> 00:31:42,120
Speaker 1: or gravy or whatever you'd call it. Pasada to you

629
00:31:42,280 --> 00:31:45,320
Speaker 1: is a is a prominent baseball athlete?

630
00:31:45,320 --> 00:31:46,280
Speaker 2: Wouldn't gold gravy?

631
00:31:47,080 --> 00:31:47,680
Speaker 4: Well some do?

632
00:31:48,600 --> 00:31:59,280
Speaker 2: But again different, different, so different, And back to the

633
00:31:59,320 --> 00:32:02,760
Speaker 2: cultural thing. You this idea of like having a manager

634
00:32:03,200 --> 00:32:08,479
Speaker 2: who is communicating with date, and so that conversation happens,

635
00:32:08,520 --> 00:32:10,280
Speaker 2: none of you are present for that or you are

636
00:32:10,600 --> 00:32:11,320
Speaker 2: what's going on?

637
00:32:11,520 --> 00:32:13,080
Speaker 1: Yeah, it just happens.

638
00:32:13,520 --> 00:32:21,360
Speaker 2: It just happens, and then manager gets to call Mark.

639
00:32:21,760 --> 00:32:26,440
Speaker 2: Is it a phone or yeah.

640
00:32:25,120 --> 00:32:29,480
Speaker 1: It's again, it depends on the type of gig.

641
00:32:30,160 --> 00:32:32,480
Speaker 4: If it's like, if it's like a.

642
00:32:32,440 --> 00:32:37,520
Speaker 1: Literary deal writing, you know, the art side of things,

643
00:32:37,600 --> 00:32:39,800
Speaker 1: she's calling me because I'm the front of the room guy.

644
00:32:40,320 --> 00:32:41,200
Speaker 4: If it's sort of.

645
00:32:41,200 --> 00:32:47,280
Speaker 1: Something a bit wishy washy, maybe network television news type interview,

646
00:32:47,360 --> 00:32:50,240
Speaker 1: she's gonna call Mark. If it's like a street fight

647
00:32:50,400 --> 00:32:53,160
Speaker 1: or a brawl or you know that sort of that

648
00:32:53,240 --> 00:32:57,880
Speaker 1: sort of thing, she's gonna call mister bag. She hasn't

649
00:32:57,880 --> 00:33:00,440
Speaker 1: had to yet, thank god, but you know, it's important

650
00:33:00,440 --> 00:33:01,160
Speaker 1: to have that delinear.

651
00:33:01,240 --> 00:33:04,000
Speaker 2: So you have this. The manager.

652
00:33:05,480 --> 00:33:12,920
Speaker 5: Is your representation for art opportunities, wishy washy network news.

653
00:33:12,280 --> 00:33:15,960
Speaker 4: I don't know what the problem here is. I feel

654
00:33:15,960 --> 00:33:17,000
Speaker 4: like it's.

655
00:33:17,320 --> 00:33:20,680
Speaker 3: This isn't hard to understand. It's this is so well

656
00:33:20,720 --> 00:33:22,960
Speaker 3: known about the way managers and things were.

657
00:33:23,160 --> 00:33:26,840
Speaker 7: It's so odd that you have no It might help

658
00:33:26,960 --> 00:33:30,479
Speaker 7: you tell us where you are and then we'll go

659
00:33:30,560 --> 00:33:35,640
Speaker 7: from there. Because I'm sitting here going manager, yeah, and

660
00:33:35,680 --> 00:33:38,320
Speaker 7: you're going, what is this? How does this work? Am

661
00:33:38,320 --> 00:33:43,480
Speaker 7: I a Jersey? Absolutely? Absolutely? And I'm like, honey, honey,

662
00:33:43,560 --> 00:33:46,640
Speaker 7: we're at a you know, it's just basic one o one.

663
00:33:47,520 --> 00:33:48,480
Speaker 4: Yeah, it's like.

664
00:33:48,400 --> 00:33:51,720
Speaker 1: You're calling from the moon and we're already at Mars

665
00:33:52,000 --> 00:33:54,000
Speaker 1: right now. I don't want to be arrogant here, but

666
00:33:54,040 --> 00:33:56,520
Speaker 1: that's what it feels like. I don't know how the

667
00:33:56,520 --> 00:33:57,520
Speaker 1: moon even works for me.

668
00:33:57,560 --> 00:33:59,640
Speaker 2: It starts well to me. It's not arrogant at all.

669
00:33:59,680 --> 00:34:01,920
Speaker 2: I actual don't understand what you're saying, but.

670
00:34:01,880 --> 00:34:03,640
Speaker 3: It's like it's like it's like for us where like

671
00:34:03,720 --> 00:34:06,360
Speaker 3: on the moon, and you're like on Earth. If that

672
00:34:06,400 --> 00:34:07,080
Speaker 3: makes more.

673
00:34:06,920 --> 00:34:09,520
Speaker 2: Sense, so so like, so can I say this then

674
00:34:10,040 --> 00:34:12,719
Speaker 2: Earth to Auntie Donna? We don't know what the fuck

675
00:34:12,760 --> 00:34:14,399
Speaker 2: you're talking about, but.

676
00:34:14,440 --> 00:34:17,439
Speaker 5: I'm happy to say, Like, what are how it works

677
00:34:17,440 --> 00:34:22,880
Speaker 5: in America is uh, seven years ago, you start a podcast,

678
00:34:23,080 --> 00:34:26,560
Speaker 5: it does not work, it's unsuccessful, you end it, you

679
00:34:26,600 --> 00:34:30,719
Speaker 5: start a different podcast, and then you do that one

680
00:34:31,120 --> 00:34:32,200
Speaker 5: for the next.

681
00:34:32,080 --> 00:34:34,640
Speaker 2: Six and a half six and a half yeah, yeah, and.

682
00:34:34,600 --> 00:34:37,719
Speaker 5: Then now in twenty twenty, the way we're doing things

683
00:34:37,760 --> 00:34:41,879
Speaker 5: is you have a podcast, you don't have any representation

684
00:34:41,960 --> 00:34:42,839
Speaker 5: associated with it.

685
00:34:42,840 --> 00:34:49,040
Speaker 2: It does not change into like a TV show. No, yes,

686
00:34:49,239 --> 00:34:53,000
Speaker 2: it doesn't. Book and Scott, for example, as somebody who

687
00:34:53,080 --> 00:34:56,440
Speaker 2: you guys are apparently know, or even the Dave guy.

688
00:34:58,000 --> 00:35:00,360
Speaker 4: Is not calling any one.

689
00:35:01,320 --> 00:35:02,640
Speaker 2: Nobody's calling you.

690
00:35:02,640 --> 00:35:05,560
Speaker 5: We just have Dave here, so there is no one

691
00:35:05,600 --> 00:35:07,560
Speaker 5: for Dave to really call necessarily.

692
00:35:07,800 --> 00:35:11,360
Speaker 2: Yeah, they called himself and goes like him, you know,

693
00:35:11,480 --> 00:35:12,279
Speaker 2: I just heard me.

694
00:35:12,920 --> 00:35:14,720
Speaker 7: I don't think of it this way, if I'm being honest,

695
00:35:14,800 --> 00:35:16,319
Speaker 7: I just wake up in the morning and I go,

696
00:35:16,400 --> 00:35:18,719
Speaker 7: what's funny today? How can I find truth? And how

697
00:35:18,719 --> 00:35:21,200
Speaker 7: can I lampoon someone today?

698
00:35:21,840 --> 00:35:24,040
Speaker 2: And what is that? And what does it end up being?

699
00:35:24,480 --> 00:35:26,799
Speaker 2: It depends on the day, you know, like just like

700
00:35:26,840 --> 00:35:29,080
Speaker 2: what's something, but what it's like? One example, what's something

701
00:35:29,120 --> 00:35:32,520
Speaker 2: today or ideally tomorrow? Really for me, I.

702
00:35:32,520 --> 00:35:34,160
Speaker 4: Might wake up and paint a picture.

703
00:35:34,520 --> 00:35:36,680
Speaker 7: I might wake up and say, we've got to do

704
00:35:36,719 --> 00:35:38,000
Speaker 7: something about this Trump clown.

705
00:35:39,239 --> 00:35:40,000
Speaker 4: I'm gonna So.

706
00:35:40,000 --> 00:35:43,719
Speaker 5: I'm an artist. Was actually a response to the last question.

707
00:35:45,000 --> 00:35:46,799
Speaker 4: So if you wanted another artist, bro, that.

708
00:35:46,840 --> 00:35:49,520
Speaker 5: Was So this is actually a different question. That was

709
00:35:49,520 --> 00:35:53,239
Speaker 5: to Zach's prompt, and this one is like what is

710
00:35:53,239 --> 00:35:54,319
Speaker 5: the thing you're lampooning too?

711
00:35:54,320 --> 00:35:56,279
Speaker 2: There's always a delay with zoom and.

712
00:35:56,200 --> 00:35:59,360
Speaker 7: So yeah, I'm just trying to explain to you guys.

713
00:35:59,840 --> 00:36:02,880
Speaker 7: You you're talking about who's your you? I know you

714
00:36:02,960 --> 00:36:04,839
Speaker 7: kind of people. You're the kind of people who come

715
00:36:04,840 --> 00:36:06,399
Speaker 7: into a room and you're talking to me. You're looking

716
00:36:06,400 --> 00:36:09,960
Speaker 7: over my shoulder. Oh, where's you know? Someone more important?

717
00:36:10,160 --> 00:36:11,239
Speaker 7: Who's someone I can talk to?

718
00:36:11,320 --> 00:36:11,440
Speaker 8: Now?

719
00:36:11,440 --> 00:36:13,359
Speaker 7: That's going to get me up the ladder. That's how you,

720
00:36:13,400 --> 00:36:17,120
Speaker 7: guys are there someone there could be, but it doesn't matter.

721
00:36:17,160 --> 00:36:17,640
Speaker 4: Here's the thing.

722
00:36:17,719 --> 00:36:19,520
Speaker 7: I walk into a room, I can be talking to

723
00:36:19,600 --> 00:36:21,719
Speaker 7: Brad Pitt, I can be talking.

724
00:36:21,440 --> 00:36:23,839
Speaker 2: To well, if he's there, I want to talk to him,

725
00:36:23,840 --> 00:36:25,520
Speaker 2: then yeah, I want to talk to him. Now I'm

726
00:36:25,520 --> 00:36:27,759
Speaker 2: trying to explain on your own example, I would want

727
00:36:27,800 --> 00:36:28,840
Speaker 2: to talk to Brad Pitt.

728
00:36:29,160 --> 00:36:31,360
Speaker 7: That's certainly that's your problem. That's what I'm trying to

729
00:36:31,400 --> 00:36:33,319
Speaker 7: explain to you. I walk into a room and.

730
00:36:33,480 --> 00:36:35,239
Speaker 2: A bad example for who you be talking to.

731
00:36:35,400 --> 00:36:38,720
Speaker 7: Then no, I'm trying to listen. I'm trying to explain

732
00:36:38,760 --> 00:36:40,600
Speaker 7: to you. I walk into a room, I'm like, how

733
00:36:40,640 --> 00:36:43,120
Speaker 7: can this be an artwork? How can this be a

734
00:36:43,239 --> 00:36:45,919
Speaker 7: sketch comedy? How can this be a Netflix six part

735
00:36:45,960 --> 00:36:49,319
Speaker 7: Netflix series? I think that way, and then everything else

736
00:36:49,400 --> 00:36:51,680
Speaker 7: is taken care of. We are true creatives we're not

737
00:36:51,760 --> 00:36:54,080
Speaker 7: worrying about Oh I need to send that memo to

738
00:36:54,120 --> 00:36:57,280
Speaker 7: get the deal. I need to I need to schmooze

739
00:36:57,360 --> 00:37:00,239
Speaker 7: my way onto Comedy Bang Bang, and I need said,

740
00:37:00,840 --> 00:37:02,719
Speaker 7: you know, send that email, not.

741
00:37:02,760 --> 00:37:03,400
Speaker 2: How we think.

742
00:37:04,520 --> 00:37:07,440
Speaker 5: Sorry, my sound stopped. My sound stopped working for a second,

743
00:37:07,440 --> 00:37:09,440
Speaker 5: but it sounded. But it sounded the same to me

744
00:37:09,480 --> 00:37:13,760
Speaker 5: because no one was saying anything like that was actually

745
00:37:13,840 --> 00:37:16,319
Speaker 5: real and important. So it sounded exactly the same as

746
00:37:16,360 --> 00:37:19,320
Speaker 5: well as when it was working. And for your information,

747
00:37:19,400 --> 00:37:21,200
Speaker 5: we don't need to schmooze. We haven't been invited on

748
00:37:21,239 --> 00:37:24,200
Speaker 5: Comedy Bang Bang in over three years, so okay.

749
00:37:23,920 --> 00:37:26,239
Speaker 2: So we don't exactly need to schmooze to do that.

750
00:37:26,600 --> 00:37:29,960
Speaker 2: And by the way, speaking of sending an email, m h,

751
00:37:31,120 --> 00:37:33,800
Speaker 2: what would the email even say?

752
00:37:34,400 --> 00:37:37,960
Speaker 1: Okay, say say this is okay, all right, I know

753
00:37:38,200 --> 00:37:40,160
Speaker 1: I know what you're getting at right now, I know

754
00:37:40,200 --> 00:37:41,160
Speaker 1: what you're trying to ask.

755
00:37:41,719 --> 00:37:44,480
Speaker 5: Please No, it's like you said, an email. So it's like,

756
00:37:44,640 --> 00:37:48,480
Speaker 5: what exactly would even like the wording of that, like.

757
00:37:48,480 --> 00:37:51,000
Speaker 2: This crazy example, like an email, It's like, okay, what

758
00:37:51,000 --> 00:37:52,719
Speaker 2: would the email even say if you even know what

759
00:37:52,719 --> 00:37:53,560
Speaker 2: you're talking about?

760
00:37:53,680 --> 00:37:55,680
Speaker 4: What are we even talking about? Who's this email too?

761
00:37:55,880 --> 00:38:00,520
Speaker 2: Is this an exactly exactly? You don't know you're making

762
00:38:00,560 --> 00:38:03,000
Speaker 2: it up? There's no email because.

763
00:38:02,760 --> 00:38:04,600
Speaker 1: I don't even know if I can help you right now.

764
00:38:04,600 --> 00:38:06,279
Speaker 1: I think you're asking for help. I think that's what

765
00:38:06,280 --> 00:38:06,840
Speaker 1: I'm identity.

766
00:38:06,880 --> 00:38:09,399
Speaker 5: Well, let's see, Like, let's honest, I'll bet you can't either.

767
00:38:09,440 --> 00:38:11,720
Speaker 5: But like let's see if you can, I'll bet you can't.

768
00:38:12,160 --> 00:38:14,520
Speaker 2: Hey, easy to settle, tell you easy to settle? Say

769
00:38:14,560 --> 00:38:16,440
Speaker 2: what the email would say? Then all of a sudden,

770
00:38:16,560 --> 00:38:17,239
Speaker 2: I can tell you the.

771
00:38:17,320 --> 00:38:21,440
Speaker 1: Last email I sent to Dave Jakowski, the most important

772
00:38:21,480 --> 00:38:24,440
Speaker 1: producer in the comedy Bang Bang Offers.

773
00:38:24,840 --> 00:38:26,480
Speaker 4: I sent him an email last week. Do you know

774
00:38:26,480 --> 00:38:29,080
Speaker 4: what it was? It was like, Hey, watched any good

775
00:38:29,120 --> 00:38:29,880
Speaker 4: movies recently?

776
00:38:30,719 --> 00:38:34,840
Speaker 1: That's the rapport and that's what's personal, relating to business,

777
00:38:35,280 --> 00:38:37,920
Speaker 1: to the lawyers, to the representatives.

778
00:38:38,280 --> 00:38:39,360
Speaker 4: That's how you get ahead.

779
00:38:39,360 --> 00:38:42,440
Speaker 3: Boys, But guys the easiest, Like I mean, look, if

780
00:38:42,440 --> 00:38:44,920
Speaker 3: you want to make it in this biz, right, just

781
00:38:45,080 --> 00:38:48,560
Speaker 3: follow our example. Get Scott. You guys are good guys.

782
00:38:48,600 --> 00:38:50,880
Speaker 3: We've held your podcast. You can full of spunk. We

783
00:38:50,920 --> 00:38:54,160
Speaker 3: think you're very funny. If Scott heard what you were doing.

784
00:38:55,040 --> 00:38:56,239
Speaker 2: Seriously, want to.

785
00:38:56,200 --> 00:39:01,080
Speaker 3: Keep Just get Scott to listen to your stuff. He came,

786
00:39:01,160 --> 00:39:04,160
Speaker 3: he saw us and he went, this is gloying, and

787
00:39:04,160 --> 00:39:06,560
Speaker 3: then he made it and then he got us money

788
00:39:07,360 --> 00:39:09,600
Speaker 3: if you get well, look cause Scott, no, he's got

789
00:39:09,640 --> 00:39:12,839
Speaker 3: good taste. So if he hears something that he likes,

790
00:39:12,880 --> 00:39:14,719
Speaker 3: he's gonna want to make it. He heard us and

791
00:39:14,719 --> 00:39:17,920
Speaker 3: he went, I'm giving them a Netflix show. He ran Netflix.

792
00:39:18,480 --> 00:39:22,520
Speaker 1: He has a he has a like a podcast sort

793
00:39:22,520 --> 00:39:22,880
Speaker 1: of group.

794
00:39:22,920 --> 00:39:24,320
Speaker 4: Doesn't he a podcast channel?

795
00:39:24,400 --> 00:39:25,040
Speaker 1: Yeah?

796
00:39:25,320 --> 00:39:28,160
Speaker 4: He did for a while, like a podcast type thing.

797
00:39:28,239 --> 00:39:30,920
Speaker 1: And maybe email him about that, say hey, we've got

798
00:39:30,960 --> 00:39:33,720
Speaker 1: this podcast. We'd love for it to be on your channel,

799
00:39:34,040 --> 00:39:36,960
Speaker 1: on your on your podcast group, and maybe from that

800
00:39:37,120 --> 00:39:39,520
Speaker 1: it could evolve into something else. You know that that's

801
00:39:39,600 --> 00:39:40,560
Speaker 1: something you could try.

802
00:39:41,080 --> 00:39:42,600
Speaker 3: Just get him to hear it, just get him to

803
00:39:42,600 --> 00:39:43,759
Speaker 3: see it, make him aware of it.

804
00:39:44,160 --> 00:39:48,200
Speaker 2: Yeah again, there's something. If you have any other suggestion,

805
00:39:48,400 --> 00:39:50,880
Speaker 2: even something that sounds a lot harder, would actually be

806
00:39:50,920 --> 00:39:51,640
Speaker 2: better for us.

807
00:39:52,920 --> 00:39:56,400
Speaker 5: What Scott, So just to like a little we've been

808
00:39:56,440 --> 00:39:58,120
Speaker 5: doing this for a while and so like a little

809
00:39:58,200 --> 00:40:03,520
Speaker 5: history on Scott and like his podcast group. He did

810
00:40:03,560 --> 00:40:06,560
Speaker 5: start a podcast group. He sold it for three hundred

811
00:40:06,600 --> 00:40:09,719
Speaker 5: million dollars and he has been using that money to

812
00:40:10,040 --> 00:40:15,759
Speaker 5: finance shows on Netflix for fifteen thousand dollars at a time.

813
00:40:16,480 --> 00:40:20,400
Speaker 5: So he'll give yours, He'll make your show for fifteen

814
00:40:20,440 --> 00:40:23,040
Speaker 5: thousand dollars and it'll all.

815
00:40:23,160 --> 00:40:25,799
Speaker 4: That money all on screen. I mean it looks great.

816
00:40:25,880 --> 00:40:30,239
Speaker 2: Yes, a Michael Bolton comedy show, your show, you know,

817
00:40:30,600 --> 00:40:33,480
Speaker 2: and keeping the powder dry also if another show comes along?

818
00:40:34,160 --> 00:40:35,240
Speaker 4: What powder?

819
00:40:36,520 --> 00:40:36,759
Speaker 2: Sorry?

820
00:40:36,800 --> 00:40:37,360
Speaker 4: What powder?

821
00:40:37,560 --> 00:40:38,239
Speaker 2: So yeah?

822
00:40:38,280 --> 00:40:42,919
Speaker 5: Sorry, this is like this is another like cultural thing

823
00:40:43,000 --> 00:40:46,200
Speaker 5: we say, like you keep the powder dry because this

824
00:40:46,280 --> 00:40:49,600
Speaker 5: is what we put on our pasta. Here, we put

825
00:40:49,640 --> 00:40:53,120
Speaker 5: this like very kind of it's like a little stinky,

826
00:40:53,719 --> 00:40:57,560
Speaker 5: but it's like yes, so that yes exactly there.

827
00:40:57,600 --> 00:40:59,799
Speaker 2: You call it cheese, exact cheese, but I call it

828
00:41:00,120 --> 00:41:03,000
Speaker 2: call it gunpowder because it's what makes the pastor really pop.

829
00:41:04,600 --> 00:41:06,840
Speaker 1: This is this is what I'm talking about. This is

830
00:41:06,840 --> 00:41:10,880
Speaker 1: what Broden was talking about. You're putting gunpowder on on pasta.

831
00:41:10,960 --> 00:41:14,520
Speaker 1: You know, we had a conservative leader said no more

832
00:41:14,600 --> 00:41:15,640
Speaker 1: gunpowder on pasta.

833
00:41:15,719 --> 00:41:17,160
Speaker 4: That's how it works in Australia.

834
00:41:18,200 --> 00:41:20,400
Speaker 2: His name was his name was Tony right.

835
00:41:21,000 --> 00:41:25,399
Speaker 1: It was Tony Tony Blair, and Tony Blair just said

836
00:41:25,680 --> 00:41:26,120
Speaker 1: no more.

837
00:41:26,040 --> 00:41:32,520
Speaker 5: Weird having a president named Tony, President Tony.

838
00:41:31,880 --> 00:41:36,280
Speaker 4: President Tony. But we love President Tony. We loved President Tony.

839
00:41:36,480 --> 00:41:39,279
Speaker 5: And he took all the gunpowder off your pasta and

840
00:41:39,320 --> 00:41:41,279
Speaker 5: no one said and no one had anything to say

841
00:41:41,320 --> 00:41:41,839
Speaker 5: about that.

842
00:41:42,239 --> 00:41:43,920
Speaker 2: Mister batt Are you going to get in trouble with

843
00:41:43,960 --> 00:41:48,799
Speaker 2: your nanny and your nanny state? Well, just thank you.

844
00:41:48,840 --> 00:41:51,480
Speaker 5: So you have to have a babysitter basically, Yeah, basically

845
00:41:51,480 --> 00:41:52,200
Speaker 5: a babysitter.

846
00:41:53,080 --> 00:41:54,880
Speaker 4: Yeah. That's really fun. That's really fun.

847
00:41:55,320 --> 00:41:57,759
Speaker 2: It is fun. Yeah, it is fun. I'm having time

848
00:41:57,760 --> 00:41:58,480
Speaker 2: in my life.

849
00:41:58,640 --> 00:42:00,840
Speaker 1: We go to the doctor in al Or, we go

850
00:42:00,880 --> 00:42:05,080
Speaker 1: to university in Australia and they give us money. They

851
00:42:05,200 --> 00:42:08,200
Speaker 1: literally you sign up for university and they say, here

852
00:42:08,320 --> 00:42:11,200
Speaker 1: is half a million dollars and you can do whatever

853
00:42:11,280 --> 00:42:11,920
Speaker 1: you want with it.

854
00:42:12,400 --> 00:42:13,120
Speaker 4: That's how it works.

855
00:42:13,320 --> 00:42:16,200
Speaker 2: And if you play every card exactly right, you use

856
00:42:16,280 --> 00:42:18,839
Speaker 2: all the money just how you're supposed to. You might,

857
00:42:19,120 --> 00:42:22,760
Speaker 2: if you're lucky, get six episodes on Netflix in America.

858
00:42:24,080 --> 00:42:25,160
Speaker 3: It's in the constitution.

859
00:42:25,600 --> 00:42:26,560
Speaker 4: That's the constitution.

860
00:42:26,800 --> 00:42:29,640
Speaker 2: That's the constitution. Whose constitution.

861
00:42:31,080 --> 00:42:37,920
Speaker 1: Mine Australia's institution, max constitution, Mine my constitution.

862
00:42:37,760 --> 00:42:40,120
Speaker 2: Man Mark. If you want to stand up again, that's okay,

863
00:42:40,200 --> 00:42:42,520
Speaker 2: like you have got I am, I am standing, you

864
00:42:42,640 --> 00:42:45,680
Speaker 2: are now staying we are okay. It's so hard to tell.

865
00:42:45,880 --> 00:42:50,080
Speaker 2: We can only really see your chin. So it's so

866
00:42:50,200 --> 00:42:53,840
Speaker 2: interesting because I was getting very excited the entire episode

867
00:42:53,880 --> 00:42:56,640
Speaker 2: to hear you just go off on the different between

868
00:42:56,719 --> 00:43:00,439
Speaker 2: America and Australia, and then the homie Sushi for down

869
00:43:00,480 --> 00:43:03,520
Speaker 2: here decided to just light it up with all this

870
00:43:03,520 --> 00:43:06,400
Speaker 2: stuff about the healthcare and education, and I feel like

871
00:43:06,440 --> 00:43:08,319
Speaker 2: that's gotta have taken a lot of the meat off

872
00:43:08,320 --> 00:43:08,680
Speaker 2: the bone.

873
00:43:08,719 --> 00:43:12,400
Speaker 5: For you know, at university, which we hear, we we

874
00:43:12,480 --> 00:43:19,400
Speaker 5: say at college, the University of Nevada Las Vegas. So

875
00:43:19,480 --> 00:43:21,520
Speaker 5: this is what you call your university. We don't say

876
00:43:21,640 --> 00:43:25,600
Speaker 5: we call the university. We say the University of Nevada Vegas,

877
00:43:25,600 --> 00:43:26,840
Speaker 5: of Nevada, Las Vegas.

878
00:43:27,239 --> 00:43:29,160
Speaker 1: It's those subtle differences, you know.

879
00:43:29,400 --> 00:43:29,920
Speaker 2: It's different.

880
00:43:29,960 --> 00:43:32,200
Speaker 3: And I don't want audience.

881
00:43:32,360 --> 00:43:34,960
Speaker 5: I don't want to take past off Mark's play here.

882
00:43:35,040 --> 00:43:37,880
Speaker 5: So like if you now is the time, if we're.

883
00:43:37,760 --> 00:43:41,440
Speaker 3: Gonna, I'm gonna tell you and I'll come off to you. No,

884
00:43:41,600 --> 00:43:43,000
Speaker 3: don't play.

885
00:43:43,280 --> 00:43:49,000
Speaker 4: I will I will get I will I will because

886
00:43:49,000 --> 00:43:54,160
Speaker 4: I love I'll come off don't get.

887
00:43:57,400 --> 00:43:57,839
Speaker 1: So good.

888
00:43:57,840 --> 00:44:00,560
Speaker 2: I don't I don't know what you do it. I don't.

889
00:44:05,080 --> 00:44:05,799
Speaker 3: What to say.

890
00:44:06,120 --> 00:44:06,359
Speaker 2: Shock.

891
00:44:06,520 --> 00:44:08,239
Speaker 4: I just remember, I just remember something.

892
00:44:08,440 --> 00:44:10,480
Speaker 7: Are you guys like if you're looking for a leg up,

893
00:44:10,520 --> 00:44:13,719
Speaker 7: just a little life hack for getting up the ladder?

894
00:44:13,760 --> 00:44:16,799
Speaker 7: A bit A big thing, A big thing we do

895
00:44:16,840 --> 00:44:18,040
Speaker 7: when we go to l A is we do this

896
00:44:18,040 --> 00:44:19,399
Speaker 7: thing called the water Bottle Tour.

897
00:44:19,440 --> 00:44:23,879
Speaker 4: Have you heard of that? Mm hmmm, yeah, I think yes,

898
00:44:24,480 --> 00:44:25,120
Speaker 4: I think so.

899
00:44:25,760 --> 00:44:28,200
Speaker 1: Sorry, Brendon, I think you should say they're probably thinking

900
00:44:28,480 --> 00:44:31,520
Speaker 1: a tour of water bottles.

901
00:44:33,719 --> 00:44:37,239
Speaker 2: Make the water bottle I said, I know, yeah, yeah, yeah,

902
00:44:37,280 --> 00:44:40,320
Speaker 2: what is it? A water bottle tour?

903
00:44:40,680 --> 00:44:41,719
Speaker 4: Is you go?

904
00:44:42,160 --> 00:44:44,920
Speaker 7: Because they call it like I like to call Hollywood

905
00:44:45,040 --> 00:44:50,759
Speaker 7: hollow SI so much there's so much just like fake stuff.

906
00:44:52,640 --> 00:44:53,480
Speaker 3: Is what we call them.

907
00:44:55,120 --> 00:44:56,560
Speaker 4: Oh, we love your show.

908
00:44:58,080 --> 00:45:01,600
Speaker 3: You guys you the stars.

909
00:45:01,120 --> 00:45:02,880
Speaker 2: When you guys are the scars.

910
00:45:03,040 --> 00:45:06,920
Speaker 1: Yeah, my favorite part of your show is this part

911
00:45:07,560 --> 00:45:09,160
Speaker 1: in the first fifteen minutes.

912
00:45:09,960 --> 00:45:12,520
Speaker 5: We get that too. People are always like, we love this,

913
00:45:12,719 --> 00:45:16,359
Speaker 5: we have heard it, like Mark did it ten minutes ago.

914
00:45:16,920 --> 00:45:17,759
Speaker 5: Meant a lot to me.

915
00:45:17,920 --> 00:45:20,880
Speaker 7: But the water bottle to it, you're going and mating

916
00:45:20,920 --> 00:45:23,399
Speaker 7: all the execs at the different offices and they hand

917
00:45:23,440 --> 00:45:24,360
Speaker 7: you a water bottle.

918
00:45:25,040 --> 00:45:28,160
Speaker 2: Yeah, you have to drink when you have to drink it,

919
00:45:28,760 --> 00:45:32,279
Speaker 2: you don't have to raise Oh you don't have to

920
00:45:32,320 --> 00:45:35,560
Speaker 2: drink it. No, you don't have to know that. You can't.

921
00:45:35,600 --> 00:45:38,120
Speaker 2: You're not even allowed. You can't even open it. It's

922
00:45:38,160 --> 00:45:39,040
Speaker 2: too it's stuck.

923
00:45:39,440 --> 00:45:42,120
Speaker 3: No, no, no, no, it's just a normal you've done the

924
00:45:42,160 --> 00:45:42,640
Speaker 3: water bottle.

925
00:45:42,800 --> 00:45:46,080
Speaker 2: Yeah I have. That's what I'm saying. That's what I'm saying.

926
00:45:46,120 --> 00:45:48,560
Speaker 2: We've all done it, right, bottle doesn't know. But it's stuck.

927
00:45:49,040 --> 00:45:52,200
Speaker 5: Hey, Kevin's like, what is that? Kevin's like, what is this?

928
00:45:52,880 --> 00:45:53,920
Speaker 5: I've never done.

929
00:45:53,760 --> 00:45:55,360
Speaker 2: It, Keviny hasn't done it.

930
00:45:55,840 --> 00:45:58,279
Speaker 3: Happens, it's just a bottle of war, of course.

931
00:45:58,480 --> 00:46:02,200
Speaker 2: Yeah, opens and whether it's empty there's nothing in it. No,

932
00:46:02,400 --> 00:46:05,080
Speaker 2: it's totally empty. It's or there's if there's something in it,

933
00:46:05,080 --> 00:46:07,520
Speaker 2: it's not water. Kevin's like, oh I thought there was

934
00:46:07,520 --> 00:46:10,040
Speaker 2: supposed to be water that. No, there's nothing in there.

935
00:46:10,120 --> 00:46:12,520
Speaker 4: Forget about the water bottle. Bit, forget about the water bottle.

936
00:46:12,680 --> 00:46:15,200
Speaker 4: Your idea to get about the water bottle. Bit, forget

937
00:46:15,200 --> 00:46:16,359
Speaker 4: about the water about that.

938
00:46:16,320 --> 00:46:19,000
Speaker 1: Because sometimes, Brandon, are you just going to mention. They

939
00:46:19,000 --> 00:46:20,640
Speaker 1: sometimes also offer you a coffee.

940
00:46:21,200 --> 00:46:22,920
Speaker 4: Yeah, you can get a coffee or a water, so

941
00:46:23,080 --> 00:46:24,920
Speaker 4: but they call it the water bottle to it, but I.

942
00:46:24,840 --> 00:46:29,160
Speaker 2: Think all coffee. He's in a bottle now, and I'm going, okay,

943
00:46:29,239 --> 00:46:32,200
Speaker 2: hang on, this is why this town is so messed up.

944
00:46:32,880 --> 00:46:34,880
Speaker 4: No, yeah, no it is.

945
00:46:35,320 --> 00:46:36,040
Speaker 2: Well what do you said?

946
00:46:36,120 --> 00:46:36,319
Speaker 3: Yeah?

947
00:46:36,400 --> 00:46:37,080
Speaker 2: What do you said? No?

948
00:46:38,160 --> 00:46:41,600
Speaker 4: Guys, guys, guys, focus, focus.

949
00:46:41,320 --> 00:46:43,759
Speaker 5: So what is it? Sushi friend said yeah, and Kevin

950
00:46:43,800 --> 00:46:44,760
Speaker 5: Bartel said.

951
00:46:44,560 --> 00:46:49,440
Speaker 7: No, I'm really sorry about that. I'm really sorry that

952
00:46:49,560 --> 00:46:52,319
Speaker 7: one of them said yes, no, we like to be

953
00:46:53,120 --> 00:46:55,720
Speaker 7: nice and unified on most things.

954
00:46:55,840 --> 00:46:59,000
Speaker 4: We'll talk about this afterwards. I'm really sorry about that.

955
00:46:59,160 --> 00:47:02,600
Speaker 7: Can we offer you a free drink or something like that,

956
00:47:02,840 --> 00:47:04,360
Speaker 7: or a muffin or something?

957
00:47:05,239 --> 00:47:08,200
Speaker 2: I take a muffin? Now? How does that are you all?

958
00:47:08,400 --> 00:47:10,399
Speaker 2: Did you all move here? Are you all?

959
00:47:12,360 --> 00:47:12,440
Speaker 1: Well?

960
00:47:12,480 --> 00:47:15,040
Speaker 2: Okay? Well you just not you keeping you're not now, Mark,

961
00:47:15,080 --> 00:47:19,719
Speaker 2: you're not shaking your head? No? No, yes, yes, you're

962
00:47:19,800 --> 00:47:21,000
Speaker 2: back in Australia.

963
00:47:21,880 --> 00:47:23,560
Speaker 4: We are back. And what happened?

964
00:47:23,719 --> 00:47:26,840
Speaker 3: Yeah, let's let let mister bad tell you what happens.

965
00:47:27,160 --> 00:47:28,080
Speaker 2: What happened now?

966
00:47:28,280 --> 00:47:33,120
Speaker 1: What can I before? He but before mister bad starts,

967
00:47:33,120 --> 00:47:37,520
Speaker 1: though he's an unreliable narrator, so we can't trust everything.

968
00:47:37,560 --> 00:47:39,360
Speaker 2: He said. Here's the book smart stuff.

969
00:47:39,360 --> 00:47:41,200
Speaker 4: Again. We're in l A.

970
00:47:41,320 --> 00:47:45,359
Speaker 7: We're living large, going to the cinemas every second night,

971
00:47:45,920 --> 00:47:49,160
Speaker 7: you know, like going to the Holly, you know, to

972
00:47:49,640 --> 00:47:53,239
Speaker 7: Arnold schwartz Negga's gym and drinking smoothies out of you know,

973
00:47:53,280 --> 00:47:58,080
Speaker 7: whenever we want. And then a little thing called COVID happened, right,

974
00:47:58,960 --> 00:48:03,920
Speaker 7: and Jago I call him Jargo. J Jagowski and his

975
00:48:04,040 --> 00:48:06,520
Speaker 7: team are like, get home, get safe.

976
00:48:06,280 --> 00:48:11,120
Speaker 5: Get home, and give this to Tom Hanks now today, right.

977
00:48:11,080 --> 00:48:13,160
Speaker 4: Oh yeah, yeah, but we didn't get.

978
00:48:13,000 --> 00:48:15,399
Speaker 2: It because who's above Scott on the ladder? Right?

979
00:48:15,600 --> 00:48:18,080
Speaker 5: We all know like this, I feel like this is

980
00:48:18,120 --> 00:48:21,839
Speaker 5: like out there, this is out there.

981
00:48:22,000 --> 00:48:24,840
Speaker 2: Then up there you look. Scott looks up. He doesn't

982
00:48:24,840 --> 00:48:28,000
Speaker 2: see but one set of feet and it's mister Tom Hanks.

983
00:48:28,160 --> 00:48:31,319
Speaker 3: Mm woody himself mm hmm.

984
00:48:31,440 --> 00:48:34,160
Speaker 5: And it says Andy on on That's all he could see.

985
00:48:35,560 --> 00:48:39,440
Speaker 5: He looks up these he's freaking the word Andy at

986
00:48:39,440 --> 00:48:42,440
Speaker 5: the bottom of a shoe.

987
00:48:41,520 --> 00:48:42,560
Speaker 3: And what is the cowboys?

988
00:48:42,560 --> 00:48:46,520
Speaker 2: So think about that, think about this, think about that.

989
00:48:46,920 --> 00:48:50,160
Speaker 1: And he's made of plastic which I think is important

990
00:48:50,160 --> 00:48:50,680
Speaker 1: to note.

991
00:48:51,160 --> 00:48:54,680
Speaker 5: Nyl Yeah, not really vinyl some but not, you know,

992
00:48:54,880 --> 00:48:55,839
Speaker 5: mostly not but yeah.

993
00:48:56,120 --> 00:49:04,399
Speaker 1: I think of it more of as a metaphorast.

994
00:49:01,400 --> 00:49:04,000
Speaker 2: No, yeah, credit, it's not about how at this point. Yeah,

995
00:49:04,040 --> 00:49:06,400
Speaker 2: it's not about how you think about it. It's the materials.

996
00:49:06,440 --> 00:49:07,239
Speaker 2: What the material is.

997
00:49:07,800 --> 00:49:10,960
Speaker 1: I guess it's sort of the difference. Look, I don't

998
00:49:10,960 --> 00:49:13,120
Speaker 1: want to be aggressive here, I don't want to like

999
00:49:13,200 --> 00:49:18,880
Speaker 1: come at you, but metaphor. Yeah, these sorts of notions,

1000
00:49:18,920 --> 00:49:22,640
Speaker 1: these are this is what differentiates an entertainer from an artist.

1001
00:49:23,320 --> 00:49:28,800
Speaker 5: And okay, would you have been unable to mention a

1002
00:49:28,880 --> 00:49:31,239
Speaker 5: specific oh, coming to yourself?

1003
00:49:32,000 --> 00:49:35,120
Speaker 2: You've got the one honest example. I guess mister bad

1004
00:49:35,160 --> 00:49:38,440
Speaker 2: got lumped in there at one point. Yeah, go ahead,

1005
00:49:38,480 --> 00:49:41,479
Speaker 2: go ahead, go ahead, take the phone, Yeah, go ahead,

1006
00:49:42,120 --> 00:49:44,359
Speaker 2: all right, I'll go go.

1007
00:49:45,600 --> 00:49:48,560
Speaker 4: Wow Bell, I think it's just door bell. I think

1008
00:49:48,600 --> 00:49:49,400
Speaker 4: it's a delivery.

1009
00:49:49,880 --> 00:49:51,480
Speaker 2: That's what it sounds like over there.

1010
00:49:52,560 --> 00:49:54,239
Speaker 3: I believe that would be Netflix.

1011
00:49:54,960 --> 00:49:58,480
Speaker 1: So Netflix, they were so happy with our six part series.

1012
00:49:58,600 --> 00:50:02,040
Speaker 1: They're delivering eight of us, hand delivering each of us

1013
00:50:02,080 --> 00:50:03,360
Speaker 1: some free air pods.

1014
00:50:04,200 --> 00:50:05,879
Speaker 4: So I said to us.

1015
00:50:06,120 --> 00:50:08,319
Speaker 3: We got an email this morning that said, guys, we

1016
00:50:08,400 --> 00:50:11,040
Speaker 3: are so happy with how the trailer launch has gone.

1017
00:50:11,680 --> 00:50:14,840
Speaker 3: We're sending you free air pods, and those air pods

1018
00:50:15,320 --> 00:50:17,279
Speaker 3: they're going to be delivered the Broaden right now, and

1019
00:50:17,320 --> 00:50:19,759
Speaker 3: we're not fucking around either. You're going to see he's

1020
00:50:19,800 --> 00:50:21,279
Speaker 3: going to come in. He's going to come in here.

1021
00:50:21,280 --> 00:50:23,080
Speaker 3: We're gonna say brown and get those air pods, and

1022
00:50:23,680 --> 00:50:25,880
Speaker 3: we will fucking prove you. I see your doubting eyes.

1023
00:50:26,000 --> 00:50:29,480
Speaker 2: No, I'm just wondering if the AirPods are in there. No,

1024
00:50:29,520 --> 00:50:32,480
Speaker 2: but I'm just wondering if they're if they're air pods,

1025
00:50:32,560 --> 00:50:36,960
Speaker 2: or if they are wireless headphones, which we have there

1026
00:50:37,040 --> 00:50:38,000
Speaker 2: by Regio's company.

1027
00:50:38,120 --> 00:50:41,760
Speaker 1: Our understanding is that they are they are air pods,

1028
00:50:42,600 --> 00:50:44,799
Speaker 1: but look that there may be confusion there.

1029
00:50:45,120 --> 00:50:45,600
Speaker 2: They could be.

1030
00:50:45,800 --> 00:50:49,319
Speaker 5: These ones look pretty similar the artist ray Ja, and

1031
00:50:49,360 --> 00:50:51,439
Speaker 5: that's actually an artist that I can name very.

1032
00:50:51,360 --> 00:50:57,160
Speaker 2: Easily did by advertising on our show.

1033
00:50:57,520 --> 00:51:03,399
Speaker 5: For these wireless headphones do basically look exactly like air

1034
00:51:03,560 --> 00:51:06,880
Speaker 5: air pods, except they're huger. They're huger, and they're a

1035
00:51:06,960 --> 00:51:07,640
Speaker 5: different color.

1036
00:51:07,880 --> 00:51:10,319
Speaker 2: And the came and the speaker came out and it

1037
00:51:10,400 --> 00:51:12,560
Speaker 2: was very sharp, and if it had come out inside

1038
00:51:12,560 --> 00:51:13,719
Speaker 2: my ear, I think I would have had to go

1039
00:51:13,760 --> 00:51:14,440
Speaker 2: to the hospital.

1040
00:51:14,840 --> 00:51:17,400
Speaker 5: A little piece came out of Sean's and if it

1041
00:51:17,440 --> 00:51:21,680
Speaker 5: had gone into his ear, it would have very gradually.

1042
00:51:22,200 --> 00:51:24,799
Speaker 2: Uh, I'm forgetting the name of the company. It was

1043
00:51:25,320 --> 00:51:28,080
Speaker 2: called Rathon. Oh okay, you.

1044
00:51:28,000 --> 00:51:30,359
Speaker 1: Don't want to forget the name of the company here.

1045
00:51:30,400 --> 00:51:34,000
Speaker 1: It's it's really important to get that plug.

1046
00:51:34,160 --> 00:51:35,120
Speaker 2: We were shouting them out.

1047
00:51:35,560 --> 00:51:40,080
Speaker 1: Yeah absolutely, mm hm, so so sorry, I'm sorry I interrupted.

1048
00:51:40,080 --> 00:51:42,280
Speaker 2: You were saying COVID happened.

1049
00:51:43,600 --> 00:51:46,919
Speaker 4: Well, but it's mister Bad.

1050
00:51:47,040 --> 00:51:50,520
Speaker 2: Was saying that I noticed mister Bad read everyone's name

1051
00:51:50,560 --> 00:51:54,799
Speaker 2: when they changed it, right, But then to mind, he

1052
00:51:54,880 --> 00:51:58,759
Speaker 2: actually has not been wanting to read. And Mark has

1053
00:51:58,880 --> 00:52:00,480
Speaker 2: done is done what as well?

1054
00:52:01,120 --> 00:52:05,560
Speaker 5: And you've changed He has returned for some surprises, new surprises.

1055
00:52:05,600 --> 00:52:07,120
Speaker 5: I don't know how to do it, but there were

1056
00:52:07,239 --> 00:52:08,640
Speaker 5: I could have done some good ones.

1057
00:52:09,160 --> 00:52:11,399
Speaker 7: You've changed your name to mister even worse, which is great.

1058
00:52:11,400 --> 00:52:13,239
Speaker 7: It's a fun little zoom good.

1059
00:52:13,280 --> 00:52:17,560
Speaker 4: Just become pow. You don't just become mister bad.

1060
00:52:18,000 --> 00:52:20,279
Speaker 2: Don't change.

1061
00:52:20,960 --> 00:52:23,319
Speaker 7: I don't feel awesome, but I'm telling you that you

1062
00:52:23,360 --> 00:52:24,640
Speaker 7: don't become something.

1063
00:52:25,440 --> 00:52:29,120
Speaker 2: I'm not feeling well. I am not feeling good. Some

1064
00:52:29,280 --> 00:52:30,360
Speaker 2: stomach cramps.

1065
00:52:30,960 --> 00:52:31,840
Speaker 4: What have you been eating?

1066
00:52:32,960 --> 00:52:36,279
Speaker 2: I have frozen pizza right before. This really fast is

1067
00:52:36,440 --> 00:52:38,000
Speaker 2: a little bigger than I thought too.

1068
00:52:38,960 --> 00:52:39,799
Speaker 4: Had you cooked it?

1069
00:52:40,400 --> 00:52:41,160
Speaker 3: Eat the whole thing?

1070
00:52:42,040 --> 00:52:45,440
Speaker 2: So well, who goes first? Which one is it first?

1071
00:52:45,480 --> 00:52:46,080
Speaker 2: Because I work?

1072
00:52:46,400 --> 00:52:47,440
Speaker 4: There's two questions?

1073
00:52:47,520 --> 00:52:50,399
Speaker 3: Just you eat your professional mister, even worse field, both

1074
00:52:50,440 --> 00:52:53,359
Speaker 3: fucking questions. You can't. You can't get too or too

1075
00:52:53,440 --> 00:52:58,520
Speaker 3: hot to political for you. Just answer both questions. Hot.

1076
00:53:01,320 --> 00:53:04,000
Speaker 3: It just stands it was. What was it hot?

1077
00:53:04,239 --> 00:53:08,120
Speaker 2: He just said, we're hot. Parts of it.

1078
00:53:10,120 --> 00:53:15,359
Speaker 9: Everyone's top of Was it big, bigger than he thought? Yeah,

1079
00:53:16,520 --> 00:53:20,359
Speaker 9: the whole thing, the whole thing, one go the world? Yes,

1080
00:53:20,960 --> 00:53:23,680
Speaker 9: all right, So here we are now at the end

1081
00:53:23,680 --> 00:53:23,920
Speaker 9: of that.

1082
00:53:23,960 --> 00:53:26,120
Speaker 3: We're all happy. We're all friends, and this is good.

1083
00:53:26,120 --> 00:53:28,600
Speaker 3: We're having a good me too. We're happy. This hasn't

1084
00:53:28,640 --> 00:53:31,320
Speaker 3: been hostile. We're having a good time. We've got a show,

1085
00:53:32,200 --> 00:53:34,319
Speaker 3: no show, no show for you. But that's okay. I'm

1086
00:53:34,320 --> 00:53:37,560
Speaker 3: sure it's coming. You know, everything's Brodn got air pods,

1087
00:53:37,560 --> 00:53:38,560
Speaker 3: Broaden got AirPods.

1088
00:53:39,360 --> 00:53:41,560
Speaker 4: Not air pods. The Gabra Elites.

1089
00:53:43,200 --> 00:53:48,160
Speaker 2: I told you no, no no, no no no no no, no.

1090
00:53:47,520 --> 00:53:48,560
Speaker 4: No no no no.

1091
00:53:48,960 --> 00:53:51,759
Speaker 3: Brodon White, who was at the door. Netflix was at

1092
00:53:51,760 --> 00:53:52,319
Speaker 3: the door, right.

1093
00:53:52,719 --> 00:53:55,040
Speaker 4: No, it was a delivery of a scarf if you must.

1094
00:53:55,120 --> 00:53:56,759
Speaker 3: Okay, all right.

1095
00:53:57,080 --> 00:53:58,920
Speaker 2: That's not an airpot at all.

1096
00:54:04,120 --> 00:54:05,400
Speaker 3: You fucked this protum.

1097
00:54:05,480 --> 00:54:11,719
Speaker 1: You fucked us why we were telling them that Netflix.

1098
00:54:13,160 --> 00:54:17,560
Speaker 5: That's the gifts from netflixes is one scarf?

1099
00:54:18,040 --> 00:54:19,080
Speaker 2: What kind of share?

1100
00:54:19,680 --> 00:54:21,600
Speaker 4: It's a scarf my friend got for me.

1101
00:54:22,280 --> 00:54:26,920
Speaker 1: That's really sweet, Breden. Uh, you've got a chance to

1102
00:54:26,960 --> 00:54:28,719
Speaker 1: save this here because we look like a pack of

1103
00:54:28,760 --> 00:54:29,680
Speaker 1: phonies right now.

1104
00:54:29,760 --> 00:54:31,480
Speaker 4: I don't know what you want from me, Zach.

1105
00:54:32,680 --> 00:54:39,040
Speaker 1: H later today Netflix, Okay, you just got to listen here.

1106
00:54:39,160 --> 00:54:43,680
Speaker 1: Be careful with your answer. Is going to deliver a package.

1107
00:54:45,800 --> 00:54:53,480
Speaker 1: In that package, there will be something for you to keep. Broton,

1108
00:54:53,520 --> 00:54:59,359
Speaker 1: what is that something?

1109
00:54:59,520 --> 00:55:02,840
Speaker 3: There was an email this morning from Netflix.

1110
00:55:03,440 --> 00:55:06,000
Speaker 2: Was being so careful.

1111
00:55:06,480 --> 00:55:10,080
Speaker 3: There was an email this morning from Netflix. In the email, Broden,

1112
00:55:10,680 --> 00:55:11,480
Speaker 3: what did you say?

1113
00:55:11,480 --> 00:55:14,080
Speaker 4: It was a gift? Burton?

1114
00:55:14,120 --> 00:55:17,200
Speaker 1: Come on, man, there was an email from Netflix. We

1115
00:55:17,200 --> 00:55:20,120
Speaker 1: were both busy doing pr this morning. We were on

1116
00:55:20,280 --> 00:55:24,719
Speaker 1: Serious XM and you you were on Australia's equivalent of

1117
00:55:24,760 --> 00:55:30,360
Speaker 1: Mark Moran. But we found the time Mark Moran, We

1118
00:55:30,480 --> 00:55:33,000
Speaker 1: found the time to read the Netflix.

1119
00:55:33,320 --> 00:55:35,680
Speaker 2: It's backwards the.

1120
00:55:36,640 --> 00:55:39,960
Speaker 4: Netflix is calling now, Netflix. Netflix is calling me. I

1121
00:55:39,960 --> 00:55:40,239
Speaker 4: have to go.

1122
00:55:40,360 --> 00:55:42,920
Speaker 3: Netflix is calling there. Ask them what you're getting for free?

1123
00:55:43,000 --> 00:55:44,879
Speaker 4: The vowels go the opposite way down the.

1124
00:55:44,880 --> 00:55:46,520
Speaker 3: Dream and just ask them.

1125
00:55:46,560 --> 00:55:46,719
Speaker 2: Now.

1126
00:55:47,560 --> 00:55:51,600
Speaker 3: Netflix is calling him now. So if that's not evidence

1127
00:55:51,719 --> 00:55:55,680
Speaker 3: enough that the air pods, he has air pods.

1128
00:55:55,520 --> 00:55:58,960
Speaker 7: Then that Netflix is here. I have to go get

1129
00:55:58,960 --> 00:56:00,200
Speaker 7: the package from Netflix.

1130
00:56:00,560 --> 00:56:02,040
Speaker 2: You didn't say anything that.

1131
00:56:02,280 --> 00:56:05,560
Speaker 5: They just said, I'm here on the other end, don't

1132
00:56:05,640 --> 00:56:08,719
Speaker 5: bother speaking. So this is actually really funny. I actually

1133
00:56:08,760 --> 00:56:10,960
Speaker 5: have Netflix here as well, do you?

1134
00:56:11,920 --> 00:56:13,319
Speaker 2: Hello? Netflix is here?

1135
00:56:15,760 --> 00:56:17,880
Speaker 4: Yeah, hiy, this is Netflix.

1136
00:56:18,440 --> 00:56:22,800
Speaker 5: Okay, Netflix, that's so nice. It's so great to see you.

1137
00:56:22,880 --> 00:56:25,600
Speaker 5: So let me just tell you. Let me just tell

1138
00:56:25,640 --> 00:56:27,600
Speaker 5: you right now. I did. We did get the big

1139
00:56:27,600 --> 00:56:29,840
Speaker 5: air pods, but we don't want them and we don't

1140
00:56:29,880 --> 00:56:32,440
Speaker 5: want a show, and we'll never have your like a

1141
00:56:32,719 --> 00:56:35,080
Speaker 5: like a a show from you.

1142
00:56:36,120 --> 00:56:40,839
Speaker 3: That seems me, man, I gotta call the bad news.

1143
00:56:41,440 --> 00:56:45,120
Speaker 2: Yeah, tell Jargo to like give oh you hung out?

1144
00:56:45,280 --> 00:56:48,680
Speaker 3: Okay, I'm so sorry. Netflix is cooling me. I'm so sorry.

1145
00:56:48,680 --> 00:56:50,000
Speaker 3: Netflix is calling me one moment.

1146
00:56:50,880 --> 00:56:58,800
Speaker 9: Hello, oh hi Netflix, flick, Hey, did you get those AirPods.

1147
00:56:58,120 --> 00:56:58,839
Speaker 1: We sent ship?

1148
00:56:59,080 --> 00:57:02,080
Speaker 3: I have haven't received them yet, but just out of curiosity.

1149
00:57:02,120 --> 00:57:06,200
Speaker 3: Are they big air pods or are they real air pods? Oh,

1150
00:57:06,600 --> 00:57:08,560
Speaker 3: there are real AirPods.

1151
00:57:08,800 --> 00:57:13,360
Speaker 2: I'm personal friends with step Steve Jobs, current Jin or

1152
00:57:13,400 --> 00:57:17,720
Speaker 2: previous Jin, previous Jen Steve Jones.

1153
00:57:17,480 --> 00:57:24,280
Speaker 3: Current current Jen pods or previous Jen air pods. No, no, no, no,

1154
00:57:24,360 --> 00:57:28,160
Speaker 3: previous Jen Stave Jobs. That one's alive. The current gen

1155
00:57:28,240 --> 00:57:31,560
Speaker 3: Stave Jobs is dead. I'm tolling. I'm telling you about

1156
00:57:31,600 --> 00:57:33,880
Speaker 3: air pods that hung up.

1157
00:57:34,120 --> 00:57:36,560
Speaker 5: So this would for so for when we do that

1158
00:57:36,600 --> 00:57:43,640
Speaker 5: next time, Sean muting your own line on the zoom,

1159
00:57:43,680 --> 00:57:46,360
Speaker 5: that's something we can learn from them, because you were

1160
00:57:46,400 --> 00:57:50,360
Speaker 5: still coming in very loud yeah.

1161
00:57:49,240 --> 00:57:50,240
Speaker 2: On the zoom.

1162
00:57:50,440 --> 00:57:52,640
Speaker 5: So if we do it again, I meet my end

1163
00:57:52,640 --> 00:57:55,120
Speaker 5: of the zoom much louder and Kevin can maybe take

1164
00:57:55,160 --> 00:57:57,240
Speaker 5: care of that later. But just like for the experience

1165
00:57:57,280 --> 00:57:59,760
Speaker 5: of hearing it, it was mostly just hearing you on

1166
00:57:59,840 --> 00:58:02,160
Speaker 5: the zoom and not so much on my phone.

1167
00:58:02,880 --> 00:58:06,240
Speaker 1: Yeah, it's funny, Actually I remember funny.

1168
00:58:06,280 --> 00:58:08,920
Speaker 5: It's like it was fun It's like some of the

1169
00:58:08,920 --> 00:58:10,520
Speaker 5: funniest shit. Oh you mean you're a thing.

1170
00:58:11,560 --> 00:58:13,640
Speaker 1: Yeah, no, my thing was really funny. And it does

1171
00:58:13,720 --> 00:58:17,919
Speaker 1: relate to your things Scott Scott Ackerman. He actually said

1172
00:58:17,960 --> 00:58:20,120
Speaker 1: to us, He's like, I love how you mute the

1173
00:58:20,360 --> 00:58:22,920
Speaker 1: microphone when you do your fake calls to each other

1174
00:58:23,000 --> 00:58:23,480
Speaker 1: for your comedy.

1175
00:58:23,680 --> 00:58:25,360
Speaker 3: Part of what got us the Netflix series.

1176
00:58:25,680 --> 00:58:26,520
Speaker 2: So that's it.

1177
00:58:27,080 --> 00:58:29,280
Speaker 3: Yeah, yah, he likes that stuff. But I wouldn't say

1178
00:58:29,280 --> 00:58:30,720
Speaker 3: that to him because he'd be pissed.

1179
00:58:31,200 --> 00:58:34,880
Speaker 5: So that's what it is, and pissed there means something

1180
00:58:34,920 --> 00:58:35,840
Speaker 5: completely different.

1181
00:58:35,920 --> 00:58:37,040
Speaker 4: Huh.

1182
00:58:37,160 --> 00:58:40,640
Speaker 1: It's well, things are different, you know, things are different.

1183
00:58:41,320 --> 00:58:42,240
Speaker 3: Things are different.

1184
00:58:42,840 --> 00:58:45,760
Speaker 2: Okay, and your friend is gone.

1185
00:58:46,000 --> 00:58:48,480
Speaker 4: Huh he just lets fucked off.

1186
00:58:49,400 --> 00:58:49,600
Speaker 2: Miss.

1187
00:58:49,640 --> 00:58:53,160
Speaker 3: That's but isn't that the baddest thing you could do.

1188
00:58:53,400 --> 00:58:54,360
Speaker 2: Is to just leave?

1189
00:58:54,640 --> 00:58:55,760
Speaker 3: And to just leave?

1190
00:58:56,960 --> 00:59:00,760
Speaker 1: Yeah, yeah, what's what's more bad than being rude?

1191
00:59:01,040 --> 00:59:01,840
Speaker 2: He came back?

1192
00:59:02,960 --> 00:59:10,480
Speaker 8: Broden, Broden, Broden, We need to Broden, Brod Brodan, Broden,

1193
00:59:10,560 --> 00:59:14,880
Speaker 8: Broden Please, Broden, Broden, can you hear us?

1194
00:59:15,200 --> 00:59:15,520
Speaker 2: Breden?

1195
00:59:15,560 --> 00:59:16,200
Speaker 4: Can you hear us?

1196
00:59:16,240 --> 00:59:16,600
Speaker 2: Broden?

1197
00:59:16,600 --> 00:59:18,200
Speaker 4: I think you might's some mute Broden looking.

1198
00:59:18,480 --> 00:59:20,640
Speaker 2: Oh he drew something. It's hard to see.

1199
00:59:21,320 --> 00:59:24,800
Speaker 3: Oh, look at that, isn't that interesting? What Brodon's holding

1200
00:59:24,840 --> 00:59:30,560
Speaker 3: in his hands right now? Is the previous generation AirPods?

1201
00:59:30,880 --> 00:59:31,120
Speaker 1: Wow?

1202
00:59:31,960 --> 00:59:34,280
Speaker 4: Previous gin I'm a little pissed.

1203
00:59:34,320 --> 00:59:38,640
Speaker 2: He went and he did, and he does have some AirPods.

1204
00:59:38,240 --> 00:59:39,280
Speaker 3: And he has some AirPods.

1205
00:59:39,440 --> 00:59:41,280
Speaker 4: And I've got to be I got to be honest

1206
00:59:41,320 --> 00:59:41,520
Speaker 4: with you.

1207
00:59:41,560 --> 00:59:44,400
Speaker 1: I'm a little bit pissed because are they sending Clairefoy

1208
00:59:44,760 --> 00:59:45,760
Speaker 1: previous generation?

1209
00:59:46,120 --> 00:59:49,040
Speaker 3: That's Michael, worry about the gin. Don't worry about the gin, the.

1210
00:59:51,360 --> 00:59:55,040
Speaker 4: Previous generation of AirPods. That's my question to you. Mark.

1211
00:59:55,520 --> 00:59:58,240
Speaker 3: Just be happy that they're there. There's a win here, Zach.

1212
00:59:58,440 --> 01:00:00,800
Speaker 1: Are they sending Chef and he's ran from the target

1213
01:00:00,840 --> 01:00:02,439
Speaker 1: track and they sending them previous Jen?

1214
01:00:03,720 --> 01:00:06,040
Speaker 4: I don't know, man, I don't know.

1215
01:00:06,840 --> 01:00:10,000
Speaker 2: Did you get do you guys get to have you met?

1216
01:00:10,320 --> 01:00:11,760
Speaker 2: Did you get to meet a Nola Holmes?

1217
01:00:12,200 --> 01:00:16,440
Speaker 4: Yeah? Yeah, yeah, yeah, yeah yeah she was she really.

1218
01:00:16,240 --> 01:00:18,640
Speaker 3: She was pitching. She was pitching the show when we

1219
01:00:18,640 --> 01:00:25,080
Speaker 3: were filming. We went in. We met a sharded Danish.

1220
01:00:24,640 --> 01:00:26,640
Speaker 2: Was she was. She clever in real life.

1221
01:00:27,120 --> 01:00:30,080
Speaker 3: She she fished. She got my number quick. I'd never

1222
01:00:30,120 --> 01:00:32,760
Speaker 3: seen anyone get my number that quick. Oh yeah, yeah yeah.

1223
01:00:33,160 --> 01:00:36,320
Speaker 3: She figured me out. Look at his splits. It was unbelievable.

1224
01:00:36,640 --> 01:00:38,800
Speaker 1: I was like, my number is a turner phrase saying

1225
01:00:38,840 --> 01:00:41,440
Speaker 1: he worked, she worked you out, And.

1226
01:00:41,400 --> 01:00:44,200
Speaker 3: I went and Nola Holmes any relation to Sherlock, like

1227
01:00:44,440 --> 01:00:47,320
Speaker 3: half joking, and she went yes, and I went, that

1228
01:00:47,400 --> 01:00:50,680
Speaker 3: makes sense, that's that makes sense. That's how she figured

1229
01:00:50,680 --> 01:00:52,120
Speaker 3: me out. Amazing.

1230
01:00:52,680 --> 01:00:55,439
Speaker 1: So I was I was there at the at the

1231
01:00:55,800 --> 01:00:58,960
Speaker 1: at the pre sort of pitch party. They had a

1232
01:00:58,960 --> 01:01:02,600
Speaker 1: spread of Danish ass and I ate all the blueberry

1233
01:01:02,640 --> 01:01:03,320
Speaker 1: danishes and.

1234
01:01:03,240 --> 01:01:04,840
Speaker 2: She came pre pitch party.

1235
01:01:05,800 --> 01:01:07,520
Speaker 1: So it's a pre pitch party. It's a Netflix thing.

1236
01:01:07,720 --> 01:01:08,960
Speaker 1: It's a Netflix thing.

1237
01:01:09,200 --> 01:01:09,400
Speaker 2: Wow.

1238
01:01:09,600 --> 01:01:14,240
Speaker 4: And someone was like, who ate all the blueberry danishes?

1239
01:01:14,320 --> 01:01:17,680
Speaker 1: And everyone couldn't work it out, and Anola Holmes was like, well,

1240
01:01:17,720 --> 01:01:21,360
Speaker 1: it's very interesting because there's a shoe print in front

1241
01:01:21,400 --> 01:01:24,919
Speaker 1: of the blueberry danishes and that shoe is like.

1242
01:01:24,960 --> 01:01:28,200
Speaker 2: A floor, like it's dirt.

1243
01:01:28,360 --> 01:01:29,280
Speaker 4: It's a dirt floor.

1244
01:01:29,360 --> 01:01:31,720
Speaker 2: Okay, so you can really you can really see the

1245
01:01:31,800 --> 01:01:32,760
Speaker 2: shoe print. Yep.

1246
01:01:33,200 --> 01:01:35,920
Speaker 1: Yeah, they're expanding so quick over at Netflix that they

1247
01:01:35,920 --> 01:01:36,520
Speaker 1: don't have time.

1248
01:01:37,040 --> 01:01:39,440
Speaker 2: There's just a lot of the pre pitch parties happened

1249
01:01:39,440 --> 01:01:40,800
Speaker 2: in a field. Yeah. Yeah.

1250
01:01:40,920 --> 01:01:44,400
Speaker 1: Yeah, they've got they've got like tech tech whizzards. That's

1251
01:01:44,400 --> 01:01:47,480
Speaker 1: the difference with other sort of studios is they don't

1252
01:01:47,520 --> 01:01:50,800
Speaker 1: need this the floor space for tech. So they're just

1253
01:01:51,000 --> 01:01:54,840
Speaker 1: they're they're like putting up buildings really.

1254
01:01:54,640 --> 01:01:55,080
Speaker 4: Rapid, right.

1255
01:01:56,080 --> 01:01:58,959
Speaker 1: So yeah, so she noticed the shoe print. She also

1256
01:01:59,040 --> 01:02:02,640
Speaker 1: noticed the crumbs on top, and she said, it's very

1257
01:02:02,680 --> 01:02:08,640
Speaker 1: interesting because you've got crumbs on your top. And because

1258
01:02:08,640 --> 01:02:10,880
Speaker 1: of the crumbs on my top and that and the

1259
01:02:11,000 --> 01:02:14,080
Speaker 1: sort of shoe print, she was able to devise that

1260
01:02:14,200 --> 01:02:16,920
Speaker 1: I was the one that ate the blueberries and I was.

1261
01:02:17,240 --> 01:02:17,640
Speaker 4: I was.

1262
01:02:17,760 --> 01:02:20,360
Speaker 1: I was blown away. I was.

1263
01:02:21,280 --> 01:02:22,720
Speaker 3: And then she had to take a call. I think

1264
01:02:23,000 --> 01:02:25,680
Speaker 3: Drake called her. I think she's friends with Drake. And

1265
01:02:25,720 --> 01:02:27,520
Speaker 3: she was like, I'm just I got to talk to Drake.

1266
01:02:27,560 --> 01:02:30,000
Speaker 3: I'm having some relationship problems, so it's going to talk

1267
01:02:30,000 --> 01:02:31,920
Speaker 3: it out with my friend Drake. And I was like, oh,

1268
01:02:31,960 --> 01:02:32,440
Speaker 3: that's weird.

1269
01:02:33,120 --> 01:02:33,280
Speaker 1: Mm.

1270
01:02:34,040 --> 01:02:34,880
Speaker 4: It was strange.

1271
01:02:35,000 --> 01:02:36,120
Speaker 1: It was very strange.

1272
01:02:36,640 --> 01:02:39,160
Speaker 5: We have to like we really and and and China's

1273
01:02:39,200 --> 01:02:43,560
Speaker 5: just like sitting quietly and waiting for people to very politely,

1274
01:02:43,720 --> 01:02:46,600
Speaker 5: honestly waiting for people to acknowledge his.

1275
01:02:46,680 --> 01:02:48,880
Speaker 2: New zoom name name.

1276
01:02:49,600 --> 01:02:51,520
Speaker 5: I don't want to wrap up before that. We we

1277
01:02:51,560 --> 01:02:54,480
Speaker 5: do have that taken care of. So does someone want

1278
01:02:54,520 --> 01:02:55,920
Speaker 5: to say what it is?

1279
01:02:56,160 --> 01:02:58,720
Speaker 3: Or I'll leave this up to mister Bad.

1280
01:02:58,880 --> 01:03:02,080
Speaker 5: Mister Bad isn't he hasn't been speaking for a really

1281
01:03:02,120 --> 01:03:02,600
Speaker 5: long time.

1282
01:03:03,080 --> 01:03:06,960
Speaker 2: Mister Bad is refusing to speak right now about the

1283
01:03:07,000 --> 01:03:12,040
Speaker 2: process of getting that air pod box, at least.

1284
01:03:13,400 --> 01:03:16,480
Speaker 3: From Netflix, the free air pods from Netflix. Call them

1285
01:03:16,480 --> 01:03:18,880
Speaker 3: what they are, the free air pods from Netflix. Yes,

1286
01:03:18,920 --> 01:03:20,520
Speaker 3: something about that go on.

1287
01:03:21,160 --> 01:03:25,480
Speaker 5: Go on, and like something in that process has stopped

1288
01:03:25,560 --> 01:03:30,800
Speaker 5: him from being able to contribute to this episode in

1289
01:03:30,840 --> 01:03:31,480
Speaker 5: any way.

1290
01:03:31,800 --> 01:03:34,240
Speaker 2: It kicked his ass. Yeah, it would take getting those

1291
01:03:34,280 --> 01:03:37,520
Speaker 2: AirPods really just beat his whole ass, because he's been

1292
01:03:38,240 --> 01:03:40,720
Speaker 2: just a soggy rag ever since he got back.

1293
01:03:41,320 --> 01:03:44,680
Speaker 1: Okay, so you know I'm a comedian as well, I'm

1294
01:03:44,720 --> 01:03:48,160
Speaker 1: a comedic performance. Okay, Okay, So I feel like if

1295
01:03:48,160 --> 01:03:54,120
Speaker 1: we're going like that wrap this up, I thought.

1296
01:03:54,000 --> 01:03:54,920
Speaker 4: Instead of just.

1297
01:03:56,400 --> 01:04:00,480
Speaker 1: Instead of just sort of doing just just saying the name,

1298
01:04:00,920 --> 01:04:05,600
Speaker 1: I thought, wouldn't it be fun to talk about do

1299
01:04:05,720 --> 01:04:06,120
Speaker 1: it as an.

1300
01:04:06,080 --> 01:04:08,640
Speaker 2: Impersonation build up, you know what I mean? Like every

1301
01:04:08,640 --> 01:04:11,040
Speaker 2: house you live and has this huge front porch and

1302
01:04:11,040 --> 01:04:14,479
Speaker 2: it's just it's just a big drive.

1303
01:04:15,200 --> 01:04:17,680
Speaker 4: Yes, it's a big drive.

1304
01:04:17,560 --> 01:04:19,960
Speaker 2: Introduced a comedy bit, and I just have to say,

1305
01:04:20,040 --> 01:04:21,439
Speaker 2: like I really admire that.

1306
01:04:22,120 --> 01:04:23,760
Speaker 1: Well, it's not a comedy bit. Well, it is a

1307
01:04:23,760 --> 01:04:26,560
Speaker 1: comedy bit. I'm going to impersonate. I'm going to give

1308
01:04:26,600 --> 01:04:30,200
Speaker 1: you a list of some of my favorite artists. And

1309
01:04:30,240 --> 01:04:32,760
Speaker 1: I give you that list of my favorite artists, you

1310
01:04:32,800 --> 01:04:37,960
Speaker 1: can choose any one of them. Okay, Okay, So maybe

1311
01:04:38,040 --> 01:04:41,400
Speaker 1: out of Out maybe Free de Carlo.

1312
01:04:42,120 --> 01:04:45,080
Speaker 2: Okay, And you're looking at something, uh.

1313
01:04:45,400 --> 01:04:46,360
Speaker 4: Well, I'm just thinking.

1314
01:04:46,560 --> 01:04:49,280
Speaker 1: I am just processing which of the many artists in

1315
01:04:49,360 --> 01:04:52,480
Speaker 1: my head I could go with. Maybe we could go

1316
01:04:52,520 --> 01:04:54,880
Speaker 1: with Claude Monet my name.

1317
01:04:55,840 --> 01:04:59,080
Speaker 5: So your look every time you think you're you're looking,

1318
01:04:59,520 --> 01:05:01,200
Speaker 5: you're looking and reading.

1319
01:05:01,720 --> 01:05:04,600
Speaker 1: Well, okay, that's there's a lot of assumptions happening here.

1320
01:05:04,640 --> 01:05:06,720
Speaker 1: And I think Anola Holmes would would have to pull

1321
01:05:06,760 --> 01:05:08,840
Speaker 1: you back there and say, you're making a lot of

1322
01:05:08,840 --> 01:05:09,800
Speaker 1: assumptions there.

1323
01:05:09,960 --> 01:05:12,800
Speaker 4: Are you seeing me read right now? Or are you

1324
01:05:12,840 --> 01:05:13,200
Speaker 4: seeing me?

1325
01:05:13,400 --> 01:05:16,640
Speaker 1: Just look to the side, have a think and say, well,

1326
01:05:16,640 --> 01:05:19,640
Speaker 1: maybe I could impersonate Leonardodvinki.

1327
01:05:20,360 --> 01:05:23,960
Speaker 5: So that's who we were talking about at the beginning.

1328
01:05:24,040 --> 01:05:25,520
Speaker 5: It says crumb Top, that's his name.

1329
01:05:26,720 --> 01:05:27,280
Speaker 2: That's the name.

1330
01:05:27,320 --> 01:05:30,040
Speaker 5: It's okay, And that connects to who we were talking

1331
01:05:30,040 --> 01:05:33,720
Speaker 5: about earlier, which was beautiful Lisa, and that is the callback.

1332
01:05:33,840 --> 01:05:36,920
Speaker 5: And so to Anti Data, I say thank you for

1333
01:05:37,000 --> 01:05:37,440
Speaker 5: being here.

1334
01:05:37,560 --> 01:05:38,160
Speaker 2: We hit it.

1335
01:05:38,320 --> 01:05:52,120
Speaker 5: And to the audience, I say bye, Ham