WEBVTT - Episode 101 w/ Jermaine Dupri  #DrinkChamps

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<v Speaker 1>And it's drink Chess, motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's greed is your boy in o R. He's a

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<v Speaker 1>Miami hippop pioneer. Put up his dj e FN together

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<v Speaker 1>they drink it up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast. And your number one

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<v Speaker 1>source for drunk drinks motherfucking every day is New Year's

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<v Speaker 1>e just like it's time for drink Champs. Drink up

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<v Speaker 1>mother mother. He said, gree Hope, it's you. That's your

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<v Speaker 1>boy in o R. What up his dj e F

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<v Speaker 1>and his motherfucking military crazy world up to drink Chance

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<v Speaker 1>Move podcast, make some up and right now. If you

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<v Speaker 1>in joy hip hop, if you enjoy music period, this

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<v Speaker 1>is hands down one of the top producers, one of

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<v Speaker 1>the top artists development persons in the world. The man

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<v Speaker 1>has took people from nobody and made them superstars. Not once,

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<v Speaker 1>not twice, not three times. I'm talking about over ten times.

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<v Speaker 1>He was the guy with to go two hits at

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<v Speaker 1>one point. If you didn't have a j D record,

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<v Speaker 1>you just wasn't late on his back to Oh yeah,

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<v Speaker 1>he definitely put a land on his back. Landers running

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<v Speaker 1>hip hop right now. We got motherfucking one of my

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<v Speaker 1>favorite producers in the world, Jemaine Depri now off top um.

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<v Speaker 1>Criss Cross just turned twenty five. The album just turned

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<v Speaker 1>twenty five? Like how how how is that? How did

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<v Speaker 1>that feel? Um? They don't feel like it's no, but

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<v Speaker 1>it's crazy because you know, like that's that's Um, I

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<v Speaker 1>never thought it would even be something that people even

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<v Speaker 1>care about, you know what I mean? So for people

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<v Speaker 1>to still care about it and you know it's my

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<v Speaker 1>that's my history and they've grown folks now, So um, now,

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<v Speaker 1>ja do you have such a like a remarkable reputation

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<v Speaker 1>like you worked, you work with kids, Yet you've never

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<v Speaker 1>had an allegations of doing no crazy ship like you know,

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<v Speaker 1>no mar Kelly ship around around you at all. Your

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<v Speaker 1>ship is super clean like people people give you, they

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<v Speaker 1>take my care to make them a star is real

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<v Speaker 1>and you never like like you know, I paid to

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<v Speaker 1>the room, is just because I'm in the same industry.

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<v Speaker 1>You have a clean reputation is nothing like you just

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<v Speaker 1>you're just really there to make stars, I guess. And

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<v Speaker 1>how is that though? Like how is that? Because um,

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<v Speaker 1>I can see like I can see the chain I

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<v Speaker 1>was too young to see criss cross right, but you

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<v Speaker 1>know I would go backstage and I would see you guys,

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<v Speaker 1>and I seen him go from like a kid to

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<v Speaker 1>an actually grown man. Now how is that to see

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<v Speaker 1>the transition when you see people. I mean, you know,

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<v Speaker 1>it's really funny, is that? Um? When you speak about

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<v Speaker 1>the kids, it's only the only ever worked with two

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<v Speaker 1>kids artists criss Crossing, But everybody thinks I worked with

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<v Speaker 1>that's all I worked with. But yeah, so I mean

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<v Speaker 1>really both of them, just watching them grow up and

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<v Speaker 1>I mean it's it's like it's like having a kid,

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<v Speaker 1>you know, like you see him, you watch them and

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<v Speaker 1>the brat was quote she was a teen, was changing everybody.

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<v Speaker 1>Everybody was everybody's been and you started young too. He

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<v Speaker 1>was dancing with Hudini and yeah, that's that's kid pop

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<v Speaker 1>right there. That's real. That's real. Like that man, So

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<v Speaker 1>you like you cast to me was like the first

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<v Speaker 1>people like stepping up for Atlanta showing people that because

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<v Speaker 1>at this time and for the South at this time.

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<v Speaker 1>But you're from Miami. He's from Atlanta, out from New

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<v Speaker 1>York at this time. Us in New York, we always

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<v Speaker 1>thought it was like Bama's and y'all was slow, and

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<v Speaker 1>then you came out with your music. Outcast came into music,

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<v Speaker 1>and we realized, oh, they're pretty much the same as us,

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<v Speaker 1>just with a little accent. But how how do you

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<v Speaker 1>feel like seeing Atlanta being at the forefront of hip hop? Now?

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<v Speaker 1>You ever thought this day? But I think I think

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<v Speaker 1>it's amazing, um because I um, Criss Cross was actually

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<v Speaker 1>the first, you know, rappers to bring platinum music to

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<v Speaker 1>Atlanta as far as the rap goes, you know, space

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<v Speaker 1>artists coming out of Atlanta to all the show. So

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<v Speaker 1>Death based on All Stars was my artist too. But

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<v Speaker 1>I'm saying as far as like you know, Cris Cross's

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<v Speaker 1>first album, they sold eight million records, you know what

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<v Speaker 1>I mean. So it's like they was the first people

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<v Speaker 1>in Atlanta to create what you'll see right now. You

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<v Speaker 1>can't just say it's like me like that. How old

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<v Speaker 1>was you at that time? I was seventeen? What you

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<v Speaker 1>so e records? I don't even know how. I don't

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<v Speaker 1>even know the count back. That's just a lot of

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<v Speaker 1>money at seventeen, super So was it ever a time

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<v Speaker 1>when you went like you realize that you know, you're

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<v Speaker 1>not yourself no more like you got Hollywood basically ever

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<v Speaker 1>want no no no, because you know, I had this UM.

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<v Speaker 1>I always had people that seem like they didn't you know,

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<v Speaker 1>they wanted to check me, you know, because I was

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<v Speaker 1>so young, So I was I always had to deal

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<v Speaker 1>with the young thing, like I'm the young nigger soul.

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<v Speaker 1>Everybody think they got one up on me. So I

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<v Speaker 1>was always out here to just try to prove myself

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<v Speaker 1>constantly over and over again. So like when I was mixing, UM,

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<v Speaker 1>I was. I was excited like that one day what

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<v Speaker 1>you're talking about, Like I was. I was on my

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<v Speaker 1>Hollywood ship at the studio and I was excited. Chris

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<v Speaker 1>Cross was number one and Bruce Springstein was like number

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<v Speaker 1>two and like he was popping and um and I was.

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<v Speaker 1>I was running around the studio just really excited. And

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<v Speaker 1>it's like the first day I met baby Face, and

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<v Speaker 1>baby Face was at the studio and he came in

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<v Speaker 1>and he was like, I was like, oh ship's baby

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<v Speaker 1>Face was like yeah, what's up? And he's like, yeah,

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<v Speaker 1>you got that little record jump humhump didn't make it.

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<v Speaker 1>He hit me with the little record and I'm like

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<v Speaker 1>little record popping, Like that's why I was at But

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<v Speaker 1>then he hit me with it. You know, yeah, you

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<v Speaker 1>got a little record. This pop is good, right, but

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<v Speaker 1>it wasn't. He didn't really seem like it didn't seem

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<v Speaker 1>like I did nothing that towards you or was that

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<v Speaker 1>towards rap period that was towards me. I felt like

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<v Speaker 1>it was to work like that, you know, And he

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<v Speaker 1>was just like, you know, um, as a producer, songwriter,

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<v Speaker 1>you know that don't really mean nothing until you can

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<v Speaker 1>do a multiple time to prove. When he said that,

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<v Speaker 1>my Hollywood ship went out the window. Like, okay, baby

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<v Speaker 1>face just tried to stunt on me. I gotta get

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<v Speaker 1>this nigga back. I gotta go working, you know what

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<v Speaker 1>I mean. So I just from that point on, I

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<v Speaker 1>just started like focusing on putting out more and more artists.

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<v Speaker 1>I wouldn't even think about nothing else. Hollywoold have nothing.

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<v Speaker 1>Just let's go that that's real right there. Now. I

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<v Speaker 1>gotta ask you about this line said, I gotta see

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<v Speaker 1>be with Jermaine because for he owes me for the

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<v Speaker 1>jump ship? What he what does he talking about? Yeah,

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<v Speaker 1>you don't remember that he never did he ever get paid?

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<v Speaker 1>But you know, what was that about? Like now, you know, like, um,

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<v Speaker 1>everybody thought I stole that song, and everybody wanted to

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<v Speaker 1>say I stole a song from somebody, like I don't.

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<v Speaker 1>I don't know why, but you know, it's just like

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<v Speaker 1>like I said when you when you were young, it's

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<v Speaker 1>a young producers, young artist rapping and hip hop. At

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<v Speaker 1>that particular point in time, young niggas was getting to

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<v Speaker 1>like the straight son like NA, no, no, we want

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<v Speaker 1>to lett y'all. N we're not letting y'all V. Then

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<v Speaker 1>the record got super big and it was like, oh, ship,

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<v Speaker 1>they end what we're gonna do right, So then it

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<v Speaker 1>was like House of Pains and Stolen. The records come

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<v Speaker 1>out the same year. No John came before a House

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<v Speaker 1>of Pain record. But they think that they they said

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<v Speaker 1>that the label because we signed a rough House and

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<v Speaker 1>Joe Joe Niccolo basically Joe the Butcher basically signed us

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<v Speaker 1>and it was his label, so I think they thought that.

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<v Speaker 1>Um Joe played their version of the song for me

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<v Speaker 1>and then I went and redid it. You know, there's

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<v Speaker 1>people just trying to find it all the time, and

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<v Speaker 1>you know, uh, and then Naughty they did jump, but

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<v Speaker 1>they did something before they did. Um I don't remember.

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<v Speaker 1>Um they didn't. Yeah, before they did opp they used

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<v Speaker 1>to do this jump thing on on stage. It was

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<v Speaker 1>a part of their act, like so so you know

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<v Speaker 1>they felt like I took that from them from for

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<v Speaker 1>the song as well. Okay, did you ever get together

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<v Speaker 1>and talk about the squash it or anything? I mean,

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<v Speaker 1>me and KG was cool all the time. You know,

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<v Speaker 1>Trench just was like trench translation like that, we all

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<v Speaker 1>we all, it's all done now recently we did had

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<v Speaker 1>the hip hop on his awards. Right now, they say

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<v Speaker 1>I'm a hater because they never invite me, right, but

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<v Speaker 1>that's not what I'm bringing up right now. But they

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<v Speaker 1>don't invite me. Right, let's do that. I gotte. But

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<v Speaker 1>let me just tell you something. The only part of

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<v Speaker 1>the show was I didn't appreciate you a masterpiece sharing

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<v Speaker 1>that moment. I felt like you you had you needed moment.

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<v Speaker 1>I felt like he needed his own moment. Is that well?

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<v Speaker 1>I mean it was my second time being on it,

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<v Speaker 1>so I think that they was like I think probably,

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<v Speaker 1>I don't know one if they you know, they even

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<v Speaker 1>thought about it. I did it before where I really

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<v Speaker 1>you know, me and Puff performed, Um, I did Criss

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<v Speaker 1>cross franchise Boys Can. I did like a whole big

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<v Speaker 1>performance before when I was on it the first time,

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<v Speaker 1>So I think this time it was just they was

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<v Speaker 1>just really trying to like show which labels they felt

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<v Speaker 1>like from the South. It wasn't really about me per se.

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<v Speaker 1>It was about the labels. So that's why I think

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<v Speaker 1>we shared. It was really like what labels they feel like?

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<v Speaker 1>Put light in the South. Okay, you could be humble,

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<v Speaker 1>I'm not gonna be home. You deserve your moment. They

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<v Speaker 1>should have had you out there especially, had saluted the

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<v Speaker 1>whole so so deaf. Sometimes they were mixing songs. They

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<v Speaker 1>had a big fat Joe and Remy mar performed with

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<v Speaker 1>Trick Daddy. Yeah, it was like they didn't it made

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<v Speaker 1>It's like I feel like I feel like hip hop

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<v Speaker 1>deserves more, not that this is the hip hop on

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<v Speaker 1>its at all. When we deserved more. I felt like

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<v Speaker 1>that whole moment should have been a social deaf moment.

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<v Speaker 1>It should have been like like I felt like your

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<v Speaker 1>artis should have came out and performed for you. You

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<v Speaker 1>know what I'm saying. At that moment, like all the

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<v Speaker 1>artis or people would have just fans and you like

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<v Speaker 1>even like you know, I noticed is throwing it out

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<v Speaker 1>there be even like a jay Z gonna come out

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<v Speaker 1>and you know, do money anything with one of the

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<v Speaker 1>new young artists. I just felt like they could have

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<v Speaker 1>did better more because for us, going all these years,

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<v Speaker 1>we were not celebrated. Um now we're living in the

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<v Speaker 1>times where it's it's social media so we can celebrate it.

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<v Speaker 1>And another thing, this is what I want to tell you.

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<v Speaker 1>So I want to tell you if uh those our

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<v Speaker 1>guys names, you know where I'm going. I wrap right off.

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<v Speaker 1>Let us disgusting. He said he wasn't top ten producer.

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<v Speaker 1>He got a game. I gotta I got, I said, Yo,

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<v Speaker 1>I don't understand. He gotta relax, he gotta relax. It's

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<v Speaker 1>like I was, I wanted you to walk out of

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<v Speaker 1>the interview. I'm like, I don't even hate them, but

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<v Speaker 1>I was just like Jave, like you all hands down,

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<v Speaker 1>like listen. And there was times where you know, labels

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<v Speaker 1>with it was sitting around they be like you need

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<v Speaker 1>a Jermaine dupri record, Like this is real ship and

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<v Speaker 1>I'm talking about people had to come and then like

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<v Speaker 1>what what Jason sad? He said, I'm even making your

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<v Speaker 1>ship tighter. There was a time where you really had

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<v Speaker 1>to come to see you in order to make it hit.

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<v Speaker 1>Like you define the word hit record, you do you believe?

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<v Speaker 1>You know, you believe. I think that's a hard like

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<v Speaker 1>I carry that that's hard. So I never really try

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<v Speaker 1>to pay too much attention. Somebody come to you. Yeah,

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<v Speaker 1>they come and trying to get a hit record, and

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<v Speaker 1>that's you know that, it's not even the room for

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<v Speaker 1>me to even like just be cool and do anything.

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<v Speaker 1>It's like, oh God, they want they want this, they

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<v Speaker 1>want that, they want I gotta try to get this again,

0:12:54.240 --> 0:12:56.080
<v Speaker 1>you know what. You know what I noticed and maybe

0:12:56.080 --> 0:12:59.080
<v Speaker 1>you can help me with this that if you kind

0:12:59.120 --> 0:13:02.160
<v Speaker 1>of maintain being a producer, you won't ever fall off.

0:13:02.440 --> 0:13:04.640
<v Speaker 1>Like at some point they're gonna get tired of the

0:13:04.720 --> 0:13:07.160
<v Speaker 1>artist because he's the front man. But if you're producing

0:13:07.200 --> 0:13:08.880
<v Speaker 1>records and you know how to do it and you

0:13:09.000 --> 0:13:12.120
<v Speaker 1>maintain a certain a producer can never fall off. Is

0:13:12.120 --> 0:13:15.079
<v Speaker 1>that true? No, Now, you can't if you start like

0:13:15.440 --> 0:13:19.920
<v Speaker 1>copying your sound, copying your sound, like you know, like

0:13:19.960 --> 0:13:22.079
<v Speaker 1>when people like people would come to me and say,

0:13:22.440 --> 0:13:25.680
<v Speaker 1>I got a new artist, I wanted give me some

0:13:25.720 --> 0:13:27.880
<v Speaker 1>of them usher records, that you, and I'm like, no,

0:13:27.920 --> 0:13:30.320
<v Speaker 1>I'm not. I'm never going to do that like I would.

0:13:30.360 --> 0:13:32.200
<v Speaker 1>I would always try to stay away from that. That

0:13:32.280 --> 0:13:35.280
<v Speaker 1>was raping my job even harder. Basically because Chris Cross

0:13:35.320 --> 0:13:38.160
<v Speaker 1>sounds like Criss Cross, Murad Carry sound like Murad Carry,

0:13:38.440 --> 0:13:42.000
<v Speaker 1>sound like this brand sound like this Nobody Records sounded

0:13:42.080 --> 0:13:45.280
<v Speaker 1>like I took this and gave it to this person.

0:13:45.440 --> 0:13:47.640
<v Speaker 1>You know what I mean. I couldn't do that. Did

0:13:47.640 --> 0:13:49.199
<v Speaker 1>you ever have to be in the studio of the

0:13:49.320 --> 0:13:51.240
<v Speaker 1>right carry said a wrong vocal and you had to

0:13:51.240 --> 0:13:54.000
<v Speaker 1>tell her to do it better? She's probably like she's

0:13:54.080 --> 0:13:58.920
<v Speaker 1>would be scared. She's not, She's not that, she's not

0:13:58.960 --> 0:14:02.160
<v Speaker 1>that artist. She's she's cold in the studio. She knows

0:14:02.160 --> 0:14:04.960
<v Speaker 1>exactly what you want to do. She's telling me like,

0:14:05.160 --> 0:14:13.760
<v Speaker 1>shample this, nigga, this ok now, Now you worked with

0:14:13.920 --> 0:14:20.200
<v Speaker 1>Jack JA made I'm actually random industry stuff. JA made

0:14:20.360 --> 0:14:25.320
<v Speaker 1>this album four four four right now? Now? Had I

0:14:25.320 --> 0:14:28.920
<v Speaker 1>would have loved that album and twenty five? What I

0:14:28.920 --> 0:14:31.880
<v Speaker 1>would have loved it at thirty five? I'm fourty, I

0:14:32.000 --> 0:14:35.320
<v Speaker 1>just turned forty. I love it. But is it because

0:14:35.360 --> 0:14:38.960
<v Speaker 1>I'm forty or is it because it's just a great

0:14:38.960 --> 0:14:43.320
<v Speaker 1>body of work. You love it because Jay's rapping, you

0:14:43.360 --> 0:14:48.400
<v Speaker 1>know what I mean, He's rapping right, you want to

0:14:48.440 --> 0:14:53.280
<v Speaker 1>hear jay Z rapped. He's rapping like he's he's giving

0:14:53.360 --> 0:14:57.160
<v Speaker 1>niggas balls, he's throwing shots, he's doing he's doing what

0:14:57.280 --> 0:14:59.760
<v Speaker 1>we wanted to hear jay Z do. And then then

0:15:00.720 --> 0:15:03.080
<v Speaker 1>on a on a different level, like the way No

0:15:03.200 --> 0:15:05.760
<v Speaker 1>I D chop these samples up. It's like this is

0:15:05.840 --> 0:15:09.440
<v Speaker 1>new by the way, the music sounds like nothing else

0:15:09.520 --> 0:15:12.560
<v Speaker 1>this ever came out right, So you should love it.

0:15:12.600 --> 0:15:14.520
<v Speaker 1>If you love hip hop, you should. You should be

0:15:14.880 --> 0:15:17.720
<v Speaker 1>you should cherish this album because it doesn't sound like

0:15:17.800 --> 0:15:20.520
<v Speaker 1>anything else that's album, and it made him seem like

0:15:20.600 --> 0:15:23.600
<v Speaker 1>he wasn't trying to sound like that sound neither, like

0:15:23.680 --> 0:15:26.520
<v Speaker 1>so many It hurts me sometimes when we have legendary

0:15:26.640 --> 0:15:29.160
<v Speaker 1>artists who are legends, they will need nothing to add

0:15:29.200 --> 0:15:31.160
<v Speaker 1>on to their career and they go to try to,

0:15:31.320 --> 0:15:33.960
<v Speaker 1>you know, get get the new future sound or the

0:15:34.040 --> 0:15:36.440
<v Speaker 1>new Suzy verse. I always kind of like hate that

0:15:36.480 --> 0:15:38.840
<v Speaker 1>because it's like you don't always have to be the same,

0:15:38.920 --> 0:15:41.640
<v Speaker 1>but you can always just just stay in that realm.

0:15:41.880 --> 0:15:44.880
<v Speaker 1>And j did was completely opposite. Was just like he

0:15:45.000 --> 0:15:48.160
<v Speaker 1>just did him. Yeah, I mean that album is called

0:15:48.200 --> 0:15:50.600
<v Speaker 1>to me. Like I said, I think that um from

0:15:50.640 --> 0:15:53.360
<v Speaker 1>a production standpoint, I think was genes that he went

0:15:53.440 --> 0:15:56.440
<v Speaker 1>and found one producer like nobody else has been doing

0:15:56.480 --> 0:15:59.360
<v Speaker 1>that recently. They just did something else that was just

0:16:00.200 --> 0:16:03.280
<v Speaker 1>a mindset of separate with than what's going on in

0:16:03.320 --> 0:16:05.080
<v Speaker 1>the game right now. You think you think the way

0:16:05.120 --> 0:16:07.680
<v Speaker 1>he released the music also has something to do with

0:16:08.360 --> 0:16:10.640
<v Speaker 1>him having the luxury to be able to do that

0:16:10.760 --> 0:16:12.680
<v Speaker 1>album the way he did it, like, you know, putting

0:16:12.680 --> 0:16:15.080
<v Speaker 1>it out through the through the phones and not having

0:16:15.120 --> 0:16:17.880
<v Speaker 1>to worry about certain you know, expectations of releasing records

0:16:17.880 --> 0:16:19.320
<v Speaker 1>the way it used to be. I know, I think

0:16:19.400 --> 0:16:21.760
<v Speaker 1>I think I think he had a responsibility that people

0:16:21.840 --> 0:16:24.960
<v Speaker 1>was holding it to him, Like niggas wanted jay Z

0:16:25.000 --> 0:16:29.400
<v Speaker 1>to come out, and like, Yo, I'm let's hear jay

0:16:29.480 --> 0:16:32.640
<v Speaker 1>Z and jay Z. Let's hit jay Z in a

0:16:32.720 --> 0:16:35.480
<v Speaker 1>way that none of these other little young rappers could.

0:16:36.120 --> 0:16:38.080
<v Speaker 1>Let's make sure that they don't sound like they could

0:16:38.080 --> 0:16:40.480
<v Speaker 1>even come nowhere around right. He did. He did that.

0:16:40.560 --> 0:16:45.560
<v Speaker 1>He basically a tone like Yo, this this what y'all do.

0:16:45.680 --> 0:16:48.400
<v Speaker 1>This is what I do. And they given time, y'all

0:16:48.400 --> 0:16:52.600
<v Speaker 1>want to come over here, y'at right now, let me

0:16:52.600 --> 0:16:54.680
<v Speaker 1>ask you a question. As a producer, right, you haven't

0:16:54.680 --> 0:16:57.280
<v Speaker 1>gotten just a studentsically, you pop one of these bottles,

0:16:57.280 --> 0:16:58.920
<v Speaker 1>pop it over there, because you know you're not that skilled.

0:17:00.480 --> 0:17:03.360
<v Speaker 1>I've never been in a studio with an artist, any artist,

0:17:03.360 --> 0:17:05.679
<v Speaker 1>it doesn't have to be hip hop, and they just

0:17:05.720 --> 0:17:09.560
<v Speaker 1>didn't deliver it and it turned you off. Yeah, let's

0:17:09.560 --> 0:17:18.800
<v Speaker 1>talk about it. J d um oh man. I mean,

0:17:18.880 --> 0:17:21.240
<v Speaker 1>it's happened a bunch of times. It's happened a bunch

0:17:21.240 --> 0:17:24.480
<v Speaker 1>of times. Um, I won't say that it turned me off.

0:17:24.600 --> 0:17:26.560
<v Speaker 1>It's just a learn it's a learning lesson for me,

0:17:26.680 --> 0:17:32.240
<v Speaker 1>right and UM be careful. That's hot? What is that rose?

0:17:34.240 --> 0:17:36.120
<v Speaker 1>I guess one of the one of the one of them.

0:17:36.720 --> 0:17:38.679
<v Speaker 1>I guess one of the ones that really shot me

0:17:38.760 --> 0:17:45.399
<v Speaker 1>the most was that um Whitney Houston. I was in

0:17:45.400 --> 0:17:50.040
<v Speaker 1>the studio with yeah yeah, yeah, yeah yeah yeah yeahs

0:17:50.480 --> 0:17:55.240
<v Speaker 1>told look that was when that was when you read

0:17:57.320 --> 0:18:05.680
<v Speaker 1>my name. J was in this thro so um myke

0:18:05.720 --> 0:18:09.240
<v Speaker 1>cadence of writing is I'm a rapper, so I write

0:18:09.280 --> 0:18:12.879
<v Speaker 1>songs like rap records. So I try to get the

0:18:12.960 --> 0:18:15.280
<v Speaker 1>artists to sing like rappers, you know, what I mean.

0:18:15.359 --> 0:18:18.120
<v Speaker 1>So you listen like Usher, he basically sounds like he's

0:18:18.200 --> 0:18:21.720
<v Speaker 1>rapping when he's singing these songs. Um so my canons.

0:18:23.560 --> 0:18:26.080
<v Speaker 1>F what's good? Man? Man? You know these days, man,

0:18:26.119 --> 0:18:28.720
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0:18:28.960 --> 0:18:31.080
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0:18:31.080 --> 0:18:33.480
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0:18:33.520 --> 0:18:35.440
<v Speaker 1>to the post office? When you get it on demand,

0:18:35.480 --> 0:18:37.119
<v Speaker 1>it comes to your career, pick it up and all that.

0:18:37.200 --> 0:18:39.840
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0:18:40.040 --> 0:18:42.720
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0:18:43.040 --> 0:18:46.000
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0:18:46.240 --> 0:18:49.360
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0:18:49.400 --> 0:18:52.240
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0:18:52.440 --> 0:18:56.000
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0:18:56.320 --> 0:18:59.439
<v Speaker 1>toe nails. I do things like that with stamps dot Com. Yeah, man,

0:18:59.480 --> 0:19:00.840
<v Speaker 1>you know, I just don't want to deal with the

0:19:00.840 --> 0:19:02.879
<v Speaker 1>lines at the post office. I love the post office,

0:19:02.880 --> 0:19:04.640
<v Speaker 1>but man, if I could just use stamps dot Com,

0:19:04.680 --> 0:19:06.280
<v Speaker 1>it's gonna save me a lot of time, a lot

0:19:06.320 --> 0:19:08.159
<v Speaker 1>of headache, and just a lot of just a lot

0:19:08.160 --> 0:19:09.479
<v Speaker 1>of time I could be doing other things. You know,

0:19:09.640 --> 0:19:12.159
<v Speaker 1>so right now, use our name for this special offer.

0:19:12.520 --> 0:19:15.520
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0:19:16.200 --> 0:19:19.600
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0:19:19.880 --> 0:19:22.240
<v Speaker 1>Go to stamps dot com before you do anything else.

0:19:22.440 --> 0:19:24.320
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0:19:24.320 --> 0:19:27.520
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0:19:27.680 --> 0:19:31.200
<v Speaker 1>Champs stamps dot com. Never go to the post office again.

0:19:31.400 --> 0:19:35.359
<v Speaker 1>That's Champs c h A m p S. Drink Chance, Baby,

0:19:35.440 --> 0:19:39.639
<v Speaker 1>let's do a lot of times these older artists they

0:19:39.680 --> 0:19:42.760
<v Speaker 1>can't really catch the cadence and that that was really

0:19:42.760 --> 0:19:44.679
<v Speaker 1>shocking to me. That was like the learning lesson to me.

0:19:44.880 --> 0:19:47.280
<v Speaker 1>That let me know that what I was doing was

0:19:47.960 --> 0:19:52.800
<v Speaker 1>something that was, um it was younger, I guess, innovative,

0:19:53.280 --> 0:19:55.600
<v Speaker 1>I don't know, whatever you wanna call. I had Whitney

0:19:55.600 --> 0:19:57.720
<v Speaker 1>Houston in studio. I wrote a song for her and

0:19:57.800 --> 0:20:00.680
<v Speaker 1>she couldn't catch my cadence and I was like, I

0:20:00.760 --> 0:20:03.359
<v Speaker 1>was really fucked up? Was Whitney Houston. I'm like, she

0:20:03.400 --> 0:20:06.320
<v Speaker 1>wanted the best singer in the world, Like, but she

0:20:06.359 --> 0:20:10.520
<v Speaker 1>can sing, but that that that cadis just on wasn't.

0:20:10.880 --> 0:20:13.160
<v Speaker 1>That wasn't what she was used to, so it didn't

0:20:13.160 --> 0:20:16.840
<v Speaker 1>really It didn't like make me like I hate this artist,

0:20:16.880 --> 0:20:19.360
<v Speaker 1>but it really it really let me understand that what

0:20:19.400 --> 0:20:21.800
<v Speaker 1>I was doing was something different than what what they

0:20:21.880 --> 0:20:24.800
<v Speaker 1>was used to. Now, have you ever had an artist

0:20:24.880 --> 0:20:27.400
<v Speaker 1>at Hollywood on your soilot to This is to you man,

0:20:27.480 --> 0:20:29.920
<v Speaker 1>right now, this is J D. Jermaine depri. I don't

0:20:29.960 --> 0:20:33.960
<v Speaker 1>know what they called horrible that we celebrate your life.

0:20:33.960 --> 0:20:36.760
<v Speaker 1>We celebrating your career and were celebrating you. Make the

0:20:40.400 --> 0:20:44.360
<v Speaker 1>like if you ever gott Hollywood on you like, like

0:20:44.400 --> 0:20:46.879
<v Speaker 1>you know, come to this session late, come in and

0:20:47.000 --> 0:20:49.240
<v Speaker 1>just not perform and just you know what I mean,

0:20:49.400 --> 0:20:51.520
<v Speaker 1>just you know, drink some Hennessy and you're like, man,

0:20:52.000 --> 0:20:54.119
<v Speaker 1>I remember you from the beginning and now you just

0:20:54.800 --> 0:20:58.080
<v Speaker 1>you know what I mean? Nine of them I mean,

0:20:58.760 --> 0:21:01.439
<v Speaker 1>because you know, like I'm really when it comes to

0:21:01.440 --> 0:21:05.840
<v Speaker 1>the studio ship, I'm really like, um, I'm way different

0:21:05.880 --> 0:21:08.240
<v Speaker 1>than any other producers. Like I don't like, I don't

0:21:08.280 --> 0:21:10.440
<v Speaker 1>like people in the studio when I'm working, I don't

0:21:10.440 --> 0:21:12.800
<v Speaker 1>be with the girls in the studio and people I

0:21:12.800 --> 0:21:14.320
<v Speaker 1>don't be with none of that. I'm trying to get

0:21:14.320 --> 0:21:16.520
<v Speaker 1>the work done right. So a lot of people don't

0:21:16.520 --> 0:21:19.440
<v Speaker 1>really a lot of artists. They don't even they think

0:21:19.520 --> 0:21:22.280
<v Speaker 1>my ship is too like cookie cutter. But I mean

0:21:22.280 --> 0:21:24.240
<v Speaker 1>that's how I do. That's how I've been doing forever,

0:21:24.400 --> 0:21:28.760
<v Speaker 1>right and um so it's really like straight to the point.

0:21:28.760 --> 0:21:30.159
<v Speaker 1>When I go to the studio, I don't really have

0:21:30.200 --> 0:21:33.480
<v Speaker 1>nobody come like too loose. Um. I mean I have

0:21:33.560 --> 0:21:38.840
<v Speaker 1>had situations in the studio that's crazy thought it. I

0:21:38.840 --> 0:21:41.200
<v Speaker 1>mean I I thought about this one on the way

0:21:41.240 --> 0:21:43.000
<v Speaker 1>over here, and I never told nobody about this. I

0:21:43.040 --> 0:21:45.040
<v Speaker 1>know you wanted this story. I please, I want to

0:21:45.320 --> 0:21:46.560
<v Speaker 1>I don't know what it is, but I want to

0:21:46.560 --> 0:21:51.520
<v Speaker 1>go that. Um. I was in the studio big right now,

0:21:51.520 --> 0:21:54.040
<v Speaker 1>and the first time I ever seen biggie every first

0:21:54.040 --> 0:21:57.760
<v Speaker 1>time I've ever seen anybody not write their lyrics. Now

0:21:58.040 --> 0:22:01.840
<v Speaker 1>this is before this is all money and we keep it.

0:22:01.840 --> 0:22:03.720
<v Speaker 1>But I don't want to cut I'm definitely not cutting

0:22:03.800 --> 0:22:06.640
<v Speaker 1>up story. But isn't it scary to see your motherfucker's

0:22:06.720 --> 0:22:08.119
<v Speaker 1>go like this? In their head they'd be like, that's

0:22:08.119 --> 0:22:11.000
<v Speaker 1>how people write rounds, But out they be like and

0:22:11.000 --> 0:22:15.000
<v Speaker 1>it's like, yo, the first times you're going even further big,

0:22:15.119 --> 0:22:21.160
<v Speaker 1>never mouth nothing big with the biggest smoke. Ten bunts

0:22:22.440 --> 0:22:27.320
<v Speaker 1>listen to the beat and never mouth one time. He's

0:22:27.320 --> 0:22:30.320
<v Speaker 1>not even bobbing neither. I mean he bobbing, but he

0:22:30.400 --> 0:22:33.919
<v Speaker 1>never was like never, not one time. I'll sit there

0:22:33.920 --> 0:22:37.080
<v Speaker 1>and watch them. I'm like, I gotta see how you

0:22:37.160 --> 0:22:39.760
<v Speaker 1>do this, because by the way, I wasn't doing this.

0:22:40.000 --> 0:22:43.600
<v Speaker 1>I was still writing my wraps on paper. But I

0:22:43.640 --> 0:22:47.439
<v Speaker 1>saw this firsthand by him the first time. I'm like,

0:22:47.520 --> 0:22:49.600
<v Speaker 1>I gotta learn how to do this? Ship like what

0:22:49.720 --> 0:22:51.879
<v Speaker 1>is what? How do you know? How do you? I

0:22:51.880 --> 0:22:55.600
<v Speaker 1>don't write nothing that. I don't write anything, especially education.

0:22:55.800 --> 0:23:01.240
<v Speaker 1>How do you? I'm like, how so? And he don't

0:23:01.240 --> 0:23:04.119
<v Speaker 1>even he's not talking to you. But where he's doing this,

0:23:04.240 --> 0:23:13.080
<v Speaker 1>he's like sees rolling rolling another one, and I'm like

0:23:13.200 --> 0:23:17.240
<v Speaker 1>this nigg is chained smoking blunts and his verses done

0:23:17.359 --> 0:23:20.000
<v Speaker 1>right there and he's like, yo, put the microp I'm ready,

0:23:20.480 --> 0:23:23.000
<v Speaker 1>And I'm like, when did you write the rat? And

0:23:23.119 --> 0:23:25.480
<v Speaker 1>he was like, I got it in my head. And

0:23:25.760 --> 0:23:28.680
<v Speaker 1>he goes into going to vocal booth. It's not like

0:23:28.880 --> 0:23:34.440
<v Speaker 1>he's experimented with like it sounds it sounds like he

0:23:34.560 --> 0:23:36.680
<v Speaker 1>was out there rapping, but he didn't do it. So

0:23:36.840 --> 0:23:41.200
<v Speaker 1>that studio session was um this song called just like

0:23:41.359 --> 0:23:43.879
<v Speaker 1>me with Usher. Right, So what he did was he

0:23:43.960 --> 0:23:47.879
<v Speaker 1>wrote the rap for Little Kim and Little Kim at

0:23:47.920 --> 0:23:50.240
<v Speaker 1>this particular point in time. This was the time when

0:23:51.320 --> 0:23:56.440
<v Speaker 1>Big I'm thinking he fucked Kim's sister, right, this this

0:23:57.480 --> 0:24:01.119
<v Speaker 1>is in the music in the music, and she found

0:24:01.160 --> 0:24:04.000
<v Speaker 1>out about it. So she was upset when she came

0:24:04.040 --> 0:24:09.760
<v Speaker 1>to the studio about this, and and and he and

0:24:09.880 --> 0:24:13.480
<v Speaker 1>she couldn't really get her to do the rat and

0:24:13.840 --> 0:24:15.760
<v Speaker 1>me and Usher was just you know, we were there

0:24:15.960 --> 0:24:20.159
<v Speaker 1>young watching what's going on and Big Pool strap out

0:24:20.240 --> 0:24:25.600
<v Speaker 1>on her on camp yes to later verse or just

0:24:26.240 --> 0:24:30.480
<v Speaker 1>let her kill her? Oh my god, I was about

0:24:30.480 --> 0:24:40.159
<v Speaker 1>to say he was real ship like him. She was

0:24:40.280 --> 0:24:45.520
<v Speaker 1>upset and really couldn't do though. Was she wading out? Yeah,

0:24:45.680 --> 0:24:49.440
<v Speaker 1>Like she came, but she didn't really want to come

0:24:49.440 --> 0:24:51.639
<v Speaker 1>because she was upset. And he was like, yeo, we

0:24:51.760 --> 0:24:53.400
<v Speaker 1>got j D and us here, you can't be back,

0:24:53.440 --> 0:24:56.159
<v Speaker 1>and like you know, and I'm like, what's going on?

0:24:56.200 --> 0:24:58.920
<v Speaker 1>What is going on right now? And it just went

0:24:58.960 --> 0:25:00.879
<v Speaker 1>around for a minute, like said it was. It was

0:25:01.080 --> 0:25:04.439
<v Speaker 1>that kind of deterred the studio session. But it got

0:25:04.480 --> 0:25:06.400
<v Speaker 1>to a point where she she really couldn't do her rat.

0:25:06.880 --> 0:25:09.400
<v Speaker 1>So he pulled out the studio and they went into

0:25:09.440 --> 0:25:13.200
<v Speaker 1>the hallway. And when the hallway, I thought it was

0:25:13.240 --> 0:25:14.680
<v Speaker 1>gonna go out there to talk, so I just went

0:25:14.720 --> 0:25:16.080
<v Speaker 1>out there to watch and see what's going on. I

0:25:16.160 --> 0:25:17.639
<v Speaker 1>went out in the hallway and followed them in the

0:25:17.680 --> 0:25:20.520
<v Speaker 1>hallway and Big and they start having an argument. Current

0:25:20.600 --> 0:25:24.080
<v Speaker 1>Big they have an argument, and it got so heated

0:25:24.160 --> 0:25:26.399
<v Speaker 1>that he asked his man Seagut. He said give me

0:25:26.440 --> 0:25:30.160
<v Speaker 1>the gun. And I was like, the gun, you about

0:25:30.160 --> 0:25:34.199
<v Speaker 1>to doing this? And he was gonna shoot hip right

0:25:34.600 --> 0:25:39.720
<v Speaker 1>right in the hallway. This is great, this is crazy.

0:25:40.560 --> 0:25:44.640
<v Speaker 1>That's that's that's one of my crazy stories that I'm

0:25:44.680 --> 0:25:51.400
<v Speaker 1>gonna ask. Okay, Okay, I knew he wasn't gonna smoke though,

0:25:51.640 --> 0:25:57.480
<v Speaker 1>but now, um, let's speak about the dog. Who where

0:25:57.520 --> 0:25:59.760
<v Speaker 1>is it that you'll try to hide it? Now? Scared

0:26:00.080 --> 0:26:04.760
<v Speaker 1>to bring that out? And I'm sucking drinking. I just

0:26:04.880 --> 0:26:07.040
<v Speaker 1>want to know because this is a very distinctive drink.

0:26:07.080 --> 0:26:10.160
<v Speaker 1>When about I just came here. Oh I'm I'm talking

0:26:10.200 --> 0:26:20.560
<v Speaker 1>about what I'm talking about, the chick up drinking very

0:26:21.560 --> 0:26:29.640
<v Speaker 1>very night. I told you, he is it. Julio, Oh

0:26:29.760 --> 0:26:34.200
<v Speaker 1>my god, j I gotta stop this. Okay, I don't know.

0:26:34.800 --> 0:26:36.760
<v Speaker 1>Don't don't eat you closer to it? Can you that

0:26:36.960 --> 0:26:39.280
<v Speaker 1>I gotta stop that we're gonna get it done, Julio.

0:26:39.600 --> 0:26:41.639
<v Speaker 1>So look, let me, let me let me ask you something. Right,

0:26:42.320 --> 0:26:45.240
<v Speaker 1>this is a this is a hundred episode. Oh yeah,

0:26:45.480 --> 0:26:52.159
<v Speaker 1>this is so every every episode. It's funny to me

0:26:52.280 --> 0:26:54.800
<v Speaker 1>because I think I know the artist, because you know,

0:26:54.880 --> 0:26:56.600
<v Speaker 1>I've been in this game twenty years, so I think

0:26:56.600 --> 0:26:59.280
<v Speaker 1>I know the artist. So I pretty much say what

0:26:59.440 --> 0:27:01.560
<v Speaker 1>I think the artists is gonna order like to drink.

0:27:02.160 --> 0:27:03.720
<v Speaker 1>And I knew that I was gonna order to rip,

0:27:03.960 --> 0:27:06.000
<v Speaker 1>you know, saying whether it was a relationship with public

0:27:06.240 --> 0:27:08.840
<v Speaker 1>or not that I did, I can do that. But

0:27:08.960 --> 0:27:13.200
<v Speaker 1>when you said don nineteen forty two, you are the

0:27:13.359 --> 0:27:16.760
<v Speaker 1>only guests because ever requested this. Now I know this

0:27:16.920 --> 0:27:19.280
<v Speaker 1>is a rich ship. It's like a home girl a mona,

0:27:19.640 --> 0:27:21.680
<v Speaker 1>and she goes to the club and she takes seveny

0:27:21.720 --> 0:27:23.960
<v Speaker 1>dollars shots to this ship. Goddamn, let's make some noise

0:27:24.000 --> 0:27:29.320
<v Speaker 1>for seven dollars shots. So I need you to break

0:27:29.359 --> 0:27:31.639
<v Speaker 1>this down for me. Tell me why this is this special.

0:27:32.320 --> 0:27:36.200
<v Speaker 1>I mean, this's just I mean, if you're gonna drink tequilla,

0:27:36.400 --> 0:27:37.760
<v Speaker 1>I mean it's a lot like let me say this,

0:27:37.880 --> 0:27:40.359
<v Speaker 1>it's not the only to quill, but it's just that

0:27:40.640 --> 0:27:44.960
<v Speaker 1>that this that party to kill the party. It's that

0:27:45.119 --> 0:27:47.480
<v Speaker 1>party to kill it like that, and and and he

0:27:47.600 --> 0:27:50.920
<v Speaker 1>go down smooth, I gotta drink a whole bottle of this.

0:27:51.200 --> 0:27:52.960
<v Speaker 1>You can drink a whole bottle of that. We're gonna

0:27:53.000 --> 0:27:54.640
<v Speaker 1>try to see that. You know, this is the drink

0:27:56.320 --> 0:27:58.879
<v Speaker 1>bad while we're here celebrating Jermaine Duprix. You know what

0:27:58.920 --> 0:28:08.280
<v Speaker 1>I'm saying, that's the first thing I've seen you. I'm excited.

0:28:08.320 --> 0:28:11.560
<v Speaker 1>I'm ahead because I feel and I know about what

0:28:11.560 --> 0:28:14.560
<v Speaker 1>I was gonna cool. Sign me on this. Fully, I

0:28:14.720 --> 0:28:18.800
<v Speaker 1>feel like you're a producer that gets more props just

0:28:19.280 --> 0:28:22.480
<v Speaker 1>worldly as opposed to just hip hop and hip hop.

0:28:23.280 --> 0:28:25.760
<v Speaker 1>We had to praise you more. And if hip hop

0:28:25.800 --> 0:28:28.560
<v Speaker 1>ain't praising you right off, they're not, I'm gonna praise you.

0:28:28.960 --> 0:28:31.720
<v Speaker 1>We're gonna praise you. Drink Champ's gonna praise We're gonna

0:28:31.720 --> 0:28:40.360
<v Speaker 1>have fun tonight. I'm drinking out of area. So this

0:28:40.520 --> 0:28:42.840
<v Speaker 1>is a smooth one described this to kill me. And

0:28:42.880 --> 0:28:45.240
<v Speaker 1>it's just you know, like like Ship described the bottle,

0:28:45.320 --> 0:28:48.560
<v Speaker 1>It's like it's like it's like it's like drinking don

0:28:48.960 --> 0:28:51.920
<v Speaker 1>like you know, like when we first started drinking champagne.

0:28:51.960 --> 0:28:54.440
<v Speaker 1>We was drinking all kind of was trying to see

0:28:54.480 --> 0:28:58.160
<v Speaker 1>what was going on, right, and I found a safe

0:28:58.240 --> 0:29:01.720
<v Speaker 1>place with Dom Perry, like the dump and putting like

0:29:02.640 --> 0:29:07.200
<v Speaker 1>by the way that grandma in the top mixed Grandma,

0:29:07.240 --> 0:29:10.160
<v Speaker 1>you ain't inside the bottle of dump and it's amazing.

0:29:10.680 --> 0:29:13.440
<v Speaker 1>Wait wait up up did he say grandma in the dump?

0:29:13.640 --> 0:29:20.320
<v Speaker 1>Continue to put the grandma inside the dump? And you

0:29:20.400 --> 0:29:24.680
<v Speaker 1>know it was stupid, right, But then as time went on,

0:29:24.840 --> 0:29:28.520
<v Speaker 1>we started drinking this this, this rose and then it's gotta.

0:29:28.720 --> 0:29:31.320
<v Speaker 1>You know, it's gotta. It's got a very very smooth taste.

0:29:31.680 --> 0:29:34.120
<v Speaker 1>The same thing with this. It started out drinking um.

0:29:34.720 --> 0:29:39.960
<v Speaker 1>What was this ship called what the kill him? Other?

0:29:42.760 --> 0:29:49.160
<v Speaker 1>Huh jo silver. People started drinking. People would drink. They

0:29:49.320 --> 0:29:51.440
<v Speaker 1>like to die at night, Like at night they just

0:29:51.600 --> 0:29:55.120
<v Speaker 1>died and they just come back to life. That pron

0:29:55.240 --> 0:29:58.520
<v Speaker 1>just was too too hard. It's too hard. It's straight

0:29:58.560 --> 0:30:00.640
<v Speaker 1>to the bottom of the best. It's slip. Let me,

0:30:00.720 --> 0:30:02.400
<v Speaker 1>let me float to the bottom. You know what I'm saying?

0:30:04.360 --> 0:30:07.400
<v Speaker 1>Hot Southern. As as we was moving around from the

0:30:08.120 --> 0:30:11.280
<v Speaker 1>you know, the patrol. This came about, so you wanted

0:30:11.320 --> 0:30:13.400
<v Speaker 1>to stay with Tequila's what you wanted to do. I

0:30:13.440 --> 0:30:15.800
<v Speaker 1>mean I didn't want to. I just kind of just

0:30:15.920 --> 0:30:18.920
<v Speaker 1>found on this. I'm gonna be honest with you. Um

0:30:19.240 --> 0:30:22.040
<v Speaker 1>j D as a as A as a real drinker.

0:30:22.080 --> 0:30:25.920
<v Speaker 1>You just describe yourself as a real drinker. I didn't

0:30:26.040 --> 0:30:28.280
<v Speaker 1>know the first time someone described look at the way

0:30:28.280 --> 0:30:33.120
<v Speaker 1>he look at he described the move the case. You

0:30:33.240 --> 0:30:36.880
<v Speaker 1>got a glass, I'm not to kill you. Ice ice

0:30:36.960 --> 0:30:40.239
<v Speaker 1>this hot. Let me get the cups. I don't want

0:30:40.240 --> 0:30:43.440
<v Speaker 1>to put it all the ice. You know what I'm saying.

0:30:44.680 --> 0:30:47.680
<v Speaker 1>I'm staying to still, I'm still fun out somebody I

0:30:47.800 --> 0:30:49.959
<v Speaker 1>used to saying, that's where they don't know. Stay night

0:30:50.120 --> 0:30:57.080
<v Speaker 1>last night, last night. Let's get into start, let's get it.

0:30:57.440 --> 0:31:00.880
<v Speaker 1>Let's get into as it talking about wound my birthday

0:31:00.960 --> 0:31:04.280
<v Speaker 1>last night and live. Oh you're a virgo, leave it

0:31:04.520 --> 0:31:07.960
<v Speaker 1>you're cousin. Yeah, okay, yeah virgo, Yeah, okay, I get

0:31:08.000 --> 0:31:10.720
<v Speaker 1>a long way yeah, okay, godhead. So I got to

0:31:10.720 --> 0:31:13.120
<v Speaker 1>take a shot to that. Okay, let me help. I'm

0:31:13.120 --> 0:31:15.840
<v Speaker 1>gonna take some of that. You gotta cool to kill

0:31:15.880 --> 0:31:18.480
<v Speaker 1>a guy I'm throwing out there I'm gonna start sweating

0:31:18.480 --> 0:31:20.760
<v Speaker 1>like sunny D b D give me, give me a

0:31:20.760 --> 0:31:25.000
<v Speaker 1>little like you gotta only take a sip of that

0:31:25.040 --> 0:31:29.360
<v Speaker 1>because this is now you gotta throw that back. I'm

0:31:29.440 --> 0:31:31.600
<v Speaker 1>not to kill a poor buddy. As you can see,

0:31:31.640 --> 0:31:33.240
<v Speaker 1>I'm not a great guy when it comes in to

0:31:33.320 --> 0:31:35.480
<v Speaker 1>kill a poor So listen, we this is your shot

0:31:35.600 --> 0:31:39.120
<v Speaker 1>for you. This is my first. By the way, by

0:31:39.160 --> 0:31:40.880
<v Speaker 1>the way, this is my first. I took mine. Alright,

0:31:41.200 --> 0:31:46.800
<v Speaker 1>it's my first. M Dawn Happy Birthday two. Ms at

0:31:46.840 --> 0:31:48.360
<v Speaker 1>Lee said I had it one time in the club,

0:31:48.440 --> 0:31:50.360
<v Speaker 1>but I was drinking. I don't remember. Said that doesn't count.

0:31:50.640 --> 0:31:59.120
<v Speaker 1>So let's go. Oh, that's smooth, smooth, it's smooth. That

0:31:59.840 --> 0:32:03.040
<v Speaker 1>it's you know, it's that salt that to kill the rings,

0:32:03.120 --> 0:32:05.000
<v Speaker 1>that salt I take. That's the ship that I hate

0:32:05.000 --> 0:32:07.440
<v Speaker 1>because it reminds me of Mexico, like when I was

0:32:07.520 --> 0:32:14.720
<v Speaker 1>like just I just woke up. I mean that period.

0:32:14.840 --> 0:32:17.959
<v Speaker 1>This is this is you know, you can site. That's

0:32:18.040 --> 0:32:20.000
<v Speaker 1>that's when I hear that you have to keep a sip.

0:32:20.120 --> 0:32:21.959
<v Speaker 1>I never understood it, but now I get it. Let

0:32:22.000 --> 0:32:26.800
<v Speaker 1>me ask you, Jeddy, what's your favorite error in hip hop? Um?

0:32:33.520 --> 0:32:38.400
<v Speaker 1>I like that right, I'm like that was like I

0:32:38.480 --> 0:32:41.479
<v Speaker 1>got look at it speaking about the question, because that's

0:32:41.480 --> 0:32:44.480
<v Speaker 1>a good question though, right it is. I gotta pick myself.

0:32:45.920 --> 0:32:48.320
<v Speaker 1>I think like for me, it was probably like, um,

0:32:51.160 --> 0:32:54.200
<v Speaker 1>let's say the nineties, the last part of the last

0:32:54.280 --> 0:32:58.880
<v Speaker 1>part of the eighties. Suck me up with that one. Now,

0:32:59.040 --> 0:33:01.560
<v Speaker 1>last part of the eighties to hip hop music in general?

0:33:01.640 --> 0:33:04.520
<v Speaker 1>Hip hop? Okay, I subscribed that era. Who's the man

0:33:04.560 --> 0:33:09.920
<v Speaker 1>we're talking about rock Kim, I'm talking my run dmc DC. Okay,

0:33:10.200 --> 0:33:12.520
<v Speaker 1>I'm talking about Big Daddy came coming into the game.

0:33:12.720 --> 0:33:14.560
<v Speaker 1>Now what came. We talked about Cane with with the

0:33:14.680 --> 0:33:18.360
<v Speaker 1>with the three three, messing with my daughter. Now that's

0:33:18.400 --> 0:33:22.040
<v Speaker 1>not that's that's Hollywood. That was later. I'm trying to

0:33:22.560 --> 0:33:29.040
<v Speaker 1>about Green Cane. Yeah, instead, that's your favorite hip hop

0:33:29.280 --> 0:33:32.239
<v Speaker 1>that's my favorite. I mean because I'm sure I got

0:33:32.280 --> 0:33:35.520
<v Speaker 1>the rope on. I'm into that. That's that's my you know,

0:33:35.600 --> 0:33:39.080
<v Speaker 1>Slick Rink is my favorite rapper all time. Sick We're

0:33:39.080 --> 0:33:42.040
<v Speaker 1>looking for you, Dug your fresh too. I just found

0:33:42.120 --> 0:33:46.760
<v Speaker 1>out that Slick Rick almost shot Big Daddy. Can I

0:33:46.920 --> 0:33:50.880
<v Speaker 1>just found that out? Yeah, I'm just like I was like, yeah,

0:33:51.240 --> 0:33:52.959
<v Speaker 1>you're trying to kill somebody. You try to shoot them

0:33:53.000 --> 0:34:01.080
<v Speaker 1>on the tour in the bus because the apparently you know,

0:34:01.440 --> 0:34:03.720
<v Speaker 1>sometimes when I do drink Champs, I don't immediately go

0:34:03.840 --> 0:34:07.000
<v Speaker 1>back and watch it. But whatever. Eric Sherman said. Yeah,

0:34:07.080 --> 0:34:09.720
<v Speaker 1>he said to me, you know, my phone is going crazy.

0:34:09.800 --> 0:34:12.400
<v Speaker 1>I just changed my number. People are like, yo, he

0:34:12.560 --> 0:34:17.280
<v Speaker 1>missed this one. It's like you you know he's describing

0:34:17.320 --> 0:34:19.239
<v Speaker 1>the ep M D had Potlems with Rock caring them

0:34:19.239 --> 0:34:20.719
<v Speaker 1>back in the days. You know they're all cool now.

0:34:21.280 --> 0:34:24.200
<v Speaker 1>But I had didn't know that because uh, I was

0:34:24.280 --> 0:34:26.280
<v Speaker 1>a spectator at that time. I'm just from the sideline.

0:34:26.280 --> 0:34:28.240
<v Speaker 1>I didn't even really technically come out to ninety seven,

0:34:28.480 --> 0:34:30.040
<v Speaker 1>you know what I mean. So be looking at that

0:34:30.520 --> 0:34:32.160
<v Speaker 1>and so many people are calling like it, and they

0:34:32.280 --> 0:34:35.040
<v Speaker 1>told me that story that's lick Rick actually happy, but

0:34:35.160 --> 0:34:37.239
<v Speaker 1>Big Daddy came and actually pulling the gun down and

0:34:37.320 --> 0:34:39.320
<v Speaker 1>try to shoot them. And then they told me that

0:34:39.520 --> 0:34:42.879
<v Speaker 1>Kane and Rock him hap people. I was just listen,

0:34:43.120 --> 0:34:45.200
<v Speaker 1>I gotta say that for when they're here back to

0:34:45.280 --> 0:34:48.000
<v Speaker 1>Jamie and we're gonna have Big Daddy came, so so

0:34:48.080 --> 0:34:51.560
<v Speaker 1>by what is your favorite hip hop the nineties? Nineties?

0:34:51.680 --> 0:34:56.960
<v Speaker 1>To god? That makes a noise about I got down. Now,

0:34:57.040 --> 0:34:58.960
<v Speaker 1>why why you picked that that? Right? Because I was

0:34:59.040 --> 0:35:01.200
<v Speaker 1>like there, I'll first fell in love with hip hop

0:35:01.880 --> 0:35:06.480
<v Speaker 1>any specific time in the nineties, the middle anywhere from

0:35:06.520 --> 0:35:11.560
<v Speaker 1>like ninety three to like nineties six seven. That's my favorite. Yeah,

0:35:11.640 --> 0:35:13.080
<v Speaker 1>it's I ain't get a chance to really lived through

0:35:13.080 --> 0:35:16.120
<v Speaker 1>the eighties, you know, had the YouTube all the good

0:35:16.160 --> 0:35:17.520
<v Speaker 1>ship that was going on in the eighties. But the

0:35:17.600 --> 0:35:18.960
<v Speaker 1>nineties I lived that, you know, I mean that was

0:35:19.880 --> 0:35:24.400
<v Speaker 1>ro pox everything. See for me, it was just the

0:35:24.520 --> 0:35:27.920
<v Speaker 1>most the creative, the creative era of hip hop was

0:35:28.000 --> 0:35:30.520
<v Speaker 1>the best. It is like people was trying to do

0:35:30.719 --> 0:35:34.319
<v Speaker 1>something nobody sound like public Enemy. We gotta mention them.

0:35:34.480 --> 0:35:36.479
<v Speaker 1>Like even in the nineties, we gotta say that even

0:35:36.560 --> 0:35:39.040
<v Speaker 1>when you came out with original style, there was versions

0:35:39.080 --> 0:35:42.160
<v Speaker 1>of fake Wu Tang's, there was versions of fake marb Beach.

0:35:42.239 --> 0:35:45.719
<v Speaker 1>There was version versions of fake MP. So they're like

0:35:45.800 --> 0:35:47.680
<v Speaker 1>the copy of met style that people are doing now.

0:35:47.960 --> 0:35:49.960
<v Speaker 1>Like I can't say that it exist in the nine

0:35:50.000 --> 0:35:51.920
<v Speaker 1>but it didn't fly in the nineties. Oh no, no, no,

0:35:52.040 --> 0:35:56.520
<v Speaker 1>you got checked it flies, you got checked for that. Yeah. Yeah,

0:35:56.600 --> 0:35:58.880
<v Speaker 1>So that I mean an era like you know, just

0:35:59.120 --> 0:36:04.880
<v Speaker 1>just like identifying off you know, brands of deaders and

0:36:05.640 --> 0:36:09.680
<v Speaker 1>like what was gonna be what niggas wear to future?

0:36:09.760 --> 0:36:13.080
<v Speaker 1>Like just seeing that and being able to, like you

0:36:13.200 --> 0:36:15.120
<v Speaker 1>ask that question, for being able to go back and

0:36:15.200 --> 0:36:17.440
<v Speaker 1>look and say which one I really like? It was

0:36:17.560 --> 0:36:21.440
<v Speaker 1>that arrow away where people was really like, this is

0:36:21.480 --> 0:36:24.439
<v Speaker 1>what y'all gonna wear down the road. This is gonna

0:36:24.480 --> 0:36:26.399
<v Speaker 1>be you know what I mean? Like that's why Chris

0:36:26.480 --> 0:36:30.000
<v Speaker 1>Crush to me, was so um fly to people because

0:36:30.040 --> 0:36:33.120
<v Speaker 1>they had they had all of that flavor, and it

0:36:33.280 --> 0:36:36.960
<v Speaker 1>was like, con't you discover them in the mall walking

0:36:37.160 --> 0:36:40.400
<v Speaker 1>walking through the mall in Atlanta? Just heard them. It

0:36:40.480 --> 0:36:43.439
<v Speaker 1>wasn't rappers at all. They never rapped. You just said

0:36:43.440 --> 0:36:49.560
<v Speaker 1>you guys are gonna wrap yeah green rock. They did

0:36:49.600 --> 0:36:54.480
<v Speaker 1>you ever cut them? The mall of check right then?

0:36:57.960 --> 0:37:00.800
<v Speaker 1>You just want you just you just aora. They was

0:37:00.840 --> 0:37:04.360
<v Speaker 1>in the mall and they just looked like like grown

0:37:04.480 --> 0:37:07.279
<v Speaker 1>as men at eleven and twelve. They was in. They

0:37:07.360 --> 0:37:09.640
<v Speaker 1>was in foot locker. They're already rocking the back of

0:37:10.320 --> 0:37:12.880
<v Speaker 1>the and they was just shopping and they was buying sneakers,

0:37:13.480 --> 0:37:16.040
<v Speaker 1>And I thought, I thought it was a group that

0:37:16.200 --> 0:37:18.000
<v Speaker 1>already came out that I didn't know nothing about it

0:37:18.239 --> 0:37:20.760
<v Speaker 1>because the girls in the mall was tripping like girls.

0:37:20.800 --> 0:37:22.800
<v Speaker 1>They had girls at the store buying them ship and

0:37:23.600 --> 0:37:25.440
<v Speaker 1>all kinds of stuff, and I'm like, who are these

0:37:25.520 --> 0:37:28.440
<v Speaker 1>little guys? And I walked up to him, like what

0:37:28.560 --> 0:37:30.520
<v Speaker 1>do y'all do? We don't do nothing. We just kicking

0:37:30.560 --> 0:37:36.719
<v Speaker 1>And I'm like, y'all just kicking Like they had so

0:37:37.000 --> 0:37:40.040
<v Speaker 1>much swag. I was just like, they gotta make a record.

0:37:40.160 --> 0:37:43.080
<v Speaker 1>Somebody got to you gotta do something. I mean, I've

0:37:43.080 --> 0:37:45.319
<v Speaker 1>seen it immediately, like they had this they just had

0:37:45.360 --> 0:37:47.680
<v Speaker 1>this ore about them. And then we went back once

0:37:47.719 --> 0:37:49.360
<v Speaker 1>I met him, I mean we talked and then we

0:37:49.360 --> 0:37:50.840
<v Speaker 1>went to that. We went back to my house and

0:37:50.920 --> 0:37:53.360
<v Speaker 1>we started creating the idea and then it was like

0:37:54.200 --> 0:37:57.880
<v Speaker 1>everything was about gear, Like everything was about wearing closed

0:37:58.040 --> 0:38:01.680
<v Speaker 1>starters and like of a fly ship. Yeah, all that,

0:38:01.800 --> 0:38:06.040
<v Speaker 1>everything was a big everything. When I Pepe it was hot,

0:38:08.840 --> 0:38:10.120
<v Speaker 1>that's sound to spend it. So I had to be

0:38:10.200 --> 0:38:18.560
<v Speaker 1>down with you know, it wasn't hot, so we was

0:38:18.680 --> 0:38:20.520
<v Speaker 1>we was we they were just trying to figure out

0:38:20.560 --> 0:38:24.040
<v Speaker 1>clothes and then it was like one day, um the

0:38:24.200 --> 0:38:26.719
<v Speaker 1>light skin Chris Chris Smith came to the house and

0:38:26.800 --> 0:38:30.239
<v Speaker 1>he had this big ass jibbo jump on and the

0:38:30.360 --> 0:38:32.960
<v Speaker 1>jumper was so big that you could actually spin around

0:38:33.000 --> 0:38:35.920
<v Speaker 1>it and not even like it was so big. It

0:38:36.080 --> 0:38:39.600
<v Speaker 1>was like the oversize. So I was like, I was like, yeah,

0:38:39.600 --> 0:38:42.680
<v Speaker 1>you should flip it around backwards because it was already

0:38:42.719 --> 0:38:44.520
<v Speaker 1>so big and it didn't make no, it wouldn't make

0:38:44.560 --> 0:38:48.560
<v Speaker 1>no difference. Anyone couldn't. And our Baromada was the mall,

0:38:49.440 --> 0:38:50.759
<v Speaker 1>you know what I mean. I found him at the mall,

0:38:50.800 --> 0:38:52.040
<v Speaker 1>so he was gonna go back to the mall and

0:38:52.080 --> 0:38:54.560
<v Speaker 1>see if this work. So he put his jump on

0:38:54.680 --> 0:38:56.880
<v Speaker 1>bappwards and we went to Liney Squad and we went

0:38:56.920 --> 0:38:58.879
<v Speaker 1>to Lineary Squad with no they still had no record.

0:38:59.600 --> 0:39:02.240
<v Speaker 1>They still I had a record. We went to Lenny Square.

0:39:02.280 --> 0:39:04.279
<v Speaker 1>He had to jump on backwards, and the whole mall

0:39:04.480 --> 0:39:06.640
<v Speaker 1>was acting like they've never seen nothing like this ever,

0:39:08.840 --> 0:39:11.960
<v Speaker 1>And I'm like, what the funk just happened? How is

0:39:12.040 --> 0:39:14.560
<v Speaker 1>this possible? But what were people doing? Like that? Was

0:39:14.680 --> 0:39:16.399
<v Speaker 1>just like, oh my god, what is this what y'all

0:39:16.400 --> 0:39:18.440
<v Speaker 1>got on? I'm like, it's just a regular as jumping

0:39:18.760 --> 0:39:26.640
<v Speaker 1>turned around backwards? Was it cross color? And they just

0:39:26.719 --> 0:39:29.120
<v Speaker 1>freaking out? So then from that point, I was like, Okay,

0:39:30.080 --> 0:39:33.120
<v Speaker 1>we're gonna way our closed backwards. We still ain't have

0:39:33.160 --> 0:39:36.239
<v Speaker 1>no song though, so it's like we gotta get a

0:39:36.280 --> 0:39:38.480
<v Speaker 1>song to go with this. If I get a hit

0:39:38.520 --> 0:39:40.400
<v Speaker 1>record to go with this, y'all gone. That's what I

0:39:40.520 --> 0:39:43.160
<v Speaker 1>just kept telling them, like it's oh, they didn't have

0:39:43.280 --> 0:39:45.440
<v Speaker 1>braids or nothing. We just started like just trying to

0:39:45.520 --> 0:39:50.239
<v Speaker 1>figure it out, like Okay, I had the art development here. Yeah,

0:39:50.480 --> 0:39:51.600
<v Speaker 1>you know what I mean. So it's just it was

0:39:51.719 --> 0:39:54.200
<v Speaker 1>like just really just like trying to end. And Left

0:39:54.239 --> 0:39:56.839
<v Speaker 1>Eye from TLC that was my group before they got

0:39:56.880 --> 0:39:59.319
<v Speaker 1>signed in the face, So Left I was living at

0:39:59.400 --> 0:40:06.640
<v Speaker 1>my house and and and so it was you're going

0:40:08.680 --> 0:40:10.640
<v Speaker 1>please please drink some moment. Yeah, So Left I was

0:40:10.680 --> 0:40:12.680
<v Speaker 1>living at my house without my mother even know when

0:40:12.719 --> 0:40:14.319
<v Speaker 1>she lived and she lived him side of my house

0:40:14.440 --> 0:40:17.840
<v Speaker 1>before Yeah, before TLC. TLC was my groupe. It was

0:40:17.920 --> 0:40:23.279
<v Speaker 1>called Second Nature and Left Eye right, but Left I

0:40:23.360 --> 0:40:27.359
<v Speaker 1>stayed with me and she was on the like trying

0:40:27.400 --> 0:40:29.239
<v Speaker 1>to get an image thing all the time, like the

0:40:29.320 --> 0:40:32.200
<v Speaker 1>patches and the and all that ship. We was there

0:40:32.280 --> 0:40:34.200
<v Speaker 1>every day just trying to we was doing ship to

0:40:34.280 --> 0:40:37.120
<v Speaker 1>ourselves that like cut our whole eyebrows off like we

0:40:37.239 --> 0:40:38.960
<v Speaker 1>was doing crazy ship just each other to be like

0:40:39.080 --> 0:40:40.800
<v Speaker 1>figure out what we could come up with to be

0:40:41.280 --> 0:40:44.520
<v Speaker 1>to stand out. And she was partially part of helping me,

0:40:45.120 --> 0:40:48.600
<v Speaker 1>you know, developed across at that. Now. I've seen you

0:40:48.719 --> 0:40:51.759
<v Speaker 1>on a reality forget which one it was, but they

0:40:51.840 --> 0:40:55.080
<v Speaker 1>brung your white kid, and I think he's something for you.

0:40:55.200 --> 0:40:58.600
<v Speaker 1>And you said this kid has talent immediately, right, And

0:40:59.160 --> 0:41:01.279
<v Speaker 1>I imagine that's how you felt, because that's how you

0:41:01.360 --> 0:41:03.680
<v Speaker 1>just described Chris Coross. You've seen them and you knew it.

0:41:03.920 --> 0:41:06.680
<v Speaker 1>Have you ever been wrong? I said, I don't see it,

0:41:06.920 --> 0:41:10.680
<v Speaker 1>and then the person goes and blows up. Yeah, damn

0:41:13.280 --> 0:41:22.080
<v Speaker 1>good listening to see. I wasn't wrong, but I the

0:41:22.200 --> 0:41:24.839
<v Speaker 1>people around me was wrong. Okay, let's get to it right.

0:41:25.120 --> 0:41:27.520
<v Speaker 1>So so because I don't know what you mean just now,

0:41:28.840 --> 0:41:34.560
<v Speaker 1>So like John Madden, I don't know what year was.

0:41:40.440 --> 0:41:42.239
<v Speaker 1>This is the first time they wanted to put rap

0:41:42.360 --> 0:41:44.800
<v Speaker 1>music in the video They never had rap music in

0:41:44.800 --> 0:41:46.919
<v Speaker 1>the video games. So they came to me. They was like, yeah,

0:41:46.920 --> 0:41:50.160
<v Speaker 1>we want you to make an intro for John Madden.

0:41:51.360 --> 0:41:53.520
<v Speaker 1>And I ain't had no artists. I mean I had artists,

0:41:53.520 --> 0:41:55.960
<v Speaker 1>but I ain't think that my artist was like animated

0:41:56.080 --> 0:41:58.000
<v Speaker 1>enough and right. It was this guy who's on the

0:41:58.120 --> 0:42:01.960
<v Speaker 1>radio name Chris lovel Love, right, and he was making

0:42:02.000 --> 0:42:08.200
<v Speaker 1>these animated as commercial sounding radio so I went and

0:42:08.280 --> 0:42:10.200
<v Speaker 1>got him. He was in my neighborhood. I went and guy,

0:42:10.239 --> 0:42:11.640
<v Speaker 1>and I say, I'm gonna put you on this John

0:42:11.719 --> 0:42:16.520
<v Speaker 1>Madden video game. And I basically signed him at that point,

0:42:16.719 --> 0:42:22.879
<v Speaker 1>like Yo co signed right, he was on the John

0:42:22.960 --> 0:42:25.800
<v Speaker 1>Man they sold whatever you know, went on Joey Madden

0:42:26.080 --> 0:42:29.279
<v Speaker 1>that ship pop. And at that point I went back

0:42:29.320 --> 0:42:31.520
<v Speaker 1>to my office and I asked everybody in my office.

0:42:31.560 --> 0:42:36.600
<v Speaker 1>I said, Yo, we should sign Luda Chris, and everybody

0:42:36.680 --> 0:42:39.320
<v Speaker 1>told me no, but he was Chris lovel Love. This

0:42:39.480 --> 0:42:41.919
<v Speaker 1>was Chris lovel Love. And everybody, the whole staff told

0:42:41.920 --> 0:42:44.600
<v Speaker 1>you that. Everybody was like, he's it's animated. They ain't

0:42:44.640 --> 0:42:47.160
<v Speaker 1>really don't know what that's gonna be. But animation rap

0:42:47.239 --> 0:42:48.920
<v Speaker 1>was hot at that time. We had busted rhymes. I

0:42:49.000 --> 0:42:56.080
<v Speaker 1>always animated, very very animated. I mean I was into it,

0:42:56.160 --> 0:42:57.600
<v Speaker 1>I just but at the same time I was I

0:42:57.760 --> 0:43:01.439
<v Speaker 1>was dancing between tinted to be an executive and letting

0:43:01.440 --> 0:43:04.400
<v Speaker 1>the people in my office actually do something right. So

0:43:04.520 --> 0:43:08.520
<v Speaker 1>I asked people and they was like, nah, we don't

0:43:08.560 --> 0:43:12.200
<v Speaker 1>really know about that. And to this day I'm mad

0:43:12.239 --> 0:43:14.439
<v Speaker 1>because that was my was he already rolling with shock

0:43:14.480 --> 0:43:18.200
<v Speaker 1>at that time? Huh with shokah? Of course they've been together. Yeah,

0:43:18.320 --> 0:43:20.239
<v Speaker 1>So I mean that's that's the that's the only one.

0:43:20.320 --> 0:43:22.720
<v Speaker 1>And I wasn't wrong because I used him. I already

0:43:22.800 --> 0:43:25.279
<v Speaker 1>had put him on to John Mann, so I knew

0:43:25.320 --> 0:43:28.040
<v Speaker 1>what he was cool. I just didn't react fact like

0:43:28.080 --> 0:43:32.240
<v Speaker 1>I should have fun fact fun fact two. Okay, goddamn

0:43:32.360 --> 0:43:36.960
<v Speaker 1>high fiveda especially. I was waiting for you to like

0:43:37.080 --> 0:43:46.919
<v Speaker 1>them blunts. You got your O baby, we we listen, listen,

0:43:46.920 --> 0:43:52.799
<v Speaker 1>we got new mincrophones. I was gonna say, um, it's

0:43:52.840 --> 0:43:55.759
<v Speaker 1>a couple of artists that j D because I'm telling

0:43:55.760 --> 0:44:01.799
<v Speaker 1>me he was supposed to sigh j Z. I threw

0:44:01.880 --> 0:44:05.120
<v Speaker 1>that in the end. What you what you got? But

0:44:05.760 --> 0:44:12.920
<v Speaker 1>little more now? Yeah? Earlier? Yeah? Yeah, who brought him

0:44:12.920 --> 0:44:17.560
<v Speaker 1>to your cruel love? Who love? Because yeah, it was cool,

0:44:17.960 --> 0:44:25.040
<v Speaker 1>it's true ship. I don't but it wasn't no signing though.

0:44:25.120 --> 0:44:28.120
<v Speaker 1>It was like he brought him to me. They came,

0:44:28.280 --> 0:44:30.719
<v Speaker 1>but it was never like yo, I don't know, it

0:44:30.840 --> 0:44:33.799
<v Speaker 1>just ain't never seemed like at that time, I'm gonna

0:44:33.800 --> 0:44:36.800
<v Speaker 1>be honest St. Louis, It's not even like back on

0:44:36.880 --> 0:44:38.840
<v Speaker 1>the map. They weren't on the map at all. So

0:44:39.000 --> 0:44:40.719
<v Speaker 1>it was it was a risk because I remember telling

0:44:40.800 --> 0:44:43.720
<v Speaker 1>Penalty Records because he's a company with Cooler Love. Cooler

0:44:43.760 --> 0:44:46.719
<v Speaker 1>Love had my my homeboy, who was my man, and

0:44:46.800 --> 0:44:48.160
<v Speaker 1>now I just met him back there. But it was

0:44:48.360 --> 0:44:55.400
<v Speaker 1>Pierre card so coulda Love had wronged Nelly to Penalty Records.

0:44:55.440 --> 0:44:56.839
<v Speaker 1>And I heard the ship and I was like, yo,

0:44:57.120 --> 0:44:59.840
<v Speaker 1>I said, yo, listen. I didn't know how to sign anything.

0:45:00.000 --> 0:45:05.800
<v Speaker 1>I was just to the side, down down baby. I

0:45:05.920 --> 0:45:08.239
<v Speaker 1>think he was shopping to dinner with that. Yeah, I

0:45:08.320 --> 0:45:10.400
<v Speaker 1>swear to go. I told nil Avini and I was like, yo,

0:45:10.840 --> 0:45:12.960
<v Speaker 1>I said, yo, listen, that's how I knew if you

0:45:13.080 --> 0:45:14.719
<v Speaker 1>if you listen to that first album, he shots me

0:45:14.760 --> 0:45:17.120
<v Speaker 1>out two times on that album. I had no him

0:45:17.120 --> 0:45:19.200
<v Speaker 1>because I went to them, because that's the same time

0:45:19.320 --> 0:45:23.320
<v Speaker 1>David Banner didn't David Banna was signed to the Penalty

0:45:23.719 --> 0:45:26.440
<v Speaker 1>and quier let us excuse me, you're right, and they

0:45:26.480 --> 0:45:29.080
<v Speaker 1>wouldn't give them money for their budget, so I said,

0:45:29.120 --> 0:45:30.840
<v Speaker 1>we take to take the money out of my budget.

0:45:30.960 --> 0:45:32.880
<v Speaker 1>Didn't know this guy was gonna wind up being David

0:45:33.239 --> 0:45:36.560
<v Speaker 1>Banner years later. But I told the motherfucker's but Nellie,

0:45:36.600 --> 0:45:38.400
<v Speaker 1>I said, yo, look, I said, yo, look, this is

0:45:38.600 --> 0:45:41.799
<v Speaker 1>different to this thing is a lot of times New

0:45:41.880 --> 0:45:44.320
<v Speaker 1>York companies who couldn't think outside the box. See me,

0:45:44.480 --> 0:45:46.839
<v Speaker 1>I would go to these towns. I would go to St.

0:45:46.960 --> 0:45:48.440
<v Speaker 1>Louis and I would got to hang out on the

0:45:48.600 --> 0:45:51.719
<v Speaker 1>worst club, the ship with we They only see you

0:45:51.800 --> 0:45:53.680
<v Speaker 1>cups like this too, on the bottle and they just

0:45:53.760 --> 0:45:56.520
<v Speaker 1>bring you. They don't give you the bottle, they bring

0:45:56.640 --> 0:45:59.600
<v Speaker 1>this lastic. You're like a whole lot. Then I want

0:45:59.600 --> 0:46:01.480
<v Speaker 1>to a bottle like this is this that type of

0:46:01.520 --> 0:46:04.279
<v Speaker 1>place like you can't have a bottle here? And I

0:46:04.440 --> 0:46:06.960
<v Speaker 1>was out there St. Louis is real, like this is

0:46:07.000 --> 0:46:09.480
<v Speaker 1>blooding cripin for real out here. I told the lady,

0:46:09.560 --> 0:46:11.520
<v Speaker 1>I said, what so you had a chance to do it?

0:46:17.120 --> 0:46:20.480
<v Speaker 1>Thirty thirty million, damn everything. You know, you gotta be

0:46:20.520 --> 0:46:26.080
<v Speaker 1>on the Dream Champs to come damn one. That's the

0:46:26.120 --> 0:46:31.520
<v Speaker 1>only one. But when I said, Gez about a little bit,

0:46:33.080 --> 0:46:34.560
<v Speaker 1>but let me but all right, so let me ask you,

0:46:34.640 --> 0:46:37.759
<v Speaker 1>speaking of Jez, let me ask you Atlanta. You got

0:46:37.920 --> 0:46:40.319
<v Speaker 1>you guys got to see the b M f Era right,

0:46:41.000 --> 0:46:43.080
<v Speaker 1>like the beat that like that ship was big for

0:46:43.239 --> 0:46:46.359
<v Speaker 1>us because that was like modern day Alpole mind Dave Ridge.

0:46:46.600 --> 0:46:50.200
<v Speaker 1>We've never seen we've never heard of like these guys,

0:46:51.320 --> 0:46:54.080
<v Speaker 1>like those type of guys in the South, Like we've

0:46:54.160 --> 0:46:57.000
<v Speaker 1>heard it like that in Hall of Man, the Bronx

0:46:57.040 --> 0:46:59.640
<v Speaker 1>and Queen. So the first time New York people was

0:46:59.719 --> 0:47:04.920
<v Speaker 1>hearing being like what the but you you got YouTube right,

0:47:05.480 --> 0:47:07.719
<v Speaker 1>you got to live. I lived in that lant at

0:47:07.760 --> 0:47:09.160
<v Speaker 1>the time. I don't think I was only to getting

0:47:09.200 --> 0:47:14.880
<v Speaker 1>to the club. But I've seen it. I've seen it.

0:47:15.000 --> 0:47:17.120
<v Speaker 1>I've seen I've seen it, you know, the first thing

0:47:17.160 --> 0:47:19.760
<v Speaker 1>I've seen it actually come to light. That's that's crazy,

0:47:19.840 --> 0:47:24.000
<v Speaker 1>that's um, that'sn'tly like the fifty cent. I hope that

0:47:24.120 --> 0:47:26.960
<v Speaker 1>he really got the story the way it's supposed to be,

0:47:27.880 --> 0:47:29.719
<v Speaker 1>like they should have called me. I've seen the ship

0:47:29.840 --> 0:47:34.239
<v Speaker 1>from scratch like day one, like before it was even

0:47:34.520 --> 0:47:37.279
<v Speaker 1>like a crew like this. I've seen. I know you know,

0:47:37.360 --> 0:47:38.880
<v Speaker 1>I meet you used to be in the club. Me,

0:47:39.560 --> 0:47:41.080
<v Speaker 1>we used to be in the club, and it was

0:47:41.160 --> 0:47:44.439
<v Speaker 1>just like him and like one person. Matter of fact,

0:47:44.480 --> 0:47:46.440
<v Speaker 1>I had a security guard that he took from me,

0:47:47.200 --> 0:47:49.200
<v Speaker 1>my man, Big Jay. He took my man, he took

0:47:49.280 --> 0:47:51.680
<v Speaker 1>my security and that that was who he was rolling

0:47:51.680 --> 0:47:55.000
<v Speaker 1>around Atlanta with. And then like he got this idea

0:47:55.600 --> 0:47:58.279
<v Speaker 1>to just turn that ship into a game and make

0:47:58.320 --> 0:48:01.399
<v Speaker 1>it bigger than what him. I'm a Philippa Rose. Even

0:48:01.400 --> 0:48:05.879
<v Speaker 1>though I think you can't keep switching. Now, listen this drink.

0:48:08.920 --> 0:48:10.520
<v Speaker 1>You don't want to. You don't want to show you

0:48:10.520 --> 0:48:12.200
<v Speaker 1>what pup didn't happen. We don't want to show you

0:48:12.280 --> 0:48:15.200
<v Speaker 1>like Jeffrey. Yeah, he made a Jeffrey you know what

0:48:15.320 --> 0:48:19.359
<v Speaker 1>that is, and he makes he makes everything everything, everything

0:48:19.600 --> 0:48:21.680
<v Speaker 1>on here and put it in one cup. I ain't

0:48:21.680 --> 0:48:24.280
<v Speaker 1>gonna lie. I died for twelve seconds, like twelve seconds.

0:48:24.280 --> 0:48:32.920
<v Speaker 1>I was like, you just say I'm coming coming see No,

0:48:33.040 --> 0:48:34.360
<v Speaker 1>you don't gonna do that. You don't gonna do that.

0:48:34.440 --> 0:48:38.319
<v Speaker 1>J d oh Okay, that's that's but this is fly hot.

0:48:38.840 --> 0:48:43.600
<v Speaker 1>That's two. What's that? Like? This just that's the new Grandma,

0:48:43.719 --> 0:48:47.160
<v Speaker 1>yeah instead of Grandma. Yeah, you're bringing the rose. It

0:48:47.200 --> 0:48:49.680
<v Speaker 1>don't look bad though I can't even lie. It looks good.

0:48:49.960 --> 0:48:53.440
<v Speaker 1>This might be something right, So new drinking letter inside

0:48:55.280 --> 0:48:59.759
<v Speaker 1>ship has to your favorite ever? But what is the

0:49:00.200 --> 0:49:05.399
<v Speaker 1>the most fun you had in music? Me? The eighties? Yeah,

0:49:05.440 --> 0:49:07.600
<v Speaker 1>because I mean you wasn't really on in the eighties,

0:49:07.680 --> 0:49:12.560
<v Speaker 1>were you? I was, I was on tour. But you know,

0:49:12.719 --> 0:49:16.839
<v Speaker 1>for me, it was like it's a story that nobody else,

0:49:17.280 --> 0:49:19.800
<v Speaker 1>you know. I like being a part of stuff that

0:49:20.080 --> 0:49:22.400
<v Speaker 1>that I can't share with other people, you know what

0:49:22.440 --> 0:49:26.240
<v Speaker 1>I mean? Like at twelve years old, I was realized

0:49:26.280 --> 0:49:29.880
<v Speaker 1>it was a role that I'm sorry, I don't know

0:49:29.920 --> 0:49:33.879
<v Speaker 1>who took over me. So at twelve and twelve, I've

0:49:33.920 --> 0:49:37.120
<v Speaker 1>seen ship that like niggas that's fifty ain't never even seen,

0:49:37.560 --> 0:49:39.080
<v Speaker 1>you know what I mean. So so it was like

0:49:40.440 --> 0:49:43.759
<v Speaker 1>that that that that era for me, just like that's

0:49:43.760 --> 0:49:46.239
<v Speaker 1>what I learned. That's why I saw you know what

0:49:46.239 --> 0:49:50.000
<v Speaker 1>I mean? I was, I was, um, I love my

0:49:50.120 --> 0:49:56.920
<v Speaker 1>virginity at twelve. Goddamn huh. You know, I don't think

0:49:56.920 --> 0:49:59.040
<v Speaker 1>we ever talked about vorginity on drink Chap like that

0:50:00.040 --> 0:50:11.600
<v Speaker 1>school about asking you talking about later on? Yeah, yea.

0:50:12.239 --> 0:50:16.200
<v Speaker 1>That error just me running around and actually seeing, like

0:50:16.320 --> 0:50:19.960
<v Speaker 1>you said, going to different cities and actually realizing that

0:50:21.000 --> 0:50:24.120
<v Speaker 1>it's other stuff going on besides where I was at. Right,

0:50:24.239 --> 0:50:25.840
<v Speaker 1>So that was just like the most fun for me.

0:50:25.880 --> 0:50:29.279
<v Speaker 1>It was just like, Um, I got a chance to

0:50:29.320 --> 0:50:32.360
<v Speaker 1>actually really just like run around and see ship and

0:50:32.960 --> 0:50:35.640
<v Speaker 1>be on tour with run DMC and the Fat Boys

0:50:35.719 --> 0:50:41.200
<v Speaker 1>and Grandmaster Grandmaster Flash and Houdini at twelve, thirteen, fourteen

0:50:41.239 --> 0:50:45.160
<v Speaker 1>years old. I don't know what's better than that. Now

0:50:45.920 --> 0:50:47.799
<v Speaker 1>as a person, I could tell I know you love

0:50:47.920 --> 0:50:51.880
<v Speaker 1>music just from your justtography, But what was you ever

0:50:52.040 --> 0:50:55.600
<v Speaker 1>frustrated with music? Because ever one time when you was like, man,

0:50:55.840 --> 0:51:00.400
<v Speaker 1>fun this ship, Like yeah, as far as not frustrated

0:51:00.440 --> 0:51:02.640
<v Speaker 1>with music, just frustrated with the fact that the way

0:51:02.719 --> 0:51:05.600
<v Speaker 1>people looked at Atlanta, you know, like you said already

0:51:05.600 --> 0:51:08.319
<v Speaker 1>about the Bamas, Like I was catching that. I had

0:51:08.320 --> 0:51:12.080
<v Speaker 1>a group before Criss Crossed Um caused Siptom's leather. It

0:51:12.239 --> 0:51:15.879
<v Speaker 1>was two girls that was on Geffen and uh they

0:51:15.960 --> 0:51:18.480
<v Speaker 1>was like the girl friends of Hohodini and I and

0:51:18.840 --> 0:51:31.240
<v Speaker 1>I life, real life, real life. There was the girlfriends

0:51:31.239 --> 0:51:33.160
<v Speaker 1>of Whody. Then they happened to live in Atlanta. I

0:51:33.280 --> 0:51:36.000
<v Speaker 1>met them one too when I was young and like, oh,

0:51:36.040 --> 0:51:38.480
<v Speaker 1>are you living in Atlanta? Yeah? Okay, well Shi, when

0:51:38.520 --> 0:51:40.520
<v Speaker 1>I get back home, let's kick it. And then I

0:51:40.600 --> 0:51:42.640
<v Speaker 1>got this idea about them both. When I was putting

0:51:42.680 --> 0:51:44.839
<v Speaker 1>out day records, I used to go to New York

0:51:44.960 --> 0:51:47.520
<v Speaker 1>and have to give my record to like Red Alert

0:51:47.719 --> 0:51:50.720
<v Speaker 1>and Chuck chill Out, And I don't think I remember

0:51:50.800 --> 0:51:54.319
<v Speaker 1>Chuck chill Out saying like, man, I can't really play

0:51:54.400 --> 0:51:58.200
<v Speaker 1>this country ship like something like that, And I just

0:51:58.400 --> 0:52:00.960
<v Speaker 1>was like, that's that's when I really like, Oh, I'm

0:52:01.640 --> 0:52:04.520
<v Speaker 1>I'm gonna make this THI he gonna he gonna change

0:52:04.560 --> 0:52:09.200
<v Speaker 1>his words. But is that how you developed like being global?

0:52:09.440 --> 0:52:12.239
<v Speaker 1>Because like when when you hear a germane pre record,

0:52:12.320 --> 0:52:14.560
<v Speaker 1>it's like it's for everybody. Yeah, that's what it was.

0:52:14.640 --> 0:52:16.640
<v Speaker 1>I don't want I didn't. I didn't want to be

0:52:17.360 --> 0:52:19.520
<v Speaker 1>stuck like that, you know, because I felt like, like

0:52:19.600 --> 0:52:21.200
<v Speaker 1>I said I was, I was the one taking the

0:52:21.719 --> 0:52:24.439
<v Speaker 1>hardest shot out. Cash was not when Chriss Cross came out,

0:52:25.160 --> 0:52:27.080
<v Speaker 1>you know what I mean, they weren't even even they

0:52:27.280 --> 0:52:30.160
<v Speaker 1>actually outcast told me they tried to sign this up

0:52:30.200 --> 0:52:34.640
<v Speaker 1>to death. That's one group that I didn't never man

0:52:35.600 --> 0:52:37.640
<v Speaker 1>that you paid it a way hold on telling on

0:52:37.880 --> 0:52:39.400
<v Speaker 1>you had a chance of sign I don't care, but

0:52:39.480 --> 0:52:42.040
<v Speaker 1>I didn't know they said it was calling my office

0:52:42.040 --> 0:52:44.239
<v Speaker 1>but I don't, you know, the one't never no meeting

0:52:44.360 --> 0:52:46.480
<v Speaker 1>like that, so they didn't have a buzz, and then

0:52:46.480 --> 0:52:49.440
<v Speaker 1>they I would think, because back then, that's how everybody

0:52:49.920 --> 0:52:51.319
<v Speaker 1>was trying to get at, like you know, but I'm

0:52:51.320 --> 0:52:53.239
<v Speaker 1>saying artists, back then you had to have like a

0:52:53.320 --> 0:52:56.719
<v Speaker 1>buzz in your actual neighborhood before you even got to

0:52:56.840 --> 0:53:00.200
<v Speaker 1>any offices anywhere. So I would think outcasts had got

0:53:00.239 --> 0:53:02.480
<v Speaker 1>bus and the locod I mean, I'm find out a

0:53:02.560 --> 0:53:05.320
<v Speaker 1>bunch of like Florida was with us last night. Florida

0:53:05.360 --> 0:53:07.680
<v Speaker 1>also told me that he came to Atlanta, came to

0:53:07.800 --> 0:53:09.400
<v Speaker 1>my office and tried to get me to sign him,

0:53:10.160 --> 0:53:12.719
<v Speaker 1>and I never met him at that time, so you know,

0:53:13.000 --> 0:53:14.760
<v Speaker 1>so there's a lot of that going on. But anyway,

0:53:15.200 --> 0:53:18.920
<v Speaker 1>like Cris Cross was the first rap group to going,

0:53:19.040 --> 0:53:21.719
<v Speaker 1>like I said, from a platinum standpoint, so it wasn't

0:53:21.719 --> 0:53:24.080
<v Speaker 1>nobody else there. So we was taking all of the

0:53:24.239 --> 0:53:27.520
<v Speaker 1>heat as like you know, these little young niggas country

0:53:27.560 --> 0:53:29.960
<v Speaker 1>niggas from Atlanta blah blah blah blah, and we was

0:53:30.040 --> 0:53:32.840
<v Speaker 1>getting that. So I was just determined to like you know,

0:53:33.080 --> 0:53:35.840
<v Speaker 1>change people's mind from that from that place. Right, So

0:53:36.080 --> 0:53:45.600
<v Speaker 1>after Criss Cross, you running into female from Chicago? How

0:53:45.680 --> 0:53:48.560
<v Speaker 1>did how did how did you link up with the brad?

0:53:49.000 --> 0:53:54.120
<v Speaker 1>How did that happen? Well? Escape came after Chris, I apologize,

0:53:55.080 --> 0:54:03.120
<v Speaker 1>Risks go to the skate. Escape came first, um and escaped.

0:54:03.400 --> 0:54:06.399
<v Speaker 1>They came to my birthday. I had a birthday party

0:54:06.440 --> 0:54:08.560
<v Speaker 1>and like my neighborhood, and they came and they sung

0:54:08.640 --> 0:54:11.320
<v Speaker 1>Happy birthday to me. And you knew the group or

0:54:11.360 --> 0:54:14.920
<v Speaker 1>somebody got Ian birt he brought him to myse and

0:54:15.000 --> 0:54:17.000
<v Speaker 1>let him sing Happy Birthday to me. I ain't even

0:54:17.040 --> 0:54:19.440
<v Speaker 1>had no label at this time. They came and singing,

0:54:20.239 --> 0:54:23.680
<v Speaker 1>and I told him that day like, yo, when I'm

0:54:23.719 --> 0:54:25.560
<v Speaker 1>gonna get it, said, I'm gonna get a label deal.

0:54:26.239 --> 0:54:27.799
<v Speaker 1>When I get a labeled deal, I'm gonna sign y'all

0:54:27.800 --> 0:54:30.080
<v Speaker 1>was my first group. That's what I told him. I

0:54:30.160 --> 0:54:31.960
<v Speaker 1>don't he probably don't believe me or whatever whatever, but

0:54:32.040 --> 0:54:35.080
<v Speaker 1>it did happen. That's what happened. So um, So that's

0:54:35.120 --> 0:54:38.440
<v Speaker 1>what you know the escape story. Like that's they sing

0:54:38.560 --> 0:54:40.239
<v Speaker 1>at my birthday and they lit right now. One of

0:54:40.280 --> 0:54:43.640
<v Speaker 1>them is a housewild. The one is a housewild and

0:54:45.239 --> 0:54:52.000
<v Speaker 1>they they get together right now. Together is good. I think.

0:54:52.040 --> 0:54:54.799
<v Speaker 1>I think I think music should be universal. I think

0:54:54.800 --> 0:54:57.160
<v Speaker 1>you should be able to do music until you can't,

0:54:57.280 --> 0:55:00.640
<v Speaker 1>until you can't do until you can't. Yeah, everybody to

0:55:00.680 --> 0:55:04.920
<v Speaker 1>do it. Then what what you want to do? I

0:55:05.040 --> 0:55:08.480
<v Speaker 1>keeps playing this time. That's what I'm like. I told

0:55:08.480 --> 0:55:12.440
<v Speaker 1>you about. Now you want listen, you can set it up.

0:55:13.719 --> 0:55:17.160
<v Speaker 1>That's the one who come on when the table that

0:55:17.320 --> 0:55:21.239
<v Speaker 1>right through. I'm not drinking that show co yeah j D. First,

0:55:21.360 --> 0:55:23.640
<v Speaker 1>you gotta be taking what it is. It's herbs, it's

0:55:23.719 --> 0:55:26.080
<v Speaker 1>no side of faith. This is in the juice balls.

0:55:26.160 --> 0:55:30.160
<v Speaker 1>You know juice balls. It's JUPI on crack. You want

0:55:30.200 --> 0:55:31.359
<v Speaker 1>me to take a shot of that with you too?

0:55:31.360 --> 0:55:33.279
<v Speaker 1>The same way you'll explain that we all got to

0:55:33.320 --> 0:55:36.719
<v Speaker 1>drink it. It's very no. You gotta try to ship.

0:55:36.760 --> 0:55:40.880
<v Speaker 1>You gotta try about now, you gotta you gotta late

0:55:42.080 --> 0:55:45.680
<v Speaker 1>try to It isn't drink Rick Warsted four Rick ros

0:55:45.760 --> 0:55:49.719
<v Speaker 1>did full Yeah fifty did four fifty? Did he do?

0:55:50.040 --> 0:55:54.080
<v Speaker 1>He definitely did it? He did five shots, make five shots.

0:55:54.120 --> 0:55:55.640
<v Speaker 1>But that it's just a shot, all right, Come on,

0:55:55.680 --> 0:55:59.759
<v Speaker 1>let the shot glass gone. I can't put it in

0:55:59.840 --> 0:56:12.560
<v Speaker 1>a definitely put don't even every roads ever, roads ever? Uh?

0:56:13.120 --> 0:56:18.440
<v Speaker 1>I still got to kill it all right? Cool? Are

0:56:18.440 --> 0:56:21.160
<v Speaker 1>you gonna put this show? Please? Put this? Are you

0:56:21.200 --> 0:56:25.520
<v Speaker 1>gonna be respectful my birthday? I still got it off

0:56:25.560 --> 0:56:26.920
<v Speaker 1>my birthday a lot of two. It is sent on

0:56:27.000 --> 0:56:30.799
<v Speaker 1>fire right. Look at that, yo, and let me let

0:56:30.840 --> 0:56:34.440
<v Speaker 1>me tell you. Let me tell you one thing. Not

0:56:34.840 --> 0:56:37.719
<v Speaker 1>not only I respect you, but the world respects. The

0:56:37.840 --> 0:56:41.239
<v Speaker 1>world respects how you stand by your people like you

0:56:41.480 --> 0:56:44.520
<v Speaker 1>always stand by even I want a little crazy for

0:56:44.600 --> 0:56:48.640
<v Speaker 1>a week. It was maybe two maybe two weeks. Gotta

0:56:48.640 --> 0:56:52.680
<v Speaker 1>be able to four months. You still sit about my legga.

0:56:53.239 --> 0:56:56.239
<v Speaker 1>That's my like. I love that. Take no pens with him?

0:56:59.040 --> 0:57:04.279
<v Speaker 1>Ship did when I did the do it was don't

0:57:04.280 --> 0:57:10.799
<v Speaker 1>stay on my phone, everybody, you got your all right? Now?

0:57:11.719 --> 0:57:13.520
<v Speaker 1>Check how we do it, Jay, That's how we do it.

0:57:13.560 --> 0:57:15.200
<v Speaker 1>It's the only thing. You shouldn't have smelled it. But

0:57:15.360 --> 0:57:17.320
<v Speaker 1>this is you know, listen, this is the only how

0:57:17.400 --> 0:57:20.280
<v Speaker 1>we do it. It's odd. It's come on you ready,

0:57:21.760 --> 0:57:23.240
<v Speaker 1>you gotta take the glasses off. Just just what this

0:57:23.360 --> 0:57:25.360
<v Speaker 1>just just a little bit, but you put it right back.

0:57:26.160 --> 0:57:27.600
<v Speaker 1>He's put it right back on. Come on, come on

0:57:27.640 --> 0:57:34.200
<v Speaker 1>a bount y'all making me drink the ship see shot you, Nina,

0:57:34.200 --> 0:57:38.600
<v Speaker 1>I just want you can't tell here. You go on,

0:57:38.760 --> 0:57:59.680
<v Speaker 1>go on, yeah, ready for this, let's go. Let's go.

0:58:02.040 --> 0:58:15.280
<v Speaker 1>You go go away about to change. You take your

0:58:15.320 --> 0:58:34.320
<v Speaker 1>stress and change it. It's a little away. It's why

0:58:34.400 --> 0:58:44.760
<v Speaker 1>do vegans drink? This is your story? You tell me it.

0:58:44.880 --> 0:58:48.080
<v Speaker 1>Actually it's actually a good story. It's gonna be a

0:58:48.160 --> 0:58:51.000
<v Speaker 1>sex drive. It's an early like they're saying that there's

0:58:51.000 --> 0:58:52.560
<v Speaker 1>people that wake up in the morning, they take a

0:58:52.600 --> 0:58:54.760
<v Speaker 1>shot of that, they clean up, go to work, and

0:58:54.840 --> 0:58:56.480
<v Speaker 1>they come back home and they take a shot because

0:58:56.480 --> 0:58:58.640
<v Speaker 1>I get you up and then also put your ass

0:58:58.680 --> 0:59:02.080
<v Speaker 1>to sleep. Look at Bousten boy, you said such job

0:59:03.280 --> 0:59:05.800
<v Speaker 1>when this supposed it is supposed to be an aphobia.

0:59:06.000 --> 0:59:07.920
<v Speaker 1>It's not like you walk around like the ever did

0:59:08.040 --> 0:59:10.480
<v Speaker 1>you know that you be not gonna sit down. It's

0:59:10.520 --> 0:59:12.560
<v Speaker 1>not that. It's like, but if you play the game,

0:59:12.600 --> 0:59:16.160
<v Speaker 1>you'll be ready because you have maybe have to play

0:59:16.200 --> 0:59:18.240
<v Speaker 1>the game, you'll be ready. You go, that might need

0:59:18.280 --> 0:59:32.640
<v Speaker 1>another one, no more, no more. That thought the version

0:59:32.720 --> 0:59:34.160
<v Speaker 1>was real type. So let me let me let me

0:59:34.200 --> 0:59:38.160
<v Speaker 1>ask you something, uh get a little real right now?

0:59:38.480 --> 0:59:42.680
<v Speaker 1>Because you did multiple records with Big was after Big Past,

0:59:43.560 --> 0:59:46.040
<v Speaker 1>did it because I don't think in hip hop we

0:59:46.080 --> 0:59:50.520
<v Speaker 1>would have thought that first off, that like using big

0:59:50.720 --> 0:59:52.720
<v Speaker 1>lyrics that we wouldn't have thought hip hop would have

0:59:52.760 --> 0:59:55.240
<v Speaker 1>made it this far, and now the hip hop has,

0:59:55.360 --> 0:59:56.960
<v Speaker 1>we wouldn't have thought that hip hop would have took

0:59:57.000 --> 1:00:00.320
<v Speaker 1>it there where actually you could actually die in pop?

1:00:00.480 --> 1:00:04.760
<v Speaker 1>Like how how how did your life change after that? Um?

1:00:07.440 --> 1:00:11.360
<v Speaker 1>I don't. I mean I'm in it. I mean I've

1:00:11.360 --> 1:00:12.920
<v Speaker 1>been in it since I was twelve, So it just

1:00:13.080 --> 1:00:16.400
<v Speaker 1>feels like the dirt that I come from. Um, I've

1:00:16.400 --> 1:00:19.200
<v Speaker 1>seen way more ship than just you know, the Big East.

1:00:19.280 --> 1:00:21.840
<v Speaker 1>I mean, I was the craziest part of our Big

1:00:22.040 --> 1:00:26.480
<v Speaker 1>Death is that I was in the truck before I

1:00:26.600 --> 1:00:30.480
<v Speaker 1>had got in the truck with him. Yeah, I got

1:00:30.560 --> 1:00:34.440
<v Speaker 1>in the truck because it was l A and the

1:00:34.600 --> 1:00:37.360
<v Speaker 1>tension was, you know, everybody was already on like this

1:00:38.600 --> 1:00:41.240
<v Speaker 1>high alert in l A. So when when we came

1:00:41.280 --> 1:00:44.440
<v Speaker 1>out the party, I was coming out the party with

1:00:44.640 --> 1:00:48.560
<v Speaker 1>Big and Big like my man, like he was. He

1:00:48.640 --> 1:00:50.760
<v Speaker 1>was always looking out for me. So he was like, yo, Jennie,

1:00:51.080 --> 1:00:52.600
<v Speaker 1>you can't stand out here. This is l A. You

1:00:52.640 --> 1:00:55.880
<v Speaker 1>can't stand outside. Yeah, he telling me this because my

1:00:56.000 --> 1:00:57.880
<v Speaker 1>car wouldn't my car hadn't come up yet, so his

1:00:58.000 --> 1:00:59.960
<v Speaker 1>car was there. He's like, yeah, you can't stand out.

1:01:00.000 --> 1:01:03.360
<v Speaker 1>Saw you getting here with us, and and and when

1:01:03.400 --> 1:01:06.000
<v Speaker 1>you know we're whatever, how are you gonna do it?

1:01:06.360 --> 1:01:09.080
<v Speaker 1>So I jumped into I was basically in that truck.

1:01:10.760 --> 1:01:13.720
<v Speaker 1>My car pulled up right before they pulled off, and

1:01:13.800 --> 1:01:16.600
<v Speaker 1>I got out the truck and I got in my car.

1:01:17.080 --> 1:01:19.000
<v Speaker 1>They pulled off, and that's when I heard the shots.

1:01:20.080 --> 1:01:25.880
<v Speaker 1>Oh you actually heard that, right? Yeah? I was right there.

1:01:26.440 --> 1:01:31.120
<v Speaker 1>Who So how did you start moving? Different? Was? Yeah?

1:01:31.320 --> 1:01:32.800
<v Speaker 1>I mean we had a whole bunch of that, Like

1:01:33.520 --> 1:01:36.200
<v Speaker 1>we had, like tell me what Toler had got us

1:01:36.200 --> 1:01:41.280
<v Speaker 1>security at the time. Yeah, it was crazy. I mean

1:01:41.320 --> 1:01:46.440
<v Speaker 1>you had because you ain't really know, like you definitely realized,

1:01:47.960 --> 1:01:50.480
<v Speaker 1>um that it was real. But but like I said, me,

1:01:52.080 --> 1:01:54.520
<v Speaker 1>ship that people don't notice that that beef between Puff

1:01:54.680 --> 1:02:01.720
<v Speaker 1>and Shook started at my birthday party. WHOA, okay, yeah, exactly, Okay,

1:02:01.720 --> 1:02:03.840
<v Speaker 1>but we gotta get straight into that. But let me

1:02:03.880 --> 1:02:06.760
<v Speaker 1>ask you, are you are you ready for this? Because

1:02:06.880 --> 1:02:09.160
<v Speaker 1>this is something that that that that was was crazy

1:02:09.200 --> 1:02:11.160
<v Speaker 1>to me? You ready for the pup thing when we

1:02:11.240 --> 1:02:13.160
<v Speaker 1>had pupforn drink chance we want to get here with

1:02:13.320 --> 1:02:16.000
<v Speaker 1>Pop said alread what he said. Okay, we already played

1:02:16.120 --> 1:02:19.720
<v Speaker 1>for the stupid Okay, yeah, we're trying to be professional

1:02:19.720 --> 1:02:28.280
<v Speaker 1>with Jenny. Come on, this is this hilarious. We're trying

1:02:28.320 --> 1:02:35.600
<v Speaker 1>to be pession. Has your phone homes Let's look derby

1:02:36.440 --> 1:02:38.880
<v Speaker 1>and you know homeboy was in the tunnel, you know,

1:02:39.240 --> 1:02:41.439
<v Speaker 1>and we go and have a conversation this time where

1:02:41.480 --> 1:02:43.200
<v Speaker 1>we run the tunnel. You know, I'm saying, so to

1:02:43.280 --> 1:02:45.959
<v Speaker 1>make a long story short, you know, this is where

1:02:46.000 --> 1:02:47.880
<v Speaker 1>the act the parties out of course, at this world

1:02:47.960 --> 1:02:50.560
<v Speaker 1>famous tunnel. And so then when I had I ran

1:02:50.680 --> 1:02:52.440
<v Speaker 1>up and I asked him and he said, now, so

1:02:52.600 --> 1:02:56.680
<v Speaker 1>about your main dupri And I was just like yeah.

1:02:56.760 --> 1:03:06.240
<v Speaker 1>I was just like, wait, hold on, okay, now I

1:03:06.360 --> 1:03:09.400
<v Speaker 1>just live to answer on the way. You just don't

1:03:09.400 --> 1:03:15.520
<v Speaker 1>know what you want me to say? Party the party.

1:03:16.160 --> 1:03:19.400
<v Speaker 1>But well, I mean that's what Pop said that came

1:03:19.440 --> 1:03:22.360
<v Speaker 1>into Yeah, came in the tunnel and told him he

1:03:22.400 --> 1:03:25.160
<v Speaker 1>was looking for no, no, no. That when he said

1:03:25.440 --> 1:03:33.080
<v Speaker 1>at the Source Awards talking about me, right, what side

1:03:33.160 --> 1:03:35.600
<v Speaker 1>do you think is a little Come on, man, y'all

1:03:35.640 --> 1:03:37.600
<v Speaker 1>know better than that. That's not that's not. I mean,

1:03:37.800 --> 1:03:39.919
<v Speaker 1>we was there, I was I was dead by the way,

1:03:40.680 --> 1:03:42.920
<v Speaker 1>Like I said, I'm I'm the guy that's been like

1:03:43.000 --> 1:03:45.920
<v Speaker 1>at the forefront of everybody movement. Me and Snoop, Me

1:03:46.000 --> 1:03:49.600
<v Speaker 1>and Snoop was like this, That's how came like so

1:03:50.280 --> 1:03:52.680
<v Speaker 1>me having beef with death Road never was like that

1:03:52.840 --> 1:03:56.280
<v Speaker 1>wasn't even Suld was in my office coming to Atlanta,

1:03:56.560 --> 1:03:59.520
<v Speaker 1>kicking it like hanging out in my office. And that's

1:03:59.520 --> 1:04:02.360
<v Speaker 1>what I'm saying. And like I invited Sugar to my

1:04:02.440 --> 1:04:05.000
<v Speaker 1>birthday party. Sugar came to my birthday party with just

1:04:05.200 --> 1:04:08.080
<v Speaker 1>him and his one dude. I invited Puff to my

1:04:08.160 --> 1:04:11.080
<v Speaker 1>birthday party. Puff came with the whole bad boy crew.

1:04:12.440 --> 1:04:14.800
<v Speaker 1>They had beef from that, from that sort of ship.

1:04:15.160 --> 1:04:16.720
<v Speaker 1>But I wasn't never even thinking like it was no

1:04:16.840 --> 1:04:18.840
<v Speaker 1>real being. I wouldn't even invite it. I wasn't thinking

1:04:18.840 --> 1:04:22.120
<v Speaker 1>about it like that. But the whole night when the

1:04:22.200 --> 1:04:24.680
<v Speaker 1>party was great, beautiful party, everybody had a good time.

1:04:24.760 --> 1:04:26.640
<v Speaker 1>Then we went to this after party. We went to

1:04:26.720 --> 1:04:29.880
<v Speaker 1>the after party. I guess Puff and Shugg had something

1:04:29.920 --> 1:04:32.600
<v Speaker 1>kind of like saying said something to each other before

1:04:33.520 --> 1:04:37.000
<v Speaker 1>whatever at my party. So they got to this after party.

1:04:37.840 --> 1:04:43.040
<v Speaker 1>Shuld came to the club and Puff went outside and

1:04:43.120 --> 1:04:46.200
<v Speaker 1>they had their words in the middle of what's your street, Maurice?

1:04:48.200 --> 1:05:02.880
<v Speaker 1>What street was on? Anyone open? So anyway they had

1:05:03.000 --> 1:05:05.200
<v Speaker 1>they had like day little words, right, and they went

1:05:05.240 --> 1:05:07.760
<v Speaker 1>outside and they went in the middle of the street.

1:05:08.640 --> 1:05:10.880
<v Speaker 1>They were in the middle with the middle, the middle

1:05:10.960 --> 1:05:16.120
<v Speaker 1>of the street. Puff and Shuk outside in Atlanta and

1:05:16.520 --> 1:05:20.120
<v Speaker 1>at your party. Is it a calm conversation. It's not.

1:05:20.200 --> 1:05:23.920
<v Speaker 1>It's not a con conversation, um, but it's it's a

1:05:24.080 --> 1:05:28.080
<v Speaker 1>very hot style conversation. And their cruise no crew, I mean,

1:05:28.760 --> 1:05:32.560
<v Speaker 1>got one person. Puff got a crew, should got one

1:05:32.680 --> 1:05:39.360
<v Speaker 1>dude with him, right, And all I know is Puff

1:05:39.520 --> 1:05:43.600
<v Speaker 1>started drinking his champagne while they was talking, and I

1:05:43.680 --> 1:05:46.760
<v Speaker 1>guess somebody must say something to him. And next day,

1:05:46.800 --> 1:05:49.960
<v Speaker 1>I know, you know, Wolf rest in peace. You know,

1:05:50.560 --> 1:05:52.760
<v Speaker 1>he let off a shot and let off a couple

1:05:52.800 --> 1:05:57.080
<v Speaker 1>of shots and shug Man got killed right there in Atlanta.

1:05:58.360 --> 1:06:01.720
<v Speaker 1>That was the beginning of that whole ship. Like, I mean,

1:06:01.760 --> 1:06:03.560
<v Speaker 1>you're starting at the source of wars. But I'm saying

1:06:03.600 --> 1:06:08.160
<v Speaker 1>for like real, so so you're saying like like big

1:06:08.920 --> 1:06:13.440
<v Speaker 1>and maybe Pop might have been like had not to

1:06:13.480 --> 1:06:16.720
<v Speaker 1>do with this, yeah, but it affected like if it

1:06:16.800 --> 1:06:18.160
<v Speaker 1>went into that, but they ain't had nothing to do

1:06:18.240 --> 1:06:21.400
<v Speaker 1>with this. This was all like CEO the CEO ship

1:06:22.920 --> 1:06:24.840
<v Speaker 1>and what Poppa are we talking about? Then? Did he

1:06:24.960 --> 1:06:27.720
<v Speaker 1>have big at that time or not? Yeah? And then

1:06:27.760 --> 1:06:33.760
<v Speaker 1>what the ship? Who who was? Should death? Yeah? I

1:06:33.800 --> 1:06:35.520
<v Speaker 1>mean its like this after what I said. It was

1:06:35.720 --> 1:06:40.120
<v Speaker 1>just saying after he's saying that. After this is like,

1:06:40.400 --> 1:06:42.720
<v Speaker 1>you know, after soce of Wars and I you know,

1:06:42.760 --> 1:06:45.280
<v Speaker 1>I started having any birthday parts where I called people

1:06:45.320 --> 1:06:47.200
<v Speaker 1>and have everybody come to my birthday. So it's like

1:06:47.760 --> 1:06:53.280
<v Speaker 1>your ship because I remember he was you the Temple ship.

1:06:53.320 --> 1:06:57.400
<v Speaker 1>I'm your side. You know that everybody coming. They came

1:06:57.440 --> 1:06:59.840
<v Speaker 1>to Atlanta and this happened. You know, it actually happened

1:06:59.840 --> 1:07:02.600
<v Speaker 1>at my at my party. Wow, Nobody don't ever talk

1:07:02.600 --> 1:07:04.680
<v Speaker 1>about that. Nobody don't actually know. This is like probably

1:07:04.720 --> 1:07:08.800
<v Speaker 1>exclusive for y'all, EXCLUSI them. You want another show at nineteen,

1:07:10.120 --> 1:07:12.400
<v Speaker 1>I'll just I'll just feel like and it's your birthday too. Man,

1:07:12.720 --> 1:07:15.360
<v Speaker 1>It's Saturday night and I'm in Miami. I'm gonna take

1:07:15.360 --> 1:07:24.680
<v Speaker 1>another show. Look what you do? Yeah? Just trust me. Yeah,

1:07:25.040 --> 1:07:32.800
<v Speaker 1>I gotta go in right, I'm not to see if

1:07:32.840 --> 1:07:37.400
<v Speaker 1>it's on birthday. I want to see. It's a real aprodisia. Okay, yeah, definitely.

1:07:38.400 --> 1:07:43.160
<v Speaker 1>But now look now, because everything, let me tell you what,

1:07:43.280 --> 1:07:47.680
<v Speaker 1>I gotta be you up too. For one week, right,

1:07:47.840 --> 1:07:49.840
<v Speaker 1>at least a leaping the way more than one week.

1:07:50.640 --> 1:07:53.840
<v Speaker 1>Every way I went, people were just hating on They said,

1:07:53.960 --> 1:07:58.640
<v Speaker 1>damn funk this nigga domain a pretty you bad cannon

1:07:58.840 --> 1:08:01.480
<v Speaker 1>jacks and god damn, excuse me, excuse me, Let me

1:08:01.600 --> 1:08:04.560
<v Speaker 1>let me be Penny be nice. Bro, you back Penny

1:08:05.280 --> 1:08:10.520
<v Speaker 1>good nice. Didn't make it nice, yo, Listen to me.

1:08:10.920 --> 1:08:17.800
<v Speaker 1>Listen to me. That is everybody's tilda hating on your Yeah,

1:08:18.160 --> 1:08:20.840
<v Speaker 1>this was hey, j Because I'm telling you from another stick.

1:08:22.400 --> 1:08:26.120
<v Speaker 1>I would just walking like I was actually hearing Miami

1:08:26.560 --> 1:08:30.599
<v Speaker 1>going into what's the club that that that on Monday

1:08:30.720 --> 1:08:34.439
<v Speaker 1>night out here? King of Diamonds? No, the one that

1:08:34.720 --> 1:08:40.240
<v Speaker 1>that just be going to do one? No, not alright,

1:08:40.320 --> 1:08:43.559
<v Speaker 1>So Mocha was a different club. But we had pulled

1:08:43.680 --> 1:08:46.280
<v Speaker 1>up to me and Jane had pulled up to Mocha.

1:08:47.000 --> 1:08:49.519
<v Speaker 1>I like the way he say just makes noise, for

1:08:49.560 --> 1:09:01.519
<v Speaker 1>the way he says that Penny, that's Penny. Salute you.

1:09:01.640 --> 1:09:04.320
<v Speaker 1>You're preparing for the s looking about your battle do

1:09:04.439 --> 1:09:07.840
<v Speaker 1>it you all camera, y'all you didn't even have a shot.

1:09:08.960 --> 1:09:20.680
<v Speaker 1>I don't come Yeah, come on, let's listen. Solo by

1:09:20.680 --> 1:09:27.000
<v Speaker 1>the way, chans with this ship. Oh she made me

1:09:27.080 --> 1:09:31.519
<v Speaker 1>want to go to B Street, B Street. I don't

1:09:31.560 --> 1:09:36.720
<v Speaker 1>feel it. Oh, I haint a lot of CEOs that

1:09:36.800 --> 1:09:39.519
<v Speaker 1>come from the show. They go in. I mean that

1:09:39.680 --> 1:09:42.560
<v Speaker 1>is bad. I hadn't walk over there. I'm good that

1:09:43.200 --> 1:09:44.880
<v Speaker 1>it's bad to us either. I might take it up.

1:09:45.439 --> 1:09:48.040
<v Speaker 1>It's not bad. Let me tell you something I gotta do. Three.

1:09:48.080 --> 1:09:52.400
<v Speaker 1>Three's my limit. I drinking tagging bone for twenty years

1:09:52.439 --> 1:09:54.720
<v Speaker 1>and I'm still not used to it. Like twenty years.

1:09:55.479 --> 1:09:59.439
<v Speaker 1>We got video of US military. Listen. J D. Lemington,

1:10:02.040 --> 1:10:04.640
<v Speaker 1>Nigga's never seen this coming like you. I think you

1:10:04.760 --> 1:10:10.720
<v Speaker 1>created the celebrity couple. M not boy. Yeah, but that

1:10:11.000 --> 1:10:14.320
<v Speaker 1>was meant to be like everybody else. Like you know,

1:10:14.840 --> 1:10:17.760
<v Speaker 1>like when they see the celebrity couples, they think they

1:10:17.880 --> 1:10:20.559
<v Speaker 1>think of that because he bought me and Whitney, they

1:10:20.600 --> 1:10:28.080
<v Speaker 1>were the same person in reverse. I understand, Okay, you

1:10:28.120 --> 1:10:31.600
<v Speaker 1>know what I mean, due respect when I say it,

1:10:31.640 --> 1:10:34.640
<v Speaker 1>but they were the same. That's why you can't. You

1:10:34.720 --> 1:10:37.439
<v Speaker 1>can't well, Michael and the Pressida. That was the opposite.

1:10:37.560 --> 1:10:39.840
<v Speaker 1>You can't be with a girl and you smoke, you can,

1:10:39.880 --> 1:10:41.639
<v Speaker 1>You're not supposed to be with the weed smoke girl.

1:10:41.840 --> 1:10:43.679
<v Speaker 1>I'm just throwing it out there because at some point

1:10:43.680 --> 1:10:49.000
<v Speaker 1>you're gonna be like, yo, damn did you just can't

1:10:49.080 --> 1:10:52.680
<v Speaker 1>be It just doesn't work. So I don't know. I

1:10:52.680 --> 1:10:54.680
<v Speaker 1>went a little crazy. All right, let's get back to this.

1:10:56.920 --> 1:10:59.000
<v Speaker 1>So how did how did that? Even? Does that come on?

1:10:59.280 --> 1:11:01.880
<v Speaker 1>Most black people who grew up in that era and

1:11:02.040 --> 1:11:05.160
<v Speaker 1>seeing good time, it was even scared to even speak

1:11:05.280 --> 1:11:08.519
<v Speaker 1>to Did I tell the Star a story on the

1:11:08.720 --> 1:11:13.160
<v Speaker 1>on the podcast? One day, I was in the studio

1:11:14.400 --> 1:11:17.800
<v Speaker 1>and they said, everybody gotta walk out the studio, right,

1:11:18.080 --> 1:11:20.080
<v Speaker 1>And I was mad as fun, like what I walk

1:11:20.080 --> 1:11:23.679
<v Speaker 1>about the studio? And then they said, because Janet Jackson

1:11:23.720 --> 1:11:25.479
<v Speaker 1>is about to walk through. Mind you were in the

1:11:25.520 --> 1:11:28.200
<v Speaker 1>studios to clue your whisper, because that's how much I

1:11:28.280 --> 1:11:34.479
<v Speaker 1>was spat Penny goddamn it, they said, Janet Jesson. I

1:11:34.479 --> 1:11:36.080
<v Speaker 1>don't know. At first, I was like, why I gonna

1:11:36.120 --> 1:11:38.439
<v Speaker 1>get out? And then I'm with Chris Lady and Ship

1:11:38.560 --> 1:11:41.560
<v Speaker 1>you know, he's rich as ship, and they go, you

1:11:41.640 --> 1:11:43.400
<v Speaker 1>gotta walk out. He said he I ain't walking out,

1:11:43.680 --> 1:11:46.479
<v Speaker 1>and he said, but because Janet has to walk through.

1:11:46.560 --> 1:11:48.840
<v Speaker 1>So when she walks through the studio, everybody has to

1:11:48.920 --> 1:11:54.439
<v Speaker 1>walk out. So when they said it was Penny, I said,

1:11:54.439 --> 1:12:02.799
<v Speaker 1>I'm out. I'm expecting whatever. Penny wont give me that, Christie,

1:12:02.840 --> 1:12:07.639
<v Speaker 1>Christie Christmas. Like I said, Chris, you gotta relax certain people.

1:12:07.680 --> 1:12:09.840
<v Speaker 1>You just kind of walk out and then let Janet

1:12:09.920 --> 1:12:12.280
<v Speaker 1>Jackson walk through. And that's a highlight of my life.

1:12:12.520 --> 1:12:15.960
<v Speaker 1>I have never seen to error after that put you back.

1:12:16.360 --> 1:12:19.040
<v Speaker 1>That was your girl. Make sure she saying that, give

1:12:19.080 --> 1:12:24.639
<v Speaker 1>me a high five, nigga, do you know what good

1:12:24.760 --> 1:12:28.880
<v Speaker 1>times meant to our era? Like we that was a

1:12:29.080 --> 1:12:33.280
<v Speaker 1>Pamela what's it called? Um um? What's the foxy brown lady?

1:12:33.479 --> 1:12:38.639
<v Speaker 1>That was? That was like the ideal woman, like every

1:12:38.760 --> 1:12:41.320
<v Speaker 1>black man wanted that, like you're fro the lood, you

1:12:41.360 --> 1:12:43.280
<v Speaker 1>want to pay grid. That was the error before, but

1:12:43.400 --> 1:12:47.680
<v Speaker 1>then my error came and then that Janet Jackson and

1:12:47.880 --> 1:12:50.920
<v Speaker 1>you got he whispers every time he said that, you

1:12:53.160 --> 1:12:55.800
<v Speaker 1>like you understand, like I'm asking some person ship, but

1:12:55.920 --> 1:12:59.160
<v Speaker 1>it's respect because like as a nigga, that's a that's

1:12:59.680 --> 1:13:02.720
<v Speaker 1>entertain like we didn't think people could go outside the

1:13:02.880 --> 1:13:06.040
<v Speaker 1>box like we were rappers. Was just like we didn't.

1:13:06.040 --> 1:13:08.360
<v Speaker 1>We didn't see that. We didn't see that coming. Even

1:13:08.400 --> 1:13:10.200
<v Speaker 1>when you said you said, you said Bobby and Whitney,

1:13:10.360 --> 1:13:14.400
<v Speaker 1>Bobby was technically R and B. You represented hip hop,

1:13:14.920 --> 1:13:19.800
<v Speaker 1>So just how did that happen? I wouldn't was crazy,

1:13:21.360 --> 1:13:23.840
<v Speaker 1>but you know, like I mean, I don't know how

1:13:23.880 --> 1:13:27.280
<v Speaker 1>to tell you. I don't know, um yeah, just playing ship.

1:13:29.360 --> 1:13:34.040
<v Speaker 1>I don't know how to take I don't know what

1:13:34.680 --> 1:13:36.920
<v Speaker 1>I'm I'm saying. You know, you get to talk with

1:13:37.000 --> 1:13:40.240
<v Speaker 1>people just like anybody else. Like you know, you get

1:13:40.280 --> 1:13:46.439
<v Speaker 1>your shot, you shoot it right, that shot a naked commercial.

1:13:48.760 --> 1:13:50.639
<v Speaker 1>I shot my shot and you know what I mean,

1:13:50.880 --> 1:13:55.479
<v Speaker 1>and it works and it worked. How did how did

1:13:55.520 --> 1:13:59.120
<v Speaker 1>this go down? You didn't mean that like live? Like

1:13:59.479 --> 1:14:01.920
<v Speaker 1>where did you first? Honestly, yeah, we did. We met

1:14:02.000 --> 1:14:06.679
<v Speaker 1>that like live. We met not like live live type.

1:14:07.280 --> 1:14:11.360
<v Speaker 1>You know. It's crazy is that I met Janet with

1:14:11.800 --> 1:14:15.000
<v Speaker 1>Chris Crush and we got to go backstage and see her,

1:14:15.840 --> 1:14:21.000
<v Speaker 1>and I was like, not so famous, but they was famous,

1:14:22.120 --> 1:14:31.200
<v Speaker 1>so they were She's been famous, but they got all attention.

1:14:31.280 --> 1:14:33.760
<v Speaker 1>So they actually was the ones that that she really

1:14:33.800 --> 1:14:37.800
<v Speaker 1>wanted to meet more than anything. So um they had,

1:14:38.680 --> 1:14:42.679
<v Speaker 1>but I was like the crew, I wasn't them plus

1:14:42.840 --> 1:14:45.240
<v Speaker 1>j D. So I was got a chance the opportunity

1:14:45.240 --> 1:14:47.680
<v Speaker 1>to go through there. So we went backstage and they

1:14:47.720 --> 1:14:50.160
<v Speaker 1>were talking to her, and all I remember saying was, y'a,

1:14:50.160 --> 1:14:52.719
<v Speaker 1>I'm gonna see you again. You're gonna see me again.

1:14:53.320 --> 1:14:56.800
<v Speaker 1>That's what I told him. And I was, and you

1:14:56.960 --> 1:15:04.080
<v Speaker 1>saw saw God damnit back. And I read somewhere that

1:15:04.240 --> 1:15:06.360
<v Speaker 1>she said, man, I missed g D or something like that.

1:15:06.400 --> 1:15:14.240
<v Speaker 1>I ain't gonna go get that back, y'all, listen. I

1:15:14.400 --> 1:15:18.719
<v Speaker 1>read it somewhere. I read it somewhere. This is like somewhere.

1:15:18.880 --> 1:15:20.960
<v Speaker 1>It was somewhere. I said, oh, ship, I said, damn,

1:15:21.080 --> 1:15:22.519
<v Speaker 1>I wish I had. I wish I had your number

1:15:22.560 --> 1:15:24.439
<v Speaker 1>at that moment. I swear to God, I would have

1:15:24.479 --> 1:15:26.880
<v Speaker 1>called you with some real nigga ship, like the real nigga.

1:15:27.000 --> 1:15:33.360
<v Speaker 1>Well nigga, bring back to the A man, bring him

1:15:33.360 --> 1:15:40.519
<v Speaker 1>back to the A five niggas, because that's dope, like

1:15:41.120 --> 1:15:44.479
<v Speaker 1>like like J and B. Like that ship just looks right.

1:15:44.600 --> 1:15:47.600
<v Speaker 1>I ain't even gonna lie, this is my man. He

1:15:47.720 --> 1:15:51.000
<v Speaker 1>probably don't. They probably don't give a fun. But I

1:15:51.160 --> 1:15:54.280
<v Speaker 1>like seeing Nas and Nikki like it's just it's something

1:15:54.360 --> 1:15:59.479
<v Speaker 1>about that that I don't like. It feels right. We're

1:15:59.560 --> 1:16:01.560
<v Speaker 1>making him. He goes out there and Gucci shoes. I'm like,

1:16:01.640 --> 1:16:06.400
<v Speaker 1>go ahead, nigga. I'm not going ahead, niggah. Y'all listen.

1:16:06.479 --> 1:16:07.920
<v Speaker 1>This is the first time I wanted to be a

1:16:08.040 --> 1:16:11.360
<v Speaker 1>troll like I wanted to because people, oh man, he

1:16:11.439 --> 1:16:13.040
<v Speaker 1>wanted to post out. I wanted to be like you

1:16:13.240 --> 1:16:18.439
<v Speaker 1>fucking pitch. Let a man be happy after forty people

1:16:18.560 --> 1:16:21.479
<v Speaker 1>be lonely. I'm happy. I love my wife. Right, sometimes

1:16:21.520 --> 1:16:24.000
<v Speaker 1>I look at my wife. I love lo Loo. That's

1:16:24.040 --> 1:16:27.920
<v Speaker 1>what people need and not see Nas. I'm like, I'm

1:16:27.920 --> 1:16:30.320
<v Speaker 1>seeing what Nikki, what call us? And for whatever you

1:16:30.479 --> 1:16:35.240
<v Speaker 1>think about that, that man look happy? Man, fucking niggab

1:16:35.400 --> 1:16:39.000
<v Speaker 1>who cares what anybody thinks your personal opinion on whatever.

1:16:39.560 --> 1:16:42.439
<v Speaker 1>Let the niggas be happy. Let nigga try for love.

1:16:42.600 --> 1:16:45.559
<v Speaker 1>God damn it, hip hop can't be in love. You're

1:16:45.560 --> 1:16:55.560
<v Speaker 1>gonna relax. Everybody makes some love, make noise perfect. I

1:16:55.640 --> 1:17:00.760
<v Speaker 1>got lost in my ship. Look look listening. By the way,

1:17:00.760 --> 1:17:02.960
<v Speaker 1>you're gonna get fan mail all the time. We get

1:17:03.000 --> 1:17:05.360
<v Speaker 1>people to send us out but Nia invited us to

1:17:05.560 --> 1:17:09.160
<v Speaker 1>his wedding. I feel like he's a fan of us.

1:17:09.760 --> 1:17:12.920
<v Speaker 1>We gotta gotta we got a big already passed. Yeah,

1:17:14.120 --> 1:17:16.639
<v Speaker 1>where's the camera Joe at our shows? Let me see

1:17:16.760 --> 1:17:25.120
<v Speaker 1>what's because I can annoy my Wednesahza Colosso and a barta.

1:17:26.080 --> 1:17:28.720
<v Speaker 1>Oh this is Spanish people. Oh that's why. Definitely the

1:17:28.840 --> 1:17:30.720
<v Speaker 1>marriage of that. I don't know if we can make

1:17:30.760 --> 1:17:33.720
<v Speaker 1>a guy. But let me see where's that? I don't

1:17:33.760 --> 1:17:42.120
<v Speaker 1>know to see Sunday four September, we're coming. Oh, I hope,

1:17:42.240 --> 1:17:44.200
<v Speaker 1>I hope. Where was it that? Let's where is that?

1:17:44.320 --> 1:17:47.439
<v Speaker 1>Because they're from Hartford, Connecticut. But this is we're gonna

1:17:47.439 --> 1:17:49.960
<v Speaker 1>do for of Fifield, Massachusetts. Listen, what we're gonna do?

1:17:50.600 --> 1:17:52.640
<v Speaker 1>Fans who really want us that they wear that. I

1:17:52.640 --> 1:17:54.320
<v Speaker 1>don't know why this is crazy because they think we're

1:17:54.320 --> 1:17:57.479
<v Speaker 1>gonna just drink with everybody. The fans really want us

1:17:57.479 --> 1:17:59.200
<v Speaker 1>that they wear to send us, and what we're gonna do.

1:17:59.520 --> 1:18:01.680
<v Speaker 1>We're gonna crash. I'm sucking. We'll pick a couple of

1:18:02.280 --> 1:18:06.599
<v Speaker 1>It're gonna crashing right announced. We're gonna walk in with Tiger,

1:18:06.640 --> 1:18:09.439
<v Speaker 1>but I'm gonna get suited and booty I'm bringing up

1:18:10.760 --> 1:18:13.160
<v Speaker 1>that's it? Which one with the pockets up here? Yeah,

1:18:13.960 --> 1:18:15.479
<v Speaker 1>because you know there's much that you don't got the

1:18:17.760 --> 1:18:21.160
<v Speaker 1>pockets right there? You mean, dude, are you cool with

1:18:21.280 --> 1:18:24.200
<v Speaker 1>the new wive us without the pockets right there? It's

1:18:24.280 --> 1:18:27.080
<v Speaker 1>kind of because I always held my weed on my

1:18:27.160 --> 1:18:29.439
<v Speaker 1>cigarettes right there. You know what I'm saying. That that's

1:18:29.479 --> 1:18:32.320
<v Speaker 1>Spanish ship right there. That's Spanish it right there. You

1:18:32.400 --> 1:18:36.360
<v Speaker 1>and got lost for a second. Gotta relaxed, Indian. You

1:18:36.439 --> 1:18:44.200
<v Speaker 1>know that's not getting that. Go you throw the challenge

1:18:45.600 --> 1:18:48.639
<v Speaker 1>that I got the TV show about you Got the Power.

1:18:48.800 --> 1:18:51.120
<v Speaker 1>It's called TV show. Okay, hold on, hold on about

1:18:51.200 --> 1:18:56.200
<v Speaker 1>you now you flowld on on. That's the first time

1:18:56.240 --> 1:18:58.160
<v Speaker 1>I ever announced talk. You're going announced it right now.

1:18:58.200 --> 1:19:00.479
<v Speaker 1>Come on, everybody hit the table movie eybody hit the

1:19:00.520 --> 1:19:04.160
<v Speaker 1>table about challenge shows coming, Okay, so we'll TV It's okay,

1:19:04.360 --> 1:19:08.160
<v Speaker 1>it's called Wow Challenge. Oh you killed that. The niggas

1:19:08.160 --> 1:19:15.920
<v Speaker 1>made fun of you and you made millions. I'll tell

1:19:16.000 --> 1:19:17.479
<v Speaker 1>us about I just think of this thing. Is this

1:19:17.600 --> 1:19:20.320
<v Speaker 1>thing is it's gonna be kind of like a combination

1:19:20.439 --> 1:19:22.920
<v Speaker 1>of um. If you would have combined like a catfish

1:19:22.960 --> 1:19:24.720
<v Speaker 1>and a pump together, you know what I'm saying, And

1:19:24.760 --> 1:19:27.800
<v Speaker 1>it's pretty much it's pretty much we just because you've

1:19:27.800 --> 1:19:29.719
<v Speaker 1>got people who who we were front on the ground

1:19:29.760 --> 1:19:31.360
<v Speaker 1>for certain reasons, you know what I'm saying. If it's

1:19:31.439 --> 1:19:34.320
<v Speaker 1>you know, Mouer's dealing with brilliant situations or you know,

1:19:34.400 --> 1:19:37.160
<v Speaker 1>they feel like having positive comments makes them feel some

1:19:37.240 --> 1:19:38.360
<v Speaker 1>type of way. But the n of the day, it's

1:19:38.360 --> 1:19:40.479
<v Speaker 1>just like be who you are, but we bust them.

1:19:40.800 --> 1:19:42.760
<v Speaker 1>It's like a family member of a friend might be like, yo, man,

1:19:42.800 --> 1:19:44.479
<v Speaker 1>I hope me be always on the grammy be doing

1:19:44.640 --> 1:19:46.479
<v Speaker 1>where he really ain't. So we set them up. They'll

1:19:46.479 --> 1:19:48.800
<v Speaker 1>set him up. We're gonna come bust on me. And

1:19:48.880 --> 1:19:51.599
<v Speaker 1>I got two cast minutes so I can't name just yet.

1:19:51.720 --> 1:19:54.160
<v Speaker 1>And then we we go head and crack down on

1:19:54.439 --> 1:20:01.439
<v Speaker 1>on on the case, which is you know, ho positive

1:20:04.120 --> 1:20:06.240
<v Speaker 1>and that's coming top of the year. And I'm like

1:20:06.320 --> 1:20:09.759
<v Speaker 1>a fake kind of a producer now, like my producer

1:20:09.840 --> 1:20:13.800
<v Speaker 1>nigger in me is like you suck nigga. That's all

1:20:14.080 --> 1:20:16.720
<v Speaker 1>it's coming top of here because you know what I thought,

1:20:17.080 --> 1:20:19.040
<v Speaker 1>I thought the trolls you ever throught of that? Like

1:20:19.200 --> 1:20:22.000
<v Speaker 1>troll like going to meet the actual trolls. Like, let's

1:20:22.000 --> 1:20:26.519
<v Speaker 1>suppose the person say something. I'm um, I think Maino

1:20:26.720 --> 1:20:28.720
<v Speaker 1>and at Lovell was in the mall one time, and

1:20:28.840 --> 1:20:31.080
<v Speaker 1>then if somebody said something to them and they actually

1:20:31.160 --> 1:20:33.920
<v Speaker 1>turned around and they went approached them, It's like, Yo,

1:20:33.960 --> 1:20:35.880
<v Speaker 1>why did you just say something of me? And I

1:20:36.000 --> 1:20:38.680
<v Speaker 1>was like, damn, that actually show actually works, Like you know,

1:20:39.360 --> 1:20:42.439
<v Speaker 1>I landed in Ohio and something I say, well fuck you,

1:20:42.640 --> 1:20:44.840
<v Speaker 1>ohired on funk with you? And they're like you pulled

1:20:44.920 --> 1:20:47.479
<v Speaker 1>right up on him and the cheeseburger babies and what

1:20:47.560 --> 1:20:51.400
<v Speaker 1>did you what did you just like? Oh? Ship? You

1:20:51.479 --> 1:20:53.360
<v Speaker 1>know you you don't know this guy. This guy is

1:20:54.360 --> 1:20:57.439
<v Speaker 1>he's a troll. You know. Tes not thought of that show,

1:20:57.520 --> 1:21:00.600
<v Speaker 1>But yes, show that shows it's coming. And whatever they was,

1:21:00.720 --> 1:21:02.679
<v Speaker 1>they was from where we actually give them a chance

1:21:02.720 --> 1:21:04.720
<v Speaker 1>to like live that light for like a day, you

1:21:04.760 --> 1:21:07.280
<v Speaker 1>know what I'm saying. So, yeah, you already shot something

1:21:07.320 --> 1:21:11.360
<v Speaker 1>shot the absolutely wait you think you do? Come on,

1:21:11.520 --> 1:21:13.719
<v Speaker 1>I think you do, baby, I think thank you should

1:21:13.760 --> 1:21:15.280
<v Speaker 1>hit the blood for the first time. You know, Jaie

1:21:15.280 --> 1:21:18.080
<v Speaker 1>don't smoke, but I think because you know what I'm saying, No,

1:21:18.240 --> 1:21:20.040
<v Speaker 1>we don't. We don't if you never smoked no, we

1:21:20.080 --> 1:21:23.880
<v Speaker 1>don't want that. Don't I can feel like, if you're

1:21:23.880 --> 1:21:25.599
<v Speaker 1>smoked on the weekend, I'll be like, all right, cool,

1:21:25.640 --> 1:21:27.200
<v Speaker 1>but if you're never smoked, I don't want to do that.

1:21:27.600 --> 1:21:30.920
<v Speaker 1>It's okay, I'll take another shot. We're taking a tagging.

1:21:31.600 --> 1:21:39.280
<v Speaker 1>You want gonna go back to eighteen forty two trying

1:21:39.320 --> 1:21:46.240
<v Speaker 1>to serious? Don't wait, that's we had to read three

1:21:46.280 --> 1:21:49.960
<v Speaker 1>years my lucky one, so this didn't been the last

1:21:50.160 --> 1:21:52.800
<v Speaker 1>I got you. I'm gonna watch up right now. This

1:21:52.920 --> 1:21:55.920
<v Speaker 1>is crazy. Come on, I'm gonna go out after we

1:21:56.000 --> 1:22:00.920
<v Speaker 1>did okay, and you're single right now, I'm just gonna

1:22:00.960 --> 1:22:02.800
<v Speaker 1>throw this out there. I just want you to be

1:22:02.880 --> 1:22:09.000
<v Speaker 1>prepared full when Penny come back. We gotta you. Gotta

1:22:09.040 --> 1:22:10.720
<v Speaker 1>do this to the name of hip hop and the

1:22:10.840 --> 1:22:13.320
<v Speaker 1>name of hip hop. Putting that pressure on me that

1:22:13.479 --> 1:22:15.479
<v Speaker 1>a little bit, a little bit, Yeah, we gotta bring

1:22:15.520 --> 1:22:18.519
<v Speaker 1>that back to the hip hop because listen to j D.

1:22:18.960 --> 1:22:21.759
<v Speaker 1>This is something something that I've been I've been thinking about,

1:22:21.960 --> 1:22:24.240
<v Speaker 1>and we've been speaking about on this podcast a lot.

1:22:24.560 --> 1:22:27.280
<v Speaker 1>Hip hop should be its own religion, like we should.

1:22:28.120 --> 1:22:30.120
<v Speaker 1>We should have our own award shows, we should have

1:22:30.280 --> 1:22:33.080
<v Speaker 1>our own union, we should have our own everything. Like

1:22:33.160 --> 1:22:35.720
<v Speaker 1>if a person gets sick, let's about somebody from Houdini

1:22:36.080 --> 1:22:39.400
<v Speaker 1>got sick right now? It should be a union. It

1:22:39.520 --> 1:22:43.479
<v Speaker 1>just just come and just you know, provide those services,

1:22:43.880 --> 1:22:47.000
<v Speaker 1>you know what I mean? Of course you with the

1:22:47.160 --> 1:22:50.920
<v Speaker 1>relationships to them. But see, do you think this this

1:22:51.080 --> 1:22:53.920
<v Speaker 1>union should? Is this? Yeah? I think it should. Damn

1:22:54.120 --> 1:22:57.479
<v Speaker 1>I totally forgot me. We said yes, okay, no, boud

1:22:57.640 --> 1:23:01.800
<v Speaker 1>what's about? No? No, no, I'm cool. This is what

1:23:01.960 --> 1:23:07.880
<v Speaker 1>jurer shot? Though you want to switch? Two is my max? Three?

1:23:08.680 --> 1:23:11.760
<v Speaker 1>Three is a lucky three is y'r max? No, I

1:23:11.920 --> 1:23:14.760
<v Speaker 1>keep going. You can pour some out, you can poor

1:23:14.880 --> 1:23:16.599
<v Speaker 1>some out there and do something. Yeah, because you don't

1:23:16.640 --> 1:23:19.640
<v Speaker 1>got a lot. Okay, that's no problem. Let me pull

1:23:19.720 --> 1:23:23.960
<v Speaker 1>someone your ship to look at my shot. Cool. That's

1:23:24.000 --> 1:23:27.240
<v Speaker 1>a good shot at cool. Cool? This is it? Jadn't

1:23:27.320 --> 1:23:29.679
<v Speaker 1>make it to the club to not God, it's over.

1:23:30.760 --> 1:23:37.919
<v Speaker 1>Goddamn all right, cool niggas it's crazy. Oh man, that's awesome.

1:23:38.479 --> 1:23:42.519
<v Speaker 1>What's crazy? Listen? Yeah, what's crazy about this is that

1:23:43.640 --> 1:23:48.680
<v Speaker 1>we listen. That's not good. I'm vegan. It's goes with you, yea,

1:23:49.000 --> 1:23:51.000
<v Speaker 1>that's why that's why you wanted more. I'm gonna be honest.

1:23:51.760 --> 1:23:55.920
<v Speaker 1>This don't it ain't that bad. It even sounds like

1:23:55.960 --> 1:23:59.920
<v Speaker 1>I called them more. It's like this. It's for men.

1:24:01.120 --> 1:24:04.280
<v Speaker 1>If you don't eat me, you used to be not

1:24:04.920 --> 1:24:07.360
<v Speaker 1>is it alcohol? No, it used to be No. Yeah,

1:24:07.360 --> 1:24:10.679
<v Speaker 1>it's talking about fermented yes, fermented. Yeah. I mean it's starting,

1:24:10.760 --> 1:24:14.720
<v Speaker 1>not thanking like it's consider wine. It's what they call it.

1:24:14.760 --> 1:24:18.720
<v Speaker 1>Ain't that bad. Look at if it ain't burn no more,

1:24:18.800 --> 1:24:22.040
<v Speaker 1>come still burning my throat and don't burn the more.

1:24:22.560 --> 1:24:27.080
<v Speaker 1>I'm good with. I gotta do four oh man, other

1:24:27.200 --> 1:24:31.560
<v Speaker 1>four with you too. But I just read this this invitation,

1:24:31.680 --> 1:24:35.120
<v Speaker 1>So let me ask you what was the wireless moment

1:24:35.200 --> 1:24:38.040
<v Speaker 1>you on my ride like making music had, Like what

1:24:38.280 --> 1:24:42.320
<v Speaker 1>was the craziest like you want that story? Yes I do.

1:24:42.520 --> 1:24:45.000
<v Speaker 1>I kind of do. I kind of do. I kind

1:24:45.040 --> 1:24:52.080
<v Speaker 1>of feel like, um, um mc, don't kill me. Um.

1:24:52.320 --> 1:25:02.840
<v Speaker 1>But this is this is exclusive drink Champs exclusive exclusive.

1:25:05.560 --> 1:25:10.400
<v Speaker 1>So I want to do Always Be My Baby remix

1:25:11.040 --> 1:25:15.719
<v Speaker 1>with Bratt and Escape at her house and she lived

1:25:15.840 --> 1:25:20.599
<v Speaker 1>next door to Ralph Lauren and uh like upstate New

1:25:20.720 --> 1:25:28.639
<v Speaker 1>York right and um she couldn't never really drive ride

1:25:28.680 --> 1:25:31.479
<v Speaker 1>carry they went and she was married Tommy so he

1:25:31.479 --> 1:25:34.400
<v Speaker 1>wouldn't let her drive and the security have to drive around.

1:25:34.640 --> 1:25:36.360
<v Speaker 1>But she didn't like that. She wanted to get out

1:25:36.400 --> 1:25:44.280
<v Speaker 1>of drive, so Bratt became her oh D like yo,

1:25:44.439 --> 1:25:50.000
<v Speaker 1>let's go. So I'm downstairs making a beat in the studio.

1:25:50.640 --> 1:25:52.880
<v Speaker 1>Her and Brat they don't broke out, took a car

1:25:53.080 --> 1:25:56.160
<v Speaker 1>and left. No security, don't know what's going on. Some

1:25:56.400 --> 1:25:59.040
<v Speaker 1>downstairs trying to make the song, get the song right,

1:25:59.640 --> 1:26:02.479
<v Speaker 1>and then our son is like along going off in

1:26:02.520 --> 1:26:05.280
<v Speaker 1>the house. People running around frantic, like you know what

1:26:05.360 --> 1:26:08.639
<v Speaker 1>the fun is going on? Like you go to time

1:26:08.640 --> 1:26:11.280
<v Speaker 1>of my Toler house. I guess I can say this

1:26:11.320 --> 1:26:16.080
<v Speaker 1>is something like people outside with their good guns. Yea.

1:26:17.160 --> 1:26:19.679
<v Speaker 1>So my security come, they make us check out straps

1:26:20.280 --> 1:26:22.479
<v Speaker 1>because everybody else got their strap. You don't need no

1:26:22.520 --> 1:26:25.160
<v Speaker 1>strap over here, and everybody got guns. So that's how

1:26:25.240 --> 1:26:27.400
<v Speaker 1>this house was. It was like, that's what's going on.

1:26:28.200 --> 1:26:34.200
<v Speaker 1>So um Tommy and everybody's looking for Mariah. She's disappeared.

1:26:35.080 --> 1:26:40.120
<v Speaker 1>She's completely left the house, and I'm downstairs and and

1:26:40.720 --> 1:26:43.720
<v Speaker 1>Brat's with him, so they think I know, I think

1:26:43.760 --> 1:26:46.720
<v Speaker 1>I'm in on it. So I'm getting like questioned and

1:26:46.800 --> 1:26:48.400
<v Speaker 1>I'm like, I don't know what the fun is going on?

1:26:49.040 --> 1:26:53.000
<v Speaker 1>And they actually really questioned me, like you know what's

1:26:53.000 --> 1:26:58.960
<v Speaker 1>happening people? Yeah, everybody security And they went to McDonald's

1:27:00.800 --> 1:27:06.200
<v Speaker 1>like like that. They went to McDonald's carried and Brad

1:27:06.320 --> 1:27:09.080
<v Speaker 1>went to McDonald's. Okay, now I want to know who ordered.

1:27:10.680 --> 1:27:13.080
<v Speaker 1>I don't know, because you had to be right, was

1:27:13.120 --> 1:27:17.200
<v Speaker 1>probably high, so she probably all the food. But anyway,

1:27:17.200 --> 1:27:20.759
<v Speaker 1>I mean like, so I'm in this house getting basically

1:27:21.960 --> 1:27:24.960
<v Speaker 1>question like where it's this woman at and I don't know,

1:27:25.160 --> 1:27:27.080
<v Speaker 1>I don't know nothing about it, but they're not they're

1:27:27.120 --> 1:27:30.320
<v Speaker 1>not believing me, right, and they the security dude is

1:27:30.360 --> 1:27:33.280
<v Speaker 1>about to get fired because he allowed her to she

1:27:33.439 --> 1:27:35.760
<v Speaker 1>snuck out. It was just like some real crazy ship.

1:27:37.920 --> 1:27:42.360
<v Speaker 1>Yeah yeah, Tommy's gonna kill him. Yeah, He's like, you're

1:27:42.400 --> 1:27:44.439
<v Speaker 1>about to die because you let her get out of

1:27:44.479 --> 1:27:46.560
<v Speaker 1>this house without you know what I mean? Like that

1:27:46.760 --> 1:27:50.479
<v Speaker 1>was crazy to me because I'm I'm fresh, like just

1:27:50.720 --> 1:27:53.960
<v Speaker 1>from Atlanta. I'm like, what's going on and I'm way

1:27:54.000 --> 1:27:56.880
<v Speaker 1>out in this house that's way out of state New York.

1:27:57.040 --> 1:27:59.600
<v Speaker 1>And it's like that was crazy ship right there. Like

1:28:00.080 --> 1:28:04.400
<v Speaker 1>just to see a star that level, you know, actually

1:28:04.439 --> 1:28:06.920
<v Speaker 1>want to do something that's different in their life. And

1:28:07.120 --> 1:28:09.880
<v Speaker 1>she did it, and it was like to see people

1:28:10.280 --> 1:28:15.240
<v Speaker 1>panicking and Nigga's almost like beating me up as well.

1:28:15.640 --> 1:28:20.400
<v Speaker 1>It's it's crazy. What's what's the funnest session You've ever had?

1:28:21.080 --> 1:28:25.240
<v Speaker 1>The best studio session? Like that? One time? It was

1:28:25.320 --> 1:28:28.320
<v Speaker 1>just perfect. You walked in to beat. The sample was

1:28:28.439 --> 1:28:34.080
<v Speaker 1>on point, everything like um, me and Nelly, um um grills.

1:28:39.000 --> 1:28:40.360
<v Speaker 1>I can't hear you. I can't hear you. Come on,

1:28:40.479 --> 1:28:44.560
<v Speaker 1>come on, come over here, come over here, sing sing it,

1:28:44.640 --> 1:28:49.240
<v Speaker 1>sing it, Sing it, nigger, we can't hear your Paul,

1:28:49.760 --> 1:29:09.760
<v Speaker 1>we can't hear you. What does he say? All? That

1:29:09.880 --> 1:29:16.599
<v Speaker 1>was almost good? That yeah, okay, so so so basically

1:29:17.680 --> 1:29:22.320
<v Speaker 1>this session was was me and Nellie had an idea

1:29:22.640 --> 1:29:26.320
<v Speaker 1>and he was gonna take the the the LLL cool

1:29:26.400 --> 1:29:33.160
<v Speaker 1>J Candy ship like candy the bottom then in infinitive

1:29:33.240 --> 1:29:35.599
<v Speaker 1>man then then and now he took the flow from

1:29:35.720 --> 1:29:38.960
<v Speaker 1>from Candy right. Um, that was the flow he wanted

1:29:38.960 --> 1:29:40.760
<v Speaker 1>to put on this. That was his ideal yard. Now

1:29:40.800 --> 1:29:42.120
<v Speaker 1>that's just an idea you want to take, you know,

1:29:42.160 --> 1:29:44.880
<v Speaker 1>because Nellie was you know, buff. So it's kind of

1:29:44.960 --> 1:29:48.320
<v Speaker 1>like a St. Louis version of LLL cool j you

1:29:48.360 --> 1:29:58.560
<v Speaker 1>know what I mean, Like I went so so it

1:29:58.680 --> 1:30:01.400
<v Speaker 1>came up with the you know, let me see a Grill.

1:30:01.840 --> 1:30:04.680
<v Speaker 1>And then we was like with ship, if you do

1:30:04.720 --> 1:30:08.639
<v Speaker 1>a song about grills, we gotta get Paul Walkers Paul making.

1:30:08.880 --> 1:30:11.880
<v Speaker 1>So we got Yo, we gotta get Paul Walla a song. Now,

1:30:11.920 --> 1:30:15.080
<v Speaker 1>I don't know why this song had to happen this night.

1:30:16.080 --> 1:30:18.120
<v Speaker 1>Now you can make a record like a week, but

1:30:18.280 --> 1:30:22.280
<v Speaker 1>we just got Nelly wanted this song to happen right

1:30:22.360 --> 1:30:24.720
<v Speaker 1>soon as we started making an idea. So we made

1:30:24.720 --> 1:30:28.439
<v Speaker 1>the idea and then we went to the one twelve

1:30:29.479 --> 1:30:31.960
<v Speaker 1>One World, one twelve where the players the work. Yeah

1:30:32.000 --> 1:30:35.400
<v Speaker 1>that we went to one twelve and we got drunk.

1:30:36.000 --> 1:30:39.840
<v Speaker 1>I'm telling about completely, like drunk as a scumps. We

1:30:39.960 --> 1:30:42.920
<v Speaker 1>got sucked up, right, So we was sucked up. But

1:30:43.040 --> 1:30:45.479
<v Speaker 1>in the midst of that, on the way to the club,

1:30:45.600 --> 1:30:48.000
<v Speaker 1>Nelly's like, Yo, I'm gonna call Paul wall and tell

1:30:48.080 --> 1:30:50.080
<v Speaker 1>him I'm gonna send him a flight. He's gonna come

1:30:50.120 --> 1:30:53.599
<v Speaker 1>to the studio while we at the club. This actually happened.

1:30:53.800 --> 1:30:55.799
<v Speaker 1>Car wal got on the plane, came to the studio,

1:30:56.479 --> 1:30:59.280
<v Speaker 1>got to the studio, he heard the song. We was

1:30:59.360 --> 1:31:02.200
<v Speaker 1>at the club put the net least, thinking like, yeah,

1:31:02.240 --> 1:31:03.519
<v Speaker 1>when I get through, we're gonna get back to the

1:31:03.560 --> 1:31:05.920
<v Speaker 1>studio and Paul wall Park gonna be done. So we

1:31:06.080 --> 1:31:08.040
<v Speaker 1>leave one til we get back to the studio. Paul

1:31:08.080 --> 1:31:10.880
<v Speaker 1>Wall is there, he got he got his part, and

1:31:11.560 --> 1:31:14.120
<v Speaker 1>the studio is popping right. Like I said before, I

1:31:14.120 --> 1:31:16.240
<v Speaker 1>don't really have like a whole bunch of people in

1:31:16.360 --> 1:31:19.679
<v Speaker 1>my session, but this was like Nellie session is weird.

1:31:19.800 --> 1:31:22.320
<v Speaker 1>It's all kind of ship going. Didn't sign him felt

1:31:22.360 --> 1:31:27.040
<v Speaker 1>bad anyway. So so and this is the first night

1:31:27.120 --> 1:31:30.400
<v Speaker 1>I tried lean let's go, let's just take it there.

1:31:32.360 --> 1:31:35.519
<v Speaker 1>I got a story too. Fun me up. It's the

1:31:35.640 --> 1:31:39.360
<v Speaker 1>first night. So so Paul wall gotta he pulling up right,

1:31:39.439 --> 1:31:43.519
<v Speaker 1>and I'm like, man, let me try that. Ship say

1:31:43.640 --> 1:31:45.080
<v Speaker 1>like j D, you don't want you don't want to

1:31:45.120 --> 1:31:48.400
<v Speaker 1>get on this leg. I'm like, man, what movie is that?

1:31:51.000 --> 1:31:58.920
<v Speaker 1>Wry like you don't want to try this. I'm like, man,

1:31:59.000 --> 1:32:00.240
<v Speaker 1>let me get on this. I want to see what

1:32:00.320 --> 1:32:03.960
<v Speaker 1>it did. So he got this this like t He's

1:32:04.000 --> 1:32:10.280
<v Speaker 1>a treaty. That's what they drink like, He's a treaty.

1:32:10.760 --> 1:32:12.720
<v Speaker 1>They part of ship with this. He's a treaty some

1:32:13.120 --> 1:32:16.680
<v Speaker 1>some ship. I'm like, okay, so I'm thinking this just

1:32:16.720 --> 1:32:22.800
<v Speaker 1>ship looked like like like some kool aid. I got

1:32:22.840 --> 1:32:25.040
<v Speaker 1>on that ship and I'm like, man, this ship ain't nothing.

1:32:25.720 --> 1:32:30.040
<v Speaker 1>I'm drinking poopoo, turning up, give me some up boom,

1:32:30.560 --> 1:32:33.640
<v Speaker 1>like this ain't nothing. I don't know. I was going in.

1:32:36.240 --> 1:32:38.360
<v Speaker 1>I was. I was. I was really like mad because

1:32:38.400 --> 1:32:40.360
<v Speaker 1>I'm like, wait a minute, y'all never said this ship

1:32:40.479 --> 1:32:42.400
<v Speaker 1>was something. I don't think. I'm about to start talking

1:32:42.479 --> 1:32:44.880
<v Speaker 1>slow and kind of ship. I don't know what's going on.

1:32:45.320 --> 1:32:47.519
<v Speaker 1>But none of that ship happened to me. So I'm like,

1:32:47.840 --> 1:32:51.120
<v Speaker 1>I'm good, but I was not good. I was the

1:32:51.160 --> 1:33:02.439
<v Speaker 1>whole another. I was dancing shirt off like like like

1:33:02.600 --> 1:33:06.320
<v Speaker 1>that's like you ju Wally and I had I had

1:33:06.360 --> 1:33:09.080
<v Speaker 1>a fight. I had a flight that at six am

1:33:09.200 --> 1:33:13.280
<v Speaker 1>that morning, not happening. But I was up and I

1:33:13.400 --> 1:33:15.760
<v Speaker 1>was drinking lead. They were smoking way so if I

1:33:15.840 --> 1:33:18.200
<v Speaker 1>was getting contact and all kind of ship, but I

1:33:18.320 --> 1:33:22.759
<v Speaker 1>was going it was. The music was right Paula versus Fresh,

1:33:23.600 --> 1:33:25.800
<v Speaker 1>something about grills. I was like, this ship, this ship

1:33:25.840 --> 1:33:27.600
<v Speaker 1>is gonna be a hit. I knew that song was

1:33:27.640 --> 1:33:31.000
<v Speaker 1>gonna be a hit. I got on that plane. Man,

1:33:31.080 --> 1:33:37.479
<v Speaker 1>I threw up in the first class. Oh man, I never,

1:33:39.000 --> 1:33:41.760
<v Speaker 1>I ain't gonna lie. I want to picture thrown up

1:33:41.760 --> 1:33:47.679
<v Speaker 1>your first class? Okay, which way did you move? Because

1:33:47.720 --> 1:33:50.720
<v Speaker 1>you had a window? Seater had a window. So I

1:33:50.800 --> 1:33:52.240
<v Speaker 1>had to I had to let the lady. I had

1:33:52.240 --> 1:33:54.120
<v Speaker 1>to let the person know that was sitting with me, like, yo,

1:33:54.200 --> 1:33:58.000
<v Speaker 1>I don't feel right. Ain't this ain't gonna be good?

1:33:58.320 --> 1:34:02.280
<v Speaker 1>So I was like, I'll be back. Got a little

1:34:03.040 --> 1:34:04.760
<v Speaker 1>they got a little back, a little thing when you

1:34:04.840 --> 1:34:07.000
<v Speaker 1>posted do it in and I'm like, this ain't. I

1:34:07.000 --> 1:34:08.920
<v Speaker 1>ain't I got. I feel like it's gonna be way

1:34:08.960 --> 1:34:13.640
<v Speaker 1>too much. This ain't. I ended up doing up a

1:34:13.920 --> 1:34:18.640
<v Speaker 1>lady on his maid. I was fucked up. Yeah, that

1:34:18.760 --> 1:34:20.920
<v Speaker 1>was my experience with lean. I'm not working with that.

1:34:24.439 --> 1:34:27.719
<v Speaker 1>That shared me twisted. I say that shaw me twist

1:34:27.800 --> 1:34:37.280
<v Speaker 1>that class. No, I never do it. I'm mad because

1:34:37.320 --> 1:34:39.519
<v Speaker 1>you know, you know what, I hate answering. The whole

1:34:39.600 --> 1:34:41.600
<v Speaker 1>question is at first class, like, so what do you do?

1:34:42.080 --> 1:34:47.120
<v Speaker 1>I mean so tempted to be like myself, crack I

1:34:48.800 --> 1:34:51.280
<v Speaker 1>do I do? I do it all the time. This

1:34:52.000 --> 1:34:55.000
<v Speaker 1>depends on what happens. You're one time to dude says

1:34:55.040 --> 1:35:00.120
<v Speaker 1>to me, my man, you know everybody's recognizing you. What

1:35:00.200 --> 1:35:01.599
<v Speaker 1>do you do? I was like, you shoot that ship

1:35:01.680 --> 1:35:11.439
<v Speaker 1>in the back of the housphone. I told them missed

1:35:11.479 --> 1:35:27.240
<v Speaker 1>the camera. I wanted to be smoking. I'm saying the camera.

1:35:28.560 --> 1:35:30.519
<v Speaker 1>I had to tell because I don't want to say

1:35:30.560 --> 1:35:34.360
<v Speaker 1>on my wrappers. Sometimes it's embarrassing to me. I know

1:35:34.400 --> 1:35:36.000
<v Speaker 1>what you mean. You know what I'm saying because I

1:35:36.120 --> 1:35:41.240
<v Speaker 1>say in the right situation. I don't like embarrassing because

1:35:41.439 --> 1:35:46.760
<v Speaker 1>like the typical black people, I'm good. Let see, you

1:35:47.200 --> 1:35:49.720
<v Speaker 1>must have been, you know, flying to privats and all

1:35:49.800 --> 1:35:52.599
<v Speaker 1>that all the time, like I'll be with the regular

1:35:52.720 --> 1:35:54.600
<v Speaker 1>rich white folks that just ship. Then be like, so

1:35:54.680 --> 1:36:00.880
<v Speaker 1>what do you do by producing sousel crack? I don't

1:36:01.000 --> 1:36:04.120
<v Speaker 1>should go to that time. I've been going on it

1:36:04.240 --> 1:36:13.439
<v Speaker 1>off because sometimes maybe it's cooling the niggers coming thinking yeah,

1:36:13.520 --> 1:36:16.120
<v Speaker 1>I told him because it's just I don't want to

1:36:16.160 --> 1:36:18.760
<v Speaker 1>say rapper, like I don't want to say media. And

1:36:18.840 --> 1:36:20.439
<v Speaker 1>the thing about it is I can get away with

1:36:20.520 --> 1:36:22.880
<v Speaker 1>anything I say as long with somebody don't walk through

1:36:22.960 --> 1:36:30.320
<v Speaker 1>this be like, yo, what else side? I just told this.

1:36:30.479 --> 1:36:36.000
<v Speaker 1>The guy advented the microphone yeah, I understand. When I'm

1:36:36.000 --> 1:36:37.800
<v Speaker 1>walking through customs or something like that. When I'm always

1:36:37.800 --> 1:36:39.160
<v Speaker 1>see this ship, they say, what do you do? I'm

1:36:39.160 --> 1:36:43.280
<v Speaker 1>not acting straight up, don't say rapping him pot through

1:36:43.600 --> 1:36:46.799
<v Speaker 1>rapp yo, Yo, listen, happer weed what else? He front

1:36:46.840 --> 1:36:49.120
<v Speaker 1>man pulled them on. Yo. At one point, I'm gonna

1:36:49.120 --> 1:36:52.519
<v Speaker 1>be honest, I've been down my first I was ninety seven.

1:36:52.640 --> 1:36:57.240
<v Speaker 1>So the ninety seven to like so funny. No, no, no,

1:36:57.400 --> 1:36:59.919
<v Speaker 1>that that's just my first solo. I was a ninety

1:37:00.000 --> 1:37:04.240
<v Speaker 1>eight then released. Okay, so first release just component over,

1:37:04.720 --> 1:37:07.439
<v Speaker 1>he said. So from I remember, it was one point

1:37:07.479 --> 1:37:09.400
<v Speaker 1>you could say I'm a rapper and the police would

1:37:09.400 --> 1:37:14.960
<v Speaker 1>be like, yo, yo, get this nigga escort. Then you

1:37:15.280 --> 1:37:20.080
<v Speaker 1>see you're wrapper what they pull out? Oh my god,

1:37:21.760 --> 1:37:27.479
<v Speaker 1>oh ship Yo. I seen the error shift. So like

1:37:27.640 --> 1:37:29.800
<v Speaker 1>when I could sit down, the person asked me what

1:37:29.920 --> 1:37:32.360
<v Speaker 1>I do. I just be cautious, something like I don't

1:37:32.400 --> 1:37:36.120
<v Speaker 1>know if he's a Trump supporter. I don't know where

1:37:36.200 --> 1:37:38.840
<v Speaker 1>this is going. I had that. I had that one time,

1:37:38.920 --> 1:37:41.920
<v Speaker 1>but I hadn't fixed that. Okay, I fixed it. You know,

1:37:42.120 --> 1:37:44.200
<v Speaker 1>like the you know, the magazine is on the airplane.

1:37:45.840 --> 1:37:49.120
<v Speaker 1>The depends on did you shot from because they get

1:37:49.160 --> 1:37:53.920
<v Speaker 1>me all the time that I got to fast somebody

1:37:53.960 --> 1:37:56.600
<v Speaker 1>like every I got the cover of that magazine, So

1:37:59.520 --> 1:38:03.680
<v Speaker 1>walk up the ship. I was on the plane and

1:38:03.760 --> 1:38:06.479
<v Speaker 1>I had a cover of this ship, and niggas knew

1:38:06.520 --> 1:38:08.240
<v Speaker 1>what the funk I was doing there at that point,

1:38:08.360 --> 1:38:11.920
<v Speaker 1>Like it was like I had that speculation. Why don't

1:38:11.920 --> 1:38:13.439
<v Speaker 1>you talk about the speculation? But I was on the

1:38:13.520 --> 1:38:16.360
<v Speaker 1>cover of every seat, so everybody knew who you are,

1:38:17.000 --> 1:38:19.000
<v Speaker 1>and you sat there was a good moment. That's a

1:38:19.080 --> 1:38:21.519
<v Speaker 1>good moment. That's a good moment to take something. J D.

1:38:21.920 --> 1:38:23.920
<v Speaker 1>Let me tell you something in case you don't know, man,

1:38:24.880 --> 1:38:27.280
<v Speaker 1>we've seen what you did. We've seen you sit here

1:38:27.800 --> 1:38:31.000
<v Speaker 1>and take an arrow of music and take an artist

1:38:31.479 --> 1:38:35.880
<v Speaker 1>like about while like a the brat, like a crisscross,

1:38:36.200 --> 1:38:39.559
<v Speaker 1>like a jacket edge, like an escape, and we seen

1:38:39.640 --> 1:38:43.560
<v Speaker 1>you tell them how to make hit music. And that

1:38:43.760 --> 1:38:45.840
<v Speaker 1>was the beautiful part of it. A lot of people

1:38:45.920 --> 1:38:49.360
<v Speaker 1>appear you and puff together like you're the puff of

1:38:49.439 --> 1:38:55.640
<v Speaker 1>the South or whatever, but it is it is you

1:38:55.880 --> 1:38:59.280
<v Speaker 1>kind of like each other. But you did your own

1:38:59.520 --> 1:39:02.160
<v Speaker 1>market music. You set it off, You did what you

1:39:02.320 --> 1:39:04.920
<v Speaker 1>had to do, and we want to salute that you

1:39:05.960 --> 1:39:09.200
<v Speaker 1>understand we want to sit back. I'm clapping up for that.

1:39:13.200 --> 1:39:16.200
<v Speaker 1>And don't you ever do an interview with any podcast.

1:39:16.880 --> 1:39:20.360
<v Speaker 1>I don't say your top three because to me this

1:39:20.680 --> 1:39:22.479
<v Speaker 1>this is the top three producer. This is to me,

1:39:23.600 --> 1:39:30.559
<v Speaker 1>it's it's puff Drey in Jermaine. That's the top three

1:39:30.880 --> 1:39:37.920
<v Speaker 1>to me. Then after that generation becomes for real Timberland's

1:39:38.280 --> 1:39:44.519
<v Speaker 1>the Swiss and beats. This is for me and because

1:39:44.760 --> 1:39:46.920
<v Speaker 1>we Gotta we Gotta. That's a little bit before dre

1:39:47.080 --> 1:39:52.920
<v Speaker 1>and but that and you know what, fuck hip hop.

1:39:53.040 --> 1:39:56.000
<v Speaker 1>We don't have to like sometimes sometimes I'm not saying that,

1:39:56.040 --> 1:40:01.719
<v Speaker 1>I say I don't know like funk that that category

1:40:01.720 --> 1:40:05.120
<v Speaker 1>because when a person about you know, you know, you

1:40:05.200 --> 1:40:08.720
<v Speaker 1>know I'm going in I want to But when I

1:40:09.240 --> 1:40:11.200
<v Speaker 1>say listen, listen, I want to make a point, I

1:40:11.240 --> 1:40:13.120
<v Speaker 1>want to make a point. I'm gonna make a point.

1:40:13.400 --> 1:40:18.639
<v Speaker 1>Oh it's still called veggie like we veggither like Christ

1:40:18.760 --> 1:40:21.760
<v Speaker 1>is in the building. But let that we didn't drink

1:40:21.800 --> 1:40:28.560
<v Speaker 1>that whole bottles, but we got another one. Listen. What

1:40:28.640 --> 1:40:33.000
<v Speaker 1>I'm saying is to see when you say when you say,

1:40:33.800 --> 1:40:36.680
<v Speaker 1>when you say you give a person the title go

1:40:37.800 --> 1:40:44.759
<v Speaker 1>which goat means greatest of all time. This should be day.

1:40:45.120 --> 1:40:47.080
<v Speaker 1>There's a lot of people that could be the greatest

1:40:47.120 --> 1:40:51.799
<v Speaker 1>of all times. They can't just be one. In boxing,

1:40:51.840 --> 1:40:54.720
<v Speaker 1>you say the greatest of all times. Mike Tyson might

1:40:54.720 --> 1:40:56.920
<v Speaker 1>be the greatest of all times for the nineties era.

1:40:57.800 --> 1:41:00.160
<v Speaker 1>Muhammad Ali might be the greatest of all times. From

1:41:00.200 --> 1:41:04.639
<v Speaker 1>the eighties era Pakia might be the greatest of all times.

1:41:05.080 --> 1:41:08.679
<v Speaker 1>From the two thousand and such and such era. Madewell,

1:41:08.760 --> 1:41:11.519
<v Speaker 1>it's the greatest of all times because that's who the

1:41:11.600 --> 1:41:15.880
<v Speaker 1>fun my favorite box right. But so why in hip

1:41:15.920 --> 1:41:19.960
<v Speaker 1>hop we can't have multiple greatest of all the time.

1:41:20.120 --> 1:41:22.640
<v Speaker 1>I mean, actually you actually can, but it's no we do.

1:41:23.640 --> 1:41:27.280
<v Speaker 1>And I'm going to change that single handedly. And there's

1:41:27.280 --> 1:41:29.120
<v Speaker 1>a lot of people that's the greatest at all times

1:41:29.160 --> 1:41:31.439
<v Speaker 1>of their era, and I want to salute that. It's

1:41:31.479 --> 1:41:33.800
<v Speaker 1>just like Big Daddy came. Come on, Haitian people, you

1:41:33.880 --> 1:41:38.040
<v Speaker 1>gotta help us. It's my my friends, the Haitian people

1:41:38.160 --> 1:41:45.200
<v Speaker 1>that got they finally happy. Theess Tis didn't come. We

1:41:45.320 --> 1:41:51.400
<v Speaker 1>went to another place. But listen, what I'm saying is

1:41:51.600 --> 1:41:55.920
<v Speaker 1>we we have we have to keep. That's the thing

1:41:56.000 --> 1:41:58.760
<v Speaker 1>I respect about you, like I've never really heard you

1:41:59.000 --> 1:42:05.720
<v Speaker 1>go at somebody else? Did you ever do with this record? Yeah?

1:42:05.760 --> 1:42:09.760
<v Speaker 1>I did. Dr Dre Dyah, I got at me him

1:42:09.800 --> 1:42:11.639
<v Speaker 1>and Eminem and they had did like a little song

1:42:11.960 --> 1:42:16.680
<v Speaker 1>something about what little song is that? Some song where

1:42:16.720 --> 1:42:18.439
<v Speaker 1>it was this and me, I don't know, but but

1:42:18.640 --> 1:42:22.479
<v Speaker 1>but but you know, like it's this sensitive hip hop

1:42:22.600 --> 1:42:26.839
<v Speaker 1>niggas that, like I say, some real ship and niggas

1:42:26.920 --> 1:42:30.360
<v Speaker 1>get sensitive and want to be defensive, right, because what

1:42:30.479 --> 1:42:33.360
<v Speaker 1>I had said was that if you put Dr Dre

1:42:33.760 --> 1:42:35.360
<v Speaker 1>in the room and you put me in a room,

1:42:35.439 --> 1:42:38.920
<v Speaker 1>who's gonna come out with a song first? Dagn't like that.

1:42:39.400 --> 1:42:41.360
<v Speaker 1>But the truth of the matter is, I'm gonna come

1:42:41.400 --> 1:42:43.200
<v Speaker 1>out with the song before he does. I don't need

1:42:43.240 --> 1:42:46.120
<v Speaker 1>no niggas to write nothing for me. I make the

1:42:46.200 --> 1:42:48.080
<v Speaker 1>beats and I'm gonna write the lyrics and I'm gonna

1:42:48.120 --> 1:42:49.840
<v Speaker 1>do the whole song. I'm gonna come out with the

1:42:49.920 --> 1:42:53.040
<v Speaker 1>song first. Like that was my tip. If you want

1:42:53.080 --> 1:42:59.800
<v Speaker 1>to challenge me, anybody want to do that, that's that's

1:42:59.800 --> 1:43:04.880
<v Speaker 1>what you statement. And like at that particularly, that's why

1:43:05.840 --> 1:43:07.600
<v Speaker 1>they didn't like that statement, you know what I mean?

1:43:07.840 --> 1:43:09.479
<v Speaker 1>They thought I was trying to shine them. I wasn't

1:43:09.520 --> 1:43:11.439
<v Speaker 1>really trying to shine them, just like I have to

1:43:11.880 --> 1:43:14.680
<v Speaker 1>let people know it's a difference between how I make

1:43:14.760 --> 1:43:16.840
<v Speaker 1>records and other people make records. Like even when people

1:43:16.880 --> 1:43:19.600
<v Speaker 1>say about me and Puff, me and Puff do have

1:43:19.800 --> 1:43:23.760
<v Speaker 1>a very similar stylus far like marketing our artists and

1:43:24.040 --> 1:43:27.840
<v Speaker 1>being labels that move in the same type of motion.

1:43:28.400 --> 1:43:31.519
<v Speaker 1>But when it comes to making records, Puff don't make

1:43:31.560 --> 1:43:34.800
<v Speaker 1>records like me. Nobody don't make records like I mean,

1:43:34.800 --> 1:43:36.400
<v Speaker 1>it's people that make records like me. But I'm just

1:43:36.439 --> 1:43:38.680
<v Speaker 1>saying it's a different it's a different situation, and I

1:43:38.800 --> 1:43:40.800
<v Speaker 1>wasn't like even like I'm saying that about Puff, I'm

1:43:40.800 --> 1:43:44.120
<v Speaker 1>not dissing Puff. I'm saying, like we just I make

1:43:44.200 --> 1:43:47.960
<v Speaker 1>records differently. I can write a whole song criss Cross

1:43:48.240 --> 1:43:51.559
<v Speaker 1>that eight million, I wrote the entire album. You wrote

1:43:51.600 --> 1:44:03.160
<v Speaker 1>all their lyrics, every every line. Wow, that eightmen, God,

1:44:03.200 --> 1:44:06.560
<v Speaker 1>Damn I let the count nobody money. But I'm just

1:44:06.720 --> 1:44:10.360
<v Speaker 1>thinking about it. I'm like, damn eightmen in the nineties

1:44:10.479 --> 1:44:15.120
<v Speaker 1>is the eighties or nineties? Nineties? She got it without

1:44:15.560 --> 1:44:22.160
<v Speaker 1>you know, like thousand dollars in the eighties meant different inflation.

1:44:27.479 --> 1:44:34.240
<v Speaker 1>I no like drug dealard money. Yes, this is this. Yeah,

1:44:34.320 --> 1:44:36.880
<v Speaker 1>I mean hip hop, that's what we should celebrate. We

1:44:36.920 --> 1:44:39.960
<v Speaker 1>should celebrate that. Listen, man um, there's a lot of

1:44:40.040 --> 1:44:42.960
<v Speaker 1>brothers out there doing the wrong thing, doing doing a

1:44:43.040 --> 1:44:44.960
<v Speaker 1>thing to feed their family, and we can't judge that.

1:44:45.080 --> 1:44:47.479
<v Speaker 1>That's not that's not what we're here to do. But

1:44:49.080 --> 1:44:52.639
<v Speaker 1>Leo Colon said this on the podcast, and he came

1:44:52.680 --> 1:44:56.439
<v Speaker 1>and he said, this is the perfect time to get

1:44:56.479 --> 1:44:59.240
<v Speaker 1>into the music business. And the reason why he's saying

1:44:59.320 --> 1:45:02.400
<v Speaker 1>that now is remember back then, we had to press

1:45:02.479 --> 1:45:05.560
<v Speaker 1>the c D, We had to do the artwork. You

1:45:05.600 --> 1:45:07.759
<v Speaker 1>had to do them cut the middle of the photo

1:45:07.880 --> 1:45:12.559
<v Speaker 1>shoot like right now, like that serious. Any kid could

1:45:12.600 --> 1:45:15.240
<v Speaker 1>go on the back of his room, pick up a

1:45:15.520 --> 1:45:21.080
<v Speaker 1>fucking footy loops anything time I had which and then

1:45:21.240 --> 1:45:24.880
<v Speaker 1>just and make a whole career like back then, like

1:45:25.320 --> 1:45:28.040
<v Speaker 1>you had to be ill to get out in the

1:45:28.120 --> 1:45:30.479
<v Speaker 1>eighties you said your favorite everyone was the eighties. You

1:45:30.600 --> 1:45:32.959
<v Speaker 1>had to beat just to get in the studio was difficult.

1:45:33.439 --> 1:45:37.439
<v Speaker 1>Just yeah, they probably even take your account. And then

1:45:37.560 --> 1:45:39.920
<v Speaker 1>back then they had the eight inch rails. That's like

1:45:40.120 --> 1:45:46.720
<v Speaker 1>carrying the doorf Like like I got a human here

1:45:46.760 --> 1:45:48.760
<v Speaker 1>and you cut this take from me and then you

1:45:48.840 --> 1:45:50.880
<v Speaker 1>remember back then. I'm sorry, I'm showing my age a

1:45:50.920 --> 1:45:54.680
<v Speaker 1>little about forty years old. But you couldn't punch in

1:45:54.800 --> 1:45:56.920
<v Speaker 1>you remember that that eram where you had to do

1:45:57.080 --> 1:46:01.400
<v Speaker 1>your whole verse mission, you know, like I was part

1:46:01.439 --> 1:46:05.200
<v Speaker 1>of the punching. You can punch punch it. It wasn't it,

1:46:05.520 --> 1:46:12.960
<v Speaker 1>Yo Ano sex Unique studios they hand punching you had

1:46:13.000 --> 1:46:18.640
<v Speaker 1>to take. Yeah, yeah, Unique Studios. But you're across the

1:46:18.680 --> 1:46:21.599
<v Speaker 1>street from MTV. It goes you like yo, you're fucking

1:46:22.080 --> 1:46:24.760
<v Speaker 1>and you gotta you gotta yo so yo. That's why

1:46:24.880 --> 1:46:29.880
<v Speaker 1>I do you notice like has keep it real? My

1:46:30.000 --> 1:46:33.040
<v Speaker 1>minimum is seven songs a night, like when I like,

1:46:33.120 --> 1:46:34.840
<v Speaker 1>when I'm focused, I go to the studio, I do

1:46:34.960 --> 1:46:38.720
<v Speaker 1>seven songs like this four hours. My young boys be

1:46:38.760 --> 1:46:41.400
<v Speaker 1>sitting there still right. I'm like, I wrote my whole

1:46:41.439 --> 1:46:45.200
<v Speaker 1>ship before I came, because that ship was crazy, like

1:46:45.280 --> 1:46:49.919
<v Speaker 1>coming from where they come from. Playing session was serious.

1:46:53.560 --> 1:46:56.160
<v Speaker 1>Like nobody they don't know nothing about that. They just

1:46:56.360 --> 1:46:59.960
<v Speaker 1>make the records in their bedrooms and they only laptous.

1:47:00.000 --> 1:47:02.160
<v Speaker 1>It ain't paying that bread Like me, I was trying

1:47:02.160 --> 1:47:04.600
<v Speaker 1>to get out of the hood. So I like, I'm

1:47:04.640 --> 1:47:07.840
<v Speaker 1>not like, I can't I can't live the way like

1:47:08.040 --> 1:47:11.519
<v Speaker 1>I'm still to this day if I book a studio

1:47:11.880 --> 1:47:14.560
<v Speaker 1>like my pay for somebody else ship, like I have

1:47:14.760 --> 1:47:17.840
<v Speaker 1>the song written, I have five songs written. That's how

1:47:17.840 --> 1:47:19.720
<v Speaker 1>you should have it. You should be going to the

1:47:19.760 --> 1:47:23.080
<v Speaker 1>studio already. Don't play in the studio. It's not a

1:47:23.160 --> 1:47:26.400
<v Speaker 1>spot to play. It's not stopping playing. And you still

1:47:26.560 --> 1:47:29.320
<v Speaker 1>love the studio after all these year Keep it real,

1:47:29.600 --> 1:47:31.479
<v Speaker 1>you ain't lose a little bit of love for music

1:47:31.600 --> 1:47:34.160
<v Speaker 1>at some point. Come on, tell us that story. Dad,

1:47:34.320 --> 1:47:36.920
<v Speaker 1>you got pissed off one day. Why I don't know.

1:47:37.080 --> 1:47:39.360
<v Speaker 1>I don't know. You just said he never said not

1:47:39.439 --> 1:47:41.559
<v Speaker 1>because I got I got goals, like I got these

1:47:41.640 --> 1:47:43.680
<v Speaker 1>goals that I ain't never really achieved yet. So I

1:47:44.080 --> 1:47:46.880
<v Speaker 1>still like, you know, come on, I'm still like I

1:47:47.280 --> 1:47:49.240
<v Speaker 1>think you achieved everyone. What does it take for you

1:47:49.360 --> 1:47:52.960
<v Speaker 1>to be like you still haven't achieved? What goals have

1:47:53.120 --> 1:47:55.680
<v Speaker 1>you not achieved yet? I mean like, like, so, so

1:47:55.880 --> 1:47:57.760
<v Speaker 1>when I first started working with I shouldn't we did

1:47:57.880 --> 1:47:59.680
<v Speaker 1>My Way album, and we did when we got to

1:47:59.720 --> 1:48:16.840
<v Speaker 1>con uestion, this is my confessions. This is so listen.

1:48:16.880 --> 1:48:20.760
<v Speaker 1>When we got we got the Confessions, we had this

1:48:20.880 --> 1:48:27.800
<v Speaker 1>conversation about like we gotta sell ten million records. That's

1:48:27.800 --> 1:48:30.640
<v Speaker 1>the type of talk you. Yeah, that's very scared to

1:48:30.720 --> 1:48:34.800
<v Speaker 1>talk to you understand, because we know like you don't

1:48:34.960 --> 1:48:38.080
<v Speaker 1>you don't mean nothing if you don't do nothing like that. Right,

1:48:38.400 --> 1:48:41.280
<v Speaker 1>as far as where I'm coming from, people look at

1:48:41.320 --> 1:48:43.400
<v Speaker 1>me like, you know, I had success at the success

1:48:43.439 --> 1:48:45.240
<v Speaker 1>that nick still look at me the same way. So

1:48:45.600 --> 1:48:50.040
<v Speaker 1>you gotta do something just like fact flips. Right. So

1:48:50.160 --> 1:48:52.920
<v Speaker 1>we was at the studio like, and we gotta sell

1:48:53.000 --> 1:48:59.240
<v Speaker 1>ten millions album, gotta go diamond, and and and and

1:48:59.360 --> 1:49:06.519
<v Speaker 1>it did. It went diamond. So the last it's the

1:49:06.640 --> 1:49:09.160
<v Speaker 1>last black artist to sell tim million to till me

1:49:09.280 --> 1:49:21.439
<v Speaker 1>a record, clap your hold on you plotted this before

1:49:21.479 --> 1:49:23.080
<v Speaker 1>it half all right, let's take it back to the

1:49:24.920 --> 1:49:28.439
<v Speaker 1>but but but but like that is still like small

1:49:28.560 --> 1:49:30.400
<v Speaker 1>compared to what we was actually trying to do. Like

1:49:30.479 --> 1:49:33.000
<v Speaker 1>we just looking at Quincy Jones. Quincy Jones is like

1:49:33.640 --> 1:49:37.120
<v Speaker 1>the master to me is my idol, right and the

1:49:37.200 --> 1:49:39.240
<v Speaker 1>hip hop m Jones in case you didn't know that

1:49:39.920 --> 1:49:47.439
<v Speaker 1>you are the hip hop Quincy Jones. Appreciate that you Yeah,

1:49:47.520 --> 1:49:50.120
<v Speaker 1>you know, it's a really compliment. I mean. But but

1:49:50.320 --> 1:49:53.240
<v Speaker 1>at the same time, saying that I can't really take

1:49:53.320 --> 1:49:55.519
<v Speaker 1>that yet because he did way more than me. He

1:49:55.680 --> 1:49:59.320
<v Speaker 1>still got way more under his belt than I have

1:49:59.640 --> 1:50:07.200
<v Speaker 1>a chief And at fifty Quincy Jones made Thriller. At

1:50:07.280 --> 1:50:09.599
<v Speaker 1>fifty years old, that's when he created an album which

1:50:09.640 --> 1:50:12.160
<v Speaker 1>became the biggest selling album in the history of music.

1:50:12.680 --> 1:50:18.320
<v Speaker 1>At fifty, I just turned forty. So you give me hope. Yeah,

1:50:19.560 --> 1:50:22.000
<v Speaker 1>let's go. So with that being said, you asked me

1:50:22.080 --> 1:50:25.839
<v Speaker 1>what what my like? I'm still looking at that like, Yo, okay,

1:50:26.479 --> 1:50:31.320
<v Speaker 1>I'm not I'm not fifties. If he did it, I

1:50:31.400 --> 1:50:34.360
<v Speaker 1>got opportunity to do something bigger than that. I gotta

1:50:34.439 --> 1:50:36.840
<v Speaker 1>try it. So I'm just that's my goals, just to

1:50:36.960 --> 1:50:39.559
<v Speaker 1>try to like some some artists. I don't know if

1:50:39.560 --> 1:50:41.000
<v Speaker 1>it's gonna be us. I don't know it's gonna be,

1:50:41.080 --> 1:50:43.880
<v Speaker 1>but somebody we're gonna do something that's gonna be crazy. Now,

1:50:44.200 --> 1:50:46.560
<v Speaker 1>I like, I liked it the way, but I just

1:50:46.680 --> 1:50:51.600
<v Speaker 1>going through this. You know what was that controversy and

1:50:51.720 --> 1:50:54.080
<v Speaker 1>the first person you see, I should taking a picture

1:50:54.080 --> 1:50:58.720
<v Speaker 1>of what is you? You still hold on? We got

1:50:58.840 --> 1:51:03.439
<v Speaker 1>new shots about to say, I felt like apolate in me.

1:51:04.280 --> 1:51:06.840
<v Speaker 1>I love the way you stood right there by your

1:51:06.920 --> 1:51:10.040
<v Speaker 1>boys side. You didn't give a funk about no controversy,

1:51:10.160 --> 1:51:14.919
<v Speaker 1>none of that. Like I actually enjoy that type of loyalty.

1:51:15.479 --> 1:51:18.880
<v Speaker 1>Like why isn't that that type of loyalty respected more

1:51:18.960 --> 1:51:21.280
<v Speaker 1>in the industry that because they ain't really nobody to

1:51:21.439 --> 1:51:23.960
<v Speaker 1>really do it? Like no, I mean, like niggas act

1:51:24.040 --> 1:51:27.400
<v Speaker 1>like they're your homies, didn't really you know, Like I know,

1:51:27.600 --> 1:51:29.880
<v Speaker 1>like all my artists, they came to me at the

1:51:29.960 --> 1:51:32.200
<v Speaker 1>time when they ain't really had no other friends period,

1:51:32.600 --> 1:51:35.120
<v Speaker 1>you know what I'm saying, Like she was at my house,

1:51:35.160 --> 1:51:36.880
<v Speaker 1>we made my way. It was just him. He come

1:51:36.920 --> 1:51:40.880
<v Speaker 1>to the studio by himself, no friends, no assistant, no nothing.

1:51:41.600 --> 1:51:44.320
<v Speaker 1>So I actually became like a real true friend in him,

1:51:44.400 --> 1:51:47.280
<v Speaker 1>not like just to producer. I'm doing everything from him,

1:51:47.360 --> 1:51:49.280
<v Speaker 1>like you know, I mean, I'm hooking on girls, I'm

1:51:49.360 --> 1:51:53.640
<v Speaker 1>doing everything. So if that's our relationship, you know what

1:51:53.680 --> 1:51:55.800
<v Speaker 1>I'm saying, I don't. I'm still I gotta be the

1:51:55.880 --> 1:51:58.920
<v Speaker 1>person to tell him like this is bullshit. You know,

1:51:59.040 --> 1:52:01.880
<v Speaker 1>this is bullshit, Like let's go through it, you know

1:52:01.880 --> 1:52:04.519
<v Speaker 1>what I mean. Other people are gonna talk to them differently.

1:52:04.520 --> 1:52:06.559
<v Speaker 1>I'm gonna talk to them the way that that's supposed

1:52:06.560 --> 1:52:08.800
<v Speaker 1>to we talked to. So, I mean, I don't I

1:52:08.840 --> 1:52:10.679
<v Speaker 1>don't know if it's a lot of that in the world.

1:52:10.760 --> 1:52:12.600
<v Speaker 1>You know, niggas called niggas when they need something, they

1:52:12.640 --> 1:52:14.640
<v Speaker 1>don't really actually be fucking niggas when they ain't got

1:52:14.680 --> 1:52:17.960
<v Speaker 1>you know, when they're in a different place. God damn,

1:52:18.400 --> 1:52:23.920
<v Speaker 1>that makes the noise so so so now we've got

1:52:24.000 --> 1:52:28.639
<v Speaker 1>you both here, like, um, you know there's been moments

1:52:29.640 --> 1:52:34.599
<v Speaker 1>where in the hip hop you guys didn't agree. How

1:52:35.040 --> 1:52:39.599
<v Speaker 1>did you and and you you came back and you said,

1:52:39.720 --> 1:52:42.840
<v Speaker 1>you know that's my big homie, you know what I'm saying,

1:52:43.320 --> 1:52:46.120
<v Speaker 1>But like, how did that just feel? Like when you

1:52:46.160 --> 1:52:48.200
<v Speaker 1>know a person you're coming into the game with, you're

1:52:48.280 --> 1:52:52.280
<v Speaker 1>just not seeing out of eye and it's different opinions.

1:52:52.720 --> 1:52:54.880
<v Speaker 1>But the thing is, every time you voice your opinion,

1:52:54.960 --> 1:52:56.880
<v Speaker 1>it's in the public eye, whether you think it is

1:52:57.040 --> 1:52:59.400
<v Speaker 1>or not, whether you think it is or not. Like,

1:52:59.760 --> 1:53:03.320
<v Speaker 1>how how is that to go through that? I'm gonna

1:53:03.439 --> 1:53:11.479
<v Speaker 1>him answer, I'm gonna drop my shot. Okay, this is

1:53:11.640 --> 1:53:17.599
<v Speaker 1>this episode fo good? Yeah? No, I mean pretty much,

1:53:17.920 --> 1:53:21.840
<v Speaker 1>you know it was we were like the same person

1:53:22.520 --> 1:53:27.920
<v Speaker 1>said yeah that that shot made that But it's just

1:53:28.080 --> 1:53:30.880
<v Speaker 1>it's just it's the same person. You know what I'm saying.

1:53:30.920 --> 1:53:32.800
<v Speaker 1>He pretty much raised me, so it's kind of like,

1:53:34.000 --> 1:53:35.439
<v Speaker 1>you know, all the game and all the lessons I

1:53:35.520 --> 1:53:38.200
<v Speaker 1>learned from him. At one point, I felt like, like Ship,

1:53:38.479 --> 1:53:40.560
<v Speaker 1>you know, I wanted to start calling some shots and

1:53:40.640 --> 1:53:43.200
<v Speaker 1>putting my ideas into things, and sometimes we want to

1:53:43.200 --> 1:53:44.800
<v Speaker 1>see out the art because he was the coach. He

1:53:44.960 --> 1:53:47.400
<v Speaker 1>was to you know, he was the teacher. You know,

1:53:47.840 --> 1:53:49.479
<v Speaker 1>I wanted that I was shying the master. I thought,

1:53:49.640 --> 1:53:52.519
<v Speaker 1>you know, I wanted to playing my way so that

1:53:52.880 --> 1:53:55.519
<v Speaker 1>it's it's at some point, I'm I'm standing up for you.

1:53:57.280 --> 1:54:00.320
<v Speaker 1>Every artist at some point start feeling that. So and

1:54:00.400 --> 1:54:02.920
<v Speaker 1>you know what they do, They say I did this Ship,

1:54:03.720 --> 1:54:07.640
<v Speaker 1>and they forget about everybody else because in order to

1:54:07.680 --> 1:54:10.280
<v Speaker 1>make somebody great, it's three or four people behind absolutely

1:54:10.360 --> 1:54:13.000
<v Speaker 1>but me, I've done it. Everybody does it, everybody just

1:54:13.240 --> 1:54:16.960
<v Speaker 1>what I did. So you had that moment, Yeah, I

1:54:17.040 --> 1:54:19.719
<v Speaker 1>had that moment. Did the third album? I had that moment.

1:54:19.760 --> 1:54:21.400
<v Speaker 1>You did this thing, but it just didn't feel right,

1:54:21.479 --> 1:54:22.599
<v Speaker 1>you know what I mean. I was in the studio

1:54:22.680 --> 1:54:24.600
<v Speaker 1>with Tipped, Me and t I was working on my

1:54:24.720 --> 1:54:26.680
<v Speaker 1>third album together and it just was different, you know

1:54:26.720 --> 1:54:29.560
<v Speaker 1>what I'm saying. And I came to the conclusion like

1:54:29.640 --> 1:54:32.160
<v Speaker 1>if I can't get down what he wanted on the Forefarm,

1:54:32.240 --> 1:54:34.680
<v Speaker 1>then I'm cool long music, I got movies. I could

1:54:34.680 --> 1:54:37.280
<v Speaker 1>do that ship for life, so I don't really got

1:54:37.360 --> 1:54:38.840
<v Speaker 1>to do it no moment. And I remember just going

1:54:38.920 --> 1:54:40.960
<v Speaker 1>to Malibu and pulling up on j D and just

1:54:41.000 --> 1:54:45.120
<v Speaker 1>telling him like, look for all the business. Ship still

1:54:45.120 --> 1:54:48.360
<v Speaker 1>looking for And then I just told him, like all

1:54:48.400 --> 1:54:50.240
<v Speaker 1>the business, just kick all that ship to the side.

1:54:50.320 --> 1:54:53.320
<v Speaker 1>We gotta get back. When I got back Platinum, the

1:54:53.400 --> 1:54:55.800
<v Speaker 1>next album Platinum, and we wrote it were right back

1:54:55.840 --> 1:54:59.160
<v Speaker 1>in pocket. Then I had to listen to them was records.

1:54:59.160 --> 1:55:00.960
<v Speaker 1>I ain't want I'm like, I don't wanna do that

1:55:01.000 --> 1:55:03.160
<v Speaker 1>ship on and I just buckled down and did them.

1:55:03.200 --> 1:55:05.560
<v Speaker 1>They came number one hand. So sometimes you just gotta

1:55:06.080 --> 1:55:08.000
<v Speaker 1>you do, gotta listen because he's been doing this ship

1:55:08.120 --> 1:55:11.360
<v Speaker 1>way moment and not have so you want some now,

1:55:11.640 --> 1:55:13.120
<v Speaker 1>I don't know you can take that with you to

1:55:13.200 --> 1:55:15.520
<v Speaker 1>go play. No, I'm just checking it out, Okay, you

1:55:15.600 --> 1:55:18.960
<v Speaker 1>know we put that, we're gonna package that up. Yeah,

1:55:18.960 --> 1:55:22.040
<v Speaker 1>definitely you can take that with you out because because

1:55:22.200 --> 1:55:27.200
<v Speaker 1>that's some real I don't know to call it, you know, yeah,

1:55:27.200 --> 1:55:29.360
<v Speaker 1>because it's it's kind of crazy. I mean you might,

1:55:29.720 --> 1:55:32.320
<v Speaker 1>but this is this is this some premium ship though

1:55:32.400 --> 1:55:36.960
<v Speaker 1>y'all need to keep this head nor birth. We're good.

1:55:36.960 --> 1:55:39.080
<v Speaker 1>We're gonna have a bottle for you anytime you come back,

1:55:39.480 --> 1:55:42.720
<v Speaker 1>because I just want both of y'all to know that, um,

1:55:44.600 --> 1:55:47.040
<v Speaker 1>this is this is a big platform. What I mean

1:55:47.120 --> 1:55:50.080
<v Speaker 1>by that, I'm not trying to tell you know, but

1:55:50.320 --> 1:55:53.320
<v Speaker 1>what it means to hip hop is when they when

1:55:53.320 --> 1:55:55.960
<v Speaker 1>they told us how numbers because a fun but when

1:55:56.000 --> 1:55:58.160
<v Speaker 1>they told us and they told us how demographics for

1:55:58.320 --> 1:56:02.120
<v Speaker 1>sixteen to twenty four? If me up? Because we we

1:56:02.200 --> 1:56:04.840
<v Speaker 1>didn't have like people on on here on the Dirty

1:56:04.880 --> 1:56:07.440
<v Speaker 1>like we praise legends, we say, you gotta be a

1:56:07.520 --> 1:56:10.880
<v Speaker 1>hip hop legend. But for this to be working, this show,

1:56:12.320 --> 1:56:15.280
<v Speaker 1>it means that even though people don't give a funk

1:56:16.240 --> 1:56:18.840
<v Speaker 1>whatever is the hit right now, people want to learn

1:56:19.000 --> 1:56:21.320
<v Speaker 1>what happened in the hip hop Oh yeah, I mean that.

1:56:21.640 --> 1:56:23.440
<v Speaker 1>But that's but that's that's you know, like that's what

1:56:23.520 --> 1:56:25.840
<v Speaker 1>I said. That's what That's why I picked that era

1:56:26.240 --> 1:56:31.640
<v Speaker 1>because it's like the stories today in hip hop, they

1:56:31.680 --> 1:56:34.320
<v Speaker 1>don't mean nothing like the stories that you know what

1:56:34.360 --> 1:56:38.120
<v Speaker 1>I'm saying, Like the story like it's just ship that

1:56:39.840 --> 1:56:41.680
<v Speaker 1>you actually live in life, you know what I mean,

1:56:41.720 --> 1:56:46.000
<v Speaker 1>and make these records just like you know how made money. Anything.

1:56:46.160 --> 1:56:50.040
<v Speaker 1>Was like I was driving down the street and I

1:56:50.360 --> 1:56:53.120
<v Speaker 1>and I heard jay Z, please let me stop if

1:56:53.200 --> 1:56:57.760
<v Speaker 1>we're here, that's my very next question this niggers. God,

1:56:58.440 --> 1:57:02.440
<v Speaker 1>go ahead, y'all this nigga cool. I just taped in

1:57:02.520 --> 1:57:05.920
<v Speaker 1>my cold and my phoners. I'm like, yo, next question

1:57:05.960 --> 1:57:08.280
<v Speaker 1>and you went there, let me shut the funk up.

1:57:09.440 --> 1:57:14.040
<v Speaker 1>So I'm I'm driving. I'm driving. First of all, I got.

1:57:14.120 --> 1:57:19.920
<v Speaker 1>I got like Atlanta. Atlanta was like um a city

1:57:20.040 --> 1:57:23.120
<v Speaker 1>that nobody knew what was going on in Atlanta, right,

1:57:24.280 --> 1:57:26.720
<v Speaker 1>but everybody was paying attention to New York in l A.

1:57:27.760 --> 1:57:30.520
<v Speaker 1>But it was like this this this um this article

1:57:30.560 --> 1:57:32.920
<v Speaker 1>that came out one day one morning I read and

1:57:32.960 --> 1:57:35.400
<v Speaker 1>it was like Puff did an article and they was

1:57:35.480 --> 1:57:37.120
<v Speaker 1>interviewing him, and it was like, yo, we went to

1:57:37.200 --> 1:57:41.120
<v Speaker 1>interview Puff and he's driving around you know, Manhattan in

1:57:41.240 --> 1:57:45.200
<v Speaker 1>the Bentley you know, and he could had back was

1:57:45.600 --> 1:57:47.960
<v Speaker 1>due they you know, they explained like the black man

1:57:48.640 --> 1:57:51.360
<v Speaker 1>that really ain't supposed to be into Bentley driving around

1:57:51.400 --> 1:57:56.720
<v Speaker 1>bent and they was actually describing his life, and it

1:57:56.840 --> 1:57:58.960
<v Speaker 1>really frustrated me because it was like the morning that

1:57:59.040 --> 1:58:01.520
<v Speaker 1>I was going to pick up jay Z from the airport,

1:58:02.800 --> 1:58:06.000
<v Speaker 1>I was in a Bentley Continental team driving around Atlanta

1:58:06.040 --> 1:58:10.160
<v Speaker 1>with a do rag on. It had the same ship,

1:58:10.360 --> 1:58:12.480
<v Speaker 1>but nobody would see it. Nobody wants seeing what I

1:58:12.600 --> 1:58:15.160
<v Speaker 1>was doing. So I was I was like, I gotta

1:58:15.200 --> 1:58:17.600
<v Speaker 1>make my records, gotta be big, my rexors gotta be

1:58:17.640 --> 1:58:22.480
<v Speaker 1>bigger so negs can see what's going on. And on

1:58:22.680 --> 1:58:24.840
<v Speaker 1>the way to that's so, by the way, this song this,

1:58:25.000 --> 1:58:27.000
<v Speaker 1>I had no idea what the song was gonna be.

1:58:27.280 --> 1:58:29.800
<v Speaker 1>I just want to make money. Yeah, I just want

1:58:29.840 --> 1:58:32.960
<v Speaker 1>to make a record with jay Z. So I'm driving

1:58:34.680 --> 1:58:40.720
<v Speaker 1>and I'm listening can't Knock the Hustle, And he said

1:58:41.440 --> 1:58:44.040
<v Speaker 1>deep South, deep in the South, kicking up top game,

1:58:44.600 --> 1:58:49.880
<v Speaker 1>screaming through the some money anything. And I'm like, deep

1:58:49.920 --> 1:58:56.760
<v Speaker 1>in the South. That sounds like me. That sounds like

1:58:56.840 --> 1:59:00.600
<v Speaker 1>he's talking about. But what song he said that? Different song?

1:59:00.880 --> 1:59:05.800
<v Speaker 1>You know, he says that in the hustle. He says

1:59:05.840 --> 1:59:08.920
<v Speaker 1>this and can't knock the Hustle. So I'm listening to

1:59:09.040 --> 1:59:13.160
<v Speaker 1>Knock the Hustle and I'm like, he said this, that's

1:59:13.200 --> 1:59:15.880
<v Speaker 1>what I saw. I'm gonna be called. I want to

1:59:15.920 --> 1:59:18.000
<v Speaker 1>kick him up from the airport. And when he got

1:59:18.040 --> 1:59:20.200
<v Speaker 1>in the car, so literally when you were picking him up,

1:59:20.320 --> 1:59:23.200
<v Speaker 1>you heard I was talking, this is coming, like going

1:59:23.280 --> 1:59:24.920
<v Speaker 1>to the airport. So I get to the airport, pick

1:59:25.000 --> 1:59:30.200
<v Speaker 1>him up. He getting my car and UM, I tell

1:59:30.280 --> 1:59:31.720
<v Speaker 1>him right then and there, I'm like, yo, the song

1:59:31.760 --> 1:59:34.160
<v Speaker 1>is gonna be caught, money anything. And I heard I said,

1:59:34.160 --> 1:59:36.480
<v Speaker 1>I want to use this part from Can't Knock the

1:59:36.560 --> 1:59:39.360
<v Speaker 1>Hustle deep in the South, kicking up top Game, screaming

1:59:39.360 --> 1:59:43.240
<v Speaker 1>through the sun Route, money and anything. And he was like, Okay,

1:59:43.760 --> 1:59:46.040
<v Speaker 1>you gotta beat. But I had made a beat before.

1:59:46.360 --> 1:59:49.320
<v Speaker 1>I had made the beat before I left. Oh, it's

1:59:51.720 --> 1:59:53.400
<v Speaker 1>I made it beat. I made the beat before I

1:59:53.440 --> 1:59:56.160
<v Speaker 1>went to the to the airport, so I had the

1:59:57.640 --> 2:00:00.800
<v Speaker 1>Steve Aarranteam weakened my knees. I I had to be

2:00:01.120 --> 2:00:03.640
<v Speaker 1>looped up already, and I was like, we're gonna wrap

2:00:03.720 --> 2:00:07.440
<v Speaker 1>over this ship. And the only reason I had picked

2:00:07.480 --> 2:00:10.560
<v Speaker 1>that beat is because if he did this freestyle on

2:00:10.640 --> 2:00:14.240
<v Speaker 1>the Clue mixtape where he took. He took the Drew

2:00:14.320 --> 2:00:16.560
<v Speaker 1>Hill beat that I used for the Sleeping in My

2:00:16.640 --> 2:00:22.480
<v Speaker 1>Best Ship sleeping he and he was like, um, he's like,

2:00:22.600 --> 2:00:25.200
<v Speaker 1>y'all want to He took my whole intro, y'all want

2:00:25.240 --> 2:00:27.680
<v Speaker 1>to dance, I'm gonna make it. He but he changed it,

2:00:28.040 --> 2:00:30.720
<v Speaker 1>and I was like, Danny Snika jay Z be listening

2:00:30.760 --> 2:00:34.560
<v Speaker 1>to me. That's why I felt like because he was

2:00:34.640 --> 2:00:38.880
<v Speaker 1>like the real super super backpack rapper, people gave him

2:00:38.880 --> 2:00:41.400
<v Speaker 1>all kind of respect. I would never thought he was

2:00:41.440 --> 2:00:43.240
<v Speaker 1>really checking out what I was doing. And I heard

2:00:43.320 --> 2:00:45.880
<v Speaker 1>that he took my whole part, so I was like, oh,

2:00:46.400 --> 2:00:48.600
<v Speaker 1>this sniker really be listening to me. He took my ship.

2:00:49.560 --> 2:00:51.640
<v Speaker 1>So then I just put this whole thing together in

2:00:51.720 --> 2:00:53.920
<v Speaker 1>like twenty minutes of how he was gonna make this record.

2:00:54.160 --> 2:00:56.240
<v Speaker 1>And when he got in the car, I said, you

2:00:56.280 --> 2:00:57.680
<v Speaker 1>know this's gonna be the song. He was like, what

2:00:57.760 --> 2:00:59.160
<v Speaker 1>the beat sounds like? I said, we get to my

2:00:59.240 --> 2:01:01.120
<v Speaker 1>mom house, We're gonna gonna listen to the beat. We

2:01:01.240 --> 2:01:03.880
<v Speaker 1>got to my mother house. I had played the beat

2:01:03.920 --> 2:01:07.520
<v Speaker 1>for him, and the beat went around for like ten balls,

2:01:07.720 --> 2:01:10.960
<v Speaker 1>sixteen maybe maybe balls, and then niggas I got my

2:01:11.080 --> 2:01:14.840
<v Speaker 1>rap let's go. And I was like, what, how the fun?

2:01:15.000 --> 2:01:17.240
<v Speaker 1>Where this the biggie ship? I'm like, what the fun?

2:01:17.680 --> 2:01:19.560
<v Speaker 1>When did you write your rap? And like I just

2:01:19.680 --> 2:01:23.400
<v Speaker 1>wrote it, let's go, let's get in the studio. I'm like,

2:01:23.480 --> 2:01:27.240
<v Speaker 1>I gotta learn that trick. I gotta learn to do

2:01:27.360 --> 2:01:31.240
<v Speaker 1>that tomorrow. Like, and that was the last day I stopped.

2:01:31.320 --> 2:01:35.480
<v Speaker 1>I stopped writing on people. I've never written anything since then.

2:01:36.640 --> 2:01:47.200
<v Speaker 1>What year let's j B. Yeah, but you're definitely like

2:01:47.360 --> 2:01:51.080
<v Speaker 1>you had straight a's in class only really could do

2:01:51.160 --> 2:01:56.640
<v Speaker 1>it good? You had straight It wasn't not. I never

2:01:56.840 --> 2:02:01.440
<v Speaker 1>finished high school, did you ever? Specially education? Special education?

2:02:01.520 --> 2:02:12.520
<v Speaker 1>Second shorts? I have seven students and three teachers. Really stupid.

2:02:13.400 --> 2:02:18.680
<v Speaker 1>Really was real for me. She was real for me

2:02:18.760 --> 2:02:22.160
<v Speaker 1>growing up. Really Yeah, I listen, I can ride it

2:02:22.240 --> 2:02:25.960
<v Speaker 1>round on my head, but that's not gonna take but listen. Okay,

2:02:26.000 --> 2:02:28.600
<v Speaker 1>so listen, I'm gonna tell you, like my my Criss

2:02:28.640 --> 2:02:33.120
<v Speaker 1>Crush theory of how I made Criss Crush into rappers.

2:02:34.240 --> 2:02:36.400
<v Speaker 1>I got in the car one day and these niggers

2:02:36.480 --> 2:02:41.000
<v Speaker 1>was like infatuated with ice Q at eleven and twelter.

2:02:41.040 --> 2:02:44.000
<v Speaker 1>It was infatuated ice Q and they knew every ice

2:02:44.080 --> 2:02:48.840
<v Speaker 1>C word lyrics, all word for word, and I'm riding

2:02:48.840 --> 2:02:51.280
<v Speaker 1>in a car like, yeah, these niggas saying this recited.

2:02:51.440 --> 2:02:53.960
<v Speaker 1>They were reciting the raps like they know. So I'm like,

2:02:54.040 --> 2:02:55.960
<v Speaker 1>ship if I write them a song that they like

2:02:56.360 --> 2:03:00.240
<v Speaker 1>they were recited, they were recited the same way. That's

2:03:00.360 --> 2:03:05.520
<v Speaker 1>that's that's basically how they became rappers. It's not the

2:03:05.640 --> 2:03:09.640
<v Speaker 1>cold version that I prefer, but I'd keep going no, no,

2:03:09.720 --> 2:03:12.760
<v Speaker 1>because you see you see what how heat pop? You

2:03:12.840 --> 2:03:15.000
<v Speaker 1>got the big bottle right there? You know that? You

2:03:15.080 --> 2:03:17.960
<v Speaker 1>see did you see how heat popped? You're gonna do

2:03:18.000 --> 2:03:20.800
<v Speaker 1>it different that that big bottle pop right now. It's

2:03:20.840 --> 2:03:24.960
<v Speaker 1>gonna look, we can't even pay for this rent. By

2:03:25.000 --> 2:03:28.000
<v Speaker 1>the way, it's gonna throw this out there. We're in Windwood.

2:03:28.440 --> 2:03:30.720
<v Speaker 1>I don't know if you guys started, what do you start?

2:03:30.760 --> 2:03:34.480
<v Speaker 1>We started from downtown Miami with this podcast, Yeah and yeah, downtown,

2:03:35.040 --> 2:03:37.560
<v Speaker 1>and then we went to a little Haiti we was living.

2:03:39.400 --> 2:03:44.360
<v Speaker 1>He was came to the spot we came to. They

2:03:44.400 --> 2:03:47.400
<v Speaker 1>came to the dad. We have dad. He said, there,

2:03:47.680 --> 2:03:54.280
<v Speaker 1>everybody shout sexy Windwood. This used to be the one

2:03:54.680 --> 2:03:56.640
<v Speaker 1>perto Rican Hud. This is the Puerto Rican Hunt. Yeah,

2:03:56.680 --> 2:03:58.280
<v Speaker 1>this is used to be the part of but but

2:03:58.400 --> 2:04:00.160
<v Speaker 1>this is nice right now. You know what, it's the

2:04:00.200 --> 2:04:03.360
<v Speaker 1>cuivalent just like the village like in New York. In

2:04:03.400 --> 2:04:06.360
<v Speaker 1>New York, it's like the villains. Like you walk around,

2:04:06.520 --> 2:04:09.320
<v Speaker 1>you can see bos oh, you can see you can

2:04:09.360 --> 2:04:13.680
<v Speaker 1>see Tommy Motto right there giving somebody a flower. I

2:04:13.680 --> 2:04:17.160
<v Speaker 1>don't don't get it twisted. Keep walking two blocks down, yeah,

2:04:18.840 --> 2:04:25.280
<v Speaker 1>two blocks down right here. But but this is like,

2:04:25.440 --> 2:04:29.320
<v Speaker 1>this is like the happening hood in Miami. Talk about it.

2:04:30.080 --> 2:04:33.200
<v Speaker 1>What you were saying, is the happening hood talking about it.

2:04:33.440 --> 2:04:39.080
<v Speaker 1>I'm not gonna lie. Our coolert system sucks, but we're cooler. Yeah,

2:04:39.120 --> 2:04:40.880
<v Speaker 1>we need we need to frigerator. At the end of

2:04:40.920 --> 2:04:46.920
<v Speaker 1>the day, we gotta get a subsi walking walking, freezing champage.

2:04:46.920 --> 2:04:48.880
<v Speaker 1>Because you don't listen. I knew he was gonna order

2:04:48.960 --> 2:04:54.080
<v Speaker 1>some champagne, you did, I knew it, Like well, he

2:04:54.200 --> 2:04:57.080
<v Speaker 1>ordered both of these joints, that and that. Now when

2:04:57.120 --> 2:05:03.080
<v Speaker 1>he ordered the ascid, this nigga, he is smooth because

2:05:03.120 --> 2:05:06.320
<v Speaker 1>I only know a rich motherfucker who ordered that. Like,

2:05:06.440 --> 2:05:08.560
<v Speaker 1>you gotta be rich to just say I want to

2:05:08.840 --> 2:05:18.280
<v Speaker 1>what is that nine two don't saying just two like

2:05:18.360 --> 2:05:21.160
<v Speaker 1>when you order that, like I only seen only in

2:05:21.280 --> 2:05:23.560
<v Speaker 1>my life, Like I'm forty years old again, i'mna keep

2:05:23.600 --> 2:05:27.600
<v Speaker 1>throwing out there September six, turn forty. When the older that,

2:05:27.680 --> 2:05:31.560
<v Speaker 1>I'm like, damn, they they like a different calibern like

2:05:31.680 --> 2:05:33.520
<v Speaker 1>you know what the funny ship is? I'll do. You

2:05:33.640 --> 2:05:36.400
<v Speaker 1>probably don't even remember this. We have read on the Vada.

2:05:36.520 --> 2:05:40.200
<v Speaker 1>One day, I land, I'm pissed because I had a

2:05:40.440 --> 2:05:43.880
<v Speaker 1>six hour lay over somewhere. We don't know what about.

2:05:43.880 --> 2:05:47.280
<v Speaker 1>It's the Impact convention you walk through. You said, your playboy,

2:05:47.320 --> 2:05:49.480
<v Speaker 1>it's super Thug. My super Thug had just came out.

2:05:49.480 --> 2:05:51.720
<v Speaker 1>He said, I'm gonna remix your ship. I'm like where,

2:05:51.800 --> 2:05:55.560
<v Speaker 1>I don't even know what that meant. I was so good.

2:05:55.600 --> 2:05:59.400
<v Speaker 1>I was like where, like a right, Like I didn't

2:05:59.400 --> 2:06:02.280
<v Speaker 1>even know what a remix cubment back there, So I

2:06:02.360 --> 2:06:05.400
<v Speaker 1>was like, all right, cool, And I said, yo, what

2:06:05.480 --> 2:06:09.240
<v Speaker 1>you're drinking? And and you said don Perion And I

2:06:09.360 --> 2:06:12.160
<v Speaker 1>had the motherfucker President of Penalty say I was because

2:06:12.160 --> 2:06:15.760
<v Speaker 1>I don't know what the fun I didn't know what

2:06:15.920 --> 2:06:18.800
<v Speaker 1>don very it was the we know the impact of

2:06:19.240 --> 2:06:21.360
<v Speaker 1>do you remember that? I don't remember talking to you.

2:06:21.440 --> 2:06:23.720
<v Speaker 1>But yeah, I ain't gonna lie. And you know what

2:06:23.840 --> 2:06:27.160
<v Speaker 1>you did listening to yourself. You also remix Super Doug

2:06:28.480 --> 2:06:31.040
<v Speaker 1>nil Alvin just gave this thing about vocals back then.

2:06:31.320 --> 2:06:35.240
<v Speaker 1>I just give like giving them this I never came

2:06:35.280 --> 2:06:38.520
<v Speaker 1>out because somebody has it. No, he got it somewhere,

2:06:39.080 --> 2:06:42.680
<v Speaker 1>he got it. He got it because you know, I

2:06:42.800 --> 2:06:45.800
<v Speaker 1>never wanted to remix superd Thug got to take. But

2:06:46.000 --> 2:06:49.440
<v Speaker 1>we met your at the impact of Mention and Reno Nevada.

2:06:49.760 --> 2:06:52.240
<v Speaker 1>This is before because this is by the way, Super

2:06:52.320 --> 2:06:56.320
<v Speaker 1>Thug didn't need no remix, but no remix the white people.

2:06:56.800 --> 2:07:01.400
<v Speaker 1>I'm being honest. I'm sorry white people. I like up this.

2:07:01.680 --> 2:07:04.880
<v Speaker 1>This ain't nothing back to y'all. But the white people

2:07:04.920 --> 2:07:07.280
<v Speaker 1>can said you need to This is that time. This

2:07:07.360 --> 2:07:09.200
<v Speaker 1>is what I'm telling him. Tell you this that time

2:07:09.320 --> 2:07:11.200
<v Speaker 1>Nika said, if you don't have with your main defree

2:07:11.360 --> 2:07:23.960
<v Speaker 1>reason you're over. Okay, look I probably Jade, let me show.

2:07:24.000 --> 2:07:27.120
<v Speaker 1>You'll let me share. This is class. This is a

2:07:27.160 --> 2:07:29.880
<v Speaker 1>little class class. We need a different cups out. No,

2:07:30.200 --> 2:07:35.600
<v Speaker 1>not even it's not fair new cup. This is you

2:07:35.680 --> 2:07:38.160
<v Speaker 1>know I couldn't it just went to France at once,

2:07:39.000 --> 2:07:41.520
<v Speaker 1>so we learned some ship and we brought it back

2:07:41.560 --> 2:07:45.520
<v Speaker 1>to America. Listen, look look at that, Jake, Look at

2:07:45.520 --> 2:07:48.800
<v Speaker 1>that Jad. What you gotta do like this? No? You

2:07:50.480 --> 2:07:52.880
<v Speaker 1>that was your fall, Okay, I want to let you

2:07:52.960 --> 2:07:56.080
<v Speaker 1>sew it up. Lets you shut up? Boom bloom. Look

2:07:56.120 --> 2:07:59.480
<v Speaker 1>how we do it boom and then Wes there's no spell.

2:07:59.600 --> 2:08:02.960
<v Speaker 1>Look at that, and then we do it. This is

2:08:03.200 --> 2:08:07.120
<v Speaker 1>they let a hood nigga France at once, let me

2:08:07.240 --> 2:08:09.960
<v Speaker 1>the friends. No, I can still go out there. I'm saying,

2:08:10.240 --> 2:08:14.360
<v Speaker 1>you know, my wife love France. God damn it, Yo,

2:08:15.160 --> 2:08:19.760
<v Speaker 1>Holy moly, guacamole. Oh it's my time. I gotta you

2:08:19.880 --> 2:08:22.560
<v Speaker 1>really went in on the tag of bomb prospective. Are

2:08:22.600 --> 2:08:25.640
<v Speaker 1>we're gonna do a dog? No? We done. You're gonna

2:08:25.680 --> 2:08:27.960
<v Speaker 1>take that to go, Take that to go. That's my

2:08:28.120 --> 2:08:39.200
<v Speaker 1>nig I'm gonna see if this Tiger bomb ship work tonight. Yeah. Yeah,

2:08:39.320 --> 2:08:41.600
<v Speaker 1>that's all you, my brother. This is what we do.

2:08:41.680 --> 2:08:44.560
<v Speaker 1>I don't know if listen, I don't know if you

2:08:44.680 --> 2:08:46.960
<v Speaker 1>know what we do at drink Chaps. The thing is

2:08:48.120 --> 2:08:50.360
<v Speaker 1>I sat down one of the one of the greatest

2:08:50.440 --> 2:08:53.800
<v Speaker 1>compliments in the world I have a guy was one

2:08:53.880 --> 2:08:56.280
<v Speaker 1>day Leo Combs. He tells me to me, said me,

2:08:56.760 --> 2:08:59.880
<v Speaker 1>you know how Leoco talks right me to be out

2:09:00.200 --> 2:09:04.080
<v Speaker 1>polo lounge right and bad with the hills like I

2:09:04.200 --> 2:09:06.400
<v Speaker 1>always drove by this ship because I'm a hood nigger.

2:09:06.600 --> 2:09:08.400
<v Speaker 1>Like people don't invite me the ship like that, you know.

2:09:08.520 --> 2:09:10.320
<v Speaker 1>And I've been good with that for twenty years. And

2:09:10.360 --> 2:09:13.560
<v Speaker 1>I've been like, I understand, but you ain't gonna you

2:09:13.600 --> 2:09:16.000
<v Speaker 1>ain't gonna invite me. There, I get it. I get

2:09:16.040 --> 2:09:17.760
<v Speaker 1>it because I come with niggas like y'all. He come

2:09:17.800 --> 2:09:21.840
<v Speaker 1>with limit again. I come on the things that got knaves.

2:09:21.880 --> 2:09:24.240
<v Speaker 1>They don't even getting plays as soon as they want

2:09:24.280 --> 2:09:26.920
<v Speaker 1>to think of the knife and the next day that's

2:09:26.960 --> 2:09:28.480
<v Speaker 1>just just what I am. But I want to give

2:09:28.520 --> 2:09:31.720
<v Speaker 1>people jobs like so it all comes and he says,

2:09:34.120 --> 2:09:36.280
<v Speaker 1>he comes to me and they're like dam He said,

2:09:36.280 --> 2:09:40.520
<v Speaker 1>you know what I drink Chance works And I said no,

2:09:41.640 --> 2:09:45.040
<v Speaker 1>because I don't. I'm just giving myself, giving my old,

2:09:45.280 --> 2:09:48.800
<v Speaker 1>just respecting the hip hop, and I'm congratulating the parts

2:09:48.840 --> 2:09:51.560
<v Speaker 1>of hip hop I love. And Leo said, because you

2:09:51.720 --> 2:09:56.000
<v Speaker 1>guys don't do gossip. You guys just celebrate the hip

2:09:56.000 --> 2:09:59.919
<v Speaker 1>hop the way it is. And it's like as complic

2:10:00.000 --> 2:10:05.040
<v Speaker 1>hated as that was. It's very simple. If you're a

2:10:05.160 --> 2:10:07.200
<v Speaker 1>person that's been down in the hip hop no how

2:10:07.320 --> 2:10:12.520
<v Speaker 1>tough this is, to survive more than a year. How

2:10:12.600 --> 2:10:15.200
<v Speaker 1>many people you know was the hottest dude in the

2:10:15.480 --> 2:10:21.040
<v Speaker 1>world last year? You've seen Tim He might have gave

2:10:21.080 --> 2:10:23.320
<v Speaker 1>your elbow like it. What's something? My god? How you

2:10:23.480 --> 2:10:31.080
<v Speaker 1>doing work? Y'all? God, that's where you did? You are

2:10:32.600 --> 2:10:38.920
<v Speaker 1>so to survive anywhere more than three, four or five, six,

2:10:39.080 --> 2:10:42.760
<v Speaker 1>seven years? And I'm talking if you took about double digits,

2:10:44.440 --> 2:10:48.480
<v Speaker 1>every man who participated in this game should be saluted.

2:10:48.840 --> 2:10:52.640
<v Speaker 1>Look at football, football, you got like what a year

2:10:52.880 --> 2:11:02.600
<v Speaker 1>two year expansion? Basketball? Or maybe fine hip hop or music. See,

2:11:03.880 --> 2:11:06.120
<v Speaker 1>they limit you. You could go to funk out of here.

2:11:06.840 --> 2:11:09.800
<v Speaker 1>So when you have people that are standing there, it's

2:11:09.840 --> 2:11:12.240
<v Speaker 1>been down there. There's a drink chance, don't realize it's

2:11:12.920 --> 2:11:15.920
<v Speaker 1>there's nothing organized, but we're very organized. Why should we

2:11:15.960 --> 2:11:20.680
<v Speaker 1>throw this out? And we got you? But you know,

2:11:21.280 --> 2:11:24.040
<v Speaker 1>when you see people that got double digits in this world,

2:11:24.360 --> 2:11:26.800
<v Speaker 1>there's no other way that we have to do with

2:11:26.920 --> 2:11:29.960
<v Speaker 1>salute these people. You gotta sit back and say and

2:11:30.080 --> 2:11:33.880
<v Speaker 1>now I now yo you d J and again because

2:11:33.880 --> 2:11:36.640
<v Speaker 1>I heard you started out as a DJ, so you'll

2:11:36.640 --> 2:11:42.200
<v Speaker 1>be oh, yeah, d J. Yeah, let's describe that. Let's

2:11:42.240 --> 2:11:46.360
<v Speaker 1>describe it. I mean, um, yeah, I started as a

2:11:46.440 --> 2:11:49.840
<v Speaker 1>d J. I mean I started making my beach based

2:11:49.920 --> 2:11:55.280
<v Speaker 1>on DJ and it was like that's what I wanted

2:11:55.320 --> 2:11:59.800
<v Speaker 1>to be before I became a producer a DJ. So

2:12:00.000 --> 2:12:05.360
<v Speaker 1>I got these little realistic fake twelve hundreds from Radio Shock,

2:12:06.360 --> 2:12:10.960
<v Speaker 1>and I was Radio Shock, bigger Radio Radio Shock for

2:12:11.560 --> 2:12:17.680
<v Speaker 1>radio had all the ship that first shows came Radio

2:12:20.840 --> 2:12:24.120
<v Speaker 1>so signed like the bell drive turntables from Radio Shock.

2:12:24.440 --> 2:12:29.040
<v Speaker 1>But but I told my mother my father I wanted

2:12:29.080 --> 2:12:30.720
<v Speaker 1>turn tables. That's what they bought me. They got the

2:12:30.800 --> 2:12:34.240
<v Speaker 1>Radio Shock ship and from there I became a DJ.

2:12:34.360 --> 2:12:38.000
<v Speaker 1>I just started making like mix tapes, saying doing whatever

2:12:38.040 --> 2:12:40.400
<v Speaker 1>I had to do, just before I with May Records.

2:12:40.600 --> 2:12:46.640
<v Speaker 1>So I've been DJ and like since I was fourteen. Now,

2:12:47.920 --> 2:12:51.520
<v Speaker 1>when you go to a new crowd, there's people are

2:12:51.600 --> 2:12:55.360
<v Speaker 1>your d jan this might be out. I'm gonna go

2:12:55.520 --> 2:12:57.280
<v Speaker 1>off there and say it might be a white guy

2:12:57.360 --> 2:12:59.280
<v Speaker 1>who don't know who you are, and they're coming to

2:12:59.360 --> 2:13:05.920
<v Speaker 1>you and say, play some fucking Kelly busy name Kelly Price,

2:13:06.000 --> 2:13:09.400
<v Speaker 1>What what's the bus name? This goes to the MTV Award.

2:13:10.720 --> 2:13:18.520
<v Speaker 1>Come not Cardy B. But what's what's your name, Katy

2:13:18.600 --> 2:13:23.760
<v Speaker 1>Perry said Kelly, He said Kelly and p's Katy Perry? Like,

2:13:23.880 --> 2:13:27.320
<v Speaker 1>what are you doing that moments? You don't do requests? Yeah, no,

2:13:27.560 --> 2:13:30.120
<v Speaker 1>real DJ does request that's not that's not that's not

2:13:30.480 --> 2:13:36.120
<v Speaker 1>your mother, right. We do what we do and that's it.

2:13:36.320 --> 2:13:38.320
<v Speaker 1>I'm not doing the request. I don't do question and

2:13:38.640 --> 2:13:40.760
<v Speaker 1>I don't you know. I mean, for the most part,

2:13:40.760 --> 2:13:42.640
<v Speaker 1>I don't really be playing all the type of records

2:13:42.800 --> 2:13:46.720
<v Speaker 1>like I played what I listen to, Yeah, you churned

2:13:46.800 --> 2:13:49.760
<v Speaker 1>up this guy might they just ordered seven. I don't care.

2:13:54.600 --> 2:13:58.360
<v Speaker 1>This is DJ DJ do it said, it's like a

2:13:58.480 --> 2:14:00.960
<v Speaker 1>song for you years. Let me ever say this. I'm

2:14:00.960 --> 2:14:02.880
<v Speaker 1>gonna say this about as far as me DJ, and

2:14:02.920 --> 2:14:06.960
<v Speaker 1>I'm not like i'll DJ like a mix tape. So

2:14:07.120 --> 2:14:14.080
<v Speaker 1>once I start DJ and as far as tempo and vie,

2:14:15.280 --> 2:14:17.560
<v Speaker 1>I don't. I don't like people to come tell me, oh,

2:14:17.840 --> 2:14:20.440
<v Speaker 1>somebody just bought bottles. We need to change it and

2:14:20.560 --> 2:14:23.760
<v Speaker 1>play the champions here like in the midst of my mix,

2:14:25.360 --> 2:14:31.240
<v Speaker 1>like you that ship is whack by the way. By

2:14:31.280 --> 2:14:34.160
<v Speaker 1>the way, they don't understand how whack that is. That's

2:14:34.280 --> 2:14:37.600
<v Speaker 1>so whacky because you you were destroying the momentum of

2:14:37.680 --> 2:14:43.600
<v Speaker 1>the club. Break that down. I'm just saying, I don't know.

2:14:43.720 --> 2:14:46.120
<v Speaker 1>I mean thinking about it. Where if someone want to

2:14:46.160 --> 2:14:49.120
<v Speaker 1>go on stage when you're doing the show and stop

2:14:49.200 --> 2:14:50.760
<v Speaker 1>you and say no, I want you to play this,

2:14:51.480 --> 2:14:54.280
<v Speaker 1>that's motherfucker. I got my set to me doing what

2:14:54.360 --> 2:14:56.320
<v Speaker 1>I do. I'm just saying to me, that's whack because

2:14:56.360 --> 2:15:00.000
<v Speaker 1>the club, the club is already funked up from Instagram

2:15:00.080 --> 2:15:03.120
<v Speaker 1>ram and people trying to just like take pictures and

2:15:03.240 --> 2:15:05.520
<v Speaker 1>not pay attention to the party and in the first place,

2:15:05.720 --> 2:15:08.640
<v Speaker 1>so once you get the club, everybody dancing and doing

2:15:08.720 --> 2:15:10.400
<v Speaker 1>they gotta do, and people having a good time, and

2:15:10.480 --> 2:15:13.680
<v Speaker 1>then the mothercker club, I don't want to say, yo,

2:15:14.560 --> 2:15:25.000
<v Speaker 1>we want to. He's created in my drink man saying

2:15:25.160 --> 2:15:27.800
<v Speaker 1>that's what I'm saying. So come in there, you say that, yo,

2:15:27.920 --> 2:15:30.680
<v Speaker 1>you want to you want to change the momentum of

2:15:30.800 --> 2:15:33.280
<v Speaker 1>the club. I'm looking at the people like I'm not

2:15:34.240 --> 2:15:37.000
<v Speaker 1>like I watched I watched so many DJs dj these

2:15:37.040 --> 2:15:39.400
<v Speaker 1>house DJs and these these e d M d j's.

2:15:39.600 --> 2:15:41.640
<v Speaker 1>They don't even pay no attention to the crowd. They

2:15:41.760 --> 2:15:44.880
<v Speaker 1>just been playing music. They don't give a fuck, you know,

2:15:45.360 --> 2:15:49.000
<v Speaker 1>like not like that. I'm I'm looking at the crowd like, damn,

2:15:49.080 --> 2:15:50.960
<v Speaker 1>I just played this record and ain't nobody really moving.

2:15:50.960 --> 2:15:53.160
<v Speaker 1>I gotta get you another song really fast and fine,

2:15:53.240 --> 2:15:55.680
<v Speaker 1>and the energy dictates how you're gonna move. Yeah, Yeah,

2:15:55.680 --> 2:15:57.400
<v Speaker 1>I don't. I don't like I don't like you. I

2:15:57.440 --> 2:15:59.240
<v Speaker 1>don't like you coming in the club telling me I

2:15:59.280 --> 2:16:02.800
<v Speaker 1>don't if that person buying drinks keep buying drinks, y'all

2:16:02.960 --> 2:16:05.280
<v Speaker 1>let light it up. Do what y'all doing. I'm gonna

2:16:05.360 --> 2:16:07.200
<v Speaker 1>keep doing what I'm doing. You gotta keep the party

2:16:07.240 --> 2:16:09.680
<v Speaker 1>going so you can tell us a spiritus like one time.

2:16:10.080 --> 2:16:11.320
<v Speaker 1>They don't do it all the time. They try to

2:16:11.360 --> 2:16:13.200
<v Speaker 1>do it all the time, and I just be like

2:16:13.560 --> 2:16:16.480
<v Speaker 1>this in a corny record, like or is it just

2:16:16.560 --> 2:16:19.920
<v Speaker 1>because you had your set together? I mean, I just yeah,

2:16:19.920 --> 2:16:21.720
<v Speaker 1>a lot of times I'm just like, I'm not doing it,

2:16:21.920 --> 2:16:23.000
<v Speaker 1>you know what I mean? If they want to, they

2:16:23.240 --> 2:16:25.400
<v Speaker 1>let's just tell people. Don't go up to the motherfucker.

2:16:25.520 --> 2:16:30.600
<v Speaker 1>DJA want to shout somebody out? And I'm like, y'all

2:16:30.600 --> 2:16:33.760
<v Speaker 1>want to sample right because I never met this nigger

2:16:33.760 --> 2:16:36.600
<v Speaker 1>in my life right well, in my mind, the nigga

2:16:36.640 --> 2:16:40.920
<v Speaker 1>is my homie. It was Mom, Okay, Prince coming to

2:16:40.959 --> 2:16:50.360
<v Speaker 1>the club. Just float by you. Float He's not gonna

2:16:50.400 --> 2:16:52.720
<v Speaker 1>play Prince. I'll be like, Prince, get on the microphone,

2:16:52.800 --> 2:16:55.480
<v Speaker 1>shout me help, well right to play it from you

2:16:55.680 --> 2:16:59.080
<v Speaker 1>right now, this time, the Prince, just float by you.

2:16:59.160 --> 2:17:01.680
<v Speaker 1>He gotta get on. Don't say nothing still, I don't care.

2:17:01.720 --> 2:17:07.760
<v Speaker 1>It's still dangerous in my set. I don't care. I'm saying,

2:17:08.879 --> 2:17:12.320
<v Speaker 1>I don't care who you is, just like yeah, d

2:17:12.480 --> 2:17:15.640
<v Speaker 1>J j D. You come in the club. It's all

2:17:15.680 --> 2:17:18.120
<v Speaker 1>about the vibe of the club. Like if I play

2:17:18.160 --> 2:17:21.720
<v Speaker 1>a Prince record right now, niggas is trapped out. You

2:17:21.879 --> 2:17:26.080
<v Speaker 1>fucked up the whole club, the Prince, the prior you

2:17:26.160 --> 2:17:32.120
<v Speaker 1>just so he's flow through. You got to play Purple

2:17:32.480 --> 2:17:42.960
<v Speaker 1>Night in the club. You like that. I'm telling you.

2:17:43.560 --> 2:17:47.280
<v Speaker 1>Listen to hit everybody in a certain part of their

2:17:47.360 --> 2:17:51.240
<v Speaker 1>bones that we didn't understand because we were sucked up

2:17:51.320 --> 2:17:55.520
<v Speaker 1>from Mike already. Like Mike already came in, So the

2:17:55.600 --> 2:17:59.080
<v Speaker 1>Jackson five funked up something like damn niggas is like,

2:17:59.200 --> 2:18:05.400
<v Speaker 1>oh ship, this is real. ABC. ABC is to the

2:18:05.480 --> 2:18:09.560
<v Speaker 1>Jackson five reals like you like it? No, I don't

2:18:09.640 --> 2:18:12.240
<v Speaker 1>like it? All right? Cool? Let me see what what

2:18:12.360 --> 2:18:14.280
<v Speaker 1>is that? That's that's that creates a little bit you know,

2:18:14.400 --> 2:18:19.240
<v Speaker 1>which one is it? I don't know. Definitely they get

2:18:19.320 --> 2:18:22.560
<v Speaker 1>me every time I go to what is it? Blooming down?

2:18:22.720 --> 2:18:25.440
<v Speaker 1>They get me and my watch the ship. They got

2:18:25.520 --> 2:18:27.840
<v Speaker 1>us both lined up every time we walk through. They're like, yeah,

2:18:27.920 --> 2:18:31.840
<v Speaker 1>this is the one. I don't know when. Yeah, that's cooled,

2:18:31.879 --> 2:18:35.120
<v Speaker 1>that's crazy. Yeah that's that's that's that real c black.

2:18:35.200 --> 2:18:38.880
<v Speaker 1>But I you know, you you know to the Golden Baby,

2:18:39.000 --> 2:18:42.560
<v Speaker 1>it's imperial. It's called right imperial, alright, cool? And then

2:18:42.560 --> 2:18:45.720
<v Speaker 1>the adventis eventus. I don't funked up. I'm just spraying

2:18:45.840 --> 2:18:48.560
<v Speaker 1>niggatance anywhere. I'm in New York City the other day

2:18:48.640 --> 2:18:55.520
<v Speaker 1>spraying dogs those advance that I've wasted that bottle. I'm

2:18:55.760 --> 2:18:57.920
<v Speaker 1>a lie man. It smells like listen, let me just

2:18:58.000 --> 2:19:05.000
<v Speaker 1>say something j D and Balo off for y'all. In life,

2:19:07.000 --> 2:19:10.240
<v Speaker 1>everybody needs a little bit of therapy, all right, be

2:19:10.320 --> 2:19:14.120
<v Speaker 1>a little time to get your problems off, talk about

2:19:14.240 --> 2:19:19.760
<v Speaker 1>whatever whatever in life. That's what I did. I said,

2:19:19.760 --> 2:19:22.680
<v Speaker 1>I'm gonna take my days off, and I'm gonna praise

2:19:22.800 --> 2:19:25.400
<v Speaker 1>hip hop. I'm gonna praise my legends in hip hop,

2:19:25.720 --> 2:19:29.240
<v Speaker 1>praise people who contributed to the hip hop. And that's

2:19:29.240 --> 2:19:32.080
<v Speaker 1>what why I drink Champs. It's working because this is

2:19:32.280 --> 2:19:36.560
<v Speaker 1>our form of therapy. And we have not formed our

2:19:36.680 --> 2:19:45.480
<v Speaker 1>show and like a month, so y'all hurricanes and shows.

2:19:45.520 --> 2:19:50.480
<v Speaker 1>I don't episode. Yeah I was, So it's just a

2:19:52.560 --> 2:19:55.280
<v Speaker 1>just to drink Champs. And we don't give why this ship,

2:19:55.520 --> 2:19:58.600
<v Speaker 1>but drinks. We got some, we got some. There's no

2:19:58.720 --> 2:20:09.800
<v Speaker 1>nomber one that we at your shirts. Shot. Oh he

2:20:09.879 --> 2:20:12.440
<v Speaker 1>got the fresh batch to this is you're gonna pour

2:20:12.520 --> 2:20:15.520
<v Speaker 1>this one though? Yeah? Yeah, this is my type of

2:20:15.560 --> 2:20:18.760
<v Speaker 1>bone shot right here. This is terrible. It's a terrible

2:20:18.840 --> 2:20:28.800
<v Speaker 1>cor now, j D beast this this is the ultimate thing.

2:20:29.280 --> 2:20:31.880
<v Speaker 1>Is he coming with us to win Wood? What happening?

2:20:31.959 --> 2:20:35.440
<v Speaker 1>What happening? Let's do it. We're already. Let's cool. Good,

2:20:36.640 --> 2:20:40.160
<v Speaker 1>I got every KILLO have a drink. Listen and why you?

2:20:40.200 --> 2:20:43.440
<v Speaker 1>Why are you? And no ship like that because that's

2:20:44.240 --> 2:20:46.400
<v Speaker 1>you get back while you don't understand, we sally from

2:20:46.480 --> 2:20:49.600
<v Speaker 1>the bottle together like this. But he got them, No

2:20:49.760 --> 2:20:54.039
<v Speaker 1>I don't. It's just that's not not he goes it's

2:20:54.040 --> 2:20:58.640
<v Speaker 1>the same what yours that you don't even got what

2:20:58.800 --> 2:21:02.240
<v Speaker 1>he's like three shots, don't drinking yours? You listen and

2:21:02.360 --> 2:21:06.480
<v Speaker 1>drinking Mark and she's saying, we don't. Let's watch a show.

2:21:06.640 --> 2:21:12.720
<v Speaker 1>Listen to a hundred episodes, episode hundred. Okay, hold on,

2:21:12.879 --> 2:21:15.800
<v Speaker 1>So that's that's that's that's my that's my right, that's

2:21:17.000 --> 2:21:19.680
<v Speaker 1>my Tiger. Okay, when you say, what do you want

2:21:19.720 --> 2:21:23.039
<v Speaker 1>to wait? Hold on? Yeah, you gotta take a can't

2:21:23.080 --> 2:21:26.840
<v Speaker 1>do Dominican stuff right now, he's doing pump Daddy ship.

2:21:26.920 --> 2:21:32.880
<v Speaker 1>I expect that. Oh it's bad. I just came funk

2:21:32.920 --> 2:21:35.480
<v Speaker 1>with that. That's it's crazy. Yeah, and nobody that they

2:21:35.520 --> 2:21:38.480
<v Speaker 1>don't sponsor us at all. So I won't force you.

2:21:38.680 --> 2:21:43.320
<v Speaker 1>Got everybody, everybody enjoyed the Tiger, all right, give everybody

2:21:43.640 --> 2:21:48.440
<v Speaker 1>your hold on your main I want y'all to be

2:21:48.760 --> 2:21:54.160
<v Speaker 1>that's a big mom or. I gotta understand right out

2:21:54.200 --> 2:21:56.520
<v Speaker 1>on the jam this ship too much. I don't want

2:21:59.040 --> 2:22:01.800
<v Speaker 1>jan to make you wish no, because that's my homie.

2:22:01.879 --> 2:22:03.600
<v Speaker 1>But like I want you to bring him back the hippo,

2:22:04.400 --> 2:22:06.959
<v Speaker 1>bring chan bring back to hip hop. You gotta come

2:22:07.000 --> 2:22:10.080
<v Speaker 1>and do drink cha you know how classic come do

2:22:10.240 --> 2:22:17.560
<v Speaker 1>drink chance. You gotta be always ain't like no hippop kids?

2:22:17.600 --> 2:22:20.920
<v Speaker 1>Did you man it? Help me here? Come on, you

2:22:21.000 --> 2:22:23.200
<v Speaker 1>got you gotta do it? Okay, what are you doing?

2:22:24.000 --> 2:22:27.800
<v Speaker 1>Everybody yet? Y'all listen, let me pick up the vegetarian delight,

2:22:28.200 --> 2:22:34.080
<v Speaker 1>my boy, Chris, veggie delight. They right? Yeah, yeah, you

2:22:34.160 --> 2:22:39.080
<v Speaker 1>know jayd Ship he served me wants some looks ship. Yeah,

2:22:44.920 --> 2:22:48.520
<v Speaker 1>it's no vegan spot. I never know you're talking about.

2:22:48.840 --> 2:22:53.280
<v Speaker 1>I was for god, you're vegan. Yeah, see this so

2:22:53.400 --> 2:22:57.400
<v Speaker 1>you know this is the vegan dress. Yeah, okay, damn,

2:22:57.520 --> 2:22:59.840
<v Speaker 1>that's why I say you called them off? Yeah, I

2:23:00.000 --> 2:23:03.960
<v Speaker 1>little song you. It's a little a little bout. Are

2:23:03.959 --> 2:23:07.080
<v Speaker 1>you gonna get the daily one that needs some food

2:23:07.120 --> 2:23:13.080
<v Speaker 1>thought by the Yeah, it's fine clothes, it's listen, listen,

2:23:13.879 --> 2:23:20.560
<v Speaker 1>we'll send it to you. Got so vegan. Let's go,

2:23:21.080 --> 2:23:22.960
<v Speaker 1>let's go. Hold on, wait, wait, here's it. Let's see

2:23:22.959 --> 2:23:25.560
<v Speaker 1>what I was gonna do with this handle that was

2:23:32.240 --> 2:23:34.640
<v Speaker 1>I don't see what shot. I don't see what's happening.

2:23:34.720 --> 2:23:37.720
<v Speaker 1>Now turn that shut up. It's it's one more time

2:23:38.280 --> 2:23:43.080
<v Speaker 1>in time. You come on missing me, y'all, hear that

2:23:43.240 --> 2:23:45.320
<v Speaker 1>your son. Come on, let's do it. You're on your

2:23:45.360 --> 2:23:49.760
<v Speaker 1>own show right now, yo yo yo yo, y'all. Ain't

2:23:49.760 --> 2:23:54.360
<v Speaker 1>gotta sit down, y'all yo, let me take yo pa.

2:23:54.440 --> 2:24:03.720
<v Speaker 1>Come on, it's five right now, all right, bout break down.

2:24:05.400 --> 2:24:10.400
<v Speaker 1>Who Yeah, it was good. We'll tell you think about

2:24:10.480 --> 2:24:17.720
<v Speaker 1>tiger ball. Good God, oh ship breaks said ship. When

2:24:17.760 --> 2:24:20.720
<v Speaker 1>you drink tiger ball, you're chambers of this mother somebody

2:24:20.840 --> 2:24:25.400
<v Speaker 1>daughters in trouble to night. Listen, when you drink tiger bone,

2:24:25.840 --> 2:24:28.480
<v Speaker 1>your soul take a name like your soul, be like,

2:24:28.640 --> 2:24:31.120
<v Speaker 1>I'm I'm I'm gonna chill out for it's so that

2:24:31.360 --> 2:24:35.040
<v Speaker 1>your soul. You're so, I'm gonna I'm keeping it rill

2:24:35.160 --> 2:24:40.720
<v Speaker 1>j D. That's fine, right, that's fine. Only did for

2:24:41.000 --> 2:24:48.199
<v Speaker 1>somebody did but he did fall six, that did six.

2:24:48.920 --> 2:24:51.600
<v Speaker 1>If you did six, we didn't see that's six. You're good.

2:24:52.640 --> 2:24:55.640
<v Speaker 1>Let's do seven. Damn said one more? Sad, you should

2:24:55.680 --> 2:24:58.520
<v Speaker 1>do one more. Seven is right now. It's a god

2:24:58.600 --> 2:25:19.240
<v Speaker 1>seven seven minutes ago, My god, what the fun man, God,

2:25:19.680 --> 2:25:24.960
<v Speaker 1>damn crazy. We're gonna throw up. This is this, This

2:25:25.160 --> 2:25:27.520
<v Speaker 1>is a fact. I don't even want to go set.

2:25:27.560 --> 2:25:29.120
<v Speaker 1>I don't want to drink it. But don't you know

2:25:29.240 --> 2:25:32.760
<v Speaker 1>we got it going out. J D ain't playing. We

2:25:32.920 --> 2:25:36.760
<v Speaker 1>told you we celebrated his life. He started out and

2:25:36.840 --> 2:25:40.360
<v Speaker 1>he's still here having fun, smiling. That's a beautiful thing.

2:25:40.640 --> 2:25:43.160
<v Speaker 1>I ain't gonna front. Nigga disrespected me. They gave me

2:25:43.200 --> 2:25:47.400
<v Speaker 1>way too. We gotta say congratulations to you. Got eat something. They'

2:25:47.480 --> 2:25:50.040
<v Speaker 1>oh ship, they invited us to the brother but it

2:25:50.160 --> 2:25:52.199
<v Speaker 1>already happened. I'm a little girl way in my mind.

2:25:52.520 --> 2:25:55.920
<v Speaker 1>Now that's a little yeah, that's a little to that's

2:25:55.920 --> 2:25:58.320
<v Speaker 1>a little heavy. I ain't gonna about I don't know

2:25:58.440 --> 2:26:03.840
<v Speaker 1>my head. Let mike it with that little not fucking Jimmy,

2:26:04.000 --> 2:26:05.880
<v Speaker 1>it's your first take it down, and man I got

2:26:06.320 --> 2:26:10.920
<v Speaker 1>ninety take it down taken all right, hold on, you

2:26:12.680 --> 2:26:15.680
<v Speaker 1>give it away a little bit. Lea's a little bit,

2:26:15.840 --> 2:26:17.680
<v Speaker 1>you know what. I gotta deal with this thing on.

2:26:19.560 --> 2:26:21.200
<v Speaker 1>I'm gonna take the old. You gonna take the old,

2:26:22.120 --> 2:26:25.560
<v Speaker 1>said the old thing? Oh you all right? You know what?

2:26:25.680 --> 2:26:30.560
<v Speaker 1>I want the record here, okay, I wanted nig niggas

2:26:30.560 --> 2:26:32.880
<v Speaker 1>gotta break my record. So hem you're talking to me

2:26:32.959 --> 2:26:36.840
<v Speaker 1>seven right, that's what it is. Oh yes, Tavin says

2:26:37.040 --> 2:27:03.959
<v Speaker 1>terrible want. Yeah, all right, what's got me? We're going on? Yeah,

2:27:04.840 --> 2:27:19.720
<v Speaker 1>ship clean save just let's make let's make sure right nod,

2:27:19.840 --> 2:27:23.240
<v Speaker 1>I hold the record, alright, j D. Let me just

2:27:23.400 --> 2:27:25.680
<v Speaker 1>let me just explain to you something. You see my

2:27:26.120 --> 2:27:29.440
<v Speaker 1>two guys right there, those are both twins. That's my

2:27:29.600 --> 2:27:32.520
<v Speaker 1>twin right there. He had just had a recent accident

2:27:33.320 --> 2:27:38.480
<v Speaker 1>and and you know, crashing to me, Bro crashed and

2:27:38.680 --> 2:27:41.080
<v Speaker 1>you know, now he's disabled. It's okay, but we're gonna

2:27:41.320 --> 2:27:43.720
<v Speaker 1>rob with him every step of the way. And then

2:27:43.800 --> 2:27:46.200
<v Speaker 1>the other twin right there, he's on mass steroids. He's

2:27:46.280 --> 2:27:53.600
<v Speaker 1>my this is big, This is big. This is the

2:27:53.760 --> 2:27:57.119
<v Speaker 1>hundred episode though, Yo, I could have died on episode

2:27:57.160 --> 2:27:59.920
<v Speaker 1>for the eight now, I ain't gonna It's the fact

2:28:00.120 --> 2:28:03.680
<v Speaker 1>throw Danny Garcia's episodes, the last episode before my accident though.

2:28:04.160 --> 2:28:06.360
<v Speaker 1>And it's crazy how he recognizes that because I need

2:28:06.400 --> 2:28:08.840
<v Speaker 1>He shows in my love on Instagram and shout out

2:28:08.879 --> 2:28:11.640
<v Speaker 1>to all the fans in Pakistan and Thailand when they

2:28:11.720 --> 2:28:15.240
<v Speaker 1>got talking about fucking everywhere, Yo, all over the board,

2:28:15.280 --> 2:28:18.560
<v Speaker 1>the Netherlands, we got people everywhere, We got legends, we

2:28:18.640 --> 2:28:20.880
<v Speaker 1>got by waway here in my nigga. You sleep y'all

2:28:20.879 --> 2:28:24.280
<v Speaker 1>sleeping on by. He is a legend. You're right now.

2:28:24.360 --> 2:28:26.480
<v Speaker 1>We were to read the pre legends. You mentioned them

2:28:26.560 --> 2:28:29.080
<v Speaker 1>names people nowhere. But we're living, we're taking shots. I

2:28:29.160 --> 2:28:31.240
<v Speaker 1>just took my hund shows to tackle baby. Just get

2:28:31.280 --> 2:28:40.400
<v Speaker 1>it in a seven. Ye needed the other twin. So

2:28:40.560 --> 2:28:42.800
<v Speaker 1>that is the other twin that I hang out with

2:28:42.959 --> 2:28:46.879
<v Speaker 1>him and he wanted to drink tyger bone and what happened?

2:28:48.520 --> 2:28:53.880
<v Speaker 1>Come on, I work out seven days a week, six

2:28:53.920 --> 2:28:59.959
<v Speaker 1>seven meals a day, so I'm not STOs. Four years ago,

2:29:00.360 --> 2:29:05.959
<v Speaker 1>Tiger sent me to the hospital with seven shots. Saving

2:29:06.040 --> 2:29:10.960
<v Speaker 1>to the hospital, Vegan. The light was I had to

2:29:11.000 --> 2:29:17.400
<v Speaker 1>do something with you trying to commit suicycle? What the

2:29:17.560 --> 2:29:19.920
<v Speaker 1>fun at the hospital because I went to the high

2:29:21.240 --> 2:29:23.760
<v Speaker 1>because for some reason to meet this. I'll tell you

2:29:23.959 --> 2:29:26.000
<v Speaker 1>cream then I'm gonna tell you where is your problems?

2:29:26.280 --> 2:29:33.200
<v Speaker 1>You can't eat poor leging? Same day you're god, you

2:29:33.320 --> 2:29:38.320
<v Speaker 1>gotta right. I'll take your shot today. That what's up?

2:29:38.959 --> 2:29:45.160
<v Speaker 1>Let's taken today? Mom saying he taking gotta catch you.

2:29:45.280 --> 2:29:50.120
<v Speaker 1>You gotta catch you. You know you do another way

2:29:56.959 --> 2:30:11.000
<v Speaker 1>just say we take a shut up. I was listen,

2:30:11.080 --> 2:30:18.080
<v Speaker 1>I was watching blow last night. Oh, by the way,

2:30:18.080 --> 2:30:20.040
<v Speaker 1>if I wasn't making music, I'd be a drug dealer

2:30:20.760 --> 2:30:25.840
<v Speaker 1>flat out. I think, huh, I think everybody here would be.

2:30:25.879 --> 2:30:28.520
<v Speaker 1>I mean, but I would be a real smart drug dealer. Yeah,

2:30:28.520 --> 2:30:30.360
<v Speaker 1>we can tell we might be dumb drug dealers, but

2:30:30.400 --> 2:30:35.480
<v Speaker 1>we'll be talking. But yeah, Like I actually hate the

2:30:35.520 --> 2:30:38.320
<v Speaker 1>movie Blow because they treat my nigga. But but but

2:30:38.440 --> 2:30:40.920
<v Speaker 1>I funk with it because you know, that's one of

2:30:40.959 --> 2:30:44.120
<v Speaker 1>the dopest movies. But you know in the Nigger, they

2:30:44.160 --> 2:30:46.400
<v Speaker 1>come back from Colombia and then they got the cocaine

2:30:46.480 --> 2:30:49.480
<v Speaker 1>on the table and the dude telling him like, like

2:30:49.640 --> 2:30:51.840
<v Speaker 1>what the raided the cocaine is? He like, usually if

2:30:51.879 --> 2:30:55.960
<v Speaker 1>it's like one point, you know, one seventy five the

2:30:56.080 --> 2:31:01.240
<v Speaker 1>purity right, and the ship go five and then they like, yo,

2:31:01.680 --> 2:31:04.160
<v Speaker 1>god damn, where the fun y'all get this? Can I can?

2:31:04.200 --> 2:31:05.720
<v Speaker 1>I can? I do a lot of this ship? And

2:31:05.760 --> 2:31:09.080
<v Speaker 1>then they hit the ship and they're like they're talking,

2:31:09.160 --> 2:31:11.120
<v Speaker 1>and then he just come out of nowhere like I

2:31:11.200 --> 2:31:16.880
<v Speaker 1>can't feel my face. That's that's how I feel right now.

2:31:27.240 --> 2:31:30.560
<v Speaker 1>That's what test like, I'm touching my lips and ship

2:31:30.640 --> 2:31:39.240
<v Speaker 1>myself want im drips. Let me just say something. I

2:31:39.320 --> 2:31:42.720
<v Speaker 1>want to thank you brothers, because I can talk to

2:31:42.760 --> 2:31:44.800
<v Speaker 1>you guys all night. But I know we just have

2:31:45.120 --> 2:31:48.800
<v Speaker 1>the most fun that we could have. So I'm gonna

2:31:48.840 --> 2:31:52.879
<v Speaker 1>I'm gonna end it on the strength of we're loving

2:31:53.000 --> 2:31:55.600
<v Speaker 1>y'all because we're gonna keep going and keep going and

2:31:55.640 --> 2:31:58.280
<v Speaker 1>keep going and you know what, you know, thank you

2:31:58.480 --> 2:32:03.440
<v Speaker 1>for coming ahead because um the basis of our story.

2:32:04.680 --> 2:32:08.120
<v Speaker 1>Uh me and my partner teacher here friend right there.

2:32:08.560 --> 2:32:14.160
<v Speaker 1>It's like, why don't people respect people after they you

2:32:14.240 --> 2:32:19.760
<v Speaker 1>don't have success and continue to do something else like

2:32:19.920 --> 2:32:23.120
<v Speaker 1>what happened? Why don't in hip hop and every other

2:32:23.240 --> 2:32:27.760
<v Speaker 1>genre music, rock and roll, jazz, like you get to

2:32:27.800 --> 2:32:30.680
<v Speaker 1>a certain level and people respect you. People will say

2:32:31.080 --> 2:32:33.480
<v Speaker 1>for the hip hop they give you a milk date,

2:32:34.640 --> 2:32:38.000
<v Speaker 1>like you got an inspiration date, motherfucker by the twenty

2:32:38.080 --> 2:32:45.040
<v Speaker 1>four September such such such better you should be out.

2:32:46.600 --> 2:32:51.920
<v Speaker 1>And then Caress One, which was one of my favorite rappers, said,

2:32:51.920 --> 2:32:57.440
<v Speaker 1>why would you say because you're attracted? Huh So I

2:32:57.600 --> 2:33:02.360
<v Speaker 1>hope his message is correct because as a person get old,

2:33:02.440 --> 2:33:04.920
<v Speaker 1>as a person, continue to put it working hip hop

2:33:05.280 --> 2:33:08.080
<v Speaker 1>and we continue to salute them. I want, I want

2:33:08.240 --> 2:33:16.039
<v Speaker 1>with Carresstress Caress One message to be down. Why would

2:33:16.040 --> 2:33:21.560
<v Speaker 1>you say because you're attracted. So at one point I

2:33:21.680 --> 2:33:24.520
<v Speaker 1>heard people say, you know because Jay said, you know,

2:33:26.000 --> 2:33:31.520
<v Speaker 1>let me saying, he said, you guys on Instagram putting

2:33:31.640 --> 2:33:37.320
<v Speaker 1>money to your air that ain't running over here. And

2:33:37.440 --> 2:33:39.800
<v Speaker 1>I understood what he meant. He would this in the

2:33:40.160 --> 2:33:45.520
<v Speaker 1>young generation. He was understanding, go get a black card. Yeah, man,

2:33:45.640 --> 2:33:50.320
<v Speaker 1>go get some credit, go get something, Go buy a vehicle, go,

2:33:50.720 --> 2:34:00.040
<v Speaker 1>you know, so you can actually what people too that

2:34:00.200 --> 2:34:08.160
<v Speaker 1>as it was disrespect because of his elderness. So before

2:34:08.560 --> 2:34:10.840
<v Speaker 1>that I went came out what we wanted to do.

2:34:11.120 --> 2:34:14.480
<v Speaker 1>We we wanted to say, the older you became in

2:34:14.600 --> 2:34:18.600
<v Speaker 1>hip hop, the more you just kept reading supreme in

2:34:18.720 --> 2:34:22.520
<v Speaker 1>hip hop, you want to salute that, you want to

2:34:22.600 --> 2:34:27.080
<v Speaker 1>respect that. We want to sit back and what's actually

2:34:27.200 --> 2:34:33.760
<v Speaker 1>called the scope, the like when the aunt comes and

2:34:33.959 --> 2:34:45.240
<v Speaker 1>put the man with the magnifying glass. Oh yeah, that too.

2:34:45.600 --> 2:34:48.520
<v Speaker 1>But we want with the magnifying glass of our CEOs,

2:34:48.600 --> 2:34:52.240
<v Speaker 1>the people that come out here and help keep pushing

2:34:52.320 --> 2:34:55.240
<v Speaker 1>hip hop forward, because the thing about it, hip hop

2:34:55.280 --> 2:34:57.520
<v Speaker 1>should be his own religion. Hip hop should be its

2:34:57.600 --> 2:35:01.640
<v Speaker 1>own gospel. It's be its own race, like people should

2:35:02.600 --> 2:35:05.840
<v Speaker 1>at some point in the near future, people should register

2:35:06.400 --> 2:35:09.560
<v Speaker 1>you know, black white, you know, and then hip hop,

2:35:09.720 --> 2:35:20.880
<v Speaker 1>hip hop, bird up, bring back the right up to relax. Nah,

2:35:21.320 --> 2:35:24.440
<v Speaker 1>but you should know. But you're right, you're right. But

2:35:24.600 --> 2:35:26.840
<v Speaker 1>this is a different moment in life from some mama,

2:35:27.200 --> 2:35:29.960
<v Speaker 1>like at the end of the day when people should

2:35:30.000 --> 2:35:34.800
<v Speaker 1>register the vote, we should register hip hop like hip hop.

2:35:34.800 --> 2:35:39.360
<v Speaker 1>I'm I'm on, you can tell me to play. We

2:35:39.360 --> 2:35:44.400
<v Speaker 1>should register hip hop because that's what we did with Borraq.

2:35:45.120 --> 2:35:47.720
<v Speaker 1>It wasn't it wasn't a race thing. I think like

2:35:47.840 --> 2:35:50.320
<v Speaker 1>it was a race thing. But we knew he was

2:35:50.480 --> 2:35:55.680
<v Speaker 1>hip hop when we knew. We knew he knew whole

2:35:55.920 --> 2:36:01.800
<v Speaker 1>lyrics because like he knew whole ship. He no ill maggo,

2:36:02.959 --> 2:36:07.280
<v Speaker 1>let's vote for that name. Yeah, vote for Jesse. Let's

2:36:07.280 --> 2:36:10.680
<v Speaker 1>just keep it real. I was dead. I was like, Jessie,

2:36:10.720 --> 2:36:16.120
<v Speaker 1>I'm much you. You voted for Jesse Jesse Jackson. Yeah, No,

2:36:16.400 --> 2:36:22.720
<v Speaker 1>I won't get nobody nobody about he voted for Jesse.

2:36:23.040 --> 2:36:24.800
<v Speaker 1>But I'm trying to take something down right now, he's

2:36:27.600 --> 2:36:31.320
<v Speaker 1>you're still singing that. I expect that. I can always

2:36:31.400 --> 2:36:35.040
<v Speaker 1>recognize a single nigga right now, I can always recognize

2:36:35.040 --> 2:36:38.720
<v Speaker 1>the single nigga drinking more talking about he don't get

2:36:38.840 --> 2:36:41.360
<v Speaker 1>everybody here. You understand it and he don't even know.

2:36:44.040 --> 2:36:54.320
<v Speaker 1>But your side language game is because you know what,

2:36:54.360 --> 2:36:56.640
<v Speaker 1>I want to spoke a cigarette, but I'm gonna spoke

2:36:56.720 --> 2:36:59.000
<v Speaker 1>with some week. But what I'm trying to tell y'all

2:37:01.920 --> 2:37:07.560
<v Speaker 1>hip hop started on the park respected Puerto Rico Islands

2:37:07.760 --> 2:37:14.000
<v Speaker 1>before the fucking United States. Absolutely, absolutely still was that

2:37:15.600 --> 2:37:19.039
<v Speaker 1>the Puerto Rico's a hip hop hip hop came. Did

2:37:19.080 --> 2:37:21.160
<v Speaker 1>you did you? Did you realize that? I'm sorry I

2:37:21.520 --> 2:37:24.280
<v Speaker 1>got political on y'all this This wasn't a part of

2:37:24.360 --> 2:37:31.720
<v Speaker 1>the program like that. Don't blame that's right there ahead.

2:37:33.560 --> 2:37:36.200
<v Speaker 1>Did you see hip hop come to the aid a

2:37:36.320 --> 2:37:42.720
<v Speaker 1>Puerto Rico before president before? It's still our president still

2:37:42.800 --> 2:37:45.560
<v Speaker 1>has an Absolutely he didn't let the man. He did

2:37:45.760 --> 2:37:49.080
<v Speaker 1>what I'm saying, it's still what he's doing is not enough.

2:37:49.840 --> 2:37:53.240
<v Speaker 1>And hip hop, the community is still coming to private

2:37:53.320 --> 2:37:56.400
<v Speaker 1>citizens are helping Porto. And then I see it in

2:37:56.440 --> 2:37:58.840
<v Speaker 1>the Atlanta one year you had two ft of snow

2:37:58.920 --> 2:38:05.720
<v Speaker 1>and y'all y'all went crazy. This is not huh. Atlanta

2:38:05.840 --> 2:38:09.560
<v Speaker 1>never had a christis no no. But how do you

2:38:09.640 --> 2:38:14.080
<v Speaker 1>feel as Americans seeing that happened. I mean, that's I

2:38:14.160 --> 2:38:16.960
<v Speaker 1>think I think that's the that's the beauty of hip hop. Though,

2:38:17.440 --> 2:38:20.120
<v Speaker 1>I think it's like we shouldn't be surprised because that's

2:38:20.120 --> 2:38:22.960
<v Speaker 1>what hip hop does anyway. Hip hop has introduced people

2:38:23.000 --> 2:38:27.880
<v Speaker 1>to everybody to different something completely, you know what I mean? Like,

2:38:28.720 --> 2:38:30.680
<v Speaker 1>you know, I don't I don't even know if that

2:38:31.040 --> 2:38:34.600
<v Speaker 1>Like when I was first started making music, I don't

2:38:34.600 --> 2:38:38.240
<v Speaker 1>think it's no Puerto Rican girls in Atlanta. He I mean,

2:38:38.280 --> 2:38:40.160
<v Speaker 1>I don't think it was no girls in the fil

2:38:40.600 --> 2:38:44.080
<v Speaker 1>I know his friends, well, they wasn't not around in

2:38:44.120 --> 2:38:48.720
<v Speaker 1>College Park. I'm just saying. So it's like hip hop

2:38:48.840 --> 2:38:52.800
<v Speaker 1>introduce you to that type of woman. Hip hop introduced

2:38:52.840 --> 2:38:56.360
<v Speaker 1>you to, you know, going to the Dominican Republic, like

2:38:56.520 --> 2:39:00.160
<v Speaker 1>we went to dr for what we went there for. Um,

2:39:00.360 --> 2:39:05.560
<v Speaker 1>it's like a music it's like a big conference. Yea. Yeah,

2:39:05.600 --> 2:39:12.280
<v Speaker 1>he better remember he was wound over too much, too

2:39:12.360 --> 2:39:33.720
<v Speaker 1>much liquor. Let's give him start, give him the story. Good, Okay,

2:39:33.720 --> 2:39:36.760
<v Speaker 1>I gotta tell you all, Just gotta tell you because

2:39:36.760 --> 2:39:38.840
<v Speaker 1>I'm dropped and I need some food. I played the

2:39:38.879 --> 2:39:41.920
<v Speaker 1>FI we got you, we got ain't They worked him

2:39:41.920 --> 2:39:51.000
<v Speaker 1>all right? Listen I'm dropped up, hell up and go

2:39:51.160 --> 2:39:55.600
<v Speaker 1>to d R we out there for this convention. It's uh,

2:39:57.080 --> 2:40:02.040
<v Speaker 1>I don't know who convintion it's a DJ convention. And

2:40:04.240 --> 2:40:10.440
<v Speaker 1>these Dominican girls come back sounds like a bastard, and

2:40:10.520 --> 2:40:14.200
<v Speaker 1>they don't speak no English, right, and we don't speak

2:40:15.240 --> 2:40:17.960
<v Speaker 1>Spanish exactly, so it's just like a whole bunch of

2:40:18.040 --> 2:40:22.480
<v Speaker 1>just funked up, like what's going on? But do you know?

2:40:23.360 --> 2:40:27.560
<v Speaker 1>And every language getting naked is the same talk and

2:40:27.840 --> 2:40:36.360
<v Speaker 1>getting naked. Yeah, So this guy I go back into

2:40:36.840 --> 2:40:38.480
<v Speaker 1>I go in the room, but I was in there

2:40:39.640 --> 2:40:46.199
<v Speaker 1>fucking this Dominican girl getting around that one and he's

2:40:46.240 --> 2:40:51.119
<v Speaker 1>talking to her crazy. It's mad. It's not you learned,

2:40:51.120 --> 2:40:54.840
<v Speaker 1>saying he learned speaking crazy ship in the world to

2:40:54.959 --> 2:40:59.080
<v Speaker 1>this girl and she don't understand nothing he's saying. It's

2:40:59.240 --> 2:41:04.480
<v Speaker 1>like spens. I'm like, it's not even everything for us

2:41:04.560 --> 2:41:09.400
<v Speaker 1>because she don't know what the talking. Yeo, I'm not

2:41:09.520 --> 2:41:12.600
<v Speaker 1>saying this thing was talking to a president. I'm saying

2:41:13.040 --> 2:41:15.360
<v Speaker 1>the craziest ship in the world that you can fox

2:41:15.480 --> 2:41:19.360
<v Speaker 1>me say to her. He's sacking it, sir, Yeah for me, dude,

2:41:28.120 --> 2:41:36.160
<v Speaker 1>me for listen. By the way, I was there why

2:41:36.240 --> 2:41:38.880
<v Speaker 1>this was happening, and I couldn't believe it. That's why

2:41:38.920 --> 2:41:42.440
<v Speaker 1>I'm telling you because I'm like this niggers sucking to her. Okay,

2:41:42.520 --> 2:41:45.360
<v Speaker 1>she don't know, she don't have nothing, he's saying. He's

2:41:45.400 --> 2:41:48.080
<v Speaker 1>saying it to her, like you you gotta come on.

2:41:49.680 --> 2:41:53.600
<v Speaker 1>She's like, what the what are you talking about? Yeah?

2:41:54.160 --> 2:41:57.200
<v Speaker 1>This thing? It was wow? Okay before we go to

2:41:57.280 --> 2:42:03.320
<v Speaker 1>bout rocks, go right to you. You did. Look he's crying.

2:42:03.440 --> 2:42:10.840
<v Speaker 1>Look but what what? What? What made you know that?

2:42:11.520 --> 2:42:18.600
<v Speaker 1>That was? Is another door with it about? It's the same.

2:42:20.160 --> 2:42:22.080
<v Speaker 1>Now we're in the same room. I mean, we're in

2:42:22.120 --> 2:42:25.280
<v Speaker 1>the same say about we got a house. We got

2:42:25.360 --> 2:42:28.520
<v Speaker 1>a house. So what happened about? I mean he pretty

2:42:28.600 --> 2:42:32.400
<v Speaker 1>much said it just the day. I was wilding. I

2:42:32.520 --> 2:42:34.560
<v Speaker 1>was wigging because you know, it was fun. I was like,

2:42:34.600 --> 2:42:35.760
<v Speaker 1>you know what I'm saying. I was like, ship, you

2:42:35.800 --> 2:42:38.160
<v Speaker 1>don't know. I was like, this is like practice for

2:42:38.280 --> 2:42:40.080
<v Speaker 1>when I want to talk to an American girl like this,

2:42:40.640 --> 2:42:47.840
<v Speaker 1>So I was like I expect. I was like, yo, fun,

2:42:48.000 --> 2:42:49.760
<v Speaker 1>we're gonna have some fun. It's my first time. And

2:42:49.840 --> 2:42:55.320
<v Speaker 1>then we really took the jack really took Germany for

2:42:55.440 --> 2:42:58.280
<v Speaker 1>some reason. So I was like talking. It's like Jay

2:42:58.320 --> 2:43:00.760
<v Speaker 1>got the plane. We had to girls in there, and

2:43:00.800 --> 2:43:04.160
<v Speaker 1>I was just like fuck it. I was just charged up.

2:43:04.200 --> 2:43:06.080
<v Speaker 1>We had had a good time. I had a good time,

2:43:06.400 --> 2:43:08.320
<v Speaker 1>for sure, at a good time. I had never seen

2:43:08.360 --> 2:43:11.720
<v Speaker 1>no crazy ship like that in my life. What did

2:43:11.720 --> 2:43:14.879
<v Speaker 1>you talk about? I don't understand saying crazy. I'm saying

2:43:14.920 --> 2:43:18.120
<v Speaker 1>the girl don't understand you. He's talking to her like

2:43:18.240 --> 2:43:22.720
<v Speaker 1>she suck my dicks? What did she do? Such as la?

2:43:26.040 --> 2:43:32.160
<v Speaker 1>He's so, where were the instructions going? I try to

2:43:32.320 --> 2:43:42.600
<v Speaker 1>understand what you're saying. You said suck my Wait wait listen,

2:43:45.240 --> 2:43:48.080
<v Speaker 1>by the way, listen, before I came over here, I

2:43:48.200 --> 2:43:52.800
<v Speaker 1>told me he's like, don't talk about how about called

2:43:52.840 --> 2:43:56.360
<v Speaker 1>me and say you're jad. He's going with these stories.

2:43:56.800 --> 2:43:59.880
<v Speaker 1>So I'm trying to get these niggas some stories. That's right.

2:44:02.360 --> 2:44:06.200
<v Speaker 1>I'll give you the challenge. I'm just giving y'all some

2:44:06.320 --> 2:44:15.080
<v Speaker 1>exclusive ship you back. We got to ask you because

2:44:15.080 --> 2:44:21.400
<v Speaker 1>I think about the whole time all. That's what I

2:44:22.280 --> 2:44:24.040
<v Speaker 1>I'm not lying on it. I'm telling you to act

2:44:24.080 --> 2:44:29.040
<v Speaker 1>you real ship know lies? You know what. By the way,

2:44:29.200 --> 2:44:32.840
<v Speaker 1>I get mad about my life right because my life

2:44:32.920 --> 2:44:37.440
<v Speaker 1>is so real. It's just so real. It's I see

2:44:37.520 --> 2:44:41.040
<v Speaker 1>so much ship that niggas ain't never seen. So I

2:44:41.240 --> 2:44:43.440
<v Speaker 1>like these type of opportunities where I can tell y'all

2:44:43.480 --> 2:44:46.960
<v Speaker 1>ship and say ship, because I be I've seen so

2:44:47.280 --> 2:44:51.160
<v Speaker 1>much since I was twelve that nobody ain't never seen.

2:44:52.600 --> 2:44:55.440
<v Speaker 1>You know what I mean? Like, so it's crazy that

2:44:55.560 --> 2:44:57.680
<v Speaker 1>you have to keep all of this ship like in

2:44:58.200 --> 2:45:01.840
<v Speaker 1>your give us. You gotta give it out. That's what

2:45:01.879 --> 2:45:05.320
<v Speaker 1>I'm saying. We need more, two more hours, Okay, give

2:45:05.360 --> 2:45:06.959
<v Speaker 1>it up. You gotta give it out. So I ain't

2:45:06.959 --> 2:45:11.240
<v Speaker 1>gonna lie. I've been holding my pep since listen. I

2:45:11.320 --> 2:45:18.240
<v Speaker 1>looked at times let as no, no, listen, let me

2:45:18.320 --> 2:45:23.800
<v Speaker 1>take something, damn miss e leven o'clock listen listen to ship. No,

2:45:24.440 --> 2:45:31.120
<v Speaker 1>you gotta relax. You gotta relax. You got relax. You

2:45:31.200 --> 2:45:35.440
<v Speaker 1>gotta see that you relax. Got This is what we

2:45:35.560 --> 2:45:40.480
<v Speaker 1>do because seeing hip hop, they give us an expiration

2:45:40.600 --> 2:46:03.280
<v Speaker 1>day like yo, right was picking the way to listen.

2:46:03.800 --> 2:46:13.400
<v Speaker 1>That's their ways, twin and that's the cocaine. Cocaine, cocaine,

2:46:14.360 --> 2:46:26.840
<v Speaker 1>oh ye, cocaine, fucking aybody. I want to I really

2:46:26.879 --> 2:46:31.160
<v Speaker 1>want to say this that I'm sorry, man, your SCE

2:46:33.720 --> 2:46:38.120
<v Speaker 1>was trolling when I did the rap Radar ship. I

2:46:38.200 --> 2:46:41.360
<v Speaker 1>think it's going so hard on me. Yes, I why

2:46:41.400 --> 2:46:46.120
<v Speaker 1>the fund you want them show on Twitter? Going stupid

2:46:49.400 --> 2:46:51.440
<v Speaker 1>that one call me like, Yo, you gotta do Norrise

2:46:51.520 --> 2:46:53.600
<v Speaker 1>show man that nigga show this ship. You gotta go

2:46:53.760 --> 2:46:56.000
<v Speaker 1>do that nigga show. You did the wrong show first.

2:46:56.280 --> 2:46:58.400
<v Speaker 1>I didn't wrong. You didn't want to show first. I

2:46:58.520 --> 2:47:00.320
<v Speaker 1>was gonna bring it up, but you did, so I

2:47:00.440 --> 2:47:04.640
<v Speaker 1>felt like I got out there. I was like, come on,

2:47:04.760 --> 2:47:07.400
<v Speaker 1>slot them niggas wasn't out. You do remember reading or

2:47:07.480 --> 2:47:13.480
<v Speaker 1>Nevada when we was out there. You remember you Impact

2:47:14.040 --> 2:47:17.240
<v Speaker 1>listen by the way Impact a conference and you know

2:47:17.480 --> 2:47:20.040
<v Speaker 1>you know what. I know what I and you know what.

2:47:20.640 --> 2:47:23.560
<v Speaker 1>You know there were shot niggas that moved when the

2:47:23.600 --> 2:47:26.880
<v Speaker 1>West Coast niggas came. And I remember j D standing

2:47:26.959 --> 2:47:30.080
<v Speaker 1>there with me, like he he stood there. I was there,

2:47:30.320 --> 2:47:33.040
<v Speaker 1>but j D was right there. I remember he not moving.

2:47:33.800 --> 2:47:36.600
<v Speaker 1>So I said, damn, that's my nigga, Like I know

2:47:36.720 --> 2:47:40.560
<v Speaker 1>we never officially said that, but I appreciate it. When

2:47:40.680 --> 2:47:44.680
<v Speaker 1>all the East Coast niggas when up stairs. And that's

2:47:44.680 --> 2:47:47.200
<v Speaker 1>how I met E forty because E forty came to

2:47:47.280 --> 2:47:50.000
<v Speaker 1>me and said, damn anybody for the East Coast went

2:47:50.080 --> 2:47:52.240
<v Speaker 1>up and I'm the only nigger that actually got a

2:47:52.680 --> 2:47:56.760
<v Speaker 1>fucking record this in the West Coast. And I wasn't

2:47:56.800 --> 2:47:58.720
<v Speaker 1>this in them, but I was standing up for my

2:47:58.879 --> 2:48:03.119
<v Speaker 1>coat l a lay and I stood there and one

2:48:03.160 --> 2:48:06.400
<v Speaker 1>of the only other motherfucker's that stood there was this

2:48:06.600 --> 2:48:09.920
<v Speaker 1>Nix And then this is how note it's done Perreon

2:48:10.080 --> 2:48:14.920
<v Speaker 1>story the truth. I said, what you're drinking. I thought

2:48:14.920 --> 2:48:18.560
<v Speaker 1>he's gonna say handy straight and he said dog very all.

2:48:18.680 --> 2:48:22.840
<v Speaker 1>I was like, oh, this ship. I told the grad

2:48:22.959 --> 2:48:26.040
<v Speaker 1>the president of Regulator sitting there, Levine, this nigg is

2:48:26.040 --> 2:48:29.119
<v Speaker 1>the one dog very I'm not moving. I can't move.

2:48:29.640 --> 2:48:31.200
<v Speaker 1>Get that nigga. What do you want? And I bought

2:48:31.280 --> 2:48:34.800
<v Speaker 1>you bas Do you remember that? Yeah? Yeah, I want

2:48:34.840 --> 2:48:37.120
<v Speaker 1>your very. I don want to think you're drinking. I

2:48:37.280 --> 2:48:40.119
<v Speaker 1>told you, just like, alright, cool. You tested me out.

2:48:40.240 --> 2:48:42.320
<v Speaker 1>He was like, all right, cool. And they asked me,

2:48:42.440 --> 2:48:46.640
<v Speaker 1>wh I might have drink that ship. I'm gonna keep

2:48:46.840 --> 2:48:50.760
<v Speaker 1>the black black. No, but that was some real ship.

2:48:50.840 --> 2:48:57.119
<v Speaker 1>Come in. No, that was some real ship, because at

2:48:57.160 --> 2:49:01.160
<v Speaker 1>that time it was either you full fledge East coast,

2:49:01.600 --> 2:49:06.520
<v Speaker 1>like Atlanta was looked at the East coast. Keep it real,

2:49:07.959 --> 2:49:11.160
<v Speaker 1>like we didn't have the division that these kids have now,

2:49:11.400 --> 2:49:13.840
<v Speaker 1>like you gotta be for men Fest. Like it was

2:49:14.080 --> 2:49:16.600
<v Speaker 1>all like it was almost like the NBA, you know,

2:49:16.879 --> 2:49:19.560
<v Speaker 1>like the NBA, the NBA they said this is all

2:49:19.680 --> 2:49:23.279
<v Speaker 1>East coast. They say Miami's East coast, Atlanta's East coast.

2:49:23.840 --> 2:49:27.600
<v Speaker 1>It was almost like that. Yeah, it was like, I'm

2:49:29.800 --> 2:49:33.960
<v Speaker 1>East coast, was East coast. I mean that's what Atlanta is,

2:49:34.040 --> 2:49:36.240
<v Speaker 1>the East coast, though the miamis East coast. It is

2:49:36.320 --> 2:49:39.360
<v Speaker 1>what it is. Yeah, we're all the He's got us

2:49:39.360 --> 2:49:43.760
<v Speaker 1>stick together. You never likes not real. You want to

2:49:43.800 --> 2:49:53.160
<v Speaker 1>claime your soliss that steroids? It's steroids you want. I

2:49:53.160 --> 2:49:57.280
<v Speaker 1>don't give he'd be moving up, man, Come on, it's

2:49:57.280 --> 2:49:59.640
<v Speaker 1>the twist that you see. We met the other twins.

2:49:59.680 --> 2:50:05.840
<v Speaker 1>This is the the twin work out. Yeah, good look

2:50:05.879 --> 2:50:17.120
<v Speaker 1>what's steroids? I know about the creams called It's called maintenance.

2:50:17.920 --> 2:50:20.199
<v Speaker 1>You got you gotta maintain every musch in your body

2:50:20.280 --> 2:50:24.520
<v Speaker 1>every week. That's it. If you maintain everybody, every mussel

2:50:24.560 --> 2:50:30.040
<v Speaker 1>in your body, every week, you'll be It's good. A

2:50:30.080 --> 2:50:38.040
<v Speaker 1>little lady, I'm so sorry, j D. Let me tell

2:50:38.040 --> 2:50:49.400
<v Speaker 1>you something. Man, if a person work alright, you know yeah,

2:50:50.160 --> 2:50:55.000
<v Speaker 1>you come in you know him and Mike's do you

2:50:55.040 --> 2:51:02.959
<v Speaker 1>see him? L a fitness didn't see the different. I'll

2:51:03.000 --> 2:51:07.720
<v Speaker 1>be sliding on my two. What you can do is,

2:51:07.800 --> 2:51:10.000
<v Speaker 1>he asked, now keep it ready? You know you know

2:51:10.160 --> 2:51:21.480
<v Speaker 1>this eat You're I have no choice now but to

2:51:21.560 --> 2:51:26.640
<v Speaker 1>become a professional as eater. There an't go so they

2:51:26.760 --> 2:51:32.640
<v Speaker 1>come to my room. I'm a professional ass eater or

2:51:32.680 --> 2:51:37.000
<v Speaker 1>now choice? You know my god, she's getting bigger now

2:51:37.240 --> 2:51:39.920
<v Speaker 1>side that should getting thicker when they get us, because

2:51:39.920 --> 2:51:41.600
<v Speaker 1>you know so, I'm just wearing the little bit and

2:51:41.640 --> 2:51:44.960
<v Speaker 1>go on. You know hey, but look, hey they can

2:51:45.480 --> 2:51:47.720
<v Speaker 1>to son. He's like dirty, he's still has a little joint.

2:51:52.560 --> 2:51:56.879
<v Speaker 1>I want Chinese think you said anyway, They don't always relaxed,

2:51:58.240 --> 2:52:00.080
<v Speaker 1>say this is the way it works. You love me,

2:52:00.160 --> 2:52:02.440
<v Speaker 1>you gotta little my twin, you feel me, you love me,

2:52:02.560 --> 2:52:05.040
<v Speaker 1>you gotta love you gotta love both for words, no

2:52:08.760 --> 2:52:12.560
<v Speaker 1>chill chilling? How many can least? How he like, I'm

2:52:12.720 --> 2:52:14.760
<v Speaker 1>like yo, I see a passage in the club. I

2:52:14.840 --> 2:52:16.760
<v Speaker 1>told my twin, I'm like yo, you gotta funk her

2:52:16.800 --> 2:52:19.120
<v Speaker 1>from me? Mon nigga and he goes and bags and

2:52:19.160 --> 2:52:26.600
<v Speaker 1>foxing from me like that's fat, Like this, I can't

2:52:26.600 --> 2:52:28.320
<v Speaker 1>beat the dog. He stops on. He you know what

2:52:28.320 --> 2:52:29.800
<v Speaker 1>I'm saying. I'm like, yo, you gotta do what I

2:52:29.879 --> 2:52:32.400
<v Speaker 1>can do for her, you know what I'm saying. But

2:52:32.520 --> 2:52:35.440
<v Speaker 1>we don't shut him. Yeah, he's temporarily out of service

2:52:35.480 --> 2:52:39.200
<v Speaker 1>for the moment. You feel me for Max. I'm gonna

2:52:39.200 --> 2:52:43.600
<v Speaker 1>look again, man, I ain't the first purpose again. Yeah,

2:52:47.760 --> 2:52:50.760
<v Speaker 1>babies only mad ten months? Baby? Let did it. Let's

2:52:51.160 --> 2:52:57.000
<v Speaker 1>get that we are able who money? Right now, let

2:52:57.040 --> 2:52:58.840
<v Speaker 1>me say something. You know, we're sing a little anything.

2:52:59.200 --> 2:53:03.720
<v Speaker 1>You know what the day you died right there now

2:53:03.840 --> 2:53:08.240
<v Speaker 1>when Winwood, this is very good, right, you very bad

2:53:08.400 --> 2:53:11.080
<v Speaker 1>if it used to be very that's because you're like

2:53:11.160 --> 2:53:14.080
<v Speaker 1>a like a fisher Miami guy. Okay, you gotta relax,

2:53:14.600 --> 2:53:18.000
<v Speaker 1>like let's talk about the millennials. All right, it's very good. Now.

2:53:18.440 --> 2:53:23.320
<v Speaker 1>Now we're in like the upgraded section and we're still

2:53:23.400 --> 2:53:26.160
<v Speaker 1>hooding it out j D. So now we gotta take

2:53:26.200 --> 2:53:31.040
<v Speaker 1>one more shot. I'm done, but we don the one

2:53:31.920 --> 2:53:42.200
<v Speaker 1>two the one thing right, right? Shoot one more that's it. No,

2:53:42.400 --> 2:53:44.440
<v Speaker 1>you can take that to go. That's your always right

2:53:45.080 --> 2:53:54.000
<v Speaker 1>back because yo, because j D, I don't thought a

2:53:54.080 --> 2:54:02.160
<v Speaker 1>great job, very good. Oh look look at and that's

2:54:02.240 --> 2:54:05.440
<v Speaker 1>for you and j D, I just want you to

2:54:05.560 --> 2:54:09.920
<v Speaker 1>know we could have got like mad journitorial, what's actually

2:54:09.920 --> 2:54:16.080
<v Speaker 1>going stalistic? Don't want to do that. We are both

2:54:16.240 --> 2:54:20.600
<v Speaker 1>fans and you you know what we do when we're

2:54:20.600 --> 2:54:23.160
<v Speaker 1>about the film people, We just sit there and be

2:54:23.160 --> 2:54:26.160
<v Speaker 1>just listen to the old music. We come here early

2:54:27.520 --> 2:54:29.480
<v Speaker 1>and we just sit there and we just listen to

2:54:29.560 --> 2:54:37.080
<v Speaker 1>the older everything. We make a playlist Spotify title, Hi us,

2:54:38.120 --> 2:54:43.199
<v Speaker 1>let's give a good playlist how people should be representing.

2:54:45.440 --> 2:54:48.480
<v Speaker 1>And the thing about it is, I guess the reason

2:54:48.520 --> 2:54:50.960
<v Speaker 1>why this show works is because they quote unquote called

2:54:51.000 --> 2:54:54.920
<v Speaker 1>me a hip hop legend. But guess what, even up,

2:54:54.920 --> 2:54:56.840
<v Speaker 1>I'm a hip hop legend. It will never take me

2:54:57.320 --> 2:55:02.000
<v Speaker 1>away and my brother d J fan mixtape king, it

2:55:02.040 --> 2:55:04.200
<v Speaker 1>would never take it away from me not being a

2:55:04.360 --> 2:55:08.720
<v Speaker 1>fan of what originally played out. And I've never been

2:55:09.360 --> 2:55:13.400
<v Speaker 1>scared or afraid to be a fan of anybody. I

2:55:13.600 --> 2:55:17.039
<v Speaker 1>love being a fan. Why not the thing in hip

2:55:17.120 --> 2:55:22.039
<v Speaker 1>hop we stop praising being a fan? Yeah? People being

2:55:22.080 --> 2:55:25.120
<v Speaker 1>afraid of being fast, yo, yo, spread of that Creed

2:55:25.240 --> 2:55:30.320
<v Speaker 1>got hold on home. That's that's a hundred of spray.

2:55:30.400 --> 2:55:37.120
<v Speaker 1>You gotta gonta put this in your go go find

2:55:37.160 --> 2:55:44.040
<v Speaker 1>some business because little business overhead. Happy mother. But but

2:55:44.800 --> 2:55:46.200
<v Speaker 1>you know this is my nigga. You know you know

2:55:46.320 --> 2:55:48.480
<v Speaker 1>twin good you could do whatever funk you want to do.

2:55:49.040 --> 2:55:54.400
<v Speaker 1>All right, you're gonna pop hold on hot champaign, kill people.

2:55:55.360 --> 2:55:58.120
<v Speaker 1>You already know. So what I what I want to

2:55:58.160 --> 2:56:04.160
<v Speaker 1>continue to do, to continue to praise our legends d

2:56:04.320 --> 2:56:09.080
<v Speaker 1>D in case you don't claim it. It's like sometimes

2:56:09.160 --> 2:56:11.400
<v Speaker 1>people come to me and be like, you know you

2:56:11.520 --> 2:56:14.800
<v Speaker 1>put the Neptunes on. I'm like, ah, the Laptuns are

2:56:14.800 --> 2:56:17.880
<v Speaker 1>gonna be here. The Neptunes, whoever, whether they gave me

2:56:17.959 --> 2:56:21.000
<v Speaker 1>a record or not, they were talent for the more

2:56:21.080 --> 2:56:25.320
<v Speaker 1>though you did for them. But that's my way of me.

2:56:26.040 --> 2:56:29.040
<v Speaker 1>You know what you for them on? Thank you, Thank you.

2:56:30.640 --> 2:56:34.120
<v Speaker 1>But I don't want you to ever forget what you

2:56:34.280 --> 2:56:42.760
<v Speaker 1>did for the whole Northern East Coast and hemisphere. You know,

2:56:44.040 --> 2:56:46.840
<v Speaker 1>we didn't know what was happening in the LANDA. We

2:56:46.959 --> 2:56:52.600
<v Speaker 1>didn't help. What's the hotels they had? Yeah, YEA had

2:56:52.640 --> 2:56:56.160
<v Speaker 1>the hotel forget it. It was like, no that's a

2:56:56.200 --> 2:56:58.920
<v Speaker 1>switz Echel that came later that was next to the

2:56:59.040 --> 2:57:02.840
<v Speaker 1>Linux the More. Yeah you think I don't know them. Yeah,

2:57:03.160 --> 2:57:05.520
<v Speaker 1>And they had moved Chris under that too, and then

2:57:05.520 --> 2:57:09.400
<v Speaker 1>they also had and also had the Polling restaurant. I've

2:57:09.440 --> 2:57:12.880
<v Speaker 1>been doing different areas, you know. But it was like

2:57:13.080 --> 2:57:18.920
<v Speaker 1>King like Quinto, Queen Quint like, you know, my first

2:57:19.200 --> 2:57:21.280
<v Speaker 1>first business to atlant I was hurting. So I went

2:57:21.360 --> 2:57:26.920
<v Speaker 1>to Quinto. It's like, it's like forty and then I realized,

2:57:26.959 --> 2:57:31.560
<v Speaker 1>I said, Damn, these niggas moved the same way. They

2:57:31.680 --> 2:57:35.800
<v Speaker 1>allegate the same way they but they got accents and

2:57:35.920 --> 2:57:38.880
<v Speaker 1>I said, I was in New York. We retard. It

2:57:39.080 --> 2:57:42.119
<v Speaker 1>was rules. You know, you don't go to a strip

2:57:42.200 --> 2:57:46.400
<v Speaker 1>club in New York. That's what we want it too.

2:57:46.480 --> 2:57:48.560
<v Speaker 1>If you go to the strip club, you don't throw money,

2:57:50.160 --> 2:57:54.959
<v Speaker 1>go too, you don't take the ships. Three. I did

2:57:55.080 --> 2:58:00.880
<v Speaker 1>all that my first week in Miami. But in Atlanta

2:58:01.480 --> 2:58:04.240
<v Speaker 1>when Players Club, I'm gonna tell you what trans the

2:58:04.280 --> 2:58:09.080
<v Speaker 1>whole ship when player when Players Club came out and

2:58:09.560 --> 2:58:14.040
<v Speaker 1>ice Cube focused on Atlanta strip club, you know what

2:58:14.120 --> 2:58:18.160
<v Speaker 1>I'm saying. And then when I went to Atlanta, I

2:58:18.240 --> 2:58:20.920
<v Speaker 1>don't think the only club that's still open from back then,

2:58:20.959 --> 2:58:26.440
<v Speaker 1>this Massi City. That's the only I'm correct, Yes, like

2:58:26.640 --> 2:58:31.760
<v Speaker 1>there was other clubs. There was, Honestly, I just came later, right,

2:58:32.680 --> 2:58:37.039
<v Speaker 1>came read later, and you guys introduced the strip club.

2:58:37.280 --> 2:58:42.640
<v Speaker 1>Even though Miami has been hip hop culture of Miamia. No,

2:58:42.840 --> 2:58:45.320
<v Speaker 1>but what I'm saying through hip hop hip hop here too,

2:58:45.920 --> 2:58:48.800
<v Speaker 1>we're to live and all of them and Luke and everybody. Yeah,

2:58:48.800 --> 2:58:51.200
<v Speaker 1>but we we we can give you to Atlanta. We

2:58:51.360 --> 2:58:54.400
<v Speaker 1>made it. We made the strippers famous. I mean, we

2:58:54.440 --> 2:58:59.400
<v Speaker 1>can battle that in my own name one Triple Brad

2:58:59.640 --> 2:59:06.440
<v Speaker 1>to start, who what's the name rap from? Yeah, shutting Rad.

2:59:07.360 --> 2:59:14.520
<v Speaker 1>That's only one though. One said. I'm saying, like listen,

2:59:15.240 --> 2:59:17.600
<v Speaker 1>I'm just saying like to like. I just think to

2:59:17.760 --> 2:59:20.520
<v Speaker 1>like birth y'all. Y'all gave birth to the death because

2:59:20.600 --> 2:59:22.879
<v Speaker 1>when I was Atta, you can't even touch a girl

2:59:22.920 --> 2:59:25.160
<v Speaker 1>in Atlanta in the strip club. You can't get a

2:59:25.240 --> 2:59:28.280
<v Speaker 1>real lap dance. You can't get in Miami. You can

2:59:28.360 --> 2:59:31.240
<v Speaker 1>get full all lap dance everything. See you know what

2:59:31.320 --> 2:59:33.240
<v Speaker 1>I'm saying. I don't know what time I stupid to

2:59:33.320 --> 2:59:41.280
<v Speaker 1>this from the nineties. I'm talking about Miami Atlanta, Miami,

2:59:41.400 --> 2:59:44.080
<v Speaker 1>and Atlanta is the only place where it's real strip clubs.

2:59:44.120 --> 2:59:48.000
<v Speaker 1>That absolutely, I believe that your true strip clubs. You

2:59:48.080 --> 2:59:53.600
<v Speaker 1>can see a bit hole insides. You're right, you're right.

2:59:53.959 --> 2:59:55.440
<v Speaker 1>But I think what he's saying, this is what we

2:59:55.640 --> 2:59:59.160
<v Speaker 1>can all agree to, is that we broke records. Y'all,

2:59:59.360 --> 3:00:02.440
<v Speaker 1>y'all did with y'all, y'all did y'all in the strip.

3:00:03.000 --> 3:00:05.640
<v Speaker 1>But what we but what we did, we we we

3:00:05.879 --> 3:00:08.840
<v Speaker 1>made the strippers famous in Atlanta. That's what we did.

3:00:09.240 --> 3:00:14.840
<v Speaker 1>Like white chocolate sugar, uh man, Like we started making

3:00:14.879 --> 3:00:19.000
<v Speaker 1>the the strippers. The strippers became Like I mean, I'm

3:00:19.040 --> 3:00:22.320
<v Speaker 1>probably a bad ambassador for the strippers being famous in Miami,

3:00:22.400 --> 3:00:25.600
<v Speaker 1>but I guarantee you made a lot of strippers in

3:00:25.680 --> 3:00:29.119
<v Speaker 1>Miami famous. Tim, I mean, you got something. But I'm

3:00:29.160 --> 3:00:33.760
<v Speaker 1>saying that that focus became. Atlanta's focus was like the strippers. Right.

3:00:33.840 --> 3:00:35.680
<v Speaker 1>It was a club called the Gentleman's Club, and they

3:00:35.800 --> 3:00:39.480
<v Speaker 1>used to focus on like the hottest strip of a month. Right,

3:00:39.600 --> 3:00:41.920
<v Speaker 1>you go to the club, you you see the girl

3:00:41.959 --> 3:00:43.360
<v Speaker 1>as soon as you walk in the club. They got

3:00:43.400 --> 3:00:45.720
<v Speaker 1>a big old sign out there like this is stripper

3:00:45.720 --> 3:00:47.760
<v Speaker 1>of the month. Right, The strip of the month, so

3:00:47.840 --> 3:00:50.800
<v Speaker 1>you start, we must go to the clubs for that girl.

3:00:53.840 --> 3:00:57.120
<v Speaker 1>We had stripper of the day in Miami, you know

3:00:57.160 --> 3:00:58.560
<v Speaker 1>what I mean? And that to me, that's that's what

3:00:58.720 --> 3:01:01.120
<v Speaker 1>the strip club is lost. Now, the strip clubs. I

3:01:01.200 --> 3:01:04.680
<v Speaker 1>just think that don't focus on the South. The strip

3:01:04.720 --> 3:01:11.119
<v Speaker 1>club culture is a Southern thing. I'm saying, yeah. Two,

3:01:11.920 --> 3:01:14.760
<v Speaker 1>and before we end, before before the thing is, we

3:01:14.959 --> 3:01:18.520
<v Speaker 1>broke records in the strip club in the South, in Miami,

3:01:18.760 --> 3:01:21.120
<v Speaker 1>in Atlanta, I'm assuming like that's the way you broke record.

3:01:21.160 --> 3:01:23.240
<v Speaker 1>This are two things I gotta gotta. I gotta get

3:01:23.400 --> 3:01:27.560
<v Speaker 1>established before you get out of here. All right. When

3:01:27.600 --> 3:01:31.039
<v Speaker 1>you think the strip club culture, it's as a person

3:01:31.120 --> 3:01:37.160
<v Speaker 1>from New Yorker East Coaster, I always think Miami or Atlanta,

3:01:37.600 --> 3:01:42.520
<v Speaker 1>all right. And for a strange reason, every time I

3:01:42.600 --> 3:01:52.200
<v Speaker 1>think about Lemon Pepper, I think about, yeah, yeah, motherfucker. No,

3:01:52.360 --> 3:01:57.440
<v Speaker 1>he's taking the stripper Lemon Pepper, motherfucker. I need to understand. Now,

3:01:58.040 --> 3:02:00.960
<v Speaker 1>you from more high right from New York for me,

3:02:01.040 --> 3:02:08.200
<v Speaker 1>and you gotta ask, and you from Miami. Correct, listen,

3:02:08.560 --> 3:02:11.039
<v Speaker 1>Let's do a game show, all right, let's go. Let's

3:02:11.080 --> 3:02:14.960
<v Speaker 1>do a game show. I don't want to say, where

3:02:15.000 --> 3:02:18.680
<v Speaker 1>did the strip club culture start? And I want to

3:02:18.720 --> 3:02:26.400
<v Speaker 1>see which one of y'all say it started anywhere? An okay,

3:02:26.440 --> 3:02:31.120
<v Speaker 1>so severywhere, bro. Second, I'm saying, like, no strip coach

3:02:34.240 --> 3:02:36.760
<v Speaker 1>sex she at some point. That's the reason why New

3:02:36.840 --> 3:02:39.200
<v Speaker 1>York didn't mess with strip club culture because we thought

3:02:39.320 --> 3:02:41.840
<v Speaker 1>you had to buy sex and all that. You didn't

3:02:41.879 --> 3:02:47.520
<v Speaker 1>understand the movie. Actually y'all have pasties in the club.

3:02:47.600 --> 3:02:51.480
<v Speaker 1>That's horrible, man, Okay, you win, you win that. But

3:02:51.920 --> 3:02:55.320
<v Speaker 1>after we've seen the movie Players Club, New Yorkers was like, oh,

3:02:56.440 --> 3:03:00.240
<v Speaker 1>that's what they do. They go there to check hill.

3:03:01.000 --> 3:03:05.320
<v Speaker 1>We didn't know that. You don't agree with me, are

3:03:05.440 --> 3:03:11.119
<v Speaker 1>with way too young on this one. Stay out, Stay

3:03:11.160 --> 3:03:15.800
<v Speaker 1>out because you're my brother. But Way to the Street

3:03:16.120 --> 3:03:20.960
<v Speaker 1>was almost like being in a club. Jad you no more,

3:03:21.320 --> 3:03:24.720
<v Speaker 1>just no mind to us. We're just here talking. But

3:03:25.760 --> 3:03:30.360
<v Speaker 1>at that time, when the Players Club came out the movie,

3:03:30.400 --> 3:03:36.960
<v Speaker 1>you remember that, that's the first time New Yorkers realized

3:03:37.040 --> 3:03:42.680
<v Speaker 1>that Southerners y'all actually go to strip club that chail, Wait,

3:03:42.760 --> 3:03:46.000
<v Speaker 1>but what year was Players Club? Because I could imagine

3:03:46.240 --> 3:03:48.080
<v Speaker 1>we got a guy he got to google in front

3:03:48.120 --> 3:03:50.800
<v Speaker 1>of him, because before that movie came out, y'all was

3:03:50.879 --> 3:03:54.320
<v Speaker 1>already coming down to Miami for it wasn't it was

3:03:54.400 --> 3:03:58.199
<v Speaker 1>starting Luke's peep show. It was not working with strip clubs.

3:03:58.320 --> 3:04:01.119
<v Speaker 1>J Strip Clubs was like this, he's talking about New York.

3:04:01.200 --> 3:04:03.200
<v Speaker 1>I'm just saying, by the way, by the way, I'm

3:04:03.200 --> 3:04:04.920
<v Speaker 1>gonna say this, but but I'm saying it was coming

3:04:05.920 --> 3:04:08.080
<v Speaker 1>was coming down. Let me just say this, like, what

3:04:08.200 --> 3:04:10.400
<v Speaker 1>are you talking about with the New York ship? Like

3:04:11.120 --> 3:04:15.480
<v Speaker 1>when I put out, when I put out to us

3:04:16.680 --> 3:04:31.480
<v Speaker 1>and I put out the young bloods, rightod is coming here.

3:04:33.560 --> 3:04:39.120
<v Speaker 1>So when I put these records out, um, case Slate,

3:04:39.680 --> 3:04:43.480
<v Speaker 1>Case l he tried to he was dissing me. He

3:04:43.560 --> 3:04:44.920
<v Speaker 1>was mad at me. I don't know why, but I

3:04:45.040 --> 3:04:47.640
<v Speaker 1>never I don't know what it was, but Case Slay

3:04:47.760 --> 3:04:50.800
<v Speaker 1>has said that, Like one of my street team guys

3:04:50.879 --> 3:04:53.680
<v Speaker 1>went out and they just saying that. Case Slate was like, Yo,

3:04:53.840 --> 3:04:56.440
<v Speaker 1>if you bring another one of these Southern records in here,

3:04:57.800 --> 3:05:00.280
<v Speaker 1>really not with this ship. This is before New York

3:05:00.320 --> 3:05:02.080
<v Speaker 1>sounded a little way in New York sounds right now

3:05:02.120 --> 3:05:08.640
<v Speaker 1>because so so so the strict club era where he's

3:05:08.680 --> 3:05:13.480
<v Speaker 1>talking about in New York wasn't on this right. So

3:05:14.560 --> 3:05:16.960
<v Speaker 1>I New York had their own way that they were

3:05:17.000 --> 3:05:22.280
<v Speaker 1>doing sues rightdevu in the Bronx, Right. So I went

3:05:22.680 --> 3:05:24.640
<v Speaker 1>to Sues and I was checking out how they were

3:05:24.720 --> 3:05:26.040
<v Speaker 1>going on the Sues and I was like, Yo, you

3:05:26.120 --> 3:05:30.760
<v Speaker 1>know what I'm gonna do Atlanta versus New York. So

3:05:30.879 --> 3:05:33.520
<v Speaker 1>I got every girl from the General's Club, Magic City

3:05:33.920 --> 3:05:36.520
<v Speaker 1>and um Strokers and all these places, and I put

3:05:36.600 --> 3:05:38.160
<v Speaker 1>them on this toolbus. And when I took them to

3:05:38.200 --> 3:05:39.920
<v Speaker 1>New York and we went to New York and we

3:05:40.000 --> 3:05:43.640
<v Speaker 1>did this battle between Atlanta and New York. Amber Rose

3:05:43.720 --> 3:05:46.240
<v Speaker 1>was still stripping at Sues right de vue at this

3:05:46.280 --> 3:05:52.160
<v Speaker 1>particular point time, um and and and it was like

3:05:53.600 --> 3:05:56.600
<v Speaker 1>you could tell like it was a completely different era

3:05:56.800 --> 3:05:59.000
<v Speaker 1>of what was happening in Atlanta compared to what was

3:05:59.080 --> 3:06:01.880
<v Speaker 1>going on in New York. Now, New York looks just

3:06:02.160 --> 3:06:08.480
<v Speaker 1>like Atlanta, strip club sound everything. Back then, y'all killed us. Yeah,

3:06:08.520 --> 3:06:13.400
<v Speaker 1>we killed you because that over we had. But it

3:06:13.480 --> 3:06:15.640
<v Speaker 1>was the culture that you're talking about. We we I

3:06:15.760 --> 3:06:18.039
<v Speaker 1>brought that to New York with the with the thing

3:06:18.800 --> 3:06:22.440
<v Speaker 1>and just you know, Atlanta was ahead of the you know,

3:06:22.640 --> 3:06:26.040
<v Speaker 1>the fake asses, all that ship. There was Atlanta was

3:06:29.160 --> 3:06:37.400
<v Speaker 1>at it that it was on that and this was

3:06:37.600 --> 3:06:40.240
<v Speaker 1>this was after Luke. So it wasn't like not like

3:06:40.320 --> 3:06:43.640
<v Speaker 1>I was, you know, disrespecting Miami, because Miami definitely set

3:06:43.720 --> 3:06:47.200
<v Speaker 1>this off. But it was like after Luke stopped his

3:06:47.360 --> 3:06:52.440
<v Speaker 1>penetration of what he was doing calls, uh, it was.

3:06:52.680 --> 3:06:54.640
<v Speaker 1>It was you know, Luke was the guy that was

3:06:55.640 --> 3:06:57.840
<v Speaker 1>letting everybody know what was going on in Miami. Is

3:06:59.240 --> 3:07:03.800
<v Speaker 1>Once he stopped that, Atlanta took that over. But we

3:07:03.879 --> 3:07:05.800
<v Speaker 1>took it over. We took it over, like I said,

3:07:05.840 --> 3:07:08.800
<v Speaker 1>in a in a light that put the light on

3:07:08.920 --> 3:07:11.880
<v Speaker 1>the dancers, the girls, the girls. That was you know,

3:07:12.320 --> 3:07:13.920
<v Speaker 1>you wanted to see this girl. You wanted to see

3:07:13.959 --> 3:07:15.640
<v Speaker 1>this girl. You want to see this girl. That was

3:07:15.879 --> 3:07:17.960
<v Speaker 1>That's what Atlanta did. We put the light on the girls.

3:07:18.720 --> 3:07:22.000
<v Speaker 1>So that's why these chicks got a meaning. Father was Yeah,

3:07:22.040 --> 3:07:24.400
<v Speaker 1>that's where that started. No hard, Yeah, that's where that started.

3:07:24.800 --> 3:07:28.560
<v Speaker 1>No heart, They roofless out here. You ever see the girls,

3:07:30.400 --> 3:07:37.000
<v Speaker 1>Yeah you gotta relax. What yeah, because you let me

3:07:37.040 --> 3:07:39.000
<v Speaker 1>tell you something. If you ever see the Spanish guy

3:07:39.160 --> 3:07:53.320
<v Speaker 1>sad just bring them to Atlanta, Spanish everywhere. Did you

3:07:53.480 --> 3:07:59.600
<v Speaker 1>drop what he knows? He told me you had to

3:07:59.640 --> 3:08:06.440
<v Speaker 1>bust up r. Yeah, yeah, because he was low. He's still.

3:08:06.920 --> 3:08:10.360
<v Speaker 1>Let me tell you some Cuban bitches the better swimming Columbia. Listen,

3:08:10.480 --> 3:08:13.320
<v Speaker 1>listen when this guy that's a very authentic I forget

3:08:13.400 --> 3:08:30.720
<v Speaker 1>a married I'm so real good free crazy. He's that's

3:08:30.760 --> 3:08:35.240
<v Speaker 1>fucking yellow bowls. I was going crazy. You gotta relax

3:08:35.320 --> 3:08:41.200
<v Speaker 1>to right, all right, listen listen, I'm so sorry your

3:08:41.240 --> 3:08:46.160
<v Speaker 1>bas been through this all right now, I've been through

3:08:46.200 --> 3:08:49.640
<v Speaker 1>this about just looking at j D Now, I was little,

3:08:49.760 --> 3:08:53.760
<v Speaker 1>right when was little? Huh? Please tell us I had

3:08:53.800 --> 3:08:56.280
<v Speaker 1>all these ship of girls around me and by just

3:08:56.400 --> 3:09:00.960
<v Speaker 1>usually be like yo mad because he was just mad

3:09:01.040 --> 3:09:04.080
<v Speaker 1>at me because I had on the stripper girl. And

3:09:04.160 --> 3:09:06.280
<v Speaker 1>then it was like the one day like I had

3:09:06.400 --> 3:09:09.840
<v Speaker 1>we took this trip to Dallas and the nigga went

3:09:09.959 --> 3:09:13.520
<v Speaker 1>crazy on the triple girl on the bus. Right, they

3:09:13.560 --> 3:09:15.560
<v Speaker 1>got mad. He was like a little he was like

3:09:15.680 --> 3:09:18.280
<v Speaker 1>a little kid, but he makes crazy like he was

3:09:18.440 --> 3:09:21.920
<v Speaker 1>like like almost like damnly try to take everybody hustage

3:09:21.959 --> 3:09:25.920
<v Speaker 1>and some crazy ship because he wanted this stripper so bad.

3:09:26.080 --> 3:09:28.440
<v Speaker 1>He wanted this girl so bad, and you had it

3:09:29.160 --> 3:09:32.040
<v Speaker 1>was because I had it with me and he got

3:09:32.120 --> 3:09:34.400
<v Speaker 1>old enough and he went and all these girls there

3:09:34.520 --> 3:09:39.600
<v Speaker 1>was like he stripping. This nigger went and all the

3:09:39.680 --> 3:09:51.680
<v Speaker 1>girls so bad. I was I wasn't going to bring

3:09:51.800 --> 3:09:54.640
<v Speaker 1>this up. Oh my god, I'm so you know, I'm

3:09:54.640 --> 3:09:56.800
<v Speaker 1>not a gossip guy that stuff. He's gonna bring it up.

3:09:57.000 --> 3:09:58.960
<v Speaker 1>But I gotta bring it up because J j J

3:09:59.080 --> 3:10:04.480
<v Speaker 1>gave me the super liese. So what is it media

3:10:04.600 --> 3:10:09.760
<v Speaker 1>take out that's saying that you responded to future? Yeah, no,

3:10:09.879 --> 3:10:12.840
<v Speaker 1>I've seen that now that they the media just took

3:10:12.879 --> 3:10:15.440
<v Speaker 1>what I said and put it to you want to

3:10:15.480 --> 3:10:16.920
<v Speaker 1>be patty, you could be No, No, not at all,

3:10:17.120 --> 3:10:20.000
<v Speaker 1>not at all. It was actually about a check who

3:10:20.080 --> 3:10:23.480
<v Speaker 1>I took to the islands, and then when I took

3:10:23.480 --> 3:10:26.360
<v Speaker 1>it down to no bullshit, listen, no bullshit. I took

3:10:26.400 --> 3:10:29.040
<v Speaker 1>the girl to the eyelids and um, the whole time,

3:10:29.120 --> 3:10:30.760
<v Speaker 1>she was, you know, front, like she didn't have a

3:10:30.840 --> 3:10:34.040
<v Speaker 1>dude or whatever. So when we got back home, my

3:10:34.200 --> 3:10:38.120
<v Speaker 1>partner's slim was like, yo, did you know? And I

3:10:38.280 --> 3:10:42.360
<v Speaker 1>was like, I had nothing to do Now, I swear

3:10:42.400 --> 3:10:44.000
<v Speaker 1>to guy, had nothing to do him, gonna do him.

3:10:44.440 --> 3:10:47.320
<v Speaker 1>And when I seen who the nigga was a select

3:10:48.600 --> 3:10:51.280
<v Speaker 1>the nigga's a real sucker though. So when I seen it,

3:10:52.080 --> 3:10:53.959
<v Speaker 1>that's why I was like, oh, Ship, like I really

3:10:54.200 --> 3:10:57.880
<v Speaker 1>had your bitch in the Bahamas and I see you

3:10:58.000 --> 3:11:01.840
<v Speaker 1>now on Instagram hugging, loving, holding her hand, kissing her. Now,

3:11:03.040 --> 3:11:05.920
<v Speaker 1>oh that's just not the player move. Like her mouth

3:11:06.160 --> 3:11:10.240
<v Speaker 1>was in places, and so when I saw it. But

3:11:10.360 --> 3:11:13.640
<v Speaker 1>the crazy Ship is she actually called me. When she

3:11:13.720 --> 3:11:16.840
<v Speaker 1>called me, she said, um, hey, look look look you know,

3:11:17.040 --> 3:11:19.640
<v Speaker 1>can you just say like we were just broke, like

3:11:19.680 --> 3:11:21.520
<v Speaker 1>we were just kicking it right when I was in Atlantic,

3:11:21.600 --> 3:11:24.200
<v Speaker 1>like we weren't doing nothing right. It's the person. I'm

3:11:24.280 --> 3:11:26.800
<v Speaker 1>like what you're talking about. But my mind clicked like,

3:11:26.840 --> 3:11:28.920
<v Speaker 1>oh Ship, she in front of her dude like I'm

3:11:28.920 --> 3:11:30.520
<v Speaker 1>gonna just play along with it. Now. We cold, we

3:11:30.560 --> 3:11:32.360
<v Speaker 1>ain't never, we ain't never. Did nothing just to save

3:11:32.440 --> 3:11:34.080
<v Speaker 1>her little relationship she had going on. But I didn't

3:11:34.080 --> 3:11:35.400
<v Speaker 1>know who the nigga was. When I say who the

3:11:35.480 --> 3:11:38.760
<v Speaker 1>nigga was, I was like, oh, this this nigga, And

3:11:38.920 --> 3:11:41.000
<v Speaker 1>that's what prompt me to put the tweet up about

3:11:41.000 --> 3:11:46.320
<v Speaker 1>the broad She got real lost me. So that's how

3:11:46.600 --> 3:11:48.960
<v Speaker 1>I don't know what's going on. I don't know. I

3:11:49.000 --> 3:11:51.960
<v Speaker 1>don't know what's going to be old as before this.

3:11:53.400 --> 3:12:00.000
<v Speaker 1>I don't know, but I'm what do you mean? People?

3:12:00.040 --> 3:12:06.280
<v Speaker 1>People have no idea, just whatever he said. Look, don't

3:12:06.320 --> 3:12:17.080
<v Speaker 1>don't go, don't go, don't gonna polo put jamas. You

3:12:17.160 --> 3:12:21.480
<v Speaker 1>know listening about Listen, you're a great person. You could

3:12:21.520 --> 3:12:23.840
<v Speaker 1>do whatever the funk you want to do. Look about

3:12:23.959 --> 3:12:27.560
<v Speaker 1>And that's the great thing about it. You. The thing is,

3:12:27.959 --> 3:12:30.200
<v Speaker 1>it's a great conversation. I just heard the other day

3:12:32.320 --> 3:12:35.280
<v Speaker 1>and they said, you know you you see you think

3:12:35.680 --> 3:12:39.560
<v Speaker 1>here a great artist. They say, yeah, alright, cool, Well

3:12:39.640 --> 3:12:44.320
<v Speaker 1>they they artistry starts from such such, but when it's

3:12:44.400 --> 3:12:47.080
<v Speaker 1>new school artists, you get to see them make mistakes

3:12:47.240 --> 3:12:53.160
<v Speaker 1>from fourteen all yeah, because we didn't have that back then.

3:12:53.280 --> 3:12:56.760
<v Speaker 1>Like back then you had to like do something and

3:12:56.879 --> 3:13:00.120
<v Speaker 1>for in order for people to even recognize. But the

3:13:00.200 --> 3:13:04.040
<v Speaker 1>new generation could throw the record and you can see

3:13:04.040 --> 3:13:10.040
<v Speaker 1>their mistakes from the very beginning and our errors. We

3:13:11.000 --> 3:13:13.600
<v Speaker 1>really like we have to actually have a record label

3:13:14.320 --> 3:13:18.880
<v Speaker 1>like YouTube is everybody's record, Like absolutely, I want to

3:13:18.920 --> 3:13:21.840
<v Speaker 1>say in speak on what you're saying like that, I

3:13:21.840 --> 3:13:25.280
<v Speaker 1>didn't make no mistakes like I was speaking, I was

3:13:25.280 --> 3:13:29.000
<v Speaker 1>speaking about. I'm just saying. I'm saying I think younger generation,

3:13:29.360 --> 3:13:32.360
<v Speaker 1>which is really weird because people always really got something

3:13:32.400 --> 3:13:34.200
<v Speaker 1>to say about about what they never really know. I

3:13:34.280 --> 3:13:37.800
<v Speaker 1>mean that was like that was like the like the Funds,

3:13:39.440 --> 3:13:49.959
<v Speaker 1>like Funzy, like zyaz Bro was like Happy Days. Niggers

3:13:50.040 --> 3:14:00.760
<v Speaker 1>is mad at because he bitches you want the shots.

3:14:01.680 --> 3:14:03.560
<v Speaker 1>I ain't like that. I'm just saying, like you ain't.

3:14:03.720 --> 3:14:06.400
<v Speaker 1>You ain't really got no reason to be daddy bull.

3:14:07.000 --> 3:14:10.080
<v Speaker 1>I seent you get you get it in hell me,

3:14:10.959 --> 3:14:14.480
<v Speaker 1>I gotta kept this call. I'm gonna get there. You go,

3:14:15.360 --> 3:14:18.280
<v Speaker 1>You're gonna do it whatever. We gotta end. Do a

3:14:18.320 --> 3:14:21.480
<v Speaker 1>picture in the drop. Listen, Thank y'all. Listen. I'm gonna

3:14:21.520 --> 3:14:26.760
<v Speaker 1>be honest because by why thank you always. But they

3:14:26.840 --> 3:14:35.200
<v Speaker 1>supporter of this show, by the way, great great gus.

3:14:36.520 --> 3:14:38.800
<v Speaker 1>I'm gonna be honest just in case both of y'all

3:14:38.840 --> 3:14:42.840
<v Speaker 1>don't normal reiterate, will we represent. There has never been

3:14:43.040 --> 3:14:47.760
<v Speaker 1>an outlet in media where a rapper is controlling what

3:14:48.280 --> 3:14:51.960
<v Speaker 1>rap media listens to. I don't know how I did it.

3:14:52.080 --> 3:14:54.119
<v Speaker 1>I don't know how to fun Me and this motherfucker

3:14:54.520 --> 3:14:57.680
<v Speaker 1>came up with this idea. For for some reason, people

3:14:57.840 --> 3:15:00.240
<v Speaker 1>come and tune in and listen to this, and if

3:15:00.240 --> 3:15:02.160
<v Speaker 1>you don't believe me, you will see it on your

3:15:02.560 --> 3:15:05.640
<v Speaker 1>social media. You will see it because you've seen it

3:15:05.720 --> 3:15:12.840
<v Speaker 1>when um you did rap Radar. It's my bad. No,

3:15:13.160 --> 3:15:16.160
<v Speaker 1>I don't know listening since Impact a fiction, all right,

3:15:16.440 --> 3:15:19.000
<v Speaker 1>but that's all people. We're not listening them and we

3:15:19.040 --> 3:15:21.400
<v Speaker 1>don't want to be a competition for nobody. But that's

3:15:21.400 --> 3:15:22.960
<v Speaker 1>not what we do. We just want to I mean,

3:15:23.000 --> 3:15:29.240
<v Speaker 1>you was really trolling them that it was ting. I

3:15:29.320 --> 3:15:33.240
<v Speaker 1>was tilling you give it on. I'm a little want

3:15:33.400 --> 3:15:37.640
<v Speaker 1>understand you. Was like daggers listen. Listen that time to

3:15:37.959 --> 3:15:40.280
<v Speaker 1>Impact convention and read No nobody. I don't know if

3:15:40.280 --> 3:15:42.760
<v Speaker 1>you know them, niggers would have killed all of us.

3:15:42.920 --> 3:15:46.280
<v Speaker 1>It's West Coast against everybody that day. So anybody who's

3:15:46.280 --> 3:15:52.760
<v Speaker 1>still in that lobby I respected. I never felt anything.

3:15:52.840 --> 3:15:55.600
<v Speaker 1>They were never talking about me because you by the way,

3:15:55.640 --> 3:15:58.080
<v Speaker 1>that's go back to the pump that yeah, but you

3:15:58.360 --> 3:16:01.480
<v Speaker 1>are talking about you don't want Jay. You made global music.

3:16:01.600 --> 3:16:04.680
<v Speaker 1>I made straight music at that time. I made music,

3:16:04.879 --> 3:16:08.280
<v Speaker 1>and especially I had a record called l A. So

3:16:08.440 --> 3:16:10.840
<v Speaker 1>I stood down there and it was only a couple

3:16:10.879 --> 3:16:12.800
<v Speaker 1>of people that stood down there and you stood down

3:16:13.080 --> 3:16:16.000
<v Speaker 1>and I said, j D, um, can I buy you

3:16:16.080 --> 3:16:17.920
<v Speaker 1>a drink? And you said that ship to me said

3:16:17.920 --> 3:16:20.920
<v Speaker 1>I want Don Perion. I said, damn, I didn't know

3:16:21.000 --> 3:16:25.160
<v Speaker 1>what that was. I turned around. New to Be said

3:16:25.520 --> 3:16:28.880
<v Speaker 1>he won what as a Don Perrea. That ship was

3:16:28.959 --> 3:16:31.879
<v Speaker 1>like four or sixty at that time, So I can't

3:16:34.240 --> 3:16:36.280
<v Speaker 1>I said, I can't tell them, nigger, I ain't got it.

3:16:38.040 --> 3:16:40.439
<v Speaker 1>The president of record, they was saying to him, I'm

3:16:40.520 --> 3:16:44.800
<v Speaker 1>good now any time I see j D. And you

3:16:44.879 --> 3:16:48.680
<v Speaker 1>know what, these years later, you probably didn't even know

3:16:48.840 --> 3:16:51.320
<v Speaker 1>what that moment meant to me. You was probably the

3:16:51.480 --> 3:16:54.520
<v Speaker 1>only East Coast Nigga that stood there standing with me.

3:16:56.480 --> 3:16:58.879
<v Speaker 1>I don't even want to talk about. There's other people

3:16:58.920 --> 3:17:02.960
<v Speaker 1>that was there. But they went upstairs at some point

3:17:03.080 --> 3:17:06.320
<v Speaker 1>they found their girl, and I stood there. You know,

3:17:06.360 --> 3:17:09.360
<v Speaker 1>the only person I still deal with my uncle Wise.

3:17:10.760 --> 3:17:14.840
<v Speaker 1>This is my mother brother and my uncle Wise just

3:17:14.959 --> 3:17:18.280
<v Speaker 1>stood there and and and you didn't know what you did.

3:17:18.440 --> 3:17:20.200
<v Speaker 1>You're just like, yeah, I said, you let me buy

3:17:20.200 --> 3:17:23.880
<v Speaker 1>your drink. They said, yeah, I drink on perry On.

3:17:24.320 --> 3:17:27.360
<v Speaker 1>I didn't know what that was, but I went and

3:17:27.440 --> 3:17:32.080
<v Speaker 1>I went and I did that, and you stood there

3:17:32.160 --> 3:17:36.959
<v Speaker 1>with it, and then the forty walked, this is all

3:17:37.040 --> 3:17:40.400
<v Speaker 1>in the podcast, It's all document, and then the forty

3:17:40.520 --> 3:17:43.800
<v Speaker 1>came because they were all right there, but they were

3:17:43.840 --> 3:17:46.880
<v Speaker 1>like that, thinking me a land But now I'm on

3:17:46.959 --> 3:17:49.560
<v Speaker 1>the super doc. What what? What? What? Have a No.

3:17:49.760 --> 3:17:53.600
<v Speaker 1>One record in the country. You just gonna relax, But

3:17:53.760 --> 3:17:57.680
<v Speaker 1>I don't know how to tell them relax. I don't

3:17:57.760 --> 3:18:01.840
<v Speaker 1>know how, but I'm like, yo, I'm not a ups

3:18:02.000 --> 3:18:08.760
<v Speaker 1>I'm still waiting in front of niggas. And then yeah,

3:18:09.120 --> 3:18:14.280
<v Speaker 1>I know, I love it. I know you don't even

3:18:14.320 --> 3:18:22.040
<v Speaker 1>know drop. And before we get out of here, we

3:18:22.120 --> 3:18:24.160
<v Speaker 1>just want to remind you that you can buy drink

3:18:24.240 --> 3:18:27.119
<v Speaker 1>Champs gear at your local dtl our store, so look

3:18:27.200 --> 3:18:29.320
<v Speaker 1>up the store nearest to you. You can also buy

3:18:29.400 --> 3:18:32.520
<v Speaker 1>drink Champs gear and other merch at drink Champs dot

3:18:32.600 --> 3:18:35.080
<v Speaker 1>com or eight and nine dot com. Check us on

3:18:35.200 --> 3:18:38.760
<v Speaker 1>Revolt TV every Thursday night at ten pm, then unedited

3:18:38.800 --> 3:18:42.720
<v Speaker 1>audio drops Monday nights going into Tuesday at midnight. Then

3:18:42.840 --> 3:18:45.600
<v Speaker 1>check for the United video Wednesdays on Revolt dot tv,

3:18:46.160 --> 3:18:48.960
<v Speaker 1>drink Champs dot com, or you can go directly to YouTube.

3:18:49.360 --> 3:18:52.240
<v Speaker 1>Look out for Nori's new food show coming soon as

3:18:52.400 --> 3:18:55.880
<v Speaker 1>as new project featuring the upcoming single Uno mass produced

3:18:55.959 --> 3:18:59.640
<v Speaker 1>and featuring Farrell Check from My Coming Home documentaries Coming

3:18:59.680 --> 3:19:02.680
<v Speaker 1>Home V now'm documentary right now currently airing on Revolt

3:19:02.760 --> 3:19:07.000
<v Speaker 1>TV and coming soon Coming Home Colombia. Follow us at

3:19:07.080 --> 3:19:10.600
<v Speaker 1>Drink Champs on i G, Twitter and Facebook, and Nori

3:19:10.800 --> 3:19:14.119
<v Speaker 1>at the Real Noriega on Instagram, at Noriega on Twitter,

3:19:14.360 --> 3:19:16.960
<v Speaker 1>and me e f N at Who's Crazy on i

3:19:17.120 --> 3:19:19.160
<v Speaker 1>G and at d j e f n on Twitter.

3:19:19.400 --> 3:19:21.360
<v Speaker 1>And until next week, we had to hear a peace