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Speaker 1: And it's drink Chess, motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's greed is your boy in o R. He's a

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Speaker 1: Miami hippop pioneer. Put up his dj e FN together

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Speaker 1: they drink it up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast. And your number one

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Speaker 1: source for drunk drinks motherfucking every day is New Year's

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Speaker 1: e just like it's time for drink Champs. Drink up

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Speaker 1: mother mother. He said, gree Hope, it's you. That's your

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Speaker 1: boy in o R. What up his dj e F

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Speaker 1: and his motherfucking military crazy world up to drink Chance

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Speaker 1: Move podcast, make some up and right now. If you

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Speaker 1: in joy hip hop, if you enjoy music period, this

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Speaker 1: is hands down one of the top producers, one of

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Speaker 1: the top artists development persons in the world. The man

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Speaker 1: has took people from nobody and made them superstars. Not once,

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Speaker 1: not twice, not three times. I'm talking about over ten times.

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Speaker 1: He was the guy with to go two hits at

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Speaker 1: one point. If you didn't have a j D record,

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Speaker 1: you just wasn't late on his back to Oh yeah,

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Speaker 1: he definitely put a land on his back. Landers running

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Speaker 1: hip hop right now. We got motherfucking one of my

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Speaker 1: favorite producers in the world, Jemaine Depri now off top um.

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Speaker 1: Criss Cross just turned twenty five. The album just turned

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Speaker 1: twenty five? Like how how how is that? How did

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Speaker 1: that feel? Um? They don't feel like it's no, but

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Speaker 1: it's crazy because you know, like that's that's Um, I

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Speaker 1: never thought it would even be something that people even

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Speaker 1: care about, you know what I mean? So for people

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Speaker 1: to still care about it and you know it's my

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Speaker 1: that's my history and they've grown folks now, So um, now,

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Speaker 1: ja do you have such a like a remarkable reputation

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Speaker 1: like you worked, you work with kids, Yet you've never

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Speaker 1: had an allegations of doing no crazy ship like you know,

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Speaker 1: no mar Kelly ship around around you at all. Your

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Speaker 1: ship is super clean like people people give you, they

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Speaker 1: take my care to make them a star is real

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Speaker 1: and you never like like you know, I paid to

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Speaker 1: the room, is just because I'm in the same industry.

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Speaker 1: You have a clean reputation is nothing like you just

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Speaker 1: you're just really there to make stars, I guess. And

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Speaker 1: how is that though? Like how is that? Because um,

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Speaker 1: I can see like I can see the chain I

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Speaker 1: was too young to see criss cross right, but you

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Speaker 1: know I would go backstage and I would see you guys,

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Speaker 1: and I seen him go from like a kid to

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Speaker 1: an actually grown man. Now how is that to see

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Speaker 1: the transition when you see people. I mean, you know,

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Speaker 1: it's really funny, is that? Um? When you speak about

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Speaker 1: the kids, it's only the only ever worked with two

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Speaker 1: kids artists criss Crossing, But everybody thinks I worked with

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Speaker 1: that's all I worked with. But yeah, so I mean

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Speaker 1: really both of them, just watching them grow up and

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Speaker 1: I mean it's it's like it's like having a kid,

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Speaker 1: you know, like you see him, you watch them and

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Speaker 1: the brat was quote she was a teen, was changing everybody.

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Speaker 1: Everybody was everybody's been and you started young too. He

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Speaker 1: was dancing with Hudini and yeah, that's that's kid pop

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Speaker 1: right there. That's real. That's real. Like that man, So

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Speaker 1: you like you cast to me was like the first

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Speaker 1: people like stepping up for Atlanta showing people that because

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Speaker 1: at this time and for the South at this time.

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Speaker 1: But you're from Miami. He's from Atlanta, out from New

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Speaker 1: York at this time. Us in New York, we always

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Speaker 1: thought it was like Bama's and y'all was slow, and

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Speaker 1: then you came out with your music. Outcast came into music,

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Speaker 1: and we realized, oh, they're pretty much the same as us,

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Speaker 1: just with a little accent. But how how do you

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Speaker 1: feel like seeing Atlanta being at the forefront of hip hop? Now?

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Speaker 1: You ever thought this day? But I think I think

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Speaker 1: it's amazing, um because I um, Criss Cross was actually

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Speaker 1: the first, you know, rappers to bring platinum music to

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Speaker 1: Atlanta as far as the rap goes, you know, space

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Speaker 1: artists coming out of Atlanta to all the show. So

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Speaker 1: Death based on All Stars was my artist too. But

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Speaker 1: I'm saying as far as like you know, Cris Cross's

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Speaker 1: first album, they sold eight million records, you know what

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Speaker 1: I mean. So it's like they was the first people

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Speaker 1: in Atlanta to create what you'll see right now. You

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Speaker 1: can't just say it's like me like that. How old

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Speaker 1: was you at that time? I was seventeen? What you

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Speaker 1: so e records? I don't even know how. I don't

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Speaker 1: even know the count back. That's just a lot of

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Speaker 1: money at seventeen, super So was it ever a time

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Speaker 1: when you went like you realize that you know, you're

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Speaker 1: not yourself no more like you got Hollywood basically ever

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Speaker 1: want no no no, because you know, I had this UM.

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Speaker 1: I always had people that seem like they didn't you know,

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Speaker 1: they wanted to check me, you know, because I was

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Speaker 1: so young, So I was I always had to deal

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Speaker 1: with the young thing, like I'm the young nigger soul.

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Speaker 1: Everybody think they got one up on me. So I

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Speaker 1: was always out here to just try to prove myself

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Speaker 1: constantly over and over again. So like when I was mixing, UM,

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Speaker 1: I was. I was excited like that one day what

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Speaker 1: you're talking about, Like I was. I was on my

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Speaker 1: Hollywood ship at the studio and I was excited. Chris

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Speaker 1: Cross was number one and Bruce Springstein was like number

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Speaker 1: two and like he was popping and um and I was.

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Speaker 1: I was running around the studio just really excited. And

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Speaker 1: it's like the first day I met baby Face, and

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Speaker 1: baby Face was at the studio and he came in

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Speaker 1: and he was like, I was like, oh ship's baby

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Speaker 1: Face was like yeah, what's up? And he's like, yeah,

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Speaker 1: you got that little record jump humhump didn't make it.

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Speaker 1: He hit me with the little record and I'm like

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Speaker 1: little record popping, Like that's why I was at But

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Speaker 1: then he hit me with it. You know, yeah, you

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Speaker 1: got a little record. This pop is good, right, but

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Speaker 1: it wasn't. He didn't really seem like it didn't seem

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Speaker 1: like I did nothing that towards you or was that

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Speaker 1: towards rap period that was towards me. I felt like

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Speaker 1: it was to work like that, you know, And he

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Speaker 1: was just like, you know, um, as a producer, songwriter,

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Speaker 1: you know that don't really mean nothing until you can

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Speaker 1: do a multiple time to prove. When he said that,

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Speaker 1: my Hollywood ship went out the window. Like, okay, baby

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Speaker 1: face just tried to stunt on me. I gotta get

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Speaker 1: this nigga back. I gotta go working, you know what

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Speaker 1: I mean. So I just from that point on, I

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Speaker 1: just started like focusing on putting out more and more artists.

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Speaker 1: I wouldn't even think about nothing else. Hollywoold have nothing.

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Speaker 1: Just let's go that that's real right there. Now. I

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Speaker 1: gotta ask you about this line said, I gotta see

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Speaker 1: be with Jermaine because for he owes me for the

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Speaker 1: jump ship? What he what does he talking about? Yeah,

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Speaker 1: you don't remember that he never did he ever get paid?

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Speaker 1: But you know, what was that about? Like now, you know, like, um,

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Speaker 1: everybody thought I stole that song, and everybody wanted to

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Speaker 1: say I stole a song from somebody, like I don't.

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Speaker 1: I don't know why, but you know, it's just like

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Speaker 1: like I said when you when you were young, it's

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Speaker 1: a young producers, young artist rapping and hip hop. At

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Speaker 1: that particular point in time, young niggas was getting to

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Speaker 1: like the straight son like NA, no, no, we want

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Speaker 1: to lett y'all. N we're not letting y'all V. Then

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Speaker 1: the record got super big and it was like, oh, ship,

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Speaker 1: they end what we're gonna do right, So then it

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Speaker 1: was like House of Pains and Stolen. The records come

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Speaker 1: out the same year. No John came before a House

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Speaker 1: of Pain record. But they think that they they said

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Speaker 1: that the label because we signed a rough House and

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Speaker 1: Joe Joe Niccolo basically Joe the Butcher basically signed us

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Speaker 1: and it was his label, so I think they thought that.

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Speaker 1: Um Joe played their version of the song for me

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Speaker 1: and then I went and redid it. You know, there's

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Speaker 1: people just trying to find it all the time, and

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Speaker 1: you know, uh, and then Naughty they did jump, but

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Speaker 1: they did something before they did. Um I don't remember.

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Speaker 1: Um they didn't. Yeah, before they did opp they used

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Speaker 1: to do this jump thing on on stage. It was

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Speaker 1: a part of their act, like so so you know

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Speaker 1: they felt like I took that from them from for

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Speaker 1: the song as well. Okay, did you ever get together

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Speaker 1: and talk about the squash it or anything? I mean,

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Speaker 1: me and KG was cool all the time. You know,

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Speaker 1: Trench just was like trench translation like that, we all

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Speaker 1: we all, it's all done now recently we did had

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Speaker 1: the hip hop on his awards. Right now, they say

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Speaker 1: I'm a hater because they never invite me, right, but

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Speaker 1: that's not what I'm bringing up right now. But they

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Speaker 1: don't invite me. Right, let's do that. I gotte. But

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Speaker 1: let me just tell you something. The only part of

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Speaker 1: the show was I didn't appreciate you a masterpiece sharing

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Speaker 1: that moment. I felt like you you had you needed moment.

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Speaker 1: I felt like he needed his own moment. Is that well?

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Speaker 1: I mean it was my second time being on it,

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Speaker 1: so I think that they was like I think probably,

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Speaker 1: I don't know one if they you know, they even

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Speaker 1: thought about it. I did it before where I really

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Speaker 1: you know, me and Puff performed, Um, I did Criss

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Speaker 1: cross franchise Boys Can. I did like a whole big

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Speaker 1: performance before when I was on it the first time,

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Speaker 1: So I think this time it was just they was

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Speaker 1: just really trying to like show which labels they felt

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Speaker 1: like from the South. It wasn't really about me per se.

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Speaker 1: It was about the labels. So that's why I think

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Speaker 1: we shared. It was really like what labels they feel like?

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Speaker 1: Put light in the South. Okay, you could be humble,

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Speaker 1: I'm not gonna be home. You deserve your moment. They

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Speaker 1: should have had you out there especially, had saluted the

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Speaker 1: whole so so deaf. Sometimes they were mixing songs. They

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Speaker 1: had a big fat Joe and Remy mar performed with

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Speaker 1: Trick Daddy. Yeah, it was like they didn't it made

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Speaker 1: It's like I feel like I feel like hip hop

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Speaker 1: deserves more, not that this is the hip hop on

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Speaker 1: its at all. When we deserved more. I felt like

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Speaker 1: that whole moment should have been a social deaf moment.

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Speaker 1: It should have been like like I felt like your

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Speaker 1: artis should have came out and performed for you. You

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Speaker 1: know what I'm saying. At that moment, like all the

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Speaker 1: artis or people would have just fans and you like

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Speaker 1: even like you know, I noticed is throwing it out

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Speaker 1: there be even like a jay Z gonna come out

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Speaker 1: and you know, do money anything with one of the

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Speaker 1: new young artists. I just felt like they could have

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Speaker 1: did better more because for us, going all these years,

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Speaker 1: we were not celebrated. Um now we're living in the

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Speaker 1: times where it's it's social media so we can celebrate it.

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Speaker 1: And another thing, this is what I want to tell you.

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Speaker 1: So I want to tell you if uh those our

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Speaker 1: guys names, you know where I'm going. I wrap right off.

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Speaker 1: Let us disgusting. He said he wasn't top ten producer.

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Speaker 1: He got a game. I gotta I got, I said, Yo,

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Speaker 1: I don't understand. He gotta relax, he gotta relax. It's

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Speaker 1: like I was, I wanted you to walk out of

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Speaker 1: the interview. I'm like, I don't even hate them, but

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Speaker 1: I was just like Jave, like you all hands down,

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Speaker 1: like listen. And there was times where you know, labels

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Speaker 1: with it was sitting around they be like you need

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Speaker 1: a Jermaine dupri record, Like this is real ship and

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Speaker 1: I'm talking about people had to come and then like

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Speaker 1: what what Jason sad? He said, I'm even making your

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Speaker 1: ship tighter. There was a time where you really had

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Speaker 1: to come to see you in order to make it hit.

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Speaker 1: Like you define the word hit record, you do you believe?

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Speaker 1: You know, you believe. I think that's a hard like

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Speaker 1: I carry that that's hard. So I never really try

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Speaker 1: to pay too much attention. Somebody come to you. Yeah,

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Speaker 1: they come and trying to get a hit record, and

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Speaker 1: that's you know that, it's not even the room for

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Speaker 1: me to even like just be cool and do anything.

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Speaker 1: It's like, oh God, they want they want this, they

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Speaker 1: want that, they want I gotta try to get this again,

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Speaker 1: you know what. You know what I noticed and maybe

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Speaker 1: you can help me with this that if you kind

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Speaker 1: of maintain being a producer, you won't ever fall off.

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Speaker 1: Like at some point they're gonna get tired of the

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Speaker 1: artist because he's the front man. But if you're producing

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Speaker 1: records and you know how to do it and you

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Speaker 1: maintain a certain a producer can never fall off. Is

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Speaker 1: that true? No, Now, you can't if you start like

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Speaker 1: copying your sound, copying your sound, like you know, like

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Speaker 1: when people like people would come to me and say,

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Speaker 1: I got a new artist, I wanted give me some

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Speaker 1: of them usher records, that you, and I'm like, no,

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Speaker 1: I'm not. I'm never going to do that like I would.

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Speaker 1: I would always try to stay away from that. That

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Speaker 1: was raping my job even harder. Basically because Chris Cross

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Speaker 1: sounds like Criss Cross, Murad Carry sound like Murad Carry,

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Speaker 1: sound like this brand sound like this Nobody Records sounded

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Speaker 1: like I took this and gave it to this person.

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Speaker 1: You know what I mean. I couldn't do that. Did

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Speaker 1: you ever have to be in the studio of the

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Speaker 1: right carry said a wrong vocal and you had to

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Speaker 1: tell her to do it better? She's probably like she's

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Speaker 1: would be scared. She's not, She's not that, she's not

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Speaker 1: that artist. She's she's cold in the studio. She knows

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Speaker 1: exactly what you want to do. She's telling me like,

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Speaker 1: shample this, nigga, this ok now, Now you worked with

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Speaker 1: Jack JA made I'm actually random industry stuff. JA made

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Speaker 1: this album four four four right now? Now? Had I

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Speaker 1: would have loved that album and twenty five? What I

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Speaker 1: would have loved it at thirty five? I'm fourty, I

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Speaker 1: just turned forty. I love it. But is it because

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Speaker 1: I'm forty or is it because it's just a great

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Speaker 1: body of work. You love it because Jay's rapping, you

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Speaker 1: know what I mean, He's rapping right, you want to

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Speaker 1: hear jay Z rapped. He's rapping like he's he's giving

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Speaker 1: niggas balls, he's throwing shots, he's doing he's doing what

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Speaker 1: we wanted to hear jay Z do. And then then

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Speaker 1: on a on a different level, like the way No

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Speaker 1: I D chop these samples up. It's like this is

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Speaker 1: new by the way, the music sounds like nothing else

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Speaker 1: this ever came out right, So you should love it.

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Speaker 1: If you love hip hop, you should. You should be

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Speaker 1: you should cherish this album because it doesn't sound like

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Speaker 1: anything else that's album, and it made him seem like

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Speaker 1: he wasn't trying to sound like that sound neither, like

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Speaker 1: so many It hurts me sometimes when we have legendary

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Speaker 1: artists who are legends, they will need nothing to add

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Speaker 1: on to their career and they go to try to,

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Speaker 1: you know, get get the new future sound or the

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Speaker 1: new Suzy verse. I always kind of like hate that

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Speaker 1: because it's like you don't always have to be the same,

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Speaker 1: but you can always just just stay in that realm.

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Speaker 1: And j did was completely opposite. Was just like he

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Speaker 1: just did him. Yeah, I mean that album is called

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Speaker 1: to me. Like I said, I think that um from

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Speaker 1: a production standpoint, I think was genes that he went

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Speaker 1: and found one producer like nobody else has been doing

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Speaker 1: that recently. They just did something else that was just

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Speaker 1: a mindset of separate with than what's going on in

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Speaker 1: the game right now. You think you think the way

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Speaker 1: he released the music also has something to do with

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Speaker 1: him having the luxury to be able to do that

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Speaker 1: album the way he did it, like, you know, putting

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Speaker 1: it out through the through the phones and not having

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Speaker 1: to worry about certain you know, expectations of releasing records

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Speaker 1: the way it used to be. I know, I think

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Speaker 1: I think I think he had a responsibility that people

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Speaker 1: was holding it to him, Like niggas wanted jay Z

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Speaker 1: to come out, and like, Yo, I'm let's hear jay

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Speaker 1: Z and jay Z. Let's hit jay Z in a

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Speaker 1: way that none of these other little young rappers could.

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Speaker 1: Let's make sure that they don't sound like they could

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Speaker 1: even come nowhere around right. He did. He did that.

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Speaker 1: He basically a tone like Yo, this this what y'all do.

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Speaker 1: This is what I do. And they given time, y'all

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Speaker 1: want to come over here, y'at right now, let me

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Speaker 1: ask you a question. As a producer, right, you haven't

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Speaker 1: gotten just a studentsically, you pop one of these bottles,

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Speaker 1: pop it over there, because you know you're not that skilled.

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Speaker 1: I've never been in a studio with an artist, any artist,

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Speaker 1: it doesn't have to be hip hop, and they just

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Speaker 1: didn't deliver it and it turned you off. Yeah, let's

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Speaker 1: talk about it. J d um oh man. I mean,

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Speaker 1: it's happened a bunch of times. It's happened a bunch

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Speaker 1: of times. Um, I won't say that it turned me off.

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Speaker 1: It's just a learn it's a learning lesson for me,

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Speaker 1: right and UM be careful. That's hot? What is that rose?

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Speaker 1: I guess one of the one of the one of them.

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Speaker 1: I guess one of the ones that really shot me

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Speaker 1: the most was that um Whitney Houston. I was in

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Speaker 1: the studio with yeah yeah, yeah, yeah yeah yeah yeahs

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Speaker 1: told look that was when that was when you read

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Speaker 1: my name. J was in this thro so um myke

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Speaker 1: cadence of writing is I'm a rapper, so I write

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Speaker 1: songs like rap records. So I try to get the

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Speaker 1: artists to sing like rappers, you know, what I mean.

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Speaker 1: So you listen like Usher, he basically sounds like he's

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Speaker 1: rapping when he's singing these songs. Um so my canons.

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Speaker 1: F what's good? Man? Man? You know these days, man,

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Speaker 1: on demand. That's right, man. So who who's still going

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Speaker 1: to the post office? When you get it on demand,

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00:18:35,480 --> 00:18:37,119
Speaker 1: it comes to your career, pick it up and all that.

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00:18:37,200 --> 00:18:39,840
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Speaker 1: any letter or package using your own computer and printer.

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Speaker 1: And unlike the post office, stamps dot Com never closes,

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Speaker 1: so you can get posted whenever you need it. Seven See.

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Speaker 1: I use stamps dot Com to deliver you know, expensive jury,

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Speaker 1: to deliver my cats, you know, food, to deliver my dogs,

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Speaker 1: toe nails. I do things like that with stamps dot Com. Yeah, man,

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Speaker 1: you know, I just don't want to deal with the

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Speaker 1: lines at the post office. I love the post office,

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00:19:02,880 --> 00:19:04,640
Speaker 1: but man, if I could just use stamps dot Com,

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Speaker 1: it's gonna save me a lot of time, a lot

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00:19:06,320 --> 00:19:08,159
Speaker 1: of headache, and just a lot of just a lot

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Speaker 1: of time I could be doing other things. You know,

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00:19:09,640 --> 00:19:12,159
Speaker 1: so right now, use our name for this special offer.

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Speaker 1: That's Champs c h A m p S. Tell The

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344
00:19:19,880 --> 00:19:22,240
Speaker 1: Go to stamps dot com before you do anything else.

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00:19:22,440 --> 00:19:24,320
Speaker 1: Click on the radio microphone at the top of the

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00:19:24,320 --> 00:19:27,520
Speaker 1: homepage and type in Champs that stamps dot com. Enter

347
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Speaker 1: Champs stamps dot com. Never go to the post office again.

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00:19:31,400 --> 00:19:35,359
Speaker 1: That's Champs c h A m p S. Drink Chance, Baby,

349
00:19:35,440 --> 00:19:39,639
Speaker 1: let's do a lot of times these older artists they

350
00:19:39,680 --> 00:19:42,760
Speaker 1: can't really catch the cadence and that that was really

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Speaker 1: shocking to me. That was like the learning lesson to me.

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Speaker 1: That let me know that what I was doing was

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Speaker 1: something that was, um it was younger, I guess, innovative,

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Speaker 1: I don't know, whatever you wanna call. I had Whitney

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Speaker 1: Houston in studio. I wrote a song for her and

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Speaker 1: she couldn't catch my cadence and I was like, I

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00:20:00,760 --> 00:20:03,359
Speaker 1: was really fucked up? Was Whitney Houston. I'm like, she

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Speaker 1: wanted the best singer in the world, Like, but she

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00:20:06,359 --> 00:20:10,520
Speaker 1: can sing, but that that that cadis just on wasn't.

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Speaker 1: That wasn't what she was used to, so it didn't

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Speaker 1: really It didn't like make me like I hate this artist,

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Speaker 1: but it really it really let me understand that what

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Speaker 1: I was doing was something different than what what they

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Speaker 1: was used to. Now, have you ever had an artist

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Speaker 1: at Hollywood on your soilot to This is to you man,

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Speaker 1: right now, this is J D. Jermaine depri. I don't

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Speaker 1: know what they called horrible that we celebrate your life.

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Speaker 1: We celebrating your career and were celebrating you. Make the

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Speaker 1: like if you ever gott Hollywood on you like, like

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Speaker 1: you know, come to this session late, come in and

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Speaker 1: just not perform and just you know what I mean,

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Speaker 1: just you know, drink some Hennessy and you're like, man,

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Speaker 1: I remember you from the beginning and now you just

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Speaker 1: you know what I mean? Nine of them I mean,

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Speaker 1: because you know, like I'm really when it comes to

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Speaker 1: the studio ship, I'm really like, um, I'm way different

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Speaker 1: than any other producers. Like I don't like, I don't

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Speaker 1: like people in the studio when I'm working, I don't

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Speaker 1: be with the girls in the studio and people I

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Speaker 1: don't be with none of that. I'm trying to get

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Speaker 1: the work done right. So a lot of people don't

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Speaker 1: really a lot of artists. They don't even they think

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Speaker 1: my ship is too like cookie cutter. But I mean

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Speaker 1: that's how I do. That's how I've been doing forever,

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Speaker 1: right and um so it's really like straight to the point.

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Speaker 1: When I go to the studio, I don't really have

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Speaker 1: nobody come like too loose. Um. I mean I have

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Speaker 1: had situations in the studio that's crazy thought it. I

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Speaker 1: mean I I thought about this one on the way

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Speaker 1: over here, and I never told nobody about this. I

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Speaker 1: know you wanted this story. I please, I want to

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Speaker 1: I don't know what it is, but I want to

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Speaker 1: go that. Um. I was in the studio big right now,

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Speaker 1: and the first time I ever seen biggie every first

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Speaker 1: time I've ever seen anybody not write their lyrics. Now

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Speaker 1: this is before this is all money and we keep it.

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Speaker 1: But I don't want to cut I'm definitely not cutting

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Speaker 1: up story. But isn't it scary to see your motherfucker's

399
00:22:06,720 --> 00:22:08,119
Speaker 1: go like this? In their head they'd be like, that's

400
00:22:08,119 --> 00:22:11,000
Speaker 1: how people write rounds, But out they be like and

401
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Speaker 1: it's like, yo, the first times you're going even further big,

402
00:22:15,119 --> 00:22:21,160
Speaker 1: never mouth nothing big with the biggest smoke. Ten bunts

403
00:22:22,440 --> 00:22:27,320
Speaker 1: listen to the beat and never mouth one time. He's

404
00:22:27,320 --> 00:22:30,320
Speaker 1: not even bobbing neither. I mean he bobbing, but he

405
00:22:30,400 --> 00:22:33,919
Speaker 1: never was like never, not one time. I'll sit there

406
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Speaker 1: and watch them. I'm like, I gotta see how you

407
00:22:37,160 --> 00:22:39,760
Speaker 1: do this, because by the way, I wasn't doing this.

408
00:22:40,000 --> 00:22:43,600
Speaker 1: I was still writing my wraps on paper. But I

409
00:22:43,640 --> 00:22:47,439
Speaker 1: saw this firsthand by him the first time. I'm like,

410
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Speaker 1: I gotta learn how to do this? Ship like what

411
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Speaker 1: is what? How do you know? How do you? I

412
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Speaker 1: don't write nothing that. I don't write anything, especially education.

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Speaker 1: How do you? I'm like, how so? And he don't

414
00:23:01,240 --> 00:23:04,119
Speaker 1: even he's not talking to you. But where he's doing this,

415
00:23:04,240 --> 00:23:13,080
Speaker 1: he's like sees rolling rolling another one, and I'm like

416
00:23:13,200 --> 00:23:17,240
Speaker 1: this nigg is chained smoking blunts and his verses done

417
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Speaker 1: right there and he's like, yo, put the microp I'm ready,

418
00:23:20,480 --> 00:23:23,000
Speaker 1: And I'm like, when did you write the rat? And

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00:23:23,119 --> 00:23:25,480
Speaker 1: he was like, I got it in my head. And

420
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Speaker 1: he goes into going to vocal booth. It's not like

421
00:23:28,880 --> 00:23:34,440
Speaker 1: he's experimented with like it sounds it sounds like he

422
00:23:34,560 --> 00:23:36,680
Speaker 1: was out there rapping, but he didn't do it. So

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00:23:36,840 --> 00:23:41,200
Speaker 1: that studio session was um this song called just like

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Speaker 1: me with Usher. Right, So what he did was he

425
00:23:43,960 --> 00:23:47,879
Speaker 1: wrote the rap for Little Kim and Little Kim at

426
00:23:47,920 --> 00:23:50,240
Speaker 1: this particular point in time. This was the time when

427
00:23:51,320 --> 00:23:56,440
Speaker 1: Big I'm thinking he fucked Kim's sister, right, this this

428
00:23:57,480 --> 00:24:01,119
Speaker 1: is in the music in the music, and she found

429
00:24:01,160 --> 00:24:04,000
Speaker 1: out about it. So she was upset when she came

430
00:24:04,040 --> 00:24:09,760
Speaker 1: to the studio about this, and and and he and

431
00:24:09,880 --> 00:24:13,480
Speaker 1: she couldn't really get her to do the rat and

432
00:24:13,840 --> 00:24:15,760
Speaker 1: me and Usher was just you know, we were there

433
00:24:15,960 --> 00:24:20,159
Speaker 1: young watching what's going on and Big Pool strap out

434
00:24:20,240 --> 00:24:25,600
Speaker 1: on her on camp yes to later verse or just

435
00:24:26,240 --> 00:24:30,480
Speaker 1: let her kill her? Oh my god, I was about

436
00:24:30,480 --> 00:24:40,159
Speaker 1: to say he was real ship like him. She was

437
00:24:40,280 --> 00:24:45,520
Speaker 1: upset and really couldn't do though. Was she wading out? Yeah,

438
00:24:45,680 --> 00:24:49,440
Speaker 1: Like she came, but she didn't really want to come

439
00:24:49,440 --> 00:24:51,639
Speaker 1: because she was upset. And he was like, yeo, we

440
00:24:51,760 --> 00:24:53,400
Speaker 1: got j D and us here, you can't be back,

441
00:24:53,440 --> 00:24:56,159
Speaker 1: and like you know, and I'm like, what's going on?

442
00:24:56,200 --> 00:24:58,920
Speaker 1: What is going on right now? And it just went

443
00:24:58,960 --> 00:25:00,879
Speaker 1: around for a minute, like said it was. It was

444
00:25:01,080 --> 00:25:04,439
Speaker 1: that kind of deterred the studio session. But it got

445
00:25:04,480 --> 00:25:06,400
Speaker 1: to a point where she she really couldn't do her rat.

446
00:25:06,880 --> 00:25:09,400
Speaker 1: So he pulled out the studio and they went into

447
00:25:09,440 --> 00:25:13,200
Speaker 1: the hallway. And when the hallway, I thought it was

448
00:25:13,240 --> 00:25:14,680
Speaker 1: gonna go out there to talk, so I just went

449
00:25:14,720 --> 00:25:16,080
Speaker 1: out there to watch and see what's going on. I

450
00:25:16,160 --> 00:25:17,639
Speaker 1: went out in the hallway and followed them in the

451
00:25:17,680 --> 00:25:20,520
Speaker 1: hallway and Big and they start having an argument. Current

452
00:25:20,600 --> 00:25:24,080
Speaker 1: Big they have an argument, and it got so heated

453
00:25:24,160 --> 00:25:26,399
Speaker 1: that he asked his man Seagut. He said give me

454
00:25:26,440 --> 00:25:30,160
Speaker 1: the gun. And I was like, the gun, you about

455
00:25:30,160 --> 00:25:34,199
Speaker 1: to doing this? And he was gonna shoot hip right

456
00:25:34,600 --> 00:25:39,720
Speaker 1: right in the hallway. This is great, this is crazy.

457
00:25:40,560 --> 00:25:44,640
Speaker 1: That's that's that's one of my crazy stories that I'm

458
00:25:44,680 --> 00:25:51,400
Speaker 1: gonna ask. Okay, Okay, I knew he wasn't gonna smoke though,

459
00:25:51,640 --> 00:25:57,480
Speaker 1: but now, um, let's speak about the dog. Who where

460
00:25:57,520 --> 00:25:59,760
Speaker 1: is it that you'll try to hide it? Now? Scared

461
00:26:00,080 --> 00:26:04,760
Speaker 1: to bring that out? And I'm sucking drinking. I just

462
00:26:04,880 --> 00:26:07,040
Speaker 1: want to know because this is a very distinctive drink.

463
00:26:07,080 --> 00:26:10,160
Speaker 1: When about I just came here. Oh I'm I'm talking

464
00:26:10,200 --> 00:26:20,560
Speaker 1: about what I'm talking about, the chick up drinking very

465
00:26:21,560 --> 00:26:29,640
Speaker 1: very night. I told you, he is it. Julio, Oh

466
00:26:29,760 --> 00:26:34,200
Speaker 1: my god, j I gotta stop this. Okay, I don't know.

467
00:26:34,800 --> 00:26:36,760
Speaker 1: Don't don't eat you closer to it? Can you that

468
00:26:36,960 --> 00:26:39,280
Speaker 1: I gotta stop that we're gonna get it done, Julio.

469
00:26:39,600 --> 00:26:41,639
Speaker 1: So look, let me, let me let me ask you something. Right,

470
00:26:42,320 --> 00:26:45,240
Speaker 1: this is a this is a hundred episode. Oh yeah,

471
00:26:45,480 --> 00:26:52,159
Speaker 1: this is so every every episode. It's funny to me

472
00:26:52,280 --> 00:26:54,800
Speaker 1: because I think I know the artist, because you know,

473
00:26:54,880 --> 00:26:56,600
Speaker 1: I've been in this game twenty years, so I think

474
00:26:56,600 --> 00:26:59,280
Speaker 1: I know the artist. So I pretty much say what

475
00:26:59,440 --> 00:27:01,560
Speaker 1: I think the artists is gonna order like to drink.

476
00:27:02,160 --> 00:27:03,720
Speaker 1: And I knew that I was gonna order to rip,

477
00:27:03,960 --> 00:27:06,000
Speaker 1: you know, saying whether it was a relationship with public

478
00:27:06,240 --> 00:27:08,840
Speaker 1: or not that I did, I can do that. But

479
00:27:08,960 --> 00:27:13,200
Speaker 1: when you said don nineteen forty two, you are the

480
00:27:13,359 --> 00:27:16,760
Speaker 1: only guests because ever requested this. Now I know this

481
00:27:16,920 --> 00:27:19,280
Speaker 1: is a rich ship. It's like a home girl a mona,

482
00:27:19,640 --> 00:27:21,680
Speaker 1: and she goes to the club and she takes seveny

483
00:27:21,720 --> 00:27:23,960
Speaker 1: dollars shots to this ship. Goddamn, let's make some noise

484
00:27:24,000 --> 00:27:29,320
Speaker 1: for seven dollars shots. So I need you to break

485
00:27:29,359 --> 00:27:31,639
Speaker 1: this down for me. Tell me why this is this special.

486
00:27:32,320 --> 00:27:36,200
Speaker 1: I mean, this's just I mean, if you're gonna drink tequilla,

487
00:27:36,400 --> 00:27:37,760
Speaker 1: I mean it's a lot like let me say this,

488
00:27:37,880 --> 00:27:40,359
Speaker 1: it's not the only to quill, but it's just that

489
00:27:40,640 --> 00:27:44,960
Speaker 1: that this that party to kill the party. It's that

490
00:27:45,119 --> 00:27:47,480
Speaker 1: party to kill it like that, and and and he

491
00:27:47,600 --> 00:27:50,920
Speaker 1: go down smooth, I gotta drink a whole bottle of this.

492
00:27:51,200 --> 00:27:52,960
Speaker 1: You can drink a whole bottle of that. We're gonna

493
00:27:53,000 --> 00:27:54,640
Speaker 1: try to see that. You know, this is the drink

494
00:27:56,320 --> 00:27:58,879
Speaker 1: bad while we're here celebrating Jermaine Duprix. You know what

495
00:27:58,920 --> 00:28:08,280
Speaker 1: I'm saying, that's the first thing I've seen you. I'm excited.

496
00:28:08,320 --> 00:28:11,560
Speaker 1: I'm ahead because I feel and I know about what

497
00:28:11,560 --> 00:28:14,560
Speaker 1: I was gonna cool. Sign me on this. Fully, I

498
00:28:14,720 --> 00:28:18,800
Speaker 1: feel like you're a producer that gets more props just

499
00:28:19,280 --> 00:28:22,480
Speaker 1: worldly as opposed to just hip hop and hip hop.

500
00:28:23,280 --> 00:28:25,760
Speaker 1: We had to praise you more. And if hip hop

501
00:28:25,800 --> 00:28:28,560
Speaker 1: ain't praising you right off, they're not, I'm gonna praise you.

502
00:28:28,960 --> 00:28:31,720
Speaker 1: We're gonna praise you. Drink Champ's gonna praise We're gonna

503
00:28:31,720 --> 00:28:40,360
Speaker 1: have fun tonight. I'm drinking out of area. So this

504
00:28:40,520 --> 00:28:42,840
Speaker 1: is a smooth one described this to kill me. And

505
00:28:42,880 --> 00:28:45,240
Speaker 1: it's just you know, like like Ship described the bottle,

506
00:28:45,320 --> 00:28:48,560
Speaker 1: It's like it's like it's like it's like drinking don

507
00:28:48,960 --> 00:28:51,920
Speaker 1: like you know, like when we first started drinking champagne.

508
00:28:51,960 --> 00:28:54,440
Speaker 1: We was drinking all kind of was trying to see

509
00:28:54,480 --> 00:28:58,160
Speaker 1: what was going on, right, and I found a safe

510
00:28:58,240 --> 00:29:01,720
Speaker 1: place with Dom Perry, like the dump and putting like

511
00:29:02,640 --> 00:29:07,200
Speaker 1: by the way that grandma in the top mixed Grandma,

512
00:29:07,240 --> 00:29:10,160
Speaker 1: you ain't inside the bottle of dump and it's amazing.

513
00:29:10,680 --> 00:29:13,440
Speaker 1: Wait wait up up did he say grandma in the dump?

514
00:29:13,640 --> 00:29:20,320
Speaker 1: Continue to put the grandma inside the dump? And you

515
00:29:20,400 --> 00:29:24,680
Speaker 1: know it was stupid, right, But then as time went on,

516
00:29:24,840 --> 00:29:28,520
Speaker 1: we started drinking this this, this rose and then it's gotta.

517
00:29:28,720 --> 00:29:31,320
Speaker 1: You know, it's gotta. It's got a very very smooth taste.

518
00:29:31,680 --> 00:29:34,120
Speaker 1: The same thing with this. It started out drinking um.

519
00:29:34,720 --> 00:29:39,960
Speaker 1: What was this ship called what the kill him? Other?

520
00:29:42,760 --> 00:29:49,160
Speaker 1: Huh jo silver. People started drinking. People would drink. They

521
00:29:49,320 --> 00:29:51,440
Speaker 1: like to die at night, Like at night they just

522
00:29:51,600 --> 00:29:55,120
Speaker 1: died and they just come back to life. That pron

523
00:29:55,240 --> 00:29:58,520
Speaker 1: just was too too hard. It's too hard. It's straight

524
00:29:58,560 --> 00:30:00,640
Speaker 1: to the bottom of the best. It's slip. Let me,

525
00:30:00,720 --> 00:30:02,400
Speaker 1: let me float to the bottom. You know what I'm saying?

526
00:30:04,360 --> 00:30:07,400
Speaker 1: Hot Southern. As as we was moving around from the

527
00:30:08,120 --> 00:30:11,280
Speaker 1: you know, the patrol. This came about, so you wanted

528
00:30:11,320 --> 00:30:13,400
Speaker 1: to stay with Tequila's what you wanted to do. I

529
00:30:13,440 --> 00:30:15,800
Speaker 1: mean I didn't want to. I just kind of just

530
00:30:15,920 --> 00:30:18,920
Speaker 1: found on this. I'm gonna be honest with you. Um

531
00:30:19,240 --> 00:30:22,040
Speaker 1: j D as a as A as a real drinker.

532
00:30:22,080 --> 00:30:25,920
Speaker 1: You just describe yourself as a real drinker. I didn't

533
00:30:26,040 --> 00:30:28,280
Speaker 1: know the first time someone described look at the way

534
00:30:28,280 --> 00:30:33,120
Speaker 1: he look at he described the move the case. You

535
00:30:33,240 --> 00:30:36,880
Speaker 1: got a glass, I'm not to kill you. Ice ice

536
00:30:36,960 --> 00:30:40,239
Speaker 1: this hot. Let me get the cups. I don't want

537
00:30:40,240 --> 00:30:43,440
Speaker 1: to put it all the ice. You know what I'm saying.

538
00:30:44,680 --> 00:30:47,680
Speaker 1: I'm staying to still, I'm still fun out somebody I

539
00:30:47,800 --> 00:30:49,959
Speaker 1: used to saying, that's where they don't know. Stay night

540
00:30:50,120 --> 00:30:57,080
Speaker 1: last night, last night. Let's get into start, let's get it.

541
00:30:57,440 --> 00:31:00,880
Speaker 1: Let's get into as it talking about wound my birthday

542
00:31:00,960 --> 00:31:04,280
Speaker 1: last night and live. Oh you're a virgo, leave it

543
00:31:04,520 --> 00:31:07,960
Speaker 1: you're cousin. Yeah, okay, yeah virgo, Yeah, okay, I get

544
00:31:08,000 --> 00:31:10,720
Speaker 1: a long way yeah, okay, godhead. So I got to

545
00:31:10,720 --> 00:31:13,120
Speaker 1: take a shot to that. Okay, let me help. I'm

546
00:31:13,120 --> 00:31:15,840
Speaker 1: gonna take some of that. You gotta cool to kill

547
00:31:15,880 --> 00:31:18,480
Speaker 1: a guy I'm throwing out there I'm gonna start sweating

548
00:31:18,480 --> 00:31:20,760
Speaker 1: like sunny D b D give me, give me a

549
00:31:20,760 --> 00:31:25,000
Speaker 1: little like you gotta only take a sip of that

550
00:31:25,040 --> 00:31:29,360
Speaker 1: because this is now you gotta throw that back. I'm

551
00:31:29,440 --> 00:31:31,600
Speaker 1: not to kill a poor buddy. As you can see,

552
00:31:31,640 --> 00:31:33,240
Speaker 1: I'm not a great guy when it comes in to

553
00:31:33,320 --> 00:31:35,480
Speaker 1: kill a poor So listen, we this is your shot

554
00:31:35,600 --> 00:31:39,120
Speaker 1: for you. This is my first. By the way, by

555
00:31:39,160 --> 00:31:40,880
Speaker 1: the way, this is my first. I took mine. Alright,

556
00:31:41,200 --> 00:31:46,800
Speaker 1: it's my first. M Dawn Happy Birthday two. Ms at

557
00:31:46,840 --> 00:31:48,360
Speaker 1: Lee said I had it one time in the club,

558
00:31:48,440 --> 00:31:50,360
Speaker 1: but I was drinking. I don't remember. Said that doesn't count.

559
00:31:50,640 --> 00:31:59,120
Speaker 1: So let's go. Oh, that's smooth, smooth, it's smooth. That

560
00:31:59,840 --> 00:32:03,040
Speaker 1: it's you know, it's that salt that to kill the rings,

561
00:32:03,120 --> 00:32:05,000
Speaker 1: that salt I take. That's the ship that I hate

562
00:32:05,000 --> 00:32:07,440
Speaker 1: because it reminds me of Mexico, like when I was

563
00:32:07,520 --> 00:32:14,720
Speaker 1: like just I just woke up. I mean that period.

564
00:32:14,840 --> 00:32:17,959
Speaker 1: This is this is you know, you can site. That's

565
00:32:18,040 --> 00:32:20,000
Speaker 1: that's when I hear that you have to keep a sip.

566
00:32:20,120 --> 00:32:21,959
Speaker 1: I never understood it, but now I get it. Let

567
00:32:22,000 --> 00:32:26,800
Speaker 1: me ask you, Jeddy, what's your favorite error in hip hop? Um?

568
00:32:33,520 --> 00:32:38,400
Speaker 1: I like that right, I'm like that was like I

569
00:32:38,480 --> 00:32:41,479
Speaker 1: got look at it speaking about the question, because that's

570
00:32:41,480 --> 00:32:44,480
Speaker 1: a good question though, right it is. I gotta pick myself.

571
00:32:45,920 --> 00:32:48,320
Speaker 1: I think like for me, it was probably like, um,

572
00:32:51,160 --> 00:32:54,200
Speaker 1: let's say the nineties, the last part of the last

573
00:32:54,280 --> 00:32:58,880
Speaker 1: part of the eighties. Suck me up with that one. Now,

574
00:32:59,040 --> 00:33:01,560
Speaker 1: last part of the eighties to hip hop music in general?

575
00:33:01,640 --> 00:33:04,520
Speaker 1: Hip hop? Okay, I subscribed that era. Who's the man

576
00:33:04,560 --> 00:33:09,920
Speaker 1: we're talking about rock Kim, I'm talking my run dmc DC. Okay,

577
00:33:10,200 --> 00:33:12,520
Speaker 1: I'm talking about Big Daddy came coming into the game.

578
00:33:12,720 --> 00:33:14,560
Speaker 1: Now what came. We talked about Cane with with the

579
00:33:14,680 --> 00:33:18,360
Speaker 1: with the three three, messing with my daughter. Now that's

580
00:33:18,400 --> 00:33:22,040
Speaker 1: not that's that's Hollywood. That was later. I'm trying to

581
00:33:22,560 --> 00:33:29,040
Speaker 1: about Green Cane. Yeah, instead, that's your favorite hip hop

582
00:33:29,280 --> 00:33:32,239
Speaker 1: that's my favorite. I mean because I'm sure I got

583
00:33:32,280 --> 00:33:35,520
Speaker 1: the rope on. I'm into that. That's that's my you know,

584
00:33:35,600 --> 00:33:39,080
Speaker 1: Slick Rink is my favorite rapper all time. Sick We're

585
00:33:39,080 --> 00:33:42,040
Speaker 1: looking for you, Dug your fresh too. I just found

586
00:33:42,120 --> 00:33:46,760
Speaker 1: out that Slick Rick almost shot Big Daddy. Can I

587
00:33:46,920 --> 00:33:50,880
Speaker 1: just found that out? Yeah, I'm just like I was like, yeah,

588
00:33:51,240 --> 00:33:52,959
Speaker 1: you're trying to kill somebody. You try to shoot them

589
00:33:53,000 --> 00:34:01,080
Speaker 1: on the tour in the bus because the apparently you know,

590
00:34:01,440 --> 00:34:03,720
Speaker 1: sometimes when I do drink Champs, I don't immediately go

591
00:34:03,840 --> 00:34:07,000
Speaker 1: back and watch it. But whatever. Eric Sherman said. Yeah,

592
00:34:07,080 --> 00:34:09,720
Speaker 1: he said to me, you know, my phone is going crazy.

593
00:34:09,800 --> 00:34:12,400
Speaker 1: I just changed my number. People are like, yo, he

594
00:34:12,560 --> 00:34:17,280
Speaker 1: missed this one. It's like you you know he's describing

595
00:34:17,320 --> 00:34:19,239
Speaker 1: the ep M D had Potlems with Rock caring them

596
00:34:19,239 --> 00:34:20,719
Speaker 1: back in the days. You know they're all cool now.

597
00:34:21,280 --> 00:34:24,200
Speaker 1: But I had didn't know that because uh, I was

598
00:34:24,280 --> 00:34:26,280
Speaker 1: a spectator at that time. I'm just from the sideline.

599
00:34:26,280 --> 00:34:28,240
Speaker 1: I didn't even really technically come out to ninety seven,

600
00:34:28,480 --> 00:34:30,040
Speaker 1: you know what I mean. So be looking at that

601
00:34:30,520 --> 00:34:32,160
Speaker 1: and so many people are calling like it, and they

602
00:34:32,280 --> 00:34:35,040
Speaker 1: told me that story that's lick Rick actually happy, but

603
00:34:35,160 --> 00:34:37,239
Speaker 1: Big Daddy came and actually pulling the gun down and

604
00:34:37,320 --> 00:34:39,320
Speaker 1: try to shoot them. And then they told me that

605
00:34:39,520 --> 00:34:42,879
Speaker 1: Kane and Rock him hap people. I was just listen,

606
00:34:43,120 --> 00:34:45,200
Speaker 1: I gotta say that for when they're here back to

607
00:34:45,280 --> 00:34:48,000
Speaker 1: Jamie and we're gonna have Big Daddy came, so so

608
00:34:48,080 --> 00:34:51,560
Speaker 1: by what is your favorite hip hop the nineties? Nineties?

609
00:34:51,680 --> 00:34:56,960
Speaker 1: To god? That makes a noise about I got down. Now,

610
00:34:57,040 --> 00:34:58,960
Speaker 1: why why you picked that that? Right? Because I was

611
00:34:59,040 --> 00:35:01,200
Speaker 1: like there, I'll first fell in love with hip hop

612
00:35:01,880 --> 00:35:06,480
Speaker 1: any specific time in the nineties, the middle anywhere from

613
00:35:06,520 --> 00:35:11,560
Speaker 1: like ninety three to like nineties six seven. That's my favorite. Yeah,

614
00:35:11,640 --> 00:35:13,080
Speaker 1: it's I ain't get a chance to really lived through

615
00:35:13,080 --> 00:35:16,120
Speaker 1: the eighties, you know, had the YouTube all the good

616
00:35:16,160 --> 00:35:17,520
Speaker 1: ship that was going on in the eighties. But the

617
00:35:17,600 --> 00:35:18,960
Speaker 1: nineties I lived that, you know, I mean that was

618
00:35:19,880 --> 00:35:24,400
Speaker 1: ro pox everything. See for me, it was just the

619
00:35:24,520 --> 00:35:27,920
Speaker 1: most the creative, the creative era of hip hop was

620
00:35:28,000 --> 00:35:30,520
Speaker 1: the best. It is like people was trying to do

621
00:35:30,719 --> 00:35:34,319
Speaker 1: something nobody sound like public Enemy. We gotta mention them.

622
00:35:34,480 --> 00:35:36,479
Speaker 1: Like even in the nineties, we gotta say that even

623
00:35:36,560 --> 00:35:39,040
Speaker 1: when you came out with original style, there was versions

624
00:35:39,080 --> 00:35:42,160
Speaker 1: of fake Wu Tang's, there was versions of fake marb Beach.

625
00:35:42,239 --> 00:35:45,719
Speaker 1: There was version versions of fake MP. So they're like

626
00:35:45,800 --> 00:35:47,680
Speaker 1: the copy of met style that people are doing now.

627
00:35:47,960 --> 00:35:49,960
Speaker 1: Like I can't say that it exist in the nine

628
00:35:50,000 --> 00:35:51,920
Speaker 1: but it didn't fly in the nineties. Oh no, no, no,

629
00:35:52,040 --> 00:35:56,520
Speaker 1: you got checked it flies, you got checked for that. Yeah. Yeah,

630
00:35:56,600 --> 00:35:58,880
Speaker 1: So that I mean an era like you know, just

631
00:35:59,120 --> 00:36:04,880
Speaker 1: just like identifying off you know, brands of deaders and

632
00:36:05,640 --> 00:36:09,680
Speaker 1: like what was gonna be what niggas wear to future?

633
00:36:09,760 --> 00:36:13,080
Speaker 1: Like just seeing that and being able to, like you

634
00:36:13,200 --> 00:36:15,120
Speaker 1: ask that question, for being able to go back and

635
00:36:15,200 --> 00:36:17,440
Speaker 1: look and say which one I really like? It was

636
00:36:17,560 --> 00:36:21,440
Speaker 1: that arrow away where people was really like, this is

637
00:36:21,480 --> 00:36:24,439
Speaker 1: what y'all gonna wear down the road. This is gonna

638
00:36:24,480 --> 00:36:26,399
Speaker 1: be you know what I mean? Like that's why Chris

639
00:36:26,480 --> 00:36:30,000
Speaker 1: Crush to me, was so um fly to people because

640
00:36:30,040 --> 00:36:33,120
Speaker 1: they had they had all of that flavor, and it

641
00:36:33,280 --> 00:36:36,960
Speaker 1: was like, con't you discover them in the mall walking

642
00:36:37,160 --> 00:36:40,400
Speaker 1: walking through the mall in Atlanta? Just heard them. It

643
00:36:40,480 --> 00:36:43,439
Speaker 1: wasn't rappers at all. They never rapped. You just said

644
00:36:43,440 --> 00:36:49,560
Speaker 1: you guys are gonna wrap yeah green rock. They did

645
00:36:49,600 --> 00:36:54,480
Speaker 1: you ever cut them? The mall of check right then?

646
00:36:57,960 --> 00:37:00,800
Speaker 1: You just want you just you just aora. They was

647
00:37:00,840 --> 00:37:04,360
Speaker 1: in the mall and they just looked like like grown

648
00:37:04,480 --> 00:37:07,279
Speaker 1: as men at eleven and twelve. They was in. They

649
00:37:07,360 --> 00:37:09,640
Speaker 1: was in foot locker. They're already rocking the back of

650
00:37:10,320 --> 00:37:12,880
Speaker 1: the and they was just shopping and they was buying sneakers,

651
00:37:13,480 --> 00:37:16,040
Speaker 1: And I thought, I thought it was a group that

652
00:37:16,200 --> 00:37:18,000
Speaker 1: already came out that I didn't know nothing about it

653
00:37:18,239 --> 00:37:20,760
Speaker 1: because the girls in the mall was tripping like girls.

654
00:37:20,800 --> 00:37:22,800
Speaker 1: They had girls at the store buying them ship and

655
00:37:23,600 --> 00:37:25,440
Speaker 1: all kinds of stuff, and I'm like, who are these

656
00:37:25,520 --> 00:37:28,440
Speaker 1: little guys? And I walked up to him, like what

657
00:37:28,560 --> 00:37:30,520
Speaker 1: do y'all do? We don't do nothing. We just kicking

658
00:37:30,560 --> 00:37:36,719
Speaker 1: And I'm like, y'all just kicking Like they had so

659
00:37:37,000 --> 00:37:40,040
Speaker 1: much swag. I was just like, they gotta make a record.

660
00:37:40,160 --> 00:37:43,080
Speaker 1: Somebody got to you gotta do something. I mean, I've

661
00:37:43,080 --> 00:37:45,319
Speaker 1: seen it immediately, like they had this they just had

662
00:37:45,360 --> 00:37:47,680
Speaker 1: this ore about them. And then we went back once

663
00:37:47,719 --> 00:37:49,360
Speaker 1: I met him, I mean we talked and then we

664
00:37:49,360 --> 00:37:50,840
Speaker 1: went to that. We went back to my house and

665
00:37:50,920 --> 00:37:53,360
Speaker 1: we started creating the idea and then it was like

666
00:37:54,200 --> 00:37:57,880
Speaker 1: everything was about gear, Like everything was about wearing closed

667
00:37:58,040 --> 00:38:01,680
Speaker 1: starters and like of a fly ship. Yeah, all that,

668
00:38:01,800 --> 00:38:06,040
Speaker 1: everything was a big everything. When I Pepe it was hot,

669
00:38:08,840 --> 00:38:10,120
Speaker 1: that's sound to spend it. So I had to be

670
00:38:10,200 --> 00:38:18,560
Speaker 1: down with you know, it wasn't hot, so we was

671
00:38:18,680 --> 00:38:20,520
Speaker 1: we was we they were just trying to figure out

672
00:38:20,560 --> 00:38:24,040
Speaker 1: clothes and then it was like one day, um the

673
00:38:24,200 --> 00:38:26,719
Speaker 1: light skin Chris Chris Smith came to the house and

674
00:38:26,800 --> 00:38:30,239
Speaker 1: he had this big ass jibbo jump on and the

675
00:38:30,360 --> 00:38:32,960
Speaker 1: jumper was so big that you could actually spin around

676
00:38:33,000 --> 00:38:35,920
Speaker 1: it and not even like it was so big. It

677
00:38:36,080 --> 00:38:39,600
Speaker 1: was like the oversize. So I was like, I was like, yeah,

678
00:38:39,600 --> 00:38:42,680
Speaker 1: you should flip it around backwards because it was already

679
00:38:42,719 --> 00:38:44,520
Speaker 1: so big and it didn't make no, it wouldn't make

680
00:38:44,560 --> 00:38:48,560
Speaker 1: no difference. Anyone couldn't. And our Baromada was the mall,

681
00:38:49,440 --> 00:38:50,759
Speaker 1: you know what I mean. I found him at the mall,

682
00:38:50,800 --> 00:38:52,040
Speaker 1: so he was gonna go back to the mall and

683
00:38:52,080 --> 00:38:54,560
Speaker 1: see if this work. So he put his jump on

684
00:38:54,680 --> 00:38:56,880
Speaker 1: bappwards and we went to Liney Squad and we went

685
00:38:56,920 --> 00:38:58,879
Speaker 1: to Lineary Squad with no they still had no record.

686
00:38:59,600 --> 00:39:02,240
Speaker 1: They still I had a record. We went to Lenny Square.

687
00:39:02,280 --> 00:39:04,279
Speaker 1: He had to jump on backwards, and the whole mall

688
00:39:04,480 --> 00:39:06,640
Speaker 1: was acting like they've never seen nothing like this ever,

689
00:39:08,840 --> 00:39:11,960
Speaker 1: And I'm like, what the funk just happened? How is

690
00:39:12,040 --> 00:39:14,560
Speaker 1: this possible? But what were people doing? Like that? Was

691
00:39:14,680 --> 00:39:16,399
Speaker 1: just like, oh my god, what is this what y'all

692
00:39:16,400 --> 00:39:18,440
Speaker 1: got on? I'm like, it's just a regular as jumping

693
00:39:18,760 --> 00:39:26,640
Speaker 1: turned around backwards? Was it cross color? And they just

694
00:39:26,719 --> 00:39:29,120
Speaker 1: freaking out? So then from that point, I was like, Okay,

695
00:39:30,080 --> 00:39:33,120
Speaker 1: we're gonna way our closed backwards. We still ain't have

696
00:39:33,160 --> 00:39:36,239
Speaker 1: no song though, so it's like we gotta get a

697
00:39:36,280 --> 00:39:38,480
Speaker 1: song to go with this. If I get a hit

698
00:39:38,520 --> 00:39:40,400
Speaker 1: record to go with this, y'all gone. That's what I

699
00:39:40,520 --> 00:39:43,160
Speaker 1: just kept telling them, like it's oh, they didn't have

700
00:39:43,280 --> 00:39:45,440
Speaker 1: braids or nothing. We just started like just trying to

701
00:39:45,520 --> 00:39:50,239
Speaker 1: figure it out, like Okay, I had the art development here. Yeah,

702
00:39:50,480 --> 00:39:51,600
Speaker 1: you know what I mean. So it's just it was

703
00:39:51,719 --> 00:39:54,200
Speaker 1: like just really just like trying to end. And Left

704
00:39:54,239 --> 00:39:56,839
Speaker 1: Eye from TLC that was my group before they got

705
00:39:56,880 --> 00:39:59,319
Speaker 1: signed in the face, So Left I was living at

706
00:39:59,400 --> 00:40:06,640
Speaker 1: my house and and and so it was you're going

707
00:40:08,680 --> 00:40:10,640
Speaker 1: please please drink some moment. Yeah, So Left I was

708
00:40:10,680 --> 00:40:12,680
Speaker 1: living at my house without my mother even know when

709
00:40:12,719 --> 00:40:14,319
Speaker 1: she lived and she lived him side of my house

710
00:40:14,440 --> 00:40:17,840
Speaker 1: before Yeah, before TLC. TLC was my groupe. It was

711
00:40:17,920 --> 00:40:23,279
Speaker 1: called Second Nature and Left Eye right, but Left I

712
00:40:23,360 --> 00:40:27,359
Speaker 1: stayed with me and she was on the like trying

713
00:40:27,400 --> 00:40:29,239
Speaker 1: to get an image thing all the time, like the

714
00:40:29,320 --> 00:40:32,200
Speaker 1: patches and the and all that ship. We was there

715
00:40:32,280 --> 00:40:34,200
Speaker 1: every day just trying to we was doing ship to

716
00:40:34,280 --> 00:40:37,120
Speaker 1: ourselves that like cut our whole eyebrows off like we

717
00:40:37,239 --> 00:40:38,960
Speaker 1: was doing crazy ship just each other to be like

718
00:40:39,080 --> 00:40:40,800
Speaker 1: figure out what we could come up with to be

719
00:40:41,280 --> 00:40:44,520
Speaker 1: to stand out. And she was partially part of helping me,

720
00:40:45,120 --> 00:40:48,600
Speaker 1: you know, developed across at that. Now. I've seen you

721
00:40:48,719 --> 00:40:51,759
Speaker 1: on a reality forget which one it was, but they

722
00:40:51,840 --> 00:40:55,080
Speaker 1: brung your white kid, and I think he's something for you.

723
00:40:55,200 --> 00:40:58,600
Speaker 1: And you said this kid has talent immediately, right, And

724
00:40:59,160 --> 00:41:01,279
Speaker 1: I imagine that's how you felt, because that's how you

725
00:41:01,360 --> 00:41:03,680
Speaker 1: just described Chris Coross. You've seen them and you knew it.

726
00:41:03,920 --> 00:41:06,680
Speaker 1: Have you ever been wrong? I said, I don't see it,

727
00:41:06,920 --> 00:41:10,680
Speaker 1: and then the person goes and blows up. Yeah, damn

728
00:41:13,280 --> 00:41:22,080
Speaker 1: good listening to see. I wasn't wrong, but I the

729
00:41:22,200 --> 00:41:24,839
Speaker 1: people around me was wrong. Okay, let's get to it right.

730
00:41:25,120 --> 00:41:27,520
Speaker 1: So so because I don't know what you mean just now,

731
00:41:28,840 --> 00:41:34,560
Speaker 1: So like John Madden, I don't know what year was.

732
00:41:40,440 --> 00:41:42,239
Speaker 1: This is the first time they wanted to put rap

733
00:41:42,360 --> 00:41:44,800
Speaker 1: music in the video They never had rap music in

734
00:41:44,800 --> 00:41:46,919
Speaker 1: the video games. So they came to me. They was like, yeah,

735
00:41:46,920 --> 00:41:50,160
Speaker 1: we want you to make an intro for John Madden.

736
00:41:51,360 --> 00:41:53,520
Speaker 1: And I ain't had no artists. I mean I had artists,

737
00:41:53,520 --> 00:41:55,960
Speaker 1: but I ain't think that my artist was like animated

738
00:41:56,080 --> 00:41:58,000
Speaker 1: enough and right. It was this guy who's on the

739
00:41:58,120 --> 00:42:01,960
Speaker 1: radio name Chris lovel Love, right, and he was making

740
00:42:02,000 --> 00:42:08,200
Speaker 1: these animated as commercial sounding radio so I went and

741
00:42:08,280 --> 00:42:10,200
Speaker 1: got him. He was in my neighborhood. I went and guy,

742
00:42:10,239 --> 00:42:11,640
Speaker 1: and I say, I'm gonna put you on this John

743
00:42:11,719 --> 00:42:16,520
Speaker 1: Madden video game. And I basically signed him at that point,

744
00:42:16,719 --> 00:42:22,879
Speaker 1: like Yo co signed right, he was on the John

745
00:42:22,960 --> 00:42:25,800
Speaker 1: Man they sold whatever you know, went on Joey Madden

746
00:42:26,080 --> 00:42:29,279
Speaker 1: that ship pop. And at that point I went back

747
00:42:29,320 --> 00:42:31,520
Speaker 1: to my office and I asked everybody in my office.

748
00:42:31,560 --> 00:42:36,600
Speaker 1: I said, Yo, we should sign Luda Chris, and everybody

749
00:42:36,680 --> 00:42:39,320
Speaker 1: told me no, but he was Chris lovel Love. This

750
00:42:39,480 --> 00:42:41,919
Speaker 1: was Chris lovel Love. And everybody, the whole staff told

751
00:42:41,920 --> 00:42:44,600
Speaker 1: you that. Everybody was like, he's it's animated. They ain't

752
00:42:44,640 --> 00:42:47,160
Speaker 1: really don't know what that's gonna be. But animation rap

753
00:42:47,239 --> 00:42:48,920
Speaker 1: was hot at that time. We had busted rhymes. I

754
00:42:49,000 --> 00:42:56,080
Speaker 1: always animated, very very animated. I mean I was into it,

755
00:42:56,160 --> 00:42:57,600
Speaker 1: I just but at the same time I was I

756
00:42:57,760 --> 00:43:01,439
Speaker 1: was dancing between tinted to be an executive and letting

757
00:43:01,440 --> 00:43:04,400
Speaker 1: the people in my office actually do something right. So

758
00:43:04,520 --> 00:43:08,520
Speaker 1: I asked people and they was like, nah, we don't

759
00:43:08,560 --> 00:43:12,200
Speaker 1: really know about that. And to this day I'm mad

760
00:43:12,239 --> 00:43:14,439
Speaker 1: because that was my was he already rolling with shock

761
00:43:14,480 --> 00:43:18,200
Speaker 1: at that time? Huh with shokah? Of course they've been together. Yeah,

762
00:43:18,320 --> 00:43:20,239
Speaker 1: So I mean that's that's the that's the only one.

763
00:43:20,320 --> 00:43:22,720
Speaker 1: And I wasn't wrong because I used him. I already

764
00:43:22,800 --> 00:43:25,279
Speaker 1: had put him on to John Mann, so I knew

765
00:43:25,320 --> 00:43:28,040
Speaker 1: what he was cool. I just didn't react fact like

766
00:43:28,080 --> 00:43:32,240
Speaker 1: I should have fun fact fun fact two. Okay, goddamn

767
00:43:32,360 --> 00:43:36,960
Speaker 1: high fiveda especially. I was waiting for you to like

768
00:43:37,080 --> 00:43:46,919
Speaker 1: them blunts. You got your O baby, we we listen, listen,

769
00:43:46,920 --> 00:43:52,799
Speaker 1: we got new mincrophones. I was gonna say, um, it's

770
00:43:52,840 --> 00:43:55,759
Speaker 1: a couple of artists that j D because I'm telling

771
00:43:55,760 --> 00:44:01,799
Speaker 1: me he was supposed to sigh j Z. I threw

772
00:44:01,880 --> 00:44:05,120
Speaker 1: that in the end. What you what you got? But

773
00:44:05,760 --> 00:44:12,920
Speaker 1: little more now? Yeah? Earlier? Yeah? Yeah, who brought him

774
00:44:12,920 --> 00:44:17,560
Speaker 1: to your cruel love? Who love? Because yeah, it was cool,

775
00:44:17,960 --> 00:44:25,040
Speaker 1: it's true ship. I don't but it wasn't no signing though.

776
00:44:25,120 --> 00:44:28,120
Speaker 1: It was like he brought him to me. They came,

777
00:44:28,280 --> 00:44:30,719
Speaker 1: but it was never like yo, I don't know, it

778
00:44:30,840 --> 00:44:33,799
Speaker 1: just ain't never seemed like at that time, I'm gonna

779
00:44:33,800 --> 00:44:36,800
Speaker 1: be honest St. Louis, It's not even like back on

780
00:44:36,880 --> 00:44:38,840
Speaker 1: the map. They weren't on the map at all. So

781
00:44:39,000 --> 00:44:40,719
Speaker 1: it was it was a risk because I remember telling

782
00:44:40,800 --> 00:44:43,720
Speaker 1: Penalty Records because he's a company with Cooler Love. Cooler

783
00:44:43,760 --> 00:44:46,719
Speaker 1: Love had my my homeboy, who was my man, and

784
00:44:46,800 --> 00:44:48,160
Speaker 1: now I just met him back there. But it was

785
00:44:48,360 --> 00:44:55,400
Speaker 1: Pierre card so coulda Love had wronged Nelly to Penalty Records.

786
00:44:55,440 --> 00:44:56,839
Speaker 1: And I heard the ship and I was like, yo,

787
00:44:57,120 --> 00:44:59,840
Speaker 1: I said, yo, listen. I didn't know how to sign anything.

788
00:45:00,000 --> 00:45:05,800
Speaker 1: I was just to the side, down down baby. I

789
00:45:05,920 --> 00:45:08,239
Speaker 1: think he was shopping to dinner with that. Yeah, I

790
00:45:08,320 --> 00:45:10,400
Speaker 1: swear to go. I told nil Avini and I was like, yo,

791
00:45:10,840 --> 00:45:12,960
Speaker 1: I said, yo, listen, that's how I knew if you

792
00:45:13,080 --> 00:45:14,719
Speaker 1: if you listen to that first album, he shots me

793
00:45:14,760 --> 00:45:17,120
Speaker 1: out two times on that album. I had no him

794
00:45:17,120 --> 00:45:19,200
Speaker 1: because I went to them, because that's the same time

795
00:45:19,320 --> 00:45:23,320
Speaker 1: David Banner didn't David Banna was signed to the Penalty

796
00:45:23,719 --> 00:45:26,440
Speaker 1: and quier let us excuse me, you're right, and they

797
00:45:26,480 --> 00:45:29,080
Speaker 1: wouldn't give them money for their budget, so I said,

798
00:45:29,120 --> 00:45:30,840
Speaker 1: we take to take the money out of my budget.

799
00:45:30,960 --> 00:45:32,880
Speaker 1: Didn't know this guy was gonna wind up being David

800
00:45:33,239 --> 00:45:36,560
Speaker 1: Banner years later. But I told the motherfucker's but Nellie,

801
00:45:36,600 --> 00:45:38,400
Speaker 1: I said, yo, look, I said, yo, look, this is

802
00:45:38,600 --> 00:45:41,799
Speaker 1: different to this thing is a lot of times New

803
00:45:41,880 --> 00:45:44,320
Speaker 1: York companies who couldn't think outside the box. See me,

804
00:45:44,480 --> 00:45:46,839
Speaker 1: I would go to these towns. I would go to St.

805
00:45:46,960 --> 00:45:48,440
Speaker 1: Louis and I would got to hang out on the

806
00:45:48,600 --> 00:45:51,719
Speaker 1: worst club, the ship with we They only see you

807
00:45:51,800 --> 00:45:53,680
Speaker 1: cups like this too, on the bottle and they just

808
00:45:53,760 --> 00:45:56,520
Speaker 1: bring you. They don't give you the bottle, they bring

809
00:45:56,640 --> 00:45:59,600
Speaker 1: this lastic. You're like a whole lot. Then I want

810
00:45:59,600 --> 00:46:01,480
Speaker 1: to a bottle like this is this that type of

811
00:46:01,520 --> 00:46:04,279
Speaker 1: place like you can't have a bottle here? And I

812
00:46:04,440 --> 00:46:06,960
Speaker 1: was out there St. Louis is real, like this is

813
00:46:07,000 --> 00:46:09,480
Speaker 1: blooding cripin for real out here. I told the lady,

814
00:46:09,560 --> 00:46:11,520
Speaker 1: I said, what so you had a chance to do it?

815
00:46:17,120 --> 00:46:20,480
Speaker 1: Thirty thirty million, damn everything. You know, you gotta be

816
00:46:20,520 --> 00:46:26,080
Speaker 1: on the Dream Champs to come damn one. That's the

817
00:46:26,120 --> 00:46:31,520
Speaker 1: only one. But when I said, Gez about a little bit,

818
00:46:33,080 --> 00:46:34,560
Speaker 1: but let me but all right, so let me ask you,

819
00:46:34,640 --> 00:46:37,759
Speaker 1: speaking of Jez, let me ask you Atlanta. You got

820
00:46:37,920 --> 00:46:40,319
Speaker 1: you guys got to see the b M f Era right,

821
00:46:41,000 --> 00:46:43,080
Speaker 1: like the beat that like that ship was big for

822
00:46:43,239 --> 00:46:46,359
Speaker 1: us because that was like modern day Alpole mind Dave Ridge.

823
00:46:46,600 --> 00:46:50,200
Speaker 1: We've never seen we've never heard of like these guys,

824
00:46:51,320 --> 00:46:54,080
Speaker 1: like those type of guys in the South, Like we've

825
00:46:54,160 --> 00:46:57,000
Speaker 1: heard it like that in Hall of Man, the Bronx

826
00:46:57,040 --> 00:46:59,640
Speaker 1: and Queen. So the first time New York people was

827
00:46:59,719 --> 00:47:04,920
Speaker 1: hearing being like what the but you you got YouTube right,

828
00:47:05,480 --> 00:47:07,719
Speaker 1: you got to live. I lived in that lant at

829
00:47:07,760 --> 00:47:09,160
Speaker 1: the time. I don't think I was only to getting

830
00:47:09,200 --> 00:47:14,880
Speaker 1: to the club. But I've seen it. I've seen it.

831
00:47:15,000 --> 00:47:17,120
Speaker 1: I've seen I've seen it, you know, the first thing

832
00:47:17,160 --> 00:47:19,760
Speaker 1: I've seen it actually come to light. That's that's crazy,

833
00:47:19,840 --> 00:47:24,000
Speaker 1: that's um, that'sn'tly like the fifty cent. I hope that

834
00:47:24,120 --> 00:47:26,960
Speaker 1: he really got the story the way it's supposed to be,

835
00:47:27,880 --> 00:47:29,719
Speaker 1: like they should have called me. I've seen the ship

836
00:47:29,840 --> 00:47:34,239
Speaker 1: from scratch like day one, like before it was even

837
00:47:34,520 --> 00:47:37,279
Speaker 1: like a crew like this. I've seen. I know you know,

838
00:47:37,360 --> 00:47:38,880
Speaker 1: I meet you used to be in the club. Me,

839
00:47:39,560 --> 00:47:41,080
Speaker 1: we used to be in the club, and it was

840
00:47:41,160 --> 00:47:44,439
Speaker 1: just like him and like one person. Matter of fact,

841
00:47:44,480 --> 00:47:46,440
Speaker 1: I had a security guard that he took from me,

842
00:47:47,200 --> 00:47:49,200
Speaker 1: my man, Big Jay. He took my man, he took

843
00:47:49,280 --> 00:47:51,680
Speaker 1: my security and that that was who he was rolling

844
00:47:51,680 --> 00:47:55,000
Speaker 1: around Atlanta with. And then like he got this idea

845
00:47:55,600 --> 00:47:58,279
Speaker 1: to just turn that ship into a game and make

846
00:47:58,320 --> 00:48:01,399
Speaker 1: it bigger than what him. I'm a Philippa Rose. Even

847
00:48:01,400 --> 00:48:05,879
Speaker 1: though I think you can't keep switching. Now, listen this drink.

848
00:48:08,920 --> 00:48:10,520
Speaker 1: You don't want to. You don't want to show you

849
00:48:10,520 --> 00:48:12,200
Speaker 1: what pup didn't happen. We don't want to show you

850
00:48:12,280 --> 00:48:15,200
Speaker 1: like Jeffrey. Yeah, he made a Jeffrey you know what

851
00:48:15,320 --> 00:48:19,359
Speaker 1: that is, and he makes he makes everything everything, everything

852
00:48:19,600 --> 00:48:21,680
Speaker 1: on here and put it in one cup. I ain't

853
00:48:21,680 --> 00:48:24,280
Speaker 1: gonna lie. I died for twelve seconds, like twelve seconds.

854
00:48:24,280 --> 00:48:32,920
Speaker 1: I was like, you just say I'm coming coming see No,

855
00:48:33,040 --> 00:48:34,360
Speaker 1: you don't gonna do that. You don't gonna do that.

856
00:48:34,440 --> 00:48:38,319
Speaker 1: J d oh Okay, that's that's but this is fly hot.

857
00:48:38,840 --> 00:48:43,600
Speaker 1: That's two. What's that? Like? This just that's the new Grandma,

858
00:48:43,719 --> 00:48:47,160
Speaker 1: yeah instead of Grandma. Yeah, you're bringing the rose. It

859
00:48:47,200 --> 00:48:49,680
Speaker 1: don't look bad though I can't even lie. It looks good.

860
00:48:49,960 --> 00:48:53,440
Speaker 1: This might be something right, So new drinking letter inside

861
00:48:55,280 --> 00:48:59,759
Speaker 1: ship has to your favorite ever? But what is the

862
00:49:00,200 --> 00:49:05,399
Speaker 1: the most fun you had in music? Me? The eighties? Yeah,

863
00:49:05,440 --> 00:49:07,600
Speaker 1: because I mean you wasn't really on in the eighties,

864
00:49:07,680 --> 00:49:12,560
Speaker 1: were you? I was, I was on tour. But you know,

865
00:49:12,719 --> 00:49:16,839
Speaker 1: for me, it was like it's a story that nobody else,

866
00:49:17,280 --> 00:49:19,800
Speaker 1: you know. I like being a part of stuff that

867
00:49:20,080 --> 00:49:22,400
Speaker 1: that I can't share with other people, you know what

868
00:49:22,440 --> 00:49:26,240
Speaker 1: I mean? Like at twelve years old, I was realized

869
00:49:26,280 --> 00:49:29,880
Speaker 1: it was a role that I'm sorry, I don't know

870
00:49:29,920 --> 00:49:33,879
Speaker 1: who took over me. So at twelve and twelve, I've

871
00:49:33,920 --> 00:49:37,120
Speaker 1: seen ship that like niggas that's fifty ain't never even seen,

872
00:49:37,560 --> 00:49:39,080
Speaker 1: you know what I mean. So so it was like

873
00:49:40,440 --> 00:49:43,759
Speaker 1: that that that that era for me, just like that's

874
00:49:43,760 --> 00:49:46,239
Speaker 1: what I learned. That's why I saw you know what

875
00:49:46,239 --> 00:49:50,000
Speaker 1: I mean? I was, I was, um, I love my

876
00:49:50,120 --> 00:49:56,920
Speaker 1: virginity at twelve. Goddamn huh. You know, I don't think

877
00:49:56,920 --> 00:49:59,040
Speaker 1: we ever talked about vorginity on drink Chap like that

878
00:50:00,040 --> 00:50:11,600
Speaker 1: school about asking you talking about later on? Yeah, yea.

879
00:50:12,239 --> 00:50:16,200
Speaker 1: That error just me running around and actually seeing, like

880
00:50:16,320 --> 00:50:19,960
Speaker 1: you said, going to different cities and actually realizing that

881
00:50:21,000 --> 00:50:24,120
Speaker 1: it's other stuff going on besides where I was at. Right,

882
00:50:24,239 --> 00:50:25,840
Speaker 1: So that was just like the most fun for me.

883
00:50:25,880 --> 00:50:29,279
Speaker 1: It was just like, Um, I got a chance to

884
00:50:29,320 --> 00:50:32,360
Speaker 1: actually really just like run around and see ship and

885
00:50:32,960 --> 00:50:35,640
Speaker 1: be on tour with run DMC and the Fat Boys

886
00:50:35,719 --> 00:50:41,200
Speaker 1: and Grandmaster Grandmaster Flash and Houdini at twelve, thirteen, fourteen

887
00:50:41,239 --> 00:50:45,160
Speaker 1: years old. I don't know what's better than that. Now

888
00:50:45,920 --> 00:50:47,799
Speaker 1: as a person, I could tell I know you love

889
00:50:47,920 --> 00:50:51,880
Speaker 1: music just from your justtography, But what was you ever

890
00:50:52,040 --> 00:50:55,600
Speaker 1: frustrated with music? Because ever one time when you was like, man,

891
00:50:55,840 --> 00:51:00,400
Speaker 1: fun this ship, Like yeah, as far as not frustrated

892
00:51:00,440 --> 00:51:02,640
Speaker 1: with music, just frustrated with the fact that the way

893
00:51:02,719 --> 00:51:05,600
Speaker 1: people looked at Atlanta, you know, like you said already

894
00:51:05,600 --> 00:51:08,319
Speaker 1: about the Bamas, Like I was catching that. I had

895
00:51:08,320 --> 00:51:12,080
Speaker 1: a group before Criss Crossed Um caused Siptom's leather. It

896
00:51:12,239 --> 00:51:15,879
Speaker 1: was two girls that was on Geffen and uh they

897
00:51:15,960 --> 00:51:18,480
Speaker 1: was like the girl friends of Hohodini and I and

898
00:51:18,840 --> 00:51:31,240
Speaker 1: I life, real life, real life. There was the girlfriends

899
00:51:31,239 --> 00:51:33,160
Speaker 1: of Whody. Then they happened to live in Atlanta. I

900
00:51:33,280 --> 00:51:36,000
Speaker 1: met them one too when I was young and like, oh,

901
00:51:36,040 --> 00:51:38,480
Speaker 1: are you living in Atlanta? Yeah? Okay, well Shi, when

902
00:51:38,520 --> 00:51:40,520
Speaker 1: I get back home, let's kick it. And then I

903
00:51:40,600 --> 00:51:42,640
Speaker 1: got this idea about them both. When I was putting

904
00:51:42,680 --> 00:51:44,839
Speaker 1: out day records, I used to go to New York

905
00:51:44,960 --> 00:51:47,520
Speaker 1: and have to give my record to like Red Alert

906
00:51:47,719 --> 00:51:50,720
Speaker 1: and Chuck chill Out, And I don't think I remember

907
00:51:50,800 --> 00:51:54,319
Speaker 1: Chuck chill Out saying like, man, I can't really play

908
00:51:54,400 --> 00:51:58,200
Speaker 1: this country ship like something like that, And I just

909
00:51:58,400 --> 00:52:00,960
Speaker 1: was like, that's that's when I really like, Oh, I'm

910
00:52:01,640 --> 00:52:04,520
Speaker 1: I'm gonna make this THI he gonna he gonna change

911
00:52:04,560 --> 00:52:09,200
Speaker 1: his words. But is that how you developed like being global?

912
00:52:09,440 --> 00:52:12,239
Speaker 1: Because like when when you hear a germane pre record,

913
00:52:12,320 --> 00:52:14,560
Speaker 1: it's like it's for everybody. Yeah, that's what it was.

914
00:52:14,640 --> 00:52:16,640
Speaker 1: I don't want I didn't. I didn't want to be

915
00:52:17,360 --> 00:52:19,520
Speaker 1: stuck like that, you know, because I felt like, like

916
00:52:19,600 --> 00:52:21,200
Speaker 1: I said I was, I was the one taking the

917
00:52:21,719 --> 00:52:24,439
Speaker 1: hardest shot out. Cash was not when Chriss Cross came out,

918
00:52:25,160 --> 00:52:27,080
Speaker 1: you know what I mean, they weren't even even they

919
00:52:27,280 --> 00:52:30,160
Speaker 1: actually outcast told me they tried to sign this up

920
00:52:30,200 --> 00:52:34,640
Speaker 1: to death. That's one group that I didn't never man

921
00:52:35,600 --> 00:52:37,640
Speaker 1: that you paid it a way hold on telling on

922
00:52:37,880 --> 00:52:39,400
Speaker 1: you had a chance of sign I don't care, but

923
00:52:39,480 --> 00:52:42,040
Speaker 1: I didn't know they said it was calling my office

924
00:52:42,040 --> 00:52:44,239
Speaker 1: but I don't, you know, the one't never no meeting

925
00:52:44,360 --> 00:52:46,480
Speaker 1: like that, so they didn't have a buzz, and then

926
00:52:46,480 --> 00:52:49,440
Speaker 1: they I would think, because back then, that's how everybody

927
00:52:49,920 --> 00:52:51,319
Speaker 1: was trying to get at, like you know, but I'm

928
00:52:51,320 --> 00:52:53,239
Speaker 1: saying artists, back then you had to have like a

929
00:52:53,320 --> 00:52:56,719
Speaker 1: buzz in your actual neighborhood before you even got to

930
00:52:56,840 --> 00:53:00,200
Speaker 1: any offices anywhere. So I would think outcasts had got

931
00:53:00,239 --> 00:53:02,480
Speaker 1: bus and the locod I mean, I'm find out a

932
00:53:02,560 --> 00:53:05,320
Speaker 1: bunch of like Florida was with us last night. Florida

933
00:53:05,360 --> 00:53:07,680
Speaker 1: also told me that he came to Atlanta, came to

934
00:53:07,800 --> 00:53:09,400
Speaker 1: my office and tried to get me to sign him,

935
00:53:10,160 --> 00:53:12,719
Speaker 1: and I never met him at that time, so you know,

936
00:53:13,000 --> 00:53:14,760
Speaker 1: so there's a lot of that going on. But anyway,

937
00:53:15,200 --> 00:53:18,920
Speaker 1: like Cris Cross was the first rap group to going,

938
00:53:19,040 --> 00:53:21,719
Speaker 1: like I said, from a platinum standpoint, so it wasn't

939
00:53:21,719 --> 00:53:24,080
Speaker 1: nobody else there. So we was taking all of the

940
00:53:24,239 --> 00:53:27,520
Speaker 1: heat as like you know, these little young niggas country

941
00:53:27,560 --> 00:53:29,960
Speaker 1: niggas from Atlanta blah blah blah blah, and we was

942
00:53:30,040 --> 00:53:32,840
Speaker 1: getting that. So I was just determined to like you know,

943
00:53:33,080 --> 00:53:35,840
Speaker 1: change people's mind from that from that place. Right, So

944
00:53:36,080 --> 00:53:45,600
Speaker 1: after Criss Cross, you running into female from Chicago? How

945
00:53:45,680 --> 00:53:48,560
Speaker 1: did how did how did you link up with the brad?

946
00:53:49,000 --> 00:53:54,120
Speaker 1: How did that happen? Well? Escape came after Chris, I apologize,

947
00:53:55,080 --> 00:54:03,120
Speaker 1: Risks go to the skate. Escape came first, um and escaped.

948
00:54:03,400 --> 00:54:06,399
Speaker 1: They came to my birthday. I had a birthday party

949
00:54:06,440 --> 00:54:08,560
Speaker 1: and like my neighborhood, and they came and they sung

950
00:54:08,640 --> 00:54:11,320
Speaker 1: Happy birthday to me. And you knew the group or

951
00:54:11,360 --> 00:54:14,920
Speaker 1: somebody got Ian birt he brought him to myse and

952
00:54:15,000 --> 00:54:17,000
Speaker 1: let him sing Happy Birthday to me. I ain't even

953
00:54:17,040 --> 00:54:19,440
Speaker 1: had no label at this time. They came and singing,

954
00:54:20,239 --> 00:54:23,680
Speaker 1: and I told him that day like, yo, when I'm

955
00:54:23,719 --> 00:54:25,560
Speaker 1: gonna get it, said, I'm gonna get a label deal.

956
00:54:26,239 --> 00:54:27,799
Speaker 1: When I get a labeled deal, I'm gonna sign y'all

957
00:54:27,800 --> 00:54:30,080
Speaker 1: was my first group. That's what I told him. I

958
00:54:30,160 --> 00:54:31,960
Speaker 1: don't he probably don't believe me or whatever whatever, but

959
00:54:32,040 --> 00:54:35,080
Speaker 1: it did happen. That's what happened. So um, So that's

960
00:54:35,120 --> 00:54:38,440
Speaker 1: what you know the escape story. Like that's they sing

961
00:54:38,560 --> 00:54:40,239
Speaker 1: at my birthday and they lit right now. One of

962
00:54:40,280 --> 00:54:43,640
Speaker 1: them is a housewild. The one is a housewild and

963
00:54:45,239 --> 00:54:52,000
Speaker 1: they they get together right now. Together is good. I think.

964
00:54:52,040 --> 00:54:54,799
Speaker 1: I think I think music should be universal. I think

965
00:54:54,800 --> 00:54:57,160
Speaker 1: you should be able to do music until you can't,

966
00:54:57,280 --> 00:55:00,640
Speaker 1: until you can't do until you can't. Yeah, everybody to

967
00:55:00,680 --> 00:55:04,920
Speaker 1: do it. Then what what you want to do? I

968
00:55:05,040 --> 00:55:08,480
Speaker 1: keeps playing this time. That's what I'm like. I told

969
00:55:08,480 --> 00:55:12,440
Speaker 1: you about. Now you want listen, you can set it up.

970
00:55:13,719 --> 00:55:17,160
Speaker 1: That's the one who come on when the table that

971
00:55:17,320 --> 00:55:21,239
Speaker 1: right through. I'm not drinking that show co yeah j D. First,

972
00:55:21,360 --> 00:55:23,640
Speaker 1: you gotta be taking what it is. It's herbs, it's

973
00:55:23,719 --> 00:55:26,080
Speaker 1: no side of faith. This is in the juice balls.

974
00:55:26,160 --> 00:55:30,160
Speaker 1: You know juice balls. It's JUPI on crack. You want

975
00:55:30,200 --> 00:55:31,359
Speaker 1: me to take a shot of that with you too?

976
00:55:31,360 --> 00:55:33,279
Speaker 1: The same way you'll explain that we all got to

977
00:55:33,320 --> 00:55:36,719
Speaker 1: drink it. It's very no. You gotta try to ship.

978
00:55:36,760 --> 00:55:40,880
Speaker 1: You gotta try about now, you gotta you gotta late

979
00:55:42,080 --> 00:55:45,680
Speaker 1: try to It isn't drink Rick Warsted four Rick ros

980
00:55:45,760 --> 00:55:49,719
Speaker 1: did full Yeah fifty did four fifty? Did he do?

981
00:55:50,040 --> 00:55:54,080
Speaker 1: He definitely did it? He did five shots, make five shots.

982
00:55:54,120 --> 00:55:55,640
Speaker 1: But that it's just a shot, all right, Come on,

983
00:55:55,680 --> 00:55:59,759
Speaker 1: let the shot glass gone. I can't put it in

984
00:55:59,840 --> 00:56:12,560
Speaker 1: a definitely put don't even every roads ever, roads ever? Uh?

985
00:56:13,120 --> 00:56:18,440
Speaker 1: I still got to kill it all right? Cool? Are

986
00:56:18,440 --> 00:56:21,160
Speaker 1: you gonna put this show? Please? Put this? Are you

987
00:56:21,200 --> 00:56:25,520
Speaker 1: gonna be respectful my birthday? I still got it off

988
00:56:25,560 --> 00:56:26,920
Speaker 1: my birthday a lot of two. It is sent on

989
00:56:27,000 --> 00:56:30,799
Speaker 1: fire right. Look at that, yo, and let me let

990
00:56:30,840 --> 00:56:34,440
Speaker 1: me tell you. Let me tell you one thing. Not

991
00:56:34,840 --> 00:56:37,719
Speaker 1: not only I respect you, but the world respects. The

992
00:56:37,840 --> 00:56:41,239
Speaker 1: world respects how you stand by your people like you

993
00:56:41,480 --> 00:56:44,520
Speaker 1: always stand by even I want a little crazy for

994
00:56:44,600 --> 00:56:48,640
Speaker 1: a week. It was maybe two maybe two weeks. Gotta

995
00:56:48,640 --> 00:56:52,680
Speaker 1: be able to four months. You still sit about my legga.

996
00:56:53,239 --> 00:56:56,239
Speaker 1: That's my like. I love that. Take no pens with him?

997
00:56:59,040 --> 00:57:04,279
Speaker 1: Ship did when I did the do it was don't

998
00:57:04,280 --> 00:57:10,799
Speaker 1: stay on my phone, everybody, you got your all right? Now?

999
00:57:11,719 --> 00:57:13,520
Speaker 1: Check how we do it, Jay, That's how we do it.

1000
00:57:13,560 --> 00:57:15,200
Speaker 1: It's the only thing. You shouldn't have smelled it. But

1001
00:57:15,360 --> 00:57:17,320
Speaker 1: this is you know, listen, this is the only how

1002
00:57:17,400 --> 00:57:20,280
Speaker 1: we do it. It's odd. It's come on you ready,

1003
00:57:21,760 --> 00:57:23,240
Speaker 1: you gotta take the glasses off. Just just what this

1004
00:57:23,360 --> 00:57:25,360
Speaker 1: just just a little bit, but you put it right back.

1005
00:57:26,160 --> 00:57:27,600
Speaker 1: He's put it right back on. Come on, come on

1006
00:57:27,640 --> 00:57:34,200
Speaker 1: a bount y'all making me drink the ship see shot you, Nina,

1007
00:57:34,200 --> 00:57:38,600
Speaker 1: I just want you can't tell here. You go on,

1008
00:57:38,760 --> 00:57:59,680
Speaker 1: go on, yeah, ready for this, let's go. Let's go.

1009
00:58:02,040 --> 00:58:15,280
Speaker 1: You go go away about to change. You take your

1010
00:58:15,320 --> 00:58:34,320
Speaker 1: stress and change it. It's a little away. It's why

1011
00:58:34,400 --> 00:58:44,760
Speaker 1: do vegans drink? This is your story? You tell me it.

1012
00:58:44,880 --> 00:58:48,080
Speaker 1: Actually it's actually a good story. It's gonna be a

1013
00:58:48,160 --> 00:58:51,000
Speaker 1: sex drive. It's an early like they're saying that there's

1014
00:58:51,000 --> 00:58:52,560
Speaker 1: people that wake up in the morning, they take a

1015
00:58:52,600 --> 00:58:54,760
Speaker 1: shot of that, they clean up, go to work, and

1016
00:58:54,840 --> 00:58:56,480
Speaker 1: they come back home and they take a shot because

1017
00:58:56,480 --> 00:58:58,640
Speaker 1: I get you up and then also put your ass

1018
00:58:58,680 --> 00:59:02,080
Speaker 1: to sleep. Look at Bousten boy, you said such job

1019
00:59:03,280 --> 00:59:05,800
Speaker 1: when this supposed it is supposed to be an aphobia.

1020
00:59:06,000 --> 00:59:07,920
Speaker 1: It's not like you walk around like the ever did

1021
00:59:08,040 --> 00:59:10,480
Speaker 1: you know that you be not gonna sit down. It's

1022
00:59:10,520 --> 00:59:12,560
Speaker 1: not that. It's like, but if you play the game,

1023
00:59:12,600 --> 00:59:16,160
Speaker 1: you'll be ready because you have maybe have to play

1024
00:59:16,200 --> 00:59:18,240
Speaker 1: the game, you'll be ready. You go, that might need

1025
00:59:18,280 --> 00:59:32,640
Speaker 1: another one, no more, no more. That thought the version

1026
00:59:32,720 --> 00:59:34,160
Speaker 1: was real type. So let me let me let me

1027
00:59:34,200 --> 00:59:38,160
Speaker 1: ask you something, uh get a little real right now?

1028
00:59:38,480 --> 00:59:42,680
Speaker 1: Because you did multiple records with Big was after Big Past,

1029
00:59:43,560 --> 00:59:46,040
Speaker 1: did it because I don't think in hip hop we

1030
00:59:46,080 --> 00:59:50,520
Speaker 1: would have thought that first off, that like using big

1031
00:59:50,720 --> 00:59:52,720
Speaker 1: lyrics that we wouldn't have thought hip hop would have

1032
00:59:52,760 --> 00:59:55,240
Speaker 1: made it this far, and now the hip hop has,

1033
00:59:55,360 --> 00:59:56,960
Speaker 1: we wouldn't have thought that hip hop would have took

1034
00:59:57,000 --> 01:00:00,320
Speaker 1: it there where actually you could actually die in pop?

1035
01:00:00,480 --> 01:00:04,760
Speaker 1: Like how how how did your life change after that? Um?

1036
01:00:07,440 --> 01:00:11,360
Speaker 1: I don't. I mean I'm in it. I mean I've

1037
01:00:11,360 --> 01:00:12,920
Speaker 1: been in it since I was twelve, So it just

1038
01:00:13,080 --> 01:00:16,400
Speaker 1: feels like the dirt that I come from. Um, I've

1039
01:00:16,400 --> 01:00:19,200
Speaker 1: seen way more ship than just you know, the Big East.

1040
01:00:19,280 --> 01:00:21,840
Speaker 1: I mean, I was the craziest part of our Big

1041
01:00:22,040 --> 01:00:26,480
Speaker 1: Death is that I was in the truck before I

1042
01:00:26,600 --> 01:00:30,480
Speaker 1: had got in the truck with him. Yeah, I got

1043
01:00:30,560 --> 01:00:34,440
Speaker 1: in the truck because it was l A and the

1044
01:00:34,600 --> 01:00:37,360
Speaker 1: tension was, you know, everybody was already on like this

1045
01:00:38,600 --> 01:00:41,240
Speaker 1: high alert in l A. So when when we came

1046
01:00:41,280 --> 01:00:44,440
Speaker 1: out the party, I was coming out the party with

1047
01:00:44,640 --> 01:00:48,560
Speaker 1: Big and Big like my man, like he was. He

1048
01:00:48,640 --> 01:00:50,760
Speaker 1: was always looking out for me. So he was like, yo, Jennie,

1049
01:00:51,080 --> 01:00:52,600
Speaker 1: you can't stand out here. This is l A. You

1050
01:00:52,640 --> 01:00:55,880
Speaker 1: can't stand outside. Yeah, he telling me this because my

1051
01:00:56,000 --> 01:00:57,880
Speaker 1: car wouldn't my car hadn't come up yet, so his

1052
01:00:58,000 --> 01:00:59,960
Speaker 1: car was there. He's like, yeah, you can't stand out.

1053
01:01:00,000 --> 01:01:03,360
Speaker 1: Saw you getting here with us, and and and when

1054
01:01:03,400 --> 01:01:06,000
Speaker 1: you know we're whatever, how are you gonna do it?

1055
01:01:06,360 --> 01:01:09,080
Speaker 1: So I jumped into I was basically in that truck.

1056
01:01:10,760 --> 01:01:13,720
Speaker 1: My car pulled up right before they pulled off, and

1057
01:01:13,800 --> 01:01:16,600
Speaker 1: I got out the truck and I got in my car.

1058
01:01:17,080 --> 01:01:19,000
Speaker 1: They pulled off, and that's when I heard the shots.

1059
01:01:20,080 --> 01:01:25,880
Speaker 1: Oh you actually heard that, right? Yeah? I was right there.

1060
01:01:26,440 --> 01:01:31,120
Speaker 1: Who So how did you start moving? Different? Was? Yeah?

1061
01:01:31,320 --> 01:01:32,800
Speaker 1: I mean we had a whole bunch of that, Like

1062
01:01:33,520 --> 01:01:36,200
Speaker 1: we had, like tell me what Toler had got us

1063
01:01:36,200 --> 01:01:41,280
Speaker 1: security at the time. Yeah, it was crazy. I mean

1064
01:01:41,320 --> 01:01:46,440
Speaker 1: you had because you ain't really know, like you definitely realized,

1065
01:01:47,960 --> 01:01:50,480
Speaker 1: um that it was real. But but like I said, me,

1066
01:01:52,080 --> 01:01:54,520
Speaker 1: ship that people don't notice that that beef between Puff

1067
01:01:54,680 --> 01:02:01,720
Speaker 1: and Shook started at my birthday party. WHOA, okay, yeah, exactly, Okay,

1068
01:02:01,720 --> 01:02:03,840
Speaker 1: but we gotta get straight into that. But let me

1069
01:02:03,880 --> 01:02:06,760
Speaker 1: ask you, are you are you ready for this? Because

1070
01:02:06,880 --> 01:02:09,160
Speaker 1: this is something that that that that was was crazy

1071
01:02:09,200 --> 01:02:11,160
Speaker 1: to me? You ready for the pup thing when we

1072
01:02:11,240 --> 01:02:13,160
Speaker 1: had pupforn drink chance we want to get here with

1073
01:02:13,320 --> 01:02:16,000
Speaker 1: Pop said alread what he said. Okay, we already played

1074
01:02:16,120 --> 01:02:19,720
Speaker 1: for the stupid Okay, yeah, we're trying to be professional

1075
01:02:19,720 --> 01:02:28,280
Speaker 1: with Jenny. Come on, this is this hilarious. We're trying

1076
01:02:28,320 --> 01:02:35,600
Speaker 1: to be pession. Has your phone homes Let's look derby

1077
01:02:36,440 --> 01:02:38,880
Speaker 1: and you know homeboy was in the tunnel, you know,

1078
01:02:39,240 --> 01:02:41,439
Speaker 1: and we go and have a conversation this time where

1079
01:02:41,480 --> 01:02:43,200
Speaker 1: we run the tunnel. You know, I'm saying, so to

1080
01:02:43,280 --> 01:02:45,959
Speaker 1: make a long story short, you know, this is where

1081
01:02:46,000 --> 01:02:47,880
Speaker 1: the act the parties out of course, at this world

1082
01:02:47,960 --> 01:02:50,560
Speaker 1: famous tunnel. And so then when I had I ran

1083
01:02:50,680 --> 01:02:52,440
Speaker 1: up and I asked him and he said, now, so

1084
01:02:52,600 --> 01:02:56,680
Speaker 1: about your main dupri And I was just like yeah.

1085
01:02:56,760 --> 01:03:06,240
Speaker 1: I was just like, wait, hold on, okay, now I

1086
01:03:06,360 --> 01:03:09,400
Speaker 1: just live to answer on the way. You just don't

1087
01:03:09,400 --> 01:03:15,520
Speaker 1: know what you want me to say? Party the party.

1088
01:03:16,160 --> 01:03:19,400
Speaker 1: But well, I mean that's what Pop said that came

1089
01:03:19,440 --> 01:03:22,360
Speaker 1: into Yeah, came in the tunnel and told him he

1090
01:03:22,400 --> 01:03:25,160
Speaker 1: was looking for no, no, no. That when he said

1091
01:03:25,440 --> 01:03:33,080
Speaker 1: at the Source Awards talking about me, right, what side

1092
01:03:33,160 --> 01:03:35,600
Speaker 1: do you think is a little Come on, man, y'all

1093
01:03:35,640 --> 01:03:37,600
Speaker 1: know better than that. That's not that's not. I mean,

1094
01:03:37,800 --> 01:03:39,919
Speaker 1: we was there, I was I was dead by the way,

1095
01:03:40,680 --> 01:03:42,920
Speaker 1: Like I said, I'm I'm the guy that's been like

1096
01:03:43,000 --> 01:03:45,920
Speaker 1: at the forefront of everybody movement. Me and Snoop, Me

1097
01:03:46,000 --> 01:03:49,600
Speaker 1: and Snoop was like this, That's how came like so

1098
01:03:50,280 --> 01:03:52,680
Speaker 1: me having beef with death Road never was like that

1099
01:03:52,840 --> 01:03:56,280
Speaker 1: wasn't even Suld was in my office coming to Atlanta,

1100
01:03:56,560 --> 01:03:59,520
Speaker 1: kicking it like hanging out in my office. And that's

1101
01:03:59,520 --> 01:04:02,360
Speaker 1: what I'm saying. And like I invited Sugar to my

1102
01:04:02,440 --> 01:04:05,000
Speaker 1: birthday party. Sugar came to my birthday party with just

1103
01:04:05,200 --> 01:04:08,080
Speaker 1: him and his one dude. I invited Puff to my

1104
01:04:08,160 --> 01:04:11,080
Speaker 1: birthday party. Puff came with the whole bad boy crew.

1105
01:04:12,440 --> 01:04:14,800
Speaker 1: They had beef from that, from that sort of ship.

1106
01:04:15,160 --> 01:04:16,720
Speaker 1: But I wasn't never even thinking like it was no

1107
01:04:16,840 --> 01:04:18,840
Speaker 1: real being. I wouldn't even invite it. I wasn't thinking

1108
01:04:18,840 --> 01:04:22,120
Speaker 1: about it like that. But the whole night when the

1109
01:04:22,200 --> 01:04:24,680
Speaker 1: party was great, beautiful party, everybody had a good time.

1110
01:04:24,760 --> 01:04:26,640
Speaker 1: Then we went to this after party. We went to

1111
01:04:26,720 --> 01:04:29,880
Speaker 1: the after party. I guess Puff and Shugg had something

1112
01:04:29,920 --> 01:04:32,600
Speaker 1: kind of like saying said something to each other before

1113
01:04:33,520 --> 01:04:37,000
Speaker 1: whatever at my party. So they got to this after party.

1114
01:04:37,840 --> 01:04:43,040
Speaker 1: Shuld came to the club and Puff went outside and

1115
01:04:43,120 --> 01:04:46,200
Speaker 1: they had their words in the middle of what's your street, Maurice?

1116
01:04:48,200 --> 01:05:02,880
Speaker 1: What street was on? Anyone open? So anyway they had

1117
01:05:03,000 --> 01:05:05,200
Speaker 1: they had like day little words, right, and they went

1118
01:05:05,240 --> 01:05:07,760
Speaker 1: outside and they went in the middle of the street.

1119
01:05:08,640 --> 01:05:10,880
Speaker 1: They were in the middle with the middle, the middle

1120
01:05:10,960 --> 01:05:16,120
Speaker 1: of the street. Puff and Shuk outside in Atlanta and

1121
01:05:16,520 --> 01:05:20,120
Speaker 1: at your party. Is it a calm conversation. It's not.

1122
01:05:20,200 --> 01:05:23,920
Speaker 1: It's not a con conversation, um, but it's it's a

1123
01:05:24,080 --> 01:05:28,080
Speaker 1: very hot style conversation. And their cruise no crew, I mean,

1124
01:05:28,760 --> 01:05:32,560
Speaker 1: got one person. Puff got a crew, should got one

1125
01:05:32,680 --> 01:05:39,360
Speaker 1: dude with him, right, And all I know is Puff

1126
01:05:39,520 --> 01:05:43,600
Speaker 1: started drinking his champagne while they was talking, and I

1127
01:05:43,680 --> 01:05:46,760
Speaker 1: guess somebody must say something to him. And next day,

1128
01:05:46,800 --> 01:05:49,960
Speaker 1: I know, you know, Wolf rest in peace. You know,

1129
01:05:50,560 --> 01:05:52,760
Speaker 1: he let off a shot and let off a couple

1130
01:05:52,800 --> 01:05:57,080
Speaker 1: of shots and shug Man got killed right there in Atlanta.

1131
01:05:58,360 --> 01:06:01,720
Speaker 1: That was the beginning of that whole ship. Like, I mean,

1132
01:06:01,760 --> 01:06:03,560
Speaker 1: you're starting at the source of wars. But I'm saying

1133
01:06:03,600 --> 01:06:08,160
Speaker 1: for like real, so so you're saying like like big

1134
01:06:08,920 --> 01:06:13,440
Speaker 1: and maybe Pop might have been like had not to

1135
01:06:13,480 --> 01:06:16,720
Speaker 1: do with this, yeah, but it affected like if it

1136
01:06:16,800 --> 01:06:18,160
Speaker 1: went into that, but they ain't had nothing to do

1137
01:06:18,240 --> 01:06:21,400
Speaker 1: with this. This was all like CEO the CEO ship

1138
01:06:22,920 --> 01:06:24,840
Speaker 1: and what Poppa are we talking about? Then? Did he

1139
01:06:24,960 --> 01:06:27,720
Speaker 1: have big at that time or not? Yeah? And then

1140
01:06:27,760 --> 01:06:33,760
Speaker 1: what the ship? Who who was? Should death? Yeah? I

1141
01:06:33,800 --> 01:06:35,520
Speaker 1: mean its like this after what I said. It was

1142
01:06:35,720 --> 01:06:40,120
Speaker 1: just saying after he's saying that. After this is like,

1143
01:06:40,400 --> 01:06:42,720
Speaker 1: you know, after soce of Wars and I you know,

1144
01:06:42,760 --> 01:06:45,280
Speaker 1: I started having any birthday parts where I called people

1145
01:06:45,320 --> 01:06:47,200
Speaker 1: and have everybody come to my birthday. So it's like

1146
01:06:47,760 --> 01:06:53,280
Speaker 1: your ship because I remember he was you the Temple ship.

1147
01:06:53,320 --> 01:06:57,400
Speaker 1: I'm your side. You know that everybody coming. They came

1148
01:06:57,440 --> 01:06:59,840
Speaker 1: to Atlanta and this happened. You know, it actually happened

1149
01:06:59,840 --> 01:07:02,600
Speaker 1: at my at my party. Wow, Nobody don't ever talk

1150
01:07:02,600 --> 01:07:04,680
Speaker 1: about that. Nobody don't actually know. This is like probably

1151
01:07:04,720 --> 01:07:08,800
Speaker 1: exclusive for y'all, EXCLUSI them. You want another show at nineteen,

1152
01:07:10,120 --> 01:07:12,400
Speaker 1: I'll just I'll just feel like and it's your birthday too. Man,

1153
01:07:12,720 --> 01:07:15,360
Speaker 1: It's Saturday night and I'm in Miami. I'm gonna take

1154
01:07:15,360 --> 01:07:24,680
Speaker 1: another show. Look what you do? Yeah? Just trust me. Yeah,

1155
01:07:25,040 --> 01:07:32,800
Speaker 1: I gotta go in right, I'm not to see if

1156
01:07:32,840 --> 01:07:37,400
Speaker 1: it's on birthday. I want to see. It's a real aprodisia. Okay, yeah, definitely.

1157
01:07:38,400 --> 01:07:43,160
Speaker 1: But now look now, because everything, let me tell you what,

1158
01:07:43,280 --> 01:07:47,680
Speaker 1: I gotta be you up too. For one week, right,

1159
01:07:47,840 --> 01:07:49,840
Speaker 1: at least a leaping the way more than one week.

1160
01:07:50,640 --> 01:07:53,840
Speaker 1: Every way I went, people were just hating on They said,

1161
01:07:53,960 --> 01:07:58,640
Speaker 1: damn funk this nigga domain a pretty you bad cannon

1162
01:07:58,840 --> 01:08:01,480
Speaker 1: jacks and god damn, excuse me, excuse me, Let me

1163
01:08:01,600 --> 01:08:04,560
Speaker 1: let me be Penny be nice. Bro, you back Penny

1164
01:08:05,280 --> 01:08:10,520
Speaker 1: good nice. Didn't make it nice, yo, Listen to me.

1165
01:08:10,920 --> 01:08:17,800
Speaker 1: Listen to me. That is everybody's tilda hating on your Yeah,

1166
01:08:18,160 --> 01:08:20,840
Speaker 1: this was hey, j Because I'm telling you from another stick.

1167
01:08:22,400 --> 01:08:26,120
Speaker 1: I would just walking like I was actually hearing Miami

1168
01:08:26,560 --> 01:08:30,599
Speaker 1: going into what's the club that that that on Monday

1169
01:08:30,720 --> 01:08:34,439
Speaker 1: night out here? King of Diamonds? No, the one that

1170
01:08:34,720 --> 01:08:40,240
Speaker 1: that just be going to do one? No, not alright,

1171
01:08:40,320 --> 01:08:43,559
Speaker 1: So Mocha was a different club. But we had pulled

1172
01:08:43,680 --> 01:08:46,280
Speaker 1: up to me and Jane had pulled up to Mocha.

1173
01:08:47,000 --> 01:08:49,519
Speaker 1: I like the way he say just makes noise, for

1174
01:08:49,560 --> 01:09:01,519
Speaker 1: the way he says that Penny, that's Penny. Salute you.

1175
01:09:01,640 --> 01:09:04,320
Speaker 1: You're preparing for the s looking about your battle do

1176
01:09:04,439 --> 01:09:07,840
Speaker 1: it you all camera, y'all you didn't even have a shot.

1177
01:09:08,960 --> 01:09:20,680
Speaker 1: I don't come Yeah, come on, let's listen. Solo by

1178
01:09:20,680 --> 01:09:27,000
Speaker 1: the way, chans with this ship. Oh she made me

1179
01:09:27,080 --> 01:09:31,519
Speaker 1: want to go to B Street, B Street. I don't

1180
01:09:31,560 --> 01:09:36,720
Speaker 1: feel it. Oh, I haint a lot of CEOs that

1181
01:09:36,800 --> 01:09:39,519
Speaker 1: come from the show. They go in. I mean that

1182
01:09:39,680 --> 01:09:42,560
Speaker 1: is bad. I hadn't walk over there. I'm good that

1183
01:09:43,200 --> 01:09:44,880
Speaker 1: it's bad to us either. I might take it up.

1184
01:09:45,439 --> 01:09:48,040
Speaker 1: It's not bad. Let me tell you something I gotta do. Three.

1185
01:09:48,080 --> 01:09:52,400
Speaker 1: Three's my limit. I drinking tagging bone for twenty years

1186
01:09:52,439 --> 01:09:54,720
Speaker 1: and I'm still not used to it. Like twenty years.

1187
01:09:55,479 --> 01:09:59,439
Speaker 1: We got video of US military. Listen. J D. Lemington,

1188
01:10:02,040 --> 01:10:04,640
Speaker 1: Nigga's never seen this coming like you. I think you

1189
01:10:04,760 --> 01:10:10,720
Speaker 1: created the celebrity couple. M not boy. Yeah, but that

1190
01:10:11,000 --> 01:10:14,320
Speaker 1: was meant to be like everybody else. Like you know,

1191
01:10:14,840 --> 01:10:17,760
Speaker 1: like when they see the celebrity couples, they think they

1192
01:10:17,880 --> 01:10:20,559
Speaker 1: think of that because he bought me and Whitney, they

1193
01:10:20,600 --> 01:10:28,080
Speaker 1: were the same person in reverse. I understand, Okay, you

1194
01:10:28,120 --> 01:10:31,600
Speaker 1: know what I mean, due respect when I say it,

1195
01:10:31,640 --> 01:10:34,640
Speaker 1: but they were the same. That's why you can't. You

1196
01:10:34,720 --> 01:10:37,439
Speaker 1: can't well, Michael and the Pressida. That was the opposite.

1197
01:10:37,560 --> 01:10:39,840
Speaker 1: You can't be with a girl and you smoke, you can,

1198
01:10:39,880 --> 01:10:41,639
Speaker 1: You're not supposed to be with the weed smoke girl.

1199
01:10:41,840 --> 01:10:43,679
Speaker 1: I'm just throwing it out there because at some point

1200
01:10:43,680 --> 01:10:49,000
Speaker 1: you're gonna be like, yo, damn did you just can't

1201
01:10:49,080 --> 01:10:52,680
Speaker 1: be It just doesn't work. So I don't know. I

1202
01:10:52,680 --> 01:10:54,680
Speaker 1: went a little crazy. All right, let's get back to this.

1203
01:10:56,920 --> 01:10:59,000
Speaker 1: So how did how did that? Even? Does that come on?

1204
01:10:59,280 --> 01:11:01,880
Speaker 1: Most black people who grew up in that era and

1205
01:11:02,040 --> 01:11:05,160
Speaker 1: seeing good time, it was even scared to even speak

1206
01:11:05,280 --> 01:11:08,519
Speaker 1: to Did I tell the Star a story on the

1207
01:11:08,720 --> 01:11:13,160
Speaker 1: on the podcast? One day, I was in the studio

1208
01:11:14,400 --> 01:11:17,800
Speaker 1: and they said, everybody gotta walk out the studio, right,

1209
01:11:18,080 --> 01:11:20,080
Speaker 1: And I was mad as fun, like what I walk

1210
01:11:20,080 --> 01:11:23,679
Speaker 1: about the studio? And then they said, because Janet Jackson

1211
01:11:23,720 --> 01:11:25,479
Speaker 1: is about to walk through. Mind you were in the

1212
01:11:25,520 --> 01:11:28,200
Speaker 1: studios to clue your whisper, because that's how much I

1213
01:11:28,280 --> 01:11:34,479
Speaker 1: was spat Penny goddamn it, they said, Janet Jesson. I

1214
01:11:34,479 --> 01:11:36,080
Speaker 1: don't know. At first, I was like, why I gonna

1215
01:11:36,120 --> 01:11:38,439
Speaker 1: get out? And then I'm with Chris Lady and Ship

1216
01:11:38,560 --> 01:11:41,560
Speaker 1: you know, he's rich as ship, and they go, you

1217
01:11:41,640 --> 01:11:43,400
Speaker 1: gotta walk out. He said he I ain't walking out,

1218
01:11:43,680 --> 01:11:46,479
Speaker 1: and he said, but because Janet has to walk through.

1219
01:11:46,560 --> 01:11:48,840
Speaker 1: So when she walks through the studio, everybody has to

1220
01:11:48,920 --> 01:11:54,439
Speaker 1: walk out. So when they said it was Penny, I said,

1221
01:11:54,439 --> 01:12:02,799
Speaker 1: I'm out. I'm expecting whatever. Penny wont give me that, Christie,

1222
01:12:02,840 --> 01:12:07,639
Speaker 1: Christie Christmas. Like I said, Chris, you gotta relax certain people.

1223
01:12:07,680 --> 01:12:09,840
Speaker 1: You just kind of walk out and then let Janet

1224
01:12:09,920 --> 01:12:12,280
Speaker 1: Jackson walk through. And that's a highlight of my life.

1225
01:12:12,520 --> 01:12:15,960
Speaker 1: I have never seen to error after that put you back.

1226
01:12:16,360 --> 01:12:19,040
Speaker 1: That was your girl. Make sure she saying that, give

1227
01:12:19,080 --> 01:12:24,639
Speaker 1: me a high five, nigga, do you know what good

1228
01:12:24,760 --> 01:12:28,880
Speaker 1: times meant to our era? Like we that was a

1229
01:12:29,080 --> 01:12:33,280
Speaker 1: Pamela what's it called? Um um? What's the foxy brown lady?

1230
01:12:33,479 --> 01:12:38,639
Speaker 1: That was? That was like the ideal woman, like every

1231
01:12:38,760 --> 01:12:41,320
Speaker 1: black man wanted that, like you're fro the lood, you

1232
01:12:41,360 --> 01:12:43,280
Speaker 1: want to pay grid. That was the error before, but

1233
01:12:43,400 --> 01:12:47,680
Speaker 1: then my error came and then that Janet Jackson and

1234
01:12:47,880 --> 01:12:50,920
Speaker 1: you got he whispers every time he said that, you

1235
01:12:53,160 --> 01:12:55,800
Speaker 1: like you understand, like I'm asking some person ship, but

1236
01:12:55,920 --> 01:12:59,160
Speaker 1: it's respect because like as a nigga, that's a that's

1237
01:12:59,680 --> 01:13:02,720
Speaker 1: entertain like we didn't think people could go outside the

1238
01:13:02,880 --> 01:13:06,040
Speaker 1: box like we were rappers. Was just like we didn't.

1239
01:13:06,040 --> 01:13:08,360
Speaker 1: We didn't see that. We didn't see that coming. Even

1240
01:13:08,400 --> 01:13:10,200
Speaker 1: when you said you said, you said Bobby and Whitney,

1241
01:13:10,360 --> 01:13:14,400
Speaker 1: Bobby was technically R and B. You represented hip hop,

1242
01:13:14,920 --> 01:13:19,800
Speaker 1: So just how did that happen? I wouldn't was crazy,

1243
01:13:21,360 --> 01:13:23,840
Speaker 1: but you know, like I mean, I don't know how

1244
01:13:23,880 --> 01:13:27,280
Speaker 1: to tell you. I don't know, um yeah, just playing ship.

1245
01:13:29,360 --> 01:13:34,040
Speaker 1: I don't know how to take I don't know what

1246
01:13:34,680 --> 01:13:36,920
Speaker 1: I'm I'm saying. You know, you get to talk with

1247
01:13:37,000 --> 01:13:40,240
Speaker 1: people just like anybody else. Like you know, you get

1248
01:13:40,280 --> 01:13:46,439
Speaker 1: your shot, you shoot it right, that shot a naked commercial.

1249
01:13:48,760 --> 01:13:50,639
Speaker 1: I shot my shot and you know what I mean,

1250
01:13:50,880 --> 01:13:55,479
Speaker 1: and it works and it worked. How did how did

1251
01:13:55,520 --> 01:13:59,120
Speaker 1: this go down? You didn't mean that like live? Like

1252
01:13:59,479 --> 01:14:01,920
Speaker 1: where did you first? Honestly, yeah, we did. We met

1253
01:14:02,000 --> 01:14:06,679
Speaker 1: that like live. We met not like live live type.

1254
01:14:07,280 --> 01:14:11,360
Speaker 1: You know. It's crazy is that I met Janet with

1255
01:14:11,800 --> 01:14:15,000
Speaker 1: Chris Crush and we got to go backstage and see her,

1256
01:14:15,840 --> 01:14:21,000
Speaker 1: and I was like, not so famous, but they was famous,

1257
01:14:22,120 --> 01:14:31,200
Speaker 1: so they were She's been famous, but they got all attention.

1258
01:14:31,280 --> 01:14:33,760
Speaker 1: So they actually was the ones that that she really

1259
01:14:33,800 --> 01:14:37,800
Speaker 1: wanted to meet more than anything. So um they had,

1260
01:14:38,680 --> 01:14:42,679
Speaker 1: but I was like the crew, I wasn't them plus

1261
01:14:42,840 --> 01:14:45,240
Speaker 1: j D. So I was got a chance the opportunity

1262
01:14:45,240 --> 01:14:47,680
Speaker 1: to go through there. So we went backstage and they

1263
01:14:47,720 --> 01:14:50,160
Speaker 1: were talking to her, and all I remember saying was, y'a,

1264
01:14:50,160 --> 01:14:52,719
Speaker 1: I'm gonna see you again. You're gonna see me again.

1265
01:14:53,320 --> 01:14:56,800
Speaker 1: That's what I told him. And I was, and you

1266
01:14:56,960 --> 01:15:04,080
Speaker 1: saw saw God damnit back. And I read somewhere that

1267
01:15:04,240 --> 01:15:06,360
Speaker 1: she said, man, I missed g D or something like that.

1268
01:15:06,400 --> 01:15:14,240
Speaker 1: I ain't gonna go get that back, y'all, listen. I

1269
01:15:14,400 --> 01:15:18,719
Speaker 1: read it somewhere. I read it somewhere. This is like somewhere.

1270
01:15:18,880 --> 01:15:20,960
Speaker 1: It was somewhere. I said, oh, ship, I said, damn,

1271
01:15:21,080 --> 01:15:22,519
Speaker 1: I wish I had. I wish I had your number

1272
01:15:22,560 --> 01:15:24,439
Speaker 1: at that moment. I swear to God, I would have

1273
01:15:24,479 --> 01:15:26,880
Speaker 1: called you with some real nigga ship, like the real nigga.

1274
01:15:27,000 --> 01:15:33,360
Speaker 1: Well nigga, bring back to the A man, bring him

1275
01:15:33,360 --> 01:15:40,519
Speaker 1: back to the A five niggas, because that's dope, like

1276
01:15:41,120 --> 01:15:44,479
Speaker 1: like like J and B. Like that ship just looks right.

1277
01:15:44,600 --> 01:15:47,600
Speaker 1: I ain't even gonna lie, this is my man. He

1278
01:15:47,720 --> 01:15:51,000
Speaker 1: probably don't. They probably don't give a fun. But I

1279
01:15:51,160 --> 01:15:54,280
Speaker 1: like seeing Nas and Nikki like it's just it's something

1280
01:15:54,360 --> 01:15:59,479
Speaker 1: about that that I don't like. It feels right. We're

1281
01:15:59,560 --> 01:16:01,560
Speaker 1: making him. He goes out there and Gucci shoes. I'm like,

1282
01:16:01,640 --> 01:16:06,400
Speaker 1: go ahead, nigga. I'm not going ahead, niggah. Y'all listen.

1283
01:16:06,479 --> 01:16:07,920
Speaker 1: This is the first time I wanted to be a

1284
01:16:08,040 --> 01:16:11,360
Speaker 1: troll like I wanted to because people, oh man, he

1285
01:16:11,439 --> 01:16:13,040
Speaker 1: wanted to post out. I wanted to be like you

1286
01:16:13,240 --> 01:16:18,439
Speaker 1: fucking pitch. Let a man be happy after forty people

1287
01:16:18,560 --> 01:16:21,479
Speaker 1: be lonely. I'm happy. I love my wife. Right, sometimes

1288
01:16:21,520 --> 01:16:24,000
Speaker 1: I look at my wife. I love lo Loo. That's

1289
01:16:24,040 --> 01:16:27,920
Speaker 1: what people need and not see Nas. I'm like, I'm

1290
01:16:27,920 --> 01:16:30,320
Speaker 1: seeing what Nikki, what call us? And for whatever you

1291
01:16:30,479 --> 01:16:35,240
Speaker 1: think about that, that man look happy? Man, fucking niggab

1292
01:16:35,400 --> 01:16:39,000
Speaker 1: who cares what anybody thinks your personal opinion on whatever.

1293
01:16:39,560 --> 01:16:42,439
Speaker 1: Let the niggas be happy. Let nigga try for love.

1294
01:16:42,600 --> 01:16:45,559
Speaker 1: God damn it, hip hop can't be in love. You're

1295
01:16:45,560 --> 01:16:55,560
Speaker 1: gonna relax. Everybody makes some love, make noise perfect. I

1296
01:16:55,640 --> 01:17:00,760
Speaker 1: got lost in my ship. Look look listening. By the way,

1297
01:17:00,760 --> 01:17:02,960
Speaker 1: you're gonna get fan mail all the time. We get

1298
01:17:03,000 --> 01:17:05,360
Speaker 1: people to send us out but Nia invited us to

1299
01:17:05,560 --> 01:17:09,160
Speaker 1: his wedding. I feel like he's a fan of us.

1300
01:17:09,760 --> 01:17:12,920
Speaker 1: We gotta gotta we got a big already passed. Yeah,

1301
01:17:14,120 --> 01:17:16,639
Speaker 1: where's the camera Joe at our shows? Let me see

1302
01:17:16,760 --> 01:17:25,120
Speaker 1: what's because I can annoy my Wednesahza Colosso and a barta.

1303
01:17:26,080 --> 01:17:28,720
Speaker 1: Oh this is Spanish people. Oh that's why. Definitely the

1304
01:17:28,840 --> 01:17:30,720
Speaker 1: marriage of that. I don't know if we can make

1305
01:17:30,760 --> 01:17:33,720
Speaker 1: a guy. But let me see where's that? I don't

1306
01:17:33,760 --> 01:17:42,120
Speaker 1: know to see Sunday four September, we're coming. Oh, I hope,

1307
01:17:42,240 --> 01:17:44,200
Speaker 1: I hope. Where was it that? Let's where is that?

1308
01:17:44,320 --> 01:17:47,439
Speaker 1: Because they're from Hartford, Connecticut. But this is we're gonna

1309
01:17:47,439 --> 01:17:49,960
Speaker 1: do for of Fifield, Massachusetts. Listen, what we're gonna do?

1310
01:17:50,600 --> 01:17:52,640
Speaker 1: Fans who really want us that they wear that. I

1311
01:17:52,640 --> 01:17:54,320
Speaker 1: don't know why this is crazy because they think we're

1312
01:17:54,320 --> 01:17:57,479
Speaker 1: gonna just drink with everybody. The fans really want us

1313
01:17:57,479 --> 01:17:59,200
Speaker 1: that they wear to send us, and what we're gonna do.

1314
01:17:59,520 --> 01:18:01,680
Speaker 1: We're gonna crash. I'm sucking. We'll pick a couple of

1315
01:18:02,280 --> 01:18:06,599
Speaker 1: It're gonna crashing right announced. We're gonna walk in with Tiger,

1316
01:18:06,640 --> 01:18:09,439
Speaker 1: but I'm gonna get suited and booty I'm bringing up

1317
01:18:10,760 --> 01:18:13,160
Speaker 1: that's it? Which one with the pockets up here? Yeah,

1318
01:18:13,960 --> 01:18:15,479
Speaker 1: because you know there's much that you don't got the

1319
01:18:17,760 --> 01:18:21,160
Speaker 1: pockets right there? You mean, dude, are you cool with

1320
01:18:21,280 --> 01:18:24,200
Speaker 1: the new wive us without the pockets right there? It's

1321
01:18:24,280 --> 01:18:27,080
Speaker 1: kind of because I always held my weed on my

1322
01:18:27,160 --> 01:18:29,439
Speaker 1: cigarettes right there. You know what I'm saying. That that's

1323
01:18:29,479 --> 01:18:32,320
Speaker 1: Spanish ship right there. That's Spanish it right there. You

1324
01:18:32,400 --> 01:18:36,360
Speaker 1: and got lost for a second. Gotta relaxed, Indian. You

1325
01:18:36,439 --> 01:18:44,200
Speaker 1: know that's not getting that. Go you throw the challenge

1326
01:18:45,600 --> 01:18:48,639
Speaker 1: that I got the TV show about you Got the Power.

1327
01:18:48,800 --> 01:18:51,120
Speaker 1: It's called TV show. Okay, hold on, hold on about

1328
01:18:51,200 --> 01:18:56,200
Speaker 1: you now you flowld on on. That's the first time

1329
01:18:56,240 --> 01:18:58,160
Speaker 1: I ever announced talk. You're going announced it right now.

1330
01:18:58,200 --> 01:19:00,479
Speaker 1: Come on, everybody hit the table movie eybody hit the

1331
01:19:00,520 --> 01:19:04,160
Speaker 1: table about challenge shows coming, Okay, so we'll TV It's okay,

1332
01:19:04,360 --> 01:19:08,160
Speaker 1: it's called Wow Challenge. Oh you killed that. The niggas

1333
01:19:08,160 --> 01:19:15,920
Speaker 1: made fun of you and you made millions. I'll tell

1334
01:19:16,000 --> 01:19:17,479
Speaker 1: us about I just think of this thing. Is this

1335
01:19:17,600 --> 01:19:20,320
Speaker 1: thing is it's gonna be kind of like a combination

1336
01:19:20,439 --> 01:19:22,920
Speaker 1: of um. If you would have combined like a catfish

1337
01:19:22,960 --> 01:19:24,720
Speaker 1: and a pump together, you know what I'm saying, And

1338
01:19:24,760 --> 01:19:27,800
Speaker 1: it's pretty much it's pretty much we just because you've

1339
01:19:27,800 --> 01:19:29,719
Speaker 1: got people who who we were front on the ground

1340
01:19:29,760 --> 01:19:31,360
Speaker 1: for certain reasons, you know what I'm saying. If it's

1341
01:19:31,439 --> 01:19:34,320
Speaker 1: you know, Mouer's dealing with brilliant situations or you know,

1342
01:19:34,400 --> 01:19:37,160
Speaker 1: they feel like having positive comments makes them feel some

1343
01:19:37,240 --> 01:19:38,360
Speaker 1: type of way. But the n of the day, it's

1344
01:19:38,360 --> 01:19:40,479
Speaker 1: just like be who you are, but we bust them.

1345
01:19:40,800 --> 01:19:42,760
Speaker 1: It's like a family member of a friend might be like, yo, man,

1346
01:19:42,800 --> 01:19:44,479
Speaker 1: I hope me be always on the grammy be doing

1347
01:19:44,640 --> 01:19:46,479
Speaker 1: where he really ain't. So we set them up. They'll

1348
01:19:46,479 --> 01:19:48,800
Speaker 1: set him up. We're gonna come bust on me. And

1349
01:19:48,880 --> 01:19:51,599
Speaker 1: I got two cast minutes so I can't name just yet.

1350
01:19:51,720 --> 01:19:54,160
Speaker 1: And then we we go head and crack down on

1351
01:19:54,439 --> 01:20:01,439
Speaker 1: on on the case, which is you know, ho positive

1352
01:20:04,120 --> 01:20:06,240
Speaker 1: and that's coming top of the year. And I'm like

1353
01:20:06,320 --> 01:20:09,759
Speaker 1: a fake kind of a producer now, like my producer

1354
01:20:09,840 --> 01:20:13,800
Speaker 1: nigger in me is like you suck nigga. That's all

1355
01:20:14,080 --> 01:20:16,720
Speaker 1: it's coming top of here because you know what I thought,

1356
01:20:17,080 --> 01:20:19,040
Speaker 1: I thought the trolls you ever throught of that? Like

1357
01:20:19,200 --> 01:20:22,000
Speaker 1: troll like going to meet the actual trolls. Like, let's

1358
01:20:22,000 --> 01:20:26,519
Speaker 1: suppose the person say something. I'm um, I think Maino

1359
01:20:26,720 --> 01:20:28,720
Speaker 1: and at Lovell was in the mall one time, and

1360
01:20:28,840 --> 01:20:31,080
Speaker 1: then if somebody said something to them and they actually

1361
01:20:31,160 --> 01:20:33,920
Speaker 1: turned around and they went approached them, It's like, Yo,

1362
01:20:33,960 --> 01:20:35,880
Speaker 1: why did you just say something of me? And I

1363
01:20:36,000 --> 01:20:38,680
Speaker 1: was like, damn, that actually show actually works, Like you know,

1364
01:20:39,360 --> 01:20:42,439
Speaker 1: I landed in Ohio and something I say, well fuck you,

1365
01:20:42,640 --> 01:20:44,840
Speaker 1: ohired on funk with you? And they're like you pulled

1366
01:20:44,920 --> 01:20:47,479
Speaker 1: right up on him and the cheeseburger babies and what

1367
01:20:47,560 --> 01:20:51,400
Speaker 1: did you what did you just like? Oh? Ship? You

1368
01:20:51,479 --> 01:20:53,360
Speaker 1: know you you don't know this guy. This guy is

1369
01:20:54,360 --> 01:20:57,439
Speaker 1: he's a troll. You know. Tes not thought of that show,

1370
01:20:57,520 --> 01:21:00,600
Speaker 1: But yes, show that shows it's coming. And whatever they was,

1371
01:21:00,720 --> 01:21:02,679
Speaker 1: they was from where we actually give them a chance

1372
01:21:02,720 --> 01:21:04,720
Speaker 1: to like live that light for like a day, you

1373
01:21:04,760 --> 01:21:07,280
Speaker 1: know what I'm saying. So, yeah, you already shot something

1374
01:21:07,320 --> 01:21:11,360
Speaker 1: shot the absolutely wait you think you do? Come on,

1375
01:21:11,520 --> 01:21:13,719
Speaker 1: I think you do, baby, I think thank you should

1376
01:21:13,760 --> 01:21:15,280
Speaker 1: hit the blood for the first time. You know, Jaie

1377
01:21:15,280 --> 01:21:18,080
Speaker 1: don't smoke, but I think because you know what I'm saying, No,

1378
01:21:18,240 --> 01:21:20,040
Speaker 1: we don't. We don't if you never smoked no, we

1379
01:21:20,080 --> 01:21:23,880
Speaker 1: don't want that. Don't I can feel like, if you're

1380
01:21:23,880 --> 01:21:25,599
Speaker 1: smoked on the weekend, I'll be like, all right, cool,

1381
01:21:25,640 --> 01:21:27,200
Speaker 1: but if you're never smoked, I don't want to do that.

1382
01:21:27,600 --> 01:21:30,920
Speaker 1: It's okay, I'll take another shot. We're taking a tagging.

1383
01:21:31,600 --> 01:21:39,280
Speaker 1: You want gonna go back to eighteen forty two trying

1384
01:21:39,320 --> 01:21:46,240
Speaker 1: to serious? Don't wait, that's we had to read three

1385
01:21:46,280 --> 01:21:49,960
Speaker 1: years my lucky one, so this didn't been the last

1386
01:21:50,160 --> 01:21:52,800
Speaker 1: I got you. I'm gonna watch up right now. This

1387
01:21:52,920 --> 01:21:55,920
Speaker 1: is crazy. Come on, I'm gonna go out after we

1388
01:21:56,000 --> 01:22:00,920
Speaker 1: did okay, and you're single right now, I'm just gonna

1389
01:22:00,960 --> 01:22:02,800
Speaker 1: throw this out there. I just want you to be

1390
01:22:02,880 --> 01:22:09,000
Speaker 1: prepared full when Penny come back. We gotta you. Gotta

1391
01:22:09,040 --> 01:22:10,720
Speaker 1: do this to the name of hip hop and the

1392
01:22:10,840 --> 01:22:13,320
Speaker 1: name of hip hop. Putting that pressure on me that

1393
01:22:13,479 --> 01:22:15,479
Speaker 1: a little bit, a little bit, Yeah, we gotta bring

1394
01:22:15,520 --> 01:22:18,519
Speaker 1: that back to the hip hop because listen to j D.

1395
01:22:18,960 --> 01:22:21,759
Speaker 1: This is something something that I've been I've been thinking about,

1396
01:22:21,960 --> 01:22:24,240
Speaker 1: and we've been speaking about on this podcast a lot.

1397
01:22:24,560 --> 01:22:27,280
Speaker 1: Hip hop should be its own religion, like we should.

1398
01:22:28,120 --> 01:22:30,120
Speaker 1: We should have our own award shows, we should have

1399
01:22:30,280 --> 01:22:33,080
Speaker 1: our own union, we should have our own everything. Like

1400
01:22:33,160 --> 01:22:35,720
Speaker 1: if a person gets sick, let's about somebody from Houdini

1401
01:22:36,080 --> 01:22:39,400
Speaker 1: got sick right now? It should be a union. It

1402
01:22:39,520 --> 01:22:43,479
Speaker 1: just just come and just you know, provide those services,

1403
01:22:43,880 --> 01:22:47,000
Speaker 1: you know what I mean? Of course you with the

1404
01:22:47,160 --> 01:22:50,920
Speaker 1: relationships to them. But see, do you think this this

1405
01:22:51,080 --> 01:22:53,920
Speaker 1: union should? Is this? Yeah? I think it should. Damn

1406
01:22:54,120 --> 01:22:57,479
Speaker 1: I totally forgot me. We said yes, okay, no, boud

1407
01:22:57,640 --> 01:23:01,800
Speaker 1: what's about? No? No, no, I'm cool. This is what

1408
01:23:01,960 --> 01:23:07,880
Speaker 1: jurer shot? Though you want to switch? Two is my max? Three?

1409
01:23:08,680 --> 01:23:11,760
Speaker 1: Three is a lucky three is y'r max? No, I

1410
01:23:11,920 --> 01:23:14,760
Speaker 1: keep going. You can pour some out, you can poor

1411
01:23:14,880 --> 01:23:16,599
Speaker 1: some out there and do something. Yeah, because you don't

1412
01:23:16,640 --> 01:23:19,640
Speaker 1: got a lot. Okay, that's no problem. Let me pull

1413
01:23:19,720 --> 01:23:23,960
Speaker 1: someone your ship to look at my shot. Cool. That's

1414
01:23:24,000 --> 01:23:27,240
Speaker 1: a good shot at cool. Cool? This is it? Jadn't

1415
01:23:27,320 --> 01:23:29,679
Speaker 1: make it to the club to not God, it's over.

1416
01:23:30,760 --> 01:23:37,919
Speaker 1: Goddamn all right, cool niggas it's crazy. Oh man, that's awesome.

1417
01:23:38,479 --> 01:23:42,519
Speaker 1: What's crazy? Listen? Yeah, what's crazy about this is that

1418
01:23:43,640 --> 01:23:48,680
Speaker 1: we listen. That's not good. I'm vegan. It's goes with you, yea,

1419
01:23:49,000 --> 01:23:51,000
Speaker 1: that's why that's why you wanted more. I'm gonna be honest.

1420
01:23:51,760 --> 01:23:55,920
Speaker 1: This don't it ain't that bad. It even sounds like

1421
01:23:55,960 --> 01:23:59,920
Speaker 1: I called them more. It's like this. It's for men.

1422
01:24:01,120 --> 01:24:04,280
Speaker 1: If you don't eat me, you used to be not

1423
01:24:04,920 --> 01:24:07,360
Speaker 1: is it alcohol? No, it used to be No. Yeah,

1424
01:24:07,360 --> 01:24:10,679
Speaker 1: it's talking about fermented yes, fermented. Yeah. I mean it's starting,

1425
01:24:10,760 --> 01:24:14,720
Speaker 1: not thanking like it's consider wine. It's what they call it.

1426
01:24:14,760 --> 01:24:18,720
Speaker 1: Ain't that bad. Look at if it ain't burn no more,

1427
01:24:18,800 --> 01:24:22,040
Speaker 1: come still burning my throat and don't burn the more.

1428
01:24:22,560 --> 01:24:27,080
Speaker 1: I'm good with. I gotta do four oh man, other

1429
01:24:27,200 --> 01:24:31,560
Speaker 1: four with you too. But I just read this this invitation,

1430
01:24:31,680 --> 01:24:35,120
Speaker 1: So let me ask you what was the wireless moment

1431
01:24:35,200 --> 01:24:38,040
Speaker 1: you on my ride like making music had, Like what

1432
01:24:38,280 --> 01:24:42,320
Speaker 1: was the craziest like you want that story? Yes I do.

1433
01:24:42,520 --> 01:24:45,000
Speaker 1: I kind of do. I kind of do. I kind

1434
01:24:45,040 --> 01:24:52,080
Speaker 1: of feel like, um, um mc, don't kill me. Um.

1435
01:24:52,320 --> 01:25:02,840
Speaker 1: But this is this is exclusive drink Champs exclusive exclusive.

1436
01:25:05,560 --> 01:25:10,400
Speaker 1: So I want to do Always Be My Baby remix

1437
01:25:11,040 --> 01:25:15,719
Speaker 1: with Bratt and Escape at her house and she lived

1438
01:25:15,840 --> 01:25:20,599
Speaker 1: next door to Ralph Lauren and uh like upstate New

1439
01:25:20,720 --> 01:25:28,639
Speaker 1: York right and um she couldn't never really drive ride

1440
01:25:28,680 --> 01:25:31,479
Speaker 1: carry they went and she was married Tommy so he

1441
01:25:31,479 --> 01:25:34,400
Speaker 1: wouldn't let her drive and the security have to drive around.

1442
01:25:34,640 --> 01:25:36,360
Speaker 1: But she didn't like that. She wanted to get out

1443
01:25:36,400 --> 01:25:44,280
Speaker 1: of drive, so Bratt became her oh D like yo,

1444
01:25:44,439 --> 01:25:50,000
Speaker 1: let's go. So I'm downstairs making a beat in the studio.

1445
01:25:50,640 --> 01:25:52,880
Speaker 1: Her and Brat they don't broke out, took a car

1446
01:25:53,080 --> 01:25:56,160
Speaker 1: and left. No security, don't know what's going on. Some

1447
01:25:56,400 --> 01:25:59,040
Speaker 1: downstairs trying to make the song, get the song right,

1448
01:25:59,640 --> 01:26:02,479
Speaker 1: and then our son is like along going off in

1449
01:26:02,520 --> 01:26:05,280
Speaker 1: the house. People running around frantic, like you know what

1450
01:26:05,360 --> 01:26:08,639
Speaker 1: the fun is going on? Like you go to time

1451
01:26:08,640 --> 01:26:11,280
Speaker 1: of my Toler house. I guess I can say this

1452
01:26:11,320 --> 01:26:16,080
Speaker 1: is something like people outside with their good guns. Yea.

1453
01:26:17,160 --> 01:26:19,679
Speaker 1: So my security come, they make us check out straps

1454
01:26:20,280 --> 01:26:22,479
Speaker 1: because everybody else got their strap. You don't need no

1455
01:26:22,520 --> 01:26:25,160
Speaker 1: strap over here, and everybody got guns. So that's how

1456
01:26:25,240 --> 01:26:27,400
Speaker 1: this house was. It was like, that's what's going on.

1457
01:26:28,200 --> 01:26:34,200
Speaker 1: So um Tommy and everybody's looking for Mariah. She's disappeared.

1458
01:26:35,080 --> 01:26:40,120
Speaker 1: She's completely left the house, and I'm downstairs and and

1459
01:26:40,720 --> 01:26:43,720
Speaker 1: Brat's with him, so they think I know, I think

1460
01:26:43,760 --> 01:26:46,720
Speaker 1: I'm in on it. So I'm getting like questioned and

1461
01:26:46,800 --> 01:26:48,400
Speaker 1: I'm like, I don't know what the fun is going on?

1462
01:26:49,040 --> 01:26:53,000
Speaker 1: And they actually really questioned me, like you know what's

1463
01:26:53,000 --> 01:26:58,960
Speaker 1: happening people? Yeah, everybody security And they went to McDonald's

1464
01:27:00,800 --> 01:27:06,200
Speaker 1: like like that. They went to McDonald's carried and Brad

1465
01:27:06,320 --> 01:27:09,080
Speaker 1: went to McDonald's. Okay, now I want to know who ordered.

1466
01:27:10,680 --> 01:27:13,080
Speaker 1: I don't know, because you had to be right, was

1467
01:27:13,120 --> 01:27:17,200
Speaker 1: probably high, so she probably all the food. But anyway,

1468
01:27:17,200 --> 01:27:20,759
Speaker 1: I mean like, so I'm in this house getting basically

1469
01:27:21,960 --> 01:27:24,960
Speaker 1: question like where it's this woman at and I don't know,

1470
01:27:25,160 --> 01:27:27,080
Speaker 1: I don't know nothing about it, but they're not they're

1471
01:27:27,120 --> 01:27:30,320
Speaker 1: not believing me, right, and they the security dude is

1472
01:27:30,360 --> 01:27:33,280
Speaker 1: about to get fired because he allowed her to she

1473
01:27:33,439 --> 01:27:35,760
Speaker 1: snuck out. It was just like some real crazy ship.

1474
01:27:37,920 --> 01:27:42,360
Speaker 1: Yeah yeah, Tommy's gonna kill him. Yeah, He's like, you're

1475
01:27:42,400 --> 01:27:44,439
Speaker 1: about to die because you let her get out of

1476
01:27:44,479 --> 01:27:46,560
Speaker 1: this house without you know what I mean? Like that

1477
01:27:46,760 --> 01:27:50,479
Speaker 1: was crazy to me because I'm I'm fresh, like just

1478
01:27:50,720 --> 01:27:53,960
Speaker 1: from Atlanta. I'm like, what's going on and I'm way

1479
01:27:54,000 --> 01:27:56,880
Speaker 1: out in this house that's way out of state New York.

1480
01:27:57,040 --> 01:27:59,600
Speaker 1: And it's like that was crazy ship right there. Like

1481
01:28:00,080 --> 01:28:04,400
Speaker 1: just to see a star that level, you know, actually

1482
01:28:04,439 --> 01:28:06,920
Speaker 1: want to do something that's different in their life. And

1483
01:28:07,120 --> 01:28:09,880
Speaker 1: she did it, and it was like to see people

1484
01:28:10,280 --> 01:28:15,240
Speaker 1: panicking and Nigga's almost like beating me up as well.

1485
01:28:15,640 --> 01:28:20,400
Speaker 1: It's it's crazy. What's what's the funnest session You've ever had?

1486
01:28:21,080 --> 01:28:25,240
Speaker 1: The best studio session? Like that? One time? It was

1487
01:28:25,320 --> 01:28:28,320
Speaker 1: just perfect. You walked in to beat. The sample was

1488
01:28:28,439 --> 01:28:34,080
Speaker 1: on point, everything like um, me and Nelly, um um grills.

1489
01:28:39,000 --> 01:28:40,360
Speaker 1: I can't hear you. I can't hear you. Come on,

1490
01:28:40,479 --> 01:28:44,560
Speaker 1: come on, come over here, come over here, sing sing it,

1491
01:28:44,640 --> 01:28:49,240
Speaker 1: sing it, Sing it, nigger, we can't hear your Paul,

1492
01:28:49,760 --> 01:29:09,760
Speaker 1: we can't hear you. What does he say? All? That

1493
01:29:09,880 --> 01:29:16,599
Speaker 1: was almost good? That yeah, okay, so so so basically

1494
01:29:17,680 --> 01:29:22,320
Speaker 1: this session was was me and Nellie had an idea

1495
01:29:22,640 --> 01:29:26,320
Speaker 1: and he was gonna take the the the LLL cool

1496
01:29:26,400 --> 01:29:33,160
Speaker 1: J Candy ship like candy the bottom then in infinitive

1497
01:29:33,240 --> 01:29:35,599
Speaker 1: man then then and now he took the flow from

1498
01:29:35,720 --> 01:29:38,960
Speaker 1: from Candy right. Um, that was the flow he wanted

1499
01:29:38,960 --> 01:29:40,760
Speaker 1: to put on this. That was his ideal yard. Now

1500
01:29:40,800 --> 01:29:42,120
Speaker 1: that's just an idea you want to take, you know,

1501
01:29:42,160 --> 01:29:44,880
Speaker 1: because Nellie was you know, buff. So it's kind of

1502
01:29:44,960 --> 01:29:48,320
Speaker 1: like a St. Louis version of LLL cool j you

1503
01:29:48,360 --> 01:29:58,560
Speaker 1: know what I mean, Like I went so so it

1504
01:29:58,680 --> 01:30:01,400
Speaker 1: came up with the you know, let me see a Grill.

1505
01:30:01,840 --> 01:30:04,680
Speaker 1: And then we was like with ship, if you do

1506
01:30:04,720 --> 01:30:08,639
Speaker 1: a song about grills, we gotta get Paul Walkers Paul making.

1507
01:30:08,880 --> 01:30:11,880
Speaker 1: So we got Yo, we gotta get Paul Walla a song. Now,

1508
01:30:11,920 --> 01:30:15,080
Speaker 1: I don't know why this song had to happen this night.

1509
01:30:16,080 --> 01:30:18,120
Speaker 1: Now you can make a record like a week, but

1510
01:30:18,280 --> 01:30:22,280
Speaker 1: we just got Nelly wanted this song to happen right

1511
01:30:22,360 --> 01:30:24,720
Speaker 1: soon as we started making an idea. So we made

1512
01:30:24,720 --> 01:30:28,439
Speaker 1: the idea and then we went to the one twelve

1513
01:30:29,479 --> 01:30:31,960
Speaker 1: One World, one twelve where the players the work. Yeah

1514
01:30:32,000 --> 01:30:35,400
Speaker 1: that we went to one twelve and we got drunk.

1515
01:30:36,000 --> 01:30:39,840
Speaker 1: I'm telling about completely, like drunk as a scumps. We

1516
01:30:39,960 --> 01:30:42,920
Speaker 1: got sucked up, right, So we was sucked up. But

1517
01:30:43,040 --> 01:30:45,479
Speaker 1: in the midst of that, on the way to the club,

1518
01:30:45,600 --> 01:30:48,000
Speaker 1: Nelly's like, Yo, I'm gonna call Paul wall and tell

1519
01:30:48,080 --> 01:30:50,080
Speaker 1: him I'm gonna send him a flight. He's gonna come

1520
01:30:50,120 --> 01:30:53,599
Speaker 1: to the studio while we at the club. This actually happened.

1521
01:30:53,800 --> 01:30:55,799
Speaker 1: Car wal got on the plane, came to the studio,

1522
01:30:56,479 --> 01:30:59,280
Speaker 1: got to the studio, he heard the song. We was

1523
01:30:59,360 --> 01:31:02,200
Speaker 1: at the club put the net least, thinking like, yeah,

1524
01:31:02,240 --> 01:31:03,519
Speaker 1: when I get through, we're gonna get back to the

1525
01:31:03,560 --> 01:31:05,920
Speaker 1: studio and Paul wall Park gonna be done. So we

1526
01:31:06,080 --> 01:31:08,040
Speaker 1: leave one til we get back to the studio. Paul

1527
01:31:08,080 --> 01:31:10,880
Speaker 1: Wall is there, he got he got his part, and

1528
01:31:11,560 --> 01:31:14,120
Speaker 1: the studio is popping right. Like I said before, I

1529
01:31:14,120 --> 01:31:16,240
Speaker 1: don't really have like a whole bunch of people in

1530
01:31:16,360 --> 01:31:19,679
Speaker 1: my session, but this was like Nellie session is weird.

1531
01:31:19,800 --> 01:31:22,320
Speaker 1: It's all kind of ship going. Didn't sign him felt

1532
01:31:22,360 --> 01:31:27,040
Speaker 1: bad anyway. So so and this is the first night

1533
01:31:27,120 --> 01:31:30,400
Speaker 1: I tried lean let's go, let's just take it there.

1534
01:31:32,360 --> 01:31:35,519
Speaker 1: I got a story too. Fun me up. It's the

1535
01:31:35,640 --> 01:31:39,360
Speaker 1: first night. So so Paul wall gotta he pulling up right,

1536
01:31:39,439 --> 01:31:43,519
Speaker 1: and I'm like, man, let me try that. Ship say

1537
01:31:43,640 --> 01:31:45,080
Speaker 1: like j D, you don't want you don't want to

1538
01:31:45,120 --> 01:31:48,400
Speaker 1: get on this leg. I'm like, man, what movie is that?

1539
01:31:51,000 --> 01:31:58,920
Speaker 1: Wry like you don't want to try this. I'm like, man,

1540
01:31:59,000 --> 01:32:00,240
Speaker 1: let me get on this. I want to see what

1541
01:32:00,320 --> 01:32:03,960
Speaker 1: it did. So he got this this like t He's

1542
01:32:04,000 --> 01:32:10,280
Speaker 1: a treaty. That's what they drink like, He's a treaty.

1543
01:32:10,760 --> 01:32:12,720
Speaker 1: They part of ship with this. He's a treaty some

1544
01:32:13,120 --> 01:32:16,680
Speaker 1: some ship. I'm like, okay, so I'm thinking this just

1545
01:32:16,720 --> 01:32:22,800
Speaker 1: ship looked like like like some kool aid. I got

1546
01:32:22,840 --> 01:32:25,040
Speaker 1: on that ship and I'm like, man, this ship ain't nothing.

1547
01:32:25,720 --> 01:32:30,040
Speaker 1: I'm drinking poopoo, turning up, give me some up boom,

1548
01:32:30,560 --> 01:32:33,640
Speaker 1: like this ain't nothing. I don't know. I was going in.

1549
01:32:36,240 --> 01:32:38,360
Speaker 1: I was. I was. I was really like mad because

1550
01:32:38,400 --> 01:32:40,360
Speaker 1: I'm like, wait a minute, y'all never said this ship

1551
01:32:40,479 --> 01:32:42,400
Speaker 1: was something. I don't think. I'm about to start talking

1552
01:32:42,479 --> 01:32:44,880
Speaker 1: slow and kind of ship. I don't know what's going on.

1553
01:32:45,320 --> 01:32:47,519
Speaker 1: But none of that ship happened to me. So I'm like,

1554
01:32:47,840 --> 01:32:51,120
Speaker 1: I'm good, but I was not good. I was the

1555
01:32:51,160 --> 01:33:02,439
Speaker 1: whole another. I was dancing shirt off like like like

1556
01:33:02,600 --> 01:33:06,320
Speaker 1: that's like you ju Wally and I had I had

1557
01:33:06,360 --> 01:33:09,080
Speaker 1: a fight. I had a flight that at six am

1558
01:33:09,200 --> 01:33:13,280
Speaker 1: that morning, not happening. But I was up and I

1559
01:33:13,400 --> 01:33:15,760
Speaker 1: was drinking lead. They were smoking way so if I

1560
01:33:15,840 --> 01:33:18,200
Speaker 1: was getting contact and all kind of ship, but I

1561
01:33:18,320 --> 01:33:22,759
Speaker 1: was going it was. The music was right Paula versus Fresh,

1562
01:33:23,600 --> 01:33:25,800
Speaker 1: something about grills. I was like, this ship, this ship

1563
01:33:25,840 --> 01:33:27,600
Speaker 1: is gonna be a hit. I knew that song was

1564
01:33:27,640 --> 01:33:31,000
Speaker 1: gonna be a hit. I got on that plane. Man,

1565
01:33:31,080 --> 01:33:37,479
Speaker 1: I threw up in the first class. Oh man, I never,

1566
01:33:39,000 --> 01:33:41,760
Speaker 1: I ain't gonna lie. I want to picture thrown up

1567
01:33:41,760 --> 01:33:47,679
Speaker 1: your first class? Okay, which way did you move? Because

1568
01:33:47,720 --> 01:33:50,720
Speaker 1: you had a window? Seater had a window. So I

1569
01:33:50,800 --> 01:33:52,240
Speaker 1: had to I had to let the lady. I had

1570
01:33:52,240 --> 01:33:54,120
Speaker 1: to let the person know that was sitting with me, like, yo,

1571
01:33:54,200 --> 01:33:58,000
Speaker 1: I don't feel right. Ain't this ain't gonna be good?

1572
01:33:58,320 --> 01:34:02,280
Speaker 1: So I was like, I'll be back. Got a little

1573
01:34:03,040 --> 01:34:04,760
Speaker 1: they got a little back, a little thing when you

1574
01:34:04,840 --> 01:34:07,000
Speaker 1: posted do it in and I'm like, this ain't. I

1575
01:34:07,000 --> 01:34:08,920
Speaker 1: ain't I got. I feel like it's gonna be way

1576
01:34:08,960 --> 01:34:13,640
Speaker 1: too much. This ain't. I ended up doing up a

1577
01:34:13,920 --> 01:34:18,640
Speaker 1: lady on his maid. I was fucked up. Yeah, that

1578
01:34:18,760 --> 01:34:20,920
Speaker 1: was my experience with lean. I'm not working with that.

1579
01:34:24,439 --> 01:34:27,719
Speaker 1: That shared me twisted. I say that shaw me twist

1580
01:34:27,800 --> 01:34:37,280
Speaker 1: that class. No, I never do it. I'm mad because

1581
01:34:37,320 --> 01:34:39,519
Speaker 1: you know, you know what, I hate answering. The whole

1582
01:34:39,600 --> 01:34:41,600
Speaker 1: question is at first class, like, so what do you do?

1583
01:34:42,080 --> 01:34:47,120
Speaker 1: I mean so tempted to be like myself, crack I

1584
01:34:48,800 --> 01:34:51,280
Speaker 1: do I do? I do it all the time. This

1585
01:34:52,000 --> 01:34:55,000
Speaker 1: depends on what happens. You're one time to dude says

1586
01:34:55,040 --> 01:35:00,120
Speaker 1: to me, my man, you know everybody's recognizing you. What

1587
01:35:00,200 --> 01:35:01,599
Speaker 1: do you do? I was like, you shoot that ship

1588
01:35:01,680 --> 01:35:11,439
Speaker 1: in the back of the housphone. I told them missed

1589
01:35:11,479 --> 01:35:27,240
Speaker 1: the camera. I wanted to be smoking. I'm saying the camera.

1590
01:35:28,560 --> 01:35:30,519
Speaker 1: I had to tell because I don't want to say

1591
01:35:30,560 --> 01:35:34,360
Speaker 1: on my wrappers. Sometimes it's embarrassing to me. I know

1592
01:35:34,400 --> 01:35:36,000
Speaker 1: what you mean. You know what I'm saying because I

1593
01:35:36,120 --> 01:35:41,240
Speaker 1: say in the right situation. I don't like embarrassing because

1594
01:35:41,439 --> 01:35:46,760
Speaker 1: like the typical black people, I'm good. Let see, you

1595
01:35:47,200 --> 01:35:49,720
Speaker 1: must have been, you know, flying to privats and all

1596
01:35:49,800 --> 01:35:52,599
Speaker 1: that all the time, like I'll be with the regular

1597
01:35:52,720 --> 01:35:54,600
Speaker 1: rich white folks that just ship. Then be like, so

1598
01:35:54,680 --> 01:36:00,880
Speaker 1: what do you do by producing sousel crack? I don't

1599
01:36:01,000 --> 01:36:04,120
Speaker 1: should go to that time. I've been going on it

1600
01:36:04,240 --> 01:36:13,439
Speaker 1: off because sometimes maybe it's cooling the niggers coming thinking yeah,

1601
01:36:13,520 --> 01:36:16,120
Speaker 1: I told him because it's just I don't want to

1602
01:36:16,160 --> 01:36:18,760
Speaker 1: say rapper, like I don't want to say media. And

1603
01:36:18,840 --> 01:36:20,439
Speaker 1: the thing about it is I can get away with

1604
01:36:20,520 --> 01:36:22,880
Speaker 1: anything I say as long with somebody don't walk through

1605
01:36:22,960 --> 01:36:30,320
Speaker 1: this be like, yo, what else side? I just told this.

1606
01:36:30,479 --> 01:36:36,000
Speaker 1: The guy advented the microphone yeah, I understand. When I'm

1607
01:36:36,000 --> 01:36:37,800
Speaker 1: walking through customs or something like that. When I'm always

1608
01:36:37,800 --> 01:36:39,160
Speaker 1: see this ship, they say, what do you do? I'm

1609
01:36:39,160 --> 01:36:43,280
Speaker 1: not acting straight up, don't say rapping him pot through

1610
01:36:43,600 --> 01:36:46,799
Speaker 1: rapp yo, Yo, listen, happer weed what else? He front

1611
01:36:46,840 --> 01:36:49,120
Speaker 1: man pulled them on. Yo. At one point, I'm gonna

1612
01:36:49,120 --> 01:36:52,519
Speaker 1: be honest, I've been down my first I was ninety seven.

1613
01:36:52,640 --> 01:36:57,240
Speaker 1: So the ninety seven to like so funny. No, no, no,

1614
01:36:57,400 --> 01:36:59,919
Speaker 1: that that's just my first solo. I was a ninety

1615
01:37:00,000 --> 01:37:04,240
Speaker 1: eight then released. Okay, so first release just component over,

1616
01:37:04,720 --> 01:37:07,439
Speaker 1: he said. So from I remember, it was one point

1617
01:37:07,479 --> 01:37:09,400
Speaker 1: you could say I'm a rapper and the police would

1618
01:37:09,400 --> 01:37:14,960
Speaker 1: be like, yo, yo, get this nigga escort. Then you

1619
01:37:15,280 --> 01:37:20,080
Speaker 1: see you're wrapper what they pull out? Oh my god,

1620
01:37:21,760 --> 01:37:27,479
Speaker 1: oh ship Yo. I seen the error shift. So like

1621
01:37:27,640 --> 01:37:29,800
Speaker 1: when I could sit down, the person asked me what

1622
01:37:29,920 --> 01:37:32,360
Speaker 1: I do. I just be cautious, something like I don't

1623
01:37:32,400 --> 01:37:36,120
Speaker 1: know if he's a Trump supporter. I don't know where

1624
01:37:36,200 --> 01:37:38,840
Speaker 1: this is going. I had that. I had that one time,

1625
01:37:38,920 --> 01:37:41,920
Speaker 1: but I hadn't fixed that. Okay, I fixed it. You know,

1626
01:37:42,120 --> 01:37:44,200
Speaker 1: like the you know, the magazine is on the airplane.

1627
01:37:45,840 --> 01:37:49,120
Speaker 1: The depends on did you shot from because they get

1628
01:37:49,160 --> 01:37:53,920
Speaker 1: me all the time that I got to fast somebody

1629
01:37:53,960 --> 01:37:56,600
Speaker 1: like every I got the cover of that magazine, So

1630
01:37:59,520 --> 01:38:03,680
Speaker 1: walk up the ship. I was on the plane and

1631
01:38:03,760 --> 01:38:06,479
Speaker 1: I had a cover of this ship, and niggas knew

1632
01:38:06,520 --> 01:38:08,240
Speaker 1: what the funk I was doing there at that point,

1633
01:38:08,360 --> 01:38:11,920
Speaker 1: Like it was like I had that speculation. Why don't

1634
01:38:11,920 --> 01:38:13,439
Speaker 1: you talk about the speculation? But I was on the

1635
01:38:13,520 --> 01:38:16,360
Speaker 1: cover of every seat, so everybody knew who you are,

1636
01:38:17,000 --> 01:38:19,000
Speaker 1: and you sat there was a good moment. That's a

1637
01:38:19,080 --> 01:38:21,519
Speaker 1: good moment. That's a good moment to take something. J D.

1638
01:38:21,920 --> 01:38:23,920
Speaker 1: Let me tell you something in case you don't know, man,

1639
01:38:24,880 --> 01:38:27,280
Speaker 1: we've seen what you did. We've seen you sit here

1640
01:38:27,800 --> 01:38:31,000
Speaker 1: and take an arrow of music and take an artist

1641
01:38:31,479 --> 01:38:35,880
Speaker 1: like about while like a the brat, like a crisscross,

1642
01:38:36,200 --> 01:38:39,559
Speaker 1: like a jacket edge, like an escape, and we seen

1643
01:38:39,640 --> 01:38:43,560
Speaker 1: you tell them how to make hit music. And that

1644
01:38:43,760 --> 01:38:45,840
Speaker 1: was the beautiful part of it. A lot of people

1645
01:38:45,920 --> 01:38:49,360
Speaker 1: appear you and puff together like you're the puff of

1646
01:38:49,439 --> 01:38:55,640
Speaker 1: the South or whatever, but it is it is you

1647
01:38:55,880 --> 01:38:59,280
Speaker 1: kind of like each other. But you did your own

1648
01:38:59,520 --> 01:39:02,160
Speaker 1: market music. You set it off, You did what you

1649
01:39:02,320 --> 01:39:04,920
Speaker 1: had to do, and we want to salute that you

1650
01:39:05,960 --> 01:39:09,200
Speaker 1: understand we want to sit back. I'm clapping up for that.

1651
01:39:13,200 --> 01:39:16,200
Speaker 1: And don't you ever do an interview with any podcast.

1652
01:39:16,880 --> 01:39:20,360
Speaker 1: I don't say your top three because to me this

1653
01:39:20,680 --> 01:39:22,479
Speaker 1: this is the top three producer. This is to me,

1654
01:39:23,600 --> 01:39:30,559
Speaker 1: it's it's puff Drey in Jermaine. That's the top three

1655
01:39:30,880 --> 01:39:37,920
Speaker 1: to me. Then after that generation becomes for real Timberland's

1656
01:39:38,280 --> 01:39:44,519
Speaker 1: the Swiss and beats. This is for me and because

1657
01:39:44,760 --> 01:39:46,920
Speaker 1: we Gotta we Gotta. That's a little bit before dre

1658
01:39:47,080 --> 01:39:52,920
Speaker 1: and but that and you know what, fuck hip hop.

1659
01:39:53,040 --> 01:39:56,000
Speaker 1: We don't have to like sometimes sometimes I'm not saying that,

1660
01:39:56,040 --> 01:40:01,719
Speaker 1: I say I don't know like funk that that category

1661
01:40:01,720 --> 01:40:05,120
Speaker 1: because when a person about you know, you know, you

1662
01:40:05,200 --> 01:40:08,720
Speaker 1: know I'm going in I want to But when I

1663
01:40:09,240 --> 01:40:11,200
Speaker 1: say listen, listen, I want to make a point, I

1664
01:40:11,240 --> 01:40:13,120
Speaker 1: want to make a point. I'm gonna make a point.

1665
01:40:13,400 --> 01:40:18,639
Speaker 1: Oh it's still called veggie like we veggither like Christ

1666
01:40:18,760 --> 01:40:21,760
Speaker 1: is in the building. But let that we didn't drink

1667
01:40:21,800 --> 01:40:28,560
Speaker 1: that whole bottles, but we got another one. Listen. What

1668
01:40:28,640 --> 01:40:33,000
Speaker 1: I'm saying is to see when you say when you say,

1669
01:40:33,800 --> 01:40:36,680
Speaker 1: when you say you give a person the title go

1670
01:40:37,800 --> 01:40:44,759
Speaker 1: which goat means greatest of all time. This should be day.

1671
01:40:45,120 --> 01:40:47,080
Speaker 1: There's a lot of people that could be the greatest

1672
01:40:47,120 --> 01:40:51,799
Speaker 1: of all times. They can't just be one. In boxing,

1673
01:40:51,840 --> 01:40:54,720
Speaker 1: you say the greatest of all times. Mike Tyson might

1674
01:40:54,720 --> 01:40:56,920
Speaker 1: be the greatest of all times for the nineties era.

1675
01:40:57,800 --> 01:41:00,160
Speaker 1: Muhammad Ali might be the greatest of all times. From

1676
01:41:00,200 --> 01:41:04,639
Speaker 1: the eighties era Pakia might be the greatest of all times.

1677
01:41:05,080 --> 01:41:08,679
Speaker 1: From the two thousand and such and such era. Madewell,

1678
01:41:08,760 --> 01:41:11,519
Speaker 1: it's the greatest of all times because that's who the

1679
01:41:11,600 --> 01:41:15,880
Speaker 1: fun my favorite box right. But so why in hip

1680
01:41:15,920 --> 01:41:19,960
Speaker 1: hop we can't have multiple greatest of all the time.

1681
01:41:20,120 --> 01:41:22,640
Speaker 1: I mean, actually you actually can, but it's no we do.

1682
01:41:23,640 --> 01:41:27,280
Speaker 1: And I'm going to change that single handedly. And there's

1683
01:41:27,280 --> 01:41:29,120
Speaker 1: a lot of people that's the greatest at all times

1684
01:41:29,160 --> 01:41:31,439
Speaker 1: of their era, and I want to salute that. It's

1685
01:41:31,479 --> 01:41:33,800
Speaker 1: just like Big Daddy came. Come on, Haitian people, you

1686
01:41:33,880 --> 01:41:38,040
Speaker 1: gotta help us. It's my my friends, the Haitian people

1687
01:41:38,160 --> 01:41:45,200
Speaker 1: that got they finally happy. Theess Tis didn't come. We

1688
01:41:45,320 --> 01:41:51,400
Speaker 1: went to another place. But listen, what I'm saying is

1689
01:41:51,600 --> 01:41:55,920
Speaker 1: we we have we have to keep. That's the thing

1690
01:41:56,000 --> 01:41:58,760
Speaker 1: I respect about you, like I've never really heard you

1691
01:41:59,000 --> 01:42:05,720
Speaker 1: go at somebody else? Did you ever do with this record? Yeah?

1692
01:42:05,760 --> 01:42:09,760
Speaker 1: I did. Dr Dre Dyah, I got at me him

1693
01:42:09,800 --> 01:42:11,639
Speaker 1: and Eminem and they had did like a little song

1694
01:42:11,960 --> 01:42:16,680
Speaker 1: something about what little song is that? Some song where

1695
01:42:16,720 --> 01:42:18,439
Speaker 1: it was this and me, I don't know, but but

1696
01:42:18,640 --> 01:42:22,479
Speaker 1: but but you know, like it's this sensitive hip hop

1697
01:42:22,600 --> 01:42:26,839
Speaker 1: niggas that, like I say, some real ship and niggas

1698
01:42:26,920 --> 01:42:30,360
Speaker 1: get sensitive and want to be defensive, right, because what

1699
01:42:30,479 --> 01:42:33,360
Speaker 1: I had said was that if you put Dr Dre

1700
01:42:33,760 --> 01:42:35,360
Speaker 1: in the room and you put me in a room,

1701
01:42:35,439 --> 01:42:38,920
Speaker 1: who's gonna come out with a song first? Dagn't like that.

1702
01:42:39,400 --> 01:42:41,360
Speaker 1: But the truth of the matter is, I'm gonna come

1703
01:42:41,400 --> 01:42:43,200
Speaker 1: out with the song before he does. I don't need

1704
01:42:43,240 --> 01:42:46,120
Speaker 1: no niggas to write nothing for me. I make the

1705
01:42:46,200 --> 01:42:48,080
Speaker 1: beats and I'm gonna write the lyrics and I'm gonna

1706
01:42:48,120 --> 01:42:49,840
Speaker 1: do the whole song. I'm gonna come out with the

1707
01:42:49,920 --> 01:42:53,040
Speaker 1: song first. Like that was my tip. If you want

1708
01:42:53,080 --> 01:42:59,800
Speaker 1: to challenge me, anybody want to do that, that's that's

1709
01:42:59,800 --> 01:43:04,880
Speaker 1: what you statement. And like at that particularly, that's why

1710
01:43:05,840 --> 01:43:07,600
Speaker 1: they didn't like that statement, you know what I mean?

1711
01:43:07,840 --> 01:43:09,479
Speaker 1: They thought I was trying to shine them. I wasn't

1712
01:43:09,520 --> 01:43:11,439
Speaker 1: really trying to shine them, just like I have to

1713
01:43:11,880 --> 01:43:14,680
Speaker 1: let people know it's a difference between how I make

1714
01:43:14,760 --> 01:43:16,840
Speaker 1: records and other people make records. Like even when people

1715
01:43:16,880 --> 01:43:19,600
Speaker 1: say about me and Puff, me and Puff do have

1716
01:43:19,800 --> 01:43:23,760
Speaker 1: a very similar stylus far like marketing our artists and

1717
01:43:24,040 --> 01:43:27,840
Speaker 1: being labels that move in the same type of motion.

1718
01:43:28,400 --> 01:43:31,519
Speaker 1: But when it comes to making records, Puff don't make

1719
01:43:31,560 --> 01:43:34,800
Speaker 1: records like me. Nobody don't make records like I mean,

1720
01:43:34,800 --> 01:43:36,400
Speaker 1: it's people that make records like me. But I'm just

1721
01:43:36,439 --> 01:43:38,680
Speaker 1: saying it's a different it's a different situation, and I

1722
01:43:38,800 --> 01:43:40,800
Speaker 1: wasn't like even like I'm saying that about Puff, I'm

1723
01:43:40,800 --> 01:43:44,120
Speaker 1: not dissing Puff. I'm saying, like we just I make

1724
01:43:44,200 --> 01:43:47,960
Speaker 1: records differently. I can write a whole song criss Cross

1725
01:43:48,240 --> 01:43:51,559
Speaker 1: that eight million, I wrote the entire album. You wrote

1726
01:43:51,600 --> 01:44:03,160
Speaker 1: all their lyrics, every every line. Wow, that eightmen, God,

1727
01:44:03,200 --> 01:44:06,560
Speaker 1: Damn I let the count nobody money. But I'm just

1728
01:44:06,720 --> 01:44:10,360
Speaker 1: thinking about it. I'm like, damn eightmen in the nineties

1729
01:44:10,479 --> 01:44:15,120
Speaker 1: is the eighties or nineties? Nineties? She got it without

1730
01:44:15,560 --> 01:44:22,160
Speaker 1: you know, like thousand dollars in the eighties meant different inflation.

1731
01:44:27,479 --> 01:44:34,240
Speaker 1: I no like drug dealard money. Yes, this is this. Yeah,

1732
01:44:34,320 --> 01:44:36,880
Speaker 1: I mean hip hop, that's what we should celebrate. We

1733
01:44:36,920 --> 01:44:39,960
Speaker 1: should celebrate that. Listen, man um, there's a lot of

1734
01:44:40,040 --> 01:44:42,960
Speaker 1: brothers out there doing the wrong thing, doing doing a

1735
01:44:43,040 --> 01:44:44,960
Speaker 1: thing to feed their family, and we can't judge that.

1736
01:44:45,080 --> 01:44:47,479
Speaker 1: That's not that's not what we're here to do. But

1737
01:44:49,080 --> 01:44:52,639
Speaker 1: Leo Colon said this on the podcast, and he came

1738
01:44:52,680 --> 01:44:56,439
Speaker 1: and he said, this is the perfect time to get

1739
01:44:56,479 --> 01:44:59,240
Speaker 1: into the music business. And the reason why he's saying

1740
01:44:59,320 --> 01:45:02,400
Speaker 1: that now is remember back then, we had to press

1741
01:45:02,479 --> 01:45:05,560
Speaker 1: the c D, We had to do the artwork. You

1742
01:45:05,600 --> 01:45:07,759
Speaker 1: had to do them cut the middle of the photo

1743
01:45:07,880 --> 01:45:12,559
Speaker 1: shoot like right now, like that serious. Any kid could

1744
01:45:12,600 --> 01:45:15,240
Speaker 1: go on the back of his room, pick up a

1745
01:45:15,520 --> 01:45:21,080
Speaker 1: fucking footy loops anything time I had which and then

1746
01:45:21,240 --> 01:45:24,880
Speaker 1: just and make a whole career like back then, like

1747
01:45:25,320 --> 01:45:28,040
Speaker 1: you had to be ill to get out in the

1748
01:45:28,120 --> 01:45:30,479
Speaker 1: eighties you said your favorite everyone was the eighties. You

1749
01:45:30,600 --> 01:45:32,959
Speaker 1: had to beat just to get in the studio was difficult.

1750
01:45:33,439 --> 01:45:37,439
Speaker 1: Just yeah, they probably even take your account. And then

1751
01:45:37,560 --> 01:45:39,920
Speaker 1: back then they had the eight inch rails. That's like

1752
01:45:40,120 --> 01:45:46,720
Speaker 1: carrying the doorf Like like I got a human here

1753
01:45:46,760 --> 01:45:48,760
Speaker 1: and you cut this take from me and then you

1754
01:45:48,840 --> 01:45:50,880
Speaker 1: remember back then. I'm sorry, I'm showing my age a

1755
01:45:50,920 --> 01:45:54,680
Speaker 1: little about forty years old. But you couldn't punch in

1756
01:45:54,800 --> 01:45:56,920
Speaker 1: you remember that that eram where you had to do

1757
01:45:57,080 --> 01:46:01,400
Speaker 1: your whole verse mission, you know, like I was part

1758
01:46:01,439 --> 01:46:05,200
Speaker 1: of the punching. You can punch punch it. It wasn't it,

1759
01:46:05,520 --> 01:46:12,960
Speaker 1: Yo Ano sex Unique studios they hand punching you had

1760
01:46:13,000 --> 01:46:18,640
Speaker 1: to take. Yeah, yeah, Unique Studios. But you're across the

1761
01:46:18,680 --> 01:46:21,599
Speaker 1: street from MTV. It goes you like yo, you're fucking

1762
01:46:22,080 --> 01:46:24,760
Speaker 1: and you gotta you gotta yo so yo. That's why

1763
01:46:24,880 --> 01:46:29,880
Speaker 1: I do you notice like has keep it real? My

1764
01:46:30,000 --> 01:46:33,040
Speaker 1: minimum is seven songs a night, like when I like,

1765
01:46:33,120 --> 01:46:34,840
Speaker 1: when I'm focused, I go to the studio, I do

1766
01:46:34,960 --> 01:46:38,720
Speaker 1: seven songs like this four hours. My young boys be

1767
01:46:38,760 --> 01:46:41,400
Speaker 1: sitting there still right. I'm like, I wrote my whole

1768
01:46:41,439 --> 01:46:45,200
Speaker 1: ship before I came, because that ship was crazy, like

1769
01:46:45,280 --> 01:46:49,919
Speaker 1: coming from where they come from. Playing session was serious.

1770
01:46:53,560 --> 01:46:56,160
Speaker 1: Like nobody they don't know nothing about that. They just

1771
01:46:56,360 --> 01:46:59,960
Speaker 1: make the records in their bedrooms and they only laptous.

1772
01:47:00,000 --> 01:47:02,160
Speaker 1: It ain't paying that bread Like me, I was trying

1773
01:47:02,160 --> 01:47:04,600
Speaker 1: to get out of the hood. So I like, I'm

1774
01:47:04,640 --> 01:47:07,840
Speaker 1: not like, I can't I can't live the way like

1775
01:47:08,040 --> 01:47:11,519
Speaker 1: I'm still to this day if I book a studio

1776
01:47:11,880 --> 01:47:14,560
Speaker 1: like my pay for somebody else ship, like I have

1777
01:47:14,760 --> 01:47:17,840
Speaker 1: the song written, I have five songs written. That's how

1778
01:47:17,840 --> 01:47:19,720
Speaker 1: you should have it. You should be going to the

1779
01:47:19,760 --> 01:47:23,080
Speaker 1: studio already. Don't play in the studio. It's not a

1780
01:47:23,160 --> 01:47:26,400
Speaker 1: spot to play. It's not stopping playing. And you still

1781
01:47:26,560 --> 01:47:29,320
Speaker 1: love the studio after all these year Keep it real,

1782
01:47:29,600 --> 01:47:31,479
Speaker 1: you ain't lose a little bit of love for music

1783
01:47:31,600 --> 01:47:34,160
Speaker 1: at some point. Come on, tell us that story. Dad,

1784
01:47:34,320 --> 01:47:36,920
Speaker 1: you got pissed off one day. Why I don't know.

1785
01:47:37,080 --> 01:47:39,360
Speaker 1: I don't know. You just said he never said not

1786
01:47:39,439 --> 01:47:41,559
Speaker 1: because I got I got goals, like I got these

1787
01:47:41,640 --> 01:47:43,680
Speaker 1: goals that I ain't never really achieved yet. So I

1788
01:47:44,080 --> 01:47:46,880
Speaker 1: still like, you know, come on, I'm still like I

1789
01:47:47,280 --> 01:47:49,240
Speaker 1: think you achieved everyone. What does it take for you

1790
01:47:49,360 --> 01:47:52,960
Speaker 1: to be like you still haven't achieved? What goals have

1791
01:47:53,120 --> 01:47:55,680
Speaker 1: you not achieved yet? I mean like, like, so, so

1792
01:47:55,880 --> 01:47:57,760
Speaker 1: when I first started working with I shouldn't we did

1793
01:47:57,880 --> 01:47:59,680
Speaker 1: My Way album, and we did when we got to

1794
01:47:59,720 --> 01:48:16,840
Speaker 1: con uestion, this is my confessions. This is so listen.

1795
01:48:16,880 --> 01:48:20,760
Speaker 1: When we got we got the Confessions, we had this

1796
01:48:20,880 --> 01:48:27,800
Speaker 1: conversation about like we gotta sell ten million records. That's

1797
01:48:27,800 --> 01:48:30,640
Speaker 1: the type of talk you. Yeah, that's very scared to

1798
01:48:30,720 --> 01:48:34,800
Speaker 1: talk to you understand, because we know like you don't

1799
01:48:34,960 --> 01:48:38,080
Speaker 1: you don't mean nothing if you don't do nothing like that. Right,

1800
01:48:38,400 --> 01:48:41,280
Speaker 1: as far as where I'm coming from, people look at

1801
01:48:41,320 --> 01:48:43,400
Speaker 1: me like, you know, I had success at the success

1802
01:48:43,439 --> 01:48:45,240
Speaker 1: that nick still look at me the same way. So

1803
01:48:45,600 --> 01:48:50,040
Speaker 1: you gotta do something just like fact flips. Right. So

1804
01:48:50,160 --> 01:48:52,920
Speaker 1: we was at the studio like, and we gotta sell

1805
01:48:53,000 --> 01:48:59,240
Speaker 1: ten millions album, gotta go diamond, and and and and

1806
01:48:59,360 --> 01:49:06,519
Speaker 1: it did. It went diamond. So the last it's the

1807
01:49:06,640 --> 01:49:09,160
Speaker 1: last black artist to sell tim million to till me

1808
01:49:09,280 --> 01:49:21,439
Speaker 1: a record, clap your hold on you plotted this before

1809
01:49:21,479 --> 01:49:23,080
Speaker 1: it half all right, let's take it back to the

1810
01:49:24,920 --> 01:49:28,439
Speaker 1: but but but but like that is still like small

1811
01:49:28,560 --> 01:49:30,400
Speaker 1: compared to what we was actually trying to do. Like

1812
01:49:30,479 --> 01:49:33,000
Speaker 1: we just looking at Quincy Jones. Quincy Jones is like

1813
01:49:33,640 --> 01:49:37,120
Speaker 1: the master to me is my idol, right and the

1814
01:49:37,200 --> 01:49:39,240
Speaker 1: hip hop m Jones in case you didn't know that

1815
01:49:39,920 --> 01:49:47,439
Speaker 1: you are the hip hop Quincy Jones. Appreciate that you Yeah,

1816
01:49:47,520 --> 01:49:50,120
Speaker 1: you know, it's a really compliment. I mean. But but

1817
01:49:50,320 --> 01:49:53,240
Speaker 1: at the same time, saying that I can't really take

1818
01:49:53,320 --> 01:49:55,519
Speaker 1: that yet because he did way more than me. He

1819
01:49:55,680 --> 01:49:59,320
Speaker 1: still got way more under his belt than I have

1820
01:49:59,640 --> 01:50:07,200
Speaker 1: a chief And at fifty Quincy Jones made Thriller. At

1821
01:50:07,280 --> 01:50:09,599
Speaker 1: fifty years old, that's when he created an album which

1822
01:50:09,640 --> 01:50:12,160
Speaker 1: became the biggest selling album in the history of music.

1823
01:50:12,680 --> 01:50:18,320
Speaker 1: At fifty, I just turned forty. So you give me hope. Yeah,

1824
01:50:19,560 --> 01:50:22,000
Speaker 1: let's go. So with that being said, you asked me

1825
01:50:22,080 --> 01:50:25,839
Speaker 1: what what my like? I'm still looking at that like, Yo, okay,

1826
01:50:26,479 --> 01:50:31,320
Speaker 1: I'm not I'm not fifties. If he did it, I

1827
01:50:31,400 --> 01:50:34,360
Speaker 1: got opportunity to do something bigger than that. I gotta

1828
01:50:34,439 --> 01:50:36,840
Speaker 1: try it. So I'm just that's my goals, just to

1829
01:50:36,960 --> 01:50:39,559
Speaker 1: try to like some some artists. I don't know if

1830
01:50:39,560 --> 01:50:41,000
Speaker 1: it's gonna be us. I don't know it's gonna be,

1831
01:50:41,080 --> 01:50:43,880
Speaker 1: but somebody we're gonna do something that's gonna be crazy. Now,

1832
01:50:44,200 --> 01:50:46,560
Speaker 1: I like, I liked it the way, but I just

1833
01:50:46,680 --> 01:50:51,600
Speaker 1: going through this. You know what was that controversy and

1834
01:50:51,720 --> 01:50:54,080
Speaker 1: the first person you see, I should taking a picture

1835
01:50:54,080 --> 01:50:58,720
Speaker 1: of what is you? You still hold on? We got

1836
01:50:58,840 --> 01:51:03,439
Speaker 1: new shots about to say, I felt like apolate in me.

1837
01:51:04,280 --> 01:51:06,840
Speaker 1: I love the way you stood right there by your

1838
01:51:06,920 --> 01:51:10,040
Speaker 1: boys side. You didn't give a funk about no controversy,

1839
01:51:10,160 --> 01:51:14,919
Speaker 1: none of that. Like I actually enjoy that type of loyalty.

1840
01:51:15,479 --> 01:51:18,880
Speaker 1: Like why isn't that that type of loyalty respected more

1841
01:51:18,960 --> 01:51:21,280
Speaker 1: in the industry that because they ain't really nobody to

1842
01:51:21,439 --> 01:51:23,960
Speaker 1: really do it? Like no, I mean, like niggas act

1843
01:51:24,040 --> 01:51:27,400
Speaker 1: like they're your homies, didn't really you know, Like I know,

1844
01:51:27,600 --> 01:51:29,880
Speaker 1: like all my artists, they came to me at the

1845
01:51:29,960 --> 01:51:32,200
Speaker 1: time when they ain't really had no other friends period,

1846
01:51:32,600 --> 01:51:35,120
Speaker 1: you know what I'm saying, Like she was at my house,

1847
01:51:35,160 --> 01:51:36,880
Speaker 1: we made my way. It was just him. He come

1848
01:51:36,920 --> 01:51:40,880
Speaker 1: to the studio by himself, no friends, no assistant, no nothing.

1849
01:51:41,600 --> 01:51:44,320
Speaker 1: So I actually became like a real true friend in him,

1850
01:51:44,400 --> 01:51:47,280
Speaker 1: not like just to producer. I'm doing everything from him,

1851
01:51:47,360 --> 01:51:49,280
Speaker 1: like you know, I mean, I'm hooking on girls, I'm

1852
01:51:49,360 --> 01:51:53,640
Speaker 1: doing everything. So if that's our relationship, you know what

1853
01:51:53,680 --> 01:51:55,800
Speaker 1: I'm saying, I don't. I'm still I gotta be the

1854
01:51:55,880 --> 01:51:58,920
Speaker 1: person to tell him like this is bullshit. You know,

1855
01:51:59,040 --> 01:52:01,880
Speaker 1: this is bullshit, Like let's go through it, you know

1856
01:52:01,880 --> 01:52:04,519
Speaker 1: what I mean. Other people are gonna talk to them differently.

1857
01:52:04,520 --> 01:52:06,559
Speaker 1: I'm gonna talk to them the way that that's supposed

1858
01:52:06,560 --> 01:52:08,800
Speaker 1: to we talked to. So, I mean, I don't I

1859
01:52:08,840 --> 01:52:10,679
Speaker 1: don't know if it's a lot of that in the world.

1860
01:52:10,760 --> 01:52:12,600
Speaker 1: You know, niggas called niggas when they need something, they

1861
01:52:12,640 --> 01:52:14,640
Speaker 1: don't really actually be fucking niggas when they ain't got

1862
01:52:14,680 --> 01:52:17,960
Speaker 1: you know, when they're in a different place. God damn,

1863
01:52:18,400 --> 01:52:23,920
Speaker 1: that makes the noise so so so now we've got

1864
01:52:24,000 --> 01:52:28,639
Speaker 1: you both here, like, um, you know there's been moments

1865
01:52:29,640 --> 01:52:34,599
Speaker 1: where in the hip hop you guys didn't agree. How

1866
01:52:35,040 --> 01:52:39,599
Speaker 1: did you and and you you came back and you said,

1867
01:52:39,720 --> 01:52:42,840
Speaker 1: you know that's my big homie, you know what I'm saying,

1868
01:52:43,320 --> 01:52:46,120
Speaker 1: But like, how did that just feel? Like when you

1869
01:52:46,160 --> 01:52:48,200
Speaker 1: know a person you're coming into the game with, you're

1870
01:52:48,280 --> 01:52:52,280
Speaker 1: just not seeing out of eye and it's different opinions.

1871
01:52:52,720 --> 01:52:54,880
Speaker 1: But the thing is, every time you voice your opinion,

1872
01:52:54,960 --> 01:52:56,880
Speaker 1: it's in the public eye, whether you think it is

1873
01:52:57,040 --> 01:52:59,400
Speaker 1: or not, whether you think it is or not. Like,

1874
01:52:59,760 --> 01:53:03,320
Speaker 1: how how is that to go through that? I'm gonna

1875
01:53:03,439 --> 01:53:11,479
Speaker 1: him answer, I'm gonna drop my shot. Okay, this is

1876
01:53:11,640 --> 01:53:17,599
Speaker 1: this episode fo good? Yeah? No, I mean pretty much,

1877
01:53:17,920 --> 01:53:21,840
Speaker 1: you know it was we were like the same person

1878
01:53:22,520 --> 01:53:27,920
Speaker 1: said yeah that that shot made that But it's just

1879
01:53:28,080 --> 01:53:30,880
Speaker 1: it's just it's the same person. You know what I'm saying.

1880
01:53:30,920 --> 01:53:32,800
Speaker 1: He pretty much raised me, so it's kind of like,

1881
01:53:34,000 --> 01:53:35,439
Speaker 1: you know, all the game and all the lessons I

1882
01:53:35,520 --> 01:53:38,200
Speaker 1: learned from him. At one point, I felt like, like Ship,

1883
01:53:38,479 --> 01:53:40,560
Speaker 1: you know, I wanted to start calling some shots and

1884
01:53:40,640 --> 01:53:43,200
Speaker 1: putting my ideas into things, and sometimes we want to

1885
01:53:43,200 --> 01:53:44,800
Speaker 1: see out the art because he was the coach. He

1886
01:53:44,960 --> 01:53:47,400
Speaker 1: was to you know, he was the teacher. You know,

1887
01:53:47,840 --> 01:53:49,479
Speaker 1: I wanted that I was shying the master. I thought,

1888
01:53:49,640 --> 01:53:52,519
Speaker 1: you know, I wanted to playing my way so that

1889
01:53:52,880 --> 01:53:55,519
Speaker 1: it's it's at some point, I'm I'm standing up for you.

1890
01:53:57,280 --> 01:54:00,320
Speaker 1: Every artist at some point start feeling that. So and

1891
01:54:00,400 --> 01:54:02,920
Speaker 1: you know what they do, They say I did this Ship,

1892
01:54:03,720 --> 01:54:07,640
Speaker 1: and they forget about everybody else because in order to

1893
01:54:07,680 --> 01:54:10,280
Speaker 1: make somebody great, it's three or four people behind absolutely

1894
01:54:10,360 --> 01:54:13,000
Speaker 1: but me, I've done it. Everybody does it, everybody just

1895
01:54:13,240 --> 01:54:16,960
Speaker 1: what I did. So you had that moment, Yeah, I

1896
01:54:17,040 --> 01:54:19,719
Speaker 1: had that moment. Did the third album? I had that moment.

1897
01:54:19,760 --> 01:54:21,400
Speaker 1: You did this thing, but it just didn't feel right,

1898
01:54:21,479 --> 01:54:22,599
Speaker 1: you know what I mean. I was in the studio

1899
01:54:22,680 --> 01:54:24,600
Speaker 1: with Tipped, Me and t I was working on my

1900
01:54:24,720 --> 01:54:26,680
Speaker 1: third album together and it just was different, you know

1901
01:54:26,720 --> 01:54:29,560
Speaker 1: what I'm saying. And I came to the conclusion like

1902
01:54:29,640 --> 01:54:32,160
Speaker 1: if I can't get down what he wanted on the Forefarm,

1903
01:54:32,240 --> 01:54:34,680
Speaker 1: then I'm cool long music, I got movies. I could

1904
01:54:34,680 --> 01:54:37,280
Speaker 1: do that ship for life, so I don't really got

1905
01:54:37,360 --> 01:54:38,840
Speaker 1: to do it no moment. And I remember just going

1906
01:54:38,920 --> 01:54:40,960
Speaker 1: to Malibu and pulling up on j D and just

1907
01:54:41,000 --> 01:54:45,120
Speaker 1: telling him like, look for all the business. Ship still

1908
01:54:45,120 --> 01:54:48,360
Speaker 1: looking for And then I just told him, like all

1909
01:54:48,400 --> 01:54:50,240
Speaker 1: the business, just kick all that ship to the side.

1910
01:54:50,320 --> 01:54:53,320
Speaker 1: We gotta get back. When I got back Platinum, the

1911
01:54:53,400 --> 01:54:55,800
Speaker 1: next album Platinum, and we wrote it were right back

1912
01:54:55,840 --> 01:54:59,160
Speaker 1: in pocket. Then I had to listen to them was records.

1913
01:54:59,160 --> 01:55:00,960
Speaker 1: I ain't want I'm like, I don't wanna do that

1914
01:55:01,000 --> 01:55:03,160
Speaker 1: ship on and I just buckled down and did them.

1915
01:55:03,200 --> 01:55:05,560
Speaker 1: They came number one hand. So sometimes you just gotta

1916
01:55:06,080 --> 01:55:08,000
Speaker 1: you do, gotta listen because he's been doing this ship

1917
01:55:08,120 --> 01:55:11,360
Speaker 1: way moment and not have so you want some now,

1918
01:55:11,640 --> 01:55:13,120
Speaker 1: I don't know you can take that with you to

1919
01:55:13,200 --> 01:55:15,520
Speaker 1: go play. No, I'm just checking it out, Okay, you

1920
01:55:15,600 --> 01:55:18,960
Speaker 1: know we put that, we're gonna package that up. Yeah,

1921
01:55:18,960 --> 01:55:22,040
Speaker 1: definitely you can take that with you out because because

1922
01:55:22,200 --> 01:55:27,200
Speaker 1: that's some real I don't know to call it, you know, yeah,

1923
01:55:27,200 --> 01:55:29,360
Speaker 1: because it's it's kind of crazy. I mean you might,

1924
01:55:29,720 --> 01:55:32,320
Speaker 1: but this is this is this some premium ship though

1925
01:55:32,400 --> 01:55:36,960
Speaker 1: y'all need to keep this head nor birth. We're good.

1926
01:55:36,960 --> 01:55:39,080
Speaker 1: We're gonna have a bottle for you anytime you come back,

1927
01:55:39,480 --> 01:55:42,720
Speaker 1: because I just want both of y'all to know that, um,

1928
01:55:44,600 --> 01:55:47,040
Speaker 1: this is this is a big platform. What I mean

1929
01:55:47,120 --> 01:55:50,080
Speaker 1: by that, I'm not trying to tell you know, but

1930
01:55:50,320 --> 01:55:53,320
Speaker 1: what it means to hip hop is when they when

1931
01:55:53,320 --> 01:55:55,960
Speaker 1: they told us how numbers because a fun but when

1932
01:55:56,000 --> 01:55:58,160
Speaker 1: they told us and they told us how demographics for

1933
01:55:58,320 --> 01:56:02,120
Speaker 1: sixteen to twenty four? If me up? Because we we

1934
01:56:02,200 --> 01:56:04,840
Speaker 1: didn't have like people on on here on the Dirty

1935
01:56:04,880 --> 01:56:07,440
Speaker 1: like we praise legends, we say, you gotta be a

1936
01:56:07,520 --> 01:56:10,880
Speaker 1: hip hop legend. But for this to be working, this show,

1937
01:56:12,320 --> 01:56:15,280
Speaker 1: it means that even though people don't give a funk

1938
01:56:16,240 --> 01:56:18,840
Speaker 1: whatever is the hit right now, people want to learn

1939
01:56:19,000 --> 01:56:21,320
Speaker 1: what happened in the hip hop Oh yeah, I mean that.

1940
01:56:21,640 --> 01:56:23,440
Speaker 1: But that's but that's that's you know, like that's what

1941
01:56:23,520 --> 01:56:25,840
Speaker 1: I said. That's what That's why I picked that era

1942
01:56:26,240 --> 01:56:31,640
Speaker 1: because it's like the stories today in hip hop, they

1943
01:56:31,680 --> 01:56:34,320
Speaker 1: don't mean nothing like the stories that you know what

1944
01:56:34,360 --> 01:56:38,120
Speaker 1: I'm saying, Like the story like it's just ship that

1945
01:56:39,840 --> 01:56:41,680
Speaker 1: you actually live in life, you know what I mean,

1946
01:56:41,720 --> 01:56:46,000
Speaker 1: and make these records just like you know how made money. Anything.

1947
01:56:46,160 --> 01:56:50,040
Speaker 1: Was like I was driving down the street and I

1948
01:56:50,360 --> 01:56:53,120
Speaker 1: and I heard jay Z, please let me stop if

1949
01:56:53,200 --> 01:56:57,760
Speaker 1: we're here, that's my very next question this niggers. God,

1950
01:56:58,440 --> 01:57:02,440
Speaker 1: go ahead, y'all this nigga cool. I just taped in

1951
01:57:02,520 --> 01:57:05,920
Speaker 1: my cold and my phoners. I'm like, yo, next question

1952
01:57:05,960 --> 01:57:08,280
Speaker 1: and you went there, let me shut the funk up.

1953
01:57:09,440 --> 01:57:14,040
Speaker 1: So I'm I'm driving. I'm driving. First of all, I got.

1954
01:57:14,120 --> 01:57:19,920
Speaker 1: I got like Atlanta. Atlanta was like um a city

1955
01:57:20,040 --> 01:57:23,120
Speaker 1: that nobody knew what was going on in Atlanta, right,

1956
01:57:24,280 --> 01:57:26,720
Speaker 1: but everybody was paying attention to New York in l A.

1957
01:57:27,760 --> 01:57:30,520
Speaker 1: But it was like this this this um this article

1958
01:57:30,560 --> 01:57:32,920
Speaker 1: that came out one day one morning I read and

1959
01:57:32,960 --> 01:57:35,400
Speaker 1: it was like Puff did an article and they was

1960
01:57:35,480 --> 01:57:37,120
Speaker 1: interviewing him, and it was like, yo, we went to

1961
01:57:37,200 --> 01:57:41,120
Speaker 1: interview Puff and he's driving around you know, Manhattan in

1962
01:57:41,240 --> 01:57:45,200
Speaker 1: the Bentley you know, and he could had back was

1963
01:57:45,600 --> 01:57:47,960
Speaker 1: due they you know, they explained like the black man

1964
01:57:48,640 --> 01:57:51,360
Speaker 1: that really ain't supposed to be into Bentley driving around

1965
01:57:51,400 --> 01:57:56,720
Speaker 1: bent and they was actually describing his life, and it

1966
01:57:56,840 --> 01:57:58,960
Speaker 1: really frustrated me because it was like the morning that

1967
01:57:59,040 --> 01:58:01,520
Speaker 1: I was going to pick up jay Z from the airport,

1968
01:58:02,800 --> 01:58:06,000
Speaker 1: I was in a Bentley Continental team driving around Atlanta

1969
01:58:06,040 --> 01:58:10,160
Speaker 1: with a do rag on. It had the same ship,

1970
01:58:10,360 --> 01:58:12,480
Speaker 1: but nobody would see it. Nobody wants seeing what I

1971
01:58:12,600 --> 01:58:15,160
Speaker 1: was doing. So I was I was like, I gotta

1972
01:58:15,200 --> 01:58:17,600
Speaker 1: make my records, gotta be big, my rexors gotta be

1973
01:58:17,640 --> 01:58:22,480
Speaker 1: bigger so negs can see what's going on. And on

1974
01:58:22,680 --> 01:58:24,840
Speaker 1: the way to that's so, by the way, this song this,

1975
01:58:25,000 --> 01:58:27,000
Speaker 1: I had no idea what the song was gonna be.

1976
01:58:27,280 --> 01:58:29,800
Speaker 1: I just want to make money. Yeah, I just want

1977
01:58:29,840 --> 01:58:32,960
Speaker 1: to make a record with jay Z. So I'm driving

1978
01:58:34,680 --> 01:58:40,720
Speaker 1: and I'm listening can't Knock the Hustle, And he said

1979
01:58:41,440 --> 01:58:44,040
Speaker 1: deep South, deep in the South, kicking up top game,

1980
01:58:44,600 --> 01:58:49,880
Speaker 1: screaming through the some money anything. And I'm like, deep

1981
01:58:49,920 --> 01:58:56,760
Speaker 1: in the South. That sounds like me. That sounds like

1982
01:58:56,840 --> 01:59:00,600
Speaker 1: he's talking about. But what song he said that? Different song?

1983
01:59:00,880 --> 01:59:05,800
Speaker 1: You know, he says that in the hustle. He says

1984
01:59:05,840 --> 01:59:08,920
Speaker 1: this and can't knock the Hustle. So I'm listening to

1985
01:59:09,040 --> 01:59:13,160
Speaker 1: Knock the Hustle and I'm like, he said this, that's

1986
01:59:13,200 --> 01:59:15,880
Speaker 1: what I saw. I'm gonna be called. I want to

1987
01:59:15,920 --> 01:59:18,000
Speaker 1: kick him up from the airport. And when he got

1988
01:59:18,040 --> 01:59:20,200
Speaker 1: in the car, so literally when you were picking him up,

1989
01:59:20,320 --> 01:59:23,200
Speaker 1: you heard I was talking, this is coming, like going

1990
01:59:23,280 --> 01:59:24,920
Speaker 1: to the airport. So I get to the airport, pick

1991
01:59:25,000 --> 01:59:30,200
Speaker 1: him up. He getting my car and UM, I tell

1992
01:59:30,280 --> 01:59:31,720
Speaker 1: him right then and there, I'm like, yo, the song

1993
01:59:31,760 --> 01:59:34,160
Speaker 1: is gonna be caught, money anything. And I heard I said,

1994
01:59:34,160 --> 01:59:36,480
Speaker 1: I want to use this part from Can't Knock the

1995
01:59:36,560 --> 01:59:39,360
Speaker 1: Hustle deep in the South, kicking up top Game, screaming

1996
01:59:39,360 --> 01:59:43,240
Speaker 1: through the sun Route, money and anything. And he was like, Okay,

1997
01:59:43,760 --> 01:59:46,040
Speaker 1: you gotta beat. But I had made a beat before.

1998
01:59:46,360 --> 01:59:49,320
Speaker 1: I had made the beat before I left. Oh, it's

1999
01:59:51,720 --> 01:59:53,400
Speaker 1: I made it beat. I made the beat before I

2000
01:59:53,440 --> 01:59:56,160
Speaker 1: went to the to the airport, so I had the

2001
01:59:57,640 --> 02:00:00,800
Speaker 1: Steve Aarranteam weakened my knees. I I had to be

2002
02:00:01,120 --> 02:00:03,640
Speaker 1: looped up already, and I was like, we're gonna wrap

2003
02:00:03,720 --> 02:00:07,440
Speaker 1: over this ship. And the only reason I had picked

2004
02:00:07,480 --> 02:00:10,560
Speaker 1: that beat is because if he did this freestyle on

2005
02:00:10,640 --> 02:00:14,240
Speaker 1: the Clue mixtape where he took. He took the Drew

2006
02:00:14,320 --> 02:00:16,560
Speaker 1: Hill beat that I used for the Sleeping in My

2007
02:00:16,640 --> 02:00:22,480
Speaker 1: Best Ship sleeping he and he was like, um, he's like,

2008
02:00:22,600 --> 02:00:25,200
Speaker 1: y'all want to He took my whole intro, y'all want

2009
02:00:25,240 --> 02:00:27,680
Speaker 1: to dance, I'm gonna make it. He but he changed it,

2010
02:00:28,040 --> 02:00:30,720
Speaker 1: and I was like, Danny Snika jay Z be listening

2011
02:00:30,760 --> 02:00:34,560
Speaker 1: to me. That's why I felt like because he was

2012
02:00:34,640 --> 02:00:38,880
Speaker 1: like the real super super backpack rapper, people gave him

2013
02:00:38,880 --> 02:00:41,400
Speaker 1: all kind of respect. I would never thought he was

2014
02:00:41,440 --> 02:00:43,240
Speaker 1: really checking out what I was doing. And I heard

2015
02:00:43,320 --> 02:00:45,880
Speaker 1: that he took my whole part, so I was like, oh,

2016
02:00:46,400 --> 02:00:48,600
Speaker 1: this sniker really be listening to me. He took my ship.

2017
02:00:49,560 --> 02:00:51,640
Speaker 1: So then I just put this whole thing together in

2018
02:00:51,720 --> 02:00:53,920
Speaker 1: like twenty minutes of how he was gonna make this record.

2019
02:00:54,160 --> 02:00:56,240
Speaker 1: And when he got in the car, I said, you

2020
02:00:56,280 --> 02:00:57,680
Speaker 1: know this's gonna be the song. He was like, what

2021
02:00:57,760 --> 02:00:59,160
Speaker 1: the beat sounds like? I said, we get to my

2022
02:00:59,240 --> 02:01:01,120
Speaker 1: mom house, We're gonna gonna listen to the beat. We

2023
02:01:01,240 --> 02:01:03,880
Speaker 1: got to my mother house. I had played the beat

2024
02:01:03,920 --> 02:01:07,520
Speaker 1: for him, and the beat went around for like ten balls,

2025
02:01:07,720 --> 02:01:10,960
Speaker 1: sixteen maybe maybe balls, and then niggas I got my

2026
02:01:11,080 --> 02:01:14,840
Speaker 1: rap let's go. And I was like, what, how the fun?

2027
02:01:15,000 --> 02:01:17,240
Speaker 1: Where this the biggie ship? I'm like, what the fun?

2028
02:01:17,680 --> 02:01:19,560
Speaker 1: When did you write your rap? And like I just

2029
02:01:19,680 --> 02:01:23,400
Speaker 1: wrote it, let's go, let's get in the studio. I'm like,

2030
02:01:23,480 --> 02:01:27,240
Speaker 1: I gotta learn that trick. I gotta learn to do

2031
02:01:27,360 --> 02:01:31,240
Speaker 1: that tomorrow. Like, and that was the last day I stopped.

2032
02:01:31,320 --> 02:01:35,480
Speaker 1: I stopped writing on people. I've never written anything since then.

2033
02:01:36,640 --> 02:01:47,200
Speaker 1: What year let's j B. Yeah, but you're definitely like

2034
02:01:47,360 --> 02:01:51,080
Speaker 1: you had straight a's in class only really could do

2035
02:01:51,160 --> 02:01:56,640
Speaker 1: it good? You had straight It wasn't not. I never

2036
02:01:56,840 --> 02:02:01,440
Speaker 1: finished high school, did you ever? Specially education? Special education?

2037
02:02:01,520 --> 02:02:12,520
Speaker 1: Second shorts? I have seven students and three teachers. Really stupid.

2038
02:02:13,400 --> 02:02:18,680
Speaker 1: Really was real for me. She was real for me

2039
02:02:18,760 --> 02:02:22,160
Speaker 1: growing up. Really Yeah, I listen, I can ride it

2040
02:02:22,240 --> 02:02:25,960
Speaker 1: round on my head, but that's not gonna take but listen. Okay,

2041
02:02:26,000 --> 02:02:28,600
Speaker 1: so listen, I'm gonna tell you, like my my Criss

2042
02:02:28,640 --> 02:02:33,120
Speaker 1: Crush theory of how I made Criss Crush into rappers.

2043
02:02:34,240 --> 02:02:36,400
Speaker 1: I got in the car one day and these niggers

2044
02:02:36,480 --> 02:02:41,000
Speaker 1: was like infatuated with ice Q at eleven and twelter.

2045
02:02:41,040 --> 02:02:44,000
Speaker 1: It was infatuated ice Q and they knew every ice

2046
02:02:44,080 --> 02:02:48,840
Speaker 1: C word lyrics, all word for word, and I'm riding

2047
02:02:48,840 --> 02:02:51,280
Speaker 1: in a car like, yeah, these niggas saying this recited.

2048
02:02:51,440 --> 02:02:53,960
Speaker 1: They were reciting the raps like they know. So I'm like,

2049
02:02:54,040 --> 02:02:55,960
Speaker 1: ship if I write them a song that they like

2050
02:02:56,360 --> 02:03:00,240
Speaker 1: they were recited, they were recited the same way. That's

2051
02:03:00,360 --> 02:03:05,520
Speaker 1: that's that's basically how they became rappers. It's not the

2052
02:03:05,640 --> 02:03:09,640
Speaker 1: cold version that I prefer, but I'd keep going no, no,

2053
02:03:09,720 --> 02:03:12,760
Speaker 1: because you see you see what how heat pop? You

2054
02:03:12,840 --> 02:03:15,000
Speaker 1: got the big bottle right there? You know that? You

2055
02:03:15,080 --> 02:03:17,960
Speaker 1: see did you see how heat popped? You're gonna do

2056
02:03:18,000 --> 02:03:20,800
Speaker 1: it different that that big bottle pop right now. It's

2057
02:03:20,840 --> 02:03:24,960
Speaker 1: gonna look, we can't even pay for this rent. By

2058
02:03:25,000 --> 02:03:28,000
Speaker 1: the way, it's gonna throw this out there. We're in Windwood.

2059
02:03:28,440 --> 02:03:30,720
Speaker 1: I don't know if you guys started, what do you start?

2060
02:03:30,760 --> 02:03:34,480
Speaker 1: We started from downtown Miami with this podcast, Yeah and yeah, downtown,

2061
02:03:35,040 --> 02:03:37,560
Speaker 1: and then we went to a little Haiti we was living.

2062
02:03:39,400 --> 02:03:44,360
Speaker 1: He was came to the spot we came to. They

2063
02:03:44,400 --> 02:03:47,400
Speaker 1: came to the dad. We have dad. He said, there,

2064
02:03:47,680 --> 02:03:54,280
Speaker 1: everybody shout sexy Windwood. This used to be the one

2065
02:03:54,680 --> 02:03:56,640
Speaker 1: perto Rican Hud. This is the Puerto Rican Hunt. Yeah,

2066
02:03:56,680 --> 02:03:58,280
Speaker 1: this is used to be the part of but but

2067
02:03:58,400 --> 02:04:00,160
Speaker 1: this is nice right now. You know what, it's the

2068
02:04:00,200 --> 02:04:03,360
Speaker 1: cuivalent just like the village like in New York. In

2069
02:04:03,400 --> 02:04:06,360
Speaker 1: New York, it's like the villains. Like you walk around,

2070
02:04:06,520 --> 02:04:09,320
Speaker 1: you can see bos oh, you can see you can

2071
02:04:09,360 --> 02:04:13,680
Speaker 1: see Tommy Motto right there giving somebody a flower. I

2072
02:04:13,680 --> 02:04:17,160
Speaker 1: don't don't get it twisted. Keep walking two blocks down, yeah,

2073
02:04:18,840 --> 02:04:25,280
Speaker 1: two blocks down right here. But but this is like,

2074
02:04:25,440 --> 02:04:29,320
Speaker 1: this is like the happening hood in Miami. Talk about it.

2075
02:04:30,080 --> 02:04:33,200
Speaker 1: What you were saying, is the happening hood talking about it.

2076
02:04:33,440 --> 02:04:39,080
Speaker 1: I'm not gonna lie. Our coolert system sucks, but we're cooler. Yeah,

2077
02:04:39,120 --> 02:04:40,880
Speaker 1: we need we need to frigerator. At the end of

2078
02:04:40,920 --> 02:04:46,920
Speaker 1: the day, we gotta get a subsi walking walking, freezing champage.

2079
02:04:46,920 --> 02:04:48,880
Speaker 1: Because you don't listen. I knew he was gonna order

2080
02:04:48,960 --> 02:04:54,080
Speaker 1: some champagne, you did, I knew it, Like well, he

2081
02:04:54,200 --> 02:04:57,080
Speaker 1: ordered both of these joints, that and that. Now when

2082
02:04:57,120 --> 02:05:03,080
Speaker 1: he ordered the ascid, this nigga, he is smooth because

2083
02:05:03,120 --> 02:05:06,320
Speaker 1: I only know a rich motherfucker who ordered that. Like,

2084
02:05:06,440 --> 02:05:08,560
Speaker 1: you gotta be rich to just say I want to

2085
02:05:08,840 --> 02:05:18,280
Speaker 1: what is that nine two don't saying just two like

2086
02:05:18,360 --> 02:05:21,160
Speaker 1: when you order that, like I only seen only in

2087
02:05:21,280 --> 02:05:23,560
Speaker 1: my life, Like I'm forty years old again, i'mna keep

2088
02:05:23,600 --> 02:05:27,600
Speaker 1: throwing out there September six, turn forty. When the older that,

2089
02:05:27,680 --> 02:05:31,560
Speaker 1: I'm like, damn, they they like a different calibern like

2090
02:05:31,680 --> 02:05:33,520
Speaker 1: you know what the funny ship is? I'll do. You

2091
02:05:33,640 --> 02:05:36,400
Speaker 1: probably don't even remember this. We have read on the Vada.

2092
02:05:36,520 --> 02:05:40,200
Speaker 1: One day, I land, I'm pissed because I had a

2093
02:05:40,440 --> 02:05:43,880
Speaker 1: six hour lay over somewhere. We don't know what about.

2094
02:05:43,880 --> 02:05:47,280
Speaker 1: It's the Impact convention you walk through. You said, your playboy,

2095
02:05:47,320 --> 02:05:49,480
Speaker 1: it's super Thug. My super Thug had just came out.

2096
02:05:49,480 --> 02:05:51,720
Speaker 1: He said, I'm gonna remix your ship. I'm like where,

2097
02:05:51,800 --> 02:05:55,560
Speaker 1: I don't even know what that meant. I was so good.

2098
02:05:55,600 --> 02:05:59,400
Speaker 1: I was like where, like a right, Like I didn't

2099
02:05:59,400 --> 02:06:02,280
Speaker 1: even know what a remix cubment back there, So I

2100
02:06:02,360 --> 02:06:05,400
Speaker 1: was like, all right, cool, And I said, yo, what

2101
02:06:05,480 --> 02:06:09,240
Speaker 1: you're drinking? And and you said don Perion And I

2102
02:06:09,360 --> 02:06:12,160
Speaker 1: had the motherfucker President of Penalty say I was because

2103
02:06:12,160 --> 02:06:15,760
Speaker 1: I don't know what the fun I didn't know what

2104
02:06:15,920 --> 02:06:18,800
Speaker 1: don very it was the we know the impact of

2105
02:06:19,240 --> 02:06:21,360
Speaker 1: do you remember that? I don't remember talking to you.

2106
02:06:21,440 --> 02:06:23,720
Speaker 1: But yeah, I ain't gonna lie. And you know what

2107
02:06:23,840 --> 02:06:27,160
Speaker 1: you did listening to yourself. You also remix Super Doug

2108
02:06:28,480 --> 02:06:31,040
Speaker 1: nil Alvin just gave this thing about vocals back then.

2109
02:06:31,320 --> 02:06:35,240
Speaker 1: I just give like giving them this I never came

2110
02:06:35,280 --> 02:06:38,520
Speaker 1: out because somebody has it. No, he got it somewhere,

2111
02:06:39,080 --> 02:06:42,680
Speaker 1: he got it. He got it because you know, I

2112
02:06:42,800 --> 02:06:45,800
Speaker 1: never wanted to remix superd Thug got to take. But

2113
02:06:46,000 --> 02:06:49,440
Speaker 1: we met your at the impact of Mention and Reno Nevada.

2114
02:06:49,760 --> 02:06:52,240
Speaker 1: This is before because this is by the way, Super

2115
02:06:52,320 --> 02:06:56,320
Speaker 1: Thug didn't need no remix, but no remix the white people.

2116
02:06:56,800 --> 02:07:01,400
Speaker 1: I'm being honest. I'm sorry white people. I like up this.

2117
02:07:01,680 --> 02:07:04,880
Speaker 1: This ain't nothing back to y'all. But the white people

2118
02:07:04,920 --> 02:07:07,280
Speaker 1: can said you need to This is that time. This

2119
02:07:07,360 --> 02:07:09,200
Speaker 1: is what I'm telling him. Tell you this that time

2120
02:07:09,320 --> 02:07:11,200
Speaker 1: Nika said, if you don't have with your main defree

2121
02:07:11,360 --> 02:07:23,960
Speaker 1: reason you're over. Okay, look I probably Jade, let me show.

2122
02:07:24,000 --> 02:07:27,120
Speaker 1: You'll let me share. This is class. This is a

2123
02:07:27,160 --> 02:07:29,880
Speaker 1: little class class. We need a different cups out. No,

2124
02:07:30,200 --> 02:07:35,600
Speaker 1: not even it's not fair new cup. This is you

2125
02:07:35,680 --> 02:07:38,160
Speaker 1: know I couldn't it just went to France at once,

2126
02:07:39,000 --> 02:07:41,520
Speaker 1: so we learned some ship and we brought it back

2127
02:07:41,560 --> 02:07:45,520
Speaker 1: to America. Listen, look look at that, Jake, Look at

2128
02:07:45,520 --> 02:07:48,800
Speaker 1: that Jad. What you gotta do like this? No? You

2129
02:07:50,480 --> 02:07:52,880
Speaker 1: that was your fall, Okay, I want to let you

2130
02:07:52,960 --> 02:07:56,080
Speaker 1: sew it up. Lets you shut up? Boom bloom. Look

2131
02:07:56,120 --> 02:07:59,480
Speaker 1: how we do it boom and then Wes there's no spell.

2132
02:07:59,600 --> 02:08:02,960
Speaker 1: Look at that, and then we do it. This is

2133
02:08:03,200 --> 02:08:07,120
Speaker 1: they let a hood nigga France at once, let me

2134
02:08:07,240 --> 02:08:09,960
Speaker 1: the friends. No, I can still go out there. I'm saying,

2135
02:08:10,240 --> 02:08:14,360
Speaker 1: you know, my wife love France. God damn it, Yo,

2136
02:08:15,160 --> 02:08:19,760
Speaker 1: Holy moly, guacamole. Oh it's my time. I gotta you

2137
02:08:19,880 --> 02:08:22,560
Speaker 1: really went in on the tag of bomb prospective. Are

2138
02:08:22,600 --> 02:08:25,640
Speaker 1: we're gonna do a dog? No? We done. You're gonna

2139
02:08:25,680 --> 02:08:27,960
Speaker 1: take that to go, Take that to go. That's my

2140
02:08:28,120 --> 02:08:39,200
Speaker 1: nig I'm gonna see if this Tiger bomb ship work tonight. Yeah. Yeah,

2141
02:08:39,320 --> 02:08:41,600
Speaker 1: that's all you, my brother. This is what we do.

2142
02:08:41,680 --> 02:08:44,560
Speaker 1: I don't know if listen, I don't know if you

2143
02:08:44,680 --> 02:08:46,960
Speaker 1: know what we do at drink Chaps. The thing is

2144
02:08:48,120 --> 02:08:50,360
Speaker 1: I sat down one of the one of the greatest

2145
02:08:50,440 --> 02:08:53,800
Speaker 1: compliments in the world I have a guy was one

2146
02:08:53,880 --> 02:08:56,280
Speaker 1: day Leo Combs. He tells me to me, said me,

2147
02:08:56,760 --> 02:08:59,880
Speaker 1: you know how Leoco talks right me to be out

2148
02:09:00,200 --> 02:09:04,080
Speaker 1: polo lounge right and bad with the hills like I

2149
02:09:04,200 --> 02:09:06,400
Speaker 1: always drove by this ship because I'm a hood nigger.

2150
02:09:06,600 --> 02:09:08,400
Speaker 1: Like people don't invite me the ship like that, you know.

2151
02:09:08,520 --> 02:09:10,320
Speaker 1: And I've been good with that for twenty years. And

2152
02:09:10,360 --> 02:09:13,560
Speaker 1: I've been like, I understand, but you ain't gonna you

2153
02:09:13,600 --> 02:09:16,000
Speaker 1: ain't gonna invite me. There, I get it. I get

2154
02:09:16,040 --> 02:09:17,760
Speaker 1: it because I come with niggas like y'all. He come

2155
02:09:17,800 --> 02:09:21,840
Speaker 1: with limit again. I come on the things that got knaves.

2156
02:09:21,880 --> 02:09:24,240
Speaker 1: They don't even getting plays as soon as they want

2157
02:09:24,280 --> 02:09:26,920
Speaker 1: to think of the knife and the next day that's

2158
02:09:26,960 --> 02:09:28,480
Speaker 1: just just what I am. But I want to give

2159
02:09:28,520 --> 02:09:31,720
Speaker 1: people jobs like so it all comes and he says,

2160
02:09:34,120 --> 02:09:36,280
Speaker 1: he comes to me and they're like dam He said,

2161
02:09:36,280 --> 02:09:40,520
Speaker 1: you know what I drink Chance works And I said no,

2162
02:09:41,640 --> 02:09:45,040
Speaker 1: because I don't. I'm just giving myself, giving my old,

2163
02:09:45,280 --> 02:09:48,800
Speaker 1: just respecting the hip hop, and I'm congratulating the parts

2164
02:09:48,840 --> 02:09:51,560
Speaker 1: of hip hop I love. And Leo said, because you

2165
02:09:51,720 --> 02:09:56,000
Speaker 1: guys don't do gossip. You guys just celebrate the hip

2166
02:09:56,000 --> 02:09:59,919
Speaker 1: hop the way it is. And it's like as complic

2167
02:10:00,000 --> 02:10:05,040
Speaker 1: hated as that was. It's very simple. If you're a

2168
02:10:05,160 --> 02:10:07,200
Speaker 1: person that's been down in the hip hop no how

2169
02:10:07,320 --> 02:10:12,520
Speaker 1: tough this is, to survive more than a year. How

2170
02:10:12,600 --> 02:10:15,200
Speaker 1: many people you know was the hottest dude in the

2171
02:10:15,480 --> 02:10:21,040
Speaker 1: world last year? You've seen Tim He might have gave

2172
02:10:21,080 --> 02:10:23,320
Speaker 1: your elbow like it. What's something? My god? How you

2173
02:10:23,480 --> 02:10:31,080
Speaker 1: doing work? Y'all? God, that's where you did? You are

2174
02:10:32,600 --> 02:10:38,920
Speaker 1: so to survive anywhere more than three, four or five, six,

2175
02:10:39,080 --> 02:10:42,760
Speaker 1: seven years? And I'm talking if you took about double digits,

2176
02:10:44,440 --> 02:10:48,480
Speaker 1: every man who participated in this game should be saluted.

2177
02:10:48,840 --> 02:10:52,640
Speaker 1: Look at football, football, you got like what a year

2178
02:10:52,880 --> 02:11:02,600
Speaker 1: two year expansion? Basketball? Or maybe fine hip hop or music. See,

2179
02:11:03,880 --> 02:11:06,120
Speaker 1: they limit you. You could go to funk out of here.

2180
02:11:06,840 --> 02:11:09,800
Speaker 1: So when you have people that are standing there, it's

2181
02:11:09,840 --> 02:11:12,240
Speaker 1: been down there. There's a drink chance, don't realize it's

2182
02:11:12,920 --> 02:11:15,920
Speaker 1: there's nothing organized, but we're very organized. Why should we

2183
02:11:15,960 --> 02:11:20,680
Speaker 1: throw this out? And we got you? But you know,

2184
02:11:21,280 --> 02:11:24,040
Speaker 1: when you see people that got double digits in this world,

2185
02:11:24,360 --> 02:11:26,800
Speaker 1: there's no other way that we have to do with

2186
02:11:26,920 --> 02:11:29,960
Speaker 1: salute these people. You gotta sit back and say and

2187
02:11:30,080 --> 02:11:33,880
Speaker 1: now I now yo you d J and again because

2188
02:11:33,880 --> 02:11:36,640
Speaker 1: I heard you started out as a DJ, so you'll

2189
02:11:36,640 --> 02:11:42,200
Speaker 1: be oh, yeah, d J. Yeah, let's describe that. Let's

2190
02:11:42,240 --> 02:11:46,360
Speaker 1: describe it. I mean, um, yeah, I started as a

2191
02:11:46,440 --> 02:11:49,840
Speaker 1: d J. I mean I started making my beach based

2192
02:11:49,920 --> 02:11:55,280
Speaker 1: on DJ and it was like that's what I wanted

2193
02:11:55,320 --> 02:11:59,800
Speaker 1: to be before I became a producer a DJ. So

2194
02:12:00,000 --> 02:12:05,360
Speaker 1: I got these little realistic fake twelve hundreds from Radio Shock,

2195
02:12:06,360 --> 02:12:10,960
Speaker 1: and I was Radio Shock, bigger Radio Radio Shock for

2196
02:12:11,560 --> 02:12:17,680
Speaker 1: radio had all the ship that first shows came Radio

2197
02:12:20,840 --> 02:12:24,120
Speaker 1: so signed like the bell drive turntables from Radio Shock.

2198
02:12:24,440 --> 02:12:29,040
Speaker 1: But but I told my mother my father I wanted

2199
02:12:29,080 --> 02:12:30,720
Speaker 1: turn tables. That's what they bought me. They got the

2200
02:12:30,800 --> 02:12:34,240
Speaker 1: Radio Shock ship and from there I became a DJ.

2201
02:12:34,360 --> 02:12:38,000
Speaker 1: I just started making like mix tapes, saying doing whatever

2202
02:12:38,040 --> 02:12:40,400
Speaker 1: I had to do, just before I with May Records.

2203
02:12:40,600 --> 02:12:46,640
Speaker 1: So I've been DJ and like since I was fourteen. Now,

2204
02:12:47,920 --> 02:12:51,520
Speaker 1: when you go to a new crowd, there's people are

2205
02:12:51,600 --> 02:12:55,360
Speaker 1: your d jan this might be out. I'm gonna go

2206
02:12:55,520 --> 02:12:57,280
Speaker 1: off there and say it might be a white guy

2207
02:12:57,360 --> 02:12:59,280
Speaker 1: who don't know who you are, and they're coming to

2208
02:12:59,360 --> 02:13:05,920
Speaker 1: you and say, play some fucking Kelly busy name Kelly Price,

2209
02:13:06,000 --> 02:13:09,400
Speaker 1: What what's the bus name? This goes to the MTV Award.

2210
02:13:10,720 --> 02:13:18,520
Speaker 1: Come not Cardy B. But what's what's your name, Katy

2211
02:13:18,600 --> 02:13:23,760
Speaker 1: Perry said Kelly, He said Kelly and p's Katy Perry? Like,

2212
02:13:23,880 --> 02:13:27,320
Speaker 1: what are you doing that moments? You don't do requests? Yeah, no,

2213
02:13:27,560 --> 02:13:30,120
Speaker 1: real DJ does request that's not that's not that's not

2214
02:13:30,480 --> 02:13:36,120
Speaker 1: your mother, right. We do what we do and that's it.

2215
02:13:36,320 --> 02:13:38,320
Speaker 1: I'm not doing the request. I don't do question and

2216
02:13:38,640 --> 02:13:40,760
Speaker 1: I don't you know. I mean, for the most part,

2217
02:13:40,760 --> 02:13:42,640
Speaker 1: I don't really be playing all the type of records

2218
02:13:42,800 --> 02:13:46,720
Speaker 1: like I played what I listen to, Yeah, you churned

2219
02:13:46,800 --> 02:13:49,760
Speaker 1: up this guy might they just ordered seven. I don't care.

2220
02:13:54,600 --> 02:13:58,360
Speaker 1: This is DJ DJ do it said, it's like a

2221
02:13:58,480 --> 02:14:00,960
Speaker 1: song for you years. Let me ever say this. I'm

2222
02:14:00,960 --> 02:14:02,880
Speaker 1: gonna say this about as far as me DJ, and

2223
02:14:02,920 --> 02:14:06,960
Speaker 1: I'm not like i'll DJ like a mix tape. So

2224
02:14:07,120 --> 02:14:14,080
Speaker 1: once I start DJ and as far as tempo and vie,

2225
02:14:15,280 --> 02:14:17,560
Speaker 1: I don't. I don't like people to come tell me, oh,

2226
02:14:17,840 --> 02:14:20,440
Speaker 1: somebody just bought bottles. We need to change it and

2227
02:14:20,560 --> 02:14:23,760
Speaker 1: play the champions here like in the midst of my mix,

2228
02:14:25,360 --> 02:14:31,240
Speaker 1: like you that ship is whack by the way. By

2229
02:14:31,280 --> 02:14:34,160
Speaker 1: the way, they don't understand how whack that is. That's

2230
02:14:34,280 --> 02:14:37,600
Speaker 1: so whacky because you you were destroying the momentum of

2231
02:14:37,680 --> 02:14:43,600
Speaker 1: the club. Break that down. I'm just saying, I don't know.

2232
02:14:43,720 --> 02:14:46,120
Speaker 1: I mean thinking about it. Where if someone want to

2233
02:14:46,160 --> 02:14:49,120
Speaker 1: go on stage when you're doing the show and stop

2234
02:14:49,200 --> 02:14:50,760
Speaker 1: you and say no, I want you to play this,

2235
02:14:51,480 --> 02:14:54,280
Speaker 1: that's motherfucker. I got my set to me doing what

2236
02:14:54,360 --> 02:14:56,320
Speaker 1: I do. I'm just saying to me, that's whack because

2237
02:14:56,360 --> 02:15:00,000
Speaker 1: the club, the club is already funked up from Instagram

2238
02:15:00,080 --> 02:15:03,120
Speaker 1: ram and people trying to just like take pictures and

2239
02:15:03,240 --> 02:15:05,520
Speaker 1: not pay attention to the party and in the first place,

2240
02:15:05,720 --> 02:15:08,640
Speaker 1: so once you get the club, everybody dancing and doing

2241
02:15:08,720 --> 02:15:10,400
Speaker 1: they gotta do, and people having a good time, and

2242
02:15:10,480 --> 02:15:13,680
Speaker 1: then the mothercker club, I don't want to say, yo,

2243
02:15:14,560 --> 02:15:25,000
Speaker 1: we want to. He's created in my drink man saying

2244
02:15:25,160 --> 02:15:27,800
Speaker 1: that's what I'm saying. So come in there, you say that, yo,

2245
02:15:27,920 --> 02:15:30,680
Speaker 1: you want to you want to change the momentum of

2246
02:15:30,800 --> 02:15:33,280
Speaker 1: the club. I'm looking at the people like I'm not

2247
02:15:34,240 --> 02:15:37,000
Speaker 1: like I watched I watched so many DJs dj these

2248
02:15:37,040 --> 02:15:39,400
Speaker 1: house DJs and these these e d M d j's.

2249
02:15:39,600 --> 02:15:41,640
Speaker 1: They don't even pay no attention to the crowd. They

2250
02:15:41,760 --> 02:15:44,880
Speaker 1: just been playing music. They don't give a fuck, you know,

2251
02:15:45,360 --> 02:15:49,000
Speaker 1: like not like that. I'm I'm looking at the crowd like, damn,

2252
02:15:49,080 --> 02:15:50,960
Speaker 1: I just played this record and ain't nobody really moving.

2253
02:15:50,960 --> 02:15:53,160
Speaker 1: I gotta get you another song really fast and fine,

2254
02:15:53,240 --> 02:15:55,680
Speaker 1: and the energy dictates how you're gonna move. Yeah, Yeah,

2255
02:15:55,680 --> 02:15:57,400
Speaker 1: I don't. I don't like I don't like you. I

2256
02:15:57,440 --> 02:15:59,240
Speaker 1: don't like you coming in the club telling me I

2257
02:15:59,280 --> 02:16:02,800
Speaker 1: don't if that person buying drinks keep buying drinks, y'all

2258
02:16:02,960 --> 02:16:05,280
Speaker 1: let light it up. Do what y'all doing. I'm gonna

2259
02:16:05,360 --> 02:16:07,200
Speaker 1: keep doing what I'm doing. You gotta keep the party

2260
02:16:07,240 --> 02:16:09,680
Speaker 1: going so you can tell us a spiritus like one time.

2261
02:16:10,080 --> 02:16:11,320
Speaker 1: They don't do it all the time. They try to

2262
02:16:11,360 --> 02:16:13,200
Speaker 1: do it all the time, and I just be like

2263
02:16:13,560 --> 02:16:16,480
Speaker 1: this in a corny record, like or is it just

2264
02:16:16,560 --> 02:16:19,920
Speaker 1: because you had your set together? I mean, I just yeah,

2265
02:16:19,920 --> 02:16:21,720
Speaker 1: a lot of times I'm just like, I'm not doing it,

2266
02:16:21,920 --> 02:16:23,000
Speaker 1: you know what I mean? If they want to, they

2267
02:16:23,240 --> 02:16:25,400
Speaker 1: let's just tell people. Don't go up to the motherfucker.

2268
02:16:25,520 --> 02:16:30,600
Speaker 1: DJA want to shout somebody out? And I'm like, y'all

2269
02:16:30,600 --> 02:16:33,760
Speaker 1: want to sample right because I never met this nigger

2270
02:16:33,760 --> 02:16:36,600
Speaker 1: in my life right well, in my mind, the nigga

2271
02:16:36,640 --> 02:16:40,920
Speaker 1: is my homie. It was Mom, Okay, Prince coming to

2272
02:16:40,959 --> 02:16:50,360
Speaker 1: the club. Just float by you. Float He's not gonna

2273
02:16:50,400 --> 02:16:52,720
Speaker 1: play Prince. I'll be like, Prince, get on the microphone,

2274
02:16:52,800 --> 02:16:55,480
Speaker 1: shout me help, well right to play it from you

2275
02:16:55,680 --> 02:16:59,080
Speaker 1: right now, this time, the Prince, just float by you.

2276
02:16:59,160 --> 02:17:01,680
Speaker 1: He gotta get on. Don't say nothing still, I don't care.

2277
02:17:01,720 --> 02:17:07,760
Speaker 1: It's still dangerous in my set. I don't care. I'm saying,

2278
02:17:08,879 --> 02:17:12,320
Speaker 1: I don't care who you is, just like yeah, d

2279
02:17:12,480 --> 02:17:15,640
Speaker 1: J j D. You come in the club. It's all

2280
02:17:15,680 --> 02:17:18,120
Speaker 1: about the vibe of the club. Like if I play

2281
02:17:18,160 --> 02:17:21,720
Speaker 1: a Prince record right now, niggas is trapped out. You

2282
02:17:21,879 --> 02:17:26,080
Speaker 1: fucked up the whole club, the Prince, the prior you

2283
02:17:26,160 --> 02:17:32,120
Speaker 1: just so he's flow through. You got to play Purple

2284
02:17:32,480 --> 02:17:42,960
Speaker 1: Night in the club. You like that. I'm telling you.

2285
02:17:43,560 --> 02:17:47,280
Speaker 1: Listen to hit everybody in a certain part of their

2286
02:17:47,360 --> 02:17:51,240
Speaker 1: bones that we didn't understand because we were sucked up

2287
02:17:51,320 --> 02:17:55,520
Speaker 1: from Mike already. Like Mike already came in, So the

2288
02:17:55,600 --> 02:17:59,080
Speaker 1: Jackson five funked up something like damn niggas is like,

2289
02:17:59,200 --> 02:18:05,400
Speaker 1: oh ship, this is real. ABC. ABC is to the

2290
02:18:05,480 --> 02:18:09,560
Speaker 1: Jackson five reals like you like it? No, I don't

2291
02:18:09,640 --> 02:18:12,240
Speaker 1: like it? All right? Cool? Let me see what what

2292
02:18:12,360 --> 02:18:14,280
Speaker 1: is that? That's that's that creates a little bit you know,

2293
02:18:14,400 --> 02:18:19,240
Speaker 1: which one is it? I don't know. Definitely they get

2294
02:18:19,320 --> 02:18:22,560
Speaker 1: me every time I go to what is it? Blooming down?

2295
02:18:22,720 --> 02:18:25,440
Speaker 1: They get me and my watch the ship. They got

2296
02:18:25,520 --> 02:18:27,840
Speaker 1: us both lined up every time we walk through. They're like, yeah,

2297
02:18:27,920 --> 02:18:31,840
Speaker 1: this is the one. I don't know when. Yeah, that's cooled,

2298
02:18:31,879 --> 02:18:35,120
Speaker 1: that's crazy. Yeah that's that's that's that real c black.

2299
02:18:35,200 --> 02:18:38,880
Speaker 1: But I you know, you you know to the Golden Baby,

2300
02:18:39,000 --> 02:18:42,560
Speaker 1: it's imperial. It's called right imperial, alright, cool? And then

2301
02:18:42,560 --> 02:18:45,720
Speaker 1: the adventis eventus. I don't funked up. I'm just spraying

2302
02:18:45,840 --> 02:18:48,560
Speaker 1: niggatance anywhere. I'm in New York City the other day

2303
02:18:48,640 --> 02:18:55,520
Speaker 1: spraying dogs those advance that I've wasted that bottle. I'm

2304
02:18:55,760 --> 02:18:57,920
Speaker 1: a lie man. It smells like listen, let me just

2305
02:18:58,000 --> 02:19:05,000
Speaker 1: say something j D and Balo off for y'all. In life,

2306
02:19:07,000 --> 02:19:10,240
Speaker 1: everybody needs a little bit of therapy, all right, be

2307
02:19:10,320 --> 02:19:14,120
Speaker 1: a little time to get your problems off, talk about

2308
02:19:14,240 --> 02:19:19,760
Speaker 1: whatever whatever in life. That's what I did. I said,

2309
02:19:19,760 --> 02:19:22,680
Speaker 1: I'm gonna take my days off, and I'm gonna praise

2310
02:19:22,800 --> 02:19:25,400
Speaker 1: hip hop. I'm gonna praise my legends in hip hop,

2311
02:19:25,720 --> 02:19:29,240
Speaker 1: praise people who contributed to the hip hop. And that's

2312
02:19:29,240 --> 02:19:32,080
Speaker 1: what why I drink Champs. It's working because this is

2313
02:19:32,280 --> 02:19:36,560
Speaker 1: our form of therapy. And we have not formed our

2314
02:19:36,680 --> 02:19:45,480
Speaker 1: show and like a month, so y'all hurricanes and shows.

2315
02:19:45,520 --> 02:19:50,480
Speaker 1: I don't episode. Yeah I was, So it's just a

2316
02:19:52,560 --> 02:19:55,280
Speaker 1: just to drink Champs. And we don't give why this ship,

2317
02:19:55,520 --> 02:19:58,600
Speaker 1: but drinks. We got some, we got some. There's no

2318
02:19:58,720 --> 02:20:09,800
Speaker 1: nomber one that we at your shirts. Shot. Oh he

2319
02:20:09,879 --> 02:20:12,440
Speaker 1: got the fresh batch to this is you're gonna pour

2320
02:20:12,520 --> 02:20:15,520
Speaker 1: this one though? Yeah? Yeah, this is my type of

2321
02:20:15,560 --> 02:20:18,760
Speaker 1: bone shot right here. This is terrible. It's a terrible

2322
02:20:18,840 --> 02:20:28,800
Speaker 1: cor now, j D beast this this is the ultimate thing.

2323
02:20:29,280 --> 02:20:31,880
Speaker 1: Is he coming with us to win Wood? What happening?

2324
02:20:31,959 --> 02:20:35,440
Speaker 1: What happening? Let's do it. We're already. Let's cool. Good,

2325
02:20:36,640 --> 02:20:40,160
Speaker 1: I got every KILLO have a drink. Listen and why you?

2326
02:20:40,200 --> 02:20:43,440
Speaker 1: Why are you? And no ship like that because that's

2327
02:20:44,240 --> 02:20:46,400
Speaker 1: you get back while you don't understand, we sally from

2328
02:20:46,480 --> 02:20:49,600
Speaker 1: the bottle together like this. But he got them, No

2329
02:20:49,760 --> 02:20:54,039
Speaker 1: I don't. It's just that's not not he goes it's

2330
02:20:54,040 --> 02:20:58,640
Speaker 1: the same what yours that you don't even got what

2331
02:20:58,800 --> 02:21:02,240
Speaker 1: he's like three shots, don't drinking yours? You listen and

2332
02:21:02,360 --> 02:21:06,480
Speaker 1: drinking Mark and she's saying, we don't. Let's watch a show.

2333
02:21:06,640 --> 02:21:12,720
Speaker 1: Listen to a hundred episodes, episode hundred. Okay, hold on,

2334
02:21:12,879 --> 02:21:15,800
Speaker 1: So that's that's that's that's my that's my right, that's

2335
02:21:17,000 --> 02:21:19,680
Speaker 1: my Tiger. Okay, when you say, what do you want

2336
02:21:19,720 --> 02:21:23,039
Speaker 1: to wait? Hold on? Yeah, you gotta take a can't

2337
02:21:23,080 --> 02:21:26,840
Speaker 1: do Dominican stuff right now, he's doing pump Daddy ship.

2338
02:21:26,920 --> 02:21:32,880
Speaker 1: I expect that. Oh it's bad. I just came funk

2339
02:21:32,920 --> 02:21:35,480
Speaker 1: with that. That's it's crazy. Yeah, and nobody that they

2340
02:21:35,520 --> 02:21:38,480
Speaker 1: don't sponsor us at all. So I won't force you.

2341
02:21:38,680 --> 02:21:43,320
Speaker 1: Got everybody, everybody enjoyed the Tiger, all right, give everybody

2342
02:21:43,640 --> 02:21:48,440
Speaker 1: your hold on your main I want y'all to be

2343
02:21:48,760 --> 02:21:54,160
Speaker 1: that's a big mom or. I gotta understand right out

2344
02:21:54,200 --> 02:21:56,520
Speaker 1: on the jam this ship too much. I don't want

2345
02:21:59,040 --> 02:22:01,800
Speaker 1: jan to make you wish no, because that's my homie.

2346
02:22:01,879 --> 02:22:03,600
Speaker 1: But like I want you to bring him back the hippo,

2347
02:22:04,400 --> 02:22:06,959
Speaker 1: bring chan bring back to hip hop. You gotta come

2348
02:22:07,000 --> 02:22:10,080
Speaker 1: and do drink cha you know how classic come do

2349
02:22:10,240 --> 02:22:17,560
Speaker 1: drink chance. You gotta be always ain't like no hippop kids?

2350
02:22:17,600 --> 02:22:20,920
Speaker 1: Did you man it? Help me here? Come on, you

2351
02:22:21,000 --> 02:22:23,200
Speaker 1: got you gotta do it? Okay, what are you doing?

2352
02:22:24,000 --> 02:22:27,800
Speaker 1: Everybody yet? Y'all listen, let me pick up the vegetarian delight,

2353
02:22:28,200 --> 02:22:34,080
Speaker 1: my boy, Chris, veggie delight. They right? Yeah, yeah, you

2354
02:22:34,160 --> 02:22:39,080
Speaker 1: know jayd Ship he served me wants some looks ship. Yeah,

2355
02:22:44,920 --> 02:22:48,520
Speaker 1: it's no vegan spot. I never know you're talking about.

2356
02:22:48,840 --> 02:22:53,280
Speaker 1: I was for god, you're vegan. Yeah, see this so

2357
02:22:53,400 --> 02:22:57,400
Speaker 1: you know this is the vegan dress. Yeah, okay, damn,

2358
02:22:57,520 --> 02:22:59,840
Speaker 1: that's why I say you called them off? Yeah, I

2359
02:23:00,000 --> 02:23:03,960
Speaker 1: little song you. It's a little a little bout. Are

2360
02:23:03,959 --> 02:23:07,080
Speaker 1: you gonna get the daily one that needs some food

2361
02:23:07,120 --> 02:23:13,080
Speaker 1: thought by the Yeah, it's fine clothes, it's listen, listen,

2362
02:23:13,879 --> 02:23:20,560
Speaker 1: we'll send it to you. Got so vegan. Let's go,

2363
02:23:21,080 --> 02:23:22,960
Speaker 1: let's go. Hold on, wait, wait, here's it. Let's see

2364
02:23:22,959 --> 02:23:25,560
Speaker 1: what I was gonna do with this handle that was

2365
02:23:32,240 --> 02:23:34,640
Speaker 1: I don't see what shot. I don't see what's happening.

2366
02:23:34,720 --> 02:23:37,720
Speaker 1: Now turn that shut up. It's it's one more time

2367
02:23:38,280 --> 02:23:43,080
Speaker 1: in time. You come on missing me, y'all, hear that

2368
02:23:43,240 --> 02:23:45,320
Speaker 1: your son. Come on, let's do it. You're on your

2369
02:23:45,360 --> 02:23:49,760
Speaker 1: own show right now, yo yo yo yo, y'all. Ain't

2370
02:23:49,760 --> 02:23:54,360
Speaker 1: gotta sit down, y'all yo, let me take yo pa.

2371
02:23:54,440 --> 02:24:03,720
Speaker 1: Come on, it's five right now, all right, bout break down.

2372
02:24:05,400 --> 02:24:10,400
Speaker 1: Who Yeah, it was good. We'll tell you think about

2373
02:24:10,480 --> 02:24:17,720
Speaker 1: tiger ball. Good God, oh ship breaks said ship. When

2374
02:24:17,760 --> 02:24:20,720
Speaker 1: you drink tiger ball, you're chambers of this mother somebody

2375
02:24:20,840 --> 02:24:25,400
Speaker 1: daughters in trouble to night. Listen, when you drink tiger bone,

2376
02:24:25,840 --> 02:24:28,480
Speaker 1: your soul take a name like your soul, be like,

2377
02:24:28,640 --> 02:24:31,120
Speaker 1: I'm I'm I'm gonna chill out for it's so that

2378
02:24:31,360 --> 02:24:35,040
Speaker 1: your soul. You're so, I'm gonna I'm keeping it rill

2379
02:24:35,160 --> 02:24:40,720
Speaker 1: j D. That's fine, right, that's fine. Only did for

2380
02:24:41,000 --> 02:24:48,199
Speaker 1: somebody did but he did fall six, that did six.

2381
02:24:48,920 --> 02:24:51,600
Speaker 1: If you did six, we didn't see that's six. You're good.

2382
02:24:52,640 --> 02:24:55,640
Speaker 1: Let's do seven. Damn said one more? Sad, you should

2383
02:24:55,680 --> 02:24:58,520
Speaker 1: do one more. Seven is right now. It's a god

2384
02:24:58,600 --> 02:25:19,240
Speaker 1: seven seven minutes ago, My god, what the fun man, God,

2385
02:25:19,680 --> 02:25:24,960
Speaker 1: damn crazy. We're gonna throw up. This is this, This

2386
02:25:25,160 --> 02:25:27,520
Speaker 1: is a fact. I don't even want to go set.

2387
02:25:27,560 --> 02:25:29,120
Speaker 1: I don't want to drink it. But don't you know

2388
02:25:29,240 --> 02:25:32,760
Speaker 1: we got it going out. J D ain't playing. We

2389
02:25:32,920 --> 02:25:36,760
Speaker 1: told you we celebrated his life. He started out and

2390
02:25:36,840 --> 02:25:40,360
Speaker 1: he's still here having fun, smiling. That's a beautiful thing.

2391
02:25:40,640 --> 02:25:43,160
Speaker 1: I ain't gonna front. Nigga disrespected me. They gave me

2392
02:25:43,200 --> 02:25:47,400
Speaker 1: way too. We gotta say congratulations to you. Got eat something. They'

2393
02:25:47,480 --> 02:25:50,040
Speaker 1: oh ship, they invited us to the brother but it

2394
02:25:50,160 --> 02:25:52,199
Speaker 1: already happened. I'm a little girl way in my mind.

2395
02:25:52,520 --> 02:25:55,920
Speaker 1: Now that's a little yeah, that's a little to that's

2396
02:25:55,920 --> 02:25:58,320
Speaker 1: a little heavy. I ain't gonna about I don't know

2397
02:25:58,440 --> 02:26:03,840
Speaker 1: my head. Let mike it with that little not fucking Jimmy,

2398
02:26:04,000 --> 02:26:05,880
Speaker 1: it's your first take it down, and man I got

2399
02:26:06,320 --> 02:26:10,920
Speaker 1: ninety take it down taken all right, hold on, you

2400
02:26:12,680 --> 02:26:15,680
Speaker 1: give it away a little bit. Lea's a little bit,

2401
02:26:15,840 --> 02:26:17,680
Speaker 1: you know what. I gotta deal with this thing on.

2402
02:26:19,560 --> 02:26:21,200
Speaker 1: I'm gonna take the old. You gonna take the old,

2403
02:26:22,120 --> 02:26:25,560
Speaker 1: said the old thing? Oh you all right? You know what?

2404
02:26:25,680 --> 02:26:30,560
Speaker 1: I want the record here, okay, I wanted nig niggas

2405
02:26:30,560 --> 02:26:32,880
Speaker 1: gotta break my record. So hem you're talking to me

2406
02:26:32,959 --> 02:26:36,840
Speaker 1: seven right, that's what it is. Oh yes, Tavin says

2407
02:26:37,040 --> 02:27:03,959
Speaker 1: terrible want. Yeah, all right, what's got me? We're going on? Yeah,

2408
02:27:04,840 --> 02:27:19,720
Speaker 1: ship clean save just let's make let's make sure right nod,

2409
02:27:19,840 --> 02:27:23,240
Speaker 1: I hold the record, alright, j D. Let me just

2410
02:27:23,400 --> 02:27:25,680
Speaker 1: let me just explain to you something. You see my

2411
02:27:26,120 --> 02:27:29,440
Speaker 1: two guys right there, those are both twins. That's my

2412
02:27:29,600 --> 02:27:32,520
Speaker 1: twin right there. He had just had a recent accident

2413
02:27:33,320 --> 02:27:38,480
Speaker 1: and and you know, crashing to me, Bro crashed and

2414
02:27:38,680 --> 02:27:41,080
Speaker 1: you know, now he's disabled. It's okay, but we're gonna

2415
02:27:41,320 --> 02:27:43,720
Speaker 1: rob with him every step of the way. And then

2416
02:27:43,800 --> 02:27:46,200
Speaker 1: the other twin right there, he's on mass steroids. He's

2417
02:27:46,280 --> 02:27:53,600
Speaker 1: my this is big, This is big. This is the

2418
02:27:53,760 --> 02:27:57,119
Speaker 1: hundred episode though, Yo, I could have died on episode

2419
02:27:57,160 --> 02:27:59,920
Speaker 1: for the eight now, I ain't gonna It's the fact

2420
02:28:00,120 --> 02:28:03,680
Speaker 1: throw Danny Garcia's episodes, the last episode before my accident though.

2421
02:28:04,160 --> 02:28:06,360
Speaker 1: And it's crazy how he recognizes that because I need

2422
02:28:06,400 --> 02:28:08,840
Speaker 1: He shows in my love on Instagram and shout out

2423
02:28:08,879 --> 02:28:11,640
Speaker 1: to all the fans in Pakistan and Thailand when they

2424
02:28:11,720 --> 02:28:15,240
Speaker 1: got talking about fucking everywhere, Yo, all over the board,

2425
02:28:15,280 --> 02:28:18,560
Speaker 1: the Netherlands, we got people everywhere, We got legends, we

2426
02:28:18,640 --> 02:28:20,880
Speaker 1: got by waway here in my nigga. You sleep y'all

2427
02:28:20,879 --> 02:28:24,280
Speaker 1: sleeping on by. He is a legend. You're right now.

2428
02:28:24,360 --> 02:28:26,480
Speaker 1: We were to read the pre legends. You mentioned them

2429
02:28:26,560 --> 02:28:29,080
Speaker 1: names people nowhere. But we're living, we're taking shots. I

2430
02:28:29,160 --> 02:28:31,240
Speaker 1: just took my hund shows to tackle baby. Just get

2431
02:28:31,280 --> 02:28:40,400
Speaker 1: it in a seven. Ye needed the other twin. So

2432
02:28:40,560 --> 02:28:42,800
Speaker 1: that is the other twin that I hang out with

2433
02:28:42,959 --> 02:28:46,879
Speaker 1: him and he wanted to drink tyger bone and what happened?

2434
02:28:48,520 --> 02:28:53,880
Speaker 1: Come on, I work out seven days a week, six

2435
02:28:53,920 --> 02:28:59,959
Speaker 1: seven meals a day, so I'm not STOs. Four years ago,

2436
02:29:00,360 --> 02:29:05,959
Speaker 1: Tiger sent me to the hospital with seven shots. Saving

2437
02:29:06,040 --> 02:29:10,960
Speaker 1: to the hospital, Vegan. The light was I had to

2438
02:29:11,000 --> 02:29:17,400
Speaker 1: do something with you trying to commit suicycle? What the

2439
02:29:17,560 --> 02:29:19,920
Speaker 1: fun at the hospital because I went to the high

2440
02:29:21,240 --> 02:29:23,760
Speaker 1: because for some reason to meet this. I'll tell you

2441
02:29:23,959 --> 02:29:26,000
Speaker 1: cream then I'm gonna tell you where is your problems?

2442
02:29:26,280 --> 02:29:33,200
Speaker 1: You can't eat poor leging? Same day you're god, you

2443
02:29:33,320 --> 02:29:38,320
Speaker 1: gotta right. I'll take your shot today. That what's up?

2444
02:29:38,959 --> 02:29:45,160
Speaker 1: Let's taken today? Mom saying he taking gotta catch you.

2445
02:29:45,280 --> 02:29:50,120
Speaker 1: You gotta catch you. You know you do another way

2446
02:29:56,959 --> 02:30:11,000
Speaker 1: just say we take a shut up. I was listen,

2447
02:30:11,080 --> 02:30:18,080
Speaker 1: I was watching blow last night. Oh, by the way,

2448
02:30:18,080 --> 02:30:20,040
Speaker 1: if I wasn't making music, I'd be a drug dealer

2449
02:30:20,760 --> 02:30:25,840
Speaker 1: flat out. I think, huh, I think everybody here would be.

2450
02:30:25,879 --> 02:30:28,520
Speaker 1: I mean, but I would be a real smart drug dealer. Yeah,

2451
02:30:28,520 --> 02:30:30,360
Speaker 1: we can tell we might be dumb drug dealers, but

2452
02:30:30,400 --> 02:30:35,480
Speaker 1: we'll be talking. But yeah, Like I actually hate the

2453
02:30:35,520 --> 02:30:38,320
Speaker 1: movie Blow because they treat my nigga. But but but

2454
02:30:38,440 --> 02:30:40,920
Speaker 1: I funk with it because you know, that's one of

2455
02:30:40,959 --> 02:30:44,120
Speaker 1: the dopest movies. But you know in the Nigger, they

2456
02:30:44,160 --> 02:30:46,400
Speaker 1: come back from Colombia and then they got the cocaine

2457
02:30:46,480 --> 02:30:49,480
Speaker 1: on the table and the dude telling him like, like

2458
02:30:49,640 --> 02:30:51,840
Speaker 1: what the raided the cocaine is? He like, usually if

2459
02:30:51,879 --> 02:30:55,960
Speaker 1: it's like one point, you know, one seventy five the

2460
02:30:56,080 --> 02:31:01,240
Speaker 1: purity right, and the ship go five and then they like, yo,

2461
02:31:01,680 --> 02:31:04,160
Speaker 1: god damn, where the fun y'all get this? Can I can?

2462
02:31:04,200 --> 02:31:05,720
Speaker 1: I can? I do a lot of this ship? And

2463
02:31:05,760 --> 02:31:09,080
Speaker 1: then they hit the ship and they're like they're talking,

2464
02:31:09,160 --> 02:31:11,120
Speaker 1: and then he just come out of nowhere like I

2465
02:31:11,200 --> 02:31:16,880
Speaker 1: can't feel my face. That's that's how I feel right now.

2466
02:31:27,240 --> 02:31:30,560
Speaker 1: That's what test like, I'm touching my lips and ship

2467
02:31:30,640 --> 02:31:39,240
Speaker 1: myself want im drips. Let me just say something. I

2468
02:31:39,320 --> 02:31:42,720
Speaker 1: want to thank you brothers, because I can talk to

2469
02:31:42,760 --> 02:31:44,800
Speaker 1: you guys all night. But I know we just have

2470
02:31:45,120 --> 02:31:48,800
Speaker 1: the most fun that we could have. So I'm gonna

2471
02:31:48,840 --> 02:31:52,879
Speaker 1: I'm gonna end it on the strength of we're loving

2472
02:31:53,000 --> 02:31:55,600
Speaker 1: y'all because we're gonna keep going and keep going and

2473
02:31:55,640 --> 02:31:58,280
Speaker 1: keep going and you know what, you know, thank you

2474
02:31:58,480 --> 02:32:03,440
Speaker 1: for coming ahead because um the basis of our story.

2475
02:32:04,680 --> 02:32:08,120
Speaker 1: Uh me and my partner teacher here friend right there.

2476
02:32:08,560 --> 02:32:14,160
Speaker 1: It's like, why don't people respect people after they you

2477
02:32:14,240 --> 02:32:19,760
Speaker 1: don't have success and continue to do something else like

2478
02:32:19,920 --> 02:32:23,120
Speaker 1: what happened? Why don't in hip hop and every other

2479
02:32:23,240 --> 02:32:27,760
Speaker 1: genre music, rock and roll, jazz, like you get to

2480
02:32:27,800 --> 02:32:30,680
Speaker 1: a certain level and people respect you. People will say

2481
02:32:31,080 --> 02:32:33,480
Speaker 1: for the hip hop they give you a milk date,

2482
02:32:34,640 --> 02:32:38,000
Speaker 1: like you got an inspiration date, motherfucker by the twenty

2483
02:32:38,080 --> 02:32:45,040
Speaker 1: four September such such such better you should be out.

2484
02:32:46,600 --> 02:32:51,920
Speaker 1: And then Caress One, which was one of my favorite rappers, said,

2485
02:32:51,920 --> 02:32:57,440
Speaker 1: why would you say because you're attracted? Huh So I

2486
02:32:57,600 --> 02:33:02,360
Speaker 1: hope his message is correct because as a person get old,

2487
02:33:02,440 --> 02:33:04,920
Speaker 1: as a person, continue to put it working hip hop

2488
02:33:05,280 --> 02:33:08,080
Speaker 1: and we continue to salute them. I want, I want

2489
02:33:08,240 --> 02:33:16,039
Speaker 1: with Carresstress Caress One message to be down. Why would

2490
02:33:16,040 --> 02:33:21,560
Speaker 1: you say because you're attracted. So at one point I

2491
02:33:21,680 --> 02:33:24,520
Speaker 1: heard people say, you know because Jay said, you know,

2492
02:33:26,000 --> 02:33:31,520
Speaker 1: let me saying, he said, you guys on Instagram putting

2493
02:33:31,640 --> 02:33:37,320
Speaker 1: money to your air that ain't running over here. And

2494
02:33:37,440 --> 02:33:39,800
Speaker 1: I understood what he meant. He would this in the

2495
02:33:40,160 --> 02:33:45,520
Speaker 1: young generation. He was understanding, go get a black card. Yeah, man,

2496
02:33:45,640 --> 02:33:50,320
Speaker 1: go get some credit, go get something, Go buy a vehicle, go,

2497
02:33:50,720 --> 02:34:00,040
Speaker 1: you know, so you can actually what people too that

2498
02:34:00,200 --> 02:34:08,160
Speaker 1: as it was disrespect because of his elderness. So before

2499
02:34:08,560 --> 02:34:10,840
Speaker 1: that I went came out what we wanted to do.

2500
02:34:11,120 --> 02:34:14,480
Speaker 1: We we wanted to say, the older you became in

2501
02:34:14,600 --> 02:34:18,600
Speaker 1: hip hop, the more you just kept reading supreme in

2502
02:34:18,720 --> 02:34:22,520
Speaker 1: hip hop, you want to salute that, you want to

2503
02:34:22,600 --> 02:34:27,080
Speaker 1: respect that. We want to sit back and what's actually

2504
02:34:27,200 --> 02:34:33,760
Speaker 1: called the scope, the like when the aunt comes and

2505
02:34:33,959 --> 02:34:45,240
Speaker 1: put the man with the magnifying glass. Oh yeah, that too.

2506
02:34:45,600 --> 02:34:48,520
Speaker 1: But we want with the magnifying glass of our CEOs,

2507
02:34:48,600 --> 02:34:52,240
Speaker 1: the people that come out here and help keep pushing

2508
02:34:52,320 --> 02:34:55,240
Speaker 1: hip hop forward, because the thing about it, hip hop

2509
02:34:55,280 --> 02:34:57,520
Speaker 1: should be his own religion. Hip hop should be its

2510
02:34:57,600 --> 02:35:01,640
Speaker 1: own gospel. It's be its own race, like people should

2511
02:35:02,600 --> 02:35:05,840
Speaker 1: at some point in the near future, people should register

2512
02:35:06,400 --> 02:35:09,560
Speaker 1: you know, black white, you know, and then hip hop,

2513
02:35:09,720 --> 02:35:20,880
Speaker 1: hip hop, bird up, bring back the right up to relax. Nah,

2514
02:35:21,320 --> 02:35:24,440
Speaker 1: but you should know. But you're right, you're right. But

2515
02:35:24,600 --> 02:35:26,840
Speaker 1: this is a different moment in life from some mama,

2516
02:35:27,200 --> 02:35:29,960
Speaker 1: like at the end of the day when people should

2517
02:35:30,000 --> 02:35:34,800
Speaker 1: register the vote, we should register hip hop like hip hop.

2518
02:35:34,800 --> 02:35:39,360
Speaker 1: I'm I'm on, you can tell me to play. We

2519
02:35:39,360 --> 02:35:44,400
Speaker 1: should register hip hop because that's what we did with Borraq.

2520
02:35:45,120 --> 02:35:47,720
Speaker 1: It wasn't it wasn't a race thing. I think like

2521
02:35:47,840 --> 02:35:50,320
Speaker 1: it was a race thing. But we knew he was

2522
02:35:50,480 --> 02:35:55,680
Speaker 1: hip hop when we knew. We knew he knew whole

2523
02:35:55,920 --> 02:36:01,800
Speaker 1: lyrics because like he knew whole ship. He no ill maggo,

2524
02:36:02,959 --> 02:36:07,280
Speaker 1: let's vote for that name. Yeah, vote for Jesse. Let's

2525
02:36:07,280 --> 02:36:10,680
Speaker 1: just keep it real. I was dead. I was like, Jessie,

2526
02:36:10,720 --> 02:36:16,120
Speaker 1: I'm much you. You voted for Jesse Jesse Jackson. Yeah, No,

2527
02:36:16,400 --> 02:36:22,720
Speaker 1: I won't get nobody nobody about he voted for Jesse.

2528
02:36:23,040 --> 02:36:24,800
Speaker 1: But I'm trying to take something down right now, he's

2529
02:36:27,600 --> 02:36:31,320
Speaker 1: you're still singing that. I expect that. I can always

2530
02:36:31,400 --> 02:36:35,040
Speaker 1: recognize a single nigga right now, I can always recognize

2531
02:36:35,040 --> 02:36:38,720
Speaker 1: the single nigga drinking more talking about he don't get

2532
02:36:38,840 --> 02:36:41,360
Speaker 1: everybody here. You understand it and he don't even know.

2533
02:36:44,040 --> 02:36:54,320
Speaker 1: But your side language game is because you know what,

2534
02:36:54,360 --> 02:36:56,640
Speaker 1: I want to spoke a cigarette, but I'm gonna spoke

2535
02:36:56,720 --> 02:36:59,000
Speaker 1: with some week. But what I'm trying to tell y'all

2536
02:37:01,920 --> 02:37:07,560
Speaker 1: hip hop started on the park respected Puerto Rico Islands

2537
02:37:07,760 --> 02:37:14,000
Speaker 1: before the fucking United States. Absolutely, absolutely still was that

2538
02:37:15,600 --> 02:37:19,039
Speaker 1: the Puerto Rico's a hip hop hip hop came. Did

2539
02:37:19,080 --> 02:37:21,160
Speaker 1: you did you? Did you realize that? I'm sorry I

2540
02:37:21,520 --> 02:37:24,280
Speaker 1: got political on y'all this This wasn't a part of

2541
02:37:24,360 --> 02:37:31,720
Speaker 1: the program like that. Don't blame that's right there ahead.

2542
02:37:33,560 --> 02:37:36,200
Speaker 1: Did you see hip hop come to the aid a

2543
02:37:36,320 --> 02:37:42,720
Speaker 1: Puerto Rico before president before? It's still our president still

2544
02:37:42,800 --> 02:37:45,560
Speaker 1: has an Absolutely he didn't let the man. He did

2545
02:37:45,760 --> 02:37:49,080
Speaker 1: what I'm saying, it's still what he's doing is not enough.

2546
02:37:49,840 --> 02:37:53,240
Speaker 1: And hip hop, the community is still coming to private

2547
02:37:53,320 --> 02:37:56,400
Speaker 1: citizens are helping Porto. And then I see it in

2548
02:37:56,440 --> 02:37:58,840
Speaker 1: the Atlanta one year you had two ft of snow

2549
02:37:58,920 --> 02:38:05,720
Speaker 1: and y'all y'all went crazy. This is not huh. Atlanta

2550
02:38:05,840 --> 02:38:09,560
Speaker 1: never had a christis no no. But how do you

2551
02:38:09,640 --> 02:38:14,080
Speaker 1: feel as Americans seeing that happened. I mean, that's I

2552
02:38:14,160 --> 02:38:16,960
Speaker 1: think I think that's the that's the beauty of hip hop. Though,

2553
02:38:17,440 --> 02:38:20,120
Speaker 1: I think it's like we shouldn't be surprised because that's

2554
02:38:20,120 --> 02:38:22,960
Speaker 1: what hip hop does anyway. Hip hop has introduced people

2555
02:38:23,000 --> 02:38:27,880
Speaker 1: to everybody to different something completely, you know what I mean? Like,

2556
02:38:28,720 --> 02:38:30,680
Speaker 1: you know, I don't I don't even know if that

2557
02:38:31,040 --> 02:38:34,600
Speaker 1: Like when I was first started making music, I don't

2558
02:38:34,600 --> 02:38:38,240
Speaker 1: think it's no Puerto Rican girls in Atlanta. He I mean,

2559
02:38:38,280 --> 02:38:40,160
Speaker 1: I don't think it was no girls in the fil

2560
02:38:40,600 --> 02:38:44,080
Speaker 1: I know his friends, well, they wasn't not around in

2561
02:38:44,120 --> 02:38:48,720
Speaker 1: College Park. I'm just saying. So it's like hip hop

2562
02:38:48,840 --> 02:38:52,800
Speaker 1: introduce you to that type of woman. Hip hop introduced

2563
02:38:52,840 --> 02:38:56,360
Speaker 1: you to, you know, going to the Dominican Republic, like

2564
02:38:56,520 --> 02:39:00,160
Speaker 1: we went to dr for what we went there for. Um,

2565
02:39:00,360 --> 02:39:05,560
Speaker 1: it's like a music it's like a big conference. Yea. Yeah,

2566
02:39:05,600 --> 02:39:12,280
Speaker 1: he better remember he was wound over too much, too

2567
02:39:12,360 --> 02:39:33,720
Speaker 1: much liquor. Let's give him start, give him the story. Good, Okay,

2568
02:39:33,720 --> 02:39:36,760
Speaker 1: I gotta tell you all, Just gotta tell you because

2569
02:39:36,760 --> 02:39:38,840
Speaker 1: I'm dropped and I need some food. I played the

2570
02:39:38,879 --> 02:39:41,920
Speaker 1: FI we got you, we got ain't They worked him

2571
02:39:41,920 --> 02:39:51,000
Speaker 1: all right? Listen I'm dropped up, hell up and go

2572
02:39:51,160 --> 02:39:55,600
Speaker 1: to d R we out there for this convention. It's uh,

2573
02:39:57,080 --> 02:40:02,040
Speaker 1: I don't know who convintion it's a DJ convention. And

2574
02:40:04,240 --> 02:40:10,440
Speaker 1: these Dominican girls come back sounds like a bastard, and

2575
02:40:10,520 --> 02:40:14,200
Speaker 1: they don't speak no English, right, and we don't speak

2576
02:40:15,240 --> 02:40:17,960
Speaker 1: Spanish exactly, so it's just like a whole bunch of

2577
02:40:18,040 --> 02:40:22,480
Speaker 1: just funked up, like what's going on? But do you know?

2578
02:40:23,360 --> 02:40:27,560
Speaker 1: And every language getting naked is the same talk and

2579
02:40:27,840 --> 02:40:36,360
Speaker 1: getting naked. Yeah, So this guy I go back into

2580
02:40:36,840 --> 02:40:38,480
Speaker 1: I go in the room, but I was in there

2581
02:40:39,640 --> 02:40:46,199
Speaker 1: fucking this Dominican girl getting around that one and he's

2582
02:40:46,240 --> 02:40:51,119
Speaker 1: talking to her crazy. It's mad. It's not you learned,

2583
02:40:51,120 --> 02:40:54,840
Speaker 1: saying he learned speaking crazy ship in the world to

2584
02:40:54,959 --> 02:40:59,080
Speaker 1: this girl and she don't understand nothing he's saying. It's

2585
02:40:59,240 --> 02:41:04,480
Speaker 1: like spens. I'm like, it's not even everything for us

2586
02:41:04,560 --> 02:41:09,400
Speaker 1: because she don't know what the talking. Yeo, I'm not

2587
02:41:09,520 --> 02:41:12,600
Speaker 1: saying this thing was talking to a president. I'm saying

2588
02:41:13,040 --> 02:41:15,360
Speaker 1: the craziest ship in the world that you can fox

2589
02:41:15,480 --> 02:41:19,360
Speaker 1: me say to her. He's sacking it, sir, Yeah for me, dude,

2590
02:41:28,120 --> 02:41:36,160
Speaker 1: me for listen. By the way, I was there why

2591
02:41:36,240 --> 02:41:38,880
Speaker 1: this was happening, and I couldn't believe it. That's why

2592
02:41:38,920 --> 02:41:42,440
Speaker 1: I'm telling you because I'm like this niggers sucking to her. Okay,

2593
02:41:42,520 --> 02:41:45,360
Speaker 1: she don't know, she don't have nothing, he's saying. He's

2594
02:41:45,400 --> 02:41:48,080
Speaker 1: saying it to her, like you you gotta come on.

2595
02:41:49,680 --> 02:41:53,600
Speaker 1: She's like, what the what are you talking about? Yeah?

2596
02:41:54,160 --> 02:41:57,200
Speaker 1: This thing? It was wow? Okay before we go to

2597
02:41:57,280 --> 02:42:03,320
Speaker 1: bout rocks, go right to you. You did. Look he's crying.

2598
02:42:03,440 --> 02:42:10,840
Speaker 1: Look but what what? What? What made you know that?

2599
02:42:11,520 --> 02:42:18,600
Speaker 1: That was? Is another door with it about? It's the same.

2600
02:42:20,160 --> 02:42:22,080
Speaker 1: Now we're in the same room. I mean, we're in

2601
02:42:22,120 --> 02:42:25,280
Speaker 1: the same say about we got a house. We got

2602
02:42:25,360 --> 02:42:28,520
Speaker 1: a house. So what happened about? I mean he pretty

2603
02:42:28,600 --> 02:42:32,400
Speaker 1: much said it just the day. I was wilding. I

2604
02:42:32,520 --> 02:42:34,560
Speaker 1: was wigging because you know, it was fun. I was like,

2605
02:42:34,600 --> 02:42:35,760
Speaker 1: you know what I'm saying. I was like, ship, you

2606
02:42:35,800 --> 02:42:38,160
Speaker 1: don't know. I was like, this is like practice for

2607
02:42:38,280 --> 02:42:40,080
Speaker 1: when I want to talk to an American girl like this,

2608
02:42:40,640 --> 02:42:47,840
Speaker 1: So I was like I expect. I was like, yo, fun,

2609
02:42:48,000 --> 02:42:49,760
Speaker 1: we're gonna have some fun. It's my first time. And

2610
02:42:49,840 --> 02:42:55,320
Speaker 1: then we really took the jack really took Germany for

2611
02:42:55,440 --> 02:42:58,280
Speaker 1: some reason. So I was like talking. It's like Jay

2612
02:42:58,320 --> 02:43:00,760
Speaker 1: got the plane. We had to girls in there, and

2613
02:43:00,800 --> 02:43:04,160
Speaker 1: I was just like fuck it. I was just charged up.

2614
02:43:04,200 --> 02:43:06,080
Speaker 1: We had had a good time. I had a good time,

2615
02:43:06,400 --> 02:43:08,320
Speaker 1: for sure, at a good time. I had never seen

2616
02:43:08,360 --> 02:43:11,720
Speaker 1: no crazy ship like that in my life. What did

2617
02:43:11,720 --> 02:43:14,879
Speaker 1: you talk about? I don't understand saying crazy. I'm saying

2618
02:43:14,920 --> 02:43:18,120
Speaker 1: the girl don't understand you. He's talking to her like

2619
02:43:18,240 --> 02:43:22,720
Speaker 1: she suck my dicks? What did she do? Such as la?

2620
02:43:26,040 --> 02:43:32,160
Speaker 1: He's so, where were the instructions going? I try to

2621
02:43:32,320 --> 02:43:42,600
Speaker 1: understand what you're saying. You said suck my Wait wait listen,

2622
02:43:45,240 --> 02:43:48,080
Speaker 1: by the way, listen, before I came over here, I

2623
02:43:48,200 --> 02:43:52,800
Speaker 1: told me he's like, don't talk about how about called

2624
02:43:52,840 --> 02:43:56,360
Speaker 1: me and say you're jad. He's going with these stories.

2625
02:43:56,800 --> 02:43:59,880
Speaker 1: So I'm trying to get these niggas some stories. That's right.

2626
02:44:02,360 --> 02:44:06,200
Speaker 1: I'll give you the challenge. I'm just giving y'all some

2627
02:44:06,320 --> 02:44:15,080
Speaker 1: exclusive ship you back. We got to ask you because

2628
02:44:15,080 --> 02:44:21,400
Speaker 1: I think about the whole time all. That's what I

2629
02:44:22,280 --> 02:44:24,040
Speaker 1: I'm not lying on it. I'm telling you to act

2630
02:44:24,080 --> 02:44:29,040
Speaker 1: you real ship know lies? You know what. By the way,

2631
02:44:29,200 --> 02:44:32,840
Speaker 1: I get mad about my life right because my life

2632
02:44:32,920 --> 02:44:37,440
Speaker 1: is so real. It's just so real. It's I see

2633
02:44:37,520 --> 02:44:41,040
Speaker 1: so much ship that niggas ain't never seen. So I

2634
02:44:41,240 --> 02:44:43,440
Speaker 1: like these type of opportunities where I can tell y'all

2635
02:44:43,480 --> 02:44:46,960
Speaker 1: ship and say ship, because I be I've seen so

2636
02:44:47,280 --> 02:44:51,160
Speaker 1: much since I was twelve that nobody ain't never seen.

2637
02:44:52,600 --> 02:44:55,440
Speaker 1: You know what I mean? Like, so it's crazy that

2638
02:44:55,560 --> 02:44:57,680
Speaker 1: you have to keep all of this ship like in

2639
02:44:58,200 --> 02:45:01,840
Speaker 1: your give us. You gotta give it out. That's what

2640
02:45:01,879 --> 02:45:05,320
Speaker 1: I'm saying. We need more, two more hours, Okay, give

2641
02:45:05,360 --> 02:45:06,959
Speaker 1: it up. You gotta give it out. So I ain't

2642
02:45:06,959 --> 02:45:11,240
Speaker 1: gonna lie. I've been holding my pep since listen. I

2643
02:45:11,320 --> 02:45:18,240
Speaker 1: looked at times let as no, no, listen, let me

2644
02:45:18,320 --> 02:45:23,800
Speaker 1: take something, damn miss e leven o'clock listen listen to ship. No,

2645
02:45:24,440 --> 02:45:31,120
Speaker 1: you gotta relax. You gotta relax. You got relax. You

2646
02:45:31,200 --> 02:45:35,440
Speaker 1: gotta see that you relax. Got This is what we

2647
02:45:35,560 --> 02:45:40,480
Speaker 1: do because seeing hip hop, they give us an expiration

2648
02:45:40,600 --> 02:46:03,280
Speaker 1: day like yo, right was picking the way to listen.

2649
02:46:03,800 --> 02:46:13,400
Speaker 1: That's their ways, twin and that's the cocaine. Cocaine, cocaine,

2650
02:46:14,360 --> 02:46:26,840
Speaker 1: oh ye, cocaine, fucking aybody. I want to I really

2651
02:46:26,879 --> 02:46:31,160
Speaker 1: want to say this that I'm sorry, man, your SCE

2652
02:46:33,720 --> 02:46:38,120
Speaker 1: was trolling when I did the rap Radar ship. I

2653
02:46:38,200 --> 02:46:41,360
Speaker 1: think it's going so hard on me. Yes, I why

2654
02:46:41,400 --> 02:46:46,120
Speaker 1: the fund you want them show on Twitter? Going stupid

2655
02:46:49,400 --> 02:46:51,440
Speaker 1: that one call me like, Yo, you gotta do Norrise

2656
02:46:51,520 --> 02:46:53,600
Speaker 1: show man that nigga show this ship. You gotta go

2657
02:46:53,760 --> 02:46:56,000
Speaker 1: do that nigga show. You did the wrong show first.

2658
02:46:56,280 --> 02:46:58,400
Speaker 1: I didn't wrong. You didn't want to show first. I

2659
02:46:58,520 --> 02:47:00,320
Speaker 1: was gonna bring it up, but you did, so I

2660
02:47:00,440 --> 02:47:04,640
Speaker 1: felt like I got out there. I was like, come on,

2661
02:47:04,760 --> 02:47:07,400
Speaker 1: slot them niggas wasn't out. You do remember reading or

2662
02:47:07,480 --> 02:47:13,480
Speaker 1: Nevada when we was out there. You remember you Impact

2663
02:47:14,040 --> 02:47:17,240
Speaker 1: listen by the way Impact a conference and you know

2664
02:47:17,480 --> 02:47:20,040
Speaker 1: you know what. I know what I and you know what.

2665
02:47:20,640 --> 02:47:23,560
Speaker 1: You know there were shot niggas that moved when the

2666
02:47:23,600 --> 02:47:26,880
Speaker 1: West Coast niggas came. And I remember j D standing

2667
02:47:26,959 --> 02:47:30,080
Speaker 1: there with me, like he he stood there. I was there,

2668
02:47:30,320 --> 02:47:33,040
Speaker 1: but j D was right there. I remember he not moving.

2669
02:47:33,800 --> 02:47:36,600
Speaker 1: So I said, damn, that's my nigga, Like I know

2670
02:47:36,720 --> 02:47:40,560
Speaker 1: we never officially said that, but I appreciate it. When

2671
02:47:40,680 --> 02:47:44,680
Speaker 1: all the East Coast niggas when up stairs. And that's

2672
02:47:44,680 --> 02:47:47,200
Speaker 1: how I met E forty because E forty came to

2673
02:47:47,280 --> 02:47:50,000
Speaker 1: me and said, damn anybody for the East Coast went

2674
02:47:50,080 --> 02:47:52,240
Speaker 1: up and I'm the only nigger that actually got a

2675
02:47:52,680 --> 02:47:56,760
Speaker 1: fucking record this in the West Coast. And I wasn't

2676
02:47:56,800 --> 02:47:58,720
Speaker 1: this in them, but I was standing up for my

2677
02:47:58,879 --> 02:48:03,119
Speaker 1: coat l a lay and I stood there and one

2678
02:48:03,160 --> 02:48:06,400
Speaker 1: of the only other motherfucker's that stood there was this

2679
02:48:06,600 --> 02:48:09,920
Speaker 1: Nix And then this is how note it's done Perreon

2680
02:48:10,080 --> 02:48:14,920
Speaker 1: story the truth. I said, what you're drinking. I thought

2681
02:48:14,920 --> 02:48:18,560
Speaker 1: he's gonna say handy straight and he said dog very all.

2682
02:48:18,680 --> 02:48:22,840
Speaker 1: I was like, oh, this ship. I told the grad

2683
02:48:22,959 --> 02:48:26,040
Speaker 1: the president of Regulator sitting there, Levine, this nigg is

2684
02:48:26,040 --> 02:48:29,119
Speaker 1: the one dog very I'm not moving. I can't move.

2685
02:48:29,640 --> 02:48:31,200
Speaker 1: Get that nigga. What do you want? And I bought

2686
02:48:31,280 --> 02:48:34,800
Speaker 1: you bas Do you remember that? Yeah? Yeah, I want

2687
02:48:34,840 --> 02:48:37,120
Speaker 1: your very. I don want to think you're drinking. I

2688
02:48:37,280 --> 02:48:40,119
Speaker 1: told you, just like, alright, cool. You tested me out.

2689
02:48:40,240 --> 02:48:42,320
Speaker 1: He was like, all right, cool. And they asked me,

2690
02:48:42,440 --> 02:48:46,640
Speaker 1: wh I might have drink that ship. I'm gonna keep

2691
02:48:46,840 --> 02:48:50,760
Speaker 1: the black black. No, but that was some real ship.

2692
02:48:50,840 --> 02:48:57,119
Speaker 1: Come in. No, that was some real ship, because at

2693
02:48:57,160 --> 02:49:01,160
Speaker 1: that time it was either you full fledge East coast,

2694
02:49:01,600 --> 02:49:06,520
Speaker 1: like Atlanta was looked at the East coast. Keep it real,

2695
02:49:07,959 --> 02:49:11,160
Speaker 1: like we didn't have the division that these kids have now,

2696
02:49:11,400 --> 02:49:13,840
Speaker 1: like you gotta be for men Fest. Like it was

2697
02:49:14,080 --> 02:49:16,600
Speaker 1: all like it was almost like the NBA, you know,

2698
02:49:16,879 --> 02:49:19,560
Speaker 1: like the NBA, the NBA they said this is all

2699
02:49:19,680 --> 02:49:23,279
Speaker 1: East coast. They say Miami's East coast, Atlanta's East coast.

2700
02:49:23,840 --> 02:49:27,600
Speaker 1: It was almost like that. Yeah, it was like, I'm

2701
02:49:29,800 --> 02:49:33,960
Speaker 1: East coast, was East coast. I mean that's what Atlanta is,

2702
02:49:34,040 --> 02:49:36,240
Speaker 1: the East coast, though the miamis East coast. It is

2703
02:49:36,320 --> 02:49:39,360
Speaker 1: what it is. Yeah, we're all the He's got us

2704
02:49:39,360 --> 02:49:43,760
Speaker 1: stick together. You never likes not real. You want to

2705
02:49:43,800 --> 02:49:53,160
Speaker 1: claime your soliss that steroids? It's steroids you want. I

2706
02:49:53,160 --> 02:49:57,280
Speaker 1: don't give he'd be moving up, man, Come on, it's

2707
02:49:57,280 --> 02:49:59,640
Speaker 1: the twist that you see. We met the other twins.

2708
02:49:59,680 --> 02:50:05,840
Speaker 1: This is the the twin work out. Yeah, good look

2709
02:50:05,879 --> 02:50:17,120
Speaker 1: what's steroids? I know about the creams called It's called maintenance.

2710
02:50:17,920 --> 02:50:20,199
Speaker 1: You got you gotta maintain every musch in your body

2711
02:50:20,280 --> 02:50:24,520
Speaker 1: every week. That's it. If you maintain everybody, every mussel

2712
02:50:24,560 --> 02:50:30,040
Speaker 1: in your body, every week, you'll be It's good. A

2713
02:50:30,080 --> 02:50:38,040
Speaker 1: little lady, I'm so sorry, j D. Let me tell

2714
02:50:38,040 --> 02:50:49,400
Speaker 1: you something. Man, if a person work alright, you know yeah,

2715
02:50:50,160 --> 02:50:55,000
Speaker 1: you come in you know him and Mike's do you

2716
02:50:55,040 --> 02:51:02,959
Speaker 1: see him? L a fitness didn't see the different. I'll

2717
02:51:03,000 --> 02:51:07,720
Speaker 1: be sliding on my two. What you can do is,

2718
02:51:07,800 --> 02:51:10,000
Speaker 1: he asked, now keep it ready? You know you know

2719
02:51:10,160 --> 02:51:21,480
Speaker 1: this eat You're I have no choice now but to

2720
02:51:21,560 --> 02:51:26,640
Speaker 1: become a professional as eater. There an't go so they

2721
02:51:26,760 --> 02:51:32,640
Speaker 1: come to my room. I'm a professional ass eater or

2722
02:51:32,680 --> 02:51:37,000
Speaker 1: now choice? You know my god, she's getting bigger now

2723
02:51:37,240 --> 02:51:39,920
Speaker 1: side that should getting thicker when they get us, because

2724
02:51:39,920 --> 02:51:41,600
Speaker 1: you know so, I'm just wearing the little bit and

2725
02:51:41,640 --> 02:51:44,960
Speaker 1: go on. You know hey, but look, hey they can

2726
02:51:45,480 --> 02:51:47,720
Speaker 1: to son. He's like dirty, he's still has a little joint.

2727
02:51:52,560 --> 02:51:56,879
Speaker 1: I want Chinese think you said anyway, They don't always relaxed,

2728
02:51:58,240 --> 02:52:00,080
Speaker 1: say this is the way it works. You love me,

2729
02:52:00,160 --> 02:52:02,440
Speaker 1: you gotta little my twin, you feel me, you love me,

2730
02:52:02,560 --> 02:52:05,040
Speaker 1: you gotta love you gotta love both for words, no

2731
02:52:08,760 --> 02:52:12,560
Speaker 1: chill chilling? How many can least? How he like, I'm

2732
02:52:12,720 --> 02:52:14,760
Speaker 1: like yo, I see a passage in the club. I

2733
02:52:14,840 --> 02:52:16,760
Speaker 1: told my twin, I'm like yo, you gotta funk her

2734
02:52:16,800 --> 02:52:19,120
Speaker 1: from me? Mon nigga and he goes and bags and

2735
02:52:19,160 --> 02:52:26,600
Speaker 1: foxing from me like that's fat, Like this, I can't

2736
02:52:26,600 --> 02:52:28,320
Speaker 1: beat the dog. He stops on. He you know what

2737
02:52:28,320 --> 02:52:29,800
Speaker 1: I'm saying. I'm like, yo, you gotta do what I

2738
02:52:29,879 --> 02:52:32,400
Speaker 1: can do for her, you know what I'm saying. But

2739
02:52:32,520 --> 02:52:35,440
Speaker 1: we don't shut him. Yeah, he's temporarily out of service

2740
02:52:35,480 --> 02:52:39,200
Speaker 1: for the moment. You feel me for Max. I'm gonna

2741
02:52:39,200 --> 02:52:43,600
Speaker 1: look again, man, I ain't the first purpose again. Yeah,

2742
02:52:47,760 --> 02:52:50,760
Speaker 1: babies only mad ten months? Baby? Let did it. Let's

2743
02:52:51,160 --> 02:52:57,000
Speaker 1: get that we are able who money? Right now, let

2744
02:52:57,040 --> 02:52:58,840
Speaker 1: me say something. You know, we're sing a little anything.

2745
02:52:59,200 --> 02:53:03,720
Speaker 1: You know what the day you died right there now

2746
02:53:03,840 --> 02:53:08,240
Speaker 1: when Winwood, this is very good, right, you very bad

2747
02:53:08,400 --> 02:53:11,080
Speaker 1: if it used to be very that's because you're like

2748
02:53:11,160 --> 02:53:14,080
Speaker 1: a like a fisher Miami guy. Okay, you gotta relax,

2749
02:53:14,600 --> 02:53:18,000
Speaker 1: like let's talk about the millennials. All right, it's very good. Now.

2750
02:53:18,440 --> 02:53:23,320
Speaker 1: Now we're in like the upgraded section and we're still

2751
02:53:23,400 --> 02:53:26,160
Speaker 1: hooding it out j D. So now we gotta take

2752
02:53:26,200 --> 02:53:31,040
Speaker 1: one more shot. I'm done, but we don the one

2753
02:53:31,920 --> 02:53:42,200
Speaker 1: two the one thing right, right? Shoot one more that's it. No,

2754
02:53:42,400 --> 02:53:44,440
Speaker 1: you can take that to go. That's your always right

2755
02:53:45,080 --> 02:53:54,000
Speaker 1: back because yo, because j D, I don't thought a

2756
02:53:54,080 --> 02:54:02,160
Speaker 1: great job, very good. Oh look look at and that's

2757
02:54:02,240 --> 02:54:05,440
Speaker 1: for you and j D, I just want you to

2758
02:54:05,560 --> 02:54:09,920
Speaker 1: know we could have got like mad journitorial, what's actually

2759
02:54:09,920 --> 02:54:16,080
Speaker 1: going stalistic? Don't want to do that. We are both

2760
02:54:16,240 --> 02:54:20,600
Speaker 1: fans and you you know what we do when we're

2761
02:54:20,600 --> 02:54:23,160
Speaker 1: about the film people, We just sit there and be

2762
02:54:23,160 --> 02:54:26,160
Speaker 1: just listen to the old music. We come here early

2763
02:54:27,520 --> 02:54:29,480
Speaker 1: and we just sit there and we just listen to

2764
02:54:29,560 --> 02:54:37,080
Speaker 1: the older everything. We make a playlist Spotify title, Hi us,

2765
02:54:38,120 --> 02:54:43,199
Speaker 1: let's give a good playlist how people should be representing.

2766
02:54:45,440 --> 02:54:48,480
Speaker 1: And the thing about it is, I guess the reason

2767
02:54:48,520 --> 02:54:50,960
Speaker 1: why this show works is because they quote unquote called

2768
02:54:51,000 --> 02:54:54,920
Speaker 1: me a hip hop legend. But guess what, even up,

2769
02:54:54,920 --> 02:54:56,840
Speaker 1: I'm a hip hop legend. It will never take me

2770
02:54:57,320 --> 02:55:02,000
Speaker 1: away and my brother d J fan mixtape king, it

2771
02:55:02,040 --> 02:55:04,200
Speaker 1: would never take it away from me not being a

2772
02:55:04,360 --> 02:55:08,720
Speaker 1: fan of what originally played out. And I've never been

2773
02:55:09,360 --> 02:55:13,400
Speaker 1: scared or afraid to be a fan of anybody. I

2774
02:55:13,600 --> 02:55:17,039
Speaker 1: love being a fan. Why not the thing in hip

2775
02:55:17,120 --> 02:55:22,039
Speaker 1: hop we stop praising being a fan? Yeah? People being

2776
02:55:22,080 --> 02:55:25,120
Speaker 1: afraid of being fast, yo, yo, spread of that Creed

2777
02:55:25,240 --> 02:55:30,320
Speaker 1: got hold on home. That's that's a hundred of spray.

2778
02:55:30,400 --> 02:55:37,120
Speaker 1: You gotta gonta put this in your go go find

2779
02:55:37,160 --> 02:55:44,040
Speaker 1: some business because little business overhead. Happy mother. But but

2780
02:55:44,800 --> 02:55:46,200
Speaker 1: you know this is my nigga. You know you know

2781
02:55:46,320 --> 02:55:48,480
Speaker 1: twin good you could do whatever funk you want to do.

2782
02:55:49,040 --> 02:55:54,400
Speaker 1: All right, you're gonna pop hold on hot champaign, kill people.

2783
02:55:55,360 --> 02:55:58,120
Speaker 1: You already know. So what I what I want to

2784
02:55:58,160 --> 02:56:04,160
Speaker 1: continue to do, to continue to praise our legends d

2785
02:56:04,320 --> 02:56:09,080
Speaker 1: D in case you don't claim it. It's like sometimes

2786
02:56:09,160 --> 02:56:11,400
Speaker 1: people come to me and be like, you know you

2787
02:56:11,520 --> 02:56:14,800
Speaker 1: put the Neptunes on. I'm like, ah, the Laptuns are

2788
02:56:14,800 --> 02:56:17,880
Speaker 1: gonna be here. The Neptunes, whoever, whether they gave me

2789
02:56:17,959 --> 02:56:21,000
Speaker 1: a record or not, they were talent for the more

2790
02:56:21,080 --> 02:56:25,320
Speaker 1: though you did for them. But that's my way of me.

2791
02:56:26,040 --> 02:56:29,040
Speaker 1: You know what you for them on? Thank you, Thank you.

2792
02:56:30,640 --> 02:56:34,120
Speaker 1: But I don't want you to ever forget what you

2793
02:56:34,280 --> 02:56:42,760
Speaker 1: did for the whole Northern East Coast and hemisphere. You know,

2794
02:56:44,040 --> 02:56:46,840
Speaker 1: we didn't know what was happening in the LANDA. We

2795
02:56:46,959 --> 02:56:52,600
Speaker 1: didn't help. What's the hotels they had? Yeah, YEA had

2796
02:56:52,640 --> 02:56:56,160
Speaker 1: the hotel forget it. It was like, no that's a

2797
02:56:56,200 --> 02:56:58,920
Speaker 1: switz Echel that came later that was next to the

2798
02:56:59,040 --> 02:57:02,840
Speaker 1: Linux the More. Yeah you think I don't know them. Yeah,

2799
02:57:03,160 --> 02:57:05,520
Speaker 1: And they had moved Chris under that too, and then

2800
02:57:05,520 --> 02:57:09,400
Speaker 1: they also had and also had the Polling restaurant. I've

2801
02:57:09,440 --> 02:57:12,880
Speaker 1: been doing different areas, you know. But it was like

2802
02:57:13,080 --> 02:57:18,920
Speaker 1: King like Quinto, Queen Quint like, you know, my first

2803
02:57:19,200 --> 02:57:21,280
Speaker 1: first business to atlant I was hurting. So I went

2804
02:57:21,360 --> 02:57:26,920
Speaker 1: to Quinto. It's like, it's like forty and then I realized,

2805
02:57:26,959 --> 02:57:31,560
Speaker 1: I said, Damn, these niggas moved the same way. They

2806
02:57:31,680 --> 02:57:35,800
Speaker 1: allegate the same way they but they got accents and

2807
02:57:35,920 --> 02:57:38,880
Speaker 1: I said, I was in New York. We retard. It

2808
02:57:39,080 --> 02:57:42,119
Speaker 1: was rules. You know, you don't go to a strip

2809
02:57:42,200 --> 02:57:46,400
Speaker 1: club in New York. That's what we want it too.

2810
02:57:46,480 --> 02:57:48,560
Speaker 1: If you go to the strip club, you don't throw money,

2811
02:57:50,160 --> 02:57:54,959
Speaker 1: go too, you don't take the ships. Three. I did

2812
02:57:55,080 --> 02:58:00,880
Speaker 1: all that my first week in Miami. But in Atlanta

2813
02:58:01,480 --> 02:58:04,240
Speaker 1: when Players Club, I'm gonna tell you what trans the

2814
02:58:04,280 --> 02:58:09,080
Speaker 1: whole ship when player when Players Club came out and

2815
02:58:09,560 --> 02:58:14,040
Speaker 1: ice Cube focused on Atlanta strip club, you know what

2816
02:58:14,120 --> 02:58:18,160
Speaker 1: I'm saying. And then when I went to Atlanta, I

2817
02:58:18,240 --> 02:58:20,920
Speaker 1: don't think the only club that's still open from back then,

2818
02:58:20,959 --> 02:58:26,440
Speaker 1: this Massi City. That's the only I'm correct, Yes, like

2819
02:58:26,640 --> 02:58:31,760
Speaker 1: there was other clubs. There was, Honestly, I just came later, right,

2820
02:58:32,680 --> 02:58:37,039
Speaker 1: came read later, and you guys introduced the strip club.

2821
02:58:37,280 --> 02:58:42,640
Speaker 1: Even though Miami has been hip hop culture of Miamia. No,

2822
02:58:42,840 --> 02:58:45,320
Speaker 1: but what I'm saying through hip hop hip hop here too,

2823
02:58:45,920 --> 02:58:48,800
Speaker 1: we're to live and all of them and Luke and everybody. Yeah,

2824
02:58:48,800 --> 02:58:51,200
Speaker 1: but we we we can give you to Atlanta. We

2825
02:58:51,360 --> 02:58:54,400
Speaker 1: made it. We made the strippers famous. I mean, we

2826
02:58:54,440 --> 02:58:59,400
Speaker 1: can battle that in my own name one Triple Brad

2827
02:58:59,640 --> 02:59:06,440
Speaker 1: to start, who what's the name rap from? Yeah, shutting Rad.

2828
02:59:07,360 --> 02:59:14,520
Speaker 1: That's only one though. One said. I'm saying, like listen,

2829
02:59:15,240 --> 02:59:17,600
Speaker 1: I'm just saying like to like. I just think to

2830
02:59:17,760 --> 02:59:20,520
Speaker 1: like birth y'all. Y'all gave birth to the death because

2831
02:59:20,600 --> 02:59:22,879
Speaker 1: when I was Atta, you can't even touch a girl

2832
02:59:22,920 --> 02:59:25,160
Speaker 1: in Atlanta in the strip club. You can't get a

2833
02:59:25,240 --> 02:59:28,280
Speaker 1: real lap dance. You can't get in Miami. You can

2834
02:59:28,360 --> 02:59:31,240
Speaker 1: get full all lap dance everything. See you know what

2835
02:59:31,320 --> 02:59:33,240
Speaker 1: I'm saying. I don't know what time I stupid to

2836
02:59:33,320 --> 02:59:41,280
Speaker 1: this from the nineties. I'm talking about Miami Atlanta, Miami,

2837
02:59:41,400 --> 02:59:44,080
Speaker 1: and Atlanta is the only place where it's real strip clubs.

2838
02:59:44,120 --> 02:59:48,000
Speaker 1: That absolutely, I believe that your true strip clubs. You

2839
02:59:48,080 --> 02:59:53,600
Speaker 1: can see a bit hole insides. You're right, you're right.

2840
02:59:53,959 --> 02:59:55,440
Speaker 1: But I think what he's saying, this is what we

2841
02:59:55,640 --> 02:59:59,160
Speaker 1: can all agree to, is that we broke records. Y'all,

2842
02:59:59,360 --> 03:00:02,440
Speaker 1: y'all did with y'all, y'all did y'all in the strip.

2843
03:00:03,000 --> 03:00:05,640
Speaker 1: But what we but what we did, we we we

2844
03:00:05,879 --> 03:00:08,840
Speaker 1: made the strippers famous in Atlanta. That's what we did.

2845
03:00:09,240 --> 03:00:14,840
Speaker 1: Like white chocolate sugar, uh man, Like we started making

2846
03:00:14,879 --> 03:00:19,000
Speaker 1: the the strippers. The strippers became Like I mean, I'm

2847
03:00:19,040 --> 03:00:22,320
Speaker 1: probably a bad ambassador for the strippers being famous in Miami,

2848
03:00:22,400 --> 03:00:25,600
Speaker 1: but I guarantee you made a lot of strippers in

2849
03:00:25,680 --> 03:00:29,119
Speaker 1: Miami famous. Tim, I mean, you got something. But I'm

2850
03:00:29,160 --> 03:00:33,760
Speaker 1: saying that that focus became. Atlanta's focus was like the strippers. Right.

2851
03:00:33,840 --> 03:00:35,680
Speaker 1: It was a club called the Gentleman's Club, and they

2852
03:00:35,800 --> 03:00:39,480
Speaker 1: used to focus on like the hottest strip of a month. Right,

2853
03:00:39,600 --> 03:00:41,920
Speaker 1: you go to the club, you you see the girl

2854
03:00:41,959 --> 03:00:43,360
Speaker 1: as soon as you walk in the club. They got

2855
03:00:43,400 --> 03:00:45,720
Speaker 1: a big old sign out there like this is stripper

2856
03:00:45,720 --> 03:00:47,760
Speaker 1: of the month. Right, The strip of the month, so

2857
03:00:47,840 --> 03:00:50,800
Speaker 1: you start, we must go to the clubs for that girl.

2858
03:00:53,840 --> 03:00:57,120
Speaker 1: We had stripper of the day in Miami, you know

2859
03:00:57,160 --> 03:00:58,560
Speaker 1: what I mean? And that to me, that's that's what

2860
03:00:58,720 --> 03:01:01,120
Speaker 1: the strip club is lost. Now, the strip clubs. I

2861
03:01:01,200 --> 03:01:04,680
Speaker 1: just think that don't focus on the South. The strip

2862
03:01:04,720 --> 03:01:11,119
Speaker 1: club culture is a Southern thing. I'm saying, yeah. Two,

2863
03:01:11,920 --> 03:01:14,760
Speaker 1: and before we end, before before the thing is, we

2864
03:01:14,959 --> 03:01:18,520
Speaker 1: broke records in the strip club in the South, in Miami,

2865
03:01:18,760 --> 03:01:21,120
Speaker 1: in Atlanta, I'm assuming like that's the way you broke record.

2866
03:01:21,160 --> 03:01:23,240
Speaker 1: This are two things I gotta gotta. I gotta get

2867
03:01:23,400 --> 03:01:27,560
Speaker 1: established before you get out of here. All right. When

2868
03:01:27,600 --> 03:01:31,039
Speaker 1: you think the strip club culture, it's as a person

2869
03:01:31,120 --> 03:01:37,160
Speaker 1: from New Yorker East Coaster, I always think Miami or Atlanta,

2870
03:01:37,600 --> 03:01:42,520
Speaker 1: all right. And for a strange reason, every time I

2871
03:01:42,600 --> 03:01:52,200
Speaker 1: think about Lemon Pepper, I think about, yeah, yeah, motherfucker. No,

2872
03:01:52,360 --> 03:01:57,440
Speaker 1: he's taking the stripper Lemon Pepper, motherfucker. I need to understand. Now,

2873
03:01:58,040 --> 03:02:00,960
Speaker 1: you from more high right from New York for me,

2874
03:02:01,040 --> 03:02:08,200
Speaker 1: and you gotta ask, and you from Miami. Correct, listen,

2875
03:02:08,560 --> 03:02:11,039
Speaker 1: Let's do a game show, all right, let's go. Let's

2876
03:02:11,080 --> 03:02:14,960
Speaker 1: do a game show. I don't want to say, where

2877
03:02:15,000 --> 03:02:18,680
Speaker 1: did the strip club culture start? And I want to

2878
03:02:18,720 --> 03:02:26,400
Speaker 1: see which one of y'all say it started anywhere? An okay,

2879
03:02:26,440 --> 03:02:31,120
Speaker 1: so severywhere, bro. Second, I'm saying, like, no strip coach

2880
03:02:34,240 --> 03:02:36,760
Speaker 1: sex she at some point. That's the reason why New

2881
03:02:36,840 --> 03:02:39,200
Speaker 1: York didn't mess with strip club culture because we thought

2882
03:02:39,320 --> 03:02:41,840
Speaker 1: you had to buy sex and all that. You didn't

2883
03:02:41,879 --> 03:02:47,520
Speaker 1: understand the movie. Actually y'all have pasties in the club.

2884
03:02:47,600 --> 03:02:51,480
Speaker 1: That's horrible, man, Okay, you win, you win that. But

2885
03:02:51,920 --> 03:02:55,320
Speaker 1: after we've seen the movie Players Club, New Yorkers was like, oh,

2886
03:02:56,440 --> 03:03:00,240
Speaker 1: that's what they do. They go there to check hill.

2887
03:03:01,000 --> 03:03:05,320
Speaker 1: We didn't know that. You don't agree with me, are

2888
03:03:05,440 --> 03:03:11,119
Speaker 1: with way too young on this one. Stay out, Stay

2889
03:03:11,160 --> 03:03:15,800
Speaker 1: out because you're my brother. But Way to the Street

2890
03:03:16,120 --> 03:03:20,960
Speaker 1: was almost like being in a club. Jad you no more,

2891
03:03:21,320 --> 03:03:24,720
Speaker 1: just no mind to us. We're just here talking. But

2892
03:03:25,760 --> 03:03:30,360
Speaker 1: at that time, when the Players Club came out the movie,

2893
03:03:30,400 --> 03:03:36,960
Speaker 1: you remember that, that's the first time New Yorkers realized

2894
03:03:37,040 --> 03:03:42,680
Speaker 1: that Southerners y'all actually go to strip club that chail, Wait,

2895
03:03:42,760 --> 03:03:46,000
Speaker 1: but what year was Players Club? Because I could imagine

2896
03:03:46,240 --> 03:03:48,080
Speaker 1: we got a guy he got to google in front

2897
03:03:48,120 --> 03:03:50,800
Speaker 1: of him, because before that movie came out, y'all was

2898
03:03:50,879 --> 03:03:54,320
Speaker 1: already coming down to Miami for it wasn't it was

2899
03:03:54,400 --> 03:03:58,199
Speaker 1: starting Luke's peep show. It was not working with strip clubs.

2900
03:03:58,320 --> 03:04:01,119
Speaker 1: J Strip Clubs was like this, he's talking about New York.

2901
03:04:01,200 --> 03:04:03,200
Speaker 1: I'm just saying, by the way, by the way, I'm

2902
03:04:03,200 --> 03:04:04,920
Speaker 1: gonna say this, but but I'm saying it was coming

2903
03:04:05,920 --> 03:04:08,080
Speaker 1: was coming down. Let me just say this, like, what

2904
03:04:08,200 --> 03:04:10,400
Speaker 1: are you talking about with the New York ship? Like

2905
03:04:11,120 --> 03:04:15,480
Speaker 1: when I put out, when I put out to us

2906
03:04:16,680 --> 03:04:31,480
Speaker 1: and I put out the young bloods, rightod is coming here.

2907
03:04:33,560 --> 03:04:39,120
Speaker 1: So when I put these records out, um, case Slate,

2908
03:04:39,680 --> 03:04:43,480
Speaker 1: Case l he tried to he was dissing me. He

2909
03:04:43,560 --> 03:04:44,920
Speaker 1: was mad at me. I don't know why, but I

2910
03:04:45,040 --> 03:04:47,640
Speaker 1: never I don't know what it was, but Case Slay

2911
03:04:47,760 --> 03:04:50,800
Speaker 1: has said that, Like one of my street team guys

2912
03:04:50,879 --> 03:04:53,680
Speaker 1: went out and they just saying that. Case Slate was like, Yo,

2913
03:04:53,840 --> 03:04:56,440
Speaker 1: if you bring another one of these Southern records in here,

2914
03:04:57,800 --> 03:05:00,280
Speaker 1: really not with this ship. This is before New York

2915
03:05:00,320 --> 03:05:02,080
Speaker 1: sounded a little way in New York sounds right now

2916
03:05:02,120 --> 03:05:08,640
Speaker 1: because so so so the strict club era where he's

2917
03:05:08,680 --> 03:05:13,480
Speaker 1: talking about in New York wasn't on this right. So

2918
03:05:14,560 --> 03:05:16,960
Speaker 1: I New York had their own way that they were

2919
03:05:17,000 --> 03:05:22,280
Speaker 1: doing sues rightdevu in the Bronx, Right. So I went

2920
03:05:22,680 --> 03:05:24,640
Speaker 1: to Sues and I was checking out how they were

2921
03:05:24,720 --> 03:05:26,040
Speaker 1: going on the Sues and I was like, Yo, you

2922
03:05:26,120 --> 03:05:30,760
Speaker 1: know what I'm gonna do Atlanta versus New York. So

2923
03:05:30,879 --> 03:05:33,520
Speaker 1: I got every girl from the General's Club, Magic City

2924
03:05:33,920 --> 03:05:36,520
Speaker 1: and um Strokers and all these places, and I put

2925
03:05:36,600 --> 03:05:38,160
Speaker 1: them on this toolbus. And when I took them to

2926
03:05:38,200 --> 03:05:39,920
Speaker 1: New York and we went to New York and we

2927
03:05:40,000 --> 03:05:43,640
Speaker 1: did this battle between Atlanta and New York. Amber Rose

2928
03:05:43,720 --> 03:05:46,240
Speaker 1: was still stripping at Sues right de vue at this

2929
03:05:46,280 --> 03:05:52,160
Speaker 1: particular point time, um and and and it was like

2930
03:05:53,600 --> 03:05:56,600
Speaker 1: you could tell like it was a completely different era

2931
03:05:56,800 --> 03:05:59,000
Speaker 1: of what was happening in Atlanta compared to what was

2932
03:05:59,080 --> 03:06:01,880
Speaker 1: going on in New York. Now, New York looks just

2933
03:06:02,160 --> 03:06:08,480
Speaker 1: like Atlanta, strip club sound everything. Back then, y'all killed us. Yeah,

2934
03:06:08,520 --> 03:06:13,400
Speaker 1: we killed you because that over we had. But it

2935
03:06:13,480 --> 03:06:15,640
Speaker 1: was the culture that you're talking about. We we I

2936
03:06:15,760 --> 03:06:18,039
Speaker 1: brought that to New York with the with the thing

2937
03:06:18,800 --> 03:06:22,440
Speaker 1: and just you know, Atlanta was ahead of the you know,

2938
03:06:22,640 --> 03:06:26,040
Speaker 1: the fake asses, all that ship. There was Atlanta was

2939
03:06:29,160 --> 03:06:37,400
Speaker 1: at it that it was on that and this was

2940
03:06:37,600 --> 03:06:40,240
Speaker 1: this was after Luke. So it wasn't like not like

2941
03:06:40,320 --> 03:06:43,640
Speaker 1: I was, you know, disrespecting Miami, because Miami definitely set

2942
03:06:43,720 --> 03:06:47,200
Speaker 1: this off. But it was like after Luke stopped his

2943
03:06:47,360 --> 03:06:52,440
Speaker 1: penetration of what he was doing calls, uh, it was.

2944
03:06:52,680 --> 03:06:54,640
Speaker 1: It was you know, Luke was the guy that was

2945
03:06:55,640 --> 03:06:57,840
Speaker 1: letting everybody know what was going on in Miami. Is

2946
03:06:59,240 --> 03:07:03,800
Speaker 1: Once he stopped that, Atlanta took that over. But we

2947
03:07:03,879 --> 03:07:05,800
Speaker 1: took it over. We took it over, like I said,

2948
03:07:05,840 --> 03:07:08,800
Speaker 1: in a in a light that put the light on

2949
03:07:08,920 --> 03:07:11,880
Speaker 1: the dancers, the girls, the girls. That was you know,

2950
03:07:12,320 --> 03:07:13,920
Speaker 1: you wanted to see this girl. You wanted to see

2951
03:07:13,959 --> 03:07:15,640
Speaker 1: this girl. You want to see this girl. That was

2952
03:07:15,879 --> 03:07:17,960
Speaker 1: That's what Atlanta did. We put the light on the girls.

2953
03:07:18,720 --> 03:07:22,000
Speaker 1: So that's why these chicks got a meaning. Father was Yeah,

2954
03:07:22,040 --> 03:07:24,400
Speaker 1: that's where that started. No hard, Yeah, that's where that started.

2955
03:07:24,800 --> 03:07:28,560
Speaker 1: No heart, They roofless out here. You ever see the girls,

2956
03:07:30,400 --> 03:07:37,000
Speaker 1: Yeah you gotta relax. What yeah, because you let me

2957
03:07:37,040 --> 03:07:39,000
Speaker 1: tell you something. If you ever see the Spanish guy

2958
03:07:39,160 --> 03:07:53,320
Speaker 1: sad just bring them to Atlanta, Spanish everywhere. Did you

2959
03:07:53,480 --> 03:07:59,600
Speaker 1: drop what he knows? He told me you had to

2960
03:07:59,640 --> 03:08:06,440
Speaker 1: bust up r. Yeah, yeah, because he was low. He's still.

2961
03:08:06,920 --> 03:08:10,360
Speaker 1: Let me tell you some Cuban bitches the better swimming Columbia. Listen,

2962
03:08:10,480 --> 03:08:13,320
Speaker 1: listen when this guy that's a very authentic I forget

2963
03:08:13,400 --> 03:08:30,720
Speaker 1: a married I'm so real good free crazy. He's that's

2964
03:08:30,760 --> 03:08:35,240
Speaker 1: fucking yellow bowls. I was going crazy. You gotta relax

2965
03:08:35,320 --> 03:08:41,200
Speaker 1: to right, all right, listen listen, I'm so sorry your

2966
03:08:41,240 --> 03:08:46,160
Speaker 1: bas been through this all right now, I've been through

2967
03:08:46,200 --> 03:08:49,640
Speaker 1: this about just looking at j D Now, I was little,

2968
03:08:49,760 --> 03:08:53,760
Speaker 1: right when was little? Huh? Please tell us I had

2969
03:08:53,800 --> 03:08:56,280
Speaker 1: all these ship of girls around me and by just

2970
03:08:56,400 --> 03:09:00,960
Speaker 1: usually be like yo mad because he was just mad

2971
03:09:01,040 --> 03:09:04,080
Speaker 1: at me because I had on the stripper girl. And

2972
03:09:04,160 --> 03:09:06,280
Speaker 1: then it was like the one day like I had

2973
03:09:06,400 --> 03:09:09,840
Speaker 1: we took this trip to Dallas and the nigga went

2974
03:09:09,959 --> 03:09:13,520
Speaker 1: crazy on the triple girl on the bus. Right, they

2975
03:09:13,560 --> 03:09:15,560
Speaker 1: got mad. He was like a little he was like

2976
03:09:15,680 --> 03:09:18,280
Speaker 1: a little kid, but he makes crazy like he was

2977
03:09:18,440 --> 03:09:21,920
Speaker 1: like like almost like damnly try to take everybody hustage

2978
03:09:21,959 --> 03:09:25,920
Speaker 1: and some crazy ship because he wanted this stripper so bad.

2979
03:09:26,080 --> 03:09:28,440
Speaker 1: He wanted this girl so bad, and you had it

2980
03:09:29,160 --> 03:09:32,040
Speaker 1: was because I had it with me and he got

2981
03:09:32,120 --> 03:09:34,400
Speaker 1: old enough and he went and all these girls there

2982
03:09:34,520 --> 03:09:39,600
Speaker 1: was like he stripping. This nigger went and all the

2983
03:09:39,680 --> 03:09:51,680
Speaker 1: girls so bad. I was I wasn't going to bring

2984
03:09:51,800 --> 03:09:54,640
Speaker 1: this up. Oh my god, I'm so you know, I'm

2985
03:09:54,640 --> 03:09:56,800
Speaker 1: not a gossip guy that stuff. He's gonna bring it up.

2986
03:09:57,000 --> 03:09:58,960
Speaker 1: But I gotta bring it up because J j J

2987
03:09:59,080 --> 03:10:04,480
Speaker 1: gave me the super liese. So what is it media

2988
03:10:04,600 --> 03:10:09,760
Speaker 1: take out that's saying that you responded to future? Yeah, no,

2989
03:10:09,879 --> 03:10:12,840
Speaker 1: I've seen that now that they the media just took

2990
03:10:12,879 --> 03:10:15,440
Speaker 1: what I said and put it to you want to

2991
03:10:15,480 --> 03:10:16,920
Speaker 1: be patty, you could be No, No, not at all,

2992
03:10:17,120 --> 03:10:20,000
Speaker 1: not at all. It was actually about a check who

2993
03:10:20,080 --> 03:10:23,480
Speaker 1: I took to the islands, and then when I took

2994
03:10:23,480 --> 03:10:26,360
Speaker 1: it down to no bullshit, listen, no bullshit. I took

2995
03:10:26,400 --> 03:10:29,040
Speaker 1: the girl to the eyelids and um, the whole time,

2996
03:10:29,120 --> 03:10:30,760
Speaker 1: she was, you know, front, like she didn't have a

2997
03:10:30,840 --> 03:10:34,040
Speaker 1: dude or whatever. So when we got back home, my

2998
03:10:34,200 --> 03:10:38,120
Speaker 1: partner's slim was like, yo, did you know? And I

2999
03:10:38,280 --> 03:10:42,360
Speaker 1: was like, I had nothing to do Now, I swear

3000
03:10:42,400 --> 03:10:44,000
Speaker 1: to guy, had nothing to do him, gonna do him.

3001
03:10:44,440 --> 03:10:47,320
Speaker 1: And when I seen who the nigga was a select

3002
03:10:48,600 --> 03:10:51,280
Speaker 1: the nigga's a real sucker though. So when I seen it,

3003
03:10:52,080 --> 03:10:53,959
Speaker 1: that's why I was like, oh, Ship, like I really

3004
03:10:54,200 --> 03:10:57,880
Speaker 1: had your bitch in the Bahamas and I see you

3005
03:10:58,000 --> 03:11:01,840
Speaker 1: now on Instagram hugging, loving, holding her hand, kissing her. Now,

3006
03:11:03,040 --> 03:11:05,920
Speaker 1: oh that's just not the player move. Like her mouth

3007
03:11:06,160 --> 03:11:10,240
Speaker 1: was in places, and so when I saw it. But

3008
03:11:10,360 --> 03:11:13,640
Speaker 1: the crazy Ship is she actually called me. When she

3009
03:11:13,720 --> 03:11:16,840
Speaker 1: called me, she said, um, hey, look look look you know,

3010
03:11:17,040 --> 03:11:19,640
Speaker 1: can you just say like we were just broke, like

3011
03:11:19,680 --> 03:11:21,520
Speaker 1: we were just kicking it right when I was in Atlantic,

3012
03:11:21,600 --> 03:11:24,200
Speaker 1: like we weren't doing nothing right. It's the person. I'm

3013
03:11:24,280 --> 03:11:26,800
Speaker 1: like what you're talking about. But my mind clicked like,

3014
03:11:26,840 --> 03:11:28,920
Speaker 1: oh Ship, she in front of her dude like I'm

3015
03:11:28,920 --> 03:11:30,520
Speaker 1: gonna just play along with it. Now. We cold, we

3016
03:11:30,560 --> 03:11:32,360
Speaker 1: ain't never, we ain't never. Did nothing just to save

3017
03:11:32,440 --> 03:11:34,080
Speaker 1: her little relationship she had going on. But I didn't

3018
03:11:34,080 --> 03:11:35,400
Speaker 1: know who the nigga was. When I say who the

3019
03:11:35,480 --> 03:11:38,760
Speaker 1: nigga was, I was like, oh, this this nigga, And

3020
03:11:38,920 --> 03:11:41,000
Speaker 1: that's what prompt me to put the tweet up about

3021
03:11:41,000 --> 03:11:46,320
Speaker 1: the broad She got real lost me. So that's how

3022
03:11:46,600 --> 03:11:48,960
Speaker 1: I don't know what's going on. I don't know. I

3023
03:11:49,000 --> 03:11:51,960
Speaker 1: don't know what's going to be old as before this.

3024
03:11:53,400 --> 03:12:00,000
Speaker 1: I don't know, but I'm what do you mean? People?

3025
03:12:00,040 --> 03:12:06,280
Speaker 1: People have no idea, just whatever he said. Look, don't

3026
03:12:06,320 --> 03:12:17,080
Speaker 1: don't go, don't go, don't gonna polo put jamas. You

3027
03:12:17,160 --> 03:12:21,480
Speaker 1: know listening about Listen, you're a great person. You could

3028
03:12:21,520 --> 03:12:23,840
Speaker 1: do whatever the funk you want to do. Look about

3029
03:12:23,959 --> 03:12:27,560
Speaker 1: And that's the great thing about it. You. The thing is,

3030
03:12:27,959 --> 03:12:30,200
Speaker 1: it's a great conversation. I just heard the other day

3031
03:12:32,320 --> 03:12:35,280
Speaker 1: and they said, you know you you see you think

3032
03:12:35,680 --> 03:12:39,560
Speaker 1: here a great artist. They say, yeah, alright, cool, Well

3033
03:12:39,640 --> 03:12:44,320
Speaker 1: they they artistry starts from such such, but when it's

3034
03:12:44,400 --> 03:12:47,080
Speaker 1: new school artists, you get to see them make mistakes

3035
03:12:47,240 --> 03:12:53,160
Speaker 1: from fourteen all yeah, because we didn't have that back then.

3036
03:12:53,280 --> 03:12:56,760
Speaker 1: Like back then you had to like do something and

3037
03:12:56,879 --> 03:13:00,120
Speaker 1: for in order for people to even recognize. But the

3038
03:13:00,200 --> 03:13:04,040
Speaker 1: new generation could throw the record and you can see

3039
03:13:04,040 --> 03:13:10,040
Speaker 1: their mistakes from the very beginning and our errors. We

3040
03:13:11,000 --> 03:13:13,600
Speaker 1: really like we have to actually have a record label

3041
03:13:14,320 --> 03:13:18,880
Speaker 1: like YouTube is everybody's record, Like absolutely, I want to

3042
03:13:18,920 --> 03:13:21,840
Speaker 1: say in speak on what you're saying like that, I

3043
03:13:21,840 --> 03:13:25,280
Speaker 1: didn't make no mistakes like I was speaking, I was

3044
03:13:25,280 --> 03:13:29,000
Speaker 1: speaking about. I'm just saying. I'm saying I think younger generation,

3045
03:13:29,360 --> 03:13:32,360
Speaker 1: which is really weird because people always really got something

3046
03:13:32,400 --> 03:13:34,200
Speaker 1: to say about about what they never really know. I

3047
03:13:34,280 --> 03:13:37,800
Speaker 1: mean that was like that was like the like the Funds,

3048
03:13:39,440 --> 03:13:49,959
Speaker 1: like Funzy, like zyaz Bro was like Happy Days. Niggers

3049
03:13:50,040 --> 03:14:00,760
Speaker 1: is mad at because he bitches you want the shots.

3050
03:14:01,680 --> 03:14:03,560
Speaker 1: I ain't like that. I'm just saying, like you ain't.

3051
03:14:03,720 --> 03:14:06,400
Speaker 1: You ain't really got no reason to be daddy bull.

3052
03:14:07,000 --> 03:14:10,080
Speaker 1: I seent you get you get it in hell me,

3053
03:14:10,959 --> 03:14:14,480
Speaker 1: I gotta kept this call. I'm gonna get there. You go,

3054
03:14:15,360 --> 03:14:18,280
Speaker 1: You're gonna do it whatever. We gotta end. Do a

3055
03:14:18,320 --> 03:14:21,480
Speaker 1: picture in the drop. Listen, Thank y'all. Listen. I'm gonna

3056
03:14:21,520 --> 03:14:26,760
Speaker 1: be honest because by why thank you always. But they

3057
03:14:26,840 --> 03:14:35,200
Speaker 1: supporter of this show, by the way, great great gus.

3058
03:14:36,520 --> 03:14:38,800
Speaker 1: I'm gonna be honest just in case both of y'all

3059
03:14:38,840 --> 03:14:42,840
Speaker 1: don't normal reiterate, will we represent. There has never been

3060
03:14:43,040 --> 03:14:47,760
Speaker 1: an outlet in media where a rapper is controlling what

3061
03:14:48,280 --> 03:14:51,960
Speaker 1: rap media listens to. I don't know how I did it.

3062
03:14:52,080 --> 03:14:54,119
Speaker 1: I don't know how to fun Me and this motherfucker

3063
03:14:54,520 --> 03:14:57,680
Speaker 1: came up with this idea. For for some reason, people

3064
03:14:57,840 --> 03:15:00,240
Speaker 1: come and tune in and listen to this, and if

3065
03:15:00,240 --> 03:15:02,160
Speaker 1: you don't believe me, you will see it on your

3066
03:15:02,560 --> 03:15:05,640
Speaker 1: social media. You will see it because you've seen it

3067
03:15:05,720 --> 03:15:12,840
Speaker 1: when um you did rap Radar. It's my bad. No,

3068
03:15:13,160 --> 03:15:16,160
Speaker 1: I don't know listening since Impact a fiction, all right,

3069
03:15:16,440 --> 03:15:19,000
Speaker 1: but that's all people. We're not listening them and we

3070
03:15:19,040 --> 03:15:21,400
Speaker 1: don't want to be a competition for nobody. But that's

3071
03:15:21,400 --> 03:15:22,960
Speaker 1: not what we do. We just want to I mean,

3072
03:15:23,000 --> 03:15:29,240
Speaker 1: you was really trolling them that it was ting. I

3073
03:15:29,320 --> 03:15:33,240
Speaker 1: was tilling you give it on. I'm a little want

3074
03:15:33,400 --> 03:15:37,640
Speaker 1: understand you. Was like daggers listen. Listen that time to

3075
03:15:37,959 --> 03:15:40,280
Speaker 1: Impact convention and read No nobody. I don't know if

3076
03:15:40,280 --> 03:15:42,760
Speaker 1: you know them, niggers would have killed all of us.

3077
03:15:42,920 --> 03:15:46,280
Speaker 1: It's West Coast against everybody that day. So anybody who's

3078
03:15:46,280 --> 03:15:52,760
Speaker 1: still in that lobby I respected. I never felt anything.

3079
03:15:52,840 --> 03:15:55,600
Speaker 1: They were never talking about me because you by the way,

3080
03:15:55,640 --> 03:15:58,080
Speaker 1: that's go back to the pump that yeah, but you

3081
03:15:58,360 --> 03:16:01,480
Speaker 1: are talking about you don't want Jay. You made global music.

3082
03:16:01,600 --> 03:16:04,680
Speaker 1: I made straight music at that time. I made music,

3083
03:16:04,879 --> 03:16:08,280
Speaker 1: and especially I had a record called l A. So

3084
03:16:08,440 --> 03:16:10,840
Speaker 1: I stood down there and it was only a couple

3085
03:16:10,879 --> 03:16:12,800
Speaker 1: of people that stood down there and you stood down

3086
03:16:13,080 --> 03:16:16,000
Speaker 1: and I said, j D, um, can I buy you

3087
03:16:16,080 --> 03:16:17,920
Speaker 1: a drink? And you said that ship to me said

3088
03:16:17,920 --> 03:16:20,920
Speaker 1: I want Don Perion. I said, damn, I didn't know

3089
03:16:21,000 --> 03:16:25,160
Speaker 1: what that was. I turned around. New to Be said

3090
03:16:25,520 --> 03:16:28,880
Speaker 1: he won what as a Don Perrea. That ship was

3091
03:16:28,959 --> 03:16:31,879
Speaker 1: like four or sixty at that time, So I can't

3092
03:16:34,240 --> 03:16:36,280
Speaker 1: I said, I can't tell them, nigger, I ain't got it.

3093
03:16:38,040 --> 03:16:40,439
Speaker 1: The president of record, they was saying to him, I'm

3094
03:16:40,520 --> 03:16:44,800
Speaker 1: good now any time I see j D. And you

3095
03:16:44,879 --> 03:16:48,680
Speaker 1: know what, these years later, you probably didn't even know

3096
03:16:48,840 --> 03:16:51,320
Speaker 1: what that moment meant to me. You was probably the

3097
03:16:51,480 --> 03:16:54,520
Speaker 1: only East Coast Nigga that stood there standing with me.

3098
03:16:56,480 --> 03:16:58,879
Speaker 1: I don't even want to talk about. There's other people

3099
03:16:58,920 --> 03:17:02,960
Speaker 1: that was there. But they went upstairs at some point

3100
03:17:03,080 --> 03:17:06,320
Speaker 1: they found their girl, and I stood there. You know,

3101
03:17:06,360 --> 03:17:09,360
Speaker 1: the only person I still deal with my uncle Wise.

3102
03:17:10,760 --> 03:17:14,840
Speaker 1: This is my mother brother and my uncle Wise just

3103
03:17:14,959 --> 03:17:18,280
Speaker 1: stood there and and and you didn't know what you did.

3104
03:17:18,440 --> 03:17:20,200
Speaker 1: You're just like, yeah, I said, you let me buy

3105
03:17:20,200 --> 03:17:23,880
Speaker 1: your drink. They said, yeah, I drink on perry On.

3106
03:17:24,320 --> 03:17:27,360
Speaker 1: I didn't know what that was, but I went and

3107
03:17:27,440 --> 03:17:32,080
Speaker 1: I went and I did that, and you stood there

3108
03:17:32,160 --> 03:17:36,959
Speaker 1: with it, and then the forty walked, this is all

3109
03:17:37,040 --> 03:17:40,400
Speaker 1: in the podcast, It's all document, and then the forty

3110
03:17:40,520 --> 03:17:43,800
Speaker 1: came because they were all right there, but they were

3111
03:17:43,840 --> 03:17:46,880
Speaker 1: like that, thinking me a land But now I'm on

3112
03:17:46,959 --> 03:17:49,560
Speaker 1: the super doc. What what? What? What? Have a No.

3113
03:17:49,760 --> 03:17:53,600
Speaker 1: One record in the country. You just gonna relax, But

3114
03:17:53,760 --> 03:17:57,680
Speaker 1: I don't know how to tell them relax. I don't

3115
03:17:57,760 --> 03:18:01,840
Speaker 1: know how, but I'm like, yo, I'm not a ups

3116
03:18:02,000 --> 03:18:08,760
Speaker 1: I'm still waiting in front of niggas. And then yeah,

3117
03:18:09,120 --> 03:18:14,280
Speaker 1: I know, I love it. I know you don't even

3118
03:18:14,320 --> 03:18:22,040
Speaker 1: know drop. And before we get out of here, we

3119
03:18:22,120 --> 03:18:24,160
Speaker 1: just want to remind you that you can buy drink

3120
03:18:24,240 --> 03:18:27,119
Speaker 1: Champs gear at your local dtl our store, so look

3121
03:18:27,200 --> 03:18:29,320
Speaker 1: up the store nearest to you. You can also buy

3122
03:18:29,400 --> 03:18:32,520
Speaker 1: drink Champs gear and other merch at drink Champs dot

3123
03:18:32,600 --> 03:18:35,080
Speaker 1: com or eight and nine dot com. Check us on

3124
03:18:35,200 --> 03:18:38,760
Speaker 1: Revolt TV every Thursday night at ten pm, then unedited

3125
03:18:38,800 --> 03:18:42,720
Speaker 1: audio drops Monday nights going into Tuesday at midnight. Then

3126
03:18:42,840 --> 03:18:45,600
Speaker 1: check for the United video Wednesdays on Revolt dot tv,

3127
03:18:46,160 --> 03:18:48,960
Speaker 1: drink Champs dot com, or you can go directly to YouTube.

3128
03:18:49,360 --> 03:18:52,240
Speaker 1: Look out for Nori's new food show coming soon as

3129
03:18:52,400 --> 03:18:55,880
Speaker 1: as new project featuring the upcoming single Uno mass produced

3130
03:18:55,959 --> 03:18:59,640
Speaker 1: and featuring Farrell Check from My Coming Home documentaries Coming

3131
03:18:59,680 --> 03:19:02,680
Speaker 1: Home V now'm documentary right now currently airing on Revolt

3132
03:19:02,760 --> 03:19:07,000
Speaker 1: TV and coming soon Coming Home Colombia. Follow us at

3133
03:19:07,080 --> 03:19:10,600
Speaker 1: Drink Champs on i G, Twitter and Facebook, and Nori

3134
03:19:10,800 --> 03:19:14,119
Speaker 1: at the Real Noriega on Instagram, at Noriega on Twitter,

3135
03:19:14,360 --> 03:19:16,960
Speaker 1: and me e f N at Who's Crazy on i

3136
03:19:17,120 --> 03:19:19,160
Speaker 1: G and at d j e f n on Twitter.

3137
03:19:19,400 --> 03:19:21,360
Speaker 1: And until next week, we had to hear a peace