WEBVTT - The Forbidden Kiss

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<v Speaker 1>Previously on the Princess of South Beach. Estraya and Maria

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<v Speaker 1>del Carmin's plan to find something incriminating about luisagn Esteban

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<v Speaker 1>was interrupted again, this time by an unexpected photo shoot

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<v Speaker 1>for teen Vogue. Esteban met with Julian, an old friend

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<v Speaker 1>who agreed to fund this Stevan's campaign for mayor, and

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<v Speaker 1>oh yeah, Nacho got a threatening voicemail that said, why

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<v Speaker 1>aren't you answering your phone? Nacho? You know you can't

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<v Speaker 1>hide from us. We know where you are, where you live,

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<v Speaker 1>where your son lives. So you'd better pay us what

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<v Speaker 1>you owe us, because we'd really hate for another accident

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<v Speaker 1>to happen. Oh shit, a Bobby, what's up? Where are

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<v Speaker 1>you at home? I'm just getting ready to see Clodia. Bobby.

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<v Speaker 1>My date was not so great. I don't know how

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<v Speaker 1>poor people do romance. I need you to do me

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<v Speaker 1>a favor, go to my like to help you out.

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<v Speaker 1>But I'm about to head out. Yeah, Clodia has a

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<v Speaker 1>teen Vote photo shoot and they're gonna no, no no, no,

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<v Speaker 1>there's there's no time for that. Me. I wouldn't be

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<v Speaker 1>asking you if it wasn't important. There's a key to

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<v Speaker 1>a safety deposit box hidden under the Bible in my nightstand.

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<v Speaker 1>Take it to the bank and take all the cash.

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<v Speaker 1>You see, it should be about sixty thousand dollars sixty yeah,

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<v Speaker 1>don't talk just for once, listen. Put the money inside

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<v Speaker 1>a briefcase and take it to the address I'm about

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<v Speaker 1>to give you. Do you have a pen? Even? Why

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<v Speaker 1>don't you just text me or Facebook? Cool? I opened

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<v Speaker 1>my MySpace. I'm not gonna face, but just find a pen. Okay, okay,

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<v Speaker 1>I got one? Okay, sorry, Bobby, Oh, okay, right, roll

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<v Speaker 1>write this down? Right. It's better that there's no record. Okay,

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<v Speaker 1>are you writing it down? All right? Five five seven? Oh?

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<v Speaker 1>My god? Five five seven? Oh, I'm so sorry. This game? Right? Us?

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<v Speaker 1>Have I forgot? All right? Us? Have it? This game? He?

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<v Speaker 1>I asked c A y N Boulevard, Bulevard. Okay, okay,

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<v Speaker 1>I know, okay, I'll figure it out. I'll ask people.

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<v Speaker 1>I'll ask people on the street. Boy, oh boy, nacho,

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<v Speaker 1>Now what did you get yourself into and where are

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<v Speaker 1>you sending Raoul? Well, before we find out, let's check

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<v Speaker 1>in on Maria, who will be flying solo at the

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<v Speaker 1>photo shoot. Mm hmm, see better, I let her know

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<v Speaker 1>that was Raoul. He said to send you his most

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<v Speaker 1>sincere apologies. He's got some emergency. What you're going to

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<v Speaker 1>have to do the photo shoot and interview all by yourself? Wait,

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<v Speaker 1>there's an interview, so or I'll have to answer questions

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<v Speaker 1>about myself by myself. Yes, well, that's genuinely how interviews work. Hello, sorry,

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<v Speaker 1>I'm a little early. I'm I'm Andres Reyes from teen Vote.

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<v Speaker 1>See the reporter Andres. It's so nice to put such

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<v Speaker 1>a handsome face to a name. Finally, I wanted to

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<v Speaker 1>thank you for your wonderful treatment of the Calderon family

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<v Speaker 1>all of these years. Some reporters have no integrity, but

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<v Speaker 1>I have always found you to be very fair. Even

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<v Speaker 1>in the article about the tragic incident involving our Shetland

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<v Speaker 1>ponies make out rest their souls, you still treated us

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<v Speaker 1>with the respect we deserve, of course, Missus Calderon, please

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<v Speaker 1>please call me Louisa. All right? By the way, did

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<v Speaker 1>you say your name is Andres Reyes as in the

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<v Speaker 1>San Francisco Reyes, the ones with the chocolate company. Great family.

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<v Speaker 1>They once lent me their private plane to go to Vegas.

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<v Speaker 1>The plane was small, but time no, no, no, no, no,

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<v Speaker 1>not the same reis m. I'm of the Liberty City. Yes,

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<v Speaker 1>my dad's a mail man. Ah. I see, well, wonderful,

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<v Speaker 1>dignified work. Everyone needs mail, right Anyway, I'm sorry to

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<v Speaker 1>say that we won't be able to make it today.

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<v Speaker 1>Oh um, okay, uh yeah yeah. My editor was expecting

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<v Speaker 1>interviews with both Raoul and Gloria because of the wedding

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<v Speaker 1>and whatnot. See see, Well, it just seems you'll have

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<v Speaker 1>to make do with just Gloria today. That won't be

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<v Speaker 1>a problem, right, No, no, no, no no, no, no, of

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<v Speaker 1>course not. I will make it work. Seriously. I also

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<v Speaker 1>have to thank you for asking me specifically to write

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<v Speaker 1>this article. This will be my first time writing the

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<v Speaker 1>cover story. Plus the whole office is jealous that I

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<v Speaker 1>get to interview this year's sexiest woman. I mean because

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<v Speaker 1>of the article in Maxim you know, not not that

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<v Speaker 1>I don't think you're sexy. I mean I do, look

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<v Speaker 1>at you. You're just I just I mean, I'm not

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<v Speaker 1>trying to come onto you. This is a professional environment,

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<v Speaker 1>this is a this is coming out way wrong. Okay,

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<v Speaker 1>oh wow, it is. It is really hot. You're real fast?

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<v Speaker 1>Oh right, do you have asthma? Yeah, how did you know?

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<v Speaker 1>I just I have a sixth sense for for asthma,

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<v Speaker 1>like Bruce willis Gloria? What is going on? Are you okay? Well,

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<v Speaker 1>why don't you accompany me to the kitchen while Gloria

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<v Speaker 1>finishes getting ready? I can tell you all about the

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<v Speaker 1>remodeling we did absolutely right this way. Wow, spiceps are

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<v Speaker 1>very strong. Reporter? Is it all the typing? M? Yeah?

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<v Speaker 1>What's going on? Why are you freaking out? Do you

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<v Speaker 1>remember that one time you helped me disguise myself and

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<v Speaker 1>leave the house for a bit vaguely? Was that before

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<v Speaker 1>or after I found out you were Glorious orphan twin

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<v Speaker 1>that took her place following a tragic accident? It was before? Well,

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<v Speaker 1>I ended up going to a park to clear my head,

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<v Speaker 1>and when I sat down on one of the benches,

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<v Speaker 1>I ran into this handsome and wise and handsome, very

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<v Speaker 1>handsome guy. He talked for a while and he was

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<v Speaker 1>so understanding and smart, and that was unrest the reporter.

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<v Speaker 1>And there's the guy who's about to interview me about

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<v Speaker 1>my life as Gloria. Oh great, but if he recognizes me,

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<v Speaker 1>I mean I told him my name was Maria. What

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<v Speaker 1>if he realizes there's something off. What am I gonna do?

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<v Speaker 1>What are you gonna do? That's not like a you problem.

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<v Speaker 1>What you told me you were gonna help me look

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<v Speaker 1>for evidence. You could have canceled all of this. But

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<v Speaker 1>once again, no, no, no, Miss Maria chose to play

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<v Speaker 1>princess for the day so you can figure this one

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<v Speaker 1>out all by your damn sill No, I study up.

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<v Speaker 1>Please don't be mad at me. I know I messed up,

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<v Speaker 1>and I should have stuck to the plan. Yes you should.

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<v Speaker 1>But if I messed this up, then everyone will find

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<v Speaker 1>out I'm not really Gloria and the whole plan will

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<v Speaker 1>be ruined. Terra, I need you. We're in this together.

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<v Speaker 1>Help me please. All right, fine, I told you about

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<v Speaker 1>touching me. Sorry, but I'm not just doing this for you.

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<v Speaker 1>I want to see that is one more time. Oh Jesus,

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<v Speaker 1>I never fed a sexual attraction towards a jawline before,

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<v Speaker 1>but here we are. I know, right, It's like Brad

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<v Speaker 1>Pitt and Ricky Martin had a baby, and that baby

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<v Speaker 1>grew up and met Anademas and Shakira's baby, and then

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<v Speaker 1>those two babies had another baby, and he's that baby.

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<v Speaker 1>He could be my baby. You know, I don't even

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<v Speaker 1>like dudes, but I would let him hit it twice.

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<v Speaker 1>Any Who, Now that Maria and Estralla have made up,

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<v Speaker 1>let's check in on Luisa and that as mad at

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<v Speaker 1>Kadi andres as she gives him a tour of the house. Luisa,

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<v Speaker 1>is this a portrait of your father? No? That's me?

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<v Speaker 1>Oh obviously, I think it's the angle and the light

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<v Speaker 1>and that kind of Um. Do you know how much

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<v Speaker 1>longer it'll take for Gloria to get ready? Here? I am? Oh, wow,

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<v Speaker 1>how you look very beautiful? I mean, like, you know

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<v Speaker 1>how good you're looking? Stuff? Did you do you stub

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<v Speaker 1>your toe? You're you're limping a bit? Ah? No, uh no,

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<v Speaker 1>I am just thought that good with high heels? Good one.

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<v Speaker 1>She obviously knows how to walk in high heels because

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<v Speaker 1>she's a professional model. How to model not know how

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<v Speaker 1>to walk in heels? I mean, does she just want?

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<v Speaker 1>Did you want to do covity? Oh? Yeah, that's that's

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<v Speaker 1>what I know about models. Um, okay, why don't we

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<v Speaker 1>start off with some photos right here in the foyer? Yeah? Sure, Well, no,

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<v Speaker 1>I'll leave you to it. I have to go see

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<v Speaker 1>my hair dresser Estrada come along. No, um, I mean

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<v Speaker 1>what if I get thirsty? I need her to stay

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<v Speaker 1>here with me to to bring me water. Okay, better, Gloria,

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<v Speaker 1>don't get too friendly with the hell because she'll get lazy.

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<v Speaker 1>I am I visible, I'm right here. Okay, bye bye

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<v Speaker 1>ya okay, um. Yeah, let's start with a little uh

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<v Speaker 1>sexy pose. No, okay, that that looks like it hurts.

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<v Speaker 1>Try to try to smile. Yeah, let's do a smile. No,

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<v Speaker 1>definitely not that. Okay, Sorry, I'm not I'm not used

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<v Speaker 1>to being the center of attention. But you've been doing

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<v Speaker 1>this for years? Don't you like it? Oh? Um? Boys, yes, No,

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<v Speaker 1>I don't know what do you mean? I just sometimes

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<v Speaker 1>feel like there are two glorious metaphorically speaking like a metaphor, yeah,

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<v Speaker 1>really metaphorically, the one in the magazines and the one

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<v Speaker 1>in real life, and which one is in front of

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<v Speaker 1>me right now? Since the accident, I feel like the

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<v Speaker 1>real one is the only one who made it out alive.

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<v Speaker 1>Water water? Does anyone need water? Okay? Tell me about

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<v Speaker 1>the accident. How do you feel good? Why don't I

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<v Speaker 1>still find myself forgetting little things like where did I

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<v Speaker 1>leave the car keys. What is my name? But generally

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<v Speaker 1>I feel good. I imagine it hasn't been easy having

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<v Speaker 1>to keep up with appearances after such a traumatic experience.

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<v Speaker 1>You have no idea. Excuse me, but isn't this article

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<v Speaker 1>supposed to be about the wedding? So why don't we

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<v Speaker 1>have shift gears here? Ding ding ah cec of course.

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<v Speaker 1>One second, let me get my questions. No, no, no, no,

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<v Speaker 1>how are things with Raoul? Oh he's been by my

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<v Speaker 1>side constantly? Tell me about him? What's your favorite thing

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<v Speaker 1>about him? When? He is very romantic and he loves

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<v Speaker 1>a good metaphor? Oh, then he's tall. See, Oh, Gloria,

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<v Speaker 1>don't be so modest. He always brings her her favorite

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<v Speaker 1>kind of bread in the morning. I mean, what a guy.

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<v Speaker 1>He's very detail oriented. He always remembers anniversaries. He even

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<v Speaker 1>remembers when her period starts. Wow. Just the little things

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<v Speaker 1>like that, and like always bringing her her favorite kind

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<v Speaker 1>of bread. These two love bread. And he always smells

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<v Speaker 1>like like a field after it rain. You have my

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<v Speaker 1>permission to use that description, and I pretty good with worth. Yeah,

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<v Speaker 1>thank you, But I would love to hear this from Gloria. Yeah, well,

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<v Speaker 1>everything she said, Okay, um, well, how long have you

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<v Speaker 1>been together? Oh? Um? I feel like we've met in

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<v Speaker 1>several different lifetimes, so impossible to say exactly how many years, right, right,

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<v Speaker 1>But if you were to count them in normal human years,

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<v Speaker 1>it would be seven, yeah, exactly seven seven human years.

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<v Speaker 1>But if we did our years, it would be a

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<v Speaker 1>hundred twenty five I sought out in the History Channel.

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<v Speaker 1>All right, haven't seen a more awkward scene since that

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<v Speaker 1>one time Luisa tried to kiss Justin Bieber at our

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<v Speaker 1>Christmas party. Hey, tea lovers, it's me Tatiana. Obviously. Boy,

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<v Speaker 1>do we have a juicy scoop for you on the

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<v Speaker 1>Next Tea with Tatiana Estevan Calderon's campaign is apparently going well.

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<v Speaker 1>At least that's what the polls say. I know, shocking

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<v Speaker 1>must be thanks to all that careful planning he's been

0:12:47.280 --> 0:12:52.199
<v Speaker 1>doing in his Lincoln Aviator GT. But anyway, next week

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<v Speaker 1>we interview one of his most unorthodox of opponents, and

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<v Speaker 1>believe me, you do not want to miss this. All Right,

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<v Speaker 1>that's it for now, but be sure to tune in

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<v Speaker 1>next time for more scandalous rumors about the Calderones on

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<v Speaker 1>the Next Tea with Tatiana. Okay, um, why don't we

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<v Speaker 1>Why don't we try something a little more intimate? Can

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<v Speaker 1>you leave us alone for a little bit? Interesting idea?

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<v Speaker 1>There were porterman, But what if she gets thirsty? How

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<v Speaker 1>how you know you know where the water is? It's

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<v Speaker 1>so right? I think I got this. You sure about that? Glory?

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<v Speaker 1>I'm fine? Okay, Well, I'll be right there in the kitchen.

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<v Speaker 1>Do you know what a kitchen is? Remember? Okay, I'm

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<v Speaker 1>be right there, So you call me if you need

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<v Speaker 1>water bonds. I'm writing that kitchen. Are you two speaking

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<v Speaker 1>in code? No? No, I'm just chronically dehydrated. Um, what

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<v Speaker 1>were you asking? Chronically dehydrated? Right, Gloria, I've been reporting

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<v Speaker 1>on your family for years now, and I have to

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<v Speaker 1>admit you are nothing like what I was expecting at all.

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<v Speaker 1>What what do you mean? I don't know. My colleagues

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<v Speaker 1>had told me that you had a reputation for being

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<v Speaker 1>kind of a handful. Yeah, no, I've heard. I mean,

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<v Speaker 1>how dare you speak to me that way? Well? My

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<v Speaker 1>point is, I look, I feel like that callous persona

0:14:38.960 --> 0:14:41.560
<v Speaker 1>is an act. A big part of my job is

0:14:41.600 --> 0:14:45.920
<v Speaker 1>reading people like you are the opposite of what people

0:14:46.040 --> 0:14:49.320
<v Speaker 1>think you are. This is gonna sound weird, but I

0:14:49.320 --> 0:14:51.920
<v Speaker 1>feel like I know you. What. Oh no, no, no,

0:14:51.960 --> 0:14:54.800
<v Speaker 1>I'm not no, no no. I mean there's someone behind

0:14:54.840 --> 0:14:57.480
<v Speaker 1>that facade, and I would love to bring that out

0:14:57.520 --> 0:15:00.560
<v Speaker 1>in my article. Beyond Raoul and your marriage and the

0:15:00.680 --> 0:15:03.960
<v Speaker 1>dresses and the gossip. I want to see the real

0:15:04.040 --> 0:15:08.680
<v Speaker 1>person behind the Gloria Calderon I like her better. There's

0:15:08.800 --> 0:15:11.640
<v Speaker 1>there's someone here who deserves to be seen for exactly

0:15:11.680 --> 0:15:15.760
<v Speaker 1>who she is. I don't think that's a good idea. Please,

0:15:16.520 --> 0:15:18.840
<v Speaker 1>it doesn't have to be right now. I feel like

0:15:18.920 --> 0:15:23.640
<v Speaker 1>I want to get to know you for the article. Obviously,

0:15:23.680 --> 0:15:28.480
<v Speaker 1>just for the article. For the article. Yes, maybe not

0:15:28.520 --> 0:15:31.600
<v Speaker 1>just just for the article. But maybe I'm interested in

0:15:31.640 --> 0:15:36.520
<v Speaker 1>getting to know you. Oh sorry, this is inappropriate. I

0:15:36.520 --> 0:15:39.200
<v Speaker 1>don't even know what got into me. I interview beautiful

0:15:39.240 --> 0:15:42.160
<v Speaker 1>women all the time. No, not to brag. I'm not bragging.

0:15:42.200 --> 0:15:44.440
<v Speaker 1>I just I bring it up because I don't Okay, well,

0:15:44.560 --> 0:15:49.520
<v Speaker 1>I don't connect with people this way. I you're disarming,

0:15:50.720 --> 0:15:53.200
<v Speaker 1>which is a weird way to describe a woman, considering

0:15:53.200 --> 0:15:56.240
<v Speaker 1>it sounds like a war term. But there's something about you.

0:15:57.360 --> 0:15:59.960
<v Speaker 1>Oh god, all right, I'll have a coworker, reach out,

0:16:00.160 --> 0:16:02.040
<v Speaker 1>you schedule this interview. I wait, I am, I am

0:16:02.080 --> 0:16:04.720
<v Speaker 1>so sorry? And just what are you doing? You talked

0:16:04.720 --> 0:16:07.160
<v Speaker 1>about this and Darby stop? Wait wait wait wait, wait,

0:16:07.200 --> 0:16:10.720
<v Speaker 1>don't go. I just crossed a line. No wait, I

0:16:11.000 --> 0:16:14.760
<v Speaker 1>not just want I crossed several lines, and I deeply

0:16:14.800 --> 0:16:17.920
<v Speaker 1>a pause. I feel like you're the first person in

0:16:17.960 --> 0:16:21.400
<v Speaker 1>a long time who sees me for who I am.

0:16:21.440 --> 0:16:23.760
<v Speaker 1>Did you really mean that you like me more than

0:16:24.120 --> 0:16:31.600
<v Speaker 1>the Gloria Carleron? Absolutely? Why are you walking towards me

0:16:32.000 --> 0:16:44.520
<v Speaker 1>like that? Kiss me? Hi? There's Amio now the Virgin

0:16:44.560 --> 0:16:47.560
<v Speaker 1>Mary herself, Maria del Garman wants to get it on

0:16:47.640 --> 0:16:52.000
<v Speaker 1>with the reporter. He's hot, but he has asthma and glasses.

0:16:52.080 --> 0:16:54.840
<v Speaker 1>Oh anyway, well, we'll have to see how this plays out,

0:16:55.000 --> 0:17:00.640
<v Speaker 1>because I don't think Raoul like this at all. If

0:17:00.680 --> 0:17:04.040
<v Speaker 1>you're enjoying Princess of South Beach, please subscribe, rate, and

0:17:04.080 --> 0:17:07.480
<v Speaker 1>review our show wherever you're listening. The Princess of South

0:17:07.520 --> 0:17:10.560
<v Speaker 1>Beach is a production of Ihearts, Michael Tura Podcast Network,

0:17:10.680 --> 0:17:14.520
<v Speaker 1>and Sonoro, created and directed by Jasmine Romero. Written by

0:17:14.560 --> 0:17:18.080
<v Speaker 1>Jasmine Romero and Joanna Housman, with help from Daniela Serkis,

0:17:18.320 --> 0:17:22.800
<v Speaker 1>Monisa Heinris, and Christian Hatara. Produced by Luisa ro Castillo.

0:17:23.040 --> 0:17:26.280
<v Speaker 1>Executive produced by conal Byrne and Gazelle. Bances for iHeart

0:17:26.520 --> 0:17:30.119
<v Speaker 1>by Joanna Housman and by Jasmine Romero and Joshua Weinstein

0:17:30.280 --> 0:17:34.800
<v Speaker 1>for Sonoro performances in this episode by Rachel Zegler, Gina Torres,

0:17:35.119 --> 0:17:40.280
<v Speaker 1>Danny Peno, x Mayo, Andy Bustios, and Alan Eisenberg. Our

0:17:40.320 --> 0:17:45.000
<v Speaker 1>production manager is Getensachitis. Recording and engineering by Emiliano Quintaner,

0:17:45.280 --> 0:17:49.960
<v Speaker 1>with sound designed by Edwin Irigoyen, Cassandra Tinajo, Andres Bayena,

0:17:50.200 --> 0:17:54.600
<v Speaker 1>Diego Medina and Andres Coronaldo. Assistant sound designed by Eric Senttheno.

0:17:55.000 --> 0:17:59.560
<v Speaker 1>Casting and coordination by Andres Chaitis. Folly by Samantha Gonzalez Fong.

0:18:00.000 --> 0:18:03.160
<v Speaker 1>Our theme song and original music by Rodrigo Garcia Robles

0:18:03.240 --> 0:18:04.320
<v Speaker 1>and Charlie Hernandez.