1 00:00:03,840 --> 00:00:08,440 Speaker 1: Previously on the Princess of South Beach. Estraya and Maria 2 00:00:08,480 --> 00:00:12,240 Speaker 1: del Carmin's plan to find something incriminating about luisagn Esteban 3 00:00:12,480 --> 00:00:16,480 Speaker 1: was interrupted again, this time by an unexpected photo shoot 4 00:00:16,560 --> 00:00:21,080 Speaker 1: for teen Vogue. Esteban met with Julian, an old friend 5 00:00:21,400 --> 00:00:24,280 Speaker 1: who agreed to fund this Stevan's campaign for mayor, and 6 00:00:24,440 --> 00:00:30,520 Speaker 1: oh yeah, Nacho got a threatening voicemail that said, why 7 00:00:30,560 --> 00:00:35,160 Speaker 1: aren't you answering your phone? Nacho? You know you can't 8 00:00:35,200 --> 00:00:39,080 Speaker 1: hide from us. We know where you are, where you live, 9 00:00:39,840 --> 00:00:43,559 Speaker 1: where your son lives. So you'd better pay us what 10 00:00:43,680 --> 00:00:48,120 Speaker 1: you owe us, because we'd really hate for another accident 11 00:00:48,280 --> 00:01:01,320 Speaker 1: to happen. Oh shit, a Bobby, what's up? Where are 12 00:01:01,360 --> 00:01:04,000 Speaker 1: you at home? I'm just getting ready to see Clodia. Bobby. 13 00:01:04,040 --> 00:01:06,240 Speaker 1: My date was not so great. I don't know how 14 00:01:06,240 --> 00:01:09,120 Speaker 1: poor people do romance. I need you to do me 15 00:01:09,160 --> 00:01:12,160 Speaker 1: a favor, go to my like to help you out. 16 00:01:12,360 --> 00:01:14,640 Speaker 1: But I'm about to head out. Yeah, Clodia has a 17 00:01:14,640 --> 00:01:16,440 Speaker 1: teen Vote photo shoot and they're gonna no, no no, no, 18 00:01:16,840 --> 00:01:19,960 Speaker 1: there's there's no time for that. Me. I wouldn't be 19 00:01:20,000 --> 00:01:22,920 Speaker 1: asking you if it wasn't important. There's a key to 20 00:01:23,000 --> 00:01:25,840 Speaker 1: a safety deposit box hidden under the Bible in my nightstand. 21 00:01:26,040 --> 00:01:28,200 Speaker 1: Take it to the bank and take all the cash. 22 00:01:28,240 --> 00:01:32,240 Speaker 1: You see, it should be about sixty thousand dollars sixty yeah, 23 00:01:32,240 --> 00:01:36,720 Speaker 1: don't talk just for once, listen. Put the money inside 24 00:01:36,720 --> 00:01:39,000 Speaker 1: a briefcase and take it to the address I'm about 25 00:01:39,000 --> 00:01:40,480 Speaker 1: to give you. Do you have a pen? Even? Why 26 00:01:40,480 --> 00:01:42,880 Speaker 1: don't you just text me or Facebook? Cool? I opened 27 00:01:42,880 --> 00:01:46,720 Speaker 1: my MySpace. I'm not gonna face, but just find a pen. Okay, okay, 28 00:01:47,400 --> 00:01:50,240 Speaker 1: I got one? Okay, sorry, Bobby, Oh, okay, right, roll 29 00:01:50,280 --> 00:01:53,080 Speaker 1: write this down? Right. It's better that there's no record. Okay, 30 00:01:53,320 --> 00:01:58,560 Speaker 1: are you writing it down? All right? Five five seven? Oh? 31 00:01:58,640 --> 00:02:02,600 Speaker 1: My god? Five five seven? Oh, I'm so sorry. This game? Right? Us? 32 00:02:02,640 --> 00:02:05,040 Speaker 1: Have I forgot? All right? Us? Have it? This game? He? 33 00:02:05,440 --> 00:02:13,079 Speaker 1: I asked c A y N Boulevard, Bulevard. Okay, okay, 34 00:02:13,160 --> 00:02:14,920 Speaker 1: I know, okay, I'll figure it out. I'll ask people. 35 00:02:14,919 --> 00:02:18,760 Speaker 1: I'll ask people on the street. Boy, oh boy, nacho, 36 00:02:19,080 --> 00:02:22,440 Speaker 1: Now what did you get yourself into and where are 37 00:02:22,440 --> 00:02:26,280 Speaker 1: you sending Raoul? Well, before we find out, let's check 38 00:02:26,320 --> 00:02:28,680 Speaker 1: in on Maria, who will be flying solo at the 39 00:02:28,680 --> 00:02:37,160 Speaker 1: photo shoot. Mm hmm, see better, I let her know 40 00:02:38,120 --> 00:02:41,760 Speaker 1: that was Raoul. He said to send you his most 41 00:02:41,760 --> 00:02:45,840 Speaker 1: sincere apologies. He's got some emergency. What you're going to 42 00:02:45,919 --> 00:02:48,919 Speaker 1: have to do the photo shoot and interview all by yourself? Wait, 43 00:02:48,960 --> 00:02:52,600 Speaker 1: there's an interview, so or I'll have to answer questions 44 00:02:52,639 --> 00:02:59,600 Speaker 1: about myself by myself. Yes, well, that's genuinely how interviews work. Hello, sorry, 45 00:02:59,639 --> 00:03:03,040 Speaker 1: I'm a little early. I'm I'm Andres Reyes from teen Vote. 46 00:03:09,200 --> 00:03:13,679 Speaker 1: See the reporter Andres. It's so nice to put such 47 00:03:13,720 --> 00:03:17,360 Speaker 1: a handsome face to a name. Finally, I wanted to 48 00:03:17,400 --> 00:03:20,520 Speaker 1: thank you for your wonderful treatment of the Calderon family 49 00:03:20,800 --> 00:03:24,360 Speaker 1: all of these years. Some reporters have no integrity, but 50 00:03:24,480 --> 00:03:27,520 Speaker 1: I have always found you to be very fair. Even 51 00:03:27,520 --> 00:03:30,400 Speaker 1: in the article about the tragic incident involving our Shetland 52 00:03:30,440 --> 00:03:33,680 Speaker 1: ponies make out rest their souls, you still treated us 53 00:03:33,680 --> 00:03:37,920 Speaker 1: with the respect we deserve, of course, Missus Calderon, please 54 00:03:38,400 --> 00:03:42,000 Speaker 1: please call me Louisa. All right? By the way, did 55 00:03:42,120 --> 00:03:46,160 Speaker 1: you say your name is Andres Reyes as in the 56 00:03:46,240 --> 00:03:51,200 Speaker 1: San Francisco Reyes, the ones with the chocolate company. Great family. 57 00:03:51,360 --> 00:03:53,640 Speaker 1: They once lent me their private plane to go to Vegas. 58 00:03:53,800 --> 00:03:57,280 Speaker 1: The plane was small, but time no, no, no, no, no, 59 00:03:57,760 --> 00:04:01,360 Speaker 1: not the same reis m. I'm of the Liberty City. Yes, 60 00:04:02,040 --> 00:04:06,000 Speaker 1: my dad's a mail man. Ah. I see, well, wonderful, 61 00:04:06,320 --> 00:04:12,360 Speaker 1: dignified work. Everyone needs mail, right Anyway, I'm sorry to 62 00:04:12,440 --> 00:04:14,560 Speaker 1: say that we won't be able to make it today. 63 00:04:14,640 --> 00:04:18,640 Speaker 1: Oh um, okay, uh yeah yeah. My editor was expecting 64 00:04:18,680 --> 00:04:22,480 Speaker 1: interviews with both Raoul and Gloria because of the wedding 65 00:04:22,600 --> 00:04:25,520 Speaker 1: and whatnot. See see, Well, it just seems you'll have 66 00:04:25,560 --> 00:04:29,159 Speaker 1: to make do with just Gloria today. That won't be 67 00:04:29,160 --> 00:04:31,320 Speaker 1: a problem, right, No, no, no, no no, no, no, of 68 00:04:31,320 --> 00:04:34,400 Speaker 1: course not. I will make it work. Seriously. I also 69 00:04:34,440 --> 00:04:36,800 Speaker 1: have to thank you for asking me specifically to write 70 00:04:36,839 --> 00:04:39,159 Speaker 1: this article. This will be my first time writing the 71 00:04:39,279 --> 00:04:42,960 Speaker 1: cover story. Plus the whole office is jealous that I 72 00:04:43,000 --> 00:04:47,279 Speaker 1: get to interview this year's sexiest woman. I mean because 73 00:04:47,279 --> 00:04:49,719 Speaker 1: of the article in Maxim you know, not not that 74 00:04:49,760 --> 00:04:51,200 Speaker 1: I don't think you're sexy. I mean I do, look 75 00:04:51,200 --> 00:04:53,359 Speaker 1: at you. You're just I just I mean, I'm not 76 00:04:53,400 --> 00:04:55,400 Speaker 1: trying to come onto you. This is a professional environment, 77 00:04:55,440 --> 00:04:57,560 Speaker 1: this is a this is coming out way wrong. Okay, 78 00:04:57,880 --> 00:05:00,719 Speaker 1: oh wow, it is. It is really hot. You're real fast? 79 00:05:03,120 --> 00:05:07,520 Speaker 1: Oh right, do you have asthma? Yeah, how did you know? 80 00:05:08,240 --> 00:05:13,279 Speaker 1: I just I have a sixth sense for for asthma, 81 00:05:15,480 --> 00:05:19,400 Speaker 1: like Bruce willis Gloria? What is going on? Are you okay? Well, 82 00:05:20,720 --> 00:05:22,920 Speaker 1: why don't you accompany me to the kitchen while Gloria 83 00:05:23,000 --> 00:05:26,120 Speaker 1: finishes getting ready? I can tell you all about the 84 00:05:26,120 --> 00:05:31,800 Speaker 1: remodeling we did absolutely right this way. Wow, spiceps are 85 00:05:31,880 --> 00:05:37,080 Speaker 1: very strong. Reporter? Is it all the typing? M? Yeah? 86 00:05:39,760 --> 00:05:43,120 Speaker 1: What's going on? Why are you freaking out? Do you 87 00:05:43,160 --> 00:05:45,520 Speaker 1: remember that one time you helped me disguise myself and 88 00:05:45,600 --> 00:05:49,120 Speaker 1: leave the house for a bit vaguely? Was that before 89 00:05:49,279 --> 00:05:51,520 Speaker 1: or after I found out you were Glorious orphan twin 90 00:05:51,600 --> 00:05:56,320 Speaker 1: that took her place following a tragic accident? It was before? Well, 91 00:05:56,600 --> 00:05:58,599 Speaker 1: I ended up going to a park to clear my head, 92 00:05:58,800 --> 00:06:00,400 Speaker 1: and when I sat down on one of the benches, 93 00:06:00,440 --> 00:06:04,360 Speaker 1: I ran into this handsome and wise and handsome, very 94 00:06:04,440 --> 00:06:07,320 Speaker 1: handsome guy. He talked for a while and he was 95 00:06:07,400 --> 00:06:12,000 Speaker 1: so understanding and smart, and that was unrest the reporter. 96 00:06:12,080 --> 00:06:14,320 Speaker 1: And there's the guy who's about to interview me about 97 00:06:14,320 --> 00:06:17,000 Speaker 1: my life as Gloria. Oh great, but if he recognizes me, 98 00:06:17,080 --> 00:06:18,840 Speaker 1: I mean I told him my name was Maria. What 99 00:06:18,880 --> 00:06:21,680 Speaker 1: if he realizes there's something off. What am I gonna do? 100 00:06:21,800 --> 00:06:24,839 Speaker 1: What are you gonna do? That's not like a you problem. 101 00:06:25,279 --> 00:06:27,760 Speaker 1: What you told me you were gonna help me look 102 00:06:27,760 --> 00:06:30,279 Speaker 1: for evidence. You could have canceled all of this. But 103 00:06:30,400 --> 00:06:34,160 Speaker 1: once again, no, no, no, Miss Maria chose to play 104 00:06:34,240 --> 00:06:37,080 Speaker 1: princess for the day so you can figure this one 105 00:06:37,120 --> 00:06:39,599 Speaker 1: out all by your damn sill No, I study up. 106 00:06:39,680 --> 00:06:42,440 Speaker 1: Please don't be mad at me. I know I messed up, 107 00:06:42,440 --> 00:06:45,440 Speaker 1: and I should have stuck to the plan. Yes you should. 108 00:06:45,480 --> 00:06:47,760 Speaker 1: But if I messed this up, then everyone will find 109 00:06:47,760 --> 00:06:49,920 Speaker 1: out I'm not really Gloria and the whole plan will 110 00:06:49,920 --> 00:06:53,320 Speaker 1: be ruined. Terra, I need you. We're in this together. 111 00:06:53,560 --> 00:06:56,960 Speaker 1: Help me please. All right, fine, I told you about 112 00:06:57,000 --> 00:06:59,200 Speaker 1: touching me. Sorry, but I'm not just doing this for you. 113 00:06:59,279 --> 00:07:03,440 Speaker 1: I want to see that is one more time. Oh Jesus, 114 00:07:04,000 --> 00:07:07,599 Speaker 1: I never fed a sexual attraction towards a jawline before, 115 00:07:07,760 --> 00:07:10,960 Speaker 1: but here we are. I know, right, It's like Brad 116 00:07:11,000 --> 00:07:13,480 Speaker 1: Pitt and Ricky Martin had a baby, and that baby 117 00:07:13,520 --> 00:07:16,280 Speaker 1: grew up and met Anademas and Shakira's baby, and then 118 00:07:16,320 --> 00:07:20,040 Speaker 1: those two babies had another baby, and he's that baby. 119 00:07:20,160 --> 00:07:23,320 Speaker 1: He could be my baby. You know, I don't even 120 00:07:23,360 --> 00:07:25,680 Speaker 1: like dudes, but I would let him hit it twice. 121 00:07:27,240 --> 00:07:30,720 Speaker 1: Any Who, Now that Maria and Estralla have made up, 122 00:07:30,960 --> 00:07:33,400 Speaker 1: let's check in on Luisa and that as mad at 123 00:07:33,480 --> 00:07:40,360 Speaker 1: Kadi andres as she gives him a tour of the house. Luisa, 124 00:07:40,720 --> 00:07:43,640 Speaker 1: is this a portrait of your father? No? That's me? 125 00:07:43,960 --> 00:07:48,000 Speaker 1: Oh obviously, I think it's the angle and the light 126 00:07:48,080 --> 00:07:50,520 Speaker 1: and that kind of Um. Do you know how much 127 00:07:50,560 --> 00:07:55,200 Speaker 1: longer it'll take for Gloria to get ready? Here? I am? Oh, wow, 128 00:07:55,280 --> 00:07:58,880 Speaker 1: how you look very beautiful? I mean, like, you know 129 00:07:58,960 --> 00:08:02,560 Speaker 1: how good you're looking? Stuff? Did you do you stub 130 00:08:02,560 --> 00:08:07,040 Speaker 1: your toe? You're you're limping a bit? Ah? No, uh no, 131 00:08:07,360 --> 00:08:11,920 Speaker 1: I am just thought that good with high heels? Good one. 132 00:08:12,240 --> 00:08:14,440 Speaker 1: She obviously knows how to walk in high heels because 133 00:08:14,440 --> 00:08:18,560 Speaker 1: she's a professional model. How to model not know how 134 00:08:18,560 --> 00:08:20,240 Speaker 1: to walk in heels? I mean, does she just want? 135 00:08:20,280 --> 00:08:22,760 Speaker 1: Did you want to do covity? Oh? Yeah, that's that's 136 00:08:22,760 --> 00:08:25,120 Speaker 1: what I know about models. Um, okay, why don't we 137 00:08:25,320 --> 00:08:32,079 Speaker 1: start off with some photos right here in the foyer? Yeah? Sure, Well, no, 138 00:08:32,360 --> 00:08:34,240 Speaker 1: I'll leave you to it. I have to go see 139 00:08:34,280 --> 00:08:39,960 Speaker 1: my hair dresser Estrada come along. No, um, I mean 140 00:08:40,520 --> 00:08:43,880 Speaker 1: what if I get thirsty? I need her to stay 141 00:08:43,920 --> 00:08:48,600 Speaker 1: here with me to to bring me water. Okay, better, Gloria, 142 00:08:48,840 --> 00:08:51,360 Speaker 1: don't get too friendly with the hell because she'll get lazy. 143 00:08:51,679 --> 00:08:55,160 Speaker 1: I am I visible, I'm right here. Okay, bye bye 144 00:08:55,480 --> 00:09:02,480 Speaker 1: ya okay, um. Yeah, let's start with a little uh 145 00:09:02,760 --> 00:09:06,880 Speaker 1: sexy pose. No, okay, that that looks like it hurts. 146 00:09:07,559 --> 00:09:10,920 Speaker 1: Try to try to smile. Yeah, let's do a smile. No, 147 00:09:11,120 --> 00:09:14,920 Speaker 1: definitely not that. Okay, Sorry, I'm not I'm not used 148 00:09:14,960 --> 00:09:17,680 Speaker 1: to being the center of attention. But you've been doing 149 00:09:17,679 --> 00:09:24,000 Speaker 1: this for years? Don't you like it? Oh? Um? Boys, yes, No, 150 00:09:24,840 --> 00:09:29,000 Speaker 1: I don't know what do you mean? I just sometimes 151 00:09:29,280 --> 00:09:35,360 Speaker 1: feel like there are two glorious metaphorically speaking like a metaphor, yeah, 152 00:09:35,600 --> 00:09:40,080 Speaker 1: really metaphorically, the one in the magazines and the one 153 00:09:40,080 --> 00:09:42,920 Speaker 1: in real life, and which one is in front of 154 00:09:42,920 --> 00:09:47,240 Speaker 1: me right now? Since the accident, I feel like the 155 00:09:47,320 --> 00:09:49,920 Speaker 1: real one is the only one who made it out alive. 156 00:09:50,320 --> 00:09:54,840 Speaker 1: Water water? Does anyone need water? Okay? Tell me about 157 00:09:54,840 --> 00:09:59,280 Speaker 1: the accident. How do you feel good? Why don't I 158 00:09:59,360 --> 00:10:02,560 Speaker 1: still find myself forgetting little things like where did I 159 00:10:02,600 --> 00:10:07,040 Speaker 1: leave the car keys. What is my name? But generally 160 00:10:07,080 --> 00:10:10,280 Speaker 1: I feel good. I imagine it hasn't been easy having 161 00:10:10,320 --> 00:10:14,120 Speaker 1: to keep up with appearances after such a traumatic experience. 162 00:10:14,760 --> 00:10:17,520 Speaker 1: You have no idea. Excuse me, but isn't this article 163 00:10:17,559 --> 00:10:20,320 Speaker 1: supposed to be about the wedding? So why don't we 164 00:10:20,360 --> 00:10:24,679 Speaker 1: have shift gears here? Ding ding ah cec of course. 165 00:10:24,920 --> 00:10:29,800 Speaker 1: One second, let me get my questions. No, no, no, no, 166 00:10:31,760 --> 00:10:35,360 Speaker 1: how are things with Raoul? Oh he's been by my 167 00:10:35,440 --> 00:10:39,960 Speaker 1: side constantly? Tell me about him? What's your favorite thing 168 00:10:40,040 --> 00:10:48,520 Speaker 1: about him? When? He is very romantic and he loves 169 00:10:48,559 --> 00:10:52,920 Speaker 1: a good metaphor? Oh, then he's tall. See, Oh, Gloria, 170 00:10:53,120 --> 00:10:56,480 Speaker 1: don't be so modest. He always brings her her favorite 171 00:10:56,559 --> 00:10:59,560 Speaker 1: kind of bread in the morning. I mean, what a guy. 172 00:11:00,280 --> 00:11:04,880 Speaker 1: He's very detail oriented. He always remembers anniversaries. He even 173 00:11:04,920 --> 00:11:09,520 Speaker 1: remembers when her period starts. Wow. Just the little things 174 00:11:09,520 --> 00:11:12,959 Speaker 1: like that, and like always bringing her her favorite kind 175 00:11:13,040 --> 00:11:19,200 Speaker 1: of bread. These two love bread. And he always smells 176 00:11:19,320 --> 00:11:23,199 Speaker 1: like like a field after it rain. You have my 177 00:11:23,240 --> 00:11:27,640 Speaker 1: permission to use that description, and I pretty good with worth. Yeah, 178 00:11:27,640 --> 00:11:31,800 Speaker 1: thank you, But I would love to hear this from Gloria. Yeah, well, 179 00:11:32,800 --> 00:11:36,560 Speaker 1: everything she said, Okay, um, well, how long have you 180 00:11:36,600 --> 00:11:42,520 Speaker 1: been together? Oh? Um? I feel like we've met in 181 00:11:42,760 --> 00:11:49,559 Speaker 1: several different lifetimes, so impossible to say exactly how many years, right, right, 182 00:11:49,559 --> 00:11:52,240 Speaker 1: But if you were to count them in normal human years, 183 00:11:52,240 --> 00:11:57,520 Speaker 1: it would be seven, yeah, exactly seven seven human years. 184 00:11:57,559 --> 00:11:59,599 Speaker 1: But if we did our years, it would be a 185 00:11:59,679 --> 00:12:02,320 Speaker 1: hundred twenty five I sought out in the History Channel. 186 00:12:05,440 --> 00:12:08,040 Speaker 1: All right, haven't seen a more awkward scene since that 187 00:12:08,120 --> 00:12:10,680 Speaker 1: one time Luisa tried to kiss Justin Bieber at our 188 00:12:10,800 --> 00:12:27,040 Speaker 1: Christmas party. Hey, tea lovers, it's me Tatiana. Obviously. Boy, 189 00:12:27,120 --> 00:12:30,160 Speaker 1: do we have a juicy scoop for you on the 190 00:12:30,280 --> 00:12:38,360 Speaker 1: Next Tea with Tatiana Estevan Calderon's campaign is apparently going well. 191 00:12:39,280 --> 00:12:44,080 Speaker 1: At least that's what the polls say. I know, shocking 192 00:12:44,840 --> 00:12:47,240 Speaker 1: must be thanks to all that careful planning he's been 193 00:12:47,280 --> 00:12:52,199 Speaker 1: doing in his Lincoln Aviator GT. But anyway, next week 194 00:12:52,360 --> 00:12:58,840 Speaker 1: we interview one of his most unorthodox of opponents, and 195 00:12:58,960 --> 00:13:04,720 Speaker 1: believe me, you do not want to miss this. All Right, 196 00:13:04,840 --> 00:13:07,040 Speaker 1: that's it for now, but be sure to tune in 197 00:13:07,120 --> 00:13:11,000 Speaker 1: next time for more scandalous rumors about the Calderones on 198 00:13:11,120 --> 00:13:31,000 Speaker 1: the Next Tea with Tatiana. Okay, um, why don't we 199 00:13:31,080 --> 00:13:35,640 Speaker 1: Why don't we try something a little more intimate? Can 200 00:13:35,679 --> 00:13:38,440 Speaker 1: you leave us alone for a little bit? Interesting idea? 201 00:13:38,520 --> 00:13:43,280 Speaker 1: There were porterman, But what if she gets thirsty? How 202 00:13:43,440 --> 00:13:45,360 Speaker 1: how you know you know where the water is? It's 203 00:13:45,480 --> 00:13:49,760 Speaker 1: so right? I think I got this. You sure about that? Glory? 204 00:13:50,600 --> 00:13:54,080 Speaker 1: I'm fine? Okay, Well, I'll be right there in the kitchen. 205 00:13:54,320 --> 00:13:56,760 Speaker 1: Do you know what a kitchen is? Remember? Okay, I'm 206 00:13:56,920 --> 00:13:59,040 Speaker 1: be right there, So you call me if you need 207 00:13:59,480 --> 00:14:05,160 Speaker 1: water bonds. I'm writing that kitchen. Are you two speaking 208 00:14:05,200 --> 00:14:10,439 Speaker 1: in code? No? No, I'm just chronically dehydrated. Um, what 209 00:14:10,480 --> 00:14:15,360 Speaker 1: were you asking? Chronically dehydrated? Right, Gloria, I've been reporting 210 00:14:15,360 --> 00:14:17,920 Speaker 1: on your family for years now, and I have to 211 00:14:17,960 --> 00:14:21,120 Speaker 1: admit you are nothing like what I was expecting at all. 212 00:14:21,600 --> 00:14:24,040 Speaker 1: What what do you mean? I don't know. My colleagues 213 00:14:24,040 --> 00:14:27,120 Speaker 1: had told me that you had a reputation for being 214 00:14:27,240 --> 00:14:31,800 Speaker 1: kind of a handful. Yeah, no, I've heard. I mean, 215 00:14:32,200 --> 00:14:35,640 Speaker 1: how dare you speak to me that way? Well? My 216 00:14:35,680 --> 00:14:38,760 Speaker 1: point is, I look, I feel like that callous persona 217 00:14:38,960 --> 00:14:41,560 Speaker 1: is an act. A big part of my job is 218 00:14:41,600 --> 00:14:45,920 Speaker 1: reading people like you are the opposite of what people 219 00:14:46,040 --> 00:14:49,320 Speaker 1: think you are. This is gonna sound weird, but I 220 00:14:49,320 --> 00:14:51,920 Speaker 1: feel like I know you. What. Oh no, no, no, 221 00:14:51,960 --> 00:14:54,800 Speaker 1: I'm not no, no no. I mean there's someone behind 222 00:14:54,840 --> 00:14:57,480 Speaker 1: that facade, and I would love to bring that out 223 00:14:57,520 --> 00:15:00,560 Speaker 1: in my article. Beyond Raoul and your marriage and the 224 00:15:00,680 --> 00:15:03,960 Speaker 1: dresses and the gossip. I want to see the real 225 00:15:04,040 --> 00:15:08,680 Speaker 1: person behind the Gloria Calderon I like her better. There's 226 00:15:08,800 --> 00:15:11,640 Speaker 1: there's someone here who deserves to be seen for exactly 227 00:15:11,680 --> 00:15:15,760 Speaker 1: who she is. I don't think that's a good idea. Please, 228 00:15:16,520 --> 00:15:18,840 Speaker 1: it doesn't have to be right now. I feel like 229 00:15:18,920 --> 00:15:23,640 Speaker 1: I want to get to know you for the article. Obviously, 230 00:15:23,680 --> 00:15:28,480 Speaker 1: just for the article. For the article. Yes, maybe not 231 00:15:28,520 --> 00:15:31,600 Speaker 1: just just for the article. But maybe I'm interested in 232 00:15:31,640 --> 00:15:36,520 Speaker 1: getting to know you. Oh sorry, this is inappropriate. I 233 00:15:36,520 --> 00:15:39,200 Speaker 1: don't even know what got into me. I interview beautiful 234 00:15:39,240 --> 00:15:42,160 Speaker 1: women all the time. No, not to brag. I'm not bragging. 235 00:15:42,200 --> 00:15:44,440 Speaker 1: I just I bring it up because I don't Okay, well, 236 00:15:44,560 --> 00:15:49,520 Speaker 1: I don't connect with people this way. I you're disarming, 237 00:15:50,720 --> 00:15:53,200 Speaker 1: which is a weird way to describe a woman, considering 238 00:15:53,200 --> 00:15:56,240 Speaker 1: it sounds like a war term. But there's something about you. 239 00:15:57,360 --> 00:15:59,960 Speaker 1: Oh god, all right, I'll have a coworker, reach out, 240 00:16:00,160 --> 00:16:02,040 Speaker 1: you schedule this interview. I wait, I am, I am 241 00:16:02,080 --> 00:16:04,720 Speaker 1: so sorry? And just what are you doing? You talked 242 00:16:04,720 --> 00:16:07,160 Speaker 1: about this and Darby stop? Wait wait wait wait, wait, 243 00:16:07,200 --> 00:16:10,720 Speaker 1: don't go. I just crossed a line. No wait, I 244 00:16:11,000 --> 00:16:14,760 Speaker 1: not just want I crossed several lines, and I deeply 245 00:16:14,800 --> 00:16:17,920 Speaker 1: a pause. I feel like you're the first person in 246 00:16:17,960 --> 00:16:21,400 Speaker 1: a long time who sees me for who I am. 247 00:16:21,440 --> 00:16:23,760 Speaker 1: Did you really mean that you like me more than 248 00:16:24,120 --> 00:16:31,600 Speaker 1: the Gloria Carleron? Absolutely? Why are you walking towards me 249 00:16:32,000 --> 00:16:44,520 Speaker 1: like that? Kiss me? Hi? There's Amio now the Virgin 250 00:16:44,560 --> 00:16:47,560 Speaker 1: Mary herself, Maria del Garman wants to get it on 251 00:16:47,640 --> 00:16:52,000 Speaker 1: with the reporter. He's hot, but he has asthma and glasses. 252 00:16:52,080 --> 00:16:54,840 Speaker 1: Oh anyway, well, we'll have to see how this plays out, 253 00:16:55,000 --> 00:17:00,640 Speaker 1: because I don't think Raoul like this at all. If 254 00:17:00,680 --> 00:17:04,040 Speaker 1: you're enjoying Princess of South Beach, please subscribe, rate, and 255 00:17:04,080 --> 00:17:07,480 Speaker 1: review our show wherever you're listening. The Princess of South 256 00:17:07,520 --> 00:17:10,560 Speaker 1: Beach is a production of Ihearts, Michael Tura Podcast Network, 257 00:17:10,680 --> 00:17:14,520 Speaker 1: and Sonoro, created and directed by Jasmine Romero. Written by 258 00:17:14,560 --> 00:17:18,080 Speaker 1: Jasmine Romero and Joanna Housman, with help from Daniela Serkis, 259 00:17:18,320 --> 00:17:22,800 Speaker 1: Monisa Heinris, and Christian Hatara. Produced by Luisa ro Castillo. 260 00:17:23,040 --> 00:17:26,280 Speaker 1: Executive produced by conal Byrne and Gazelle. Bances for iHeart 261 00:17:26,520 --> 00:17:30,119 Speaker 1: by Joanna Housman and by Jasmine Romero and Joshua Weinstein 262 00:17:30,280 --> 00:17:34,800 Speaker 1: for Sonoro performances in this episode by Rachel Zegler, Gina Torres, 263 00:17:35,119 --> 00:17:40,280 Speaker 1: Danny Peno, x Mayo, Andy Bustios, and Alan Eisenberg. Our 264 00:17:40,320 --> 00:17:45,000 Speaker 1: production manager is Getensachitis. Recording and engineering by Emiliano Quintaner, 265 00:17:45,280 --> 00:17:49,960 Speaker 1: with sound designed by Edwin Irigoyen, Cassandra Tinajo, Andres Bayena, 266 00:17:50,200 --> 00:17:54,600 Speaker 1: Diego Medina and Andres Coronaldo. Assistant sound designed by Eric Senttheno. 267 00:17:55,000 --> 00:17:59,560 Speaker 1: Casting and coordination by Andres Chaitis. Folly by Samantha Gonzalez Fong. 268 00:18:00,000 --> 00:18:03,160 Speaker 1: Our theme song and original music by Rodrigo Garcia Robles 269 00:18:03,240 --> 00:18:04,320 Speaker 1: and Charlie Hernandez.