WEBVTT - How Yo-Yos Work

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to stuff you should know

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<v Speaker 1>from House stof works dot com. Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. This is Charles W. Chuck Bryant.

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<v Speaker 1>That's me, same as ever, scratching the old back. Yeah,

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<v Speaker 1>I just got a little itch there. You ever use

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<v Speaker 1>one of those little dealies, the little creepy hand, the

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<v Speaker 1>little monkey powk on the end of the stick I

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<v Speaker 1>have before, Um, I don't like to do that. It hurts. Yeah,

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<v Speaker 1>I guess you could call it. It's a painful sensation.

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<v Speaker 1>I get up against the wall sometimes and do the

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<v Speaker 1>blue the bear. That'll do sometimes too, But it's weird,

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<v Speaker 1>like I only have backaches in about the same place,

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<v Speaker 1>and that would be on my left shoulder blade on

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<v Speaker 1>the western side of it, depending on which direction I'm facing. Curiously,

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<v Speaker 1>this is going to be the most interesting this show.

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<v Speaker 1>That is not a treat Chuck Man, So, Chuck, this

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<v Speaker 1>is going to be a great one. I have a

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<v Speaker 1>feeling that's gonna be one of those ones where it's like, wow,

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<v Speaker 1>that turned out to be really good. It's physics heavy,

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<v Speaker 1>out the Yeah, everyone loves that. But the fact is,

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<v Speaker 1>when we finished this, you're gonna know how yo yo works.

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<v Speaker 1>This is probably the most truly titled, truest titled episode

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<v Speaker 1>well we've ever done. Do you think yep? I don't know.

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<v Speaker 1>All right, well we'll find out. I think it should

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<v Speaker 1>be called physics through the eye of a yo yo.

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<v Speaker 1>So listen, have you ever seen the movie Harlem Nights?

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<v Speaker 1>Uh parts dude? That is go back and watch it again.

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<v Speaker 1>Oh you're crazy. It's one of the best movies ever.

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<v Speaker 1>Eddie Murphy, Red Fox, Richard Pryor, and like everybody else

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<v Speaker 1>in it too. I think Bernie Max in there terrible script.

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<v Speaker 1>I don't think the script is terro. I thought it

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<v Speaker 1>was great. Um. There's one thing about that movie that

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<v Speaker 1>bugged me to know it. It's setting like the twenties, right,

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<v Speaker 1>and throughout the movie Eddie Murphy uses the word yo

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<v Speaker 1>yo was obviously a modern term, and it just sticks

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<v Speaker 1>out like a sore thumb every time he does. It

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<v Speaker 1>drives me crazy, Like it drives me crazy that he

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<v Speaker 1>did it drives me crazy that the director wasn't like,

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<v Speaker 1>you can't say yo. This is like nineteen twenties New York.

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<v Speaker 1>Yo wasn't around. I don't know that they were going

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<v Speaker 1>for a historical accuracy in that one. They were wearing spats,

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<v Speaker 1>so um Jerry like that one. So I went back

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<v Speaker 1>to the little digging Chuck and it turns out that

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<v Speaker 1>yo was in fact around in the nineteen twenties. But

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<v Speaker 1>Eddie Murphy was still wrong for using it in that capacity. Okay,

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<v Speaker 1>so um yo goes back at least to like the

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<v Speaker 1>fifteenth century, as like a hunting cry, right when somebody

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<v Speaker 1>was like somebody else might go yo and you go

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<v Speaker 1>chase fox. Um. That was kind of the first wave

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<v Speaker 1>of yo um. As far back as eighteen fifty nine.

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<v Speaker 1>We know that there were sailors that were using yet

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<v Speaker 1>yo ho Yo ho ho or also um. It was

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<v Speaker 1>a response for roll call like yo, like somebody called

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<v Speaker 1>your name, you would say yo. It wasn't until after

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<v Speaker 1>World War two, though, that the modern incarnation comes and

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<v Speaker 1>it came out of the Italian quarters of Philadelphia. So

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<v Speaker 1>that's where they think yo came from after World War two.

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<v Speaker 1>Hence Eddie Murphy was wrong in using yo, especially frequently

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<v Speaker 1>in the movie Harlem Nights. So I did all that research,

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<v Speaker 1>or I could have just looked into Google Translate from

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<v Speaker 1>English too, uh Filipino or vice versa, and find that

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<v Speaker 1>it just means come. Yeah, but I don't think that's

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<v Speaker 1>what it means here, does it? It does now, So

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<v Speaker 1>the word yo yo as it stands, it means come,

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<v Speaker 1>come or come back. Yeah, that makes sense. Did you

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<v Speaker 1>know that? I did? You want to talk a little

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<v Speaker 1>bit about the history of yo yos? Did you know

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<v Speaker 1>before reading this fantastic article that yo yo's originated as

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<v Speaker 1>we understand them now, originated in the Philippines in the

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<v Speaker 1>nineteen twenties. I didn't know that. I did know that

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<v Speaker 1>it was around for a long time before that though,

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<v Speaker 1>And you know other forms, well, pretty much the same form.

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<v Speaker 1>They were like two forms of yo yo's in history,

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<v Speaker 1>and one came out of the new one came out

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<v Speaker 1>of the Philippines. The other one that's pretty old, well

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<v Speaker 1>ancient Chinese or at least ancient Greeks years ago. But

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<v Speaker 1>they think the Chinese had something similar to that. Yeah,

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<v Speaker 1>I'm starting to strongly suspect that the Chinese or the

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<v Speaker 1>origin of human civilization. Yeah, they came up with beer. Well,

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<v Speaker 1>they came up with beer, you have it. They went

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<v Speaker 1>right there. Uh, and it is the oldest toy on

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<v Speaker 1>the planet except the doll. The dolly. I thought that

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<v Speaker 1>was pretty interesting too, Yeah, yeah, of course, although I

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<v Speaker 1>wonder if they're kind of diminishing any kind of ancient

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<v Speaker 1>rituals or rights by saying like, look at that's cute doll,

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<v Speaker 1>when really it's you know, some sort of fetish m hmm.

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<v Speaker 1>I don't know. You never know. So it's been around

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<v Speaker 1>long time. They've designed it in different ways over the years. Uh.

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<v Speaker 1>The original design was had the string tied tight to

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<v Speaker 1>the little access there. We'll call it the Greek design,

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<v Speaker 1>the Greek design. Now we'll call it the Chinese design

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<v Speaker 1>or the European design. Well, not designed, but it was

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<v Speaker 1>popular in Europe. And that obviously if if you ever

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<v Speaker 1>used an old yo yo like that or redesign yours

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<v Speaker 1>to where it's tied around the axle, it'll pop up,

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<v Speaker 1>you know, as soon as you throw it down, it'll

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<v Speaker 1>pop back up because it's tied to the axle. Um,

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<v Speaker 1>And you said it was popular in Europe. There were

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<v Speaker 1>other words for other names for the yo yo before

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<v Speaker 1>it was a yo yo, that's right. There was the lemigret,

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<v Speaker 1>the Bendalora. The Bendalora was British, I believe the quiz. Yeah,

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<v Speaker 1>I didn't. I didn't get a country of origin for that,

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<v Speaker 1>but it was very popular in Europe. There's a painting

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<v Speaker 1>of I think Louis is he the boy King? I

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<v Speaker 1>don't know whichever Louis was the boy king of him

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<v Speaker 1>holding like a yoyo, like a royal painting of him

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<v Speaker 1>with a yoyo or the what was a little hoop

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<v Speaker 1>on and a stick? I think that's what it's called.

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<v Speaker 1>That was an awesome game hoop on a stick? Who uh?

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<v Speaker 1>And then um, I don't think you can compare the

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<v Speaker 1>yo yo to the hoop on a stick. No, I'm

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<v Speaker 1>not comparing. I'm just saying I just never got that

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<v Speaker 1>to Oh okay, well here's another one for you. Napoleon

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<v Speaker 1>was well known for carrying and using a yo yo,

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<v Speaker 1>apparently for stress relief. Oh yeah, it didn't work too well.

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<v Speaker 1>Here's a stressed out dude. He needed the yo yo.

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<v Speaker 1>But as as you said that, that's the the European

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<v Speaker 1>favored or Chinese design, where like the strings tied really

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<v Speaker 1>tight to the axel and it just basically goes up

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<v Speaker 1>and down right. So the Filipino design led to the

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<v Speaker 1>modern yo yo as we understand it now, and the

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<v Speaker 1>huge distinction is that the the string is just looped

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<v Speaker 1>around the axle kind of loosely, which has the added

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<v Speaker 1>benefit of allowing the yo yo itself to spin once

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<v Speaker 1>it reaches the end of the string. Sleep. That's what

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<v Speaker 1>the that's why people yo yo I think. Yeah, it's

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<v Speaker 1>all about the tricks. I mean, it's sort of fun

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<v Speaker 1>for a minute just to go up and down, but

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<v Speaker 1>it's really all about the tricks. It's just a stress

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<v Speaker 1>reliever if it just goes up and down. Did you

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<v Speaker 1>yo yo when you were a kid? Uh? Yeah, here there.

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<v Speaker 1>But even as a kid like I could sense that,

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<v Speaker 1>like these these new modern ones that we'll talk about

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<v Speaker 1>with like ball bearings and clutches, they just seem like cheating.

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<v Speaker 1>I agree, let's not even talk about them. It's not

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<v Speaker 1>even a real yo yo. So, Chuck, you want to

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<v Speaker 1>talk about a little bit about physics, Well, let's finish

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<v Speaker 1>the history for shall we. Okay, Well, I have plenty

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<v Speaker 1>of that. Uh. It was originally in the Philippines. They

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<v Speaker 1>think it was a hunting weapon for like four years, so,

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<v Speaker 1>but not like a little tiny yo yo. They were

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<v Speaker 1>really big and it was basically a big spindle attached

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<v Speaker 1>to a rope with like spikes coming off of it.

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<v Speaker 1>They were like the size of a ugo. Yeah, and

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<v Speaker 1>I guess the just the benefit there is you could

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<v Speaker 1>get it back after you threw it at somebody. Right.

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<v Speaker 1>The stream was almost just useless though, Well you can

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<v Speaker 1>just throw it and run after it. Oh really okay,

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<v Speaker 1>it was actually heavy rope in the US for hunting too, right. Well,

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<v Speaker 1>at some point down the line, well, yeah, you would

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<v Speaker 1>think anything used in hunting, you know, does double duty

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<v Speaker 1>and more exactly anything you're trying to kill. Yeah. Um.

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<v Speaker 1>The At some point though, they became smaller and became

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<v Speaker 1>toys and uh. In the twenties, a Filipino immigrant to

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<v Speaker 1>the US named Pedro Floris Um started a company, the

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<v Speaker 1>first modern yoyo company in the United States, and did

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<v Speaker 1>pretty well for himself, uh, and then sold out to

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<v Speaker 1>a man named Duncan. Right, Donald Duncan, Yes, Donald Ducan

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<v Speaker 1>and Duncan Duncan and uh, you know Florest's and Santa

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<v Speaker 1>Barbara and like you said, was selling these things like

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<v Speaker 1>hotcakes enough that Duncan said, hey, let me buy that

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<v Speaker 1>I'm gonna keep the name yo yo because it's catchy.

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<v Speaker 1>I'm gonna trade market and now I own it. And uh.

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<v Speaker 1>Through the years he had competitors that made similar devices

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<v Speaker 1>with different names, and they were like, dude, everyone's calling

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<v Speaker 1>the sing of yo yo. We want to be able

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<v Speaker 1>to call it a yo yo two. And he said, no, no,

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<v Speaker 1>I own it. Then the federal courts in the nineteen

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<v Speaker 1>six five says, you know what, that's generic enough now

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<v Speaker 1>where you don't own it any longer. They're all yo yo's.

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<v Speaker 1>Well what these legal challenges to their trademark? The name

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<v Speaker 1>yo yo um was one of the things that bled

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<v Speaker 1>the company dry. It eventually went bankrupt. Duncan, the Duncan

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<v Speaker 1>Company went bankrupt in the same year they ruled yeah

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<v Speaker 1>against them. They were like, well, that's it for us,

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<v Speaker 1>But they also had other money troubles. They were they

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<v Speaker 1>were actually victims of their own success, the Duncan Company was.

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<v Speaker 1>So they moved in the forties to luck wiscon In,

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<v Speaker 1>which very quickly became known as the yo yo capital

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<v Speaker 1>of the world, and at their peak they were making

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<v Speaker 1>thirty six d yoyos an hour, mostly out of would

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<v Speaker 1>At first maple They're using a million board feet of

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<v Speaker 1>maple wood every year. Yeah. And they actually, in addition

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<v Speaker 1>to their legal challenges, like the money going to fight

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<v Speaker 1>their legal battles, um, they were paying tons of money

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<v Speaker 1>in overtime to advertising. Um. And as a matter of fact,

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<v Speaker 1>I think in nineteen sixty two, Chuck, they managed to

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<v Speaker 1>sell forty five million yo yos and in that same

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<v Speaker 1>year there were only forty million kids in the US.

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<v Speaker 1>That's pretty astounding. A chicken in every pot and a

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<v Speaker 1>yo yo and every exact other hand at sure, un,

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<v Speaker 1>I guess some kids were yo yo with both hands.

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<v Speaker 1>They're rich kids. Um. But like I said, they they

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<v Speaker 1>the company ended up going bankrupt anyway, but yo yo

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<v Speaker 1>enthusiasts still look very fondly on the Duncan name. And um,

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<v Speaker 1>I think June sixth, Yes, June sixth is National Yoyo Day,

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<v Speaker 1>which happens to be the same day as Donald Duncan's birthday. Yeah. Well,

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<v Speaker 1>and the Duncan name lives on. Obviously, you still see

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<v Speaker 1>Duncan yoyo's. They sold out, They didn't just shut down, well,

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<v Speaker 1>they went bankrupts and sold all right. Yeah, so who

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<v Speaker 1>was the flam flam Bail plastics company. They said, we'll

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<v Speaker 1>keep the name Duncan because it's synonymous with yoyos. It's

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<v Speaker 1>not generic yet. There's a little yoyo history for you.

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<v Speaker 1>I got a little more. I'm going to stay to

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<v Speaker 1>the end. I think you'll like. Okay, we didn't tease

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<v Speaker 1>you with it that. Let's talk about physics. Well, I

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<v Speaker 1>think this is very interesting. Good. So there's a two Okay.

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<v Speaker 1>You mentioned with the string tied to the classic Chinese

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<v Speaker 1>design yoyo, you have one kind of um energy going on, right, yes,

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<v Speaker 1>and that is linear momentum, the ability of it to

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<v Speaker 1>go up and down or I should say down and up. Right,

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<v Speaker 1>that's right with the Filipino design, the modern design and

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<v Speaker 1>has two kinds of potential energy. It has that same

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<v Speaker 1>linear momentum to go up and down, but it also

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<v Speaker 1>has angular momentum. And angular momentum is um its ability

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<v Speaker 1>to spin on an axle. Okay, so you've got two

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<v Speaker 1>things going on. And like you said, when the yo

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<v Speaker 1>yo hits the end of the line of its linear momentum,

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<v Speaker 1>it can still it's built up since it's wound around

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<v Speaker 1>the school. It's built up a lot of angular momentum,

0:12:34.520 --> 0:12:36.679
<v Speaker 1>so we can just sit there and spin or sleep

0:12:36.800 --> 0:12:40.400
<v Speaker 1>as you called it. It actually increases as it goes down,

0:12:41.000 --> 0:12:44.160
<v Speaker 1>which is the key to keeping it spinning right. It

0:12:44.160 --> 0:12:47.160
<v Speaker 1>gets faster as it falls. There's another pretty cool trait

0:12:47.240 --> 0:12:49.920
<v Speaker 1>to yoyo. Who knew they were so complex? I didn't?

0:12:50.880 --> 0:12:53.520
<v Speaker 1>Did you? I did not? Okay? So um. They also

0:12:53.600 --> 0:12:58.080
<v Speaker 1>have gyroscopic stability, chuck, they do, okay. So if you

0:12:58.200 --> 0:13:00.200
<v Speaker 1>if you have a yoyo that's sleeping and you witch

0:13:00.240 --> 0:13:02.680
<v Speaker 1>down on top of it, like it goes down and

0:13:02.679 --> 0:13:06.840
<v Speaker 1>then back up, that's because of its gyroscopic stability. That

0:13:06.960 --> 0:13:09.920
<v Speaker 1>point that you push down on the yo yo is

0:13:09.960 --> 0:13:12.840
<v Speaker 1>transferred from the front and spun around to the back.

0:13:13.040 --> 0:13:15.240
<v Speaker 1>So that's even now, So the yo yo just keep

0:13:15.240 --> 0:13:19.439
<v Speaker 1>spinning as long as it's spinning fast enough. Gyroscopic stability, yes,

0:13:19.679 --> 0:13:23.640
<v Speaker 1>that means a spinning object object will resist change to

0:13:23.720 --> 0:13:26.760
<v Speaker 1>its axis of rotation. And have you ever thrown a

0:13:26.800 --> 0:13:30.040
<v Speaker 1>football it's the same thing. Yeah, Or if you've ever

0:13:30.120 --> 0:13:34.439
<v Speaker 1>thrown a football poorly, what do they call that? Wibbler turkey,

0:13:34.480 --> 0:13:37.319
<v Speaker 1>wounded duck brick. That's why wounded duck doesn't go very

0:13:37.320 --> 0:13:40.440
<v Speaker 1>far because it doesn't have that tight spin, so it

0:13:40.559 --> 0:13:43.160
<v Speaker 1>falls off its axis and won't travel as far, the

0:13:43.200 --> 0:13:45.520
<v Speaker 1>same as a prison And then the whole team's man. Basically,

0:13:45.559 --> 0:13:50.200
<v Speaker 1>anything that spins frisbees, footballs, there's there's gotta be a baseball.

0:13:51.360 --> 0:13:53.280
<v Speaker 1>We could liken it to a baseball somehow. Let's say

0:13:53.280 --> 0:13:57.920
<v Speaker 1>a curveball, knuckleball slider. Definitely not a knuckleball slider than spin.

0:13:58.000 --> 0:14:02.239
<v Speaker 1>It all really like a shot put. No, the knuckleball.

0:14:02.360 --> 0:14:05.560
<v Speaker 1>You the whole key is it doesn't move. It travels

0:14:05.600 --> 0:14:11.840
<v Speaker 1>like this, and that's why it moves all around crazy. Um.

0:14:12.120 --> 0:14:15.280
<v Speaker 1>So you've got your you've got your yoyo sleeping. You're

0:14:15.320 --> 0:14:20.360
<v Speaker 1>you're totally aware of its gyroscopic stability um and you

0:14:20.440 --> 0:14:24.760
<v Speaker 1>understand that it's angular momentum is just awesome. It's far

0:14:24.800 --> 0:14:27.400
<v Speaker 1>out right, it's far out but you want to wake

0:14:27.440 --> 0:14:29.280
<v Speaker 1>it up. And that's when you bring it out of

0:14:29.320 --> 0:14:32.400
<v Speaker 1>its sleep and rewind it back up the spool. Right,

0:14:32.600 --> 0:14:34.680
<v Speaker 1>we'll tug on the old finger. Yeah, And the reason

0:14:34.760 --> 0:14:38.680
<v Speaker 1>why it's because the loop, right, there's less friction with

0:14:38.760 --> 0:14:42.080
<v Speaker 1>the loop around the axle. When you tug it, you

0:14:42.160 --> 0:14:45.040
<v Speaker 1>increase that friction and you allow it to rewind. It

0:14:45.120 --> 0:14:47.760
<v Speaker 1>just grabs ahold of its buddy and just let's go

0:14:47.840 --> 0:14:50.320
<v Speaker 1>back up to the palm. Yeah, it's pretty cool. Yeah.

0:14:50.600 --> 0:14:55.640
<v Speaker 1>I like yoyo physics a lot. So we basically just

0:14:55.640 --> 0:14:59.920
<v Speaker 1>talked about the two hardest parts, right, sleeping and waking. Yeah,

0:15:00.040 --> 0:15:02.960
<v Speaker 1>And like I said, sleeping is the key to do

0:15:03.040 --> 0:15:06.880
<v Speaker 1>any kind of trick like walking the dog, which I

0:15:06.920 --> 0:15:08.200
<v Speaker 1>was pretty good. I used to. Could do a few

0:15:08.320 --> 0:15:10.840
<v Speaker 1>Yeo tricks. Yeah, I could walk the dog, and I

0:15:10.880 --> 0:15:13.680
<v Speaker 1>could do uh, I could do the deal where you

0:15:13.680 --> 0:15:17.280
<v Speaker 1>you make a triangle and then TikTok through the triangle

0:15:17.560 --> 0:15:21.120
<v Speaker 1>something like a cradle or probably the cats and the cradle,

0:15:21.960 --> 0:15:23.920
<v Speaker 1>let's call a cat's cradle, and then I could I

0:15:23.920 --> 0:15:27.880
<v Speaker 1>could do the around the world. Wow, around the world. Yeah,

0:15:27.920 --> 0:15:30.080
<v Speaker 1>I couldn't do any of those. I'm gonna this inspired

0:15:30.120 --> 0:15:31.520
<v Speaker 1>me to get a new yo yo. By the way,

0:15:31.680 --> 0:15:34.960
<v Speaker 1>I like the vintage Duncan ones, specifically the yellow ones

0:15:35.000 --> 0:15:38.080
<v Speaker 1>with the butterfly, like the gold the gold butterfly, the

0:15:38.160 --> 0:15:44.560
<v Speaker 1>inverted ones, because they had those that were that looked

0:15:44.640 --> 0:15:48.600
<v Speaker 1>like a butterfly that were inverted, and I think that

0:15:48.680 --> 0:15:54.920
<v Speaker 1>actually plays apart and the uh increasing the moment of

0:15:54.920 --> 0:15:57.480
<v Speaker 1>inertia section. Yeah, I think that's why they flipped it

0:15:57.520 --> 0:15:59.920
<v Speaker 1>out to put more weight on the outside. Yeah, okay,

0:16:00.000 --> 0:16:01.920
<v Speaker 1>what you want to talk about that? So do you

0:16:01.920 --> 0:16:06.240
<v Speaker 1>remember when we did the Um Murphy's Law podcast? I could,

0:16:06.280 --> 0:16:08.200
<v Speaker 1>I forget remember one of the books that he wrote

0:16:08.240 --> 0:16:11.360
<v Speaker 1>was for Your Moments of Inertia. Yeah. Yeah. I didn't

0:16:11.360 --> 0:16:14.600
<v Speaker 1>realize it was a terrible, terrible engineering pun until I

0:16:14.680 --> 0:16:19.000
<v Speaker 1>read this article Paul staff a little bit. We love

0:16:19.040 --> 0:16:22.240
<v Speaker 1>that guy, so, Chuck. A moment of inertia is basically

0:16:23.040 --> 0:16:28.840
<v Speaker 1>a way of describing as spinning objects resistance two changes

0:16:28.880 --> 0:16:34.080
<v Speaker 1>in that rotation, basically um being slowed down right, Um.

0:16:34.120 --> 0:16:37.120
<v Speaker 1>And what what smarter people than us have figured out

0:16:37.160 --> 0:16:41.560
<v Speaker 1>is that if you increased the mass and distribute it

0:16:41.640 --> 0:16:45.960
<v Speaker 1>slightly further away from the axis, you're going to increase

0:16:46.000 --> 0:16:50.000
<v Speaker 1>its moment of inertia and that increases the amount of

0:16:50.000 --> 0:16:52.720
<v Speaker 1>time is just sleeping right. Yeah. And like I said,

0:16:52.800 --> 0:16:54.880
<v Speaker 1>I don't know this, but I just remember when I

0:16:54.920 --> 0:16:57.200
<v Speaker 1>was a kid, they had those inverted yo yos, and

0:16:57.440 --> 0:16:59.160
<v Speaker 1>I bet you anything that's why they did that. It's

0:16:59.200 --> 0:17:01.520
<v Speaker 1>got to be because were wider at the outside and

0:17:01.560 --> 0:17:05.560
<v Speaker 1>then curved in, which had to be less mass. Yeah,

0:17:05.600 --> 0:17:09.560
<v Speaker 1>it was less stuff. That's would So I'm gonna go

0:17:09.560 --> 0:17:11.439
<v Speaker 1>on record as saying that's why they did that. But

0:17:11.480 --> 0:17:16.200
<v Speaker 1>I think you want more mass further away to increase

0:17:16.240 --> 0:17:18.199
<v Speaker 1>its moment of in nurture. Right. Yeah, so it was

0:17:18.280 --> 0:17:20.880
<v Speaker 1>there was more mass on the outside further away from

0:17:20.880 --> 0:17:23.879
<v Speaker 1>the axis. Yeah, so that allows things to sleep a

0:17:24.200 --> 0:17:26.879
<v Speaker 1>lot longer. And um, that was a I guess you

0:17:26.920 --> 0:17:30.600
<v Speaker 1>could say one of the breakthroughs in yoyo design. I

0:17:30.640 --> 0:17:33.439
<v Speaker 1>think in the sixties they started adding mass to the

0:17:33.480 --> 0:17:37.440
<v Speaker 1>outside and um, extending the axle a little bit. Bam,

0:17:37.760 --> 0:17:42.560
<v Speaker 1>yoyo has been improved. Think about this, right, maybe even

0:17:42.600 --> 0:17:46.359
<v Speaker 1>longer than that. Years ago, somebody invented the yo yo

0:17:47.080 --> 0:17:51.400
<v Speaker 1>does not change until the Philippines in the early twentieth century.

0:17:51.560 --> 0:17:53.399
<v Speaker 1>Well I thought it said it did change, We just

0:17:53.400 --> 0:17:57.600
<v Speaker 1>don't know. Said there were changes in designs over the years. No,

0:17:58.040 --> 0:17:59.800
<v Speaker 1>not that I took. I took it like there was

0:18:00.040 --> 0:18:04.120
<v Speaker 1>one way and then there was the Filipino way and

0:18:04.160 --> 0:18:06.240
<v Speaker 1>that was it. We got a correction to make them

0:18:06.359 --> 0:18:08.520
<v Speaker 1>and then the twenty century hits and then there's all

0:18:08.560 --> 0:18:12.600
<v Speaker 1>these great improvements on these designs. Indeed, one of the

0:18:12.800 --> 0:18:17.600
<v Speaker 1>improvements Chuck was adding bald bearings. Right, yeah, well you

0:18:17.640 --> 0:18:19.720
<v Speaker 1>and I don't think these are improvements, or at least

0:18:19.760 --> 0:18:22.960
<v Speaker 1>I don't. Okay, that's absolutely true. That's a good caveat.

0:18:23.400 --> 0:18:27.160
<v Speaker 1>I think that the Filipinos perfected the yo yo. Let's

0:18:27.160 --> 0:18:30.320
<v Speaker 1>just call them modifications for sorry kids who don't know

0:18:30.320 --> 0:18:33.119
<v Speaker 1>how to yo yo rich kids. Yeah, that makes it easier,

0:18:33.160 --> 0:18:36.040
<v Speaker 1>I think. Didn't that the whole point of both of

0:18:36.040 --> 0:18:38.919
<v Speaker 1>these things. Yeah, I guess makes it easier to sleep.

0:18:38.960 --> 0:18:42.040
<v Speaker 1>And yeah, and I guess they're like, well, if you're

0:18:42.080 --> 0:18:45.280
<v Speaker 1>just enjoying sleeping and waking your yo yo, then why

0:18:45.359 --> 0:18:47.239
<v Speaker 1>make it tough if you want to have fun with

0:18:47.280 --> 0:18:51.800
<v Speaker 1>your toy. I can't believe they made it easier for

0:18:51.880 --> 0:18:55.439
<v Speaker 1>kids to have fun. So the bald bearing design I

0:18:55.480 --> 0:18:59.880
<v Speaker 1>think is kind of clever. Um. Basically, the this modified

0:19:00.000 --> 0:19:04.920
<v Speaker 1>asition takes the axle and splits it into into two races,

0:19:05.359 --> 0:19:08.879
<v Speaker 1>which are basically little courses for ball bearings to spin around.

0:19:09.200 --> 0:19:11.439
<v Speaker 1>Right now, does that split the axle? These are just

0:19:11.520 --> 0:19:15.000
<v Speaker 1>around the axle. So one is connected to the axle

0:19:15.960 --> 0:19:19.840
<v Speaker 1>that's the inter race, one is connected to the string

0:19:20.000 --> 0:19:21.680
<v Speaker 1>that's the outer race, and then in between the two

0:19:21.680 --> 0:19:27.080
<v Speaker 1>are ball bearings. They're not connected in any way, um

0:19:27.119 --> 0:19:30.720
<v Speaker 1>except maybe via the context with the ball bearings. So

0:19:30.800 --> 0:19:33.679
<v Speaker 1>when you when you release your yo yo towards the

0:19:33.680 --> 0:19:36.399
<v Speaker 1>ground and it's linear and angular momentum really build up.

0:19:37.000 --> 0:19:40.320
<v Speaker 1>When it hits the inter race can tilt a little

0:19:40.320 --> 0:19:44.080
<v Speaker 1>bit and um connect with the outer race via the

0:19:44.080 --> 0:19:48.240
<v Speaker 1>ball bearings. So they're they're spinning, right, and then as

0:19:48.280 --> 0:19:53.080
<v Speaker 1>they straighten out the um they they're they're not connected anymore,

0:19:53.400 --> 0:19:57.000
<v Speaker 1>so that the string no longer has any effect on

0:19:57.119 --> 0:19:59.879
<v Speaker 1>whether the yo yo spins or not, because it's just

0:20:00.080 --> 0:20:03.960
<v Speaker 1>the interrace connected to the axle that's spinning. So your

0:20:04.080 --> 0:20:07.320
<v Speaker 1>yo yo can sleep far, far longer. Yeah, the outer

0:20:07.400 --> 0:20:09.760
<v Speaker 1>race spens the interrace, which spens the axle. Right, it's

0:20:09.760 --> 0:20:12.119
<v Speaker 1>like a transfer of angular momentum exactly, and then the

0:20:12.160 --> 0:20:14.560
<v Speaker 1>strings just like you just let me know when you're done,

0:20:14.880 --> 0:20:17.480
<v Speaker 1>and we'll wind back up. Well, it'll get a little tuggle.

0:20:17.600 --> 0:20:21.199
<v Speaker 1>Do the same thing with that style, right, or you

0:20:21.240 --> 0:20:24.520
<v Speaker 1>can just completely take yourself out of the equation altogether

0:20:24.600 --> 0:20:27.400
<v Speaker 1>except for a snap of the risk. The initial release

0:20:27.880 --> 0:20:30.160
<v Speaker 1>is all you need to do with what's called the

0:20:30.280 --> 0:20:34.800
<v Speaker 1>yo yo with the brain. These are really fake yoyo's.

0:20:35.320 --> 0:20:36.600
<v Speaker 1>I want to get one though. It's kind of cool,

0:20:36.560 --> 0:20:38.520
<v Speaker 1>like you could be in a vegetative state and do

0:20:38.560 --> 0:20:41.399
<v Speaker 1>this yo yo. Yeah, this was in the nineties. Company

0:20:41.440 --> 0:20:45.080
<v Speaker 1>called Yomega release these and they called it the yo

0:20:45.160 --> 0:20:47.240
<v Speaker 1>Yo with the brain, when in fact they should have

0:20:47.240 --> 0:20:50.040
<v Speaker 1>called it the yo Yo with the clutch. And Uh.

0:20:50.760 --> 0:20:53.359
<v Speaker 1>The deal here is you've got these two clutch arms,

0:20:54.320 --> 0:20:57.440
<v Speaker 1>uh weighted ball on one side, and it's not attached

0:20:57.440 --> 0:21:00.920
<v Speaker 1>on the other side, and they're spring loaded. The spindle

0:21:01.200 --> 0:21:04.000
<v Speaker 1>is not attached to the axle, but the clutch arms

0:21:04.000 --> 0:21:06.600
<v Speaker 1>are attached to the spindle. So when you throw this

0:21:06.680 --> 0:21:10.119
<v Speaker 1>thing down, it's gonna spin slower at first than the

0:21:10.240 --> 0:21:13.320
<v Speaker 1>and the clutch is engaged. As it gets faster, all

0:21:13.320 --> 0:21:17.159
<v Speaker 1>of a sudden it's enough inertia to pop the clutch

0:21:17.280 --> 0:21:23.480
<v Speaker 1>essentially against the edges, and it releases the spindle, which

0:21:23.600 --> 0:21:26.919
<v Speaker 1>makes the whole thing spin faster. On the axis right,

0:21:26.960 --> 0:21:31.639
<v Speaker 1>the centrifugal force um pushes down the weight, which pushes

0:21:31.680 --> 0:21:34.720
<v Speaker 1>down the arm under the spring, which releases the two

0:21:34.960 --> 0:21:37.280
<v Speaker 1>which allows it to spin. And it only spends for

0:21:37.280 --> 0:21:39.000
<v Speaker 1>a certain amount of time. It's not like the kind

0:21:39.040 --> 0:21:41.679
<v Speaker 1>that you tug back up. It'll spin til it slows

0:21:41.720 --> 0:21:44.879
<v Speaker 1>down and then the clutch locks back down and boom

0:21:45.000 --> 0:21:47.080
<v Speaker 1>it shoots back up, right back up. I wanna, I

0:21:47.080 --> 0:21:48.600
<v Speaker 1>wanna wish we had one of those. I want to

0:21:48.640 --> 0:21:51.119
<v Speaker 1>see what it's like. So basically, the big to the

0:21:51.160 --> 0:21:54.840
<v Speaker 1>two modifications are based on separating the string from the

0:21:54.880 --> 0:21:59.040
<v Speaker 1>axle by by creating two different kinds of I guess

0:21:59.359 --> 0:22:02.200
<v Speaker 1>axles are mendles or whatever, which are really just sort

0:22:02.240 --> 0:22:07.119
<v Speaker 1>of taking the Philippine Filipino design a step further because

0:22:07.640 --> 0:22:10.159
<v Speaker 1>although it made contact with the axle, it wasn't quote

0:22:10.200 --> 0:22:12.399
<v Speaker 1>connected to the axle. Yeah, I guess it was, but

0:22:12.440 --> 0:22:15.439
<v Speaker 1>it wasn't tight. And a guy named Michael Caffrey is

0:22:15.480 --> 0:22:17.560
<v Speaker 1>the one who came up with the yo yo with

0:22:17.600 --> 0:22:20.639
<v Speaker 1>the brain Andy Omega started telling him in n but

0:22:20.680 --> 0:22:24.400
<v Speaker 1>he came up with in two years after a man

0:22:24.520 --> 0:22:28.040
<v Speaker 1>named Tom cun created the no jive three and one

0:22:28.119 --> 0:22:30.360
<v Speaker 1>yo yo that you could take a part and replace

0:22:30.400 --> 0:22:33.159
<v Speaker 1>the axle and do all sorts of modifications with no

0:22:33.320 --> 0:22:37.080
<v Speaker 1>really big big time for changes in yo yo design.

0:22:37.240 --> 0:22:38.719
<v Speaker 1>So did he rip this dude off? Is that what

0:22:38.760 --> 0:22:41.480
<v Speaker 1>you're saying? Okay, No, I'm just saying, like the two

0:22:41.600 --> 0:22:46.200
<v Speaker 1>these two big steps in umsign he said two years

0:22:46.320 --> 0:22:49.600
<v Speaker 1>after it was sinister. Well, you're a very suspicious person

0:22:49.680 --> 0:22:53.400
<v Speaker 1>I am when it comes to yo yo design. Um, chuck,

0:22:53.480 --> 0:22:56.720
<v Speaker 1>that's pretty much the physics of yo yos. Did you

0:22:56.760 --> 0:22:59.800
<v Speaker 1>know that we just explained how yo yo's work. You know,

0:22:59.880 --> 0:23:03.199
<v Speaker 1>I looked online at videos and stuff to make it

0:23:03.240 --> 0:23:06.080
<v Speaker 1>a little easier, because this is a very visual thing,

0:23:06.280 --> 0:23:09.040
<v Speaker 1>and they do have videos. But what I found out

0:23:09.080 --> 0:23:12.719
<v Speaker 1>is that a lot of teachers, physics teachers, use yo

0:23:12.840 --> 0:23:17.000
<v Speaker 1>yo's to describe these whatever four to six properties that

0:23:17.040 --> 0:23:19.440
<v Speaker 1>we described. I have to tell you, I understand angular

0:23:19.480 --> 0:23:23.040
<v Speaker 1>momentum far better now. I understand and although it went

0:23:23.040 --> 0:23:26.200
<v Speaker 1>through the yo yos, through the football, I understand the

0:23:26.280 --> 0:23:30.639
<v Speaker 1>moment of inertia. Okay, all wait is that moment of inertia? No,

0:23:30.800 --> 0:23:34.439
<v Speaker 1>that's angular momentum, angular moments spinning on an axis. Yeah, oh,

0:23:34.480 --> 0:23:37.720
<v Speaker 1>you're talking about the gyroscopic stability. That's what it was. See,

0:23:37.800 --> 0:23:40.280
<v Speaker 1>I get confused. I need to chuck. It's physics, man,

0:23:40.320 --> 0:23:42.920
<v Speaker 1>don't feel bad. Um, you want to know a couple

0:23:42.960 --> 0:23:47.359
<v Speaker 1>more pieces of yo yo trivia? Yeah. In one, Abby

0:23:47.440 --> 0:23:54.040
<v Speaker 1>Hoffman of the Chicago seven was um indicted uh or no,

0:23:54.240 --> 0:23:58.520
<v Speaker 1>charged with contempt of Congress when he um started doing

0:23:58.560 --> 0:24:01.680
<v Speaker 1>the walk the dog. Uh and during a House on

0:24:01.760 --> 0:24:06.639
<v Speaker 1>American Activities Committee session that was investigating him. So he

0:24:06.760 --> 0:24:10.040
<v Speaker 1>was like, I'm just so over this, I'm gonna yoyo. Well, apparently,

0:24:10.160 --> 0:24:11.680
<v Speaker 1>the way I read it is that he was trying

0:24:11.720 --> 0:24:15.040
<v Speaker 1>to entertain, lighting everything up. It's like, here, watch me yoyo,

0:24:15.080 --> 0:24:19.840
<v Speaker 1>and he was walking the dog and the sid. So

0:24:19.960 --> 0:24:23.800
<v Speaker 1>that's how yoyo's are connected to McCarthy is m if

0:24:23.800 --> 0:24:26.040
<v Speaker 1>you want to take an S Y S K quiz

0:24:26.080 --> 0:24:28.160
<v Speaker 1>and that comes up. Plus, yoyos were huge back then.

0:24:29.240 --> 0:24:32.240
<v Speaker 1>That was like the heyday. I think it was the sixties. Yeah, um, Nixon,

0:24:32.280 --> 0:24:35.080
<v Speaker 1>have you seen Nixon try to yo yo? Man? If

0:24:35.080 --> 0:24:37.480
<v Speaker 1>you don't like Nixon, this will just make you hate

0:24:37.520 --> 0:24:40.560
<v Speaker 1>him even more. The night that they opened the Grand

0:24:40.600 --> 0:24:44.480
<v Speaker 1>Old Opry and I think sometime in nineteen four, Um,

0:24:44.520 --> 0:24:47.120
<v Speaker 1>what's the main guy, like the whole cast of hehaus

0:24:47.160 --> 0:24:50.840
<v Speaker 1>behind Nixon and then the main roy acoff. He presents

0:24:50.960 --> 0:24:53.119
<v Speaker 1>Nixon with a yoyo and like has to put it

0:24:53.200 --> 0:24:56.040
<v Speaker 1>on Nixon's finger and Nixon looks like what's going on?

0:24:56.200 --> 0:24:58.479
<v Speaker 1>You know? And um, and then he tries to do

0:24:58.520 --> 0:25:00.760
<v Speaker 1>it once and it just kind of like lops down

0:25:00.920 --> 0:25:04.080
<v Speaker 1>and makes like a sad trombone noise, and he just

0:25:04.119 --> 0:25:06.280
<v Speaker 1>has this sullen like look on his face, like I

0:25:06.320 --> 0:25:09.760
<v Speaker 1>don't like yo Yo's He looks kind of like you did.

0:25:09.840 --> 0:25:14.440
<v Speaker 1>At the beginning of this episode, me and Tricky did um.

0:25:14.480 --> 0:25:17.520
<v Speaker 1>And then they took a yo yo in space Chuck, Yeah,

0:25:17.560 --> 0:25:21.720
<v Speaker 1>I saw that and it still work. It did work.

0:25:21.760 --> 0:25:25.080
<v Speaker 1>They found that like letting it drop did nothing because

0:25:25.080 --> 0:25:28.560
<v Speaker 1>they were testing it in microgravity. But if um, it

0:25:28.600 --> 0:25:31.399
<v Speaker 1>will it will go slowly. You can, you can do

0:25:31.440 --> 0:25:34.200
<v Speaker 1>it slowly, but it will still spin. Um. And it

0:25:34.400 --> 0:25:38.360
<v Speaker 1>moves kind of um, just kind of gracefully along the

0:25:38.440 --> 0:25:42.639
<v Speaker 1>string like in just mid air horizontally and um, but

0:25:42.680 --> 0:25:46.360
<v Speaker 1>it will never sleep. Well, thank god NASA did that.

0:25:48.600 --> 0:25:50.080
<v Speaker 1>Those are all the videos you see that. They do

0:25:50.320 --> 0:25:52.399
<v Speaker 1>much more than that. That was back when NASA was like,

0:25:52.520 --> 0:25:55.280
<v Speaker 1>we have so much money, we don't know what to do.

0:25:56.040 --> 0:25:59.880
<v Speaker 1>Let's launch something and let's say the Toys and Space Project, right,

0:26:00.240 --> 0:26:02.200
<v Speaker 1>and they did. Now, this was just where yo yos.

0:26:02.440 --> 0:26:04.280
<v Speaker 1>That was the only thing they did on that flight. Well, no,

0:26:04.359 --> 0:26:07.240
<v Speaker 1>the Toys and Space Project in company or encompassed to

0:26:07.560 --> 0:26:11.480
<v Speaker 1>sixty Shuttle missions one for each toy that they tested out.

0:26:12.920 --> 0:26:16.000
<v Speaker 1>Jack's was one of the best ones, the Belo paddle.

0:26:16.880 --> 0:26:19.840
<v Speaker 1>So that's uh, that's Yo yos. Frankly, I'm pretty happy

0:26:19.880 --> 0:26:21.480
<v Speaker 1>with this one. I thought you were going to lead

0:26:21.520 --> 0:26:25.040
<v Speaker 1>in with something on Yo yo Ma. No man, try

0:26:25.080 --> 0:26:27.000
<v Speaker 1>to look up Yo Yo's in the news and not

0:26:27.240 --> 0:26:31.159
<v Speaker 1>at Yo yo Ma. Cheez, can't do it, stupid. I

0:26:31.320 --> 0:26:38.119
<v Speaker 1>searched yo yo minus ma minus knee minus gabba to

0:26:38.240 --> 0:26:42.800
<v Speaker 1>finally get some stuff out. Oh what was the other

0:26:42.800 --> 0:26:47.919
<v Speaker 1>one here, Mama neo yo MTV raps that came up

0:26:47.960 --> 0:26:51.760
<v Speaker 1>to did it? Yeah? I stopped searching before I minus

0:26:52.040 --> 0:26:55.479
<v Speaker 1>MTV two. You know you could minus, I was, yeah,

0:26:55.560 --> 0:26:58.080
<v Speaker 1>and it'll it'll route out all the search, all this,

0:26:58.359 --> 0:27:01.040
<v Speaker 1>all the results that have that. Really, so you just

0:27:01.080 --> 0:27:03.320
<v Speaker 1>put the minus sign minus and then the next letter.

0:27:03.440 --> 0:27:05.480
<v Speaker 1>No space, had no idea, and you can do a

0:27:05.560 --> 0:27:08.199
<v Speaker 1>bunch of different ones, no commas, no nothing, just like

0:27:08.280 --> 0:27:12.840
<v Speaker 1>minus gabba minus yo minus mom minus knee. You literally

0:27:12.880 --> 0:27:18.040
<v Speaker 1>just improved my life. Oh good, or my research for

0:27:18.119 --> 0:27:21.159
<v Speaker 1>like eight times to day. Yeah, all right, well that's it,

0:27:21.640 --> 0:27:24.320
<v Speaker 1>all right, yo Yo's. I was in a jewelry store

0:27:24.400 --> 0:27:28.040
<v Speaker 1>once and Neo came in it seemed nice. Who's Neo?

0:27:28.600 --> 0:27:31.160
<v Speaker 1>He's this rapper. He's from Atlanta. I thought you're talking

0:27:31.160 --> 0:27:36.800
<v Speaker 1>about the matrix. No, that's like Neo. This is Knee Yo.

0:27:37.400 --> 0:27:41.159
<v Speaker 1>Oh yeah, I part of him. Yeah. Well, if you

0:27:41.160 --> 0:27:44.280
<v Speaker 1>want to learn more about Yo Yo's including some really

0:27:44.560 --> 0:27:47.560
<v Speaker 1>top notch illustrations, this is one of those ones that

0:27:47.640 --> 0:27:54.399
<v Speaker 1>you will see why we have staff illustrators here in color. No. Um,

0:27:54.560 --> 0:27:56.480
<v Speaker 1>you want to type in Yo Yo at the in

0:27:56.560 --> 0:27:58.520
<v Speaker 1>the handy search bar how stuff works dot Com, that

0:27:58.560 --> 0:28:00.919
<v Speaker 1>will bring up that really cool article. Um And I

0:28:00.960 --> 0:28:04.200
<v Speaker 1>said handy search bar. So now it's time for Chuck

0:28:04.240 --> 0:28:10.440
<v Speaker 1>to shine with another edition of Listener Mail. Uh, Josh,

0:28:10.480 --> 0:28:14.320
<v Speaker 1>this is uh one of our oldest than not by age,

0:28:14.480 --> 0:28:17.199
<v Speaker 1>but one of our most loyal fans and its spies.

0:28:18.000 --> 0:28:20.600
<v Speaker 1>She has a band and they put together. Uh well,

0:28:20.680 --> 0:28:22.639
<v Speaker 1>let me just read it. This is coming out shortly

0:28:22.640 --> 0:28:24.879
<v Speaker 1>after Christmas, and she said it was still great to

0:28:24.880 --> 0:28:28.879
<v Speaker 1>read this. Hi, guys and Jerry. Since we're firmly in

0:28:28.880 --> 0:28:32.479
<v Speaker 1>the festive, greedy little griff of the holiday season, I

0:28:32.560 --> 0:28:34.040
<v Speaker 1>was wondering if you could give a shout out to

0:28:34.040 --> 0:28:36.680
<v Speaker 1>a project I'm involved in or my band is at least.

0:28:36.960 --> 0:28:39.200
<v Speaker 1>It's a charity album to raise funds for the continued

0:28:39.240 --> 0:28:43.120
<v Speaker 1>fallout from the Japanese earthquake and nuclear disaster and the

0:28:43.200 --> 0:28:45.760
<v Speaker 1>light of everything that's happened since, and it's been put

0:28:45.800 --> 0:28:49.280
<v Speaker 1>on the backbrunner of most people's charitable contributions, which is

0:28:49.280 --> 0:28:52.000
<v Speaker 1>why we were thrilled and honored to our part to

0:28:52.240 --> 0:28:56.520
<v Speaker 1>re raise awareness when the label releasing this compilation approached

0:28:56.560 --> 0:28:59.200
<v Speaker 1>us to contribute a track. So you know, she's right.

0:28:59.640 --> 0:29:02.240
<v Speaker 1>You hear about these tragedies appen, and then six months

0:29:02.280 --> 0:29:04.880
<v Speaker 1>later you kind of forget about it. It's the curse

0:29:04.960 --> 0:29:07.719
<v Speaker 1>of the news cycle exactly. But luckily there's a lot

0:29:07.760 --> 0:29:10.360
<v Speaker 1>of people that, uh, my friend Dave is one of

0:29:10.400 --> 0:29:13.280
<v Speaker 1>them that's still working, like on the tsunami from five

0:29:13.360 --> 0:29:17.480
<v Speaker 1>or six years ago, so continued help is always needed. Uh,

0:29:17.600 --> 0:29:20.480
<v Speaker 1>there's a CD. It's gonna be out in mid December,

0:29:21.480 --> 0:29:23.440
<v Speaker 1>so by this by the time this comes out, it'll

0:29:23.480 --> 0:29:26.760
<v Speaker 1>already be out. You can stream the entire album, which

0:29:26.800 --> 0:29:30.080
<v Speaker 1>is thirty seven tracks by thirty seven artists on the

0:29:30.080 --> 0:29:35.040
<v Speaker 1>website More Hope for Japan dot Com and her band

0:29:35.320 --> 0:29:38.640
<v Speaker 1>New Century Classics wrote and recorded a brand new song

0:29:38.720 --> 0:29:40.880
<v Speaker 1>just for this compilation and she's quite proud of it,

0:29:41.080 --> 0:29:42.680
<v Speaker 1>and I haven't had a chance to listen to it yet,

0:29:42.680 --> 0:29:44.960
<v Speaker 1>but I'm gonna. And she says there's a lot of

0:29:45.000 --> 0:29:48.200
<v Speaker 1>far better known artists on there. Uh and anyone who

0:29:48.200 --> 0:29:53.360
<v Speaker 1>likes instrumental music, post rock, ambient and basically pretty melodic

0:29:53.400 --> 0:29:56.840
<v Speaker 1>guitar based and should dig it. So check it out.

0:29:56.880 --> 0:30:00.920
<v Speaker 1>That's Anna's uh Anna's band, New Century Classics, More Hope

0:30:00.960 --> 0:30:03.560
<v Speaker 1>for Japan dot com. Very cool, Thanks a lot and

0:30:03.520 --> 0:30:06.440
<v Speaker 1>appreciate that. Thanks for letting us know, thanks for doing

0:30:06.440 --> 0:30:08.760
<v Speaker 1>what you do, and thanks for listening for like years,

0:30:08.760 --> 0:30:11.600
<v Speaker 1>She's been around forever. Yeah. Yeah, I guess if you're

0:30:11.640 --> 0:30:14.200
<v Speaker 1>working on something that you feel like everybody's forgotten and

0:30:14.240 --> 0:30:16.480
<v Speaker 1>shouldn't have, let us know and we'll try to help

0:30:16.520 --> 0:30:20.120
<v Speaker 1>your re raise awareness too. Yeah. Send us a tweet

0:30:20.480 --> 0:30:24.040
<v Speaker 1>to s y s K podcast or you can shoot

0:30:24.080 --> 0:30:27.720
<v Speaker 1>us Facebook something uh Facebook dot com slash stuff you

0:30:27.760 --> 0:30:31.000
<v Speaker 1>should know and as always, you can get really personal

0:30:31.320 --> 0:30:35.360
<v Speaker 1>and send us an email a real live email to

0:30:36.080 --> 0:30:43.520
<v Speaker 1>stuff podcast at how stuff works dot com for moral

0:30:43.640 --> 0:30:45.680
<v Speaker 1>this and thousands of other topics. VI is it how

0:30:45.720 --> 0:30:48.360
<v Speaker 1>stuff works dot com. To learn more about the podcast,

0:30:48.560 --> 0:30:51.080
<v Speaker 1>click on the podcast icon in the upper right corner

0:30:51.120 --> 0:30:54.160
<v Speaker 1>of our homepage. The House Stuff Works iPhone app has

0:30:54.280 --> 0:31:00.320
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0:31:00.320 --> 0:31:04.040
<v Speaker 1>the reinvented two thousand twelve cameray. It's ready, are you