1 00:00:00,480 --> 00:00:03,400 Speaker 1: Ridiculous crime. It's a production of iHeartRadio. 2 00:00:03,600 --> 00:00:07,560 Speaker 2: And Hey, Elizabeth Saron, how are you doing? 3 00:00:07,680 --> 00:00:08,760 Speaker 3: I'm well, how are you? 4 00:00:08,760 --> 00:00:10,800 Speaker 2: You look? Well? You look really well rested. 5 00:00:10,960 --> 00:00:11,280 Speaker 3: Thank you. 6 00:00:11,760 --> 00:00:12,760 Speaker 2: You have a glow to you. 7 00:00:12,840 --> 00:00:13,319 Speaker 3: So do you? 8 00:00:13,680 --> 00:00:15,960 Speaker 2: Thank you? I'm I'm feeling like a pregnant woman. I 9 00:00:16,000 --> 00:00:16,639 Speaker 2: got a glow to me. 10 00:00:16,760 --> 00:00:17,720 Speaker 3: You look fantastic. 11 00:00:17,760 --> 00:00:20,360 Speaker 2: Thank you. I got a question for you another one 12 00:00:20,440 --> 00:00:22,640 Speaker 2: second one. Actually I haven't asked you one yet, so 13 00:00:22,680 --> 00:00:24,799 Speaker 2: I guess this is my first question. I like strike 14 00:00:24,840 --> 00:00:28,160 Speaker 2: that from the record. The question is this, do you 15 00:00:28,160 --> 00:00:29,040 Speaker 2: know what's ridiculous? 16 00:00:29,160 --> 00:00:33,400 Speaker 3: I do. I do know what's ridiculous. I want to 17 00:00:33,479 --> 00:00:37,640 Speaker 3: just establish something first though, that we have maybe not 18 00:00:37,840 --> 00:00:40,040 Speaker 3: all that. We don't like all the same things. 19 00:00:40,320 --> 00:00:40,840 Speaker 2: You and I. 20 00:00:41,360 --> 00:00:43,320 Speaker 3: Yeah, but they compliment each other. 21 00:00:43,640 --> 00:00:44,479 Speaker 2: I would agree with that. 22 00:00:45,120 --> 00:00:52,280 Speaker 3: You like Josh allenback and you like Snickers bars. 23 00:00:52,360 --> 00:00:53,720 Speaker 2: I love Snickers bars. 24 00:00:53,560 --> 00:00:58,600 Speaker 3: And I like sauces. Stop it go on. 25 00:00:58,760 --> 00:01:00,000 Speaker 2: No, I'm gonna have an open mind. 26 00:01:00,160 --> 00:01:07,759 Speaker 3: Well, open up because Snickers is teaming up with Josh Allen. 27 00:01:07,920 --> 00:01:10,080 Speaker 2: Okay, that's not bad as a mashup. 28 00:01:09,760 --> 00:01:14,800 Speaker 3: To make sauces. I know, I really was. So there 29 00:01:14,800 --> 00:01:17,720 Speaker 3: are these dipping sauces barbecue. 30 00:01:17,120 --> 00:01:18,360 Speaker 2: Sauces for Snickers. 31 00:01:18,520 --> 00:01:20,280 Speaker 3: Yeah, for Snickers. So there are three flavors. 32 00:01:20,360 --> 00:01:21,560 Speaker 2: I dip my Snickers in this. 33 00:01:21,760 --> 00:01:28,080 Speaker 3: Snickers caramel or caramel Buffalo sauce. So Parade Magazine, which 34 00:01:28,120 --> 00:01:31,480 Speaker 3: is my favorite source, says a sweet and spicy buffalo 35 00:01:31,560 --> 00:01:36,120 Speaker 3: wing style sauce with cayenne level heat and a vinegary sharpness, 36 00:01:36,520 --> 00:01:39,600 Speaker 3: versatile enough to be used on chicken, pizza, baked potatoes, 37 00:01:39,680 --> 00:01:40,280 Speaker 3: et cetera. 38 00:01:40,400 --> 00:01:41,920 Speaker 2: Okay, I was about ask is this for my chicken 39 00:01:42,040 --> 00:01:42,759 Speaker 2: or for my Snickers? 40 00:01:42,880 --> 00:01:50,040 Speaker 3: It's for your chicken. Then there's Snickers chocolate barbecue sauce thick, Yeah, 41 00:01:50,040 --> 00:01:52,640 Speaker 3: I would hope. So, a thick chocolate based sauce with 42 00:01:52,720 --> 00:01:57,040 Speaker 3: a complex barbecue flavor profile and end notes of cocoa. 43 00:01:57,560 --> 00:02:00,320 Speaker 3: The most interesting of the bunch would probably pair well 44 00:02:00,360 --> 00:02:05,040 Speaker 3: with brisket. And then the last of the triplets Snickers 45 00:02:05,200 --> 00:02:10,040 Speaker 3: peanut teriake sauce, a creamy and nutty sauce similar to 46 00:02:10,080 --> 00:02:15,800 Speaker 3: setee with chunks of Snickers peanuts. Recommended pairings include chicken, 47 00:02:15,880 --> 00:02:19,760 Speaker 3: rice noodles or crisp and cold crispy and cold lettuce. 48 00:02:21,120 --> 00:02:23,960 Speaker 3: Just pour it on the lettuce. Apparently there's an issue 49 00:02:23,960 --> 00:02:27,200 Speaker 3: where the holes in the in the containers are too small, 50 00:02:27,240 --> 00:02:30,000 Speaker 3: and it gets all jammed up with the peanuts in 51 00:02:30,080 --> 00:02:35,280 Speaker 3: the taste trials for Parade Magazine. Oh, they scooped it 52 00:02:35,280 --> 00:02:37,200 Speaker 3: out with a knife. Now here's the thing. I know 53 00:02:37,240 --> 00:02:39,280 Speaker 3: you want some, Sarah. You can't go to the store 54 00:02:39,320 --> 00:02:44,360 Speaker 3: and get them. It's part of a special promotion. You 55 00:02:44,440 --> 00:02:47,840 Speaker 3: get it for free if you purchase a package of 56 00:02:47,880 --> 00:02:52,519 Speaker 3: Snickers Minis from them during the halftime of the one 57 00:02:52,720 --> 00:02:58,160 Speaker 3: pm Eastern NFL games on Sundays in September. 58 00:02:59,639 --> 00:03:01,720 Speaker 2: And why do you do this to me and my football? 59 00:03:01,720 --> 00:03:03,440 Speaker 3: Well, it looks I was gonna sign you up for 60 00:03:03,520 --> 00:03:08,320 Speaker 3: some of course, but it's it's very confusing to me. 61 00:03:08,440 --> 00:03:11,160 Speaker 3: I have a small god, and I know you get 62 00:03:11,160 --> 00:03:16,280 Speaker 3: irritated with me. No, I know the mashups. I don't 63 00:03:16,280 --> 00:03:19,040 Speaker 3: get mad at me, get mad at Mandy Hodge because 64 00:03:19,080 --> 00:03:20,840 Speaker 3: Mandy Hodge sent this to us. 65 00:03:20,680 --> 00:03:22,040 Speaker 2: And did this to me. 66 00:03:22,240 --> 00:03:23,680 Speaker 3: Uh huh. 67 00:03:24,400 --> 00:03:25,359 Speaker 2: I forgive you, man. 68 00:03:25,360 --> 00:03:27,919 Speaker 3: I am, but the messengers Aaron. This is all out 69 00:03:27,919 --> 00:03:30,120 Speaker 3: in the universe, and I just want you to know I. 70 00:03:30,080 --> 00:03:32,280 Speaker 2: Got nothing but love for you. Mandy. I forgive you 71 00:03:32,320 --> 00:03:37,080 Speaker 2: for this, this micro aggression, but not me, No, not you. 72 00:03:37,520 --> 00:03:40,160 Speaker 2: I got to kill the messenger, right. The saying goes 73 00:03:41,400 --> 00:03:43,680 Speaker 2: it don't kill the messenger, whatever it says. 74 00:03:43,520 --> 00:03:44,320 Speaker 3: Kill Elizabeth. 75 00:03:45,440 --> 00:03:48,040 Speaker 2: Wow, wait, way to really just start this one off? 76 00:03:48,120 --> 00:03:52,200 Speaker 2: Nick Hay football season to me, huh right, Well, Lisabe, 77 00:03:52,240 --> 00:03:53,600 Speaker 2: I got a question for you, and this is a 78 00:03:53,640 --> 00:03:54,360 Speaker 2: fun question. 79 00:03:54,560 --> 00:03:55,280 Speaker 3: I like fun. 80 00:03:56,120 --> 00:03:58,200 Speaker 2: Well, it's actually not a question. I lied to you, 81 00:03:58,240 --> 00:03:58,880 Speaker 2: it's a statement. 82 00:03:59,000 --> 00:03:59,360 Speaker 3: Okay. 83 00:03:59,480 --> 00:04:01,640 Speaker 2: You know there are a number of famous acid trips 84 00:04:01,640 --> 00:04:05,160 Speaker 2: that change the world. Sure there, Well a few of 85 00:04:05,160 --> 00:04:07,360 Speaker 2: them are the stories I want to tell you today. 86 00:04:07,480 --> 00:04:08,560 Speaker 3: I love it. 87 00:04:28,120 --> 00:04:33,880 Speaker 2: This is Ridiculous Crime, a podcast about absurd and outrageous capers, heists, 88 00:04:34,040 --> 00:04:39,320 Speaker 2: and cons. It's always ninety nine percent murder free and 89 00:04:39,440 --> 00:04:45,480 Speaker 2: one hundred percent ridiculous. Yes, Elizabeth, I know, I know. 90 00:04:45,960 --> 00:04:48,400 Speaker 2: I've told you a few drug based stories on this show. 91 00:04:49,080 --> 00:04:53,440 Speaker 2: Usually it's about cocayene because cocayene often leads to drug 92 00:04:53,520 --> 00:04:55,200 Speaker 2: capers and ridiculous crimes. 93 00:04:55,320 --> 00:04:55,920 Speaker 3: Not of crime. 94 00:04:56,080 --> 00:04:58,400 Speaker 2: Today, I have something I think I've only talked about once, 95 00:04:58,640 --> 00:05:02,840 Speaker 2: which is acid aka a LSD. Okay, At the moment, 96 00:05:03,360 --> 00:05:06,560 Speaker 2: magic mushrooms and LSD are kind of having well a 97 00:05:06,640 --> 00:05:11,560 Speaker 2: moment because they're being reconsidered for their therapeutic benefits right 98 00:05:11,279 --> 00:05:14,400 Speaker 2: right right in the Silicon Valley. Microdosing is a buzzword. 99 00:05:14,880 --> 00:05:17,240 Speaker 2: And when it comes to LSD, if you can believe it, 100 00:05:17,680 --> 00:05:21,640 Speaker 2: the current FDA has, according to the Associated Press quote 101 00:05:21,920 --> 00:05:27,279 Speaker 2: designated psilocybin MDMA. And now LSD has potential breakthrough therapies. 102 00:05:27,560 --> 00:05:30,000 Speaker 3: That's what I understand that it is with the proper 103 00:05:30,520 --> 00:05:35,400 Speaker 3: associative therapies and you know condition guide, Yeah, for stuff 104 00:05:35,400 --> 00:05:37,000 Speaker 3: like PTSD and anxiety. 105 00:05:37,400 --> 00:05:39,360 Speaker 2: That's a hell of an about face. When it comes 106 00:05:39,360 --> 00:05:42,400 Speaker 2: to psychedelics, yeah, yeah, that said. As you well know, 107 00:05:42,680 --> 00:05:45,200 Speaker 2: doing acid is still illegal, Yes it is. It's a 108 00:05:45,279 --> 00:05:48,160 Speaker 2: federal crime actually, and as I checked on the Department 109 00:05:48,240 --> 00:05:51,440 Speaker 2: of Justice website, they are only too happy to inform 110 00:05:51,480 --> 00:05:54,799 Speaker 2: you the quote LSD is illegal. LSD is a Schedule 111 00:05:54,800 --> 00:05:59,880 Speaker 2: one substance under the Controlled Substances Act, which means in California, 112 00:06:00,000 --> 00:06:03,280 Speaker 2: where we live, where a Silicon Valley is, LSD is 113 00:06:03,320 --> 00:06:06,159 Speaker 2: still one hundred percent illegal. Now, if you were caught 114 00:06:06,160 --> 00:06:08,440 Speaker 2: with LSD in California, and I mean LSD that's not 115 00:06:08,520 --> 00:06:10,400 Speaker 2: for sale, I mean you have some LSD on your 116 00:06:10,400 --> 00:06:13,359 Speaker 2: person or perhaps in your bloodstream, the penalties are a 117 00:06:13,440 --> 00:06:16,479 Speaker 2: possible misdemeanor. Yeah, but if you are convicted by a 118 00:06:16,560 --> 00:06:19,560 Speaker 2: judge for possessing a small amount of LSD, the punishment 119 00:06:19,600 --> 00:06:21,839 Speaker 2: can result in up to one year in a county 120 00:06:21,920 --> 00:06:24,880 Speaker 2: jail cell, along with a seventy dollars fine. 121 00:06:25,080 --> 00:06:27,880 Speaker 3: Should I should I call a tip line? No, you 122 00:06:27,920 --> 00:06:31,840 Speaker 3: should not call a pard like Palo alto go to. 123 00:06:31,839 --> 00:06:36,040 Speaker 2: Facebook's meta headquarters. Now, obviously this varies from state to state. 124 00:06:36,200 --> 00:06:38,479 Speaker 2: If you're caught with acid on federal lands, like say 125 00:06:38,480 --> 00:06:42,000 Speaker 2: a national park, then you can face federal penalties. For instance, 126 00:06:42,000 --> 00:06:45,000 Speaker 2: for your first defense, the punishment is quote a fine 127 00:06:45,000 --> 00:06:47,400 Speaker 2: of at least one thousand dollars in a prison sentence 128 00:06:47,440 --> 00:06:50,360 Speaker 2: of up to one year. If it's your second federal 129 00:06:50,440 --> 00:06:52,520 Speaker 2: charge for acid, it's quote a fine of at least 130 00:06:52,520 --> 00:06:55,520 Speaker 2: two five hundred dollars and fifteen days to two years 131 00:06:55,560 --> 00:06:58,560 Speaker 2: in prison. And if it's your third strike, you're looking 132 00:06:58,600 --> 00:07:00,880 Speaker 2: at quote a fine of at least five thousand dollars 133 00:07:00,960 --> 00:07:03,160 Speaker 2: ninety days to three years in prison. 134 00:07:03,279 --> 00:07:06,600 Speaker 3: Doesn't it seem like a waste of time and resources? 135 00:07:06,760 --> 00:07:08,719 Speaker 2: Yeah? You don't, Yeah, you're asking me, Yes. 136 00:07:09,560 --> 00:07:12,360 Speaker 3: Honestly, I mean, if you're dropping acid in like a 137 00:07:12,520 --> 00:07:15,040 Speaker 3: for a national forest, who cares. 138 00:07:15,760 --> 00:07:17,320 Speaker 2: You know, my rule and stuff is if you aren't 139 00:07:17,320 --> 00:07:20,720 Speaker 2: harming anybody, shouldn't be a crime, and that they argue 140 00:07:20,720 --> 00:07:23,400 Speaker 2: that you're harming yourself and therefore we have to set 141 00:07:23,440 --> 00:07:24,960 Speaker 2: you know, protect you from yourself. 142 00:07:25,040 --> 00:07:27,120 Speaker 3: Yeah, and you can buy as much alcohol as you want. 143 00:07:27,280 --> 00:07:30,280 Speaker 2: Well, you know they don't have strong lobbyists for LSD 144 00:07:31,600 --> 00:07:34,600 Speaker 2: until now, until I get on the state, Like I'll. 145 00:07:34,400 --> 00:07:38,440 Speaker 3: Be the lobbyist who's never taken LSD and loby forre it. 146 00:07:38,640 --> 00:07:41,600 Speaker 2: Well, yeah, that'd be a good one. Yeah, Like as 147 00:07:41,640 --> 00:07:44,800 Speaker 2: a straight I want to tell you now you may 148 00:07:44,840 --> 00:07:47,400 Speaker 2: be wondering, Zaren, if there's a possibility of going to 149 00:07:47,440 --> 00:07:49,640 Speaker 2: state or federal prison for a year or more just 150 00:07:49,680 --> 00:07:52,320 Speaker 2: for possessing acid, why would anyone risk it? 151 00:07:52,960 --> 00:07:54,080 Speaker 3: Why would anyone risk it? 152 00:07:54,160 --> 00:07:56,840 Speaker 2: Good question, Elizabeth, Thank you, And because as I can 153 00:07:56,880 --> 00:08:00,680 Speaker 2: tell you firsthand, LSD can be incredible. Equally, it also 154 00:08:00,760 --> 00:08:04,480 Speaker 2: can be a brutal bad trip, an everlasting nightmare for 155 00:08:04,520 --> 00:08:07,680 Speaker 2: like six to eight hours or more. And Elizabeth, you 156 00:08:07,720 --> 00:08:10,240 Speaker 2: just said you've never done acid novel once, right, not 157 00:08:10,280 --> 00:08:12,200 Speaker 2: even micro dosed it with your Silicon. 158 00:08:11,920 --> 00:08:13,240 Speaker 3: Valley friends, not that I know of. 159 00:08:14,040 --> 00:08:16,840 Speaker 2: Well, since you don't know the LSD experience. Having never 160 00:08:16,920 --> 00:08:19,280 Speaker 2: done it, I have some first hand accounts for you. 161 00:08:19,960 --> 00:08:23,440 Speaker 2: Celebrity acid trips, yes, thank you, and because those are fun, 162 00:08:23,560 --> 00:08:26,240 Speaker 2: even if they're not fun for the celebrities. Some good, 163 00:08:26,320 --> 00:08:29,160 Speaker 2: some bad stories, but I promise all of them are ridiculous. 164 00:08:29,240 --> 00:08:30,000 Speaker 3: I like it now. 165 00:08:30,080 --> 00:08:33,720 Speaker 2: Netflix has a documentary called Have a Good Trip, Adventures 166 00:08:33,720 --> 00:08:37,120 Speaker 2: and Psychedelics. It features a few great acid trip stories 167 00:08:37,120 --> 00:08:39,960 Speaker 2: to get us started. It also has interesting commentary if 168 00:08:40,000 --> 00:08:41,640 Speaker 2: you check it out, from a range of folks, from 169 00:08:41,679 --> 00:08:45,160 Speaker 2: doctors who study LSD to Deepak Chopra who is just 170 00:08:45,160 --> 00:08:48,520 Speaker 2: a casual acid fan. Oh really apparently so. One of 171 00:08:48,559 --> 00:08:52,720 Speaker 2: my favorite interviews in this doc is with Carrie Fisher. Yeah, 172 00:08:52,960 --> 00:08:55,240 Speaker 2: you're gonna have celebrity drug stories. Carrie Fisher is gonna 173 00:08:55,240 --> 00:08:57,840 Speaker 2: be a go to resource. So she says that she 174 00:08:57,920 --> 00:09:00,840 Speaker 2: was introduced to acid by her one time boyfriend John Belushi. 175 00:09:01,280 --> 00:09:06,680 Speaker 3: Oh my god, I thought starting out, it's so good already, and. 176 00:09:06,720 --> 00:09:09,040 Speaker 2: It turns out Carrie Fisher liked it. So by the 177 00:09:09,040 --> 00:09:12,120 Speaker 2: time she's doing acid, she's already famous as Princess Leah. 178 00:09:12,679 --> 00:09:14,640 Speaker 2: So she can't just drop a tab of acid and 179 00:09:14,679 --> 00:09:17,440 Speaker 2: bounce around in la which means as she recalled for 180 00:09:17,480 --> 00:09:21,200 Speaker 2: the documentary, she'd schedule acid trips in foreign look house. 181 00:09:21,679 --> 00:09:24,880 Speaker 2: In foreign look that's what we call acid Chica, is 182 00:09:24,920 --> 00:09:27,440 Speaker 2: Carrie Fisher put it quote, I would organize trips around 183 00:09:27,440 --> 00:09:29,840 Speaker 2: to places in the world simply to take acid there. 184 00:09:30,000 --> 00:09:32,280 Speaker 2: I would do these things and forget I look like 185 00:09:32,320 --> 00:09:35,720 Speaker 2: someone named Princess Leah or whatever I was. For people then, 186 00:09:36,120 --> 00:09:38,280 Speaker 2: and so it's not a brilliant idea to then take 187 00:09:38,320 --> 00:09:39,600 Speaker 2: acid and go running around. 188 00:09:40,160 --> 00:09:40,559 Speaker 3: Oh no. 189 00:09:40,640 --> 00:09:42,240 Speaker 2: Can you imagine You're out to dinner with your friends, 190 00:09:42,240 --> 00:09:43,959 Speaker 2: like in Bali, and all of a sudden, Princess Lea 191 00:09:44,040 --> 00:09:46,719 Speaker 2: comes bounding by with a headful acid. Then she comes 192 00:09:46,800 --> 00:09:48,360 Speaker 2: up to your table and tells you that your soul 193 00:09:48,480 --> 00:09:52,600 Speaker 2: is radiating around your body like an undulating rainbow colored 194 00:09:52,600 --> 00:09:55,280 Speaker 2: snake or whatever. I mean, acid or no acid, That 195 00:09:55,400 --> 00:09:57,920 Speaker 2: just be trippy. Anyway, back to carry Fisher and her 196 00:09:57,960 --> 00:10:01,040 Speaker 2: international Acid v cas. But yeah, I went to the 197 00:10:01,080 --> 00:10:03,840 Speaker 2: Seychelles and we took acid. Oh my god, I was 198 00:10:03,880 --> 00:10:05,560 Speaker 2: on the beach and there was no one else on 199 00:10:05,600 --> 00:10:08,080 Speaker 2: the beach, and so I'm with my super eight movie camera. 200 00:10:08,640 --> 00:10:10,480 Speaker 2: That's when this was all right, and I'm filming my 201 00:10:10,559 --> 00:10:12,640 Speaker 2: friend and as this was going along. Suddenly, I since 202 00:10:12,840 --> 00:10:15,160 Speaker 2: there'd been a disturbance in the forest, don't put that 203 00:10:15,240 --> 00:10:18,560 Speaker 2: in They put it in Elyza because I just quoted 204 00:10:18,559 --> 00:10:20,560 Speaker 2: it right now. I mean, how could you not if 205 00:10:20,559 --> 00:10:24,760 Speaker 2: you're that documentary filmmaker. She made a psychedelic Star Wars joke. Okay, 206 00:10:24,760 --> 00:10:26,840 Speaker 2: back to Kerry Fisher. We turn around and there is 207 00:10:26,920 --> 00:10:29,960 Speaker 2: a bustload of Japanese folk that have just derived. And 208 00:10:30,000 --> 00:10:32,280 Speaker 2: it turns out where we are is where they bring 209 00:10:32,320 --> 00:10:35,640 Speaker 2: the tourists to have lunch from all the hotels. So 210 00:10:35,760 --> 00:10:38,880 Speaker 2: this load of Japanese tourists, we're faced with a semi 211 00:10:39,040 --> 00:10:42,040 Speaker 2: nude princess Leah and you just never see that coming 212 00:10:42,080 --> 00:10:42,680 Speaker 2: as a tourist. 213 00:10:42,760 --> 00:10:44,080 Speaker 3: Well, that's your job of the hut. 214 00:10:46,320 --> 00:10:49,599 Speaker 2: Now. In that same documentary, the comic and fellow podcaster 215 00:10:49,800 --> 00:10:51,800 Speaker 2: Mark Maron, he tells the story of him having a 216 00:10:51,800 --> 00:10:54,760 Speaker 2: bad trip at wait for it, A Grateful Dead Show. 217 00:10:54,960 --> 00:10:57,840 Speaker 2: Oh boy, that's like next level bad trip. Can you 218 00:10:57,880 --> 00:11:01,839 Speaker 2: imagine having never taken acid? That is Mark Marin tells 219 00:11:01,880 --> 00:11:05,480 Speaker 2: it quote, I'm literally just falling in my mind and 220 00:11:05,520 --> 00:11:07,680 Speaker 2: I'm like, I gotta go to the emergency room. I 221 00:11:07,720 --> 00:11:10,160 Speaker 2: can't handle this anymore. And there's this one of those 222 00:11:10,240 --> 00:11:12,520 Speaker 2: dudes sitting in front of me. You used to see 223 00:11:12,559 --> 00:11:15,360 Speaker 2: him at dead shows. They've clearly been on too many trips. 224 00:11:15,559 --> 00:11:18,199 Speaker 2: They sort of move at a different frequency than other people. 225 00:11:18,240 --> 00:11:21,360 Speaker 2: They're like, hey, man, like they've got this weird you know, 226 00:11:21,440 --> 00:11:23,680 Speaker 2: like they can just like So what I'm doing is 227 00:11:23,679 --> 00:11:25,360 Speaker 2: when words fail at him, that's when he's doing with 228 00:11:25,440 --> 00:11:27,920 Speaker 2: these snake dance with his fingers before his face like 229 00:11:28,080 --> 00:11:31,680 Speaker 2: a man. So Mark Barron then finishes this story about 230 00:11:31,720 --> 00:11:34,320 Speaker 2: his bad trip by saying, how next. So I just 231 00:11:34,360 --> 00:11:36,120 Speaker 2: tap him on the shoulder and I look at him. 232 00:11:36,200 --> 00:11:39,280 Speaker 2: I go, you know, pretty soon Jerry's gonna come out 233 00:11:39,559 --> 00:11:42,400 Speaker 2: and him and his guitar are gonna be like one thing. 234 00:11:43,160 --> 00:11:44,920 Speaker 2: And this guy just looks at me and goes, just 235 00:11:45,040 --> 00:11:49,960 Speaker 2: hang on, man, and he turns back around, and I'm like, okay. 236 00:11:50,640 --> 00:11:52,840 Speaker 2: And that was like the best advice I ever got 237 00:11:52,880 --> 00:11:55,880 Speaker 2: and I use it to this day. Yeah. So there 238 00:11:55,920 --> 00:11:58,360 Speaker 2: you go, Elizabeth. If you ever decide to do acid, 239 00:11:58,480 --> 00:12:01,920 Speaker 2: or someone like me ever secretly doses you, they think 240 00:12:01,960 --> 00:12:03,960 Speaker 2: you know, they slip you acid while about without telling you, 241 00:12:04,480 --> 00:12:07,160 Speaker 2: try to remember Mark Maren's words, because it actually is 242 00:12:07,200 --> 00:12:07,960 Speaker 2: really good advice. 243 00:12:08,160 --> 00:12:10,840 Speaker 3: Just hang on, man, I'm going to use that acid 244 00:12:10,920 --> 00:12:13,400 Speaker 3: or no acid. That's why I need that every Just 245 00:12:13,480 --> 00:12:14,280 Speaker 3: hang on right. 246 00:12:14,280 --> 00:12:16,400 Speaker 2: That's how I heard Mark Maron saying it. This wasn't 247 00:12:16,480 --> 00:12:17,760 Speaker 2: acid specific advice. 248 00:12:17,920 --> 00:12:19,840 Speaker 3: I mean, that's what we said to the little kitten 249 00:12:19,840 --> 00:12:22,640 Speaker 3: hanging from the branch in the motivational poster. Just hang 250 00:12:22,679 --> 00:12:24,040 Speaker 3: in there, hang in there, baby. 251 00:12:24,920 --> 00:12:27,280 Speaker 2: Good deep pull thank you so fun fact, do you 252 00:12:27,320 --> 00:12:30,440 Speaker 2: know which famous band known for their advocacy of LSD 253 00:12:30,679 --> 00:12:33,520 Speaker 2: and also having a psychedelic period of their music were 254 00:12:33,600 --> 00:12:38,400 Speaker 2: dosed the first time they took acid. You want to hint, please, 255 00:12:38,400 --> 00:12:40,720 Speaker 2: I'll give you a hint. My name is John, and 256 00:12:40,760 --> 00:12:43,160 Speaker 2: I also play guitar and sometimes play. 257 00:12:42,920 --> 00:12:45,000 Speaker 3: The fool Oasis exactly. 258 00:12:45,440 --> 00:12:48,920 Speaker 2: Yes, it was Oasis, so forgive my terrible impression of 259 00:12:48,960 --> 00:12:51,720 Speaker 2: John Lennon, but it was the Beatles. So as George 260 00:12:51,720 --> 00:12:55,079 Speaker 2: Harrison once told Dick Cabot, when we took the notorious 261 00:12:55,120 --> 00:12:58,080 Speaker 2: wonder Jog LSD, we were having dinner with audentists. 262 00:12:58,840 --> 00:13:01,240 Speaker 3: Well, you just have dinner with your dentist, Yes, and. 263 00:13:01,160 --> 00:13:05,000 Speaker 2: Their dentists dosed them without them knowing. The first time 264 00:13:05,080 --> 00:13:07,760 Speaker 2: John Lennon and George Harrison did acid it was when 265 00:13:07,760 --> 00:13:10,600 Speaker 2: they were secretly dosed by their dentist at a dinner party. 266 00:13:10,720 --> 00:13:15,079 Speaker 2: Doctor so As Georgia also recalled and he put it 267 00:13:15,160 --> 00:13:17,520 Speaker 2: in a coffee and never told us and we'd never 268 00:13:17,600 --> 00:13:18,079 Speaker 2: heard of it. 269 00:13:18,360 --> 00:13:22,079 Speaker 3: That is assault, right, he literally is a crime. 270 00:13:22,360 --> 00:13:24,520 Speaker 2: I cannot believe the Beatles dentist was just like my 271 00:13:24,600 --> 00:13:28,880 Speaker 2: man Mark Defriest, the prison who dosing coffee with LSD. 272 00:13:29,040 --> 00:13:33,719 Speaker 3: He's the fifth out of the dentists. The rest of 273 00:13:33,800 --> 00:13:35,040 Speaker 3: them are recommending tried it. 274 00:13:35,240 --> 00:13:39,320 Speaker 2: He's like in coffee, so like, I mean, that's just 275 00:13:39,320 --> 00:13:40,840 Speaker 2: not cool to do to someone, even if you're trying 276 00:13:40,880 --> 00:13:43,040 Speaker 2: to escape prison, but especially not cool if you're a 277 00:13:43,120 --> 00:13:44,559 Speaker 2: dentist having dinner with the Beatles. 278 00:13:44,600 --> 00:13:47,520 Speaker 3: And I fantasized, like I said before, about dosing the 279 00:13:47,600 --> 00:13:51,120 Speaker 3: faculty is a faculty meeting. That was just daydreaming. 280 00:13:51,240 --> 00:13:53,200 Speaker 2: No, you would never actually act on that. 281 00:13:53,480 --> 00:13:56,520 Speaker 3: I'm not going to live out those spiraling thoughts. I'm 282 00:13:56,559 --> 00:13:57,439 Speaker 3: just gonna he. 283 00:13:57,440 --> 00:13:59,520 Speaker 2: Thought it was so fun to dose the like two 284 00:13:59,559 --> 00:14:02,080 Speaker 2: Beatles and then took him out to a club. Well anyway, 285 00:14:02,080 --> 00:14:04,000 Speaker 2: back to George Harrison to finish the story of his 286 00:14:04,120 --> 00:14:06,640 Speaker 2: first trip. It's a good job that we hadn't heard 287 00:14:06,679 --> 00:14:09,920 Speaker 2: about it because there's been so much paranoia created around 288 00:14:09,960 --> 00:14:12,400 Speaker 2: the drug that people now if they take it, they're 289 00:14:12,440 --> 00:14:15,319 Speaker 2: already on a bad trip before they stop, which is 290 00:14:15,320 --> 00:14:17,440 Speaker 2: actually kind of true. He's basically pointing out that like 291 00:14:18,080 --> 00:14:21,240 Speaker 2: the state of mind that you bring to acid or 292 00:14:21,280 --> 00:14:23,960 Speaker 2: an acid trip is really indicative of the type of 293 00:14:24,000 --> 00:14:24,680 Speaker 2: trip you will have. 294 00:14:24,800 --> 00:14:27,080 Speaker 3: That is what has kept me from taking it, because 295 00:14:27,240 --> 00:14:31,040 Speaker 3: I know I have such a thin like I feel 296 00:14:31,040 --> 00:14:33,920 Speaker 3: like there's like a very thin veneer between me and 297 00:14:34,000 --> 00:14:38,800 Speaker 3: absolutely losing it. You think, so, here is it? If 298 00:14:38,840 --> 00:14:42,080 Speaker 3: I took a psychedelic like that, I would break my 299 00:14:42,160 --> 00:14:43,520 Speaker 3: brain and not be able to come back. 300 00:14:43,800 --> 00:14:46,360 Speaker 2: That's what's funny. That often is the cases that when 301 00:14:46,360 --> 00:14:48,840 Speaker 2: people first do acid, they have this thought, am I 302 00:14:48,840 --> 00:14:50,920 Speaker 2: always going to think like this? Am I never going 303 00:14:51,000 --> 00:14:51,800 Speaker 2: to be normal again? 304 00:14:52,080 --> 00:14:54,840 Speaker 3: I wouldn't even have that conscious question. I would just 305 00:14:54,880 --> 00:14:58,560 Speaker 3: be like, like could be gone. You know, I have 306 00:14:58,640 --> 00:15:01,840 Speaker 3: a hard time holding it to together m hm. Daily. 307 00:15:02,240 --> 00:15:04,480 Speaker 3: I don't need to. I don't need to chance it. 308 00:15:04,680 --> 00:15:06,320 Speaker 3: I don't I don't want to feel like. I don't 309 00:15:06,360 --> 00:15:08,360 Speaker 3: go on roller coasters because I don't like the feeling 310 00:15:08,440 --> 00:15:11,040 Speaker 3: like I'm gonna die. Yes, I like to play it safe. 311 00:15:11,200 --> 00:15:13,840 Speaker 2: You don't watch horror movies either, do you know it's stupid. 312 00:15:14,800 --> 00:15:17,160 Speaker 3: I don't want to feel I don't want to feel scared. 313 00:15:17,200 --> 00:15:18,480 Speaker 3: I can do that in real life. 314 00:15:18,880 --> 00:15:21,680 Speaker 2: That is so true. Well, that's our intro to what 315 00:15:21,720 --> 00:15:23,960 Speaker 2: it's like to be on acid, to be given acid, 316 00:15:24,040 --> 00:15:26,880 Speaker 2: and to be having a bad trip. Next up, we'll 317 00:15:26,880 --> 00:15:29,880 Speaker 2: get into how acid became illegal and delve into the 318 00:15:29,920 --> 00:15:33,480 Speaker 2: experiences of the first famous psycho. Not there ever was 319 00:15:34,080 --> 00:15:37,840 Speaker 2: mister carry Grant, whoa Yes, let's take a break, and 320 00:15:37,880 --> 00:15:41,520 Speaker 2: after these consumers Slogan's men will be back to trip 321 00:15:41,560 --> 00:16:04,760 Speaker 2: the life and Angle and we're baby, you're ready to 322 00:16:04,760 --> 00:16:06,560 Speaker 2: get sideways with the Beatles again? 323 00:16:07,040 --> 00:16:07,360 Speaker 3: Please? 324 00:16:07,440 --> 00:16:09,800 Speaker 2: Because I also happened to find in my research the 325 00:16:09,840 --> 00:16:12,240 Speaker 2: story of the second time they took acid. 326 00:16:12,480 --> 00:16:14,480 Speaker 3: They think they're all well documented. 327 00:16:14,640 --> 00:16:16,840 Speaker 2: No, actually, surprisingly not, because I think they did it 328 00:16:16,920 --> 00:16:19,680 Speaker 2: multiple times. Yeah, there's a lot of stories, especially for 329 00:16:19,760 --> 00:16:23,240 Speaker 2: George Harrison. Well, the second time the Beatles ever took acid. 330 00:16:23,360 --> 00:16:25,520 Speaker 2: After that first time with John and George getting dosed 331 00:16:25,520 --> 00:16:29,120 Speaker 2: by their dentist, the next time they both took acid together, 332 00:16:29,320 --> 00:16:33,280 Speaker 2: John and George they were in Hollywood. Fittingly, they were 333 00:16:33,280 --> 00:16:36,760 Speaker 2: with Peter Fonda of Easy Rider fame. Sure right, yeah, no, 334 00:16:36,840 --> 00:16:39,680 Speaker 2: Dennis Hopper to make it really fun. But yeah, so 335 00:16:39,760 --> 00:16:42,840 Speaker 2: the two So the two Beatles, John and George just 336 00:16:42,840 --> 00:16:45,320 Speaker 2: staying in la at a ranch house with Peter Fonda 337 00:16:45,440 --> 00:16:48,200 Speaker 2: and the Band of the Birds. Oh, I thought you 338 00:16:48,200 --> 00:16:50,920 Speaker 2: would like this. This was in late nineteen sixty five 339 00:16:51,000 --> 00:16:53,920 Speaker 2: or early nineteen sixty six, when David Crosby was still 340 00:16:53,960 --> 00:16:56,400 Speaker 2: in the group, And you know, David Crosby must have 341 00:16:56,400 --> 00:16:58,000 Speaker 2: been a wild person to drop acid with. 342 00:16:58,160 --> 00:16:59,960 Speaker 3: Oh God, I can only imagine. 343 00:16:59,680 --> 00:17:02,720 Speaker 2: For whatever reason, John Lennon starts to have a bad trip, 344 00:17:03,080 --> 00:17:06,639 Speaker 2: so Peter Fonda tries to like help him out, but 345 00:17:06,680 --> 00:17:10,359 Speaker 2: everything he's saying only makes things worse, because apparently Peter 346 00:17:10,480 --> 00:17:12,560 Speaker 2: Fonda was like getting in his face and telling John 347 00:17:12,600 --> 00:17:15,199 Speaker 2: Lennon stuff like, oh, I know what it's like to 348 00:17:15,240 --> 00:17:20,040 Speaker 2: be dead man, you know. So, and then it gets 349 00:17:20,080 --> 00:17:22,240 Speaker 2: worse because then he pulls up his shirt to show 350 00:17:22,359 --> 00:17:25,879 Speaker 2: John Lennon where he had shot himself. No, but not 351 00:17:26,000 --> 00:17:28,320 Speaker 2: with a real gun, Elizabeth. He'd shot himself with a 352 00:17:28,320 --> 00:17:29,840 Speaker 2: babie gun when he was a kid. 353 00:17:29,920 --> 00:17:31,520 Speaker 3: Well, I mean, I've done that as an adult, but 354 00:17:31,600 --> 00:17:32,880 Speaker 3: I show people. 355 00:17:32,840 --> 00:17:35,280 Speaker 2: Somehow he thought this would help pull John Lennon out 356 00:17:35,280 --> 00:17:38,600 Speaker 2: of his bad trips. Eventually, things get so bad for 357 00:17:38,760 --> 00:17:41,160 Speaker 2: Lenin that he kicks Peter Fonda out of their little 358 00:17:41,160 --> 00:17:43,399 Speaker 2: hazard party like you've got to go. Yeah, of course, 359 00:17:43,480 --> 00:17:45,200 Speaker 2: And I guess Peter Fonda was such a bummer for 360 00:17:45,240 --> 00:17:48,800 Speaker 2: the acid trip. John Lennon eventually did what songwriters do. 361 00:17:49,080 --> 00:17:50,240 Speaker 2: He wrote a song about it. 362 00:17:50,359 --> 00:17:50,880 Speaker 3: Oh, he did. 363 00:17:51,040 --> 00:17:53,600 Speaker 2: There is a song that the Beatles like sing and 364 00:17:53,640 --> 00:17:56,640 Speaker 2: put on a record that's about Peter Fonda giving him 365 00:17:56,640 --> 00:18:00,560 Speaker 2: a bad trip on the Beatles album Revolver. Yeah, the song, 366 00:18:00,760 --> 00:18:04,119 Speaker 2: she said, she said, And it's about his Peter Farness shape, 367 00:18:05,240 --> 00:18:07,679 Speaker 2: which just goes to prove that acid won't always inspire 368 00:18:07,760 --> 00:18:10,520 Speaker 2: great art because that song is not one of their best. 369 00:18:10,760 --> 00:18:13,720 Speaker 2: But anyway, Elizabeth, how did acid become illegal? 370 00:18:13,920 --> 00:18:15,160 Speaker 3: How did it become illegal? 371 00:18:15,280 --> 00:18:16,760 Speaker 2: Fantastic question? Thank you for asking. 372 00:18:16,840 --> 00:18:18,119 Speaker 3: You asked the best questions. 373 00:18:18,359 --> 00:18:22,200 Speaker 2: LSD was accidentally discovered by the Swiss chemist Albert Hoffman 374 00:18:22,320 --> 00:18:25,000 Speaker 2: in nineteen thirty six, but at first he didn't do 375 00:18:25,040 --> 00:18:28,000 Speaker 2: anything with it, but not for lack of trying, because 376 00:18:28,000 --> 00:18:32,040 Speaker 2: in fact, he synthesized LSD twenty five times. That's why 377 00:18:32,160 --> 00:18:34,200 Speaker 2: LSD is known as LSD twenty five. 378 00:18:34,240 --> 00:18:34,800 Speaker 3: Oh is it? 379 00:18:34,800 --> 00:18:37,280 Speaker 2: It was the twenty fifth batch he created. 380 00:18:37,240 --> 00:18:38,240 Speaker 3: Like WD forty. 381 00:18:38,359 --> 00:18:41,000 Speaker 2: Basically, No, it's the same like numbering system. So you see. 382 00:18:41,040 --> 00:18:43,960 Speaker 2: In nineteen thirty six he was working at Sando's laboratories 383 00:18:43,960 --> 00:18:47,760 Speaker 2: in Switzerland. That's the lab where saccharin was discovered. Oh interesting, 384 00:18:47,800 --> 00:18:50,600 Speaker 2: and at the time, young Albert Hoffman was working with ergot, 385 00:18:50,640 --> 00:18:52,560 Speaker 2: which is a fungus that grows on rye. You know 386 00:18:52,600 --> 00:18:55,560 Speaker 2: as a baker. Yeah, one of the active compounds created 387 00:18:55,600 --> 00:18:58,560 Speaker 2: by this fungus is lysergic acid. That's where we get 388 00:18:58,560 --> 00:19:01,439 Speaker 2: the ls for LSD. That's what he was working with 389 00:19:01,480 --> 00:19:04,240 Speaker 2: when he was trying to create his lysergic acid compounds. 390 00:19:04,480 --> 00:19:07,119 Speaker 2: As he wrote, I had planned the synthesis of this 391 00:19:07,200 --> 00:19:11,399 Speaker 2: compound with the intention of obtaining a circulatory and respiratory stimulant. 392 00:19:11,600 --> 00:19:14,399 Speaker 2: The new substance, however, aroused no special interest in our 393 00:19:14,400 --> 00:19:19,919 Speaker 2: pharmacologists and physicians. Testing was therefore discontinued. So LST was 394 00:19:19,920 --> 00:19:22,399 Speaker 2: almost doomed to sit on a shelf, forgotten in some 395 00:19:22,520 --> 00:19:26,560 Speaker 2: Swiss laboratory, never to see the light of day. But Hoffman, 396 00:19:26,640 --> 00:19:29,560 Speaker 2: he just couldn't stop thinking about this LSD stuff. So 397 00:19:29,880 --> 00:19:33,600 Speaker 2: years later, in nineteen forty three, he synthesized a new 398 00:19:33,680 --> 00:19:37,000 Speaker 2: batch of LSD twenty five. Apparently he was working kind 399 00:19:37,000 --> 00:19:39,560 Speaker 2: of sloppy that day, because some LSD twenty five, about 400 00:19:39,560 --> 00:19:42,520 Speaker 2: twenty micrograms or so, gets onto his skin and his 401 00:19:42,560 --> 00:19:46,240 Speaker 2: body absorbs it. Then he noticed about thirty and forty 402 00:19:46,280 --> 00:19:49,840 Speaker 2: minutes later, these strange effects of this compound. Being a 403 00:19:49,840 --> 00:19:54,080 Speaker 2: good scientist, Hoffman notes that he'd planned to experiment with 404 00:19:54,119 --> 00:19:56,479 Speaker 2: his odd new compound. He's like, this stuff is crazy, 405 00:19:56,480 --> 00:19:58,840 Speaker 2: I gotta try this again. So a couple days later, 406 00:19:58,880 --> 00:20:02,240 Speaker 2: on April nineteenth, nineteen forty three, he experiments on himself. 407 00:20:02,480 --> 00:20:05,560 Speaker 2: He doses himself, but don't worry. He had an assistant 408 00:20:05,600 --> 00:20:07,520 Speaker 2: there to like baby sit his trip. 409 00:20:07,680 --> 00:20:07,960 Speaker 3: Yeah. 410 00:20:07,960 --> 00:20:11,320 Speaker 2: So at precisely four to twenty pm, just coincidental. On 411 00:20:11,359 --> 00:20:15,200 Speaker 2: April nineteenth, again just coincidental, Hoffman diluted two hundred and 412 00:20:15,200 --> 00:20:18,440 Speaker 2: fifty micrograms of crystalline LSD twenty five and do ten 413 00:20:18,520 --> 00:20:21,800 Speaker 2: c seeds of water. Forty minutes later, he's fully tripping, 414 00:20:21,840 --> 00:20:25,760 Speaker 2: as he recorded in his lab notes. Beginning dizziness, feelings 415 00:20:25,760 --> 00:20:31,320 Speaker 2: of anxiety, visual distortions, symptoms of paralysis, desire to laugh, 416 00:20:32,160 --> 00:20:32,840 Speaker 2: these are wow. 417 00:20:32,960 --> 00:20:33,200 Speaker 4: Yeah. 418 00:20:33,280 --> 00:20:35,199 Speaker 2: So then with his head full of acid, he decided 419 00:20:35,240 --> 00:20:36,960 Speaker 2: it would be a good idea to ride his bike. 420 00:20:37,000 --> 00:20:39,520 Speaker 2: Homb So sometime between six and eight pm he hops 421 00:20:39,560 --> 00:20:41,840 Speaker 2: on his bike, accompanied by his assistant and who by 422 00:20:41,880 --> 00:20:44,639 Speaker 2: the way, is not on acid, and he starts peddling 423 00:20:44,680 --> 00:20:47,560 Speaker 2: his giggling ass home. Yeah, and he has a wild 424 00:20:47,600 --> 00:20:50,120 Speaker 2: bike ride because, as he recalled in his lab notes 425 00:20:50,119 --> 00:20:53,479 Speaker 2: and later a book he wrote about his LSD discovery quote, 426 00:20:53,720 --> 00:20:59,840 Speaker 2: kaleidoscopic fantastic images surged in on me, alternating variegated opening 427 00:20:59,880 --> 00:21:03,879 Speaker 2: and then closing themselves in circles and spirals, exploding and 428 00:21:03,960 --> 00:21:08,760 Speaker 2: colored fountains, rearranging and hybridizing themselves in constant flux. It 429 00:21:08,880 --> 00:21:13,399 Speaker 2: was particularly remarkable how every acoustic perception, such as the 430 00:21:13,480 --> 00:21:16,720 Speaker 2: sound of a door handle or a passing automobile, became 431 00:21:16,840 --> 00:21:22,480 Speaker 2: transformed into optical perceptions. Every sound generated a vividly changing 432 00:21:22,520 --> 00:21:26,480 Speaker 2: image with its own consistent form and color. Hmm, right, 433 00:21:26,800 --> 00:21:29,840 Speaker 2: so this is the world's first acid trip. Acid trip, 434 00:21:29,880 --> 00:21:32,200 Speaker 2: Like he actually got himself off, not just like enough 435 00:21:32,200 --> 00:21:34,480 Speaker 2: to microdose as he did the first time, And this 436 00:21:34,600 --> 00:21:36,760 Speaker 2: time he's like doing pride men to double what the 437 00:21:36,840 --> 00:21:40,560 Speaker 2: recommended dosage is. But it wasn't all rainbows and kaleidoscopic 438 00:21:40,640 --> 00:21:43,560 Speaker 2: visions and engrossing sounds. It turned into trippy visuals because 439 00:21:43,600 --> 00:21:45,760 Speaker 2: Hoffmann also had a bit of a bummer. He also 440 00:21:45,840 --> 00:21:48,960 Speaker 2: had the world's first bad acid trip. Yeah, yeah, because 441 00:21:48,960 --> 00:21:51,200 Speaker 2: he recalled how for part of that first acid trip 442 00:21:51,240 --> 00:21:53,720 Speaker 2: he believed he was somewhere at the outer reaches of hell. 443 00:21:54,480 --> 00:21:58,000 Speaker 3: Oh. What I mean, he says, is like anxiety and 444 00:21:58,320 --> 00:21:59,639 Speaker 3: para paralysis. 445 00:21:59,720 --> 00:22:02,600 Speaker 2: Yeah, it sounds terrible and you have no expectations of 446 00:22:02,600 --> 00:22:04,520 Speaker 2: what it's going to be like, right, But thankfully the 447 00:22:04,520 --> 00:22:07,399 Speaker 2: next day, Hoffman, when he wakes up, he's super pleased 448 00:22:07,400 --> 00:22:10,320 Speaker 2: to find that his hellish trip had ended, as he 449 00:22:10,400 --> 00:22:12,920 Speaker 2: felt once again himself. And that, as I said, that's 450 00:22:12,920 --> 00:22:14,800 Speaker 2: the thing about your first acid trip, when you were 451 00:22:14,840 --> 00:22:17,280 Speaker 2: in the thrall of LSD, you think, am I always 452 00:22:17,320 --> 00:22:18,960 Speaker 2: going to be like this? Am I always gonna think 453 00:22:19,000 --> 00:22:22,160 Speaker 2: like this? And will it ever be normal again? Luckily 454 00:22:22,760 --> 00:22:23,760 Speaker 2: acid trips. 455 00:22:23,480 --> 00:22:25,919 Speaker 3: Eventually end, yeah, you would hope. 456 00:22:26,119 --> 00:22:27,919 Speaker 2: Well, yeah, So there is I did find in my 457 00:22:27,920 --> 00:22:30,520 Speaker 2: research is one guy who took acid and his trip 458 00:22:30,600 --> 00:22:32,040 Speaker 2: never ended. He's been on it. 459 00:22:32,119 --> 00:22:33,800 Speaker 3: That would be me. That would be me. 460 00:22:34,240 --> 00:22:35,000 Speaker 2: That was pretty scary. 461 00:22:35,119 --> 00:22:37,960 Speaker 3: That's what I'm afraid of. You. You saw me once 462 00:22:38,600 --> 00:22:40,400 Speaker 3: eat an entire gummy. 463 00:22:40,560 --> 00:22:46,800 Speaker 5: Yes, it was very low THC sure, and it was horrible. 464 00:22:47,480 --> 00:22:50,560 Speaker 5: You're a very giggly was nonsense, aga, But I remember 465 00:22:50,560 --> 00:22:52,239 Speaker 5: I had to keep sitting there saying this is going 466 00:22:52,320 --> 00:22:52,680 Speaker 5: to be over. 467 00:22:54,800 --> 00:22:57,359 Speaker 3: Yeah, I was holding onto the couch. At some point, 468 00:22:57,359 --> 00:22:59,560 Speaker 3: this will be over. I tried taking him for like 469 00:23:00,280 --> 00:23:03,200 Speaker 3: insomnia anxiety. I have to take like a little nibble. 470 00:23:03,000 --> 00:23:04,160 Speaker 2: Like an ear off of. 471 00:23:04,720 --> 00:23:10,800 Speaker 3: Micro doose ta gummies that are already the lowest percentage possible, 472 00:23:11,280 --> 00:23:15,680 Speaker 3: and I just, oh, nothing anxiety inducing. I already produce 473 00:23:15,720 --> 00:23:16,159 Speaker 3: them that. 474 00:23:16,240 --> 00:23:18,199 Speaker 2: Yeah, I think I think you're chemically like already like 475 00:23:18,320 --> 00:23:19,320 Speaker 2: leaning towards that. 476 00:23:20,359 --> 00:23:22,200 Speaker 3: To keep telling yourself this is going to be over, 477 00:23:22,320 --> 00:23:25,840 Speaker 3: This will end, this will be over. It's not fun. Well, 478 00:23:25,920 --> 00:23:26,960 Speaker 3: you know for me. 479 00:23:28,240 --> 00:23:30,639 Speaker 2: Now for the next decade. LSD twenty five it becomes 480 00:23:30,680 --> 00:23:33,359 Speaker 2: this quiet kept secret amongst those in the know, And 481 00:23:33,400 --> 00:23:35,879 Speaker 2: so there were folks who were They start experimenting with it. 482 00:23:36,119 --> 00:23:38,119 Speaker 2: They go to the sand Dos laboratories, they order up 483 00:23:38,160 --> 00:23:41,320 Speaker 2: some LSD pills they haven't sent over even to the America, 484 00:23:41,400 --> 00:23:44,320 Speaker 2: to the States, and right away these folks on the inside. 485 00:23:44,440 --> 00:23:47,600 Speaker 2: They see the potential for LSD as a therapeutic, as 486 00:23:47,600 --> 00:23:51,640 Speaker 2: a way to treat certain mental illnesses personality complexes. And 487 00:23:52,000 --> 00:23:55,400 Speaker 2: in nineteen fifty seven, this British psychiatrist named Humphrey Osmond 488 00:23:55,400 --> 00:23:58,000 Speaker 2: who was experimenting with LSD twenty five and he's all 489 00:23:58,080 --> 00:24:01,280 Speaker 2: hyped on his potential for how acid can rewire the 490 00:24:01,359 --> 00:24:04,199 Speaker 2: human brain. Right, so he goes to his friend, this 491 00:24:04,280 --> 00:24:07,680 Speaker 2: writer named Aldus Huxley and he tells him all about it, 492 00:24:07,680 --> 00:24:09,879 Speaker 2: all right, yeah, and obviously that leads to the doors 493 00:24:09,920 --> 00:24:12,520 Speaker 2: of perception. But also he asked all this Huxley to 494 00:24:12,520 --> 00:24:15,119 Speaker 2: help him come up with a term to describe this potential. 495 00:24:15,560 --> 00:24:19,960 Speaker 2: Huxley suggests the word phanao thyme or phanrothyme, which is 496 00:24:20,000 --> 00:24:22,720 Speaker 2: derived from the Greek words for the Greek roots rather 497 00:24:22,840 --> 00:24:26,280 Speaker 2: for to show and for spirit, but to show spirit. 498 00:24:26,840 --> 00:24:30,040 Speaker 2: The psychiatrist Ozma was like, yeah, no, thanks for playing 499 00:24:30,080 --> 00:24:31,840 Speaker 2: all this, and he said he went with his own 500 00:24:31,880 --> 00:24:35,240 Speaker 2: idea psychedelic, which comes from the Greek roots for soul 501 00:24:35,400 --> 00:24:39,000 Speaker 2: and to make visible, So psychedelic means to make your 502 00:24:39,040 --> 00:24:41,080 Speaker 2: soul visible. Now. The dude even came up with a 503 00:24:41,119 --> 00:24:44,240 Speaker 2: little rhyme for his new word to fathom hell or 504 00:24:44,320 --> 00:24:47,120 Speaker 2: sore angelic, just take a pinch of psychedelic. 505 00:24:47,560 --> 00:24:47,840 Speaker 3: Wow. 506 00:24:48,320 --> 00:24:52,199 Speaker 2: No, yeah, not a beatle. But now we associate these 507 00:24:52,200 --> 00:24:54,479 Speaker 2: early days of acid with the hippies in nineteen sixties 508 00:24:54,480 --> 00:24:57,080 Speaker 2: San Francisco, or perhaps Timothy Leary and his early acid 509 00:24:57,119 --> 00:25:00,000 Speaker 2: tests back east at Harvard. One of the first big 510 00:25:00,000 --> 00:25:03,359 Speaker 2: psychedelic advocates was living in la in the fifties and 511 00:25:03,400 --> 00:25:06,040 Speaker 2: he was super famous. His name is Carrie Grant. 512 00:25:06,480 --> 00:25:07,480 Speaker 3: I cannot believe this. 513 00:25:07,720 --> 00:25:10,520 Speaker 2: Turns out Cary Grant was a super early psychedelic explorer, 514 00:25:10,520 --> 00:25:12,679 Speaker 2: like starting in nineteen fifty eight or nineteen fifty nine. 515 00:25:12,680 --> 00:25:15,840 Speaker 2: There's some discrepancy to when he started. But every Saturday morning, 516 00:25:15,880 --> 00:25:17,879 Speaker 2: Carry Grant would have his driver take him over to 517 00:25:17,880 --> 00:25:20,840 Speaker 2: the Psychiatric Institute of Beverly Hills. There he would sort 518 00:25:20,880 --> 00:25:22,440 Speaker 2: of sneak in the back doors and know and saw 519 00:25:22,520 --> 00:25:25,280 Speaker 2: him constantly going to this institute since he was so famous. 520 00:25:25,480 --> 00:25:27,840 Speaker 2: And once inside, he'd go to this small room where 521 00:25:27,840 --> 00:25:30,760 Speaker 2: there were easy chairs and a sofa and a record 522 00:25:30,760 --> 00:25:33,360 Speaker 2: player to set the vibe, and Carry Grant would get 523 00:25:33,440 --> 00:25:37,080 Speaker 2: sideways on LSD twenty five. He would take five pills 524 00:25:37,119 --> 00:25:39,959 Speaker 2: shipped over from the Sandos Laboratory in Switzerland, and then 525 00:25:39,960 --> 00:25:42,840 Speaker 2: he'd do a round of therapy with his psychiatrist, doctor 526 00:25:42,880 --> 00:25:46,800 Speaker 2: Mortimer Hartman. Together they delve deep into Carry Grant's psyche, 527 00:25:46,800 --> 00:25:49,480 Speaker 2: his past, his rough childhood back in Bristol, England. 528 00:25:49,640 --> 00:25:49,920 Speaker 3: Yeah. 529 00:25:50,040 --> 00:25:52,480 Speaker 2: Sometimes when he was like listening to the classical music 530 00:25:52,480 --> 00:25:55,600 Speaker 2: he really favored Chopin and Rockman and off, Carry Grant 531 00:25:55,640 --> 00:25:58,360 Speaker 2: would break down in tears and just sob for hours. 532 00:25:58,600 --> 00:26:01,520 Speaker 2: Other times he would just laugh and giggle and laugh 533 00:26:01,640 --> 00:26:04,560 Speaker 2: some more as he reframed his past traumas. And sometimes 534 00:26:04,560 --> 00:26:05,200 Speaker 2: he would do both. 535 00:26:05,560 --> 00:26:07,560 Speaker 3: He's way out of his time completely. 536 00:26:07,640 --> 00:26:09,600 Speaker 2: I mean like he's like a true psycho knot like 537 00:26:09,600 --> 00:26:11,720 Speaker 2: an explorer, Like, yeah, he went to the moon before 538 00:26:11,720 --> 00:26:12,320 Speaker 2: everyone else. 539 00:26:12,320 --> 00:26:12,600 Speaker 3: Wow. 540 00:26:12,800 --> 00:26:14,520 Speaker 2: So when he was all done, his driver would then 541 00:26:14,560 --> 00:26:16,520 Speaker 2: take him back home and he'd still be tripping, and 542 00:26:16,680 --> 00:26:18,280 Speaker 2: then he would just be gazing out of the car 543 00:26:18,280 --> 00:26:21,520 Speaker 2: windows as the weird and wonderful world was passing by. Yeah, 544 00:26:21,520 --> 00:26:23,639 Speaker 2: and he did this more than one hundred times. It 545 00:26:23,720 --> 00:26:27,119 Speaker 2: lasted until nineteen sixty two, and Carry Grant said that 546 00:26:27,280 --> 00:26:29,560 Speaker 2: LSD saved his life. That's a direct quote from him. 547 00:26:29,720 --> 00:26:30,040 Speaker 3: Wow. 548 00:26:30,160 --> 00:26:32,960 Speaker 2: Now, Also Carry Grant didn't stop taking acid. In nineteen 549 00:26:33,000 --> 00:26:36,199 Speaker 2: sixty two, he just stopped going to his psychotherapists for it, okay, 550 00:26:36,480 --> 00:26:39,000 Speaker 2: but by then he'd stockpiled his own stash of acid, 551 00:26:39,359 --> 00:26:41,119 Speaker 2: so he would just get twisted in the comfort of 552 00:26:41,119 --> 00:26:43,320 Speaker 2: his mansion and he kept on tripping at home for 553 00:26:43,359 --> 00:26:46,080 Speaker 2: like another decade. I'm talking well into the nineteen seventieses. 554 00:26:46,119 --> 00:26:51,240 Speaker 3: I just recently read the memoir by John Perry Barlow, 555 00:26:51,320 --> 00:26:54,920 Speaker 3: who's one of the Grateful Dead songwriters, sure, and he 556 00:26:55,600 --> 00:26:58,439 Speaker 3: dropped an incredible amount of acid over his life. And 557 00:26:58,480 --> 00:27:01,920 Speaker 3: he talks about how the your first trip, and he 558 00:27:01,960 --> 00:27:05,919 Speaker 3: writes it really beautifully and how mind expanding it was, 559 00:27:06,000 --> 00:27:08,879 Speaker 3: and how you know this incredible, beautiful experience, but that 560 00:27:09,400 --> 00:27:12,240 Speaker 3: every subsequent trip is just like a riff off of that, 561 00:27:12,440 --> 00:27:14,960 Speaker 3: Like he really opened the doors on the first one. Yes, 562 00:27:15,119 --> 00:27:17,320 Speaker 3: so you think about carry Grant has like gone through 563 00:27:17,320 --> 00:27:19,880 Speaker 3: this in the in like what I would think would 564 00:27:19,920 --> 00:27:22,600 Speaker 3: be for me. The only kind of acceptable setting is 565 00:27:22,640 --> 00:27:25,560 Speaker 3: like that kind of control around it. But so he's 566 00:27:25,600 --> 00:27:28,320 Speaker 3: got it, he's opened those doors, and now he's able 567 00:27:28,320 --> 00:27:30,840 Speaker 3: to just replicate it on his own. It's like when 568 00:27:30,840 --> 00:27:32,960 Speaker 3: they say in therapy, well, now you have the tools. 569 00:27:33,400 --> 00:27:34,000 Speaker 3: He has the tool. 570 00:27:34,119 --> 00:27:35,960 Speaker 2: He definitely had the tools. He could like you know, 571 00:27:36,640 --> 00:27:38,720 Speaker 2: hallucinate the tools in his hands and get to work. 572 00:27:39,520 --> 00:27:42,560 Speaker 2: So the wild part for what he was doing, carry 573 00:27:42,560 --> 00:27:44,320 Speaker 2: Grant was like and when he's doing acid, he didn't 574 00:27:44,400 --> 00:27:47,240 Speaker 2: keep the secret in the fifties. In fact, quite the opposite. 575 00:27:47,280 --> 00:27:50,240 Speaker 2: He talked about it in interviews with Time Magazine and in 576 00:27:50,320 --> 00:27:53,840 Speaker 2: Look magazine the Washington Post. Carry Grant told Look Magazine 577 00:27:53,840 --> 00:27:56,760 Speaker 2: about his acid trips and his state of euphoria about 578 00:27:56,760 --> 00:28:00,239 Speaker 2: my self discoveries. He told their readers also about how 579 00:28:00,320 --> 00:28:03,200 Speaker 2: during one trip, my mind seemed to leave my skull 580 00:28:03,280 --> 00:28:06,439 Speaker 2: and visit out a space. Yeah. So not only that, 581 00:28:06,480 --> 00:28:09,000 Speaker 2: carry Grant also told the readers of Ladies Home Journal 582 00:28:09,520 --> 00:28:14,080 Speaker 2: and how great LSD was recommending that the housewives maybe 583 00:28:14,119 --> 00:28:15,920 Speaker 2: get in on and this as well because at the 584 00:28:15,920 --> 00:28:18,760 Speaker 2: same time they're also recommending MDMA for housewives. So this 585 00:28:18,880 --> 00:28:22,359 Speaker 2: was not the only like substance and dexadene. Yeah, tofinitely, 586 00:28:22,440 --> 00:28:24,399 Speaker 2: but these were ones that are supposed to like, you know, 587 00:28:24,520 --> 00:28:26,520 Speaker 2: challenge things, not just help them like you know, clean 588 00:28:26,560 --> 00:28:29,520 Speaker 2: faster or whatever. Now this is also, by the way, 589 00:28:29,600 --> 00:28:32,040 Speaker 2: way before the hippies got ahold of acid, Carry Grant 590 00:28:32,040 --> 00:28:34,520 Speaker 2: was Johnny Appleseed for LSD. Yeah, I mean he was 591 00:28:34,520 --> 00:28:37,920 Speaker 2: like Johnny Apple LSD. Yeah. Now, meanwhile, his doctor, doctor 592 00:28:37,960 --> 00:28:41,680 Speaker 2: Mortimer Hartman, he starts his own psychedelic psychotherapy in Beverly 593 00:28:41,760 --> 00:28:43,920 Speaker 2: Hills for his rich clients who also wanted to see 594 00:28:43,920 --> 00:28:46,160 Speaker 2: outer space with their mind's eye and like heal their 595 00:28:46,160 --> 00:28:49,800 Speaker 2: traumas too. So as a result, unfortunately, this guy's medical 596 00:28:49,800 --> 00:28:52,800 Speaker 2: license gets suspended in nineteen sixty one by the California 597 00:28:52,840 --> 00:28:56,400 Speaker 2: Board of Medical Examiners because although at first LSD twenty 598 00:28:56,400 --> 00:28:59,120 Speaker 2: five was seen as another like post war example of 599 00:28:59,160 --> 00:29:02,440 Speaker 2: better living through cast, by the early sixties it becomes 600 00:29:02,480 --> 00:29:05,800 Speaker 2: banned as a therapeutic. More on that in a second. Now, 601 00:29:05,840 --> 00:29:09,360 Speaker 2: there was another major early California proponent of the psychological 602 00:29:09,360 --> 00:29:12,960 Speaker 2: benefits of acid trips, when Claire Booth Loose, the daughter 603 00:29:13,000 --> 00:29:16,080 Speaker 2: of the founder of Time in Life magazine, Henry Loose. Now, 604 00:29:16,120 --> 00:29:19,120 Speaker 2: she was a Broadway playwright, later the ambassador to Italy 605 00:29:19,160 --> 00:29:23,640 Speaker 2: appointed by Eisenhower. Then she becomes a Republican congresswoman for California, 606 00:29:23,720 --> 00:29:26,040 Speaker 2: and in nineteen fifty nine she started to take an 607 00:29:26,000 --> 00:29:28,280 Speaker 2: acid right around the same time as Carrie Grant, and 608 00:29:28,360 --> 00:29:31,640 Speaker 2: also under the supervision of doctor Hartman. Well, his colleague 609 00:29:31,640 --> 00:29:34,520 Speaker 2: actually is Sidney Cohen. Now, one of my favorite anecdotes 610 00:29:34,560 --> 00:29:37,560 Speaker 2: is how during her very first acid trips she received 611 00:29:37,560 --> 00:29:39,600 Speaker 2: a phone call and she answered the phone call, which 612 00:29:39,600 --> 00:29:41,800 Speaker 2: I would not recommend if you're on acid, and there 613 00:29:41,840 --> 00:29:44,200 Speaker 2: on the other end of the line was Richard Nixon. 614 00:29:44,680 --> 00:29:45,600 Speaker 3: Oh you're kidding. 615 00:29:45,640 --> 00:29:48,320 Speaker 2: Can you imagine your first time on acid? And suddenly 616 00:29:48,400 --> 00:29:52,520 Speaker 2: Richard Nixon is in your ear, disembodied Richard Nixon. And 617 00:29:52,520 --> 00:29:56,080 Speaker 2: by the way, Nixon desperately wanted something from her. He's like, no, 618 00:29:56,360 --> 00:29:58,360 Speaker 2: just look, I just need a little flavor from you. 619 00:29:59,040 --> 00:30:01,760 Speaker 2: Oh god, exactly. He Basically what Nixon was saying is 620 00:30:01,760 --> 00:30:04,120 Speaker 2: he wanted her support for his upcoming run for president 621 00:30:04,160 --> 00:30:08,200 Speaker 2: against jfk in nineteen sixty But Claire Lewis she couldn't 622 00:30:08,200 --> 00:30:10,239 Speaker 2: handle a phone call in asses, so she told, you know, 623 00:30:10,400 --> 00:30:12,720 Speaker 2: mister VP, I'm gonna need to call you back. 624 00:30:13,560 --> 00:30:16,920 Speaker 3: So yeah, first, busy right now, totally I'm all. 625 00:30:16,800 --> 00:30:20,000 Speaker 2: The sideways mister Nixon's, but firstually for her and Carry 626 00:30:20,040 --> 00:30:21,960 Speaker 2: Grant and all these other rich folks in LA who 627 00:30:21,960 --> 00:30:25,280 Speaker 2: were secretly taking acid for psychotherapy. In nineteen sixty two, 628 00:30:25,400 --> 00:30:29,040 Speaker 2: the FDA began to ban access to LSD twenty five, 629 00:30:29,520 --> 00:30:32,880 Speaker 2: which meant board certified physicians psychiatrists were no longer willing 630 00:30:32,920 --> 00:30:36,080 Speaker 2: to risk their medical licenses to offer their clients LSD, 631 00:30:36,360 --> 00:30:38,600 Speaker 2: which is why Kerry Grant secured his own stash and 632 00:30:38,640 --> 00:30:41,400 Speaker 2: started doing acid at home. And then in sixty three 633 00:30:41,440 --> 00:30:44,400 Speaker 2: there was the Harvard LSD scandal that involved Timothy Leary. 634 00:30:44,440 --> 00:30:46,520 Speaker 2: That's when he gets kicked out of Harvard because there 635 00:30:46,520 --> 00:30:47,520 Speaker 2: were ethical concerns. 636 00:30:47,720 --> 00:30:47,960 Speaker 3: Yeah. 637 00:30:48,160 --> 00:30:50,800 Speaker 2: And then at that same time, the CIA was also 638 00:30:50,920 --> 00:30:53,960 Speaker 2: experimenting with LSD as part of their super secret mk 639 00:30:54,160 --> 00:30:57,480 Speaker 2: Ultra program, and they also stopped working with LSD for 640 00:30:57,560 --> 00:30:59,640 Speaker 2: ethical concerns because they were trying to use it as 641 00:30:59,640 --> 00:31:02,640 Speaker 2: a mind controlled drug. Now, in sixty three, things changed 642 00:31:02,680 --> 00:31:05,640 Speaker 2: dramatically and the whole cultural combo about LSD starts to shift. 643 00:31:05,680 --> 00:31:08,560 Speaker 2: As a result, the press changes its tone. No longer 644 00:31:08,600 --> 00:31:11,200 Speaker 2: do you have carry Grant in Ladies Home Journal, So 645 00:31:11,320 --> 00:31:13,840 Speaker 2: no more funding articles, right, And then in sixty six 646 00:31:14,200 --> 00:31:17,880 Speaker 2: the FED banned LSD access all together as a medicine, 647 00:31:17,920 --> 00:31:21,600 Speaker 2: so now you can't do any research experimentation. So forth. 648 00:31:21,680 --> 00:31:24,200 Speaker 2: Two years later, in sixty eight, the fed's label LSD 649 00:31:24,280 --> 00:31:27,360 Speaker 2: as a Schedule one drug, which put it in line 650 00:31:27,360 --> 00:31:31,440 Speaker 2: with like freebase and crack cocaine and heroin, which is 651 00:31:31,440 --> 00:31:34,120 Speaker 2: where it has remained to this day. And that Elizabeth 652 00:31:34,200 --> 00:31:37,640 Speaker 2: is how LSD became an illegal street drug. But soon enough, 653 00:31:37,680 --> 00:31:41,840 Speaker 2: thanks to the hippies openly defying the government and so 654 00:31:41,880 --> 00:31:44,040 Speaker 2: they could just continue to drop acid or actually really 655 00:31:44,120 --> 00:31:47,000 Speaker 2: start dropping acid. This is when acid becomes the star 656 00:31:47,200 --> 00:31:50,640 Speaker 2: of a moral panic. Enter Ken Kesey, the writer of 657 00:31:50,680 --> 00:31:52,719 Speaker 2: a novel One Flew Over the Cucko's Nest. You're familiar 658 00:31:52,760 --> 00:31:55,440 Speaker 2: with his work now. He'd been a subject in the 659 00:31:55,520 --> 00:31:59,320 Speaker 2: CIA's secret program MK Ultra, and specifically he was part 660 00:31:59,320 --> 00:32:02,040 Speaker 2: of their legal experiments with LSD as a mine control drug. 661 00:32:02,120 --> 00:32:04,720 Speaker 2: So he had first hand experience with LSD and he 662 00:32:04,880 --> 00:32:06,960 Speaker 2: liked it. So after he gets out of the ultra 663 00:32:07,040 --> 00:32:09,959 Speaker 2: secret CIA mind control program, and after he leaves the 664 00:32:09,960 --> 00:32:13,080 Speaker 2: mental hospital which was his novel was based on, and 665 00:32:13,120 --> 00:32:15,880 Speaker 2: then after he got rich and famous for the book 666 00:32:15,920 --> 00:32:17,760 Speaker 2: he wrote about it, Yeah, the One Flew Over the 667 00:32:17,760 --> 00:32:21,320 Speaker 2: Cucko's Nest, Keesy decides to help spread the gospel of LSD. 668 00:32:21,760 --> 00:32:24,640 Speaker 2: This is nineteen sixty four, so this is just before 669 00:32:24,760 --> 00:32:27,680 Speaker 2: LSD was banned and later labeled a Schedule one drug, 670 00:32:27,680 --> 00:32:29,920 Speaker 2: but it was still in the limbo period. Keesey wants 671 00:32:29,960 --> 00:32:32,680 Speaker 2: to go on this cross country acid pilgrimage to spread 672 00:32:32,680 --> 00:32:35,440 Speaker 2: the word from sea to shining Sea. His plan buy 673 00:32:35,440 --> 00:32:38,080 Speaker 2: a school bus loaded up with freaks like him and 674 00:32:38,160 --> 00:32:40,920 Speaker 2: drive from his ranch in La Honda, California, across the 675 00:32:40,920 --> 00:32:45,640 Speaker 2: country to where the nineteen sixty four World's Fair in 676 00:32:45,680 --> 00:32:49,200 Speaker 2: New York City show up over the headful acid at 677 00:32:49,200 --> 00:32:52,680 Speaker 2: the World's Fairs will love that. So he buys a 678 00:32:52,760 --> 00:32:55,280 Speaker 2: nineteen thirty nine Harvester school bus, like one of the 679 00:32:55,400 --> 00:32:58,880 Speaker 2: classic big yellow school buses. Then he asked Jack Kerouac's 680 00:32:58,960 --> 00:33:01,680 Speaker 2: inspiration for his care directer Dean Moriarty from his book 681 00:33:01,680 --> 00:33:05,120 Speaker 2: On the Road One, Neil Cassidy, to be the bus driver. 682 00:33:05,640 --> 00:33:08,040 Speaker 2: Neil Cassidy's like, I ain't got anything to do right now. 683 00:33:08,200 --> 00:33:11,760 Speaker 2: He eagerly accepts, and so they then name this bus 684 00:33:11,880 --> 00:33:14,160 Speaker 2: further and then they call the folks who load up 685 00:33:14,200 --> 00:33:17,400 Speaker 2: onto the bus the Mary Pranksters. The writer Tom Wolf 686 00:33:17,440 --> 00:33:19,120 Speaker 2: he wrote a whole book about this and bust in 687 00:33:19,160 --> 00:33:21,680 Speaker 2: the trip. It's called the Electric kool Aid Acid Test. 688 00:33:22,000 --> 00:33:24,600 Speaker 2: There's also, by the way, a documentary film that recorded 689 00:33:24,600 --> 00:33:27,000 Speaker 2: this whole epic road trip, and like ken Kesey brought 690 00:33:27,000 --> 00:33:28,720 Speaker 2: like his four year old son on this trip. It 691 00:33:28,880 --> 00:33:32,280 Speaker 2: is like a really irresponsible psychedelic trip. But you can 692 00:33:32,320 --> 00:33:35,000 Speaker 2: see Neil Cassidy right the spirit of the Beat generation, 693 00:33:35,480 --> 00:33:38,800 Speaker 2: all hopped up on amphetamines because that's what the Beats preferred, 694 00:33:39,440 --> 00:33:42,160 Speaker 2: just like the jazz musicians who they revered like they're 695 00:33:42,160 --> 00:33:44,520 Speaker 2: popping uppers and playing all night. So that's what he's doing. 696 00:33:44,560 --> 00:33:47,400 Speaker 2: He's popping uppers and driving the bus, and then he's 697 00:33:47,400 --> 00:33:50,400 Speaker 2: talking also that poetic beat talk the whole time. Meanwhile, 698 00:33:50,440 --> 00:33:52,960 Speaker 2: the spirit of the hippies is being born right behind 699 00:33:53,040 --> 00:33:55,600 Speaker 2: him on the bus because you can literally see one 700 00:33:55,680 --> 00:33:58,880 Speaker 2: subculture pass the torch to the new subculture. It's wild. 701 00:33:59,160 --> 00:34:01,200 Speaker 2: So at one point, Neil Cassidy he drives the bus 702 00:34:01,200 --> 00:34:04,160 Speaker 2: off the road in Arizona, and this leads to like, oh, 703 00:34:04,240 --> 00:34:07,040 Speaker 2: it's just while we're stuck here, have an impromptu acid party. 704 00:34:07,080 --> 00:34:10,440 Speaker 2: So ken Kesey doses everyone with LSD, some people not 705 00:34:10,560 --> 00:34:12,960 Speaker 2: knowing it, and together they all decide, let's paint the 706 00:34:13,000 --> 00:34:16,040 Speaker 2: school bus. And that's where we get the look and 707 00:34:16,080 --> 00:34:19,920 Speaker 2: the aesthetic of the psychedelic hippie thing like that bus 708 00:34:19,960 --> 00:34:22,800 Speaker 2: trip literally launches the look and the spirit of the 709 00:34:22,840 --> 00:34:28,040 Speaker 2: psychedelic Sextys, exactly everything you would associate with like Hate 710 00:34:28,040 --> 00:34:31,120 Speaker 2: Ashbury nineteen sixty seven. It's on the side of that bus. 711 00:34:32,120 --> 00:34:36,160 Speaker 2: And then came the first early ken Kesey inspired acid tests. 712 00:34:36,200 --> 00:34:38,479 Speaker 2: When they get back to the California in sixty five. 713 00:34:38,719 --> 00:34:41,040 Speaker 2: That's where you'd have like a whole party drop acid 714 00:34:41,200 --> 00:34:43,960 Speaker 2: and a band would play and such as one of 715 00:34:44,000 --> 00:34:46,480 Speaker 2: your favorite bands you mentioned them earlier, the Grateful Dead. 716 00:34:46,920 --> 00:34:49,920 Speaker 2: They spontaneously would create a live soundtrack for these so 717 00:34:50,000 --> 00:34:53,520 Speaker 2: called acid tests. But you know, soon after he starts 718 00:34:53,560 --> 00:34:56,000 Speaker 2: this at ken Kesey has to skip out out of 719 00:34:56,040 --> 00:34:57,759 Speaker 2: the country. Yeah, and he misses out on the whole 720 00:34:57,760 --> 00:34:59,479 Speaker 2: summer of love. He doesn't see any of it actually 721 00:34:59,480 --> 00:35:01,719 Speaker 2: occur because he had to flee the country and hop 722 00:35:01,760 --> 00:35:05,160 Speaker 2: the border over to Mexico in nineteen sixty six, one 723 00:35:05,200 --> 00:35:07,600 Speaker 2: step ahead of the law after they were after him 724 00:35:07,600 --> 00:35:10,560 Speaker 2: for marijuana charges. Anyway, back to the Grateful Dead and 725 00:35:10,640 --> 00:35:13,040 Speaker 2: their role in the acid test in sixty five, there 726 00:35:13,080 --> 00:35:16,279 Speaker 2: was this first house party acid test, right, so the 727 00:35:16,320 --> 00:35:19,319 Speaker 2: band not yet known as the Grateful Dead, they play 728 00:35:19,400 --> 00:35:22,840 Speaker 2: their that first acid test. One week later they changed 729 00:35:22,880 --> 00:35:24,399 Speaker 2: their band name to The Grateful Dead. 730 00:35:24,600 --> 00:35:26,319 Speaker 3: See it was an inspiration, I. 731 00:35:26,280 --> 00:35:28,879 Speaker 2: Have to assume as a result of the LSD, probably right. 732 00:35:28,920 --> 00:35:31,040 Speaker 2: And so then they played the second acid test. It 733 00:35:31,080 --> 00:35:33,600 Speaker 2: was in santase in the backyard of what would become 734 00:35:33,600 --> 00:35:36,680 Speaker 2: the Silicon Valley. So the Grateful Dead were so into 735 00:35:36,680 --> 00:35:39,080 Speaker 2: this new acid scene that they start playing acid test 736 00:35:39,120 --> 00:35:43,160 Speaker 2: house parties for the next full year. Yeah, a whole 737 00:35:43,239 --> 00:35:46,480 Speaker 2: year of acid and just playing soundtrack in parties. This 738 00:35:46,719 --> 00:35:50,720 Speaker 2: creates the popularity, like the underground cool of this scene 739 00:35:50,719 --> 00:35:53,560 Speaker 2: that then it kind of creates and promotes this new 740 00:35:53,600 --> 00:35:56,600 Speaker 2: spirit in the Bay Area specifically. Then it takes hold 741 00:35:56,600 --> 00:35:58,960 Speaker 2: in the hate Ashbury where they have a house, and 742 00:35:59,000 --> 00:36:01,360 Speaker 2: then that bursts forth in the Summer of sixty seven 743 00:36:01,440 --> 00:36:04,279 Speaker 2: as aka the Summer of Love in San Francisco, and 744 00:36:04,320 --> 00:36:06,239 Speaker 2: that's when the rest of the world is introduced to 745 00:36:06,280 --> 00:36:09,880 Speaker 2: hippies and psychedelia. Now is a both know nothing lasts forever, 746 00:36:10,120 --> 00:36:12,920 Speaker 2: and so that fun, buoyant, experimental spirit of the Summer 747 00:36:12,920 --> 00:36:14,880 Speaker 2: of Love, it doesn't last. It eventually gives way to 748 00:36:15,400 --> 00:36:17,839 Speaker 2: back to the land communes, which kind of often turn 749 00:36:17,960 --> 00:36:21,040 Speaker 2: and devolve into cults and some other weird behavior, and 750 00:36:21,080 --> 00:36:23,680 Speaker 2: then this whole spirit it gets swept under the cocaine 751 00:36:23,760 --> 00:36:26,759 Speaker 2: fuel disco scene of the nineteen seventies. So it really 752 00:36:26,760 --> 00:36:29,279 Speaker 2: only lasted for three years, maybe four, depending on how 753 00:36:29,320 --> 00:36:31,759 Speaker 2: you want to count them. But there you go. That's 754 00:36:31,840 --> 00:36:35,480 Speaker 2: how LSD became illegal. Take a little break, drink some 755 00:36:35,520 --> 00:36:38,080 Speaker 2: orange juice to keep this trip going, man, And so 756 00:36:38,080 --> 00:36:41,440 Speaker 2: we listen to some more consumeris ads. Brother. When we 757 00:36:41,480 --> 00:36:43,839 Speaker 2: get back, we'll dip back into some more epic acid 758 00:36:43,880 --> 00:36:46,040 Speaker 2: trips and as I as I told you, these will 759 00:36:46,080 --> 00:36:49,319 Speaker 2: be from celebrities like Keith Richards and John Lennon. They 760 00:36:49,360 --> 00:36:51,040 Speaker 2: took an acid road trip together. 761 00:36:51,600 --> 00:37:09,320 Speaker 4: What yes back in two and two? 762 00:37:13,560 --> 00:37:16,959 Speaker 2: Elizabeth, are you enjoying the psychedelic kick very much? 763 00:37:17,200 --> 00:37:18,640 Speaker 3: I'm enjoying it very much. 764 00:37:18,920 --> 00:37:22,760 Speaker 2: I figure it's a Bay Area story largely. It's also 765 00:37:22,920 --> 00:37:25,279 Speaker 2: just something that I'm not sure how familiar you are 766 00:37:25,320 --> 00:37:27,000 Speaker 2: with all this stuff. I know you know about the 767 00:37:27,000 --> 00:37:30,360 Speaker 2: Grateful Dead. You read the book by the songwriter, so 768 00:37:30,400 --> 00:37:33,000 Speaker 2: you're very familiar with the LSD culture. Yeah, But like 769 00:37:33,960 --> 00:37:36,000 Speaker 2: I just wasten really fascinated by all this in my 770 00:37:36,080 --> 00:37:39,000 Speaker 2: research was fascinating, especially the Albert Hoffman stuff. I didn't 771 00:37:39,000 --> 00:37:41,480 Speaker 2: know any of that, nor did I. So Okay, so 772 00:37:41,520 --> 00:37:43,360 Speaker 2: far I've tried to convey to you the fullness of 773 00:37:43,400 --> 00:37:45,240 Speaker 2: the appeal and the dangers of acid. 774 00:37:45,360 --> 00:37:45,600 Speaker 3: Yeah. 775 00:37:45,719 --> 00:37:47,759 Speaker 2: Now are you ready to hear a wild one about 776 00:37:47,760 --> 00:37:49,400 Speaker 2: the medical possibilities of LSD? 777 00:37:49,600 --> 00:37:49,960 Speaker 3: I am. 778 00:37:50,360 --> 00:37:53,560 Speaker 2: There's this woman who once accidentally took five hundred and 779 00:37:53,600 --> 00:37:56,400 Speaker 2: fifty times the normal amount one would take of acid. 780 00:37:57,080 --> 00:38:00,799 Speaker 2: It sent her into one hillacious trip. Yeah, and when 781 00:38:00,800 --> 00:38:02,720 Speaker 2: she came out of it, her lime disease was cured. 782 00:38:05,440 --> 00:38:08,520 Speaker 2: I got true story. The woman apparently had contracted lime 783 00:38:08,560 --> 00:38:11,200 Speaker 2: disease in her twenties, and then the disease gave her 784 00:38:11,239 --> 00:38:14,400 Speaker 2: this like debilitating pain in her like legs, her feet, 785 00:38:14,440 --> 00:38:17,360 Speaker 2: her ankles. Yeah, she lives with this pain for decades 786 00:38:17,960 --> 00:38:20,319 Speaker 2: until one day in her forties. And this was in 787 00:38:20,600 --> 00:38:23,600 Speaker 2: twenty fifteen. Okay, she takes a bunch of acid with 788 00:38:23,640 --> 00:38:26,239 Speaker 2: some friends, like, way, way too much. 789 00:38:26,920 --> 00:38:27,560 Speaker 3: Took that much. 790 00:38:27,840 --> 00:38:30,200 Speaker 2: No, the guy who gave them the acid, it was 791 00:38:30,239 --> 00:38:33,520 Speaker 2: liquid acid. He misread the dosage for how much pure 792 00:38:33,560 --> 00:38:37,799 Speaker 2: crystalline LSD twenty five, So instead of a reasonable recreational dosage, 793 00:38:37,880 --> 00:38:41,040 Speaker 2: she took fifty five milligrams, So five hundred and fifty 794 00:38:41,040 --> 00:38:42,640 Speaker 2: times the normal dose of acid. 795 00:38:42,719 --> 00:38:43,239 Speaker 3: Oh my god. 796 00:38:43,440 --> 00:38:45,320 Speaker 2: Also, by the way, she didn't expect it to be acid. 797 00:38:45,520 --> 00:38:47,840 Speaker 2: She thought the crystal she was taking was cocye en. 798 00:38:48,800 --> 00:38:50,680 Speaker 3: Wait wait, okay, stop. 799 00:38:50,840 --> 00:38:53,680 Speaker 2: So she thought she was taking like the coke and 800 00:38:53,719 --> 00:38:55,880 Speaker 2: Ted turned to tink. Sure, yeah, I guess. So, I 801 00:38:55,920 --> 00:38:57,600 Speaker 2: don't know how some people like they put it in 802 00:38:57,640 --> 00:38:59,160 Speaker 2: like they can't snort it anymore, so they put it 803 00:38:59,200 --> 00:39:03,240 Speaker 2: in juice or the Yeah. Instead, it's don't judge. 804 00:39:03,719 --> 00:39:05,000 Speaker 3: Yeah, I'm judging over here. 805 00:39:05,239 --> 00:39:06,160 Speaker 2: So what happens when. 806 00:39:06,320 --> 00:39:07,960 Speaker 3: I mean, I got the robe in the gavel? 807 00:39:08,080 --> 00:39:10,160 Speaker 2: I noticed that, and you got the wig on. Where 808 00:39:10,200 --> 00:39:10,640 Speaker 2: are you from? 809 00:39:10,760 --> 00:39:11,680 Speaker 3: It's England? 810 00:39:11,800 --> 00:39:13,959 Speaker 2: So what happens when she takes five hundred and fifty 811 00:39:14,040 --> 00:39:18,239 Speaker 2: times the normal dose of acid? She explodes, No, the 812 00:39:18,280 --> 00:39:19,720 Speaker 2: answer is nothing, good, nothing. 813 00:39:19,760 --> 00:39:23,440 Speaker 3: But it had been like like an MRI or a 814 00:39:23,480 --> 00:39:25,480 Speaker 3: CT scan going at this oh at the. 815 00:39:25,480 --> 00:39:27,720 Speaker 2: Same time, Well, the medicine does get involved. 816 00:39:27,760 --> 00:39:28,919 Speaker 3: Scan would be cool. 817 00:39:28,960 --> 00:39:31,239 Speaker 2: That'd be had to watch it as it's happening, see 818 00:39:31,239 --> 00:39:34,080 Speaker 2: the holes in her brain form or exactly so. At first, though, 819 00:39:34,160 --> 00:39:37,400 Speaker 2: she she blacks out that's her body in response, and 820 00:39:37,440 --> 00:39:39,719 Speaker 2: then when she comes to, she just starts to puke 821 00:39:39,800 --> 00:39:42,640 Speaker 2: her brains out, like because. 822 00:39:42,680 --> 00:39:45,279 Speaker 3: She redlined every system in her body. 823 00:39:45,040 --> 00:39:49,560 Speaker 2: Completely bodies like reverse course eject eject. And then this, 824 00:39:49,640 --> 00:39:52,160 Speaker 2: by the way, her puking or her like long pukethon, 825 00:39:52,200 --> 00:39:55,120 Speaker 2: it lasts for the next twelve hours, for twelve hours, 826 00:39:55,200 --> 00:39:59,759 Speaker 2: head full of acid. She just keeps puking. God this 827 00:40:00,760 --> 00:40:04,280 Speaker 2: and then during the next twelve hours after that, still 828 00:40:04,320 --> 00:40:06,879 Speaker 2: deep in her pukefon, puking up what little you know water, 829 00:40:07,000 --> 00:40:10,239 Speaker 2: she has her BiH. Yeah, she finds that this hillacious 830 00:40:10,280 --> 00:40:12,240 Speaker 2: part had kind of passed and now she was quote 831 00:40:12,360 --> 00:40:16,880 Speaker 2: pleasantly high apparently, and other than of course the constant vomiting, 832 00:40:17,120 --> 00:40:19,440 Speaker 2: so you know, there's that pagombini od acid. I just 833 00:40:19,440 --> 00:40:22,160 Speaker 2: can't imagine how that would be horrendous. But anyway, ten 834 00:40:22,200 --> 00:40:26,120 Speaker 2: hours after this, she's finally able to utter more than 835 00:40:26,160 --> 00:40:29,160 Speaker 2: a few random words of gibberish. Soon enough, she's able 836 00:40:29,160 --> 00:40:31,560 Speaker 2: to listen to her roommate and her eyes stop lolling 837 00:40:31,600 --> 00:40:33,759 Speaker 2: around in her head, and then she starts being able 838 00:40:33,800 --> 00:40:36,120 Speaker 2: to spit out like more than just a few random words, 839 00:40:36,120 --> 00:40:39,720 Speaker 2: but she's actually able to like hold a conversation until 840 00:40:39,760 --> 00:40:42,000 Speaker 2: Finally she's able to come down, and then she's able 841 00:40:42,040 --> 00:40:42,760 Speaker 2: to fall asleep. 842 00:40:43,320 --> 00:40:43,600 Speaker 3: Okay. 843 00:40:43,640 --> 00:40:46,920 Speaker 2: The next day she wakes up and she discovers shocker 844 00:40:46,960 --> 00:40:50,880 Speaker 2: of all shockers, her debilitating pain from the lime disease gone. 845 00:40:51,719 --> 00:40:52,880 Speaker 3: Wow, her feet. 846 00:40:52,640 --> 00:40:55,640 Speaker 2: And ankles no longer ached. Then she found that after 847 00:40:55,719 --> 00:40:58,279 Speaker 2: three days the pain it did come back, but she 848 00:40:58,280 --> 00:41:00,879 Speaker 2: could treat it by popping a low dose of morphine 849 00:41:00,920 --> 00:41:02,720 Speaker 2: and a microdose of LSD. 850 00:41:03,000 --> 00:41:04,960 Speaker 3: Sure, the morphine's going to help the pain. 851 00:41:05,120 --> 00:41:07,479 Speaker 2: She'd been taking a high dose of morphine for her pain. 852 00:41:07,600 --> 00:41:10,400 Speaker 2: She just ratcheted down to a low dose and then 853 00:41:10,440 --> 00:41:12,800 Speaker 2: the micro dose of LSD. So she keeps this regimen 854 00:41:12,920 --> 00:41:16,799 Speaker 2: up for two years, and then she weans herself off 855 00:41:16,840 --> 00:41:20,319 Speaker 2: of the morphine and then just stops microdosing LSD. By 856 00:41:20,400 --> 00:41:23,960 Speaker 2: January of twenty eighteen, totally pain free. The LSD had 857 00:41:24,080 --> 00:41:27,440 Speaker 2: cured her lyme disease. Wow, that's said. There was a 858 00:41:27,520 --> 00:41:29,600 Speaker 2: bit of a trade off, because she did experience an 859 00:41:29,600 --> 00:41:33,279 Speaker 2: increase in her anxiety, her depression, and her desire for 860 00:41:33,360 --> 00:41:37,560 Speaker 2: social withdrawal. So there is that. So now she can dance, 861 00:41:37,600 --> 00:41:39,440 Speaker 2: but she doesn't want to dance near anybody she's got. 862 00:41:39,480 --> 00:41:42,160 Speaker 2: There's always something, So it wasn't a perfect cure. 863 00:41:42,160 --> 00:41:44,720 Speaker 3: All what I seemed to have some suffering. 864 00:41:44,760 --> 00:41:47,200 Speaker 2: Aren't we all? That's what the Buddhists tell me exactly. Now, 865 00:41:47,200 --> 00:41:49,200 Speaker 2: to be clear, I'm not saying anyone should take mega 866 00:41:49,200 --> 00:41:51,319 Speaker 2: looads of acid to try to cure their product pain. 867 00:41:51,960 --> 00:41:54,600 Speaker 2: But I am saying is that, like Albert Hoffman believed, 868 00:41:54,719 --> 00:41:57,319 Speaker 2: LSD twenty five is a strange wonder drug and quite 869 00:41:57,320 --> 00:42:00,600 Speaker 2: possibly has many therapeutic uses for human being. Yeah, we 870 00:42:00,680 --> 00:42:02,319 Speaker 2: just don't know what they are because people aren't allowed 871 00:42:02,320 --> 00:42:03,360 Speaker 2: to experiment with acid. 872 00:42:03,480 --> 00:42:04,480 Speaker 3: That's the worst part of that. 873 00:42:04,800 --> 00:42:07,719 Speaker 2: Now, unlike many other street drugs, there's never been a 874 00:42:07,719 --> 00:42:11,520 Speaker 2: documented fatal overdose of LSD. Okay, this woman got the 875 00:42:11,560 --> 00:42:14,120 Speaker 2: closest that we are ever. Yeah, but she lives because 876 00:42:14,120 --> 00:42:17,960 Speaker 2: apparently scientists they theorized it's possible. They think that fourteen 877 00:42:18,000 --> 00:42:21,360 Speaker 2: thousand micrograms is the likely threshold for a fatal overdose 878 00:42:21,400 --> 00:42:24,120 Speaker 2: of acid, which, if you're keeping scores, about two and 879 00:42:24,120 --> 00:42:27,400 Speaker 2: a half times what this woman took. The lime disease sufferer, 880 00:42:27,800 --> 00:42:30,400 Speaker 2: she was right like almost redlining fatal dosage. 881 00:42:30,400 --> 00:42:35,120 Speaker 3: It feels like a total CSI episode. Yeah, that someone 882 00:42:35,120 --> 00:42:36,440 Speaker 3: gets a fatal dose of Ells. 883 00:42:36,719 --> 00:42:40,160 Speaker 2: He watched CSI I used to have, like you didn't 884 00:42:40,160 --> 00:42:41,560 Speaker 2: even go to like house or like some of the 885 00:42:41,560 --> 00:42:43,160 Speaker 2: funner medical It's like. 886 00:42:43,080 --> 00:42:48,080 Speaker 3: A kind of yeah, it's like a silly, campy thing. 887 00:42:48,360 --> 00:42:50,000 Speaker 2: I mostly know it from like the memes and like 888 00:42:50,080 --> 00:42:52,120 Speaker 2: my mother telling me she was watching it. So I'm sorry, 889 00:42:52,160 --> 00:42:54,440 Speaker 2: I don't really know CSI. I do know the beginning 890 00:42:54,440 --> 00:42:55,799 Speaker 2: where he puts the sunglasses on. 891 00:42:55,920 --> 00:42:57,480 Speaker 3: That's the Miami one I never watched. 892 00:42:57,520 --> 00:42:59,319 Speaker 2: Oh that's the Miami one. That's not the og No. 893 00:42:59,400 --> 00:43:03,280 Speaker 3: That's a vague. Oh, actually the Vegas. 894 00:43:03,480 --> 00:43:05,279 Speaker 2: I take it all back. You were like deep in 895 00:43:05,320 --> 00:43:05,640 Speaker 2: the cut. 896 00:43:05,840 --> 00:43:07,680 Speaker 3: Yeah, basically all the time. 897 00:43:08,000 --> 00:43:10,160 Speaker 2: Now I mentioned earlier, and we haven't quite gotten it 898 00:43:10,200 --> 00:43:13,040 Speaker 2: to this yet, but we can't skip over it. Where 899 00:43:13,120 --> 00:43:15,239 Speaker 2: does Keith Richards fit into all this acid top? 900 00:43:15,360 --> 00:43:17,799 Speaker 3: That is the question on my mind right. 901 00:43:17,880 --> 00:43:20,280 Speaker 2: Well, thanks for keeping me on track, Elizabeth, no problem. 902 00:43:20,280 --> 00:43:22,360 Speaker 2: Like I said up top, one time, John Lennon and 903 00:43:22,440 --> 00:43:25,680 Speaker 2: Keith Richards took an acid road trip together. We know 904 00:43:25,800 --> 00:43:28,200 Speaker 2: this because Keith Richards wrote about it in his twenty 905 00:43:28,280 --> 00:43:31,720 Speaker 2: ten memoir Life Now. This happened in neither nineteen sixty 906 00:43:31,760 --> 00:43:34,640 Speaker 2: seven or nineteen sixty eight. Keith Richard doesn't exactly remember 907 00:43:34,719 --> 00:43:37,080 Speaker 2: what year it was. I mean, can you blame the man, 908 00:43:38,040 --> 00:43:40,320 Speaker 2: but we do know he was deep in a psychedelic space. 909 00:43:40,320 --> 00:43:42,120 Speaker 2: So it was in that period. Now, Elizabeth, it may 910 00:43:42,160 --> 00:43:44,400 Speaker 2: surprise you to hear that John Lennon and Keith Richards 911 00:43:44,440 --> 00:43:47,400 Speaker 2: would do acid together. Since they weren't exactly known to 912 00:43:47,400 --> 00:43:49,480 Speaker 2: be big fans of each other. He kind of actually 913 00:43:49,520 --> 00:43:51,960 Speaker 2: had like, you know, like a falling out like a 914 00:43:51,960 --> 00:43:54,520 Speaker 2: long time. But at least they would snipe each other 915 00:43:54,560 --> 00:43:56,960 Speaker 2: in the press. Yeah, right, But that all comes later, 916 00:43:57,000 --> 00:43:59,960 Speaker 2: because in sixty seven or sixty eight they were still friendly, 917 00:44:00,400 --> 00:44:02,840 Speaker 2: and so they had with them a quart of acid 918 00:44:02,960 --> 00:44:06,520 Speaker 2: liquid and they decided to take a road trip together. 919 00:44:08,800 --> 00:44:11,479 Speaker 2: They could have so much coffee. So by then John 920 00:44:11,520 --> 00:44:13,719 Speaker 2: Lennon had already been dosed by his dentist and he 921 00:44:13,719 --> 00:44:16,239 Speaker 2: had endured the bummer bad trip at Peter Fonda, so 922 00:44:16,640 --> 00:44:18,560 Speaker 2: you know, he knew what he was in for, and 923 00:44:18,600 --> 00:44:22,600 Speaker 2: surprisingly he was still willing to get sideways with Keith Richards. Now, 924 00:44:22,640 --> 00:44:25,279 Speaker 2: in his memoir, Keith says that their epic acid road 925 00:44:25,280 --> 00:44:28,400 Speaker 2: trip was an episode of such extremes that can barely 926 00:44:28,440 --> 00:44:31,960 Speaker 2: piece together a fragment, right, he doesn't remember any of it. 927 00:44:32,040 --> 00:44:34,520 Speaker 2: The story goes, though, he actually had to go and 928 00:44:34,560 --> 00:44:36,000 Speaker 2: like talk to someone else who was on the trip 929 00:44:36,000 --> 00:44:37,960 Speaker 2: with them, be like what do you remember, so he 930 00:44:38,000 --> 00:44:41,239 Speaker 2: could get the stick piece together his fragmented memory. So 931 00:44:41,280 --> 00:44:44,239 Speaker 2: the story goes, the two weren't together in London at 932 00:44:44,239 --> 00:44:46,799 Speaker 2: a nightclub in Hyde Park when the idea came to them. 933 00:44:46,880 --> 00:44:48,880 Speaker 2: It was like in the small hours of the morning, 934 00:44:48,920 --> 00:44:51,080 Speaker 2: like two three in the morning, when the idea was like, 935 00:44:51,400 --> 00:44:54,040 Speaker 2: we should take a bunch of acid and drive across England, 936 00:44:54,239 --> 00:44:55,960 Speaker 2: and like that's when that sounds like a good idea 937 00:44:56,000 --> 00:44:58,759 Speaker 2: in the small hours of the morning right now. So 938 00:44:58,880 --> 00:45:02,319 Speaker 2: there's Purple out just before dawn when their adventure begins, 939 00:45:02,840 --> 00:45:05,360 Speaker 2: there's John Lennon and Keith Richards, and with them is 940 00:45:05,400 --> 00:45:08,080 Speaker 2: also Carrie Anne Mohler. I don't expect you to know 941 00:45:08,080 --> 00:45:10,880 Speaker 2: who that is, no, but if you're wondering, she was 942 00:45:10,960 --> 00:45:14,080 Speaker 2: the wife of Mick Jagger's younger brother, Chris Jagger. 943 00:45:15,560 --> 00:45:17,319 Speaker 3: Chris Jagger, I don't know. 944 00:45:18,760 --> 00:45:21,160 Speaker 2: Why is Chris Jagger's wife going on a road trip 945 00:45:21,200 --> 00:45:25,239 Speaker 2: with Keith Richards and John Lennon. I just kind of 946 00:45:25,239 --> 00:45:27,120 Speaker 2: freaky like that. I don't know. I won't judge. That 947 00:45:27,120 --> 00:45:29,920 Speaker 2: would be my turn not to judge. So they also 948 00:45:30,040 --> 00:45:33,640 Speaker 2: had Keith Richards driver his chauffeur with them. Thank god 949 00:45:33,680 --> 00:45:37,279 Speaker 2: they had a show. So because Keith Richards remembers it, 950 00:45:37,520 --> 00:45:39,799 Speaker 2: it was one of those cases of John wanting to 951 00:45:39,840 --> 00:45:41,000 Speaker 2: do more drugs than me. 952 00:45:42,040 --> 00:45:42,360 Speaker 3: Wow. 953 00:45:43,000 --> 00:45:45,239 Speaker 2: Let me tell you right, that's serious that if you 954 00:45:45,280 --> 00:45:48,640 Speaker 2: want to outpace Keith Richards on drugs like danger danger 955 00:45:48,880 --> 00:45:51,719 Speaker 2: ye flash the lights yea. So also, by the way, 956 00:45:51,719 --> 00:45:53,920 Speaker 2: I should point out, they had quite a drug stash 957 00:45:54,000 --> 00:45:56,279 Speaker 2: with them, as Keith tells it, they had a. 958 00:45:56,360 --> 00:45:59,240 Speaker 6: Huge bag of weed, a lump of hash and acid 959 00:45:59,680 --> 00:46:03,200 Speaker 6: court so they get tuned up on the acid. 960 00:46:03,200 --> 00:46:05,279 Speaker 2: They're smoking the hash and the weed and they're like, 961 00:46:05,360 --> 00:46:08,080 Speaker 2: let's hit the road. Their first place they decided to 962 00:46:08,120 --> 00:46:10,040 Speaker 2: go is John Lennon's place, and at this time he 963 00:46:10,160 --> 00:46:13,359 Speaker 2: was married with his with his wife Cynthia, and they 964 00:46:13,360 --> 00:46:16,719 Speaker 2: lived in a rural country manor. So, as Keith tells it, 965 00:46:16,760 --> 00:46:19,520 Speaker 2: they popped out to Lennon's country home and said hi 966 00:46:19,600 --> 00:46:23,719 Speaker 2: to Cynthia. So perhaps it was to get permission for 967 00:46:23,800 --> 00:46:26,160 Speaker 2: John Lennon to disappear for like three days or something. 968 00:46:26,200 --> 00:46:28,040 Speaker 2: I don't know. I guess she gave him the green 969 00:46:28,080 --> 00:46:30,120 Speaker 2: flag to go because boom, now they're off on their 970 00:46:30,160 --> 00:46:30,719 Speaker 2: merry way. 971 00:46:30,800 --> 00:46:31,120 Speaker 3: Yeah. 972 00:46:31,280 --> 00:46:33,840 Speaker 2: Heads full of acid, they tell the shrif for drive 973 00:46:33,960 --> 00:46:37,040 Speaker 2: them to their next proposed stop on their magical mystery tour, 974 00:46:37,320 --> 00:46:39,960 Speaker 2: which was Carrie Anne Muller's mother's place. 975 00:46:41,200 --> 00:46:45,280 Speaker 3: Why, like the extended family tree on this is amazing, right, there's. 976 00:46:45,120 --> 00:46:47,919 Speaker 2: Like, hey, we should go see my mom. She's always 977 00:46:47,960 --> 00:46:51,640 Speaker 2: wanted to meet you, John, So they go. I guess 978 00:46:51,640 --> 00:46:53,359 Speaker 2: it made sense at the time. Who knows her mother 979 00:46:53,400 --> 00:46:55,840 Speaker 2: lived at the English seaside in this little town, and 980 00:46:55,880 --> 00:46:58,880 Speaker 2: they planned to show up unannounced, twisted on acid and 981 00:46:58,960 --> 00:47:01,600 Speaker 2: arrived just in time for breakfast. What a treat that 982 00:47:01,600 --> 00:47:04,120 Speaker 2: would be, right, Or, as Keith tells it, what a 983 00:47:04,200 --> 00:47:05,239 Speaker 2: nice visit for her mother. 984 00:47:05,560 --> 00:47:07,840 Speaker 6: A couple of flying acid heads who've been up for 985 00:47:07,840 --> 00:47:08,680 Speaker 6: a couple of nights. 986 00:47:08,880 --> 00:47:13,200 Speaker 2: We got there about dawn. Yeah. So, however, Keith means 987 00:47:13,239 --> 00:47:16,080 Speaker 2: their mother's little seaside town because before they show up 988 00:47:16,080 --> 00:47:19,479 Speaker 2: at her mother's house, they decide to stop at a cafe. Why. 989 00:47:19,560 --> 00:47:21,480 Speaker 2: Once again, I have no idea. Maybe they wanted to 990 00:47:21,760 --> 00:47:23,880 Speaker 2: coffee to kind of sober up. Maybe they just wanted 991 00:47:23,880 --> 00:47:26,160 Speaker 2: some bangers in mash who knows no idea. Maybe I 992 00:47:26,200 --> 00:47:29,680 Speaker 2: wanted English breakfast, you know, put some beans on my plate. No, 993 00:47:29,920 --> 00:47:34,240 Speaker 2: so they decide, you know, but well, rather than speculate, Elizabeth, 994 00:47:34,360 --> 00:47:36,760 Speaker 2: let's just dive into this weird little moment of rock history. 995 00:47:36,840 --> 00:47:38,960 Speaker 2: I'd like you, if you'd be so kind to Elizabeth, I'd 996 00:47:38,960 --> 00:47:41,840 Speaker 2: like you to close your eyes. I'd like you to 997 00:47:41,960 --> 00:47:52,399 Speaker 2: picture it. It's early in the morning. I'm talking super early, 998 00:47:52,480 --> 00:47:55,719 Speaker 2: which is unfortunate because you're up. Why because you're a 999 00:47:55,760 --> 00:47:58,000 Speaker 2: cafe cat, you know, like one of those cats that 1000 00:47:58,080 --> 00:48:00,200 Speaker 2: lives in a cafe and the type of gets to 1001 00:48:00,280 --> 00:48:04,920 Speaker 2: wander around because customers find you charming. Plus you're well behaved. 1002 00:48:05,120 --> 00:48:07,560 Speaker 2: You don't hop up on the customer's tables, you don't 1003 00:48:07,560 --> 00:48:11,040 Speaker 2: break glasses or crockery. Like I said, you're well behaved. 1004 00:48:11,120 --> 00:48:13,240 Speaker 2: And at the moment, you're working on a saucer of milk. 1005 00:48:13,600 --> 00:48:16,400 Speaker 2: As you lap it up, purring to yourself. Happy in 1006 00:48:16,440 --> 00:48:20,000 Speaker 2: your early morning moment, you sense a disturbance in the force. 1007 00:48:20,520 --> 00:48:22,360 Speaker 2: You look up from your saucerful of milk and you 1008 00:48:22,400 --> 00:48:25,799 Speaker 2: see the lone waitress for this early morning shift of 1009 00:48:25,880 --> 00:48:29,680 Speaker 2: regulars staring out the window. She has stopped flat footed 1010 00:48:29,680 --> 00:48:32,920 Speaker 2: and is gawking at something outside the window. One of 1011 00:48:32,960 --> 00:48:36,439 Speaker 2: the early morning regulars calls over to her and asks 1012 00:48:36,480 --> 00:48:38,879 Speaker 2: for a fresh cup of tea. He taps a tea 1013 00:48:38,920 --> 00:48:41,799 Speaker 2: spoon against his cup that brings the waitress round. She 1014 00:48:41,880 --> 00:48:45,080 Speaker 2: walks over to his table, teapot in hand. Her shoes 1015 00:48:45,120 --> 00:48:48,799 Speaker 2: squeaks softly against the freshly cleaned floor. She apologizes for 1016 00:48:48,840 --> 00:48:51,480 Speaker 2: the awkward pause at the window and pours a fresh 1017 00:48:51,560 --> 00:48:55,000 Speaker 2: cup of It's English breakfast. It's always English breakfast. The 1018 00:48:55,040 --> 00:48:57,680 Speaker 2: din of conversation is a pleasant backdrop. As you return 1019 00:48:57,760 --> 00:49:00,839 Speaker 2: to your attention of the saucer of milk, you laugh 1020 00:49:00,960 --> 00:49:04,919 Speaker 2: up the heavy cream deliciousness, enjoying each tongue ful. That's 1021 00:49:04,960 --> 00:49:08,160 Speaker 2: when you hear it. The bell over the cafe door chimes. 1022 00:49:08,360 --> 00:49:12,080 Speaker 2: The door sweeps open, and standing there in the doorway 1023 00:49:12,080 --> 00:49:15,480 Speaker 2: are three young folks who immediately stop dead in their tracks. 1024 00:49:15,719 --> 00:49:18,840 Speaker 2: They stand there in the open doorway. The moment seems 1025 00:49:18,840 --> 00:49:22,759 Speaker 2: to last interminably long. You watch them, and all of 1026 00:49:22,760 --> 00:49:25,080 Speaker 2: the morning regulars in the cafe stop what they're doing 1027 00:49:25,120 --> 00:49:27,760 Speaker 2: to turn and watch them. The cafe is now silent, 1028 00:49:28,160 --> 00:49:30,959 Speaker 2: until without any reason that you can detect the three 1029 00:49:31,000 --> 00:49:33,440 Speaker 2: young folks who are grinning like idiots and look like 1030 00:49:33,480 --> 00:49:36,040 Speaker 2: they've been up all night. They all burst out laughing. 1031 00:49:36,160 --> 00:49:38,840 Speaker 2: They practically fall over themselves with a wicked case of 1032 00:49:38,880 --> 00:49:43,200 Speaker 2: the giggles. They find something who knows terribly funny, but 1033 00:49:43,440 --> 00:49:46,160 Speaker 2: no one in this cafe shares the joke. After the 1034 00:49:46,200 --> 00:49:49,360 Speaker 2: three young folks stop laughing, they step through the open doorway, 1035 00:49:49,600 --> 00:49:51,959 Speaker 2: first the young woman with the crazy messed up hair, 1036 00:49:52,160 --> 00:49:54,719 Speaker 2: then the young men. The ganglier of the two young 1037 00:49:54,760 --> 00:49:58,000 Speaker 2: men steps through first. He's followed by the second young man, 1038 00:49:58,160 --> 00:50:00,480 Speaker 2: the one wearing glasses that look like he borrowed them 1039 00:50:00,520 --> 00:50:03,200 Speaker 2: from his grandmother. The three laughing idiots take a seat 1040 00:50:03,200 --> 00:50:05,719 Speaker 2: at the counter. They jostle each other as they get situated, 1041 00:50:05,880 --> 00:50:08,960 Speaker 2: some more titters of laughter. The one wearing his grandma's 1042 00:50:08,960 --> 00:50:11,960 Speaker 2: glasses pipes up, boy, can we get a spot of service? 1043 00:50:12,040 --> 00:50:12,200 Speaker 6: Love? 1044 00:50:12,800 --> 00:50:15,440 Speaker 2: That sends the three idiots into another laughing fit. The 1045 00:50:15,480 --> 00:50:17,960 Speaker 2: waitress rolls her eyes and walks over to them. She 1046 00:50:18,120 --> 00:50:20,319 Speaker 2: brings with her the pot of English breakfast teeth. She 1047 00:50:20,360 --> 00:50:23,400 Speaker 2: greets them with no love in her voice. Something funny 1048 00:50:23,400 --> 00:50:26,319 Speaker 2: to you lot. The ganglier one with the shaggy hair, 1049 00:50:26,360 --> 00:50:28,200 Speaker 2: he pipes up, you know you don't need to be 1050 00:50:28,280 --> 00:50:31,040 Speaker 2: on about us. We just want an English breakfast. Mom. 1051 00:50:31,320 --> 00:50:33,360 Speaker 2: The waitress screws up her face into a look of 1052 00:50:33,440 --> 00:50:36,000 Speaker 2: serious disdain. She didn't wake up this early to be 1053 00:50:36,040 --> 00:50:38,560 Speaker 2: talked to like this by a bunch of young, shaggy 1054 00:50:38,560 --> 00:50:41,319 Speaker 2: haired mop tops. And that's when it hits her. She 1055 00:50:41,680 --> 00:50:44,640 Speaker 2: knows the one who looks like he's wearing his grandma's glasses. 1056 00:50:44,680 --> 00:50:49,279 Speaker 2: It's that mouthy beetle John what's his name? He sees it, 1057 00:50:49,360 --> 00:50:52,319 Speaker 2: He sees the moment of her recognition, and you see 1058 00:50:52,320 --> 00:50:54,960 Speaker 2: the laughter drain out of him. His face changes in 1059 00:50:55,000 --> 00:50:58,520 Speaker 2: an instant. The waitress says, you're that loud mouth lad 1060 00:50:58,560 --> 00:51:01,920 Speaker 2: from the Beetles. That you you, John Lennon. He breaks 1061 00:51:01,920 --> 00:51:04,600 Speaker 2: eye contact with the waitress. You don't know the term, 1062 00:51:04,640 --> 00:51:06,800 Speaker 2: but if you did know the term, you'd say she's 1063 00:51:06,920 --> 00:51:09,520 Speaker 2: fully harshed his mellow. Or perhaps you might say she's 1064 00:51:09,560 --> 00:51:12,720 Speaker 2: bummed out as high. Either one would work. She's not done, 1065 00:51:12,840 --> 00:51:15,520 Speaker 2: She says, yeah, that's you, all right. You're that pissy 1066 00:51:15,520 --> 00:51:18,640 Speaker 2: little wink on the radio. The other young felle speaks 1067 00:51:18,680 --> 00:51:23,360 Speaker 2: up to as h he recognized me, love. The waitress 1068 00:51:23,360 --> 00:51:26,200 Speaker 2: gives him the stink eye and says flatly, now, who 1069 00:51:26,239 --> 00:51:29,000 Speaker 2: are you? That brings him right down to earth, just 1070 00:51:29,080 --> 00:51:31,400 Speaker 2: the same as the one in his grandma's glasses. The 1071 00:51:31,440 --> 00:51:34,400 Speaker 2: young woman doesn't say anything until finally she asks, is 1072 00:51:34,440 --> 00:51:38,000 Speaker 2: that English breakfast tea? Before the waitress can answer, the 1073 00:51:38,000 --> 00:51:41,080 Speaker 2: one she recognized, the beatle John Lennon stands up and announceays, 1074 00:51:41,280 --> 00:51:43,799 Speaker 2: come on, Keith, come on, carry Anne. I can't be 1075 00:51:44,000 --> 00:51:47,239 Speaker 2: anymore this place gives me the no goodies. The ganglier 1076 00:51:47,320 --> 00:51:49,880 Speaker 2: one agrees, yeah, mate, let's piss off, And just like 1077 00:51:49,920 --> 00:51:52,359 Speaker 2: that they all stand up. The morning regulars will watch 1078 00:51:52,440 --> 00:51:55,239 Speaker 2: them go. The bell over the door chimes once more, 1079 00:51:55,480 --> 00:51:58,320 Speaker 2: and the door closes behind them, and then someone says, 1080 00:51:58,560 --> 00:52:01,960 Speaker 2: what a bunch of daft, And now it's the regular's 1081 00:52:02,000 --> 00:52:05,560 Speaker 2: turn to all laugh at them. So there you go, Elizabeth, 1082 00:52:05,840 --> 00:52:06,880 Speaker 2: the no goodies. 1083 00:52:07,760 --> 00:52:09,239 Speaker 3: I've got the new goodies. 1084 00:52:09,520 --> 00:52:12,040 Speaker 2: So there you go, Elizabeth. That's when Keith, John Lennon 1085 00:52:12,080 --> 00:52:15,120 Speaker 2: and Mick Jagger's little brother's wife, Carrie Anne all realized 1086 00:52:15,160 --> 00:52:19,040 Speaker 2: precisely just how high they were. According to Keith Richards, 1087 00:52:19,040 --> 00:52:21,239 Speaker 2: when they walked into that cafe, not only was it 1088 00:52:21,280 --> 00:52:23,160 Speaker 2: like throwing cold water in their faces. You have to 1089 00:52:23,239 --> 00:52:26,000 Speaker 2: keep in mind This is at the tail end of Beatlemania, 1090 00:52:26,200 --> 00:52:28,480 Speaker 2: and so John Lennon never knew when people would lose 1091 00:52:28,520 --> 00:52:31,760 Speaker 2: their minds in his proximity. So can you only imagine 1092 00:52:31,800 --> 00:52:33,720 Speaker 2: how wild it must have been to be a beetle 1093 00:52:33,760 --> 00:52:35,280 Speaker 2: and be on acid in public. 1094 00:52:35,719 --> 00:52:39,880 Speaker 3: Oh if people just in your face, making faces and screaming. 1095 00:52:39,520 --> 00:52:41,879 Speaker 2: Wanting things from you, having all these opinions about you, 1096 00:52:42,000 --> 00:52:45,359 Speaker 2: trying to grab stuff from you. Yeah. So at this point, 1097 00:52:45,440 --> 00:52:47,240 Speaker 2: not only did three of them on their magical Mystery 1098 00:52:47,320 --> 00:52:49,600 Speaker 2: Tour acid road trip realize how twisted they were, they 1099 00:52:49,640 --> 00:52:51,480 Speaker 2: all realized what a bad idea it would be to 1100 00:52:51,520 --> 00:52:54,480 Speaker 2: go to Carrie Anne's mother's house in the state they were. Yeah, 1101 00:52:54,520 --> 00:52:57,279 Speaker 2: So instead they popped over to a beach. I'm there. 1102 00:52:57,360 --> 00:52:59,880 Speaker 2: They enjoyed the rest of their acid trip on their own, or, 1103 00:53:00,000 --> 00:53:02,000 Speaker 2: as Keith tells it, that palm trees. 1104 00:53:02,080 --> 00:53:03,920 Speaker 6: So it looks as if we like sat on the 1105 00:53:03,960 --> 00:53:07,920 Speaker 6: Tolkay palm lined esplanade for a great many hours, engrossed 1106 00:53:07,960 --> 00:53:08,960 Speaker 6: in a little world of. 1107 00:53:08,920 --> 00:53:13,080 Speaker 2: I own smart right. Non Surprisingly, Keith Richards is an 1108 00:53:13,160 --> 00:53:16,920 Speaker 2: unreliable narrator for his own life because he doesn't remember 1109 00:53:16,960 --> 00:53:18,960 Speaker 2: what else they did for the next day or so. 1110 00:53:20,120 --> 00:53:22,560 Speaker 2: After they laid about on the esplanade at that shore. 1111 00:53:22,880 --> 00:53:24,040 Speaker 2: But he sums it up like. 1112 00:53:23,960 --> 00:53:28,080 Speaker 6: This, there follow therefore some missing hours because we didn't 1113 00:53:28,080 --> 00:53:30,239 Speaker 6: get back to John's house until after dark. 1114 00:53:31,120 --> 00:53:33,200 Speaker 2: Now I am happy to report though, as Keith finished 1115 00:53:33,280 --> 00:53:35,359 Speaker 2: up his tale of their acid road trip, we got 1116 00:53:35,400 --> 00:53:37,280 Speaker 2: home and so everyone was happy. 1117 00:53:37,600 --> 00:53:40,520 Speaker 3: Yeah, you know that is the measure of success. 1118 00:53:40,520 --> 00:53:42,320 Speaker 2: Did you make it home? And did you have everyone 1119 00:53:42,400 --> 00:53:42,640 Speaker 2: with you? 1120 00:53:43,000 --> 00:53:43,800 Speaker 3: And were they happy? 1121 00:53:43,880 --> 00:53:46,680 Speaker 2: Yeah? O good point and so. And also their chauffeur 1122 00:53:46,760 --> 00:53:48,960 Speaker 2: was there, I think, kind of like as their trip babysitter. 1123 00:53:49,239 --> 00:53:50,680 Speaker 3: Yeah, so helpful. 1124 00:53:50,760 --> 00:53:53,080 Speaker 2: We can also hear the story, but we never do 1125 00:53:53,160 --> 00:53:55,759 Speaker 2: hear this story from John Lennon's perspective because he never 1126 00:53:55,800 --> 00:53:58,959 Speaker 2: spoke of it publicly, because why would he. But John 1127 00:53:59,000 --> 00:54:01,440 Speaker 2: Lennon also had even less of a memory of the 1128 00:54:01,520 --> 00:54:04,520 Speaker 2: chain of events of this road trip than Keith Richards did, 1129 00:54:04,520 --> 00:54:07,200 Speaker 2: because I remember he was doing more drugs, right. So, 1130 00:54:07,280 --> 00:54:08,320 Speaker 2: as Keith tells it. 1131 00:54:08,360 --> 00:54:11,239 Speaker 6: Johnny and I about this sometimes he is later in 1132 00:54:11,280 --> 00:54:14,120 Speaker 6: New York and he would ask what happened on that trip? 1133 00:54:15,480 --> 00:54:18,360 Speaker 2: So there you go. That concludes our little acid field 1134 00:54:18,360 --> 00:54:21,640 Speaker 2: trip through the world of LSD twenty five. What's a 1135 00:54:21,719 --> 00:54:23,880 Speaker 2: ridiculous takeaway here, Elizabeth, I wanted. 1136 00:54:23,600 --> 00:54:26,080 Speaker 3: To keep away from the no goodies, right. 1137 00:54:26,360 --> 00:54:28,360 Speaker 2: I think that's just true in all things acid or 1138 00:54:28,400 --> 00:54:28,920 Speaker 2: no acid. 1139 00:54:29,040 --> 00:54:30,640 Speaker 3: Yeah, what about you? Oh wow? 1140 00:54:30,719 --> 00:54:33,680 Speaker 2: Thank you for asking. As somebody who's done his fair 1141 00:54:33,760 --> 00:54:35,479 Speaker 2: bit of acid when I was a much younger man, 1142 00:54:35,880 --> 00:54:39,160 Speaker 2: I will say, don't feel any compulsion to do it 1143 00:54:39,960 --> 00:54:42,200 Speaker 2: because you know, take in mind all these bad trips 1144 00:54:42,239 --> 00:54:44,359 Speaker 2: these people have, but also don't be afraid of it. 1145 00:54:44,400 --> 00:54:46,640 Speaker 2: But it is what you bring to it, So you know, 1146 00:54:46,880 --> 00:54:50,360 Speaker 2: try to be like Keith Richards, unafraid, fancy and open 1147 00:54:50,400 --> 00:54:54,480 Speaker 2: minded and foxy. Yes they do. So you're the mood 1148 00:54:54,520 --> 00:54:58,239 Speaker 2: for a talkback to race away all of this acid. 1149 00:54:57,960 --> 00:55:01,439 Speaker 3: Hangover ice most certainly, am day. 1150 00:55:02,840 --> 00:55:10,839 Speaker 2: Can you favors the one? Oh god? 1151 00:55:12,800 --> 00:55:19,760 Speaker 7: I hi, Elizabeth and Jaren. I just heard my talkback 1152 00:55:20,600 --> 00:55:24,799 Speaker 7: about the cours Bear smuggling from California to Chicago. Just 1153 00:55:24,840 --> 00:55:28,160 Speaker 7: wanted to clarify that was on a Navy P three aircraft, 1154 00:55:28,440 --> 00:55:31,319 Speaker 7: So the Navy was helping us smuggle Couris beer from 1155 00:55:31,360 --> 00:55:34,000 Speaker 7: California to Chicago. 1156 00:55:34,719 --> 00:55:35,040 Speaker 3: Thanks. 1157 00:55:35,320 --> 00:55:37,560 Speaker 7: I think that's even more ridiculous. 1158 00:55:38,440 --> 00:55:41,840 Speaker 2: Hell, yes, smoking the bandit in the skies on Navy 1159 00:55:41,880 --> 00:55:46,640 Speaker 2: aircraft way more ridiculous. Good dude, I love our dudes. 1160 00:55:46,800 --> 00:55:49,160 Speaker 2: Thank you guys for these are the talkbacks kill us. 1161 00:55:49,320 --> 00:55:51,480 Speaker 2: We were really very much looking forward to listening to 1162 00:55:51,520 --> 00:55:53,200 Speaker 2: what you guys have out there, and this that's an 1163 00:55:53,200 --> 00:55:56,920 Speaker 2: excellent one. Thank you, brother huh. As always, you can 1164 00:55:56,920 --> 00:56:00,440 Speaker 2: find us online Ridiculous Crime on social media, and we 1165 00:56:00,480 --> 00:56:03,719 Speaker 2: now have our account, Ridiculous Crime Pod on YouTube. Go 1166 00:56:03,800 --> 00:56:06,719 Speaker 2: check it out, leave a comment like subscribe, Tell your mama, 1167 00:56:06,760 --> 00:56:09,720 Speaker 2: your daddy, you greasy, greasy granny. We also have our website, 1168 00:56:09,840 --> 00:56:13,600 Speaker 2: Ridiculous Crime dot com. And uh, you know, Elizabeth, I 1169 00:56:13,680 --> 00:56:17,160 Speaker 2: found out recently T Shirt Makers of America have nominated 1170 00:56:17,160 --> 00:56:19,600 Speaker 2: on our website for the website of the Year for 1171 00:56:19,719 --> 00:56:20,560 Speaker 2: T shirt makers. 1172 00:56:20,920 --> 00:56:21,880 Speaker 3: You're kidding, I know. 1173 00:56:22,000 --> 00:56:24,520 Speaker 2: And because we have merch on there, it was a 1174 00:56:24,560 --> 00:56:26,239 Speaker 2: really big deal. I was like, wait, we're a T 1175 00:56:26,360 --> 00:56:29,080 Speaker 2: shirt maker. We weren't nominated for T shirt making. We 1176 00:56:29,080 --> 00:56:29,960 Speaker 2: were dominated just. 1177 00:56:29,880 --> 00:56:32,759 Speaker 3: For the websita. I'll take what I can get. 1178 00:56:32,920 --> 00:56:34,719 Speaker 2: But anyway, if you like our if we want some merch, 1179 00:56:34,760 --> 00:56:36,520 Speaker 2: go check out the website. We got a bunch of stuff. 1180 00:56:36,560 --> 00:56:39,480 Speaker 2: That's where you get a sloth T shirt. Now, obviously, 1181 00:56:39,600 --> 00:56:41,200 Speaker 2: as I said, We love your talkback, so go the 1182 00:56:41,239 --> 00:56:44,520 Speaker 2: iHeart app, download it, record a talkback, reach out to us, 1183 00:56:44,520 --> 00:56:46,279 Speaker 2: and maybe you'll get to hear your voice on here. 1184 00:56:46,320 --> 00:56:49,279 Speaker 2: We'd love to hear it. And what else. Oh yeah, 1185 00:56:49,280 --> 00:56:51,920 Speaker 2: it's Ridiculous Crime at gmail dot com. We'd love your 1186 00:56:51,960 --> 00:56:54,600 Speaker 2: emails also, so please go TYPEE, type type and then 1187 00:56:54,640 --> 00:56:56,399 Speaker 2: people pop up and send it right off to us, 1188 00:56:56,680 --> 00:56:58,960 Speaker 2: and the interns will hand us over the emails and 1189 00:56:59,120 --> 00:57:01,680 Speaker 2: be like, oh laugh. Maybe we'll read it on the air. 1190 00:57:01,840 --> 00:57:02,960 Speaker 3: Maybe maybe. 1191 00:57:03,239 --> 00:57:05,359 Speaker 2: So that's all I got for you, but uh, we'll 1192 00:57:05,360 --> 00:57:08,560 Speaker 2: be back next time and we will catch you next crime. 1193 00:57:13,800 --> 00:57:17,160 Speaker 2: Ridiculous Crime is hosted by Elizabeth Dutton and Zaren Burnett, 1194 00:57:17,320 --> 00:57:20,360 Speaker 2: produced and edited by the Groovous Dude on This Psychedelic 1195 00:57:20,480 --> 00:57:24,960 Speaker 2: Bus maybe Ave Coustin, and starring annals Rucker as Judith. 1196 00:57:25,440 --> 00:57:29,600 Speaker 2: Research is by Keith Richards ghostwriter Marissa Brown. Our theme 1197 00:57:29,640 --> 00:57:32,280 Speaker 2: song is by our Resident Grateful Dead cover band The 1198 00:57:32,400 --> 00:57:36,560 Speaker 2: Hopeful Alive Thomas Lee and Travis Dutton. The host wardrobe 1199 00:57:36,600 --> 00:57:39,400 Speaker 2: provided by Bontany five hundred. Guest hair and makeup by 1200 00:57:39,400 --> 00:57:44,560 Speaker 2: Sparkleshock and mister Andre. Executive producers are Neil Cassidy's beat 1201 00:57:44,640 --> 00:57:48,640 Speaker 2: poetry beat boxer Ben Bolin, and Ken Kesey's backup bus 1202 00:57:48,760 --> 00:57:50,640 Speaker 2: driver Noel Brown. 1203 00:57:55,040 --> 00:58:00,800 Speaker 3: Red Why Say It one more Time? Geek Yes Crime. 1204 00:58:01,840 --> 00:58:05,200 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1205 00:58:05,200 --> 00:58:08,800 Speaker 1: from iHeartRadio. Visit the iHeartRadio app, Apple Podcasts, or wherever 1206 00:58:08,840 --> 00:58:10,280 Speaker 1: you listen to your favorite shows.