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In some film today, I'm gonna 39 00:02:11,919 --> 00:02:14,000 Speaker 2: be zooming in on the second half in the run 40 00:02:14,000 --> 00:02:17,639 Speaker 2: that Oklahoma City went on. There within that second half run, 41 00:02:18,040 --> 00:02:21,440 Speaker 2: we saw Oklahoma City Stars, specifically Shaye and Jay Dubbs, 42 00:02:21,440 --> 00:02:24,560 Speaker 2: start to win their one on one matchups. And what 43 00:02:24,600 --> 00:02:29,440 Speaker 2: made this particularly interesting to me was seeing the dramatic 44 00:02:29,560 --> 00:02:32,280 Speaker 2: difference in the way the two teams are defending each other. 45 00:02:32,440 --> 00:02:36,160 Speaker 2: Because it's not as simple as Shaye and Jay dubb 46 00:02:36,200 --> 00:02:40,000 Speaker 2: winning their one on one matchups versus Anthony Edwards and 47 00:02:40,080 --> 00:02:42,880 Speaker 2: Julius Randall winning their one on one matchups. These two 48 00:02:42,880 --> 00:02:46,320 Speaker 2: teams are defending each other very differently. We talked about 49 00:02:46,320 --> 00:02:48,640 Speaker 2: this a lot in last night's show. It is not 50 00:02:48,760 --> 00:02:53,320 Speaker 2: a coincidence that Minnesota attempted so many more three point 51 00:02:53,360 --> 00:02:57,359 Speaker 2: shots than Oklahoma City. That wasn't a process thing from 52 00:02:57,400 --> 00:03:00,000 Speaker 2: the standpoint of the offense hunting those types of shots. 53 00:03:00,600 --> 00:03:03,000 Speaker 2: It was a matter of the way they were being defended. 54 00:03:03,800 --> 00:03:05,880 Speaker 2: You guys are gonna see a bunch of examples right 55 00:03:05,919 --> 00:03:09,639 Speaker 2: off the front here of how one on one actions 56 00:03:09,680 --> 00:03:12,600 Speaker 2: for Oklahoma City are getting defended one on one, two 57 00:03:12,639 --> 00:03:15,520 Speaker 2: on two actions for Oklahoma City are getting defended two 58 00:03:15,639 --> 00:03:19,680 Speaker 2: on two. In that situation, the kickout reads aren't there, 59 00:03:20,160 --> 00:03:22,760 Speaker 2: but there are more opportunities in and around the paint 60 00:03:23,000 --> 00:03:26,680 Speaker 2: right similar in an opposite manner on the opposite end 61 00:03:26,720 --> 00:03:27,160 Speaker 2: of the floor. 62 00:03:27,840 --> 00:03:29,160 Speaker 1: All the one on ones. 63 00:03:28,880 --> 00:03:31,600 Speaker 2: With Ant and Julius, they're getting defended two on one, 64 00:03:31,680 --> 00:03:34,480 Speaker 2: sometimes three on one. All of the ball screens they're 65 00:03:34,480 --> 00:03:38,360 Speaker 2: getting defended three on two, sometimes four on two. And 66 00:03:38,440 --> 00:03:42,840 Speaker 2: so in a way, the way that the series will 67 00:03:42,880 --> 00:03:46,160 Speaker 2: go down, it's gonna come down to these guys doing 68 00:03:46,200 --> 00:03:51,640 Speaker 2: their respective jobs against those respective defensive schemes. Meaning, like 69 00:03:51,680 --> 00:03:54,880 Speaker 2: we saw in the second half of this game, Shaye 70 00:03:54,880 --> 00:03:58,080 Speaker 2: and j Dub have to win their one on one matchups. 71 00:03:58,520 --> 00:04:00,280 Speaker 2: These guys are gonna have to get into the and 72 00:04:00,280 --> 00:04:01,960 Speaker 2: they're gonna have to finish through a little bit of 73 00:04:02,000 --> 00:04:05,080 Speaker 2: contact against that defender that's been guarding them the whole possession, 74 00:04:05,560 --> 00:04:08,840 Speaker 2: or in this case, pick and roll finding the openings 75 00:04:08,920 --> 00:04:11,560 Speaker 2: for the two on two sequences with Isaiah Hartenstein, whoever 76 00:04:11,640 --> 00:04:14,000 Speaker 2: it is that's in the action, Kendridge, Williams, so on 77 00:04:14,040 --> 00:04:17,599 Speaker 2: and so forth right, that's gonna be their specific job 78 00:04:18,040 --> 00:04:18,840 Speaker 2: for Minnesota. 79 00:04:18,880 --> 00:04:20,040 Speaker 1: On the opposite end of the floor. 80 00:04:20,960 --> 00:04:22,880 Speaker 2: As crazy as it sounds, they just got to keep 81 00:04:22,960 --> 00:04:25,840 Speaker 2: trusting that those guys are going to knock down those 82 00:04:25,880 --> 00:04:28,880 Speaker 2: threes on those kickouts. You're gonna see so many examples 83 00:04:28,880 --> 00:04:32,120 Speaker 2: in this footage when Julius and Aunt threaten the paint 84 00:04:32,240 --> 00:04:36,760 Speaker 2: at all, there are three four something like Shay's just 85 00:04:36,800 --> 00:04:39,119 Speaker 2: straight up ignoring his man and sitting in the paint. 86 00:04:39,120 --> 00:04:42,280 Speaker 2: Hartenstein sitting in the paint. They are packing the paint 87 00:04:42,520 --> 00:04:46,960 Speaker 2: and daring Minnesota to make kickout threes. And so there 88 00:04:46,960 --> 00:04:49,960 Speaker 2: are some refinements on both ends, right, Like, I don't 89 00:04:50,000 --> 00:04:53,240 Speaker 2: think Shay's gonna keep getting the whistle that he got 90 00:04:53,240 --> 00:04:56,120 Speaker 2: in game one, so his approach is going to have 91 00:04:56,120 --> 00:04:58,920 Speaker 2: to gear more towards shot making than it is towards 92 00:04:58,960 --> 00:05:02,960 Speaker 2: drifting as the series progresses, Right, there are realities for 93 00:05:03,080 --> 00:05:06,560 Speaker 2: both of them as it pertains to being efficient enough 94 00:05:06,560 --> 00:05:09,720 Speaker 2: on those drives to win that battle. In the large sample, 95 00:05:10,240 --> 00:05:13,080 Speaker 2: on the opposite end of the floor, there are complications Julius. 96 00:05:13,360 --> 00:05:15,719 Speaker 2: There are some kickouts that he threw in that second 97 00:05:15,760 --> 00:05:18,640 Speaker 2: half run or the pass was a little bit off target. 98 00:05:18,839 --> 00:05:21,560 Speaker 2: Because it was off target, it made for an easier rotation. 99 00:05:21,920 --> 00:05:25,839 Speaker 2: Because of the easier rotation, tougher shot. You know, guys 100 00:05:25,839 --> 00:05:29,359 Speaker 2: like Nazaret or Mike Conley were missing threes that were 101 00:05:29,360 --> 00:05:31,320 Speaker 2: more contested than they needed to be. So there are 102 00:05:31,360 --> 00:05:34,839 Speaker 2: some things about like deliberately getting the ball into the paint, 103 00:05:34,920 --> 00:05:37,680 Speaker 2: drawing the defense in and getting the pass out on 104 00:05:37,920 --> 00:05:41,440 Speaker 2: time and on target to the right read so that 105 00:05:41,520 --> 00:05:45,120 Speaker 2: you can make those so that you can capitalize on 106 00:05:45,160 --> 00:05:49,080 Speaker 2: those opportunities. Anthony Edwards, there were several sequences where he 107 00:05:49,120 --> 00:05:53,760 Speaker 2: either didn't attack enough to bring the appropriate attention or 108 00:05:53,880 --> 00:05:56,880 Speaker 2: just early in the clock settling for shots that prevented 109 00:05:56,960 --> 00:05:59,719 Speaker 2: him from generating those open catch and shoots. And so again, 110 00:05:59,760 --> 00:06:02,640 Speaker 2: the job for both stars on both teams is going 111 00:06:02,720 --> 00:06:05,159 Speaker 2: to be very different over the course of this series. 112 00:06:05,440 --> 00:06:07,560 Speaker 2: And I want to spend today's film session again it's 113 00:06:07,560 --> 00:06:10,240 Speaker 2: going to be a way to explain Oklahoma City's run, 114 00:06:10,760 --> 00:06:12,440 Speaker 2: but I also want to use today as just an 115 00:06:12,480 --> 00:06:14,719 Speaker 2: example of what we're going to be looking for heading 116 00:06:14,760 --> 00:06:17,440 Speaker 2: forward in the series for both of these teams to 117 00:06:17,520 --> 00:06:19,600 Speaker 2: reach the success that they're trying to reach. 118 00:06:20,400 --> 00:06:21,120 Speaker 1: You guys, are the trip. 119 00:06:21,040 --> 00:06:23,040 Speaker 2: Before we get started. Suscribe to Hoops to Night YouTube channels. 120 00:06:23,040 --> 00:06:24,720 Speaker 2: You don't miss any more of our videos. Follow me 121 00:06:24,760 --> 00:06:26,720 Speaker 2: on Twitter at underscore json lt so you guys don't 122 00:06:26,720 --> 00:06:28,840 Speaker 2: miss show announcements. I'm forget about our podcast feed, where 123 00:06:28,880 --> 00:06:30,960 Speaker 2: we get your podcast on our Hoops tonight. It's also 124 00:06:31,000 --> 00:06:33,160 Speaker 2: super helpful if we leave a rating in a review. 125 00:06:33,240 --> 00:06:34,960 Speaker 2: On that front, Jackson's doing great work on our social 126 00:06:35,000 --> 00:06:37,800 Speaker 2: media feeds on Twitter, Instagram, Facebook, and TikTok. Make sure 127 00:06:37,800 --> 00:06:39,760 Speaker 2: you guys follow us there and the last but not 128 00:06:39,800 --> 00:06:41,839 Speaker 2: at least keep getting the mailback questions into the chat 129 00:06:41,880 --> 00:06:43,920 Speaker 2: so that we can get to them in our live 130 00:06:43,960 --> 00:06:47,920 Speaker 2: shows after these games. All right, let's talk some basketball. 131 00:06:48,000 --> 00:06:52,000 Speaker 2: So right away from the start of this film session, 132 00:06:52,000 --> 00:06:53,599 Speaker 2: here in the early third quarter, I want you guys 133 00:06:53,600 --> 00:06:55,520 Speaker 2: to see just the difference in the way these teams 134 00:06:56,240 --> 00:06:59,040 Speaker 2: are guarding each other. So we're gonna head down to 135 00:06:59,040 --> 00:07:05,279 Speaker 2: the other end of the floor. Minnesota is gonna get 136 00:07:05,279 --> 00:07:06,920 Speaker 2: a driving kick from Anthony Edwards. 137 00:07:06,920 --> 00:07:07,080 Speaker 1: Here. 138 00:07:07,600 --> 00:07:11,360 Speaker 2: Watch what happens when Ant gets into the paint. So Ant, 139 00:07:11,800 --> 00:07:15,080 Speaker 2: this is just a simple transition cross match. Isaiah Hartenstein 140 00:07:15,080 --> 00:07:18,080 Speaker 2: has no choice but to pick up Ant. Ant makes 141 00:07:18,080 --> 00:07:21,600 Speaker 2: a dribble drive move. Watch the way Oklahoma City reacts 142 00:07:21,600 --> 00:07:25,000 Speaker 2: in the paint. So again, as you can see, by 143 00:07:25,040 --> 00:07:27,400 Speaker 2: the time Ant gets into the paint, lou Dort has 144 00:07:27,440 --> 00:07:30,200 Speaker 2: now completely ignored his man. He's in the paint. Shay's 145 00:07:30,240 --> 00:07:32,840 Speaker 2: completely ignored his man. He's in the paint. Chet has 146 00:07:32,880 --> 00:07:36,720 Speaker 2: completely ignored Jada McDaniels. He's in the paint. Jadubb has 147 00:07:36,720 --> 00:07:39,720 Speaker 2: his back turn to Mike Conley. All five Thunder players 148 00:07:40,160 --> 00:07:43,240 Speaker 2: are geared towards Anthony Edwards. And so what does Aunt do. 149 00:07:43,600 --> 00:07:46,720 Speaker 2: He makes a quality kickout pass to Jada McDaniels, hits 150 00:07:46,760 --> 00:07:49,680 Speaker 2: him right in the shooting pocket, really clean catch and shoot. Look, 151 00:07:50,120 --> 00:07:52,679 Speaker 2: this is the kind of read that Ant is gonna 152 00:07:52,720 --> 00:07:55,280 Speaker 2: have to make over and over and over again. 153 00:07:55,320 --> 00:07:57,360 Speaker 1: This is if Aunt tries to solve his. 154 00:07:57,360 --> 00:08:01,280 Speaker 2: Problems by flying through these five by and trying to finish, 155 00:08:01,640 --> 00:08:03,800 Speaker 2: it's gonna do. Only all it's gonna do is make 156 00:08:03,840 --> 00:08:06,120 Speaker 2: things harder for them on the offensive end of the floor. 157 00:08:06,160 --> 00:08:07,760 Speaker 2: These are the kinds of reads they're gonna have to 158 00:08:07,840 --> 00:08:10,720 Speaker 2: keep making. Now we're gonna head over to the other 159 00:08:10,800 --> 00:08:13,600 Speaker 2: end of the floor. And this is actually an example 160 00:08:14,240 --> 00:08:17,120 Speaker 2: of an overhelp from Julius Randall. But I want you 161 00:08:17,120 --> 00:08:20,200 Speaker 2: guys to watch the way Rudy Gobert reacts. So we 162 00:08:20,240 --> 00:08:22,720 Speaker 2: fast forward. Shae ends up driving out of a ball 163 00:08:22,800 --> 00:08:26,800 Speaker 2: screen that turns into a switch and peels off, And 164 00:08:26,840 --> 00:08:31,200 Speaker 2: now it's Rudy Gobert against h Shay Gilds Alexander. But 165 00:08:31,280 --> 00:08:35,880 Speaker 2: watch Julius help off of Jadub and because of that help, 166 00:08:36,520 --> 00:08:38,000 Speaker 2: look at all the other guys. The other guys are 167 00:08:38,200 --> 00:08:41,760 Speaker 2: accounting for their man kick out. You can literally see 168 00:08:41,800 --> 00:08:45,720 Speaker 2: Rudy Gobert say like, stay out, what are you doing? 169 00:08:45,880 --> 00:08:47,800 Speaker 2: I got this, I got it under control. We want 170 00:08:47,800 --> 00:08:49,679 Speaker 2: to defend one on one. You're gonna see some more 171 00:08:49,679 --> 00:08:52,200 Speaker 2: examples here. Watch the reaction. 172 00:08:55,040 --> 00:08:56,880 Speaker 1: We're going down to the other end again on this one. 173 00:08:56,960 --> 00:08:59,720 Speaker 2: So one of the things you'll see here because I 174 00:08:59,760 --> 00:09:02,600 Speaker 2: have a couple other examples in the film. Mike Conley 175 00:09:02,640 --> 00:09:05,160 Speaker 2: is seeing a very deep drop coverage and so he's 176 00:09:05,200 --> 00:09:07,160 Speaker 2: able to get some clean looks at pull up threes 177 00:09:07,240 --> 00:09:09,040 Speaker 2: and floaters and stuff like that. He's gonna have to 178 00:09:09,040 --> 00:09:11,840 Speaker 2: be aggressive and look to score because Hertenstein is really 179 00:09:11,920 --> 00:09:14,880 Speaker 2: daring him to look to score. Similarly, here we go 180 00:09:14,920 --> 00:09:20,440 Speaker 2: another JDub drive. Watch how little reaction there is from 181 00:09:20,480 --> 00:09:27,360 Speaker 2: the other four wolves on this drive. There's literally no 182 00:09:27,480 --> 00:09:31,800 Speaker 2: reaction from the other four wolves as JDub looks to drive. 183 00:09:32,440 --> 00:09:34,560 Speaker 2: It is very much more of a one on one. 184 00:09:35,080 --> 00:09:37,120 Speaker 2: We're gonna trust our guy on an island to do 185 00:09:37,160 --> 00:09:43,400 Speaker 2: his job style of defense. This is an example of 186 00:09:43,440 --> 00:09:46,640 Speaker 2: Isaiah Hartenstein with excellent pick and roll defense. Watch how 187 00:09:46,640 --> 00:09:48,400 Speaker 2: he gets up to the level and gets it to 188 00:09:48,400 --> 00:09:51,840 Speaker 2: get rid of the ball, but still recovers back to Gobart, 189 00:09:52,440 --> 00:09:55,000 Speaker 2: which causes Gobert to pick up his dribble early because 190 00:09:55,000 --> 00:09:57,480 Speaker 2: he's facing pressure from the side that puts him in 191 00:09:57,480 --> 00:09:59,240 Speaker 2: a really tough spot where the two on one read 192 00:09:59,320 --> 00:10:00,000 Speaker 2: is over here. 193 00:10:00,000 --> 00:10:01,080 Speaker 1: This is his short role read. 194 00:10:01,120 --> 00:10:02,839 Speaker 2: He's got to find out which one of these guys 195 00:10:02,920 --> 00:10:05,880 Speaker 2: is open, but he picks up his dribble early, finds 196 00:10:05,920 --> 00:10:08,520 Speaker 2: himself trapped by two centers and just pitches it right 197 00:10:08,920 --> 00:10:12,520 Speaker 2: to shake Gilsis Alexander. But again like this is Isaiah 198 00:10:12,600 --> 00:10:17,000 Speaker 2: Hartenstein getting up and getting ant to stop, but also 199 00:10:17,080 --> 00:10:18,480 Speaker 2: recovering back to the ball. 200 00:10:19,040 --> 00:10:22,120 Speaker 1: Aunt has to push this just a step further. 201 00:10:22,760 --> 00:10:26,200 Speaker 2: He needs to attack a little bit more or drag 202 00:10:26,280 --> 00:10:29,880 Speaker 2: this off further to the left to get Isaiah Hartenstein 203 00:10:30,080 --> 00:10:33,520 Speaker 2: further out so that when Rudy catches, he's got more 204 00:10:33,600 --> 00:10:36,880 Speaker 2: space in here to make a better cleaner read. 205 00:10:41,040 --> 00:10:42,079 Speaker 1: We're gonna see a few. 206 00:10:41,920 --> 00:10:45,800 Speaker 2: Examples here of Chet looking to be aggressive against some 207 00:10:45,880 --> 00:10:50,200 Speaker 2: inattentiveness from Julius Randall. The first one here Julius Randall's 208 00:10:50,240 --> 00:10:53,680 Speaker 2: kind of just floating along the baseline. SHA's driving. Once again, 209 00:10:53,679 --> 00:10:56,200 Speaker 2: look at the lack of reaction from any other Wolf 210 00:10:56,280 --> 00:10:59,920 Speaker 2: on on this shade. Drive like Shay's like got Jaden 211 00:11:00,120 --> 00:11:03,440 Speaker 2: compromise in. None of the other Wolves care. This is 212 00:11:03,480 --> 00:11:06,320 Speaker 2: a one on one basketball team. You do your job. 213 00:11:06,440 --> 00:11:09,360 Speaker 1: We're gonna stay home. But Julius, Look at Julius. 214 00:11:09,400 --> 00:11:12,400 Speaker 2: Julius is just kind of standing and Chet starts to 215 00:11:12,480 --> 00:11:15,160 Speaker 2: sneak along the baseline and gets himself a little post 216 00:11:15,240 --> 00:11:18,200 Speaker 2: catch here on the left block. Hits him with just 217 00:11:18,240 --> 00:11:20,720 Speaker 2: a little simple left shoulder hook. Nice work from Chet. 218 00:11:23,440 --> 00:11:26,520 Speaker 2: Here's another one of those deep drop looks that Conley faces, 219 00:11:29,400 --> 00:11:31,000 Speaker 2: one of only two shots he made in the game. 220 00:11:31,040 --> 00:11:32,520 Speaker 2: That's a look that he's gonna be able to get 221 00:11:32,520 --> 00:11:39,160 Speaker 2: against this defense. Once again, Julius being inattentive on Chet. 222 00:11:39,360 --> 00:11:44,440 Speaker 2: See look, he's just not paying attention sinking in simple 223 00:11:44,480 --> 00:11:47,640 Speaker 2: swing pass from Jdeb to Chet just looks to drive 224 00:11:47,679 --> 00:11:51,240 Speaker 2: immediately and gets into the lane. Jaden has no choice 225 00:11:51,240 --> 00:11:52,960 Speaker 2: but to pick him up. I didn't really see a 226 00:11:52,960 --> 00:11:54,880 Speaker 2: foul here. It looked kind of like Cheches fell over, 227 00:11:55,280 --> 00:11:56,880 Speaker 2: but there were a few of those in the second 228 00:11:56,880 --> 00:12:04,560 Speaker 2: half of this game, corner kick from an so Ann 229 00:12:04,640 --> 00:12:06,640 Speaker 2: had just hit a pull up three on the last possession. 230 00:12:06,679 --> 00:12:09,800 Speaker 2: Shae comes down, tries to match it, misses. We go 231 00:12:09,880 --> 00:12:12,400 Speaker 2: down to the other end. Watch the way Oklahoma City 232 00:12:12,440 --> 00:12:16,120 Speaker 2: reacts to this ant drive ball screen gets him in jail. 233 00:12:17,320 --> 00:12:17,760 Speaker 1: Once again. 234 00:12:17,800 --> 00:12:19,480 Speaker 2: Look at the way, Look at the way all of 235 00:12:19,520 --> 00:12:22,920 Speaker 2: these OKC defenders like Shaye, just like straight up comes 236 00:12:22,920 --> 00:12:27,720 Speaker 2: over in double teams temporarily and works against jad up again. 237 00:12:27,760 --> 00:12:30,120 Speaker 2: Look at Shae again, double teaming. Look at the bodies 238 00:12:30,120 --> 00:12:34,199 Speaker 2: in the pain. This is not going to be a 239 00:12:34,440 --> 00:12:37,840 Speaker 2: high scoring series for Anthony Edwards. This is not going 240 00:12:37,920 --> 00:12:40,360 Speaker 2: to be a Julius Randall got You want to know 241 00:12:40,360 --> 00:12:41,360 Speaker 2: how Julius Randall hit. 242 00:12:41,280 --> 00:12:42,080 Speaker 1: A high point total. 243 00:12:42,240 --> 00:12:44,000 Speaker 2: They gave him a bunch of open catch and shoot 244 00:12:44,000 --> 00:12:46,160 Speaker 2: threes in the first half. They took the catch and 245 00:12:46,160 --> 00:12:48,480 Speaker 2: shoot threes away in the second half. All of a sudden, 246 00:12:48,559 --> 00:12:51,600 Speaker 2: Julius Randall wasn't scoring. This isn't going to be an 247 00:12:51,679 --> 00:12:55,959 Speaker 2: open scoring type of series for either of these guys. 248 00:12:55,679 --> 00:12:56,400 Speaker 1: On the ball. 249 00:12:56,760 --> 00:13:00,000 Speaker 2: Their scoring opportunities will come out of the rotation sequence 250 00:13:00,240 --> 00:13:03,760 Speaker 2: is after they get rid of the ball and gets 251 00:13:03,760 --> 00:13:07,760 Speaker 2: in the lane, draws three more bodies on help, kicks 252 00:13:07,760 --> 00:13:11,240 Speaker 2: it out to Mike Conley just misses this one. He 253 00:13:11,280 --> 00:13:13,679 Speaker 2: actually knocks down, but again you can see you can 254 00:13:13,679 --> 00:13:16,560 Speaker 2: see how this process is gonna work for Minnesota. It's 255 00:13:16,600 --> 00:13:20,320 Speaker 2: gonna be getting into the lane, drawing the bodies and 256 00:13:20,880 --> 00:13:23,600 Speaker 2: making those kickouts. Now, from this point in the game, 257 00:13:23,720 --> 00:13:27,240 Speaker 2: Oklahoma City's up fifty three to fifty. From this point 258 00:13:27,280 --> 00:13:29,680 Speaker 2: in the game, you guys will see an obvious kind 259 00:13:29,679 --> 00:13:33,240 Speaker 2: of shift in the way that both teams are accomplishing 260 00:13:33,320 --> 00:13:37,200 Speaker 2: their goals. Shay and Jay Dub are gonna start winning 261 00:13:37,240 --> 00:13:41,520 Speaker 2: their one on ones like consistently down the floor and 262 00:13:41,600 --> 00:13:43,600 Speaker 2: on the other end of the floor, You're gonna see 263 00:13:43,600 --> 00:13:46,040 Speaker 2: Aunts start to settle for some bad ones. You're gonna 264 00:13:46,040 --> 00:13:49,520 Speaker 2: see Julius start to make some poor kickout passes. You're 265 00:13:49,520 --> 00:13:52,400 Speaker 2: gonna see missed kickout threes. That's where things are going 266 00:13:52,480 --> 00:13:54,840 Speaker 2: to go off the rails. The two different jobs, very 267 00:13:54,880 --> 00:13:58,199 Speaker 2: different jobs for the Stars start to tilt in the 268 00:13:58,240 --> 00:14:00,640 Speaker 2: opposite direction from where they were to start this game. 269 00:14:02,400 --> 00:14:05,360 Speaker 2: Shae gets an and one here watch the lack of 270 00:14:05,400 --> 00:14:06,760 Speaker 2: help side reaction. 271 00:14:11,800 --> 00:14:12,040 Speaker 1: Again. 272 00:14:12,160 --> 00:14:15,160 Speaker 2: Shay's just Shae gets all the way down to his 273 00:14:15,280 --> 00:14:18,959 Speaker 2: right foot at the bottom of the of the semi circle, 274 00:14:19,400 --> 00:14:22,840 Speaker 2: and there's very little reaction from any timberwolve off the ball. 275 00:14:23,120 --> 00:14:25,480 Speaker 2: Shay's able to get a clean step back. Another that 276 00:14:25,560 --> 00:14:28,200 Speaker 2: was another I mean, I don't know where the foul is, 277 00:14:32,320 --> 00:14:34,560 Speaker 2: but Sha gets Shae was getting rewarded for a lot 278 00:14:34,560 --> 00:14:36,120 Speaker 2: of that kind of stuff last night. But you can 279 00:14:36,160 --> 00:14:38,680 Speaker 2: see the one on one stuff very different on this 280 00:14:38,800 --> 00:14:44,360 Speaker 2: end of the floor. Here's a cornerkick from Julius. Watch 281 00:14:44,400 --> 00:14:54,280 Speaker 2: the difference in the way he's being guarded post Shay's 282 00:14:54,320 --> 00:14:58,200 Speaker 2: in a strong side zone, completely ignoring his man, so 283 00:14:58,240 --> 00:15:00,440 Speaker 2: that makes it so that Julius can't hit towards the 284 00:15:00,440 --> 00:15:01,240 Speaker 2: baseline side. 285 00:15:01,280 --> 00:15:02,160 Speaker 1: He's got to go middle. 286 00:15:03,320 --> 00:15:09,000 Speaker 2: Hartenstein is right underneath the rim, and even Isaiah Joe 287 00:15:09,400 --> 00:15:11,920 Speaker 2: is a foot in the paint off of Nikhil Alexander Walker. 288 00:15:12,560 --> 00:15:15,800 Speaker 2: Just very different in the way that they're defending these actions. 289 00:15:16,080 --> 00:15:19,200 Speaker 2: Here's the kick that's the job on this end of 290 00:15:19,200 --> 00:15:22,880 Speaker 2: the floor. Minnesota's got to make these kickouts every single time. 291 00:15:23,000 --> 00:15:27,040 Speaker 2: That is their pathway to victory. One detail though, look 292 00:15:27,080 --> 00:15:31,800 Speaker 2: at how that pass is just high and outside, which 293 00:15:31,880 --> 00:15:34,840 Speaker 2: kind of makes it for a funky release because now 294 00:15:34,840 --> 00:15:37,200 Speaker 2: he's got a no dip it and he's got pushed 295 00:15:37,240 --> 00:15:41,080 Speaker 2: from a normal corner three to a behind the backboard 296 00:15:41,160 --> 00:15:45,240 Speaker 2: corner three in the deep, deep corner. So Julius has 297 00:15:45,280 --> 00:15:49,360 Speaker 2: to be really deliberate about getting this pass right in 298 00:15:49,400 --> 00:15:52,280 Speaker 2: the shooting pocket so that Mike Conley can take a 299 00:15:52,360 --> 00:15:55,640 Speaker 2: clean normal catch and shoot instead of a rushed no 300 00:15:55,840 --> 00:15:59,560 Speaker 2: dip corner shoot in the deep, deep corner behind the backboard. 301 00:16:00,360 --> 00:16:01,880 Speaker 2: This is another one go down to the other end 302 00:16:01,880 --> 00:16:09,800 Speaker 2: of the flour JDub straight iso against Nikkeile Alexander Walker 303 00:16:12,080 --> 00:16:16,120 Speaker 2: against See Notice how Conley is not digging down, He's 304 00:16:16,200 --> 00:16:21,000 Speaker 2: getting back. That's the difference in their scheme. Notice Aunt, 305 00:16:21,440 --> 00:16:23,240 Speaker 2: what was Shae doing on the other end in this 306 00:16:23,320 --> 00:16:26,680 Speaker 2: exact same sequence. Shae was leaving this guy and stepping 307 00:16:26,720 --> 00:16:32,120 Speaker 2: up into the lane. Ant is staying put. It's a 308 00:16:32,120 --> 00:16:36,240 Speaker 2: one on one game for Oklahoma City. Same thing here 309 00:16:36,280 --> 00:16:41,840 Speaker 2: against Julius Randall. See like Nikkeil Alexander Walker's face guarding 310 00:16:41,880 --> 00:16:44,040 Speaker 2: Shaye off the ball, Ants staying home in the strong 311 00:16:44,080 --> 00:16:44,600 Speaker 2: side corner. 312 00:16:44,640 --> 00:16:45,760 Speaker 1: It's a one on one game. 313 00:16:47,640 --> 00:16:50,440 Speaker 2: Nice shot though from jdeb See how Shane and Jadab 314 00:16:50,480 --> 00:16:53,600 Speaker 2: are starting to win those matchups like consistently every time 315 00:16:53,600 --> 00:16:55,960 Speaker 2: down the floor. That's literally when the game started to 316 00:16:56,000 --> 00:16:56,840 Speaker 2: tilt in their favor. 317 00:16:57,760 --> 00:16:58,800 Speaker 1: Here's an example of one of. 318 00:16:58,760 --> 00:17:01,400 Speaker 2: Those shots from Dante Devensna that I just really didn't like, 319 00:17:01,640 --> 00:17:05,560 Speaker 2: twenty one seconds on the shot clock, like a twenty 320 00:17:05,720 --> 00:17:08,560 Speaker 2: eight footer off the dribble, and it's just that's not 321 00:17:08,640 --> 00:17:09,360 Speaker 2: the shot you're going. 322 00:17:09,359 --> 00:17:10,640 Speaker 1: To regain your rhythm with. 323 00:17:15,920 --> 00:17:18,920 Speaker 2: Alright, this time Shay one on one against the Keile 324 00:17:18,920 --> 00:17:22,680 Speaker 2: Alexander Walker. We did get a late keeloff double team 325 00:17:22,720 --> 00:17:29,200 Speaker 2: from Dante here, very rare, but once again Shay starting 326 00:17:29,240 --> 00:17:37,240 Speaker 2: to win that matchup. I thought this was an example 327 00:17:37,280 --> 00:17:40,320 Speaker 2: of Julius Randall forcing the issue against a triple team, 328 00:17:41,440 --> 00:17:43,400 Speaker 2: when I think this is the one we just saw 329 00:17:43,480 --> 00:17:47,760 Speaker 2: something ahead. This is Julius Randall forcing against a triple 330 00:17:47,800 --> 00:17:50,960 Speaker 2: team when there were corner kicks that were available. So again, 331 00:17:51,000 --> 00:17:54,000 Speaker 2: like losing discipline, losing control of the situation, crowds into it. 332 00:17:54,040 --> 00:17:57,560 Speaker 2: You need to get a good shot. Like in this situation, 333 00:17:57,680 --> 00:18:01,719 Speaker 2: you've driven, we have a pinon flair from Nikkeiel Alexander Walker. 334 00:18:01,800 --> 00:18:03,920 Speaker 2: You've got a nas read right here in the strong 335 00:18:03,960 --> 00:18:06,680 Speaker 2: side corner. If Keson Wallace is going to put a 336 00:18:06,720 --> 00:18:10,280 Speaker 2: foot in the paint off the strong side corner off 337 00:18:10,320 --> 00:18:14,040 Speaker 2: of naz Reid. You have to make that pass every 338 00:18:14,080 --> 00:18:18,719 Speaker 2: single time. This is not doing your job against the 339 00:18:18,720 --> 00:18:23,560 Speaker 2: defensive scheme that you are facing. You can see the difference. Okay, 340 00:18:23,560 --> 00:18:27,919 Speaker 2: see one on one. They're winning those battles all the 341 00:18:28,000 --> 00:18:31,720 Speaker 2: one on threes, one on twos. These are the situations 342 00:18:31,760 --> 00:18:34,159 Speaker 2: where Minnesota has to make Oklahoma City pay for this 343 00:18:34,240 --> 00:18:37,560 Speaker 2: style of defense. Instead, you settle for a tough, contested 344 00:18:37,600 --> 00:18:45,320 Speaker 2: mid range jump shot over a triple team. Shake gets 345 00:18:45,320 --> 00:18:46,040 Speaker 2: all the way to the rim. 346 00:18:46,080 --> 00:18:46,320 Speaker 1: Here. 347 00:18:47,400 --> 00:18:49,320 Speaker 2: You'll see help at the rim, but look at how 348 00:18:49,400 --> 00:18:52,600 Speaker 2: late the help is because Minnesota doesn't want to help here. 349 00:18:53,440 --> 00:18:56,640 Speaker 2: Shake gets all the way downhill. The guys come over late, 350 00:18:58,080 --> 00:19:00,159 Speaker 2: right at the end after Shay has already split it. 351 00:19:00,960 --> 00:19:03,000 Speaker 2: I really like Shaye, by the way, working one on 352 00:19:03,000 --> 00:19:05,560 Speaker 2: one against Julius and Nas in this matchup. These are 353 00:19:05,680 --> 00:19:07,399 Speaker 2: matchups I think he should be hunting more. He can 354 00:19:07,400 --> 00:19:10,520 Speaker 2: get downhill against those guys or find openings just in 355 00:19:10,560 --> 00:19:12,560 Speaker 2: basic screening action as they don't want to give up 356 00:19:12,560 --> 00:19:16,280 Speaker 2: that switch. But all three Wolves have to leave there 357 00:19:16,560 --> 00:19:19,920 Speaker 2: try to block this shot, or I should say those 358 00:19:19,920 --> 00:19:23,000 Speaker 2: two in help. As a result, Shay actually is able 359 00:19:23,000 --> 00:19:24,640 Speaker 2: to get up and beat them back to the ball 360 00:19:24,680 --> 00:19:29,120 Speaker 2: and get an offensive rebound. Shay's really starting to win 361 00:19:29,119 --> 00:19:34,520 Speaker 2: that battle at the point of attack. Now here's one 362 00:19:34,560 --> 00:19:37,520 Speaker 2: of those post ups transition cross match Nazeri against Jay Dove, 363 00:19:40,280 --> 00:19:43,399 Speaker 2: straight post up. Ja Doub wins the battle, but just 364 00:19:43,400 --> 00:19:46,639 Speaker 2: being physically aggressive. Baseline double See like, look, there's the 365 00:19:46,680 --> 00:19:47,720 Speaker 2: baseline double team. 366 00:19:47,880 --> 00:19:50,119 Speaker 1: These are not one on ones. These are one on twos. 367 00:19:51,600 --> 00:19:55,240 Speaker 2: You gotta stop thinking score and you gotta start thinking 368 00:19:55,280 --> 00:19:58,120 Speaker 2: pass out of these post ups. You're playing right into 369 00:19:58,119 --> 00:20:00,760 Speaker 2: o Casey's hands by trying to bully Rue and trying 370 00:20:00,800 --> 00:20:08,200 Speaker 2: to score through these double teams. This was a really 371 00:20:08,280 --> 00:20:11,959 Speaker 2: weird sequence. Another bad Julius Randall defense sequence. Julius Randall's 372 00:20:12,000 --> 00:20:16,800 Speaker 2: on the ball, He's on JDub. Jdubb drives. JDub kicks. 373 00:20:18,320 --> 00:20:22,840 Speaker 2: Everyone's matched up. Dante's on Casson, Nazarite is on Isaiah, 374 00:20:22,920 --> 00:20:26,800 Speaker 2: Joe ants on, Kendrich Williams, Nikkeile, Alexander Walker is on Shay. 375 00:20:28,000 --> 00:20:33,360 Speaker 2: Watch who quits playing. Jadub drives, Julius is on him 376 00:20:33,560 --> 00:20:38,159 Speaker 2: kick Watch jadab JDub relocates to the top of the 377 00:20:38,240 --> 00:20:42,840 Speaker 2: key and Julius decides to just point someone else go 378 00:20:42,920 --> 00:20:47,240 Speaker 2: get him. Well, no one's there, Julius, He's wide open. 379 00:20:47,960 --> 00:20:52,760 Speaker 2: Now Nikkeile Alexander Walker has to close out JDub ball 380 00:20:52,880 --> 00:20:55,359 Speaker 2: fake gets into the lane. Really nice acrobatic finish in 381 00:20:55,440 --> 00:21:02,359 Speaker 2: traffic cornerkick from Julius. But once again, I want you 382 00:21:02,359 --> 00:21:05,479 Speaker 2: guys to watch it. Watch the location of the pass. 383 00:21:07,400 --> 00:21:17,960 Speaker 2: Middle of the floor. There's our double team. Relocate, relocate 384 00:21:20,520 --> 00:21:24,560 Speaker 2: double team from j dub Okay, there's our kick. If 385 00:21:24,600 --> 00:21:28,080 Speaker 2: this pass hits nas right in the shooting pocket, it's 386 00:21:28,119 --> 00:21:31,440 Speaker 2: a comfortable catch and shoot. Instead, the pass is low 387 00:21:32,520 --> 00:21:34,600 Speaker 2: and because of the low pass, look at where Nasried 388 00:21:34,640 --> 00:21:39,480 Speaker 2: has to catch it all the way down by his toes, 389 00:21:39,760 --> 00:21:43,240 Speaker 2: which disrupts the rhythm and slows it down just enough 390 00:21:43,280 --> 00:21:45,960 Speaker 2: so that case On Wallace can get a good contest 391 00:21:46,000 --> 00:21:48,480 Speaker 2: on that shot. Those are those little details like and 392 00:21:48,480 --> 00:21:50,400 Speaker 2: here's the thing, guys, there's a version of this game 393 00:21:50,440 --> 00:21:52,760 Speaker 2: where that conleague corner three goes in. There's a version 394 00:21:52,800 --> 00:21:55,560 Speaker 2: of this game where that nas Re corner three goes in. 395 00:21:55,920 --> 00:21:58,680 Speaker 2: But you increase your change, like I talked about, variances 396 00:21:59,760 --> 00:22:02,920 Speaker 2: far down the list for me below processed defense things 397 00:22:02,960 --> 00:22:06,119 Speaker 2: along those lines. Put the ball in the shooting pocket. 398 00:22:06,160 --> 00:22:08,200 Speaker 2: You give him a better chance to knock that shot down. 399 00:22:13,800 --> 00:22:15,640 Speaker 2: Once again, look at how it looks like a one 400 00:22:15,640 --> 00:22:20,840 Speaker 2: on one and Nasri doesn't even remotely consider helping until 401 00:22:21,480 --> 00:22:24,600 Speaker 2: Nikkiel's dead to rights. He's like, Okay, oh shit, Nikkiel's 402 00:22:24,640 --> 00:22:26,879 Speaker 2: dead to rights. I gotta get over there. And this 403 00:22:26,960 --> 00:22:29,080 Speaker 2: is a hell of a defensive play. But it's just 404 00:22:29,280 --> 00:22:31,879 Speaker 2: to me, it was jarring watching the film this morning 405 00:22:32,359 --> 00:22:34,680 Speaker 2: when you really got, when you really look at it, 406 00:22:34,840 --> 00:22:42,520 Speaker 2: just how different these two teams regarding each other, and 407 00:22:42,720 --> 00:22:44,280 Speaker 2: gets a little one on one here at the top 408 00:22:44,280 --> 00:22:46,520 Speaker 2: of the key, doesn't get into the pain enough to 409 00:22:46,600 --> 00:22:49,080 Speaker 2: draw a double team, but you can see the bodies 410 00:22:49,080 --> 00:22:53,640 Speaker 2: all behind him, goes into a little step back once again, 411 00:22:53,680 --> 00:22:58,440 Speaker 2: look at Shae Shae. As as soon as Nikhil Alexander 412 00:22:58,480 --> 00:23:01,520 Speaker 2: Walker cuts through, Shae's like, I'm done with him. I'm 413 00:23:01,520 --> 00:23:04,919 Speaker 2: no longer worried about Nikhil Alexander Walker. I'm officially just 414 00:23:05,000 --> 00:23:09,679 Speaker 2: in a soft zone double team of ANT, right, So 415 00:23:09,840 --> 00:23:13,560 Speaker 2: ANT in this case needs to just wait for Nikil 416 00:23:13,600 --> 00:23:16,600 Speaker 2: to relocate, continue to probe in this area and make 417 00:23:16,640 --> 00:23:19,800 Speaker 2: the kickout pass instead, he settles for a little pull 418 00:23:19,840 --> 00:23:22,360 Speaker 2: up mid range jump shot, and I like the mid 419 00:23:22,440 --> 00:23:24,760 Speaker 2: ranges when you get down to fifteen feet. Once you 420 00:23:24,800 --> 00:23:27,119 Speaker 2: get out to twenty feet, it doesn't really make a 421 00:23:27,119 --> 00:23:37,040 Speaker 2: ton of sense to me here on this possession, Ant 422 00:23:37,080 --> 00:23:40,159 Speaker 2: finally gets some downhill penetration against j dub And in 423 00:23:40,200 --> 00:23:42,320 Speaker 2: the transition crossmatch. By the way, this is a small 424 00:23:42,359 --> 00:23:44,639 Speaker 2: group for Oka. See there's no center on the floor. 425 00:23:44,920 --> 00:23:47,240 Speaker 2: Rudy's kind of got an inside seal on Shay that 426 00:23:47,280 --> 00:23:49,920 Speaker 2: prevents him from being able to protect the rim. Ant's 427 00:23:49,960 --> 00:23:52,280 Speaker 2: able to get through into the lane, beats a dig. 428 00:23:52,320 --> 00:23:54,359 Speaker 2: By the way, there's a dig from Isaiah Joe and 429 00:23:54,400 --> 00:23:56,399 Speaker 2: actually gets on the way the rim on this one. 430 00:23:56,480 --> 00:23:59,119 Speaker 2: There's going to be opportunistic things like that, especially in 431 00:23:59,119 --> 00:24:02,320 Speaker 2: semi transition situations like that where there's cross matches. But 432 00:24:02,400 --> 00:24:04,280 Speaker 2: again it's gonna be few and far between. It's gonna 433 00:24:04,280 --> 00:24:08,520 Speaker 2: be a passing series for Ant and Julius. I thought 434 00:24:08,520 --> 00:24:10,879 Speaker 2: this was a big time late shot clock kind of 435 00:24:10,920 --> 00:24:17,639 Speaker 2: rescue sequence from Kenrich Williams. Dante gets cleanly beat. This 436 00:24:17,680 --> 00:24:20,920 Speaker 2: hasn't happened often, but when he gets cleanly beat, that 437 00:24:21,040 --> 00:24:25,320 Speaker 2: forces a help That help puts the defense in rotation. 438 00:24:26,320 --> 00:24:29,080 Speaker 2: Go Bear's gonna slide over, Nasri's gonna slide over. Dante's 439 00:24:29,080 --> 00:24:33,120 Speaker 2: gonna end up back on ken Rich. Now there's six 440 00:24:33,160 --> 00:24:35,200 Speaker 2: seconds on the shot clock, and the best you can 441 00:24:35,240 --> 00:24:37,639 Speaker 2: get here is this guy's just got to create a 442 00:24:37,680 --> 00:24:42,480 Speaker 2: bucket against the closeout. Kenrich just boom, pull back, triable bucket. 443 00:24:47,680 --> 00:24:51,359 Speaker 2: Here's a quality corner kick from Anthony Edwards to Nikhil 444 00:24:51,400 --> 00:24:53,600 Speaker 2: Alexander Walker. Once again, I want you guys to pay 445 00:24:53,640 --> 00:24:56,640 Speaker 2: attention to just the difference in the way he's being guarded. 446 00:24:58,600 --> 00:25:04,520 Speaker 2: Ken Rich, full on double team, Crusoe, foot in the paint. 447 00:25:05,440 --> 00:25:06,240 Speaker 1: Gets him in jail. 448 00:25:06,320 --> 00:25:10,119 Speaker 2: Crusoe bails on Nikkeile Alexander Walker entirely, he's in the paint. 449 00:25:10,400 --> 00:25:13,880 Speaker 2: Shae Yildes Alexander bails on Dante entirely, he's in the paint. 450 00:25:13,880 --> 00:25:17,520 Speaker 2: Look at this, guys, there's there is no aunt just 451 00:25:17,640 --> 00:25:20,399 Speaker 2: forcing it through all this shit. That's not that's not 452 00:25:20,640 --> 00:25:24,080 Speaker 2: gonna be the pathway here. Corner kick the Dante's open 453 00:25:24,480 --> 00:25:28,080 Speaker 2: corner kicked to Nikila is open. He makes the corner kick, boom, 454 00:25:28,119 --> 00:25:32,840 Speaker 2: pump fake. That's a that's that's a you're not gonna 455 00:25:32,920 --> 00:25:35,640 Speaker 2: like You're not gonna get a better shot forcing through 456 00:25:35,680 --> 00:25:38,760 Speaker 2: the quadruple team than a Nikile Alexander Walker catching shoot 457 00:25:38,760 --> 00:25:40,880 Speaker 2: three on the corner when he's been in the forties 458 00:25:40,960 --> 00:25:43,800 Speaker 2: all year long. On this kind of shot, he just 459 00:25:43,800 --> 00:25:50,280 Speaker 2: just missed it, just left it short. Here's that picking 460 00:25:50,320 --> 00:25:54,080 Speaker 2: pop from kenridg Williams. Once again. The hesitancy to not 461 00:25:54,440 --> 00:25:57,800 Speaker 2: that they don't want to switch knas onto Shay so 462 00:25:57,880 --> 00:26:00,399 Speaker 2: to end up on the ball. Ken Rich just hops 463 00:26:00,600 --> 00:26:04,479 Speaker 2: easy picking pop three knockdown, big shift from Kendrick Williams. 464 00:26:04,520 --> 00:26:09,680 Speaker 2: In the second half yesterday, naz Reid's gonna force a 465 00:26:09,720 --> 00:26:12,320 Speaker 2: post up here once again. Watch the corner kick reads 466 00:26:12,359 --> 00:26:15,400 Speaker 2: that he doesn't make. I think he tries to force 467 00:26:15,440 --> 00:26:17,919 Speaker 2: it through Chet. Yeah, a little screening action. Tries to 468 00:26:17,920 --> 00:26:20,720 Speaker 2: go through Chet. There's a man down. Nikaile Alexander Walker 469 00:26:20,760 --> 00:26:23,640 Speaker 2: is completely unguarded in the right corner. This pass has 470 00:26:23,760 --> 00:26:26,439 Speaker 2: to be made, and instead he tries to force it 471 00:26:26,440 --> 00:26:33,960 Speaker 2: through the rim protector turnover. Shay one on one against 472 00:26:34,000 --> 00:26:38,639 Speaker 2: Nikhel just beats him. We get another peel off, double 473 00:26:38,960 --> 00:26:42,840 Speaker 2: little late peel off from Dante. Dante did twice right 474 00:26:42,880 --> 00:26:44,680 Speaker 2: when Shaye was going up for his shot. Was able 475 00:26:44,680 --> 00:26:50,840 Speaker 2: to come over and get a contest. And by the way, 476 00:26:50,840 --> 00:26:52,879 Speaker 2: that's one of the things. One of the things you'll notice, 477 00:26:54,119 --> 00:26:55,959 Speaker 2: okay Se won a bunch of one on ones in 478 00:26:55,960 --> 00:26:59,040 Speaker 2: a row. Now, what's starting to happen now that Okayse's 479 00:26:59,080 --> 00:27:02,200 Speaker 2: winning those one on one We've seen back to back 480 00:27:02,760 --> 00:27:05,399 Speaker 2: situations where Shay went to a pull up and Dante 481 00:27:05,440 --> 00:27:09,560 Speaker 2: did a late peel off double. You, Okasee, by winning 482 00:27:09,680 --> 00:27:14,280 Speaker 2: their ones, can turn that into opportunity to generate quality 483 00:27:14,320 --> 00:27:17,479 Speaker 2: catch and shoots as Minnesota starts to overreact to that 484 00:27:17,520 --> 00:27:21,960 Speaker 2: one on one success. Similarly, Minnesota go down to the 485 00:27:22,000 --> 00:27:24,760 Speaker 2: other end, beat them, beat them, beat them with those 486 00:27:24,840 --> 00:27:28,520 Speaker 2: kickout passes, hit a bunch of corner threes. Do it 487 00:27:28,560 --> 00:27:31,359 Speaker 2: again and again and again, and you might see those 488 00:27:31,359 --> 00:27:35,200 Speaker 2: guys start to stay home just kind of inherently because 489 00:27:35,200 --> 00:27:39,240 Speaker 2: of their basketball instincts, which will create some more opportunities 490 00:27:39,280 --> 00:27:41,600 Speaker 2: in the paint. Or you might get an audible from 491 00:27:41,600 --> 00:27:45,160 Speaker 2: our Daginal or he basically goes, it's time to stay 492 00:27:45,160 --> 00:27:48,000 Speaker 2: home and make these guys scorers. But you've got to 493 00:27:48,040 --> 00:27:51,879 Speaker 2: beat the base scheme. Oka see beat the base scheme 494 00:27:52,000 --> 00:27:56,560 Speaker 2: enough times that Minnesota is starting to crack a little bit. 495 00:27:57,200 --> 00:27:59,159 Speaker 2: On the other end of the floor, Minnesota is not 496 00:27:59,320 --> 00:28:02,880 Speaker 2: beating Okay sees base scheme because they're not hitting those 497 00:28:02,920 --> 00:28:05,800 Speaker 2: corner threes or not hitting those kickout passes often enough. 498 00:28:07,680 --> 00:28:12,280 Speaker 2: Now down eleven, and this is just losing control of 499 00:28:12,320 --> 00:28:15,040 Speaker 2: the situation. Tough tough pull up three early in the 500 00:28:15,040 --> 00:28:20,840 Speaker 2: clock down On the other end, as much as I 501 00:28:20,880 --> 00:28:25,600 Speaker 2: hate this call, Shae once again just rejects the ball 502 00:28:25,640 --> 00:28:28,080 Speaker 2: screen against Ant. Also, I don't think I don't think 503 00:28:28,080 --> 00:28:30,280 Speaker 2: go Bear needs to be up this high, especially when 504 00:28:30,280 --> 00:28:32,840 Speaker 2: you're trying tobaate Shane into taking jumpers instead of driving 505 00:28:33,119 --> 00:28:34,480 Speaker 2: go Beart's got to be further back. 506 00:28:34,960 --> 00:28:36,120 Speaker 1: But uh it, it gets beat. 507 00:28:37,200 --> 00:28:40,000 Speaker 2: Hate the call, but still a bucket from Shae winning 508 00:28:40,000 --> 00:28:42,000 Speaker 2: his one on one matchup. So I think there's a 509 00:28:42,040 --> 00:28:45,400 Speaker 2: pretty clear trend that you guys can see from the film. 510 00:28:45,840 --> 00:28:49,840 Speaker 2: Oklahoma City's packing the paint leaving shooters open, Minnesota is not. 511 00:28:50,720 --> 00:28:53,920 Speaker 2: And whichever team can beat that scheme more effectively over 512 00:28:53,960 --> 00:28:57,840 Speaker 2: the course of this series is gonna win and force adjustments, 513 00:28:57,880 --> 00:29:02,080 Speaker 2: force that second layer of of whatever defensive idea Mike 514 00:29:02,400 --> 00:29:05,760 Speaker 2: Mark Dagenel has or Chris Finch has, and in game one, 515 00:29:05,800 --> 00:29:08,200 Speaker 2: Minnesota in the second half was unable to crack that 516 00:29:08,240 --> 00:29:11,680 Speaker 2: scheme and Oklahoma City was and that was the difference 517 00:29:11,680 --> 00:29:12,120 Speaker 2: in the game. 518 00:29:12,440 --> 00:29:13,800 Speaker 1: And it's in Game two. 519 00:29:13,840 --> 00:29:16,240 Speaker 2: It's gonna be on Minnesota because Okay, se he's not 520 00:29:16,280 --> 00:29:17,440 Speaker 2: gonna bail on that scheme. 521 00:29:17,480 --> 00:29:18,080 Speaker 1: It just worked. 522 00:29:18,080 --> 00:29:20,080 Speaker 2: They held them to forty points in the second half. 523 00:29:20,360 --> 00:29:22,120 Speaker 2: The only way they're gonna play them out of that 524 00:29:22,160 --> 00:29:26,240 Speaker 2: scheme is by relentlessly making those reads and knocking down 525 00:29:26,280 --> 00:29:29,720 Speaker 2: those shots. That's the pathway in Game two, Minnesota can 526 00:29:29,760 --> 00:29:32,280 Speaker 2: win this series. I think they have the advantages they need, 527 00:29:32,560 --> 00:29:35,720 Speaker 2: but I just didn't think they were nearly good enough in. 528 00:29:35,600 --> 00:29:36,440 Speaker 1: That second half. 529 00:29:36,560 --> 00:29:38,440 Speaker 2: All right, guys, That's all I have for this morning 530 00:29:38,480 --> 00:29:40,520 Speaker 2: is always a sincerely appreciate you guys for supporting me 531 00:29:40,560 --> 00:29:42,920 Speaker 2: and supporting the show. We will be back tonight live 532 00:29:42,960 --> 00:29:46,000 Speaker 2: on YouTube after the final buzzer of Nick Pacers, and 533 00:29:46,040 --> 00:29:48,000 Speaker 2: then when we are done on YouTube Tube, we'll be 534 00:29:48,040 --> 00:29:51,080 Speaker 2: heading over to playback dot tv slash Hoops tonight for 535 00:29:51,160 --> 00:29:53,960 Speaker 2: after show where we'll be taking taking callers and just 536 00:29:53,960 --> 00:29:56,640 Speaker 2: hanging out watching film things along those lines. Again, as always, 537 00:29:56,680 --> 00:29:58,760 Speaker 2: I appreciate you guys for supporting us. We'll see you 538 00:29:58,800 --> 00:30:01,240 Speaker 2: next time. What some guys always, I appreciate you for 539 00:30:01,320 --> 00:30:04,200 Speaker 2: listening to and supporting hoops tonight. It would actually be 540 00:30:04,280 --> 00:30:06,120 Speaker 2: really helpful for us if you guys would take a 541 00:30:06,120 --> 00:30:08,760 Speaker 2: second and leave a rating and a review. 542 00:30:08,760 --> 00:30:10,040 Speaker 1: As always, I appreciate you guys. 543 00:30:09,880 --> 00:30:11,520 Speaker 2: Supporting us, but if you could take a minute to 544 00:30:11,520 --> 00:30:15,320 Speaker 2: do that, I'd really appreciate it. 545 00:30:15,400 --> 00:30:16,080 Speaker 1: The volume