WEBVTT - Adam Rodriguez: Reinvention, Representation, and Real Life

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<v Speaker 1>Wilmer Badma.

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<v Speaker 2>It's Freddie Rodriguez.

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<v Speaker 1>Welcome to this podcast.

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<v Speaker 3>This is part two, Part two conversation with Adam Road

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<v Speaker 3>that it was too good.

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<v Speaker 2>It had to be too You're still awake.

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<v Speaker 4>But going back to uh so then that that gave

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<v Speaker 4>you the confidence to go, I'm gonna pack my stuff

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<v Speaker 4>up and move to La No.

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<v Speaker 2>So I did. I did extra work. I was trying

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<v Speaker 2>to you know, get an agent and hustle for auditions

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<v Speaker 2>and crash auditions, mostly commercials. At the time, I was

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<v Speaker 2>doing some theater work. I was, you know, still working

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<v Speaker 2>as a bellman and uh and doing all these things.

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<v Speaker 2>And there's a whole side story about you know, getting

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<v Speaker 2>my stockbroker license and a bunch of other stuff as

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<v Speaker 2>a whole you know, during that course of time. But

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<v Speaker 2>I I did background, like I said, between New York

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<v Speaker 2>Undercover and you know, more movies than I can remember,

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<v Speaker 2>you know, during that period of time. I guess we

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<v Speaker 2>call that like two two and a half three years

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<v Speaker 2>whatever it was. Circle it back now to where I

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<v Speaker 2>caught it and sort of like you know, digressed for

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<v Speaker 2>a moment, and back to my pops. Right. So, my

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<v Speaker 2>pops was in the army, with this guy named Bill Clark.

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<v Speaker 2>And I'm walking into the house one night and my

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<v Speaker 2>father is watching TV, which is the norm, and he's like, yeah,

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<v Speaker 2>you remember this guy. And as I'm walking in the door,

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<v Speaker 2>he's freaking out. He's like jumping up and I can't

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<v Speaker 2>believe this. I can't believe it. You remember him? And

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<v Speaker 2>I'm looking at the Emmy Awards on TV and he's

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<v Speaker 2>pointing to this guy on stage and he's like, that's

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<v Speaker 2>Bill Clark. You don't remember him. And I'm like, I

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<v Speaker 2>don't remember him. He goes the man, I haven't seen

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<v Speaker 2>him in years. And my father knew this guy from

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<v Speaker 2>the Army reserves and when he knew him, they were friends,

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<v Speaker 2>and Bill was a New York detective. And my father

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<v Speaker 2>cannot put together how in whatever it is ten years

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<v Speaker 2>that he hadn't seen him, twelve years he hadn't seen him.

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<v Speaker 2>This guy was now standing on stage at the Emmy

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<v Speaker 2>Awards winning an Emmy, winning an Emmy with the people

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<v Speaker 2>from New York from NYPD Blue and so the whole

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<v Speaker 2>Botch Go crew there. Yeah, and my dad is bugging out, man,

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<v Speaker 2>and I'm like, I don't remember. So my Dad's like, wow,

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<v Speaker 2>this is crazy. Couldn't believe it. So every Sunday I

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<v Speaker 2>mentioned Sonny Volpie to you guys, the teamster my dad

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<v Speaker 2>used to have. They go to this little diner and

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<v Speaker 2>my father this guy, Sonny, and another guy, the old timers.

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<v Speaker 2>You know, they were older than my dad. But he

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<v Speaker 2>used to hang out with these guys and they sit

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<v Speaker 2>and bullshit, read the paper, talk smack about whatever, and

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<v Speaker 2>you know, spend a couple hours on a Sunday morning.

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<v Speaker 2>So he's reading the paper and there's an article about

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<v Speaker 2>Bill Clark and my father says to Sonny, He's like,

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<v Speaker 2>you know this guy. You ever come across him, you know,

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<v Speaker 2>driving or whatever. And son He's like, yeah, no, I

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<v Speaker 2>know Bill. Yeah, a nice guy, you know. So my

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<v Speaker 2>father said, can you can you get me in touch

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<v Speaker 2>with him? I want to reach out to him, you know,

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<v Speaker 2>it's been so long. So Sonny gets HI the number

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<v Speaker 2>of the production office. My father calls, gets a hold

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<v Speaker 2>of Bill. Bill can't believe it, but ray, oh man, Ray,

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<v Speaker 2>it's good to hear from me. They're talking, they catch up.

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<v Speaker 2>Bill's asking about his family, how you know, how the

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<v Speaker 2>kids or whatever. My father says, yeah, you know, Adam,

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<v Speaker 2>Adam has been acting the last few years. He's doing that,

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<v Speaker 2>and you know what my sister's doing, and you know,

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<v Speaker 2>so they catch up on life, right. Bill says to

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<v Speaker 2>my father, Look, I'm leaving tomorrow. I'll be back to

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<v Speaker 2>New York in a couple of months. We've got to

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<v Speaker 2>come back to Shoot. I'll call you. We'll get dinner

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<v Speaker 2>when I get back. And if, for whatever reason, you

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<v Speaker 2>get to LA between now and then, you call me,

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<v Speaker 2>here's my numbers, let me know. And it turned out

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<v Speaker 2>that year, this is ninety six. That year we were

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<v Speaker 2>supposed to come out here to visit my parents' best friends.

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<v Speaker 2>Their sons were living in LA and so we were

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<v Speaker 2>coming out to visit them for Thanksgiving. The two families

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<v Speaker 2>we're going to get together. So we come out to

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<v Speaker 2>see Ralph and Xavier, and you know ral you know

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<v Speaker 2>my boy Ralph. So come out to see Ralph and

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<v Speaker 2>we have Thanksgiving. My father calls Bill and he says, hey, man,

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<v Speaker 2>I'm in town for Thanksgiving and you know, would love

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<v Speaker 2>to see you. We're here until whenever, and Bill says,

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<v Speaker 2>tomorrow tomorrow, we'll get together. Day after Thanksgiving. We'll go

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<v Speaker 2>to dinner. And my father says, great, So the day

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<v Speaker 2>after Thanksgiving nineteen ninety six is really the day like

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<v Speaker 2>my life changed because we go out to dinner and

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<v Speaker 2>we go to Giorgio Baldi's on Intrada. It's real fancy

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<v Speaker 2>Italian restaurant that was very Hollywood. It still is, you know.

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<v Speaker 2>It's It was at the bottom of the Pacific Palisades,

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<v Speaker 2>right where the pch meets in Trada and we walk in,

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<v Speaker 2>you know, and and right away I'm like, oh shit, man,

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<v Speaker 2>this is Hollywood, like for real, Like Kurt Russell and

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<v Speaker 2>Goldie Hawn are sitting there having dinner. Was it. I'm

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<v Speaker 2>getting confused now because the only murders in the building,

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<v Speaker 2>I can't remember it was Steve Martin or Martin Short

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<v Speaker 2>was sitting there in the rest one of those guys.

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<v Speaker 2>Was there somebody else? But you walked in and you

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<v Speaker 2>knew it's a small restaurant, so you walked in and

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<v Speaker 2>you were like, oh shit, like wow, this is like

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<v Speaker 2>this is the real deal, man, you know. And it was.

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<v Speaker 2>It was a trip. I'm in there with my family

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<v Speaker 2>with Bill and his wife at the time, and h

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<v Speaker 2>and we meet his best friend was meeting us for

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<v Speaker 2>dinner there. Bill's best friend So Bill's best friend is

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<v Speaker 2>there with his wife and three kids, and we all

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<v Speaker 2>sit down at this big table, got the biggest table

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<v Speaker 2>in the place, and we're all sitting there and uh,

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<v Speaker 2>his best friend comes and sits next to me and

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<v Speaker 2>we start talking. And two and a half three hours

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<v Speaker 2>goes by for dinner and me and this guy been

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<v Speaker 2>talking the whole time, and his name's David. And at

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<v Speaker 2>the end of the dinner, I'm just like, you know,

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<v Speaker 2>he's asked me about my life and we're talking. I'm

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<v Speaker 2>sharing stuff with him, and we just really hit it off.

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<v Speaker 2>And at the end of the dinner, I'm like, yes,

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<v Speaker 2>you know, David, I know you work on the show,

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<v Speaker 2>but what do you do at NYPD Blue. And it

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<v Speaker 2>turns out it's David Milch, who is, you know, just

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<v Speaker 2>a legendary writer in television and tremendous talent, and so

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<v Speaker 2>he says, yeah, you know, I helped create the show

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<v Speaker 2>and this is what I did. And he's like, look,

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<v Speaker 2>I'm writing a pilot for something that Bill and I

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<v Speaker 2>are doing, and there's a character in the show that

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<v Speaker 2>I think you would be right for if you wanted

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<v Speaker 2>to come out in audition. Have you ever thought about

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<v Speaker 2>moving to LA And I had been thinking about it

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<v Speaker 2>for almost a year at that point, as Ralphie had

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<v Speaker 2>moved out here and I was already thinking about I

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<v Speaker 2>just knew, like that's where you had to go at

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<v Speaker 2>the time you're going to pursue it. La was where

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<v Speaker 2>you had to go do it. You know, New York

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<v Speaker 2>was one thing, and you could stay and go that

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<v Speaker 2>track in New York. But you know, for some reason,

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<v Speaker 2>even as a kid, man La just kind of called me. Yeah,

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<v Speaker 2>you know, I was on the sun, the palm trees,

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<v Speaker 2>whatever it was. I was like, I know, one day

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<v Speaker 2>I gotta go. I gotta go that way, you know,

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<v Speaker 2>whatever it was. And so uh he said, man, David

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<v Speaker 2>was so kind and generous.

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<v Speaker 1>Man, so let you audition for it.

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<v Speaker 2>So not only that, he says, look, you have a

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<v Speaker 2>place to stay. And I'm like, look, hey, I have

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<v Speaker 2>a place to stay because I know I could stay

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<v Speaker 2>with Ralph and his brother. He's like, oh, okay, I

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<v Speaker 2>would have offered you my guest house. You could stay there.

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<v Speaker 2>And right then he says, stay in town a little

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<v Speaker 2>longer if you can. This is Thanksgiving. Let me find

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<v Speaker 2>I want to just get you on camera. I want

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<v Speaker 2>to see if we find something on blue on NYPD

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<v Speaker 2>Blue and just see you on camera. So I hang

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<v Speaker 2>out for about two weeks and waiting around. I'm just

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<v Speaker 2>enjoying LA and finally get a call, Hey, we've got

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<v Speaker 2>something on an episode. I come in and it's a

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<v Speaker 2>character that like has one line three words and it's

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<v Speaker 2>a It's in an episode of NYPD Blue called Upstairs.

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<v Speaker 2>Downstairs with the detectives and the uniform cops are beefing

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<v Speaker 2>with each other, and I'm a uniform cop that comes

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<v Speaker 2>up and I'm carrying some boxes and shit and I

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<v Speaker 2>and I all I say is uh is there's like

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<v Speaker 2>the sergeant and two detectives Jimmy Smith's and it might

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<v Speaker 2>have been Dennis Fans talking to the sergeant and there's

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<v Speaker 2>like a heated exchange. And I come up with these

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<v Speaker 2>boxes and I'm just like in the corner and then

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<v Speaker 2>and then one of them says, yeah, in the corner

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<v Speaker 2>or whatever, and I go, you know, delivery boy again, right,

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<v Speaker 2>But then I have a stare down with Jimmy Smith's,

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<v Speaker 2>Like we have a stare down right, Yeah, that's it,

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<v Speaker 2>in and out right done, Like you know, by the

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<v Speaker 2>time you recognize me, when you saw it, it was over. Yeah,

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<v Speaker 2>but I got my minute and I never forget. Man.

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<v Speaker 2>I'm sitting in the trailer. I'm writing in this little journal,

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<v Speaker 2>like I got a line and I'm here on the

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<v Speaker 2>thing and it's like like this is like really happening, man,

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<v Speaker 2>you know. And so I do this thing. Great, it's done.

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<v Speaker 2>I pack my ship. I go back to New York

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<v Speaker 2>and I'm like, I'm moving to LA. I know I'm

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<v Speaker 2>moving now, like now, I got to go out because

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<v Speaker 2>this is the possibility of this audition for this show

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<v Speaker 2>is going to happen. And I'm like, that's that's all

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<v Speaker 2>I needed. Like that's enough for me. I'm packing up.

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<v Speaker 2>I'm moving out. So pack up, I move out. I

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<v Speaker 2>moved to LA end of January. I get out here

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<v Speaker 2>and I have a place to stay for a little while.

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<v Speaker 2>That doesn't work out, things get complicated. I'm trying to

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<v Speaker 2>and at the lowest point, man, I get a call

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<v Speaker 2>that the show that that character is not going to

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<v Speaker 2>be in the pilot.

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<v Speaker 4>Ah.

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<v Speaker 2>So I'm like, shit, man, I'm out here. I'm freaking

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<v Speaker 2>figuring out exists but not yet but not yet. So

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<v Speaker 2>and I don't have an agent. I don't. I'm trying

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<v Speaker 2>to get all of this right. So I come out

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<v Speaker 2>here with that same hustle, and instead of mailing envelopes out,

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<v Speaker 2>I'm literally driving around in my car handing out headshots

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<v Speaker 2>at agencies with a Thomas Guide straight up Thomas. Okay,

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<v Speaker 2>there's an agency here as part of the valley learning

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<v Speaker 2>my way around LA. And I go to this agency

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<v Speaker 2>and I think they were no more for repping dancers

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<v Speaker 2>at the time, but KM something I can't remember what

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<v Speaker 2>it was, man, but I give my this woman she

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<v Speaker 2>says she wants to rep me. She asked me for

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<v Speaker 2>my address, so they like, look, I don't have an

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<v Speaker 2>address right now. The only address I could give you

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<v Speaker 2>is where I was selling real estate for first time

0:10:12.440 --> 0:10:14.680
<v Speaker 2>home buyers out in Riverside, right And I'm like, I

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<v Speaker 2>can give you that. She's like, oh, you don't have

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<v Speaker 2>an address. I'm like, no, let me give you this

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<v Speaker 2>beeper number in this and she was like, okay, you're

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<v Speaker 2>looking for a place to live. I'm like yeah, and

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<v Speaker 2>so she's like, okay, call this number later tonight. I

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<v Speaker 2>call the number. She picks up. Her name was Jennifer.

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<v Speaker 2>She's like, look, me and my roommate are looking for

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<v Speaker 2>a third roommate because we're we just want to save

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<v Speaker 2>some money before we move on to our next place.

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<v Speaker 2>So I ended up living sleeping on the floor in

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<v Speaker 2>the living room of this apartment in Burbank for like

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<v Speaker 2>months and a half.

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<v Speaker 1>What's an agent?

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<v Speaker 2>And she became my agent for a while, right wow.

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<v Speaker 2>And then as I as I'm thinking like damn, when

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<v Speaker 2>is this pilot gonna happen whatever, Bill calls me and

0:10:51.120 --> 0:10:55.240
<v Speaker 2>he's like, Hey, the characters back in the pilot and

0:10:55.320 --> 0:10:57.200
<v Speaker 2>they're gonna they're gonna bring you in for an audition.

0:10:57.559 --> 0:11:00.040
<v Speaker 2>And my saving grace and I'm going back to this

0:11:00.040 --> 0:11:02.240
<v Speaker 2>this moment was an acting class that I was in.

0:11:02.880 --> 0:11:05.160
<v Speaker 2>That Milch again was like an angel and was like,

0:11:05.400 --> 0:11:07.520
<v Speaker 2>go see this woman. She has an acting class. And

0:11:07.520 --> 0:11:09.760
<v Speaker 2>I go and I show up and it turns out

0:11:09.760 --> 0:11:12.200
<v Speaker 2>there's like four or five people in the class that

0:11:12.280 --> 0:11:16.720
<v Speaker 2>he's paying for Oh wow, to go study. And he

0:11:17.320 --> 0:11:19.760
<v Speaker 2>paid for me to go study with this woman, you know,

0:11:20.480 --> 0:11:22.640
<v Speaker 2>And it was what was so great about it in

0:11:22.640 --> 0:11:24.520
<v Speaker 2>that moment was that it was somewhere to be like

0:11:24.600 --> 0:11:26.200
<v Speaker 2>and you know, I was lonely as hell out here.

0:11:26.200 --> 0:11:27.800
<v Speaker 2>I really Ralph was my boy, and that was the

0:11:27.840 --> 0:11:29.920
<v Speaker 2>only person I knew out there. My boy Ralph was

0:11:29.920 --> 0:11:33.319
<v Speaker 2>grinding trying to make his career happen, and so all

0:11:33.360 --> 0:11:35.319
<v Speaker 2>of a sudden it was like, oh, there was community,

0:11:35.480 --> 0:11:37.920
<v Speaker 2>you know, and and somewhere to be every week and

0:11:38.000 --> 0:11:41.320
<v Speaker 2>doing something and you know, and it was cool man.

0:11:41.720 --> 0:11:44.559
<v Speaker 4>And but now but now you're in the pilot and

0:11:44.679 --> 0:11:46.800
<v Speaker 4>now well, first of all, you're still so you go

0:11:46.880 --> 0:11:50.120
<v Speaker 4>to not in the pilot yet, so practice is the audition, right.

0:11:50.559 --> 0:11:53.440
<v Speaker 2>So the audition comes up finally, like the characters back

0:11:53.440 --> 0:11:55.599
<v Speaker 2>in the pilot, audition for it is coming up. So

0:11:55.640 --> 0:11:57.839
<v Speaker 2>I'm like, okay, this is my moment. I go, I prep,

0:11:58.320 --> 0:12:01.600
<v Speaker 2>go do my audition, and I walk out, you know,

0:12:01.679 --> 0:12:04.120
<v Speaker 2>feeling good. But it's really only the second time that

0:12:04.200 --> 0:12:06.880
<v Speaker 2>I had, like an audition for television. I had audition

0:12:07.000 --> 0:12:09.760
<v Speaker 2>for something on New York Undercover and get it. And

0:12:09.960 --> 0:12:14.680
<v Speaker 2>this was really my first audition for something big. And

0:12:15.120 --> 0:12:16.800
<v Speaker 2>I walk out and I'm an agent, so I don't

0:12:16.800 --> 0:12:19.319
<v Speaker 2>get feedback. I don't want to bother Bill because just

0:12:19.360 --> 0:12:22.240
<v Speaker 2>getting to know him at the time. So like ten

0:12:22.320 --> 0:12:25.240
<v Speaker 2>days goes by and I don't hear anything, and I think, like,

0:12:25.320 --> 0:12:27.600
<v Speaker 2>I mean each day that I didn't hear anything, I

0:12:27.640 --> 0:12:33.280
<v Speaker 2>was silence. Was like I was crushed, and at that

0:12:33.360 --> 0:12:36.400
<v Speaker 2>time my life like to be crushed. The feeling I

0:12:36.440 --> 0:12:39.040
<v Speaker 2>felt was anger, so like I would express it as

0:12:39.080 --> 0:12:40.760
<v Speaker 2>I mean, I would literally like bust out in a

0:12:40.920 --> 0:12:47.080
<v Speaker 2>rage at a red light, just because like you so

0:12:47.480 --> 0:12:49.840
<v Speaker 2>missed at myself, man, And.

0:12:50.000 --> 0:12:52.640
<v Speaker 1>Because all the all the boxes were checked.

0:12:53.080 --> 0:12:57.480
<v Speaker 2>The dude, you know, you take a shot in the class,

0:12:57.520 --> 0:13:00.760
<v Speaker 2>the whole thing. And I'm like, oh man, you know,

0:13:00.800 --> 0:13:02.520
<v Speaker 2>because I didn't think I was bad in the audition,

0:13:02.559 --> 0:13:04.840
<v Speaker 2>but I didn't know, like I didn't have enough you know,

0:13:04.840 --> 0:13:08.400
<v Speaker 2>I haven't had enough experience, no barometer yet, you know.

0:13:08.880 --> 0:13:10.680
<v Speaker 2>And I had no agent to call and go like,

0:13:10.679 --> 0:13:12.280
<v Speaker 2>well what they say, what's the feedback? Like, you know,

0:13:12.400 --> 0:13:14.640
<v Speaker 2>tell me something so and like I said, I didn't

0:13:14.640 --> 0:13:16.520
<v Speaker 2>want to bother Bill because I'm like, man, the dude

0:13:16.520 --> 0:13:18.360
<v Speaker 2>did more than I could ever ask somebody to do

0:13:18.480 --> 0:13:22.679
<v Speaker 2>for me. And you know, anyway, those ten days goes by,

0:13:24.400 --> 0:13:28.319
<v Speaker 2>and at that time I had They used to be

0:13:28.360 --> 0:13:31.400
<v Speaker 2>a restaurant on Melrose called Georgia's. Oh yeah yeah, and

0:13:31.480 --> 0:13:34.040
<v Speaker 2>it was a beautiful spot man, and it was owned

0:13:34.080 --> 0:13:39.040
<v Speaker 2>by Denzel and Wesley Snipes and Norm Nixon and the

0:13:39.080 --> 0:13:43.040
<v Speaker 2>owner operator partner was a guy named Brad Johnson. Uh,

0:13:45.120 --> 0:13:47.400
<v Speaker 2>and I love Brad. Brad was really good to me.

0:13:48.040 --> 0:13:49.800
<v Speaker 2>An ex girlfriend of mine at the time was still

0:13:49.800 --> 0:13:51.840
<v Speaker 2>a dear friend of mine. Her dad was friends with

0:13:51.920 --> 0:13:54.280
<v Speaker 2>Brad and he reached out to Brad before I came

0:13:54.320 --> 0:13:56.199
<v Speaker 2>to LA and was like, Hey, look, this kid's good kid.

0:13:56.240 --> 0:13:59.040
<v Speaker 2>He's gonna come by, you know, just look out for him.

0:13:59.320 --> 0:14:02.520
<v Speaker 2>And so I would go to this spot and it

0:14:02.600 --> 0:14:05.160
<v Speaker 2>was the spot man like it was. It was dope spots,

0:14:05.240 --> 0:14:07.080
<v Speaker 2>so like you had to get dressed up. So I

0:14:07.120 --> 0:14:10.319
<v Speaker 2>put on you know, uh, sports coat and slacks and

0:14:11.559 --> 0:14:15.720
<v Speaker 2>no leather pants. I couldn't afford the leather pants at

0:14:15.720 --> 0:14:21.640
<v Speaker 2>that time. Man pants. I wish I had some leather pants.

0:14:22.080 --> 0:14:24.320
<v Speaker 2>But I would go there jazzed up and once a

0:14:24.320 --> 0:14:27.000
<v Speaker 2>week I would go and sit down and Brad would

0:14:27.000 --> 0:14:29.120
<v Speaker 2>hook me up with a meal and you know, a

0:14:29.200 --> 0:14:31.040
<v Speaker 2>drink or two. But what was the best thing about

0:14:31.080 --> 0:14:32.720
<v Speaker 2>it was like it was a place to post up

0:14:32.720 --> 0:14:34.200
<v Speaker 2>and I would meet people, you know. So I met

0:14:34.200 --> 0:14:36.920
<v Speaker 2>some girls and went on my first hikes that I

0:14:36.920 --> 0:14:38.960
<v Speaker 2>ever went on with That's go on a hike you know,

0:14:39.200 --> 0:14:43.040
<v Speaker 2>California ship like the hike. I'm like, yeah, all right, uh,

0:14:43.080 --> 0:14:45.200
<v Speaker 2>And I met some guys that I'm still you know.

0:14:45.440 --> 0:14:46.920
<v Speaker 2>I mean, I haven't seen it in a while, but like,

0:14:47.440 --> 0:14:49.400
<v Speaker 2>you know, it was friends with for years, and you know,

0:14:49.440 --> 0:14:52.040
<v Speaker 2>it was a place again to like feel like okay,

0:14:52.120 --> 0:14:56.560
<v Speaker 2>like I'm belonging, belonging, right. So one night Bad calls me, like, hey,

0:14:56.600 --> 0:14:58.320
<v Speaker 2>come back for dinner tonight in the middle of the week.

0:14:58.320 --> 0:15:00.720
<v Speaker 2>It was like a Wednesday, and and I had not

0:15:00.760 --> 0:15:03.160
<v Speaker 2>told anybody about this audition, right. I was like, I'm

0:15:03.160 --> 0:15:05.080
<v Speaker 2>not gonna say anything about this audition till I know

0:15:05.160 --> 0:15:07.280
<v Speaker 2>what the end result is. And I hadn't gotten the end.

0:15:07.280 --> 0:15:08.920
<v Speaker 1>And that's the rule of thumb, by the way, just

0:15:09.000 --> 0:15:10.600
<v Speaker 1>to yourself.

0:15:10.840 --> 0:15:13.960
<v Speaker 2>And like, so I get a call come in for dinner.

0:15:13.960 --> 0:15:18.320
<v Speaker 2>So I sit down with Brad and I'm there at

0:15:18.320 --> 0:15:20.240
<v Speaker 2>a big table with him in about I don't know

0:15:20.280 --> 0:15:23.280
<v Speaker 2>eight other people and they're all adults, successful people, you know.

0:15:23.360 --> 0:15:24.920
<v Speaker 2>I mean, this was like one of the hottest restaurants

0:15:24.960 --> 0:15:27.920
<v Speaker 2>in town. And Brad's friends were all doing it or

0:15:28.080 --> 0:15:30.000
<v Speaker 2>they're all you know, they were probably in their forties

0:15:30.000 --> 0:15:33.160
<v Speaker 2>at the time, and they were like experienced and you know,

0:15:33.800 --> 0:15:36.320
<v Speaker 2>but I'm being invited to the table. We're having conversation

0:15:36.760 --> 0:15:40.480
<v Speaker 2>and they're talking about their careers, business things, things that

0:15:40.520 --> 0:15:42.840
<v Speaker 2>are going on for them. And it comes to my turn.

0:15:42.880 --> 0:15:44.720
<v Speaker 2>Somebody turns like at them, so, you know, what's up?

0:15:44.840 --> 0:15:46.640
<v Speaker 2>What's going on? You know, what are you up to?

0:15:46.680 --> 0:15:49.000
<v Speaker 2>And I'm like, shit, man, I didn't have shit else

0:15:49.040 --> 0:15:50.840
<v Speaker 2>to talk about. I'm like, we talk about this this

0:15:50.920 --> 0:15:53.880
<v Speaker 2>house that I showed somebody in Riverside, like earlier that day.

0:15:53.920 --> 0:15:57.560
<v Speaker 2>I'm like, uh, I said, well, I'm like, I'm gonna

0:15:57.600 --> 0:16:00.240
<v Speaker 2>let the cat out the bag. Fuck it, right, I'm like, yeah,

0:16:00.240 --> 0:16:03.000
<v Speaker 2>I had this audition for a Stephen Boschko pilot about

0:16:03.000 --> 0:16:05.760
<v Speaker 2>ten days ago, and you know, I was like, I

0:16:06.640 --> 0:16:08.000
<v Speaker 2>went in there, I did my best. I was like,

0:16:08.000 --> 0:16:09.760
<v Speaker 2>but I think I blew it. And I have no

0:16:10.040 --> 0:16:11.760
<v Speaker 2>point of reference to get any feed. But I'm just

0:16:11.760 --> 0:16:13.720
<v Speaker 2>telling them what's on my mind. Right. They're like, oh, man,

0:16:13.720 --> 0:16:15.160
<v Speaker 2>well you got to stick with it. It's you know,

0:16:15.200 --> 0:16:19.120
<v Speaker 2>it's all good for the process. About five minutes after

0:16:19.200 --> 0:16:21.560
<v Speaker 2>I talk about this, man, my pager goes off. This

0:16:21.640 --> 0:16:25.400
<v Speaker 2>is how old. There's a long cage. My pager goes off,

0:16:25.440 --> 0:16:28.600
<v Speaker 2>and I look at the number, and I thought I

0:16:28.640 --> 0:16:30.280
<v Speaker 2>was fly because I had an eight hundred number for

0:16:30.360 --> 0:16:33.120
<v Speaker 2>my pager, right, so anybody could die that page, right,

0:16:33.200 --> 0:16:38.480
<v Speaker 2>and they didn't need any quarters up for your call, right balling.

0:16:38.920 --> 0:16:42.200
<v Speaker 2>So I look at the number and it's and I

0:16:42.240 --> 0:16:43.760
<v Speaker 2>was waiting to see this number. It was three one

0:16:43.800 --> 0:16:47.000
<v Speaker 2>oh uh you know, uh six six there was the

0:16:47.240 --> 0:16:50.560
<v Speaker 2>Fox exchange right, and I'm like, oh, this was the number.

0:16:50.600 --> 0:16:52.280
<v Speaker 2>I was three six nine three one oh three six

0:16:52.440 --> 0:16:55.120
<v Speaker 2>nine something some something. And I was like, I knew

0:16:55.120 --> 0:16:57.440
<v Speaker 2>it was from Boshko's office. So I get on there.

0:16:57.480 --> 0:16:59.680
<v Speaker 2>I'm like, oh shit. I get up from the table.

0:16:59.680 --> 0:17:02.720
<v Speaker 2>I go to the payphone. I call casting as system

0:17:02.760 --> 0:17:05.480
<v Speaker 2>picks up. His name was Scott Jenkinsjer and he's like, Adam,

0:17:05.880 --> 0:17:08.720
<v Speaker 2>are you available to come in to read for Steven tomorrow?

0:17:09.640 --> 0:17:12.720
<v Speaker 2>And I'm like, yeah, of course I'll be there.

0:17:13.280 --> 0:17:15.680
<v Speaker 3>Now, you have a fax machine because we're going to

0:17:15.720 --> 0:17:17.320
<v Speaker 3>send your Yeah, yeah, no.

0:17:17.440 --> 0:17:19.119
<v Speaker 2>I had the scenes. It was the same It was

0:17:19.119 --> 0:17:22.840
<v Speaker 2>the same scenes, same scene right. Luckily because for the

0:17:22.920 --> 0:17:25.840
<v Speaker 2>ten days, bro I was going over that scene every

0:17:25.880 --> 0:17:28.760
<v Speaker 2>single day, one hundred times a day. I was reliving

0:17:29.280 --> 0:17:31.320
<v Speaker 2>my chance, you know what I mean. It was like

0:17:32.240 --> 0:17:34.040
<v Speaker 2>I was reliving it because I thought I blew it.

0:17:34.080 --> 0:17:36.600
<v Speaker 2>So I was like, man, I would have done this anyway.

0:17:37.520 --> 0:17:42.560
<v Speaker 2>Your chance is actually now coming tomorrow. So I got

0:17:42.640 --> 0:17:46.280
<v Speaker 2>to go the next day, man, And it was the

0:17:46.880 --> 0:17:48.480
<v Speaker 2>first time I auditioned. There were a lot of people

0:17:48.480 --> 0:17:50.199
<v Speaker 2>at this time there were less and maybe like it

0:17:50.280 --> 0:17:53.080
<v Speaker 2>was down to like fifteen twenty people. Maybe when I

0:17:53.119 --> 0:17:53.680
<v Speaker 2>got there.

0:17:53.560 --> 0:17:55.240
<v Speaker 1>You recognize anyone that was in the room.

0:17:55.560 --> 0:17:58.360
<v Speaker 2>I feel like nobody that I knew well at the time,

0:17:58.400 --> 0:18:02.920
<v Speaker 2>but I feel like Yancey Arias was there. Yancey is

0:18:02.920 --> 0:18:04.520
<v Speaker 2>the one that comes to mind when I think if

0:18:04.560 --> 0:18:07.240
<v Speaker 2>there were any familiar faces, but Yancey and I would

0:18:07.280 --> 0:18:09.320
<v Speaker 2>run into each other. I'd see him a commercial auditions

0:18:09.359 --> 0:18:13.720
<v Speaker 2>and stuff in New York. Yeah, yeah, I don't. Yancey

0:18:13.760 --> 0:18:16.160
<v Speaker 2>comes up. Yancey comes to mind. I don't remember who

0:18:16.160 --> 0:18:21.560
<v Speaker 2>else maybe, but I go in. It's my turn, and

0:18:21.600 --> 0:18:25.439
<v Speaker 2>I just felt so prepared, like I already felt like

0:18:25.480 --> 0:18:29.040
<v Speaker 2>I had lost. So I was like, fuck it, man,

0:18:29.240 --> 0:18:30.440
<v Speaker 2>like I just let go and.

0:18:31.080 --> 0:18:34.000
<v Speaker 1>You quite literally lost it once. So this is just

0:18:34.080 --> 0:18:36.240
<v Speaker 1>like gravy yep.

0:18:46.240 --> 0:18:49.280
<v Speaker 2>Scene, And I mean I got applause at the end.

0:18:50.040 --> 0:18:52.119
<v Speaker 2>People in the room were like, wow, that was great,

0:18:52.560 --> 0:18:55.640
<v Speaker 2>and I just felt I was beaming inside because all

0:18:55.680 --> 0:18:59.119
<v Speaker 2>I wanted to do was make a good impression, you

0:18:59.160 --> 0:19:01.480
<v Speaker 2>know what I mean? So I walked out. What was

0:19:01.480 --> 0:19:01.879
<v Speaker 2>the scene?

0:19:01.920 --> 0:19:03.320
<v Speaker 1>Like, what was the scene that you had to perform?

0:19:03.440 --> 0:19:06.520
<v Speaker 2>Oh? Man, I don't even remember, now, okay for the cop.

0:19:06.560 --> 0:19:08.280
<v Speaker 2>You were playing a cop? I was playing a cop.

0:19:08.440 --> 0:19:12.560
<v Speaker 2>There was an exchange with somebody, you know it. I

0:19:12.640 --> 0:19:15.359
<v Speaker 2>don't remember. I don't. I wish I could. Actually, I

0:19:15.359 --> 0:19:17.480
<v Speaker 2>would have walked out feeling like I walked out on

0:19:17.520 --> 0:19:17.840
<v Speaker 2>a high.

0:19:18.040 --> 0:19:20.080
<v Speaker 1>Even if I don't get it, I left it there.

0:19:20.119 --> 0:19:23.680
<v Speaker 2>I left an impression. I left an impression in that room,

0:19:23.760 --> 0:19:25.800
<v Speaker 2>Like I know, I didn't let build down because that

0:19:25.880 --> 0:19:27.440
<v Speaker 2>was my main thing. Like I didn't want to leave

0:19:27.600 --> 0:19:29.439
<v Speaker 2>these people that gave me a chance, that opened the door.

0:19:29.480 --> 0:19:30.920
<v Speaker 2>I didn't want to. I didn't want to let them

0:19:30.960 --> 0:19:33.160
<v Speaker 2>down on it, you know. So I felt like Bill

0:19:33.200 --> 0:19:35.720
<v Speaker 2>and David at least like I got my respect, you know,

0:19:35.960 --> 0:19:38.520
<v Speaker 2>like they didn't look foolish for bringing me in. So

0:19:38.640 --> 0:19:42.000
<v Speaker 2>I walked out, and I'm like, man, I remember going

0:19:42.000 --> 0:19:44.280
<v Speaker 2>to the bathroom, splashing some water on my face, smiling

0:19:44.400 --> 0:19:48.000
<v Speaker 2>like you feel good? I feel good now, I'm like

0:19:48.240 --> 0:19:52.439
<v Speaker 2>walking out and I'm leaving the building and the casting

0:19:52.480 --> 0:19:54.679
<v Speaker 2>system comes outside and say hey, Adam, Adam come back

0:19:54.680 --> 0:19:55.439
<v Speaker 2>and calls me back in.

0:19:55.600 --> 0:19:57.080
<v Speaker 1>I'm like, don't ever come back again.

0:20:01.000 --> 0:20:05.720
<v Speaker 2>They weren't clapping because you were done, so like, okay,

0:20:04.840 --> 0:20:09.080
<v Speaker 2>well good luck. First of all, this is what you

0:20:09.200 --> 0:20:09.680
<v Speaker 2>call us.

0:20:09.800 --> 0:20:14.360
<v Speaker 3>You're describing like the best standing to a romantic movie ever, right,

0:20:14.440 --> 0:20:16.880
<v Speaker 3>like them guns and direct him. So hey Adam, wait,

0:20:17.240 --> 0:20:20.639
<v Speaker 3>come wait.

0:20:18.880 --> 0:20:24.320
<v Speaker 2>Wait I stopped my checks. I'm like, oh, right, because

0:20:24.320 --> 0:20:26.560
<v Speaker 2>I got paused the pushing with the guy behind it.

0:20:28.000 --> 0:20:31.040
<v Speaker 2>You have that moment then turn around like yeah, you know,

0:20:31.720 --> 0:20:34.439
<v Speaker 2>brings me back in the office. He's like, just wait here.

0:20:34.640 --> 0:20:35.640
<v Speaker 1>You ever come here again?

0:20:36.880 --> 0:20:40.880
<v Speaker 2>Yo? You left your water whatever, you left your water again. Yes,

0:20:41.640 --> 0:20:43.320
<v Speaker 2>we're going to do you a favorite. We're not going

0:20:43.400 --> 0:20:48.600
<v Speaker 2>to tell any other time about this audition. So only

0:20:48.640 --> 0:20:51.240
<v Speaker 2>because you're a friend.

0:20:54.040 --> 0:20:57.040
<v Speaker 4>Yeah, you didn't clean up after yourself.

0:20:56.760 --> 0:21:02.600
<v Speaker 2>You don't ever leave an audition without taking yourself. Clearly

0:21:02.720 --> 0:21:05.200
<v Speaker 2>you're a rookie. She comes out, She goes, Adam, it

0:21:05.320 --> 0:21:06.919
<v Speaker 2>was a guy because Scott the same guy that he

0:21:06.960 --> 0:21:08.840
<v Speaker 2>comes out. He comes out, he brings me back in

0:21:08.880 --> 0:21:11.120
<v Speaker 2>the office of a woman named Junie Lowry Johnson, who

0:21:11.200 --> 0:21:14.720
<v Speaker 2>was the casting director. A minute or two goes by.

0:21:14.800 --> 0:21:17.520
<v Speaker 2>She walks in and she looks at him. They look

0:21:17.520 --> 0:21:19.720
<v Speaker 2>at each other and they're like, you got the job.

0:21:20.240 --> 0:21:22.280
<v Speaker 2>And I'm like, oh my god.

0:21:22.280 --> 0:21:24.119
<v Speaker 1>I say he told you there that day.

0:21:24.320 --> 0:21:27.800
<v Speaker 2>Oh my god. I mean, I'm like, I don't know

0:21:27.800 --> 0:21:30.960
<v Speaker 2>what to do. Man. I'm like, oh my god, this

0:21:31.080 --> 0:21:34.000
<v Speaker 2>is crazy. You know, I can feel it now. And

0:21:34.040 --> 0:21:37.000
<v Speaker 2>I'm like, wow, thank you, thank you, you know, and I

0:21:37.119 --> 0:21:39.080
<v Speaker 2>leave and I run to the first pay phone. I

0:21:39.080 --> 0:21:41.080
<v Speaker 2>call my mom. She's at work, you asking what my

0:21:41.080 --> 0:21:42.720
<v Speaker 2>father did for lifing. My mother worked for the United

0:21:42.760 --> 0:21:47.359
<v Speaker 2>Airlines for like thirty plus years, and she was the

0:21:47.480 --> 0:21:49.920
<v Speaker 2>ticket agent at like an off site ticket office. So

0:21:49.920 --> 0:21:52.199
<v Speaker 2>if you wanted to buy a ticket for United, you

0:21:52.200 --> 0:21:54.840
<v Speaker 2>would go to these offices and purchase the ticket there.

0:21:54.880 --> 0:21:57.439
<v Speaker 2>And she did that. I called her up and I

0:21:57.480 --> 0:21:59.960
<v Speaker 2>was like, hey, Ma. She's like, hey, what's up, Mama.

0:22:00.080 --> 0:22:01.879
<v Speaker 2>My work. I'm like, all right, you got a long line.

0:22:01.920 --> 0:22:03.600
<v Speaker 2>She was like yeah, it's crowded and a lot of

0:22:03.600 --> 0:22:06.359
<v Speaker 2>people here. I'm like great, perfect, because I was like,

0:22:06.440 --> 0:22:07.840
<v Speaker 2>you know, I want to see what her reaction was

0:22:07.840 --> 0:22:09.159
<v Speaker 2>going to be in front of all these people, and

0:22:09.200 --> 0:22:10.959
<v Speaker 2>it was on the other line, and I was like,

0:22:11.080 --> 0:22:13.439
<v Speaker 2>I got it. I got my first show, Mom, I

0:22:13.440 --> 0:22:15.919
<v Speaker 2>got I got on this show, you know. And she

0:22:16.119 --> 0:22:18.119
<v Speaker 2>was like, oh my god. You know she was happy.

0:22:18.160 --> 0:22:20.160
<v Speaker 2>Of course in the moment. I don't think she understood.

0:22:21.080 --> 0:22:24.680
<v Speaker 2>I always think we're doing you know so, But man,

0:22:24.720 --> 0:22:26.720
<v Speaker 2>I'll never forget being on that love that lot. Every

0:22:26.720 --> 0:22:28.639
<v Speaker 2>time I go to that lot, like it's just special

0:22:28.680 --> 0:22:33.160
<v Speaker 2>to me for that reason. Fox. Yeah, and so I Man,

0:22:33.240 --> 0:22:35.080
<v Speaker 2>I hang up the phone and I was like, man,

0:22:35.200 --> 0:22:37.560
<v Speaker 2>this is it, Like, you know, I got a job on,

0:22:37.800 --> 0:22:40.000
<v Speaker 2>like a series regular on a show.

0:22:40.040 --> 0:22:42.160
<v Speaker 3>And this show had been already Greenland show had already

0:22:42.200 --> 0:22:45.119
<v Speaker 3>been green because it was Stephen Botschko at that time,

0:22:45.240 --> 0:22:47.120
<v Speaker 3>it was twenty two on the air.

0:22:47.160 --> 0:22:50.919
<v Speaker 2>He was dumb, man, you know, he was remember remember

0:22:50.920 --> 0:22:53.840
<v Speaker 2>when you Taylor Sheridan. Yeah, I remember when I got paid. Man.

0:22:53.920 --> 0:22:59.000
<v Speaker 2>I remember doing the pilot, and I remember riding because

0:22:59.680 --> 0:23:02.520
<v Speaker 2>this is funny too. We shot in New York. Uh

0:23:02.560 --> 0:23:08.639
<v Speaker 2>and I am on the plane with uh. What was

0:23:08.680 --> 0:23:11.800
<v Speaker 2>that conversation. I had a conversation with somebody and they

0:23:11.840 --> 0:23:13.760
<v Speaker 2>were telling me like, oh, you're gonna make like twenty

0:23:13.760 --> 0:23:17.240
<v Speaker 2>five grand an episode or whatever at that time, you're

0:23:17.359 --> 0:23:20.200
<v Speaker 2>kidding me. I was like, usually I made ten thousand

0:23:20.280 --> 0:23:23.200
<v Speaker 2>for No No, and so I was thinking twenty five.

0:23:23.320 --> 0:23:25.240
<v Speaker 2>It turned out when it came down to the negotiation,

0:23:25.400 --> 0:23:26.880
<v Speaker 2>I made six grand an episode.

0:23:29.040 --> 0:23:31.800
<v Speaker 1>Wait wait, wait, that's that's before agent.

0:23:31.520 --> 0:23:34.359
<v Speaker 2>Fees and all I had no agent. I got this

0:23:34.440 --> 0:23:35.240
<v Speaker 2>with no agent.

0:23:35.560 --> 0:23:37.760
<v Speaker 4>But I'm saying, like, you mean like six take home

0:23:37.840 --> 0:23:38.960
<v Speaker 4>or like six was the number?

0:23:39.000 --> 0:23:42.199
<v Speaker 2>Six was the number? Six was the neighbor? Yeah, but

0:23:42.280 --> 0:23:44.040
<v Speaker 2>I had no agent, so all I had to do

0:23:44.119 --> 0:23:47.359
<v Speaker 2>was pay tax, you know, which, look at that time,

0:23:47.720 --> 0:23:51.040
<v Speaker 2>no shit, twenty two episodes making over six figures at

0:23:51.080 --> 0:23:54.520
<v Speaker 2>that time was like yeah, crazy, you were like six

0:23:54.640 --> 0:23:56.720
<v Speaker 2>g I was like what I mean? You know, I

0:23:56.800 --> 0:24:02.440
<v Speaker 2>mean it was a slightly disappointing just because Bill called

0:24:02.440 --> 0:24:05.520
<v Speaker 2>me the contract. The whole negotiation with Bill basically said, look,

0:24:05.520 --> 0:24:06.960
<v Speaker 2>they're going to call you. The number is going to

0:24:07.040 --> 0:24:09.240
<v Speaker 2>be low. But I didn't know. He was like, but

0:24:09.320 --> 0:24:12.240
<v Speaker 2>you just take what it is, yes, because again it

0:24:12.320 --> 0:24:14.159
<v Speaker 2>was like getting on a Stephen Botchko pilot at that

0:24:14.200 --> 0:24:16.879
<v Speaker 2>time was also a big deal because it was like

0:24:17.720 --> 0:24:21.440
<v Speaker 2>it was like, you know, being on an Alan Ball Show.

0:24:21.600 --> 0:24:23.760
<v Speaker 2>Later on. You know what I mean, they had prestige,

0:24:23.840 --> 0:24:26.880
<v Speaker 2>there was there was like something to it.

0:24:26.480 --> 0:24:29.879
<v Speaker 1>So so questions. So you haven't said the name of

0:24:29.880 --> 0:24:30.240
<v Speaker 1>the show.

0:24:30.520 --> 0:24:32.040
<v Speaker 2>Oh, it's called Brooklyn South.

0:24:32.200 --> 0:24:33.440
<v Speaker 1>Brooklyn South.

0:24:33.520 --> 0:24:34.919
<v Speaker 2>It was called Brooklyn South.

0:24:35.080 --> 0:24:36.879
<v Speaker 1>Yeah, you're na by night it was it on.

0:24:37.200 --> 0:24:39.280
<v Speaker 2>It was on Monday nights at ten o'clock. It was

0:24:39.320 --> 0:24:42.000
<v Speaker 2>the first primetime show to ever get a TV m

0:24:42.040 --> 0:24:45.800
<v Speaker 2>A rating. Wow. Yeah, because the guy's head gets blown off.

0:24:46.119 --> 0:24:49.280
<v Speaker 2>Pieces fall show. It was a fall show. No, no,

0:24:49.359 --> 0:24:52.240
<v Speaker 2>it was a fall show. It was like the crown

0:24:52.440 --> 0:24:56.639
<v Speaker 2>jewel of CBS's lineup that year, that Monday night Slide

0:24:56.640 --> 0:24:59.600
<v Speaker 2>at ten o'clock was there. That was their premos.

0:25:00.240 --> 0:25:01.800
<v Speaker 1>How long you've been working with CBS?

0:25:01.880 --> 0:25:03.879
<v Speaker 2>Yeah? What wait? What year was that? What year? Nineteen

0:25:03.960 --> 0:25:04.480
<v Speaker 2>ninety seven?

0:25:14.200 --> 0:25:16.560
<v Speaker 4>So you've been at CBS since ninety seven?

0:25:16.800 --> 0:25:18.080
<v Speaker 2>That was nineteen ninety seven.

0:25:18.080 --> 0:25:19.000
<v Speaker 1>They've been good to you, man.

0:25:19.359 --> 0:25:22.160
<v Speaker 2>Yeah, yeah, man, all of it. You know, you realize like, yeah,

0:25:22.240 --> 0:25:24.760
<v Speaker 2>you know they you learn a lot.

0:25:24.640 --> 0:25:26.760
<v Speaker 1>Man, you know, how many seasons do you do there?

0:25:27.320 --> 0:25:29.240
<v Speaker 2>So we only did one season and then the show

0:25:29.280 --> 0:25:30.360
<v Speaker 2>got canceled.

0:25:29.960 --> 0:25:32.520
<v Speaker 3>And then and then you and then Wendy you snatch

0:25:32.640 --> 0:25:35.360
<v Speaker 3>up is at Miami. So that would that be your

0:25:35.440 --> 0:25:36.359
<v Speaker 3>next big break?

0:25:36.880 --> 0:25:40.160
<v Speaker 2>I would, I mean big break. Yeah. But the next

0:25:40.280 --> 0:25:45.840
<v Speaker 2>thing that really kept me going was then iron Spelling

0:25:45.920 --> 0:25:48.480
<v Speaker 2>show in Between, and then I did and then I

0:25:48.520 --> 0:25:51.639
<v Speaker 2>did as it was called All Souls. It was it

0:25:51.680 --> 0:25:54.520
<v Speaker 2>was actually also All Souls. It was very cool shows.

0:25:54.640 --> 0:25:56.879
<v Speaker 2>It was it's kind of ahead of its time. Actually

0:25:56.880 --> 0:25:59.280
<v Speaker 2>it was a guy named Mark Frost that was one

0:25:59.280 --> 0:26:02.880
<v Speaker 2>of David Lynch's partners on Twin Peaks, had broken off

0:26:02.960 --> 0:26:07.600
<v Speaker 2>and created this show called All Souls and then it

0:26:07.800 --> 0:26:12.080
<v Speaker 2>aired on UPN and it just wasn't It wasn't right

0:26:12.119 --> 0:26:14.360
<v Speaker 2>for the network. And the show was kind of even

0:26:14.400 --> 0:26:16.320
<v Speaker 2>ahead of its time. It was about a haunted hospital

0:26:17.800 --> 0:26:19.800
<v Speaker 2>and it was really cool and it was really show.

0:26:20.520 --> 0:26:23.440
<v Speaker 2>But what did makes sense? It didn't exist yet. So

0:26:23.480 --> 0:26:25.439
<v Speaker 2>I lived in Montreal and I shot that, you know,

0:26:25.480 --> 0:26:28.119
<v Speaker 2>over the course of a year on and off or

0:26:28.119 --> 0:26:30.720
<v Speaker 2>ten months whatever it was. But then the next break

0:26:30.760 --> 0:26:33.719
<v Speaker 2>really was a show called Roswell, and I did the

0:26:33.760 --> 0:26:35.200
<v Speaker 2>third season of Roswell.

0:26:35.359 --> 0:26:36.320
<v Speaker 1>I remember when you had.

0:26:36.480 --> 0:26:40.680
<v Speaker 2>Catherine Heigel was my uh played my wife.

0:26:40.920 --> 0:26:45.919
<v Speaker 3>Yeah, And I remember rosswell super well. I remember when

0:26:45.960 --> 0:26:47.879
<v Speaker 3>he started because I was friends for half of that cast.

0:26:48.000 --> 0:26:48.680
<v Speaker 2>Yeah, they were good.

0:26:48.680 --> 0:26:50.360
<v Speaker 1>Be Brandon were redon.

0:26:50.160 --> 0:26:54.159
<v Speaker 2>Fair was on it, Jason Bear, Nick Weschler. Mahandra is

0:26:54.160 --> 0:26:59.600
<v Speaker 2>still a friend love Mahandra Yeah yeah, yeah, yeah, Mahandra's great.

0:26:59.600 --> 0:27:03.280
<v Speaker 2>I actually the her and Brandan have a podcast that

0:27:03.320 --> 0:27:04.879
<v Speaker 2>I did at some time in the last day.

0:27:05.600 --> 0:27:07.439
<v Speaker 1>Very hits me up occasionally.

0:27:07.480 --> 0:27:10.719
<v Speaker 2>Yeah, great, we do we got man, sweet guy.

0:27:10.760 --> 0:27:12.960
<v Speaker 3>But yeah, it was like it was like the rise

0:27:13.080 --> 0:27:17.160
<v Speaker 3>of w B Yes, right, Dawson's Creek and then they

0:27:17.160 --> 0:27:20.360
<v Speaker 3>started this this thing and then Roswell was that first.

0:27:20.160 --> 0:27:22.240
<v Speaker 2>Like can we do a show up by Aliens?

0:27:22.359 --> 0:27:25.200
<v Speaker 1>Yeah, around the X Files years and all that stuff.

0:27:25.240 --> 0:27:27.520
<v Speaker 1>And then I think it was what year was that

0:27:27.520 --> 0:27:27.960
<v Speaker 1>that show?

0:27:28.000 --> 0:27:32.040
<v Speaker 2>I joined that show two two thousand and one, so

0:27:32.080 --> 0:27:35.439
<v Speaker 2>then that show started ninety nine would have been the

0:27:35.440 --> 0:27:37.680
<v Speaker 2>first year I think for that show in ninety nine.

0:27:38.359 --> 0:27:39.400
<v Speaker 2>So those guys.

0:27:39.280 --> 0:27:42.320
<v Speaker 1>Excuse so I just that seventy show in ninety eight.

0:27:42.680 --> 0:27:44.119
<v Speaker 2>That's what I was going to ask you did is

0:27:44.119 --> 0:27:47.160
<v Speaker 2>that ninety eight that you started the Yeah that's Fall

0:27:47.200 --> 0:27:49.120
<v Speaker 2>of ninety eight premiere Fall of ninety eight.

0:27:49.200 --> 0:27:53.560
<v Speaker 3>Okay, yeah, damn yeah, So I remember bab Yeah, it

0:27:53.600 --> 0:27:57.000
<v Speaker 3>was so crazy, But that's insane.

0:27:57.280 --> 0:28:02.040
<v Speaker 2>So Roswell was big games kept the ball moving, thank god,

0:28:02.840 --> 0:28:07.240
<v Speaker 2>because because I had I had bought my my my

0:28:07.400 --> 0:28:09.600
<v Speaker 2>first place, and I was like, man, I bought my

0:28:09.600 --> 0:28:11.480
<v Speaker 2>first place, had like two months of mortgage left in

0:28:11.520 --> 0:28:14.000
<v Speaker 2>the bank and counting on that Aaron Spelling Show and

0:28:14.000 --> 0:28:17.960
<v Speaker 2>then it got canceled, paying six grand though, and then freaking,

0:28:18.359 --> 0:28:21.639
<v Speaker 2>and then Roswell hit and kept me going, man. And

0:28:21.680 --> 0:28:25.760
<v Speaker 2>then when Roswell ended CSI, Miami came along and then

0:28:25.800 --> 0:28:28.040
<v Speaker 2>that was you know, that was really that took things

0:28:28.080 --> 0:28:28.880
<v Speaker 2>to another day.

0:28:28.920 --> 0:28:30.280
<v Speaker 1>How many how many seasons did you do?

0:28:31.040 --> 0:28:33.480
<v Speaker 2>We did ten seasons of cs and you were doing

0:28:33.520 --> 0:28:37.800
<v Speaker 2>twenty We did, I mean, depending most seasons, I would

0:28:37.800 --> 0:28:41.200
<v Speaker 2>say we did twenty two, twenty three. Couple one season

0:28:41.240 --> 0:28:43.680
<v Speaker 2>we did like twenty five or twenty six one year,

0:28:44.360 --> 0:28:46.560
<v Speaker 2>but I would say, yeah, average, we did twenty two.

0:28:47.680 --> 0:28:50.960
<v Speaker 3>And it was one of those shows that really pop culturally,

0:28:51.040 --> 0:28:53.160
<v Speaker 3>elevated what procedure was What's gonna be?

0:28:53.200 --> 0:28:55.960
<v Speaker 1>And the location was so sexy and the cast.

0:28:55.800 --> 0:28:59.600
<v Speaker 2>Was so bad, really set it apart. There was nothing

0:28:59.640 --> 0:29:03.240
<v Speaker 2>on TV. Yeah, we kind of you know, the original

0:29:03.920 --> 0:29:09.400
<v Speaker 2>the original CSI, I would say, you know, added something

0:29:09.440 --> 0:29:12.440
<v Speaker 2>to procedurals that hadn't existed, which is you know, shooting

0:29:12.480 --> 0:29:15.800
<v Speaker 2>those those those micro shots where they're like, you know,

0:29:15.880 --> 0:29:19.480
<v Speaker 2>get inside someensics. Part of it really like giving people

0:29:19.480 --> 0:29:20.480
<v Speaker 2>a visual.

0:29:20.400 --> 0:29:22.760
<v Speaker 1>Which was which just turns out the proof.

0:29:22.600 --> 0:29:26.479
<v Speaker 2>Which was amazing, right, But then Miami ratcheted it up

0:29:26.560 --> 0:29:30.240
<v Speaker 2>another level because it was such a beautiful backdrop for

0:29:30.320 --> 0:29:33.560
<v Speaker 2>the show. So now you had the you know, the

0:29:33.560 --> 0:29:37.160
<v Speaker 2>the intricate technical shots that were interesting visually, but then

0:29:37.280 --> 0:29:40.280
<v Speaker 2>set on top of this beautiful canvas that was Miami

0:29:40.720 --> 0:29:43.840
<v Speaker 2>with the with the beautiful orange and that the pink.

0:29:43.680 --> 0:29:46.280
<v Speaker 1>Over to breako the Fancis Hearts.

0:29:46.920 --> 0:29:50.800
<v Speaker 3>It actually didn't shoot in Miami, shooted in Los Angeles.

0:29:52.320 --> 0:29:54.560
<v Speaker 2>We would go to Miami. The first five seasons, you

0:29:54.600 --> 0:29:57.600
<v Speaker 2>would go to Miami for some exterior Yeah, probably like

0:29:57.720 --> 0:29:59.960
<v Speaker 2>three times a year we would go to MIAMIB four.

0:30:00.440 --> 0:30:02.920
<v Speaker 2>We'd go down there for like some anywhere between eight

0:30:02.960 --> 0:30:07.040
<v Speaker 2>to twelve days, fourteen days, get exterior shots and shoot

0:30:07.080 --> 0:30:08.880
<v Speaker 2>some stuff right there and then come back to LA

0:30:09.440 --> 0:30:11.040
<v Speaker 2>And then I mean that was that was like.

0:30:11.040 --> 0:30:13.440
<v Speaker 3>Such an iconic role for you, you know, and yeah,

0:30:13.600 --> 0:30:16.480
<v Speaker 3>so cuside Miami was a moment and he started like

0:30:16.560 --> 0:30:19.440
<v Speaker 3>it put you in in household.

0:30:18.960 --> 0:30:20.200
<v Speaker 2>Numbers, Yeah, for sure.

0:30:20.440 --> 0:30:22.280
<v Speaker 1>What was your average ratings on that?

0:30:22.560 --> 0:30:25.320
<v Speaker 2>Oh man, those days.

0:30:24.840 --> 0:30:27.080
<v Speaker 1>You were probably averaging what seventeen.

0:30:26.920 --> 0:30:29.480
<v Speaker 2>MILLI easy, I want to say, in the early days,

0:30:29.520 --> 0:30:31.760
<v Speaker 2>we were probably up to twenty two, twenty three, twenty

0:30:31.760 --> 0:30:35.600
<v Speaker 2>ten million. Yes, and like those pre pre DVR, Yeah,

0:30:35.640 --> 0:30:38.200
<v Speaker 2>those numbers, we were still posting those kind of how

0:30:38.280 --> 0:30:38.640
<v Speaker 2>rad is.

0:30:38.880 --> 0:30:42.240
<v Speaker 3>There for us to have a Latino on primetime hitting

0:30:42.280 --> 0:30:44.520
<v Speaker 3>twenty two million people a week and then saying like,

0:30:44.560 --> 0:30:46.720
<v Speaker 3>oh man, he's not only the he's not only the

0:30:46.760 --> 0:30:49.120
<v Speaker 3>young guy in there, but he's also like a badass

0:30:49.160 --> 0:30:51.440
<v Speaker 3>bro like you were killing it and making us all

0:30:51.480 --> 0:30:51.840
<v Speaker 3>little what.

0:30:51.960 --> 0:30:54.680
<v Speaker 2>I wish man? And you know, you grow older and

0:30:54.760 --> 0:30:57.360
<v Speaker 2>you look back on things with different perspectives, and I

0:30:57.960 --> 0:31:00.680
<v Speaker 2>wish that I would have understood the gravity of that

0:31:00.800 --> 0:31:02.400
<v Speaker 2>at the time. You know, you know, you're on a

0:31:02.400 --> 0:31:06.240
<v Speaker 2>big show and that feels good, but it's really only

0:31:06.280 --> 0:31:09.480
<v Speaker 2>with with time and distance, maturity, perspective, whatever you want

0:31:09.520 --> 0:31:11.680
<v Speaker 2>to say. It is like that you look back on

0:31:11.760 --> 0:31:14.760
<v Speaker 2>and go like, oh man, the magnitude I understand maybe

0:31:14.840 --> 0:31:18.640
<v Speaker 2>more now what that must have represented, you know, in

0:31:18.680 --> 0:31:21.440
<v Speaker 2>that moment, and what a great opportunity.

0:31:21.000 --> 0:31:22.640
<v Speaker 3>We were all trying to keep the light on at

0:31:22.640 --> 0:31:25.480
<v Speaker 3>that point, you know, and I think the most in

0:31:25.560 --> 0:31:28.440
<v Speaker 3>that time, we don't understand the gravity when we do

0:31:28.560 --> 0:31:31.920
<v Speaker 3>the math of what pop culturally and culturally how it

0:31:32.080 --> 0:31:35.880
<v Speaker 3>kind of elevated the values of who we were on screen.

0:31:35.640 --> 0:31:39.320
<v Speaker 4>Yes, and what it's led to, Adam, And and you've

0:31:39.360 --> 0:31:44.360
<v Speaker 4>continued to be a Latino leading man, and you've done

0:31:44.440 --> 0:31:48.000
<v Speaker 4>wonderful work since, whether it's magic mic, whether it is

0:31:48.080 --> 0:31:51.200
<v Speaker 4>criminal minds, whether whether it is all the stuff that critical.

0:31:50.920 --> 0:31:53.440
<v Speaker 1>Minds are available in paramount plus. Right now, that's.

0:31:53.360 --> 0:31:55.600
<v Speaker 4>Right, man, And I mean you're you're you're the guy

0:31:55.720 --> 0:31:58.640
<v Speaker 4>that Latino actors are looking at going like I grew

0:31:58.720 --> 0:31:59.320
<v Speaker 4>up watching that.

0:31:59.400 --> 0:32:02.480
<v Speaker 1>They're also time like we need like an Adam Rodriguez type.

0:32:03.240 --> 0:32:06.240
<v Speaker 2>Yeah, hopefully that's a I always feel like that's a

0:32:06.320 --> 0:32:11.040
<v Speaker 2>dangerous thing because I'm like, well, is available, probably have

0:32:11.320 --> 0:32:16.080
<v Speaker 2>a thing that's what you want. But right, yeah, but

0:32:16.160 --> 0:32:16.800
<v Speaker 2>that's what you know.

0:32:16.840 --> 0:32:19.680
<v Speaker 4>But that's one of the reasons why we wanted to

0:32:19.680 --> 0:32:22.440
<v Speaker 4>have you here, man, give you your flowers, and for

0:32:22.480 --> 0:32:25.960
<v Speaker 4>you to understand how important you've been for Latino culture,

0:32:26.040 --> 0:32:28.560
<v Speaker 4>for our industry. And and we're just so thrilled that

0:32:28.600 --> 0:32:31.200
<v Speaker 4>you're here to call you a friend, and and they're

0:32:31.320 --> 0:32:34.120
<v Speaker 4>very proud of the of the career that you've crafted.

0:32:34.520 --> 0:32:36.480
<v Speaker 2>And what a beautiful thing right for us to have

0:32:36.520 --> 0:32:40.480
<v Speaker 2>grown up together in business, right, and and to have

0:32:41.120 --> 0:32:43.520
<v Speaker 2>you know, been fortunate enough to pave the paths that

0:32:43.560 --> 0:32:46.240
<v Speaker 2>we've paved, and and to still be here and still

0:32:46.920 --> 0:32:49.280
<v Speaker 2>be able to do something we love and to have

0:32:49.360 --> 0:32:51.240
<v Speaker 2>success at it, and and to be able to sit

0:32:51.280 --> 0:32:55.560
<v Speaker 2>around and talk about that journey is you know, uh man,

0:32:56.560 --> 0:32:58.680
<v Speaker 2>in a way, it's like it's a dream come true

0:32:58.840 --> 0:33:01.520
<v Speaker 2>or a dream you could never adam that you could have,

0:33:01.720 --> 0:33:03.040
<v Speaker 2>that you could have, you know.

0:33:03.880 --> 0:33:06.200
<v Speaker 3>And so but look, we got to have you back

0:33:06.240 --> 0:33:08.760
<v Speaker 3>again because obviously, you know, we got to start doing

0:33:09.040 --> 0:33:09.960
<v Speaker 3>four parts there.

0:33:10.080 --> 0:33:12.880
<v Speaker 2>Yeah, yeah, yeah, we got We didn't even discratch the surface,

0:33:13.880 --> 0:33:15.400
<v Speaker 2>and I'm talking about it in all the amount of

0:33:15.480 --> 0:33:18.280
<v Speaker 2>stories we could sit around and yeah, crazy, crazy, we.

0:33:18.280 --> 0:33:20.040
<v Speaker 1>Didn't we have the leather pants conversation.

0:33:21.800 --> 0:33:24.080
<v Speaker 2>We didn't. We didn't talk about adult shape.

0:33:25.240 --> 0:33:27.960
<v Speaker 4>We didn't talk about meeting each other at that audition

0:33:28.240 --> 0:33:31.680
<v Speaker 4>yeah party by yeah, yeah, you.

0:33:31.680 --> 0:33:35.240
<v Speaker 3>All can attest by this episode, you're going to see

0:33:35.240 --> 0:33:39.479
<v Speaker 3>more about the Rodriguez next season for sure, But but

0:33:39.520 --> 0:33:42.800
<v Speaker 3>I don't thank you so much for being podcasts.

0:33:43.760 --> 0:33:43.800
<v Speaker 2>No.

0:33:44.040 --> 0:33:46.480
<v Speaker 3>Hell, yeah, man, it's you know, we we waited for.

0:33:47.120 --> 0:33:53.160
<v Speaker 3>You know, this is hopefully a big season final, We'll hopefully,

0:33:53.200 --> 0:33:55.200
<v Speaker 3>but but yeah, but dude, thank you, thank you so

0:33:55.280 --> 0:33:56.920
<v Speaker 3>much for being part of this thing for us. It's

0:33:56.920 --> 0:33:59.800
<v Speaker 3>a very special podcast for us because we only want

0:33:59.800 --> 0:34:02.480
<v Speaker 3>to to people that kind of have changes and you know,

0:34:02.520 --> 0:34:05.640
<v Speaker 3>contributed and not only pop culture, but for for you know,

0:34:05.840 --> 0:34:08.560
<v Speaker 3>for us, for for for all of our brown brothers

0:34:08.560 --> 0:34:11.040
<v Speaker 3>and sisters. You know, so so thank you for being Sahiro.

0:34:11.440 --> 0:34:15.080
<v Speaker 3>I'm Wilmer Valdorama' Freddie Rodriguez and this is Amigos.

0:34:19.160 --> 0:34:22.120
<v Speaker 4>Dose Amigos is a production from w V Sound and

0:34:22.160 --> 0:34:26.320
<v Speaker 4>iHeartMedia's Michael through That Podcast Network, hosted by Me, Freddie

0:34:26.360 --> 0:34:28.279
<v Speaker 4>Rodriguez and Wilmer Valdorama.

0:34:28.520 --> 0:34:32.600
<v Speaker 3>Those Amigos is produced by Aaron Burlson and Sophie Spencer Zabos.

0:34:32.760 --> 0:34:37.480
<v Speaker 4>Our executive producers are Wilmer Valdorama, Freddie Rodriguez, Aaron Burlson,

0:34:37.600 --> 0:34:39.760
<v Speaker 4>and Leo Klem at w V Sound.

0:34:40.000 --> 0:34:42.320
<v Speaker 3>This episode was shot and eded it by Ryan Posts

0:34:42.360 --> 0:34:45.400
<v Speaker 3>and mixed by Sean Tracy and features original music by

0:34:45.440 --> 0:34:47.399
<v Speaker 3>Madison Devenport and Helo boy Our.

0:34:47.440 --> 0:34:50.960
<v Speaker 4>Cover art photography is by David Avalos and designed by

0:34:51.040 --> 0:34:52.080
<v Speaker 4>Deny Holtz Clau.

0:34:52.320 --> 0:34:54.640
<v Speaker 1>And thank you for being at Third Amigo today.

0:34:54.640 --> 0:34:57.040
<v Speaker 3>I appreciate you guys always listening to those amigos.

0:34:57.239 --> 0:34:59.920
<v Speaker 4>More podcasts from my Heart, visit the our Heart radio app,

0:35:00.120 --> 0:35:03.320
<v Speaker 4>Apple podcast, or wherever you listen to your favorite shows.

0:35:03.520 --> 0:35:06.880
<v Speaker 1>See you next week.