WEBVTT - Theremins: World's First Electronic Music

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>and there's Charles w Chuck Bryant, and there's Jerry out there,

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<v Speaker 1>and this is Stuff you should Know. That's pretty good

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<v Speaker 1>Theraman impression, don't you think? Hey, not bad. I am

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<v Speaker 1>a little bit proud of myself because the Theraman, it

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<v Speaker 1>turns out it's very, very tough to play, and it's

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<v Speaker 1>even tougher to imitate. So that was something of an

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<v Speaker 1>accomplishment for me. Have you ever tried to play one? No,

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<v Speaker 1>I haven't. I have not know. It's weird that you

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<v Speaker 1>had to think about that. Well. I mean I was

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<v Speaker 1>just trying to think, like, I think there's one in

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<v Speaker 1>the house, Stuff works office somewhere though, Stuff Podcast Office.

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<v Speaker 1>I want to say that they're is. Well, I'm there, man,

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<v Speaker 1>let's go get it, Okay, So look around, we'll wait,

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<v Speaker 1>we'll wait. We won't edit out you going and wandering

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<v Speaker 1>around and looking for I'll just talk to the people

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<v Speaker 1>to keep them busy. Uh, that's weird. I mean, I'm

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<v Speaker 1>obviously not gonna go look for it, but I had

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<v Speaker 1>no idea that was one here. I think so I

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<v Speaker 1>could be making that up. It doesn't seem like the

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<v Speaker 1>kind of thing that would be there. So for those

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<v Speaker 1>of you who don't know what we're talking about, we're

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<v Speaker 1>talking about theramans. And if you still don't know what

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<v Speaker 1>we're talking about, let us describe this. We'll be able

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<v Speaker 1>to do that, right, Oh yeah, sure, sure, um, well,

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<v Speaker 1>here you go. We'll play a clip of something that

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<v Speaker 1>we'll figure out what it is later. Ready, So there's

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<v Speaker 1>whatever we selected post production to put into to demonstrate theremans.

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<v Speaker 1>But that that eerie, high pitched kind of whaling sound,

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<v Speaker 1>that's a theremin. And the theraman was the world's first

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<v Speaker 1>electronic musical instrument and it was created by accident, as

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<v Speaker 1>we'll see. But um, it uses electromagnetism, actually electromagnetic interference

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<v Speaker 1>to produce a changing pitched sound, changing and pitch and

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<v Speaker 1>changing in volume. And you can create this, this sound,

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<v Speaker 1>this music, I guess you would call it without any

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<v Speaker 1>kind of mechanical energy whatsoever. You're just moving your your

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<v Speaker 1>body or your hands in and out of the electromagnetic

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<v Speaker 1>field around the theramin and that's what produces the sound.

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<v Speaker 1>It's pretty cool. Yeah, And as we will also see

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<v Speaker 1>it's Uh, it's key that you use a hand because

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<v Speaker 1>your body it has to be something that conducts electricity.

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<v Speaker 1>Like you could technically could use metal or something like that,

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<v Speaker 1>but you wouldn't have the nuance that you're able to

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<v Speaker 1>achieve by you know, very sort of micro movements in

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<v Speaker 1>your hand and your fingers. Uh. And when you're playing it,

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<v Speaker 1>it sort of looks like almost like you're conducting an orchestra.

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<v Speaker 1>The way you hold your hand, it's very evocative of conducting.

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<v Speaker 1>I think. Yeah, And it's funny you say that because,

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<v Speaker 1>um thereman who's actually named Terman um he he said

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<v Speaker 1>that it was like creating music out of thin air,

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<v Speaker 1>just like a conductor does. So that was very astutive you, Charles,

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<v Speaker 1>thank you. So yeah, you mentioned Urman. This guy his

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<v Speaker 1>his Russian name, I guess was Lev Sergey Yavic Terman

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<v Speaker 1>t E R M E N. I guess leon Thareman

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<v Speaker 1>sounds a little more western. Did change it? I I

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<v Speaker 1>don't know it. You know, here in America we just

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<v Speaker 1>change it for you. You know, you come through Ellis Island,

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<v Speaker 1>you get it basically a whole new name that Americans

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<v Speaker 1>can pronounce more easily. I'm pretty sure, that's what happened.

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<v Speaker 1>That's a good point. So when Lev was in his

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<v Speaker 1>early twenties, in the sort of early nineteen hundreds and

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<v Speaker 1>nineteen nineteen ish, he um was working at the Physical

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<v Speaker 1>Technical Institute in St. Petersburg, Russia, and he was working

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<v Speaker 1>and as you'll see, he did he you know, for

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<v Speaker 1>the majority of his career worked for the Russian State.

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<v Speaker 1>But he was working on an invention that was supposed

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<v Speaker 1>to measure the density of gas and a chamber, and

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<v Speaker 1>essentially he was trying to develop like a land based

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<v Speaker 1>sonar device that used electromagnetism to detect objects that came

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<v Speaker 1>within a certain area. And he was like, hey, I'm

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<v Speaker 1>a pretty young, hip creative guy. I wonder if I

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<v Speaker 1>add sound to this thing, uh, and not intending to

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<v Speaker 1>create anything musical, but just let me add sound to

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<v Speaker 1>it to indicate that this thing is even on. And

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<v Speaker 1>he did it and bought a being bada boom bon job.

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<v Speaker 1>He was like, that sounds pretty cool, yeah, because I

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<v Speaker 1>mean like it it would make sense that you want

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<v Speaker 1>to add sound to because if you're detecting something coming

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<v Speaker 1>within proximity, it's kind of like a metal detector. As

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<v Speaker 1>you get closer and closer to the metal. That sound

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<v Speaker 1>that it makes um increases. It's basically the exact same thing,

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<v Speaker 1>except you're not detecting metal. You're to acting electro magnetic

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<v Speaker 1>interference basically with the theremin. But because he was a young,

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<v Speaker 1>hip guy like you said, and also a classically trained cellist, um,

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<v Speaker 1>he said, I think that I could turn this into

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<v Speaker 1>a musical instrument, and he did pretty quickly. He um

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<v Speaker 1>fiddled with it a little bit, maybe uh did a

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<v Speaker 1>little put another do Hicky or two on there, and

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<v Speaker 1>all of a sudden he had, like I said at

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<v Speaker 1>the beginning, the world's first electronic musical instrument. Like, if

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<v Speaker 1>you're into dance music or electronica or anything like that,

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<v Speaker 1>you owe a great debt of gratitude to to love Terman.

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<v Speaker 1>Sure should we use some of these things that you found,

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<v Speaker 1>some of these descriptors. Yeah, so this this initially had

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<v Speaker 1>like two or three, and I just started adding to

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<v Speaker 1>One of my favorite things to do is to go

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<v Speaker 1>around collecting people's hapless descriptions of of what a thereman

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<v Speaker 1>sounds like, because nobody nails it, but all all of

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<v Speaker 1>them come close, and their hilarious in their attempts. Yeah,

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<v Speaker 1>so here's one across between a violin and a soprano voice.

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<v Speaker 1>That's that's not bad. I think that was the original one. Yeah,

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<v Speaker 1>I mean you can get I mean, especially when you

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<v Speaker 1>get some vibrato going, you can see how one might

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<v Speaker 1>liken it to a voice. Oh yeah, it doesn't sound

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<v Speaker 1>like a voice to me, but I get the I

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<v Speaker 1>get the comp um. Okay, how about this one, a

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<v Speaker 1>purified and magnified saxophone. I think if there was ever

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<v Speaker 1>a complete failure in describing a Theramin sound, it's that one. Yeah.

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<v Speaker 1>It sounds like a saxophone, like a cheap keyboard. The

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<v Speaker 1>saxophone button on a cheap keyboard sounds like a saxop. Yeah. Yeah,

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<v Speaker 1>maybe that's what they totally missing their point. Uh. Let

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<v Speaker 1>me see the howling of a haunted wind. That's pretty good.

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<v Speaker 1>I love that one. This one I think comes from

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<v Speaker 1>Therman himself. A cello lost in a dense fog and

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<v Speaker 1>crying because it does not know how to get home.

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<v Speaker 1>For cello just walking around in the dark by himself,

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<v Speaker 1>how do I get home? Let me see here across

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<v Speaker 1>between an amplified child slide whistle, so it doesn't say

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<v Speaker 1>and what that was a that was a mistake. I

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<v Speaker 1>put or inky okay, slide and a human voice and

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<v Speaker 1>the squawks that emanated from early radio speakers. That was

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<v Speaker 1>pretty That was pretty good because it's uh. The the

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<v Speaker 1>one of the key components of a theoreman is that

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<v Speaker 1>slide because it is um. As you will see, and

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<v Speaker 1>if you listen to theorem in music, it's all about

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<v Speaker 1>that slide. It's not they're not punctuated with staccato notes. No.

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<v Speaker 1>And as a matter of fact, I was watching um

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<v Speaker 1>tutorial by currently the world's foremost theoremnist. I believe her

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<v Speaker 1>name is Carolina Eck e y c K. She's German um,

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<v Speaker 1>so however, you pronounced that into German um. And she

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<v Speaker 1>makes finger motions to cut off the last more ship

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<v Speaker 1>to to create a space in between notes, separate notes

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<v Speaker 1>rather than she uses the technical um jargon for what

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<v Speaker 1>she's talking about. I'm not quite familiar with it. But

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<v Speaker 1>another way to put it is she's cutting spaces into

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<v Speaker 1>the notes, so she's not sliding it around like a trumbone. No,

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<v Speaker 1>or slide whistle that's lost in the dark. You do

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<v Speaker 1>a pretty good slide whistle to your slide whistle beer.

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<v Speaker 1>I had one of those when I was a kid.

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<v Speaker 1>That was the best thing ever I never even did.

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<v Speaker 1>I'm self taught. Oh boy, I know what you're getting

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<v Speaker 1>for Christmas? Oh nice? Remember that time you got me

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<v Speaker 1>an empty can of billy beer? Oh yeah, that's right

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<v Speaker 1>years ago. Oh no, it wasn't billy beer. I'm sorry,

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<v Speaker 1>it was just plain generic beer. My can was just

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<v Speaker 1>the black like helvetica font that just says beer. Yeah,

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<v Speaker 1>my friend Eddie's favorite beer of all time. Has he

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<v Speaker 1>actually drank it? Yeah? When we went to uh there

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<v Speaker 1>was like four of us that went to l A

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<v Speaker 1>for spring break in college and stayed with my brother

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<v Speaker 1>and we went to the store and they had the

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<v Speaker 1>generic beer and Petty is a beer guy, and he

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<v Speaker 1>just flipped. He bought like three cases of it. Wow

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<v Speaker 1>for fifty cents. Yeah exactly. Yeah. So, um thereman has

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<v Speaker 1>got this instrument going. He's pretty proud of it. Word

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<v Speaker 1>gets around Mother Russia, and word gets to Lenin, who

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<v Speaker 1>at the time was chairman of Russia's uh sort of

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<v Speaker 1>newly In I guess installed as one word for it

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<v Speaker 1>the Bolshevik government, and he flipped over it. Lennon was

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<v Speaker 1>a theoreman nut and he was like, you know what,

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<v Speaker 1>I'm gonna send you on tour, comrade, And uh, this

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<v Speaker 1>thing is gonna want people to champion electricity as a

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<v Speaker 1>whole just by these demonstrations, right, just so that they

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<v Speaker 1>can possibly get a theorem in themselves. They're going to

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<v Speaker 1>install electricity in their house. That's my plan. Forget reading

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<v Speaker 1>lights or warmth, right, it's the theoreman that they'll want.

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<v Speaker 1>So he tours Russia for a while basically promoting you know, electricity,

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<v Speaker 1>electronic music, Soviet know how, that kind of stuff, and um,

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<v Speaker 1>his tour is so successful that they send him on

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<v Speaker 1>to Western Europe. And he toured Western Europe with what

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<v Speaker 1>we're known as his um ether concerts. Ether wave concerts,

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<v Speaker 1>not ether concerts. Those are totally different. Um. And the

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<v Speaker 1>one of the less known things about Left Harman is

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<v Speaker 1>that while he was touring Europe just wowing crowds, he

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<v Speaker 1>was also spying for the Soviet state, which he did

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<v Speaker 1>for a while. Actually, yeah, I know this, I say

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<v Speaker 1>this a lot, but this this has got the makings

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<v Speaker 1>of a pretty good movie too, don't you think sure? Yeah?

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<v Speaker 1>I think so. I mean I'm not quite sure. You'd

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<v Speaker 1>have to really be a master to to to pull

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<v Speaker 1>out the um, the humanity and the compassion and the

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<v Speaker 1>viewer for this guy, because he's morally ambiguous in a

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<v Speaker 1>lot of places, I think. But in the end, you know,

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<v Speaker 1>just the kind of treatment he got, I think kind

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<v Speaker 1>of makes him a sad sack case that he'll do

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<v Speaker 1>lock treatment feel bad for. Yeah, all right, well we'll

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<v Speaker 1>get to that. But so he's touring around he, like

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<v Speaker 1>you said, as a spy for the Soviet regime. And

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<v Speaker 1>because of this tour, he's being allowed he's getting all

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<v Speaker 1>this access two places where he can be a pretty

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<v Speaker 1>good spy actually on pattent offenses and um like industrial

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<v Speaker 1>complexes and stuff like that. So he's getting access and

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<v Speaker 1>doing a pretty good job spying for for the Soviet regime.

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<v Speaker 1>And he ended up taking up residents in the United States.

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<v Speaker 1>I didn't see whether that was a part of the

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<v Speaker 1>Soviet plan or his own plan. I'm not sure, but

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<v Speaker 1>he found himself quite at home and in New York

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<v Speaker 1>when he he showed up in the US and started

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<v Speaker 1>becoming kind of the toast of the town. Um. I've

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<v Speaker 1>read that Albert Einstein kept a lab at Um Terman

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<v Speaker 1>apartment in New York on fifty four Street. When he

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<v Speaker 1>visited him, he would just do some work while he

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<v Speaker 1>was there. Um. He became pretty well known, especially among

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<v Speaker 1>like avant garde musicians and composers. Um. He was just

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<v Speaker 1>kind of a known as like a cool guy. Um.

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<v Speaker 1>He had a very scandalous marriage in that he married

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<v Speaker 1>an African American prima ballerina whose name is Lavinia Williams Um.

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<v Speaker 1>And I think he lived in the United States for

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<v Speaker 1>a good decade. He showed up in and he lived

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<v Speaker 1>there until eight I believe, and along the way because

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<v Speaker 1>he became such a toast of the town. And his

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<v Speaker 1>his theorem in um, which had been known for a

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<v Speaker 1>while as his theorem in vox, which is theoreman's voice,

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<v Speaker 1>finally got shortened to Theraman and R. C said, you

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<v Speaker 1>know what, I think these things are going to be

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<v Speaker 1>a hit. We're going to We're going to buy the

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<v Speaker 1>rights from you, or at least, um least the rights

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<v Speaker 1>from you and start producing our own. Yeah. Because he

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<v Speaker 1>obviously was wise enough to get a patent in the

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<v Speaker 1>US in um. That was his second wife. By the way,

0:13:03.960 --> 0:13:05.640
<v Speaker 1>I didn't I couldn't get a whole lot about his

0:13:05.679 --> 0:13:09.880
<v Speaker 1>first wife other than it was clearly in Russia because

0:13:09.880 --> 0:13:14.120
<v Speaker 1>her name was a Katerina Pavlovna. Okay, that's a pretty

0:13:14.200 --> 0:13:16.440
<v Speaker 1>Russian name. And he was married three times. He had

0:13:16.440 --> 0:13:19.160
<v Speaker 1>a couple of daughters, I think with his third wife,

0:13:19.320 --> 0:13:21.400
<v Speaker 1>and um, I'll talk a little bit more about his

0:13:21.480 --> 0:13:24.599
<v Speaker 1>kids later. But he, uh, he gets his patent. R

0:13:24.679 --> 0:13:27.920
<v Speaker 1>C a like he said, jumps on board the Theoreman

0:13:28.000 --> 0:13:33.240
<v Speaker 1>bandwagon and manufactures a a version of the theorem, like

0:13:33.280 --> 0:13:36.520
<v Speaker 1>an at home Theoreman for a d seventy five bucks,

0:13:36.559 --> 0:13:41.880
<v Speaker 1>which is a really expensive musical instrument that's bucks today,

0:13:42.000 --> 0:13:46.360
<v Speaker 1>especially during the depression. Yeah, I mean, I don't know

0:13:46.400 --> 0:13:50.760
<v Speaker 1>who they thought they were going to sell him to everybody. Yeah,

0:13:50.840 --> 0:13:53.760
<v Speaker 1>r C made it sound like they were onto something really,

0:13:53.800 --> 0:13:57.200
<v Speaker 1>really big, but it was such an expensive price point.

0:13:57.559 --> 0:14:00.760
<v Speaker 1>It was such a niche product. Um I think. I

0:14:00.800 --> 0:14:03.480
<v Speaker 1>mean they sold the first run that they built, but

0:14:04.160 --> 0:14:07.520
<v Speaker 1>only to like rich people who wanted to like throw

0:14:07.640 --> 0:14:11.120
<v Speaker 1>parties in wow people with their theorem. And basically I

0:14:11.160 --> 0:14:13.480
<v Speaker 1>guess one of the other big problems with it is

0:14:13.520 --> 0:14:17.040
<v Speaker 1>that they marketed it like there's no strings, there's no frets,

0:14:17.080 --> 0:14:23.800
<v Speaker 1>there's no you know, there's nothing, it's just like strings. Yeah, basically, Um,

0:14:23.880 --> 0:14:25.880
<v Speaker 1>they said that anybody can learn to play this, make

0:14:25.960 --> 0:14:28.760
<v Speaker 1>music with the wave of a hand. Um. And the

0:14:28.800 --> 0:14:32.280
<v Speaker 1>problem is the theremin is really really hard to learn

0:14:32.680 --> 0:14:36.040
<v Speaker 1>because it doesn't have things like frets or strings or

0:14:36.360 --> 0:14:39.760
<v Speaker 1>um chord progressions or anything like that. Um. And there's

0:14:39.800 --> 0:14:43.160
<v Speaker 1>no other instrument like it on the planet. So um,

0:14:43.200 --> 0:14:45.760
<v Speaker 1>it's very difficult to learn. And I think our c

0:14:45.920 --> 0:14:48.280
<v Speaker 1>A made a first production run of like four hundred

0:14:48.360 --> 0:14:51.160
<v Speaker 1>units and they managed to sell three and eighty of them,

0:14:51.200 --> 0:14:53.560
<v Speaker 1>some of which are still in existence today, and I

0:14:53.600 --> 0:14:56.640
<v Speaker 1>was looking them up. Apparently, Um, if you can find

0:14:56.680 --> 0:14:59.920
<v Speaker 1>one that's just in terrible shape, you could still proba

0:15:00.000 --> 0:15:02.960
<v Speaker 1>probably get thirty bucks for it, and one that's in

0:15:03.240 --> 0:15:06.720
<v Speaker 1>really good condition mint condition would be about thirteen grand

0:15:07.240 --> 0:15:10.480
<v Speaker 1>because there's such collectors items. But also because of the

0:15:10.520 --> 0:15:16.280
<v Speaker 1>original um them electronics inside of the circuitry. Yeah that

0:15:16.280 --> 0:15:19.040
<v Speaker 1>that it makes a sound that's really difficult to replicate

0:15:19.040 --> 0:15:21.800
<v Speaker 1>because we have such an embarrassment of riches with advancement

0:15:21.840 --> 0:15:25.080
<v Speaker 1>in in electronics today that it's hard to make something

0:15:25.160 --> 0:15:28.000
<v Speaker 1>sound old timey and original, you know what I mean?

0:15:28.280 --> 0:15:31.720
<v Speaker 1>Everything sounds so rich and in advanced UM. So I

0:15:31.720 --> 0:15:33.880
<v Speaker 1>think that's one of the reasons why people will pay

0:15:33.960 --> 0:15:37.080
<v Speaker 1>thirteen grand for an original R C A theorem, and

0:15:37.360 --> 0:15:43.640
<v Speaker 1>that Jack White has one. Yeah, I'll bet he does too. So. Um.

0:15:43.720 --> 0:15:47.760
<v Speaker 1>When he was in the United States, living there, doing

0:15:47.800 --> 0:15:50.520
<v Speaker 1>some spying and doing some theorem and playing like he

0:15:50.520 --> 0:15:53.000
<v Speaker 1>would put on big, big concerts, he put on a

0:15:53.040 --> 0:15:55.960
<v Speaker 1>full theorem and orchestra, which is to say, I think

0:15:55.960 --> 0:15:58.800
<v Speaker 1>they were like six of them, um at Carnegie Hall.

0:15:59.160 --> 0:16:02.000
<v Speaker 1>So like these were big, big, big events. Um. And

0:16:02.040 --> 0:16:03.960
<v Speaker 1>like you said, he got married to a second wife

0:16:04.000 --> 0:16:07.240
<v Speaker 1>there and was leading this double life really like no

0:16:07.240 --> 0:16:10.280
<v Speaker 1>one knew what was going on obviously as a spy,

0:16:10.400 --> 0:16:12.240
<v Speaker 1>and he got a little more and more nervous his

0:16:12.320 --> 0:16:15.240
<v Speaker 1>World War two approaches that he might get ratted out.

0:16:15.400 --> 0:16:19.400
<v Speaker 1>He's he's really enjoying this life in America, and he's like,

0:16:19.440 --> 0:16:21.480
<v Speaker 1>I don't want to I don't want to do this. Uh,

0:16:21.520 --> 0:16:23.320
<v Speaker 1>the FBI has got a file on me. He didn't

0:16:23.360 --> 0:16:26.920
<v Speaker 1>say that because he didn't know that, but the ghost

0:16:26.960 --> 0:16:30.640
<v Speaker 1>of Leon Thereman said that later on, right. And he

0:16:30.720 --> 0:16:33.960
<v Speaker 1>was getting pretty deep into debt, and so in nineteen

0:16:34.040 --> 0:16:37.240
<v Speaker 1>thirty eight he left the US after ten years there

0:16:37.600 --> 0:16:39.680
<v Speaker 1>didn't even tell his wife he was leaving his second

0:16:39.720 --> 0:16:44.160
<v Speaker 1>wife and stayed gone until the early nineties. Yeah. Part

0:16:44.200 --> 0:16:46.280
<v Speaker 1>of that was not by his own decision, like he

0:16:46.360 --> 0:16:50.720
<v Speaker 1>stayed gone in part because as Stalin came into power,

0:16:51.080 --> 0:16:53.800
<v Speaker 1>he was not very he didn't fancy the old regime,

0:16:54.360 --> 0:16:57.320
<v Speaker 1>and Thereman was definitely associated with that old regime. He

0:16:57.400 --> 0:16:59.960
<v Speaker 1>was a favorite of Lenin's um, So he was throwing

0:17:00.000 --> 0:17:03.480
<v Speaker 1>and into the goolog as the the USSR really started

0:17:03.520 --> 0:17:07.760
<v Speaker 1>to gain strength and power um and apparently as World

0:17:07.760 --> 0:17:10.560
<v Speaker 1>War Two started to approach, the Soviets realized that they'd

0:17:10.560 --> 0:17:14.240
<v Speaker 1>actually thrown a lot of valuable scientists in their minds

0:17:14.280 --> 0:17:17.440
<v Speaker 1>into goolog So they went and got them out, including

0:17:17.840 --> 0:17:21.720
<v Speaker 1>leve Terman, and put them in a different kind of

0:17:21.760 --> 0:17:26.960
<v Speaker 1>goolog called the Sharashka. Yeah, I got it. Sharashka, which

0:17:27.040 --> 0:17:31.320
<v Speaker 1>is basically like a prison for scientists, like science camp

0:17:31.440 --> 0:17:34.119
<v Speaker 1>that you can't leave exactly, and you can't see your

0:17:34.160 --> 0:17:36.919
<v Speaker 1>family or friends are connected with the outside, but you

0:17:36.960 --> 0:17:39.320
<v Speaker 1>can't spend all of your time thinking about ways to

0:17:39.600 --> 0:17:42.720
<v Speaker 1>come up with new devices that the Soviet state can use.

0:17:43.000 --> 0:17:47.080
<v Speaker 1>And that is actually where leve Terman Thereman came up.

0:17:47.080 --> 0:17:49.760
<v Speaker 1>With his other great invention that he's known for, which

0:17:49.800 --> 0:17:53.400
<v Speaker 1>is called the Thing or the Great Seal Bug. Yeah,

0:17:53.480 --> 0:17:55.200
<v Speaker 1>I think, uh, that's a pretty good time to take

0:17:55.200 --> 0:18:21.760
<v Speaker 1>a break, Okay, and we'll come back right after this, Okay, Chuck.

0:18:21.800 --> 0:18:25.439
<v Speaker 1>So frankly, you really left everybody hanging with that last thing.

0:18:25.520 --> 0:18:28.600
<v Speaker 1>So let's talk about the Thing or the Great Seal Bug. Okay.

0:18:29.000 --> 0:18:31.520
<v Speaker 1>Uh yeah, boy, all these years in I gotta teach

0:18:31.520 --> 0:18:35.159
<v Speaker 1>you about the cliffhanger. Yeah, I like to. I like

0:18:35.240 --> 0:18:38.280
<v Speaker 1>to plod along at the most boring pace and stop

0:18:38.320 --> 0:18:41.200
<v Speaker 1>at the most boring, predictable time. So before the Thing,

0:18:41.240 --> 0:18:43.960
<v Speaker 1>he invented something called a baron b U R A N.

0:18:44.000 --> 0:18:46.680
<v Speaker 1>And that was a list another listening device, um that

0:18:46.760 --> 0:18:49.840
<v Speaker 1>sort of functioned as a laser microphone that you would

0:18:49.880 --> 0:18:53.000
<v Speaker 1>use today where you would point it at a at

0:18:53.000 --> 0:18:55.159
<v Speaker 1>a piece of glass like someone's you know, behind that

0:18:55.200 --> 0:18:58.320
<v Speaker 1>glass talking and it would sense the vibrations in the glass.

0:18:59.000 --> 0:19:02.439
<v Speaker 1>That's wow. He invented that. Yeah, he invented the barn

0:19:03.200 --> 0:19:07.080
<v Speaker 1>I've heard about that thing, but that was um nothing

0:19:07.200 --> 0:19:09.919
<v Speaker 1>sort of as far as impact goes compared to the

0:19:09.920 --> 0:19:13.280
<v Speaker 1>Great Seal Bug or the Thing like you mentioned. And

0:19:13.840 --> 0:19:17.800
<v Speaker 1>this was really pretty extraordinary that this actually worked. Um,

0:19:17.840 --> 0:19:21.760
<v Speaker 1>not that his invention worked, but that the scam worked. UM.

0:19:21.840 --> 0:19:23.840
<v Speaker 1>So what he did was he put a passive bug

0:19:24.359 --> 0:19:27.320
<v Speaker 1>inside a wood carving of the Seal, the Great Seal

0:19:27.359 --> 0:19:32.200
<v Speaker 1>of the United States. They presented it to Avril har Harriman,

0:19:32.240 --> 0:19:36.480
<v Speaker 1>who was the American ambassador to Moscow, and he hung

0:19:36.480 --> 0:19:39.840
<v Speaker 1>it on his wall and it allowed himself to get

0:19:39.880 --> 0:19:45.560
<v Speaker 1>spied on for years. So so in Harriman's defense, um,

0:19:45.720 --> 0:19:47.680
<v Speaker 1>he was, like you said, It was like you said,

0:19:48.480 --> 0:19:50.840
<v Speaker 1>he was a very trusting sort, which made him a

0:19:50.920 --> 0:19:54.359
<v Speaker 1>terrible choice for the ambassador, American ambassador to Moscow. But

0:19:54.400 --> 0:19:56.840
<v Speaker 1>it was a passive bug. It didn't use electricity, so

0:19:57.160 --> 0:19:59.879
<v Speaker 1>there was no possible way for anybody to sweep for it.

0:20:00.200 --> 0:20:02.600
<v Speaker 1>So I'm sure they swept this Great Seal, you know,

0:20:02.680 --> 0:20:04.879
<v Speaker 1>eight ways from Sunday and turn nothing up and they're like,

0:20:04.920 --> 0:20:08.439
<v Speaker 1>all right, put it up, um. And the reason it

0:20:08.480 --> 0:20:10.840
<v Speaker 1>was passive is because it didn't use electricity, and it

0:20:10.920 --> 0:20:16.160
<v Speaker 1>was activated by microwaves. The microwaves would turn an antenna on, UM,

0:20:16.200 --> 0:20:18.239
<v Speaker 1>and you could be a few doors down and just

0:20:18.359 --> 0:20:21.440
<v Speaker 1>beam like a microwave beam towards this thing, and it

0:20:21.480 --> 0:20:24.159
<v Speaker 1>would activate the antenna and then the place that it

0:20:24.240 --> 0:20:27.560
<v Speaker 1>was put in, the eagle's beak created kind of like

0:20:27.600 --> 0:20:31.080
<v Speaker 1>an ear, a wooden ear that amplified the sound in

0:20:31.119 --> 0:20:32.879
<v Speaker 1>the room, and the antenna would pick it up and

0:20:32.920 --> 0:20:37.639
<v Speaker 1>transmit it automatically. Seven years they were able to spy

0:20:37.800 --> 0:20:40.640
<v Speaker 1>on these conversations, and it was It could have gone

0:20:40.640 --> 0:20:44.160
<v Speaker 1>on forever, but it was. It was discovered by accident.

0:20:44.160 --> 0:20:47.440
<v Speaker 1>There was a British radio operator who picked up the signal.

0:20:47.960 --> 0:20:51.639
<v Speaker 1>It's like, hey, something's going on here. And I guess

0:20:51.680 --> 0:20:54.440
<v Speaker 1>they eventually, you know, probably just tore that room inside

0:20:54.480 --> 0:20:57.000
<v Speaker 1>out until they found it. Would be my guess, right

0:20:57.600 --> 0:21:01.600
<v Speaker 1>that radio operas like is that is that Avril Harriman talking?

0:21:02.359 --> 0:21:05.080
<v Speaker 1>I know that voice and the great The best part

0:21:05.160 --> 0:21:07.959
<v Speaker 1>of that story is that they got the Soviet equivalent

0:21:08.080 --> 0:21:12.159
<v Speaker 1>of the Boy Scouts, the Young Pioneers, to present the plaque.

0:21:12.760 --> 0:21:14.720
<v Speaker 1>And I was raised as a child the Cold War,

0:21:14.920 --> 0:21:17.720
<v Speaker 1>so I strongly suspect the Young Pioneers were in on it.

0:21:17.760 --> 0:21:20.600
<v Speaker 1>They knew full well what they were doing. Of course, yeah,

0:21:20.600 --> 0:21:23.920
<v Speaker 1>they were in on it. It was a young Vladimir

0:21:23.960 --> 0:21:30.520
<v Speaker 1>Putin probably probably chuck, you never know, Uh so thereman

0:21:31.000 --> 0:21:35.800
<v Speaker 1>was um he kind of disappeared from public view because

0:21:35.800 --> 0:21:40.240
<v Speaker 1>of the gulag experience and being in science prison camp

0:21:41.080 --> 0:21:43.680
<v Speaker 1>uh and then Uh. Nineteen sixty seven, a New York

0:21:43.720 --> 0:21:48.320
<v Speaker 1>Times critic named Harold schoenberg Um found him quite by

0:21:48.320 --> 0:21:52.040
<v Speaker 1>accident at the Moscow Conservatory where he was working at

0:21:52.040 --> 0:21:54.639
<v Speaker 1>the time. He was writing a story a road, a

0:21:54.720 --> 0:21:57.080
<v Speaker 1>story that basically kind of out of him, and said, hey,

0:21:57.400 --> 0:22:01.240
<v Speaker 1>here's Leon Thireman. He's right here in the Soviet Union. Yeah,

0:22:01.280 --> 0:22:04.080
<v Speaker 1>and he was probably like, finally, I've been waiting for

0:22:04.119 --> 0:22:07.080
<v Speaker 1>you guys to dig me up. But the Soviet state said,

0:22:07.119 --> 0:22:08.520
<v Speaker 1>you know what, this is not a good thing. We

0:22:08.560 --> 0:22:10.639
<v Speaker 1>can't have this guy talking to the press and becoming

0:22:10.680 --> 0:22:13.800
<v Speaker 1>a cause ce lab again. He's just done too much dirt.

0:22:14.240 --> 0:22:18.440
<v Speaker 1>He's been in a goolag before. He bugged the ambassador

0:22:18.520 --> 0:22:20.280
<v Speaker 1>like this. He just knows too much. We don't want

0:22:20.320 --> 0:22:22.880
<v Speaker 1>him people paying attention to him. So they ruined him.

0:22:23.040 --> 0:22:26.840
<v Speaker 1>They ruined his career, They had him fired from the conservatory,

0:22:27.040 --> 0:22:29.880
<v Speaker 1>They trashed all of the inventions he was working on,

0:22:30.160 --> 0:22:32.560
<v Speaker 1>and he ended up spending the next couple of decades

0:22:32.600 --> 0:22:35.640
<v Speaker 1>living um in poverty in a in a group home,

0:22:35.800 --> 0:22:39.200
<v Speaker 1>in a room in a group home. Um, basically because

0:22:39.240 --> 0:22:41.840
<v Speaker 1>of that New York Times critic finding him and writing

0:22:41.880 --> 0:22:44.640
<v Speaker 1>that article again, which is sad on the one hand,

0:22:44.680 --> 0:22:46.840
<v Speaker 1>but at the other hand, on the other hand, it

0:22:47.200 --> 0:22:49.840
<v Speaker 1>um brought him back from any sort of obscurity he

0:22:50.000 --> 0:22:53.880
<v Speaker 1>kind of been pounded into. Yeah, so this last until

0:22:53.880 --> 0:22:56.959
<v Speaker 1>about the eighties, when the Soviet Union opens up just

0:22:57.000 --> 0:22:59.879
<v Speaker 1>a bit and he leaves and goes to Europe. He

0:23:00.080 --> 0:23:01.560
<v Speaker 1>is to the US, like we said at the beginning

0:23:01.560 --> 0:23:05.280
<v Speaker 1>in nine and uh then was able to sort of

0:23:05.320 --> 0:23:08.920
<v Speaker 1>reap a little bit of his reward as uh as

0:23:08.960 --> 0:23:13.320
<v Speaker 1>a you know, pioneer and electronic music or music period. Um.

0:23:13.359 --> 0:23:17.959
<v Speaker 1>There's a documentary called Thereman Colon an Electronic Odyssey from

0:23:17.960 --> 0:23:22.200
<v Speaker 1>the early nineties that is not great, but it does

0:23:22.280 --> 0:23:24.760
<v Speaker 1>feature him in the end, which is which is pretty cool.

0:23:24.760 --> 0:23:27.240
<v Speaker 1>Like the last third of it has actual interviews with

0:23:27.359 --> 0:23:30.360
<v Speaker 1>Leon Thereman and him playing it and stuff like that. Sure,

0:23:30.359 --> 0:23:31.960
<v Speaker 1>I mean, he must have known that he needed to

0:23:31.960 --> 0:23:34.520
<v Speaker 1>show up his legacy while he could, because you know,

0:23:34.560 --> 0:23:38.040
<v Speaker 1>he visited the US and he was dead two years

0:23:38.119 --> 0:23:42.159
<v Speaker 1>later back in Russia, UM, and he was still working

0:23:42.160 --> 0:23:44.159
<v Speaker 1>on stuff to to the end. He was working on

0:23:44.200 --> 0:23:48.240
<v Speaker 1>a dance floor that was made up of his turpos stone,

0:23:48.280 --> 0:23:51.440
<v Speaker 1>which was another invention of his, which was like a thereman,

0:23:51.720 --> 0:23:53.760
<v Speaker 1>but rather than using your hands, he used your whole

0:23:53.800 --> 0:23:57.240
<v Speaker 1>body and you danced. Well, he was making an entire

0:23:57.320 --> 0:23:59.040
<v Speaker 1>dance floor out of these. You could have a bunch

0:23:59.080 --> 0:24:02.720
<v Speaker 1>of people dancing making the worst possible sounds you can imagine,

0:24:03.000 --> 0:24:05.880
<v Speaker 1>all at the same time. And he was in his nineties. Yeah,

0:24:06.040 --> 0:24:09.480
<v Speaker 1>he was like nine seven when he died, so yeah,

0:24:09.520 --> 0:24:11.240
<v Speaker 1>he was working on this in his nineties. So he

0:24:11.280 --> 0:24:15.159
<v Speaker 1>was a hip cat until the end. So while he

0:24:15.240 --> 0:24:17.920
<v Speaker 1>was gone, something happened in the US in the nineteen

0:24:18.080 --> 0:24:22.600
<v Speaker 1>forties and fifties. Um, the Thereman kind of blew up

0:24:23.400 --> 0:24:25.520
<v Speaker 1>and blew up. As far as the Thereman goes. It

0:24:25.560 --> 0:24:29.080
<v Speaker 1>wasn't like it became a staple in in music or

0:24:29.119 --> 0:24:32.840
<v Speaker 1>a staple in pop music, but it was used largely

0:24:32.880 --> 0:24:38.240
<v Speaker 1>at first in movies science fiction, the Alfred Hitchcock Spellbound,

0:24:38.400 --> 0:24:43.199
<v Speaker 1>most notably maybe um The Lost Weekend, And unless it

0:24:43.240 --> 0:24:45.800
<v Speaker 1>was science fiction, it sort of came to be a

0:24:45.840 --> 0:24:51.399
<v Speaker 1>signal for psychological distress, like if somebody was under the

0:24:51.440 --> 0:24:55.080
<v Speaker 1>influence of drugs, or if that was somebody like locked

0:24:55.080 --> 0:24:57.200
<v Speaker 1>away in a in a what they would have called

0:24:57.240 --> 0:25:00.320
<v Speaker 1>an insane asylum back then. You might hear a Airman

0:25:00.400 --> 0:25:03.400
<v Speaker 1>kind of say, by the way, this character is off

0:25:03.400 --> 0:25:07.160
<v Speaker 1>their rocker. You're right if you if your drug trip

0:25:07.520 --> 0:25:09.879
<v Speaker 1>sound feels to you like a Theoreman sounds, you're on

0:25:09.920 --> 0:25:13.960
<v Speaker 1>a bad trip, buddy, you think, sure, alright, but you

0:25:14.000 --> 0:25:17.119
<v Speaker 1>can you could trace the kind of the breakout popularity,

0:25:17.240 --> 0:25:19.880
<v Speaker 1>at least the introduction to the general public of the

0:25:19.880 --> 0:25:23.879
<v Speaker 1>Theoreman to basically two people back in the forties and fifties.

0:25:24.160 --> 0:25:27.920
<v Speaker 1>Um miklosh Roscha who was the guy who scored The

0:25:28.000 --> 0:25:32.159
<v Speaker 1>Last Weekend and spell Bound, and Samuel Hoffman, who was

0:25:32.200 --> 0:25:35.120
<v Speaker 1>a theoreminist and composer who worked with some other kind

0:25:35.119 --> 0:25:38.600
<v Speaker 1>of more popular composers Less Baxter and Harry Revel to

0:25:38.720 --> 0:25:42.720
<v Speaker 1>make some really great music. Um in a couple of

0:25:42.800 --> 0:25:48.439
<v Speaker 1>new new types of music, lounge and exotica. UM. I

0:25:48.520 --> 0:25:51.520
<v Speaker 1>listened to music out of the Moon today, like eight times.

0:25:51.680 --> 0:25:55.040
<v Speaker 1>I listened to Perfume set to music how is It?

0:25:55.040 --> 0:25:59.359
<v Speaker 1>It's okay? Not as much therapy Thereman as h I wanted.

0:25:59.400 --> 0:26:02.119
<v Speaker 1>I wanted more Airman. Well, a little Thereman goes a

0:26:02.119 --> 0:26:05.560
<v Speaker 1>long way, for sure, But there were parts of music

0:26:05.600 --> 0:26:07.240
<v Speaker 1>out of the moon where you have to like really

0:26:07.320 --> 0:26:11.840
<v Speaker 1>listen because it just it um merges so well, harmonizes

0:26:11.880 --> 0:26:14.960
<v Speaker 1>so well with the other stuff like maybe vocalists harmonizing

0:26:14.960 --> 0:26:17.320
<v Speaker 1>the theremin WI harmonize with it, which is now that

0:26:17.359 --> 0:26:22.199
<v Speaker 1>I know about Thereman's that is incredibly masterful to be

0:26:22.240 --> 0:26:24.880
<v Speaker 1>able to harmonize with a human voice using a theoremin.

0:26:26.480 --> 0:26:29.240
<v Speaker 1>But those two guys definitely kind of introduced that to

0:26:29.359 --> 0:26:32.719
<v Speaker 1>the to the public. And one member of the public

0:26:33.480 --> 0:26:36.399
<v Speaker 1>that got introduced to the theremin who was really responsible

0:26:36.480 --> 0:26:39.160
<v Speaker 1>for breaking it out was a guy named Robert Moog

0:26:39.880 --> 0:26:44.760
<v Speaker 1>might recognize whatever you might recognize from his um synthesizer

0:26:45.080 --> 0:26:47.600
<v Speaker 1>that he was the guy who invented the synthesizer. Well,

0:26:47.640 --> 0:26:51.720
<v Speaker 1>apparently Robert Mog his first and last love I saw

0:26:51.760 --> 0:26:55.000
<v Speaker 1>someone say was the theoreman. Yeah, he got together with

0:26:55.040 --> 0:26:58.280
<v Speaker 1>his dad and he built theremin kits to sell to people.

0:26:58.920 --> 0:27:01.080
<v Speaker 1>Um it's kind of one of the cool thing about thereman.

0:27:01.520 --> 0:27:04.800
<v Speaker 1>You can buy one ready to go, but all along

0:27:04.800 --> 0:27:07.720
<v Speaker 1>since the beginning and up to this very day, you

0:27:07.760 --> 0:27:09.560
<v Speaker 1>can buy a kid to kind of build it yourself.

0:27:09.600 --> 0:27:13.240
<v Speaker 1>Because they're very uh, they're very much cater to circuitry

0:27:13.280 --> 0:27:16.879
<v Speaker 1>and electronic walks who love to get in there with

0:27:16.920 --> 0:27:19.720
<v Speaker 1>her soldering iron and mess around. So kids were very

0:27:19.760 --> 0:27:22.560
<v Speaker 1>popular from the beginning. And that's kind of how Moe

0:27:22.640 --> 0:27:25.600
<v Speaker 1>got it start as a company, Yeah, by selling these

0:27:25.640 --> 0:27:29.080
<v Speaker 1>theorem and kits um and I think it was uh

0:27:29.520 --> 0:27:33.639
<v Speaker 1>n when he started selling them. And by the sixties

0:27:33.680 --> 0:27:36.200
<v Speaker 1>they were like really ready to be used. They were

0:27:36.240 --> 0:27:38.119
<v Speaker 1>you know, there's a lot of there's a lot of

0:27:38.200 --> 0:27:42.200
<v Speaker 1>room and psychedelic music for the Thereman. Um. And so

0:27:42.240 --> 0:27:45.920
<v Speaker 1>it pops up on some Rolling Stones albums apparently, um

0:27:46.040 --> 0:27:50.600
<v Speaker 1>uh Brian Jones, right, Yeah, Brian Jones played the Thereman

0:27:50.680 --> 0:27:53.120
<v Speaker 1>for a couple of albums. Um, it's on a whole

0:27:53.160 --> 0:27:57.760
<v Speaker 1>Lot of Love where Robert Plant has his climax. Um.

0:27:58.400 --> 0:28:01.679
<v Speaker 1>And then don't tell me that's meant to represent anything

0:28:01.680 --> 0:28:05.800
<v Speaker 1>else but that everybody knows that. Could you imagine It's

0:28:05.880 --> 0:28:09.160
<v Speaker 1>like if you were, you know, having sex with Robert

0:28:09.160 --> 0:28:11.959
<v Speaker 1>Plant in the nineteen seventies and and that's literally what

0:28:12.080 --> 0:28:14.600
<v Speaker 1>he started doing. Jimmy Page just comes out of the

0:28:14.600 --> 0:28:19.480
<v Speaker 1>closet playing the Thereman along the company. My lord. Um,

0:28:19.520 --> 0:28:22.000
<v Speaker 1>there's a couple of places where you think it pops up,

0:28:22.040 --> 0:28:25.840
<v Speaker 1>but you would be wrong, Chuck, Yeah, I mean it's

0:28:25.840 --> 0:28:29.439
<v Speaker 1>it's uh, well, it's not controversial. The Beach Boys song

0:28:29.520 --> 0:28:34.040
<v Speaker 1>Good Vibrations is probably the most popular song ever too

0:28:35.119 --> 0:28:40.120
<v Speaker 1>really heavily feature very distinctly what you think is a theoreman. Um,

0:28:40.160 --> 0:28:44.240
<v Speaker 1>it's actually something called an electro theoreman. Brian Wilson calls

0:28:44.240 --> 0:28:46.280
<v Speaker 1>it a thereman. Everyone sort of calls it a thereman,

0:28:46.320 --> 0:28:49.120
<v Speaker 1>but it's a trump bonus named Paul Tanner invented it.

0:28:49.840 --> 0:28:52.520
<v Speaker 1>Um basically a very simplified thereman that you could play

0:28:52.560 --> 0:28:55.960
<v Speaker 1>with knobs, uh, to make it easier to hit the

0:28:56.040 --> 0:28:59.120
<v Speaker 1>right tones. That that to me makes it not not

0:28:59.280 --> 0:29:02.800
<v Speaker 1>a theorem. And yeah, it's an electro theremin. So um,

0:29:02.840 --> 0:29:05.240
<v Speaker 1>there's not a theoreman on Good Vibrations, as a lot

0:29:05.240 --> 0:29:07.880
<v Speaker 1>of people think. It's also not a theoreman you're hearing

0:29:07.880 --> 0:29:10.800
<v Speaker 1>in the Star Trek theme. A lot of people apparently

0:29:10.840 --> 0:29:13.560
<v Speaker 1>think that it shows up in that Trek theme and

0:29:13.640 --> 0:29:17.200
<v Speaker 1>that it turns out is soprano lulli Gene Norman hitting

0:29:17.240 --> 0:29:20.080
<v Speaker 1>all those incredible notes. I don't even I don't think

0:29:20.080 --> 0:29:28.480
<v Speaker 1>i've ever heard that theme. WHOA Okay, that was Beaker.

0:29:28.520 --> 0:29:34.040
<v Speaker 1>Apparently we just made a cameo in that in that version. Yep. Um,

0:29:34.160 --> 0:29:37.240
<v Speaker 1>so those are two places the theremin doesn't show up.

0:29:37.720 --> 0:29:40.320
<v Speaker 1>It does show up elsewhere in movies like Edwood and

0:29:40.400 --> 0:29:43.080
<v Speaker 1>Mars Attacks both I think Tim Burton movies. Right, yeah,

0:29:43.320 --> 0:29:46.640
<v Speaker 1>he's all over the thereman. Hell boy. Um. It was

0:29:46.680 --> 0:29:49.480
<v Speaker 1>also in First Man, which I have still not seen,

0:29:49.560 --> 0:29:52.600
<v Speaker 1>but I guess it's a scene where Neil Armstrong throws

0:29:52.720 --> 0:29:57.440
<v Speaker 1>his um his young dead daughter's bracelet into a crater

0:29:57.520 --> 0:30:00.440
<v Speaker 1>in the moon and they use theoreman, which it seems

0:30:00.440 --> 0:30:03.360
<v Speaker 1>like a very bold choice for a recent movie to make.

0:30:03.480 --> 0:30:07.040
<v Speaker 1>I'm surprised you haven't seen that. I'm a little surprised too.

0:30:09.920 --> 0:30:12.040
<v Speaker 1>I'm surprised I haven't seen it because I have a

0:30:12.040 --> 0:30:16.680
<v Speaker 1>crush on Gosling, who doesn't. No Man, Lars and the

0:30:16.720 --> 0:30:19.520
<v Speaker 1>Real Girl is just one of the best movies ever made. Yeah,

0:30:19.600 --> 0:30:21.920
<v Speaker 1>also starring a a friend of us stuff you should know,

0:30:21.920 --> 0:30:30.240
<v Speaker 1>Paul Schneider. Oh yeah, yeah, yeah, that's great. So a

0:30:30.280 --> 0:30:32.959
<v Speaker 1>bunch of you know, pop music really latched onto it.

0:30:33.040 --> 0:30:36.400
<v Speaker 1>And UH and the nineties and two thousand's group called

0:30:36.400 --> 0:30:39.720
<v Speaker 1>the Silver Apples use one. Uh. One of my favorite

0:30:40.400 --> 0:30:42.960
<v Speaker 1>records from the nineties is a band called Mercury Rev

0:30:43.800 --> 0:30:46.960
<v Speaker 1>and their album Deserter Songs heavily features the Theoreman and

0:30:47.000 --> 0:30:50.040
<v Speaker 1>a couple of their songs, there's a Sepulcher, a song

0:30:50.440 --> 0:30:53.560
<v Speaker 1>that has a theoremin and it's played by um Jason

0:30:53.640 --> 0:30:56.160
<v Speaker 1>now Stead, who is the basis of Metallic at the time.

0:30:56.520 --> 0:31:01.040
<v Speaker 1>There's a trivia answer for you. Seriously, he's like, standing back,

0:31:01.200 --> 0:31:04.720
<v Speaker 1>you can't crowd the Theoreman. It changes the pitch. It's

0:31:04.800 --> 0:31:08.720
<v Speaker 1>also that was your Jason Newstead impression. Sure, I guess

0:31:08.800 --> 0:31:11.800
<v Speaker 1>he just looks angry, didn't he. That's Hetfield you're thinking of.

0:31:12.200 --> 0:31:15.360
<v Speaker 1>Oh Newstead always had that frown. Oh really, well, all

0:31:15.360 --> 0:31:19.160
<v Speaker 1>of them literally they were metal, don't you know. Um.

0:31:19.240 --> 0:31:21.760
<v Speaker 1>And then there was a band called Lothar and the

0:31:21.840 --> 0:31:25.320
<v Speaker 1>hand People, And Lothar was the name of the Theoreman,

0:31:25.600 --> 0:31:28.360
<v Speaker 1>who the band considered the lead singer in the hand

0:31:28.400 --> 0:31:32.440
<v Speaker 1>People were the people playing Lothar the Theoreman. Yeah, that

0:31:32.480 --> 0:31:34.239
<v Speaker 1>annoyed me so much. I didn't even look it up

0:31:34.240 --> 0:31:36.960
<v Speaker 1>to listen. Oh really, I think it's awesome. Man, that's

0:31:36.960 --> 0:31:39.800
<v Speaker 1>just so sixties to me. I love it. I think

0:31:39.800 --> 0:31:43.960
<v Speaker 1>it's two thousands trying to be sixties. No, but they're

0:31:43.960 --> 0:31:47.080
<v Speaker 1>from the sixties, so they are Yeah, yeah, yeah, they're legit.

0:31:48.480 --> 0:31:52.800
<v Speaker 1>I'll look into it. Then. Have you seen what what

0:31:52.960 --> 0:31:55.200
<v Speaker 1>was the name of that band that um they just

0:31:55.400 --> 0:31:59.480
<v Speaker 1>beat up like appliances. I think they're Swedish and they

0:31:59.560 --> 0:32:01.800
<v Speaker 1>made the Hounds. They were like kind of viral, like

0:32:01.880 --> 0:32:04.800
<v Speaker 1>several years back. They did like a total eclipse of

0:32:04.800 --> 0:32:08.040
<v Speaker 1>the heart cover but beating up an oven in a dishwasher,

0:32:08.480 --> 0:32:11.960
<v Speaker 1>Oh my god, you'd actually like him pretty great. And

0:32:11.960 --> 0:32:14.600
<v Speaker 1>one guy, he's like so scrawny that he can't keep

0:32:14.600 --> 0:32:17.200
<v Speaker 1>his pants up, so his pants keep falling down every

0:32:17.240 --> 0:32:20.440
<v Speaker 1>time he hits the stove with the sledgehammer. It's like,

0:32:21.120 --> 0:32:24.760
<v Speaker 1>I mean it's a stove with his belt. Yeah, basically

0:32:24.920 --> 0:32:28.320
<v Speaker 1>put the belt on. That guy needs a belt more

0:32:28.320 --> 0:32:30.479
<v Speaker 1>than he I don't even think a belt could service

0:32:30.560 --> 0:32:32.800
<v Speaker 1>him any longer. I think he needs like an extension

0:32:32.880 --> 0:32:35.800
<v Speaker 1>cord length. He's got a tie it as tight as

0:32:35.800 --> 0:32:38.800
<v Speaker 1>he possibly can. He's thin. And you just unknowingly made

0:32:38.800 --> 0:32:43.560
<v Speaker 1>another music reference. What the great great band Silver Juice

0:32:44.640 --> 0:32:46.800
<v Speaker 1>from the late great Dave Burman. He has a line

0:32:46.800 --> 0:32:50.520
<v Speaker 1>and one of their great songs, uh, holding up your

0:32:50.520 --> 0:32:54.080
<v Speaker 1>trousers with extension cords? Well, that's funny. I wonder if

0:32:54.120 --> 0:32:58.040
<v Speaker 1>he's when are they from the nineties, uh, two thousand's

0:32:58.080 --> 0:33:01.840
<v Speaker 1>and also featuring friend of the show Amnistanovic. Yeah, no,

0:33:01.920 --> 0:33:05.200
<v Speaker 1>I knew that. It's basically Pavement, isn't it. No, it

0:33:05.320 --> 0:33:08.320
<v Speaker 1>was Dave Burman, But Malcolmus is on the one Great Great.

0:33:08.320 --> 0:33:11.120
<v Speaker 1>I mean, they're all good albums, but Great American Water

0:33:11.240 --> 0:33:13.800
<v Speaker 1>is one of the best albums of that decade. I

0:33:13.840 --> 0:33:16.240
<v Speaker 1>wonder if he was making a syphasis reference, because that's

0:33:16.240 --> 0:33:18.719
<v Speaker 1>what I was making reference to this. I think Nelson

0:33:18.800 --> 0:33:23.960
<v Speaker 1>Muntz has a he uses an extension cord for a belt. Yeah,

0:33:24.000 --> 0:33:26.920
<v Speaker 1>he's neglected. I knew this is gonna take us down

0:33:26.920 --> 0:33:29.920
<v Speaker 1>some musical side roads. Sure, And I knew you were

0:33:29.920 --> 0:33:33.040
<v Speaker 1>going to mention Robert Plant climaxing because you say that

0:33:33.080 --> 0:33:36.280
<v Speaker 1>like every other week. I can't. I can't stop talking

0:33:36.320 --> 0:33:39.360
<v Speaker 1>about it. Should we take another break? I think so,

0:33:39.440 --> 0:33:41.520
<v Speaker 1>and then we're gonna come back and explain how theremin

0:33:41.600 --> 0:33:45.040
<v Speaker 1>works and then how to play it. How's that for

0:33:45.080 --> 0:34:12.760
<v Speaker 1>a cliffhanger? I'm hanging okay, Chuck, so a Theraman works

0:34:12.800 --> 0:34:16.400
<v Speaker 1>through um electronic magic. Basically, I think we should just

0:34:16.480 --> 0:34:20.440
<v Speaker 1>leave it at that. Now we can't. I really went

0:34:20.480 --> 0:34:22.080
<v Speaker 1>to a lot of trouble to try to figure out

0:34:22.239 --> 0:34:27.080
<v Speaker 1>how these things worked in the most simplistic terms possible.

0:34:27.600 --> 0:34:30.640
<v Speaker 1>And that's really saying something because the people who write

0:34:30.640 --> 0:34:33.360
<v Speaker 1>about how Thereman's work are the people who build thermans,

0:34:33.640 --> 0:34:36.960
<v Speaker 1>which means that the people who understand things like amplitude

0:34:37.120 --> 0:34:42.279
<v Speaker 1>and currents and electro magnetic interference and all that stuff. Basically,

0:34:42.680 --> 0:34:46.319
<v Speaker 1>you've got two different um circuits. You've got a pitch

0:34:46.400 --> 0:34:48.680
<v Speaker 1>circuit and a volume circuit. And if you've ever seen

0:34:48.719 --> 0:34:51.759
<v Speaker 1>a theorem in it's basically like a box and on.

0:34:52.120 --> 0:34:55.120
<v Speaker 1>If you're standing at the box getting ready to play it,

0:34:55.440 --> 0:34:58.440
<v Speaker 1>on your right, the player's right is it a single

0:34:58.480 --> 0:35:02.239
<v Speaker 1>antenna going up vert clee that looks like one of

0:35:02.280 --> 0:35:04.480
<v Speaker 1>a pair of rabbit ears that you would use on

0:35:04.520 --> 0:35:07.840
<v Speaker 1>an old timey tv UH antenna. Look it up, kids.

0:35:08.320 --> 0:35:11.000
<v Speaker 1>And then on the other side the left there's like

0:35:11.040 --> 0:35:16.279
<v Speaker 1>a round metal, horizontally oriented antenna that comes out the

0:35:16.320 --> 0:35:18.799
<v Speaker 1>other side of the box. The one on the left,

0:35:18.800 --> 0:35:21.600
<v Speaker 1>the round one that's for adjusting volume. The one on

0:35:21.640 --> 0:35:28.320
<v Speaker 1>the right, the vertical rod, is for um adjusting the pitch. Yeah,

0:35:28.360 --> 0:35:32.120
<v Speaker 1>it's it's sort of volume slash attack and an attack

0:35:32.200 --> 0:35:35.520
<v Speaker 1>is one of those words that unless you're sort of

0:35:35.560 --> 0:35:37.680
<v Speaker 1>into playing music, you don't know what it means, but

0:35:37.719 --> 0:35:40.440
<v Speaker 1>you'll see it pop up on various instruments labeled attack,

0:35:40.520 --> 0:35:43.320
<v Speaker 1>and that's they're sort of It's called the musical envelope,

0:35:43.360 --> 0:35:47.720
<v Speaker 1>the four stages of sound. Uh, and it starts with attack.

0:35:47.840 --> 0:35:49.880
<v Speaker 1>That's the sort of the beginning of the sound, like

0:35:50.000 --> 0:35:52.359
<v Speaker 1>right when you strike a piano key or right when

0:35:52.400 --> 0:35:55.439
<v Speaker 1>you plug a guitar string. Uh. And then it goes

0:35:55.480 --> 0:35:59.239
<v Speaker 1>from attack to decay to sustain to release and the

0:35:59.360 --> 0:36:02.520
<v Speaker 1>volume and its heck, it's not quite the same thing.

0:36:02.640 --> 0:36:05.600
<v Speaker 1>But uh, as far as what we need to know

0:36:05.640 --> 0:36:08.920
<v Speaker 1>about the theremin that right, I'm sorry, the horizontal and

0:36:09.000 --> 0:36:12.480
<v Speaker 1>controls volume and attack, okay. And then the one on

0:36:12.560 --> 0:36:15.279
<v Speaker 1>the right, the upright one, it controls pitch and the

0:36:15.320 --> 0:36:18.879
<v Speaker 1>way that it produces pitches. It's got two different oscillators

0:36:18.880 --> 0:36:21.160
<v Speaker 1>in there, and an oscillator is just something that produces

0:36:21.280 --> 0:36:26.000
<v Speaker 1>alternating current electricity in wave form. Right, it produces waves,

0:36:26.239 --> 0:36:29.920
<v Speaker 1>and one of those oscillators produces one at a static frequency.

0:36:29.960 --> 0:36:32.879
<v Speaker 1>It's always the same frequency no matter what the other

0:36:32.960 --> 0:36:36.680
<v Speaker 1>one adjusts. And so when you get your hand. Oh

0:36:36.800 --> 0:36:39.080
<v Speaker 1>we left out a really important thing. The the way

0:36:39.080 --> 0:36:43.320
<v Speaker 1>this whole thing works is because you live human person

0:36:43.719 --> 0:36:47.239
<v Speaker 1>are holding an electric charge right now and so oh

0:36:47.280 --> 0:36:50.120
<v Speaker 1>we did. Okay. So that's called your capetence, and when

0:36:50.120 --> 0:36:54.239
<v Speaker 1>your captence, your electric charge, whatever that may be, and

0:36:54.239 --> 0:36:55.840
<v Speaker 1>it's going to be different for each person. So I

0:36:55.880 --> 0:36:59.640
<v Speaker 1>think kind of the implication, Chuck, is that every different

0:36:59.680 --> 0:37:03.480
<v Speaker 1>person new walks up to a particular thereman is going

0:37:03.520 --> 0:37:06.880
<v Speaker 1>to produce a different sound. Doesn't that seem right? Oh?

0:37:07.120 --> 0:37:08.840
<v Speaker 1>I don't know. I never really thought about that. I

0:37:08.840 --> 0:37:10.919
<v Speaker 1>would think so, because I wouldn't think we're all walking

0:37:10.920 --> 0:37:12.919
<v Speaker 1>around with the same capetents. Although I could be wrong,

0:37:12.960 --> 0:37:16.560
<v Speaker 1>but regardless, just if that's wrong, totally disregard what I

0:37:16.640 --> 0:37:20.200
<v Speaker 1>just said. The point is is that UM, when you're

0:37:20.680 --> 0:37:24.399
<v Speaker 1>your electrical charge presented in the form of your hand,

0:37:24.760 --> 0:37:29.120
<v Speaker 1>interferes with the um, the oscillating current that's being created

0:37:29.320 --> 0:37:32.720
<v Speaker 1>and generated and run through this antenna. UM. It changes

0:37:32.760 --> 0:37:37.279
<v Speaker 1>that oscillating frequency, and so these two things subtract or

0:37:37.400 --> 0:37:42.080
<v Speaker 1>add together their frequencies to produce this sound that raises

0:37:42.120 --> 0:37:44.200
<v Speaker 1>their lowers and pitch depending on how close you are.

0:37:44.200 --> 0:37:47.239
<v Speaker 1>The closer you get the higher the pitch, the further away, um,

0:37:47.719 --> 0:37:51.160
<v Speaker 1>the lower the pitch. Uh. And that's basically how it works,

0:37:51.200 --> 0:37:53.839
<v Speaker 1>the same thing basically with your with your left hand

0:37:53.840 --> 0:37:58.600
<v Speaker 1>with the volume attack. That's it. You're just basically interfering

0:37:58.640 --> 0:38:02.680
<v Speaker 1>with the electric electric magnetic fields produced and carried through

0:38:02.680 --> 0:38:07.600
<v Speaker 1>these antenna's using your own electrical charge. That's how they work. Yeah,

0:38:07.680 --> 0:38:10.480
<v Speaker 1>and it's um. If you watch the documentary, there's one

0:38:10.800 --> 0:38:16.200
<v Speaker 1>UM scientists that attaches it to a wave form visualizer

0:38:17.080 --> 0:38:19.439
<v Speaker 1>sort of explain it a little better and he um,

0:38:19.480 --> 0:38:21.239
<v Speaker 1>not better than we did, but just more in more

0:38:21.280 --> 0:38:25.799
<v Speaker 1>detail and no, no, no uh and he uh he

0:38:25.920 --> 0:38:29.360
<v Speaker 1>was just said, it's it's remarkable that that Leon Thereman

0:38:30.160 --> 0:38:32.759
<v Speaker 1>or Terman invented this thing without the use of one

0:38:32.760 --> 0:38:35.439
<v Speaker 1>of those Like he was going completely by ear. And

0:38:35.560 --> 0:38:38.360
<v Speaker 1>I think if had it not been for his training

0:38:38.400 --> 0:38:42.040
<v Speaker 1>as a cellist, uh, it may not have ever even

0:38:42.160 --> 0:38:45.120
<v Speaker 1>been anything. Because you have to have a really in

0:38:45.320 --> 0:38:48.799
<v Speaker 1>this sort of segues into actually playing the thing, you

0:38:48.840 --> 0:38:50.840
<v Speaker 1>have to have a really really good ear for pitch

0:38:51.520 --> 0:38:54.000
<v Speaker 1>to play a Thereman because like you said earlier, there

0:38:54.040 --> 0:38:57.279
<v Speaker 1>are no markers like frets to look at to know

0:38:57.520 --> 0:39:00.359
<v Speaker 1>where to go to hit a g it's got a yeah,

0:39:00.480 --> 0:39:01.799
<v Speaker 1>four and a half. I saw four and a half

0:39:01.800 --> 0:39:03.920
<v Speaker 1>octave range and also saw five and a half. But

0:39:04.440 --> 0:39:07.680
<v Speaker 1>you gotta know in the the air surrounding you in

0:39:07.840 --> 0:39:11.719
<v Speaker 1>space where exactly to put your hand to get the

0:39:11.760 --> 0:39:14.920
<v Speaker 1>tone that you want, and if it's off a little bit,

0:39:14.960 --> 0:39:18.840
<v Speaker 1>it's not gonna sound right. So the learning curve is long.

0:39:19.200 --> 0:39:21.560
<v Speaker 1>It's a tough instrument to to really get good at.

0:39:22.080 --> 0:39:24.799
<v Speaker 1>Extremely so yeah, because I mean, if you if you

0:39:24.880 --> 0:39:26.400
<v Speaker 1>know how to play a guitar, you can walk up

0:39:26.440 --> 0:39:28.080
<v Speaker 1>to a guitar and be like, oh, here's the frets

0:39:28.160 --> 0:39:30.360
<v Speaker 1>or whatever. I can put my fingers here here and

0:39:30.440 --> 0:39:32.359
<v Speaker 1>I'm going to make this sound. With the theramin, it's

0:39:32.680 --> 0:39:37.319
<v Speaker 1>it's literally different places in the air. Um. And so yeah,

0:39:37.360 --> 0:39:39.040
<v Speaker 1>you do have to have a good year. One of

0:39:39.080 --> 0:39:41.160
<v Speaker 1>the other things you have to have. It's essential to

0:39:41.239 --> 0:39:46.680
<v Speaker 1>playing the theremin is um a steady hand, yeah, or

0:39:46.760 --> 0:39:50.040
<v Speaker 1>I guess not necessarily, but it definitely helps. Because, um,

0:39:50.080 --> 0:39:52.359
<v Speaker 1>if you see somebody kind of moving around like they're

0:39:52.400 --> 0:39:55.360
<v Speaker 1>just totally whacked out or whatever, playing a theramin with

0:39:55.480 --> 0:39:57.960
<v Speaker 1>the sounds they're making is not what it's supposed to

0:39:58.000 --> 0:40:02.359
<v Speaker 1>sound like. A theramin is aid very delicately. There's a

0:40:02.520 --> 0:40:05.640
<v Speaker 1>very famous um there menace named Clara Rockmore who said,

0:40:05.880 --> 0:40:08.680
<v Speaker 1>you play with you play a theramin with butterfly wings.

0:40:09.040 --> 0:40:11.520
<v Speaker 1>And she was basically saying, like, your fingers are supposed

0:40:11.560 --> 0:40:15.680
<v Speaker 1>to be delicate and controlled like a butterfly wings. And

0:40:15.719 --> 0:40:19.440
<v Speaker 1>so if you watch people playing theramin, they're they're just

0:40:19.680 --> 0:40:23.000
<v Speaker 1>like they're standing totally straight and still. It's just their

0:40:23.040 --> 0:40:25.760
<v Speaker 1>hands and their wrists basically that are moving and making

0:40:25.800 --> 0:40:29.680
<v Speaker 1>these really delicate motions through the air that is producing

0:40:29.719 --> 0:40:32.400
<v Speaker 1>all of these different sounds. Yeah, and the reason you

0:40:32.400 --> 0:40:35.319
<v Speaker 1>have to stand still, obviously, is because any movement of

0:40:35.360 --> 0:40:38.160
<v Speaker 1>your body is going to affect the sound. That's why

0:40:38.160 --> 0:40:40.480
<v Speaker 1>I made the Jason Newstead joke in that documentary. There's

0:40:40.480 --> 0:40:44.279
<v Speaker 1>an old I don't know who she was. It might

0:40:44.280 --> 0:40:47.520
<v Speaker 1>have been Clara Rockmore maybe, probably was Clara rock or

0:40:47.800 --> 0:40:50.839
<v Speaker 1>Lucy Bigelo Rosen maybe, but she was like back off

0:40:51.880 --> 0:40:53.640
<v Speaker 1>in her accent, and she was like, I'm not you know,

0:40:53.680 --> 0:40:55.319
<v Speaker 1>I'm trying to be nice about it, but you can't

0:40:55.360 --> 0:40:57.560
<v Speaker 1>you you can't come any closer. And I tell the

0:40:57.600 --> 0:41:00.319
<v Speaker 1>first violinison an orchestra the same thing, like you have

0:41:00.360 --> 0:41:03.360
<v Speaker 1>to have space around the instrument itself or else is

0:41:03.360 --> 0:41:06.160
<v Speaker 1>going to affect the sound? You're right, hey, you know

0:41:06.200 --> 0:41:09.800
<v Speaker 1>who else played the theremin? Who's a theremin master? M?

0:41:11.280 --> 0:41:17.399
<v Speaker 1>My friend Toby really yes, so he is very cool.

0:41:17.520 --> 0:41:20.160
<v Speaker 1>He was from Dallas and the Polyphon Experience from Dallas,

0:41:20.200 --> 0:41:23.000
<v Speaker 1>and apparently like half of Dallas was members of the

0:41:23.000 --> 0:41:26.600
<v Speaker 1>Polyphoning Spree except for poor Toby. And so he went

0:41:26.640 --> 0:41:29.000
<v Speaker 1>to the dude from Tripping jay Z Days. I can't

0:41:29.040 --> 0:41:31.200
<v Speaker 1>remember his name, but the leader of the Polyphoning Spreence said,

0:41:31.280 --> 0:41:34.239
<v Speaker 1>you know, I want to join what what what? What

0:41:34.360 --> 0:41:36.640
<v Speaker 1>instrument do you need? And the guy was like, I

0:41:36.680 --> 0:41:38.560
<v Speaker 1>don't want you to go learn to play theraman and

0:41:38.600 --> 0:41:41.120
<v Speaker 1>come back. And so Toby went and taught himself thereman

0:41:41.160 --> 0:41:44.160
<v Speaker 1>and came back and joined the Polyphonic Spree. That's right.

0:41:44.200 --> 0:41:46.200
<v Speaker 1>I think it's Tim something or other. Yeah. I was

0:41:46.239 --> 0:41:48.560
<v Speaker 1>into them for those first two albums quite a bit.

0:41:48.600 --> 0:41:51.280
<v Speaker 1>Oh man, they were so great what what great music?

0:41:51.480 --> 0:41:53.640
<v Speaker 1>Because it was so earnest too, you know, like they

0:41:53.640 --> 0:41:57.840
<v Speaker 1>weren't being ironic. It was this kid, a sharp guy,

0:41:58.080 --> 0:42:01.640
<v Speaker 1>and that band of hippies who is he Edwards Sharp?

0:42:01.680 --> 0:42:04.000
<v Speaker 1>And the Magnetic Zeros, you know it was the same

0:42:04.080 --> 0:42:05.880
<v Speaker 1>kind of deal, like, hey, let's get forty people in

0:42:05.920 --> 0:42:09.880
<v Speaker 1>a band and uh not have one bar soap between us. No,

0:42:10.040 --> 0:42:11.920
<v Speaker 1>I never heard of you know that they had one

0:42:11.960 --> 0:42:15.880
<v Speaker 1>big hit that you would know. Uh what what? Oh?

0:42:15.920 --> 0:42:20.120
<v Speaker 1>That home? Won't you come home? Home is where I

0:42:20.239 --> 0:42:25.120
<v Speaker 1>really want to be. I mean I wasn't into him

0:42:25.120 --> 0:42:27.360
<v Speaker 1>and it was a huge, huge hit. So was that

0:42:27.440 --> 0:42:37.719
<v Speaker 1>Judy Garland? Oh boy? So yeah, So Toby Toby was

0:42:37.840 --> 0:42:42.279
<v Speaker 1>the greatest theremin player I've ever met. That's awesome. Uh So,

0:42:42.400 --> 0:42:45.399
<v Speaker 1>you know, you play, like we said, with that um

0:42:45.440 --> 0:42:47.040
<v Speaker 1>you know a lot of times, like I said, it

0:42:47.040 --> 0:42:49.000
<v Speaker 1>looks like you're holding a little whatever you call it,

0:42:49.040 --> 0:42:51.520
<v Speaker 1>the conductors. I'm want to do a show on conducting,

0:42:51.520 --> 0:42:53.160
<v Speaker 1>by the way, just to learn what that thing is,

0:42:53.280 --> 0:42:56.080
<v Speaker 1>the little stick, the stick, But it looks like you're

0:42:56.120 --> 0:42:58.080
<v Speaker 1>sort of holding that because a lot of theremin players

0:42:58.120 --> 0:43:00.920
<v Speaker 1>tend to touch their thumb and their four fingers together

0:43:01.480 --> 0:43:03.400
<v Speaker 1>and you're, you know, you're sort of wiggling your fingers

0:43:03.400 --> 0:43:06.400
<v Speaker 1>for vibrato and you can learn basic theorem and and

0:43:06.480 --> 0:43:10.120
<v Speaker 1>make the sounds that sound good. And then there's like

0:43:10.160 --> 0:43:14.280
<v Speaker 1>the next level theremin ng where you really get involved

0:43:14.320 --> 0:43:18.680
<v Speaker 1>with your fingers and very subtle movements to create different sounds. Yeah.

0:43:19.040 --> 0:43:22.520
<v Speaker 1>So it is like a really difficult thing to do

0:43:22.600 --> 0:43:25.160
<v Speaker 1>and to learn to play, in no small part because

0:43:25.200 --> 0:43:28.160
<v Speaker 1>there aren't frets or anything like that. Um, but also

0:43:28.200 --> 0:43:32.640
<v Speaker 1>because of the the just precision movement of your fingers

0:43:32.680 --> 0:43:36.399
<v Speaker 1>and in hands. Um. And you also can't really get

0:43:36.440 --> 0:43:39.120
<v Speaker 1>into the music either. You have to stay still because

0:43:39.480 --> 0:43:42.359
<v Speaker 1>if you sway or you know, swing your head left

0:43:42.440 --> 0:43:45.440
<v Speaker 1>or right or anything like that, Um, you're going to

0:43:45.520 --> 0:43:47.920
<v Speaker 1>mess with the that that part of your body is

0:43:47.960 --> 0:43:50.960
<v Speaker 1>going to come into the electromagnetic field and you're going

0:43:51.040 --> 0:43:53.839
<v Speaker 1>to mess up the sound of the music. That's right.

0:43:53.920 --> 0:43:57.040
<v Speaker 1>And that's why hip hop concerts they say, throw your

0:43:57.040 --> 0:43:58.480
<v Speaker 1>hands in the air and wave them like you just

0:43:58.520 --> 0:44:03.440
<v Speaker 1>don't care. Except for that they aramanist right, throw your

0:44:03.440 --> 0:44:06.239
<v Speaker 1>hands in the air and wave them like you just

0:44:06.280 --> 0:44:09.520
<v Speaker 1>don't play there. And I think we should decided this

0:44:09.560 --> 0:44:12.839
<v Speaker 1>part out very well made. I'll be very surprised if

0:44:12.840 --> 0:44:15.799
<v Speaker 1>that ends up in the final cut. Chuck. One thing

0:44:15.800 --> 0:44:20.399
<v Speaker 1>we didn't mention that seems obvious unless you know about

0:44:20.480 --> 0:44:24.160
<v Speaker 1>musical instrument or might seem obvious. I don't know what

0:44:24.200 --> 0:44:26.520
<v Speaker 1>I'm saying. It's obvious to me. But it's going through

0:44:26.520 --> 0:44:29.040
<v Speaker 1>an amplifier, like if you're sitting at home, like, yeah,

0:44:29.120 --> 0:44:32.240
<v Speaker 1>but how does the sound come out. It's an electronic instrument,

0:44:32.280 --> 0:44:35.280
<v Speaker 1>so it's plugged into an amp. It is. And actually

0:44:35.320 --> 0:44:39.280
<v Speaker 1>that volume circuit that you're interfering with, you're actually changing

0:44:39.360 --> 0:44:43.800
<v Speaker 1>the voltage I believe of the amplifier. UM. That's how

0:44:43.880 --> 0:44:46.080
<v Speaker 1>when you move your hand closer and further away, you're

0:44:46.120 --> 0:44:51.320
<v Speaker 1>affecting the voltage that's that's released by that that UM

0:44:51.440 --> 0:44:56.160
<v Speaker 1>whatever transformers is supplying the amplifier with the electricity. Yeah,

0:44:56.200 --> 0:44:58.560
<v Speaker 1>Like you can get a thereman for not a lot

0:44:58.560 --> 0:45:02.319
<v Speaker 1>of money, or a Theoreman kit, or I would say

0:45:02.400 --> 0:45:04.719
<v Speaker 1>get a one of those new theorem any is that

0:45:04.800 --> 0:45:08.720
<v Speaker 1>Moga is building because those are just super super cool

0:45:08.760 --> 0:45:10.520
<v Speaker 1>and they sound amazing and they make it a little

0:45:10.520 --> 0:45:16.000
<v Speaker 1>bit easier on you. Yeah, because they they they recognize chords. Right,

0:45:16.080 --> 0:45:18.080
<v Speaker 1>So when you move your hand like through the air

0:45:18.120 --> 0:45:22.680
<v Speaker 1>at a certain way, like it goes through the chromatic scales.

0:45:23.080 --> 0:45:25.719
<v Speaker 1>It's not it's not just random stuff. It actually kind

0:45:25.760 --> 0:45:30.160
<v Speaker 1>of is like a UM very forgiving and corrective of

0:45:30.200 --> 0:45:31.840
<v Speaker 1>what you're doing and figures out what you're trying to

0:45:31.920 --> 0:45:33.759
<v Speaker 1>do and it makes it sound like it like you

0:45:33.800 --> 0:45:37.480
<v Speaker 1>want it to. But the the most amazing thing is

0:45:37.520 --> 0:45:40.960
<v Speaker 1>there's a dial where you can dial back that level

0:45:41.000 --> 0:45:44.200
<v Speaker 1>of forgiveness as you get better and better at playing

0:45:44.200 --> 0:45:45.880
<v Speaker 1>the theorem, and you can just make it so that

0:45:45.920 --> 0:45:47.719
<v Speaker 1>it's not doing that for you at all and you

0:45:47.719 --> 0:45:50.080
<v Speaker 1>have to do it yourself, which is pretty awesome. Yeah,

0:45:50.120 --> 0:45:53.920
<v Speaker 1>and it also sounds synthy and cool. Yeah. I mean,

0:45:53.920 --> 0:45:55.719
<v Speaker 1>I like the sound of a regular theremin, but that

0:45:55.760 --> 0:45:57.960
<v Speaker 1>there are many. I had never heard of it until today,

0:45:58.000 --> 0:45:59.480
<v Speaker 1>and I was like, I'm gonna have to get one

0:45:59.480 --> 0:46:02.759
<v Speaker 1>of those at some point. All right, if you're like

0:46:02.800 --> 0:46:05.399
<v Speaker 1>a maker kind of person and you like music there,

0:46:05.440 --> 0:46:08.160
<v Speaker 1>you've probably already made theremans. But if not, check out

0:46:08.160 --> 0:46:12.319
<v Speaker 1>a guy named Arthur Harrison's site thereman dot us. He

0:46:12.440 --> 0:46:15.759
<v Speaker 1>sells kits and like has all sorts of articles and

0:46:15.800 --> 0:46:18.280
<v Speaker 1>stuff like that. And then there's a guy named Ken

0:46:18.320 --> 0:46:23.120
<v Speaker 1>Moore who hacked into like the Xbox Connect and the

0:46:23.400 --> 0:46:27.000
<v Speaker 1>Nintendo we and figured out how to turn them into theramans.

0:46:27.080 --> 0:46:30.359
<v Speaker 1>And there's one where he does like a you know,

0:46:30.560 --> 0:46:33.640
<v Speaker 1>really admirable attempt at the Star Trek theme using his

0:46:33.719 --> 0:46:36.960
<v Speaker 1>wee Theoreman. Just look up Ken Moore we Thereman star

0:46:37.000 --> 0:46:40.360
<v Speaker 1>Trek theme and thank me later. It's it's a cool community.

0:46:40.440 --> 0:46:46.120
<v Speaker 1>Like I love circuitry and electronic gadgetreat uh wanks, and

0:46:46.560 --> 0:46:49.160
<v Speaker 1>those communities were of like the Hams, Like they just

0:46:49.239 --> 0:46:52.319
<v Speaker 1>really get into their shutting the door to their little

0:46:52.400 --> 0:46:57.800
<v Speaker 1>room and working on very small, very difficult to understand

0:46:57.880 --> 0:47:01.360
<v Speaker 1>projects and hacking stuff and creating new things. It's just

0:47:01.480 --> 0:47:05.160
<v Speaker 1>really really in the in the spirit of creation and invention,

0:47:05.200 --> 0:47:09.000
<v Speaker 1>I think, in which it was always intended. Nice. Yeah,

0:47:09.160 --> 0:47:11.760
<v Speaker 1>I mean the Theoreman is all that and then some chuck.

0:47:12.360 --> 0:47:16.080
<v Speaker 1>It's a whole bag of chips. You got anything else? Yeah,

0:47:16.200 --> 0:47:18.439
<v Speaker 1>I sort of promised earlier a little bit of talk

0:47:18.440 --> 0:47:23.040
<v Speaker 1>about Thereman's legacy with his kids and grandkids. And he

0:47:23.080 --> 0:47:24.880
<v Speaker 1>did have a daughter, he had a couple of daughters,

0:47:24.880 --> 0:47:28.360
<v Speaker 1>but he had one named Natasha Thereman from his third wife,

0:47:28.400 --> 0:47:32.919
<v Speaker 1>who was a Thereman master in Russia, and then nine

0:47:33.000 --> 0:47:34.920
<v Speaker 1>she's seventy two now, and then twenty nine year old

0:47:34.920 --> 0:47:40.040
<v Speaker 1>Peter Theoreman, his great grandson, is also a Russian composer

0:47:40.800 --> 0:47:45.440
<v Speaker 1>and uh Theoreman master. Pretty cool, It's pretty cool. Yeah,

0:47:45.880 --> 0:47:48.759
<v Speaker 1>that's neat also that they just adopted the Western Ice

0:47:48.920 --> 0:47:53.279
<v Speaker 1>version of their grandfather's name too. I guess, yeah, absolutely. Uh,

0:47:53.320 --> 0:47:56.799
<v Speaker 1>now you've got anything else? Nothing else? Well, before we go,

0:47:56.960 --> 0:48:00.279
<v Speaker 1>Chuck um, because it's that time of year, uh, in

0:48:00.320 --> 0:48:02.960
<v Speaker 1>this episode is going to come out around you his birthday.

0:48:03.120 --> 0:48:05.240
<v Speaker 1>I want to take a second to say happy birthday

0:48:05.239 --> 0:48:09.280
<v Speaker 1>to my dear sweet wife you. Happy birthday MS, thanks,

0:48:09.520 --> 0:48:12.600
<v Speaker 1>Happy birthday you me. And since I said happy birthday

0:48:12.600 --> 0:48:14.439
<v Speaker 1>you me and Chuck did two, that means it's time

0:48:14.480 --> 0:48:21.640
<v Speaker 1>for listener mail. So this is a This is a

0:48:21.640 --> 0:48:27.120
<v Speaker 1>listener mail from Richard Roberts, and this was just supremely heartwarming. Uh.

0:48:27.280 --> 0:48:30.279
<v Speaker 1>Our book is out Stuff you Should Know colon an

0:48:30.280 --> 0:48:34.920
<v Speaker 1>incomplete compendium of mostly interesting things. Huge, huge thanks to

0:48:34.960 --> 0:48:38.759
<v Speaker 1>everyone who pre bought it or bought it after its

0:48:38.800 --> 0:48:43.680
<v Speaker 1>release an audiobook or or hardcover form um. But the

0:48:43.680 --> 0:48:45.520
<v Speaker 1>Stuff you Should Know Army page has just been lit

0:48:45.600 --> 0:48:48.160
<v Speaker 1>up with people posting pictures of them with a book,

0:48:48.200 --> 0:48:50.640
<v Speaker 1>of them reading it, of their kids reading it, of

0:48:50.680 --> 0:48:55.520
<v Speaker 1>their dogs eating it. Already, that's happened. And this comes

0:48:55.520 --> 0:48:58.600
<v Speaker 1>from Richard Roberts from the Stuff you Should Know Army. Hey, guys,

0:48:58.960 --> 0:49:01.440
<v Speaker 1>thanks for doing what you do. Podcast is wonderful. I

0:49:01.560 --> 0:49:02.920
<v Speaker 1>just want to email you'll let you know about a

0:49:02.960 --> 0:49:05.000
<v Speaker 1>lovely gesture I just witnessed on the Stuff you Should

0:49:05.040 --> 0:49:08.440
<v Speaker 1>Know Army Facebook page. One member posted to say they

0:49:08.480 --> 0:49:11.440
<v Speaker 1>didn't buy the book due to their financial constraints at

0:49:11.480 --> 0:49:13.400
<v Speaker 1>the time, but that they were so excited that it

0:49:13.440 --> 0:49:16.120
<v Speaker 1>popped up in a search at their local library. Uh

0:49:16.160 --> 0:49:18.080
<v Speaker 1>and before you know it in the comments, that was

0:49:18.120 --> 0:49:20.839
<v Speaker 1>a fellow Uh many fellows Stuff you should know Army

0:49:20.840 --> 0:49:23.520
<v Speaker 1>fans scrambling to buy a book for this complete stranger

0:49:24.520 --> 0:49:26.960
<v Speaker 1>so that she could have her own copy. I think

0:49:26.960 --> 0:49:29.279
<v Speaker 1>I took some screenshot or I took some screenshots which

0:49:29.280 --> 0:49:31.919
<v Speaker 1>I attached. I know you don't always do shout outs,

0:49:31.920 --> 0:49:35.160
<v Speaker 1>but the philanthropic book buyers and the original poster might

0:49:35.200 --> 0:49:37.120
<v Speaker 1>get a kick out of it if you did. And

0:49:37.160 --> 0:49:39.400
<v Speaker 1>it's a nice story that people might enjoy. And that

0:49:39.520 --> 0:49:43.239
<v Speaker 1>is Richard Roberts from down Under. And uh, Jacko du

0:49:43.320 --> 0:49:47.120
<v Speaker 1>Bois is who stepped up first and is buying this

0:49:47.160 --> 0:49:49.320
<v Speaker 1>book for this person and sending a book to this person.

0:49:49.440 --> 0:49:53.400
<v Speaker 1>So Jacko, send us an email and we'll send you

0:49:53.480 --> 0:49:56.600
<v Speaker 1>something nice. I don't know what it is yet, but um,

0:49:56.800 --> 0:49:59.879
<v Speaker 1>just send us an email Jacko, and we wanna pay

0:50:00.000 --> 0:50:03.439
<v Speaker 1>it forward right back to you. That's a lovely idea, Chuck.

0:50:03.600 --> 0:50:06.120
<v Speaker 1>Very nice and thanks Jacko, and thank you. That was

0:50:06.239 --> 0:50:10.239
<v Speaker 1>Richard that wrote in. That was Richard. Thank you too, Richard. Uh.

0:50:10.640 --> 0:50:13.840
<v Speaker 1>If you want to call out a very um nice

0:50:13.920 --> 0:50:17.160
<v Speaker 1>example of paying it forward or a random act of

0:50:17.239 --> 0:50:20.440
<v Speaker 1>kindness or anything like that, we love hearing about that stuff.

0:50:20.520 --> 0:50:23.239
<v Speaker 1>You can send us an email to Stuff podcast at

0:50:23.239 --> 0:50:28.960
<v Speaker 1>iHeart radio dot com. Stuff you Should Know is a

0:50:29.000 --> 0:50:32.280
<v Speaker 1>production of iHeart Radio. For more podcasts for my heart Radio,

0:50:32.360 --> 0:50:35.000
<v Speaker 1>visit the iHeart Radio app. Apple podcasts are wherever you

0:50:35.040 --> 0:50:36.200
<v Speaker 1>listen to your favorite shows.