1 00:00:00,520 --> 00:00:05,199 Speaker 1: Ridiculous Crime is a production of I Heart Radio. Hey Dave, Um, 2 00:00:05,240 --> 00:00:09,440 Speaker 1: did you see the note from Zaren? Uh? No, it was. 3 00:00:09,560 --> 00:00:12,360 Speaker 1: It was nailed to the front desk here at Ridiculous 4 00:00:12,400 --> 00:00:15,320 Speaker 1: Crime h Q when I came in today and it says, 5 00:00:15,840 --> 00:00:19,480 Speaker 1: quote and I quote, Hey, rude, dudes, I had to 6 00:00:19,520 --> 00:00:21,760 Speaker 1: blow town for a minute. Need to take some care 7 00:00:21,760 --> 00:00:23,960 Speaker 1: of some stuff. How do I, guys put this? It's 8 00:00:24,000 --> 00:00:27,680 Speaker 1: for a quote investigation? Alright, bet, do not call the 9 00:00:27,720 --> 00:00:30,200 Speaker 1: Flying Squad. I'm renting a car with Kelly Slater and 10 00:00:30,240 --> 00:00:32,920 Speaker 1: Marshawn Lynch and we're going and then the rest of 11 00:00:32,960 --> 00:00:35,360 Speaker 1: the papers torn off. So that's it. I don't even 12 00:00:35,400 --> 00:00:41,680 Speaker 1: know what that means. So that's ridiculous. Um, right, do 13 00:00:41,720 --> 00:00:43,360 Speaker 1: you have a ridiculous crime that you want to tell 14 00:00:43,400 --> 00:00:46,760 Speaker 1: me about? I mean, we're here, you know I always 15 00:00:47,080 --> 00:00:51,840 Speaker 1: travel with uh with a whole list of ridiculous crimes. 16 00:00:51,880 --> 00:00:54,240 Speaker 1: But um, hang on, it's on this piece of paper 17 00:00:54,240 --> 00:00:55,840 Speaker 1: that I was using to play mash. So let me 18 00:00:55,960 --> 00:01:01,480 Speaker 1: just unfolded here, perfect let's see. No, not that one. 19 00:01:02,840 --> 00:01:06,959 Speaker 1: Definitely not that one. Okay, here we go. How about 20 00:01:07,920 --> 00:01:11,120 Speaker 1: the story of a college kid turned bank robber who 21 00:01:11,160 --> 00:01:13,800 Speaker 1: was inspired to commit his crime by a Steve McQueen 22 00:01:13,880 --> 00:01:18,240 Speaker 1: movie and gets away with it for fifty years, only 23 00:01:18,360 --> 00:01:22,160 Speaker 1: to confess on his deathbed. WHOA, yes, give it to me. 24 00:01:42,360 --> 00:01:46,440 Speaker 1: This is ridiculous crime. A podcast about absurd and outrageous 25 00:01:46,840 --> 00:01:52,480 Speaker 1: capers and cons. It's always murder free and one hondo 26 00:01:52,600 --> 00:01:59,760 Speaker 1: p ridiculous. I'm ze Oh wait no, I'm Dave Kustin, 27 00:02:00,320 --> 00:02:02,680 Speaker 1: and with me in this imaginary blanket for it is 28 00:02:02,680 --> 00:02:07,840 Speaker 1: Elizabeth Dutton, along with our interns. Hey interns, hey interns. 29 00:02:08,280 --> 00:02:11,600 Speaker 1: We do not know where Zarin is. Uh So I'm 30 00:02:11,639 --> 00:02:13,680 Speaker 1: just gonna take this and I'll try not to let 31 00:02:13,720 --> 00:02:17,000 Speaker 1: you down. I have faith in you. Thank you, Elizabeth. 32 00:02:17,200 --> 00:02:19,720 Speaker 1: I want to tell you about a nineteen year old 33 00:02:19,720 --> 00:02:23,320 Speaker 1: community college student in the late nineteen sixties, his name 34 00:02:24,000 --> 00:02:28,560 Speaker 1: Theodore Conrad Teddy. Teddy walks out of a bank in 35 00:02:28,600 --> 00:02:32,240 Speaker 1: Ohio on July eleven, nine sixty nine, in broad daylight 36 00:02:32,440 --> 00:02:36,639 Speaker 1: with over two hundred thousand dollars of the bank's cash. 37 00:02:37,480 --> 00:02:40,720 Speaker 1: So that's the equivalent of one point seven million dollars today. 38 00:02:40,880 --> 00:02:42,880 Speaker 1: Oh my god. Wait, just walks out of a bank. 39 00:02:43,280 --> 00:02:45,560 Speaker 1: He walks out, He's got it in a brown paper bag. 40 00:02:46,800 --> 00:02:48,800 Speaker 1: Uh And that's kind of all he's got on him, 41 00:02:48,919 --> 00:02:51,919 Speaker 1: and it's not that he slipped out without anyone seeing him. 42 00:02:52,080 --> 00:02:55,640 Speaker 1: He actually waves as the security guard. Security guard waves back. 43 00:02:55,720 --> 00:02:59,000 Speaker 1: They share a smile on his way out. Wow, okay, 44 00:02:59,080 --> 00:03:05,720 Speaker 1: so he's nineteen. He's nineteen. He just pulls off the caper. Okay, 45 00:03:06,000 --> 00:03:08,120 Speaker 1: so he's got his his bag of cash. He goes 46 00:03:08,160 --> 00:03:10,440 Speaker 1: back to his apartment. He waves to his landlady. He 47 00:03:10,520 --> 00:03:13,000 Speaker 1: calls his girlfriend and apparently tells her he's going to 48 00:03:13,040 --> 00:03:17,720 Speaker 1: Pennsylvania to attend a concert. Well, he's got the cash 49 00:03:17,760 --> 00:03:20,320 Speaker 1: for it, I guess, Yeah, he's Uh, he's ready to go. 50 00:03:20,480 --> 00:03:22,360 Speaker 1: So he hops in a taxi from there, heads to 51 00:03:22,400 --> 00:03:26,280 Speaker 1: the airport and like disappears for the rest of his 52 00:03:26,360 --> 00:03:30,760 Speaker 1: long life. Kid, Yeah, that's it, um, And almost immediately 53 00:03:30,880 --> 00:03:33,280 Speaker 1: everyone knows who did it too. In fact, he gets 54 00:03:33,280 --> 00:03:36,240 Speaker 1: indicted by a grand jury just two months after the robbery, 55 00:03:37,680 --> 00:03:39,600 Speaker 1: but by then it's too late. They have no idea 56 00:03:39,640 --> 00:03:43,400 Speaker 1: where he is, and he's in the wind. Really did 57 00:03:43,480 --> 00:03:47,200 Speaker 1: they ever? They find him? They find him because, as 58 00:03:47,200 --> 00:03:49,400 Speaker 1: I said in the intro, he he confessed at the 59 00:03:49,520 --> 00:03:53,040 Speaker 1: very end. Oh my god. But it's not until after 60 00:03:53,040 --> 00:03:57,080 Speaker 1: he's dead that they actually track him down. Uh, and 61 00:03:57,160 --> 00:04:00,120 Speaker 1: it's really like a complete disappearance. He never talked to 62 00:04:00,200 --> 00:04:03,560 Speaker 1: his friends and family again. Um, he lives to seventy 63 00:04:03,600 --> 00:04:07,600 Speaker 1: two or seventy three something like that. Wow, we've talked 64 00:04:07,680 --> 00:04:12,080 Speaker 1: before about guys who can't seem to like hide out. 65 00:04:12,160 --> 00:04:15,960 Speaker 1: This guy is the antithesis he had. He hit out. Yeah, 66 00:04:16,000 --> 00:04:18,120 Speaker 1: I mean he got it done. Like as far as 67 00:04:18,120 --> 00:04:21,680 Speaker 1: I can tell, he basically fulfills Zaren's three elements of 68 00:04:21,680 --> 00:04:26,120 Speaker 1: the crime. Right, He's gonna be so bummed's I know 69 00:04:26,600 --> 00:04:29,839 Speaker 1: this is kind of made for him. Right. So, as 70 00:04:29,839 --> 00:04:32,520 Speaker 1: I mentioned, the only reason we know about what happened 71 00:04:32,520 --> 00:04:35,359 Speaker 1: to Teddy is because he confesses. He confesses to his 72 00:04:35,400 --> 00:04:40,400 Speaker 1: wife on his deathbed. Um, but it's not for lack 73 00:04:40,440 --> 00:04:45,080 Speaker 1: of trying. There's this marshal who dedicates his entire life 74 00:04:45,120 --> 00:04:48,320 Speaker 1: to sniffing Teddy out. Marshall's name was John Elliott. And 75 00:04:48,360 --> 00:04:50,800 Speaker 1: when he's done and ready to retire from the Marshals, 76 00:04:50,839 --> 00:04:53,920 Speaker 1: his son, Peter Elliott, also a marshal, picks up the thread. 77 00:04:54,320 --> 00:04:57,800 Speaker 1: It's like a total family blood feud. Yeah yeah. And 78 00:04:58,160 --> 00:05:01,040 Speaker 1: of John's son Peter, And one the articles about Teddy's 79 00:05:01,080 --> 00:05:04,119 Speaker 1: death is quoted and I quote, We'd be at dinner 80 00:05:04,120 --> 00:05:06,680 Speaker 1: and he would say, past the mashed potatoes, and what 81 00:05:06,800 --> 00:05:10,800 Speaker 1: do you think ted Conrad is? His whole life is 82 00:05:10,839 --> 00:05:13,479 Speaker 1: like this, like his dad is just absolutely like filling 83 00:05:13,480 --> 00:05:16,640 Speaker 1: out the crossword puzzle sitting there and like every word 84 00:05:16,760 --> 00:05:22,080 Speaker 1: is Theodore Theodore, Theodore Theodore. Oh my god. And to 85 00:05:22,120 --> 00:05:25,600 Speaker 1: make the story even weirder, the Marshal John Elliott even 86 00:05:25,680 --> 00:05:30,760 Speaker 1: knows Teddy Conrad by sight, Like didn't witness this the crime, 87 00:05:30,839 --> 00:05:35,240 Speaker 1: but it was just small town connection. So like his name, 88 00:05:35,839 --> 00:05:39,880 Speaker 1: he knows his what he looks like, he knows his name, 89 00:05:39,920 --> 00:05:42,039 Speaker 1: he knows what he looks like. How did he rob 90 00:05:42,120 --> 00:05:43,599 Speaker 1: the bank? Are you going to tell me that? Later? 91 00:05:43,680 --> 00:05:46,960 Speaker 1: I will tell you. Yeah, we'll get but yeah, so uh, 92 00:05:47,000 --> 00:05:51,440 Speaker 1: Elliott and Teddy share the same doctor. The Marshal used 93 00:05:51,440 --> 00:05:53,479 Speaker 1: to go to the same ice cream parlor where Teddy 94 00:05:53,520 --> 00:05:56,880 Speaker 1: works before his bank job, So like we really knew 95 00:05:56,880 --> 00:05:58,600 Speaker 1: each other, knew each other. Yeah, a lot, a lot 96 00:05:58,640 --> 00:06:02,280 Speaker 1: of cross paths. He died in one, and by now 97 00:06:02,560 --> 00:06:05,200 Speaker 1: it is known how he did it, which is even 98 00:06:05,240 --> 00:06:08,799 Speaker 1: more ridiculous than you know so far, Um, the marshals 99 00:06:08,800 --> 00:06:10,920 Speaker 1: know why he did it, which is I think even 100 00:06:10,960 --> 00:06:13,479 Speaker 1: more ridiculous than that. And we also know where he 101 00:06:13,560 --> 00:06:15,279 Speaker 1: ended up for the bulk of his life after the 102 00:06:15,320 --> 00:06:18,120 Speaker 1: Big Highest. But even knowing all that, there's still a 103 00:06:18,160 --> 00:06:20,640 Speaker 1: ton of unanswered questions that I couldn't find any answers to. 104 00:06:21,040 --> 00:06:23,640 Speaker 1: Oh my god, I'm so excited for this. So let 105 00:06:23,640 --> 00:06:25,400 Speaker 1: me set the stage a little bit before I tell 106 00:06:25,400 --> 00:06:28,000 Speaker 1: you about our nineteen year old criminal mastermind and what 107 00:06:28,080 --> 00:06:31,400 Speaker 1: his crime looked like. We're now, Remember we're in July 108 00:06:31,600 --> 00:06:34,080 Speaker 1: of nineteen sixty nine, and I would say the country 109 00:06:34,120 --> 00:06:37,520 Speaker 1: had a lot on its mind, right, Like we've talked 110 00:06:37,520 --> 00:06:39,680 Speaker 1: about the Summer of Love several times on this show 111 00:06:39,760 --> 00:06:43,159 Speaker 1: and traced various crimes and events, um. But until I 112 00:06:43,240 --> 00:06:45,600 Speaker 1: dug in for the research on this, it didn't really 113 00:06:45,640 --> 00:06:47,280 Speaker 1: all connect up in my mind that this is all 114 00:06:47,320 --> 00:06:49,800 Speaker 1: happening all at the same time, like in the same 115 00:06:50,040 --> 00:06:53,640 Speaker 1: three months span, basically, right, Can you name just a 116 00:06:53,680 --> 00:06:57,120 Speaker 1: couple of things that we're going on in nine? Summer 117 00:06:57,160 --> 00:07:01,800 Speaker 1: of sixty summer? Yeah, in the six when the first 118 00:07:02,640 --> 00:07:07,880 Speaker 1: beautifully saying about the original sixty I bought it at 119 00:07:07,880 --> 00:07:12,119 Speaker 1: the five and dime? Uh wood stock right with stock 120 00:07:12,160 --> 00:07:21,000 Speaker 1: happened that summer? Um moon landing? Yes, right, and then 121 00:07:21,680 --> 00:07:23,560 Speaker 1: the reason then when I say moon Landing, it makes 122 00:07:23,560 --> 00:07:28,080 Speaker 1: me think of Summer of Soul, that Quest Love documentary. 123 00:07:28,160 --> 00:07:32,239 Speaker 1: So those concerts were going on totally. That's June through August. 124 00:07:33,240 --> 00:07:37,880 Speaker 1: Right in the middle, you also have the Beatles Get 125 00:07:37,920 --> 00:07:44,240 Speaker 1: Back makes Number one, Okay, Stonewall Riots, so yeah, yeah, 126 00:07:44,280 --> 00:07:47,960 Speaker 1: yeah right, Give Piece a Chance also came out, and 127 00:07:48,040 --> 00:07:49,960 Speaker 1: John and Yoko end up in the hospital after a 128 00:07:49,960 --> 00:07:53,600 Speaker 1: bad car wreck. July eight, U. S. Troops are withdrawing 129 00:07:53,640 --> 00:07:57,640 Speaker 1: from Vietnam. Oh yeah. And then also in music, You've 130 00:07:57,640 --> 00:08:00,040 Speaker 1: got the Rolling Stones released honky Tonk Woman, Dave the 131 00:08:00,120 --> 00:08:02,960 Speaker 1: Bowie releases Space on it E July eleven, the same weekend, 132 00:08:03,360 --> 00:08:06,240 Speaker 1: you're kidding, Oh my god. Yeah. So then like July 133 00:08:06,360 --> 00:08:09,160 Speaker 1: thirt Russia launches there on Man Rocket to the Moon. 134 00:08:09,600 --> 00:08:12,720 Speaker 1: It's just like goes on and on going on. The 135 00:08:12,760 --> 00:08:15,960 Speaker 1: first death of the Troubles in Northern Ireland. Um, oh, 136 00:08:16,000 --> 00:08:19,200 Speaker 1: you're kidding. Was that summer? Yeah, it was was July. 137 00:08:19,680 --> 00:08:23,600 Speaker 1: U you moved to the July. Muhammad Ali is convicted 138 00:08:23,640 --> 00:08:27,000 Speaker 1: of avoiding the draft, which you know later his conviction 139 00:08:27,040 --> 00:08:32,000 Speaker 1: movie Overturned. Right July next dang day, Teddy Kennedy pleads 140 00:08:32,000 --> 00:08:34,400 Speaker 1: guilty to leaving the scene at chap a quickic that 141 00:08:34,480 --> 00:08:37,880 Speaker 1: killed Barry Joe Popette. Wait, this is like, this is 142 00:08:37,920 --> 00:08:41,560 Speaker 1: so tumultuous. Isn't this amazing? I'm understanding like that, Oh 143 00:08:41,600 --> 00:08:44,760 Speaker 1: my god. Um. Then you have Hurricane Camille, which is 144 00:08:44,800 --> 00:08:47,520 Speaker 1: a Category five hurricane that kills more than two and 145 00:08:47,640 --> 00:08:52,040 Speaker 1: fifty people in Mississippi and Louisiana. We can't Here's This 146 00:08:52,120 --> 00:08:53,880 Speaker 1: is something that I think about a lot, is that 147 00:08:54,040 --> 00:08:57,000 Speaker 1: everyone always feels like they're in the end times exactly. 148 00:08:57,120 --> 00:08:59,439 Speaker 1: You know, if there's the Yates poems second coming, that 149 00:08:59,520 --> 00:09:03,960 Speaker 1: basic you know, helps us understand that that we always 150 00:09:04,000 --> 00:09:06,360 Speaker 1: feel like we're in the spin out part of things. 151 00:09:06,960 --> 00:09:09,600 Speaker 1: But people have been feeling that for a very long time. Yeah, 152 00:09:09,640 --> 00:09:11,719 Speaker 1: I mean I know I felt that at times in 153 00:09:12,120 --> 00:09:15,120 Speaker 1: sixteen and times and was like, oh, this is just 154 00:09:15,400 --> 00:09:17,440 Speaker 1: especially with Twitter, you just see like more and more 155 00:09:17,480 --> 00:09:20,719 Speaker 1: and more things happening. Oh yeah, And and I mean 156 00:09:20,760 --> 00:09:22,920 Speaker 1: I would think that with with the power of all 157 00:09:22,960 --> 00:09:24,840 Speaker 1: these things and we only I only got through a 158 00:09:24,840 --> 00:09:27,200 Speaker 1: small fraction of all the stuff around the world that's 159 00:09:27,240 --> 00:09:29,400 Speaker 1: going on, that you would read it in the paper. 160 00:09:29,440 --> 00:09:31,040 Speaker 1: I mean like that some things would get like a 161 00:09:31,040 --> 00:09:33,680 Speaker 1: little postage stamp, but still you would have that view 162 00:09:33,720 --> 00:09:37,840 Speaker 1: of all these things. Yeah, we've talked about people who 163 00:09:37,880 --> 00:09:40,560 Speaker 1: have robbed banks before. I would say more than a 164 00:09:40,600 --> 00:09:43,920 Speaker 1: few of them. Quite a few. We've got are no Funke, 165 00:09:44,160 --> 00:09:48,480 Speaker 1: We've got redond fied hatt and garden folks Attila. Do 166 00:09:48,520 --> 00:09:50,800 Speaker 1: you have a a? Do you have a third favorite bank? Crop? 167 00:09:50,920 --> 00:09:54,800 Speaker 1: Right that we've covered? Who is my third favorite? I 168 00:09:54,840 --> 00:09:57,720 Speaker 1: don't know? Uh? Did he robbed banks? Like I said? 169 00:09:57,720 --> 00:10:01,840 Speaker 1: He wrote he robbed the trains only minor? Yeah, robbed 170 00:10:01,840 --> 00:10:04,720 Speaker 1: banks because it was like, you know, bank property. I 171 00:10:04,760 --> 00:10:07,640 Speaker 1: like it, and he had the whole like he invented 172 00:10:07,679 --> 00:10:11,040 Speaker 1: stick them up right, Oh yeah, totally. So put your 173 00:10:11,040 --> 00:10:12,959 Speaker 1: hands in the air, I wave them just like you 174 00:10:13,000 --> 00:10:15,920 Speaker 1: don't care. Man. But they didn't know what that looked 175 00:10:15,920 --> 00:10:19,720 Speaker 1: like back then. They're like, well what he did? What if? 176 00:10:19,760 --> 00:10:22,920 Speaker 1: They were like hey he And then it was lost 177 00:10:22,920 --> 00:10:26,920 Speaker 1: to history and then it was part of spiritus moondy 178 00:10:27,000 --> 00:10:29,760 Speaker 1: and then we all collectively came back around to it 179 00:10:29,840 --> 00:10:32,319 Speaker 1: without knowing are you going rebel yell? I mean like 180 00:10:34,160 --> 00:10:36,360 Speaker 1: it's in all these books, like yeah, they waived them 181 00:10:36,400 --> 00:10:40,040 Speaker 1: like they just don't care and trying to reconstruct. That's 182 00:10:40,080 --> 00:10:43,040 Speaker 1: what happened. You gotta admit it is a wily crew, 183 00:10:43,360 --> 00:10:48,079 Speaker 1: and a pretty diverse crew of of that we've covered. 184 00:10:48,840 --> 00:10:50,880 Speaker 1: I don't know if there's like I don't think there's 185 00:10:50,920 --> 00:10:53,800 Speaker 1: a stable and consistent profile across all of them. So 186 00:10:53,840 --> 00:10:55,760 Speaker 1: like they've been bank robbers in every era. But I'm 187 00:10:55,800 --> 00:10:58,600 Speaker 1: not sure if you send an invitation and got them 188 00:10:58,600 --> 00:11:01,760 Speaker 1: all together for an annual meeting, like what that would 189 00:11:01,760 --> 00:11:04,760 Speaker 1: look like if they would get along, like a reunion, yeah, 190 00:11:04,920 --> 00:11:06,640 Speaker 1: or like they've got business to do every year, like 191 00:11:06,679 --> 00:11:09,720 Speaker 1: they got to vote on the Proxy s convention, like 192 00:11:09,800 --> 00:11:13,480 Speaker 1: a bank robbers convention. I'll go to that. I would 193 00:11:13,520 --> 00:11:15,640 Speaker 1: say that a lot of days in a minimum security 194 00:11:15,679 --> 00:11:21,199 Speaker 1: prisoner bank robbers fair, very fair. So when we look 195 00:11:21,240 --> 00:11:26,720 Speaker 1: at Teddy his mom, famous concert violinist who had grown 196 00:11:26,800 --> 00:11:31,640 Speaker 1: up in Deadwood, Deadwood, Deadwood, Yeah, yeah, which kind of 197 00:11:31,679 --> 00:11:33,880 Speaker 1: like tells you how close together things are in history 198 00:11:33,880 --> 00:11:37,079 Speaker 1: that we think are very far apart. Right, But I mean, 199 00:11:37,120 --> 00:11:40,960 Speaker 1: obviously I hold on, so this isn't the sixties, so yeah, 200 00:11:41,040 --> 00:11:45,800 Speaker 1: she's not like she's not like Calamity Jane. Don't know 201 00:11:46,720 --> 00:11:49,079 Speaker 1: it was still around, but it wasn't. Yeah, because they 202 00:11:49,080 --> 00:11:52,640 Speaker 1: got married in like the forties. Maybe what a place 203 00:11:52,720 --> 00:11:56,600 Speaker 1: to be born and grow up. Yeah right, pretty cool. Um, 204 00:11:57,080 --> 00:12:00,680 Speaker 1: and his dad is a decorated naval officer. Okay, so 205 00:12:00,679 --> 00:12:05,240 Speaker 1: it just like a straightforward all American Yeah, yeah, like 206 00:12:05,320 --> 00:12:08,240 Speaker 1: major dad, like Gerald McCraney. I'm thinking his dad was 207 00:12:08,320 --> 00:12:13,640 Speaker 1: Gerald McCraney. Yeah. And it's you know, it's hard to 208 00:12:13,679 --> 00:12:16,440 Speaker 1: know through newspapers what people's private lives were like back then, 209 00:12:16,600 --> 00:12:18,280 Speaker 1: so who knows if he was a happy kid or not. 210 00:12:18,640 --> 00:12:21,200 Speaker 1: But in later interviews, his friends say, you know, he 211 00:12:21,280 --> 00:12:24,680 Speaker 1: was quiet, he was articulate. Everyone says he was nice. Yeah. 212 00:12:24,920 --> 00:12:28,120 Speaker 1: It sounds like yeah, but something must have happened in 213 00:12:28,120 --> 00:12:31,360 Speaker 1: the transition to college, because the one thing we do 214 00:12:31,480 --> 00:12:34,360 Speaker 1: know is after less than a year at this place 215 00:12:34,360 --> 00:12:36,439 Speaker 1: called New England College, which was a small school that 216 00:12:36,520 --> 00:12:39,160 Speaker 1: had started like not too long before, and he was 217 00:12:39,200 --> 00:12:42,840 Speaker 1: elected class president in his first semester. M hum. He 218 00:12:42,920 --> 00:12:44,839 Speaker 1: was there for for just less than a year, and 219 00:12:44,880 --> 00:12:50,000 Speaker 1: then he transfers to Cuyahoga Community College back home in Ohio. 220 00:12:50,520 --> 00:12:52,440 Speaker 1: So hard to get's hard to go off to school? 221 00:12:52,440 --> 00:12:55,760 Speaker 1: I guess, yeah, I mean, or maybe it was. Here's 222 00:12:55,760 --> 00:12:59,719 Speaker 1: another fact that maybe this is why his dad was 223 00:12:59,800 --> 00:13:04,559 Speaker 1: a professor at New England College. Okay, I can maybe 224 00:13:04,600 --> 00:13:07,320 Speaker 1: understand a little bit more why he bailed out. Do 225 00:13:07,320 --> 00:13:10,559 Speaker 1: you think like it was just like dad like, well, 226 00:13:10,600 --> 00:13:13,800 Speaker 1: it's like a small college. I've never I'm not familiar 227 00:13:13,840 --> 00:13:18,439 Speaker 1: with it. Um. It sounds kind of generic New England College, 228 00:13:18,920 --> 00:13:24,199 Speaker 1: like Hudson University on the Law and Order franchise. Um. 229 00:13:24,240 --> 00:13:26,360 Speaker 1: But yeah, you go across from you know, where was 230 00:13:26,360 --> 00:13:29,480 Speaker 1: the Ohio? You said? Yeah, so then he goes to 231 00:13:29,720 --> 00:13:32,520 Speaker 1: generic New England his dad. Yeah, i'd get out of 232 00:13:32,520 --> 00:13:35,040 Speaker 1: it too, dude. So well, here's what I want to do. 233 00:13:35,720 --> 00:13:38,560 Speaker 1: I'm giving you the pen. Yeah, I want you to 234 00:13:38,600 --> 00:13:43,760 Speaker 1: tell me why he chose to transfer. Oh okay, So 235 00:13:44,320 --> 00:13:48,840 Speaker 1: he signs up for a class and finds out it's 236 00:13:48,920 --> 00:13:52,840 Speaker 1: his dad's class. Now, how about this, he doesn't know 237 00:13:52,920 --> 00:13:57,480 Speaker 1: his dad as a professor. Now, okay, let's say he knows. 238 00:13:57,520 --> 00:13:59,520 Speaker 1: He goes in his dad's class and his dad is 239 00:13:59,559 --> 00:14:03,719 Speaker 1: just like, you know, just harping on him and in 240 00:14:03,840 --> 00:14:06,520 Speaker 1: embarrassing him. So he's like I'm out here, or his 241 00:14:06,600 --> 00:14:08,680 Speaker 1: dad's trying to help him really hard, and he transferred 242 00:14:08,679 --> 00:14:12,320 Speaker 1: to a community college because he was failing. That's probably 243 00:14:12,440 --> 00:14:16,320 Speaker 1: more likely thing there. But yeah, either way, he got 244 00:14:16,320 --> 00:14:19,240 Speaker 1: out of town. Something happened. Yeah, So he gets back 245 00:14:19,240 --> 00:14:22,520 Speaker 1: to Ohio. He hooks up with a steady girlfriend, Kathleen Einhouse, 246 00:14:23,240 --> 00:14:26,120 Speaker 1: and he gets a job as a teller at Society 247 00:14:26,400 --> 00:14:32,040 Speaker 1: National Bank. M M curious. Yeah, and right now it's 248 00:14:32,080 --> 00:14:35,960 Speaker 1: early okay. I was going to ask you when that was. Okay, 249 00:14:36,000 --> 00:14:38,400 Speaker 1: So he goes back. He's working, he's going to the 250 00:14:38,440 --> 00:14:41,880 Speaker 1: community college, working as a teller. Okay. And there's one 251 00:14:41,960 --> 00:14:44,680 Speaker 1: thing that we know catches his eye in this time period, 252 00:14:44,760 --> 00:14:49,160 Speaker 1: which is the Steve McQueen movie, The Thomas Crown Affair. Uhha, 253 00:14:50,000 --> 00:14:53,800 Speaker 1: have you ever seen it? I have? I have great movie, awesome, 254 00:14:54,080 --> 00:14:56,960 Speaker 1: really beautiful movie too. According to an interview with his 255 00:14:57,000 --> 00:14:59,120 Speaker 1: friend at the time, this guy Russell Metcalf who will 256 00:14:59,200 --> 00:15:02,920 Speaker 1: visit with later you, um, he must have watched Teddy. 257 00:15:03,040 --> 00:15:07,000 Speaker 1: Must have watched that movie at least six times. Well, 258 00:15:07,040 --> 00:15:09,000 Speaker 1: and in those days, that means he went to the 259 00:15:09,000 --> 00:15:12,160 Speaker 1: theater six times. It wasn't like, oh I always had 260 00:15:12,200 --> 00:15:14,080 Speaker 1: it on at the house type thing. Yeah. Well, I 261 00:15:14,240 --> 00:15:16,280 Speaker 1: like to thank he got there for like the mattinee 262 00:15:16,320 --> 00:15:19,120 Speaker 1: and he's like, ah, this was amazing. Walks out, walks 263 00:15:19,160 --> 00:15:22,160 Speaker 1: back in, he just sits there. Now, he doesn't walk out. 264 00:15:22,200 --> 00:15:25,200 Speaker 1: He hides under the seat, like on the sticky floor. 265 00:15:25,480 --> 00:15:27,400 Speaker 1: So that's at least three viewings. And then he goes 266 00:15:27,480 --> 00:15:30,640 Speaker 1: home and he's like, uh, you know that was good. 267 00:15:31,280 --> 00:15:33,080 Speaker 1: You know what would really hit the spot right now, 268 00:15:33,320 --> 00:15:38,640 Speaker 1: Thomas Crown Affair one please be so he you know, 269 00:15:38,720 --> 00:15:40,760 Speaker 1: just zones out in this movie. He comes back and 270 00:15:40,760 --> 00:15:43,240 Speaker 1: he starts to brag to his friends that he could 271 00:15:43,280 --> 00:15:45,800 Speaker 1: pull off something like the elaborate bank robbery in the movie. 272 00:15:46,760 --> 00:15:49,160 Speaker 1: You know, it's not really that hard at all. So 273 00:15:49,200 --> 00:15:52,120 Speaker 1: the next thing he does is he wants to show off, 274 00:15:52,240 --> 00:15:54,200 Speaker 1: to show his friends that he's like, you know, big 275 00:15:54,200 --> 00:15:56,920 Speaker 1: and bad and Steve a queenish. So he shoplifts a 276 00:15:56,960 --> 00:16:02,320 Speaker 1: deck of cards. Nothing's says, I'm cool like Steve McQueen, 277 00:16:02,720 --> 00:16:05,800 Speaker 1: like shoplifting all those movies Steve McQueen is in or 278 00:16:05,840 --> 00:16:08,560 Speaker 1: he's like and all the shoplifting he did in those movies. 279 00:16:09,000 --> 00:16:15,520 Speaker 1: The best Steve McQueen movie was called The Five Finger Discount. Um. 280 00:16:15,600 --> 00:16:17,720 Speaker 1: So yeah, like, I guess that's the kind of thing 281 00:16:17,760 --> 00:16:21,520 Speaker 1: that impresses young well off twenty year olds. They're like, 282 00:16:21,560 --> 00:16:23,800 Speaker 1: he had no fear, like, oh yeah, he had no fear. 283 00:16:24,200 --> 00:16:28,000 Speaker 1: He did it to impress his quote unquote friends. He 284 00:16:28,120 --> 00:16:30,840 Speaker 1: seems like a nice kid, though, and it's not entirely 285 00:16:30,880 --> 00:16:33,320 Speaker 1: clear to them what he means when he keeps saying like, 286 00:16:33,360 --> 00:16:36,680 Speaker 1: oh yeah, I could rob a bank. Um, I think 287 00:16:37,000 --> 00:16:41,240 Speaker 1: I think they should take him literally. I mean, you know, hindsight, 288 00:16:44,600 --> 00:16:48,360 Speaker 1: let's take a break, maybe dream about relieving a large 289 00:16:48,360 --> 00:16:51,280 Speaker 1: financial institution of a tiny fraction of its holdings. I 290 00:16:51,360 --> 00:16:55,480 Speaker 1: always do. And when we come back, I will tell you, Elizabeth, 291 00:16:55,640 --> 00:16:59,240 Speaker 1: about how and why young Teddy Conrad broke himself off 292 00:16:59,240 --> 00:17:22,879 Speaker 1: something good and where he went from there. I can't wait. Okay, 293 00:17:22,880 --> 00:17:26,280 Speaker 1: we're back, Hey Dave, Hey Elizabeth. Let me give you 294 00:17:26,320 --> 00:17:28,600 Speaker 1: a little bit of details on the Thomas Crown affair 295 00:17:29,000 --> 00:17:32,000 Speaker 1: so that folks listening, if they haven't seen it, will 296 00:17:32,000 --> 00:17:33,679 Speaker 1: get a sense of, first of all, how amazing this 297 00:17:33,760 --> 00:17:36,960 Speaker 1: movie is, but also how it relates to this crime. 298 00:17:37,600 --> 00:17:40,160 Speaker 1: U and uh. And just to be clear, we're talking 299 00:17:40,200 --> 00:17:45,080 Speaker 1: about the original nine one, not the remake reboots starting 300 00:17:45,080 --> 00:17:46,680 Speaker 1: Pierce Brosn In which Mary may not be good. I 301 00:17:46,720 --> 00:17:49,200 Speaker 1: don't know. I've never seen that one. Yeah, I've never 302 00:17:49,200 --> 00:17:51,800 Speaker 1: seen it. I also, I don't believe we're talking about 303 00:17:51,840 --> 00:17:56,600 Speaker 1: another Steve McQueen movie, Twelve Years of Sleeve, nor the 304 00:17:56,600 --> 00:18:02,000 Speaker 1: Five Finger Discount Steve McQueen. So Thomas Crown affair. It's 305 00:18:02,000 --> 00:18:05,119 Speaker 1: about an already rich bank executive who pulls off a 306 00:18:05,160 --> 00:18:08,159 Speaker 1: really well planned bank heist on his own bank, basically 307 00:18:08,240 --> 00:18:10,840 Speaker 1: for the love of the sport. The bank exactly is 308 00:18:10,880 --> 00:18:12,800 Speaker 1: played by Steve McQueen, who comes across in the big 309 00:18:12,840 --> 00:18:15,119 Speaker 1: screen and this and other movies as pretty much the 310 00:18:15,160 --> 00:18:19,080 Speaker 1: coolest guy on the planet ever. Totally, totally, and there 311 00:18:19,080 --> 00:18:21,119 Speaker 1: are a couple of interesting things about the movie that 312 00:18:21,160 --> 00:18:24,439 Speaker 1: I'd like to draw folks attention to. First, there's a 313 00:18:24,440 --> 00:18:28,080 Speaker 1: famous scene where insurance investigator Vicky Anderson played by the 314 00:18:28,080 --> 00:18:32,199 Speaker 1: incredible Fade Dunaway, asked Tom Crown why he's planning a 315 00:18:32,240 --> 00:18:35,119 Speaker 1: second big heist to hit the same bank, you know, 316 00:18:35,280 --> 00:18:39,520 Speaker 1: the one that employs him. This is his reply, it's 317 00:18:39,560 --> 00:18:43,480 Speaker 1: not the money. It's not the money, it's me. It's 318 00:18:43,520 --> 00:18:46,959 Speaker 1: me and the system, the system, you know. And then 319 00:18:46,960 --> 00:18:49,679 Speaker 1: he trails off and we don't know, like what he 320 00:18:49,720 --> 00:18:52,760 Speaker 1: really means. What does his answer mean to you? I 321 00:18:52,800 --> 00:18:55,480 Speaker 1: think that you know this idea. It's me in the system. 322 00:18:55,640 --> 00:18:58,560 Speaker 1: He's part of the system, but he doesn't feel part 323 00:18:58,600 --> 00:19:02,840 Speaker 1: of the system. And you know that that was my 324 00:19:03,160 --> 00:19:05,640 Speaker 1: That's how I took it that. It's just like he 325 00:19:05,680 --> 00:19:07,360 Speaker 1: knows he's a part of it, but he also wants 326 00:19:07,400 --> 00:19:09,639 Speaker 1: to stick it to that system, and he can afford to, 327 00:19:09,840 --> 00:19:13,320 Speaker 1: so why not. Yeah, it's like I don't know, like 328 00:19:13,720 --> 00:19:17,080 Speaker 1: he's a board rich dude, and and maybe, you know, 329 00:19:17,320 --> 00:19:19,240 Speaker 1: maybe this is stretching. I don't know that maybe he 330 00:19:19,280 --> 00:19:22,480 Speaker 1: wants to prove that he's free from the bureaucracy that 331 00:19:22,560 --> 00:19:26,159 Speaker 1: was suddenly creeping into everyone's lives. Oh yeah, you know, 332 00:19:26,320 --> 00:19:28,880 Speaker 1: and like maybe his job had changed and now he's 333 00:19:28,920 --> 00:19:30,880 Speaker 1: you know, has to actually report things to the FBI 334 00:19:31,000 --> 00:19:34,919 Speaker 1: or something. Um. Because you know that that is starting 335 00:19:34,920 --> 00:19:37,840 Speaker 1: to pop up as a theme in culture, in movies 336 00:19:37,880 --> 00:19:40,080 Speaker 1: and TV and in everyday life. And there are lots 337 00:19:40,080 --> 00:19:41,560 Speaker 1: of movies from that period where you can see the 338 00:19:41,600 --> 00:19:44,120 Speaker 1: same desire, like the one I think of his Easy Writer. 339 00:19:45,400 --> 00:19:49,160 Speaker 1: Oh yeah, that's a good that's a good example. Same year, 340 00:19:49,200 --> 00:19:51,240 Speaker 1: and it's that like I want to break free from 341 00:19:51,600 --> 00:19:56,600 Speaker 1: society and culture and being civilized or you know something 342 00:19:56,640 --> 00:19:59,840 Speaker 1: like that. Yeah, yeah, they just they want to get loosted. 343 00:20:01,880 --> 00:20:04,119 Speaker 1: Another thing I want to draw everyone's attention to is 344 00:20:04,160 --> 00:20:07,119 Speaker 1: the morality play in this movie. So you know, if 345 00:20:07,119 --> 00:20:09,480 Speaker 1: you're like me, expected the cops to be relentless and 346 00:20:09,480 --> 00:20:13,960 Speaker 1: maybe crooked like some Serpico action, Yeah exactly. Um, and 347 00:20:14,080 --> 00:20:18,879 Speaker 1: especially you've got this like main character struggling against the system. Um. 348 00:20:18,920 --> 00:20:21,160 Speaker 1: But in this movie, the cops are totally by the book. 349 00:20:21,680 --> 00:20:24,000 Speaker 1: And I don't know if you remember, like while they 350 00:20:24,040 --> 00:20:26,760 Speaker 1: do pursue Thomas Crown, it kind of feels like they 351 00:20:26,800 --> 00:20:28,439 Speaker 1: don't expect they're going to close the case. They're just 352 00:20:28,480 --> 00:20:32,040 Speaker 1: kind of going through the motions. Yeah. Um. And on 353 00:20:32,080 --> 00:20:34,080 Speaker 1: the other hand, as soon as the insurance folks arrive 354 00:20:34,119 --> 00:20:36,399 Speaker 1: on the scene, they're the ones who want you to 355 00:20:36,440 --> 00:20:39,240 Speaker 1: know they're relentless and they will use their power anyway 356 00:20:39,240 --> 00:20:44,520 Speaker 1: they want. Oh yeah, yeah, there's money involved. There's money involved, 357 00:20:44,520 --> 00:20:48,800 Speaker 1: and it's their money. Yeah. And apparently what they say 358 00:20:48,800 --> 00:20:50,760 Speaker 1: and that as as they first show up, is any 359 00:20:50,760 --> 00:20:53,800 Speaker 1: insurance agents who closed the case also get a solid 360 00:20:53,840 --> 00:20:56,960 Speaker 1: percentage of whatever they recover in their own pocket. Right. 361 00:20:58,200 --> 00:21:02,320 Speaker 1: It's kind of like the the long history of private police, 362 00:21:02,320 --> 00:21:06,000 Speaker 1: private security, pinkertons all that, where they're they're mercenaries and 363 00:21:06,040 --> 00:21:10,120 Speaker 1: they just want the money. Yeah, commission um and they 364 00:21:10,160 --> 00:21:13,600 Speaker 1: pretty quickly do break the law um too. During the 365 00:21:13,600 --> 00:21:15,920 Speaker 1: course of the investigation, they track down one of the 366 00:21:15,960 --> 00:21:18,760 Speaker 1: people Thomas Crown used to take down the bank, even 367 00:21:18,760 --> 00:21:20,600 Speaker 1: though he went to great pains to make sure nobody 368 00:21:20,680 --> 00:21:23,720 Speaker 1: knew each other. They take this guy who's just like 369 00:21:23,800 --> 00:21:26,439 Speaker 1: some guy. They kickap his child to lure him out 370 00:21:26,480 --> 00:21:28,920 Speaker 1: of hiding, and then they shake him down for whatever 371 00:21:28,960 --> 00:21:31,400 Speaker 1: information they get from Like they hold his kid hostage 372 00:21:31,400 --> 00:21:32,960 Speaker 1: and they're like, if you don't tell us what we 373 00:21:32,960 --> 00:21:37,240 Speaker 1: want to know, like, we're gonna hurt your kid. So 374 00:21:37,240 --> 00:21:39,879 Speaker 1: so in the movie. You don't see that in enough movies. 375 00:21:40,720 --> 00:21:43,320 Speaker 1: You really don't. But it's like, you know, it says 376 00:21:43,359 --> 00:21:47,040 Speaker 1: something to me about also, like this other force that's emerging, 377 00:21:47,359 --> 00:21:50,879 Speaker 1: this kind of like you know, companies can can be 378 00:21:51,000 --> 00:21:53,159 Speaker 1: much more threatening than even the cops can be. Like 379 00:21:53,280 --> 00:21:56,680 Speaker 1: maybe it's like a creeping fear people are starting to have. Yeah, 380 00:21:56,760 --> 00:22:00,520 Speaker 1: I think that, Yeah, you're seeing expanding corporization things at 381 00:22:00,560 --> 00:22:03,280 Speaker 1: that time. Makes sense. So, like I said, like I 382 00:22:03,320 --> 00:22:05,160 Speaker 1: think this is kind of a peek into the psyche 383 00:22:05,160 --> 00:22:08,400 Speaker 1: of the time and the growing power of the FBI 384 00:22:08,640 --> 00:22:12,200 Speaker 1: and other dark, unseen bureaucracies. Well, and this is what's 385 00:22:12,320 --> 00:22:14,800 Speaker 1: this is what's driving Teddy right, Like he's watched this 386 00:22:14,880 --> 00:22:18,320 Speaker 1: movie six times now. You said, yeah, and that's okay. 387 00:22:18,359 --> 00:22:20,840 Speaker 1: So yeah, he's like under its sway at this he's 388 00:22:20,880 --> 00:22:23,439 Speaker 1: just feeling it. He's like, yeah, yeah, like I also, 389 00:22:23,560 --> 00:22:26,119 Speaker 1: And maybe you know, after leaving school, he was feeling 390 00:22:26,119 --> 00:22:28,920 Speaker 1: a little bit like an outcast. Um, maybe he should 391 00:22:28,920 --> 00:22:31,359 Speaker 1: have watched Easy Rider because then he wanted just that 392 00:22:31,480 --> 00:22:33,840 Speaker 1: he'd be a whole lot cooler. But right now he's like, 393 00:22:33,880 --> 00:22:36,280 Speaker 1: it's me and the system. Baby, Yeah, that's it. So 394 00:22:36,359 --> 00:22:38,920 Speaker 1: in addition to Teddy's friends saying he loved this movie, 395 00:22:38,920 --> 00:22:41,760 Speaker 1: they said he sort of embodied the Thomas Crown character 396 00:22:41,800 --> 00:22:45,119 Speaker 1: for a while. And they say he was like drinking 397 00:22:45,119 --> 00:22:48,520 Speaker 1: expensive gin's, driving fancy sports cars, like showing off on 398 00:22:48,560 --> 00:22:56,520 Speaker 1: the golf course. Wait, really, trouble picture. I like to 399 00:22:56,560 --> 00:22:58,399 Speaker 1: think he also died his hair blonde and brought an 400 00:22:58,440 --> 00:23:00,359 Speaker 1: eight hundred dollar three piece suit and a watch. Fob 401 00:23:01,920 --> 00:23:08,600 Speaker 1: year old is twenty year old, like drinking you know, Scotch, 402 00:23:09,720 --> 00:23:13,199 Speaker 1: playing golf in Ohio. He's like impressing all of his 403 00:23:13,280 --> 00:23:15,960 Speaker 1: friends with his knowledge of like he's also yeah, he's 404 00:23:15,960 --> 00:23:19,160 Speaker 1: impressing him also by shoplifting a deck of cards. Make 405 00:23:19,240 --> 00:23:22,040 Speaker 1: those make sense? Is he then like like in the movie, 406 00:23:22,080 --> 00:23:26,760 Speaker 1: he's driving like exotic dune buggies on picturesque beaches like Ohio. 407 00:23:27,359 --> 00:23:29,960 Speaker 1: He flies on ultra light to the bank in Ohio 408 00:23:32,040 --> 00:23:35,360 Speaker 1: and then frogs with his glamorous co star. He was very, 409 00:23:35,480 --> 00:23:40,160 Speaker 1: very meticulous in his his mimicry. And it's nineteen sixty nine, baby, 410 00:23:40,240 --> 00:23:43,920 Speaker 1: so is he also hosting naked fondue parts? Who is 411 00:23:43,960 --> 00:23:46,080 Speaker 1: to say? And we know he's got a job at 412 00:23:46,119 --> 00:23:49,320 Speaker 1: a bank, right, we know he managed to steal a 413 00:23:49,320 --> 00:23:51,400 Speaker 1: whole bunch of money, but we don't know what happened 414 00:23:51,400 --> 00:23:54,600 Speaker 1: in there. Yeah, I'm desperate to know how he wound 415 00:23:54,640 --> 00:23:56,760 Speaker 1: up strolling out with a bag of a paper bag 416 00:23:56,800 --> 00:23:59,880 Speaker 1: of cash. Okay, then what I would like you to do? 417 00:24:01,160 --> 00:24:05,960 Speaker 1: It's closed your eyes as close. I want you to 418 00:24:06,040 --> 00:24:12,000 Speaker 1: picture it. M hmm. You're in a completely deadened, soundless, 419 00:24:12,119 --> 00:24:18,760 Speaker 1: empty room. Nothing is happening, nothing will happen. Just relax 420 00:24:19,480 --> 00:24:23,800 Speaker 1: and breathe. I have now removed the burden of me 421 00:24:23,840 --> 00:24:28,800 Speaker 1: having to do sound design for a picture at segment. Yes, 422 00:24:29,040 --> 00:24:35,520 Speaker 1: I win. That was alright, cool, alright, done, all right, 423 00:24:35,680 --> 00:24:37,680 Speaker 1: all right, thanks for joining us. Check that one off. 424 00:24:39,280 --> 00:24:43,639 Speaker 1: Okay next time, Okay, frill though, frial though, picture for 425 00:24:43,720 --> 00:24:48,080 Speaker 1: real free. Alright, we're there. It's a Friday, it's noon time. 426 00:24:48,480 --> 00:24:53,760 Speaker 1: It's July nine. You are a twenty year old works 427 00:24:53,800 --> 00:24:57,600 Speaker 1: at a small time hardware store. It's your friend Teddy's birthday, 428 00:24:57,800 --> 00:25:00,800 Speaker 1: and you're sharing your lunch break to celebrate. You and 429 00:25:00,800 --> 00:25:03,600 Speaker 1: Teddy are at a boot in a chrome laden diner, 430 00:25:04,000 --> 00:25:07,080 Speaker 1: choking down hot dogs. Maybe you're sucking down chili dogs. 431 00:25:07,520 --> 00:25:12,879 Speaker 1: I'm not sure. You're choking on a hot dog. Uh. 432 00:25:13,960 --> 00:25:19,199 Speaker 1: Black girl sweeting some fries uh, and you're sucking down 433 00:25:19,240 --> 00:25:23,200 Speaker 1: a black cow, which is the chocolate shape made with vanilla. 434 00:25:25,359 --> 00:25:27,399 Speaker 1: I was like, I don't know what what impression you 435 00:25:27,440 --> 00:25:30,199 Speaker 1: have of me. This is not a this is not 436 00:25:30,280 --> 00:25:35,120 Speaker 1: a parallel nine, This is real nineteen. You're looking over 437 00:25:35,119 --> 00:25:37,600 Speaker 1: a Teddy. His hair is slipped back, he has on 438 00:25:37,680 --> 00:25:42,600 Speaker 1: suspenders with a gun holster over a black turtleneck. His 439 00:25:42,720 --> 00:25:47,840 Speaker 1: transformation to Steve McQueen is nearly complete. Between slurps, Teddy 440 00:25:47,920 --> 00:25:51,560 Speaker 1: stirs the shake, shoots you a furtive glance, and says 441 00:25:52,560 --> 00:25:55,560 Speaker 1: to doos the day. At first, you're like, why are 442 00:25:55,560 --> 00:25:57,800 Speaker 1: you talking like that? And you have no idea what 443 00:25:57,840 --> 00:26:00,960 Speaker 1: he's talking about. But then he puts his finger to 444 00:26:01,040 --> 00:26:05,320 Speaker 1: his nose and you remember, oh wow. You say, oh wow, 445 00:26:05,880 --> 00:26:13,120 Speaker 1: oh wow again, oh wow. Thank you. After you both 446 00:26:13,119 --> 00:26:15,840 Speaker 1: finish up and pay, you accompanied Teddy to the package 447 00:26:15,920 --> 00:26:18,280 Speaker 1: door in the corner. You stand behind him as he 448 00:26:18,320 --> 00:26:20,600 Speaker 1: buys a fifth of Crown Royal and a carton of smokes. 449 00:26:22,000 --> 00:26:24,240 Speaker 1: He grabs a bag of funns for you. You look hungry. 450 00:26:24,520 --> 00:26:28,399 Speaker 1: Hell yeah. The cashier is handing him the booze and 451 00:26:28,480 --> 00:26:31,960 Speaker 1: smokes on that trail, not the cashier the product. Oh. 452 00:26:32,119 --> 00:26:35,960 Speaker 1: I was like, what is going on in? I lost you? 453 00:26:37,760 --> 00:26:40,200 Speaker 1: So he asked for a bag or a bag as 454 00:26:40,240 --> 00:26:44,119 Speaker 1: it sounds in midwaister needs. The cashier hands him a 455 00:26:44,160 --> 00:26:50,200 Speaker 1: small paper bag, the bigger one. It's my birthday, Teddy 456 00:26:50,240 --> 00:26:52,760 Speaker 1: says to the teller, gonna have a real big night. 457 00:26:52,840 --> 00:26:54,600 Speaker 1: His voice just cracked like he couldn't keep doing the 458 00:26:54,680 --> 00:27:00,280 Speaker 1: husky thing. I need a big birthday bag. I'm a 459 00:27:00,320 --> 00:27:07,400 Speaker 1: big boy. Now. Birthday boys get a birthday bag. Um. 460 00:27:07,440 --> 00:27:09,720 Speaker 1: So you and Teddy partway is outside the package store, 461 00:27:11,160 --> 00:27:13,560 Speaker 1: him with his big birthday bag. I'm just gonna go 462 00:27:13,640 --> 00:27:15,760 Speaker 1: sit behind a dumpster and eat the Fians like a 463 00:27:15,840 --> 00:27:21,199 Speaker 1: raccoon and wipe their hands on your pants. Uh. So 464 00:27:21,320 --> 00:27:23,000 Speaker 1: you head back to your job at the hardware place. 465 00:27:23,040 --> 00:27:25,000 Speaker 1: Your mind is racing with what's about to play out. 466 00:27:25,000 --> 00:27:28,080 Speaker 1: You're thinking like today's the day? Yeah, what does that mean? 467 00:27:29,000 --> 00:27:31,280 Speaker 1: So Teddy heads back to Society National Bank, where you 468 00:27:31,320 --> 00:27:34,399 Speaker 1: remember he works as a teller along with his partner 469 00:27:34,440 --> 00:27:39,080 Speaker 1: pen uh I. Was way up the front steps he 470 00:27:39,080 --> 00:27:42,880 Speaker 1: sees the security guard Mike, Mike with ice running through 471 00:27:42,920 --> 00:27:45,920 Speaker 1: his veins. Teddy hoists the paper bag, pulls the neck 472 00:27:45,920 --> 00:27:47,800 Speaker 1: of the crown bottle out, and then the top of 473 00:27:47,800 --> 00:27:50,000 Speaker 1: the smokes carten. He's got a big grin on his 474 00:27:50,040 --> 00:27:52,960 Speaker 1: face as he shouts to the security guard, it's my birthday, 475 00:27:53,040 --> 00:27:56,199 Speaker 1: Gonna have a real big night. Oh god. It's a 476 00:27:56,200 --> 00:27:58,360 Speaker 1: line he had practiced at home for hours in front 477 00:27:58,400 --> 00:28:04,240 Speaker 1: of the mirror. No. Mike smiles back and says, okay, kid, 478 00:28:04,359 --> 00:28:08,600 Speaker 1: do it up birthday and take care of yourself. Mike 479 00:28:08,640 --> 00:28:12,879 Speaker 1: feels so bad for Teddy all the time, because like 480 00:28:12,960 --> 00:28:15,199 Speaker 1: this is the third time this month that he's come 481 00:28:15,240 --> 00:28:16,800 Speaker 1: up and said it's my birthday. And to have a 482 00:28:16,840 --> 00:28:20,600 Speaker 1: big night. Don't you pity me, Teddy. You don't know 483 00:28:21,080 --> 00:28:24,639 Speaker 1: it's my birthday. I haven't have a big night. Just me, me, 484 00:28:24,760 --> 00:28:27,160 Speaker 1: a bottle of Crown Royal and a curtain of smokes. 485 00:28:27,960 --> 00:28:31,879 Speaker 1: Enjoy it, Me and Parlain, Funkadelic and the Royal Craft. 486 00:28:34,680 --> 00:28:37,080 Speaker 1: But Teddy's guinea. He lightly vaults up the rest of 487 00:28:37,119 --> 00:28:38,760 Speaker 1: the steps and heads back to his station at the 488 00:28:38,800 --> 00:28:43,160 Speaker 1: bank's birthday. Now, Teddy wasn't just any teller working front 489 00:28:43,160 --> 00:28:47,960 Speaker 1: of house. Teddy was a vault teller. What that means 490 00:28:48,080 --> 00:28:51,560 Speaker 1: is he and his colleague pen are alone with all 491 00:28:51,600 --> 00:28:55,400 Speaker 1: the money pretty much all day. Yeah, they fulfill orders 492 00:28:55,400 --> 00:28:58,960 Speaker 1: to the customer facing tellers, got it. So they're like, 493 00:28:59,120 --> 00:29:01,840 Speaker 1: you know, dream of green backs. They're just they and 494 00:29:01,880 --> 00:29:04,280 Speaker 1: they stand there surrounded by it all day in a 495 00:29:04,320 --> 00:29:06,840 Speaker 1: big vault. Yeah, and like you know, I'm sure they've 496 00:29:06,840 --> 00:29:08,959 Speaker 1: done at least one Scrooge mid up dip. Right. I 497 00:29:09,040 --> 00:29:14,240 Speaker 1: was just going to say, they're like dito it? Okay. 498 00:29:14,280 --> 00:29:17,560 Speaker 1: So now it's around three pm. It's been quiet at 499 00:29:17,600 --> 00:29:19,600 Speaker 1: the bank. There's nothing going on because everyone's glued to 500 00:29:19,640 --> 00:29:22,160 Speaker 1: their sets at home waiting for news from NASA about 501 00:29:22,200 --> 00:29:25,480 Speaker 1: the moon. Mission. Oh yeah, yeah yeah. So Teddy says 502 00:29:25,520 --> 00:29:27,600 Speaker 1: to to Pen, why don't you knock off early? I 503 00:29:27,640 --> 00:29:29,400 Speaker 1: got this, I'll close up for the both of us. 504 00:29:30,520 --> 00:29:33,560 Speaker 1: His coworker scurries off, and that's kind of it. Clock 505 00:29:33,680 --> 00:29:36,800 Speaker 1: hits closing time. Teddy grabs as many cheddar stacks as 506 00:29:36,800 --> 00:29:38,760 Speaker 1: we'll fit in his outside bag with the smokes and 507 00:29:38,800 --> 00:29:42,200 Speaker 1: the liquor, which ends up being something like two thousand dollars, 508 00:29:42,800 --> 00:29:44,600 Speaker 1: and he leaves a cloud of dust as he hits 509 00:29:44,600 --> 00:29:46,800 Speaker 1: for the door. So it's like a big grocery back. 510 00:29:46,880 --> 00:29:51,600 Speaker 1: That's what I'm saying. It's a birthday back, happy birthday. 511 00:29:51,000 --> 00:29:54,360 Speaker 1: Like they probably handed him a bag that covered the 512 00:29:54,360 --> 00:29:57,240 Speaker 1: the flask and he's like no, no, no, no no no. 513 00:29:57,280 --> 00:29:58,840 Speaker 1: And then they handed him a bag that covered the 514 00:29:58,840 --> 00:30:00,520 Speaker 1: smokes and he's like no, no, no, no no, no no. 515 00:30:02,440 --> 00:30:05,120 Speaker 1: He You know what, Like, I think every school had 516 00:30:05,160 --> 00:30:08,600 Speaker 1: a kid who their parents would occasionally send them send 517 00:30:08,600 --> 00:30:10,880 Speaker 1: them to school with their lunch in a giant grocery 518 00:30:10,920 --> 00:30:14,720 Speaker 1: size bag. Do you ever have that? Like I I 519 00:30:14,840 --> 00:30:17,400 Speaker 1: never struck out that way because if we didn't have 520 00:30:17,920 --> 00:30:20,520 Speaker 1: lunch bags or like a lunch box or whatever, my 521 00:30:20,600 --> 00:30:23,080 Speaker 1: grandma would put them in those blue New York Times 522 00:30:23,640 --> 00:30:30,560 Speaker 1: newspaper from morning do Yeah. Yeah, so yeah, he's got 523 00:30:30,560 --> 00:30:32,480 Speaker 1: like a big old lunch up in there. I always 524 00:30:32,520 --> 00:30:34,840 Speaker 1: think of the big ones as like the John Bender 525 00:30:34,880 --> 00:30:40,520 Speaker 1: Doo bitch bags from Breakfast. Yes. Yes, the prop master 526 00:30:40,600 --> 00:30:42,120 Speaker 1: did such a good job with that thing, like it 527 00:30:42,200 --> 00:30:46,640 Speaker 1: looked like it was Oh yeah, yeah, So that's kind 528 00:30:46,640 --> 00:30:49,719 Speaker 1: of what I'm imagining him carrying here. So you know, 529 00:30:49,760 --> 00:30:51,240 Speaker 1: as we know, on the steps, he runs into Mike 530 00:30:51,280 --> 00:30:54,200 Speaker 1: the security ard again. He waves, Mike waves back, and 531 00:30:54,240 --> 00:30:58,720 Speaker 1: he's gone. So my question to you is, does Mike 532 00:30:59,600 --> 00:31:02,720 Speaker 1: shout something like very nineteen sixty nine back at this 533 00:31:02,800 --> 00:31:06,840 Speaker 1: time he like throws he throws up a piece symbol. 534 00:31:07,360 --> 00:31:09,800 Speaker 1: Would that be like keep on trucking? Yeah, he was, 535 00:31:10,040 --> 00:31:15,600 Speaker 1: And he's wearing platform shoes and billbo trucking and then 536 00:31:15,600 --> 00:31:18,640 Speaker 1: just rainbows fly out from him and then stars appear 537 00:31:18,720 --> 00:31:21,080 Speaker 1: all illustrated in this. Yeah, this is just this whole 538 00:31:21,120 --> 00:31:23,920 Speaker 1: thing is just a dream. Hey kid, you drop some 539 00:31:24,080 --> 00:31:27,520 Speaker 1: And instead of me and Joe Green giving him his uniform, 540 00:31:28,240 --> 00:31:31,800 Speaker 1: the security guard gives him his uniform. That's exactly what 541 00:31:31,880 --> 00:31:34,600 Speaker 1: it was. So what does Teddy do next? Where too? 542 00:31:34,680 --> 00:31:38,640 Speaker 1: But Teddy heads to the giant, brutalist federal building in 543 00:31:38,680 --> 00:31:42,440 Speaker 1: Boston that houses the region's Social Security administration. So Teddy 544 00:31:42,440 --> 00:31:46,440 Speaker 1: walks in and he says something like, hey, i'd like 545 00:31:46,480 --> 00:31:51,320 Speaker 1: to sob security card and stuff. It's my birthday. Yeah, 546 00:31:51,520 --> 00:31:54,320 Speaker 1: it's my birthday. And see this bag um just being 547 00:31:54,400 --> 00:31:57,080 Speaker 1: nineteen sixty nine. They're like, of course, my good man 548 00:31:57,120 --> 00:32:00,320 Speaker 1: will type it up right now, what is your name? 549 00:32:03,760 --> 00:32:05,920 Speaker 1: But you know what, like they ironically they have the 550 00:32:05,960 --> 00:32:11,360 Speaker 1: same computer system. Now that that's right. Uh, So Teddy 551 00:32:11,400 --> 00:32:15,640 Speaker 1: gives Thomas Randell as his name and Patsy's age by 552 00:32:15,640 --> 00:32:18,080 Speaker 1: two years. And if he's a new person, he could 553 00:32:18,080 --> 00:32:20,240 Speaker 1: just walk in and be like, I need a Social 554 00:32:20,280 --> 00:32:23,640 Speaker 1: Security card. It's my birthday. I'm Teddy, And as far 555 00:32:23,680 --> 00:32:25,920 Speaker 1: as I can tell, that's it. Like he didn't like 556 00:32:26,000 --> 00:32:27,440 Speaker 1: do the whole thing of like let me find a 557 00:32:27,480 --> 00:32:32,240 Speaker 1: dead person. It was just like, um, Thomas Randell, Like 558 00:32:32,280 --> 00:32:37,280 Speaker 1: I didn't find that name until Teddy pops up. Wow, 559 00:32:38,040 --> 00:32:41,440 Speaker 1: I'm gonna try it and I'll do like bodycam footage 560 00:32:41,480 --> 00:32:43,360 Speaker 1: and we'll see how that goes. So I go into 561 00:32:43,360 --> 00:32:47,400 Speaker 1: the Social Security building about it's me. I thought you 562 00:32:47,440 --> 00:32:49,760 Speaker 1: were saying you're going to give the name bodycam footage 563 00:32:49,800 --> 00:32:52,360 Speaker 1: as your name, yeah, man, and my new name. I'm 564 00:32:52,400 --> 00:32:54,960 Speaker 1: gonna go into the Social Security office and like I 565 00:32:55,000 --> 00:32:58,280 Speaker 1: need a Social Security card. My name is bodycam footage 566 00:32:59,000 --> 00:33:02,800 Speaker 1: and you're like, ma'am, this is an Arby's um. So 567 00:33:02,920 --> 00:33:04,840 Speaker 1: let's let's just like stop and think about this for 568 00:33:04,880 --> 00:33:07,880 Speaker 1: a second. Does this sound like the movie Thomas Crown 569 00:33:07,920 --> 00:33:13,200 Speaker 1: Affair at all? No? No, no, no it doesn't. I 570 00:33:13,200 --> 00:33:15,680 Speaker 1: mean only in the sense that, like he got away 571 00:33:15,680 --> 00:33:18,160 Speaker 1: with the bank robbery of his own bank. I mean, 572 00:33:18,240 --> 00:33:20,720 Speaker 1: there's that it sounds like because he said his name 573 00:33:20,760 --> 00:33:24,280 Speaker 1: was Thomas on the new card, and I wonder where 574 00:33:24,360 --> 00:33:27,680 Speaker 1: Randell came from? Is that, like I have no idea, 575 00:33:29,040 --> 00:33:31,880 Speaker 1: Like he he had a prophecy that there was gonna 576 00:33:31,880 --> 00:33:34,600 Speaker 1: be a football player named Antoine Randall l and then 577 00:33:34,600 --> 00:33:38,160 Speaker 1: he was like there is uh so we're not sure 578 00:33:38,200 --> 00:33:41,680 Speaker 1: how long Teddy now Thomas roams around. There are some 579 00:33:41,760 --> 00:33:44,320 Speaker 1: leads along the way for Marshall John Elliott, some spottings 580 00:33:44,320 --> 00:33:46,080 Speaker 1: in Hawaii and elsewhere that may or might not have 581 00:33:46,120 --> 00:33:49,160 Speaker 1: been real, But eventually we do know. He settles for 582 00:33:49,240 --> 00:33:54,360 Speaker 1: good in the town of Lynnfield, Massachusetts, and the newspaper 583 00:33:54,400 --> 00:33:56,160 Speaker 1: stories from around his death make a big deal out 584 00:33:56,160 --> 00:33:58,080 Speaker 1: of how he decides to live so close to where 585 00:33:58,360 --> 00:34:00,480 Speaker 1: the Thomas Crown Affair took place and was films. But 586 00:34:00,520 --> 00:34:04,440 Speaker 1: to me, I mean, yeah, it's close, but it's not 587 00:34:04,480 --> 00:34:07,520 Speaker 1: back close Like no, not really. Most of the action 588 00:34:07,560 --> 00:34:10,720 Speaker 1: of the film takes place in downtown Boston proper Um, 589 00:34:10,760 --> 00:34:13,120 Speaker 1: and in Beacon Hill and in Cambridge Cemetery, which is 590 00:34:13,160 --> 00:34:17,759 Speaker 1: in Cambridge, Cambridge. Yeah, exactly. Lynnfield is by the North 591 00:34:17,840 --> 00:34:20,640 Speaker 1: Shore or North Shaw as you would say to you, 592 00:34:20,760 --> 00:34:25,239 Speaker 1: there seventeen miles north of all that. Well, here's the thing, 593 00:34:25,320 --> 00:34:29,120 Speaker 1: like he his crime really wasn't like the Thomas Crown affair. 594 00:34:29,160 --> 00:34:34,160 Speaker 1: It was like t c A adjacent, So he's t 595 00:34:34,400 --> 00:34:37,600 Speaker 1: c A adjacent in his relocation, like it's always it's 596 00:34:37,640 --> 00:34:40,400 Speaker 1: like a bad cramp drawing version of everything. That's a 597 00:34:40,400 --> 00:34:42,719 Speaker 1: good way to put it. Yeah, this is close enough, 598 00:34:43,239 --> 00:34:45,120 Speaker 1: and you know, from what I could glean, he lives 599 00:34:45,120 --> 00:34:48,840 Speaker 1: a pretty nice life. Over time, he becomes a local 600 00:34:48,880 --> 00:34:52,400 Speaker 1: golf pro. He's giving lessons at the clubs around Boston. 601 00:34:53,360 --> 00:34:56,160 Speaker 1: He's participating in regional tournaments, all things that you know 602 00:34:56,160 --> 00:34:58,399 Speaker 1: Steve McQueen would do in a Steve McQueen movie. For sure, 603 00:34:58,840 --> 00:35:03,240 Speaker 1: totally for work. Get ready for this. He becomes a 604 00:35:03,360 --> 00:35:07,520 Speaker 1: luxury car salesman. Oh I got Mini Coopers for over 605 00:35:07,560 --> 00:35:10,680 Speaker 1: forty years. No, no, not even anything as exotic as that. 606 00:35:11,120 --> 00:35:16,480 Speaker 1: Volvos and land Rovers. Huh okay, So like the suburban set, 607 00:35:16,880 --> 00:35:19,719 Speaker 1: it's kind of like the reverse of uh, you know, 608 00:35:19,800 --> 00:35:21,520 Speaker 1: the whole thing of like hard men said that they 609 00:35:21,600 --> 00:35:24,359 Speaker 1: are used car dealers. He does his crime and then 610 00:35:24,440 --> 00:35:27,719 Speaker 1: says he's like and he's like adjacent. So he's like, 611 00:35:27,760 --> 00:35:31,000 Speaker 1: I'm actually a luxury car new cars, So I heard 612 00:35:31,040 --> 00:35:33,399 Speaker 1: something about car dealer. He does do a good job 613 00:35:33,480 --> 00:35:36,920 Speaker 1: keeping a low profile. So the first mentioned anywhere on 614 00:35:36,960 --> 00:35:39,799 Speaker 1: newspapers dot com, by the way, a fantastic source for 615 00:35:39,880 --> 00:35:42,319 Speaker 1: anything you're looking for the greatest thing ever. I got 616 00:35:42,360 --> 00:35:44,799 Speaker 1: so lost in there and uh and I will tell 617 00:35:44,840 --> 00:35:47,959 Speaker 1: you in this episode just how amazing it is. Wait 618 00:35:48,000 --> 00:35:51,239 Speaker 1: for it. Here's a hot tip for anyone interested in 619 00:35:51,320 --> 00:35:55,200 Speaker 1: dabbling with newspapers dot com. Put in your home address, 620 00:35:55,239 --> 00:35:57,280 Speaker 1: like your number and your the name of your street 621 00:35:57,400 --> 00:36:00,440 Speaker 1: in the local paper and you'll find out, like history, 622 00:36:00,480 --> 00:36:03,000 Speaker 1: everything that went down at your house. That's a great call. 623 00:36:03,200 --> 00:36:06,080 Speaker 1: I didn't even think I'm a I'm a I'm a 624 00:36:06,120 --> 00:36:08,959 Speaker 1: special investigator. What can I say? So the first time 625 00:36:08,960 --> 00:36:13,320 Speaker 1: he pops on newspapers dot com is in in golf 626 00:36:13,320 --> 00:36:16,640 Speaker 1: tournament results at Halifax Country Club in the Boston Globe. 627 00:36:17,800 --> 00:36:21,680 Speaker 1: So like, what is that? Uh? Six six years? Yeah, 628 00:36:21,760 --> 00:36:24,600 Speaker 1: six seven year or something like that. Um. And the 629 00:36:24,640 --> 00:36:27,040 Speaker 1: only things I could find in the newspaper from that 630 00:36:27,120 --> 00:36:29,640 Speaker 1: from this fifth year stretch were from his golf career. 631 00:36:31,480 --> 00:36:34,000 Speaker 1: And the only photo I found was from the AP 632 00:36:34,280 --> 00:36:37,440 Speaker 1: when he attended the US Open golf tourney. And I 633 00:36:37,440 --> 00:36:39,440 Speaker 1: wonder if he was like, yeah, could you guys like 634 00:36:39,680 --> 00:36:44,080 Speaker 1: not post that photo he's got like one hand over 635 00:36:44,120 --> 00:36:46,200 Speaker 1: the side of his face or at that point it's 636 00:36:46,200 --> 00:36:47,920 Speaker 1: been like forty seven years, or is he like what 637 00:36:48,000 --> 00:36:51,799 Speaker 1: does he care? He's like, no one cares. Who knows 638 00:36:51,840 --> 00:36:56,560 Speaker 1: who cares? Um? But there is one anomaly that I 639 00:36:56,640 --> 00:36:59,839 Speaker 1: just can't figure out. I will tell you about it 640 00:37:00,320 --> 00:37:03,720 Speaker 1: as soon as we come back from this year break cool, 641 00:37:24,080 --> 00:37:28,200 Speaker 1: Elizabeth David. I'm not Zaren. I'm still not Zaren. I 642 00:37:28,840 --> 00:37:31,040 Speaker 1: thank you for getting my name right though. Hey, I 643 00:37:31,040 --> 00:37:34,640 Speaker 1: pay attention, and you know what, I'm going to ask 644 00:37:34,680 --> 00:37:38,399 Speaker 1: you what your ridiculous takeaway is when this is all over, better. 645 00:37:38,440 --> 00:37:42,040 Speaker 1: I better get cribbon on that. Uh. So we were 646 00:37:42,080 --> 00:37:46,120 Speaker 1: talking about man at t C A adjacent c t 647 00:37:46,280 --> 00:37:49,080 Speaker 1: C A adjacent. I keep getting the names crossed t 648 00:37:49,239 --> 00:37:53,120 Speaker 1: c A adjacent Thomas Randell. I always want Thomas A 649 00:37:53,880 --> 00:37:58,920 Speaker 1: Teddy a k A Teddy Conrad ak birthday boy. And 650 00:37:58,960 --> 00:38:01,160 Speaker 1: we know, like you know, there are good life uh. 651 00:38:01,280 --> 00:38:04,880 Speaker 1: And he was around for over fifty years golf pro 652 00:38:05,360 --> 00:38:09,240 Speaker 1: slang and sweet Volvos before you were so rudely interrupted 653 00:38:09,280 --> 00:38:11,719 Speaker 1: by ads. They were really good though. You have to 654 00:38:11,760 --> 00:38:15,400 Speaker 1: admit that was a hot crop right there. Choice there's 655 00:38:15,480 --> 00:38:18,439 Speaker 1: one piece of the story that I haven't been able 656 00:38:18,440 --> 00:38:20,000 Speaker 1: to figure out, and I want your help figuring it out. 657 00:38:20,400 --> 00:38:23,640 Speaker 1: You got it. So Thomas got married in Lynnfield to 658 00:38:23,640 --> 00:38:27,440 Speaker 1: a woman named Kathy Mahan m h A n. Which 659 00:38:27,480 --> 00:38:29,680 Speaker 1: would almost be like in Rhode Island, if someone said 660 00:38:29,760 --> 00:38:35,000 Speaker 1: Kathy Mahon, you would think they were meant Kathy Maharn there, 661 00:38:35,560 --> 00:38:37,919 Speaker 1: I would think if it's m and it might also 662 00:38:38,000 --> 00:38:42,040 Speaker 1: be Mayhan. Oh, it could be yeah, Kathy Mayhan, Kathy Mayhem. 663 00:38:43,760 --> 00:38:47,960 Speaker 1: That that's her actual name. Everybody Kathy Mayhem. Uh. They 664 00:38:48,000 --> 00:38:51,040 Speaker 1: own a home, nothing crazy, pretty standard suburban Boston home, 665 00:38:51,600 --> 00:38:56,719 Speaker 1: but in they filed for bankruptcy protection and I was 666 00:38:56,800 --> 00:38:58,960 Speaker 1: able to look it up on PACER, which is you know, 667 00:38:59,200 --> 00:39:02,640 Speaker 1: a place where you can find court uh court proceedings 668 00:39:03,200 --> 00:39:05,320 Speaker 1: UM and bankruptcies are you know, public? You have to 669 00:39:05,400 --> 00:39:07,880 Speaker 1: file stuff for people like me to find. So this 670 00:39:08,040 --> 00:39:10,399 Speaker 1: was all public information. I'm just saying that I didn't 671 00:39:10,400 --> 00:39:14,080 Speaker 1: go UM. If you did, I'd be so proud of you. 672 00:39:14,960 --> 00:39:17,360 Speaker 1: So the court records show they had a ton of 673 00:39:17,440 --> 00:39:21,560 Speaker 1: credit card debt, like hundred and sixty thou dollars and 674 00:39:22,280 --> 00:39:26,600 Speaker 1: very few assets. They had a couple of economy cars, dad, 675 00:39:26,680 --> 00:39:30,360 Speaker 1: some pretty standard jewelry, a second mortgage, nothing extravagant. So 676 00:39:30,520 --> 00:39:33,680 Speaker 1: my question to you, Elizabeth Crime is where did all 677 00:39:33,719 --> 00:39:36,319 Speaker 1: the money go? Well? Are you sure it was all 678 00:39:36,400 --> 00:39:38,520 Speaker 1: credit card debt? Do you think they had medical debt? 679 00:39:38,840 --> 00:39:40,920 Speaker 1: It didn't specify. I mean it did say it was 680 00:39:41,160 --> 00:39:43,960 Speaker 1: revolving credit. I'll let you in on a little secret. 681 00:39:44,320 --> 00:39:46,719 Speaker 1: In my past life, there was a time when I 682 00:39:46,880 --> 00:39:50,360 Speaker 1: worked for a bankruptcy trustee and I used to have 683 00:39:50,440 --> 00:39:53,799 Speaker 1: to go through the bankruptcy schedules that people would file 684 00:39:53,960 --> 00:39:57,719 Speaker 1: and pull out all the pertinent information and you'd see, 685 00:39:57,760 --> 00:39:59,200 Speaker 1: like you know, and then we'd get ready for what 686 00:39:59,320 --> 00:40:01,680 Speaker 1: they call the m see the meeting of creditors, where 687 00:40:01,680 --> 00:40:04,840 Speaker 1: the creditors would come and explain why they had to 688 00:40:04,920 --> 00:40:07,759 Speaker 1: get their cash back. And really the only ones that 689 00:40:07,760 --> 00:40:10,360 Speaker 1: would ever show up would be like Sears for Sears 690 00:40:10,440 --> 00:40:14,440 Speaker 1: cards and they'd interview the person who's declaring bankruptcy and 691 00:40:14,800 --> 00:40:18,200 Speaker 1: like where is that that toaster? Oven? I gave it 692 00:40:18,239 --> 00:40:22,640 Speaker 1: away as a gift, um, but like, yeah it is. 693 00:40:22,960 --> 00:40:26,360 Speaker 1: Don't both sleep on me. I'm imagining that scene, like 694 00:40:26,400 --> 00:40:29,080 Speaker 1: I'm imagining someone from Sears and the Sears showing up. 695 00:40:29,440 --> 00:40:32,600 Speaker 1: It's amazing. It's it's a really bizarre thing that they do. 696 00:40:32,840 --> 00:40:35,120 Speaker 1: But a lot of what I saw was medical debt, 697 00:40:35,400 --> 00:40:37,439 Speaker 1: and so you know, people would wrack up credit cards 698 00:40:37,480 --> 00:40:39,960 Speaker 1: and especially like you know, there was a time when 699 00:40:40,520 --> 00:40:42,359 Speaker 1: it was way easier to get a bunch of credit 700 00:40:42,440 --> 00:40:46,080 Speaker 1: cards and a fewer kind of consumer protections on them, um, 701 00:40:46,800 --> 00:40:49,880 Speaker 1: and so you know, people like just spending like crazy 702 00:40:50,000 --> 00:40:52,680 Speaker 1: on these store credit cards and regular credit cards. But 703 00:40:52,760 --> 00:40:54,480 Speaker 1: then it was the medical debt that did it to 704 00:40:54,560 --> 00:40:59,080 Speaker 1: people horrific. If it's not looking like it was from uh, 705 00:40:59,520 --> 00:41:04,120 Speaker 1: you know, a medical provider on the bankruptcy listing stuff 706 00:41:04,120 --> 00:41:07,040 Speaker 1: that you saw it probably isn't, but that's in my experience. 707 00:41:07,080 --> 00:41:09,480 Speaker 1: What I saw is most people were declaring bankruptcy not 708 00:41:09,600 --> 00:41:14,240 Speaker 1: because of bad spending habits or extravagant living or whatever. 709 00:41:14,800 --> 00:41:17,240 Speaker 1: Like they'd get sick and there either didn't have insurance 710 00:41:17,280 --> 00:41:19,800 Speaker 1: or their insurance wouldn't cover what happened, and they have 711 00:41:20,000 --> 00:41:22,680 Speaker 1: like hundreds of thousand dollars of de Yeah, I know 712 00:41:22,760 --> 00:41:25,839 Speaker 1: that makes sense, Like I know even like yeah that today, um, 713 00:41:26,480 --> 00:41:28,239 Speaker 1: people either like they have to set up go fund 714 00:41:28,280 --> 00:41:30,960 Speaker 1: me is or like one big bad medical thing happens 715 00:41:30,960 --> 00:41:33,279 Speaker 1: and you're just done. Yeah. So maybe like he had 716 00:41:33,320 --> 00:41:35,120 Speaker 1: a bunch of stuff and he put it onto cards. 717 00:41:35,160 --> 00:41:37,960 Speaker 1: I don't know. Yeah, I mean, um, the Marshall said 718 00:41:37,960 --> 00:41:40,160 Speaker 1: there were still stacks of unpaid bills on their table 719 00:41:40,200 --> 00:41:43,080 Speaker 1: after he died. It's really sad. So yeah, where did 720 00:41:43,160 --> 00:41:45,440 Speaker 1: that money go? Because it was two d something that well, 721 00:41:45,560 --> 00:41:47,880 Speaker 1: I mean the thing is if he's just kind of 722 00:41:47,920 --> 00:41:50,359 Speaker 1: goofing around being a golf pro for a while, maybe 723 00:41:50,400 --> 00:41:53,279 Speaker 1: he's not making money and you can see how I 724 00:41:53,320 --> 00:41:56,080 Speaker 1: can see how you'd burn through it. My Yeah. My 725 00:41:56,200 --> 00:41:58,919 Speaker 1: two theories were one when he was young, in those 726 00:41:58,920 --> 00:42:01,480 Speaker 1: six years before he ended up in Lynnfield, like he 727 00:42:01,640 --> 00:42:04,600 Speaker 1: basically blew it all and we'll never know about it, 728 00:42:04,800 --> 00:42:06,759 Speaker 1: like had a really good time and then save just 729 00:42:07,000 --> 00:42:11,239 Speaker 1: enough to buy the house. Or here's here's the here's 730 00:42:11,239 --> 00:42:14,800 Speaker 1: the cliffhanger. What if he felt really bad about the 731 00:42:14,920 --> 00:42:18,680 Speaker 1: crime and so he buried it and then like on 732 00:42:18,800 --> 00:42:21,600 Speaker 1: his deathbed when he's confessing to his wife, he's also saying, oh, 733 00:42:21,680 --> 00:42:24,359 Speaker 1: and here's where the money, here's where it is. That's 734 00:42:24,400 --> 00:42:27,440 Speaker 1: a cooler version of this. I like that, um, or 735 00:42:27,640 --> 00:42:29,080 Speaker 1: you know, he could have just thrown the trash. He 736 00:42:29,239 --> 00:42:31,279 Speaker 1: was like, you know what, I feel terrible at having this. 737 00:42:31,640 --> 00:42:34,520 Speaker 1: I'm just gonna take this bag and shove it. That 738 00:42:34,560 --> 00:42:37,960 Speaker 1: could be too. This guy's a loose candid Yeah. Uh, 739 00:42:38,360 --> 00:42:40,520 Speaker 1: we don't know who who knows in this case? I 740 00:42:40,560 --> 00:42:44,200 Speaker 1: do care, so I'm not gonna use your line. I care, 741 00:42:44,640 --> 00:42:48,640 Speaker 1: but don't care. Um, so not to bring the house down. 742 00:42:48,760 --> 00:42:51,280 Speaker 1: But but the way he dies is through lung cancer. 743 00:42:51,400 --> 00:42:53,920 Speaker 1: And it's pretty bad as it usually is. Uh, he 744 00:42:54,080 --> 00:42:56,480 Speaker 1: was buying a cart in the smoke, so that time, 745 00:42:56,560 --> 00:43:00,120 Speaker 1: I'm sorry that was rude. And yeah I remember like 746 00:43:00,520 --> 00:43:02,200 Speaker 1: he's been on the lamb for fifty years. No one 747 00:43:02,239 --> 00:43:05,399 Speaker 1: has any clue that Thomas Randell is Teddy Conrad. Yeah, 748 00:43:05,719 --> 00:43:09,080 Speaker 1: the son Marshall Peter Elliott was quoted by the Cleveland 749 00:43:09,080 --> 00:43:10,919 Speaker 1: Plain Dealer in two thousand and eight, so a while 750 00:43:11,000 --> 00:43:13,239 Speaker 1: before they find him. One of the reasons I stayed 751 00:43:13,239 --> 00:43:15,880 Speaker 1: after this guy is that some people thought he was 752 00:43:15,960 --> 00:43:18,200 Speaker 1: some kind of a hero or Robin Hood. He's not. 753 00:43:18,840 --> 00:43:22,320 Speaker 1: He was nothing but a thief, A young, smartass thief 754 00:43:22,520 --> 00:43:25,240 Speaker 1: who managed to elude law enforcement for all these years. 755 00:43:25,520 --> 00:43:29,239 Speaker 1: Hopefully we can bring him to justice soon. Oh and 756 00:43:29,320 --> 00:43:32,600 Speaker 1: that's the sun who's carrying don Well, here's the thing 757 00:43:32,640 --> 00:43:35,080 Speaker 1: that you did mention. He's on the lamb for fifty years. Like, 758 00:43:35,239 --> 00:43:40,040 Speaker 1: I don't think it's ridiculous to have him declare bankruptcy 759 00:43:40,120 --> 00:43:42,600 Speaker 1: at that point, because that's fifty years is a long 760 00:43:42,680 --> 00:43:44,960 Speaker 1: time to be riding on that cash. Yeah, I think 761 00:43:45,040 --> 00:43:47,839 Speaker 1: it was gone pretty quickly, Okay. And I like your 762 00:43:47,880 --> 00:43:51,520 Speaker 1: idea of that lost six years before he moves to Linfield. Yeah, 763 00:43:51,600 --> 00:43:53,080 Speaker 1: I mean, we don't know, like other than that he 764 00:43:53,200 --> 00:43:55,480 Speaker 1: was in Boston initially to get his to get a 765 00:43:55,520 --> 00:43:58,759 Speaker 1: Social Security card. You know, he's just he's just you know, 766 00:43:58,960 --> 00:44:02,040 Speaker 1: trapes and a rounds, spending his money on liquor and tarts. 767 00:44:02,840 --> 00:44:04,759 Speaker 1: Maybe he fell into like a cult of some kind 768 00:44:04,840 --> 00:44:13,279 Speaker 1: and donated a bunch of it to them. Yeah yeah uh. 769 00:44:13,560 --> 00:44:17,439 Speaker 1: Or he found like some brotherhood of of Ganja or something. Yes, 770 00:44:17,800 --> 00:44:22,920 Speaker 1: that's another possibility. Um. So. Peter's dad, Deputy Marshall John Elliott, 771 00:44:22,960 --> 00:44:24,799 Speaker 1: did not live to see this case closed. He died 772 00:44:26,719 --> 00:44:28,520 Speaker 1: um and according to the New York Post quote, he 773 00:44:28,600 --> 00:44:31,560 Speaker 1: never stopped searching for Conrad and wanted closure until his death. 774 00:44:31,960 --> 00:44:34,359 Speaker 1: So he was like cheering his son on from the side. Yeah. 775 00:44:35,040 --> 00:44:37,680 Speaker 1: And I know Peter was hitting the case real hard, 776 00:44:38,040 --> 00:44:40,480 Speaker 1: in part because while I was doing my research on 777 00:44:40,560 --> 00:44:43,440 Speaker 1: newspapers dot com, when I got to the original newspaper 778 00:44:43,560 --> 00:44:47,640 Speaker 1: that printed the indictment in nine Elizabeth, guess what I 779 00:44:47,719 --> 00:44:50,760 Speaker 1: found next to it? Oh my god what The article 780 00:44:51,000 --> 00:44:53,719 Speaker 1: had already been clipped by a newspaper dot com user 781 00:44:53,840 --> 00:44:58,840 Speaker 1: named Peter Elliott. The digital foot prints. This is the 782 00:44:58,920 --> 00:45:01,600 Speaker 1: stuff we lived. Oh my god, you're walking in the 783 00:45:01,680 --> 00:45:07,279 Speaker 1: footsteps of heroes. Who would you lose it if you 784 00:45:07,320 --> 00:45:09,360 Speaker 1: were like looking for a story and you saw that 785 00:45:09,440 --> 00:45:11,480 Speaker 1: they clipped something that you were looking at before you Oh, 786 00:45:11,600 --> 00:45:13,799 Speaker 1: most definitely the person in the story. That's what I would, 787 00:45:13,920 --> 00:45:15,640 Speaker 1: I would totally lose it. I thought, you're gonna go 788 00:45:15,640 --> 00:45:18,160 Speaker 1: Anthony keytis Well that I really lose it if it 789 00:45:18,320 --> 00:45:22,440 Speaker 1: was or if yeah, yeah, no it's for Shante. I 790 00:45:22,520 --> 00:45:25,080 Speaker 1: mean that's when I would lose my mind. I feel 791 00:45:25,120 --> 00:45:26,719 Speaker 1: like I didn't give enough of a beat here, Like 792 00:45:26,840 --> 00:45:31,839 Speaker 1: how wild is that? That's yeah that you're what you're 793 00:45:32,000 --> 00:45:35,680 Speaker 1: looking at this and you're watching that the son of 794 00:45:35,760 --> 00:45:39,640 Speaker 1: the man in the article has has clipped it. That's incredible. 795 00:45:39,800 --> 00:45:41,520 Speaker 1: And you also like to think like, oh, the marshals 796 00:45:41,520 --> 00:45:44,960 Speaker 1: have their own like you know, badass databases and stuff. No, 797 00:45:45,160 --> 00:45:48,719 Speaker 1: they also that was some home investigation stuff like that's 798 00:45:48,800 --> 00:45:52,840 Speaker 1: like sitting at home on a Friday night, you know, 799 00:45:53,200 --> 00:45:59,080 Speaker 1: deep and deep in your study of conspiracy string. So 800 00:45:59,239 --> 00:46:02,719 Speaker 1: that's amazing. Yeah, so he got his closure. Let's get ours. 801 00:46:05,200 --> 00:46:07,880 Speaker 1: There's a guy off off camera who's like, wrap it up. 802 00:46:08,360 --> 00:46:10,680 Speaker 1: But I have so much good stuff it's so hard 803 00:46:10,719 --> 00:46:13,919 Speaker 1: to know what to cut. I mentioned at the top 804 00:46:14,000 --> 00:46:16,080 Speaker 1: that Teddy confessed to his wife as he lay dying 805 00:46:16,719 --> 00:46:19,360 Speaker 1: he had made a ton of good friends, including some 806 00:46:19,520 --> 00:46:23,360 Speaker 1: in law enforcement, which is brazen as hell, right, but 807 00:46:23,480 --> 00:46:26,759 Speaker 1: his wife kept a secret until after he died. Good 808 00:46:26,840 --> 00:46:30,680 Speaker 1: for her till death do us part legit His friends 809 00:46:31,160 --> 00:46:33,800 Speaker 1: when they found out about all this, they were stunned. 810 00:46:33,880 --> 00:46:36,400 Speaker 1: I think both the lung cancer and the bank robbery. 811 00:46:36,640 --> 00:46:39,160 Speaker 1: They all thought the world of him, so they didn't 812 00:46:39,160 --> 00:46:43,080 Speaker 1: even know that he had lung cancer. He yeah, Wow, 813 00:46:43,840 --> 00:46:49,040 Speaker 1: it's secretive, secretive, proud guy. Yeah, a little sneaky squirrel. 814 00:46:49,360 --> 00:46:52,960 Speaker 1: I pulled some of their recollections from a CBS news piece. Um, 815 00:46:53,200 --> 00:46:55,200 Speaker 1: I'll just read you a couple of these. His former 816 00:46:55,280 --> 00:46:58,360 Speaker 1: co workers at the dealership said they never heard Randall 817 00:46:58,440 --> 00:47:01,200 Speaker 1: say a bad word about any buddy or raise his voice. 818 00:47:01,480 --> 00:47:03,560 Speaker 1: They all said he was the best golfer they ever knew. 819 00:47:03,920 --> 00:47:06,880 Speaker 1: Everyone wanted him on their side when there was a tournament. Uh. 820 00:47:07,719 --> 00:47:10,360 Speaker 1: One of his co workers, Bob van Wert, said he 821 00:47:10,480 --> 00:47:12,319 Speaker 1: wasn't much of a drinker and never put down any 822 00:47:12,400 --> 00:47:15,239 Speaker 1: side bets while playing. I guess those are like the 823 00:47:15,320 --> 00:47:18,680 Speaker 1: marks of of a like mean golf. You're a drunk 824 00:47:18,760 --> 00:47:21,680 Speaker 1: and you're betting on the side. They remember kept it clean, 825 00:47:21,760 --> 00:47:25,400 Speaker 1: he worked clean. Uh. They remembered he could always control 826 00:47:25,480 --> 00:47:27,960 Speaker 1: his emotions and rarely got upset, even on the course 827 00:47:28,239 --> 00:47:30,520 Speaker 1: where he had such a pretty swing that he once 828 00:47:30,600 --> 00:47:33,719 Speaker 1: bested Hall of Fame golfer Johnny Miller at a charity event. 829 00:47:33,880 --> 00:47:37,040 Speaker 1: His former boss remembered a pretty swing, he got a 830 00:47:37,120 --> 00:47:40,720 Speaker 1: real pretty sing. And also Johnny Miller, not actor Johnny 831 00:47:40,760 --> 00:47:43,600 Speaker 1: Lee Miller who has a pretty face, and not Johnny Miller. 832 00:47:43,760 --> 00:47:46,399 Speaker 1: King is that king of the road. Uh, Roger Miller, 833 00:47:46,560 --> 00:47:51,719 Speaker 1: Roger Roger. It's Roger Miller's brother. Matt Kaplan, who is 834 00:47:51,800 --> 00:47:54,640 Speaker 1: his boss and managed two dealerships where he worked golf 835 00:47:54,680 --> 00:47:57,000 Speaker 1: of them every Sunday morning for many years, called him 836 00:47:57,239 --> 00:48:01,800 Speaker 1: the definition of a gentleman. Well, and I quote, the 837 00:48:01,880 --> 00:48:03,800 Speaker 1: only way it makes sense is that at that age 838 00:48:04,000 --> 00:48:05,960 Speaker 1: he was just a kid and it was a challenge 839 00:48:06,040 --> 00:48:08,319 Speaker 1: kind of thing. Kaplan said, It's not like he became 840 00:48:08,360 --> 00:48:14,800 Speaker 1: a professional bank robber that we know, right. Uh. And 841 00:48:14,880 --> 00:48:16,440 Speaker 1: then he says, you know, the man was different from 842 00:48:16,480 --> 00:48:18,120 Speaker 1: the kid, and and we just didn't think he was 843 00:48:18,160 --> 00:48:21,239 Speaker 1: that kind of guy. Uh. Someone else said, you know, 844 00:48:21,719 --> 00:48:23,719 Speaker 1: all the years I knew Tommy, I never heard him 845 00:48:23,719 --> 00:48:25,840 Speaker 1: mention a sister or a mother, or a brother or 846 00:48:25,840 --> 00:48:30,239 Speaker 1: a father. Everything was kind of generalized. He's like, yes, 847 00:48:30,360 --> 00:48:34,520 Speaker 1: I love my family. And finally, when asked about the 848 00:48:34,560 --> 00:48:36,960 Speaker 1: motive for the robbery. His friend Russell Metcalf, who we 849 00:48:37,200 --> 00:48:40,200 Speaker 1: met in that coffee shop, said it wasn't about the money, 850 00:48:41,160 --> 00:48:44,800 Speaker 1: So is that too cute? By half? It wasn't what 851 00:48:44,960 --> 00:48:47,279 Speaker 1: what was it about? Russell? He said? He was like, 852 00:48:47,360 --> 00:48:49,480 Speaker 1: I'm trying what he said. He said something like, you know, 853 00:48:49,800 --> 00:48:53,080 Speaker 1: he did it for the thrill. Well, so that's the 854 00:48:53,120 --> 00:48:56,160 Speaker 1: Thomas Crown part of it. I guess that it's not 855 00:48:56,320 --> 00:48:59,640 Speaker 1: about the money. It's just for the action. But it 856 00:48:59,719 --> 00:49:02,160 Speaker 1: doesn't seemed like he felt him in by society, right, 857 00:49:02,280 --> 00:49:05,759 Speaker 1: it was just like I'm aboard you know what. Well, 858 00:49:06,719 --> 00:49:08,839 Speaker 1: it was the part of Thomas Crown that's like, I'm 859 00:49:08,880 --> 00:49:10,560 Speaker 1: a rich bank executive and I don't know how to 860 00:49:10,600 --> 00:49:14,160 Speaker 1: have fun anymore. Yeah, but he's adjacent to that. So 861 00:49:14,320 --> 00:49:17,520 Speaker 1: he's a young bank teller who doesn't know how he 862 00:49:17,560 --> 00:49:19,480 Speaker 1: doesn't know how to have fun anymore. That's right. What 863 00:49:19,640 --> 00:49:24,520 Speaker 1: you call it, t c A, it's the uh so. Yeah, 864 00:49:24,600 --> 00:49:27,640 Speaker 1: instead of the bank executive, he's the bank teller exactly, 865 00:49:28,160 --> 00:49:31,280 Speaker 1: just a little bit off. And instead of personal glasses, 866 00:49:31,400 --> 00:49:36,480 Speaker 1: he's got ray band glasses. So this brings us to 867 00:49:36,520 --> 00:49:39,359 Speaker 1: how the case was cracked. It's a little mysterious. There's 868 00:49:39,360 --> 00:49:43,040 Speaker 1: still there's a little mystery here too. Shortly after Randell's 869 00:49:43,040 --> 00:49:46,320 Speaker 1: obituary appeared in local paper Marshall, Peter Elliott got a 870 00:49:46,400 --> 00:49:48,799 Speaker 1: tip that he should read this obituary because it might 871 00:49:48,840 --> 00:49:52,920 Speaker 1: help him was something he's investigating. M Um, I was 872 00:49:53,040 --> 00:49:55,319 Speaker 1: going to read the obituary here, but I'm just gonna 873 00:49:55,360 --> 00:49:58,600 Speaker 1: We're gonna post it in the instagram. But I'll tell 874 00:49:58,640 --> 00:50:02,440 Speaker 1: you it was the mostly true tale of Theodore Conrad. Uh. 875 00:50:02,680 --> 00:50:05,239 Speaker 1: It listed his parents real names, had the dates off 876 00:50:05,320 --> 00:50:08,960 Speaker 1: by two years, but otherwise it all squared. So Pierre 877 00:50:09,000 --> 00:50:10,759 Speaker 1: Elliot's reading this bills go off in his head. He 878 00:50:10,800 --> 00:50:13,600 Speaker 1: puts it all together, and in order to confirm, he 879 00:50:13,800 --> 00:50:17,960 Speaker 1: pulled the records from the bankruptcy filings in and compared 880 00:50:18,000 --> 00:50:24,080 Speaker 1: the signature to Teddy's college application. Whoa deep dive, it's 881 00:50:24,120 --> 00:50:28,279 Speaker 1: a match. Yeah, things you can't find on newspapers dot com. Right, 882 00:50:28,920 --> 00:50:30,720 Speaker 1: So he did some of his own leg work. Dang. 883 00:50:31,760 --> 00:50:33,600 Speaker 1: So the only thing left to do was to follow 884 00:50:33,680 --> 00:50:36,600 Speaker 1: up with Cathy Thomas's wife. She gets a knock on 885 00:50:36,680 --> 00:50:39,879 Speaker 1: the door six months after his death. Thankfully, in this case, 886 00:50:39,960 --> 00:50:42,600 Speaker 1: the Feds were merciful, okay, and she didn't get accessory 887 00:50:42,640 --> 00:50:45,239 Speaker 1: after the fact. No, they confirmed the details with her. 888 00:50:45,320 --> 00:50:47,919 Speaker 1: She's still in mourning and the FEDS decided to drop 889 00:50:48,000 --> 00:50:51,160 Speaker 1: the charges against Randell's slash Conrad. They're like, yeah, what's 890 00:50:51,200 --> 00:50:56,120 Speaker 1: he's dead? So I ask you, what's your ridiculous takeaway? 891 00:50:57,480 --> 00:51:00,840 Speaker 1: My ridiculous takeaway is that every criminal, because I like, 892 00:51:01,080 --> 00:51:03,520 Speaker 1: we look at he has Thomas Crown affair, he's t 893 00:51:03,680 --> 00:51:08,880 Speaker 1: c A adjacent and then Riddon Fight was Michael Man adjacent. 894 00:51:09,040 --> 00:51:12,200 Speaker 1: I think every criminal should have some sort of filmography 895 00:51:12,360 --> 00:51:15,840 Speaker 1: that they're a chase too, just a little off, make it, 896 00:51:16,000 --> 00:51:17,920 Speaker 1: make it fun for us. And I also want to 897 00:51:17,960 --> 00:51:20,680 Speaker 1: go to a bank robbers convention. It seems like it 898 00:51:20,760 --> 00:51:23,719 Speaker 1: worked pretty well, right, like having a having a movie 899 00:51:23,800 --> 00:51:26,520 Speaker 1: be your theme. Like, yeah, so so tell me, Dave, 900 00:51:26,600 --> 00:51:30,720 Speaker 1: what's your ridiculous takeaway? Thank you for asking? No problem. 901 00:51:31,000 --> 00:51:33,959 Speaker 1: I would say, it's interesting to me that he transforms 902 00:51:34,120 --> 00:51:37,600 Speaker 1: from like would be cool dude, coolest dude into a 903 00:51:37,840 --> 00:51:40,520 Speaker 1: local golf pro, luxury car dealer, kind of a herb. 904 00:51:41,560 --> 00:51:44,520 Speaker 1: But well, I don't know a nice guy like you know, 905 00:51:44,760 --> 00:51:47,040 Speaker 1: with all respect to his widow who still lives like 906 00:51:47,320 --> 00:51:49,439 Speaker 1: he seems like a really good dude. Through and through, 907 00:51:49,960 --> 00:51:54,080 Speaker 1: but style wise, you know, it's definitely not what he 908 00:51:54,160 --> 00:51:57,799 Speaker 1: was imagining when he was imagining Steve McQueen. Yeah, very true. 909 00:51:58,160 --> 00:51:59,960 Speaker 1: So my question is is that the price he pays 910 00:52:00,040 --> 00:52:03,040 Speaker 1: for dreaming big and going after that dream to not 911 00:52:03,200 --> 00:52:05,600 Speaker 1: be Steve McQueen. Well, like you get it, like you 912 00:52:05,920 --> 00:52:07,560 Speaker 1: you did the crime, you got away with it, but 913 00:52:07,640 --> 00:52:10,680 Speaker 1: you can't be Steve McQueen because Steve McQueen is deep. Yeah, 914 00:52:10,760 --> 00:52:15,080 Speaker 1: only Steve McQueen, Steve McQueen or Steve McQueen the film 915 00:52:15,160 --> 00:52:17,960 Speaker 1: director can be Steve Steve. That's right. There are but 916 00:52:18,120 --> 00:52:20,960 Speaker 1: two and maybe the Faustian bargain is like you can 917 00:52:21,000 --> 00:52:24,160 Speaker 1: do cool things, but you can't be cool. You're gonna 918 00:52:24,160 --> 00:52:27,400 Speaker 1: have to be kind of a nerd. Yeah, well, you 919 00:52:27,520 --> 00:52:31,000 Speaker 1: can't just decide you're gonna do cool stuff and it'll 920 00:52:31,080 --> 00:52:34,520 Speaker 1: make you cool. You just have to be cool, you know. 921 00:52:35,520 --> 00:52:39,200 Speaker 1: It's Yeah, it's not a can't be that that constructed 922 00:52:39,200 --> 00:52:47,520 Speaker 1: and yeah, in order to sad, you have to start 923 00:52:47,560 --> 00:52:51,680 Speaker 1: gold exact to bring it back to has poseful and 924 00:52:52,040 --> 00:52:55,520 Speaker 1: h The second ridiculous takeaway I have is and we've 925 00:52:55,600 --> 00:52:57,759 Speaker 1: you know, there's this Bob Dylan lyric. We've discussed before 926 00:52:57,760 --> 00:53:01,239 Speaker 1: offline from Absolutely Swee Marie off of Blonde and Blonde, 927 00:53:01,280 --> 00:53:04,600 Speaker 1: which came out of nineteen sixty six, so Teddy could 928 00:53:04,640 --> 00:53:07,560 Speaker 1: have heard it. The line is to live outside the law, 929 00:53:07,800 --> 00:53:11,239 Speaker 1: you must be honest. Yep, exactly, And wherever his erin 930 00:53:11,320 --> 00:53:13,719 Speaker 1: is again, I know he's kicking himself because this was 931 00:53:13,840 --> 00:53:16,759 Speaker 1: like a part of his upbringing. Now, Bob Dylan was 932 00:53:16,800 --> 00:53:19,320 Speaker 1: a legendary trickster, and it's hard to know so often 933 00:53:19,600 --> 00:53:22,400 Speaker 1: whether his lyrics are profound or if they're totally empty 934 00:53:22,440 --> 00:53:25,080 Speaker 1: of meaning, just sounding smart and deep but actually or 935 00:53:25,160 --> 00:53:28,240 Speaker 1: that he played characters he played. He definitely played characters. 936 00:53:28,600 --> 00:53:30,200 Speaker 1: But this one kind of sticks with you. I think, 937 00:53:30,400 --> 00:53:33,520 Speaker 1: oh yeah, it definitely does. So Elizabeth, in this story, 938 00:53:34,080 --> 00:53:36,640 Speaker 1: do we have a one time criminal who went on 939 00:53:36,760 --> 00:53:38,960 Speaker 1: to live an honest life outside the law and got 940 00:53:39,000 --> 00:53:42,040 Speaker 1: it done? I would say yes, yeah, right, Like he 941 00:53:42,200 --> 00:53:44,800 Speaker 1: left his old identity behind. He never spoke to his 942 00:53:44,840 --> 00:53:48,800 Speaker 1: family again, he never told anyone anything meaningful about his past. 943 00:53:49,800 --> 00:53:53,520 Speaker 1: It's like he followed the ten Crack commandments and good 944 00:53:53,600 --> 00:53:56,560 Speaker 1: on you, Good on Teddy. And other than racking up 945 00:53:56,600 --> 00:53:58,719 Speaker 1: massive consumer debts, he seems to have lived very much 946 00:53:58,760 --> 00:54:01,160 Speaker 1: by the book. Yeah, and his past never caught up 947 00:54:01,200 --> 00:54:04,520 Speaker 1: with him. So maybe that's good advice from old Bob exactly. 948 00:54:04,880 --> 00:54:08,120 Speaker 1: I love it. Well, that's it from here. Finally, I 949 00:54:08,320 --> 00:54:13,160 Speaker 1: am Zaren Burnett. Well kind of, you're Zarin Burnetta. Jason, 950 00:54:14,960 --> 00:54:17,640 Speaker 1: I'm Elizabeth Dutton. I guess you're more Zaren Burnette than 951 00:54:17,640 --> 00:54:20,919 Speaker 1: I am, but we're all. Everyone's got a little Zaren 952 00:54:20,960 --> 00:54:23,839 Speaker 1: Burnette to them. You can find us all of us 953 00:54:23,880 --> 00:54:27,200 Speaker 1: on Instagram at Ridiculous Crime All one Word. We post 954 00:54:27,239 --> 00:54:30,040 Speaker 1: photos from the goings on in the episode on Instagram Stories, 955 00:54:30,440 --> 00:54:32,880 Speaker 1: and each episode gets a main grid post where you 956 00:54:32,920 --> 00:54:34,960 Speaker 1: can read about it, tell us what you thought, and 957 00:54:35,000 --> 00:54:38,040 Speaker 1: any lingering questions or theories. We also have a presence 958 00:54:38,040 --> 00:54:40,480 Speaker 1: on Twitter at Ridiculous Crime all one Word. You can 959 00:54:40,560 --> 00:54:43,200 Speaker 1: leave out the all one word part, which is how 960 00:54:43,200 --> 00:54:44,680 Speaker 1: a lot of people have found out about the show. 961 00:54:45,120 --> 00:54:48,480 Speaker 1: So not a verified account, though that's true, we're not. 962 00:54:48,640 --> 00:54:52,759 Speaker 1: We're too bucks a month. Uh So, for as long 963 00:54:52,800 --> 00:54:55,560 Speaker 1: as Twitter exists and as long as our posts aren't 964 00:54:55,640 --> 00:54:58,400 Speaker 1: the prioritized, you can find it that way. Yeah. You 965 00:54:58,480 --> 00:55:02,640 Speaker 1: can also email us at Ridiculous Crime at gmail dot com. 966 00:55:03,600 --> 00:55:12,439 Speaker 1: Thanks for joining us. That's it for today. Ridiculous Crime 967 00:55:12,560 --> 00:55:15,080 Speaker 1: is usually hosted by Zarin Burnett and Elizabeth Dutton, and 968 00:55:15,200 --> 00:55:18,080 Speaker 1: sometimes also by Dave Custon. It's produced and edited by 969 00:55:18,120 --> 00:55:21,520 Speaker 1: luxury used car dealer Dave Custon. Research is by insurance 970 00:55:21,560 --> 00:55:24,959 Speaker 1: company investigator Rissa Brown. The theme song is by local 971 00:55:25,040 --> 00:55:28,799 Speaker 1: club golf pro Thomas Lee and social security administrator Travis Dutton. 972 00:55:29,080 --> 00:55:33,200 Speaker 1: Executive producers are Ben Chesterfield Bowland and No Parliaments with 973 00:55:33,280 --> 00:55:43,680 Speaker 1: the Cardboard Filter brands say it one more Time, We 974 00:55:43,920 --> 00:55:48,319 Speaker 1: Dequeous Crew. Ridiculous Crime is a production of I heart Radio. 975 00:55:48,640 --> 00:55:51,560 Speaker 1: For more podcasts my heart Radio, visit the iHeart Radio app, 976 00:55:51,719 --> 00:55:54,520 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.