WEBVTT - INTERVIEW: Kevin Hart Talks Lil Kev, Advice To Druski & Kai Cenat, Mike Epps, Shaq + More

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<v Speaker 1>Wake that ass up in the morning.

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<v Speaker 2>Breakfast Club Morning.

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<v Speaker 3>Everybody is Steve, j Envy, Jesse, Hilarry and Charlamage the guy.

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<v Speaker 1>We are the breakfast Club. We got a special guest in.

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<v Speaker 2>The building who refuses to stop. Ladies and gentlemen, Kevin Hart,

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<v Speaker 2>Welcome back, brother. He just won't sit down.

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<v Speaker 1>How you yourself.

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<v Speaker 4>If nobody else will give it to you.

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<v Speaker 1>Life is great. No complaints man. Uh here to talk

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<v Speaker 1>about more ship, which means great ship is happening. Uh

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<v Speaker 1>still moving, still tracking, still working, still doing the same thing.

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<v Speaker 2>But bigger. When the last time you took a break?

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<v Speaker 1>Why? Why? Why take a break? We talking about this

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<v Speaker 1>all the time every Now you can rest when you die.

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<v Speaker 1>I enjoyed doing what I do, So why why am

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<v Speaker 1>I looking to rest. I have a good time working.

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<v Speaker 1>I don't. I don't like hate my job or my

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<v Speaker 1>job doesn't stress me out. I enjoyed the idea of work.

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<v Speaker 1>I enjoy the idea of doing something that I set

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<v Speaker 1>out to do. Like that's my happy space. Yeah, so

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<v Speaker 1>I'm not I'm not resting anytime soon.

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<v Speaker 3>Well, congratulations to your egles. Congratulations to your egos.

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<v Speaker 2>Yeah, congratulations, congratulations. I am a Giants fan.

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<v Speaker 1>That's crazy you think me. I mean, I don't work

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<v Speaker 1>in the office. I understand what your office did they

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<v Speaker 1>Cin Barkley, how about how about that? Just a second,

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<v Speaker 1>just a second to talk about that? How how about that? Man? Like,

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<v Speaker 1>not a lot of officers can like sit and be

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<v Speaker 1>like we fucked up. There's not a lot that can

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<v Speaker 1>actually go you know what, man, we really fucked up

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<v Speaker 1>on this one.

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<v Speaker 2>We did.

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<v Speaker 1>Like who's responsible? Like they got a point. That's one

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<v Speaker 1>of the few times where they got a point in

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<v Speaker 1>each other? Was you guaranteed you who didn't make the

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<v Speaker 1>fucking deal? It was you know, I thought it was

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<v Speaker 1>our best interest, the biggest gift in forootball.

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<v Speaker 2>Man.

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<v Speaker 1>So stupid season in New York.

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<v Speaker 2>I'm happy he wouldn't have that season in New York.

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<v Speaker 2>You don't know what he would have, that's true. You

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<v Speaker 2>don't know what they wouldn't want the super.

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<v Speaker 1>Bowl, I mean, that's true, but you don't know the season.

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<v Speaker 2>That's true.

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<v Speaker 1>Coming back healthy, ready to play football. You know, it's

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<v Speaker 1>not like he just got good. He's been fucking good

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<v Speaker 1>healthy hundred It was the face of the Giants, I

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<v Speaker 1>mean one hundred percent. Why do you get her to say,

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<v Speaker 1>I just don't understand it, but thank you. I thank

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<v Speaker 1>the giants for the gift, one of the best gifts

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<v Speaker 1>I've ever fucking like received as a fan.

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<v Speaker 5>In saw talk to us about this new two part

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<v Speaker 5>documentary you Got One to Call.

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<v Speaker 1>She congratulations to Jamie fox Man. This is a Jamie

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<v Speaker 1>fox Like idea that he came to me with at heartbeat.

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<v Speaker 1>And you know, it was a concept about being one

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<v Speaker 1>of the call sheet and the good and bad of it. Right.

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<v Speaker 1>He's like, you know a lot of people experience it,

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<v Speaker 1>but it doesn't do the same for everyone, you know,

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<v Speaker 1>and whether it's the ego, whether it's the money, whether

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<v Speaker 1>it's the idea of the money, whether it's the thought

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<v Speaker 1>of my career is now about to be, and it

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<v Speaker 1>doesn't become like there's so many different, uh concepts attached

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<v Speaker 1>to it. I thought it was a great idea, man,

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<v Speaker 1>you know, fox is a brilliant mind. And I said,

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<v Speaker 1>to make it real, like, we got to go out

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<v Speaker 1>and you know, of course happened to all our relationships.

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<v Speaker 1>So it started off is just the idea for men,

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<v Speaker 1>Like we were heavy on the men's side, and then

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<v Speaker 1>we were like, yo, it's dope as fuck if you

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<v Speaker 1>have it to where you know there's a male version,

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<v Speaker 1>and then we go when we tap into a female

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<v Speaker 1>version as well, and really just expand the conversation of

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<v Speaker 1>success or lack thereof. And it's, uh, it's dope to

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<v Speaker 1>hear all these people talk about it. So I think

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<v Speaker 1>people are gonna be blown away by hearing the good

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<v Speaker 1>and the bad. Like everybody doesn't fuck with the concept

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<v Speaker 1>of it.

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<v Speaker 2>You know, we'll be a number one on the cause.

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<v Speaker 4>Everybody doesn't fuck with it. When when did you become

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<v Speaker 4>number one on the cast sheet? And what does it

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<v Speaker 4>mean to be there?

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<v Speaker 1>I've been number one for a while. Like I love it.

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<v Speaker 1>I love it like I don't. I don't want to

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<v Speaker 1>make it very clear. I love it. Think like a

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<v Speaker 1>man the first time, No, I mean the first one.

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<v Speaker 1>First one was probably, of course paper soldiers way back

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<v Speaker 1>in the day. Oh, but you know it's been it's

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<v Speaker 1>been a lot.

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<v Speaker 2>They will be happy to hear that. He'll be happy

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<v Speaker 2>to hit at you.

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<v Speaker 1>Paper soldiers shut out today. I think I think for

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<v Speaker 1>for me, it's more about you know, it's about the

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<v Speaker 1>the idea of building the project. So so you know,

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<v Speaker 1>I'm more of the creative behind the scene now, so

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<v Speaker 1>to have the idea and the idea come into like

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<v Speaker 1>real life and you're like, oh shit, we're doing this

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<v Speaker 1>and it's happening. And then the number one on the

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<v Speaker 1>call sheet and you're like, following down, that's great. But now, honestly,

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<v Speaker 1>I don't really I don't really give a fuck, Like

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<v Speaker 1>I'm joking about the number one, But I'm more about

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<v Speaker 1>putting other people in place to do ship and the

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<v Speaker 1>producing or the development of projects is what thrives, like,

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<v Speaker 1>that's what drives me.

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<v Speaker 2>Now.

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<v Speaker 3>You never left the road.

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<v Speaker 1>Why is the road so important to you? Because you

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<v Speaker 1>control it, you own it. Uh, there's no small venues.

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<v Speaker 1>You do big venues. Like nothing better than stand up coming.

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<v Speaker 1>There's no job better than the job of live entertainment,

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<v Speaker 1>live audience, Your fans, your connection, your relationship. It doesn't

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<v Speaker 1>die right like you can you literally if you if

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<v Speaker 1>you treat it like a plant and you forever water it,

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<v Speaker 1>the plan is never gonna die right like, So if

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<v Speaker 1>it can grow and you have good seasons, bad seasons,

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<v Speaker 1>it's always gonna be there. And those fans are just

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<v Speaker 1>gonna ride with you forever. So I'm very I'm very

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<v Speaker 1>adamant on staying true to stand up comedy. Nothing takes

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<v Speaker 1>the place in stand up coming. I don't give fuck

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<v Speaker 1>what I'm doing the level that I'm doing at. I

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<v Speaker 1>will go and do comedy clubs. I will come to

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<v Speaker 1>New York for months on a time and just do

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<v Speaker 1>a run of pop ups.

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<v Speaker 4>Uh.

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<v Speaker 1>That's my muse, that's my stress reliever.

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<v Speaker 5>So do you have a specific process, Like do you

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<v Speaker 5>ever still go back and visit family in Philly to

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<v Speaker 5>like get some get some light core material.

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<v Speaker 1>Nah? I mean, you know, I just I think when

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<v Speaker 1>you're when you're doing a lot in general, you're you're

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<v Speaker 1>always in the space of creative thinking, right, Like, if

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<v Speaker 1>you're NonStop, I'm not in the house like I'm I'm traveling,

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<v Speaker 1>I'm around people like you're. If you're constantly around and

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<v Speaker 1>you're constantly seeing things like, that's where your ideas are

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<v Speaker 1>coming from. That's where the urge to talk about more

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<v Speaker 1>shit happens, whether young energy or old energy, that's where

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<v Speaker 1>my appetite to go, Oh fuck, that's funny, let me

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<v Speaker 1>let me go on stage. I'm gonna see who this

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<v Speaker 1>is or oh god, this is actually this is a

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<v Speaker 1>new fucking like this is a new bait or possible

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<v Speaker 1>like idea to get to the bait so I can

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<v Speaker 1>fucking get like some dope shit. Once I get excited

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<v Speaker 1>about it, then I'm I'm hitting around running. But it's not.

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<v Speaker 1>It's not family generated, it's travel generated. Where am I

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<v Speaker 1>going with? Am I experiencing? Who am I around?

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<v Speaker 3>Did you had Damon way and say that he would

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<v Speaker 3>never do a stand up anymore because.

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<v Speaker 2>He was like, people are too sensitive, people are stupid?

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<v Speaker 3>Well yeah, basically, you know he says anything, people get

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<v Speaker 3>offended too fast, and it's like it's just not worth

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<v Speaker 3>the distress.

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<v Speaker 1>Uh, I understand, I mean I'm not. I don't. I

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<v Speaker 1>don't see it the same way because I don't. I don't.

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<v Speaker 1>I don't have that level of give a fuck of

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<v Speaker 1>I don't want to do the thing that I love

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<v Speaker 1>to do because I'm caring so much about what everybody

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<v Speaker 1>else is thinking about what I'm doing.

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<v Speaker 5>Like, I don't I think he meant that on you

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<v Speaker 5>know how the wayne's used to be like they no limit,

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<v Speaker 5>like you talk about anything. But now that since the

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<v Speaker 5>new trend is being offended and a lot of people

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<v Speaker 5>are just you know, it is what it.

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<v Speaker 1>Is though communities. I mean, Dame is Dame. Dame is

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<v Speaker 1>a legend. Like if Dame wanted to go on stage

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<v Speaker 1>and fucking around, Dame can do what he wants when

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<v Speaker 1>he wants. Uh, you know the idea of people being

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<v Speaker 1>upset or or fucking triggered. If you're thinking about that, like,

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<v Speaker 1>then you're you're going down a crazy spiral. I'm not.

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<v Speaker 1>I'm not doing comedy and thinking about the thought of

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<v Speaker 1>what you think about what I'm saying like I'm I

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<v Speaker 1>have the things I want to talk about. I know

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<v Speaker 1>the direction I want to go in. I'm not here

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<v Speaker 1>to offend. I'm not here to aggravate or his people

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<v Speaker 1>off I'm here to do my craft.

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<v Speaker 2>Do you can get away with anything if it's actually funny.

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<v Speaker 1>If it's fun if it's funny and it's coming from

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<v Speaker 1>a genuine like I'm not being malicious like now, if

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<v Speaker 1>you're if your intent is to be malicious behind set

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<v Speaker 1>thing and there's no real humor attached to it, it's

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<v Speaker 1>just an angry, fucking suggestion, and that's different. But I'm

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<v Speaker 1>not in that space.

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<v Speaker 2>I'm not I'm not doing Last time you've been angry.

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<v Speaker 1>Last time've been angry. It's been a minute. Man, it's

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<v Speaker 1>been a minute. I don't get what what do you think?

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<v Speaker 1>Like what are you angry about? Like why? Why? Why

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<v Speaker 1>are you letting things drive you to the point of

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<v Speaker 1>a level of anger that prevents you from doing something else?

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<v Speaker 1>Like it takes so much energy to be angry?

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<v Speaker 4>Or do you have something that when you even get

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<v Speaker 4>to that point, Like is it the gym?

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<v Speaker 2>Is it your kids? Is it the stage?

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<v Speaker 1>Like I don't I know this is gonna sound crazy.

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<v Speaker 1>There's nothing that pressing to make me angry. You can

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<v Speaker 1>have a moment, you can frustrated for a moment, but

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<v Speaker 1>then I'm a solution oriented That's what I mean. Likes

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<v Speaker 1>this Okay. If something happened and it's upset, all right,

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<v Speaker 1>well why like why did it happen? Like anything? It's

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<v Speaker 1>all office or business related, so like well why all right?

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<v Speaker 1>Well now that is the case, Like what are we

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<v Speaker 1>doing to basically get outside this box? How can I

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<v Speaker 1>help get outside the box? Like me being upset at

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<v Speaker 1>you doing your mistake doesn't change the mistake. And by

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<v Speaker 1>the way, if this is a mistake you always make.

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<v Speaker 1>All right, well, we got to remove you. I'm sorry

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<v Speaker 1>but that's business. I'm not angry about the choice, but

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<v Speaker 1>it's a it's a professional solve.

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<v Speaker 3>Have you apologized yet to Delaware State University.

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<v Speaker 1>For what Sean Jackson said?

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<v Speaker 2>You was sorry?

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<v Speaker 1>Sewn Jackson said, oh sorry, Oh he's talk about when

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<v Speaker 1>I said, uh.

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<v Speaker 2>I forgot what he said. That's not a college.

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<v Speaker 1>It's not a real college. A bunch of niggas, a

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<v Speaker 1>bunch of it's a bunch of niggas on the camp.

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<v Speaker 1>I mean, first of all, it is all right, but

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<v Speaker 1>it's like smart people there too. We're talking about I

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<v Speaker 1>used to go to Delaware State all the time. I'm

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<v Speaker 1>performed there several times from Philadelphias right up the street.

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<v Speaker 1>Delaware State knows. I have no ill will towards them.

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<v Speaker 1>I love you guys, but it was a funny bit.

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<v Speaker 1>A lot of niggas out there.

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<v Speaker 5>You guys, you animated show out little Yes, talk about your.

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<v Speaker 6>Life growing up?

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<v Speaker 2>Yes?

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<v Speaker 6>What made you want to do that animation style?

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<v Speaker 2>You know?

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<v Speaker 1>Crazy? This has been a this is like, this is

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<v Speaker 1>a crazy development, man. This is I want to say,

0:10:30.520 --> 0:10:33.960
<v Speaker 1>like seven to eight years in the making before we

0:10:34.000 --> 0:10:37.720
<v Speaker 1>could actually do it properly. Shouts out to to Scott

0:10:37.760 --> 0:10:41.840
<v Speaker 1>Mills over there at bt Man for understanding like my

0:10:41.920 --> 0:10:44.400
<v Speaker 1>world of want and allowing me to do it the

0:10:44.480 --> 0:10:45.760
<v Speaker 1>way I wanted to do it. You know, it's an

0:10:45.760 --> 0:10:48.800
<v Speaker 1>a doubt animation, uh, And I wanted to like flip

0:10:48.800 --> 0:10:52.200
<v Speaker 1>the story of the conversation attached to the hood, right,

0:10:52.240 --> 0:10:54.640
<v Speaker 1>Like everybody talks about the hood from one point of view.

0:10:54.720 --> 0:10:56.760
<v Speaker 1>You know, the hood is the hood, and people like

0:10:56.760 --> 0:10:58.240
<v Speaker 1>the hood is fucked up, it's so bad.

0:10:58.760 --> 0:11:00.520
<v Speaker 2>But what you niggas neighborhood?

0:11:00.559 --> 0:11:02.600
<v Speaker 1>Yeah, Like, and I think that there's a there's a

0:11:02.640 --> 0:11:06.120
<v Speaker 1>positive side to it. You know, there's a there's a

0:11:06.240 --> 0:11:08.920
<v Speaker 1>role that everybody plays in the hood, especially when it

0:11:08.920 --> 0:11:12.000
<v Speaker 1>comes to kids, families, Like everybody's part of the village.

0:11:12.000 --> 0:11:16.600
<v Speaker 1>Everybody's raising everybody's child, everybody is aware, everybody's in the know.

0:11:16.960 --> 0:11:19.360
<v Speaker 1>Everybody's trying their best to service and need a good

0:11:19.600 --> 0:11:21.720
<v Speaker 1>and even bad shit is happening, you know, when people

0:11:21.760 --> 0:11:24.280
<v Speaker 1>find out, there is an energy attached to trying to

0:11:24.320 --> 0:11:26.679
<v Speaker 1>solve it and make it better. And this is a

0:11:26.720 --> 0:11:28.920
<v Speaker 1>way of just flipping the conversation on the hood upside down.

0:11:29.000 --> 0:11:32.280
<v Speaker 1>So it's about me, my upbringing being in the hood,

0:11:32.320 --> 0:11:34.640
<v Speaker 1>but having such a high level of love for the hood,

0:11:34.679 --> 0:11:36.840
<v Speaker 1>for my family and for all the people around it.

0:11:37.640 --> 0:11:39.560
<v Speaker 2>And just Larius is in it keeping her away from

0:11:39.559 --> 0:11:40.079
<v Speaker 2>breakfast club.

0:11:40.400 --> 0:11:42.800
<v Speaker 1>Come on, just don't listen to that.

0:11:43.120 --> 0:11:43.440
<v Speaker 2>I don't.

0:11:44.160 --> 0:11:47.240
<v Speaker 1>I don't listen when people say, like I want to

0:11:47.240 --> 0:11:48.800
<v Speaker 1>make something very clear, when people say like, yeah, thank

0:11:48.840 --> 0:11:50.920
<v Speaker 1>you for giving people a job people earn them, like,

0:11:50.920 --> 0:11:53.840
<v Speaker 1>I'm not giving thank you anything. I'm not out like,

0:11:53.960 --> 0:11:57.280
<v Speaker 1>hey here, just here's a fucking gift. Like that's just

0:11:57.400 --> 0:11:59.839
<v Speaker 1>that's her team, that's people working and saying, hey, this,

0:12:00.000 --> 0:12:04.040
<v Speaker 1>it's a good thing to possibly put just up for process.

0:12:04.240 --> 0:12:06.400
<v Speaker 1>I mean, you could say no, but when people are

0:12:06.720 --> 0:12:09.000
<v Speaker 1>talented and earning things on their own, it's happening the

0:12:09.040 --> 0:12:11.240
<v Speaker 1>way it's supposed to be. I'm not I'm not in

0:12:11.400 --> 0:12:14.720
<v Speaker 1>the space of know of everything and I'm hand picking

0:12:14.760 --> 0:12:17.480
<v Speaker 1>people and doing like that's what that would mean that

0:12:17.520 --> 0:12:20.440
<v Speaker 1>I'm fucking I mean the time and the day to

0:12:20.559 --> 0:12:22.199
<v Speaker 1>do that and do it and do it and do it.

0:12:22.440 --> 0:12:24.320
<v Speaker 1>Then that means that the people around me aren't doing

0:12:24.360 --> 0:12:26.800
<v Speaker 1>what the fuck they're supposed to do. So it's your

0:12:26.880 --> 0:12:30.040
<v Speaker 1>job to like properly package and you know, put people

0:12:30.040 --> 0:12:33.320
<v Speaker 1>in places to make these projects good and it's my

0:12:33.480 --> 0:12:35.600
<v Speaker 1>job to see it. At the end stage, we're going, Wow,

0:12:35.640 --> 0:12:38.400
<v Speaker 1>this is a great cast, these are great personnel, great roles.

0:12:38.440 --> 0:12:41.720
<v Speaker 1>I like this. I like this configuration. But justice earning

0:12:41.760 --> 0:12:43.400
<v Speaker 1>it definitely giving anything.

0:12:43.160 --> 0:12:44.719
<v Speaker 4>And you know, you do take the time to pour

0:12:44.760 --> 0:12:46.760
<v Speaker 4>into the next generation. You know, drewski was up here

0:12:46.760 --> 0:12:49.079
<v Speaker 4>and Drewskie said that you gave him and Kis and

0:12:49.200 --> 0:12:52.360
<v Speaker 4>not a bunch of movies to watch and told them

0:12:52.400 --> 0:12:54.319
<v Speaker 4>to get you stud whatever your stupid ass is doing

0:12:54.360 --> 0:12:56.400
<v Speaker 4>right now, watch these movies. Yeah, and prepare for the

0:12:56.440 --> 0:12:56.880
<v Speaker 4>next level.

0:12:56.880 --> 0:12:59.920
<v Speaker 1>That's uh, you know, I like, I like, I like

0:13:00.120 --> 0:13:04.160
<v Speaker 1>what the younger generation is doing. It's crazy I'm saying that,

0:13:04.240 --> 0:13:06.440
<v Speaker 1>like I'm I'm really am a part of like a

0:13:06.480 --> 0:13:18.880
<v Speaker 1>time of old forty five. Well doesn't look it, you know.

0:13:19.160 --> 0:13:23.240
<v Speaker 1>Uh that that that older generation of like how we

0:13:23.280 --> 0:13:26.520
<v Speaker 1>approach the business, how we approach the craft right like,

0:13:26.640 --> 0:13:29.400
<v Speaker 1>And I think it's dope as fuck to see this

0:13:29.440 --> 0:13:34.000
<v Speaker 1>new generation navigate differently, like like the comedians of today

0:13:34.760 --> 0:13:39.480
<v Speaker 1>did not go and you know work at it the

0:13:39.520 --> 0:13:42.000
<v Speaker 1>same way that we did. Like they're they're breaking new ground,

0:13:42.160 --> 0:13:45.319
<v Speaker 1>finding ways to be the personalities first and then get

0:13:45.360 --> 0:13:48.360
<v Speaker 1>to the stage after and the way they're engaging with

0:13:48.400 --> 0:13:50.319
<v Speaker 1>their audience and the way that the audience is responding

0:13:50.360 --> 0:13:52.840
<v Speaker 1>to them. I think it's dope as fuck, So, you know,

0:13:53.360 --> 0:13:56.959
<v Speaker 1>and being a fan of it, I feel like it's

0:13:57.000 --> 0:13:58.960
<v Speaker 1>my job now to figure out ways to like grab

0:13:59.040 --> 0:14:01.640
<v Speaker 1>this personnel when it where I can, and you know,

0:14:01.679 --> 0:14:04.199
<v Speaker 1>try to push him forward with Kai and Drewski. Kai

0:14:04.280 --> 0:14:07.480
<v Speaker 1>is such a monster man, Like I think people realize

0:14:07.520 --> 0:14:09.960
<v Speaker 1>how big Kai's audience is.

0:14:10.160 --> 0:14:10.880
<v Speaker 2>Yes, we do.

0:14:11.200 --> 0:14:15.079
<v Speaker 1>Kai's fan base is insane. Like you're talking about somebody

0:14:15.080 --> 0:14:18.800
<v Speaker 1>that's talking in front of a computer for hours on end,

0:14:18.960 --> 0:14:22.760
<v Speaker 1>and you know, he holds anywhere between three and fo

0:14:22.800 --> 0:14:26.640
<v Speaker 1>hundred thousand people the eight to twelve hour periods that

0:14:26.720 --> 0:14:29.720
<v Speaker 1>don't move. Like when we did those streams, you know,

0:14:29.760 --> 0:14:33.040
<v Speaker 1>you're putting up Super Bowl like numbers. We had at

0:14:33.040 --> 0:14:35.720
<v Speaker 1>one point, like nine hundred thousand people in a fucking

0:14:36.040 --> 0:14:39.960
<v Speaker 1>stream watching for hours on end. So I told him,

0:14:39.960 --> 0:14:41.520
<v Speaker 1>I said, look, man, I want to show you guys

0:14:41.560 --> 0:14:45.920
<v Speaker 1>ways to like give your audience more and ways to

0:14:46.040 --> 0:14:48.000
<v Speaker 1>do more. So I came up, like with some dope

0:14:48.040 --> 0:14:52.880
<v Speaker 1>ass ideas concepts for us to rock in together, but

0:14:53.000 --> 0:14:55.960
<v Speaker 1>stay true to the space of what they're doing. So Drewski,

0:14:56.040 --> 0:14:57.240
<v Speaker 1>I know he came and he was like, telling you

0:14:57.280 --> 0:14:58.560
<v Speaker 1>guys about the movie. I don't want to tell you'all

0:14:58.560 --> 0:15:00.560
<v Speaker 1>what it is, but it's a big, big idea that

0:15:00.640 --> 0:15:02.200
<v Speaker 1>we're working now. But I was like, to do it.

0:15:02.600 --> 0:15:05.720
<v Speaker 1>You guys got to educate yourself on things in this space.

0:15:05.920 --> 0:15:09.920
<v Speaker 1>So it wasn't homework. I was like, understand production, Understand

0:15:09.920 --> 0:15:12.400
<v Speaker 1>how movies are made, Understand the look and feel, so

0:15:12.440 --> 0:15:15.440
<v Speaker 1>that when we're talking and ide eating, you know what

0:15:15.520 --> 0:15:17.320
<v Speaker 1>I'm talking about. Like I don't want to talk to

0:15:17.320 --> 0:15:19.240
<v Speaker 1>you and you got to go backwards and track what

0:15:19.240 --> 0:15:24.160
<v Speaker 1>we're talking about. So the homework quote unquote, the homework

0:15:24.240 --> 0:15:29.200
<v Speaker 1>was more about get this concept and then like let's

0:15:29.200 --> 0:15:31.520
<v Speaker 1>get to the table and let's make the shit funny.

0:15:31.560 --> 0:15:34.000
<v Speaker 1>But I got them really like creating the shit and

0:15:34.040 --> 0:15:37.400
<v Speaker 1>developing it and not because you know, it's a chore

0:15:37.480 --> 0:15:39.280
<v Speaker 1>a task. It's like, I want you to be a

0:15:39.280 --> 0:15:41.520
<v Speaker 1>part of the process so you can understand the process.

0:15:41.720 --> 0:15:44.440
<v Speaker 1>And after you do this with me, go do it yourself.

0:15:44.520 --> 0:15:46.640
<v Speaker 1>Go do it and figure out ways to you know,

0:15:46.720 --> 0:15:48.400
<v Speaker 1>do it with the other people that you're around. But

0:15:48.800 --> 0:15:50.880
<v Speaker 1>I think they're fucking talented I think Jewickey is a start.

0:15:51.000 --> 0:15:55.000
<v Speaker 1>I think Juwickey's a funny fucking guy man. Naturally. I

0:15:55.000 --> 0:15:59.840
<v Speaker 1>think they're fucking like natural talents, and in this it's

0:15:59.880 --> 0:16:02.920
<v Speaker 1>like putting them in a position to be what they

0:16:02.960 --> 0:16:07.160
<v Speaker 1>are and be the first to come over the bridge

0:16:07.760 --> 0:16:10.480
<v Speaker 1>from that space of streaming whatever. Like what mister Beasts

0:16:10.520 --> 0:16:13.080
<v Speaker 1>is doing is dope. This game show, big game show.

0:16:13.080 --> 0:16:16.360
<v Speaker 1>He's taking everything and the idea of game prize. He

0:16:16.360 --> 0:16:19.600
<v Speaker 1>he redefined it right, like, if you really watch it,

0:16:19.640 --> 0:16:23.960
<v Speaker 1>what he's done. He redefined the concept of game game show.

0:16:24.160 --> 0:16:25.880
<v Speaker 1>We've seen it for years on Who Wants to Be

0:16:25.880 --> 0:16:28.200
<v Speaker 1>a Millionaire and all these other shows, but it was

0:16:28.240 --> 0:16:31.800
<v Speaker 1>a traditional there was a traditional win and here's your gift.

0:16:32.280 --> 0:16:34.920
<v Speaker 1>He broke that model. I'm gonna give him some cats,

0:16:35.040 --> 0:16:37.280
<v Speaker 1>some regular people, man, And he did a time at

0:16:37.280 --> 0:16:38.760
<v Speaker 1>the time and time again, and then he built the

0:16:38.760 --> 0:16:42.240
<v Speaker 1>big ass series and hey, man, fucking streaming platforms was like, hey,

0:16:42.280 --> 0:16:44.040
<v Speaker 1>we gotta fuck with this guy. We're gonna give him X, Y,

0:16:44.080 --> 0:16:45.480
<v Speaker 1>and Z to do it. We want you to do

0:16:45.520 --> 0:16:47.440
<v Speaker 1>it with us. But he controls it, he owns it.

0:16:47.760 --> 0:16:49.800
<v Speaker 1>So I'm showing them how to control, how to own

0:16:50.320 --> 0:16:53.440
<v Speaker 1>and do bigger things so it doesn't cap out at

0:16:53.440 --> 0:16:55.400
<v Speaker 1>the stream. Dreucy said, you actually set him up in

0:16:55.720 --> 0:16:58.280
<v Speaker 1>that stream with that, with that, with that little kid,

0:16:58.320 --> 0:17:01.560
<v Speaker 1>he said, he said, it was you. Actually, this is

0:17:01.600 --> 0:17:03.040
<v Speaker 1>what that's that's what you did.

0:17:03.200 --> 0:17:08.200
<v Speaker 2>You did start off, you started follow your leader.

0:17:08.359 --> 0:17:10.480
<v Speaker 1>First of all, what you need to understand is where

0:17:10.480 --> 0:17:12.520
<v Speaker 1>the cameras are at all times. What I said, the

0:17:12.600 --> 0:17:16.439
<v Speaker 1>juice keeper was in his ear. I said something in

0:17:16.480 --> 0:17:18.879
<v Speaker 1>his ear. Okay, nobody really knows what I said. He

0:17:18.960 --> 0:17:21.320
<v Speaker 1>knows what I said. And then he took the liberty

0:17:21.359 --> 0:17:24.400
<v Speaker 1>of going and you know, saying very harsh things. By

0:17:24.400 --> 0:17:26.960
<v Speaker 1>the way, you know things. It shouldn't be walk right

0:17:27.000 --> 0:17:28.280
<v Speaker 1>out like you. I mean, I don't want to be

0:17:28.359 --> 0:17:31.280
<v Speaker 1>around that. I've seen a lot of people get in fights.

0:17:31.560 --> 0:17:33.040
<v Speaker 1>I've seen what it's about to happen. I go, I

0:17:33.040 --> 0:17:36.440
<v Speaker 1>shouldn't be here, right I shouldn't be here. They're about

0:17:36.440 --> 0:17:39.120
<v Speaker 1>to start shooting. By the way, he's got the gun.

0:17:39.520 --> 0:17:42.639
<v Speaker 1>I see it. I'm gonna leave right now. So I

0:17:42.720 --> 0:17:44.800
<v Speaker 1>just exited the room because I think I think at

0:17:44.800 --> 0:17:46.280
<v Speaker 1>the time, I had to go to the vathroom actually,

0:17:46.760 --> 0:17:48.239
<v Speaker 1>and then a lot of stuff from what I was

0:17:48.240 --> 0:17:51.160
<v Speaker 1>told happened from what I was told. The kids started

0:17:51.160 --> 0:17:54.000
<v Speaker 1>crying and stuff like that, and I came back. I

0:17:54.040 --> 0:17:56.640
<v Speaker 1>came back and I was like, what's going on? At

0:17:56.640 --> 0:17:58.840
<v Speaker 1>that time, I'm the adult in the room trying to

0:17:58.880 --> 0:18:02.680
<v Speaker 1>calm ship down, right, man, what's happening? And I think

0:18:02.720 --> 0:18:04.360
<v Speaker 1>all the cameras caught me saying that, which is good

0:18:04.400 --> 0:18:06.760
<v Speaker 1>for me legally, so I was never attached.

0:18:07.000 --> 0:18:09.000
<v Speaker 4>Jukie said he felt like he could make those jokes

0:18:09.000 --> 0:18:11.360
<v Speaker 4>because he's fat and y'all were teasing him all day

0:18:11.359 --> 0:18:12.760
<v Speaker 4>about being fat or juicy.

0:18:12.920 --> 0:18:17.760
<v Speaker 1>First of all, calling people fat is that's aggressive.

0:18:18.840 --> 0:18:20.320
<v Speaker 2>When you saw the big thinking of you, I just

0:18:20.320 --> 0:18:20.680
<v Speaker 2>want to.

0:18:24.320 --> 0:18:32.680
<v Speaker 1>I just want to know what I'm saying. Juicy big

0:18:33.560 --> 0:18:36.080
<v Speaker 1>a little bigger, right becase he had problems breathing when

0:18:36.080 --> 0:18:40.000
<v Speaker 1>he walks up steps. Yeah, of course, But but you

0:18:40.040 --> 0:18:42.440
<v Speaker 1>know that little kid, I think was on his way

0:18:42.480 --> 0:18:44.879
<v Speaker 1>to a healthy lifestyle. You got to support that, right,

0:18:44.920 --> 0:18:46.280
<v Speaker 1>the little kid because he was talking. I think the

0:18:46.280 --> 0:18:48.840
<v Speaker 1>little kid was talking about exercising and stuff, which is good.

0:18:48.960 --> 0:18:51.040
<v Speaker 1>And I'm always glad to just be on the positive

0:18:51.080 --> 0:18:53.679
<v Speaker 1>side of conversation. That's what I'm about. You know, I'm

0:18:53.720 --> 0:18:55.360
<v Speaker 1>a beacon of light Joy.

0:18:55.600 --> 0:18:58.560
<v Speaker 5>Kevin that at the level of success that you are

0:18:58.840 --> 0:19:03.040
<v Speaker 5>being an actor, do you still have to audition for roles.

0:19:02.760 --> 0:19:03.840
<v Speaker 1>Or absolutely not?

0:19:04.440 --> 0:19:08.080
<v Speaker 6>Okay, what are you talking, La Lawrence that he had

0:19:08.080 --> 0:19:11.280
<v Speaker 6>said that he does min I.

0:19:11.280 --> 0:19:13.399
<v Speaker 2>Think Martin said he had to he pitches, he still got.

0:19:13.240 --> 0:19:17.080
<v Speaker 1>To pitch projects that, Yeah, that makes sense if he's

0:19:17.080 --> 0:19:21.280
<v Speaker 1>pitching things. I mean, am I Am I really pitching things?

0:19:21.359 --> 0:19:25.840
<v Speaker 1>I think I'm pitching ideas to my team. I'm more

0:19:25.880 --> 0:19:28.600
<v Speaker 1>in the business of creating the things that I think

0:19:28.640 --> 0:19:33.320
<v Speaker 1>best service my want in my my direction and the business.

0:19:33.359 --> 0:19:36.400
<v Speaker 1>Like when you think about the dramas, you think about

0:19:36.440 --> 0:19:37.960
<v Speaker 1>all the things that I've done as serious like that's

0:19:38.000 --> 0:19:40.320
<v Speaker 1>been me so true story. I was like, I want

0:19:40.359 --> 0:19:42.359
<v Speaker 1>to I want to kill somebody on camera. I think

0:19:42.400 --> 0:19:45.080
<v Speaker 1>it'll be dope, and I want to found a guy

0:19:45.119 --> 0:19:47.639
<v Speaker 1>that created Narcos and I was like, Yo, it'll be

0:19:47.680 --> 0:19:49.960
<v Speaker 1>dope as fuck if we can collab and talk. But

0:19:50.040 --> 0:19:51.760
<v Speaker 1>we developed it and then I was like, Okay, this

0:19:51.880 --> 0:19:54.000
<v Speaker 1>is great, let's go and take this out Like that's

0:19:54.280 --> 0:19:57.440
<v Speaker 1>developing it and then going to sell it. Fight night.

0:19:57.600 --> 0:20:01.240
<v Speaker 1>You know that was me Will Packer, Will telling me

0:20:01.280 --> 0:20:03.080
<v Speaker 1>you had the right and not saying, hey, to do it.

0:20:03.359 --> 0:20:04.800
<v Speaker 1>This can be dope as fun, but let's do it

0:20:04.840 --> 0:20:07.239
<v Speaker 1>this way and put the right people in it. So

0:20:07.280 --> 0:20:10.920
<v Speaker 1>like the the creative side of from start to finish

0:20:11.560 --> 0:20:14.800
<v Speaker 1>is where I'm playing at now. But like auditioning, I'm

0:20:14.800 --> 0:20:17.159
<v Speaker 1>not really auditioning. I think people if they have a project,

0:20:17.200 --> 0:20:18.639
<v Speaker 1>they're like, oh, Kevin would be good for this, And

0:20:18.640 --> 0:20:20.560
<v Speaker 1>I'm getting those calls, hey, we want you to do

0:20:21.200 --> 0:20:22.920
<v Speaker 1>and then I got a decision of if I want

0:20:22.960 --> 0:20:23.439
<v Speaker 1>to do it or not.

0:20:23.560 --> 0:20:25.520
<v Speaker 6>Like fans is the upside. That's still one of my

0:20:25.520 --> 0:20:26.200
<v Speaker 6>favorite movies.

0:20:26.359 --> 0:20:29.480
<v Speaker 5>You and Brian Kranston, they they already saw you for

0:20:29.560 --> 0:20:29.880
<v Speaker 5>that role.

0:20:30.400 --> 0:20:33.160
<v Speaker 1>He said, we want to do the remake. Uh, and

0:20:33.400 --> 0:20:36.440
<v Speaker 1>we see you and Brian Cranston doing this. Are you interested?

0:20:36.440 --> 0:20:40.240
<v Speaker 1>And absolutely, and Nicole Kipman I was like absolutely, hands down,

0:20:40.560 --> 0:20:43.200
<v Speaker 1>But it's it's it's coming out and having an ask

0:20:43.680 --> 0:20:47.040
<v Speaker 1>not to saying that I wouldn't audition you would. He

0:20:47.040 --> 0:20:51.199
<v Speaker 1>would try to clean it up, trying to clean it up,

0:20:51.359 --> 0:20:54.640
<v Speaker 1>anybody trying to cameras there. I just wanted to look

0:20:54.640 --> 0:20:56.119
<v Speaker 1>in and make it just look like I'm willing to

0:20:56.200 --> 0:20:59.439
<v Speaker 1>do right. I'm not. I just want to guys, if

0:20:59.480 --> 0:21:00.520
<v Speaker 1>you understand what's.

0:21:00.400 --> 0:21:03.120
<v Speaker 3>What's the last time you got booed? And the reason

0:21:03.160 --> 0:21:09.240
<v Speaker 3>I asked because you said you do small shows.

0:21:10.119 --> 0:21:12.920
<v Speaker 1>I'm not getting booted and nobody. I'm not getting booed

0:21:12.920 --> 0:21:15.879
<v Speaker 1>at this point. Like if even if jokes aren't funny,

0:21:16.680 --> 0:21:21.440
<v Speaker 1>you know, you're you're getting the you're getting the credibility laughs.

0:21:21.560 --> 0:21:28.760
<v Speaker 1>At at least you're trying to minimum, you're trying things out.

0:21:28.800 --> 0:21:29.320
<v Speaker 1>You don't care.

0:21:29.400 --> 0:21:31.160
<v Speaker 6>You don't want a damn boo either, don't care.

0:21:31.800 --> 0:21:35.119
<v Speaker 1>Honestly, I have no there is no care for like

0:21:35.640 --> 0:21:37.920
<v Speaker 1>the level of laughter when I'm trying to figure ship

0:21:38.000 --> 0:21:39.800
<v Speaker 1>out now, but I think I've got it all done

0:21:40.160 --> 0:21:42.800
<v Speaker 1>and I'm like, oh, this set is complete. I'm going

0:21:42.840 --> 0:21:45.040
<v Speaker 1>out and I'm struggling. Okay, And that's that's a little

0:21:45.040 --> 0:21:48.639
<v Speaker 1>self esteem bruising if that's the case. But that's not.

0:21:49.119 --> 0:21:51.920
<v Speaker 1>That hasn't been the case ever. Like when you when

0:21:51.920 --> 0:21:53.399
<v Speaker 1>you work the ship and you done worked on the

0:21:53.440 --> 0:21:55.760
<v Speaker 1>craft and I'm like, Okay, I got it, I got

0:21:55.760 --> 0:21:58.840
<v Speaker 1>it down. This is my set. No, you're not. You're

0:21:58.840 --> 0:22:00.560
<v Speaker 1>not running into them problems. Now do you get an

0:22:00.600 --> 0:22:04.119
<v Speaker 1>occasional person that you got to deal with in the crowd. Yeah,

0:22:04.160 --> 0:22:08.080
<v Speaker 1>but that stuff isn't booing. That's like you know, atmosphere

0:22:08.200 --> 0:22:11.119
<v Speaker 1>that's heckling or somebody yelling out and looking for a moment.

0:22:11.320 --> 0:22:12.560
<v Speaker 1>Every once a while, you got to show that you

0:22:12.640 --> 0:22:15.240
<v Speaker 1>still got that and you know, you put people in

0:22:15.240 --> 0:22:17.320
<v Speaker 1>a place comedically and then you move on with the set.

0:22:17.359 --> 0:22:20.040
<v Speaker 2>But booing, Now, what about like social media?

0:22:20.080 --> 0:22:22.760
<v Speaker 4>Backlund because everybody, for whatever reason was highly upset when

0:22:22.760 --> 0:22:26.080
<v Speaker 4>you hosted a NBA All Star Weekend. There was a

0:22:26.080 --> 0:22:27.560
<v Speaker 4>a section of the internet that was acting like they

0:22:27.600 --> 0:22:28.600
<v Speaker 4>were you know, you know.

0:22:28.640 --> 0:22:32.480
<v Speaker 1>What what do you what do you? What energy do

0:22:32.560 --> 0:22:36.399
<v Speaker 1>you give that I'm a partner to the NBA, Like,

0:22:36.720 --> 0:22:39.000
<v Speaker 1>understand what that means. I'm not I'm not coming on

0:22:39.280 --> 0:22:42.399
<v Speaker 1>to be Kevin Hart and have funny moments to the NBA.

0:22:42.520 --> 0:22:46.919
<v Speaker 1>The NBA has been a servicing aid to my career

0:22:46.960 --> 0:22:50.000
<v Speaker 1>for over fifteen years. Like you go back and you'll

0:22:50.040 --> 0:22:52.399
<v Speaker 1>look at how much I've been on NBA T and

0:22:52.480 --> 0:22:56.640
<v Speaker 1>T and All Star Weekend, celebrity weekends, all these events

0:22:56.720 --> 0:23:01.920
<v Speaker 1>like this you're not looking at. It's it's almost host adjacent, right,

0:23:02.040 --> 0:23:05.040
<v Speaker 1>Like the personalities that we lean on because we're familiar

0:23:05.040 --> 0:23:08.560
<v Speaker 1>with family and we know how they work. That's what

0:23:08.640 --> 0:23:10.760
<v Speaker 1>that is. So the All Star I'm not going to

0:23:10.760 --> 0:23:12.680
<v Speaker 1>the All Star Game to trying to create a big

0:23:12.720 --> 0:23:15.639
<v Speaker 1>moment for me. I'm there because the energy of the

0:23:15.680 --> 0:23:19.399
<v Speaker 1>All Star Game comes with Chuck, Ernie Kenney, myself, Shack

0:23:19.600 --> 0:23:22.080
<v Speaker 1>like we've been doing this for years, Like just talking

0:23:22.119 --> 0:23:25.040
<v Speaker 1>and playing with one another, bantering on camera. That's not

0:23:25.080 --> 0:23:27.960
<v Speaker 1>an easy thing to do. They make it look fucking easy.

0:23:28.680 --> 0:23:30.560
<v Speaker 1>They make it look great. That's not an easy.

0:23:30.359 --> 0:23:33.320
<v Speaker 6>Thing between you and shit, yeah, that's very easy.

0:23:33.440 --> 0:23:35.960
<v Speaker 1>That's not fucking an easy thing to do. Like that chemistry,

0:23:36.000 --> 0:23:38.880
<v Speaker 1>that rapport. It comes from like having a real understanding

0:23:38.880 --> 0:23:41.720
<v Speaker 1>for how TV works. So you can't just throw new

0:23:41.800 --> 0:23:45.080
<v Speaker 1>things in there because it gets weird. People don't understand

0:23:45.119 --> 0:23:47.159
<v Speaker 1>the times, peoplen't understand the cuts, how much time you

0:23:47.160 --> 0:23:48.840
<v Speaker 1>gotta go cut back to the game. They're trying to

0:23:48.840 --> 0:23:51.159
<v Speaker 1>do so much new shit, they're trying to discover it.

0:23:51.200 --> 0:23:53.360
<v Speaker 1>So why they're trying to figure it out. Here's personality

0:23:53.359 --> 0:23:54.800
<v Speaker 1>that we can lean on, so at least we don't

0:23:54.800 --> 0:23:58.000
<v Speaker 1>have dead space or dull moments on camera. That's that's

0:23:58.000 --> 0:24:00.159
<v Speaker 1>what that is. So when you understand the tech, the

0:24:00.200 --> 0:24:02.880
<v Speaker 1>coalnity behind it. Then you you understand my involvement. I don't.

0:24:03.000 --> 0:24:04.959
<v Speaker 1>I don't feed into the other ship like I know

0:24:04.960 --> 0:24:06.359
<v Speaker 1>why I'm there, partnership.

0:24:06.600 --> 0:24:09.159
<v Speaker 4>Do you ever tell Shack to like really back up

0:24:09.200 --> 0:24:11.080
<v Speaker 4>off you could he be kind of sexually assaulting you

0:24:11.119 --> 0:24:11.600
<v Speaker 4>in a little bit.

0:24:12.640 --> 0:24:16.959
<v Speaker 1>Come on. Only one time with Shack has done some

0:24:16.960 --> 0:24:21.240
<v Speaker 1>crazy ship where I was uncomfortable was Real Husbands when

0:24:21.800 --> 0:24:24.720
<v Speaker 1>that whole thing that's on the internet that they that

0:24:24.840 --> 0:24:28.560
<v Speaker 1>wasn't I wasn't scripted. It was a moment, but honestly,

0:24:29.119 --> 0:24:33.320
<v Speaker 1>be real, I couldn't do nothing about it. Yeah, they

0:24:33.400 --> 0:24:39.119
<v Speaker 1>gotta cut. This is you know before just before I

0:24:39.119 --> 0:24:40.800
<v Speaker 1>put a little size on not to say I could

0:24:40.800 --> 0:24:42.600
<v Speaker 1>do something to shock, but I didn't. You know, it

0:24:42.680 --> 0:24:45.040
<v Speaker 1>was a very frail version of me. And you know

0:24:45.160 --> 0:24:47.800
<v Speaker 1>it was this is when Shaq was like when they

0:24:47.800 --> 0:24:50.360
<v Speaker 1>were like just talking about Shaq being a cop and

0:24:50.400 --> 0:24:52.480
<v Speaker 1>he really was a cop. To be funny as fuck,

0:24:52.720 --> 0:24:55.160
<v Speaker 1>Shack pulled me over on Real Husbands of Hollywood and

0:24:55.240 --> 0:24:57.600
<v Speaker 1>you know, like Shack is like basically about the arrestment

0:24:58.800 --> 0:25:08.359
<v Speaker 1>and he fucking you know, everybody can't improv the you

0:25:08.400 --> 0:25:10.040
<v Speaker 1>don't even have to say this we're not even to

0:25:10.040 --> 0:25:10.800
<v Speaker 1>discussing people.

0:25:10.600 --> 0:25:12.840
<v Speaker 2>Who haven't seen it. A great show. You should. It's

0:25:12.840 --> 0:25:14.040
<v Speaker 2>a great show, but it's not online.

0:25:14.280 --> 0:25:16.160
<v Speaker 1>But we're not gonna do is make it scene like something.

0:25:17.040 --> 0:25:20.360
<v Speaker 1>So but what he did was he grabbed me when

0:25:20.359 --> 0:25:22.080
<v Speaker 1>I got out the car and he just tried to

0:25:22.080 --> 0:25:24.200
<v Speaker 1>get a little physical right. It was like you down.

0:25:24.640 --> 0:25:28.920
<v Speaker 1>But it's like like everybody doesn't improve the same comedy.

0:25:28.920 --> 0:25:31.400
<v Speaker 1>Comedy is an art. Like you ever see comedians when

0:25:31.400 --> 0:25:33.199
<v Speaker 1>they try to like improvate, some of them go too

0:25:33.280 --> 0:25:35.520
<v Speaker 1>far or they don't know when to stop, like, hey man,

0:25:35.520 --> 0:25:38.159
<v Speaker 1>we got it in the scene, like you can't go

0:25:38.160 --> 0:25:40.080
<v Speaker 1>over there like oh yeah, well your mama And you're like, well,

0:25:40.920 --> 0:25:42.359
<v Speaker 1>you can't break up moms because we don't know who

0:25:42.359 --> 0:25:43.560
<v Speaker 1>our moms are in the scene.

0:25:43.560 --> 0:25:46.760
<v Speaker 4>It's like I just googled it and it says hashtag

0:25:46.840 --> 0:25:47.600
<v Speaker 4>calls of the week.

0:25:47.720 --> 0:25:50.880
<v Speaker 2>Hey yo, nah shock you straighted by lady Kevin Hart.

0:25:51.000 --> 0:25:53.480
<v Speaker 2>You literally took that man in the pound town.

0:25:53.640 --> 0:25:56.800
<v Speaker 1>This is this is what you're doing. That's actually that's

0:25:56.840 --> 0:26:00.919
<v Speaker 1>actually nuts. That's nuts. That's what he He grabbed me.

0:26:01.240 --> 0:26:04.000
<v Speaker 1>He grabbed me, throws me over the over the carr

0:26:04.240 --> 0:26:07.159
<v Speaker 1>and he and he he starts humping me. So I'm like,

0:26:07.240 --> 0:26:14.080
<v Speaker 1>I remember around face and you're gonna tell you how

0:26:14.240 --> 0:26:15.760
<v Speaker 1>let me tell you what I can tell charlat Mayne,

0:26:15.800 --> 0:26:19.040
<v Speaker 1>and Charlamayne is perfect like that is a nasty man

0:26:19.840 --> 0:26:22.160
<v Speaker 1>like that in this brief time, I just found out

0:26:22.160 --> 0:26:24.480
<v Speaker 1>a lot about him. By the way he starts describing stuff.

0:26:24.560 --> 0:26:27.159
<v Speaker 1>You're very graphic, nasty man. I just told you, just

0:26:27.160 --> 0:26:30.439
<v Speaker 1>describing with you. He grabbed me and he fucking like

0:26:30.520 --> 0:26:32.639
<v Speaker 1>throws me over the car. He's like, you don't know what.

0:26:32.920 --> 0:26:35.879
<v Speaker 1>He starts humping me. I remember Ralph that rest of

0:26:35.880 --> 0:26:39.200
<v Speaker 1>the episode, right. I remember Ralph was directed episode. I

0:26:39.240 --> 0:26:41.640
<v Speaker 1>remember I looked at Ralph. I'm like, hey, did y'all

0:26:41.640 --> 0:26:47.120
<v Speaker 1>did joab is it pages? Something happened? And they was like, uh,

0:26:47.240 --> 0:26:49.840
<v Speaker 1>they were like all right, Uh nobody wanted to say

0:26:49.880 --> 0:26:52.360
<v Speaker 1>ship to Shack. They're like, all right, we got it.

0:26:52.359 --> 0:26:58.359
<v Speaker 1>So let's just move on. We just we just moved

0:26:58.359 --> 0:27:04.360
<v Speaker 1>on talking about that, trying.

0:27:04.119 --> 0:27:05.480
<v Speaker 2>To get you again off weekend.

0:27:05.680 --> 0:27:06.199
<v Speaker 1>Just shut up?

0:27:07.240 --> 0:27:08.720
<v Speaker 2>Did you get triggered a little bit? I saw you.

0:27:08.760 --> 0:27:09.479
<v Speaker 2>He was creeping up.

0:27:10.560 --> 0:27:13.359
<v Speaker 1>That's a very I'm older and I'm in a much

0:27:13.400 --> 0:27:16.439
<v Speaker 1>more controlling state in my in my life where you

0:27:16.480 --> 0:27:18.679
<v Speaker 1>know I would say something to you know, don't do that.

0:27:20.720 --> 0:27:23.879
<v Speaker 1>You know he got to stop it right, like a

0:27:24.000 --> 0:27:27.520
<v Speaker 1>firm stop that right. But in that moment, that was

0:27:27.560 --> 0:27:29.920
<v Speaker 1>shock trying to be funny. That's my that's my nigga.

0:27:30.960 --> 0:27:32.000
<v Speaker 1>I have so much love.

0:27:32.160 --> 0:27:34.280
<v Speaker 4>Do people know the role or just generation? Do they

0:27:34.280 --> 0:27:36.440
<v Speaker 4>know the pivotal roll shock play in your career.

0:27:36.600 --> 0:27:38.960
<v Speaker 1>The pivotal road And I don't think people do know

0:27:39.080 --> 0:27:42.000
<v Speaker 1>the pivot? What is the pivotal role? Sounds crazy?

0:27:42.280 --> 0:27:43.080
<v Speaker 2>I'm being serious.

0:27:43.200 --> 0:27:44.720
<v Speaker 4>We don't know when he when he had the shock

0:27:44.800 --> 0:27:46.720
<v Speaker 4>comedy All Start Weekend, Yes.

0:27:46.600 --> 0:27:51.880
<v Speaker 1>Yes, and he's referring to like the special that actually launched.

0:27:52.440 --> 0:27:55.040
<v Speaker 1>I would say, like the the bigger side of success

0:27:55.040 --> 0:27:57.600
<v Speaker 1>to my comedy career, no bullshit is Shacks All Star

0:27:57.640 --> 0:28:00.560
<v Speaker 1>Comedy Jail. That was a phenix you know what crazy thing.

0:28:00.760 --> 0:28:03.480
<v Speaker 1>I did it as a favor. It was a favor

0:28:04.119 --> 0:28:06.040
<v Speaker 1>Like I was like, oh man, I can't really do shit.

0:28:06.040 --> 0:28:08.120
<v Speaker 1>I'm about to drop my special, so I don't really

0:28:08.160 --> 0:28:10.720
<v Speaker 1>want to like go and do this. It was like, no, Kevin,

0:28:10.720 --> 0:28:13.000
<v Speaker 1>come on, like we need a headline that we want

0:28:13.000 --> 0:28:14.719
<v Speaker 1>you to come to be quick. And it was like

0:28:14.880 --> 0:28:17.720
<v Speaker 1>just a gig an All Star weekend, you know, like

0:28:17.720 --> 0:28:18.760
<v Speaker 1>we're on to tape it, and I was like, all right,

0:28:18.760 --> 0:28:21.800
<v Speaker 1>I'm gonna put like a different fifteen minutes on this man.

0:28:21.800 --> 0:28:23.600
<v Speaker 1>And I don't really you know, I'm not really pressed to.

0:28:23.840 --> 0:28:25.840
<v Speaker 1>I'm not really pressed about it like that. So I'll

0:28:25.880 --> 0:28:27.600
<v Speaker 1>give you all this fifteen and I'll save the other

0:28:27.600 --> 0:28:29.640
<v Speaker 1>shit for my special. So it's like a toss away set.

0:28:31.600 --> 0:28:34.159
<v Speaker 1>It was a toss away fifteen minutes set, like a

0:28:34.200 --> 0:28:36.480
<v Speaker 1>backlog set. I was like, I get all this and

0:28:36.600 --> 0:28:38.960
<v Speaker 1>shit ended up being the biggest. So shouts out to

0:28:39.000 --> 0:28:40.440
<v Speaker 1>the big dummy himself.

0:28:41.840 --> 0:28:42.960
<v Speaker 4>I want to go back to number one on the

0:28:43.000 --> 0:28:45.040
<v Speaker 4>call sheet because Sterling K. Brown did an interview with

0:28:45.120 --> 0:28:46.959
<v Speaker 4>He said that people wanted to put him number one

0:28:46.960 --> 0:28:49.080
<v Speaker 4>in the call sheets, but he was superstitious about it

0:28:49.080 --> 0:28:51.520
<v Speaker 4>because he'd been successful enough not being number one, so

0:28:51.560 --> 0:28:53.440
<v Speaker 4>he was okay with being number two.

0:28:53.840 --> 0:28:54.600
<v Speaker 2>What do you think of that?

0:28:55.680 --> 0:28:57.680
<v Speaker 1>I don't I don't mind that, you know what I mean,

0:28:57.720 --> 0:29:00.840
<v Speaker 1>as somebody that's been there. When when you're there and

0:29:00.920 --> 0:29:04.640
<v Speaker 1>you've you've experienced whatever the conversation attached to it is,

0:29:04.960 --> 0:29:08.440
<v Speaker 1>it's not the same level of important, right, like it's

0:29:08.480 --> 0:29:10.600
<v Speaker 1>it's not important, like I was joking about earlier about

0:29:10.840 --> 0:29:12.480
<v Speaker 1>the idea of number one of culture, but it's not

0:29:12.560 --> 0:29:14.480
<v Speaker 1>that important to me. I don't. I don't give a fuck.

0:29:14.520 --> 0:29:16.960
<v Speaker 1>I don't. I don't care about top billing. I don't

0:29:16.960 --> 0:29:18.880
<v Speaker 1>need my name to be first. I don't need my

0:29:19.000 --> 0:29:21.520
<v Speaker 1>name to be the biggest when they first put the

0:29:21.560 --> 0:29:23.760
<v Speaker 1>movie or the TV show out, Like, if that's more

0:29:23.800 --> 0:29:25.600
<v Speaker 1>important to you, I'm like, all right, let them get it.

0:29:26.120 --> 0:29:27.880
<v Speaker 1>I don't. I don't really, I don't really give a fuck,

0:29:27.920 --> 0:29:30.040
<v Speaker 1>and not in a dismissive way. But if that's what

0:29:30.200 --> 0:29:32.600
<v Speaker 1>you need to make you feel better, to make you

0:29:32.640 --> 0:29:35.840
<v Speaker 1>feel like a valuable piece to the puzzle of this project,

0:29:36.080 --> 0:29:38.200
<v Speaker 1>absolutely give it to them. Like I can. I can

0:29:38.240 --> 0:29:42.200
<v Speaker 1>take those back steps because you've been there, Like it's

0:29:42.240 --> 0:29:45.280
<v Speaker 1>like the idea of start them, it's not it doesn't

0:29:45.360 --> 0:29:48.360
<v Speaker 1>thrive or I'm not thriving in the space of being

0:29:48.400 --> 0:29:50.280
<v Speaker 1>a star, like you've you've been there. I could give

0:29:50.280 --> 0:29:52.320
<v Speaker 1>a fuck. Like you condemn the light as much as

0:29:52.320 --> 0:29:55.760
<v Speaker 1>you want, I don't. It doesn't matter. Yeah, it's like you,

0:29:55.960 --> 0:29:59.360
<v Speaker 1>you don't, it doesn't. It's not driving my reason to

0:29:59.440 --> 0:30:01.360
<v Speaker 1>get up in do so I think what Sterling is

0:30:01.400 --> 0:30:04.400
<v Speaker 1>referring to, it's saying like, look, man, I don't really

0:30:04.480 --> 0:30:06.440
<v Speaker 1>like that I've done it. It's better for me to

0:30:06.480 --> 0:30:08.360
<v Speaker 1>do this. Let somebody else deal with all the headache

0:30:08.400 --> 0:30:10.800
<v Speaker 1>of vat that's what he's doing and shouts out to

0:30:10.840 --> 0:30:13.640
<v Speaker 1>them too. Man, the show is incredible right now.

0:30:13.880 --> 0:30:16.800
<v Speaker 2>So when you in the rock do a movie, who's

0:30:16.840 --> 0:30:17.680
<v Speaker 2>number one on the coature?

0:30:17.960 --> 0:30:22.000
<v Speaker 1>I let him get it? But he's DJ's an asshole. Yeah,

0:30:22.040 --> 0:30:23.480
<v Speaker 1>he's an ass Let him get it.

0:30:23.720 --> 0:30:24.240
<v Speaker 2>I'm joking.

0:30:24.920 --> 0:30:27.560
<v Speaker 1>Yeah, No, DJ, by the way, he trumps me every time.

0:30:27.600 --> 0:30:29.800
<v Speaker 1>What do you mean, it's not even conversation. I don't

0:30:29.840 --> 0:30:30.479
<v Speaker 1>even bring it up.

0:30:31.120 --> 0:30:35.000
<v Speaker 2>You number one on this right because the box office numbers, like,

0:30:35.040 --> 0:30:35.320
<v Speaker 2>how do they?

0:30:36.320 --> 0:30:38.560
<v Speaker 1>I think he deserves to be number one when we

0:30:38.600 --> 0:30:43.200
<v Speaker 1>do the project. He's an international superstar. Not to say

0:30:43.200 --> 0:30:46.600
<v Speaker 1>that I don't have international success, but I don't think

0:30:46.640 --> 0:30:49.640
<v Speaker 1>that we're equal in that regard. I think that his

0:30:49.800 --> 0:30:55.240
<v Speaker 1>movies have performed and done crazy business internationally. Uh, and

0:30:55.280 --> 0:30:57.840
<v Speaker 1>when we do the projects that we want to appeal

0:30:57.880 --> 0:31:01.160
<v Speaker 1>to the world, you should be first. I'm coming in

0:31:01.200 --> 0:31:03.760
<v Speaker 1>and I'm on that train with you. I'm adding value

0:31:03.800 --> 0:31:06.040
<v Speaker 1>to it, But I'm not bumped by you being first.

0:31:07.040 --> 0:31:09.040
<v Speaker 1>We put an amazing cast together to help us get

0:31:09.040 --> 0:31:12.520
<v Speaker 1>those audiences when we do. But I don't. I don't

0:31:12.520 --> 0:31:15.120
<v Speaker 1>feel any type way about that. I think he deserves

0:31:15.120 --> 0:31:16.160
<v Speaker 1>it and he should have it.

0:31:17.520 --> 0:31:21.400
<v Speaker 4>Congratulations too, man, you got is announced that you're working

0:31:21.400 --> 0:31:22.200
<v Speaker 4>with the Indiana Paces.

0:31:22.240 --> 0:31:23.920
<v Speaker 1>Now I'm beat working with the Pacers.

0:31:23.920 --> 0:31:26.640
<v Speaker 2>Heart Heartbeat entertainment, heartbeat. Is it working with the Paces?

0:31:26.720 --> 0:31:27.520
<v Speaker 1>Yes, heart beat it.

0:31:27.560 --> 0:31:30.960
<v Speaker 4>To be the official cultural curator to provide entertainment and

0:31:31.000 --> 0:31:33.600
<v Speaker 4>live experiences for fans in the Indianapolis CAUs.

0:31:33.680 --> 0:31:34.600
<v Speaker 1>Yes, yes, what.

0:31:36.560 --> 0:31:36.720
<v Speaker 2>Is it?

0:31:36.720 --> 0:31:37.920
<v Speaker 1>What does the seventy six about?

0:31:38.280 --> 0:31:39.840
<v Speaker 2>We're speeding with the question. First of all, what does

0:31:39.880 --> 0:31:40.320
<v Speaker 2>that look like?

0:31:40.840 --> 0:31:44.280
<v Speaker 1>It's an opportunity for our company, right like you're. Our

0:31:44.320 --> 0:31:49.120
<v Speaker 1>company is a creative engine for any resource that allows

0:31:49.200 --> 0:31:52.200
<v Speaker 1>us to be right like we are a business. So

0:31:52.280 --> 0:31:56.480
<v Speaker 1>our business thrives when we can implement ourselves in places

0:31:56.520 --> 0:32:01.120
<v Speaker 1>to create or elevate a brand, a company, an entity

0:32:01.880 --> 0:32:07.080
<v Speaker 1>and activation, whether it be live entertainment, storytelling, etc. Indiana

0:32:07.680 --> 0:32:11.000
<v Speaker 1>with the Pacers and the Fever have an attraction coming.

0:32:11.040 --> 0:32:13.320
<v Speaker 1>I think they have an all star coming up. But

0:32:13.360 --> 0:32:16.160
<v Speaker 1>it's more about they're like, look, we're looking for ways

0:32:16.640 --> 0:32:19.480
<v Speaker 1>to expand and elevate what we've done. They spent a

0:32:19.480 --> 0:32:21.800
<v Speaker 1>lot of money on a new facility. They have a

0:32:22.000 --> 0:32:27.000
<v Speaker 1>team that's thriving, a younger team the Fever or thriving

0:32:27.040 --> 0:32:31.000
<v Speaker 1>with star power, etc. So they're like, how do we elevate?

0:32:31.040 --> 0:32:33.760
<v Speaker 1>How can we better tell our story? And I'm like,

0:32:33.920 --> 0:32:36.680
<v Speaker 1>that's what we do, you know, and me having relationships

0:32:36.720 --> 0:32:40.840
<v Speaker 1>with you know, the owner of the team and presidents

0:32:40.880 --> 0:32:44.680
<v Speaker 1>of the teams or cmos that are a part of

0:32:44.680 --> 0:32:47.560
<v Speaker 1>those entities, It's like, look, that's what we do. We

0:32:47.680 --> 0:32:51.680
<v Speaker 1>tell stories very well. So to market, promote and better

0:32:51.720 --> 0:32:54.080
<v Speaker 1>define that for you, that's our business. Let us show

0:32:54.120 --> 0:32:56.640
<v Speaker 1>you how we can make that business a service to you.

0:32:57.040 --> 0:32:58.560
<v Speaker 1>And they gave an opportunity and I was like, dope,

0:32:58.600 --> 0:33:00.720
<v Speaker 1>let our company do it. So it's not a Kevin

0:33:00.760 --> 0:33:04.840
<v Speaker 1>Hart thing, like everybody assumes that Kevin Hart is the

0:33:04.960 --> 0:33:07.880
<v Speaker 1>driving factor or the source. It's the entity. The entity

0:33:07.920 --> 0:33:10.960
<v Speaker 1>has to do things outside of me, our entity to

0:33:11.000 --> 0:33:14.680
<v Speaker 1>fucking thrive. Like that's a fact. So whether it's the

0:33:14.720 --> 0:33:18.080
<v Speaker 1>fucking Pacers, I got business with the Falcons, I got

0:33:18.120 --> 0:33:21.320
<v Speaker 1>business with the Eagles, the Giants, that's one that I

0:33:21.320 --> 0:33:23.200
<v Speaker 1>don't know if I would touch because they don't know

0:33:23.280 --> 0:33:28.720
<v Speaker 1>good stuff. They may let me go, but it's it's

0:33:28.840 --> 0:33:31.080
<v Speaker 1>it's how many of those can I do? Step and repeat?

0:33:31.320 --> 0:33:33.800
<v Speaker 1>So the Pacers will use as an example once we

0:33:33.880 --> 0:33:36.840
<v Speaker 1>do it well, and from that example, I'll go to

0:33:36.920 --> 0:33:40.760
<v Speaker 1>other fucking NBA teams or the NBA in general, Like

0:33:40.840 --> 0:33:43.280
<v Speaker 1>I'm looking to be a better partner for the NBA.

0:33:43.400 --> 0:33:45.800
<v Speaker 1>How do we better tell stories for your brand? How

0:33:45.800 --> 0:33:48.360
<v Speaker 1>do we better promote and market you? How can we

0:33:48.800 --> 0:33:52.560
<v Speaker 1>amplify or activate differently? Like these are words in the

0:33:52.600 --> 0:33:56.000
<v Speaker 1>business that companies desperately want to hear from potential party.

0:33:56.200 --> 0:33:58.320
<v Speaker 2>That's an interesting question because what you about to say

0:33:58.320 --> 0:33:58.640
<v Speaker 2>about the.

0:33:58.600 --> 0:34:01.240
<v Speaker 3>Sixers not just saying how did the seventy sixers feel

0:34:01.280 --> 0:34:03.040
<v Speaker 3>like that? Because you are such a seventy six's fan,

0:34:03.080 --> 0:34:04.760
<v Speaker 3>I feel like they might look at it like why

0:34:04.840 --> 0:34:05.880
<v Speaker 3>you over there and mess with them?

0:34:06.000 --> 0:34:07.760
<v Speaker 2>You hear this is home because it's heart Beat the

0:34:07.760 --> 0:34:09.240
<v Speaker 2>company and Kevin Hart the individual.

0:34:09.800 --> 0:34:12.759
<v Speaker 1>I promise you that they wouldn't even blink an eye

0:34:12.760 --> 0:34:16.000
<v Speaker 1>because they understand business. Kevin Hard is still a seventy

0:34:16.040 --> 0:34:19.640
<v Speaker 1>sixers fan. His company, Heartbeat, is doing a service for

0:34:19.680 --> 0:34:22.160
<v Speaker 1>another company. Hey, keV you think you could do this

0:34:22.200 --> 0:34:25.600
<v Speaker 1>for us too? Would your company be interested in doing this? Absolutely, guys,

0:34:25.960 --> 0:34:30.080
<v Speaker 1>this is not anything Kevin is specific. I'm still going

0:34:30.120 --> 0:34:32.600
<v Speaker 1>to Sixers games. I still sit courtside trash right now.

0:34:33.040 --> 0:34:35.239
<v Speaker 1>I mean, right now, we're not We're not in the

0:34:35.239 --> 0:34:38.080
<v Speaker 1>best position. But I'm still a fan. I'm I'm an

0:34:38.120 --> 0:34:42.120
<v Speaker 1>Eagles fan. But if there's business that can be done

0:34:42.160 --> 0:34:45.160
<v Speaker 1>for another NFL entity that wants to tell stories, well

0:34:45.160 --> 0:34:47.600
<v Speaker 1>we're gonna tell those stories for the entity. That doesn't

0:34:47.640 --> 0:34:50.520
<v Speaker 1>mean that our brand can't do that. It's a company,

0:34:51.080 --> 0:34:52.400
<v Speaker 1>you know. I know that you guys were talking to

0:34:52.440 --> 0:34:54.160
<v Speaker 1>Mic about it. You're like, yo, is that crazy? Like

0:34:54.440 --> 0:34:56.640
<v Speaker 1>this isn't Kevin Hart. I'm not. I'm not going to

0:34:56.719 --> 0:34:59.640
<v Speaker 1>the to the Pacers and man, it's time for me

0:34:59.680 --> 0:35:03.120
<v Speaker 1>to check narrative. Oh, this is what my company does.

0:35:03.800 --> 0:35:06.840
<v Speaker 1>Is that simple, well, heartbeat call Mike Epps to do

0:35:06.960 --> 0:35:09.799
<v Speaker 1>absolutely like we By the way, if you here's here's

0:35:09.800 --> 0:35:13.279
<v Speaker 1>an example, right if All Star weekend is coming up

0:35:13.280 --> 0:35:15.840
<v Speaker 1>there and we're like, okay, hey, we have ideas to

0:35:16.000 --> 0:35:20.680
<v Speaker 1>service a bigger like a bigger process that people can

0:35:20.719 --> 0:35:23.839
<v Speaker 1>probably gravitate towards a little different from what they've done

0:35:23.840 --> 0:35:25.839
<v Speaker 1>in the past. Here's how we're gonna make the All

0:35:25.880 --> 0:35:30.000
<v Speaker 1>Star weekend in Indiana when the women are playing. Here's

0:35:30.000 --> 0:35:32.040
<v Speaker 1>how we can make it different. Here's what we can

0:35:32.080 --> 0:35:35.240
<v Speaker 1>bring to the table, women round tables, a women, cold

0:35:35.239 --> 0:35:39.240
<v Speaker 1>as balls, et cetera. Is there a comedy activation women forwarded?

0:35:39.480 --> 0:35:42.720
<v Speaker 1>Does Mike want to bring and be responsible for comedy

0:35:42.760 --> 0:35:45.600
<v Speaker 1>from Indian Absolutely? Like that's when you tap in. All

0:35:45.600 --> 0:35:49.880
<v Speaker 1>you are is the servicing hub. We're the hub. Now

0:35:49.920 --> 0:35:51.920
<v Speaker 1>it's our job to go and grab everybody to make

0:35:51.960 --> 0:35:56.239
<v Speaker 1>this thing underneath the hub better. It's not you desperately

0:35:56.280 --> 0:36:00.919
<v Speaker 1>need that. So in this case, hell yeah, Mike. Come on, Mike.

0:36:00.960 --> 0:36:03.239
<v Speaker 1>By the way, this is your city. What's dope about

0:36:03.280 --> 0:36:04.799
<v Speaker 1>the city that we can do with you? What do

0:36:04.880 --> 0:36:07.120
<v Speaker 1>you want to do? How do we help you? Like,

0:36:07.200 --> 0:36:12.240
<v Speaker 1>that's that's partnership. But if the thought triggers you at first,

0:36:12.760 --> 0:36:15.239
<v Speaker 1>what this is my saying, well, then you don't even

0:36:15.400 --> 0:36:17.560
<v Speaker 1>you don't even get to the next stage of opportunity.

0:36:18.120 --> 0:36:22.719
<v Speaker 1>The opportunity comes from understanding the idea, Oh oh do

0:36:22.920 --> 0:36:25.040
<v Speaker 1>I can't I can do something? Oh bet? And I

0:36:25.040 --> 0:36:27.880
<v Speaker 1>want to do this too? Absolutely. Here, here's how we're

0:36:27.920 --> 0:36:31.600
<v Speaker 1>gonna do it. Like that's that's business. That's how business

0:36:31.680 --> 0:36:34.240
<v Speaker 1>is done. That's how you get to the place of success.

0:36:34.280 --> 0:36:37.440
<v Speaker 5>So there just hasn't been an opportunity for Heartbeat to

0:36:37.520 --> 0:36:39.080
<v Speaker 5>call Mike yet.

0:36:39.200 --> 0:36:43.400
<v Speaker 1>No, just we literally just have We just did the deal, gotcha.

0:36:43.440 --> 0:36:45.640
<v Speaker 1>And now that we are doing the deal, well, now

0:36:45.640 --> 0:36:48.040
<v Speaker 1>you got to tap in to the culture of the city.

0:36:48.080 --> 0:36:50.879
<v Speaker 1>You had to tap into popular names and faces from

0:36:50.920 --> 0:36:53.759
<v Speaker 1>the city. You got to tap into the athletes that

0:36:53.880 --> 0:36:56.680
<v Speaker 1>are the stars in the city. Now you go and

0:36:56.680 --> 0:36:59.359
<v Speaker 1>you say, guys, here's what we're thinking of. Here's how

0:36:59.400 --> 0:37:01.680
<v Speaker 1>we make this special. But here's how we do it

0:37:01.719 --> 0:37:04.359
<v Speaker 1>with you. Is this a collaborative thing that makes sense

0:37:04.360 --> 0:37:07.359
<v Speaker 1>for you? Dope? Okay? If so, great, If not, well

0:37:07.400 --> 0:37:11.240
<v Speaker 1>what does cool? Okay, we like that. All right, let's bill, let's.

0:37:11.120 --> 0:37:14.480
<v Speaker 2>Expand he's gonna call you to do something.

0:37:14.520 --> 0:37:19.439
<v Speaker 1>Absolutely. I mean me and Mike's relationship now we're we're

0:37:20.280 --> 0:37:22.080
<v Speaker 1>ten times. But it took a long time to get

0:37:22.080 --> 0:37:25.919
<v Speaker 1>to where we are now. But I'm I'm happy at

0:37:25.960 --> 0:37:31.120
<v Speaker 1>the road of like dumb shit because it got us

0:37:31.160 --> 0:37:33.879
<v Speaker 1>to a place of real grown man shit. And you know,

0:37:34.000 --> 0:37:37.160
<v Speaker 1>it's it's not We're not We're not doing the dumb

0:37:37.280 --> 0:37:39.719
<v Speaker 1>like tweets and shit, no more like Mike call me,

0:37:40.320 --> 0:37:42.719
<v Speaker 1>I'm calling you and we we talked, so you know

0:37:42.800 --> 0:37:44.440
<v Speaker 1>when that did, Mike was the first one we got

0:37:44.440 --> 0:37:47.359
<v Speaker 1>on the phone. We had a conversation, and me and

0:37:47.400 --> 0:37:50.120
<v Speaker 1>Mike are are very much on the same page. And

0:37:50.160 --> 0:37:52.719
<v Speaker 1>I think, you know, a lot of the disconnect's from

0:37:52.719 --> 0:37:57.000
<v Speaker 1>assumption and and that's what that's the realization that came about.

0:37:57.080 --> 0:38:00.719
<v Speaker 1>But I have no it will no be towards anybody,

0:38:01.080 --> 0:38:04.120
<v Speaker 1>damn sure, not Mike. And you know, right now, the

0:38:04.280 --> 0:38:06.879
<v Speaker 1>priority between me and Mike are figuring out the thing

0:38:06.920 --> 0:38:09.680
<v Speaker 1>that we're going to do together. And you know, I

0:38:09.800 --> 0:38:12.560
<v Speaker 1>told Mike like it's a it's a real thing, Like

0:38:12.680 --> 0:38:15.920
<v Speaker 1>we haven't done it because of this disconnecting our relationship.

0:38:15.960 --> 0:38:18.800
<v Speaker 1>We've never been on screen together. We did Real Husbands

0:38:18.800 --> 0:38:23.920
<v Speaker 1>together in the beginning. Mike did an episode and that's

0:38:23.960 --> 0:38:26.600
<v Speaker 1>the only time when we've ever jousted it on camera.

0:38:26.680 --> 0:38:28.280
<v Speaker 1>And I was like, at this point in our career,

0:38:28.360 --> 0:38:32.640
<v Speaker 1>like we're we're not fucking nobody but ourselves, So you know,

0:38:32.719 --> 0:38:34.399
<v Speaker 1>how do we make it work? And he's like, yeah, keV,

0:38:34.520 --> 0:38:36.080
<v Speaker 1>like how do we make it work, And it's a

0:38:36.160 --> 0:38:39.680
<v Speaker 1>it's a mutual understanding. And I think now having that

0:38:39.680 --> 0:38:43.040
<v Speaker 1>as a priority, his fans will be happy. My fans,

0:38:43.280 --> 0:38:44.719
<v Speaker 1>I think will be happy, and I think it'd be

0:38:44.719 --> 0:38:46.520
<v Speaker 1>dope for the culture when we do it.

0:38:46.680 --> 0:38:49.200
<v Speaker 2>Yeah, where is that version of hallm Nights for this era?

0:38:49.640 --> 0:38:54.319
<v Speaker 1>It's hard, it's hard to happen because the idea of

0:38:54.360 --> 0:38:57.640
<v Speaker 1>it being just one is what people can't let go of,

0:38:58.080 --> 0:39:00.919
<v Speaker 1>which mean like that doesn't have to be this one star.

0:39:01.840 --> 0:39:03.200
<v Speaker 3>But Harll of Knights wasn't just one star.

0:39:03.440 --> 0:39:06.719
<v Speaker 1>That's why I worked, That's why I worked. Richard didn't

0:39:06.719 --> 0:39:08.279
<v Speaker 1>give a fuck about Eddie. Eddie didn't give a fuck

0:39:08.280 --> 0:39:13.840
<v Speaker 1>about Richard, right, like the two biggest fucking comedians you know,

0:39:14.160 --> 0:39:16.719
<v Speaker 1>minus the bullshit. The only person that was missing that

0:39:16.800 --> 0:39:19.640
<v Speaker 1>should have been in that, you know, Cosby in some

0:39:19.840 --> 0:39:23.840
<v Speaker 1>degree right a showing of him. But they had Red Fox,

0:39:25.120 --> 0:39:27.200
<v Speaker 1>Robert fucking Harris. Like if you go on, you look

0:39:27.200 --> 0:39:31.120
<v Speaker 1>at the names, you know, fucking Dela Rees like you

0:39:31.120 --> 0:39:34.200
<v Speaker 1>you look at the names and the people in Harlem Knights.

0:39:34.280 --> 0:39:38.040
<v Speaker 1>You looked at a fucking conglomerate cast of hard hitting

0:39:38.080 --> 0:39:42.040
<v Speaker 1>comics of color. We don't have that to date. The

0:39:42.120 --> 0:39:46.759
<v Speaker 1>attempts to do it. Shouts out to Chris rock Top five. Yeah,

0:39:46.800 --> 0:39:49.600
<v Speaker 1>putting comics in. Whether you are a fan of the

0:39:49.640 --> 0:39:51.960
<v Speaker 1>movie or not, the attempt was I want to see

0:39:52.320 --> 0:39:55.240
<v Speaker 1>I want to see comics of color share the screen together,

0:39:55.280 --> 0:39:58.920
<v Speaker 1>and I want to get down. Tracy Leslie like I

0:39:58.960 --> 0:40:01.239
<v Speaker 1>want to get down. Let's let's go back and forth.

0:40:01.320 --> 0:40:06.280
<v Speaker 1>Let's do some ship Death of the Funeral. Chris attempted

0:40:06.320 --> 0:40:11.680
<v Speaker 1>to put comics together. There's not a lot of the damn.

0:40:12.239 --> 0:40:14.480
<v Speaker 2>I would say life to a certain extent.

0:40:14.200 --> 0:40:17.399
<v Speaker 1>Life is dope. But you had Eddie and you had

0:40:17.480 --> 0:40:24.160
<v Speaker 1>Martine Guy Tory, and you know, we didn't we didn't

0:40:24.200 --> 0:40:29.000
<v Speaker 1>have like a woman a woman figure in life. But

0:40:29.040 --> 0:40:31.759
<v Speaker 1>I think, like you've seen the attempt, but there is

0:40:31.800 --> 0:40:36.600
<v Speaker 1>no like, there is no initiative where it's like, Okay, look,

0:40:37.480 --> 0:40:41.600
<v Speaker 1>we're all gonna fucking share the same level of pay.

0:40:42.200 --> 0:40:43.440
<v Speaker 1>We're all going to play on the back end. This

0:40:43.440 --> 0:40:45.880
<v Speaker 1>is how I would approach it. Everybody's gonna win on

0:40:45.880 --> 0:40:49.080
<v Speaker 1>the back end. Okay, let's remove money from the idea.

0:40:49.200 --> 0:40:52.080
<v Speaker 1>This isn't about who's getting the money or who's doing what.

0:40:52.239 --> 0:40:54.839
<v Speaker 1>It's about the project. So we're gonna do our best

0:40:54.840 --> 0:40:58.080
<v Speaker 1>in this project to put people position to win. Winning

0:40:58.160 --> 0:41:02.600
<v Speaker 1>mean memorable moments, that's funny, et cetera. But to do

0:41:02.680 --> 0:41:05.520
<v Speaker 1>it right, everybody's not gonna be on the same page

0:41:05.560 --> 0:41:07.440
<v Speaker 1>like you kind of. You gotta have an understanding of

0:41:07.480 --> 0:41:09.960
<v Speaker 1>who has to carry the weight here for the people

0:41:10.000 --> 0:41:12.360
<v Speaker 1>here to fucking get in and get down. When you

0:41:12.400 --> 0:41:14.360
<v Speaker 1>can have that conversation and people are okay with it,

0:41:14.360 --> 0:41:17.279
<v Speaker 1>all right, it's great, but that conversation can never be

0:41:17.360 --> 0:41:20.439
<v Speaker 1>had because people are bumped out the gate. I ain't

0:41:20.440 --> 0:41:22.600
<v Speaker 1>work with him, I ain't work with her. I ain't

0:41:22.600 --> 0:41:24.719
<v Speaker 1>doing mother fuck that they got me like, I ain't.

0:41:25.080 --> 0:41:27.440
<v Speaker 1>I ain't the funny. I'm like you, you can't even

0:41:27.480 --> 0:41:28.960
<v Speaker 1>get to the fucking second page.

0:41:29.040 --> 0:41:31.359
<v Speaker 5>And even when it comes to like the younger comics, man,

0:41:31.880 --> 0:41:35.799
<v Speaker 5>it's been a few of uh like like DC young

0:41:35.840 --> 0:41:40.080
<v Speaker 5>Fly has countless scripts that he has and he's trying

0:41:40.120 --> 0:41:43.719
<v Speaker 5>to get all of us like in this generation, but

0:41:43.840 --> 0:41:46.320
<v Speaker 5>egos and and I wish she gonna be getting and

0:41:46.360 --> 0:41:47.520
<v Speaker 5>who's gonna be the main character?

0:41:47.800 --> 0:41:49.800
<v Speaker 6>I ain't working with her or how he you know

0:41:49.840 --> 0:41:50.239
<v Speaker 6>what I mean?

0:41:50.320 --> 0:41:53.560
<v Speaker 1>So the problem with the with the younger generation of comics. Man,

0:41:54.239 --> 0:41:59.200
<v Speaker 1>I made money so fast, good money, yeah, like not

0:41:59.400 --> 0:42:02.160
<v Speaker 1>like not little money. They made money so fast. So

0:42:02.160 --> 0:42:05.640
<v Speaker 1>it's definitely the idea of doing that for that fuck

0:42:05.719 --> 0:42:08.200
<v Speaker 1>that I do it. I'm over here again. It's like

0:42:09.000 --> 0:42:14.120
<v Speaker 1>the identity come here. I mean, just just made money,

0:42:14.719 --> 0:42:18.440
<v Speaker 1>still making money, right, Like, just understands that road money.

0:42:18.480 --> 0:42:21.160
<v Speaker 1>That road money is a different type of money. These

0:42:21.200 --> 0:42:25.000
<v Speaker 1>comics or new comics influencers turn com I'm making real money.

0:42:25.200 --> 0:42:28.440
<v Speaker 1>So until you get to a point where you understand

0:42:29.520 --> 0:42:33.320
<v Speaker 1>the money isn't going to drive your next stage of success.

0:42:34.520 --> 0:42:37.120
<v Speaker 1>If your next stage of success or want for success

0:42:37.239 --> 0:42:41.400
<v Speaker 1>is attached to IP projects, whatever, you cannot do it

0:42:41.440 --> 0:42:44.920
<v Speaker 1>by yourself. You need the helping aid of other talent.

0:42:44.960 --> 0:42:48.200
<v Speaker 1>I don't give a fuck who you are. I'm saying

0:42:48.239 --> 0:42:52.200
<v Speaker 1>this as a pounds a pound conglomerate in the business,

0:42:52.840 --> 0:42:57.839
<v Speaker 1>respectfully and humbly, a conglomerate. I stacked the deck. I'm

0:42:57.840 --> 0:43:00.840
<v Speaker 1>not looking to fucking be on screen and be the

0:43:00.880 --> 0:43:04.680
<v Speaker 1>only personals. I stack the fucking deck winning where I can,

0:43:05.600 --> 0:43:09.000
<v Speaker 1>by the way, and I'm very I'm very thankful to

0:43:09.160 --> 0:43:11.400
<v Speaker 1>the other names that are willing to come and work

0:43:11.440 --> 0:43:15.239
<v Speaker 1>with me and do things with me. I was excited.

0:43:15.520 --> 0:43:20.240
<v Speaker 1>Samuel L. Jackson is doing Thank you God, sam Don Chittle,

0:43:20.320 --> 0:43:26.040
<v Speaker 1>Oh thank you, Taraji, Oh thank you, Terrence, thank you

0:43:26.120 --> 0:43:32.440
<v Speaker 1>Like I'm I'm thankful. You cannot be the only one

0:43:32.560 --> 0:43:37.000
<v Speaker 1>into that younger generation. My message to so many funny

0:43:37.040 --> 0:43:40.960
<v Speaker 1>like I can go down the list, DC young Fly,

0:43:41.120 --> 0:43:44.040
<v Speaker 1>he just mentioned Country, Wayne does he Banks, fucking Drew Ski,

0:43:44.160 --> 0:43:47.640
<v Speaker 1>Coss not just you got pretty v you gotta be small.

0:43:47.680 --> 0:43:51.759
<v Speaker 1>You got all of these fucking Carlos, Ryan Davis right

0:43:51.800 --> 0:43:54.399
<v Speaker 1>here eighty five thought all those guys, you got all

0:43:54.400 --> 0:44:00.239
<v Speaker 1>these fucking great new emerging pieces of talent. Want to

0:44:00.280 --> 0:44:04.520
<v Speaker 1>tell you right now, talent caps out where it is

0:44:05.320 --> 0:44:07.920
<v Speaker 1>when what you do is all you think you should do.

0:44:09.360 --> 0:44:12.160
<v Speaker 1>In other words, like if I'm just doing stand up

0:44:12.200 --> 0:44:15.080
<v Speaker 1>comedy and then doing stand up comedy, I do the

0:44:15.080 --> 0:44:18.839
<v Speaker 1>theaters and the arenas, Okay, I can't do that every year,

0:44:18.920 --> 0:44:22.480
<v Speaker 1>and that's it. It will flatline, it will die down

0:44:22.520 --> 0:44:24.800
<v Speaker 1>at some point, maybe not today, maybe not tomorrow, but

0:44:24.840 --> 0:44:27.799
<v Speaker 1>at some point it will digress. So if you don't offload,

0:44:27.880 --> 0:44:30.520
<v Speaker 1>and you don't figure out I'm tapping into this, and

0:44:30.520 --> 0:44:34.279
<v Speaker 1>I'm tapping into this, I'm tapping into that this thing

0:44:34.360 --> 0:44:37.600
<v Speaker 1>there's one source of energy that you have, it'll get

0:44:37.600 --> 0:44:40.000
<v Speaker 1>a little dim. That light ain't gonna fucking flicker the same.

0:44:40.440 --> 0:44:43.960
<v Speaker 1>So if they don't tap into each other and figure

0:44:43.960 --> 0:44:46.200
<v Speaker 1>out the way to make each other a valuable resource

0:44:46.239 --> 0:44:51.840
<v Speaker 1>and asset, it will tap out. We're assets to one another,

0:44:52.000 --> 0:44:54.880
<v Speaker 1>Like say what you want man, the rock or assets

0:44:54.920 --> 0:44:57.359
<v Speaker 1>to one another? Man, dj Ain and I we will

0:44:57.360 --> 0:44:59.000
<v Speaker 1>get on the phone. Were talking now, Hey man, it's

0:44:59.000 --> 0:45:00.879
<v Speaker 1>harm of for us to do something. You gotta figure

0:45:00.920 --> 0:45:03.360
<v Speaker 1>out the next thing. What you're thinking. I don't know

0:45:03.440 --> 0:45:05.359
<v Speaker 1>is that Jumiji three is another part what you're thinking.

0:45:05.400 --> 0:45:07.479
<v Speaker 1>I don't know what you're thinking. Let's talk. Let's figure

0:45:07.520 --> 0:45:09.719
<v Speaker 1>it out. Hey man, you know who I want to

0:45:09.760 --> 0:45:11.920
<v Speaker 1>work with? Who I haven't worked with? Man, Men, interest,

0:45:11.960 --> 0:45:13.759
<v Speaker 1>I gotta get down with I' yet to do something.

0:45:13.800 --> 0:45:16.600
<v Speaker 1>I'm tapping into other energy. I don't want to be

0:45:16.640 --> 0:45:20.200
<v Speaker 1>the only source of energy. That's the only way that

0:45:20.239 --> 0:45:22.920
<v Speaker 1>you continue to move forward. Writers, producers, I want to

0:45:23.000 --> 0:45:27.200
<v Speaker 1>work with you, man, you're doing amazing things. You're an

0:45:27.200 --> 0:45:29.839
<v Speaker 1>amazing writer. How do I work with you? Ki? You're

0:45:29.840 --> 0:45:31.960
<v Speaker 1>doing amazing shit in the streaming space? Man, I got

0:45:31.960 --> 0:45:33.759
<v Speaker 1>some shit to show you I'm gonna work with you

0:45:33.840 --> 0:45:37.640
<v Speaker 1>like you. You gotta tap in. That's what people are

0:45:37.680 --> 0:45:40.040
<v Speaker 1>afraid to do, and they're afraid to do it, especially

0:45:40.120 --> 0:45:42.360
<v Speaker 1>in our culture because we feel like there can only

0:45:42.440 --> 0:45:43.680
<v Speaker 1>be one right.

0:45:43.719 --> 0:45:45.520
<v Speaker 4>That's some good as advice too, though, because you know

0:45:45.600 --> 0:45:48.160
<v Speaker 4>that is the toughest thing trying to convince this this

0:45:48.280 --> 0:45:51.800
<v Speaker 4>generation that there is another level and what you're doing

0:45:51.880 --> 0:45:56.000
<v Speaker 4>does have an expiration d If you don't diversify your portfolio.

0:45:55.920 --> 0:46:00.360
<v Speaker 1>It's building correctly. And by the way, don't have to

0:46:00.400 --> 0:46:01.479
<v Speaker 1>do it all in one day.

0:46:01.560 --> 0:46:01.759
<v Speaker 4>Man.

0:46:02.560 --> 0:46:05.480
<v Speaker 1>You know, I'm almost thirty years strong in this fucking business.

0:46:05.600 --> 0:46:08.279
<v Speaker 1>Don't You don't have to do it all in one day.

0:46:08.400 --> 0:46:11.239
<v Speaker 1>The discovery is exciting when you start to figure it

0:46:11.280 --> 0:46:13.080
<v Speaker 1>out and you start to see the things that you're

0:46:13.160 --> 0:46:16.400
<v Speaker 1>changing or things that you're driving towards work. That's the

0:46:16.440 --> 0:46:18.960
<v Speaker 1>exciting part. And the exciting part is that you're like,

0:46:19.000 --> 0:46:20.600
<v Speaker 1>oh shit, I actually can't do the shit that I'm

0:46:20.600 --> 0:46:24.600
<v Speaker 1>thinking about, Like, oh fuck damn. I started off doing

0:46:24.600 --> 0:46:26.840
<v Speaker 1>these videos and now the videos have turned into a business,

0:46:26.880 --> 0:46:28.799
<v Speaker 1>but now the business has turned into a touring job.

0:46:28.920 --> 0:46:32.160
<v Speaker 1>Now my radio job fucking all sets promotes the fucking touring.

0:46:32.360 --> 0:46:35.960
<v Speaker 1>By the way, my businesses are connecting. The dots are connecting.

0:46:37.160 --> 0:46:39.640
<v Speaker 1>Say what you want. You can hate me or you

0:46:39.640 --> 0:46:42.960
<v Speaker 1>can love me. I connect dots. I connect dots very well.

0:46:44.000 --> 0:46:48.120
<v Speaker 1>Every piece of this machine somehow connects in some way,

0:46:48.239 --> 0:46:50.400
<v Speaker 1>in some shape, in some form. So at the end

0:46:50.440 --> 0:46:53.359
<v Speaker 1>of the day, if this piece dies, well you can't

0:46:53.440 --> 0:46:56.520
<v Speaker 1>kill this one. If this one dies and this one dies,

0:46:56.560 --> 0:46:59.440
<v Speaker 1>well I got this one. If these three die, well,

0:46:59.440 --> 0:47:03.080
<v Speaker 1>they don't know I got these. The dots are important, man,

0:47:03.719 --> 0:47:07.160
<v Speaker 1>and that younger mindset in this business today is a

0:47:07.200 --> 0:47:12.200
<v Speaker 1>cash driven mind. The money will come. I'm telling you,

0:47:12.200 --> 0:47:16.000
<v Speaker 1>the money will come. The ideas don't have relationships, and

0:47:16.080 --> 0:47:19.040
<v Speaker 1>partnerships don't. That's the difference.

0:47:19.920 --> 0:47:25.880
<v Speaker 3>Ken, gotta go to guys, heart man, appreciate I do.

0:47:25.960 --> 0:47:27.720
<v Speaker 3>Got one last question, kept, Do you have a sign

0:47:28.080 --> 0:47:30.560
<v Speaker 3>like you know because people interview you all the time, right,

0:47:30.640 --> 0:47:32.080
<v Speaker 3>and it gotta get to a point where you be like,

0:47:32.080 --> 0:47:32.880
<v Speaker 3>I'm tired, I gotta go.

0:47:32.880 --> 0:47:33.160
<v Speaker 2>Do you have.

0:47:35.640 --> 0:47:37.880
<v Speaker 1>Scratch your head twice and you pick and I just

0:47:37.880 --> 0:47:40.920
<v Speaker 1>be like, that's it, wrapping up.

0:47:41.560 --> 0:47:41.960
<v Speaker 2>We've been here.

0:47:42.000 --> 0:47:45.080
<v Speaker 1>I think we did. We got everything, We touched everything.

0:47:45.600 --> 0:47:49.759
<v Speaker 1>Little keV dropping I'm excited about it. Adult Animation BT

0:47:49.840 --> 0:47:52.160
<v Speaker 1>plus ones getting shots out to BT. Shouts out to

0:47:52.200 --> 0:47:56.280
<v Speaker 1>my amazing team and heartbeat Man. Shouts out to Mike Stein,

0:47:56.760 --> 0:48:01.120
<v Speaker 1>Tiffany Brown who works so hard. Shout out to Malcolm.

0:48:01.280 --> 0:48:02.920
<v Speaker 1>Oh god, I just dropped the name of my other right,

0:48:02.960 --> 0:48:06.600
<v Speaker 1>I'm so sorry. On our development side who helped get this.

0:48:06.680 --> 0:48:11.959
<v Speaker 1>Shout out to Wanda, Uh, Dione Cole, Uh, so many

0:48:11.960 --> 0:48:14.480
<v Speaker 1>other names, Yes, so many.

0:48:14.280 --> 0:48:17.360
<v Speaker 3>Your name Johnson, increased more neighbors.

0:48:17.480 --> 0:48:19.840
<v Speaker 1>Yes, there's so many people, uh that are part of

0:48:19.840 --> 0:48:22.440
<v Speaker 1>this project that have made it what it is today.

0:48:22.719 --> 0:48:25.080
<v Speaker 1>And once again, this is a passion project. Man. This

0:48:25.160 --> 0:48:27.160
<v Speaker 1>is uh, this is a piece of I p that

0:48:27.200 --> 0:48:29.680
<v Speaker 1>I worked on for a long time and to have

0:48:29.800 --> 0:48:31.960
<v Speaker 1>it finally come to light as dope as fuck, it's

0:48:32.000 --> 0:48:35.799
<v Speaker 1>funny as fuck. Uh, it's raw, it's edgy, you know,

0:48:35.880 --> 0:48:37.960
<v Speaker 1>and it's a it's a it's a true testament to

0:48:38.000 --> 0:48:39.759
<v Speaker 1>my mom and dad who aren't here. So r I

0:48:39.840 --> 0:48:43.200
<v Speaker 1>p to the hearts upstairs and maybe down you know

0:48:43.200 --> 0:48:45.640
<v Speaker 1>my dad. They say he could be I don't know.

0:48:46.040 --> 0:48:48.080
<v Speaker 1>I don't know, so uh, you know, just in the

0:48:48.120 --> 0:48:54.160
<v Speaker 1>middle my dad. Shout out to Pops, whoever you are. Yeah,

0:48:54.160 --> 0:48:57.040
<v Speaker 1>I don't know what side uh this is.

0:48:57.239 --> 0:48:57.959
<v Speaker 2>You don't want to feel.

0:48:58.000 --> 0:49:00.440
<v Speaker 1>I don't want to assume. I don't want assume. I

0:49:00.440 --> 0:49:02.680
<v Speaker 1>don't say if if God ever closed the door, my

0:49:02.760 --> 0:49:04.719
<v Speaker 1>dad might have been on the outside.

0:49:05.600 --> 0:49:05.880
<v Speaker 2>Uh.

0:49:05.920 --> 0:49:07.360
<v Speaker 1>But it's a testament to them, So I can't with

0:49:07.480 --> 0:49:09.759
<v Speaker 1>you guys, enjoy BT plus watch it, lock it in,

0:49:09.880 --> 0:49:11.719
<v Speaker 1>not one of them, call sheep, shout out the fox,

0:49:11.800 --> 0:49:12.239
<v Speaker 1>lock it in?

0:49:12.640 --> 0:49:15.440
<v Speaker 2>Uh, and you're at Radio City Music all weekend, tonight.

0:49:15.280 --> 0:49:21.120
<v Speaker 1>Friday, and sundayday and last for not least, Man, I

0:49:21.160 --> 0:49:23.960
<v Speaker 1>want to give a big shout out to my guys

0:49:24.000 --> 0:49:26.120
<v Speaker 1>before I go. You know, I've talked about the younger generation.

0:49:26.480 --> 0:49:29.520
<v Speaker 1>I've talked about you know, energy and servicing energy. I

0:49:29.520 --> 0:49:31.800
<v Speaker 1>want to talk about my energy source for the reason

0:49:31.840 --> 0:49:33.840
<v Speaker 1>and or just for quick moment plast the couple boys. Man.

0:49:33.840 --> 0:49:36.279
<v Speaker 1>Shout out to Naim, Shout out to Spank, shout out

0:49:36.320 --> 0:49:39.800
<v Speaker 1>to Joey Wells. Uh. You know, I'm excited about comedy

0:49:40.200 --> 0:49:43.960
<v Speaker 1>still because my guys still make me work, Uh, Naim,

0:49:44.080 --> 0:49:47.799
<v Speaker 1>pound for pound, Nameland, the funniest motherfucker's on the planet. Uh,

0:49:47.880 --> 0:49:50.680
<v Speaker 1>constantly creating, constant developing new materials, spank one of the

0:49:50.680 --> 0:49:53.120
<v Speaker 1>funniest people in the planet, Joey, uh build me for

0:49:53.200 --> 0:49:54.880
<v Speaker 1>years when of the funniest people on the planet shouts

0:49:54.880 --> 0:49:57.399
<v Speaker 1>out to those guys for making me stay as sharp

0:49:57.440 --> 0:49:59.160
<v Speaker 1>as I am by being as sharp as they are.

0:49:59.200 --> 0:50:01.640
<v Speaker 4>Now anybody here is iron Governors. Governor Gretchen with My

0:50:01.800 --> 0:50:04.680
<v Speaker 4>Loved Name wrote about Naim in her book. Man talks

0:50:04.680 --> 0:50:08.040
<v Speaker 4>about how when she gives speeches, she quotes naimesh shop

0:50:08.080 --> 0:50:08.720
<v Speaker 4>week motherfucker.

0:50:09.520 --> 0:50:11.200
<v Speaker 1>You know listen, let me tell you some about name.

0:50:11.760 --> 0:50:15.239
<v Speaker 1>Name is the most emotional comic. So we talked about

0:50:15.239 --> 0:50:17.120
<v Speaker 1>like comments and like that Name used to go to

0:50:17.200 --> 0:50:20.319
<v Speaker 1>Ticketmaster and he would read like the comments, like he

0:50:20.360 --> 0:50:23.440
<v Speaker 1>would read them all. So he coming like the dressing

0:50:23.480 --> 0:50:24.960
<v Speaker 1>room after the show. He'd be like, did you see

0:50:24.960 --> 0:50:25.719
<v Speaker 1>what they said about me?

0:50:27.440 --> 0:50:27.800
<v Speaker 2>No?

0:50:28.880 --> 0:50:34.600
<v Speaker 1>What they say this is bullshit? Like now why are

0:50:34.600 --> 0:50:36.440
<v Speaker 1>you reading that? I just go on it. But it's

0:50:36.719 --> 0:50:38.879
<v Speaker 1>once you win it, you win it. Like he would

0:50:38.920 --> 0:50:40.759
<v Speaker 1>really like he would go back and forth with people

0:50:40.760 --> 0:50:42.359
<v Speaker 1>like what then you talk about obviously you got there late,

0:50:42.480 --> 0:50:45.080
<v Speaker 1>Like he was like, he would go back and forth

0:50:45.080 --> 0:50:48.719
<v Speaker 1>with people, Yes, we'll take a baster. He would go

0:50:48.800 --> 0:50:50.960
<v Speaker 1>to people that had like bad things to say.

0:50:52.560 --> 0:50:52.960
<v Speaker 2>I love him.

0:50:54.000 --> 0:50:57.239
<v Speaker 1>That's it. I'm done. It's the Breakfast Club. It's Kevin.

0:50:57.280 --> 0:51:00.480
<v Speaker 1>Wake that ass up in the morning.

0:51:00.600 --> 0:51:01.600
<v Speaker 2>The Breakfast Club.