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Speaker 1: Wake that ass up in the morning.

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Speaker 2: Breakfast Club Morning.

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Speaker 3: Everybody is Steve, j Envy, Jesse, Hilarry and Charlamage the guy.

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Speaker 1: We are the breakfast Club. We got a special guest in.

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Speaker 2: The building who refuses to stop. Ladies and gentlemen, Kevin Hart,

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Speaker 2: Welcome back, brother. He just won't sit down.

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Speaker 1: How you yourself.

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Speaker 4: If nobody else will give it to you.

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Speaker 1: Life is great. No complaints man. Uh here to talk

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Speaker 1: about more ship, which means great ship is happening. Uh

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Speaker 1: still moving, still tracking, still working, still doing the same thing.

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Speaker 2: But bigger. When the last time you took a break?

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Speaker 1: Why? Why? Why take a break? We talking about this

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Speaker 1: all the time every Now you can rest when you die.

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Speaker 1: I enjoyed doing what I do, So why why am

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Speaker 1: I looking to rest. I have a good time working.

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Speaker 1: I don't. I don't like hate my job or my

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Speaker 1: job doesn't stress me out. I enjoyed the idea of work.

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Speaker 1: I enjoy the idea of doing something that I set

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Speaker 1: out to do. Like that's my happy space. Yeah, so

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Speaker 1: I'm not I'm not resting anytime soon.

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Speaker 3: Well, congratulations to your egles. Congratulations to your egos.

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Speaker 2: Yeah, congratulations, congratulations. I am a Giants fan.

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Speaker 1: That's crazy you think me. I mean, I don't work

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Speaker 1: in the office. I understand what your office did they

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Speaker 1: Cin Barkley, how about how about that? Just a second,

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Speaker 1: just a second to talk about that? How how about that? Man? Like,

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Speaker 1: not a lot of officers can like sit and be

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Speaker 1: like we fucked up. There's not a lot that can

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Speaker 1: actually go you know what, man, we really fucked up

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Speaker 1: on this one.

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Speaker 2: We did.

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Speaker 1: Like who's responsible? Like they got a point. That's one

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Speaker 1: of the few times where they got a point in

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Speaker 1: each other? Was you guaranteed you who didn't make the

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Speaker 1: fucking deal? It was you know, I thought it was

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Speaker 1: our best interest, the biggest gift in forootball.

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Speaker 2: Man.

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Speaker 1: So stupid season in New York.

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Speaker 2: I'm happy he wouldn't have that season in New York.

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Speaker 2: You don't know what he would have, that's true. You

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Speaker 2: don't know what they wouldn't want the super.

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Speaker 1: Bowl, I mean, that's true, but you don't know the season.

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Speaker 2: That's true.

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Speaker 1: Coming back healthy, ready to play football. You know, it's

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Speaker 1: not like he just got good. He's been fucking good

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Speaker 1: healthy hundred It was the face of the Giants, I

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Speaker 1: mean one hundred percent. Why do you get her to say,

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Speaker 1: I just don't understand it, but thank you. I thank

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Speaker 1: the giants for the gift, one of the best gifts

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Speaker 1: I've ever fucking like received as a fan.

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Speaker 5: In saw talk to us about this new two part

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Speaker 5: documentary you Got One to Call.

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Speaker 1: She congratulations to Jamie fox Man. This is a Jamie

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Speaker 1: fox Like idea that he came to me with at heartbeat.

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Speaker 1: And you know, it was a concept about being one

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Speaker 1: of the call sheet and the good and bad of it. Right.

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Speaker 1: He's like, you know a lot of people experience it,

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Speaker 1: but it doesn't do the same for everyone, you know,

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Speaker 1: and whether it's the ego, whether it's the money, whether

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Speaker 1: it's the idea of the money, whether it's the thought

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Speaker 1: of my career is now about to be, and it

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Speaker 1: doesn't become like there's so many different, uh concepts attached

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Speaker 1: to it. I thought it was a great idea, man,

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Speaker 1: you know, fox is a brilliant mind. And I said,

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Speaker 1: to make it real, like, we got to go out

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Speaker 1: and you know, of course happened to all our relationships.

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Speaker 1: So it started off is just the idea for men,

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Speaker 1: Like we were heavy on the men's side, and then

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Speaker 1: we were like, yo, it's dope as fuck if you

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Speaker 1: have it to where you know there's a male version,

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Speaker 1: and then we go when we tap into a female

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Speaker 1: version as well, and really just expand the conversation of

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Speaker 1: success or lack thereof. And it's, uh, it's dope to

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Speaker 1: hear all these people talk about it. So I think

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Speaker 1: people are gonna be blown away by hearing the good

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Speaker 1: and the bad. Like everybody doesn't fuck with the concept

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Speaker 1: of it.

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Speaker 2: You know, we'll be a number one on the cause.

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Speaker 4: Everybody doesn't fuck with it. When when did you become

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Speaker 4: number one on the cast sheet? And what does it

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Speaker 4: mean to be there?

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Speaker 1: I've been number one for a while. Like I love it.

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Speaker 1: I love it like I don't. I don't want to

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Speaker 1: make it very clear. I love it. Think like a

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Speaker 1: man the first time, No, I mean the first one.

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Speaker 1: First one was probably, of course paper soldiers way back

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Speaker 1: in the day. Oh, but you know it's been it's

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Speaker 1: been a lot.

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Speaker 2: They will be happy to hear that. He'll be happy

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Speaker 2: to hit at you.

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Speaker 1: Paper soldiers shut out today. I think I think for

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Speaker 1: for me, it's more about you know, it's about the

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Speaker 1: the idea of building the project. So so you know,

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Speaker 1: I'm more of the creative behind the scene now, so

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Speaker 1: to have the idea and the idea come into like

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Speaker 1: real life and you're like, oh shit, we're doing this

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Speaker 1: and it's happening. And then the number one on the

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Speaker 1: call sheet and you're like, following down, that's great. But now, honestly,

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Speaker 1: I don't really I don't really give a fuck, Like

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Speaker 1: I'm joking about the number one, But I'm more about

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Speaker 1: putting other people in place to do ship and the

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Speaker 1: producing or the development of projects is what thrives, like,

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Speaker 1: that's what drives me.

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Speaker 2: Now.

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Speaker 3: You never left the road.

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Speaker 1: Why is the road so important to you? Because you

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Speaker 1: control it, you own it. Uh, there's no small venues.

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Speaker 1: You do big venues. Like nothing better than stand up coming.

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Speaker 1: There's no job better than the job of live entertainment,

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Speaker 1: live audience, Your fans, your connection, your relationship. It doesn't

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Speaker 1: die right like you can you literally if you if

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Speaker 1: you treat it like a plant and you forever water it,

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Speaker 1: the plan is never gonna die right like, So if

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Speaker 1: it can grow and you have good seasons, bad seasons,

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Speaker 1: it's always gonna be there. And those fans are just

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Speaker 1: gonna ride with you forever. So I'm very I'm very

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Speaker 1: adamant on staying true to stand up comedy. Nothing takes

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Speaker 1: the place in stand up coming. I don't give fuck

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Speaker 1: what I'm doing the level that I'm doing at. I

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Speaker 1: will go and do comedy clubs. I will come to

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Speaker 1: New York for months on a time and just do

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Speaker 1: a run of pop ups.

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Speaker 4: Uh.

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Speaker 1: That's my muse, that's my stress reliever.

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Speaker 5: So do you have a specific process, Like do you

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Speaker 5: ever still go back and visit family in Philly to

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Speaker 5: like get some get some light core material.

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Speaker 1: Nah? I mean, you know, I just I think when

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Speaker 1: you're when you're doing a lot in general, you're you're

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Speaker 1: always in the space of creative thinking, right, Like, if

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Speaker 1: you're NonStop, I'm not in the house like I'm I'm traveling,

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Speaker 1: I'm around people like you're. If you're constantly around and

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Speaker 1: you're constantly seeing things like, that's where your ideas are

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Speaker 1: coming from. That's where the urge to talk about more

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Speaker 1: shit happens, whether young energy or old energy, that's where

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Speaker 1: my appetite to go, Oh fuck, that's funny, let me

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Speaker 1: let me go on stage. I'm gonna see who this

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Speaker 1: is or oh god, this is actually this is a

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Speaker 1: new fucking like this is a new bait or possible

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Speaker 1: like idea to get to the bait so I can

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Speaker 1: fucking get like some dope shit. Once I get excited

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Speaker 1: about it, then I'm I'm hitting around running. But it's not.

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Speaker 1: It's not family generated, it's travel generated. Where am I

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Speaker 1: going with? Am I experiencing? Who am I around?

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Speaker 3: Did you had Damon way and say that he would

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Speaker 3: never do a stand up anymore because.

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Speaker 2: He was like, people are too sensitive, people are stupid?

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Speaker 3: Well yeah, basically, you know he says anything, people get

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Speaker 3: offended too fast, and it's like it's just not worth

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Speaker 3: the distress.

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Speaker 1: Uh, I understand, I mean I'm not. I don't. I

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Speaker 1: don't see it the same way because I don't. I don't.

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Speaker 1: I don't have that level of give a fuck of

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Speaker 1: I don't want to do the thing that I love

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Speaker 1: to do because I'm caring so much about what everybody

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Speaker 1: else is thinking about what I'm doing.

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Speaker 5: Like, I don't I think he meant that on you

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Speaker 5: know how the wayne's used to be like they no limit,

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Speaker 5: like you talk about anything. But now that since the

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Speaker 5: new trend is being offended and a lot of people

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Speaker 5: are just you know, it is what it.

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Speaker 1: Is though communities. I mean, Dame is Dame. Dame is

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Speaker 1: a legend. Like if Dame wanted to go on stage

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Speaker 1: and fucking around, Dame can do what he wants when

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Speaker 1: he wants. Uh, you know the idea of people being

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Speaker 1: upset or or fucking triggered. If you're thinking about that, like,

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Speaker 1: then you're you're going down a crazy spiral. I'm not.

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Speaker 1: I'm not doing comedy and thinking about the thought of

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Speaker 1: what you think about what I'm saying like I'm I

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Speaker 1: have the things I want to talk about. I know

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Speaker 1: the direction I want to go in. I'm not here

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Speaker 1: to offend. I'm not here to aggravate or his people

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Speaker 1: off I'm here to do my craft.

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Speaker 2: Do you can get away with anything if it's actually funny.

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Speaker 1: If it's fun if it's funny and it's coming from

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Speaker 1: a genuine like I'm not being malicious like now, if

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Speaker 1: you're if your intent is to be malicious behind set

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Speaker 1: thing and there's no real humor attached to it, it's

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Speaker 1: just an angry, fucking suggestion, and that's different. But I'm

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Speaker 1: not in that space.

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Speaker 2: I'm not I'm not doing Last time you've been angry.

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Speaker 1: Last time've been angry. It's been a minute. Man, it's

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Speaker 1: been a minute. I don't get what what do you think?

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Speaker 1: Like what are you angry about? Like why? Why? Why

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Speaker 1: are you letting things drive you to the point of

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Speaker 1: a level of anger that prevents you from doing something else?

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Speaker 1: Like it takes so much energy to be angry?

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Speaker 4: Or do you have something that when you even get

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Speaker 4: to that point, Like is it the gym?

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Speaker 2: Is it your kids? Is it the stage?

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Speaker 1: Like I don't I know this is gonna sound crazy.

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Speaker 1: There's nothing that pressing to make me angry. You can

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Speaker 1: have a moment, you can frustrated for a moment, but

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Speaker 1: then I'm a solution oriented That's what I mean. Likes

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Speaker 1: this Okay. If something happened and it's upset, all right,

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Speaker 1: well why like why did it happen? Like anything? It's

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Speaker 1: all office or business related, so like well why all right?

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Speaker 1: Well now that is the case, Like what are we

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Speaker 1: doing to basically get outside this box? How can I

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Speaker 1: help get outside the box? Like me being upset at

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Speaker 1: you doing your mistake doesn't change the mistake. And by

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Speaker 1: the way, if this is a mistake you always make.

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Speaker 1: All right, well, we got to remove you. I'm sorry

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Speaker 1: but that's business. I'm not angry about the choice, but

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Speaker 1: it's a it's a professional solve.

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Speaker 3: Have you apologized yet to Delaware State University.

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Speaker 1: For what Sean Jackson said?

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Speaker 2: You was sorry?

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Speaker 1: Sewn Jackson said, oh sorry, Oh he's talk about when

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Speaker 1: I said, uh.

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Speaker 2: I forgot what he said. That's not a college.

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Speaker 1: It's not a real college. A bunch of niggas, a

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Speaker 1: bunch of it's a bunch of niggas on the camp.

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Speaker 1: I mean, first of all, it is all right, but

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Speaker 1: it's like smart people there too. We're talking about I

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Speaker 1: used to go to Delaware State all the time. I'm

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Speaker 1: performed there several times from Philadelphias right up the street.

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Speaker 1: Delaware State knows. I have no ill will towards them.

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Speaker 1: I love you guys, but it was a funny bit.

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Speaker 1: A lot of niggas out there.

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Speaker 5: You guys, you animated show out little Yes, talk about your.

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Speaker 6: Life growing up?

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Speaker 2: Yes?

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Speaker 6: What made you want to do that animation style?

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Speaker 2: You know?

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Speaker 1: Crazy? This has been a this is like, this is

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Speaker 1: a crazy development, man. This is I want to say,

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Speaker 1: like seven to eight years in the making before we

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Speaker 1: could actually do it properly. Shouts out to to Scott

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Speaker 1: Mills over there at bt Man for understanding like my

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Speaker 1: world of want and allowing me to do it the

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Speaker 1: way I wanted to do it. You know, it's an

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Speaker 1: a doubt animation, uh, And I wanted to like flip

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Speaker 1: the story of the conversation attached to the hood, right,

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Speaker 1: Like everybody talks about the hood from one point of view.

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Speaker 1: You know, the hood is the hood, and people like

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Speaker 1: the hood is fucked up, it's so bad.

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Speaker 2: But what you niggas neighborhood?

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Speaker 1: Yeah, Like, and I think that there's a there's a

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Speaker 1: positive side to it. You know, there's a there's a

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Speaker 1: role that everybody plays in the hood, especially when it

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Speaker 1: comes to kids, families, Like everybody's part of the village.

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Speaker 1: Everybody's raising everybody's child, everybody is aware, everybody's in the know.

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Speaker 1: Everybody's trying their best to service and need a good

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Speaker 1: and even bad shit is happening, you know, when people

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Speaker 1: find out, there is an energy attached to trying to

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Speaker 1: solve it and make it better. And this is a

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Speaker 1: way of just flipping the conversation on the hood upside down.

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Speaker 1: So it's about me, my upbringing being in the hood,

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Speaker 1: but having such a high level of love for the hood,

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Speaker 1: for my family and for all the people around it.

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Speaker 2: And just Larius is in it keeping her away from

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Speaker 2: breakfast club.

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Speaker 1: Come on, just don't listen to that.

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Speaker 2: I don't.

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Speaker 1: I don't listen when people say, like I want to

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Speaker 1: make something very clear, when people say like, yeah, thank

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Speaker 1: you for giving people a job people earn them, like,

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Speaker 1: I'm not giving thank you anything. I'm not out like,

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Speaker 1: hey here, just here's a fucking gift. Like that's just

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Speaker 1: that's her team, that's people working and saying, hey, this,

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Speaker 1: it's a good thing to possibly put just up for process.

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Speaker 1: I mean, you could say no, but when people are

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Speaker 1: talented and earning things on their own, it's happening the

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Speaker 1: way it's supposed to be. I'm not I'm not in

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Speaker 1: the space of know of everything and I'm hand picking

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Speaker 1: people and doing like that's what that would mean that

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Speaker 1: I'm fucking I mean the time and the day to

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Speaker 1: do that and do it and do it and do it.

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Speaker 1: Then that means that the people around me aren't doing

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Speaker 1: what the fuck they're supposed to do. So it's your

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Speaker 1: job to like properly package and you know, put people

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Speaker 1: in places to make these projects good and it's my

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Speaker 1: job to see it. At the end stage, we're going, Wow,

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Speaker 1: this is a great cast, these are great personnel, great roles.

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Speaker 1: I like this. I like this configuration. But justice earning

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Speaker 1: it definitely giving anything.

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Speaker 4: And you know, you do take the time to pour

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Speaker 4: into the next generation. You know, drewski was up here

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Speaker 4: and Drewskie said that you gave him and Kis and

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Speaker 4: not a bunch of movies to watch and told them

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Speaker 4: to get you stud whatever your stupid ass is doing

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Speaker 4: right now, watch these movies. Yeah, and prepare for the

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Speaker 4: next level.

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Speaker 1: That's uh, you know, I like, I like, I like

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Speaker 1: what the younger generation is doing. It's crazy I'm saying that,

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Speaker 1: like I'm I'm really am a part of like a

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Speaker 1: time of old forty five. Well doesn't look it, you know.

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Speaker 1: Uh that that that older generation of like how we

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Speaker 1: approach the business, how we approach the craft right like,

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Speaker 1: And I think it's dope as fuck to see this

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Speaker 1: new generation navigate differently, like like the comedians of today

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Speaker 1: did not go and you know work at it the

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Speaker 1: same way that we did. Like they're they're breaking new ground,

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Speaker 1: finding ways to be the personalities first and then get

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Speaker 1: to the stage after and the way they're engaging with

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Speaker 1: their audience and the way that the audience is responding

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Speaker 1: to them. I think it's dope as fuck, So, you know,

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Speaker 1: and being a fan of it, I feel like it's

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Speaker 1: my job now to figure out ways to like grab

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Speaker 1: this personnel when it where I can, and you know,

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Speaker 1: try to push him forward with Kai and Drewski. Kai

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Speaker 1: is such a monster man, Like I think people realize

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Speaker 1: how big Kai's audience is.

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Speaker 2: Yes, we do.

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Speaker 1: Kai's fan base is insane. Like you're talking about somebody

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Speaker 1: that's talking in front of a computer for hours on end,

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Speaker 1: and you know, he holds anywhere between three and fo

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Speaker 1: hundred thousand people the eight to twelve hour periods that

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Speaker 1: don't move. Like when we did those streams, you know,

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Speaker 1: you're putting up Super Bowl like numbers. We had at

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Speaker 1: one point, like nine hundred thousand people in a fucking

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Speaker 1: stream watching for hours on end. So I told him,

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Speaker 1: I said, look, man, I want to show you guys

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Speaker 1: ways to like give your audience more and ways to

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Speaker 1: do more. So I came up, like with some dope

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Speaker 1: ass ideas concepts for us to rock in together, but

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Speaker 1: stay true to the space of what they're doing. So Drewski,

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Speaker 1: I know he came and he was like, telling you

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Speaker 1: guys about the movie. I don't want to tell you'all

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Speaker 1: what it is, but it's a big, big idea that

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Speaker 1: we're working now. But I was like, to do it.

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Speaker 1: You guys got to educate yourself on things in this space.

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Speaker 1: So it wasn't homework. I was like, understand production, Understand

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Speaker 1: how movies are made, Understand the look and feel, so

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Speaker 1: that when we're talking and ide eating, you know what

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Speaker 1: I'm talking about. Like I don't want to talk to

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Speaker 1: you and you got to go backwards and track what

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Speaker 1: we're talking about. So the homework quote unquote, the homework

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Speaker 1: was more about get this concept and then like let's

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Speaker 1: get to the table and let's make the shit funny.

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Speaker 1: But I got them really like creating the shit and

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Speaker 1: developing it and not because you know, it's a chore

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Speaker 1: a task. It's like, I want you to be a

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Speaker 1: part of the process so you can understand the process.

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Speaker 1: And after you do this with me, go do it yourself.

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Speaker 1: Go do it and figure out ways to you know,

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Speaker 1: do it with the other people that you're around. But

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Speaker 1: I think they're fucking talented I think Jewickey is a start.

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Speaker 1: I think Juwickey's a funny fucking guy man. Naturally. I

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Speaker 1: think they're fucking like natural talents, and in this it's

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Speaker 1: like putting them in a position to be what they

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Speaker 1: are and be the first to come over the bridge

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Speaker 1: from that space of streaming whatever. Like what mister Beasts

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Speaker 1: is doing is dope. This game show, big game show.

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Speaker 1: He's taking everything and the idea of game prize. He

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Speaker 1: he redefined it right, like, if you really watch it,

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Speaker 1: what he's done. He redefined the concept of game game show.

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Speaker 1: We've seen it for years on Who Wants to Be

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Speaker 1: a Millionaire and all these other shows, but it was

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Speaker 1: a traditional there was a traditional win and here's your gift.

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Speaker 1: He broke that model. I'm gonna give him some cats,

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Speaker 1: some regular people, man, And he did a time at

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Speaker 1: the time and time again, and then he built the

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Speaker 1: big ass series and hey, man, fucking streaming platforms was like, hey,

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Speaker 1: we gotta fuck with this guy. We're gonna give him X, Y,

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Speaker 1: and Z to do it. We want you to do

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Speaker 1: it with us. But he controls it, he owns it.

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Speaker 1: So I'm showing them how to control, how to own

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Speaker 1: and do bigger things so it doesn't cap out at

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Speaker 1: the stream. Dreucy said, you actually set him up in

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Speaker 1: that stream with that, with that, with that little kid,

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Speaker 1: he said, he said, it was you. Actually, this is

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Speaker 1: what that's that's what you did.

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Speaker 2: You did start off, you started follow your leader.

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Speaker 1: First of all, what you need to understand is where

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Speaker 1: the cameras are at all times. What I said, the

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Speaker 1: juice keeper was in his ear. I said something in

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Speaker 1: his ear. Okay, nobody really knows what I said. He

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Speaker 1: knows what I said. And then he took the liberty

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Speaker 1: of going and you know, saying very harsh things. By

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Speaker 1: the way, you know things. It shouldn't be walk right

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Speaker 1: out like you. I mean, I don't want to be

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Speaker 1: around that. I've seen a lot of people get in fights.

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Speaker 1: I've seen what it's about to happen. I go, I

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Speaker 1: shouldn't be here, right I shouldn't be here. They're about

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Speaker 1: to start shooting. By the way, he's got the gun.

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Speaker 1: I see it. I'm gonna leave right now. So I

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Speaker 1: just exited the room because I think I think at

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Speaker 1: the time, I had to go to the vathroom actually,

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Speaker 1: and then a lot of stuff from what I was

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Speaker 1: told happened from what I was told. The kids started

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Speaker 1: crying and stuff like that, and I came back. I

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Speaker 1: came back and I was like, what's going on? At

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Speaker 1: that time, I'm the adult in the room trying to

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Speaker 1: calm ship down, right, man, what's happening? And I think

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Speaker 1: all the cameras caught me saying that, which is good

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Speaker 1: for me legally, so I was never attached.

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Speaker 4: Jukie said he felt like he could make those jokes

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Speaker 4: because he's fat and y'all were teasing him all day

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Speaker 4: about being fat or juicy.

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Speaker 1: First of all, calling people fat is that's aggressive.

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Speaker 2: When you saw the big thinking of you, I just

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Speaker 2: want to.

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Speaker 1: I just want to know what I'm saying. Juicy big

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Speaker 1: a little bigger, right becase he had problems breathing when

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Speaker 1: he walks up steps. Yeah, of course, But but you

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Speaker 1: know that little kid, I think was on his way

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Speaker 1: to a healthy lifestyle. You got to support that, right,

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Speaker 1: the little kid because he was talking. I think the

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Speaker 1: little kid was talking about exercising and stuff, which is good.

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Speaker 1: And I'm always glad to just be on the positive

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Speaker 1: side of conversation. That's what I'm about. You know, I'm

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Speaker 1: a beacon of light Joy.

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Speaker 5: Kevin that at the level of success that you are

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Speaker 5: being an actor, do you still have to audition for roles.

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Speaker 1: Or absolutely not?

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Speaker 6: Okay, what are you talking, La Lawrence that he had

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Speaker 6: said that he does min I.

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Speaker 2: Think Martin said he had to he pitches, he still got.

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Speaker 1: To pitch projects that, Yeah, that makes sense if he's

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Speaker 1: pitching things. I mean, am I Am I really pitching things?

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Speaker 1: I think I'm pitching ideas to my team. I'm more

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Speaker 1: in the business of creating the things that I think

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Speaker 1: best service my want in my my direction and the business.

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Speaker 1: Like when you think about the dramas, you think about

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Speaker 1: all the things that I've done as serious like that's

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Speaker 1: been me so true story. I was like, I want

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Speaker 1: to I want to kill somebody on camera. I think

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Speaker 1: it'll be dope, and I want to found a guy

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Speaker 1: that created Narcos and I was like, Yo, it'll be

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Speaker 1: dope as fuck if we can collab and talk. But

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Speaker 1: we developed it and then I was like, Okay, this

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Speaker 1: is great, let's go and take this out Like that's

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Speaker 1: developing it and then going to sell it. Fight night.

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Speaker 1: You know that was me Will Packer, Will telling me

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Speaker 1: you had the right and not saying, hey, to do it.

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Speaker 1: This can be dope as fun, but let's do it

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Speaker 1: this way and put the right people in it. So

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Speaker 1: like the the creative side of from start to finish

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Speaker 1: is where I'm playing at now. But like auditioning, I'm

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Speaker 1: not really auditioning. I think people if they have a project,

434
00:20:17,200 --> 00:20:18,639
Speaker 1: they're like, oh, Kevin would be good for this, And

435
00:20:18,640 --> 00:20:20,560
Speaker 1: I'm getting those calls, hey, we want you to do

436
00:20:21,200 --> 00:20:22,920
Speaker 1: and then I got a decision of if I want

437
00:20:22,960 --> 00:20:23,439
Speaker 1: to do it or not.

438
00:20:23,560 --> 00:20:25,520
Speaker 6: Like fans is the upside. That's still one of my

439
00:20:25,520 --> 00:20:26,200
Speaker 6: favorite movies.

440
00:20:26,359 --> 00:20:29,480
Speaker 5: You and Brian Kranston, they they already saw you for

441
00:20:29,560 --> 00:20:29,880
Speaker 5: that role.

442
00:20:30,400 --> 00:20:33,160
Speaker 1: He said, we want to do the remake. Uh, and

443
00:20:33,400 --> 00:20:36,440
Speaker 1: we see you and Brian Cranston doing this. Are you interested?

444
00:20:36,440 --> 00:20:40,240
Speaker 1: And absolutely, and Nicole Kipman I was like absolutely, hands down,

445
00:20:40,560 --> 00:20:43,200
Speaker 1: But it's it's it's coming out and having an ask

446
00:20:43,680 --> 00:20:47,040
Speaker 1: not to saying that I wouldn't audition you would. He

447
00:20:47,040 --> 00:20:51,199
Speaker 1: would try to clean it up, trying to clean it up,

448
00:20:51,359 --> 00:20:54,640
Speaker 1: anybody trying to cameras there. I just wanted to look

449
00:20:54,640 --> 00:20:56,119
Speaker 1: in and make it just look like I'm willing to

450
00:20:56,200 --> 00:20:59,439
Speaker 1: do right. I'm not. I just want to guys, if

451
00:20:59,480 --> 00:21:00,520
Speaker 1: you understand what's.

452
00:21:00,400 --> 00:21:03,120
Speaker 3: What's the last time you got booed? And the reason

453
00:21:03,160 --> 00:21:09,240
Speaker 3: I asked because you said you do small shows.

454
00:21:10,119 --> 00:21:12,920
Speaker 1: I'm not getting booted and nobody. I'm not getting booed

455
00:21:12,920 --> 00:21:15,879
Speaker 1: at this point. Like if even if jokes aren't funny,

456
00:21:16,680 --> 00:21:21,440
Speaker 1: you know, you're you're getting the you're getting the credibility laughs.

457
00:21:21,560 --> 00:21:28,760
Speaker 1: At at least you're trying to minimum, you're trying things out.

458
00:21:28,800 --> 00:21:29,320
Speaker 1: You don't care.

459
00:21:29,400 --> 00:21:31,160
Speaker 6: You don't want a damn boo either, don't care.

460
00:21:31,800 --> 00:21:35,119
Speaker 1: Honestly, I have no there is no care for like

461
00:21:35,640 --> 00:21:37,920
Speaker 1: the level of laughter when I'm trying to figure ship

462
00:21:38,000 --> 00:21:39,800
Speaker 1: out now, but I think I've got it all done

463
00:21:40,160 --> 00:21:42,800
Speaker 1: and I'm like, oh, this set is complete. I'm going

464
00:21:42,840 --> 00:21:45,040
Speaker 1: out and I'm struggling. Okay, And that's that's a little

465
00:21:45,040 --> 00:21:48,639
Speaker 1: self esteem bruising if that's the case. But that's not.

466
00:21:49,119 --> 00:21:51,920
Speaker 1: That hasn't been the case ever. Like when you when

467
00:21:51,920 --> 00:21:53,399
Speaker 1: you work the ship and you done worked on the

468
00:21:53,440 --> 00:21:55,760
Speaker 1: craft and I'm like, Okay, I got it, I got

469
00:21:55,760 --> 00:21:58,840
Speaker 1: it down. This is my set. No, you're not. You're

470
00:21:58,840 --> 00:22:00,560
Speaker 1: not running into them problems. Now do you get an

471
00:22:00,600 --> 00:22:04,119
Speaker 1: occasional person that you got to deal with in the crowd. Yeah,

472
00:22:04,160 --> 00:22:08,080
Speaker 1: but that stuff isn't booing. That's like you know, atmosphere

473
00:22:08,200 --> 00:22:11,119
Speaker 1: that's heckling or somebody yelling out and looking for a moment.

474
00:22:11,320 --> 00:22:12,560
Speaker 1: Every once a while, you got to show that you

475
00:22:12,640 --> 00:22:15,240
Speaker 1: still got that and you know, you put people in

476
00:22:15,240 --> 00:22:17,320
Speaker 1: a place comedically and then you move on with the set.

477
00:22:17,359 --> 00:22:20,040
Speaker 2: But booing, Now, what about like social media?

478
00:22:20,080 --> 00:22:22,760
Speaker 4: Backlund because everybody, for whatever reason was highly upset when

479
00:22:22,760 --> 00:22:26,080
Speaker 4: you hosted a NBA All Star Weekend. There was a

480
00:22:26,080 --> 00:22:27,560
Speaker 4: a section of the internet that was acting like they

481
00:22:27,600 --> 00:22:28,600
Speaker 4: were you know, you know.

482
00:22:28,640 --> 00:22:32,480
Speaker 1: What what do you what do you? What energy do

483
00:22:32,560 --> 00:22:36,399
Speaker 1: you give that I'm a partner to the NBA, Like,

484
00:22:36,720 --> 00:22:39,000
Speaker 1: understand what that means. I'm not I'm not coming on

485
00:22:39,280 --> 00:22:42,399
Speaker 1: to be Kevin Hart and have funny moments to the NBA.

486
00:22:42,520 --> 00:22:46,919
Speaker 1: The NBA has been a servicing aid to my career

487
00:22:46,960 --> 00:22:50,000
Speaker 1: for over fifteen years. Like you go back and you'll

488
00:22:50,040 --> 00:22:52,399
Speaker 1: look at how much I've been on NBA T and

489
00:22:52,480 --> 00:22:56,640
Speaker 1: T and All Star Weekend, celebrity weekends, all these events

490
00:22:56,720 --> 00:23:01,920
Speaker 1: like this you're not looking at. It's it's almost host adjacent, right,

491
00:23:02,040 --> 00:23:05,040
Speaker 1: Like the personalities that we lean on because we're familiar

492
00:23:05,040 --> 00:23:08,560
Speaker 1: with family and we know how they work. That's what

493
00:23:08,640 --> 00:23:10,760
Speaker 1: that is. So the All Star I'm not going to

494
00:23:10,760 --> 00:23:12,680
Speaker 1: the All Star Game to trying to create a big

495
00:23:12,720 --> 00:23:15,639
Speaker 1: moment for me. I'm there because the energy of the

496
00:23:15,680 --> 00:23:19,399
Speaker 1: All Star Game comes with Chuck, Ernie Kenney, myself, Shack

497
00:23:19,600 --> 00:23:22,080
Speaker 1: like we've been doing this for years, Like just talking

498
00:23:22,119 --> 00:23:25,040
Speaker 1: and playing with one another, bantering on camera. That's not

499
00:23:25,080 --> 00:23:27,960
Speaker 1: an easy thing to do. They make it look fucking easy.

500
00:23:28,680 --> 00:23:30,560
Speaker 1: They make it look great. That's not an easy.

501
00:23:30,359 --> 00:23:33,320
Speaker 6: Thing between you and shit, yeah, that's very easy.

502
00:23:33,440 --> 00:23:35,960
Speaker 1: That's not fucking an easy thing to do. Like that chemistry,

503
00:23:36,000 --> 00:23:38,880
Speaker 1: that rapport. It comes from like having a real understanding

504
00:23:38,880 --> 00:23:41,720
Speaker 1: for how TV works. So you can't just throw new

505
00:23:41,800 --> 00:23:45,080
Speaker 1: things in there because it gets weird. People don't understand

506
00:23:45,119 --> 00:23:47,159
Speaker 1: the times, peoplen't understand the cuts, how much time you

507
00:23:47,160 --> 00:23:48,840
Speaker 1: gotta go cut back to the game. They're trying to

508
00:23:48,840 --> 00:23:51,159
Speaker 1: do so much new shit, they're trying to discover it.

509
00:23:51,200 --> 00:23:53,360
Speaker 1: So why they're trying to figure it out. Here's personality

510
00:23:53,359 --> 00:23:54,800
Speaker 1: that we can lean on, so at least we don't

511
00:23:54,800 --> 00:23:58,000
Speaker 1: have dead space or dull moments on camera. That's that's

512
00:23:58,000 --> 00:24:00,159
Speaker 1: what that is. So when you understand the tech, the

513
00:24:00,200 --> 00:24:02,880
Speaker 1: coalnity behind it. Then you you understand my involvement. I don't.

514
00:24:03,000 --> 00:24:04,959
Speaker 1: I don't feed into the other ship like I know

515
00:24:04,960 --> 00:24:06,359
Speaker 1: why I'm there, partnership.

516
00:24:06,600 --> 00:24:09,159
Speaker 4: Do you ever tell Shack to like really back up

517
00:24:09,200 --> 00:24:11,080
Speaker 4: off you could he be kind of sexually assaulting you

518
00:24:11,119 --> 00:24:11,600
Speaker 4: in a little bit.

519
00:24:12,640 --> 00:24:16,959
Speaker 1: Come on. Only one time with Shack has done some

520
00:24:16,960 --> 00:24:21,240
Speaker 1: crazy ship where I was uncomfortable was Real Husbands when

521
00:24:21,800 --> 00:24:24,720
Speaker 1: that whole thing that's on the internet that they that

522
00:24:24,840 --> 00:24:28,560
Speaker 1: wasn't I wasn't scripted. It was a moment, but honestly,

523
00:24:29,119 --> 00:24:33,320
Speaker 1: be real, I couldn't do nothing about it. Yeah, they

524
00:24:33,400 --> 00:24:39,119
Speaker 1: gotta cut. This is you know before just before I

525
00:24:39,119 --> 00:24:40,800
Speaker 1: put a little size on not to say I could

526
00:24:40,800 --> 00:24:42,600
Speaker 1: do something to shock, but I didn't. You know, it

527
00:24:42,680 --> 00:24:45,040
Speaker 1: was a very frail version of me. And you know

528
00:24:45,160 --> 00:24:47,800
Speaker 1: it was this is when Shaq was like when they

529
00:24:47,800 --> 00:24:50,360
Speaker 1: were like just talking about Shaq being a cop and

530
00:24:50,400 --> 00:24:52,480
Speaker 1: he really was a cop. To be funny as fuck,

531
00:24:52,720 --> 00:24:55,160
Speaker 1: Shack pulled me over on Real Husbands of Hollywood and

532
00:24:55,240 --> 00:24:57,600
Speaker 1: you know, like Shack is like basically about the arrestment

533
00:24:58,800 --> 00:25:08,359
Speaker 1: and he fucking you know, everybody can't improv the you

534
00:25:08,400 --> 00:25:10,040
Speaker 1: don't even have to say this we're not even to

535
00:25:10,040 --> 00:25:10,800
Speaker 1: discussing people.

536
00:25:10,600 --> 00:25:12,840
Speaker 2: Who haven't seen it. A great show. You should. It's

537
00:25:12,840 --> 00:25:14,040
Speaker 2: a great show, but it's not online.

538
00:25:14,280 --> 00:25:16,160
Speaker 1: But we're not gonna do is make it scene like something.

539
00:25:17,040 --> 00:25:20,360
Speaker 1: So but what he did was he grabbed me when

540
00:25:20,359 --> 00:25:22,080
Speaker 1: I got out the car and he just tried to

541
00:25:22,080 --> 00:25:24,200
Speaker 1: get a little physical right. It was like you down.

542
00:25:24,640 --> 00:25:28,920
Speaker 1: But it's like like everybody doesn't improve the same comedy.

543
00:25:28,920 --> 00:25:31,400
Speaker 1: Comedy is an art. Like you ever see comedians when

544
00:25:31,400 --> 00:25:33,199
Speaker 1: they try to like improvate, some of them go too

545
00:25:33,280 --> 00:25:35,520
Speaker 1: far or they don't know when to stop, like, hey man,

546
00:25:35,520 --> 00:25:38,159
Speaker 1: we got it in the scene, like you can't go

547
00:25:38,160 --> 00:25:40,080
Speaker 1: over there like oh yeah, well your mama And you're like, well,

548
00:25:40,920 --> 00:25:42,359
Speaker 1: you can't break up moms because we don't know who

549
00:25:42,359 --> 00:25:43,560
Speaker 1: our moms are in the scene.

550
00:25:43,560 --> 00:25:46,760
Speaker 4: It's like I just googled it and it says hashtag

551
00:25:46,840 --> 00:25:47,600
Speaker 4: calls of the week.

552
00:25:47,720 --> 00:25:50,880
Speaker 2: Hey yo, nah shock you straighted by lady Kevin Hart.

553
00:25:51,000 --> 00:25:53,480
Speaker 2: You literally took that man in the pound town.

554
00:25:53,640 --> 00:25:56,800
Speaker 1: This is this is what you're doing. That's actually that's

555
00:25:56,840 --> 00:26:00,919
Speaker 1: actually nuts. That's nuts. That's what he He grabbed me.

556
00:26:01,240 --> 00:26:04,000
Speaker 1: He grabbed me, throws me over the over the carr

557
00:26:04,240 --> 00:26:07,159
Speaker 1: and he and he he starts humping me. So I'm like,

558
00:26:07,240 --> 00:26:14,080
Speaker 1: I remember around face and you're gonna tell you how

559
00:26:14,240 --> 00:26:15,760
Speaker 1: let me tell you what I can tell charlat Mayne,

560
00:26:15,800 --> 00:26:19,040
Speaker 1: and Charlamayne is perfect like that is a nasty man

561
00:26:19,840 --> 00:26:22,160
Speaker 1: like that in this brief time, I just found out

562
00:26:22,160 --> 00:26:24,480
Speaker 1: a lot about him. By the way he starts describing stuff.

563
00:26:24,560 --> 00:26:27,159
Speaker 1: You're very graphic, nasty man. I just told you, just

564
00:26:27,160 --> 00:26:30,439
Speaker 1: describing with you. He grabbed me and he fucking like

565
00:26:30,520 --> 00:26:32,639
Speaker 1: throws me over the car. He's like, you don't know what.

566
00:26:32,920 --> 00:26:35,879
Speaker 1: He starts humping me. I remember Ralph that rest of

567
00:26:35,880 --> 00:26:39,200
Speaker 1: the episode, right. I remember Ralph was directed episode. I

568
00:26:39,240 --> 00:26:41,640
Speaker 1: remember I looked at Ralph. I'm like, hey, did y'all

569
00:26:41,640 --> 00:26:47,120
Speaker 1: did joab is it pages? Something happened? And they was like, uh,

570
00:26:47,240 --> 00:26:49,840
Speaker 1: they were like all right, Uh nobody wanted to say

571
00:26:49,880 --> 00:26:52,360
Speaker 1: ship to Shack. They're like, all right, we got it.

572
00:26:52,359 --> 00:26:58,359
Speaker 1: So let's just move on. We just we just moved

573
00:26:58,359 --> 00:27:04,360
Speaker 1: on talking about that, trying.

574
00:27:04,119 --> 00:27:05,480
Speaker 2: To get you again off weekend.

575
00:27:05,680 --> 00:27:06,199
Speaker 1: Just shut up?

576
00:27:07,240 --> 00:27:08,720
Speaker 2: Did you get triggered a little bit? I saw you.

577
00:27:08,760 --> 00:27:09,479
Speaker 2: He was creeping up.

578
00:27:10,560 --> 00:27:13,359
Speaker 1: That's a very I'm older and I'm in a much

579
00:27:13,400 --> 00:27:16,439
Speaker 1: more controlling state in my in my life where you

580
00:27:16,480 --> 00:27:18,679
Speaker 1: know I would say something to you know, don't do that.

581
00:27:20,720 --> 00:27:23,879
Speaker 1: You know he got to stop it right, like a

582
00:27:24,000 --> 00:27:27,520
Speaker 1: firm stop that right. But in that moment, that was

583
00:27:27,560 --> 00:27:29,920
Speaker 1: shock trying to be funny. That's my that's my nigga.

584
00:27:30,960 --> 00:27:32,000
Speaker 1: I have so much love.

585
00:27:32,160 --> 00:27:34,280
Speaker 4: Do people know the role or just generation? Do they

586
00:27:34,280 --> 00:27:36,440
Speaker 4: know the pivotal roll shock play in your career.

587
00:27:36,600 --> 00:27:38,960
Speaker 1: The pivotal road And I don't think people do know

588
00:27:39,080 --> 00:27:42,000
Speaker 1: the pivot? What is the pivotal role? Sounds crazy?

589
00:27:42,280 --> 00:27:43,080
Speaker 2: I'm being serious.

590
00:27:43,200 --> 00:27:44,720
Speaker 4: We don't know when he when he had the shock

591
00:27:44,800 --> 00:27:46,720
Speaker 4: comedy All Start Weekend, Yes.

592
00:27:46,600 --> 00:27:51,880
Speaker 1: Yes, and he's referring to like the special that actually launched.

593
00:27:52,440 --> 00:27:55,040
Speaker 1: I would say, like the the bigger side of success

594
00:27:55,040 --> 00:27:57,600
Speaker 1: to my comedy career, no bullshit is Shacks All Star

595
00:27:57,640 --> 00:28:00,560
Speaker 1: Comedy Jail. That was a phenix you know what crazy thing.

596
00:28:00,760 --> 00:28:03,480
Speaker 1: I did it as a favor. It was a favor

597
00:28:04,119 --> 00:28:06,040
Speaker 1: Like I was like, oh man, I can't really do shit.

598
00:28:06,040 --> 00:28:08,120
Speaker 1: I'm about to drop my special, so I don't really

599
00:28:08,160 --> 00:28:10,720
Speaker 1: want to like go and do this. It was like, no, Kevin,

600
00:28:10,720 --> 00:28:13,000
Speaker 1: come on, like we need a headline that we want

601
00:28:13,000 --> 00:28:14,719
Speaker 1: you to come to be quick. And it was like

602
00:28:14,880 --> 00:28:17,720
Speaker 1: just a gig an All Star weekend, you know, like

603
00:28:17,720 --> 00:28:18,760
Speaker 1: we're on to tape it, and I was like, all right,

604
00:28:18,760 --> 00:28:21,800
Speaker 1: I'm gonna put like a different fifteen minutes on this man.

605
00:28:21,800 --> 00:28:23,600
Speaker 1: And I don't really you know, I'm not really pressed to.

606
00:28:23,840 --> 00:28:25,840
Speaker 1: I'm not really pressed about it like that. So I'll

607
00:28:25,880 --> 00:28:27,600
Speaker 1: give you all this fifteen and I'll save the other

608
00:28:27,600 --> 00:28:29,640
Speaker 1: shit for my special. So it's like a toss away set.

609
00:28:31,600 --> 00:28:34,159
Speaker 1: It was a toss away fifteen minutes set, like a

610
00:28:34,200 --> 00:28:36,480
Speaker 1: backlog set. I was like, I get all this and

611
00:28:36,600 --> 00:28:38,960
Speaker 1: shit ended up being the biggest. So shouts out to

612
00:28:39,000 --> 00:28:40,440
Speaker 1: the big dummy himself.

613
00:28:41,840 --> 00:28:42,960
Speaker 4: I want to go back to number one on the

614
00:28:43,000 --> 00:28:45,040
Speaker 4: call sheet because Sterling K. Brown did an interview with

615
00:28:45,120 --> 00:28:46,959
Speaker 4: He said that people wanted to put him number one

616
00:28:46,960 --> 00:28:49,080
Speaker 4: in the call sheets, but he was superstitious about it

617
00:28:49,080 --> 00:28:51,520
Speaker 4: because he'd been successful enough not being number one, so

618
00:28:51,560 --> 00:28:53,440
Speaker 4: he was okay with being number two.

619
00:28:53,840 --> 00:28:54,600
Speaker 2: What do you think of that?

620
00:28:55,680 --> 00:28:57,680
Speaker 1: I don't I don't mind that, you know what I mean,

621
00:28:57,720 --> 00:29:00,840
Speaker 1: as somebody that's been there. When when you're there and

622
00:29:00,920 --> 00:29:04,640
Speaker 1: you've you've experienced whatever the conversation attached to it is,

623
00:29:04,960 --> 00:29:08,440
Speaker 1: it's not the same level of important, right, like it's

624
00:29:08,480 --> 00:29:10,600
Speaker 1: it's not important, like I was joking about earlier about

625
00:29:10,840 --> 00:29:12,480
Speaker 1: the idea of number one of culture, but it's not

626
00:29:12,560 --> 00:29:14,480
Speaker 1: that important to me. I don't. I don't give a fuck.

627
00:29:14,520 --> 00:29:16,960
Speaker 1: I don't. I don't care about top billing. I don't

628
00:29:16,960 --> 00:29:18,880
Speaker 1: need my name to be first. I don't need my

629
00:29:19,000 --> 00:29:21,520
Speaker 1: name to be the biggest when they first put the

630
00:29:21,560 --> 00:29:23,760
Speaker 1: movie or the TV show out, Like, if that's more

631
00:29:23,800 --> 00:29:25,600
Speaker 1: important to you, I'm like, all right, let them get it.

632
00:29:26,120 --> 00:29:27,880
Speaker 1: I don't. I don't really, I don't really give a fuck,

633
00:29:27,920 --> 00:29:30,040
Speaker 1: and not in a dismissive way. But if that's what

634
00:29:30,200 --> 00:29:32,600
Speaker 1: you need to make you feel better, to make you

635
00:29:32,640 --> 00:29:35,840
Speaker 1: feel like a valuable piece to the puzzle of this project,

636
00:29:36,080 --> 00:29:38,200
Speaker 1: absolutely give it to them. Like I can. I can

637
00:29:38,240 --> 00:29:42,200
Speaker 1: take those back steps because you've been there, Like it's

638
00:29:42,240 --> 00:29:45,280
Speaker 1: like the idea of start them, it's not it doesn't

639
00:29:45,360 --> 00:29:48,360
Speaker 1: thrive or I'm not thriving in the space of being

640
00:29:48,400 --> 00:29:50,280
Speaker 1: a star, like you've you've been there. I could give

641
00:29:50,280 --> 00:29:52,320
Speaker 1: a fuck. Like you condemn the light as much as

642
00:29:52,320 --> 00:29:55,760
Speaker 1: you want, I don't. It doesn't matter. Yeah, it's like you,

643
00:29:55,960 --> 00:29:59,360
Speaker 1: you don't, it doesn't. It's not driving my reason to

644
00:29:59,440 --> 00:30:01,360
Speaker 1: get up in do so I think what Sterling is

645
00:30:01,400 --> 00:30:04,400
Speaker 1: referring to, it's saying like, look, man, I don't really

646
00:30:04,480 --> 00:30:06,440
Speaker 1: like that I've done it. It's better for me to

647
00:30:06,480 --> 00:30:08,360
Speaker 1: do this. Let somebody else deal with all the headache

648
00:30:08,400 --> 00:30:10,800
Speaker 1: of vat that's what he's doing and shouts out to

649
00:30:10,840 --> 00:30:13,640
Speaker 1: them too. Man, the show is incredible right now.

650
00:30:13,880 --> 00:30:16,800
Speaker 2: So when you in the rock do a movie, who's

651
00:30:16,840 --> 00:30:17,680
Speaker 2: number one on the coature?

652
00:30:17,960 --> 00:30:22,000
Speaker 1: I let him get it? But he's DJ's an asshole. Yeah,

653
00:30:22,040 --> 00:30:23,480
Speaker 1: he's an ass Let him get it.

654
00:30:23,720 --> 00:30:24,240
Speaker 2: I'm joking.

655
00:30:24,920 --> 00:30:27,560
Speaker 1: Yeah, No, DJ, by the way, he trumps me every time.

656
00:30:27,600 --> 00:30:29,800
Speaker 1: What do you mean, it's not even conversation. I don't

657
00:30:29,840 --> 00:30:30,479
Speaker 1: even bring it up.

658
00:30:31,120 --> 00:30:35,000
Speaker 2: You number one on this right because the box office numbers, like,

659
00:30:35,040 --> 00:30:35,320
Speaker 2: how do they?

660
00:30:36,320 --> 00:30:38,560
Speaker 1: I think he deserves to be number one when we

661
00:30:38,600 --> 00:30:43,200
Speaker 1: do the project. He's an international superstar. Not to say

662
00:30:43,200 --> 00:30:46,600
Speaker 1: that I don't have international success, but I don't think

663
00:30:46,640 --> 00:30:49,640
Speaker 1: that we're equal in that regard. I think that his

664
00:30:49,800 --> 00:30:55,240
Speaker 1: movies have performed and done crazy business internationally. Uh, and

665
00:30:55,280 --> 00:30:57,840
Speaker 1: when we do the projects that we want to appeal

666
00:30:57,880 --> 00:31:01,160
Speaker 1: to the world, you should be first. I'm coming in

667
00:31:01,200 --> 00:31:03,760
Speaker 1: and I'm on that train with you. I'm adding value

668
00:31:03,800 --> 00:31:06,040
Speaker 1: to it, But I'm not bumped by you being first.

669
00:31:07,040 --> 00:31:09,040
Speaker 1: We put an amazing cast together to help us get

670
00:31:09,040 --> 00:31:12,520
Speaker 1: those audiences when we do. But I don't. I don't

671
00:31:12,520 --> 00:31:15,120
Speaker 1: feel any type way about that. I think he deserves

672
00:31:15,120 --> 00:31:16,160
Speaker 1: it and he should have it.

673
00:31:17,520 --> 00:31:21,400
Speaker 4: Congratulations too, man, you got is announced that you're working

674
00:31:21,400 --> 00:31:22,200
Speaker 4: with the Indiana Paces.

675
00:31:22,240 --> 00:31:23,920
Speaker 1: Now I'm beat working with the Pacers.

676
00:31:23,920 --> 00:31:26,640
Speaker 2: Heart Heartbeat entertainment, heartbeat. Is it working with the Paces?

677
00:31:26,720 --> 00:31:27,520
Speaker 1: Yes, heart beat it.

678
00:31:27,560 --> 00:31:30,960
Speaker 4: To be the official cultural curator to provide entertainment and

679
00:31:31,000 --> 00:31:33,600
Speaker 4: live experiences for fans in the Indianapolis CAUs.

680
00:31:33,680 --> 00:31:34,600
Speaker 1: Yes, yes, what.

681
00:31:36,560 --> 00:31:36,720
Speaker 2: Is it?

682
00:31:36,720 --> 00:31:37,920
Speaker 1: What does the seventy six about?

683
00:31:38,280 --> 00:31:39,840
Speaker 2: We're speeding with the question. First of all, what does

684
00:31:39,880 --> 00:31:40,320
Speaker 2: that look like?

685
00:31:40,840 --> 00:31:44,280
Speaker 1: It's an opportunity for our company, right like you're. Our

686
00:31:44,320 --> 00:31:49,120
Speaker 1: company is a creative engine for any resource that allows

687
00:31:49,200 --> 00:31:52,200
Speaker 1: us to be right like we are a business. So

688
00:31:52,280 --> 00:31:56,480
Speaker 1: our business thrives when we can implement ourselves in places

689
00:31:56,520 --> 00:32:01,120
Speaker 1: to create or elevate a brand, a company, an entity

690
00:32:01,880 --> 00:32:07,080
Speaker 1: and activation, whether it be live entertainment, storytelling, etc. Indiana

691
00:32:07,680 --> 00:32:11,000
Speaker 1: with the Pacers and the Fever have an attraction coming.

692
00:32:11,040 --> 00:32:13,320
Speaker 1: I think they have an all star coming up. But

693
00:32:13,360 --> 00:32:16,160
Speaker 1: it's more about they're like, look, we're looking for ways

694
00:32:16,640 --> 00:32:19,480
Speaker 1: to expand and elevate what we've done. They spent a

695
00:32:19,480 --> 00:32:21,800
Speaker 1: lot of money on a new facility. They have a

696
00:32:22,000 --> 00:32:27,000
Speaker 1: team that's thriving, a younger team the Fever or thriving

697
00:32:27,040 --> 00:32:31,000
Speaker 1: with star power, etc. So they're like, how do we elevate?

698
00:32:31,040 --> 00:32:33,760
Speaker 1: How can we better tell our story? And I'm like,

699
00:32:33,920 --> 00:32:36,680
Speaker 1: that's what we do, you know, and me having relationships

700
00:32:36,720 --> 00:32:40,840
Speaker 1: with you know, the owner of the team and presidents

701
00:32:40,880 --> 00:32:44,680
Speaker 1: of the teams or cmos that are a part of

702
00:32:44,680 --> 00:32:47,560
Speaker 1: those entities, It's like, look, that's what we do. We

703
00:32:47,680 --> 00:32:51,680
Speaker 1: tell stories very well. So to market, promote and better

704
00:32:51,720 --> 00:32:54,080
Speaker 1: define that for you, that's our business. Let us show

705
00:32:54,120 --> 00:32:56,640
Speaker 1: you how we can make that business a service to you.

706
00:32:57,040 --> 00:32:58,560
Speaker 1: And they gave an opportunity and I was like, dope,

707
00:32:58,600 --> 00:33:00,720
Speaker 1: let our company do it. So it's not a Kevin

708
00:33:00,760 --> 00:33:04,840
Speaker 1: Hart thing, like everybody assumes that Kevin Hart is the

709
00:33:04,960 --> 00:33:07,880
Speaker 1: driving factor or the source. It's the entity. The entity

710
00:33:07,920 --> 00:33:10,960
Speaker 1: has to do things outside of me, our entity to

711
00:33:11,000 --> 00:33:14,680
Speaker 1: fucking thrive. Like that's a fact. So whether it's the

712
00:33:14,720 --> 00:33:18,080
Speaker 1: fucking Pacers, I got business with the Falcons, I got

713
00:33:18,120 --> 00:33:21,320
Speaker 1: business with the Eagles, the Giants, that's one that I

714
00:33:21,320 --> 00:33:23,200
Speaker 1: don't know if I would touch because they don't know

715
00:33:23,280 --> 00:33:28,720
Speaker 1: good stuff. They may let me go, but it's it's

716
00:33:28,840 --> 00:33:31,080
Speaker 1: it's how many of those can I do? Step and repeat?

717
00:33:31,320 --> 00:33:33,800
Speaker 1: So the Pacers will use as an example once we

718
00:33:33,880 --> 00:33:36,840
Speaker 1: do it well, and from that example, I'll go to

719
00:33:36,920 --> 00:33:40,760
Speaker 1: other fucking NBA teams or the NBA in general, Like

720
00:33:40,840 --> 00:33:43,280
Speaker 1: I'm looking to be a better partner for the NBA.

721
00:33:43,400 --> 00:33:45,800
Speaker 1: How do we better tell stories for your brand? How

722
00:33:45,800 --> 00:33:48,360
Speaker 1: do we better promote and market you? How can we

723
00:33:48,800 --> 00:33:52,560
Speaker 1: amplify or activate differently? Like these are words in the

724
00:33:52,600 --> 00:33:56,000
Speaker 1: business that companies desperately want to hear from potential party.

725
00:33:56,200 --> 00:33:58,320
Speaker 2: That's an interesting question because what you about to say

726
00:33:58,320 --> 00:33:58,640
Speaker 2: about the.

727
00:33:58,600 --> 00:34:01,240
Speaker 3: Sixers not just saying how did the seventy sixers feel

728
00:34:01,280 --> 00:34:03,040
Speaker 3: like that? Because you are such a seventy six's fan,

729
00:34:03,080 --> 00:34:04,760
Speaker 3: I feel like they might look at it like why

730
00:34:04,840 --> 00:34:05,880
Speaker 3: you over there and mess with them?

731
00:34:06,000 --> 00:34:07,760
Speaker 2: You hear this is home because it's heart Beat the

732
00:34:07,760 --> 00:34:09,240
Speaker 2: company and Kevin Hart the individual.

733
00:34:09,800 --> 00:34:12,759
Speaker 1: I promise you that they wouldn't even blink an eye

734
00:34:12,760 --> 00:34:16,000
Speaker 1: because they understand business. Kevin Hard is still a seventy

735
00:34:16,040 --> 00:34:19,640
Speaker 1: sixers fan. His company, Heartbeat, is doing a service for

736
00:34:19,680 --> 00:34:22,160
Speaker 1: another company. Hey, keV you think you could do this

737
00:34:22,200 --> 00:34:25,600
Speaker 1: for us too? Would your company be interested in doing this? Absolutely, guys,

738
00:34:25,960 --> 00:34:30,080
Speaker 1: this is not anything Kevin is specific. I'm still going

739
00:34:30,120 --> 00:34:32,600
Speaker 1: to Sixers games. I still sit courtside trash right now.

740
00:34:33,040 --> 00:34:35,239
Speaker 1: I mean, right now, we're not We're not in the

741
00:34:35,239 --> 00:34:38,080
Speaker 1: best position. But I'm still a fan. I'm I'm an

742
00:34:38,120 --> 00:34:42,120
Speaker 1: Eagles fan. But if there's business that can be done

743
00:34:42,160 --> 00:34:45,160
Speaker 1: for another NFL entity that wants to tell stories, well

744
00:34:45,160 --> 00:34:47,600
Speaker 1: we're gonna tell those stories for the entity. That doesn't

745
00:34:47,640 --> 00:34:50,520
Speaker 1: mean that our brand can't do that. It's a company,

746
00:34:51,080 --> 00:34:52,400
Speaker 1: you know. I know that you guys were talking to

747
00:34:52,440 --> 00:34:54,160
Speaker 1: Mic about it. You're like, yo, is that crazy? Like

748
00:34:54,440 --> 00:34:56,640
Speaker 1: this isn't Kevin Hart. I'm not. I'm not going to

749
00:34:56,719 --> 00:34:59,640
Speaker 1: the to the Pacers and man, it's time for me

750
00:34:59,680 --> 00:35:03,120
Speaker 1: to check narrative. Oh, this is what my company does.

751
00:35:03,800 --> 00:35:06,840
Speaker 1: Is that simple, well, heartbeat call Mike Epps to do

752
00:35:06,960 --> 00:35:09,799
Speaker 1: absolutely like we By the way, if you here's here's

753
00:35:09,800 --> 00:35:13,279
Speaker 1: an example, right if All Star weekend is coming up

754
00:35:13,280 --> 00:35:15,840
Speaker 1: there and we're like, okay, hey, we have ideas to

755
00:35:16,000 --> 00:35:20,680
Speaker 1: service a bigger like a bigger process that people can

756
00:35:20,719 --> 00:35:23,839
Speaker 1: probably gravitate towards a little different from what they've done

757
00:35:23,840 --> 00:35:25,839
Speaker 1: in the past. Here's how we're gonna make the All

758
00:35:25,880 --> 00:35:30,000
Speaker 1: Star weekend in Indiana when the women are playing. Here's

759
00:35:30,000 --> 00:35:32,040
Speaker 1: how we can make it different. Here's what we can

760
00:35:32,080 --> 00:35:35,240
Speaker 1: bring to the table, women round tables, a women, cold

761
00:35:35,239 --> 00:35:39,240
Speaker 1: as balls, et cetera. Is there a comedy activation women forwarded?

762
00:35:39,480 --> 00:35:42,720
Speaker 1: Does Mike want to bring and be responsible for comedy

763
00:35:42,760 --> 00:35:45,600
Speaker 1: from Indian Absolutely? Like that's when you tap in. All

764
00:35:45,600 --> 00:35:49,880
Speaker 1: you are is the servicing hub. We're the hub. Now

765
00:35:49,920 --> 00:35:51,920
Speaker 1: it's our job to go and grab everybody to make

766
00:35:51,960 --> 00:35:56,239
Speaker 1: this thing underneath the hub better. It's not you desperately

767
00:35:56,280 --> 00:36:00,919
Speaker 1: need that. So in this case, hell yeah, Mike. Come on, Mike.

768
00:36:00,960 --> 00:36:03,239
Speaker 1: By the way, this is your city. What's dope about

769
00:36:03,280 --> 00:36:04,799
Speaker 1: the city that we can do with you? What do

770
00:36:04,880 --> 00:36:07,120
Speaker 1: you want to do? How do we help you? Like,

771
00:36:07,200 --> 00:36:12,240
Speaker 1: that's that's partnership. But if the thought triggers you at first,

772
00:36:12,760 --> 00:36:15,239
Speaker 1: what this is my saying, well, then you don't even

773
00:36:15,400 --> 00:36:17,560
Speaker 1: you don't even get to the next stage of opportunity.

774
00:36:18,120 --> 00:36:22,719
Speaker 1: The opportunity comes from understanding the idea, Oh oh do

775
00:36:22,920 --> 00:36:25,040
Speaker 1: I can't I can do something? Oh bet? And I

776
00:36:25,040 --> 00:36:27,880
Speaker 1: want to do this too? Absolutely. Here, here's how we're

777
00:36:27,920 --> 00:36:31,600
Speaker 1: gonna do it. Like that's that's business. That's how business

778
00:36:31,680 --> 00:36:34,240
Speaker 1: is done. That's how you get to the place of success.

779
00:36:34,280 --> 00:36:37,440
Speaker 5: So there just hasn't been an opportunity for Heartbeat to

780
00:36:37,520 --> 00:36:39,080
Speaker 5: call Mike yet.

781
00:36:39,200 --> 00:36:43,400
Speaker 1: No, just we literally just have We just did the deal, gotcha.

782
00:36:43,440 --> 00:36:45,640
Speaker 1: And now that we are doing the deal, well, now

783
00:36:45,640 --> 00:36:48,040
Speaker 1: you got to tap in to the culture of the city.

784
00:36:48,080 --> 00:36:50,879
Speaker 1: You had to tap into popular names and faces from

785
00:36:50,920 --> 00:36:53,759
Speaker 1: the city. You got to tap into the athletes that

786
00:36:53,880 --> 00:36:56,680
Speaker 1: are the stars in the city. Now you go and

787
00:36:56,680 --> 00:36:59,359
Speaker 1: you say, guys, here's what we're thinking of. Here's how

788
00:36:59,400 --> 00:37:01,680
Speaker 1: we make this special. But here's how we do it

789
00:37:01,719 --> 00:37:04,359
Speaker 1: with you. Is this a collaborative thing that makes sense

790
00:37:04,360 --> 00:37:07,359
Speaker 1: for you? Dope? Okay? If so, great, If not, well

791
00:37:07,400 --> 00:37:11,240
Speaker 1: what does cool? Okay, we like that. All right, let's bill, let's.

792
00:37:11,120 --> 00:37:14,480
Speaker 2: Expand he's gonna call you to do something.

793
00:37:14,520 --> 00:37:19,439
Speaker 1: Absolutely. I mean me and Mike's relationship now we're we're

794
00:37:20,280 --> 00:37:22,080
Speaker 1: ten times. But it took a long time to get

795
00:37:22,080 --> 00:37:25,919
Speaker 1: to where we are now. But I'm I'm happy at

796
00:37:25,960 --> 00:37:31,120
Speaker 1: the road of like dumb shit because it got us

797
00:37:31,160 --> 00:37:33,879
Speaker 1: to a place of real grown man shit. And you know,

798
00:37:34,000 --> 00:37:37,160
Speaker 1: it's it's not We're not We're not doing the dumb

799
00:37:37,280 --> 00:37:39,719
Speaker 1: like tweets and shit, no more like Mike call me,

800
00:37:40,320 --> 00:37:42,719
Speaker 1: I'm calling you and we we talked, so you know

801
00:37:42,800 --> 00:37:44,440
Speaker 1: when that did, Mike was the first one we got

802
00:37:44,440 --> 00:37:47,359
Speaker 1: on the phone. We had a conversation, and me and

803
00:37:47,400 --> 00:37:50,120
Speaker 1: Mike are are very much on the same page. And

804
00:37:50,160 --> 00:37:52,719
Speaker 1: I think, you know, a lot of the disconnect's from

805
00:37:52,719 --> 00:37:57,000
Speaker 1: assumption and and that's what that's the realization that came about.

806
00:37:57,080 --> 00:38:00,719
Speaker 1: But I have no it will no be towards anybody,

807
00:38:01,080 --> 00:38:04,120
Speaker 1: damn sure, not Mike. And you know, right now, the

808
00:38:04,280 --> 00:38:06,879
Speaker 1: priority between me and Mike are figuring out the thing

809
00:38:06,920 --> 00:38:09,680
Speaker 1: that we're going to do together. And you know, I

810
00:38:09,800 --> 00:38:12,560
Speaker 1: told Mike like it's a it's a real thing, Like

811
00:38:12,680 --> 00:38:15,920
Speaker 1: we haven't done it because of this disconnecting our relationship.

812
00:38:15,960 --> 00:38:18,800
Speaker 1: We've never been on screen together. We did Real Husbands

813
00:38:18,800 --> 00:38:23,920
Speaker 1: together in the beginning. Mike did an episode and that's

814
00:38:23,960 --> 00:38:26,600
Speaker 1: the only time when we've ever jousted it on camera.

815
00:38:26,680 --> 00:38:28,280
Speaker 1: And I was like, at this point in our career,

816
00:38:28,360 --> 00:38:32,640
Speaker 1: like we're we're not fucking nobody but ourselves, So you know,

817
00:38:32,719 --> 00:38:34,399
Speaker 1: how do we make it work? And he's like, yeah, keV,

818
00:38:34,520 --> 00:38:36,080
Speaker 1: like how do we make it work, And it's a

819
00:38:36,160 --> 00:38:39,680
Speaker 1: it's a mutual understanding. And I think now having that

820
00:38:39,680 --> 00:38:43,040
Speaker 1: as a priority, his fans will be happy. My fans,

821
00:38:43,280 --> 00:38:44,719
Speaker 1: I think will be happy, and I think it'd be

822
00:38:44,719 --> 00:38:46,520
Speaker 1: dope for the culture when we do it.

823
00:38:46,680 --> 00:38:49,200
Speaker 2: Yeah, where is that version of hallm Nights for this era?

824
00:38:49,640 --> 00:38:54,319
Speaker 1: It's hard, it's hard to happen because the idea of

825
00:38:54,360 --> 00:38:57,640
Speaker 1: it being just one is what people can't let go of,

826
00:38:58,080 --> 00:39:00,919
Speaker 1: which mean like that doesn't have to be this one star.

827
00:39:01,840 --> 00:39:03,200
Speaker 3: But Harll of Knights wasn't just one star.

828
00:39:03,440 --> 00:39:06,719
Speaker 1: That's why I worked, That's why I worked. Richard didn't

829
00:39:06,719 --> 00:39:08,279
Speaker 1: give a fuck about Eddie. Eddie didn't give a fuck

830
00:39:08,280 --> 00:39:13,840
Speaker 1: about Richard, right, like the two biggest fucking comedians you know,

831
00:39:14,160 --> 00:39:16,719
Speaker 1: minus the bullshit. The only person that was missing that

832
00:39:16,800 --> 00:39:19,640
Speaker 1: should have been in that, you know, Cosby in some

833
00:39:19,840 --> 00:39:23,840
Speaker 1: degree right a showing of him. But they had Red Fox,

834
00:39:25,120 --> 00:39:27,200
Speaker 1: Robert fucking Harris. Like if you go on, you look

835
00:39:27,200 --> 00:39:31,120
Speaker 1: at the names, you know, fucking Dela Rees like you

836
00:39:31,120 --> 00:39:34,200
Speaker 1: you look at the names and the people in Harlem Knights.

837
00:39:34,280 --> 00:39:38,040
Speaker 1: You looked at a fucking conglomerate cast of hard hitting

838
00:39:38,080 --> 00:39:42,040
Speaker 1: comics of color. We don't have that to date. The

839
00:39:42,120 --> 00:39:46,759
Speaker 1: attempts to do it. Shouts out to Chris rock Top five. Yeah,

840
00:39:46,800 --> 00:39:49,600
Speaker 1: putting comics in. Whether you are a fan of the

841
00:39:49,640 --> 00:39:51,960
Speaker 1: movie or not, the attempt was I want to see

842
00:39:52,320 --> 00:39:55,240
Speaker 1: I want to see comics of color share the screen together,

843
00:39:55,280 --> 00:39:58,920
Speaker 1: and I want to get down. Tracy Leslie like I

844
00:39:58,960 --> 00:40:01,239
Speaker 1: want to get down. Let's let's go back and forth.

845
00:40:01,320 --> 00:40:06,280
Speaker 1: Let's do some ship Death of the Funeral. Chris attempted

846
00:40:06,320 --> 00:40:11,680
Speaker 1: to put comics together. There's not a lot of the damn.

847
00:40:12,239 --> 00:40:14,480
Speaker 2: I would say life to a certain extent.

848
00:40:14,200 --> 00:40:17,399
Speaker 1: Life is dope. But you had Eddie and you had

849
00:40:17,480 --> 00:40:24,160
Speaker 1: Martine Guy Tory, and you know, we didn't we didn't

850
00:40:24,200 --> 00:40:29,000
Speaker 1: have like a woman a woman figure in life. But

851
00:40:29,040 --> 00:40:31,759
Speaker 1: I think, like you've seen the attempt, but there is

852
00:40:31,800 --> 00:40:36,600
Speaker 1: no like, there is no initiative where it's like, Okay, look,

853
00:40:37,480 --> 00:40:41,600
Speaker 1: we're all gonna fucking share the same level of pay.

854
00:40:42,200 --> 00:40:43,440
Speaker 1: We're all going to play on the back end. This

855
00:40:43,440 --> 00:40:45,880
Speaker 1: is how I would approach it. Everybody's gonna win on

856
00:40:45,880 --> 00:40:49,080
Speaker 1: the back end. Okay, let's remove money from the idea.

857
00:40:49,200 --> 00:40:52,080
Speaker 1: This isn't about who's getting the money or who's doing what.

858
00:40:52,239 --> 00:40:54,839
Speaker 1: It's about the project. So we're gonna do our best

859
00:40:54,840 --> 00:40:58,080
Speaker 1: in this project to put people position to win. Winning

860
00:40:58,160 --> 00:41:02,600
Speaker 1: mean memorable moments, that's funny, et cetera. But to do

861
00:41:02,680 --> 00:41:05,520
Speaker 1: it right, everybody's not gonna be on the same page

862
00:41:05,560 --> 00:41:07,440
Speaker 1: like you kind of. You gotta have an understanding of

863
00:41:07,480 --> 00:41:09,960
Speaker 1: who has to carry the weight here for the people

864
00:41:10,000 --> 00:41:12,360
Speaker 1: here to fucking get in and get down. When you

865
00:41:12,400 --> 00:41:14,360
Speaker 1: can have that conversation and people are okay with it,

866
00:41:14,360 --> 00:41:17,279
Speaker 1: all right, it's great, but that conversation can never be

867
00:41:17,360 --> 00:41:20,439
Speaker 1: had because people are bumped out the gate. I ain't

868
00:41:20,440 --> 00:41:22,600
Speaker 1: work with him, I ain't work with her. I ain't

869
00:41:22,600 --> 00:41:24,719
Speaker 1: doing mother fuck that they got me like, I ain't.

870
00:41:25,080 --> 00:41:27,440
Speaker 1: I ain't the funny. I'm like you, you can't even

871
00:41:27,480 --> 00:41:28,960
Speaker 1: get to the fucking second page.

872
00:41:29,040 --> 00:41:31,359
Speaker 5: And even when it comes to like the younger comics, man,

873
00:41:31,880 --> 00:41:35,799
Speaker 5: it's been a few of uh like like DC young

874
00:41:35,840 --> 00:41:40,080
Speaker 5: Fly has countless scripts that he has and he's trying

875
00:41:40,120 --> 00:41:43,719
Speaker 5: to get all of us like in this generation, but

876
00:41:43,840 --> 00:41:46,320
Speaker 5: egos and and I wish she gonna be getting and

877
00:41:46,360 --> 00:41:47,520
Speaker 5: who's gonna be the main character?

878
00:41:47,800 --> 00:41:49,800
Speaker 6: I ain't working with her or how he you know

879
00:41:49,840 --> 00:41:50,239
Speaker 6: what I mean?

880
00:41:50,320 --> 00:41:53,560
Speaker 1: So the problem with the with the younger generation of comics. Man,

881
00:41:54,239 --> 00:41:59,200
Speaker 1: I made money so fast, good money, yeah, like not

882
00:41:59,400 --> 00:42:02,160
Speaker 1: like not little money. They made money so fast. So

883
00:42:02,160 --> 00:42:05,640
Speaker 1: it's definitely the idea of doing that for that fuck

884
00:42:05,719 --> 00:42:08,200
Speaker 1: that I do it. I'm over here again. It's like

885
00:42:09,000 --> 00:42:14,120
Speaker 1: the identity come here. I mean, just just made money,

886
00:42:14,719 --> 00:42:18,440
Speaker 1: still making money, right, Like, just understands that road money.

887
00:42:18,480 --> 00:42:21,160
Speaker 1: That road money is a different type of money. These

888
00:42:21,200 --> 00:42:25,000
Speaker 1: comics or new comics influencers turn com I'm making real money.

889
00:42:25,200 --> 00:42:28,440
Speaker 1: So until you get to a point where you understand

890
00:42:29,520 --> 00:42:33,320
Speaker 1: the money isn't going to drive your next stage of success.

891
00:42:34,520 --> 00:42:37,120
Speaker 1: If your next stage of success or want for success

892
00:42:37,239 --> 00:42:41,400
Speaker 1: is attached to IP projects, whatever, you cannot do it

893
00:42:41,440 --> 00:42:44,920
Speaker 1: by yourself. You need the helping aid of other talent.

894
00:42:44,960 --> 00:42:48,200
Speaker 1: I don't give a fuck who you are. I'm saying

895
00:42:48,239 --> 00:42:52,200
Speaker 1: this as a pounds a pound conglomerate in the business,

896
00:42:52,840 --> 00:42:57,839
Speaker 1: respectfully and humbly, a conglomerate. I stacked the deck. I'm

897
00:42:57,840 --> 00:43:00,840
Speaker 1: not looking to fucking be on screen and be the

898
00:43:00,880 --> 00:43:04,680
Speaker 1: only personals. I stack the fucking deck winning where I can,

899
00:43:05,600 --> 00:43:09,000
Speaker 1: by the way, and I'm very I'm very thankful to

900
00:43:09,160 --> 00:43:11,400
Speaker 1: the other names that are willing to come and work

901
00:43:11,440 --> 00:43:15,239
Speaker 1: with me and do things with me. I was excited.

902
00:43:15,520 --> 00:43:20,240
Speaker 1: Samuel L. Jackson is doing Thank you God, sam Don Chittle,

903
00:43:20,320 --> 00:43:26,040
Speaker 1: Oh thank you, Taraji, Oh thank you, Terrence, thank you

904
00:43:26,120 --> 00:43:32,440
Speaker 1: Like I'm I'm thankful. You cannot be the only one

905
00:43:32,560 --> 00:43:37,000
Speaker 1: into that younger generation. My message to so many funny

906
00:43:37,040 --> 00:43:40,960
Speaker 1: like I can go down the list, DC young Fly,

907
00:43:41,120 --> 00:43:44,040
Speaker 1: he just mentioned Country, Wayne does he Banks, fucking Drew Ski,

908
00:43:44,160 --> 00:43:47,640
Speaker 1: Coss not just you got pretty v you gotta be small.

909
00:43:47,680 --> 00:43:51,759
Speaker 1: You got all of these fucking Carlos, Ryan Davis right

910
00:43:51,800 --> 00:43:54,399
Speaker 1: here eighty five thought all those guys, you got all

911
00:43:54,400 --> 00:44:00,239
Speaker 1: these fucking great new emerging pieces of talent. Want to

912
00:44:00,280 --> 00:44:04,520
Speaker 1: tell you right now, talent caps out where it is

913
00:44:05,320 --> 00:44:07,920
Speaker 1: when what you do is all you think you should do.

914
00:44:09,360 --> 00:44:12,160
Speaker 1: In other words, like if I'm just doing stand up

915
00:44:12,200 --> 00:44:15,080
Speaker 1: comedy and then doing stand up comedy, I do the

916
00:44:15,080 --> 00:44:18,839
Speaker 1: theaters and the arenas, Okay, I can't do that every year,

917
00:44:18,920 --> 00:44:22,480
Speaker 1: and that's it. It will flatline, it will die down

918
00:44:22,520 --> 00:44:24,800
Speaker 1: at some point, maybe not today, maybe not tomorrow, but

919
00:44:24,840 --> 00:44:27,799
Speaker 1: at some point it will digress. So if you don't offload,

920
00:44:27,880 --> 00:44:30,520
Speaker 1: and you don't figure out I'm tapping into this, and

921
00:44:30,520 --> 00:44:34,279
Speaker 1: I'm tapping into this, I'm tapping into that this thing

922
00:44:34,360 --> 00:44:37,600
Speaker 1: there's one source of energy that you have, it'll get

923
00:44:37,600 --> 00:44:40,000
Speaker 1: a little dim. That light ain't gonna fucking flicker the same.

924
00:44:40,440 --> 00:44:43,960
Speaker 1: So if they don't tap into each other and figure

925
00:44:43,960 --> 00:44:46,200
Speaker 1: out the way to make each other a valuable resource

926
00:44:46,239 --> 00:44:51,840
Speaker 1: and asset, it will tap out. We're assets to one another,

927
00:44:52,000 --> 00:44:54,880
Speaker 1: Like say what you want man, the rock or assets

928
00:44:54,920 --> 00:44:57,359
Speaker 1: to one another? Man, dj Ain and I we will

929
00:44:57,360 --> 00:44:59,000
Speaker 1: get on the phone. Were talking now, Hey man, it's

930
00:44:59,000 --> 00:45:00,879
Speaker 1: harm of for us to do something. You gotta figure

931
00:45:00,920 --> 00:45:03,360
Speaker 1: out the next thing. What you're thinking. I don't know

932
00:45:03,440 --> 00:45:05,359
Speaker 1: is that Jumiji three is another part what you're thinking.

933
00:45:05,400 --> 00:45:07,479
Speaker 1: I don't know what you're thinking. Let's talk. Let's figure

934
00:45:07,520 --> 00:45:09,719
Speaker 1: it out. Hey man, you know who I want to

935
00:45:09,760 --> 00:45:11,920
Speaker 1: work with? Who I haven't worked with? Man, Men, interest,

936
00:45:11,960 --> 00:45:13,759
Speaker 1: I gotta get down with I' yet to do something.

937
00:45:13,800 --> 00:45:16,600
Speaker 1: I'm tapping into other energy. I don't want to be

938
00:45:16,640 --> 00:45:20,200
Speaker 1: the only source of energy. That's the only way that

939
00:45:20,239 --> 00:45:22,920
Speaker 1: you continue to move forward. Writers, producers, I want to

940
00:45:23,000 --> 00:45:27,200
Speaker 1: work with you, man, you're doing amazing things. You're an

941
00:45:27,200 --> 00:45:29,839
Speaker 1: amazing writer. How do I work with you? Ki? You're

942
00:45:29,840 --> 00:45:31,960
Speaker 1: doing amazing shit in the streaming space? Man, I got

943
00:45:31,960 --> 00:45:33,759
Speaker 1: some shit to show you I'm gonna work with you

944
00:45:33,840 --> 00:45:37,640
Speaker 1: like you. You gotta tap in. That's what people are

945
00:45:37,680 --> 00:45:40,040
Speaker 1: afraid to do, and they're afraid to do it, especially

946
00:45:40,120 --> 00:45:42,360
Speaker 1: in our culture because we feel like there can only

947
00:45:42,440 --> 00:45:43,680
Speaker 1: be one right.

948
00:45:43,719 --> 00:45:45,520
Speaker 4: That's some good as advice too, though, because you know

949
00:45:45,600 --> 00:45:48,160
Speaker 4: that is the toughest thing trying to convince this this

950
00:45:48,280 --> 00:45:51,800
Speaker 4: generation that there is another level and what you're doing

951
00:45:51,880 --> 00:45:56,000
Speaker 4: does have an expiration d If you don't diversify your portfolio.

952
00:45:55,920 --> 00:46:00,360
Speaker 1: It's building correctly. And by the way, don't have to

953
00:46:00,400 --> 00:46:01,479
Speaker 1: do it all in one day.

954
00:46:01,560 --> 00:46:01,759
Speaker 4: Man.

955
00:46:02,560 --> 00:46:05,480
Speaker 1: You know, I'm almost thirty years strong in this fucking business.

956
00:46:05,600 --> 00:46:08,279
Speaker 1: Don't You don't have to do it all in one day.

957
00:46:08,400 --> 00:46:11,239
Speaker 1: The discovery is exciting when you start to figure it

958
00:46:11,280 --> 00:46:13,080
Speaker 1: out and you start to see the things that you're

959
00:46:13,160 --> 00:46:16,400
Speaker 1: changing or things that you're driving towards work. That's the

960
00:46:16,440 --> 00:46:18,960
Speaker 1: exciting part. And the exciting part is that you're like,

961
00:46:19,000 --> 00:46:20,600
Speaker 1: oh shit, I actually can't do the shit that I'm

962
00:46:20,600 --> 00:46:24,600
Speaker 1: thinking about, Like, oh fuck damn. I started off doing

963
00:46:24,600 --> 00:46:26,840
Speaker 1: these videos and now the videos have turned into a business,

964
00:46:26,880 --> 00:46:28,799
Speaker 1: but now the business has turned into a touring job.

965
00:46:28,920 --> 00:46:32,160
Speaker 1: Now my radio job fucking all sets promotes the fucking touring.

966
00:46:32,360 --> 00:46:35,960
Speaker 1: By the way, my businesses are connecting. The dots are connecting.

967
00:46:37,160 --> 00:46:39,640
Speaker 1: Say what you want. You can hate me or you

968
00:46:39,640 --> 00:46:42,960
Speaker 1: can love me. I connect dots. I connect dots very well.

969
00:46:44,000 --> 00:46:48,120
Speaker 1: Every piece of this machine somehow connects in some way,

970
00:46:48,239 --> 00:46:50,400
Speaker 1: in some shape, in some form. So at the end

971
00:46:50,440 --> 00:46:53,359
Speaker 1: of the day, if this piece dies, well you can't

972
00:46:53,440 --> 00:46:56,520
Speaker 1: kill this one. If this one dies and this one dies,

973
00:46:56,560 --> 00:46:59,440
Speaker 1: well I got this one. If these three die, well,

974
00:46:59,440 --> 00:47:03,080
Speaker 1: they don't know I got these. The dots are important, man,

975
00:47:03,719 --> 00:47:07,160
Speaker 1: and that younger mindset in this business today is a

976
00:47:07,200 --> 00:47:12,200
Speaker 1: cash driven mind. The money will come. I'm telling you,

977
00:47:12,200 --> 00:47:16,000
Speaker 1: the money will come. The ideas don't have relationships, and

978
00:47:16,080 --> 00:47:19,040
Speaker 1: partnerships don't. That's the difference.

979
00:47:19,920 --> 00:47:25,880
Speaker 3: Ken, gotta go to guys, heart man, appreciate I do.

980
00:47:25,960 --> 00:47:27,720
Speaker 3: Got one last question, kept, Do you have a sign

981
00:47:28,080 --> 00:47:30,560
Speaker 3: like you know because people interview you all the time, right,

982
00:47:30,640 --> 00:47:32,080
Speaker 3: and it gotta get to a point where you be like,

983
00:47:32,080 --> 00:47:32,880
Speaker 3: I'm tired, I gotta go.

984
00:47:32,880 --> 00:47:33,160
Speaker 2: Do you have.

985
00:47:35,640 --> 00:47:37,880
Speaker 1: Scratch your head twice and you pick and I just

986
00:47:37,880 --> 00:47:40,920
Speaker 1: be like, that's it, wrapping up.

987
00:47:41,560 --> 00:47:41,960
Speaker 2: We've been here.

988
00:47:42,000 --> 00:47:45,080
Speaker 1: I think we did. We got everything, We touched everything.

989
00:47:45,600 --> 00:47:49,759
Speaker 1: Little keV dropping I'm excited about it. Adult Animation BT

990
00:47:49,840 --> 00:47:52,160
Speaker 1: plus ones getting shots out to BT. Shouts out to

991
00:47:52,200 --> 00:47:56,280
Speaker 1: my amazing team and heartbeat Man. Shouts out to Mike Stein,

992
00:47:56,760 --> 00:48:01,120
Speaker 1: Tiffany Brown who works so hard. Shout out to Malcolm.

993
00:48:01,280 --> 00:48:02,920
Speaker 1: Oh god, I just dropped the name of my other right,

994
00:48:02,960 --> 00:48:06,600
Speaker 1: I'm so sorry. On our development side who helped get this.

995
00:48:06,680 --> 00:48:11,959
Speaker 1: Shout out to Wanda, Uh, Dione Cole, Uh, so many

996
00:48:11,960 --> 00:48:14,480
Speaker 1: other names, Yes, so many.

997
00:48:14,280 --> 00:48:17,360
Speaker 3: Your name Johnson, increased more neighbors.

998
00:48:17,480 --> 00:48:19,840
Speaker 1: Yes, there's so many people, uh that are part of

999
00:48:19,840 --> 00:48:22,440
Speaker 1: this project that have made it what it is today.

1000
00:48:22,719 --> 00:48:25,080
Speaker 1: And once again, this is a passion project. Man. This

1001
00:48:25,160 --> 00:48:27,160
Speaker 1: is uh, this is a piece of I p that

1002
00:48:27,200 --> 00:48:29,680
Speaker 1: I worked on for a long time and to have

1003
00:48:29,800 --> 00:48:31,960
Speaker 1: it finally come to light as dope as fuck, it's

1004
00:48:32,000 --> 00:48:35,799
Speaker 1: funny as fuck. Uh, it's raw, it's edgy, you know,

1005
00:48:35,880 --> 00:48:37,960
Speaker 1: and it's a it's a it's a true testament to

1006
00:48:38,000 --> 00:48:39,759
Speaker 1: my mom and dad who aren't here. So r I

1007
00:48:39,840 --> 00:48:43,200
Speaker 1: p to the hearts upstairs and maybe down you know

1008
00:48:43,200 --> 00:48:45,640
Speaker 1: my dad. They say he could be I don't know.

1009
00:48:46,040 --> 00:48:48,080
Speaker 1: I don't know, so uh, you know, just in the

1010
00:48:48,120 --> 00:48:54,160
Speaker 1: middle my dad. Shout out to Pops, whoever you are. Yeah,

1011
00:48:54,160 --> 00:48:57,040
Speaker 1: I don't know what side uh this is.

1012
00:48:57,239 --> 00:48:57,959
Speaker 2: You don't want to feel.

1013
00:48:58,000 --> 00:49:00,440
Speaker 1: I don't want to assume. I don't want assume. I

1014
00:49:00,440 --> 00:49:02,680
Speaker 1: don't say if if God ever closed the door, my

1015
00:49:02,760 --> 00:49:04,719
Speaker 1: dad might have been on the outside.

1016
00:49:05,600 --> 00:49:05,880
Speaker 2: Uh.

1017
00:49:05,920 --> 00:49:07,360
Speaker 1: But it's a testament to them, So I can't with

1018
00:49:07,480 --> 00:49:09,759
Speaker 1: you guys, enjoy BT plus watch it, lock it in,

1019
00:49:09,880 --> 00:49:11,719
Speaker 1: not one of them, call sheep, shout out the fox,

1020
00:49:11,800 --> 00:49:12,239
Speaker 1: lock it in?

1021
00:49:12,640 --> 00:49:15,440
Speaker 2: Uh, and you're at Radio City Music all weekend, tonight.

1022
00:49:15,280 --> 00:49:21,120
Speaker 1: Friday, and sundayday and last for not least, Man, I

1023
00:49:21,160 --> 00:49:23,960
Speaker 1: want to give a big shout out to my guys

1024
00:49:24,000 --> 00:49:26,120
Speaker 1: before I go. You know, I've talked about the younger generation.

1025
00:49:26,480 --> 00:49:29,520
Speaker 1: I've talked about you know, energy and servicing energy. I

1026
00:49:29,520 --> 00:49:31,800
Speaker 1: want to talk about my energy source for the reason

1027
00:49:31,840 --> 00:49:33,840
Speaker 1: and or just for quick moment plast the couple boys. Man.

1028
00:49:33,840 --> 00:49:36,279
Speaker 1: Shout out to Naim, Shout out to Spank, shout out

1029
00:49:36,320 --> 00:49:39,800
Speaker 1: to Joey Wells. Uh. You know, I'm excited about comedy

1030
00:49:40,200 --> 00:49:43,960
Speaker 1: still because my guys still make me work, Uh, Naim,

1031
00:49:44,080 --> 00:49:47,799
Speaker 1: pound for pound, Nameland, the funniest motherfucker's on the planet. Uh,

1032
00:49:47,880 --> 00:49:50,680
Speaker 1: constantly creating, constant developing new materials, spank one of the

1033
00:49:50,680 --> 00:49:53,120
Speaker 1: funniest people in the planet, Joey, uh build me for

1034
00:49:53,200 --> 00:49:54,880
Speaker 1: years when of the funniest people on the planet shouts

1035
00:49:54,880 --> 00:49:57,399
Speaker 1: out to those guys for making me stay as sharp

1036
00:49:57,440 --> 00:49:59,160
Speaker 1: as I am by being as sharp as they are.

1037
00:49:59,200 --> 00:50:01,640
Speaker 4: Now anybody here is iron Governors. Governor Gretchen with My

1038
00:50:01,800 --> 00:50:04,680
Speaker 4: Loved Name wrote about Naim in her book. Man talks

1039
00:50:04,680 --> 00:50:08,040
Speaker 4: about how when she gives speeches, she quotes naimesh shop

1040
00:50:08,080 --> 00:50:08,720
Speaker 4: week motherfucker.

1041
00:50:09,520 --> 00:50:11,200
Speaker 1: You know listen, let me tell you some about name.

1042
00:50:11,760 --> 00:50:15,239
Speaker 1: Name is the most emotional comic. So we talked about

1043
00:50:15,239 --> 00:50:17,120
Speaker 1: like comments and like that Name used to go to

1044
00:50:17,200 --> 00:50:20,319
Speaker 1: Ticketmaster and he would read like the comments, like he

1045
00:50:20,360 --> 00:50:23,440
Speaker 1: would read them all. So he coming like the dressing

1046
00:50:23,480 --> 00:50:24,960
Speaker 1: room after the show. He'd be like, did you see

1047
00:50:24,960 --> 00:50:25,719
Speaker 1: what they said about me?

1048
00:50:27,440 --> 00:50:27,800
Speaker 2: No?

1049
00:50:28,880 --> 00:50:34,600
Speaker 1: What they say this is bullshit? Like now why are

1050
00:50:34,600 --> 00:50:36,440
Speaker 1: you reading that? I just go on it. But it's

1051
00:50:36,719 --> 00:50:38,879
Speaker 1: once you win it, you win it. Like he would

1052
00:50:38,920 --> 00:50:40,759
Speaker 1: really like he would go back and forth with people

1053
00:50:40,760 --> 00:50:42,359
Speaker 1: like what then you talk about obviously you got there late,

1054
00:50:42,480 --> 00:50:45,080
Speaker 1: Like he was like, he would go back and forth

1055
00:50:45,080 --> 00:50:48,719
Speaker 1: with people, Yes, we'll take a baster. He would go

1056
00:50:48,800 --> 00:50:50,960
Speaker 1: to people that had like bad things to say.

1057
00:50:52,560 --> 00:50:52,960
Speaker 2: I love him.

1058
00:50:54,000 --> 00:50:57,239
Speaker 1: That's it. I'm done. It's the Breakfast Club. It's Kevin.

1059
00:50:57,280 --> 00:51:00,480
Speaker 1: Wake that ass up in the morning.

1060
00:51:00,600 --> 00:51:01,600
Speaker 2: The Breakfast Club.