WEBVTT - Ep 24: Thundercat

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<v Speaker 1>Loud and Quiet presents Midnight Chats.

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<v Speaker 2>I hope this is a good sign. But I think

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<v Speaker 2>this might be the first episode of Midnight Chats which

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<v Speaker 2>references a previous one that we've done, and I think

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<v Speaker 2>that means that we're building a back catalog, right, which

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<v Speaker 2>we're told by people who know about podcasts is a

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<v Speaker 2>good sign. So we're happy about that. Back in the

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<v Speaker 2>autumn of twenty sixteen, I went to go and meet

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<v Speaker 2>Flying Lotus in an old cinema in London for Midnight Chats,

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<v Speaker 2>and we talked mostly about the short film he was

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<v Speaker 2>showing that night, Royal and the feature length one he

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<v Speaker 2>was making at the time Cuso. If you're a regular listener,

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<v Speaker 2>you'll recall that we both kind of struggled to describe

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<v Speaker 2>just how dark, disturbing and disgusting what he's made is.

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<v Speaker 2>And that night, Flying Lotus had some friends in the house,

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<v Speaker 2>lots of people who came out to support him on

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<v Speaker 2>his record label, Brain Feeder, including our guest on this episode, Thundercat.

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<v Speaker 2>Now in this you'll hear Thundercat talk about Flying Lotus

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<v Speaker 2>as the two Stevens aren't just label mates, they're also

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<v Speaker 2>pretty good friends in day to day life, and maybe

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<v Speaker 2>hopefully once you've listened to this one, you'll want to

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<v Speaker 2>go back and check out that Flying Lotus episode. It

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<v Speaker 2>was number seventeen, and wherever you're listening to this, you

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<v Speaker 2>should be able to go back and scroll through and

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<v Speaker 2>find it. But onto Thundercat and a quick resume for

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<v Speaker 2>those who aren't familiar. I could probably do this in

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<v Speaker 2>one sentence, and that's that. Thundercat is the guy that

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<v Speaker 2>every musician who meets him loves. But there is a backstory.

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<v Speaker 3>Of course.

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<v Speaker 2>He's from a very talented musical family. His father was

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<v Speaker 2>a drummer for The Temptations and was also in Diana

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<v Speaker 2>Ross's band, and Stephen picked up the bass at a

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<v Speaker 2>very early age and as anyone who's seen him live

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<v Speaker 2>or know, he's basically got this supernatural talent for his instrument.

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<v Speaker 2>By the time he was eighteen, he already joined the

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<v Speaker 2>legendary thrash bands Suicidal Tendencies, and it was pretty recognizable

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<v Speaker 2>on stage as the guy who'd wear a helmet and

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<v Speaker 2>shoulder pads, and he quickly became one of the go

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<v Speaker 2>to session musicians in Los Angeles and he still is now.

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<v Speaker 2>He played him back and bands for Snoop Dogg and

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<v Speaker 2>Erica Badou. But it wasn't until Flying Lotus signed him

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<v Speaker 2>to brain Feeder as Thundercat, named after the cartoon, that

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<v Speaker 2>he started releasing his own albums, and a couple of

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<v Speaker 2>years back, he famously produced Kendrick Lamar's album to Pimper Butterfly.

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<v Speaker 2>That was after the pair had got in the studio

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<v Speaker 2>together and Thundercat scored Kendrick on some classical jazz and

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<v Speaker 2>the two it off. Now, what I will say is

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<v Speaker 2>that if you're looking for the scoop on what Kendrick's

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<v Speaker 2>next album it's going to sound like, then this isn't

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<v Speaker 2>the place.

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<v Speaker 3>Instead, we attempted to.

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<v Speaker 2>Answer some far more important questions like are cats better

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<v Speaker 2>than dogs? And what does thunder Cat fill his empty

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<v Speaker 2>suitcase with when he goes to Japan? What's the single

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<v Speaker 2>greatest video game ever made? And you can hear his

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<v Speaker 2>eyes practically light up when I mentioned video games in this?

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<v Speaker 2>And how can you possibly begin to describe just how

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<v Speaker 2>gross Flying notices Khuso film actually is And he's a

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<v Speaker 2>clue We don't really, so we cover a lot of

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<v Speaker 2>ground in this. Thundercat released his latest solo album, Drunk

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<v Speaker 2>earlier this year. I recommend as you're listening to this,

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<v Speaker 2>check out the artwork for that album if you haven't already.

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<v Speaker 2>There's some good stories about that and on the album.

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<v Speaker 2>He also has loads of notable guests. Kendricks on it was,

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<v Speaker 2>Khalifa and Farral were all on drunk. But maybe the

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<v Speaker 2>most surprising collaboration on it is with Kenny Loggins. And

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<v Speaker 2>if you're thinking that name rings a bell, then yes,

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<v Speaker 2>it is the same Kenny Loggins from the Footloost and

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<v Speaker 2>Top Gun film soundtracks. So I met Thundercat a couple

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<v Speaker 2>of weeks ago. It was backstage a venue called Heaven

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<v Speaker 2>in London where he was playing. We sat on a

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<v Speaker 2>couple of springy leather chairs and I really enjoyed our conversation.

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<v Speaker 3>So this is it.

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<v Speaker 2>This is Thundercat on episode twenty four of Midnight Chats. Thundercat,

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<v Speaker 2>Welcome to Midnight Chats, our podcast series. It's great to

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<v Speaker 2>have you on. How are you doing today?

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<v Speaker 4>I'm all right, man, you know, just landed. I'm not

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<v Speaker 4>too angry, not too tired, definitely got a poop, but

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<v Speaker 4>you can't do that.

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<v Speaker 3>We could take a short break if you need. Just

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<v Speaker 3>give me the signal I'll just poop during the interview,

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<v Speaker 3>just to set the scene for people.

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<v Speaker 2>We are. We're in a backstage room at a venue

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<v Speaker 2>called Heaven in London that you're playing tonight. It's kind

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<v Speaker 2>of makeshift. We've got some interesting things going on in here,

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<v Speaker 2>particularly this piece of artwork which shows Amy Winehouse and Shakespeare,

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<v Speaker 2>and I think that's possibly George Michael on the wall

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<v Speaker 2>elsewhere that thrown there. This is quite a famous venue

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<v Speaker 2>in London. That thrown there, I think has been used

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<v Speaker 2>on stage by Lady Gaga and Madonna by all accounts.

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<v Speaker 4>Okay, so I must smell.

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<v Speaker 3>You've got to take that on stage with you tonight.

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<v Speaker 4>Totally take it on stage and just hack it with

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<v Speaker 4>the axe.

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<v Speaker 3>How are you doing anyway? Has things?

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<v Speaker 4>I'm all right, man, just I've been on tour for

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<v Speaker 4>quite some time, just to kind of, you know, in

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<v Speaker 4>and out of lucid insanity. Uh No, I'm just I'm

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<v Speaker 4>just chilling, man. I'm just kind of I don't know

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<v Speaker 4>what to think right now. It's been a long time.

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<v Speaker 4>It's almost been two months now.

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<v Speaker 3>Yeah.

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<v Speaker 2>Do you miss home when you're out on the road.

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<v Speaker 2>Do you just kind of like consume yourself with it?

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<v Speaker 2>Do you just get by? How do you deal with it?

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<v Speaker 4>Yeah? Sometimes I start to miss it. Then I start

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<v Speaker 4>to remember, like, you know, this is what I've done

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<v Speaker 4>my whole life, so I don't really I don't really

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<v Speaker 4>feel weird about it. You know. It's like I've always traveled,

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<v Speaker 4>so it's like, you know, every now and again, I

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<v Speaker 4>missed my cat, you know, and I'll miss like the

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<v Speaker 4>sights and smells, but it's very short lived.

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<v Speaker 3>What's your cat?

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<v Speaker 4>Tron?

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<v Speaker 3>Okay, brilliant name for cat. What's he like?

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<v Speaker 2>She?

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<v Speaker 4>It's very human, she does.

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<v Speaker 3>She kind of sense human things.

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<v Speaker 4>Yeah, she's very very humanized. She's like a very had

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<v Speaker 4>a very interesting sensibility, very funny. Doesn't chase lasers, Yeah, yeah,

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<v Speaker 4>none of that stuff. She's a little smarter than that.

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<v Speaker 4>But she is fun though. She's a lot of fun.

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<v Speaker 4>I like dancing with her, like sniffing under her neck.

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<v Speaker 3>Those are the things you miss.

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<v Speaker 2>I think cats are for me, cats better than dogs,

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<v Speaker 2>because they are that's official, that's a certified fact.

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<v Speaker 4>Right, Yeah.

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<v Speaker 2>Yeah, because cats are just they're just a bit more

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<v Speaker 2>noncho than They're not so needy.

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<v Speaker 3>Are they.

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<v Speaker 4>Yeah, they're they're to themselves and you know, they can

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<v Speaker 4>take care of themselves.

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<v Speaker 3>You know.

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<v Speaker 4>I always I always tend to think, like I feel weird,

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<v Speaker 4>like I'm leaving my cat behind. I'm like, if my

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<v Speaker 4>cat was a wild cat, it would like eat once

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<v Speaker 4>a week. Like I just realized that, like cats are

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<v Speaker 4>just a different you know, they're a different breed man.

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<v Speaker 3>And who feeds the cat when you're away?

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<v Speaker 4>I have tons of friends that will come over and

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<v Speaker 4>feed Tron. You know, to tell people, no, do you

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<v Speaker 4>want me to go over and check on Tron? And

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<v Speaker 4>it's like, no, don't worry. There's like ten people watching Tron.

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<v Speaker 3>But like the cat's getting fed like thirteen times.

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<v Speaker 2>Yeah, yeah, come home to find Tron has put on

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<v Speaker 2>some serious weight.

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<v Speaker 4>Yeah, you know, everybody loves Tron. She's fun.

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<v Speaker 2>Talk to me a bit about the live show, because

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<v Speaker 2>is it right that when you guys are performing, you

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<v Speaker 2>don't you and your band never play the same set

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<v Speaker 2>list twice.

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<v Speaker 3>You kind of just you're a little bit more relaxed

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<v Speaker 3>about things.

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<v Speaker 4>Oh yeah, you know you try to like change it

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<v Speaker 4>up a lot, you know, you know, challenge each other

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<v Speaker 4>a bit, change change time signatures sometimes, and you know,

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<v Speaker 4>try to try to imply or try to interject in

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<v Speaker 4>proversation as much as possible, you know, And yeah, but

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<v Speaker 4>I mean, you know, it's like it's one of those

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<v Speaker 4>things where we've been playing together for quite some time,

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<v Speaker 4>so it's a bit of comfortable. It feels a bit

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<v Speaker 4>comfortable to do it. You know, just change things up

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<v Speaker 4>all the time.

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<v Speaker 2>Do you make this decisions before you go on stage

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<v Speaker 2>or stage? And how have you been enjoying performing the

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<v Speaker 2>material from Drunk?

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<v Speaker 4>It's been fun, it's been intense, you know, like I

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<v Speaker 4>have to sing a lot, you know. That's one thing

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<v Speaker 4>that I'd never anticipated in life. You know, even over

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<v Speaker 4>the last five years of like never gets old. Like

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<v Speaker 4>it's tripping me out to know that I'm singing all

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<v Speaker 4>the time. And I was like, what the hell, man,

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<v Speaker 4>you know, but it's just part of it, so I

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<v Speaker 4>just kind of I just go with it.

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<v Speaker 2>One of my favorite guests that we've had on the

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<v Speaker 2>podcast in the last few months was Fine I guess

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<v Speaker 2>And we recorded an episode in an old cinema in

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<v Speaker 2>not too far from here, actually a couple of streets away,

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<v Speaker 2>Regent Street.

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<v Speaker 3>It was because Stephen was showing.

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<v Speaker 4>It.

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<v Speaker 3>He was showing away, did you.

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<v Speaker 2>I mean, first off, I mean, if people who have

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<v Speaker 2>heard that episode of the podcast heard kind of both

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<v Speaker 2>of us struggling to sort of describe that movie, do.

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<v Speaker 3>You want to give it a go?

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<v Speaker 4>Oh my god, Yeah, I don't even know. I don't know. Yeah,

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<v Speaker 4>that's a difficult one, man. I honestly, you know, kind

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<v Speaker 4>of threw me off there. I don't know how to

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<v Speaker 4>describe that movie. It's just really intense.

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<v Speaker 2>He was saying that he's I mean so to feel

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<v Speaker 2>people and you've known each other probably about a decade

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<v Speaker 2>or more, and that he's always wanted to make films

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<v Speaker 2>as well as the Yeah, he's been kind of working

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<v Speaker 2>on So how long have you I mean as sure

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<v Speaker 2>as a kind of sort of close native is have

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<v Speaker 2>you been talking about the ideas and been talking about

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<v Speaker 2>this stuff that's coming to fruition now? But I bet

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<v Speaker 2>it's gone back to conversations for years now.

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<v Speaker 4>Right Man. It's mind blowing to see it coming to fruition.

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<v Speaker 4>You know, It's like, you know, there were moments where,

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<v Speaker 4>of course, you know, I know, you know Lotus's history

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<v Speaker 4>with you know, film and stuff like that, and everything

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<v Speaker 4>from that to him rapping his Captain Murphy was always

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<v Speaker 4>a shock to me. You know, it was kind of

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<v Speaker 4>like a little of a different facet of his character

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<v Speaker 4>that he would never let on, you know, like you

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<v Speaker 4>would never have known, You're like, no way, you know,

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<v Speaker 4>and to see his first film, it's like it's fantastic.

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<v Speaker 4>It honestly is. It's like, you know, we would talk

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<v Speaker 4>every now and again about it, you know, and I

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<v Speaker 4>feel like his uh, he influenced me in that manner

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<v Speaker 4>a bit, because it's like I was a bit of

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<v Speaker 4>a film buff, but not until I met Lotus. That dude.

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<v Speaker 4>You know, he knows his film and to a major degree.

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<v Speaker 4>It's like if it would affect me to you know,

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<v Speaker 4>to to the way I would write music and stuff too.

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<v Speaker 4>But at the same time, it's like I would have

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<v Speaker 4>never thought that he would actually, you know, do it.

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<v Speaker 4>And you know, the best way to describe it is,

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<v Speaker 4>you know, don't underestimate Flying Lotus, you know. Yeah, that's

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<v Speaker 4>all you can That's that's how I can sum it up. Man.

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<v Speaker 2>I thought it was funny that when he was trying

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<v Speaker 2>to describe the movie because he had trouble himself because

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<v Speaker 2>it is a it's kind of it's dark, it's kind

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<v Speaker 2>of fut of dot humor, but it's also pretty much.

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<v Speaker 2>I mean, maybe maybe you've seen similar films, but I

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<v Speaker 2>certainly haven't. It to me, it was something quite different

0:12:08.600 --> 0:12:11.120
<v Speaker 2>and it's pretty gross.

0:12:11.840 --> 0:12:15.040
<v Speaker 3>That's putting it very lightly. And he told me that

0:12:16.679 --> 0:12:18.880
<v Speaker 3>his grandmother had been to see it, which I thought

0:12:18.920 --> 0:12:20.080
<v Speaker 3>was just absolutely super.

0:12:20.520 --> 0:12:22.679
<v Speaker 4>You got to take the family, You got to let

0:12:22.720 --> 0:12:25.440
<v Speaker 4>them know how crazy you are. Exact you always have

0:12:25.520 --> 0:12:27.520
<v Speaker 4>to ever reminder, like, don't forget I'm crazy.

0:12:27.679 --> 0:12:31.800
<v Speaker 2>Yeah, Oh, it's definitely that when you I mean with

0:12:31.960 --> 0:12:35.120
<v Speaker 2>going back, you know, you no notice for a number

0:12:35.160 --> 0:12:37.640
<v Speaker 2>of years. And you mentioned there that until you met him,

0:12:37.720 --> 0:12:39.640
<v Speaker 2>he was a he was a guy that could kind

0:12:39.640 --> 0:12:42.240
<v Speaker 2>of score you in movies. You never even heard of

0:12:42.320 --> 0:12:44.960
<v Speaker 2>what's the best recommendation you've ever had from a movie?

0:12:45.000 --> 0:12:46.040
<v Speaker 3>From from Flying Night?

0:12:46.160 --> 0:12:49.400
<v Speaker 4>Oh man, it was the day when he introduced me

0:12:49.440 --> 0:12:52.680
<v Speaker 4>to old Boy. Okay, yeah, he's the one that turned

0:12:52.679 --> 0:12:55.520
<v Speaker 4>me on an old boy, you know, And it was

0:12:55.600 --> 0:12:57.959
<v Speaker 4>just mind blowing. It was funny because it's like it's

0:12:58.000 --> 0:13:00.760
<v Speaker 4>like guys of a certain class, you know. It's like

0:13:01.600 --> 0:13:04.240
<v Speaker 4>he's like, hey, you know, you need to go see

0:13:04.240 --> 0:13:07.320
<v Speaker 4>this movie. And I was like what, you know, I

0:13:07.360 --> 0:13:10.160
<v Speaker 4>was like, all right, sure, you know, and I watched

0:13:10.160 --> 0:13:11.800
<v Speaker 4>it and I was like, oh my god. He was

0:13:11.800 --> 0:13:15.080
<v Speaker 4>like right, and I was like yeah, and he was like,

0:13:15.120 --> 0:13:17.920
<v Speaker 4>we just need more movies like that, and I was like, yeah,

0:13:17.960 --> 0:13:19.640
<v Speaker 4>we need more movies like yeah.

0:13:19.760 --> 0:13:21.920
<v Speaker 3>It's about opening for people haven't seen it.

0:13:22.080 --> 0:13:25.400
<v Speaker 4>It's a Korean film, it's a it's a it's an

0:13:25.440 --> 0:13:28.480
<v Speaker 4>amazing film, you know, it's a it's a revenge story.

0:13:28.640 --> 0:13:31.000
<v Speaker 4>That's I wouldn't want to ruin it for anybody that

0:13:31.040 --> 0:13:33.160
<v Speaker 4>hasn't seen it yet. But it's one of those things

0:13:33.160 --> 0:13:37.080
<v Speaker 4>where it the twists are so hard in this movie

0:13:37.480 --> 0:13:40.679
<v Speaker 4>that it just may give you whiplash. Man. It's it's

0:13:40.840 --> 0:13:46.240
<v Speaker 4>it's it is intense, man, it's everything. It's violent, it's

0:13:46.360 --> 0:13:49.640
<v Speaker 4>just everything you want to happen in a movie that

0:13:49.720 --> 0:13:52.240
<v Speaker 4>you would be like, oh, that is cringe worthy. It's

0:13:52.240 --> 0:13:56.840
<v Speaker 4>this is that movie, you know, and it's like, it's

0:13:56.880 --> 0:14:00.319
<v Speaker 4>just got this amazing climactic moment in the movie. I

0:14:00.559 --> 0:14:02.920
<v Speaker 4>just will just ruin your life.

0:14:04.200 --> 0:14:05.479
<v Speaker 3>That is some recommendation.

0:14:06.480 --> 0:14:08.440
<v Speaker 2>Did that kind of like turn you on to going

0:14:08.480 --> 0:14:11.720
<v Speaker 2>and checking out other South Korean movies, like films made

0:14:11.720 --> 0:14:13.200
<v Speaker 2>in that part of the world, that kind of genre

0:14:13.400 --> 0:14:15.520
<v Speaker 2>that was at the start of, you know, a love

0:14:15.520 --> 0:14:16.640
<v Speaker 2>affair with that kind of thing.

0:14:17.440 --> 0:14:19.760
<v Speaker 4>Well, I was always kind of, you know, into it

0:14:19.800 --> 0:14:22.280
<v Speaker 4>myself to some degree. But you know a lot of

0:14:22.280 --> 0:14:24.920
<v Speaker 4>the time, you know, recommendations are important from your friends,

0:14:24.960 --> 0:14:29.680
<v Speaker 4>you know, and it just fed into it more, you know.

0:14:30.160 --> 0:14:32.440
<v Speaker 4>I would start going into other places like Poland and

0:14:32.480 --> 0:14:34.920
<v Speaker 4>Serbia and looking for movies there and stuff like that.

0:14:35.640 --> 0:14:37.600
<v Speaker 4>It sparked my interest even more of it.

0:14:37.800 --> 0:14:40.040
<v Speaker 3>Yeah, and when you're traveling playing music.

0:14:40.120 --> 0:14:43.280
<v Speaker 2>Now, I'm sure it's difficult to often find the time,

0:14:43.360 --> 0:14:46.560
<v Speaker 2>but can you if you're visiting Poland playing the show,

0:14:46.680 --> 0:14:49.440
<v Speaker 2>or if you're in Tokyo, or if you're in Soul

0:14:49.520 --> 0:14:51.360
<v Speaker 2>or something like that, do you try and kind of

0:14:51.360 --> 0:14:53.720
<v Speaker 2>make a few hours to get out, get to the

0:14:53.800 --> 0:14:55.360
<v Speaker 2>kind of local DVD store.

0:14:55.520 --> 0:14:58.400
<v Speaker 4>Oh yeah, that that happened right before this interview. I

0:14:58.440 --> 0:15:02.080
<v Speaker 4>just walked off. I just was like, oh, we're here. Bye.

0:15:03.160 --> 0:15:04.480
<v Speaker 4>Pauls like where are you at? Where are you at?

0:15:04.480 --> 0:15:06.120
<v Speaker 4>And I was like, I just walked off.

0:15:06.160 --> 0:15:07.960
<v Speaker 3>Man, you know you could have seen something.

0:15:08.560 --> 0:15:11.000
<v Speaker 4>Yeah. They're like, you know, you know, life is being

0:15:11.080 --> 0:15:15.560
<v Speaker 4>lived and I will live it. Yeah, I always do.

0:15:15.720 --> 0:15:17.640
<v Speaker 4>I always do. One thing that sucks THO is when

0:15:17.680 --> 0:15:19.640
<v Speaker 4>you go to different places like that around the world.

0:15:19.640 --> 0:15:22.680
<v Speaker 4>You know, all the different DVDs, they don't have the

0:15:22.680 --> 0:15:27.680
<v Speaker 4>same region codes, and not everybody likes English, so they

0:15:27.760 --> 0:15:30.360
<v Speaker 4>just don't put that as a subtitle option. So you

0:15:30.440 --> 0:15:32.680
<v Speaker 4>just feel stupid, you know. I've had that happened way

0:15:32.720 --> 0:15:34.560
<v Speaker 4>too many times. I'm like, I'm so excited because I'll

0:15:34.560 --> 0:15:36.880
<v Speaker 4>go find a movie that I've been looking for and

0:15:36.920 --> 0:15:38.360
<v Speaker 4>I find it and bring it home and I have

0:15:38.440 --> 0:15:41.080
<v Speaker 4>I have a multi regional DVD player, but I put

0:15:41.080 --> 0:15:42.800
<v Speaker 4>it in the DVD player and then there's no option

0:15:42.880 --> 0:15:46.400
<v Speaker 4>for English at all, and it's just like wow, you know,

0:15:46.440 --> 0:15:49.840
<v Speaker 4>it's like these are terrible people. But you know again,

0:15:49.840 --> 0:15:51.760
<v Speaker 4>you know, no, I guess nobody's expecting, you know, to

0:15:51.800 --> 0:15:55.360
<v Speaker 4>reach that market or so yeah, you know, but you

0:15:55.360 --> 0:15:57.960
<v Speaker 4>you know again, you know, you just just wait patience,

0:15:57.960 --> 0:15:59.440
<v Speaker 4>and it winds up coming around.

0:16:00.200 --> 0:16:03.640
<v Speaker 2>Where's absolute kind of nirvana for you? Is it when

0:16:03.720 --> 0:16:07.360
<v Speaker 2>you go in somewhere like Tokyo, Because obviously there's a

0:16:07.400 --> 0:16:11.120
<v Speaker 2>track on drunk that's cool. Tokyo it's an amazing place.

0:16:11.200 --> 0:16:14.160
<v Speaker 2>Japan's a fantastic country. When you look at the list

0:16:14.160 --> 0:16:15.480
<v Speaker 2>of all the places you're going to, kind of visit

0:16:15.520 --> 0:16:17.120
<v Speaker 2>this year. When you see Tokyo on there, do you

0:16:17.160 --> 0:16:18.680
<v Speaker 2>sort of get a buzz about being able to go

0:16:18.720 --> 0:16:19.400
<v Speaker 2>back to that place.

0:16:20.120 --> 0:16:24.320
<v Speaker 4>Yeah, I freaking love Tokyo, man I do. I don't know,

0:16:24.360 --> 0:16:27.400
<v Speaker 4>It's just I've been gone there for years and years,

0:16:27.960 --> 0:16:31.480
<v Speaker 4>you know, from my youth up until now, and it

0:16:31.520 --> 0:16:33.960
<v Speaker 4>never gets old. I get excited every time, you know,

0:16:34.160 --> 0:16:36.480
<v Speaker 4>just the thought of what could be there, or what

0:16:36.520 --> 0:16:39.520
<v Speaker 4>they've been hiding, or what they've been working on, or

0:16:40.080 --> 0:16:43.600
<v Speaker 4>you know, what's new. You know, seeing new faces, and

0:16:43.640 --> 0:16:46.000
<v Speaker 4>you know, it changes every time you go. Somebody may

0:16:46.040 --> 0:16:49.400
<v Speaker 4>recognize you, maybe they don't, you know what everybody's like.

0:16:50.040 --> 0:16:53.200
<v Speaker 4>It's just it's it's just beautiful. One thing that's really

0:16:53.240 --> 0:16:55.760
<v Speaker 4>cool I remember about Tokyo was I remember I got

0:16:55.760 --> 0:16:57.120
<v Speaker 4>a chance to go see it when it was all

0:16:57.160 --> 0:16:59.840
<v Speaker 4>lit up. You know, they had all the lights blazing

0:16:59.840 --> 0:17:01.960
<v Speaker 4>and all that stuff, and I think for the sake

0:17:02.040 --> 0:17:05.199
<v Speaker 4>of energy and you know, conserving energy or something like that,

0:17:05.240 --> 0:17:07.840
<v Speaker 4>they would cut the lights off. So there's part of

0:17:07.920 --> 0:17:09.840
<v Speaker 4>there's probably people that are going now that don't get

0:17:09.880 --> 0:17:11.720
<v Speaker 4>a chance to see Tokyo the way it used to be,

0:17:12.280 --> 0:17:14.600
<v Speaker 4>where it was like all lit up like Las Vegas.

0:17:14.640 --> 0:17:18.200
<v Speaker 4>You know, everything was flashing and neon lights and TVs everywhere.

0:17:18.760 --> 0:17:21.720
<v Speaker 4>I remember it was just like intense and it just

0:17:21.800 --> 0:17:24.400
<v Speaker 4>never it's never changed, you know. I go out there

0:17:24.440 --> 0:17:27.160
<v Speaker 4>with with the excitement of what's new every time?

0:17:27.680 --> 0:17:29.520
<v Speaker 3>Do you go with an empty suitcase and just fill

0:17:29.560 --> 0:17:30.000
<v Speaker 3>it with like.

0:17:30.040 --> 0:17:33.480
<v Speaker 4>Yeah and yeah? Well I learned not to try to

0:17:33.520 --> 0:17:35.280
<v Speaker 4>do it with the DVDs. You know. That's the thing

0:17:35.320 --> 0:17:37.640
<v Speaker 4>I'm saying. You get out there and they just intentionally

0:17:37.680 --> 0:17:41.359
<v Speaker 4>don't put English. They'll put like Chinese and like Spanish,

0:17:41.400 --> 0:17:43.800
<v Speaker 4>but then it would be like who Spanish is gonna

0:17:43.840 --> 0:17:46.680
<v Speaker 4>watch this? Like who is gonna make it all the

0:17:46.680 --> 0:17:49.840
<v Speaker 4>way over here? You're just your mind's blowing it why

0:17:49.880 --> 0:17:51.960
<v Speaker 4>it won't be English translation? But they just will not

0:17:52.000 --> 0:17:54.720
<v Speaker 4>put English translation. That could be a slight, you know,

0:17:54.760 --> 0:17:58.560
<v Speaker 4>that could be a little bit of a slight. You know.

0:17:58.760 --> 0:18:02.440
<v Speaker 4>I'm paying attention to Japan, but it is one of

0:18:02.480 --> 0:18:04.200
<v Speaker 4>those things that's like, you know, I do go there,

0:18:04.280 --> 0:18:06.119
<v Speaker 4>you know, and I just wind up coming home with

0:18:06.119 --> 0:18:07.840
<v Speaker 4>the extra suitcase or something. Yeah.

0:18:07.960 --> 0:18:11.239
<v Speaker 2>Stuart, who also sometimes does this podcast, went recently and

0:18:11.280 --> 0:18:13.840
<v Speaker 2>he came back with a number of like little gadgets

0:18:13.840 --> 0:18:16.600
<v Speaker 2>and things like that, but also the miniatures they did

0:18:16.720 --> 0:18:19.199
<v Speaker 2>kind of they make everyday objects, but just the miniature

0:18:19.240 --> 0:18:20.000
<v Speaker 2>and you can get.

0:18:19.840 --> 0:18:21.760
<v Speaker 3>Them from the kind of like.

0:18:21.680 --> 0:18:24.560
<v Speaker 2>Lockers in like the tube station, and you can get

0:18:24.560 --> 0:18:27.600
<v Speaker 2>a very small version of a I don't know, not

0:18:27.640 --> 0:18:31.800
<v Speaker 2>something like traditionally like a very tiny pineapple.

0:18:31.800 --> 0:18:34.080
<v Speaker 4>Yeah, desk pineapple, Yeah, yeah. Yeah.

0:18:34.320 --> 0:18:35.920
<v Speaker 3>Is he a home like back home in.

0:18:36.359 --> 0:18:38.919
<v Speaker 4>No, not so much of a not so much of

0:18:38.960 --> 0:18:42.199
<v Speaker 4>a little knick knack thing, but it's more like things

0:18:42.280 --> 0:18:45.119
<v Speaker 4>and like you know, pieces of clothing or like stuff

0:18:45.160 --> 0:18:48.280
<v Speaker 4>like that, like rare pieces of clothing or or like

0:18:48.320 --> 0:18:50.600
<v Speaker 4>you know, I mean there was like one time I

0:18:50.600 --> 0:18:53.479
<v Speaker 4>brought home this umbrella that was literally I didn't realize

0:18:53.520 --> 0:18:56.560
<v Speaker 4>how collectible it was until my little brother broke it

0:18:56.600 --> 0:18:59.680
<v Speaker 4>because he was an idiot, and you know, he's holding

0:18:59.680 --> 0:19:01.280
<v Speaker 4>it again it's the wind and it popped one of

0:19:01.280 --> 0:19:03.280
<v Speaker 4>the things, and I tried to get it replaced, and

0:19:03.320 --> 0:19:05.119
<v Speaker 4>then trying to get it replaced, I found out that

0:19:05.160 --> 0:19:08.520
<v Speaker 4>it was a rare and collectible like like it was

0:19:08.560 --> 0:19:10.480
<v Speaker 4>like more than like a little cool little thing. It

0:19:10.520 --> 0:19:12.320
<v Speaker 4>was like there's only like fifty of them made, and

0:19:12.359 --> 0:19:15.159
<v Speaker 4>they were like at one point on display somewhere and

0:19:15.200 --> 0:19:16.880
<v Speaker 4>I was like, I couldn't believe my little brother Boke.

0:19:17.080 --> 0:19:19.960
<v Speaker 4>Nobody could fix it. And it's just to this day,

0:19:19.960 --> 0:19:22.840
<v Speaker 4>I could just punch my brother's front teeth out. It

0:19:22.880 --> 0:19:25.719
<v Speaker 4>was from Japan, you know, but yeah, it was literally

0:19:26.400 --> 0:19:28.040
<v Speaker 4>I get to just spit on my brother. You know,

0:19:28.119 --> 0:19:29.840
<v Speaker 4>I still this day, I could just punch him right

0:19:29.840 --> 0:19:34.200
<v Speaker 4>in his mouth for that umbrella that you broke at

0:19:34.400 --> 0:19:38.000
<v Speaker 4>Oh my god. Anyway, but I tend to look for

0:19:38.080 --> 0:19:42.280
<v Speaker 4>things that are that are a bit sentimental for you know,

0:19:42.160 --> 0:19:44.080
<v Speaker 4>you know, I don't know, just for different things. You know,

0:19:44.240 --> 0:19:46.199
<v Speaker 4>I do have, you know, like certain purposes when I

0:19:46.200 --> 0:19:48.479
<v Speaker 4>go looking for stuff. You know, it's not just all

0:19:48.560 --> 0:19:51.520
<v Speaker 4>cool I found a little No, it's like go to Akihabra,

0:19:52.200 --> 0:19:55.000
<v Speaker 4>you go to the Nike, you go to the Nike store,

0:19:55.320 --> 0:19:58.600
<v Speaker 4>you know, go to Gundam Cafe. You know, I'm not

0:19:58.640 --> 0:20:00.439
<v Speaker 4>so much a horror yuku guy. You know. It's like

0:20:00.600 --> 0:20:02.520
<v Speaker 4>I do enjoy it, but it's like just more so

0:20:02.720 --> 0:20:05.399
<v Speaker 4>enjoy the things that are not so touristy there, that

0:20:05.480 --> 0:20:07.320
<v Speaker 4>are more like their actual things. You know.

0:20:07.440 --> 0:20:10.080
<v Speaker 2>Yeah, you're obviously a kind of fan of film, but

0:20:10.720 --> 0:20:14.280
<v Speaker 2>growing up was music the total dominant force in kind

0:20:14.320 --> 0:20:15.080
<v Speaker 2>of family life.

0:20:15.160 --> 0:20:19.359
<v Speaker 4>It was mostly music. I think music income embodies like

0:20:19.400 --> 0:20:21.439
<v Speaker 4>a lot of different parts of culture a lot of

0:20:21.480 --> 0:20:24.720
<v Speaker 4>the time too, but for the majority of it was music.

0:20:24.840 --> 0:20:27.400
<v Speaker 4>I was also a bit of a visual artist, but yeah,

0:20:27.440 --> 0:20:30.080
<v Speaker 4>the main influence now is music. You know, families are

0:20:30.200 --> 0:20:31.359
<v Speaker 4>family all musicians.

0:20:31.640 --> 0:20:33.960
<v Speaker 2>And you mentioned the visual side of things because I

0:20:34.000 --> 0:20:36.160
<v Speaker 2>wanted to ask you about the artwork for Drunk, which,

0:20:36.200 --> 0:20:39.760
<v Speaker 2>from to my mind, is absolutely superb for people. Hopefully

0:20:39.800 --> 0:20:42.679
<v Speaker 2>I've seen this, but the cover features yourself kind of

0:20:42.720 --> 0:20:45.240
<v Speaker 2>submerged and you can only see a little bit of

0:20:45.280 --> 0:20:47.480
<v Speaker 2>your face. But it seems to have gone down particularly

0:20:47.560 --> 0:20:49.920
<v Speaker 2>well with a lot of your kind of fans because

0:20:49.920 --> 0:20:52.520
<v Speaker 2>they've gone out and made their own versions of it.

0:20:52.560 --> 0:20:53.480
<v Speaker 3>Have you seen some of those?

0:20:53.680 --> 0:20:57.160
<v Speaker 4>Yeah, it's pretty funny. It's pretty funny, you know, which

0:20:57.240 --> 0:20:58.959
<v Speaker 4>is something At one point I was wondering when am

0:20:59.000 --> 0:21:01.960
<v Speaker 4>I going to get to check from it. I was like,

0:21:02.040 --> 0:21:04.679
<v Speaker 4>this is insane, But it kind of worked out in

0:21:04.720 --> 0:21:06.680
<v Speaker 4>my favor a bit. You know, it was like, oh cool,

0:21:07.240 --> 0:21:08.919
<v Speaker 4>and that part of me just believes that that was

0:21:09.040 --> 0:21:12.480
<v Speaker 4>not coincidence, you know, but you know, I would retweet

0:21:12.520 --> 0:21:14.359
<v Speaker 4>them when they would do it, you know, or you know,

0:21:14.960 --> 0:21:17.480
<v Speaker 4>you know, like the photos and stuff. But I felt like,

0:21:17.520 --> 0:21:20.760
<v Speaker 4>am I like supporting Instagram or am I promoting my album?

0:21:20.800 --> 0:21:23.760
<v Speaker 4>I didn't know what was going on, but it was funny.

0:21:23.800 --> 0:21:25.399
<v Speaker 4>I like when people get creative with it and make

0:21:25.440 --> 0:21:26.600
<v Speaker 4>it terrible too. Yeah.

0:21:27.240 --> 0:21:30.520
<v Speaker 2>Yeah, there's a mixture of like abilities going on, should

0:21:30.520 --> 0:21:31.280
<v Speaker 2>we say to be fat?

0:21:31.480 --> 0:21:33.360
<v Speaker 4>Yeah? Yeah, it's pretty fun.

0:21:33.520 --> 0:21:35.399
<v Speaker 2>That day when you when you capture the image for

0:21:35.440 --> 0:21:37.480
<v Speaker 2>the record, tell me about that, because it looks like

0:21:37.520 --> 0:21:40.800
<v Speaker 2>you're in a kind of Amazonian like swamp or something.

0:21:40.720 --> 0:21:46.280
<v Speaker 4>Isn't it. It's basically flying lotus of swimming pool Amazonian swamp.

0:21:46.960 --> 0:21:49.880
<v Speaker 4>I hope, I wish you heard that. Well here it's

0:21:49.920 --> 0:21:52.080
<v Speaker 4>a weird swamp thing, is like, yeah, it was a

0:21:52.119 --> 0:21:55.399
<v Speaker 4>swimming pool. Yeah no, that was definitely a swimming pool.

0:21:55.560 --> 0:21:58.679
<v Speaker 4>And you were just trying to find something, you know,

0:21:58.840 --> 0:22:03.520
<v Speaker 4>capture something that was a that, you know, the worth

0:22:03.560 --> 0:22:08.440
<v Speaker 4>one thousand words thing, you know, and it's one of

0:22:08.440 --> 0:22:11.160
<v Speaker 4>those things. Eddie Alcazar, I think is is really good

0:22:11.160 --> 0:22:15.399
<v Speaker 4>at that, you know. And we were in the pool

0:22:15.440 --> 0:22:17.639
<v Speaker 4>for quite some time or not we I was in

0:22:17.680 --> 0:22:20.760
<v Speaker 4>the pool, you know, until I started shriveling up and everything,

0:22:20.920 --> 0:22:24.320
<v Speaker 4>you know, and at first I didn't see it. I

0:22:24.320 --> 0:22:27.240
<v Speaker 4>didn't understand. I was like, you know, the whole concept

0:22:27.240 --> 0:22:29.320
<v Speaker 4>of being drunk and being the water always kind of

0:22:29.320 --> 0:22:31.800
<v Speaker 4>makes sense, but I think there was a bit more

0:22:31.920 --> 0:22:34.280
<v Speaker 4>to capture, and it's like when I saw the whole

0:22:34.320 --> 0:22:36.840
<v Speaker 4>real back, I was just kind of like I didn't

0:22:36.880 --> 0:22:38.399
<v Speaker 4>you know, I couldn't see it at first, you know,

0:22:38.480 --> 0:22:40.680
<v Speaker 4>I was like, ohn't no, it's just me struggling in water.

0:22:41.280 --> 0:22:43.920
<v Speaker 4>And then there's this one moment that he finds where

0:22:43.960 --> 0:22:46.920
<v Speaker 4>it's just a bit calm but eerie calmness, and I'm

0:22:46.960 --> 0:22:50.320
<v Speaker 4>just like shesh. You know, it blew my mind to

0:22:50.359 --> 0:22:51.600
<v Speaker 4>see it, you know. He's like, what do you think

0:22:51.640 --> 0:22:54.240
<v Speaker 4>about this one? It's like, oh my god. You know,

0:22:54.400 --> 0:22:57.600
<v Speaker 4>I was like like I couldn't imagine, like even trying

0:22:57.600 --> 0:22:59.320
<v Speaker 4>to think what I was thinking in the moment of

0:22:59.440 --> 0:23:00.879
<v Speaker 4>catching that was weird for me. I was like, I

0:23:00.880 --> 0:23:01.840
<v Speaker 4>don't even know what I was thinking.

0:23:01.920 --> 0:23:03.480
<v Speaker 3>I was gonna say, like what I think.

0:23:03.480 --> 0:23:06.359
<v Speaker 4>I was like lost for a second. I was genuinely

0:23:06.400 --> 0:23:08.800
<v Speaker 4>in the photo, just like what is going on right now?

0:23:09.200 --> 0:23:12.280
<v Speaker 2>It's kind of like a mixture of sort of inquisitiveness

0:23:12.320 --> 0:23:14.639
<v Speaker 2>and sort of almost surprise.

0:23:14.520 --> 0:23:18.520
<v Speaker 4>Yeah, it's like just full on just you know, daft,

0:23:20.080 --> 0:23:23.240
<v Speaker 4>just you know, kind of just in between worlds a bit,

0:23:23.400 --> 0:23:27.480
<v Speaker 4>and when the funny thing is everything from the eyebrows

0:23:27.520 --> 0:23:30.320
<v Speaker 4>to the little bubble. It was just, you know, I

0:23:30.320 --> 0:23:32.360
<v Speaker 4>think it was the right photo. It turned out being

0:23:32.400 --> 0:23:32.960
<v Speaker 4>the right one.

0:23:33.040 --> 0:23:35.960
<v Speaker 2>You know, we've talked about your love film. What about

0:23:36.560 --> 0:23:37.720
<v Speaker 2>things like video games?

0:23:37.880 --> 0:23:38.400
<v Speaker 3>Intervideos?

0:23:38.440 --> 0:23:40.879
<v Speaker 4>Oh man, I'm always I've always got my mind on

0:23:41.000 --> 0:23:44.720
<v Speaker 4>video games. Man, it's so crazy watching some like watching

0:23:44.840 --> 0:23:48.440
<v Speaker 4>like the I don't even know what to call it, man,

0:23:48.560 --> 0:23:50.320
<v Speaker 4>Like you know, I'm a guy that's been playing games

0:23:50.359 --> 0:23:54.200
<v Speaker 4>for good lord, since I don't even I think more

0:23:54.240 --> 0:23:55.119
<v Speaker 4>than twenty years.

0:23:55.280 --> 0:23:56.360
<v Speaker 3>What was your first console?

0:23:56.600 --> 0:23:58.080
<v Speaker 4>Oh man, Nintendo?

0:23:58.359 --> 0:24:01.800
<v Speaker 3>Yeah, classic. We always an god rather than say well.

0:24:01.640 --> 0:24:04.120
<v Speaker 4>I had both, Okay, there you go. That's the difference,

0:24:04.160 --> 0:24:09.720
<v Speaker 4>all right, there you go, And and I had Super Nintendo.

0:24:09.880 --> 0:24:13.080
<v Speaker 4>You know, it's like it's one of those things where it's,

0:24:14.200 --> 0:24:18.040
<v Speaker 4>you know, it's crazy watching like the weird part of

0:24:18.080 --> 0:24:21.000
<v Speaker 4>it where it's like it's hard to get enthusiastic sometimes

0:24:21.040 --> 0:24:22.760
<v Speaker 4>about them, knowing that they're just going to be this

0:24:22.880 --> 0:24:26.240
<v Speaker 4>mountain of just insanity. You at the climb, you know,

0:24:26.880 --> 0:24:28.600
<v Speaker 4>and they keep you know, it's really nice when they

0:24:28.640 --> 0:24:31.200
<v Speaker 4>when somebody you know makes a platform that's really cool.

0:24:31.720 --> 0:24:34.639
<v Speaker 4>But then sometimes it's so it's too much, you know,

0:24:34.920 --> 0:24:37.360
<v Speaker 4>like you know, I hate to say it, but like granted,

0:24:39.000 --> 0:24:41.199
<v Speaker 4>Metal Gear Solid Last Metal Gear was just like I

0:24:41.240 --> 0:24:43.760
<v Speaker 4>gave up. I was like I can't do this, man,

0:24:43.840 --> 0:24:45.440
<v Speaker 4>And it was like then you hear the story behind

0:24:45.480 --> 0:24:47.480
<v Speaker 4>what happened with it, and then you're like, you know,

0:24:47.520 --> 0:24:50.359
<v Speaker 4>you're not tripping like today, Kojima in a you know,

0:24:51.720 --> 0:24:55.080
<v Speaker 4>I think it's acclaim Kojima and yeah they split or whatever,

0:24:55.720 --> 0:24:58.280
<v Speaker 4>and it was like the game being made was meant

0:24:58.320 --> 0:25:01.800
<v Speaker 4>to be like this full on, you know, perpetual insanity,

0:25:01.800 --> 0:25:03.760
<v Speaker 4>and it was just like I knew it, like I

0:25:03.800 --> 0:25:08.240
<v Speaker 4>hated it, but like nonetheless, you know, I still get

0:25:08.359 --> 0:25:10.840
<v Speaker 4>very excited about video games, you know. You know, I

0:25:10.920 --> 0:25:15.320
<v Speaker 4>just bought another PlayStation. I bought the Terraby PlayStation so

0:25:15.320 --> 0:25:17.919
<v Speaker 4>I can get to the games faster. But I don't know,

0:25:18.000 --> 0:25:20.240
<v Speaker 4>you know, I was checking out the Nintendo Switch and

0:25:20.480 --> 0:25:23.720
<v Speaker 4>I don't know yet. Man, I'm waiting because I never

0:25:23.840 --> 0:25:25.960
<v Speaker 4>was a Zelda fan and there was never a selling

0:25:26.000 --> 0:25:29.040
<v Speaker 4>point for me, even though I do like Zelda, you know,

0:25:29.240 --> 0:25:32.720
<v Speaker 4>it's like, I don't They're gonna have to impress me

0:25:32.880 --> 0:25:34.640
<v Speaker 4>with the Nintendo Switch. You know. It's like I bought

0:25:34.640 --> 0:25:37.880
<v Speaker 4>the Weiu. I love the Weu. You know, but it's

0:25:37.920 --> 0:25:40.520
<v Speaker 4>just again, it's just you know, I definitely games are

0:25:40.520 --> 0:25:42.240
<v Speaker 4>always on my mind. I'm like, should I buy another

0:25:42.280 --> 0:25:45.240
<v Speaker 4>game in console? And I'm like, no, they're just messing

0:25:45.240 --> 0:25:46.760
<v Speaker 4>with you now, you know. It's like at this point,

0:25:46.800 --> 0:25:50.560
<v Speaker 4>they're just making stuff to keep things afloat as compared

0:25:50.600 --> 0:25:52.520
<v Speaker 4>to coming out with new good stuff. Though. The last

0:25:52.560 --> 0:25:55.520
<v Speaker 4>good game I did play, though, was a Resident Evil.

0:25:55.760 --> 0:26:01.120
<v Speaker 4>Oh my god, Resident Evil. Oh my gosh, that game

0:26:01.200 --> 0:26:04.159
<v Speaker 4>is beautiful. That game is beautiful. Me and Lotus had

0:26:04.200 --> 0:26:06.040
<v Speaker 4>been waiting for that game for ages. We were like,

0:26:06.080 --> 0:26:08.359
<v Speaker 4>you see the previews, You're like, oh my god, this

0:26:08.440 --> 0:26:09.960
<v Speaker 4>is gonna be intense. It's gonna be intense. And we

0:26:10.000 --> 0:26:12.320
<v Speaker 4>finally downloaded, you know, and then you can have the

0:26:12.320 --> 0:26:15.840
<v Speaker 4>option to play it in VR. And it was the

0:26:15.840 --> 0:26:18.159
<v Speaker 4>best moment on this planet. When Lotus calls me and

0:26:18.160 --> 0:26:20.800
<v Speaker 4>he just calls me, and I'm like, what's up, man,

0:26:20.960 --> 0:26:23.120
<v Speaker 4>He's like nothing, just kind of you know, chilling playing

0:26:23.160 --> 0:26:26.800
<v Speaker 4>video games. And I was like, okay, I was like,

0:26:26.840 --> 0:26:30.080
<v Speaker 4>all right, well, I'm dude having fun. It's like, yeah, man,

0:26:30.080 --> 0:26:31.960
<v Speaker 4>I'm totally having fun, you know. But he's talking to

0:26:32.000 --> 0:26:34.439
<v Speaker 4>me and I'm like it sounds like he's kind of stalling.

0:26:34.480 --> 0:26:37.399
<v Speaker 4>I'm like, what's going on here, man? And he's like, yeah, man,

0:26:37.440 --> 0:26:39.719
<v Speaker 4>I'm just playing Resident Evil in VR. And I was like,

0:26:39.840 --> 0:26:44.399
<v Speaker 4>oh god, it's really scaring you is And he's like yeah,

0:26:44.760 --> 0:26:47.560
<v Speaker 4>he's come up and yeah, he was like, you gotta

0:26:47.600 --> 0:26:50.080
<v Speaker 4>come over here, dude, this is too intense for you.

0:26:50.359 --> 0:26:52.720
<v Speaker 4>I need to be in some reality for a second.

0:26:53.880 --> 0:26:54.480
<v Speaker 3>Amazing.

0:26:55.480 --> 0:26:58.000
<v Speaker 4>Yeah, man, that that game is that that's the last

0:26:58.200 --> 0:26:59.879
<v Speaker 4>you know. And of course there's always the classics, like

0:27:00.040 --> 0:27:01.080
<v Speaker 4>Mortal Kombat. You know.

0:27:01.200 --> 0:27:02.320
<v Speaker 3>Yeah, I wrote a.

0:27:02.200 --> 0:27:04.199
<v Speaker 4>Song and it's got Mortal Kombat in it. You know.

0:27:04.200 --> 0:27:06.639
<v Speaker 4>It's like a little Mortal Kombat waiting for teching, you

0:27:06.680 --> 0:27:08.199
<v Speaker 4>know all that stuff.

0:27:08.240 --> 0:27:10.760
<v Speaker 2>You know, you're a fan of the kind of like

0:27:10.880 --> 0:27:13.760
<v Speaker 2>first player action thing or do you like like sports games?

0:27:14.040 --> 0:27:16.720
<v Speaker 4>I hate sports games? Yeah, okay, yeah, you can't be

0:27:16.760 --> 0:27:18.919
<v Speaker 4>a fan of both. I don't think it exists. I

0:27:18.920 --> 0:27:21.680
<v Speaker 4>think guys that play sports games are too attached to reality,

0:27:22.280 --> 0:27:24.840
<v Speaker 4>so they it's like a gambling problem. You know, it's

0:27:24.880 --> 0:27:27.439
<v Speaker 4>like it's like a person that is like, oh, you

0:27:27.520 --> 0:27:29.560
<v Speaker 4>just can't you can't play, you can't go and you

0:27:29.600 --> 0:27:33.080
<v Speaker 4>can't fantasize anything. You just have to see reality all

0:27:33.160 --> 0:27:35.320
<v Speaker 4>the time. You know, it's got to be it's gotta

0:27:35.359 --> 0:27:37.320
<v Speaker 4>be like, you know, real life, only play back. I

0:27:37.320 --> 0:27:40.240
<v Speaker 4>watch basketball and then I played basketball. You know, there's

0:27:40.280 --> 0:27:42.159
<v Speaker 4>no fantasy to do it at all, you know. But

0:27:42.400 --> 0:27:44.160
<v Speaker 4>I mean there's some people that do play out play

0:27:44.200 --> 0:27:46.600
<v Speaker 4>at all. But you know, I am not a fan

0:27:46.640 --> 0:27:48.240
<v Speaker 4>of sports games, not at all.

0:27:48.520 --> 0:27:51.399
<v Speaker 3>What about the very originals because I win I recently.

0:27:51.160 --> 0:27:54.480
<v Speaker 4>There's NBA Jam, NBA Jam that was fun.

0:27:54.880 --> 0:27:56.280
<v Speaker 3>I don't think. I think I did play.

0:27:56.359 --> 0:27:58.280
<v Speaker 4>NBA Jam was fantastic.

0:27:58.440 --> 0:28:00.639
<v Speaker 2>Yeah, we like I think the Britiship said has always

0:28:00.640 --> 0:28:02.280
<v Speaker 2>been with like the soccer games.

0:28:02.640 --> 0:28:04.560
<v Speaker 4>Yeah, FIFA exactly.

0:28:04.160 --> 0:28:05.760
<v Speaker 3>FIFA and pro evolution soccer.

0:28:05.960 --> 0:28:08.080
<v Speaker 4>I think I played FIFA one time. Somebody tried to

0:28:08.080 --> 0:28:09.960
<v Speaker 4>get me into it. You know. I was out here

0:28:10.000 --> 0:28:14.159
<v Speaker 4>for a conference at one point for something and it

0:28:14.240 --> 0:28:17.560
<v Speaker 4>was actually during the well yeah, no, no, no, it was

0:28:17.600 --> 0:28:19.080
<v Speaker 4>for the It was I was in Paris when the

0:28:19.320 --> 0:28:23.040
<v Speaker 4>shootings happened and we were trapped in the place where

0:28:23.040 --> 0:28:26.400
<v Speaker 4>we were so after I destroyed everybody in Mortal Kombat,

0:28:26.640 --> 0:28:28.639
<v Speaker 4>I was like, no, let's play something different, you know.

0:28:29.160 --> 0:28:31.720
<v Speaker 4>So the guy busts out FIFA and I'm just like boom,

0:28:32.280 --> 0:28:35.200
<v Speaker 4>you know, like this is a trash, and so he goes, no, man,

0:28:35.200 --> 0:28:37.200
<v Speaker 4>you just gotta you know, you gotta check it out,

0:28:37.280 --> 0:28:39.560
<v Speaker 4>give it a second. So I'm playing and I'm like,

0:28:39.600 --> 0:28:41.280
<v Speaker 4>you know, I'm looking at how long it takes to

0:28:41.280 --> 0:28:43.400
<v Speaker 4>get a goal. I'm just like, this is just absurd.

0:28:43.600 --> 0:28:46.120
<v Speaker 4>I was like, I can't do this, but I gave

0:28:46.160 --> 0:28:48.360
<v Speaker 4>it a try. For the record, I did give FIFA

0:28:48.400 --> 0:28:48.800
<v Speaker 4>a try.

0:28:49.200 --> 0:28:52.160
<v Speaker 2>I tried to find my original Naz in the attic

0:28:52.320 --> 0:28:55.600
<v Speaker 2>at my parents' house recently, and it broke my heart.

0:28:55.680 --> 0:28:57.040
<v Speaker 2>I couldn't find it.

0:28:57.880 --> 0:28:59.880
<v Speaker 4>You know, your parents already, you know, they get rid

0:28:59.880 --> 0:29:01.600
<v Speaker 4>of it as soon as they think you're not looking.

0:29:01.920 --> 0:29:04.400
<v Speaker 2>I know, they really pocketed, like the kind of twenty

0:29:04.480 --> 0:29:06.280
<v Speaker 2>quid they got for it, like fifteen years.

0:29:06.120 --> 0:29:08.840
<v Speaker 4>The guy good lord, not realizing that it's like a

0:29:09.000 --> 0:29:13.520
<v Speaker 4>valuable article of history history, you know. But uh, you

0:29:13.560 --> 0:29:17.320
<v Speaker 4>know again, I'm just again, if you're a gamer, you are.

0:29:17.400 --> 0:29:19.680
<v Speaker 4>If you aren't, you aren't. It's just that's just what

0:29:19.720 --> 0:29:20.080
<v Speaker 4>it is.

0:29:20.160 --> 0:29:22.640
<v Speaker 2>I've got fun memories of I mean obviously the like

0:29:22.680 --> 0:29:24.240
<v Speaker 2>original Super Marios, but.

0:29:24.200 --> 0:29:25.880
<v Speaker 3>Then yeah, I mean so good.

0:29:26.280 --> 0:29:29.120
<v Speaker 2>Yeah, but then even games like I mean it's so

0:29:29.440 --> 0:29:33.200
<v Speaker 2>kind of when you go back now, like pretty rudimentary,

0:29:33.280 --> 0:29:33.960
<v Speaker 2>like Duck.

0:29:33.800 --> 0:29:36.440
<v Speaker 4>They're still hard as hell. Yeah. Yeah, yeah, they're harder

0:29:36.480 --> 0:29:38.160
<v Speaker 4>than most of the games we play now, which is

0:29:38.200 --> 0:29:40.640
<v Speaker 4>really interesting. That's the thing I was telling you about

0:29:40.640 --> 0:29:43.920
<v Speaker 4>where it's like you just realize the video games like, hmm,

0:29:44.480 --> 0:29:46.480
<v Speaker 4>this is weird. You know, It's like I'm in, I'm

0:29:46.480 --> 0:29:50.160
<v Speaker 4>i in like some weird you know, Perpetual Groundhogs Day

0:29:50.200 --> 0:29:53.600
<v Speaker 4>of Weirdness or these games you know, like actually good,

0:29:53.800 --> 0:29:55.480
<v Speaker 4>you know, like you're looking for that, you know, because

0:29:55.480 --> 0:29:58.080
<v Speaker 4>it's like you're saying, like those games are hard, they

0:29:58.120 --> 0:29:59.320
<v Speaker 4>were not easy to play.

0:30:00.080 --> 0:30:02.160
<v Speaker 3>Are you fully on board with the whole VR thing?

0:30:02.200 --> 0:30:04.800
<v Speaker 4>Do you think you're gonna get to it? I was

0:30:04.800 --> 0:30:07.120
<v Speaker 4>on it a while ago, a couple of years ago.

0:30:07.440 --> 0:30:09.840
<v Speaker 2>Yeah, where do you think it's kind of I mean,

0:30:10.120 --> 0:30:11.920
<v Speaker 2>I've not had a chance to give it a go yet.

0:30:11.960 --> 0:30:15.600
<v Speaker 2>So what just does is it completely fully immersive? Is

0:30:15.600 --> 0:30:18.240
<v Speaker 2>it like, does it take gameplay to a whole different level?

0:30:18.360 --> 0:30:20.720
<v Speaker 4>It does but you have to. You know, it's just something,

0:30:20.760 --> 0:30:23.520
<v Speaker 4>a new learning curve. You just have to get used

0:30:23.520 --> 0:30:26.080
<v Speaker 4>to it. You know, could knock you off your equilibrium

0:30:26.120 --> 0:30:28.120
<v Speaker 4>a bit, you know, if you're not careful, and if

0:30:28.120 --> 0:30:29.760
<v Speaker 4>you're in it for too long, you know, you take

0:30:29.760 --> 0:30:34.200
<v Speaker 4>the glasses off, you're like, whoa, you know, but it's great, man,

0:30:34.520 --> 0:30:39.200
<v Speaker 4>it's great. I've never experienced anything like VR, and it's fun.

0:30:39.240 --> 0:30:41.800
<v Speaker 4>You know. You know, at some point I'm hoping they'll

0:30:41.800 --> 0:30:44.360
<v Speaker 4>be able to make it a little more comfortable, you know,

0:30:44.840 --> 0:30:46.920
<v Speaker 4>but you know, even if they don't, it's what it is.

0:30:46.960 --> 0:30:49.280
<v Speaker 4>It's it's it's its own separate gaming experience, and to

0:30:49.320 --> 0:30:51.160
<v Speaker 4>have the option is more important than anything.

0:30:51.200 --> 0:30:53.240
<v Speaker 2>You know. We talked about flying that it's in his

0:30:53.360 --> 0:30:55.280
<v Speaker 2>like ultimate ambition to go out and want to make

0:30:55.280 --> 0:30:57.040
<v Speaker 2>a film. He's always wanted to make a film, like

0:30:57.160 --> 0:31:01.120
<v Speaker 2>he's for years and years since he studied university. But

0:31:01.840 --> 0:31:03.840
<v Speaker 2>what about yourself in terms of like, I mean, it

0:31:03.840 --> 0:31:06.800
<v Speaker 2>sounds like pretty passionate about video games.

0:31:06.840 --> 0:31:08.800
<v Speaker 4>You know, No, I don't want to make a video game.

0:31:08.960 --> 0:31:09.080
<v Speaker 3>No.

0:31:09.640 --> 0:31:09.800
<v Speaker 4>Nah.

0:31:10.160 --> 0:31:15.960
<v Speaker 3>If they've had an idea for a video game, I

0:31:16.040 --> 0:31:16.480
<v Speaker 3>mean I have.

0:31:16.520 --> 0:31:19.120
<v Speaker 4>Moments where I wish they would bring certain types of

0:31:19.280 --> 0:31:23.040
<v Speaker 4>gaming back, like you know, Siphon Filter or like Tenche

0:31:23.160 --> 0:31:29.200
<v Speaker 4>Stealth Assassin. You know, but uh, I don't now, I've

0:31:29.200 --> 0:31:31.600
<v Speaker 4>never been, you know, into the idea of me. I've

0:31:31.600 --> 0:31:34.080
<v Speaker 4>always thought about you know, music for video games of course,

0:31:34.120 --> 0:31:35.600
<v Speaker 4>you know, and.

0:31:35.880 --> 0:31:37.600
<v Speaker 3>If you kind of have you done anything like that

0:31:37.640 --> 0:31:38.080
<v Speaker 3>in the past.

0:31:39.760 --> 0:31:42.520
<v Speaker 4>Well, there was Grand Theft Auto. Yeah, me and Lotis

0:31:42.560 --> 0:31:46.280
<v Speaker 4>you know were involved in that, and they had the

0:31:46.400 --> 0:31:48.720
<v Speaker 4>radio station with fly Lo FM, you know, and he'll

0:31:48.720 --> 0:31:51.560
<v Speaker 4>play music and stuff. I think that's the coolest thing

0:31:51.560 --> 0:31:54.320
<v Speaker 4>that has ever happened in the video game ever too.

0:31:55.160 --> 0:31:56.960
<v Speaker 4>That will go down in history as one of the

0:31:56.960 --> 0:32:02.800
<v Speaker 4>coolest video games to ever exist. Grand Theft at five unbelievable. Yeah,

0:32:03.200 --> 0:32:05.400
<v Speaker 4>hands down. Shout out to Rockstar games Man.

0:32:05.720 --> 0:32:08.880
<v Speaker 2>Is that the like, I mean pretty mu an impossible question.

0:32:08.920 --> 0:32:10.760
<v Speaker 2>It's like asking somebody what their favorite album of all

0:32:10.760 --> 0:32:13.080
<v Speaker 2>time is? But is I mean, is that in.

0:32:13.040 --> 0:32:14.400
<v Speaker 4>That the games?

0:32:14.600 --> 0:32:16.160
<v Speaker 3>Is that the game? Is that the king of games?

0:32:16.280 --> 0:32:17.000
<v Speaker 3>Is that the all time?

0:32:17.720 --> 0:32:20.720
<v Speaker 4>Yeah? I gotta say yeah, Especially when they made it

0:32:20.760 --> 0:32:23.280
<v Speaker 4>like La La, It was like I was like I

0:32:23.320 --> 0:32:25.200
<v Speaker 4>would do it like you get caught up and you know,

0:32:25.280 --> 0:32:27.200
<v Speaker 4>you would get caught up before playing the game and

0:32:27.320 --> 0:32:30.240
<v Speaker 4>just going around on killing Spreeze and stuff. But now

0:32:30.320 --> 0:32:32.600
<v Speaker 4>it's like you don't even have away want to kill anybody.

0:32:32.640 --> 0:32:34.080
<v Speaker 4>You just want to get a dope car and like

0:32:34.280 --> 0:32:36.120
<v Speaker 4>drive around l A and go to the strip club

0:32:37.000 --> 0:32:39.920
<v Speaker 4>and just literally just vibe out to like fly low

0:32:40.120 --> 0:32:43.600
<v Speaker 4>fl like like you would normally do during the week.

0:32:46.040 --> 0:32:47.600
<v Speaker 3>I remember that really might because you did.

0:32:47.680 --> 0:32:49.520
<v Speaker 2>You would just like kind of always like Ar'm down,

0:32:49.600 --> 0:32:52.320
<v Speaker 2>just like, oh, actually stopped playing this game technically like

0:32:52.440 --> 0:32:53.160
<v Speaker 2>five minutes ago.

0:32:53.320 --> 0:32:55.160
<v Speaker 4>Yeah, and then you're just in your car like doing

0:32:55.240 --> 0:32:57.000
<v Speaker 4>the same thing that you were doing in the video game.

0:32:57.040 --> 0:32:59.560
<v Speaker 4>And then the night progresses and you do the same thing,

0:32:59.560 --> 0:33:00.920
<v Speaker 4>and then you can I'm back to playing the game,

0:33:00.960 --> 0:33:05.440
<v Speaker 4>and it's like wait, like wait a minute, and I

0:33:06.120 --> 0:33:11.160
<v Speaker 4>still am I the game? Yeah, but yeah, grand Theft

0:33:11.160 --> 0:33:13.200
<v Speaker 4>Auto I think we'll go down in history is one

0:33:13.200 --> 0:33:15.400
<v Speaker 4>of the best, if not the best platforms.

0:33:15.680 --> 0:33:18.040
<v Speaker 2>I went to talk for just quickly about Drunk, the

0:33:18.040 --> 0:33:21.600
<v Speaker 2>album you've recently put out, because among all of the

0:33:21.640 --> 0:33:23.920
<v Speaker 2>guests that you've got appearing on that record, one of

0:33:23.960 --> 0:33:24.600
<v Speaker 2>them stood out.

0:33:24.520 --> 0:33:27.960
<v Speaker 3>For me, and that was Kenny Loggins. Hey, how was it? Like,

0:33:28.120 --> 0:33:30.719
<v Speaker 3>how is it welcomed with Kenny Logan, King of Soundtracks.

0:33:31.400 --> 0:33:35.120
<v Speaker 4>Kenny is the man, dude, Like, oh, I'll say it once,

0:33:35.200 --> 0:33:37.640
<v Speaker 4>I say it again. Kenny is the man. You know.

0:33:37.840 --> 0:33:41.840
<v Speaker 4>He's just you know, he's been around forever, you know.

0:33:42.160 --> 0:33:45.640
<v Speaker 4>And that's that's one thing that like I think resonates

0:33:45.720 --> 0:33:48.360
<v Speaker 4>more than anything. You know, most people fade to black

0:33:48.560 --> 0:33:50.320
<v Speaker 4>or just disappear in obscurity.

0:33:50.960 --> 0:33:51.120
<v Speaker 2>You know.

0:33:51.360 --> 0:33:53.840
<v Speaker 4>Kenny's like been there the same person, I think, the

0:33:53.920 --> 0:33:56.560
<v Speaker 4>whole time. And I think that was proof of it

0:33:56.640 --> 0:33:58.600
<v Speaker 4>by them working together with me.

0:33:58.760 --> 0:33:58.880
<v Speaker 3>You know.

0:33:58.960 --> 0:34:02.640
<v Speaker 4>It's like there's I talked to Kenny every now and again,

0:34:02.720 --> 0:34:04.840
<v Speaker 4>you know. And the funny thing is he's like he

0:34:05.000 --> 0:34:07.880
<v Speaker 4>shies away from like being involved in like events sometimes,

0:34:07.920 --> 0:34:10.319
<v Speaker 4>but I understand it, you know, because it's like he's

0:34:10.360 --> 0:34:14.320
<v Speaker 4>been around for decades. Like he's been around literally, you know,

0:34:14.480 --> 0:34:17.640
<v Speaker 4>before I was born, and you know, he you know,

0:34:17.800 --> 0:34:20.800
<v Speaker 4>he's just you know, I think he just tries to

0:34:20.880 --> 0:34:23.000
<v Speaker 4>do things that mean something to him. I think, and

0:34:23.080 --> 0:34:26.080
<v Speaker 4>I think that when I think it posed a challenge

0:34:26.160 --> 0:34:28.719
<v Speaker 4>to work with me, you know, I think that that's

0:34:28.760 --> 0:34:31.040
<v Speaker 4>what made him want to do it. Every time I

0:34:31.120 --> 0:34:32.640
<v Speaker 4>look back on the song, it just kind of like

0:34:32.719 --> 0:34:35.480
<v Speaker 4>I smile because it's like, you know, it's just I

0:34:35.560 --> 0:34:38.720
<v Speaker 4>remember the process and I remember, you know, the feeling

0:34:39.239 --> 0:34:41.160
<v Speaker 4>you know that I experienced when I realized like I'm

0:34:41.200 --> 0:34:43.800
<v Speaker 4>sitting here riding with Kenny log AND's Michael McDonald, you know,

0:34:44.360 --> 0:34:46.400
<v Speaker 4>and I was just like if I could do anything,

0:34:46.719 --> 0:34:49.200
<v Speaker 4>if I could ever like when we look back and

0:34:49.360 --> 0:34:51.520
<v Speaker 4>be like, oh, I said, there was that one moment

0:34:51.600 --> 0:34:54.279
<v Speaker 4>you know it exists.

0:34:54.600 --> 0:34:58.040
<v Speaker 3>That does that rank among the great kind of thunder

0:34:58.080 --> 0:34:59.080
<v Speaker 3>cap Yeah?

0:34:59.560 --> 0:35:02.160
<v Speaker 4>Absolute lutely? Man, absolutely did you.

0:35:02.160 --> 0:35:04.719
<v Speaker 3>Find yourself kind of like being a fan with him

0:35:04.880 --> 0:35:05.839
<v Speaker 3>when you first Man.

0:35:05.920 --> 0:35:08.000
<v Speaker 4>And I just kind of like I had to try

0:35:08.040 --> 0:35:09.600
<v Speaker 4>to find the balance because it was like, you know,

0:35:10.280 --> 0:35:12.080
<v Speaker 4>you know, he would like ask my opinion, and I

0:35:12.120 --> 0:35:14.040
<v Speaker 4>would just be like, whatever you say, Kenny, whatever you

0:35:14.120 --> 0:35:16.560
<v Speaker 4>say goes, and I would have to like stop myself.

0:35:16.600 --> 0:35:19.560
<v Speaker 4>I'd be like, wait, let me just take a second.

0:35:19.560 --> 0:35:21.279
<v Speaker 4>I'll go to the bathroom and be right back, you know.

0:35:22.000 --> 0:35:23.799
<v Speaker 4>And I go and like try to gather my thoughts,

0:35:23.840 --> 0:35:25.520
<v Speaker 4>and I come back like I think it's a great idea,

0:35:25.600 --> 0:35:26.880
<v Speaker 4>but you know, maybe we could.

0:35:26.680 --> 0:35:30.920
<v Speaker 3>Try to you know, just like calm this out. Yeah

0:35:31.280 --> 0:35:32.360
<v Speaker 3>here for a reason, let me just.

0:35:32.360 --> 0:35:34.280
<v Speaker 4>Go smash my toe with a brick or something.

0:35:35.040 --> 0:35:37.160
<v Speaker 3>Son the Thank you very much for joining us on

0:35:37.840 --> 0:35:38.600
<v Speaker 3>Midnight Chats.

0:35:38.760 --> 0:35:39.719
<v Speaker 4>Yeah, yeah, absolutely.

0:35:39.840 --> 0:35:42.399
<v Speaker 3>I feel like I should go and play Grand Theft

0:35:42.440 --> 0:35:43.439
<v Speaker 3>Auto for the next week.

0:35:43.560 --> 0:35:45.880
<v Speaker 4>Hey man, we did it all the American part of

0:35:45.920 --> 0:35:49.680
<v Speaker 4>the tour. Man is it's just how old is that now?

0:35:49.719 --> 0:35:52.879
<v Speaker 4>I think it's like four years old or something, maybe

0:35:52.880 --> 0:35:55.919
<v Speaker 4>even get more. Yeah, that game it's still just as dope.

0:35:56.760 --> 0:35:58.880
<v Speaker 4>It was crazy. We started from the beginning and everything,

0:35:58.920 --> 0:36:01.640
<v Speaker 4>and it was like me and body Math and Justin Didnis.

0:36:02.080 --> 0:36:04.920
<v Speaker 4>We were just sitting there like, WHOA. This game is intense.

0:36:05.040 --> 0:36:07.440
<v Speaker 4>It just it just doesn't lose its luster. Man.

0:36:31.680 --> 0:36:34.880
<v Speaker 1>Midnight Chats is a Loud and Quiet podcast production by

0:36:34.920 --> 0:36:39.320
<v Speaker 1>Emma Snook Music courtesy of gold Panda. Search Midnight Chats

0:36:39.360 --> 0:36:43.200
<v Speaker 1>on iTunes for more episodes and to subscribe. For more information,

0:36:43.480 --> 0:36:45.120
<v Speaker 1>visit Loud and Quiet dot com.