WEBVTT - Love, Simon with Matt Rogers

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<v Speaker 1>Hello, Hello, Welcome to the Bechtel Cast. My name is

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<v Speaker 1>Jamie Loftus and my name is Caitlin drown Day. We

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<v Speaker 1>get a few messages at the top of the show.

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<v Speaker 1>Today we have some upcoming show dates including UH Live.

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<v Speaker 1>Bechtel Cast in Los Angeles will be covering Anastasia Ever

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<v Speaker 1>Heard Of It with guest Anna Sara Gina at the

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<v Speaker 1>Ruby Theater. And that's July and that is the episode

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<v Speaker 1>we were doing for your birthday. So and it's our

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<v Speaker 1>last show in l A for a couple of months,

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<v Speaker 1>so be sure to come out celebrate with us, bring

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<v Speaker 1>me a bunch of presents while you're at it. I

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<v Speaker 1>will be as rest for sure. I will be dressed

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<v Speaker 1>as a resputed um and I would say it would

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<v Speaker 1>be the last time to incentivize people to go, but

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<v Speaker 1>I know it won't be. Uh. And the reason we

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<v Speaker 1>won't be here for the summer is because we will

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<v Speaker 1>both be doing shows in Europe. That's right, That's why

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<v Speaker 1>we'll be gone from l A for a little bit.

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<v Speaker 1>Now you understand Dad it because Jamie, what are you doing?

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<v Speaker 1>I'm bringing my solo show Boss Whom Is Girl to

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<v Speaker 1>Edinburgh Fringe Festival and London. If you are not familiar,

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<v Speaker 1>is my One Woman's show about an evil corporate feminist

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<v Speaker 1>who uses feminism for bad, unlike us who use it

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<v Speaker 1>for good. Um, it's it's a lot of Elizabeth, so

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<v Speaker 1>much fun. I've seen it many times. You're Caitlyn's a

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<v Speaker 1>stand of the show. I don't pressure her to go,

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<v Speaker 1>but I'm really excited about it. I've never done Fringe before,

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<v Speaker 1>so if you're a UK backtel head, I'd love to

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<v Speaker 1>see you there. I'll be in London doing it on

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<v Speaker 1>July eighth at the Bill Murray okay, sure, only five

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<v Speaker 1>pounds ago and those will be the only two shows

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<v Speaker 1>I'll be I'll be doing there for Boss and His Girl,

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<v Speaker 1>and then i'll be at Edinburgh Fringe every damn night

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<v Speaker 1>from July one through August at Pleasants, Baby Grand please

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<v Speaker 1>come to those. I don't know anyone there, and it

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<v Speaker 1>would be so great to see a friendly face shows

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<v Speaker 1>in Europe too. Why thank you for bringing it up,

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<v Speaker 1>Because I'm doing probably mostly stand up shows, um, some

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<v Speaker 1>in London, some in Edinburgh, some maybe I'm going to

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<v Speaker 1>be in Dublin too. I don't have any shows booked

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<v Speaker 1>there yet, but until maybe he until you're like, hey, Caitlin,

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<v Speaker 1>uh do this show in Dublin And I'm also going

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<v Speaker 1>to be some other places in Europe to any Athens,

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<v Speaker 1>Greece listeners, because I'll be there. I don't know what

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<v Speaker 1>the comedy scene is like there. We're traveling women now, yes,

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<v Speaker 1>you gotta deal with it. We're going around the world,

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<v Speaker 1>so stay tuned with maybe announcing additional day. It's mystery

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<v Speaker 1>question mark who knows. So keep checking betelcast dot com

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<v Speaker 1>on our live appearances tab. That's where you can find

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<v Speaker 1>the links to all of their shows and more so,

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<v Speaker 1>thank you for listening and enjoy the episode that you're

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<v Speaker 1>about to hear. On the bell Cast, the questions asked

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<v Speaker 1>if movies have women in them, are all their discussions

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<v Speaker 1>just boyfriends and husbands or do they have individualism the

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<v Speaker 1>patriarchy zef and best start changing it with the beck

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<v Speaker 1>Del Cast. Hello and welcome to the Becktel Cast. My

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<v Speaker 1>name is Caitlin Dronte and Jamie loved it and we

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<v Speaker 1>talked about the portrayal and representation of women and movez

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<v Speaker 1>yes and I said that so aware I liked it.

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<v Speaker 1>I liked it. I like you made a choice and

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<v Speaker 1>I and I was. It's like when you're watching a

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<v Speaker 1>movie and you're like, that was a choice, and I

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<v Speaker 1>come back to it. If she backs out, I'll respect

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<v Speaker 1>her list. It's not my favorite choice, but I've never

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<v Speaker 1>really liked that that's the one you made. It was

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<v Speaker 1>a mistake, and I am I'm stopping. I love my

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<v Speaker 1>favorite thing to do on stages, make a choice, feel

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<v Speaker 1>a little bit of hesitation, immediately back up on it,

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<v Speaker 1>and lose the entire audience. I love that when they're like, oh,

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<v Speaker 1>she's really going for it. Oh she realizes it's not working.

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<v Speaker 1>Oh she's receding into herself, and we have to spend

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<v Speaker 1>forty five more minutes with her that I keep telling

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<v Speaker 1>what happened to me last week? You know, wonderful, What

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<v Speaker 1>a what a gift. Anyway, so we talk about we

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<v Speaker 1>use the Bectel test as a jumping off point to

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<v Speaker 1>initiate this larger conversation. And the Bechtel Test, of course,

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<v Speaker 1>is a media test created by cartoonist Alison Bechtel, and

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<v Speaker 1>it requires that a movie or anything with a narrative

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<v Speaker 1>has two female defining characters with names. They have to

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<v Speaker 1>talk to each other, and they cannot talk about men. Unbelievable.

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<v Speaker 1>I wonder if the Lorena bob it. Thank you, Henry,

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<v Speaker 1>I'm just gonna keep talking about it. I wonder if

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<v Speaker 1>it passes it doesn't pass the Bectel test of Loraina

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<v Speaker 1>Bobbit chops her husband's stick off and drews it into

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<v Speaker 1>the woods, even if she's not talking to anyone, that

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<v Speaker 1>does automatically passed the Becktel test. Yes, okay, um, cool,

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<v Speaker 1>Well shall we begin. Let's do it our guest today,

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<v Speaker 1>we have a great one. I'm excited. He hosts the

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<v Speaker 1>last culture Eristas podcast with Bone Yang, and they've been

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<v Speaker 1>on tour with the I Don't Think so Honey Live Tour.

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<v Speaker 1>It's Matt Rogers. Hi. Hi, Honestly, what I loved that

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<v Speaker 1>you said before, my favorite thing to do is make

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<v Speaker 1>a choice, and that could have been the end of

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<v Speaker 1>the end of the sentence. And then you're like to

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<v Speaker 1>make a choice and then back away, and I was like, perfect,

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<v Speaker 1>and then you were like and then they're stuck with

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<v Speaker 1>me forty five minutes. So it wasn't very specific scenario.

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<v Speaker 1>And I loved every sentence it could have been compounded to,

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<v Speaker 1>and the sentence that ultimately it was Plymouth, Massachusetts. The

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<v Speaker 1>whole hour of it incredible, wonderful. Oh we forgot to mention. Okay,

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<v Speaker 1>So full disclosure, Matt. We have an embargo on mail

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<v Speaker 1>guests that we that we sometimes lift when the time

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<v Speaker 1>is right and the time is right for you. We

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<v Speaker 1>only yeah, we only do it for best of the best. Okay.

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<v Speaker 1>So who have you had on what's the company? Alfred Molina?

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<v Speaker 1>Oh yeah, we had to lift. Well yeah, I mean

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<v Speaker 1>there was no choice. I mean, I like, I forgot

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<v Speaker 1>that he identified as any gender. I was like an

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<v Speaker 1>idea than a gender. Unbelievable. And I heard one Patrigan

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<v Speaker 1>just in the room, just now. Yes, So we've been

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<v Speaker 1>we've been very choosy. So you know, you're really some

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<v Speaker 1>top tier ship. Honestly, I'm really grateful that you guys

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<v Speaker 1>have chosen me. And I do think that the movie

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<v Speaker 1>I chose for you guys like, it's good that I'm

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<v Speaker 1>here to talk about it. It's only white gay talk

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<v Speaker 1>about white gay bullshit. Okay, I am No one else's

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<v Speaker 1>take counts. This is a white gay fantasia, and I'm

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<v Speaker 1>here to expound on it. So today's movie, of course,

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<v Speaker 1>is Love Simon. What is your history with have you

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<v Speaker 1>read the book, what's your like, what's your relationship? I

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<v Speaker 1>have not read the book. I did see the film

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<v Speaker 1>in theaters. I was a good supporter of this LGBT cinema.

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<v Speaker 1>Um well, when it came out, I was kind of like,

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<v Speaker 1>oh boy, like what's what's this going to be? And

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<v Speaker 1>then I I kind of was like, you know what,

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<v Speaker 1>let's give it a shot. And I did end up

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<v Speaker 1>crying by the end of the film. I actually cried

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<v Speaker 1>a couple of times. I saw it with my best

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<v Speaker 1>friend Sudie Green, and we we went and we were

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<v Speaker 1>emotionally affected by it. And then I had that moment

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<v Speaker 1>of everyone that had criticism of it that was like

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<v Speaker 1>justifiably good criticism. I was kind of like defensive about

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<v Speaker 1>it because I was like, but but just let us

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<v Speaker 1>have this and then but also it's like not a

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<v Speaker 1>perfect film, and also it's it's super like for the privileged.

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<v Speaker 1>But I did like enjoy the film, you know what

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<v Speaker 1>I mean as a movie. I was like, I'd rather

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<v Speaker 1>see this movie than like fucking paper Heart or whatever

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<v Speaker 1>that ship was with, you know what I mean. I

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<v Speaker 1>just was like, at least it's different than that. I

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<v Speaker 1>don't have patience for a John Green joint. I just

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<v Speaker 1>don't I don't care, Like I really don't care about

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<v Speaker 1>like this, like sort of I don't even know if

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<v Speaker 1>i'd call it twee, but like this kind of like

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<v Speaker 1>mystical team girl bullshit, I don't care, Like she always

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<v Speaker 1>has to I for like The Boy to learn a

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<v Speaker 1>lesson and that's the movie, right, And also The Boy

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<v Speaker 1>and those movies just so fucking boring. And also if

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<v Speaker 1>there's like a sort of interesting male character, you know,

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<v Speaker 1>there has to be a boring character. It's like in

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<v Speaker 1>those films, like one of them has to be boring.

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<v Speaker 1>And I'm not right. I'm not saying that Simon isn't boring,

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<v Speaker 1>because Simon is pretty boring and has an Elliott Smith

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<v Speaker 1>Foster and and and Radiohead April two written on his

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<v Speaker 1>chalkboard walls. You're just like, man, he's like you know

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<v Speaker 1>other gays, he's and that's not like the other guys.

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<v Speaker 1>He's straight. Yeah, he's like, may as well be straight.

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<v Speaker 1>And also like when he's asking his friend when he

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<v Speaker 1>does come out to his one friend and he's like,

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<v Speaker 1>did you expect anything? Did you suspect anything? And she's like,

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<v Speaker 1>I mean no, like because you're too freaking boring to

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<v Speaker 1>have any personality to draw anything on the most exciting

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<v Speaker 1>thing about you as a poster on your wall. Know,

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<v Speaker 1>there's a lot of I mean, and I guess teenagers

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<v Speaker 1>like I definitely did this to some extent, but a

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<v Speaker 1>lot of like this is the character and you can

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<v Speaker 1>tell because this is their bedroom, like boor At kid.

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<v Speaker 1>Like boor At kid, You're like, oh, I know the

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<v Speaker 1>vibe of this kid. It's boor At kids. I actually

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<v Speaker 1>I was like justifying to my friends why he was

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<v Speaker 1>so boring. I'm like, the thing is like when you're

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<v Speaker 1>day in high school, you don't have a personality because

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<v Speaker 1>you're not allowed to have one, Like he's saying he

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<v Speaker 1>likes Radiohead because he can't really say, like Christina Aguilera,

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<v Speaker 1>you know what I mean, like all these things true,

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<v Speaker 1>And I was like, you know what, Yes, that could

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<v Speaker 1>be true, or maybe the filmmakers are just like he's

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<v Speaker 1>a kid that likes Radiohead, which I think both are

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<v Speaker 1>equally possible. I don't know. I want to assume it's

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<v Speaker 1>smarter than it is, but it could just be like

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<v Speaker 1>a fine B plus movie, which I love, I love,

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<v Speaker 1>I love that for it. I really like this movie,

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<v Speaker 1>and I have I'm coming at it with some blind spots,

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<v Speaker 1>but I saw it twice in theaters and I did

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<v Speaker 1>a good lots of good laughs, some good cry and

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<v Speaker 1>thank you for that. I was very emotionally invested in

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<v Speaker 1>this story and that, of course know it's it's not

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<v Speaker 1>without its issues, but we'll talk about those. But I

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<v Speaker 1>generally really liked this movie. I saw it this morning.

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<v Speaker 1>I laughed, I cried. Yeah, I liked it. And then

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<v Speaker 1>when I was like, who wrote this movie? And it's

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<v Speaker 1>that this is us writers, which makes so much sense

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<v Speaker 1>because they're pulling. Yeah, they're pulling at the exact like

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<v Speaker 1>there is an element to this movie at times where

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<v Speaker 1>it's like you feel like your heart strings are being

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<v Speaker 1>pulled very scientifically and methodically. They're like first I'm going

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<v Speaker 1>to do this, and then I'm gonna throw in a

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<v Speaker 1>dead scene, and then like then Jennifer Garner's the mom,

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<v Speaker 1>which is like at this point, that's what she does,

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<v Speaker 1>that she This is my second favorite Jennifer Garner mom role.

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<v Speaker 1>But what's the first favorite? Juno Juno? Yeah, I think

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<v Speaker 1>I might like this movie more than Juno or maybe

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<v Speaker 1>definitely or maybe maybe it's been a long time since

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<v Speaker 1>I've seen Juno, you know, just to like flat out

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<v Speaker 1>say this just up top, because I already feel myself

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<v Speaker 1>being like needlessly cynical about it. It was very kind

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<v Speaker 1>of cool to see a depiction of two gay kids

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<v Speaker 1>kissing at the and and then everyone sharing, you know

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<v Speaker 1>what I mean, because that would never have happened when

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<v Speaker 1>I was in high school. And I think that, like,

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<v Speaker 1>you know, the criticism of this movie like it is

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<v Speaker 1>what it is, but also it's like, come on, it's

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<v Speaker 1>it's a nice movie where good things happened to someone

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<v Speaker 1>who struggles, and you know, I can relate to the struggle.

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<v Speaker 1>And sure, like I think we as a society are

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<v Speaker 1>still progressing and in some cases regressing, but like you know,

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<v Speaker 1>we're always hoping for more intersectionality in movies and in

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<v Speaker 1>in media, but you know, it has to start somewhere,

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<v Speaker 1>and I feel like this is a good in the

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<v Speaker 1>right direction. And the fact that this movie had like

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<v Speaker 1>a gigantic release and it was very successful and like

0:11:42.880 --> 0:11:46.199
<v Speaker 1>well regarded that, yeah that says a lot. Yeah. I

0:11:46.480 --> 0:11:48.880
<v Speaker 1>actually made my parents go see it. I was like,

0:11:48.920 --> 0:11:51.840
<v Speaker 1>you should go see this movie because my dad like,

0:11:52.000 --> 0:11:54.760
<v Speaker 1>and my dad said it hurt his feelings. I was like,

0:11:55.200 --> 0:11:56.800
<v Speaker 1>why did it hurt your feelings? He was like, well,

0:11:56.840 --> 0:11:59.160
<v Speaker 1>the scene with the debt, because to be honest with you,

0:11:59.520 --> 0:12:02.920
<v Speaker 1>the scene the dad. And I think Josh Dumel's best performance.

0:12:03.160 --> 0:12:04.920
<v Speaker 1>Let's just say, I don't know if I've ever seen

0:12:05.000 --> 0:12:07.160
<v Speaker 1>him be like, I've never been impressed with him before

0:12:07.160 --> 0:12:09.920
<v Speaker 1>this movie. He was good. And also I think like

0:12:09.960 --> 0:12:11.719
<v Speaker 1>it's kind of it's that kind of thing where it's like,

0:12:12.240 --> 0:12:14.160
<v Speaker 1>you know, you're giving that scene as an actor, and

0:12:14.240 --> 0:12:16.360
<v Speaker 1>like it's probably pretty hard to mess that up, like

0:12:16.400 --> 0:12:20.120
<v Speaker 1>it's pretty emotional situation. But he was great. And I

0:12:20.120 --> 0:12:21.559
<v Speaker 1>remember I said to my dad, I was like, you

0:12:21.559 --> 0:12:23.200
<v Speaker 1>should go see this movie. And he's like the scene

0:12:23.200 --> 0:12:25.320
<v Speaker 1>with the dad about him missing it, that was like

0:12:25.520 --> 0:12:27.960
<v Speaker 1>very similar. When I was watching that scene, I actually

0:12:28.000 --> 0:12:30.240
<v Speaker 1>like was very emotionally if I did by it because

0:12:30.280 --> 0:12:33.800
<v Speaker 1>it mirrored the own scene in my own life very

0:12:33.880 --> 0:12:36.200
<v Speaker 1>I mean even the vest he was wearing. Remember he's

0:12:36.200 --> 0:12:39.360
<v Speaker 1>wearing that coffee dad vest over a flannel with a

0:12:39.400 --> 0:12:42.400
<v Speaker 1>hat on. That was my dad's like that that he

0:12:42.480 --> 0:12:45.640
<v Speaker 1>was doing like Rich Rogers drag in that scene, And

0:12:45.679 --> 0:12:48.920
<v Speaker 1>I was like oh boy. And so the way he

0:12:49.000 --> 0:12:51.760
<v Speaker 1>was being emotional about it, they were standing very far

0:12:51.800 --> 0:12:53.840
<v Speaker 1>away from each other. It was kind of just like,

0:12:53.840 --> 0:12:56.679
<v Speaker 1>it's that kind of masculinity that there's like that thing

0:12:56.720 --> 0:12:59.880
<v Speaker 1>that needs to get broken down. Extra it did a

0:13:00.080 --> 0:13:01.920
<v Speaker 1>like a job in that scene of depicting that and

0:13:01.960 --> 0:13:05.320
<v Speaker 1>so so between that and also the scene with the

0:13:05.360 --> 0:13:08.040
<v Speaker 1>mom and there was lots of stuff that was gonna

0:13:08.080 --> 0:13:12.240
<v Speaker 1>get me. Sure, Yeah, it's I mean I cried a

0:13:12.240 --> 0:13:15.040
<v Speaker 1>lot during that like sequence of him coming out to

0:13:15.200 --> 0:13:17.720
<v Speaker 1>different people where just and then one of the scenes

0:13:17.760 --> 0:13:20.240
<v Speaker 1>would end, you like, and then another one would start

0:13:20.280 --> 0:13:24.640
<v Speaker 1>you'd be like, ah. The sister too, was tough for me.

0:13:24.720 --> 0:13:27.560
<v Speaker 1>When the sister comes to his room and is like, Simon,

0:13:28.080 --> 0:13:29.760
<v Speaker 1>are you okay? Is it true? And he was like

0:13:29.800 --> 0:13:33.680
<v Speaker 1>get out of here and yelled at the sister. Had

0:13:34.120 --> 0:13:37.200
<v Speaker 1>I wish they had had more of a reconciling somewhere

0:13:37.240 --> 0:13:39.120
<v Speaker 1>in the end they don't really get that. I guess

0:13:39.120 --> 0:13:41.920
<v Speaker 1>he gives her a queens in art and that was. Yeah,

0:13:41.960 --> 0:13:43.840
<v Speaker 1>that that was I think that was for me, the

0:13:43.840 --> 0:13:46.080
<v Speaker 1>most privileged moment of the movie. I'm like, Simon, where

0:13:46.120 --> 0:13:50.400
<v Speaker 1>did you get this money? For a least everyone seems

0:13:50.520 --> 0:13:54.959
<v Speaker 1>very wealthy. That is one of I like that. It

0:13:55.080 --> 0:13:58.400
<v Speaker 1>did make me laugh a lot where where like where

0:13:58.400 --> 0:14:01.880
<v Speaker 1>it starts where like I'm like you, I just got

0:14:01.880 --> 0:14:05.400
<v Speaker 1>a car from my parents. My house has five rooms,

0:14:05.400 --> 0:14:09.120
<v Speaker 1>Like my mom is incredibly liberal, like as if she

0:14:09.160 --> 0:14:11.719
<v Speaker 1>were in her early twenties in New York City, like

0:14:12.360 --> 0:14:15.920
<v Speaker 1>smashed the patriarchy and they're fucking gigantic house. I am

0:14:15.960 --> 0:14:18.120
<v Speaker 1>assuming was bought with an oil fortune. Like, we don't

0:14:18.120 --> 0:14:22.120
<v Speaker 1>know that, it's crazy his mom is a therapist. Oh, yes,

0:14:22.120 --> 0:14:23.520
<v Speaker 1>they do say that, right, I don't know, Yeah, we

0:14:23.560 --> 0:14:25.400
<v Speaker 1>don't know what his dad does. Though I don't think

0:14:25.480 --> 0:14:27.400
<v Speaker 1>I know. I don't think they say. You know. That

0:14:27.480 --> 0:14:30.040
<v Speaker 1>was actually something about it where I was like maybe

0:14:30.360 --> 0:14:32.960
<v Speaker 1>something they were going for which didn't really land and

0:14:33.000 --> 0:14:35.280
<v Speaker 1>just felt like privilege. But maybe what they were going

0:14:35.320 --> 0:14:38.000
<v Speaker 1>for was like a kid like this that it seems

0:14:38.040 --> 0:14:41.520
<v Speaker 1>like has everything can be hurting very much. And I

0:14:41.600 --> 0:14:44.200
<v Speaker 1>think that that is like something I sort of related to.

0:14:44.240 --> 0:14:46.560
<v Speaker 1>My family was an upper middle class. We were middle

0:14:46.600 --> 0:14:49.960
<v Speaker 1>class comfortable. My mom was a hairdresser and my dad

0:14:50.040 --> 0:14:52.600
<v Speaker 1>was a phizzed teacher. Like we we had a nice house,

0:14:52.920 --> 0:14:56.000
<v Speaker 1>but I was still in pain every single day, like

0:14:56.040 --> 0:14:59.520
<v Speaker 1>an immense amount of emotional pain. And I didn't think

0:14:59.560 --> 0:15:01.680
<v Speaker 1>I was lucky, you know what I mean? And so

0:15:02.040 --> 0:15:05.120
<v Speaker 1>I think something that the film could have done was

0:15:05.160 --> 0:15:08.240
<v Speaker 1>maybe just given more of an acknowledgement of that sort

0:15:08.280 --> 0:15:11.920
<v Speaker 1>of like privilege. Sure, he comes from a place of

0:15:12.000 --> 0:15:15.800
<v Speaker 1>economic privilege, of white privilege, and we can talk more

0:15:15.800 --> 0:15:18.640
<v Speaker 1>about that, but first, how would we do the freaking

0:15:18.760 --> 0:15:25.040
<v Speaker 1>recap recap he I'm talking about the specifically, so we

0:15:25.120 --> 0:15:30.600
<v Speaker 1>meet Simon, he is he describes himself as a He's

0:15:33.240 --> 0:15:36.400
<v Speaker 1>It's like he's like Brochure, Like, oh my god, You're like,

0:15:36.520 --> 0:15:39.280
<v Speaker 1>is he twenty two? Isn't It was? The first thing

0:15:39.320 --> 0:15:40.960
<v Speaker 1>I did was google his age to see if I

0:15:40.960 --> 0:15:46.720
<v Speaker 1>should feel like a pervert, but it's yeah. I was

0:15:46.760 --> 0:15:48.320
<v Speaker 1>just like, oh this is fine, and I'm actually going

0:15:48.360 --> 0:15:50.240
<v Speaker 1>to see, like where's he at, what's he doing? Yeah?

0:15:50.280 --> 0:15:55.280
<v Speaker 1>Of course, And he would describe himself as a normal teenager.

0:15:55.680 --> 0:15:57.560
<v Speaker 1>You know, he's a senior in high school. He's got

0:15:57.600 --> 0:16:03.720
<v Speaker 1>some great friends. Their names are Leah, Nick and Abby group. Yes,

0:16:03.800 --> 0:16:09.800
<v Speaker 1>another Brochure friend group. He's got a great family and

0:16:09.960 --> 0:16:12.280
<v Speaker 1>things are going pretty well for him, except that he's

0:16:12.320 --> 0:16:15.800
<v Speaker 1>got this one big secret. It's that he's gay and

0:16:15.840 --> 0:16:19.000
<v Speaker 1>no one knows. He's still completely in the closet. So

0:16:19.160 --> 0:16:23.760
<v Speaker 1>at school, there's like this blog that's popular among the students.

0:16:23.880 --> 0:16:27.760
<v Speaker 1>It's Leah's only character trait is that she loves I

0:16:27.840 --> 0:16:31.880
<v Speaker 1>relate so closely with Leah of being this like calling

0:16:31.960 --> 0:16:36.560
<v Speaker 1>a friend frantically, being like refresher Internet like just God,

0:16:36.600 --> 0:16:38.640
<v Speaker 1>and being in love with Game and forever like that's

0:16:38.680 --> 0:16:45.960
<v Speaker 1>just she. I felt very close. Um, And she says, hey,

0:16:46.240 --> 0:16:50.000
<v Speaker 1>did you see the latest post. It's from a guy

0:16:50.080 --> 0:16:54.800
<v Speaker 1>who posted anonymously as code named Blue, and he is

0:16:54.840 --> 0:16:57.160
<v Speaker 1>saying that he is gay, and Simon is like, oh

0:16:57.200 --> 0:17:00.640
<v Speaker 1>my god, there's someone else like me. So he writes

0:17:01.000 --> 0:17:05.000
<v Speaker 1>him an email. He writes Blue an email, Shock. I

0:17:05.040 --> 0:17:07.800
<v Speaker 1>love that they took the time to show us that

0:17:07.840 --> 0:17:10.159
<v Speaker 1>he made a shell Gmail account. I'm like, that is

0:17:10.160 --> 0:17:15.440
<v Speaker 1>appropriately saro. So he writes Blue this email saying like, hey,

0:17:15.480 --> 0:17:19.199
<v Speaker 1>I've also got a big secret. But he also signs

0:17:19.240 --> 0:17:23.080
<v Speaker 1>it anonymously as again code name Shock, so they still

0:17:23.119 --> 0:17:26.520
<v Speaker 1>don't know each other's identities. And then he's like waiting

0:17:26.520 --> 0:17:29.040
<v Speaker 1>for him to write back, and then Blue finally writes back.

0:17:29.480 --> 0:17:35.360
<v Speaker 1>Tony Hale is screwball comedy. He's like buster blue thing

0:17:35.400 --> 0:17:38.560
<v Speaker 1>all over the place. Tony Hale's character was a little touchy.

0:17:38.680 --> 0:17:41.080
<v Speaker 1>For mind. He was a very touchy vice prince and

0:17:41.160 --> 0:17:44.119
<v Speaker 1>he was completely inappropriate in a way that's like maybe

0:17:44.119 --> 0:17:46.040
<v Speaker 1>we could have seen a movie about this like fifteen

0:17:46.080 --> 0:17:47.600
<v Speaker 1>years ago, and like we would have said nothing, but

0:17:47.640 --> 0:17:51.800
<v Speaker 1>like now it's like stop being this way with these kids.

0:17:51.960 --> 0:17:53.920
<v Speaker 1>It felt a little out of place with like the

0:17:54.000 --> 0:17:56.919
<v Speaker 1>movie very modern, but then it was like, oh the

0:17:57.320 --> 0:17:59.520
<v Speaker 1>like it's I know, this movie is like clearly pulling

0:17:59.560 --> 0:18:02.320
<v Speaker 1>from a lot of John hughesy kind of stuff, but

0:18:02.400 --> 0:18:04.679
<v Speaker 1>that was the one parents. I'm like, that's like just

0:18:04.840 --> 0:18:09.359
<v Speaker 1>straight up textbook John. He is perverted like he was.

0:18:09.680 --> 0:18:13.040
<v Speaker 1>He was dangerous. Yeah, I was like he should be fired.

0:18:13.280 --> 0:18:15.760
<v Speaker 1>But he's like, I've got a tender date tonight and

0:18:15.800 --> 0:18:18.359
<v Speaker 1>I'm trying to fuck and he tells that to his

0:18:18.440 --> 0:18:21.119
<v Speaker 1>student and then he like claused. The student is like

0:18:21.160 --> 0:18:24.080
<v Speaker 1>we can talk about this here. I was like, you're fired.

0:18:24.320 --> 0:18:27.879
<v Speaker 1>Its wild. So then anyways, but he seems to be

0:18:27.920 --> 0:18:30.439
<v Speaker 1>having a good time in the role. He's having a

0:18:30.440 --> 0:18:33.040
<v Speaker 1>great time in the role. I bet his day he's

0:18:33.080 --> 0:18:36.200
<v Speaker 1>tossing in some improv line seeing what sticks. I wonder

0:18:36.240 --> 0:18:38.320
<v Speaker 1>if it was ever even discussed on set, like hey,

0:18:38.400 --> 0:18:41.800
<v Speaker 1>this principle is like a little edgy huh. And they

0:18:41.840 --> 0:18:45.119
<v Speaker 1>were just like, no, he's fun and then like his

0:18:45.240 --> 0:18:48.680
<v Speaker 1>last beat is like a bizarro no homo joke. He

0:18:48.880 --> 0:18:54.399
<v Speaker 1>was like, you're just like Tony, You're You're Emmy nominated.

0:18:54.440 --> 0:18:57.000
<v Speaker 1>You don't need this. Another great teacher in the film,

0:18:58.320 --> 0:19:02.360
<v Speaker 1>Righting love that character. She was amazing and she had

0:19:02.440 --> 0:19:04.320
<v Speaker 1>all the fun. She had a lot of the L

0:19:04.359 --> 0:19:07.320
<v Speaker 1>O L one. Definitely. She is the theater teacher. And

0:19:07.359 --> 0:19:11.600
<v Speaker 1>Simon is doing theater. He's doing a production of Cabaret

0:19:11.600 --> 0:19:14.399
<v Speaker 1>with Abby, his other friend, which to me was like,

0:19:14.960 --> 0:19:17.680
<v Speaker 1>I don't know if this guy is being closeted, would

0:19:17.720 --> 0:19:19.760
<v Speaker 1>be even be in the play. That took me back

0:19:19.760 --> 0:19:22.919
<v Speaker 1>to my high school days where I didn't do anything really, no,

0:19:23.160 --> 0:19:25.720
<v Speaker 1>did no plays, didn't know nothing, because that was that

0:19:25.720 --> 0:19:27.720
<v Speaker 1>would have been a huge tell. Either could be like

0:19:27.720 --> 0:19:29.720
<v Speaker 1>a dead giveaway kind of situation. Yeah, and I mean

0:19:29.760 --> 0:19:32.320
<v Speaker 1>I didn't even have to deal with it being Cabaret,

0:19:33.359 --> 0:19:36.920
<v Speaker 1>like he's playing like the MC in Cabaret or who

0:19:36.920 --> 0:19:41.719
<v Speaker 1>was playing it was like an extra Okay, So he

0:19:41.760 --> 0:19:44.119
<v Speaker 1>was in the cabaret. But either way, in cabaret, if

0:19:44.119 --> 0:19:47.240
<v Speaker 1>you're in cabaret, you're doing some sexy. It is a

0:19:47.280 --> 0:19:55.320
<v Speaker 1>sexy hip movement. I gotta see cabaret and Hello Dolly,

0:19:55.440 --> 0:20:00.720
<v Speaker 1>my SERI and Dolly change. No, it's a dancer. I

0:20:00.760 --> 0:20:02.520
<v Speaker 1>was never in any of the musicals because I have

0:20:02.560 --> 0:20:10.960
<v Speaker 1>the worst singing voice in the world. It's true. So, yeah,

0:20:11.000 --> 0:20:17.000
<v Speaker 1>the Lady Gaga stars, thank you so much that I'm

0:20:17.040 --> 0:20:20.000
<v Speaker 1>going to be discovered on this podcast. Okay, So Blue

0:20:20.000 --> 0:20:23.160
<v Speaker 1>finally writes back, and he and Simon get to talking

0:20:23.240 --> 0:20:26.880
<v Speaker 1>over email about their experience with being gay, and they're

0:20:26.920 --> 0:20:32.280
<v Speaker 1>like sexual awakenings and all this stuff. They're both very articulate. Yeah,

0:20:32.320 --> 0:20:36.040
<v Speaker 1>they're great writers. They're like screenwriters there. It's almost like

0:20:36.040 --> 0:20:41.480
<v Speaker 1>they've written many episodes of This is Us. They also

0:20:41.600 --> 0:20:44.520
<v Speaker 1>capitalize and use they use punctuation. I'm like, this is

0:20:44.680 --> 0:20:47.520
<v Speaker 1>a teenager. But like, who were the guys they say

0:20:47.520 --> 0:20:51.960
<v Speaker 1>gave them their sexual awakenings again, Daniel Radcliffe and John Snow, yes,

0:20:52.400 --> 0:20:56.520
<v Speaker 1>those are good ones. Those are They show two very

0:20:56.600 --> 0:21:00.399
<v Speaker 1>different young gays. What I mean like, well, actually no,

0:21:00.560 --> 0:21:07.119
<v Speaker 1>they're both into young Yeah, from like very nerdy properties

0:21:07.240 --> 0:21:10.080
<v Speaker 1>yeah exactly. Okay, well, yeah, these these boys are bound

0:21:10.080 --> 0:21:13.520
<v Speaker 1>to each other. You're right. I liked I liked when

0:21:13.520 --> 0:21:16.400
<v Speaker 1>they cut from the john Snow to like every teenager

0:21:16.480 --> 0:21:18.919
<v Speaker 1>wearing a john Snow t shirt in the high school.

0:21:18.960 --> 0:21:21.160
<v Speaker 1>You're like. That was very stressful for me because it's

0:21:21.200 --> 0:21:24.320
<v Speaker 1>all it's kind of like shamy for like how people look.

0:21:24.359 --> 0:21:27.320
<v Speaker 1>It's like, oh, here's a guy who's like he's kind

0:21:27.320 --> 0:21:31.600
<v Speaker 1>of chubby, and like here's a guy who's brown, and

0:21:31.640 --> 0:21:33.600
<v Speaker 1>it's like I wouldn't want to date any of Then

0:21:33.720 --> 0:21:35.880
<v Speaker 1>they do do a little bit of that, yeah, with

0:21:35.960 --> 0:21:40.840
<v Speaker 1>no awareness. Right, Yeah, that was a little It's weird.

0:21:40.920 --> 0:21:42.880
<v Speaker 1>I was thinking the whole time. I was like, what

0:21:43.040 --> 0:21:46.920
<v Speaker 1>if Blue is not Hollywood hot? At the I thought

0:21:46.960 --> 0:21:51.080
<v Speaker 1>about that too. Spoiler Allard, he is absolutely Hollywood. He

0:21:51.520 --> 0:21:58.240
<v Speaker 1>is completely is he over eighteen? He is Thank god

0:21:58.280 --> 0:22:02.119
<v Speaker 1>you can jack off to him to guild. But he's like,

0:22:02.200 --> 0:22:04.639
<v Speaker 1>I'm it was so like, I don't know, he's like

0:22:04.720 --> 0:22:08.840
<v Speaker 1>Hollywood hotter than Simon. You're just I was like, it

0:22:08.840 --> 0:22:11.080
<v Speaker 1>would have been an interesting choice for it to be

0:22:11.480 --> 0:22:14.600
<v Speaker 1>like someone who was not the hottest person ever, But

0:22:14.680 --> 0:22:18.080
<v Speaker 1>like whatever, they it was a good kiss. Yeah, I

0:22:18.119 --> 0:22:23.200
<v Speaker 1>cried during it anyway. Okay, So Simon starts to speculate

0:22:23.240 --> 0:22:25.679
<v Speaker 1>about who Blue might be, and then at first he

0:22:25.720 --> 0:22:29.040
<v Speaker 1>thinks it's this guy named Bram who plays soccer with

0:22:29.119 --> 0:22:31.560
<v Speaker 1>his friend Nick, and then emailing back and forth still

0:22:31.880 --> 0:22:34.440
<v Speaker 1>and then at one point Simon leaves this email logged

0:22:34.480 --> 0:22:37.480
<v Speaker 1>in on a computer at the school library. Enter bore

0:22:37.520 --> 0:22:43.680
<v Speaker 1>at kids, Enter Martin, who sucks so bad, but he

0:22:44.240 --> 0:22:46.720
<v Speaker 1>that actor does a great job of making that character

0:22:46.800 --> 0:22:51.040
<v Speaker 1>so unlikable and well that kid, that kid that you

0:22:51.080 --> 0:22:54.080
<v Speaker 1>were just like, why am I involved with this person? Like?

0:22:54.160 --> 0:22:56.879
<v Speaker 1>He really was well well drawn out. He to me

0:22:56.960 --> 0:23:01.240
<v Speaker 1>felt like the logical conclusion of Chicken Nuggets kid from

0:23:01.280 --> 0:23:04.440
<v Speaker 1>eighth grade. Really that makes me so sad. You don't

0:23:04.480 --> 0:23:10.360
<v Speaker 1>think that Chicken Nuggets grade like figured himself out. Oh

0:23:10.440 --> 0:23:12.800
<v Speaker 1>my god, I had so much hope for Chicken Nuggets.

0:23:13.040 --> 0:23:16.440
<v Speaker 1>I thought Chicken Nuggets kid was the best I thought

0:23:16.520 --> 0:23:18.880
<v Speaker 1>right there in eighth grade, Elsie Fisher had literally found

0:23:18.880 --> 0:23:20.639
<v Speaker 1>her husband. I'm like, girl, it worked out for you

0:23:20.680 --> 0:23:24.480
<v Speaker 1>in the end. You fucking nailed it. Like Chicken Nugg

0:23:24.520 --> 0:23:28.800
<v Speaker 1>gets an interesting TV and Morty and he's already he

0:23:28.840 --> 0:23:32.920
<v Speaker 1>has romantic instincts at eighth grade. Come on, I take

0:23:32.960 --> 0:23:36.879
<v Speaker 1>it all back and take it off worse than him.

0:23:36.920 --> 0:23:39.080
<v Speaker 1>He's probably also going to be sucking dynamite in bed

0:23:39.160 --> 0:23:43.119
<v Speaker 1>later on because he has to try the worst people

0:23:43.160 --> 0:23:45.400
<v Speaker 1>in better the hottest. He's going to make it come

0:23:45.440 --> 0:23:47.920
<v Speaker 1>because no one's ever going to tell like, well, hot people,

0:23:47.960 --> 0:23:49.679
<v Speaker 1>They're just never going to be told that they're not

0:23:49.720 --> 0:23:52.240
<v Speaker 1>doing something right exactly ever. And it's like, I'm not

0:23:52.280 --> 0:23:53.480
<v Speaker 1>going to be the one to tell them I'm just

0:23:53.520 --> 0:23:55.760
<v Speaker 1>happy to be here, or that they have to do something.

0:23:57.359 --> 0:24:01.200
<v Speaker 1>For example, Simon, and when we find out who Blue

0:24:01.240 --> 0:24:03.800
<v Speaker 1>is later and he is Hollywood hot. When they finally

0:24:03.840 --> 0:24:05.880
<v Speaker 1>do have sex, it's going to be like, well, who

0:24:05.920 --> 0:24:08.800
<v Speaker 1>tries you know what I mean? They're going to have

0:24:08.840 --> 0:24:11.280
<v Speaker 1>to take turns, making an ass like kind of rubbing

0:24:11.320 --> 0:24:13.879
<v Speaker 1>against each other in a very unsexy way because Blue

0:24:13.920 --> 0:24:16.240
<v Speaker 1>is like, I'm ten out of ten hot, and Simon

0:24:16.359 --> 0:24:18.399
<v Speaker 1>is like, well, I'm eight out of ten hot and white.

0:24:18.600 --> 0:24:27.439
<v Speaker 1>So so he's like, think anything anyway, anyway, we have

0:24:27.480 --> 0:24:30.040
<v Speaker 1>to take a quick break, but we'll come right back.

0:24:35.720 --> 0:24:41.080
<v Speaker 1>So Martin logs in onto the that Simon was using

0:24:41.960 --> 0:24:45.960
<v Speaker 1>and he sees the emails. So then he approaches Simon

0:24:46.119 --> 0:24:50.159
<v Speaker 1>and basically blackmails him and says, hey, I really like

0:24:50.280 --> 0:24:53.679
<v Speaker 1>your friend Abby. Everyone likes his friend, yes, and I

0:24:53.720 --> 0:24:56.600
<v Speaker 1>need your help getting with her. And if you don't

0:24:56.600 --> 0:24:59.760
<v Speaker 1>help me, I will expose your emails and out you

0:25:00.080 --> 0:25:02.720
<v Speaker 1>to the school. But there is something about this girl

0:25:02.720 --> 0:25:04.879
<v Speaker 1>where you kind of believe that she's like the one

0:25:05.040 --> 0:25:07.639
<v Speaker 1>that she's the one that everyone wants to be with.

0:25:08.280 --> 0:25:10.600
<v Speaker 1>It makes sense, and she's like a good character and

0:25:10.640 --> 0:25:12.720
<v Speaker 1>she's a good friend and all that too, so they

0:25:12.720 --> 0:25:15.880
<v Speaker 1>don't fall into the pitfall of like the bitchy hot girl.

0:25:16.600 --> 0:25:18.720
<v Speaker 1>And they made it that she was new to the

0:25:18.760 --> 0:25:21.200
<v Speaker 1>school too. They made that she had only been there

0:25:21.200 --> 0:25:23.000
<v Speaker 1>for like a year, so you buy it even more

0:25:23.040 --> 0:25:24.840
<v Speaker 1>because there's like that new girl who there's like an

0:25:24.840 --> 0:25:27.159
<v Speaker 1>air of mystery about you know what I mean? That

0:25:27.240 --> 0:25:29.920
<v Speaker 1>was a smart and she was the only one who

0:25:30.000 --> 0:25:33.200
<v Speaker 1>seemed to be of like a lower socio economic class

0:25:33.240 --> 0:25:36.320
<v Speaker 1>because she lives in an apartment building versus a huge

0:25:36.480 --> 0:25:41.720
<v Speaker 1>McMansion like everyone else lives in. So there's that um

0:25:41.760 --> 0:25:45.479
<v Speaker 1>but okay, so anyway, so Simon agrees to help Martin

0:25:46.480 --> 0:25:49.639
<v Speaker 1>so that he's not being outed. So Simon invites Martin

0:25:49.760 --> 0:25:52.880
<v Speaker 1>to the Halloween party that Bram is throwing that weekend.

0:25:53.760 --> 0:25:55.639
<v Speaker 1>They all go to the party and like Nick and

0:25:55.680 --> 0:25:59.160
<v Speaker 1>Abbey are vibing, Martin tries to butt in but it's

0:25:59.160 --> 0:26:02.240
<v Speaker 1>not working, and then like Nick wants to ask Abby out.

0:26:02.440 --> 0:26:04.600
<v Speaker 1>I'm like having deja vu as you're saying, like Nick

0:26:04.640 --> 0:26:06.639
<v Speaker 1>and Abbey are vibing, because I'm sure I've heard this

0:26:06.720 --> 0:26:11.800
<v Speaker 1>in regards to some people. For sure they've been vibing

0:26:11.800 --> 0:26:17.320
<v Speaker 1>for millennia someone. But because Simon is like, beholden to

0:26:17.440 --> 0:26:22.120
<v Speaker 1>this awful blackmail situation of Martin's, he has to be like, no, Nick,

0:26:22.240 --> 0:26:25.480
<v Speaker 1>don't ask Abby out. She's dating this college dude. He

0:26:25.720 --> 0:26:29.280
<v Speaker 1>makes up some imaginary person. Yeah, he becomes a prolific

0:26:29.320 --> 0:26:34.640
<v Speaker 1>liar in a web of lies. A web of lies. Um, meanwhile,

0:26:35.040 --> 0:26:38.320
<v Speaker 1>a teen lie. So many teen movies are based on bets,

0:26:38.440 --> 0:26:42.560
<v Speaker 1>tricks or lies. Yes. So meanwhile Simon is working up

0:26:42.560 --> 0:26:47.480
<v Speaker 1>the nerve to tell Bram that he's Jacques at this party,

0:26:48.160 --> 0:26:50.720
<v Speaker 1>but then he walks in on Bram kissing a girl,

0:26:50.800 --> 0:26:53.879
<v Speaker 1>so he's like, well, Blue is not Bram never mind.

0:26:54.520 --> 0:26:57.600
<v Speaker 1>So now Simon thinks that Blue might be this guy

0:26:57.640 --> 0:27:02.240
<v Speaker 1>who's a server at the Waffle house. Also Cutie again,

0:27:02.440 --> 0:27:09.600
<v Speaker 1>is he a teenager or is he? We have to

0:27:09.600 --> 0:27:12.440
<v Speaker 1>be very careful about who we say is hot. And

0:27:12.760 --> 0:27:15.320
<v Speaker 1>I'm pretty sure that no one in this movie is

0:27:15.359 --> 0:27:18.520
<v Speaker 1>a legitimate teenager except maybe the little Sister. Sure everyone

0:27:18.560 --> 0:27:22.640
<v Speaker 1>else is in their ties based on my cursory, Like

0:27:22.920 --> 0:27:24.800
<v Speaker 1>the Little Sisters, I AMDB and she's got like a

0:27:24.840 --> 0:27:28.239
<v Speaker 1>fucking glamour shot and it's like age thirty six. She

0:27:28.400 --> 0:27:34.760
<v Speaker 1>just did like fucking Lady Macbeth. I hope. So okay.

0:27:34.760 --> 0:27:37.720
<v Speaker 1>So then Simon comes out to Abby and it was

0:27:37.800 --> 0:27:39.960
<v Speaker 1>so that girl that you come out to I loved

0:27:40.000 --> 0:27:42.960
<v Speaker 1>that scene too, That's great. Yeah, she was like, oh yeah, sure.

0:27:44.320 --> 0:27:46.600
<v Speaker 1>I'm like, oh cool, you're still too hot for this,

0:27:46.720 --> 0:27:48.760
<v Speaker 1>You're still too hot for that situation. She's like, I'm

0:27:48.760 --> 0:27:51.760
<v Speaker 1>not surprised. I wasn't expecting anything, but I'm not surprised.

0:27:51.800 --> 0:27:54.359
<v Speaker 1>Crazy to think about, because I'm also incredibly smart and

0:27:54.440 --> 0:27:58.680
<v Speaker 1>perceptive and nice and very chill as well. There's nothing

0:27:58.680 --> 0:28:01.720
<v Speaker 1>wrong with me actually, And then something that this happens

0:28:01.720 --> 0:28:04.240
<v Speaker 1>in a movies a lot, where it's like she's the only,

0:28:04.280 --> 0:28:06.040
<v Speaker 1>like you point out, she's the only character who's like

0:28:06.240 --> 0:28:09.159
<v Speaker 1>a little bit poorer than everyone else, and that is

0:28:09.200 --> 0:28:13.080
<v Speaker 1>always like weirdly exoticized in like teen movies, like, oh,

0:28:13.119 --> 0:28:14.560
<v Speaker 1>she's kind of from the other side of the track.

0:28:14.680 --> 0:28:17.240
<v Speaker 1>She's got a little bit of otherworldly wisdom from what

0:28:17.280 --> 0:28:19.920
<v Speaker 1>with being poor and so like, it's just like she's

0:28:19.960 --> 0:28:24.320
<v Speaker 1>been hungry once, right, like, so like she's actually got

0:28:24.320 --> 0:28:26.359
<v Speaker 1>a lot to teach us. And it was right and

0:28:26.400 --> 0:28:29.600
<v Speaker 1>it would like definitely set off some red flags if

0:28:29.680 --> 0:28:31.399
<v Speaker 1>she was like the only person of color in the

0:28:31.440 --> 0:28:34.160
<v Speaker 1>movie who also happened to be the only person who

0:28:34.240 --> 0:28:37.040
<v Speaker 1>was of a lower class. But you see like Nick

0:28:37.280 --> 0:28:41.440
<v Speaker 1>and Bram also with huge houses, so it's like, okay, well,

0:28:41.440 --> 0:28:45.080
<v Speaker 1>at least they're not doing that kind of house. Does

0:28:45.280 --> 0:28:49.280
<v Speaker 1>we don't see Ethan's house? Which one's Ethan? Ethan is

0:28:49.320 --> 0:28:52.080
<v Speaker 1>the only out kid in school. Oh no, we do

0:28:52.160 --> 0:28:55.560
<v Speaker 1>not see his home. Correct, we should say there is

0:28:55.600 --> 0:28:58.560
<v Speaker 1>another out kid at school named Ethan. And because of

0:28:58.600 --> 0:29:01.640
<v Speaker 1>the way Ethan gets treated, Simon stays in the closet,

0:29:01.680 --> 0:29:06.280
<v Speaker 1>but he's reluctant to Yeah, he wants, like Blue and Jacque,

0:29:06.320 --> 0:29:08.640
<v Speaker 1>to reveal their real identities to each other, but Blue

0:29:08.760 --> 0:29:13.160
<v Speaker 1>isn't ready, so we still don't know who Blue is. Meanwhile,

0:29:13.200 --> 0:29:15.800
<v Speaker 1>like Abby is warming up to Martin and Nick is like,

0:29:15.840 --> 0:29:18.680
<v Speaker 1>fuck it, I'm just gonna tell Abbe that I like her.

0:29:19.000 --> 0:29:22.760
<v Speaker 1>But like Simon has to keep up this sharade, and

0:29:22.800 --> 0:29:27.120
<v Speaker 1>he's like, what if you consider Leah instead of Abby?

0:29:27.240 --> 0:29:30.520
<v Speaker 1>Because Simon thinks that Leah is in love with Nick.

0:29:31.320 --> 0:29:35.200
<v Speaker 1>She want not idiot, She's in love with him. It's

0:29:35.240 --> 0:29:39.120
<v Speaker 1>so obvious. That was one thing I thought was a

0:29:39.160 --> 0:29:41.680
<v Speaker 1>little not right with the movie. Is it's like in

0:29:41.720 --> 0:29:44.840
<v Speaker 1>that scene where Leah, who like fully sleeps over Simon's

0:29:44.880 --> 0:29:48.680
<v Speaker 1>house in his room, somehow that's allowed. Um, She's like,

0:29:48.800 --> 0:29:50.960
<v Speaker 1>I just want to love one person, looking him dead

0:29:51.000 --> 0:29:53.360
<v Speaker 1>in the eyes, and she's like I like you basically,

0:29:53.360 --> 0:29:55.480
<v Speaker 1>and he's just like, yeah, anyway, good night, And he

0:29:57.080 --> 0:29:59.480
<v Speaker 1>I knew. I knew every time one of my friends

0:29:59.480 --> 0:30:02.160
<v Speaker 1>was interested in me. It set me off into an

0:30:02.200 --> 0:30:06.600
<v Speaker 1>interior panic, which I think was something that could have explored. Sure, yeah,

0:30:06.760 --> 0:30:09.080
<v Speaker 1>like a part of it's a big part of being

0:30:09.080 --> 0:30:12.560
<v Speaker 1>closet in high school. It's like navigating like the fact

0:30:12.640 --> 0:30:16.840
<v Speaker 1>being that you are expected to have like a heterosexual experience.

0:30:18.800 --> 0:30:21.719
<v Speaker 1>Maybe he's just not very personal, like I'm I'm rarely

0:30:21.800 --> 0:30:24.560
<v Speaker 1>knowing that it's hard to know, like he's so borning

0:30:24.600 --> 0:30:28.000
<v Speaker 1>but a great, perceptive, beautiful writer and emails, but it

0:30:28.080 --> 0:30:30.840
<v Speaker 1>doesn't can't take any signals from someone he's known for

0:30:30.880 --> 0:30:33.959
<v Speaker 1>his entire life. That was a little bit off, And

0:30:33.960 --> 0:30:36.400
<v Speaker 1>it's also I don't know, Yeah, I felt. I felt.

0:30:36.400 --> 0:30:40.040
<v Speaker 1>I felt really bad for Leah's character almost the entire

0:30:40.200 --> 0:30:43.880
<v Speaker 1>movie because she doesn't really get a win at all,

0:30:44.200 --> 0:30:46.680
<v Speaker 1>down to the very end where Simon's like, get in

0:30:46.680 --> 0:30:50.960
<v Speaker 1>the back seat, my sexy boyfriends taking your spot, So

0:30:51.080 --> 0:30:52.680
<v Speaker 1>Leah has to sit in the back where her two

0:30:52.680 --> 0:30:55.880
<v Speaker 1>friends are french ng and then like the only boy

0:30:55.960 --> 0:30:57.560
<v Speaker 1>she's ever been in love with is with his sexy

0:30:57.600 --> 0:31:00.200
<v Speaker 1>boyfriend in the front seat, and it's like, God, you

0:31:00.320 --> 0:31:03.200
<v Speaker 1>sucked down that ice coffee like you've earned it. But

0:31:03.280 --> 0:31:05.960
<v Speaker 1>she is going to Leah is literally the type of

0:31:05.960 --> 0:31:09.240
<v Speaker 1>girl who fucking blossoms in college. College. She is going

0:31:09.280 --> 0:31:12.840
<v Speaker 1>to be crushing Dick in college. Yeah, Like guys are

0:31:12.840 --> 0:31:14.960
<v Speaker 1>gonna be lining up because she's super smart. She's like

0:31:15.240 --> 0:31:18.400
<v Speaker 1>television star beautiful. In fact, she is the star of

0:31:18.440 --> 0:31:23.320
<v Speaker 1>Thirteen Reasons Why on Netflix. Oh is that okay? I

0:31:23.360 --> 0:31:26.560
<v Speaker 1>see I have only watched the first episode of thirteen

0:31:26.600 --> 0:31:29.720
<v Speaker 1>reasons why. But it freaked me out because it's a bad,

0:31:29.800 --> 0:31:33.840
<v Speaker 1>dangerous show. It's like suicide is actually sick, like like

0:31:34.560 --> 0:31:37.880
<v Speaker 1>gikes um. Okay. So then they're all at the homecoming

0:31:37.920 --> 0:31:41.880
<v Speaker 1>football game and Lyle the waffle house guy is there

0:31:42.000 --> 0:31:46.960
<v Speaker 1>and he's like, Hey, what's Abby's deal. She's so he's

0:31:47.000 --> 0:31:50.320
<v Speaker 1>not gay after all, so he's not blue. Um. And

0:31:50.400 --> 0:31:53.560
<v Speaker 1>then Martin thinks that he needs to make this big

0:31:53.600 --> 0:31:57.640
<v Speaker 1>grand gesture with Abby, which Simon and I was so

0:31:57.680 --> 0:32:00.800
<v Speaker 1>mad when he did this. That was Simon's idea. Simon

0:32:00.880 --> 0:32:04.360
<v Speaker 1>gave him that idea to do a grand jest. I

0:32:04.360 --> 0:32:09.920
<v Speaker 1>would argue, he just says, go bigger. Well, he says yeah.

0:32:10.000 --> 0:32:12.040
<v Speaker 1>To me, it's he's just trying to get Martin off,

0:32:13.240 --> 0:32:15.720
<v Speaker 1>just like says a cliche, just to like get rid

0:32:15.760 --> 0:32:18.280
<v Speaker 1>of them. I guess, I don't know, maybe I'm being

0:32:18.280 --> 0:32:20.680
<v Speaker 1>too mean to Sigmon. But even in that waffle house

0:32:20.680 --> 0:32:23.920
<v Speaker 1>scene where this is like one of the most unrealistic

0:32:23.960 --> 0:32:25.800
<v Speaker 1>fact to the movie to me, in the waffle house

0:32:25.800 --> 0:32:28.600
<v Speaker 1>scene where Martin does that thing of standing on the

0:32:28.600 --> 0:32:31.600
<v Speaker 1>table and my name's Abby and I'm beautiful and I

0:32:31.640 --> 0:32:34.160
<v Speaker 1>deserve the world, and then Eventually he convinces her to

0:32:34.200 --> 0:32:37.600
<v Speaker 1>stand and she becomes okay with it. I'm like, like,

0:32:37.680 --> 0:32:40.800
<v Speaker 1>that just reminds me of so many tense drama club

0:32:40.840 --> 0:32:42.920
<v Speaker 1>parties that I did not want to scream at and

0:32:43.000 --> 0:32:46.560
<v Speaker 1>yet and she also like it gives the weird vibe

0:32:46.560 --> 0:32:49.239
<v Speaker 1>that she's like now going to have a crush on him, right.

0:32:49.400 --> 0:32:52.040
<v Speaker 1>I was like, no, I think this is like fully humiliating.

0:32:52.160 --> 0:32:56.400
<v Speaker 1>It's like not in line with her character. Yeah, I've, I've,

0:32:56.480 --> 0:32:58.640
<v Speaker 1>I don't know. I felt bad for her in that

0:32:58.680 --> 0:33:01.000
<v Speaker 1>scene and I was like, Simon, can you help out

0:33:01.040 --> 0:33:04.000
<v Speaker 1>with this? But you know he's being black mountains, right

0:33:04.120 --> 0:33:08.600
<v Speaker 1>or right? So at the big game, Martin steals the

0:33:08.640 --> 0:33:11.680
<v Speaker 1>microphone from the student who is singing the national anthem

0:33:12.360 --> 0:33:17.720
<v Speaker 1>and very publicly professes his love for Abby, and then

0:33:17.760 --> 0:33:22.120
<v Speaker 1>she's like, I don't like you like that, and so

0:33:22.280 --> 0:33:27.920
<v Speaker 1>like to draw attention away from his humiliation, Martin leaks

0:33:27.960 --> 0:33:31.640
<v Speaker 1>Simon's emails and outs him on that big Crab blog.

0:33:33.000 --> 0:33:35.800
<v Speaker 1>The little sister comes running in. She's concerned. He's like,

0:33:35.800 --> 0:33:38.560
<v Speaker 1>get the funk out of here. A little bit before this,

0:33:38.880 --> 0:33:42.840
<v Speaker 1>Simon thinks that Blue might now be this guy Cal

0:33:43.080 --> 0:33:46.640
<v Speaker 1>who is in cabaret with him. There's like a little

0:33:46.760 --> 0:33:50.600
<v Speaker 1>speculation about that. So now that Simon has been outed,

0:33:50.800 --> 0:33:53.600
<v Speaker 1>he's freaking out. He goes up to cal and he's like,

0:33:53.640 --> 0:33:56.440
<v Speaker 1>are you blue, and Call says I'm not, and then

0:33:56.480 --> 0:33:58.840
<v Speaker 1>he ends up coming out to his family Simon does.

0:33:59.520 --> 0:34:03.200
<v Speaker 1>It doesn't go very well. His his dad like a

0:34:03.360 --> 0:34:07.200
<v Speaker 1>joke about It's dad is like the king of microaggressions,

0:34:07.200 --> 0:34:09.919
<v Speaker 1>like every time he's on screen means well, but he's

0:34:09.960 --> 0:34:13.720
<v Speaker 1>not nailing it. Yeah, So it had been like Christmas

0:34:13.760 --> 0:34:17.160
<v Speaker 1>break and now everyone's back at school and his friends

0:34:17.200 --> 0:34:19.799
<v Speaker 1>confront him and they're like, Abby's like, you pimped me

0:34:19.840 --> 0:34:23.160
<v Speaker 1>out and that's very fucked up. H Nick is like,

0:34:23.320 --> 0:34:25.960
<v Speaker 1>you tried to set me up with Leah. That was

0:34:26.000 --> 0:34:28.759
<v Speaker 1>fucked up. And then Leah's like you're the one I

0:34:28.800 --> 0:34:30.560
<v Speaker 1>was in love with and then you tried to set

0:34:30.560 --> 0:34:32.680
<v Speaker 1>me up with Nick. That was very fucked up. I

0:34:32.760 --> 0:34:36.000
<v Speaker 1>hated this scene. This scene sucked to me because it's like,

0:34:36.040 --> 0:34:38.040
<v Speaker 1>this kid just went through one of the worst things

0:34:38.080 --> 0:34:40.239
<v Speaker 1>in his life, maybe he might ever go through, and

0:34:40.280 --> 0:34:43.000
<v Speaker 1>all of you can't fucking deal with the fact that,

0:34:43.040 --> 0:34:45.359
<v Speaker 1>like you went through like a week long period of

0:34:45.400 --> 0:34:49.120
<v Speaker 1>like minor inconvenience socially because he was fucking getting black

0:34:49.200 --> 0:34:52.920
<v Speaker 1>mouthed and drowning. I hated this and for them to

0:34:53.000 --> 0:34:56.440
<v Speaker 1>leave him like that, like that could have went really badly.

0:34:57.000 --> 0:34:59.480
<v Speaker 1>Kids like that like that are closeted, that are in

0:34:59.480 --> 0:35:01.799
<v Speaker 1>that sort of that have been publicly humiliated like that,

0:35:02.040 --> 0:35:04.000
<v Speaker 1>for you to bail on him, I was like, this

0:35:04.080 --> 0:35:07.319
<v Speaker 1>is so funny. I understand why it happens in the

0:35:07.360 --> 0:35:09.880
<v Speaker 1>movie version of this story because he has to go

0:35:10.000 --> 0:35:13.160
<v Speaker 1>through like the low point where everyone has basically turned

0:35:13.200 --> 0:35:15.440
<v Speaker 1>their back on him, But in the content, it just

0:35:15.480 --> 0:35:19.120
<v Speaker 1>felt so like too much. Yeah, and and a generally,

0:35:19.160 --> 0:35:23.359
<v Speaker 1>like the kids in this movie are generally pretty like

0:35:23.560 --> 0:35:25.240
<v Speaker 1>I don't know, it just like seemed out of character

0:35:25.320 --> 0:35:26.959
<v Speaker 1>for all. Like it's one thing if they're like, hey,

0:35:27.000 --> 0:35:29.080
<v Speaker 1>we're piste off that you did this, but like bailing

0:35:29.080 --> 0:35:32.520
<v Speaker 1>on him just seems like right, yeah, I know, it's

0:35:32.560 --> 0:35:37.440
<v Speaker 1>a movie. I said. I was worried that Abby was

0:35:37.520 --> 0:35:39.560
<v Speaker 1>just going to let him off the hook for like

0:35:39.760 --> 0:35:43.120
<v Speaker 1>pimping her out, so like her anger I think was

0:35:43.160 --> 0:35:46.960
<v Speaker 1>the most justified. Like I didn't hate that she confronted

0:35:47.040 --> 0:35:49.200
<v Speaker 1>him about it, but it was weird that they were

0:35:49.200 --> 0:35:52.680
<v Speaker 1>all like and you've been out it and fuck you'll

0:35:52.719 --> 0:35:55.319
<v Speaker 1>see you. Maybe never that any of them confronted him.

0:35:55.360 --> 0:35:57.239
<v Speaker 1>I just I just don't I don't know the fact

0:35:57.239 --> 0:35:59.440
<v Speaker 1>that they completely abandoned him in a time where you

0:35:59.480 --> 0:36:03.920
<v Speaker 1>know you're and is like very vulnerable, seems we didn't

0:36:03.920 --> 0:36:06.280
<v Speaker 1>even ask how he was doing. They didn't they didn't

0:36:06.280 --> 0:36:08.680
<v Speaker 1>even check in with them, like, Hi, we can talk

0:36:08.719 --> 0:36:10.960
<v Speaker 1>about like what you've done to us, but like first,

0:36:11.040 --> 0:36:15.400
<v Speaker 1>let's confront you on the street in this pack, and

0:36:15.520 --> 0:36:18.160
<v Speaker 1>we're not even going to ask one question about the fallout,

0:36:18.200 --> 0:36:21.200
<v Speaker 1>like with your family or like how you are where

0:36:21.200 --> 0:36:23.600
<v Speaker 1>your head's at. It might have worked a little better

0:36:23.600 --> 0:36:26.480
<v Speaker 1>for me if like one friend couldn't let it go

0:36:26.640 --> 0:36:28.520
<v Speaker 1>and it seemed more like a personal character, But it

0:36:28.560 --> 0:36:30.359
<v Speaker 1>was all of them, and so we're just like, oh,

0:36:30.400 --> 0:36:33.040
<v Speaker 1>so they're right, Like it's just it was, yeah, I

0:36:33.040 --> 0:36:37.560
<v Speaker 1>don't know totally. So then there's a few scenes where

0:36:37.600 --> 0:36:41.400
<v Speaker 1>like Simon confronts Martin tells him to suck off. He

0:36:41.480 --> 0:36:45.680
<v Speaker 1>has a scene with his mom where she's like you're

0:36:45.719 --> 0:36:48.399
<v Speaker 1>still you and I love you, garnering out and she's

0:36:49.080 --> 0:36:50.880
<v Speaker 1>and then the scene with the dad that we already

0:36:50.880 --> 0:36:55.000
<v Speaker 1>talked about a little. There's a great scene with Natasha

0:36:55.040 --> 0:36:59.560
<v Speaker 1>Rothwell when these two bullies like confront Simon for being

0:36:59.600 --> 0:37:03.200
<v Speaker 1>gay and also um Ethan, the kid that's already been out,

0:37:03.239 --> 0:37:09.000
<v Speaker 1>and Natasha Rathabel comes up and she's like basically and

0:37:09.040 --> 0:37:12.319
<v Speaker 1>they will, I want to make that my ringtone. I

0:37:12.640 --> 0:37:14.880
<v Speaker 1>it was really good. And then they all go to

0:37:14.920 --> 0:37:17.000
<v Speaker 1>the principal's office and I love that, like even the

0:37:17.080 --> 0:37:20.120
<v Speaker 1>gay kids have to like gets into the principal's office

0:37:20.160 --> 0:37:22.760
<v Speaker 1>to like hear their apology. It's like we're totally putting

0:37:22.800 --> 0:37:28.040
<v Speaker 1>the burden on them despite them being totally not there there.

0:37:28.600 --> 0:37:32.080
<v Speaker 1>It's like, I mean, I love that scene between Ethan

0:37:32.160 --> 0:37:34.800
<v Speaker 1>and Simon was one of my favorite parts. But I

0:37:34.880 --> 0:37:36.920
<v Speaker 1>was like, man, Tony Hale, you really like don't know

0:37:36.960 --> 0:37:39.799
<v Speaker 1>what you're doing us. At least it was clear that

0:37:39.840 --> 0:37:41.400
<v Speaker 1>he was like that was the wrong thing to do,

0:37:41.440 --> 0:37:43.640
<v Speaker 1>because for sure he seems so incompetent in that scene.

0:37:43.640 --> 0:37:46.920
<v Speaker 1>But I was happy that they did put Ethan and

0:37:46.920 --> 0:37:49.640
<v Speaker 1>Simon together for at least one point, because Simon gives

0:37:49.680 --> 0:37:51.560
<v Speaker 1>the moving an opportunity which I think it could have

0:37:51.600 --> 0:37:55.239
<v Speaker 1>taken more, but the movie gets a chance to at

0:37:55.320 --> 0:37:59.919
<v Speaker 1>least be like yeah, I'm like gay, black and all,

0:38:00.080 --> 0:38:04.520
<v Speaker 1>so like not necessarily conforming to gender in the way

0:38:04.560 --> 0:38:07.359
<v Speaker 1>that we all dress and everything like that, so it's

0:38:07.480 --> 0:38:10.239
<v Speaker 1>crazy hard for me and my family will not accept me.

0:38:10.280 --> 0:38:12.279
<v Speaker 1>I'm like yours. So it's like, yeah, I thought it

0:38:12.320 --> 0:38:16.680
<v Speaker 1>definitely like started to shed some light on another perspective,

0:38:16.719 --> 0:38:18.520
<v Speaker 1>and I thought maybe we could have gone a little

0:38:18.520 --> 0:38:21.920
<v Speaker 1>bit further with that um. But it was nice to

0:38:21.960 --> 0:38:24.279
<v Speaker 1>at least hear from this kid, and it didn't just

0:38:24.360 --> 0:38:27.240
<v Speaker 1>feel like the movie was using the kid as a prop. Definitely,

0:38:27.320 --> 0:38:31.120
<v Speaker 1>there was a punch of the man who played Ethan,

0:38:31.200 --> 0:38:34.799
<v Speaker 1>who of course is twenty seven years old, did like

0:38:34.880 --> 0:38:38.360
<v Speaker 1>a bunch of really good Clark Jones, Clark Moore, Clark

0:38:38.400 --> 0:38:41.560
<v Speaker 1>Moore did, he did, He did a bunch of really

0:38:41.560 --> 0:38:44.360
<v Speaker 1>good interviews around I think like really took full advantage

0:38:44.400 --> 0:38:46.840
<v Speaker 1>of being a part of this movie to like speak

0:38:46.880 --> 0:38:49.799
<v Speaker 1>more to that um and said kind of what you

0:38:49.800 --> 0:38:52.200
<v Speaker 1>said earlier, mat of like I hope what people take

0:38:52.200 --> 0:38:54.520
<v Speaker 1>away from the movie is that even if you're in

0:38:54.600 --> 0:38:58.640
<v Speaker 1>a very privileged position, it's still an impossible place to

0:38:58.719 --> 0:39:01.080
<v Speaker 1>be in for a lot of people. But he also

0:39:01.120 --> 0:39:02.880
<v Speaker 1>he spoke a little bit I just want to share

0:39:02.960 --> 0:39:06.520
<v Speaker 1>share a quote. May I sure, may I he did?

0:39:06.640 --> 0:39:10.440
<v Speaker 1>He didn't interview with teen Vogue incredible and said quote,

0:39:10.440 --> 0:39:13.280
<v Speaker 1>we're used to seeing strong black characters, especially if they're effeminate.

0:39:13.880 --> 0:39:16.520
<v Speaker 1>Ethan has some depth added to his character where he's

0:39:16.520 --> 0:39:19.799
<v Speaker 1>not just the punchline. He has vulnerabilities just as much

0:39:20.480 --> 0:39:23.399
<v Speaker 1>as anybody else, even though he's comedic relief. He's also

0:39:23.440 --> 0:39:25.960
<v Speaker 1>a source of inspiration for young people nervous about being

0:39:26.000 --> 0:39:29.200
<v Speaker 1>accepted by others. So I wish I mean, it's like

0:39:29.239 --> 0:39:32.280
<v Speaker 1>I wish he was a more meaningful part of the plot,

0:39:32.960 --> 0:39:34.799
<v Speaker 1>even though I mean they do. He has seen a

0:39:34.800 --> 0:39:38.600
<v Speaker 1>bunch of different times, um, but mostly in most of

0:39:38.640 --> 0:39:41.720
<v Speaker 1>the scenes he's in, he's being bullied by those two

0:39:42.080 --> 0:39:45.799
<v Speaker 1>homophobe kids. It's true. Yeah, I mean, I guess the

0:39:45.800 --> 0:39:48.240
<v Speaker 1>best I could say for that is he is always

0:39:48.280 --> 0:39:52.480
<v Speaker 1>above it and like always has a funnier, better response

0:39:52.800 --> 0:39:54.520
<v Speaker 1>to it. I don't know, I don't know what did

0:39:54.560 --> 0:39:58.840
<v Speaker 1>you make of that character. I thought that it was

0:39:58.960 --> 0:40:02.160
<v Speaker 1>interesting to way because I didn't know any out gay

0:40:02.239 --> 0:40:04.760
<v Speaker 1>kids when I was in high school, so I don't

0:40:04.800 --> 0:40:07.239
<v Speaker 1>really know. I didn't have a barometer for how they

0:40:07.239 --> 0:40:11.239
<v Speaker 1>get treated. It obviously, was like painful to see the kid,

0:40:11.600 --> 0:40:14.640
<v Speaker 1>even though he always had a smart, funny response to it.

0:40:15.080 --> 0:40:16.880
<v Speaker 1>And I like that they empowered the kid in that

0:40:16.920 --> 0:40:20.120
<v Speaker 1>way and gave him his intelligence and his humor. So

0:40:20.200 --> 0:40:23.839
<v Speaker 1>many kids don't have that, And you know, I wondered if, like, um,

0:40:23.880 --> 0:40:26.920
<v Speaker 1>that was the representation of the average kid. Like I

0:40:26.960 --> 0:40:28.680
<v Speaker 1>think it was a good I think it was. It's

0:40:28.800 --> 0:40:31.280
<v Speaker 1>nice to see for gay kids that might be closeted

0:40:31.280 --> 0:40:34.600
<v Speaker 1>to watch this movie and see themselves on screen this

0:40:34.640 --> 0:40:37.879
<v Speaker 1>way and them to be given this this superpower, which

0:40:37.960 --> 0:40:41.560
<v Speaker 1>is his intelligence. But to me, it was like, the

0:40:41.719 --> 0:40:45.640
<v Speaker 1>reality is like this kid might be really depressed, and

0:40:45.800 --> 0:40:49.000
<v Speaker 1>it seems like, um, it almost seemed like when Simon

0:40:49.520 --> 0:40:53.319
<v Speaker 1>turns to Ethan and it's like, my life is over,

0:40:53.400 --> 0:40:57.680
<v Speaker 1>it couldn't be worse, etcetera. He almost really believes that

0:40:57.800 --> 0:41:00.759
<v Speaker 1>his life is worse than this other kid. And I

0:41:01.080 --> 0:41:04.120
<v Speaker 1>don't know, you can't expect too much of this movie

0:41:04.400 --> 0:41:06.400
<v Speaker 1>because it is a movie for teens and it is

0:41:06.440 --> 0:41:08.520
<v Speaker 1>like a big studio film and it's supposed to be

0:41:08.560 --> 0:41:13.160
<v Speaker 1>you know, mainstream, But the reality of being POC and

0:41:13.320 --> 0:41:17.440
<v Speaker 1>gay is like really so much different than it is

0:41:17.520 --> 0:41:20.640
<v Speaker 1>to be someone like Simon, and then also at the

0:41:20.760 --> 0:41:23.200
<v Speaker 1>end of the movie, well, I guess you'll you'll you'll say,

0:41:23.680 --> 0:41:27.160
<v Speaker 1>you'll say who Blue is? But Blue is black in

0:41:27.200 --> 0:41:31.320
<v Speaker 1>the movie. And also just the reality of like there's

0:41:31.360 --> 0:41:34.000
<v Speaker 1>just so many more things that are going to be

0:41:34.120 --> 0:41:36.560
<v Speaker 1>reality that they deal with. And I wondered if the

0:41:36.600 --> 0:41:42.120
<v Speaker 1>movie wasn't The movie was so blissfully diverse, but with

0:41:42.200 --> 0:41:45.480
<v Speaker 1>that kind of diversity comes a whole other series of

0:41:45.520 --> 0:41:47.759
<v Speaker 1>things to deal with, definite, And I wonder if the

0:41:47.840 --> 0:41:51.839
<v Speaker 1>movie was using diversity in a way that was like, look,

0:41:51.840 --> 0:41:55.000
<v Speaker 1>we're a diverse film, and then kind of ignoring a

0:41:55.000 --> 0:41:57.640
<v Speaker 1>lot of the realities. You know, a kid, a kid

0:41:57.680 --> 0:42:01.319
<v Speaker 1>that's a kid that's like Simon, a white gay kid

0:42:01.800 --> 0:42:05.560
<v Speaker 1>who's sixteen, seventeen years old. They might not be at

0:42:05.760 --> 0:42:08.319
<v Speaker 1>at the point where like the person reveals themselves and

0:42:08.320 --> 0:42:11.080
<v Speaker 1>they're a black kid and they he might be in

0:42:11.120 --> 0:42:12.520
<v Speaker 1>the place where he's like, what is my parents going

0:42:12.560 --> 0:42:14.640
<v Speaker 1>to think about this? So it kind of just felt

0:42:14.680 --> 0:42:17.520
<v Speaker 1>like this whole it almost felt dumbed down in a

0:42:17.560 --> 0:42:20.000
<v Speaker 1>way so that it can be woke. So it felt

0:42:20.000 --> 0:42:22.120
<v Speaker 1>like it was it felt like it was raising it's

0:42:22.160 --> 0:42:26.480
<v Speaker 1>i Q. It feels like it's ignoring or not like

0:42:26.800 --> 0:42:31.000
<v Speaker 1>using opportunities to make statements that would have been helpful

0:42:31.040 --> 0:42:34.719
<v Speaker 1>to make it glazes stuff over. Yeah, for sure. And

0:42:34.760 --> 0:42:36.799
<v Speaker 1>that was like the one the one thought I had

0:42:36.840 --> 0:42:39.000
<v Speaker 1>about the Ethan character. And I don't know how spot

0:42:39.040 --> 0:42:42.280
<v Speaker 1>on this is, but just the fact that he only

0:42:42.320 --> 0:42:46.480
<v Speaker 1>becomes meaningfully involved in the plot to sort of explain

0:42:46.600 --> 0:42:49.200
<v Speaker 1>something to Simon, but we don't really get to see

0:42:49.280 --> 0:42:51.399
<v Speaker 1>him be involved in the plot in a meaningful way

0:42:51.400 --> 0:42:54.319
<v Speaker 1>where he's just like is rightfully so saying like this

0:42:54.400 --> 0:42:57.480
<v Speaker 1>is my experience and like you are not the worst

0:42:57.960 --> 0:43:00.440
<v Speaker 1>off of everyone, and kind of like all out and

0:43:00.480 --> 0:43:03.200
<v Speaker 1>take stock of of what you do have going for you,

0:43:03.239 --> 0:43:06.200
<v Speaker 1>because you know, even though it's a difficult experience, you're

0:43:06.280 --> 0:43:09.239
<v Speaker 1>you're very lucky. Which is a great scene, and I'm

0:43:09.320 --> 0:43:11.719
<v Speaker 1>so glad it's there, but it's it almost feels like

0:43:11.760 --> 0:43:15.000
<v Speaker 1>that character is put there and then can't participate in

0:43:15.040 --> 0:43:18.400
<v Speaker 1>any way other than to be that example. And so

0:43:18.520 --> 0:43:20.680
<v Speaker 1>he's there, is an example, and then isn't really allowed

0:43:20.719 --> 0:43:24.319
<v Speaker 1>to participate in the movie, which kind of sucks because

0:43:24.320 --> 0:43:27.400
<v Speaker 1>he's a good character and and there's a lot there

0:43:27.440 --> 0:43:30.480
<v Speaker 1>that you think, you know, there's so many characters in

0:43:30.480 --> 0:43:32.640
<v Speaker 1>this movie that there could have been like real estate

0:43:32.800 --> 0:43:35.799
<v Speaker 1>freed up for him, because like what if Simon was

0:43:35.840 --> 0:43:38.239
<v Speaker 1>friends with the only out kid at school? Like what

0:43:38.239 --> 0:43:40.520
<v Speaker 1>would that be? I don't know, you know. They It's

0:43:40.520 --> 0:43:43.359
<v Speaker 1>almost like I almost feel like saying I also want

0:43:43.400 --> 0:43:47.279
<v Speaker 1>to see like love Ethan with him. But it's like

0:43:49.000 --> 0:43:51.359
<v Speaker 1>you wonder if you wonder if a major studio would

0:43:51.400 --> 0:43:55.040
<v Speaker 1>do that, and the answer is not, I probably would not,

0:43:55.680 --> 0:43:58.719
<v Speaker 1>at least not today, maybe in five years. I mean,

0:43:58.760 --> 0:44:02.280
<v Speaker 1>you're talking about a movie that literally like has Simon

0:44:02.360 --> 0:44:06.879
<v Speaker 1>have like a quote unquote gay day dream and it's

0:44:07.000 --> 0:44:12.320
<v Speaker 1>him walking jauntily to like I will always know not

0:44:12.840 --> 0:44:16.120
<v Speaker 1>those I want to dance with somebody while everyone wears

0:44:16.120 --> 0:44:20.359
<v Speaker 1>like a bright colored T shirt and I'm like summer that, yeah,

0:44:20.400 --> 0:44:22.560
<v Speaker 1>I thought about that, and he's he's like, um, well,

0:44:22.560 --> 0:44:26.760
<v Speaker 1>maybe not this gay. I'm like, dude, this is not gay.

0:44:27.320 --> 0:44:31.520
<v Speaker 1>This is colorful. This is not gay, Like gay is

0:44:31.560 --> 0:44:35.560
<v Speaker 1>everyone in this scene eating each other's ass? Like you like,

0:44:35.600 --> 0:44:38.400
<v Speaker 1>this is not gay? And so I'm kind of thinking, like, wow,

0:44:38.480 --> 0:44:42.560
<v Speaker 1>this movie like it's about homosexuality. No, you know what,

0:44:42.600 --> 0:44:47.080
<v Speaker 1>it's about being gay? It's not about homosexuality. It's not

0:44:47.160 --> 0:44:53.600
<v Speaker 1>about like actually reckoning with your sexuality. It's about being

0:44:53.760 --> 0:44:57.960
<v Speaker 1>different socially, and it's about having secrets. That's what it's about.

0:44:58.000 --> 0:45:00.840
<v Speaker 1>And so like it doesn't make any effort to pretend

0:45:00.840 --> 0:45:03.160
<v Speaker 1>like it's more than that short. You know, it's like PG,

0:45:04.480 --> 0:45:06.759
<v Speaker 1>you know, and like I said, you can't expect too

0:45:06.800 --> 0:45:09.080
<v Speaker 1>much of it, and like, you know, movies about like

0:45:09.120 --> 0:45:14.799
<v Speaker 1>heterosexual teen romance are not about sex, well largely, but um,

0:45:14.840 --> 0:45:17.279
<v Speaker 1>it can't succeed on every level that I think we'd

0:45:17.280 --> 0:45:19.719
<v Speaker 1>like it to, right, I mean, yeah, it's a it's

0:45:19.719 --> 0:45:24.800
<v Speaker 1>a teen movie that adheres to almost every like trope

0:45:24.880 --> 0:45:27.400
<v Speaker 1>of the kind of like a teenager with a secret,

0:45:28.440 --> 0:45:30.279
<v Speaker 1>which is also why I feel like people should go

0:45:30.360 --> 0:45:32.440
<v Speaker 1>easier on it, you know what I mean. It's like like,

0:45:32.640 --> 0:45:33.960
<v Speaker 1>so I'm of two minds of it. It's like I

0:45:33.960 --> 0:45:36.600
<v Speaker 1>can see everything that you're saying is right. Also the

0:45:36.680 --> 0:45:40.200
<v Speaker 1>movie is this like it's not it's it's just not

0:45:40.640 --> 0:45:43.040
<v Speaker 1>gonna Maybe it's not gonna make a social comment. Maybe

0:45:43.040 --> 0:45:46.200
<v Speaker 1>it is just for more people to see themselves on screen.

0:45:46.560 --> 0:45:49.600
<v Speaker 1>And if you are not in that more people, that sucks,

0:45:49.640 --> 0:45:52.359
<v Speaker 1>Like I'm sorry, I hope that for everyone to be represented.

0:45:52.719 --> 0:45:57.760
<v Speaker 1>I personally hope for everyone who represented it's like Hollywood's issue, right,

0:45:57.800 --> 0:46:01.960
<v Speaker 1>And it's not surprising that like for the baseline of

0:46:02.000 --> 0:46:05.200
<v Speaker 1>like the first like wide released movie of this kind,

0:46:05.600 --> 0:46:08.239
<v Speaker 1>for Hollywood to play it safe and be like, well,

0:46:08.280 --> 0:46:10.040
<v Speaker 1>if we're going to do this and take this quote

0:46:10.080 --> 0:46:14.920
<v Speaker 1>unquote risk, then he'd better be like white hot from money,

0:46:15.040 --> 0:46:17.359
<v Speaker 1>and like that does make sense in terms of being

0:46:17.400 --> 0:46:21.000
<v Speaker 1>the baseline of where I mean, Hollywood feels comfortable gambling.

0:46:21.080 --> 0:46:24.040
<v Speaker 1>That's not right and that's hitty and bad and I

0:46:24.120 --> 0:46:28.160
<v Speaker 1>want you know, everyone wants it a love ethan and like,

0:46:28.200 --> 0:46:31.040
<v Speaker 1>but it it doesn't make sense to me that this

0:46:31.120 --> 0:46:34.319
<v Speaker 1>is the first like quote unquote gamble that they would take.

0:46:34.680 --> 0:46:36.840
<v Speaker 1>It makes sense to me on paper, you know what

0:46:36.880 --> 0:46:39.839
<v Speaker 1>I mean. I wish that Hollywood would realize that actually

0:46:40.280 --> 0:46:43.120
<v Speaker 1>when people most see themselves is when the stories are

0:46:43.160 --> 0:46:47.040
<v Speaker 1>the most specific. Yeah, Like, for example, something that's a phenomenon,

0:46:47.560 --> 0:46:49.360
<v Speaker 1>I don't know if it was a box office phenomenon,

0:46:49.400 --> 0:46:53.160
<v Speaker 1>but it's a movie that everyone knows is precious. You

0:46:53.200 --> 0:46:55.920
<v Speaker 1>don't get more specific than that. Like, it's just it's

0:46:55.920 --> 0:47:00.040
<v Speaker 1>a very specific story of trauma and struggle, but it

0:47:00.719 --> 0:47:04.720
<v Speaker 1>really connected with a ton of people on many levels

0:47:04.760 --> 0:47:09.879
<v Speaker 1>because it was bold enough to be that specific. So

0:47:10.520 --> 0:47:14.440
<v Speaker 1>by kind of washing this story out and not allowing

0:47:14.480 --> 0:47:18.040
<v Speaker 1>the intelligent conversations that would happen in real life to happen,

0:47:18.680 --> 0:47:21.680
<v Speaker 1>I wonder if it actually could have made more money,

0:47:21.880 --> 0:47:23.880
<v Speaker 1>if if maybe people would have been a little bit

0:47:23.920 --> 0:47:26.839
<v Speaker 1>more passionate about it, because right now, the conversation we're

0:47:26.880 --> 0:47:29.880
<v Speaker 1>largely having about the movie is it's like it was good.

0:47:30.280 --> 0:47:32.000
<v Speaker 1>It could have been better if it felt more real,

0:47:32.840 --> 0:47:34.960
<v Speaker 1>you know what I mean, which is like, you wonder

0:47:35.000 --> 0:47:37.959
<v Speaker 1>how necessary that is? Sure, we need to take another

0:47:38.040 --> 0:47:45.600
<v Speaker 1>quick break, but we will be right back. Um, I'll

0:47:45.640 --> 0:47:49.640
<v Speaker 1>just finish up the recap because is I like, I'm

0:47:49.760 --> 0:47:52.719
<v Speaker 1>enjoying this break in format? Yeah? Yeah, we're like, you know,

0:47:52.800 --> 0:48:04.640
<v Speaker 1>it's discussion integrated within the recap, but its spread. We've

0:48:04.680 --> 0:48:10.160
<v Speaker 1>said it Toive. How'sn't it okay? So Simon posts on

0:48:10.239 --> 0:48:14.560
<v Speaker 1>the blog after some of the you know, intensity at

0:48:14.560 --> 0:48:16.920
<v Speaker 1>the school has has died down a bit. Um He

0:48:17.000 --> 0:48:21.720
<v Speaker 1>posts on Creek's secrets and he says, I love Blue,

0:48:22.160 --> 0:48:24.759
<v Speaker 1>whoever you are, I want to meet you. Here's where

0:48:24.760 --> 0:48:28.160
<v Speaker 1>I'm going to be after this. After Cabaret hope to

0:48:28.200 --> 0:48:30.839
<v Speaker 1>see you there because I deserve a love story and

0:48:30.880 --> 0:48:33.319
<v Speaker 1>you deserve a love story, and we all deserve love.

0:48:33.960 --> 0:48:36.080
<v Speaker 1>He makes up with his friends. They all go to

0:48:36.160 --> 0:48:41.080
<v Speaker 1>the school carnival together. He rides the ferris wheel waiting

0:48:41.239 --> 0:48:44.040
<v Speaker 1>for Blue to show up. For a while, it seems

0:48:44.040 --> 0:48:50.080
<v Speaker 1>like he's not going to even Martin. He offers his

0:48:50.120 --> 0:48:53.080
<v Speaker 1>guilt four dollars. He says, I love you. It's me,

0:48:53.239 --> 0:48:55.239
<v Speaker 1>and then we're all in an audience like if it's him,

0:48:55.239 --> 0:49:00.200
<v Speaker 1>I'm going to and then it's not him, and it's

0:49:00.239 --> 0:49:04.600
<v Speaker 1>not Yeah, and he gives the ferris wheel guy. Imagine

0:49:04.600 --> 0:49:07.000
<v Speaker 1>if it was the ferris wheel guy. It's like, I'm

0:49:07.440 --> 0:49:10.600
<v Speaker 1>mind if I said, he gives him like a couple

0:49:10.600 --> 0:49:12.680
<v Speaker 1>of dollars to keep it going for one last time,

0:49:13.600 --> 0:49:15.719
<v Speaker 1>and then who shows up? And who shows up? But

0:49:20.080 --> 0:49:23.240
<v Speaker 1>I enjoyed that twist. I was. I was really happy

0:49:23.239 --> 0:49:25.720
<v Speaker 1>it was him. Yeah, I liked he was my favorite

0:49:25.760 --> 0:49:31.279
<v Speaker 1>candidate the same Yeah, And they kiss and he says,

0:49:31.320 --> 0:49:33.520
<v Speaker 1>are you disappointed it to me? And I was like

0:49:34.160 --> 0:49:36.960
<v Speaker 1>that's such a thing too, was like, you probably the

0:49:37.040 --> 0:49:39.680
<v Speaker 1>kid was probably nervous because what if you can care?

0:49:39.719 --> 0:49:42.040
<v Speaker 1>And he's like, oh god, never mind. Yeah, it's a

0:49:42.120 --> 0:49:47.080
<v Speaker 1>real Martin Nabby situation. Right, It's worth it for me

0:49:47.160 --> 0:49:51.120
<v Speaker 1>because you get that big moment of everyone cheering um

0:49:51.160 --> 0:49:53.879
<v Speaker 1>while there is a queer kiss happening on screen which

0:49:53.920 --> 0:49:57.120
<v Speaker 1>never happens. But just like logistically, I'm like, oh, it's

0:49:57.160 --> 0:49:59.239
<v Speaker 1>such a big ask to be like, hey, do you

0:49:59.239 --> 0:50:02.879
<v Speaker 1>want to come out the entire student body, like who

0:50:02.920 --> 0:50:05.080
<v Speaker 1>are all going to be gathered? Like that is so

0:50:05.160 --> 0:50:08.080
<v Speaker 1>much pressure and Simon has just gone through this whole

0:50:08.120 --> 0:50:10.560
<v Speaker 1>thing where he was put under too much pressure to

0:50:10.680 --> 0:50:12.920
<v Speaker 1>come out publicly. And I was like, I feel like

0:50:12.920 --> 0:50:15.839
<v Speaker 1>you kind of I don't know. I loved it, Yeah,

0:50:15.960 --> 0:50:17.920
<v Speaker 1>I loved it because it was like I think that

0:50:18.080 --> 0:50:20.480
<v Speaker 1>it was obviously a message. It's like I'm willing to

0:50:20.520 --> 0:50:24.320
<v Speaker 1>be this brave. So I think like his bravery made

0:50:24.520 --> 0:50:26.920
<v Speaker 1>made him want to be brave, you know what I mean. Well, yeah,

0:50:26.960 --> 0:50:28.839
<v Speaker 1>they talk about that, you know what I mean. Like

0:50:29.480 --> 0:50:31.040
<v Speaker 1>I kind of loved it and I kind of got it.

0:50:31.040 --> 0:50:33.120
<v Speaker 1>I could see that really happening in real life, like

0:50:33.160 --> 0:50:35.800
<v Speaker 1>if one kid was if I thought of this happening,

0:50:35.800 --> 0:50:38.800
<v Speaker 1>I was like that I can see being a reality.

0:50:38.880 --> 0:50:40.840
<v Speaker 1>Like I was wondering like if I'm in high school,

0:50:40.880 --> 0:50:42.560
<v Speaker 1>and if I was doing this and somebody was like,

0:50:42.680 --> 0:50:46.400
<v Speaker 1>I'm actually gonna do this, like be here, maybe I would,

0:50:46.880 --> 0:50:48.960
<v Speaker 1>Maybe I would. I would love for that. I just

0:50:49.080 --> 0:50:52.399
<v Speaker 1>was I felt I felt concerned for Blue. I hope

0:50:52.400 --> 0:50:55.080
<v Speaker 1>Blue is cool with this. But they did talk about

0:50:55.120 --> 0:50:58.920
<v Speaker 1>making each other brave. They inspired each other, so that

0:50:59.000 --> 0:51:01.960
<v Speaker 1>does make sense. I just got nervous for him when

0:51:02.000 --> 0:51:04.160
<v Speaker 1>that was a big as it's a big ask. But

0:51:04.480 --> 0:51:09.040
<v Speaker 1>they also kept expressing major hesitancy of wanting the world

0:51:09.080 --> 0:51:12.600
<v Speaker 1>to know his identity and everything. Question. Do you think

0:51:12.600 --> 0:51:15.040
<v Speaker 1>that they continued on into college or is this a

0:51:15.080 --> 0:51:18.879
<v Speaker 1>beautiful flash in the pan from senior year. I think

0:51:18.920 --> 0:51:21.839
<v Speaker 1>that they had a really nice rest of the senior year,

0:51:22.080 --> 0:51:24.120
<v Speaker 1>tried to be a long distance for a short time,

0:51:24.160 --> 0:51:26.800
<v Speaker 1>maybe even went too long, like six to eight months,

0:51:26.920 --> 0:51:29.120
<v Speaker 1>and then it got just too hard at college where

0:51:29.120 --> 0:51:33.879
<v Speaker 1>there's just so many other gay, beautiful dudes. But they

0:51:35.160 --> 0:51:37.680
<v Speaker 1>they'll always tell each other in high regard and guess what,

0:51:37.840 --> 0:51:40.319
<v Speaker 1>who knows, maybe they'll even maybe it's not over, maybe

0:51:40.320 --> 0:51:41.880
<v Speaker 1>down the road, but they've got more growing to do.

0:51:42.120 --> 0:51:44.160
<v Speaker 1>I don't think it's one and done for these boys,

0:51:44.320 --> 0:51:47.680
<v Speaker 1>because Simon says he's going to college in Los Angeles

0:51:47.760 --> 0:51:50.640
<v Speaker 1>ever heard of it? I know where are you going?

0:51:50.840 --> 0:51:52.880
<v Speaker 1>I bet? And you know, because like he's going to

0:51:52.920 --> 0:51:56.920
<v Speaker 1>a nice college. He's probably going to US. And he

0:51:56.960 --> 0:51:59.239
<v Speaker 1>does not have student loan debt that simon. I'll tell

0:51:59.280 --> 0:52:02.319
<v Speaker 1>you one thing. It doesn't. He's able to go to

0:52:02.360 --> 0:52:08.680
<v Speaker 1>West Hollywood guildfree ins. He's going to Hamburger, Mary's at Chapel.

0:52:10.080 --> 0:52:17.040
<v Speaker 1>He is fucking you know, actually works at pump No way,

0:52:19.120 --> 0:52:25.839
<v Speaker 1>of course, of course. Anyway, So that's the story of

0:52:25.880 --> 0:52:30.600
<v Speaker 1>the movie. And we covered so much, covered a lot already.

0:52:31.680 --> 0:52:35.360
<v Speaker 1>It's a good, great soundtrack to We didn't say that

0:52:35.400 --> 0:52:39.839
<v Speaker 1>the music is really good. A lot of bleachers. There's

0:52:39.840 --> 0:52:42.720
<v Speaker 1>a lot I like about this movie, and I would

0:52:42.760 --> 0:52:46.839
<v Speaker 1>like to hear your opinions, our listeners opinions on this.

0:52:47.280 --> 0:52:49.400
<v Speaker 1>And we talked a little bit about how the movie

0:52:49.680 --> 0:52:53.799
<v Speaker 1>handles race and kind of glosses over things that like

0:52:54.239 --> 0:52:58.759
<v Speaker 1>a young queer person of color would have to deal

0:52:58.800 --> 0:53:01.480
<v Speaker 1>with it. It introduced is all these characters and then

0:53:01.600 --> 0:53:06.600
<v Speaker 1>kind of glasses over the intricacies of that situation. However,

0:53:06.800 --> 0:53:12.600
<v Speaker 1>it felt to me the movie normalizes people being attracted

0:53:12.719 --> 0:53:16.640
<v Speaker 1>to people of different races and ethnic backgrounds without needing

0:53:16.680 --> 0:53:19.120
<v Speaker 1>to draw a lot of attention to the fact that

0:53:19.120 --> 0:53:21.640
<v Speaker 1>they were attracted, except for that one weird moment where

0:53:21.800 --> 0:53:24.840
<v Speaker 1>Simon is like fumbling with his words. That was the

0:53:24.840 --> 0:53:27.759
<v Speaker 1>one moment where there is any attention drawn to it.

0:53:29.080 --> 0:53:33.600
<v Speaker 1>They're at the Halloween party and he is still trying

0:53:33.640 --> 0:53:36.560
<v Speaker 1>to pass this straight and he's talking to his friend Nick,

0:53:36.760 --> 0:53:39.080
<v Speaker 1>and Nick's like, Oh, it would be so hot, and

0:53:39.120 --> 0:53:43.400
<v Speaker 1>Simon's like, yeah, she's hot, but she's not really my type,

0:53:43.680 --> 0:53:47.200
<v Speaker 1>not because she's black. I love black women, but I

0:53:47.239 --> 0:53:50.000
<v Speaker 1>don't have a thing for black women. I just love

0:53:50.040 --> 0:53:52.040
<v Speaker 1>all women. So he's like, it's like a bad joke.

0:53:53.080 --> 0:53:56.799
<v Speaker 1>It seems like a bad attempt at humor, Like, oh,

0:53:56.920 --> 0:54:04.720
<v Speaker 1>I'm not fetishiz right, but also not not because it's needless. Yeh, needless.

0:54:04.840 --> 0:54:07.439
<v Speaker 1>I'm gonna go out on a limb here and say

0:54:07.480 --> 0:54:10.400
<v Speaker 1>that it kind of worked for me because he's in

0:54:10.440 --> 0:54:13.799
<v Speaker 1>a stressful situation where he's like trying to pass so

0:54:13.840 --> 0:54:16.120
<v Speaker 1>I kind of got that he was like stumbling over

0:54:16.280 --> 0:54:23.239
<v Speaker 1>his Yeah, and a lot is that Abby's expense, And

0:54:23.280 --> 0:54:26.400
<v Speaker 1>it's it's tricky because it's like you know that ultimately

0:54:26.440 --> 0:54:30.360
<v Speaker 1>this is Martin's fault for being the worst most boat

0:54:30.480 --> 0:54:33.439
<v Speaker 1>kid of all time. Like he's just like a bore

0:54:33.480 --> 0:54:37.480
<v Speaker 1>at poster come to life. But but it's like, you know,

0:54:37.520 --> 0:54:41.360
<v Speaker 1>Simon does sell Abby up the river for almost I

0:54:41.400 --> 0:54:43.560
<v Speaker 1>mean for what we have to think is the majority

0:54:43.600 --> 0:54:45.799
<v Speaker 1>of their friendship because I haven't even known each other

0:54:45.840 --> 0:54:48.560
<v Speaker 1>this lot. Like it's just I mean, I'm glad that

0:54:48.600 --> 0:54:51.839
<v Speaker 1>she stands up to him, she of all people, should have,

0:54:52.400 --> 0:54:55.600
<v Speaker 1>but I don't know, yeah, she was the only one

0:54:55.680 --> 0:54:57.960
<v Speaker 1>who I felt like, you got a real bone to

0:54:58.000 --> 0:55:01.160
<v Speaker 1>pick with him here, Yeah, you know Nick that was

0:55:01.239 --> 0:55:05.000
<v Speaker 1>just like a like cock block at best, Like Nick

0:55:05.120 --> 0:55:08.279
<v Speaker 1>was not greatly Like there was no reason for Nick

0:55:08.320 --> 0:55:11.120
<v Speaker 1>to turn his back on his lifelong best friend out

0:55:11.160 --> 0:55:14.319
<v Speaker 1>of nowhere. Nor was there for Leah really. I mean,

0:55:14.360 --> 0:55:17.799
<v Speaker 1>although it's like, okay, she's disappointed, but again it's like

0:55:17.840 --> 0:55:20.920
<v Speaker 1>she was at best inconvenience for he said like the

0:55:20.960 --> 0:55:23.680
<v Speaker 1>space of a week. It must be hard to hear

0:55:23.719 --> 0:55:26.439
<v Speaker 1>that the kid that you're in love with not only

0:55:26.480 --> 0:55:29.480
<v Speaker 1>doesn't like you, but like it's you know, different than

0:55:29.560 --> 0:55:31.160
<v Speaker 1>you've ever thought. And then there's got to be a

0:55:31.200 --> 0:55:33.800
<v Speaker 1>lot of emotions that go through your mind there. But

0:55:33.800 --> 0:55:37.840
<v Speaker 1>but it's not abandonment. This is a critical time, especially

0:55:37.880 --> 0:55:41.680
<v Speaker 1>with what yeah, yeah, that could be and and they do.

0:55:41.840 --> 0:55:45.319
<v Speaker 1>I like that she is the first to forgive him

0:55:45.360 --> 0:55:47.160
<v Speaker 1>at least, and it makes sense to me that she

0:55:47.200 --> 0:55:49.840
<v Speaker 1>would be the first person to be like, no, I

0:55:49.880 --> 0:55:53.400
<v Speaker 1>love you, accept you and all that, because he's like

0:55:53.480 --> 0:55:55.960
<v Speaker 1>chasing her when she's like walking her dog or something,

0:55:55.960 --> 0:55:58.640
<v Speaker 1>which is I don't know. I like that scene, the

0:55:58.719 --> 0:56:04.160
<v Speaker 1>reconciliations to me, at least, compared to the teen high

0:56:04.160 --> 0:56:06.960
<v Speaker 1>school movies that were a thing when I was coming

0:56:07.000 --> 0:56:10.000
<v Speaker 1>of age of like all those like late nineties like

0:56:10.120 --> 0:56:12.319
<v Speaker 1>She's All that, Ten Things I Hate About You, Those

0:56:12.320 --> 0:56:15.400
<v Speaker 1>were like the things I was watching, And none of

0:56:15.440 --> 0:56:19.960
<v Speaker 1>those felt like real high school experiences or like anything

0:56:20.000 --> 0:56:22.520
<v Speaker 1>that anyone was dealing with or going through because they

0:56:22.520 --> 0:56:25.520
<v Speaker 1>were all based on these like crazy bets that get

0:56:25.600 --> 0:56:28.640
<v Speaker 1>way out of hand and it I never saw anything

0:56:28.719 --> 0:56:33.040
<v Speaker 1>like that in my high school experience. This movie felt

0:56:33.280 --> 0:56:35.799
<v Speaker 1>way more real of a depiction of the high school

0:56:35.840 --> 0:56:38.480
<v Speaker 1>experience than those. At least I bought it as a

0:56:38.560 --> 0:56:40.799
<v Speaker 1>high school movie. Even though the kids were looking what

0:56:40.880 --> 0:56:43.759
<v Speaker 1>they looked like, I bought it. I mean, it's like

0:56:43.760 --> 0:56:48.120
<v Speaker 1>where everyone's gonna be five, which is almost always going

0:56:48.160 --> 0:56:51.200
<v Speaker 1>to be true. It felt pretty I mean I also,

0:56:51.239 --> 0:56:53.200
<v Speaker 1>it's like none of us have been in high school

0:56:53.200 --> 0:56:54.239
<v Speaker 1>for a while, so I'm like, I don't know if

0:56:54.239 --> 0:56:57.200
<v Speaker 1>this is what high school looks like. Like they had

0:56:57.200 --> 0:57:00.239
<v Speaker 1>phones seems realistic to me, Like that was my bar

0:57:00.400 --> 0:57:03.120
<v Speaker 1>for like does this make sense? I'm like, yeah, everyone's

0:57:03.160 --> 0:57:06.960
<v Speaker 1>got fun, so clearly it's a high school. Another moment

0:57:07.000 --> 0:57:09.200
<v Speaker 1>I liked, and I think this is part of why

0:57:09.280 --> 0:57:12.839
<v Speaker 1>I think this movie feels a lot more realistic than

0:57:12.880 --> 0:57:16.600
<v Speaker 1>a lot of it's like Teen Predecessors, is that the

0:57:16.680 --> 0:57:21.080
<v Speaker 1>big romantic gesture that Martin tries to do is like

0:57:21.640 --> 0:57:23.360
<v Speaker 1>very similar to the thing that we see in like

0:57:23.400 --> 0:57:27.720
<v Speaker 1>Ten Things. Yeah, he should not of dancing across the

0:57:27.760 --> 0:57:31.960
<v Speaker 1>bleachers shouldn't work in that movie, though, does work to

0:57:32.040 --> 0:57:35.600
<v Speaker 1>win that character back over. So I like that we

0:57:35.720 --> 0:57:40.360
<v Speaker 1>see it not working. I'm imposing I'm imposing a moratorium

0:57:40.400 --> 0:57:43.320
<v Speaker 1>on big gestures. They're not done forever, but I just

0:57:43.360 --> 0:57:46.480
<v Speaker 1>need I just need a break. Sure, they're very aggressive,

0:57:47.320 --> 0:57:50.760
<v Speaker 1>they're big, Yeah they're huge. But I hate about them

0:57:50.800 --> 0:57:54.920
<v Speaker 1>is they're too big, and I crumble under pressure daily,

0:57:55.200 --> 0:57:58.960
<v Speaker 1>so it's putting a lot of pressure on the subject.

0:58:00.040 --> 0:58:04.480
<v Speaker 1>It's crazy. It's like because then it's like you could

0:58:04.480 --> 0:58:09.120
<v Speaker 1>do the most, like while you're performing this big thing

0:58:09.120 --> 0:58:11.680
<v Speaker 1>in the football game, and then literally all people will

0:58:11.760 --> 0:58:15.400
<v Speaker 1>remember is what the other person did to respond to him.

0:58:15.480 --> 0:58:17.680
<v Speaker 1>That's what it's all out to. So it's really like

0:58:17.880 --> 0:58:20.960
<v Speaker 1>you're defining their legacy in this moment. And I thought

0:58:20.960 --> 0:58:24.160
<v Speaker 1>it was great that Abby was honest with him without

0:58:24.480 --> 0:58:27.840
<v Speaker 1>you know, being like, you know, which would have been

0:58:28.280 --> 0:58:32.040
<v Speaker 1>a worst choice for that. It's so that whole thing

0:58:32.080 --> 0:58:33.960
<v Speaker 1>made me think, and I'm like, this is this is

0:58:34.000 --> 0:58:37.640
<v Speaker 1>probably about gender in some way where I've had multiple

0:58:37.800 --> 0:58:40.320
<v Speaker 1>conversations with like my friends from high school or my

0:58:40.320 --> 0:58:42.280
<v Speaker 1>friends from when I was younger that like, if something

0:58:42.320 --> 0:58:44.720
<v Speaker 1>like that ever happened, or if someone ever asked you

0:58:44.800 --> 0:58:46.959
<v Speaker 1>to marry them at a sports game, that we would

0:58:47.040 --> 0:58:49.680
<v Speaker 1>say yes so as not to humiliate them and then

0:58:49.800 --> 0:58:52.000
<v Speaker 1>later tell them, actually, I can't do that. That's what

0:58:52.040 --> 0:58:55.160
<v Speaker 1>I was protective. Yeah, I mean that was like, I

0:58:55.200 --> 0:58:56.920
<v Speaker 1>don't know why I've had this. Probably every time I

0:58:56.920 --> 0:58:59.120
<v Speaker 1>see a gesture like this, or you're out of sports

0:58:59.120 --> 0:59:02.080
<v Speaker 1>game and it happened, You're like, even if I knew

0:59:02.120 --> 0:59:03.920
<v Speaker 1>the answer is no, I would say yes to protect

0:59:03.920 --> 0:59:08.440
<v Speaker 1>his feelings and then later be like, don't do big gestures. Literally,

0:59:08.480 --> 0:59:10.560
<v Speaker 1>what would actually happen if this were to happen in

0:59:10.680 --> 0:59:13.000
<v Speaker 1>high school is everyone in there would be losing their

0:59:13.040 --> 0:59:16.000
<v Speaker 1>ship laughing, and then the girl would probably be like,

0:59:16.040 --> 0:59:18.840
<v Speaker 1>oh my god, stop and she probably would like run out,

0:59:18.880 --> 0:59:20.400
<v Speaker 1>like at least this is the way it would happen

0:59:20.440 --> 0:59:22.640
<v Speaker 1>in my high school, so you would run away. But

0:59:22.880 --> 0:59:26.520
<v Speaker 1>my assessment of this moment is kids are not this mature,

0:59:27.120 --> 0:59:28.880
<v Speaker 1>Like she's not just going to measurably sit there and

0:59:28.960 --> 0:59:32.120
<v Speaker 1>be like, I'm so sorry, but I just don't think

0:59:32.160 --> 0:59:35.080
<v Speaker 1>of you like this, but I would like to be friends.

0:59:35.320 --> 0:59:37.840
<v Speaker 1>Like no, no one's doing And that's the moment everyone's like,

0:59:37.880 --> 0:59:41.240
<v Speaker 1>she's twenty seven, Oh my god, why is she here?

0:59:41.560 --> 0:59:43.600
<v Speaker 1>I don't know. I feel like teens this day might

0:59:44.040 --> 0:59:47.120
<v Speaker 1>might have done that. I don't know. It is okay

0:59:47.200 --> 0:59:49.600
<v Speaker 1>for me. I thought it was a good aspirational scene

0:59:49.600 --> 0:59:53.400
<v Speaker 1>of like, okay, best case scenario for everyone involved. That

0:59:53.640 --> 0:59:57.439
<v Speaker 1>is a cool way to handle it. But they sort

0:59:57.440 --> 1:00:01.240
<v Speaker 1>of lightly touch on how Martin becomes target of bullying

1:00:01.280 --> 1:00:03.480
<v Speaker 1>after that, and there's just like a bunch of shitty

1:00:03.520 --> 1:00:07.560
<v Speaker 1>memes about like shut down or like whatever. But I

1:00:07.600 --> 1:00:11.040
<v Speaker 1>think I think realistically Abby would also be the target

1:00:11.560 --> 1:00:14.640
<v Speaker 1>of some harassment based on that of like you fucking

1:00:14.680 --> 1:00:18.080
<v Speaker 1>humiliated him, which is I think we're that whole mentality

1:00:18.120 --> 1:00:20.960
<v Speaker 1>of like I would say yes even if that's not

1:00:21.000 --> 1:00:24.280
<v Speaker 1>how I felt comes from of like you shouldn't humiliate

1:00:24.360 --> 1:00:26.400
<v Speaker 1>someone in public, even if they're putting you on the

1:00:26.440 --> 1:00:30.080
<v Speaker 1>spot by Yeah. Here's a few other scenes that I

1:00:30.120 --> 1:00:35.479
<v Speaker 1>really liked the hetero coming out montage where Simon's talking

1:00:35.480 --> 1:00:38.040
<v Speaker 1>about like why is the onus on queer people to

1:00:38.160 --> 1:00:40.880
<v Speaker 1>have to come out? Like why can't straight people like

1:00:41.000 --> 1:00:44.240
<v Speaker 1>you know this unfair societal expectation that's set up in

1:00:44.360 --> 1:00:47.600
<v Speaker 1>some great parent acting in that in that a little bit,

1:00:48.480 --> 1:00:50.040
<v Speaker 1>and then we already touched on this a little bit,

1:00:50.040 --> 1:00:53.120
<v Speaker 1>but the scene where miss Albright is like yelling at

1:00:53.160 --> 1:00:58.439
<v Speaker 1>the homophobic bully kids, that just energized to me for

1:00:59.160 --> 1:01:04.120
<v Speaker 1>that was that was necessary. We love that character. And

1:01:04.160 --> 1:01:09.200
<v Speaker 1>then she went all the way and yes, into infamy.

1:01:09.880 --> 1:01:12.640
<v Speaker 1>And then I also really liked the scene where Simon

1:01:12.720 --> 1:01:15.640
<v Speaker 1>yells at Martin for outing him because he's saying stuff

1:01:15.720 --> 1:01:19.080
<v Speaker 1>like you took everything away from me in terms of

1:01:19.120 --> 1:01:22.240
<v Speaker 1>like I get to Yeah, it's like I get to

1:01:22.720 --> 1:01:25.360
<v Speaker 1>this should have been on my terms, how I do it,

1:01:25.400 --> 1:01:27.320
<v Speaker 1>when I do it, to whom I do it, etcetera,

1:01:27.440 --> 1:01:32.640
<v Speaker 1>And you took that away from me. And Martin, I

1:01:33.560 --> 1:01:36.600
<v Speaker 1>mean that character is really well written. I think we

1:01:36.640 --> 1:01:40.880
<v Speaker 1>all hate him rightfully so, but but I was just like,

1:01:40.920 --> 1:01:42.480
<v Speaker 1>oh my god, he's going to log into the in

1:01:42.600 --> 1:01:47.120
<v Speaker 1>cell board and then we're fucking screwed. Martin is the

1:01:47.200 --> 1:01:50.760
<v Speaker 1>type in cells have bora posters. It's proof, It's just

1:01:50.840 --> 1:01:55.920
<v Speaker 1>proof positive. I also like a large part of the

1:01:55.960 --> 1:02:00.720
<v Speaker 1>movie is seeing a lot of like male vulnerable. Okay,

1:02:00.720 --> 1:02:02.720
<v Speaker 1>so here's the thing. There's there's not that much to

1:02:02.760 --> 1:02:05.840
<v Speaker 1>talk about in terms of the representation of women in

1:02:05.880 --> 1:02:09.920
<v Speaker 1>this movie, which makes sense because it's a movie about

1:02:09.960 --> 1:02:19.280
<v Speaker 1>a gay it's not called Love Alexis Rebecca Simon, So

1:02:20.040 --> 1:02:22.240
<v Speaker 1>there's not a whole lot for us to talk about

1:02:22.360 --> 1:02:25.200
<v Speaker 1>in those terms. But the things that I think are

1:02:25.200 --> 1:02:30.640
<v Speaker 1>worth talking about are like the idea of masculinity, and

1:02:31.200 --> 1:02:37.120
<v Speaker 1>you know it does right, I am not sure. Yeah,

1:02:37.480 --> 1:02:39.960
<v Speaker 1>it's so weird because I'm so taken in by this

1:02:40.000 --> 1:02:41.920
<v Speaker 1>movie that I wasn't paying as close attention that they

1:02:41.920 --> 1:02:44.480
<v Speaker 1>should have it did call attention to the fact, I'm like,

1:02:44.520 --> 1:02:48.439
<v Speaker 1>why aren't Leah and Abbey remotely friends for people who

1:02:48.440 --> 1:02:52.200
<v Speaker 1>seem to be together of the time, they don't speak,

1:02:52.200 --> 1:02:54.520
<v Speaker 1>we don't know. That was like one thing that bothered

1:02:54.560 --> 1:02:57.520
<v Speaker 1>me about Abby's character in the way it was written

1:02:57.880 --> 1:03:00.680
<v Speaker 1>was that as much as we know she's like, well rounded,

1:03:00.720 --> 1:03:04.840
<v Speaker 1>she's a great person and also hot, she they like

1:03:04.920 --> 1:03:07.240
<v Speaker 1>they do sort of like guys gal her a little

1:03:07.280 --> 1:03:09.439
<v Speaker 1>bit because she has no female friends that we see.

1:03:09.480 --> 1:03:12.400
<v Speaker 1>Even though she's around, She and Lea around or anything,

1:03:13.040 --> 1:03:16.160
<v Speaker 1>hardly see them interact. Yes, yeah, which I know is like,

1:03:16.240 --> 1:03:17.880
<v Speaker 1>I mean, that's not going to happen in this movie.

1:03:17.880 --> 1:03:20.560
<v Speaker 1>It's not their movie. But I mean it was just

1:03:20.600 --> 1:03:26.120
<v Speaker 1>weird a little bit more of them interacting. Not the

1:03:26.160 --> 1:03:29.440
<v Speaker 1>worst thing to ever happen, but real quick about like

1:03:29.960 --> 1:03:35.080
<v Speaker 1>male vulnerability that we see which we often don't see

1:03:35.400 --> 1:03:38.640
<v Speaker 1>in most movies. Well, first of all, like Simon, the

1:03:38.640 --> 1:03:43.680
<v Speaker 1>whole story revolves around him not being secure enough in

1:03:43.800 --> 1:03:47.880
<v Speaker 1>his sexual identity to come out. We see like Nick

1:03:48.080 --> 1:03:51.880
<v Speaker 1>being insecure about his like sexual inexperience. He's like, you know,

1:03:51.920 --> 1:03:55.520
<v Speaker 1>I've only had sex with one time, right, Things were

1:03:55.520 --> 1:03:57.800
<v Speaker 1>slipper United didn't put my dick in the right place,

1:03:57.840 --> 1:04:01.720
<v Speaker 1>and I'm insecure, but it was cute. I really liked that.

1:04:02.160 --> 1:04:05.280
<v Speaker 1>And then here's something that rubbed me the wrong way

1:04:05.280 --> 1:04:09.400
<v Speaker 1>a little bit where Martin, as he's seeking help from Simon,

1:04:10.200 --> 1:04:12.760
<v Speaker 1>say something like, I don't want your help changing me.

1:04:12.840 --> 1:04:15.400
<v Speaker 1>I want your help getting Abby to like me for me,

1:04:15.480 --> 1:04:19.400
<v Speaker 1>which I think is an important thing to happen, but

1:04:19.560 --> 1:04:22.680
<v Speaker 1>I hate that it comes from this character who were

1:04:22.720 --> 1:04:26.120
<v Speaker 1>meant to hate and who is wrong every other time

1:04:26.520 --> 1:04:30.880
<v Speaker 1>in the movie. I wish we had seen It's almost

1:04:30.920 --> 1:04:35.000
<v Speaker 1>like the movie didn't decide if who that kid really was,

1:04:35.440 --> 1:04:38.360
<v Speaker 1>Like was he just annoying and like he's a good

1:04:38.400 --> 1:04:40.760
<v Speaker 1>person at heart but he's annoying, or is he like

1:04:40.840 --> 1:04:45.560
<v Speaker 1>chaotic evil He's like a vicious blackmailer who is blackmailing

1:04:45.640 --> 1:04:47.680
<v Speaker 1>and you're supposed to feel bad for him. At certain

1:04:47.720 --> 1:04:49.880
<v Speaker 1>points where it does feel a little I don't know

1:04:49.920 --> 1:04:52.400
<v Speaker 1>this whole movie, and it's like it is what it is,

1:04:52.480 --> 1:04:54.320
<v Speaker 1>kind of like what you're saying, but there are elements

1:04:54.320 --> 1:04:56.320
<v Speaker 1>of it. I'm like, this is very focused groups to

1:04:56.520 --> 1:04:58.280
<v Speaker 1>the point where I'm like, I'm not sure exactly who

1:04:58.280 --> 1:05:00.360
<v Speaker 1>you're supposed to be that's what it is. It just

1:05:00.400 --> 1:05:02.720
<v Speaker 1>feels like it was trying to be too many things

1:05:02.720 --> 1:05:04.920
<v Speaker 1>for two different people, and it's like, I don't know,

1:05:05.240 --> 1:05:08.120
<v Speaker 1>maybe the villain could have just been a villain, Like

1:05:08.400 --> 1:05:11.520
<v Speaker 1>that's fine, he's irridamable, great, but like, don't make him

1:05:11.560 --> 1:05:16.520
<v Speaker 1>this sympathetic, like, oh, he didn't mean to out you

1:05:16.560 --> 1:05:19.360
<v Speaker 1>and funk your life up. It's like, No, the whole

1:05:19.400 --> 1:05:22.120
<v Speaker 1>four dollars thing at the end, I'm like, that's not

1:05:22.280 --> 1:05:25.880
<v Speaker 1>a redemption. He doesn't need sounds horrible, Like if you

1:05:25.880 --> 1:05:29.040
<v Speaker 1>want to make arrangements for Butt six, you know emails

1:05:29.360 --> 1:05:34.080
<v Speaker 1>like yeah, God, does anyone have any other thoughts about

1:05:34.080 --> 1:05:36.840
<v Speaker 1>the movie? I would say that I'm going to shout

1:05:36.840 --> 1:05:39.720
<v Speaker 1>out the soundtrack again. The sounds gave me everything I love.

1:05:39.800 --> 1:05:42.440
<v Speaker 1>It's like late eighties early nineties throwbacks down. I love

1:05:42.520 --> 1:05:45.480
<v Speaker 1>that song wild Heart. I love that song Strawberries and

1:05:45.520 --> 1:05:48.920
<v Speaker 1>Cigarettes that Troy Sevan does on the soundtrack. It's really good.

1:05:49.280 --> 1:05:53.440
<v Speaker 1>It's very evocative. It seems like they're almost like referencing

1:05:53.560 --> 1:05:58.480
<v Speaker 1>John Hughes. But yeah, by doing that a brave observation

1:05:58.520 --> 1:06:00.560
<v Speaker 1>by me, Jamie that I'm sure. And it was one

1:06:00.600 --> 1:06:03.680
<v Speaker 1>of those movies where it was like maybe made maybe

1:06:03.720 --> 1:06:05.600
<v Speaker 1>twice as good of a movie as that actually is.

1:06:05.840 --> 1:06:08.920
<v Speaker 1>With the music. Oh yeah, I thought it actually like

1:06:09.080 --> 1:06:12.880
<v Speaker 1>really served like an atmospheric purpose, which is what it

1:06:12.880 --> 1:06:19.640
<v Speaker 1>should do. Wow. I think Alfred Willina could have played Simon. Sure, Honestly,

1:06:19.680 --> 1:06:21.560
<v Speaker 1>I think they could really strategy make a sixteen year

1:06:21.560 --> 1:06:24.880
<v Speaker 1>old man play a queer teenager. Now that his progress,

1:06:25.960 --> 1:06:27.919
<v Speaker 1>it's so funny to even think about Simon as being

1:06:27.960 --> 1:06:31.000
<v Speaker 1>queer because he's just so straight the whole time. Well okay,

1:06:31.000 --> 1:06:34.520
<v Speaker 1>stylized completely straight. That is one thing I wanted to

1:06:34.520 --> 1:06:36.720
<v Speaker 1>touch on because we talked a little bit about this.

1:06:37.000 --> 1:06:40.200
<v Speaker 1>Another criticism around this, Yeah, well he's just like, you know,

1:06:40.480 --> 1:06:45.320
<v Speaker 1>he's the definition of walking the world and with complete privilege.

1:06:45.440 --> 1:06:48.480
<v Speaker 1>I mean, he doesn't even need to code switch. That's

1:06:48.480 --> 1:06:53.200
<v Speaker 1>just who is who he is, like to play Devil's advocate.

1:06:53.240 --> 1:06:56.600
<v Speaker 1>And again I'm coming from a place of not being

1:06:56.800 --> 1:07:02.840
<v Speaker 1>a gay man. Uh, it needed to be said, Caitlin.

1:07:03.040 --> 1:07:05.320
<v Speaker 1>I know that people have been wondering that I've been

1:07:07.880 --> 1:07:10.240
<v Speaker 1>am I blue? Was I blue? I don't know? Maybe

1:07:10.280 --> 1:07:13.160
<v Speaker 1>I anyway, So we talked a little bit about this

1:07:13.160 --> 1:07:16.600
<v Speaker 1>on their recent DEBS episode. But in that episode, I

1:07:16.640 --> 1:07:21.040
<v Speaker 1>appreciated that because any time like a lesbian is portrayed

1:07:21.080 --> 1:07:27.280
<v Speaker 1>in a mainstream movie, usually it is someone who presents

1:07:27.320 --> 1:07:30.800
<v Speaker 1>as very butch. You know, they're they're made to adhere

1:07:30.840 --> 1:07:35.240
<v Speaker 1>to these like rigid stereotypes. And similarly, when gay men

1:07:35.320 --> 1:07:39.680
<v Speaker 1>are portrayed in mainstream movies, they're usually presented in such

1:07:39.720 --> 1:07:43.520
<v Speaker 1>a way that they're very flamboyant, because I think Hollywood's like, well,

1:07:43.520 --> 1:07:46.760
<v Speaker 1>how will anyone know they're gay unless we make them

1:07:46.920 --> 1:07:50.080
<v Speaker 1>so flamboyant. Here's what I would say about it. It's like,

1:07:50.200 --> 1:07:52.520
<v Speaker 1>you're damned if you do, and you're damned if you don't.

1:07:52.600 --> 1:07:56.320
<v Speaker 1>Because if you depict the kid as being more gay

1:07:56.360 --> 1:08:00.240
<v Speaker 1>acting quote unquote right, then you get a bunch of

1:08:00.240 --> 1:08:03.280
<v Speaker 1>people that are like, well, there we are again depicted

1:08:03.360 --> 1:08:06.040
<v Speaker 1>as being this way. And then if you depict the

1:08:06.120 --> 1:08:09.320
<v Speaker 1>kids being very straight acting, especially when he's played by

1:08:09.320 --> 1:08:11.840
<v Speaker 1>a straight actor in real life, you get this thing

1:08:11.880 --> 1:08:14.440
<v Speaker 1>of like that feels like a raiser. But there are

1:08:14.480 --> 1:08:17.519
<v Speaker 1>tons of gay men that act like simon, lots of

1:08:17.520 --> 1:08:20.559
<v Speaker 1>gay men I wore masculine. It's hard to find a balance,

1:08:20.560 --> 1:08:23.200
<v Speaker 1>and I think it speaks to it speaks less to

1:08:24.040 --> 1:08:26.640
<v Speaker 1>what these individual films are doing, and more to the

1:08:26.680 --> 1:08:29.599
<v Speaker 1>fact that there just isn't and hasn't ever been enough

1:08:29.600 --> 1:08:34.080
<v Speaker 1>representation period because every single time one character comes out,

1:08:34.400 --> 1:08:36.760
<v Speaker 1>we put all the weight in the world on it. Like,

1:08:36.840 --> 1:08:39.160
<v Speaker 1>for example, when I was growing up and there was

1:08:39.200 --> 1:08:41.920
<v Speaker 1>Will and Grace, it was like, are you a Will

1:08:42.080 --> 1:08:44.800
<v Speaker 1>or a Jack? And we didn't know what it was

1:08:44.840 --> 1:08:47.439
<v Speaker 1>like to be anything else, So it was either you

1:08:47.960 --> 1:08:50.760
<v Speaker 1>are really straight, acting to where you would never know

1:08:50.960 --> 1:08:53.720
<v Speaker 1>and you even even the people that you date are

1:08:53.800 --> 1:08:56.800
<v Speaker 1>like really even more straight acting like cops. I don't

1:08:56.800 --> 1:08:59.880
<v Speaker 1>know if you remember Will's boyfriend played by Bobby kind

1:08:59.880 --> 1:09:03.160
<v Speaker 1>of Ali, who was like this like super butch cop

1:09:04.080 --> 1:09:08.320
<v Speaker 1>or your Jack, who essentially is a like a joke,

1:09:08.920 --> 1:09:14.240
<v Speaker 1>you know what I mean, Like he was abroad sweeping stereotype.

1:09:14.600 --> 1:09:17.679
<v Speaker 1>So I think as a result of that, it's hard

1:09:17.960 --> 1:09:20.800
<v Speaker 1>to gauge like whether or not this movie made a

1:09:20.840 --> 1:09:24.920
<v Speaker 1>mistake or not, because like there just isn't enough representation,

1:09:25.000 --> 1:09:27.000
<v Speaker 1>and you can't say that people aren't out there and

1:09:27.000 --> 1:09:29.400
<v Speaker 1>are gay and they act like that, because they do.

1:09:29.600 --> 1:09:32.479
<v Speaker 1>There's a whole spectrum as it turns out. I don't know,

1:09:32.640 --> 1:09:34.680
<v Speaker 1>I think, like this is weird to say, but like

1:09:34.720 --> 1:09:37.040
<v Speaker 1>as someone who sort of identifies as being somewhere in

1:09:37.120 --> 1:09:39.479
<v Speaker 1>the middle. When I want to turn it on, I

1:09:39.520 --> 1:09:43.120
<v Speaker 1>can be very flamboyant, and then the way I'm speaking

1:09:43.160 --> 1:09:44.960
<v Speaker 1>to you guys right now, you know, I don't know

1:09:45.040 --> 1:09:48.439
<v Speaker 1>if someone would quote unquote no, it's just hard because

1:09:48.479 --> 1:09:52.200
<v Speaker 1>like we can't see ourselves. All we see are like

1:09:52.400 --> 1:09:55.280
<v Speaker 1>each other, and then depictions of ourselves in media, and

1:09:55.320 --> 1:09:57.439
<v Speaker 1>we're just not up there that much. So I think,

1:09:57.479 --> 1:10:00.559
<v Speaker 1>like I don't necessarily have too much of a problem

1:09:59.840 --> 1:10:04.400
<v Speaker 1>with with this particular movie in that regard. Maybe maybe

1:10:04.439 --> 1:10:06.120
<v Speaker 1>maybe there's something to the fact that they have a

1:10:06.160 --> 1:10:09.559
<v Speaker 1>straight actor playing him. Yes, which is like a case

1:10:09.600 --> 1:10:13.000
<v Speaker 1>by case it always feels tough. Yeah, I was gonna

1:10:13.000 --> 1:10:15.400
<v Speaker 1>ask how you felt about well, because I'll say this, like,

1:10:16.400 --> 1:10:18.880
<v Speaker 1>for example, for the auditions that I go on, it's

1:10:18.880 --> 1:10:21.720
<v Speaker 1>hard because a lot of the characters are just like stereotypes,

1:10:21.800 --> 1:10:25.080
<v Speaker 1>like and you can feel them trying on the page

1:10:25.120 --> 1:10:27.679
<v Speaker 1>to not make it like that, like in the breakdown,

1:10:27.680 --> 1:10:30.479
<v Speaker 1>it won't be like gay and he knows it. You know,

1:10:30.600 --> 1:10:33.960
<v Speaker 1>he wears a fucking crazy scarf. He loves to wave

1:10:34.080 --> 1:10:37.439
<v Speaker 1>his finger. It's not like that. But it's like whenever

1:10:37.479 --> 1:10:41.000
<v Speaker 1>anyone writes girl comma in any line, it's like, Okay,

1:10:41.040 --> 1:10:43.519
<v Speaker 1>you try too hard, you know what I mean. But

1:10:43.680 --> 1:10:46.120
<v Speaker 1>it's at least interesting and at least good to see

1:10:46.120 --> 1:10:49.400
<v Speaker 1>them trying. But I don't think we're ever going to

1:10:49.479 --> 1:10:52.600
<v Speaker 1>get to the point where we're where we're not precious

1:10:52.640 --> 1:10:55.479
<v Speaker 1>about each and every character depiction up there until we

1:10:55.560 --> 1:11:00.200
<v Speaker 1>see more. And unfortunately, like I'm not being offered to

1:11:00.280 --> 1:11:02.800
<v Speaker 1>play a lot of straight parts, and I don't know

1:11:02.840 --> 1:11:04.920
<v Speaker 1>a lot of gay actors that are out there openly

1:11:04.960 --> 1:11:08.680
<v Speaker 1>gay who are just routinely booking straight roles. So when

1:11:08.720 --> 1:11:13.280
<v Speaker 1>it feels like the vice versa is true, often it's

1:11:13.320 --> 1:11:16.880
<v Speaker 1>frustrating because there's tons of gay actors out there that

1:11:16.920 --> 1:11:20.040
<v Speaker 1>are just as talented as these straight guys. And yet

1:11:20.280 --> 1:11:25.560
<v Speaker 1>Heath Ledger and Jake Jillen Hall, allegedly straight actors um

1:11:25.600 --> 1:11:29.879
<v Speaker 1>performing and broke Back Mountain like the seminal gay romance

1:11:29.920 --> 1:11:32.800
<v Speaker 1>of our time, and then to see that continue to

1:11:32.840 --> 1:11:35.240
<v Speaker 1>do that as an eighteen and like Love Simon is

1:11:35.280 --> 1:11:38.639
<v Speaker 1>like the gay mainstream movie and Nick Robinson is playing

1:11:38.640 --> 1:11:40.800
<v Speaker 1>it and he's straight. I'm not saying they all didn't

1:11:40.800 --> 1:11:44.880
<v Speaker 1>do a great job. It's just about representation. Yeah, and

1:11:44.880 --> 1:11:47.680
<v Speaker 1>and the fact that I mean this, I believe that

1:11:47.720 --> 1:11:50.320
<v Speaker 1>this was adapted by and originally written by, like it

1:11:50.360 --> 1:11:53.120
<v Speaker 1>was written by top to bottom straight people. Yeah, the

1:11:53.160 --> 1:11:57.599
<v Speaker 1>director Greg Berlante is gay, so there's that. But like

1:11:57.640 --> 1:12:00.320
<v Speaker 1>you said with the focus group comment, you know this

1:12:00.400 --> 1:12:02.799
<v Speaker 1>was filtered through a straight line that this is essentially

1:12:02.800 --> 1:12:06.120
<v Speaker 1>the Abbey of like of like you know, it's like

1:12:06.280 --> 1:12:10.599
<v Speaker 1>a gay thing for straight people. Um, so it just

1:12:10.600 --> 1:12:17.000
<v Speaker 1>feels like that's even named abbey. I was surprised to

1:12:17.120 --> 1:12:20.280
<v Speaker 1>learn the novel that this movie is based on was

1:12:20.320 --> 1:12:23.880
<v Speaker 1>written by a woman I thought for sure a gay man,

1:12:24.240 --> 1:12:27.519
<v Speaker 1>but it was written by a straight lady, which is like, yeah,

1:12:27.640 --> 1:12:29.599
<v Speaker 1>I mean with with stories like that, it's so hard

1:12:29.680 --> 1:12:31.479
<v Speaker 1>to find a story, and I think it does speak

1:12:31.520 --> 1:12:34.120
<v Speaker 1>to like the amount of pressure that is put on

1:12:34.280 --> 1:12:36.680
<v Speaker 1>queer stories because there's just not enough of them. But

1:12:36.720 --> 1:12:39.599
<v Speaker 1>it's like, I feel like you can always trace it

1:12:39.640 --> 1:12:46.479
<v Speaker 1>back to a pretty heteronormative source, which is just when

1:12:46.560 --> 1:12:50.360
<v Speaker 1>you actually lived that experience. Okay, So I really very

1:12:50.400 --> 1:12:53.000
<v Speaker 1>closely almost went through this exact experience, like I wasn't

1:12:53.000 --> 1:12:55.320
<v Speaker 1>out it in high school. But like the way that

1:12:55.360 --> 1:12:58.839
<v Speaker 1>he goes about his life the interest he like claims

1:12:58.880 --> 1:13:01.640
<v Speaker 1>to have, Like I didn't not see myself in it,

1:13:01.880 --> 1:13:03.400
<v Speaker 1>and so that's why I was a little bit sensitive

1:13:03.439 --> 1:13:07.000
<v Speaker 1>to the criticism. But yet now having like time with

1:13:07.080 --> 1:13:11.240
<v Speaker 1>the movie, I can see the criticism you wish because

1:13:11.320 --> 1:13:14.080
<v Speaker 1>it really got it, really was there. You wish it

1:13:14.120 --> 1:13:16.200
<v Speaker 1>had really gotten it, you know what I mean. And

1:13:16.600 --> 1:13:19.400
<v Speaker 1>I do think with like maybe three or four more

1:13:19.479 --> 1:13:23.240
<v Speaker 1>like gay creatives in high positions there, or like maybe

1:13:23.280 --> 1:13:26.439
<v Speaker 1>even a gay actor, like just a suggestion could have

1:13:26.479 --> 1:13:29.240
<v Speaker 1>been made of like I feel like he's too upset here,

1:13:29.320 --> 1:13:31.320
<v Speaker 1>or he's not upset enough here, you know what I mean.

1:13:31.360 --> 1:13:34.240
<v Speaker 1>Like there was some specific emotional movement moments where I

1:13:34.280 --> 1:13:38.160
<v Speaker 1>was like watching him act the situation and I was like,

1:13:38.479 --> 1:13:42.320
<v Speaker 1>it's so specifically something else, you know what I mean,

1:13:42.320 --> 1:13:44.559
<v Speaker 1>just as an actor watching and I was like, this

1:13:44.640 --> 1:13:48.519
<v Speaker 1>is all on the page, but you're not getting it

1:13:48.640 --> 1:13:51.320
<v Speaker 1>right now, or just like or like you're getting it

1:13:51.439 --> 1:13:53.639
<v Speaker 1>right now, but the script isn't allowing you to say

1:13:53.680 --> 1:13:55.680
<v Speaker 1>what it really is. Like there was a couple of

1:13:55.720 --> 1:13:58.479
<v Speaker 1>times where it all came together, like him saying like

1:13:58.760 --> 1:14:01.080
<v Speaker 1>this was my thing to do and you took that

1:14:01.160 --> 1:14:03.800
<v Speaker 1>from me. That's really good, you know what I mean.

1:14:03.840 --> 1:14:06.040
<v Speaker 1>That was like right there, But then there was like

1:14:06.560 --> 1:14:09.040
<v Speaker 1>moments like with the dad and the mom where I

1:14:09.080 --> 1:14:12.080
<v Speaker 1>just felt like more emotional response was needed, or just

1:14:12.160 --> 1:14:14.439
<v Speaker 1>like little tiny things like where it just didn't feel

1:14:14.479 --> 1:14:16.920
<v Speaker 1>measured in the right way, where I was like, chemically,

1:14:17.000 --> 1:14:19.400
<v Speaker 1>I think that this actor just maybe is just not

1:14:19.800 --> 1:14:23.360
<v Speaker 1>capable of acting this scenario. But I found him very

1:14:23.360 --> 1:14:28.840
<v Speaker 1>appealing overall. So focus group wise, for everyone, the movie

1:14:28.880 --> 1:14:32.200
<v Speaker 1>works for me who went to the specific experience and

1:14:32.240 --> 1:14:35.320
<v Speaker 1>it is a specific experience and should be treated as such.

1:14:35.720 --> 1:14:37.800
<v Speaker 1>I could just see the little things that weren't right,

1:14:38.240 --> 1:14:40.719
<v Speaker 1>So so it's like, yes, I'm I happy the movie exists.

1:14:42.040 --> 1:14:45.000
<v Speaker 1>Is it like a fucking Grand Slam home run to me? No,

1:14:45.320 --> 1:14:47.559
<v Speaker 1>because it wasn't as specific as it should have been,

1:14:47.600 --> 1:14:49.800
<v Speaker 1>which is the point I made before about like that's

1:14:49.800 --> 1:14:51.679
<v Speaker 1>when you really get at the heart of these things

1:14:51.920 --> 1:14:55.679
<v Speaker 1>and move people, is when you actually get specific. Because

1:14:55.720 --> 1:14:58.240
<v Speaker 1>I was more moved by Precious than I was by

1:14:58.320 --> 1:15:01.000
<v Speaker 1>Love Simon, and I didn't I I'm not. I didn't

1:15:01.000 --> 1:15:02.720
<v Speaker 1>go through that, you know what I mean. But I

1:15:02.720 --> 1:15:06.640
<v Speaker 1>can appreciate the specificity and the attention to detail that

1:15:06.680 --> 1:15:09.799
<v Speaker 1>goes into something like that, whereas this was like, Okay,

1:15:09.840 --> 1:15:11.519
<v Speaker 1>you made you made a movie that tried to make

1:15:11.560 --> 1:15:13.479
<v Speaker 1>a lot of money and make straight people happy and

1:15:13.520 --> 1:15:16.599
<v Speaker 1>make them feel good for seeing it, which I am

1:15:16.640 --> 1:15:20.280
<v Speaker 1>guilty of, but but you should feel like that. It

1:15:20.280 --> 1:15:23.400
<v Speaker 1>should make people feel good. Yeah, I mean, it's there's

1:15:23.439 --> 1:15:27.719
<v Speaker 1>so many double I don't know. Yeah, with with this, yeah,

1:15:27.760 --> 1:15:29.439
<v Speaker 1>it's a tough one. And it all comes down to,

1:15:29.520 --> 1:15:32.040
<v Speaker 1>like I said before, they're just not being enough. So

1:15:32.080 --> 1:15:34.040
<v Speaker 1>this is the first one, and I'm happy it was

1:15:34.080 --> 1:15:37.240
<v Speaker 1>the first one, but because you know what, you get

1:15:37.280 --> 1:15:39.439
<v Speaker 1>into like a lot of the nitty gritty about like

1:15:39.479 --> 1:15:41.760
<v Speaker 1>what actually goes down in Ethan Ethan's life, and then

1:15:41.880 --> 1:15:44.360
<v Speaker 1>it is a sad movie, you know what I mean.

1:15:45.000 --> 1:15:47.400
<v Speaker 1>But I do think like this movie opens the door

1:15:47.520 --> 1:15:51.080
<v Speaker 1>up to this conversation, and therefore, because this conversation exists,

1:15:51.479 --> 1:15:53.640
<v Speaker 1>that movie is more likely to be seen. And I

1:15:53.640 --> 1:15:55.559
<v Speaker 1>do think our I should be open to the reality

1:15:55.600 --> 1:15:57.280
<v Speaker 1>of what it's like to be a queer person of color.

1:15:57.360 --> 1:16:00.559
<v Speaker 1>I don't think it is like and so you know,

1:16:00.600 --> 1:16:02.679
<v Speaker 1>it's even been eye opening for me in the last

1:16:02.760 --> 1:16:06.840
<v Speaker 1>few years, Like in my late twenties, I'm much much

1:16:06.920 --> 1:16:09.719
<v Speaker 1>closer with my close friends that are gay and also

1:16:09.760 --> 1:16:12.280
<v Speaker 1>people of color, and it's just like, you know, the

1:16:12.320 --> 1:16:15.680
<v Speaker 1>sexual realities of that, the romantic realities of that, the

1:16:15.800 --> 1:16:18.840
<v Speaker 1>social realities of that, the the realities of that in

1:16:18.920 --> 1:16:22.160
<v Speaker 1>terms of online dating, in terms of useach of the apps,

1:16:22.200 --> 1:16:25.799
<v Speaker 1>it's like very dark and I we haven't even touched

1:16:25.800 --> 1:16:30.840
<v Speaker 1>on it. My best friend is a gay man. Brag

1:16:34.439 --> 1:16:38.000
<v Speaker 1>is no, he just bought a house. He purchased with

1:16:39.000 --> 1:16:46.400
<v Speaker 1>the house um. But when he was single and on Grinder,

1:16:46.600 --> 1:16:51.360
<v Speaker 1>he would show me all these profiles of white guys

1:16:51.400 --> 1:16:55.280
<v Speaker 1>being like no blacks, no fats, no Asians, is the

1:16:55.320 --> 1:16:58.160
<v Speaker 1>popular mask only, like all that kind of stuff, And

1:16:58.200 --> 1:17:01.560
<v Speaker 1>I was like, wow, there's still a lot of discrimination

1:17:01.640 --> 1:17:06.559
<v Speaker 1>within a community that is marginalized and being repressed. So

1:17:06.720 --> 1:17:11.000
<v Speaker 1>that that's the disease amongst especially white gaze is you know,

1:17:11.320 --> 1:17:15.600
<v Speaker 1>they have this narrative in their heads. We have this

1:17:15.760 --> 1:17:21.120
<v Speaker 1>narrative in our heads of we've been oppressed. We think

1:17:21.160 --> 1:17:24.439
<v Speaker 1>it might be as painful or equal to anyone else

1:17:24.479 --> 1:17:27.920
<v Speaker 1>who's been oppressed. And then when we do overcome that

1:17:28.000 --> 1:17:31.840
<v Speaker 1>quote unquote oppression um, which most of us do in

1:17:31.920 --> 1:17:38.280
<v Speaker 1>our teens or early twenties, we then feel entitled to saying, well,

1:17:38.320 --> 1:17:40.640
<v Speaker 1>I've been through enough, now I'm allowed to have my

1:17:40.720 --> 1:17:45.200
<v Speaker 1>quote unquote preferences. And so a lot of people aren't

1:17:45.240 --> 1:17:47.519
<v Speaker 1>ready to reckon with the fact that, like they have

1:17:47.680 --> 1:17:51.120
<v Speaker 1>racism in them just because you've been oppressed in terms

1:17:51.120 --> 1:17:55.280
<v Speaker 1>of a society like that that you're a sexual minority

1:17:55.360 --> 1:17:58.720
<v Speaker 1>or your your sexual preferences are keep you in the minority.

1:17:58.880 --> 1:18:02.800
<v Speaker 1>Like they think the they're like better than racism, they

1:18:02.880 --> 1:18:07.800
<v Speaker 1>think that they're immune to it. Yeah, it festers, and

1:18:07.880 --> 1:18:10.240
<v Speaker 1>of course, I mean we like with white feminism, you

1:18:10.240 --> 1:18:12.360
<v Speaker 1>know what I mean, Like it just doesn't include everyone.

1:18:12.880 --> 1:18:15.880
<v Speaker 1>And so then you're on these apps and you think

1:18:15.880 --> 1:18:19.200
<v Speaker 1>to yourself, like we should be the last people where

1:18:19.240 --> 1:18:23.960
<v Speaker 1>this is like thriving. But like you can walk in

1:18:24.000 --> 1:18:27.240
<v Speaker 1>the streets and not hear something racist. If you go

1:18:27.280 --> 1:18:30.960
<v Speaker 1>on these apps, you will see something racist, you will,

1:18:31.080 --> 1:18:34.200
<v Speaker 1>I mean. And then there's all the like transphobia within

1:18:34.600 --> 1:18:38.320
<v Speaker 1>the queer community. You know, there's all kinds of like

1:18:38.520 --> 1:18:43.360
<v Speaker 1>you know, discrimination within these communities. And it feels like

1:18:43.880 --> 1:18:47.200
<v Speaker 1>we're making strides, feels like things are getting a little better.

1:18:47.760 --> 1:18:50.720
<v Speaker 1>But and I think that the movie Existing is a

1:18:50.760 --> 1:18:53.960
<v Speaker 1>good thing because I think ultimately like, and I know

1:18:53.960 --> 1:18:56.720
<v Speaker 1>that's not even what we're debating, but um, like, it

1:18:56.760 --> 1:18:59.679
<v Speaker 1>has been a debate, like amongst gay friends of mine

1:19:00.120 --> 1:19:03.040
<v Speaker 1>who really don't like the movie, because I think there's

1:19:03.080 --> 1:19:07.800
<v Speaker 1>a mentality that this movie like purports to represent more

1:19:07.840 --> 1:19:09.760
<v Speaker 1>people than it does, and I don't think that's true.

1:19:09.800 --> 1:19:12.719
<v Speaker 1>I think that this movie is telling a story about

1:19:12.760 --> 1:19:16.720
<v Speaker 1>a kid coming to terms with the sexuality. Um But,

1:19:16.880 --> 1:19:18.439
<v Speaker 1>like I said, because it's the only one, we put

1:19:18.479 --> 1:19:20.559
<v Speaker 1>all this weight on it. And I think that because

1:19:20.600 --> 1:19:24.280
<v Speaker 1>this movie exists, we're able to have these conversations about

1:19:24.280 --> 1:19:26.240
<v Speaker 1>what it gets right about what it doesn't. And that's

1:19:26.280 --> 1:19:30.680
<v Speaker 1>film criticism, which is for many people what advances the

1:19:30.880 --> 1:19:36.760
<v Speaker 1>cinematic form anyway. So I've seen the conversation truly, especially

1:19:36.800 --> 1:19:42.439
<v Speaker 1>in this room. Yes we're such heroes, but it's it's

1:19:42.439 --> 1:19:45.200
<v Speaker 1>been very interesting to see the conversation about this movie.

1:19:45.280 --> 1:19:48.040
<v Speaker 1>Like I had. I talked with someone one time I

1:19:48.120 --> 1:19:50.400
<v Speaker 1>really didn't like this criticism of it, but he said

1:19:50.720 --> 1:19:54.640
<v Speaker 1>that he felt that the Natasha Rothwell character was a

1:19:54.720 --> 1:19:59.080
<v Speaker 1>magical Negro and I was like, that's a really interesting,

1:19:59.400 --> 1:20:02.240
<v Speaker 1>weird to say, and he was like, the movie uses

1:20:02.280 --> 1:20:04.960
<v Speaker 1>her to like save the day and it's not fair.

1:20:05.040 --> 1:20:06.559
<v Speaker 1>And I was like, yeah, but what are you saying,

1:20:06.600 --> 1:20:09.880
<v Speaker 1>like if that part was played by Chelsea Handler? Would

1:20:10.280 --> 1:20:12.280
<v Speaker 1>would would it make it like you could not change

1:20:12.320 --> 1:20:14.640
<v Speaker 1>the script, and would it make the movie stronger? And

1:20:14.840 --> 1:20:17.360
<v Speaker 1>so now, and that's when I think there was a

1:20:17.400 --> 1:20:19.679
<v Speaker 1>real fever picture on this movie where in the gay

1:20:19.720 --> 1:20:24.559
<v Speaker 1>community conversations like this we're happening, that we're truly picking

1:20:24.600 --> 1:20:28.200
<v Speaker 1>it apart bit by bit, And I think that is

1:20:28.240 --> 1:20:29.920
<v Speaker 1>not helpful, you know what I mean? Because I think

1:20:29.960 --> 1:20:32.400
<v Speaker 1>that's Hasha Rothwell is amazing in the movie, and I'm

1:20:32.400 --> 1:20:35.120
<v Speaker 1>sure she feels fine being in it. I'm sure she

1:20:35.160 --> 1:20:38.280
<v Speaker 1>doesn't feel utilized in that way. We just want her

1:20:38.280 --> 1:20:40.680
<v Speaker 1>to get paid as much as humanly possible. I was

1:20:40.760 --> 1:20:42.479
<v Speaker 1>just like, I was just like, it's odd to me

1:20:42.600 --> 1:20:45.599
<v Speaker 1>to like use that criticism against this movie, but that's

1:20:45.600 --> 1:20:47.920
<v Speaker 1>what was happening, and that's what happens. I think when

1:20:47.920 --> 1:20:51.360
<v Speaker 1>there's just not enough representation, that's all there to talk about,

1:20:51.360 --> 1:20:56.760
<v Speaker 1>then we'll talk about it. I mean, the thesis of

1:20:57.160 --> 1:21:00.760
<v Speaker 1>this discussion and our whole podcast is we need more

1:21:00.920 --> 1:21:08.840
<v Speaker 1>and better representation. We okay, let's okay, bachtel test. I

1:21:08.880 --> 1:21:12.800
<v Speaker 1>think there are a few scenes that come close. I

1:21:12.920 --> 1:21:15.720
<v Speaker 1>tried to document all of them, but I think I

1:21:15.840 --> 1:21:18.400
<v Speaker 1>might have missed some. But like, there's a scene where

1:21:18.640 --> 1:21:21.000
<v Speaker 1>the mom is like, let's watch the affair, and then

1:21:21.040 --> 1:21:23.120
<v Speaker 1>Simon says, we can't watch the affair as a family,

1:21:23.160 --> 1:21:25.000
<v Speaker 1>and the mom says why not, and then the sister

1:21:25.200 --> 1:21:28.000
<v Speaker 1>chimes in, Norah, we know her name, she says, because

1:21:28.000 --> 1:21:30.400
<v Speaker 1>it's all about sex, and then mom says, god forbid.

1:21:30.479 --> 1:21:33.200
<v Speaker 1>We see people make love. So it's like a conversation

1:21:33.240 --> 1:21:36.280
<v Speaker 1>where men are present and then also contributing to the conversation.

1:21:36.360 --> 1:21:40.679
<v Speaker 1>But there's like a two line exchange where just women

1:21:40.720 --> 1:21:44.000
<v Speaker 1>are tugging yeah, and they need to be alone, not

1:21:44.200 --> 1:21:47.880
<v Speaker 1>nerve version of it. All these different caveats, I feel

1:21:47.920 --> 1:21:51.760
<v Speaker 1>like maybe yeah, I feel I'm I'm not so quick

1:21:51.760 --> 1:21:55.400
<v Speaker 1>to say this one counts. And it's also based on yeah,

1:21:55.400 --> 1:21:57.680
<v Speaker 1>it's also based on our response Simon has to it

1:21:58.080 --> 1:22:03.479
<v Speaker 1>and they're talking about head roast sex, right, so probably not.

1:22:04.280 --> 1:22:07.439
<v Speaker 1>There is a scene where Abby says I just found

1:22:07.479 --> 1:22:10.439
<v Speaker 1>a press on nail in my salad, and then Abby

1:22:10.479 --> 1:22:14.560
<v Speaker 1>and Leah at the same time say Debbie. They're accusing

1:22:14.640 --> 1:22:20.160
<v Speaker 1>Debbie of her nails. I'm so sick of these passes.

1:22:20.200 --> 1:22:23.200
<v Speaker 1>I think I don't know how to just be like,

1:22:23.479 --> 1:22:26.160
<v Speaker 1>who is that fucking judge who was like, I can't

1:22:26.160 --> 1:22:27.760
<v Speaker 1>define porn, but I know it when I see it.

1:22:27.760 --> 1:22:29.599
<v Speaker 1>That's how I feel about the Betel Test at this point.

1:22:30.200 --> 1:22:33.080
<v Speaker 1>I'm like, I'm no more of these bullshit passes. Yeah,

1:22:33.280 --> 1:22:37.960
<v Speaker 1>and then there is a scene where Leah says, thanks

1:22:37.960 --> 1:22:40.800
<v Speaker 1>for letting me stay over. Simon's mom says, you've been

1:22:40.800 --> 1:22:43.160
<v Speaker 1>staying over for ten years. You don't have to thank us,

1:22:43.280 --> 1:22:46.599
<v Speaker 1>and then Leah says, oh, yeah, that's so that as

1:22:46.640 --> 1:22:49.760
<v Speaker 1>close as it comes insightful, know, I know, I know,

1:22:50.160 --> 1:22:52.960
<v Speaker 1>I'm surprised women don't interact more in this. I don't

1:22:52.960 --> 1:22:55.439
<v Speaker 1>know if I'm surprised. I guess based on how many

1:22:55.479 --> 1:22:58.519
<v Speaker 1>female characters there are, we would have a few more

1:22:58.800 --> 1:23:04.000
<v Speaker 1>interactions betwe mean women, but we only have like these

1:23:04.000 --> 1:23:07.559
<v Speaker 1>and then a couple that don't pass the test. And

1:23:07.600 --> 1:23:09.680
<v Speaker 1>I guess that's not any objective of the movie. But

1:23:09.720 --> 1:23:12.600
<v Speaker 1>there are always like opportunities to make this, and I

1:23:12.640 --> 1:23:15.439
<v Speaker 1>feel like Leah and Abbey are the biggest missed opportunity there.

1:23:15.920 --> 1:23:19.919
<v Speaker 1>They're around each other the whole time. Yeah, and friends

1:23:20.240 --> 1:23:23.840
<v Speaker 1>and allegedly. And also I'm realizing right now that the

1:23:23.920 --> 1:23:27.040
<v Speaker 1>mom and Leah discussing her staying over that can't pass

1:23:27.080 --> 1:23:28.960
<v Speaker 1>the Bechtel test because they're talking about the house and

1:23:29.040 --> 1:23:32.439
<v Speaker 1>that house identifies as a male. I think it's very big.

1:23:32.479 --> 1:23:35.280
<v Speaker 1>It's making itself known, and it's like taking up a

1:23:35.280 --> 1:23:37.920
<v Speaker 1>lot of up a lot of space. Like and also

1:23:38.000 --> 1:23:40.280
<v Speaker 1>the subtext is like, thanks for letting me stay over

1:23:40.479 --> 1:23:44.200
<v Speaker 1>with Simon, which also why was that allowed? I'm like,

1:23:44.280 --> 1:23:48.559
<v Speaker 1>I wish my mom when I was seventeen playing while

1:23:48.600 --> 1:23:50.920
<v Speaker 1>they were in that room. Is there a boat in

1:23:51.000 --> 1:23:57.160
<v Speaker 1>the body? I'm on a week for I was like, fine,

1:23:57.360 --> 1:23:59.360
<v Speaker 1>want to let me know. I was like, this is

1:23:59.400 --> 1:24:04.360
<v Speaker 1>like a sex see adults romantic song. Very the whole

1:24:04.400 --> 1:24:06.559
<v Speaker 1>film was horny, and I like that about it. Oh yes,

1:24:06.600 --> 1:24:08.840
<v Speaker 1>I'm fully I think it would have may be more

1:24:08.920 --> 1:24:12.200
<v Speaker 1>uncomfortable if the actors were underage, but they were so

1:24:12.240 --> 1:24:17.760
<v Speaker 1>clearly forty years old. I'm like, this is great. There, No,

1:24:17.880 --> 1:24:22.840
<v Speaker 1>the younger sister was older than they actually were, like

1:24:22.960 --> 1:24:27.840
<v Speaker 1>drama school together. Yeah, she she's in the affair Like

1:24:27.840 --> 1:24:33.040
<v Speaker 1>that was an inside joke. Oh gosh, okay, so let's

1:24:33.120 --> 1:24:36.599
<v Speaker 1>write the movie on our nipple scale zero to five

1:24:36.720 --> 1:24:40.160
<v Speaker 1>nipples based on its portrayal of women. Oh, that's true,

1:24:40.400 --> 1:24:42.559
<v Speaker 1>this is true. It's not fair for this right because

1:24:43.400 --> 1:24:46.559
<v Speaker 1>I will. I would give it a five though, would you? Yeah,

1:24:46.600 --> 1:24:49.639
<v Speaker 1>because I think that the female characters that presents are

1:24:49.680 --> 1:24:52.400
<v Speaker 1>all three dimensional, I would agree with that, I do,

1:24:52.560 --> 1:24:54.439
<v Speaker 1>you know what I mean? They're not the focus. They're

1:24:54.479 --> 1:24:57.040
<v Speaker 1>not driving the story, or at least if they are,

1:24:57.080 --> 1:25:01.000
<v Speaker 1>it's passively because it's Martin like black Aileen Simon because

1:25:01.000 --> 1:25:04.479
<v Speaker 1>he wants to funck Abby. So they're not necessarily very

1:25:04.520 --> 1:25:07.360
<v Speaker 1>active characters. But the way they're written, the way they're presented,

1:25:07.479 --> 1:25:14.479
<v Speaker 1>I do feel like they're dynamic, interesting, multidimensional characters. Yeah.

1:25:14.520 --> 1:25:16.559
<v Speaker 1>They in terms of just being in a script and

1:25:16.600 --> 1:25:19.960
<v Speaker 1>being supporting characters. They're written well and I helped that

1:25:20.160 --> 1:25:23.360
<v Speaker 1>the story. And they're not functional in a way that

1:25:23.560 --> 1:25:27.080
<v Speaker 1>it feels like we're losing their integrity as characters, you

1:25:27.080 --> 1:25:29.840
<v Speaker 1>know what I mean. The mom is like progressive and

1:25:29.960 --> 1:25:33.160
<v Speaker 1>lovely and a good mom, you know, but she's also

1:25:33.280 --> 1:25:36.320
<v Speaker 1>interested in other things besides being a mom, which is

1:25:36.360 --> 1:25:38.559
<v Speaker 1>something we don't see in a lot of these movies.

1:25:38.680 --> 1:25:40.559
<v Speaker 1>And it's so rare that we know what the mom's

1:25:40.640 --> 1:25:42.479
<v Speaker 1>job is, and we don't know what the dad's job is.

1:25:42.479 --> 1:25:46.200
<v Speaker 1>That never happens, and it seems like, I mean, based

1:25:46.240 --> 1:25:47.680
<v Speaker 1>on that unless it was like a cut scene, it

1:25:47.680 --> 1:25:50.439
<v Speaker 1>seems like she's the breadwinner of the family, which is cool.

1:25:50.640 --> 1:25:52.880
<v Speaker 1>And also, you know the character of Abby like she

1:25:52.960 --> 1:25:55.519
<v Speaker 1>does she stays true to herself the whole time, Like

1:25:55.600 --> 1:25:58.880
<v Speaker 1>she doesn't just allow herself to be talked about or

1:25:58.920 --> 1:26:03.920
<v Speaker 1>like dealt if by the men. She is truthful to herself.

1:26:04.000 --> 1:26:07.759
<v Speaker 1>You know, Leah the character, she says what she feels

1:26:07.920 --> 1:26:10.640
<v Speaker 1>and it's well performed and you get the sense that

1:26:10.680 --> 1:26:13.840
<v Speaker 1>she'll go on to be a dynamic person. Yeah, there

1:26:13.960 --> 1:26:16.479
<v Speaker 1>there was I the word I think about. I mean,

1:26:16.479 --> 1:26:18.840
<v Speaker 1>it's like Anne, it's kind of rare that you know

1:26:19.200 --> 1:26:22.479
<v Speaker 1>Simon's two female friends better than you know Nick. I

1:26:22.479 --> 1:26:25.400
<v Speaker 1>know almost nothing about Nick. He plays soccer, he had

1:26:25.439 --> 1:26:29.080
<v Speaker 1>sex ones, like that's all we know about him. Really, um,

1:26:29.120 --> 1:26:33.360
<v Speaker 1>where you do have like full scenes where I appreciated

1:26:33.400 --> 1:26:36.000
<v Speaker 1>the extra work going into Abby's character of like, Okay,

1:26:36.080 --> 1:26:38.600
<v Speaker 1>she's new, she's from a lower class background. We know

1:26:38.720 --> 1:26:40.960
<v Speaker 1>she has like her dad is an alcohol like these

1:26:40.960 --> 1:26:43.000
<v Speaker 1>are all things I think fifteen years ago we would

1:26:43.000 --> 1:26:46.000
<v Speaker 1>never find out about those characters. And the same with Leah,

1:26:46.000 --> 1:26:48.680
<v Speaker 1>of you know, I mean, I can strongly identify with

1:26:48.720 --> 1:26:50.640
<v Speaker 1>her being the long suffering, being in love with her

1:26:50.640 --> 1:26:53.000
<v Speaker 1>gay best friend and just being like no, but like

1:26:53.760 --> 1:26:57.400
<v Speaker 1>it's played responsibly. I'm glad that. I mean. The only

1:26:57.439 --> 1:27:00.200
<v Speaker 1>thing that made me feel weird is Leah turning her

1:27:00.240 --> 1:27:05.160
<v Speaker 1>back on Simon in his moment of utmost need. That

1:27:05.760 --> 1:27:08.719
<v Speaker 1>was very put off by. But I'm glad that Abby.

1:27:08.800 --> 1:27:10.800
<v Speaker 1>I mean, Abby I think is like the best female

1:27:10.880 --> 1:27:13.960
<v Speaker 1>character in the story because she she is always like

1:27:14.000 --> 1:27:16.479
<v Speaker 1>almost to a point where it's unrealistic for a teenager

1:27:16.520 --> 1:27:20.519
<v Speaker 1>to be so like mature and always knows the right

1:27:20.720 --> 1:27:23.280
<v Speaker 1>thing to do. Um. But it's I mean, it's like

1:27:23.280 --> 1:27:26.760
<v Speaker 1>if we're making a movie to set an example for teenagers,

1:27:26.800 --> 1:27:29.880
<v Speaker 1>which in theory this movie would be, then she's great

1:27:29.960 --> 1:27:32.439
<v Speaker 1>and I think it works works well, you know, and

1:27:32.600 --> 1:27:35.040
<v Speaker 1>and good for the little girl. She got a queens

1:27:35.040 --> 1:27:38.120
<v Speaker 1>and art. Yeah, incredible. I hope she gets better at cooking,

1:27:39.840 --> 1:27:43.280
<v Speaker 1>because women be cooking women. But to me that there's

1:27:43.400 --> 1:27:46.360
<v Speaker 1>enough of like yeah, yeah, I I think I'm going

1:27:46.400 --> 1:27:49.320
<v Speaker 1>to give it. I'm not prepared to give it a five.

1:27:49.479 --> 1:27:51.760
<v Speaker 1>I think I'm going to give it maybe a three

1:27:51.760 --> 1:27:56.880
<v Speaker 1>and a half because you, well, we we should, we

1:27:56.880 --> 1:28:00.559
<v Speaker 1>should ask that question more. Yeah, we'll be because we

1:28:00.960 --> 1:28:04.880
<v Speaker 1>in our ratings we also take into account like the

1:28:04.920 --> 1:28:09.559
<v Speaker 1>representation of people of color, of queer people, of other

1:28:09.640 --> 1:28:13.120
<v Speaker 1>marginalized groups of which we almost never see on screen.

1:28:14.000 --> 1:28:18.280
<v Speaker 1>But because as we've talked about, like there's an introduction

1:28:18.479 --> 1:28:21.920
<v Speaker 1>of at least two queer people who are also people

1:28:22.000 --> 1:28:26.200
<v Speaker 1>of color, and the movie glossing over their experience, their

1:28:26.240 --> 1:28:29.720
<v Speaker 1>specific experience, I feel like that could have been I mean,

1:28:29.760 --> 1:28:33.200
<v Speaker 1>the movie probably should have been like Love Bram or

1:28:33.560 --> 1:28:36.479
<v Speaker 1>Love Ethan, Like I mean, I think maybe we'll get

1:28:36.520 --> 1:28:40.880
<v Speaker 1>there someday, but get that, you know what I mean, Like,

1:28:44.320 --> 1:28:48.200
<v Speaker 1>so it will get that we're slowly progressing is a

1:28:48.240 --> 1:28:52.040
<v Speaker 1>people in a culture and in the film industry. But um,

1:28:52.080 --> 1:28:54.439
<v Speaker 1>and then, I don't know, this is tricky just because

1:28:54.439 --> 1:28:57.439
<v Speaker 1>like women aren't the focus. It's a tricky movie too.

1:28:57.800 --> 1:29:00.280
<v Speaker 1>But if you're going to have a movie that where

1:29:00.280 --> 1:29:03.840
<v Speaker 1>women aren't the focus, great that it's a queer male

1:29:03.920 --> 1:29:06.800
<v Speaker 1>love story, Like that's what that best I could hope for.

1:29:06.880 --> 1:29:08.760
<v Speaker 1>I think I'm going to go for on it. But

1:29:08.880 --> 1:29:10.880
<v Speaker 1>I mean the only it's weird though, because it's like

1:29:10.920 --> 1:29:13.960
<v Speaker 1>my My only criticism of the female characters is I

1:29:14.000 --> 1:29:15.920
<v Speaker 1>feel the same way about the male characters is that

1:29:16.000 --> 1:29:20.320
<v Speaker 1>they just feel a little bit uncanny Valley overly workshopped

1:29:20.680 --> 1:29:24.280
<v Speaker 1>in certain places. But I mean, it's again, it's just

1:29:24.400 --> 1:29:28.040
<v Speaker 1>like it's a movie for young people, and so I

1:29:28.080 --> 1:29:31.439
<v Speaker 1>think it can be almost dangerous to like show a

1:29:31.680 --> 1:29:34.760
<v Speaker 1>young female character being completely off the rails if there's

1:29:34.760 --> 1:29:37.200
<v Speaker 1>not the real estate in that movie to address it.

1:29:37.600 --> 1:29:40.200
<v Speaker 1>So I don't know, I thought, I thought that the

1:29:40.280 --> 1:29:45.920
<v Speaker 1>women we see are great. Yeah, well, Matt, thank you

1:29:46.040 --> 1:29:49.679
<v Speaker 1>so thank you so much for guys for having brilliant

1:29:50.439 --> 1:29:54.200
<v Speaker 1>You know, we lifted the band for good reason, but

1:29:54.280 --> 1:30:03.040
<v Speaker 1>it's back on. But Aristotle still shout out to Aristotle,

1:30:03.120 --> 1:30:06.280
<v Speaker 1>shout out. What would you like to plug? Where can

1:30:06.320 --> 1:30:09.200
<v Speaker 1>people find you online? You guys can follow me at

1:30:09.240 --> 1:30:12.800
<v Speaker 1>Matt Rogers though it's Matt Rogers th h O. Or

1:30:12.880 --> 1:30:17.519
<v Speaker 1>you can listen or and in addition to that, you

1:30:17.600 --> 1:30:20.840
<v Speaker 1>can listen to my podcast Last Culture Asta with Bowen

1:30:20.920 --> 1:30:26.720
<v Speaker 1>Yang where we discuss pop culture and wow, I've heard

1:30:26.720 --> 1:30:30.240
<v Speaker 1>of it, talk about it. It's one of my favorites.

1:30:30.560 --> 1:30:35.400
<v Speaker 1>Thank you. You can follow us at pectel cast on

1:30:35.560 --> 1:30:38.639
<v Speaker 1>the platforms, all the platforms. You can join our Patreon

1:30:38.760 --> 1:30:41.519
<v Speaker 1>five bucks a month to extra episodes a month. Kind

1:30:41.560 --> 1:30:43.640
<v Speaker 1>of incredible. You're gonna want to be a matron of

1:30:43.680 --> 1:30:48.120
<v Speaker 1>our matriarch, going to want to join the matriarchy? Uh?

1:30:48.160 --> 1:30:51.120
<v Speaker 1>And then yeah, our merchanes on t public and you

1:30:51.160 --> 1:30:56.120
<v Speaker 1>know review us on the tunes. Oh yeah, I love

1:30:56.160 --> 1:31:00.680
<v Speaker 1>our reviews and they're just like, like, I get it,

1:31:00.720 --> 1:31:03.920
<v Speaker 1>I'm stupid. It always makes me feel so bad. Oh,

1:31:04.520 --> 1:31:07.600
<v Speaker 1>it's cutting reading. I just on the way here. I

1:31:07.640 --> 1:31:09.759
<v Speaker 1>read a bunch. I was a guest on another podcast

1:31:09.800 --> 1:31:11.200
<v Speaker 1>and I read the reviews and it was like, oh

1:31:11.240 --> 1:31:14.400
<v Speaker 1>my god, people hate me so much. Caitlin has great

1:31:14.400 --> 1:31:16.840
<v Speaker 1>self control with that kind of stuff. I have no

1:31:16.920 --> 1:31:19.599
<v Speaker 1>self control. I read everything and I feel I'm addicted

1:31:19.640 --> 1:31:23.160
<v Speaker 1>to feeling horrible. We should all be more like setting

1:31:23.200 --> 1:31:28.439
<v Speaker 1>a great example. Look, I teach classes on how to

1:31:28.479 --> 1:31:31.800
<v Speaker 1>be me. Yeah, thank you again so much for being here, Matt,

1:31:31.920 --> 1:31:36.240
<v Speaker 1>and thank thanks for listening. And we'll be here next week. Bye.