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Speaker 1: This is my favorite episode. Welcome to everybody to One

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Speaker 1: Bad Movie. Stephen is completely bla He doesn't know what

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Speaker 1: we're recording right now, and I love that because in

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Speaker 1: a second he will know. This was my favorite episode.

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Speaker 1: This was our first remote recording of One Bad Movie.

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Speaker 1: This was what I like to call home movies. One

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Speaker 1: Bad Movie. This is with big brother Alec and your

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Speaker 1: sister Beth.

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Speaker 2: Is the next episode for this.

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Speaker 3: What we're recording right now. Oh, I thought you meant

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Speaker 3: we're gonna roll it out next No, no, I'm doing it. Well, Okay,

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Speaker 3: so you're doing the intro to One Bad Movie on location, Yeah,

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Speaker 3: where Alec Baldwin and Stephen Baldwin co host to interview

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Speaker 3: our eldest sibling, Elizabeth Baldwin.

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Speaker 1: I think at times Alec was interviewing both of you

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Speaker 1: because he's just he's always in big brother mode, even

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Speaker 1: though he's not the oldest.

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Speaker 3: Well, he was trying to scold me on occasion, but

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Speaker 3: big sister straightened him out as usual.

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Speaker 1: Yeah, you guys have a very great chemistry. Reminds me

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Speaker 1: of my siblings. It's an East Coast thing.

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Speaker 3: There is a sibling pecking order for sure.

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Speaker 1: This is great I think movie fans will love it,

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Speaker 1: siblings will love it.

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Speaker 3: And you know what, well, it's unique because it's again

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Speaker 3: it's behind the scenes. It's two Baldwin brothers telling movie stories.

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Speaker 3: Well big sister.

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Speaker 1: Supervisors and gets a little loss at times and is

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Speaker 1: so just not Hollywood. I love her to death, all right?

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Speaker 1: Coming up now this episode best episode Home Movies, one

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Speaker 1: bad Movie or should we call it one bad Movie

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Speaker 1: Home Movies Edition?

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Speaker 3: We should call it one bad Movie Beth Baldwin Home

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Speaker 3: Movie Edition. We'll give Beth the credit rate now.

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Speaker 4: Great, bad, lips so bad, guilty mass this sun so bad?

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Speaker 2: Wow. The only thing I need not for you to

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Speaker 2: bother with, but I'll go do it.

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Speaker 5: Is I want some water.

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Speaker 2: I need a big glass of ice water to get it. No,

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Speaker 2: I'll go. Let's roll. No, no, no, no, no, Why

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Speaker 2: I'm being polite, Sit down and shut up? Here we go.

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Speaker 2: Come on?

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Speaker 5: Are you rolling on this? I need this on? I

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Speaker 5: need this?

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Speaker 2: So we're rolling. Let's go because I want to open

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Speaker 2: by asking you a question. Are we rolling? Okay? Are you?

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Speaker 2: Are you? Oh? I can't do that, it's going to

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Speaker 2: affect the camera.

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Speaker 3: Hey, everybody, I'm Steve Baldwin. Welcome to One Bad Movie.

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Speaker 3: We're here today with Alec Baldwin, big brother and bigger

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Speaker 3: sister Elizabeth Baldwin.

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Speaker 2: Welcome testing one, two three. I want to ask you this,

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Speaker 2: which is I see this a little bit of set

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Speaker 2: dressing here, a minimum of set dressing. Actually a very

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Speaker 2: low budget set dressing, I say. But the question is

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Speaker 2: is why do you you think that these are my

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Speaker 2: bad movies? That's not they're not bad movies. You don't

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Speaker 2: know what a bad movie is. If you think that's

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Speaker 2: a bad movie, well, well we could just be interesting.

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Speaker 2: Let me let them respond, because we're not on Fox. No, no,

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Speaker 2: not a talk show.

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Speaker 5: Am I going to just shut up the whole time?

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Speaker 5: And you're going to go like this, shut up?

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Speaker 2: No, I'm not gonna do it the whole time. But

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Speaker 2: when I go like this, that means shut up anyway.

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Speaker 2: Go ahead. What's your response? Why these Why did you

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Speaker 2: pick these films? Welcome to One Bad Movie? Could you

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Speaker 2: answer my question?

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Speaker 3: Show this One bad Movie is a conversation amongst folks

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Speaker 3: who have different perceptions and perspectives of their interpretation.

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Speaker 2: Of Okay, what a bad movie is. Okay, so you

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Speaker 2: off wrote it into a little promo there. What's the

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Speaker 2: answer to my question? What about these films? Why do

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Speaker 2: you think their best titles? What are those titles? Last

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Speaker 2: Shot I with Matthew Brodrick and Path to War. I

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Speaker 2: did John Frankenheimer's last project. He died right after that

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Speaker 2: with Michael Gamp. Okay, so let's let's let's there's so

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Speaker 2: many other films I've put on this piece.

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Speaker 3: Frankenheimer. We love him. Yeah, but the Broaderick Project, that

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Speaker 3: was a great film.

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Speaker 2: No, but it wasn't a bad film. It was a

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Speaker 2: bad film. Okay, it wasn't a bad film. It wasn't.

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Speaker 2: Let me take this again. The Last Shot wasn't was

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Speaker 2: not a bad film. I didn't hear the t the

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Speaker 2: first time. Sorry, Okay, it's okay. Well I know you're

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Speaker 2: hearing him, pair, but go ahead. Last Shot was Jeff Nathanson.

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Speaker 2: Jeff Nathanson who wrote Catch Me if you Can. Great writer.

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Speaker 2: He directed his first project. It was a very good script,

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Speaker 2: very good script. Tony Shaloub killed he was so funny.

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Speaker 3: Okay, well, then here also on one bad movie.

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Speaker 2: Uh.

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Speaker 3: We invite actors like yourself to explain or express from

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Speaker 3: their history and memory an experience on a film that

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Speaker 3: wasn't so wonderful.

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Speaker 2: Well, that's divide it into the shooting of the film

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Speaker 2: and then the quality of the film afterward or both.

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Speaker 3: Right, do you remember a long time ago we were

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Speaker 3: in New York, I mean over a decade ago, and

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Speaker 3: you were talking to me, I'm gonna they don't ramble Bell.

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Speaker 3: You were talking to me because I said, oh, I'm

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Speaker 3: going to do this movie. And I had made you know,

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Speaker 3: the joke, the jokes. I've made a hundred films, more

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Speaker 3: than one hundred films, and twenty seven were just bad,

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Speaker 3: just bad.

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Speaker 2: So you had a certain genre you were into.

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Speaker 3: For sure, a certain season of bad movies. So you

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Speaker 3: went on to explain to me one time way back

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Speaker 3: when when I said, you know, I think I think

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Speaker 3: this thing's not going to turn out as I as

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Speaker 3: I had hoped, And you went, oh, yes, yes, you

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Speaker 3: had this great wisdom where you said to me, you know,

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Speaker 3: I had an experience on a film once where they

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Speaker 3: said we're shooting in Tahiti. This yeah, you know the story,

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Speaker 3: and then they get on the boat with him and

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Speaker 3: it leaves the doc and.

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Speaker 2: They went to Newark, Staten Island, No but but I'm watching,

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Speaker 2: but I want to finish something. First of all, one

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Speaker 2: of the funniest lines I've ever heard of my life.

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Speaker 2: Shaloub plays a kind of B or a C level

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Speaker 2: D list mobster who runs Providence, Rhode Island. The movie

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Speaker 2: was it was a funny script. I love the script.

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Speaker 2: Jeff was a really great writer. And Jeff has Shaloub,

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Speaker 2: who's the local mobster, the head of the mob, sitting

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Speaker 2: there and he's watching this enormous TV, the biggest TV

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Speaker 2: I've ever seen in my life. And he's watching rugby

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Speaker 2: and his henchman, big tough guy, brings me in. Hees boss,

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Speaker 2: he's here, and all of a sudden you see Shaloub

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Speaker 2: to hold his fingerplike that say he's watching the rugby match,

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Speaker 2: and he says this great line. He says, last week

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Speaker 2: the guy in the bottom of the pile put his

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Speaker 2: finger up the other guy's ass. He pauses and says,

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Speaker 2: whatever happened to sportsmanship? We all were sobbing. He had

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Speaker 2: a great line. Then he stands up and half his

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Speaker 2: face is like pizza. He got burned. And he turns

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Speaker 2: to me and I was like, look at him. I

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Speaker 2: go and I see his face for the first time

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Speaker 2: he looks at me. He goes, I see you looking

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Speaker 2: at my face? Like what you looking at that? He goes,

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Speaker 2: my wife. I was handcuffed to the bed and she

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Speaker 2: poured a light of fluid on me and set me

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Speaker 2: on fire, and my eyes are balting going and he goes,

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Speaker 2: six months later our marriage was over. He's no, he

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Speaker 2: is probably one of the five funniest guys I've ever seen. Anyway,

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Speaker 2: So Favreau was on his show Dinner for five in

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Speaker 2: the old days, and Favreau is there. I'm like watching

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Speaker 2: this scene at like three o'clock in the morning. I

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Speaker 2: can't sleep. And Favreau says to the assembled guests, the

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Speaker 2: famous people there, Gary Fisher or whatever. He says, well,

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Speaker 2: it really comes out of these three things, does it?

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Speaker 2: Cast script director, he goes, and you can afford to

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Speaker 2: take a chance on one maybe wow, but if you're

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Speaker 2: asked to take a chance on two, don't do the movie.

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Speaker 2: I was like, why the didn't I hear it is

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Speaker 2: twenty five years ago? Why the heck?

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Speaker 3: You're free to express yourself here.

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Speaker 2: Yeah, you're free to Oh you don't preferred.

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Speaker 5: No, I just saying.

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Speaker 2: By swearing well, I leave the room.

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Speaker 5: I leave the room, all.

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Speaker 2: Right, So I'm sorry, you're the host. Continue this is

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Speaker 2: the way it always.

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Speaker 3: Always, not now, but further down the conversation here this afternoon,

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Speaker 3: because we're gonna be here for the next two three

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Speaker 3: four hours. So you are a jot think about think

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Speaker 3: about your going to Tahiti. But you went to Staten Island.

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Speaker 3: And then when I talked to you the other day,

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Speaker 3: because we were supposed to just interview Sissy about movies.

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Speaker 2: Right, we're gonna do a little bit. Okay, so we're

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Speaker 2: going we.

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Speaker 3: Can do that, but you went into this what's another

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Speaker 3: way to say diatra.

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Speaker 2: Monologue?

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Speaker 5: Monologue? What monologue?

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Speaker 3: You presented me with a fast monologue, which you're brilliant at.

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Speaker 2: No, come on, let's get down to the show, rather

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Speaker 2: than you commenting on the show. But we haven't even

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Speaker 2: done the show, so welcome to show. Come on, come on,

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Speaker 2: go ahead.

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Speaker 3: So you started talking about old films. We made a list.

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Speaker 3: We're a little prepared with that. They have some questions

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Speaker 3: for you later. What do you want to talk.

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Speaker 2: About, guy? What kind of a hosting school did you

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Speaker 2: go to? What do you want to talk about? You

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Speaker 2: just you you decide what we talk. But let me

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Speaker 2: just say this. Myself and my three brothers went into

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Speaker 2: the film and television business, and my two sisters didn't.

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Speaker 2: And when I was young, and I won't come on

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Speaker 2: to my usual spiel about me being young and Dad

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Speaker 2: and million dollar movie and which was my life? You know,

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Speaker 2: Dad would come home and he this is back of

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Speaker 2: the days. I'll just tell us quickly. The New York

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Speaker 2: Times is there, and those very pithy movie quotes, like

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Speaker 2: two lines these shows whoever wrote it was really funny.

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Speaker 2: And Dad would sit there and I used to walk

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Speaker 2: into my mother in bed. I go, who's gonna let

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Speaker 2: Dad in? Like I felt, we had to lock the

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Speaker 2: door and have security. And then I'd let Dad in,

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Speaker 2: and my mother would just sit there, go ah, go

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Speaker 2: to sleep. I'd wait for Dad. He'd come home. He'd

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Speaker 2: eat a little something. We go in the living room,

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Speaker 2: We get the New York Times. He go, Wow, five

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Speaker 2: Graves to Cairo with Franchow. Tone, that's a heck of

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Speaker 2: a movie. And I say, let's watch a little He goes, no, no, no,

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Speaker 2: it's eleven thirty. You got to go to bed. I'd say,

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Speaker 2: we were going to watch the Late Show. We're back

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Speaker 2: when it's called the Late Show. Then it was a

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Speaker 2: late late show. Then at three o'clock, the late Late

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Speaker 2: Late Show. They'd show a movie on CBS. They'd chow

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Speaker 2: the Late Show, and I'd sit there and go, We'll

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Speaker 2: just watch a couple of minutes, and he goes, all right,

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Speaker 2: but you got to go to bed. In ten minutes,

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Speaker 2: I go great. We'd watch five Graves to Cairo. We

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Speaker 2: watch a Sorry Wrong Number with Barbara Stanwick and Burt Lancaster.

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Speaker 2: We watch this and this and this. But what would

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Speaker 2: happen within ten minutes? Dad would pass out full sp

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Speaker 2: He'd be laying there on the couch and I'd watch

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Speaker 2: the whole movie till one o'clock in the morning. And

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Speaker 2: I watched so many movies. I always say, there's a

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Speaker 2: guy named Ted Molly. Back in the days when they

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Speaker 2: had booth announcers on w P I X and O R,

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Speaker 2: so they had somebody live if there was a technical problem,

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Speaker 2: because they were often how old were you then a child?

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Speaker 2: It was like ten ten. And the point is Ted

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Speaker 2: Molly would be in a booth and they had in

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Speaker 2: case it was a technical problem, which often there were.

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Speaker 2: We are experiencing technical difficulties. It'll be back in a moment.

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Speaker 2: There was a test pattern, or it's like their logo,

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Speaker 2: and I would sit there and you'd hear him do

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Speaker 2: the promos for the next week. The million dollar movie

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Speaker 2: was over. What movie's theme song? Is the theme song

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Speaker 2: for a million dollar movie? What movie? I'll give you

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Speaker 2: a choice, ready, Spartacus high Noon, Gone with the Wind?

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Speaker 2: Or how the West was one? Which one of the

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Speaker 2: theme songs?

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Speaker 5: Two?

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Speaker 3: Which is what are the four choices of the theme song?

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Speaker 2: Too? What?

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Speaker 5: I didn't hear that part.

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Speaker 2: Either million dollar movie would have a theme song. There

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Speaker 2: was the theme song of the famous movie Spartacus high Noon,

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Speaker 2: Gone with the Wind? Or I'm gonna go, go ahead,

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Speaker 2: You're gonna guess, Go guess Spartacus. What's your guess? I

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Speaker 2: have no idea, don't have any idea? Which the four guests?

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Speaker 2: One just roll the dice, don't live the cautious life.

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Speaker 5: One in the family that does.

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Speaker 2: Right, But let for now, for the purpose of the show,

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Speaker 2: let it roll those dice down the felt go.

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Speaker 5: Ahead, So give me the choices again.

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Speaker 2: God damn it, I was afraid you'd say that Spartacus

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Speaker 2: High Noon Gone with the Wind theme from Million Dollar

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Speaker 2: Movie was from Gone with the Wind, and Ted Molly

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Speaker 2: would come on and go tune in next week on

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Speaker 2: Million Dollar Movie when Barbara Stanback tells Gary Cooper where

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Speaker 2: he can go in Ball of Fire and the be

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Speaker 2: live in the booth announcing, And I just love that,

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Speaker 2: Ted Molly. It was a live guy talking to you

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Speaker 2: in your home. They don't have that any more. Thing's

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Speaker 2: taped down. But anyway, I thought that story would thrill you.

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Speaker 2: So hold on, I'm just gonna light up a little bit. Clo.

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Speaker 2: You guys stalk good. You're a jerk. Go ahead, you

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Speaker 2: under see him.

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Speaker 3: How cool it is for you to talk about these

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Speaker 3: films because a lot of people who are gonna see

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Speaker 3: one bad movie, especially young people, they don't know Zam,

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Speaker 3: they don't know Bib. So it's fun to hear you

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Speaker 3: talk about this. And now I have another weird question

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Speaker 3: when he's talking about being ten and these programs? What

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Speaker 3: did you watch?

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Speaker 2: Did you you TV? What did you do all day

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Speaker 2: when we were doing? When I was doing, when I

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Speaker 2: was doing? Where were you when you started dating Charlie

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Speaker 2: when you were twelve fifteen? You started?

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Speaker 5: Yes, Charlie I was doing. I was doing laundry, I

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Speaker 5: was doing cleaning. I was doing a lot of different things.

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Speaker 2: What did you do for? What did you want? We

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Speaker 2: be in the den watching f Troop and Gilligan's Island

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Speaker 2: and the Monsters.

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Speaker 5: I was cooking and cleaning.

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Speaker 2: What would you watch? Did you watch any TV?

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Speaker 5: No?

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Speaker 2: You didn't know, that's the answer. People who don't watch TV,

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Speaker 2: they don't become actors and watch movies.

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Speaker 5: I was a caretaker, so I was always caretaking.

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Speaker 2: I snuck into the.

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Speaker 3: Exorcist, Baldwin brother movie not to put you on the special,

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Speaker 3: and don't see one of mine?

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Speaker 5: No, there's, there's there's.

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Speaker 2: Oh, don't worry all right? Now, which movie of mine

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Speaker 2: is your favorite movie of all your brothers?

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Speaker 3: Let's start the question.

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Speaker 2: Yeah, let's just leap frog to the end here. Which

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Speaker 2: what movie do you love of mine?

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Speaker 5: I like The Edge and it's complicated.

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Speaker 2: Thank you. That's a great, that's true.

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Speaker 5: Great.

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Speaker 2: One of them might die and a bare pity the

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Speaker 2: other one. I die.

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Speaker 5: You. I liked it because of Anthony Hopkins.

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Speaker 2: I know I did. She comes walking up to the

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Speaker 2: set and Anthony Hoppins is laying on an air mattress,

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Speaker 2: because he had hurt his back and he's reading the

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Speaker 2: paper and I woke he was the loveliest person. I

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Speaker 2: was the best time I've ever read. I love I

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Speaker 2: worship him. And I walk up to him and I go, Tony,

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Speaker 2: if you don't mind, I'd like you to meet my sister.

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Speaker 2: And he gets up, No, no, excuse me, I'm telling you.

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Speaker 3: Here's the hand.

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Speaker 2: I woke up. I walk up to him and I go, Tony, well,

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Speaker 2: like you meet my sister. And he takes the newspaper,

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Speaker 2: puts it down, picks himself up off the ground, and

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Speaker 2: as he's approaching you, he only stands and reveals himself.

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Speaker 2: He's like, he's like, he's like he's in on the

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Speaker 2: West end of London with Olivier and he and you're

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Speaker 2: being put your hand, You're gonna put your hand down,

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Speaker 2: and no, no, put your hand down. He goes, Elizabeth,

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Speaker 2: my pleasure to meet you. And my sister Beth married

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Speaker 2: twenty five years, six children. My sister was like like

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Speaker 2: twitching or ask going, ah.

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Speaker 5: It was I just I got to wash that hand.

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Speaker 5: Since really, yes, it was wonderful.

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Speaker 2: You a little jolt, he got around, He got around. Yes,

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Speaker 2: anyway ahead who knew. Yes, so that's her favorite movie

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Speaker 2: of mine. What's your favorite movie of Stevens.

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Speaker 5: Stevens, I like Flintstones, Yes, yes, Flintstone's and I like

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Speaker 5: no Mommy was. Mommy didn't like threesomes, only one.

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Speaker 2: Didn't understand only one movie. You say, come on, what's

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Speaker 2: you don't be silly? What's his best movie? Come on?

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Speaker 5: Wait? Are we talking about threesome? Right?

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Speaker 2: Didn't know we're talking about what, my god, you're liking.

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Speaker 3: But mommy never.

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Speaker 5: Saw three Yes she did, yes, she did, but she

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Speaker 5: didn't understand what threesome meant till she saw the movie. No,

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Speaker 5: she did not.

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Speaker 2: His best movie is Usual Usual Suspect. There you go.

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Speaker 5: I want to call it the unusual Suspect because you're

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Speaker 5: so unusual.

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Speaker 2: My brother Steven, my brother Stephen's career. I always say,

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Speaker 2: this goes into another chapter. He does Usual Suspects. Everyone's

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00:17:02,880 --> 00:17:06,879
Speaker 2: getting nominated, the movie wins Best Screenplay or Kevin wins whatever.

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00:17:07,320 --> 00:17:09,760
Speaker 2: It's it's a huge success. It's a juggernaut, you know.

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00:17:09,840 --> 00:17:12,800
Speaker 2: Great people always want like a great drama, clever drama.

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Speaker 2: And then after that, Stephen moves into what I call

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Speaker 2: the the uh no, no, no, No, the Biodome was

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Speaker 2: uh you know, uh some like it hot compared to

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Speaker 2: this series of movies you did. The he goes and

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Speaker 2: does what I call I want to call uh the

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Speaker 2: the hay Baale series of movies. He does. Steven's under

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Speaker 2: the truck, He's in the barn, He's under the truck.

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Speaker 2: And the young and the young Can I finish the young?

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Speaker 2: It's all gonna come back to you right now when

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Speaker 2: I finish. And he's under the truck and the girl

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Speaker 2: comes in and she's like popping out of some farmer

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Speaker 2: girl outfit. And then uh, she comes in and Stephen

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Speaker 2: slides out from under the truck and she's like look

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00:17:53,040 --> 00:17:55,280
Speaker 2: at him, and she's like, what are we gonna do? Now?

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Speaker 2: He stands somebody, He's like cut too, you know, ah

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Speaker 2: behind a hay Bell like completely going at it. You

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00:18:03,400 --> 00:18:06,600
Speaker 2: know he did like I mean, Skin a Max. They

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00:18:06,640 --> 00:18:09,040
Speaker 2: called it skin a Max. How many skin Max movies

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00:18:09,080 --> 00:18:11,520
Speaker 2: did you make? Like ten hey Bell hay Bell series,

361
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Speaker 2: Jared soft Soft, I think I ever did a skin well,

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Speaker 2: no lounge Zebra. What's the woman's name? Who you the

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00:18:21,040 --> 00:18:23,520
Speaker 2: famous actress that was in all those young movies? And

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00:18:23,560 --> 00:18:28,000
Speaker 2: she was young and very beautiful, which I don't know

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Speaker 2: the name of the movie. Who's a young beautiful girl

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Speaker 2: that was in a bunch of Was she in David

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00:18:32,720 --> 00:18:35,840
Speaker 2: Lynch films or something? Who's are really pretty? Oh? I

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00:18:35,880 --> 00:18:36,480
Speaker 2: know you're talking.

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00:18:38,320 --> 00:18:42,560
Speaker 3: That's just that's that's that's a very small film that

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Speaker 3: I did with. I can't remember that girl's name. What's

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00:18:44,720 --> 00:18:48,480
Speaker 3: the name of the mole on her face? Oh? I

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Speaker 3: know who it is. I remember she was in a

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Speaker 3: David Lynch Yes, what's her name? Wasn't she on the

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Speaker 3: series too?

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Speaker 2: Was she on Twin Peaks? Was she in Twin Peaks?

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00:18:59,240 --> 00:19:02,000
Speaker 2: Let's look it up, you guys talk? No, no, not

377
00:19:02,040 --> 00:19:04,600
Speaker 2: laughing for them, but from Twin Peaks?

378
00:19:04,680 --> 00:19:07,480
Speaker 3: The other one, very pale faced, one that looks like

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Speaker 3: Elizabeth Taylor.

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00:19:08,560 --> 00:19:09,719
Speaker 2: Yeah, very pretty.

381
00:19:10,080 --> 00:19:13,359
Speaker 3: We've been doing this Lyn Finn Sherylyn Finn.

382
00:19:14,119 --> 00:19:17,840
Speaker 2: What are they gonna do now? Billy worked with Steady

383
00:19:18,520 --> 00:19:21,840
Speaker 2: that the movie is a great film. No one wipes

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Speaker 2: the grease off their hands prior to sex like you

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Speaker 2: do it because you cleaned your hands. You were like

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00:19:27,280 --> 00:19:29,880
Speaker 2: a decent guy. There's a lot of other actors would

387
00:19:29,880 --> 00:19:32,760
Speaker 2: have been Let me grab her with my filthy hands,

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00:19:32,760 --> 00:19:35,880
Speaker 2: and you were like, no, I'm gonna wash the grease

389
00:19:35,920 --> 00:19:38,600
Speaker 2: off my hands. You wiped it off on your pants

390
00:19:38,680 --> 00:19:45,400
Speaker 2: and then ah ah, decent. Anyway, what's your favorite film?

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Speaker 2: You did?

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00:19:46,960 --> 00:19:49,920
Speaker 3: Is Zebra Lounge? Why what's that girl's name?

393
00:19:50,119 --> 00:19:51,720
Speaker 5: No, he's not answering that, he didn't.

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00:19:51,720 --> 00:19:52,600
Speaker 2: Here's two gals.

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00:19:52,640 --> 00:19:54,600
Speaker 5: The one was that your favorite film?

396
00:19:54,640 --> 00:19:57,560
Speaker 2: He just asked, gonna look it up now?

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00:19:57,600 --> 00:19:58,240
Speaker 5: Of yours?

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00:19:58,520 --> 00:20:02,520
Speaker 3: What's my favorite? Of mine? Is a Flintstones Viaba Rock Vegas. Oh,

399
00:20:02,560 --> 00:20:04,719
Speaker 3: because that's your favorite. Whenever I watched flint Stones as

400
00:20:04,720 --> 00:20:07,399
Speaker 3: a kid, the animated cartoon, I always kind of wished

401
00:20:07,560 --> 00:20:11,119
Speaker 3: I could have been Barney. Oh, isn't that weird? And

402
00:20:11,160 --> 00:20:14,800
Speaker 3: then played him in a movie. Christy Swanson Christie swantson.

403
00:20:14,800 --> 00:20:15,760
Speaker 3: Who's the other girl's name?

404
00:20:18,240 --> 00:20:22,000
Speaker 2: Brandy Ldford? Yeah, Garrah Pearl Mutter.

405
00:20:23,240 --> 00:20:27,520
Speaker 3: I have Brandy Ludford and Zebra Lounge.

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00:20:27,640 --> 00:20:28,240
Speaker 4: That is.

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00:20:29,960 --> 00:20:34,480
Speaker 2: Life changing, Stephanie, for you or for us, well.

408
00:20:34,359 --> 00:20:36,720
Speaker 3: For for some folks that have seen it in the past.

409
00:20:37,160 --> 00:20:39,320
Speaker 3: I've been in airports and people have come by and gone,

410
00:20:39,320 --> 00:20:46,520
Speaker 3: you know, Zebra. One of my favorite films is Zebra Lounge.

411
00:20:48,040 --> 00:20:52,439
Speaker 2: Naughty. That was for you, Jared, that was for your

412
00:20:52,480 --> 00:20:58,920
Speaker 2: bad Who's the woman I am communicated with? And wait

413
00:20:59,000 --> 00:21:03,160
Speaker 2: for it, I'm sorry? What what did you discover? Christie

414
00:21:03,200 --> 00:21:05,479
Speaker 2: Swanson who went to prison?

415
00:21:06,000 --> 00:21:10,679
Speaker 3: Wow, she's amazing. Carlyne Famous, the other channel that was

416
00:21:10,680 --> 00:21:13,760
Speaker 3: in all the Spike Lee films that moved to Italy

417
00:21:13,880 --> 00:21:17,480
Speaker 3: and now just turned up in Coppola's new film. What's

418
00:21:17,480 --> 00:21:21,080
Speaker 3: her name? A little Italian chick with the mall on

419
00:21:21,119 --> 00:21:21,840
Speaker 3: her face? Again?

420
00:21:22,760 --> 00:21:26,879
Speaker 2: Who I mean? I have a crush on Carlo Carloggina?

421
00:21:27,240 --> 00:21:29,000
Speaker 2: Who carlog Gina?

422
00:21:29,240 --> 00:21:31,560
Speaker 3: No, she's older than the gal I'm referring to.

423
00:21:31,840 --> 00:21:32,320
Speaker 2: I believe.

424
00:21:32,400 --> 00:21:35,560
Speaker 3: How old is the look up Megalopolis?

425
00:21:35,800 --> 00:21:37,480
Speaker 2: We're spending a lot of time looking up things, which

426
00:21:37,480 --> 00:21:39,639
Speaker 2: is always the name of seeing the old days. When

427
00:21:39,640 --> 00:21:41,000
Speaker 2: you came on the show, you knew. We hear the.

428
00:21:40,960 --> 00:21:44,320
Speaker 3: Fishburned voiceovers on Megalopoulos.

429
00:21:44,080 --> 00:21:47,639
Speaker 2: Amy Locane. I've been writing to her in prison. She

430
00:21:48,720 --> 00:21:49,560
Speaker 2: got drunk driving.

431
00:21:50,280 --> 00:21:54,320
Speaker 3: What's the gal's name in Megalopolis?

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00:21:55,480 --> 00:21:57,720
Speaker 2: I'd love to, he said, you should have. He was

433
00:21:57,760 --> 00:22:08,000
Speaker 2: too busy talking about meg Alby Plaza. Chloe Fine mel fantastic,

434
00:22:08,160 --> 00:22:15,840
Speaker 2: romy Mars Talia Shire called his sister Sonya amar Isabelle

435
00:22:15,880 --> 00:22:20,359
Speaker 2: Kusmann Charlene Amoya, Madeline Guardella.

436
00:22:20,600 --> 00:22:21,119
Speaker 3: I'm wrong.

437
00:22:21,800 --> 00:22:23,560
Speaker 2: Don't tell me that you slept with this many women.

438
00:22:23,600 --> 00:22:27,520
Speaker 2: You don't remember any of these women, none of them. Carlow,

439
00:22:27,880 --> 00:22:30,440
Speaker 2: you didn't. I like that. He can't hear me. That's great, Catherine,

440
00:22:30,480 --> 00:22:32,040
Speaker 2: it's the fourteen. Trust me.

441
00:22:33,480 --> 00:22:39,159
Speaker 5: I heard what he said. Mean select them and you

442
00:22:39,200 --> 00:22:39,920
Speaker 5: can't remember.

443
00:22:42,760 --> 00:22:48,679
Speaker 3: That's what is the very cute, little attitudinal Italian girl

444
00:22:49,760 --> 00:22:51,360
Speaker 3: from Brooklyn or the Bronx.

445
00:22:51,920 --> 00:22:55,639
Speaker 2: What else has she been in? We're wasting a lot

446
00:22:55,640 --> 00:22:56,280
Speaker 2: of valuable times.

447
00:22:56,320 --> 00:22:58,239
Speaker 3: She's on a big series right now, and I think

448
00:22:58,280 --> 00:23:03,360
Speaker 3: I'm confusing it with Megalopolis, So I just kiss my ass.

449
00:23:03,880 --> 00:23:06,600
Speaker 2: She's a show. She's on a show called like Tucson,

450
00:23:06,880 --> 00:23:11,600
Speaker 2: m D. And he's confusing that with megals. Okay, Okay,

451
00:23:11,600 --> 00:23:15,000
Speaker 2: that's cool. Okay. Let me ask a question. What was

452
00:23:15,040 --> 00:23:17,560
Speaker 2: your experience then with TV and movies? When you were young?

453
00:23:17,600 --> 00:23:19,200
Speaker 2: You never went to the movies and you didn't care

454
00:23:19,200 --> 00:23:22,040
Speaker 2: about that. What would you do for fun? Don't answer that,

455
00:23:22,440 --> 00:23:25,159
Speaker 2: but the what would you do for fun? You mean

456
00:23:25,240 --> 00:23:26,919
Speaker 2: Charlie brook going to you wuldn't go to the movies?

457
00:23:27,160 --> 00:23:31,159
Speaker 5: No, we went to the beach down to tobay to

458
00:23:31,240 --> 00:23:34,280
Speaker 5: a park. Okay, why are you looking at me like that?

459
00:23:34,440 --> 00:23:37,600
Speaker 2: Okay, but you didn't go to any indoor spaces. Shall

460
00:23:37,640 --> 00:23:38,040
Speaker 2: we say?

461
00:23:38,160 --> 00:23:40,400
Speaker 5: Oh, I watched television.

462
00:23:40,440 --> 00:23:41,520
Speaker 2: I watched you like.

463
00:23:42,040 --> 00:23:44,720
Speaker 5: I like Wizard of Oz, I liked you know. Dad

464
00:23:44,760 --> 00:23:47,159
Speaker 5: would make me us watch certain things.

465
00:23:47,240 --> 00:23:49,160
Speaker 2: We weren't. You want a TV watch and you didn't

466
00:23:49,200 --> 00:23:52,200
Speaker 2: watch like Bewitched and things like that. No, you never

467
00:23:52,200 --> 00:23:54,600
Speaker 2: sat down in front of the TV in your childhood.

468
00:23:54,560 --> 00:23:59,280
Speaker 5: Because I was always sickly.

469
00:23:57,359 --> 00:23:59,399
Speaker 2: Well you were. Assume one goes hand in hand with

470
00:23:59,440 --> 00:24:01,120
Speaker 2: the other. Sickly. You're watching TV.

471
00:24:01,200 --> 00:24:04,399
Speaker 5: You can't breathe. You can't, you can't. I couldn't breathe

472
00:24:04,400 --> 00:24:05,840
Speaker 5: all the time. I wouldn't feel well.

473
00:24:06,320 --> 00:24:07,640
Speaker 2: So asthma killed your acting?

474
00:24:07,880 --> 00:24:09,119
Speaker 5: Yes, yes, asthma.

475
00:24:09,440 --> 00:24:18,639
Speaker 2: That's tough about all teah. Yeah, that's rough. Steve, What

476
00:24:18,640 --> 00:24:22,680
Speaker 2: are you looking up now? Megalopolis the TV series? What

477
00:24:22,800 --> 00:24:24,760
Speaker 2: are you looking up? Guys? They may be that may

478
00:24:24,800 --> 00:24:26,159
Speaker 2: be in the hopper right now. I don't know.

479
00:24:28,680 --> 00:24:31,879
Speaker 3: Hold on, I'll find it. For crime at these sakes me.

480
00:24:33,760 --> 00:24:37,960
Speaker 2: Series, Look at this, Steeve. We can't do that. That's

481
00:24:37,960 --> 00:24:40,240
Speaker 2: dead air. It's dead air. We're doing it. We're gonna

482
00:24:40,240 --> 00:24:42,520
Speaker 2: be I can't can't stay much longer. I canna leave

483
00:24:42,520 --> 00:24:46,919
Speaker 2: it about ten weeks. I'm joking. Put the phone down.

484
00:24:47,000 --> 00:24:48,520
Speaker 2: Put the phone. I just want to figure out the

485
00:24:48,520 --> 00:24:53,399
Speaker 2: one girl's name. We don't care. I just just had

486
00:24:53,400 --> 00:24:57,679
Speaker 2: a weird glitch. Deadbie Masar, Oh, got you kidding me?

487
00:24:58,040 --> 00:25:00,879
Speaker 2: Debbie Maser, who was in Good Fellow Us to the

488
00:25:00,920 --> 00:25:02,000
Speaker 2: Coke Dealer with Ray.

489
00:25:02,119 --> 00:25:04,840
Speaker 3: Right right, she's in a huge series. Would you look

490
00:25:04,840 --> 00:25:06,560
Speaker 3: it up on IMG before me? What she's doing right now?

491
00:25:06,560 --> 00:25:08,240
Speaker 2: No, one of my favorite films. Ready, let's do it.

492
00:25:08,680 --> 00:25:10,840
Speaker 2: Everything here for me is a tip of the hat

493
00:25:10,880 --> 00:25:12,760
Speaker 2: to somebody I really liked. So I always like Matt Dylan.

494
00:25:12,800 --> 00:25:14,720
Speaker 2: I thought that was a good movie actor. It was

495
00:25:14,720 --> 00:25:18,040
Speaker 2: so interesting, good, good looking, but interesting. Baba did all

496
00:25:18,080 --> 00:25:22,879
Speaker 2: those s he hinting things with Coppola, h you know,

497
00:25:22,960 --> 00:25:26,720
Speaker 2: the Outsiders and so forth and uh and the one

498
00:25:26,760 --> 00:25:30,480
Speaker 2: with Nicky with that Outsiders or so Yeah, he was

499
00:25:30,480 --> 00:25:32,600
Speaker 2: a pony boy, I think, right, I forget one of

500
00:25:32,600 --> 00:25:34,600
Speaker 2: them anyway. I don't know the names of that, although

501
00:25:34,640 --> 00:25:38,240
Speaker 2: I have all those hinting books. But drug Store Cowboys

502
00:25:38,240 --> 00:25:40,719
Speaker 2: one of my favorite movies of all time. Wow, when

503
00:25:40,800 --> 00:25:45,760
Speaker 2: he's standing there with I worked with Kelly. And we're

504
00:25:45,760 --> 00:25:47,880
Speaker 2: sitting there on a boat smoking a cigarette. We're gonna

505
00:25:47,880 --> 00:25:51,160
Speaker 2: shoot on this boat in like Ponsha Trent in New Orleans.

506
00:25:51,200 --> 00:25:54,840
Speaker 2: And I go, just we're not talking, but I'm just

507
00:25:54,880 --> 00:25:56,760
Speaker 2: looking at her. And I go and the boat's coming

508
00:25:56,880 --> 00:25:58,879
Speaker 2: like this and the sun's out. It's hot as hell,

509
00:25:58,960 --> 00:26:02,120
Speaker 2: and I go, why am I so in love with you?

510
00:26:02,960 --> 00:26:05,160
Speaker 2: She takes the truck on the cigaret. She goes, it's

511
00:26:05,200 --> 00:26:07,320
Speaker 2: not me, Alec, she's from Chicago. I think she says,

512
00:26:07,320 --> 00:26:09,640
Speaker 2: it's not me. I mean, I get this all the time.

513
00:26:09,640 --> 00:26:13,280
Speaker 2: It's Diane, Diane. You're in love with Diane. You want

514
00:26:13,280 --> 00:26:15,680
Speaker 2: to know why, because she's everything a man wants. She's

515
00:26:15,680 --> 00:26:18,560
Speaker 2: a good partner and stands by you. Every man I

516
00:26:18,600 --> 00:26:20,399
Speaker 2: know they're in love with Diane. They think they're in

517
00:26:20,400 --> 00:26:22,000
Speaker 2: love with me, they're in love with Diane. I was like,

518
00:26:23,840 --> 00:26:27,200
Speaker 2: that's really that sounds right. Actually, yeah, that's really true.

519
00:26:27,240 --> 00:26:29,280
Speaker 2: I was in love with Diane. And she's in that

520
00:26:29,320 --> 00:26:31,560
Speaker 2: scene when she's in the house and they gotta and

521
00:26:31,600 --> 00:26:33,800
Speaker 2: they get the drugs and they're gonna takes the drugs

522
00:26:33,840 --> 00:26:36,240
Speaker 2: or whatever, and he's really like grinding his jaw. He's

523
00:26:36,240 --> 00:26:39,320
Speaker 2: really wasted on antheta means. And she looks at me,

524
00:26:39,520 --> 00:26:42,560
Speaker 2: and he goes, Diane, you gotta understand. We gotta go

525
00:26:42,600 --> 00:26:45,280
Speaker 2: out again. We gotta go hit another pharmacy. We gotta

526
00:26:45,320 --> 00:26:48,600
Speaker 2: go hit another pharmacy. Because hot right now was so hot.

527
00:26:48,840 --> 00:26:50,920
Speaker 2: We gotta go. We gotta go hit another place. Now

528
00:26:50,960 --> 00:26:54,240
Speaker 2: we're hot. And she looks. She always has a cigarette

529
00:26:54,240 --> 00:26:57,240
Speaker 2: her mouth in the room, and she goes, Bob, if

530
00:26:57,280 --> 00:26:59,439
Speaker 2: you're so hot, why don't you lay me down and

531
00:26:59,480 --> 00:27:01,359
Speaker 2: make love to me right now? And he looks at me.

532
00:27:01,400 --> 00:27:07,960
Speaker 2: He goes, Diane, we can do that anytime, because Dick

533
00:27:08,040 --> 00:27:09,760
Speaker 2: is probably like a cashew, you know what I mean,

534
00:27:10,520 --> 00:27:13,879
Speaker 2: And he just is not happening right now. Bob, if

535
00:27:13,880 --> 00:27:16,240
Speaker 2: you're so hot? And I was so in love. I

536
00:27:16,280 --> 00:27:20,000
Speaker 2: love that movie van zandt one of the greatest movies

537
00:27:20,080 --> 00:27:21,840
Speaker 2: Vanz that made them. I mean, it's very hard to

538
00:27:21,840 --> 00:27:24,359
Speaker 2: pull these movies off, and they're always a fine line.

539
00:27:24,400 --> 00:27:26,760
Speaker 2: In my mind. This might have been of them tipping

540
00:27:26,760 --> 00:27:28,719
Speaker 2: off the show off the cliff. But he did that

541
00:27:28,760 --> 00:27:33,119
Speaker 2: movie Elephant about his take on Columbine. Oh, that's one

542
00:27:33,119 --> 00:27:37,400
Speaker 2: of the most amazing movies. I love Van Zandt. He's amazing. Vanzad,

543
00:27:37,800 --> 00:27:38,520
Speaker 2: He's amazing.

544
00:27:39,160 --> 00:27:40,920
Speaker 3: What questions do we have for Sissy?

545
00:27:42,880 --> 00:27:47,000
Speaker 2: You like drug Stock Cowboy? This is gonna be it?

546
00:27:47,560 --> 00:27:48,800
Speaker 2: What what?

547
00:27:49,080 --> 00:27:52,639
Speaker 3: It's a filmy drug Store Cowboy? You'd remember it if

548
00:27:53,000 --> 00:27:53,400
Speaker 3: if it.

549
00:27:53,320 --> 00:27:54,280
Speaker 5: Was to see it.

550
00:27:54,480 --> 00:27:57,360
Speaker 3: Kelly Lynch, I thought you had some questions about some

551
00:27:57,400 --> 00:27:58,800
Speaker 3: of your titles.

552
00:27:58,840 --> 00:28:00,920
Speaker 2: She just said she doesn't really watch very many movies.

553
00:28:00,920 --> 00:28:03,879
Speaker 2: I was gonna say, like for me, the first movie

554
00:28:03,920 --> 00:28:05,840
Speaker 2: I watched on TV late at night that was a

555
00:28:05,880 --> 00:28:08,320
Speaker 2: thriller that scared me. Was sorry, wrong number. I watch

556
00:28:08,320 --> 00:28:11,000
Speaker 2: it every year. I watch it every year. Burt Lancaster

557
00:28:11,480 --> 00:28:13,760
Speaker 2: contracts people to murder his wife to get the insurance,

558
00:28:14,080 --> 00:28:16,240
Speaker 2: then finds out he doesn't need to, and in the

559
00:28:16,280 --> 00:28:18,320
Speaker 2: climax of the movie, he tries to stop the men

560
00:28:18,400 --> 00:28:21,240
Speaker 2: from going to the apartment and murdering his rich wife.

561
00:28:21,560 --> 00:28:24,880
Speaker 2: And it is one of the greatest movies ever made

562
00:28:24,880 --> 00:28:26,720
Speaker 2: in history. Like I always tell people, this is the

563
00:28:26,760 --> 00:28:29,000
Speaker 2: most brilliant thriller. It was a radio play, it was

564
00:28:29,040 --> 00:28:29,399
Speaker 2: a book.

565
00:28:29,560 --> 00:28:32,119
Speaker 5: You were sneaking with Daddy and doing those things.

566
00:28:31,960 --> 00:28:34,199
Speaker 2: And where were you? I was sleeping wheezing in the

567
00:28:34,200 --> 00:28:34,640
Speaker 2: other room.

568
00:28:34,760 --> 00:28:37,760
Speaker 5: Yes, I had to be yes. I was sick.

569
00:28:37,560 --> 00:28:45,080
Speaker 2: Weezer, Weezer, That's why I'm weez Sam Weiss now. But

570
00:28:45,320 --> 00:28:46,920
Speaker 2: I don't want to yammer on and on about my

571
00:28:47,760 --> 00:28:50,800
Speaker 2: you know, sound like I'm trying to be so intellectually

572
00:28:50,920 --> 00:28:52,920
Speaker 2: vain here about movies and so for But like for me,

573
00:28:53,520 --> 00:28:56,480
Speaker 2: I grew up in a childhood. People my age understand

574
00:28:56,720 --> 00:29:00,280
Speaker 2: there was no Internet, there was no VC. Right would

575
00:29:00,280 --> 00:29:03,480
Speaker 2: announce a movie playing on a network. NBC would have

576
00:29:03,480 --> 00:29:05,600
Speaker 2: the Sunday Night Movie or whatever it was, one of

577
00:29:05,600 --> 00:29:08,440
Speaker 2: the three. There was no Fox back then, there was

578
00:29:08,480 --> 00:29:11,280
Speaker 2: no satellites or cable, nothing. And they'd sit there and

579
00:29:11,320 --> 00:29:13,120
Speaker 2: they'd announce a movie they had come out in theaters

580
00:29:13,160 --> 00:29:15,760
Speaker 2: five years earlier, and they'd say next Sunday on the

581
00:29:15,800 --> 00:29:18,880
Speaker 2: Sunday Night Movie but sound of music, and we'dn't be

582
00:29:18,920 --> 00:29:21,680
Speaker 2: seeing there, going, oh my god. We're gonna sit in

583
00:29:21,720 --> 00:29:24,200
Speaker 2: our house, in your home, out of the drive to

584
00:29:24,200 --> 00:29:26,320
Speaker 2: a place and park and go by and it's free.

585
00:29:26,440 --> 00:29:28,959
Speaker 2: We're gonna watch on broadcast TV no cable back then.

586
00:29:29,000 --> 00:29:32,440
Speaker 2: It was rabbit ears and it was free. Commercials paid

587
00:29:32,560 --> 00:29:35,360
Speaker 2: for the bills. And I said, we'd all be glued

588
00:29:35,360 --> 00:29:39,840
Speaker 2: to the TV. The sound of music, Mary Poppins always,

589
00:29:39,920 --> 00:29:40,680
Speaker 2: Julie Andrews.

590
00:29:41,400 --> 00:29:43,040
Speaker 5: You liked horror shows too.

591
00:29:43,320 --> 00:29:45,840
Speaker 2: Well, they'd have Chiller theater. Yeah, they'd show all the

592
00:29:45,880 --> 00:29:47,440
Speaker 2: old Warner Brothers gangster films.

593
00:29:47,560 --> 00:29:51,800
Speaker 3: Now, you tend to reflect on our childhood on occasion

594
00:29:52,760 --> 00:29:54,640
Speaker 3: and say that you would come home when you were

595
00:29:54,640 --> 00:29:56,680
Speaker 3: older and I was younger, and my friends would be

596
00:29:56,720 --> 00:29:59,640
Speaker 3: in the in the den and we'd be watching TV

597
00:29:59,720 --> 00:30:01,960
Speaker 3: later night and having some snacks.

598
00:30:02,360 --> 00:30:06,440
Speaker 2: And exploring outer space on the TV and in here. Yeah.

599
00:30:06,600 --> 00:30:08,360
Speaker 3: Sure, you guys were a little We had to have

600
00:30:08,440 --> 00:30:11,760
Speaker 3: a certain atmosphere for certain.

601
00:30:11,800 --> 00:30:13,520
Speaker 2: It's a tribal ritual viewership.

602
00:30:13,800 --> 00:30:20,120
Speaker 3: But my next question is back in those days, guy, Yeah,

603
00:30:20,320 --> 00:30:24,680
Speaker 3: you too created certain atmospheres for yourself, such as and

604
00:30:24,760 --> 00:30:26,280
Speaker 3: you watch certain programs yourself.

605
00:30:26,280 --> 00:30:29,440
Speaker 2: So but so, give me the what was it Twilight?

606
00:30:29,600 --> 00:30:31,800
Speaker 3: What was your guilty pleasures?

607
00:30:31,960 --> 00:30:38,440
Speaker 2: Outer limits? No, No, Alfred Hitchcot, there was a tie, Alfred.

608
00:30:38,560 --> 00:30:41,200
Speaker 2: Remember back then you couldn't afford to be too choosy.

609
00:30:41,240 --> 00:30:43,840
Speaker 2: It was like you watched everything you watched mister ed,

610
00:30:43,960 --> 00:30:48,040
Speaker 2: You watched Gilligan's Island, you watched you know, all this

611
00:30:48,480 --> 00:30:55,920
Speaker 2: game shows. I love game shows. Password with Alan Luddon Jeopardy. Yeah, no, no,

612
00:30:55,960 --> 00:30:58,920
Speaker 2: Alan Luddon, and that would be what's They would be

613
00:30:59,120 --> 00:31:01,400
Speaker 2: what's my line? And the person would sign in you.

614
00:31:01,520 --> 00:31:03,400
Speaker 2: They wouldn't show me. You see his hand on the talukboard,

615
00:31:03,520 --> 00:31:06,200
Speaker 2: you know, they'd write Humphrey Boguard and the audience is

616
00:31:06,240 --> 00:31:09,160
Speaker 2: going crazy, and they'd sit down and the battles were

617
00:31:09,160 --> 00:31:11,200
Speaker 2: masked and they say, I take it from your the

618
00:31:11,240 --> 00:31:13,480
Speaker 2: response you were given you you're a star in the

619
00:31:13,520 --> 00:31:16,360
Speaker 2: world of entertainment? Is that correct? And he goes, yes,

620
00:31:16,840 --> 00:31:20,320
Speaker 2: he tried bog which to fake his famous voice. But

621
00:31:20,800 --> 00:31:23,560
Speaker 2: all those shows, what's my line? I've got a secret

622
00:31:24,040 --> 00:31:28,440
Speaker 2: password a match game, which I ironically wound up doing eventually,

623
00:31:29,240 --> 00:31:34,760
Speaker 2: what do you call the one with Hollywood Squares? Paul

624
00:31:38,360 --> 00:31:38,920
Speaker 2: the other day?

625
00:31:39,560 --> 00:31:41,440
Speaker 5: Hefty?

626
00:31:42,200 --> 00:31:44,240
Speaker 2: What did he do? They have him online all the

627
00:31:44,280 --> 00:31:49,080
Speaker 2: time doing this one. No, that's the other one. Paul

628
00:31:49,320 --> 00:31:52,560
Speaker 2: was the one like anybody what was the line he'd said?

629
00:31:52,840 --> 00:31:57,080
Speaker 2: He was great? What did he say? Like always sexual

630
00:31:57,120 --> 00:32:00,880
Speaker 2: innuendo and you almost got himself in trouble. But Charles

631
00:32:00,880 --> 00:32:03,320
Speaker 2: Nelson Miley, Yeah, yeah, we did him on this.

632
00:32:04,800 --> 00:32:08,840
Speaker 3: And Charles Nelson Riley and then interestingly, I'm gonna segue

633
00:32:08,920 --> 00:32:14,640
Speaker 3: for a second because you were watching something before over

634
00:32:14,720 --> 00:32:17,480
Speaker 3: your shoulder. I saw you watching Who's the other comedian

635
00:32:17,560 --> 00:32:19,320
Speaker 3: you did? The movie? Was you were watching this morning?

636
00:32:19,800 --> 00:32:22,400
Speaker 2: That daddy loved Jonathan Winters?

637
00:32:22,920 --> 00:32:23,640
Speaker 3: What was that film?

638
00:32:24,000 --> 00:32:25,680
Speaker 2: The Shadow? He was my uncle.

639
00:32:26,640 --> 00:32:29,200
Speaker 3: I walked with you watching The Shadow for a second

640
00:32:30,560 --> 00:32:34,120
Speaker 3: and it was wild to see him because Dad love.

641
00:32:34,800 --> 00:32:38,480
Speaker 2: Jonathan Winters was He calls me, I'm with you and mom.

642
00:32:38,760 --> 00:32:40,800
Speaker 2: And we rented that house up on the lake years

643
00:32:40,840 --> 00:32:45,080
Speaker 2: ago in the nineties with the summer of ninety three,

644
00:32:45,520 --> 00:32:47,320
Speaker 2: and I was gonna go shoot The Shadow that fall.

645
00:32:47,480 --> 00:32:50,800
Speaker 2: We shot it. Then the earthquake came out in the

646
00:32:50,840 --> 00:32:53,560
Speaker 2: middle of our shooting in January Northwardge earthquake. We had

647
00:32:53,560 --> 00:32:54,920
Speaker 2: to shut down for two weeks and then go out

648
00:32:54,960 --> 00:32:57,840
Speaker 2: to another location. But Winters is in his house and

649
00:32:57,840 --> 00:32:59,360
Speaker 2: to look a lake. I think he would live somewhere

650
00:32:59,400 --> 00:33:02,800
Speaker 2: in a nice part of the valley and une part

651
00:33:02,800 --> 00:33:07,160
Speaker 2: of the valley. The teeth like that. Like Dad, you

652
00:33:07,320 --> 00:33:10,600
Speaker 2: keep totally Winters. No, but Winters you could playing. He

653
00:33:10,640 --> 00:33:12,960
Speaker 2: wants me to call Marty Bregman was the producer. He says,

654
00:33:13,000 --> 00:33:14,720
Speaker 2: would you call him? He wants to talk to you.

655
00:33:14,960 --> 00:33:16,440
Speaker 2: And I was with you and Mom were renting a

656
00:33:16,440 --> 00:33:18,000
Speaker 2: house up there on the lake for the first time.

657
00:33:19,240 --> 00:33:22,120
Speaker 2: Up there, we rented a house. It was the thunderous

658
00:33:22,200 --> 00:33:26,720
Speaker 2: sound of crickets and we're right on the water. I

659
00:33:26,760 --> 00:33:29,240
Speaker 2: don't remember where we went. We can't ask moms. She's

660
00:33:29,280 --> 00:33:32,160
Speaker 2: not here. One of the problems. He's the archimist. But

661
00:33:32,920 --> 00:33:34,640
Speaker 2: they said he wants to talk to my col Winters

662
00:33:34,680 --> 00:33:38,840
Speaker 2: on the phone. Winters gets on the phone. He says, ah, well,

663
00:33:38,880 --> 00:33:40,240
Speaker 2: I want to ask you a question.

664
00:33:41,480 --> 00:33:42,000
Speaker 5: That is.

665
00:33:43,400 --> 00:33:45,400
Speaker 2: In this movie and this picture. You want me to

666
00:33:45,400 --> 00:33:49,720
Speaker 2: play the commissioner. Is that right? And I go, yes,

667
00:33:50,240 --> 00:33:53,720
Speaker 2: you're the police commission goes well, you often find in

668
00:33:53,840 --> 00:33:57,640
Speaker 2: movies that the guy that's the commissioner, he's kind of

669
00:33:57,680 --> 00:34:00,160
Speaker 2: an ass you know, I mean the water commissioner, or

670
00:34:00,200 --> 00:34:03,640
Speaker 2: the baseball commissioner, the police commissioner, you know what I mean.

671
00:34:03,680 --> 00:34:05,840
Speaker 2: The guy when he's a commissioner, he's kind of a

672
00:34:06,000 --> 00:34:09,640
Speaker 2: he's kind of an asshole. You're follow me and I go, whoa,

673
00:34:09,680 --> 00:34:12,319
Speaker 2: why so why do you want me to play the

674
00:34:12,320 --> 00:34:14,560
Speaker 2: commissioner in here movie? And I go, well, no, it's

675
00:34:14,600 --> 00:34:16,480
Speaker 2: not that at all. You're not a n assole, I

676
00:34:16,480 --> 00:34:19,560
Speaker 2: said You're like, you're you're I mean, you just show

677
00:34:19,640 --> 00:34:21,879
Speaker 2: up and if everybody's laughing, you're like one of the

678
00:34:21,880 --> 00:34:24,600
Speaker 2: five funniest men in history. And he's like, aw, it's

679
00:34:24,680 --> 00:34:28,000
Speaker 2: very and I say, well, no, we want you good.

680
00:34:28,360 --> 00:34:30,440
Speaker 2: I mean, I'm a huge fan of yours. I grew up.

681
00:34:31,200 --> 00:34:33,279
Speaker 2: You know. It's a mad, mad, mad Mad World. My

682
00:34:33,360 --> 00:34:36,640
Speaker 2: favorite comedy of all time. That's tied Mad Mad, Mad

683
00:34:36,680 --> 00:34:39,360
Speaker 2: Mad World and The Fortune Cookie with Jack Lemon and

684
00:34:39,400 --> 00:34:43,880
Speaker 2: Walter Matthow. The Chinese what do they know that's Walter Mathow.

685
00:34:44,760 --> 00:34:46,799
Speaker 2: So Winter shows up and he plays the party, plays

686
00:34:46,840 --> 00:34:51,640
Speaker 2: my uncle and he's so we were crying because he

687
00:34:51,640 --> 00:34:53,919
Speaker 2: had a recall mechanism. I always tell the same joke.

688
00:34:54,360 --> 00:34:56,400
Speaker 2: He had a recall mechanism where he couldn't remember his

689
00:34:56,480 --> 00:34:58,120
Speaker 2: lines because he wasn't great with his lines. He had

690
00:34:58,120 --> 00:35:00,200
Speaker 2: an assistant there whould prompt him and run with him.

691
00:35:00,520 --> 00:35:02,880
Speaker 2: And he said, there and going to be Lamont. This

692
00:35:03,040 --> 00:35:05,600
Speaker 2: is in the take, he go, Lamont, you gotta find

693
00:35:05,600 --> 00:35:08,319
Speaker 2: their shadow, Fella. It's bad for Gotham, it's bad for

694
00:35:08,360 --> 00:35:11,800
Speaker 2: the city, it's bad for the economy, it's bad for everybody.

695
00:35:12,680 --> 00:35:19,319
Speaker 2: But that's neither here nor there. Line. Yeah, so you

696
00:35:19,400 --> 00:35:21,239
Speaker 2: and I have to come up with a plan. We

697
00:35:21,280 --> 00:35:23,360
Speaker 2: don't find this film is gonna be disastrous for Gotain.

698
00:35:25,400 --> 00:35:31,040
Speaker 2: That's neither here nor there. Line to who his recall

699
00:35:31,160 --> 00:35:34,080
Speaker 2: line was, but that's neither here nor there. Could say

700
00:35:34,600 --> 00:35:37,799
Speaker 2: that's what he did to Stall and he said, but

701
00:35:37,880 --> 00:35:41,640
Speaker 2: that's not Here's like that. That was the cue for

702
00:35:41,680 --> 00:35:45,319
Speaker 2: the guy to be like okayne line, that's neither here

703
00:35:45,360 --> 00:35:49,520
Speaker 2: nor there. Oh no, we that movie was not a

704
00:35:49,520 --> 00:35:52,320
Speaker 2: good movie. And because it was, it wasn't one person's vision.

705
00:35:52,719 --> 00:35:55,040
Speaker 2: Russell mulkayhe was the director who had just to come

706
00:35:55,120 --> 00:35:59,080
Speaker 2: up with a biggest successful film. Good guy, smart guy,

707
00:35:59,239 --> 00:36:02,200
Speaker 2: very bright guy. But Marty intruded too much. It was

708
00:36:02,200 --> 00:36:04,279
Speaker 2: not like one person's vision, which a movie has to be.

709
00:36:04,320 --> 00:36:06,840
Speaker 2: That sure, you know, Marty was a very intrusive producer,

710
00:36:07,120 --> 00:36:09,359
Speaker 2: like Weinstein and those guys where they think they're gonna

711
00:36:09,440 --> 00:36:12,200
Speaker 2: we love Marty. Yeah, no, Marty was a great guy.

712
00:36:12,239 --> 00:36:20,759
Speaker 2: But anyway, okay, let's try to try to hit the

713
00:36:20,760 --> 00:36:22,160
Speaker 2: ball back. Now I'm gonna serve and you hit the

714
00:36:22,160 --> 00:36:25,279
Speaker 2: ball back ready if I can. And okay, so when

715
00:36:25,320 --> 00:36:28,120
Speaker 2: you were child kind of you're like Wizard of Oz Yeah,

716
00:36:29,520 --> 00:36:32,920
Speaker 2: like sound of Music. Yes, did you like Mary Poppins?

717
00:36:33,120 --> 00:36:34,959
Speaker 5: Oh? Yes, I think I'm hurt.

718
00:36:35,239 --> 00:36:38,239
Speaker 2: Now what kind of entertainment did you raise your children on?

719
00:36:38,880 --> 00:36:42,040
Speaker 2: Or do we want to get into that? Now that's

720
00:36:42,120 --> 00:36:45,279
Speaker 2: neither here nor there. What do you what did you

721
00:36:45,320 --> 00:36:45,960
Speaker 2: raise your children?

722
00:36:46,920 --> 00:36:48,399
Speaker 5: I took them to the movies, but.

723
00:36:51,200 --> 00:36:56,160
Speaker 3: Disney, Wolverine, Disney, Cinderella, Deadpool.

724
00:36:56,280 --> 00:37:00,760
Speaker 5: I was so busy taking I can't even remember our face. No.

725
00:37:01,440 --> 00:37:04,480
Speaker 5: The first time I took them to a movie Scream,

726
00:37:05,000 --> 00:37:11,120
Speaker 5: I remember that. Jonathan and Jill like Scream. No, they

727
00:37:11,120 --> 00:37:14,799
Speaker 5: were like seven and eight. I did not know. I

728
00:37:14,880 --> 00:37:17,759
Speaker 5: did not know. Now I Scream, the one where you

729
00:37:17,800 --> 00:37:22,440
Speaker 5: walk in and we're sitting down front row and the kids.

730
00:37:22,480 --> 00:37:24,080
Speaker 5: We were in front row because we were late, and

731
00:37:24,120 --> 00:37:26,360
Speaker 5: the kids had to hold their head back to watch

732
00:37:26,400 --> 00:37:30,040
Speaker 5: the screen because we were so close. Well, Jonathan was

733
00:37:30,040 --> 00:37:34,560
Speaker 5: born in eighty seven, so early nineties eighty he was, Yeah,

734
00:37:34,600 --> 00:37:37,040
Speaker 5: he was born, and forgot what screen early.

735
00:37:38,600 --> 00:37:40,440
Speaker 2: You're watching Scream? Watching Scream?

736
00:37:41,040 --> 00:37:43,200
Speaker 5: No, no, no, So the person walks in I think

737
00:37:43,200 --> 00:37:47,360
Speaker 5: it's Scream. The person walks in in the bathroom, and

738
00:37:47,440 --> 00:37:50,279
Speaker 5: the knife goes through the bathroom into the person to

739
00:37:50,360 --> 00:37:53,840
Speaker 5: kill the person Okay, I say to Jill and Jonathan

740
00:37:54,040 --> 00:37:58,520
Speaker 5: get up now we are leaving. And I went out

741
00:37:59,080 --> 00:38:01,840
Speaker 5: and I said I want my money back because we

742
00:38:01,880 --> 00:38:03,800
Speaker 5: had no and I said.

743
00:38:03,600 --> 00:38:06,040
Speaker 2: You're good movie programming that you're a part. That was great.

744
00:38:06,120 --> 00:38:08,320
Speaker 5: No, I was. I was a mother first.

745
00:38:08,880 --> 00:38:11,880
Speaker 3: That was disgusting, but I like the you want your

746
00:38:11,880 --> 00:38:12,319
Speaker 3: money back.

747
00:38:13,440 --> 00:38:15,600
Speaker 2: I take the boys out of the movies and I'll say,

748
00:38:15,760 --> 00:38:17,160
Speaker 2: let's go see this.

749
00:38:17,840 --> 00:38:17,960
Speaker 5: Uh.

750
00:38:18,080 --> 00:38:21,200
Speaker 2: You know, Ralf is the big problem because he's nine

751
00:38:21,239 --> 00:38:23,480
Speaker 2: years old. That was really into everything, kind of forbidden.

752
00:38:25,440 --> 00:38:29,000
Speaker 2: Let's go see uh robot, what is it? Robot? Wild

753
00:38:29,080 --> 00:38:31,440
Speaker 2: Robot Wild. Let's go see wild Robot. And the other

754
00:38:31,440 --> 00:38:33,359
Speaker 2: two boys like, yeah, let's go see wild Robot. Raf

755
00:38:33,480 --> 00:38:36,200
Speaker 2: was like, I don't want to go see that. I

756
00:38:36,239 --> 00:38:38,520
Speaker 2: don't see that. What do you want to see? He goes,

757
00:38:38,880 --> 00:38:40,560
Speaker 2: and then he'll point to the poster for like Alien

758
00:38:40,640 --> 00:38:44,440
Speaker 2: Romulus with the with the with the monster is sucking

759
00:38:44,480 --> 00:38:46,640
Speaker 2: in the blood out of the guy's face. Really, oh,

760
00:38:46,680 --> 00:38:48,400
Speaker 2: I swear to god. He goes, I want to go

761
00:38:48,480 --> 00:38:52,800
Speaker 2: see that, and I'm like, wow, that's never that's pretty wild.

762
00:38:52,920 --> 00:38:55,120
Speaker 2: Oh no, he's into all that. He's alien. I showed him.

763
00:38:55,120 --> 00:38:57,879
Speaker 2: I showed him a section of regular. His new name

764
00:38:57,920 --> 00:39:02,000
Speaker 2: is Formulus. I just I showed him the original alien

765
00:39:02,080 --> 00:39:04,239
Speaker 2: A part of it right, thing comes out of John

766
00:39:04,280 --> 00:39:06,640
Speaker 2: hurt Spot. Oh, they went crazy. They were like, you know,

767
00:39:08,040 --> 00:39:10,520
Speaker 2: they're like, you're my sons are all like my brothers.

768
00:39:10,560 --> 00:39:16,280
Speaker 2: They're sitting there going, oh sick. I'm not gonna raft

769
00:39:17,600 --> 00:39:19,439
Speaker 2: it's a science fiction movie. They know it's not real.

770
00:39:19,840 --> 00:39:21,680
Speaker 2: You know, someone's they know some they know that some

771
00:39:21,760 --> 00:39:25,200
Speaker 2: demons not gonna stick his probe up their ass and

772
00:39:25,239 --> 00:39:27,440
Speaker 2: shoot an alien baby in there and the baby's going

773
00:39:27,520 --> 00:39:30,440
Speaker 2: to come out of their chest. That's what that's a movie.

774
00:39:32,840 --> 00:39:37,480
Speaker 2: Romeo doesn't like that. He doesn't like it. Nightmares and

775
00:39:37,520 --> 00:39:39,440
Speaker 2: he wakes up at night with nightmares, not all the time,

776
00:39:39,440 --> 00:39:42,759
Speaker 2: but with periodically. But the other boys, like you know,

777
00:39:43,040 --> 00:39:45,200
Speaker 2: Raff's like in his bunk bed, and Raffie was to

778
00:39:45,200 --> 00:39:46,919
Speaker 2: think it's going to turn into like a prison cell

779
00:39:46,920 --> 00:39:49,719
Speaker 2: when he's gonna be there smoking a cigarette and be like, dude,

780
00:39:51,760 --> 00:39:54,880
Speaker 2: what about Mexico. Tell that story?

781
00:39:55,320 --> 00:39:59,239
Speaker 3: Remember remember I guess you were in the car with

782
00:39:59,360 --> 00:40:02,080
Speaker 3: the boys. You're talking about where you were gonna go

783
00:40:02,080 --> 00:40:05,800
Speaker 3: and to Marilla or if you could go somewhere stay

784
00:40:06,120 --> 00:40:09,479
Speaker 3: one of your sons was like, I choose to stay

785
00:40:09,520 --> 00:40:14,080
Speaker 3: here to Rof goes, I want to go to Mexico.

786
00:40:15,040 --> 00:40:19,080
Speaker 2: The story telling so brilliant. No, I don't remember the details,

787
00:40:19,080 --> 00:40:21,000
Speaker 2: but it was like, you want to live in New York, Vermont,

788
00:40:21,120 --> 00:40:23,480
Speaker 2: Rea Stampton for you know New York ver Hono sapped.

789
00:40:23,640 --> 00:40:26,239
Speaker 2: Romeo says the city because he sucks up to his

790
00:40:26,280 --> 00:40:28,799
Speaker 2: mother all day long and his mother wants to live there.

791
00:40:28,840 --> 00:40:31,759
Speaker 2: Whatever his mother says. And then uh, Leo, I think,

792
00:40:31,840 --> 00:40:34,839
Speaker 2: said of Vermont. He loves Vermont, but he does nobody

793
00:40:34,920 --> 00:40:37,560
Speaker 2: talking about and Ralf would always say East Tampton. But

794
00:40:37,560 --> 00:40:39,720
Speaker 2: then one day Rolf, but he's just he's just playing

795
00:40:39,800 --> 00:40:45,080
Speaker 2: now he likes Brando. Yeah, so he said, yeah, nobody's

796
00:40:45,680 --> 00:40:46,920
Speaker 2: He'll sit there and I'll go where do you want

797
00:40:46,960 --> 00:40:53,520
Speaker 2: to live? He'll go Mexico. Yeah, I'll don't you shut up?

798
00:40:54,760 --> 00:40:57,120
Speaker 2: But well, I thought you would tell the story about

799
00:40:57,160 --> 00:41:00,640
Speaker 2: me in Mexico with doing the movie that Juror, which

800
00:41:00,680 --> 00:41:04,440
Speaker 2: was a weird experience. But so you take your kids,

801
00:41:04,760 --> 00:41:06,480
Speaker 2: But did you take your kids to the movies all

802
00:41:06,520 --> 00:41:10,680
Speaker 2: the time? Did you watch TV with them periodically?

803
00:41:10,840 --> 00:41:11,120
Speaker 3: Yes?

804
00:41:12,200 --> 00:41:15,320
Speaker 2: What would you watch with.

805
00:41:14,400 --> 00:41:17,120
Speaker 5: We would watch movies that we would make it get

806
00:41:17,160 --> 00:41:19,520
Speaker 5: at the library, you know, like I would have to

807
00:41:19,560 --> 00:41:21,040
Speaker 5: control what they were watching.

808
00:41:21,080 --> 00:41:23,640
Speaker 2: And now I'm gonnaquiz you. Ready now, and I'll lead you.

809
00:41:24,160 --> 00:41:25,880
Speaker 2: I'll say something to suggestion. You're gonna give me the

810
00:41:25,960 --> 00:41:30,479
Speaker 2: name of the movie. Okay, Christmas movie, Christmas movie, Christmas movie.

811
00:41:30,480 --> 00:41:33,759
Speaker 2: Hold on, and the knob comes off the staircase because

812
00:41:33,760 --> 00:41:36,840
Speaker 2: the house is falling apart. He can't pay the loan.

813
00:41:37,800 --> 00:41:42,040
Speaker 2: Christmas movie, Christmas movie. Jimmy Stewart. I'll give you a

814
00:41:42,040 --> 00:41:45,520
Speaker 2: big end here, Jimmy Stewart. No, no, no, okay, is

815
00:41:45,520 --> 00:41:51,799
Speaker 2: it a streetcle on thirty fourth Street. Okay, we're gonna

816
00:41:51,880 --> 00:41:55,120
Speaker 2: keep going. Get three guesses, okay, so your words. He

817
00:41:55,160 --> 00:41:57,759
Speaker 2: takes the thing he meets, He meets the ghost on

818
00:41:57,800 --> 00:41:59,400
Speaker 2: the bridge. He's gonna jump off the bridge and kill

819
00:41:59,480 --> 00:42:01,520
Speaker 2: himself with the snow was bounding down. He wants to

820
00:42:01,520 --> 00:42:08,080
Speaker 2: commit suicide. And uh, okay.

821
00:42:06,880 --> 00:42:08,480
Speaker 5: I was busy having children.

822
00:42:09,239 --> 00:42:11,919
Speaker 2: Why don't you watch You watched.

823
00:42:11,560 --> 00:42:14,160
Speaker 5: All those movies then, and you're having children now.

824
00:42:15,239 --> 00:42:18,440
Speaker 2: The movie is this movie is? What? What's the movie?

825
00:42:19,120 --> 00:42:20,240
Speaker 2: What's the movie? Miracle?

826
00:42:21,000 --> 00:42:22,000
Speaker 5: I said the same thing.

827
00:42:23,040 --> 00:42:23,719
Speaker 2: It's going great.

828
00:42:24,640 --> 00:42:27,200
Speaker 5: I said the same thing. I said the same.

829
00:42:27,280 --> 00:42:29,120
Speaker 2: It's a wonderful life.

830
00:42:29,239 --> 00:42:29,479
Speaker 5: Okay.

831
00:42:31,239 --> 00:42:34,040
Speaker 2: I'm going to give you. I'm going to give you

832
00:42:34,080 --> 00:42:38,640
Speaker 2: an easy one. Okay. I have a son who was

833
00:42:38,719 --> 00:42:43,879
Speaker 2: forced to leave this country, and some accidents should befall him.

834
00:42:44,080 --> 00:42:47,680
Speaker 2: If he should be shot by a police officer, you

835
00:42:48,040 --> 00:42:51,920
Speaker 2: hang himself in his jail cell or be struck by

836
00:42:51,920 --> 00:42:55,239
Speaker 2: a belt of lightning. I'm gonna hold some of the

837
00:42:55,280 --> 00:42:56,879
Speaker 2: people in this room responsible.

838
00:42:57,320 --> 00:43:01,279
Speaker 6: Godfather, Oh my god, you wait, show what you want,

839
00:43:01,360 --> 00:43:02,160
Speaker 6: Show them what you want.

840
00:43:02,320 --> 00:43:05,600
Speaker 5: That's because of the accent that you did. Then I know, okay,

841
00:43:05,760 --> 00:43:10,319
Speaker 5: and all of these people. He doubted me. He always does.

842
00:43:17,520 --> 00:43:20,920
Speaker 2: Okay, famous police drama. Ready, trying to get this Ready,

843
00:43:21,160 --> 00:43:26,279
Speaker 2: I'm gonna take you for a walk without cuffsp me.

844
00:43:27,280 --> 00:43:28,600
Speaker 2: I'm gonna put one in your back.

845
00:43:30,280 --> 00:43:31,760
Speaker 5: You're gonna put one in your back.

846
00:43:33,080 --> 00:43:35,560
Speaker 2: Me, I'm gonna put one in your back. We're gonna

847
00:43:35,560 --> 00:43:36,640
Speaker 2: beep that out. Go ahead.

848
00:43:36,680 --> 00:43:38,400
Speaker 3: So what do you think it is? It sounds like

849
00:43:38,520 --> 00:43:39,280
Speaker 3: al Pacino?

850
00:43:41,000 --> 00:43:43,440
Speaker 2: She never I love you, you gotta help her cut.

851
00:43:44,280 --> 00:43:48,920
Speaker 2: I'll give you three choices. Ready, I'll give you three choices. Okay,

852
00:43:49,160 --> 00:43:53,359
Speaker 2: uh love actually never heard of you? Give it away?

853
00:43:53,400 --> 00:43:55,200
Speaker 5: Okay, I never heard of that. They're all laughing. They're

854
00:43:55,200 --> 00:43:56,080
Speaker 5: giving me a hand. Good.

855
00:43:57,719 --> 00:44:02,399
Speaker 2: Oh there you go out. That's two. You win one

856
00:44:02,400 --> 00:44:04,800
Speaker 2: more and you get it and you get a toaster freezer?

857
00:44:07,080 --> 00:44:10,359
Speaker 2: Got another one? Why am I forgetting? What was the show?

858
00:44:11,200 --> 00:44:16,560
Speaker 2: The game show, the legendary game? But yeah, let's I'm

859
00:44:16,560 --> 00:44:18,680
Speaker 2: gonna show you what you won behind the curtain, show

860
00:44:18,719 --> 00:44:21,040
Speaker 2: what she wanted to. Carol Marrow, show what she went

861
00:44:21,080 --> 00:44:24,480
Speaker 2: behind the car the curtain. Carrol and Carol Merrill, gorgeous

862
00:44:24,480 --> 00:44:29,120
Speaker 2: woman would show them that you want toaster freezer, whatever card?

863
00:44:29,719 --> 00:44:34,240
Speaker 2: You want a new car? All right, one more quiz

864
00:44:34,280 --> 00:44:36,680
Speaker 2: for you and then we're gonna take over now and

865
00:44:36,760 --> 00:44:38,320
Speaker 2: you could just take a nap over there if you

866
00:44:38,360 --> 00:44:43,720
Speaker 2: want to. I'm joking. But but interesting how that's why

867
00:44:44,080 --> 00:44:47,040
Speaker 2: they've got no TI in the business because they didn't

868
00:44:47,080 --> 00:44:49,799
Speaker 2: they want you. And we we watched TV to we

869
00:44:49,800 --> 00:44:54,239
Speaker 2: were gonna die from it. We're gonna die. And the

870
00:44:54,239 --> 00:44:56,600
Speaker 2: old TV is probably like a lot of radiation to

871
00:44:56,640 --> 00:44:58,600
Speaker 2: wear damage from watching TV.

872
00:44:58,680 --> 00:45:01,880
Speaker 5: Popcorn and the brown and cleaning. You're watching the TV

873
00:45:01,960 --> 00:45:03,080
Speaker 5: and I'm running around, What.

874
00:45:03,080 --> 00:45:06,040
Speaker 2: Else were you gonna do? I want to be a

875
00:45:06,040 --> 00:45:08,560
Speaker 2: part of it. Go get the brownies. You're not gonna

876
00:45:08,600 --> 00:45:12,520
Speaker 2: walk over here by themselves. Now one more? One more question? Ready? Okay,

877
00:45:12,520 --> 00:45:19,680
Speaker 2: one more? Okay, let me think. Take your time.

878
00:45:21,560 --> 00:45:23,359
Speaker 5: Now, I know why I'm the way I am because

879
00:45:23,400 --> 00:45:29,160
Speaker 5: of you. Now it's coming clear than why I'm the way.

880
00:45:29,360 --> 00:45:31,719
Speaker 5: You were entertained and having a good time, and I

881
00:45:31,840 --> 00:45:35,880
Speaker 5: was running around for you, hysterical I was. I was

882
00:45:35,960 --> 00:45:38,600
Speaker 5: running God, Now I know, now I know I am.

883
00:45:39,040 --> 00:45:41,080
Speaker 2: You wouldn't be here you are today.

884
00:45:41,080 --> 00:45:44,680
Speaker 5: It would not be if I wasn't getting you the

885
00:45:44,719 --> 00:45:47,520
Speaker 5: pop born and the brownies and you could watch the

886
00:45:47,560 --> 00:45:48,680
Speaker 5: movie at the movie too.

887
00:45:50,480 --> 00:45:53,840
Speaker 2: Sure, come on, come on, put the hand up, shut up.

888
00:45:53,880 --> 00:45:57,000
Speaker 2: We're gonna do one more. What's this thing I'm gonna do? Okay?

889
00:45:57,040 --> 00:46:06,239
Speaker 2: What movie is this? A man sitting there, nice white hair, Yeah,

890
00:46:06,280 --> 00:46:08,600
Speaker 2: one dog looking that way, one dog looking the other way,

891
00:46:09,000 --> 00:46:11,440
Speaker 2: and guy sticking to himself. What do you want from me? Huh?

892
00:46:12,160 --> 00:46:12,759
Speaker 2: What's that from?

893
00:46:12,920 --> 00:46:13,839
Speaker 5: Give me another hint?

894
00:46:14,239 --> 00:46:17,799
Speaker 2: Not to give you another hint. Think I'm funny? You

895
00:46:17,920 --> 00:46:22,680
Speaker 2: think I'm funny? What's funny about me? What's funny about me?

896
00:46:22,960 --> 00:46:23,320
Speaker 5: Nothing?

897
00:46:23,680 --> 00:46:26,279
Speaker 2: Okay, Okay, you're on the record about that.

898
00:46:26,600 --> 00:46:30,560
Speaker 3: One more obvious one If there is one.

899
00:46:31,000 --> 00:46:33,200
Speaker 5: I'm trying, Mam.

900
00:46:33,239 --> 00:46:35,880
Speaker 2: We got to borrow a knife. We uh, yeah, we

901
00:46:35,920 --> 00:46:38,040
Speaker 2: hit a deer, he says one the other actor. We

902
00:46:38,120 --> 00:46:40,600
Speaker 2: hit a deer. Yeah, I got well, the thing got

903
00:46:40,600 --> 00:46:43,880
Speaker 2: stuck in the griller car. You say the paw, Paul,

904
00:46:44,320 --> 00:46:46,640
Speaker 2: He's saying, the paw, the paw, what do you call it?

905
00:46:47,080 --> 00:46:50,719
Speaker 2: And DeNiro says, the hoof, the hoof, the hoof got

906
00:46:50,760 --> 00:46:53,439
Speaker 2: stuck in the car. We need to cut it out. Mom,

907
00:46:53,440 --> 00:46:57,240
Speaker 2: you got a knife. Why don't you get married, settled

908
00:46:57,280 --> 00:46:59,919
Speaker 2: down with a nice girl or the mother says. He goes,

909
00:47:00,040 --> 00:47:02,279
Speaker 2: I do settle down with a nice girl every night.

910
00:47:02,280 --> 00:47:04,440
Speaker 2: I settled down with a nice girl. You know what

911
00:47:04,480 --> 00:47:07,239
Speaker 2: I mean, get married? As mother says, what movie is?

912
00:47:07,239 --> 00:47:10,040
Speaker 2: Is it no time for sergeants? Is it good fellas?

913
00:47:10,239 --> 00:47:10,800
Speaker 5: Good fellows?

914
00:47:11,560 --> 00:47:14,319
Speaker 2: Let's see you. I mean, I'm passing. I'm practicing. It's

915
00:47:14,360 --> 00:47:14,920
Speaker 2: like it's like a.

916
00:47:14,920 --> 00:47:17,120
Speaker 6: It's like a race, and I'm dragging you over the

917
00:47:17,120 --> 00:47:21,480
Speaker 6: finished flight. I'm dragging you over the finish line. She

918
00:47:21,600 --> 00:47:26,000
Speaker 6: goes me, here, Carol Melo, show what she's won. It's

919
00:47:26,280 --> 00:47:27,560
Speaker 6: a man of freezer.

920
00:47:29,280 --> 00:47:30,319
Speaker 5: I don't need one of those.

921
00:47:32,560 --> 00:47:37,600
Speaker 2: Is a dishwasher from Norge. Years from now, you'll be

922
00:47:37,840 --> 00:47:42,600
Speaker 2: glad it's a Norge. Remember the old commercials rumor kids.

923
00:47:43,040 --> 00:47:45,120
Speaker 2: I know I learned those. Yeah, you were you were

924
00:47:45,160 --> 00:47:50,360
Speaker 2: like you know, you were robbing grocery stores. We jingles

925
00:47:50,360 --> 00:47:55,120
Speaker 2: with member with Grandpa's take a ring, and then a.

926
00:47:55,719 --> 00:47:58,320
Speaker 3: Much smaller stores than grocery stores.

927
00:47:58,920 --> 00:48:00,200
Speaker 2: You're robbing ice cream. Man.

928
00:48:02,000 --> 00:48:06,160
Speaker 3: I have a question, and I'm gonna reverse it.

929
00:48:06,200 --> 00:48:08,000
Speaker 2: I was gonna do a little Judo move, but I

930
00:48:08,000 --> 00:48:10,759
Speaker 2: won't do that. Oh please, don't judo me?

931
00:48:10,960 --> 00:48:16,880
Speaker 3: So can I Can I pick good Judo? Can I

932
00:48:16,920 --> 00:48:21,480
Speaker 3: pick one of your favorite films in my opinion? Or

933
00:48:21,640 --> 00:48:23,560
Speaker 3: would you rather just go first and pick one of

934
00:48:23,760 --> 00:48:26,560
Speaker 3: what's one of my films that's your favorite.

935
00:48:26,440 --> 00:48:28,960
Speaker 2: And your usual suspect I love that.

936
00:48:28,880 --> 00:48:31,399
Speaker 3: Movie, and then probably after that you don't like any

937
00:48:31,440 --> 00:48:33,520
Speaker 3: of my No, I think.

938
00:48:33,320 --> 00:48:35,759
Speaker 2: That you're in I mean Biodome. I mean, listen, that's

939
00:48:35,800 --> 00:48:37,799
Speaker 2: the joke we do. He says to me. I'll never

940
00:48:37,840 --> 00:48:39,960
Speaker 2: forget this. I remember where I was in the kitchen

941
00:48:40,000 --> 00:48:41,960
Speaker 2: in Woodland Hills when I was married, and he told

942
00:48:42,000 --> 00:48:43,120
Speaker 2: the funny. He goes, they want me to do this

943
00:48:43,160 --> 00:48:48,840
Speaker 2: movie Biodome. I go, whatever you do, don't do that movie.

944
00:48:49,160 --> 00:48:52,880
Speaker 2: Are your you nuts? Biodome? You in this pimple faced

945
00:48:53,400 --> 00:48:55,920
Speaker 2: comic from la and you're gonna be in a biodome

946
00:48:56,000 --> 00:49:00,520
Speaker 2: or whatever it is. Don't do the movie Biodome. The

947
00:49:00,520 --> 00:49:03,440
Speaker 2: movie Biodome comes out and out grosses the movie I

948
00:49:03,560 --> 00:49:09,560
Speaker 2: was in the same weekend. Oh wow, yeah, yeah, well

949
00:49:10,239 --> 00:49:16,120
Speaker 2: or whatever. Well, I think were very successful.

950
00:49:16,320 --> 00:49:17,120
Speaker 5: You were good at that.

951
00:49:17,480 --> 00:49:19,319
Speaker 2: But the thing is that you bring the one thing

952
00:49:19,360 --> 00:49:22,160
Speaker 2: you have to remember for them. For Daniel less so

953
00:49:22,280 --> 00:49:25,479
Speaker 2: because he's more kind of a husky, big powerful guy,

954
00:49:25,560 --> 00:49:28,120
Speaker 2: he's husky. But for you know, guys who were like

955
00:49:28,200 --> 00:49:30,479
Speaker 2: leading men, him and Billy and that kind of young

956
00:49:31,080 --> 00:49:34,920
Speaker 2: pretty leading men category. There's so many of them, and

957
00:49:34,960 --> 00:49:37,359
Speaker 2: you got like three, four or five movies to cut

958
00:49:37,360 --> 00:49:40,440
Speaker 2: yourself off from the back and distinguish yourself from them.

959
00:49:40,440 --> 00:49:43,000
Speaker 2: Because what happens is the ones who do that stay

960
00:49:43,400 --> 00:49:45,040
Speaker 2: and the ones who don't do that go and do

961
00:49:45,239 --> 00:49:48,360
Speaker 2: like medical shows on TV or like CSI. You know,

962
00:49:48,360 --> 00:49:50,000
Speaker 2: they're like a good looking guy who was like in

963
00:49:50,000 --> 00:49:54,320
Speaker 2: love with Ginger Square and the sexual tension between you

964
00:49:54,400 --> 00:49:57,399
Speaker 2: and Ginger goes off for like nine seasons and then

965
00:49:57,880 --> 00:50:00,600
Speaker 2: in the season finale you get married or she she

966
00:50:00,719 --> 00:50:03,800
Speaker 2: dies or whatever, and a fire whatever, that's just in

967
00:50:03,840 --> 00:50:04,280
Speaker 2: the future.

968
00:50:04,320 --> 00:50:06,880
Speaker 3: I shouldn't do like a Zebra lounge two point zero.

969
00:50:07,800 --> 00:50:10,440
Speaker 2: If they're paying you a lot of money, I would yeah, okay,

970
00:50:10,600 --> 00:50:12,759
Speaker 2: if there's a million dollars or more detached, I do it.

971
00:50:12,840 --> 00:50:14,120
Speaker 2: But I'm just saying that. You know what I mean,

972
00:50:14,120 --> 00:50:16,640
Speaker 2: which is when you come up. I learned very early

973
00:50:16,719 --> 00:50:20,200
Speaker 2: on that the leading man category there's very few seats.

974
00:50:20,880 --> 00:50:22,719
Speaker 2: If it's like a plane, there's very few seats in

975
00:50:22,760 --> 00:50:23,560
Speaker 2: first class.

976
00:50:23,880 --> 00:50:25,799
Speaker 3: And I may want Barbie, so.

977
00:50:26,360 --> 00:50:28,440
Speaker 2: You won't do Barbie. I won't do I bet you're

978
00:50:28,440 --> 00:50:29,440
Speaker 2: ask you're gonna do Barbie.

979
00:50:29,480 --> 00:50:32,680
Speaker 3: That means my uh, that means we.

980
00:50:32,640 --> 00:50:35,239
Speaker 2: Take a break by go Pete. I'd like you because

981
00:50:35,239 --> 00:50:37,360
Speaker 2: I want to have a cookie. I really don't care

982
00:50:37,400 --> 00:50:37,759
Speaker 2: about that.

983
00:50:38,000 --> 00:50:40,440
Speaker 5: We can we just take a minute. Okay, we'll be

984
00:50:40,560 --> 00:50:40,879
Speaker 5: right back.

985
00:50:41,080 --> 00:50:43,040
Speaker 2: You can get up after this.

986
00:50:44,920 --> 00:50:47,719
Speaker 3: Pay friends, thanks for listening in, stay tuned.

987
00:50:47,520 --> 00:50:49,640
Speaker 2: For part two, a big Brother.

988
00:50:49,440 --> 00:50:53,800
Speaker 3: Alec and first born Sissy for more family shenanigans next

989
00:50:53,840 --> 00:50:56,800
Speaker 3: time on One Bad Movie, And if you haven't already,

990
00:50:57,040 --> 00:50:59,640
Speaker 3: please subscribe and leave a comment let us know how

991
00:50:59,680 --> 00:51:00,480
Speaker 3: you think we're doing