WEBVTT - A Glee-nomenon (“Mattress” S.1 E.12)

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<v Speaker 1>And That's what you Really missed with Jenna and Kevin

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<v Speaker 1>and I heart radio podcast. Welcome to you and That's

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<v Speaker 1>what you Really missed podcast. I'm Jenna, I'm Kevin, and

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<v Speaker 1>today we are talking all things Mattress Season one, episode twelve.

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<v Speaker 1>Come on down to Mattress Land. Um. What a wild

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<v Speaker 1>and crazy and memorable experience this episode was. I really

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<v Speaker 1>enjoyed this episode though, watching it or shooting it or

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<v Speaker 1>both both both. I enjoyed watching more than I thought

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<v Speaker 1>I would. There's a lot that happens, and we're in

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<v Speaker 1>a lot of it, and I had a lot of

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<v Speaker 1>fun shooting this thing. There's just a lot of memories

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<v Speaker 1>in real life. When this episode actually came out, which

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<v Speaker 1>was on December two, two nine, we had a very

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<v Speaker 1>busy week. We did, because this is when it started

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<v Speaker 1>to get gray. Yeah, because up to this point. Also

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<v Speaker 1>when this episode aired, this was the highest most viewed

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<v Speaker 1>episode after the pilot, so we were growing every single eventually. Okay,

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<v Speaker 1>so um Empire State of Mind is still number one

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<v Speaker 1>on the charts. And the Blind Slide The Black My God,

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<v Speaker 1>The Blind Slide the movie with Sandra Bullock. I said

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<v Speaker 1>that right um has slid up to number one. Yeah,

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<v Speaker 1>that's why I was going. First it was the Sandra

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<v Speaker 1>Bullock like come Back Yere because The Proposal was also

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<v Speaker 1>a huge movie that year. So what happened in um,

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<v Speaker 1>what happened with us this this uh this crazy week

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<v Speaker 1>several things. So some of us did this um appearance

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<v Speaker 1>in New York City and Brandt Park for like t

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<v Speaker 1>J Max and Marshall's. We did a Carol Okey contest?

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<v Speaker 1>Can you participate in that? Now? Did you know? I

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<v Speaker 1>did do that either? Okay, I remember anything about that?

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<v Speaker 1>UM unimportant. Next, and then we went to our first

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<v Speaker 1>jingle Ball. I remember that. Yeah, I do remember that.

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<v Speaker 1>That was great. I feel very I felt very cool

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<v Speaker 1>that I could get into jingle Ball. Well, you also

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<v Speaker 1>said to me when we went to jingle Ball this

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<v Speaker 1>current two year to talk about and that's what you

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<v Speaker 1>really missed. You're like, have you been to jingle Ball?

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<v Speaker 1>And I was like, no, I don't think I've been

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<v Speaker 1>to jingle Ball multiple times. Yeah, and I've been with

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<v Speaker 1>you at multiple Yeah. So they're okay, that's how good

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<v Speaker 1>my memory is right now? Okay, So we went to

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<v Speaker 1>the jingle Ball and then UM, Kevin, do you remember

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<v Speaker 1>going to the Tervor Projects cracked Christmas and at the

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<v Speaker 1>Wheel Turns that was with Chris and Corey and I

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<v Speaker 1>had just gotten off of a flu and my dress.

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<v Speaker 1>They're real good, YEP. I remember that. And this was

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<v Speaker 1>the beginning of a long relationship with Trevor Project. If

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<v Speaker 1>you know what Trade Project is, it's a UM a

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<v Speaker 1>resource center, hotline for UM LGBT people, UM suicide hotline

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<v Speaker 1>you can text in. It's an incredible, incredible organization. And

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<v Speaker 1>they were really small at this point. They didn't have

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<v Speaker 1>like the text in chat room things that they have now.

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<v Speaker 1>And we all went and I remember being so impressed.

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<v Speaker 1>I also remember because I was like, you know, closeted

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<v Speaker 1>that I was. I was like, I have to. I'm like,

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<v Speaker 1>regardless off, I'm scared of people, the public finding out

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<v Speaker 1>if I'm gere or not. I have to be involved

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<v Speaker 1>with this organization. And we went every single year, Adam Shaman,

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<v Speaker 1>we were presented, did all the things. UM. This week

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<v Speaker 1>the Gale the music Volume two Jeez were just pumping

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<v Speaker 1>them out was released. It had seventeen tracks, and UM

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<v Speaker 1>didn't Volume one does come out? Yeah, well exactly, uh?

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<v Speaker 1>And then Kevin, you didn't you guys do a photo shoot. Um,

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<v Speaker 1>they got Vanity Fair photo issues, Yeah, which was felt

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<v Speaker 1>very fancy. It was the first time I had been

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<v Speaker 1>in you know, a I think a big like fashion

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<v Speaker 1>important magazine like that. It was very jealous that you

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<v Speaker 1>guys had to do that. And then I remember going

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<v Speaker 1>to visit you and we had a singing in the

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<v Speaker 1>rain thing and so we were all dressed in these hats.

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<v Speaker 1>And so the issue with this for me was I

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<v Speaker 1>was very excited about this. It meant a lot to me.

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<v Speaker 1>But do you remember this is when I had my

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<v Speaker 1>issue with strip where I kept getting recurring strep throughout

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<v Speaker 1>over and over and over again, and nobody could figure

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<v Speaker 1>out what was wrong with me, and I kept having

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<v Speaker 1>to go to the doctor and they were like pumping

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<v Speaker 1>me full of antibiotics. And in this photo shoot, I'm

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<v Speaker 1>standing on a light pole like holding it, wrapping my

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<v Speaker 1>arm around it. But I had had like I V

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<v Speaker 1>things in my you know, my elbow, and I was

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<v Speaker 1>using that to hold onto the light post. But I

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<v Speaker 1>was trying to be like and they had like fake

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<v Speaker 1>rain coming down and I could barely stand on this

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<v Speaker 1>thing because it was so slippery, and I was trying

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<v Speaker 1>to keep it all together. And I was so sick,

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<v Speaker 1>and my arm wasn't so much pain because it's like

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<v Speaker 1>on a wound, and yeah, and it's in public. It's

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<v Speaker 1>on a very busy street in front of a very

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<v Speaker 1>busy museum and getting to do one of the coolest

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<v Speaker 1>things in my life up to that point, and I

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<v Speaker 1>am Kevin. It was also really late at night, and

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<v Speaker 1>I had lived down the block from there at the time,

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<v Speaker 1>so I said, I'm going to come visit, and they

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<v Speaker 1>blocked that whole straight up. I wasn't allowed to come

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<v Speaker 1>and see you guys. And I was like, I swear,

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<v Speaker 1>I'm I'm part of this. They know me, I know them,

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<v Speaker 1>I know them, and they were like, no, absolutely not.

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<v Speaker 1>So I drove by and I saw the rain going

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<v Speaker 1>and you guys looked very fabulous from afar, and that's

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<v Speaker 1>all I got was just a sheer glimpse into the

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<v Speaker 1>world of the very painful than the fair shoote for

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<v Speaker 1>you and then ended up being this really like small

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<v Speaker 1>photo adventity, but you were inventity. Care. I was that's awesome. Okay, okay,

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<v Speaker 1>let's let's do it. Let's do it all right. So

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<v Speaker 1>this is Mattress and Um. This aired December two, two nine,

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<v Speaker 1>My gosh, and this was directed by Eldie Keene Here

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<v Speaker 1>she is again, which I was like, wow. Eldie directed

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<v Speaker 1>a bunch of episodes early on, so crazy. Um. This

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<v Speaker 1>was written by Ryan Murphy and the Try the Holy

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<v Speaker 1>Trinity um Ian Brennan and Brad Felt Chuck and Um.

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<v Speaker 1>We had two great little guest stars who were the

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<v Speaker 1>Mattress store owner and the DP or the director John

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<v Speaker 1>Ross Bowie and Chuck's spitler. We did smile from Millie Allen,

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<v Speaker 1>which we'll talk about, Um, jump van Halen and then

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<v Speaker 1>smile Charlie Chaplin. Um. Like I said, this was the

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<v Speaker 1>most viewed episode, so eight point one five million viewers.

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<v Speaker 1>That was a high for us. And at some point

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<v Speaker 1>the originally the episode was called Once Upon a Mattress,

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<v Speaker 1>but we couldn't get the rights to it. No, they

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<v Speaker 1>had to change that Mattress. It is okay. I enjoyed

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<v Speaker 1>this episode. There's a lot that happens. Yes, So basically,

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<v Speaker 1>when the Glee Club is left out of the Yearbook

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<v Speaker 1>due to budget cuts, almost everyone except Rachel is relieved

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<v Speaker 1>they won't have to suffer the ridicule of past years,

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<v Speaker 1>because it's known amongst the school's history that the glee

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<v Speaker 1>club picture always gets defaced by the cooler people's right right,

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<v Speaker 1>and Rachel tries to elevate the social status of the

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<v Speaker 1>leae club by getting them cast in a local commercial,

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<v Speaker 1>which causes drama, so much drama. And then finally Will

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<v Speaker 1>discovers that his wife Terry has been lying to him

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<v Speaker 1>about the pregnancy. Baby. It is peaking. Oh, I mean,

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<v Speaker 1>this is it's happening. And also I think at this

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<v Speaker 1>time to remember there writing this episode twelve we have

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<v Speaker 1>is a one more episode before the break. We know

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<v Speaker 1>at this point that we're coming back. I don't know

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<v Speaker 1>that we did. I think by by by the time

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<v Speaker 1>it was airing, Yes, but we didn't when they were

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<v Speaker 1>writing it, I don't know. And so they had to

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<v Speaker 1>like wrap up some of these storylines or or leave

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<v Speaker 1>it hanging interested. So I needed the back nine. So

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<v Speaker 1>this year book the Thunderclap. Yeah, tell me about it.

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<v Speaker 1>It's a very very big deal. Obviously. Um the show

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<v Speaker 1>starts out with like Will and the teacher's lounge, everybody

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<v Speaker 1>getting a double dose of the bad news, which is

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<v Speaker 1>Emma and Kin's wedding. Is the same day as sectionals

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<v Speaker 1>because I'm not getting married, why any or And it's

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<v Speaker 1>the fiftieth edition of the McKinley High School underclap and

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<v Speaker 1>she walks in with a black eye and says she

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<v Speaker 1>convinced Figgins not to let the glee club have a

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<v Speaker 1>picture in the yearbook because it always gets you know,

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<v Speaker 1>like I said, the face, it always gets drawn on.

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<v Speaker 1>It would just relieve some of the pressure and the

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<v Speaker 1>ridicule and the embarrassment for the glee club. Emma has

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<v Speaker 1>some really good one liners in this episode. This is

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<v Speaker 1>her one two three punch. That's not the saying. But

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<v Speaker 1>she says the wedding was going to be in Hawaii,

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<v Speaker 1>but then they told me I couldn't bring my own fruit.

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<v Speaker 1>How cute, um. But then she goes on to talk

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<v Speaker 1>about Kennan how he has a lot of flaws. Ken

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<v Speaker 1>has a lot of flaws. He has seventy four flaws

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<v Speaker 1>of yesterday. And then I think the best one of all,

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<v Speaker 1>Oh my gosh, dude, did someone finally punch you? Sue

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<v Speaker 1>looks like she has a black eye, but she actually

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<v Speaker 1>got some work done and her cheer ducks removed, which

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<v Speaker 1>she was in like rare form in this scene. It

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<v Speaker 1>was really, really really marked that for my favorite line

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<v Speaker 1>of the episodes, most likely. Okay, so then we go

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<v Speaker 1>to the choir room, where do you remember shooting this?

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<v Speaker 1>Of course, Well, Kurt's telling everybody that, um, not getting

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<v Speaker 1>a photo in the Thunderclub is actually a blessing in

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<v Speaker 1>disguise because um, he says, a yearbook photo would only

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<v Speaker 1>fuel the flames of anti glee club terror and it

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<v Speaker 1>gets defaced and we would be all, look real crazy. Um.

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<v Speaker 1>When we were shooting this scene, Chris had a mouthful

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<v Speaker 1>there was when it started, I just said out loud,

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<v Speaker 1>I'm like, oh, Chris couldn't get this. And then you

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<v Speaker 1>watch it, and it was he had every random word

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<v Speaker 1>thrown at him in this scene. And well, and and

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<v Speaker 1>the hardest thing is like those one like when you

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<v Speaker 1>have one line, it's actually harder than having a a

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<v Speaker 1>stream of consciousness and a thought and having twenty lines

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<v Speaker 1>because it's out of nowhere. You have to remember it

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<v Speaker 1>out of nowhere and create context for yourself. Um. And

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<v Speaker 1>for Chris it was like this like one of those

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<v Speaker 1>famous pair you know monologues where nothing really there's no

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<v Speaker 1>real stream of consciounessness so, um, poor Chris, but he

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<v Speaker 1>nailed it. I remember, and we all had to like

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<v Speaker 1>interject sometimes, and it was all this pressure where Chris

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<v Speaker 1>has this really difficult monologue to say and then we

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<v Speaker 1>have to interject, and like, who are we going to

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<v Speaker 1>be the ones that mess his entire scene up for him? Right,

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<v Speaker 1>He's like trying like holding on to We've all been there.

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<v Speaker 1>I have my memory of that. So Mr Shoe is on.

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<v Speaker 1>It's not privy to the fact that we're all like, great,

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<v Speaker 1>we're not going to be in the yearbook. But he

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<v Speaker 1>insists that we have to be in the yearbook, and

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<v Speaker 1>he decides to go to Figgins and Figgins is that

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<v Speaker 1>the only way to get everybody into the yearbook in

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<v Speaker 1>the glee club is for thousand dollars, which is wildly

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<v Speaker 1>expensive for a yearbook photo. By the way, I was

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<v Speaker 1>very anti yearbook, anti school things, so I don't remember. Yeah,

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<v Speaker 1>I would have fought for the yearbook. Um, so Will

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<v Speaker 1>it's like, okay, what about a quarter page? Um where

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<v Speaker 1>and and Figgins It's like, okay, it's like three bucks

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<v Speaker 1>or whatever where two members can be in it. So

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<v Speaker 1>Biggins now recommends that they pick Finn in Santana. He says, now,

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<v Speaker 1>I suggest you select a good looking cheerleader, not the

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<v Speaker 1>pregnant one and the quarterback for the photos. Their faces

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<v Speaker 1>are less likely to be scratched out with safety pins.

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<v Speaker 1>And then at that moment, barges in because she's got

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<v Speaker 1>some words that she hasn't been seen yet. Oh my god,

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<v Speaker 1>so funny. Rachel barges in and she insists that glee

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<v Speaker 1>clubs in the yearbook, and and Mr She's like, got it, Rachel,

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<v Speaker 1>and she's like, thank you so much and leaves in

0:12:59.840 --> 0:13:02.319
<v Speaker 1>her very Rachel whye. And then we go through this

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<v Speaker 1>incredible bit of Rachel in her obsession to be photographed,

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<v Speaker 1>to practice for the paparazzi and being a part of

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<v Speaker 1>every club, which some of them just don't. I didn't

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<v Speaker 1>remember watching this. He was laughing, because, like Leah's face

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<v Speaker 1>and these is excellent. This is a very good episode

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<v Speaker 1>for Rachel and Leah. She is absolutely nailing it because

0:13:31.760 --> 0:13:35.599
<v Speaker 1>she's very good a physical comedy and like one of

0:13:35.640 --> 0:13:37.959
<v Speaker 1>those things that we do, like in between takes and

0:13:38.040 --> 0:13:42.079
<v Speaker 1>things of doing sort of impressions of our characters, and

0:13:42.160 --> 0:13:45.040
<v Speaker 1>she was using all of those tools, the big smile

0:13:45.160 --> 0:13:49.400
<v Speaker 1>and all that that's right. We were elevated in this episode. Um.

0:13:50.720 --> 0:13:53.280
<v Speaker 1>But her in the clubs, I was like, oh, some

0:13:53.400 --> 0:13:56.719
<v Speaker 1>of these didn't age well. No, so click that for

0:13:57.320 --> 0:14:00.880
<v Speaker 1>it is funny? What oh it it's very fun because

0:14:00.960 --> 0:14:03.679
<v Speaker 1>it's also like we know it's inappropriate at that time though.

0:14:03.720 --> 0:14:06.160
<v Speaker 1>It is like we know this is wrong, and she's

0:14:06.280 --> 0:14:10.120
<v Speaker 1>using these using it too in to her advantage in

0:14:10.400 --> 0:14:15.840
<v Speaker 1>the wrong, wrongest or wrong ways. Um so, and then

0:14:15.880 --> 0:14:17.599
<v Speaker 1>we had to Quinn in the library. We're not in

0:14:17.640 --> 0:14:19.680
<v Speaker 1>the library very often, so this is exciting. Yeah, I

0:14:19.720 --> 0:14:21.360
<v Speaker 1>feel like this is we're going to start seeing the

0:14:21.440 --> 0:14:26.680
<v Speaker 1>library because get more budget and bigger library. That's right.

0:14:27.240 --> 0:14:29.200
<v Speaker 1>So we see quinnin library and she's looking at the

0:14:29.240 --> 0:14:33.960
<v Speaker 1>yearbook and she decides that she doesn't she wants to

0:14:33.960 --> 0:14:36.200
<v Speaker 1>be in the cheerios again. She needs to be relevant

0:14:36.360 --> 0:14:38.200
<v Speaker 1>and I feel like she's a part of a part

0:14:38.240 --> 0:14:43.960
<v Speaker 1>of something. And I gasped at this. I gasped. Um.

0:14:44.120 --> 0:14:45.360
<v Speaker 1>She says, I want my kids to be able to

0:14:45.400 --> 0:14:47.560
<v Speaker 1>look back at these books and see who I was,

0:14:48.120 --> 0:14:52.400
<v Speaker 1>make them proud, not the bastard carrying now of course

0:14:52.680 --> 0:14:55.320
<v Speaker 1>the ones will have when I'm married and ready. Yeah, exactly,

0:14:55.600 --> 0:15:01.760
<v Speaker 1>John Snow Um, I thought that was very very funny. Um, okay,

0:15:01.920 --> 0:15:04.480
<v Speaker 1>what what what happens next? Then we go so then

0:15:04.560 --> 0:15:07.600
<v Speaker 1>we're seeing how the Glee cub effects every single person.

0:15:07.720 --> 0:15:10.400
<v Speaker 1>I mean, the yearbook affects every single person on the show.

0:15:10.560 --> 0:15:12.920
<v Speaker 1>It's funny how one of these high school things becomes

0:15:13.040 --> 0:15:17.200
<v Speaker 1>such a thing. It's very high school. I like lean

0:15:17.280 --> 0:15:20.280
<v Speaker 1>into these high school things like this. And then Mr

0:15:20.360 --> 0:15:22.320
<v Speaker 1>Shoe goes to tell Terry that he wants to buy

0:15:22.320 --> 0:15:24.000
<v Speaker 1>an ad and use it for the glee club, and

0:15:24.120 --> 0:15:27.760
<v Speaker 1>she says no five times, but he obviously does not

0:15:27.880 --> 0:15:30.880
<v Speaker 1>listen because he has always prioritized the glee club. Um

0:15:31.600 --> 0:15:34.600
<v Speaker 1>and gives Figgins a check to pay for it, and

0:15:34.720 --> 0:15:36.120
<v Speaker 1>then he tells the good Club that they have to

0:15:36.160 --> 0:15:39.400
<v Speaker 1>pick two captains for the photo, and then everyone very quickly,

0:15:40.000 --> 0:15:43.600
<v Speaker 1>on purpose, unanimously votes for Rachel because they don't want

0:15:43.600 --> 0:15:48.160
<v Speaker 1>to including Rachel. And I love that scene, like all

0:15:48.200 --> 0:15:51.240
<v Speaker 1>the kids colluding to just like, yep, you can do

0:15:51.320 --> 0:15:54.560
<v Speaker 1>it great, finally giving her the attention she wants, the

0:15:54.600 --> 0:15:59.040
<v Speaker 1>spotlight she wants, and then Will is a little perplexed

0:15:59.040 --> 0:16:00.760
<v Speaker 1>because this is the first time he seeing that the

0:16:00.880 --> 0:16:04.200
<v Speaker 1>kids don't want to be in the photo and ask

0:16:04.320 --> 0:16:10.240
<v Speaker 1>him afored advice, and then Emma apologizes for missing sectionals

0:16:10.920 --> 0:16:12.840
<v Speaker 1>and tells her he thinks you can schedule the wedding

0:16:12.920 --> 0:16:21.600
<v Speaker 1>on purpose. Oh drama. And then Will decides that Rachel

0:16:21.720 --> 0:16:27.160
<v Speaker 1>needs a co captain and do you I remember filming

0:16:27.200 --> 0:16:31.840
<v Speaker 1>this because this was the first time that Rachel already

0:16:31.880 --> 0:16:35.520
<v Speaker 1>have a little one on one. Um, yeah, here's my

0:16:35.640 --> 0:16:41.080
<v Speaker 1>bid for it didn't age well? Is everybody giving, you know,

0:16:41.240 --> 0:16:43.520
<v Speaker 1>excuses of why they can't be the co captain? Mercedes

0:16:43.680 --> 0:16:50.000
<v Speaker 1>says she can't no time kwanza yeah, um, and then

0:16:50.120 --> 0:16:55.280
<v Speaker 1>Already says, um, you can't. I can't because we'll mess

0:16:55.400 --> 0:16:57.760
<v Speaker 1>up a composition because if you lean over, it will

0:16:57.800 --> 0:17:00.040
<v Speaker 1>look like you have stomach rolls. It's very funny. This

0:17:00.080 --> 0:17:03.440
<v Speaker 1>scene was very funny. Yeah, and then I thought how

0:17:03.480 --> 0:17:08.080
<v Speaker 1>this was the best and um, she says, no way,

0:17:08.240 --> 0:17:09.600
<v Speaker 1>because I don't want to be in a picture with you.

0:17:09.920 --> 0:17:12.119
<v Speaker 1>It'll get to face and Rachel says, no, it won't,

0:17:12.240 --> 0:17:14.480
<v Speaker 1>and she says Britney says, if it will, I'll be

0:17:14.640 --> 0:17:18.080
<v Speaker 1>doing it. I'll be the one doing it. So Rachel

0:17:18.160 --> 0:17:23.200
<v Speaker 1>then goes to good old Trustee suite Finn because he

0:17:23.320 --> 0:17:27.200
<v Speaker 1>is a leader and he says yes, and you know,

0:17:27.840 --> 0:17:32.080
<v Speaker 1>then insert Smile by Lily Allen, which we were very

0:17:32.160 --> 0:17:35.679
<v Speaker 1>excited about this because Lily Allen was like coming up.

0:17:35.720 --> 0:17:37.879
<v Speaker 1>Her album had come out. We were all listening to

0:17:38.000 --> 0:17:40.320
<v Speaker 1>it on like, um, you know at our chairs in

0:17:40.400 --> 0:17:46.080
<v Speaker 1>between takes. We love this album and I just am

0:17:46.359 --> 0:17:52.400
<v Speaker 1>so uncomfortable watching this number. I might have passworded through

0:17:52.480 --> 0:17:56.159
<v Speaker 1>it me too. I definitely fast arted this to be

0:17:56.280 --> 0:18:01.280
<v Speaker 1>real because it felt like it was just inserted for

0:18:01.359 --> 0:18:05.840
<v Speaker 1>the sake of yes, we need and in these early episodes,

0:18:05.960 --> 0:18:08.200
<v Speaker 1>we don't. We didn't have that right. They all kind

0:18:08.240 --> 0:18:10.480
<v Speaker 1>of moved the plot, they moved or they were really

0:18:10.560 --> 0:18:14.680
<v Speaker 1>really like fun huge numbers with like big costumes and

0:18:14.720 --> 0:18:17.920
<v Speaker 1>production value, but this one was like why is this here?

0:18:19.000 --> 0:18:22.520
<v Speaker 1>Also feel like okay, it sort of felt like Ryan

0:18:22.600 --> 0:18:24.480
<v Speaker 1>was throwing us a bone because we wanted this song

0:18:25.280 --> 0:18:27.200
<v Speaker 1>in the show, and there was just a lot of

0:18:27.520 --> 0:18:30.719
<v Speaker 1>um storyline in this episode, and I think they were

0:18:30.880 --> 0:18:32.920
<v Speaker 1>just kind of like searching for the right material for

0:18:33.040 --> 0:18:35.359
<v Speaker 1>the for the songs to fit, but there's just so

0:18:35.520 --> 0:18:38.880
<v Speaker 1>much other good material in this In this episode, um

0:18:39.560 --> 0:18:41.960
<v Speaker 1>Rachel also slaps pins. But at the end of this

0:18:42.400 --> 0:18:44.480
<v Speaker 1>rad and the piano is also like really getting into

0:18:44.520 --> 0:18:47.359
<v Speaker 1>that he's living living. I actually fast forwarded and then

0:18:47.440 --> 0:18:53.520
<v Speaker 1>I um ended up Rad and he was moving Um okay,

0:18:53.560 --> 0:18:57.159
<v Speaker 1>and then we we cut to Finn who is in

0:18:57.240 --> 0:19:01.480
<v Speaker 1>locker room and getting um drawn and written on by

0:19:01.520 --> 0:19:05.119
<v Speaker 1>Crofsky and a Zemio. I love Crofsky and Zemio together.

0:19:05.280 --> 0:19:10.400
<v Speaker 1>I thought they were a really amazing, horrible bully duo

0:19:10.720 --> 0:19:13.320
<v Speaker 1>and also got funny. I mean they were trying to

0:19:13.480 --> 0:19:17.280
<v Speaker 1>draw Nazi symbols on the I mean the Hitler symbol

0:19:17.440 --> 0:19:20.720
<v Speaker 1>on his face, which I thought didn't it wasn't good.

0:19:21.119 --> 0:19:26.760
<v Speaker 1>But but the duo, we're starting to see the duo,

0:19:26.920 --> 0:19:29.040
<v Speaker 1>which is your potato head, like you could you could

0:19:29.040 --> 0:19:31.240
<v Speaker 1>write a high kup on his head because that was funny.

0:19:31.400 --> 0:19:33.440
<v Speaker 1>That's very funny. I don't know if that was outlet

0:19:33.600 --> 0:19:36.840
<v Speaker 1>or not. So's getting bullied by his own teammates Krofsky,

0:19:36.840 --> 0:19:38.440
<v Speaker 1>who was not on the hockey team but on the

0:19:38.480 --> 0:19:42.760
<v Speaker 1>football team, right. And then Rachel Rachel is going to

0:19:42.800 --> 0:19:46.480
<v Speaker 1>be at the photo it's photo day for the glee club.

0:19:46.920 --> 0:19:49.760
<v Speaker 1>She's waiting for her co captain and he's not showing

0:19:50.760 --> 0:19:54.560
<v Speaker 1>and the photographer UM says he's gotta go because he's

0:19:54.600 --> 0:19:57.879
<v Speaker 1>gotta He's like, sorry, I gotta go. Hurry up. Um,

0:19:58.080 --> 0:19:59.720
<v Speaker 1>I've got to go show this commercial for my brother.

0:19:59.760 --> 0:20:05.200
<v Speaker 1>And the she's like boo, she hears commercial. Um. And

0:20:06.359 --> 0:20:09.560
<v Speaker 1>John John Ross Bowie, who is the guest star who

0:20:09.640 --> 0:20:12.240
<v Speaker 1>plays the photographer and the director of the Mattress commercial.

0:20:12.800 --> 0:20:16.840
<v Speaker 1>You may know him from Speechless or The Big Bang Theory,

0:20:17.200 --> 0:20:21.480
<v Speaker 1>that little show, just that small tidy thing. Um. And

0:20:21.560 --> 0:20:24.719
<v Speaker 1>he also comes back, you know, he goes back in Um,

0:20:25.560 --> 0:20:30.840
<v Speaker 1>he ends up in the Glee Project. As I thought

0:20:30.880 --> 0:20:34.560
<v Speaker 1>this scene was so strange, but the two of them

0:20:34.600 --> 0:20:37.080
<v Speaker 1>are so good that they made it. Like she takes

0:20:37.119 --> 0:20:41.520
<v Speaker 1>that break and looks in the mirror. Yeah, like there's

0:20:41.560 --> 0:20:44.480
<v Speaker 1>all these My favorite parts of the show are when

0:20:44.640 --> 0:20:50.280
<v Speaker 1>we get into those odd, weird, specific comedic things and

0:20:50.320 --> 0:20:53.120
<v Speaker 1>then she goes and sits down and starts crying because

0:20:53.119 --> 0:20:54.639
<v Speaker 1>she's trying to get the job. I just thought it

0:20:54.720 --> 0:20:59.840
<v Speaker 1>was really very funny executed. Yeah, very very funny. I

0:21:00.000 --> 0:21:04.320
<v Speaker 1>can cry out of one eye. So then, um, Rachel

0:21:04.560 --> 0:21:08.560
<v Speaker 1>is you know piste Finn and Finn says, well, they

0:21:08.560 --> 0:21:10.399
<v Speaker 1>said that I took the Glee Club photo. They'd make

0:21:10.440 --> 0:21:12.560
<v Speaker 1>me choose between a Hitler mustache or buck teeth and

0:21:12.560 --> 0:21:15.240
<v Speaker 1>I can't rock either of those looks, so you know,

0:21:15.840 --> 0:21:23.040
<v Speaker 1>yeah whatever, which leads us into the commercial. The mattress

0:21:23.520 --> 0:21:27.200
<v Speaker 1>part of this episode, which is the best part. Well,

0:21:27.359 --> 0:21:29.560
<v Speaker 1>I don't know about that, but it is one of

0:21:29.720 --> 0:21:33.640
<v Speaker 1>it's our favorite party. So Rachel's in the glee club.

0:21:33.800 --> 0:21:35.480
<v Speaker 1>She calls the meeting to session. She says that the

0:21:35.520 --> 0:21:39.240
<v Speaker 1>glee Club is a rare opportunity to become stars. That

0:21:39.320 --> 0:21:41.600
<v Speaker 1>we've been cast in a local commercial, and Tina is

0:21:41.720 --> 0:21:46.640
<v Speaker 1>very excited. Um, and she says, hold onto your hats

0:21:46.680 --> 0:21:51.119
<v Speaker 1>and get ready to sell some mattresses. All these numbers.

0:21:51.160 --> 0:21:53.560
<v Speaker 1>I remember shooting all these scenes. They were like so quick.

0:21:53.880 --> 0:21:56.399
<v Speaker 1>We were like in one off scenes of like I

0:21:56.440 --> 0:22:00.600
<v Speaker 1>remember just this this episode moving very quickly. There was

0:22:00.640 --> 0:22:04.000
<v Speaker 1>a lot to do. It's like, you guys don't matter

0:22:04.200 --> 0:22:07.280
<v Speaker 1>right now. We don't need to do twelves. We don't

0:22:07.280 --> 0:22:11.280
<v Speaker 1>need a coverage of twelve different people exactly, it's a group. Um,

0:22:12.119 --> 0:22:15.880
<v Speaker 1>So now we're rehearsing. Now we're at mattress Land, which

0:22:16.000 --> 0:22:21.200
<v Speaker 1>was a mattress store warehouse in like the middle of

0:22:21.240 --> 0:22:25.240
<v Speaker 1>nowhere in California, and it was it was very hot.

0:22:25.720 --> 0:22:28.360
<v Speaker 1>And if you watch this first thing where we're all

0:22:28.440 --> 0:22:31.399
<v Speaker 1>lined up acting out the scene that we're supposed to

0:22:31.440 --> 0:22:34.520
<v Speaker 1>do in this commercial, we're all a bit dewey. Well

0:22:34.560 --> 0:22:38.720
<v Speaker 1>that we shot this after we were did the musical number.

0:22:38.760 --> 0:22:43.800
<v Speaker 1>We were sweating. But um, we're rehearsing this number or

0:22:43.960 --> 0:22:49.960
<v Speaker 1>the commercial as it was written, and the delivery of

0:22:50.040 --> 0:22:55.840
<v Speaker 1>these lines is excellent. And I remember Mark's line delivery

0:22:56.080 --> 0:23:00.600
<v Speaker 1>was cracking us up. We were fully losing it, losing

0:23:00.640 --> 0:23:04.959
<v Speaker 1>it and and and ambers and it's just very funny. Um,

0:23:05.320 --> 0:23:08.919
<v Speaker 1>But do you remember rehearsing for this, like, well, they

0:23:08.960 --> 0:23:11.479
<v Speaker 1>had to. They put us on the sound stage right,

0:23:11.680 --> 0:23:14.639
<v Speaker 1>like a separate sound stage because the mattresses wouldn't fit

0:23:14.720 --> 0:23:17.800
<v Speaker 1>in the tin shed where we normally rehearse, and we

0:23:17.880 --> 0:23:20.520
<v Speaker 1>were rehearsing really late at night. I remember it was

0:23:20.600 --> 0:23:24.320
<v Speaker 1>like after we had shot something else. Yeah, I remember

0:23:24.359 --> 0:23:26.399
<v Speaker 1>rehearsing these. These were real fun, except I was like

0:23:26.440 --> 0:23:28.639
<v Speaker 1>worried my neck was going to get all crazy. I

0:23:28.720 --> 0:23:31.639
<v Speaker 1>just remember too, because it was. Um, there's a lot

0:23:31.680 --> 0:23:33.680
<v Speaker 1>of pictures online that I think we all took of

0:23:33.760 --> 0:23:36.200
<v Speaker 1>each other and posted at some point of us like

0:23:36.280 --> 0:23:39.920
<v Speaker 1>sitting around on these gigantic trampolines that they covered and

0:23:40.080 --> 0:23:44.399
<v Speaker 1>fabric to look like mattresses, and we were climbing up

0:23:44.600 --> 0:23:47.399
<v Speaker 1>places we probably weren't supposed to in this empty sound stage,

0:23:47.440 --> 0:23:51.800
<v Speaker 1>like and I just remember we were left alone on

0:23:51.840 --> 0:23:54.320
<v Speaker 1>those stages a lot, I think because Zack and Brooke

0:23:54.440 --> 0:23:56.960
<v Speaker 1>had to go. I think, yeah, I think there was

0:23:57.000 --> 0:24:01.600
<v Speaker 1>something another number being shot that needed their attention. Yes, yes,

0:24:01.800 --> 0:24:04.040
<v Speaker 1>I remember laying on those mattresses for a very long time,

0:24:05.040 --> 0:24:08.040
<v Speaker 1>and so it was like a nice little break respect

0:24:08.359 --> 0:24:13.120
<v Speaker 1>on these little soft pads of this mattress and them

0:24:13.200 --> 0:24:16.080
<v Speaker 1>also being like what what is this number? How are

0:24:16.119 --> 0:24:18.359
<v Speaker 1>we choreographing this? And I think it was like I

0:24:18.480 --> 0:24:22.600
<v Speaker 1>can do this, and they're like, great, do that because

0:24:23.040 --> 0:24:24.920
<v Speaker 1>I can do it. For it and we have to

0:24:25.040 --> 0:24:27.399
<v Speaker 1>look when we look at that number, like how there

0:24:27.560 --> 0:24:31.960
<v Speaker 1>is going full acrobatics. Yeah, full acrobatics the entire time,

0:24:32.160 --> 0:24:36.040
<v Speaker 1>like like pure wedding into a full split, like a

0:24:36.119 --> 0:24:41.040
<v Speaker 1>middle split. I was crazy. She was doing her best cheerleader. Um,

0:24:41.800 --> 0:24:45.399
<v Speaker 1>so what happens is and the scene is that the

0:24:45.880 --> 0:24:48.280
<v Speaker 1>written scene that the director wrote after we do it

0:24:48.560 --> 0:24:50.680
<v Speaker 1>sort of sucks and Rachel's like, we're a glee club

0:24:53.000 --> 0:24:56.359
<v Speaker 1>and I love how we just whipped up this little

0:24:56.440 --> 0:24:59.200
<v Speaker 1>van Halen number with all these harmonies, and also like

0:24:59.320 --> 0:25:02.240
<v Speaker 1>how could this how could Mattress Land afford the rights

0:25:02.760 --> 0:25:06.560
<v Speaker 1>to Van Halen for their commercial I remember McQuary being

0:25:06.760 --> 0:25:11.040
<v Speaker 1>very excited about this number, very excited, um and doing

0:25:11.119 --> 0:25:14.520
<v Speaker 1>the scream at the the beginning of that stuff. Also

0:25:14.600 --> 0:25:17.720
<v Speaker 1>the scream is funny because I all, I think of

0:25:17.800 --> 0:25:20.920
<v Speaker 1>his tour like hearing it so many times. Can you

0:25:21.000 --> 0:25:24.120
<v Speaker 1>believe because we did Mattress on tour, we brought trampoline

0:25:24.600 --> 0:25:28.440
<v Speaker 1>covered the mattress pads on tour. I don't remember, I

0:25:28.720 --> 0:25:30.960
<v Speaker 1>like vaguely remember doing Mattress, but then I was like, oh,

0:25:31.119 --> 0:25:35.119
<v Speaker 1>like Mattresses where I had put on the pajamas and

0:25:35.160 --> 0:25:38.200
<v Speaker 1>then I had seven layers of clothes underneath because you

0:25:38.359 --> 0:25:41.800
<v Speaker 1>just rip off another layer to do another number. Um,

0:25:42.640 --> 0:25:45.200
<v Speaker 1>that was a crazy time. If you have people should

0:25:45.200 --> 0:25:47.560
<v Speaker 1>go to find like recordings of that online or if

0:25:47.600 --> 0:25:49.119
<v Speaker 1>you were there, can you like tweet us and tell

0:25:49.200 --> 0:25:51.320
<v Speaker 1>us like did that feel as fever dreamy as it

0:25:51.359 --> 0:25:55.119
<v Speaker 1>did for us? That? I think it does that? So

0:25:55.240 --> 0:25:59.919
<v Speaker 1>then we do this number that was absolutely insane. Amber

0:26:00.000 --> 0:26:02.960
<v Speaker 1>sings the highest notes no to me over and over

0:26:03.080 --> 0:26:05.879
<v Speaker 1>and over again. I remember hearing the recording and was like,

0:26:05.960 --> 0:26:09.159
<v Speaker 1>what is wrong with you? And she was just laughing hysterically.

0:26:10.600 --> 0:26:14.840
<v Speaker 1>Um that numbers great though. It was like it performed

0:26:14.960 --> 0:26:18.439
<v Speaker 1>really well, right, and um, it was just a lot

0:26:18.480 --> 0:26:19.720
<v Speaker 1>of fun too. It was a lot of fun to do.

0:26:19.840 --> 0:26:22.320
<v Speaker 1>But on the day we were shooting and they had

0:26:22.400 --> 0:26:25.639
<v Speaker 1>to turn the air off because of the sound issues

0:26:25.680 --> 0:26:28.280
<v Speaker 1>because it was like blowing and the sound and sounded

0:26:28.359 --> 0:26:31.000
<v Speaker 1>so sensitive to it that you know, you would have

0:26:31.080 --> 0:26:33.879
<v Speaker 1>heard that like whizzing, So they had to turn the

0:26:33.920 --> 0:26:35.560
<v Speaker 1>air off. So we were doing all of those like

0:26:35.840 --> 0:26:42.920
<v Speaker 1>crazy running, jumping, twisting, flipping in like heat and I

0:26:43.040 --> 0:26:45.360
<v Speaker 1>remember being like, can we get some waters in here?

0:26:46.200 --> 0:26:48.960
<v Speaker 1>And they brought the water from outside and it was

0:26:49.119 --> 0:26:55.640
<v Speaker 1>like hot boiling, so we were drinking hot water from

0:26:55.920 --> 0:27:02.159
<v Speaker 1>plastic water bottles and literally just dying. Yeah, but it

0:27:02.280 --> 0:27:03.760
<v Speaker 1>was a really fun day. But at the same time,

0:27:03.760 --> 0:27:06.119
<v Speaker 1>we had really comfortable costumes, so we did well. We

0:27:06.200 --> 0:27:08.159
<v Speaker 1>had white teaing tops underneath, so we were able to

0:27:08.240 --> 0:27:10.600
<v Speaker 1>take off our button ups and like were those in

0:27:10.720 --> 0:27:12.760
<v Speaker 1>between takes. But it was still really really There was

0:27:12.800 --> 0:27:16.800
<v Speaker 1>also like a lot of um, we didn't know if

0:27:16.960 --> 0:27:22.119
<v Speaker 1>I should have been bounced on the trampoline. But we remember,

0:27:22.119 --> 0:27:25.520
<v Speaker 1>we did like it. Just you were laughing really hard.

0:27:25.840 --> 0:27:27.520
<v Speaker 1>I was because I also like trying. I was just

0:27:27.600 --> 0:27:30.159
<v Speaker 1>trying not to move my legs. I didn't know. I

0:27:30.240 --> 0:27:32.200
<v Speaker 1>was like, I don't know if this is right right,

0:27:33.240 --> 0:27:35.720
<v Speaker 1>I know, I know, I know. It was a different time.

0:27:35.800 --> 0:27:38.679
<v Speaker 1>It was a different time. But what a great number

0:27:39.040 --> 0:27:42.280
<v Speaker 1>it was. Really. Oh, Chris got injured. He went down,

0:27:42.560 --> 0:27:45.280
<v Speaker 1>He had to go to the medic He did I

0:27:45.359 --> 0:27:47.879
<v Speaker 1>completely forgotten nack. He tried to do a flip and

0:27:47.960 --> 0:27:51.479
<v Speaker 1>he landed the wrong way. Yeah, it wasn't a lot.

0:27:51.800 --> 0:27:53.879
<v Speaker 1>He did get injured. At we all got injured a

0:27:53.960 --> 0:27:57.320
<v Speaker 1>lot that Chris went down on this one. Though. There

0:27:57.400 --> 0:27:59.160
<v Speaker 1>was also like a thing in the behind the scenes

0:27:59.200 --> 0:28:02.440
<v Speaker 1>for this episode that Diana said that Diana was losing

0:28:02.480 --> 0:28:05.359
<v Speaker 1>her mind. Do you remember that Diana would always lose

0:28:05.400 --> 0:28:09.680
<v Speaker 1>her mind. Diana would like towards the end of the night. Yeah, exactly,

0:28:09.880 --> 0:28:12.200
<v Speaker 1>when she got silly, she would get like cry cry,

0:28:12.480 --> 0:28:16.040
<v Speaker 1>and she would make us all laugh the cutest. Yes, exactly.

0:28:16.880 --> 0:28:19.480
<v Speaker 1>That was really that goes down as one of like

0:28:19.800 --> 0:28:23.480
<v Speaker 1>the create the most fun memorable like musical numbers, just

0:28:23.600 --> 0:28:25.879
<v Speaker 1>because of the sheer size of it of like the

0:28:26.040 --> 0:28:29.639
<v Speaker 1>weird mattresses Ryan must have come up with. That's I

0:28:29.680 --> 0:28:32.080
<v Speaker 1>feel like that sounds like a Ryan idea. It's really funny.

0:28:32.280 --> 0:28:34.399
<v Speaker 1>It is a really funny idea, like the kids getting

0:28:34.400 --> 0:28:39.719
<v Speaker 1>a local commercial format and dream comes true. Um did?

0:28:39.920 --> 0:28:44.000
<v Speaker 1>I started out doing local commercials, and also people would

0:28:44.000 --> 0:28:46.680
<v Speaker 1>talk about trampolines and I'm like, well, this feels like

0:28:48.240 --> 0:28:51.960
<v Speaker 1>it's a full circle moment for me. Yeah, exactly. Wait,

0:28:52.040 --> 0:28:56.760
<v Speaker 1>so what commercials did you do? Um? I did? The

0:28:56.920 --> 0:29:02.120
<v Speaker 1>first thing I ever did was for the local, like

0:29:02.280 --> 0:29:05.560
<v Speaker 1>local w B, which ended up being CW, but it

0:29:05.640 --> 0:29:08.240
<v Speaker 1>was w B, and I did it for local affiliates,

0:29:08.360 --> 0:29:10.040
<v Speaker 1>so I had to say like, oh, when you're tuned

0:29:10.080 --> 0:29:14.080
<v Speaker 1>into blah blah um. And then I did like a

0:29:14.240 --> 0:29:20.600
<v Speaker 1>radio shack industrial commercial. Yeah, I did a lot of industrials.

0:29:20.720 --> 0:29:24.960
<v Speaker 1>I did like a Blockbuster industrial thing too. Those aren't

0:29:24.960 --> 0:29:28.200
<v Speaker 1>things anymore. I don't think, no, I doubt it. Okay,

0:29:28.560 --> 0:29:32.600
<v Speaker 1>So baby let's talk about baby gate because this is

0:29:33.200 --> 0:29:38.160
<v Speaker 1>um Well, Jescelyn apparently called it um her Terry's Reckoning,

0:29:39.280 --> 0:29:41.520
<v Speaker 1>or she called this episode the reckoning because this is

0:29:41.800 --> 0:29:46.960
<v Speaker 1>the reveal she I don't think she gets enough credit.

0:29:47.720 --> 0:29:53.320
<v Speaker 1>How good she is I think, is like so awful? Well, yeah,

0:29:53.400 --> 0:29:55.200
<v Speaker 1>she she is the you know we're we're rooting for

0:29:55.280 --> 0:29:57.840
<v Speaker 1>Emma and and well here, so of course Terry is

0:29:57.840 --> 0:30:00.800
<v Speaker 1>going to be the one that's the evil villain that's wrong,

0:30:01.080 --> 0:30:04.200
<v Speaker 1>wronging Will left and right and kind of a bit

0:30:04.400 --> 0:30:06.840
<v Speaker 1>we want we want the adultery. But why is she

0:30:06.960 --> 0:30:11.720
<v Speaker 1>so Excellent's questionable? So Will is going through the drawers

0:30:11.720 --> 0:30:15.040
<v Speaker 1>looking for a tie, and some reason is going through

0:30:15.200 --> 0:30:18.520
<v Speaker 1>Terry's you know, he's looking for his pocket square, which

0:30:18.560 --> 0:30:24.120
<v Speaker 1>is what I was like, Okay, I believe this, then yes, right, um,

0:30:24.880 --> 0:30:31.240
<v Speaker 1>and then find the little pregnancy belly. And honestly, Terry's

0:30:31.520 --> 0:30:35.560
<v Speaker 1>lie was actually pretty legit. I was like, I believe that. Yeah,

0:30:36.800 --> 0:30:39.760
<v Speaker 1>that was a kindra level lie. Yes, she said it

0:30:39.880 --> 0:30:42.560
<v Speaker 1>was for trying on clothes for when you were going

0:30:42.640 --> 0:30:44.440
<v Speaker 1>to look like you were pregnant. Also, I have to

0:30:44.520 --> 0:30:47.600
<v Speaker 1>say I was trying to think like, if I pulled out,

0:30:51.960 --> 0:30:54.280
<v Speaker 1>it doesn't look so obvious, you know what. The look

0:30:54.320 --> 0:30:56.600
<v Speaker 1>in his eye was like, oh, this is starting to

0:30:56.760 --> 0:31:02.120
<v Speaker 1>make sense. All of these fictions were confirmed. Yes, So

0:31:02.280 --> 0:31:06.000
<v Speaker 1>he comes out and confronts Terry, and um, this is

0:31:06.040 --> 0:31:12.040
<v Speaker 1>a really well beautifully acted directed shot scene. I think

0:31:13.480 --> 0:31:15.680
<v Speaker 1>the show I think so far that it's that very

0:31:15.760 --> 0:31:21.400
<v Speaker 1>loose camera handheld, handheld like there's not it's just you're

0:31:21.440 --> 0:31:24.440
<v Speaker 1>kind of following them around in this like very in

0:31:24.520 --> 0:31:31.000
<v Speaker 1>the action intimate moment. Yeah, exactly, And and then Terry's like,

0:31:31.080 --> 0:31:32.720
<v Speaker 1>I guess I'm just going to reveal us all. So

0:31:32.840 --> 0:31:36.040
<v Speaker 1>she tells him the plan was too. He's like, what

0:31:36.120 --> 0:31:39.360
<v Speaker 1>about when the baby was born? And she says, what

0:31:39.560 --> 0:31:43.280
<v Speaker 1>we were going to get Quentin's baby. I was a

0:31:43.360 --> 0:31:46.040
<v Speaker 1>little freaked out because it looked like he was going

0:31:46.120 --> 0:31:49.720
<v Speaker 1>to hit her, didn't they. I felt like the whole time,

0:31:49.720 --> 0:31:50.840
<v Speaker 1>I was like, oh my god, is he going to

0:31:50.920 --> 0:31:55.840
<v Speaker 1>hit her? Like this is He was really scary. I

0:31:55.920 --> 0:32:00.360
<v Speaker 1>felt like because someone who doesn't ever get angry, and

0:32:00.440 --> 0:32:03.040
<v Speaker 1>then all of a sudden, You're like, it looks he

0:32:03.120 --> 0:32:05.840
<v Speaker 1>grabs her wrists and I was like, oh no, yeah

0:32:06.080 --> 0:32:09.560
<v Speaker 1>it was. It was definitely like him about like a

0:32:09.640 --> 0:32:16.000
<v Speaker 1>tea kettle, like about to explode of this. I think

0:32:16.040 --> 0:32:18.280
<v Speaker 1>this is one of up there too. For my favorite

0:32:18.320 --> 0:32:21.120
<v Speaker 1>lines of the episode of this marriage, it's something this

0:32:21.200 --> 0:32:23.480
<v Speaker 1>marriage only works because you don't feel good about yourself.

0:32:23.840 --> 0:32:27.040
<v Speaker 1>That is wild very throws it in there in the

0:32:27.160 --> 0:32:30.080
<v Speaker 1>middle of this argument, and it's like, what a line.

0:32:30.440 --> 0:32:35.120
<v Speaker 1>Very dark, very dark? Um, But you know what's good

0:32:35.880 --> 0:32:37.960
<v Speaker 1>it is because he's angry. He's not going to say

0:32:37.960 --> 0:32:41.840
<v Speaker 1>at home, so thank god there's a pile of mattresses

0:32:41.920 --> 0:32:46.800
<v Speaker 1>waiting for him, kind of because that's going to really

0:32:46.960 --> 0:32:50.520
<v Speaker 1>poopoo on the whole bale club. So yes, he leaves

0:32:50.600 --> 0:32:54.200
<v Speaker 1>and he goes to school and he he sleeps on

0:32:54.320 --> 0:32:56.120
<v Speaker 1>one of the mattresses. It's like Princess and the Pa

0:32:56.160 --> 0:33:00.240
<v Speaker 1>with all the mattresses lined up like that. Um. And

0:33:01.800 --> 0:33:05.680
<v Speaker 1>did you notice that you can see his marks on

0:33:05.800 --> 0:33:08.240
<v Speaker 1>the floor when he drops the mattress on the floor.

0:33:08.320 --> 0:33:10.680
<v Speaker 1>They left the mark in there. So our marks are

0:33:10.680 --> 0:33:12.680
<v Speaker 1>where we stand. But normally if there's like a shot

0:33:12.720 --> 0:33:14.000
<v Speaker 1>with your feet and it, they take it out and

0:33:14.080 --> 0:33:15.600
<v Speaker 1>you kind of have to use your best guess where

0:33:15.600 --> 0:33:17.760
<v Speaker 1>they put like a tiny little dot. And they left

0:33:17.920 --> 0:33:21.000
<v Speaker 1>his red mark tape in that. We did. All of

0:33:21.120 --> 0:33:25.080
<v Speaker 1>us had our own colors. Um, that sweet sweet camera

0:33:25.160 --> 0:33:28.479
<v Speaker 1>Ben would put down for us. Um, But I had

0:33:28.520 --> 0:33:31.960
<v Speaker 1>bright pink. What was your Kevin? Blue? Mind switched? I

0:33:32.000 --> 0:33:34.600
<v Speaker 1>think originally I think it was gray because of my wheels.

0:33:35.280 --> 0:33:37.920
<v Speaker 1>And then sometimes because there were so many characters, at

0:33:38.000 --> 0:33:40.080
<v Speaker 1>some point they had to double tape, so some people

0:33:40.120 --> 0:33:43.160
<v Speaker 1>would be green and blue because there was just too

0:33:43.200 --> 0:33:45.360
<v Speaker 1>many of us. But I had bright pink the whole time,

0:33:45.480 --> 0:33:48.520
<v Speaker 1>and when somebody would sub in for Ben and would

0:33:48.560 --> 0:33:54.720
<v Speaker 1>give me a different color, i'd I think I have

0:33:54.800 --> 0:33:58.440
<v Speaker 1>a photo of like fifteen different marks for like fifteen

0:33:58.440 --> 0:34:00.640
<v Speaker 1>different people that I'll try and and so we can

0:34:00.680 --> 0:34:09.160
<v Speaker 1>post it. But um, um anyway, so Emma, um, he's

0:34:09.160 --> 0:34:13.600
<v Speaker 1>a problem, and Emma says he needs to focus on

0:34:13.680 --> 0:34:15.440
<v Speaker 1>his own life but she would never do that to

0:34:15.600 --> 0:34:18.520
<v Speaker 1>Terry but gets it not what he was expecting. Yeah,

0:34:18.520 --> 0:34:21.680
<v Speaker 1>And it was actually a really honest, like grounded scene.

0:34:21.680 --> 0:34:26.080
<v Speaker 1>And I was like, oh, like I get it. She's

0:34:26.120 --> 0:34:29.239
<v Speaker 1>like you're big, you know, uh like a big one

0:34:29.280 --> 0:34:31.320
<v Speaker 1>to lose or whatever the quote was, but you know

0:34:32.160 --> 0:34:34.520
<v Speaker 1>it was, um, Yeah, it was a really honest scene,

0:34:34.560 --> 0:34:37.160
<v Speaker 1>which I really appreciate it because you know, after like

0:34:37.960 --> 0:34:40.920
<v Speaker 1>she's everything she says does come from a place of

0:34:41.040 --> 0:34:47.279
<v Speaker 1>like sincerity and really really meaning to do well. Yeah. Um,

0:34:48.360 --> 0:34:51.560
<v Speaker 1>and it's nice like and then and amidst all this

0:34:51.840 --> 0:34:56.000
<v Speaker 1>chaos and mattresses and arguments that you know, she does

0:34:56.200 --> 0:34:58.480
<v Speaker 1>often say the unexpected, but it's because I think it's

0:34:58.800 --> 0:35:04.399
<v Speaker 1>the reasonable and real thing. Yeah, it's nice. So all

0:35:04.480 --> 0:35:07.400
<v Speaker 1>of these three storylines have come to a bit of

0:35:07.480 --> 0:35:13.680
<v Speaker 1>a boiling point and then everything starts to unravel because

0:35:14.480 --> 0:35:18.319
<v Speaker 1>Sue's doing her That's how Sue sees it, very inappropriate,

0:35:18.440 --> 0:35:24.280
<v Speaker 1>sees corner. Oh, it's it's bad. Her delivery is amazing.

0:35:24.400 --> 0:35:29.800
<v Speaker 1>It's really bad performance, incredible subject matter exactly. Um, so

0:35:29.960 --> 0:35:34.360
<v Speaker 1>she needs the mattress commercial. She's like, I'm going to

0:35:34.440 --> 0:35:39.440
<v Speaker 1>take them down. And then um Quinn asks Sue if

0:35:39.480 --> 0:35:41.600
<v Speaker 1>she can be in the cheerio photo, but she says no,

0:35:41.760 --> 0:35:43.560
<v Speaker 1>and then tells her that the glee club can't compete

0:35:43.560 --> 0:35:47.719
<v Speaker 1>in Sectionals because they really stepped in it. Because what

0:35:47.840 --> 0:35:51.759
<v Speaker 1>happened was is that that commercial they made made them

0:35:51.840 --> 0:35:54.640
<v Speaker 1>lose their amateur status. Because Sue goes on to tell

0:35:55.600 --> 0:35:57.560
<v Speaker 1>Figgins un tells the glee Club was it says that

0:35:57.960 --> 0:36:00.640
<v Speaker 1>was in a commercial and accepted payment because they received

0:36:00.640 --> 0:36:04.400
<v Speaker 1>the mattresses, So they don't qualify to be amateurs anymore.

0:36:04.800 --> 0:36:08.480
<v Speaker 1>It's been revoked and they're no longer eligible for Sectionals

0:36:09.400 --> 0:36:12.239
<v Speaker 1>and they can't return the mattresses because one of them

0:36:12.360 --> 0:36:16.080
<v Speaker 1>was opened and slept on. And this is where Sue says,

0:36:16.880 --> 0:36:18.919
<v Speaker 1>there's a stack of mattresses in the choir room, pile

0:36:19.000 --> 0:36:21.440
<v Speaker 1>as high as the empty hair gel bottles in the

0:36:21.520 --> 0:36:25.040
<v Speaker 1>dumpster outside of your apartment. I love that she she

0:36:25.200 --> 0:36:31.440
<v Speaker 1>fits in several several several very good um and and

0:36:31.800 --> 0:36:35.680
<v Speaker 1>Will admits that he slept on the mattresses because he's

0:36:35.680 --> 0:36:39.080
<v Speaker 1>thinking of leaving Terry and against us. While I can

0:36:39.160 --> 0:36:42.680
<v Speaker 1>see that one coming at so good, I love too.

0:36:42.719 --> 0:36:47.040
<v Speaker 1>And she's talking about Will, but looking at Figgins, well,

0:36:47.080 --> 0:36:49.160
<v Speaker 1>I didn't see that one coming at all. These scenes

0:36:49.200 --> 0:36:52.239
<v Speaker 1>are I have a new appreciation for these scenes of

0:36:52.360 --> 0:36:55.040
<v Speaker 1>Like in Figgin's office with the three of them, it's

0:36:55.120 --> 0:37:01.440
<v Speaker 1>just excellent. And then fig feels bad, but also you know,

0:37:01.640 --> 0:37:06.520
<v Speaker 1>also says like his hands are time and Clee clubs over.

0:37:07.600 --> 0:37:11.680
<v Speaker 1>So Quinn, to our surprise, is going to go and

0:37:11.920 --> 0:37:16.399
<v Speaker 1>blackmail Sue. That's right. She's in her cute little cherry

0:37:16.440 --> 0:37:19.719
<v Speaker 1>off it with her cute o bump and um. She's

0:37:20.560 --> 0:37:24.160
<v Speaker 1>telling Sue that she knows that she gets all this

0:37:24.440 --> 0:37:29.239
<v Speaker 1>free swag from the Cheerios in the past years. And

0:37:30.040 --> 0:37:33.480
<v Speaker 1>if she's like certainly you wouldn't want Figgins finding that out,

0:37:33.640 --> 0:37:38.200
<v Speaker 1>or the Cherios would also be banned from competing. So

0:37:38.920 --> 0:37:45.960
<v Speaker 1>in return, Quinn demands one a full page photo to

0:37:46.080 --> 0:37:48.560
<v Speaker 1>be given to Glee Club for free, because the Sterios

0:37:48.600 --> 0:37:53.120
<v Speaker 1>have like sixteen or six I don't remember. And she

0:37:53.360 --> 0:38:00.080
<v Speaker 1>also demands that she's back in the Cheerios and and

0:38:00.680 --> 0:38:04.040
<v Speaker 1>she was like, yeah, whatever else, you're ruthless, and I'm

0:38:04.040 --> 0:38:06.000
<v Speaker 1>gonna Stephanie in the back. You remind me of a

0:38:06.080 --> 0:38:15.320
<v Speaker 1>young sul Sylvester, right um. And Quinn's like, maybe not. Actually,

0:38:16.000 --> 0:38:17.520
<v Speaker 1>we'll take the photo, but I don't want to be

0:38:17.600 --> 0:38:20.200
<v Speaker 1>back on the Sios exactly. So she says she's rather

0:38:20.239 --> 0:38:22.400
<v Speaker 1>be a part of a club that's proud to have her. Remember,

0:38:23.040 --> 0:38:24.840
<v Speaker 1>I have to say to like, this is really summing

0:38:24.960 --> 0:38:30.319
<v Speaker 1>up how the only I mean, the only person who

0:38:30.360 --> 0:38:35.440
<v Speaker 1>has had a really big significant story arc so far

0:38:35.480 --> 0:38:39.239
<v Speaker 1>in these episodes is Quinn. She's gone from president of

0:38:39.280 --> 0:38:42.879
<v Speaker 1>the C A Celibacy Club hb i C running ship

0:38:43.800 --> 0:38:46.279
<v Speaker 1>and here she is now sticking her neck out for

0:38:46.440 --> 0:38:52.040
<v Speaker 1>the Glee Club, the people she hated, and now when

0:38:52.080 --> 0:38:53.640
<v Speaker 1>she gets the opportunity to be back on the Cheerio

0:38:53.719 --> 0:38:57.719
<v Speaker 1>She's like, no, actually, it's a nice redemption arc for her.

0:38:58.040 --> 0:39:01.120
<v Speaker 1>It's true. That's very true. Quinn as some pretty good arts,

0:39:01.320 --> 0:39:05.560
<v Speaker 1>I mean, along with some pretty crazy storylines. But um,

0:39:06.840 --> 0:39:12.040
<v Speaker 1>and then Mr Shoe this is one of Lad's signature

0:39:12.080 --> 0:39:14.800
<v Speaker 1>moves in the scenes where you shoot back and you

0:39:14.880 --> 0:39:18.279
<v Speaker 1>see everybody. And Mr Shoe tells the glee club that

0:39:19.160 --> 0:39:21.920
<v Speaker 1>since he's the one who slept on the mattresses, he's

0:39:22.880 --> 0:39:29.680
<v Speaker 1>um fired from sectionals, but but they can still compete

0:39:29.840 --> 0:39:32.319
<v Speaker 1>and that they deserve to compete for all their hard work.

0:39:33.000 --> 0:39:34.680
<v Speaker 1>And the Glee clubs like, we can't do this with that,

0:39:34.960 --> 0:39:38.520
<v Speaker 1>and Mr Shoes like, but you just did the mattress

0:39:38.520 --> 0:39:41.440
<v Speaker 1>commercial and if you can't without without me there, then

0:39:41.960 --> 0:39:44.959
<v Speaker 1>I haven't done my job. And Rachel's like, thanks, Mr Shoe,

0:39:45.840 --> 0:39:50.279
<v Speaker 1>just no questions asked um, and he's like, I want

0:39:50.320 --> 0:39:53.680
<v Speaker 1>you guys to smile really big in this Glee photo

0:39:53.880 --> 0:39:56.680
<v Speaker 1>that s is giving you. And I thought that was

0:39:56.719 --> 0:40:01.080
<v Speaker 1>really sweet. UM. And the this photo that we took,

0:40:02.200 --> 0:40:05.880
<v Speaker 1>I have this, we have this everywhere, we have it framed. UM.

0:40:06.600 --> 0:40:09.000
<v Speaker 1>It was a big, like personally like a really big

0:40:09.080 --> 0:40:10.960
<v Speaker 1>moment because it also felt like we're our second to

0:40:11.040 --> 0:40:15.600
<v Speaker 1>last episode if we were coming back yet when right,

0:40:17.120 --> 0:40:21.520
<v Speaker 1>And it felt like a really really special moment. It

0:40:21.600 --> 0:40:23.360
<v Speaker 1>was the first picture we had of us like that,

0:40:23.680 --> 0:40:26.320
<v Speaker 1>yeah exactly. I was like, wow, we're all together. So

0:40:27.360 --> 0:40:30.480
<v Speaker 1>it was a really sweet and this okay, so this scene,

0:40:30.520 --> 0:40:33.440
<v Speaker 1>I mean this whole episode because we're in a lot

0:40:33.480 --> 0:40:36.799
<v Speaker 1>of it, but there's not a lot of like storyline

0:40:36.880 --> 0:40:39.760
<v Speaker 1>for us. We're all kind of like improvising in our characters.

0:40:40.120 --> 0:40:43.280
<v Speaker 1>And you start to see like characters bloom, like especially

0:40:43.480 --> 0:40:46.520
<v Speaker 1>like Puckerman and Finn with the weights like in the

0:40:46.760 --> 0:40:49.680
<v Speaker 1>locker room doing that was really funny and like they

0:40:49.800 --> 0:40:52.279
<v Speaker 1>thought of that, and um, you know us doing the

0:40:52.320 --> 0:40:54.880
<v Speaker 1>makeup and stuff, and like you just see like, um,

0:40:55.880 --> 0:40:59.000
<v Speaker 1>the very famous like looks that you see in the

0:40:59.080 --> 0:41:02.200
<v Speaker 1>choir room and these characters kind of like really us

0:41:02.280 --> 0:41:06.600
<v Speaker 1>figuring out who exactly we are or yeah, which was

0:41:06.640 --> 0:41:08.800
<v Speaker 1>really fun and like very funny. I just chuckled a

0:41:08.840 --> 0:41:12.840
<v Speaker 1>lot during this episode. And I remember to Smile was

0:41:12.960 --> 0:41:18.239
<v Speaker 1>Michael Jackson's favorite song, and that's we recorded it the

0:41:18.360 --> 0:41:22.320
<v Speaker 1>week after and it felt and I didn't know like

0:41:22.440 --> 0:41:24.480
<v Speaker 1>this for some reason that came out after this is

0:41:24.560 --> 0:41:26.759
<v Speaker 1>his favorite song, and I had just learned that and

0:41:26.960 --> 0:41:28.680
<v Speaker 1>at the time it was a very big Michael Jackson fan.

0:41:28.800 --> 0:41:32.400
<v Speaker 1>It was just like it meant a lot for you know,

0:41:32.680 --> 0:41:36.560
<v Speaker 1>us to be doing this song. It ended up actually

0:41:36.600 --> 0:41:41.160
<v Speaker 1>singing this at a Trevor Project event years later. Really,

0:41:41.600 --> 0:41:44.319
<v Speaker 1>yeah saying it? Are we saying it at the white House?

0:41:44.400 --> 0:41:46.960
<v Speaker 1>White House? Yeah? Well we have a story about the

0:41:46.960 --> 0:41:48.839
<v Speaker 1>White House, but we can leave it for another time.

0:41:48.880 --> 0:41:53.680
<v Speaker 1>Remember that one that was that that was a smile.

0:41:53.880 --> 0:41:57.560
<v Speaker 1>They're like, keep smile cut true colors. Anyway, another smile

0:41:57.680 --> 0:42:01.879
<v Speaker 1>was terrible because I couldn't sing it any you hated it, Okay, Um,

0:42:02.280 --> 0:42:07.399
<v Speaker 1>and that's that is the penultimate episode of the first thirteen. Yeah,

0:42:07.520 --> 0:42:11.959
<v Speaker 1>and I obviously the the yearbook photo does get to face,

0:42:12.440 --> 0:42:18.239
<v Speaker 1>but like it's great and we love it, and yeah,

0:42:18.320 --> 0:42:21.319
<v Speaker 1>it's almost like schools out. You know, you took your

0:42:21.400 --> 0:42:24.120
<v Speaker 1>final exams, you still gotta show up to school and

0:42:24.280 --> 0:42:28.640
<v Speaker 1>so next episode is a big deal. Next episode is

0:42:28.680 --> 0:42:32.719
<v Speaker 1>the final exam. I actually was like tempted to keep

0:42:32.760 --> 0:42:46.680
<v Speaker 1>going and watch it. Okay, should we do some Tarty takes,

0:42:46.719 --> 0:42:52.720
<v Speaker 1>Jenna Tarty takes. Let's do it all right, um, cringe moments,

0:42:52.760 --> 0:43:00.160
<v Speaker 1>ak owches, I pick sues corner. I mean, is a

0:43:00.200 --> 0:43:01.840
<v Speaker 1>couple of things I'd have to do the same. I

0:43:01.920 --> 0:43:04.839
<v Speaker 1>have to say, like the Kuan's a bit m hmm

0:43:05.239 --> 0:43:11.959
<v Speaker 1>it feels, and the Hitler mustaches, a rice patty hats. Yeah,

0:43:13.000 --> 0:43:15.200
<v Speaker 1>the Yam diet, but that's also a non to Brad

0:43:15.239 --> 0:43:17.600
<v Speaker 1>felt check who ate like so many sweets like an

0:43:17.640 --> 0:43:24.000
<v Speaker 1>inside joke. Yeah, okay, worst dance move smile, smiles weird,

0:43:25.400 --> 0:43:32.319
<v Speaker 1>the first smile, the first the best song jump yeah,

0:43:34.000 --> 0:43:36.319
<v Speaker 1>I mean, and that goes along with best performance by

0:43:36.360 --> 0:43:39.840
<v Speaker 1>a prop. It has to be the mattresses trampolines that

0:43:39.960 --> 0:43:44.120
<v Speaker 1>numbers insane and really just turned it out, um, and

0:43:44.239 --> 0:43:48.880
<v Speaker 1>then things that didn't age well, it's anytime Sue has

0:43:48.880 --> 0:43:50.880
<v Speaker 1>opened her mouth. In this episode, she says, all I

0:43:50.920 --> 0:43:54.080
<v Speaker 1>want it's just one day year when I'm visually assaultedged

0:43:54.120 --> 0:43:59.239
<v Speaker 1>by heavioeys and fatties, Like what, you just want the

0:43:59.320 --> 0:44:03.240
<v Speaker 1>meteor to hit you know? You know there's an asteroid

0:44:03.280 --> 0:44:05.360
<v Speaker 1>that like flew really close to Earth, like the closest

0:44:05.520 --> 0:44:07.680
<v Speaker 1>ever been in to Earth. So I feel like that

0:44:07.960 --> 0:44:10.479
<v Speaker 1>is appropriate. It's fine, just take us out at this point,

0:44:10.719 --> 0:44:13.399
<v Speaker 1>just go for it. Oh my god. Okay, So best

0:44:13.480 --> 0:44:19.359
<v Speaker 1>line there's a lot. I think, Um, Like I said,

0:44:19.400 --> 0:44:23.200
<v Speaker 1>I think mine's a tie between Terry saying this marriage

0:44:23.239 --> 0:44:26.120
<v Speaker 1>works because you don't feel good about yourself, and then

0:44:26.280 --> 0:44:29.040
<v Speaker 1>Sue with the tear ducks saying, I got myself a

0:44:29.080 --> 0:44:30.880
<v Speaker 1>bit of an eye lift, and while we're there, I

0:44:30.920 --> 0:44:33.239
<v Speaker 1>told to go ahead and yank out those tear ducks.

0:44:33.440 --> 0:44:37.080
<v Speaker 1>Wasn't using them. I also, um had to go back

0:44:37.160 --> 0:44:39.440
<v Speaker 1>and find this one because I loved it so much.

0:44:40.000 --> 0:44:42.000
<v Speaker 1>It was Sue that she says, what if I were

0:44:42.080 --> 0:44:44.279
<v Speaker 1>to innocently murder you will, I'd still have to go

0:44:44.360 --> 0:44:47.120
<v Speaker 1>to trial. Liked to probably get off for justifile homicide.

0:44:47.239 --> 0:44:51.800
<v Speaker 1>When their faiths off this, I was like what I

0:44:51.960 --> 0:44:57.680
<v Speaker 1>was crying? Okay, Jenna, bring it? Are you ready for shure?

0:44:57.719 --> 0:45:00.200
<v Speaker 1>We found on TikTok It's going to make you so happy? Oh?

0:45:00.400 --> 0:45:03.759
<v Speaker 1>Is it okay? Should I watch it? Yes? Watch it?

0:45:04.040 --> 0:45:10.480
<v Speaker 1>So um it is a beautiful like fan cam of

0:45:10.600 --> 0:45:17.480
<v Speaker 1>Figgins Figgins um all his like clips cut together. He's

0:45:17.480 --> 0:45:19.480
<v Speaker 1>like speaking to the camera and waving to the camera.

0:45:20.440 --> 0:45:23.640
<v Speaker 1>So the person who uploaded it Mia done, baby, I

0:45:23.680 --> 0:45:26.000
<v Speaker 1>don't know, I pronounce it said might be the best

0:45:26.160 --> 0:45:28.320
<v Speaker 1>edit I've ever made, And I agree I don't know

0:45:28.400 --> 0:45:34.680
<v Speaker 1>what else you've edited, but this is and incredible. This

0:45:35.000 --> 0:45:37.719
<v Speaker 1>is insane. We need to get ball in here. We

0:45:37.760 --> 0:45:42.000
<v Speaker 1>need to send the stickball because Figgins is truly just

0:45:42.160 --> 0:45:45.560
<v Speaker 1>an m v P. He truly is you aloud? Watch it?

0:45:45.680 --> 0:45:52.759
<v Speaker 1>It's ten seconds of pure unbridled joy. Like, if you're

0:45:52.760 --> 0:45:57.960
<v Speaker 1>ever down, just watch this better. And it's too. I

0:45:58.120 --> 0:46:01.320
<v Speaker 1>r s by the Cuckoo dolls as well. It's really beautiful,

0:46:01.440 --> 0:46:04.520
<v Speaker 1>it's romantic, it's everything you wanted to be. Thank you

0:46:04.680 --> 0:46:09.239
<v Speaker 1>for sharing, and that's all we got for you everybody. Thanks,

0:46:09.280 --> 0:46:12.680
<v Speaker 1>by the way, Yeah, keep sending them because so many

0:46:12.760 --> 0:46:16.000
<v Speaker 1>people sent us the Fagans video and it works. We

0:46:16.080 --> 0:46:19.759
<v Speaker 1>saw it and it's absolutely incredible, So keep tagging us.

0:46:19.920 --> 0:46:23.319
<v Speaker 1>We are seeing all of it, We're collecting all of it, um,

0:46:23.400 --> 0:46:25.560
<v Speaker 1>and I like to be able to show these things

0:46:25.680 --> 0:46:29.800
<v Speaker 1>to Jenna. I love. Thank you for joining us for Mattress.

0:46:30.960 --> 0:46:35.879
<v Speaker 1>Yeah twun to next week for sexual Alls. I can't wait.

0:46:36.480 --> 0:46:39.360
<v Speaker 1>I'm so excited. I might have to go watch it now. No, no,

0:46:39.480 --> 0:46:45.960
<v Speaker 1>don't do it. Um, Thanks for recapping Mattress with us.

0:46:46.440 --> 0:46:50.200
<v Speaker 1>This was fun, and thanks for listening. Tell your friends,

0:46:50.680 --> 0:46:52.839
<v Speaker 1>tell your pets. Thanks for sending in all those tick

0:46:52.920 --> 0:46:55.680
<v Speaker 1>talks to Kevin. We really appreciate it, and do you

0:46:55.719 --> 0:46:58.879
<v Speaker 1>guys rock um and that's what you really missed. See

0:46:58.920 --> 0:47:02.080
<v Speaker 1>you next time, by bye bye bye. Thanks for listening

0:47:02.440 --> 0:47:04.920
<v Speaker 1>and follow us on Instagram at and that's what you

0:47:05.040 --> 0:47:07.240
<v Speaker 1>really miss pod. Make sure to write us a review

0:47:07.360 --> 0:47:09.520
<v Speaker 1>and leave us five stars. See you next time.