1 00:00:01,800 --> 00:00:05,200 Speaker 1: And That's what you Really missed with Jenna and Kevin 2 00:00:05,559 --> 00:00:10,840 Speaker 1: and I heart radio podcast. Welcome to you and That's 3 00:00:10,880 --> 00:00:15,360 Speaker 1: what you Really missed podcast. I'm Jenna, I'm Kevin, and 4 00:00:15,480 --> 00:00:21,720 Speaker 1: today we are talking all things Mattress Season one, episode twelve. 5 00:00:22,520 --> 00:00:30,440 Speaker 1: Come on down to Mattress Land. Um. What a wild 6 00:00:30,560 --> 00:00:36,200 Speaker 1: and crazy and memorable experience this episode was. I really 7 00:00:36,240 --> 00:00:39,479 Speaker 1: enjoyed this episode though, watching it or shooting it or 8 00:00:39,520 --> 00:00:44,040 Speaker 1: both both both. I enjoyed watching more than I thought 9 00:00:44,040 --> 00:00:46,199 Speaker 1: I would. There's a lot that happens, and we're in 10 00:00:46,200 --> 00:00:48,760 Speaker 1: a lot of it, and I had a lot of 11 00:00:48,760 --> 00:00:52,199 Speaker 1: fun shooting this thing. There's just a lot of memories 12 00:00:52,400 --> 00:00:54,800 Speaker 1: in real life. When this episode actually came out, which 13 00:00:54,840 --> 00:00:57,960 Speaker 1: was on December two, two nine, we had a very 14 00:00:58,040 --> 00:01:02,040 Speaker 1: busy week. We did, because this is when it started 15 00:01:02,080 --> 00:01:05,039 Speaker 1: to get gray. Yeah, because up to this point. Also 16 00:01:05,200 --> 00:01:08,440 Speaker 1: when this episode aired, this was the highest most viewed 17 00:01:08,520 --> 00:01:14,160 Speaker 1: episode after the pilot, so we were growing every single eventually. Okay, 18 00:01:14,200 --> 00:01:17,800 Speaker 1: so um Empire State of Mind is still number one 19 00:01:17,800 --> 00:01:21,160 Speaker 1: on the charts. And the Blind Slide The Black My God, 20 00:01:21,480 --> 00:01:25,679 Speaker 1: The Blind Slide the movie with Sandra Bullock. I said 21 00:01:25,720 --> 00:01:31,320 Speaker 1: that right um has slid up to number one. Yeah, 22 00:01:31,560 --> 00:01:33,119 Speaker 1: that's why I was going. First it was the Sandra 23 00:01:33,200 --> 00:01:36,760 Speaker 1: Bullock like come Back Yere because The Proposal was also 24 00:01:37,600 --> 00:01:42,200 Speaker 1: a huge movie that year. So what happened in um, 25 00:01:42,440 --> 00:01:45,520 Speaker 1: what happened with us this this uh this crazy week 26 00:01:45,720 --> 00:01:50,040 Speaker 1: several things. So some of us did this um appearance 27 00:01:50,080 --> 00:01:52,000 Speaker 1: in New York City and Brandt Park for like t 28 00:01:52,160 --> 00:01:55,560 Speaker 1: J Max and Marshall's. We did a Carol Okey contest? 29 00:01:56,080 --> 00:01:58,560 Speaker 1: Can you participate in that? Now? Did you know? I 30 00:01:58,560 --> 00:02:01,080 Speaker 1: did do that either? Okay, I remember anything about that? 31 00:02:02,240 --> 00:02:06,040 Speaker 1: UM unimportant. Next, and then we went to our first 32 00:02:07,680 --> 00:02:11,240 Speaker 1: jingle Ball. I remember that. Yeah, I do remember that. 33 00:02:11,240 --> 00:02:14,480 Speaker 1: That was great. I feel very I felt very cool 34 00:02:14,480 --> 00:02:17,080 Speaker 1: that I could get into jingle Ball. Well, you also 35 00:02:17,120 --> 00:02:19,160 Speaker 1: said to me when we went to jingle Ball this 36 00:02:19,400 --> 00:02:23,680 Speaker 1: current two year to talk about and that's what you 37 00:02:23,720 --> 00:02:26,560 Speaker 1: really missed. You're like, have you been to jingle Ball? 38 00:02:26,560 --> 00:02:28,880 Speaker 1: And I was like, no, I don't think I've been 39 00:02:28,919 --> 00:02:31,680 Speaker 1: to jingle Ball multiple times. Yeah, and I've been with 40 00:02:31,760 --> 00:02:34,880 Speaker 1: you at multiple Yeah. So they're okay, that's how good 41 00:02:34,919 --> 00:02:36,960 Speaker 1: my memory is right now? Okay, So we went to 42 00:02:36,960 --> 00:02:40,600 Speaker 1: the jingle Ball and then UM, Kevin, do you remember 43 00:02:40,639 --> 00:02:44,880 Speaker 1: going to the Tervor Projects cracked Christmas and at the 44 00:02:44,880 --> 00:02:48,400 Speaker 1: Wheel Turns that was with Chris and Corey and I 45 00:02:48,480 --> 00:02:52,680 Speaker 1: had just gotten off of a flu and my dress. 46 00:02:52,720 --> 00:02:55,280 Speaker 1: They're real good, YEP. I remember that. And this was 47 00:02:55,760 --> 00:03:00,240 Speaker 1: the beginning of a long relationship with Trevor Project. If 48 00:03:00,240 --> 00:03:03,000 Speaker 1: you know what Trade Project is, it's a UM a 49 00:03:03,040 --> 00:03:09,520 Speaker 1: resource center, hotline for UM LGBT people, UM suicide hotline 50 00:03:09,720 --> 00:03:12,959 Speaker 1: you can text in. It's an incredible, incredible organization. And 51 00:03:14,360 --> 00:03:16,919 Speaker 1: they were really small at this point. They didn't have 52 00:03:17,280 --> 00:03:20,680 Speaker 1: like the text in chat room things that they have now. 53 00:03:21,520 --> 00:03:23,959 Speaker 1: And we all went and I remember being so impressed. 54 00:03:24,000 --> 00:03:26,400 Speaker 1: I also remember because I was like, you know, closeted 55 00:03:26,720 --> 00:03:29,600 Speaker 1: that I was. I was like, I have to. I'm like, 56 00:03:29,720 --> 00:03:32,240 Speaker 1: regardless off, I'm scared of people, the public finding out 57 00:03:32,240 --> 00:03:34,080 Speaker 1: if I'm gere or not. I have to be involved 58 00:03:34,080 --> 00:03:37,440 Speaker 1: with this organization. And we went every single year, Adam Shaman, 59 00:03:37,840 --> 00:03:43,720 Speaker 1: we were presented, did all the things. UM. This week 60 00:03:43,960 --> 00:03:47,160 Speaker 1: the Gale the music Volume two Jeez were just pumping 61 00:03:47,200 --> 00:03:52,280 Speaker 1: them out was released. It had seventeen tracks, and UM 62 00:03:52,640 --> 00:03:56,080 Speaker 1: didn't Volume one does come out? Yeah, well exactly, uh? 63 00:03:56,880 --> 00:04:01,320 Speaker 1: And then Kevin, you didn't you guys do a photo shoot. Um, 64 00:04:01,920 --> 00:04:05,600 Speaker 1: they got Vanity Fair photo issues, Yeah, which was felt 65 00:04:05,720 --> 00:04:08,160 Speaker 1: very fancy. It was the first time I had been 66 00:04:08,240 --> 00:04:11,920 Speaker 1: in you know, a I think a big like fashion 67 00:04:12,160 --> 00:04:15,200 Speaker 1: important magazine like that. It was very jealous that you 68 00:04:15,240 --> 00:04:18,919 Speaker 1: guys had to do that. And then I remember going 69 00:04:19,000 --> 00:04:21,760 Speaker 1: to visit you and we had a singing in the 70 00:04:21,880 --> 00:04:25,760 Speaker 1: rain thing and so we were all dressed in these hats. 71 00:04:25,920 --> 00:04:30,280 Speaker 1: And so the issue with this for me was I 72 00:04:30,400 --> 00:04:32,160 Speaker 1: was very excited about this. It meant a lot to me. 73 00:04:33,560 --> 00:04:36,520 Speaker 1: But do you remember this is when I had my 74 00:04:36,680 --> 00:04:42,839 Speaker 1: issue with strip where I kept getting recurring strep throughout 75 00:04:44,200 --> 00:04:47,480 Speaker 1: over and over and over again, and nobody could figure 76 00:04:47,520 --> 00:04:50,280 Speaker 1: out what was wrong with me, and I kept having 77 00:04:50,320 --> 00:04:51,799 Speaker 1: to go to the doctor and they were like pumping 78 00:04:51,839 --> 00:04:55,400 Speaker 1: me full of antibiotics. And in this photo shoot, I'm 79 00:04:55,440 --> 00:04:58,640 Speaker 1: standing on a light pole like holding it, wrapping my 80 00:04:58,800 --> 00:05:02,600 Speaker 1: arm around it. But I had had like I V 81 00:05:02,839 --> 00:05:07,880 Speaker 1: things in my you know, my elbow, and I was 82 00:05:08,040 --> 00:05:10,720 Speaker 1: using that to hold onto the light post. But I 83 00:05:10,880 --> 00:05:12,520 Speaker 1: was trying to be like and they had like fake 84 00:05:12,640 --> 00:05:15,840 Speaker 1: rain coming down and I could barely stand on this 85 00:05:15,880 --> 00:05:17,840 Speaker 1: thing because it was so slippery, and I was trying 86 00:05:17,880 --> 00:05:19,640 Speaker 1: to keep it all together. And I was so sick, 87 00:05:19,800 --> 00:05:21,600 Speaker 1: and my arm wasn't so much pain because it's like 88 00:05:21,680 --> 00:05:28,000 Speaker 1: on a wound, and yeah, and it's in public. It's 89 00:05:28,000 --> 00:05:29,880 Speaker 1: on a very busy street in front of a very 90 00:05:29,920 --> 00:05:33,640 Speaker 1: busy museum and getting to do one of the coolest 91 00:05:33,640 --> 00:05:35,240 Speaker 1: things in my life up to that point, and I 92 00:05:35,320 --> 00:05:38,480 Speaker 1: am Kevin. It was also really late at night, and 93 00:05:38,600 --> 00:05:40,680 Speaker 1: I had lived down the block from there at the time, 94 00:05:40,760 --> 00:05:42,680 Speaker 1: so I said, I'm going to come visit, and they 95 00:05:42,760 --> 00:05:45,400 Speaker 1: blocked that whole straight up. I wasn't allowed to come 96 00:05:45,440 --> 00:05:47,880 Speaker 1: and see you guys. And I was like, I swear, 97 00:05:48,000 --> 00:05:51,080 Speaker 1: I'm I'm part of this. They know me, I know them, 98 00:05:52,200 --> 00:05:54,360 Speaker 1: I know them, and they were like, no, absolutely not. 99 00:05:54,560 --> 00:05:56,680 Speaker 1: So I drove by and I saw the rain going 100 00:05:56,760 --> 00:06:00,279 Speaker 1: and you guys looked very fabulous from afar, and that's 101 00:06:00,279 --> 00:06:03,120 Speaker 1: all I got was just a sheer glimpse into the 102 00:06:03,640 --> 00:06:07,160 Speaker 1: world of the very painful than the fair shoote for 103 00:06:07,279 --> 00:06:10,000 Speaker 1: you and then ended up being this really like small 104 00:06:10,040 --> 00:06:17,440 Speaker 1: photo adventity, but you were inventity. Care. I was that's awesome. Okay, okay, 105 00:06:17,520 --> 00:06:20,720 Speaker 1: let's let's do it. Let's do it all right. So 106 00:06:20,880 --> 00:06:26,800 Speaker 1: this is Mattress and Um. This aired December two, two nine, 107 00:06:26,920 --> 00:06:30,800 Speaker 1: My gosh, and this was directed by Eldie Keene Here 108 00:06:30,839 --> 00:06:34,040 Speaker 1: she is again, which I was like, wow. Eldie directed 109 00:06:34,080 --> 00:06:37,920 Speaker 1: a bunch of episodes early on, so crazy. Um. This 110 00:06:38,040 --> 00:06:40,839 Speaker 1: was written by Ryan Murphy and the Try the Holy 111 00:06:40,920 --> 00:06:45,760 Speaker 1: Trinity um Ian Brennan and Brad Felt Chuck and Um. 112 00:06:46,560 --> 00:06:50,080 Speaker 1: We had two great little guest stars who were the 113 00:06:50,720 --> 00:06:54,680 Speaker 1: Mattress store owner and the DP or the director John 114 00:06:54,760 --> 00:07:01,000 Speaker 1: Ross Bowie and Chuck's spitler. We did smile from Millie Allen, 115 00:07:01,080 --> 00:07:05,080 Speaker 1: which we'll talk about, Um, jump van Halen and then 116 00:07:05,200 --> 00:07:09,720 Speaker 1: smile Charlie Chaplin. Um. Like I said, this was the 117 00:07:09,800 --> 00:07:13,400 Speaker 1: most viewed episode, so eight point one five million viewers. 118 00:07:14,080 --> 00:07:16,400 Speaker 1: That was a high for us. And at some point 119 00:07:16,520 --> 00:07:19,120 Speaker 1: the originally the episode was called Once Upon a Mattress, 120 00:07:19,480 --> 00:07:21,120 Speaker 1: but we couldn't get the rights to it. No, they 121 00:07:21,160 --> 00:07:26,120 Speaker 1: had to change that Mattress. It is okay. I enjoyed 122 00:07:26,160 --> 00:07:31,040 Speaker 1: this episode. There's a lot that happens. Yes, So basically, 123 00:07:31,240 --> 00:07:33,080 Speaker 1: when the Glee Club is left out of the Yearbook 124 00:07:33,240 --> 00:07:37,080 Speaker 1: due to budget cuts, almost everyone except Rachel is relieved 125 00:07:37,200 --> 00:07:39,160 Speaker 1: they won't have to suffer the ridicule of past years, 126 00:07:39,200 --> 00:07:43,320 Speaker 1: because it's known amongst the school's history that the glee 127 00:07:43,400 --> 00:07:49,040 Speaker 1: club picture always gets defaced by the cooler people's right right, 128 00:07:49,840 --> 00:07:52,760 Speaker 1: and Rachel tries to elevate the social status of the 129 00:07:52,840 --> 00:07:56,120 Speaker 1: leae club by getting them cast in a local commercial, 130 00:07:56,680 --> 00:08:00,840 Speaker 1: which causes drama, so much drama. And then finally Will 131 00:08:01,800 --> 00:08:05,320 Speaker 1: discovers that his wife Terry has been lying to him 132 00:08:05,360 --> 00:08:08,480 Speaker 1: about the pregnancy. Baby. It is peaking. Oh, I mean, 133 00:08:08,600 --> 00:08:12,920 Speaker 1: this is it's happening. And also I think at this 134 00:08:13,080 --> 00:08:15,640 Speaker 1: time to remember there writing this episode twelve we have 135 00:08:16,160 --> 00:08:19,440 Speaker 1: is a one more episode before the break. We know 136 00:08:19,560 --> 00:08:23,120 Speaker 1: at this point that we're coming back. I don't know 137 00:08:23,240 --> 00:08:27,560 Speaker 1: that we did. I think by by by the time 138 00:08:27,600 --> 00:08:30,400 Speaker 1: it was airing, Yes, but we didn't when they were 139 00:08:30,440 --> 00:08:33,439 Speaker 1: writing it, I don't know. And so they had to 140 00:08:33,559 --> 00:08:36,600 Speaker 1: like wrap up some of these storylines or or leave 141 00:08:36,640 --> 00:08:42,040 Speaker 1: it hanging interested. So I needed the back nine. So 142 00:08:42,160 --> 00:08:44,760 Speaker 1: this year book the Thunderclap. Yeah, tell me about it. 143 00:08:44,920 --> 00:08:49,360 Speaker 1: It's a very very big deal. Obviously. Um the show 144 00:08:49,440 --> 00:08:52,160 Speaker 1: starts out with like Will and the teacher's lounge, everybody 145 00:08:52,200 --> 00:08:54,360 Speaker 1: getting a double dose of the bad news, which is 146 00:08:54,679 --> 00:08:57,599 Speaker 1: Emma and Kin's wedding. Is the same day as sectionals 147 00:08:58,200 --> 00:09:02,440 Speaker 1: because I'm not getting married, why any or And it's 148 00:09:02,440 --> 00:09:06,360 Speaker 1: the fiftieth edition of the McKinley High School underclap and 149 00:09:06,440 --> 00:09:08,679 Speaker 1: she walks in with a black eye and says she 150 00:09:08,760 --> 00:09:11,000 Speaker 1: convinced Figgins not to let the glee club have a 151 00:09:11,040 --> 00:09:14,839 Speaker 1: picture in the yearbook because it always gets you know, 152 00:09:14,960 --> 00:09:16,679 Speaker 1: like I said, the face, it always gets drawn on. 153 00:09:16,800 --> 00:09:19,480 Speaker 1: It would just relieve some of the pressure and the 154 00:09:19,640 --> 00:09:31,720 Speaker 1: ridicule and the embarrassment for the glee club. Emma has 155 00:09:31,800 --> 00:09:35,199 Speaker 1: some really good one liners in this episode. This is 156 00:09:35,240 --> 00:09:38,360 Speaker 1: her one two three punch. That's not the saying. But 157 00:09:39,200 --> 00:09:41,120 Speaker 1: she says the wedding was going to be in Hawaii, 158 00:09:41,160 --> 00:09:42,800 Speaker 1: but then they told me I couldn't bring my own fruit. 159 00:09:43,080 --> 00:09:46,040 Speaker 1: How cute, um. But then she goes on to talk 160 00:09:46,080 --> 00:09:47,840 Speaker 1: about Kennan how he has a lot of flaws. Ken 161 00:09:47,960 --> 00:09:49,880 Speaker 1: has a lot of flaws. He has seventy four flaws 162 00:09:50,000 --> 00:09:53,600 Speaker 1: of yesterday. And then I think the best one of all, 163 00:09:53,640 --> 00:09:57,560 Speaker 1: Oh my gosh, dude, did someone finally punch you? Sue 164 00:09:57,960 --> 00:09:59,520 Speaker 1: looks like she has a black eye, but she actually 165 00:09:59,520 --> 00:10:02,200 Speaker 1: got some work done and her cheer ducks removed, which 166 00:10:03,520 --> 00:10:05,000 Speaker 1: she was in like rare form in this scene. It 167 00:10:05,080 --> 00:10:08,240 Speaker 1: was really, really really marked that for my favorite line 168 00:10:08,240 --> 00:10:11,360 Speaker 1: of the episodes, most likely. Okay, so then we go 169 00:10:11,440 --> 00:10:14,760 Speaker 1: to the choir room, where do you remember shooting this? 170 00:10:15,679 --> 00:10:19,880 Speaker 1: Of course, Well, Kurt's telling everybody that, um, not getting 171 00:10:19,880 --> 00:10:22,319 Speaker 1: a photo in the Thunderclub is actually a blessing in 172 00:10:22,360 --> 00:10:27,319 Speaker 1: disguise because um, he says, a yearbook photo would only 173 00:10:27,440 --> 00:10:31,280 Speaker 1: fuel the flames of anti glee club terror and it 174 00:10:31,400 --> 00:10:36,240 Speaker 1: gets defaced and we would be all, look real crazy. Um. 175 00:10:36,720 --> 00:10:39,600 Speaker 1: When we were shooting this scene, Chris had a mouthful 176 00:10:40,720 --> 00:10:43,040 Speaker 1: there was when it started, I just said out loud, 177 00:10:43,040 --> 00:10:45,640 Speaker 1: I'm like, oh, Chris couldn't get this. And then you 178 00:10:45,760 --> 00:10:49,840 Speaker 1: watch it, and it was he had every random word 179 00:10:50,600 --> 00:10:53,400 Speaker 1: thrown at him in this scene. And well, and and 180 00:10:53,520 --> 00:10:56,079 Speaker 1: the hardest thing is like those one like when you 181 00:10:56,160 --> 00:11:00,160 Speaker 1: have one line, it's actually harder than having a a 182 00:11:00,240 --> 00:11:03,320 Speaker 1: stream of consciousness and a thought and having twenty lines 183 00:11:03,960 --> 00:11:07,120 Speaker 1: because it's out of nowhere. You have to remember it 184 00:11:07,240 --> 00:11:10,439 Speaker 1: out of nowhere and create context for yourself. Um. And 185 00:11:10,559 --> 00:11:13,440 Speaker 1: for Chris it was like this like one of those 186 00:11:13,600 --> 00:11:19,439 Speaker 1: famous pair you know monologues where nothing really there's no 187 00:11:19,640 --> 00:11:25,120 Speaker 1: real stream of consciounessness so, um, poor Chris, but he 188 00:11:25,320 --> 00:11:27,400 Speaker 1: nailed it. I remember, and we all had to like 189 00:11:27,520 --> 00:11:29,840 Speaker 1: interject sometimes, and it was all this pressure where Chris 190 00:11:29,920 --> 00:11:34,559 Speaker 1: has this really difficult monologue to say and then we 191 00:11:34,760 --> 00:11:36,880 Speaker 1: have to interject, and like, who are we going to 192 00:11:36,960 --> 00:11:39,760 Speaker 1: be the ones that mess his entire scene up for him? Right, 193 00:11:40,080 --> 00:11:44,280 Speaker 1: He's like trying like holding on to We've all been there. 194 00:11:44,480 --> 00:11:48,280 Speaker 1: I have my memory of that. So Mr Shoe is on. 195 00:11:48,920 --> 00:11:51,520 Speaker 1: It's not privy to the fact that we're all like, great, 196 00:11:51,559 --> 00:11:53,480 Speaker 1: we're not going to be in the yearbook. But he 197 00:11:53,880 --> 00:11:55,599 Speaker 1: insists that we have to be in the yearbook, and 198 00:11:55,640 --> 00:12:00,160 Speaker 1: he decides to go to Figgins and Figgins is that 199 00:12:00,240 --> 00:12:02,400 Speaker 1: the only way to get everybody into the yearbook in 200 00:12:02,440 --> 00:12:05,160 Speaker 1: the glee club is for thousand dollars, which is wildly 201 00:12:05,240 --> 00:12:09,120 Speaker 1: expensive for a yearbook photo. By the way, I was 202 00:12:09,280 --> 00:12:13,160 Speaker 1: very anti yearbook, anti school things, so I don't remember. Yeah, 203 00:12:13,400 --> 00:12:18,360 Speaker 1: I would have fought for the yearbook. Um, so Will 204 00:12:18,520 --> 00:12:21,720 Speaker 1: it's like, okay, what about a quarter page? Um where 205 00:12:22,000 --> 00:12:24,800 Speaker 1: and and Figgins It's like, okay, it's like three bucks 206 00:12:24,920 --> 00:12:28,559 Speaker 1: or whatever where two members can be in it. So 207 00:12:31,520 --> 00:12:35,880 Speaker 1: Biggins now recommends that they pick Finn in Santana. He says, now, 208 00:12:35,960 --> 00:12:38,439 Speaker 1: I suggest you select a good looking cheerleader, not the 209 00:12:38,480 --> 00:12:41,800 Speaker 1: pregnant one and the quarterback for the photos. Their faces 210 00:12:41,840 --> 00:12:44,240 Speaker 1: are less likely to be scratched out with safety pins. 211 00:12:44,760 --> 00:12:47,800 Speaker 1: And then at that moment, barges in because she's got 212 00:12:47,840 --> 00:12:49,760 Speaker 1: some words that she hasn't been seen yet. Oh my god, 213 00:12:49,880 --> 00:12:53,520 Speaker 1: so funny. Rachel barges in and she insists that glee 214 00:12:53,559 --> 00:12:57,000 Speaker 1: clubs in the yearbook, and and Mr She's like, got it, Rachel, 215 00:12:57,040 --> 00:12:59,679 Speaker 1: and she's like, thank you so much and leaves in 216 00:12:59,840 --> 00:13:02,319 Speaker 1: her very Rachel whye. And then we go through this 217 00:13:03,280 --> 00:13:07,840 Speaker 1: incredible bit of Rachel in her obsession to be photographed, 218 00:13:07,880 --> 00:13:11,719 Speaker 1: to practice for the paparazzi and being a part of 219 00:13:11,840 --> 00:13:18,400 Speaker 1: every club, which some of them just don't. I didn't 220 00:13:18,480 --> 00:13:22,080 Speaker 1: remember watching this. He was laughing, because, like Leah's face 221 00:13:22,160 --> 00:13:26,280 Speaker 1: and these is excellent. This is a very good episode 222 00:13:26,320 --> 00:13:31,040 Speaker 1: for Rachel and Leah. She is absolutely nailing it because 223 00:13:31,760 --> 00:13:35,599 Speaker 1: she's very good a physical comedy and like one of 224 00:13:35,640 --> 00:13:37,959 Speaker 1: those things that we do, like in between takes and 225 00:13:38,040 --> 00:13:42,079 Speaker 1: things of doing sort of impressions of our characters, and 226 00:13:42,160 --> 00:13:45,040 Speaker 1: she was using all of those tools, the big smile 227 00:13:45,160 --> 00:13:49,400 Speaker 1: and all that that's right. We were elevated in this episode. Um. 228 00:13:50,720 --> 00:13:53,280 Speaker 1: But her in the clubs, I was like, oh, some 229 00:13:53,400 --> 00:13:56,719 Speaker 1: of these didn't age well. No, so click that for 230 00:13:57,320 --> 00:14:00,880 Speaker 1: it is funny? What oh it it's very fun because 231 00:14:00,960 --> 00:14:03,679 Speaker 1: it's also like we know it's inappropriate at that time though. 232 00:14:03,720 --> 00:14:06,160 Speaker 1: It is like we know this is wrong, and she's 233 00:14:06,280 --> 00:14:10,120 Speaker 1: using these using it too in to her advantage in 234 00:14:10,400 --> 00:14:15,840 Speaker 1: the wrong, wrongest or wrong ways. Um so, and then 235 00:14:15,880 --> 00:14:17,599 Speaker 1: we had to Quinn in the library. We're not in 236 00:14:17,640 --> 00:14:19,680 Speaker 1: the library very often, so this is exciting. Yeah, I 237 00:14:19,720 --> 00:14:21,360 Speaker 1: feel like this is we're going to start seeing the 238 00:14:21,440 --> 00:14:26,680 Speaker 1: library because get more budget and bigger library. That's right. 239 00:14:27,240 --> 00:14:29,200 Speaker 1: So we see quinnin library and she's looking at the 240 00:14:29,240 --> 00:14:33,960 Speaker 1: yearbook and she decides that she doesn't she wants to 241 00:14:33,960 --> 00:14:36,200 Speaker 1: be in the cheerios again. She needs to be relevant 242 00:14:36,360 --> 00:14:38,200 Speaker 1: and I feel like she's a part of a part 243 00:14:38,240 --> 00:14:43,960 Speaker 1: of something. And I gasped at this. I gasped. Um. 244 00:14:44,120 --> 00:14:45,360 Speaker 1: She says, I want my kids to be able to 245 00:14:45,400 --> 00:14:47,560 Speaker 1: look back at these books and see who I was, 246 00:14:48,120 --> 00:14:52,400 Speaker 1: make them proud, not the bastard carrying now of course 247 00:14:52,680 --> 00:14:55,320 Speaker 1: the ones will have when I'm married and ready. Yeah, exactly, 248 00:14:55,600 --> 00:15:01,760 Speaker 1: John Snow Um, I thought that was very very funny. Um, okay, 249 00:15:01,920 --> 00:15:04,480 Speaker 1: what what what happens next? Then we go so then 250 00:15:04,560 --> 00:15:07,600 Speaker 1: we're seeing how the Glee cub effects every single person. 251 00:15:07,720 --> 00:15:10,400 Speaker 1: I mean, the yearbook affects every single person on the show. 252 00:15:10,560 --> 00:15:12,920 Speaker 1: It's funny how one of these high school things becomes 253 00:15:13,040 --> 00:15:17,200 Speaker 1: such a thing. It's very high school. I like lean 254 00:15:17,280 --> 00:15:20,280 Speaker 1: into these high school things like this. And then Mr 255 00:15:20,360 --> 00:15:22,320 Speaker 1: Shoe goes to tell Terry that he wants to buy 256 00:15:22,320 --> 00:15:24,000 Speaker 1: an ad and use it for the glee club, and 257 00:15:24,120 --> 00:15:27,760 Speaker 1: she says no five times, but he obviously does not 258 00:15:27,880 --> 00:15:30,880 Speaker 1: listen because he has always prioritized the glee club. Um 259 00:15:31,600 --> 00:15:34,600 Speaker 1: and gives Figgins a check to pay for it, and 260 00:15:34,720 --> 00:15:36,120 Speaker 1: then he tells the good Club that they have to 261 00:15:36,160 --> 00:15:39,400 Speaker 1: pick two captains for the photo, and then everyone very quickly, 262 00:15:40,000 --> 00:15:43,600 Speaker 1: on purpose, unanimously votes for Rachel because they don't want 263 00:15:43,600 --> 00:15:48,160 Speaker 1: to including Rachel. And I love that scene, like all 264 00:15:48,200 --> 00:15:51,240 Speaker 1: the kids colluding to just like, yep, you can do 265 00:15:51,320 --> 00:15:54,560 Speaker 1: it great, finally giving her the attention she wants, the 266 00:15:54,600 --> 00:15:59,040 Speaker 1: spotlight she wants, and then Will is a little perplexed 267 00:15:59,040 --> 00:16:00,760 Speaker 1: because this is the first time he seeing that the 268 00:16:00,880 --> 00:16:04,200 Speaker 1: kids don't want to be in the photo and ask 269 00:16:04,320 --> 00:16:10,240 Speaker 1: him afored advice, and then Emma apologizes for missing sectionals 270 00:16:10,920 --> 00:16:12,840 Speaker 1: and tells her he thinks you can schedule the wedding 271 00:16:12,920 --> 00:16:21,600 Speaker 1: on purpose. Oh drama. And then Will decides that Rachel 272 00:16:21,720 --> 00:16:27,160 Speaker 1: needs a co captain and do you I remember filming 273 00:16:27,200 --> 00:16:31,840 Speaker 1: this because this was the first time that Rachel already 274 00:16:31,880 --> 00:16:35,520 Speaker 1: have a little one on one. Um, yeah, here's my 275 00:16:35,640 --> 00:16:41,080 Speaker 1: bid for it didn't age well? Is everybody giving, you know, 276 00:16:41,240 --> 00:16:43,520 Speaker 1: excuses of why they can't be the co captain? Mercedes 277 00:16:43,680 --> 00:16:50,000 Speaker 1: says she can't no time kwanza yeah, um, and then 278 00:16:50,120 --> 00:16:55,280 Speaker 1: Already says, um, you can't. I can't because we'll mess 279 00:16:55,400 --> 00:16:57,760 Speaker 1: up a composition because if you lean over, it will 280 00:16:57,800 --> 00:17:00,040 Speaker 1: look like you have stomach rolls. It's very funny. This 281 00:17:00,080 --> 00:17:03,440 Speaker 1: scene was very funny. Yeah, and then I thought how 282 00:17:03,480 --> 00:17:08,080 Speaker 1: this was the best and um, she says, no way, 283 00:17:08,240 --> 00:17:09,600 Speaker 1: because I don't want to be in a picture with you. 284 00:17:09,920 --> 00:17:12,119 Speaker 1: It'll get to face and Rachel says, no, it won't, 285 00:17:12,240 --> 00:17:14,480 Speaker 1: and she says Britney says, if it will, I'll be 286 00:17:14,640 --> 00:17:18,080 Speaker 1: doing it. I'll be the one doing it. So Rachel 287 00:17:18,160 --> 00:17:23,200 Speaker 1: then goes to good old Trustee suite Finn because he 288 00:17:23,320 --> 00:17:27,200 Speaker 1: is a leader and he says yes, and you know, 289 00:17:27,840 --> 00:17:32,080 Speaker 1: then insert Smile by Lily Allen, which we were very 290 00:17:32,160 --> 00:17:35,679 Speaker 1: excited about this because Lily Allen was like coming up. 291 00:17:35,720 --> 00:17:37,879 Speaker 1: Her album had come out. We were all listening to 292 00:17:38,000 --> 00:17:40,320 Speaker 1: it on like, um, you know at our chairs in 293 00:17:40,400 --> 00:17:46,080 Speaker 1: between takes. We love this album and I just am 294 00:17:46,359 --> 00:17:52,400 Speaker 1: so uncomfortable watching this number. I might have passworded through 295 00:17:52,480 --> 00:17:56,159 Speaker 1: it me too. I definitely fast arted this to be 296 00:17:56,280 --> 00:18:01,280 Speaker 1: real because it felt like it was just inserted for 297 00:18:01,359 --> 00:18:05,840 Speaker 1: the sake of yes, we need and in these early episodes, 298 00:18:05,960 --> 00:18:08,200 Speaker 1: we don't. We didn't have that right. They all kind 299 00:18:08,240 --> 00:18:10,480 Speaker 1: of moved the plot, they moved or they were really 300 00:18:10,560 --> 00:18:14,680 Speaker 1: really like fun huge numbers with like big costumes and 301 00:18:14,720 --> 00:18:17,920 Speaker 1: production value, but this one was like why is this here? 302 00:18:19,000 --> 00:18:22,520 Speaker 1: Also feel like okay, it sort of felt like Ryan 303 00:18:22,600 --> 00:18:24,480 Speaker 1: was throwing us a bone because we wanted this song 304 00:18:25,280 --> 00:18:27,200 Speaker 1: in the show, and there was just a lot of 305 00:18:27,520 --> 00:18:30,719 Speaker 1: um storyline in this episode, and I think they were 306 00:18:30,880 --> 00:18:32,920 Speaker 1: just kind of like searching for the right material for 307 00:18:33,040 --> 00:18:35,359 Speaker 1: the for the songs to fit, but there's just so 308 00:18:35,520 --> 00:18:38,880 Speaker 1: much other good material in this In this episode, um 309 00:18:39,560 --> 00:18:41,960 Speaker 1: Rachel also slaps pins. But at the end of this 310 00:18:42,400 --> 00:18:44,480 Speaker 1: rad and the piano is also like really getting into 311 00:18:44,520 --> 00:18:47,359 Speaker 1: that he's living living. I actually fast forwarded and then 312 00:18:47,440 --> 00:18:53,520 Speaker 1: I um ended up Rad and he was moving Um okay, 313 00:18:53,560 --> 00:18:57,159 Speaker 1: and then we we cut to Finn who is in 314 00:18:57,240 --> 00:19:01,480 Speaker 1: locker room and getting um drawn and written on by 315 00:19:01,520 --> 00:19:05,119 Speaker 1: Crofsky and a Zemio. I love Crofsky and Zemio together. 316 00:19:05,280 --> 00:19:10,400 Speaker 1: I thought they were a really amazing, horrible bully duo 317 00:19:10,720 --> 00:19:13,320 Speaker 1: and also got funny. I mean they were trying to 318 00:19:13,480 --> 00:19:17,280 Speaker 1: draw Nazi symbols on the I mean the Hitler symbol 319 00:19:17,440 --> 00:19:20,720 Speaker 1: on his face, which I thought didn't it wasn't good. 320 00:19:21,119 --> 00:19:26,760 Speaker 1: But but the duo, we're starting to see the duo, 321 00:19:26,920 --> 00:19:29,040 Speaker 1: which is your potato head, like you could you could 322 00:19:29,040 --> 00:19:31,240 Speaker 1: write a high kup on his head because that was funny. 323 00:19:31,400 --> 00:19:33,440 Speaker 1: That's very funny. I don't know if that was outlet 324 00:19:33,600 --> 00:19:36,840 Speaker 1: or not. So's getting bullied by his own teammates Krofsky, 325 00:19:36,840 --> 00:19:38,440 Speaker 1: who was not on the hockey team but on the 326 00:19:38,480 --> 00:19:42,760 Speaker 1: football team, right. And then Rachel Rachel is going to 327 00:19:42,800 --> 00:19:46,480 Speaker 1: be at the photo it's photo day for the glee club. 328 00:19:46,920 --> 00:19:49,760 Speaker 1: She's waiting for her co captain and he's not showing 329 00:19:50,760 --> 00:19:54,560 Speaker 1: and the photographer UM says he's gotta go because he's 330 00:19:54,600 --> 00:19:57,879 Speaker 1: gotta He's like, sorry, I gotta go. Hurry up. Um, 331 00:19:58,080 --> 00:19:59,720 Speaker 1: I've got to go show this commercial for my brother. 332 00:19:59,760 --> 00:20:05,200 Speaker 1: And the she's like boo, she hears commercial. Um. And 333 00:20:06,359 --> 00:20:09,560 Speaker 1: John John Ross Bowie, who is the guest star who 334 00:20:09,640 --> 00:20:12,240 Speaker 1: plays the photographer and the director of the Mattress commercial. 335 00:20:12,800 --> 00:20:16,840 Speaker 1: You may know him from Speechless or The Big Bang Theory, 336 00:20:17,200 --> 00:20:21,480 Speaker 1: that little show, just that small tidy thing. Um. And 337 00:20:21,560 --> 00:20:24,719 Speaker 1: he also comes back, you know, he goes back in Um, 338 00:20:25,560 --> 00:20:30,840 Speaker 1: he ends up in the Glee Project. As I thought 339 00:20:30,880 --> 00:20:34,560 Speaker 1: this scene was so strange, but the two of them 340 00:20:34,600 --> 00:20:37,080 Speaker 1: are so good that they made it. Like she takes 341 00:20:37,119 --> 00:20:41,520 Speaker 1: that break and looks in the mirror. Yeah, like there's 342 00:20:41,560 --> 00:20:44,480 Speaker 1: all these My favorite parts of the show are when 343 00:20:44,640 --> 00:20:50,280 Speaker 1: we get into those odd, weird, specific comedic things and 344 00:20:50,320 --> 00:20:53,120 Speaker 1: then she goes and sits down and starts crying because 345 00:20:53,119 --> 00:20:54,639 Speaker 1: she's trying to get the job. I just thought it 346 00:20:54,720 --> 00:20:59,840 Speaker 1: was really very funny executed. Yeah, very very funny. I 347 00:21:00,000 --> 00:21:04,320 Speaker 1: can cry out of one eye. So then, um, Rachel 348 00:21:04,560 --> 00:21:08,560 Speaker 1: is you know piste Finn and Finn says, well, they 349 00:21:08,560 --> 00:21:10,399 Speaker 1: said that I took the Glee Club photo. They'd make 350 00:21:10,440 --> 00:21:12,560 Speaker 1: me choose between a Hitler mustache or buck teeth and 351 00:21:12,560 --> 00:21:15,240 Speaker 1: I can't rock either of those looks, so you know, 352 00:21:15,840 --> 00:21:23,040 Speaker 1: yeah whatever, which leads us into the commercial. The mattress 353 00:21:23,520 --> 00:21:27,200 Speaker 1: part of this episode, which is the best part. Well, 354 00:21:27,359 --> 00:21:29,560 Speaker 1: I don't know about that, but it is one of 355 00:21:29,720 --> 00:21:33,640 Speaker 1: it's our favorite party. So Rachel's in the glee club. 356 00:21:33,800 --> 00:21:35,480 Speaker 1: She calls the meeting to session. She says that the 357 00:21:35,520 --> 00:21:39,240 Speaker 1: glee Club is a rare opportunity to become stars. That 358 00:21:39,320 --> 00:21:41,600 Speaker 1: we've been cast in a local commercial, and Tina is 359 00:21:41,720 --> 00:21:46,640 Speaker 1: very excited. Um, and she says, hold onto your hats 360 00:21:46,680 --> 00:21:51,119 Speaker 1: and get ready to sell some mattresses. All these numbers. 361 00:21:51,160 --> 00:21:53,560 Speaker 1: I remember shooting all these scenes. They were like so quick. 362 00:21:53,880 --> 00:21:56,399 Speaker 1: We were like in one off scenes of like I 363 00:21:56,440 --> 00:22:00,600 Speaker 1: remember just this this episode moving very quickly. There was 364 00:22:00,640 --> 00:22:04,000 Speaker 1: a lot to do. It's like, you guys don't matter 365 00:22:04,200 --> 00:22:07,280 Speaker 1: right now. We don't need to do twelves. We don't 366 00:22:07,280 --> 00:22:11,280 Speaker 1: need a coverage of twelve different people exactly, it's a group. Um, 367 00:22:12,119 --> 00:22:15,880 Speaker 1: So now we're rehearsing. Now we're at mattress Land, which 368 00:22:16,000 --> 00:22:21,200 Speaker 1: was a mattress store warehouse in like the middle of 369 00:22:21,240 --> 00:22:25,240 Speaker 1: nowhere in California, and it was it was very hot. 370 00:22:25,720 --> 00:22:28,360 Speaker 1: And if you watch this first thing where we're all 371 00:22:28,440 --> 00:22:31,399 Speaker 1: lined up acting out the scene that we're supposed to 372 00:22:31,440 --> 00:22:34,520 Speaker 1: do in this commercial, we're all a bit dewey. Well 373 00:22:34,560 --> 00:22:38,720 Speaker 1: that we shot this after we were did the musical number. 374 00:22:38,760 --> 00:22:43,800 Speaker 1: We were sweating. But um, we're rehearsing this number or 375 00:22:43,960 --> 00:22:49,960 Speaker 1: the commercial as it was written, and the delivery of 376 00:22:50,040 --> 00:22:55,840 Speaker 1: these lines is excellent. And I remember Mark's line delivery 377 00:22:56,080 --> 00:23:00,600 Speaker 1: was cracking us up. We were fully losing it, losing 378 00:23:00,640 --> 00:23:04,959 Speaker 1: it and and and ambers and it's just very funny. Um, 379 00:23:05,320 --> 00:23:08,919 Speaker 1: But do you remember rehearsing for this, like, well, they 380 00:23:08,960 --> 00:23:11,479 Speaker 1: had to. They put us on the sound stage right, 381 00:23:11,680 --> 00:23:14,639 Speaker 1: like a separate sound stage because the mattresses wouldn't fit 382 00:23:14,720 --> 00:23:17,800 Speaker 1: in the tin shed where we normally rehearse, and we 383 00:23:17,880 --> 00:23:20,520 Speaker 1: were rehearsing really late at night. I remember it was 384 00:23:20,600 --> 00:23:24,320 Speaker 1: like after we had shot something else. Yeah, I remember 385 00:23:24,359 --> 00:23:26,399 Speaker 1: rehearsing these. These were real fun, except I was like 386 00:23:26,440 --> 00:23:28,639 Speaker 1: worried my neck was going to get all crazy. I 387 00:23:28,720 --> 00:23:31,639 Speaker 1: just remember too, because it was. Um, there's a lot 388 00:23:31,680 --> 00:23:33,680 Speaker 1: of pictures online that I think we all took of 389 00:23:33,760 --> 00:23:36,200 Speaker 1: each other and posted at some point of us like 390 00:23:36,280 --> 00:23:39,920 Speaker 1: sitting around on these gigantic trampolines that they covered and 391 00:23:40,080 --> 00:23:44,399 Speaker 1: fabric to look like mattresses, and we were climbing up 392 00:23:44,600 --> 00:23:47,399 Speaker 1: places we probably weren't supposed to in this empty sound stage, 393 00:23:47,440 --> 00:23:51,800 Speaker 1: like and I just remember we were left alone on 394 00:23:51,840 --> 00:23:54,320 Speaker 1: those stages a lot, I think because Zack and Brooke 395 00:23:54,440 --> 00:23:56,960 Speaker 1: had to go. I think, yeah, I think there was 396 00:23:57,000 --> 00:24:01,600 Speaker 1: something another number being shot that needed their attention. Yes, yes, 397 00:24:01,800 --> 00:24:04,040 Speaker 1: I remember laying on those mattresses for a very long time, 398 00:24:05,040 --> 00:24:08,040 Speaker 1: and so it was like a nice little break respect 399 00:24:08,359 --> 00:24:13,120 Speaker 1: on these little soft pads of this mattress and them 400 00:24:13,200 --> 00:24:16,080 Speaker 1: also being like what what is this number? How are 401 00:24:16,119 --> 00:24:18,359 Speaker 1: we choreographing this? And I think it was like I 402 00:24:18,480 --> 00:24:22,600 Speaker 1: can do this, and they're like, great, do that because 403 00:24:23,040 --> 00:24:24,920 Speaker 1: I can do it. For it and we have to 404 00:24:25,040 --> 00:24:27,399 Speaker 1: look when we look at that number, like how there 405 00:24:27,560 --> 00:24:31,960 Speaker 1: is going full acrobatics. Yeah, full acrobatics the entire time, 406 00:24:32,160 --> 00:24:36,040 Speaker 1: like like pure wedding into a full split, like a 407 00:24:36,119 --> 00:24:41,040 Speaker 1: middle split. I was crazy. She was doing her best cheerleader. Um, 408 00:24:41,800 --> 00:24:45,399 Speaker 1: so what happens is and the scene is that the 409 00:24:45,880 --> 00:24:48,280 Speaker 1: written scene that the director wrote after we do it 410 00:24:48,560 --> 00:24:50,680 Speaker 1: sort of sucks and Rachel's like, we're a glee club 411 00:24:53,000 --> 00:24:56,359 Speaker 1: and I love how we just whipped up this little 412 00:24:56,440 --> 00:24:59,200 Speaker 1: van Halen number with all these harmonies, and also like 413 00:24:59,320 --> 00:25:02,240 Speaker 1: how could this how could Mattress Land afford the rights 414 00:25:02,760 --> 00:25:06,560 Speaker 1: to Van Halen for their commercial I remember McQuary being 415 00:25:06,760 --> 00:25:11,040 Speaker 1: very excited about this number, very excited, um and doing 416 00:25:11,119 --> 00:25:14,520 Speaker 1: the scream at the the beginning of that stuff. Also 417 00:25:14,600 --> 00:25:17,720 Speaker 1: the scream is funny because I all, I think of 418 00:25:17,800 --> 00:25:20,920 Speaker 1: his tour like hearing it so many times. Can you 419 00:25:21,000 --> 00:25:24,120 Speaker 1: believe because we did Mattress on tour, we brought trampoline 420 00:25:24,600 --> 00:25:28,440 Speaker 1: covered the mattress pads on tour. I don't remember, I 421 00:25:28,720 --> 00:25:30,960 Speaker 1: like vaguely remember doing Mattress, but then I was like, oh, 422 00:25:31,119 --> 00:25:35,119 Speaker 1: like Mattresses where I had put on the pajamas and 423 00:25:35,160 --> 00:25:38,200 Speaker 1: then I had seven layers of clothes underneath because you 424 00:25:38,359 --> 00:25:41,800 Speaker 1: just rip off another layer to do another number. Um, 425 00:25:42,640 --> 00:25:45,200 Speaker 1: that was a crazy time. If you have people should 426 00:25:45,200 --> 00:25:47,560 Speaker 1: go to find like recordings of that online or if 427 00:25:47,600 --> 00:25:49,119 Speaker 1: you were there, can you like tweet us and tell 428 00:25:49,200 --> 00:25:51,320 Speaker 1: us like did that feel as fever dreamy as it 429 00:25:51,359 --> 00:25:55,119 Speaker 1: did for us? That? I think it does that? So 430 00:25:55,240 --> 00:25:59,919 Speaker 1: then we do this number that was absolutely insane. Amber 431 00:26:00,000 --> 00:26:02,960 Speaker 1: sings the highest notes no to me over and over 432 00:26:03,080 --> 00:26:05,879 Speaker 1: and over again. I remember hearing the recording and was like, 433 00:26:05,960 --> 00:26:09,159 Speaker 1: what is wrong with you? And she was just laughing hysterically. 434 00:26:10,600 --> 00:26:14,840 Speaker 1: Um that numbers great though. It was like it performed 435 00:26:14,960 --> 00:26:18,439 Speaker 1: really well, right, and um, it was just a lot 436 00:26:18,480 --> 00:26:19,720 Speaker 1: of fun too. It was a lot of fun to do. 437 00:26:19,840 --> 00:26:22,320 Speaker 1: But on the day we were shooting and they had 438 00:26:22,400 --> 00:26:25,639 Speaker 1: to turn the air off because of the sound issues 439 00:26:25,680 --> 00:26:28,280 Speaker 1: because it was like blowing and the sound and sounded 440 00:26:28,359 --> 00:26:31,000 Speaker 1: so sensitive to it that you know, you would have 441 00:26:31,080 --> 00:26:33,879 Speaker 1: heard that like whizzing, So they had to turn the 442 00:26:33,920 --> 00:26:35,560 Speaker 1: air off. So we were doing all of those like 443 00:26:35,840 --> 00:26:42,920 Speaker 1: crazy running, jumping, twisting, flipping in like heat and I 444 00:26:43,040 --> 00:26:45,360 Speaker 1: remember being like, can we get some waters in here? 445 00:26:46,200 --> 00:26:48,960 Speaker 1: And they brought the water from outside and it was 446 00:26:49,119 --> 00:26:55,640 Speaker 1: like hot boiling, so we were drinking hot water from 447 00:26:55,920 --> 00:27:02,159 Speaker 1: plastic water bottles and literally just dying. Yeah, but it 448 00:27:02,280 --> 00:27:03,760 Speaker 1: was a really fun day. But at the same time, 449 00:27:03,760 --> 00:27:06,119 Speaker 1: we had really comfortable costumes, so we did well. We 450 00:27:06,200 --> 00:27:08,159 Speaker 1: had white teaing tops underneath, so we were able to 451 00:27:08,240 --> 00:27:10,600 Speaker 1: take off our button ups and like were those in 452 00:27:10,720 --> 00:27:12,760 Speaker 1: between takes. But it was still really really There was 453 00:27:12,800 --> 00:27:16,800 Speaker 1: also like a lot of um, we didn't know if 454 00:27:16,960 --> 00:27:22,119 Speaker 1: I should have been bounced on the trampoline. But we remember, 455 00:27:22,119 --> 00:27:25,520 Speaker 1: we did like it. Just you were laughing really hard. 456 00:27:25,840 --> 00:27:27,520 Speaker 1: I was because I also like trying. I was just 457 00:27:27,600 --> 00:27:30,159 Speaker 1: trying not to move my legs. I didn't know. I 458 00:27:30,240 --> 00:27:32,200 Speaker 1: was like, I don't know if this is right right, 459 00:27:33,240 --> 00:27:35,720 Speaker 1: I know, I know, I know. It was a different time. 460 00:27:35,800 --> 00:27:38,679 Speaker 1: It was a different time. But what a great number 461 00:27:39,040 --> 00:27:42,280 Speaker 1: it was. Really. Oh, Chris got injured. He went down, 462 00:27:42,560 --> 00:27:45,280 Speaker 1: He had to go to the medic He did I 463 00:27:45,359 --> 00:27:47,879 Speaker 1: completely forgotten nack. He tried to do a flip and 464 00:27:47,960 --> 00:27:51,479 Speaker 1: he landed the wrong way. Yeah, it wasn't a lot. 465 00:27:51,800 --> 00:27:53,879 Speaker 1: He did get injured. At we all got injured a 466 00:27:53,960 --> 00:27:57,320 Speaker 1: lot that Chris went down on this one. Though. There 467 00:27:57,400 --> 00:27:59,160 Speaker 1: was also like a thing in the behind the scenes 468 00:27:59,200 --> 00:28:02,440 Speaker 1: for this episode that Diana said that Diana was losing 469 00:28:02,480 --> 00:28:05,359 Speaker 1: her mind. Do you remember that Diana would always lose 470 00:28:05,400 --> 00:28:09,680 Speaker 1: her mind. Diana would like towards the end of the night. Yeah, exactly, 471 00:28:09,880 --> 00:28:12,200 Speaker 1: when she got silly, she would get like cry cry, 472 00:28:12,480 --> 00:28:16,040 Speaker 1: and she would make us all laugh the cutest. Yes, exactly. 473 00:28:16,880 --> 00:28:19,480 Speaker 1: That was really that goes down as one of like 474 00:28:19,800 --> 00:28:23,480 Speaker 1: the create the most fun memorable like musical numbers, just 475 00:28:23,600 --> 00:28:25,879 Speaker 1: because of the sheer size of it of like the 476 00:28:26,040 --> 00:28:29,639 Speaker 1: weird mattresses Ryan must have come up with. That's I 477 00:28:29,680 --> 00:28:32,080 Speaker 1: feel like that sounds like a Ryan idea. It's really funny. 478 00:28:32,280 --> 00:28:34,399 Speaker 1: It is a really funny idea, like the kids getting 479 00:28:34,400 --> 00:28:39,719 Speaker 1: a local commercial format and dream comes true. Um did? 480 00:28:39,920 --> 00:28:44,000 Speaker 1: I started out doing local commercials, and also people would 481 00:28:44,000 --> 00:28:46,680 Speaker 1: talk about trampolines and I'm like, well, this feels like 482 00:28:48,240 --> 00:28:51,960 Speaker 1: it's a full circle moment for me. Yeah, exactly. Wait, 483 00:28:52,040 --> 00:28:56,760 Speaker 1: so what commercials did you do? Um? I did? The 484 00:28:56,920 --> 00:29:02,120 Speaker 1: first thing I ever did was for the local, like 485 00:29:02,280 --> 00:29:05,560 Speaker 1: local w B, which ended up being CW, but it 486 00:29:05,640 --> 00:29:08,240 Speaker 1: was w B, and I did it for local affiliates, 487 00:29:08,360 --> 00:29:10,040 Speaker 1: so I had to say like, oh, when you're tuned 488 00:29:10,080 --> 00:29:14,080 Speaker 1: into blah blah um. And then I did like a 489 00:29:14,240 --> 00:29:20,600 Speaker 1: radio shack industrial commercial. Yeah, I did a lot of industrials. 490 00:29:20,720 --> 00:29:24,960 Speaker 1: I did like a Blockbuster industrial thing too. Those aren't 491 00:29:24,960 --> 00:29:28,200 Speaker 1: things anymore. I don't think, no, I doubt it. Okay, 492 00:29:28,560 --> 00:29:32,600 Speaker 1: So baby let's talk about baby gate because this is 493 00:29:33,200 --> 00:29:38,160 Speaker 1: um Well, Jescelyn apparently called it um her Terry's Reckoning, 494 00:29:39,280 --> 00:29:41,520 Speaker 1: or she called this episode the reckoning because this is 495 00:29:41,800 --> 00:29:46,960 Speaker 1: the reveal she I don't think she gets enough credit. 496 00:29:47,720 --> 00:29:53,320 Speaker 1: How good she is I think, is like so awful? Well, yeah, 497 00:29:53,400 --> 00:29:55,200 Speaker 1: she she is the you know we're we're rooting for 498 00:29:55,280 --> 00:29:57,840 Speaker 1: Emma and and well here, so of course Terry is 499 00:29:57,840 --> 00:30:00,800 Speaker 1: going to be the one that's the evil villain that's wrong, 500 00:30:01,080 --> 00:30:04,200 Speaker 1: wronging Will left and right and kind of a bit 501 00:30:04,400 --> 00:30:06,840 Speaker 1: we want we want the adultery. But why is she 502 00:30:06,960 --> 00:30:11,720 Speaker 1: so Excellent's questionable? So Will is going through the drawers 503 00:30:11,720 --> 00:30:15,040 Speaker 1: looking for a tie, and some reason is going through 504 00:30:15,200 --> 00:30:18,520 Speaker 1: Terry's you know, he's looking for his pocket square, which 505 00:30:18,560 --> 00:30:24,120 Speaker 1: is what I was like, Okay, I believe this, then yes, right, um, 506 00:30:24,880 --> 00:30:31,240 Speaker 1: and then find the little pregnancy belly. And honestly, Terry's 507 00:30:31,520 --> 00:30:35,560 Speaker 1: lie was actually pretty legit. I was like, I believe that. Yeah, 508 00:30:36,800 --> 00:30:39,760 Speaker 1: that was a kindra level lie. Yes, she said it 509 00:30:39,880 --> 00:30:42,560 Speaker 1: was for trying on clothes for when you were going 510 00:30:42,640 --> 00:30:44,440 Speaker 1: to look like you were pregnant. Also, I have to 511 00:30:44,520 --> 00:30:47,600 Speaker 1: say I was trying to think like, if I pulled out, 512 00:30:51,960 --> 00:30:54,280 Speaker 1: it doesn't look so obvious, you know what. The look 513 00:30:54,320 --> 00:30:56,600 Speaker 1: in his eye was like, oh, this is starting to 514 00:30:56,760 --> 00:31:02,120 Speaker 1: make sense. All of these fictions were confirmed. Yes, So 515 00:31:02,280 --> 00:31:06,000 Speaker 1: he comes out and confronts Terry, and um, this is 516 00:31:06,040 --> 00:31:12,040 Speaker 1: a really well beautifully acted directed shot scene. I think 517 00:31:13,480 --> 00:31:15,680 Speaker 1: the show I think so far that it's that very 518 00:31:15,760 --> 00:31:21,400 Speaker 1: loose camera handheld, handheld like there's not it's just you're 519 00:31:21,440 --> 00:31:24,440 Speaker 1: kind of following them around in this like very in 520 00:31:24,520 --> 00:31:31,000 Speaker 1: the action intimate moment. Yeah, exactly, And and then Terry's like, 521 00:31:31,080 --> 00:31:32,720 Speaker 1: I guess I'm just going to reveal us all. So 522 00:31:32,840 --> 00:31:36,040 Speaker 1: she tells him the plan was too. He's like, what 523 00:31:36,120 --> 00:31:39,360 Speaker 1: about when the baby was born? And she says, what 524 00:31:39,560 --> 00:31:43,280 Speaker 1: we were going to get Quentin's baby. I was a 525 00:31:43,360 --> 00:31:46,040 Speaker 1: little freaked out because it looked like he was going 526 00:31:46,120 --> 00:31:49,720 Speaker 1: to hit her, didn't they. I felt like the whole time, 527 00:31:49,720 --> 00:31:50,840 Speaker 1: I was like, oh my god, is he going to 528 00:31:50,920 --> 00:31:55,840 Speaker 1: hit her? Like this is He was really scary. I 529 00:31:55,920 --> 00:32:00,360 Speaker 1: felt like because someone who doesn't ever get angry, and 530 00:32:00,440 --> 00:32:03,040 Speaker 1: then all of a sudden, You're like, it looks he 531 00:32:03,120 --> 00:32:05,840 Speaker 1: grabs her wrists and I was like, oh no, yeah 532 00:32:06,080 --> 00:32:09,560 Speaker 1: it was. It was definitely like him about like a 533 00:32:09,640 --> 00:32:16,000 Speaker 1: tea kettle, like about to explode of this. I think 534 00:32:16,040 --> 00:32:18,280 Speaker 1: this is one of up there too. For my favorite 535 00:32:18,320 --> 00:32:21,120 Speaker 1: lines of the episode of this marriage, it's something this 536 00:32:21,200 --> 00:32:23,480 Speaker 1: marriage only works because you don't feel good about yourself. 537 00:32:23,840 --> 00:32:27,040 Speaker 1: That is wild very throws it in there in the 538 00:32:27,160 --> 00:32:30,080 Speaker 1: middle of this argument, and it's like, what a line. 539 00:32:30,440 --> 00:32:35,120 Speaker 1: Very dark, very dark? Um, But you know what's good 540 00:32:35,880 --> 00:32:37,960 Speaker 1: it is because he's angry. He's not going to say 541 00:32:37,960 --> 00:32:41,840 Speaker 1: at home, so thank god there's a pile of mattresses 542 00:32:41,920 --> 00:32:46,800 Speaker 1: waiting for him, kind of because that's going to really 543 00:32:46,960 --> 00:32:50,520 Speaker 1: poopoo on the whole bale club. So yes, he leaves 544 00:32:50,600 --> 00:32:54,200 Speaker 1: and he goes to school and he he sleeps on 545 00:32:54,320 --> 00:32:56,120 Speaker 1: one of the mattresses. It's like Princess and the Pa 546 00:32:56,160 --> 00:33:00,240 Speaker 1: with all the mattresses lined up like that. Um. And 547 00:33:01,800 --> 00:33:05,680 Speaker 1: did you notice that you can see his marks on 548 00:33:05,800 --> 00:33:08,240 Speaker 1: the floor when he drops the mattress on the floor. 549 00:33:08,320 --> 00:33:10,680 Speaker 1: They left the mark in there. So our marks are 550 00:33:10,680 --> 00:33:12,680 Speaker 1: where we stand. But normally if there's like a shot 551 00:33:12,720 --> 00:33:14,000 Speaker 1: with your feet and it, they take it out and 552 00:33:14,080 --> 00:33:15,600 Speaker 1: you kind of have to use your best guess where 553 00:33:15,600 --> 00:33:17,760 Speaker 1: they put like a tiny little dot. And they left 554 00:33:17,920 --> 00:33:21,000 Speaker 1: his red mark tape in that. We did. All of 555 00:33:21,120 --> 00:33:25,080 Speaker 1: us had our own colors. Um, that sweet sweet camera 556 00:33:25,160 --> 00:33:28,479 Speaker 1: Ben would put down for us. Um, But I had 557 00:33:28,520 --> 00:33:31,960 Speaker 1: bright pink. What was your Kevin? Blue? Mind switched? I 558 00:33:32,000 --> 00:33:34,600 Speaker 1: think originally I think it was gray because of my wheels. 559 00:33:35,280 --> 00:33:37,920 Speaker 1: And then sometimes because there were so many characters, at 560 00:33:38,000 --> 00:33:40,080 Speaker 1: some point they had to double tape, so some people 561 00:33:40,120 --> 00:33:43,160 Speaker 1: would be green and blue because there was just too 562 00:33:43,200 --> 00:33:45,360 Speaker 1: many of us. But I had bright pink the whole time, 563 00:33:45,480 --> 00:33:48,520 Speaker 1: and when somebody would sub in for Ben and would 564 00:33:48,560 --> 00:33:54,720 Speaker 1: give me a different color, i'd I think I have 565 00:33:54,800 --> 00:33:58,440 Speaker 1: a photo of like fifteen different marks for like fifteen 566 00:33:58,440 --> 00:34:00,640 Speaker 1: different people that I'll try and and so we can 567 00:34:00,680 --> 00:34:09,160 Speaker 1: post it. But um, um anyway, so Emma, um, he's 568 00:34:09,160 --> 00:34:13,600 Speaker 1: a problem, and Emma says he needs to focus on 569 00:34:13,680 --> 00:34:15,440 Speaker 1: his own life but she would never do that to 570 00:34:15,600 --> 00:34:18,520 Speaker 1: Terry but gets it not what he was expecting. Yeah, 571 00:34:18,520 --> 00:34:21,680 Speaker 1: And it was actually a really honest, like grounded scene. 572 00:34:21,680 --> 00:34:26,080 Speaker 1: And I was like, oh, like I get it. She's 573 00:34:26,120 --> 00:34:29,239 Speaker 1: like you're big, you know, uh like a big one 574 00:34:29,280 --> 00:34:31,320 Speaker 1: to lose or whatever the quote was, but you know 575 00:34:32,160 --> 00:34:34,520 Speaker 1: it was, um, Yeah, it was a really honest scene, 576 00:34:34,560 --> 00:34:37,160 Speaker 1: which I really appreciate it because you know, after like 577 00:34:37,960 --> 00:34:40,920 Speaker 1: she's everything she says does come from a place of 578 00:34:41,040 --> 00:34:47,279 Speaker 1: like sincerity and really really meaning to do well. Yeah. Um, 579 00:34:48,360 --> 00:34:51,560 Speaker 1: and it's nice like and then and amidst all this 580 00:34:51,840 --> 00:34:56,000 Speaker 1: chaos and mattresses and arguments that you know, she does 581 00:34:56,200 --> 00:34:58,480 Speaker 1: often say the unexpected, but it's because I think it's 582 00:34:58,800 --> 00:35:04,399 Speaker 1: the reasonable and real thing. Yeah, it's nice. So all 583 00:35:04,480 --> 00:35:07,400 Speaker 1: of these three storylines have come to a bit of 584 00:35:07,480 --> 00:35:13,680 Speaker 1: a boiling point and then everything starts to unravel because 585 00:35:14,480 --> 00:35:18,319 Speaker 1: Sue's doing her That's how Sue sees it, very inappropriate, 586 00:35:18,440 --> 00:35:24,280 Speaker 1: sees corner. Oh, it's it's bad. Her delivery is amazing. 587 00:35:24,400 --> 00:35:29,800 Speaker 1: It's really bad performance, incredible subject matter exactly. Um, so 588 00:35:29,960 --> 00:35:34,360 Speaker 1: she needs the mattress commercial. She's like, I'm going to 589 00:35:34,440 --> 00:35:39,440 Speaker 1: take them down. And then um Quinn asks Sue if 590 00:35:39,480 --> 00:35:41,600 Speaker 1: she can be in the cheerio photo, but she says no, 591 00:35:41,760 --> 00:35:43,560 Speaker 1: and then tells her that the glee club can't compete 592 00:35:43,560 --> 00:35:47,719 Speaker 1: in Sectionals because they really stepped in it. Because what 593 00:35:47,840 --> 00:35:51,759 Speaker 1: happened was is that that commercial they made made them 594 00:35:51,840 --> 00:35:54,640 Speaker 1: lose their amateur status. Because Sue goes on to tell 595 00:35:55,600 --> 00:35:57,560 Speaker 1: Figgins un tells the glee Club was it says that 596 00:35:57,960 --> 00:36:00,640 Speaker 1: was in a commercial and accepted payment because they received 597 00:36:00,640 --> 00:36:04,400 Speaker 1: the mattresses, So they don't qualify to be amateurs anymore. 598 00:36:04,800 --> 00:36:08,480 Speaker 1: It's been revoked and they're no longer eligible for Sectionals 599 00:36:09,400 --> 00:36:12,239 Speaker 1: and they can't return the mattresses because one of them 600 00:36:12,360 --> 00:36:16,080 Speaker 1: was opened and slept on. And this is where Sue says, 601 00:36:16,880 --> 00:36:18,919 Speaker 1: there's a stack of mattresses in the choir room, pile 602 00:36:19,000 --> 00:36:21,440 Speaker 1: as high as the empty hair gel bottles in the 603 00:36:21,520 --> 00:36:25,040 Speaker 1: dumpster outside of your apartment. I love that she she 604 00:36:25,200 --> 00:36:31,440 Speaker 1: fits in several several several very good um and and 605 00:36:31,800 --> 00:36:35,680 Speaker 1: Will admits that he slept on the mattresses because he's 606 00:36:35,680 --> 00:36:39,080 Speaker 1: thinking of leaving Terry and against us. While I can 607 00:36:39,160 --> 00:36:42,680 Speaker 1: see that one coming at so good, I love too. 608 00:36:42,719 --> 00:36:47,040 Speaker 1: And she's talking about Will, but looking at Figgins, well, 609 00:36:47,080 --> 00:36:49,160 Speaker 1: I didn't see that one coming at all. These scenes 610 00:36:49,200 --> 00:36:52,239 Speaker 1: are I have a new appreciation for these scenes of 611 00:36:52,360 --> 00:36:55,040 Speaker 1: Like in Figgin's office with the three of them, it's 612 00:36:55,120 --> 00:37:01,440 Speaker 1: just excellent. And then fig feels bad, but also you know, 613 00:37:01,640 --> 00:37:06,520 Speaker 1: also says like his hands are time and Clee clubs over. 614 00:37:07,600 --> 00:37:11,680 Speaker 1: So Quinn, to our surprise, is going to go and 615 00:37:11,920 --> 00:37:16,399 Speaker 1: blackmail Sue. That's right. She's in her cute little cherry 616 00:37:16,440 --> 00:37:19,719 Speaker 1: off it with her cute o bump and um. She's 617 00:37:20,560 --> 00:37:24,160 Speaker 1: telling Sue that she knows that she gets all this 618 00:37:24,440 --> 00:37:29,239 Speaker 1: free swag from the Cheerios in the past years. And 619 00:37:30,040 --> 00:37:33,480 Speaker 1: if she's like certainly you wouldn't want Figgins finding that out, 620 00:37:33,640 --> 00:37:38,200 Speaker 1: or the Cherios would also be banned from competing. So 621 00:37:38,920 --> 00:37:45,960 Speaker 1: in return, Quinn demands one a full page photo to 622 00:37:46,080 --> 00:37:48,560 Speaker 1: be given to Glee Club for free, because the Sterios 623 00:37:48,600 --> 00:37:53,120 Speaker 1: have like sixteen or six I don't remember. And she 624 00:37:53,360 --> 00:38:00,080 Speaker 1: also demands that she's back in the Cheerios and and 625 00:38:00,680 --> 00:38:04,040 Speaker 1: she was like, yeah, whatever else, you're ruthless, and I'm 626 00:38:04,040 --> 00:38:06,000 Speaker 1: gonna Stephanie in the back. You remind me of a 627 00:38:06,080 --> 00:38:15,320 Speaker 1: young sul Sylvester, right um. And Quinn's like, maybe not. Actually, 628 00:38:16,000 --> 00:38:17,520 Speaker 1: we'll take the photo, but I don't want to be 629 00:38:17,600 --> 00:38:20,200 Speaker 1: back on the Sios exactly. So she says she's rather 630 00:38:20,239 --> 00:38:22,400 Speaker 1: be a part of a club that's proud to have her. Remember, 631 00:38:23,040 --> 00:38:24,840 Speaker 1: I have to say to like, this is really summing 632 00:38:24,960 --> 00:38:30,319 Speaker 1: up how the only I mean, the only person who 633 00:38:30,360 --> 00:38:35,440 Speaker 1: has had a really big significant story arc so far 634 00:38:35,480 --> 00:38:39,239 Speaker 1: in these episodes is Quinn. She's gone from president of 635 00:38:39,280 --> 00:38:42,879 Speaker 1: the C A Celibacy Club hb i C running ship 636 00:38:43,800 --> 00:38:46,279 Speaker 1: and here she is now sticking her neck out for 637 00:38:46,440 --> 00:38:52,040 Speaker 1: the Glee Club, the people she hated, and now when 638 00:38:52,080 --> 00:38:53,640 Speaker 1: she gets the opportunity to be back on the Cheerio 639 00:38:53,719 --> 00:38:57,719 Speaker 1: She's like, no, actually, it's a nice redemption arc for her. 640 00:38:58,040 --> 00:39:01,120 Speaker 1: It's true. That's very true. Quinn as some pretty good arts, 641 00:39:01,320 --> 00:39:05,560 Speaker 1: I mean, along with some pretty crazy storylines. But um, 642 00:39:06,840 --> 00:39:12,040 Speaker 1: and then Mr Shoe this is one of Lad's signature 643 00:39:12,080 --> 00:39:14,800 Speaker 1: moves in the scenes where you shoot back and you 644 00:39:14,880 --> 00:39:18,279 Speaker 1: see everybody. And Mr Shoe tells the glee club that 645 00:39:19,160 --> 00:39:21,920 Speaker 1: since he's the one who slept on the mattresses, he's 646 00:39:22,880 --> 00:39:29,680 Speaker 1: um fired from sectionals, but but they can still compete 647 00:39:29,840 --> 00:39:32,319 Speaker 1: and that they deserve to compete for all their hard work. 648 00:39:33,000 --> 00:39:34,680 Speaker 1: And the Glee clubs like, we can't do this with that, 649 00:39:34,960 --> 00:39:38,520 Speaker 1: and Mr Shoes like, but you just did the mattress 650 00:39:38,520 --> 00:39:41,440 Speaker 1: commercial and if you can't without without me there, then 651 00:39:41,960 --> 00:39:44,959 Speaker 1: I haven't done my job. And Rachel's like, thanks, Mr Shoe, 652 00:39:45,840 --> 00:39:50,279 Speaker 1: just no questions asked um, and he's like, I want 653 00:39:50,320 --> 00:39:53,680 Speaker 1: you guys to smile really big in this Glee photo 654 00:39:53,880 --> 00:39:56,680 Speaker 1: that s is giving you. And I thought that was 655 00:39:56,719 --> 00:40:01,080 Speaker 1: really sweet. UM. And the this photo that we took, 656 00:40:02,200 --> 00:40:05,880 Speaker 1: I have this, we have this everywhere, we have it framed. UM. 657 00:40:06,600 --> 00:40:09,000 Speaker 1: It was a big, like personally like a really big 658 00:40:09,080 --> 00:40:10,960 Speaker 1: moment because it also felt like we're our second to 659 00:40:11,040 --> 00:40:15,600 Speaker 1: last episode if we were coming back yet when right, 660 00:40:17,120 --> 00:40:21,520 Speaker 1: And it felt like a really really special moment. It 661 00:40:21,600 --> 00:40:23,360 Speaker 1: was the first picture we had of us like that, 662 00:40:23,680 --> 00:40:26,320 Speaker 1: yeah exactly. I was like, wow, we're all together. So 663 00:40:27,360 --> 00:40:30,480 Speaker 1: it was a really sweet and this okay, so this scene, 664 00:40:30,520 --> 00:40:33,440 Speaker 1: I mean this whole episode because we're in a lot 665 00:40:33,480 --> 00:40:36,799 Speaker 1: of it, but there's not a lot of like storyline 666 00:40:36,880 --> 00:40:39,760 Speaker 1: for us. We're all kind of like improvising in our characters. 667 00:40:40,120 --> 00:40:43,280 Speaker 1: And you start to see like characters bloom, like especially 668 00:40:43,480 --> 00:40:46,520 Speaker 1: like Puckerman and Finn with the weights like in the 669 00:40:46,760 --> 00:40:49,680 Speaker 1: locker room doing that was really funny and like they 670 00:40:49,800 --> 00:40:52,279 Speaker 1: thought of that, and um, you know us doing the 671 00:40:52,320 --> 00:40:54,880 Speaker 1: makeup and stuff, and like you just see like, um, 672 00:40:55,880 --> 00:40:59,000 Speaker 1: the very famous like looks that you see in the 673 00:40:59,080 --> 00:41:02,200 Speaker 1: choir room and these characters kind of like really us 674 00:41:02,280 --> 00:41:06,600 Speaker 1: figuring out who exactly we are or yeah, which was 675 00:41:06,640 --> 00:41:08,800 Speaker 1: really fun and like very funny. I just chuckled a 676 00:41:08,840 --> 00:41:12,840 Speaker 1: lot during this episode. And I remember to Smile was 677 00:41:12,960 --> 00:41:18,239 Speaker 1: Michael Jackson's favorite song, and that's we recorded it the 678 00:41:18,360 --> 00:41:22,320 Speaker 1: week after and it felt and I didn't know like 679 00:41:22,440 --> 00:41:24,480 Speaker 1: this for some reason that came out after this is 680 00:41:24,560 --> 00:41:26,759 Speaker 1: his favorite song, and I had just learned that and 681 00:41:26,960 --> 00:41:28,680 Speaker 1: at the time it was a very big Michael Jackson fan. 682 00:41:28,800 --> 00:41:32,400 Speaker 1: It was just like it meant a lot for you know, 683 00:41:32,680 --> 00:41:36,560 Speaker 1: us to be doing this song. It ended up actually 684 00:41:36,600 --> 00:41:41,160 Speaker 1: singing this at a Trevor Project event years later. Really, 685 00:41:41,600 --> 00:41:44,319 Speaker 1: yeah saying it? Are we saying it at the white House? 686 00:41:44,400 --> 00:41:46,960 Speaker 1: White House? Yeah? Well we have a story about the 687 00:41:46,960 --> 00:41:48,839 Speaker 1: White House, but we can leave it for another time. 688 00:41:48,880 --> 00:41:53,680 Speaker 1: Remember that one that was that that was a smile. 689 00:41:53,880 --> 00:41:57,560 Speaker 1: They're like, keep smile cut true colors. Anyway, another smile 690 00:41:57,680 --> 00:42:01,879 Speaker 1: was terrible because I couldn't sing it any you hated it, Okay, Um, 691 00:42:02,280 --> 00:42:07,399 Speaker 1: and that's that is the penultimate episode of the first thirteen. Yeah, 692 00:42:07,520 --> 00:42:11,959 Speaker 1: and I obviously the the yearbook photo does get to face, 693 00:42:12,440 --> 00:42:18,239 Speaker 1: but like it's great and we love it, and yeah, 694 00:42:18,320 --> 00:42:21,319 Speaker 1: it's almost like schools out. You know, you took your 695 00:42:21,400 --> 00:42:24,120 Speaker 1: final exams, you still gotta show up to school and 696 00:42:24,280 --> 00:42:28,640 Speaker 1: so next episode is a big deal. Next episode is 697 00:42:28,680 --> 00:42:32,719 Speaker 1: the final exam. I actually was like tempted to keep 698 00:42:32,760 --> 00:42:46,680 Speaker 1: going and watch it. Okay, should we do some Tarty takes, 699 00:42:46,719 --> 00:42:52,720 Speaker 1: Jenna Tarty takes. Let's do it all right, um, cringe moments, 700 00:42:52,760 --> 00:43:00,160 Speaker 1: ak owches, I pick sues corner. I mean, is a 701 00:43:00,200 --> 00:43:01,840 Speaker 1: couple of things I'd have to do the same. I 702 00:43:01,920 --> 00:43:04,839 Speaker 1: have to say, like the Kuan's a bit m hmm 703 00:43:05,239 --> 00:43:11,959 Speaker 1: it feels, and the Hitler mustaches, a rice patty hats. Yeah, 704 00:43:13,000 --> 00:43:15,200 Speaker 1: the Yam diet, but that's also a non to Brad 705 00:43:15,239 --> 00:43:17,600 Speaker 1: felt check who ate like so many sweets like an 706 00:43:17,640 --> 00:43:24,000 Speaker 1: inside joke. Yeah, okay, worst dance move smile, smiles weird, 707 00:43:25,400 --> 00:43:32,319 Speaker 1: the first smile, the first the best song jump yeah, 708 00:43:34,000 --> 00:43:36,319 Speaker 1: I mean, and that goes along with best performance by 709 00:43:36,360 --> 00:43:39,840 Speaker 1: a prop. It has to be the mattresses trampolines that 710 00:43:39,960 --> 00:43:44,120 Speaker 1: numbers insane and really just turned it out, um, and 711 00:43:44,239 --> 00:43:48,880 Speaker 1: then things that didn't age well, it's anytime Sue has 712 00:43:48,880 --> 00:43:50,880 Speaker 1: opened her mouth. In this episode, she says, all I 713 00:43:50,920 --> 00:43:54,080 Speaker 1: want it's just one day year when I'm visually assaultedged 714 00:43:54,120 --> 00:43:59,239 Speaker 1: by heavioeys and fatties, Like what, you just want the 715 00:43:59,320 --> 00:44:03,240 Speaker 1: meteor to hit you know? You know there's an asteroid 716 00:44:03,280 --> 00:44:05,360 Speaker 1: that like flew really close to Earth, like the closest 717 00:44:05,520 --> 00:44:07,680 Speaker 1: ever been in to Earth. So I feel like that 718 00:44:07,960 --> 00:44:10,479 Speaker 1: is appropriate. It's fine, just take us out at this point, 719 00:44:10,719 --> 00:44:13,399 Speaker 1: just go for it. Oh my god. Okay, So best 720 00:44:13,480 --> 00:44:19,359 Speaker 1: line there's a lot. I think, Um, Like I said, 721 00:44:19,400 --> 00:44:23,200 Speaker 1: I think mine's a tie between Terry saying this marriage 722 00:44:23,239 --> 00:44:26,120 Speaker 1: works because you don't feel good about yourself, and then 723 00:44:26,280 --> 00:44:29,040 Speaker 1: Sue with the tear ducks saying, I got myself a 724 00:44:29,080 --> 00:44:30,880 Speaker 1: bit of an eye lift, and while we're there, I 725 00:44:30,920 --> 00:44:33,239 Speaker 1: told to go ahead and yank out those tear ducks. 726 00:44:33,440 --> 00:44:37,080 Speaker 1: Wasn't using them. I also, um had to go back 727 00:44:37,160 --> 00:44:39,440 Speaker 1: and find this one because I loved it so much. 728 00:44:40,000 --> 00:44:42,000 Speaker 1: It was Sue that she says, what if I were 729 00:44:42,080 --> 00:44:44,279 Speaker 1: to innocently murder you will, I'd still have to go 730 00:44:44,360 --> 00:44:47,120 Speaker 1: to trial. Liked to probably get off for justifile homicide. 731 00:44:47,239 --> 00:44:51,800 Speaker 1: When their faiths off this, I was like what I 732 00:44:51,960 --> 00:44:57,680 Speaker 1: was crying? Okay, Jenna, bring it? Are you ready for shure? 733 00:44:57,719 --> 00:45:00,200 Speaker 1: We found on TikTok It's going to make you so happy? Oh? 734 00:45:00,400 --> 00:45:03,759 Speaker 1: Is it okay? Should I watch it? Yes? Watch it? 735 00:45:04,040 --> 00:45:10,480 Speaker 1: So um it is a beautiful like fan cam of 736 00:45:10,600 --> 00:45:17,480 Speaker 1: Figgins Figgins um all his like clips cut together. He's 737 00:45:17,480 --> 00:45:19,480 Speaker 1: like speaking to the camera and waving to the camera. 738 00:45:20,440 --> 00:45:23,640 Speaker 1: So the person who uploaded it Mia done, baby, I 739 00:45:23,680 --> 00:45:26,000 Speaker 1: don't know, I pronounce it said might be the best 740 00:45:26,160 --> 00:45:28,320 Speaker 1: edit I've ever made, And I agree I don't know 741 00:45:28,400 --> 00:45:34,680 Speaker 1: what else you've edited, but this is and incredible. This 742 00:45:35,000 --> 00:45:37,719 Speaker 1: is insane. We need to get ball in here. We 743 00:45:37,760 --> 00:45:42,000 Speaker 1: need to send the stickball because Figgins is truly just 744 00:45:42,160 --> 00:45:45,560 Speaker 1: an m v P. He truly is you aloud? Watch it? 745 00:45:45,680 --> 00:45:52,759 Speaker 1: It's ten seconds of pure unbridled joy. Like, if you're 746 00:45:52,760 --> 00:45:57,960 Speaker 1: ever down, just watch this better. And it's too. I 747 00:45:58,120 --> 00:46:01,320 Speaker 1: r s by the Cuckoo dolls as well. It's really beautiful, 748 00:46:01,440 --> 00:46:04,520 Speaker 1: it's romantic, it's everything you wanted to be. Thank you 749 00:46:04,680 --> 00:46:09,239 Speaker 1: for sharing, and that's all we got for you everybody. Thanks, 750 00:46:09,280 --> 00:46:12,680 Speaker 1: by the way, Yeah, keep sending them because so many 751 00:46:12,760 --> 00:46:16,000 Speaker 1: people sent us the Fagans video and it works. We 752 00:46:16,080 --> 00:46:19,759 Speaker 1: saw it and it's absolutely incredible, So keep tagging us. 753 00:46:19,920 --> 00:46:23,319 Speaker 1: We are seeing all of it, We're collecting all of it, um, 754 00:46:23,400 --> 00:46:25,560 Speaker 1: and I like to be able to show these things 755 00:46:25,680 --> 00:46:29,800 Speaker 1: to Jenna. I love. Thank you for joining us for Mattress. 756 00:46:30,960 --> 00:46:35,879 Speaker 1: Yeah twun to next week for sexual Alls. I can't wait. 757 00:46:36,480 --> 00:46:39,360 Speaker 1: I'm so excited. I might have to go watch it now. No, no, 758 00:46:39,480 --> 00:46:45,960 Speaker 1: don't do it. Um, Thanks for recapping Mattress with us. 759 00:46:46,440 --> 00:46:50,200 Speaker 1: This was fun, and thanks for listening. Tell your friends, 760 00:46:50,680 --> 00:46:52,839 Speaker 1: tell your pets. Thanks for sending in all those tick 761 00:46:52,920 --> 00:46:55,680 Speaker 1: talks to Kevin. We really appreciate it, and do you 762 00:46:55,719 --> 00:46:58,879 Speaker 1: guys rock um and that's what you really missed. See 763 00:46:58,920 --> 00:47:02,080 Speaker 1: you next time, by bye bye bye. Thanks for listening 764 00:47:02,440 --> 00:47:04,920 Speaker 1: and follow us on Instagram at and that's what you 765 00:47:05,040 --> 00:47:07,240 Speaker 1: really miss pod. Make sure to write us a review 766 00:47:07,360 --> 00:47:09,520 Speaker 1: and leave us five stars. See you next time.