WEBVTT - "The Hating Expert" with Langston Kerman

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<v Speaker 1>Forever. Hello, Oh hi Maureen, how are How are I see?

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<v Speaker 1>You have a glass of red wine over there? Right?

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<v Speaker 1>This is my after dinner before the podcast glass. So

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<v Speaker 1>I love that, but.

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<v Speaker 2>I gotta leave it all the way over there, because

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<v Speaker 2>you know, I got a black and white rug, and

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<v Speaker 2>every time I spill something, I spill it on the

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<v Speaker 2>white part.

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<v Speaker 1>So it's happy Black History Month. That's how it should be.

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<v Speaker 1>Thank you so much. Thank you. Yeah, you know what,

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<v Speaker 1>that's the other way to look at it. Thank you.

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<v Speaker 1>The black side is still clean. The white side dingy

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<v Speaker 1>fills on brand. Hey, Marie, I was actually thinking about

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<v Speaker 1>getting a steamer for my apartment, Like a steamer, like

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<v Speaker 1>to steam the floors and the carpet. You think that

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<v Speaker 1>should be the move? Or?

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<v Speaker 2>No, don't you have a cleaning man? You don't even clean?

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<v Speaker 2>Does say he come with his own supply?

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<v Speaker 1>No, you know he comes from the Bronx, so I don't.

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<v Speaker 1>I don't think he would bring a whole steamer to

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<v Speaker 1>eat New York. What you think the steamer's gonna do

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<v Speaker 1>to your house?

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<v Speaker 3>This?

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<v Speaker 2>It's gonna get rid of the cats. Tell us walk

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<v Speaker 2>us through the thought process. Ye, I think it's just

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<v Speaker 2>good it's good.

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<v Speaker 1>It says, it's good to disinfect the floors, it's good

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<v Speaker 1>to get stains out of the carpet.

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<v Speaker 2>You know what else does that sweeping, mopping, vacuuming. You

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<v Speaker 2>could do all of those things. You don't need to

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<v Speaker 2>get a steamer for your house. Okay, so the verdict's out.

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<v Speaker 2>There will be no steamer at Sydney's apartment. Great, Marie,

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<v Speaker 2>how are you feeling? How are you doing?

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<v Speaker 1>I feel like you said all that, but you're looking

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<v Speaker 1>at the tracking number for the steamer you just ordered.

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<v Speaker 1>I feel like you wants already en route. No, no,

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<v Speaker 1>no, no no. I first of all, I wanted to check

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<v Speaker 1>in with my Black Lady counsel and you said no.

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<v Speaker 1>So that's it's a no. Who told you you needed

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<v Speaker 1>a steamer? Friend the Facebook adds Marie, I need you

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<v Speaker 1>to take me off Facebook. I gotta get all. I

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<v Speaker 1>don't know why, but every day there's something that I'm like,

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<v Speaker 1>I need this. I didn't talk about it, and I

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<v Speaker 1>need it.

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<v Speaker 2>I don't think anybody on this zoom has been on

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<v Speaker 2>Facebook this.

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<v Speaker 1>Year, in the last two years. I'm gonna say that

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<v Speaker 1>even Andrew. No, not at all.

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<v Speaker 3>Oh wow, I saw that your friend requested me though

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<v Speaker 3>like a year ago.

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<v Speaker 1>Whoa, whoa, don't you fucking Andrew take that back. I

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<v Speaker 1>don't remember friending you.

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<v Speaker 3>Really because let me check. Let me check right now.

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<v Speaker 2>Which okay, Well, lose people pull up receipts on this podcast.

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<v Speaker 1>If there's any listeners out there that's looking for a producer,

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<v Speaker 1>intern hot gay Sydney Ridle, I got you.

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<v Speaker 3>A friend of Andrew Maguire on Facebook. Let it be official? Yeah, win,

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<v Speaker 3>I don't let me Can I see the friendship?

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<v Speaker 1>Well you're not making a lot of friends on Facebook hunt,

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<v Speaker 1>so that could friend from several years ago.

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<v Speaker 3>No friends since March twenty twenty, if that's any consolation.

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<v Speaker 1>Well it's a dark time. It was right in the

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<v Speaker 1>beginning of the pandemic, so yeah, that checks out right.

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<v Speaker 1>To be fair, we was on lockdown in March twenty twenty,

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<v Speaker 1>so I mean people were opening up their LinkedIn accounts,

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<v Speaker 1>So don't do that. Don't come for me.

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<v Speaker 2>Not none of these people here, nobody here was opening

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<v Speaker 2>up their LinkedIn on March twenty twenty.

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<v Speaker 1>Anti who Marie. You know, I would love to start

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<v Speaker 1>this off on a positive note. So I was wondering

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<v Speaker 1>if you had any positivity to bring to the pod

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<v Speaker 1>before we start.

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<v Speaker 2>I got some positivity for that ass. So I went

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<v Speaker 2>to stopping shop today to pick up a few items.

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<v Speaker 2>I said, I'm gona get up. I'm gonna start the

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<v Speaker 2>day the week strong. I'm a grown up.

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<v Speaker 1>First of all, the stopping shop.

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<v Speaker 2>On Atlantic Avenue is not where you should go. Don't

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<v Speaker 2>go there if you're ever in Brooklyn, because I went in,

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<v Speaker 2>and I guess the time that I was there is

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<v Speaker 2>like peak people asking you to get them stuff time.

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<v Speaker 2>Because in one aisle, like four different people approached me

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<v Speaker 2>at four different times. I'm looking at the green the pea, right,

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<v Speaker 2>the sweet peas, the green peas, and some guy came

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<v Speaker 2>up to me. We make got contact above his mask.

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<v Speaker 2>I'm like, oh, he's kind of cute.

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<v Speaker 1>He was like hey. I was like hey. He was like,

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<v Speaker 1>how you doing. I was like I'm good.

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<v Speaker 2>He's like, you know, I make music. I'm selling it

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<v Speaker 2>an album for a dollar. I said, whoa. I said,

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<v Speaker 2>I said, good luck with that, and he was like,

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<v Speaker 2>oh okay. Conversation over.

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<v Speaker 1>He left.

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<v Speaker 2>I'm looking at the garbonzo beans. Now, some other dude

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<v Speaker 2>comes up. A lady with lashes, these crazy heavy lashes.

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<v Speaker 2>Comes up to me, Hi, Sis, you know, I'm just

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<v Speaker 2>wondering if you could help me buy a couple of items.

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<v Speaker 2>I'm like, Sis, I'm here to get my own groceries.

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<v Speaker 1>I can't help you today. She's like, that's fine.

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<v Speaker 2>Further down this same aisle, this young dude comes up.

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<v Speaker 2>He's like, Hey, I'm not homeless. I have two dollars.

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<v Speaker 2>I just want to know. I was like, bro, sorry,

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<v Speaker 2>I said, it's a lot of people in here begging today.

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<v Speaker 1>I can't help all of y'all. He was like, Marie,

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<v Speaker 1>what were you wearing? Were you wearing your fur coat? Like?

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<v Speaker 1>What the fuck?

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<v Speaker 2>Why they think you all had so much money that

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<v Speaker 2>I had on my tea bos wig you know the

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<v Speaker 2>Asia Week. Okay, she must have a chest tattoo with something.

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<v Speaker 1>She's one of the wealthy auntie, wealthy auntie on the loose,

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<v Speaker 1>got it, yo?

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<v Speaker 2>So I like scared this young dude away. And then

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<v Speaker 2>at the end of the aisle there was a dude

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<v Speaker 2>kind of hanging out of a wheelchair, like literally like

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<v Speaker 2>tilting out of the wheelchair, and I was like, yo.

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<v Speaker 1>I'm okay, come on, Marie, what is about to happen

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<v Speaker 1>right here. Come on, run these bits ciss that you're

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<v Speaker 1>gonna do on in stories.

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<v Speaker 2>Let's go. This is not a bit. It happened to

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<v Speaker 2>me today. Not all of us use our podcast to

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<v Speaker 2>try out material. Some of us are having actual conversations

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<v Speaker 2>with the listeners.

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<v Speaker 1>A wheelchair, a guy in a wheelchair, man in a wheelchair.

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<v Speaker 1>Not yeah, we've heard it all. Well hanging okay, show

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<v Speaker 1>up hands. How many people think I'm lying? We we

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<v Speaker 1>we So we have somebody who's selling a mixtape see

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<v Speaker 1>sis an album.

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<v Speaker 3>Wait, this is also in a story.

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<v Speaker 2>Andrew stop and shop across from the Barclay Center today

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<v Speaker 2>at noon. Okay, the nigga in the wheelchair, I was like, okay,

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<v Speaker 2>if I make I didn't even want to make eye

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<v Speaker 2>contact with him, and I was like, do you need help?

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<v Speaker 1>And he was like no, And I was like, you

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<v Speaker 1>don't need me to help you get out my way

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<v Speaker 1>or nothing. Marie, you're being ablest. I'm not saying this.

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<v Speaker 1>I'm just saying when the listeners will write in the reviews,

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<v Speaker 1>we're able lists, we're fat phoebic, but white phoebic.

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<v Speaker 2>Well, I'm just if it makes the listeners feel any better.

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<v Speaker 2>Everybody that I was talking to was black. So what

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<v Speaker 2>that makes me?

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<v Speaker 1>Now, what that makes me? Now problematic? That's what it

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<v Speaker 1>makes you, sis whatever. So when you didn't give him

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<v Speaker 1>any money, I didn't, all right.

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<v Speaker 4>So that's it.

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<v Speaker 1>That's what happened today.

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<v Speaker 2>And then I left the supermarket so fast I forgot

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<v Speaker 2>half of the stuff that I went in there.

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<v Speaker 1>To pick up. Now I gotta go back to the

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<v Speaker 1>store tomorrow to get eggs. Well, Marie, I cannot relate

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<v Speaker 1>because I went to the boat the other day and

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<v Speaker 1>a woman asked me could I help her get a Kandish?

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<v Speaker 1>And I thought she wanted me to pick the kindish

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<v Speaker 1>up for her, or like order it for her, because

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<v Speaker 1>she I guess she couldn't speak, but she wanted me

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<v Speaker 1>to buy it. And uh, you know, a black woman

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<v Speaker 1>asking for a Kannish very cultural thing. That it's for

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<v Speaker 1>the Jews, it's for the juice. It's for the juice.

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<v Speaker 1>Are you for the juice? Okay? You called me, you said,

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<v Speaker 1>I'm running bits, but you run bit run? What meeting

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<v Speaker 1>are you? Wait? Isn't a Kandish? Isn't that like a

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<v Speaker 1>Jewish a Jewish dish? It's it's the way you said.

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<v Speaker 1>It's the way you said for the Jews. Well, I'm

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<v Speaker 1>getting older, Marie. This is just how it comes out

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<v Speaker 1>of your mouth once you hit forty. No, a kanish,

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<v Speaker 1>it's like a potato type like, no, it's not, it's

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<v Speaker 1>not that. It's like a you know here, let me

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<v Speaker 1>have kanishes at the bar, at the at the bodega bayou. Yes, yes, okay.

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<v Speaker 1>Why is it astounding because nobody here knows what that is. Well,

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<v Speaker 1>people are just not cultured, but okay. A kandish A

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<v Speaker 1>kandish is a traditional Jewish snack food, consisting of a

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<v Speaker 1>filling covered with dough that is typically baked and sometimes

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<v Speaker 1>deep fried. Condishes are usually purchased from street vendors in

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<v Speaker 1>urban areas with a large Jewish population. I haven't seen

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<v Speaker 1>a Jew in this neighborhood since I got in this bitch,

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<v Speaker 1>but anyway, she asked for it, and I was like,

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<v Speaker 1>well maybe maybe, I mean maybe her, maybe her homeless

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<v Speaker 1>boyfriend is Jewish. I don't know, but her homeless. But

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<v Speaker 1>I got it, but I got it for her. It

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<v Speaker 1>was it was actually a dollar fifty and I said

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<v Speaker 1>I had it, well, actually I had ten dollars out

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<v Speaker 1>and That's why I was like, I was about to say,

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<v Speaker 1>I don't think I have enough, but I got it anyway, Sydney,

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<v Speaker 1>hold on hello, Yo, Sidney just picked up a yeah

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<v Speaker 1>phone call. I gotta go. Okay, my deliveries outside one second, Marie,

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<v Speaker 1>can you can you talk to Andrew for one second?

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<v Speaker 1>I'm sorry, No, I'm on break. If Sidney's on break,

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<v Speaker 1>I'm on break, I too, am on break. I'm not.

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<v Speaker 1>I'm not on break. I'm I told you that I

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<v Speaker 1>was getting food. You could have thrown.

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<v Speaker 2>You could have introed the guest, and we could have

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<v Speaker 2>had a whole conversation without you.

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<v Speaker 3>Is what.

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<v Speaker 1>I don't want to have the conversation without their guests.

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<v Speaker 1>I want to intro the guests.

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<v Speaker 2>As soon as you get up, I'm gonna intro him. Bye,

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<v Speaker 2>go go get your phone. Bye ah, and we're back.

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<v Speaker 1>Listen. Nobody knows what a kanishi is, Andrew, did you

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<v Speaker 1>google it? What the what the google images? A hot

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<v Speaker 1>pocket with stuffing it?

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<v Speaker 3>They look like a little like dumplings almost all right,

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<v Speaker 3>like ready dumplings?

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<v Speaker 2>Okay, well they sound nasty. Well let's bring the guests

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<v Speaker 2>in just to get on Sidney's nerves. Uh, he's been

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<v Speaker 2>on the podcast before. You love him, you know him.

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<v Speaker 1>He's our esteemed light skin guests for Black History Month.

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<v Speaker 2>Today, give it up for our hate expert or hating expert,

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<v Speaker 2>Langston Kermit.

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<v Speaker 4>Hey, what a what a Welcome to the most racist,

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<v Speaker 4>problematic podcast available on the internet.

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<v Speaker 1>Your podcast is more problematic than our podcast.

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<v Speaker 4>I don't know, y'all, niggas are shining right now. You're

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<v Speaker 4>not really acting up on this podcast. You went on

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<v Speaker 4>a whole rant about how a wheelchair man didn't deserve money,

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<v Speaker 4>and then.

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<v Speaker 2>I say, the wheelchairman didn't deserve money, but I needed

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<v Speaker 2>him to get out my way.

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<v Speaker 1>He was in the middle of the isld.

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<v Speaker 4>That's not how I heard it. I heard you you

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<v Speaker 4>say you wanted to scoot him out of your way

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<v Speaker 4>so that you could close your fird coat like Cruella Divis.

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<v Speaker 4>That's the way I heard all.

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<v Speaker 1>It was a green trench.

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<v Speaker 2>Second, if you're in the store and people are asking

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<v Speaker 2>you for money or just out, because there's a lot

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<v Speaker 2>of homeless people in La I'm not saying anybody at

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<v Speaker 2>the supermarket was homeless today because they all looked.

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<v Speaker 1>Very with homes.

0:11:03.000 --> 0:11:05.320
<v Speaker 2>So when people approach you for money or ask you

0:11:05.360 --> 0:11:06.400
<v Speaker 2>to buy them stuff.

0:11:06.600 --> 0:11:08.080
<v Speaker 1>How do you usually react?

0:11:08.400 --> 0:11:11.200
<v Speaker 4>See, here's the difference between LA and New York. And

0:11:11.280 --> 0:11:15.360
<v Speaker 4>I forgot this very valuable tidbit now that I've been

0:11:15.400 --> 0:11:18.040
<v Speaker 4>in LA as long as I have, is we keep

0:11:18.080 --> 0:11:21.240
<v Speaker 4>ours outside, you know what I mean, Like, we're very

0:11:21.320 --> 0:11:25.000
<v Speaker 4>unkind to our un housed friends, and it should be

0:11:25.040 --> 0:11:28.160
<v Speaker 4>looked at and solved. But frankly, the one thing they

0:11:28.200 --> 0:11:31.240
<v Speaker 4>do effectively is make sure the motherfuckers aren't allowed in

0:11:31.720 --> 0:11:35.640
<v Speaker 4>businesses and certainly not allowed to beg for money when

0:11:35.679 --> 0:11:36.560
<v Speaker 4>they come into business.

0:11:36.600 --> 0:11:37.000
<v Speaker 1>I don't know.

0:11:37.040 --> 0:11:39.280
<v Speaker 2>When I lived in LA, I would see homeless people

0:11:39.320 --> 0:11:42.280
<v Speaker 2>at the open mics, like on the buses at night

0:11:42.280 --> 0:11:44.840
<v Speaker 2>time and at open mics doing stand up.

0:11:44.880 --> 0:11:47.280
<v Speaker 4>So it was like, yeah, well that's not our business.

0:11:47.280 --> 0:11:51.280
<v Speaker 4>They respect. They're not going to protect our best open

0:11:51.360 --> 0:11:53.480
<v Speaker 4>micers in the world. They only care about the.

0:11:53.720 --> 0:11:55.679
<v Speaker 1>I don't know. I don't know what happened to him,

0:11:55.679 --> 0:11:57.839
<v Speaker 1>And he said he was outside. He's not outside, he's

0:11:57.880 --> 0:11:59.920
<v Speaker 1>not picking up the phone call whatever.

0:12:00.400 --> 0:12:04.079
<v Speaker 4>Girl, ain't nobody worried about your food? What we're talking about,

0:12:04.160 --> 0:12:04.800
<v Speaker 4>we're talking.

0:12:04.559 --> 0:12:08.120
<v Speaker 1>About the homeless community right now. Okay, okay, all right,

0:12:08.320 --> 0:12:08.959
<v Speaker 1>She coming in.

0:12:09.040 --> 0:12:13.160
<v Speaker 4>Talking about food and her Postmates delivery. What you order,

0:12:13.480 --> 0:12:14.480
<v Speaker 4>tell us what you order?

0:12:14.559 --> 0:12:20.640
<v Speaker 1>I ordered salmon Karioki with a what's the wrong with that?

0:12:20.800 --> 0:12:23.920
<v Speaker 1>What does that mean? It's salmon? Yeah, I was.

0:12:23.960 --> 0:12:26.360
<v Speaker 4>Gonna put I was gonna put that tone on whatever

0:12:26.400 --> 0:12:30.640
<v Speaker 4>you said. It made no difference. You could have said

0:12:30.679 --> 0:12:32.800
<v Speaker 4>the most reasonable meal, and I was gonna be like,

0:12:32.840 --> 0:12:34.120
<v Speaker 4>this is a little dumb ass.

0:12:34.200 --> 0:12:45.120
<v Speaker 1>Okay, shut out? And then is your sides or something? Yeah,

0:12:45.160 --> 0:12:47.560
<v Speaker 1>there's it's a it's a bento box. Okay, here he is?

0:12:47.679 --> 0:12:50.000
<v Speaker 1>Here is you see this? You see how she jump

0:12:50.040 --> 0:12:54.679
<v Speaker 1>in and I'm not on the mic and everything.

0:12:54.640 --> 0:13:00.920
<v Speaker 4>Right, she don't even care no timing to this. She

0:13:01.200 --> 0:13:03.920
<v Speaker 4>just is answering the way she would regularly answer.

0:13:05.200 --> 0:13:07.320
<v Speaker 1>Now she's upset, and you know what happened. She probably

0:13:07.320 --> 0:13:09.440
<v Speaker 1>been the wrong addressing m.

0:13:09.559 --> 0:13:15.439
<v Speaker 4>HM of her own home, of her own home. She's

0:13:15.480 --> 0:13:20.760
<v Speaker 4>not even threw a microphone like Frankie.

0:13:21.920 --> 0:13:24.720
<v Speaker 1>Sorry. He was running like I had ordered it a

0:13:24.760 --> 0:13:26.960
<v Speaker 1>while ago, and they were running behind, and now he's

0:13:27.000 --> 0:13:30.080
<v Speaker 1>even more behind, and it's like, what the fuck? Okay,

0:13:30.120 --> 0:13:32.760
<v Speaker 1>I'm sorry, I apologize, Linkston. I know that you're very

0:13:32.760 --> 0:13:33.800
<v Speaker 1>busy I'm sorry.

0:13:33.920 --> 0:13:38.200
<v Speaker 4>I am devastated by this unprofessional behavior.

0:13:39.679 --> 0:13:41.520
<v Speaker 1>Langston. What would you be doing if you weren't on

0:13:41.520 --> 0:13:42.440
<v Speaker 1>the podcast right now?

0:13:43.400 --> 0:13:45.760
<v Speaker 4>My wife wanted to go to bed bathroom beyond and

0:13:45.800 --> 0:13:47.360
<v Speaker 4>I got out of it because of this.

0:13:47.520 --> 0:13:49.600
<v Speaker 1>So what you should be doing is thinking us.

0:13:49.480 --> 0:13:54.160
<v Speaker 4>Yeah, yeah, no, listen. I appreciate what you've done, but

0:13:54.240 --> 0:13:56.280
<v Speaker 4>I also expect that this is going to run long

0:13:56.320 --> 0:14:00.040
<v Speaker 4>because Sydney wanted Sam and Terioki in the middle of

0:14:00.360 --> 0:14:02.960
<v Speaker 4>which means that it then is going to obstruct my

0:14:03.040 --> 0:14:05.160
<v Speaker 4>evening in a different kind of way because.

0:14:05.160 --> 0:14:07.040
<v Speaker 2>Because you know no thing, you know she's gonna be

0:14:07.040 --> 0:14:08.800
<v Speaker 2>eating it on the pod.

0:14:09.720 --> 0:14:12.960
<v Speaker 1>No, I don't, Marie. When's the last time she's gonna

0:14:13.040 --> 0:14:15.360
<v Speaker 1>duck down and be like, when's the last time I

0:14:15.800 --> 0:14:19.800
<v Speaker 1>haven't done that, Murrie? Last Wednesday? I don't know, Marie,

0:14:19.840 --> 0:14:23.960
<v Speaker 1>where's the like we're the sisterhood in this bitch like Sidney,

0:14:24.000 --> 0:14:28.960
<v Speaker 1>We're literally watching you ordering getting up to go get it,

0:14:29.000 --> 0:14:32.560
<v Speaker 1>and you're like, where's the sister who? I'm telling you

0:14:32.640 --> 0:14:33.600
<v Speaker 1>what you're doing.

0:14:35.280 --> 0:14:38.280
<v Speaker 4>This is exciting. I've never seen a friendship terror party

0:14:38.280 --> 0:14:40.800
<v Speaker 4>in front of my own eyes, but this is you.

0:14:42.280 --> 0:14:44.920
<v Speaker 1>Just have my back she'll just like throw me under

0:14:44.920 --> 0:14:48.600
<v Speaker 1>the bus, Sydney. The bus is the Postmates delivery man,

0:14:48.920 --> 0:14:52.120
<v Speaker 1>Wing Sam and Teriyaki. First of all, I had set

0:14:52.160 --> 0:14:54.840
<v Speaker 1>it up top I say, hey, guys, I had ordered

0:14:55.360 --> 0:15:00.480
<v Speaker 1>way before this podcast was starting. They're behind the behind.

0:15:00.560 --> 0:15:02.440
<v Speaker 1>This is not my mom when you say way before?

0:15:03.320 --> 0:15:06.320
<v Speaker 1>Did you an hour ago? Friend? An hour ago? At

0:15:06.320 --> 0:15:11.680
<v Speaker 1>eight twenty two? Yeah, all right, guys whatever, She's.

0:15:11.520 --> 0:15:14.000
<v Speaker 4>Never gonna forgive us because it's terrifying.

0:15:15.440 --> 0:15:19.000
<v Speaker 2>I just I'm like, come on now, she's just hungry

0:15:19.040 --> 0:15:21.520
<v Speaker 2>because she hasn't eaten anything yet today this seminaryokey is

0:15:21.520 --> 0:15:22.600
<v Speaker 2>about to be her first meal.

0:15:22.680 --> 0:15:26.520
<v Speaker 1>That's what it is. Yes, absolutely, that's exactly what it is.

0:15:26.680 --> 0:15:28.600
<v Speaker 1>That that ain't got nothing to do with us, baby girl.

0:15:29.960 --> 0:15:32.760
<v Speaker 1>I'm sorry. Good to know, Marie. Good to know. Thank you,

0:15:33.440 --> 0:15:35.040
<v Speaker 1>appreciate you much. Sis.

0:15:35.320 --> 0:15:37.480
<v Speaker 2>I feel like when people, when the reviews come in

0:15:37.520 --> 0:15:40.600
<v Speaker 2>for this episode, they're not gonna say Marie did anything wrong, Sidney.

0:15:40.840 --> 0:15:47.120
<v Speaker 4>They're gonna say, man, leanson, sure sounded uncomfortable. The reviews

0:15:47.120 --> 0:15:50.040
<v Speaker 4>are in, and that nigga was nervous. It went from

0:15:50.080 --> 0:15:51.520
<v Speaker 4>being kind of silly to.

0:15:51.760 --> 0:15:56.920
<v Speaker 1>Not silly no more, but didn't tell us when it

0:15:56.960 --> 0:15:58.000
<v Speaker 1>got not silly no more.

0:16:00.040 --> 0:16:04.840
<v Speaker 4>Oh you were giggling, and then salmon Aryoki got two

0:16:04.880 --> 0:16:08.080
<v Speaker 4>minutes later and oh boy, oh boy, change the energy

0:16:08.200 --> 0:16:08.920
<v Speaker 4>real fast.

0:16:10.560 --> 0:16:13.960
<v Speaker 1>It's fine. Do what do you guys want? Whatever you

0:16:14.000 --> 0:16:17.920
<v Speaker 1>want with the with the pod, it's it's above me now,

0:16:18.080 --> 0:16:19.960
<v Speaker 1>it's above me, not me.

0:16:20.240 --> 0:16:23.000
<v Speaker 4>I'm still here. I'm stuck in it, right on, right

0:16:23.040 --> 0:16:29.000
<v Speaker 4>on ground zero of the eruption of this podcast.

0:16:29.080 --> 0:16:32.120
<v Speaker 1>Here, I am Sydney. You order food during the hobby Hunters.

0:16:33.320 --> 0:16:35.200
<v Speaker 4>Stop at I'm asking that.

0:16:35.200 --> 0:16:36.000
<v Speaker 1>That's a real question.

0:16:36.960 --> 0:16:40.080
<v Speaker 4>Uh oh, now we're bringing up other shit. Yeah, Marie

0:16:40.640 --> 0:16:41.560
<v Speaker 4>didn't have to happen.

0:16:41.760 --> 0:16:45.280
<v Speaker 1>Yeah, I'm like, what are you talking about? Since I

0:16:45.400 --> 0:16:49.080
<v Speaker 1>ordered it an hour ago. You'll be in your house

0:16:49.120 --> 0:16:51.840
<v Speaker 1>and you'll come like twelve minutes say you're like, oh,

0:16:51.880 --> 0:16:53.960
<v Speaker 1>you know, I started doing my hair before the pod.

0:16:54.080 --> 0:16:56.720
<v Speaker 2>Like it's it's okay, Sydney, I'll do that at the

0:16:56.720 --> 0:16:58.960
<v Speaker 2>beginning of the episode, and then we'll start we'll do

0:16:59.000 --> 0:17:03.320
<v Speaker 2>the podcast and I'm not interrupting and like getting like, we're.

0:17:03.160 --> 0:17:05.640
<v Speaker 1>Still talking about your fish. That's not even there yet.

0:17:05.760 --> 0:17:08.800
<v Speaker 1>It's not my fault. I ordered it in an hour

0:17:08.920 --> 0:17:11.440
<v Speaker 1>before the podcast. It was supposed to get here before

0:17:12.400 --> 0:17:14.560
<v Speaker 1>they're late. This is not my fault.

0:17:14.920 --> 0:17:16.040
<v Speaker 4>Where'd you order it from?

0:17:16.560 --> 0:17:17.159
<v Speaker 1>Is it?

0:17:17.200 --> 0:17:21.320
<v Speaker 4>At least A lovely is a restaurant?

0:17:21.640 --> 0:17:24.040
<v Speaker 1>I order from it all the time, and it's always

0:17:24.080 --> 0:17:28.639
<v Speaker 1>on time. It always thirty minutes. I can't pronounce the

0:17:28.720 --> 0:17:31.800
<v Speaker 1>name of That's why you're feeling, because you can't pronounce

0:17:31.840 --> 0:17:34.040
<v Speaker 1>the name. They were like, she she's playing with us.

0:17:34.040 --> 0:17:38.920
<v Speaker 1>We're gonna play with too, Oh my god. Yeah, it's great. Okay, Well,

0:17:40.040 --> 0:17:41.880
<v Speaker 1>I don't know. I don't know what to do. It's

0:17:42.040 --> 0:17:44.080
<v Speaker 1>it's still not here. He told me two minutes. It's

0:17:44.119 --> 0:17:48.000
<v Speaker 1>been two minutes. They there are right. It's very behind.

0:17:48.359 --> 0:17:51.679
<v Speaker 4>And it's either been two minutes or the longest thirty

0:17:51.720 --> 0:17:52.720
<v Speaker 4>seconds of my life.

0:17:52.760 --> 0:17:55.000
<v Speaker 2>And I don't know, it's been longer than two minutes.

0:17:55.080 --> 0:17:57.800
<v Speaker 2>And now we nineteen minutes in and when Sydney came back,

0:17:57.840 --> 0:18:03.119
<v Speaker 2>it was thirteen, so it's been right a right, So Langston,

0:18:03.119 --> 0:18:04.760
<v Speaker 2>I'm sorry for wasting your time today.

0:18:04.920 --> 0:18:08.840
<v Speaker 4>No, I'm chilling. I listen. Here's what I would love, ladies.

0:18:09.160 --> 0:18:13.280
<v Speaker 4>Let's let's get Sydney her food, let's recalibrate, let's be

0:18:13.440 --> 0:18:16.840
<v Speaker 4>friends again, and then let's talk about hating shit. That's

0:18:17.160 --> 0:18:19.840
<v Speaker 4>that's the kind of evening I would love for us

0:18:19.880 --> 0:18:20.520
<v Speaker 4>all to have.

0:18:21.520 --> 0:18:25.000
<v Speaker 2>Thank you for mediating this, lady, I mean, hold on,

0:18:25.080 --> 0:18:27.400
<v Speaker 2>let me be realistic here. If the food get there

0:18:27.440 --> 0:18:29.919
<v Speaker 2>in twenty minutes, we're gonna start the podcast again in

0:18:29.960 --> 0:18:30.600
<v Speaker 2>twenty minutes.

0:18:31.080 --> 0:18:33.400
<v Speaker 1>No, I'm gonna have him leave the food at the door.

0:18:33.440 --> 0:18:35.040
<v Speaker 1>How about that. I'll leave the food at the door.

0:18:35.080 --> 0:18:37.600
<v Speaker 1>I won't go and get it. How about that. I'll

0:18:37.600 --> 0:18:39.400
<v Speaker 1>do that. I'll do that for the pod because I

0:18:39.440 --> 0:18:44.280
<v Speaker 1>apologize for this happening. I'm so sorry. This is so unprofessional.

0:18:44.800 --> 0:18:47.200
<v Speaker 1>I really apologize. I'm so sorry.

0:18:48.600 --> 0:18:51.480
<v Speaker 4>I don't know, kind a weird way, a weird.

0:18:51.280 --> 0:18:58.520
<v Speaker 1>Podcast, and it didn't sound You're sorry, didn't feel sinceious.

0:18:59.280 --> 0:19:03.000
<v Speaker 4>Man to stop, I'm antagonistic.

0:19:02.359 --> 0:19:06.240
<v Speaker 1>You are, which is it? No? No, no, it's totally fine.

0:19:06.920 --> 0:19:11.719
<v Speaker 1>Like sin, We appreciate you for spending your time dealing

0:19:11.760 --> 0:19:16.000
<v Speaker 1>with this unprofessional podcast that's from the ghetto. And it's

0:19:16.000 --> 0:19:18.679
<v Speaker 1>from the ghetto because of me. Oh, the podcast is

0:19:18.680 --> 0:19:21.480
<v Speaker 1>from the ghetto. Yeah, because it's it's from me for me,

0:19:21.840 --> 0:19:26.040
<v Speaker 1>I'm making it. Because we're now almost thirty minutes in

0:19:26.480 --> 0:19:32.119
<v Speaker 1>and we have not started, but we have that ce. Okay, okay,

0:19:32.240 --> 0:19:35.399
<v Speaker 1>So so what is the plan that friend, Cause we

0:19:35.440 --> 0:19:37.959
<v Speaker 1>can still have a conversation, but you're saying that we can't.

0:19:39.119 --> 0:19:41.720
<v Speaker 1>We can have a conversation. I feel like as.

0:19:41.640 --> 0:19:44.960
<v Speaker 3>Soon as you have a conversation and the Seminaryoky is gonna.

0:19:44.720 --> 0:19:47.399
<v Speaker 1>Show, I'm not gonna go get it. I just said

0:19:47.640 --> 0:19:49.520
<v Speaker 1>that I'm not gonna go. I'm gonna have him leave

0:19:49.560 --> 0:19:51.560
<v Speaker 1>it at the door. I'm gonna let it be cold

0:19:51.920 --> 0:19:53.680
<v Speaker 1>so that I can do this podcast.

0:19:54.200 --> 0:19:56.400
<v Speaker 4>Is he gonna be able to get into your Apartment's

0:19:56.720 --> 0:19:56.879
<v Speaker 4>to be.

0:19:56.880 --> 0:19:58.360
<v Speaker 1>Able to get in an apartment.

0:19:58.160 --> 0:19:59.919
<v Speaker 4>Though, it's just gonna sit outside.

0:20:00.240 --> 0:20:04.000
<v Speaker 1>That's what I'm gonna do, Sydney. You're that seems unreasonable

0:20:04.119 --> 0:20:08.760
<v Speaker 1>and the whole, the whole thing is being unreasonable because

0:20:09.000 --> 0:20:14.480
<v Speaker 1>all right, blame for something that I had no control over. Well,

0:20:14.480 --> 0:20:16.240
<v Speaker 1>you could have called you should you could have ate

0:20:16.320 --> 0:20:23.560
<v Speaker 1>earlier this nighttime, so you had control over that. I'm

0:20:23.560 --> 0:20:26.240
<v Speaker 1>not doing this with you, Marie. You always start things

0:20:27.200 --> 0:20:29.920
<v Speaker 1>literally a minute before the podcast. You're like, oh, well,

0:20:29.960 --> 0:20:31.600
<v Speaker 1>you know, I had to go to the bathroom, and

0:20:31.600 --> 0:20:33.600
<v Speaker 1>then you're here and we're like, well, why didn't you

0:20:33.680 --> 0:20:37.800
<v Speaker 1>just go to the bathroom? Hold on, Sidney, don't do that. Please,

0:20:37.840 --> 0:20:40.840
<v Speaker 1>don't do that. Me going to the bathroom is not

0:20:40.880 --> 0:20:44.760
<v Speaker 1>a twenty two minute conversation on our podcast. Don't do that.

0:20:45.920 --> 0:20:48.439
<v Speaker 4>Hey, y'all be some own trending again, and it's not

0:20:48.520 --> 0:20:51.439
<v Speaker 4>good news, Lanxton.

0:20:51.480 --> 0:20:53.919
<v Speaker 1>What is she trending for? Let's let's let's let's switch

0:20:53.960 --> 0:20:55.600
<v Speaker 1>gears a little bit, because.

0:20:56.240 --> 0:20:59.320
<v Speaker 4>She went on a long rant saying that women sit

0:20:59.400 --> 0:21:02.520
<v Speaker 4>around talking about all the different qualities that they expect

0:21:02.560 --> 0:21:06.400
<v Speaker 4>of a man, a certain height requirement, a certain money requirement,

0:21:06.880 --> 0:21:11.040
<v Speaker 4>a certain education, a certain connection to their family and friends,

0:21:11.400 --> 0:21:15.240
<v Speaker 4>and you all don't This is her words, not mine,

0:21:15.280 --> 0:21:19.439
<v Speaker 4>but you all don't have that for yourselves, that you

0:21:19.480 --> 0:21:22.439
<v Speaker 4>haven't spoken to your own mothers in six months, that

0:21:22.520 --> 0:21:25.880
<v Speaker 4>you expect me to be deeply connected to my family.

0:21:27.240 --> 0:21:32.360
<v Speaker 2>I mean, I think that's true with people of both sexes.

0:21:32.920 --> 0:21:35.480
<v Speaker 2>People have sure like there are lots of people who

0:21:35.480 --> 0:21:38.280
<v Speaker 2>are like unqualified for the person that they think they

0:21:38.320 --> 0:21:39.000
<v Speaker 2>should be with.

0:21:39.840 --> 0:21:42.320
<v Speaker 1>Yeah, but not all women and not all men.

0:21:43.240 --> 0:21:47.000
<v Speaker 4>No, I agree with that. But it's only funny if

0:21:47.040 --> 0:21:49.320
<v Speaker 4>be some owns getting made fun of for dumb shit

0:21:49.400 --> 0:21:51.879
<v Speaker 4>that she's did without any of that perspective.

0:21:52.000 --> 0:21:54.880
<v Speaker 1>So you know, it's be someone with somebody right now.

0:21:56.000 --> 0:21:59.760
<v Speaker 4>I would I would say with with the hand of God,

0:22:00.119 --> 0:22:06.480
<v Speaker 4>b Simone is isn't a relationship with the hand of God?

0:22:06.720 --> 0:22:09.760
<v Speaker 4>And unfortunately it seems to be God's backhand at the moment,

0:22:09.840 --> 0:22:12.120
<v Speaker 4>but he got that hand on her.

0:22:13.320 --> 0:22:16.320
<v Speaker 2>Somebody said, was b Simone not begging a man under

0:22:16.440 --> 0:22:20.800
<v Speaker 2>five to nine to like her? And was bigging up

0:22:20.880 --> 0:22:23.680
<v Speaker 2>Danny Lee and basically saying she damn near one because

0:22:23.720 --> 0:22:27.600
<v Speaker 2>she's Latina. She has the self esteem of a broom

0:22:27.680 --> 0:22:30.439
<v Speaker 2>but wants to push down, not going for that.

0:22:33.080 --> 0:22:36.840
<v Speaker 1>We love Twitter, Oh my god, it just it will

0:22:36.960 --> 0:22:39.320
<v Speaker 1>never stops. It's undefeated.

0:22:39.880 --> 0:22:42.840
<v Speaker 4>My favorite part of the video is she's she's not

0:22:42.920 --> 0:22:45.920
<v Speaker 4>wearing a bra in the video while she's like slapping

0:22:45.920 --> 0:22:50.320
<v Speaker 4>a table and ranting and her jingles are jangling and whatnot,

0:22:50.440 --> 0:22:53.000
<v Speaker 4>and you can see her getting more and more self

0:22:53.040 --> 0:22:55.639
<v Speaker 4>conscious of it as she gets more and more confident

0:22:56.119 --> 0:23:01.680
<v Speaker 4>in her backwards ass frant about about being the better

0:23:01.760 --> 0:23:05.280
<v Speaker 4>version of yourself in order to find the man you deserve. Sydney,

0:23:05.320 --> 0:23:07.479
<v Speaker 4>I pray to God, you're about to go get this salmon.

0:23:07.560 --> 0:23:11.679
<v Speaker 1>It's not I don't I do. I personally just don't

0:23:12.359 --> 0:23:14.520
<v Speaker 1>they got a twenty percent tip. I don't know what

0:23:14.760 --> 0:23:17.040
<v Speaker 1>I want to take it back. I don't know what

0:23:17.080 --> 0:23:21.040
<v Speaker 1>this is about. This is like over, this is an

0:23:21.080 --> 0:23:24.240
<v Speaker 1>hour and a half. The food has to be cold

0:23:25.160 --> 0:23:30.800
<v Speaker 1>on God. So this is truly not my fault.

0:23:30.960 --> 0:23:33.480
<v Speaker 4>But what them temperature is like in New York right now?

0:23:33.720 --> 0:23:35.879
<v Speaker 1>Like thirty Alexa, what's the temperature?

0:23:36.000 --> 0:23:40.240
<v Speaker 4>It's like, oh, you ask Alexa, you got money.

0:23:40.000 --> 0:23:43.560
<v Speaker 1>Thirty two degrees? I didn't. I should have asked my Google.

0:23:43.760 --> 0:23:50.120
<v Speaker 1>Hey Google, shut up, Alexa. She said, enjoy your Monday. Okay.

0:23:50.720 --> 0:23:53.600
<v Speaker 2>I don't understand why women feel like they need to

0:23:53.600 --> 0:23:58.000
<v Speaker 2>make these proclamations about other women and post them to

0:23:58.040 --> 0:24:03.040
<v Speaker 2>their followers, but not not all women are like that.

0:24:04.000 --> 0:24:08.040
<v Speaker 4>Yeah, I always I maintain this feeling that I think

0:24:08.040 --> 0:24:12.080
<v Speaker 4>that it's often the choice of trying to impress some dudes,

0:24:12.560 --> 0:24:15.359
<v Speaker 4>Like it's a very specific type of dude that's gonna

0:24:15.359 --> 0:24:17.280
<v Speaker 4>look at that and be like, yeah, this bitch gets

0:24:17.840 --> 0:24:19.879
<v Speaker 4>And it's like, I guess that's who they're aiming for,

0:24:20.000 --> 0:24:22.639
<v Speaker 4>because it's definitely not other women who are going to

0:24:22.720 --> 0:24:24.200
<v Speaker 4>be like, yeah, you nailed it, Sis.

0:24:24.440 --> 0:24:28.160
<v Speaker 1>It's like, no, I think it's more about It's easier

0:24:28.160 --> 0:24:30.560
<v Speaker 1>to talk about other people than to talk about yourself.

0:24:30.600 --> 0:24:33.840
<v Speaker 1>It's easier to say, well, you've done this that that

0:24:33.840 --> 0:24:37.240
<v Speaker 1>that's wrong, but to look inward and be like, this

0:24:37.440 --> 0:24:40.959
<v Speaker 1>is actually my story. It's so hard to present that.

0:24:41.080 --> 0:24:43.399
<v Speaker 1>It's like, why are you talking about everybody else's business

0:24:43.440 --> 0:24:44.120
<v Speaker 1>except your own?

0:24:44.440 --> 0:24:47.040
<v Speaker 2>That's weird, right, Like why is it be someone talking

0:24:47.040 --> 0:24:52.120
<v Speaker 2>about women who sell books that they plageiarize and then say, yeah,

0:24:52.160 --> 0:24:54.159
<v Speaker 2>that is a manifestation book, Like why is she not

0:24:54.160 --> 0:24:55.199
<v Speaker 2>talking about women that do that?

0:24:55.720 --> 0:24:56.080
<v Speaker 1>Yeah?

0:24:56.119 --> 0:24:57.560
<v Speaker 4>Yeah, what that beat stand for?

0:24:57.800 --> 0:25:03.280
<v Speaker 5>Focused on that, find out what the bee stands for,

0:25:03.480 --> 0:25:06.520
<v Speaker 5>and then we can for you can get into all

0:25:06.560 --> 0:25:07.919
<v Speaker 5>the rocks and wrongs.

0:25:11.160 --> 0:25:15.320
<v Speaker 4>I probaby got it is because I still got that

0:25:15.440 --> 0:25:16.480
<v Speaker 4>tension in my chest.

0:25:16.600 --> 0:25:21.600
<v Speaker 1>I don't, but this is you are you pe okay? Whatever?

0:25:21.680 --> 0:25:23.520
<v Speaker 1>Lang sty? What did you eat today? How about that? Listen?

0:25:24.320 --> 0:25:25.399
<v Speaker 1>What food did you eat today?

0:25:25.800 --> 0:25:29.040
<v Speaker 4>So far? I've had I don't only have one meal

0:25:29.080 --> 0:25:32.120
<v Speaker 4>as well, but it's it's much earlier here. I had

0:25:32.480 --> 0:25:33.720
<v Speaker 4>a tender greens plate.

0:25:34.440 --> 0:25:37.679
<v Speaker 2>Oh, I enjoyed like tender greens. But that's only an

0:25:37.800 --> 0:25:38.280
<v Speaker 2>l a thing.

0:25:40.200 --> 0:25:42.000
<v Speaker 4>Oh, they don't have tender greens in New York.

0:25:42.720 --> 0:25:44.560
<v Speaker 1>What did you get protein? Protein?

0:25:47.280 --> 0:25:52.960
<v Speaker 4>I got myself a tune in the swas right. I

0:25:53.000 --> 0:25:53.800
<v Speaker 4>believe it's French.

0:25:53.920 --> 0:25:56.520
<v Speaker 1>I believe so so or a whole.

0:25:56.400 --> 0:26:03.480
<v Speaker 4>Bunch of ship. How are we doing on that? On that? Samaria?

0:26:05.040 --> 0:26:05.680
<v Speaker 1>It's good.

0:26:06.359 --> 0:26:09.000
<v Speaker 4>Yeah, let's start the podcast. We're starting it hot.

0:26:10.600 --> 0:26:14.560
<v Speaker 1>Yes, it's gonna be worth it. It's gonna be so fun.

0:26:15.400 --> 0:26:17.040
<v Speaker 4>I can't wait. I'm so excited.

0:26:19.160 --> 0:26:24.800
<v Speaker 1>Okay, okay, yeah, no, whoever starts? Okay, Well, we we

0:26:24.960 --> 0:26:28.960
<v Speaker 1>left off with Marie talking about her like a shop

0:26:29.080 --> 0:26:34.840
<v Speaker 1>right homeless expedition, and we ended on b simone, So

0:26:35.560 --> 0:26:40.120
<v Speaker 1>I think we can just uh intro Langston and move

0:26:40.160 --> 0:26:42.440
<v Speaker 1>on from there. Mm hmm.

0:26:46.240 --> 0:26:48.600
<v Speaker 4>All right, y'all got to be nice to each other first.

0:26:48.680 --> 0:26:51.640
<v Speaker 1>Everybody's got to play that. Marie doesn't. She doesn't want

0:26:51.680 --> 0:26:54.560
<v Speaker 1>to move on. She's got like the attitude face. And

0:26:54.600 --> 0:27:02.320
<v Speaker 1>it's like you have Marie attitude on entire episode. You

0:27:02.359 --> 0:27:06.560
<v Speaker 1>guys are attacking me for yeah, like a white woman

0:27:06.680 --> 0:27:11.399
<v Speaker 1>right now, attacking you. That's the language that people who

0:27:11.440 --> 0:27:17.040
<v Speaker 1>are not being attacked. Yous attacking. You're giving me a

0:27:17.080 --> 0:27:21.160
<v Speaker 1>hard time about the delivery. I didn't even say anything else.

0:27:21.200 --> 0:27:23.479
<v Speaker 1>You did Marie, we're gonna run the tapes back. You

0:27:23.560 --> 0:27:25.320
<v Speaker 1>did I said, I didn't say anything else.

0:27:26.160 --> 0:27:28.359
<v Speaker 2>You said we want to restart, So go ahead and

0:27:28.359 --> 0:27:32.600
<v Speaker 2>control instances, Aris, But.

0:27:32.800 --> 0:27:34.679
<v Speaker 4>We're gonna cut through it and we're gonna have a

0:27:34.680 --> 0:27:35.280
<v Speaker 4>great time.

0:27:35.320 --> 0:27:38.359
<v Speaker 1>I'm gonna get more wine. I'm gonna bring a bottle

0:27:38.359 --> 0:27:45.240
<v Speaker 1>in here because in the City introduced the guest. No, Marie,

0:27:45.320 --> 0:27:47.639
<v Speaker 1>I'm not doing this like either we're gonna do it

0:27:47.760 --> 0:27:49.960
<v Speaker 1>right or we could cut the we could cut it

0:27:49.960 --> 0:27:51.920
<v Speaker 1>tonight because I'm not I'm not doing this. I was

0:27:51.960 --> 0:27:54.440
<v Speaker 1>an accident. I'm sorry, and I just I want to

0:27:54.480 --> 0:27:55.359
<v Speaker 1>have a good posity.

0:27:55.440 --> 0:27:57.399
<v Speaker 2>We have been having a good podcast. I feel like

0:27:57.440 --> 0:28:02.200
<v Speaker 2>you're missing it. That's what we I'm fine, Andrew's fine.

0:28:02.880 --> 0:28:05.600
<v Speaker 3>We're gonna listen back to this and laugh and only Gray.

0:28:06.880 --> 0:28:11.080
<v Speaker 1>Mm hmm, okay, Leangston, any input here.

0:28:11.840 --> 0:28:16.200
<v Speaker 4>Yeah, there's a chill in the air, a cold chill

0:28:16.320 --> 0:28:19.240
<v Speaker 4>running up my spine. It feels like sleepy hollow in

0:28:19.320 --> 0:28:21.879
<v Speaker 4>my home. But fighting through it.

0:28:24.680 --> 0:28:27.920
<v Speaker 1>All right, let's let's move forward. Were hat We have

0:28:28.359 --> 0:28:32.040
<v Speaker 1>a good old guess that we haven't had in over

0:28:32.280 --> 0:28:34.879
<v Speaker 1>many many years. But when he came here, he was

0:28:34.920 --> 0:28:38.600
<v Speaker 1>a light skinned expert. And now he's come to one

0:28:38.720 --> 0:28:41.720
<v Speaker 1>up that expert. I mean he's been on many many

0:28:41.760 --> 0:28:44.880
<v Speaker 1>shows after that, very one of our most famous friends

0:28:45.640 --> 0:28:48.920
<v Speaker 1>give it up for Langston Kerman and he's our hated

0:28:50.640 --> 0:28:56.360
<v Speaker 1>It's like deja vu high Langston.

0:28:57.440 --> 0:29:01.160
<v Speaker 4>Hey, everybody, it's good to see y'all with no other context.

0:29:01.320 --> 0:29:01.720
<v Speaker 3>It is.

0:29:03.240 --> 0:29:06.360
<v Speaker 4>What a dream to see you both with no other

0:29:06.480 --> 0:29:09.640
<v Speaker 4>information ahead of this moment. Oh, what a treat.

0:29:09.800 --> 0:29:10.000
<v Speaker 6>Wow.

0:29:10.600 --> 0:29:12.720
<v Speaker 1>Wow, Yes, and Andrew you as well.

0:29:12.800 --> 0:29:14.840
<v Speaker 4>I didn't mean to leave you out. What a pleasure.

0:29:15.160 --> 0:29:16.720
<v Speaker 3>Oh my gosh, it's great to meet you.

0:29:18.080 --> 0:29:26.440
<v Speaker 1>Obsession Langston, you seem like such a lovable, likable person.

0:29:26.960 --> 0:29:29.320
<v Speaker 1>So hating expert.

0:29:29.760 --> 0:29:33.320
<v Speaker 4>Yeah, I I I this is all a ruse. This

0:29:33.400 --> 0:29:35.720
<v Speaker 4>is a long con that I've I've learned to build

0:29:35.760 --> 0:29:39.520
<v Speaker 4>over the years to uh to get all my hate out.

0:29:39.680 --> 0:29:43.080
<v Speaker 4>I realize that it's easier to just smile and wave

0:29:43.240 --> 0:29:46.800
<v Speaker 4>than it is to scowl and let people know how

0:29:46.800 --> 0:29:49.760
<v Speaker 4>you really feel, especially if you don't want to square up,

0:29:49.840 --> 0:29:51.400
<v Speaker 4>which I do not more often.

0:29:51.600 --> 0:29:54.320
<v Speaker 1>Right, fighting is no fighting.

0:29:54.000 --> 0:29:58.760
<v Speaker 4>It's not my thing. I'll roach you. I'll write something

0:29:58.840 --> 0:30:01.480
<v Speaker 4>backhanded on a piece of paper and hand it to

0:30:01.520 --> 0:30:04.080
<v Speaker 4>you as I run away, but I don't want to

0:30:04.080 --> 0:30:05.440
<v Speaker 4>fight nobody that ain't my Shiit.

0:30:06.480 --> 0:30:09.320
<v Speaker 1>Sorry, I was gonna say, have you ever been in

0:30:09.360 --> 0:30:09.640
<v Speaker 1>a fight?

0:30:11.200 --> 0:30:15.480
<v Speaker 4>I have been in fights before. I would say I'm

0:30:15.520 --> 0:30:19.680
<v Speaker 4>at a I'm at a like a two and two record,

0:30:20.320 --> 0:30:24.600
<v Speaker 4>you know what I mean. This kid Ari, who was

0:30:24.600 --> 0:30:26.920
<v Speaker 4>a friend of mine growing up, smacked the ship out

0:30:26.920 --> 0:30:29.080
<v Speaker 4>of me one time when we were fighting over basketball

0:30:29.120 --> 0:30:31.560
<v Speaker 4>and who I didn't win that one, but then I

0:30:31.560 --> 0:30:34.600
<v Speaker 4>got another fights in school where like I did all right,

0:30:35.160 --> 0:30:37.640
<v Speaker 4>nobody was walking away like, hey, don't fuck with Langston

0:30:37.680 --> 0:30:40.760
<v Speaker 4>no more. That nigga's crazy. But I did pretty good.

0:30:44.480 --> 0:30:48.480
<v Speaker 1>So you're so you're like, I'm I'm being easy going

0:30:48.600 --> 0:30:52.920
<v Speaker 1>for the system, but really and internally you're like you

0:30:53.000 --> 0:30:55.480
<v Speaker 1>hate everything. Yeah.

0:30:55.560 --> 0:30:59.040
<v Speaker 4>Yeah, there's very few things, particularly related to the things

0:30:59.040 --> 0:31:00.640
<v Speaker 4>that I care about that I enjoy.

0:31:00.840 --> 0:31:03.719
<v Speaker 1>Well, that sounds very New York of you. That sounds

0:31:03.760 --> 0:31:05.800
<v Speaker 1>like through and through a New Yorker.

0:31:06.640 --> 0:31:08.800
<v Speaker 4>Yeah, but I'm not from New York and I ain't

0:31:08.800 --> 0:31:16.480
<v Speaker 4>got no reason to behave we're kind people. Yeah, nope. Well,

0:31:16.600 --> 0:31:19.160
<v Speaker 4>Chicago's an exception. I think I've maintained this for a

0:31:19.200 --> 0:31:22.080
<v Speaker 4>lot of years that Chicago is a city built on hate,

0:31:22.440 --> 0:31:25.360
<v Speaker 4>and like, that's how we propel each other forward, is

0:31:25.400 --> 0:31:27.760
<v Speaker 4>by being haters through and through.

0:31:28.520 --> 0:31:32.200
<v Speaker 2>Okay, so we have a bunch of different types of

0:31:32.240 --> 0:31:34.200
<v Speaker 2>people who listen to people from all over the world.

0:31:34.360 --> 0:31:40.280
<v Speaker 2>Were very famous international. So what is a hater like?

0:31:40.840 --> 0:31:43.600
<v Speaker 2>If you don't like something, are you a hater or

0:31:43.960 --> 0:31:44.960
<v Speaker 2>is it more than that?

0:31:45.320 --> 0:31:45.520
<v Speaker 1>You know?

0:31:46.840 --> 0:31:50.520
<v Speaker 4>I think that's a good question. I think that hating

0:31:50.840 --> 0:31:54.360
<v Speaker 4>is not liking something that you could have just let live.

0:31:55.640 --> 0:31:59.720
<v Speaker 1>Oh, okay, the Oxford definition.

0:32:00.760 --> 0:32:03.720
<v Speaker 4>Yeah, I mean I imagine. I imagine people with a

0:32:05.560 --> 0:32:08.520
<v Speaker 4>more whole heart, you know what I mean, if the whole,

0:32:08.600 --> 0:32:11.240
<v Speaker 4>if all the pieces in your heart are fully formed.

0:32:11.640 --> 0:32:14.040
<v Speaker 4>You see something you don't like and you process it

0:32:14.080 --> 0:32:15.680
<v Speaker 4>and you know, I don't care for that too much,

0:32:15.720 --> 0:32:17.320
<v Speaker 4>and you move on with your day. You have a

0:32:17.440 --> 0:32:20.680
<v Speaker 4>nice a nice sam and teryoki if you will, you

0:32:20.840 --> 0:32:22.240
<v Speaker 4>enjoy a nice meal, you.

0:32:22.200 --> 0:32:22.680
<v Speaker 3>Know what I mean.

0:32:23.280 --> 0:32:26.640
<v Speaker 4>But a hater, yeah, now, a hater, you're gonna let

0:32:26.680 --> 0:32:28.680
<v Speaker 4>that simmer. You're not gonna be able to enjoy your

0:32:28.720 --> 0:32:31.360
<v Speaker 4>meal because you got that you got that extra sitting in.

0:32:31.320 --> 0:32:33.600
<v Speaker 2>Your chest right, You're gonna write a dissertation about it

0:32:33.640 --> 0:32:35.600
<v Speaker 2>online and be like, well, I never.

0:32:35.520 --> 0:32:37.800
<v Speaker 1>Liked anything that this person did anyway.

0:32:38.480 --> 0:32:41.320
<v Speaker 4>And that's that's where I take issue. I don't go

0:32:41.400 --> 0:32:44.520
<v Speaker 4>online with my shit. I keep it private. It's it's

0:32:44.560 --> 0:32:47.240
<v Speaker 4>not meant for the public. But I do tell quite

0:32:47.240 --> 0:32:51.240
<v Speaker 4>a few people in group chats and smaller circles, smaller

0:32:51.280 --> 0:32:53.160
<v Speaker 4>networks of people about how I feel.

0:32:53.680 --> 0:32:56.280
<v Speaker 1>And that's perfect because now you're on this pod and

0:32:56.320 --> 0:33:00.400
<v Speaker 1>we can really get into this hateration holeration. Now I

0:33:01.200 --> 0:33:03.360
<v Speaker 1>look at a hater. I look at a hater and

0:33:03.680 --> 0:33:06.360
<v Speaker 1>something is good and they are a hater, and they're

0:33:06.400 --> 0:33:09.239
<v Speaker 1>just gonna they're gonna shoot on it regardless of how

0:33:09.400 --> 0:33:11.200
<v Speaker 1>Oh that's how I look at So.

0:33:11.240 --> 0:33:14.520
<v Speaker 4>You think, okay, so to be a hater, something has

0:33:14.600 --> 0:33:19.760
<v Speaker 4>to to objectively be quality, and then somebody has to

0:33:19.800 --> 0:33:22.600
<v Speaker 4>be coming in and just trying to scuff it up

0:33:23.080 --> 0:33:24.000
<v Speaker 4>for no good reason.

0:33:24.120 --> 0:33:28.080
<v Speaker 1>Yes, scuff is a good word, thank you.

0:33:28.320 --> 0:33:32.400
<v Speaker 4>I uh, I freestyled that one. I'd say that that.

0:33:32.520 --> 0:33:35.280
<v Speaker 4>The difference for me is that I don't actually think

0:33:35.280 --> 0:33:40.640
<v Speaker 4>that that many things exist that are objectively good. Okay, Okay,

0:33:40.720 --> 0:33:42.720
<v Speaker 4>I think I think there's a lot of ship that

0:33:42.720 --> 0:33:45.520
<v Speaker 4>people will tell you are good is good, or tell

0:33:45.560 --> 0:33:48.360
<v Speaker 4>you or want you to believe is good. But if

0:33:48.400 --> 0:33:51.480
<v Speaker 4>you really look at the ship, it's fine. It's all right.

0:33:51.760 --> 0:33:54.680
<v Speaker 2>It is a lot of fine that people elevate to

0:33:55.200 --> 0:34:00.520
<v Speaker 2>amazing or excellent. Soon, just give us all things that

0:34:00.560 --> 0:34:02.440
<v Speaker 2>you hate that you think most people like.

0:34:02.520 --> 0:34:05.200
<v Speaker 4>Oh and I don't know how well. I don't know

0:34:05.200 --> 0:34:07.479
<v Speaker 4>how to do this because now you got that weird uh,

0:34:07.920 --> 0:34:10.280
<v Speaker 4>that weird motion going you.

0:34:09.840 --> 0:34:13.160
<v Speaker 2>Well, no, because you got I but because I agree

0:34:13.200 --> 0:34:17.680
<v Speaker 2>with the definition that you and Sydney both gave kind

0:34:17.680 --> 0:34:21.360
<v Speaker 2>of But I also but I also don't like a

0:34:21.400 --> 0:34:23.919
<v Speaker 2>lot of things that people like. And sometimes I don't

0:34:23.960 --> 0:34:27.720
<v Speaker 2>like things that people like specifically because so many people

0:34:27.920 --> 0:34:32.720
<v Speaker 2>like it. Like for me, sometimes the more people enjoy

0:34:32.920 --> 0:34:36.120
<v Speaker 2>one particular thing, the more I want to just like

0:34:36.360 --> 0:34:37.440
<v Speaker 2>not be a part of that at all.

0:34:38.520 --> 0:34:41.239
<v Speaker 4>Oh see, I don't I don't know that I have that.

0:34:41.680 --> 0:34:45.040
<v Speaker 4>I don't think I get oppositional that. I think that's oppositional.

0:34:45.080 --> 0:34:47.799
<v Speaker 4>I think I would define that differently. Like that to

0:34:47.880 --> 0:34:51.000
<v Speaker 4>me is like, y'all motherfuckers ain't gonna tell me how

0:34:51.040 --> 0:34:54.080
<v Speaker 4>I'm supposed to feel. And I think I hope that

0:34:54.640 --> 0:34:57.680
<v Speaker 4>my hating, while unhealthy and probably gonna kill me by

0:34:57.719 --> 0:35:01.840
<v Speaker 4>fifty five is not rooted in just like a want

0:35:01.920 --> 0:35:06.279
<v Speaker 4>to to uh, just move against the grain if you will.

0:35:07.360 --> 0:35:13.240
<v Speaker 6>Okay, But but this, this is this is where I'm like, Okay,

0:35:13.920 --> 0:35:19.760
<v Speaker 6>hating you could if something you think is bad.

0:35:20.200 --> 0:35:22.799
<v Speaker 1>I think it's okay to think that it's bad. But

0:35:22.920 --> 0:35:26.280
<v Speaker 1>I think that if you're going out of your way

0:35:26.320 --> 0:35:32.200
<v Speaker 1>to trash it publicly, I think that's like real hater

0:35:32.440 --> 0:35:36.719
<v Speaker 1>behavior that it was. It's unnecessary. You just not like

0:35:36.760 --> 0:35:37.480
<v Speaker 1>it and not watch it.

0:35:37.560 --> 0:35:40.120
<v Speaker 4>Well, here's what I'd ask you when and this is

0:35:40.160 --> 0:35:42.920
<v Speaker 4>a very R Kelly quote of it, when we say public,

0:35:43.160 --> 0:35:47.319
<v Speaker 4>how public are we talking? You know, you say are

0:35:47.320 --> 0:35:50.480
<v Speaker 4>you talking? How are we talking?

0:35:50.560 --> 0:35:52.520
<v Speaker 1>That's an R. Kelly quote.

0:35:52.920 --> 0:35:55.759
<v Speaker 4>You never heard that he was talking to uh, what's

0:35:55.800 --> 0:35:59.680
<v Speaker 4>his name? Uh? I can't remember his name from BT

0:36:00.200 --> 0:36:03.799
<v Speaker 4>He had the afro real skinny guy, Terrey. He was

0:36:03.840 --> 0:36:06.560
<v Speaker 4>talking to Terray in the interview right after the trial

0:36:06.719 --> 0:36:09.920
<v Speaker 4>after he had been acquitted. And Terray's first question to R.

0:36:10.000 --> 0:36:15.080
<v Speaker 4>Kelly is Robert, do you like teenage girls? And then

0:36:15.120 --> 0:36:17.520
<v Speaker 4>he thinks for a second, he thinks real hard on him.

0:36:17.600 --> 0:36:20.839
<v Speaker 4>He says, all right, when you say teenage, how old

0:36:20.880 --> 0:36:21.800
<v Speaker 4>are we talking about?

0:36:23.520 --> 0:36:27.760
<v Speaker 1>Literally thirteen to eighteen, I say thirteen to nineteen.

0:36:27.760 --> 0:36:29.840
<v Speaker 4>I'd say nineteen is included as well.

0:36:29.920 --> 0:36:35.279
<v Speaker 1>Anything with the word teen in it. Robert Well, to

0:36:36.000 --> 0:36:40.400
<v Speaker 1>answer your question, I think like some journalists they go

0:36:40.560 --> 0:36:43.839
<v Speaker 1>out of their way, or people who are critics they

0:36:43.920 --> 0:36:46.160
<v Speaker 1>go out of Like critics, I think you should be

0:36:46.200 --> 0:36:49.640
<v Speaker 1>focused on the stuff that you like, and you not

0:36:49.800 --> 0:36:53.520
<v Speaker 1>writing about the things that you don't like. Is speaking

0:36:53.640 --> 0:36:56.920
<v Speaker 1>volumes that oh it must maybe it's not good because

0:36:56.920 --> 0:37:01.600
<v Speaker 1>you're not giving it that energy. Who go on and

0:37:01.640 --> 0:37:03.480
<v Speaker 1>on and on on the internet to be like, Yeah,

0:37:03.520 --> 0:37:06.040
<v Speaker 1>that specially wasn't good, that comedian is not good, this

0:37:06.200 --> 0:37:09.399
<v Speaker 1>was that movie is trash, and they more so talk

0:37:09.440 --> 0:37:12.040
<v Speaker 1>about how bad things are than the good things. I

0:37:12.040 --> 0:37:17.600
<v Speaker 1>think they're using their platform and in a bad way.

0:37:17.680 --> 0:37:19.920
<v Speaker 1>They could do better. It's just focused on something.

0:37:20.200 --> 0:37:23.520
<v Speaker 2>Like a critic's job is to be critical of the

0:37:23.560 --> 0:37:28.840
<v Speaker 2>thing that they're reviewing, and they're haters a lot of

0:37:29.000 --> 0:37:31.279
<v Speaker 2>I think a lot of critics want to be in

0:37:31.320 --> 0:37:34.280
<v Speaker 2>the position that they're critiquing. They're like, oh, I wish

0:37:34.360 --> 0:37:36.160
<v Speaker 2>I could make that movie, or I wish I could

0:37:36.160 --> 0:37:37.239
<v Speaker 2>be an actor, But they're not.

0:37:37.320 --> 0:37:40.200
<v Speaker 1>If you look at a lot of the critics especially

0:37:40.200 --> 0:37:43.799
<v Speaker 1>in comedy. They wanted to be comedians and failed, and

0:37:43.840 --> 0:37:47.480
<v Speaker 1>now they're critiquing comedy. Who the fuck are you? You

0:37:47.520 --> 0:37:49.960
<v Speaker 1>didn't it didn't even work out for you, So now

0:37:50.320 --> 0:37:53.000
<v Speaker 1>you're in a position to be like, yeah, that special

0:37:54.000 --> 0:37:58.040
<v Speaker 1>homophobic blah blah blah, and it's just like, dude, talk

0:37:58.040 --> 0:38:00.319
<v Speaker 1>about the stuff that you like. I was that.

0:38:00.440 --> 0:38:04.799
<v Speaker 4>I don't. I take a lot of issue with critics.

0:38:05.160 --> 0:38:08.600
<v Speaker 4>While I do love hate and I live by it.

0:38:08.680 --> 0:38:12.319
<v Speaker 4>I thrive in it. I was born here, wallow, I

0:38:12.400 --> 0:38:15.680
<v Speaker 4>wallow in it. I do take a lot of issue

0:38:16.000 --> 0:38:18.480
<v Speaker 4>for the exact reasons that you're saying, Sidney, But then

0:38:18.600 --> 0:38:22.560
<v Speaker 4>I think about, like, who would I want to critique

0:38:23.080 --> 0:38:26.360
<v Speaker 4>the actual shit, Like if I wanted like an honest

0:38:26.400 --> 0:38:28.920
<v Speaker 4>perspective on what it is? And I don't think comics

0:38:28.920 --> 0:38:31.040
<v Speaker 4>could do that either. I don't think our peers could

0:38:31.080 --> 0:38:33.600
<v Speaker 4>genuinely give us a real response of like what the

0:38:33.640 --> 0:38:34.120
<v Speaker 4>shit is?

0:38:34.200 --> 0:38:37.160
<v Speaker 1>No either, Nope, because a lot of people that in

0:38:38.320 --> 0:38:39.120
<v Speaker 1>that part of it.

0:38:39.360 --> 0:38:42.280
<v Speaker 2>I agree with Sidney and that if when you listen

0:38:42.320 --> 0:38:47.000
<v Speaker 2>to comics review other stand up specials, there are a

0:38:47.040 --> 0:38:50.120
<v Speaker 2>lot of people who you will use that time to

0:38:50.200 --> 0:38:52.799
<v Speaker 2>hate because they didn't get that opportunity because they didn't

0:38:52.800 --> 0:38:55.120
<v Speaker 2>get to shoot that and blah blah, blah blah. I

0:38:55.120 --> 0:38:58.200
<v Speaker 2>think there's more hate there. But I also think people

0:38:58.200 --> 0:39:01.080
<v Speaker 2>thought a word hater around. I mean ever since Maino

0:39:01.200 --> 0:39:07.640
<v Speaker 2>did that song in two thousand whatever everybody, and it's like, no,

0:39:07.800 --> 0:39:11.400
<v Speaker 2>I just don't like this. I don't think everything is hating.

0:39:11.480 --> 0:39:12.920
<v Speaker 2>Sometimes something is not good.

0:39:13.800 --> 0:39:16.040
<v Speaker 4>I do think I will say that that. I think

0:39:16.080 --> 0:39:19.600
<v Speaker 4>the advancement of that is when you you start to

0:39:19.680 --> 0:39:23.879
<v Speaker 4>try to sway other people's opinions on that issue, right

0:39:23.960 --> 0:39:26.759
<v Speaker 4>that be it's small or large, at the point that

0:39:26.800 --> 0:39:29.040
<v Speaker 4>you're like now taking this to a larger group and

0:39:29.080 --> 0:39:33.359
<v Speaker 4>being like, hey, this is stupid, right you're you you're

0:39:33.400 --> 0:39:35.359
<v Speaker 4>adding some hate to the mix. I won't call you

0:39:35.400 --> 0:39:39.160
<v Speaker 4>a hater, but you're your hate ish. You're you're a

0:39:39.239 --> 0:39:46.320
<v Speaker 4>Kenya Bears pilot hate. I mean to the Disney Channel

0:39:46.480 --> 0:39:50.360
<v Speaker 4>with Disney plus hate ish is what he's working on.

0:39:50.440 --> 0:39:52.239
<v Speaker 2>Okay, wait, so lengthon, You're not gonna tell us some

0:39:52.239 --> 0:39:54.760
<v Speaker 2>some things that you don't like, Well, no.

0:39:54.680 --> 0:39:57.520
<v Speaker 4>Because then we're going to fall into the the the

0:39:57.719 --> 0:40:01.000
<v Speaker 4>dangerous space that I've set up for my I've created

0:40:01.080 --> 0:40:03.480
<v Speaker 4>quite a net I don't want to lose my men.

0:40:03.680 --> 0:40:06.280
<v Speaker 2>But it could be lightning. It could be lightning round

0:40:06.320 --> 0:40:08.120
<v Speaker 2>and we'll just be like, oh I like that.

0:40:08.200 --> 0:40:12.000
<v Speaker 1>Oh no, I don't like that. Oh yeah, okay, I

0:40:12.040 --> 0:40:12.879
<v Speaker 1>think that's a good one.

0:40:12.920 --> 0:40:15.719
<v Speaker 4>All right, y'all started off. Y'all say what you like,

0:40:15.800 --> 0:40:17.360
<v Speaker 4>and then I'll tell you why it's stupid.

0:40:17.480 --> 0:40:21.160
<v Speaker 1>I love that, Okay, I like the I like the

0:40:21.239 --> 0:40:22.439
<v Speaker 1>animation soul.

0:40:22.719 --> 0:40:25.240
<v Speaker 4>I thought I was nice. I love a good story

0:40:25.280 --> 0:40:28.319
<v Speaker 4>about mortality, and uh I did. I will say that

0:40:28.360 --> 0:40:30.640
<v Speaker 4>all the critiques of it being a black film were

0:40:30.719 --> 0:40:36.200
<v Speaker 4>dumb as fuck, and I hated the response. Okay, we're

0:40:36.200 --> 0:40:40.240
<v Speaker 4>talking about hate. I hate so many of the takes

0:40:40.239 --> 0:40:43.800
<v Speaker 4>that have now become very common in terms of black media,

0:40:43.840 --> 0:40:46.120
<v Speaker 4>where we see a black person and then it has

0:40:46.200 --> 0:40:49.920
<v Speaker 4>to now be representation of all blackness. Saul was not

0:40:50.000 --> 0:40:53.520
<v Speaker 4>a black film. It was a film about mortality starring

0:40:53.880 --> 0:40:58.719
<v Speaker 4>Jamie Fox drawn as a Roy Wood Junior type character. Yeah,

0:40:58.719 --> 0:41:02.040
<v Speaker 4>and that not the same thing, do you know what

0:41:02.080 --> 0:41:04.600
<v Speaker 4>I mean? Like, that's not a black film. It wasn't

0:41:04.640 --> 0:41:07.759
<v Speaker 4>built for black people. The fact that we can identify

0:41:07.800 --> 0:41:10.719
<v Speaker 4>ourselves in it just means a type of progress that

0:41:10.760 --> 0:41:13.520
<v Speaker 4>we should be celebrating, whereas I think Princess and the

0:41:13.560 --> 0:41:17.520
<v Speaker 4>Frog is much more of an actual like slight against

0:41:17.600 --> 0:41:20.080
<v Speaker 4>black people. If you want to unpack that in some

0:41:20.160 --> 0:41:20.680
<v Speaker 4>kind of way.

0:41:20.760 --> 0:41:23.360
<v Speaker 1>Well, yeah, because she was a frog for ninety percent

0:41:23.360 --> 0:41:25.000
<v Speaker 1>of the movie, and then the rest of the movie

0:41:25.040 --> 0:41:27.600
<v Speaker 1>she was a maid's daughter. She was a.

0:41:27.840 --> 0:41:32.120
<v Speaker 4>Yeah, I think it. It's a reflection of their inability

0:41:32.200 --> 0:41:35.040
<v Speaker 4>to imagine us as anything other than some real shit

0:41:35.280 --> 0:41:37.960
<v Speaker 4>like it being based in New Orleans, like y'all didn't

0:41:38.000 --> 0:41:41.880
<v Speaker 4>make up a bunch of whimsical ass countries for every

0:41:41.920 --> 0:41:45.080
<v Speaker 4>other princess. That's a conversation to be had. But that

0:41:45.160 --> 0:41:53.600
<v Speaker 4>nigga sold he was. That's just playing at the piano

0:41:53.680 --> 0:41:57.120
<v Speaker 4>and being his best self. I got no complaints.

0:41:57.640 --> 0:42:01.759
<v Speaker 1>Okay, okay, Andrews. It's something that you like or.

0:42:01.719 --> 0:42:04.640
<v Speaker 3>Hate or are we hating on Justin Timberlake.

0:42:05.000 --> 0:42:08.719
<v Speaker 4>Well, I've never liked him, so yeah, Justin Timberlake is

0:42:08.719 --> 0:42:12.799
<v Speaker 4>a dumb bitch. I think he. I think he madipuld listen.

0:42:12.840 --> 0:42:14.759
<v Speaker 4>I was a big fan for years. I'd be lying

0:42:14.800 --> 0:42:18.360
<v Speaker 4>if I said I didn't enjoy the music twenty twenty experience.

0:42:18.800 --> 0:42:20.319
<v Speaker 4>I saw it. I enjoyed it.

0:42:20.400 --> 0:42:22.120
<v Speaker 1>Oh you went to the show so good.

0:42:22.239 --> 0:42:24.920
<v Speaker 4>No, no, no, I just I just meant with it.

0:42:25.040 --> 0:42:26.880
<v Speaker 1>I was like, oh, you really gave him your dollars?

0:42:27.000 --> 0:42:27.359
<v Speaker 1>Got it?

0:42:30.320 --> 0:42:33.080
<v Speaker 4>But nah, yeah, he's a bad guy. That that apology

0:42:33.280 --> 0:42:40.680
<v Speaker 4>was an embarrassment, just some like slightly apologizing for really

0:42:40.760 --> 0:42:43.120
<v Speaker 4>mean things that he did to a number of people

0:42:43.160 --> 0:42:46.640
<v Speaker 4>over the years without any accountability. Is you don't get

0:42:46.680 --> 0:42:48.520
<v Speaker 4>to just be like I might have heard some folks

0:42:48.560 --> 0:42:50.120
<v Speaker 4>and my bad on that one.

0:42:50.360 --> 0:42:52.080
<v Speaker 2>He said, I'll get you guys next time. I'm not

0:42:52.120 --> 0:42:55.480
<v Speaker 2>gonna like move walking off beat when he was late.

0:42:55.719 --> 0:42:58.359
<v Speaker 4>And like, hey, Janet, I'm gonna get you a new bro.

0:42:58.560 --> 0:42:59.879
<v Speaker 4>I'm gonna take care of you, baby girl.

0:43:01.800 --> 0:43:01.880
<v Speaker 3>Up.

0:43:02.400 --> 0:43:03.240
<v Speaker 1>He's such a mess.

0:43:03.280 --> 0:43:07.160
<v Speaker 2>We don't like him. Okay, something random that I like

0:43:07.280 --> 0:43:07.840
<v Speaker 2>or don't like?

0:43:08.200 --> 0:43:09.440
<v Speaker 1>Is that? What is that? What we're doing?

0:43:09.480 --> 0:43:12.640
<v Speaker 4>I don't I forgot, I don't know this y'all show.

0:43:12.719 --> 0:43:14.880
<v Speaker 2>Well, I was asking you to listen some things and

0:43:14.920 --> 0:43:16.600
<v Speaker 2>we was going just lightning round it.

0:43:16.640 --> 0:43:17.319
<v Speaker 1>That's what I asked.

0:43:17.520 --> 0:43:20.280
<v Speaker 4>I'm scared. I'm scared to tell you about the things

0:43:20.320 --> 0:43:24.640
<v Speaker 4>that actually upset me because it's too close in proximity

0:43:24.680 --> 0:43:28.040
<v Speaker 4>and too dangerous for for anybody's brand. You guys have

0:43:28.080 --> 0:43:29.160
<v Speaker 4>a brand to protect too.

0:43:30.560 --> 0:43:33.040
<v Speaker 1>No, we don't. I don't think you really understand the

0:43:33.200 --> 0:43:35.320
<v Speaker 1>pot I mean, we've been doing it for four years.

0:43:35.600 --> 0:43:40.879
<v Speaker 1>We have said the messiest, some of the outlandish, problematic

0:43:40.920 --> 0:43:43.320
<v Speaker 1>things on here, and we're I mean, we're still working,

0:43:43.480 --> 0:43:45.200
<v Speaker 1>We're still I don't think it's that problematic.

0:43:45.239 --> 0:43:48.399
<v Speaker 2>The things that we've said, We've were just honest and

0:43:48.560 --> 0:43:50.840
<v Speaker 2>we stand in our our truths.

0:43:50.960 --> 0:43:55.319
<v Speaker 1>That's it. That's all. I've never I mean, I've made

0:43:55.400 --> 0:43:57.920
<v Speaker 1>I've made fun of people on here that I'm like, oh,

0:43:57.960 --> 0:44:01.360
<v Speaker 1>they could definitely listen to this and be like, but

0:44:01.400 --> 0:44:04.279
<v Speaker 1>I'm not making We're not making blanket terrible statements about

0:44:04.320 --> 0:44:07.799
<v Speaker 1>I mean, sometimes we know besh community, but that's you know,

0:44:07.880 --> 0:44:09.920
<v Speaker 1>that's yes, that's fine.

0:44:10.040 --> 0:44:13.520
<v Speaker 4>I always forget that y'all called beige white people beige.

0:44:14.719 --> 0:44:17.200
<v Speaker 4>Growing up, I was referred to as beige. And it

0:44:17.280 --> 0:44:19.719
<v Speaker 4>never not doesn't hurt my feelings. When I hear y'all

0:44:19.760 --> 0:44:24.399
<v Speaker 4>say it doesn't hurt feelings, or it does, it does

0:44:24.480 --> 0:44:27.840
<v Speaker 4>hurt my feelings every single time. It reminds me of

0:44:27.880 --> 0:44:32.160
<v Speaker 4>a story when I was growing up. My my mother's

0:44:32.200 --> 0:44:37.640
<v Speaker 4>second husband. Uh listen, she's at four, Uh second.

0:44:37.360 --> 0:44:44.080
<v Speaker 1>Yes, we do. Mom push your mom's name Wanda, Wanda, Yes.

0:44:43.960 --> 0:44:48.920
<v Speaker 4>Yes, yeah, I think this one's gonna stick. He's a

0:44:48.920 --> 0:44:52.160
<v Speaker 4>good man. They live in Ghana now. Anyway, My mom,

0:44:53.120 --> 0:44:57.200
<v Speaker 4>her second husband, their family lived in Cabrini Green, which

0:44:57.280 --> 0:45:01.200
<v Speaker 4>is a very famous project building or series of buildings,

0:45:01.280 --> 0:45:04.160
<v Speaker 4>the collection of buildings if you will, in Chicago. They

0:45:04.200 --> 0:45:08.040
<v Speaker 4>no longer exist, but we went to visit them one

0:45:08.080 --> 0:45:11.480
<v Speaker 4>time for Easter and we were in the building and

0:45:11.520 --> 0:45:14.040
<v Speaker 4>I had never met his family before. This was my

0:45:14.080 --> 0:45:16.319
<v Speaker 4>first time meeting the family. And I walked in the

0:45:16.320 --> 0:45:21.040
<v Speaker 4>building and we're sitting in their apartment. And then the children,

0:45:21.200 --> 0:45:24.120
<v Speaker 4>the other children of this home, there's like four of them,

0:45:25.200 --> 0:45:27.759
<v Speaker 4>called to the other neighbors in the building. They like,

0:45:27.840 --> 0:45:30.120
<v Speaker 4>go have a meeting out in the hallway of this

0:45:30.239 --> 0:45:32.600
<v Speaker 4>project building. And then they bring the neighbors to the

0:45:32.680 --> 0:45:35.280
<v Speaker 4>door and they go, hey, y'all, look at our white cousin.

0:45:35.600 --> 0:45:37.480
<v Speaker 4>Look at them, look at our white cousin. They make

0:45:37.520 --> 0:45:40.479
<v Speaker 4>me stand in the doorway so that they could show

0:45:40.520 --> 0:45:44.200
<v Speaker 4>their friends, their peers that they have a white cousin.

0:45:44.440 --> 0:45:46.000
<v Speaker 4>And then I told their daddy and they got the

0:45:46.120 --> 0:45:49.279
<v Speaker 4>ass will. So you know, I'm a big snitch too.

0:45:49.560 --> 0:45:52.280
<v Speaker 4>We can do that if y'all more focused on snitching,

0:45:52.400 --> 0:45:52.719
<v Speaker 4>I do.

0:45:52.719 --> 0:45:54.920
<v Speaker 2>That too, well, Lexton, did you used to be like

0:45:54.960 --> 0:45:56.560
<v Speaker 2>a really pale child?

0:45:56.800 --> 0:46:01.879
<v Speaker 4>Because no, these were just children who didn't see white

0:46:01.880 --> 0:46:04.680
<v Speaker 4>people that often. And I was the closest thing that

0:46:04.680 --> 0:46:06.320
<v Speaker 4>they knew as a reference.

0:46:08.040 --> 0:46:11.160
<v Speaker 1>You. You're the You're the Tannis of the light Skins

0:46:11.200 --> 0:46:14.920
<v Speaker 1>that I know. You got some color color on your face?

0:46:15.360 --> 0:46:16.640
<v Speaker 3>Yeah, mean.

0:46:18.480 --> 0:46:25.680
<v Speaker 1>Yeah, well your is your is your dad? Wait is

0:46:26.000 --> 0:46:27.640
<v Speaker 1>who's who's my father?

0:46:27.760 --> 0:46:28.120
<v Speaker 4>Is white?

0:46:28.160 --> 0:46:29.600
<v Speaker 1>On your side? Your father's white?

0:46:29.640 --> 0:46:32.960
<v Speaker 4>The part is the white one.

0:46:34.480 --> 0:46:37.640
<v Speaker 1>We did. We did talk about that many years ago

0:46:37.840 --> 0:46:40.040
<v Speaker 1>on the Light Skinned Expert. Y'all go back to that.

0:46:40.160 --> 0:46:43.799
<v Speaker 1>It was great. Okay, So you don't you don't want

0:46:43.800 --> 0:46:46.880
<v Speaker 1>to talk about what you actually hate. And I understand

0:46:46.880 --> 0:46:49.719
<v Speaker 1>that because you know you're you're on the boys. You're

0:46:49.800 --> 0:46:51.680
<v Speaker 1>right for many shows, I.

0:46:51.600 --> 0:46:54.319
<v Speaker 4>Mean, you have I can get into general themes. Let's

0:46:54.360 --> 0:46:56.720
<v Speaker 4>get into some themes. I think that's a good place

0:46:56.760 --> 0:47:00.000
<v Speaker 4>to land us. Maybe that'll that'll help open this flower

0:47:00.239 --> 0:47:01.760
<v Speaker 4>up a little bit. Her.

0:47:03.719 --> 0:47:05.080
<v Speaker 1>You are the cousin.

0:47:05.440 --> 0:47:05.800
<v Speaker 3>I don't know.

0:47:06.800 --> 0:47:10.040
<v Speaker 4>Sometimes I'm sometimes I'm a little Australian who knows why

0:47:10.080 --> 0:47:11.080
<v Speaker 4>I talk the way I talk.

0:47:12.600 --> 0:47:16.359
<v Speaker 1>Mate. Okay, mate, if you here's something, If you.

0:47:17.960 --> 0:47:19.440
<v Speaker 2>Yes, I'm just I was just gonna say, if you're

0:47:19.440 --> 0:47:21.439
<v Speaker 2>gonna be the hating expert, I need you to hate something.

0:47:21.520 --> 0:47:22.239
<v Speaker 1>I need to hear something.

0:47:22.280 --> 0:47:26.200
<v Speaker 4>Okay, let's get into it. Here's something that's been ruffling

0:47:26.239 --> 0:47:34.880
<v Speaker 4>my feathers as a late Uh yeah, this is grinding

0:47:34.920 --> 0:47:37.399
<v Speaker 4>and ship out of my gears. I take a lot

0:47:37.440 --> 0:47:42.960
<v Speaker 4>of issue with the the manipulative behavior of the Internet.

0:47:43.160 --> 0:47:46.200
<v Speaker 4>There's been quite a lot of things that I've been

0:47:46.280 --> 0:47:49.040
<v Speaker 4>tracking as of late. Claudia Conway. Let's get into that.

0:47:49.480 --> 0:47:53.720
<v Speaker 4>There's a lot of manipulation happening around this girl who

0:47:54.400 --> 0:47:59.440
<v Speaker 4>who is basically just a a misbehaving child. If you

0:47:59.520 --> 0:48:02.960
<v Speaker 4>ask me, as a sixteen year old behaving the way

0:48:03.000 --> 0:48:05.520
<v Speaker 4>that many sixteen year olds do. I'm not calling that

0:48:05.560 --> 0:48:08.600
<v Speaker 4>good or bad, or deciding that she's safe or unsafe.

0:48:08.760 --> 0:48:11.799
<v Speaker 4>I truly don't know. But what I do know is

0:48:11.840 --> 0:48:14.879
<v Speaker 4>all you sick fucks at home who are sitting there

0:48:15.280 --> 0:48:18.719
<v Speaker 4>and retweeting her and telling her how brave she is

0:48:19.040 --> 0:48:23.160
<v Speaker 4>or fucking crazy you're thirty. There's no sixteen year old

0:48:23.200 --> 0:48:27.200
<v Speaker 4>in the world that I would ever like, big up

0:48:27.280 --> 0:48:30.120
<v Speaker 4>and be like, you're so brave, you're a champion, you

0:48:30.160 --> 0:48:33.040
<v Speaker 4>should be supported. Shut the fuck up and figure it

0:48:33.080 --> 0:48:35.000
<v Speaker 4>out like the rest of the sixteen year old?

0:48:36.719 --> 0:48:38.520
<v Speaker 1>How old is the little girl that's traveling in the

0:48:38.520 --> 0:48:40.839
<v Speaker 1>world and not going to school on a boat? How

0:48:40.960 --> 0:48:43.480
<v Speaker 1>is that girl who's that, Greta Breda. How old is she?

0:48:44.640 --> 0:48:46.839
<v Speaker 4>I believe she's also sixteen years old.

0:48:46.880 --> 0:48:48.959
<v Speaker 1>She got to be like nine or ten or something

0:48:48.960 --> 0:48:52.320
<v Speaker 1>like that. No, I think she's older than that school

0:48:52.480 --> 0:48:54.759
<v Speaker 1>since two thousand and two? How old is she?

0:48:55.600 --> 0:48:56.560
<v Speaker 3>Greta is eighteen?

0:48:57.480 --> 0:48:57.840
<v Speaker 4>Eighteen?

0:48:58.000 --> 0:49:02.320
<v Speaker 1>Okay, I know, given, Okay, Wow, she looks good. Okay,

0:49:02.360 --> 0:49:04.960
<v Speaker 1>Well she's been she's been through a lot, so she

0:49:05.040 --> 0:49:06.600
<v Speaker 1>was younger than eighteen. Good for her.

0:49:06.719 --> 0:49:10.960
<v Speaker 4>Well, she's got a green skincare program, is what she does.

0:49:11.320 --> 0:49:16.279
<v Speaker 4>She's all green, no pesticides or preservatives.

0:49:15.440 --> 0:49:19.160
<v Speaker 1>That ozone layer serum that she using. I love this,

0:49:21.320 --> 0:49:25.560
<v Speaker 1>I mean, but now she's on But now the Conway

0:49:25.719 --> 0:49:27.440
<v Speaker 1>Chick is America.

0:49:27.160 --> 0:49:30.400
<v Speaker 4>And I think that's hugely unhealthy. And shame on Katy Perry,

0:49:30.520 --> 0:49:33.319
<v Speaker 4>Shame on Lionel Richie, and shame on that other one

0:49:33.360 --> 0:49:38.120
<v Speaker 4>whose name I don't know, for involving themselves in the

0:49:38.160 --> 0:49:41.759
<v Speaker 4>life of a child who is not particularly talented by

0:49:41.800 --> 0:49:45.200
<v Speaker 4>all accounts. It wasn't like she nailed the audition. You

0:49:45.239 --> 0:49:47.880
<v Speaker 4>guys are just advancing this so that you can advance

0:49:47.960 --> 0:49:51.719
<v Speaker 4>a problematic story and create a Britney Spears. This is

0:49:51.719 --> 0:49:54.359
<v Speaker 4>how you fucking create the ship because we obsess over

0:49:54.400 --> 0:49:57.800
<v Speaker 4>a human being instead of being honest about a sickness

0:49:57.800 --> 0:49:58.480
<v Speaker 4>that's happening.

0:49:59.120 --> 0:50:02.160
<v Speaker 1>I feel so, you know, I was gonna say, I

0:50:02.239 --> 0:50:07.320
<v Speaker 1>feel like, when's the last thing we talked about American Idol.

0:50:08.000 --> 0:50:11.440
<v Speaker 2>American Idol needs this more than they need anything else.

0:50:12.160 --> 0:50:16.040
<v Speaker 2>It's not about Claudia. It's it's not about Kelly Ann.

0:50:16.520 --> 0:50:19.600
<v Speaker 2>It's let's do this thing. It's gonna propel us as

0:50:19.600 --> 0:50:21.880
<v Speaker 2>a trending topic. It's gonna be something that people are

0:50:21.880 --> 0:50:23.960
<v Speaker 2>gonna be talking about on news and blah blah blah

0:50:23.960 --> 0:50:24.920
<v Speaker 2>blah blah blah blah.

0:50:24.960 --> 0:50:25.960
<v Speaker 1>And that's what it is.

0:50:26.120 --> 0:50:28.480
<v Speaker 2>Because I watched a little piece of the audition and

0:50:28.520 --> 0:50:29.719
<v Speaker 2>I was like, oh, I have to cut this off.

0:50:29.760 --> 0:50:31.840
<v Speaker 1>I don't know what key she's singing on. This is

0:50:31.800 --> 0:50:36.720
<v Speaker 1>all she don't know. She just being sundin And that's okay.

0:50:37.680 --> 0:50:40.160
<v Speaker 4>I think that that's the beauty of sixteen. As a

0:50:40.200 --> 0:50:43.719
<v Speaker 4>former educator, I watched sixteen year old kids walk up

0:50:43.719 --> 0:50:46.400
<v Speaker 4>to me and be like, mister Carman, this is my dream.

0:50:46.560 --> 0:50:48.440
<v Speaker 4>I want to do this. And I had to listen

0:50:48.480 --> 0:50:51.560
<v Speaker 4>to their bullshit and I had to go, I don't know, man,

0:50:51.640 --> 0:50:54.640
<v Speaker 4>try your best, but I don't. I don't retweet it

0:50:54.680 --> 0:50:58.040
<v Speaker 4>and tell everybody how brave they are and like complain

0:50:58.080 --> 0:51:01.600
<v Speaker 4>about their home situation. I help them navigate as an

0:51:01.640 --> 0:51:04.880
<v Speaker 4>honest person, caring about them.

0:51:05.360 --> 0:51:08.279
<v Speaker 1>But this is also TV, right, Like, I don't look

0:51:08.320 --> 0:51:12.160
<v Speaker 1>at American Idol as a real talent show. Yes, it

0:51:12.200 --> 0:51:15.720
<v Speaker 1>has propelled people who are talented, but I don't Most

0:51:15.760 --> 0:51:18.640
<v Speaker 1>of the things on TV is not based off talent.

0:51:18.760 --> 0:51:22.440
<v Speaker 1>There's all these like ulterior motives and things that they

0:51:22.480 --> 0:51:27.640
<v Speaker 1>want to uplift or take down. And that's what it's

0:51:27.680 --> 0:51:30.960
<v Speaker 1>all about. It's all about the storylines. That's why reality

0:51:31.080 --> 0:51:33.120
<v Speaker 1>TV is the way it is. It's some producer being

0:51:33.160 --> 0:51:35.040
<v Speaker 1>like all right, no, no, now, okay, so we're gonna

0:51:35.040 --> 0:51:37.360
<v Speaker 1>get them in this room and we're gonna make this

0:51:37.360 --> 0:51:42.400
<v Speaker 1>this argument happen. It's all for viewership. They need people

0:51:42.400 --> 0:51:44.640
<v Speaker 1>to tune in, and nobody wants to tune in and

0:51:44.640 --> 0:51:48.200
<v Speaker 1>see people just having a regular time they do.

0:51:48.520 --> 0:51:51.160
<v Speaker 4>I think that's absolutely fair and I can't argue with

0:51:51.200 --> 0:51:53.400
<v Speaker 4>that at all. But I do think that for every

0:51:53.480 --> 0:51:57.239
<v Speaker 4>person who goes on the internet and advocates for the

0:51:57.280 --> 0:52:02.400
<v Speaker 4>safety of this individual whilst I'm multaneously propelling them through

0:52:02.520 --> 0:52:06.120
<v Speaker 4>the drama, you are a hypocrite. You are part of

0:52:06.160 --> 0:52:10.160
<v Speaker 4>the problem that you are complaining has been created, much

0:52:10.200 --> 0:52:12.600
<v Speaker 4>in the way of the Britney Spears fans who are

0:52:12.640 --> 0:52:16.399
<v Speaker 4>now like constantly advocating for her to be released from

0:52:16.440 --> 0:52:20.200
<v Speaker 4>her father's grasp. Meanwhile, the reason that she is in

0:52:20.280 --> 0:52:23.799
<v Speaker 4>her father's grasp is because you obsessed over her so

0:52:24.040 --> 0:52:27.200
<v Speaker 4>often and so long that the tabloids felt like they

0:52:27.239 --> 0:52:31.480
<v Speaker 4>had to service your obsessions. But in Creient it was

0:52:32.000 --> 0:52:33.120
<v Speaker 4>complain about the signals.

0:52:33.120 --> 0:52:36.080
<v Speaker 2>But the thing about Britney Spears is it wasn't just

0:52:36.280 --> 0:52:38.920
<v Speaker 2>her fans that were obsessed with her. People were like

0:52:39.040 --> 0:52:42.239
<v Speaker 2>hate watching and hate reading the Britney Spears stuff as well,

0:52:42.280 --> 0:52:44.600
<v Speaker 2>And I think that really is what propelled it, because

0:52:45.040 --> 0:52:47.040
<v Speaker 2>people that didn't even care about Briney Spears were.

0:52:46.920 --> 0:52:50.360
<v Speaker 1>Like, Shad, look look at how with his umbrella hitting

0:52:50.400 --> 0:52:53.560
<v Speaker 1>his guard Like the fans weren't saying that they were like, oh,

0:52:53.560 --> 0:52:55.440
<v Speaker 1>I think she looks good balved Or they were like, oh,

0:52:55.480 --> 0:52:56.320
<v Speaker 1>I hope she's okay.

0:52:56.480 --> 0:52:59.040
<v Speaker 2>But it's the other it's the other side of it.

0:52:59.480 --> 0:53:02.160
<v Speaker 2>Also that it we have to think about is the

0:53:02.320 --> 0:53:02.920
<v Speaker 2>head I'm.

0:53:02.800 --> 0:53:05.680
<v Speaker 4>Watching, I think, But I would argue and that this

0:53:05.760 --> 0:53:09.760
<v Speaker 4>actually gets me into a slightly different subject but similar

0:53:10.200 --> 0:53:13.600
<v Speaker 4>in theme is I think that there are quite a

0:53:13.640 --> 0:53:20.879
<v Speaker 4>few people who know and knowingly invest themselves in their

0:53:20.960 --> 0:53:25.759
<v Speaker 4>own sort of like opposition, in their own fight, right

0:53:25.840 --> 0:53:29.520
<v Speaker 4>that like the fans, while they weren't rooting for her

0:53:29.600 --> 0:53:33.560
<v Speaker 4>to lose, did want Britney News at all times, so

0:53:33.600 --> 0:53:36.520
<v Speaker 4>they weren't fighting the idea that Brittany was becoming more

0:53:36.560 --> 0:53:39.719
<v Speaker 4>and more sick. They still wanted Brittany to be in

0:53:39.760 --> 0:53:42.000
<v Speaker 4>front of them all the time. So yes, I agree,

0:53:42.000 --> 0:53:44.080
<v Speaker 4>it wasn't like they were going on and being like,

0:53:44.120 --> 0:53:45.880
<v Speaker 4>look at this dumb bitch with a bald head and

0:53:45.920 --> 0:53:49.160
<v Speaker 4>the umbrella. But they meanwhile do want a reason to

0:53:49.360 --> 0:53:52.399
<v Speaker 4>argue on the internet. So when people when Britney acts up,

0:53:52.719 --> 0:53:55.480
<v Speaker 4>that gives them something to now push against when they

0:53:55.520 --> 0:54:00.400
<v Speaker 4>go leave Brittany alone. It's not just defending Brittany. Also

0:54:00.480 --> 0:54:01.680
<v Speaker 4>is propelling them.

0:54:01.520 --> 0:54:05.960
<v Speaker 1>For no, but the Internet was completely different when those

0:54:05.960 --> 0:54:08.000
<v Speaker 1>tabloids was coming out. It had nothing to do with

0:54:08.040 --> 0:54:11.800
<v Speaker 1>the Internet. It was more like society loves making a star.

0:54:12.040 --> 0:54:14.399
<v Speaker 1>They love to see the journey. They want to lift, lift, flift,

0:54:14.440 --> 0:54:16.400
<v Speaker 1>lift people up, and then when you get to the

0:54:16.400 --> 0:54:19.279
<v Speaker 1>point of like, oh this is annoying now, they want

0:54:19.320 --> 0:54:21.680
<v Speaker 1>to see you fall. They love to see when a

0:54:21.719 --> 0:54:24.799
<v Speaker 1>celebrity is being messy and going to rehab. They did

0:54:24.840 --> 0:54:28.680
<v Speaker 1>it to Lindsay Lohan. They do it to even Whitney Houston.

0:54:28.800 --> 0:54:32.080
<v Speaker 1>They they love to see, oh yeah, she's doing crack. Now,

0:54:32.120 --> 0:54:35.080
<v Speaker 1>Like we're getting mad at these journalists, right, we're mad

0:54:35.080 --> 0:54:38.279
<v Speaker 1>at both Barbara Walters. But Barbara Walters was doing no,

0:54:39.680 --> 0:54:42.600
<v Speaker 1>it was Diane Sawyer. Don't don't do Barbara like Diane Sawyer.

0:54:42.640 --> 0:54:49.239
<v Speaker 4>Sorry, Barbara, sorry so nicely. Yeah, yeah, yeah, weird dips

0:54:49.280 --> 0:54:51.319
<v Speaker 4>a little different, but yeah, Barbara.

0:54:51.000 --> 0:54:54.279
<v Speaker 1>Wall yeah, Diane Sawyer. But at the time, this this

0:54:54.320 --> 0:54:57.520
<v Speaker 1>is what we tune in for, you know, twenty twenty,

0:54:57.560 --> 0:54:59.680
<v Speaker 1>this is these are the reasons why we want to see.

0:54:59.680 --> 0:55:02.600
<v Speaker 1>We want see the behind the music, the e hot

0:55:02.719 --> 0:55:07.359
<v Speaker 1>e true Hollywood stories. They're asking the messy questions that

0:55:07.440 --> 0:55:11.080
<v Speaker 1>will get the little blurb that you need to hear

0:55:11.280 --> 0:55:13.319
<v Speaker 1>that people will be like, oh, okay, I'm gonna read

0:55:13.360 --> 0:55:14.600
<v Speaker 1>about this. I want to know more.

0:55:14.840 --> 0:55:17.760
<v Speaker 4>And I would say that that, to me is part

0:55:17.960 --> 0:55:20.680
<v Speaker 4>of the sickness. I feel the same way about like

0:55:21.040 --> 0:55:24.480
<v Speaker 4>the way that people manipulate the black experience now back

0:55:24.920 --> 0:55:27.759
<v Speaker 4>like it's a bunch of people who, if you took

0:55:27.800 --> 0:55:31.920
<v Speaker 4>away black suffering, wouldn't have anything to tweet about, wouldn't

0:55:31.960 --> 0:55:35.400
<v Speaker 4>have anything to sort of build their identity on. And I,

0:55:35.920 --> 0:55:38.719
<v Speaker 4>for one, I enjoy being black for a multitude of

0:55:38.760 --> 0:55:41.080
<v Speaker 4>reasons that ain't got shit to do with slavery and

0:55:41.560 --> 0:55:44.719
<v Speaker 4>anything else that was problematic in our history. And while

0:55:44.719 --> 0:55:47.319
<v Speaker 4>I'm not advocating in any way, I don't want your

0:55:47.360 --> 0:55:50.120
<v Speaker 4>listeners to turn on me. I'm not advocating in any

0:55:50.120 --> 0:55:52.520
<v Speaker 4>way that we ignore that history, that we pretend that

0:55:52.560 --> 0:55:55.239
<v Speaker 4>shit didn't exist. But get the fuck out of here,

0:55:55.280 --> 0:55:57.919
<v Speaker 4>that every day you got to bring up some sad news,

0:55:58.000 --> 0:55:58.880
<v Speaker 4>shut the fuck.

0:55:58.719 --> 0:56:02.920
<v Speaker 1>Up between see Langston. That's how I feel about a

0:56:02.960 --> 0:56:04.439
<v Speaker 1>lot of the black.

0:56:04.280 --> 0:56:08.440
<v Speaker 2>Films and a lot of the content that like celebrating

0:56:08.480 --> 0:56:11.839
<v Speaker 2>black voices, and it's always somebody getting beat up or

0:56:11.960 --> 0:56:13.440
<v Speaker 2>whipped or linged.

0:56:14.080 --> 0:56:18.400
<v Speaker 1>I can't watch that my soul. Okay, call back, can't that.

0:56:18.719 --> 0:56:20.840
<v Speaker 1>I can't. I don't every.

0:56:20.600 --> 0:56:23.920
<v Speaker 2>Time I see like something happens crazy with like the

0:56:23.960 --> 0:56:26.880
<v Speaker 2>police or a black person, I don't watch those videos

0:56:26.880 --> 0:56:29.520
<v Speaker 2>because I don't need to go to sleep seeing those things.

0:56:29.640 --> 0:56:31.920
<v Speaker 1>I don't watch. I'm not. I've never seen He's a slave.

0:56:32.040 --> 0:56:36.120
<v Speaker 1>I'm done watching slave movies. I don't. I haven't had help.

0:56:36.160 --> 0:56:38.560
<v Speaker 1>I don't need to see these things because I, first

0:56:38.600 --> 0:56:39.680
<v Speaker 1>of all, I've read the books.

0:56:39.760 --> 0:56:43.640
<v Speaker 2>I know what happened. My mind already knows. But my

0:56:43.640 --> 0:56:46.560
<v Speaker 2>my soul and my brain and my conscious, I don't

0:56:46.560 --> 0:56:50.279
<v Speaker 2>need to see the visuals to support black things or

0:56:50.320 --> 0:56:53.239
<v Speaker 2>to like be a real black person. But I just

0:56:53.480 --> 0:56:56.040
<v Speaker 2>I wish that they were still making movies that are

0:56:56.080 --> 0:56:58.680
<v Speaker 2>as like black people being as stupid as white people

0:56:58.719 --> 0:56:59.239
<v Speaker 2>are allowed to.

0:56:59.239 --> 0:57:02.319
<v Speaker 1>Be in their movie? Can can can we Black? Can

0:57:02.360 --> 0:57:04.640
<v Speaker 1>we do a black dude wears my car? Can we

0:57:04.719 --> 0:57:04.920
<v Speaker 1>do it?

0:57:05.800 --> 0:57:07.839
<v Speaker 4>I want to see a movie where a black man

0:57:07.920 --> 0:57:10.600
<v Speaker 4>focks a pie and none of us make it about race.

0:57:10.920 --> 0:57:13.640
<v Speaker 4>It's purely just a man who is horny for pie,

0:57:13.760 --> 0:57:18.120
<v Speaker 4>and it's it's called Negro American pie. You can call

0:57:18.160 --> 0:57:18.520
<v Speaker 4>it something.

0:57:19.200 --> 0:57:24.439
<v Speaker 1>It's called peach cobbler. That's what it's called. Yeah, it could,

0:57:24.520 --> 0:57:27.240
<v Speaker 1>it could, it could be a BlackBerry pie, whatever you

0:57:27.280 --> 0:57:29.960
<v Speaker 1>want it to be. I mean, they just I think

0:57:30.000 --> 0:57:35.000
<v Speaker 1>that I am against like hating on social media, even

0:57:35.000 --> 0:57:38.640
<v Speaker 1>though it helps some people's careers. I think it it's

0:57:38.800 --> 0:57:44.640
<v Speaker 1>instant gratification that's not healthy, and it doesn't it doesn't

0:57:44.680 --> 0:57:48.560
<v Speaker 1>cultivate better talents, you know what I mean, Because they

0:57:48.640 --> 0:57:51.560
<v Speaker 1>want everything to be so quick and like a sound bite,

0:57:51.560 --> 0:57:53.720
<v Speaker 1>and they wanted sixty seconds, and they want to be

0:57:53.800 --> 0:57:56.960
<v Speaker 1>able to, oh, this is digestible real quick, and then

0:57:57.000 --> 0:58:00.000
<v Speaker 1>everybody could share it and then oh boom this person

0:58:00.040 --> 0:58:02.320
<v Speaker 1>and as a star. And it's like when I was

0:58:02.400 --> 0:58:06.840
<v Speaker 1>growing up, like people literally comedians had to go on

0:58:07.000 --> 0:58:10.440
<v Speaker 1>tour to actually get their fan base. There was no

0:58:10.800 --> 0:58:13.920
<v Speaker 1>I'm gonna put up this one minute stand up clip

0:58:14.120 --> 0:58:17.000
<v Speaker 1>and then now I'm touring, I'm in Australia. Like it's

0:58:17.040 --> 0:58:18.080
<v Speaker 1>just I'm not.

0:58:18.080 --> 0:58:20.200
<v Speaker 4>Further, I would say that a fair amount of the

0:58:20.240 --> 0:58:22.920
<v Speaker 4>people who are able now to do all of that

0:58:23.080 --> 0:58:26.280
<v Speaker 4>when they get in person, aren't that good at the thing.

0:58:26.920 --> 0:58:30.080
<v Speaker 4>Like there's so many of them, and you know, again,

0:58:30.160 --> 0:58:31.040
<v Speaker 4>I'll be careful.

0:58:31.080 --> 0:58:33.560
<v Speaker 2>But I think you're trying to say a lot of

0:58:33.840 --> 0:58:39.080
<v Speaker 2>people from TikTok and YouTube and what's the one, the one.

0:58:40.000 --> 0:58:43.080
<v Speaker 4>And Instagram and a whole bunch of other.

0:58:43.000 --> 0:58:46.080
<v Speaker 1>Space we can hate on TikTok. I'm for hating on

0:58:47.040 --> 0:58:49.080
<v Speaker 1>they can't dance on TikTok. I'm gonna say that.

0:58:48.960 --> 0:58:53.400
<v Speaker 4>They're in a multitude of spaces sort of like accessing

0:58:53.520 --> 0:58:57.880
<v Speaker 4>resources that rightfully belong to them because they're good at

0:58:57.960 --> 0:59:01.280
<v Speaker 4>whatever that thing is. But also so now these titles

0:59:01.320 --> 0:59:04.040
<v Speaker 4>are being applied to them that aren't realistic to what

0:59:04.080 --> 0:59:06.120
<v Speaker 4>they can do. You know what I mean, Like every

0:59:06.160 --> 0:59:10.400
<v Speaker 4>fucking list that you see on Vulture, Variety, whatever it is,

0:59:10.760 --> 0:59:13.480
<v Speaker 4>is a list of motherfuckers who can't follow me. And

0:59:13.520 --> 0:59:20.200
<v Speaker 4>that's crazy, you know what I'm saying that everybody lists.

0:59:21.560 --> 0:59:24.520
<v Speaker 1>Langston has not been on any of these lists, but.

0:59:24.440 --> 0:59:27.520
<v Speaker 4>It's not it's a pr I'm not going to go

0:59:27.560 --> 0:59:29.480
<v Speaker 4>play that game in the same way that they are.

0:59:29.520 --> 0:59:33.000
<v Speaker 4>And I think what I'm saying more importantly is go crazy.

0:59:33.080 --> 0:59:35.200
<v Speaker 4>If that's the type of thing that you want to do,

0:59:35.640 --> 0:59:37.919
<v Speaker 4>I'm not here to stop you, but I am gonna

0:59:37.920 --> 0:59:40.720
<v Speaker 4>hate on it, and I am going to fully acknowledge.

0:59:40.840 --> 0:59:43.640
<v Speaker 4>I know what trick you're playing, but the audience doesn't.

0:59:43.640 --> 0:59:45.600
<v Speaker 4>They don't know that you pay somebody to help you

0:59:45.760 --> 0:59:48.720
<v Speaker 4>get you know, attention in a certain type of way.

0:59:48.960 --> 0:59:49.480
<v Speaker 4>But I do.

0:59:49.680 --> 0:59:53.120
<v Speaker 1>And that's I found out. I found out about that

0:59:53.200 --> 0:59:55.800
<v Speaker 1>last year. I was like, oh, niggas is getting And

0:59:55.840 --> 0:59:58.720
<v Speaker 1>then I found out how much a publicism is. I said,

0:59:58.800 --> 1:00:01.680
<v Speaker 1>I could not have much go in my pot. Five

1:00:01.800 --> 1:00:05.360
<v Speaker 1>thousand dollars. Five thousand dollars, and that's for a short

1:00:05.520 --> 1:00:07.640
<v Speaker 1>amount of time. That's not a publicist for the year.

1:00:08.000 --> 1:00:10.520
<v Speaker 1>They do a little, They do a roundabout for like

1:00:10.760 --> 1:00:12.960
<v Speaker 1>whatever you're doing press for, and then they're done. Then

1:00:12.960 --> 1:00:18.000
<v Speaker 1>you gotta do and it's you gotta pay them again. Yeah, yeah, yeah.

1:00:18.120 --> 1:00:19.920
<v Speaker 1>I went to a meeting and they were like the

1:00:19.960 --> 1:00:22.400
<v Speaker 1>guy was like, I love the podcast. I love you guys.

1:00:22.640 --> 1:00:25.920
<v Speaker 1>You know what you need a publicist? What they're like, yes,

1:00:26.080 --> 1:00:28.160
<v Speaker 1>you want to reach it? Split how much it costs?

1:00:28.160 --> 1:00:30.240
<v Speaker 1>I said, how much? Five thousand dollars? I said, why

1:00:30.240 --> 1:00:32.840
<v Speaker 1>would we pay that? Why don't people just say that

1:00:32.880 --> 1:00:34.840
<v Speaker 1>we're good and we get the.

1:00:34.800 --> 1:00:38.520
<v Speaker 4>Person calculating the numbers, she pulled out her phone.

1:00:39.080 --> 1:00:44.880
<v Speaker 1>I said, we don't have the money each each, I said,

1:00:45.560 --> 1:00:49.080
<v Speaker 1>scrounge that up. No, we don't. I said, if you

1:00:49.160 --> 1:00:51.040
<v Speaker 1>think I told the guy in the meeting, I said,

1:00:51.040 --> 1:00:52.720
<v Speaker 1>if you think we're that good, you should pay for

1:00:52.760 --> 1:00:54.880
<v Speaker 1>a publicist for us. I said, there's no way you

1:00:54.880 --> 1:00:57.720
<v Speaker 1>could tell the artists that I, my broke.

1:00:57.520 --> 1:01:01.000
<v Speaker 2>Ass needs to pay. We gotta start talking about titties

1:01:01.080 --> 1:01:03.440
<v Speaker 2>or something on the podcast. We gotta change the cover art.

1:01:03.680 --> 1:01:08.080
<v Speaker 4>Yeah, that's the thing. They I think there's a there's

1:01:08.120 --> 1:01:11.600
<v Speaker 4>a faction of the world that we work in, live

1:01:11.640 --> 1:01:14.200
<v Speaker 4>in that would want you to spend that money. And

1:01:14.240 --> 1:01:16.880
<v Speaker 4>there's plenty of people that we know who have spent

1:01:16.920 --> 1:01:22.440
<v Speaker 4>that money and benefited. That's okay, but don't pretend like

1:01:22.520 --> 1:01:26.320
<v Speaker 4>this is uh, this is an elevated version of the

1:01:26.440 --> 1:01:28.640
<v Speaker 4>art form. Just tell me what the fuck happened? They

1:01:28.680 --> 1:01:31.000
<v Speaker 4>spent the money, you didn't, so go crazy.

1:01:32.120 --> 1:01:34.840
<v Speaker 1>Well, because they're embarrassed. They're embarrassed that they had to

1:01:35.200 --> 1:01:39.160
<v Speaker 1>think that, but is embarrassed about paying for a publicist. Though.

1:01:39.200 --> 1:01:42.280
<v Speaker 1>The people who can afford to pay for a publicist,

1:01:43.240 --> 1:01:45.640
<v Speaker 1>it's like having a manager or an agent for them.

1:01:45.720 --> 1:01:48.080
<v Speaker 1>It's just like a part of the team.

1:01:48.160 --> 1:01:52.520
<v Speaker 4>And I think we're we're repped, right, Like, I think

1:01:52.640 --> 1:01:55.240
<v Speaker 4>there's people who don't have reps who are saying the

1:01:55.240 --> 1:01:58.760
<v Speaker 4>same shit about people like you and I and all

1:01:58.800 --> 1:02:01.360
<v Speaker 4>of us, like it's it's they're sitting there like if

1:02:01.360 --> 1:02:03.680
<v Speaker 4>he didn't have an agent, he wouldn't be shit, he

1:02:03.680 --> 1:02:07.240
<v Speaker 4>wouldn't have shit. And maybe that's true. I truly don't know.

1:02:07.640 --> 1:02:10.640
<v Speaker 4>But what I do know is at least with stand up,

1:02:10.960 --> 1:02:13.960
<v Speaker 4>you gotta we all gotta follow each other. I go,

1:02:14.200 --> 1:02:16.600
<v Speaker 4>you go right, and one way or the other, we

1:02:16.680 --> 1:02:19.360
<v Speaker 4>get to see what the shit looks like live versus

1:02:19.680 --> 1:02:22.240
<v Speaker 4>whatever the Internet has told us it's meant to be.

1:02:22.440 --> 1:02:26.800
<v Speaker 2>Well, that's the thing too about these like Vine, Instagram, YouTube,

1:02:26.840 --> 1:02:31.040
<v Speaker 2>TikTok people is when they get a certain amount of followers,

1:02:31.440 --> 1:02:35.280
<v Speaker 2>their reps tell them to do stand up because they

1:02:35.320 --> 1:02:38.320
<v Speaker 2>know that they can sell out a weekend in the

1:02:38.360 --> 1:02:41.960
<v Speaker 2>city or in Atlanta or blah blah blah wherever, and

1:02:42.080 --> 1:02:45.680
<v Speaker 2>people show up to see them perform. But at these

1:02:45.720 --> 1:02:48.560
<v Speaker 2>comedy clubs, the thing that I keep hearing is that

1:02:49.080 --> 1:02:54.160
<v Speaker 2>they find out real real quick that their funny person

1:02:54.160 --> 1:02:57.040
<v Speaker 2>that they follow, their social media star, is not funny

1:02:57.080 --> 1:02:57.840
<v Speaker 2>in real life.

1:02:58.640 --> 1:02:59.680
<v Speaker 4>It's a different funny.

1:03:00.120 --> 1:03:02.040
<v Speaker 2>These people who pay to see you that one time,

1:03:02.080 --> 1:03:04.560
<v Speaker 2>they're not coming back the next time you come back

1:03:04.600 --> 1:03:05.320
<v Speaker 2>to their city.

1:03:05.800 --> 1:03:08.200
<v Speaker 1>But you've already sold out three dates.

1:03:08.920 --> 1:03:12.280
<v Speaker 4>Yeah, and and frankly, that's the challenge, right, is that

1:03:13.000 --> 1:03:14.840
<v Speaker 4>now with social media, all you got to do is

1:03:14.880 --> 1:03:17.959
<v Speaker 4>say this shits sold out. You keep selling out. It's

1:03:18.000 --> 1:03:20.800
<v Speaker 4>not a question of the quality of the experience, and

1:03:20.800 --> 1:03:24.240
<v Speaker 4>that just makes it all complicated and messy.

1:03:24.840 --> 1:03:26.840
<v Speaker 1>Well, I want to be honest that I'm gonna hate

1:03:26.840 --> 1:03:31.120
<v Speaker 1>on this generation because if we want to hate, they

1:03:31.200 --> 1:03:34.480
<v Speaker 1>don't actually know what fucking is good or not. Like

1:03:34.640 --> 1:03:38.920
<v Speaker 1>just period, Like I remember like listening to albums and

1:03:38.960 --> 1:03:42.400
<v Speaker 1>I was like, oh, they really had a band. They're

1:03:42.480 --> 1:03:46.320
<v Speaker 1>playing these instruments while they're singing. They had there's no

1:03:46.920 --> 1:03:49.800
<v Speaker 1>there was no real studio voice. It was like either

1:03:49.840 --> 1:03:53.120
<v Speaker 1>you can sing or you cannot sing. And so now

1:03:53.480 --> 1:03:57.800
<v Speaker 1>everything is generated, everything can be filtered and put a

1:03:57.800 --> 1:03:59.680
<v Speaker 1>spin on it, and you're like, now we can sell it,

1:03:59.720 --> 1:04:01.800
<v Speaker 1>and that's that's what people want to hear. Anyway. They

1:04:01.800 --> 1:04:03.520
<v Speaker 1>don't want to hear the old school R and B.

1:04:03.600 --> 1:04:06.600
<v Speaker 1>They're like, that's all that's sad. It's like, no, that

1:04:06.760 --> 1:04:10.080
<v Speaker 1>was people actually putting in the work in their field.

1:04:10.160 --> 1:04:13.160
<v Speaker 4>And that's why, to your point, that's why I don't

1:04:13.240 --> 1:04:15.800
<v Speaker 4>run from the title of hater. That's why I'm not

1:04:16.040 --> 1:04:19.720
<v Speaker 4>scared of it. Is because I think, personally I believe

1:04:19.760 --> 1:04:23.400
<v Speaker 4>that we need to bring hating back. I think a

1:04:23.600 --> 1:04:26.280
<v Speaker 4>certain generation hit I wouldn't even say it's this generation,

1:04:26.440 --> 1:04:30.400
<v Speaker 4>but probably the generation before, where they shamed people for

1:04:30.560 --> 1:04:34.800
<v Speaker 4>having outspoken opinions about like some shit that they didn't

1:04:34.840 --> 1:04:38.720
<v Speaker 4>care for, for stuff that's trash. And then it became like, okay, well,

1:04:38.760 --> 1:04:42.439
<v Speaker 4>we'll just let everything exist and run wild. And now

1:04:42.440 --> 1:04:46.000
<v Speaker 4>we have a bunch of people who are both exceptional

1:04:46.040 --> 1:04:50.120
<v Speaker 4>and awful living in the exact same spaces, and that's crazy.

1:04:50.840 --> 1:04:55.840
<v Speaker 1>Exceptional and awful and everybody both exceptional and awful is

1:04:55.920 --> 1:04:59.240
<v Speaker 1>making money and they're posting on Instagram that they just

1:04:59.280 --> 1:05:04.600
<v Speaker 1>bought a house, and it's like but, but it was

1:05:04.600 --> 1:05:08.680
<v Speaker 1>like an influx this past year of people who were

1:05:08.800 --> 1:05:11.520
<v Speaker 1>like what do you do? And they're like, I just

1:05:11.600 --> 1:05:16.520
<v Speaker 1>want my first house. I'm twenty four, right, And it's like,

1:05:16.640 --> 1:05:23.000
<v Speaker 1>is everybody is twenty four? Everybody? Nobody, nobody's twenty seven.

1:05:23.160 --> 1:05:30.440
<v Speaker 1>Everybody we didn't have the same access. I mean, what

1:05:30.520 --> 1:05:34.439
<v Speaker 1>did I have a dial up aim like that about it.

1:05:34.840 --> 1:05:36.840
<v Speaker 1>You know, remember.

1:05:39.280 --> 1:05:42.520
<v Speaker 4>I was never so lucky.

1:05:42.640 --> 1:05:45.120
<v Speaker 1>And you know, good, good for them, that's great, that's

1:05:45.160 --> 1:05:47.920
<v Speaker 1>great for them. But then that's I feel bad for

1:05:48.040 --> 1:05:50.680
<v Speaker 1>the generation after this, because then they're going to have

1:05:50.760 --> 1:05:54.240
<v Speaker 1>to hear all this awful music. Well all the music,

1:05:56.200 --> 1:05:58.080
<v Speaker 1>some a lot of it, but all of it is

1:05:58.120 --> 1:05:59.800
<v Speaker 1>not bad. It's some bops.

1:06:01.160 --> 1:06:02.360
<v Speaker 4>Yeah, I'm not.

1:06:02.960 --> 1:06:08.440
<v Speaker 1>I don't. I don't like the Doula peep. I don't.

1:06:08.720 --> 1:06:11.520
<v Speaker 1>I don't. I don't like it. I don't like it. Yeah,

1:06:11.560 --> 1:06:15.520
<v Speaker 1>I don't. I'm like, they make it. She's so good

1:06:15.600 --> 1:06:17.760
<v Speaker 1>and I'm like I saw her perform and I was like,

1:06:17.960 --> 1:06:21.680
<v Speaker 1>they don't have cold text she could text h she

1:06:21.800 --> 1:06:24.640
<v Speaker 1>was on Saturday night, but I did listen. She was

1:06:24.640 --> 1:06:27.960
<v Speaker 1>on Saturday. She's she's She's performed everywhere. I'm like, I don't.

1:06:28.960 --> 1:06:31.360
<v Speaker 1>I listened to lip like a couple of weeks ago

1:06:31.360 --> 1:06:33.760
<v Speaker 1>for the first time, and I was like, this is I.

1:06:33.760 --> 1:06:36.520
<v Speaker 1>I had a completely different reaction than you, friend. I said,

1:06:37.120 --> 1:06:43.040
<v Speaker 1>pretty please, I said, I'm here for this. It's it's I.

1:06:42.680 --> 1:06:47.920
<v Speaker 1>I didn't say it was. I said, I don't. I

1:06:47.960 --> 1:06:52.840
<v Speaker 1>don't think. I don't think it says Hype. I think

1:06:52.880 --> 1:06:57.040
<v Speaker 1>she's a very thin, very thin girl that's very marketable,

1:06:57.600 --> 1:06:59.080
<v Speaker 1>and that's why she is.

1:06:59.120 --> 1:07:03.080
<v Speaker 4>And I think that that has always existed, right, We've

1:07:03.120 --> 1:07:06.600
<v Speaker 4>always we've always in music and art and all these

1:07:06.640 --> 1:07:11.160
<v Speaker 4>things been competing with somebody's attractiveness versus skill. That's a

1:07:11.200 --> 1:07:14.680
<v Speaker 4>conversation that that's as old as time. But I do

1:07:14.720 --> 1:07:17.360
<v Speaker 4>think that there was at least was a period where

1:07:17.360 --> 1:07:20.240
<v Speaker 4>we were comfortable being like, I don't know that ain't ship,

1:07:20.560 --> 1:07:24.280
<v Speaker 4>but go crazy like enjoy your your thing if that's

1:07:24.320 --> 1:07:26.840
<v Speaker 4>what you want. And then we reached this period where

1:07:26.920 --> 1:07:30.280
<v Speaker 4>it wasn't safe anymore to be like that ain't shit,

1:07:30.960 --> 1:07:33.080
<v Speaker 4>and and I think we got to bring that back.

1:07:33.120 --> 1:07:34.400
<v Speaker 4>We gotta, we gotta come back.

1:07:34.440 --> 1:07:37.680
<v Speaker 1>But you know what it is, it's stand culture.

1:07:38.120 --> 1:07:40.920
<v Speaker 2>Stand culture is what makes people afraid to say what

1:07:41.000 --> 1:07:43.160
<v Speaker 2>they do or don't like, especially if the person is

1:07:43.200 --> 1:07:46.960
<v Speaker 2>famous enough, like Nicki Minaj has Nicki Minaj has barbs,

1:07:47.040 --> 1:07:49.880
<v Speaker 2>and that's a that's a level of crazy that you're like,

1:07:49.960 --> 1:07:50.400
<v Speaker 2>wait what.

1:07:51.000 --> 1:07:55.120
<v Speaker 1>And be right. But then Beyonce has what's Beyonce? People

1:07:55.160 --> 1:07:58.200
<v Speaker 1>called the High, the High, the High, be hoop tier

1:07:58.760 --> 1:08:05.120
<v Speaker 1>will like dis Roy Life find your right post a

1:08:05.160 --> 1:08:07.880
<v Speaker 1>picture of you from nineteen ninety eight where you didn't

1:08:07.920 --> 1:08:13.120
<v Speaker 1>have no teeth like the hivest next level disrespectful. Yes,

1:08:13.880 --> 1:08:18.320
<v Speaker 1>Carrie Hilston has not had a remember her, I don't

1:08:18.360 --> 1:08:21.280
<v Speaker 1>even know when she don't know she's not.

1:08:21.439 --> 1:08:23.519
<v Speaker 4>Came out as an anti vaxxer this year, and I

1:08:23.600 --> 1:08:26.280
<v Speaker 4>think that sort of made it a little more complicated.

1:08:26.320 --> 1:08:29.679
<v Speaker 4>But to that point, maybe Carry Hilson doesn't find herself

1:08:29.720 --> 1:08:32.160
<v Speaker 4>as an anti vaxer if we just hear her out

1:08:32.200 --> 1:08:34.639
<v Speaker 4>when she started making fun of Beyonce the first time.

1:08:34.880 --> 1:08:37.200
<v Speaker 1>But did she make fun did she make fun of

1:08:37.240 --> 1:08:39.120
<v Speaker 1>Beyonce or did what did she say?

1:08:40.280 --> 1:08:41.639
<v Speaker 4>I don't I don't even know.

1:08:42.439 --> 1:08:44.080
<v Speaker 2>She might have been like, oh, I heard the song.

1:08:44.479 --> 1:08:45.840
<v Speaker 2>She might have said I heard it, but I didn't

1:08:45.840 --> 1:08:48.120
<v Speaker 2>really like it, and people were like, what did you?

1:08:49.439 --> 1:08:51.880
<v Speaker 2>And it's like, not all Beyonce songs. I'm going on

1:08:51.920 --> 1:08:55.320
<v Speaker 2>record saying this, not all Beyonce songs are good songs.

1:08:55.720 --> 1:08:59.280
<v Speaker 1>She's an affair. She's oh, everything doesn't have to be good,

1:08:59.560 --> 1:09:02.840
<v Speaker 1>but like it's the overall, it's the overall, like oh yeah,

1:09:02.920 --> 1:09:04.920
<v Speaker 1>Fox would Beyonce like yes, and I.

1:09:04.880 --> 1:09:08.040
<v Speaker 4>Think you'd be an unreasonable I think, And that's where

1:09:08.040 --> 1:09:10.800
<v Speaker 4>I draw the line, right, is it would be unreasonable

1:09:10.800 --> 1:09:12.760
<v Speaker 4>for me to come on this podcast and be like,

1:09:12.880 --> 1:09:14.439
<v Speaker 4>fuck Beyonce, she ain't.

1:09:14.680 --> 1:09:20.240
<v Speaker 1>That's where we're gonna replay everywhere.

1:09:20.320 --> 1:09:23.479
<v Speaker 4>Yeah, hey Beyonce can suck my.

1:09:23.439 --> 1:09:31.160
<v Speaker 1>Dick like number two. No, we will, we will. We're

1:09:31.200 --> 1:09:32.920
<v Speaker 1>sending to.

1:09:34.240 --> 1:09:37.639
<v Speaker 4>The point is that's an unreasonable position. She's obviously one

1:09:37.680 --> 1:09:42.280
<v Speaker 4>of the most talented people in her industry. There is

1:09:42.479 --> 1:09:45.080
<v Speaker 4>right in that little like space of people who do

1:09:45.160 --> 1:09:48.040
<v Speaker 4>what she does. She's the best at it. That said,

1:09:48.960 --> 1:09:51.160
<v Speaker 4>she ain't for me, you know what I'm saying, Like,

1:09:51.400 --> 1:09:53.080
<v Speaker 4>there's a bunch of times where I'm like, I don't

1:09:53.080 --> 1:09:56.080
<v Speaker 4>give a fuck about whatever. This ship that my wife

1:09:56.160 --> 1:09:58.479
<v Speaker 4>and everybody I know is going crazy for it ain't

1:09:58.520 --> 1:10:00.280
<v Speaker 4>for me. But I ain't mad at it, and I

1:10:00.360 --> 1:10:04.200
<v Speaker 4>certainly have to respect the talent in it, whereas there

1:10:04.240 --> 1:10:06.600
<v Speaker 4>are other people who we don't have to respect the

1:10:06.640 --> 1:10:09.439
<v Speaker 4>talent in nor should we, but we keep being told

1:10:09.479 --> 1:10:12.040
<v Speaker 4>we need to. And that to me is dangerous and

1:10:12.080 --> 1:10:15.559
<v Speaker 4>problematic and speaks to the stand culture that you're talking

1:10:15.600 --> 1:10:18.720
<v Speaker 4>about of just wanting to obsess over something instead of

1:10:18.760 --> 1:10:21.960
<v Speaker 4>being honest about what it actually provides for us.

1:10:22.280 --> 1:10:24.799
<v Speaker 3>I think it's interesting that you quoted r Kelly earlier

1:10:24.840 --> 1:10:28.880
<v Speaker 3>and now you're saying that, yeah, yeah, I'm.

1:10:28.720 --> 1:10:35.519
<v Speaker 4>A man who makes subtle homage. But he's sick. And

1:10:35.760 --> 1:10:39.599
<v Speaker 4>I come from Chicago and we spent years obsessing over him.

1:10:39.880 --> 1:10:42.320
<v Speaker 4>I literally knew the girl he peed on, and I

1:10:42.400 --> 1:10:46.320
<v Speaker 4>still didn't have an understanding of what sexual assault was

1:10:46.600 --> 1:10:49.680
<v Speaker 4>because the community around me is telling me that's not

1:10:50.040 --> 1:10:54.160
<v Speaker 4>the same dangerous person that the pervert down the street is,

1:10:54.240 --> 1:10:56.679
<v Speaker 4>and it is. It's just a more powerful pervert.

1:10:56.800 --> 1:10:58.160
<v Speaker 1>Did you go to school with the girl who got

1:10:58.160 --> 1:10:58.479
<v Speaker 1>peed on?

1:10:58.640 --> 1:11:00.479
<v Speaker 4>Or she was like that? That is correct?

1:11:00.479 --> 1:11:00.599
<v Speaker 3>She?

1:11:00.840 --> 1:11:04.560
<v Speaker 4>Uh? He used to come to our uh our games

1:11:04.880 --> 1:11:06.840
<v Speaker 4>to pick her up. She was a cheerleader.

1:11:07.240 --> 1:11:09.840
<v Speaker 1>You know you're but you're not the first person to this.

1:11:10.000 --> 1:11:12.840
<v Speaker 2>I feel like everyone that I know from Chicago has

1:11:13.240 --> 1:11:14.400
<v Speaker 2>has an R Kelly.

1:11:14.720 --> 1:11:16.479
<v Speaker 1>R Kelly loves into the high school story.

1:11:17.160 --> 1:11:19.439
<v Speaker 4>No, he went to a lot of high schools. Let's

1:11:19.439 --> 1:11:22.080
<v Speaker 4>not get it twisted. It's not like she was special

1:11:22.160 --> 1:11:24.479
<v Speaker 4>when he peed on on her. She was one of

1:11:24.600 --> 1:11:28.120
<v Speaker 4>many girls that he was sexually assaulted, right. Uh, she

1:11:28.360 --> 1:11:30.479
<v Speaker 4>just happened to be the one that broke the case.

1:11:30.520 --> 1:11:33.760
<v Speaker 1>Open, right, the p that broke the camel's back, if you.

1:11:33.720 --> 1:11:37.000
<v Speaker 4>Will, yes, right? And who would have thought camel's backs

1:11:37.040 --> 1:11:39.400
<v Speaker 4>could be broken by pete? But they sure can.

1:11:41.080 --> 1:11:44.000
<v Speaker 1>So Langston, are you are you listening to R Kelly

1:11:44.080 --> 1:11:46.240
<v Speaker 1>when it comes on? Or are you turning it off?

1:11:46.360 --> 1:11:47.639
<v Speaker 1>That's I don't. I don't.

1:11:47.760 --> 1:11:50.160
<v Speaker 4>I don't need those bad feelings. I'm not about to

1:11:50.200 --> 1:11:54.519
<v Speaker 4>be that guy who like advocates for listening to R. Kelly.

1:11:54.600 --> 1:11:57.360
<v Speaker 4>I will say that I'm not fighting. Everybody wants me

1:11:57.400 --> 1:11:59.360
<v Speaker 4>to be mad at Michael, and I can't do it.

1:11:59.479 --> 1:12:04.320
<v Speaker 1>I don't know Michael Jackson. Well that's because he died.

1:12:04.680 --> 1:12:06.720
<v Speaker 1>He died, so we can't really get the case.

1:12:07.040 --> 1:12:09.800
<v Speaker 4>But if I'm being honest, I don't think that the

1:12:09.800 --> 1:12:13.760
<v Speaker 4>motherfucker was innocent. I I truly don't believe that, like

1:12:14.120 --> 1:12:17.120
<v Speaker 4>those boys are just completely making up the story. I

1:12:17.160 --> 1:12:18.960
<v Speaker 4>don't know that I believe that it went to the

1:12:19.080 --> 1:12:22.599
<v Speaker 4>extent that they've they've gone to. But I do think

1:12:22.640 --> 1:12:27.160
<v Speaker 4>that anytime an adult man is having any little intimacy

1:12:27.240 --> 1:12:29.439
<v Speaker 4>with little white boys, there's a problem there.

1:12:32.040 --> 1:12:36.720
<v Speaker 1>He was This.

1:12:36.840 --> 1:12:40.000
<v Speaker 4>Is wait a minute, little Michael ain't never heard nobody right,

1:12:40.040 --> 1:12:44.840
<v Speaker 4>Little little Michael was hurt it.

1:12:45.680 --> 1:12:48.800
<v Speaker 1>So we can listen to Little Michael and the Jackson five.

1:12:49.560 --> 1:12:52.760
<v Speaker 2>I'm still do you remember the time Jackson when it

1:12:52.800 --> 1:12:55.960
<v Speaker 2>comes on the shuffle? So but R Kelly is blocked

1:12:55.960 --> 1:12:57.080
<v Speaker 2>from being played.

1:12:56.760 --> 1:13:03.640
<v Speaker 4>On my phone. I don't do no Chris trying to

1:13:03.680 --> 1:13:05.799
<v Speaker 4>stay away from Breezy as much as possible.

1:13:05.840 --> 1:13:08.240
<v Speaker 1>That being said, No guidance was a bop.

1:13:09.960 --> 1:13:12.800
<v Speaker 4>It was so it was the one with rhymes. That

1:13:12.880 --> 1:13:13.760
<v Speaker 4>was a pretty good one.

1:13:15.240 --> 1:13:17.240
<v Speaker 2>How you can hate from outside the club you can't

1:13:17.240 --> 1:13:18.519
<v Speaker 2>even get in that one.

1:13:19.160 --> 1:13:23.439
<v Speaker 1>There you go, that's a good one. Yeah, I mean listen.

1:13:23.840 --> 1:13:26.880
<v Speaker 1>I think if you have a platform, right, I think

1:13:27.000 --> 1:13:30.080
<v Speaker 1>you could use your hating in a in a good way.

1:13:31.000 --> 1:13:33.960
<v Speaker 1>I think the things that you don't like, you just

1:13:34.080 --> 1:13:36.760
<v Speaker 1>don't mention it, because when you're mentioning in it, you're

1:13:36.800 --> 1:13:40.320
<v Speaker 1>giving it more traction. So I think if you're a

1:13:40.360 --> 1:13:43.920
<v Speaker 1>smart hater, you would hate in your group text and

1:13:43.960 --> 1:13:46.920
<v Speaker 1>then only promote the stuff that you actually like on

1:13:47.200 --> 1:13:47.719
<v Speaker 1>And that's.

1:13:47.560 --> 1:13:50.280
<v Speaker 4>Something I wholeheartedly believe. I think you're putting it in

1:13:50.800 --> 1:13:52.840
<v Speaker 4>a better way than I put it earlier. I think

1:13:52.880 --> 1:13:55.559
<v Speaker 4>that the best thing I can do is just remained

1:13:55.600 --> 1:13:59.080
<v Speaker 4>silent on the things that that give me pause, because

1:13:59.240 --> 1:14:02.439
<v Speaker 4>more more often than not, the second I go I

1:14:02.439 --> 1:14:05.160
<v Speaker 4>don't fuck with this thing, at least thirty people are

1:14:05.160 --> 1:14:07.599
<v Speaker 4>going to gravitate towards it, if for no other reason

1:14:07.640 --> 1:14:10.840
<v Speaker 4>than what you were saying, Maria being oppositional or at

1:14:10.920 --> 1:14:13.479
<v Speaker 4>least being curious about the shit that I hated on.

1:14:14.320 --> 1:14:17.320
<v Speaker 1>Yeah, yeah, damn, I like a I was asking something.

1:14:17.360 --> 1:14:20.000
<v Speaker 1>I was going to add to that, and then I

1:14:20.040 --> 1:14:25.080
<v Speaker 1>forgot what it was. Oh, oh Langston hate.

1:14:25.400 --> 1:14:29.479
<v Speaker 2>Yeah, he is what brought down Bill Cosby, Okay, because

1:14:29.479 --> 1:14:35.000
<v Speaker 2>he was hating on a specific community. And then Hannibal said,

1:14:35.520 --> 1:14:38.360
<v Speaker 2>instead of telling people to pull they pens up, Bill,

1:14:38.800 --> 1:14:41.880
<v Speaker 2>you should be you should stop pulling people's pants down.

1:14:42.200 --> 1:14:44.000
<v Speaker 2>And then the whole thing opened up. And look at

1:14:44.000 --> 1:14:48.559
<v Speaker 2>Bill Cosby in prison now with blossy eyes.

1:14:49.280 --> 1:14:54.759
<v Speaker 4>He he built an empire. Uh in his latter life

1:14:54.920 --> 1:15:00.160
<v Speaker 4>later life on being unkind to poor black people. That

1:15:00.280 --> 1:15:02.960
<v Speaker 4>was his whole brand was just I've read the fucking

1:15:03.360 --> 1:15:06.880
<v Speaker 4>transcripts for what they called the pound Cake speech. That's

1:15:06.920 --> 1:15:10.599
<v Speaker 4>the speech where he was basically going on those long

1:15:10.680 --> 1:15:14.559
<v Speaker 4>rants about you know, black kids pulling up their pants

1:15:14.560 --> 1:15:17.760
<v Speaker 4>and all the terrible mothers who were raising them, And

1:15:17.800 --> 1:15:21.360
<v Speaker 4>it's just a mean, mean person who clearly doesn't feel

1:15:21.360 --> 1:15:25.880
<v Speaker 4>any connection to anybody under a certain like economic level.

1:15:25.960 --> 1:15:28.559
<v Speaker 4>And that's fucking crazy. And yeah, you deserve to get

1:15:29.120 --> 1:15:31.400
<v Speaker 4>you know, you dick slept in prison or whatever it

1:15:31.439 --> 1:15:32.439
<v Speaker 4>is that's happening to him.

1:15:32.520 --> 1:15:35.040
<v Speaker 2>We don't know and we don't care, but he deserves

1:15:35.040 --> 1:15:37.680
<v Speaker 2>anything that's happening to him. And like, but like, how

1:15:37.760 --> 1:15:41.479
<v Speaker 2>dare you be hating on that when you when.

1:15:41.320 --> 1:15:47.080
<v Speaker 1>You got so much worse in your closet? Yeah, why

1:15:47.080 --> 1:15:48.439
<v Speaker 1>are you worried about my pants?

1:15:48.439 --> 1:15:48.599
<v Speaker 3>Sir?

1:15:48.720 --> 1:15:50.280
<v Speaker 1>Where the quaylud's at? Let's talk?

1:15:50.479 --> 1:15:53.840
<v Speaker 4>And to that point, that's something I also try to do,

1:15:54.000 --> 1:15:55.760
<v Speaker 4>is like, if I'm gonna hate on some shit, I

1:15:55.840 --> 1:15:58.040
<v Speaker 4>want to at least believe that I'm not putting out

1:15:58.080 --> 1:16:02.479
<v Speaker 4>some like equally problematic version of that thing. Most of

1:16:02.479 --> 1:16:04.800
<v Speaker 4>the stuff I hate, I feel like I at least

1:16:04.880 --> 1:16:08.040
<v Speaker 4>can I can do better or I am doing better

1:16:08.120 --> 1:16:10.600
<v Speaker 4>on something, and I try to leave some ship that

1:16:10.720 --> 1:16:13.240
<v Speaker 4>like I can't do alone. So even with like the

1:16:13.280 --> 1:16:16.320
<v Speaker 4>TikTok dances, I don't get mad at motherfucker's getting rich

1:16:16.400 --> 1:16:18.600
<v Speaker 4>off of TikTok dances because I ain't gonna do it

1:16:18.640 --> 1:16:20.800
<v Speaker 4>and I don't know how, Like I truly don't.

1:16:20.840 --> 1:16:25.559
<v Speaker 1>It's a lot of this and like clapping had a

1:16:25.320 --> 1:16:28.160
<v Speaker 1>shy clap. Yeah, it's all in the arms. It's all

1:16:28.240 --> 1:16:30.400
<v Speaker 1>the arms. It's less about the it's less about this.

1:16:30.400 --> 1:16:32.080
<v Speaker 1>It's actually not even really about the rhythm at all.

1:16:32.120 --> 1:16:37.080
<v Speaker 1>It's just like maybe, no, it's never and there's a

1:16:37.120 --> 1:16:41.680
<v Speaker 1>slide what which is? Which is fine? We're not going

1:16:41.760 --> 1:16:44.960
<v Speaker 1>to be mad at that. Oh oh you know what?

1:16:45.720 --> 1:16:48.240
<v Speaker 1>People were upset about that. I would like to hear

1:16:48.320 --> 1:16:54.320
<v Speaker 1>your take on Kevin. They were they were dragging his special.

1:16:54.400 --> 1:17:03.559
<v Speaker 1>They were saying, it's bad, it's.

1:17:01.960 --> 1:17:04.080
<v Speaker 4>Kevin, but also I don't know, well.

1:17:05.040 --> 1:17:07.520
<v Speaker 1>Hold on, hold on. So then they went into clubhouse

1:17:07.560 --> 1:17:09.800
<v Speaker 1>and they were dragging it, and then he got in

1:17:09.960 --> 1:17:14.719
<v Speaker 1>the room and was trying to defend his special one club.

1:17:15.000 --> 1:17:17.800
<v Speaker 4>But and this is where it gets real sick for

1:17:17.880 --> 1:17:21.080
<v Speaker 4>old Kevin because he part of the reason he went

1:17:21.160 --> 1:17:25.600
<v Speaker 4>on clubhouses, because he's an investor in clubhouse and like

1:17:25.640 --> 1:17:30.519
<v Speaker 4>a cross promotion pollination type thing of getting people to

1:17:30.600 --> 1:17:33.679
<v Speaker 4>be attracted to the thing. It's a it's a koy

1:17:33.760 --> 1:17:36.240
<v Speaker 4>game that he's playing with us. But at the end

1:17:36.280 --> 1:17:37.920
<v Speaker 4>of the day, it was just a dude who put

1:17:37.960 --> 1:17:40.120
<v Speaker 4>out garbage, and he knew he put out garbage, but

1:17:40.160 --> 1:17:43.080
<v Speaker 4>he also like felt like he needed to have something

1:17:43.120 --> 1:17:46.280
<v Speaker 4>because his ego is built the way his ego is built.

1:17:46.600 --> 1:17:49.600
<v Speaker 4>I don't know what to do. There's no healing, right, Like,

1:17:49.600 --> 1:17:52.360
<v Speaker 4>I'm not going to offer up anything that makes Kevin better.

1:17:52.640 --> 1:17:55.240
<v Speaker 4>But also, nigga, you know what that special was doing?

1:17:55.640 --> 1:17:58.080
<v Speaker 1>It was I fell asleep. I put it on and

1:17:58.120 --> 1:18:03.000
<v Speaker 1>I was like, wait, he's in his house. Yeah, And

1:18:03.040 --> 1:18:05.040
<v Speaker 1>I woke up and Netflix was like you still watching it?

1:18:05.080 --> 1:18:07.919
<v Speaker 1>And I was like no, and I just shut my laptop.

1:18:07.960 --> 1:18:10.479
<v Speaker 4>I'm not watching this no more. I watched every minute

1:18:10.520 --> 1:18:10.720
<v Speaker 4>of it.

1:18:12.479 --> 1:18:15.400
<v Speaker 1>You okay, And I'll say this. I watch between all

1:18:15.439 --> 1:18:16.200
<v Speaker 1>the rooms.

1:18:16.560 --> 1:18:19.320
<v Speaker 4>Every special that comes out, and I have opinions on

1:18:19.560 --> 1:18:23.360
<v Speaker 4>every single one, even people who I don't care for

1:18:23.600 --> 1:18:25.639
<v Speaker 4>from the beginning of watching it.

1:18:27.680 --> 1:18:30.200
<v Speaker 1>Well, I think we need to do a patron episode

1:18:30.240 --> 1:18:32.719
<v Speaker 1>of this. I think people need to pay twenty dollars,

1:18:32.760 --> 1:18:35.320
<v Speaker 1>no fifty dollars if they want to hear what you

1:18:35.360 --> 1:18:35.800
<v Speaker 1>really We.

1:18:35.760 --> 1:18:37.840
<v Speaker 4>Can go down the list if we If this is

1:18:37.840 --> 1:18:40.879
<v Speaker 4>a paywall situation, we can I could.

1:18:40.760 --> 1:18:44.519
<v Speaker 2>Say without the wall being up, how you feel about

1:18:44.560 --> 1:18:47.040
<v Speaker 2>Andrew Shultz Special because that's a comic that people keep

1:18:47.040 --> 1:18:48.160
<v Speaker 2>bringing up when I talk.

1:18:48.800 --> 1:18:51.120
<v Speaker 4>It was terrible. I think we can all agree that that.

1:18:51.160 --> 1:18:54.000
<v Speaker 1>Also was not I haven't I didn't watch it. Isn't

1:18:54.040 --> 1:18:56.400
<v Speaker 1>it like a bunch of things. It was fifteen minutes.

1:18:56.880 --> 1:19:01.720
<v Speaker 4>It's four or fifteen minutes specials. It's minutes total. But

1:19:01.760 --> 1:19:04.880
<v Speaker 4>it's it's his take on four different things. Most of

1:19:04.920 --> 1:19:08.040
<v Speaker 4>it is just him making weird Jeffrey Epstein puns and

1:19:08.160 --> 1:19:13.280
<v Speaker 4>like sort of uh scolding people for being human. I

1:19:13.280 --> 1:19:16.400
<v Speaker 4>don't know, it's not great, But that said, I take

1:19:16.439 --> 1:19:18.760
<v Speaker 4>a lot of issue. I think my larger issue with

1:19:18.800 --> 1:19:22.240
<v Speaker 4>a lot of that is, uh, there's, uh, there's something

1:19:22.280 --> 1:19:25.479
<v Speaker 4>really yucky about this brand of white boy who uh

1:19:25.720 --> 1:19:29.920
<v Speaker 4>sort of appropriates black culture without giving any credit to

1:19:30.200 --> 1:19:33.920
<v Speaker 4>any of like black go off. It doesn't feel that

1:19:34.080 --> 1:19:36.160
<v Speaker 4>far from the Jake Paul of it all for me,

1:19:36.560 --> 1:19:39.360
<v Speaker 4>where it's like, all right, motherfucker, are we being black

1:19:39.439 --> 1:19:41.840
<v Speaker 4>or not? Like, just be honest about where the fuck

1:19:41.880 --> 1:19:44.439
<v Speaker 4>you got this from. Cause, nigga, you don't talk like

1:19:44.479 --> 1:19:47.640
<v Speaker 4>that around your family. I'm one hundred percent sure that

1:19:47.640 --> 1:19:48.840
<v Speaker 4>ain't your family voice.

1:19:50.000 --> 1:19:52.040
<v Speaker 1>That's not your talking to the irs voice.

1:19:52.040 --> 1:19:54.479
<v Speaker 2>That's not your talking to your voice, that's not getting

1:19:54.520 --> 1:19:55.400
<v Speaker 2>pulled over voice.

1:19:55.479 --> 1:19:59.400
<v Speaker 1>That's not how you talk at Thanksgiving, Like.

1:19:59.400 --> 1:20:01.320
<v Speaker 4>Get the fuck god? He you don't talk like that,

1:20:01.360 --> 1:20:02.320
<v Speaker 4>and nor do I.

1:20:02.320 --> 1:20:05.400
<v Speaker 1>I mean, he's I don't know, he's been like he's

1:20:05.479 --> 1:20:08.120
<v Speaker 1>on on guy code, he's I mean, he's been talking

1:20:08.160 --> 1:20:10.559
<v Speaker 1>like this for a long like yeah, but you know

1:20:10.880 --> 1:20:14.680
<v Speaker 1>he's been with Charlemagne forever. So like but you know

1:20:14.720 --> 1:20:19.640
<v Speaker 1>who else? Damn I keeping.

1:20:19.160 --> 1:20:25.240
<v Speaker 4>You'll get no fight out of me. I agree he

1:20:25.320 --> 1:20:29.280
<v Speaker 4>put them on. And that's that's enough bullshit to me

1:20:29.439 --> 1:20:33.080
<v Speaker 4>to even begin the conversation. Amongst other things, that he

1:20:33.120 --> 1:20:36.479
<v Speaker 4>did mean things to black women for years before he

1:20:36.720 --> 1:20:38.960
<v Speaker 4>woke up and decided to rebrand himself.

1:20:39.840 --> 1:20:44.519
<v Speaker 1>H damn Linkston. We gotta get this patriot. I really

1:20:44.560 --> 1:20:44.920
<v Speaker 1>want to.

1:20:44.840 --> 1:20:46.720
<v Speaker 4>Know, Bridges, I don't give.

1:20:47.120 --> 1:20:49.719
<v Speaker 1>I really feel like you would give us the content.

1:20:49.920 --> 1:20:52.000
<v Speaker 1>I really wish you would have been some bridges today,

1:20:52.160 --> 1:20:56.400
<v Speaker 1>But I don't know. You know, we're not gonna We're

1:20:56.400 --> 1:21:00.320
<v Speaker 1>not gonna keep you for much younger. Do you have

1:21:00.520 --> 1:21:03.479
<v Speaker 1>some tips on how to hate properly? Do you have

1:21:03.560 --> 1:21:08.600
<v Speaker 1>some some tips on how to get over being a hater? Anything?

1:21:08.840 --> 1:21:11.720
<v Speaker 4>A nice way to hate, thank you for asking. I

1:21:11.760 --> 1:21:15.120
<v Speaker 4>think a nice way to hate is to UH is

1:21:15.160 --> 1:21:20.120
<v Speaker 4>to post without context to your group chat. Just post

1:21:20.400 --> 1:21:26.160
<v Speaker 4>the thing, allow the responses to flow and build your

1:21:26.360 --> 1:21:31.040
<v Speaker 4>your your full perspective from that. So something you don't

1:21:31.120 --> 1:21:35.760
<v Speaker 4>find UH to be yummy and as you you see it,

1:21:36.080 --> 1:21:38.759
<v Speaker 4>you give it to your group, your small little circle.

1:21:38.840 --> 1:21:40.599
<v Speaker 4>You let them say what they got to say, and

1:21:40.640 --> 1:21:43.920
<v Speaker 4>then once you've had a finished sort of perspective on it,

1:21:44.000 --> 1:21:49.639
<v Speaker 4>that's when you unleash the full round of hateration. Exactly.

1:21:49.880 --> 1:21:54.560
<v Speaker 2>I actually enjoyed it. I don't think it's that I

1:21:54.960 --> 1:21:57.000
<v Speaker 2>didn't like it too much. And then you're like, you

1:21:57.080 --> 1:22:01.080
<v Speaker 2>pounce yes, then you go off, Okay, I like that.

1:22:01.160 --> 1:22:02.080
<v Speaker 1>That's a good test, and.

1:22:02.040 --> 1:22:04.120
<v Speaker 4>That way you don't ever feel like, oh, this is

1:22:04.200 --> 1:22:06.719
<v Speaker 4>just coming from an unfinished place. You get a full,

1:22:06.800 --> 1:22:09.080
<v Speaker 4>finished perspective and then you throw.

1:22:08.880 --> 1:22:11.200
<v Speaker 1>It in Okay. So is there any is there such

1:22:11.280 --> 1:22:16.760
<v Speaker 1>thing as hate redemption? Yeah?

1:22:16.920 --> 1:22:20.120
<v Speaker 2>Didn't like something for X amount of time and then

1:22:20.160 --> 1:22:21.920
<v Speaker 2>you one day you like, oh.

1:22:21.800 --> 1:22:25.719
<v Speaker 4>Wait, I kind of get it now, and I yes,

1:22:25.920 --> 1:22:28.760
<v Speaker 4>I think I think that that you should have the

1:22:28.920 --> 1:22:32.360
<v Speaker 4>right to not like something, to hate on something, but

1:22:32.520 --> 1:22:35.120
<v Speaker 4>also be able to give it the space if you're

1:22:36.120 --> 1:22:39.160
<v Speaker 4>a human enough person. We all change, we all grow,

1:22:39.240 --> 1:22:42.920
<v Speaker 4>we're all evolving at all times, and there's space for

1:22:43.000 --> 1:22:45.600
<v Speaker 4>you to be a person who goes I didn't like

1:22:45.680 --> 1:22:47.880
<v Speaker 4>that at first, or I used to not like whatever

1:22:47.920 --> 1:22:50.439
<v Speaker 4>this person was putting out, but now I do. I

1:22:50.520 --> 1:22:53.000
<v Speaker 4>used to fuck with Kevin Hart super hard, and now

1:22:53.280 --> 1:22:55.360
<v Speaker 4>I don't. But that doesn't mean that he might not

1:22:55.439 --> 1:22:58.479
<v Speaker 4>put out something where I go, man, he found it again,

1:22:58.600 --> 1:23:02.080
<v Speaker 4>and that's okay. But right now that special stinks and

1:23:02.080 --> 1:23:02.639
<v Speaker 4>that's fine.

1:23:02.720 --> 1:23:05.960
<v Speaker 1>I mean, okay, So you can hate something and then

1:23:05.960 --> 1:23:08.599
<v Speaker 1>if there's something they do make something good, you could

1:23:08.600 --> 1:23:10.920
<v Speaker 1>be like, hey, hey, just because I hate them doesn't

1:23:10.960 --> 1:23:13.720
<v Speaker 1>mean I can't acknowledge that that was pretty good.

1:23:13.760 --> 1:23:15.760
<v Speaker 2>I don't think that Langston was saying he's given hard.

1:23:15.800 --> 1:23:17.439
<v Speaker 2>I think he's saying he hates he hates the spend.

1:23:17.479 --> 1:23:18.280
<v Speaker 1>No no, no, no, no no no.

1:23:18.320 --> 1:23:21.479
<v Speaker 4>I'm just saying yeah, I and yes. But I think

1:23:21.680 --> 1:23:25.639
<v Speaker 4>to both of those questions, yes, you cannot like someone,

1:23:25.760 --> 1:23:28.599
<v Speaker 4>you cannot like the product, but if you are an

1:23:28.640 --> 1:23:32.120
<v Speaker 4>honest human being, you also should be able to acknowledge

1:23:32.160 --> 1:23:35.360
<v Speaker 4>that we evolve and change and grow. So maybe you

1:23:35.439 --> 1:23:39.040
<v Speaker 4>feel differently five minutes from now or ten years from now,

1:23:39.080 --> 1:23:39.679
<v Speaker 4>who knows.

1:23:40.000 --> 1:23:43.320
<v Speaker 1>Wow, Wow Langston, thank you for helping us evolve and

1:23:43.439 --> 1:23:48.840
<v Speaker 1>change and grow tonight. Yeah, I want one last thing

1:23:49.720 --> 1:23:52.360
<v Speaker 1>instead of we're going to flip the hating and we're

1:23:52.360 --> 1:23:56.080
<v Speaker 1>gonna do some like uplifting a Lengston say, I would

1:23:56.080 --> 1:23:58.639
<v Speaker 1>like you to go around the room and just say

1:23:58.760 --> 1:24:01.720
<v Speaker 1>a few positive things about each of the people on

1:24:01.760 --> 1:24:05.960
<v Speaker 1>the zoom to close us out. Yeah, you know, I

1:24:06.040 --> 1:24:06.360
<v Speaker 1>love that.

1:24:10.560 --> 1:24:14.160
<v Speaker 4>First of all, Andrew, those lights are spectacular. As soon

1:24:14.200 --> 1:24:16.800
<v Speaker 4>as I got on, I said, those are beautiful lights.

1:24:16.800 --> 1:24:20.960
<v Speaker 4>And I wish I had the audacity to hang lights

1:24:21.000 --> 1:24:23.719
<v Speaker 4>in the room that I'm in, but this is mostly

1:24:23.760 --> 1:24:26.400
<v Speaker 4>empty room that I'm allowed to work in, but because

1:24:26.400 --> 1:24:30.320
<v Speaker 4>my wife doesn't respect me anyway, love your lights, and

1:24:30.360 --> 1:24:33.280
<v Speaker 4>you've been very patient, and you're a good producer as

1:24:33.360 --> 1:24:35.439
<v Speaker 4>far as I can tell. Who knows if you can edit.

1:24:35.680 --> 1:24:39.160
<v Speaker 4>But the goddamn heroes far as.

1:24:39.960 --> 1:24:41.920
<v Speaker 3>It's hard to compete with their lights. They all have

1:24:41.920 --> 1:24:43.639
<v Speaker 3>go sex lights, as they call them.

1:24:43.680 --> 1:24:47.840
<v Speaker 4>So hey, we all have sex and different colors. So

1:24:48.520 --> 1:24:52.719
<v Speaker 4>you're having sex and white Christmas and they're having sex

1:24:52.760 --> 1:25:01.560
<v Speaker 4>in different Christmases, alternative Christmases. Okay, Marie, I listen you. You

1:25:01.200 --> 1:25:04.479
<v Speaker 4>you nailed it with that peach cobbler. Goddamn, was that

1:25:04.520 --> 1:25:08.559
<v Speaker 4>a funny ass joke? Fucking a pie and it's called

1:25:08.600 --> 1:25:11.599
<v Speaker 4>a black man fucking a pie and it's called that's

1:25:11.640 --> 1:25:14.519
<v Speaker 4>goddamn funny. And Uh, I'm glad you had that all

1:25:14.560 --> 1:25:17.200
<v Speaker 4>that wine because you're loose. I love it.

1:25:19.040 --> 1:25:21.040
<v Speaker 1>I'm forgetting all the questions that I want to ask,

1:25:21.120 --> 1:25:24.240
<v Speaker 1>but I'm going to have more. Uh, thank you, Lang

1:25:24.240 --> 1:25:25.160
<v Speaker 1>sty Okay.

1:25:25.040 --> 1:25:29.360
<v Speaker 4>And now Sydney, Sydney, Oh, Sydney, I text you on

1:25:29.400 --> 1:25:31.640
<v Speaker 4>your birthday and you didn't reply, but I forgive you

1:25:31.720 --> 1:25:39.200
<v Speaker 4>for that. But more importantly, Sydney, your hair looks beautiful,

1:25:39.560 --> 1:25:43.840
<v Speaker 4>You're you're glowing in your pink light. You look fantastic.

1:25:44.120 --> 1:25:47.720
<v Speaker 4>And you brought in some very important counter perspectives to

1:25:47.840 --> 1:25:49.599
<v Speaker 4>some of the things that I was saying. That helped

1:25:49.640 --> 1:25:54.559
<v Speaker 4>me sharpen my my perspective on hate. And I appreciated that.

1:25:54.720 --> 1:25:58.479
<v Speaker 4>This evening, I'm going.

1:25:58.479 --> 1:26:00.760
<v Speaker 2>To say a positive thing about you and then you

1:26:00.800 --> 1:26:03.360
<v Speaker 2>can go and then we'll wrap this up.

1:26:03.840 --> 1:26:04.880
<v Speaker 4>Oh sure, you went.

1:26:04.760 --> 1:26:08.840
<v Speaker 1>All the way around and didn't mention seminary key no

1:26:09.000 --> 1:26:15.440
<v Speaker 1>one time. I think you did a phenomenal job tonight, babe.

1:26:16.040 --> 1:26:18.240
<v Speaker 4>No, it was a it was a tight rope, and

1:26:18.439 --> 1:26:21.800
<v Speaker 4>boy was I was hanging over spikes on one side

1:26:21.840 --> 1:26:23.439
<v Speaker 4>and ice crystals on the other.

1:26:23.800 --> 1:26:24.000
<v Speaker 6>Man.

1:26:24.240 --> 1:26:26.000
<v Speaker 4>I managed it. I figured it out.

1:26:26.439 --> 1:26:28.760
<v Speaker 1>He saw my face. I was like, I saw it.

1:26:30.760 --> 1:26:33.040
<v Speaker 4>I was like, I gotta say some snot like a

1:26:33.080 --> 1:26:35.839
<v Speaker 4>little you know, a little comment. I'll talk about her birthday.

1:26:35.920 --> 1:26:38.960
<v Speaker 4>I'll bring up the factor apply to text messages. But

1:26:39.000 --> 1:26:41.960
<v Speaker 4>I'm not gonna bring up that cemeitary. That's that's difficult.

1:26:43.240 --> 1:26:45.840
<v Speaker 1>You were thank you tell people who are listening where

1:26:45.840 --> 1:26:49.000
<v Speaker 1>they can catch you, where they can see you, you.

1:26:48.960 --> 1:26:55.080
<v Speaker 4>Know, Okay, Yeah, you can catch me online at Langston

1:26:55.160 --> 1:26:58.120
<v Speaker 4>Kerrman on all the platforms l A N G S

1:26:58.160 --> 1:27:00.200
<v Speaker 4>T O n K E R M A N. I

1:27:00.240 --> 1:27:02.400
<v Speaker 4>don't know why I spelled it for you. You've figured it out.

1:27:02.400 --> 1:27:03.719
<v Speaker 1>It's pretty fit Leangston.

1:27:04.640 --> 1:27:09.559
<v Speaker 4>Yeah, people don't listen. Well, I've been called leslie far

1:27:09.640 --> 1:27:13.000
<v Speaker 4>too many times to put faith in the human ear.

1:27:14.640 --> 1:27:19.120
<v Speaker 4>And oh and please go listen to my podcast. It's

1:27:19.120 --> 1:27:22.439
<v Speaker 4>called my Mama Told Me and we talk about black

1:27:22.479 --> 1:27:26.960
<v Speaker 4>people and their conspiracy theories. And the cool sort of

1:27:27.120 --> 1:27:31.720
<v Speaker 4>like uh not QAnon of of the world around us,

1:27:31.880 --> 1:27:35.120
<v Speaker 4>all the anti QAnon if you will on my podcast,

1:27:35.200 --> 1:27:35.559
<v Speaker 4>which is.

1:27:35.560 --> 1:27:41.479
<v Speaker 1>Real fun, beautiful. Thanks so much, Leangston, Sydney. Any final words, Andrew,

1:27:41.600 --> 1:27:46.400
<v Speaker 1>final words, Leangthston. You've been so consistent. I mean, ever

1:27:46.439 --> 1:27:50.080
<v Speaker 1>since I've met you seven years ago, you've been uh stunning,

1:27:50.439 --> 1:27:55.320
<v Speaker 1>hilarious and and and yeah, I've never seen you. I've

1:27:55.360 --> 1:27:57.679
<v Speaker 1>never seen you unemployed and broke, and I love that.

1:27:58.080 --> 1:28:00.519
<v Speaker 1>And I'll make sure to text you back. Man, I'll

1:28:00.560 --> 1:28:01.840
<v Speaker 1>even I'll even face.

1:28:02.439 --> 1:28:05.880
<v Speaker 4>I'm not fighting that. I'll take a FaceTime here and there. Marie.

1:28:05.920 --> 1:28:08.360
<v Speaker 4>You're gonna FaceTime. Any face time is coming your way.

1:28:09.280 --> 1:28:11.679
<v Speaker 1>You didn't text me on my birthday.

1:28:11.680 --> 1:28:12.120
<v Speaker 4>That's sure.

1:28:12.760 --> 1:28:14.920
<v Speaker 2>I don't think I'm I was like.

1:28:14.840 --> 1:28:17.120
<v Speaker 1>I don't think I have it either. Yeah, I was like,

1:28:17.320 --> 1:28:18.120
<v Speaker 1>he definitely doesn't.

1:28:18.680 --> 1:28:22.080
<v Speaker 4>And I'm gonna text you on your birthday, Andrew, No deed,

1:28:22.360 --> 1:28:24.719
<v Speaker 4>you'll get no text message from me on your birthday.

1:28:25.240 --> 1:28:27.719
<v Speaker 3>Okay, So I don't get a text from them either.

1:28:30.040 --> 1:28:34.000
<v Speaker 1>Andrew October on your birthday, Yes, I speak.

1:28:34.120 --> 1:28:35.360
<v Speaker 3>My birthday is November.

1:28:35.479 --> 1:28:39.720
<v Speaker 2>Yeah, that means we surely did.

1:28:39.800 --> 1:28:47.120
<v Speaker 1>I definitely text you the receipts to be okay. All right, yeah, well,

1:28:47.160 --> 1:28:51.519
<v Speaker 1>thank you for listening to this once again episode with

1:28:52.120 --> 1:28:55.000
<v Speaker 1>everybody on the call being sexy as fuck. You know

1:28:55.040 --> 1:28:59.280
<v Speaker 1>what to do, leave a review, rate, subscribe, do all

1:28:59.320 --> 1:29:02.040
<v Speaker 1>those things, make sure you're following us, follow us on

1:29:02.080 --> 1:29:04.680
<v Speaker 1>all of our platforms, and uh.

1:29:04.479 --> 1:29:08.280
<v Speaker 2>Yeah, yes, one fabulous rest of the week or whatever

1:29:08.280 --> 1:29:09.920
<v Speaker 2>the hell the end of that sentence was supposed to be.

1:29:10.280 --> 1:29:20.040
<v Speaker 1>Anyway, Bye guys, Bye Forever Dog. This has been a

1:29:20.080 --> 1:29:21.120
<v Speaker 1>Forever Dog production.

1:29:21.920 --> 1:29:26.559
<v Speaker 4>The Unofficial Expert is Executive produced by Brett Boham, Joe ccilio,

1:29:26.960 --> 1:29:33.479
<v Speaker 4>and Alex Ramsey. Senior producer Tracy Soren, Produced by Andrew McGuire.

1:29:34.320 --> 1:29:38.360
<v Speaker 4>Cover art by Sandy Hoenig. To listen to this podcast

1:29:38.560 --> 1:29:42.640
<v Speaker 4>ad free, sign up for Forever Dog Plus at Foreverdog

1:29:42.760 --> 1:29:48.200
<v Speaker 4>Podcasts dot com slash plus. Check out video clips of

1:29:48.240 --> 1:29:53.479
<v Speaker 4>our podcasts on YouTube at YouTube dot com slash Forever

1:29:53.560 --> 1:29:57.640
<v Speaker 4>Dog Team, and make sure to follow us on Twitter, Instagram,

1:29:57.800 --> 1:30:01.920
<v Speaker 4>and Facebook at Forever Dog Team to keep up with

1:30:02.080 --> 1:30:03.960
<v Speaker 4>all the latest Forever Dung news.