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Speaker 1: The Starlight Lounge presents an evening with the Progressive Box Move. Yeah,

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Speaker 1: that's Hugo tickling the ivories. He just saved by bundling

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Speaker 1: home and Auto with Progressive. Gonna finally buy a ring

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Speaker 1: for that gal of years. Hugo sending my condolences, Hio.

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Speaker 1: This next one's for you too. There's a burglar in

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Speaker 1: my art. Thank you. Progressive Casualty Insurance Company and Affiliates.

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Speaker 1: Discounts not available on stage of situations. He was, y'all,

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Speaker 1: was going, all, he's a legendary queen's rapper. Sees your

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Speaker 1: boy you know, he's a Miami hip hop pioneer. What

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Speaker 1: up is d J e f N? Together they drink

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Speaker 1: it up with some of the biggest players in music

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Speaker 1: and sports. You know, I mean the most professional, unprofessional

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Speaker 1: podcast and your number one source for drunk facts. This

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Speaker 1: is Drinks Champ Ready to where he day is New

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Speaker 1: Year's e Just round? Hey, he said, green hold your

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Speaker 1: son hits your boy in it? Oh? And what ELD

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Speaker 1: is your boy? J I don't know what the fish

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Speaker 1: it's my timp at Spanish, I felt mistically, but keeping

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Speaker 1: you this is the podcast right now. I am honored

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Speaker 1: to say that we are introducing our guests that I'm

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Speaker 1: not only hip hop legends, not only people that's on

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Speaker 1: the road for They've looked at the tour schedule. They

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Speaker 1: got nine hundred dates, there's only three they toring like

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Speaker 1: rock stars. They out here continue to do their thing,

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Speaker 1: living like legends. And not only that, they are also

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Speaker 1: have the number one out in the motherfucking country. That's

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Speaker 1: the mother. Now listen, your second album since three, third album,

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Speaker 1: but this is your first number one. Yeah, together, let's

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Speaker 1: make some boys again for that now killing like me

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Speaker 1: and you kind of having like a same story, not

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Speaker 1: only with the Santiagos, but this is like every surge. Yeah,

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Speaker 1: like a lot of people you you, you've you, You've

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Speaker 1: been down with Outcast, You've been down with the Dungeon Family,

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Speaker 1: have been down doing it. But this is like you

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Speaker 1: coming It's like you're coming back out party. Well, actually

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Speaker 1: it's kind of like my coming out because I never

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Speaker 1: really came out as me. I was always an interpretation

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Speaker 1: of what a major label thought I was supposed to

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Speaker 1: be and that didn't work out, and then I left

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Speaker 1: and just went independent and kind of found a cool

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Speaker 1: little line. Ain't for myself? And I have a friend

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Speaker 1: and L. L. Sheldon is a friend to. His name

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Speaker 1: is Jason DeMarco. He was like, he got some rank

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Speaker 1: over Cartoon Network, became a vice president and they had

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Speaker 1: a William Street Records and he was like, yo, I

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Speaker 1: always pictured you kind of like a Southern version, like

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Speaker 1: of an ice cube, like an ice cube meets Jeezy.

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Speaker 1: And I was like, oh, I feel that's a compliment.

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Speaker 1: He was like, so what if I just gave you

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Speaker 1: the money to make your own America's Most Wanted. And

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Speaker 1: I was like, so, you know, I'm gonna say what

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Speaker 1: other funk I want to say? He was I, no, no,

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Speaker 1: that's exactly what I want. So at that point I

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Speaker 1: was trying to pivot do the Mike Bigger thing, you know,

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Speaker 1: which is the A K and Ship. I was like,

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Speaker 1: so maybe I need He was like, no, no no, no, no,

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Speaker 1: I want killer Mike. I want you saying everything that

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Speaker 1: you were ever told not to say. And I was like, worry,

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Speaker 1: Let's do this ship and he me and L got

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Speaker 1: the studio first. He put me an el together. Man,

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Speaker 1: That's something I was very curious how this collaborate. Jason

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Speaker 1: DeMarco was a branch outside we were both doing Ship

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Speaker 1: with him, and so you're doing they separately. Yeah, so

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Speaker 1: basically weird Cartoon Network. You know that I did. I

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Speaker 1: own a record label for like ten years that judge.

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Speaker 1: We did like a couple of free records companies through

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Speaker 1: through their through their website. They would use it in

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Speaker 1: the cartoons and were use my beats in the cartoons.

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Speaker 1: So we were friends. I was doing Cartoon Network, Yeah,

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Speaker 1: I was doing and yeah, that's basically it. Man. I

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Speaker 1: mean we got in the room and instantly I'm like,

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Speaker 1: I didn't know each other. Pride because music and you're

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Speaker 1: from I'm from Brooklyn. Goddamn, it makes it much Brooklyn,

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Speaker 1: Nia somewhere. So same again. I'm Jason DeMarco. Jason DeMarco.

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Speaker 1: So Jason DeMarco says, I want you to make this album.

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Speaker 1: But it wasn't originally what you got, No, No, it

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Speaker 1: was it was supposed to be me and a bunch

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Speaker 1: of other producers and making my Americans wanting. I got

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Speaker 1: in the studio with all the first day. I called

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Speaker 1: Jason that night and said you got to produce the

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Speaker 1: whole album, and I was like, no, nope, And then

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Speaker 1: I aggravated the ship out of him for the next year.

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Speaker 1: It's just called for I was two months him and Jack,

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Speaker 1: him and Jame just hitting me, hit me, and I

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Speaker 1: was like, look, I like Mike. I actually really like Mike.

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Speaker 1: You know what. We didn't hit it off. He was like, what,

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Speaker 1: I'm making my own solo album. I was like, this

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Speaker 1: is I'm doing my record and I was like, I'm sorry,

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Speaker 1: I guys, I'm sorry, I can't all right, all right,

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Speaker 1: maybe a couple of beats. Yeah, I'm supposed to be

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Speaker 1: like two beats. And we went out there. We did

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Speaker 1: like three jams in the day and like the first

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Speaker 1: couple of days, and they were crazy and I would

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Speaker 1: only told my wife. I was like their life and

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Speaker 1: the change. I was hoping to see your wife where

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Speaker 1: she's at here. It's a mom's birthday. She brought him

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Speaker 1: on the south Beat, So now noise for your mom. Yo.

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Speaker 1: Soul Now was the first album on MASSI Hill as well.

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Speaker 1: You know the first album's cartoon network is it was

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Speaker 1: rap music. It was it was my solo record. He

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Speaker 1: produced the whole album all right, and then he had

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Speaker 1: a mix tape to turn in. He was like, I

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Speaker 1: turned to mix tape, man, I gotta go this. After

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Speaker 1: came out tour, He's like, I just six together. Yeah,

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Speaker 1: I dropped my record for week after he dropped Yeah.

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Speaker 1: So we went out on Twitter together. Kids loved it

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Speaker 1: when we came on stage together. And then he was like,

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Speaker 1: you know at that time, it took a little longer

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Speaker 1: than right. He was like, I gotta go focus on mixed.

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Speaker 1: I was like, yo, I come up there to the

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Speaker 1: mix tape with him. He was like words like no money,

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Speaker 1: I just can't do a funk. I just like rescuing

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Speaker 1: with you. I was like, so, I'm gonna come up

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Speaker 1: and we're gonna do the mix sape. So we went

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Speaker 1: up and we did like fiveoints. Put it got them

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Speaker 1: bitches out, and we sent them to Jason DeMarco and

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Speaker 1: we're sitting in tom Man Taco Little Shalamar and both

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Speaker 1: of them hit us back like, if y'all is gonna

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Speaker 1: make a record, you nuts. If y'all don't make this

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Speaker 1: an album in a group. So the first album listen

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Speaker 1: homage to book and we respected. So he said, we're

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Speaker 1: gonna be a real back group. And if you're gonna

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Speaker 1: be a real rup, I got and we're gonna be

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Speaker 1: a real group. We gotta be we gotta have four

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Speaker 1: classic albums like epm D, and we gotta have a

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Speaker 1: chemistry like that. That was something that you actually said

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Speaker 1: the first day. Yeah, four classical, like even if you

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Speaker 1: got Chemmis Clan. Yeah, yeah, yeah, we gotta go to

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Speaker 1: my thing. I want to go eight ball and MGG

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Speaker 1: and I want to be as outrageous as outcast, not

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Speaker 1: in the literal, but I wanted us to be a

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Speaker 1: true group people with that. But we do get a

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Speaker 1: real group, man like you guys like like great groups.

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Speaker 1: So we were determined not to try to play. The

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Speaker 1: solo artists in the first record made such a splash

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Speaker 1: after we got off tour, like we went on tour

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Speaker 1: opening for our set. Tell you something, man, he was

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Speaker 1: with me, Actually he offects. We were in the l

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Speaker 1: a uh we was. It was a festival. I believe

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Speaker 1: with Mergs, bigger Mergs, who I think should be the

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Speaker 1: first rapper booking agents shots out of the merge real.

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Speaker 1: I feel like I told him, I told him he

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Speaker 1: did such a great job. I said, why don't you

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Speaker 1: just be the wrapper booking agent? He said, I don't

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Speaker 1: have enough time. I said, well, maybe you should make

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Speaker 1: enough time because I feel like we should have our

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Speaker 1: own book, in our own because I feel like rapp

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Speaker 1: was a race, not not white black. I feel like rap.

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Speaker 1: I feel like when I next time I go fill

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Speaker 1: out the application, I just rap. But I was on tour.

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Speaker 1: We went, we went to l A, hung out with Alchemists,

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Speaker 1: and y'all was right. Y'all came on right after me.

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Speaker 1: I had broke out on next and we was recording

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Speaker 1: in our studio at the time. Oh yeah, Well, I

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Speaker 1: seen you brothers go on stage and I stood there.

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Speaker 1: When was this? What was it was a solo show?

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Speaker 1: I wasn't aware of one of the Jews at that time.

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Speaker 1: I was just a real killing Mike. And when I

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Speaker 1: seen you brothers and he bunged you out, like I said,

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Speaker 1: And when I see what was going on, I was like,

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Speaker 1: this is all different. A black and a white brother

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Speaker 1: that has the same cause. For right now, your brother's

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Speaker 1: cause might be the most important and not in the

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Speaker 1: in the industry period because of race relations and everything

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Speaker 1: that we're dealing with. And again, like I said, I

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Speaker 1: had heard about running the Jewels, but I had never

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Speaker 1: seen you guys present until that very moment and when

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Speaker 1: I stepped back, because that's what I do. I still

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Speaker 1: stipped back. If everybody don't think I watched because I

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Speaker 1: act drunk, I always do. But I sat back and

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Speaker 1: I was like, damn, this is so important. I didn't

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Speaker 1: know how important it would be until write this moment,

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Speaker 1: Like I understand, you know, guy's having a number one album,

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Speaker 1: but this is something that should be celebrated because you

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Speaker 1: can't get blacker then kill a mic. And I tried,

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Speaker 1: and I like this and to have you, I pulled

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Speaker 1: out Cameron Cross. I said, I'm some white cigarettes. He said, no,

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Speaker 1: you don't know. You don't and he pulled out Americans

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Speaker 1: and I said, you are correct. I am not that

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Speaker 1: white to be white, like he's always a level of whiter.

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Speaker 1: So so so now you guys be an approach to

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Speaker 1: do this album because obviously LP is a person who

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Speaker 1: stands on his own. Killer Mike is a person that

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Speaker 1: stands on his own. So what was that moment like

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Speaker 1: where they was like, let's why don't your guys be

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Speaker 1: a group? Now that was that wants me to do

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Speaker 1: that we should make my solo album together. Yeah, that's

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Speaker 1: what that came. The opportunity for you a mixtape together.

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Speaker 1: We had just wrong to be friends, honestly, and just

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Speaker 1: clarified it was just me wanting to do a project.

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Speaker 1: I just wanted to do, like but we were already friends.

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Speaker 1: That's got to be you, right, Jami's I can't funk

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Speaker 1: with it. I think, okay, let's go for you guys. Yea,

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Speaker 1: the black guy drinks we see in this group. I

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Speaker 1: want my sky. You quit drinking, lazy. I didn't drinking

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Speaker 1: in two thousand and seven. I used to drink whisky

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Speaker 1: for having the weirdest liquor riscal mescal Jamison. There's multiples

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Speaker 1: that I like it that. Yeah, that's what I drink

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Speaker 1: that way on a white star because you're exactly I

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Speaker 1: dream what rich drug dealers I looked up I drink.

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Speaker 1: So so you guys make the group now with Lord,

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Speaker 1: we make the group, but we go on tour opening

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Speaker 1: for ourselves. So you gotta kill the Mike said, shows

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Speaker 1: LP said, and then a run of jewels said, all right,

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Speaker 1: so we prayer because we're known freak jewels with they

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Speaker 1: just killed. Yeah, y'all each other stuff, yeah over yself,

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Speaker 1: yeah on like nobody ever heard of it. Opened up

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Speaker 1: for running Jewels right the little at least so the boy.

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Speaker 1: So we were were, don't we We ain't sure it's

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Speaker 1: gonna pop, So we said we got to give him

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Speaker 1: a little of each We do thirty thirty and then

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Speaker 1: like thirty or forty five thirty thirty, I think forty five.

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Speaker 1: But the crazy ship is we playing with three to

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Speaker 1: five people rooms at that time. So we're playing small

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Speaker 1: rooms and it'll be a group of killing Mike fans.

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Speaker 1: They're like, oh, man, Ship, we have to see kill

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Speaker 1: the Mike. We sing each other, oh Man, okay, so LP,

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Speaker 1: I'll kind of fun with this guy the LP fans there,

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Speaker 1: Oh killing Mike, I'll never really oh, but I funk

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Speaker 1: with okay. Oh. And then it's just be a group

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Speaker 1: of kids just standing there like oh okay, like like

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Speaker 1: like I like rolling again, like I'll just none of

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Speaker 1: the the kids who was just standing there was young,

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Speaker 1: So I'm like, what the fun is these young kids

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Speaker 1: doing here? One started to see like the news Yeah,

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Speaker 1: but I'm like, wow, we want to come out as

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Speaker 1: as we would open for ourselves, walk our stage, come

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Speaker 1: out in the same fucking clothing as Run the Jewels,

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Speaker 1: and all of a sudden, this whole Yeah, motherfuckers, like

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Speaker 1: they didn't even realize it was was like jewels. After

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Speaker 1: the tour, I remember my management saying, so, yo, what

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Speaker 1: we're gonna do about the sola? I said, what the

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Speaker 1: funk solo? I ain't so I'm gonna group cancel that ship. Yeah,

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Speaker 1: but now both of you guys as being solo artists,

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Speaker 1: was it difficult to make that conversion? Or you just

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Speaker 1: grow with it? You know? It was so easy. That's

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Speaker 1: why we did it, Like like we just did that.

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Speaker 1: We did the music. What we did the music fun.

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Speaker 1: And I was raised in downtown Brooklyn for most of

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Speaker 1: my life, right outside of Phote all ship I grew.

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Speaker 1: I was born more than it happened downtown. I was

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Speaker 1: sick literally literally, let's hear my head. You don't know

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Speaker 1: about that ship? That's my kid? Come on, yes, now

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Speaker 1: we just did this ship. We just did this ship.

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Speaker 1: It wasn't really easy. Every time we did it was

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Speaker 1: just because it was the opposite of hard. Like we've

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Speaker 1: been doing our solo records for a long time. I

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Speaker 1: put my first I put my first album out with

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Speaker 1: Company Flow in seven so and I've had like, you know,

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Speaker 1: six or seven. We actually came up around the same

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Speaker 1: time and stretch a vib We're a big drive exactly.

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Speaker 1: But I mean, so how I think we had this

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Speaker 1: discussion with our guests yesterday how because I mean, at

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Speaker 1: the end of the day, I'm gonna be I need

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Speaker 1: to drink something please Yeah, yeah, I thought you drinking.

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Speaker 1: W I'll drink a shot of whiskey. But yeah, shot,

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Speaker 1: come on when that's one though, you can, don't let

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Speaker 1: me do any more him more fossible, very right there,

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Speaker 1: shot with shoot him up. I mean, I'm gonna sit

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Speaker 1: this actually, yeah, you got you gotta take that shot.

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Speaker 1: But that has sucked up. So so as you guys,

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Speaker 1: I listened to you guys music, and I can tell

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Speaker 1: that it's it's about real hip hop. At the end

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Speaker 1: of the day, I see you guys shows, I'll come

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Speaker 1: I watch it. I watch it online and watch the

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Speaker 1: live strange. So is it is it? Is it when

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Speaker 1: you hit new school hip hop? Is it like or

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Speaker 1: is it like whatever? Like these from younger Brothers do

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Speaker 1: they thing I'm like this ship sham Like yeah, I'm

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Speaker 1: from like I'm from the South. So, like I was

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Speaker 1: telling my partner today, I was run around my part

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Speaker 1: of James Man from Luxury Lifestyle Transportation. He was like,

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Speaker 1: you know what you think about the new guys that bunch,

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Speaker 1: I said, Man. I grew up in Atlanta, so half

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Speaker 1: my day was Looke, the Dogs, two Live Crew on

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Speaker 1: al the over half my day was Outcast Goodymall, Wu

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Speaker 1: Tank and Paula Reggan. No. So for me, I'm comfortable

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Speaker 1: in this space because I just get to get funked up.

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Speaker 1: Listen to all the ship that's real Hippop and all

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Speaker 1: the ship that variations are, and I don't bother by

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Speaker 1: none of the let me courage by all of it.

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Speaker 1: I never I never understand that ship. I never understand.

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Speaker 1: I don't I mean, you know, I just don't know

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Speaker 1: what you unders don't you know, I don't understand how

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Speaker 1: people can't find something enjoying, enjoying and the new g

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Speaker 1: music that's happening now, Like I agree, that's all I mean,

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Speaker 1: But it's not like I'm judging, and I'm just like

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Speaker 1: my perspective is like, you know, the eight A Way

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Speaker 1: that's so heavy right now, how could you not be

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Speaker 1: happy with that? It's so heavy right now? Father was

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Speaker 1: one of the greatest people I've ever met in my life, right,

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Speaker 1: kJ ain't know my pops. You know this is a

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Speaker 1: guy I really go up with. Rest called you can't

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Speaker 1: hear sus so sorry, what's your new name? Child? Friend?

295
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Speaker 1: But my father told me you always see what you

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Speaker 1: like in a person first, because if you see what

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Speaker 1: you like in the person, if they funk up, you

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Speaker 1: gave him all the chance and the chance in the

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Speaker 1: world to let them first. So that's what I do

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Speaker 1: with new hip hop. And I don't. I don't. I

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Speaker 1: don't feel myself disappointed. Like to me, it's just bad.

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Speaker 1: What's the guy? Don't go? But if you look on

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Speaker 1: my timeline weeks before that anchle we don't like timeline

304
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Speaker 1: and said, that's the hottest racket out and if you're

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Speaker 1: an old nigger, you don't let it. You just a hater.

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Speaker 1: I saw this could be like that, and not only that.

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Speaker 1: My girl is a real crowd. Please you're here, Like,

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Speaker 1: that's what we played? Did you not like it? We

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Speaker 1: played the ship on our tool us like he played

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Speaker 1: Futures last take, played the funk out of that ship.

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Speaker 1: Ray Sherman, we both love. I'm a huge Megals fan.

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Speaker 1: Like we play all the ship man. That's you know

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Speaker 1: what I think. I think that the more of legends

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Speaker 1: embrace the new guys, it's gonna make the culture broader.

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Speaker 1: If we don't, we do because because if you don't,

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Speaker 1: we don't because you know what you know. One time,

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Speaker 1: I um, I remember somebody saying to me, Damn, I

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Speaker 1: don't know how I'm just Burt Risky. I don't even

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Speaker 1: think riskey what Burt Risky is. Now. I'm sorry, but

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Speaker 1: somebody said to me, they said, why could you listen

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Speaker 1: to that ship? That's not real hip hop? That's not

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Speaker 1: what it is. And you know what I told him?

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Speaker 1: They said, they said, so why would you do that?

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Speaker 1: I said, because that's the same exact thing they told

325
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Speaker 1: me about me. They told me I wasn't real heavy

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Speaker 1: say that just like let's be fright. Let wen who

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Speaker 1: say that just as a non pussygether saying that you

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Speaker 1: can't be when all you can't be going to women

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Speaker 1: ladies where the fuffy you cannot be with them and

330
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Speaker 1: not hear the jams you just cat and a lot

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Speaker 1: of them like jams as real or not really? How

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Speaker 1: you see it, my man, if you've ever been in

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Speaker 1: Atlanta club and motherfucking me. Goals came on, you have

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Speaker 1: a ball and have blood and anything you walk out

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Speaker 1: of your understanding, you got you know, you know, you

336
00:19:19,640 --> 00:19:23,399
Speaker 1: know that. That's the thing, Mike, That's the thing. Everybody, everybody,

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00:19:23,440 --> 00:19:31,760
Speaker 1: everybody made it. Las Yes her capital. Everybody don't understand.

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Speaker 1: That's how you understand the record is. I don't give

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00:19:36,800 --> 00:19:41,120
Speaker 1: a fun. If the nigga's phone Oklahoma, I'm give you tall.

340
00:19:41,440 --> 00:19:44,920
Speaker 1: I don't give a funk if he's phone Tallahassee. If

341
00:19:45,000 --> 00:19:48,879
Speaker 1: you go to that town and you understand that town,

342
00:19:49,600 --> 00:19:51,760
Speaker 1: you will understand why this record is a hit record.

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Speaker 1: Now for me, you're looking at my career since nineties seven,

344
00:19:57,920 --> 00:20:03,119
Speaker 1: always embrace down south people because I'm going to my

345
00:20:03,359 --> 00:20:08,440
Speaker 1: FACI was like down south, super Doug was. It wasn't

346
00:20:08,480 --> 00:20:11,879
Speaker 1: it was on the south weak. But so I always

347
00:20:11,880 --> 00:20:15,560
Speaker 1: say braced the South because family when he was down south,

348
00:20:16,480 --> 00:20:20,200
Speaker 1: Like we just said on Mike Epps episode, Uh, where'd

349
00:20:20,240 --> 00:20:22,320
Speaker 1: your your mom's families must be from the South, from

350
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Speaker 1: South Carolina. I still like property in South Costa property

351
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Speaker 1: lest my wife is hard hilt head. So the thing

352
00:20:32,800 --> 00:20:35,600
Speaker 1: is I always I can't say I always knew the

353
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Speaker 1: South was gonna take over. But I always knew the

354
00:20:38,119 --> 00:20:41,440
Speaker 1: South was bigger than the East and the West, because

355
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Speaker 1: when you think about it, you got four talk about

356
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Speaker 1: four properties on the east, you've got four properties on

357
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Speaker 1: the west, and then at yos South. The worst thing

358
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Speaker 1: in the South could ever do is start to self

359
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Speaker 1: identify too much with our our cities and states. What

360
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Speaker 1: you mean by that, We used to have to identify

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Speaker 1: as a region because it was just like if you

362
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Speaker 1: talked with an access shoot on you, you're from the South.

363
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Speaker 1: Like so it wasn't It was like Miami and Houston

364
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Speaker 1: set it off, Atlanta and Tennessee, Memphis came as a tear,

365
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Speaker 1: and then you started getting all the cities. But when

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Speaker 1: we start to overly identified our particular city were bad.

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Speaker 1: We ain't got all the way off. But when we

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Speaker 1: do that, it's never good for us, when we go

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Speaker 1: all funk with all the niggas because they from Uston,

370
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Speaker 1: from Atlanta a fun nick. That's one thing we do,

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Speaker 1: that thing about that you always you guys always said

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Speaker 1: the South you got to you can't see LP. I

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Speaker 1: bet you. LP ain't never say I bet you. I've

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Speaker 1: never said the spoil over from New York you say,

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Speaker 1: I say the Queens. Yeah, but listen, help me. We

376
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Speaker 1: gotta start this me and you were started um right now.

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Speaker 1: We remember in the East South kind of do that

378
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Speaker 1: thing for a little. Ain't down South your nigs in

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Speaker 1: bolder morning to quit your niggas what us a there

380
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Speaker 1: was like it was a small period of time that

381
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Speaker 1: when the East West thing and people ain't the East

382
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Speaker 1: has never like right now, I've seen I've seen a

383
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Speaker 1: West Coast dude be pop of the down South dude.

384
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Speaker 1: And the first thing the West Coast dude was say

385
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Speaker 1: West Coast. And I said to myself, that's something that

386
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Speaker 1: East Coast guy can't say, because ain't nobody from the

387
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Speaker 1: East Coast going to have your back when you say

388
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Speaker 1: East Coast. You gotta fellies, you gotta say you y'all

389
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Speaker 1: say d C. You just can't say East Coast. Anybody's

390
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Speaker 1: one of the funniest days. I don't know the exact coast,

391
00:22:33,440 --> 00:22:36,560
Speaker 1: so don't coot me exactly. But I love I love man,

392
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Speaker 1: I literally love listening to East Coast radio. Right so

393
00:22:41,000 --> 00:22:42,840
Speaker 1: you're gonna you're gonna hear crazy ship. But I heard

394
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Speaker 1: one of my favorite DJs, old school you do say

395
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Speaker 1: yo for real, the East ist New York and I

396
00:22:50,960 --> 00:22:54,840
Speaker 1: think he said maybe Connecticut, Phil your Jersey gave little

397
00:22:54,920 --> 00:22:57,920
Speaker 1: one of the he said, not all the rest of

398
00:22:58,000 --> 00:23:02,080
Speaker 1: y'all niggas the South Ease, not knowing his halfway breaking

399
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Speaker 1: our bass because he honestly is one of the most

400
00:23:04,600 --> 00:23:09,639
Speaker 1: embracing DJs. But it was funny. Is fuck cousins from

401
00:23:09,640 --> 00:23:11,240
Speaker 1: New York. That's how they work for real, like man,

402
00:23:11,800 --> 00:23:14,560
Speaker 1: But you know, but that's but that's our problem. And

403
00:23:14,640 --> 00:23:17,480
Speaker 1: you know what, not only that, not only that, I'm

404
00:23:17,480 --> 00:23:20,400
Speaker 1: gonna tell you something, that is the way to divide

405
00:23:20,480 --> 00:23:23,879
Speaker 1: us period absolutely, because we're all humans at the end

406
00:23:23,880 --> 00:23:27,840
Speaker 1: of the death and then we're all we're all black,

407
00:23:28,080 --> 00:23:32,359
Speaker 1: and then we're all hip hop, we're all whatever soul.

408
00:23:32,880 --> 00:23:34,440
Speaker 1: You know what I'm trying to say. What I'm trying

409
00:23:34,480 --> 00:23:37,200
Speaker 1: to say is it's a divided conker thing. But the

410
00:23:37,280 --> 00:23:39,920
Speaker 1: crazy ship is the West Coast had that above the South,

411
00:23:40,600 --> 00:23:42,680
Speaker 1: and they had that above the East Coast. Is that

412
00:23:42,760 --> 00:23:46,200
Speaker 1: they could say West Coast and everybody from the West

413
00:23:46,280 --> 00:23:52,000
Speaker 1: from from Golden State, which Washington, Sacramento there is in

414
00:23:52,080 --> 00:23:56,800
Speaker 1: Texas to be like Watch Coast you need to because

415
00:23:57,000 --> 00:24:00,760
Speaker 1: but that was something that they had over and now

416
00:24:01,040 --> 00:24:05,160
Speaker 1: the South is actually applying back and people are saying

417
00:24:05,200 --> 00:24:07,000
Speaker 1: me for my South. I never thought i'd see the

418
00:24:07,119 --> 00:24:10,320
Speaker 1: day where East coast sam season melate the southern seas.

419
00:24:10,560 --> 00:24:12,960
Speaker 1: It's it's a blessing because it's all style. Like on

420
00:24:13,040 --> 00:24:15,119
Speaker 1: the old Kung Fut principles, how they used to compare

421
00:24:15,359 --> 00:24:20,560
Speaker 1: get popit Kong food. We had young girls South drove

422
00:24:20,960 --> 00:24:24,200
Speaker 1: actually grow when you heard panda, did you know that

423
00:24:24,400 --> 00:24:27,159
Speaker 1: that wasn't from my Lamba? And he said in me

424
00:24:28,160 --> 00:24:30,720
Speaker 1: he said the same shi and he said the same ship. Okay,

425
00:24:31,119 --> 00:24:36,800
Speaker 1: I was wrong, break that down. I mean, I mean,

426
00:24:36,840 --> 00:24:39,359
Speaker 1: you can just it ain't shouting, you know. It's like

427
00:24:39,600 --> 00:24:42,960
Speaker 1: it ain't say Hell say like my grandmother forced me

428
00:24:43,000 --> 00:24:44,680
Speaker 1: to speak a certain white like that's why I pay

429
00:24:44,760 --> 00:24:48,440
Speaker 1: for education. Is how you're doing. When I'm with a

430
00:24:48,560 --> 00:24:51,399
Speaker 1: group of my friends, It's like you should probably being

431
00:24:51,560 --> 00:24:54,040
Speaker 1: a Spanish fans like the hell saying I don't understand ship.

432
00:24:54,119 --> 00:24:56,920
Speaker 1: You save you with a bunch of managers. So it's

433
00:24:56,960 --> 00:25:00,760
Speaker 1: like I just yeah, but with this, but he does

434
00:25:00,840 --> 00:25:03,640
Speaker 1: a great emulation of future. He'd be lying if he's

435
00:25:03,640 --> 00:25:05,560
Speaker 1: saying it's not future that's not even a challenge to him.

436
00:25:05,560 --> 00:25:08,040
Speaker 1: But your style influences. It just be like me saying, say, yo,

437
00:25:08,119 --> 00:25:10,320
Speaker 1: I never listened to cue get the funk out of

438
00:25:10,520 --> 00:25:12,560
Speaker 1: the time you're giving you dog, This little kid grew

439
00:25:12,640 --> 00:25:14,720
Speaker 1: up on ice Cube. So with that, I just I

440
00:25:14,840 --> 00:25:17,840
Speaker 1: knew it wasn't future. But I knew future had become

441
00:25:17,880 --> 00:25:20,639
Speaker 1: the most powerful force. And round time I heard that record,

442
00:25:20,680 --> 00:25:22,159
Speaker 1: I was just like, oh, it's out of here. He

443
00:25:22,280 --> 00:25:25,119
Speaker 1: the one. But and you knew from the minute you

444
00:25:25,200 --> 00:25:26,920
Speaker 1: heard it that that wasn't for me. I knew that

445
00:25:27,000 --> 00:25:30,159
Speaker 1: one shan that wasn't the one that ain't shoot it

446
00:25:30,200 --> 00:25:33,679
Speaker 1: got that you got that wood fun But but why now?

447
00:25:33,760 --> 00:25:36,600
Speaker 1: But I remember because we were talking, it was funny,

448
00:25:36,880 --> 00:25:39,359
Speaker 1: funny to me because basically, even making me up, you

449
00:25:39,359 --> 00:25:42,960
Speaker 1: don't see how pooring this ship when the first of

450
00:25:43,040 --> 00:25:46,120
Speaker 1: what was that's coach, that's coach killing mank is drunk

451
00:25:46,119 --> 00:25:52,000
Speaker 1: already he didn't kill his glass. Look at that. Look

452
00:25:52,480 --> 00:25:56,960
Speaker 1: that was my fault. That what you got to do?

453
00:25:57,000 --> 00:25:59,880
Speaker 1: What I did? This sing? That's how they doing? Friends? Yeah,

454
00:26:03,880 --> 00:26:05,760
Speaker 1: and I knew it. I knew it, but not in

455
00:26:05,800 --> 00:26:08,520
Speaker 1: a bad way. I just knew it was like at

456
00:26:08,600 --> 00:26:11,639
Speaker 1: best I figured somebody from a Lamma head has had swags.

457
00:26:12,680 --> 00:26:14,680
Speaker 1: Like I was like, okay, shout, you know, he probably

458
00:26:14,840 --> 00:26:17,159
Speaker 1: all right, somebody who got some decide somebody really fun with.

459
00:26:17,680 --> 00:26:19,719
Speaker 1: But I knew it want him. He got flavor. Man.

460
00:26:19,920 --> 00:26:22,760
Speaker 1: He I'm gonna telling he got sould. Future has soul

461
00:26:22,920 --> 00:26:26,040
Speaker 1: that other arts not. The designer doesn't have future, but future.

462
00:26:26,160 --> 00:26:32,440
Speaker 1: You listen to the ship he's saying, it's dead generation

463
00:26:32,520 --> 00:26:37,600
Speaker 1: Tony Pendograph. Yeah, Like, I'm not gonna lie because a

464
00:26:37,720 --> 00:26:41,840
Speaker 1: lot of people don't really listen to futures words or

465
00:26:41,960 --> 00:26:46,800
Speaker 1: futures uh you know, it's harmonies or whatever. But when

466
00:26:46,840 --> 00:26:49,560
Speaker 1: you listen to that man, that man is it's peach.

467
00:26:49,680 --> 00:26:51,840
Speaker 1: It's preaching some ship. Yeah. And if you don't really

468
00:26:51,960 --> 00:26:55,879
Speaker 1: drink lean like that, he's really ill because he got

469
00:26:56,000 --> 00:26:58,480
Speaker 1: a whole community. That's just a real He got a

470
00:26:58,560 --> 00:27:03,800
Speaker 1: whole community follow him like this. He made drunk drunk

471
00:27:05,280 --> 00:27:12,480
Speaker 1: jokey's you lost? He did all right right now in

472
00:27:12,600 --> 00:27:15,200
Speaker 1: the hood. There are people in the hood that saying

473
00:27:15,200 --> 00:27:19,920
Speaker 1: I'm a drunk, I'm a jokey because they drink lean

474
00:27:20,080 --> 00:27:25,440
Speaker 1: all But that's what the future like increased. He increased

475
00:27:25,480 --> 00:27:29,440
Speaker 1: to be he testified. He didn't preach. If you listen

476
00:27:29,480 --> 00:27:31,800
Speaker 1: to his music, he's not saying you should do. And

477
00:27:31,880 --> 00:27:33,760
Speaker 1: that's what I wanted about blues. He said, this is

478
00:27:33,800 --> 00:27:36,720
Speaker 1: what I do, what I've done, and to me, that's

479
00:27:36,760 --> 00:27:41,440
Speaker 1: what's always separated Southern hip hop. You know what I'm saying, Like,

480
00:27:41,520 --> 00:27:44,919
Speaker 1: what you're hearing is is gospel. You of testimonial because

481
00:27:45,000 --> 00:27:47,639
Speaker 1: you're claiming it yourself. You ain't even saying applying to

482
00:27:47,720 --> 00:27:49,960
Speaker 1: nobody else. And really, if you want to look at

483
00:27:50,040 --> 00:27:53,480
Speaker 1: lean culture, you gotta give it to Hu Stuston. You

484
00:27:53,560 --> 00:27:55,639
Speaker 1: got but not even on something just tip, but like,

485
00:27:55,760 --> 00:27:58,679
Speaker 1: screw live the lifestyle. You know what I'm saying. When

486
00:27:58,680 --> 00:28:00,640
Speaker 1: you hear Paul Law talk about it, he's talking about

487
00:28:00,640 --> 00:28:02,800
Speaker 1: a lifestyle he's lived. You know what I mean. I

488
00:28:02,880 --> 00:28:05,080
Speaker 1: went down there when I first went independent. We stayed

489
00:28:05,080 --> 00:28:07,200
Speaker 1: for a couple of months, man, and just I came

490
00:28:07,240 --> 00:28:09,960
Speaker 1: out that bitch on the other side of Jake myself

491
00:28:10,000 --> 00:28:12,680
Speaker 1: because that ship was an obvious do nothing feel better

492
00:28:12,720 --> 00:28:15,119
Speaker 1: than heroin? That's why I go to you know what

493
00:28:15,160 --> 00:28:19,000
Speaker 1: I mean. So he's doing it pstimonially. You didn't know

494
00:28:19,119 --> 00:28:22,440
Speaker 1: about my leaving story for its coast to coast. The

495
00:28:22,520 --> 00:28:26,760
Speaker 1: niggas that I was on Coast to coast talk Coast

496
00:28:26,840 --> 00:28:31,040
Speaker 1: coast when Homston, who they bring me to the land

497
00:28:31,080 --> 00:28:33,879
Speaker 1: House Slier and my mind is a lan house. I

498
00:28:33,880 --> 00:28:36,120
Speaker 1: don't know why I take a franchise. I walked there,

499
00:28:38,400 --> 00:28:42,160
Speaker 1: What are you sorry? I said, I ain't doing that ship.

500
00:28:42,200 --> 00:28:45,760
Speaker 1: They said, well you be fuck your homeboys and them

501
00:28:45,800 --> 00:28:48,280
Speaker 1: sucked up ship. I said, I didn't know what it was,

502
00:28:48,320 --> 00:28:51,440
Speaker 1: sucked up lane, but he gave me a double cover

503
00:28:51,440 --> 00:28:54,640
Speaker 1: of some ship, and I kid you, I was talking

504
00:28:54,720 --> 00:28:59,840
Speaker 1: the whole time today exactly exactly. That's why I was.

505
00:29:00,160 --> 00:29:02,480
Speaker 1: I want to do that. I'm like the old hot

506
00:29:03,840 --> 00:29:07,960
Speaker 1: I won't ain't killing all when I'm talking about man.

507
00:29:08,160 --> 00:29:13,240
Speaker 1: Shad showed a certain first Bud called me about the

508
00:29:13,320 --> 00:29:14,760
Speaker 1: lean Bun just called me out of the one day

509
00:29:14,800 --> 00:29:17,400
Speaker 1: like cat see, I can't to rescue me guy. He

510
00:29:17,440 --> 00:29:18,680
Speaker 1: was like, I was like, what's up? He was like,

511
00:29:18,720 --> 00:29:20,040
Speaker 1: I want to talk to you about something. I was

512
00:29:20,040 --> 00:29:22,280
Speaker 1: like what he said about that drunk and he gave

513
00:29:22,320 --> 00:29:24,520
Speaker 1: me a fifth team inte lecture and I ain't never

514
00:29:24,640 --> 00:29:26,200
Speaker 1: funk with that. I was like, I'm cool on that

515
00:29:26,280 --> 00:29:28,520
Speaker 1: ship because I respect my O G. I didn't want that.

516
00:29:28,800 --> 00:29:30,840
Speaker 1: But you don't know what to think about lead is

517
00:29:30,960 --> 00:29:33,400
Speaker 1: you can't actually control it. The thing about we is

518
00:29:33,480 --> 00:29:35,160
Speaker 1: I could actually say I'm not I don't want to

519
00:29:35,160 --> 00:29:37,480
Speaker 1: be hot normal, Yeah exactly, But it's can't do that

520
00:29:37,560 --> 00:29:40,440
Speaker 1: on me. It's leading. It's like you saying it's leading

521
00:29:40,480 --> 00:29:42,480
Speaker 1: you the hair on my nig, like, don't make no

522
00:29:42,680 --> 00:29:46,160
Speaker 1: mistakes about I had showed the surgery like a year

523
00:29:46,240 --> 00:29:51,760
Speaker 1: a half, little up in the sling. First day pain killers,

524
00:29:52,280 --> 00:29:57,400
Speaker 1: who feel a rush like, second day, a little sick,

525
00:29:57,520 --> 00:29:59,720
Speaker 1: little constipation ship because that's what the duty to a

526
00:30:00,040 --> 00:30:02,320
Speaker 1: the stomach. Next day like they have a pop it again.

527
00:30:02,520 --> 00:30:04,400
Speaker 1: Third day, my wife fly me to Miami. She said,

528
00:30:04,400 --> 00:30:06,760
Speaker 1: too many people bother you. She fled me here to stay.

529
00:30:06,880 --> 00:30:09,280
Speaker 1: We in fu we out on the balcony. I do

530
00:30:09,400 --> 00:30:11,120
Speaker 1: want them in so much pain. I talked to my

531
00:30:11,240 --> 00:30:14,560
Speaker 1: wife for dirty to forty five minutes, have a full

532
00:30:14,680 --> 00:30:17,440
Speaker 1: conversation with her in her face. Afterwards, she said, we

533
00:30:17,480 --> 00:30:20,080
Speaker 1: didn't say a word to each other. That's when I

534
00:30:20,200 --> 00:30:22,600
Speaker 1: knew I'm not taking these paincas. I suffered the rest

535
00:30:22,640 --> 00:30:25,520
Speaker 1: of that month through. I can't anything that puts me

536
00:30:25,560 --> 00:30:28,040
Speaker 1: in this. It is too good and I like drugs

537
00:30:28,720 --> 00:30:48,560
Speaker 1: for this. That's test to Welcome to play a new

538
00:30:48,720 --> 00:30:54,200
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

539
00:30:54,320 --> 00:30:58,720
Speaker 1: and more. Play it at play dot It. We're back

540
00:30:58,840 --> 00:31:01,920
Speaker 1: to Drink Chaps rad Yo with Rapper and R and

541
00:31:02,120 --> 00:31:07,400
Speaker 1: d J. Yes, yeah, but I got the number one

542
00:31:07,480 --> 00:31:18,560
Speaker 1: album The motherfucking Country We number one. Whatever we said,

543
00:31:18,560 --> 00:31:24,640
Speaker 1: I don't give a void telling her shirts like she right,

544
00:31:25,160 --> 00:31:28,680
Speaker 1: everybody know what and y'all real hip hop LP. I

545
00:31:28,720 --> 00:31:35,160
Speaker 1: want to want you to understand and uh acknowledge how

546
00:31:35,280 --> 00:31:39,280
Speaker 1: much we appreciate I wanted to go understanding it, nownledge it,

547
00:31:39,760 --> 00:31:46,320
Speaker 1: and we appreciate you. I want to understand and acknowledge

548
00:31:46,440 --> 00:31:49,040
Speaker 1: that when you was running around with Bernie sand Is,

549
00:31:49,400 --> 00:31:51,240
Speaker 1: I couldn't have been more proud of you. That's the

550
00:31:51,320 --> 00:31:53,800
Speaker 1: only party time I didn't use your number, Like I

551
00:31:53,960 --> 00:31:56,560
Speaker 1: was watching on the campaign trail and I wanted to

552
00:31:56,640 --> 00:31:58,840
Speaker 1: call you, but I said, I know I'm a felon.

553
00:32:00,680 --> 00:32:05,360
Speaker 1: Do think VOTs his tap, I'm not gonna call at

554
00:32:05,440 --> 00:32:10,840
Speaker 1: this moment. Definitely definitely rooted for you like that, but

555
00:32:10,920 --> 00:32:14,000
Speaker 1: I was excited it, like because just get you a cline.

556
00:32:14,640 --> 00:32:17,160
Speaker 1: I was worried I'm trying. We want to get your

557
00:32:17,240 --> 00:32:19,800
Speaker 1: rights fact up. I want my rights. I want you

558
00:32:19,840 --> 00:32:22,000
Speaker 1: to have them back, voting, cut on the ship, all

559
00:32:22,160 --> 00:32:24,280
Speaker 1: that served, all that, and then we will go out

560
00:32:24,320 --> 00:32:30,560
Speaker 1: absolutely absolutely, but you doing. How was Bernie pulls to

561
00:32:30,640 --> 00:32:35,240
Speaker 1: run as a third party? Ultimately? I think his purpose

562
00:32:35,360 --> 00:32:37,440
Speaker 1: was to transform the Democratic Party, and I think that

563
00:32:37,520 --> 00:32:41,240
Speaker 1: started to happen because he had a better chance. I

564
00:32:41,320 --> 00:32:44,200
Speaker 1: think I think we get picked. How did I mean, well,

565
00:32:44,240 --> 00:32:45,560
Speaker 1: we know how she got picked. The court to the

566
00:32:45,640 --> 00:32:51,320
Speaker 1: emails and my names were here, you know they you know,

567
00:32:51,600 --> 00:32:54,040
Speaker 1: it looks like it looks like from what has been

568
00:32:54,120 --> 00:32:57,640
Speaker 1: proven to be factual that members of the Democratic National

569
00:32:57,640 --> 00:33:02,200
Speaker 1: Committee that they conspired against Bernie Sanders to such extremes

570
00:33:02,320 --> 00:33:06,320
Speaker 1: as giving her questions in advance and prompting their media

571
00:33:06,400 --> 00:33:09,440
Speaker 1: agents to downplay Bernie to the tune of Trump getting

572
00:33:10,040 --> 00:33:12,480
Speaker 1: more viewership because they pushed him and cruise early because

573
00:33:12,480 --> 00:33:14,800
Speaker 1: they thought there was a ridiculous vote. So I would

574
00:33:14,800 --> 00:33:17,280
Speaker 1: just say, Americans, if you're going to be angry about something,

575
00:33:17,760 --> 00:33:19,720
Speaker 1: make sure you're angry about everything you know, don't be

576
00:33:19,880 --> 00:33:23,560
Speaker 1: don't just be angry that your child be angry. Your

577
00:33:23,600 --> 00:33:26,160
Speaker 1: child lie to you, stole and as a theme you

578
00:33:26,240 --> 00:33:32,560
Speaker 1: know Trump speeches. Yeah, he was talking about that. He's

579
00:33:32,600 --> 00:33:38,040
Speaker 1: doing what it's about to be an interesting place. Yeah,

580
00:33:39,320 --> 00:33:42,920
Speaker 1: Americans state for the next cigarettes in here? All right,

581
00:33:44,440 --> 00:33:49,920
Speaker 1: cigarette break, that's just why no more on the cusp.

582
00:33:56,640 --> 00:34:02,400
Speaker 1: What I mean, what I know about this show New York.

583
00:34:02,560 --> 00:34:05,720
Speaker 1: You can't get no nowhere. Let's take them on. It's gone.

584
00:34:05,720 --> 00:34:10,319
Speaker 1: I'm just last like this ship from your show. Yeah,

585
00:34:10,360 --> 00:34:14,600
Speaker 1: it's terrible. This is the right. Why do you want

586
00:34:14,640 --> 00:34:16,560
Speaker 1: to do this? Person at Collin told me how to

587
00:34:16,680 --> 00:34:19,279
Speaker 1: juice the ship? Why would you do this? And it's

588
00:34:19,280 --> 00:34:22,120
Speaker 1: actually gonna take you Listen, if you actually want a

589
00:34:22,200 --> 00:34:24,960
Speaker 1: diet and you'd like trying to do ship, this is

590
00:34:25,120 --> 00:34:27,759
Speaker 1: actually the only alcohol that won't affect you. Won't post

591
00:34:27,760 --> 00:34:33,120
Speaker 1: to smell it. Don't smell it like Castolet take your

592
00:34:33,160 --> 00:34:36,840
Speaker 1: whole like alright, alright, that's your numb Why do you

593
00:34:36,920 --> 00:34:38,919
Speaker 1: want to see your world? That's how you're doing listen,

594
00:34:39,239 --> 00:34:55,840
Speaker 1: take it to sho. Oh my god, let let's settle

595
00:34:55,960 --> 00:35:00,320
Speaker 1: you see my friend taste like smer Man, Look we

596
00:35:00,560 --> 00:35:07,080
Speaker 1: nipples out this ship. He's like, yeah, we all year

597
00:35:12,280 --> 00:35:16,440
Speaker 1: this ship. I still tasted and blast. Oh yeah, it's

598
00:35:16,600 --> 00:35:23,120
Speaker 1: tasted your chats. Wait till you take your ship. What

599
00:35:23,320 --> 00:35:31,399
Speaker 1: is this? You know what the fun is that? What's that? Yo,

600
00:35:32,160 --> 00:35:36,239
Speaker 1: nigd you drinking? Shoot, nigga, This is the bottom of

601
00:35:36,280 --> 00:35:40,120
Speaker 1: a Timberlin loaf, you know, ter walking the great one

602
00:35:40,160 --> 00:35:42,880
Speaker 1: of tin y'all know the timberlos we're wearing fun in George.

603
00:35:42,920 --> 00:35:44,759
Speaker 1: I never seen New York niggas he like, this is

604
00:35:44,800 --> 00:35:46,960
Speaker 1: the bottom of one. This is the drink when you get,

605
00:35:47,000 --> 00:35:55,680
Speaker 1: when you got the whole album, the country starting you start.

606
00:35:56,400 --> 00:35:59,279
Speaker 1: Last time I saw you were wearing Rosco's across the

607
00:35:59,360 --> 00:36:02,120
Speaker 1: street to be smoking dope and drinking champagne and the

608
00:36:02,560 --> 00:36:04,960
Speaker 1: super which is why I love you. We were so

609
00:36:05,160 --> 00:36:09,920
Speaker 1: discussed yet I was a little you were at the

610
00:36:09,960 --> 00:36:12,960
Speaker 1: hotel though after you bastards who wanted to know who

611
00:36:13,080 --> 00:36:16,680
Speaker 1: see me suffering under Josh Spice in the gym every

612
00:36:16,719 --> 00:36:19,920
Speaker 1: fucking morning, norrious the dude to hit me up like, Yo,

613
00:36:20,600 --> 00:36:22,359
Speaker 1: you're fat. This is how you're gonna lose some weight.

614
00:36:22,440 --> 00:36:27,480
Speaker 1: Et fashionables shoes and running and walk. That's as fun

615
00:36:27,600 --> 00:36:30,880
Speaker 1: with you for that, for it. I definitely love your

616
00:36:30,920 --> 00:36:34,040
Speaker 1: wife as well. Is really all like pots him and

617
00:36:34,120 --> 00:36:37,239
Speaker 1: my wife. You know what it is we have to

618
00:36:38,760 --> 00:36:41,040
Speaker 1: continue to stay in our legends. We got to be

619
00:36:41,160 --> 00:36:44,400
Speaker 1: here in our category. And now again this is not

620
00:36:44,560 --> 00:36:47,760
Speaker 1: no nothing racial. This is I think hip hop should

621
00:36:47,800 --> 00:36:52,560
Speaker 1: be a race I feel you right honestly because unified.

622
00:36:52,719 --> 00:36:55,200
Speaker 1: Because yes, that's what about it. There could be a

623
00:36:55,320 --> 00:36:58,600
Speaker 1: person who don't maybe don't like black people or maybe

624
00:36:58,680 --> 00:37:01,200
Speaker 1: don't like white people. Guess what, he liked hip hop,

625
00:37:01,760 --> 00:37:05,960
Speaker 1: So that makes him in my fraternity. I look at it,

626
00:37:06,040 --> 00:37:07,920
Speaker 1: like you know what I'm saying. I look at him

627
00:37:08,120 --> 00:37:11,719
Speaker 1: as as my fraternity. And if you look at it,

628
00:37:12,880 --> 00:37:15,560
Speaker 1: if you if you always see a drug dealer from

629
00:37:15,560 --> 00:37:18,760
Speaker 1: the hood, they'll say, well, my lawyer know the judge

630
00:37:19,600 --> 00:37:22,320
Speaker 1: because you know why they went in the same Absolutely,

631
00:37:23,239 --> 00:37:27,080
Speaker 1: but why we can't have our same atterm Why you

632
00:37:27,200 --> 00:37:29,880
Speaker 1: can't be sixty five years old and say you know

633
00:37:30,000 --> 00:37:35,200
Speaker 1: what can play? Oh yeah, yeah that absolutely. My grandchildren

634
00:37:35,280 --> 00:37:38,880
Speaker 1: play with your grandchildren. Because the thing is, if we

635
00:37:38,960 --> 00:37:41,160
Speaker 1: don't sustain this culture, and it's not a race thing.

636
00:37:41,840 --> 00:37:44,680
Speaker 1: It's the biggest part about it. It's not a race thing.

637
00:37:45,840 --> 00:37:49,239
Speaker 1: It's a cultural saying absolutely, and we all will leave

638
00:37:49,280 --> 00:37:51,600
Speaker 1: in the same culture if you all love hip hop.

639
00:37:52,480 --> 00:37:54,240
Speaker 1: That's why I think it should be a hip hop flag.

640
00:37:54,520 --> 00:37:56,680
Speaker 1: I think it should be hip hop insurance. I think

641
00:37:56,719 --> 00:38:00,560
Speaker 1: it should be definitely need hip hop benefits. It's like

642
00:38:00,640 --> 00:38:04,680
Speaker 1: a sag for him, Like I mean, I thought about

643
00:38:04,680 --> 00:38:07,320
Speaker 1: it real long and hard, and the only other business

644
00:38:07,400 --> 00:38:09,880
Speaker 1: that don't have this type of insurance don't have this.

645
00:38:10,080 --> 00:38:14,000
Speaker 1: It's boxing, don't BEAUTI sport and life. This is a

646
00:38:14,080 --> 00:38:17,360
Speaker 1: sport where you go in and you can die like hippop,

647
00:38:19,080 --> 00:38:22,239
Speaker 1: but you go with it literally that you're disposable real

648
00:38:22,320 --> 00:38:26,880
Speaker 1: quickly and you're not attected. Why can't we as smart individuals,

649
00:38:27,239 --> 00:38:31,479
Speaker 1: individual lives, I mean, excuse be unified. David Benner, Okay,

650
00:38:31,560 --> 00:38:33,960
Speaker 1: David Manner, you're in charge of the funds, absolutely, you

651
00:38:34,120 --> 00:38:37,120
Speaker 1: in charge, all right, kill him like you know, okay,

652
00:38:37,280 --> 00:38:42,120
Speaker 1: LPF and we all alright cool. Everybody making figy thousand

653
00:38:42,160 --> 00:38:45,120
Speaker 1: a month, we don't want your fid A money. Take

654
00:38:45,239 --> 00:38:47,760
Speaker 1: fifty hundred dollars of that. Put it to the side.

655
00:38:47,880 --> 00:38:52,600
Speaker 1: So when a person like a random person just name

656
00:38:52,760 --> 00:38:56,440
Speaker 1: artist Cassidy for got you, Cassidy gets in the car,

657
00:38:58,320 --> 00:39:03,560
Speaker 1: we gotta we handled that. It's over. Gonna worry about that. No,

658
00:39:03,800 --> 00:39:06,640
Speaker 1: I think I think it's possible. It's all really you're

659
00:39:06,680 --> 00:39:10,400
Speaker 1: saying is alternative streams of revenue in business. So when

660
00:39:10,400 --> 00:39:13,279
Speaker 1: he said like, no, no, I don't turn it. But

661
00:39:15,200 --> 00:39:18,160
Speaker 1: I'm from Atlanta, Georgia, right, So that I got straight

662
00:39:18,239 --> 00:39:21,000
Speaker 1: up a guy named Alonzo Herndon who started a barbershop

663
00:39:21,080 --> 00:39:23,520
Speaker 1: with all black guys cutting who would only serve as

664
00:39:23,560 --> 00:39:25,960
Speaker 1: white men white business men in Atlanta. He learned from

665
00:39:25,960 --> 00:39:28,560
Speaker 1: ship listening in the barbershop. Then he learned that white

666
00:39:28,600 --> 00:39:31,880
Speaker 1: people got buried by insurance. And you paid into an

667
00:39:31,920 --> 00:39:33,839
Speaker 1: insurance at the time you die, you know, you'd had

668
00:39:33,920 --> 00:39:36,080
Speaker 1: get a few thousand dollars to buryer whatnot, because you

669
00:39:36,120 --> 00:39:38,319
Speaker 1: at least want your person to go on respectfully and ship.

670
00:39:38,600 --> 00:39:40,479
Speaker 1: And he's like, well, damn on. The black community don't

671
00:39:40,520 --> 00:39:43,560
Speaker 1: have that. So he went to one of the white companies.

672
00:39:43,560 --> 00:39:45,600
Speaker 1: Of course it got bonded, like hey, you know, I'm

673
00:39:45,600 --> 00:39:47,879
Speaker 1: gonna bring you this much business what on the road,

674
00:39:48,000 --> 00:39:52,200
Speaker 1: and he became the largest minority ensured in the South.

675
00:39:52,280 --> 00:39:55,000
Speaker 1: They had an Atlanta Life buildings on alban Avenue. He's

676
00:39:55,160 --> 00:39:59,440
Speaker 1: really a very big reason Atlanta such a business capital

677
00:39:59,520 --> 00:40:02,680
Speaker 1: now and people in Atlanta had so absolutely hip hop

678
00:40:02,680 --> 00:40:04,400
Speaker 1: will do the same thing I started last year, and

679
00:40:04,400 --> 00:40:05,719
Speaker 1: I want y'all to check me out. You know I

680
00:40:05,719 --> 00:40:08,799
Speaker 1: ain't smoking the blunt. Last year I did the back

681
00:40:09,760 --> 00:40:13,480
Speaker 1: up bank, black bank, small bank local. So of course

682
00:40:13,560 --> 00:40:16,120
Speaker 1: the America's assholes and everybody just want to argue about race.

683
00:40:16,520 --> 00:40:20,279
Speaker 1: Everybody either cupid banks in Atlanta B, I mean Miami B.

684
00:40:20,680 --> 00:40:22,040
Speaker 1: I don't know the cupid banks, but I know it's

685
00:40:22,040 --> 00:40:24,719
Speaker 1: a goddamn lot of It's a new bank every time

686
00:40:24,760 --> 00:40:31,120
Speaker 1: I come here. Thank you. The reason I said back bank,

687
00:40:31,239 --> 00:40:33,880
Speaker 1: black bank, small blank local for black people, you need

688
00:40:33,960 --> 00:40:36,120
Speaker 1: to be able to bank with the institution is directly

689
00:40:36,200 --> 00:40:39,120
Speaker 1: reflective in your community, right right, So you can back

690
00:40:39,400 --> 00:40:48,880
Speaker 1: place old. Let's go. This is beyond politics though. This

691
00:40:49,040 --> 00:40:51,239
Speaker 1: is like our Asian brothers and sisters. They they vote

692
00:40:51,280 --> 00:40:53,600
Speaker 1: less to anybody getting They have higher political influence to

693
00:40:53,640 --> 00:40:55,600
Speaker 1: anybody in this room because they put their money behind

694
00:40:55,960 --> 00:40:58,239
Speaker 1: candidates and calls it. So you look like you got

695
00:40:58,280 --> 00:41:00,759
Speaker 1: one United in Miami, got sistens Us in Atlanta. You've

696
00:41:00,760 --> 00:41:04,680
Speaker 1: got Industrial Bank up and in DC blacks. Yeah, but

697
00:41:04,800 --> 00:41:07,080
Speaker 1: these are black bank tracks. So you get you your

698
00:41:07,160 --> 00:41:09,200
Speaker 1: community to shift the money, not all of it. Just

699
00:41:09,280 --> 00:41:12,080
Speaker 1: take a couple hundred dollars, couple thounand dollars um put

700
00:41:12,160 --> 00:41:14,480
Speaker 1: into the bank. Started saving as a credit line, and

701
00:41:15,160 --> 00:41:17,239
Speaker 1: buy some stock in that bank. So if you got

702
00:41:17,320 --> 00:41:19,680
Speaker 1: a couple of grand right now, last year was just

703
00:41:20,080 --> 00:41:21,759
Speaker 1: put some money into bank. Because what I wanted us

704
00:41:21,800 --> 00:41:23,759
Speaker 1: to learn how to do was use our money. So

705
00:41:23,920 --> 00:41:26,120
Speaker 1: put some money in the bank, get a debit card,

706
00:41:26,360 --> 00:41:28,319
Speaker 1: get a credit card, learn how to build your credit,

707
00:41:28,320 --> 00:41:30,640
Speaker 1: and learn how to save money. Say one dollar every

708
00:41:30,680 --> 00:41:32,279
Speaker 1: ten dollars you make, you make it down all save

709
00:41:32,280 --> 00:41:33,800
Speaker 1: a hundred, right, you know how to do that. So

710
00:41:34,120 --> 00:41:37,320
Speaker 1: Citizens Trust actually started another card to help people with

711
00:41:37,400 --> 00:41:39,959
Speaker 1: a smudge on their credit repair it all. So bank

712
00:41:40,040 --> 00:41:42,200
Speaker 1: black bank, small bank locals or even if you black,

713
00:41:42,320 --> 00:41:44,480
Speaker 1: ain't no black banks. Get the community to go to

714
00:41:44,560 --> 00:41:46,680
Speaker 1: one bank, one small bank and said we don't wanna

715
00:41:46,719 --> 00:41:48,400
Speaker 1: only bank with you, but we're gonna bank with you

716
00:41:48,520 --> 00:41:50,759
Speaker 1: at lord calls that lord at MP ship like that.

717
00:41:51,200 --> 00:41:54,400
Speaker 1: So the reason you do that first, absolutely can if

718
00:41:54,440 --> 00:41:55,840
Speaker 1: you go as a group. If you go, boy, you

719
00:41:55,880 --> 00:41:59,120
Speaker 1: got something gonna laugh you at the door. So you

720
00:41:59,280 --> 00:42:03,400
Speaker 1: do that, that happens you get a little stronger individually. Individually,

721
00:42:03,400 --> 00:42:05,040
Speaker 1: you gotta get strong first. If I don't get my

722
00:42:05,080 --> 00:42:06,960
Speaker 1: fat as in the gym. I can't jump round on

723
00:42:07,040 --> 00:42:09,360
Speaker 1: stage and it's firing nobody else. So get yourself and

724
00:42:09,400 --> 00:42:12,360
Speaker 1: shaped individually with your money. Then you get the community

725
00:42:12,400 --> 00:42:14,480
Speaker 1: around it. So whether it's a black bake or small bank,

726
00:42:14,520 --> 00:42:17,399
Speaker 1: y'all all bank where you do that banking there. Then

727
00:42:17,520 --> 00:42:21,279
Speaker 1: you start to challenge for small business laws directly. For

728
00:42:21,480 --> 00:42:23,239
Speaker 1: so this little store could be a coffee shop, it

729
00:42:23,239 --> 00:42:24,880
Speaker 1: could be this store would be something else. Why do

730
00:42:25,040 --> 00:42:26,800
Speaker 1: we have to always go to Starbucks something else? You

731
00:42:26,880 --> 00:42:29,480
Speaker 1: don't have to if you get the law. And if

732
00:42:29,480 --> 00:42:31,359
Speaker 1: you're in church, tell your church we want to see

733
00:42:31,360 --> 00:42:34,640
Speaker 1: two business plans come about. Congregation or we're not tiing

734
00:42:34,719 --> 00:42:37,120
Speaker 1: for this year. But how do we make black banks pop?

735
00:42:37,440 --> 00:42:41,400
Speaker 1: I'm gonna tell you least need to move money to

736
00:42:41,600 --> 00:42:44,000
Speaker 1: black banks in the immediate Serious in Trust has a

737
00:42:44,200 --> 00:42:48,200
Speaker 1: ninety five year great record that this killer Mike and

738
00:42:48,320 --> 00:42:50,840
Speaker 1: Norry need to shoot videos and citizens. I think we

739
00:42:50,920 --> 00:42:52,600
Speaker 1: need to wrap it in our reps. You know what

740
00:42:52,640 --> 00:42:56,279
Speaker 1: I'm saying. I used to I got a million that

741
00:42:56,320 --> 00:43:00,640
Speaker 1: ship the citizens Trust Trust even learns that there and

742
00:43:00,640 --> 00:43:02,600
Speaker 1: saying there's a one united in the Miami, there's a

743
00:43:02,640 --> 00:43:06,960
Speaker 1: Seniors Trust. Are the I P D they they they

744
00:43:07,320 --> 00:43:12,240
Speaker 1: they're banking with US industrial mechanics and farmers or small

745
00:43:12,400 --> 00:43:14,560
Speaker 1: and local. Even if you can't go black, if you

746
00:43:14,920 --> 00:43:17,520
Speaker 1: go small, go local, get with one of those smaller banks.

747
00:43:17,719 --> 00:43:20,719
Speaker 1: L um elw also do our county with a small bank.

748
00:43:20,800 --> 00:43:22,879
Speaker 1: They waive our fees. We don't get the same fees

749
00:43:22,920 --> 00:43:25,480
Speaker 1: other people. But it's because our county firm takes all

750
00:43:25,480 --> 00:43:27,880
Speaker 1: of their business there. So you know what, I'm just

751
00:43:28,000 --> 00:43:31,200
Speaker 1: simply saying, you know, hip hop can do anything we

752
00:43:31,320 --> 00:43:34,520
Speaker 1: want to do if we focus on us. If we

753
00:43:34,640 --> 00:43:37,640
Speaker 1: say I like Javinci, I like Louis, I like all

754
00:43:37,719 --> 00:43:39,840
Speaker 1: that ship. But you got so many purposes. But I

755
00:43:40,040 --> 00:43:44,440
Speaker 1: missed the days of Maurice Malone Clark can I You know,

756
00:43:44,480 --> 00:43:46,200
Speaker 1: I'm just saying, get a homie up the block who

757
00:43:46,280 --> 00:43:50,200
Speaker 1: printing T shirts. Give them a shot. Yeah, because we're

758
00:43:50,200 --> 00:43:52,960
Speaker 1: gonna hire. You know, you're gonna hire people that you're

759
00:43:53,000 --> 00:43:54,719
Speaker 1: not afraid of. You know what I mean. Willie Esco

760
00:43:54,880 --> 00:43:59,840
Speaker 1: is like a homie actually invest in politics and what

761
00:44:00,040 --> 00:44:03,279
Speaker 1: mean by yes? Yes? Like I feel like yes, I

762
00:44:03,360 --> 00:44:07,360
Speaker 1: feel like killing Mike should be no, We're no fucking no.

763
00:44:10,640 --> 00:44:13,880
Speaker 1: I feel like killing Mike should be mayor of alta,

764
00:44:13,880 --> 00:44:19,400
Speaker 1: thank you exactly mean, be governor of Atlanta would make

765
00:44:19,440 --> 00:44:23,080
Speaker 1: such a great no, he to me down Chip on

766
00:44:23,160 --> 00:44:26,200
Speaker 1: the show, too bad jumping into the politics. But this

767
00:44:26,320 --> 00:44:29,440
Speaker 1: is that he becomes mayor though it's what it's the

768
00:44:29,560 --> 00:44:35,160
Speaker 1: day that I moved to Atlanta, you know's a real estate. Friends,

769
00:44:35,200 --> 00:44:40,440
Speaker 1: like we hit me out LP right, how much can

770
00:44:40,560 --> 00:44:44,600
Speaker 1: we complain if we're in a position like it's like

771
00:44:44,800 --> 00:44:46,680
Speaker 1: it's like it's like it's like it's like it's like

772
00:44:46,760 --> 00:44:50,400
Speaker 1: you watching the port on flip, right, and if you

773
00:44:50,480 --> 00:44:52,960
Speaker 1: watch a pont on Flip, you just gotta watch it

774
00:44:53,040 --> 00:44:56,280
Speaker 1: because you're watching take. But if you're watching a point

775
00:44:56,280 --> 00:44:58,799
Speaker 1: of flip happened and you're like, he's not doing it right,

776
00:44:58,880 --> 00:45:01,279
Speaker 1: I could do it better. You can actually jump in.

777
00:45:01,880 --> 00:45:10,120
Speaker 1: That's real ship. Let me let me actually actually were

778
00:45:10,200 --> 00:45:14,120
Speaker 1: not told me I got it from there, I got

779
00:45:14,600 --> 00:45:16,600
Speaker 1: you can jump in. And then the thing about it

780
00:45:16,760 --> 00:45:20,760
Speaker 1: is that's how him Bob is. Right now, we're watching

781
00:45:20,800 --> 00:45:22,640
Speaker 1: the phone on Flip and we can actually say that

782
00:45:23,480 --> 00:45:26,920
Speaker 1: we got We're gonna throw some hot sauce in the draw.

783
00:45:27,080 --> 00:45:29,160
Speaker 1: I think we got hip hop in politics. I think

784
00:45:29,200 --> 00:45:33,600
Speaker 1: we need to put some hip hop money behind it direct.

785
00:45:34,600 --> 00:45:39,640
Speaker 1: Let's not President Obama yet. I want to say not yet.

786
00:45:39,719 --> 00:45:43,200
Speaker 1: I want to say. You have people like Senator Nina Turner,

787
00:45:44,080 --> 00:45:46,440
Speaker 1: who was who was a representator, she was out of Ohio.

788
00:45:46,480 --> 00:45:48,320
Speaker 1: You don't think actually, I don't think she holds office anymore,

789
00:45:48,360 --> 00:45:51,040
Speaker 1: but she was serge for Sanders. She is one of

790
00:45:51,080 --> 00:45:53,800
Speaker 1: the more powerful women I've seen in politics since Shirley Chisholm.

791
00:45:54,120 --> 00:45:56,520
Speaker 1: You know, I mean, she is absolutely powerful. She's young,

792
00:45:57,000 --> 00:46:00,239
Speaker 1: she gets it, She's young enough to understand all enough

793
00:46:00,280 --> 00:46:02,479
Speaker 1: to really get it. We should be sending her money

794
00:46:02,560 --> 00:46:04,839
Speaker 1: for her next campaign already. You know, if you if

795
00:46:04,880 --> 00:46:07,560
Speaker 1: you're not happy with Corey Booker right now, you're looking

796
00:46:07,600 --> 00:46:09,920
Speaker 1: for a black Democrat to support, you need to Turners

797
00:46:09,920 --> 00:46:12,560
Speaker 1: should be that person. So what hip hop should be doing.

798
00:46:13,160 --> 00:46:16,560
Speaker 1: It's like they did in the nineties, supporting politicians who

799
00:46:16,560 --> 00:46:20,319
Speaker 1: support us, Barbara Jordan, Maxine Waters. We should be supporting

800
00:46:20,719 --> 00:46:23,040
Speaker 1: those politicians because that is hip hop. If you look

801
00:46:23,080 --> 00:46:25,640
Speaker 1: at Mayor Bowser up in d C, black woman mayor

802
00:46:25,680 --> 00:46:27,960
Speaker 1: of DC met with me and LP last week just

803
00:46:28,160 --> 00:46:30,640
Speaker 1: to talk for an hour with LP and I about

804
00:46:30,719 --> 00:46:34,040
Speaker 1: how to attract the music industry to d C. They're

805
00:46:34,080 --> 00:46:38,960
Speaker 1: not just money the culture. She wants you over the studios. Yeah, yeah,

806
00:46:39,840 --> 00:46:43,600
Speaker 1: I mean, I mean it's weird, it's cool, it's interesting,

807
00:46:43,680 --> 00:46:47,600
Speaker 1: it's strange, it's different. But she supporting mayor is asking

808
00:46:47,680 --> 00:46:49,640
Speaker 1: to me with us and just to talk about the

809
00:46:49,800 --> 00:46:51,799
Speaker 1: arts and to talk about how to attract arts into

810
00:46:51,840 --> 00:46:54,400
Speaker 1: the city and to grow the economy. We should be

811
00:46:54,440 --> 00:46:56,719
Speaker 1: supporting her, like hip hop should be putting their money.

812
00:46:56,880 --> 00:46:59,440
Speaker 1: Some of our bottle money should go to local politics.

813
00:46:59,520 --> 00:47:02,000
Speaker 1: Now I'm not ain't send your money to the big politics.

814
00:47:02,280 --> 00:47:04,560
Speaker 1: But if your kid goes to public school and you

815
00:47:04,680 --> 00:47:06,880
Speaker 1: bought a bottle room in last year, yet you not

816
00:47:07,040 --> 00:47:09,160
Speaker 1: went to any PTA meeting or donator or pick the

817
00:47:09,200 --> 00:47:13,279
Speaker 1: candidate you like, you slipping because you slipping my name

818
00:47:13,440 --> 00:47:20,000
Speaker 1: to yourselves. You know. Yeah, I was just like, then

819
00:47:20,040 --> 00:47:23,279
Speaker 1: we're sitting over here fucking too as we are drunk,

820
00:47:23,280 --> 00:47:27,080
Speaker 1: I'll find as Yeah, come on, one of our kids

821
00:47:27,160 --> 00:47:28,719
Speaker 1: teachers that you want to show him, I ain't. I'm

822
00:47:28,719 --> 00:47:30,080
Speaker 1: looking at that, and get half of the door. You ain't.

823
00:47:31,000 --> 00:47:34,239
Speaker 1: That's a beautiful thing. Yeah, we're spending on Why we

824
00:47:35,200 --> 00:47:40,000
Speaker 1: celebrating we give all that flowers when my grandma giving

825
00:47:40,040 --> 00:47:43,399
Speaker 1: a flowers when they talk to the money. Let me see.

826
00:47:44,840 --> 00:47:47,480
Speaker 1: Oh yeah, if you want to love, shall take a

827
00:47:47,520 --> 00:47:56,360
Speaker 1: ball like you know, let's not let's go yeah, faking

828
00:47:56,400 --> 00:47:58,480
Speaker 1: your adulations, brother, thank you man, I don't know what

829
00:47:58,560 --> 00:48:01,480
Speaker 1: you're congradulating. I don't know that man as a compounding

830
00:48:01,520 --> 00:48:05,320
Speaker 1: norriy fan man, thank you man, like for for for what,

831
00:48:05,600 --> 00:48:08,239
Speaker 1: absolutely hip you know what for us keeping truth in

832
00:48:08,320 --> 00:48:10,759
Speaker 1: hip hop because when we say real hip hop, all

833
00:48:10,840 --> 00:48:13,000
Speaker 1: we really say it is some true ship. I like

834
00:48:13,160 --> 00:48:15,879
Speaker 1: the fantasy ship. That's cool and ship, but man, it's

835
00:48:15,960 --> 00:48:19,040
Speaker 1: something about the truth. My business bad and bullshit. I

836
00:48:19,120 --> 00:48:23,360
Speaker 1: love before before you know you rolling with something you

837
00:48:23,440 --> 00:48:26,040
Speaker 1: know rough and dusty long and she ain't musty. You

838
00:48:26,080 --> 00:48:33,880
Speaker 1: know you you're trying to get some money, man, Yet

839
00:48:34,080 --> 00:48:41,120
Speaker 1: something I look at you just missing were fraternity down

840
00:48:41,239 --> 00:48:45,080
Speaker 1: that shoe level. I got about it. Man, it really

841
00:48:45,160 --> 00:48:48,680
Speaker 1: tastes like a shoe though. Norton like, yeah, I love

842
00:48:49,160 --> 00:48:55,360
Speaker 1: man because this dirty suth dirtying. I love how everybody

843
00:48:55,440 --> 00:49:06,040
Speaker 1: has a different descripted feel like sexual. So now is

844
00:49:06,080 --> 00:49:09,120
Speaker 1: the fun. It gets worse as it goes on. After

845
00:49:09,160 --> 00:49:13,600
Speaker 1: you it's horrible hit hop. Right now, do y'all realize

846
00:49:16,840 --> 00:49:18,840
Speaker 1: that y'all might mean a new version of the Outcast.

847
00:49:20,080 --> 00:49:24,640
Speaker 1: That's a big well ship, I ain't taking my shirt

848
00:49:24,680 --> 00:49:27,520
Speaker 1: off on no picture. Yeah, we gotta, we gotta do.

849
00:49:28,640 --> 00:49:31,920
Speaker 1: It's a new version. That this version has a belly.

850
00:49:33,120 --> 00:49:37,239
Speaker 1: That's the best compliment I've ever received. Real we would

851
00:49:37,239 --> 00:49:40,400
Speaker 1: go to this listen, let let let me, let me,

852
00:49:40,480 --> 00:49:44,120
Speaker 1: let me give it to thank you. A lot of

853
00:49:44,239 --> 00:49:49,320
Speaker 1: times when something that's so great, we look at it

854
00:49:51,120 --> 00:49:53,440
Speaker 1: and then we say that ship is great. Let me

855
00:49:53,480 --> 00:49:55,920
Speaker 1: say we want the new version of it, but the

856
00:49:55,960 --> 00:49:58,080
Speaker 1: new version of it be the total opposite of it.

857
00:49:58,880 --> 00:50:04,120
Speaker 1: We can st just like Designer just might be the

858
00:50:04,280 --> 00:50:08,800
Speaker 1: answer to future, but we can't see that now. But

859
00:50:08,920 --> 00:50:10,880
Speaker 1: what I'm trying to tell you is we've been looking

860
00:50:10,960 --> 00:50:16,160
Speaker 1: at searching for the new Outcast, right because Outcasts set

861
00:50:16,840 --> 00:50:21,840
Speaker 1: such a stand on the game, you being a direct

862
00:50:22,160 --> 00:50:29,600
Speaker 1: Dungeon family member, direct beef at all and then out understanding,

863
00:50:30,000 --> 00:50:32,480
Speaker 1: but and then turned around, and I don't think that

864
00:50:32,640 --> 00:50:35,360
Speaker 1: you realize that the year of the two thousand and

865
00:50:35,520 --> 00:50:40,320
Speaker 1: seventeen very outcasts. Man, that's such a that's such a

866
00:50:40,400 --> 00:50:43,520
Speaker 1: humbly compliment, Thank you man. If you know, if we

867
00:50:43,640 --> 00:50:45,480
Speaker 1: could get there, if we could mean it as much

868
00:50:45,520 --> 00:50:48,480
Speaker 1: as they mentor us to somebody, then that would be amazing.

869
00:50:49,000 --> 00:50:51,719
Speaker 1: Do you know? That's the most amazing And and you know,

870
00:50:52,080 --> 00:50:55,080
Speaker 1: for us it's basically like to me, Outcast is always

871
00:50:55,120 --> 00:50:59,120
Speaker 1: going to be the only albums. Get what you're saying,

872
00:51:00,040 --> 00:51:02,279
Speaker 1: know what you're saying, and we strive for that, like

873
00:51:02,600 --> 00:51:05,279
Speaker 1: we look at them like an example of something that

874
00:51:05,360 --> 00:51:07,440
Speaker 1: you can do with a group afterlutely and that's that.

875
00:51:07,560 --> 00:51:09,440
Speaker 1: I think that they hit the you know, the apex

876
00:51:09,560 --> 00:51:12,560
Speaker 1: of music really, you know, And they say when he

877
00:51:12,719 --> 00:51:16,160
Speaker 1: was here, he said it was disruptive. Yeah, no, no,

878
00:51:16,719 --> 00:51:20,080
Speaker 1: what's it? Well, that's what they use it said, I say,

879
00:51:20,120 --> 00:51:22,200
Speaker 1: what did I say? What did you say? What did

880
00:51:22,239 --> 00:51:26,000
Speaker 1: you feel about big? And he said big was so disruptive?

881
00:51:26,239 --> 00:51:28,520
Speaker 1: He said, was that the word? I don't know, it's

882
00:51:28,520 --> 00:51:31,080
Speaker 1: a word like that and technology they use it a

883
00:51:31,120 --> 00:51:34,800
Speaker 1: lot when you stream. When when he looked at the patron,

884
00:51:35,400 --> 00:51:39,200
Speaker 1: it's disrupted. And in the street think about it and

885
00:51:40,280 --> 00:51:48,480
Speaker 1: dress funny. You guys look funny as a compliment in

886
00:51:48,560 --> 00:51:53,439
Speaker 1: the most compliments, it's like when I look at you guys,

887
00:51:53,560 --> 00:51:55,640
Speaker 1: it's nowhere, I can said, you guys are rapping, like

888
00:51:57,400 --> 00:52:02,759
Speaker 1: like I literally the biggest security he looked beg and rob. Yeah,

889
00:52:03,719 --> 00:52:09,640
Speaker 1: we got the means that people do that people relax.

890
00:52:10,600 --> 00:52:13,520
Speaker 1: But what I'm trying to tell you is that's what

891
00:52:13,680 --> 00:52:18,239
Speaker 1: our caast was. Our caast was the most disruptive thing.

892
00:52:18,600 --> 00:52:21,080
Speaker 1: Like when I found out that Pump Daddy directed that

893
00:52:21,200 --> 00:52:23,719
Speaker 1: first Yeah, I would say that we didn't know that.

894
00:52:24,320 --> 00:52:28,360
Speaker 1: I would say, what the it don't it don't work?

895
00:52:29,400 --> 00:52:35,359
Speaker 1: But yeah? And still which one was work versus video?

896
00:52:35,440 --> 00:52:42,440
Speaker 1: You ever seen ocast? Like that video Puff called run

897
00:52:42,560 --> 00:52:48,640
Speaker 1: the Jewels? What but clain this please? Some people who

898
00:52:48,719 --> 00:52:51,480
Speaker 1: follow Killer Mike may remember me running around with Puff

899
00:52:51,680 --> 00:52:54,080
Speaker 1: for like a year. He and beat Boy were trying

900
00:52:54,080 --> 00:52:56,560
Speaker 1: to broke it a deal where essentially Purple Ribbon would

901
00:52:56,600 --> 00:52:58,960
Speaker 1: have gave me to bad Boy and I would have

902
00:52:59,040 --> 00:53:04,399
Speaker 1: been a bad half artists. When I went in, Puff played, Yeah,

903
00:53:04,480 --> 00:53:09,960
Speaker 1: Puff play like eight records? Um he half the records?

904
00:53:09,960 --> 00:53:12,080
Speaker 1: Who are the aspirational records? Where I can wrap, I

905
00:53:12,200 --> 00:53:15,680
Speaker 1: can wrap like pretty much anything that's out like I wrapped,

906
00:53:15,760 --> 00:53:18,520
Speaker 1: I can wrap. I got a few different styles. Half

907
00:53:18,600 --> 00:53:24,359
Speaker 1: of it was half of it is whatever was going

908
00:53:24,440 --> 00:53:26,400
Speaker 1: on in Wrapped Great Records or whatever was going on

909
00:53:26,520 --> 00:53:29,640
Speaker 1: at Good Records, and the other half were records that

910
00:53:29,760 --> 00:53:33,080
Speaker 1: from an aspirational standpoint, sounded like what me and l

911
00:53:33,280 --> 00:53:36,600
Speaker 1: ended Up pointed, not not the perfect version, not the

912
00:53:36,719 --> 00:53:39,360
Speaker 1: right version. But they were already in the ballpark of

913
00:53:39,440 --> 00:53:42,720
Speaker 1: what company flows doing or what a early routine sounded

914
00:53:42,800 --> 00:53:45,960
Speaker 1: like that kind of that, that bomb squad, this type ship.

915
00:53:46,040 --> 00:53:49,919
Speaker 1: It was that, and Puff said, yo, he said, it's

916
00:53:49,960 --> 00:53:53,719
Speaker 1: two different you man, both of them, don't I mean,

917
00:53:53,760 --> 00:53:56,600
Speaker 1: I could do something with both. And he heard his

918
00:53:56,719 --> 00:53:59,560
Speaker 1: record it was either bad day, worst day, or like

919
00:54:01,040 --> 00:54:02,480
Speaker 1: it was one of the records I released on the

920
00:54:02,520 --> 00:54:04,640
Speaker 1: Player series where it was like burning something, he said,

921
00:54:04,680 --> 00:54:09,279
Speaker 1: But this record, he said, you give me this. He said, man,

922
00:54:10,400 --> 00:54:13,279
Speaker 1: I make you motherfucking and he just started naming these

923
00:54:13,360 --> 00:54:18,080
Speaker 1: revolutionary type raption that And when I finally got in

924
00:54:18,160 --> 00:54:21,360
Speaker 1: the room and her els beasts, it hit me what

925
00:54:21,480 --> 00:54:24,080
Speaker 1: I was supposed to be. You know, it's a lot

926
00:54:24,120 --> 00:54:29,560
Speaker 1: of different Noriega's You're not the same person your husband.

927
00:54:30,080 --> 00:54:32,800
Speaker 1: I mean, the last Puff calling, he was like, this

928
00:54:33,000 --> 00:54:34,840
Speaker 1: is this is what you should be doing. And it

929
00:54:34,960 --> 00:54:37,520
Speaker 1: just took me that long to find the perfect producer

930
00:54:37,600 --> 00:54:40,160
Speaker 1: and partner to be doing it with. But that's why

931
00:54:40,480 --> 00:54:43,040
Speaker 1: I've never doubted his genius. And he shooted on me

932
00:54:43,080 --> 00:54:44,360
Speaker 1: the next two years, not in the bad way, just

933
00:54:44,440 --> 00:54:46,360
Speaker 1: like every time, like yo, he's supposed to sign to

934
00:54:46,400 --> 00:54:49,080
Speaker 1: Finally I just atletics just spast like what the funk man?

935
00:54:49,239 --> 00:54:51,279
Speaker 1: I could make me sign the Nile with sign of

936
00:54:51,280 --> 00:54:54,520
Speaker 1: the papers man. It was like a right, baby, it's

937
00:54:54,560 --> 00:54:58,640
Speaker 1: all good. I see, I see why he hears him

938
00:54:58,719 --> 00:55:00,960
Speaker 1: though he really knows. And that nigga gave me one

939
00:55:00,960 --> 00:55:03,360
Speaker 1: of the most crazy ass speeches. That scared me. I

940
00:55:03,400 --> 00:55:06,839
Speaker 1: thought it was a devil for like five minutes. But man,

941
00:55:07,680 --> 00:55:09,400
Speaker 1: right this stick and said this thing. Said, Yo, man,

942
00:55:09,400 --> 00:55:11,480
Speaker 1: you gotta get you what big he's walk. He said,

943
00:55:11,640 --> 00:55:14,600
Speaker 1: you gotta get this. Nigga signed the contract. Mike ni

944
00:55:14,840 --> 00:55:16,640
Speaker 1: doing me say, man, let's nick of war a couple

945
00:55:16,640 --> 00:55:18,880
Speaker 1: of hundred thousand. He said, we're gonna make that bad baby.

946
00:55:19,520 --> 00:55:21,399
Speaker 1: We don't, he said, He said, I don't seeing that, say,

947
00:55:21,440 --> 00:55:24,600
Speaker 1: looks we get the level jackets get jack When we

948
00:55:24,640 --> 00:55:26,719
Speaker 1: started we started bobbing, he said, I see the ship,

949
00:55:26,760 --> 00:55:28,480
Speaker 1: he said. Then we said, He said, we're jumping out

950
00:55:28,480 --> 00:55:30,439
Speaker 1: of cars. We're jumping out of the trucks and jumping

951
00:55:30,440 --> 00:55:32,239
Speaker 1: off planes. He said, he said, I ain't never did

952
00:55:32,360 --> 00:55:34,439
Speaker 1: this ship. But I know y'all South leagues, we're gonna

953
00:55:34,440 --> 00:55:37,360
Speaker 1: get the bad boy chains. So a shame that I

954
00:55:37,440 --> 00:55:39,600
Speaker 1: got the froze face and the nigga look me dead min.

955
00:55:39,640 --> 00:55:52,719
Speaker 1: I said, yeah you like that. Dogs like yeah, man

956
00:55:52,960 --> 00:55:55,480
Speaker 1: attending man, if you signed with puff or you get

957
00:55:55,600 --> 00:55:57,560
Speaker 1: mad later, you can't say it one about It was

958
00:55:57,560 --> 00:55:59,840
Speaker 1: about shorts, about boys back because he don't twitch you

959
00:56:00,000 --> 00:56:06,080
Speaker 1: oh man wearing water to away about Pop They say,

960
00:56:06,400 --> 00:56:10,319
Speaker 1: if you work for Pap and you survive, then get

961
00:56:10,440 --> 00:56:13,640
Speaker 1: job anywhere. Yeah he's amazing human being fun with him

962
00:56:13,640 --> 00:56:16,719
Speaker 1: like you've never met him more motivating. I'm not gonna lie.

963
00:56:16,719 --> 00:56:22,480
Speaker 1: I'm gonna be honest with you. The other day, spread ship,

964
00:56:23,840 --> 00:56:28,840
Speaker 1: we dropped the episode, the Park episode, and we charged

965
00:56:29,160 --> 00:56:34,120
Speaker 1: in TV world. What that's cool? I wanted to chart, Well,

966
00:56:34,160 --> 00:56:39,160
Speaker 1: we're carrying that podcast. I said that niggas some man,

967
00:56:40,520 --> 00:56:44,239
Speaker 1: we ain't number one right now? He said no, because

968
00:56:44,680 --> 00:56:49,320
Speaker 1: other episode was number one. This' relax, But I said, this,

969
00:56:49,680 --> 00:56:56,920
Speaker 1: this is thats episode you're supposed to be charging. You're nervous.

970
00:56:57,880 --> 00:57:02,320
Speaker 1: I said, you forgot pheel. Maybe I didn't say that

971
00:57:05,000 --> 00:57:11,759
Speaker 1: this fantasy facts like that, but that's how funning strong. Look,

972
00:57:11,800 --> 00:57:15,640
Speaker 1: I'm so competitive. That's how much you'll That's what. That's

973
00:57:15,640 --> 00:57:17,520
Speaker 1: what New York Man. That's why y'all are so good

974
00:57:17,560 --> 00:57:20,560
Speaker 1: for the game. That's why like I have become such

975
00:57:20,600 --> 00:57:23,520
Speaker 1: a better rapper, like I always be the dope bad

976
00:57:23,640 --> 00:57:27,880
Speaker 1: rapper that ain't But the discipline ain't shaming you. I mean,

977
00:57:29,560 --> 00:57:32,520
Speaker 1: don't be shamed. I'm telling you, man, for real, ain't

978
00:57:32,520 --> 00:57:34,840
Speaker 1: you never mean? No bitcha dated say it? I disappointed it.

979
00:57:34,960 --> 00:57:37,160
Speaker 1: So I have some nuts about your ship on the con,

980
00:57:37,880 --> 00:57:39,680
Speaker 1: you know what I mean. But I love it man,

981
00:57:39,720 --> 00:57:44,360
Speaker 1: because he's he's want to ship on. Motherfucker's that show

982
00:57:44,440 --> 00:57:47,640
Speaker 1: him I got the discipline? Would it takes y'all? Y'all

983
00:57:47,680 --> 00:57:50,120
Speaker 1: are specially to wake up in the morning just to

984
00:57:50,240 --> 00:57:52,680
Speaker 1: beat my son to the bathroom. But now I just

985
00:57:52,800 --> 00:57:59,200
Speaker 1: bought a dog, which what's what kind of dog I

986
00:57:59,240 --> 00:58:03,840
Speaker 1: got me? I got a y'all kid. Now, So when

987
00:58:04,000 --> 00:58:07,880
Speaker 1: you got to drug to the Spanish dog waits up

988
00:58:07,920 --> 00:58:11,560
Speaker 1: at five thirty in the morning. I'm so competitive that

989
00:58:11,680 --> 00:58:16,840
Speaker 1: I want to wake up before the dog. Disuspectful, you

990
00:58:16,960 --> 00:58:19,720
Speaker 1: can't wake up before me. And listen, I always woke

991
00:58:19,800 --> 00:58:22,880
Speaker 1: up for my whole household not a dog trying to

992
00:58:22,920 --> 00:58:28,200
Speaker 1: wake up at five. You know you get you know,

993
00:58:28,280 --> 00:58:34,360
Speaker 1: I'm like, you want good, need you today. You don't

994
00:58:34,400 --> 00:58:37,840
Speaker 1: get jealous of the dog. No, it's three days and

995
00:58:37,880 --> 00:58:40,320
Speaker 1: then he's already because he worked up before me, and

996
00:58:40,400 --> 00:58:42,720
Speaker 1: I don't like. That's how competitive by it. It's like

997
00:58:42,880 --> 00:58:45,480
Speaker 1: me when I get something, I just want to keep

998
00:58:45,520 --> 00:58:47,960
Speaker 1: working at it. I want to kill I want to

999
00:58:48,080 --> 00:58:51,840
Speaker 1: drill it. I don't ever I don't have a I

1000
00:58:51,920 --> 00:58:56,920
Speaker 1: don't ever want to celebrate it, celebrate my success. I

1001
00:58:57,040 --> 00:58:59,520
Speaker 1: want to live my success. Does that make sund make

1002
00:58:59,560 --> 00:59:03,440
Speaker 1: the lost? Because I have success seventeen times, so it's

1003
00:59:03,480 --> 00:59:06,120
Speaker 1: not that. But the thing is I understand that things

1004
00:59:06,200 --> 00:59:09,680
Speaker 1: go away like drink Chance Parka, all my friends, all

1005
00:59:09,800 --> 00:59:13,480
Speaker 1: my friends, who is my real friends? In hip hop,

1006
00:59:13,680 --> 00:59:16,000
Speaker 1: I tell them we have to come to drink chants.

1007
00:59:16,080 --> 00:59:18,439
Speaker 1: The reason why I tell them Harry can drink drink

1008
00:59:19,040 --> 00:59:22,120
Speaker 1: but because I don't think we're gonna be as talented.

1009
00:59:23,520 --> 00:59:27,360
Speaker 1: We'll be as talented because we're unscripted. We'll be a

1010
00:59:27,800 --> 00:59:30,440
Speaker 1: talented for the rest of our life. But at some

1011
00:59:30,640 --> 00:59:35,440
Speaker 1: point somebody gonna say fuck it. These names. That's what

1012
00:59:35,520 --> 00:59:39,480
Speaker 1: the New York and understand old get it too. Then

1013
00:59:40,440 --> 00:59:43,000
Speaker 1: I learned all my friends. I want to embrace all

1014
00:59:43,080 --> 00:59:45,640
Speaker 1: my friends. I want to embrace real hip hop. I

1015
00:59:45,680 --> 00:59:48,040
Speaker 1: want to embrace people and say, you know what, give

1016
00:59:48,080 --> 00:59:50,640
Speaker 1: your flowers. Even though I'm not giving you real flowers.

1017
00:59:50,720 --> 00:59:54,680
Speaker 1: I'm gonna give you a shower. And I want to

1018
00:59:54,760 --> 00:59:59,600
Speaker 1: continue to salute are people, because why don't we salute

1019
00:59:59,600 --> 01:00:02,280
Speaker 1: our We are the only culture. And I'm not saying

1020
01:00:02,400 --> 01:00:06,200
Speaker 1: race coach, I'm saying. I'm saying I don't even see

1021
01:00:06,240 --> 01:00:11,160
Speaker 1: framing verily amazing and all these people they touring and

1022
01:00:11,280 --> 01:00:15,360
Speaker 1: all this crazy ship. Why don't we stick together? The

1023
01:00:15,440 --> 01:00:18,680
Speaker 1: older we get like everybody wanted jay Z to be

1024
01:00:18,840 --> 01:00:21,280
Speaker 1: out of here. Every time jay Z doing New Deal

1025
01:00:21,640 --> 01:00:26,320
Speaker 1: Texas and Nigga Black congratulationship they thank you for continue

1026
01:00:26,360 --> 01:00:28,840
Speaker 1: to doing what you do. And he's forty seven or

1027
01:00:28,880 --> 01:00:31,440
Speaker 1: whatever age y is. I'm thirty and I don't even

1028
01:00:32,000 --> 01:00:35,840
Speaker 1: forty yet. But they told me I was old five

1029
01:00:35,960 --> 01:00:40,640
Speaker 1: years ago. Five years ago, they said it was over

1030
01:00:40,760 --> 01:00:44,960
Speaker 1: for me. Only coach, you know it wasn't. I know,

1031
01:00:45,080 --> 01:00:48,400
Speaker 1: I know, But I love my haters. It's a difference

1032
01:00:48,480 --> 01:00:52,000
Speaker 1: a lot of people. I love my haters. I invited

1033
01:00:52,040 --> 01:01:01,480
Speaker 1: my haters to coffee, the coffee to cross fit but wednest,

1034
01:01:07,120 --> 01:01:11,920
Speaker 1: my hes got my phone, so you got to be

1035
01:01:12,040 --> 01:01:17,440
Speaker 1: still every bunch. Yeah, how funny way to be. But

1036
01:01:17,800 --> 01:01:21,960
Speaker 1: why it is all culture the first people to kick

1037
01:01:22,160 --> 01:01:25,200
Speaker 1: our people out. And I'm not saying race. This guy's

1038
01:01:25,240 --> 01:01:28,000
Speaker 1: got to do with race. This got something that's changing though, man,

1039
01:01:28,760 --> 01:01:31,880
Speaker 1: definitely believe. I believe me in my partner with the

1040
01:01:31,920 --> 01:01:39,200
Speaker 1: type of running to the shirt. Do you know he

1041
01:01:39,280 --> 01:01:41,200
Speaker 1: had to grieve different when he walked there. He was

1042
01:01:41,240 --> 01:01:48,320
Speaker 1: like that, like you're usually that's better. He couldn't do that. Ever,

1043
01:01:48,680 --> 01:01:53,880
Speaker 1: it was great. It has a grief difference. It's a

1044
01:01:53,960 --> 01:01:56,400
Speaker 1: tiny man is about feel good. You know, it's very tap.

1045
01:01:57,560 --> 01:02:01,120
Speaker 1: But why in our society as the all coach and

1046
01:02:01,320 --> 01:02:03,640
Speaker 1: I mean even in the hood, that's changing if you

1047
01:02:03,760 --> 01:02:05,400
Speaker 1: think about it, If you think about it, even in

1048
01:02:05,480 --> 01:02:08,800
Speaker 1: the hood, the old jeez, it's still a lot of smacking.

1049
01:02:08,800 --> 01:02:13,840
Speaker 1: They're going to be open. I was watching currently those

1050
01:02:13,880 --> 01:02:17,880
Speaker 1: way thinking about the thing and then he got shot.

1051
01:02:20,160 --> 01:02:23,200
Speaker 1: He didn't do the thing like I got Damn. I

1052
01:02:23,320 --> 01:02:25,360
Speaker 1: think hip hop doughs just got to the point where

1053
01:02:25,400 --> 01:02:28,360
Speaker 1: we get legacies. We get it, you know, we didn't

1054
01:02:28,360 --> 01:02:31,280
Speaker 1: get it because you know, like like boxing man, you're

1055
01:02:31,320 --> 01:02:33,160
Speaker 1: just trying to make it out of somewhere, and you

1056
01:02:33,240 --> 01:02:37,720
Speaker 1: know it's got to be categorized like real hip hop. Nah,

1057
01:02:37,880 --> 01:02:40,600
Speaker 1: it's hip hop. It's all hip hop. Hip it's all

1058
01:02:40,760 --> 01:02:43,840
Speaker 1: it's style. Like like if you get martial arts, you

1059
01:02:43,960 --> 01:02:46,720
Speaker 1: could practice jiu jitsu, you can practice ni jitsu, you

1060
01:02:46,760 --> 01:02:49,480
Speaker 1: can practice takedo, you could you could you could practice

1061
01:02:49,520 --> 01:02:51,200
Speaker 1: I mean keto, you could practice all these things. But

1062
01:02:51,320 --> 01:02:54,440
Speaker 1: it's all from the same place of wanting to improve yourself.

1063
01:02:54,720 --> 01:02:56,920
Speaker 1: Like this is a little now my training on me right,

1064
01:02:57,000 --> 01:03:00,200
Speaker 1: my my transaction and teaches. He's like a destruct So

1065
01:03:01,040 --> 01:03:04,120
Speaker 1: it's like our styles are different, but it's a year

1066
01:03:04,160 --> 01:03:06,280
Speaker 1: and the yang. They balance each other. So while I

1067
01:03:06,400 --> 01:03:08,760
Speaker 1: feel they made the perfect rap group, I think that

1068
01:03:08,920 --> 01:03:11,160
Speaker 1: on some on some on some hip hop ship, we

1069
01:03:11,360 --> 01:03:14,800
Speaker 1: just got to the point where we accept style. So

1070
01:03:15,200 --> 01:03:20,440
Speaker 1: Kidricks Lamar's first record to me stylistically embodied outcasts of Clemini.

1071
01:03:20,960 --> 01:03:23,480
Speaker 1: You you saw the heavy fluence. Big Boy does not

1072
01:03:23,720 --> 01:03:26,560
Speaker 1: get his credit. But let me say to that, if

1073
01:03:26,680 --> 01:03:29,600
Speaker 1: you love Little Wayne and Kindrick Lamar, you love Big

1074
01:03:29,680 --> 01:03:34,840
Speaker 1: Boy Ryan patterns, I don't give a saying said if

1075
01:03:34,840 --> 01:03:37,880
Speaker 1: you love Kendrick Lamar and Little Wayne's Rhyan patterns when

1076
01:03:37,880 --> 01:03:40,360
Speaker 1: they're go into this weird, freaky double time that is

1077
01:03:40,440 --> 01:03:43,520
Speaker 1: directly out of the first two outcasts and it's in

1078
01:03:43,600 --> 01:03:45,560
Speaker 1: It's such a beautiful influence. If you're listening to Killer

1079
01:03:45,640 --> 01:03:49,680
Speaker 1: Mike stylistically, you're listening to influences of ice Cube scar Face.

1080
01:03:50,000 --> 01:03:52,640
Speaker 1: You know what I'm saying, storytelling ability, slick rick nas

1081
01:03:53,080 --> 01:03:54,919
Speaker 1: and I think that we've just gotten to the point

1082
01:03:55,000 --> 01:03:57,120
Speaker 1: where my son is twenty two. I used to because

1083
01:03:57,120 --> 01:03:58,440
Speaker 1: I had a child when I was a child, but

1084
01:03:58,440 --> 01:04:00,920
Speaker 1: I used to ride around him and a nine Apollo

1085
01:04:01,640 --> 01:04:06,920
Speaker 1: beating caponla norica beating a Z singing that version speeding

1086
01:04:07,000 --> 01:04:08,520
Speaker 1: this ship too. I said, what you want to be

1087
01:04:08,560 --> 01:04:12,600
Speaker 1: twenty second birthday? I just want the A door die out. Yeah,

1088
01:04:12,960 --> 01:04:15,320
Speaker 1: because it's it's just a south of him. He doesn't

1089
01:04:15,360 --> 01:04:18,680
Speaker 1: see the East versus South. He doesn't see that a

1090
01:04:18,840 --> 01:04:21,680
Speaker 1: Z had to be contrasted against a southern group. So

1091
01:04:21,840 --> 01:04:24,840
Speaker 1: he likes all that ship so as he starts to

1092
01:04:25,040 --> 01:04:28,960
Speaker 1: fucking wrap and produce all influences him. So for me,

1093
01:04:29,520 --> 01:04:32,240
Speaker 1: I'm happy that we're in the age now we're style

1094
01:04:32,600 --> 01:04:35,000
Speaker 1: because now what I hope to see in my lifetime

1095
01:04:35,600 --> 01:04:39,400
Speaker 1: is a young act doing a huge stadium world tour

1096
01:04:39,800 --> 01:04:42,080
Speaker 1: and the act that they look up to opening for them.

1097
01:04:42,320 --> 01:04:44,919
Speaker 1: Much like the Rolling Stones did Money Waters, he wants

1098
01:04:44,960 --> 01:04:47,680
Speaker 1: to do money Waters to the world. So let's make

1099
01:04:52,200 --> 01:04:54,440
Speaker 1: Let's see what I'm saying. What hip hop? That's the

1100
01:04:54,560 --> 01:04:58,040
Speaker 1: thing is and hip hop like when you hit hip

1101
01:04:58,160 --> 01:05:02,720
Speaker 1: or I'm thirty nine is right, I'll be forty this year.

1102
01:05:02,880 --> 01:05:05,480
Speaker 1: Let'm seeing a lot of your handsome Baskett, Thank you

1103
01:05:05,560 --> 01:05:10,120
Speaker 1: so much. I'm gonna be forty this year. In hip hop,

1104
01:05:10,520 --> 01:05:12,800
Speaker 1: when you get to a certain age, they want to

1105
01:05:12,880 --> 01:05:15,760
Speaker 1: kick you out. They're gonna say, bo, why an't rock

1106
01:05:15,840 --> 01:05:19,560
Speaker 1: and roll these guys like that's what they supposed we

1107
01:05:19,680 --> 01:05:22,360
Speaker 1: want to do. But even in the hoods like that's

1108
01:05:22,400 --> 01:05:24,120
Speaker 1: what they supposed I want to do. You gotta blame

1109
01:05:24,120 --> 01:05:26,120
Speaker 1: the old niggas for not doing hip hop no more.

1110
01:05:26,120 --> 01:05:30,280
Speaker 1: The old we're getting old and I still buy music.

1111
01:05:30,560 --> 01:05:32,680
Speaker 1: Like that's what I'm saying. I don't. I don't think cool. Yeah,

1112
01:05:33,040 --> 01:05:35,320
Speaker 1: I got yeah, Like my thing is, man, when you

1113
01:05:35,480 --> 01:05:38,360
Speaker 1: kind of gonna do show, you see kids as youngest eighteen,

1114
01:05:38,480 --> 01:05:41,400
Speaker 1: niggas old fifty, But listen wait wait, wait, y'all embodied.

1115
01:05:41,520 --> 01:05:44,640
Speaker 1: I don't believe in this agism ship because y'all embody

1116
01:05:44,760 --> 01:05:46,919
Speaker 1: that what y'all doing right now, like what you said

1117
01:05:46,960 --> 01:05:51,080
Speaker 1: when you win, because and then run the shoes you

1118
01:05:51,200 --> 01:05:54,080
Speaker 1: have the young crowd or whoever that's me that I

1119
01:05:54,120 --> 01:05:57,480
Speaker 1: don't give a funk about agesm but whatever. A being art,

1120
01:05:57,760 --> 01:06:02,120
Speaker 1: you recreate yourself, you put yourself and it's still yeah,

1121
01:06:02,200 --> 01:06:04,560
Speaker 1: but it's but it's still not something that has been

1122
01:06:04,640 --> 01:06:07,400
Speaker 1: done that much in hip hop music. Hip hop is

1123
01:06:07,960 --> 01:06:11,320
Speaker 1: That's what I'm saying. So well agreed, But I think

1124
01:06:13,720 --> 01:06:15,560
Speaker 1: here's what I think about that. What I think is

1125
01:06:15,640 --> 01:06:17,960
Speaker 1: that there's I think that there's better and better music

1126
01:06:18,000 --> 01:06:20,160
Speaker 1: being made by people who are close to to their

1127
01:06:20,280 --> 01:06:24,360
Speaker 1: forties and in their forties now you have more. I mean, look,

1128
01:06:24,760 --> 01:06:27,480
Speaker 1: you know, there's you have one task. When the task

1129
01:06:27,640 --> 01:06:30,120
Speaker 1: is you don't want to become boring. You don't want

1130
01:06:30,160 --> 01:06:32,439
Speaker 1: to not relate to people who are listening to your music,

1131
01:06:32,520 --> 01:06:34,160
Speaker 1: and if you stay sharp, you're not gonna do that.

1132
01:06:34,520 --> 01:06:37,439
Speaker 1: But also there's this there there's an experience that comes

1133
01:06:37,760 --> 01:06:40,640
Speaker 1: the One thing that's cool about getting older is that

1134
01:06:40,760 --> 01:06:44,880
Speaker 1: you just love LP. Every two passes, it takes one. Yeah,

1135
01:06:45,160 --> 01:06:48,480
Speaker 1: I'm about to take it back. And then I passed

1136
01:06:49,040 --> 01:07:01,680
Speaker 1: like smoke, like like, yeah, you're good. Here a strong adversary.

1137
01:07:05,360 --> 01:07:06,600
Speaker 1: You know, I don't know what the funk I'm saying.

1138
01:07:06,840 --> 01:07:09,000
Speaker 1: I just I just said. I've just said. If there

1139
01:07:09,080 --> 01:07:10,959
Speaker 1: is something to be said, if you're a little bit older,

1140
01:07:11,000 --> 01:07:14,560
Speaker 1: that's it. You have stopped. And I don't think there's

1141
01:07:14,640 --> 01:07:17,760
Speaker 1: something at an older age. We don't have to like,

1142
01:07:17,840 --> 01:07:20,000
Speaker 1: you don't have to be into the problem is just

1143
01:07:20,120 --> 01:07:24,000
Speaker 1: get young, motherfucker. Don't me like. I don't do you like.

1144
01:07:24,720 --> 01:07:28,880
Speaker 1: I don't remember whin nigga did you buy Face last album? Exactly?

1145
01:07:28,960 --> 01:07:32,320
Speaker 1: It was jamm like a motherfucker and the same man

1146
01:07:32,440 --> 01:07:37,520
Speaker 1: who works on Kanyege Records Faces. You know what you like? Like,

1147
01:07:37,880 --> 01:07:41,040
Speaker 1: you stupid fuck. Don't out of music and shot the

1148
01:07:41,160 --> 01:07:44,439
Speaker 1: fu tricking all your money and the young people club

1149
01:07:44,720 --> 01:07:46,960
Speaker 1: and put that ship in your car and ride around

1150
01:07:46,960 --> 01:07:49,560
Speaker 1: and smoke some dope. You and your young broad That's

1151
01:07:49,560 --> 01:07:51,280
Speaker 1: what the real nigs I know who's still will pull

1152
01:07:51,400 --> 01:08:04,360
Speaker 1: up on you. Welcome to Play, a new podcast network

1153
01:08:04,440 --> 01:08:08,960
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment,

1154
01:08:09,040 --> 01:08:13,640
Speaker 1: and more. Play it at play dot it. We're back

1155
01:08:13,720 --> 01:08:17,280
Speaker 1: to drink Champs Radio with rapper and R and d J.

1156
01:08:17,760 --> 01:08:22,040
Speaker 1: And then that's the name of the album that's number

1157
01:08:22,040 --> 01:08:38,240
Speaker 1: one right now. This is yesterday the running Jules three,

1158
01:08:38,600 --> 01:08:41,639
Speaker 1: number one in the motherfuck country for a week. How

1159
01:08:42,920 --> 01:08:52,080
Speaker 1: came out of that that d weeks? Because you know why?

1160
01:08:55,800 --> 01:08:59,400
Speaker 1: Because I am well, I like to fall hip hop.

1161
01:09:00,920 --> 01:09:03,080
Speaker 1: What I mean by that is you could throw me

1162
01:09:03,160 --> 01:09:08,760
Speaker 1: in Atlanta, Magic City. You might just think I got permanence.

1163
01:09:12,280 --> 01:09:16,040
Speaker 1: Oh golf, I'm gonna throw my temporaries on, but they're

1164
01:09:16,040 --> 01:09:21,519
Speaker 1: don't look like permanent because like cool, I don't don't

1165
01:09:21,560 --> 01:09:24,920
Speaker 1: me in Brooklyn. I might catch a body in East

1166
01:09:24,960 --> 01:09:31,360
Speaker 1: New York. I'm like, what I got that every coach

1167
01:09:32,000 --> 01:09:35,520
Speaker 1: in hip hop, it's something that we should be celebrated.

1168
01:09:35,600 --> 01:09:40,200
Speaker 1: Like I'm not gonna lie every year. I get mad

1169
01:09:40,760 --> 01:09:44,040
Speaker 1: when the person says these people shouldn't have been on

1170
01:09:44,160 --> 01:09:47,439
Speaker 1: that hip hop excuse me the Rocket braw Hall of

1171
01:09:47,560 --> 01:09:52,720
Speaker 1: Fame as the rocket and I'll sit back and I mean,

1172
01:09:52,840 --> 01:09:56,360
Speaker 1: I'll mean I love it, But at the same time,

1173
01:09:56,400 --> 01:09:59,000
Speaker 1: I'd be like, what the fun we're worried about the

1174
01:09:59,200 --> 01:10:05,200
Speaker 1: rocket ball? When is the hip hop who all the

1175
01:10:05,320 --> 01:10:08,120
Speaker 1: fames you got to make that. You got some fort

1176
01:10:08,160 --> 01:10:11,880
Speaker 1: you guys on the top, so that's gonna happen. And

1177
01:10:12,200 --> 01:10:14,640
Speaker 1: and with that said, like we made rock and roll,

1178
01:10:14,680 --> 01:10:17,000
Speaker 1: so we're supposed to be there too, Like don't get it.

1179
01:10:17,640 --> 01:10:21,240
Speaker 1: I get yeah, like straight, but I remember arguing with

1180
01:10:21,320 --> 01:10:23,360
Speaker 1: a teacher the fucking A grade in w A was

1181
01:10:23,400 --> 01:10:26,160
Speaker 1: going like till my dis fuck you, like imember that

1182
01:10:26,400 --> 01:10:30,879
Speaker 1: seventh eighth grade like w like I was a motherfucking

1183
01:10:31,000 --> 01:10:35,120
Speaker 1: kid who l and nineteen seventy five, so hip hop

1184
01:10:35,200 --> 01:10:38,599
Speaker 1: officially with seventy to seventy three day say so, he stays,

1185
01:10:38,760 --> 01:10:41,080
Speaker 1: he stayed with your thought police, but we got Twin

1186
01:10:41,160 --> 01:10:46,160
Speaker 1: in the building. It's like you're listen. If you guys

1187
01:10:46,320 --> 01:10:51,479
Speaker 1: been following Dream Champs the beginning, that Twin it might

1188
01:10:51,479 --> 01:10:54,559
Speaker 1: be reversed. Yeah sorry, yeah that you would take that home.

1189
01:10:55,479 --> 01:10:59,200
Speaker 1: But listen, Oh yeah, this is my rog Thank you all,

1190
01:10:59,280 --> 01:11:02,439
Speaker 1: thank you man. This is what we do. He offense

1191
01:11:02,439 --> 01:11:10,759
Speaker 1: slips his album in there. We know that, so listen, listen.

1192
01:11:11,520 --> 01:11:14,240
Speaker 1: If you've been following Dream Chance from the beginning, you

1193
01:11:14,439 --> 01:11:16,559
Speaker 1: understand and you know that Twin has been a part

1194
01:11:16,600 --> 01:11:19,679
Speaker 1: of the show. You understand that Twin has had an accident,

1195
01:11:20,240 --> 01:11:25,000
Speaker 1: very very soon. And you understand, the Dame Champ is

1196
01:11:25,040 --> 01:11:27,960
Speaker 1: gonna stand by twin and we're gonna hold his ass

1197
01:11:28,080 --> 01:11:32,759
Speaker 1: down and we're gonna make sure he walks, stands, rolls,

1198
01:11:33,280 --> 01:11:36,720
Speaker 1: whatever again because we love this guy and he is here.

1199
01:11:37,080 --> 01:11:39,479
Speaker 1: It's just a second show. He's been back. Give him,

1200
01:11:39,600 --> 01:11:46,320
Speaker 1: give him your like as you want to do to me.

1201
01:11:46,640 --> 01:11:48,639
Speaker 1: It's so happy to be here. Man. It's my happiness.

1202
01:11:48,680 --> 01:11:50,559
Speaker 1: You know what I'm saying. That's what I feel happy

1203
01:11:50,680 --> 01:11:53,800
Speaker 1: when my spirit gets lifted. Man, that's my motivation. Man.

1204
01:11:54,280 --> 01:11:55,679
Speaker 1: I said it man, when I was on the floor

1205
01:11:55,840 --> 01:11:58,559
Speaker 1: shop now by the past all I swear to God

1206
01:11:58,560 --> 01:12:00,760
Speaker 1: and I thought the bos my family drink Champs. Man,

1207
01:12:01,520 --> 01:12:04,160
Speaker 1: I can't. It's too much. And ship it's a year.

1208
01:12:04,439 --> 01:12:05,640
Speaker 1: This is a show. I feel like it's gonna go

1209
01:12:05,680 --> 01:12:09,240
Speaker 1: on for years. That's right, it's years. But you got

1210
01:12:09,280 --> 01:12:12,200
Speaker 1: too much to lose, and I'm not. I wasn't gonna

1211
01:12:12,200 --> 01:12:14,439
Speaker 1: go down and it wasn't my time. And I'm here.

1212
01:12:15,000 --> 01:12:17,920
Speaker 1: That's rights. And we're gonna get you back on your

1213
01:12:17,960 --> 01:12:26,320
Speaker 1: feet and get your dick working. I work. We're gonna

1214
01:12:26,360 --> 01:12:35,200
Speaker 1: get so I can though, and we're gonna get gets

1215
01:12:35,240 --> 01:12:40,600
Speaker 1: bad laughing, good mental, don't worry. We're gonna get your

1216
01:12:40,680 --> 01:12:43,880
Speaker 1: dick working, and we don't know's gonna help you if

1217
01:12:43,920 --> 01:12:48,960
Speaker 1: he listen at the end of the day. You know,

1218
01:12:49,040 --> 01:12:51,000
Speaker 1: from the beginning of the Drink Champs, Twinter has been

1219
01:12:51,040 --> 01:12:54,680
Speaker 1: at the very first episode until so, you know when

1220
01:12:54,920 --> 01:12:57,320
Speaker 1: when the fans seemed that he wasn't around for a

1221
01:12:57,360 --> 01:13:00,960
Speaker 1: certain times. I've seen how fans answer it, and that's

1222
01:13:01,000 --> 01:13:03,439
Speaker 1: my little man, regardless where they come around or not,

1223
01:13:03,920 --> 01:13:07,639
Speaker 1: but just to see its influenced on the fans people.

1224
01:13:08,000 --> 01:13:12,360
Speaker 1: So we said from Drink Champs policy, we're paying for

1225
01:13:13,080 --> 01:13:16,200
Speaker 1: the first year of you be really be a really

1226
01:13:16,240 --> 01:13:25,080
Speaker 1: bit what is it called whatever I was trying to say.

1227
01:13:25,160 --> 01:13:29,040
Speaker 1: I mean, so we're paying for the first year absolutely,

1228
01:13:29,400 --> 01:13:32,160
Speaker 1: and we got you because and if you need more,

1229
01:13:32,240 --> 01:13:34,599
Speaker 1: we're gonna do it. But you you only need fucking

1230
01:13:34,920 --> 01:13:37,519
Speaker 1: three weeks because you woul Drink Champ. You're gonna be there.

1231
01:13:37,640 --> 01:13:45,920
Speaker 1: You're gonna be it. But we don't want no props

1232
01:13:46,000 --> 01:13:47,720
Speaker 1: for that, we don't want. All we want you to

1233
01:13:47,800 --> 01:13:50,000
Speaker 1: do is keep getting healthy and cut because we want

1234
01:13:50,000 --> 01:13:53,840
Speaker 1: to rank on you and we can't rank on you

1235
01:13:54,040 --> 01:13:59,080
Speaker 1: right now. Yeah, we can't. We get this is our guy,

1236
01:13:59,520 --> 01:14:06,280
Speaker 1: it's our this we last were reading from the last last.

1237
01:14:08,360 --> 01:14:10,400
Speaker 1: But we're gonna get you right, Twin, because we love you.

1238
01:14:11,760 --> 01:14:14,599
Speaker 1: I want to shout out to your family, your mom's,

1239
01:14:14,680 --> 01:14:16,919
Speaker 1: your pops for every time we go to the hospital,

1240
01:14:17,360 --> 01:14:20,000
Speaker 1: they always there and you know we're gonna get you

1241
01:14:20,160 --> 01:14:22,000
Speaker 1: right to it. We don't give a funk what we

1242
01:14:22,080 --> 01:14:26,280
Speaker 1: gotta do. But you know that's what the funk we is.

1243
01:14:26,400 --> 01:14:29,360
Speaker 1: We you know we seem to go fund me, That's

1244
01:14:29,439 --> 01:14:31,760
Speaker 1: that's not what drink cancer is about. Drink Chances that

1245
01:14:31,880 --> 01:14:34,400
Speaker 1: we got it. We're gonna we we got you. We

1246
01:14:34,439 --> 01:14:37,160
Speaker 1: don't need no gun fund. We fund you. We're gonna

1247
01:14:37,160 --> 01:14:44,680
Speaker 1: we fund man quote the livest man, quote them all up.

1248
01:14:44,800 --> 01:14:47,960
Speaker 1: But we that's why drink Chance we got your motherfucking back.

1249
01:14:48,400 --> 01:14:52,000
Speaker 1: And we love you, Twin. I ain't gonna lie yesterday

1250
01:14:52,040 --> 01:14:53,880
Speaker 1: you almost made me crying. You're gonna maybe cry to day.

1251
01:14:56,040 --> 01:14:58,160
Speaker 1: You know I don't do it. Don't do it because

1252
01:14:58,160 --> 01:15:00,320
Speaker 1: I love you, Twain. And you know what when I

1253
01:15:00,400 --> 01:15:02,360
Speaker 1: say I love you, who speak for the whole drink

1254
01:15:02,439 --> 01:15:06,519
Speaker 1: Champs Because everybody we came around, we sat around and

1255
01:15:06,600 --> 01:15:09,519
Speaker 1: we we we ain't gonna let you sit down at all.

1256
01:15:09,960 --> 01:15:11,880
Speaker 1: We're gonna get you right, and then we're gonna fuck

1257
01:15:11,920 --> 01:15:16,320
Speaker 1: you up again, beat you right, just to fuck you up.

1258
01:15:16,439 --> 01:15:19,800
Speaker 1: You went there veggas for eighty dollars and came back

1259
01:15:19,840 --> 01:15:28,920
Speaker 1: with Twitter, And that's maybe he's killing Michael LP. You

1260
01:15:29,000 --> 01:15:33,240
Speaker 1: know me and this nigga right here, this nigga is

1261
01:15:33,400 --> 01:15:35,720
Speaker 1: one of the most stuffing the people I ever met

1262
01:15:35,800 --> 01:15:39,200
Speaker 1: in my life. Come on in a good way, relaxed

1263
01:15:40,640 --> 01:15:43,920
Speaker 1: because we're like when Vinyl went out of style, he

1264
01:15:44,080 --> 01:15:49,719
Speaker 1: hated it because he loved Vino. He's a real hit god.

1265
01:15:50,840 --> 01:15:53,840
Speaker 1: He didn't like that these guys were getting over on

1266
01:15:53,960 --> 01:15:57,720
Speaker 1: these computers and just playing records with it in my

1267
01:15:57,800 --> 01:16:06,080
Speaker 1: life story last don't go from them. So but it's true.

1268
01:16:06,760 --> 01:16:10,080
Speaker 1: That's how hip hop is. And I said, you took

1269
01:16:10,120 --> 01:16:11,760
Speaker 1: a shot a tag of poem is this is what's

1270
01:16:11,800 --> 01:16:20,760
Speaker 1: going on. Relaxed with and this guy is so hip hop.

1271
01:16:21,640 --> 01:16:26,360
Speaker 1: And we came together and we said, we've been had

1272
01:16:26,400 --> 01:16:30,120
Speaker 1: aspirations and our things and our dias. But look at

1273
01:16:30,200 --> 01:16:39,519
Speaker 1: Charles Barkley. You never Walkley. And the best journalist can

1274
01:16:39,600 --> 01:16:42,519
Speaker 1: he had can the smith. The best journalist should kill

1275
01:16:42,560 --> 01:16:45,400
Speaker 1: a kneeling. The best journalists. But then people who played

1276
01:16:45,560 --> 01:16:50,519
Speaker 1: the game, he said, journalists. Yeah, technically you're supposed to

1277
01:16:50,520 --> 01:16:59,040
Speaker 1: be journal because on television. Yeah, people game and he run,

1278
01:16:59,240 --> 01:17:05,040
Speaker 1: I'm the high sports. They conversations later the game. Do

1279
01:17:05,120 --> 01:17:11,040
Speaker 1: you know why because they played the game. Where is that? Yo?

1280
01:17:11,640 --> 01:17:13,680
Speaker 1: Shack sucked up for telling Tock though you don't know

1281
01:17:13,800 --> 01:17:16,960
Speaker 1: nothing about back to back? Oh we're talking about the

1282
01:17:17,040 --> 01:17:20,800
Speaker 1: Drake record. Nah when that or whatever they was talking about, though,

1283
01:17:20,880 --> 01:17:24,080
Speaker 1: Huck was implying something about championships, and Shock told the man,

1284
01:17:24,120 --> 01:17:26,120
Speaker 1: you don't know not about back to back. You never

1285
01:17:26,160 --> 01:17:28,920
Speaker 1: wanted championship ever? Like that was just saying like that

1286
01:17:29,040 --> 01:17:31,160
Speaker 1: was a shout. That was That's how I like, let's go,

1287
01:17:31,360 --> 01:17:38,720
Speaker 1: let's go. No, I don't know why. Happy to stop

1288
01:17:38,840 --> 01:17:51,559
Speaker 1: its Spanish man man, fa sa, y'all know? Else I stopped? Yo, else,

1289
01:17:51,640 --> 01:17:57,240
Speaker 1: stop this shooting out. You got married. These guys are

1290
01:17:57,240 --> 01:18:02,080
Speaker 1: record man. First of all, it's here, you guys drink

1291
01:18:02,120 --> 01:18:07,559
Speaker 1: this ship. I don't know, this is the last fucking last.

1292
01:18:08,720 --> 01:18:11,200
Speaker 1: Where's your shot? So I don't know. I can't find

1293
01:18:11,320 --> 01:18:21,960
Speaker 1: many ship that makes you fuck a wall socketka verce

1294
01:18:22,120 --> 01:18:34,840
Speaker 1: is this ship? This sir solo And we got the

1295
01:18:34,920 --> 01:18:39,920
Speaker 1: number one. I want to cut you podcasting and cut

1296
01:18:41,800 --> 01:18:45,600
Speaker 1: number one. How does that taste right? Give us to

1297
01:18:45,640 --> 01:18:48,160
Speaker 1: play by play action of one of days like a ship.

1298
01:18:48,560 --> 01:18:51,040
Speaker 1: It tastes like like like what he said about Timberland boom,

1299
01:18:51,040 --> 01:18:52,880
Speaker 1: but I'm just throwing like a little bit old soy

1300
01:18:52,960 --> 01:18:58,479
Speaker 1: sauce in there. It tastes like Grandma's soy love. So

1301
01:18:58,800 --> 01:19:01,120
Speaker 1: you've been saying that soys out for a hundre years.

1302
01:19:01,760 --> 01:19:04,599
Speaker 1: It definitely has a grandma something. So there's a grandma

1303
01:19:05,240 --> 01:19:08,800
Speaker 1: saving something like an addict under in your heart old house,

1304
01:19:09,120 --> 01:19:13,719
Speaker 1: you know, definitely a flavor in their colleg take hot webs.

1305
01:19:13,800 --> 01:19:18,720
Speaker 1: Just ain't she just molled Chinese secret webs where the

1306
01:19:18,800 --> 01:19:21,680
Speaker 1: scrolls are. Ship might not even be really Chinese, like

1307
01:19:21,760 --> 01:19:26,360
Speaker 1: this might be just the she that's rick. Yeah. Really

1308
01:19:26,479 --> 01:19:28,920
Speaker 1: they just do a Shinese label like fucking white people

1309
01:19:29,000 --> 01:19:32,719
Speaker 1: have anything like like God, that makes part of taking

1310
01:19:32,840 --> 01:19:37,000
Speaker 1: sense right there. Why you're racist? Why you keep going

1311
01:19:37,680 --> 01:19:43,360
Speaker 1: Puerto Ricans? It's not again, you know why we had

1312
01:19:43,360 --> 01:19:51,360
Speaker 1: them corny people here yesterday originated in um Cuba and

1313
01:19:51,479 --> 01:19:52,960
Speaker 1: then they was like, yeah, but we got to the

1314
01:19:53,000 --> 01:19:55,800
Speaker 1: Porta Vigo now, and he just didn't like it. It's

1315
01:19:55,960 --> 01:19:59,760
Speaker 1: not from Puerto Rico, it's from Cuba. Your houses saying

1316
01:20:00,120 --> 01:20:02,960
Speaker 1: you made since open that up. He's been since and

1317
01:20:03,080 --> 01:20:07,000
Speaker 1: opened back up. What he's cube, I wanted to I

1318
01:20:07,080 --> 01:20:12,000
Speaker 1: did a documentary, now open yeah, yeah, I want to

1319
01:20:12,040 --> 01:20:14,360
Speaker 1: see the cars because we got it's amazing. If you

1320
01:20:14,439 --> 01:20:16,160
Speaker 1: have my flat book, then then I had to kill

1321
01:20:16,439 --> 01:20:18,920
Speaker 1: go now go before talk about opens up in the

1322
01:20:18,960 --> 01:20:21,560
Speaker 1: motherfucker of that. Yeah, my home girl, I disagree with

1323
01:20:21,680 --> 01:20:25,759
Speaker 1: My wife's like her wait good time, Okay, ship dude,

1324
01:20:25,880 --> 01:20:28,479
Speaker 1: I hear it's gonna be delicious. I'm like, you know

1325
01:20:28,560 --> 01:20:30,880
Speaker 1: what I do, like I do like the night ship.

1326
01:20:31,479 --> 01:20:34,320
Speaker 1: You got a w old town Yeah, Cuba talk sheet

1327
01:20:34,880 --> 01:20:40,080
Speaker 1: like that ship. Oh yeah, IRB and V. I don't

1328
01:20:41,680 --> 01:20:45,200
Speaker 1: I talking a little small lady coming to my room

1329
01:20:45,280 --> 01:20:47,960
Speaker 1: to make my bed every day, my bad tip at

1330
01:20:47,960 --> 01:20:50,160
Speaker 1: the end of the day. Yeah, I want that. Get this.

1331
01:20:50,240 --> 01:20:52,559
Speaker 1: I know that's I know I made it something place.

1332
01:20:53,960 --> 01:20:57,000
Speaker 1: My son goes to Cuba, like he went to cub

1333
01:20:57,160 --> 01:20:59,800
Speaker 1: He really go. But you're still he's gotta keeping what

1334
01:21:00,000 --> 01:21:01,599
Speaker 1: out the way I gotta keep. My wife is cut.

1335
01:21:02,160 --> 01:21:05,160
Speaker 1: So my son calls me that he the one time

1336
01:21:05,240 --> 01:21:08,519
Speaker 1: he can use space time, he said, I can tell

1337
01:21:08,560 --> 01:21:19,400
Speaker 1: he's kind of hide it. I'll say this too. Was

1338
01:21:19,479 --> 01:21:26,040
Speaker 1: so happy, damn people pleased on the beach and you

1339
01:21:26,120 --> 01:21:29,160
Speaker 1: know what, I'm gonna keep his ass on the beach.

1340
01:21:29,720 --> 01:21:33,799
Speaker 1: Off that bullshit. He don't understand. But I didn't understand.

1341
01:21:33,840 --> 01:21:36,360
Speaker 1: He's as the Auntie house. And then my wife told

1342
01:21:36,400 --> 01:21:40,800
Speaker 1: me they said it's despot n s Cuban family in

1343
01:21:40,960 --> 01:21:44,799
Speaker 1: the house. Yo yo Yo. Took me years. My wife's

1344
01:21:44,840 --> 01:21:48,120
Speaker 1: family is from the rural south or like about smaller

1345
01:21:48,200 --> 01:21:53,960
Speaker 1: city and black folks that too. Let me get let

1346
01:21:54,240 --> 01:21:59,280
Speaker 1: keep or something. Y'all was just the first stop. Same

1347
01:21:59,400 --> 01:22:03,439
Speaker 1: niggas ended up in Georgia, Florida. Everybody didn't just get

1348
01:22:03,520 --> 01:22:05,559
Speaker 1: the funk Indians to come out like getting way the hell.

1349
01:22:05,680 --> 01:22:08,880
Speaker 1: But we do the same ship culturally, Like the first

1350
01:22:08,920 --> 01:22:11,080
Speaker 1: time we went to Hilton Head and her mom was like,

1351
01:22:11,160 --> 01:22:12,720
Speaker 1: you're staying with us, and I was like this lady,

1352
01:22:12,720 --> 01:22:16,960
Speaker 1: air condition they came on. I'm just like, I'm just like,

1353
01:22:17,360 --> 01:22:20,360
Speaker 1: I'm gonna suck my wife. My wife one of them

1354
01:22:20,400 --> 01:22:22,960
Speaker 1: country with like her rooms, so like stop that. I

1355
01:22:23,040 --> 01:22:29,760
Speaker 1: was like, so I was. I had to get them

1356
01:22:29,840 --> 01:22:33,000
Speaker 1: acclimated to the fact. Na Na be we're doing this

1357
01:22:33,080 --> 01:22:36,240
Speaker 1: hotel now. I would probably a custom funk out of saying,

1358
01:22:36,280 --> 01:22:41,960
Speaker 1: that's so, y'all do that. That's no. I don't like.

1359
01:22:42,920 --> 01:22:47,760
Speaker 1: He didn't go, so your kids, your kids was like

1360
01:22:47,880 --> 01:22:49,480
Speaker 1: me when I used to get sit there like Tuskegee.

1361
01:22:49,520 --> 01:22:52,559
Speaker 1: They was just that of the auntie hottest fuck like sad.

1362
01:22:52,920 --> 01:22:58,880
Speaker 1: You know what the thing is? My son? Uh, it's Hollywood.

1363
01:23:00,400 --> 01:23:03,320
Speaker 1: He only he weren't. Only he went yeah, no, because

1364
01:23:03,439 --> 01:23:05,400
Speaker 1: my other kids was in New York at the time,

1365
01:23:07,400 --> 01:23:12,280
Speaker 1: unfortunately have Cuban and he listened to me every time

1366
01:23:12,320 --> 01:23:15,800
Speaker 1: he got wad fire, he said, Dad, you didn't give

1367
01:23:15,840 --> 01:23:20,280
Speaker 1: me the w restivation. It made me so proud because

1368
01:23:20,320 --> 01:23:24,240
Speaker 1: he doesn't he doesn't know he's well, he doesn't know

1369
01:23:24,400 --> 01:23:26,920
Speaker 1: he's holy. What does the same bat like? I'm doing

1370
01:23:27,000 --> 01:23:33,400
Speaker 1: a great job. Listen, A lot of people don't know

1371
01:23:33,560 --> 01:23:40,040
Speaker 1: that that's culture because embraced culture. He didn't know that,

1372
01:23:40,800 --> 01:23:45,960
Speaker 1: And who was I to could embrace culture? Son? But

1373
01:23:46,120 --> 01:23:49,720
Speaker 1: he didn't understand that black that is a beautiful thing.

1374
01:23:49,800 --> 01:23:54,920
Speaker 1: Let's make some noise your hip hop. I don't know why,

1375
01:23:57,280 --> 01:24:01,000
Speaker 1: but just you sure you've been doing that? You gotta

1376
01:24:01,000 --> 01:24:05,880
Speaker 1: react because your sure. I feel like he's going on

1377
01:24:05,960 --> 01:24:07,479
Speaker 1: my shot. I feel like I feel like your name

1378
01:24:07,560 --> 01:24:12,479
Speaker 1: is heavier. You look like I'm gonna change your name

1379
01:24:12,479 --> 01:24:16,000
Speaker 1: to Hocky. We didn't do stretching. You want to take

1380
01:24:16,000 --> 01:24:19,760
Speaker 1: a break. I can we take a segreward break? Timinus? Alright? Cool?

1381
01:24:19,840 --> 01:24:27,200
Speaker 1: Ten minutes for zop minutes, I know no one more,

1382
01:24:27,320 --> 01:24:29,439
Speaker 1: just to see your reaction. We didn't get that shot,

1383
01:24:29,560 --> 01:24:33,160
Speaker 1: and I'm on the edge. I'm right there on up.

1384
01:24:34,280 --> 01:24:36,920
Speaker 1: That's beautiful. Did you know why it's beautiful? Because we

1385
01:24:37,000 --> 01:24:45,840
Speaker 1: celebrate you really like goddamnit? Kind of please? You can

1386
01:24:45,960 --> 01:24:47,880
Speaker 1: take any shot, any shot you want. You want some

1387
01:24:48,000 --> 01:24:50,599
Speaker 1: rock makeout? You want to take a shot I don't

1388
01:24:50,600 --> 01:24:51,920
Speaker 1: want to take a shot of that. I'll take a

1389
01:24:51,960 --> 01:25:01,320
Speaker 1: shot of water. Got we got that? I do whiskey whiskey,

1390
01:25:01,800 --> 01:25:05,479
Speaker 1: don't shot of whiskey, very shot of water. Hey, look

1391
01:25:05,479 --> 01:25:07,800
Speaker 1: there's a shot of water. I'm gonna do the whiskey. Man,

1392
01:25:09,080 --> 01:25:12,880
Speaker 1: I'm gonna last want to shot of water because because

1393
01:25:12,880 --> 01:25:15,679
Speaker 1: the last year, where's that ship? It's right here, James

1394
01:25:15,720 --> 01:25:18,640
Speaker 1: a blackbirth here right girl? Scared it? Y'all want me

1395
01:25:18,640 --> 01:25:20,680
Speaker 1: to do a shot whiskey doing it? Yeah, I'm down.

1396
01:25:20,800 --> 01:25:23,960
Speaker 1: I definitely gonna say no, just a whiskey way, that's

1397
01:25:23,960 --> 01:25:25,640
Speaker 1: what he don't make it too big, all right, we

1398
01:25:26,120 --> 01:25:28,840
Speaker 1: were don't have glass fan right dry his head. Think

1399
01:25:28,840 --> 01:25:33,360
Speaker 1: I'm good you wait, wait datas that is not what

1400
01:25:33,479 --> 01:25:36,240
Speaker 1: I want to take that way. It's a baby shot

1401
01:25:36,560 --> 01:25:40,040
Speaker 1: the way you board it. Oh that's not a baby shot.

1402
01:25:41,120 --> 01:25:45,680
Speaker 1: Splitting that. Oh yeah, okay, let's put it. Don't not

1403
01:25:45,800 --> 01:25:51,280
Speaker 1: even five club, that's that's a good shot. So we

1404
01:25:51,400 --> 01:25:53,360
Speaker 1: shot the waiting rank you guys, we're coming on this show.

1405
01:25:54,080 --> 01:26:04,519
Speaker 1: This country appreciate it. That is terrible. Why y'all drink that?

1406
01:26:05,240 --> 01:26:10,880
Speaker 1: Everything goes you're drinking fucking her? Yeah, I can't talking

1407
01:26:10,880 --> 01:26:17,519
Speaker 1: about Chinese were drinking out racked Chinese her murder. It's

1408
01:26:20,760 --> 01:26:27,120
Speaker 1: that ship looked like bad. So how did Run the

1409
01:26:27,240 --> 01:26:32,479
Speaker 1: Jewels wind up on massive pilling? Not anymore anymore? Yeah?

1410
01:26:32,560 --> 01:26:36,479
Speaker 1: We who also feel second and now we're on we're

1411
01:26:36,560 --> 01:26:38,880
Speaker 1: Running the Jewels on Run the Jewels? How did you

1412
01:26:39,040 --> 01:26:41,680
Speaker 1: even get on mask? Let's let's talk about that. That's

1413
01:26:41,800 --> 01:26:45,240
Speaker 1: not Yeah, it's not like we don't say that when

1414
01:26:45,240 --> 01:26:48,080
Speaker 1: any were like it's it's it's not just labeled. But

1415
01:26:48,160 --> 01:26:52,880
Speaker 1: also take it away from you give it Water the

1416
01:26:53,000 --> 01:26:58,160
Speaker 1: Horror Contraction, Okay, thank you. No, Yeah, we knew we

1417
01:26:58,240 --> 01:26:59,920
Speaker 1: knew the people there from that label though that leave

1418
01:27:00,040 --> 01:27:02,640
Speaker 1: we used to be Dacon. They used to put a

1419
01:27:02,680 --> 01:27:04,439
Speaker 1: bunch of sh it out. They worked with Alchemists and

1420
01:27:04,560 --> 01:27:08,120
Speaker 1: like they put a bunch of ship out and decond

1421
01:27:08,360 --> 01:27:10,680
Speaker 1: No before Mass Appeal, a lot of the guys from

1422
01:27:10,760 --> 01:27:13,559
Speaker 1: Dcon went and they emerged with Mass Appeal and partner

1423
01:27:13,680 --> 01:27:15,960
Speaker 1: were not. So we knew them from previous ship because

1424
01:27:16,000 --> 01:27:18,560
Speaker 1: we had death jokes and we worked with them in

1425
01:27:18,600 --> 01:27:21,479
Speaker 1: different stuff and we were appears to some degree, and

1426
01:27:21,640 --> 01:27:24,040
Speaker 1: so that's how we knew them. And you know, but

1427
01:27:24,200 --> 01:27:25,479
Speaker 1: that was one of the jewels too. I mean, we

1428
01:27:25,600 --> 01:27:27,760
Speaker 1: kind of felt like every label that we worked with

1429
01:27:27,920 --> 01:27:30,080
Speaker 1: it was just right at the time, and we always

1430
01:27:30,160 --> 01:27:33,479
Speaker 1: kept the commitment incredibly minimal. And we just moved on

1431
01:27:33,920 --> 01:27:36,240
Speaker 1: album deals a one album deals and and you know,

1432
01:27:36,360 --> 01:27:39,000
Speaker 1: and we're still partnering with them on some film stuff. Yeah,

1433
01:27:39,040 --> 01:27:41,519
Speaker 1: we're doing we're doing different ships. You know. Well, Master

1434
01:27:41,640 --> 01:27:43,320
Speaker 1: Peel is the same thing. Yeah, we moved on and

1435
01:27:43,400 --> 01:27:46,040
Speaker 1: we moved it to just Baith. Basically, there is no label,

1436
01:27:46,160 --> 01:27:47,880
Speaker 1: it's just a group. It's just our management and a

1437
01:27:47,920 --> 01:27:50,479
Speaker 1: group of people who were that we hired do what

1438
01:27:50,600 --> 01:27:53,040
Speaker 1: a label could do. But you know it's a smaller

1439
01:27:53,120 --> 01:27:54,920
Speaker 1: version of it, you know, so, but we're just it's

1440
01:27:54,920 --> 01:27:57,519
Speaker 1: really directly and I want to say, like we we

1441
01:27:57,640 --> 01:28:01,519
Speaker 1: really still fun with like Peter and they ran a

1442
01:28:01,680 --> 01:28:03,400
Speaker 1: one ship with us, and I appreciate it because a

1443
01:28:03,439 --> 01:28:05,719
Speaker 1: lot of times when you see people deal with label,

1444
01:28:05,760 --> 01:28:08,320
Speaker 1: not deal to label, there's feelings and issues. But it's

1445
01:28:08,360 --> 01:28:09,800
Speaker 1: not like I still talk to both of them on

1446
01:28:09,880 --> 01:28:12,439
Speaker 1: a regular were still doing things together and ship. I've

1447
01:28:12,560 --> 01:28:17,160
Speaker 1: actually befriended Nas and Peter. It's crazy because doing business

1448
01:28:17,240 --> 01:28:19,559
Speaker 1: in the way that we've done business on a smaller scale,

1449
01:28:19,640 --> 01:28:22,439
Speaker 1: more independent scale, has given me faith in the music

1450
01:28:22,520 --> 01:28:25,400
Speaker 1: industry again, where I had lost it because account of

1451
01:28:25,400 --> 01:28:28,320
Speaker 1: became like it felt like a game of everybody trying

1452
01:28:28,360 --> 01:28:31,439
Speaker 1: to finesse everyone versus people just doing square business, you

1453
01:28:31,479 --> 01:28:33,280
Speaker 1: know what I mean. So I want to thank Peter

1454
01:28:33,360 --> 01:28:36,320
Speaker 1: and Nas because they did such square business it never

1455
01:28:36,439 --> 01:28:44,200
Speaker 1: felt fucked up, and I love it for that. Yeo,

1456
01:28:44,280 --> 01:28:49,280
Speaker 1: y'all hate to people gonna you hate to right tell

1457
01:28:49,320 --> 01:29:00,200
Speaker 1: you we're doing the show. I can't running jewels. That's

1458
01:29:00,280 --> 01:29:07,439
Speaker 1: one that's dress line bounce. You know, man, I have

1459
01:29:07,560 --> 01:29:10,920
Speaker 1: to say, please stop run the jewels number one. We

1460
01:29:10,960 --> 01:29:15,519
Speaker 1: got to stay country. And there you go, cheer, cheers.

1461
01:29:21,600 --> 01:29:29,320
Speaker 1: You're just scary broe. Yeah, yeah, that's not good at all.

1462
01:29:30,280 --> 01:29:36,200
Speaker 1: Kills for this. There's nothing good about it. Raised dude,

1463
01:29:36,560 --> 01:29:39,920
Speaker 1: even by the fourth one is still done. That the

1464
01:29:40,040 --> 01:29:43,280
Speaker 1: lighter for suppliance, the type of ball you don't know,

1465
01:29:44,680 --> 01:29:50,000
Speaker 1: but nobody's that's the same ship that you put on

1466
01:29:50,080 --> 01:29:55,080
Speaker 1: your muscles when they're I've got to say, you're drinking ship.

1467
01:29:55,160 --> 01:30:00,240
Speaker 1: Old dudes put chicks like, what the after that New

1468
01:30:00,360 --> 01:30:07,800
Speaker 1: York motherfucker's striven Spanish ship is woud Spattish happening, you

1469
01:30:07,880 --> 01:30:12,600
Speaker 1: know what I mean? You Satish Spanish servity and you

1470
01:30:12,760 --> 01:30:19,880
Speaker 1: just keep telling you bon gag this ship and went

1471
01:30:20,000 --> 01:30:30,559
Speaker 1: Little Mexico and the damn ship always wanted nor really

1472
01:30:30,640 --> 01:30:34,320
Speaker 1: black or Spanish like you definitely a motherfucker. It's like

1473
01:30:34,640 --> 01:30:37,599
Speaker 1: he's blackish. I don't know. You could drink this ship

1474
01:30:37,720 --> 01:30:41,400
Speaker 1: five straight ship. This ain't got nothing to do fash

1475
01:30:41,439 --> 01:30:45,280
Speaker 1: people's closes. As people say, you gotta be a tough though,

1476
01:30:45,400 --> 01:30:48,680
Speaker 1: you gotta be a special calls off fash, be a

1477
01:30:48,720 --> 01:30:52,960
Speaker 1: little rosa shout out to woud next. If you can

1478
01:30:53,040 --> 01:30:56,200
Speaker 1: fucking can flow up man, please start giving him his

1479
01:30:56,280 --> 01:30:59,920
Speaker 1: props to whist kid. Frost leaves wushing back to the

1480
01:31:00,680 --> 01:31:17,000
Speaker 1: Frost eight man key exactly, exactly, thank you all for

1481
01:31:17,160 --> 01:31:21,000
Speaker 1: some you know why. That's what we do as we

1482
01:31:22,360 --> 01:31:26,760
Speaker 1: actually you know, everybody want to interview, and we got

1483
01:31:26,880 --> 01:31:29,880
Speaker 1: nothing but love and respect for the new generations. But

1484
01:31:29,960 --> 01:31:33,080
Speaker 1: the thing is we the thing is they have the

1485
01:31:33,200 --> 01:31:36,880
Speaker 1: radio stations for the new generation now, they have now.

1486
01:31:37,479 --> 01:31:39,920
Speaker 1: But I want to salute our legends. I want to

1487
01:31:39,920 --> 01:31:42,280
Speaker 1: salute people that have been there him twenty years, true,

1488
01:31:43,040 --> 01:31:46,200
Speaker 1: ten years. I want to salute them. That's that's what

1489
01:31:46,560 --> 01:31:49,200
Speaker 1: that's what this is. But I ain't taking them away.

1490
01:31:49,400 --> 01:31:54,639
Speaker 1: Not a motherfucking smidget for my bitch is bad from

1491
01:31:54,680 --> 01:32:03,200
Speaker 1: nobody even doing the New Year and that girl, motherfucker.

1492
01:32:05,880 --> 01:32:08,200
Speaker 1: Let's at a strip club right now, let's go. I'm

1493
01:32:08,200 --> 01:32:12,880
Speaker 1: not going to strip the street, right, y'all don't know

1494
01:32:13,000 --> 01:32:29,120
Speaker 1: to y'all, Yeah, y'all is take the Spanish. Yeah, what's

1495
01:32:29,160 --> 01:32:36,479
Speaker 1: she doing? Every every every perfect situation got the jewels? Y'all.

1496
01:32:36,520 --> 01:32:39,360
Speaker 1: Guys are on tour right now. Yeah, that's the only

1497
01:32:39,400 --> 01:32:44,200
Speaker 1: reason why y'all can because y're busy like ship. Thank

1498
01:32:44,200 --> 01:32:49,560
Speaker 1: you Collins. No, no, y'all family LP killing Mike. I

1499
01:32:49,640 --> 01:32:52,120
Speaker 1: want you to both know that this is the first

1500
01:32:52,200 --> 01:33:01,040
Speaker 1: time that rapper slash DJ was actually run media. Actually

1501
01:33:01,240 --> 01:33:04,600
Speaker 1: never have to go to Eric being rock in a

1502
01:33:04,720 --> 01:33:10,160
Speaker 1: podcast past, but we got me. We got every week.

1503
01:33:10,760 --> 01:33:13,320
Speaker 1: So the thing is you actually gotta go to on

1504
01:33:13,439 --> 01:33:16,120
Speaker 1: Land or gotta go to you know, a Wicky Smiley

1505
01:33:16,200 --> 01:33:20,439
Speaker 1: show or whatever, you come to your own and present

1506
01:33:20,520 --> 01:33:23,400
Speaker 1: whatever information it is. What. So with that being said,

1507
01:33:23,760 --> 01:33:26,960
Speaker 1: I say that to say this talked about this tour,

1508
01:33:27,439 --> 01:33:30,400
Speaker 1: tell us about this tour because we want a big

1509
01:33:30,520 --> 01:33:34,240
Speaker 1: y'all life every show. So that we got we got.

1510
01:33:34,360 --> 01:33:36,840
Speaker 1: I mean it's crazy. It's bigger than we've ever done,

1511
01:33:36,880 --> 01:33:41,599
Speaker 1: and we got two to three thousand. We got here

1512
01:33:41,720 --> 01:33:44,240
Speaker 1: right here, five thousands in l A, we're doing five

1513
01:33:44,280 --> 01:33:47,320
Speaker 1: thousands in Chicago, We're doing four nights in a row

1514
01:33:47,520 --> 01:33:50,599
Speaker 1: Terminal five in New York City. So it's crazy. I mean,

1515
01:33:50,640 --> 01:33:55,799
Speaker 1: we've never seen it like this. So man's it's incredible.

1516
01:33:56,400 --> 01:34:02,280
Speaker 1: And we're exactly every two time to try and seek

1517
01:34:02,320 --> 01:34:04,080
Speaker 1: out before you offer me. The next one says, no,

1518
01:34:04,160 --> 01:34:08,840
Speaker 1: I'm going to offer you very so made you smoking

1519
01:34:08,840 --> 01:34:12,240
Speaker 1: here for your real ship though. It's been amazing to

1520
01:34:12,320 --> 01:34:15,120
Speaker 1: witness like for us, you know, seeing this tour blow

1521
01:34:15,200 --> 01:34:18,040
Speaker 1: up like this has been incredible and we're just giving

1522
01:34:18,080 --> 01:34:20,080
Speaker 1: everything we have. I mean we have, we're literally doing

1523
01:34:20,360 --> 01:34:22,240
Speaker 1: We're just back to back to back to back to

1524
01:34:22,280 --> 01:34:23,720
Speaker 1: back to back to back shows. This is the first

1525
01:34:23,720 --> 01:34:26,120
Speaker 1: couple of days we've had off the whole tour, and

1526
01:34:26,200 --> 01:34:32,920
Speaker 1: y'all came to see us, and we came to listen

1527
01:34:33,080 --> 01:34:36,000
Speaker 1: from there on. Now, I want to be this to

1528
01:34:36,080 --> 01:34:39,720
Speaker 1: be the first announcement with you guys. Anytime you've got

1529
01:34:39,800 --> 01:34:43,599
Speaker 1: somebody want to announce, you want to propose, you want

1530
01:34:43,640 --> 01:34:46,760
Speaker 1: to bring to the world, why would you do it? What?

1531
01:34:46,920 --> 01:34:50,080
Speaker 1: People who is not a rap for, not a d jay,

1532
01:34:50,479 --> 01:34:53,439
Speaker 1: not you know, come bin it to us. We'll bring

1533
01:34:53,520 --> 01:34:56,439
Speaker 1: it to you and we're gonna explore that ship. We

1534
01:34:56,520 --> 01:34:58,479
Speaker 1: don't it don't gotta matter where the funk we at.

1535
01:34:58,560 --> 01:35:01,160
Speaker 1: We'll come to Atlanta and come to Brooklyn, We'll come

1536
01:35:01,240 --> 01:35:12,639
Speaker 1: to fucking everywhere. I was taking a cool place. Where

1537
01:35:12,640 --> 01:35:15,880
Speaker 1: were you at? You want go to the moon? You can,

1538
01:35:16,320 --> 01:35:24,200
Speaker 1: You'll never escape? Yeah, why wouldn't. Now let's just say

1539
01:35:24,240 --> 01:35:29,760
Speaker 1: it let's just say, let's call y'all tomorrow and say

1540
01:35:32,040 --> 01:35:33,920
Speaker 1: I want to be a part of the Running Jewels

1541
01:35:34,360 --> 01:35:39,800
Speaker 1: seven seventh. Damn yeah, I mean I'd probably just be like,

1542
01:35:39,840 --> 01:35:46,639
Speaker 1: all right, why would you announce that with anybody else?

1543
01:35:46,760 --> 01:35:49,559
Speaker 1: What us know if that happens. You're the first people

1544
01:35:49,560 --> 01:35:56,439
Speaker 1: I swear to. Kind of you said, trust me, still tight,

1545
01:35:58,600 --> 01:36:01,679
Speaker 1: you will give you that scoop. It looks I played

1546
01:36:01,880 --> 01:36:04,720
Speaker 1: Warner Shirt for Artists that was here. This is my

1547
01:36:04,840 --> 01:36:08,360
Speaker 1: first time. That's around one too. That's the metal Gear one. Yes,

1548
01:36:08,560 --> 01:36:12,320
Speaker 1: you know we're characters on the video game Better Walking Out.

1549
01:36:12,680 --> 01:36:20,600
Speaker 1: That's the best ax. Yeah. Showed me a micro downloadable

1550
01:36:20,720 --> 01:36:22,960
Speaker 1: characters that you can play in the game, and I

1551
01:36:23,000 --> 01:36:30,479
Speaker 1: think I've never played the video game. It's life like

1552
01:36:30,600 --> 01:36:33,800
Speaker 1: helly and I played their characters and I didn't play

1553
01:36:33,840 --> 01:36:40,320
Speaker 1: it after that. One time characters one time? What are

1554
01:36:40,360 --> 01:36:47,200
Speaker 1: you guys? And horrible? You have to hear you played it? Yeah,

1555
01:36:48,920 --> 01:36:51,479
Speaker 1: I love the join and you got the rainbow shot

1556
01:36:51,560 --> 01:36:55,000
Speaker 1: of this is my friend's band outo Lux just god,

1557
01:36:55,080 --> 01:36:59,000
Speaker 1: forget it. How my jackets shout out to Auto Lux Carl.

1558
01:36:59,240 --> 01:37:03,040
Speaker 1: We respect, we do, we respect. Let's pick up the game, people,

1559
01:37:03,120 --> 01:37:12,479
Speaker 1: got damn. We we got love. Don't see we got

1560
01:37:12,600 --> 01:37:15,800
Speaker 1: love for everybody. Don't you know why you keep doing it?

1561
01:37:19,160 --> 01:37:23,400
Speaker 1: We're killing me. I'm battling you were lax right, it's

1562
01:37:23,520 --> 01:37:28,200
Speaker 1: killing me. But we slew hip hop. You guys that

1563
01:37:28,439 --> 01:37:31,479
Speaker 1: came here, you guys that hang out and you want

1564
01:37:31,520 --> 01:37:36,160
Speaker 1: one more shots? I go not, definitely not. Can't be pussies.

1565
01:37:36,160 --> 01:37:43,160
Speaker 1: We gotta do it. No, no you gonta do it? No, no,

1566
01:37:43,880 --> 01:37:49,479
Speaker 1: he can't do it. Shot for you? SI's ginger. Yeah,

1567
01:37:49,680 --> 01:37:56,240
Speaker 1: we're all six. I've been sick. I do my parting,

1568
01:37:56,280 --> 01:38:01,240
Speaker 1: shot me up doing the shot, the party, the world.

1569
01:38:01,800 --> 01:38:04,280
Speaker 1: I don't want to be the guy who's saying you're

1570
01:38:04,280 --> 01:38:08,720
Speaker 1: trying to stay where Brooklyn is? What is Brooklyn When

1571
01:38:08,720 --> 01:38:10,680
Speaker 1: the person to say to com doesn't say no to

1572
01:38:10,720 --> 01:38:18,559
Speaker 1: this shot that you didn't take you all this shop?

1573
01:38:19,080 --> 01:38:21,400
Speaker 1: What are you talking? No, bro? Just poor dad. We're

1574
01:38:21,479 --> 01:38:25,840
Speaker 1: watching Oh man, I'm watching you dog acting crazy, riding down.

1575
01:38:27,720 --> 01:38:31,759
Speaker 1: We're not because you know why I brought to Jules

1576
01:38:32,120 --> 01:38:35,080
Speaker 1: is the motherfucking number one out with that? You know

1577
01:38:35,160 --> 01:38:43,599
Speaker 1: what we're gonna relax? Yeah, yeah, ship, I just learned

1578
01:38:43,680 --> 01:38:47,960
Speaker 1: karate on that shot. Now you're right? Is best. It

1579
01:38:48,080 --> 01:38:50,960
Speaker 1: definitely wasn't a good It definitely wasn't good. Thanks for

1580
01:38:51,040 --> 01:38:53,599
Speaker 1: having me on your album. No, thank you for being

1581
01:38:54,120 --> 01:39:01,040
Speaker 1: Thank you man. What about going roll? Because we shot

1582
01:39:01,040 --> 01:39:03,080
Speaker 1: out because like you're man, he's one of those young

1583
01:39:03,200 --> 01:39:08,080
Speaker 1: rappers wrapping his ass off for us in Atlanta. I

1584
01:39:08,080 --> 01:39:13,880
Speaker 1: ain't gonna make the nigga. Yeah yeah, where is he?

1585
01:39:13,920 --> 01:39:16,439
Speaker 1: Yeah yeah, he's he was around. You might have skated

1586
01:39:16,479 --> 01:39:20,200
Speaker 1: out of here with such fash, but he because like year,

1587
01:39:20,280 --> 01:39:22,280
Speaker 1: he got a single call Posts and Pants. I wrapped

1588
01:39:22,320 --> 01:39:24,760
Speaker 1: on it with him, and that motherfucker fought. We just

1589
01:39:24,800 --> 01:39:28,240
Speaker 1: shot the video. How you satisfied what you did in

1590
01:39:28,320 --> 01:39:31,040
Speaker 1: the industry? Oh you still want more? I'm doing so

1591
01:39:31,120 --> 01:39:33,439
Speaker 1: I can't be satisfied with what I did. Like I'm

1592
01:39:33,439 --> 01:39:35,599
Speaker 1: gonna tell you. I'm gonna tell you the purpose. Every

1593
01:39:35,680 --> 01:39:38,200
Speaker 1: one of the Jews record has gotten better because we

1594
01:39:38,320 --> 01:39:41,640
Speaker 1: remain unsatisfied every record. We gotta top ourselves. As long

1595
01:39:41,680 --> 01:39:44,400
Speaker 1: as I keep that mentality, we're here, like I want.

1596
01:39:44,520 --> 01:39:47,320
Speaker 1: We have a fucking Michael Jordan Kobe Bryant mentality when

1597
01:39:47,320 --> 01:39:50,720
Speaker 1: it comes to motherfucking rapping. Like I'll be goddamned if

1598
01:39:50,760 --> 01:39:52,800
Speaker 1: you say the motherfucker's one dough. You can say I

1599
01:39:52,800 --> 01:39:54,599
Speaker 1: don't funk with you say I don't sunk with them,

1600
01:39:54,880 --> 01:39:56,920
Speaker 1: but fuck you, motherfucker. You're gonna know if I get

1601
01:39:56,960 --> 01:39:58,560
Speaker 1: on the track, but he get on the track with

1602
01:39:58,600 --> 01:40:01,120
Speaker 1: your favorite rapper, we're going and to try to wipe

1603
01:40:01,160 --> 01:40:05,519
Speaker 1: the motherfucker's that every time that I mean, like, that's

1604
01:40:05,520 --> 01:40:08,559
Speaker 1: what it is. That's what it is. So so hip

1605
01:40:08,600 --> 01:40:12,479
Speaker 1: hop has never died. It can't never died told about

1606
01:40:13,160 --> 01:40:15,960
Speaker 1: how can it? Like? Motherfuckers like you listen to scar

1607
01:40:16,080 --> 01:40:18,880
Speaker 1: Face out all your motherfucker's I want to rap. I

1608
01:40:18,920 --> 01:40:20,559
Speaker 1: want to be a rapper. I want to go listen

1609
01:40:20,600 --> 01:40:22,760
Speaker 1: to a scar Face record. I was listening to him

1610
01:40:22,800 --> 01:40:24,760
Speaker 1: in the seventh grade. So how to funk? I'm gonna

1611
01:40:24,800 --> 01:40:27,400
Speaker 1: rest on my laurels. It's just that self. For for me,

1612
01:40:27,439 --> 01:40:30,960
Speaker 1: it's Gucci man, a new scarf look like that. You

1613
01:40:31,040 --> 01:40:39,080
Speaker 1: know this is cause man saying you have to go,

1614
01:40:39,479 --> 01:40:41,519
Speaker 1: you know what, walking rap? But du O preserved the

1615
01:40:41,560 --> 01:40:43,000
Speaker 1: greatest they are in the game. I think he's a

1616
01:40:43,040 --> 01:40:46,639
Speaker 1: new Puffy. He's picking more fucking stars out of Atlanta

1617
01:40:46,720 --> 01:40:49,720
Speaker 1: than any and all you know, he has made. He's

1618
01:40:49,760 --> 01:40:52,960
Speaker 1: a he's an incredible motherfucking rap. He's incredible entertainer. I

1619
01:40:53,080 --> 01:40:55,360
Speaker 1: salutes a love for him and his wife. But that

1620
01:40:55,560 --> 01:40:58,599
Speaker 1: motherfucker knows how to pick a star. Man. He picked

1621
01:40:58,640 --> 01:41:02,000
Speaker 1: me goes, he pick picks to me, he's picked the

1622
01:41:02,080 --> 01:41:05,360
Speaker 1: last five years of Atlanta and now even picked I'm

1623
01:41:05,439 --> 01:41:08,800
Speaker 1: the big home. Like he genuine like he fun with it.

1624
01:41:09,400 --> 01:41:11,320
Speaker 1: And then that's what's pure about him, Like he fun

1625
01:41:11,479 --> 01:41:13,800
Speaker 1: with you, like he fun with you. He gonna fun

1626
01:41:14,000 --> 01:41:16,960
Speaker 1: Like I remember pledged to walking in the studio saying,

1627
01:41:17,000 --> 01:41:19,280
Speaker 1: ain't cool. I gotta fucking verse. Now you're jump on

1628
01:41:19,320 --> 01:41:21,240
Speaker 1: the fun. And thirty minutes later I had his verse

1629
01:41:21,320 --> 01:41:23,880
Speaker 1: on album just feel like Mike I feel. But we've

1630
01:41:23,880 --> 01:41:25,200
Speaker 1: been like when he came to me like hey man,

1631
01:41:25,240 --> 01:41:27,719
Speaker 1: I want to put your on black T shirt remix vote.

1632
01:41:27,800 --> 01:41:29,920
Speaker 1: So he's never not been the same human being. Man.

1633
01:41:30,000 --> 01:41:34,360
Speaker 1: I applaud that motherfucker every time. It's alute absolute. Man

1634
01:41:34,640 --> 01:41:42,960
Speaker 1: was just a big school You got that up one time, man,

1635
01:41:44,000 --> 01:41:50,400
Speaker 1: because like year continue help show, like Drake sounds, we

1636
01:41:50,439 --> 01:41:55,320
Speaker 1: gotta do a lot of things. Whoa forgot to get

1637
01:41:55,320 --> 01:42:01,400
Speaker 1: out here, very do a pichu and all let's do

1638
01:42:01,479 --> 01:42:06,040
Speaker 1: what final makes annoying motherfuckers. Ship didn't you just do that? No,

1639
01:42:06,280 --> 01:42:14,640
Speaker 1: we didn't, So listen, stay different coming, motherfucker. We got

1640
01:42:14,800 --> 01:42:23,560
Speaker 1: rub the jewels in my house. Big about bom. That

1641
01:42:23,760 --> 01:42:52,240
Speaker 1: was better. You're right all right. Find all your favorite

1642
01:42:52,240 --> 01:42:54,560
Speaker 1: movies and shows faster with exciting just speaking to the

1643
01:42:54,600 --> 01:42:57,320
Speaker 1: excellent voice. Promote to search across live to on demand,

1644
01:42:57,479 --> 01:43:00,839
Speaker 1: even Netflix and Prime Videos. Now that's simple, easy, awesome.

1645
01:43:01,040 --> 01:43:03,439
Speaker 1: Go to Axfinity dot com call one day hundred exfity

1646
01:43:03,520 --> 01:43:05,360
Speaker 1: or visitor store. Today restricts supply