WEBVTT - Legacies of Vietnam

0:00:03.040 --> 0:00:07.920
<v Speaker 1>This is Alec Baldwin and you're listening to Here's the Thing. Today.

0:00:07.960 --> 0:00:11.600
<v Speaker 1>I talked with two colleagues, Brian Dellett and Dick Hughes,

0:00:11.880 --> 0:00:15.120
<v Speaker 1>men I've known for a long time. Both are actors

0:00:15.240 --> 0:00:19.119
<v Speaker 1>whose lives have also been touched by our country's war

0:00:19.400 --> 0:00:24.200
<v Speaker 1>in Vietnam. Dell Itt, my first guest, served in Vietnam

0:00:24.280 --> 0:00:28.400
<v Speaker 1>after high school. Hughes traveled to Vietnam as a conscientious

0:00:28.400 --> 0:00:32.200
<v Speaker 1>objector in his early twenties. The impact of the war

0:00:32.360 --> 0:00:36.680
<v Speaker 1>has stayed with both of them. Brian Delitt spent on

0:00:36.840 --> 0:00:41.160
<v Speaker 1>stage in movies and on TV. He's also a playwright.

0:00:41.520 --> 0:00:45.400
<v Speaker 1>His play Memorial Day tells the story of a Vietnam

0:00:45.520 --> 0:00:49.919
<v Speaker 1>veteran on the verge of suicide over a Memorial Day holiday.

0:00:50.360 --> 0:00:53.800
<v Speaker 1>He developed the play in collaboration with the Actor's Studio,

0:00:54.280 --> 0:00:58.040
<v Speaker 1>with support from actors like Harvey Kitel and Ellen Burston.

0:00:58.600 --> 0:01:02.320
<v Speaker 1>Memorial Day was ten years in the making dell It

0:01:02.560 --> 0:01:06.600
<v Speaker 1>started to play after he was living in New York

0:01:06.800 --> 0:01:09.480
<v Speaker 1>trying to become an actor, and one of the planes

0:01:09.640 --> 0:01:13.720
<v Speaker 1>flew over him that September morning. That's when all this

0:01:13.920 --> 0:01:17.640
<v Speaker 1>Vietnam stuff got triggered, uh In in a major way.

0:01:17.920 --> 0:01:20.000
<v Speaker 1>And I started to take pieces of it into the

0:01:20.000 --> 0:01:27.080
<v Speaker 1>actor's studio and are icons there Uh Norman Mailer Harvey

0:01:27.280 --> 0:01:30.479
<v Speaker 1>Allen said, you got to keep bringing more of this in.

0:01:31.080 --> 0:01:33.440
<v Speaker 1>And this was the beginning of what would become the

0:01:33.480 --> 0:01:37.120
<v Speaker 1>play Memorial Day. And Ellen was instrumental in helping me

0:01:37.200 --> 0:01:40.200
<v Speaker 1>shape it in terms of having a beginning, medal, and end,

0:01:40.480 --> 0:01:44.800
<v Speaker 1>and also not having to totally rely on the exact

0:01:44.840 --> 0:01:48.600
<v Speaker 1>details of my story, so that I started combining situations

0:01:48.600 --> 0:01:51.480
<v Speaker 1>that served the greater truth of what I was trying

0:01:51.480 --> 0:01:54.880
<v Speaker 1>to say. When you wrote this, and in the time

0:01:54.960 --> 0:01:58.480
<v Speaker 1>you've worked on this, I'm wondering did it bring about

0:01:59.040 --> 0:02:03.360
<v Speaker 1>interaction with other generations of soldiers? Yeah, there were some

0:02:03.640 --> 0:02:06.720
<v Speaker 1>older veterans, but there was the younger ones that started

0:02:06.760 --> 0:02:10.360
<v Speaker 1>coming around. There was a I guess like a halfway

0:02:10.440 --> 0:02:13.639
<v Speaker 1>house around the corner from the actor's studio where men

0:02:13.639 --> 0:02:16.320
<v Speaker 1>and women coming out of the service could transition into

0:02:16.400 --> 0:02:18.400
<v Speaker 1>civilian life for like the next six months if they

0:02:18.400 --> 0:02:19.919
<v Speaker 1>wanted to. It was I think it was on forty

0:02:19.919 --> 0:02:24.040
<v Speaker 1>three Street, and this UH guy came and he had

0:02:24.040 --> 0:02:26.920
<v Speaker 1>done a couple of tours in Afghanistan and I didn't

0:02:27.000 --> 0:02:29.280
<v Speaker 1>really know him, but we set a little a couple

0:02:29.280 --> 0:02:32.240
<v Speaker 1>of times and he said, if you do this again,

0:02:32.280 --> 0:02:34.080
<v Speaker 1>would you tell me let me know how? How can

0:02:34.120 --> 0:02:35.720
<v Speaker 1>I find out? And they said, well, you know, the

0:02:36.000 --> 0:02:38.880
<v Speaker 1>studio will mention it. And I think it was like

0:02:38.960 --> 0:02:41.200
<v Speaker 1>six months later. We did like two or three weekends

0:02:41.200 --> 0:02:43.520
<v Speaker 1>at this little theater called the Drilling Company up on

0:02:43.520 --> 0:02:46.960
<v Speaker 1>the Upper West Side, and he let me know that

0:02:46.960 --> 0:02:50.920
<v Speaker 1>he was bringing one of his buddies from Afghanistan that

0:02:51.000 --> 0:02:52.919
<v Speaker 1>he had been with and that they were going to

0:02:53.000 --> 0:02:54.600
<v Speaker 1>come and see it like the next night. I said,

0:02:54.600 --> 0:02:57.840
<v Speaker 1>we'll say hello afterwards. So they did. They came, and

0:02:59.639 --> 0:03:03.480
<v Speaker 1>because the play really addresses the whole notion of suicide

0:03:03.680 --> 0:03:07.080
<v Speaker 1>and the prevention of suicide ultimately is the goal of

0:03:07.120 --> 0:03:10.000
<v Speaker 1>the play, so he um, he comes with his friend

0:03:10.480 --> 0:03:13.520
<v Speaker 1>and I guess it was the next day he uh

0:03:13.840 --> 0:03:16.840
<v Speaker 1>contacts me and he says, you met my friend. You

0:03:16.880 --> 0:03:19.480
<v Speaker 1>met last night? I said yeah. He said we were

0:03:20.160 --> 0:03:22.520
<v Speaker 1>maybe two blocks away from the theater and he stopped

0:03:22.520 --> 0:03:25.240
<v Speaker 1>and said, I've been planning to kill myself the last

0:03:25.320 --> 0:03:28.040
<v Speaker 1>couple of months. I don't know what to do. At

0:03:28.080 --> 0:03:31.360
<v Speaker 1>that time, I was thinking of stopping doing this because

0:03:31.639 --> 0:03:34.080
<v Speaker 1>it was costing me money. It was no financial reward.

0:03:34.240 --> 0:03:36.320
<v Speaker 1>So that meaning when that guy said that to you,

0:03:36.360 --> 0:03:39.040
<v Speaker 1>that put the wind back in your sales for the project. Yeah,

0:03:39.040 --> 0:03:40.840
<v Speaker 1>I just thought there's a purpose for this. You know,

0:03:40.840 --> 0:03:42.680
<v Speaker 1>if one if I can keep one guy from eating

0:03:42.680 --> 0:03:45.720
<v Speaker 1>a bullet, you know, I want to go back and

0:03:45.720 --> 0:03:47.840
<v Speaker 1>I want to just do a little quick timeline. So

0:03:48.360 --> 0:03:51.880
<v Speaker 1>you grew up Brown in Jersey, raised in Pennsylvania. Your

0:03:51.960 --> 0:03:58.480
<v Speaker 1>dad sold bar related materials, mixers, alcohol or whatever, cordials.

0:04:01.000 --> 0:04:03.720
<v Speaker 1>I love that. Yeah, he was what they called a missionary.

0:04:04.240 --> 0:04:06.240
<v Speaker 1>He was also a liquor salesman. But he when he

0:04:06.280 --> 0:04:08.440
<v Speaker 1>was at the height of his career, he would go

0:04:08.600 --> 0:04:12.560
<v Speaker 1>around and he would present slide shows to the wholesalers

0:04:12.600 --> 0:04:15.880
<v Speaker 1>in New Jersey and basically say, look, we use only

0:04:15.920 --> 0:04:18.160
<v Speaker 1>purified water and we do this, and they have my

0:04:18.240 --> 0:04:20.000
<v Speaker 1>sister and I have to sit through these slide shows

0:04:20.000 --> 0:04:22.640
<v Speaker 1>where they show these guys, here's that much formooth. You

0:04:22.680 --> 0:04:27.520
<v Speaker 1>wanted that Martin us an eye dropper. And then you

0:04:27.600 --> 0:04:30.440
<v Speaker 1>got drafted or you enlisted. Oh I got drafted. Was

0:04:30.480 --> 0:04:32.400
<v Speaker 1>your dad in the military. He was a World War

0:04:32.440 --> 0:04:36.440
<v Speaker 1>Two guy. He flew twenty four liberators and uh he

0:04:36.560 --> 0:04:41.400
<v Speaker 1>was actually interestingly enough, he was not like you should

0:04:41.480 --> 0:04:44.000
<v Speaker 1>do this. Like my mom said, are you going to

0:04:44.080 --> 0:04:47.039
<v Speaker 1>go to Canada? And I said, no, I'm not gonna

0:04:47.080 --> 0:04:49.240
<v Speaker 1>go to Canada. And my father he was interesting. He

0:04:49.320 --> 0:04:51.200
<v Speaker 1>just said, I don't know if this wants for us?

0:04:51.720 --> 0:04:55.560
<v Speaker 1>And where where're you going to train? Fort Bragg, North Carolina.

0:04:55.760 --> 0:04:58.159
<v Speaker 1>And it was tough because that was the home of

0:04:58.160 --> 0:05:00.320
<v Speaker 1>the eighty second Airborne and a lot of those drill

0:05:00.920 --> 0:05:05.600
<v Speaker 1>sergeants had already been to Vietnam. They were uh in

0:05:05.640 --> 0:05:09.120
<v Speaker 1>some instances there were rangers and they just didn't take

0:05:09.320 --> 0:05:13.960
<v Speaker 1>any ship um and uh um. I don't know. I

0:05:14.279 --> 0:05:16.400
<v Speaker 1>was surprised because I went in kind of less a

0:05:16.520 --> 0:05:18.920
<v Speaker 1>fair like let's get this over with. And then when

0:05:18.960 --> 0:05:21.279
<v Speaker 1>you have someone in your face like that and knows

0:05:21.320 --> 0:05:24.720
<v Speaker 1>how to scare you in the best way, and so

0:05:24.800 --> 0:05:26.320
<v Speaker 1>that was it was it really, it was a really

0:05:26.440 --> 0:05:30.760
<v Speaker 1>powerful um preparation. And also I didn't expect to thrive

0:05:31.240 --> 0:05:34.000
<v Speaker 1>in the military. I didn't know. I didn't know it's

0:05:34.040 --> 0:05:36.600
<v Speaker 1>gonna be a good shot um. And I wouldn't even

0:05:36.640 --> 0:05:38.719
<v Speaker 1>figure this out till a couple of years ago that

0:05:39.000 --> 0:05:42.680
<v Speaker 1>the eye hand thing came from archery when I was

0:05:42.720 --> 0:05:45.720
<v Speaker 1>like eleven, twelve, thirteen years old, because I've never had

0:05:45.760 --> 0:05:48.320
<v Speaker 1>to handle the weapon. I haven't had a weapon since

0:05:48.360 --> 0:05:51.880
<v Speaker 1>the Army, So it's like, um, it was really weird

0:05:51.920 --> 0:05:55.240
<v Speaker 1>to to to suddenly go, wow, you can. You're an

0:05:55.240 --> 0:05:57.960
<v Speaker 1>expert shot with an M fourteen and X six thing.

0:05:58.160 --> 0:06:01.440
<v Speaker 1>So finally you go and you get over there, and

0:06:01.480 --> 0:06:04.920
<v Speaker 1>I mean, you're an actress, so I'm assuming there's gonna

0:06:04.920 --> 0:06:08.200
<v Speaker 1>be an interesting description here. What does it feel like?

0:06:08.240 --> 0:06:10.680
<v Speaker 1>What does it feel like? Okay, I'll get to that

0:06:10.720 --> 0:06:13.200
<v Speaker 1>in one second. I didn't I didn't see my first

0:06:13.279 --> 0:06:17.320
<v Speaker 1>professional play until after I came back from Vietnam, so

0:06:17.440 --> 0:06:20.000
<v Speaker 1>like like I had no and I mean I have

0:06:20.120 --> 0:06:22.200
<v Speaker 1>to say, I think you're you're picking up on something,

0:06:22.200 --> 0:06:25.640
<v Speaker 1>which was I guess I was recording this, you know,

0:06:25.960 --> 0:06:29.279
<v Speaker 1>just and I mean I had the thing. I think

0:06:29.320 --> 0:06:32.880
<v Speaker 1>Stone really captures it in a platoon when you get

0:06:32.880 --> 0:06:35.000
<v Speaker 1>off the plane and you get hit with the heat

0:06:35.200 --> 0:06:37.200
<v Speaker 1>and you don't know where you are and the smell

0:06:37.360 --> 0:06:40.039
<v Speaker 1>and everything like that, it's just like you feel like

0:06:40.080 --> 0:06:44.479
<v Speaker 1>you've arrived at another planet. And so uh, in my case,

0:06:44.920 --> 0:06:49.200
<v Speaker 1>I landed in Cameron Bay and then um, I was

0:06:49.440 --> 0:06:52.240
<v Speaker 1>sent up to this area. But the place that was

0:06:52.240 --> 0:06:55.560
<v Speaker 1>called True Lie that very the very first night. Um,

0:06:56.080 --> 0:06:58.760
<v Speaker 1>that gave us some bad chow and it was hot.

0:06:59.160 --> 0:07:04.160
<v Speaker 1>This was early March of six and they gave us

0:07:04.200 --> 0:07:08.200
<v Speaker 1>warm beers and we sat down in these benches and

0:07:08.240 --> 0:07:12.679
<v Speaker 1>they had this giant white plywood screen and we watched

0:07:12.680 --> 0:07:16.600
<v Speaker 1>the movie called The Devil's Brigade, a World War two movie.

0:07:17.760 --> 0:07:21.120
<v Speaker 1>And then um, I was right after the movie, about

0:07:21.760 --> 0:07:24.400
<v Speaker 1>twenty minutes after the movie, and I had just talked

0:07:24.440 --> 0:07:29.480
<v Speaker 1>to this guy from Philadelphia. We were talking about Acapella. Anyway,

0:07:29.560 --> 0:07:32.600
<v Speaker 1>after the movie, all of a sudden, the rockets came in.

0:07:32.920 --> 0:07:35.680
<v Speaker 1>We were getting rocketed, and I didn't know what the

0:07:35.720 --> 0:07:38.720
<v Speaker 1>hell was happening, and and they didn't tell us. They

0:07:38.720 --> 0:07:41.120
<v Speaker 1>didn't tell us where the bunkers were. You could see them,

0:07:41.160 --> 0:07:44.320
<v Speaker 1>but I wasn't paying attention, you know, I'd expect to

0:07:44.360 --> 0:07:48.600
<v Speaker 1>get hit that night. But the rockets poured in and um,

0:07:48.640 --> 0:07:50.920
<v Speaker 1>there was all the screaming and they black out everything.

0:07:50.920 --> 0:07:53.280
<v Speaker 1>They turned the lights out right away, and it's like

0:07:53.720 --> 0:07:56.440
<v Speaker 1>I hit the dirt. I'm in the sand and I

0:07:56.440 --> 0:07:59.680
<v Speaker 1>can't see anything. And it was in that moment that

0:07:59.760 --> 0:08:05.240
<v Speaker 1>I felt this and drogyn this something next to me.

0:08:06.120 --> 0:08:08.920
<v Speaker 1>Maybe just give me a kiss on the cheek, you know,

0:08:09.120 --> 0:08:11.800
<v Speaker 1>and it was really I felt it was like this

0:08:12.000 --> 0:08:17.680
<v Speaker 1>beautiful form of death. And I remember thinking, no, no,

0:08:17.760 --> 0:08:19.640
<v Speaker 1>I'm not going to do that with you, you know,

0:08:19.840 --> 0:08:24.720
<v Speaker 1>and by Jessica Lang and all that jet exactly, Yeah, totally,

0:08:25.160 --> 0:08:27.520
<v Speaker 1>And so that I pushed that away. And it was

0:08:27.560 --> 0:08:32.120
<v Speaker 1>at that moment I made this vow that somehow, some way,

0:08:32.160 --> 0:08:34.800
<v Speaker 1>I was going to get home. For people, like, when

0:08:34.800 --> 0:08:37.360
<v Speaker 1>you're in Fort Bragg and you're getting ready to deploy

0:08:37.440 --> 0:08:41.120
<v Speaker 1>and go over to Southeast Asia, do you basically are

0:08:41.160 --> 0:08:45.160
<v Speaker 1>you basically told in any terms, whether they're vague or

0:08:45.200 --> 0:08:47.720
<v Speaker 1>specific terms, and they basically are they telling you you're

0:08:47.760 --> 0:08:50.080
<v Speaker 1>going to the ship man, like you're not going to

0:08:50.679 --> 0:08:53.800
<v Speaker 1>work in some telegraph office, you're not gonna edit movies,

0:08:54.360 --> 0:08:56.160
<v Speaker 1>You're going to get a gun and you're going to

0:08:56.240 --> 0:08:58.160
<v Speaker 1>the thick of it. Did they tell you that when

0:08:58.160 --> 0:09:00.600
<v Speaker 1>you're on your way and they will tell you where

0:09:00.640 --> 0:09:03.880
<v Speaker 1>you're going? Well one plus, you don't know. If it's

0:09:03.920 --> 0:09:06.800
<v Speaker 1>hard to describe the where is July in the topography

0:09:06.800 --> 0:09:10.920
<v Speaker 1>and the geography of Vietnam, it's Um. If you go

0:09:11.040 --> 0:09:13.600
<v Speaker 1>back to when it was half and half North and

0:09:13.640 --> 0:09:17.280
<v Speaker 1>South Um, there was the second largest city was Danang

0:09:18.040 --> 0:09:21.480
<v Speaker 1>and truly was about seventy miles seventy five miles south

0:09:21.520 --> 0:09:24.960
<v Speaker 1>of Denang along the coast of the South China Sea.

0:09:25.320 --> 0:09:31.360
<v Speaker 1>When you were there, what do you do? Like drugs, alcohol, sex, food, whatever?

0:09:31.800 --> 0:09:35.360
<v Speaker 1>What did you do to get through the experience of

0:09:35.440 --> 0:09:40.720
<v Speaker 1>two years of this? Wow? Um? Well, I lived for

0:09:41.559 --> 0:09:44.800
<v Speaker 1>the letters that would come from my girlfriend Carol and

0:09:44.880 --> 0:09:48.760
<v Speaker 1>from my mom. My dad never wrote to me the

0:09:48.800 --> 0:09:51.600
<v Speaker 1>whole time, and I didn't even notice it. Why do

0:09:51.679 --> 0:09:54.560
<v Speaker 1>you think The rationalization, which I would find out in

0:09:54.600 --> 0:09:58.480
<v Speaker 1>psychoanalysis years later, was oh, he's not a letter writer.

0:09:58.640 --> 0:10:01.000
<v Speaker 1>It's like you mean you? I think this is me

0:10:01.120 --> 0:10:03.880
<v Speaker 1>getting nailed by the shrink. Did he need to disengage

0:10:03.880 --> 0:10:05.800
<v Speaker 1>because he thought maybe you weren't going to come back.

0:10:06.720 --> 0:10:08.800
<v Speaker 1>I don't know. I mean I I find when you

0:10:08.880 --> 0:10:11.560
<v Speaker 1>came back. What did he say? Well? I I never

0:10:11.600 --> 0:10:13.560
<v Speaker 1>brought it up because I just accepted it, because it

0:10:13.640 --> 0:10:15.360
<v Speaker 1>was like if people said, did your dad right you,

0:10:15.360 --> 0:10:17.079
<v Speaker 1>I'd say no, my mom wrote for both of them.

0:10:17.280 --> 0:10:20.840
<v Speaker 1>I had totally rationalized. But I lived for the letters.

0:10:21.360 --> 0:10:25.120
<v Speaker 1>I lived for the letters. Um. The letters from Carol

0:10:25.200 --> 0:10:28.960
<v Speaker 1>and the letters from my mom were like life sustaining.

0:10:29.000 --> 0:10:31.840
<v Speaker 1>They were tethers. And as far as the day to day,

0:10:32.160 --> 0:10:34.640
<v Speaker 1>it's truly one day at a time. Living. You're looking

0:10:34.679 --> 0:10:37.160
<v Speaker 1>at the calendar all the time. You're seeing guys who

0:10:37.160 --> 0:10:39.040
<v Speaker 1>are going to leave in thirty days. So you see

0:10:39.040 --> 0:10:41.600
<v Speaker 1>guys that are leaving, and you just do you feel

0:10:41.600 --> 0:10:43.679
<v Speaker 1>that thing in your chest. It's like, God, when's that?

0:10:43.840 --> 0:10:46.480
<v Speaker 1>When's that day going to come? There were two times

0:10:46.480 --> 0:10:50.120
<v Speaker 1>I cried in Vietnam. Um. Once when I was in

0:10:50.160 --> 0:10:53.160
<v Speaker 1>the hospital I had skin problems that were really bad.

0:10:53.520 --> 0:10:56.040
<v Speaker 1>The other time was when I left the day I

0:10:56.080 --> 0:10:58.960
<v Speaker 1>had to leave my company to come home. I was

0:10:59.000 --> 0:11:01.280
<v Speaker 1>walking to go to the jeep with my duffel bag

0:11:01.880 --> 0:11:03.920
<v Speaker 1>and a couple of the guys I was tight with

0:11:04.040 --> 0:11:07.560
<v Speaker 1>crew following me, and I started shaking. I didn't know

0:11:07.600 --> 0:11:09.520
<v Speaker 1>what was going on. I thought, what's the I've been

0:11:09.559 --> 0:11:13.959
<v Speaker 1>living for this day? And um, I'm like, I'm coming apart,

0:11:14.240 --> 0:11:17.120
<v Speaker 1>you know, And I uh, And of course they're laughing.

0:11:17.120 --> 0:11:20.720
<v Speaker 1>They're like, a man, you're going home. You know what's

0:11:20.720 --> 0:11:26.680
<v Speaker 1>your version of why one was? I made it? I'm

0:11:26.720 --> 0:11:30.439
<v Speaker 1>going home. Um. I have my opinions, but that's one

0:11:30.440 --> 0:11:34.120
<v Speaker 1>of the that's one of the most profoundly human emotions

0:11:34.160 --> 0:11:38.000
<v Speaker 1>you can feel is to finally be escaping the clutches

0:11:38.200 --> 0:11:41.680
<v Speaker 1>of a situation that you prayed would be over, and

0:11:41.720 --> 0:11:45.280
<v Speaker 1>it's finally over, and you just collapse. Why do you

0:11:45.320 --> 0:11:47.560
<v Speaker 1>think you collapse when it was over? You know, I

0:11:47.640 --> 0:11:49.079
<v Speaker 1>have to. I wanted to fit this in and I

0:11:49.120 --> 0:11:52.000
<v Speaker 1>hope it's not a non sequitur. But it's as opportunities

0:11:52.120 --> 0:11:58.400
<v Speaker 1>arrived to appreciate life's beauty, mysteries, truths, and heartbreak, to

0:11:58.600 --> 0:12:02.880
<v Speaker 1>understand life on a higher plane. That's from your memoir.

0:12:05.920 --> 0:12:09.440
<v Speaker 1>That's so anyway. I don't mean to throw that idea

0:12:09.520 --> 0:12:12.320
<v Speaker 1>like this, but I felt it yesterday thinking about it,

0:12:12.360 --> 0:12:14.959
<v Speaker 1>which was this is going be a conversation about transformation.

0:12:15.240 --> 0:12:17.199
<v Speaker 1>We'll talk about it. We have so much to cover

0:12:17.760 --> 0:12:21.840
<v Speaker 1>therapy forget about suicidal and the deepest painful thoughts. But

0:12:22.280 --> 0:12:25.960
<v Speaker 1>how soon do you want to go to therapy after

0:12:26.000 --> 0:12:29.400
<v Speaker 1>you get back? How soon? Oh? I got sent to

0:12:29.520 --> 0:12:31.960
<v Speaker 1>a shrink at Fort Monmouth, New Jersey. I had to

0:12:31.960 --> 0:12:34.200
<v Speaker 1>do my last few months at Fort Monmouth, New Jersey.

0:12:34.320 --> 0:12:36.480
<v Speaker 1>So I was basically going back and forth from home.

0:12:37.280 --> 0:12:39.600
<v Speaker 1>But it was it was a disaster because I didn't

0:12:39.600 --> 0:12:41.880
<v Speaker 1>trust the guy, I mean, the key, the key things

0:12:41.920 --> 0:12:46.080
<v Speaker 1>with most veterans, and especially coming out of these situations

0:12:46.160 --> 0:12:49.359
<v Speaker 1>is trust. You know, who did you trust him? Why?

0:12:50.360 --> 0:12:52.760
<v Speaker 1>I just didn't trust him. I didn't think I wasn't

0:12:52.800 --> 0:12:55.880
<v Speaker 1>gonna talk to him at all. And I trusted the bars.

0:12:56.360 --> 0:12:59.800
<v Speaker 1>I was into the bars and drinking, and because I

0:12:59.800 --> 0:13:01.960
<v Speaker 1>didn't drink that much in Vietnam, I had a lot

0:13:02.000 --> 0:13:06.680
<v Speaker 1>of responsibility. So I took it pretty seriously. And uh um,

0:13:06.720 --> 0:13:09.040
<v Speaker 1>I mean I'd smoked grass once in a while and

0:13:09.080 --> 0:13:11.320
<v Speaker 1>stuff like that, but it was it was really about

0:13:11.320 --> 0:13:14.720
<v Speaker 1>the work, and also I want to be as responsible

0:13:14.760 --> 0:13:17.520
<v Speaker 1>as I possibly could. When I got home, I thought

0:13:17.559 --> 0:13:19.560
<v Speaker 1>I would sleep for the next two weeks. When I

0:13:19.600 --> 0:13:22.800
<v Speaker 1>got home, I couldn't sleep. I couldn't sleep for more

0:13:22.800 --> 0:13:25.200
<v Speaker 1>than two hours a night, and every night I was

0:13:25.280 --> 0:13:27.720
<v Speaker 1>out drinking, and I had a load of cash. And

0:13:28.240 --> 0:13:30.240
<v Speaker 1>I got into trouble a couple of weeks after I

0:13:30.280 --> 0:13:33.480
<v Speaker 1>was back because I wasn't twenty one yet and in Pennsylvania,

0:13:33.679 --> 0:13:35.640
<v Speaker 1>you know, and I was getting away with it because

0:13:36.040 --> 0:13:38.040
<v Speaker 1>in those days, you had a military idea where you

0:13:38.040 --> 0:13:40.080
<v Speaker 1>had your picture on it, so and I was a

0:13:40.080 --> 0:13:42.800
<v Speaker 1>big kid, so they didn't even look at it. But

0:13:42.840 --> 0:13:45.839
<v Speaker 1>then I you know, I got into this scrap with

0:13:46.040 --> 0:13:49.120
<v Speaker 1>this owner of this bar, and uh, I got in

0:13:49.160 --> 0:13:51.600
<v Speaker 1>trouble and it was it was long. Not long after that,

0:13:51.679 --> 0:13:55.319
<v Speaker 1>there was a situation where, um, I was in New

0:13:55.400 --> 0:13:58.800
<v Speaker 1>Jersey and it was a very violent incident that took place,

0:13:59.240 --> 0:14:02.360
<v Speaker 1>um like right next to me. And it was the

0:14:02.480 --> 0:14:06.240
<v Speaker 1>day after that thereabouts, I just decided I had to

0:14:06.320 --> 0:14:09.880
<v Speaker 1>do something with my life because I was wrecking cards.

0:14:10.080 --> 0:14:12.200
<v Speaker 1>I was just I was feeling like it was me

0:14:12.280 --> 0:14:16.840
<v Speaker 1>against the world and uh and I just didn't trust

0:14:16.920 --> 0:14:19.120
<v Speaker 1>anything or anybody. And I was it with you. I

0:14:19.280 --> 0:14:21.640
<v Speaker 1>was with your girlfriend and your parents who were primary

0:14:21.680 --> 0:14:23.400
<v Speaker 1>to you while you were overseas. What was it like

0:14:23.440 --> 0:14:26.880
<v Speaker 1>when you we engaged with them? Um, I scared them.

0:14:27.000 --> 0:14:31.280
<v Speaker 1>Um My girlfriend, uh, Carol just kind of she wanted

0:14:31.280 --> 0:14:33.880
<v Speaker 1>to keep like this distance, you know, and it was

0:14:34.880 --> 0:14:38.680
<v Speaker 1>um and of course that made me crazy. And we've

0:14:38.720 --> 0:14:43.120
<v Speaker 1>had this incredible um relationship, really romantic and all that

0:14:43.160 --> 0:14:45.680
<v Speaker 1>stuff before I went over there. And when I got back,

0:14:46.120 --> 0:14:48.600
<v Speaker 1>you know, a year can change a lot of life

0:14:48.800 --> 0:14:53.240
<v Speaker 1>in a ninety twenty year old and uh so, um

0:14:53.240 --> 0:14:55.800
<v Speaker 1>so we had trouble, you know, finding our way back

0:14:55.800 --> 0:14:59.880
<v Speaker 1>to each other to the end eventually it was off.

0:15:00.160 --> 0:15:02.440
<v Speaker 1>I became a volcanic thing for the next few years.

0:15:02.440 --> 0:15:09.280
<v Speaker 1>I mean, um my, my dad was really worried. My mom.

0:15:09.360 --> 0:15:12.960
<v Speaker 1>They were worried continually, like what's he doing now? You know.

0:15:13.200 --> 0:15:15.440
<v Speaker 1>There would be like they'd see me open up the

0:15:15.480 --> 0:15:17.760
<v Speaker 1>trunk of the car and they'd be like, you know,

0:15:17.800 --> 0:15:21.000
<v Speaker 1>a bunch of coats from the army and stuff like that.

0:15:21.360 --> 0:15:23.440
<v Speaker 1>They didn't know what was going on. So what what

0:15:23.480 --> 0:15:26.960
<v Speaker 1>were the coats? They were, you know, like fatigue jackets

0:15:27.080 --> 0:15:30.480
<v Speaker 1>or they were those kind of dress army coats. And

0:15:30.840 --> 0:15:33.480
<v Speaker 1>what were you doing with them? I had I was

0:15:33.640 --> 0:15:36.080
<v Speaker 1>giving them away half the time. I didn't care, you know,

0:15:36.120 --> 0:15:37.800
<v Speaker 1>it was just I was And if somebody wanted to

0:15:37.800 --> 0:15:40.080
<v Speaker 1>buy one, I'd sell for five bucks or something. When

0:15:40.120 --> 0:15:45.760
<v Speaker 1>does the acting playwriting? When did the arts take hold?

0:15:46.840 --> 0:15:48.560
<v Speaker 1>My second year of college, where did you go? Again?

0:15:48.600 --> 0:15:51.720
<v Speaker 1>You said, Bucks County Community College in Pennsylvania. What did

0:15:51.720 --> 0:15:55.240
<v Speaker 1>you study? I started just generally, and because I was

0:15:55.320 --> 0:15:58.160
<v Speaker 1>terrified of college because I had had bad reading learning

0:15:58.200 --> 0:16:02.160
<v Speaker 1>problems all through school, and so some confidence came from

0:16:02.160 --> 0:16:04.080
<v Speaker 1>the Army in terms of work ethic and stuff like that.

0:16:04.120 --> 0:16:06.640
<v Speaker 1>But I took a reading course to learn how to

0:16:06.720 --> 0:16:09.840
<v Speaker 1>really read. I had site things that I was doing

0:16:09.880 --> 0:16:12.560
<v Speaker 1>that we've never been corrected from the time I was

0:16:12.600 --> 0:16:15.080
<v Speaker 1>a kid. I got this guy. He saved me. He

0:16:15.240 --> 0:16:17.360
<v Speaker 1>just he set me up for college. It was the

0:16:17.400 --> 0:16:20.480
<v Speaker 1>first year I got my confidence because I got this

0:16:20.560 --> 0:16:23.120
<v Speaker 1>reading problem taking care of. And then in my second year,

0:16:23.360 --> 0:16:25.640
<v Speaker 1>I was thinking pretty mad because I had this confidence

0:16:25.680 --> 0:16:28.880
<v Speaker 1>I didn't have before. But I took this acting class

0:16:28.880 --> 0:16:31.600
<v Speaker 1>because I couldn't get the math teacher I wanted. He said,

0:16:31.920 --> 0:16:34.960
<v Speaker 1>get me next semester. So I, Uh. I took this

0:16:35.040 --> 0:16:37.920
<v Speaker 1>acting class, and two weeks into it, the guy said,

0:16:38.600 --> 0:16:41.000
<v Speaker 1>can you stay for a minute. So yeah, he said,

0:16:41.000 --> 0:16:46.040
<v Speaker 1>you should drop out? Why I love me drop bad?

0:16:46.240 --> 0:16:48.440
<v Speaker 1>He said, you're not You're not getting up, you're not working.

0:16:48.520 --> 0:16:51.880
<v Speaker 1>You can't just watch. So he gives me a monologue

0:16:51.920 --> 0:16:56.040
<v Speaker 1>from your good man Charlie Brown, and it's when Snoogy

0:16:56.040 --> 0:16:58.040
<v Speaker 1>goes up to fight the Red Barren. He should come

0:16:58.040 --> 0:17:00.480
<v Speaker 1>back with this next week. Don't come back. And so

0:17:00.520 --> 0:17:02.360
<v Speaker 1>I did. And I came back, and I was scared

0:17:02.400 --> 0:17:05.120
<v Speaker 1>the ship out of me. But I had a great time,

0:17:05.119 --> 0:17:06.640
<v Speaker 1>and I felt like, you know, I wanted to work

0:17:06.680 --> 0:17:09.680
<v Speaker 1>further into this fire. Then I got into this play

0:17:09.840 --> 0:17:12.720
<v Speaker 1>and then I started taking classes and when I transferred

0:17:12.720 --> 0:17:15.120
<v Speaker 1>the writer they had a really great little field apartment

0:17:15.119 --> 0:17:17.520
<v Speaker 1>there and they were right down the street from the Carter,

0:17:17.680 --> 0:17:20.240
<v Speaker 1>which is where I would do this internship. The following year,

0:17:20.920 --> 0:17:24.720
<v Speaker 1>my senior year. Um, it was in this melodrama called

0:17:24.720 --> 0:17:29.960
<v Speaker 1>Deadwood Dick and who wrote that idea? Because from like

0:17:30.040 --> 0:17:33.560
<v Speaker 1>the nineteen twenties or something. I played the sheriff and

0:17:33.560 --> 0:17:35.640
<v Speaker 1>it was bigger than life and I popped my arms.

0:17:35.840 --> 0:17:39.119
<v Speaker 1>Where did you do that? Where? At Fox County Community College?

0:17:39.520 --> 0:17:42.119
<v Speaker 1>I was terrified, but there was something there for me.

0:17:42.240 --> 0:17:44.280
<v Speaker 1>I knew there was something there for me. I had

0:17:44.359 --> 0:17:47.919
<v Speaker 1>no idea what was there for you? What? There was

0:17:47.960 --> 0:17:50.760
<v Speaker 1>a sense of purpose and there was a sense of

0:17:51.320 --> 0:17:54.520
<v Speaker 1>kind of just an approval. It's like you could get

0:17:54.520 --> 0:17:58.520
<v Speaker 1>this putty in yeah exactly. Yeah. And also the thing

0:17:58.560 --> 0:18:01.600
<v Speaker 1>too that that you get from the military and I'm

0:18:01.600 --> 0:18:03.719
<v Speaker 1>just thinking of this now, but from the military and

0:18:04.320 --> 0:18:07.560
<v Speaker 1>theater film people is you have a community. You know,

0:18:07.600 --> 0:18:12.359
<v Speaker 1>it's a very specific community and it has its own language.

0:18:12.920 --> 0:18:15.920
<v Speaker 1>You're part you're you're part of a society. You get

0:18:15.960 --> 0:18:20.680
<v Speaker 1>into a society where there are rules and beliefs. I

0:18:20.680 --> 0:18:22.800
<v Speaker 1>don't want to say it's a religion, but it's rules

0:18:22.840 --> 0:18:26.000
<v Speaker 1>and beliefs and language and codes and references that are

0:18:26.040 --> 0:18:28.639
<v Speaker 1>just unique. But you're in a world where you know

0:18:28.680 --> 0:18:31.200
<v Speaker 1>the passion runs pretty deep. You walk out a writer

0:18:31.280 --> 0:18:34.919
<v Speaker 1>with a degree in theater. Yes, And where do you go?

0:18:35.359 --> 0:18:37.680
<v Speaker 1>New York? I moved to New York and I don't

0:18:37.720 --> 0:18:41.120
<v Speaker 1>know anybody. Where do you live? Well, my first apartment

0:18:41.160 --> 0:18:43.960
<v Speaker 1>was on the Upper west Side. It was between Giverside

0:18:44.000 --> 0:18:47.520
<v Speaker 1>and West End, and when it was a dodge city days,

0:18:47.840 --> 0:18:50.879
<v Speaker 1>I called it the wild Wild West. Oh yeah, wild

0:18:50.880 --> 0:18:53.280
<v Speaker 1>West May. So you're there on the Upper west Side,

0:18:53.359 --> 0:18:57.200
<v Speaker 1>And do you tell yourself, I'm going after this professional thing?

0:18:57.200 --> 0:18:59.880
<v Speaker 1>Where you were because you sound unsure about a lot

0:19:00.000 --> 0:19:02.800
<v Speaker 1>of things in your alive Yeah, did you have the

0:19:02.840 --> 0:19:06.119
<v Speaker 1>confidence to turn pro? Now? I worked in restaurants. I

0:19:06.160 --> 0:19:10.359
<v Speaker 1>worked in restaurants for for almost four years, and I

0:19:10.400 --> 0:19:14.040
<v Speaker 1>started having nightmares about the war and it was like freaky.

0:19:14.080 --> 0:19:15.560
<v Speaker 1>It was like it was like if you touched the

0:19:15.640 --> 0:19:18.440
<v Speaker 1>stove and it was hot, and six months later you

0:19:18.720 --> 0:19:20.680
<v Speaker 1>feel your hand burn. It was like that kind of

0:19:20.840 --> 0:19:23.280
<v Speaker 1>like I didn't know what to do with it. A

0:19:23.359 --> 0:19:26.840
<v Speaker 1>pure PTSD exactly, but it was, but they didn't have

0:19:26.880 --> 0:19:28.879
<v Speaker 1>the name for it yet. So I did go to

0:19:28.920 --> 0:19:30.960
<v Speaker 1>the v A and when I got to the front

0:19:31.280 --> 0:19:34.320
<v Speaker 1>entrance when it was located on twenty three Street, I

0:19:34.359 --> 0:19:37.440
<v Speaker 1>threw up and I thought, I'm not supposed to be here.

0:19:37.480 --> 0:19:40.840
<v Speaker 1>That's what that means. Ended up working with this guy,

0:19:40.920 --> 0:19:45.560
<v Speaker 1>Larry Stern. He was a psychoanalyst and he really angel

0:19:45.640 --> 0:19:47.680
<v Speaker 1>the box among us. He was the one who really

0:19:48.119 --> 0:19:50.440
<v Speaker 1>get out of the hole that I was thinking and

0:19:50.560 --> 0:19:52.679
<v Speaker 1>at the time, as it was drinking too much and

0:19:52.720 --> 0:19:55.240
<v Speaker 1>it was just a it was at sober every here.

0:19:56.680 --> 0:20:00.000
<v Speaker 1>Uh see, I stopped on my own and eighty five

0:20:00.040 --> 0:20:08.080
<v Speaker 1>got into a recovery program, and the recovery program and so, um,

0:20:09.400 --> 0:20:13.479
<v Speaker 1>you're in the city, and uh, when you're riverside the

0:20:13.520 --> 0:20:17.840
<v Speaker 1>wild wild West, And when does the actor's studio become

0:20:17.880 --> 0:20:21.119
<v Speaker 1>an avenue for you? Oh? Not until Um I was

0:20:21.160 --> 0:20:23.320
<v Speaker 1>really putting my nose in the grindstone when I met you.

0:20:24.000 --> 0:20:26.680
<v Speaker 1>Did a little bit that little little student thing. When

0:20:26.720 --> 0:20:29.600
<v Speaker 1>I got my first job on a soap opera in

0:20:29.680 --> 0:20:32.280
<v Speaker 1>New York, they would put you in the show very sparingly.

0:20:32.320 --> 0:20:33.960
<v Speaker 1>They wanted to kind of build you into the show

0:20:33.960 --> 0:20:35.800
<v Speaker 1>so you didn't have much to do, so I worked

0:20:35.840 --> 0:20:37.680
<v Speaker 1>maybe a day. I mean if I worked two days

0:20:37.680 --> 0:20:40.160
<v Speaker 1>a week, it was it was epic and they paid

0:20:40.200 --> 0:20:42.439
<v Speaker 1>you per show. And I went and did a play

0:20:43.320 --> 0:20:47.760
<v Speaker 1>Summer Tree, a young guy whose family were pretty well

0:20:47.800 --> 0:20:51.800
<v Speaker 1>to do. They would produce him in these plays, and

0:20:51.920 --> 0:20:54.400
<v Speaker 1>I played, you know, the event, like the kid would

0:20:54.440 --> 0:20:57.000
<v Speaker 1>go into war and I would play the soldier I

0:20:57.000 --> 0:20:59.080
<v Speaker 1>would play. I played all the other ancillary characters in

0:20:59.119 --> 0:21:01.120
<v Speaker 1>these little bursts. So I do the play, and then

0:21:01.160 --> 0:21:04.760
<v Speaker 1>I would go to the student Film Bulletin Board at

0:21:04.840 --> 0:21:07.879
<v Speaker 1>n y U and they have casting cards put up

0:21:07.880 --> 0:21:11.439
<v Speaker 1>on the index cards wanted and I would read them.

0:21:11.440 --> 0:21:13.359
<v Speaker 1>And I ended up in a bar in Brooklyn with

0:21:13.440 --> 0:21:16.560
<v Speaker 1>you because while I was doing the soap right and

0:21:16.640 --> 0:21:18.800
<v Speaker 1>we shot that agend and the bar was closed. And

0:21:18.840 --> 0:21:22.479
<v Speaker 1>that's crazy fucking movie about who You were an alien?

0:21:22.560 --> 0:21:24.880
<v Speaker 1>Or I was an alien? Who was the alien? Oh? No,

0:21:24.960 --> 0:21:27.119
<v Speaker 1>I mean I I just played it. I just played

0:21:27.200 --> 0:21:30.359
<v Speaker 1>a pretty weird guy with a spider on my cheek

0:21:30.440 --> 0:21:32.400
<v Speaker 1>or something. I think you were the alien. I think

0:21:32.400 --> 0:21:35.560
<v Speaker 1>the bar Matter of Space and were Bartender was some

0:21:35.600 --> 0:21:38.640
<v Speaker 1>crazy show. But anyway, so um, you get your equity

0:21:38.640 --> 0:21:42.480
<v Speaker 1>card win anyone. I worked in both productions in Central Park.

0:21:42.680 --> 0:21:46.280
<v Speaker 1>How did that happen? Oh? Because uh, I knew no one.

0:21:46.400 --> 0:21:48.440
<v Speaker 1>So I went to the public theater back in like

0:21:48.720 --> 0:21:52.040
<v Speaker 1>December of eighty or thereabouts, and I dropped off a

0:21:52.040 --> 0:21:54.680
<v Speaker 1>picture and resumeas ad the open door policy. And I

0:21:54.800 --> 0:21:57.840
<v Speaker 1>met a woman named Ellen Marshall who worked for Rosemary

0:21:57.840 --> 0:22:00.919
<v Speaker 1>Tishler Stanley soboll Le Novak, and I gave her my

0:22:00.920 --> 0:22:03.439
<v Speaker 1>picture resume. She said, we're not doing generals for at

0:22:03.520 --> 0:22:05.600
<v Speaker 1>least none of the six months. I said, okay, well,

0:22:05.640 --> 0:22:07.400
<v Speaker 1>thank you, and I went back. Of course, six weeks

0:22:07.480 --> 0:22:09.760
<v Speaker 1>later you were here before, right, I said, yeah. She's well,

0:22:09.760 --> 0:22:12.359
<v Speaker 1>I'm gonna tell you again, and it's not Gonner six months.

0:22:12.520 --> 0:22:15.040
<v Speaker 1>That's okay. Of course I came back again. I came

0:22:15.040 --> 0:22:17.000
<v Speaker 1>back to March and then she said, and I've been

0:22:17.000 --> 0:22:19.679
<v Speaker 1>polishing up these couple of these good monologues. One was

0:22:19.720 --> 0:22:23.760
<v Speaker 1>a one from Henry five, one was contemporary piece, and

0:22:24.520 --> 0:22:27.639
<v Speaker 1>she um, she says, okay, come back in two weeks,

0:22:27.640 --> 0:22:29.040
<v Speaker 1>call me in two weeks and come in with the

0:22:29.119 --> 0:22:32.080
<v Speaker 1>questional monologue and contemporary. I said, okay, fine, I show up.

0:22:32.440 --> 0:22:34.800
<v Speaker 1>She said, okay, here we are into April. She said,

0:22:34.840 --> 0:22:36.440
<v Speaker 1>now I want you to come in and you're gonna

0:22:36.440 --> 0:22:38.840
<v Speaker 1>audition for the three casting directors. So I commended an

0:22:38.840 --> 0:22:42.600
<v Speaker 1>audition for the three casting directors. Then Standley has me

0:22:42.680 --> 0:22:45.560
<v Speaker 1>come in in audition for des Maconoff for a small

0:22:45.640 --> 0:22:48.480
<v Speaker 1>part and a bunch of fighting stuff in Henry four.

0:22:48.880 --> 0:22:51.800
<v Speaker 1>So I go in for that, and then and the

0:22:51.920 --> 0:22:55.600
<v Speaker 1>call back for that, Elenova came in and watched it,

0:22:55.960 --> 0:22:59.520
<v Speaker 1>and I had no idea that um I got into

0:22:59.560 --> 0:23:01.560
<v Speaker 1>Henry for. And then they called me the next day

0:23:01.600 --> 0:23:04.360
<v Speaker 1>and they said, can you also understudy in the Tempest

0:23:05.080 --> 0:23:07.680
<v Speaker 1>for like Steven Keats and a couple of other actors,

0:23:07.720 --> 0:23:12.320
<v Speaker 1>And I said yeah, like holy shit. So that was

0:23:12.400 --> 0:23:15.440
<v Speaker 1>like the doorway was opening to like start to work

0:23:15.480 --> 0:23:18.240
<v Speaker 1>in the business with great people. And then and then

0:23:18.800 --> 0:23:22.400
<v Speaker 1>the studio becomes an option when not for another few

0:23:22.480 --> 0:23:25.280
<v Speaker 1>years and how does that happen? Well, I did place

0:23:25.359 --> 0:23:28.359
<v Speaker 1>at the at the public I did I did uh

0:23:28.600 --> 0:23:31.560
<v Speaker 1>Hamlet with Diane Vnora that Joe direct I saw you

0:23:31.600 --> 0:23:34.560
<v Speaker 1>in that. Oh that's right, I got you one of

0:23:34.600 --> 0:23:38.320
<v Speaker 1>the posters. I think, Yeah, I love that. Jamie who

0:23:38.320 --> 0:23:42.720
<v Speaker 1>played Forton Brass at the end, Jamie Sheridan, Oh, Proud Death.

0:23:42.800 --> 0:23:46.000
<v Speaker 1>He came in. I loved him. I loved him. I

0:23:46.000 --> 0:23:48.720
<v Speaker 1>love that production. I love Diane Vanora in that part.

0:23:49.400 --> 0:23:51.320
<v Speaker 1>Pat was going to be the first man to cast

0:23:51.359 --> 0:23:53.520
<v Speaker 1>a woman in a major production, and I thought she

0:23:53.680 --> 0:23:56.960
<v Speaker 1>was fantastic. I love it was exciting, excited. There was

0:23:57.000 --> 0:24:00.680
<v Speaker 1>just something about the humanity of it. It was so beautiful.

0:24:00.960 --> 0:24:03.879
<v Speaker 1>But I was in a play with a combination of

0:24:03.960 --> 0:24:06.720
<v Speaker 1>Vetko and the public that Joe and the Scott tom

0:24:06.760 --> 0:24:11.160
<v Speaker 1>Burke put together, so play Tracers came into be Tracers.

0:24:11.760 --> 0:24:13.680
<v Speaker 1>Was we did that. We did that for I think

0:24:13.680 --> 0:24:15.480
<v Speaker 1>eight or nine months there and then we did it

0:24:15.520 --> 0:24:17.840
<v Speaker 1>in London for the Real Court for a couple of months.

0:24:18.320 --> 0:24:22.680
<v Speaker 1>Harvey uh Kitel and de Niro came one night. That's

0:24:22.800 --> 0:24:24.800
<v Speaker 1>what would lead me to the studio. There was a

0:24:24.800 --> 0:24:26.280
<v Speaker 1>guy who had asked me to do a scene with

0:24:26.320 --> 0:24:28.240
<v Speaker 1>him there and they said, oh, we can't have non

0:24:28.240 --> 0:24:30.480
<v Speaker 1>members coming in, and Harvey said, I know this guy.

0:24:30.760 --> 0:24:33.480
<v Speaker 1>Then I worked and at that time, back in those days,

0:24:33.480 --> 0:24:37.280
<v Speaker 1>they wouldn't six. I think the moderators would not they

0:24:37.280 --> 0:24:39.919
<v Speaker 1>wouldn't give you any comments. But then Ellen had taken

0:24:39.920 --> 0:24:43.400
<v Speaker 1>over for Lee to run the place and she gave

0:24:43.440 --> 0:24:45.520
<v Speaker 1>me this kind of I don't know what to call it,

0:24:45.560 --> 0:24:48.120
<v Speaker 1>like a guest status. So I got to do that.

0:24:48.560 --> 0:24:50.400
<v Speaker 1>And then there happened to be a play we're doing.

0:24:50.480 --> 0:24:53.680
<v Speaker 1>We ended up doing Very Child, and she said that's

0:24:53.680 --> 0:24:55.679
<v Speaker 1>going to be your final audition, because I auditioned a

0:24:55.680 --> 0:24:58.840
<v Speaker 1>couple of times for judges and they said very different things,

0:24:58.880 --> 0:25:02.480
<v Speaker 1>and and she said, let's see what you're doing the

0:25:02.600 --> 0:25:04.880
<v Speaker 1>Very Child. And then I got in with Michael O'Keeffe

0:25:05.040 --> 0:25:08.600
<v Speaker 1>a couple other people, and that was and he seven

0:25:09.160 --> 0:25:11.440
<v Speaker 1>tell people in the time we have left, because there's

0:25:11.440 --> 0:25:14.080
<v Speaker 1>so many other things, I want to ask you, describe

0:25:14.080 --> 0:25:17.040
<v Speaker 1>what is Memorial Day about? What's what's the story. It's

0:25:17.080 --> 0:25:19.960
<v Speaker 1>a guy who's on the verge of suicide. He's basically

0:25:19.960 --> 0:25:22.960
<v Speaker 1>going to take himself out. How old viet Non better

0:25:23.040 --> 0:25:26.320
<v Speaker 1>in age, I'm seventy one. He's basically got the gun

0:25:26.400 --> 0:25:29.880
<v Speaker 1>under his chin. And here comes this character I called

0:25:29.920 --> 0:25:34.080
<v Speaker 1>Sister Blister that when he met that first night in Vietnam.

0:25:34.160 --> 0:25:37.240
<v Speaker 1>And here she comes and she's ready to help him.

0:25:37.400 --> 0:25:41.800
<v Speaker 1>She wants him to come over, and he hesitates because

0:25:41.800 --> 0:25:47.000
<v Speaker 1>he's gotten a voicemail from his daughter who's concerned, and

0:25:47.080 --> 0:25:50.280
<v Speaker 1>it breaks his resolve and he freezes and he goes

0:25:50.320 --> 0:25:53.480
<v Speaker 1>into this nether world with her because she wants him

0:25:53.520 --> 0:25:55.800
<v Speaker 1>to be clear about his decision, and they go through

0:25:55.840 --> 0:25:59.240
<v Speaker 1>the scotlet of memories. The play is about remembering. That's

0:25:59.320 --> 0:26:02.360
<v Speaker 1>one of the most important things veterans can do. Remember

0:26:02.400 --> 0:26:06.000
<v Speaker 1>their stories, share their stories, and have the people around them,

0:26:06.040 --> 0:26:08.920
<v Speaker 1>whether they're veterans or non veterans, to be able to listen.

0:26:09.080 --> 0:26:11.800
<v Speaker 1>And was the last time you did it out here

0:26:12.040 --> 0:26:15.000
<v Speaker 1>at the Road Theater? It was perfect and they had projections.

0:26:15.119 --> 0:26:17.639
<v Speaker 1>I'd always wanted to do it with projections because when

0:26:17.720 --> 0:26:20.200
<v Speaker 1>we took it to Vietnam, when I did it over there,

0:26:20.240 --> 0:26:22.720
<v Speaker 1>I did it with their one of their actresses. She

0:26:22.800 --> 0:26:25.399
<v Speaker 1>did it in Vietnamese, her part in Vietnamese. I did

0:26:25.400 --> 0:26:27.480
<v Speaker 1>mine in English. We had what was that like? I thought,

0:26:27.720 --> 0:26:31.080
<v Speaker 1>Oh my god, Oh my god. Did you and she

0:26:31.200 --> 0:26:33.480
<v Speaker 1>have a tear in your eye together? A couple of times.

0:26:34.160 --> 0:26:36.600
<v Speaker 1>I'm telling you, yes, she I feel it. We had

0:26:36.600 --> 0:26:39.560
<v Speaker 1>two nights and I and they were talkbacks. And when

0:26:39.600 --> 0:26:42.040
<v Speaker 1>I was there as a soldier, she was seven years old,

0:26:42.320 --> 0:26:46.480
<v Speaker 1>and and she had the year before she had done Dollhouse,

0:26:46.520 --> 0:26:50.239
<v Speaker 1>Ibsence Dollhouse. Before that, they did all my sons. When

0:26:50.280 --> 0:26:51.919
<v Speaker 1>they found out I was from the Active Studio, they

0:26:51.960 --> 0:26:54.520
<v Speaker 1>got all excited as well. When they did the stage

0:26:54.520 --> 0:26:58.000
<v Speaker 1>Preasent Tayon was a four hundred seat house. They had screens,

0:26:58.040 --> 0:27:01.919
<v Speaker 1>big screens on both sides with Vietnamese translations for what

0:27:02.000 --> 0:27:05.040
<v Speaker 1>I was saying in English translations for what she was

0:27:05.040 --> 0:27:07.600
<v Speaker 1>saying for sub titles. What year was that, I said,

0:27:07.920 --> 0:27:10.200
<v Speaker 1>We did the play over there in two thousand fourteen.

0:27:10.520 --> 0:27:12.760
<v Speaker 1>What was your first time you'd returned to Vietnam was

0:27:12.800 --> 0:27:15.960
<v Speaker 1>when two thousand twelve you went back to Vietnam for

0:27:15.960 --> 0:27:18.040
<v Speaker 1>the first time in two thousand and twelve. Yeah, for

0:27:18.119 --> 0:27:21.760
<v Speaker 1>what purpose? I went as a veteran because this guy Dr.

0:27:21.920 --> 0:27:25.359
<v Speaker 1>Edward Tick and his organization came and saw the play

0:27:25.560 --> 0:27:29.280
<v Speaker 1>in workshop when Ellen was helping me, Um and uh

0:27:29.400 --> 0:27:32.120
<v Speaker 1>we did. He saw it, he said you should take

0:27:32.119 --> 0:27:34.680
<v Speaker 1>this to Vietnam, and I just thought that was stupid.

0:27:34.840 --> 0:27:37.000
<v Speaker 1>I just said, no, that's I'm not doing that. He said.

0:27:37.160 --> 0:27:39.479
<v Speaker 1>He said, you'd be surprised. The Vietnamese are more curious

0:27:39.520 --> 0:27:42.439
<v Speaker 1>about the American point of view now than than ever before.

0:27:42.960 --> 0:27:45.560
<v Speaker 1>So I went over as a veteran and I met

0:27:45.560 --> 0:27:49.040
<v Speaker 1>the culture ministers. Then In the second trip we set

0:27:49.160 --> 0:27:51.360
<v Speaker 1>up the whole thing, and then the third trip we

0:27:51.520 --> 0:27:55.199
<v Speaker 1>went we went there and h and I just can

0:27:55.280 --> 0:27:58.720
<v Speaker 1>I share one thing? I gotta please, please please. The

0:27:58.800 --> 0:28:02.080
<v Speaker 1>second trip I got away from I was in Hannoy

0:28:02.160 --> 0:28:04.359
<v Speaker 1>and I took a plane down to Chula, the place

0:28:04.400 --> 0:28:06.640
<v Speaker 1>I was telling about before where I was first in country.

0:28:07.680 --> 0:28:11.120
<v Speaker 1>And I was standing on the ground there and um,

0:28:11.200 --> 0:28:13.080
<v Speaker 1>it was right by the ocean, and I had three

0:28:13.200 --> 0:28:16.920
<v Speaker 1>Vietnamese with me, a videographer, driver, and a translator. I said, guys,

0:28:16.960 --> 0:28:18.800
<v Speaker 1>I just need a minute and I just want I

0:28:18.880 --> 0:28:20.680
<v Speaker 1>just wanted to be quiet and still, and I got

0:28:20.720 --> 0:28:25.240
<v Speaker 1>on my knees and there was um this feeling slash

0:28:25.320 --> 0:28:29.080
<v Speaker 1>voice which was of the guys who did not get back,

0:28:29.480 --> 0:28:32.959
<v Speaker 1>and they were saying, we're okay, and so are you.

0:28:34.800 --> 0:28:38.320
<v Speaker 1>And it was from that moment on that's something broken,

0:28:38.360 --> 0:28:43.200
<v Speaker 1>a deeper level where I started to see their humanity,

0:28:43.520 --> 0:28:45.880
<v Speaker 1>their divinity because before that a lot there was a

0:28:45.920 --> 0:28:49.000
<v Speaker 1>lot of white knuckling and I don't trust these people.

0:28:49.040 --> 0:28:51.920
<v Speaker 1>I don't I don't see anything divined in these people.

0:28:52.240 --> 0:28:54.320
<v Speaker 1>Yes there's a lot of beauty here, Yes this this

0:28:54.480 --> 0:28:57.360
<v Speaker 1>and that and the other thing. But that was that was.

0:28:57.680 --> 0:29:02.920
<v Speaker 1>That was a cathartic um moment. That was beautiful. Also,

0:29:03.600 --> 0:29:06.000
<v Speaker 1>I just wanted to mention too, with the whole saga

0:29:06.080 --> 0:29:09.240
<v Speaker 1>with that, with that play Memorial Day and having done

0:29:09.280 --> 0:29:12.240
<v Speaker 1>it in Vietnam in front of the former enemy, and

0:29:12.280 --> 0:29:17.160
<v Speaker 1>then having filmed it and my good friend Robert Duncan

0:29:17.880 --> 0:29:21.360
<v Speaker 1>is putting together. But I think we have are close

0:29:21.440 --> 0:29:25.800
<v Speaker 1>to our final rough cut and so um yeah, we

0:29:26.160 --> 0:29:27.880
<v Speaker 1>want to start to take it out to you know,

0:29:28.440 --> 0:29:32.240
<v Speaker 1>whoever will look at it. So this involves soldiers who

0:29:32.280 --> 0:29:34.800
<v Speaker 1>we turn who you might interact with, if at all

0:29:34.840 --> 0:29:37.160
<v Speaker 1>I'm not assuming you do. But if you interact with men,

0:29:37.720 --> 0:29:40.360
<v Speaker 1>people who see the play, people who have had whatever

0:29:40.480 --> 0:29:44.080
<v Speaker 1>level of PTSD experience themselves, what do you tell them?

0:29:44.080 --> 0:29:46.960
<v Speaker 1>What's your advice to them? And what's your advice to

0:29:47.000 --> 0:29:50.720
<v Speaker 1>and what's your advice to young actors? Okay, so give

0:29:50.760 --> 0:29:53.440
<v Speaker 1>me give me the soldier first. Well, the soldier first

0:29:53.480 --> 0:29:57.760
<v Speaker 1>is uh. I feel that the most important components for

0:29:57.960 --> 0:30:03.720
<v Speaker 1>PTSD recoveries combination, spirituality and community and the bottom line

0:30:03.720 --> 0:30:07.120
<v Speaker 1>too is PTSD. If I think I can handle it

0:30:07.200 --> 0:30:11.080
<v Speaker 1>by myself, it will crush you. Bottom line. Don't be

0:30:11.120 --> 0:30:16.160
<v Speaker 1>ashamed to ask for help, ask for help. That's Brian Dellett.

0:30:16.440 --> 0:30:18.959
<v Speaker 1>He lives in l A today. If you want to

0:30:18.960 --> 0:30:22.280
<v Speaker 1>hear more about the war in Vietnam, take a listen

0:30:22.320 --> 0:30:25.840
<v Speaker 1>to my conversation with Ken Burns and Lynn Novik on

0:30:25.960 --> 0:30:30.680
<v Speaker 1>the making of their ten part documentary about Vietnam. When

0:30:30.680 --> 0:30:34.280
<v Speaker 1>Americans talk about Vietnam, we just talked about ourselves, and

0:30:34.320 --> 0:30:37.600
<v Speaker 1>that what what we needed to do was to triangulate

0:30:37.680 --> 0:30:41.040
<v Speaker 1>with all the other perspectives, not just the enemy. It's

0:30:41.120 --> 0:30:43.720
<v Speaker 1>finding out what the civilians felt, the enemy felt, the

0:30:43.840 --> 0:30:47.040
<v Speaker 1>viet Cong felt, but then our allies, the South Vietnamese

0:30:47.080 --> 0:30:49.520
<v Speaker 1>who get treated like you know what all the time,

0:30:49.920 --> 0:30:53.320
<v Speaker 1>and their civilians and their protesters, as well as all

0:30:53.480 --> 0:30:57.040
<v Speaker 1>the servicemen that we did and everybody all the way

0:30:57.040 --> 0:31:01.040
<v Speaker 1>out to deserters and draft dodgers across the American spectrum.

0:31:01.080 --> 0:31:03.760
<v Speaker 1>And if you then do that, then the kind of

0:31:03.800 --> 0:31:08.640
<v Speaker 1>political dialectic loses its force because you realize that more

0:31:08.680 --> 0:31:12.800
<v Speaker 1>than one truth could obtain at any given moment. The

0:31:12.880 --> 0:31:16.240
<v Speaker 1>rest of that conversation can be found in our archives

0:31:16.520 --> 0:31:31.000
<v Speaker 1>at Here's the Thing dot org. This is Alec Baldwin,

0:31:31.280 --> 0:31:34.480
<v Speaker 1>and you were listening to Here's the Thing as a

0:31:34.560 --> 0:31:37.280
<v Speaker 1>young man, Dick Hughes thought he was going to enter

0:31:37.360 --> 0:31:41.000
<v Speaker 1>the priesthood, but then he transferred to Carnegie Mellon for

0:31:41.120 --> 0:31:45.000
<v Speaker 1>theater and wound up at Boston University for graduate work

0:31:45.240 --> 0:31:49.160
<v Speaker 1>in the same subject. This was the late sixties, the

0:31:49.280 --> 0:31:53.360
<v Speaker 1>Draft was underway. Hughes was a conscientious objector to the

0:31:53.440 --> 0:31:56.480
<v Speaker 1>Vietnam War, but he ended up getting a journalist visa

0:31:56.840 --> 0:32:00.320
<v Speaker 1>and going to Saigon on his own. He found a

0:32:00.360 --> 0:32:04.720
<v Speaker 1>wire service in Vietnam, but his focus became the street kids,

0:32:05.240 --> 0:32:10.320
<v Speaker 1>those making do on the street, hustling, shining shoes and stealing.

0:32:11.200 --> 0:32:15.360
<v Speaker 1>Hughes opened a shelter for these children called the Shoeshine

0:32:15.400 --> 0:32:19.640
<v Speaker 1>Boys Project. This led to a foundation with support from

0:32:19.640 --> 0:32:22.600
<v Speaker 1>people all over the world, including hughes as family and

0:32:22.720 --> 0:32:27.440
<v Speaker 1>friends from his hometown in Pittsburgh. He's from a big family,

0:32:28.240 --> 0:32:33.160
<v Speaker 1>one of seven Catholic family Pittsburgh and lived in Pittsburgh

0:32:33.240 --> 0:32:37.040
<v Speaker 1>right below the Hill Section, after which Debochco named Hill

0:32:37.080 --> 0:32:42.360
<v Speaker 1>Street Blues. Yeah, Irish Catholic family and uh yeah, I

0:32:42.400 --> 0:32:45.440
<v Speaker 1>at one point was looking at the priesthood. Do you

0:32:45.480 --> 0:32:47.080
<v Speaker 1>know why? What was it was the sense of the

0:32:47.800 --> 0:32:52.360
<v Speaker 1>drama of the Catholic church and and and the power

0:32:52.360 --> 0:32:54.640
<v Speaker 1>in a sense that the priest has, you know, all

0:32:54.640 --> 0:32:57.280
<v Speaker 1>of that is kind of attractive. I thought about becoming

0:32:57.280 --> 0:33:00.160
<v Speaker 1>a priest. Yeah, the oldest son of an oldest in

0:33:00.240 --> 0:33:03.080
<v Speaker 1>an Irish Catholic family, it's supposed to become a priest.

0:33:03.160 --> 0:33:05.200
<v Speaker 1>I was told they sold me that idea, but I

0:33:05.240 --> 0:33:08.880
<v Speaker 1>went off into actual drama, another kind of drama. You

0:33:08.920 --> 0:33:11.160
<v Speaker 1>don't go to Vietnam for US until sixty eight. I

0:33:11.200 --> 0:33:14.240
<v Speaker 1>don't go to Vietnam until nineteen sixty seven. So yeah,

0:33:14.600 --> 0:33:16.640
<v Speaker 1>as I was in bought at the graduate school in

0:33:16.640 --> 0:33:20.400
<v Speaker 1>Boston and then the theater Company Boston, Uh, Vietnam became

0:33:20.520 --> 0:33:26.280
<v Speaker 1>so enormous the moral question uh that it was it

0:33:26.360 --> 0:33:28.320
<v Speaker 1>was hard to concentrate on my acting because of that.

0:33:28.400 --> 0:33:31.400
<v Speaker 1>So yeah, that's when it really started kind of eating

0:33:31.400 --> 0:33:33.200
<v Speaker 1>away at me. And I think in some sense I

0:33:33.240 --> 0:33:35.840
<v Speaker 1>was in a bit of a quiet rage about it,

0:33:35.880 --> 0:33:38.680
<v Speaker 1>in the sense not understanding why we were doing that, uh,

0:33:39.120 --> 0:33:42.400
<v Speaker 1>and seeing things like, uh, the generals shooting that we

0:33:42.400 --> 0:33:44.600
<v Speaker 1>had cong in the head and stuff like that. That

0:33:44.720 --> 0:33:49.480
<v Speaker 1>really uh So at that point I got drafted. So

0:33:49.600 --> 0:33:52.720
<v Speaker 1>then I had to decide in in six s seven,

0:33:52.760 --> 0:33:56.960
<v Speaker 1>you had to decide. But I now decided Okay, I

0:33:56.960 --> 0:33:59.680
<v Speaker 1>think what I'm gonna do is refuse induction and go

0:33:59.760 --> 0:34:02.720
<v Speaker 1>to and you're going to be decided. I was going

0:34:02.800 --> 0:34:08.120
<v Speaker 1>to go to where the center where this was happening. Um,

0:34:08.160 --> 0:34:10.960
<v Speaker 1>I'm going I'm gonna face this head on and I'm

0:34:10.960 --> 0:34:13.560
<v Speaker 1>not gonna do it your way. I did it my way.

0:34:13.960 --> 0:34:16.600
<v Speaker 1>And so I decided to go to Vietnam. I didn't

0:34:16.600 --> 0:34:19.520
<v Speaker 1>know anybody, I had no connections, and I had no money,

0:34:19.719 --> 0:34:23.040
<v Speaker 1>and I didn't tell anybody. Um, and you went there

0:34:23.080 --> 0:34:25.120
<v Speaker 1>to do what I was going to go there just

0:34:25.160 --> 0:34:26.960
<v Speaker 1>to try to do something to help people who were

0:34:27.000 --> 0:34:29.160
<v Speaker 1>affected by the war. Had no idea what it would be.

0:34:29.480 --> 0:34:33.080
<v Speaker 1>I was able because the university newspaper covered my draft

0:34:33.719 --> 0:34:37.960
<v Speaker 1>refusal to get an accreditation from Boston University News and

0:34:38.000 --> 0:34:41.560
<v Speaker 1>go as a quote journalist unquote. I actually did end

0:34:41.640 --> 0:34:43.799
<v Speaker 1>up doing some journalism. I ended up traveling with the

0:34:43.840 --> 0:34:47.400
<v Speaker 1>Marines and the army ended up starting dispatching new stories.

0:34:47.600 --> 0:34:51.880
<v Speaker 1>Who we started our own news agency called Dispatch News,

0:34:52.080 --> 0:34:55.000
<v Speaker 1>which Sihirst broke the Melie story through UH and with

0:34:55.080 --> 0:35:00.319
<v Speaker 1>Asians French press a fp OAR service UH and UH

0:35:00.360 --> 0:35:05.640
<v Speaker 1>and I also UH, you know, I I wanted to

0:35:05.760 --> 0:35:08.360
<v Speaker 1>kind of get into combat and find out if my

0:35:08.400 --> 0:35:13.040
<v Speaker 1>philosophical objections were more than just speculations sitting in Boston,

0:35:13.640 --> 0:35:16.440
<v Speaker 1>and so I kind of thought, I'll go in to

0:35:16.520 --> 0:35:19.000
<v Speaker 1>where the battle is and see. And I wasn't there

0:35:19.000 --> 0:35:23.720
<v Speaker 1>a week when we walked into an ambush and uh

0:35:24.040 --> 0:35:26.240
<v Speaker 1>and I had a corporal beside me, a radio operator

0:35:26.280 --> 0:35:29.279
<v Speaker 1>bleeding from the head and uh. Sergeant goes back under

0:35:29.280 --> 0:35:31.399
<v Speaker 1>all this fire and hands me a cocked forty five

0:35:31.480 --> 0:35:34.200
<v Speaker 1>and says, they're coming up on the rear as soon

0:35:34.239 --> 0:35:39.200
<v Speaker 1>as you see them start firing. And and I'm what's

0:35:39.200 --> 0:35:41.400
<v Speaker 1>wrong with this picture? This is a conscienous objector and

0:35:41.440 --> 0:35:45.279
<v Speaker 1>a foxhole at County End, uh, with people coming up

0:35:45.280 --> 0:35:47.600
<v Speaker 1>in the rear who may kill you. Uh. And I

0:35:48.120 --> 0:35:50.359
<v Speaker 1>A million things go through your head at that time.

0:35:50.440 --> 0:35:53.200
<v Speaker 1>How many other people that you encountered over there were

0:35:53.320 --> 0:35:58.279
<v Speaker 1>like you? Nobody? There no free agents that I encountered. Uh.

0:35:58.480 --> 0:36:01.239
<v Speaker 1>There were some conscients objectors who stayed in the army

0:36:01.360 --> 0:36:05.239
<v Speaker 1>and were UH medics. There were some country objectors with

0:36:05.280 --> 0:36:08.200
<v Speaker 1>the Quaker organizations than men and sing. But I haven't

0:36:08.280 --> 0:36:11.759
<v Speaker 1>yet run into anybody who just packed up and flew

0:36:11.800 --> 0:36:14.040
<v Speaker 1>off to Vietnam. And got into the airport, and when

0:36:14.080 --> 0:36:16.040
<v Speaker 1>the whole place cleared out, said all right, now where

0:36:16.040 --> 0:36:19.520
<v Speaker 1>do I go? Um. I also early on also met

0:36:19.960 --> 0:36:22.560
<v Speaker 1>some of these street children whom shine shoes and made

0:36:22.560 --> 0:36:27.200
<v Speaker 1>the living in the streets. And when I got an apartment,

0:36:27.239 --> 0:36:28.920
<v Speaker 1>I would mention from time to time, you know, a

0:36:28.920 --> 0:36:31.919
<v Speaker 1>few folks want to come down, You're welcome to each

0:36:31.960 --> 0:36:34.200
<v Speaker 1>show or do everyone? It took a while they were

0:36:34.200 --> 0:36:36.399
<v Speaker 1>like yeah, yeah, yeah, yeah, but they finally did come down.

0:36:36.440 --> 0:36:39.680
<v Speaker 1>So I was on two tracks. Uh. It was covering

0:36:39.719 --> 0:36:43.480
<v Speaker 1>the war out with the military, and it was starting

0:36:43.880 --> 0:36:47.400
<v Speaker 1>this home for these street kids. After a year, I

0:36:47.480 --> 0:36:50.240
<v Speaker 1>decided to turn this over to some Vietnamese students and friends.

0:36:50.600 --> 0:36:55.040
<v Speaker 1>So I spent the next seven years raising support. Those students,

0:36:55.120 --> 0:36:58.520
<v Speaker 1>brought in other students, opened up eight homes. They helped

0:36:59.480 --> 0:37:05.399
<v Speaker 1>children during the war. You stayed in Vietnam? Yeah, after

0:37:05.480 --> 0:37:09.479
<v Speaker 1>the fall. I stayed about eighteen months after the fall.

0:37:09.560 --> 0:37:12.319
<v Speaker 1>I was I may just be still doing the same thing.

0:37:13.600 --> 0:37:17.560
<v Speaker 1>I was winding down the project. You know, I think I'm,

0:37:17.600 --> 0:37:20.160
<v Speaker 1>if not the I'm one of the last Americans to leave.

0:37:20.640 --> 0:37:23.160
<v Speaker 1>I felt that that there was no reason to evacuate,

0:37:23.200 --> 0:37:26.520
<v Speaker 1>and it was really tragic that so many uh NGEO

0:37:26.640 --> 0:37:33.160
<v Speaker 1>voluntary agencies and charities were evacuating with the remaining military

0:37:33.239 --> 0:37:36.239
<v Speaker 1>and the embassy people. Because I thought, you can't just

0:37:36.320 --> 0:37:40.399
<v Speaker 1>drop a project. Uh And in August of seventy six,

0:37:41.360 --> 0:37:44.200
<v Speaker 1>I came back to New York to close the foundation

0:37:44.239 --> 0:37:49.680
<v Speaker 1>down and go back to acting. Finally, that's that was

0:37:49.719 --> 0:37:53.120
<v Speaker 1>the plan. I was sitting there saying, I mean, I

0:37:53.160 --> 0:37:56.000
<v Speaker 1>have this image of you having tea in some cafe

0:37:56.040 --> 0:38:01.040
<v Speaker 1>and sagon and you're reading variety. Uh No. I always

0:38:01.080 --> 0:38:02.960
<v Speaker 1>had in the back of my mind, I gotta get

0:38:03.000 --> 0:38:04.640
<v Speaker 1>this done. I gotta get this done. I want to

0:38:04.680 --> 0:38:07.000
<v Speaker 1>be an actor. I love acting. I didn't do any

0:38:07.040 --> 0:38:09.560
<v Speaker 1>of it over there. I didn't do acting over the

0:38:09.880 --> 0:38:13.560
<v Speaker 1>acting school over there. No, because you know, I was going,

0:38:13.760 --> 0:38:15.960
<v Speaker 1>I'm like a doctor in the emergency room. We were

0:38:15.960 --> 0:38:19.759
<v Speaker 1>going seven. We were in mortuaries and hospitals, and you know,

0:38:19.840 --> 0:38:22.160
<v Speaker 1>there was no there was never a day off. There's

0:38:22.200 --> 0:38:25.600
<v Speaker 1>never a vacation, and there was never uh cercease in

0:38:25.640 --> 0:38:28.320
<v Speaker 1>the tension that was there. It was it was racing,

0:38:28.400 --> 0:38:31.080
<v Speaker 1>racing against time through the whole thing, and those are

0:38:31.080 --> 0:38:33.760
<v Speaker 1>connections that are forever. And so I kept in contact

0:38:33.760 --> 0:38:36.120
<v Speaker 1>with sending a little money to help people from where

0:38:36.120 --> 0:38:38.719
<v Speaker 1>I could that human rights thing, uh, you know that

0:38:40.200 --> 0:38:42.120
<v Speaker 1>to get those two guys out. And then in two

0:38:42.160 --> 0:38:46.080
<v Speaker 1>thousand and five, coming across Philip Jones Griffith's Agent Orange

0:38:46.120 --> 0:38:48.680
<v Speaker 1>book and saying, you know, the last thing I need

0:38:48.800 --> 0:38:53.160
<v Speaker 1>is another Vietnam humanitarian thing. But the pictures are so graphic.

0:38:53.440 --> 0:38:55.279
<v Speaker 1>So when you when you described to me when you

0:38:55.320 --> 0:38:59.200
<v Speaker 1>first came across this book, this is uh one of

0:38:59.200 --> 0:39:04.160
<v Speaker 1>the best photo of journalists, uh, in the came of

0:39:04.239 --> 0:39:06.839
<v Speaker 1>this that you gave me, Yes, Philip Jones Griffiths. It's

0:39:06.840 --> 0:39:10.799
<v Speaker 1>called Agan Orange Collateral Damage in Vietnam. Philip covered the

0:39:10.800 --> 0:39:13.120
<v Speaker 1>war and a lot of his photos are used over

0:39:13.160 --> 0:39:16.719
<v Speaker 1>and over, iconic photos, uh that you see from time

0:39:16.760 --> 0:39:18.799
<v Speaker 1>to time. But then he went back after the war

0:39:18.880 --> 0:39:22.480
<v Speaker 1>many times and he went to villages where Agent Orange

0:39:22.480 --> 0:39:25.719
<v Speaker 1>had been sprayed and where people had been horribly deformed

0:39:26.360 --> 0:39:30.000
<v Speaker 1>and affected illnesses by it. And he came out with

0:39:30.040 --> 0:39:32.719
<v Speaker 1>a book that has just dedicated to Agent Orange, the

0:39:32.719 --> 0:39:36.359
<v Speaker 1>Collateral Damage, and to meet him. I knew Philip very

0:39:36.400 --> 0:39:39.160
<v Speaker 1>well from from he came to the shoeshine boy house,

0:39:40.480 --> 0:39:42.960
<v Speaker 1>so I knew him over there. He was a good friend. Yeah,

0:39:43.320 --> 0:39:45.919
<v Speaker 1>what's the work now. Well, the effort is to get

0:39:46.040 --> 0:39:49.080
<v Speaker 1>I want to jump start serious aid to some three

0:39:49.120 --> 0:39:53.919
<v Speaker 1>million victims in Vietnam through the US Congress. Uh, we've

0:39:53.920 --> 0:39:57.319
<v Speaker 1>had some success with that, but Agian Orange is like

0:39:57.440 --> 0:40:01.959
<v Speaker 1>below the radar. No president from ford On ever put

0:40:02.239 --> 0:40:05.440
<v Speaker 1>Agent Orange in the budget. None Democratic Republican. You have

0:40:05.520 --> 0:40:08.719
<v Speaker 1>soldiers on each side of the war in Vietnam who

0:40:08.840 --> 0:40:11.960
<v Speaker 1>had healthy children before they went go to the battle

0:40:12.440 --> 0:40:15.200
<v Speaker 1>fight where it's sprayed. They come back, they have one

0:40:15.280 --> 0:40:20.719
<v Speaker 1>too horrific bursts and they go, yeah, that's kind of anecdotal,

0:40:20.800 --> 0:40:22.040
<v Speaker 1>you know. I think what they have to do is

0:40:22.080 --> 0:40:26.839
<v Speaker 1>get damage done to their own d DNA materials. Uh.

0:40:26.880 --> 0:40:29.440
<v Speaker 1>They are in denial about it, but it's not because

0:40:29.480 --> 0:40:33.960
<v Speaker 1>it's political. It's just a kind of lethargy of the bureaucracy.

0:40:34.040 --> 0:40:36.160
<v Speaker 1>And I also I think people who are just new

0:40:36.200 --> 0:40:39.040
<v Speaker 1>to it feel it's just one more thing. They can't

0:40:39.200 --> 0:40:43.719
<v Speaker 1>make any difference about what can I do? Defects as

0:40:43.719 --> 0:40:46.200
<v Speaker 1>a result of dox and still being born of absolutely

0:40:47.920 --> 0:40:51.960
<v Speaker 1>to this day, dioxin is so lethal. Little parts of

0:40:51.960 --> 0:40:55.800
<v Speaker 1>it are can wreak havoc and dioction doesn't go away,

0:40:56.040 --> 0:40:59.320
<v Speaker 1>it stays and it's in the soil, etcetera. And people

0:40:59.400 --> 0:41:02.600
<v Speaker 1>think that a in Orange is past history, and you say, no,

0:41:02.680 --> 0:41:04.920
<v Speaker 1>it's right now and it's a million victims. Now when

0:41:04.920 --> 0:41:07.160
<v Speaker 1>you came back here, you came back where to New York?

0:41:07.160 --> 0:41:09.839
<v Speaker 1>To New York? How would New York changed? New York

0:41:09.880 --> 0:41:13.200
<v Speaker 1>was dense full of people. Uh, they didn't talk to

0:41:13.200 --> 0:41:16.680
<v Speaker 1>each other on elevators like they did in Vietnam. Nobody

0:41:16.719 --> 0:41:18.919
<v Speaker 1>held hands or touched each other. That was a little

0:41:18.920 --> 0:41:22.880
<v Speaker 1>bit of a cultural adjustment. Uh. But um, yeah, I

0:41:23.120 --> 0:41:25.319
<v Speaker 1>was so I was on two tracks. They're closing down

0:41:25.320 --> 0:41:29.400
<v Speaker 1>the foundation and going back into acting. When you come back,

0:41:30.160 --> 0:41:34.600
<v Speaker 1>how would you changed from being over there? Um? You

0:41:34.640 --> 0:41:37.640
<v Speaker 1>know what? I think one of the biggest changes I experienced,

0:41:37.719 --> 0:41:41.719
<v Speaker 1>especially it came out of combat. Um, Before I went

0:41:41.840 --> 0:41:45.120
<v Speaker 1>and I saw things like I mentioned the general Sagan

0:41:45.200 --> 0:41:48.120
<v Speaker 1>General shooting the Vietcong soldier in the head, that famous photo.

0:41:48.680 --> 0:41:50.560
<v Speaker 1>I jumped right out of my seat at that time,

0:41:50.600 --> 0:41:52.799
<v Speaker 1>and I thought, how could we be doing this? How

0:41:52.840 --> 0:41:55.920
<v Speaker 1>could we be involved that this? But what I learned

0:41:55.960 --> 0:42:01.480
<v Speaker 1>in combat was, uh, my darker side. I learned that

0:42:01.520 --> 0:42:05.000
<v Speaker 1>I too, under certain circumstances, could be capable of the

0:42:05.040 --> 0:42:07.440
<v Speaker 1>same thing. So I think what I got an education

0:42:07.600 --> 0:42:10.480
<v Speaker 1>is a more rounded sense of what human beings are

0:42:10.840 --> 0:42:12.960
<v Speaker 1>and how I could employ that in drama. That's why

0:42:13.000 --> 0:42:16.200
<v Speaker 1>I love drama so much, because I think it can

0:42:16.320 --> 0:42:20.680
<v Speaker 1>articulate almost what can't be quote articulated unquote people considered

0:42:20.719 --> 0:42:24.200
<v Speaker 1>a drama and go yes, yes, without saying exactly what

0:42:24.239 --> 0:42:28.239
<v Speaker 1>it is. And to me, that helps avoid wars, that

0:42:28.360 --> 0:42:32.600
<v Speaker 1>helps humans grow. So I I actually saw theater in

0:42:32.760 --> 0:42:37.560
<v Speaker 1>just as sacred or as just as profound a sense

0:42:37.640 --> 0:42:40.680
<v Speaker 1>as I did the acting work, as I'm sorry, the

0:42:40.719 --> 0:42:42.719
<v Speaker 1>social work that I was doing in Vietnam. I felt

0:42:42.719 --> 0:42:45.840
<v Speaker 1>it was as important you saw your darker side. Do

0:42:45.880 --> 0:42:47.759
<v Speaker 1>you want to articulate that more? Meaning you're not talking

0:42:47.760 --> 0:42:52.399
<v Speaker 1>about like me? Lie, you didn't think I'm capable of anything? Oh,

0:42:52.440 --> 0:42:55.840
<v Speaker 1>I think human beings are. No. I am capable depending

0:42:55.880 --> 0:42:58.520
<v Speaker 1>on the circumstances, depending on being pushed to it. I

0:42:58.520 --> 0:43:01.880
<v Speaker 1>think that's what dramas about. You know, you know this, Uh,

0:43:01.880 --> 0:43:04.640
<v Speaker 1>when you're playing a character who's up to something reprehensible,

0:43:04.680 --> 0:43:06.920
<v Speaker 1>you play them on their terms. You know, you have

0:43:07.000 --> 0:43:10.800
<v Speaker 1>to justify why they do that. And I think people

0:43:10.960 --> 0:43:14.399
<v Speaker 1>who who are are toying with the darker side, are

0:43:14.480 --> 0:43:17.239
<v Speaker 1>justifying it in some respects uh. And to me, that's

0:43:17.280 --> 0:43:21.239
<v Speaker 1>as much a part of the human soul as uh

0:43:21.480 --> 0:43:24.120
<v Speaker 1>the some of the brighter side of it. When you

0:43:24.320 --> 0:43:27.600
<v Speaker 1>get a sense of that, you have that capability to

0:43:27.640 --> 0:43:30.279
<v Speaker 1>do that, you're less about judging other people and you're

0:43:30.320 --> 0:43:32.160
<v Speaker 1>more about I just got to use all my time

0:43:32.760 --> 0:43:36.560
<v Speaker 1>two in this case for me, uh, presenting theater in

0:43:36.600 --> 0:43:39.480
<v Speaker 1>a sense that will help educate people and answer questions

0:43:39.520 --> 0:43:42.560
<v Speaker 1>that are out of the context of black and white

0:43:42.640 --> 0:43:47.279
<v Speaker 1>or or debates back and forth the Because you've dedicated

0:43:47.400 --> 0:43:51.319
<v Speaker 1>so much of your life to theater, to acting, uh,

0:43:52.000 --> 0:43:55.680
<v Speaker 1>in and around your relief work and your advocacy work,

0:43:56.480 --> 0:43:59.520
<v Speaker 1>have you ever thought about writing a play? I have

0:43:59.760 --> 0:44:03.560
<v Speaker 1>a real experiences I have about the shoeshine boys and

0:44:03.600 --> 0:44:08.919
<v Speaker 1>about young Dick Hughes arriving there, And um, I don't

0:44:08.920 --> 0:44:11.120
<v Speaker 1>know who would play young Dick Hughes. I could get

0:44:11.120 --> 0:44:15.520
<v Speaker 1>a little makeup down, and we want to sell some tickets,

0:44:16.120 --> 0:44:17.719
<v Speaker 1>so look at the right guy to play the young

0:44:18.080 --> 0:44:22.280
<v Speaker 1>And I think do a kind of documentary, uh, because

0:44:22.280 --> 0:44:24.200
<v Speaker 1>we have a lot of film footage and stuff like

0:44:24.239 --> 0:44:26.480
<v Speaker 1>that that would show how to work in another country

0:44:26.480 --> 0:44:30.640
<v Speaker 1>and do it effectively. That's one thing. The Uh when

0:44:30.640 --> 0:44:36.680
<v Speaker 1>you come back? Um, and uh is it safe to

0:44:36.719 --> 0:44:40.359
<v Speaker 1>say that acting is the is your primary focus when

0:44:40.360 --> 0:44:41.960
<v Speaker 1>you come back and what you want to get back

0:44:42.000 --> 0:44:44.160
<v Speaker 1>to that and you want to give that everything you've got?

0:44:44.440 --> 0:44:47.240
<v Speaker 1>And is it a case where you have this lingering

0:44:47.360 --> 0:44:50.520
<v Speaker 1>empathy for what happened back there and you're haunted by

0:44:50.520 --> 0:44:53.560
<v Speaker 1>what you saw? Have stopped me if I'm getting too dramatic,

0:44:53.800 --> 0:44:58.040
<v Speaker 1>But but but when it's like the Godfather Part three line, Uh,

0:44:58.600 --> 0:45:00.560
<v Speaker 1>they keep pulling me back in, you know what I mean,

0:45:00.640 --> 0:45:03.160
<v Speaker 1>the Pacino line meaning to go there and you want

0:45:03.160 --> 0:45:06.160
<v Speaker 1>to Are you done with that? No? I think here's

0:45:06.160 --> 0:45:08.600
<v Speaker 1>the funny thing about that. It makes a huge It's

0:45:08.640 --> 0:45:11.640
<v Speaker 1>it's forever there and those are connections that are forever.

0:45:11.920 --> 0:45:13.839
<v Speaker 1>And so I kept in contact with sending a little

0:45:13.880 --> 0:45:16.319
<v Speaker 1>money to help people from where I could. So it

0:45:16.360 --> 0:45:18.920
<v Speaker 1>was I always had a sense of being pulled again,

0:45:19.080 --> 0:45:22.040
<v Speaker 1>you know, to tide, dragging me kind of back in,

0:45:22.400 --> 0:45:25.399
<v Speaker 1>but acting still being the first priority. But interestingly enough,

0:45:25.840 --> 0:45:28.040
<v Speaker 1>I made three post war trips two thousand one, two

0:45:28.040 --> 0:45:31.160
<v Speaker 1>thousand eight, and two thousand sixteen. And when I went

0:45:31.239 --> 0:45:34.120
<v Speaker 1>and I when I left Vietnam. There was nothing emotional

0:45:34.320 --> 0:45:36.560
<v Speaker 1>much about it when I got on the plane and left,

0:45:36.640 --> 0:45:38.800
<v Speaker 1>which I thought was kind of odd making that break.

0:45:39.600 --> 0:45:44.400
<v Speaker 1>But the first trip back UH, some of the grown

0:45:44.640 --> 0:45:47.120
<v Speaker 1>street kids and their families and other friends who worked

0:45:47.160 --> 0:45:50.880
<v Speaker 1>with me UH set up visits, all reunions and kind

0:45:50.880 --> 0:45:52.520
<v Speaker 1>of stuff, and we went to the airport. They had

0:45:52.520 --> 0:45:54.879
<v Speaker 1>all taken a day off they couldn't afford. And as

0:45:54.880 --> 0:45:58.320
<v Speaker 1>I went up into the section transition section, transit section,

0:45:58.560 --> 0:46:01.200
<v Speaker 1>they were all waving goodbye. And I got on the

0:46:01.239 --> 0:46:06.680
<v Speaker 1>plane and I sobbed all the way to Hannoy, and

0:46:06.719 --> 0:46:09.240
<v Speaker 1>I thought why, And then I realized what had happened

0:46:09.320 --> 0:46:13.879
<v Speaker 1>was I had gone over there, giving up everything, my job,

0:46:13.920 --> 0:46:16.080
<v Speaker 1>I had no money with girlfriend, my family, hadn't even

0:46:16.120 --> 0:46:18.799
<v Speaker 1>told my family. I was going with this idea, I

0:46:18.800 --> 0:46:23.120
<v Speaker 1>am going to do something about this goddamn war. And

0:46:23.200 --> 0:46:25.919
<v Speaker 1>I came back and it wasn't until I returned again

0:46:25.960 --> 0:46:29.240
<v Speaker 1>in two thousand one that I saw that their lives

0:46:29.920 --> 0:46:32.799
<v Speaker 1>they'd made it. So the odd thing about it was

0:46:33.080 --> 0:46:36.000
<v Speaker 1>that that promised to myself and sixty eight was not

0:46:36.120 --> 0:46:40.520
<v Speaker 1>resolved until that two thousand and one of seeing them

0:46:40.840 --> 0:46:44.920
<v Speaker 1>healed and survived and healed, and that my effort in

0:46:44.960 --> 0:46:52.840
<v Speaker 1>that respect was over. Dick Hughes, actor, writer, founder of

0:46:52.920 --> 0:46:57.640
<v Speaker 1>the Shoeshine Boys project. This is Alec Baldwin and you

0:46:57.760 --> 0:47:11.080
<v Speaker 1>were listening to Here's the Thing four