1 00:00:00,720 --> 00:00:10,480 Speaker 1: I Am all in again. Oh, let's just you. 2 00:00:17,800 --> 00:00:22,360 Speaker 2: I Smell Pop Culture with Easton Allen and iHeart Radio podcast. 3 00:00:22,520 --> 00:00:25,640 Speaker 2: Do you smell what I'm cooking? You probably do. Hey, 4 00:00:25,680 --> 00:00:28,160 Speaker 2: this is Easton Allen. This is the I Am and 5 00:00:28,240 --> 00:00:31,640 Speaker 2: podcast I Smell Pop Culture one eleven productions. I Heard Radio, 6 00:00:31,640 --> 00:00:35,120 Speaker 2: I Heard Media, I Heard podcasts. Thanks again for joining us. 7 00:00:35,400 --> 00:00:38,760 Speaker 2: We're so excited this one. We're going back to the 8 00:00:38,880 --> 00:00:43,000 Speaker 2: very first moment of Gilmore Girls for this interview. 9 00:00:43,000 --> 00:00:43,280 Speaker 1: Today. 10 00:00:43,320 --> 00:00:46,199 Speaker 2: We're talking to someone very important that has a connection 11 00:00:46,640 --> 00:00:50,560 Speaker 2: to the very first frame of Gilmore Girls that you 12 00:00:50,600 --> 00:00:55,639 Speaker 2: could ever see. We're really really excited about it, and 13 00:00:56,080 --> 00:00:58,960 Speaker 2: it got me thinking about the importance of a theme song, 14 00:00:59,440 --> 00:01:03,360 Speaker 2: the importance of an intro. You know, I'm personally I'm 15 00:01:03,360 --> 00:01:05,040 Speaker 2: gonna let you into my world a little bit. My 16 00:01:05,120 --> 00:01:08,800 Speaker 2: name is Easton and I'm hosting this show. And you know, 17 00:01:08,840 --> 00:01:10,160 Speaker 2: I know a lot of you don't know who I am, 18 00:01:10,200 --> 00:01:11,560 Speaker 2: so let's let's get to know me a little bit. 19 00:01:11,600 --> 00:01:14,480 Speaker 2: I love theme songs. I listen to theme songs for 20 00:01:14,680 --> 00:01:19,840 Speaker 2: pleasure on my playlist right now I have I just 21 00:01:19,880 --> 00:01:23,160 Speaker 2: listened to the Entertainment Tonight theme song that doesn't even 22 00:01:23,200 --> 00:01:26,520 Speaker 2: have any lyrics. That's just the trumpets. I love theme 23 00:01:26,600 --> 00:01:28,880 Speaker 2: songs so much. I think they are so important and 24 00:01:28,920 --> 00:01:33,360 Speaker 2: I think that they they produce a feeling within you 25 00:01:33,480 --> 00:01:36,720 Speaker 2: that normal songs cannot. And I don't know what that 26 00:01:36,760 --> 00:01:40,119 Speaker 2: says about my brain, but like, there are so many 27 00:01:40,120 --> 00:01:43,000 Speaker 2: good theme songs out there that you can't like, I 28 00:01:43,000 --> 00:01:44,760 Speaker 2: have to rip these from YouTube and put them on 29 00:01:44,800 --> 00:01:48,240 Speaker 2: my playlist. I think theme songs are so important. I'm 30 00:01:48,240 --> 00:01:51,240 Speaker 2: curious what your favorite theme songs are. You leave a 31 00:01:51,280 --> 00:01:54,080 Speaker 2: comment on the Instagram of this of this episode and 32 00:01:54,080 --> 00:01:56,200 Speaker 2: tell me what your favorite theme songs of all time are. 33 00:01:56,640 --> 00:01:58,880 Speaker 2: The theme song to Gilmore Girls, of Course, is where 34 00:01:58,920 --> 00:02:02,200 Speaker 2: you lead. It's by King or her daughter Luise Goffin. 35 00:02:02,680 --> 00:02:05,920 Speaker 2: But if you go back to the pilot episode, it 36 00:02:06,040 --> 00:02:10,200 Speaker 2: is a different theme song. And this song that I 37 00:02:10,240 --> 00:02:13,080 Speaker 2: will tell you in a moment here, this song was 38 00:02:13,120 --> 00:02:17,040 Speaker 2: also the theme or the intro to a movie that 39 00:02:17,080 --> 00:02:19,480 Speaker 2: I love so dearly. It's called So I Married an 40 00:02:19,480 --> 00:02:21,440 Speaker 2: AX Murderer and it's with Mike Myers. And if you 41 00:02:21,440 --> 00:02:24,600 Speaker 2: haven't seen that movie, watch that movie immediately. I absolutely 42 00:02:24,639 --> 00:02:27,240 Speaker 2: love it. But it uses the same theme song and 43 00:02:27,320 --> 00:02:30,920 Speaker 2: it's so good at setting the stage at getting setting 44 00:02:30,919 --> 00:02:33,799 Speaker 2: you up for what you're about to experience. And I'm 45 00:02:33,800 --> 00:02:36,760 Speaker 2: going to tell you more about that theme song and 46 00:02:36,800 --> 00:02:38,919 Speaker 2: why we're interviewing the person we're interviewing today. 47 00:02:39,320 --> 00:02:46,840 Speaker 1: After these messages, iHeart podcasts, listen on the iHeartRadio app. 48 00:02:48,720 --> 00:02:52,480 Speaker 2: Hey, everybody, So when we do that, when we toss 49 00:02:52,560 --> 00:02:56,480 Speaker 2: to commercials, I just want everyone listening. While you're listening 50 00:02:56,520 --> 00:02:59,519 Speaker 2: to those commercials, I am jogging in place. I'm doing 51 00:02:59,560 --> 00:03:02,800 Speaker 2: push up. I am not resting the entire We do 52 00:03:02,840 --> 00:03:04,440 Speaker 2: it in real time too. I don't just like say, 53 00:03:04,520 --> 00:03:07,120 Speaker 2: let's hear some commercials then I walk, then I skip ahead. 54 00:03:07,280 --> 00:03:09,359 Speaker 2: No no, no, I said there. For the entire time 55 00:03:09,400 --> 00:03:11,840 Speaker 2: you've heard commercials, I have been jogging in place. So 56 00:03:12,160 --> 00:03:14,200 Speaker 2: I'm there with you. I am in the trenches. This 57 00:03:14,240 --> 00:03:16,640 Speaker 2: is Easton Allen. It's the I AML and podcasts. I 58 00:03:16,680 --> 00:03:20,480 Speaker 2: smell pop culture. We're talking about theme songs at the 59 00:03:20,520 --> 00:03:23,440 Speaker 2: start there, we're talking about the importance of them, how 60 00:03:23,480 --> 00:03:27,000 Speaker 2: they set the mood for a TV show, for a movie. 61 00:03:27,400 --> 00:03:29,480 Speaker 2: If you go back to the pilot of Gilmore Girls, 62 00:03:29,480 --> 00:03:33,400 Speaker 2: the very first episode, the first frame of Gilmore Experience, 63 00:03:33,480 --> 00:03:35,760 Speaker 2: the first moment of Stars Hollow, you're going to hear 64 00:03:36,080 --> 00:03:38,840 Speaker 2: There she Goes by the Laws. That's a song that 65 00:03:38,920 --> 00:03:44,920 Speaker 2: released in nineteen ninety originally, and it's such a good song. 66 00:03:45,080 --> 00:03:46,640 Speaker 2: And I know you're all familiar with it because if 67 00:03:46,680 --> 00:03:48,560 Speaker 2: you're listening to this podcast, you've definitely seen the pilot 68 00:03:48,560 --> 00:03:51,120 Speaker 2: of Gilmore Girls. Come on Now. It's such a good song. 69 00:03:52,360 --> 00:03:54,240 Speaker 2: A lot of people have covered it over the years. 70 00:03:54,600 --> 00:03:57,200 Speaker 2: The Buu Radleys covered it in the aforementioned So I 71 00:03:57,240 --> 00:04:02,280 Speaker 2: Married an Ax Murderer, and in nineteen nine, Sixpence None 72 00:04:02,320 --> 00:04:05,000 Speaker 2: the Richer covered it and they just shot up the 73 00:04:05,080 --> 00:04:08,080 Speaker 2: chart with that version. It's so beloved it. There's a 74 00:04:08,120 --> 00:04:10,280 Speaker 2: lot of people that think that There She Goes is 75 00:04:10,280 --> 00:04:12,760 Speaker 2: their song. There's a lot of people that believe they 76 00:04:12,760 --> 00:04:14,360 Speaker 2: don't know it's a cover. They think it's a Sixpence 77 00:04:14,360 --> 00:04:18,080 Speaker 2: on the Richer song. It is such a good version too, 78 00:04:18,200 --> 00:04:21,080 Speaker 2: they really they put their sixpence spin on it and 79 00:04:21,240 --> 00:04:24,559 Speaker 2: it's so good. So today we are going to talk 80 00:04:24,600 --> 00:04:27,560 Speaker 2: to Lee Nash, who is the singer of Sixpence on 81 00:04:27,600 --> 00:04:29,400 Speaker 2: the Richer. She has a heavenly voice that you hear 82 00:04:29,880 --> 00:04:31,719 Speaker 2: when you listen to There she Goes, when you listen 83 00:04:31,760 --> 00:04:34,040 Speaker 2: to kiss Me, when you listen to Don't Dream It's over. 84 00:04:34,720 --> 00:04:36,720 Speaker 2: These are some amazing songs, and Lee Nash is the 85 00:04:36,800 --> 00:04:40,120 Speaker 2: voice behind them all. She's been the singer of Sixpence 86 00:04:40,160 --> 00:04:43,640 Speaker 2: on The Richer since they formed. They've been nominated for Grammy. 87 00:04:43,960 --> 00:04:47,920 Speaker 2: They've been such an integral part of pop culture, especially 88 00:04:48,000 --> 00:04:51,400 Speaker 2: the nineties pop culture. They're like just ingrained in the 89 00:04:51,480 --> 00:04:54,919 Speaker 2: nineties and we're going to talk to Lee. We're gonna 90 00:04:54,960 --> 00:04:57,800 Speaker 2: hear all those stories. We're going to talk to her 91 00:04:57,800 --> 00:05:01,159 Speaker 2: about there. She goes, Hey, Hey, a huge Gilmore Girls 92 00:05:01,160 --> 00:05:04,160 Speaker 2: fan too, so we're gonna talk Gilmore. We're so excited 93 00:05:04,320 --> 00:05:07,480 Speaker 2: to have Lee Nash on with us. And you know, 94 00:05:07,760 --> 00:05:10,320 Speaker 2: they're actually on on tour right now. If you want 95 00:05:10,360 --> 00:05:14,039 Speaker 2: to see sixpence on The Richer Live, you have a chance. 96 00:05:14,080 --> 00:05:16,160 Speaker 2: They're in as we record this. They're in Orlando and 97 00:05:16,200 --> 00:05:18,880 Speaker 2: that's where Lee is joining us from. Uh but there's 98 00:05:18,920 --> 00:05:21,400 Speaker 2: still many dates left on the tour throughout the month 99 00:05:21,400 --> 00:05:24,679 Speaker 2: of December. You can get all that information at sixpence 100 00:05:24,720 --> 00:05:27,280 Speaker 2: on The Richer dot com. But come in live from 101 00:05:27,320 --> 00:05:30,240 Speaker 2: the dressing room in Orlando, Florida. We have Lee Nash 102 00:05:30,279 --> 00:05:32,160 Speaker 2: here with us now. Lee, thank you so much for 103 00:05:32,200 --> 00:05:33,120 Speaker 2: doing this. How's it going. 104 00:05:33,839 --> 00:05:36,280 Speaker 3: It's going great. Thank you so much for having me. 105 00:05:37,200 --> 00:05:40,000 Speaker 2: We're such big fans. I mean, you're such an icon. 106 00:05:40,560 --> 00:05:45,039 Speaker 2: Your songs are such an integral part of popular culture. 107 00:05:45,800 --> 00:05:47,240 Speaker 2: But I want to go back to the beginning. I 108 00:05:47,279 --> 00:05:48,760 Speaker 2: want to go back to the to the start here. 109 00:05:49,000 --> 00:05:53,400 Speaker 2: You grew up in New Bronfels, Texas. Uh, and it's 110 00:05:53,480 --> 00:05:57,280 Speaker 2: sixpence on the richer is such an early inspiration for 111 00:05:57,320 --> 00:05:59,400 Speaker 2: so many artists now. But I want to know when 112 00:05:59,440 --> 00:06:01,160 Speaker 2: you were growing up and you were first getting into 113 00:06:01,240 --> 00:06:02,400 Speaker 2: music who inspired you. 114 00:06:04,240 --> 00:06:07,120 Speaker 3: It was Patsy Kline and Willie Nelson. Because I grew 115 00:06:07,160 --> 00:06:09,960 Speaker 3: up in the hill country in Texas. I think that's 116 00:06:10,040 --> 00:06:13,640 Speaker 3: just that's what my parents were influenced by, and therefore 117 00:06:13,680 --> 00:06:17,080 Speaker 3: that's what I had around to listen to, and so 118 00:06:17,160 --> 00:06:19,880 Speaker 3: it was really a lot of older country artists and 119 00:06:20,160 --> 00:06:21,120 Speaker 3: kind of still is. 120 00:06:22,839 --> 00:06:25,440 Speaker 2: Yeah, because especially like in your solo music, like you, 121 00:06:26,160 --> 00:06:29,599 Speaker 2: it's more of a country style now, is that right, A. 122 00:06:29,560 --> 00:06:34,200 Speaker 3: Little bit more singer songwriter esque kind of stuff. Yeah. 123 00:06:34,279 --> 00:06:36,360 Speaker 3: I did a lot of solo work while I was 124 00:06:36,440 --> 00:06:40,480 Speaker 3: raising my son the last twenty one years, and now 125 00:06:40,560 --> 00:06:43,200 Speaker 3: it's really fun to be back out with the band 126 00:06:43,360 --> 00:06:46,160 Speaker 3: and touring again. We're having a really good time. And 127 00:06:47,120 --> 00:06:49,320 Speaker 3: so yeah, that's where you're catching me today. 128 00:06:50,800 --> 00:06:55,039 Speaker 2: Yeah, as we record this, Lee's in Orlando, Florida, about 129 00:06:55,080 --> 00:06:57,520 Speaker 2: to play, about to play a show. I'm going to say, 130 00:06:57,520 --> 00:07:00,720 Speaker 2: you're backstage right now, you're right about to go on. Huh. 131 00:07:01,000 --> 00:07:01,160 Speaker 3: Yeah. 132 00:07:01,200 --> 00:07:04,120 Speaker 2: But how did Sixpence on the Richer start? Like, how 133 00:07:04,120 --> 00:07:06,400 Speaker 2: did you guys all meet? How did the band start? 134 00:07:07,080 --> 00:07:10,680 Speaker 3: Matt Slocum, the guitar player and principal writer in the band. 135 00:07:10,760 --> 00:07:14,480 Speaker 3: He and I met in like nineteen ninety two. I 136 00:07:14,520 --> 00:07:20,000 Speaker 3: think I was a freshman in high school and he 137 00:07:20,080 --> 00:07:23,800 Speaker 3: had just written his first song and he heard me 138 00:07:23,920 --> 00:07:26,440 Speaker 3: singing I think in church or or in school like 139 00:07:26,480 --> 00:07:29,960 Speaker 3: a talent show, and wanted to hear what I sounded 140 00:07:30,000 --> 00:07:32,360 Speaker 3: like singing this song that he wrote. And so that's 141 00:07:32,440 --> 00:07:35,960 Speaker 3: that was a very humble beginning. He just literally handed 142 00:07:35,960 --> 00:07:40,040 Speaker 3: me a take on a bus, on like a school bus, 143 00:07:40,080 --> 00:07:45,240 Speaker 3: and there we were. I sang it and it's had 144 00:07:45,240 --> 00:07:47,240 Speaker 3: a nice sound to it, I suppose. I'm mean, I 145 00:07:47,320 --> 00:07:49,160 Speaker 3: go back and hear it now, and I'm like, what 146 00:07:49,240 --> 00:07:53,560 Speaker 3: did anybody ever see in this band? But I'm thankful 147 00:07:53,720 --> 00:07:57,400 Speaker 3: that that people have connected with our music. What's wonderful. 148 00:07:58,520 --> 00:08:01,440 Speaker 2: Your vocal style is so distinct, and like as soon 149 00:08:01,440 --> 00:08:03,240 Speaker 2: as you sing one note, people know like, oh this 150 00:08:03,280 --> 00:08:06,160 Speaker 2: is a sixpence on the richer song. How what was 151 00:08:06,200 --> 00:08:09,640 Speaker 2: the process like of like finding that style for yourself? 152 00:08:10,960 --> 00:08:13,640 Speaker 3: For myself as a vocalist, I have to say, it's 153 00:08:13,720 --> 00:08:16,400 Speaker 3: it's come straight from God. I had nothing to do 154 00:08:16,480 --> 00:08:19,880 Speaker 3: with I don't mean to sound too woo woo or whatever. 155 00:08:20,120 --> 00:08:22,400 Speaker 3: I don't mean to be annoying in that sense, but 156 00:08:23,200 --> 00:08:26,840 Speaker 3: I really can't credit it. I didn't take any lessons 157 00:08:26,920 --> 00:08:28,960 Speaker 3: to speak of. I mean, I was a in choir 158 00:08:29,920 --> 00:08:31,520 Speaker 3: in high school and that was great. I add a 159 00:08:31,520 --> 00:08:34,840 Speaker 3: great teacher. But I think I just let my my 160 00:08:35,000 --> 00:08:39,120 Speaker 3: humanness get out my voice, like like I think Leonard 161 00:08:39,120 --> 00:08:42,679 Speaker 3: Cohen said, maybe it was somebody else. I let my 162 00:08:42,800 --> 00:08:46,480 Speaker 3: heart inform my throat. So that's yeah, that's my style. 163 00:08:47,440 --> 00:08:50,560 Speaker 3: And then as far as sixpence in our sound, I 164 00:08:50,600 --> 00:08:52,640 Speaker 3: know when I met Matt, he was listening to a 165 00:08:52,720 --> 00:08:55,800 Speaker 3: lot of really cool bands like XTC and Sam Phillips, 166 00:08:55,840 --> 00:08:58,040 Speaker 3: which I know probably she comes up quite a bit 167 00:08:58,360 --> 00:09:02,920 Speaker 3: maybe on this podca but in the Sundays of course 168 00:09:02,960 --> 00:09:06,320 Speaker 3: and the Cranberries, And I think I already said XTC, 169 00:09:06,840 --> 00:09:08,880 Speaker 3: but lots of lots of really cool bands that I 170 00:09:08,880 --> 00:09:12,000 Speaker 3: had never heard of and probably wouldn't have because I 171 00:09:12,040 --> 00:09:15,640 Speaker 3: was too busy listening to Willie Nelson. So when we 172 00:09:15,720 --> 00:09:18,120 Speaker 3: put our styles together, I guess. 173 00:09:17,960 --> 00:09:19,480 Speaker 1: Yeah, I'm so curious. 174 00:09:19,520 --> 00:09:22,120 Speaker 2: What when you first start the band and you guys 175 00:09:22,120 --> 00:09:25,280 Speaker 2: first start writing songs, like, what was that collaborative process? 176 00:09:25,440 --> 00:09:30,800 Speaker 3: Like, well, it wasn't very collaborative as far as writing 177 00:09:31,360 --> 00:09:33,800 Speaker 3: at certainly not getting because I was so young. I 178 00:09:33,840 --> 00:09:38,160 Speaker 3: was sick fifteen turning sixteen when we made our first record, 179 00:09:38,240 --> 00:09:42,160 Speaker 3: and Matt had written all the songs. But there is 180 00:09:42,160 --> 00:09:46,920 Speaker 3: always a collaboration, you know, with a vocalist and new music. 181 00:09:47,000 --> 00:09:50,560 Speaker 3: And again, like his I was so young, not that 182 00:09:50,640 --> 00:09:52,800 Speaker 3: he wasn't. He was also very young, but just a 183 00:09:52,840 --> 00:09:56,240 Speaker 3: lot smarter than me and read a lot more books. 184 00:09:56,920 --> 00:10:01,319 Speaker 3: So the lyrics were really to me, and I think 185 00:10:01,360 --> 00:10:04,480 Speaker 3: they are mystical. I think they're really beautiful, and we're 186 00:10:04,520 --> 00:10:07,360 Speaker 3: doing some of that really really early material on this 187 00:10:07,520 --> 00:10:13,120 Speaker 3: tour and it's it's crazy, like how the meanings of 188 00:10:13,160 --> 00:10:16,360 Speaker 3: the songs have changed for me over the years, And 189 00:10:16,600 --> 00:10:20,040 Speaker 3: probably our fans would say the same. Maybe I don't 190 00:10:20,040 --> 00:10:24,480 Speaker 3: know but any collaboration was just me trying to wrap 191 00:10:24,520 --> 00:10:26,920 Speaker 3: my head around what I was singing and make it, 192 00:10:27,160 --> 00:10:32,160 Speaker 3: you know, make it connect with the listener's ear and heart. 193 00:10:41,400 --> 00:10:43,080 Speaker 2: You know, as you got on this tour and you're 194 00:10:43,120 --> 00:10:46,160 Speaker 2: playing these songs that you wrote, like some I imagine 195 00:10:46,160 --> 00:10:48,600 Speaker 2: you're playing some of the earlier stuff, And how does 196 00:10:48,640 --> 00:10:51,080 Speaker 2: it when you sing it, especially in front of people, 197 00:10:51,160 --> 00:10:53,360 Speaker 2: does it take you back to that moment you wrote it, 198 00:10:53,520 --> 00:10:55,679 Speaker 2: or how does it feel for you to perform those 199 00:10:55,679 --> 00:10:56,320 Speaker 2: early songs. 200 00:10:57,360 --> 00:11:00,640 Speaker 3: It's really fun. It's really fighting getting to see the 201 00:11:00,679 --> 00:11:05,360 Speaker 3: crowd react because will come out strong. I don't want 202 00:11:05,360 --> 00:11:07,200 Speaker 3: to give it away, but we come out really strong, 203 00:11:07,679 --> 00:11:10,600 Speaker 3: really early stuff, and it's really loud, and I think 204 00:11:10,640 --> 00:11:16,040 Speaker 3: people like, there's an influx of children coming to our shows. 205 00:11:16,200 --> 00:11:18,400 Speaker 3: I don't want to insult them. They're not children, but 206 00:11:18,920 --> 00:11:21,880 Speaker 3: compared to me, I mean, they're what my age was 207 00:11:21,880 --> 00:11:26,760 Speaker 3: when I first started, Like fifteen, sixteen, seventeen year old kids, 208 00:11:27,200 --> 00:11:30,600 Speaker 3: young adults coming to our shows, some of them singing 209 00:11:30,840 --> 00:11:33,000 Speaker 3: the new material, some of them just came to hear 210 00:11:33,040 --> 00:11:36,719 Speaker 3: there she goes and kissed me. But it's I think 211 00:11:36,760 --> 00:11:42,240 Speaker 3: it's amazing and really a full circle moment for us 212 00:11:42,240 --> 00:11:46,640 Speaker 3: as a band to be kind of somehow harvesting these 213 00:11:46,679 --> 00:11:49,320 Speaker 3: new young fans. It's awesome. 214 00:11:49,920 --> 00:11:52,720 Speaker 2: And the name sixpence on the Richard, it's such a 215 00:11:52,760 --> 00:11:55,560 Speaker 2: good name. Every time I say it, I feel smart. 216 00:11:55,600 --> 00:11:57,560 Speaker 2: It's one of those kind of band names like I 217 00:11:57,559 --> 00:12:00,040 Speaker 2: feel so intelligent when I get to say it. 218 00:12:00,080 --> 00:12:01,920 Speaker 1: And that's a C. S. Lewis quote, Is that right? 219 00:12:02,600 --> 00:12:04,920 Speaker 3: Right? Yeah? It comes from a book by C. S. 220 00:12:05,000 --> 00:12:08,880 Speaker 3: Lewis called Me a Christianity And a child asked his 221 00:12:09,040 --> 00:12:12,960 Speaker 3: father to buy him or for money to buy the 222 00:12:13,000 --> 00:12:16,400 Speaker 3: father a birthday gift, and the father gladly gives the 223 00:12:16,440 --> 00:12:19,480 Speaker 3: son the money, but he's no richer for the transaction. 224 00:12:19,640 --> 00:12:22,920 Speaker 3: And C. S Lewis was comparing that to our relationship 225 00:12:22,920 --> 00:12:26,079 Speaker 3: with God and how really anything that we have comes 226 00:12:26,120 --> 00:12:27,840 Speaker 3: from comes from that source. 227 00:12:28,200 --> 00:12:31,320 Speaker 2: I love the connection to faith that your music has had, 228 00:12:31,840 --> 00:12:35,400 Speaker 2: and that is that still a major part of the 229 00:12:35,400 --> 00:12:36,120 Speaker 2: band today. 230 00:12:36,320 --> 00:12:38,600 Speaker 3: It is. I think everybody's in a different place with 231 00:12:38,679 --> 00:12:43,360 Speaker 3: their faith. So I can specifically speak for all the 232 00:12:43,400 --> 00:12:47,000 Speaker 3: members of the band at all. I wouldn't even try to, 233 00:12:47,200 --> 00:12:50,560 Speaker 3: but but I have remained very spiritual. I think we 234 00:12:50,600 --> 00:12:57,480 Speaker 3: all have. But you know, definitely things over time, you know, 235 00:12:57,720 --> 00:13:02,360 Speaker 3: change and perspective shift, and uh so, yeah, it's a different, 236 00:13:02,559 --> 00:13:06,600 Speaker 3: different landscape spiritually, but still very beautiful and very important. 237 00:13:07,720 --> 00:13:09,200 Speaker 3: It's an important part of what we do. 238 00:13:10,520 --> 00:13:14,240 Speaker 2: You've you've done so much, You've toured all over the world, 239 00:13:14,320 --> 00:13:18,120 Speaker 2: You've had so many hit songs. I hope you have 240 00:13:18,200 --> 00:13:20,040 Speaker 2: an answer for this. It must be so difficult. But 241 00:13:20,160 --> 00:13:23,040 Speaker 2: do you have like a favorite memory from the experience 242 00:13:23,040 --> 00:13:24,480 Speaker 2: of sixpence on the richer so far? 243 00:13:25,000 --> 00:13:26,000 Speaker 1: Is there something that stands out? 244 00:13:26,920 --> 00:13:29,800 Speaker 3: I mean, I gotta say this is gonna sound so cheesy, 245 00:13:29,880 --> 00:13:32,920 Speaker 3: but I think it's right. I honestly do. I think 246 00:13:33,080 --> 00:13:36,360 Speaker 3: these days with these people, this is our original crew, 247 00:13:37,760 --> 00:13:40,920 Speaker 3: and then we've got some people that, uh that are 248 00:13:40,960 --> 00:13:43,920 Speaker 3: out with us. We've got a great merch person named Cameron, 249 00:13:44,120 --> 00:13:48,559 Speaker 3: and this awesome sound person name Sunset, and we're touring 250 00:13:48,600 --> 00:13:53,040 Speaker 3: with a percussionist, multi instrumentalist, this guy Steve hend Along 251 00:13:53,120 --> 00:13:56,480 Speaker 3: and we're just having the best time. So, I mean, 252 00:13:56,559 --> 00:13:59,160 Speaker 3: I've got a lot of great memories. I you know, 253 00:13:59,360 --> 00:14:01,600 Speaker 3: hearing our song on the radio for the first time 254 00:14:01,800 --> 00:14:04,520 Speaker 3: was amazing, and getting to go to Japan and all 255 00:14:04,559 --> 00:14:07,000 Speaker 3: over the world with my best friends. I mean that 256 00:14:07,559 --> 00:14:10,520 Speaker 3: was absolutely insane, and those are certainly great memories. But 257 00:14:10,559 --> 00:14:15,080 Speaker 3: I think at this point, knowing that we can make 258 00:14:15,160 --> 00:14:20,160 Speaker 3: more memories and that's our intention is all the more exciting. 259 00:14:20,320 --> 00:14:21,920 Speaker 3: So I think right now. 260 00:14:22,960 --> 00:14:23,800 Speaker 1: I love that answer. 261 00:14:23,880 --> 00:14:26,680 Speaker 2: I love I love looking forward and also the fact 262 00:14:26,720 --> 00:14:28,800 Speaker 2: that when you have a sound guy named Sunset, that's 263 00:14:28,800 --> 00:14:32,920 Speaker 2: how you know he's a good sound guy. You're playing 264 00:14:33,360 --> 00:14:36,880 Speaker 2: some incredible places on this tour. I mean the Great 265 00:14:36,880 --> 00:14:38,640 Speaker 2: American Music Hall I grew up going there in San 266 00:14:38,720 --> 00:14:43,280 Speaker 2: Francisco is closing out the Troubadour in La What are 267 00:14:43,320 --> 00:14:44,840 Speaker 2: you look at? Which city a you're looking forward to 268 00:14:44,920 --> 00:14:45,480 Speaker 2: visiting most? 269 00:14:45,880 --> 00:14:48,360 Speaker 3: Well? It was really interesting. The very first leg of 270 00:14:48,360 --> 00:14:51,560 Speaker 3: the tour was twenty five days with one day in between, 271 00:14:51,880 --> 00:14:56,760 Speaker 3: like one day off, and that's pretty that doesn't really happen. Yeah, 272 00:14:56,800 --> 00:14:59,840 Speaker 3: but we did it sick, but we got through it 273 00:15:00,040 --> 00:15:02,560 Speaker 3: and didn't have to cancel any shows and my voice 274 00:15:02,640 --> 00:15:07,440 Speaker 3: held out, which I'm so thankful for. But on that 275 00:15:07,520 --> 00:15:11,920 Speaker 3: first run, we had a hometown show in our hometown 276 00:15:11,960 --> 00:15:15,360 Speaker 3: of New Braunfels, Texas. It's like this little place called 277 00:15:15,400 --> 00:15:18,640 Speaker 3: Green The oldest dance hall in Texas there is called 278 00:15:18,640 --> 00:15:21,400 Speaker 3: Green Hall, and it's a huge place and we sold 279 00:15:21,400 --> 00:15:24,520 Speaker 3: it out and that was insane. That was a really 280 00:15:24,520 --> 00:15:27,720 Speaker 3: great night. And then and then like a week later, 281 00:15:27,800 --> 00:15:30,080 Speaker 3: we were in Nashville, which has been our hometown for 282 00:15:30,120 --> 00:15:33,200 Speaker 3: the last I don't know, for one hundred and fifty 283 00:15:33,280 --> 00:15:37,640 Speaker 3: years or something, and we did we played, We played 284 00:15:37,680 --> 00:15:40,080 Speaker 3: in Nashville, and that show sold out too, So I 285 00:15:40,080 --> 00:15:44,160 Speaker 3: guess my point is we got like two really big 286 00:15:44,200 --> 00:15:47,080 Speaker 3: ones out of the way. We're so thankful they were 287 00:15:47,120 --> 00:15:50,200 Speaker 3: sold out. They were amazing shows. So the pressure kind 288 00:15:50,200 --> 00:15:53,360 Speaker 3: of feels off. But then we keep coming to these 289 00:15:53,400 --> 00:15:56,040 Speaker 3: markets we haven't been to in such a long time 290 00:15:56,080 --> 00:16:00,640 Speaker 3: and finding that there's still an audience in these places 291 00:16:00,680 --> 00:16:05,000 Speaker 3: for us, and we are continually shocked and thankful from that. 292 00:16:05,760 --> 00:16:08,040 Speaker 3: But yeah, La the Troubadour is gonna be great. San 293 00:16:08,040 --> 00:16:12,960 Speaker 3: Francisco is always amazing. A lot of these places we're 294 00:16:13,040 --> 00:16:15,200 Speaker 3: just excited to go to for the food. 295 00:16:17,880 --> 00:16:20,920 Speaker 2: Oh yeah, I'm really curious about that. What do you 296 00:16:21,040 --> 00:16:23,880 Speaker 2: like to when you I know, you're the schedules place 297 00:16:23,920 --> 00:16:26,920 Speaker 2: so packed when you're doing this, but like, are you know, 298 00:16:26,960 --> 00:16:28,760 Speaker 2: do you try to get out and try something local? 299 00:16:28,800 --> 00:16:30,640 Speaker 1: Like what are you eating when you're on the road. 300 00:16:31,080 --> 00:16:34,040 Speaker 3: Well, yesterday we were in Key West and key Lime 301 00:16:34,120 --> 00:16:36,320 Speaker 3: Pie came up a lot, and so that was sort 302 00:16:36,320 --> 00:16:38,480 Speaker 3: of the deal, like the last couple of days, like 303 00:16:38,520 --> 00:16:43,360 Speaker 3: who can find the best key Line pie? And yeah, 304 00:16:43,400 --> 00:16:46,040 Speaker 3: there were some points late at night where we'd drinking 305 00:16:46,520 --> 00:16:50,960 Speaker 3: enough where it really didn't matter how it tasted like lime. 306 00:16:51,080 --> 00:16:55,040 Speaker 3: I like that, But yeah, we we try to. I mean, 307 00:16:55,200 --> 00:16:58,240 Speaker 3: some of us are more adventurous eaters than others. But 308 00:16:59,480 --> 00:17:01,960 Speaker 3: uh yeah, some days I'll just go for what they 309 00:17:02,040 --> 00:17:04,680 Speaker 3: have on the rider for us backstage, and sometimes I'll 310 00:17:04,760 --> 00:17:08,000 Speaker 3: venture out and get the gumbo or whatever the local 311 00:17:08,280 --> 00:17:08,800 Speaker 3: food is. 312 00:17:10,920 --> 00:17:13,720 Speaker 2: Oh, I love it so much. Lee Nash from Sixpence 313 00:17:13,760 --> 00:17:15,919 Speaker 2: on the Richer is with us. We have so much 314 00:17:15,960 --> 00:17:18,920 Speaker 2: more to get into. There's a couple big songs that 315 00:17:18,960 --> 00:17:21,879 Speaker 2: I want to talk about here, so stick around. We'll 316 00:17:21,880 --> 00:17:33,240 Speaker 2: be right back. This is I Smell pop culture. We're 317 00:17:33,240 --> 00:17:36,600 Speaker 2: here with Lee Nash from Sixpence None the Richer. So 318 00:17:36,840 --> 00:17:39,920 Speaker 2: in eighteen ninety eight, you release kiss Me hit number 319 00:17:39,960 --> 00:17:43,359 Speaker 2: one on American Top forty. It was nominated for a Grammy. 320 00:17:43,480 --> 00:17:44,679 Speaker 2: How did that song come together? 321 00:17:45,680 --> 00:17:48,960 Speaker 3: Well, Matt Slocum, my partner in the band, he wrote 322 00:17:49,000 --> 00:17:51,760 Speaker 3: it when we were in Holland. I think probably around 323 00:17:51,880 --> 00:17:58,200 Speaker 3: ninety six, ninety seven, maybe ninety six, And yeah, I guess. 324 00:17:58,280 --> 00:18:00,440 Speaker 3: I mean, I wasn't there. I was I was down 325 00:18:00,560 --> 00:18:04,560 Speaker 3: in my little motel room, gours down and he called 326 00:18:04,600 --> 00:18:06,240 Speaker 3: and was like, hey, I just wrote this song. Do 327 00:18:06,280 --> 00:18:08,240 Speaker 3: you want to try it and try to learn it 328 00:18:08,280 --> 00:18:11,320 Speaker 3: and we'll perform it at this festival tonight. And we did, 329 00:18:11,440 --> 00:18:15,160 Speaker 3: and yeah, it was instant. I was instantly in love 330 00:18:15,200 --> 00:18:17,360 Speaker 3: with this song. But that's how I feel about all 331 00:18:17,359 --> 00:18:22,000 Speaker 3: of that songs, Like, honestly, it's like getting a golden 332 00:18:22,080 --> 00:18:26,240 Speaker 3: nugget and kiss Me didn't feel any different, you know, 333 00:18:26,440 --> 00:18:30,119 Speaker 3: but it did have a cool instant reaction. It felt 334 00:18:30,119 --> 00:18:33,480 Speaker 3: fun to play, and yeah, look it us now. 335 00:18:35,160 --> 00:18:37,959 Speaker 2: I mean, I know you know this, but like Taylor Swift, 336 00:18:38,040 --> 00:18:39,760 Speaker 2: it's the first song she learned to play on guitar. 337 00:18:40,119 --> 00:18:43,560 Speaker 2: Sabrina Carpenter's covering it on her tour right now. That 338 00:18:43,880 --> 00:18:49,200 Speaker 2: must feel so incredible to see the song still influencing 339 00:18:49,640 --> 00:18:50,560 Speaker 2: pop culture now. 340 00:18:51,160 --> 00:18:54,040 Speaker 3: It is. It's really interesting. We're learning, we're learning a 341 00:18:54,119 --> 00:18:57,800 Speaker 3: lot about pop culture just being on the road sort 342 00:18:57,800 --> 00:18:59,719 Speaker 3: of in the throes of like what I was mentioning 343 00:18:59,720 --> 00:19:02,280 Speaker 3: before about these young kids coming to the shows. It's 344 00:19:02,359 --> 00:19:04,879 Speaker 3: it's like, is it because of Taylor Swift? Is it 345 00:19:04,920 --> 00:19:08,760 Speaker 3: because of this Sabrina Carpenter stuff or black Pink putting 346 00:19:08,840 --> 00:19:12,960 Speaker 3: out that? And what do you call it? Not an interpolation? 347 00:19:13,280 --> 00:19:15,280 Speaker 1: Yeah, interpolation Yeah, And. 348 00:19:15,800 --> 00:19:17,760 Speaker 3: So it could be it could be a bunch of 349 00:19:17,800 --> 00:19:21,880 Speaker 3: stuff or it's just being that nineties thing is kind 350 00:19:21,920 --> 00:19:26,439 Speaker 3: of coming back around as as as decades tend to do. 351 00:19:27,320 --> 00:19:30,480 Speaker 3: And then, you know, in my opinion, people I mean 352 00:19:30,520 --> 00:19:32,520 Speaker 3: not not all the way across the board, but I 353 00:19:32,520 --> 00:19:36,320 Speaker 3: think people miss you know, miss bands and like, you 354 00:19:36,359 --> 00:19:40,800 Speaker 3: know that nineties sound, and and I think it's rightfully missed. 355 00:19:42,000 --> 00:19:44,439 Speaker 2: It really is a special sound. It's it's worthy of 356 00:19:44,440 --> 00:19:48,760 Speaker 2: being revisited as often as it is. So, uh, you know, 357 00:19:48,840 --> 00:19:51,480 Speaker 2: kiss Me is in the movie She's All that from 358 00:19:51,560 --> 00:19:54,679 Speaker 2: nineteen eighty nine, major part of that movie. So I 359 00:19:54,760 --> 00:19:58,720 Speaker 2: read that you've said that when you play that song 360 00:19:58,840 --> 00:20:02,400 Speaker 2: and you're nearest staircase, there's a phenomenon that happens. 361 00:20:02,640 --> 00:20:03,800 Speaker 1: Do you want to tell us about that? 362 00:20:04,560 --> 00:20:08,520 Speaker 3: Yeah, it's pretty I mean it's not that often that 363 00:20:08,560 --> 00:20:11,119 Speaker 3: I'm singing that song there a staircase, but yeah, like 364 00:20:11,200 --> 00:20:13,240 Speaker 3: some girl will get it in her head. I've got 365 00:20:13,280 --> 00:20:17,320 Speaker 3: an idea. Whether it be drunk, it's sober, and they'll 366 00:20:17,359 --> 00:20:20,800 Speaker 3: walk down and fall, you know, fall like in the movie. 367 00:20:20,840 --> 00:20:24,600 Speaker 3: And it's pretty fun as long as they don't get hurt. 368 00:20:24,640 --> 00:20:27,159 Speaker 3: It's yeah, pretty funny, exactly. 369 00:20:27,200 --> 00:20:28,879 Speaker 2: There's not a lot of artists out there that can 370 00:20:28,920 --> 00:20:31,520 Speaker 2: say their music inspires people to throw themselves downstairs. 371 00:20:31,600 --> 00:20:34,119 Speaker 1: That's that's a point of pride, I'm sure. 372 00:20:34,960 --> 00:20:36,360 Speaker 3: Yeah. 373 00:20:36,800 --> 00:20:37,280 Speaker 1: And as you. 374 00:20:37,320 --> 00:20:40,080 Speaker 2: Mentioned before, there is a new song by Lisa from 375 00:20:40,080 --> 00:20:43,680 Speaker 2: Black Pek. It's called Moonlit Floor and it reworks Kissed 376 00:20:43,680 --> 00:20:45,359 Speaker 2: Me and that's playing on the radio right now if 377 00:20:45,400 --> 00:20:45,800 Speaker 2: you want to. 378 00:20:45,760 --> 00:20:46,399 Speaker 1: Go listen to that. 379 00:20:47,880 --> 00:20:52,080 Speaker 2: The reason we had you on today is for There 380 00:20:52,160 --> 00:20:56,720 Speaker 2: she Goes. Six minutes on the Richer did a cover 381 00:20:56,800 --> 00:21:00,200 Speaker 2: of There she Goes. It's originally by the Laws, and 382 00:21:00,520 --> 00:21:03,560 Speaker 2: that was the if you watch the pilot of Gilmore Girls, 383 00:21:03,640 --> 00:21:05,760 Speaker 2: they used there she Goes as the theme songs only 384 00:21:05,800 --> 00:21:09,600 Speaker 2: in the pilot. But you guys did a cover of 385 00:21:09,640 --> 00:21:12,520 Speaker 2: it and it's an incredible it's an incredible version. It's 386 00:21:12,600 --> 00:21:15,600 Speaker 2: so fun. Your voice is perfect for that song. What 387 00:21:15,680 --> 00:21:19,480 Speaker 2: inspired you guys to cover that one in particular, Well, we. 388 00:21:19,320 --> 00:21:21,560 Speaker 3: Were a fan of that record. The Laws only put 389 00:21:21,600 --> 00:21:24,320 Speaker 3: out record I think it was in nineteen ninety or 390 00:21:24,440 --> 00:21:27,560 Speaker 3: nineteen ninety one, and so we were fans of the 391 00:21:27,600 --> 00:21:30,680 Speaker 3: record and that was I mean, it's the perfect pop song. 392 00:21:30,720 --> 00:21:35,359 Speaker 3: And we started playing it live and even though I 393 00:21:35,400 --> 00:21:39,040 Speaker 3: mean it was I guess it was five years after 394 00:21:39,080 --> 00:21:43,040 Speaker 3: it's been released or something, even though it was maybe 395 00:21:43,280 --> 00:21:48,399 Speaker 3: kind of obscure at the time that the Laws, the 396 00:21:48,440 --> 00:21:51,280 Speaker 3: crowd knew where the claps were, like the crowds always 397 00:21:51,359 --> 00:21:56,320 Speaker 3: knew the claps, and like the background vocals and anyway, 398 00:21:56,400 --> 00:21:58,919 Speaker 3: we were just enjoying playing it live. But our label 399 00:21:59,040 --> 00:22:01,639 Speaker 3: came and saw us perform or like, wow, you have 400 00:22:01,680 --> 00:22:04,040 Speaker 3: to put that on the record, and so that's why 401 00:22:04,080 --> 00:22:08,160 Speaker 3: we recorded it. But yeah, it's just a brilliant song. 402 00:22:08,240 --> 00:22:10,439 Speaker 3: And then years later we got to like this was 403 00:22:10,480 --> 00:22:15,199 Speaker 3: maybe two thousand and twelve or thirteen, we went to 404 00:22:15,480 --> 00:22:19,359 Speaker 3: Turkey and ended up in London and for another show 405 00:22:19,520 --> 00:22:22,960 Speaker 3: and Lee Avers, the singer of The Laws, asked us 406 00:22:23,080 --> 00:22:27,000 Speaker 3: to have coffee with him and he had some kind 407 00:22:27,040 --> 00:22:29,639 Speaker 3: of question about business, and I guess we had the 408 00:22:29,720 --> 00:22:32,640 Speaker 3: right answer, and so we just hung out with him 409 00:22:32,720 --> 00:22:35,720 Speaker 3: until like three in the morning. And they get to 410 00:22:35,760 --> 00:22:38,879 Speaker 3: do that with Lee Mavers. He's kind of a to say, 411 00:22:38,920 --> 00:22:41,439 Speaker 3: to say the least, he's kind of a hermit, and 412 00:22:41,480 --> 00:22:43,960 Speaker 3: he did around three am, just wandered off into the 413 00:22:44,080 --> 00:22:50,320 Speaker 3: night like Sasquatch, a little like a little Sasquatch. Such 414 00:22:50,320 --> 00:22:52,399 Speaker 3: a great guy. We had so much fun. 415 00:22:52,880 --> 00:22:56,919 Speaker 2: What a magical moment. That's that's so awesome. One of 416 00:22:57,040 --> 00:22:59,040 Speaker 2: one of my favorite movies of old time is So 417 00:22:59,119 --> 00:23:02,840 Speaker 2: I Married an Xmer, which opens up with the Boo 418 00:23:02,960 --> 00:23:06,560 Speaker 2: Radley's version of There She Goes and uh and as 419 00:23:06,600 --> 00:23:09,320 Speaker 2: we said, the pilot Gomore Girls opens with that song. 420 00:23:09,840 --> 00:23:11,439 Speaker 2: What is it about that that makes it such a 421 00:23:11,440 --> 00:23:14,560 Speaker 2: good like intro or theme song or like introduction. 422 00:23:14,720 --> 00:23:15,560 Speaker 1: What do you think about that? 423 00:23:16,680 --> 00:23:19,400 Speaker 3: I don't know. I think just because it's so punchy, 424 00:23:19,720 --> 00:23:24,640 Speaker 3: and I mean, really it really serves like instantly it's 425 00:23:24,680 --> 00:23:29,680 Speaker 3: just classic. It just has that classic sound and and 426 00:23:29,840 --> 00:23:33,560 Speaker 3: dang it, Lee Mavers, I mean that whole record is great. 427 00:23:34,160 --> 00:23:36,399 Speaker 3: So yeah, I think you said on a lot of 428 00:23:36,480 --> 00:23:41,800 Speaker 3: hit songs. Personally the theory, I bet there's lots lots more. 429 00:23:42,920 --> 00:23:45,120 Speaker 2: Oh my god, to see that notebook and to hear 430 00:23:45,160 --> 00:23:49,840 Speaker 2: those those tapes that when people come up to you 431 00:23:49,880 --> 00:23:53,760 Speaker 2: on the street if people recognize you, what is it 432 00:23:53,800 --> 00:23:54,439 Speaker 2: more kiss me? 433 00:23:54,520 --> 00:23:56,560 Speaker 1: Is it more? There she goes? What do people say? First? 434 00:23:57,760 --> 00:24:00,240 Speaker 3: I really don't get we I live with out in 435 00:24:00,280 --> 00:24:03,280 Speaker 3: the country, so I really get a lot of people 436 00:24:03,400 --> 00:24:08,119 Speaker 3: approaching me. But on the road it's like the people 437 00:24:08,160 --> 00:24:10,080 Speaker 3: that I'm meeting after the shows. It goes a little 438 00:24:10,119 --> 00:24:13,320 Speaker 3: deeper than the hits. Oh yeah, But when it's when 439 00:24:13,359 --> 00:24:15,639 Speaker 3: it's kissed me or there she goes, it's usually kissed me. 440 00:24:15,800 --> 00:24:22,080 Speaker 2: Because Yeah, there's a lot of people online that have 441 00:24:22,200 --> 00:24:25,359 Speaker 2: like a it's it's kind of bandella effect. It's like 442 00:24:25,400 --> 00:24:27,679 Speaker 2: a false ma. They swear that kiss Me was in 443 00:24:27,720 --> 00:24:29,520 Speaker 2: Gilmore Girls. Like there's a lot of people that really 444 00:24:29,520 --> 00:24:33,840 Speaker 2: believe that because it and it wasn't. But uh, vibe wise, 445 00:24:33,880 --> 00:24:37,199 Speaker 2: it does. It does really work. Do you think that 446 00:24:37,280 --> 00:24:38,800 Speaker 2: song would have fit in Gilmore Girls? 447 00:24:39,280 --> 00:24:39,600 Speaker 1: Oh? 448 00:24:39,640 --> 00:24:43,000 Speaker 3: Absolutely yeah, And I don't know why it wasn't. It 449 00:24:43,040 --> 00:24:45,840 Speaker 3: almost seems like maybe it was intentional, like this song 450 00:24:45,960 --> 00:24:49,280 Speaker 3: is too everywhere right now? And Gilmore Girls had a 451 00:24:49,400 --> 00:24:53,719 Speaker 3: very cool specific soundtrack and Sam Phillips did she do 452 00:24:53,840 --> 00:24:56,760 Speaker 3: all the music for it? For the most part? Am 453 00:24:56,760 --> 00:24:57,600 Speaker 3: I wrong about that? 454 00:24:58,080 --> 00:24:59,439 Speaker 1: No? That's that's that's correct. 455 00:24:59,520 --> 00:25:02,560 Speaker 3: Yeah, So yeah, I think that they just they went 456 00:25:02,680 --> 00:25:05,000 Speaker 3: for you know, frankly no, I mean, kiss Me is 457 00:25:05,040 --> 00:25:11,160 Speaker 3: super cool, but those Gilmore Girls, I think they kept 458 00:25:11,200 --> 00:25:14,720 Speaker 3: it fresh that way. 459 00:25:15,000 --> 00:25:17,840 Speaker 2: What so you told me before we started that you 460 00:25:17,840 --> 00:25:19,800 Speaker 2: you are a fan of Gilmore Girls, Like, what what 461 00:25:19,920 --> 00:25:21,120 Speaker 2: stands out to you about that show? 462 00:25:21,119 --> 00:25:22,040 Speaker 1: What did you like about it? 463 00:25:22,920 --> 00:25:28,440 Speaker 3: I think it was the the characters in it, the 464 00:25:28,520 --> 00:25:30,800 Speaker 3: character to do it. But sorry, I got I got 465 00:25:31,000 --> 00:25:35,240 Speaker 3: completely distracted. Let me get them gather. I like the 466 00:25:36,600 --> 00:25:40,399 Speaker 3: relationship between the mother and the daughter was pretty epic, 467 00:25:40,640 --> 00:25:44,960 Speaker 3: and you don't really get that a lot in shows now. 468 00:25:45,119 --> 00:25:48,439 Speaker 3: The writing was brilliant, so yeah, and it's kind of 469 00:25:48,480 --> 00:25:52,760 Speaker 3: like putting on a warm blanket, you know. Yeah, it's 470 00:25:52,800 --> 00:25:54,680 Speaker 3: just comfort comfort watching. 471 00:25:56,080 --> 00:25:58,159 Speaker 2: Especially this time of years. So it's so great for that. 472 00:25:59,280 --> 00:26:02,719 Speaker 2: We talk a lot on this show about the relationships 473 00:26:02,720 --> 00:26:04,560 Speaker 2: between mothers and daughters, because again, that is like what 474 00:26:04,600 --> 00:26:05,639 Speaker 2: Gomar Girls is about. 475 00:26:05,880 --> 00:26:07,040 Speaker 1: Are you close with your own mother? 476 00:26:08,200 --> 00:26:11,560 Speaker 3: I am extremely close with her and my sister, which 477 00:26:11,560 --> 00:26:13,880 Speaker 3: I know there's not a sister in it, but their 478 00:26:13,920 --> 00:26:15,880 Speaker 3: relationship was a little sister mother. 479 00:26:16,280 --> 00:26:20,240 Speaker 2: Yeah, yeah, absolutely, Do you have a do you have 480 00:26:20,240 --> 00:26:21,520 Speaker 2: a fun memory with your sister? 481 00:26:21,560 --> 00:26:23,280 Speaker 1: You'd like to share with us. I love hearing that 482 00:26:23,359 --> 00:26:23,879 Speaker 1: kind of stuff. 483 00:26:24,920 --> 00:26:29,040 Speaker 3: My sister and I guess this is probably a pretty 484 00:26:29,040 --> 00:26:32,000 Speaker 3: common thing. But we would fight to the point that 485 00:26:32,040 --> 00:26:34,640 Speaker 3: it upset our mother, and then we would laugh at 486 00:26:34,680 --> 00:26:38,399 Speaker 3: her and turn her, which I think it's a phenomenon 487 00:26:38,400 --> 00:26:42,040 Speaker 3: that occurs more than just in my little creepy family. 488 00:26:42,119 --> 00:26:45,200 Speaker 3: But yeah, we would. I mean, how evil is that? 489 00:26:45,720 --> 00:26:50,200 Speaker 3: Just a couple of headed turds just making our mom 490 00:26:50,280 --> 00:26:55,359 Speaker 3: cry and then laughing at her about it. So funny, 491 00:26:55,600 --> 00:26:56,280 Speaker 3: So holds up. 492 00:26:57,840 --> 00:27:00,560 Speaker 2: There's nothing better than a common enemy when you're when 493 00:27:00,600 --> 00:27:02,920 Speaker 2: you're doing that kind of thing. So so you're saying, 494 00:27:03,119 --> 00:27:05,080 Speaker 2: you know, Gil Wrigols does feel like a warm blanket. 495 00:27:05,119 --> 00:27:08,560 Speaker 2: It's a very comforting show. We're in the holiday season now, 496 00:27:09,080 --> 00:27:11,199 Speaker 2: and uh in sixpence on the Richer has a new 497 00:27:11,240 --> 00:27:13,879 Speaker 2: single out called I Believe In Father Christmas. 498 00:27:13,920 --> 00:27:15,120 Speaker 1: What can you tell us about that song? 499 00:27:15,760 --> 00:27:19,480 Speaker 3: Yeah, we recorded a couple of new songs to go 500 00:27:19,720 --> 00:27:23,080 Speaker 3: on this re release of The Dawn of Grace, which 501 00:27:23,119 --> 00:27:27,520 Speaker 3: comes out tomorrow. The re release does digitally, and and 502 00:27:27,720 --> 00:27:30,440 Speaker 3: uh yeah, I Believe In Father Christmas is an old 503 00:27:30,600 --> 00:27:35,080 Speaker 3: Greg Lake song and you too covered it and it's 504 00:27:35,400 --> 00:27:40,119 Speaker 3: just a Really it's a really great Christmas song. It's 505 00:27:40,160 --> 00:27:42,439 Speaker 3: a little dark if you really listen to the words. 506 00:27:42,440 --> 00:27:47,679 Speaker 3: It's not you know, super happy, it's it's more, you know, 507 00:27:47,800 --> 00:27:49,760 Speaker 3: like one of the lines, and it is the Christmas 508 00:27:49,760 --> 00:27:55,639 Speaker 3: we get we deserve. Yeah, and it feels right for 509 00:27:55,720 --> 00:27:59,040 Speaker 3: the times a little bit, just you know, just we've 510 00:27:59,119 --> 00:28:02,040 Speaker 3: got to remember to good humans and not just take 511 00:28:02,080 --> 00:28:03,040 Speaker 3: everything for granted. 512 00:28:03,680 --> 00:28:05,800 Speaker 2: Absolutely. I love I love a Christmas song with an 513 00:28:05,840 --> 00:28:10,200 Speaker 2: edge too. That's that's that's so fun. So the Dawn 514 00:28:10,240 --> 00:28:13,720 Speaker 2: of Grace, that's the reissue. It's it's out now. As 515 00:28:13,720 --> 00:28:16,600 Speaker 2: this releases, it'll be out. You can hear it. And uh, 516 00:28:16,840 --> 00:28:18,439 Speaker 2: and you guys are on the road for the We 517 00:28:18,520 --> 00:28:22,800 Speaker 2: Are Love twenty fifth anniversary tour. And I saw on 518 00:28:22,880 --> 00:28:25,680 Speaker 2: Instagram you're gonna be streaming the Troubadour Show live. 519 00:28:25,800 --> 00:28:26,280 Speaker 1: Is that right? 520 00:28:26,880 --> 00:28:30,720 Speaker 3: Hi? Yes, so excited about that. That'll be our first 521 00:28:30,800 --> 00:28:35,720 Speaker 3: ever international live concert. So yeah, I really hope we 522 00:28:35,760 --> 00:28:37,680 Speaker 3: don't mess it up. It's gonna be great. 523 00:28:38,840 --> 00:28:39,840 Speaker 1: It's a lot of pressure. 524 00:28:40,520 --> 00:28:44,200 Speaker 3: Yeah, No, I'm so excited. It'll be the the last 525 00:28:44,280 --> 00:28:46,960 Speaker 3: date of the tour and we'll be will be good 526 00:28:46,960 --> 00:28:48,200 Speaker 3: to go. Excited. 527 00:28:48,880 --> 00:28:50,200 Speaker 2: What a way to close it out and you can 528 00:28:50,240 --> 00:28:52,480 Speaker 2: get info on that at sixpence and on the Richer 529 00:28:52,520 --> 00:28:55,480 Speaker 2: dot com. Wherever you are you can tune in and 530 00:28:55,880 --> 00:28:58,200 Speaker 2: watch them live. But but you guys are gonna be 531 00:28:58,200 --> 00:29:00,800 Speaker 2: all over the country. Yeah, as we record this year 532 00:29:00,800 --> 00:29:03,560 Speaker 2: in Orlando, but you're playing all over the South. You're 533 00:29:03,600 --> 00:29:06,880 Speaker 2: going to Denver, San Francisco, as we mentioned, Seattle, and 534 00:29:07,080 --> 00:29:09,320 Speaker 2: the tour dates I imagine are up at your website 535 00:29:09,320 --> 00:29:10,520 Speaker 2: as well, is that right. 536 00:29:10,960 --> 00:29:13,960 Speaker 3: That's right. Yes, you can see them on instagram page 537 00:29:14,000 --> 00:29:16,640 Speaker 3: and also on our website also. 538 00:29:16,480 --> 00:29:19,400 Speaker 2: I mean six months on the rich such an important 539 00:29:19,440 --> 00:29:21,880 Speaker 2: and iconic band. You got to go see them live 540 00:29:22,040 --> 00:29:23,760 Speaker 2: if you haven't before, and even if you have before, 541 00:29:23,760 --> 00:29:26,960 Speaker 2: you got to see them again. Thank you so much 542 00:29:27,000 --> 00:29:29,400 Speaker 2: for your time today, Lee Nash. This has been so 543 00:29:29,480 --> 00:29:33,080 Speaker 2: much fun. Good but personally, thank you for the music 544 00:29:33,120 --> 00:29:35,080 Speaker 2: that you make just from the bomb of my heart. 545 00:29:35,080 --> 00:29:36,640 Speaker 2: Thank you for sharing that with the world. It's so 546 00:29:36,680 --> 00:29:39,200 Speaker 2: important and it's affected me and so many other people. 547 00:29:39,640 --> 00:30:03,440 Speaker 3: Thank you so much. That means the world. It really does. 548 00:30:11,000 --> 00:30:14,040 Speaker 2: Hey, everybody, and don't forget follow us on Instagram at 549 00:30:14,320 --> 00:30:18,280 Speaker 2: I Am All In podcast and email us at Gilmore 550 00:30:18,520 --> 00:30:30,440 Speaker 2: at iHeartRadio dot com,