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Speaker 1: Good morning USA.

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Speaker 2: Hey, turn Buster's Michael Buster Rams is him.

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Speaker 3: I got no headphones your interview. I need headphone.

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Speaker 2: We're gonna get your headphones right now.

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Speaker 4: Can we get in here and get a headphones? It

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Speaker 4: is Monday, Back to the work week. The holiday Thanksgiving

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Speaker 4: weekend is over. Now is back to get to work.

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Speaker 4: Buster is co hosted with me this morning.

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Speaker 5: Good morning Buster, romsing Envy the god Father, Good morning.

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Speaker 5: A lot of y'all don't know why we call him

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Speaker 5: the Godfather. Y'all don't know. I don't know what y'all

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Speaker 5: supposed to know, So you need to do some research.

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Speaker 5: You earn your right the passion. I'm a flower give us,

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Speaker 5: so I'm gonna give it to him. Y'all gonna learn

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Speaker 5: today a little too much other talk going on. We're

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Speaker 5: gonna we're gonna do this different.

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Speaker 4: We're gonna we're gonna go allowed to talk about Also,

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Speaker 4: Claudia Jordan is here, our guest co hosts.

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Speaker 3: Well, let me tell you something about missus. Claudia.

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Speaker 6: Now, oh wow, okay, let's get into it.

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Speaker 5: I ain't got too much to say about other than

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Speaker 5: she looks extremely spectacular.

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Speaker 3: Her energy feels amazing.

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Speaker 5: Greeting me with the Cascade dish washing liquids sparkle around

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Speaker 5: the greeting, and then you just from the spectacular here.

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Speaker 6: I'm to have a good show both.

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Speaker 4: It's gonna be fun, right, we're gonna have a good time.

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Speaker 4: Charlomage missed his flight, so.

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Speaker 5: You're gonna make this up to me. Now, you're gonna

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Speaker 5: make this up to me. I've waited a long time

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Speaker 5: to sit up here with Charlemagne Envy, you know Charlemagne.

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Speaker 3: You know too.

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Speaker 5: I love Charlemagne, but I needed to sit down with

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Speaker 5: him up here. That's right, And you're gonna make it

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Speaker 5: up to me, because'm gonna come back and you're gonna

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Speaker 5: make it up to me now, Charlamagne, you owe me.

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Speaker 3: Brother.

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Speaker 4: Is this your first time that the first time Buster

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Speaker 4: has ever been in a udio ever?

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Speaker 6: So you're a virgin, a breakfast called virgin.

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Speaker 3: Absolute super virgin. That's right.

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Speaker 5: We're busting that cherry in now. Yeah, I'm busting that

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Speaker 5: cherry right now on the station. It just you know,

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Speaker 5: it should have just should have been complete. But you

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Speaker 5: know what the beautiful thing is, it is complete even

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Speaker 5: without Charlemagne. You're gonna pull your ass up, Charlemagne, and

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Speaker 5: we're gonna get into this building session, and I'm gonna

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Speaker 5: make sure that we are both available when you get back,

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Speaker 5: so we could do our building session. Charlemagne, and you

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Speaker 5: travel back safely. King, make sure you get home just

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Speaker 5: as safely as you left us. Absolutely, we salute the

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Speaker 5: King Charlemagne as well.

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Speaker 7: Man.

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Speaker 4: Well, let's get the show crack and Buster ROMs is here.

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Speaker 4: Blockbuster his album is out right now. Make sure you

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Speaker 4: get it. Joints off the album all morning long. Now,

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Speaker 4: we're not.

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Speaker 5: Getting into a couple of joints. I'm playing the whole

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Speaker 5: album with you. Envy, let me tell you something. Let

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Speaker 5: me tell you something. I used to call Envy to

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Speaker 5: get on his mixtapes. I used to call Envy when

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Speaker 5: he was at the other you know, and I used

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Speaker 5: to be like, Yo, I need you to.

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Speaker 3: Hit this first real quick, please. Envy is.

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Speaker 5: Milestone godfather in our city for a lot of us.

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Speaker 5: When it came to breaking these records, getting that buzz

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Speaker 5: right in these streets, a lot of y'all got a

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Speaker 5: misconstrulled because you're up here doing this morning show thing,

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Speaker 5: and it gets a disrespectful bag up here.

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Speaker 3: A lot of y'all.

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Speaker 5: A lot of y'all getting misconstrulled because you know, it's

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Speaker 5: this card game is disrespectful, his property game is disrespectful

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Speaker 5: in a good way. I'm not getting into the shenanigason,

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Speaker 5: So that's all we focusing on it. I can only

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Speaker 5: speak on that and a lot of us at the

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Speaker 5: time when we was trying to get our mall energy

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Speaker 5: right in these streets with the music, and he was

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Speaker 5: to go to still is to go to. And I

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Speaker 5: think a lot of the times y'all don't really utilize

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Speaker 5: the Beloved the way y'all should because y'all don't understand

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Speaker 5: the line and.

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Speaker 3: What he comes from.

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Speaker 5: So while y'all need to learn and why y'all need

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Speaker 5: to just probably take some time to figure that out,

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Speaker 5: We're gonna continue to maximize and bring Envy back to

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Speaker 5: what the envy is is known for doing, breaking artists,

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Speaker 5: busting them records up in these clubs, spilling all of

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Speaker 5: this excitement in the street the way it's supposed to

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Speaker 5: be spelt in the street, and getting these dudes back

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Speaker 5: on the order in the alignment that they're supposed to

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Speaker 5: be with the soil from New York City and that ship.

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Speaker 2: There we go.

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Speaker 3: Good.

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Speaker 5: Now, let's continue to proceed. By the way, Envy, I'm

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Speaker 5: playing my whole album, not a couple of.

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Speaker 2: First page news. Next, Buster robinsons here.

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Speaker 4: He's co hosting the album Blockbusters out, and we got

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Speaker 4: to get the new album in the system clean. Please

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Speaker 4: we go start off with the baby Jo come back

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Speaker 4: morning your everybody.

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Speaker 2: It's j n V.

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Speaker 4: Charlamage the guy we are the breakfast club. Charlamagne is out.

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Speaker 4: We got bust the bus, bust the rams up here,

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Speaker 4: he's co hosting. Also, we have Claudia Jordan and let's

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Speaker 4: get in some front page Laudia Jordan.

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Speaker 3: Scrum up here.

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Speaker 2: We got tests. Letting figure over here?

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Speaker 3: What up tests?

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Speaker 2: Good mornings the scrumptious.

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Speaker 3: Claudia, Claudia Jordan.

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Speaker 2: Yes, bust the ride.

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Speaker 4: Thank you, Quinn, thank you now all my sports fans

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Speaker 4: out there, Yes, the Cowboys beat the Commander's forty five,

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Speaker 4: ten to forty nine. Ers beat the Sweahawks thirty one thirteen,

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Speaker 4: Dolphins beat the Jets. Coach beat the Buccaneers. The Giants

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Speaker 4: out to the Giants. They beat the Patriots yesterday ten seven.

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Speaker 2: That's right. Still, that's right.

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Speaker 4: Titans beat the Panthers, Falcons beat the Saints, the Broncos

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Speaker 4: beat the Browns, the Rams beat the Cardinals, the Jaguars

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Speaker 4: beat the Texans. What else we got on that squad? Okay,

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Speaker 4: and also the Eagles beat the Bills in overtime yesterday,

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Speaker 4: Chiefs beat the Raiders. Now tonight the Bears take on

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Speaker 4: the Vikings at eight point fifteen. Now, quickly, tell us

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Speaker 4: what's going on with Hamas. They're releasing hostages, which is

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Speaker 4: a great thing, right.

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Speaker 8: Yeah, that's a great thing still, but a lot of

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Speaker 8: disagreement on these temporary pause. I want to give you

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Speaker 8: guys an update. Sunday was the third day of the

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Speaker 8: israe Hamas truths. Here's the latest on the hostages they're

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Speaker 8: released and the current status on the temporary Just want

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Speaker 8: to stress their temporary pause of fighting. Once we hear

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Speaker 8: this clip, I'm gonna come back and give you some

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Speaker 8: more information and then we'll discuss.

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Speaker 9: This is the third night in a row in which

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Speaker 9: we have seen Israeli hostages emerging from Gaza and in exchange,

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Speaker 9: Israel releasing Palestinian prisoners in Jerusalem and the occupied West Bank.

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Speaker 9: We are on the third of four days of this

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Speaker 9: ceasefire right now, if nothing changes, this ceasefire is due

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Speaker 9: to expire at seven am local time on Tuesday. You

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Speaker 9: heard President Biden earlier tonight say he is optimistic that

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Speaker 9: there may be a possibility of extending this ceasefire further

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Speaker 9: on this pre agreed formula one additional day of ceasefire

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Speaker 9: in exchange for ten more hostages. But right now nothing

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Speaker 9: is clear, and unless that deal is solidified, the fighting

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Speaker 9: will start again on Tuesday morning, as promised by the

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Speaker 9: Israeli military.

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Speaker 8: So again they are scheduled to start fighting again on

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Speaker 8: Tuesday if a deal is not cut. Senator Elizabeth Warren

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Speaker 8: congratulated President Biden for his efforts, saying that you know,

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Speaker 8: without him, this deal would.

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Speaker 6: Not have happened.

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Speaker 8: She strongly supports the temporary ceasefire and urges all parties

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Speaker 8: to make an agreement. The problem with that, though, guys,

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Speaker 8: is people are not asking for a temporary ceasefire. They

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Speaker 8: are asking for a ceasefire totally and completely. Demonstrators blocked

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Speaker 8: traffic Thursday morning on the Boston University Bridge, which is

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Speaker 8: Senator Elizabeth Warren's area, and they asked her to support

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Speaker 8: a complete ceasefire, and then last week in Washington, Democrat

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Speaker 8: lawmakers had to be evacuated.

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Speaker 6: Take a listen.

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Speaker 10: Several Democratic lawmakers how to be a faculty from the

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Speaker 10: Democratic National Committee headquarters in Washington. On Wednesday, the illegal

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Speaker 10: protests turned violent between Capitol police and hundreds of protesters

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Speaker 10: outside of the DNC. The group is calling for a

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Speaker 10: ceasefire in the Israel Hamas war. Police also put the

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Speaker 10: capital on lockdown, and we're told that House Minority Leader

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Speaker 10: Hakim Jeffries and others were inside attending a reception. Protesters

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Speaker 10: tried to block the DNC's exits with dumpsters and a

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Speaker 10: bike rack, and they pepper sprayed officers. Capitol police said

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Speaker 10: that six officers were injured during the protests and they

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Speaker 10: made one arrest.

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Speaker 3: Wow.

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Speaker 2: Lot going on, huh yeah, lot going on. I just

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Speaker 2: want to see CES five.

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Speaker 4: I don't want to see any more civilians of innocent people,

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Speaker 4: or babies or kids or anybody innocent just get killed anymore.

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Speaker 7: And this ceasefire is not even one hundred percent though,

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Speaker 7: You're still seeing people still getting taken out. And you

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Speaker 7: know what I don't like about the media here well

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Speaker 7: around the world, And if you have any empathy for

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Speaker 7: the babies that murdered on the palacitianside. People are coming

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Speaker 7: at you with all kinds of accusations you're antisemitic.

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Speaker 6: No, maybe we have empathy.

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Speaker 7: We hear war about you know, growing up, right, You

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Speaker 7: don't really imagine we have social media, now we have video.

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Speaker 6: We are seeing it in live.

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Speaker 7: Time, in real time and seeing the injuries. If you can't,

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Speaker 7: if you can look at that and not be affected

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Speaker 7: by that, I don't know what's.

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Speaker 2: Wrong with you.

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Speaker 4: I just, like I said, I just don't like to

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Speaker 4: see innocent people killed, you know what I mean. And

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Speaker 4: that's the horrible thing. When I'm seeing fathers looking for

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Speaker 4: their children, and mothers looking for their children, and people

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Speaker 4: looking for their family, it's just it's just a horrible situation.

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Speaker 4: So I hope to cease fire can continue and they

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Speaker 4: can work it out.

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Speaker 5: So no emotion. I definitely don't understand. But with witnessing,

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Speaker 5: I don't think we've ever seen this at this magnitude

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Speaker 5: or in this capacity in our life, and it's interesting

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Speaker 5: to see how people respawn regardless of what side that

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Speaker 5: you wanna support. At the end of the day, no

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Speaker 5: side matters when it comes to what we all know

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Speaker 5: is principally, morally, ethically and uh just integrity, respect and

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Speaker 5: life at the end of the day shouldn't be lost

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Speaker 5: based on anybody's perspective or opinion because of whatever agenda

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Speaker 5: that you have that you wanna represent. That life is

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Speaker 5: something that is priceless beyond any agenda or opinion or perspective.

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Speaker 5: And I think we just need to get back to

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Speaker 5: the human perspective and remember that before any agenda, we

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Speaker 5: humans first.

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Speaker 4: That's right now is front page news. Now, get it

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Speaker 4: off your chest. Test we'll see in a couple of minutes.

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Speaker 4: Eight hundred five eight five one oh five one. Buster

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Speaker 4: ROMs is here. His album, Blockbuster is out right now.

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Speaker 4: We're gonna talk through some more about it, but if

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Speaker 4: you wanna holler at Buster eight hundred five eight five

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Speaker 4: one oh five to one.

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Speaker 2: It's the Breakfast Club. Good morning, the Breakfast Club. It's

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Speaker 2: a new day. Is it your time to get it

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Speaker 2: off your chest? Way up, whether you're mad or pleased,

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Speaker 2: time to get up and get something. Call up now.

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Speaker 3: Eight hundred five eighty five one oh five one.

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Speaker 2: We want to hear from you on the Breakfast Club. Hello,

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Speaker 2: who's this?

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Speaker 5: Leo?

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Speaker 11: Leo?

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Speaker 2: What up, get it off your chest?

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Speaker 11: What's up? Hey, uncle buck many congress on being the

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Speaker 11: first man to whoop Michael Mah Dad, you don't get

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Speaker 11: a noo crib man, be back in movie, Bro.

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Speaker 5: Don't worry, brother, we got we got all type of

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Speaker 5: things cooking in the kitchen.

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Speaker 3: Don't worry.

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Speaker 5: Just stay tuned, family, I'm putting the final season in

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Speaker 5: on a full course smell.

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Speaker 3: Stay tuned, brother, Yeah.

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Speaker 5: Sir, I need I need that postal.

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Speaker 11: So man, you don't get a no crib for that

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Speaker 11: damn movie.

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Speaker 5: Bro. Now, I appreciate the love and support. Just make

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Speaker 5: sure you already got your new Buster Ron's Black Buster album. Bro?

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Speaker 2: Hello, what's up?

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Speaker 12: What's up?

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Speaker 11: What's going on?

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Speaker 13: This?

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Speaker 3: Blake? Blake? What's up?

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Speaker 2: How that Buster?

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Speaker 11: What's up?

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Speaker 3: What's the good word?

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Speaker 4: King?

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Speaker 3: How?

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Speaker 11: I wonder how you feel about your man compensations?

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Speaker 3: Said that again?

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Speaker 11: I heard how you feel about the many conversation the

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Speaker 11: man will.

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Speaker 4: He said, he wouldn't you know how you feel? Sometimes

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Speaker 4: your name is not mentioned in the conversation.

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Speaker 5: Oh oh, I don't really feel a way because I'm

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Speaker 5: I'm I'm I'm a god, I'm not a goat.

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Speaker 2: You know what I'm saying, oh, good, good work, good work.

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Speaker 3: I'm a god, I'm not a goat, you know what

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Speaker 3: I'm saying.

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Speaker 5: I think I think a lot of the times, you know,

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Speaker 5: people they don't realize that that when when you walking

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Speaker 5: in a in a purpose, bro, there is no there

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Speaker 5: is no such thing as a category for you like you.

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Speaker 5: You you moving like you in the likeness of the

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Speaker 5: greatest thing ever, and that's the most high. So you know,

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Speaker 5: I don't worry about categories and I don't worry about

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Speaker 5: list So I live by being able to show you

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Speaker 5: better than I could tell you. So you know, if

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Speaker 5: you think that, you know I've ever round on a

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Speaker 5: record with somebody and they bust my ass on a record,

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Speaker 5: then maybe that's a conversation that will help change your perspective.

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Speaker 5: You feel me because I ain't never I ain't never

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Speaker 5: got my ass whooped on a record from No MC.

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Speaker 5: And I think I think, I think as we continue

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Speaker 5: to blossom and grow and evolve, you will continue to

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Speaker 5: see how much more ass whooping than I'm gonna continue

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Speaker 5: to do. So just enjoy the show, Get you some popcorn,

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Speaker 5: get your three D glasses, brother, and get you a

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Speaker 5: front row seat at the oar Max Movie Theater because

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Speaker 5: we're gonna show them better than we could tell them.

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Speaker 5: Believe that, Thank you, Bro, I appreciate you.

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Speaker 2: Bro get the Blockbuster project with on that.

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Speaker 4: Do you think people sometimes forget about your catalog because

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Speaker 4: you transcend it through so many years.

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Speaker 5: Yeah, envy, I do feel like they forget and I

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Speaker 5: get sometimes. I used to get those reminders from my

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Speaker 5: own kids, like I you know, I tell this story

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Speaker 5: or I have told the story a couple of times, right,

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Speaker 5: so you know I'll make the those those weekends happen

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Speaker 5: with my kids to have they friends pull up.

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Speaker 3: Yep.

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Speaker 5: You know, we got the homes in the suburbs, and

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Speaker 5: you know we trying to make sure they got a

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Speaker 5: better experience in life, better environment and all of that.

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Speaker 5: Friends will pull up barbecue grilling everything, burgers and you know,

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Speaker 5: hot dogs or whatever, giving them they fool. But while

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Speaker 5: you're cooking, you got the apron on and all of

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Speaker 5: that nice sunny day in the summer they talking about

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Speaker 5: they favorite them. See I'm sitting right there, I ain't

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Speaker 5: in the conversation.

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Speaker 3: Cool.

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Speaker 5: I'm looking at them little baskets like you in my head,

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Speaker 5: no problem. I can't go over to them and change

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Speaker 5: their conversation, so I'll just take the notes. Whoever they

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Speaker 5: think it's dope, I go to the studio, whether it's

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Speaker 5: an official remix, it's not official remix, I'm a spank.

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Speaker 5: Whoever they think is dope, I'm gonna release it unofficially

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Speaker 5: or i'ma submit it to management for those artists, and

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Speaker 5: if they like it, then we usually work it out.

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Speaker 5: Handle of business, sit nin voice, get the bag. We'll

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Speaker 5: figure out whether we gotta figure about what we gotta

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Speaker 5: figure out. But then when you do the next cookout,

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Speaker 5: after certain joints start, the leak and the buzz and

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Speaker 5: the talk get different, that's when they want to start

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Speaker 5: respecting it different. And that's when I look at them like,

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Speaker 5: y'all lucky. I ain't poisoning y'all fool, But but we'll talk.

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Speaker 5: Is everything that I fuel on, it's inspiration. I love

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Speaker 5: those challenges. I love showing you better than I can

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Speaker 5: tell you. I'm not going to argue with debate. I'm

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Speaker 5: gonna just change your whole way of thinking, mentality, and

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Speaker 5: that's it.

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Speaker 4: Buster ROMs is here. Blockbuster's out right now. He's our

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Speaker 4: guest co host this Morning. Also Claudia Jordan and eight

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Speaker 4: hundred five eight five one Charlamagne. Mister flight, he'd be back.

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Speaker 4: I think Wednesday. It's the Breakfast Sluggle Morning, the Breakfast.

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Speaker 12: Club five years old, the late nineties.

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Speaker 1: Just wait, thank you, thank you so much for being here,

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Speaker 1: brother man.

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Speaker 5: Thank you give me if I will, thank you, brother me.

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Speaker 5: Ain't stopping no time soon. Need to believe that.

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Speaker 2: Thank you, brother, thank you, thank you.

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Speaker 12: Hello. Who's this Hey?

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Speaker 14: Thyler?

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00:16:18,360 --> 00:16:20,720
Speaker 4: Hey Tyler, take us off Bluetooth. You found something sound

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00:16:20,800 --> 00:16:21,360
Speaker 4: kind of choppy?

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Speaker 12: Brother, No, I was just called.

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Speaker 14: To stay with something. Bust the rhymes.

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Speaker 2: Man, that's my dog.

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Speaker 12: What up?

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Speaker 15: Ken?

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Speaker 3: How you doing? Bro?

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Speaker 11: What's up? Man?

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Speaker 12: Yeah?

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Speaker 14: I'm about to go home and watch it.

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Speaker 1: Man, you just brought me back.

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Speaker 5: What I knew you to do is get that new

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Speaker 5: Buster Rhymes album, Blockbuster that just came out on Friday,

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Speaker 5: on the twenty four, on Black Friday.

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Speaker 1: Oh you know, I'm about to add that to my library.

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Speaker 11: I just got to go watch it on tab Nah.

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Speaker 5: I respect it, Bro, I appreciate that man. Thanks for

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Speaker 5: the love. Man, Thank you, Tyler.

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Speaker 2: Now the album is out right now. It's called Blockbusting.

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Speaker 4: Now if you haven't heard the album Buster, like he

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Speaker 4: says in the last break, he will go out of

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Speaker 4: newer artists.

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Speaker 2: He has a bunch of new artists on there.

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Speaker 4: But you know, besides that, you got ep from Swiss

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Speaker 4: Beats for Real and Timberland. Absolutely, we got to talk

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Speaker 4: about that next hour. How difficult was that? And let's

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Speaker 4: get into one of my favorite joints off the album.

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Speaker 3: Let's do it.

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Speaker 4: This is featuring the Baby, The Baby, and of course

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Speaker 4: Buster Rhyms is here. Claudia Jordan's here, our guest co hosts.

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Speaker 2: We got rumors coming up.

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Speaker 7: What we're talking about, Man, there's a lot of sexual

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Speaker 7: assault going on these streets, allegedly uses.

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Speaker 4: All right, we'll get into that next, but let's get

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Speaker 4: into the Buster the Baby. It's the Breakfast leg It's

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Speaker 4: the breakfast slogan.

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Speaker 3: Morning.

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Speaker 2: Yeah, the Breakfast Club.

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Speaker 4: Misters is said, good morning. We are to Breakfast Club

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Speaker 4: Buster Rams. Our guest co hosts, Claudia Jordan's here.

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Speaker 11: I love that.

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00:17:43,720 --> 00:17:47,040
Speaker 2: We gotta turn turn the mic on, guy love it.

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Speaker 5: Let you thank you, Queen Claudia and King Envy. But

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00:17:52,080 --> 00:17:55,240
Speaker 5: I'm over here and I'm talking to the Queen real

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Speaker 5: quick about how beautiful she is.

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Speaker 3: You know what I'm saying. And I think.

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00:18:00,680 --> 00:18:07,760
Speaker 5: That we're probably the first generation in this demo to

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00:18:07,920 --> 00:18:15,800
Speaker 5: ever look this fly like in sexy and fresh. I'm

387
00:18:15,840 --> 00:18:19,240
Speaker 5: like her skin and like her face and her hair

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00:18:19,400 --> 00:18:23,280
Speaker 5: and her weight. And she told you age. This is

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Speaker 5: why I'm confused. You know what I'm saying. We're not

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Speaker 5: going to disclose that. So as a fifty year old

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Speaker 5: woman on everything I stand for love and believe in.

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Speaker 3: I swore she was about thirty five.

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Speaker 7: Wow, I identify as you look.

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Speaker 5: You look incredible, queen, real talk, Thank you, and and

395
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Speaker 5: this is not me trying to further nothing.

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Speaker 3: I'm good, My queen is good. You look phenomenal.

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Speaker 6: Thank you.

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Speaker 5: Whatever the water is you drinking, the diet regimen, the

399
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Speaker 5: workout regiment, stay on it.

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Speaker 3: You look incredible.

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Speaker 6: I keep my life very stress free.

402
00:19:00,680 --> 00:19:04,160
Speaker 7: I don't let nobody's dusty son stress me out.

403
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Speaker 2: Yeah, let's let's get to the roomors there, let's goal

404
00:19:10,880 --> 00:19:13,120
Speaker 2: everyone where.

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Speaker 15: Really it.

406
00:19:17,160 --> 00:19:18,359
Speaker 2: Is the rumor reports we.

407
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Speaker 3: Sold the boys.

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00:19:18,880 --> 00:19:20,080
Speaker 6: Sometimes they say it sounds than.

409
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Speaker 3: On the breakfast club. Enjoying stories are.

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Speaker 6: If you live long enough, he's gotta have story.

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Speaker 3: That is very true, very true.

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Speaker 7: So, speaking of Dusty Sons, that seems what the entire

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00:19:36,440 --> 00:19:37,399
Speaker 7: rumor reporters about.

414
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Speaker 6: Well, allegedly, there's a lot of stuff going on.

415
00:19:39,760 --> 00:19:43,720
Speaker 7: Diddy is now facing two more sexual assault allegations following

416
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Speaker 7: his settlement with Cassie music mogul.

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Speaker 16: Sean Diddy Combs is facing new allegations of sexual assault.

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Speaker 16: A woman claims the rapper drugged and sexually assaulted her

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Speaker 16: in New York City back in nineteen ninety one. He

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Speaker 16: is denying the allegations, but these new claims come exactly

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Speaker 16: one week after Comb settled a separate lawsuit involving his

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Speaker 16: ex girlfriend Cassie, who accused him of sex trafficking, rape,

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Speaker 16: and domestic abuse.

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Speaker 17: Well, Savannah, the allegations are horrific, and if you include

425
00:20:12,280 --> 00:20:15,080
Speaker 17: not only Sean Didty Comb with his associates, this is

426
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Speaker 17: actually the third lawsuit. This one, as you mentioned, stems

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Speaker 17: from nineteen ninety one. A Syracuse University college student says

428
00:20:23,040 --> 00:20:25,480
Speaker 17: that Shan Didtycombs took her out to dinner, that she

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Speaker 17: was drugged, and that she was drugged for the purpose

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Speaker 17: of a sexual assault, and that she was so drugged

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Speaker 17: that she could not fight back. There's also the accusation

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Speaker 17: that the sexual assault was recorded as a form of

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Speaker 17: revenge porn, and that that tape was shown to several people,

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Speaker 17: including a member of the nineties R and B group Jodasy.

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Speaker 6: Oh my god.

436
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Speaker 7: All right, Well, after the filing, Cathy said, with the

437
00:20:50,400 --> 00:20:53,520
Speaker 7: expiration of New York's Adult Survivor's Act fast approaching, it

438
00:20:53,560 --> 00:20:56,040
Speaker 7: became clear that this was an opportunity to speak up

439
00:20:56,040 --> 00:20:57,520
Speaker 7: about the trauma I've experienced.

440
00:20:57,520 --> 00:20:59,960
Speaker 6: Now on casey, I don't know. The Adult Survivors Act

441
00:21:00,119 --> 00:21:00,720
Speaker 6: is a.

442
00:21:00,560 --> 00:21:03,320
Speaker 7: Law in New York that allows sexual abuse victims to

443
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Speaker 7: file civil suits even after the exhalation of the statue

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00:21:06,760 --> 00:21:09,480
Speaker 7: of limitations. Now, the New York Times reported that the

445
00:21:09,640 --> 00:21:11,920
Speaker 7: one year window to bring cases under this new law

446
00:21:12,040 --> 00:21:15,159
Speaker 7: ended last week. Now, we saw plenty of sexual assault

447
00:21:15,160 --> 00:21:17,720
Speaker 7: allegations come out last week. So the assumption is that

448
00:21:17,840 --> 00:21:20,679
Speaker 7: other alleged sexual assault victims wanted to speak up for

449
00:21:20,680 --> 00:21:23,199
Speaker 7: the same reason. But that story is wild. With the

450
00:21:23,280 --> 00:21:27,800
Speaker 7: video being shown to members of Chodesy, that's allegedly alleged.

451
00:21:28,320 --> 00:21:29,120
Speaker 7: Everything's alleged.

452
00:21:30,040 --> 00:21:30,720
Speaker 2: How do y'all feel?

453
00:21:30,800 --> 00:21:31,760
Speaker 6: How do y'all feel about this?

454
00:21:31,840 --> 00:21:33,440
Speaker 7: I mean, I know we talked kind of off Mike

455
00:21:33,520 --> 00:21:36,880
Speaker 7: about you know things from thirty two to thirty three

456
00:21:36,960 --> 00:21:37,360
Speaker 7: years ago.

457
00:21:37,400 --> 00:21:39,800
Speaker 6: How do y'all feel about it? I know it's like

458
00:21:39,800 --> 00:21:40,400
Speaker 6: a tricky well.

459
00:21:40,600 --> 00:21:43,760
Speaker 4: I will say this in all these cases is alleged

460
00:21:43,760 --> 00:21:44,760
Speaker 4: and you should.

461
00:21:44,440 --> 00:21:45,880
Speaker 2: Be innocent to prove and guilty.

462
00:21:46,000 --> 00:21:47,760
Speaker 4: And I hate when somebody says something and all of

463
00:21:47,800 --> 00:21:50,760
Speaker 4: a sudden people are assumed to be guilty. That's not right.

464
00:21:51,080 --> 00:21:53,399
Speaker 4: But I will say this, I don't believe in the

465
00:21:53,440 --> 00:21:56,080
Speaker 4: time frame. If you did something thirty years ago or

466
00:21:56,080 --> 00:21:57,960
Speaker 4: twenty years ago, you should have to answer it's not

467
00:21:57,960 --> 00:21:59,439
Speaker 4: the fact you did the thirty years ago, and I

468
00:21:59,560 --> 00:22:01,640
Speaker 4: change no, because the person that you did it too

469
00:22:01,720 --> 00:22:04,280
Speaker 4: is still affected by it, whether it's murder, whether it's rape,

470
00:22:04,320 --> 00:22:07,320
Speaker 4: whatever it may be. But also when you make a

471
00:22:07,359 --> 00:22:09,280
Speaker 4: claim that's thirty years old, it has to be some

472
00:22:09,359 --> 00:22:12,200
Speaker 4: type of proof. If you know, you can't just say

473
00:22:12,240 --> 00:22:15,720
Speaker 4: something and then that person loses everything and it's not true.

474
00:22:15,760 --> 00:22:18,399
Speaker 4: But if somebody has done anything to anybody, any of

475
00:22:18,400 --> 00:22:20,920
Speaker 4: those accusers, whoever it may be, whether it's thirty years ago,

476
00:22:21,000 --> 00:22:22,760
Speaker 4: five years ago, or seven years ago, it doesn't matter.

477
00:22:22,800 --> 00:22:24,119
Speaker 4: They should have to pay for it. Because I look

478
00:22:24,160 --> 00:22:26,320
Speaker 4: at it not just from somebody I don't know. I

479
00:22:26,400 --> 00:22:27,879
Speaker 4: look at it if it was my mother, if it

480
00:22:27,920 --> 00:22:30,080
Speaker 4: was my sister, if it was my daughter, if it

481
00:22:30,160 --> 00:22:32,520
Speaker 4: was my wife, Like you would want them to get

482
00:22:33,119 --> 00:22:35,280
Speaker 4: you know what they want out of it, which is,

483
00:22:35,400 --> 00:22:37,639
Speaker 4: you know, somebody to go to jail or somebody to

484
00:22:37,640 --> 00:22:39,200
Speaker 4: say that they did it. So hopefully they don't happen

485
00:22:39,200 --> 00:22:42,080
Speaker 4: to anybody. But in all these cases that we've seen,

486
00:22:42,480 --> 00:22:45,240
Speaker 4: we don't know what's true or what's false, because anybody

487
00:22:45,240 --> 00:22:47,840
Speaker 4: could say anything about anybody at any given time. But

488
00:22:47,920 --> 00:22:50,040
Speaker 4: if somebody has done that, they should pay the piper.

489
00:22:50,440 --> 00:22:54,119
Speaker 7: What sucks is these times, in this time, there's so

490
00:22:54,119 --> 00:22:55,639
Speaker 7: many people that are looking for a quick come up.

491
00:22:55,640 --> 00:22:57,600
Speaker 7: But then there's also a lot of victims. So I

492
00:22:57,640 --> 00:23:01,080
Speaker 7: empathize with both sidesolutely, Like if you're get like a celebrity,

493
00:23:01,240 --> 00:23:04,119
Speaker 7: people just come off your bag. But I personally know

494
00:23:04,480 --> 00:23:08,199
Speaker 7: so many women that are holding secrets of some of

495
00:23:08,200 --> 00:23:10,880
Speaker 7: your faves that they have not even began to speak

496
00:23:10,920 --> 00:23:13,479
Speaker 7: and they won't. So like, maybe we're annoyed with these

497
00:23:13,520 --> 00:23:15,200
Speaker 7: ten or fifteen, but there's a lot of real ones

498
00:23:15,200 --> 00:23:17,640
Speaker 7: out there. But again allegedly until proof.

499
00:23:17,440 --> 00:23:20,720
Speaker 4: Guilty, all right, Well that is that's what we got

500
00:23:20,720 --> 00:23:23,320
Speaker 4: time for. That is your rumor reports right now. Buster

501
00:23:23,400 --> 00:23:26,880
Speaker 4: Rhyms is here. Blockbuster is out right now, make sure

502
00:23:26,920 --> 00:23:28,360
Speaker 4: you get it. When we come back, we're gonna talk

503
00:23:28,359 --> 00:23:30,399
Speaker 4: to them. We're gonna take your calls and Bust I

504
00:23:30,400 --> 00:23:32,520
Speaker 4: want to play a game with people later on if

505
00:23:32,520 --> 00:23:35,840
Speaker 4: you so, you know, your voice is one of those

506
00:23:35,920 --> 00:23:39,639
Speaker 4: voices that people love to I would say mocking and

507
00:23:39,640 --> 00:23:42,240
Speaker 4: they want to be like Buster Robs. So I just

508
00:23:42,280 --> 00:23:44,199
Speaker 4: asked you and your label if we got some CDs.

509
00:23:44,240 --> 00:23:47,080
Speaker 4: And we got some CDs and later on I want

510
00:23:47,119 --> 00:23:50,160
Speaker 4: people to call up and do their best Bust Rhyme impersonation.

511
00:23:51,359 --> 00:23:55,160
Speaker 2: Whoever gets the we won't get the CDs.

512
00:23:54,760 --> 00:24:00,840
Speaker 4: Signed from Buston Romes. We'll have some fun with which it.

513
00:24:00,880 --> 00:24:02,960
Speaker 4: Front page News is next to the Breakfast Club. Good morning,

514
00:24:03,640 --> 00:24:06,840
Speaker 4: the Breakfast Club. Your mornings will never beat us. Same

515
00:24:07,440 --> 00:24:07,960
Speaker 4: good news.

516
00:24:08,000 --> 00:24:10,440
Speaker 2: If you're hiring, you've got help. Zip recruiter.

517
00:24:10,640 --> 00:24:13,080
Speaker 18: Zip recruiter works for you to find great candidates fast.

518
00:24:13,240 --> 00:24:16,600
Speaker 18: It's smart technology identifies qualified candidates for you, and you

519
00:24:16,640 --> 00:24:19,040
Speaker 18: can invite your top choices to apply. Try it for

520
00:24:19,080 --> 00:24:23,440
Speaker 18: free at ZipRecruiter dot com. Slash breakfast put Everybody's dj.

521
00:24:23,560 --> 00:24:25,880
Speaker 2: Env Charlomagne, the guy we are the Breakfast Club.

522
00:24:25,960 --> 00:24:28,600
Speaker 4: Charlomagne is out today, but we got Buster Rhyms co

523
00:24:28,680 --> 00:24:29,600
Speaker 4: hosting with us this morning.

524
00:24:29,600 --> 00:24:30,880
Speaker 2: And ol So Claudia Jordan.

525
00:24:30,720 --> 00:24:33,560
Speaker 4: Good morning, Yes, and let's get in some front page news.

526
00:24:33,600 --> 00:24:36,160
Speaker 2: Test is back. What up, chairs, it's a little good morning.

527
00:24:36,240 --> 00:24:38,560
Speaker 6: DJ Envy, Good morning Claudia and Buster.

528
00:24:38,400 --> 00:24:39,480
Speaker 2: Rhymes morning queen.

529
00:24:39,520 --> 00:24:40,080
Speaker 3: How you doing?

530
00:24:40,400 --> 00:24:41,200
Speaker 2: I'm doing well?

531
00:24:42,359 --> 00:24:44,720
Speaker 4: Now some quick sports, of course, the Cowboys beat the Commanders,

532
00:24:44,720 --> 00:24:47,160
Speaker 4: Dolphins beat the Jets, forty nine Ers beat the Seahawks.

533
00:24:47,160 --> 00:24:50,280
Speaker 4: Coach beat the Buccaneers, the Giants, the Molish, the Patriots

534
00:24:50,320 --> 00:24:52,760
Speaker 4: tend to see, ain't the Molishers, but they won. Come on,

535
00:24:53,119 --> 00:24:55,960
Speaker 4: Titans beat the panhitt that's Stealers beat the Bengals. Jaguars

536
00:24:55,960 --> 00:24:58,760
Speaker 4: beat the Texans, Falcons beat the Saints, The Broncos beat

537
00:24:58,800 --> 00:25:00,879
Speaker 4: the Browns, the Rams beat the Cardinals.

538
00:25:01,240 --> 00:25:01,879
Speaker 2: Who else we got?

539
00:25:01,920 --> 00:25:04,320
Speaker 4: The Chiefs beat the Raiders, and tonight the Bears take

540
00:25:04,400 --> 00:25:06,959
Speaker 4: on the Vike as the Eagles won last night as well.

541
00:25:07,200 --> 00:25:10,040
Speaker 2: And let's jump right into it. Derek Shavin, he was

542
00:25:10,080 --> 00:25:10,920
Speaker 2: stabbed up in jail.

543
00:25:11,280 --> 00:25:14,359
Speaker 8: Yeah, he was the former US police officer convicted of

544
00:25:14,440 --> 00:25:17,760
Speaker 8: murdering George Floyd in twenty twenty. Is expected to survive

545
00:25:18,359 --> 00:25:20,560
Speaker 8: after he was injured in a knife attack in jail.

546
00:25:20,600 --> 00:25:21,600
Speaker 8: Take a listen to the report.

547
00:25:21,840 --> 00:25:25,880
Speaker 19: Federal officials are investigating after former Minneapolis police officer Derek

548
00:25:25,960 --> 00:25:27,520
Speaker 19: Chauvin was stabbed in prison.

549
00:25:27,920 --> 00:25:30,400
Speaker 6: The Federal Bureau of Prisons confirmed.

550
00:25:29,920 --> 00:25:33,399
Speaker 19: Staff performed life saving measures on Chauvin and he is

551
00:25:33,520 --> 00:25:37,800
Speaker 19: expected to survive. The Minnesota Attorney General's office denounced the

552
00:25:37,840 --> 00:25:40,440
Speaker 19: attack and said that Chauvin should be able to serve

553
00:25:40,440 --> 00:25:44,760
Speaker 19: his prison sentence peacefully. Officials did not identify the inmate

554
00:25:44,760 --> 00:25:48,280
Speaker 19: who stabbed him. Chauvin was convicted of murdering George Floyd

555
00:25:48,320 --> 00:25:51,240
Speaker 19: in twenty twenty. This is the second stabbing of a

556
00:25:51,320 --> 00:25:54,439
Speaker 19: high profile inmate in a federal prison in the last

557
00:25:54,480 --> 00:25:55,240
Speaker 19: five months.

558
00:25:55,680 --> 00:25:57,640
Speaker 4: Yeah, I'm surprised he didn't have more protection. I think

559
00:25:57,640 --> 00:25:59,760
Speaker 4: we all seen that coming. You can't put him in

560
00:25:59,800 --> 00:26:01,399
Speaker 4: a buy with a bunch of people, with what he

561
00:26:01,440 --> 00:26:03,840
Speaker 4: did to George Floyd and how he looked after he

562
00:26:03,880 --> 00:26:05,439
Speaker 4: did it, with his knee on that brother's neck and

563
00:26:05,440 --> 00:26:07,240
Speaker 4: just think everything is gonna be all graving. People are

564
00:26:07,240 --> 00:26:09,520
Speaker 4: gonna give himhigh fives when he got in there, But

565
00:26:09,560 --> 00:26:11,000
Speaker 4: I'm surprised he wasn't protected.

566
00:26:11,280 --> 00:26:12,000
Speaker 2: Well, there's a way to.

567
00:26:12,000 --> 00:26:16,720
Speaker 8: Get around protection, so that's not always guaranteed. That the

568
00:26:16,800 --> 00:26:20,120
Speaker 8: US Supreme Court threw out his appeal against his conviction,

569
00:26:20,840 --> 00:26:23,159
Speaker 8: he's serving a current twenty two year sentence for the

570
00:26:23,200 --> 00:26:26,440
Speaker 8: second degree murder concurrently with the twenty one year federal

571
00:26:26,480 --> 00:26:30,240
Speaker 8: sentence for George Floyd's murder and for civil rights violations.

572
00:26:30,280 --> 00:26:33,520
Speaker 8: So yeah, protection is one thing and reality is another.

573
00:26:33,640 --> 00:26:36,560
Speaker 8: So I'm surprised you surprised they got to him.

574
00:26:36,560 --> 00:26:38,639
Speaker 6: And what you saying, Buff, is it bad that I

575
00:26:38,680 --> 00:26:39,040
Speaker 6: don't care?

576
00:26:39,880 --> 00:26:43,080
Speaker 8: Yeah, No, nobody really cares.

577
00:26:43,800 --> 00:26:46,000
Speaker 5: First of all, Queen, I love your type of talk.

578
00:26:46,440 --> 00:26:49,399
Speaker 5: Number one and number two to elaborate further on what

579
00:26:49,440 --> 00:26:51,399
Speaker 5: you're saying. As far as protection is one thing, in

580
00:26:51,480 --> 00:26:56,560
Speaker 5: reality is another. My sentiments exactly. Justice is the reward

581
00:26:56,560 --> 00:26:59,560
Speaker 5: of penalty for one's actions or deeds, and every choice

582
00:26:59,600 --> 00:27:03,160
Speaker 5: comes with an invoice, and everyone will die within their

583
00:27:03,200 --> 00:27:08,639
Speaker 5: own iniquity. So mister whatever shoving, Yah, Yeah, this is

584
00:27:08,680 --> 00:27:10,840
Speaker 5: what he's dealing with right now, and that's it.

585
00:27:11,200 --> 00:27:12,840
Speaker 6: Keep a chin up, Derek, you'd be lright.

586
00:27:15,400 --> 00:27:19,560
Speaker 2: Let's jump to the Black Friday shopping They said Black Fridays.

587
00:27:19,640 --> 00:27:23,680
Speaker 6: Where he could always just comply, why did you go?

588
00:27:25,240 --> 00:27:26,520
Speaker 2: That was going on with Black Friday.

589
00:27:27,160 --> 00:27:30,520
Speaker 8: Black Friday shoppers spent a record nine point eight billion

590
00:27:30,600 --> 00:27:33,040
Speaker 8: dollars in online sales. Just wanted to give a quick

591
00:27:33,240 --> 00:27:37,399
Speaker 8: economic update, now generated again nine point eight billion economic sales.

592
00:27:37,760 --> 00:27:39,920
Speaker 8: They said that when of seven point five percent from

593
00:27:39,920 --> 00:27:43,800
Speaker 8: a year ago. The spending month bump reflects consumers looking

594
00:27:43,920 --> 00:27:46,080
Speaker 8: at the big deals, and some of them are saying

595
00:27:46,080 --> 00:27:47,320
Speaker 8: they didn't find too many big deals.

596
00:27:47,320 --> 00:27:47,719
Speaker 6: I know I did.

597
00:27:47,800 --> 00:27:49,000
Speaker 8: I don't know if you guys went out of night.

598
00:27:49,040 --> 00:27:51,880
Speaker 8: But today is Cyber Monday. The sales look like they'll

599
00:27:51,920 --> 00:27:54,320
Speaker 8: taper off for the rest of the holiday season, but

600
00:27:54,400 --> 00:27:56,040
Speaker 8: there's just a lot of mixed reviews. I also want

601
00:27:56,040 --> 00:27:58,040
Speaker 8: to warn you to look at return policies as well.

602
00:27:58,080 --> 00:28:00,119
Speaker 8: Today on Cyber Monday, get a lot of stuff and

603
00:28:00,119 --> 00:28:02,520
Speaker 8: you can't return it back, So pay close attention to that.

604
00:28:02,640 --> 00:28:05,840
Speaker 8: But did you guys get out on Black Friday or

605
00:28:06,000 --> 00:28:07,040
Speaker 8: just another day for you?

606
00:28:07,600 --> 00:28:09,040
Speaker 6: Never done it, never will now.

607
00:28:09,080 --> 00:28:10,720
Speaker 2: I never go out on Black Friday. It's crazy.

608
00:28:10,760 --> 00:28:12,679
Speaker 4: Most a two pack people are too crazy looking for

609
00:28:12,680 --> 00:28:14,800
Speaker 4: the deals and they would would trip you or even

610
00:28:14,880 --> 00:28:15,159
Speaker 4: punch you.

611
00:28:15,200 --> 00:28:17,080
Speaker 2: In the face to get a TV. So I'm gonna

612
00:28:17,160 --> 00:28:17,600
Speaker 2: let that pass.

613
00:28:17,680 --> 00:28:20,600
Speaker 4: But I will say I'm surprised that spending is up

614
00:28:20,640 --> 00:28:23,160
Speaker 4: seven point five percent with the amount of things cost

615
00:28:23,200 --> 00:28:25,320
Speaker 4: is so high. I mean, if anybody had to pay

616
00:28:25,359 --> 00:28:27,480
Speaker 4: for things giving dinner this year, you see how much

617
00:28:27,520 --> 00:28:31,160
Speaker 4: food was. Like food was expensive, like oxtail was expensive.

618
00:28:31,240 --> 00:28:33,760
Speaker 4: Like I'm not a turkey level, so I didn't get

619
00:28:33,800 --> 00:28:35,520
Speaker 4: a turkey, but everything else was expensive.

620
00:28:35,560 --> 00:28:40,680
Speaker 5: Anxiety that exiety my name. I fear something expensive ox tailer, Nah,

621
00:28:40,680 --> 00:28:43,640
Speaker 5: but I was outside. Black Friday, Buster Rhymes Block Busted

622
00:28:43,680 --> 00:28:45,120
Speaker 5: album came out Black Friday.

623
00:28:45,400 --> 00:28:47,640
Speaker 3: You know what I'm saying. Black Friday was a celebration

624
00:28:47,760 --> 00:28:48,680
Speaker 3: for the kid. That's right.

625
00:28:48,800 --> 00:28:52,280
Speaker 5: Black Friday was a celebration for the planet black Black.

626
00:28:52,320 --> 00:28:56,640
Speaker 5: Black Friday was a celebration for the culture. Busht Rhimes

627
00:28:56,760 --> 00:29:01,520
Speaker 5: new album dropped on the twenty fourth of November twenty

628
00:29:01,680 --> 00:29:06,320
Speaker 5: twenty three, Black Friday, and yes, it was a big

629
00:29:06,400 --> 00:29:09,880
Speaker 5: moment for the biggest album on the biggest day, which

630
00:29:09,920 --> 00:29:12,440
Speaker 5: is the biggest Black Friday. So whatever they was trying

631
00:29:12,480 --> 00:29:14,320
Speaker 5: to do with the other shopping and punching each other

632
00:29:14,320 --> 00:29:16,760
Speaker 5: in the face and spending money on expenser box tail.

633
00:29:17,080 --> 00:29:20,440
Speaker 5: That's cool, but just make sure that y'all remember that

634
00:29:20,440 --> 00:29:22,560
Speaker 5: that bag was also getting spent on one of the

635
00:29:22,680 --> 00:29:26,640
Speaker 5: greatest albums on Black Friday by Buster ROMs, The Dragon

636
00:29:26,920 --> 00:29:29,200
Speaker 5: Front and Center. And if you ain't get it yet,

637
00:29:29,400 --> 00:29:32,840
Speaker 5: spend that bag on Cyber Monday today and enjoy the

638
00:29:32,880 --> 00:29:34,320
Speaker 5: Buster Bobs Black Friday.

639
00:29:34,880 --> 00:29:35,560
Speaker 2: We prove that.

640
00:29:39,920 --> 00:29:43,640
Speaker 8: Perfect, perfect, perfect way and not famous. By the way,

641
00:29:43,840 --> 00:29:45,320
Speaker 8: did you deserve it? You are an icon.

642
00:29:45,360 --> 00:29:46,600
Speaker 2: I salute you, sir, Thank you.

643
00:29:46,680 --> 00:29:49,040
Speaker 3: I salute you as well. Royal Amp, thank you, Test,

644
00:29:49,520 --> 00:29:49,840
Speaker 3: thank you.

645
00:29:49,920 --> 00:29:52,400
Speaker 4: Je all right, when we come back Buster Brombs and

646
00:29:52,440 --> 00:29:54,440
Speaker 4: seeing his new project, as he said, black Busses out

647
00:29:54,520 --> 00:29:56,520
Speaker 4: right now, we're gonna talk to him, Me and Laudia

648
00:29:56,600 --> 00:29:58,200
Speaker 4: Jordan gonna interview him a little bit. And if I

649
00:29:58,320 --> 00:30:00,360
Speaker 4: got questions, you can call us up right now under

650
00:30:00,480 --> 00:30:01,760
Speaker 4: five eight five one oh five one.

651
00:30:01,760 --> 00:30:03,240
Speaker 2: When we come back, let's get into another joint of

652
00:30:03,320 --> 00:30:04,120
Speaker 2: down what you want to hear?

653
00:30:04,400 --> 00:30:07,880
Speaker 5: I think I want to go into this legacy record

654
00:30:07,880 --> 00:30:10,200
Speaker 5: with me and my children. Big up to Trilly and

655
00:30:10,240 --> 00:30:12,800
Speaker 5: my young King, Big up to see and big up

656
00:30:12,800 --> 00:30:17,480
Speaker 5: to Mariah, my two young princesses, young queens produced by

657
00:30:17,480 --> 00:30:21,160
Speaker 5: my brother Mar's and a gang of other producers, about

658
00:30:21,160 --> 00:30:22,760
Speaker 5: three four producers on it. But I just want to

659
00:30:22,760 --> 00:30:25,000
Speaker 5: dive into this real quick, y'all. Y'all feel this energy

660
00:30:25,000 --> 00:30:27,440
Speaker 5: real quick because it ain't stopping us in the DNA.

661
00:30:27,680 --> 00:30:29,480
Speaker 2: How difficult is it to work with your kids?

662
00:30:29,520 --> 00:30:32,360
Speaker 4: Because you, if anybody's been in the studio with you,

663
00:30:32,360 --> 00:30:35,760
Speaker 4: you're a perfectionist, right. You want things to be perfection absolutely,

664
00:30:36,000 --> 00:30:37,920
Speaker 4: And I love your kids. I see your kids all

665
00:30:37,920 --> 00:30:40,680
Speaker 4: the time. They might not be on the same perfection

666
00:30:40,800 --> 00:30:41,480
Speaker 4: time as dad.

667
00:30:41,600 --> 00:30:43,840
Speaker 5: You know what I do. I leave and I get

668
00:30:43,840 --> 00:30:47,880
Speaker 5: out the way. I've learned when to get out the way, okay,

669
00:30:48,160 --> 00:30:50,680
Speaker 5: because sometimes you block the blessing when you in the

670
00:30:50,680 --> 00:30:54,520
Speaker 5: way all the time. And I realized that I was

671
00:30:54,600 --> 00:30:56,959
Speaker 5: doing that, like I was over critiquing things that I

672
00:30:57,000 --> 00:30:59,040
Speaker 5: was hearing that wasn't right. But then I also had

673
00:30:59,040 --> 00:31:00,680
Speaker 5: to get a friendly even mine. The one day just

674
00:31:00,680 --> 00:31:03,520
Speaker 5: from a sideball conversation with my engineer that was actually

675
00:31:03,560 --> 00:31:06,080
Speaker 5: recording them. It was just like, yo, sometimes the perfection

676
00:31:06,240 --> 00:31:08,600
Speaker 5: is in the imperfection. And I was like, all right,

677
00:31:08,640 --> 00:31:11,600
Speaker 5: I guess I need to just leave. So what I

678
00:31:11,600 --> 00:31:13,960
Speaker 5: would do is I would leave my kids. I have

679
00:31:14,080 --> 00:31:16,200
Speaker 5: two sons. Out of my four sons that would stay

680
00:31:16,240 --> 00:31:19,080
Speaker 5: and one was focused on production and Trillian was focused

681
00:31:19,120 --> 00:31:20,840
Speaker 5: on rom and the other one that was focused on production,

682
00:31:20,960 --> 00:31:22,960
Speaker 5: his name is to Cod. So I would leave them

683
00:31:23,000 --> 00:31:24,720
Speaker 5: in a student I'd go to the club and I

684
00:31:24,760 --> 00:31:27,080
Speaker 5: would leave security with them and make sure that you know,

685
00:31:27,160 --> 00:31:29,200
Speaker 5: they had their freedom to do whatever they wanted. And

686
00:31:29,320 --> 00:31:31,440
Speaker 5: just surprised me with what I heard when I pulled up,

687
00:31:31,680 --> 00:31:34,160
Speaker 5: And that was how we got the best results. And

688
00:31:34,400 --> 00:31:37,320
Speaker 5: due time, they evolved and when it was time to

689
00:31:37,320 --> 00:31:39,960
Speaker 5: start putting them on these projects, it was because they

690
00:31:40,120 --> 00:31:42,360
Speaker 5: really got to a place that you know, obviously we

691
00:31:42,400 --> 00:31:44,400
Speaker 5: got to stay at the MV. You know what I mean,

692
00:31:44,480 --> 00:31:46,320
Speaker 5: We've been in it too long, We've been doing too much.

693
00:31:46,320 --> 00:31:48,440
Speaker 5: It's like we're not gonna be biased. At the end

694
00:31:48,480 --> 00:31:50,920
Speaker 5: of the day, they are kids, but if they sound suspect,

695
00:31:51,000 --> 00:31:52,880
Speaker 5: we can't let that happen on our watch.

696
00:31:53,160 --> 00:31:59,320
Speaker 7: Thank god, some of the parents in.

697
00:31:59,280 --> 00:32:02,480
Speaker 5: The same way, like a bug out sometimes when a

698
00:32:02,600 --> 00:32:06,560
Speaker 5: parent ain't gonna stand tall and solid on their square

699
00:32:06,600 --> 00:32:09,160
Speaker 5: and make sure the kids don't miss represent themselves or

700
00:32:09,200 --> 00:32:11,920
Speaker 5: the legacy of the family right when their parent is

701
00:32:11,920 --> 00:32:15,840
Speaker 5: a celeb tool like let's make sure that this artistic

702
00:32:15,880 --> 00:32:21,840
Speaker 5: integrity is always upheld and met on a proper standard level.

703
00:32:22,120 --> 00:32:25,520
Speaker 5: Because we had the bus ass to meet the standard.

704
00:32:25,560 --> 00:32:29,200
Speaker 5: Y'all ain't getting no pass and rightfully so, I was

705
00:32:29,280 --> 00:32:31,960
Speaker 5: fortunate enough to be able to have kids that understood it.

706
00:32:32,760 --> 00:32:35,640
Speaker 5: Sometimes in the beginning it was frustrating for them, but

707
00:32:36,400 --> 00:32:38,920
Speaker 5: as they get older, they understand a lot more that

708
00:32:38,960 --> 00:32:41,040
Speaker 5: what you was putting them through was in their best interests.

709
00:32:41,720 --> 00:32:43,560
Speaker 5: So that's where we are now, That's why we got

710
00:32:43,560 --> 00:32:45,120
Speaker 5: this record. We look, we're gonna dive in and let

711
00:32:45,160 --> 00:32:45,720
Speaker 5: the world judge.

712
00:32:45,840 --> 00:32:46,120
Speaker 3: That's right.

713
00:32:46,160 --> 00:32:47,400
Speaker 4: Well, let's get into it. We'll do it when we

714
00:32:47,440 --> 00:32:50,600
Speaker 4: come back. Blockbuster is out right now. Buster is co

715
00:32:50,680 --> 00:32:53,600
Speaker 4: hosting Claudia Jordan is co hosted It's the Breakfast Club.

716
00:32:53,600 --> 00:32:55,800
Speaker 2: Good Morning, the Breakfast Club.

717
00:32:58,360 --> 00:33:02,560
Speaker 4: Everybody is DJ Charlamagne the guy. We are the Breakfast Club.

718
00:33:02,560 --> 00:33:04,920
Speaker 4: We got our guest host, Buster Rahms and Claudia Jordan.

719
00:33:04,960 --> 00:33:09,560
Speaker 4: Buster Rahms album is out right now, Blockbuster. Y. So

720
00:33:09,800 --> 00:33:13,120
Speaker 4: recently we had a conversation with Swizz Yes, and I

721
00:33:13,200 --> 00:33:19,720
Speaker 4: asked Swizz how he got himself, Timberland and Pharrell Now

722
00:33:19,760 --> 00:33:22,680
Speaker 4: Buster a couple of probably about a month ago, said

723
00:33:22,720 --> 00:33:25,680
Speaker 4: he's doing an album where Pharrell, Timberland, and.

724
00:33:25,720 --> 00:33:29,640
Speaker 2: Swiss Beats are the EPs. How how does that happen?

725
00:33:30,000 --> 00:33:32,680
Speaker 20: You know, Buster is somebody that don't back down easy.

726
00:33:33,080 --> 00:33:35,520
Speaker 20: You can't tell him no. And he signed us up

727
00:33:35,560 --> 00:33:39,400
Speaker 20: for his project and we just said, okay, let's do it.

728
00:33:40,480 --> 00:33:41,840
Speaker 3: And he came, He's like, you.

729
00:33:41,840 --> 00:33:46,440
Speaker 20: Know you, Tam Farrell, y'all my producers for the project.

730
00:33:46,640 --> 00:33:52,200
Speaker 20: I'm like, okay, no, the executive producers okay. And then

731
00:33:52,680 --> 00:33:55,920
Speaker 20: I don't know, like somehow we actually all got into

732
00:33:55,960 --> 00:33:58,000
Speaker 20: a space which is a photo of us on this boat,

733
00:33:58,040 --> 00:33:59,880
Speaker 20: and I'm sitting here. I'm like, yo, he really man

734
00:34:00,040 --> 00:34:02,360
Speaker 20: infested this. Like we didn't even plan to be on

735
00:34:02,400 --> 00:34:04,520
Speaker 20: that boat at that time. It's not like, okay, let's

736
00:34:04,560 --> 00:34:08,080
Speaker 20: have an executive producer boat ride. Like we just all

737
00:34:08,160 --> 00:34:11,120
Speaker 20: ended up sitting there and I'm looking around like, okay,

738
00:34:11,600 --> 00:34:13,440
Speaker 20: I hear the universe. Okay, I guess we're doing it.

739
00:34:13,640 --> 00:34:16,719
Speaker 4: So when did you come up with the idea to

740
00:34:16,760 --> 00:34:20,360
Speaker 4: have all three of those great producers EP Project V.

741
00:34:20,480 --> 00:34:21,440
Speaker 3: I'm gonna tell you the truth.

742
00:34:21,719 --> 00:34:25,080
Speaker 5: Pharrell created that day with all of us coming together

743
00:34:25,320 --> 00:34:29,120
Speaker 5: Forrell invited us to this unbelievable yacht. We was in Miami,

744
00:34:29,160 --> 00:34:31,759
Speaker 5: all of us in it in Miami, chilling. We come

745
00:34:31,800 --> 00:34:34,399
Speaker 5: to the yacht. Everybody's dead. We pull up, were rocking

746
00:34:34,480 --> 00:34:37,279
Speaker 5: on the yacht, vibing. We eating food, we drinking, we

747
00:34:37,400 --> 00:34:41,640
Speaker 5: smoking cigars, We vibing. Swiss had just finished working on

748
00:34:42,200 --> 00:34:46,960
Speaker 5: DMX Rest in Peace, DMX last album, it's posthumous album.

749
00:34:47,239 --> 00:34:50,279
Speaker 5: There's a table on the yacht on the upper deck

750
00:34:50,400 --> 00:34:53,319
Speaker 5: level and we're all sitting around that and we were

751
00:34:53,400 --> 00:34:55,719
Speaker 5: just talking for a few hours. We was on the

752
00:34:56,239 --> 00:34:58,600
Speaker 5: I believe he was on the yacht probably like eight

753
00:34:58,640 --> 00:35:02,239
Speaker 5: hours that day. About four hours into to the day.

754
00:35:02,560 --> 00:35:05,879
Speaker 5: It just kept going really really crazy in my mind.

755
00:35:05,920 --> 00:35:08,799
Speaker 5: And I'm sitting here with three of my brothers, all

756
00:35:08,840 --> 00:35:14,000
Speaker 5: twenty five plus year relationships, brothers. They all produced on

757
00:35:14,040 --> 00:35:16,640
Speaker 5: all of my projects at some point or another, whether

758
00:35:16,719 --> 00:35:18,000
Speaker 5: it was two out of the three of them, or

759
00:35:18,040 --> 00:35:19,399
Speaker 5: all three of them or one out of the three

760
00:35:19,400 --> 00:35:22,000
Speaker 5: of them, right, And I'm like, yo, I'm looking at them,

761
00:35:22,040 --> 00:35:23,719
Speaker 5: and they looking at me. They looking at each other.

762
00:35:23,760 --> 00:35:25,920
Speaker 3: We talking. Ain't nobody bringing up no music. It was

763
00:35:26,000 --> 00:35:27,040
Speaker 3: no music talk.

764
00:35:26,920 --> 00:35:29,960
Speaker 5: Outside of the DMX album because Swiss wanted us to

765
00:35:30,000 --> 00:35:32,640
Speaker 5: hear it. But all the other conversation throughout the day

766
00:35:32,760 --> 00:35:33,880
Speaker 5: was just regular conversation.

767
00:35:34,200 --> 00:35:36,239
Speaker 3: I'm like, listen, I just need to say this to

768
00:35:36,400 --> 00:35:37,200
Speaker 3: all three of y'all.

769
00:35:37,480 --> 00:35:39,160
Speaker 5: Ain't nowhere in the world, and I'm gonna get off

770
00:35:39,200 --> 00:35:42,759
Speaker 5: this boat, and I tell y'all that this is not

771
00:35:42,800 --> 00:35:46,279
Speaker 5: gonna be a moment where we shouldn't be discussing doing

772
00:35:46,280 --> 00:35:49,759
Speaker 5: a bust the Rhyms album with all of y'all producing it.

773
00:35:50,000 --> 00:35:52,560
Speaker 5: I don't care what I ain't taking no back talk

774
00:35:53,440 --> 00:35:56,239
Speaker 5: started off as an EP. Two songs from Swiss, two

775
00:35:56,280 --> 00:35:59,000
Speaker 5: songs from All two songs from Timberland. We get through

776
00:35:59,000 --> 00:36:01,920
Speaker 5: the shick. I just was like, wait a minute now,

777
00:36:01,920 --> 00:36:03,880
Speaker 5: I'm not feeling like this is enough because I'm not

778
00:36:03,920 --> 00:36:05,560
Speaker 5: an EP dude, you know what I'm saying.

779
00:36:05,600 --> 00:36:06,560
Speaker 3: I'm an album dude.

780
00:36:06,719 --> 00:36:10,880
Speaker 5: And the energy that was feeling and sounding so incredible

781
00:36:10,920 --> 00:36:13,120
Speaker 5: from them six records. It's set the standard for what

782
00:36:13,200 --> 00:36:15,440
Speaker 5: the rest of the album should feel like it sound like.

783
00:36:15,480 --> 00:36:18,120
Speaker 5: And what was dope about the album when it was

784
00:36:18,200 --> 00:36:22,640
Speaker 5: just those six songs, was every song felt like feel good, energy,

785
00:36:22,680 --> 00:36:25,799
Speaker 5: party and turn up records coming off an El E

786
00:36:25,880 --> 00:36:29,360
Speaker 5: two album. We was speaking directly to what was happening.

787
00:36:29,640 --> 00:36:33,240
Speaker 5: We was in the pandemic, the protesting was happening, the riots,

788
00:36:33,440 --> 00:36:36,080
Speaker 5: the George Floyd murders and all of the you know,

789
00:36:37,040 --> 00:36:41,000
Speaker 5: it was too much dark energy, but it was necessary

790
00:36:41,040 --> 00:36:43,360
Speaker 5: at the time, and it was a beautiful body of

791
00:36:43,400 --> 00:36:46,520
Speaker 5: work and an installment that was needed for the time.

792
00:36:47,360 --> 00:36:49,680
Speaker 5: Them six songs felt like I was back in my

793
00:36:49,800 --> 00:36:54,319
Speaker 5: put your hands chamber and party going on over here

794
00:36:54,320 --> 00:36:58,239
Speaker 5: and everything remains draw and it felt like we was

795
00:36:58,280 --> 00:37:01,800
Speaker 5: in that bag all the way with just them six songs,

796
00:37:01,920 --> 00:37:03,480
Speaker 5: and I was like, I ain't got enough of this.

797
00:37:03,560 --> 00:37:05,560
Speaker 5: I need more of this. So as I was planning

798
00:37:05,600 --> 00:37:07,560
Speaker 5: for people, they wanted to be a part of that,

799
00:37:08,320 --> 00:37:11,600
Speaker 5: from the new artists to other producers, and it just

800
00:37:11,840 --> 00:37:12,960
Speaker 5: it just kept evolving.

801
00:37:13,200 --> 00:37:14,799
Speaker 2: And I got to ask, you know, people have been

802
00:37:14,840 --> 00:37:17,120
Speaker 2: hitting me this morning, and I thought about it too.

803
00:37:17,640 --> 00:37:18,520
Speaker 2: Aren't you on tour?

804
00:37:19,120 --> 00:37:21,680
Speaker 3: I just came off tour on the twenty first in November.

805
00:37:21,320 --> 00:37:25,920
Speaker 2: Okay, because I seen I've seen you in fifty I'm

806
00:37:25,960 --> 00:37:28,360
Speaker 2: like buff to be overseas something about.

807
00:37:28,160 --> 00:37:30,399
Speaker 5: Five months on the road. Fifth is still on the road.

808
00:37:30,400 --> 00:37:33,040
Speaker 5: He's rocking probably until like December twenty third. I think

809
00:37:33,080 --> 00:37:37,640
Speaker 5: he can India and Mumbai and Bakhrainge. My last show

810
00:37:37,719 --> 00:37:40,640
Speaker 5: was at the O two in London. It was our

811
00:37:40,680 --> 00:37:43,440
Speaker 5: third English show. We did two to two soulout shows

812
00:37:43,440 --> 00:37:47,320
Speaker 5: in one Wimbley Arena Wow July twenty first to November

813
00:37:47,360 --> 00:37:50,560
Speaker 5: twenty first. I Come Home on the twenty second. Twenty

814
00:37:50,560 --> 00:37:54,000
Speaker 5: third was Thanksgiving twenty fourth drop the album album release

815
00:37:54,080 --> 00:37:55,520
Speaker 5: party private location.

816
00:37:56,160 --> 00:37:58,120
Speaker 3: We never you never stopped, I ain't stopped.

817
00:37:58,120 --> 00:37:59,600
Speaker 4: Well, hold on, let let's get into a record. We're

818
00:37:59,600 --> 00:38:02,240
Speaker 4: gona come back with Busy now. This is the record

819
00:38:02,320 --> 00:38:05,160
Speaker 4: with your kids on it. What's the records called legacy Legacy?

820
00:38:05,160 --> 00:38:09,040
Speaker 5: Big up trillion my young Spidder, Big up my beautiful

821
00:38:09,120 --> 00:38:11,960
Speaker 5: daughter See, and big up my other beautiful daughter who

822
00:38:11,960 --> 00:38:13,920
Speaker 5: plays classical piano.

823
00:38:15,040 --> 00:38:15,360
Speaker 3: Rye.

824
00:38:15,440 --> 00:38:20,120
Speaker 5: And big up to Mars, and big up to all

825
00:38:20,160 --> 00:38:23,640
Speaker 5: of the other producers that assisted in the production with Mars.

826
00:38:23,680 --> 00:38:26,440
Speaker 5: And I just need y'all to enjoy that. This DNA

827
00:38:26,600 --> 00:38:29,440
Speaker 5: is very rare in this royalty blood line over here, y'all.

828
00:38:29,440 --> 00:38:31,359
Speaker 4: But let's get into it right now and make sure

829
00:38:31,440 --> 00:38:34,400
Speaker 4: you get Blockbuster, you download it, you buy it, you

830
00:38:34,480 --> 00:38:37,600
Speaker 4: stream it, you do what you need to do. Claudia

831
00:38:37,680 --> 00:38:39,359
Speaker 4: Jordan's here, our guess co host and let's get into

832
00:38:39,360 --> 00:38:41,040
Speaker 4: the record. It's the Breakfast Club. Good morning, what's the

833
00:38:41,080 --> 00:38:44,080
Speaker 4: record legacy? We are the Breakfast Club Buster Rhyms and

834
00:38:44,080 --> 00:38:46,320
Speaker 4: Claudia Jordan is our guest co host this morning.

835
00:38:46,440 --> 00:38:47,680
Speaker 2: That album is out right now.

836
00:38:48,760 --> 00:38:50,480
Speaker 7: I want to ask you, So, it seems like you're

837
00:38:50,520 --> 00:38:52,880
Speaker 7: really good at manifesting things and making things happen, like

838
00:38:52,920 --> 00:38:56,040
Speaker 7: you have just like you are speaking things into existence.

839
00:38:56,080 --> 00:38:58,040
Speaker 6: So how about here in the Breakfast Club, since this

840
00:38:58,120 --> 00:38:59,040
Speaker 6: is your first.

841
00:38:58,760 --> 00:39:01,600
Speaker 7: Time here, who is it that you have not worked

842
00:39:01,640 --> 00:39:03,960
Speaker 7: with or that you're like a dream collaboration if you

843
00:39:04,000 --> 00:39:05,759
Speaker 7: haven't done it already, is there someone out there that

844
00:39:05,800 --> 00:39:07,840
Speaker 7: you're like, look, this would be like it for me.

845
00:39:08,080 --> 00:39:10,719
Speaker 2: Whoever you work with, you didn't work with them, then everybody?

846
00:39:10,800 --> 00:39:12,279
Speaker 3: Yeah, I ain't work with Cole yet. I don't want

847
00:39:12,280 --> 00:39:14,560
Speaker 3: to work with Cold. I'm a huge fan of j Cole.

848
00:39:14,719 --> 00:39:16,200
Speaker 6: I'm sure he's listening right now, Jacob.

849
00:39:16,239 --> 00:39:18,920
Speaker 5: I'm a huge fan of j Cole. I'm a huge

850
00:39:18,920 --> 00:39:23,040
Speaker 5: fan of Jed. Jed is crazy. Is crazy too, big

851
00:39:23,040 --> 00:39:26,080
Speaker 5: shout the Jed. Huge fan of Drake, love to work

852
00:39:26,080 --> 00:39:30,359
Speaker 5: with Drake, huge fan of this is singer. I love

853
00:39:30,480 --> 00:39:33,040
Speaker 5: Friday's work. I love this a young lady. What's na

854
00:39:33,160 --> 00:39:39,120
Speaker 5: co Jones? Jones Jones's incredible. She's incredible to me. I'm

855
00:39:39,120 --> 00:39:41,960
Speaker 5: a huge fan of JR. Now money too. He got

856
00:39:41,960 --> 00:39:44,000
Speaker 5: a new artist out. I forget his name, but he

857
00:39:44,120 --> 00:39:45,319
Speaker 5: sounded like Marvin Gay.

858
00:39:45,880 --> 00:39:49,120
Speaker 6: That's October October, London.

859
00:39:49,200 --> 00:39:56,120
Speaker 5: Yeah, he sounds so crazy, so crazy, like dude is

860
00:39:56,280 --> 00:39:58,799
Speaker 5: I only heard the one song it cut deep.

861
00:39:59,120 --> 00:40:02,359
Speaker 6: Go to his page and just follow him. He is.

862
00:40:02,840 --> 00:40:05,680
Speaker 5: His brother is unbelievable. And you know who else too.

863
00:40:05,840 --> 00:40:11,399
Speaker 5: I can'tfront Toby and Wigway. He's incredible to me. Big

864
00:40:11,480 --> 00:40:14,680
Speaker 5: up to Toby Love dude. Oh by the way, let

865
00:40:14,719 --> 00:40:16,399
Speaker 5: me take a second and just big up my brother

866
00:40:16,480 --> 00:40:18,480
Speaker 5: bun Be. You know what I'm saying. The record that

867
00:40:18,520 --> 00:40:20,560
Speaker 5: beat we did on the album with the bad Block

868
00:40:20,600 --> 00:40:22,640
Speaker 5: bustled with the baby and t Pain. Big up to

869
00:40:22,719 --> 00:40:25,800
Speaker 5: bun Bee for clearing it. Rest in peace to Pimpcise,

870
00:40:25,960 --> 00:40:29,520
Speaker 5: Salute to zero. Big up g Z. You know what

871
00:40:29,520 --> 00:40:31,560
Speaker 5: I'm saying. I think Hove had something to do with

872
00:40:31,600 --> 00:40:35,200
Speaker 5: the song too. But and whoever the producer is big,

873
00:40:35,320 --> 00:40:37,719
Speaker 5: every last one of them up but bun Bee. You

874
00:40:37,719 --> 00:40:40,880
Speaker 5: know that's my That's that's who I interact with frequently.

875
00:40:41,680 --> 00:40:43,920
Speaker 5: And bun Bee. I just want to thank him for

876
00:40:43,960 --> 00:40:46,680
Speaker 5: blessing me with the clearance. I want to thank bun

877
00:40:46,719 --> 00:40:48,960
Speaker 5: Bee for the big up that he just gave recently

878
00:40:49,000 --> 00:40:51,759
Speaker 5: on the Twitter and just shot at us with how

879
00:40:51,840 --> 00:40:54,879
Speaker 5: proud he felt we we did with all three of us,

880
00:40:54,920 --> 00:40:57,520
Speaker 5: and he called it the trifecta with me and t

881
00:40:57,719 --> 00:40:59,759
Speaker 5: Pain and the Baby and big up the Baby and

882
00:40:59,760 --> 00:41:02,960
Speaker 5: big Pain and big up every damn body on my album,

883
00:41:03,000 --> 00:41:06,560
Speaker 5: Big of my kids, Quavo. I'm gonna get into the

884
00:41:06,560 --> 00:41:08,560
Speaker 5: whole shout out list after we finished running through some

885
00:41:08,680 --> 00:41:11,239
Speaker 5: Martise songs. But yeah, man, those is the names that

886
00:41:11,280 --> 00:41:13,840
Speaker 5: I'm feeling right now. I'm leaving out a couple, but

887
00:41:14,320 --> 00:41:16,200
Speaker 5: off the top those is that's where it's at.

888
00:41:16,480 --> 00:41:19,320
Speaker 2: And I had to ask, so, thank you so much, Claudia,

889
00:41:19,480 --> 00:41:20,440
Speaker 2: how did you decide?

890
00:41:20,480 --> 00:41:22,120
Speaker 4: You know, the one thing I would say about Bust

891
00:41:22,160 --> 00:41:26,120
Speaker 4: is you always had your your hold on the legacy

892
00:41:26,160 --> 00:41:28,799
Speaker 4: og artists and also the younger artists, right, So you know,

893
00:41:28,880 --> 00:41:29,920
Speaker 4: back then you would do a.

894
00:41:29,920 --> 00:41:31,960
Speaker 2: Record with Slick rec O Rockham, but then you do

895
00:41:31,960 --> 00:41:34,759
Speaker 2: a record with Coiler Ray and the Babystely, So what

896
00:41:34,800 --> 00:41:35,640
Speaker 2: made you want to do the.

897
00:41:35,600 --> 00:41:39,040
Speaker 4: Records with those individuals like a Coiler Ray artist with

898
00:41:39,040 --> 00:41:41,799
Speaker 4: the video The Luxury Life, which is a redone of

899
00:41:42,360 --> 00:41:43,160
Speaker 4: Foxy and Hole.

900
00:41:43,320 --> 00:41:44,080
Speaker 3: Absolutely.

901
00:41:44,440 --> 00:41:46,440
Speaker 5: First of all, I'm gonna always give it up to

902
00:41:46,480 --> 00:41:50,799
Speaker 5: the to the to the timeless greatness art and contribution

903
00:41:50,920 --> 00:41:54,840
Speaker 5: that pushed the culture forward, and it also evolved the

904
00:41:54,840 --> 00:41:56,960
Speaker 5: culture because when the records was happening, when we was

905
00:41:57,000 --> 00:42:00,360
Speaker 5: doing it, you already know that ninety six to like

906
00:42:00,440 --> 00:42:03,680
Speaker 5: two thousand and one probably the most lucrative time in

907
00:42:03,760 --> 00:42:07,520
Speaker 5: hip hop period. So big up the whole, big up

908
00:42:07,560 --> 00:42:10,839
Speaker 5: the Foxy on Clarinet, and as far as the new

909
00:42:10,920 --> 00:42:15,240
Speaker 5: artists with the Coiler Rays and the Beers, the Baby

910
00:42:15,800 --> 00:42:22,520
Speaker 5: Quavo and Moray and Young Doug and Gigs and Young

911
00:42:22,600 --> 00:42:24,799
Speaker 5: Blue and Blash and all of these new artists. For

912
00:42:24,880 --> 00:42:31,440
Speaker 5: me on this album and particularly, I just felt like

913
00:42:32,960 --> 00:42:37,839
Speaker 5: I needed to speak to both generations real quick. When

914
00:42:37,840 --> 00:42:41,000
Speaker 5: I said what I said that the BT Awards, I

915
00:42:41,040 --> 00:42:43,120
Speaker 5: was trying to speak to both generations. I wanted the

916
00:42:43,200 --> 00:42:46,759
Speaker 5: young generations to know that we love them, we support them,

917
00:42:46,760 --> 00:42:49,160
Speaker 5: we admire what you're doing, and I'm not going to

918
00:42:49,239 --> 00:42:55,640
Speaker 5: really do this entertaining of this this little bugged out propaganda,

919
00:42:55,680 --> 00:42:59,280
Speaker 5: and that's this little narrative of you know, the elder

920
00:42:59,320 --> 00:43:02,520
Speaker 5: stationman and the Jesus don't respect it. As far as

921
00:43:02,560 --> 00:43:03,960
Speaker 5: what y'all are doing is concerned.

922
00:43:03,960 --> 00:43:04,239
Speaker 3: We do.

923
00:43:05,480 --> 00:43:07,040
Speaker 5: And there's a lot of us that like it, a

924
00:43:07,040 --> 00:43:08,440
Speaker 5: lot of us that love it, a lot of us

925
00:43:08,440 --> 00:43:10,160
Speaker 5: as fans of it. And I'm gonna speak for me

926
00:43:11,080 --> 00:43:13,480
Speaker 5: because I come from a group with a legacy and

927
00:43:13,520 --> 00:43:15,239
Speaker 5: a name that we had to fight to earn, and

928
00:43:15,280 --> 00:43:17,320
Speaker 5: what's called Leaders of the New School. I'm always gonna

929
00:43:17,360 --> 00:43:20,359
Speaker 5: do that. And I think culturally even deeper than the name,

930
00:43:20,400 --> 00:43:22,800
Speaker 5: which is why the name was something that was greater

931
00:43:22,880 --> 00:43:25,480
Speaker 5: than the name. For us, it was an attribute, was

932
00:43:26,080 --> 00:43:30,480
Speaker 5: we wanted to live this name. When you live it,

933
00:43:28,960 --> 00:43:33,960
Speaker 5: it's an attribute because it's attributed to the way you

934
00:43:34,719 --> 00:43:38,360
Speaker 5: actually carry your action out. So for me, Leaders of

935
00:43:38,400 --> 00:43:41,759
Speaker 5: the New School from a cultural standpoint, came from and

936
00:43:41,880 --> 00:43:45,759
Speaker 5: our community as Black children in the soul called urban community.

937
00:43:46,360 --> 00:43:48,839
Speaker 5: We want to always pull up as the ones that

938
00:43:48,920 --> 00:43:52,880
Speaker 5: discovered the new thing first, whether it's the new peer sneakers,

939
00:43:53,160 --> 00:43:56,240
Speaker 5: whether it was the new denim suit from Levi's, whether

940
00:43:56,320 --> 00:44:03,440
Speaker 5: it was the new bad from col crushing for some seas,

941
00:44:03,920 --> 00:44:08,439
Speaker 5: Kumu d and Busy b or the new, whip everything new.

942
00:44:08,800 --> 00:44:12,239
Speaker 5: We love culturally to be the one to stunt and

943
00:44:12,360 --> 00:44:15,880
Speaker 5: show off and say we're putting everybody else onto something.

944
00:44:17,120 --> 00:44:17,879
Speaker 2: That means you.

945
00:44:17,880 --> 00:44:21,840
Speaker 5: Are about leading the new from a cultural place. This

946
00:44:21,960 --> 00:44:24,520
Speaker 5: is the way we live. Culture is a way of life.

947
00:44:24,880 --> 00:44:28,759
Speaker 5: So ultimately, if I'm going to be this person from

948
00:44:28,800 --> 00:44:32,000
Speaker 5: when I started and this is all I know culturally,

949
00:44:32,880 --> 00:44:35,480
Speaker 5: this ain't a style thing. This is a way of

950
00:44:35,520 --> 00:44:39,319
Speaker 5: life thing. I like leading the new. I was also

951
00:44:39,480 --> 00:44:41,760
Speaker 5: taught and raised to believe that you can't put.

952
00:44:41,600 --> 00:44:43,600
Speaker 2: A timeline on greatness.

953
00:44:43,920 --> 00:44:46,480
Speaker 5: So at the end of the day, you're not gonna

954
00:44:46,480 --> 00:44:49,400
Speaker 5: tell me because of my age or because of my

955
00:44:49,520 --> 00:44:52,440
Speaker 5: legacy and the time that I put into this professionally

956
00:44:52,800 --> 00:44:55,840
Speaker 5: that I'm not gonna be in tune because make a

957
00:44:55,880 --> 00:44:58,560
Speaker 5: conscious effort with keeping my finger on the pulse. You

958
00:44:58,600 --> 00:45:01,319
Speaker 5: feel what I'm saying in the street every night? For real,

959
00:45:01,920 --> 00:45:04,000
Speaker 5: I'm gonna call a DJL, for real. I'm gonna send

960
00:45:04,040 --> 00:45:05,759
Speaker 5: you my record myself, for real?

961
00:45:06,080 --> 00:45:07,799
Speaker 2: Do you think that's a lost art phone? We're talking

962
00:45:07,800 --> 00:45:08,640
Speaker 2: to Buster rooms see here.

963
00:45:08,640 --> 00:45:10,880
Speaker 4: And the reason I say that is, like I was

964
00:45:10,920 --> 00:45:15,040
Speaker 4: saying to you earlier, Buster, there is no more of.

965
00:45:15,440 --> 00:45:17,080
Speaker 2: Well, i'll have my label people call.

966
00:45:17,200 --> 00:45:17,319
Speaker 3: Right.

967
00:45:17,360 --> 00:45:19,640
Speaker 4: When I was a small DJ and I only had

968
00:45:19,680 --> 00:45:22,759
Speaker 4: one hour a show, one hour a week, Buster would

969
00:45:22,800 --> 00:45:27,080
Speaker 4: call that one a record. I'm pulling your cell phone.

970
00:45:27,920 --> 00:45:30,080
Speaker 4: Buster would would come pull up to the club. And

971
00:45:30,160 --> 00:45:32,880
Speaker 4: Buster still does that. Most of these artists don't do

972
00:45:32,960 --> 00:45:35,680
Speaker 4: that no more. Maybe they don't respect the DJ as

973
00:45:35,760 --> 00:45:37,080
Speaker 4: much and they don't respect radio.

974
00:45:37,320 --> 00:45:39,200
Speaker 2: What makes you still have the grind to do it?

975
00:45:39,280 --> 00:45:42,800
Speaker 4: You don't have to, you're financially secure, you're great, but

976
00:45:42,960 --> 00:45:45,840
Speaker 4: you still do the things that a new artist would do.

977
00:45:46,000 --> 00:45:46,160
Speaker 3: Why?

978
00:45:46,640 --> 00:45:49,560
Speaker 5: I love it too much? I care about it too much.

979
00:45:49,920 --> 00:45:53,000
Speaker 5: And I was also taught being five percent. You ain't

980
00:45:53,080 --> 00:45:54,680
Speaker 5: shit on a way to bring you food. You are

981
00:45:54,719 --> 00:45:56,719
Speaker 5: superstore the blessing and the gift and gave you the

982
00:45:56,800 --> 00:45:59,920
Speaker 5: ability to have a life that exists in real time

983
00:46:00,160 --> 00:46:02,120
Speaker 5: the space for you to go get it yourself right.

984
00:46:02,520 --> 00:46:05,200
Speaker 5: That's the blessing in itself. What you've been gifted with

985
00:46:05,360 --> 00:46:07,680
Speaker 5: to exist and have and be able to be acknowledged

986
00:46:07,719 --> 00:46:10,520
Speaker 5: for just existing is the gift itself.

987
00:46:10,920 --> 00:46:12,400
Speaker 7: What would you say to this one that has a

988
00:46:12,520 --> 00:46:15,840
Speaker 7: talent that has like everything about him that could be

989
00:46:15,880 --> 00:46:17,160
Speaker 7: a star, but they don't have that grind.

990
00:46:17,200 --> 00:46:18,759
Speaker 6: What would you say to them because you are here

991
00:46:19,239 --> 00:46:23,239
Speaker 6: at five, you was on time, you was on you.

992
00:46:24,400 --> 00:46:26,040
Speaker 4: Well, let's let's answer that question when we come back.

993
00:46:26,080 --> 00:46:28,200
Speaker 4: Let's pay another joint of the album and what you

994
00:46:28,239 --> 00:46:30,040
Speaker 4: want to hear right now? That's his statement, the first

995
00:46:30,160 --> 00:46:33,160
Speaker 4: join of the album, the statement. Getting the statement right now,

996
00:46:34,040 --> 00:46:36,319
Speaker 4: that's let's get into it. It's the breakfast club. Buster

997
00:46:36,440 --> 00:46:38,600
Speaker 4: Rhymes is here, our guest co host, so is Claudia Jordan's.

998
00:46:40,080 --> 00:46:43,239
Speaker 4: It was Buster Rhymes. Of course it's called statement. Yes,

999
00:46:43,520 --> 00:46:46,160
Speaker 4: the album Blockbuster is out right now. He's our guest

1000
00:46:46,239 --> 00:46:48,600
Speaker 4: co hosts. Him and Claudia Jordan are here now. Clauda,

1001
00:46:48,640 --> 00:46:50,399
Speaker 4: you asked him a question right before we got into

1002
00:46:50,440 --> 00:46:50,799
Speaker 4: this joint.

1003
00:46:50,920 --> 00:46:53,600
Speaker 7: Yeah, you know, just the disconist between the old school

1004
00:46:53,640 --> 00:46:57,120
Speaker 7: and the new generation and you speaking, so you're leading

1005
00:46:57,320 --> 00:46:59,920
Speaker 7: by example, leading the new school. You spoke that to

1006
00:47:00,120 --> 00:47:02,759
Speaker 7: existence like thirty years ago, and here you are doing that.

1007
00:47:02,880 --> 00:47:04,480
Speaker 7: So I want you to just if you could just

1008
00:47:04,560 --> 00:47:06,640
Speaker 7: speak to an artist out there right now that has

1009
00:47:06,680 --> 00:47:08,840
Speaker 7: the talent but may not have the drive, or a

1010
00:47:08,920 --> 00:47:11,839
Speaker 7: lot of people get like really gassed from Instagram followers, right,

1011
00:47:12,200 --> 00:47:14,440
Speaker 7: but that doesn't translate to success. What would you say

1012
00:47:14,480 --> 00:47:16,799
Speaker 7: to people that have the talent, because, like I said,

1013
00:47:16,840 --> 00:47:18,360
Speaker 7: you got here, you put in the work and you

1014
00:47:18,440 --> 00:47:21,440
Speaker 7: don't have to, but you still do work ethic? What

1015
00:47:21,520 --> 00:47:23,960
Speaker 7: could you say to the young up and coming artists

1016
00:47:23,960 --> 00:47:25,040
Speaker 7: out there about work ethic?

1017
00:47:25,280 --> 00:47:27,400
Speaker 5: Thanks for that question, Quin, because I think this is

1018
00:47:27,560 --> 00:47:29,840
Speaker 5: one of them questions that is going to allow me

1019
00:47:29,920 --> 00:47:32,480
Speaker 5: to say something that I've been longing to say. There

1020
00:47:32,560 --> 00:47:34,400
Speaker 5: was a lot of answers that I wanted when I

1021
00:47:34,600 --> 00:47:37,560
Speaker 5: was trying to get myself together in the earliest stage

1022
00:47:37,600 --> 00:47:39,759
Speaker 5: in my career, and I was blessed enough to have

1023
00:47:40,280 --> 00:47:42,759
Speaker 5: a Chuck d that gave me my name, a big

1024
00:47:42,840 --> 00:47:44,560
Speaker 5: Daddy Kane that would allow me to come to his

1025
00:47:44,719 --> 00:47:47,799
Speaker 5: crib and a Jamaica estates and his multi million dollar

1026
00:47:47,920 --> 00:47:50,920
Speaker 5: home when he had the purple burgundy bands with the

1027
00:47:51,080 --> 00:47:55,839
Speaker 5: gold AMG Deep dish Rams right, not AMG Deep dish Rims.

1028
00:47:56,080 --> 00:47:58,480
Speaker 3: It was Hammer Deep dish Rims. I don't remember the band.

1029
00:47:58,960 --> 00:47:59,840
Speaker 3: It was Hammer Joints.

1030
00:48:00,200 --> 00:48:04,120
Speaker 5: And Box was his manager and he used to let

1031
00:48:04,160 --> 00:48:05,719
Speaker 5: me come there and sit down and just watch the

1032
00:48:05,800 --> 00:48:08,759
Speaker 5: TV and ask questions and you know, see, you know,

1033
00:48:09,200 --> 00:48:12,600
Speaker 5: chicks pull up and who would cook in the kitchen

1034
00:48:12,680 --> 00:48:16,000
Speaker 5: and parish for me PMD Eric Shermon. They would let

1035
00:48:16,040 --> 00:48:17,960
Speaker 5: me come to their crib and this is when they

1036
00:48:18,040 --> 00:48:21,400
Speaker 5: was like on a second or third group album. And

1037
00:48:22,000 --> 00:48:25,759
Speaker 5: I bought my first whip in like ninety three. It

1038
00:48:25,880 --> 00:48:28,719
Speaker 5: was a Forerunner that I bought in Queensbridge a secondhand

1039
00:48:29,239 --> 00:48:32,600
Speaker 5: car lot and I bought this car. I drive out

1040
00:48:32,600 --> 00:48:34,759
Speaker 5: there and Paris had a bunch of real estate. He

1041
00:48:34,800 --> 00:48:39,319
Speaker 5: had property all over Long Island. He had Schumer Management EPMD,

1042
00:48:39,480 --> 00:48:41,880
Speaker 5: and it was the first dudes that I was actually

1043
00:48:41,960 --> 00:48:46,360
Speaker 5: seeing do things outside of just being artists. The diversifying

1044
00:48:46,440 --> 00:48:49,160
Speaker 5: of the portfolio was like the first time that I

1045
00:48:49,280 --> 00:48:52,040
Speaker 5: was seeing this. So I was asking questions and I

1046
00:48:52,160 --> 00:48:55,840
Speaker 5: was getting the answers from the elder statesman. To me,

1047
00:48:56,320 --> 00:48:58,120
Speaker 5: I was the young and I was the new dude,

1048
00:48:58,400 --> 00:49:02,280
Speaker 5: and they felt good about that with me. I understood

1049
00:49:02,280 --> 00:49:04,800
Speaker 5: at that point them dudes was walking in a purpose

1050
00:49:05,160 --> 00:49:06,960
Speaker 5: and I know that as much as I needed it,

1051
00:49:07,040 --> 00:49:09,560
Speaker 5: and it helped me. One thing I think Denzel said

1052
00:49:09,600 --> 00:49:11,160
Speaker 5: on the ground one day that I saw on the post.

1053
00:49:11,200 --> 00:49:12,920
Speaker 5: He was like, you can't go to your grave with

1054
00:49:13,040 --> 00:49:15,320
Speaker 5: the U haul Trump, So everything that you got you

1055
00:49:15,400 --> 00:49:17,640
Speaker 5: can't take it with you, I'm gonna give it away

1056
00:49:17,800 --> 00:49:20,000
Speaker 5: because I ain't got no choice. I'm in such a

1057
00:49:20,080 --> 00:49:21,920
Speaker 5: blessed place in my life. I don't need you to

1058
00:49:21,960 --> 00:49:24,680
Speaker 5: give me back nothing other than the reciprocal love that

1059
00:49:24,760 --> 00:49:27,320
Speaker 5: I've given you. Just give me the same respect. But

1060
00:49:27,680 --> 00:49:29,920
Speaker 5: more importantly, the thing that I'm gonna need for you

1061
00:49:30,040 --> 00:49:32,920
Speaker 5: to give me is that, if you are new artist,

1062
00:49:32,960 --> 00:49:34,840
Speaker 5: that I'm gonna make the time to sit with, build

1063
00:49:34,880 --> 00:49:38,080
Speaker 5: with and walk in my purpose and share the information

1064
00:49:38,239 --> 00:49:41,280
Speaker 5: and give you the keys and give you the answers

1065
00:49:41,320 --> 00:49:43,600
Speaker 5: to the deep Sea scroll and when you open a

1066
00:49:43,719 --> 00:49:46,520
Speaker 5: Pandora box. I got the answer with on one inside

1067
00:49:46,520 --> 00:49:49,040
Speaker 5: of the Pandora box. Fiel asked, So, the only thing

1068
00:49:49,080 --> 00:49:51,080
Speaker 5: you can do for me is be successful and showing

1069
00:49:51,120 --> 00:49:53,319
Speaker 5: me how much you're gonna apply to information I'm giving

1070
00:49:53,360 --> 00:49:56,560
Speaker 5: you and secure to win and make what I'm giving

1071
00:49:56,600 --> 00:49:59,440
Speaker 5: you yours and evolving into something else and give it

1072
00:49:59,520 --> 00:50:00,319
Speaker 5: to somebody else.

1073
00:50:01,200 --> 00:50:01,719
Speaker 3: I don't want to.

1074
00:50:02,080 --> 00:50:04,359
Speaker 5: I ain't even interested in signing on artists. I don't

1075
00:50:04,360 --> 00:50:06,520
Speaker 5: even want that. I don't want to deal with none

1076
00:50:06,560 --> 00:50:06,680
Speaker 5: of that.

1077
00:50:06,840 --> 00:50:08,759
Speaker 3: I want. I just want to empower people at this

1078
00:50:08,840 --> 00:50:11,160
Speaker 3: point in my life. Be your own boss.

1079
00:50:11,960 --> 00:50:13,600
Speaker 5: I don't want to take a piece of your their

1080
00:50:13,640 --> 00:50:16,440
Speaker 5: set or piece of your that you shine, but pull

1081
00:50:16,520 --> 00:50:18,040
Speaker 5: up through on let me give you this thing, because

1082
00:50:18,080 --> 00:50:20,640
Speaker 5: this thing that I'm gonna give you it actually should

1083
00:50:20,680 --> 00:50:22,279
Speaker 5: come with an invoice. You need to pay me for

1084
00:50:22,400 --> 00:50:26,239
Speaker 5: this information. And I don't want nothing from you but

1085
00:50:26,400 --> 00:50:27,960
Speaker 5: to see you secure the win.

1086
00:50:28,640 --> 00:50:30,400
Speaker 4: But to see but the problem with that Buster we're

1087
00:50:30,400 --> 00:50:32,680
Speaker 4: talking to Buster Romsey s here. The album is out, Blockbuster.

1088
00:50:33,200 --> 00:50:35,520
Speaker 4: There's a lot of people say they're a boss, but

1089
00:50:35,680 --> 00:50:38,360
Speaker 4: they don't know how to be a boss. Absolutely right,

1090
00:50:38,560 --> 00:50:40,600
Speaker 4: cool to be, like, I'm a boss. Cool to be

1091
00:50:40,760 --> 00:50:42,839
Speaker 4: and but you have to learn. You have to learn

1092
00:50:42,920 --> 00:50:45,799
Speaker 4: what that means. And a lot of people they need

1093
00:50:45,920 --> 00:50:48,040
Speaker 4: to sign to somebody because they need somebody to show

1094
00:50:48,080 --> 00:50:50,200
Speaker 4: them the way. Absolutely a lot of people can't do that.

1095
00:50:50,239 --> 00:50:51,799
Speaker 4: And a lot and I think with this day and age,

1096
00:50:51,800 --> 00:50:54,200
Speaker 4: people I'm a boss, but people feel like they don't

1097
00:50:54,200 --> 00:50:56,319
Speaker 4: want to work for somebody. They don't want to put

1098
00:50:56,320 --> 00:50:58,040
Speaker 4: the grind in, they don't want to sign to somebody,

1099
00:50:58,080 --> 00:50:58,800
Speaker 4: they don't want to do it.

1100
00:50:58,880 --> 00:51:00,640
Speaker 2: But we've all been to a places where we have

1101
00:51:00,760 --> 00:51:01,239
Speaker 2: too long.

1102
00:51:02,000 --> 00:51:03,880
Speaker 7: I think social media made a lot of people arrogant

1103
00:51:03,920 --> 00:51:10,359
Speaker 7: that that have not done the work, like really a post.

1104
00:51:10,400 --> 00:51:13,480
Speaker 5: One trillion percent to what you're saying, one trillion percent

1105
00:51:13,600 --> 00:51:15,759
Speaker 5: to what you're saying, envy. Reason why I don't want

1106
00:51:15,800 --> 00:51:18,560
Speaker 5: to sign no artists right now is because I don't

1107
00:51:18,600 --> 00:51:21,640
Speaker 5: respect unappreciative artists. When you sign them and help them

1108
00:51:21,719 --> 00:51:25,400
Speaker 5: blossom and blow and develop and evolve and grow and

1109
00:51:25,480 --> 00:51:28,160
Speaker 5: become great, and then they act like you ain't had

1110
00:51:28,200 --> 00:51:30,480
Speaker 5: nothing to do with it, I get out the way.

1111
00:51:30,560 --> 00:51:32,960
Speaker 5: Show me you could do it on your own. But see,

1112
00:51:33,000 --> 00:51:35,879
Speaker 5: if I'm not signed to you, the obligation ain't the same.

1113
00:51:36,320 --> 00:51:39,280
Speaker 5: When I'm giving you now, I don't owe you nothing

1114
00:51:39,360 --> 00:51:42,160
Speaker 5: after that. Take what I'm giving you and know that

1115
00:51:42,280 --> 00:51:44,759
Speaker 5: there's so priceless. At the end of the day, you

1116
00:51:45,080 --> 00:51:49,320
Speaker 5: actually owe me by getting this information and using it

1117
00:51:49,400 --> 00:51:52,080
Speaker 5: and being successful with what I'm giving you. And that's

1118
00:51:52,120 --> 00:51:54,680
Speaker 5: the only way you can reward me. And if I

1119
00:51:54,840 --> 00:51:57,480
Speaker 5: keep it on that place, I don't got to chase

1120
00:51:57,520 --> 00:51:59,680
Speaker 5: you for the bag. I don't got to chase you

1121
00:51:59,719 --> 00:52:02,759
Speaker 5: for the the money you owe me. I don't gotta

1122
00:52:02,920 --> 00:52:06,920
Speaker 5: have accountants order ordered nothing. I don't gotta have lawyers

1123
00:52:07,480 --> 00:52:10,440
Speaker 5: block clearances or block this or block that, because now

1124
00:52:10,520 --> 00:52:14,040
Speaker 5: that's gonna change the dynamic of the respective relationship and

1125
00:52:15,000 --> 00:52:18,560
Speaker 5: the willingness to just listen to each other. I live

1126
00:52:18,640 --> 00:52:21,439
Speaker 5: through this experience. I'm gonna tell you the best part

1127
00:52:21,480 --> 00:52:25,320
Speaker 5: about my happiness right now is making those hard decisions

1128
00:52:25,680 --> 00:52:29,440
Speaker 5: to remove everything that was blocking my blessing.

1129
00:52:30,360 --> 00:52:30,560
Speaker 3: Yep.

1130
00:52:30,880 --> 00:52:35,200
Speaker 7: Have you always had this perspective? Or because you came

1131
00:52:35,280 --> 00:52:38,440
Speaker 7: in here giving flowers to everyone? You started off your

1132
00:52:39,440 --> 00:52:42,560
Speaker 7: time here giving flowers an envy? You just spread the

1133
00:52:42,640 --> 00:52:46,200
Speaker 7: love to everyone here, right, And it's a very mature perspective.

1134
00:52:47,400 --> 00:52:48,200
Speaker 6: Did that how long?

1135
00:52:48,320 --> 00:52:48,360
Speaker 10: Like?

1136
00:52:48,560 --> 00:52:51,600
Speaker 6: When did this happen? Was this recent? Were you always

1137
00:52:51,640 --> 00:52:51,800
Speaker 6: like this?

1138
00:52:52,280 --> 00:52:52,440
Speaker 18: Nah?

1139
00:52:52,880 --> 00:52:53,239
Speaker 3: I never.

1140
00:52:53,440 --> 00:52:57,680
Speaker 5: I didn't always have the perspective of understanding how to

1141
00:52:58,280 --> 00:53:03,279
Speaker 5: become this happy. I've always had the perspective of being

1142
00:53:03,320 --> 00:53:05,960
Speaker 5: a flower giver and a giver of love. I love

1143
00:53:06,080 --> 00:53:10,120
Speaker 5: to give love. I love to acknowledge people for their greatness.

1144
00:53:10,320 --> 00:53:15,200
Speaker 5: I'm super comfortable in my space. I don't compete until

1145
00:53:15,400 --> 00:53:19,520
Speaker 5: it's time to respectfully compete. And I'm not a disrespectful

1146
00:53:19,600 --> 00:53:23,000
Speaker 5: competitor because I don't disrespect people. You don't know me

1147
00:53:23,080 --> 00:53:25,759
Speaker 5: for having beef with nobody in the industry. I'm not

1148
00:53:25,920 --> 00:53:28,799
Speaker 5: known for ditional artists on no record. I'm not known

1149
00:53:28,840 --> 00:53:31,600
Speaker 5: forgetting this by artists on no record, because I make

1150
00:53:31,680 --> 00:53:35,880
Speaker 5: sure that the relationship as men and as humans like

1151
00:53:36,000 --> 00:53:39,120
Speaker 5: we're not gonna compromise the integrity and the moral compass

1152
00:53:39,680 --> 00:53:42,640
Speaker 5: and code of ethics and principles. Were not gonna do

1153
00:53:42,760 --> 00:53:46,000
Speaker 5: that because dude just just misconstrued and living these lives,

1154
00:53:46,040 --> 00:53:48,759
Speaker 5: which is these alter egos and personage we got walking

1155
00:53:48,800 --> 00:53:51,960
Speaker 5: around there on some superstar business like No because see,

1156
00:53:52,000 --> 00:53:55,240
Speaker 5: I'm not calling your phone. I'm not getting on social

1157
00:53:55,320 --> 00:53:57,600
Speaker 5: media to diss you. If you somebody that mean you

1158
00:53:57,680 --> 00:54:01,000
Speaker 5: got a difference or an issue, or I'm gonna call

1159
00:54:01,040 --> 00:54:01,520
Speaker 5: your phone.

1160
00:54:01,600 --> 00:54:03,040
Speaker 2: I was gonna say that, I was gonna say Busters

1161
00:54:03,040 --> 00:54:05,640
Speaker 2: had beef before. But if you ever see Buster, he

1162
00:54:05,680 --> 00:54:06,400
Speaker 2: will pull up on you.

1163
00:54:06,480 --> 00:54:07,440
Speaker 3: Yeah, I'm gonna come.

1164
00:54:07,440 --> 00:54:08,960
Speaker 4: See, it doesn't matter if you're in the club, if

1165
00:54:09,000 --> 00:54:10,800
Speaker 4: you're in a restaurant, if you out, he wants to

1166
00:54:10,800 --> 00:54:12,239
Speaker 4: pull up and he's gonna have a conversation. We need

1167
00:54:12,320 --> 00:54:14,160
Speaker 4: to get back to those days. I respect that, and

1168
00:54:14,400 --> 00:54:18,160
Speaker 4: Buster will have a conversation until it's finished. I'm serious.

1169
00:54:18,400 --> 00:54:20,360
Speaker 4: Buster could walk in the club at two thirty and

1170
00:54:20,440 --> 00:54:21,040
Speaker 4: it's not finished.

1171
00:54:21,040 --> 00:54:21,600
Speaker 11: To five.

1172
00:54:23,400 --> 00:54:24,080
Speaker 2: When y'all finished.

1173
00:54:24,080 --> 00:54:26,560
Speaker 4: You're either gonna hug or you're gonna shake hands and

1174
00:54:26,600 --> 00:54:28,320
Speaker 4: walk the other way. That is, I've seen it a

1175
00:54:28,440 --> 00:54:30,759
Speaker 4: zillion one time and I always respect it. But let's

1176
00:54:30,800 --> 00:54:32,560
Speaker 4: let's get into another record off the album. Let's do

1177
00:54:32,600 --> 00:54:33,440
Speaker 4: it what you wanna get into.

1178
00:54:33,600 --> 00:54:38,000
Speaker 3: Let's get into the me and let's touch this Me and.

1179
00:54:38,840 --> 00:54:41,200
Speaker 5: Young Blue and Blash record. And I got a big

1180
00:54:41,320 --> 00:54:45,360
Speaker 5: up my man, Miguel, I got a big up Miguel Crazy.

1181
00:54:45,400 --> 00:54:46,960
Speaker 5: I got a big up salam I got a big

1182
00:54:47,040 --> 00:54:51,480
Speaker 5: up J Cole, and I got a big up Osmocous

1183
00:54:51,600 --> 00:54:53,400
Speaker 5: architect who produced the joint.

1184
00:54:53,840 --> 00:54:56,920
Speaker 3: And let's just continue to just feed the streets the

1185
00:54:57,120 --> 00:54:58,040
Speaker 3: full course meal.

1186
00:54:58,560 --> 00:55:00,320
Speaker 5: This joint right here is called cut It Do You

1187
00:55:00,520 --> 00:55:04,240
Speaker 5: Bust Rhymes the Dragon feature in Young Blue and Blash.

1188
00:55:04,760 --> 00:55:08,040
Speaker 4: Let's go, let's go Blockbusters out right now. Buster's coster

1189
00:55:08,080 --> 00:55:10,560
Speaker 4: Claudia Jordan, download stream, pick it up.

1190
00:55:10,560 --> 00:55:11,520
Speaker 2: We here, it's the Breakfast Club.

1191
00:55:11,560 --> 00:55:14,799
Speaker 4: Good morning, Owning everybody. It's DJ MV Charlamagne the God.

1192
00:55:14,880 --> 00:55:16,960
Speaker 4: We are the Breakfast Club. We got our guest co host,

1193
00:55:17,000 --> 00:55:17,760
Speaker 4: Buster Rhymes.

1194
00:55:17,800 --> 00:55:18,200
Speaker 2: He's here.

1195
00:55:18,880 --> 00:55:21,840
Speaker 4: Album Blockbuster is out right now. Claudia Jordan's also our

1196
00:55:21,880 --> 00:55:24,799
Speaker 4: guest co host. Yes, now, uh, this is what we're

1197
00:55:24,840 --> 00:55:29,120
Speaker 4: gonna do for you Buster Rhyme fans out there. Buster

1198
00:55:29,280 --> 00:55:31,560
Speaker 4: has a particular voice that I think we know from

1199
00:55:31,600 --> 00:55:34,560
Speaker 4: anywhere you hear Buster's voice, you know it right, So

1200
00:55:34,680 --> 00:55:36,960
Speaker 4: we want you to call right now eight hundred five

1201
00:55:37,040 --> 00:55:40,440
Speaker 4: eight five one oh five to one. You do your

1202
00:55:40,520 --> 00:55:43,799
Speaker 4: best Buster Rhymes impersonation. Let me clear the phone lines

1203
00:55:43,840 --> 00:55:45,560
Speaker 4: right now. I'm gonna clear the phone lines right now.

1204
00:55:45,600 --> 00:55:49,440
Speaker 4: I'm clear the phone lines. Your best Buster Rhymes impersonation,

1205
00:55:50,160 --> 00:55:52,279
Speaker 4: and we'll make sure we get an autograph CD out

1206
00:55:52,360 --> 00:55:52,560
Speaker 4: to you.

1207
00:55:52,920 --> 00:55:56,040
Speaker 2: Yeah, all right now, now you might have to rap.

1208
00:55:56,480 --> 00:55:59,000
Speaker 4: Yeah, I mean if and if whoever does the Chris

1209
00:55:59,080 --> 00:56:01,200
Speaker 4: Brown joint with him, Chris Brown, if you do that,

1210
00:56:01,280 --> 00:56:02,880
Speaker 4: when I'm you get a whole bunch of stuff from

1211
00:56:02,880 --> 00:56:03,399
Speaker 4: Breakfast Club.

1212
00:56:03,440 --> 00:56:06,000
Speaker 2: That's a fact. Eight hundred and five eight five, one

1213
00:56:06,040 --> 00:56:06,560
Speaker 2: oh five one.

1214
00:56:06,600 --> 00:56:09,080
Speaker 4: Before we get to take these calls, you were talking

1215
00:56:09,160 --> 00:56:11,279
Speaker 4: behind the scenes, your legendary soaw and put your hands

1216
00:56:11,280 --> 00:56:13,440
Speaker 4: with my eyes can see yes on that record, you

1217
00:56:13,520 --> 00:56:16,840
Speaker 4: weren't you weren't screaming, and you said Diddy was actually

1218
00:56:16,880 --> 00:56:18,279
Speaker 4: the one that told you you didn't have to.

1219
00:56:18,440 --> 00:56:20,880
Speaker 5: Did he was definitely the one that that made me

1220
00:56:22,080 --> 00:56:25,600
Speaker 5: approach that record from a whole nother perspective. He specifically

1221
00:56:25,680 --> 00:56:28,200
Speaker 5: had a conversation with me when I got the beat,

1222
00:56:31,200 --> 00:56:33,960
Speaker 5: a gentleman by the name of Gerald Oldham. We called

1223
00:56:34,040 --> 00:56:38,000
Speaker 5: them fab at the time, and it wasn't short for

1224
00:56:38,120 --> 00:56:41,160
Speaker 5: fab as in fabulous. It was short for fab as

1225
00:56:41,200 --> 00:56:43,640
Speaker 5: in fab breas. He thought that that was the cooler

1226
00:56:43,760 --> 00:56:48,080
Speaker 5: name than his name being Gerald. Okay, okay, fab breas

1227
00:56:49,200 --> 00:56:54,200
Speaker 5: fabreas so so fab was my road manager at the time.

1228
00:56:54,880 --> 00:56:58,600
Speaker 5: He was staying with Shamello and Buddha, who's the producers

1229
00:56:58,640 --> 00:57:02,399
Speaker 5: of the beat Rest in Peace. Shammello brought the beat

1230
00:57:02,440 --> 00:57:05,480
Speaker 5: to the studio and the beat was so crazy to

1231
00:57:05,600 --> 00:57:08,800
Speaker 5: me that I wanted to play it for you know,

1232
00:57:08,960 --> 00:57:12,120
Speaker 5: my pears that I knew was responsible for making a

1233
00:57:12,160 --> 00:57:14,080
Speaker 5: lot of hit records, just to get their opinion. And

1234
00:57:14,600 --> 00:57:17,720
Speaker 5: Puffy was the most successful because he was in New

1235
00:57:17,800 --> 00:57:20,680
Speaker 5: York with me, super pop and super successful, got all

1236
00:57:20,720 --> 00:57:23,160
Speaker 5: these artists that he broke. So I pulled up on

1237
00:57:23,240 --> 00:57:26,640
Speaker 5: them one day at Daddy's house studio and I played

1238
00:57:26,680 --> 00:57:28,840
Speaker 5: the beat, and he heard the beat and then he goes,

1239
00:57:30,280 --> 00:57:32,760
Speaker 5: Ao Ao, playboy.

1240
00:57:33,880 --> 00:57:36,040
Speaker 3: You hear this beat. You need to be calm.

1241
00:57:36,240 --> 00:57:38,680
Speaker 5: You need to you need to speak to the to

1242
00:57:38,800 --> 00:57:41,760
Speaker 5: the women in your regular voice, like you know you

1243
00:57:41,880 --> 00:57:45,480
Speaker 5: got one of them, a dope. Your regular voice is dope,

1244
00:57:45,640 --> 00:57:47,919
Speaker 5: Like you sound like you one of them James Earl

1245
00:57:48,040 --> 00:57:50,760
Speaker 5: Jones voices. You need to like the chicks don't want

1246
00:57:50,800 --> 00:57:53,840
Speaker 5: to wow wow, what you want on your records? Like

1247
00:57:53,960 --> 00:57:56,080
Speaker 5: how you be doing all the time. You be screaming like,

1248
00:57:56,840 --> 00:57:58,960
Speaker 5: chicks don't want to do that with you all the time. Bro,

1249
00:57:59,520 --> 00:58:03,320
Speaker 5: Just talk calm And I listened to that cool go

1250
00:58:03,440 --> 00:58:05,760
Speaker 5: to the studio and I'm trying to figure out what

1251
00:58:05,800 --> 00:58:09,080
Speaker 5: I'm gonna say. In our hood, they got this dude

1252
00:58:09,120 --> 00:58:11,240
Speaker 5: that used to be on the corner, sit on the

1253
00:58:11,280 --> 00:58:13,760
Speaker 5: milk crate. He looked like he ain't no money, but

1254
00:58:13,800 --> 00:58:16,960
Speaker 5: he was a hustler. And back before I got on,

1255
00:58:17,120 --> 00:58:19,920
Speaker 5: we used to hustle out in DC, Southeast DC in

1256
00:58:20,000 --> 00:58:23,040
Speaker 5: West Baltimore where they shot the wire at and the

1257
00:58:23,120 --> 00:58:25,360
Speaker 5: dudes we was hustling with was Ghanis and Jamaican, And

1258
00:58:25,480 --> 00:58:27,960
Speaker 5: just like the dude that was in our hood in Brooklyn,

1259
00:58:28,360 --> 00:58:32,360
Speaker 5: he and them felt like saying the word yo at

1260
00:58:32,400 --> 00:58:35,760
Speaker 5: the end of they regular accents from the Jamaican and

1261
00:58:36,080 --> 00:58:38,920
Speaker 5: Trinidaddy and Ghanese actions that they already had would help

1262
00:58:38,960 --> 00:58:43,439
Speaker 5: them blend into disguise that they was from somewhere else

1263
00:58:43,560 --> 00:58:45,760
Speaker 5: in these areas that they was pulling up the hustle

1264
00:58:45,800 --> 00:58:49,720
Speaker 5: at So combining that yo thing that they was doing

1265
00:58:49,800 --> 00:58:51,920
Speaker 5: at the end of everything they said with the Kalm

1266
00:58:52,000 --> 00:58:56,440
Speaker 5: Diddy advice is how I came up with to hit

1267
00:58:56,520 --> 00:58:59,400
Speaker 5: you with no delandce of what you're saying, y'all silly

1268
00:58:59,440 --> 00:59:02,320
Speaker 5: with the nama with the dilli yell. And you know,

1269
00:59:02,520 --> 00:59:04,760
Speaker 5: it was kind of like a joke internally because if

1270
00:59:04,760 --> 00:59:08,440
Speaker 5: you listen to put your hands that the ad libs

1271
00:59:08,480 --> 00:59:13,800
Speaker 5: the way they happening is the same brother that Fabris

1272
00:59:13,840 --> 00:59:15,440
Speaker 5: who brought me the beat, and I told him to

1273
00:59:15,480 --> 00:59:18,920
Speaker 5: go in the studio and I said, mock Diddy with

1274
00:59:19,040 --> 00:59:25,800
Speaker 5: the ad libs. That's why he's like nine seven. So

1275
00:59:25,960 --> 00:59:29,280
Speaker 5: he mocking Diddy. I'm mocking the Caribbean dudes. And I'm also,

1276
00:59:30,360 --> 00:59:32,520
Speaker 5: you know, trying to do this calm thing did he

1277
00:59:32,720 --> 00:59:36,400
Speaker 5: advised me to do. And the magic happened. So when

1278
00:59:36,440 --> 00:59:39,840
Speaker 5: the record comes out, you know, I remember being at

1279
00:59:39,880 --> 00:59:42,800
Speaker 5: the Rock Sya and DJ kick Capri was playing this

1280
00:59:42,920 --> 00:59:46,360
Speaker 5: record seven times in a row, and then the situation

1281
00:59:46,520 --> 00:59:51,640
Speaker 5: popped off between Terror Squad and Rockefeller and Kick Capri

1282
00:59:51,800 --> 00:59:54,200
Speaker 5: trying to tell everybody the chill, chill, stop fighting, stop

1283
00:59:54,240 --> 00:59:57,240
Speaker 5: beefing or whatever, and they wouldn't listen to beef keep going.

1284
00:59:57,600 --> 00:59:59,600
Speaker 5: He was like, I know what's gonna stop this beef

1285
00:59:59,680 --> 01:00:02,600
Speaker 5: right now, and he goes into playing put your hands again,

1286
01:00:02,640 --> 01:00:03,040
Speaker 5: pleas to.

1287
01:00:03,040 --> 01:00:04,360
Speaker 3: Play the record. Let's get into that.

1288
01:00:05,040 --> 01:00:09,280
Speaker 2: Buster Rhymes his album Blockbuster's out right now.

1289
01:00:09,440 --> 01:00:11,880
Speaker 4: Claudia Jordan's said, now, usually we do donkey today with

1290
01:00:11,920 --> 01:00:13,680
Speaker 4: Buster saying, so we're gonna open up the phone lines

1291
01:00:13,720 --> 01:00:16,000
Speaker 4: eight undrink five eight five one oh five one, give

1292
01:00:16,040 --> 01:00:20,000
Speaker 4: me your best Buster impersonation. We'll get you a signed CD.

1293
01:00:20,160 --> 01:00:23,240
Speaker 4: Is the Breakfast slogo, Morning everybody. It's dj n V

1294
01:00:23,480 --> 01:00:26,120
Speaker 4: Charlamagne the Guy. We are the Breakfast Club. We got

1295
01:00:26,160 --> 01:00:28,520
Speaker 4: our special guest co host, Buster Rhymes, his new album

1296
01:00:28,600 --> 01:00:30,400
Speaker 4: Blockbuster is out right now, go get it.

1297
01:00:30,960 --> 01:00:32,880
Speaker 2: And also Claudia Jordan our guest co host.

1298
01:00:32,920 --> 01:00:34,760
Speaker 4: So now we open up the phone lines eight hundred

1299
01:00:34,840 --> 01:00:36,920
Speaker 4: five eight five one oh five to one, and we're

1300
01:00:36,960 --> 01:00:39,480
Speaker 4: just telling people we're looking for the best Buster rhyme.

1301
01:00:39,520 --> 01:00:43,000
Speaker 4: Impersonation and we're gonna give some signed autograph CDs. And

1302
01:00:43,120 --> 01:00:46,200
Speaker 4: let's go right to line six. Stephanie. Now this is

1303
01:00:46,240 --> 01:00:48,880
Speaker 4: your chance say good morning a buster light.

1304
01:00:50,960 --> 01:00:53,320
Speaker 3: Stephanie was good with you, boss lady. How you feel

1305
01:00:53,760 --> 01:00:54,680
Speaker 3: I'm doing right now?

1306
01:00:55,160 --> 01:00:56,720
Speaker 1: Look a couple of people gonna call me and woke

1307
01:00:56,800 --> 01:00:58,840
Speaker 1: me up. They told me to get on the breakfast

1308
01:00:58,840 --> 01:00:59,960
Speaker 1: club and do buster rhyme.

1309
01:01:02,240 --> 01:01:03,400
Speaker 2: All right, stamp, let's hear it.

1310
01:01:03,720 --> 01:01:04,440
Speaker 1: It's gonna bring me in.

1311
01:01:04,920 --> 01:01:06,880
Speaker 21: Let's go, because I feel like I'm running, and I

1312
01:01:07,120 --> 01:01:08,800
Speaker 21: like I gotta get away, get away, get away, but

1313
01:01:08,880 --> 01:01:10,320
Speaker 21: I know that I don't and I won't ever stop,

1314
01:01:10,320 --> 01:01:11,840
Speaker 21: because you know, I got to in every day day.

1315
01:01:12,240 --> 01:01:14,000
Speaker 1: You don't really really win a pop made just so

1316
01:01:14,120 --> 01:01:15,960
Speaker 1: thank you, another flop make And I know I gotta

1317
01:01:16,000 --> 01:01:18,520
Speaker 1: be a little cockade gonna stop.

1318
01:01:18,320 --> 01:01:18,800
Speaker 3: Me every time.

1319
01:01:18,800 --> 01:01:21,720
Speaker 11: I gotta get it that I gotta blow. And then

1320
01:01:21,720 --> 01:01:30,480
Speaker 11: I gotta try to a little thing everything, get it,

1321
01:01:30,640 --> 01:01:37,480
Speaker 11: get come on, everybody try to doing this and everything.

1322
01:01:37,520 --> 01:01:39,200
Speaker 3: And I'm a test. And the banging, he said, the makeing,

1323
01:01:39,320 --> 01:01:40,880
Speaker 3: the blessing. I give you more, and I'll never get

1324
01:01:40,920 --> 01:01:41,240
Speaker 3: your lessing.

1325
01:01:41,280 --> 01:01:41,520
Speaker 7: And here.

1326
01:01:44,040 --> 01:01:44,280
Speaker 3: Let's go.

1327
01:01:44,600 --> 01:01:46,240
Speaker 21: You know we were all open the race, and you know,

1328
01:01:46,280 --> 01:01:47,520
Speaker 21: we gotta do try to go with the place.

1329
01:01:47,560 --> 01:01:49,040
Speaker 2: And we're trying to hustle in the sunda.

1330
01:01:48,800 --> 01:01:49,320
Speaker 3: They give anything.

1331
01:01:49,320 --> 01:01:50,240
Speaker 11: You know, we gotta do what talking too.

1332
01:01:50,280 --> 01:01:58,480
Speaker 2: But other places and we're gonna grab step where you

1333
01:01:58,600 --> 01:01:59,360
Speaker 2: call him from staff.

1334
01:01:59,640 --> 01:02:02,200
Speaker 1: Yeah, I'm goddamn it.

1335
01:02:02,360 --> 01:02:05,680
Speaker 2: Seven. How long did it take you there? You had

1336
01:02:05,760 --> 01:02:07,200
Speaker 2: to practice that? How long did it take you?

1337
01:02:07,640 --> 01:02:07,840
Speaker 5: Let me?

1338
01:02:08,400 --> 01:02:10,360
Speaker 1: Let me take you someth'n take you a small story. Okay,

1339
01:02:10,720 --> 01:02:12,800
Speaker 1: I've been doing that since that came out in twenty

1340
01:02:12,960 --> 01:02:15,400
Speaker 1: and ten. I will say that in Hawaii. Hold gome

1341
01:02:15,440 --> 01:02:17,280
Speaker 1: back to Hawaiian when I said, when I learned that,

1342
01:02:17,720 --> 01:02:19,600
Speaker 1: And I'm a comedian now, I'm a commeeting out of

1343
01:02:19,680 --> 01:02:21,960
Speaker 1: Virginia Beach. My name is stef funded in me and

1344
01:02:22,080 --> 01:02:25,200
Speaker 1: not do that on stage. And I did tell yoke

1345
01:02:25,240 --> 01:02:27,040
Speaker 1: you about two or three times. So I don't understand

1346
01:02:27,440 --> 01:02:29,520
Speaker 1: why you never seen me buster. That's all of my

1347
01:02:29,640 --> 01:02:31,320
Speaker 1: TikTok all my Instagram, Facebook.

1348
01:02:31,520 --> 01:02:32,120
Speaker 3: I don't want to know.

1349
01:02:33,880 --> 01:02:36,200
Speaker 4: Now, listen, we connected now, I ain't even gonna front.

1350
01:02:36,280 --> 01:02:38,200
Speaker 4: Hold on, Steph. We gotta get your information. Hold on

1351
01:02:38,320 --> 01:02:40,600
Speaker 4: it right, okay, all right, hold.

1352
01:02:40,400 --> 01:02:44,920
Speaker 3: On now, James she bodied that, James.

1353
01:02:46,320 --> 01:02:48,720
Speaker 4: Now a young lady named Stephanie just got on and

1354
01:02:48,800 --> 01:02:54,360
Speaker 4: she just bodied it. Now there's no pressure but goad.

1355
01:02:55,520 --> 01:02:58,400
Speaker 14: Your sub just almighty Buster Rhyme's man, come give my

1356
01:02:58,520 --> 01:03:06,840
Speaker 14: album in storing now, James the most flatinum in the streets.

1357
01:03:06,880 --> 01:03:09,280
Speaker 12: So we thought it was a silksmith, you know.

1358
01:03:10,360 --> 01:03:17,960
Speaker 13: And if you don't like that, James, like that, that

1359
01:03:18,080 --> 01:03:22,240
Speaker 13: was so bad that the best thelast yep that was bad.

1360
01:03:22,680 --> 01:03:22,920
Speaker 4: That was.

1361
01:03:24,440 --> 01:03:28,360
Speaker 3: That was bad. You was washed the rhymes, your album

1362
01:03:28,480 --> 01:03:29,360
Speaker 3: flat in the street.

1363
01:03:29,360 --> 01:03:30,320
Speaker 2: And if you didn't get that.

1364
01:03:33,600 --> 01:03:36,320
Speaker 4: Buster said, we're looking for the best Bust impersonation. B

1365
01:03:36,480 --> 01:03:39,440
Speaker 4: e T we see out tomorrow, everybody else eight hundred

1366
01:03:39,560 --> 01:03:41,120
Speaker 4: five eighty five one oh five one.

1367
01:03:41,360 --> 01:03:43,440
Speaker 2: We're looking for the best Buster impersonation.

1368
01:03:43,480 --> 01:03:45,280
Speaker 4: It's definitely got it so far as the breakfast slogan,

1369
01:03:45,320 --> 01:03:48,760
Speaker 4: morning warning everybody, it's Steve j n V Charlamagne the guy.

1370
01:03:48,840 --> 01:03:50,920
Speaker 4: We are the breakfast club Buster rhymes and say he's

1371
01:03:50,960 --> 01:03:51,680
Speaker 4: our guest co host.

1372
01:03:51,720 --> 01:03:53,760
Speaker 2: His album Blockbuster is out right now.

1373
01:03:54,240 --> 01:03:56,440
Speaker 4: Cladi and Jordan is here and we're looking for the

1374
01:03:56,560 --> 01:03:58,439
Speaker 4: best Buster rhyme impersonation.

1375
01:03:58,560 --> 01:03:59,920
Speaker 2: A right, Hello, who's there?

1376
01:04:00,720 --> 01:04:00,959
Speaker 21: Hello?

1377
01:04:01,200 --> 01:04:01,960
Speaker 2: Hey, what's your name?

1378
01:04:02,000 --> 01:04:04,240
Speaker 1: Mama, Hey, my name is Queta.

1379
01:04:04,720 --> 01:04:06,400
Speaker 2: Queta what you call it from Quita.

1380
01:04:06,760 --> 01:04:09,479
Speaker 21: I'm calling from Georgia, but I'm from South Jamaica, queen.

1381
01:04:09,760 --> 01:04:12,480
Speaker 4: So okay Jamaica queens. Now yeah, let me get your

1382
01:04:12,560 --> 01:04:13,960
Speaker 4: your best busted impersonation.

1383
01:04:14,560 --> 01:04:15,240
Speaker 1: He's gonna know me.

1384
01:04:15,400 --> 01:04:17,320
Speaker 11: All I wanted to say is what you God?

1385
01:04:17,800 --> 01:04:18,880
Speaker 3: What's good with you? Queen?

1386
01:04:18,960 --> 01:04:20,400
Speaker 11: How you are you doing?

1387
01:04:20,480 --> 01:04:22,640
Speaker 1: But just gonna give you bless to just say, I'm

1388
01:04:22,640 --> 01:04:23,000
Speaker 1: proud of.

1389
01:04:23,000 --> 01:04:23,560
Speaker 4: You, my dude.

1390
01:04:23,760 --> 01:04:25,640
Speaker 3: Thank you so much for the love. Queen. You know

1391
01:04:25,680 --> 01:04:28,840
Speaker 3: I appreciate the love all day. Thank you so so much.

1392
01:04:28,960 --> 01:04:30,600
Speaker 2: You good, don't I'm great?

1393
01:04:30,880 --> 01:04:32,360
Speaker 1: I got a seven year old I sold.

1394
01:04:32,440 --> 01:04:32,880
Speaker 4: I know you.

1395
01:04:33,280 --> 01:04:35,360
Speaker 1: You thought I was lying, but not be out the car.

1396
01:04:35,320 --> 01:04:36,280
Speaker 11: So I look like I'm lying.

1397
01:04:38,400 --> 01:04:40,280
Speaker 5: No, no, no, the love is real, you know we

1398
01:04:40,960 --> 01:04:44,200
Speaker 5: the family energy is definitely a real one. So whoever

1399
01:04:44,280 --> 01:04:45,960
Speaker 5: said that you was fronding, you could tell him to

1400
01:04:46,040 --> 01:04:46,640
Speaker 5: kiss your ass.

1401
01:04:47,280 --> 01:04:49,600
Speaker 1: No, it's baby girl seven.

1402
01:04:50,000 --> 01:04:51,200
Speaker 3: No, I know what I'm talking to.

1403
01:04:51,320 --> 01:04:54,040
Speaker 5: I'm saying, whoever was telling you that the family energy

1404
01:04:54,120 --> 01:04:56,440
Speaker 5: with me and you wasn't the truth, and you could

1405
01:04:56,480 --> 01:04:58,160
Speaker 5: tell him to kiss your ass because.

1406
01:04:58,000 --> 01:04:58,919
Speaker 3: Me and you was a friend.

1407
01:05:00,040 --> 01:05:02,720
Speaker 11: Absolutely, will my dude, I love you, man, I love

1408
01:05:02,760 --> 01:05:03,080
Speaker 11: you too.

1409
01:05:03,440 --> 01:05:05,800
Speaker 2: All right, you can hear your boys God bless Hello.

1410
01:05:05,920 --> 01:05:06,280
Speaker 3: Who's this.

1411
01:05:08,240 --> 01:05:08,479
Speaker 5: Card?

1412
01:05:08,560 --> 01:05:09,080
Speaker 3: What's up? Brother?

1413
01:05:09,400 --> 01:05:11,720
Speaker 2: Let me hear your your best bust round impersonation.

1414
01:05:11,880 --> 01:05:14,400
Speaker 1: Now hit you with the defending you know what I'm saying, Yo,

1415
01:05:14,800 --> 01:05:16,240
Speaker 1: coming through with the frist.

1416
01:05:18,480 --> 01:05:22,000
Speaker 2: Trash bro try trash girl.

1417
01:05:24,160 --> 01:05:26,040
Speaker 3: Locking key right now? Hello?

1418
01:05:26,160 --> 01:05:26,480
Speaker 2: Who's this?

1419
01:05:27,240 --> 01:05:31,640
Speaker 4: Definitely how that bust around? Let me hear you your

1420
01:05:31,680 --> 01:05:32,800
Speaker 4: best busting personation?

1421
01:05:33,400 --> 01:05:36,720
Speaker 12: Yo, yo, yo, yo yo flavors and your ass grease

1422
01:05:37,400 --> 01:05:39,600
Speaker 12: Buster around is about to bring the dois no cease.

1423
01:05:40,280 --> 01:05:43,320
Speaker 1: Let me loose from the belly of the beast hot everybody.

1424
01:05:43,440 --> 01:05:46,800
Speaker 12: Now, Hey, hey, hey, you better believe it's bust rounds

1425
01:05:46,800 --> 01:05:48,280
Speaker 12: are great? Be about to rich to try to think?

1426
01:05:48,360 --> 01:05:48,600
Speaker 3: Yo yo?

1427
01:05:48,840 --> 01:05:51,920
Speaker 12: Hey hey hey you asked to give your stishes throw

1428
01:05:51,960 --> 01:05:54,120
Speaker 12: you bet all right?

1429
01:06:10,280 --> 01:06:10,600
Speaker 3: All right?

1430
01:06:15,640 --> 01:06:16,520
Speaker 12: Yeah, what's up y'all?

1431
01:06:16,520 --> 01:06:17,680
Speaker 3: What's going on? What's going on?

1432
01:06:17,800 --> 01:06:19,520
Speaker 2: We're asking your best busting personation?

1433
01:06:20,280 --> 01:06:22,320
Speaker 12: Yeah, man, I got my bust rhyme impersonation.

1434
01:06:22,480 --> 01:06:22,840
Speaker 4: What's up?

1435
01:06:22,880 --> 01:06:23,080
Speaker 3: Buster?

1436
01:06:23,200 --> 01:06:24,960
Speaker 5: Good morning to you, man, Good morning to you to

1437
01:06:25,040 --> 01:06:28,520
Speaker 5: you better rep properly, don't don't don't sound crazy right

1438
01:06:28,600 --> 01:06:30,520
Speaker 5: now we need you to rep Hey.

1439
01:06:30,440 --> 01:06:32,920
Speaker 12: Yo, man, straight up real or I want to thank

1440
01:06:33,240 --> 01:06:37,920
Speaker 12: Timberland for really putting getting in on the project the Blockbuster,

1441
01:06:38,080 --> 01:06:40,720
Speaker 12: because he really helped me down, you know what I'm saying.

1442
01:06:40,880 --> 01:06:44,880
Speaker 12: Him and Swizzy with also for real. You know those

1443
01:06:44,960 --> 01:06:46,960
Speaker 12: guys them kings man, you know what I'm saying, They're

1444
01:06:47,000 --> 01:06:49,800
Speaker 12: real blessed man, and I feel blessed and honored for

1445
01:06:50,000 --> 01:06:52,880
Speaker 12: them to even be on this project for me, you

1446
01:06:52,960 --> 01:06:54,880
Speaker 12: know what I'm saying, holding me down and produce them

1447
01:06:54,920 --> 01:06:58,320
Speaker 12: for me, because uh, it was at one point of time, man,

1448
01:06:58,400 --> 01:06:58,800
Speaker 12: I had to.

1449
01:06:58,840 --> 01:07:02,960
Speaker 3: Pay it that ain't it can't come on?

1450
01:07:06,240 --> 01:07:11,720
Speaker 5: Yeah? Yeah, Claudia, and they definitely ain't right. They ain't right, Queen,

1451
01:07:11,880 --> 01:07:13,920
Speaker 5: they ain't right. Definitely got it on.

1452
01:07:14,560 --> 01:07:16,200
Speaker 4: He got it definitely. We're gonna send you some cool

1453
01:07:16,240 --> 01:07:17,240
Speaker 4: stuff now. I gotta ask you.

1454
01:07:17,240 --> 01:07:18,680
Speaker 2: We had a Coco Jones up there.

1455
01:07:18,800 --> 01:07:21,120
Speaker 4: Yeah, and Coco Jones said she was at the Rock

1456
01:07:21,200 --> 01:07:24,720
Speaker 4: Nation brunch right she ran over to an individual that she.

1457
01:07:24,720 --> 01:07:27,040
Speaker 2: Thought was you and did the whole bust of rhyme

1458
01:07:27,160 --> 01:07:28,720
Speaker 2: verse and realize it wasn't you.

1459
01:07:29,080 --> 01:07:31,280
Speaker 3: You know, I heard I heard so much about it.

1460
01:07:31,280 --> 01:07:33,240
Speaker 5: I didn't catch it when she was up here, but

1461
01:07:33,400 --> 01:07:35,520
Speaker 5: I got the I got the interview said to me,

1462
01:07:36,160 --> 01:07:38,720
Speaker 5: and I definitely bugged out when she said that, and

1463
01:07:39,120 --> 01:07:41,000
Speaker 5: I'm like, could she not know what's mean?

1464
01:07:41,520 --> 01:07:44,400
Speaker 2: And then we asked, was like, I didn't even go

1465
01:07:44,440 --> 01:07:44,880
Speaker 2: to the brunch.

1466
01:07:44,920 --> 01:07:49,280
Speaker 3: That wasn't there. Well, she said she spit it forty.

1467
01:07:49,400 --> 01:07:52,080
Speaker 2: She said she spit it to forty. Let's play clip.

1468
01:07:52,480 --> 01:07:53,200
Speaker 5: I saw.

1469
01:07:56,320 --> 01:07:58,600
Speaker 8: Go up to him and I was like, oh my gosh,

1470
01:07:58,720 --> 01:08:01,560
Speaker 8: like you had just seen my cover, my my freestyle

1471
01:08:01,640 --> 01:08:04,080
Speaker 8: of your thinking about on wilding out and he was

1472
01:08:04,120 --> 01:08:04,640
Speaker 8: like yeah.

1473
01:08:07,720 --> 01:08:09,760
Speaker 6: I was like remember, I was like, because I feel

1474
01:08:09,760 --> 01:08:11,560
Speaker 6: like I'm un like, I gotta get away, get.

1475
01:08:11,480 --> 01:08:11,920
Speaker 2: Away, you know.

1476
01:08:12,400 --> 01:08:14,720
Speaker 6: And he was like, that's good, Shy, that's good.

1477
01:08:15,040 --> 01:08:17,519
Speaker 2: I was like, all right, I walk away.

1478
01:08:17,640 --> 01:08:20,000
Speaker 6: I'm talking to my manager. I said, what's the rhymes?

1479
01:08:20,920 --> 01:08:22,639
Speaker 3: Who was that anymore?

1480
01:08:23,280 --> 01:08:25,479
Speaker 6: My manager goes, girl, that's e forty.

1481
01:08:26,120 --> 01:08:26,160
Speaker 21: No.

1482
01:08:27,000 --> 01:08:31,479
Speaker 4: I was like, wow, oh no, nah, you said, but

1483
01:08:31,760 --> 01:08:33,680
Speaker 4: forty forty said it wasn't it me. Forty was here

1484
01:08:33,960 --> 01:08:34,760
Speaker 4: a couple of days ago.

1485
01:08:34,840 --> 01:08:36,200
Speaker 2: Last week. It was like, that wasn't me. I don't

1486
01:08:36,200 --> 01:08:37,400
Speaker 2: know who she was rapping to. So I don't even

1487
01:08:37,400 --> 01:08:38,240
Speaker 2: know who she was rapping to.

1488
01:08:38,439 --> 01:08:40,840
Speaker 6: If you was the person that Coco Jones was doing

1489
01:08:40,880 --> 01:08:42,400
Speaker 6: the bust of Rhymes birth please call it?

1490
01:08:42,920 --> 01:08:45,559
Speaker 3: Who are your Coco Jones? I'm a fan.

1491
01:08:45,680 --> 01:08:47,800
Speaker 5: I definitely love your love and I've definitely seen you

1492
01:08:47,880 --> 01:08:51,479
Speaker 5: body it on wilding Out. You bodied it, and I'm

1493
01:08:51,520 --> 01:08:53,360
Speaker 5: a fan of what you're doing. But how you going

1494
01:08:53,400 --> 01:08:55,760
Speaker 5: to say that you split into somebody thought it was me?

1495
01:08:57,120 --> 01:08:59,439
Speaker 5: And then who you thought you were splitting it wasn't there.

1496
01:09:00,400 --> 01:09:01,479
Speaker 11: That's the y.

1497
01:09:02,479 --> 01:09:04,519
Speaker 5: I ain't even gonna front. You're gonna have to You're

1498
01:09:04,520 --> 01:09:06,760
Speaker 5: gonna have to write that one. You gotta write that wrong.

1499
01:09:06,880 --> 01:09:10,160
Speaker 5: Go go but but but but but but besides that.

1500
01:09:10,600 --> 01:09:13,320
Speaker 5: E forty, let me just big him up real quick, please.

1501
01:09:13,600 --> 01:09:16,160
Speaker 5: He got a project, got the thumb. The name of

1502
01:09:16,240 --> 01:09:17,000
Speaker 5: his new album is the.

1503
01:09:17,240 --> 01:09:17,720
Speaker 3: Rule of Thumb.

1504
01:09:17,760 --> 01:09:18,920
Speaker 2: I think it's called Rule of Thumb.

1505
01:09:19,240 --> 01:09:19,800
Speaker 3: Rule of Thumb.

1506
01:09:19,800 --> 01:09:22,320
Speaker 5: I thinkum yeah, big up eat forty new album Rule

1507
01:09:22,360 --> 01:09:25,479
Speaker 5: of Thumb out now number two. E forty is one

1508
01:09:25,520 --> 01:09:28,320
Speaker 5: of the most incredible MC's to me, and one of

1509
01:09:28,360 --> 01:09:31,920
Speaker 5: the illness when it comes to the slanguistics. And not

1510
01:09:32,040 --> 01:09:35,839
Speaker 5: only that, his get to the bad game is so disrespectful. Absolutely,

1511
01:09:36,000 --> 01:09:40,160
Speaker 5: the wine, the food, the music, the real estate. This

1512
01:09:40,360 --> 01:09:43,559
Speaker 5: He's just one of my biggest inspirations is eat forty.

1513
01:09:43,840 --> 01:09:46,000
Speaker 5: I'm not asking you about how you feel about it.

1514
01:09:46,120 --> 01:09:48,120
Speaker 5: I'm telling you how you need to feel about it.

1515
01:09:48,400 --> 01:09:51,720
Speaker 5: A man is, truthfully like a manual on how to

1516
01:09:51,800 --> 01:09:55,000
Speaker 5: become a boss on a level that you've never seen one.

1517
01:09:55,080 --> 01:09:59,960
Speaker 5: From day one, been independent, still independent, not just in music,

1518
01:10:00,280 --> 01:10:03,800
Speaker 5: outside of the music. Funges on wine companies, funges on

1519
01:10:03,920 --> 01:10:06,760
Speaker 5: food companies, like you don't play with nothing when they

1520
01:10:06,800 --> 01:10:07,120
Speaker 5: come to that.

1521
01:10:07,560 --> 01:10:14,080
Speaker 6: Looks nothing alike. Absolutely nothing like that.

1522
01:10:14,920 --> 01:10:17,479
Speaker 2: But that's my big brother though he's dope. But you

1523
01:10:17,960 --> 01:10:19,840
Speaker 2: you know, at the Rock Nation brunch there's a lot

1524
01:10:19,880 --> 01:10:21,479
Speaker 2: of alcohol, so maybe she was a little twisted in.

1525
01:10:21,920 --> 01:10:24,040
Speaker 3: She definitely has a little fire water in her blood.

1526
01:10:24,880 --> 01:10:25,519
Speaker 2: She is doping.

1527
01:10:25,600 --> 01:10:27,720
Speaker 7: Maybe now she can write that wrong by jumping on

1528
01:10:27,800 --> 01:10:29,760
Speaker 7: a song, y'all do a song together. You didn't put

1529
01:10:29,760 --> 01:10:30,080
Speaker 7: that out.

1530
01:10:30,000 --> 01:10:30,800
Speaker 3: There, Jones.

1531
01:10:30,840 --> 01:10:32,800
Speaker 5: We could definitely get in the studio and cook up.

1532
01:10:33,120 --> 01:10:36,000
Speaker 5: Let's do that brown stool chicken curry, chicken curry, go

1533
01:10:37,479 --> 01:10:39,479
Speaker 5: full course, mill or all dirves in the dessert.

1534
01:10:39,680 --> 01:10:41,959
Speaker 2: Let's cook up for the right buster.

1535
01:10:41,880 --> 01:10:44,360
Speaker 4: Rob said Stefanie. Congratulations. When we come back, we got

1536
01:10:44,400 --> 01:10:45,000
Speaker 4: the room of report.

1537
01:10:45,040 --> 01:10:46,080
Speaker 2: What we talked about the room.

1538
01:10:46,000 --> 01:10:49,680
Speaker 6: Is somebody's celebrity son got put in the headlock. We're

1539
01:10:49,680 --> 01:10:50,559
Speaker 6: gonna talk all about that.

1540
01:10:50,840 --> 01:10:54,400
Speaker 4: Okay, all right now, I know has put his son

1541
01:10:54,479 --> 01:10:56,960
Speaker 4: in the head lock before I have put my head

1542
01:10:57,000 --> 01:10:57,920
Speaker 4: son in the head lock before.

1543
01:10:58,720 --> 01:11:01,400
Speaker 3: It is what it is, It is what it is.

1544
01:11:01,960 --> 01:11:04,880
Speaker 2: It's the Breakfast s Logod Morning, the Breakfast Club.

1545
01:11:07,240 --> 01:11:10,479
Speaker 4: Good morning, everybody. It's DJ n V Charlamagne the God.

1546
01:11:10,560 --> 01:11:12,519
Speaker 4: We are the Breakfast Club. We got our guest co host,

1547
01:11:12,560 --> 01:11:15,760
Speaker 4: Buster Rhymes and Claudia Jordan here. Hey and Busters. He's

1548
01:11:15,800 --> 01:11:20,040
Speaker 4: holding down our Instagram live. Yeah, TikTok Live. So if

1549
01:11:20,040 --> 01:11:21,800
Speaker 4: you want to high that bus, he's on TikTok right now.

1550
01:11:21,840 --> 01:11:23,200
Speaker 4: But let's get to the rooms. Let's go Clodia.

1551
01:11:23,240 --> 01:11:27,799
Speaker 6: All right, everyone, I mean where.

1552
01:11:29,120 --> 01:11:30,200
Speaker 2: Relieve this.

1553
01:11:31,760 --> 01:11:34,000
Speaker 6: Is the rumor report Tommy Soldier boys sometimes because they

1554
01:11:34,000 --> 01:11:34,240
Speaker 6: say it.

1555
01:11:36,439 --> 01:11:37,400
Speaker 3: On the Breakfast Club.

1556
01:11:37,840 --> 01:11:39,920
Speaker 2: Jordan's stories are great.

1557
01:11:41,439 --> 01:11:43,160
Speaker 6: If you live long enough, He's going to have story

1558
01:11:43,240 --> 01:11:44,800
Speaker 6: that is very true, very true.

1559
01:11:48,640 --> 01:11:52,439
Speaker 7: All right, y'all all over Instagram. The son of Tiny

1560
01:11:52,520 --> 01:11:54,640
Speaker 7: and Ti King Harris had a big old fight with

1561
01:11:54,760 --> 01:11:57,760
Speaker 7: his parents. The Atlanta Falcons celebrated fifty years of hip

1562
01:11:57,800 --> 01:12:01,120
Speaker 7: hop yesterday by involving several artists throughout the game. T

1563
01:12:01,280 --> 01:12:02,880
Speaker 7: I led the Falcons out of the tunnel for the

1564
01:12:02,920 --> 01:12:05,679
Speaker 7: game entrance, and Ludacris and Quavo performed during the halftime.

1565
01:12:05,760 --> 01:12:09,320
Speaker 6: Unfortunately, the celebration for t I ended early.

1566
01:12:09,720 --> 01:12:12,680
Speaker 7: They were on live stream and Tiny and t I

1567
01:12:12,840 --> 01:12:16,599
Speaker 7: were having a heated altercation with their son, Harris King Harris.

1568
01:12:17,120 --> 01:12:19,760
Speaker 7: How the fight started is unclear, but there's a video

1569
01:12:19,840 --> 01:12:23,000
Speaker 7: floating around and there's a lot of chaos. And I

1570
01:12:23,080 --> 01:12:24,880
Speaker 7: would have got put in the headlock if I said

1571
01:12:24,920 --> 01:12:26,080
Speaker 7: all this stuff to my parents too.

1572
01:12:26,880 --> 01:12:27,719
Speaker 6: I stand on benning.

1573
01:12:27,880 --> 01:12:28,879
Speaker 3: You got me somewhere.

1574
01:12:29,080 --> 01:12:30,040
Speaker 1: I stand on benness.

1575
01:12:31,840 --> 01:12:32,719
Speaker 3: I stand on fishing.

1576
01:12:33,280 --> 01:12:34,840
Speaker 11: You want to hide it for the world, I'm gonna

1577
01:12:34,840 --> 01:12:36,800
Speaker 11: put it out there for the seat. You ain't had

1578
01:12:36,880 --> 01:12:38,000
Speaker 11: me behind the mansion.

1579
01:12:38,439 --> 01:12:40,280
Speaker 3: I was outside doing what I wanted to do.

1580
01:12:40,439 --> 01:12:45,599
Speaker 1: You wagged behind, got too much to drink?

1581
01:12:49,040 --> 01:12:51,920
Speaker 11: You right? I love you?

1582
01:12:52,120 --> 01:12:52,960
Speaker 6: What's wrong with toe?

1583
01:12:53,560 --> 01:12:54,560
Speaker 4: Why y'all doing that to me?

1584
01:12:54,800 --> 01:12:55,320
Speaker 11: Don know me?

1585
01:12:55,800 --> 01:12:56,960
Speaker 5: You know I stand up nic.

1586
01:12:57,320 --> 01:13:07,680
Speaker 11: Why are you even let y'all yourself you are the

1587
01:13:07,760 --> 01:13:08,400
Speaker 11: same out.

1588
01:13:10,640 --> 01:13:13,439
Speaker 2: Why you can't do that with me and you can

1589
01:13:13,520 --> 01:13:13,880
Speaker 2: do with me?

1590
01:13:14,880 --> 01:13:16,600
Speaker 4: That was That was the dad grabbing the sun. You

1591
01:13:16,640 --> 01:13:18,360
Speaker 4: know the sad thing about it. First, I want to

1592
01:13:18,360 --> 01:13:20,479
Speaker 4: salute the Atlanta Falcons. Drop a bomb for them, even

1593
01:13:20,520 --> 01:13:23,120
Speaker 4: I'm a Giants fan. What they did was they had

1594
01:13:23,960 --> 01:13:26,519
Speaker 4: all the hip hop artists in Atlanta come out for

1595
01:13:26,720 --> 01:13:29,439
Speaker 4: to celebrate hip hop fifty Ludacris performed. He was swinging

1596
01:13:29,560 --> 01:13:31,920
Speaker 4: from some type of zipline that they had from the

1597
01:13:32,000 --> 01:13:34,719
Speaker 4: thing they had t I bring the people out, bone crusher,

1598
01:13:35,080 --> 01:13:37,679
Speaker 4: every Atlanta artist. I think Jeezy was out there, which

1599
01:13:37,680 --> 01:13:40,200
Speaker 4: I thought was dope. Now with this argument, I hate

1600
01:13:40,200 --> 01:13:41,479
Speaker 4: to see it because it's you know, we all have

1601
01:13:41,640 --> 01:13:44,160
Speaker 4: we have kids, you know what I mean, and sometimes.

1602
01:13:43,720 --> 01:13:45,559
Speaker 2: We all get to a place where you test your dad.

1603
01:13:45,840 --> 01:13:45,960
Speaker 12: Right.

1604
01:13:46,040 --> 01:13:47,680
Speaker 4: I've been there. My dad punched me one time in

1605
01:13:47,720 --> 01:13:50,639
Speaker 4: the chest and it was over. I'm sure I've seen

1606
01:13:50,680 --> 01:13:52,840
Speaker 4: you and your kids. Sometimes sometimes you gotta put your head,

1607
01:13:52,920 --> 01:13:54,799
Speaker 4: your son in the head locker, be like chill out. Absolutely,

1608
01:13:54,880 --> 01:13:56,040
Speaker 4: I've done the same sometime.

1609
01:13:56,160 --> 01:13:57,160
Speaker 3: But you know, it is what it is.

1610
01:13:57,200 --> 01:13:58,960
Speaker 2: When you when your son bucks up, sometimes you got

1611
01:13:59,040 --> 01:13:59,760
Speaker 2: to put him in his place.

1612
01:13:59,800 --> 01:14:02,360
Speaker 6: I just hate to see it. He continued bucking up

1613
01:14:02,400 --> 01:14:04,719
Speaker 6: on Instagram. King went to Instagram.

1614
01:14:04,800 --> 01:14:06,280
Speaker 7: He said, I stand on business. I don't give a

1615
01:14:06,439 --> 01:14:08,080
Speaker 7: f who you are. I don't give a f who

1616
01:14:08,160 --> 01:14:11,759
Speaker 7: you are. My can't play with me in my face,

1617
01:14:12,160 --> 01:14:14,280
Speaker 7: not going for it. I'm a grown ass man. If

1618
01:14:14,320 --> 01:14:18,240
Speaker 7: I'm a mistake, stop just say that. He's basically saying,

1619
01:14:18,360 --> 01:14:19,679
Speaker 7: you know, I'm a mistake.

1620
01:14:19,800 --> 01:14:23,080
Speaker 6: Just say it. Listen these new kids. Once again, this

1621
01:14:23,320 --> 01:14:24,120
Speaker 6: is a recurring theme.

1622
01:14:24,240 --> 01:14:25,280
Speaker 2: You can't say these new kids.

1623
01:14:25,280 --> 01:14:27,160
Speaker 4: I think all kids get to a point where they

1624
01:14:27,200 --> 01:14:30,559
Speaker 4: think they they're fresher or smarter, or stronger or faster

1625
01:14:30,640 --> 01:14:31,320
Speaker 4: than their parents.

1626
01:14:31,560 --> 01:14:34,439
Speaker 2: This level sometimes you gotta, yeah, you gotta just you gotta.

1627
01:14:34,640 --> 01:14:35,519
Speaker 2: You know, back in the day, you.

1628
01:14:35,520 --> 01:14:37,280
Speaker 4: Could smack fire out your son and you wouldn't get

1629
01:14:37,280 --> 01:14:38,839
Speaker 4: in trouble for it, and he would be deserved.

1630
01:14:39,240 --> 01:14:43,400
Speaker 7: This argument with my dad parents thirty seconds, I would

1631
01:14:43,400 --> 01:14:44,240
Speaker 7: have got slapped in the mouth.

1632
01:14:44,880 --> 01:14:46,720
Speaker 4: Could you just imagine the big words t I is

1633
01:14:46,800 --> 01:14:49,200
Speaker 4: using right now to the son. Could you imagine those

1634
01:14:49,240 --> 01:14:49,960
Speaker 4: words right now?

1635
01:14:50,760 --> 01:14:52,760
Speaker 2: I mean, it is sad to see it.

1636
01:14:52,840 --> 01:14:55,120
Speaker 7: It seems like he really wants that street credibility, and

1637
01:14:56,400 --> 01:14:58,479
Speaker 7: the parents are like well, probably feeling offended, like we

1638
01:14:58,600 --> 01:15:00,640
Speaker 7: did all this work to make you have have a

1639
01:15:00,680 --> 01:15:01,519
Speaker 7: better life than we did.

1640
01:15:01,920 --> 01:15:03,040
Speaker 6: You know, that's what it seems like to me.

1641
01:15:03,600 --> 01:15:06,439
Speaker 5: Yeah, there's no such thing that's cool about disrespecting your

1642
01:15:06,479 --> 01:15:09,519
Speaker 5: parents under no circumstances. I don't care what you think,

1643
01:15:10,240 --> 01:15:14,800
Speaker 5: how you feel, or what your rationale is. It's never

1644
01:15:14,880 --> 01:15:15,320
Speaker 5: an option.

1645
01:15:15,560 --> 01:15:17,439
Speaker 6: Never, And everything's on live stream now.

1646
01:15:17,800 --> 01:15:20,439
Speaker 3: We're not condoning none of that, not at all.

1647
01:15:20,800 --> 01:15:24,320
Speaker 7: All right, Tyrese demands his ex wife, Samantha Le to

1648
01:15:24,439 --> 01:15:27,000
Speaker 7: change her last name. Tyree shared a clip from an

1649
01:15:27,000 --> 01:15:29,960
Speaker 7: interview he recently did. In the clip, he says that

1650
01:15:30,360 --> 01:15:33,200
Speaker 7: he never spent twenty thousand dollars on his daughter when

1651
01:15:33,240 --> 01:15:35,680
Speaker 7: he was with his ex wife, so he refuses to

1652
01:15:35,680 --> 01:15:38,200
Speaker 7: pay that now in child support. He also brought up

1653
01:15:38,240 --> 01:15:40,720
Speaker 7: the fact that she is financially comfortable herself and that

1654
01:15:40,880 --> 01:15:44,840
Speaker 7: she was the one who chose to leave him. The

1655
01:15:44,920 --> 01:15:47,360
Speaker 7: caption was fellas, if you still want to be married

1656
01:15:47,439 --> 01:15:49,559
Speaker 7: or have a girl for Christmas, keep her away from

1657
01:15:49,600 --> 01:15:52,679
Speaker 7: this interview. My girl is mad at me about the podcast.

1658
01:15:52,880 --> 01:15:56,160
Speaker 7: After five months, she pulled up the vibrator and used

1659
01:15:56,200 --> 01:15:56,800
Speaker 7: it last night.

1660
01:15:57,840 --> 01:15:59,240
Speaker 2: We didn't have to hear all that, Tyre's. But I

1661
01:15:59,320 --> 01:16:01,400
Speaker 2: will say this, I thought they had, you know, I

1662
01:16:01,600 --> 01:16:04,559
Speaker 2: thought they signed, they signed a prenup.

1663
01:16:04,680 --> 01:16:06,720
Speaker 4: Yeah, I thought they signed a prenup, so which a

1664
01:16:06,760 --> 01:16:09,719
Speaker 4: prenup I thought would state what they get, what happens

1665
01:16:09,720 --> 01:16:11,599
Speaker 4: if they get a divorce. So I don't understand how

1666
01:16:12,120 --> 01:16:15,320
Speaker 4: these these cases, you know, supersede the prenup.

1667
01:16:15,400 --> 01:16:18,800
Speaker 7: I'm gonna call cap on this, okay, okay, because I

1668
01:16:18,880 --> 01:16:22,679
Speaker 7: had a conversation with Samantha and she said, I'm only

1669
01:16:22,800 --> 01:16:28,800
Speaker 7: fighting for him to to to go with the prenup, Like,

1670
01:16:29,120 --> 01:16:31,040
Speaker 7: just go with what's in the prenup. I'm not asking

1671
01:16:31,080 --> 01:16:32,880
Speaker 7: for anything more or less. And she's like, this is

1672
01:16:32,920 --> 01:16:34,880
Speaker 7: all BS. It's twenty thousands a month. She said, it's

1673
01:16:34,880 --> 01:16:36,920
Speaker 7: all BS. Now, that's what she told me. I'm just

1674
01:16:37,080 --> 01:16:39,200
Speaker 7: I haven't spoken to him about it. I don't know

1675
01:16:39,360 --> 01:16:41,519
Speaker 7: him like that. But I spoke to her and she

1676
01:16:41,600 --> 01:16:43,439
Speaker 7: said she's just fighting for him to keep his word

1677
01:16:43,520 --> 01:16:45,559
Speaker 7: and just honor the prenup that they had because it.

1678
01:16:45,680 --> 01:16:46,519
Speaker 6: Was all spelled out.

1679
01:16:47,080 --> 01:16:48,600
Speaker 2: Oh, he's gonna give you some bars later on.

1680
01:16:48,720 --> 01:16:48,880
Speaker 7: Then.

1681
01:16:50,600 --> 01:16:52,040
Speaker 2: Tore is gonna give you some balls.

1682
01:16:53,200 --> 01:16:56,519
Speaker 7: Tyres, I'm not worried about you giving me bars because

1683
01:16:56,520 --> 01:16:59,240
Speaker 7: we can have bars back and forth. You're not a rapper,

1684
01:16:59,320 --> 01:17:00,840
Speaker 7: neither of mi. I so you can just have bars.

1685
01:17:01,160 --> 01:17:03,160
Speaker 7: But I'm just going by what your ex wife told

1686
01:17:03,160 --> 01:17:04,760
Speaker 7: me that you probably.

1687
01:17:04,479 --> 01:17:07,920
Speaker 6: Still want all right. Following the interview, Samantha shared this

1688
01:17:08,120 --> 01:17:09,559
Speaker 6: message on Instagram.

1689
01:17:10,120 --> 01:17:13,360
Speaker 15: I'm gonna call this one. Fool me once, shame on you,

1690
01:17:13,960 --> 01:17:15,800
Speaker 15: fool me twice, shame on me.

1691
01:17:16,240 --> 01:17:16,479
Speaker 3: Y'all.

1692
01:17:16,520 --> 01:17:20,080
Speaker 15: Once you learn what someone is capable of, you have

1693
01:17:20,320 --> 01:17:23,240
Speaker 15: to handle them a little different. DMX said this and

1694
01:17:23,360 --> 01:17:25,880
Speaker 15: it resonated with me. He said, it's too hard not

1695
01:17:26,000 --> 01:17:26,800
Speaker 15: to trust people.

1696
01:17:27,160 --> 01:17:30,840
Speaker 6: Instead, he trusts people to be who they are. He

1697
01:17:30,960 --> 01:17:32,320
Speaker 6: trusts a snake to be a snake.

1698
01:17:32,640 --> 01:17:33,800
Speaker 2: He trusts a liar to lie.

1699
01:17:34,080 --> 01:17:36,160
Speaker 6: He trusts someone who cheats to cheat.

1700
01:17:36,439 --> 01:17:39,600
Speaker 22: I can forgive you for what you've done, and I

1701
01:17:39,800 --> 01:17:43,120
Speaker 22: thank you for showing me what you're capable of, because

1702
01:17:43,160 --> 01:17:45,200
Speaker 22: now I know how to handle you, and it will

1703
01:17:45,240 --> 01:17:47,559
Speaker 22: be irresponsible of me to give you.

1704
01:17:47,720 --> 01:17:51,360
Speaker 15: The same kind of access knowing what I know now.

1705
01:17:52,200 --> 01:17:54,720
Speaker 7: Well, of course, Tyree's wasn't gonna let that ride, so

1706
01:17:54,920 --> 01:17:57,040
Speaker 7: he took to his social media and he says she

1707
01:17:57,120 --> 01:17:59,360
Speaker 7: wants to be famous, she wants a clout, she had

1708
01:17:59,400 --> 01:18:01,479
Speaker 7: the whole baby and faked the whole marriage to get

1709
01:18:01,520 --> 01:18:05,040
Speaker 7: a bag. Three law firms later, just hear her out, guys, please,

1710
01:18:05,520 --> 01:18:07,200
Speaker 7: He's like, Zelly and I are over here decorating the

1711
01:18:07,240 --> 01:18:09,920
Speaker 7: tree and blah blah blah blah blah. And he wants

1712
01:18:10,000 --> 01:18:12,920
Speaker 7: his last name back and he says, your trash birth name,

1713
01:18:13,000 --> 01:18:14,360
Speaker 7: Samanthos Wallenberg.

1714
01:18:15,040 --> 01:18:16,280
Speaker 6: And yeah, he went on and on.

1715
01:18:16,680 --> 01:18:18,720
Speaker 2: She said your trash birthday. That's crazy, you know.

1716
01:18:19,160 --> 01:18:21,960
Speaker 7: I don't like when you proclaim your love for someone,

1717
01:18:22,200 --> 01:18:23,920
Speaker 7: you get mad at one thing and then it's everything

1718
01:18:24,000 --> 01:18:26,240
Speaker 7: is Was it trash when you were telling us how

1719
01:18:26,280 --> 01:18:26,519
Speaker 7: she was.

1720
01:18:26,520 --> 01:18:28,160
Speaker 6: Your nubi and queen? Was it trash?

1721
01:18:28,439 --> 01:18:28,639
Speaker 3: Yeah?

1722
01:18:28,680 --> 01:18:30,519
Speaker 4: Well, that's how relationships are. And I wish that they

1723
01:18:30,520 --> 01:18:32,680
Speaker 4: would stay behind the scenes. Some of the things we

1724
01:18:32,760 --> 01:18:34,880
Speaker 4: don't need to see, especially when you have children involve.

1725
01:18:35,479 --> 01:18:36,920
Speaker 4: I hate the fact that they have to go back

1726
01:18:36,960 --> 01:18:38,519
Speaker 4: and forth because their child's gonna see it one day

1727
01:18:38,560 --> 01:18:40,679
Speaker 4: and they gonna see Mom don't like dad, Dad don't

1728
01:18:40,800 --> 01:18:43,000
Speaker 4: like mom. It's just a nazy situation where that child

1729
01:18:43,120 --> 01:18:46,080
Speaker 4: is gonna wind up leaning towards one side because of the.

1730
01:18:46,080 --> 01:18:47,960
Speaker 2: Fights that they're doing, and that's not healthy for that child.

1731
01:18:48,040 --> 01:18:49,320
Speaker 2: So I hope they get it together.

1732
01:18:49,479 --> 01:18:51,960
Speaker 6: Bless their hearts. I will say, all right, yeah.

1733
01:18:51,840 --> 01:18:54,320
Speaker 4: And that is your rumor report. Now Buster Rahms is here.

1734
01:18:54,720 --> 01:18:57,360
Speaker 4: The album is out right now, Blockbuster. Now we're about

1735
01:18:57,360 --> 01:18:59,120
Speaker 4: to get into a mix. I'm gonna start it off

1736
01:18:59,160 --> 01:19:01,439
Speaker 4: with a record off, but I like the the baby

1737
01:19:01,520 --> 01:19:03,760
Speaker 4: record in the Buster record a t P.

1738
01:19:04,040 --> 01:19:04,400
Speaker 3: Let's do it.

1739
01:19:04,520 --> 01:19:05,880
Speaker 4: Let's get into that and the I'm gonna get into

1740
01:19:05,880 --> 01:19:08,320
Speaker 4: the mix and Buster rombs and say it's the Breakfast Club.

1741
01:19:08,360 --> 01:19:11,760
Speaker 2: Gole morning, the Breakfast Club. Your mornings will never be

1742
01:19:11,920 --> 01:19:12,439
Speaker 2: the same.

1743
01:19:13,080 --> 01:19:13,559
Speaker 3: Good news.

1744
01:19:13,600 --> 01:19:16,799
Speaker 18: If you're hiring, you've got help zip recruiter. Zip recruiter

1745
01:19:16,880 --> 01:19:19,320
Speaker 18: works for you to find great candidates fast. It's smart

1746
01:19:19,360 --> 01:19:22,679
Speaker 18: technology identifies qualified candidates for you and you can invite

1747
01:19:22,720 --> 01:19:25,200
Speaker 18: your top choices to apply. Try it for free at

1748
01:19:25,320 --> 01:19:28,040
Speaker 18: ZipRecruiter dot com. Slash Breakfast want to get anybody.

1749
01:19:28,080 --> 01:19:31,960
Speaker 4: It's DJ MV Charlamagne the gud. We are the Breakfast Club.

1750
01:19:32,040 --> 01:19:34,679
Speaker 4: We got our special guest co host, Buster Rohoms' new album,

1751
01:19:34,720 --> 01:19:37,599
Speaker 4: Blockbuster is out right now, go get it, and also

1752
01:19:37,680 --> 01:19:39,680
Speaker 4: Claudia Jordan, our guest co host. So now we open

1753
01:19:39,760 --> 01:19:41,760
Speaker 4: up the phone lines eight hundred five eight five one

1754
01:19:41,800 --> 01:19:44,200
Speaker 4: oh five to one, and we're just telling people we're

1755
01:19:44,240 --> 01:19:46,880
Speaker 4: looking for the best buster rhyme impersonation, and we're gonna

1756
01:19:46,920 --> 01:19:49,840
Speaker 4: give some signed autograph CDs and let's go right to

1757
01:19:50,080 --> 01:19:50,639
Speaker 4: line six.

1758
01:19:51,080 --> 01:19:53,799
Speaker 2: Stephanie. Now this is your chance say good morning to buster.

1759
01:19:54,760 --> 01:19:58,880
Speaker 3: By Stephanie was good with you, boss lady.

1760
01:19:58,920 --> 01:20:00,840
Speaker 2: How you feel I'm doing right now?

1761
01:20:00,920 --> 01:20:02,519
Speaker 1: That look A couple of people and then called me

1762
01:20:02,560 --> 01:20:04,400
Speaker 1: and woke me up. They told me to get on

1763
01:20:04,520 --> 01:20:06,520
Speaker 1: the breakfast club and do busting runs.

1764
01:20:08,400 --> 01:20:09,000
Speaker 3: Alight down.

1765
01:20:09,120 --> 01:20:09,560
Speaker 2: Let's hear it.

1766
01:20:09,840 --> 01:20:10,600
Speaker 1: Who's gonna bring me in?

1767
01:20:11,080 --> 01:20:13,040
Speaker 21: Let's go, because I feel like I'm running, and I

1768
01:20:13,240 --> 01:20:14,960
Speaker 21: like I gotta get away, get away, get away, but

1769
01:20:15,040 --> 01:20:15,840
Speaker 21: I know that I don't and.

1770
01:20:15,840 --> 01:20:17,200
Speaker 1: I won't ever stop because you know, I got to

1771
01:20:17,320 --> 01:20:19,240
Speaker 1: in every day day. You don't really really what a

1772
01:20:19,280 --> 01:20:19,720
Speaker 1: pop made?

1773
01:20:19,960 --> 01:20:20,479
Speaker 11: Just thank you?

1774
01:20:20,600 --> 01:20:22,280
Speaker 1: Another flop make and I know I gotta be a

1775
01:20:22,320 --> 01:20:24,439
Speaker 1: little cockade gonna.

1776
01:20:24,200 --> 01:20:27,760
Speaker 21: Stop me everything, I gotta get it and I gotta blow.

1777
01:20:27,760 --> 01:20:33,240
Speaker 11: And then I got every little thing, everything.

1778
01:20:35,240 --> 01:20:36,640
Speaker 3: Looking get it.

1779
01:20:37,960 --> 01:20:41,640
Speaker 11: Come on, everybody.

1780
01:20:43,000 --> 01:20:45,040
Speaker 5: Doing this and everything test and the banging, and he said,

1781
01:20:45,120 --> 01:20:46,360
Speaker 5: making it in the blessing. I got to give you

1782
01:20:46,400 --> 01:20:47,519
Speaker 5: more than I'll never give you lessing, and.

1783
01:20:50,200 --> 01:20:50,439
Speaker 3: Let's go.

1784
01:20:50,760 --> 01:20:52,360
Speaker 1: You know, we all open the race, and you know

1785
01:20:52,400 --> 01:20:53,920
Speaker 1: we gotta do to go with the place in which

1786
01:20:53,920 --> 01:20:54,120
Speaker 1: I know.

1787
01:20:54,240 --> 01:20:56,000
Speaker 2: The hustle and said that they go to do what

1788
01:20:56,080 --> 01:20:57,080
Speaker 2: talking to another places.

1789
01:20:57,479 --> 01:21:04,400
Speaker 3: We're gonna grab Steph.

1790
01:21:04,439 --> 01:21:05,519
Speaker 2: Where you call it from staph?

1791
01:21:05,840 --> 01:21:08,320
Speaker 11: Yeah, I from God damn it.

1792
01:21:08,479 --> 01:21:11,840
Speaker 2: Seven. How long did it take you to you had

1793
01:21:11,880 --> 01:21:13,320
Speaker 2: to practice that? How long did it take you?

1794
01:21:13,760 --> 01:21:14,000
Speaker 7: Let me?

1795
01:21:14,560 --> 01:21:16,479
Speaker 1: Let me take you someth'n say a small story. Okay,

1796
01:21:16,880 --> 01:21:19,360
Speaker 1: I've been doing that since that came out in twenty ten.

1797
01:21:19,400 --> 01:21:22,439
Speaker 1: I will stay in Hawaii, holding back to Hawaii when

1798
01:21:22,439 --> 01:21:24,719
Speaker 1: I said, when I learned that, and I'm a comedian

1799
01:21:24,760 --> 01:21:26,360
Speaker 1: now I'm a com meeting out of Virginia Beach. My

1800
01:21:26,520 --> 01:21:28,720
Speaker 1: name is Steph. Funny than me and not do that

1801
01:21:28,880 --> 01:21:31,840
Speaker 1: on stage? And I did on yoke about two or

1802
01:21:31,840 --> 01:21:34,320
Speaker 1: three times. So I don't understand why you never.

1803
01:21:34,240 --> 01:21:34,920
Speaker 21: Seen me buster.

1804
01:21:35,080 --> 01:21:37,479
Speaker 1: That's all of my TikTok over my Instagram Facebook.

1805
01:21:37,680 --> 01:21:38,240
Speaker 11: I don't want to.

1806
01:21:40,000 --> 01:21:42,360
Speaker 3: Now listen, we connected now, I ain't even go front.

1807
01:21:42,439 --> 01:21:45,759
Speaker 4: Hold on, Steph, we gotta get your information. Hold on right, okay,

1808
01:21:46,040 --> 01:21:46,640
Speaker 4: all right, hold on.

1809
01:21:48,520 --> 01:21:49,200
Speaker 2: Now, James.

1810
01:21:49,600 --> 01:21:51,080
Speaker 3: She bodied that James.

1811
01:21:52,479 --> 01:21:54,840
Speaker 4: Now, A young lady named Stephanie just got on and

1812
01:21:54,960 --> 01:22:00,640
Speaker 4: she just bodied it. Now there's no pressure, but ad.

1813
01:22:01,680 --> 01:22:05,000
Speaker 14: Your almighty Buster Rhymes, man, come give him my album.

1814
01:22:08,160 --> 01:22:13,560
Speaker 14: Storing James almost in the streets, so we thought it

1815
01:22:13,680 --> 01:22:14,639
Speaker 14: was a silk Smith.

1816
01:22:16,520 --> 01:22:23,920
Speaker 13: And if you don't like that, James, mom like that.

1817
01:22:24,040 --> 01:22:24,799
Speaker 5: That was bad.

1818
01:22:27,040 --> 01:22:28,400
Speaker 2: Flast YEP, that was bad.

1819
01:22:28,840 --> 01:22:29,080
Speaker 9: That was.

1820
01:22:30,560 --> 01:22:32,280
Speaker 2: That was bad all. When we come back, we got

1821
01:22:32,360 --> 01:22:33,280
Speaker 2: more with Buster Rhymes.

1822
01:22:33,320 --> 01:22:36,719
Speaker 4: Of course, we did your favorite Buster impersonation No Donkey

1823
01:22:36,800 --> 01:22:39,479
Speaker 4: today and we'll be back the breakfast logan morning. Everybody

1824
01:22:39,600 --> 01:22:42,160
Speaker 4: is e j en Vy, Charlomagne the guy, we are

1825
01:22:42,240 --> 01:22:44,360
Speaker 4: the breakfast Club, our guest co host, Buster Rhymes, and

1826
01:22:44,360 --> 01:22:48,160
Speaker 4: Claudia Jordan is here. Indeed, Charlemagne is out. His flight

1827
01:22:48,320 --> 01:22:50,160
Speaker 4: was I believe delayed, so he'd be back in a

1828
01:22:50,280 --> 01:22:53,000
Speaker 4: day now. I was gonna ask Buster, so the album

1829
01:22:53,080 --> 01:22:53,559
Speaker 4: is out today?

1830
01:22:53,720 --> 01:22:53,920
Speaker 3: Yes?

1831
01:22:54,080 --> 01:22:57,519
Speaker 4: Well I was out Friday. What should the people expect

1832
01:22:57,520 --> 01:22:59,639
Speaker 4: from this album? And you, you've played with so many

1833
01:22:59,680 --> 01:23:01,879
Speaker 4: different things. You said before you were going to retire,

1834
01:23:02,720 --> 01:23:04,040
Speaker 4: what should they expect from this album?

1835
01:23:04,080 --> 01:23:04,840
Speaker 2: And I meant to ask.

1836
01:23:05,200 --> 01:23:07,799
Speaker 4: You got three legends as producers, right, you got Pharrell,

1837
01:23:07,920 --> 01:23:11,000
Speaker 4: you got Swiss and Timberland. Yeah, another brother of yours

1838
01:23:11,280 --> 01:23:12,559
Speaker 4: that you worked with several times.

1839
01:23:12,840 --> 01:23:13,200
Speaker 2: It's Dre.

1840
01:23:13,600 --> 01:23:14,080
Speaker 3: Absolutely.

1841
01:23:14,160 --> 01:23:16,519
Speaker 4: I was wondering, why not dra Since you got two

1842
01:23:16,600 --> 01:23:18,880
Speaker 4: for Pharrell, two for Swiss, two for ten, why not.

1843
01:23:18,920 --> 01:23:19,400
Speaker 2: Two for Dre.

1844
01:23:19,960 --> 01:23:21,400
Speaker 3: Dre plate was full.

1845
01:23:22,160 --> 01:23:24,840
Speaker 2: I tried, You tried, Okay, all right, Ever get into it.

1846
01:23:25,800 --> 01:23:26,599
Speaker 3: I tried.

1847
01:23:28,800 --> 01:23:32,679
Speaker 5: I did incredible records with Dre for other projects while

1848
01:23:33,040 --> 01:23:36,360
Speaker 5: opening that I would get one in return. But the

1849
01:23:36,800 --> 01:23:40,400
Speaker 5: magic about working with Dre is when he's focused on

1850
01:23:40,560 --> 01:23:43,240
Speaker 5: something and you got his fullest and as undivided attention,

1851
01:23:43,400 --> 01:23:46,400
Speaker 5: you're gonna get everything that supersedes even what you was

1852
01:23:46,479 --> 01:23:49,559
Speaker 5: hoping to get. Gotcha, That's how Dre operated. You prefer

1853
01:23:49,720 --> 01:23:52,599
Speaker 5: Dre in that space. He was working on some serious

1854
01:23:52,640 --> 01:23:55,800
Speaker 5: projects that I'm not at liberty to disclose. I was

1855
01:23:55,880 --> 01:23:58,639
Speaker 5: blessed with the opportunity to contribute to them, incredible projects

1856
01:23:58,680 --> 01:24:02,000
Speaker 5: that I'm not at liberty to disclode. I hope that

1857
01:24:02,080 --> 01:24:03,960
Speaker 5: I end up on them with the finished product, because

1858
01:24:03,960 --> 01:24:05,720
Speaker 5: I don't know how much more he gonna record it.

1859
01:24:05,800 --> 01:24:10,120
Speaker 5: You know, Drake's dandluck. Reaching the unreachable is what he

1860
01:24:10,240 --> 01:24:13,280
Speaker 5: always does. So by the time I see him again,

1861
01:24:13,400 --> 01:24:18,640
Speaker 5: probably he didn't probably recorded a thousand more masterpieces to

1862
01:24:18,800 --> 01:24:21,479
Speaker 5: contribute to whatever the classic body of work is that

1863
01:24:21,560 --> 01:24:23,559
Speaker 5: he's focused on at the time.

1864
01:24:23,800 --> 01:24:25,920
Speaker 2: Swiss says the same with you too. The Swiss says,

1865
01:24:25,960 --> 01:24:28,360
Speaker 2: you're a hoarder. I like to make records and hoard them.

1866
01:24:28,479 --> 01:24:29,280
Speaker 2: I do why.

1867
01:24:29,760 --> 01:24:33,040
Speaker 5: I mean a lot of that came from being around

1868
01:24:33,160 --> 01:24:36,080
Speaker 5: Dre and my whole aftermath experience from two thousand and

1869
01:24:36,120 --> 01:24:40,519
Speaker 5: three to two thousand and nine. After I made the

1870
01:24:40,560 --> 01:24:43,439
Speaker 5: Big Bang album, I just felt like that album was

1871
01:24:43,520 --> 01:24:45,479
Speaker 5: such an incredible body of work.

1872
01:24:46,040 --> 01:24:48,320
Speaker 3: It set me. It set up a new standard for me.

1873
01:24:48,560 --> 01:24:50,760
Speaker 5: I didn't never want to fall short when it came

1874
01:24:50,840 --> 01:24:53,479
Speaker 5: to any project that had to follow that up, and

1875
01:24:53,600 --> 01:24:56,200
Speaker 5: I felt like I did when I put out Back

1876
01:24:56,240 --> 01:24:58,880
Speaker 5: on my BS album, I didn't feel like it met

1877
01:24:58,920 --> 01:25:02,080
Speaker 5: the standard of Big Bang, but I still felt like

1878
01:25:02,160 --> 01:25:05,240
Speaker 5: it was an incredible project. That's why it took even

1879
01:25:05,320 --> 01:25:07,880
Speaker 5: longer for me to do El E two, because I

1880
01:25:07,920 --> 01:25:10,080
Speaker 5: already knew that I'm following up El E one, which

1881
01:25:10,160 --> 01:25:12,720
Speaker 5: turns twenty five by the way, on December fifteenth. Yes,

1882
01:25:13,400 --> 01:25:15,559
Speaker 5: put your hands your minds, because see turned twenty five

1883
01:25:15,640 --> 01:25:17,400
Speaker 5: this year. Because it's on that race, it's on one

1884
01:25:17,439 --> 01:25:20,800
Speaker 5: disaster track, so it turned twenty five. Excuse me last

1885
01:25:20,880 --> 01:25:24,400
Speaker 5: year And the crazy part is the Janet record is

1886
01:25:24,439 --> 01:25:26,680
Speaker 5: on the first El E one and we performed it

1887
01:25:26,760 --> 01:25:29,120
Speaker 5: for the first time in Madison Square Garden this year.

1888
01:25:29,240 --> 01:25:31,519
Speaker 3: That's right, never performed it before this year. So this

1889
01:25:31,800 --> 01:25:33,080
Speaker 3: whole year been magical for me.

1890
01:25:33,360 --> 01:25:35,200
Speaker 4: Well, you know, I'm glad you said that I got

1891
01:25:35,280 --> 01:25:37,320
Speaker 4: to ask this. So there was rumors that before that

1892
01:25:37,400 --> 01:25:39,120
Speaker 4: you shot the video, that you had to take all

1893
01:25:39,240 --> 01:25:41,600
Speaker 4: types of tests to make sure you were clear with

1894
01:25:41,640 --> 01:25:42,240
Speaker 4: any of that true.

1895
01:25:42,400 --> 01:25:43,080
Speaker 3: None of that true.

1896
01:25:43,360 --> 01:25:45,000
Speaker 2: When I was dug with the Janet video, don't know,

1897
01:25:45,320 --> 01:25:47,720
Speaker 2: they said that we're pocket They said that was.

1898
01:25:47,720 --> 01:25:50,000
Speaker 3: Never true with me and Janet. Me and Janet.

1899
01:25:50,600 --> 01:25:52,800
Speaker 5: The interesting thing was the only thing that happened with

1900
01:25:52,880 --> 01:25:54,840
Speaker 5: me and her before the shoot was actually I mean

1901
01:25:54,920 --> 01:25:58,880
Speaker 5: making the song. And at the video shoot when she

1902
01:25:59,000 --> 01:26:01,400
Speaker 5: had the outfit she had on on we just had

1903
01:26:01,760 --> 01:26:04,400
Speaker 5: a conversation about the ring she was wearing all over

1904
01:26:04,479 --> 01:26:06,960
Speaker 5: the dress because I didn't know that that's what it was.

1905
01:26:07,840 --> 01:26:09,720
Speaker 5: So all of these little rings that you see on

1906
01:26:09,800 --> 01:26:13,280
Speaker 5: her fit. She was just explaining to me in a

1907
01:26:13,360 --> 01:26:15,000
Speaker 5: jokingly way that these are rings.

1908
01:26:15,600 --> 01:26:16,160
Speaker 2: I never knew that.

1909
01:26:16,600 --> 01:26:18,160
Speaker 3: I didn't know that until she said it. Neither.

1910
01:26:18,360 --> 01:26:22,160
Speaker 2: I kind of like her more now you know, so

1911
01:26:22,360 --> 01:26:23,519
Speaker 2: so pause all of that.

1912
01:26:23,640 --> 01:26:26,080
Speaker 5: But at the end of the day, that was like

1913
01:26:26,160 --> 01:26:29,840
Speaker 5: the interesting in the conversation that broke the ice before

1914
01:26:29,840 --> 01:26:31,680
Speaker 5: we shot the video because you know, we got them

1915
01:26:31,720 --> 01:26:33,559
Speaker 5: scenes where we really touchy Philly Ith.

1916
01:26:34,240 --> 01:26:37,000
Speaker 3: You know, we just a bunch of sexual in your windows.

1917
01:26:37,479 --> 01:26:39,960
Speaker 4: Yeah, because the rumors were that she made everybody take

1918
01:26:40,120 --> 01:26:43,920
Speaker 4: HIV tests and STD tests before she did the video

1919
01:26:44,000 --> 01:26:45,880
Speaker 4: with you and the movie with pot.

1920
01:26:45,960 --> 01:26:47,200
Speaker 2: That was the quote unquote rumor.

1921
01:26:47,320 --> 01:26:49,600
Speaker 5: It wasn't necessary with us because I didn't have you know,

1922
01:26:49,680 --> 01:26:53,120
Speaker 5: we ain't kissed, we ain't have no physical intimacy, so

1923
01:26:53,320 --> 01:26:58,320
Speaker 5: that wasn't necessary for our situation. But you know, with

1924
01:26:58,439 --> 01:27:01,960
Speaker 5: all of that being said, I don't hoard the music

1925
01:27:02,160 --> 01:27:04,080
Speaker 5: because I just want to hoard the music. I just

1926
01:27:04,360 --> 01:27:06,760
Speaker 5: like to record. I'm a studio rap. I love to

1927
01:27:06,840 --> 01:27:09,760
Speaker 5: be creative. I love to go in the studios. You know,

1928
01:27:09,840 --> 01:27:14,800
Speaker 5: studio is the one place that's therapeutically, therapeutically.

1929
01:27:14,280 --> 01:27:15,000
Speaker 3: Tranquil for me.

1930
01:27:15,320 --> 01:27:20,400
Speaker 5: Like, studio, don't argue with you, studio, don't disrespect studio,

1931
01:27:20,439 --> 01:27:22,639
Speaker 5: don't raise his voice. You know what I'm saying, There's

1932
01:27:22,680 --> 01:27:24,680
Speaker 5: no beef in the studio. You go in there, you

1933
01:27:24,720 --> 01:27:26,760
Speaker 5: could comfortably be whatever you want. The days you go

1934
01:27:26,840 --> 01:27:28,840
Speaker 5: in the studio, you don't even create nothing. You lay

1935
01:27:28,880 --> 01:27:30,720
Speaker 5: that under the couch, you take a nap, you wake up.

1936
01:27:31,760 --> 01:27:34,080
Speaker 5: It's the environment that you own, you can control. You

1937
01:27:34,160 --> 01:27:38,080
Speaker 5: can imagine evolving into whatever is in your mind and

1938
01:27:38,200 --> 01:27:42,400
Speaker 5: becoming that and then actually executing displaying whatever that thought is,

1939
01:27:42,880 --> 01:27:46,679
Speaker 5: whatever that feeling is. Sometimes the music that I'm giving,

1940
01:27:47,479 --> 01:27:49,479
Speaker 5: it's not that I'm hoarding it, it's just if it

1941
01:27:49,560 --> 01:27:51,479
Speaker 5: don't feel like it's making sense for what I want

1942
01:27:51,520 --> 01:27:54,320
Speaker 5: the body of work to be, it gotta sit until

1943
01:27:54,360 --> 01:27:56,360
Speaker 5: I find the body of work that it fits.

1944
01:27:57,000 --> 01:27:58,760
Speaker 7: So this potential, like I was gonna ask you, like,

1945
01:27:58,880 --> 01:28:01,080
Speaker 7: will you ever open the and just release and just

1946
01:28:01,160 --> 01:28:02,760
Speaker 7: drop all these songs that you guys As a.

1947
01:28:02,840 --> 01:28:06,679
Speaker 5: Fact, And the beautiful part about the songs that I hoard,

1948
01:28:07,880 --> 01:28:11,960
Speaker 5: ninety percent of them are completed records, So you know

1949
01:28:12,120 --> 01:28:14,720
Speaker 5: this is like, you know, when my kids got to

1950
01:28:14,760 --> 01:28:17,640
Speaker 5: put out another twenty thirty albums on me, you know

1951
01:28:17,720 --> 01:28:20,960
Speaker 5: when my time comes, they got that to do it with.

1952
01:28:22,240 --> 01:28:27,840
Speaker 5: The beautiful thing is I'm an incredible shape. I'm the

1953
01:28:27,960 --> 01:28:31,360
Speaker 5: happiest I've ever been, and I'm the most passionate I've

1954
01:28:31,360 --> 01:28:33,679
Speaker 5: probably ever been about doing this thing that I'm doing,

1955
01:28:33,840 --> 01:28:36,880
Speaker 5: especially with the way the blessings is being bestowed in

1956
01:28:36,920 --> 01:28:42,240
Speaker 5: such an abundance. I'm excited about bushing everybody ass every day.

1957
01:28:43,120 --> 01:28:46,160
Speaker 5: I'm excited about that. So with that being said, it

1958
01:28:46,200 --> 01:28:50,800
Speaker 5: ain't stopping no time soon. The passionate, the fire that's

1959
01:28:50,840 --> 01:28:52,760
Speaker 5: burning in my soul and want to continue to do

1960
01:28:52,880 --> 01:28:56,680
Speaker 5: it is It's like gasoline is just being thrown on

1961
01:28:56,760 --> 01:28:59,640
Speaker 5: it every day and last but not least when I'm

1962
01:28:59,680 --> 01:29:01,880
Speaker 5: combined and that with the joy that I'm experiencing and

1963
01:29:01,920 --> 01:29:04,080
Speaker 5: the happiness that I'm experiencing, and the upswing on a

1964
01:29:04,120 --> 01:29:07,800
Speaker 5: business level and relationship dynamic with me and my kids

1965
01:29:07,880 --> 01:29:12,719
Speaker 5: being ultra lit and family and friends is just really

1966
01:29:12,840 --> 01:29:16,200
Speaker 5: enjoying me being in this space because they get this

1967
01:29:16,600 --> 01:29:19,599
Speaker 5: experience and me sharing this joy. I just want people

1968
01:29:19,640 --> 01:29:23,200
Speaker 5: to understand, the happier I am, the more in trouble

1969
01:29:23,240 --> 01:29:26,240
Speaker 5: you are. If you're not happy with me, because you're

1970
01:29:26,240 --> 01:29:28,840
Speaker 5: gonna be forced to be happy. You're gonna smile around me.

1971
01:29:29,800 --> 01:29:32,240
Speaker 5: I'm not with the typeface in the picture trying to

1972
01:29:32,280 --> 01:29:34,639
Speaker 5: look tough. I ain't with none of that. Them days

1973
01:29:34,720 --> 01:29:39,280
Speaker 5: is over with right. We happy joy happy happy, happy

1974
01:29:39,600 --> 01:29:41,880
Speaker 5: joy joy Joy. That's where we're at.

1975
01:29:42,040 --> 01:29:46,160
Speaker 4: We gotta come back. Blockbusters out right now. The new

1976
01:29:46,200 --> 01:29:50,760
Speaker 4: album stream it download, believe that it's the breakfast logan morning.

1977
01:29:51,240 --> 01:29:54,880
Speaker 4: Everybody's thej Envy Charlamagne the God. We are the breakfast club.

1978
01:29:54,960 --> 01:29:58,479
Speaker 4: Buster ROMs is here, Claudia jordan'sy our guess co host. Now, Bust,

1979
01:29:58,560 --> 01:30:00,200
Speaker 4: we want to appreciate you for joining us. That's the

1980
01:30:00,280 --> 01:30:02,760
Speaker 4: last four hours of much.

1981
01:30:02,760 --> 01:30:05,440
Speaker 3: I heard them. The first artist ever do to four hours.

1982
01:30:05,640 --> 01:30:08,760
Speaker 2: Full four hours, the first to do the full four

1983
01:30:08,880 --> 01:30:10,560
Speaker 2: hours block Time.

1984
01:30:13,000 --> 01:30:16,840
Speaker 7: On time, good Attitude, bomb ass album and just cool people,

1985
01:30:16,960 --> 01:30:18,960
Speaker 7: Integrate Smith, thank you so much, good.

1986
01:30:18,880 --> 01:30:20,080
Speaker 2: So we like it and Bust.

1987
01:30:20,080 --> 01:30:23,000
Speaker 4: We always ask you know we leave on a positive note. Please,

1988
01:30:23,080 --> 01:30:24,840
Speaker 4: we want you to give the positive note this morning

1989
01:30:24,960 --> 01:30:26,000
Speaker 4: for the people out there listen.

1990
01:30:26,439 --> 01:30:29,799
Speaker 5: The positive note is if you can't add to somebody's

1991
01:30:29,920 --> 01:30:33,240
Speaker 5: universe in a productive way, stay away from their universe.

1992
01:30:33,520 --> 01:30:36,599
Speaker 5: Don't disrupt their universe. And the same thing vice versa.

1993
01:30:37,000 --> 01:30:40,200
Speaker 5: Don't welcome nobody in your space and your universe if

1994
01:30:40,240 --> 01:30:41,160
Speaker 5: they can't add to it.

1995
01:30:41,400 --> 01:30:44,639
Speaker 3: In a productive manner, and that's shit. Live, Let live.

1996
01:30:45,120 --> 01:30:46,760
Speaker 5: Let the most high judge at the end of the

1997
01:30:46,840 --> 01:30:49,200
Speaker 5: day when it's all said and done, and be happy,

1998
01:30:49,400 --> 01:30:52,240
Speaker 5: get thanks, and spread that love and that joy, and

1999
01:30:52,439 --> 01:30:54,680
Speaker 5: just be ready to stand on your business in a

2000
01:30:54,800 --> 01:30:58,040
Speaker 5: solid way, stand on your square, solid, uphold it integrity,

2001
01:30:58,120 --> 01:31:00,439
Speaker 5: the moons and the principles, and just give that love

2002
01:31:00,479 --> 01:31:01,639
Speaker 5: and energy to everybody.

2003
01:31:01,840 --> 01:31:02,760
Speaker 3: Watch how you receive it.

2004
01:31:02,800 --> 01:31:07,040
Speaker 2: In the time they say it of it. The breakfast club,

2005
01:31:08,280 --> 01:31:10,040
Speaker 2: this club, good morning, Buster is here.

2006
01:31:10,080 --> 01:31:10,200
Speaker 5: Now.

2007
01:31:10,200 --> 01:31:12,719
Speaker 2: You're doing an in store in the city today, right eleven.

2008
01:31:13,520 --> 01:31:15,519
Speaker 5: Yeah, yeah. As a matter of fact, let me get

2009
01:31:15,560 --> 01:31:17,960
Speaker 5: to this real quick. So we rocking out today. I

2010
01:31:18,040 --> 01:31:19,880
Speaker 5: need everybody to pull up on me. I don't care

2011
01:31:19,920 --> 01:31:22,200
Speaker 5: what you're doing. I don't care what your plans were.

2012
01:31:22,520 --> 01:31:24,640
Speaker 5: What y'all need to do is pull up on me.

2013
01:31:25,160 --> 01:31:29,000
Speaker 5: At Rough Trade, NYC. I'm doing an in store, in

2014
01:31:29,200 --> 01:31:33,479
Speaker 5: person meet and greet autograph signing of every single CD

2015
01:31:33,880 --> 01:31:37,720
Speaker 5: that is purchased personally by all of y'all, shown to

2016
01:31:37,840 --> 01:31:42,840
Speaker 5: me personally by y'all, being put in my hand personally

2017
01:31:43,360 --> 01:31:46,559
Speaker 5: by y'all, so I could personally sign each one for y'all.

2018
01:31:46,960 --> 01:31:48,960
Speaker 3: Pull up, we make it history today.

2019
01:31:49,160 --> 01:31:52,880
Speaker 5: It's a blockbuster today, it's a blockbuster moment for the

2020
01:31:53,040 --> 01:31:56,799
Speaker 5: blockbuster album period. That's right, and we're gonna make blockbuster

2021
01:31:56,960 --> 01:31:59,320
Speaker 5: history together. We have rough trade, NYC. I'm a be

2022
01:31:59,400 --> 01:32:01,000
Speaker 5: there at eleven thirty this morning.

2023
01:32:01,240 --> 01:32:05,080
Speaker 4: There's twelve fifty sixth Avenue. Again, there's twelve fifty sixth Avenue.

2024
01:32:05,320 --> 01:32:06,280
Speaker 2: Bus is gonna be there.

2025
01:32:06,240 --> 01:32:08,479
Speaker 4: Eleven thirty eight am, so you should start heading over

2026
01:32:08,520 --> 01:32:11,839
Speaker 4: there now. Leave that and he's gonna have actual physical

2027
01:32:11,920 --> 01:32:13,639
Speaker 4: copies of the album, so you'll get them signed.

2028
01:32:14,000 --> 01:32:16,320
Speaker 2: And thank you a getting busted. Appreciate you, brother, Good

2029
01:32:16,360 --> 01:32:16,680
Speaker 2: to see you.

2030
01:32:17,000 --> 01:32:18,880
Speaker 5: Maybe you gotta do this a little more regularly, King,

2031
01:32:18,960 --> 01:32:21,519
Speaker 5: whenever you in town, in the station, outside the station.

2032
01:32:21,640 --> 01:32:23,200
Speaker 3: We gotta do it the way we used to do

2033
01:32:23,280 --> 01:32:23,599
Speaker 3: with King.

2034
01:32:23,720 --> 01:32:26,160
Speaker 2: Absolutely, Miss Jones Jordan.

2035
01:32:26,040 --> 01:32:29,000
Speaker 5: Excuse me, Jordan, I'm thinking Coco Jones still because y'all

2036
01:32:29,000 --> 01:32:30,280
Speaker 5: still got me bumping off the fact.

2037
01:32:30,520 --> 01:32:31,439
Speaker 3: I'm not even gonna lie.

2038
01:32:31,680 --> 01:32:35,400
Speaker 6: I've been called wors It's fine, m Claudia Jordan.

2039
01:32:35,760 --> 01:32:37,519
Speaker 5: Yes, sir, not only was it the honor and a

2040
01:32:37,600 --> 01:32:39,519
Speaker 5: pleasure to spend this time with you, it was an

2041
01:32:39,560 --> 01:32:41,479
Speaker 5: honor and a pleasure to be able to understand and

2042
01:32:41,560 --> 01:32:45,280
Speaker 5: be inspired by your incredible beauty and your youthfulness, your

2043
01:32:45,320 --> 01:32:48,320
Speaker 5: incredible energy and me and you got to definitely build

2044
01:32:48,400 --> 01:32:49,320
Speaker 5: on your show as well.

2045
01:32:49,640 --> 01:32:51,360
Speaker 7: I would love to have you on my show. I

2046
01:32:51,439 --> 01:32:53,120
Speaker 7: have been a fan of you for a very long time.

2047
01:32:53,160 --> 01:32:54,960
Speaker 7: I'm a big time hip hop head.

2048
01:32:54,960 --> 01:32:57,439
Speaker 3: So yes you, queen, thank you so much. We grew together.

2049
01:32:57,520 --> 01:32:59,920
Speaker 3: We're in the same you know, we're from the same alumni. Queen.

2050
01:33:00,120 --> 01:33:03,680
Speaker 6: That's right, that's my type of talk about nineteen hundreds.

2051
01:33:06,479 --> 01:33:07,439
Speaker 2: Up and there you have it.

2052
01:33:07,520 --> 01:33:09,479
Speaker 4: It's the It's the Breakfast Club on Power one, O

2053
01:33:09,560 --> 01:33:11,920
Speaker 4: five one Homer Angie Martinez where we use next