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Speaker 1: So it's me, it's Scott adds it.

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Speaker 2: And the chicken played Hermione in those wizard Kid movies okay,

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Speaker 2: whiz Kids or some shites. Yes, yes, the fucking the

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Speaker 2: chick the babe from it, yes, yes, semi babe. Yes.

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Speaker 2: So we're chilling.

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Speaker 1: We're on the San Antonio River Walk and we're just

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Speaker 1: like philosophizing in the tube.

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Speaker 2: Are you in a tube? No, we're standing okay, uh

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Speaker 2: you can tube there as well.

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Speaker 1: Yeah, but we're standing on these like platforms.

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Speaker 2: Uh.

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Speaker 1: And we're just philosophizing, kicking it, talking about real shit,

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Speaker 1: deep shit. And I go, you know, I'm kind of

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Speaker 1: leading the discussion. You know, we joke about it, but

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Speaker 1: honestly and be honest. And that's one of the rules

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Speaker 1: in our discussions is you do have to be honest.

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Speaker 1: What would you no bullshit, what would you actually fucking

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Speaker 1: do for a fucking colondake bar? And Scott goes, well,

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Speaker 1: I can s my own d Wow, I guess I'd

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Speaker 1: be willing to do that on camera, on cam, even

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Speaker 1: though I might jeopardize my career is playing kind of

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Speaker 1: a nice dad and Hermione goes, I would tape that.

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Speaker 2: That's what she would do for a conduct bar, she

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Speaker 2: would tape Scott adds it. No, she's responding to just

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Speaker 2: like she's because I thought, are you allowed to die?

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Speaker 2: Is that one of the rules that you're allowed to

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Speaker 2: sort of diverge.

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Speaker 1: Like that and go She's just it's Scott's it's still

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Speaker 1: Scott's turn.

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Speaker 2: We're still discussing. That's what you would do. If it's

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Speaker 2: still Scott's turn, then why is Emma, I don't know,

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Speaker 2: we're all chiming in on him.

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Speaker 1: Okay, volunteered information and there's no judgment allowed, okay, And

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Speaker 1: I expected her to go, you I don't want to

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Speaker 1: see that. What she said was I would tape that.

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Speaker 2: You know.

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Speaker 1: And I didn't have a condac bar with me, but

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Speaker 1: I said, if you did that, I would give you one.

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Speaker 2: And then I said, you know, if you have sort

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Speaker 2: of a hosting network for a bunch of cams, like

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Speaker 2: you'll have people who will come on cam and like

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Speaker 2: do all kinds of different stuff, right.

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Speaker 1: Yeah, anything from the grotesque to the sublime can be

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Speaker 1: experienced via cam for the right number of tokens. And

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Speaker 1: that's a system that's in place to provide intimacy to

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Speaker 1: those who are shut in there. It's a safe way

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Speaker 1: to interact with a person who you can see and

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Speaker 1: hear without danger of them touching you. Uh, unless you

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Speaker 1: want to go off the public cam and arrange something.

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Speaker 1: But to me, it's providing a necessary service because there

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Speaker 1: are so many freaks, weirdos, doubies, dorks and losers who

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Speaker 1: would otherwise not.

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Speaker 2: Be able to see a woman without flailing just kind

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Speaker 2: of like lashing out with their And.

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Speaker 1: It's safe for the people on the other side of

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Speaker 1: the camp who want to You know, a lot of

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Speaker 1: these people are natural exhibitionists and they.

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Speaker 2: Want to show. They want to share.

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Speaker 1: They want to share, whether it be their body, a

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Speaker 1: special skill, just a willingness to challenge your concept of

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Speaker 1: what's profane.

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Speaker 2: But all of your cams are outdoors, Oh z, what's

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Speaker 2: the thinking behind that? Just I don't want to have

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Speaker 2: to pay rent on a space. A lot of them

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Speaker 2: look like they're like outside of hotels. It almost looks

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Speaker 2: like you went in to like negotiate a rate to

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Speaker 2: like go into the hotel.

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Speaker 1: I failed to find one I was happy with and said,

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Speaker 1: fuck it, we're.

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Speaker 2: Going anyway to do it just right outside, Yeah.

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Speaker 1: And just did it right outside in the in the lot,

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Speaker 1: A lot of them look that way.

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Speaker 2: Yes, because you're also doing sometimes like just kind of

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Speaker 2: rolling through different you know, you'll like set up one

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Speaker 2: shot and it looks like at the end of one

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Speaker 2: cam feed, the last person is leaving and the new

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Speaker 2: one is kind of coming in to Yeah, you do it.

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Speaker 2: You might kind of stack them up catch.

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Speaker 1: The tail end of another camp performance on the Yeah, uh, well, look,

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Speaker 1: it's not a perfect system. I didn't say we've got

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Speaker 1: all the bugs out. We haven't ironed out all the kinks.

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Speaker 2: But I still think it's noble what we're trying to do.

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Speaker 1: Sure, and we get pretty damn close, and I think

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Speaker 1: our customers do appreciate it.

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Speaker 2: And you don't want to iron out all the camp obviously,

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Speaker 2: because that's like what a lot of people are for

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Speaker 2: some of it.

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Speaker 1: Yeah, some of what's so rich and fulfilling about the

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Speaker 1: experience is the sort of homemade feel. Yeah. You know,

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Speaker 1: when a pie crust is a little more rustic, it's

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Speaker 1: not store bought, and it's imperfect in these ways that

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Speaker 1: let you know that it comes from a place of love.

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Speaker 2: That's how I feel about the cam sessions. Hey, welcome

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Speaker 2: to Hollywood Handbook and Insiders guy, it's a kicking butt

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Speaker 2: and dropping me into the red carpet line back hallways

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Speaker 2: of this industry we call show. But what uh I

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Speaker 2: am a pantamic like you know how the rhythms da

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Speaker 2: da da Da da da. But that's stage performance and

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Speaker 2: it has its own language. We want to get into

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Speaker 2: a famous segment that we do. Sometimes we see like

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Speaker 2: a really good looking teaser and we do just like

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Speaker 2: the really quick thing. We're like, I'm opening up the

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Speaker 2: freezer and told the burr, you know, and like we

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Speaker 2: get in there, our teeth are chattering, and we'll like

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Speaker 2: physically go inside the freezer and we'll talk about how

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Speaker 2: cold it is. We'll see a lot of cold stuff

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Speaker 2: sometimes like poor Bears or like Santa Claus. Yeah, we've

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Speaker 2: done definitely done sled dogs and said mush and stuff

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Speaker 2: like that before Eskimo Snowman and dances with us uh so,

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Speaker 2: and then we'll like get the freezer, get get the

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Speaker 2: freezer inside the freezer. Can we get the freezer, We'll

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Speaker 2: get the teaser and then and then we'll take it

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Speaker 2: out of the freezer, shut the freezer door, thought out

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Speaker 2: the you know, the hair dryer and watch it and

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Speaker 2: then put on the teaser and we'll talk about it

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Speaker 2: as we as we present it to you. Listen to

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Speaker 2: yes and the segments called the teaser Freezer because of

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Speaker 2: the all the cold freeze elements and stuff, and we're

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Speaker 2: we're gonna do a segment of that for the movie

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Speaker 2: by the Sea. Exciting movie with a lot of.

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Speaker 1: Exciting stars, big stars, and you can look at it

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Speaker 1: and it's what else did I want to say about it?

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Speaker 2: Probably something, but going to the box office and pointing

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Speaker 2: at the movie.

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Speaker 1: In selecting which movie you're going to see, letting the

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Speaker 1: ticket dispenser know.

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Speaker 2: Choosing a seat with one seat in between, you need

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Speaker 2: more than one, right, It would have to be more

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Speaker 2: than one seat in between because they can't just leave

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Speaker 2: one loose, can't leave one seat. And that's honestly good

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Speaker 2: because I don't want to be sitting next to like

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Speaker 2: a guy.

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Speaker 1: Two seats apart. No, I need a buffer. You ever

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Speaker 1: go to the movies with your boy and you're like

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Speaker 1: in a theater that's not that full and dudes sit

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Speaker 1: right next to you and you got to be like, bro,

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Speaker 1: we need a buffer, dude.

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Speaker 2: It's like, get the seat in the middle.

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Speaker 1: Put that for the popcorn, because I don't want you

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Speaker 1: reaching down in my fre in area.

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Speaker 2: I have the same pillow honestly that I use for

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Speaker 2: like if my friend and I are sleeping in the

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Speaker 2: same bed in a hotel room, which is like just nice.

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Speaker 2: It's just nice to have someone there to sort of

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Speaker 2: talk to if like you sort of just think of

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Speaker 2: something to talk about as you're like going to sleep,

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Speaker 2: but you don't want to like touch them or anything.

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Speaker 2: You just want to be able to talk to them

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Speaker 2: as you're going to sleep. So that you put the

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Speaker 2: pillow in between you guys in the hotel bed and

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Speaker 2: that's safe. Yes, And so if you bring this pillow

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Speaker 2: around anytime you're in a situation where you would be

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Speaker 2: sitting more lying down next to a guy, you put

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Speaker 2: up this pillow and that's the buffer. And it's a

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Speaker 2: full length body pillow. And then what is it. Yes,

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Speaker 2: it's got it's got really thick, so it's loud so

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Speaker 2: you don't jostle it during the movie. And it's got

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Speaker 2: like a strong guy on it who's who's able to

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Speaker 2: like figuratively like buff everyone away from each other. You know,

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Speaker 2: he's strong enough to like hold everyone back, Like yeah,

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Speaker 2: So just to paint the picture.

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Speaker 1: Hayes is hugging a full length body pillow with a

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Speaker 1: picture of a muscular man on it in order to

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Speaker 1: prevent people from getting the wrong idea about him sharing

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Speaker 1: a movie theater space with a male friend of his, because.

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Speaker 2: If anyone tried to come up and initiate contact the

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Speaker 2: strong I would like push the strong guy at them

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Speaker 2: and it'd be like he's your defend yes. So we're

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Speaker 2: gonna do the teaser.

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Speaker 3: Uh.

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Speaker 2: We we're doing the pledge drive almost the end of

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Speaker 2: the year, and so we are doing the drive. We're

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Speaker 2: just gonna like do the teaser freezer. But this is

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Speaker 2: just something to keep in mind throughout this episode. Really

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Speaker 2: m hm. So let's go into the teaser freezer for

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Speaker 2: by the Sea.

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Speaker 3: Is the.

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Speaker 2: So they're walking in to the hotel and he's writing

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Speaker 2: in the tub.

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Speaker 4: And she she looking she looks, yeah, she looks in

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Speaker 4: I don't know what she's looking at us. She's smoked

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Speaker 4: smoke with this window with the yeas.

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Speaker 2: He's looking at him too. Now, if you want to

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Speaker 2: hear some other great content like the teaser freezer we're

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Speaker 2: doing now, if.

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Speaker 1: You're loving this and you want more badass hilarious content

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Speaker 1: just like the teaser freezer you've been listening to make

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Speaker 1: sure you donate to the pledge drive. You could do

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Speaker 1: it all the way up to April fifteenth or something

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Speaker 1: like that to get the money back on the thing.

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Speaker 1: And I really can't take the time to walk you

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Speaker 1: through it. But if you donate now, and you donate

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Speaker 1: big three thousand dollars or more, you get a ring

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Speaker 1: tone of Hayes doing the line from that Spencer Pratt

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Speaker 1: rap song that he made where he said this is

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Speaker 1: ringtone rap.

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Speaker 2: And we love doing this stuff for you guys. We

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Speaker 2: love coming in here and seeing all the engineers and

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Speaker 2: it really is like this great family for us. We

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Speaker 2: would love for you to join our family. Become a member. Today.

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Speaker 2: We have a new system where you can donate your car.

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Speaker 2: You just drive it up, drop it off. It's like

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Speaker 2: the easiest thing, and if you give us your address,

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Speaker 2: we can actually come get it as well. You will

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Speaker 2: have to, I guess, give us a ride to the car,

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Speaker 2: because otherwise we would be leaving our car there.

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Speaker 1: Do you need to bring us to your car so

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Speaker 1: we can drive your car back to our own car.

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Speaker 2: Because just logistically that would make sense because otherwise we

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Speaker 2: would be giving you a car that is better. We're

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Speaker 2: not trading cars. We're getting your car. They're back in the.

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Speaker 4: Same hotel room she took looks like a pill. Oh

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Speaker 4: the clouds, big fucking hat.

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Speaker 2: Walking on the beach? Is that the same bathtub?

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Speaker 5: You're nothing?

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Speaker 2: Sleep Okay, we're having fun in the Teaser Freezer. We

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Speaker 2: do just want to take a second to talk about

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Speaker 2: the pledge drive and.

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Speaker 1: For people who hate that we have to cut in

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Speaker 1: and do this pledge drive and we hear you complain

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Speaker 1: and we realize it is annoying. You want to get

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Speaker 1: back to the Teaser Freezer. It's so fun, it's so funny,

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Speaker 1: and we know you want to hear more of that.

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Speaker 1: But honestly, the more you donate, the easier it is

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Speaker 1: for us to keep making the show that you love.

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Speaker 1: And if you only want to hear these pledge drives

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Speaker 1: once a year, which we try to only do it once,

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Speaker 1: then you do need to donate. And here's another fun

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Speaker 1: way you can donate. Give us all your clothes. We'll

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Speaker 1: put them on in front of you as a special incentive.

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Speaker 1: And so if you want to see how we look

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Speaker 1: dressed like you, which I know most of you do.

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Speaker 1: Please get down to the studio, leave your car here,

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Speaker 1: leave your clothes here, and if you have puppies or kiddies,

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Speaker 1: we'll find them a home.

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Speaker 2: We have a really exciting announcement. All the donations of

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Speaker 2: clothes and cars are going to be matched by Engineer Ryan,

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Speaker 2: who has a lot of clothes that he loves. He's

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Speaker 2: sort of like he sort of peacocks the way he

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Speaker 2: dresses and things. And he's got all these like pieces

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Speaker 2: that he's just pulled from just like his travels, you know,

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Speaker 2: like very fancy silks.

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Speaker 1: Yeah, he has this whole philosophy that's like, don't pack,

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Speaker 1: just collect, and so every time he goes on a trip,

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Speaker 1: he brings an empty suitcase and by the time he

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Speaker 1: gets back to the US, it's filled with all these

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Speaker 1: exotic pieces of outerwear.

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Speaker 2: So back to the teaser freezer. Right, it's the it's

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Speaker 2: a hotel. It's dark. I can't even really see what's happening,

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Speaker 2: it says, by the sea's directed by it. Okay, that

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Speaker 2: was the teaser freezer. We are going to play it

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Speaker 2: again from the beginning, but just before we do that.

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Speaker 2: We do. Just want to talk about the pledge drive

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Speaker 2: for a second.

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Speaker 1: One thing that's really important to realize is you can

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Speaker 1: donate your mommy and daddy to us. You just drive

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Speaker 1: them down and if you don't, if you're not using them,

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Speaker 1: or if you just think that we could make better

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Speaker 1: use of them than you can, we'll put them to

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Speaker 1: work in one of our podcast camps that we've been

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Speaker 1: sort of organizing, where we are generating all the energy

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Speaker 1: for the studio by having people's mommies and daddies walk

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Speaker 1: on a treadmill that's hooked up to this sort of battery.

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Speaker 2: Put all your clothes on, your mommy and daddy, Have

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Speaker 2: your mommy and daddy drive your car to the ear

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Speaker 2: Wolf studio, Puppies and kiddies in the back seat. Twuffies

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Speaker 2: and kiddies running around safely in the back seat because

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Speaker 2: you don't want them to run under the break, says,

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Speaker 2: mommy's driving the car to already.

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Speaker 1: Scratch daddy's head as he's trying to make a left turn.

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Speaker 2: But he's wearing all your hats and so that that

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Speaker 2: could be safe as less of a concern. Yeah, So

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Speaker 2: definitely donate your mommy's and daddies and we'll come to

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Speaker 2: your school is a we will take over that recycling.

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Speaker 2: We will take over your school. As a new prize

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Speaker 2: that we're giving out, we'll match your mommy and daddy

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Speaker 2: donation dollar for dollar with a school takeover.

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Speaker 1: Ryan's been through nine or ten adopted families, so he's

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Speaker 1: matching all the mommy and daddy donations because he has

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Speaker 1: a bunch of mommies and daddies to give you back.

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Speaker 2: And we will.

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Speaker 1: Become principles for a day and it will be the

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Speaker 1: Rock and His day in your school history, and you'll

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Speaker 1: learn a lot about recycling.

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Speaker 2: Richie Sambora will show up to do a recycling Domo

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Speaker 2: so riff and do the recycling. And it's well, Hayes

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Speaker 2: knows how it goes, but we sing a pretty badass

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Speaker 2: song about how to save the earth. Bottles and cans,

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Speaker 2: yes we cans put them in the blue bins because

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Speaker 2: you know, it's a sin to take a plastic baggie.

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Speaker 2: And how does it go after that? It goes to, oh, yeah,

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Speaker 2: where do you leave off? Take a plastic bag of

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Speaker 2: plastic baggie? Okay, And this is where it gets little controversial.

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Speaker 2: Do we just get that lie?

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Speaker 1: We may want to like just leave that one out.

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Speaker 1: It's telling you not to be for as schools. Yeah,

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Speaker 1: but anyway, it's a great song and Richie just shreds

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Speaker 1: the ship out of it and it's gonna be really fun.

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Speaker 2: But let's get back to the beginning of the Teaser Freezer.

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Speaker 6: Is the.

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Speaker 2: Now they're so, this is the beginning of the trip

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Speaker 2: where they're going to the hotel.

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Speaker 1: Yeah, they both have expensive sunglasses.

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Speaker 2: Writing in the bathtub and sitting on the nice chair

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Speaker 2: sometimes and smoke by the window. I remember that part.

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Speaker 1: People looking rich sometimes to me is better than a

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Speaker 1: movie having a story.

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Speaker 2: Hey, guys, we do want to talk about what we're

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Speaker 2: cut in. And you love the Teaser Freezer.

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Speaker 1: You love the funniness that comes out of that, but

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Speaker 1: it doesn't come for free. And unfortunately we do have expenses.

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Speaker 1: We have a pledge drive going right now. We've raised

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Speaker 1: a lot, but we still need more. What we're looking

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Speaker 1: for is the place to crash. We really need somewhere

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Speaker 1: to sort of rest our weary bones. We've been podcast

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Speaker 1: to day and night and we need to lie down.

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Speaker 1: If you could somehow give your mommy and Daddy the

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Speaker 1: keys to your place. I guess they'll probably be on

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Speaker 1: the keychain they used to drive the car here.

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Speaker 2: Because the cars are just for us to be able

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Speaker 2: to get to your house.

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Speaker 1: Essentially, Engineer Ryan has an extra bedroom. You can pile

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Speaker 1: in there in the meantime we will be staying in

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Speaker 1: your home.

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Speaker 2: And people have asked, why don't you just pile the

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Speaker 2: clothes up on the back seat and use that as

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Speaker 2: a place to lie down. That just doesn't work. And

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Speaker 2: I want to be wearing the seatbelt in case the

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Speaker 2: car does start moving, and that makes it very uncomfortable.

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Speaker 2: Because it starts moving while I'm asleep and I don't

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Speaker 2: wake up, that could be very dangerous. And so that

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Speaker 2: is not that's not a helpful.

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Speaker 1: Paysn't I share a condition where we can't be woken

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Speaker 1: up by jostling. And so if you're just counting on

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Speaker 1: that for you know, the motion to cause us to

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Speaker 1: stir awake, you're gonna be sorely disappointed and we will

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Speaker 1: wind up dead.

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Speaker 2: Okay, now there's some people will talk. Welcome back to

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Speaker 2: the Pledge Drive. Please donate your medicine, any kind of

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Speaker 2: medicine that's not too big to swallow, or if you

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Speaker 2: do cut it up beforehand, then we would really appreciate

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Speaker 2: some of your medicine.

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Speaker 1: And if it's too big to swallow, please just write

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Speaker 1: on the label whether it's safe to stick in somewhere else.

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Speaker 1: And if doing that will get us off and get

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Speaker 1: us the.

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Speaker 2: Explain to you that we have your mommies and daeties

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Speaker 2: explained to us how to do it right.

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Speaker 1: Don't write anything down, teach your mommies and death add

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Speaker 1: he's what the medicine is, what it does, and honestly,

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Speaker 1: have them tell us.

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Speaker 2: A downer and have them tell us it's something else

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Speaker 2: to get so to get us to take it or

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Speaker 2: to put it in like mac and cheese.

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Speaker 1: Yes, if they can say that it's a candy, or

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Speaker 1: if they can tell us that it's a power pill

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Speaker 1: or something like that, that's going to give us superpowers.

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Speaker 1: That would probably make us much more likely to munch

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Speaker 1: on the medicine, which we do need to be healthy.

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Speaker 2: Boys, were we ever going to talk about it the beach?

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Speaker 2: They're on the beach looks like it might be. Oh,

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Speaker 2: we were going to talk about it, France, remember, he goes,

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Speaker 2: are we ever going to talk about it. Hey, guys,

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Speaker 2: we do love doing all this content for you, and

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Speaker 2: it is free, and we love that people can.

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Speaker 1: As funny exciting as the teaser freezer can be. And

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Speaker 1: we know that you guys are eager to get back

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Speaker 1: to it, and trust me, we are too. We love

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Speaker 1: to make this stuff, but we can't do it for free,

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Speaker 1: and we can do it if we don't get a bath.

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Speaker 1: So we do need your mommies and daddies to put

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Speaker 1: us in a tub and to wash us up real good.

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Speaker 1: I won't get fresh, I won't touch anything unless I'm

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Speaker 1: invited to, but I do need someone to wash the

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Speaker 1: places I can't reach, and it's got to be your

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Speaker 1: mommy and your daddy.

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Speaker 2: Then people are I'm sure, asking her like what about

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Speaker 2: how was it that making all this money? It seems

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Speaker 2: like how is maybe an a boarded project At this point,

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Speaker 2: I'm not sure. I've been hearing less about it, and

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Speaker 2: I don't know if it was. I don't think our

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Speaker 2: archives ever went behind the paywall as far as I know.

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Speaker 1: I don't know that they ever figured out the infrastructure

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Speaker 1: or if there even is anything. If you go to Howel,

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Speaker 1: it might be like a furniture store website at this point.

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Speaker 1: So if you think that's where we got the money

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Speaker 1: and that we can just buy our own baths with

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Speaker 1: HOWEL money.

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Speaker 2: We were hoping to take a lot of nice baths

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Speaker 2: from doing Howel, but now it looks like we will

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Speaker 2: be depending on your kindness in order to have a bath.

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Speaker 2: We will need your bummies and daddus to trick us

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Speaker 2: again into doing it.

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Speaker 1: I have to say that there's something fun going on

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Speaker 1: in the tube. Maybe there's a game, or they somehow

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Speaker 1: make it that we're submarine captain.

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Speaker 2: Or maybe some of our guys are in trouble. Like

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Speaker 2: you know, if she took some of our our little

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Speaker 2: guys and like put him in the tub, and.

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Speaker 1: If I could feel like I'm a hero like getting

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Speaker 1: into the tub, then that's going to go a long

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Speaker 1: way in terms of making me actually stay in there

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Speaker 1: long enough to get clean.

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Speaker 2: So it says by the side, and I wonder if

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Speaker 2: there's anyone else Is it just the two of them

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Speaker 2: in the movie? I wonder, I don't know, I just

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Speaker 2: have to find me. No, I sun old guy in it.

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Speaker 2: So that was the teaser freezer. We have a great

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Speaker 2: guest today, Mike O'Brien is here out in his sketch album.

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Speaker 2: Sketch album Tasty Radio Got Hollywood had Book.

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Speaker 3: Hollywood Hambook.

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Speaker 2: So I'm with Russell Peters on the Alaska cruise and

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Speaker 2: they stop at all these little like old times gold

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Speaker 2: mining villages and you got out and you do activities,

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Speaker 2: and they had sort of a pan station. Yes, and

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Speaker 2: I'm of course like, you know, first one to the

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Speaker 2: gold ready, ready, and yeah, I'm shaking it. And this

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Speaker 2: lady next to me comes up. She's like, I got look,

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Speaker 2: I got this big thing. And I'm you know, I'm

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Speaker 2: like excited. I just hear that. I'm really excited because

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Speaker 2: I want everyone to do well. Naturally, you're always rooting

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Speaker 2: for the underdog, and it's like rising tide and all that. Yeah,

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Speaker 2: I mean there's gold in the it means there's gold

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Speaker 2: in the in the hill in the station. It wasn't

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Speaker 2: a river, but it's designed to sort of stimulate a river.

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Speaker 2: But then I see that, like most of her body

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Speaker 2: is in my area, so it's not really her goal,

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Speaker 2: you know. And they and they're marked, there are lines

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Speaker 2: marking where you're kind of supposed to because if everyone,

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Speaker 2: if everyone could just run up and down the thing

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Speaker 2: be dangerous. Yeah, well, rules are part of what makes

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Speaker 2: it fun. And so they're like, she's a kid to

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Speaker 2: do an old lady. She was like a little kid.

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Speaker 2: Uh huh. I started to get like really fired up,

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Speaker 2: and like Russell is sort of pulling me away. Well,

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Speaker 2: and it's overpowering, and I just and I don't want

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Speaker 2: to make too much of account, but everyone's now siding

438
00:23:55,080 --> 00:23:59,879
Speaker 2: with the female in this situation the way because it

439
00:24:00,080 --> 00:24:05,560
Speaker 2: stuffs and broad City and everything. And so eventually I'm like,

440
00:24:05,560 --> 00:24:10,679
Speaker 2: you know what, fucking pay it forward? Wow? You know

441
00:24:11,160 --> 00:24:15,080
Speaker 2: I said pay it forward, and I've forgotten that someone

442
00:24:15,119 --> 00:24:18,040
Speaker 2: had done that for me a while, you know, around

443
00:24:18,040 --> 00:24:20,760
Speaker 2: when the movie came out. Hey, so it had paid

444
00:24:20,760 --> 00:24:24,919
Speaker 2: it forward to me. That she can't keep it. You

445
00:24:25,000 --> 00:24:27,040
Speaker 2: told her she can't keep it, she has to give

446
00:24:27,040 --> 00:24:29,760
Speaker 2: it to some Well, she actually has to do three

447
00:24:30,480 --> 00:24:33,040
Speaker 2: major favors. If you remember how pay it forward works.

448
00:24:33,160 --> 00:24:35,920
Speaker 2: I do I do? You booked up her week that

449
00:24:36,040 --> 00:24:42,120
Speaker 2: can't be repaid, Like she has to let Jim Caviezel,

450
00:24:42,840 --> 00:24:46,800
Speaker 2: a homeless guy live in her garage, is one of them. Oh,

451
00:24:46,840 --> 00:24:48,760
Speaker 2: you got to pick them too. Well, it has to

452
00:24:48,840 --> 00:24:51,360
Speaker 2: be the ones from the movie Oh you do those three?

453
00:24:52,280 --> 00:24:57,200
Speaker 2: She has to set up Kevin Spacey with her mom,

454
00:24:57,200 --> 00:24:59,200
Speaker 2: but he's got so he can finally get it wet

455
00:25:00,280 --> 00:25:04,720
Speaker 2: because he's got he got all burned up. Yeah. One time,

456
00:25:06,080 --> 00:25:08,439
Speaker 2: and I also called her. I called her something that

457
00:25:08,520 --> 00:25:12,399
Speaker 2: I didn't think was a racial slur, but afterwards Russell

458
00:25:12,600 --> 00:25:15,280
Speaker 2: Russell was like, that is a racial slur. Okay, but

459
00:25:15,400 --> 00:25:17,320
Speaker 2: it was for something that is not what she was.

460
00:25:17,920 --> 00:25:20,200
Speaker 2: She should be fine because she was like a thing.

461
00:25:20,240 --> 00:25:23,000
Speaker 2: But she wasn't the one thing. She wasn't the thing

462
00:25:23,040 --> 00:25:27,760
Speaker 2: that I unknowingly was saying that she was. So I

463
00:25:27,760 --> 00:25:31,480
Speaker 2: apologize for that, but then I had her pay forward

464
00:25:31,520 --> 00:25:32,359
Speaker 2: the apology as.

465
00:25:32,200 --> 00:25:36,000
Speaker 1: Well, Wow, what a giant spirit you have. And I

466
00:25:36,000 --> 00:25:38,480
Speaker 1: didn't think that's where the story was going. And I

467
00:25:38,520 --> 00:25:41,080
Speaker 1: thought you were gonna Actually I was nervous that you

468
00:25:41,119 --> 00:25:46,080
Speaker 1: were going to throttle her somehow physically assault her in

469
00:25:46,160 --> 00:25:47,000
Speaker 1: order to get the goal.

470
00:25:47,240 --> 00:25:51,560
Speaker 2: Well, I did have all this kind of energy built up,

471
00:25:51,560 --> 00:25:54,280
Speaker 2: but Russell gave me like a cool marble that sort

472
00:25:54,280 --> 00:25:55,440
Speaker 2: of play with on the way home.

473
00:25:55,400 --> 00:25:58,720
Speaker 1: Oh right, to kind of anchor your Yeah, oh that's great.

474
00:25:59,520 --> 00:26:03,959
Speaker 2: So I go, hey, welcome to Hollywood. Handbook and its

475
00:26:03,960 --> 00:26:06,359
Speaker 2: guid's a kicking button, dropping names in the red carpet

476
00:26:06,359 --> 00:26:09,200
Speaker 2: lineback always of this industry we call show. But I

477
00:26:09,240 --> 00:26:10,560
Speaker 2: think that's the best one I've ever done.

478
00:26:11,080 --> 00:26:13,720
Speaker 1: I loved it, and I think our guest did too.

479
00:26:13,760 --> 00:26:15,720
Speaker 1: And you've already heard his voice, so why wait to

480
00:26:15,760 --> 00:26:16,520
Speaker 1: introduce him?

481
00:26:16,680 --> 00:26:19,160
Speaker 2: And most people I don't want to do it again.

482
00:26:19,200 --> 00:26:21,959
Speaker 2: Oh you're gonna go over it? Okay, great? Right, yeah, No,

483
00:26:22,040 --> 00:26:23,399
Speaker 2: it's better I should say something.

484
00:26:23,520 --> 00:26:25,720
Speaker 1: Yeah, just because if anyone's listening, and a lot of

485
00:26:25,760 --> 00:26:26,720
Speaker 1: people do, they'll know.

486
00:26:26,800 --> 00:26:30,760
Speaker 2: For the future. And if people and you're doing if

487
00:26:30,760 --> 00:26:33,200
Speaker 2: people do listen to the show beforehand, I know you didn't,

488
00:26:33,320 --> 00:26:36,600
Speaker 2: but if people I can tell you didn't because of

489
00:26:36,760 --> 00:26:40,679
Speaker 2: what you just did. But if for future guests, if

490
00:26:40,680 --> 00:26:44,400
Speaker 2: they do listen to the show beforehand, the first initial

491
00:26:44,680 --> 00:26:47,639
Speaker 2: chat is kind of like for listeners to just kind

492
00:26:47,680 --> 00:26:52,440
Speaker 2: of anchor themselves with for the guests. Yes, a little bit.

493
00:26:52,520 --> 00:26:55,520
Speaker 2: You can imagine how confusing that would be. Absolutely. I

494
00:26:55,520 --> 00:26:56,840
Speaker 2: mean in a sense.

495
00:26:56,600 --> 00:27:00,960
Speaker 6: It's like I hopped over the red carpet stanchion.

496
00:27:01,440 --> 00:27:04,880
Speaker 2: It's not even in a sense that that's what you did.

497
00:27:04,880 --> 00:27:08,520
Speaker 1: It is literally that well, it's sort of like, let's

498
00:27:08,520 --> 00:27:12,760
Speaker 1: say you went to a pornographic theater. Sure, sure, yeah

499
00:27:12,960 --> 00:27:16,720
Speaker 1: you're and you're watching when you're enjoying, and you're enjoying

500
00:27:16,720 --> 00:27:18,880
Speaker 1: in the way that people enjoy themselves in that theater,

501
00:27:19,200 --> 00:27:24,240
Speaker 1: and suddenly someone spliced in some footage from like paycheck,

502
00:27:24,640 --> 00:27:28,320
Speaker 1: which is a pretty good afflic vehicle. But it's what

503
00:27:28,480 --> 00:27:32,920
Speaker 1: you came to see, right, I'm not saying you're bad

504
00:27:33,000 --> 00:27:34,240
Speaker 1: Mike your paycheck to.

505
00:27:34,240 --> 00:27:39,199
Speaker 2: Me, Oh, and you're porn to yourself, yes, and to

506
00:27:39,280 --> 00:27:42,600
Speaker 2: many of our listeners. Yeah, I mean I would hate that.

507
00:27:42,760 --> 00:27:43,239
Speaker 2: I know.

508
00:27:43,280 --> 00:27:46,920
Speaker 6: I do go to those theaters a good amount. Haven't

509
00:27:46,920 --> 00:27:48,919
Speaker 6: figured out a better way to watch my porn, but

510
00:27:48,960 --> 00:27:52,920
Speaker 6: I drive over to them, get some popcorn, loosen the bill,

511
00:27:53,359 --> 00:27:54,560
Speaker 6: and watch a film.

512
00:27:54,720 --> 00:27:59,360
Speaker 2: How do you handle the drive home just crying? Okay,

513
00:27:59,480 --> 00:28:01,440
Speaker 2: because it's always like sort of uncomfortable.

514
00:28:01,640 --> 00:28:06,160
Speaker 6: Yeah, especially if you uber pool and they're like, oh,

515
00:28:06,280 --> 00:28:08,119
Speaker 6: that was a weird place you came out of, and

516
00:28:08,160 --> 00:28:10,200
Speaker 6: you're like, I don't want to talk, you know, I.

517
00:28:10,240 --> 00:28:13,080
Speaker 1: Just yeah, right, I need to like minut it to myself.

518
00:28:13,080 --> 00:28:17,959
Speaker 2: They always want to chat after Yeah, Like that's number one.

519
00:28:18,040 --> 00:28:23,000
Speaker 2: Take me note of the sweatiness. Jeez, yeah, Now, Mike

520
00:28:24,800 --> 00:28:29,359
Speaker 2: SNL you did that jug plug? Did you ever meet

521
00:28:29,400 --> 00:28:33,760
Speaker 2: the host? I didn't. I had it was a weird,

522
00:28:34,160 --> 00:28:37,520
Speaker 2: bad run of six years where I just was always

523
00:28:37,600 --> 00:28:39,680
Speaker 2: going in the room right as he or she had left.

524
00:28:40,760 --> 00:28:44,280
Speaker 2: Just bad luck. But I met a million people who

525
00:28:44,400 --> 00:28:46,640
Speaker 2: met the host. Okay, what was that?

526
00:28:46,840 --> 00:28:46,920
Speaker 1: Like?

527
00:28:47,240 --> 00:28:47,920
Speaker 2: That was cool?

528
00:28:48,520 --> 00:28:52,120
Speaker 6: That was pretty cool. The girl who had met polar

529
00:28:52,280 --> 00:28:58,719
Speaker 6: is probably my favorite. If I had to pick a.

530
00:28:57,400 --> 00:29:00,520
Speaker 2: Must have been freaking freaked out. I streaked out. Yeah,

531
00:29:00,680 --> 00:29:04,080
Speaker 2: that's so sweet and humble too. She was like from

532
00:29:04,120 --> 00:29:06,600
Speaker 2: the makeup department or whatever, and she was like, didn't

533
00:29:06,600 --> 00:29:07,480
Speaker 2: have a big head about her.

534
00:29:07,520 --> 00:29:09,680
Speaker 6: She was like, oh yeah, I met her. Amy's so

535
00:29:09,800 --> 00:29:12,040
Speaker 6: nice And I was like, thank you for talking to me.

536
00:29:12,080 --> 00:29:13,840
Speaker 6: I'm it was super sweet.

537
00:29:13,840 --> 00:29:15,720
Speaker 2: You're always afraid that the footle are going to be

538
00:29:15,880 --> 00:29:17,800
Speaker 2: like they seem nice, but they're gonna end.

539
00:29:17,800 --> 00:29:20,720
Speaker 1: Yes, they say, don't meet your heroes, And I think

540
00:29:20,760 --> 00:29:24,400
Speaker 1: the reason is that sometimes those makeup department women will

541
00:29:24,440 --> 00:29:27,840
Speaker 1: have very big heads yes, and we'll sort of be like,

542
00:29:29,000 --> 00:29:35,160
Speaker 1: what's the word for it, bitches, Oh yeah, just nasty

543
00:29:35,240 --> 00:29:38,640
Speaker 1: you couldn't yeah yeah, and they'll just be like sort

544
00:29:38,640 --> 00:29:41,200
Speaker 1: of like high high time in You.

545
00:29:41,280 --> 00:29:46,320
Speaker 2: Yeah, not the magazine. No, no, right, just like Big

546
00:29:46,320 --> 00:29:48,880
Speaker 2: Time in You even Oh okay, I don't know if

547
00:29:49,440 --> 00:29:52,600
Speaker 2: is that a magazine? Do they all have to be magazines?

548
00:29:52,640 --> 00:29:54,440
Speaker 2: I guess I don't. I didn't listen to the show.

549
00:29:55,960 --> 00:30:00,400
Speaker 1: Well we know that, but that's so cool, cool that

550
00:30:00,440 --> 00:30:02,800
Speaker 1: you met the girl who met the house Michael. And

551
00:30:02,800 --> 00:30:04,840
Speaker 1: that's some of what we talk about on the show

552
00:30:04,960 --> 00:30:07,400
Speaker 1: is like, you know, we don't always want to make

553
00:30:07,400 --> 00:30:10,840
Speaker 1: it about name dropping, but these are the names.

554
00:30:10,520 --> 00:30:12,920
Speaker 2: Of the people we actually know. So how do we

555
00:30:12,960 --> 00:30:18,560
Speaker 2: talk about without doing that? But to go back to

556
00:30:18,720 --> 00:30:22,920
Speaker 2: SNL for a moment, Yeah, it was green Day ever

557
00:30:23,040 --> 00:30:29,240
Speaker 2: on when you were there? Thank you, thank you? No, okay,

558
00:30:29,440 --> 00:30:33,360
Speaker 2: because we're kind of like, wait, evactive for asking if

559
00:30:33,360 --> 00:30:37,520
Speaker 2: Green Day was there, because they weren't ever there.

560
00:30:37,920 --> 00:30:40,880
Speaker 6: Right, I've been waiting for someone to ask me I was.

561
00:30:41,000 --> 00:30:46,760
Speaker 6: So it was so weird that they, you know, America

562
00:30:47,240 --> 00:30:51,080
Speaker 6: Isn't Good came out right during that time, and you

563
00:30:51,080 --> 00:30:53,720
Speaker 6: think they would have toured that. They also had the

564
00:30:53,800 --> 00:30:58,840
Speaker 6: Broadway version of it in New York, right right right,

565
00:30:59,120 --> 00:31:01,480
Speaker 6: speaking of the big name drop.

566
00:31:01,400 --> 00:31:06,640
Speaker 2: Yeah, what's your favorite track off the off the Broadway version?

567
00:31:07,280 --> 00:31:10,320
Speaker 2: I think it's angry about war. Angry about War is great.

568
00:31:10,440 --> 00:31:14,960
Speaker 2: I thought Bye by Government was also very good and

569
00:31:15,040 --> 00:31:17,080
Speaker 2: not on the album. It's only in the Broadway show.

570
00:31:17,120 --> 00:31:19,680
Speaker 1: So wow, for me, Suck My Flag as the only

571
00:31:20,520 --> 00:31:22,560
Speaker 1: song that's really worth turning.

572
00:31:22,400 --> 00:31:26,840
Speaker 2: All the way up on the volume. Yeah. Yeah, well

573
00:31:26,880 --> 00:31:30,080
Speaker 2: they recorded it quieter too, yes that.

574
00:31:30,440 --> 00:31:32,800
Speaker 6: Yeah, they're whispering speakers if you turn it all the

575
00:31:32,840 --> 00:31:33,560
Speaker 6: way yeah.

576
00:31:34,080 --> 00:31:36,560
Speaker 2: Don't get my stars and bars stuck in your throat.

577
00:31:36,640 --> 00:31:40,680
Speaker 1: Right, So yeah, that fucking rules.

578
00:31:40,920 --> 00:31:42,960
Speaker 2: Yeah, let's talk about the album, Mike.

579
00:31:43,040 --> 00:31:46,520
Speaker 1: What what section of I'm sorry, the Green Day album

580
00:31:46,560 --> 00:31:48,480
Speaker 1: or Mike's I was going to talk about Mike's You

581
00:31:48,480 --> 00:31:49,240
Speaker 1: want to do that now?

582
00:31:49,320 --> 00:31:54,640
Speaker 2: Yes, okay, what part of Sam Goodie is it in?

583
00:31:56,440 --> 00:31:56,680
Speaker 2: You know?

584
00:31:57,320 --> 00:31:59,840
Speaker 6: You know if you go back by the bathrooms, Yes,

585
00:32:00,280 --> 00:32:02,200
Speaker 6: there's a bunch of there's a bulletin board with a

586
00:32:02,200 --> 00:32:04,719
Speaker 6: bunch of flyers under that.

587
00:32:05,280 --> 00:32:10,480
Speaker 1: Sorry, Mike, those are for employees, those bathrooms. Oh, you're

588
00:32:10,520 --> 00:32:12,640
Speaker 1: not using the Sam Goodie bathrooms.

589
00:32:12,240 --> 00:32:16,320
Speaker 6: Right, I have I have done that. Yeah, so I

590
00:32:16,320 --> 00:32:20,600
Speaker 6: guess I'll use this airtime too. Does this play in

591
00:32:20,640 --> 00:32:25,800
Speaker 6: Sam Goody's speakers? Yes, I'm very sorry to the management

592
00:32:25,840 --> 00:32:33,000
Speaker 6: of Sam goody for just ten years of bathroom humiliations,

593
00:32:34,120 --> 00:32:40,000
Speaker 6: humiliate humiliating them. Okay, anyway, it's over by there. It's

594
00:32:40,040 --> 00:32:44,040
Speaker 6: it's in between jazz and and contemporary jazz.

595
00:32:44,280 --> 00:32:51,120
Speaker 2: Ah tough to find, mmm, between jazz and contemporary jazz. Okay,

596
00:32:51,640 --> 00:32:55,680
Speaker 2: And I guess you wanted to talk about sort of

597
00:32:55,680 --> 00:33:00,760
Speaker 2: the process of putting the album together. Yes, and the

598
00:33:00,840 --> 00:33:05,840
Speaker 2: fact that with these like CDRs, you can only get

599
00:33:05,920 --> 00:33:08,920
Speaker 2: so much stuff on there. Right.

600
00:33:09,360 --> 00:33:12,320
Speaker 6: A CDR has a limit of seventy minutes, so the

601
00:33:12,360 --> 00:33:17,640
Speaker 6: album's seventy minutes long. But we recorded I don't know,

602
00:33:18,440 --> 00:33:20,520
Speaker 6: a couple hours worth of stuff, so a lot hits

603
00:33:20,520 --> 00:33:21,360
Speaker 6: the cutting room floor.

604
00:33:21,520 --> 00:33:23,400
Speaker 2: Yeah, sure, I guess so. And it must have been

605
00:33:23,480 --> 00:33:24,880
Speaker 2: some good stuff too.

606
00:33:24,960 --> 00:33:27,680
Speaker 6: Some Yeah, oh there's there was enough for a whole

607
00:33:27,680 --> 00:33:30,640
Speaker 6: other album that was as good or better. I'd say,

608
00:33:30,760 --> 00:33:34,240
Speaker 6: oh wow, And then weird technical issues and the FCS

609
00:33:34,280 --> 00:33:36,640
Speaker 6: and everything will come down and say, oh, you can't

610
00:33:36,640 --> 00:33:37,120
Speaker 6: put this on.

611
00:33:37,240 --> 00:33:40,680
Speaker 2: You can't say that sure, And how is that different

612
00:33:40,720 --> 00:33:41,400
Speaker 2: from the FCC.

613
00:33:41,800 --> 00:33:44,520
Speaker 6: FCS is the splinter group that's more aggressive. It's run

614
00:33:44,560 --> 00:33:47,000
Speaker 6: by anonymous and you listen to them. I don't worry

615
00:33:47,000 --> 00:33:50,520
Speaker 6: about it. The FCC as much. That's that's my dad's censorship,

616
00:33:50,560 --> 00:33:50,760
Speaker 6: you know.

617
00:33:51,080 --> 00:33:54,000
Speaker 1: Oh wow, yeah, FCC, I can take on just the

618
00:33:54,040 --> 00:33:55,360
Speaker 1: way that Howard Stern did.

619
00:33:55,480 --> 00:33:58,120
Speaker 2: What did you guys do on the fifth of November? That? Like,

620
00:33:58,160 --> 00:34:00,000
Speaker 2: how did you like protect yourself this year?

621
00:34:00,280 --> 00:34:05,040
Speaker 1: Me personally? Yeah, Oh well, I just got in my tunnel.

622
00:34:06,120 --> 00:34:09,000
Speaker 1: I dug a little tunnel that I hide in, like

623
00:34:09,200 --> 00:34:13,960
Speaker 1: uh el Chapo uh hm? Is it like el Chopo?

624
00:34:14,320 --> 00:34:15,320
Speaker 1: I think mine's nicer.

625
00:34:15,480 --> 00:34:16,600
Speaker 2: Do I have that name right?

626
00:34:16,719 --> 00:34:21,280
Speaker 6: His was air conditioned, I believe, and had a motorcycle track.

627
00:34:22,000 --> 00:34:25,160
Speaker 2: M Yeah, but you can only fit like dirt bikes

628
00:34:25,160 --> 00:34:27,080
Speaker 2: on it, really, but mine you can get a full

629
00:34:27,120 --> 00:34:31,319
Speaker 2: badass Harley. Oh oh yeah. His was a little more like.

630
00:34:31,239 --> 00:34:35,040
Speaker 1: A I mean, he calls it a motorcycle track, but honestly, Mike,

631
00:34:35,400 --> 00:34:37,240
Speaker 1: they're riding dirt bikes on that thing.

632
00:34:37,239 --> 00:34:38,959
Speaker 2: And you don't want to use it because it would

633
00:34:38,960 --> 00:34:40,320
Speaker 2: be so loud in the tunnel if you turned the

634
00:34:40,360 --> 00:34:42,400
Speaker 2: motorcycle on. But you can kind of straddle it and

635
00:34:42,520 --> 00:34:44,920
Speaker 2: walk it with your feet mm hmmm, sort of all

636
00:34:44,920 --> 00:34:46,640
Speaker 2: the way down the tunnel. Yeah.

637
00:34:46,719 --> 00:34:49,120
Speaker 1: Yeah, And I'll build a little ramp and I'll get

638
00:34:49,120 --> 00:34:53,600
Speaker 1: onto my fucking Dukati and I'll just kick my feet up,

639
00:34:53,680 --> 00:34:55,879
Speaker 1: roll down and then jump off and the bike falls over.

640
00:34:56,560 --> 00:34:58,600
Speaker 6: That's all in the future, you're going to do that,

641
00:34:59,000 --> 00:34:59,760
Speaker 6: that's ideally.

642
00:35:01,000 --> 00:35:04,800
Speaker 2: Yeah. So, but how did you protect yourself? On November fifth?

643
00:35:05,000 --> 00:35:09,200
Speaker 6: November fifth, I got a I have a cult Defender,

644
00:35:09,280 --> 00:35:13,799
Speaker 6: which is a handgun BB gun, and I loaded her

645
00:35:13,880 --> 00:35:15,640
Speaker 6: up and sat by the front door with a ball

646
00:35:15,640 --> 00:35:18,399
Speaker 6: of whiskey and you know, come on in and meet

647
00:35:18,440 --> 00:35:20,960
Speaker 6: your maker, you know type vibe And then you're almost

648
00:35:21,000 --> 00:35:23,359
Speaker 6: begging them to enter at that point, Yeah, you want

649
00:35:23,400 --> 00:35:24,680
Speaker 6: to just start picking off guys.

650
00:35:24,960 --> 00:35:27,160
Speaker 2: You wish someone would. Yeah.

651
00:35:27,280 --> 00:35:30,400
Speaker 6: I did get a hand BB gun, and I just

652
00:35:30,640 --> 00:35:32,719
Speaker 6: haven't had the guts to I want to shoot cans

653
00:35:32,760 --> 00:35:34,239
Speaker 6: in the backyard, and I haven't had the guts to

654
00:35:34,239 --> 00:35:34,480
Speaker 6: do it.

655
00:35:34,480 --> 00:35:37,560
Speaker 2: I feel like the neighbors would be like, are.

656
00:35:37,400 --> 00:35:41,480
Speaker 6: You fucking kidding me? You're standing in the backyard shooting

657
00:35:41,680 --> 00:35:43,600
Speaker 6: a gun. I don't think you can do that in

658
00:35:43,640 --> 00:35:46,839
Speaker 6: the city. But and you'ld be yelling it's a BB gun.

659
00:35:46,880 --> 00:35:49,040
Speaker 6: But I also wouldn't be stopping shooting. I'd be yelling

660
00:35:49,080 --> 00:35:52,799
Speaker 6: over the shots. And what would you be yelling it's

661
00:35:52,840 --> 00:35:53,359
Speaker 6: a BB gun?

662
00:35:53,440 --> 00:35:56,480
Speaker 2: Yeah? He said that, yeah, or well or the lyrics

663
00:35:56,520 --> 00:35:58,960
Speaker 2: to h twenty one guns.

664
00:35:59,120 --> 00:36:06,640
Speaker 1: Yeah, I was not listening to you as a move,

665
00:36:06,880 --> 00:36:09,479
Speaker 1: as a revenge move. I wasn't listening because you didn't

666
00:36:09,480 --> 00:36:11,680
Speaker 1: listen to the show. So I'm not gonna listen to you. Okay,

667
00:36:11,680 --> 00:36:13,120
Speaker 1: and we'll see how you like it when people don't

668
00:36:13,120 --> 00:36:13,600
Speaker 1: listen to you.

669
00:36:13,719 --> 00:36:17,520
Speaker 2: It's not fun. No, no, learn. Yeah, that's a kind

670
00:36:17,520 --> 00:36:20,400
Speaker 2: of different kind of paying it forward. M It works

671
00:36:20,400 --> 00:36:26,040
Speaker 2: both ways. Yeah, paying it backward, Mike suit. Let's play

672
00:36:26,080 --> 00:36:31,000
Speaker 2: some of your favorite sketches, the ones you wish you

673
00:36:31,080 --> 00:36:34,440
Speaker 2: had time for that didn't make it like. We've heard

674
00:36:34,480 --> 00:36:36,480
Speaker 2: them all and we have some that we like, and

675
00:36:37,040 --> 00:36:39,040
Speaker 2: you can or you can talk about the ones that

676
00:36:39,120 --> 00:36:42,040
Speaker 2: you like. I mean, for all the talk about whether

677
00:36:42,080 --> 00:36:47,360
Speaker 2: I've listened to this show, Okay, I'll believe you that

678
00:36:47,400 --> 00:36:49,040
Speaker 2: you've heard them all. You listen to all the ones

679
00:36:49,040 --> 00:36:51,080
Speaker 2: on the on the We listened to all the ones

680
00:36:51,080 --> 00:36:55,359
Speaker 2: on the raw. Yeah, yes, the Raw. Yes, the Darth

681
00:36:55,440 --> 00:36:58,239
Speaker 2: Vader is the worst boss in the office. That one. Yes,

682
00:36:58,360 --> 00:37:00,360
Speaker 2: do you want to do that one? I've thought that

683
00:37:00,440 --> 00:37:01,040
Speaker 2: was so funny.

684
00:37:01,040 --> 00:37:03,080
Speaker 1: It's just I couldn't believe that one didn't make the

685
00:37:03,080 --> 00:37:06,520
Speaker 1: cut because that one was crushing me, I know.

686
00:37:07,000 --> 00:37:12,160
Speaker 2: Almost like fucking Dukati. I was like when I thought

687
00:37:12,160 --> 00:37:14,239
Speaker 2: of it, I was like, that's in office. I don't

688
00:37:14,239 --> 00:37:16,960
Speaker 2: want to work in Yeah. No, he's the worst. He's

689
00:37:17,000 --> 00:37:19,520
Speaker 2: the worst boss in the office. And that title, too,

690
00:37:19,760 --> 00:37:22,479
Speaker 2: is just really gets it all there. There's a really

691
00:37:22,480 --> 00:37:30,840
Speaker 2: complicated system. Yeah management, Yes, yeah, so I have five bosses.

692
00:37:30,880 --> 00:37:35,520
Speaker 2: You know, everyone Man wants, Vader wants Gandal.

693
00:37:35,840 --> 00:37:36,080
Speaker 1: I don't.

694
00:37:37,480 --> 00:37:39,520
Speaker 2: Yeah, he's like a decent boss.

695
00:37:39,960 --> 00:37:43,680
Speaker 1: Yeah, he's okay, but he's also kind of a pussy.

696
00:37:43,840 --> 00:37:46,120
Speaker 2: Yeah. Do we want to play that? Where do you

697
00:37:46,160 --> 00:37:50,560
Speaker 2: want to explain like sort of where that idea came from.

698
00:37:50,960 --> 00:37:54,799
Speaker 6: I want to do a different one. Okay, this one

699
00:37:55,120 --> 00:38:01,200
Speaker 6: was actual. This one, we just stole the audio from

700
00:38:01,560 --> 00:38:07,640
Speaker 6: a gay porn called Construction Island, and we would just

701
00:38:07,880 --> 00:38:10,880
Speaker 6: take it out, take out the sex parts, and then

702
00:38:10,880 --> 00:38:13,520
Speaker 6: we just spliced together and it was a we don't

703
00:38:13,560 --> 00:38:14,640
Speaker 6: have to do the whole thing, but it was a

704
00:38:14,680 --> 00:38:17,600
Speaker 6: twenty eight minute long track that's just all the dialogue

705
00:38:17,600 --> 00:38:19,880
Speaker 6: from construction Construction Information.

706
00:38:20,200 --> 00:38:23,200
Speaker 2: Yeah, yeah, okay, Yeah, let's just let's play that. That

707
00:38:23,200 --> 00:38:33,800
Speaker 2: sounds great. Cool? Oh where am I my plane? Crashed.

708
00:38:34,800 --> 00:38:37,320
Speaker 2: What is this place? Let me help you up there, partner.

709
00:38:37,800 --> 00:38:41,280
Speaker 2: You're on construction island. You're gonna have to get a helmet.

710
00:38:41,680 --> 00:38:46,360
Speaker 2: It's not safe. Oh okay, how do I? How do

711
00:38:46,440 --> 00:38:48,080
Speaker 2: I get it? Are you guys going to give me

712
00:38:48,080 --> 00:38:52,640
Speaker 2: a helmet? Do we have any extra helmets? You issue?

713
00:38:52,760 --> 00:39:00,880
Speaker 2: Was that easy? You're gonna have to Hey, you guys,

714
00:39:00,880 --> 00:39:03,000
Speaker 2: we got one hour till that whole building has to

715
00:39:03,000 --> 00:39:14,359
Speaker 2: be done. Hand me that wrench. So, as you can.

716
00:39:14,320 --> 00:39:17,560
Speaker 6: Tell in the track, it took less and less flirting

717
00:39:17,760 --> 00:39:19,480
Speaker 6: for them to get right to the sex parts.

718
00:39:19,640 --> 00:39:22,920
Speaker 2: Each time there's a cut to a brief moment of

719
00:39:24,120 --> 00:39:27,200
Speaker 2: silence between two characters.

720
00:39:26,960 --> 00:39:29,600
Speaker 6: And on the screen what you're seeing there is is

721
00:39:29,640 --> 00:39:32,840
Speaker 6: there shaking hands and that's their that's their flirtation.

722
00:39:33,160 --> 00:39:33,560
Speaker 3: Mm hmm.

723
00:39:33,920 --> 00:39:34,320
Speaker 2: Wow.

724
00:39:34,560 --> 00:39:37,080
Speaker 6: And it's actually a pretty good movie. Yeah, And it

725
00:39:37,120 --> 00:39:40,480
Speaker 6: doesn't do well in just the audio. It's mostly visual.

726
00:39:41,040 --> 00:39:42,960
Speaker 6: I think those guys might have been like sirk or

727
00:39:42,960 --> 00:39:45,240
Speaker 6: something too, because they're really they were jumping around.

728
00:39:45,480 --> 00:39:49,920
Speaker 2: What is the sound between because just from a production standpoint,

729
00:39:49,920 --> 00:39:51,880
Speaker 2: how people put these things together, there's a there you

730
00:39:51,880 --> 00:39:56,200
Speaker 2: can sort of hear a sound that represents cutting between scenes,

731
00:39:56,760 --> 00:39:59,760
Speaker 2: right what is that That that noise.

732
00:39:59,640 --> 00:40:02,640
Speaker 6: That's just you can't not have that when you cut.

733
00:40:02,760 --> 00:40:06,359
Speaker 6: That's just technology. That's static kind of feedback et and

734
00:40:06,640 --> 00:40:08,120
Speaker 6: we haven't found a way around that.

735
00:40:08,280 --> 00:40:12,280
Speaker 1: And gosh, I'm learning so much about the audio business. Yeah, Jenia, Ryan,

736
00:40:12,360 --> 00:40:13,080
Speaker 1: are you listening.

737
00:40:14,680 --> 00:40:17,440
Speaker 2: Let's talk about drive through prank. I thought, oh yeah,

738
00:40:17,640 --> 00:40:21,760
Speaker 2: drive through prank was really funny. Was that real? Yeah?

739
00:40:21,880 --> 00:40:24,719
Speaker 2: You actually did that prank? Yeah? The guy, the guy,

740
00:40:25,320 --> 00:40:26,319
Speaker 2: the employee is real.

741
00:40:27,160 --> 00:40:29,400
Speaker 6: Okay, the employee is there is there is He was

742
00:40:29,440 --> 00:40:33,279
Speaker 6: a guy just working at Burger King and uh didn't know.

743
00:40:33,360 --> 00:40:36,480
Speaker 2: We were having some fun. Oh wow, yeah, okay, and

744
00:40:36,520 --> 00:40:39,160
Speaker 2: it was you and your buddies.

745
00:40:39,200 --> 00:40:42,040
Speaker 6: I man, it's me and my dad actually were driving.

746
00:40:42,280 --> 00:40:44,319
Speaker 6: When we drove through. We threw some mics on and

747
00:40:44,320 --> 00:40:47,200
Speaker 6: we kind of were like, I don't want to give

748
00:40:47,200 --> 00:40:50,000
Speaker 6: anything away, but we were the the challenge we gave

749
00:40:50,000 --> 00:40:54,439
Speaker 6: ourselves where we were like, what's a non ideal food order?

750
00:40:54,760 --> 00:40:59,080
Speaker 2: Okay, great, do we want to just play that one? Yeah? Listen, Yeah,

751
00:40:59,120 --> 00:41:03,640
Speaker 2: take a listen. Okay, great, welcome to the drive throat.

752
00:41:03,640 --> 00:41:08,680
Speaker 2: Can I help you? Yeah? This is this is Burger King,

753
00:41:08,760 --> 00:41:22,640
Speaker 2: right shut up? No, oh yeah it is well, no,

754
00:41:22,719 --> 00:41:33,840
Speaker 2: it's it's not. Oh okay, what is it? Pizza? Hut? Okay,

755
00:41:35,120 --> 00:41:42,279
Speaker 2: well do you guys have a pizza? Yeah? Almost exclusively.

756
00:41:44,640 --> 00:41:47,440
Speaker 6: Yeah, I think we'll take.

757
00:41:49,120 --> 00:41:55,960
Speaker 2: Pretty hungry twenty five pizza pizzas. Uh no cheese on those?

758
00:41:58,080 --> 00:42:07,560
Speaker 2: Do you have a do you have milk? Snow? Well,

759
00:42:07,560 --> 00:42:10,640
Speaker 2: then I'd like to speak to a manager. I'm the manager.

760
00:42:13,640 --> 00:42:18,000
Speaker 2: Should we just go? Should we just go? Nothing? Nothing?

761
00:42:18,040 --> 00:42:21,759
Speaker 2: By Okay, this wasn't a phone call.

762
00:42:24,800 --> 00:42:27,319
Speaker 6: And and we had to go back the next day

763
00:42:27,360 --> 00:42:29,120
Speaker 6: to get him to do the phone call line again.

764
00:42:29,600 --> 00:42:32,160
Speaker 6: And he was so confused, but we were like, we didn't.

765
00:42:32,160 --> 00:42:34,640
Speaker 6: We were driving away and the engine went over and

766
00:42:34,880 --> 00:42:35,520
Speaker 6: but he was nice.

767
00:42:35,560 --> 00:42:38,719
Speaker 2: He did again. He did six. This isn't a phone call,

768
00:42:38,760 --> 00:42:42,279
Speaker 2: and that's that's the take four. Oh wow, everything else

769
00:42:42,360 --> 00:42:45,120
Speaker 2: is real cowed audio from just kind of a fun

770
00:42:45,520 --> 00:42:48,719
Speaker 2: a little bit out there. So that's okay. So you

771
00:42:48,800 --> 00:42:52,000
Speaker 2: went back to get him doing that take again. I

772
00:42:52,000 --> 00:42:53,920
Speaker 2: would think you might also go because it seemed like

773
00:42:53,920 --> 00:42:56,320
Speaker 2: you went to the wrong restaurant. Yeah, yeah, that was

774
00:42:56,360 --> 00:42:59,279
Speaker 2: And the joke was to order pizza from Burkekeke. But

775
00:42:59,440 --> 00:43:00,840
Speaker 2: and I could see how you would get crossed that

776
00:43:00,920 --> 00:43:03,080
Speaker 2: but you would actually were thinking about pizza, and so

777
00:43:03,600 --> 00:43:05,880
Speaker 2: you accidentally went. That's how we got crossed up to

778
00:43:05,920 --> 00:43:06,640
Speaker 2: a pizza place.

779
00:43:06,719 --> 00:43:09,120
Speaker 6: And then later on we got home and we were like, well,

780
00:43:09,160 --> 00:43:12,640
Speaker 6: we could have messed with him by ordering a burger then,

781
00:43:12,719 --> 00:43:15,640
Speaker 6: but that doing that flip, when you're in the field

782
00:43:15,920 --> 00:43:18,160
Speaker 6: doing it, your heart is pounding.

783
00:43:18,280 --> 00:43:18,800
Speaker 2: It's hard.

784
00:43:18,920 --> 00:43:22,600
Speaker 1: Yeah, hindsight's twenty twenty. And I'm sure even the drive

785
00:43:22,680 --> 00:43:24,520
Speaker 1: through guy felt like he could have just said, yeah,

786
00:43:24,520 --> 00:43:28,400
Speaker 1: it is a burger king, you know. But but honestly,

787
00:43:28,520 --> 00:43:33,040
Speaker 1: it's it's just what those split second decisions, and when

788
00:43:33,080 --> 00:43:34,520
Speaker 1: you make one, you kind of got to stick to

789
00:43:34,560 --> 00:43:35,040
Speaker 1: your gums.

790
00:43:35,120 --> 00:43:35,719
Speaker 2: Yeah.

791
00:43:35,880 --> 00:43:38,480
Speaker 6: No, he I think he did the right thing. I

792
00:43:38,560 --> 00:43:42,759
Speaker 6: the people always ask because it did get leaked, and

793
00:43:42,800 --> 00:43:45,360
Speaker 6: they always ask me why twenty five pizzas and it

794
00:43:45,560 --> 00:43:47,640
Speaker 6: just it seemed to me, like on the spot, like

795
00:43:47,719 --> 00:43:48,440
Speaker 6: way too many.

796
00:43:48,719 --> 00:43:50,279
Speaker 2: And then yeah, maybe.

797
00:43:50,520 --> 00:43:55,160
Speaker 1: Oh I see that now that's pretty wild.

798
00:43:55,360 --> 00:43:58,520
Speaker 2: And and then the note cheese is that like, was

799
00:43:58,520 --> 00:44:00,120
Speaker 2: that just to make it easier for them to if

800
00:44:00,120 --> 00:44:02,760
Speaker 2: they were making so many? Yeah, because I think runout

801
00:44:02,840 --> 00:44:04,759
Speaker 2: or something that was just kind of like.

802
00:44:06,200 --> 00:44:09,279
Speaker 6: I was this sounds arrogant, but I was kind of like,

803
00:44:09,680 --> 00:44:12,759
Speaker 6: what would Jim Carrey add the twenty.

804
00:44:12,480 --> 00:44:15,399
Speaker 2: Five right then? And yeah, you know I must stay.

805
00:44:15,520 --> 00:44:19,040
Speaker 2: Uh that came to me. Yeah, as as far as

806
00:44:19,080 --> 00:44:23,520
Speaker 2: pranksters are concerned, famous famous prankster. Yeah, he got his

807
00:44:23,600 --> 00:44:26,160
Speaker 2: start he was the Jerky Boys.

808
00:44:26,280 --> 00:44:31,440
Speaker 1: And uh sure, well, I guess speaking of Jim Carrey,

809
00:44:31,800 --> 00:44:34,279
Speaker 1: you do have that great sketch where Ace Venture is

810
00:44:34,280 --> 00:44:37,800
Speaker 1: in a Yankee candle shop just smelling all the candles. Yeah,

811
00:44:38,080 --> 00:44:40,160
Speaker 1: I mean, did we want to hear a piece of that?

812
00:44:40,280 --> 00:44:42,240
Speaker 1: Because to me it was so funny.

813
00:44:43,080 --> 00:44:46,120
Speaker 6: Yeah, I would definitely listen to some of that. I

814
00:44:46,160 --> 00:44:48,839
Speaker 6: do remember that I played the candle shop owner, and

815
00:44:48,920 --> 00:44:50,160
Speaker 6: I can't remember who.

816
00:44:50,000 --> 00:44:58,120
Speaker 2: Played Ace, right, but I call that so ah, yes, yes,

817
00:44:58,280 --> 00:44:59,439
Speaker 2: I'm remembering now.

818
00:45:00,040 --> 00:45:01,839
Speaker 1: It's one of the few sketches that I was in

819
00:45:01,920 --> 00:45:05,040
Speaker 1: and I played your buddy, you know, the candle shop

820
00:45:05,880 --> 00:45:06,840
Speaker 1: junior trainee.

821
00:45:07,040 --> 00:45:11,680
Speaker 2: I remember, Uh, one guy? Does this sound? Just the

822
00:45:11,680 --> 00:45:14,040
Speaker 2: sound effect of the door opening, that's kind of like

823
00:45:14,080 --> 00:45:17,719
Speaker 2: a little ding dogs, right. I guess maybe we kind

824
00:45:17,719 --> 00:45:21,759
Speaker 2: of just implied the Dace was there. Yeah, okay, or

825
00:45:21,800 --> 00:45:24,680
Speaker 2: there's also or remembering it. I never heard a wait

826
00:45:24,920 --> 00:45:28,840
Speaker 2: actually as well, no, wait, no, as I recall I

827
00:45:28,880 --> 00:45:31,480
Speaker 2: think you got your engineer during the record to play

828
00:45:31,840 --> 00:45:35,600
Speaker 2: Ace Ventura. That's true, Is that right? That's right.

829
00:45:35,680 --> 00:45:38,440
Speaker 6: Yeah, there was a sound bite that was played, and

830
00:45:38,480 --> 00:45:41,239
Speaker 6: then we would we were all reacting to that as

831
00:45:41,280 --> 00:45:42,080
Speaker 6: if he was talking.

832
00:45:42,560 --> 00:45:45,840
Speaker 2: Oh okay, great, yeah, so let's let's just let's just

833
00:45:45,840 --> 00:45:50,840
Speaker 2: play the clip. Yeah great, ding bom. So many candles

834
00:45:50,880 --> 00:45:54,200
Speaker 2: to organize. I left the place of mass last night.

835
00:45:54,880 --> 00:46:00,640
Speaker 2: Oh yeah, that's no problem, bass, thank you. Oh the

836
00:46:00,680 --> 00:46:03,920
Speaker 2: blue candles are all falling over. Oh hang on, boss,

837
00:46:03,960 --> 00:46:07,319
Speaker 2: I'll help you pick them up. That guy that just

838
00:46:07,360 --> 00:46:13,960
Speaker 2: came in has quite a haircut. Tura wanders over to

839
00:46:14,080 --> 00:46:17,280
Speaker 2: the staff member and sniffs his butt as he's bending

840
00:46:17,320 --> 00:46:19,280
Speaker 2: over to pick up the candle.

841
00:46:19,400 --> 00:46:21,600
Speaker 1: Oh can I help you?

842
00:46:23,120 --> 00:46:25,239
Speaker 2: It's Ventura, responds.

843
00:46:26,200 --> 00:46:26,239
Speaker 1: Y.

844
00:46:29,040 --> 00:46:37,560
Speaker 2: He spent Hello Ace, that's quite a name. I'm sorry,

845
00:46:37,560 --> 00:46:45,279
Speaker 2: but there's no parrots allowed in the candles store. Oh sorry,

846
00:46:45,960 --> 00:46:48,040
Speaker 2: al right, he's gone.

847
00:46:49,040 --> 00:46:52,120
Speaker 6: That And the crazy thing about that, that's not Jim Carrey.

848
00:46:52,280 --> 00:46:58,200
Speaker 2: Actually that was MNE. Yeah, whoa wow.

849
00:46:58,320 --> 00:47:01,200
Speaker 1: I thought, like, I can't believe he did this sketch album,

850
00:47:01,200 --> 00:47:03,080
Speaker 1: and that's so cool that you got Jim.

851
00:47:03,600 --> 00:47:07,040
Speaker 2: No. No, Well, what we initially we had talked about

852
00:47:07,760 --> 00:47:11,080
Speaker 2: having it be actual soundbites from the movie. Okay, yeah,

853
00:47:11,080 --> 00:47:13,680
Speaker 2: and then we've found out that my friend just sounds

854
00:47:13,719 --> 00:47:17,680
Speaker 2: exactly like ace Ventura. Well that's Kis mid. Does he

855
00:47:17,760 --> 00:47:20,680
Speaker 2: do other characters? Yeah, yeah, yeah, what else does he do?

856
00:47:20,800 --> 00:47:26,919
Speaker 6: He does a raging bull, He does a pretty dead

857
00:47:26,960 --> 00:47:28,280
Speaker 6: on Bob Dole.

858
00:47:28,800 --> 00:47:29,400
Speaker 2: Oh wow.

859
00:47:29,719 --> 00:47:34,279
Speaker 6: Yeah, hence Bob Dole in the Candle Shop also didn't

860
00:47:34,280 --> 00:47:36,160
Speaker 6: make the album, but a big hit.

861
00:47:37,520 --> 00:47:40,759
Speaker 2: Is he the one who did Janet Jackson in that one? Yes? Yeah,

862
00:47:40,840 --> 00:47:44,400
Speaker 2: just Janet talking. Yeah, he has really accurate it was.

863
00:47:44,560 --> 00:47:46,839
Speaker 1: It's her right after the wardrobe malfunction.

864
00:47:47,200 --> 00:47:50,840
Speaker 2: Yes, and it's just the whole sketch is just Janet

865
00:47:50,880 --> 00:47:54,479
Speaker 2: talking the jan There are no other voices, just jan

866
00:47:54,719 --> 00:47:56,880
Speaker 2: It's just her. She's alone in her dressing room and

867
00:47:56,920 --> 00:47:57,560
Speaker 2: she's kind of.

868
00:47:57,480 --> 00:48:00,359
Speaker 6: Like, uh oh that didn't go well, you know.

869
00:48:01,040 --> 00:48:03,919
Speaker 1: Yeah, trying to talk herself into like finding a good

870
00:48:03,960 --> 00:48:05,799
Speaker 1: angle on it, but being like I think just at

871
00:48:05,800 --> 00:48:06,880
Speaker 1: the end of the day, this is going to be

872
00:48:06,880 --> 00:48:11,319
Speaker 1: a problem. Yeah, okay, yeah, I would I would love

873
00:48:11,320 --> 00:48:12,440
Speaker 1: to hear I'd listen to that.

874
00:48:12,440 --> 00:48:17,840
Speaker 2: That one. That sounds great, Ryan, Can you play that

875
00:48:17,880 --> 00:48:21,160
Speaker 2: one please? Oh?

876
00:48:21,280 --> 00:48:28,360
Speaker 5: That didn't go well, it ends there. Sorry, that was

877
00:48:28,400 --> 00:48:29,040
Speaker 5: the end of it.

878
00:48:30,160 --> 00:48:35,120
Speaker 2: Yeah, that's wait. So I'm curious about the decision to

879
00:48:35,200 --> 00:48:40,000
Speaker 2: have Janet Jackson in the clip say that the clip is,

880
00:48:40,280 --> 00:48:44,560
Speaker 2: say that the clip is yeah, and and and apologize.

881
00:48:45,239 --> 00:48:47,759
Speaker 6: That was all in the script, and in looking back,

882
00:48:47,800 --> 00:48:50,239
Speaker 6: we probably could have taken another pass at it. For

883
00:48:50,280 --> 00:48:52,480
Speaker 6: one thing, I feel like we should have had her

884
00:48:52,560 --> 00:48:53,600
Speaker 6: talk more about the outfit.

885
00:48:53,960 --> 00:48:56,520
Speaker 2: That was definitely the big There was a lot there.

886
00:48:56,760 --> 00:48:59,360
Speaker 1: Yeah, that seemed to be the richest vein for me

887
00:48:59,440 --> 00:49:02,480
Speaker 1: in terms of just what the action was right.

888
00:49:04,040 --> 00:49:06,520
Speaker 6: Right and then But what I found when I did

889
00:49:06,600 --> 00:49:09,680
Speaker 6: first pass is people after the second line just start

890
00:49:09,760 --> 00:49:10,960
Speaker 6: yelling is at it is?

891
00:49:11,000 --> 00:49:11,120
Speaker 2: That?

892
00:49:11,200 --> 00:49:11,439
Speaker 1: It?

893
00:49:11,480 --> 00:49:13,440
Speaker 2: Is it over? Is it going more? And so it's

894
00:49:13,440 --> 00:49:15,680
Speaker 2: sometimes helpful and a sketch to say have the character

895
00:49:15,719 --> 00:49:18,760
Speaker 2: say and that is the end of it? You know? Yeah? Right, yeah,

896
00:49:18,800 --> 00:49:19,359
Speaker 2: I see that.

897
00:49:19,520 --> 00:49:22,520
Speaker 1: Can you settle a bit between me and Hayes when

898
00:49:22,520 --> 00:49:25,480
Speaker 1: you asked Jim Carrey to not have his parrot in

899
00:49:25,520 --> 00:49:27,040
Speaker 1: the shop and then he goes it's gone?

900
00:49:27,239 --> 00:49:31,399
Speaker 2: Did he eat it? Yeah?

901
00:49:31,480 --> 00:49:33,279
Speaker 6: I don't know who I'm helping with this, but yes,

902
00:49:34,040 --> 00:49:37,040
Speaker 6: in our mind, the character ate the parrot and like

903
00:49:37,120 --> 00:49:38,280
Speaker 6: tooted it out one feather.

904
00:49:39,160 --> 00:49:43,600
Speaker 2: That's also wow. Yeah it's called silent. Yeah, okay, because

905
00:49:43,640 --> 00:49:46,040
Speaker 2: what you're expecting, I guess, is to hear that, to

906
00:49:46,040 --> 00:49:49,279
Speaker 2: hear like loud crunching and gulping sounds and then the

907
00:49:49,360 --> 00:49:52,439
Speaker 2: tooth sound and things. Right, But no, I'm not saying

908
00:49:52,480 --> 00:49:54,680
Speaker 2: that's bad. I'm just saying, like, that is what you are,

909
00:49:54,800 --> 00:49:57,759
Speaker 2: that's expected. Well, a lot of that sketches defying expectations

910
00:49:57,800 --> 00:50:00,799
Speaker 2: because I expected him to say, alrighty then yeah, I

911
00:50:00,840 --> 00:50:04,359
Speaker 2: expect him to say, let me smell you something, right, Yeah,

912
00:50:05,160 --> 00:50:07,440
Speaker 2: I expected him to talk through his rear end.

913
00:50:07,840 --> 00:50:11,160
Speaker 6: Yeah, you probably you're probably gonna want crunching and then

914
00:50:11,200 --> 00:50:14,840
Speaker 6: maybe like a very muffled Pollywanta cracker, like the parent's

915
00:50:14,880 --> 00:50:16,000
Speaker 6: talking in his stomach.

916
00:50:16,480 --> 00:50:20,879
Speaker 2: Yeah, that's probably actually where that sketch should have been going. Now,

917
00:50:20,960 --> 00:50:24,320
Speaker 2: I noticed, just looking at some of your other sketches,

918
00:50:25,280 --> 00:50:30,600
Speaker 2: you have this character, uh toll booth Billy, Yeah who

919
00:50:31,040 --> 00:50:37,600
Speaker 2: uh like he he works in Massachusetts. Yeah yeah, and

920
00:50:38,000 --> 00:50:41,320
Speaker 2: you know he's like taking tolls for things. It sounds

921
00:50:41,680 --> 00:50:44,200
Speaker 2: a lot like uh toll booth Willie.

922
00:50:44,320 --> 00:50:46,560
Speaker 1: I don't see that at all. Okay, Well, I don't

923
00:50:46,600 --> 00:50:47,560
Speaker 1: see that at all.

924
00:50:47,600 --> 00:50:50,920
Speaker 2: And to me, it reminded me of Told Booth Willie

925
00:50:51,040 --> 00:50:54,000
Speaker 2: night and day. I never thought of that. Oh that's

926
00:50:54,000 --> 00:50:55,799
Speaker 2: so interesting because they work at you know, toll Booth.

927
00:50:55,800 --> 00:50:58,319
Speaker 2: Willie works in Worcester and Told Both Billy works in

928
00:50:58,520 --> 00:50:59,160
Speaker 2: bill Rica.

929
00:50:59,440 --> 00:51:03,239
Speaker 1: It's like, yeah, right, Ricca, Yeah, and he's and to both.

930
00:51:03,239 --> 00:51:07,040
Speaker 1: Billy to me, is sort of a foul mouth, you know, asshole,

931
00:51:07,440 --> 00:51:08,560
Speaker 1: right yeah.

932
00:51:08,640 --> 00:51:12,399
Speaker 2: And toll Booth Willie, I don't remember what his thing was, yeah,

933
00:51:12,480 --> 00:51:14,239
Speaker 2: I mean I just remember like he would say it

934
00:51:14,239 --> 00:51:17,520
Speaker 2: was like a dollar ninety five I think was the

935
00:51:17,600 --> 00:51:20,439
Speaker 2: toll right in that one and tol Booth Billy's toll

936
00:51:20,560 --> 00:51:24,279
Speaker 2: is free, which right, I sort of wonderund So there's

937
00:51:24,320 --> 00:51:26,399
Speaker 2: a that feels like a really big difference. Yeah.

938
00:51:26,400 --> 00:51:28,480
Speaker 6: I played it for like thousands of people, and no

939
00:51:28,520 --> 00:51:31,160
Speaker 6: one ever brought up the other one.

940
00:51:31,360 --> 00:51:33,359
Speaker 1: No one mentioned that, and it wasn't did you play

941
00:51:33,400 --> 00:51:35,120
Speaker 1: it for it was twenty five?

942
00:51:35,320 --> 00:51:36,520
Speaker 2: Oh that makes more sense.

943
00:51:36,760 --> 00:51:40,040
Speaker 1: Yeah, just I mean, not to get bogged down in it, but.

944
00:51:40,280 --> 00:51:42,600
Speaker 2: Yeah, to find a dollar ninety five at a at

945
00:51:42,640 --> 00:51:46,960
Speaker 2: a toll, I thought maybe that was twenty five. Please

946
00:51:47,280 --> 00:51:51,480
Speaker 2: you know that's yes, thank you come again. Yesh, did

947
00:51:51,560 --> 00:51:53,759
Speaker 2: you play it for Adam at now you did? Yeah?

948
00:51:53,800 --> 00:51:56,120
Speaker 6: Yeah, I played for him at his house and I

949
00:51:56,160 --> 00:51:58,960
Speaker 6: was like, does this ring any dun bells?

950
00:51:59,000 --> 00:52:03,200
Speaker 2: You know? And he was like no. And then I said,

951
00:52:03,280 --> 00:52:04,840
Speaker 2: think as hard as you can.

952
00:52:05,200 --> 00:52:09,479
Speaker 6: And I do this with everything. Yeah, and he did.

953
00:52:09,560 --> 00:52:11,520
Speaker 6: And he was quiet for a long time and sipping

954
00:52:11,520 --> 00:52:14,200
Speaker 6: and lemonade. And then he was like, no, nothing that

955
00:52:14,280 --> 00:52:14,839
Speaker 6: this is new.

956
00:52:15,239 --> 00:52:19,000
Speaker 2: H this is fresh homemade lemonade. Yeah.

957
00:52:19,520 --> 00:52:21,080
Speaker 1: I think so when he said this is new, this

958
00:52:21,120 --> 00:52:22,719
Speaker 1: is fresh, was he talking about the lemonadeor he's talking

959
00:52:22,719 --> 00:52:25,399
Speaker 1: about maybe.

960
00:52:25,400 --> 00:52:27,640
Speaker 6: And then because then was he listening to the sketch

961
00:52:27,680 --> 00:52:30,880
Speaker 6: at that time? Yeah, but he was also sipping and lemonade.

962
00:52:30,960 --> 00:52:33,920
Speaker 6: And then I went underwater, and I don't know if

963
00:52:33,960 --> 00:52:37,879
Speaker 6: he said and corrected, you know, like the sketch though,

964
00:52:38,120 --> 00:52:41,080
Speaker 6: it reminds me a lot of my character, Yeah, because

965
00:52:41,120 --> 00:52:43,680
Speaker 6: I I can. I'm like David Blaine. I can hold

966
00:52:43,680 --> 00:52:45,520
Speaker 6: my breath really long underwater. So I was under a

967
00:52:45,560 --> 00:52:47,080
Speaker 6: long time and he went to the bathroom. By the

968
00:52:47,120 --> 00:52:48,040
Speaker 6: time I came back.

969
00:52:47,960 --> 00:52:51,440
Speaker 2: Up, Oh, okay, So I so you were underwater in

970
00:52:51,480 --> 00:52:57,200
Speaker 2: a place that wasn't a bathroom. Oh I'm sorry.

971
00:52:57,520 --> 00:52:59,680
Speaker 1: Just the fact that you said you're like David Blaine

972
00:52:59,719 --> 00:53:04,040
Speaker 1: reminded me probably my favorite sketch, which was, uh street

973
00:53:04,400 --> 00:53:06,040
Speaker 1: Magic audio.

974
00:53:05,960 --> 00:53:08,759
Speaker 2: Oh yeah, just killed me.

975
00:53:09,000 --> 00:53:11,719
Speaker 1: And if we could just jump in a little bit

976
00:53:11,760 --> 00:53:11,960
Speaker 1: of that.

977
00:53:12,080 --> 00:53:13,920
Speaker 2: And by the way, it's the only track where we

978
00:53:13,960 --> 00:53:16,560
Speaker 2: included the word audio and the title of the track,

979
00:53:17,760 --> 00:53:19,680
Speaker 2: because they all are But anyway, yes, shut and the

980
00:53:20,000 --> 00:53:22,480
Speaker 2: dot at p three is in the right in the

981
00:53:22,560 --> 00:53:26,640
Speaker 2: track baby as well. Excuse me, excuse me, excuse me.

982
00:53:27,280 --> 00:53:28,640
Speaker 2: I want you to think of a name.

983
00:53:29,560 --> 00:53:31,879
Speaker 1: Uh okay, bob.

984
00:53:33,920 --> 00:53:41,640
Speaker 2: Okay. Is that what's written on my arm? Whoa? Whoa, whoa?

985
00:53:42,160 --> 00:53:47,480
Speaker 2: Look inside this thing? Oh my god, it's a huge

986
00:53:47,480 --> 00:53:51,840
Speaker 2: other thing here for a second. Okay, it's normal, is

987
00:53:51,880 --> 00:53:58,600
Speaker 2: it gone? Whoa? Oh shit? Oh shit, look up there

988
00:54:00,080 --> 00:54:06,360
Speaker 2: a a piece Now I noticed. It's when you like

989
00:54:06,680 --> 00:54:09,320
Speaker 2: showing the liner notes, like who was in that? Yeah sketch.

990
00:54:09,400 --> 00:54:13,160
Speaker 2: It's two black guys who are listening to it, but

991
00:54:13,200 --> 00:54:16,000
Speaker 2: they sound very white the way they're like doing their

992
00:54:16,040 --> 00:54:18,240
Speaker 2: responses and stuff. They were doing characters.

993
00:54:18,280 --> 00:54:20,759
Speaker 6: Yeah they didn't. I think I was. I was like,

994
00:54:20,880 --> 00:54:23,279
Speaker 6: just be yourselves and and but they were. They have

995
00:54:23,400 --> 00:54:26,800
Speaker 6: these like kind of nasally white guys.

996
00:54:26,800 --> 00:54:28,759
Speaker 2: That they do that were Yeah, they did very and

997
00:54:28,800 --> 00:54:30,960
Speaker 2: they said like oh shit and no snap and stuff

998
00:54:31,000 --> 00:54:32,839
Speaker 2: like that, which was like kind of sort of black

999
00:54:32,880 --> 00:54:35,440
Speaker 2: sounding things, but right, but they said them in the

1000
00:54:35,480 --> 00:54:38,040
Speaker 2: weirdest whitest way ever. Yeah. Yeah, No.

1001
00:54:38,160 --> 00:54:39,920
Speaker 6: I when I listen back and I hear the one

1002
00:54:39,920 --> 00:54:42,440
Speaker 6: guy doing a snap, I'm like, that's how like dorky

1003
00:54:42,440 --> 00:54:43,160
Speaker 6: white people say.

1004
00:54:43,160 --> 00:54:43,759
Speaker 2: I love it. Yeah.

1005
00:54:43,760 --> 00:54:46,799
Speaker 1: Initially hearing it, before I read the liner notes, I

1006
00:54:46,840 --> 00:54:50,520
Speaker 1: thought it was borderline offensive that white guys were just

1007
00:54:50,560 --> 00:54:54,040
Speaker 1: sort of doing these racially loaded Yeah.

1008
00:54:54,080 --> 00:54:57,319
Speaker 2: Well people when you read the lyrics and the yeah, yeah,

1009
00:54:57,400 --> 00:54:58,600
Speaker 2: but then it was like, well I got to see

1010
00:54:58,600 --> 00:55:00,879
Speaker 2: all the lyrics. Yeah, and then I was like, oh

1011
00:55:00,920 --> 00:55:03,279
Speaker 2: cool it was black. I's just sort of turning it

1012
00:55:03,320 --> 00:55:04,560
Speaker 2: on its head. Yeah.

1013
00:55:04,560 --> 00:55:08,440
Speaker 6: People are always like, oh, that is a sketch about

1014
00:55:08,719 --> 00:55:12,080
Speaker 6: magic and wonderment and it's a sketch about race, and

1015
00:55:12,120 --> 00:55:16,359
Speaker 6: it's time we talk about it, you know, and so,

1016
00:55:16,800 --> 00:55:18,280
Speaker 6: but we did cut it from the album.

1017
00:55:19,040 --> 00:55:22,440
Speaker 2: Was working with sorry what was it like working with

1018
00:55:22,920 --> 00:55:27,120
Speaker 2: a chewy on that with uh chewoutel.

1019
00:55:28,680 --> 00:55:35,160
Speaker 6: Uh huh oh oh yes uh an honor scheduling, Mister

1020
00:55:37,840 --> 00:55:45,160
Speaker 6: scheduling was not fun, but yeah, the day itself pretty magical.

1021
00:55:45,360 --> 00:55:48,400
Speaker 1: Yeah, but I interrupted you.

1022
00:55:48,400 --> 00:55:51,120
Speaker 2: You were talking about being underwater in a bathroom. No,

1023
00:55:51,400 --> 00:55:54,640
Speaker 2: he wasn't in a bathroom. Whoa Adam Sandler had to

1024
00:55:54,680 --> 00:55:55,720
Speaker 2: go to the bathroom.

1025
00:55:55,800 --> 00:55:59,399
Speaker 6: There's two different types of underwater that we all learned.

1026
00:55:59,400 --> 00:56:02,320
Speaker 6: It's like I was talking about this like grade school

1027
00:56:02,400 --> 00:56:06,920
Speaker 6: things that you're like, you do you don't retain into adulthood.

1028
00:56:06,960 --> 00:56:09,160
Speaker 6: But there's underwater in a bathroom and underwater not in

1029
00:56:09,160 --> 00:56:12,279
Speaker 6: a bathroom, and uh, you know, underwater not in a

1030
00:56:12,320 --> 00:56:15,680
Speaker 6: bathroom can be like swimming pools and lakes and okay,

1031
00:56:15,719 --> 00:56:16,720
Speaker 6: all those kinds of things.

1032
00:56:16,719 --> 00:56:17,719
Speaker 2: This was what that was.

1033
00:56:17,960 --> 00:56:20,160
Speaker 6: Then underwater in a bathroom is your showers, your tubs,

1034
00:56:20,200 --> 00:56:23,120
Speaker 6: you're washing your face and I see and then you know,

1035
00:56:23,280 --> 00:56:25,879
Speaker 6: now can you can picture that chart that we all

1036
00:56:25,880 --> 00:56:26,520
Speaker 6: had to you.

1037
00:56:26,520 --> 00:56:28,799
Speaker 2: Do forget that stuff though, because it's like when am

1038
00:56:28,800 --> 00:56:31,520
Speaker 2: I ever going to use this? I know, you know exactly,

1039
00:56:31,680 --> 00:56:33,839
Speaker 2: but then it always like comes up and then you're

1040
00:56:33,920 --> 00:56:35,480
Speaker 2: just like do right.

1041
00:56:36,840 --> 00:56:40,479
Speaker 6: It's about training your brain to work in that way

1042
00:56:40,520 --> 00:56:42,360
Speaker 6: so that you're you're like, am I in the bathroom

1043
00:56:42,440 --> 00:56:43,920
Speaker 6: or not in the bathroom? But you're doing that so

1044
00:56:44,120 --> 00:56:46,200
Speaker 6: fast nowadays that you don't even know you're.

1045
00:56:46,320 --> 00:56:49,680
Speaker 2: It's on our phones too. Yeah yeah, I wonder nowadays

1046
00:56:49,719 --> 00:56:52,800
Speaker 2: if kids do well in these screens.

1047
00:56:52,880 --> 00:56:57,440
Speaker 1: You know that we bury our heads and Michael are

1048
00:56:57,480 --> 00:57:00,799
Speaker 1: supposedly connecting us, and I feel like they're actually putting

1049
00:57:00,800 --> 00:57:04,840
Speaker 1: a barrier up between us, and nobody's saying that. I

1050
00:57:04,880 --> 00:57:08,719
Speaker 1: love that you said that, it's just fucking insane. There's

1051
00:57:08,719 --> 00:57:11,359
Speaker 1: this one sketch that fucking made me lose my shit,

1052
00:57:11,480 --> 00:57:13,840
Speaker 1: crack up, laugh, yeah, and it reminded me of the

1053
00:57:13,880 --> 00:57:17,600
Speaker 1: old Monty Python days and I just was like, oh,

1054
00:57:17,640 --> 00:57:20,080
Speaker 1: we don't see this humor anymore. But it was called

1055
00:57:20,640 --> 00:57:23,560
Speaker 1: man puts on lipstick? And I wonder if we could

1056
00:57:23,600 --> 00:57:25,160
Speaker 1: listen to a couple of minutes of that.

1057
00:57:25,480 --> 00:57:33,400
Speaker 2: Yeah, yeah, yeah, yeah, do do do do doo? Hmmm lipstick.

1058
00:57:34,800 --> 00:57:41,960
Speaker 2: M honey, you're around, she's not well.

1059
00:57:42,000 --> 00:57:46,920
Speaker 6: I think I'm going to put it on. It seems weird, Okay,

1060
00:57:47,600 --> 00:57:52,000
Speaker 6: do do? Putting it on? Put it on and it's on.

1061
00:57:53,920 --> 00:57:57,320
Speaker 2: Now, did you really get against the fucking wall? Get

1062
00:57:57,320 --> 00:58:00,200
Speaker 2: against the fucking wall? Oh no, no, no, no, no, oh,

1063
00:58:00,400 --> 00:58:01,680
Speaker 2: pull your head off.

1064
00:58:02,560 --> 00:58:08,200
Speaker 1: Wait a second, were you just putting up lipsto? Yeah, funny, Hey,

1065
00:58:08,880 --> 00:58:09,720
Speaker 1: is your wife around?

1066
00:58:09,720 --> 00:58:19,000
Speaker 2: Could I try that? No? Yeah, give it a go. Now,

1067
00:58:19,000 --> 00:58:22,320
Speaker 2: why did you have someone interrupt that sketch? Uh?

1068
00:58:22,400 --> 00:58:24,720
Speaker 6: That that actually just happened on that day and we

1069
00:58:24,760 --> 00:58:29,960
Speaker 6: didn't have the editing equipment to remove it. But yeah,

1070
00:58:30,000 --> 00:58:31,200
Speaker 6: so the guy is a diamond thief.

1071
00:58:31,760 --> 00:58:34,040
Speaker 2: That's what he is, Okay, because he definitely sounds like

1072
00:58:34,120 --> 00:58:37,320
Speaker 2: some kind of police guy when he's first coming in,

1073
00:58:37,480 --> 00:58:39,600
Speaker 2: like a criminal.

1074
00:58:39,640 --> 00:58:42,480
Speaker 6: Oh okay, I'm saying the original guy is a diamond

1075
00:58:42,480 --> 00:58:44,520
Speaker 6: thief and the police have been, you know, watching him

1076
00:58:44,560 --> 00:58:46,560
Speaker 6: for months, and this is the day they barge in.

1077
00:58:46,640 --> 00:58:48,680
Speaker 2: And then then they see the list.

1078
00:58:48,560 --> 00:58:50,800
Speaker 1: You're talking about the first the.

1079
00:58:50,800 --> 00:58:55,120
Speaker 2: First guy I thought I thought was maybe a policeman. Yeah,

1080
00:58:55,120 --> 00:58:58,320
Speaker 2: oh you thought he would Oh yeah, no, the guy

1081
00:58:58,320 --> 00:59:00,200
Speaker 2: who comes in and says, put your hands against the well,

1082
00:59:00,360 --> 00:59:03,760
Speaker 2: he is a policeman. And then uh, but but you're

1083
00:59:03,800 --> 00:59:06,240
Speaker 2: kind of like, what if what if the one day

1084
00:59:06,280 --> 00:59:07,400
Speaker 2: they'd planned, you know, the.

1085
00:59:07,400 --> 00:59:11,439
Speaker 6: Swat guys plan forever, sure, and the day they plan,

1086
00:59:11,640 --> 00:59:14,360
Speaker 6: you get in there. The guy's got lipstick on, they

1087
00:59:14,360 --> 00:59:18,800
Speaker 6: know he's married, and you know, and you can picture

1088
00:59:18,880 --> 00:59:20,920
Speaker 6: maybe that he would want to try it too.

1089
00:59:21,960 --> 00:59:25,240
Speaker 2: Yeah. Now I think what it sounds like. The guy

1090
00:59:25,760 --> 00:59:29,400
Speaker 2: the clip was going to ask, is did you really

1091
00:59:29,440 --> 00:59:31,000
Speaker 2: put on lipstick?

1092
00:59:31,400 --> 00:59:31,560
Speaker 1: Yeah?

1093
00:59:31,560 --> 00:59:33,440
Speaker 2: And I found myself wondering that as well.

1094
00:59:34,760 --> 00:59:37,160
Speaker 6: Yeah, a guy arched into the studio and asked in

1095
00:59:37,240 --> 00:59:39,160
Speaker 6: the middle, and you know.

1096
00:59:39,560 --> 00:59:42,320
Speaker 2: But he can see what's happening, so it's it's harder

1097
00:59:42,360 --> 00:59:44,200
Speaker 2: for me to access what he's going I.

1098
00:59:44,280 --> 00:59:48,560
Speaker 6: Was turned slightly from him, but but yeah, we had to.

1099
00:59:48,920 --> 00:59:52,680
Speaker 6: We did it once without and it sounds fake if

1100
00:59:52,720 --> 00:59:55,320
Speaker 6: you're you know. And then one thing you notice when

1101
00:59:55,360 --> 00:59:57,680
Speaker 6: you're actually putting on lipstick is you almost can't do

1102
00:59:57,760 --> 01:00:00,800
Speaker 6: it without doing the little do Yeah, and that's why

1103
01:00:01,600 --> 01:00:03,760
Speaker 6: you see women doing that on the train and stuff,

1104
01:00:03,760 --> 01:00:05,439
Speaker 6: and you're like, why are they always singing that song?

1105
01:00:05,480 --> 01:00:07,400
Speaker 2: It just starts to happen. It's the funniest thing.

1106
01:00:07,560 --> 01:00:10,120
Speaker 6: But then I looked over at my friend, who is

1107
01:00:10,160 --> 01:00:13,560
Speaker 6: an actual cop, and we're wearing lifstick in this recording book,

1108
01:00:13,880 --> 01:00:15,760
Speaker 6: and we're like, wow, this.

1109
01:00:15,840 --> 01:00:21,360
Speaker 2: Is my job, you know what? I Yeah, So are

1110
01:00:21,400 --> 01:00:23,720
Speaker 2: you just so fucking baked when you come up with

1111
01:00:23,800 --> 01:00:27,120
Speaker 2: this ship so crazy funny? You must be just chiefing

1112
01:00:27,240 --> 01:00:31,720
Speaker 2: kind buds? Am I? Right? Michael absolutely? Man? Yeah, Yeah,

1113
01:00:31,800 --> 01:00:35,080
Speaker 2: that's we go on some pretty crazy trips when we're writing.

1114
01:00:35,200 --> 01:00:37,680
Speaker 1: It reminds me of the Cheech and Chong days in

1115
01:00:37,720 --> 01:00:39,960
Speaker 1: their albums, and I go like, these guys must have

1116
01:00:40,000 --> 01:00:42,080
Speaker 1: smoked the whole lid of the green grass.

1117
01:00:42,320 --> 01:00:44,080
Speaker 2: Yeah, yeah, oh totally.

1118
01:00:44,360 --> 01:00:48,880
Speaker 6: I mean one of the tracks we wrote on acid,

1119
01:00:49,840 --> 01:00:53,360
Speaker 6: one on molly, and one on on marijuana.

1120
01:00:53,480 --> 01:00:53,760
Speaker 2: Yeah.

1121
01:00:53,800 --> 01:00:56,200
Speaker 1: And now your friends all monster chiba hawks and they

1122
01:00:56,360 --> 01:01:00,000
Speaker 1: just gotta have more of the fucking uh kind bud

1123
01:01:00,080 --> 01:01:00,680
Speaker 1: uh Yeah.

1124
01:01:01,640 --> 01:01:06,200
Speaker 2: Yeah, a couple of them are tuba hawks for sure.

1125
01:01:06,440 --> 01:01:11,760
Speaker 1: And yeah, you're sparking the sparking dubes because uh yeah, that's.

1126
01:01:11,640 --> 01:01:13,520
Speaker 2: Because the cover of the album. I guess I sort

1127
01:01:13,560 --> 01:01:15,520
Speaker 2: of get what this is now. It's like you smoking

1128
01:01:15,640 --> 01:01:19,400
Speaker 2: the Washington Monument like a huge fatty Yeah exactly, it's

1129
01:01:20,120 --> 01:01:22,680
Speaker 2: and then there is the whole thing of like do

1130
01:01:22,760 --> 01:01:26,080
Speaker 2: we need to should be rolled in paper or is

1131
01:01:26,160 --> 01:01:28,840
Speaker 2: it just like whatever? And we ended up just going

1132
01:01:28,840 --> 01:01:31,400
Speaker 2: with it, and then the photoshopped of course, but with

1133
01:01:31,480 --> 01:01:33,920
Speaker 2: it like it is, and yeah, and then smoking you

1134
01:01:33,960 --> 01:01:36,080
Speaker 2: weren't able to smoke the actual Washington moment. No, no, no,

1135
01:01:36,160 --> 01:01:40,880
Speaker 2: it's in real size. It's like huge, it's Yeah. That okay,

1136
01:01:41,360 --> 01:01:43,280
Speaker 2: that makes sense because I thought you might be holding

1137
01:01:43,280 --> 01:01:45,960
Speaker 2: it up to your mouth or something that would make

1138
01:01:45,960 --> 01:01:47,960
Speaker 2: more sense. But you're kind of standing next to it

1139
01:01:48,000 --> 01:01:50,560
Speaker 2: with a lighter right right, What makes sense to me?

1140
01:01:50,600 --> 01:01:53,160
Speaker 1: Because I saw the Washington monument like earlier this week,

1141
01:01:53,200 --> 01:01:55,080
Speaker 1: and I thought, didn't Michael smoke that already?

1142
01:01:55,200 --> 01:01:55,480
Speaker 2: No?

1143
01:01:55,480 --> 01:01:57,920
Speaker 6: No, no, no, that's a photo of it a relief

1144
01:01:57,960 --> 01:02:00,959
Speaker 6: and uh. And that's where the title Abrahams comes from.

1145
01:02:01,040 --> 01:02:02,280
Speaker 6: It's like stinky weed.

1146
01:02:02,920 --> 01:02:06,360
Speaker 1: Stinky skunk weed. And and there was that one sketch

1147
01:02:06,400 --> 01:02:08,200
Speaker 1: that just killed me. I couldn't believe it didn't make

1148
01:02:08,200 --> 01:02:09,880
Speaker 1: the album where it was just guys saying that they

1149
01:02:09,880 --> 01:02:12,240
Speaker 1: were high and that essentially was comedy.

1150
01:02:12,560 --> 01:02:17,560
Speaker 6: Yeah, yeah, here this is a three second clip of that.

1151
01:02:22,720 --> 01:02:27,040
Speaker 2: Sorry, I'm just so I'm baked as well.

1152
01:02:28,480 --> 01:02:31,920
Speaker 6: It And and the thing was, we recorded for like hours, hours,

1153
01:02:31,920 --> 01:02:34,880
Speaker 6: and we were not feeling it at all for the

1154
01:02:34,920 --> 01:02:39,080
Speaker 6: whole time. That may have been not marijuana or something,

1155
01:02:39,120 --> 01:02:40,520
Speaker 6: but we and bunk weed.

1156
01:02:40,640 --> 01:02:41,240
Speaker 2: It might have been.

1157
01:02:41,280 --> 01:02:43,040
Speaker 6: And so we just had to keep saying that and

1158
01:02:43,160 --> 01:02:44,760
Speaker 6: keep saying that and then editing.

1159
01:02:44,800 --> 01:02:47,160
Speaker 2: It was a nightmare. But we found those moments, like

1160
01:02:47,200 --> 01:02:53,480
Speaker 2: you heard somebody sold you the Bama might have that sucks.

1161
01:02:53,920 --> 01:02:57,000
Speaker 2: You got hit with the schwag shit. I think so, yeah,

1162
01:02:57,160 --> 01:03:03,160
Speaker 2: I think that might have and seeds and ship exactly exactly. Yeah, damn.

1163
01:03:03,320 --> 01:03:05,120
Speaker 2: I think we have time for a couple more follow

1164
01:03:05,200 --> 01:03:09,680
Speaker 2: ups on that. Okay, oh okay, do you want to

1165
01:03:09,720 --> 01:03:12,400
Speaker 2: do those Sean just bang them out? Oh?

1166
01:03:12,400 --> 01:03:15,280
Speaker 1: Well, I would love to, but I see it to

1167
01:03:15,280 --> 01:03:16,520
Speaker 1: do a Ryde jumping at the bit.

1168
01:03:17,520 --> 01:03:19,120
Speaker 2: Do we have time for him to bang out a

1169
01:03:19,200 --> 01:03:23,240
Speaker 2: couple more follow ups on the weed discussion? Where what what? What?

1170
01:03:23,120 --> 01:03:24,200
Speaker 2: What are we at? Now?

1171
01:03:24,400 --> 01:03:26,880
Speaker 5: We're at forty six minutes?

1172
01:03:26,960 --> 01:03:30,200
Speaker 2: Now? Okay, do we want to cut something else earlier?

1173
01:03:31,440 --> 01:03:33,520
Speaker 2: And most of you, I'd say, bang out two more

1174
01:03:33,560 --> 01:03:34,280
Speaker 2: follow ups.

1175
01:03:34,400 --> 01:03:38,080
Speaker 6: If there was a different wording or phrase that means

1176
01:03:38,080 --> 01:03:40,040
Speaker 6: we that you know might strike a card.

1177
01:03:40,000 --> 01:03:42,520
Speaker 2: And not just weeds, not just weed, but like being sold,

1178
01:03:42,880 --> 01:03:45,920
Speaker 2: well yeah, I mean there's that mean we being here

1179
01:03:45,960 --> 01:03:48,680
Speaker 2: with Sama and like all stems and seeds just like

1180
01:03:49,040 --> 01:03:52,560
Speaker 2: the flag, just like two more of the time. If

1181
01:03:52,600 --> 01:03:55,440
Speaker 2: we have time, Ryan, I see your what are we

1182
01:03:56,040 --> 01:03:56,960
Speaker 2: busy at the keyboard?

1183
01:03:57,240 --> 01:03:57,360
Speaker 1: Like?

1184
01:03:57,840 --> 01:03:58,720
Speaker 2: Can we make time for this?

1185
01:03:58,960 --> 01:03:59,880
Speaker 5: We're forty seven?

1186
01:04:00,240 --> 01:04:03,960
Speaker 2: Okay, now we're forty seven, So if maybe we maybe

1187
01:04:04,000 --> 01:04:06,120
Speaker 2: one even well, what do we have time for? If

1188
01:04:06,160 --> 01:04:07,680
Speaker 2: we have time for two, great, if it's one more.

1189
01:04:07,800 --> 01:04:11,280
Speaker 2: There was that thing later when Sean said Cheech and

1190
01:04:11,360 --> 01:04:14,520
Speaker 2: Chong and it seemed like you thought that Chang was

1191
01:04:14,560 --> 01:04:17,440
Speaker 2: an Asian guy. Right, do we want to cut that?

1192
01:04:17,960 --> 01:04:18,240
Speaker 2: We did?

1193
01:04:18,480 --> 01:04:20,800
Speaker 1: We definitely, because you talked about it for a while

1194
01:04:20,840 --> 01:04:22,600
Speaker 1: and you did a voice that I'm not sure you're

1195
01:04:22,600 --> 01:04:25,600
Speaker 1: gonna want to have recorded to be like, oh, I

1196
01:04:25,600 --> 01:04:27,520
Speaker 1: thought Chong was one of these, and then you went

1197
01:04:27,560 --> 01:04:28,520
Speaker 1: into a.

1198
01:04:28,280 --> 01:04:31,600
Speaker 2: Right that monologue was that like eight minutes we could

1199
01:04:31,640 --> 01:04:32,240
Speaker 2: lose on that.

1200
01:04:32,360 --> 01:04:34,960
Speaker 1: Maybe that might give us time for another.

1201
01:04:35,560 --> 01:04:36,920
Speaker 2: And I don't know if you were like, because I

1202
01:04:36,960 --> 01:04:39,120
Speaker 2: feel bad for stopping you for doing that, but I thought,

1203
01:04:39,320 --> 01:04:42,200
Speaker 2: you know, I just wasn't sure. Yeah I didn't.

1204
01:04:42,360 --> 01:04:46,640
Speaker 6: I still feel like it's probably fine. I mean, I

1205
01:04:46,640 --> 01:04:51,080
Speaker 6: I don't know. It's kind of a Mickey Rooney inspired

1206
01:04:51,840 --> 01:04:57,919
Speaker 6: he is you know, he's fully white? Oh okay, yeah, yeah,

1207
01:04:58,040 --> 01:05:00,200
Speaker 6: but I didn't one of that breakfast at Tiffany Is

1208
01:05:00,200 --> 01:05:05,560
Speaker 6: he gives a performance and I am Sam esque performance?

1209
01:05:05,800 --> 01:05:09,720
Speaker 6: Oh wow, I was kind of I am Sam is Asian?

1210
01:05:10,280 --> 01:05:12,560
Speaker 2: No, just like losing yourself in a character that you

1211
01:05:12,600 --> 01:05:17,240
Speaker 2: don't ask her, I think you're thinking of Siam Sam.

1212
01:05:17,520 --> 01:05:20,040
Speaker 1: Yes, I was thinking of Siam Sam.

1213
01:05:20,720 --> 01:05:23,280
Speaker 2: And I did sort of come up with almost.

1214
01:05:22,920 --> 01:05:27,960
Speaker 1: One more uh huh or I mean I know it already, okay,

1215
01:05:30,320 --> 01:05:34,600
Speaker 1: but I don't it's not good okay, but it's a

1216
01:05:34,680 --> 01:05:35,160
Speaker 1: real one.

1217
01:05:35,280 --> 01:05:37,320
Speaker 2: I wanted to be good like the other ones. The

1218
01:05:37,440 --> 01:05:38,400
Speaker 2: other ones are great.

1219
01:05:38,520 --> 01:05:43,240
Speaker 1: Yeah, yeah, okay, then I'll get back in the tank.

1220
01:05:44,200 --> 01:05:47,200
Speaker 2: It's just you know, it's just two more and even

1221
01:05:47,280 --> 01:05:50,120
Speaker 2: six I think would be a good if yeah number

1222
01:05:50,200 --> 01:05:52,439
Speaker 2: to have. Yeah, and I guess you can talk about

1223
01:05:52,560 --> 01:05:55,800
Speaker 2: Sean's thinking that, you can talk about where to get

1224
01:05:56,120 --> 01:06:05,440
Speaker 2: your album, you know, Sam Goodie in Fahm, Yes, music Land, Coconuts, iTunes.

1225
01:06:07,280 --> 01:06:09,680
Speaker 2: Is that somebody they sound of someone, Someone sounded someone

1226
01:06:09,720 --> 01:06:10,840
Speaker 2: buying your out there? Yeah.

1227
01:06:10,880 --> 01:06:13,560
Speaker 6: Each time there's a little dean and it shows a

1228
01:06:13,600 --> 01:06:15,600
Speaker 6: picture of their face as they clicked on it, and

1229
01:06:15,600 --> 01:06:18,480
Speaker 6: it's usually kind of like they're thinking, they're not sure,

1230
01:06:19,080 --> 01:06:19,720
Speaker 6: like what is it?

1231
01:06:19,800 --> 01:06:23,920
Speaker 2: Stand up? It's that face usually yeah, furrowed brows.

1232
01:06:24,680 --> 01:06:27,200
Speaker 1: So what if I said, somebody must have broken off

1233
01:06:27,240 --> 01:06:29,680
Speaker 1: the brick you know when it's brick weed, when it's

1234
01:06:29,760 --> 01:06:32,760
Speaker 1: just like yes, pressed into the and it's just like.

1235
01:06:33,160 --> 01:06:35,880
Speaker 2: That's good. That's yeah, that's great.

1236
01:06:36,120 --> 01:06:38,200
Speaker 1: That's what if I said, y'all got hay fever from

1237
01:06:38,200 --> 01:06:38,880
Speaker 1: that ditch weed?

1238
01:06:39,040 --> 01:06:42,440
Speaker 2: That's great. Yeah, this is what exactly.

1239
01:06:42,520 --> 01:06:45,040
Speaker 6: Yeah, I think yeah, and I don't think we have

1240
01:06:45,240 --> 01:06:46,240
Speaker 6: time for those though.

1241
01:06:46,520 --> 01:06:49,240
Speaker 2: We don't have time. I think you took a little

1242
01:06:49,960 --> 01:06:52,439
Speaker 2: too long. Yes, I think you took a little too long.

1243
01:06:52,720 --> 01:06:57,720
Speaker 1: Okay, Well what was your phone doing? I got a text?

1244
01:06:58,120 --> 01:07:00,440
Speaker 2: Uh from who is somebody?

1245
01:07:00,520 --> 01:07:04,640
Speaker 6: I know it's from my friend Ben Piner, who's on

1246
01:07:04,720 --> 01:07:06,760
Speaker 6: the album, and it's uh.

1247
01:07:07,960 --> 01:07:10,240
Speaker 2: People are going to be excited for that. Yeah, yeah,

1248
01:07:10,400 --> 01:07:12,120
Speaker 2: the name drop.

1249
01:07:14,000 --> 01:07:15,760
Speaker 1: And here let me get that for you. Oh I

1250
01:07:15,840 --> 01:07:18,960
Speaker 1: hurt my back.

1251
01:07:20,240 --> 01:07:24,400
Speaker 2: The literal picking up of the drop. Yes, it's heavy

1252
01:07:24,480 --> 01:07:28,120
Speaker 2: or something. Right, Well, we do want to give out

1253
01:07:28,160 --> 01:07:32,439
Speaker 2: the pro version. We have to, and I'll just I'll

1254
01:07:32,560 --> 01:07:34,880
Speaker 2: try to think of someone from memory who bought it.

1255
01:07:35,640 --> 01:07:37,720
Speaker 2: Rose Cream, is that someone who's gotten it before? I

1256
01:07:37,760 --> 01:07:41,440
Speaker 2: don't give a shit. Okay, Rose user, rose Cream on

1257
01:07:41,480 --> 01:07:44,320
Speaker 2: the forums bought the pro version of our podcast. A

1258
01:07:44,360 --> 01:07:47,360
Speaker 2: lot of great stuff in the package this week that

1259
01:07:47,360 --> 01:07:48,760
Speaker 2: should be getting to do you really soon. And you

1260
01:07:48,800 --> 01:07:51,920
Speaker 2: also get an exclusive track from your album, which is

1261
01:07:51,960 --> 01:07:57,040
Speaker 2: another character that your engineer performs really well, And just

1262
01:07:57,040 --> 01:08:00,920
Speaker 2: which one would you like to give to rose Cream?

1263
01:08:01,440 --> 01:08:02,800
Speaker 2: What would be fun? Maybe?

1264
01:08:02,960 --> 01:08:03,240
Speaker 3: Uh?

1265
01:08:04,040 --> 01:08:09,160
Speaker 6: Uh, the nosy principle, that might be fun. Okay, great?

1266
01:08:09,720 --> 01:08:13,360
Speaker 2: Uh And so this is off Mike O'Brien's new sketch

1267
01:08:13,560 --> 01:08:16,720
Speaker 2: comedy album. Uh and it's the nosy principle. And that

1268
01:08:16,800 --> 01:08:18,679
Speaker 2: was also very nice of you to include a reference

1269
01:08:18,720 --> 01:08:23,160
Speaker 2: to user rose Cream in the in the track. So

1270
01:08:23,840 --> 01:08:25,800
Speaker 2: let's let's play that right now.

1271
01:08:27,360 --> 01:08:28,599
Speaker 5: What are your kids doing.

1272
01:08:31,120 --> 01:08:34,400
Speaker 2: That you? Rose Cream?

1273
01:08:34,600 --> 01:08:42,880
Speaker 3: Bye Bye, Hollywood Handbook is brought to you by Wolf

1274
01:08:42,960 --> 01:08:46,680
Speaker 3: Cool Production, to subsidiary of Calvin Dubs.

1275
01:08:47,200 --> 01:08:53,560
Speaker 1: Ow Baby