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Speaker 1: Welcome to This Is Important, a production of I Heart Radio,

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Speaker 1: this show where we talk about what's obviously most critically

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Speaker 1: crucially important today on This Is Important. Why his religious

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Speaker 1: family fears he's possessed by the devil. My ship is

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Speaker 1: so swampy, dude, I hate I adam divine am cue.

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Speaker 1: You know, I did YouTube from seventh grade to high school,

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Speaker 1: and like, I'm good to go. Let's go. What m dude?

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Speaker 1: Can I get too real right out the gate? Just

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Speaker 1: get too real with you guys, with three of my

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Speaker 1: best friends. Do we have a choice? You do not?

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Speaker 1: Because I am speaking to you now, Yeah, real talk.

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Speaker 1: I have to have, uh there, you're it's kind of

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Speaker 1: almost mandatory to have groomsman in a wedding, and I need,

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Speaker 1: uh you guys to be my groomsman. Will you say

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Speaker 1: yes to that? Do you think, oh, oh my god? Well, well,

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Speaker 1: I mean you could say no, I can say no.

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Speaker 1: I'm yeah, I'll do it. Hell yeah, Okay, we got one,

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Speaker 1: we got one, We got one. Who's next? Who's next? Um,

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Speaker 1: I'm gonna say hell, yeah, brother, I'm in. Yeah. Okay,

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Speaker 1: you were you were searching for a button there that

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Speaker 1: you couldn't find. I was like, do I make this

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Speaker 1: a special moment or do I hit him with Yeah? Yeah,

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Speaker 1: well that to me is a special moment. You know,

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Speaker 1: your your fingers tickling those keys, that special, Kyle last

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Speaker 1: my brother, but certainly at least what's up my brother?

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Speaker 1: My brother madam divine? Yes, it would be an honor,

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Speaker 1: all right? Yeah, thanks guys. Adam's que right before black kick?

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Speaker 1: That so tight, going like hit the button and uh,

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Speaker 1: and Adam, do we want to tell the listeners about

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Speaker 1: the raffle we're having for the for the sixth spot? Yes? Uh,

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Speaker 1: that would be so tight. That would be so tight. Actually,

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Speaker 1: I gotta hurry up and asked the other groomsman, um,

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Speaker 1: because I haven't yet, and uh, this episode is gonna

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Speaker 1: air soon and then and then they're gonna listen to

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Speaker 1: be like what the funk, dude, how have you decided?

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Speaker 1: How many on either side? Like, yeah, what's the rules

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Speaker 1: with that? Yeah? I think there's there's gonna be six

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Speaker 1: on my side, four on Chloe side, So so there'll

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Speaker 1: be two extras. And you know, when me and my

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Speaker 1: wife got married, we rolled deep. We had nine on

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Speaker 1: a side. Wait, wait, whoa, it's tough man. Yeah, she's

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Speaker 1: got a big family. Though. She's got a big family, right,

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Speaker 1: so there's like built in sisters and brothers on each side,

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Speaker 1: and then friends. It was mostly friends do it was.

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Speaker 1: It was just a lot of friends. It was like

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Speaker 1: we just we all deep. We couldn't make the choice.

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Speaker 1: It's hard road deep. You couldn't cut people loose. I

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Speaker 1: cut motherfucker's loose. I was like, sorry, man, how many

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Speaker 1: did you have? Seven or eight? Yeah, you had quite

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Speaker 1: a few. Well, you have your brothers and then us.

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Speaker 1: That's big, that's big. Seven Rade is big. Adam just

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Speaker 1: said six. Yeah, what's the norm? Is their norm? You

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Speaker 1: said nine? I know, I said nine. Yeah, but seven

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Speaker 1: orrade is still big? Yell, I think nine is gigantic.

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Speaker 1: Nine is like when you get married at eighteen and

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Speaker 1: just all of your high school homies like Fat Tony,

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Speaker 1: Big Steve, little Rob, like they all have nicknames and

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Speaker 1: they're all in your wedding. Our buddy Thomas told us

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Speaker 1: that like the whole purpose of groomsman was like you

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Speaker 1: picked your friends who were the best sword fighters, just

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Speaker 1: in case somebody rolled in to try to break your

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Speaker 1: ship up. Okay, guys, then I take the ask back. Uh,

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Speaker 1: them taking it back. It's very true. That's like the

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Speaker 1: meaning of it is like the best man is your

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Speaker 1: best swordsman, the person who has your back the best,

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Speaker 1: and then your groomsmen are also fighting. I don't think

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Speaker 1: that's true at all. What do you think it is? Yeah,

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Speaker 1: your best friend, the groomsman, what your boys who like

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Speaker 1: do your makeup for you? And no, it's just your homie.

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Speaker 1: That's what it is. Now we're talking about the beginning

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Speaker 1: of this. Yeah, it's the best it's your best friend.

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Speaker 1: It's it's the guy that you're the closest with that

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Speaker 1: is going to help you with it. Going on the internet.

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Speaker 1: I never go to the fucking internet. I'm going to

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Speaker 1: the Internet. I like that they go. You don't understand

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Speaker 1: the correlation. It's it's best man, which means best man

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Speaker 1: at fighting, best swordsman. I mean there might be some

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Speaker 1: history back there. It's part of me thinks it's like,

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Speaker 1: I know your friend Thomas, he's a loves a good

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Speaker 1: Renaissance fair. Yes, his dad is like a great fencer,

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Speaker 1: so that that could have yeah and LARPer. Yeah, So

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Speaker 1: part of me is like he's taking you down this

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Speaker 1: road of the renaiss and giving you extra facts when

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Speaker 1: you're walking around you have your big gass cup of

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Speaker 1: mead Blake. I'm looking at you in a turkey leg

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Speaker 1: and he's like feeding you these fun facts and you

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Speaker 1: guys are just nibbing them up. Guys, you're just nibbed.

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Speaker 1: There was something romantic about it. I thought it was

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Speaker 1: pretty cool that you pick your boy who could like

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Speaker 1: fight to the den. What about the bridesman's what are they? Well,

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Speaker 1: that's the down and dirty what here? Wait, wait, let

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Speaker 1: me get the let me get the real thing here

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Speaker 1: going here. Look, this is what it says when you google.

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Speaker 1: The tradition of the best man is thought to have

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Speaker 1: originated with the Germanic Goths of sixte century Si nice.

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Speaker 1: He was the best man for specifically the job of

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Speaker 1: stealing the bride from her neighboring community or disapproving family.

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Speaker 1: And and he was probably that's weird. But and he

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Speaker 1: was probably the best swordsman too, it says, and he

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Speaker 1: was probably the best sword that's the wording he probably, yeah, probably.

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Speaker 1: This is from what is what is the source? Rob's

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Speaker 1: blog at netspace dot com. I don't know. It's the

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Speaker 1: thing that comes up right on Google. What is that source.

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Speaker 1: It's like Wikipedia, it's called maybe it's this dot com.

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Speaker 1: You go, you type in your question, it goes maybe

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Speaker 1: it's this. Google is an amazing search engine that you

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Speaker 1: couldn't type in anything you want. You're like, is the

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Speaker 1: best man the best man at fighting? And it'll go Yeah, No,

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Speaker 1: I said, I didn't do that. I didn't lead it on.

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Speaker 1: Someone said at one time on the internet. So I

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Speaker 1: didn't lead it on though. But now I'm getting into

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Speaker 1: something that's crazy, Like this is like in a time

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Speaker 1: when marriage by capture was practiced. Yeah, close friends of

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Speaker 1: the groom would assist him in taking the bride from

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Speaker 1: her family. They'd form a small army to fight off

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Speaker 1: angry relatives so that he could escape with her. This

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Speaker 1: is fucking crazy. Just get in the bag. I love you.

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Speaker 1: It's a prank. It's me. It's it's Doug. Chip wanted

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Speaker 1: me to come over here and steel you're Renny get

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Speaker 1: married tomorrow. It's gonna be crazy. You're finally gonna have sex. Yeah,

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Speaker 1: we're gonna go with just more of like a current

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Speaker 1: day marriage. Yeah. Yeah, well the best man plans a

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Speaker 1: bachelor party. No, dude, we're kidnapping Chloe, it's the bomber,

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Speaker 1: is is I don't know. I honestly do not know

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Speaker 1: there will be party. I don't know, Blakeye, and I

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Speaker 1: know that's how sad that makes you, well, I because uh,

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Speaker 1: you know, it's still COVID times. We're getting married next October.

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Speaker 1: I'm gonna be in Charleston until at least August, so

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Speaker 1: I don't know if if we will get to or not.

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Speaker 1: I wanted to throw down in Omaha. I mean, I'm

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Speaker 1: not saying that's where you were going to do it,

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Speaker 1: but I've never been to your stomping grounds. That would

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Speaker 1: be cool. That's right. You didn't. You didn't come on

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Speaker 1: when we shot the stand was special there. I don't

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Speaker 1: know where I was. What if you just do the

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Speaker 1: bachelor party like a couple of days earlier, you know,

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Speaker 1: like just right before the wedding, the night before, like

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Speaker 1: a couple of days before the wedding. What if you

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Speaker 1: did that, I'd be tight. Just just I spent two

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Speaker 1: weeks down in Mexico. That'd be sad. Yeah, just show

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Speaker 1: up swollen face and sunburn. Yeah, But then you don't want,

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Speaker 1: like you know, in case the bachelor party to take

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Speaker 1: some weird wild turns. You don't want people to be

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Speaker 1: like on your wedding day of being like, oh there

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Speaker 1: he is a cinnamon atom or whatever weird nickname I

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Speaker 1: got in. I'm not atta, I'm not I'm not. Are

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Speaker 1: you like you like bust your teeth on something all drunk?

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Speaker 1: And for sure? Yeah, I fall down my stairs and

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Speaker 1: just break a femur and uh and and then I

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Speaker 1: had to get married because I planned on probably losing

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Speaker 1: some teeth. Oh if you don't lose some teeth during

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Speaker 1: your bachelor party? Did you even do it? Did you

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Speaker 1: even wyre you hoping to go to uh New Orleans?

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Speaker 1: Because I know it really well and I feel like

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Speaker 1: I could take my boys down there and we could

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Speaker 1: have something we could six nine exactly and thank you

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Speaker 1: well said. But you know it could be fun because

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Speaker 1: maybe I like rent a like a house somewhere and

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Speaker 1: like Big Bear or somewhere fairly close where we could

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Speaker 1: all just, uh you know, do dude ship play cards.

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Speaker 1: I think that's the move. We'll buy a bunch of guns,

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Speaker 1: We'll we'll go creditly smart. Yeah, get a bunch of guns. Yeah,

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Speaker 1: that could have to make some pipe bombs. Pipe bombs,

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Speaker 1: it's fashion some pipe bombs. How we're talking. I would

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Speaker 1: love to make pipe bombs with you guys. What was

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Speaker 1: that ship? That Anarchist cookbook or whatever? We just download that. Yeah,

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Speaker 1: you knew exactly what it was out of print. Now

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Speaker 1: you can't even find it. You had to get on

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Speaker 1: the dark web begin Yeah, the dark web is the

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Speaker 1: internet now, Yeah, it's just there, right, I'm pretty sure

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Speaker 1: you could look it up immediately. It's weird that the

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Speaker 1: web became the dark web, right. The Anarchist Cookbook was

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Speaker 1: always the kid who always had it, was the kid

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Speaker 1: who was never gonna do ship, but was always like

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Speaker 1: I could. I could just fucking blow his whole place away.

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Speaker 1: You're like, are you going to huh? Well, you're you're

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Speaker 1: not trying to egg him on Jesus, Yeah, you don't

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Speaker 1: want the one day to be you set your sussing

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Speaker 1: them back? What are you? What are you doing? I

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Speaker 1: don't know nothing like that. Would just go face to

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Speaker 1: face with him and be like, you don't have the

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Speaker 1: fucking guts they wanted to do it, You don't have

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Speaker 1: the ball do it. Yeah, I was sucking tearing pages

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Speaker 1: out of it. That's like those times in the movies

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Speaker 1: where the dudes got the gun to the guy's head

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Speaker 1: and the guy just goes like, do it, fucking do it.

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Speaker 1: I don't care. He put he wraps his mouth around it.

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Speaker 1: It's like, yeah, he just starts sucking on the barrel. Yeah. Yeah,

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Speaker 1: you've never had a dream that you woke up from.

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Speaker 1: What's up? I don't know. Look, so that's a book.

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Speaker 1: I think they did a documentary on the guy who

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Speaker 1: who wrote it, and he like heavily regrets it, because

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Speaker 1: I do think a lot of kids did use it

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Speaker 1: for fucking shitty shit. Yeah. Yeah. I had a neighbor

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Speaker 1: that I knew. I never really liked the guy, but

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Speaker 1: he uh threw a bomb over into my driveway. I

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Speaker 1: hate that. It was like a chemical bomb that like

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Speaker 1: expanded and then finally it exploded, and I was like,

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Speaker 1: I didn't know what it was, and I went over

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Speaker 1: and it's just like a bottle full of ship So

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Speaker 1: I kicked it, and when I kicked it, it exploded

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Speaker 1: and all the chemicals got in my eyes and I

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Speaker 1: had to like my dad had lay me in the

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Speaker 1: ground and just hose me in the eyeballs with piste.

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Speaker 1: It he pissed with water you're like, this is kind

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Speaker 1: of quiet, peep saying it had teeth on me. He

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Speaker 1: owes me in the eyes of the water and boring. Yeah,

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Speaker 1: come well, And I remember it, like, for sure hurt

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Speaker 1: for a little bit, but I remember I never liked

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Speaker 1: the guy, so I made a bigger deal out of

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Speaker 1: it than I mean. For sure, it was dangerous and

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Speaker 1: he shouldn't have done it. But I was like, I

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Speaker 1: can't see. I can't. I could see, I can't. I

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Speaker 1: don't know, I can't see. It was like, you can't

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Speaker 1: see the fuck And he's like yelling across the streets

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Speaker 1: and they're like hiding behind the tree, like they see

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Speaker 1: what's happening to the bomber. Yeah, the bomber. It's just

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Speaker 1: my neighbor kids. So I can't, I can't. The kid

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Speaker 1: went to jail, but he just threw like basically a

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Speaker 1: juice box over the fence two and you kicked it

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Speaker 1: and got juiced on yourself and freaked out. It's a bocou. Yeah. Yeah,

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Speaker 1: he served four to seven. Damn, that's crazy. The dude

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Speaker 1: was making a chemical He did chemical warfare on you. Yeah,

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Speaker 1: he just dropped a keem bomb and my when I'm

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Speaker 1: out there just aggressively hacky sacking. Yeah, he probably just

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Speaker 1: had a crush on you. He was just trying to

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Speaker 1: meet you, be best friend. Don't you remember when he

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Speaker 1: used to do that, like pull girls hairs, like throw

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Speaker 1: bombs at him to make Yeah, she'll be friends with

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Speaker 1: me once you can't see me middle school. I'll be

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Speaker 1: her guide person. Should I think I'm pretty? Oh god,

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Speaker 1: oh god, boy too much? Hey, guys are too much?

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Speaker 1: That was too much. Let's remember the pe part, by

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Speaker 1: the way, are Let's go? Um? How a few episodes

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Speaker 1: ago we should on Let's Go the entire time? Awesome?

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Speaker 1: Still stand by that, still think it's way overused. But

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Speaker 1: I was listening to the podcast Today's the new one

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Speaker 1: just dropped, Let's Go? And how are we doing? I

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Speaker 1: haven't listened to number one good. It is doing really good.

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Speaker 1: The last podcast I listened to, It's a hum Dinger

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Speaker 1: Man Treat Yourself. I gotta check it off. But we

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Speaker 1: start the podcast off with a and I'm pretty sure

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Speaker 1: it's Blake going let's go, like sincerely, really a sincere

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Speaker 1: let's go. I feel like Blake has said let's go,

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Speaker 1: and you know what we're here for? You, man, if

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Speaker 1: you feel like you need to shake it out and

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Speaker 1: get that out of your system. Yeah, I will say that.

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Speaker 1: When you guys kind of came at let's go, I

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Speaker 1: was in the corner kind of shaking because that is

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Speaker 1: kind of the motto I lived my life by is

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Speaker 1: You're part of it. You're the let us go, You're

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Speaker 1: the us. Yes, so it's the let died out. You're like,

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Speaker 1: who am I? What what do I do? Where do

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Speaker 1: I go from here? Where do I go? Well? I

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Speaker 1: know where? Well, I know that we let's should go?

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Speaker 1: What do you think it is? Let's should go? Let's

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Speaker 1: should go? You think the S is for should know? Durs?

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Speaker 1: Keep up? Man, come on, wait, let's should go? What

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Speaker 1: are we talking about here? What's going on? I like,

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Speaker 1: what's happening? Should go? I was talking with Blake right

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Speaker 1: and he was talking with me. You guys rudely interrupted.

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Speaker 1: You guys got zoned out. I'm having a whole conversation

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Speaker 1: over here. I know I did. I was like, I'll

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Speaker 1: come back. When this was borried, that was that was

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Speaker 1: a hot topic. That was remember our podcast. Come on, man,

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Speaker 1: we like to reflect. This is not what the people want. Honestly,

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Speaker 1: I don't listen to it. I was tripping today and

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Speaker 1: I was like, is it still good? Like what's that?

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Speaker 1: And I'm like, hey, man, we're doing what we do.

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Speaker 1: That's it. That's true. We do what we do for sure,

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Speaker 1: what we do, that's it. I mean, I would I

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Speaker 1: will say that I have grown to really enjoy podcasts,

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Speaker 1: not only ours, but you know there's a few that

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Speaker 1: I check out and uh, yeah, I do you say,

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Speaker 1: I will say, I will say, we're bringing up owls

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Speaker 1: again home. I will say, that's also a funny callback

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Speaker 1: Adam scared of him, dude, do not get him started. Uh,

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Speaker 1: what's a podcast? What's what's one of your what are

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Speaker 1: you listening to? Dude? Um I like to listen to

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Speaker 1: the podcast poog it has it's with caper Land. It's

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Speaker 1: just these two girls like talking about just the exact opposite.

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Speaker 1: It as ship and we talk about so that's kind

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Speaker 1: of refreshing. Um yo when she does when caper Land

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Speaker 1: does the serious phone calls into the banana, she's so good.

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Speaker 1: It's my favorite thing in the world. It's excellent. Um.

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Speaker 1: I used to listen to that, like qua non anonymous

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Speaker 1: one just because I just started that one. Yeah, it's

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Speaker 1: pretty interesting because I have a few people in my

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Speaker 1: life that are Q and honors that I'm just like

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Speaker 1: trying to wrap my head around what the funk they're

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Speaker 1: talking about. Half the time. Nice, let's go, Kyle looks

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Speaker 1: way too serious. Kyle is like, yeah, well it all

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Speaker 1: makes perfect sense. No, I mean I've I have definitely

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Speaker 1: been where you were at and I am like I've

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Speaker 1: done the research like I I well, and I'm glad

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Speaker 1: I did. Um fully, they're uh, you know, it's an

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Speaker 1: insane rabbit hole to go down. But yeah, the Q

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Speaker 1: and Q Clearance, right, is that what it's called? The podcast,

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Speaker 1: it's called Q and Non Anonymous? How I think mine?

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Speaker 1: The one that I listened to is called Q Clearance,

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Speaker 1: And it was good. They did a good job of

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Speaker 1: like kind of breaking it down so you can understand

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Speaker 1: what the funk it is. Yeah, and what's your takeaway?

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Speaker 1: It all makes perfect sense. Yeah, it controls us all

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Speaker 1: and you're pretending like you're not que and on himself herself.

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Speaker 1: We don't know, I'm cute. It turns out I'm que.

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Speaker 1: Listen to me? Is it that the name of the

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Speaker 1: person Que? Yeah, listen to me. I'm que and they've

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Speaker 1: got a Q clearance, which I guess is like a

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Speaker 1: really high clearance in the government. So it's me. Oh yeah,

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Speaker 1: that's pretty far down the alphabet for sure. Yeah. And

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Speaker 1: I'll admit because like Q isn't taking credit, uh, and

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Speaker 1: isn't like coming out and being like, yeah, I'm cute,

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Speaker 1: it's me. That's probably the most important news we've ever Yeah.

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Speaker 1: Can you say that again? This this is important? Uh?

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Speaker 1: I adam divine am it's as hard to say I

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Speaker 1: am cue. Wow, Holy sh it, bro, what a development.

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Speaker 1: Could you imagine how disappointed everyone would be if I

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Speaker 1: came out and it's like it was me the whole time.

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Speaker 1: I'm cute. They're like, but it would explain everything. You'd

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Speaker 1: be like, oh, okay, I get it now. That that

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00:18:15,800 --> 00:18:18,000
Speaker 1: was pretty funny. I made all of these predictions. None

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Speaker 1: of them came true. Just wait next week, something will happen.

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Speaker 1: They will they will arrest her any second. Now. I'm cute,

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Speaker 1: so cute. I'm cute. I'm definitely really cute. You're both

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Speaker 1: listening to a podcast about this, two different ones, So

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Speaker 1: obviously there's like an appetite for people who are on

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Speaker 1: the outside looking in trying to understand it and is

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Speaker 1: it a waste of time or do you feel like

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Speaker 1: Adam you said, you've got some people in your life

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Speaker 1: that are sucking down with the sickness, So like does

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Speaker 1: it give you win you into the world or what? No,

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00:18:56,119 --> 00:19:00,760
Speaker 1: And it's mostly like there no one really close to me.

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00:19:00,880 --> 00:19:03,800
Speaker 1: It's mostly just like trying to figure out. I also

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00:19:03,920 --> 00:19:06,080
Speaker 1: ride my bike up through Huntington's all the time and

336
00:19:06,080 --> 00:19:08,080
Speaker 1: there's like a van that's parked there which is a

337
00:19:08,080 --> 00:19:12,960
Speaker 1: giant queue and a Blue Lives Matter flag and giant

338
00:19:13,000 --> 00:19:16,919
Speaker 1: Trump flag, and I'm like, who is this guy? Is

339
00:19:16,960 --> 00:19:20,280
Speaker 1: he just gonna like step out of the vehicle with

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Speaker 1: an a R fifteen and just unload on me and

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Speaker 1: all my cycling bros with the chemical bomb. So I

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00:19:27,760 --> 00:19:31,000
Speaker 1: just kind of was like I wanted to, uh, kind

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00:19:31,000 --> 00:19:34,640
Speaker 1: of dive in and figure out what even it was about,

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00:19:34,720 --> 00:19:38,800
Speaker 1: which it's when they break it down, it is truly insane.

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Speaker 1: But I understand that people want something to believe, and

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Speaker 1: I understand why conspiracy theories take hold because they don't

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Speaker 1: want to believe. They want to believe in a different reality.

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Speaker 1: They want to believe in something else. Well, they want

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Speaker 1: to have some kind of meaning behind it all, you

350
00:19:54,400 --> 00:19:56,359
Speaker 1: know what I mean, like all the fucking hate and

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00:19:56,400 --> 00:19:59,520
Speaker 1: the violence and put ahead on the on the horrific

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00:19:59,600 --> 00:20:02,600
Speaker 1: things go on in society. So that's it's wrapped around.

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Speaker 1: I mean, at the bottom of it, it's like child

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Speaker 1: trafficking and pedophilia, and you're like, well, if you get there,

355
00:20:07,920 --> 00:20:10,080
Speaker 1: if you dig and you get there, you're like, well, yeah,

356
00:20:10,119 --> 00:20:12,679
Speaker 1: like if you have any kind of like higher power,

357
00:20:12,840 --> 00:20:17,600
Speaker 1: like you believe that people are controlling certain things and elements, Yeah,

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00:20:17,680 --> 00:20:19,200
Speaker 1: it's easy to I think it would be easy to

359
00:20:19,200 --> 00:20:22,840
Speaker 1: slip it. It's easy to slip into it. Yeah, I know.

360
00:20:22,960 --> 00:20:24,880
Speaker 1: I'm looking at who's kind of like, I mean, if

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Speaker 1: you dude, they're using child trafficking as like a fucking

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Speaker 1: cloak where it's like are you against child trafficking and

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00:20:30,160 --> 00:20:32,399
Speaker 1: you're like, of course, and then they go so are

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00:20:32,440 --> 00:20:36,080
Speaker 1: we So get in here, honors, I know, And that's

365
00:20:36,119 --> 00:20:40,360
Speaker 1: where people really get hooked. That's what happens. That's that's

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Speaker 1: what's at the bottom of it. If you're looking and

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00:20:42,520 --> 00:20:45,159
Speaker 1: so everything else is just a byproduct. Well, there's no

368
00:20:45,200 --> 00:20:47,080
Speaker 1: worse traffic than here in l A. What do you

369
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Speaker 1: guys do today. Yeah, you want to talk about traffic,

370
00:20:51,359 --> 00:20:56,280
Speaker 1: let's talk about the four oh five. I'll talk about traffic.

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Speaker 1: You ever get hawked at and you're like, I better go.

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00:20:59,720 --> 00:21:03,520
Speaker 1: That's me holding up kid probably in a trunk behind

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Speaker 1: Mek You and Nan Dude. We got it on, We

374
00:21:08,200 --> 00:21:11,399
Speaker 1: we got it. They did something on on Murder Mystery

375
00:21:11,400 --> 00:21:14,639
Speaker 1: because the guy's last name and it was Quints, and

376
00:21:14,680 --> 00:21:16,760
Speaker 1: I put a Q pillow in there. It was Q

377
00:21:16,960 --> 00:21:20,320
Speaker 1: on everything. And this was like, you know, three whatever,

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00:21:20,400 --> 00:21:23,239
Speaker 1: three years ago to three years ago, and there was

379
00:21:23,280 --> 00:21:25,760
Speaker 1: a post that came out that was like Q is

380
00:21:25,800 --> 00:21:28,520
Speaker 1: in this movie and they're telling me what to do.

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00:21:28,560 --> 00:21:31,080
Speaker 1: They're giving us a message through the pillow placement of

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00:21:31,119 --> 00:21:34,480
Speaker 1: this shot. And I remember being on set being like

383
00:21:34,680 --> 00:21:36,640
Speaker 1: they're like you should we put the Q pillow right there?

384
00:21:36,680 --> 00:21:38,920
Speaker 1: And I was like, yeah, it looks pretty cool. It's

385
00:21:38,960 --> 00:21:41,639
Speaker 1: Quint's like, that's our character, that's where we are, Like

386
00:21:41,680 --> 00:21:45,080
Speaker 1: it makes sense, but it just got yeah, it just

387
00:21:45,119 --> 00:21:47,800
Speaker 1: got spun out and I was like, Wow, what is this?

388
00:21:48,160 --> 00:21:51,320
Speaker 1: What is going on? That's crazy? And that was like

389
00:21:51,400 --> 00:21:53,000
Speaker 1: when it was still kind of young. I feel like

390
00:21:53,040 --> 00:21:57,320
Speaker 1: those were the Pizza Gate years, the Sweet Pizza gate.

391
00:21:57,520 --> 00:21:59,679
Speaker 1: If we could just go back there all the pizza

392
00:21:59,720 --> 00:22:04,719
Speaker 1: gate ears uh to totally change subjects. Let's do that.

393
00:22:04,920 --> 00:22:08,880
Speaker 1: Thank you a good call, let's do it. Ask you.

394
00:22:09,040 --> 00:22:13,080
Speaker 1: I'd like to change the subject and thank you for

395
00:22:13,119 --> 00:22:17,159
Speaker 1: putting my pillows in murder mystery, Kyle, I'll help you,

396
00:22:17,760 --> 00:22:29,800
Speaker 1: help you help you love my pillow love. Um, how

397
00:22:29,800 --> 00:22:34,680
Speaker 1: do we feel about for sure? For sure? SNL writers

398
00:22:34,960 --> 00:22:41,040
Speaker 1: listen to the podcast and Stoll Dirsey's Rattui controlling uh

399
00:22:41,200 --> 00:22:44,840
Speaker 1: someone having sex bit that we did as a throwaway

400
00:22:44,840 --> 00:22:49,160
Speaker 1: bit here on the cast. We throw those bits away,

401
00:22:50,200 --> 00:22:51,800
Speaker 1: and you know what they do. They take them out

402
00:22:51,800 --> 00:22:55,640
Speaker 1: of the trash bin and they build a fucking career

403
00:22:55,720 --> 00:23:01,000
Speaker 1: out of them. Hey, you're welcome, Snell thirty Rock. You

404
00:23:01,000 --> 00:23:03,560
Speaker 1: know I wasn't too bud. I saw it happening live,

405
00:23:03,640 --> 00:23:06,080
Speaker 1: and I was like, what, like if it is the case,

406
00:23:06,520 --> 00:23:08,960
Speaker 1: Like it's all good? What you saw it? You were

407
00:23:09,040 --> 00:23:22,600
Speaker 1: watching a live machine gun Kelly was performing, Okay, all right, Yeah,

408
00:23:23,040 --> 00:23:27,560
Speaker 1: Look if the sketch was like a huge hit and

409
00:23:27,640 --> 00:23:31,320
Speaker 1: like very good past the opening premise of the Ratatui thing,

410
00:23:31,720 --> 00:23:34,680
Speaker 1: like it just turned into something great and amazing, I'd

411
00:23:34,760 --> 00:23:37,600
Speaker 1: probably be pretty salty. Like, why didn't I sit at

412
00:23:37,640 --> 00:23:39,399
Speaker 1: home and kind of unpack that a little bit and

413
00:23:39,400 --> 00:23:43,440
Speaker 1: turn it into something but it wasn't good or if

414
00:23:43,440 --> 00:23:46,199
Speaker 1: you was like Dick in the box or something. If

415
00:23:46,240 --> 00:23:48,000
Speaker 1: it was Dick in the box, it was dick in

416
00:23:48,040 --> 00:23:53,240
Speaker 1: the box, big it was rattatui in the hat, then

417
00:23:53,280 --> 00:23:56,320
Speaker 1: you'd be like, but yeah, if we sang dick in

418
00:23:56,359 --> 00:23:59,119
Speaker 1: the box just as a funny bit here on the podcast,

419
00:23:59,160 --> 00:24:01,440
Speaker 1: and then they a dig in the box on s now,

420
00:24:01,960 --> 00:24:03,800
Speaker 1: I can see I could see it's being a little

421
00:24:04,400 --> 00:24:07,439
Speaker 1: uh So, I wonder if how funny will it be?

422
00:24:07,640 --> 00:24:10,280
Speaker 1: We just gotta playing a bunch of Easter eggs here

423
00:24:10,280 --> 00:24:13,840
Speaker 1: on the podcast, so they I'm like, welcome, please take

424
00:24:13,880 --> 00:24:15,600
Speaker 1: these bits. I'd love to see him on us now,

425
00:24:15,720 --> 00:24:18,040
Speaker 1: like that would be that'd be fun for us. Uh So,

426
00:24:18,240 --> 00:24:20,200
Speaker 1: like I will fuck your girl? Should we tell everyone

427
00:24:20,280 --> 00:24:22,639
Speaker 1: to tune out and we're talking, we're talking directly to

428
00:24:22,680 --> 00:24:25,480
Speaker 1: the guy. If everyone could turn it off except for

429
00:24:25,680 --> 00:24:29,439
Speaker 1: if you are currently employed at sn L, please listen up.

430
00:24:29,640 --> 00:24:32,040
Speaker 1: A few weeks ago, we did a bit, uh that

431
00:24:32,119 --> 00:24:34,320
Speaker 1: was an owl fuck your girl, and it said an

432
00:24:34,320 --> 00:24:38,199
Speaker 1: owl who will fuck your girl? Hit and then and

433
00:24:38,240 --> 00:24:40,359
Speaker 1: then every time you ask did you fund my girl?

434
00:24:40,680 --> 00:24:43,320
Speaker 1: They go, I will fund your girl? Or they say who.

435
00:24:43,520 --> 00:24:46,040
Speaker 1: He says who, yeah, because Owl's don't say owl fun

436
00:24:46,119 --> 00:24:48,560
Speaker 1: your girl. They say who? Yeah, that just go on

437
00:24:49,280 --> 00:24:51,840
Speaker 1: it but that's funny. Yeah, and guess what, just like

438
00:24:51,880 --> 00:24:55,359
Speaker 1: the Raditui idea, it's just a little colonel, a little

439
00:24:55,440 --> 00:24:58,840
Speaker 1: nug and you unpack that. It's face value. You don't

440
00:24:58,920 --> 00:25:00,800
Speaker 1: have to you don't have to go further than just

441
00:25:00,880 --> 00:25:03,200
Speaker 1: a word play, you know. Should we step it out

442
00:25:03,240 --> 00:25:05,399
Speaker 1: for the step it out? Yeah? I mean I don't know.

443
00:25:05,440 --> 00:25:07,120
Speaker 1: I feel like the other the one that they did

444
00:25:07,280 --> 00:25:09,840
Speaker 1: kind of had the beginning and then kind of had

445
00:25:09,840 --> 00:25:11,560
Speaker 1: a middle and then it kind of got Murcury didn't

446
00:25:11,560 --> 00:25:13,399
Speaker 1: have it end. Let's help him out, give him a beginning.

447
00:25:13,600 --> 00:25:15,760
Speaker 1: Let's give him a beginning, a middle, and an end

448
00:25:15,800 --> 00:25:18,280
Speaker 1: so they can really just kind of wrap it. Okay. Well, also,

449
00:25:18,480 --> 00:25:22,120
Speaker 1: they are getting paid by us now to do this.

450
00:25:22,240 --> 00:25:25,480
Speaker 1: Do we want to kind of help them along or

451
00:25:25,560 --> 00:25:27,560
Speaker 1: we're just giving them Yeah, let's do it. I don't Yeah,

452
00:25:27,600 --> 00:25:31,280
Speaker 1: it's all love. Let's say it's nighttime, right, okay, Okay,

453
00:25:31,480 --> 00:25:35,280
Speaker 1: what happened? Good start? Owls like the night exterior night

454
00:25:35,440 --> 00:25:37,640
Speaker 1: is that what we're saying, we're going to exterior night.

455
00:25:38,800 --> 00:25:42,320
Speaker 1: That's typing. Okay, So this is this is about a

456
00:25:42,320 --> 00:25:44,639
Speaker 1: guy who comes home to his apartment right and his

457
00:25:44,840 --> 00:25:47,480
Speaker 1: wife her girlfriend, has like her clothes off, and there's

458
00:25:47,480 --> 00:25:49,240
Speaker 1: an owl there and he's like, what are you doing?

459
00:25:49,280 --> 00:25:51,359
Speaker 1: And she's like nothing, and he's like, why why is it?

460
00:25:51,400 --> 00:25:53,600
Speaker 1: Why is there a candles lit? Why is there music playing?

461
00:25:54,040 --> 00:25:56,000
Speaker 1: Why is there an owl here? She's like, it's not

462
00:25:56,040 --> 00:25:57,680
Speaker 1: a big deal. Just let me. I'm gonna go get

463
00:25:57,680 --> 00:25:59,840
Speaker 1: on my pajamas. And he's like, hey, god, you make

464
00:25:59,880 --> 00:26:02,639
Speaker 1: the so weird. He's just my owl friend. Yeah, And

465
00:26:02,640 --> 00:26:04,880
Speaker 1: then he goes up to the al. He's like, hey,

466
00:26:05,080 --> 00:26:09,720
Speaker 1: was there somebody here sucking my girlfriend? And he's like who,

467
00:26:10,240 --> 00:26:13,040
Speaker 1: he says, and the owl is? The owl's Keenan Thompson

468
00:26:13,119 --> 00:26:15,920
Speaker 1: for sure. Of course the owl's facing away, and then

469
00:26:15,960 --> 00:26:21,520
Speaker 1: he turns his entire head around slowly. Very funny comedy

470
00:26:21,560 --> 00:26:26,440
Speaker 1: turn physical big l um and the guy, the guy

471
00:26:26,480 --> 00:26:28,640
Speaker 1: coming into the apartment should probably be the host because

472
00:26:28,640 --> 00:26:31,600
Speaker 1: it's a very reactive. They don't have to do much

473
00:26:31,640 --> 00:26:33,440
Speaker 1: to Hey, I know it's not going to be army

474
00:26:33,560 --> 00:26:43,200
Speaker 1: hammer unpack and so you do the whole who thing

475
00:26:43,320 --> 00:26:46,560
Speaker 1: that kind of wears out, and then as he's gonna

476
00:26:46,600 --> 00:26:48,640
Speaker 1: be yeah, you're right, I'm crazy, I'm talking to an owl.

477
00:26:49,119 --> 00:26:50,800
Speaker 1: And then when he walks away, he's like, oh, we'll

478
00:26:50,880 --> 00:26:53,560
Speaker 1: fuck your girl. And he's like, what'd you like? Did

479
00:26:53,640 --> 00:26:56,520
Speaker 1: you just say something? And he's like who and he's

480
00:26:56,520 --> 00:26:59,120
Speaker 1: like you did you just say? Is there another bird

481
00:26:59,200 --> 00:27:02,359
Speaker 1: in the room too. It's kind of a little U actuary. Yeah,

482
00:27:02,359 --> 00:27:05,400
Speaker 1: there's a parrot. There's a parrot that says, oh, well,

483
00:27:05,480 --> 00:27:12,119
Speaker 1: fuck your girl. He's like, what, there you go, and

484
00:27:12,160 --> 00:27:14,679
Speaker 1: it's Blake in this episode to Blake just get into sketch.

485
00:27:14,800 --> 00:27:16,520
Speaker 1: I would love to be on s and No. That

486
00:27:16,560 --> 00:27:21,000
Speaker 1: would be really cool. And then I guess like at

487
00:27:21,040 --> 00:27:23,360
Speaker 1: the end of the Big Button at the end, it's

488
00:27:23,400 --> 00:27:24,800
Speaker 1: like he's like, all right, let's just go to bed,

489
00:27:24,800 --> 00:27:27,040
Speaker 1: and when he takes off his shirt, he's got like

490
00:27:27,160 --> 00:27:31,959
Speaker 1: cat scratches and she was like what and he's like, sorry,

491
00:27:32,000 --> 00:27:40,840
Speaker 1: I got a little pussy on my chest. I don't know. Alright,

492
00:27:40,880 --> 00:27:43,440
Speaker 1: let's run that one up the flag pole over at NBC.

493
00:27:43,880 --> 00:27:46,480
Speaker 1: Maybe maybe that's the fun turn. At the end, the

494
00:27:46,560 --> 00:27:50,360
Speaker 1: guy had cats. He's been sucking a cat, you have

495
00:27:50,840 --> 00:27:55,560
Speaker 1: the best turn? Is there? A doggy style joke? And

496
00:27:55,600 --> 00:27:59,120
Speaker 1: then you know, I don't even know if we need

497
00:27:59,200 --> 00:28:01,720
Speaker 1: to walk down any of the road. Besides, I've got

498
00:28:01,760 --> 00:28:06,159
Speaker 1: a little pussy on my chest. Oh, I had a

499
00:28:06,200 --> 00:28:09,920
Speaker 1: little pussy on my chest a dog. This is the

500
00:28:10,040 --> 00:28:13,199
Speaker 1: last sketch before they clap on the stage. At the

501
00:28:13,320 --> 00:28:17,120
Speaker 1: end they go to that commercial breakle it's like to do.

502
00:28:17,320 --> 00:28:20,199
Speaker 1: It's like the piano like the apology commercial where they're like,

503
00:28:20,440 --> 00:28:23,360
Speaker 1: we're so sorry we played that sketch. Don't worry. They're

504
00:28:23,359 --> 00:28:26,600
Speaker 1: about to start clapping and say goodbye. Someone's going to

505
00:28:26,680 --> 00:28:28,880
Speaker 1: hold up a political sign. And then to end the sketch,

506
00:28:28,960 --> 00:28:31,640
Speaker 1: they did definitely have to play that song who Are

507
00:28:32,119 --> 00:28:37,840
Speaker 1: You who? I really want to and then cat scratch

508
00:28:37,920 --> 00:28:43,640
Speaker 1: fever what else? Dog? It's t s I. What's the

509
00:28:43,760 --> 00:28:46,200
Speaker 1: what theme song is that? Yeah? That's one of the

510
00:28:46,240 --> 00:28:47,560
Speaker 1: C s I s All the C s I s

511
00:28:47,600 --> 00:28:50,520
Speaker 1: are who songs? I believe? Dude. By the way, when's

512
00:28:50,560 --> 00:28:52,800
Speaker 1: the last time you guys checked in with a with

513
00:28:53,400 --> 00:28:56,200
Speaker 1: like a C s I or like um lawn order

514
00:28:56,280 --> 00:28:59,440
Speaker 1: checked in with one? Oh adam, when was that? Remember

515
00:28:59,480 --> 00:29:03,320
Speaker 1: that we didn't check in you guys know that I was.

516
00:29:03,600 --> 00:29:06,600
Speaker 1: I acted. I was in the final episode of the

517
00:29:06,600 --> 00:29:11,720
Speaker 1: c S. I right, that's right, you got cut. Hey,

518
00:29:11,800 --> 00:29:13,720
Speaker 1: I got cut, but I still got I got cut. No,

519
00:29:13,800 --> 00:29:16,000
Speaker 1: I was a paramedic. I got cut, but I still

520
00:29:16,080 --> 00:29:18,560
Speaker 1: got credit. So my credits roll at the beginning of

521
00:29:18,560 --> 00:29:22,479
Speaker 1: the episode. So that's tight. And how did that come about?

522
00:29:22,520 --> 00:29:25,800
Speaker 1: And just to just to answer that question, never seen it, Kyle,

523
00:29:25,960 --> 00:29:29,120
Speaker 1: how did uh? How did that come about? That cast?

524
00:29:29,400 --> 00:29:32,239
Speaker 1: That was a fucking joke that comic Con. We had

525
00:29:32,320 --> 00:29:34,400
Speaker 1: new agents and I was like, I want to act

526
00:29:34,480 --> 00:29:36,480
Speaker 1: in uh in c S I, but I want to

527
00:29:36,520 --> 00:29:40,120
Speaker 1: be the guy who's like in a mechanics shop or whatever.

528
00:29:40,160 --> 00:29:42,600
Speaker 1: And I'm like, yeah, I've seen her. Yeah, she came

529
00:29:42,640 --> 00:29:46,080
Speaker 1: in here the other day of it. Actually, she was

530
00:29:46,200 --> 00:29:49,680
Speaker 1: wearing these weird headphones. I just wanted that part in

531
00:29:49,720 --> 00:29:53,360
Speaker 1: anything because I thought it was a hilarious conversation. These

532
00:29:53,440 --> 00:30:00,320
Speaker 1: weird headphones, yeah, whatever, the whatever, the improvising she was

533
00:30:00,480 --> 00:30:04,840
Speaker 1: zooming on a laptop. Yeah, she had these. She did

534
00:30:04,920 --> 00:30:08,120
Speaker 1: wear air pods. That's right, you know, that's weird. That's

535
00:30:08,160 --> 00:30:12,320
Speaker 1: I hope that's why you got cut because they're like, okay, cut, uh, Hey, Kyle,

536
00:30:12,480 --> 00:30:14,280
Speaker 1: I love it, love, I love I know when we're

537
00:30:14,320 --> 00:30:17,200
Speaker 1: calling you guys do like fun improv runs. But there's

538
00:30:17,240 --> 00:30:20,840
Speaker 1: no weird there's no weird headphones. It was just you're

539
00:30:20,880 --> 00:30:24,960
Speaker 1: just naming things in the room, and uh, it's not

540
00:30:25,440 --> 00:30:27,840
Speaker 1: that's exactly right. That's that was the bit. The whole

541
00:30:27,840 --> 00:30:30,440
Speaker 1: story is written. There's definitely clues already kind of baked

542
00:30:30,480 --> 00:30:33,280
Speaker 1: into the story. We we can't just add weird headphones

543
00:30:33,400 --> 00:30:36,000
Speaker 1: to We've already showed that. That was the whole bit.

544
00:30:36,080 --> 00:30:38,400
Speaker 1: At Comic Con and then one of these young agents

545
00:30:38,480 --> 00:30:42,160
Speaker 1: was like, I can get you apart and I was like, okay, dude,

546
00:30:42,240 --> 00:30:45,160
Speaker 1: let's do it. Like whatever. Also, we're filming these two

547
00:30:45,200 --> 00:30:48,440
Speaker 1: people in your forty ft in the background, Um, we

548
00:30:48,520 --> 00:30:52,240
Speaker 1: need you quiet. Like whatever, fine, I'll go to this thing.

549
00:30:52,640 --> 00:30:54,959
Speaker 1: I was like, I'll go do this role and whatever.

550
00:30:55,040 --> 00:30:58,600
Speaker 1: I won't know anybody there. It'll be fucking sick, so Brandon, Yeah,

551
00:30:58,600 --> 00:31:01,160
Speaker 1: So I go and they they're like, okay, we're gonna

552
00:31:01,200 --> 00:31:03,480
Speaker 1: give you a paramedic role. And I was like tight.

553
00:31:03,640 --> 00:31:05,920
Speaker 1: And then they made me shave and I shaved and

554
00:31:05,920 --> 00:31:09,360
Speaker 1: I had to say something about a migraine or like

555
00:31:09,480 --> 00:31:11,560
Speaker 1: you know, you're gonna got trauma or something to you.

556
00:31:12,480 --> 00:31:14,640
Speaker 1: You shaved for the man, and I fucking rode in

557
00:31:14,680 --> 00:31:17,560
Speaker 1: a van with fucking Ted dancing, and I was just

558
00:31:17,600 --> 00:31:21,120
Speaker 1: like sitting in the back van, like t set. Yeah,

559
00:31:21,120 --> 00:31:22,960
Speaker 1: because cast had to go to set. So I came

560
00:31:22,960 --> 00:31:25,400
Speaker 1: out my trailer and I like fucking sat at the van.

561
00:31:25,680 --> 00:31:27,840
Speaker 1: Did you talk to him? And we're like, hey, I'm

562
00:31:28,440 --> 00:31:34,360
Speaker 1: not just an actor with under five lines. I'm one percent. No, No,

563
00:31:34,640 --> 00:31:38,720
Speaker 1: I was an actor. You you were just uh, yeah,

564
00:31:38,880 --> 00:31:41,280
Speaker 1: you were. I was undercover dude on the c S.

565
00:31:41,400 --> 00:31:44,480
Speaker 1: I set like fucking shaved and like my hair back

566
00:31:44,480 --> 00:31:46,240
Speaker 1: and a pony, and I was just sitting in the

567
00:31:46,240 --> 00:31:49,640
Speaker 1: back of the van like just watching and I loved it,

568
00:31:49,840 --> 00:31:53,520
Speaker 1: Like creeper, that's cool. What season of Workaholics is this?

569
00:31:53,520 --> 00:31:57,200
Speaker 1: This is like season five of Workaholics or something like that.

570
00:31:57,600 --> 00:31:59,880
Speaker 1: So that's you had to be under cover. I was

571
00:32:00,040 --> 00:32:01,680
Speaker 1: to say, like, you didn't have to be on the

572
00:32:01,720 --> 00:32:04,239
Speaker 1: cover after like season one or two. Maybe. Well. I

573
00:32:04,280 --> 00:32:06,480
Speaker 1: also feel like all four of us could just go

574
00:32:06,640 --> 00:32:08,920
Speaker 1: to Ted Danson and be like Ted and he'd be

575
00:32:08,960 --> 00:32:11,440
Speaker 1: like he'd hand us his jacket or something and be like, yeah,

576
00:32:11,560 --> 00:32:14,640
Speaker 1: just out there yeah, he gives us his keys. He's like, yeah,

577
00:32:14,720 --> 00:32:17,200
Speaker 1: keep it up, keep it close, keep it running. Dude.

578
00:32:17,360 --> 00:32:19,440
Speaker 1: I was so stoked like I was doing and I

579
00:32:19,480 --> 00:32:21,720
Speaker 1: was like, nobody here fucking knows me. This is great.

580
00:32:21,760 --> 00:32:24,040
Speaker 1: And I'm like doing my line, just having fun with

581
00:32:24,080 --> 00:32:25,680
Speaker 1: the guy who I'm doing it with. And then the

582
00:32:25,760 --> 00:32:29,280
Speaker 1: Dolly grip. This dude Bill was pushing Dolly and I'm

583
00:32:29,280 --> 00:32:32,080
Speaker 1: like what Then I know this guy and more Big

584
00:32:32,080 --> 00:32:35,480
Speaker 1: Bill from Workaholic blows up my spot. He's like, Kyle,

585
00:32:35,680 --> 00:32:41,800
Speaker 1: what are you doing here? You big time director slash television. Yeah,

586
00:32:41,840 --> 00:32:43,680
Speaker 1: and then they're like you know this guy and he's like, yeah,

587
00:32:43,760 --> 00:32:47,200
Speaker 1: he's a fucking director, like he made Workaholics. And I

588
00:32:47,280 --> 00:32:49,640
Speaker 1: was just like, what you should have done is you

589
00:32:49,720 --> 00:32:52,560
Speaker 1: should have still stayed undercover and be like, I don't know,

590
00:32:53,320 --> 00:32:55,160
Speaker 1: please get away from me, sir. I don't know who

591
00:32:55,200 --> 00:32:58,080
Speaker 1: this man is. I don't know what he's talking about.

592
00:32:58,120 --> 00:33:02,160
Speaker 1: Do you have security on set up? I'm sorry, I

593
00:33:02,160 --> 00:33:04,200
Speaker 1: don't know who this man is. I'm sorry. Can I

594
00:33:04,200 --> 00:33:07,040
Speaker 1: please speak with my sag or after rep? I would

595
00:33:07,080 --> 00:33:11,800
Speaker 1: like to. I don't speak with a local ady on set? Okay? Wow, man,

596
00:33:12,200 --> 00:33:14,280
Speaker 1: are those shows good? I want to get on one.

597
00:33:14,320 --> 00:33:16,320
Speaker 1: I want to be like the eight, the eighth dude

598
00:33:16,360 --> 00:33:19,240
Speaker 1: on the roster who just says something funny and then

599
00:33:19,320 --> 00:33:22,080
Speaker 1: like farts off to go around. N c i S

600
00:33:22,480 --> 00:33:24,440
Speaker 1: New Orleans seems like a fun one to be on,

601
00:33:24,600 --> 00:33:27,800
Speaker 1: Like the like Country guy, the guy who like Uy,

602
00:33:28,240 --> 00:33:31,520
Speaker 1: the original Friday night Lights guy, and the too fast

603
00:33:31,560 --> 00:33:34,440
Speaker 1: the original Friday Night Lights guy that's always talks like this,

604
00:33:34,640 --> 00:33:39,440
Speaker 1: like for sure he's from Texas and cannot shake always

605
00:33:38,120 --> 00:33:40,920
Speaker 1: talk like this. Well he doesn't. I mean, it's not

606
00:33:40,960 --> 00:33:44,840
Speaker 1: like he says yeah for sure. But also so do

607
00:33:45,000 --> 00:33:48,080
Speaker 1: British people, and they play Americans all the time, and

608
00:33:48,280 --> 00:33:50,720
Speaker 1: people that are from the South don't steal our roles.

609
00:33:51,080 --> 00:33:53,960
Speaker 1: They don't always have the thickest actset you've ever heard,

610
00:33:54,160 --> 00:33:56,120
Speaker 1: you know what I mean? Like for sure, you can

611
00:33:56,680 --> 00:33:59,560
Speaker 1: dial that up or down, but he he can't. He's

612
00:34:00,080 --> 00:34:02,360
Speaker 1: full full tilts that guy. I feel like that's a

613
00:34:02,440 --> 00:34:05,600
Speaker 1: great job. Don't we know? A guy from from the

614
00:34:05,680 --> 00:34:09,319
Speaker 1: Sketch Days is on n c i S. His name

615
00:34:09,360 --> 00:34:11,440
Speaker 1: is Rob. I think what is his is his name? Rob?

616
00:34:12,880 --> 00:34:18,000
Speaker 1: Thank you, funny dude. Number of tears. He's like a

617
00:34:18,080 --> 00:34:22,040
Speaker 1: lab guy on there anyway. Oh, that's right. Yeah, which

618
00:34:22,080 --> 00:34:25,080
Speaker 1: those are the hardest rolls right where you just have

619
00:34:25,160 --> 00:34:28,279
Speaker 1: the best. You have to memorize so much jarbon being

620
00:34:28,280 --> 00:34:30,560
Speaker 1: a paramedic. Yeah, it's very hard to play a paramedical

621
00:34:30,960 --> 00:34:36,760
Speaker 1: like a headphone repairman, sup, Now that you said something.

622
00:34:37,200 --> 00:34:39,480
Speaker 1: It was a weird set of headphones I worked on.

623
00:34:39,560 --> 00:34:43,239
Speaker 1: Cut Kyle, Hi, you're a car mechanic. You didn't work

624
00:34:43,320 --> 00:34:45,920
Speaker 1: on the headphone. She had a camera on some lights

625
00:34:46,080 --> 00:34:48,520
Speaker 1: and I just figured maybe the headphones were a clue.

626
00:34:48,560 --> 00:34:51,799
Speaker 1: I thought i'd just tell them, you know. Yeah, they

627
00:34:51,800 --> 00:34:55,759
Speaker 1: were like some knockoff beat by Dre. Yeah. She must

628
00:34:55,760 --> 00:35:00,880
Speaker 1: have got him at the corner down. Uh whatever, cut

629
00:35:00,600 --> 00:35:04,960
Speaker 1: co Co cot mtr at him from from fat Tony

630
00:35:05,120 --> 00:35:09,360
Speaker 1: down at the pawn shot. Did you read the script

631
00:35:09,840 --> 00:35:15,720
Speaker 1: your background? Buddy? Hey, Kyle, you're you're improving all great stuff?

632
00:35:16,200 --> 00:35:19,640
Speaker 1: Love it, um, very none of it is usable. We're

633
00:35:19,640 --> 00:35:23,239
Speaker 1: gonna have to cut this whole soon. Can you just

634
00:35:23,239 --> 00:35:24,960
Speaker 1: tell him, tell him to be quiet. We didn't put

635
00:35:24,960 --> 00:35:26,840
Speaker 1: a mic on you, sir. You're just sucking up the

636
00:35:26,840 --> 00:35:30,279
Speaker 1: audio truck. You just at the background extra. Please just

637
00:35:30,280 --> 00:35:33,560
Speaker 1: shut the funk up, thank you, I'm undercover. You had

638
00:35:33,600 --> 00:35:36,960
Speaker 1: the improv could really derail this storyline pretty bad if

639
00:35:37,000 --> 00:35:39,040
Speaker 1: you're just like, yeah, man, it was wild. She like

640
00:35:39,160 --> 00:35:44,960
Speaker 1: killed two people and cut Okay, that's the hair. Stories

641
00:35:45,880 --> 00:35:51,000
Speaker 1: of improving can change the show in anything. Come to

642
00:35:51,360 --> 00:35:55,200
Speaker 1: that she's actually the murderer at the end of this episode.

643
00:35:56,000 --> 00:35:59,120
Speaker 1: What I read anyway, I gotta go. I'll see you

644
00:35:59,120 --> 00:36:04,319
Speaker 1: guys later. I remember I was when I was doing

645
00:36:04,760 --> 00:36:08,640
Speaker 1: stand up way back in the day, like when I

646
00:36:08,760 --> 00:36:11,160
Speaker 1: when we were all sto living together, and I did.

647
00:36:11,520 --> 00:36:13,360
Speaker 1: I remember. I came home and told yougether. It was

648
00:36:13,400 --> 00:36:16,359
Speaker 1: like the most insane thing where I kind of knew

649
00:36:16,400 --> 00:36:20,120
Speaker 1: this producer just from doing stand up. And he calls me.

650
00:36:20,160 --> 00:36:22,400
Speaker 1: He's like, dude, would you ever be on a dating show?

651
00:36:22,480 --> 00:36:24,440
Speaker 1: And I'm like, no, man, I don't want to be

652
00:36:24,560 --> 00:36:26,640
Speaker 1: on a dating show. Like I'm trying to be like

653
00:36:26,680 --> 00:36:28,799
Speaker 1: a comedian in my own right, not just like a

654
00:36:28,880 --> 00:36:30,839
Speaker 1: guy in a dating show. And he goes a guy

655
00:36:31,480 --> 00:36:34,400
Speaker 1: and he goes, it was a pilot for a game show,

656
00:36:34,480 --> 00:36:38,040
Speaker 1: and he goes, you'll get five bucks. It'll only take

657
00:36:38,080 --> 00:36:41,760
Speaker 1: the day, and uh, if you want, I won't tell anybody.

658
00:36:41,840 --> 00:36:45,319
Speaker 1: You can just play a character. And I'm like, say

659
00:36:45,360 --> 00:36:49,960
Speaker 1: what And I went and did this pilot as I

660
00:36:50,040 --> 00:36:52,520
Speaker 1: played this cool guy that talks like this. His name

661
00:36:52,600 --> 00:36:58,359
Speaker 1: is Mike McCoy, he's chilling whatever, and uh, all day long,

662
00:36:58,840 --> 00:37:02,479
Speaker 1: for twelve hours, all day, I stayed in character as

663
00:37:02,600 --> 00:37:06,040
Speaker 1: Mike McCoy doing this thing. And when I signed the

664
00:37:06,080 --> 00:37:09,520
Speaker 1: paperwork for to get paid, I signed it Adam Divine

665
00:37:09,760 --> 00:37:14,759
Speaker 1: and they're like, well, uh, Mike, you have to sign

666
00:37:14,840 --> 00:37:16,560
Speaker 1: your real name in order to get the money. And

667
00:37:16,600 --> 00:37:20,520
Speaker 1: I'm like, yeah, Mike McCoy's my stage name. My real

668
00:37:20,600 --> 00:37:24,480
Speaker 1: name is Adam Divine and they're like and they're like, well,

669
00:37:24,680 --> 00:37:27,239
Speaker 1: Adam Divine is a perfectly good stage name. That's like

670
00:37:27,280 --> 00:37:30,120
Speaker 1: a good name. Yeah, that's you don't need to switch it,

671
00:37:30,719 --> 00:37:33,719
Speaker 1: and uh. And it was very confusing the whole day.

672
00:37:33,760 --> 00:37:36,520
Speaker 1: But I ended up winning the game show because the

673
00:37:36,600 --> 00:37:41,160
Speaker 1: producer like I was just being a fucking lunatic on

674
00:37:41,239 --> 00:37:43,879
Speaker 1: the game show and so they were like yes, please, yes,

675
00:37:44,000 --> 00:37:46,719
Speaker 1: keep them going and telling the girl who is her job, like,

676
00:37:46,840 --> 00:37:49,399
Speaker 1: choose to keep me in it. She fell in love

677
00:37:49,440 --> 00:37:53,480
Speaker 1: with you supposedly for the shitty MTV game show, she

678
00:37:53,600 --> 00:37:59,359
Speaker 1: fell in love with Mike McCoy. Yeah, and uh, like

679
00:37:59,600 --> 00:38:01,960
Speaker 1: they asked like how many chicks I slept with, and

680
00:38:02,000 --> 00:38:04,000
Speaker 1: I like counted on my fingers and then I go,

681
00:38:04,239 --> 00:38:07,200
Speaker 1: I don't know, sixty nine and she's like, what, get

682
00:38:07,239 --> 00:38:09,400
Speaker 1: this guy out of here? And she goes cut, no,

683
00:38:09,920 --> 00:38:13,319
Speaker 1: Uh you're gone. I'm cutting him, and the producers like

684
00:38:13,360 --> 00:38:17,640
Speaker 1: took her aside and she came back and she goes, yes, Mike,

685
00:38:17,840 --> 00:38:20,880
Speaker 1: can you move on to the next time? I really

686
00:38:20,920 --> 00:38:24,960
Speaker 1: like you? That's the perfect number. I think. The first

687
00:38:25,000 --> 00:38:28,960
Speaker 1: time I I did improv, like class at Second City

688
00:38:29,120 --> 00:38:32,760
Speaker 1: with Adam, you were doing Mike McCoy like in a sketch,

689
00:38:32,800 --> 00:38:36,160
Speaker 1: and I was like, this is fucking hilarious because you

690
00:38:36,280 --> 00:38:38,560
Speaker 1: just had a dialed in. I went to school with

691
00:38:38,840 --> 00:38:42,040
Speaker 1: a guy named Mike McCoy, and uh, he kind of

692
00:38:42,080 --> 00:38:43,560
Speaker 1: he talked like this, and he was just kind of

693
00:38:43,560 --> 00:38:46,040
Speaker 1: the coolest dude of all time, like he was when

694
00:38:46,080 --> 00:38:48,160
Speaker 1: we were when we were in eighth grade. He was

695
00:38:48,239 --> 00:38:52,239
Speaker 1: dating a freshman in college what the film Like a

696
00:38:52,320 --> 00:38:56,800
Speaker 1: Hot Chick. He never dated a girl in high school.

697
00:38:56,840 --> 00:38:59,520
Speaker 1: He was always like four or five years older. He

698
00:39:00,120 --> 00:39:03,759
Speaker 1: dunk a basketball in eighth grade. He would try out

699
00:39:03,760 --> 00:39:06,520
Speaker 1: for the basketball team every year, make varsity because he

700
00:39:06,560 --> 00:39:08,879
Speaker 1: was so goddamn good and then be like, I'll show

701
00:39:08,960 --> 00:39:11,480
Speaker 1: up for the games and they're like you have to

702
00:39:11,800 --> 00:39:15,440
Speaker 1: you have to come to practice and he's like, nah,

703
00:39:16,239 --> 00:39:21,439
Speaker 1: just we're talking about practice and then practice. Uh So

704
00:39:21,640 --> 00:39:23,880
Speaker 1: I just was like, he's the funniest character alive, Like

705
00:39:24,080 --> 00:39:26,520
Speaker 1: just this guy who's just too cool for funck at school.

706
00:39:26,600 --> 00:39:30,120
Speaker 1: So that was one of my earliest earliest characters. And

707
00:39:30,160 --> 00:39:32,360
Speaker 1: I did it on on this weird damn show. And

708
00:39:32,400 --> 00:39:35,520
Speaker 1: I actually ran into the editor of the of that

709
00:39:35,560 --> 00:39:39,200
Speaker 1: game show at the improv one day and he stops me,

710
00:39:39,239 --> 00:39:41,560
Speaker 1: like I after I got off station. He goes, holy

711
00:39:41,640 --> 00:39:45,160
Speaker 1: fucking ship man, and I'm like, what's up and he goes, dude,

712
00:39:45,200 --> 00:39:48,279
Speaker 1: I was the editor. The game show was called Not

713
00:39:48,320 --> 00:39:50,360
Speaker 1: the Game Show. The dating show was called Going Down,

714
00:39:50,840 --> 00:39:52,640
Speaker 1: and it was where it all takes place in like

715
00:39:52,680 --> 00:39:54,600
Speaker 1: an elevator. It was a really bad premise, thank god.

716
00:39:54,640 --> 00:39:58,960
Speaker 1: So smart No, no, and uh they were. He was like,

717
00:39:59,160 --> 00:40:02,640
Speaker 1: I cut, I was the editor of Going Down, and

718
00:40:02,800 --> 00:40:06,120
Speaker 1: I thought you were the craziest motherfucker I've ever seen

719
00:40:06,160 --> 00:40:07,759
Speaker 1: in my life. I was like, oh he thought you were.

720
00:40:07,920 --> 00:40:10,040
Speaker 1: I'm so glad that you're not a real that Mike

721
00:40:10,120 --> 00:40:15,040
Speaker 1: McCoy wasn't a real person. That's cool. Kept him up

722
00:40:15,040 --> 00:40:18,040
Speaker 1: at night. I like that. He's like, dude, oh my god,

723
00:40:18,520 --> 00:40:21,680
Speaker 1: You're like, no, mate, it's a it's a character, as dad,

724
00:40:22,040 --> 00:40:26,400
Speaker 1: it's a character. Night, my god. It's me Eddie Redmaine.

725
00:40:27,040 --> 00:40:31,600
Speaker 1: I'm from acrosst the palm, just the most over the

726
00:40:31,680 --> 00:40:43,240
Speaker 1: top British accent. None of us can do a British

727
00:40:43,280 --> 00:40:45,600
Speaker 1: accent to save our lives, which is weird because I

728
00:40:45,600 --> 00:40:49,040
Speaker 1: feel like it is the easiest one. Bullshit. Go ahead, Blake,

729
00:40:50,400 --> 00:40:52,120
Speaker 1: what do you want? You want like you want like

730
00:40:52,200 --> 00:41:00,840
Speaker 1: cockney sucking New York going to do that? What do

731
00:41:00,880 --> 00:41:05,520
Speaker 1: you want? Okay, Blake say like three sentences, I'm trying.

732
00:41:05,600 --> 00:41:07,560
Speaker 1: I gotta get into it, like what it's like, I

733
00:41:07,640 --> 00:41:10,040
Speaker 1: got to. I gotta get into it like a little bit,

734
00:41:10,160 --> 00:41:15,759
Speaker 1: like you know, we got over there, we go okay,

735
00:41:16,280 --> 00:41:18,719
Speaker 1: when you proved my point, that was good. That was

736
00:41:18,760 --> 00:41:22,640
Speaker 1: pretty good. Are you talking about? He just goes if

737
00:41:22,680 --> 00:41:26,879
Speaker 1: you're saying you said four words in different sequences, Well

738
00:41:26,920 --> 00:41:29,600
Speaker 1: you gotta give me my line right again. Try it again, Blake,

739
00:41:29,680 --> 00:41:34,000
Speaker 1: say what's up? Worse than anyone knows why, his religious

740
00:41:34,080 --> 00:41:37,520
Speaker 1: family fears he's possessed by the devil. What are you reading?

741
00:41:37,560 --> 00:41:45,520
Speaker 1: What are you reading reading US Weekly Army Hammer? Why

742
00:41:45,520 --> 00:41:48,200
Speaker 1: do you have US Weekly Army Hammer at your house?

743
00:41:48,320 --> 00:41:54,440
Speaker 1: I don't know how I get it, but I get it.

744
00:41:54,520 --> 00:41:56,520
Speaker 1: You are the weirdest guy I know. You can get

745
00:41:56,680 --> 00:42:01,080
Speaker 1: US Weekly magazine get to your house as a Yeah,

746
00:42:03,080 --> 00:42:06,640
Speaker 1: you don't funk with US Weekly. No, man, I don't

747
00:42:07,000 --> 00:42:11,440
Speaker 1: read the fucking Kaparazzi magazine. Dude, your wedding is gonna

748
00:42:11,480 --> 00:42:15,640
Speaker 1: be in here and I can't wait, and it's gonna

749
00:42:15,680 --> 00:42:18,839
Speaker 1: be a smash mate. Now I know who's gonna leak

750
00:42:18,880 --> 00:42:21,160
Speaker 1: it to you? Got you got the US Weekly plug?

751
00:42:21,680 --> 00:42:25,399
Speaker 1: You're like, hey, for twelve more free issues. I'll tell

752
00:42:25,400 --> 00:42:28,319
Speaker 1: you where Adams getting married. Listen if you If you

753
00:42:28,360 --> 00:42:31,239
Speaker 1: want the honest thing about US Weekly, I don't look

754
00:42:31,239 --> 00:42:33,480
Speaker 1: at any of it except the back page. I really

755
00:42:33,520 --> 00:42:35,799
Speaker 1: love the twenty things you don't know about me. They

756
00:42:35,840 --> 00:42:40,080
Speaker 1: do a different person every time. It's twenty five little

757
00:42:40,160 --> 00:42:45,279
Speaker 1: facts horrible that you never knew we'll do. Look, I'm

758
00:42:45,280 --> 00:42:48,359
Speaker 1: not saying you can't get there, Blake, You're just not

759
00:42:48,440 --> 00:42:52,279
Speaker 1: there right now that I thought he was doing a

760
00:42:52,280 --> 00:42:55,240
Speaker 1: good job. Kyle, what are you talking. He said, really

761
00:42:55,280 --> 00:42:57,360
Speaker 1: just loves Blake. He says he has the nake, the

762
00:42:57,440 --> 00:42:59,640
Speaker 1: nicest ass and ship he just like is to be

763
00:42:59,719 --> 00:43:03,320
Speaker 1: Really it's a really good friend of Definitely, he's definitely. No,

764
00:43:03,480 --> 00:43:07,719
Speaker 1: he's the most talented. Thank you. No one's going to

765
00:43:07,800 --> 00:43:11,520
Speaker 1: deny that. Thank you, Kyle. Yeah, a lot of things

766
00:43:11,560 --> 00:43:15,040
Speaker 1: like and doing the English. Ac Center's definitely one compared

767
00:43:15,040 --> 00:43:18,360
Speaker 1: to what you guys got going on. That's true. Nothing

768
00:43:18,360 --> 00:43:21,799
Speaker 1: going on saying like this is proving my point. Blake

769
00:43:21,800 --> 00:43:24,080
Speaker 1: can do Australian. I've heard that before, but none of

770
00:43:24,120 --> 00:43:31,239
Speaker 1: them English. Yeah, it's so hard. What if this was

771
00:43:31,320 --> 00:43:33,560
Speaker 1: kind of like a you know, like the voice or whatever,

772
00:43:33,680 --> 00:43:35,360
Speaker 1: or like what's the one where you turn around to

773
00:43:35,440 --> 00:43:38,000
Speaker 1: see who? Yeah? What if they did it with like

774
00:43:38,040 --> 00:43:40,600
Speaker 1: an accent competition, that'd be kind of cool. That would

775
00:43:40,640 --> 00:43:46,600
Speaker 1: be so let me go, Wow, that's dope. Go ahead,

776
00:43:46,719 --> 00:43:49,560
Speaker 1: let's hear. Also, I'm about to go let me read something,

777
00:43:50,000 --> 00:43:54,600
Speaker 1: uh the Marine Directory celebrating forty two years serving the

778
00:43:54,680 --> 00:43:59,239
Speaker 1: needs of old boat enthusiasts from Santa Barbara. Yeah, I

779
00:43:59,280 --> 00:44:04,520
Speaker 1: go uh that was really good. That was actually dope.

780
00:44:05,600 --> 00:44:07,560
Speaker 1: You see do you see how I wasn't putting like

781
00:44:07,600 --> 00:44:10,880
Speaker 1: I was doing more days. That's better. No, that was

782
00:44:10,920 --> 00:44:14,360
Speaker 1: actually good. That wasn't putting extra stink on it. That

783
00:44:14,440 --> 00:44:16,520
Speaker 1: wasn't putting extra stink on it. I was just reading

784
00:44:16,640 --> 00:44:20,799
Speaker 1: that was actually really good. You surprised, I wonder. I liked.

785
00:44:21,239 --> 00:44:24,560
Speaker 1: I liked how like thick you went into into certain

786
00:44:24,600 --> 00:44:27,040
Speaker 1: parts of it. You know, I thought it was really good. Yeah,

787
00:44:27,120 --> 00:44:29,920
Speaker 1: sound like. See the backstory of my character is I

788
00:44:30,640 --> 00:44:35,920
Speaker 1: I'm from the country. I'm from a little village. But

789
00:44:37,000 --> 00:44:42,960
Speaker 1: to village, give us another, give us another. And I've

790
00:44:42,960 --> 00:44:46,200
Speaker 1: been there for twelve years and then just within the

791
00:44:46,280 --> 00:44:49,719
Speaker 1: last four years, I've actually moved to Los Angeles and

792
00:44:49,800 --> 00:44:53,920
Speaker 1: I love it him mate, It's beautiful. The son, that women,

793
00:44:55,280 --> 00:45:01,160
Speaker 1: the women ripping the tarot. I just think it's amazing.

794
00:45:01,719 --> 00:45:03,799
Speaker 1: And I don't know if I'm going to move back.

795
00:45:03,840 --> 00:45:06,640
Speaker 1: If I'm being perfectly honest, honest, I think it's good

796
00:45:06,680 --> 00:45:10,520
Speaker 1: and more ausy that was closer. That was Did you

797
00:45:10,560 --> 00:45:14,000
Speaker 1: see how when Adams dropped out of character, like left

798
00:45:14,040 --> 00:45:21,480
Speaker 1: his body. Give me if I'm being perfect honestly, alrights,

799
00:45:21,560 --> 00:45:25,800
Speaker 1: go ahead, buddy, okay, So, and I won't be rude

800
00:45:26,239 --> 00:45:28,120
Speaker 1: just no matter how bad it is, I'm not going

801
00:45:28,160 --> 00:45:31,520
Speaker 1: to be you you. I think we're not prepared to

802
00:45:31,680 --> 00:45:35,680
Speaker 1: just ship on my accent. I'm not prepared. I'm I

803
00:45:35,719 --> 00:45:39,960
Speaker 1: will shoot on it only if it's horrific. I can't.

804
00:45:40,680 --> 00:45:45,440
Speaker 1: Long ago, inc was used to write what we used today.

805
00:45:45,560 --> 00:45:49,400
Speaker 1: Today we use iPods c ds to listen to music.

806
00:45:50,120 --> 00:45:53,760
Speaker 1: What was used long ago. This is a little girl's

807
00:45:53,840 --> 00:45:59,600
Speaker 1: dress from today. It's not that bad, It's all right, Okay,

808
00:46:00,040 --> 00:46:02,880
Speaker 1: Why do you sound you sound perverted. He's really taking

809
00:46:02,920 --> 00:46:05,680
Speaker 1: his time with all of his words. Yeah, well, it

810
00:46:05,800 --> 00:46:09,080
Speaker 1: sounds like he's really got a cool like a candle.

811
00:46:09,239 --> 00:46:13,160
Speaker 1: And were you reading a little children's book that you

812
00:46:13,320 --> 00:46:16,160
Speaker 1: do know? I mean yeah, I was reading like it's

813
00:46:16,200 --> 00:46:19,239
Speaker 1: something from okay, because it sounded like you were like

814
00:46:19,320 --> 00:46:23,759
Speaker 1: talking to a child like you really sounded creepy. It

815
00:46:23,800 --> 00:46:28,240
Speaker 1: didn't sound like like you sounded like maybe you weren't

816
00:46:28,360 --> 00:46:32,120
Speaker 1: from You were from a non English speaking country and

817
00:46:32,200 --> 00:46:37,600
Speaker 1: you just learned how to speak English. Uh, and you

818
00:46:37,640 --> 00:46:40,200
Speaker 1: were having a hard time trying to get reading. Let

819
00:46:40,280 --> 00:46:47,160
Speaker 1: me try to get about. Do you want get chaboutler? Did?

820
00:46:47,200 --> 00:46:51,640
Speaker 1: I don't because you're reading in a napkin? Do you

821
00:46:51,680 --> 00:46:56,000
Speaker 1: want to get pout? Yeah? I feel like yeah. Do

822
00:46:56,000 --> 00:47:00,880
Speaker 1: you want Do you want chicken? Read? I get all right?

823
00:47:01,080 --> 00:47:04,240
Speaker 1: Do you want bob? Did they have bangers and mash filling?

824
00:47:05,680 --> 00:47:09,279
Speaker 1: Do you want green salsa? Colin salsa sculpture? How do

825
00:47:09,320 --> 00:47:12,400
Speaker 1: you say corn salsa with a British accent? I'm offended

826
00:47:12,440 --> 00:47:15,160
Speaker 1: for British people right now? Wait? Wait, wait, how do

827
00:47:15,200 --> 00:47:18,960
Speaker 1: you say corn salsa? Corn salsa? How do you say

828
00:47:18,960 --> 00:47:21,960
Speaker 1: corn with an English accent? Co on co col on

829
00:47:22,080 --> 00:47:24,600
Speaker 1: cong con. I don't think they have corn in England.

830
00:47:24,680 --> 00:47:26,279
Speaker 1: They don't have to say it, they don't say it.

831
00:47:26,320 --> 00:47:27,920
Speaker 1: I think they don't. I don't think they say I

832
00:47:27,960 --> 00:47:30,640
Speaker 1: don't think they use it in any of their traditional dishes.

833
00:47:31,040 --> 00:47:35,200
Speaker 1: I don't think corn is available cold salsa. You're you're

834
00:47:35,239 --> 00:47:38,120
Speaker 1: being a way out of pocket, for sure. They love corn.

835
00:47:38,200 --> 00:47:42,320
Speaker 1: Who doesn't love corn? Honestly, mate, honestly? Who throws the show? Adam?

836
00:47:42,360 --> 00:47:44,880
Speaker 1: I think he was taking his liberties with having a

837
00:47:44,960 --> 00:47:48,160
Speaker 1: joke there, Pal, I don't think so. Who whoa, whoa, whoa,

838
00:47:49,000 --> 00:47:53,360
Speaker 1: there's no wait wait wait wait wait, there's corn in England.

839
00:47:53,600 --> 00:47:56,839
Speaker 1: I'm not buying that. Look, I'll bastardize the language like

840
00:47:56,920 --> 00:48:00,440
Speaker 1: the best of them, but they don't. They have Kyle,

841
00:48:00,640 --> 00:48:03,239
Speaker 1: what have you you got to do it? Let's hear

842
00:48:03,280 --> 00:48:06,480
Speaker 1: your break us off my yeah, mate, alright, give me

843
00:48:06,520 --> 00:48:11,040
Speaker 1: a fucking my name all right? Right? Hey, well probably

844
00:48:11,040 --> 00:48:13,600
Speaker 1: the best of them all. Yeah, that might have been good.

845
00:48:13,680 --> 00:48:15,319
Speaker 1: What you want? What are you looking at? Kyle is

846
00:48:15,360 --> 00:48:18,279
Speaker 1: the most talented actor of us having a slash, Well,

847
00:48:18,120 --> 00:48:20,239
Speaker 1: I'll go have a slash. Adams tried to turn it

848
00:48:20,280 --> 00:48:22,839
Speaker 1: into something else. Adam let him have it, all right, mate?

849
00:48:23,120 --> 00:48:25,960
Speaker 1: What thanks? Mate? Whatever? I guess he's got the best.

850
00:48:26,040 --> 00:48:27,239
Speaker 1: He's got the best hair, you got the best face.

851
00:48:27,280 --> 00:48:30,200
Speaker 1: I guess. I guess he's got the best shirt. I said.

852
00:48:30,280 --> 00:48:32,680
Speaker 1: Kyle's Kyle. I've said on the podcast before, Kyle is

853
00:48:32,719 --> 00:48:34,520
Speaker 1: my favorite actor of all time. You just said he's

854
00:48:34,520 --> 00:48:36,320
Speaker 1: the best actor out of all of us, which is

855
00:48:36,400 --> 00:48:38,839
Speaker 1: favorite actor of all time? But there's two different things. Yeah,

856
00:48:38,880 --> 00:48:41,200
Speaker 1: because it both he's the best actor out of all

857
00:48:41,239 --> 00:48:44,480
Speaker 1: of us, yes, and he is my favorite actor of

858
00:48:44,560 --> 00:48:49,520
Speaker 1: all time. That's insane, damn bro. He's tied with Ethan Hawk.

859
00:48:49,600 --> 00:48:52,919
Speaker 1: I don't even like Ethan Hawk, that monkey, So are

860
00:48:52,920 --> 00:48:55,800
Speaker 1: you kidding? Ethan Hawk has his own channel on the airplane.

861
00:48:55,840 --> 00:48:58,120
Speaker 1: I know, I know you love Ethan Hawk, and I

862
00:48:58,160 --> 00:49:01,560
Speaker 1: like that for Ethan Hawk. Is the Ethan Hawk's great? Yeah?

863
00:49:01,840 --> 00:49:04,480
Speaker 1: I like that, you guys, I like that you guys

864
00:49:04,560 --> 00:49:06,239
Speaker 1: like Ethan Hawk. That's fun for you. Is this a

865
00:49:06,239 --> 00:49:08,920
Speaker 1: bird thing again? You just it's the Hawk part? You

866
00:49:08,960 --> 00:49:11,480
Speaker 1: can't It might be, it might be. I don't know.

867
00:49:11,560 --> 00:49:13,359
Speaker 1: I never really looked at that into it. I've never

868
00:49:13,400 --> 00:49:15,640
Speaker 1: loved Ethan Hawk that much. I know you guys do

869
00:49:16,120 --> 00:49:18,840
Speaker 1: Ethan HAWKU girl, and I'm just like Ethan Hawk. I

870
00:49:18,840 --> 00:49:22,359
Speaker 1: think he might have sucked my girl? What what don't

871
00:49:22,400 --> 00:49:24,520
Speaker 1: you like Ethan Hawk? Appen? I don't even know if

872
00:49:24,600 --> 00:49:28,120
Speaker 1: I know an Ethan Hawk movie. I just don't. Training day,

873
00:49:28,400 --> 00:49:31,120
Speaker 1: Let's just start with Training, Okay. Yeah, that's a Denzel

874
00:49:31,160 --> 00:49:34,600
Speaker 1: Washington movie with Ethan Hawk tagging along. Yeah, but Ethan

875
00:49:34,640 --> 00:49:36,640
Speaker 1: Hawk is great in that film. He's off the chain

876
00:49:36,680 --> 00:49:40,200
Speaker 1: in it. Yeah, I like. I don't dislike Ethan Hawk.

877
00:49:40,239 --> 00:49:43,479
Speaker 1: I'm just saying he's not Kyle's better. If we're talking

878
00:49:43,520 --> 00:49:46,840
Speaker 1: about my favorite actor, it's Kyle Newit Check, not Ethan Hawk.

879
00:49:47,960 --> 00:49:51,080
Speaker 1: Here's the thing, Ethan Hawk, Adam. I appreciate it, but

880
00:49:51,160 --> 00:49:54,279
Speaker 1: I did turn. I did almost watch Ethan Hawk movie

881
00:49:54,280 --> 00:49:56,320
Speaker 1: the other day and then decided not to after the trailer.

882
00:49:57,120 --> 00:50:00,319
Speaker 1: It was the new Tesla movie that he he made

883
00:50:00,320 --> 00:50:02,800
Speaker 1: where he plays Nicola Tesla. Have you seen that movie?

884
00:50:02,840 --> 00:50:05,160
Speaker 1: Looks wacky as hell? And I was like, I don't

885
00:50:05,200 --> 00:50:07,040
Speaker 1: know if I can get on board with an entire

886
00:50:07,120 --> 00:50:09,960
Speaker 1: movie like this. Yeah, it was bizarre, dude, Like I

887
00:50:10,040 --> 00:50:11,600
Speaker 1: was like, what is going on? I need more? I

888
00:50:11,640 --> 00:50:16,240
Speaker 1: need more? Why bizarre? It had like weird interviews, mixed media,

889
00:50:16,280 --> 00:50:19,759
Speaker 1: strange like modern mixed with back in the day. It

890
00:50:19,840 --> 00:50:22,680
Speaker 1: felt like it was like all over the place. And

891
00:50:22,719 --> 00:50:25,600
Speaker 1: it also looked like they shotted just like in one

892
00:50:25,719 --> 00:50:30,080
Speaker 1: room with like multimedia like things projected on him and

893
00:50:30,120 --> 00:50:33,200
Speaker 1: on the wall behind him. And yes, it seemed more

894
00:50:33,280 --> 00:50:35,680
Speaker 1: like an art piece and you don't lock that. You

895
00:50:35,680 --> 00:50:39,000
Speaker 1: don't lock that, do you, which which I feel like

896
00:50:39,080 --> 00:50:42,640
Speaker 1: it's sometimes when a movie feels too much like a

897
00:50:42,880 --> 00:50:45,399
Speaker 1: just art installation, I'm like, I can't get on board

898
00:50:45,480 --> 00:50:47,879
Speaker 1: with this. I need an actual story. Who directed it?

899
00:50:48,000 --> 00:50:50,640
Speaker 1: Some Julian Schnabel type, I don't know who did. It

900
00:50:50,719 --> 00:50:53,840
Speaker 1: reminded me of like some early Nicholas Winding ref and ship,

901
00:50:53,960 --> 00:50:57,400
Speaker 1: you know what I mean, but way on on steroids,

902
00:50:57,440 --> 00:51:00,640
Speaker 1: you know, like really like everything is art an example

903
00:51:00,680 --> 00:51:03,799
Speaker 1: of that person's work that you just mentioned, drive or

904
00:51:04,200 --> 00:51:06,839
Speaker 1: d or what's but what's the one before it with

905
00:51:07,560 --> 00:51:11,319
Speaker 1: Die Young? What's the one before with Tom Hardy? What's

906
00:51:11,320 --> 00:51:16,200
Speaker 1: the Tom Hardy one? Monster not Monster Beast, It's called

907
00:51:16,239 --> 00:51:18,680
Speaker 1: something like that though he replaced a boxer. Yeah, yeah,

908
00:51:18,760 --> 00:51:23,279
Speaker 1: yeah Bronson, Bronson. Yeah, Bronson was like really stagey, Like

909
00:51:23,320 --> 00:51:26,120
Speaker 1: it was like it's like a movie that was conceptualized

910
00:51:26,200 --> 00:51:29,839
Speaker 1: for the stage, which is cool, but also it's like

911
00:51:29,960 --> 00:51:32,880
Speaker 1: I don't know if I can do that a lot, right,

912
00:51:33,680 --> 00:51:36,080
Speaker 1: Uh yeah, this is the guy that did it. He's

913
00:51:36,400 --> 00:51:41,439
Speaker 1: uh older dude sixty one, Michael All Maria. I feel

914
00:51:41,480 --> 00:51:42,880
Speaker 1: like I've heard that name. That's how you say it

915
00:51:43,000 --> 00:51:46,760
Speaker 1: for sure. Did say that with an English accent? Yeah,

916
00:51:46,840 --> 00:51:49,960
Speaker 1: Michael a myriad maybe, uh yeah. And it seems like

917
00:51:50,000 --> 00:51:53,439
Speaker 1: he's done a ton of stuff, all pretty pretty artsy. Yeah,

918
00:51:53,560 --> 00:51:56,880
Speaker 1: anything else, anything else that we would know, I mean, no,

919
00:51:57,080 --> 00:52:00,360
Speaker 1: it's like a lot of shorts. It seems like he

920
00:52:00,520 --> 00:52:02,680
Speaker 1: was a writer of like a lot of art house

921
00:52:02,760 --> 00:52:05,760
Speaker 1: movies that I don't believe any of us all getting

922
00:52:05,760 --> 00:52:08,000
Speaker 1: a big shout out here though. Yeah, Like is he

923
00:52:08,080 --> 00:52:11,200
Speaker 1: like JFK or like natural Born Killers kind of Oh

924
00:52:11,360 --> 00:52:13,719
Speaker 1: see now, natural Born Killers. I was talking about that

925
00:52:13,760 --> 00:52:16,560
Speaker 1: the other day. That's Oliver Stone's most artsy flick. I

926
00:52:16,600 --> 00:52:20,239
Speaker 1: don't think I've ever watched natural Born Killer. Maybe JFK's

927
00:52:20,239 --> 00:52:22,640
Speaker 1: pretty wild. JFK is a fucking weird one. No, not

928
00:52:22,760 --> 00:52:25,760
Speaker 1: as wild, not as wild as fucking natural Born Killers.

929
00:52:25,800 --> 00:52:28,239
Speaker 1: He shot with every camera Natty bow, I call it

930
00:52:28,320 --> 00:52:30,920
Speaker 1: Naddy bow, go ahead. He shot with like every camera.

931
00:52:31,000 --> 00:52:33,520
Speaker 1: He had every type of medium on that movie, and

932
00:52:33,560 --> 00:52:36,239
Speaker 1: he was just like firing that ship was bizarre, dude.

933
00:52:36,280 --> 00:52:39,840
Speaker 1: It's just like it's just Banana's mate. That had like

934
00:52:40,000 --> 00:52:43,440
Speaker 1: drugs and chaos, and I think the subjects worked really well,

935
00:52:43,480 --> 00:52:47,439
Speaker 1: like it's mad. It's mad. It's just it's just mad.

936
00:52:47,600 --> 00:52:51,719
Speaker 1: He hit every kind of medium working on it. It

937
00:52:51,880 --> 00:52:56,160
Speaker 1: was just crazy, mate. Yeah, I'm just an Alexander guy.

938
00:52:56,640 --> 00:52:59,000
Speaker 1: I wonder if we sound like we're from you know

939
00:52:59,040 --> 00:53:03,120
Speaker 1: how like when english people say the easiest American accent

940
00:53:03,160 --> 00:53:06,879
Speaker 1: to do is like a Texan accent, like the South,

941
00:53:07,360 --> 00:53:11,359
Speaker 1: from the South specifically. Uh. I wonder if we all

942
00:53:11,440 --> 00:53:14,480
Speaker 1: sound like we're from some certain part of England where

943
00:53:14,480 --> 00:53:17,720
Speaker 1: they're like, oh yeah, you guys are all Western Shire.

944
00:53:17,920 --> 00:53:20,239
Speaker 1: I think when there's more, I think there's more to

945
00:53:20,280 --> 00:53:23,879
Speaker 1: grab onto, it's easier, Like you get when you something

946
00:53:23,920 --> 00:53:26,480
Speaker 1: like this to do my you got something, then you're like, oh,

947
00:53:26,560 --> 00:53:28,520
Speaker 1: I get what it is. But when it's subtle your heart,

948
00:53:28,560 --> 00:53:30,560
Speaker 1: you're like, where do I grab onto it? Yeah? True,

949
00:53:30,760 --> 00:53:33,279
Speaker 1: I wish I had this specific link. But there's this

950
00:53:33,480 --> 00:53:36,440
Speaker 1: dope ass YouTube video of this guy who's like a

951
00:53:36,560 --> 00:53:39,640
Speaker 1: pro accident dude, and he just kind of like walks

952
00:53:39,880 --> 00:53:42,799
Speaker 1: along the map of England with like his finger and

953
00:53:43,120 --> 00:53:46,920
Speaker 1: switches up like his inflection and everything. It's like crazy

954
00:53:47,120 --> 00:53:50,520
Speaker 1: and you hear what Fred Armison does that about America

955
00:53:50,680 --> 00:53:54,719
Speaker 1: and it's fucking insane. Yeah, it's crazy. He goes like

956
00:53:54,760 --> 00:53:57,399
Speaker 1: on this side of the city and this I've seen that.

957
00:53:57,600 --> 00:54:01,120
Speaker 1: Fred fucking rules that that ship. I mean, the fact

958
00:54:01,200 --> 00:54:04,120
Speaker 1: that he was in our movie for ten seconds was

959
00:54:04,160 --> 00:54:08,640
Speaker 1: a fucking godsend, the coolest unreal. Yeah. Yeah, man, he

960
00:54:08,800 --> 00:54:10,920
Speaker 1: just showed up and rolled anybody out there. He was

961
00:54:10,960 --> 00:54:13,320
Speaker 1: in Game over man and kind of stole some scenes

962
00:54:13,400 --> 00:54:15,759
Speaker 1: by not even saying anything. He stole him and we'd

963
00:54:15,760 --> 00:54:19,239
Speaker 1: like him back. Fred. If you're everybody else, turn turn

964
00:54:19,440 --> 00:54:21,520
Speaker 1: turn it down. We would like to talk with Fred.

965
00:54:22,719 --> 00:54:25,120
Speaker 1: We would like those scenes back because you definitely stole them.

966
00:54:25,200 --> 00:54:27,359
Speaker 1: Thank you. Everyone can turn it back up now, thank you,

967
00:54:27,960 --> 00:54:31,880
Speaker 1: thank you. Yeah, it's um, it's pretty discouraging when you

968
00:54:31,880 --> 00:54:34,360
Speaker 1: see how good some actors are. It really makes me

969
00:54:34,400 --> 00:54:37,759
Speaker 1: feel pretty worthless. Um. And just being on this pod

970
00:54:37,840 --> 00:54:40,560
Speaker 1: with Kyle, Yeah, it's it's it's tough. It is tough,

971
00:54:40,840 --> 00:54:43,680
Speaker 1: so I don't I don't do it enough. I guess,

972
00:54:43,719 --> 00:54:45,640
Speaker 1: you know, if I truly him your guys favorite. No,

973
00:54:45,760 --> 00:54:48,040
Speaker 1: maybe that's that's why I think you're so good as

974
00:54:48,120 --> 00:54:51,080
Speaker 1: you Uh, you're like a natural, you know. Yeah, where'd

975
00:54:51,080 --> 00:54:52,640
Speaker 1: you pick that up from? Kyle? Where'd you get the

976
00:54:52,680 --> 00:54:54,880
Speaker 1: accent thing from? Uh? Well, I worked with a lot

977
00:54:54,920 --> 00:54:58,680
Speaker 1: of Brits. I've had conversations and I have looked like

978
00:54:58,719 --> 00:55:01,520
Speaker 1: a complete fool in Luke Evans is like, now should

979
00:55:01,520 --> 00:55:03,600
Speaker 1: I be from this part of England or this part?

980
00:55:03,640 --> 00:55:05,160
Speaker 1: And I'll say do them both for me, and I'll

981
00:55:05,160 --> 00:55:07,000
Speaker 1: be like they both sound the same to me, and

982
00:55:07,000 --> 00:55:09,279
Speaker 1: then he's like no, this is this and this is this.

983
00:55:09,400 --> 00:55:11,480
Speaker 1: I'm like okay, And then do you flex on him?

984
00:55:11,480 --> 00:55:13,080
Speaker 1: Because you're the director, You're like, what the fund did

985
00:55:13,160 --> 00:55:16,440
Speaker 1: you just say to me, did you just say no,

986
00:55:16,680 --> 00:55:19,279
Speaker 1: I don't fuck it? Think so? Then you you like

987
00:55:19,360 --> 00:55:23,400
Speaker 1: flip over the crafty table. The Brits are Those Brits

988
00:55:23,400 --> 00:55:26,200
Speaker 1: are sucking solid ass performers. Man, I love them. Yeah,

989
00:55:26,239 --> 00:55:29,080
Speaker 1: well they go through a whole different thing. Like over there,

990
00:55:29,120 --> 00:55:33,280
Speaker 1: they go through like school, this Shakespeare school, and here

991
00:55:33,680 --> 00:55:36,360
Speaker 1: they're like yo, I did YouTube from seventh grade was

992
00:55:36,440 --> 00:55:38,600
Speaker 1: high school and like I'm good to go. I used

993
00:55:38,600 --> 00:55:41,960
Speaker 1: to watch Fred Figgelhorn and study him. Yeah, it's got

994
00:55:41,960 --> 00:55:44,920
Speaker 1: a different there. Definitely are a different type of craft

995
00:55:45,000 --> 00:55:46,920
Speaker 1: for sure. That's why they come over and they snatched

996
00:55:46,960 --> 00:55:49,680
Speaker 1: that ship. They take the fucking rolls because they fucking

997
00:55:49,719 --> 00:55:52,239
Speaker 1: they hit it. They come to work and they get

998
00:55:52,280 --> 00:55:55,600
Speaker 1: it done well, thank god, Mike Myers came with Austin

999
00:55:55,600 --> 00:55:58,479
Speaker 1: Powers and took a roll back from him. So that's

1000
00:55:58,520 --> 00:56:02,279
Speaker 1: fucking sick. God, he's snake ring back. Yeah, baby, you

1001
00:56:02,280 --> 00:56:06,640
Speaker 1: don't make you do you do? Blake? But are his

1002
00:56:06,719 --> 00:56:10,280
Speaker 1: parents British right like Canadian style? Are his parents British?

1003
00:56:10,520 --> 00:56:13,840
Speaker 1: Mike Myers, Yeah, I think his dad was Irish or something.

1004
00:56:13,840 --> 00:56:16,680
Speaker 1: In my tripping on that, like because that's the Commonwealth,

1005
00:56:16,800 --> 00:56:20,440
Speaker 1: I believe, did you guys see the Wayne's World. Did

1006
00:56:20,480 --> 00:56:27,080
Speaker 1: you see Wayne's World is back for some commercials? Yeah,

1007
00:56:27,120 --> 00:56:33,120
Speaker 1: they're doing Super Bowl commercial. Well, come on, do we

1008
00:56:33,160 --> 00:56:36,360
Speaker 1: see that die hard fucking Bruce Willis commercial for the batteries.

1009
00:56:36,760 --> 00:56:38,759
Speaker 1: They hyped that ship and I was like, yeah, but

1010
00:56:38,840 --> 00:56:42,000
Speaker 1: this one was fucking tight, dude, Wayne and Garth back

1011
00:56:42,080 --> 00:56:44,520
Speaker 1: they clicked right back in. You've already seen the commercial.

1012
00:56:44,640 --> 00:56:47,400
Speaker 1: It's like a grub Hub something. You can look it up.

1013
00:56:47,440 --> 00:56:51,000
Speaker 1: I saw it yesterday. Sorry, it's Uber eats. It's not Grubhub,

1014
00:56:51,000 --> 00:56:53,279
Speaker 1: it's Uber Eats. I'm a DoorDash guy. I was like,

1015
00:56:53,360 --> 00:56:56,279
Speaker 1: look at these guys. They're fucking like clicked right back in.

1016
00:56:56,840 --> 00:56:58,640
Speaker 1: It was cool, But what's the deal? I thought the

1017
00:56:58,640 --> 00:57:00,920
Speaker 1: whole thing with the Super Bowl this year is like

1018
00:57:01,000 --> 00:57:04,080
Speaker 1: no commercials or some ship like didn't Budweiser pull out? Well,

1019
00:57:04,120 --> 00:57:07,160
Speaker 1: the the whole bit of the Grubhub commercial is like, yeah,

1020
00:57:07,400 --> 00:57:11,879
Speaker 1: the Big Bowl, like we can't say the name the

1021
00:57:12,000 --> 00:57:15,080
Speaker 1: super that's every commercial they're not allowed to be Okay, Well,

1022
00:57:15,239 --> 00:57:18,320
Speaker 1: I don't know, dude, I hate that ship. It makes

1023
00:57:18,440 --> 00:57:21,400
Speaker 1: it makes me like dislike the NFL a little bit.

1024
00:57:21,440 --> 00:57:24,720
Speaker 1: I'm like, just let people say super Bowl. Just let

1025
00:57:24,800 --> 00:57:27,480
Speaker 1: people say super Bowl. It's fucking bizarre that everyone has

1026
00:57:27,520 --> 00:57:30,200
Speaker 1: to say the Big Game, but they can't because the

1027
00:57:30,280 --> 00:57:33,920
Speaker 1: next thing, you know, they're using the NFL's thing to

1028
00:57:34,120 --> 00:57:35,880
Speaker 1: sell their ship. So like the next thing you know,

1029
00:57:35,920 --> 00:57:37,680
Speaker 1: they're gonna be making T shirts and selling all that

1030
00:57:37,720 --> 00:57:39,960
Speaker 1: ship and they can't do I mean, it would be

1031
00:57:40,000 --> 00:57:42,120
Speaker 1: like if everyone was just saying workaholics all the time

1032
00:57:42,160 --> 00:57:44,120
Speaker 1: and you didn't get any of that money. Yeah, my

1033
00:57:44,200 --> 00:57:46,320
Speaker 1: mom has a shirt that she bought online that has

1034
00:57:46,400 --> 00:57:49,120
Speaker 1: like all workaholic shit on it, and it's like, I

1035
00:57:49,160 --> 00:57:52,720
Speaker 1: didn't That's not even jet set made it. Where'd you

1036
00:57:52,720 --> 00:57:55,440
Speaker 1: get that? Mom? It's like got that most logo on it,

1037
00:57:55,960 --> 00:57:58,560
Speaker 1: like the mail Order comedy logo on the end. She's

1038
00:57:58,560 --> 00:58:00,480
Speaker 1: got a sick ass fucking tank top. But I'm like,

1039
00:58:00,480 --> 00:58:02,440
Speaker 1: where did you get that? I want that? I mean,

1040
00:58:02,520 --> 00:58:05,480
Speaker 1: I love bootlegs. Well, we gotta we gotta get that

1041
00:58:05,560 --> 00:58:08,800
Speaker 1: from your mom, and then we rebrand it, reproduce it

1042
00:58:08,840 --> 00:58:11,680
Speaker 1: and sell it through our merch like t Swift how

1043
00:58:11,760 --> 00:58:14,439
Speaker 1: she rerecorded all her ship, which, by the way, guys,

1044
00:58:14,480 --> 00:58:17,800
Speaker 1: we have merch. I feel it's cool seeing people out

1045
00:58:17,840 --> 00:58:20,520
Speaker 1: there with the merch on now. Posted the other day

1046
00:58:20,560 --> 00:58:23,120
Speaker 1: like that some girl that kind of looks like goons

1047
00:58:23,880 --> 00:58:28,680
Speaker 1: dancing in Uh, this is an important sweater. People look

1048
00:58:28,720 --> 00:58:31,240
Speaker 1: great in it. They look so good and mad comfortable.

1049
00:58:31,280 --> 00:58:33,200
Speaker 1: I do dig the sweater. I wore it. I wore

1050
00:58:33,240 --> 00:58:36,120
Speaker 1: it for like three days and it's really cozy. Nice.

1051
00:58:36,200 --> 00:58:38,920
Speaker 1: You juice it out? Or was it able to sop

1052
00:58:39,000 --> 00:58:42,520
Speaker 1: up all that new checks stank? I dug it? Yeah? No,

1053
00:58:42,680 --> 00:58:46,000
Speaker 1: did did you ruin it through three days of constant wear?

1054
00:58:46,120 --> 00:58:48,760
Speaker 1: Or was it able to handle that that punch in

1055
00:58:48,760 --> 00:58:51,240
Speaker 1: a roma? It handled it, soaked it right up. See

1056
00:58:51,320 --> 00:58:53,160
Speaker 1: that's how good our merches. When you threw it on

1057
00:58:53,200 --> 00:58:54,560
Speaker 1: the floor at the end of the day, did it

1058
00:58:54,600 --> 00:58:57,600
Speaker 1: kind of start in swarming away from you? Was the right?

1059
00:58:57,680 --> 00:58:59,800
Speaker 1: I was at the end of quarantine, and I definitely

1060
00:58:59,880 --> 00:59:03,240
Speaker 1: was some pungent. I was pungent. And are you rocking?

1061
00:59:03,280 --> 00:59:05,360
Speaker 1: Deal to it these days when I go out of

1062
00:59:05,360 --> 00:59:08,840
Speaker 1: the house, Yeah, you do? You do flap it on.

1063
00:59:08,920 --> 00:59:10,480
Speaker 1: I wear it for other people. I don't wear it

1064
00:59:10,520 --> 00:59:16,200
Speaker 1: for myself. Yeah, okay, I mean that's we've had that conversation. Though.

1065
00:59:16,240 --> 00:59:20,000
Speaker 1: I will say that this year I've gone more, I've

1066
00:59:20,000 --> 00:59:23,280
Speaker 1: gone longer because I'm a shower at least once a

1067
00:59:23,360 --> 00:59:27,240
Speaker 1: day type of guy. Uh, lucky, I've gone. I've gone

1068
00:59:27,600 --> 00:59:30,760
Speaker 1: like two or three days in the quarantine where I

1069
00:59:30,840 --> 00:59:35,760
Speaker 1: just didn't uh, and and it is it is a

1070
00:59:35,840 --> 00:59:38,720
Speaker 1: nasty as smell. Did you work out those days? No,

1071
00:59:39,360 --> 00:59:41,800
Speaker 1: it would be like it would be like, yeah, but

1072
00:59:41,880 --> 00:59:44,400
Speaker 1: I've definitely worked out and then didn't show right away

1073
00:59:44,480 --> 00:59:46,600
Speaker 1: because I know I'm going to do a workout later

1074
00:59:46,640 --> 00:59:48,960
Speaker 1: in the day, like I do a morning and then

1075
00:59:48,960 --> 00:59:51,200
Speaker 1: and be like yeah and then and then halfway through

1076
00:59:51,200 --> 00:59:53,840
Speaker 1: the day, I'm like, I'm gonna with the swamp nuts

1077
00:59:53,920 --> 00:59:58,760
Speaker 1: and all that. My nuts. Uh, they don't have sweatlands

1078
00:59:59,040 --> 01:00:02,840
Speaker 1: for real. Yeah, my ship is so swampy, dude. I

1079
01:00:02,960 --> 01:00:07,840
Speaker 1: hate it. Can't believe it. I hate it. I could

1080
01:00:07,880 --> 01:00:11,640
Speaker 1: see you having some some some swampy nuts. It's really hot,

1081
01:00:12,000 --> 01:00:15,520
Speaker 1: really hot, and it's just frustrating. Like it's like, that's

1082
01:00:15,520 --> 01:00:17,680
Speaker 1: why I went back to boxers. That's why I stopped

1083
01:00:17,680 --> 01:00:20,120
Speaker 1: wearing sacks sometimes of the year because they got it

1084
01:00:20,160 --> 01:00:22,160
Speaker 1: got too hot. But you got to wear something a

1085
01:00:22,160 --> 01:00:25,280
Speaker 1: little more breathable. Buddy, I was a sacksman for sure.

1086
01:00:25,320 --> 01:00:28,840
Speaker 1: Go shopping again, shopping again. Yeah, I'm down. I'm down,

1087
01:00:28,840 --> 01:00:32,520
Speaker 1: and go shopping once freaking once we can. Oh my god,

1088
01:00:32,640 --> 01:00:35,080
Speaker 1: I can't wait once stores are open again. It's not

1089
01:00:35,280 --> 01:00:37,200
Speaker 1: on the internet now. The first thing we're gonna do

1090
01:00:37,320 --> 01:00:40,200
Speaker 1: is get a shopping mite. Let's step this thing, mate,

1091
01:00:41,200 --> 01:00:43,840
Speaker 1: Let's go pick up some Maggie. Let's go to London Square.

1092
01:00:44,280 --> 01:00:49,720
Speaker 1: Any takebacks, uh, put downs or giveaways? Guys, giveaway? You know.

1093
01:00:49,840 --> 01:00:52,280
Speaker 1: I want to apologize to the listening to audience for

1094
01:00:52,400 --> 01:00:55,840
Speaker 1: my British accent. If you guys can just give I'm

1095
01:00:55,840 --> 01:00:57,480
Speaker 1: gonna take a week and I'm gonna come back and

1096
01:00:57,480 --> 01:01:01,439
Speaker 1: I'm gonna blow your freaking minds. Guys. Yeah, we're moving on. Hey,

1097
01:01:02,080 --> 01:01:04,320
Speaker 1: I don't believe that, Blake. I bet we're all going

1098
01:01:04,360 --> 01:01:07,200
Speaker 1: to forget about this within a week, and you're not

1099
01:01:07,200 --> 01:01:10,120
Speaker 1: gonna blow anyone's mind, much like we forgot about the Grammy.

1100
01:01:10,160 --> 01:01:12,400
Speaker 1: Bet that we made well, the Grammys never aired. They

1101
01:01:12,440 --> 01:01:15,160
Speaker 1: got delayed. Oh it never happened. No, they got pushed.

1102
01:01:16,160 --> 01:01:20,280
Speaker 1: They didn't release the winners. What happened. They're just not

1103
01:01:20,360 --> 01:01:21,920
Speaker 1: doing the Grammys, or they're going to do it at

1104
01:01:21,920 --> 01:01:23,960
Speaker 1: a different I mean, to my knowledge, I think they

1105
01:01:24,080 --> 01:01:28,320
Speaker 1: were pushed like COVID, pushed like they haven't announced anything yet. Okay, well,

1106
01:01:28,360 --> 01:01:31,200
Speaker 1: we we have hundreds of dollars on the line, so

1107
01:01:31,280 --> 01:01:34,480
Speaker 1: blake when you figure that out, see who owes who

1108
01:01:34,520 --> 01:01:37,680
Speaker 1: what and uh and let us know. I would also

1109
01:01:37,720 --> 01:01:41,320
Speaker 1: like to take back my British accent. I don't think

1110
01:01:41,400 --> 01:01:44,120
Speaker 1: it was my best showing. I do think I was

1111
01:01:44,200 --> 01:01:46,480
Speaker 1: able to Um, I was. I was trying to throw

1112
01:01:46,520 --> 01:01:49,320
Speaker 1: it away a little bit, but then sometimes certain words

1113
01:01:49,600 --> 01:01:52,720
Speaker 1: I get tripped up on and uh, I won't come

1114
01:01:52,720 --> 01:01:56,120
Speaker 1: back next week with it being better. I definitely will

1115
01:01:56,160 --> 01:01:59,480
Speaker 1: forget all about this until I listened to the podcast,

1116
01:01:59,520 --> 01:02:01,880
Speaker 1: and then in about three weeks from now, I might

1117
01:02:01,920 --> 01:02:04,520
Speaker 1: bring it back up on the podcast. That's okay, copy

1118
01:02:05,000 --> 01:02:07,320
Speaker 1: cool after arison, you listen to this, then you'll bring

1119
01:02:07,320 --> 01:02:10,720
Speaker 1: it absolutely yes, correct, we know the circle. Um after

1120
01:02:10,800 --> 01:02:14,440
Speaker 1: hearing you guys talk about my performances and awesome and

1121
01:02:14,680 --> 01:02:17,640
Speaker 1: I appreciate that really, And you know, I want to

1122
01:02:17,680 --> 01:02:20,800
Speaker 1: compliment C s I for cutting me out of the

1123
01:02:20,880 --> 01:02:24,840
Speaker 1: last episode because made you hungry if that were out there.

1124
01:02:25,400 --> 01:02:27,640
Speaker 1: I don't think it was a good performance. Lit a

1125
01:02:27,680 --> 01:02:30,040
Speaker 1: fire under you didn't. I don't think I had enough

1126
01:02:30,080 --> 01:02:33,600
Speaker 1: to latch onto in that role. And bad writing, so

1127
01:02:33,640 --> 01:02:35,880
Speaker 1: you're saying bad writing the writers. I think I was

1128
01:02:35,960 --> 01:02:38,280
Speaker 1: miscast and it started from a joke. It didn't start

1129
01:02:38,320 --> 01:02:41,320
Speaker 1: from a place of the heart, you know, like it

1130
01:02:41,400 --> 01:02:43,560
Speaker 1: was like normally my roles come from the heart, and

1131
01:02:43,600 --> 01:02:47,480
Speaker 1: that's why they're good. I don't. I don't know. I

1132
01:02:47,480 --> 01:02:50,120
Speaker 1: don't know, as as an audience member of yours, I

1133
01:02:50,160 --> 01:02:52,080
Speaker 1: don't know. That's why I like you. I don't think

1134
01:02:52,080 --> 01:02:54,400
Speaker 1: it's the heart. Well, that's why I like acting. I

1135
01:02:54,480 --> 01:02:57,120
Speaker 1: like acting because when the roles come from the heart,

1136
01:02:57,200 --> 01:03:00,040
Speaker 1: and I think that that's what shows I agree with you.

1137
01:03:00,920 --> 01:03:06,360
Speaker 1: I agree with you, I know from something, something deep

1138
01:03:06,400 --> 01:03:09,440
Speaker 1: down in you that connects to the thing that you're portraying.

1139
01:03:09,480 --> 01:03:11,840
Speaker 1: For sure, we're talking about the role of Carl, right,

1140
01:03:11,920 --> 01:03:17,400
Speaker 1: because that's the other Yes, yes, yeah, that's okay. Yes,

1141
01:03:17,480 --> 01:03:19,880
Speaker 1: that was a heartfelt performance for sure, and that came

1142
01:03:19,960 --> 01:03:24,439
Speaker 1: from me. That beautiful I think. I think I apologize

1143
01:03:24,480 --> 01:03:27,200
Speaker 1: to to everybody, including you guys, because every week when

1144
01:03:27,200 --> 01:03:30,200
Speaker 1: we're like all right, take back and apologies, I don't.

1145
01:03:30,240 --> 01:03:33,320
Speaker 1: I don't remember anything we've talked about for the past hour,

1146
01:03:33,680 --> 01:03:35,480
Speaker 1: and I'm like going through my ship and I kind

1147
01:03:35,480 --> 01:03:37,920
Speaker 1: of always piggyback on things you guys, remember and I'm

1148
01:03:37,920 --> 01:03:41,560
Speaker 1: like that that that um, but my brain doesn't work

1149
01:03:42,040 --> 01:03:46,200
Speaker 1: this way and I'm sorry about that. Hey forgiven. Okay, bro,

1150
01:03:46,360 --> 01:03:48,640
Speaker 1: you're all good. Yeah, I have a hard time remember

1151
01:03:48,640 --> 01:03:50,720
Speaker 1: and what the fun we've talked about as well? So

1152
01:03:51,040 --> 01:03:54,680
Speaker 1: I wish we had. Yeah, maybe our producers can just

1153
01:03:54,840 --> 01:03:58,960
Speaker 1: type up like half sentences that like every ten minutes, yeah,

1154
01:03:59,000 --> 01:04:02,600
Speaker 1: like hey, maybe you should to apologize for this like

1155
01:04:02,800 --> 01:04:05,320
Speaker 1: possible thing that they want us to apologize for her

1156
01:04:05,760 --> 01:04:09,760
Speaker 1: like hey, you know what, uh me saying I'm cute.

1157
01:04:10,480 --> 01:04:13,800
Speaker 1: I stand by you guys next week on the podcast.

1158
01:04:13,880 --> 01:04:21,240
Speaker 1: And that's it. Was that the end? Did you just

1159
01:04:21,360 --> 01:04:24,400
Speaker 1: end it for us? Thank you? I think? So? Okay,

1160
01:04:24,480 --> 01:04:27,439
Speaker 1: well then, guys, this was this