1 00:00:02,040 --> 00:00:06,840 Speaker 1: Well, welcome back to another episode of Alchemys Covid n 2 00:00:08,400 --> 00:00:12,879 Speaker 1: the Dish. I have to drop that cod issue aspect soon. 3 00:00:13,119 --> 00:00:17,640 Speaker 1: I'm your host, Kevin Polochist, that Kimbo. I've only actually 4 00:00:17,640 --> 00:00:21,919 Speaker 1: pooped my pants once and it was during kindergarten orientation, 5 00:00:22,040 --> 00:00:26,040 Speaker 1: so I was four and a half. Okay, oh and 6 00:00:26,079 --> 00:00:29,520 Speaker 1: then again just now so twice. But I digress. Let's 7 00:00:29,520 --> 00:00:32,159 Speaker 1: meet a rock show no particular orders. Say hello to 8 00:00:32,240 --> 00:00:35,440 Speaker 1: James c. D Jimmy H. What was the most recent 9 00:00:35,520 --> 00:00:39,519 Speaker 1: song you learned to play on the guitar? I guess 10 00:00:39,680 --> 00:00:42,479 Speaker 1: it was not that recent, but it is the most recent. 11 00:00:42,600 --> 00:00:46,840 Speaker 1: It was Waiting in a Velvet Sea by by Fish, 12 00:00:46,880 --> 00:00:52,199 Speaker 1: which I then made a parody into a different song, um, 13 00:00:52,200 --> 00:00:57,000 Speaker 1: parodying the video game Skyrim. Oh, I knew I was 14 00:00:57,040 --> 00:01:00,680 Speaker 1: asking the right person. And now Craig Hosky with his 15 00:01:00,800 --> 00:01:06,840 Speaker 1: best cheese burger in Los Angeles review corner. Oh my god, 16 00:01:07,440 --> 00:01:12,760 Speaker 1: it's like you got an incredible mouth feel right. Um, 17 00:01:12,840 --> 00:01:15,520 Speaker 1: I'm definitely getting some acid reflux. Right. Yeah, I didn't 18 00:01:15,520 --> 00:01:17,760 Speaker 1: mean you had to eat the burger as you did 19 00:01:17,800 --> 00:01:21,560 Speaker 1: the review. I interpreted also, like you told me about 20 00:01:21,600 --> 00:01:23,959 Speaker 1: this like five days ago, so I bought the burger 21 00:01:23,959 --> 00:01:28,080 Speaker 1: then right hold hold on to it at it day 22 00:01:28,120 --> 00:01:31,720 Speaker 1: of I mean, there's no really, it is not good. 23 00:01:32,120 --> 00:01:33,959 Speaker 1: It's not good. I don't know, well, I don't know 24 00:01:34,000 --> 00:01:40,400 Speaker 1: what people are talking about. Hey, there's Jackie Gonzalez, the 25 00:01:40,520 --> 00:01:45,759 Speaker 1: Ruthie j g D. What the hell is your favorite 26 00:01:45,760 --> 00:01:53,000 Speaker 1: dinner on Trey. It's it's it's lichen. It is that 27 00:01:53,160 --> 00:01:57,360 Speaker 1: barbecue full pig that Joey spoke of a few episodes back. 28 00:01:57,680 --> 00:02:01,400 Speaker 1: Absolute favorite, Andrea, I love that slutely give me that 29 00:02:01,960 --> 00:02:05,760 Speaker 1: with the side of motos. That's black beans and rice 30 00:02:05,800 --> 00:02:10,200 Speaker 1: cooked together and plantains. If you want to throw some 31 00:02:10,280 --> 00:02:14,320 Speaker 1: muka in there, I'm very happy. That's the that's the 32 00:02:14,400 --> 00:02:16,680 Speaker 1: Christmas Eve, that's the note to win a meal, and 33 00:02:16,720 --> 00:02:18,720 Speaker 1: that is my favorite meal of the year. It is 34 00:02:18,760 --> 00:02:22,240 Speaker 1: my favorite meal of all time. And Joey, what will 35 00:02:22,280 --> 00:02:27,040 Speaker 1: you be app Well, I'm working the event right, so, uh, 36 00:02:27,080 --> 00:02:29,839 Speaker 1: we're just gonna be kind of picking. But I did 37 00:02:30,000 --> 00:02:35,440 Speaker 1: bring off of Craig's um information and and and his 38 00:02:35,480 --> 00:02:39,119 Speaker 1: behest a burger. But he he did say I don't 39 00:02:39,160 --> 00:02:40,360 Speaker 1: know if I'm gonna eat it, because he did tell 40 00:02:40,400 --> 00:02:46,040 Speaker 1: me to get in a couple of weeks ago, and 41 00:02:46,880 --> 00:02:50,720 Speaker 1: I mean I I I don't know. The entire container 42 00:02:50,800 --> 00:02:54,120 Speaker 1: is pitch black now. It wasn't before, so I can't 43 00:02:54,120 --> 00:02:58,680 Speaker 1: really tell. Sorry, the container is pitch black. Yeah, it 44 00:02:58,800 --> 00:03:05,080 Speaker 1: was a clear pirax now just at the void, not 45 00:03:05,240 --> 00:03:10,119 Speaker 1: just black. It's the movie with Ben Diesel, so that's 46 00:03:10,120 --> 00:03:12,280 Speaker 1: going on right now inside the Pyrex and that you 47 00:03:12,320 --> 00:03:14,520 Speaker 1: can you can you can watch it r now. It's 48 00:03:14,520 --> 00:03:18,160 Speaker 1: actually pretty good. The pass word is Pyrex. Let's do 49 00:03:18,200 --> 00:03:20,519 Speaker 1: a damn show, shall we. All of our scene suggestions, 50 00:03:20,560 --> 00:03:22,760 Speaker 1: of course, gather from your listener emails or from our 51 00:03:22,800 --> 00:03:25,000 Speaker 1: patron v I P s To become my patron support 52 00:03:25,000 --> 00:03:28,079 Speaker 1: of the show and a joy exclusive content and other perks, 53 00:03:28,880 --> 00:03:31,720 Speaker 1: just head on over to patron dot com slash Alchemy. 54 00:03:31,760 --> 00:03:33,760 Speaker 1: This is if you like I sugment a scene suggestion 55 00:03:33,800 --> 00:03:36,240 Speaker 1: by email, please love to read them at our new 56 00:03:36,280 --> 00:03:40,360 Speaker 1: email address, new Ish Alchemy. This email at gmail dot com. 57 00:03:40,360 --> 00:03:45,240 Speaker 1: That's Alchemy. This seen one comes from patron v I P. 58 00:03:45,440 --> 00:03:49,040 Speaker 1: Kevin Quass, who wrote, Hello Alchemist. I'm writing from Australia, 59 00:03:49,320 --> 00:03:52,640 Speaker 1: where the relatively good control of COVID has resulted in 60 00:03:52,760 --> 00:03:57,040 Speaker 1: more TV shows and commercials intended for the US audience 61 00:03:57,080 --> 00:04:01,240 Speaker 1: being made here down Under. Instead, Uh, they tell the 62 00:04:01,280 --> 00:04:05,680 Speaker 1: actors and extras to look American place of fake USPS 63 00:04:05,760 --> 00:04:09,280 Speaker 1: mailbox or some other American thing on the streets, and 64 00:04:09,320 --> 00:04:13,160 Speaker 1: the US TV audience never knows the difference. Right. Thus, 65 00:04:13,320 --> 00:04:17,200 Speaker 1: my scene suggested trying and failing to portray Americans while 66 00:04:17,240 --> 00:04:21,680 Speaker 1: making a TV commercial for Americans that are very Australian 67 00:04:21,960 --> 00:04:26,760 Speaker 1: with a very Australian cast and crew. That's yes, this 68 00:04:26,839 --> 00:04:30,320 Speaker 1: is also a thinly veiled attempt to hear all of 69 00:04:30,360 --> 00:04:40,000 Speaker 1: your great Aussie accents. Once again, Thank you, Kevin. I mean, 70 00:04:40,040 --> 00:04:41,720 Speaker 1: I've been working for a long time and doing all 71 00:04:41,720 --> 00:04:43,800 Speaker 1: these things for me to come in and day, you know, 72 00:04:44,320 --> 00:04:47,200 Speaker 1: because you work for me. It's even because this is 73 00:04:47,200 --> 00:04:52,960 Speaker 1: the fun things, extra extra. I'm actually one of the principles. 74 00:04:53,040 --> 00:04:56,520 Speaker 1: So talk to me, actually talk to me. I need 75 00:04:56,520 --> 00:04:59,640 Speaker 1: to focus because I actually apply. So they tell me 76 00:04:59,720 --> 00:05:01,800 Speaker 1: to be a They said, this is the area and 77 00:05:01,920 --> 00:05:04,360 Speaker 1: you're gonna have to hang out. You can be here, 78 00:05:04,440 --> 00:05:06,200 Speaker 1: but you just can't talk to me because I need 79 00:05:06,279 --> 00:05:10,280 Speaker 1: to line. I could be anywhere, you know, right. So yeah, 80 00:05:10,360 --> 00:05:12,400 Speaker 1: but you know, extra work for me, it's not even 81 00:05:12,400 --> 00:05:14,080 Speaker 1: something that I think about. It's just why I'm in 82 00:05:14,080 --> 00:05:16,240 Speaker 1: the zone. You know, I just keep out there and 83 00:05:16,240 --> 00:05:18,159 Speaker 1: I just did exactly was the want me to do. 84 00:05:18,640 --> 00:05:20,600 Speaker 1: I'm not trying to be rude. I'm just trying to 85 00:05:20,640 --> 00:05:22,880 Speaker 1: focus on my lines. I'm just gonna be I won't 86 00:05:22,880 --> 00:05:25,640 Speaker 1: be looking at you, and I technically won't be listening. 87 00:05:26,320 --> 00:05:30,080 Speaker 1: I'm just going to be oh, yeah, totally yeah. I mean, 88 00:05:30,080 --> 00:05:33,400 Speaker 1: you're doing this so long that I contact in general this, 89 00:05:33,600 --> 00:05:35,839 Speaker 1: I despise what I'm on sid you know what I mean, 90 00:05:35,920 --> 00:05:38,480 Speaker 1: because I'm I'm working and I'm trying to do my thing, 91 00:05:39,720 --> 00:05:41,400 Speaker 1: you know what i mean. So it's just like, can 92 00:05:41,400 --> 00:05:45,320 Speaker 1: I get a coffee too? And it's just like, oh, 93 00:05:45,360 --> 00:05:46,880 Speaker 1: you were just saying it. I thought you were just 94 00:05:47,600 --> 00:05:51,680 Speaker 1: I'm not talking to you. I'm actually I'm practicing my lines. 95 00:05:51,839 --> 00:05:54,400 Speaker 1: I need to practice my lines. I don't want to 96 00:05:54,440 --> 00:05:57,520 Speaker 1: get here and you can be right here. I can 97 00:05:57,560 --> 00:06:01,719 Speaker 1: be anywhere anywhere. That's the beauty of being an Italians. 98 00:06:03,720 --> 00:06:05,640 Speaker 1: I don't think my couch star is gonna be able 99 00:06:05,640 --> 00:06:07,640 Speaker 1: to get rid of an accent. I think it sounds 100 00:06:07,920 --> 00:06:11,000 Speaker 1: she you can tell she's Australian. I've worked really hard 101 00:06:11,040 --> 00:06:14,560 Speaker 1: to sound like an American. Uh, and I'd like you 102 00:06:14,600 --> 00:06:17,320 Speaker 1: to have a talk to her if you don't mind, 103 00:06:19,400 --> 00:06:24,320 Speaker 1: because she needs some more direction. Let me put you 104 00:06:24,360 --> 00:06:28,760 Speaker 1: in contact with the director. Thank you. It's just it's 105 00:06:28,760 --> 00:06:31,159 Speaker 1: just that when she's talking, I clearly see I could 106 00:06:31,200 --> 00:06:34,000 Speaker 1: hear that she's Australian, and I don't think it's gonna 107 00:06:34,000 --> 00:06:41,040 Speaker 1: pass through American. He's your director. Uh hi, yeah, I'm 108 00:06:41,080 --> 00:06:47,520 Speaker 1: zooming in from from Los Angeles. How convenient they must 109 00:06:47,560 --> 00:06:51,560 Speaker 1: be the it's great, it's great. It's uh and we're 110 00:06:51,600 --> 00:06:54,159 Speaker 1: we're on my time, right, so it's two am for 111 00:06:54,240 --> 00:07:01,000 Speaker 1: you guys. Yeah, yeah, it's just stay awake this late 112 00:07:01,040 --> 00:07:03,640 Speaker 1: I can. I'm losing my American accent, so I'm trying 113 00:07:03,640 --> 00:07:05,599 Speaker 1: to keep it up. It's are you doing it now? 114 00:07:07,000 --> 00:07:10,400 Speaker 1: I'm trying to do my American accent. It's probably strange, 115 00:07:10,480 --> 00:07:13,000 Speaker 1: but once I get on camera, I'll be able to 116 00:07:13,040 --> 00:07:15,600 Speaker 1: do it all American, no problem. I don't have the 117 00:07:15,640 --> 00:07:21,240 Speaker 1: same faith in my co star. Yeah, oh, you're really 118 00:07:25,600 --> 00:07:27,880 Speaker 1: sorry that I hear her and she's practicing, and then 119 00:07:27,880 --> 00:07:33,480 Speaker 1: she sounds Australian, very Australian. You couldn't even tell I'm Australian. Right, Well, 120 00:07:34,200 --> 00:07:37,120 Speaker 1: let's just run, let's just run through the lines a 121 00:07:37,120 --> 00:07:41,640 Speaker 1: little bit, and is is she nearby? She? I think 122 00:07:41,680 --> 00:07:43,920 Speaker 1: she's in her dressing room. I can go get it, 123 00:07:44,000 --> 00:07:46,320 Speaker 1: but it's pretty late. Was Kurt there, Kurt? Can you 124 00:07:46,360 --> 00:07:54,560 Speaker 1: find the talent? Yep, I'm on it all right. How 125 00:07:55,040 --> 00:07:57,440 Speaker 1: would you mind? Would you mind saying my wine in 126 00:07:57,440 --> 00:08:00,480 Speaker 1: an American accent so I can copy it? It'd make 127 00:08:00,520 --> 00:08:02,520 Speaker 1: it a little easier for me. It's late at night. 128 00:08:03,680 --> 00:08:06,360 Speaker 1: Oh I guess. Uh wow, Now I'm feeling a little 129 00:08:06,360 --> 00:08:08,720 Speaker 1: self conscious about my accent. Is it does? It sounds 130 00:08:08,720 --> 00:08:11,800 Speaker 1: typically American to sound a little bit like a cowboy 131 00:08:11,880 --> 00:08:16,560 Speaker 1: to me? Like a cowboy, okay, I'm from I guess 132 00:08:16,600 --> 00:08:19,680 Speaker 1: that's how I hear or Americans. It's like something a 133 00:08:19,680 --> 00:08:23,000 Speaker 1: little bit like a cowboy to me. I just want 134 00:08:23,040 --> 00:08:25,600 Speaker 1: to make sure I'll do it all think if you 135 00:08:25,640 --> 00:08:28,080 Speaker 1: could just say my beer line for for me? Oh there, 136 00:08:28,120 --> 00:08:32,680 Speaker 1: I think I'm slipping into it. Okay, Uh so, I guess, 137 00:08:32,800 --> 00:08:36,480 Speaker 1: and it just a generic American accident. The line is, wow, 138 00:08:36,679 --> 00:08:40,960 Speaker 1: that's a great beer. Let wow, that's a great beer. 139 00:08:42,120 --> 00:08:45,960 Speaker 1: How's that that sound? That sounds pretty American? That's sound 140 00:08:46,000 --> 00:08:50,160 Speaker 1: a little bit like a pro wrestler or a viking. Um, 141 00:08:50,480 --> 00:08:51,920 Speaker 1: I don't know what you need to add that much 142 00:08:51,960 --> 00:08:55,480 Speaker 1: grit to it. Just give it to me. Okay, here 143 00:08:55,520 --> 00:08:58,600 Speaker 1: she is and that's how I understand that. And that's 144 00:08:58,640 --> 00:09:02,240 Speaker 1: just going to be taken to the director now. And 145 00:09:02,280 --> 00:09:04,160 Speaker 1: if you could actually go back to where you were, 146 00:09:06,720 --> 00:09:11,200 Speaker 1: he's an extra anyway, Okay, I don't want to I 147 00:09:11,240 --> 00:09:17,880 Speaker 1: don't want to see the extras. Alright, just gonna be around. 148 00:09:17,880 --> 00:09:20,040 Speaker 1: I mean, I'm gonna be around, you know. Can we 149 00:09:20,080 --> 00:09:27,079 Speaker 1: get rid of this guy? Yeah? We mate? Yeah, alright, Hello, 150 00:09:27,160 --> 00:09:30,240 Speaker 1: my wonderful talent. Look, your auditions were We're better than 151 00:09:30,559 --> 00:09:34,679 Speaker 1: than anyone. And uh, Sheila, I've definitely seen you in 152 00:09:34,679 --> 00:09:40,920 Speaker 1: in some Australian soaps. Yeah, you're wonderful. Let me here 153 00:09:40,920 --> 00:09:43,280 Speaker 1: a little bit of that American accent. So we will 154 00:09:43,360 --> 00:09:45,760 Speaker 1: just take it from the top. Take it from the 155 00:09:45,760 --> 00:09:53,560 Speaker 1: top shirt okay and action. Hey have you ever had 156 00:09:53,600 --> 00:10:03,199 Speaker 1: a beer? Sounds ridiculous, That sounds absolutely ridiculous. That's not 157 00:10:03,360 --> 00:10:08,840 Speaker 1: his line, that's the thing. Yeah, just say your line. Hey, 158 00:10:08,880 --> 00:10:11,880 Speaker 1: So jim, Um, I'm with the client. What what are 159 00:10:11,920 --> 00:10:16,439 Speaker 1: we looking at here? Exactly? These audition tapes? What's happening? No, 160 00:10:16,600 --> 00:10:22,200 Speaker 1: this is the spot oh no, no, no, this was 161 00:10:22,600 --> 00:10:26,560 Speaker 1: we worked. We worked for so what I wanted and 162 00:10:26,679 --> 00:10:29,760 Speaker 1: I was in the original Mortal Kombat. All right, I 163 00:10:29,840 --> 00:10:32,880 Speaker 1: was kind of did you see that? Did you see 164 00:10:32,920 --> 00:10:37,000 Speaker 1: the Mortal Komba? I'm kind of yeah, yeah, I I 165 00:10:37,080 --> 00:10:40,599 Speaker 1: recognize you from it. I you know, they want to 166 00:10:40,640 --> 00:10:42,199 Speaker 1: tip off that, but yeah, I do know your work 167 00:10:42,240 --> 00:10:49,240 Speaker 1: from that, right. Uh well, you know, I think you know, 168 00:10:49,760 --> 00:10:51,640 Speaker 1: it's one of those spots that the more times you 169 00:10:51,679 --> 00:10:53,800 Speaker 1: watch it, you know, and I think it kind of 170 00:10:53,840 --> 00:10:57,559 Speaker 1: takes on a meta element a little bit. But this this, 171 00:10:57,760 --> 00:10:59,160 Speaker 1: let me play it for you one more time. This 172 00:10:59,280 --> 00:11:05,920 Speaker 1: is the best that we got. Hey, have you ever 173 00:11:05,960 --> 00:11:10,960 Speaker 1: had Bill? I drink bail time and I don't need 174 00:11:11,080 --> 00:11:18,960 Speaker 1: nevermore beer. That's the Fosters. That's the best one. Yeah, 175 00:11:19,000 --> 00:11:20,800 Speaker 1: it's it's a little bit of the other the other say. 176 00:11:20,800 --> 00:11:24,679 Speaker 1: I just I mean that one man can humor me 177 00:11:24,720 --> 00:11:26,480 Speaker 1: and just show me the ones you didn't like. Just 178 00:11:26,559 --> 00:11:32,840 Speaker 1: so I in the original Mortal Kombat, I played kinda sorry, sir, 179 00:11:32,920 --> 00:11:36,319 Speaker 1: I just meant the original commercial that that you you shot. 180 00:11:38,040 --> 00:11:40,319 Speaker 1: And by the way, that we did rewrite the tagline 181 00:11:40,360 --> 00:11:42,960 Speaker 1: is no longer. Foster is Australian for beer. It's just 182 00:11:43,080 --> 00:11:48,599 Speaker 1: Fosters beer. It's a little confirasing. I don't have a 183 00:11:50,280 --> 00:11:56,240 Speaker 1: gonna think it's something going Foster's beer. You know the 184 00:11:56,240 --> 00:12:01,600 Speaker 1: original Mortal Combat. Okay, you saying Kato or Kano. Let's 185 00:12:01,640 --> 00:12:06,200 Speaker 1: checking out some of the other Eric Listen. I know 186 00:12:07,160 --> 00:12:10,920 Speaker 1: that my co star was talking sheet about me, and 187 00:12:10,960 --> 00:12:13,400 Speaker 1: I want to make it clear that he and I 188 00:12:13,640 --> 00:12:18,520 Speaker 1: are not friends. He and I are not friends. I'm 189 00:12:18,520 --> 00:12:21,720 Speaker 1: friends with half of the hymns worth, I'm friends with 190 00:12:22,600 --> 00:12:26,520 Speaker 1: some sharks, and I'm friends with Bendy Erwin and I'm 191 00:12:26,559 --> 00:12:29,240 Speaker 1: not friends with him. He and I have worked together 192 00:12:29,280 --> 00:12:33,240 Speaker 1: in the past and it did not go well. Hold 193 00:12:33,320 --> 00:12:41,000 Speaker 1: him yep and with a here there, let's seen one. 194 00:12:41,320 --> 00:12:47,920 Speaker 1: I don't do it. I have clearly never learned an 195 00:12:47,920 --> 00:12:50,600 Speaker 1: Australian accent. But I'm gonna James is going to teach 196 00:12:50,640 --> 00:12:56,520 Speaker 1: me and all's going to be right. Seen to come 197 00:12:56,600 --> 00:12:59,920 Speaker 1: frost from George who wrote how do I Love the Shows? 198 00:13:00,040 --> 00:13:03,040 Speaker 1: It's way back when Josh and Chuck plugged it on 199 00:13:03,080 --> 00:13:06,160 Speaker 1: their stuff you should know podcast Wow. Coming up on 200 00:13:06,200 --> 00:13:09,199 Speaker 1: three years, I think what a cool ride it's been 201 00:13:09,280 --> 00:13:11,880 Speaker 1: to see the show grow and blossom into what it 202 00:13:11,960 --> 00:13:15,400 Speaker 1: is today. All of you seem to have honed the 203 00:13:15,480 --> 00:13:21,280 Speaker 1: most excellent and funny Southern Judge characters. Scene suggestion a 204 00:13:21,320 --> 00:13:26,560 Speaker 1: group of Southern Judges on vacation together in Australia. What 205 00:13:26,640 --> 00:13:31,760 Speaker 1: are the chances? No? I made that up. I made 206 00:13:31,800 --> 00:13:37,800 Speaker 1: that up. I made up the Australian part. Thanks for 207 00:13:37,920 --> 00:13:41,760 Speaker 1: laugh George, order up, jeesus, have you have you seen 208 00:13:41,800 --> 00:13:45,360 Speaker 1: that table over there? That's just insane. I just didn't 209 00:13:45,480 --> 00:13:47,200 Speaker 1: want to bring another drink over there. So can we 210 00:13:47,280 --> 00:13:49,000 Speaker 1: just like knock over until I have to drop the 211 00:13:49,080 --> 00:13:52,800 Speaker 1: check off? Please? What's the problem? What do you mean? 212 00:13:52,800 --> 00:13:54,400 Speaker 1: What's the problem? Look at them, they're only just like 213 00:13:55,120 --> 00:13:57,520 Speaker 1: thick black robe was hanging out over there there from 214 00:13:57,559 --> 00:14:00,720 Speaker 1: another state. Alright, Steve, why do I have to be 215 00:14:00,760 --> 00:14:04,360 Speaker 1: so judgmental? Because they're annoying? Is how they're super loud. 216 00:14:04,840 --> 00:14:07,600 Speaker 1: They're calling out what any any random thing they see 217 00:14:07,640 --> 00:14:09,520 Speaker 1: that's not like what they want is a crime. And 218 00:14:09,559 --> 00:14:13,760 Speaker 1: they've been sentencing other tables. Okay, now, where where Steve? 219 00:14:13,840 --> 00:14:18,320 Speaker 1: Where's my weight of that's you? Buddy? Ship? Can you 220 00:14:18,320 --> 00:14:19,880 Speaker 1: go over there and say like, no, so it happened, 221 00:14:19,880 --> 00:14:23,760 Speaker 1: I can't can't it here? By Soba and steve to 222 00:14:23,880 --> 00:14:28,640 Speaker 1: my table. Oh my god, yes, hello, can I get you? 223 00:14:28,680 --> 00:14:30,720 Speaker 1: Only think that's another top off of that Arnold Palmer. 224 00:14:32,000 --> 00:14:34,840 Speaker 1: I have passed judgment on this Arnold Palmer and my 225 00:14:35,040 --> 00:14:41,080 Speaker 1: verdict is delicious. Right. What are the chances that I 226 00:14:41,120 --> 00:14:46,240 Speaker 1: could get myself a mohedo? Pretty good? We have it 227 00:14:46,280 --> 00:14:50,520 Speaker 1: on the menu, so well, then bring me a mohedo please? 228 00:14:51,240 --> 00:14:58,880 Speaker 1: Motion denied, Motion denied, drank too much? Get me a mohedo? Yes, sir, yes, 229 00:14:58,960 --> 00:15:03,160 Speaker 1: I'll bring you my heat up. The Honorable Judge Miss 230 00:15:03,200 --> 00:15:07,440 Speaker 1: Amanda has returned to the table. The bathrooms are gorgeous. 231 00:15:07,920 --> 00:15:09,840 Speaker 1: Now everyone could sit down. You don't need to stand 232 00:15:09,880 --> 00:15:13,560 Speaker 1: up all rise. You heard the ladies, all right, it's 233 00:15:13,600 --> 00:15:22,960 Speaker 1: just happy. The restrooms are absolutely spotless. Very good. I 234 00:15:23,000 --> 00:15:26,640 Speaker 1: am getting the gentleman a mohita. Would you like something? Well? 235 00:15:26,760 --> 00:15:29,840 Speaker 1: The margarita went right through me both ways? So can 236 00:15:29,920 --> 00:15:34,200 Speaker 1: I just switch over to a seltzer water? Yeah? You are? 237 00:15:34,480 --> 00:15:36,040 Speaker 1: Do you mean? Do you threw up? Is what you mean? 238 00:15:36,960 --> 00:15:46,600 Speaker 1: I think should mean? She shipped out her margarita means bottoms. Well, 239 00:15:46,640 --> 00:15:48,880 Speaker 1: this is something that we could actually pass judgment on, 240 00:15:49,320 --> 00:15:52,880 Speaker 1: isn't it. Here are your here's a I won't give 241 00:15:52,920 --> 00:15:55,680 Speaker 1: you exhibits A and B. I'm not a lawyer, but 242 00:15:55,720 --> 00:15:57,640 Speaker 1: at the end, it's gonna come back with the Seltzer. 243 00:15:58,080 --> 00:15:59,480 Speaker 1: At the end of the day, I peting the poop, 244 00:15:59,640 --> 00:16:03,120 Speaker 1: peting the poop and very liquidy. They're both very liquid, 245 00:16:03,440 --> 00:16:05,560 Speaker 1: I'll allow. I don't want to see whether this is going. 246 00:16:06,760 --> 00:16:09,960 Speaker 1: But we just said she and she pop. She just 247 00:16:10,000 --> 00:16:14,600 Speaker 1: said very liquidy, and you'd expect that from P. So 248 00:16:14,720 --> 00:16:17,840 Speaker 1: we want to hear more. Well, let's see where this 249 00:16:17,960 --> 00:16:21,320 Speaker 1: is going. But you're on thin eyes, counselor. At the 250 00:16:21,400 --> 00:16:26,080 Speaker 1: end of the day, the poop came out almost like P. 251 00:16:26,840 --> 00:16:28,560 Speaker 1: So it was a little bit confusing, but I could 252 00:16:28,560 --> 00:16:32,640 Speaker 1: feel that it was coming out of a Seltzer. And 253 00:16:32,720 --> 00:16:34,200 Speaker 1: can you bring me some kind of you having his 254 00:16:34,320 --> 00:16:39,000 Speaker 1: sausage on the on the menu, but I think I'm 255 00:16:39,000 --> 00:16:43,360 Speaker 1: gonna put that down as poopy. Alright, I have a 256 00:16:43,400 --> 00:16:47,480 Speaker 1: lobster roll. It's like the only kind of I'll take it. Okay, 257 00:16:47,520 --> 00:16:58,760 Speaker 1: and food now to her, Let's confirm. Let's confer, alright, confer, okay, 258 00:16:58,760 --> 00:17:02,320 Speaker 1: can we retire to watching and discussed the discuss the menu. 259 00:17:02,720 --> 00:17:07,600 Speaker 1: Let's take a quick, uh five minute recess and you're 260 00:17:07,600 --> 00:17:10,440 Speaker 1: gonna go to the cabanas. Are going to come back here? 261 00:17:10,800 --> 00:17:13,480 Speaker 1: Close out. You have to close out here if you're 262 00:17:13,480 --> 00:17:18,040 Speaker 1: gonna go to the cabanas, I'm not going to transfer 263 00:17:18,080 --> 00:17:21,040 Speaker 1: this work, Steve. Can I see in my office for 264 00:17:21,040 --> 00:17:24,800 Speaker 1: a second. Yeah, I understand. It was not an easy 265 00:17:24,880 --> 00:17:27,800 Speaker 1: lunch hour today. No, it wasn't. Oh did you get 266 00:17:27,840 --> 00:17:31,400 Speaker 1: new walls? I did, thank you? Yeah, the mrs came by. 267 00:17:31,480 --> 00:17:34,680 Speaker 1: She's the one with the taste. I've got the money. Um, 268 00:17:34,800 --> 00:17:39,600 Speaker 1: she installed the walls, she picked out the fabric. Oh yeah, 269 00:17:40,320 --> 00:17:42,840 Speaker 1: So did lunch go better than this is going? Would 270 00:17:42,840 --> 00:17:46,920 Speaker 1: you say it was? It was wild? It was not good. 271 00:17:47,400 --> 00:17:52,720 Speaker 1: It wasn't good. It wasn't good for for her, for anybody, honestly, 272 00:17:53,640 --> 00:17:56,480 Speaker 1: because the customers chair, the customers are not happy. It's 273 00:17:56,480 --> 00:18:00,320 Speaker 1: on it, it's on. Okay. Did you said we couldn't 274 00:18:00,320 --> 00:18:02,199 Speaker 1: get new uniforms because there was no money in the budget? 275 00:18:02,359 --> 00:18:08,560 Speaker 1: And then I come into your office and it's just yeah, Steve, 276 00:18:08,640 --> 00:18:10,000 Speaker 1: let me ask you a quick question. If you ever 277 00:18:10,040 --> 00:18:17,720 Speaker 1: owned anything, Well, when you do, you'll decide who gets what. Okay. 278 00:18:17,760 --> 00:18:22,959 Speaker 1: So the customers left written complaints like I've never seen before, 279 00:18:24,480 --> 00:18:28,800 Speaker 1: like twelve page reports, yeah, and each one had a 280 00:18:28,880 --> 00:18:35,480 Speaker 1: closing argument, I mean didn't sing on the last pace sentencing, 281 00:18:36,400 --> 00:18:41,040 Speaker 1: and all of them sentenced you to life in hell, 282 00:18:41,800 --> 00:18:45,560 Speaker 1: not prison, Hell in hell. Okay, First of I don't 283 00:18:45,560 --> 00:18:48,719 Speaker 1: believe in hell. Secondly, that's crazy. They just sent you 284 00:18:49,200 --> 00:18:51,240 Speaker 1: like this isn't even a yelp. They just sent you 285 00:18:51,480 --> 00:18:55,680 Speaker 1: twelve pages. No no, no, no, no yelp involved hand 286 00:18:55,720 --> 00:18:59,800 Speaker 1: delivered to me. So courier service came and dropped. So 287 00:19:00,160 --> 00:19:01,840 Speaker 1: I just this is I've asked you to not call 288 00:19:01,960 --> 00:19:06,520 Speaker 1: Pedro courier surface. Okay, he washed his additions. He brought 289 00:19:06,560 --> 00:19:10,280 Speaker 1: me each of the and there's discovery. There's discovery, and 290 00:19:10,320 --> 00:19:14,280 Speaker 1: you know what they discovered. You're not working out here, buddy, 291 00:19:14,960 --> 00:19:16,560 Speaker 1: So you tell me what you want to do before 292 00:19:16,600 --> 00:19:20,480 Speaker 1: next shift begins. You want to put your head out 293 00:19:20,480 --> 00:19:24,200 Speaker 1: of your grass? Oh yes, of course? Yeah? Yeah, okay, yeah, yeah, 294 00:19:25,280 --> 00:19:26,960 Speaker 1: all right. Do you like the chairs? I don't know 295 00:19:26,960 --> 00:19:30,000 Speaker 1: if they're working. I mean it's sitting. How much weather 296 00:19:31,000 --> 00:19:36,680 Speaker 1: sit down in the chair? To right? Just sinks? Right? 297 00:19:37,080 --> 00:19:40,560 Speaker 1: You put an onsuite into the book. We wanted to 298 00:19:40,640 --> 00:19:46,480 Speaker 1: rent out three separate kayaks. Unless you have one three seater. 299 00:19:48,240 --> 00:19:51,480 Speaker 1: Typically there's only two seater kayaks, and none of us 300 00:19:51,560 --> 00:19:54,879 Speaker 1: want to go alone alone. I don't believe we have 301 00:19:54,920 --> 00:19:58,400 Speaker 1: any three sick kayaks. Now, so you want three two seaters, 302 00:20:00,200 --> 00:20:05,600 Speaker 1: if not a three seater, three single seaters? Okay, So 303 00:20:05,640 --> 00:20:08,800 Speaker 1: we don't have any three seedars. You want three? Don't 304 00:20:08,920 --> 00:20:13,959 Speaker 1: think you're hearing that's correctly. We want three single cedar 305 00:20:14,080 --> 00:20:17,960 Speaker 1: kayaks unless which, as you have stated you don't have 306 00:20:18,040 --> 00:20:27,280 Speaker 1: a three seater, has previously ruled in Kayak versus Delaware. 307 00:20:29,280 --> 00:20:33,000 Speaker 1: Uh we we are entitled to the kayak which we ordered. 308 00:20:34,880 --> 00:20:45,320 Speaker 1: You excuse me, you many candy. It's a kayak rental. 309 00:20:45,480 --> 00:20:50,000 Speaker 1: I don't understand where the candy comes in. I'm candy. 310 00:20:51,960 --> 00:20:54,800 Speaker 1: Does this Does this child belong to any of you? 311 00:20:55,680 --> 00:21:00,680 Speaker 1: This is not my child? Not my child? Okay? Uh 312 00:21:00,840 --> 00:21:03,320 Speaker 1: so yeah? I Oh, what's your name? What's your name? 313 00:21:03,359 --> 00:21:08,240 Speaker 1: Little Felon Julius? Okay, Julius, I know where the candy is. 314 00:21:08,560 --> 00:21:11,919 Speaker 1: You see those rocks over there. I gotta climb up 315 00:21:11,920 --> 00:21:19,480 Speaker 1: onto those rocks candies on the other side. Well, he's distracted. 316 00:21:20,480 --> 00:21:27,919 Speaker 1: I got on. That's I'm already sweating buckets in my robe. 317 00:21:28,040 --> 00:21:31,400 Speaker 1: Now add on the weight of this cock. Oh, I'm 318 00:21:31,400 --> 00:21:34,919 Speaker 1: not kill over. Do you think he was telling the 319 00:21:34,960 --> 00:21:39,760 Speaker 1: truth about the candy beyond that rock? Hey? What kind 320 00:21:39,760 --> 00:21:44,880 Speaker 1: of candy looking for today? Um? M m's name? Jolly 321 00:21:45,000 --> 00:21:53,840 Speaker 1: Ranch peanuts are playing? Ah, you must not be a 322 00:21:53,840 --> 00:22:00,000 Speaker 1: fan of Eminem's in generally, because everybody knows which they prefer. Um. 323 00:22:00,280 --> 00:22:06,639 Speaker 1: I want by the foot, I want um lalla pops. 324 00:22:06,640 --> 00:22:11,280 Speaker 1: I want ice cream. Excuse me, sir, you served me 325 00:22:11,359 --> 00:22:15,160 Speaker 1: this morning. You served me and my son, Julius, my son. 326 00:22:15,320 --> 00:22:18,240 Speaker 1: Do you remember him? Come down, come down, come down? 327 00:22:19,320 --> 00:22:28,720 Speaker 1: Waist high, my son? Do you remember him? You started him? Okay, yes, yes, yes, 328 00:22:28,960 --> 00:22:34,000 Speaker 1: he's about yea high, waist high. He's a scar against 329 00:22:34,040 --> 00:22:37,240 Speaker 1: his lips, freckles on his chest, and some hair on 330 00:22:37,359 --> 00:22:42,520 Speaker 1: his elbows. Remember describing a generic child. I don't know 331 00:22:42,560 --> 00:22:45,560 Speaker 1: what to tell you that. I can't bring him. I 332 00:22:45,600 --> 00:22:51,640 Speaker 1: can't find him bringing hold on, Hello, Hello, Hi, I'm 333 00:22:51,640 --> 00:22:57,240 Speaker 1: trying to reach Steve. I don't what was your name? 334 00:22:57,440 --> 00:23:02,560 Speaker 1: I don't see hold on, um someone's I don't know, 335 00:23:02,640 --> 00:23:07,840 Speaker 1: I don't know someone's on the phone. Hi. This is uh, 336 00:23:08,119 --> 00:23:13,560 Speaker 1: this is Julius Marmalade, your your attorney? What happened to 337 00:23:13,600 --> 00:23:20,119 Speaker 1: Julius Bourbonstein, my son, my son. Man, I'm sorry, I'm 338 00:23:20,119 --> 00:23:24,119 Speaker 1: trying to my son. I think I'm talking to his partner. 339 00:23:24,560 --> 00:23:29,560 Speaker 1: His partner. Yeah, my partner, Julius Bourbonstein is not available. 340 00:23:29,560 --> 00:23:31,920 Speaker 1: I'm Julius Marble, but you're like your side is also 341 00:23:32,000 --> 00:23:33,960 Speaker 1: named Julius. What are the odds? No, not my not 342 00:23:34,040 --> 00:23:41,960 Speaker 1: my woman's look. I'm looking over the the the judgment 343 00:23:42,000 --> 00:23:44,000 Speaker 1: and what is going on? What did you call her 344 00:23:44,080 --> 00:23:48,200 Speaker 1: number to get me? How did you know that like 345 00:23:48,359 --> 00:23:52,760 Speaker 1: all Juliuses are connected, you know, at least psychically? Um 346 00:23:52,880 --> 00:23:56,159 Speaker 1: the uh? Looking over this, I mean, there's nothing we 347 00:23:56,160 --> 00:24:01,560 Speaker 1: can do. You gotta go to Hell can help? I don't. 348 00:24:01,560 --> 00:24:04,640 Speaker 1: I don't want a kayak. Have you seen my son, Julius, 349 00:24:04,720 --> 00:24:09,080 Speaker 1: my son, my son, Julius, my son. He's about waist high, 350 00:24:09,280 --> 00:24:12,359 Speaker 1: red hair, tackles on his chest, harry patches on his 351 00:24:12,680 --> 00:24:15,040 Speaker 1: on his elbow. I need you to take this kayak 352 00:24:15,080 --> 00:24:18,480 Speaker 1: off my hands, lady, because this is more. This is 353 00:24:18,480 --> 00:24:21,560 Speaker 1: more kayak than I need. I don't want to kayak. 354 00:24:21,800 --> 00:24:24,080 Speaker 1: I just want to find my son. Do you think 355 00:24:24,119 --> 00:24:27,480 Speaker 1: she might be describing that young boy that had the 356 00:24:27,480 --> 00:24:32,119 Speaker 1: freckles on his chest, hair on his elbows. And he 357 00:24:32,200 --> 00:24:36,200 Speaker 1: was looking for delicious sweet candy. My son lost loves candy. 358 00:24:36,240 --> 00:24:40,320 Speaker 1: That's my son and my son. Well, yeah, so a 359 00:24:40,320 --> 00:24:42,440 Speaker 1: matter of fact, we did see him. I know that 360 00:24:42,480 --> 00:24:47,520 Speaker 1: he went behind a rock to look for candy. Maybe 361 00:24:47,520 --> 00:24:51,200 Speaker 1: the candy was alive. So I never investigated further. Where 362 00:24:51,240 --> 00:24:53,080 Speaker 1: Where where was the rock? Where was the brain that 363 00:24:53,080 --> 00:24:55,440 Speaker 1: I need to find my son? Why is the rock 364 00:24:55,520 --> 00:24:59,000 Speaker 1: right over there? Ma'am? Thank you, thank you, thank you, 365 00:24:59,280 --> 00:25:04,399 Speaker 1: thank you, thank you. Okay, don't kiss me, don't you 366 00:25:05,960 --> 00:25:11,920 Speaker 1: kiss me? Okay? God, O my god, that other judges drowned, 367 00:25:15,119 --> 00:25:19,840 Speaker 1: Oh my god, they would Oh god, she'd never used 368 00:25:19,840 --> 00:25:25,199 Speaker 1: the kayak before, she'd never use the kyak objection. I 369 00:25:25,240 --> 00:25:27,119 Speaker 1: don't think that I should be in hell. I was 370 00:25:27,200 --> 00:25:31,320 Speaker 1: never sentenced to hell. I think I should be in heaven. Right. 371 00:25:31,480 --> 00:25:34,560 Speaker 1: It says here that you killed the man in Reno 372 00:25:35,080 --> 00:25:39,560 Speaker 1: just to watch him die. That was before I took 373 00:25:39,640 --> 00:25:43,359 Speaker 1: my oath as a church. That that shouldn't count me 374 00:25:43,440 --> 00:25:45,960 Speaker 1: as a judge. As a new life, that's me starting 375 00:25:45,960 --> 00:25:48,560 Speaker 1: a new So your idea was that you were in 376 00:25:48,600 --> 00:25:52,840 Speaker 1: the judge section of Hell. I was thinking I was 377 00:25:52,880 --> 00:25:55,880 Speaker 1: going up top to heaven to be honest. Well, that's 378 00:25:55,920 --> 00:25:59,920 Speaker 1: why I didn't even try to swim. You didn't even dry. 379 00:26:01,920 --> 00:26:04,760 Speaker 1: My kayak flipped and I cut the option. But I 380 00:26:04,800 --> 00:26:08,280 Speaker 1: thought maybe it's a good time, it's a better place, 381 00:26:08,640 --> 00:26:12,600 Speaker 1: and then I end up here, right right. It wasn't 382 00:26:12,680 --> 00:26:14,520 Speaker 1: just the man and Reno, as it turns out, off 383 00:26:14,560 --> 00:26:18,960 Speaker 1: they had a few other offenses. Yes, a few assault charges, 384 00:26:19,080 --> 00:26:26,880 Speaker 1: that is true, absolutely, and honestly a few wrongful sentencings 385 00:26:26,960 --> 00:26:30,399 Speaker 1: due to my own prejudgments. What is this about killing 386 00:26:30,400 --> 00:26:37,840 Speaker 1: your grandparents? True? That is that's right? And we have 387 00:26:38,040 --> 00:26:46,280 Speaker 1: gathered today to more a friend, yeah, family member, yeah yeah, 388 00:26:46,840 --> 00:26:55,440 Speaker 1: individual who has paris here at Sandals Resort, yeah yeah, 389 00:26:55,680 --> 00:26:58,280 Speaker 1: and knowing that each and every one of us is 390 00:26:58,359 --> 00:27:06,760 Speaker 1: so object in the morning service? What is this? Who 391 00:27:06,800 --> 00:27:11,560 Speaker 1: calls this again? She was my friend, but after finding 392 00:27:11,560 --> 00:27:16,000 Speaker 1: out some of that ship she did, I can I 393 00:27:16,040 --> 00:27:20,640 Speaker 1: can no longer support her. She killed her damn grandparents 394 00:27:21,440 --> 00:27:24,800 Speaker 1: in the past. But now now, did you ever meet 395 00:27:24,840 --> 00:27:33,159 Speaker 1: her grandparents? I did not. Doesn't matter how once grandparents 396 00:27:33,160 --> 00:27:39,439 Speaker 1: to you, simply don't kill him sustained? Have you? She 397 00:27:39,640 --> 00:27:42,359 Speaker 1: killed them as a way to stay alive? What about 398 00:27:42,400 --> 00:27:47,840 Speaker 1: that argument? It didn't seem to work, as she is 399 00:27:47,920 --> 00:27:53,959 Speaker 1: dead and in hell. I don't think she's dead because 400 00:27:54,000 --> 00:28:00,159 Speaker 1: she killed the grandparents. Now again, I throw yes, Hi, mice, son, 401 00:28:00,280 --> 00:28:02,199 Speaker 1: Julius and I we were going to go to the 402 00:28:02,240 --> 00:28:05,240 Speaker 1: waiting pool. That was supposed to be a movie. It 403 00:28:05,359 --> 00:28:08,040 Speaker 1: was a It was a dive in movie. Sit on 404 00:28:08,080 --> 00:28:10,960 Speaker 1: in your tubes watching it was a service. There was 405 00:28:11,160 --> 00:28:17,480 Speaker 1: actually a very disturbing, uh funeral service of sorts. Can 406 00:28:17,920 --> 00:28:21,479 Speaker 1: can we movie? You want to see the movie? Or 407 00:28:21,520 --> 00:28:23,680 Speaker 1: what are you asking? I mean, we have to pay 408 00:28:23,760 --> 00:28:25,320 Speaker 1: for it if it's can we get it at least 409 00:28:25,320 --> 00:28:27,800 Speaker 1: for free? In the in the hotel room? He's scarred 410 00:28:27,840 --> 00:28:34,440 Speaker 1: for life? My son? Where did he go? Julian Juliet? Wait? 411 00:28:34,480 --> 00:28:39,000 Speaker 1: Have you seen my son? My son? He's got red hair? One. 412 00:28:39,880 --> 00:28:46,640 Speaker 1: Welcome to Orange Julius. How can I help you? J Kenny? Um? Well, 413 00:28:46,680 --> 00:28:49,600 Speaker 1: I mean we have just these frozen orange drinks. They're 414 00:28:49,680 --> 00:28:57,400 Speaker 1: kind of candy. I guess I want we don't have 415 00:28:57,440 --> 00:29:03,200 Speaker 1: anything like that. What's your name? Kid? Julius? Really, my 416 00:29:03,280 --> 00:29:06,240 Speaker 1: name is Julius too, and I work at Orange Julius. 417 00:29:06,600 --> 00:29:12,040 Speaker 1: What are they it's weird? That is weird. Hold on 418 00:29:12,040 --> 00:29:18,680 Speaker 1: a second, my phone's ringing? Hello, Yeah, Hi, can I 419 00:29:18,760 --> 00:29:26,040 Speaker 1: speak to um Julius. Can I speak to Julius Bernstein. 420 00:29:27,480 --> 00:29:35,040 Speaker 1: Julius Bernstein, Julius, that's your name? Oh, this is for 421 00:29:35,120 --> 00:29:44,280 Speaker 1: your kid? Hello? Hello? Oh hi is this Julius Bernstein? Yes, 422 00:29:44,720 --> 00:29:51,520 Speaker 1: this is Um Sheila Quagmire from Spirit Airlines. As I understand, 423 00:29:51,800 --> 00:29:55,120 Speaker 1: you boarded a plane without a ticket and you want 424 00:29:55,240 --> 00:30:02,160 Speaker 1: all the way from Howwai to New amp Sure, yeah, 425 00:30:03,640 --> 00:30:07,280 Speaker 1: this is actually breaking a lot of security cons but 426 00:30:07,440 --> 00:30:14,920 Speaker 1: also as an unattended minor. Okay, bye, did I hear 427 00:30:15,040 --> 00:30:17,800 Speaker 1: say that Spirit flies direct from Hawaii to New Hampshire. 428 00:30:19,320 --> 00:30:25,200 Speaker 1: Don't tell you which a secret trip? Okay, okay from 429 00:30:25,240 --> 00:30:31,400 Speaker 1: the top? Okay, Spirit flying direct? Sorry let me Yeah, 430 00:30:31,440 --> 00:30:33,920 Speaker 1: you're going back to your natural access. Just you don't 431 00:30:33,960 --> 00:30:36,880 Speaker 1: do it? Do it? Very Americans relations just hanging out 432 00:30:36,920 --> 00:30:45,040 Speaker 1: with he starting the book right the commercial, I'm an extra. 433 00:30:45,160 --> 00:30:55,320 Speaker 1: I'm at why did we hire these same people? Oh? My, oh, 434 00:30:55,560 --> 00:31:04,760 Speaker 1: budda boy. Scene three comes from patron Malcolmniac Paul, who 435 00:31:04,760 --> 00:31:07,760 Speaker 1: broke I found a scene suggested hiding in plain sight 436 00:31:07,920 --> 00:31:11,200 Speaker 1: since the very beginning of alchemy this and I challenged 437 00:31:11,240 --> 00:31:15,840 Speaker 1: the other listeners to find even even better ones. All right, 438 00:31:16,440 --> 00:31:21,360 Speaker 1: if you anagram the names of the alchemist, Kevin pollakrisov Rodo, 439 00:31:21,440 --> 00:31:25,160 Speaker 1: Vanessa Ragan, Craig Atkowski, Joey Gria, and James Heeney, using 440 00:31:25,160 --> 00:31:29,840 Speaker 1: each and every letter only once you get quote. A 441 00:31:29,920 --> 00:31:35,440 Speaker 1: weird Vinegary love, sick monkey, carjacks, aggressive, anal hero a, 442 00:31:35,560 --> 00:31:39,480 Speaker 1: jerk holds an alpaca. Please someone do better. It helps 443 00:31:39,760 --> 00:31:46,160 Speaker 1: to use a spreadsheet much love. I'm gonna need that. 444 00:31:46,960 --> 00:31:52,720 Speaker 1: I'm gonna need that one more time. A weird Vinegary love, 445 00:31:52,840 --> 00:31:59,840 Speaker 1: sick monkey, carjacks, aggressive, anal hero a, jerk holds an 446 00:32:00,040 --> 00:32:08,520 Speaker 1: I'll pack up. Okay, we're just the weird come from James. 447 00:32:09,560 --> 00:32:11,840 Speaker 1: I guess I don't know what a what a what 448 00:32:11,880 --> 00:32:19,320 Speaker 1: an anagram is. It's the same way backwards as forwards. Okay, 449 00:32:19,800 --> 00:32:24,560 Speaker 1: that's I thought. Yeah, I don't get it. Yeah, so 450 00:32:24,760 --> 00:32:27,320 Speaker 1: I mean this is monkey right here. I mean yeah, 451 00:32:27,400 --> 00:32:29,920 Speaker 1: I can do I can do six hundred dollars on it, 452 00:32:29,920 --> 00:32:37,560 Speaker 1: all right? And uh, come on, okay, let me ask 453 00:32:37,560 --> 00:32:39,920 Speaker 1: you a straight question. Did you train this monkey to 454 00:32:40,160 --> 00:32:46,480 Speaker 1: a car jack and be be a little weird? Come on? 455 00:32:46,520 --> 00:32:47,880 Speaker 1: Hold on that you want me to admit to that? 456 00:32:47,960 --> 00:32:51,600 Speaker 1: Me training this monkey to do crime? Huh? Well that's 457 00:32:51,680 --> 00:32:54,160 Speaker 1: what I need. So if you want to sell the monkey, 458 00:32:56,120 --> 00:32:57,400 Speaker 1: do you know what I'm gonna say? Have you seen 459 00:32:57,440 --> 00:33:05,080 Speaker 1: the movie Outbreak? Yes? Okay? Are we done on that topic? Yeah? Yeah, 460 00:33:05,880 --> 00:33:08,800 Speaker 1: so I've seen the movie Outbreak and I got four hundred. 461 00:33:09,240 --> 00:33:11,680 Speaker 1: What can we do to four oh five? Come on? 462 00:33:11,760 --> 00:33:13,560 Speaker 1: Help me out. I got a kid he needs to go. 463 00:33:13,920 --> 00:33:16,240 Speaker 1: I can go as high as four ninety, but that's 464 00:33:16,280 --> 00:33:18,200 Speaker 1: it up fort ninety. What are you doing to me? 465 00:33:18,280 --> 00:33:21,280 Speaker 1: Hit four seventy two? I got a kid, can't do 466 00:33:21,360 --> 00:33:23,640 Speaker 1: for seven? I got a kid to come on? What 467 00:33:23,760 --> 00:33:29,600 Speaker 1: the kids? Then? Fuck you got Italian? You know what 468 00:33:29,760 --> 00:33:31,600 Speaker 1: here it is? You know what? Take the monkey? Get 469 00:33:31,600 --> 00:33:35,560 Speaker 1: out of here? No no charge pieces all right, listen 470 00:33:35,560 --> 00:33:37,400 Speaker 1: to him monkey. I know you're weird, and I know 471 00:33:37,480 --> 00:33:40,280 Speaker 1: you're a little vinegary, but I need you to contract 472 00:33:40,280 --> 00:33:43,240 Speaker 1: the next Toyota Prius to come down the street. Are 473 00:33:43,280 --> 00:33:51,200 Speaker 1: we clear on that? Okay? All right? Uh? Miss uh 474 00:33:51,320 --> 00:33:52,960 Speaker 1: sorry to bother you. Are you gonna be here for 475 00:33:53,000 --> 00:33:57,720 Speaker 1: a bit? Uh? Yeah? Could you hold my alpaca? Um, 476 00:33:58,320 --> 00:34:00,320 Speaker 1: just hold my alpacker for a moment. I just need 477 00:34:00,320 --> 00:34:02,719 Speaker 1: to run into the run end of the store. Um 478 00:34:02,960 --> 00:34:07,840 Speaker 1: does it bite? No? No, no, well not usually. I'll 479 00:34:07,840 --> 00:34:11,280 Speaker 1: give you a carrot. Uh and just too. It'll nibble 480 00:34:11,280 --> 00:34:14,040 Speaker 1: on the carrot and then it will bite once it 481 00:34:14,120 --> 00:34:17,400 Speaker 1: thinks your hand is the carrot. So I think just 482 00:34:17,520 --> 00:34:22,759 Speaker 1: keep keep some distance there. Um, okay, yeah, it's very 483 00:34:23,040 --> 00:34:25,799 Speaker 1: it's it's very friendly. Its name is Quicksilver. It's an 484 00:34:25,840 --> 00:34:28,440 Speaker 1: ironic name. It's very slow. I'm just gonna run in 485 00:34:28,480 --> 00:34:32,680 Speaker 1: the store. Just hold hold the alpaca. Okay, I'm just sorry. 486 00:34:32,680 --> 00:34:35,759 Speaker 1: I just want to be clear. I'm just I'm here 487 00:34:35,800 --> 00:34:38,520 Speaker 1: for like five minutes. I'm just here for a five minutes. 488 00:34:38,560 --> 00:34:40,680 Speaker 1: I'm gonna be four minutes talk because I'm just waiting 489 00:34:40,680 --> 00:34:45,960 Speaker 1: for my lift. So I'm just letting you like, no problem. 490 00:34:46,080 --> 00:34:49,919 Speaker 1: Just hold the paca, feed the carrot, be right back. 491 00:34:50,800 --> 00:34:54,640 Speaker 1: Welcome to seven eleven. I am a greater. Are you 492 00:34:54,719 --> 00:34:58,359 Speaker 1: in a hurry? Uh? Well this is new. You haven't 493 00:34:58,520 --> 00:35:02,400 Speaker 1: greeters at seven eleven before. Uh excuse me? Are you 494 00:35:02,440 --> 00:35:05,920 Speaker 1: going to pick up after that? Back? It just pooped. Um, 495 00:35:06,520 --> 00:35:10,200 Speaker 1: it's not mine, it's not mine, it's not yours. Oh well, 496 00:35:10,280 --> 00:35:12,000 Speaker 1: I don't. I don't think it's very nice of you 497 00:35:12,040 --> 00:35:14,200 Speaker 1: to have an alpaca that you're clearly in charge of 498 00:35:14,280 --> 00:35:16,520 Speaker 1: without picking it up. Pick that ship up off the 499 00:35:16,560 --> 00:35:20,120 Speaker 1: sidewalk some I'm holding it for a guy. He he'll 500 00:35:20,160 --> 00:35:21,920 Speaker 1: probably have bags and and you can pick it. He 501 00:35:22,080 --> 00:35:24,640 Speaker 1: just kind of gave me a carrot. I don't have 502 00:35:24,960 --> 00:35:27,560 Speaker 1: a ways to pick it up. And you know what, 503 00:35:27,800 --> 00:35:32,120 Speaker 1: my body, My body is a meaning you're getting really ticket. No, 504 00:35:32,440 --> 00:35:36,680 Speaker 1: I want you to pick that up right now, back up. 505 00:35:38,480 --> 00:35:42,600 Speaker 1: But what do's that thing doing? The thing protected is 506 00:35:42,680 --> 00:35:47,680 Speaker 1: what it's doing. It's looking at me. Sometimes it does, 507 00:35:48,400 --> 00:36:05,040 Speaker 1: sometimes it doesn't. Ring ring. Hello, Hi, Hi, is this Tiffany? Yeah, 508 00:36:06,600 --> 00:36:09,000 Speaker 1: h this is your lift driver, Julius. I'm trying to 509 00:36:09,040 --> 00:36:16,120 Speaker 1: find your Toyota Prius. Yeah, him on third, just after Samore. 510 00:36:16,920 --> 00:36:22,560 Speaker 1: I'm I'm holding an alpaca that's attacking a man. An 511 00:36:22,560 --> 00:36:27,120 Speaker 1: alpaca that's attacking a man, eating him alive, and honestly, 512 00:36:27,120 --> 00:36:31,239 Speaker 1: I'm okay with it. I'll try to picture and alpaca. 513 00:36:31,760 --> 00:36:37,000 Speaker 1: It's leg but okay, yeah, okay, I'll look for that. 514 00:36:38,520 --> 00:36:41,319 Speaker 1: Excuse me, Prius driver, Hey, Prius driver, Hey, Hey, hey, 515 00:36:41,400 --> 00:36:44,320 Speaker 1: can I talk to you for a second? Okay? Sorry, 516 00:36:44,320 --> 00:36:49,239 Speaker 1: sorry sir, which one the red one? Sorry, sir, the 517 00:36:49,280 --> 00:36:51,960 Speaker 1: red priest? Yeah, are you talking a maroon? Are you 518 00:36:52,000 --> 00:36:53,960 Speaker 1: talking cherry red? Because we're both What are you talking? 519 00:36:54,560 --> 00:36:56,759 Speaker 1: You know they are very similar in colors. I'll tell 520 00:36:56,800 --> 00:36:59,239 Speaker 1: you what. Let's flip a coin you. What's your name? 521 00:36:59,360 --> 00:37:02,120 Speaker 1: What is this? Why am I? What am I to coin? 522 00:37:02,200 --> 00:37:04,640 Speaker 1: But what's going on? Well? I was actually talking to 523 00:37:04,719 --> 00:37:07,439 Speaker 1: this Prius guy and then you interrupted, So if you'd 524 00:37:07,520 --> 00:37:14,759 Speaker 1: rather not part, you flagged down to Prius is I 525 00:37:14,840 --> 00:37:21,399 Speaker 1: was only trying to flag down one flag down? Okay? 526 00:37:21,680 --> 00:37:27,759 Speaker 1: What is your name, sir in the red? In the 527 00:37:27,800 --> 00:37:31,840 Speaker 1: red Prius, did you tell me to shut the cherry 528 00:37:31,840 --> 00:37:34,759 Speaker 1: render the Burgundy? Cherry red? You you the one to 529 00:37:34,840 --> 00:37:39,040 Speaker 1: just ask the question? What did your name said? Julius? Oh, Julius. Great, 530 00:37:39,280 --> 00:37:43,320 Speaker 1: okay you sir in the Burgundy? Whatever you can yourself? 531 00:37:43,440 --> 00:37:48,480 Speaker 1: Thank you, Julius. I got a question. Yeah, I'm sorry, 532 00:37:48,680 --> 00:37:50,360 Speaker 1: be quick because I am in a hurry. I got 533 00:37:50,440 --> 00:37:52,560 Speaker 1: a passenger I gotta pick up. I'm a left understand. 534 00:37:52,680 --> 00:37:56,200 Speaker 1: How does this drive? Do you like this car? Yeah? 535 00:37:56,200 --> 00:38:02,520 Speaker 1: It's a it's a solid ride. Good good Miley kidding. Um. 536 00:38:02,560 --> 00:38:05,319 Speaker 1: I know no one has asked me a question, but 537 00:38:05,560 --> 00:38:08,360 Speaker 1: if I can just make a statement to the court 538 00:38:09,040 --> 00:38:11,600 Speaker 1: while I'm up here. I believe we're here on the 539 00:38:11,640 --> 00:38:17,040 Speaker 1: weirdness yale, Okay, um, I am the witness and and 540 00:38:17,040 --> 00:38:19,279 Speaker 1: and that's really what I want to make clear is 541 00:38:19,760 --> 00:38:26,000 Speaker 1: I watched this alpaca kill this man, but I wasn't involved. 542 00:38:26,040 --> 00:38:28,640 Speaker 1: I didn't ask asked the alpaca to do it. It 543 00:38:28,680 --> 00:38:31,440 Speaker 1: wasn't even my alpaca. I was watching it for a 544 00:38:31,480 --> 00:38:34,520 Speaker 1: guy who was in the seven eleven. Um. So I 545 00:38:34,560 --> 00:38:36,440 Speaker 1: just want to make that clear. I am a witness 546 00:38:37,480 --> 00:38:42,600 Speaker 1: because I felt like suspecting um fibes. Well you are. 547 00:38:42,680 --> 00:38:47,160 Speaker 1: You are on trial for the burd of this man, right, um. 548 00:38:47,360 --> 00:38:52,640 Speaker 1: But we are mourned as well. Another good book says 549 00:38:54,520 --> 00:39:02,239 Speaker 1: chapter David versus a z oh we need if we 550 00:39:02,480 --> 00:39:06,359 Speaker 1: see he who walks through but does not know, then 551 00:39:06,400 --> 00:39:11,640 Speaker 1: how can that bind be so prickly and grow? Objection? Objection? 552 00:39:11,960 --> 00:39:14,600 Speaker 1: If I could have the cause, please read back what 553 00:39:14,760 --> 00:39:20,960 Speaker 1: was just saying. Okay, let me just flip down to here. 554 00:39:21,040 --> 00:39:25,680 Speaker 1: It's in the chapter of David. Uh. And honestly, I 555 00:39:25,719 --> 00:39:30,120 Speaker 1: can't read my own writing with somebody mind. It's from 556 00:39:30,200 --> 00:39:34,439 Speaker 1: it says here a weird Vinegary love sick monkey. That's 557 00:39:34,440 --> 00:39:38,040 Speaker 1: what I read. But I don't remember hearing that. I 558 00:39:38,080 --> 00:39:40,560 Speaker 1: don't know what that has to do with holding somebody's 559 00:39:40,560 --> 00:39:43,880 Speaker 1: outpacka for them. Could we get back to the witness 560 00:39:43,920 --> 00:39:51,440 Speaker 1: answering the question instead of from the stand I was 561 00:39:51,480 --> 00:39:56,319 Speaker 1: a witness, I am a witness. Witness. I love that word. 562 00:39:56,360 --> 00:40:02,400 Speaker 1: Thank you, witness, Diane. Good movie. Peter Will directed that 563 00:40:02,480 --> 00:40:05,719 Speaker 1: if I'm not mistakes, I believe he did so has 564 00:40:05,760 --> 00:40:09,640 Speaker 1: not done enough films in my humble opinion, Well, Master 565 00:40:09,920 --> 00:40:13,040 Speaker 1: Commando the fal side of the world. That's why he 566 00:40:13,120 --> 00:40:21,360 Speaker 1: was invited out of show business. Sure, would you like 567 00:40:21,440 --> 00:40:24,160 Speaker 1: a cologne, maybe some refreshment before you head out back 568 00:40:24,160 --> 00:40:28,759 Speaker 1: into the seven eleven? Uh? Look, I I really I 569 00:40:28,840 --> 00:40:31,520 Speaker 1: just want to grab a couple of things. Uh yeah, 570 00:40:31,760 --> 00:40:34,879 Speaker 1: I mean it's a convenience. Of course, I'm in a hurry. Well, 571 00:40:34,880 --> 00:40:36,600 Speaker 1: so we just want to be convenient for you. So 572 00:40:36,640 --> 00:40:39,920 Speaker 1: any gum, do you want a new shirt? No, I 573 00:40:39,960 --> 00:40:42,000 Speaker 1: don't need a new shirt. I'm just picking up something. 574 00:40:42,200 --> 00:40:43,799 Speaker 1: What about if you got some like coffee on your 575 00:40:43,800 --> 00:40:50,799 Speaker 1: shirt right there? Hey, that's hot the shirt? Well, yes, 576 00:40:50,960 --> 00:40:53,600 Speaker 1: now I need another shirt. But you do sell shirts 577 00:40:53,600 --> 00:40:58,160 Speaker 1: at seven eleven thirty dollars? Okay, this is do you 578 00:40:58,200 --> 00:41:03,160 Speaker 1: work here, sir, I'm here for your convenience. Well, I 579 00:41:03,200 --> 00:41:05,280 Speaker 1: mean we haven't been very convenient to poured hot coffee. 580 00:41:05,280 --> 00:41:08,160 Speaker 1: I mean ruined a goddamn new shirt. Oh did that 581 00:41:08,200 --> 00:41:11,439 Speaker 1: because I don't see anyone else here that's gonna corroborate. 582 00:41:13,200 --> 00:41:20,600 Speaker 1: What did you say corroborate? Oh you got eaten by 583 00:41:20,600 --> 00:41:24,680 Speaker 1: an alpaca. I got flipped on my kayak and decided 584 00:41:24,760 --> 00:41:29,880 Speaker 1: not to swim. I don't think I'm dead, honestly, I 585 00:41:29,880 --> 00:41:33,440 Speaker 1: think I'm at the wrong spot right now here, and 586 00:41:33,640 --> 00:41:38,640 Speaker 1: there's no way that what sir? If I'm a she's 587 00:41:38,920 --> 00:41:41,359 Speaker 1: she's correct, You're you're in hell that which means you're dead. 588 00:41:42,200 --> 00:41:44,319 Speaker 1: I'm the type of guy that would point somebody else 589 00:41:44,320 --> 00:41:46,960 Speaker 1: out that's leaving dogshit or anything. You just get the 590 00:41:47,080 --> 00:41:49,879 Speaker 1: starter papers going for you, So no, no, no, no, 591 00:41:50,120 --> 00:41:54,640 Speaker 1: this is just your clerical error and your business address 592 00:41:54,719 --> 00:42:00,360 Speaker 1: would be nice and Jules, Yeah, next a kid? You 593 00:42:00,560 --> 00:42:04,759 Speaker 1: still out the next? Can I never got married? I'm 594 00:42:04,920 --> 00:42:09,920 Speaker 1: young to Welcome to Hell? That was great? Can we 595 00:42:10,000 --> 00:42:16,960 Speaker 1: can we get the product in there a little more? 596 00:42:19,040 --> 00:42:21,400 Speaker 1: I feel like we're doing so many commercials. I'm losing 597 00:42:21,400 --> 00:42:25,680 Speaker 1: track of which product we actually sailing so it's for 598 00:42:25,800 --> 00:42:33,080 Speaker 1: seven eleven coffee. Then tomorrow is for um iMac. That's 599 00:42:33,120 --> 00:42:36,239 Speaker 1: tomorrow tomorrow for you or tomorrow for me, because it's 600 00:42:36,280 --> 00:42:43,400 Speaker 1: already tomorrow for you. That's right. Okay. I've always been 601 00:42:43,400 --> 00:42:45,520 Speaker 1: a fan of the Peanuts. Are a regular, right, That's 602 00:42:45,520 --> 00:42:50,160 Speaker 1: what I always say, Little Red Bull. Okay, some toilet 603 00:42:50,160 --> 00:42:53,480 Speaker 1: paper to single roll? You got it hand sanitizer. I 604 00:42:53,480 --> 00:42:58,440 Speaker 1: know you're doing. I told you this was hell absolute 605 00:42:58,560 --> 00:43:04,160 Speaker 1: and already tester is broken, so I'm not gonna be 606 00:43:04,160 --> 00:43:11,560 Speaker 1: able to accept cash credit anythy like not? Okay, Okay, 607 00:43:11,600 --> 00:43:14,959 Speaker 1: what about a tap? Can I put it on a tab? 608 00:43:15,080 --> 00:43:18,800 Speaker 1: I can't. I made a lot of time a tab. 609 00:43:19,560 --> 00:43:21,360 Speaker 1: You put it on a tap? Could I put it 610 00:43:21,400 --> 00:43:29,000 Speaker 1: on a tab? Correctly? They sell tab here? Oh d 611 00:43:29,800 --> 00:43:33,719 Speaker 1: I wandered any incorrectly. That guy looked like you from 612 00:43:33,719 --> 00:43:43,879 Speaker 1: the Wild West. So I guess I guess I'll just venmo. 613 00:43:44,560 --> 00:43:49,320 Speaker 1: Our wifeis down, anyboddy. Anybody you needs some cash? Listen, 614 00:43:49,360 --> 00:43:53,400 Speaker 1: I'm not making any deals with it. Seems like you 615 00:43:53,440 --> 00:43:58,399 Speaker 1: need some cage alright. If I don't want to put 616 00:43:58,400 --> 00:44:00,360 Speaker 1: it back, don't put it back. If you've been to me, 617 00:44:00,400 --> 00:44:04,720 Speaker 1: I don't know it was like right now, really, okay, 618 00:44:05,400 --> 00:44:07,080 Speaker 1: all right, it should be showing up in your phone 619 00:44:07,080 --> 00:44:13,440 Speaker 1: any minute now. There it is, all right, see you. Okay, 620 00:44:13,480 --> 00:44:21,399 Speaker 1: here's sixty dollars cash. Okay, that's nothing. Um. Yes, So 621 00:44:21,600 --> 00:44:25,160 Speaker 1: I drove up and I was just there to pick 622 00:44:25,360 --> 00:44:28,480 Speaker 1: up the passenger. Once I saw that there was a 623 00:44:28,520 --> 00:44:32,239 Speaker 1: bloody situation happening, that's when I brought out my phone 624 00:44:32,239 --> 00:44:41,680 Speaker 1: and started recording. Thank you for that. Next witness please, yeah, um, 625 00:44:41,760 --> 00:44:48,680 Speaker 1: what's up? So have you been called to the stands? Yeah? Yeah, 626 00:44:48,719 --> 00:44:51,799 Speaker 1: you said, next witness, right, I'm not sure you know 627 00:44:51,840 --> 00:44:55,319 Speaker 1: how this courtroom works well. Traditionally we will swear in 628 00:44:55,400 --> 00:44:59,040 Speaker 1: on the witness on the good book. Tell him, Julius, 629 00:45:01,680 --> 00:45:04,759 Speaker 1: do you solemnly swear to tell the truth, the whole truth? 630 00:45:07,920 --> 00:45:12,040 Speaker 1: Is there? Is there a book that you would swear too? Yeah? 631 00:45:12,120 --> 00:45:15,520 Speaker 1: Which one? I'll tell you right now. It's just texting 632 00:45:15,600 --> 00:45:19,200 Speaker 1: my cousin's comic book. It's sick. It's so cool as 633 00:45:19,200 --> 00:45:23,239 Speaker 1: I finished yet, but like sick right here in my 634 00:45:23,280 --> 00:45:26,960 Speaker 1: back back. Can we allow such a thing that's a 635 00:45:27,000 --> 00:45:34,040 Speaker 1: spiral notebook? I object? Well, as long as it's a 636 00:45:34,120 --> 00:45:37,719 Speaker 1: book that the person places a lot of faith in it. 637 00:45:37,760 --> 00:45:43,920 Speaker 1: Doesn't necessarily have to be traditional Holy Bible. So this 638 00:45:43,960 --> 00:45:45,560 Speaker 1: book isn't blow up? Is will be the best book 639 00:45:45,600 --> 00:45:47,960 Speaker 1: you read? Is here be the best comic? He sounds 640 00:45:48,080 --> 00:45:52,799 Speaker 1: rather confident. I allow it. Now. Is it more more 641 00:45:52,840 --> 00:45:58,000 Speaker 1: of a comic or more of a graphic novel? Uh? Oh, 642 00:45:58,040 --> 00:46:01,880 Speaker 1: they're superhero These the heroes look like they're already the 643 00:46:01,920 --> 00:46:07,520 Speaker 1: proprietary characters from other comic books. This looks strikingly similar 644 00:46:07,560 --> 00:46:10,919 Speaker 1: to the Batman. Yeah, he's in there. He said there's 645 00:46:10,920 --> 00:46:15,440 Speaker 1: gonna be sick, and that's that's that Batman villain that 646 00:46:15,520 --> 00:46:19,560 Speaker 1: nobody knows. No, everybody knows. Calendar Man. This is one 647 00:46:19,560 --> 00:46:22,680 Speaker 1: of the most popular. It's from the Long Halloween. That's 648 00:46:22,680 --> 00:46:24,040 Speaker 1: a good one. But I don't think he has the 649 00:46:24,160 --> 00:46:28,919 Speaker 1: rights to it. I thought it was calendar Man colindar Man. 650 00:46:29,560 --> 00:46:32,400 Speaker 1: This witness seems a bit confused. Do we need to 651 00:46:32,440 --> 00:46:37,960 Speaker 1: take a small recess? Recess? I think I think we should. 652 00:46:38,120 --> 00:46:41,920 Speaker 1: Let's let's take a recess to a resort in uh in, 653 00:46:42,080 --> 00:46:51,200 Speaker 1: South Florida. Sandals, Sandals, Motion Past. Are you fucking kidding? Hello? 654 00:46:51,280 --> 00:46:57,760 Speaker 1: How Steve? Hello? That is our show for today, Steve. 655 00:46:58,960 --> 00:47:02,960 Speaker 1: He really didn't see it coming let's thank our alchemists 656 00:47:02,960 --> 00:47:08,040 Speaker 1: and no particular orders, starting with Jackiegnzalas, Dorothy Jag, thank 657 00:47:08,080 --> 00:47:11,600 Speaker 1: you so much for having me. What the light now? 658 00:47:11,640 --> 00:47:14,480 Speaker 1: You were saying the new betting is for your mom? 659 00:47:14,640 --> 00:47:18,640 Speaker 1: Is that my mom was visiting? How long is she visiting? 660 00:47:18,680 --> 00:47:25,319 Speaker 1: For ten days? And but she she came on Saturday. 661 00:47:25,440 --> 00:47:27,279 Speaker 1: She came on Saturday, and she and I just we 662 00:47:27,320 --> 00:47:30,000 Speaker 1: actually just went to Big Surfer a couple of days. 663 00:47:30,080 --> 00:47:35,720 Speaker 1: It was really nice. Was that spectacular? Yes, it's her prompts. 664 00:47:35,719 --> 00:47:37,839 Speaker 1: A photo will end up on your Instagram? Were folk 665 00:47:38,080 --> 00:47:41,680 Speaker 1: find you? Yes it is. There are beautiful photos at 666 00:47:41,760 --> 00:47:46,840 Speaker 1: Jackie Truthy of me and my mom. Fair enough and 667 00:47:46,880 --> 00:47:50,960 Speaker 1: thank you for that. James Heeney, Wow, it is great 668 00:47:51,000 --> 00:47:53,000 Speaker 1: to be back. I can't wait to come back again 669 00:47:53,040 --> 00:47:56,000 Speaker 1: next week when I'll be home in l a recording 670 00:47:56,040 --> 00:47:58,439 Speaker 1: player and gosh, would it be great if we could 671 00:47:58,440 --> 00:48:01,719 Speaker 1: be in the studio one days soon. If you ever 672 00:48:01,760 --> 00:48:04,160 Speaker 1: want to contact me, you could easily get a hold 673 00:48:04,200 --> 00:48:07,720 Speaker 1: of me through whatever reviews you want to post. A review. 674 00:48:08,400 --> 00:48:11,520 Speaker 1: In fact, this is from Salmon Too. They say, by 675 00:48:11,600 --> 00:48:14,879 Speaker 1: far the best podcast out there. You email them seen 676 00:48:15,000 --> 00:48:18,760 Speaker 1: suggestions and they work their magic you won't regret it, y'all. 677 00:48:19,800 --> 00:48:23,040 Speaker 1: Look at that. Who's that from? That's from summon to 678 00:48:23,800 --> 00:48:26,719 Speaker 1: via Apple Podcast. Alright, somebody got a Summons and they 679 00:48:26,719 --> 00:48:29,000 Speaker 1: decided to run a review. That's pretty sweet. They got 680 00:48:29,040 --> 00:48:34,759 Speaker 1: to thank you for that. James Greigkowski, Hey, good to 681 00:48:34,800 --> 00:48:38,160 Speaker 1: be back. Tech issues have been sorted out, and congrats 682 00:48:38,200 --> 00:48:41,080 Speaker 1: on your new leptop. Hey, thank you back in the saddle. 683 00:48:41,520 --> 00:48:44,560 Speaker 1: And I'll be hitting the road soon. So I might 684 00:48:44,600 --> 00:48:47,480 Speaker 1: have to miss an episode or two for that, but 685 00:48:48,120 --> 00:48:52,200 Speaker 1: resettling in North Carolina by the lake. We look forward 686 00:48:52,239 --> 00:48:55,239 Speaker 1: to that view once again. It's a nice view. It 687 00:48:55,280 --> 00:48:59,279 Speaker 1: feels like it's been about a year. Ah and thank 688 00:48:59,280 --> 00:49:04,359 Speaker 1: you for that, can't uh Joey Greer, Yeah, we're gonna 689 00:49:04,480 --> 00:49:07,880 Speaker 1: be very sorry to see you go as well. Why 690 00:49:08,400 --> 00:49:13,520 Speaker 1: why you didn't tell him? Nope, I did not tell him. 691 00:49:13,520 --> 00:49:18,000 Speaker 1: I'm sorry. It's an awkward moment. Let's thank your engineers, PUCI, 692 00:49:18,160 --> 00:49:23,759 Speaker 1: the stars, Mr Dougbaine, me an abstention, and the fine 693 00:49:23,800 --> 00:49:28,240 Speaker 1: folks that I hurt media. I'm your host, Kevin Pollock, 694 00:49:28,280 --> 00:49:30,040 Speaker 1: thanking each and every damn one of you so very 695 00:49:30,120 --> 00:49:32,879 Speaker 1: much sincerely for joining us and telling everyone you've ever 696 00:49:32,920 --> 00:49:35,200 Speaker 1: met and for writing a review, sent it around over 697 00:49:35,239 --> 00:49:37,640 Speaker 1: to However, you listen to the show, and that's how 698 00:49:37,719 --> 00:49:40,719 Speaker 1: James will find it. I suppose be kind to each other. 699 00:49:40,840 --> 00:50:03,799 Speaker 1: Please it helps. Until next time in Hi,