WEBVTT - One Drop

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<v Speaker 1>Family Secrets is a production of I Heart Radio. Two

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<v Speaker 1>months before my father died of prostate cancer, I learned

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<v Speaker 1>about a secret, But I've always said that there was

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<v Speaker 1>something about my family, or even many things that I

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<v Speaker 1>didn't know. As a child, when I was left to

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<v Speaker 1>love in the house, I would search through another's file,

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<v Speaker 1>cabinets and my father's study for elaboration, clarification, some proof

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<v Speaker 1>of what I couldn't exactly say. This is Bliss Broyard,

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<v Speaker 1>reading from her two eight memoir One Drop, My Father's

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<v Speaker 1>Hidden Life, a story of race and family secrets. When

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<v Speaker 1>you were a kid, did you snoop through your parents stuff?

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<v Speaker 1>I know I did. Most kids snoop go looking through

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<v Speaker 1>their parents things, trying to solve the mystery of these

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<v Speaker 1>adults who are so central to us and yet are

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<v Speaker 1>also so fundamentally unknowable. We kind of sense that our

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<v Speaker 1>parents have private lives outside of being just mom and dad,

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<v Speaker 1>and we want to find out about those lives. But

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<v Speaker 1>in families where there are secrets, I mean, big secrets,

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<v Speaker 1>this snooping is not so innocent. It kind of borders

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<v Speaker 1>on obsessive. I should know. When I was a kid,

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<v Speaker 1>whenever my parents would leave the house I would get

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<v Speaker 1>to work. I searched through my mother's drawers, my father's nightstand,

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<v Speaker 1>their cupboards and medicine cabinets. Like Bliss Broyard, if I

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<v Speaker 1>had been asked what I was looking for, I couldn't

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<v Speaker 1>have told you a clue. I guess a reason why

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<v Speaker 1>the pieces to my family just didn't add up. I'm

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<v Speaker 1>Danny Shapiro, and this is family secrets, secrets that are

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<v Speaker 1>kept from us, secrets we keep from others, and secrets

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<v Speaker 1>we keep from ourselves. Bliss was raised in Southport, Connecticut,

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<v Speaker 1>a small town on the coast of the Long Island Sound,

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<v Speaker 1>with her mom, dad, and older brother Todd. I've been

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<v Speaker 1>to Southport a few times. It's a place that reeks

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<v Speaker 1>of money, so old it doesn't need to show off

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<v Speaker 1>worn oriental rugs and great great Grandma's silver service kind

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<v Speaker 1>of money. Southport is a place that feels orderly and elegant,

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<v Speaker 1>every detail perfection, as if dreamt up by Martha Stewart, who,

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<v Speaker 1>come to think of it, lived in the next town over.

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<v Speaker 1>So I'd love to start with you describing the landscape

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<v Speaker 1>of your childhood. A bit sure, um well I grew up.

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<v Speaker 1>I often described it as as kind of wasp. In Connecticut,

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<v Speaker 1>um it was a wealthy so the wealthiest sect Lee

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<v Speaker 1>County in America at the time that I was growing

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<v Speaker 1>up in there in the nineteen seventies, Fairfeld County, and

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<v Speaker 1>it was virtually all white. I think I once looked

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<v Speaker 1>at the census and there was like four or five

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<v Speaker 1>people of color African Americans, but nobody in tam when

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<v Speaker 1>I asked the library, knew who those people were. So

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<v Speaker 1>they were if they were there at all, they were

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<v Speaker 1>not known kind of respective members of the community. There

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<v Speaker 1>were Jews and Catholics there, but there was an overriding

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<v Speaker 1>kind of wasp culture that everyone seemed to aspire to

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<v Speaker 1>belong to. My family, included the Broyard's, had a charmed life,

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<v Speaker 1>at least on the outside. When Bliss was growing up,

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<v Speaker 1>her father, Anatole, had become famous as a literary critic.

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<v Speaker 1>If that description sounds like an oxymoron, famous literary critic, well,

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<v Speaker 1>once upon a time, it was a real thing, and

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<v Speaker 1>Anatole Broyard was it. My father was an older dad.

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<v Speaker 1>He was forty when he married my mother. My mother

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<v Speaker 1>says that she know how old he was because he

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<v Speaker 1>looked very young. It's kind of secretive about his age.

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<v Speaker 1>So they met in Grand Village, and I think they

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<v Speaker 1>both really identified with the Grantch village of the nineteen

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<v Speaker 1>fifties or nine sixties, and the first got married and

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<v Speaker 1>we living there. They succumb self described bohemians. My father

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<v Speaker 1>was a writer. Um. He published a few things at

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<v Speaker 1>that points, particularly a story about the death of his

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<v Speaker 1>own father that had gotten a lot of attention and

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<v Speaker 1>had earned him a book deal for a novel that

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<v Speaker 1>he was forever working on trying to complete. My mother

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<v Speaker 1>was a modern dancer. She was also an orphaned. She'd

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<v Speaker 1>been orphaned tragically her father and then her mother died

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<v Speaker 1>about nine months later in a car accident where my

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<v Speaker 1>mother had been driving, and so she was pretty alone

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<v Speaker 1>in the world and traumatized really from what happened. Um

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<v Speaker 1>found met my father on a subway after dance class

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<v Speaker 1>in Manhattan, and she asked him out and where he

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<v Speaker 1>asked her out about there. Um, So they when they

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<v Speaker 1>got married and they had my brother, they moved out

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<v Speaker 1>to Connecticut. You know. My mother says it's because she

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<v Speaker 1>didn't really know how to raise a family in New

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<v Speaker 1>York City. She herself had grown up in Westchester, and

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<v Speaker 1>I think for both of my parents there was the

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<v Speaker 1>sense that their marriage and kind of domestic life through

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<v Speaker 1>that they sort of saved one another. My mother saved

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<v Speaker 1>my father bachelorhood, he would always say. And my father

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<v Speaker 1>kind of saved my mother from this sort of orphaned

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<v Speaker 1>world that she had found herself in when she was

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<v Speaker 1>twenty and they had bought a series of old antique

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<v Speaker 1>farmhouses in Connecticut and decorated them beautifully. My mother make

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<v Speaker 1>homemade mayonnaise and fresh bread and planted beautiful gardens. And

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<v Speaker 1>there was a lot about that childhood that was really

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<v Speaker 1>idyllic um. But there was also a lot where they

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<v Speaker 1>were living kind of beyond their means and living on

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<v Speaker 1>the edge and hiring to a life and they couldn't

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<v Speaker 1>quite afford and it created a lot of stress, certainly

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<v Speaker 1>in our household um and confusion, why do we live

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<v Speaker 1>in this beautiful, kind of impressive house but they trouble

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<v Speaker 1>paying for lunching to me like basic necessities sometimes And

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<v Speaker 1>were you aware of that as a child. I mean,

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<v Speaker 1>some families are or some parents are pretty good at

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<v Speaker 1>call it what you will, but you know, shielding or

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<v Speaker 1>hiding from their kids, that sense of financial instability or

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<v Speaker 1>things not being as they appear. I think I was

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<v Speaker 1>aware of it because I mean there would be fights

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<v Speaker 1>about money, certainly that I overheard, but also my parents

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<v Speaker 1>kept moving and they kept buying new homes, and I

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<v Speaker 1>think that I had the impression that, you know, if

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<v Speaker 1>we could get into a new house that was more

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<v Speaker 1>beautiful and it was a fresh start and decorated, you know,

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<v Speaker 1>in some other slightly different style, than they could be happier.

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<v Speaker 1>It's kind of this chasing after the new settings with

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<v Speaker 1>the hope of of making things calmer and happier. So

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<v Speaker 1>there seems to be like a kind of discontent always

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<v Speaker 1>with with that life was. I mean, at the same time,

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<v Speaker 1>we did have, you know, we had a lot of coziness.

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<v Speaker 1>My father was a real fu family man, and he

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<v Speaker 1>worked at tom like most men of that generation. So

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<v Speaker 1>Nfol Briard is a bit of a legend. He's the

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<v Speaker 1>chief book critic for the New York Times. He dictates

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<v Speaker 1>his reviews over the phone from home. Around Southport, everyone

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<v Speaker 1>knows who he is. Blizz describes him this way in

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<v Speaker 1>her memoir, My father was famous, at least among the

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<v Speaker 1>people I knew, not only for being a public intellectual

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<v Speaker 1>with a regular byline and the paper of record, but

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<v Speaker 1>for being successful at life, at parties at our house.

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<v Speaker 1>I'd watch the way he moved through people, laying his

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<v Speaker 1>hand on a shoulder, firmly gripping someone's arm, and how

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<v Speaker 1>they turned to him. Your face is lit and expectant,

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<v Speaker 1>as if he held a fistful of fairy dust over

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<v Speaker 1>their heads, And he'd offer a word or two, nothing much,

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<v Speaker 1>but with a subtext that declared, all right, we fantastic

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<v Speaker 1>you and me. Isn't this world great? So he was

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<v Speaker 1>also a really charismatic figure. He was very handsome and

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<v Speaker 1>very graceful, a great athlete, of great dancer, and kind

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<v Speaker 1>of a lot of fun um and a really quite

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<v Speaker 1>a dear, generous friend. He was a friend of his

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<v Speaker 1>describing I think this was really true. He was a

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<v Speaker 1>kind of master at impression management when he really worked

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<v Speaker 1>hard to make people like him. But it didn't kind

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<v Speaker 1>of come off as a manipulative or inauthentic, at least

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<v Speaker 1>to my eyes or to his friendsise Um. You know,

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<v Speaker 1>maybe from the far somebody would have seen it differently.

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<v Speaker 1>But he was very likable in many ways, and he

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<v Speaker 1>had a lot of friends, a lot of people who

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<v Speaker 1>were quite loyal to him. But beneath all this, something

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<v Speaker 1>else is going on. Even within all the literary fame

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<v Speaker 1>and country coziness, the Broyards are kind of on their own.

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<v Speaker 1>There's no extended family around. Sandy is an orphan and anatole. Well,

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<v Speaker 1>he has family, but they seem to have been excommunicated.

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<v Speaker 1>He has a mother and two sisters living in New

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<v Speaker 1>York City, just a short train ride away, but they

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<v Speaker 1>never come to visit. Bliss and Todd grow up not

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<v Speaker 1>knowing them. We're going to pause for a moment for

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<v Speaker 1>a word from our sponsor. One night, anatole's temper flares

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<v Speaker 1>over a bologna sandwich. You heard that right. I'll let

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<v Speaker 1>Bliss tell it. It was Mother's Day, and um, he

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<v Speaker 1>had gotten my mother these lovely Tiffany earrings. But the

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<v Speaker 1>moment that he was trying to present them, she was

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<v Speaker 1>cooking dinner and kind of didn't turn around quickly. And

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<v Speaker 1>after he lost his temper abruptly, and then the night

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<v Speaker 1>was a ruined and um, I went to bed, and

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<v Speaker 1>she woke me up in the middle of the night

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<v Speaker 1>alarmed because he couldn't find his blowny for his sandwich

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<v Speaker 1>that he ate nightly, and then when I went downstairs,

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<v Speaker 1>he had ripped all of the condiments and the shelves

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<v Speaker 1>off the door of the fridge, so our whole kitchen

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<v Speaker 1>floor was scattered with bottles and Nanna's um And he

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<v Speaker 1>was really shocking and seemed quite out of character. I've

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<v Speaker 1>never seen my father really lose control like that. And

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<v Speaker 1>that's when I learned my mother. I said, what happened?

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<v Speaker 1>You know, what's wrong with him? And she said, well,

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<v Speaker 1>you know, his mother died, and I think he feels guilty.

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<v Speaker 1>And this was the first I'd heard that my grandmother

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<v Speaker 1>had died, who had only met once in my life,

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<v Speaker 1>you know, when I was six when she died, and

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<v Speaker 1>she had died back in September. She's been dead for

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<v Speaker 1>nine months, but it was never even mentioned or discussed,

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<v Speaker 1>or if there was a service, I wasn't concluded. And

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<v Speaker 1>so that really hit me hard because I just felt

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<v Speaker 1>that not only was my I thought, you know, my

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<v Speaker 1>father had lost his mother and was presumably grieving over that,

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<v Speaker 1>but I was also so excluded from the whole experience,

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<v Speaker 1>and I didn't have a right to his family in

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<v Speaker 1>any way. They didn't belong to me. They only belonged

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<v Speaker 1>to him, which was felt very hurtful. Yeah. Yeah, And

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<v Speaker 1>it also speaks to that unknowability, like how is it

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<v Speaker 1>possible for you, know, you're a kid and your your

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<v Speaker 1>father has lost his mother and you don't know that,

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<v Speaker 1>you know, it makes you wonder if you just aren't

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<v Speaker 1>sensitive or paying attention or self absorbed. I mean I

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<v Speaker 1>was twelve or something, so I'm sure I was self absorbed,

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<v Speaker 1>But you know, I thought of myself as close with

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<v Speaker 1>my father. He was very affectionate, and he was he

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<v Speaker 1>waited a long time to have children. He really loved kids,

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<v Speaker 1>and so he seemed really very interested in my life

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<v Speaker 1>and my brother's life and our life when our friends

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<v Speaker 1>came around, and he was a very engaged father by

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<v Speaker 1>today's stand words are back then, and so the fact

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<v Speaker 1>that I hadn't noticed that he had lost his own

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<v Speaker 1>parents and that had perhaps been grieving over that made

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<v Speaker 1>you feel that I m didn't know my dad or

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<v Speaker 1>we weren't as close as I thought. If blisses, aunts,

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<v Speaker 1>or grandmother were a part of her imagination at all

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<v Speaker 1>when she was a kid, they were shadowy, mysterious figures

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<v Speaker 1>covering on the periphery. I mean, my one aunt would

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<v Speaker 1>call the house sometimes and she didn't feel as cut

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<v Speaker 1>off limits to me as my other aunt did. But

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<v Speaker 1>I after my father died, I found a note from

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<v Speaker 1>my grandmother to my father that was really heart wrenching

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<v Speaker 1>because something like, you know, I'm turning seventy two and

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<v Speaker 1>I'm not a young woman anymore, and I just want

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<v Speaker 1>to meet my grandchildren for once in my life. And

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<v Speaker 1>then when I looked at the dates. The following week,

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<v Speaker 1>my father brought my my grandmother, his mother, out to

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<v Speaker 1>Connecticut and brought her to lunch the country club, like

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<v Speaker 1>just as is to say, like I'm not keeping you apart,

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<v Speaker 1>and there's nothing wrong going on here, and you're welcome

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<v Speaker 1>to come. But she, of course, she once she came,

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<v Speaker 1>she calm. That was it. She never came back. It

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<v Speaker 1>was the only time they ever met her. Listen Todd

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<v Speaker 1>attend great private schools. The family spends summers on Martha's Vineyard.

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<v Speaker 1>They play tennis, hang out at the yacht club. They're close,

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<v Speaker 1>and yet Anatole's pensiont for control continues to exert itself

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<v Speaker 1>in all sorts of ways. Because here's the thing, you

0:13:27.679 --> 0:13:31.720
<v Speaker 1>can't control life. You can try. You can eat the

0:13:31.760 --> 0:13:35.480
<v Speaker 1>same bologna sandwich every night, you can perfect your back hand,

0:13:36.040 --> 0:13:39.839
<v Speaker 1>you can keep your family at bay. But ultimately, no

0:13:39.840 --> 0:13:43.080
<v Speaker 1>matter how masterful you are at it, life will have

0:13:43.160 --> 0:13:48.480
<v Speaker 1>its way. Life always does. And let's not forget that

0:13:48.520 --> 0:13:52.160
<v Speaker 1>Anatole Broyard is first and foremost a writer. He's been

0:13:52.160 --> 0:13:55.640
<v Speaker 1>trying to write a novel forever and he can't. He

0:13:55.840 --> 0:14:00.240
<v Speaker 1>just can't. A friend told me very poignant story. They

0:14:00.320 --> 0:14:03.280
<v Speaker 1>went and had like a little self created writing retreat

0:14:03.320 --> 0:14:06.760
<v Speaker 1>together and after the first morning they have shared their

0:14:06.800 --> 0:14:10.200
<v Speaker 1>work over lunch, and this friend said, that's great, Anatole,

0:14:10.280 --> 0:14:12.160
<v Speaker 1>keep going. And then my dad came down the next

0:14:12.240 --> 0:14:14.800
<v Speaker 1>day and it was basically the same couple of paragraphs

0:14:14.840 --> 0:14:17.360
<v Speaker 1>but with a comma changed here and there, and you know,

0:14:17.840 --> 0:14:19.720
<v Speaker 1>and he said, okay, yeah, I keep going. And it

0:14:19.800 --> 0:14:22.320
<v Speaker 1>just went on like that for the week. And finally,

0:14:22.360 --> 0:14:23.760
<v Speaker 1>at the end of his life, I think when you

0:14:23.960 --> 0:14:26.160
<v Speaker 1>you know, when he realized his life actually had a deadline.

0:14:26.240 --> 0:14:32.520
<v Speaker 1>He was surliberated to create both a memoir that I

0:14:32.840 --> 0:14:35.240
<v Speaker 1>became a book called When Kraftco Was the Rage, and

0:14:35.280 --> 0:14:38.000
<v Speaker 1>also he was writing about illness um and he found

0:14:38.040 --> 0:14:43.480
<v Speaker 1>a way to kind of write about himself honestly. When

0:14:43.520 --> 0:14:46.400
<v Speaker 1>Bliss is in her early twenties, Anatole is diagnosed with

0:14:46.440 --> 0:14:50.400
<v Speaker 1>prostate cancer, and just before her twenty four birthday, it's

0:14:50.440 --> 0:14:54.000
<v Speaker 1>clear that he has very little time left. One afternoon,

0:14:54.080 --> 0:14:57.600
<v Speaker 1>Sandy tells Bliss and Todd in front of Anatole that

0:14:57.680 --> 0:15:00.640
<v Speaker 1>their father has a secret, and she begs him to

0:15:00.680 --> 0:15:04.520
<v Speaker 1>tell it. So what happened is my father had gone

0:15:04.920 --> 0:15:08.920
<v Speaker 1>to couples therapy with my mother when he was it

0:15:09.040 --> 0:15:11.880
<v Speaker 1>was clear that like western medicine had done what it

0:15:11.920 --> 0:15:14.000
<v Speaker 1>could for his illness, and she was trying to get

0:15:14.040 --> 0:15:16.600
<v Speaker 1>them to do some alternative treatments and they were kind

0:15:16.600 --> 0:15:18.520
<v Speaker 1>of he was reposisting, and so they went to couple

0:15:18.560 --> 0:15:22.280
<v Speaker 1>of therapy and it turned into more conversation about how

0:15:22.280 --> 0:15:27.280
<v Speaker 1>he wanted to finish up his life, and this secret

0:15:27.560 --> 0:15:31.040
<v Speaker 1>came up, and the therapist had suggested that it would

0:15:31.040 --> 0:15:33.960
<v Speaker 1>be a kind of unburdening to tell his children finally,

0:15:34.320 --> 0:15:37.720
<v Speaker 1>something that my mother had been really after for him

0:15:37.760 --> 0:15:39.680
<v Speaker 1>to tell us for years. I think in the back

0:15:39.680 --> 0:15:42.960
<v Speaker 1>of my mother's mind too, she was going to include

0:15:43.440 --> 0:15:46.800
<v Speaker 1>his two sisters in his memorial service, and so we

0:15:46.800 --> 0:15:48.280
<v Speaker 1>were going to meet them, and I was going to

0:15:48.400 --> 0:15:50.280
<v Speaker 1>meet my cousins, and wouldn't it be better if my

0:15:50.320 --> 0:15:56.760
<v Speaker 1>father told us first. So she sort of sprung it

0:15:56.800 --> 0:16:00.040
<v Speaker 1>on him to tell us, and he wasn't ready, and

0:16:00.600 --> 0:16:03.440
<v Speaker 1>he was having a hard day. Um, he was in

0:16:03.480 --> 0:16:05.800
<v Speaker 1>a lot of pain from his prostate cancer, which had

0:16:05.800 --> 0:16:08.480
<v Speaker 1>advanced at that point to his bones. And he said

0:16:08.520 --> 0:16:10.880
<v Speaker 1>that he wanted to get his vulnerabilities and orders. They

0:16:10.880 --> 0:16:15.320
<v Speaker 1>didn't get magnified during the discussion. Very kind of controlled

0:16:16.680 --> 0:16:21.240
<v Speaker 1>thing for him to say, very kind of typical way.

0:16:22.960 --> 0:16:26.600
<v Speaker 1>Imagine how amazing it would be to get your vulnerabilities

0:16:26.640 --> 0:16:29.960
<v Speaker 1>in order to line them up like good little soldiers,

0:16:30.480 --> 0:16:34.360
<v Speaker 1>to wait until they're all perfectly aligned, and then and

0:16:34.480 --> 0:16:42.560
<v Speaker 1>only then. Oh wait, right, that's not how vulnerabilities work. Okay,

0:16:42.640 --> 0:16:45.640
<v Speaker 1>So Bliss and Todd can't imagine what the secret might be.

0:16:46.520 --> 0:16:51.160
<v Speaker 1>Their father isn't talking, he's ordering his vulnerabilities. He's frail

0:16:51.360 --> 0:16:55.720
<v Speaker 1>and in ever worsening shape. Finally, when it seems the

0:16:55.840 --> 0:16:59.480
<v Speaker 1>end might be near, Sandy decides to tell her children

0:16:59.760 --> 0:17:03.120
<v Speaker 1>her self. He planted it back in the hospital to

0:17:03.160 --> 0:17:05.320
<v Speaker 1>the medical emergency, and he had to have an emergency

0:17:05.400 --> 0:17:08.000
<v Speaker 1>surgery that looked like he was going to die and

0:17:08.119 --> 0:17:09.560
<v Speaker 1>he was going to make it through the surgery, and

0:17:09.600 --> 0:17:13.520
<v Speaker 1>so my mom brought us outside Dana Farber Cancer Institute

0:17:13.560 --> 0:17:15.159
<v Speaker 1>in Boston and said, look, I'm going to tell you

0:17:15.160 --> 0:17:21.239
<v Speaker 1>what the secret is. Your father's are black. And my

0:17:21.280 --> 0:17:24.720
<v Speaker 1>brother and I laughed, you know, we just know that's it,

0:17:24.960 --> 0:17:27.560
<v Speaker 1>that's the big secret, because we had been talking, you know,

0:17:27.760 --> 0:17:29.760
<v Speaker 1>the last couple of weeks. What do you think, what

0:17:29.840 --> 0:17:33.200
<v Speaker 1>do you think it is like somebody get murdered, just rape.

0:17:33.280 --> 0:17:35.840
<v Speaker 1>You know, we just thought incest. We knew there was

0:17:35.920 --> 0:17:38.040
<v Speaker 1>something had to do with this family, but we really

0:17:38.080 --> 0:17:41.320
<v Speaker 1>went down what we seemed like much darker channels. So

0:17:41.359 --> 0:17:43.720
<v Speaker 1>this seems like not a very big deal and kind

0:17:43.720 --> 0:17:46.000
<v Speaker 1>of a relief, and we remember we joked about it.

0:17:47.040 --> 0:17:50.879
<v Speaker 1>But over time, after Anatole's death, the magnitude of the

0:17:50.920 --> 0:17:54.399
<v Speaker 1>secret and what it really means for Bliss starts to

0:17:54.480 --> 0:18:00.360
<v Speaker 1>slowly reveal itself. But I think then a few months

0:18:00.440 --> 0:18:03.639
<v Speaker 1>later at the memorial service and I met my aunt Shirley,

0:18:03.680 --> 0:18:06.200
<v Speaker 1>who I had never met before, and her son Frank,

0:18:06.359 --> 0:18:09.280
<v Speaker 1>and UM saw my other aunt Loraine for the first time,

0:18:09.359 --> 0:18:14.280
<v Speaker 1>and you know, twenty years or something, the secret started

0:18:14.280 --> 0:18:18.080
<v Speaker 1>to take on more import and I started to really

0:18:18.080 --> 0:18:20.040
<v Speaker 1>have a lot of questions. Why was it a secret?

0:18:20.080 --> 0:18:21.440
<v Speaker 1>What did it mean to him? What does it mean

0:18:21.480 --> 0:18:24.600
<v Speaker 1>to me? And I told my best friend from growing

0:18:24.680 --> 0:18:27.199
<v Speaker 1>up from Martha's Vineyard, I pointed out my yes, and

0:18:27.200 --> 0:18:29.080
<v Speaker 1>I said, you know those are my aunts, the big

0:18:29.119 --> 0:18:31.239
<v Speaker 1>secrets that my father was black, and I didn't know.

0:18:31.840 --> 0:18:34.320
<v Speaker 1>She said, you didn't know. I knew? He said, why,

0:18:34.480 --> 0:18:36.560
<v Speaker 1>like you knew all of these years? She said, yeah.

0:18:36.600 --> 0:18:39.440
<v Speaker 1>I mean I thought like everybody knew of my parents knew,

0:18:39.440 --> 0:18:41.199
<v Speaker 1>and their friends. I just thought that you've heard not

0:18:41.280 --> 0:18:44.879
<v Speaker 1>to talk about it. That was very odd because I

0:18:44.920 --> 0:18:47.520
<v Speaker 1>had been sort of made complicit in the secret that

0:18:47.560 --> 0:18:53.159
<v Speaker 1>I wasn't even really aware of. This is something I

0:18:53.200 --> 0:18:56.840
<v Speaker 1>think a lot about in any number of the conversations

0:18:56.880 --> 0:19:00.080
<v Speaker 1>I've had for this podcast. The notion that not me

0:19:00.119 --> 0:19:02.439
<v Speaker 1>it was a secret kept, but then in fact that

0:19:02.520 --> 0:19:06.439
<v Speaker 1>secret was hiding in plain sight. Well, that keeps on

0:19:06.600 --> 0:19:09.960
<v Speaker 1>coming up again and again, especially when it relates to

0:19:10.000 --> 0:19:14.480
<v Speaker 1>paternity or ethnic or racial background. I mean, this was

0:19:14.560 --> 0:19:18.199
<v Speaker 1>definitely true for me when I first wrote something on

0:19:18.200 --> 0:19:21.600
<v Speaker 1>Facebook about my discovery about my dad, kind of announcing

0:19:21.600 --> 0:19:24.320
<v Speaker 1>the subject of my new book, The wife of my

0:19:24.440 --> 0:19:29.560
<v Speaker 1>ninth grade English teacher posted a comment hashtag always wondered.

0:19:30.080 --> 0:19:37.160
<v Speaker 1>She said, really always wondered? Had everybody always wondered? Except

0:19:37.200 --> 0:19:41.640
<v Speaker 1>for me? In your book you talk about dancing, right,

0:19:42.280 --> 0:19:45.760
<v Speaker 1>and you're a really good dancer, and you come home

0:19:45.800 --> 0:19:48.440
<v Speaker 1>one night and you say to your father, Um, it

0:19:48.600 --> 0:19:50.639
<v Speaker 1>was like the ultimate compliment somebody said to you know,

0:19:50.800 --> 0:19:52.960
<v Speaker 1>like you you dance like a black girl, you know,

0:19:53.359 --> 0:19:56.000
<v Speaker 1>like and I mean he doesn't really register it, and

0:19:56.040 --> 0:19:58.760
<v Speaker 1>you don't really register it. Um. I think he took

0:19:58.760 --> 0:20:02.320
<v Speaker 1>it as a compliment too, you know, right, like that

0:20:02.359 --> 0:20:06.080
<v Speaker 1>he wanted that bro right. Yeah. I think for me too,

0:20:06.160 --> 0:20:09.240
<v Speaker 1>I felt very exposed, um, with this idea of this

0:20:09.400 --> 0:20:11.920
<v Speaker 1>knowledge that a lot of people knew something about me

0:20:12.320 --> 0:20:14.159
<v Speaker 1>that I didn't know myself. You know, it makes you

0:20:14.160 --> 0:20:17.040
<v Speaker 1>feel like you have a sign on your back or something. Um.

0:20:17.080 --> 0:20:20.159
<v Speaker 1>And I made me feel sort of stupid and uh.

0:20:20.240 --> 0:20:23.000
<v Speaker 1>And I even had some you know, strangers when I

0:20:23.080 --> 0:20:25.800
<v Speaker 1>was giving readings like how could you not know? Um,

0:20:26.080 --> 0:20:28.760
<v Speaker 1>didn't you look at your father and wonder? And I

0:20:28.880 --> 0:20:31.720
<v Speaker 1>talked to people whose parents have come out or UM

0:20:31.800 --> 0:20:35.040
<v Speaker 1>later in life, And I think that a partly, I

0:20:35.080 --> 0:20:38.520
<v Speaker 1>think it's the self absorption of the child, Like, yes,

0:20:38.560 --> 0:20:40.640
<v Speaker 1>we're trying to figure out our parents, but we're more

0:20:40.640 --> 0:20:43.200
<v Speaker 1>focused probably in figuring out ourselves, and we don't quite

0:20:43.840 --> 0:20:47.600
<v Speaker 1>see the connection, you know. Um, But also I just didn't.

0:20:47.920 --> 0:20:50.680
<v Speaker 1>I wasn't suspicious that my parents, you know, we're keeping

0:20:50.680 --> 0:20:52.879
<v Speaker 1>a secret. You've sort of been involved with them in

0:20:52.920 --> 0:20:56.560
<v Speaker 1>a way so intimately, like it seemed um hard to

0:20:57.560 --> 0:20:59.600
<v Speaker 1>It just wasn't one of the things that I wondered about.

0:20:59.680 --> 0:21:03.119
<v Speaker 1>You know. Well, it's there's almost a kind of implicit

0:21:03.240 --> 0:21:06.399
<v Speaker 1>pact or you know, something unspoken between parents and children,

0:21:06.400 --> 0:21:08.679
<v Speaker 1>which is the parents are not going to lie to

0:21:08.720 --> 0:21:13.920
<v Speaker 1>their children or withhold significant aspects of their identity. But

0:21:14.000 --> 0:21:17.119
<v Speaker 1>I think it's just about impossible for a child to

0:21:17.280 --> 0:21:20.200
<v Speaker 1>bring forth any kind of conscious knowledge in that situation.

0:21:23.359 --> 0:21:34.439
<v Speaker 1>We're going to pause for a moment. Secrets have other impacts,

0:21:34.800 --> 0:21:38.760
<v Speaker 1>other effects. They form the inner lives of the people

0:21:38.800 --> 0:21:43.080
<v Speaker 1>who live and breathe the atmosphere of that secret. In Bliss,

0:21:43.200 --> 0:21:47.800
<v Speaker 1>his father's case, keeping his blackness a secret by keeping

0:21:47.840 --> 0:21:52.000
<v Speaker 1>his family of origin at bay, had the unintended consequence

0:21:52.040 --> 0:21:55.760
<v Speaker 1>of making his daughter feel like she could be rejected too,

0:21:56.560 --> 0:22:00.280
<v Speaker 1>for reasons she didn't understand there was always a kind

0:22:00.320 --> 0:22:04.359
<v Speaker 1>of fragility in a way to our family, and I

0:22:04.480 --> 0:22:08.800
<v Speaker 1>was like wary of things where somebody might be cast out.

0:22:09.119 --> 0:22:11.800
<v Speaker 1>I think probably because I knew that my father had

0:22:11.840 --> 0:22:17.120
<v Speaker 1>rejected his family of origin, so that unconditional bonds that

0:22:17.560 --> 0:22:20.439
<v Speaker 1>was supposed to exist in families did not seem certain

0:22:20.560 --> 0:22:23.080
<v Speaker 1>for me. And there was a kind of, you know,

0:22:23.160 --> 0:22:28.280
<v Speaker 1>an active role on my part to keep my father engaged,

0:22:28.480 --> 0:22:32.359
<v Speaker 1>because he could go off and forgot about us like

0:22:32.480 --> 0:22:38.000
<v Speaker 1>he had forgotten about his, his parents and his sisters. Um.

0:22:38.240 --> 0:22:42.400
<v Speaker 1>So for me, even though I felt quite loved and secure,

0:22:43.160 --> 0:22:47.080
<v Speaker 1>on one hand, I also understood that we were together

0:22:47.119 --> 0:22:49.240
<v Speaker 1>because we wanted to be together, not out of kind

0:22:49.240 --> 0:22:54.320
<v Speaker 1>of obligation or duty. That family was kind construction, um

0:22:54.400 --> 0:22:56.879
<v Speaker 1>and I felt that they need to sort of continually

0:22:56.960 --> 0:23:02.200
<v Speaker 1>keep us together no way. And another consequence, when a

0:23:02.280 --> 0:23:05.679
<v Speaker 1>secret does get pushed out into the open, it leaves

0:23:05.720 --> 0:23:09.200
<v Speaker 1>the inheritors of that secret with a lot of catching

0:23:09.240 --> 0:23:17.119
<v Speaker 1>up to do. List goes to the library, actually goes

0:23:17.200 --> 0:23:19.360
<v Speaker 1>to the library, if you can imagine such a thing,

0:23:19.960 --> 0:23:24.720
<v Speaker 1>and skulks around shamefully trying to look up information about passing,

0:23:25.440 --> 0:23:28.080
<v Speaker 1>as if she were trying to, I don't know, check

0:23:28.119 --> 0:23:31.560
<v Speaker 1>out some porn. I didn't know anything about the phenomenon

0:23:31.680 --> 0:23:34.960
<v Speaker 1>of racial passing when I discovered it happening in my

0:23:35.000 --> 0:23:39.720
<v Speaker 1>own life and family. UM, So I did go to

0:23:39.800 --> 0:23:42.000
<v Speaker 1>the library. Back then there was no internet, so I

0:23:42.000 --> 0:23:45.320
<v Speaker 1>couldn't look it up online. UM. And I did feel

0:23:46.200 --> 0:23:50.320
<v Speaker 1>I did feel very kind of secretive myself and like

0:23:50.359 --> 0:23:53.360
<v Speaker 1>a little ashamed to be, partly because it seems strange

0:23:53.400 --> 0:23:55.520
<v Speaker 1>to go to a library to look up something that

0:23:55.600 --> 0:23:59.040
<v Speaker 1>was so intimately involved with your family and your own identity.

0:23:59.359 --> 0:24:02.680
<v Speaker 1>You know. I was going into these outside sources. They

0:24:02.680 --> 0:24:06.960
<v Speaker 1>had a card catalog system, and I started looking up passing,

0:24:07.160 --> 0:24:09.920
<v Speaker 1>which was what my mother had described my father was doing,

0:24:10.920 --> 0:24:14.840
<v Speaker 1>which is a term I wasn't familiar with. And uh,

0:24:14.960 --> 0:24:19.159
<v Speaker 1>then it led me down a path to sort of

0:24:19.240 --> 0:24:24.000
<v Speaker 1>trying to figure out how people's racial identity was even determined. Um,

0:24:24.280 --> 0:24:26.720
<v Speaker 1>was there like a law about it? Where did that

0:24:26.800 --> 0:24:31.480
<v Speaker 1>law reside? And I came upon the term misgenation, which

0:24:31.520 --> 0:24:34.920
<v Speaker 1>is the marriage or the union between a black person

0:24:34.960 --> 0:24:38.320
<v Speaker 1>and a white person, which was contained in the statutes

0:24:38.400 --> 0:24:42.560
<v Speaker 1>of many states, um, and their marriage laws. You know,

0:24:42.760 --> 0:24:46.639
<v Speaker 1>no black person or white person could be married together. Um,

0:24:46.720 --> 0:24:52.880
<v Speaker 1>that was misggenation. And you know, these terms seemed I'm

0:24:52.920 --> 0:24:56.520
<v Speaker 1>shameful for to me, although that's what had happened in

0:24:56.560 --> 0:24:58.840
<v Speaker 1>my own family. I mean, my father is very light skinned.

0:24:58.920 --> 0:25:02.080
<v Speaker 1>Clearly it wasn't all black count of percent. There's a

0:25:02.080 --> 0:25:05.960
<v Speaker 1>lot of racial mixines passed from sagenation, So I think

0:25:06.040 --> 0:25:08.760
<v Speaker 1>it was. I mean, that was part of why I

0:25:08.800 --> 0:25:13.320
<v Speaker 1>felt like I was conducting the search kind of in secret,

0:25:13.400 --> 0:25:15.840
<v Speaker 1>because there was a whole shameful quality to it that

0:25:16.000 --> 0:25:19.680
<v Speaker 1>he had passed. You know, there had bunessgenation, and then

0:25:19.840 --> 0:25:22.399
<v Speaker 1>there was also all these terms, these racial terms like

0:25:22.480 --> 0:25:27.199
<v Speaker 1>oct roon that somebody who's one eighth black mulatto's half

0:25:27.880 --> 0:25:30.600
<v Speaker 1>um Steets was one sixteenth. And I wondered, you know,

0:25:30.680 --> 0:25:33.880
<v Speaker 1>which is these definitions applied to my father and applied

0:25:33.880 --> 0:25:36.680
<v Speaker 1>to be And it was just odd to encounter this

0:25:36.720 --> 0:25:40.240
<v Speaker 1>whole vocabulary that had little to do with how he

0:25:40.240 --> 0:25:43.439
<v Speaker 1>had been raised in fear phil Connecticut. Um, you know

0:25:43.520 --> 0:25:46.080
<v Speaker 1>that now I was applying so directly to my own life.

0:25:48.119 --> 0:25:51.359
<v Speaker 1>There were many reasons that Anatole Broyard chose to spend

0:25:51.359 --> 0:25:54.320
<v Speaker 1>his adult life passing as a white man. Once he

0:25:54.400 --> 0:25:56.880
<v Speaker 1>moved his family to one of the whitest towns in America.

0:25:58.119 --> 0:26:02.439
<v Speaker 1>One of those reasons was literally very ambition. At the time,

0:26:02.960 --> 0:26:05.480
<v Speaker 1>even if he had written a masterpiece, he would have

0:26:05.560 --> 0:26:08.560
<v Speaker 1>been known as a black writer, and the novel a

0:26:08.640 --> 0:26:13.639
<v Speaker 1>great black novel. Ralph Ellison, who Broyard knew and admired,

0:26:14.119 --> 0:26:17.200
<v Speaker 1>had published Invisible Man, which was hailed in the pages

0:26:17.240 --> 0:26:21.160
<v Speaker 1>of The New York Times, anatole's newspaper, as the greatest

0:26:21.359 --> 0:26:28.240
<v Speaker 1>Negro novel of its time. Another reason, however, misguided, seems

0:26:28.359 --> 0:26:31.400
<v Speaker 1>to have been his love for his children. He had

0:26:31.440 --> 0:26:35.359
<v Speaker 1>suffered as a light skinned black child by not quite

0:26:35.480 --> 0:26:39.640
<v Speaker 1>belonging anywhere, so he made sure that his children belonged

0:26:40.160 --> 0:26:43.280
<v Speaker 1>at the yacht club, in their private schools on the

0:26:43.320 --> 0:26:47.640
<v Speaker 1>tennis courts of Southport. He did his damnedest to inoculate

0:26:47.720 --> 0:26:52.159
<v Speaker 1>them with the potent combination of his charisma, his literary fame,

0:26:52.720 --> 0:26:58.639
<v Speaker 1>and the myth of their whiteness. I think my read

0:26:58.760 --> 0:27:01.159
<v Speaker 1>anyway of your father was that it was coming very

0:27:01.240 --> 0:27:04.640
<v Speaker 1>much out of a desire to protect you and your

0:27:04.640 --> 0:27:10.400
<v Speaker 1>brother from what he had felt himself. Absolutely, I mean,

0:27:10.400 --> 0:27:12.520
<v Speaker 1>I think he thought, what's the best life I can

0:27:12.520 --> 0:27:17.040
<v Speaker 1>give my children? You know? It's to be white and Fairfield,

0:27:17.040 --> 0:27:21.840
<v Speaker 1>Connecticut and this kind of waspy um rural idyllic community,

0:27:22.040 --> 0:27:25.760
<v Speaker 1>you know, um. And I think he believed that in

0:27:25.800 --> 0:27:29.240
<v Speaker 1>the sense. Do you think that if your mother had

0:27:29.320 --> 0:27:33.919
<v Speaker 1>not intervened, and if he had not become you know,

0:27:33.960 --> 0:27:38.440
<v Speaker 1>sort of prematurely, very ill, mortally ill, do you think

0:27:38.440 --> 0:27:41.000
<v Speaker 1>he ever would have told you? You know, I think

0:27:41.000 --> 0:27:44.400
<v Speaker 1>he would have her It would have probably come out, certainly.

0:27:44.680 --> 0:27:46.679
<v Speaker 1>I think it's harder now to keep a family secret

0:27:46.680 --> 0:27:49.840
<v Speaker 1>than it used to be because of the interconnectness of

0:27:50.080 --> 0:27:55.399
<v Speaker 1>people through social media and ancestry dot com, and so

0:27:55.480 --> 0:28:01.080
<v Speaker 1>I think it would have come out probably. I think

0:28:01.080 --> 0:28:04.040
<v Speaker 1>that with secrets, what often happens is that originally somebody

0:28:04.119 --> 0:28:07.320
<v Speaker 1>keeps a secret to protect people in their lives, as

0:28:07.320 --> 0:28:12.240
<v Speaker 1>you said, and maybe the the original impulses love protection.

0:28:13.200 --> 0:28:16.639
<v Speaker 1>But then there's the embarrassment of having kept a secret

0:28:16.720 --> 0:28:20.200
<v Speaker 1>for so long, and it kind of infuses that secret

0:28:20.359 --> 0:28:22.800
<v Speaker 1>and you know, elevates it was so much meaning and

0:28:22.880 --> 0:28:27.200
<v Speaker 1>significance that maybe more significance you know, the person originally

0:28:28.000 --> 0:28:30.399
<v Speaker 1>gave it. UM. So I think that there would it

0:28:30.400 --> 0:28:32.320
<v Speaker 1>would have been hard for him to kind of overcome

0:28:33.080 --> 0:28:36.119
<v Speaker 1>how large it had grown just through the fact of

0:28:36.160 --> 0:28:38.560
<v Speaker 1>it being kept a secret for so long to talk

0:28:38.600 --> 0:28:41.640
<v Speaker 1>about it. But I suspect you would have found way.

0:28:42.520 --> 0:28:46.400
<v Speaker 1>Um And certainly I don't know with Obama being elected

0:28:46.520 --> 0:28:50.640
<v Speaker 1>and race relations changing in my own interest. I mean,

0:28:50.640 --> 0:28:53.360
<v Speaker 1>although you know, I sort of thank god in a

0:28:53.360 --> 0:28:56.040
<v Speaker 1>way that I didn't find out, because I would think

0:28:56.080 --> 0:28:58.560
<v Speaker 1>that I'd be on the same path anyway. But certainly

0:28:58.560 --> 0:29:01.040
<v Speaker 1>it's changed my own traject story of who how I

0:29:01.080 --> 0:29:04.440
<v Speaker 1>think of myself. And I had not learned really about

0:29:05.160 --> 0:29:07.960
<v Speaker 1>American history and African American history and any kind of

0:29:08.280 --> 0:29:11.080
<v Speaker 1>objective or balanced way in my prep school in Connecticut

0:29:11.120 --> 0:29:13.800
<v Speaker 1>growing up, and so I had to actively really search

0:29:13.920 --> 0:29:18.360
<v Speaker 1>out another narrative of history that feels more accurate to

0:29:18.400 --> 0:29:20.160
<v Speaker 1>me and fair. And I know, I think I would

0:29:20.200 --> 0:29:22.560
<v Speaker 1>have gotten there on my own, but probably not as quickly.

0:29:23.520 --> 0:29:26.120
<v Speaker 1>So that in a way that answers my last question

0:29:26.120 --> 0:29:31.440
<v Speaker 1>to you, which is are you glad you know? Yeah? Definitely, um,

0:29:31.440 --> 0:29:34.320
<v Speaker 1>it answered it answered a lot of questions I think

0:29:34.360 --> 0:29:36.360
<v Speaker 1>a lot of times. And there's a secret in the family.

0:29:36.840 --> 0:29:41.200
<v Speaker 1>There's just a great relief in knowing that you're not crazy,

0:29:41.320 --> 0:29:45.520
<v Speaker 1>that you're not imagining things when you feel that this

0:29:45.680 --> 0:29:47.840
<v Speaker 1>sort of sense that something is being withheld from you.

0:29:48.000 --> 0:29:51.479
<v Speaker 1>I think just that knowledge was a relief for me,

0:29:52.240 --> 0:29:55.280
<v Speaker 1>and I think that the path that I was on

0:29:55.600 --> 0:29:59.840
<v Speaker 1>didn't feel authentic for me, and this knowledge has put

0:29:59.840 --> 0:30:02.360
<v Speaker 1>me on a different path that feels like, really that

0:30:02.560 --> 0:30:06.959
<v Speaker 1>the right groove for my life. I'm interested in social

0:30:07.000 --> 0:30:09.560
<v Speaker 1>justice to do a lot of work on integration and

0:30:09.760 --> 0:30:12.239
<v Speaker 1>racial and economic justice, and that that feels like the

0:30:12.240 --> 0:30:13.760
<v Speaker 1>path that I was I was supposed to be on,

0:30:14.000 --> 0:30:16.320
<v Speaker 1>the one that's more true to my kind of my

0:30:16.640 --> 0:30:29.480
<v Speaker 1>father's story away. I'd like to thank my guest, Bliss

0:30:29.520 --> 0:30:33.000
<v Speaker 1>Broyard for sharing her story with us. Her book is

0:30:33.280 --> 0:30:37.200
<v Speaker 1>One Drop, a true story of family, race and secrets.

0:30:37.880 --> 0:30:41.280
<v Speaker 1>Family Secrets is an I Heart Media production. Dylan Fagan

0:30:41.360 --> 0:30:44.719
<v Speaker 1>is a supervising producer, Andrew Howard and Tristan McNeil are

0:30:44.720 --> 0:30:48.360
<v Speaker 1>the audio engineers, and Julie Douglas is the executive producer.

0:30:49.360 --> 0:30:51.240
<v Speaker 1>If you have a family secret you'd like to share,

0:30:51.520 --> 0:30:53.800
<v Speaker 1>you can get in touch with us at listener mail

0:30:53.840 --> 0:30:57.200
<v Speaker 1>at Family Secrets podcast dot com, and you can also

0:30:57.240 --> 0:31:01.000
<v Speaker 1>find us on Instagram at Danny Writer, and Facebook at

0:31:01.040 --> 0:31:05.280
<v Speaker 1>Family Secrets Pod and Twitter at fam Secrets Pod. That's

0:31:05.320 --> 0:31:09.360
<v Speaker 1>FAM Secrets Pot. For more about my book, Inheritance, visit

0:31:09.440 --> 0:31:20.640
<v Speaker 1>Danny Shapiro dot com