WEBVTT - Take Back the Night

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hi you guys,

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<v Speaker 1>we are back. It is nine two one oh MG

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<v Speaker 1>with us three fabulous ladies. Happy New Year. Hi, Happy

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<v Speaker 1>New Year. Uh my co host and bestie. You sound

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<v Speaker 1>a little sexy. Why does always sound a little sexy? Oh?

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<v Speaker 1>I got the vid? Oh who I hear everyone's doing it?

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<v Speaker 1>Do you? No? I got it? I got it. I

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<v Speaker 1>learned to be like you and I got it. Okay,

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<v Speaker 1>so I'm gonna admit something that you're gonna be like.

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<v Speaker 1>Oh to t am I. So when girlfriends are closed,

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<v Speaker 1>their cycles sync up, and that's always happened to us,

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<v Speaker 1>and now our VIDs have like SYNCD up. So twice

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<v Speaker 1>we almost made it twice in one year. So I

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<v Speaker 1>had it twice in one year. You had it almost

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<v Speaker 1>twice in one year because you got it right January

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<v Speaker 1>January last year, and then I got again January this year.

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<v Speaker 1>But last year we got it back to back, and

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<v Speaker 1>this year we got it back to back, just once again,

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<v Speaker 1>proving to you guys that even though things change in life,

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<v Speaker 1>like we have you know, pandemic, epidemic, tridemic, what do

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<v Speaker 1>we have right now? Bestie still sync up, Kelly and

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<v Speaker 1>Dona lucky us. Okay, So here's the thing, though, I've

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<v Speaker 1>been in bed since Monday, like you know, in my

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<v Speaker 1>banished to my bedroom where because my other nobody else

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<v Speaker 1>in my family got it? Thank God. The craziest thing

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<v Speaker 1>is I had an eightieth birthday party for my mom

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<v Speaker 1>on Sunday, January one, and on the on that night,

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<v Speaker 1>I started to not feel well. And then the next

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<v Speaker 1>morning I tested positive. She didn't. I was so we

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<v Speaker 1>didn't get it to me, but I didn't give it

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<v Speaker 1>to me me like in all the wood and yeah,

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<v Speaker 1>I don't think anybody else got it, which is insane.

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<v Speaker 1>But I've been you know, I tested. I want to

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<v Speaker 1>leave my room, and I want to see my daughter,

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<v Speaker 1>who's home, my Lola. She's home from from college and

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<v Speaker 1>I wanted to spend time with her and I haven't

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<v Speaker 1>been able to. So here's my lady. I'm so nervous.

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<v Speaker 1>I'm so nervous. Oh my god. Okay, ready, I'm gonna

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<v Speaker 1>show you. I'm so nervous. Was it saying, oh, Mama,

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<v Speaker 1>you're so positive, but they say you can test positive

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<v Speaker 1>for up to are you sure? Geez? I thought you're

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<v Speaker 1>coming with that one. I don't know. What I was

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<v Speaker 1>thinking about. Is what I was thinking is you can

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<v Speaker 1>go from positive to negative, like you might be negative

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<v Speaker 1>tomorrow or even tonight. Just do it again. I keep saying,

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<v Speaker 1>how many? So Monday, Tuesday, Wednesday, Thursday, it's Friday. So

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<v Speaker 1>we're taping this on Friday, guys, so that's five days.

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<v Speaker 1>I think you might have a couple one day. Oh

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<v Speaker 1>my god, I can't take it. I can't, I can't.

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<v Speaker 1>I'm lose my mind. I'm busting out today. Okay, but

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<v Speaker 1>we're going to look at the silver lining here. And

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<v Speaker 1>I was really proud of you because you posted this

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<v Speaker 1>on on Instagram some days ago and that you have

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<v Speaker 1>decided in three to slow down because she does she

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<v Speaker 1>does everything for everyone moves at lightning pace. Um, and

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<v Speaker 1>this you were saying, maybe this was a sign that

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<v Speaker 1>it was gonna Your body was telling you to slow

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<v Speaker 1>itself down. I guess so, yeah, that was my my

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<v Speaker 1>word for the year, slow down my two words. I

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<v Speaker 1>guess so because we've both been sick, I gotta say you, guys,

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<v Speaker 1>my my New Year's wish came true. You got highlights.

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<v Speaker 1>It looks so pretty. Oh my god, I got my

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<v Speaker 1>I know you don't feel great right now, but you

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<v Speaker 1>look really pretty and you're giving me total telly from

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<v Speaker 1>this episode. I agree with no bangs and like hair back,

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<v Speaker 1>that's crazy. Yes, no, you told me that. Um basically

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<v Speaker 1>I looked ugly with brown hair and tst things like that.

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<v Speaker 1>Did I say that? No? What did you say? I

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<v Speaker 1>don't even remember, but you were like you are a

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<v Speaker 1>blonde or something like that. Face it, but I was still.

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<v Speaker 1>It's one thing we've all been through a lot of therapy.

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<v Speaker 1>We know how to phrase things to people without trying

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<v Speaker 1>to make them feel bad. I did not say you

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<v Speaker 1>looked ugly. That's what your brain brain hurt. That Yeah,

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<v Speaker 1>one of the most beautiful people. I got it. I

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<v Speaker 1>got it lightened just for you. I said, you're a

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<v Speaker 1>blonded heart. I guess I am, but I don't care

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<v Speaker 1>like I just I don't really care. So when my

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<v Speaker 1>hair like it grows out, I start to become like

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<v Speaker 1>a brunette and I like it, and but other people

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<v Speaker 1>around me, I guess, don't love it as much. So

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<v Speaker 1>it's not that I don't like it. I thought you

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<v Speaker 1>look good. I just love you. Okay, Well, this is

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<v Speaker 1>a hair issue. We've been dealing with for thirty years.

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<v Speaker 1>She always gets mad and I'm like, I like your

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<v Speaker 1>hair longer, and then she has her hair short and

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<v Speaker 1>then she's like, Okay, it was better longer and not

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<v Speaker 1>to It's like the one thing I can ever get right,

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<v Speaker 1>not to be kiss as. See how they always say

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<v Speaker 1>I'm kiss as you kiss as Yeah, Oh you're so,

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<v Speaker 1>isn't it wouldn't be actually as kissy whatever. But Tori,

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<v Speaker 1>you posted a family photo with a crop top and

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<v Speaker 1>you looked super huh, okay, thank you, thank you. That

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<v Speaker 1>was my one night out, But really it was in

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<v Speaker 1>because we just transport our sick family to a hotel.

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<v Speaker 1>We weren't sick or contagious by the time we went

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<v Speaker 1>to a hotel. But um we went to Park AVR

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<v Speaker 1>and it was so good that we stayed in we

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<v Speaker 1>didn't go outside. So but I did want to judge

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<v Speaker 1>myself up because I feel like I've been in literally

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<v Speaker 1>this sweat outfit. So I'm back to the sweat outfit

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<v Speaker 1>and I'm going to wear it all of two twenty three.

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<v Speaker 1>So John, if you get sick of it, this is

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<v Speaker 1>what I'm wearing unless I go out for that and

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<v Speaker 1>it has green pants matching Oh great, matching pants like

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<v Speaker 1>Beverly Hills vibe. I am, but I'm like the opposite

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<v Speaker 1>the Grinch. No, I'm our favorite color. Yes, okay, but

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<v Speaker 1>I don't want to change the subject. Well, you know,

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<v Speaker 1>I always admitt it like I did put like a

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<v Speaker 1>filter on my face because I succumbed to all the

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<v Speaker 1>pressures on Instagram. I did not photoshop anything or even

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<v Speaker 1>smooth on my stomach. Look great, it's all real. Nice. Okay,

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<v Speaker 1>you guys tell me about this episode because I liked it.

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<v Speaker 1>It's a favorite. Yeah is it? Oh no, you didn't

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<v Speaker 1>like it. I liked it. It was it was you know,

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<v Speaker 1>I liked it. I don't know, maybe theory. I had

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<v Speaker 1>a theory and why I liked it. I would love

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<v Speaker 1>your input because everything was really about the one storyline.

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<v Speaker 1>Everybody's mini stories were still back on the main storyline,

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<v Speaker 1>and I think for me, I was like, I love that.

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<v Speaker 1>It didn't feel like why is that happening? It was

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<v Speaker 1>like even though everyone had their own angles and different things,

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<v Speaker 1>it seemed really like centered. I feel you. I feel

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<v Speaker 1>you that I feel the same way. I love it.

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<v Speaker 1>When the episode everything's tied together and you're not all

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<v Speaker 1>scattered everywhere with everybody else's storylines because it sort of

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<v Speaker 1>diminishes it. I agree, And maybe that's why often I

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<v Speaker 1>tell you guys that go, oh, I'm bored because no

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<v Speaker 1>offense to anyone. Maybe if it's a storyline I'm not

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<v Speaker 1>as invested in. I kind of like zone out. Wait

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<v Speaker 1>wait wait. But because everybody's storyline was about this one

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<v Speaker 1>thing and came together, I loved every second of it.

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<v Speaker 1>I'm so glad. I'm very happy. So well, I liked it.

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<v Speaker 1>I did not like it. There wasn't I used. I'm

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<v Speaker 1>not doing backflips over anything right now, so but I

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<v Speaker 1>really they didn't like it, and I thought everybody did

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<v Speaker 1>such a great job. We are talking about season four,

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<v Speaker 1>episode eleven, take Back the Night, aired November sevent Synopsis.

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<v Speaker 1>Take Back the Night Week raises some tough questions amongst

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<v Speaker 1>the group. Laura's about to make a huge accusation against

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<v Speaker 1>Steve Sanders, John Sears Fine Way Shows has true colors,

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<v Speaker 1>and may he likes Pie, so Less gets her heartbroken

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<v Speaker 1>and Brandon gets blackmailed. Directed by James Whitmore Jr. Written

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<v Speaker 1>by Chip Johansson. Can I be controversial? Right from the start. Okay,

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<v Speaker 1>So I've been waiting to say the water cooler moment. Okay.

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<v Speaker 1>So Tracy Mittendorff plays Laura, and she was like around

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<v Speaker 1>like I think she was maybe on Days of our

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<v Speaker 1>Lives at some point. I don't know she was on

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<v Speaker 1>like she was the second Carrie Brady on Days for

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<v Speaker 1>Our Lives. Yeah, she was always in different things, right,

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<v Speaker 1>But I think this was the first I've ever saw her.

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<v Speaker 1>I feel bad for saying this, but for her entire career,

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<v Speaker 1>every time I always saw her, I found her annoying.

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<v Speaker 1>And I literally think it's because of this Laura, God

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<v Speaker 1>bless her is annoying. So I am wondering if for

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<v Speaker 1>that girl's entire career, every time she would pop up,

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<v Speaker 1>I'd be like, like, I never liked her as the

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<v Speaker 1>other carry not because I don't like Tracy Minendoor if

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<v Speaker 1>she's not a good actress, but I think it was

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<v Speaker 1>because always Laura. I was like, w t F Laura,

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<v Speaker 1>Like I get it, it's messy, but like, WHOA, yeah,

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<v Speaker 1>is not going to come on this show. I mean

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<v Speaker 1>we sealed that deal. It's okay. I want to ask

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<v Speaker 1>her about Days realized. Sorry, go ahead when I got

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<v Speaker 1>when I saw that Kelly was getting all twisted up

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<v Speaker 1>it with Laura. I was like, no, don't get involved,

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<v Speaker 1>She's going to bring you into a crazy world. But

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<v Speaker 1>I did like you guys together. I liked the scene.

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<v Speaker 1>It's so weird. Um when I saw them together, I

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<v Speaker 1>remember that character as the cuckoo date rape girl. No, no,

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<v Speaker 1>there's no way down the road. I could see how

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<v Speaker 1>you would think that though, because she does like look

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<v Speaker 1>like she could want to be I want to be Kelly.

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<v Speaker 1>I could see that. Yeah. There were times when I

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<v Speaker 1>was like, hey, is that No, that's not Kelly, that's whatever.

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<v Speaker 1>Her name was Laura. In fact, off show, we had

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<v Speaker 1>this conversation like how do we know her? And we

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<v Speaker 1>know her and we were like, did she play like

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<v Speaker 1>your sister and something like she could be? Yeah, Kelly

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<v Speaker 1>she worked a lot like back then and up until

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<v Speaker 1>you know, whenever she's she's a great actress. But her

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<v Speaker 1>character was and I feel bad not liking her because

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<v Speaker 1>she did her job. Well, yeah, do you feel sympathy

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<v Speaker 1>for her because she obviously was crushing so hard on Steve.

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<v Speaker 1>I also liked how they did the two versions her flash.

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<v Speaker 1>I mean, it's the whole like that. Yeah, because I

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<v Speaker 1>wasn't there. I hated it. What didn't you like movies? Like?

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<v Speaker 1>I was like, oh, like kep showing her bra and

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<v Speaker 1>her boobies. I was like, whoa, whoa, whoa, that's a

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<v Speaker 1>lot for And it was all black and white, which

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<v Speaker 1>I liked, but it made it seem just so much

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<v Speaker 1>more boobyish. I don't know everything they talk about for

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<v Speaker 1>that time period, the bra and was too much for you?

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<v Speaker 1>It was. And then just like when in her version

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<v Speaker 1>when she it's like a you know, not a happy situation.

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<v Speaker 1>When when I don't like seeing I didn't like seeing

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<v Speaker 1>Steve act as if he was doing it and being

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<v Speaker 1>aggressive with her, and like him when he threw her

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<v Speaker 1>down on the bed, he's like that sound. I didn't

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<v Speaker 1>like it. I don't like it because he doesn't get

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<v Speaker 1>a full hale pass. He still jerk. Yeah. I wanted

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<v Speaker 1>to feel bad for but I couldn't because he's a cheerer.

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<v Speaker 1>Yeah yeah, why okay? I God have so many questions.

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<v Speaker 1>First of all, when you watched it and you saw

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<v Speaker 1>both versions, did you immediately know, of course Steve's version

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<v Speaker 1>is the real version the truth or do you think

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<v Speaker 1>the truth was somewhere a little bit more in the middle.

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<v Speaker 1>The middle. Do you think in the middle you think

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<v Speaker 1>a little more skewed. I think it's definitely he was

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<v Speaker 1>telling the right version. But I think when you know, machismo,

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<v Speaker 1>like like I know, I don't know, I think a

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<v Speaker 1>man's version is probably a little skewed, more like ego.

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<v Speaker 1>There's an ego based. But I didn't feel like there

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<v Speaker 1>was a middle situation at all, because we we know

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<v Speaker 1>Steve really well, such a kind hearted person, and he's

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<v Speaker 1>so tender and you know, he valued use that like that,

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<v Speaker 1>that the act of like loving, you know, like he's

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<v Speaker 1>so that way, and I just she just her character.

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<v Speaker 1>We don't know her, we don't trust her, we don't

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<v Speaker 1>feel for her. And she comes in and she just

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<v Speaker 1>wants a kid guy and she's just so you know,

0:13:17.720 --> 0:13:20.439
<v Speaker 1>that's her mom. And I just felt like I didn't

0:13:20.480 --> 0:13:23.960
<v Speaker 1>see him having a partner at all other than just

0:13:24.120 --> 0:13:27.439
<v Speaker 1>you know, thinking with his you know what, yeah and

0:13:27.559 --> 0:13:33.480
<v Speaker 1>getting called Actually, I actually think they really pushed it

0:13:33.640 --> 0:13:36.640
<v Speaker 1>to have him sleep with her, because I don't think

0:13:37.480 --> 0:13:42.120
<v Speaker 1>the Steve, that the real Steve would have I get

0:13:42.160 --> 0:13:47.640
<v Speaker 1>it's a show and whatever. I'm sure I agree with you. Yeah,

0:13:47.840 --> 0:13:50.440
<v Speaker 1>I don't think he would have was not into her.

0:13:50.679 --> 0:13:53.160
<v Speaker 1>He loves the last He didn't want any part of this,

0:13:53.720 --> 0:13:56.000
<v Speaker 1>Like when it comes right down to it, like he

0:13:56.360 --> 0:13:59.040
<v Speaker 1>was flirty with the New York girl and he's always

0:13:59.400 --> 0:14:03.120
<v Speaker 1>google boggling over Kelly. But they had a pass. Yeah,

0:14:03.160 --> 0:14:05.120
<v Speaker 1>but there was there's that part of Steve that he

0:14:05.120 --> 0:14:08.520
<v Speaker 1>would he wouldn't take it all the way. I don't think. Yeah,

0:14:08.520 --> 0:14:11.480
<v Speaker 1>I just don't believe that. Sorry, sorry you guys. It's

0:14:11.559 --> 0:14:15.480
<v Speaker 1>just a young guy, first year of college. I just

0:14:15.559 --> 0:14:19.480
<v Speaker 1>think I don't know things happen. I don't think you're

0:14:19.520 --> 0:14:23.720
<v Speaker 1>always a bad guy. But I think men, especially young guys,

0:14:25.200 --> 0:14:31.080
<v Speaker 1>like they think with their other head and it oh man,

0:14:31.880 --> 0:14:34.240
<v Speaker 1>I don't want to hear that. They think with their pep.

0:14:34.520 --> 0:14:37.800
<v Speaker 1>What do you want to hear? I think it's an

0:14:37.800 --> 0:14:42.840
<v Speaker 1>interesting question because he was not into her. He really

0:14:42.840 --> 0:14:45.320
<v Speaker 1>didn't want to go on the date. He was doing

0:14:45.360 --> 0:14:48.040
<v Speaker 1>it as a brother. I feel like he would have

0:14:48.080 --> 0:14:51.640
<v Speaker 1>just been like, great nights, you never like. I don't know.

0:14:52.120 --> 0:14:54.080
<v Speaker 1>I don't buy it. It didn't track with me that

0:14:54.120 --> 0:14:58.680
<v Speaker 1>he actually would have slept with her. Maybe if it

0:14:58.760 --> 0:15:01.960
<v Speaker 1>was but he did. Maybe if it was Kelly, but

0:15:01.960 --> 0:15:07.800
<v Speaker 1>but he did so so bad though, when when it

0:15:07.880 --> 0:15:10.720
<v Speaker 1>was breakup time for celest like, she was so sweet

0:15:10.760 --> 0:15:12.600
<v Speaker 1>and cute in that scene in the in the peach

0:15:12.600 --> 0:15:16.000
<v Speaker 1>pit when they're breaking up and my heart just broke

0:15:16.080 --> 0:15:19.920
<v Speaker 1>for her. Wait, is that it for them? Amy? You know?

0:15:20.360 --> 0:15:23.880
<v Speaker 1>She back? That's it? No, I think she comes back

0:15:24.120 --> 0:15:26.520
<v Speaker 1>because I don't want to sell her on her show yet.

0:15:26.560 --> 0:15:30.000
<v Speaker 1>And I love her, we love her. There's more. I

0:15:30.080 --> 0:15:34.320
<v Speaker 1>actually didn't love her performance. I think I wrote down

0:15:34.920 --> 0:15:41.000
<v Speaker 1>Jennifer was doing bad acting. Wait, wait, hell do I know? Okay, well,

0:15:41.000 --> 0:15:47.840
<v Speaker 1>I guess she won't come on our show either, But

0:15:47.920 --> 0:15:52.240
<v Speaker 1>I did. I felt her feelings. I felt her sadness

0:15:52.280 --> 0:15:54.560
<v Speaker 1>in that moment, and I felt she did a great job.

0:15:56.160 --> 0:16:00.880
<v Speaker 1>But what do I know? A lot that said, but

0:16:01.000 --> 0:16:04.600
<v Speaker 1>she does have gray hair always, so you know what, Yeah,

0:16:04.640 --> 0:16:06.920
<v Speaker 1>she's and she's great. In the rest of the episode,

0:16:06.920 --> 0:16:08.720
<v Speaker 1>I just thought maybe it was a little hard. That

0:16:08.800 --> 0:16:15.240
<v Speaker 1>was a hard scene. But the whole episode is really good. Like,

0:16:15.280 --> 0:16:17.880
<v Speaker 1>what did you think? It felt very contemporary. I don't

0:16:17.880 --> 0:16:19.600
<v Speaker 1>know if that's like quite the right word, because when

0:16:19.640 --> 0:16:23.280
<v Speaker 1>you say contemporary, it's like, no, it really did. Even

0:16:23.280 --> 0:16:31.920
<v Speaker 1>the dialogue except Brandon calling Brenda chick like, but there's

0:16:31.920 --> 0:16:36.120
<v Speaker 1>a couple of piggy moments. Yeah, but yeah, you know,

0:16:37.320 --> 0:16:41.360
<v Speaker 1>yeah it did, it did. Okay, so let's go back

0:16:41.400 --> 0:16:45.200
<v Speaker 1>to the beginning. So we we immediately know that this

0:16:45.320 --> 0:16:46.960
<v Speaker 1>is going to be sort of the take Back the

0:16:47.080 --> 0:16:50.880
<v Speaker 1>Night episode stop Violence against Women, and we get into

0:16:50.920 --> 0:16:53.680
<v Speaker 1>that really quickly. It's take Back the Night week, and

0:16:53.680 --> 0:16:58.320
<v Speaker 1>we see Lucinda lecturing, so it's like, Lucinda is not

0:16:58.400 --> 0:17:01.520
<v Speaker 1>going anywhere, so she's around, yeah, and we know that

0:17:01.600 --> 0:17:04.320
<v Speaker 1>Brandon's got to go there for dinner. So then the

0:17:04.400 --> 0:17:05.920
<v Speaker 1>other thing I thought, Okay, so we go to the

0:17:06.000 --> 0:17:10.200
<v Speaker 1>Keghouse and they're really I'm not sure brothers in a

0:17:10.280 --> 0:17:13.239
<v Speaker 1>fraternity would be doing what they're doing to Steve, Like

0:17:13.720 --> 0:17:16.720
<v Speaker 1>Laura's calling, here's the fun, you know, like I feel

0:17:16.720 --> 0:17:20.080
<v Speaker 1>like we can only defer to you on this because

0:17:20.119 --> 0:17:23.640
<v Speaker 1>we don't know. I don't in college. I think if

0:17:24.000 --> 0:17:26.439
<v Speaker 1>a bunch of dudes are in the fraternity together and

0:17:26.440 --> 0:17:28.080
<v Speaker 1>one guy's like, you know, this girl likes me, I'm

0:17:28.080 --> 0:17:31.119
<v Speaker 1>not indoor, I don't think they're going to go the opposite.

0:17:31.119 --> 0:17:33.280
<v Speaker 1>They would have sort of been like, we get it, bro,

0:17:33.720 --> 0:17:36.840
<v Speaker 1>you know really, yeah, here's me piping in and I

0:17:36.880 --> 0:17:40.040
<v Speaker 1>never went to college. I feel like men would be like,

0:17:40.119 --> 0:17:42.040
<v Speaker 1>what do you what's wrong with you? She's hot, just

0:17:42.080 --> 0:17:45.040
<v Speaker 1>go with her. I don't know, I mean I feel

0:17:45.040 --> 0:17:49.320
<v Speaker 1>like that voice first of all voice pretty good. Fraternity

0:17:49.359 --> 0:17:52.240
<v Speaker 1>boys are pretty respectful of like the dude with the

0:17:52.280 --> 0:17:56.200
<v Speaker 1>girlfriend that has never matched up for me. I mean

0:17:56.200 --> 0:17:59.840
<v Speaker 1>all the yeah, I mean yeah, and they're also soup

0:18:00.000 --> 0:18:03.639
<v Speaker 1>were protective of each other. They just would not be

0:18:03.720 --> 0:18:08.000
<v Speaker 1>like throwing throwing under the bus. And like young men

0:18:08.119 --> 0:18:11.520
<v Speaker 1>in general, like stand up for the girlfriend. They're always like,

0:18:11.600 --> 0:18:13.800
<v Speaker 1>you're young, like live your life, go with the Really,

0:18:14.400 --> 0:18:17.000
<v Speaker 1>it's not my experience. Yeah, like all the dude the

0:18:17.080 --> 0:18:22.719
<v Speaker 1>dude had a girlfriend, and especially if the girlfriend was

0:18:22.800 --> 0:18:26.560
<v Speaker 1>at the same school. Maybe if the girlfriend was like

0:18:26.600 --> 0:18:28.359
<v Speaker 1>long distance, they might be like, come on, bro, have

0:18:28.440 --> 0:18:30.360
<v Speaker 1>fun with us, you know whatever. But if the girlfriends

0:18:30.359 --> 0:18:32.720
<v Speaker 1>at the same school, it was not my experience. But like,

0:18:34.520 --> 0:18:36.600
<v Speaker 1>I guess not the guys we were around at that time,

0:18:36.680 --> 0:18:41.280
<v Speaker 1>and alternative boys get a bad rap on. No, I'm

0:18:41.280 --> 0:18:44.199
<v Speaker 1>just talking about men in general when they're young and horny, right.

0:18:45.240 --> 0:18:47.960
<v Speaker 1>I think the one thing about this episode that was

0:18:48.000 --> 0:18:53.000
<v Speaker 1>a little bit maybe uh dated was how it was,

0:18:53.119 --> 0:18:57.800
<v Speaker 1>so this happens to women and only women, and this

0:18:57.840 --> 0:19:00.480
<v Speaker 1>is what men do where it is not white like that,

0:19:00.520 --> 0:19:04.760
<v Speaker 1>and I actually Andrea, Yeah, Andrea was sort of taking

0:19:05.000 --> 0:19:08.040
<v Speaker 1>the other perspective a little bit. I felt like, wait,

0:19:08.080 --> 0:19:11.320
<v Speaker 1>whoa and that I don't know. I didn't know what

0:19:11.359 --> 0:19:13.240
<v Speaker 1>was she was. I didn't know what she was doing

0:19:13.240 --> 0:19:15.720
<v Speaker 1>in that moment when she piped up, I felt like

0:19:15.760 --> 0:19:20.400
<v Speaker 1>she was really being strong. It was she defending guys

0:19:21.119 --> 0:19:24.200
<v Speaker 1>in that situation or was she just saying, look, there's

0:19:24.240 --> 0:19:26.960
<v Speaker 1>two sides to the coin. I think she wants women

0:19:27.000 --> 0:19:30.480
<v Speaker 1>to take responsibility to if there was a case where

0:19:30.920 --> 0:19:34.120
<v Speaker 1>like a Laura, I think she was sort of almost

0:19:34.160 --> 0:19:38.280
<v Speaker 1>foreshadowing that in that, Look, if you want to pursue

0:19:38.320 --> 0:19:42.600
<v Speaker 1>a man and you you can. This doesn't just have

0:19:42.640 --> 0:19:44.399
<v Speaker 1>to be about like the man has to be the pursuer,

0:19:44.480 --> 0:19:47.239
<v Speaker 1>but you also have to take ownership of that and

0:19:47.320 --> 0:19:51.320
<v Speaker 1>you you can't later than say do you know what

0:19:51.359 --> 0:19:54.680
<v Speaker 1>I mean? Like Laura was the initiatively had I mean

0:19:54.800 --> 0:19:57.640
<v Speaker 1>one of my favorite scene in it. Actually sorry I'm

0:19:57.640 --> 0:20:02.879
<v Speaker 1>skiving Hedgen, but but I didn't say, you know, I

0:20:02.920 --> 0:20:05.200
<v Speaker 1>didn't say no, but I didn't know I didn't say yes,

0:20:05.240 --> 0:20:09.880
<v Speaker 1>but I didn't say no, which is Andrew's point probably,

0:20:10.440 --> 0:20:15.160
<v Speaker 1>and there unless the comply crux, because that's the thing.

0:20:15.560 --> 0:20:20.080
<v Speaker 1>It's a fine line and it's hard to decide which

0:20:20.400 --> 0:20:23.359
<v Speaker 1>you know which can't you want to be with the

0:20:23.640 --> 0:20:30.640
<v Speaker 1>you know? Yeah? I think maybe the three version is

0:20:31.840 --> 0:20:36.080
<v Speaker 1>you also are allowed to say yes without feeling bad

0:20:36.160 --> 0:20:39.520
<v Speaker 1>about yourself. I think that's something that is now, do

0:20:39.560 --> 0:20:41.640
<v Speaker 1>you know what I'm saying? Like, I think the real

0:20:41.760 --> 0:20:44.280
<v Speaker 1>version with Laura is that she really wanted to sleep

0:20:44.320 --> 0:20:47.080
<v Speaker 1>with Steve, probably for the wrong reasons because she thought

0:20:47.080 --> 0:20:49.879
<v Speaker 1>it was going to get her the boyfriend. But she

0:20:50.080 --> 0:20:52.560
<v Speaker 1>I believe she was the aggressor she's been calling him.

0:20:52.600 --> 0:20:57.560
<v Speaker 1>She's really pursuing him, and she doesn't have to necessarily

0:20:57.600 --> 0:21:00.480
<v Speaker 1>feel shame about that, But she can't then flipped the

0:21:00.520 --> 0:21:04.560
<v Speaker 1>script on him, right, Did she feel shame or was

0:21:04.600 --> 0:21:08.879
<v Speaker 1>she pissed and so she did that Maybe she was

0:21:08.920 --> 0:21:14.040
<v Speaker 1>dissembarrassed that Yeah, maybe she's embarrassed that he didn't reciprocate

0:21:14.200 --> 0:21:18.560
<v Speaker 1>her feelings about it, or when she's embarrassed her like

0:21:18.560 --> 0:21:20.880
<v Speaker 1>I'm going to take him down because I wanted him.

0:21:20.920 --> 0:21:24.000
<v Speaker 1>He didn't reciprocate these feelings, so at him, I'm going

0:21:24.119 --> 0:21:26.200
<v Speaker 1>I'm going to go for it. And he had a girlfriend,

0:21:26.240 --> 0:21:28.720
<v Speaker 1>which is kind of a d move. So let me

0:21:28.720 --> 0:21:32.919
<v Speaker 1>ask you guys, this doesn't Laura also say she didn't

0:21:33.000 --> 0:21:37.160
<v Speaker 1>say yes, but she didn't say no? Does she repeat

0:21:37.200 --> 0:21:40.800
<v Speaker 1>that line? I think for me that didn't track because

0:21:41.119 --> 0:21:47.800
<v Speaker 1>she did she said yes, yeah, and now she's saying

0:21:47.840 --> 0:21:50.040
<v Speaker 1>she said no. But who knows because none of us

0:21:50.040 --> 0:21:53.359
<v Speaker 1>were in the room. We only have the two flashbacks

0:21:53.400 --> 0:21:57.040
<v Speaker 1>to go to go off of. Right, the takeaway for

0:21:57.160 --> 0:22:01.720
<v Speaker 1>me was that Steve's version was the more accurate version

0:22:02.400 --> 0:22:06.440
<v Speaker 1>where she was the pursuer. She was the one who

0:22:06.520 --> 0:22:11.800
<v Speaker 1>was really signifying yes, agreed yeah. Her quote was I

0:22:11.840 --> 0:22:14.520
<v Speaker 1>didn't say yes, but I never said no. But I

0:22:14.560 --> 0:22:17.639
<v Speaker 1>think she did say yes. But that's debatable and everyone

0:22:17.720 --> 0:22:20.680
<v Speaker 1>could have their own perspective because she really would. She

0:22:20.680 --> 0:22:24.920
<v Speaker 1>didn't say as but she but she said yes right

0:22:25.560 --> 0:22:29.680
<v Speaker 1>as as moms. Have you guys ever seen that booby?

0:22:30.640 --> 0:22:42.600
<v Speaker 1>She said yes? Yes. Hey. I'm Lance Bass, host of

0:22:42.600 --> 0:22:45.840
<v Speaker 1>the New I Heart podcast Frosted Tips with Lance Bass.

0:22:45.880 --> 0:22:47.760
<v Speaker 1>The hardest thing could be knowing who to turn to

0:22:47.920 --> 0:22:50.840
<v Speaker 1>when questions arise, or times get tough or you're at

0:22:50.880 --> 0:22:53.480
<v Speaker 1>the end of the road. Okay, I see what you're doing.

0:22:53.560 --> 0:22:55.960
<v Speaker 1>Do you ever think to yourself, what advice would Lance

0:22:55.960 --> 0:22:58.880
<v Speaker 1>Bass and my favorite boy bands give me in this situation?

0:22:59.080 --> 0:23:01.359
<v Speaker 1>If you do, you've come to the right place, because

0:23:01.480 --> 0:23:05.680
<v Speaker 1>I'm here to help this. I promise you seriously, I swear,

0:23:05.920 --> 0:23:07.960
<v Speaker 1>and you won't have to send an S O S

0:23:08.200 --> 0:23:11.399
<v Speaker 1>because I'll be there for you, and so will my

0:23:11.480 --> 0:23:14.480
<v Speaker 1>husband Michael. Hey, that's me. Yea. We know that Michael

0:23:14.480 --> 0:23:17.600
<v Speaker 1>and a different hot sexy teen crush boybander each week

0:23:17.640 --> 0:23:22.720
<v Speaker 1>to guide you through life step by step, not another one. Kids, relationships,

0:23:22.880 --> 0:23:25.439
<v Speaker 1>life in general can get messy. You may be thinking,

0:23:25.600 --> 0:23:27.959
<v Speaker 1>this is the story of my life. Just stop now.

0:23:28.240 --> 0:23:33.080
<v Speaker 1>If so, tell everybody, yeah, everybody about my new podcast

0:23:33.119 --> 0:23:35.800
<v Speaker 1>and make sure to listen so we'll never ever have

0:23:35.920 --> 0:23:38.840
<v Speaker 1>to say bye bye bye. Listen to Frosted Tips with

0:23:38.880 --> 0:23:41.240
<v Speaker 1>a Lance Bass on the I Heart Radio app, Apple

0:23:41.280 --> 0:23:48.680
<v Speaker 1>podcast or wherever you listen to podcasts. Have you, guys

0:23:48.760 --> 0:23:51.159
<v Speaker 1>seen your kids that have these apps or whatever? Are

0:23:51.200 --> 0:23:55.080
<v Speaker 1>these papers that they want? Like almost like you press

0:23:55.119 --> 0:23:57.920
<v Speaker 1>a button on an app to say yes, do you

0:23:57.960 --> 0:24:01.160
<v Speaker 1>guys in time out? I'm sorry, I need the Apple

0:24:01.720 --> 0:24:04.119
<v Speaker 1>a button that says no, no no, no no no.

0:24:05.600 --> 0:24:08.119
<v Speaker 1>I mean they're not there yet, but I could be

0:24:08.119 --> 0:24:09.960
<v Speaker 1>wrong because I don't have teenagers, but I'm pretty sure

0:24:10.000 --> 0:24:13.400
<v Speaker 1>my mom friends have said, like they really teach now

0:24:14.240 --> 0:24:18.960
<v Speaker 1>that it's you must say yes right, that the boys

0:24:18.960 --> 0:24:22.159
<v Speaker 1>are supposed to say, like Jenny, is it okay if

0:24:22.160 --> 0:24:24.719
<v Speaker 1>I kiss you? Yes? And then is it okay if

0:24:24.720 --> 0:24:27.640
<v Speaker 1>I touch your boobs? Or I mean, that's what they

0:24:27.760 --> 0:24:29.560
<v Speaker 1>teach and that's what we see. But I don't know

0:24:29.600 --> 0:24:33.200
<v Speaker 1>if that's actually happened out there in the field, right

0:24:34.800 --> 0:24:38.640
<v Speaker 1>I r L Yeah, I mean that's definitely. I thought

0:24:38.640 --> 0:24:42.640
<v Speaker 1>there's some like you both press an app. I don't

0:24:42.840 --> 0:24:46.000
<v Speaker 1>never have you seen it? Why couldn't they just say

0:24:46.040 --> 0:24:48.040
<v Speaker 1>it in real to each other? Why they have to

0:24:48.080 --> 0:24:51.800
<v Speaker 1>push an app? My kids are so naive and grateful

0:24:51.840 --> 0:24:55.640
<v Speaker 1>for that, like my fourteen and fifth year old, like, goodness,

0:24:55.800 --> 0:25:01.080
<v Speaker 1>not there yet and I'm okay with that, but that's good.

0:25:01.160 --> 0:25:03.159
<v Speaker 1>So you're saying they press something instead of saying it

0:25:03.200 --> 0:25:05.960
<v Speaker 1>if they're embarrassed. There's like I think Jenny's righting that

0:25:06.040 --> 0:25:10.720
<v Speaker 1>no app is called consent. The consent, Yeah, I don't

0:25:10.760 --> 0:25:12.840
<v Speaker 1>think anyone uses it. I don't know that app. I'm

0:25:12.880 --> 0:25:14.679
<v Speaker 1>going to download it and use it tonight. What are

0:25:14.680 --> 0:25:18.320
<v Speaker 1>you nuts? Wait, I'm seriously looking it up on the

0:25:18.320 --> 0:25:24.679
<v Speaker 1>app store right now. What did you think about that

0:25:24.800 --> 0:25:29.320
<v Speaker 1>Nat loved Laura? I was like, oh god, just a

0:25:29.320 --> 0:25:34.000
<v Speaker 1>few checkboxes away. Oh my gosh, Wow, that takes some

0:25:34.320 --> 0:25:37.680
<v Speaker 1>mood out, Like that kills a mood. That's so two

0:25:37.760 --> 0:25:42.639
<v Speaker 1>three everything's quick. Consent is that it I don't see it.

0:25:43.000 --> 0:25:50.760
<v Speaker 1>The consent really blow out my trustee phone. I'm sorry, Amy,

0:25:50.800 --> 0:25:53.840
<v Speaker 1>what were you saying that? You know? One of the

0:25:53.880 --> 0:25:58.400
<v Speaker 1>things about Laura is she really was, um, I don't know,

0:25:58.840 --> 0:26:02.000
<v Speaker 1>doing the psycho girl thing where she's you know, she's

0:26:02.080 --> 0:26:07.760
<v Speaker 1>befriending Andrea. She's befriending She's in there. She's charming the

0:26:08.080 --> 0:26:10.520
<v Speaker 1>you know, sharp charming Nat and that you know, he

0:26:10.640 --> 0:26:13.320
<v Speaker 1>really was like pleasure was mine, sweetheart? You know, like

0:26:13.400 --> 0:26:18.560
<v Speaker 1>she's really worming her way into Steve's world. I just

0:26:18.680 --> 0:26:22.879
<v Speaker 1>remember back in the nineties being so uncomfortable with Laura.

0:26:24.280 --> 0:26:30.520
<v Speaker 1>Everything about her can be uncomfortable. Yeah, me too, m great,

0:26:32.240 --> 0:26:34.960
<v Speaker 1>But now because she's younger and we're older at the time,

0:26:35.040 --> 0:26:39.560
<v Speaker 1>we're not like as threatened by That's right, Tory. That's

0:26:39.560 --> 0:26:43.240
<v Speaker 1>such a great point. I do see her differently now

0:26:43.320 --> 0:26:47.679
<v Speaker 1>she's not quite so it's sort of you feel sorry

0:26:47.720 --> 0:26:51.080
<v Speaker 1>for her now I just feel sorry for Yeah, it's

0:26:51.160 --> 0:26:54.040
<v Speaker 1>really changed because looking at her then she could be

0:26:54.040 --> 0:26:58.520
<v Speaker 1>our all of our daughters. I'm telling you now, you go, Jimmy,

0:26:58.560 --> 0:27:00.240
<v Speaker 1>how did you guys feel? I just want to which

0:27:00.280 --> 0:27:05.280
<v Speaker 1>I'm tired of this storyline. Okay, how did you guys feel? Okay?

0:27:05.480 --> 0:27:10.920
<v Speaker 1>Then we had the Lucinda Brandon thing. Listen to Brandon,

0:27:11.240 --> 0:27:14.760
<v Speaker 1>Deshaun knows what's up one meal and this guy, you know,

0:27:14.840 --> 0:27:17.240
<v Speaker 1>he's sitting down and he's like he could you could

0:27:17.280 --> 0:27:19.919
<v Speaker 1>see that he realizes what's happening, and then he calls

0:27:19.960 --> 0:27:25.080
<v Speaker 1>it up and use it to his advantage because he's smart. Um,

0:27:25.280 --> 0:27:28.679
<v Speaker 1>but it's so cringe e Like she's doing all that

0:27:28.800 --> 0:27:32.639
<v Speaker 1>right in front of her husband. Well, and she's the opposite.

0:27:33.280 --> 0:27:38.160
<v Speaker 1>She is the aggressor to an inappropriate point. She wants

0:27:38.200 --> 0:27:40.840
<v Speaker 1>to take back the night in a different way. So

0:27:40.880 --> 0:27:45.040
<v Speaker 1>she's she's the adult version of Laura in this the

0:27:45.440 --> 0:27:48.960
<v Speaker 1>y a little slicker and just put together so no

0:27:49.000 --> 0:27:52.080
<v Speaker 1>one would suspect it. She's you know, I think the

0:27:52.119 --> 0:27:58.359
<v Speaker 1>writers were quite intentional with that story, like smart, I

0:27:58.400 --> 0:28:03.800
<v Speaker 1>don't like Lucinda at all. Like that character. She's a

0:28:03.840 --> 0:28:08.760
<v Speaker 1>saucy lady who owns her power, but her power is

0:28:08.760 --> 0:28:14.359
<v Speaker 1>being abused, uses her power or femininity, her her and

0:28:14.520 --> 0:28:18.479
<v Speaker 1>her stature, Like I don't. I don't like her character. Okay,

0:28:18.520 --> 0:28:21.440
<v Speaker 1>So it's interesting because we're talking about then and now.

0:28:21.640 --> 0:28:25.840
<v Speaker 1>So then I was all like this, Lucinda is awful,

0:28:26.040 --> 0:28:28.760
<v Speaker 1>and I was so like, I don't know, I didn't

0:28:28.760 --> 0:28:31.280
<v Speaker 1>like her. And I'm not talking about you know, Dina,

0:28:31.400 --> 0:28:34.840
<v Speaker 1>Like it was the character of Lucenda. But now I

0:28:34.880 --> 0:28:37.720
<v Speaker 1>look at it and there was something that I'm like, oh,

0:28:37.880 --> 0:28:40.120
<v Speaker 1>not that I want to be that person, but I

0:28:40.160 --> 0:28:44.520
<v Speaker 1>was like, young, a bit of that confidence in power.

0:28:44.840 --> 0:28:48.240
<v Speaker 1>I totally what you're saying. She's sexy and powerful and

0:28:48.320 --> 0:28:53.760
<v Speaker 1>strong and unintimidated, but she's also a married woman and

0:28:53.840 --> 0:28:56.640
<v Speaker 1>this Brandon has told her no, and Brandon has been

0:28:56.720 --> 0:29:01.080
<v Speaker 1>very righteous and doing the right thing all through. Oh

0:29:01.120 --> 0:29:03.360
<v Speaker 1>my god. Oh we just said oh my god about

0:29:03.560 --> 0:29:07.400
<v Speaker 1>Oh my God. If Brandon gives in and the storyline

0:29:07.440 --> 0:29:09.360
<v Speaker 1>goes in the direction where they do get together, I'm

0:29:09.360 --> 0:29:12.360
<v Speaker 1>going to be so upset that doesn't happen? Does it?

0:29:14.080 --> 0:29:19.040
<v Speaker 1>Oh my god, do you want a dream just hits you? Sorry,

0:29:19.040 --> 0:29:21.640
<v Speaker 1>getting back to your question one second? Sorry? Sorry? Do

0:29:21.680 --> 0:29:23.560
<v Speaker 1>you know you just realize your dream because you're talking

0:29:23.560 --> 0:29:26.200
<v Speaker 1>about something? What I think? Because I watched the episode

0:29:26.280 --> 0:29:31.840
<v Speaker 1>last night? Did you dream of Jason Prisley? Oh? Dirty? No?

0:29:32.360 --> 0:29:35.560
<v Speaker 1>A dirty one or just a regular one? Oh? Those eyes?

0:29:37.200 --> 0:29:40.520
<v Speaker 1>You had a sex dream about JP? I didn't say sex,

0:29:40.960 --> 0:29:43.920
<v Speaker 1>a dirty one? What was he in the mud? What?

0:29:44.120 --> 0:29:48.800
<v Speaker 1>I don't understand? What are you doing something? We won't

0:29:48.800 --> 0:29:55.720
<v Speaker 1>be showing us with iron all the time. The weirdest

0:29:55.960 --> 0:30:01.560
<v Speaker 1>part is, oh my god, we were in a hotel room,

0:30:01.600 --> 0:30:08.240
<v Speaker 1>but we were not alone, and we're with jen ear muffs.

0:30:09.600 --> 0:30:13.280
<v Speaker 1>I'm not la la la la la la la Tiffany,

0:30:13.440 --> 0:30:17.600
<v Speaker 1>and I'm messing with you. I just like to play

0:30:17.640 --> 0:30:20.600
<v Speaker 1>into the press. It's non existent. But what the press says,

0:30:20.600 --> 0:30:22.520
<v Speaker 1>we like to make poke fun of what the press

0:30:22.600 --> 0:30:28.400
<v Speaker 1>like heightens and it's not true. Um, but she wasn't Tiffany.

0:30:28.560 --> 0:30:34.200
<v Speaker 1>She was the Lucinda character. And yeah, I can hair style.

0:30:34.360 --> 0:30:41.280
<v Speaker 1>This dream happened last night. Yes, And so the Jason character,

0:30:41.400 --> 0:30:46.440
<v Speaker 1>who was probably Brandon in my dream, was like, let's

0:30:46.480 --> 0:30:48.920
<v Speaker 1>go like, hey, you want to hook up? But basically

0:30:48.960 --> 0:30:51.440
<v Speaker 1>it wasn't brand it was Brandon, it wasn't Jason, and

0:30:51.520 --> 0:30:53.040
<v Speaker 1>he wasn't gross like, hey you want to hook up.

0:30:53.080 --> 0:30:56.080
<v Speaker 1>I'm just doing a dude gross voice. Um. And I

0:30:56.160 --> 0:30:59.760
<v Speaker 1>was like, she's right here, and she was like, you guys,

0:30:59.880 --> 0:31:02.560
<v Speaker 1>I ordered breakfast in bed but it was night and

0:31:02.600 --> 0:31:04.560
<v Speaker 1>I was like, and I was like, well, what you again?

0:31:04.680 --> 0:31:06.560
<v Speaker 1>You just ate all the mashed potatoes and now I

0:31:06.600 --> 0:31:10.920
<v Speaker 1>have nothing to eat him like that. I was so hungry. Yeah,

0:31:10.960 --> 0:31:12.720
<v Speaker 1>you're right, I didn't eat less night in my ambient

0:31:12.760 --> 0:31:15.160
<v Speaker 1>that's why. Okay. So and I was like, what are

0:31:15.200 --> 0:31:17.120
<v Speaker 1>you talking about? She's right here and he's like, okay,

0:31:17.160 --> 0:31:18.680
<v Speaker 1>do you want to go in the bathroom? And I

0:31:18.760 --> 0:31:21.720
<v Speaker 1>was like so. I was like, god, okay, I guess,

0:31:21.760 --> 0:31:23.840
<v Speaker 1>but I don't really want to do this, like and

0:31:23.880 --> 0:31:27.720
<v Speaker 1>then nothing happened. I woke up. Oh man, you have

0:31:27.880 --> 0:31:29.880
<v Speaker 1>me on the edge of my seat. It's a bad ending,

0:31:29.920 --> 0:31:34.000
<v Speaker 1>but but good story. That happens to me with Iron

0:31:34.040 --> 0:31:35.960
<v Speaker 1>all the time. I'm just gonna admit it, Like every

0:31:36.000 --> 0:31:37.880
<v Speaker 1>time I watched the show, I know I have like

0:31:38.000 --> 0:31:39.680
<v Speaker 1>he gets in my dream. Not every time, but like

0:31:39.880 --> 0:31:42.280
<v Speaker 1>you know, I don't know the only thing my takeaways

0:31:42.320 --> 0:31:45.320
<v Speaker 1>I just want mashed potatoes now, Okay, that makes me

0:31:45.400 --> 0:31:49.360
<v Speaker 1>think though of this. You know the opening credits when

0:31:49.440 --> 0:31:52.600
<v Speaker 1>Luke either whispers in your ear Tory, I know we've

0:31:52.600 --> 0:31:55.520
<v Speaker 1>talked about it before he kisses you, so cute. I

0:31:55.640 --> 0:31:59.440
<v Speaker 1>noticed it when I watched this particular episode. Anyway, I

0:31:59.440 --> 0:32:05.280
<v Speaker 1>wonder what he saying, Let's go back on her. Yes,

0:32:07.040 --> 0:32:11.960
<v Speaker 1>she's sort of uh yeah, like she's she needs to

0:32:12.000 --> 0:32:15.080
<v Speaker 1>dial it back. And Brandon says to the to the husband,

0:32:15.120 --> 0:32:20.120
<v Speaker 1>the teacher, whatever his name is he said, He says,

0:32:20.240 --> 0:32:22.320
<v Speaker 1>right now to him, lustend as a player, all right,

0:32:22.560 --> 0:32:26.280
<v Speaker 1>Like it's so heavy handed that this is this guy

0:32:26.360 --> 0:32:29.880
<v Speaker 1>in on it or oh my god, remember she's like,

0:32:29.920 --> 0:32:32.120
<v Speaker 1>have you ever done it on a kitchen table? Like

0:32:32.160 --> 0:32:38.880
<v Speaker 1>it's so unique, modernized. I don't know what the word is,

0:32:39.760 --> 0:32:41.600
<v Speaker 1>not swingers, because I don't think he want to be

0:32:41.600 --> 0:32:46.920
<v Speaker 1>a relationship like something about it. Maybe he's the guy

0:32:46.960 --> 0:32:49.400
<v Speaker 1>that couldn't get that girl and she's like we're together,

0:32:49.480 --> 0:32:51.320
<v Speaker 1>but she's like, I want to do this and he

0:32:51.400 --> 0:32:54.960
<v Speaker 1>kind of gets off maybe in some weird way kind

0:32:55.000 --> 0:32:59.960
<v Speaker 1>of wink wink. I don't know. I think I remember

0:33:00.640 --> 0:33:03.160
<v Speaker 1>he married this woman who's so all about this that

0:33:03.200 --> 0:33:06.720
<v Speaker 1>maybe they do have an arrangement. Now that would be

0:33:06.920 --> 0:33:10.960
<v Speaker 1>interesting and fun story line to watch. But that was

0:33:11.160 --> 0:33:15.240
<v Speaker 1>very ahead of its time. But yeah, exactly, this whole

0:33:15.240 --> 0:33:17.479
<v Speaker 1>episode is sort of ahead of its time. It really is.

0:33:18.880 --> 0:33:23.080
<v Speaker 1>Were you guys happy to see um, Dylan and Brenda together?

0:33:23.280 --> 0:33:25.280
<v Speaker 1>Like it's from the get go in the beginning in

0:33:25.320 --> 0:33:29.480
<v Speaker 1>the hallway, that's cute to bother? Do you know what?

0:33:29.520 --> 0:33:32.080
<v Speaker 1>I love? Though? When they're walking down the hallway and

0:33:32.120 --> 0:33:34.760
<v Speaker 1>they're talking about their class and they're talking about their

0:33:34.760 --> 0:33:39.360
<v Speaker 1>poetry thing, and Luke does that impression of the the professor.

0:33:40.040 --> 0:33:42.200
<v Speaker 1>He's talk like zes or something. I don't know, I

0:33:42.240 --> 0:33:45.440
<v Speaker 1>can't do it, but I can remember Luke always making that,

0:33:45.600 --> 0:33:48.560
<v Speaker 1>doing that same accent, just making me laugh so hard.

0:33:48.920 --> 0:33:52.000
<v Speaker 1>They totally improvised. Yes, I don't want to be a weird.

0:33:52.800 --> 0:33:54.240
<v Speaker 1>I really don't. I don't want to be a weird.

0:33:54.520 --> 0:33:57.800
<v Speaker 1>Really we need to be. There was sort of a

0:33:57.800 --> 0:34:01.360
<v Speaker 1>wedding dress part two moments in the episode. Did you

0:34:01.360 --> 0:34:05.240
<v Speaker 1>guys notice that the fresh you're talking about the end?

0:34:06.200 --> 0:34:07.920
<v Speaker 1>I can't remember where it was in the episode, but

0:34:07.960 --> 0:34:10.160
<v Speaker 1>I'm like it was at the very end. You know,

0:34:10.239 --> 0:34:14.279
<v Speaker 1>I saw it because it really bothers me personally. I

0:34:14.320 --> 0:34:18.360
<v Speaker 1>don't want to see nips on TV. Not her nips,

0:34:18.400 --> 0:34:21.160
<v Speaker 1>not my nips, not anybody's nips. I'm not mad at

0:34:21.160 --> 0:34:22.960
<v Speaker 1>it because it didn't. She was just like, this is

0:34:23.000 --> 0:34:26.120
<v Speaker 1>getting to be a pattern. What was going on? I

0:34:26.160 --> 0:34:28.520
<v Speaker 1>don't like it? Um, you know, And that reminded me

0:34:28.600 --> 0:34:32.480
<v Speaker 1>that you brought that up. That reminded me this is

0:34:32.520 --> 0:34:36.080
<v Speaker 1>another like one of those like realizations of about the

0:34:36.680 --> 0:34:40.319
<v Speaker 1>environment in which we grew up in Toria, me and

0:34:40.360 --> 0:34:43.440
<v Speaker 1>you and those girls of us on the show, the

0:34:43.520 --> 0:34:47.279
<v Speaker 1>environment that we grew up and that wasn't very PC.

0:34:47.560 --> 0:34:53.400
<v Speaker 1>Let's just say, uh, I remember the cameraman. I remember

0:34:53.480 --> 0:34:56.799
<v Speaker 1>Jason always saying, or Luke always saying to the to

0:34:56.920 --> 0:35:00.719
<v Speaker 1>the camera operator, where's the frame? What the frame? What's

0:35:00.719 --> 0:35:04.360
<v Speaker 1>the shot? And the the the guy behind the camera

0:35:04.400 --> 0:35:07.400
<v Speaker 1>would say, it's two tease, it's too tease. And I

0:35:07.440 --> 0:35:10.319
<v Speaker 1>was always like, what's that mean to tease? But now

0:35:10.360 --> 0:35:13.520
<v Speaker 1>I know it's that's their way of saying, it's right

0:35:13.560 --> 0:35:18.759
<v Speaker 1>at her two tables and a microphone, where it's at

0:35:18.880 --> 0:35:23.800
<v Speaker 1>tune in Tokyo. There was so many little references no better,

0:35:25.239 --> 0:35:27.239
<v Speaker 1>and we would just laugh and go along with it,

0:35:27.280 --> 0:35:30.239
<v Speaker 1>but normal. And then as we grew up when men

0:35:30.320 --> 0:35:32.360
<v Speaker 1>didn't do that because they respected as we were like

0:35:32.400 --> 0:35:35.319
<v Speaker 1>what what, what's wrong with us? Have you ever heard

0:35:35.320 --> 0:35:38.640
<v Speaker 1>of camera person say that ever? Again? Two tease? Maybe

0:35:38.719 --> 0:35:40.920
<v Speaker 1>that's like an expression, Maybe they say that for men

0:35:40.960 --> 0:35:43.520
<v Speaker 1>to I don't know, but that in that moment of

0:35:43.560 --> 0:35:45.880
<v Speaker 1>seeing the nips in the end of the episode again,

0:35:46.600 --> 0:35:49.799
<v Speaker 1>I was like, two tease. It's two tease right there. Yeah,

0:35:49.800 --> 0:35:52.640
<v Speaker 1>my gut would be it wasn't a good feeling if

0:35:52.680 --> 0:35:58.319
<v Speaker 1>you remembered it, so clearly, I don't think you right. Well,

0:35:58.440 --> 0:36:03.120
<v Speaker 1>speaking of pigs, should we talk about on Sears? Yeah, sucks.

0:36:04.600 --> 0:36:08.319
<v Speaker 1>Not want to see Kelly and John Sears macking it down.

0:36:09.040 --> 0:36:11.600
<v Speaker 1>I did not want to hear the little squeals you

0:36:11.680 --> 0:36:15.520
<v Speaker 1>made when you were saying like you weren't ready, You're like,

0:36:15.960 --> 0:36:20.080
<v Speaker 1>it was not good. It was cringe worthy. I didn't

0:36:20.080 --> 0:36:27.560
<v Speaker 1>get cringe nothing about it. He's an ass, which makes

0:36:28.640 --> 0:36:31.880
<v Speaker 1>his characters are really good. Yeah. Yeah, No, he's a

0:36:31.880 --> 0:36:38.000
<v Speaker 1>good actor too, because I completely forget Paul Johnson completely

0:36:38.640 --> 0:36:42.440
<v Speaker 1>and am fully John Sears, like, I'm not like thinking

0:36:42.480 --> 0:36:48.080
<v Speaker 1>about him. He's too good at it though. I think

0:36:48.120 --> 0:36:53.600
<v Speaker 1>that was always my thing with with um Paul Johansson

0:36:54.040 --> 0:36:57.520
<v Speaker 1>when we were working together. I couldn't keep the two

0:36:57.640 --> 0:37:02.520
<v Speaker 1>separate separate. I was like, this guy is John Sears.

0:37:03.760 --> 0:37:08.640
<v Speaker 1>Oh wow, I wondered that. Yeah, I mean that makes

0:37:08.640 --> 0:37:12.640
<v Speaker 1>sense because it is very seamless. Like, yeah, I couldn't

0:37:12.680 --> 0:37:16.400
<v Speaker 1>like off camera. I couldn't cool with him. I couldn't

0:37:16.400 --> 0:37:18.480
<v Speaker 1>like him. It couldn't be nice to him because I

0:37:18.520 --> 0:37:22.160
<v Speaker 1>felt so icky around him character because of the character.

0:37:22.600 --> 0:37:24.520
<v Speaker 1>The thing I think that's interesting too, is I never

0:37:24.600 --> 0:37:27.160
<v Speaker 1>find myself going like, that's the dude from One Tree Hill.

0:37:27.200 --> 0:37:29.480
<v Speaker 1>When I'm watching this, I am very honed in on

0:37:29.560 --> 0:37:32.160
<v Speaker 1>him being John Sears. You know that that works for

0:37:32.160 --> 0:37:34.640
<v Speaker 1>me because I never saw one tree in my life.

0:37:36.840 --> 0:37:39.000
<v Speaker 1>But yeah, I mean he's gross. What do you think

0:37:39.040 --> 0:37:42.520
<v Speaker 1>that she went to Dylan? Why did you do this?

0:37:42.800 --> 0:37:46.160
<v Speaker 1>Why is she going running to Dylan? I liked it,

0:37:46.280 --> 0:37:51.080
<v Speaker 1>but because he's her safe place. Yeah, he was very safe.

0:37:51.120 --> 0:37:53.200
<v Speaker 1>He's like as long as you're okay. He wasn't like

0:37:54.080 --> 0:37:58.040
<v Speaker 1>the heartbroken ex boyfriend. He was really the loyal friend

0:37:58.160 --> 0:38:02.680
<v Speaker 1>and confidant like I really was like, huh, And he

0:38:02.800 --> 0:38:05.879
<v Speaker 1>was pisted he was he didn't want to hit him.

0:38:06.000 --> 0:38:10.240
<v Speaker 1>But in theory, I do feel like she wouldn't have gone.

0:38:11.360 --> 0:38:16.200
<v Speaker 1>I don't know. I don't think that's something you do

0:38:16.320 --> 0:38:21.200
<v Speaker 1>with your acts like you might me I'm wrong, Yeah,

0:38:21.239 --> 0:38:26.279
<v Speaker 1>I mean I guess if there wasn't a lot going

0:38:26.280 --> 0:38:28.239
<v Speaker 1>on with Steve in this episode, would you have gone

0:38:28.239 --> 0:38:32.000
<v Speaker 1>to him? Like who would you? And they're so undone,

0:38:32.160 --> 0:38:36.640
<v Speaker 1>meaning they're they're not finished Kelly and Dylan, that's there.

0:38:36.760 --> 0:38:39.319
<v Speaker 1>It's all a little that's a little bit twisted on

0:38:39.400 --> 0:38:45.960
<v Speaker 1>that part. But what do you think about him? I mean, hey,

0:38:46.160 --> 0:38:49.680
<v Speaker 1>it's so worth it with the pie the pie, but

0:38:49.800 --> 0:38:52.000
<v Speaker 1>I'm not I kind of wanted to see him knock

0:38:52.080 --> 0:38:54.759
<v Speaker 1>him out. He was gonna man, he had him in

0:38:54.800 --> 0:38:57.319
<v Speaker 1>the face hard with that pie, like you know that

0:38:57.400 --> 0:39:01.000
<v Speaker 1>had to hurt. I Actually, he liked the scene where

0:39:01.000 --> 0:39:04.160
<v Speaker 1>he confronts him and says, like, you know, stay away

0:39:04.200 --> 0:39:06.480
<v Speaker 1>from her. She decides you make her sick, and I

0:39:06.560 --> 0:39:09.320
<v Speaker 1>like the whole scene was like, what's your problem? McKay?

0:39:09.360 --> 0:39:13.640
<v Speaker 1>Like I liked that where he was like, dude, we've

0:39:13.640 --> 0:39:18.240
<v Speaker 1>said this before. Other another episode like they're them together

0:39:18.400 --> 0:39:23.160
<v Speaker 1>are great, Like they bring the most out of each

0:39:23.160 --> 0:39:27.399
<v Speaker 1>other like they both have brought it Like Brandon episode. Sorry,

0:39:27.440 --> 0:39:32.640
<v Speaker 1>I know I'm switching, but um he got heated at

0:39:32.680 --> 0:39:37.319
<v Speaker 1>the end there too. Yeah, and he was He's want

0:39:37.360 --> 0:39:40.279
<v Speaker 1>to say, christ Brandon's great with his steadiness of doing

0:39:40.320 --> 0:39:43.399
<v Speaker 1>the right thing, like he's like, I am not gonna

0:39:43.760 --> 0:39:46.239
<v Speaker 1>he yelled, I'm not gonna sleep with this married woman.

0:39:46.280 --> 0:39:48.560
<v Speaker 1>I'm not taking your tests for you. I am not.

0:39:49.360 --> 0:39:52.719
<v Speaker 1>You can, you can blackmail me all you want. But

0:39:53.840 --> 0:39:55.880
<v Speaker 1>great in that episode, and not just because I had

0:39:55.880 --> 0:39:57.439
<v Speaker 1>a sex stream about him last night. Like I thought

0:39:57.480 --> 0:39:59.719
<v Speaker 1>he was great in that episode. I thought everyone was

0:39:59.760 --> 0:40:02.239
<v Speaker 1>great in this episode. I really did too. That's why

0:40:02.239 --> 0:40:08.800
<v Speaker 1>I really liked it. I think. Hi, I'm Christine Taylor

0:40:08.880 --> 0:40:11.880
<v Speaker 1>and I'm David Lasher. David and I start in a

0:40:12.000 --> 0:40:15.080
<v Speaker 1>little show in the nineties called Hey Dude, and now

0:40:15.080 --> 0:40:17.719
<v Speaker 1>we're teaming up once again as the host of a

0:40:17.800 --> 0:40:21.239
<v Speaker 1>new I Heart podcast Hey Dude the nineties called do

0:40:21.320 --> 0:40:24.040
<v Speaker 1>you remember the motor rolla flip Phone? Do you remember

0:40:24.080 --> 0:40:27.160
<v Speaker 1>going to Blockbuster? Do you remember Nintendo sixty four? Do

0:40:27.239 --> 0:40:30.239
<v Speaker 1>you remember getting frosted tips? Was that a serial? No,

0:40:30.360 --> 0:40:32.920
<v Speaker 1>it was hair? Do you remember a O L Instant Messenger?

0:40:33.000 --> 0:40:36.000
<v Speaker 1>And the dial up sound like Poltergeist? Do you remember

0:40:36.040 --> 0:40:39.399
<v Speaker 1>when we dated? Okay, save that for the podcast. We're

0:40:39.400 --> 0:40:41.600
<v Speaker 1>going to use Hey Dude as our jumping off point,

0:40:41.600 --> 0:40:44.120
<v Speaker 1>but we are going to unpack and dive back into

0:40:44.160 --> 0:40:46.960
<v Speaker 1>the decade of the nineties. We lived it, and now

0:40:47.000 --> 0:40:49.320
<v Speaker 1>we're calling on all of our friends to come back

0:40:49.440 --> 0:40:52.719
<v Speaker 1>and relive it. Each episode will rival the feeling of

0:40:52.760 --> 0:40:55.040
<v Speaker 1>taking out the cartridge from your game boy, blowing on it,

0:40:55.080 --> 0:40:57.359
<v Speaker 1>and popping it back in as we take you back

0:40:57.400 --> 0:41:01.040
<v Speaker 1>to the nineties. So listen to Hey Dude, the Nineties

0:41:01.080 --> 0:41:03.840
<v Speaker 1>called on the I Heart Radio app, Apple Podcasts, or

0:41:03.880 --> 0:41:13.800
<v Speaker 1>wherever you listen to podcasts. Hey there, I'm Hollen Rowden

0:41:14.040 --> 0:41:16.200
<v Speaker 1>and I am the host of a new podcast called

0:41:16.520 --> 0:41:19.680
<v Speaker 1>Holler Back Now. Moons Full and Beacon Hills and the

0:41:19.719 --> 0:41:24.040
<v Speaker 1>Wolves are coming out again. You know me as Lydia

0:41:24.080 --> 0:41:27.080
<v Speaker 1>Martin from Teen Wolf, and on this podcast, we will

0:41:27.120 --> 0:41:31.279
<v Speaker 1>rewatch every episode from the beginning. So join me and

0:41:31.440 --> 0:41:34.800
<v Speaker 1>my favorite Teen Wolf stars and friends as we reunite

0:41:34.840 --> 0:41:37.800
<v Speaker 1>the cast, the crew, and the heroes and the villains.

0:41:38.239 --> 0:41:42.080
<v Speaker 1>Will be sharing every gory detail with you, because as

0:41:42.120 --> 0:41:45.160
<v Speaker 1>if a hundred episodes wasn't enough, I am bringing you

0:41:45.400 --> 0:41:47.560
<v Speaker 1>all the behind the scenes. There's gonna be so much

0:41:47.560 --> 0:41:51.640
<v Speaker 1>more from each episode. Nothing is off limits and oh

0:41:51.680 --> 0:41:54.640
<v Speaker 1>that's right, we'll be talking about teen Wolf the movie.

0:41:55.280 --> 0:41:57.960
<v Speaker 1>I cannot wait. The wolves are helling once again. What

0:41:58.080 --> 0:42:01.440
<v Speaker 1>can I say? So Howard back now and join us

0:42:01.480 --> 0:42:04.560
<v Speaker 1>each week listen to Hallerback Now on the I Heart

0:42:04.640 --> 0:42:12.920
<v Speaker 1>Radio app, Apple podcast or wherever you listen to podcasts. Okay,

0:42:13.000 --> 0:42:15.960
<v Speaker 1>tell me your favorite lines from the episode. Oh my god,

0:42:15.960 --> 0:42:18.400
<v Speaker 1>I have so much more to talk about. Time your

0:42:18.440 --> 0:42:21.520
<v Speaker 1>time is up? Baby? Wait? Can I give it really

0:42:21.560 --> 0:42:24.840
<v Speaker 1>fast story? But you have to say it. It's Leslie Sumner.

0:42:25.360 --> 0:42:28.560
<v Speaker 1>She's still around like Pantelinic council. Did you guys know

0:42:28.600 --> 0:42:31.880
<v Speaker 1>what Pantalonic was? Does that mean anything to you? Don't know?

0:42:32.000 --> 0:42:36.160
<v Speaker 1>Don't care? Didn't look system? Next before we do best lines?

0:42:36.200 --> 0:42:39.239
<v Speaker 1>Can I do cringe eest line? Okay? When they say

0:42:39.239 --> 0:42:41.719
<v Speaker 1>are you going to the like the rally there'll be

0:42:41.719 --> 0:42:44.840
<v Speaker 1>a lot of babes there. I was like, oh god, cringe,

0:42:45.280 --> 0:42:49.239
<v Speaker 1>yeah that cringe e Then um, that looks like that

0:42:49.280 --> 0:42:52.960
<v Speaker 1>look said you two are doing the sweet thing. That's

0:42:53.040 --> 0:42:58.879
<v Speaker 1>that I think to Shawn said that about Brandon. Yes dead, Yes,

0:43:00.760 --> 0:43:02.400
<v Speaker 1>I mean, I already said about it. I didn't like

0:43:02.560 --> 0:43:04.799
<v Speaker 1>when Brandon said, what do you say to you're still

0:43:04.800 --> 0:43:06.680
<v Speaker 1>a cool chick or you're the coolest chick. I don't

0:43:06.680 --> 0:43:11.480
<v Speaker 1>know the word chick really bothers me, Like, yeah, more

0:43:11.520 --> 0:43:15.560
<v Speaker 1>than vagina. That bothers me. Right up there about Luscinda's

0:43:15.560 --> 0:43:18.160
<v Speaker 1>denim on Denham tied up. I like that look. I

0:43:18.239 --> 0:43:22.960
<v Speaker 1>like that, although she's kind of cringe for me. Did

0:43:23.000 --> 0:43:26.680
<v Speaker 1>she say something about a younger, younger man, bolder woman?

0:43:27.560 --> 0:43:30.719
<v Speaker 1>Did she say bolder older? I didn't see that. I

0:43:30.760 --> 0:43:34.120
<v Speaker 1>didn't hear. And here I might have to like because

0:43:34.160 --> 0:43:36.799
<v Speaker 1>I thought, oh she did, because she is that that's

0:43:36.800 --> 0:43:41.000
<v Speaker 1>her thing bolder, and it's sort of like bullying. She's

0:43:41.200 --> 0:43:45.640
<v Speaker 1>very like, yeah, can you guys explain to me? Sorry,

0:43:45.640 --> 0:43:48.600
<v Speaker 1>I didn't get it that everyone's doing it like whatever,

0:43:49.200 --> 0:43:52.800
<v Speaker 1>even Charlie Chaplin, Like, I don't get it. Oh, Charlie Chaplin,

0:43:52.800 --> 0:43:57.360
<v Speaker 1>I think was notorious for having many women. Am I okay?

0:43:57.480 --> 0:44:02.480
<v Speaker 1>These many children I need? We're went down to Charlie

0:44:02.560 --> 0:44:05.480
<v Speaker 1>Chaplin spiral like a few months ago, where I just

0:44:05.520 --> 0:44:08.560
<v Speaker 1>started Wikipedia everything about him. I have no idea why

0:44:08.600 --> 0:44:12.439
<v Speaker 1>I've never seen Charlie Chapman so that. Actually, I don't

0:44:12.440 --> 0:44:14.520
<v Speaker 1>know why I did that. I think I wanted to

0:44:14.520 --> 0:44:16.680
<v Speaker 1>know if any of his errors were alive. I don't

0:44:16.680 --> 0:44:19.680
<v Speaker 1>remember why I did it, but I think he might have.

0:44:19.880 --> 0:44:22.440
<v Speaker 1>I'm going to look that up, or maybe Lorraine, will

0:44:22.440 --> 0:44:25.000
<v Speaker 1>you look that up? If Charlie Chaplin was of notorious

0:44:25.000 --> 0:44:29.080
<v Speaker 1>for like being a player? Yeah, what you guys? I

0:44:29.120 --> 0:44:31.880
<v Speaker 1>have a question from both to both of you. Have

0:44:31.960 --> 0:44:36.600
<v Speaker 1>you ever done it on a kitchen table? No, Lucinda

0:44:36.680 --> 0:44:42.560
<v Speaker 1>asked Brandon. Jenny done on a kitchen table? Oh my gosh, silence?

0:44:43.200 --> 0:44:49.160
<v Speaker 1>Is it? Does the kitchen counter account as the table? Whoa? Jenny? Well,

0:44:49.200 --> 0:44:51.400
<v Speaker 1>I had a really big island in my kitchen. And

0:44:51.640 --> 0:44:54.279
<v Speaker 1>I don't believe you. She said, you notorious cleaner. You'd

0:44:54.280 --> 0:44:57.680
<v Speaker 1>be like, no, no, you don't want no fluids on

0:44:57.760 --> 0:45:04.719
<v Speaker 1>my kitchen counter? Uh backwards? Can you guys see what

0:45:04.800 --> 0:45:08.280
<v Speaker 1>Lorraine said? Something about he was he was very incorrigible

0:45:08.360 --> 0:45:13.800
<v Speaker 1>for his advances towards women. Oh something like that, Chaplin?

0:45:13.840 --> 0:45:18.680
<v Speaker 1>But who cares? He boasted about his conquest. It was

0:45:19.560 --> 0:45:22.759
<v Speaker 1>reference in a teen drama. Because I'm like, I'm an

0:45:22.760 --> 0:45:27.960
<v Speaker 1>adult now and I still didn't came up with that

0:45:28.080 --> 0:45:31.240
<v Speaker 1>and like from song was one of our younger writers.

0:45:31.239 --> 0:45:33.680
<v Speaker 1>Though right, I don't remember now, maybe I'm wrong with

0:45:33.719 --> 0:45:37.600
<v Speaker 1>that line. Yeah, because that James Mary Mons is like

0:45:37.640 --> 0:45:42.280
<v Speaker 1>Harri James Whitmore junior. The director was No Spring Chicken

0:45:42.480 --> 0:45:47.080
<v Speaker 1>wasn't true. I like you stray you pay? That's fine?

0:45:47.960 --> 0:45:52.120
<v Speaker 1>Oh shoot, sorry, Jenny, No, that's fine. I'm good. That

0:45:52.239 --> 0:45:55.520
<v Speaker 1>was a good one. We really fast. Before we go

0:45:56.080 --> 0:45:59.400
<v Speaker 1>really fast, what did you think of the Kelly Steve

0:45:59.560 --> 0:46:01.719
<v Speaker 1>that We didn't really dig into that and there was

0:46:01.760 --> 0:46:04.839
<v Speaker 1>a lot of Kelly Steve that I really liked. I'm

0:46:04.840 --> 0:46:09.440
<v Speaker 1>a fan of them together not together air quotes, but

0:46:10.800 --> 0:46:13.760
<v Speaker 1>just I don't know. I believe like the friendship, the history,

0:46:13.880 --> 0:46:16.840
<v Speaker 1>like I like it. It feels so real when they're

0:46:16.880 --> 0:46:19.880
<v Speaker 1>when they have scenes together and they're very brotherly sisterly.

0:46:20.600 --> 0:46:25.400
<v Speaker 1>It does it feels deep. Yeah, Kenn and Barbie, Like

0:46:25.440 --> 0:46:30.160
<v Speaker 1>I'm into it, and therefore it Kenn Barbie. Oh my god,

0:46:30.200 --> 0:46:33.200
<v Speaker 1>if they did the Kenn and Barbie movie that was

0:46:33.239 --> 0:46:37.799
<v Speaker 1>with Ryan Gosling and Margot Robbie, if they had done it,

0:46:37.840 --> 0:46:44.840
<v Speaker 1>then it could have been iron zering. Well. That a

0:46:44.840 --> 0:46:48.320
<v Speaker 1>bout wraps up this episode. Next week we have great,

0:46:48.400 --> 0:46:55.760
<v Speaker 1>oar love. What's your scores? Dare you drum roll? Please?

0:46:58.160 --> 0:47:06.960
<v Speaker 1>They're like eight and a half eight and a half's

0:47:07.000 --> 0:47:10.959
<v Speaker 1>going to tables on a microphone, some titties and net.

0:47:11.760 --> 0:47:17.160
<v Speaker 1>But I gave it a ten yeah for me? Wait? Jen,

0:47:17.400 --> 0:47:21.040
<v Speaker 1>so you okay? You started this thinking maybe you didn't

0:47:21.080 --> 0:47:24.120
<v Speaker 1>love it as much as some of the other episodes,

0:47:24.200 --> 0:47:27.040
<v Speaker 1>and then you got to give it an eight point five. Well,

0:47:27.080 --> 0:47:29.480
<v Speaker 1>I liked it because you know, everybody was all together.

0:47:29.560 --> 0:47:33.439
<v Speaker 1>You know, I love an episode altogether. Did you guys

0:47:33.480 --> 0:47:38.560
<v Speaker 1>see the extreme foreshadowing coming out of Brandon's drawer? No?

0:47:40.080 --> 0:47:43.560
<v Speaker 1>Are you guys kidding me? Out of his drawer when

0:47:43.640 --> 0:47:47.120
<v Speaker 1>he is packing to get away? You guys don't know

0:47:47.160 --> 0:47:49.839
<v Speaker 1>what's happening. I'll say it, say it. He said he's

0:47:49.840 --> 0:47:54.160
<v Speaker 1>going camping. Yeah, and he also even mentioned it by

0:47:54.320 --> 0:47:58.960
<v Speaker 1>name of He gives a shout out. I think I'm

0:47:58.960 --> 0:48:03.160
<v Speaker 1>pretty sure Emily, Oh the picture? He saw the picture

0:48:03.200 --> 0:48:05.479
<v Speaker 1>from Emily? Is he? Is she back on the show?

0:48:05.920 --> 0:48:14.120
<v Speaker 1>He's going to San Francisco, right, Brandon? Don't do it? Oh? Wait?

0:48:14.160 --> 0:48:20.719
<v Speaker 1>Isn't she enough? Okay? And foreshadowing that I think it's

0:48:20.719 --> 0:48:23.920
<v Speaker 1>happening soon. Isn't it like David's frustration with Donna I

0:48:24.120 --> 0:48:27.200
<v Speaker 1>have sex with Oh man, you guys to sit out

0:48:27.239 --> 0:48:30.960
<v Speaker 1>that episode. I'm gonna be so devastated. He cannot take

0:48:31.000 --> 0:48:35.080
<v Speaker 1>it anymore. That poor kid. I mean, blue balls are

0:48:35.120 --> 0:48:41.839
<v Speaker 1>a thing. Totally alright, you guys on that note good.

0:48:42.160 --> 0:48:44.359
<v Speaker 1>I love I mean, I can't wait to hear from

0:48:44.360 --> 0:48:48.960
<v Speaker 1>everybody because I love this episode. Let us know, let

0:48:49.040 --> 0:48:51.759
<v Speaker 1>us know. Yeah, all right, you guys, have a great week.

0:48:52.440 --> 0:48:55.400
<v Speaker 1>We love you. By