1 00:00:00,240 --> 00:00:10,520 Speaker 1: It's with Jenny Garth and Tori Spelling. Hi you guys, 2 00:00:10,800 --> 00:00:13,960 Speaker 1: we are back. It is nine two one oh MG 3 00:00:15,200 --> 00:00:20,040 Speaker 1: with us three fabulous ladies. Happy New Year. Hi, Happy 4 00:00:20,079 --> 00:00:23,560 Speaker 1: New Year. Uh my co host and bestie. You sound 5 00:00:23,600 --> 00:00:26,800 Speaker 1: a little sexy. Why does always sound a little sexy? Oh? 6 00:00:26,840 --> 00:00:32,200 Speaker 1: I got the vid? Oh who I hear everyone's doing it? 7 00:00:33,800 --> 00:00:35,800 Speaker 1: Do you? No? I got it? I got it. I 8 00:00:35,880 --> 00:00:39,840 Speaker 1: learned to be like you and I got it. Okay, 9 00:00:39,880 --> 00:00:42,360 Speaker 1: so I'm gonna admit something that you're gonna be like. 10 00:00:42,400 --> 00:00:45,440 Speaker 1: Oh to t am I. So when girlfriends are closed, 11 00:00:45,479 --> 00:00:48,920 Speaker 1: their cycles sync up, and that's always happened to us, 12 00:00:49,800 --> 00:00:56,440 Speaker 1: and now our VIDs have like SYNCD up. So twice 13 00:00:56,960 --> 00:00:59,080 Speaker 1: we almost made it twice in one year. So I 14 00:00:59,120 --> 00:01:01,360 Speaker 1: had it twice in one year. You had it almost 15 00:01:01,360 --> 00:01:04,679 Speaker 1: twice in one year because you got it right January 16 00:01:04,760 --> 00:01:08,200 Speaker 1: January last year, and then I got again January this year. 17 00:01:08,720 --> 00:01:10,760 Speaker 1: But last year we got it back to back, and 18 00:01:10,840 --> 00:01:13,520 Speaker 1: this year we got it back to back, just once again, 19 00:01:13,640 --> 00:01:16,360 Speaker 1: proving to you guys that even though things change in life, 20 00:01:16,840 --> 00:01:21,360 Speaker 1: like we have you know, pandemic, epidemic, tridemic, what do 21 00:01:21,400 --> 00:01:25,840 Speaker 1: we have right now? Bestie still sync up, Kelly and 22 00:01:25,920 --> 00:01:30,720 Speaker 1: Dona lucky us. Okay, So here's the thing, though, I've 23 00:01:30,760 --> 00:01:34,760 Speaker 1: been in bed since Monday, like you know, in my 24 00:01:35,800 --> 00:01:39,720 Speaker 1: banished to my bedroom where because my other nobody else 25 00:01:39,720 --> 00:01:42,560 Speaker 1: in my family got it? Thank God. The craziest thing 26 00:01:42,640 --> 00:01:46,120 Speaker 1: is I had an eightieth birthday party for my mom 27 00:01:46,319 --> 00:01:52,120 Speaker 1: on Sunday, January one, and on the on that night, 28 00:01:52,160 --> 00:01:54,080 Speaker 1: I started to not feel well. And then the next 29 00:01:54,120 --> 00:01:58,880 Speaker 1: morning I tested positive. She didn't. I was so we 30 00:01:58,920 --> 00:02:00,920 Speaker 1: didn't get it to me, but I didn't give it 31 00:02:00,960 --> 00:02:04,040 Speaker 1: to me me like in all the wood and yeah, 32 00:02:04,080 --> 00:02:06,600 Speaker 1: I don't think anybody else got it, which is insane. 33 00:02:07,320 --> 00:02:10,480 Speaker 1: But I've been you know, I tested. I want to 34 00:02:10,520 --> 00:02:12,320 Speaker 1: leave my room, and I want to see my daughter, 35 00:02:12,360 --> 00:02:16,400 Speaker 1: who's home, my Lola. She's home from from college and 36 00:02:16,960 --> 00:02:19,160 Speaker 1: I wanted to spend time with her and I haven't 37 00:02:19,160 --> 00:02:21,560 Speaker 1: been able to. So here's my lady. I'm so nervous. 38 00:02:21,639 --> 00:02:25,320 Speaker 1: I'm so nervous. Oh my god. Okay, ready, I'm gonna 39 00:02:25,360 --> 00:02:30,359 Speaker 1: show you. I'm so nervous. Was it saying, oh, Mama, 40 00:02:30,520 --> 00:02:37,119 Speaker 1: you're so positive, but they say you can test positive 41 00:02:37,120 --> 00:02:42,680 Speaker 1: for up to are you sure? Geez? I thought you're 42 00:02:42,680 --> 00:02:45,480 Speaker 1: coming with that one. I don't know. What I was 43 00:02:45,480 --> 00:02:47,480 Speaker 1: thinking about. Is what I was thinking is you can 44 00:02:47,520 --> 00:02:50,760 Speaker 1: go from positive to negative, like you might be negative 45 00:02:50,919 --> 00:02:55,160 Speaker 1: tomorrow or even tonight. Just do it again. I keep saying, 46 00:02:55,160 --> 00:02:58,000 Speaker 1: how many? So Monday, Tuesday, Wednesday, Thursday, it's Friday. So 47 00:02:58,440 --> 00:03:01,280 Speaker 1: we're taping this on Friday, guys, so that's five days. 48 00:03:01,440 --> 00:03:03,680 Speaker 1: I think you might have a couple one day. Oh 49 00:03:03,760 --> 00:03:05,760 Speaker 1: my god, I can't take it. I can't, I can't. 50 00:03:05,760 --> 00:03:08,880 Speaker 1: I'm lose my mind. I'm busting out today. Okay, but 51 00:03:08,880 --> 00:03:11,360 Speaker 1: we're going to look at the silver lining here. And 52 00:03:12,000 --> 00:03:13,760 Speaker 1: I was really proud of you because you posted this 53 00:03:13,800 --> 00:03:18,600 Speaker 1: on on Instagram some days ago and that you have 54 00:03:18,680 --> 00:03:22,840 Speaker 1: decided in three to slow down because she does she 55 00:03:23,120 --> 00:03:29,040 Speaker 1: does everything for everyone moves at lightning pace. Um, and 56 00:03:29,080 --> 00:03:31,840 Speaker 1: this you were saying, maybe this was a sign that 57 00:03:32,360 --> 00:03:34,400 Speaker 1: it was gonna Your body was telling you to slow 58 00:03:34,400 --> 00:03:37,880 Speaker 1: itself down. I guess so, yeah, that was my my 59 00:03:37,960 --> 00:03:40,160 Speaker 1: word for the year, slow down my two words. I 60 00:03:40,160 --> 00:03:43,720 Speaker 1: guess so because we've both been sick, I gotta say you, guys, 61 00:03:44,800 --> 00:03:49,000 Speaker 1: my my New Year's wish came true. You got highlights. 62 00:03:51,920 --> 00:03:54,280 Speaker 1: It looks so pretty. Oh my god, I got my 63 00:03:54,480 --> 00:03:56,120 Speaker 1: I know you don't feel great right now, but you 64 00:03:56,160 --> 00:03:58,720 Speaker 1: look really pretty and you're giving me total telly from 65 00:03:58,720 --> 00:04:02,800 Speaker 1: this episode. I agree with no bangs and like hair back, 66 00:04:07,480 --> 00:04:11,240 Speaker 1: that's crazy. Yes, no, you told me that. Um basically 67 00:04:11,280 --> 00:04:16,200 Speaker 1: I looked ugly with brown hair and tst things like that. 68 00:04:16,560 --> 00:04:18,760 Speaker 1: Did I say that? No? What did you say? I 69 00:04:18,800 --> 00:04:20,720 Speaker 1: don't even remember, but you were like you are a 70 00:04:20,720 --> 00:04:26,080 Speaker 1: blonde or something like that. Face it, but I was still. 71 00:04:26,520 --> 00:04:29,160 Speaker 1: It's one thing we've all been through a lot of therapy. 72 00:04:29,240 --> 00:04:32,200 Speaker 1: We know how to phrase things to people without trying 73 00:04:32,240 --> 00:04:34,120 Speaker 1: to make them feel bad. I did not say you 74 00:04:34,160 --> 00:04:37,680 Speaker 1: looked ugly. That's what your brain brain hurt. That Yeah, 75 00:04:38,279 --> 00:04:40,240 Speaker 1: one of the most beautiful people. I got it. I 76 00:04:40,279 --> 00:04:42,440 Speaker 1: got it lightened just for you. I said, you're a 77 00:04:42,440 --> 00:04:46,240 Speaker 1: blonded heart. I guess I am, but I don't care 78 00:04:46,480 --> 00:04:49,640 Speaker 1: like I just I don't really care. So when my 79 00:04:49,720 --> 00:04:52,080 Speaker 1: hair like it grows out, I start to become like 80 00:04:52,120 --> 00:04:55,760 Speaker 1: a brunette and I like it, and but other people 81 00:04:55,800 --> 00:04:57,800 Speaker 1: around me, I guess, don't love it as much. So 82 00:04:58,880 --> 00:05:00,599 Speaker 1: it's not that I don't like it. I thought you 83 00:05:00,640 --> 00:05:04,279 Speaker 1: look good. I just love you. Okay, Well, this is 84 00:05:04,279 --> 00:05:06,359 Speaker 1: a hair issue. We've been dealing with for thirty years. 85 00:05:06,640 --> 00:05:08,240 Speaker 1: She always gets mad and I'm like, I like your 86 00:05:08,240 --> 00:05:09,800 Speaker 1: hair longer, and then she has her hair short and 87 00:05:09,800 --> 00:05:11,680 Speaker 1: then she's like, Okay, it was better longer and not 88 00:05:11,839 --> 00:05:14,120 Speaker 1: to It's like the one thing I can ever get right, 89 00:05:14,520 --> 00:05:17,000 Speaker 1: not to be kiss as. See how they always say 90 00:05:17,040 --> 00:05:20,320 Speaker 1: I'm kiss as you kiss as Yeah, Oh you're so, 91 00:05:22,080 --> 00:05:25,640 Speaker 1: isn't it wouldn't be actually as kissy whatever. But Tori, 92 00:05:25,800 --> 00:05:29,000 Speaker 1: you posted a family photo with a crop top and 93 00:05:29,040 --> 00:05:36,880 Speaker 1: you looked super huh, okay, thank you, thank you. That 94 00:05:37,000 --> 00:05:38,880 Speaker 1: was my one night out, But really it was in 95 00:05:38,960 --> 00:05:41,640 Speaker 1: because we just transport our sick family to a hotel. 96 00:05:41,640 --> 00:05:43,640 Speaker 1: We weren't sick or contagious by the time we went 97 00:05:43,680 --> 00:05:46,840 Speaker 1: to a hotel. But um we went to Park AVR 98 00:05:46,839 --> 00:05:48,560 Speaker 1: and it was so good that we stayed in we 99 00:05:48,600 --> 00:05:51,119 Speaker 1: didn't go outside. So but I did want to judge 100 00:05:51,160 --> 00:05:53,280 Speaker 1: myself up because I feel like I've been in literally 101 00:05:53,320 --> 00:05:55,239 Speaker 1: this sweat outfit. So I'm back to the sweat outfit 102 00:05:55,240 --> 00:05:57,719 Speaker 1: and I'm going to wear it all of two twenty three. 103 00:05:57,760 --> 00:05:59,680 Speaker 1: So John, if you get sick of it, this is 104 00:05:59,680 --> 00:06:02,760 Speaker 1: what I'm wearing unless I go out for that and 105 00:06:02,800 --> 00:06:07,040 Speaker 1: it has green pants matching Oh great, matching pants like 106 00:06:07,720 --> 00:06:10,760 Speaker 1: Beverly Hills vibe. I am, but I'm like the opposite 107 00:06:10,760 --> 00:06:17,200 Speaker 1: the Grinch. No, I'm our favorite color. Yes, okay, but 108 00:06:17,200 --> 00:06:20,160 Speaker 1: I don't want to change the subject. Well, you know, 109 00:06:20,200 --> 00:06:23,080 Speaker 1: I always admitt it like I did put like a 110 00:06:23,120 --> 00:06:26,919 Speaker 1: filter on my face because I succumbed to all the 111 00:06:26,920 --> 00:06:30,600 Speaker 1: pressures on Instagram. I did not photoshop anything or even 112 00:06:30,640 --> 00:06:35,720 Speaker 1: smooth on my stomach. Look great, it's all real. Nice. Okay, 113 00:06:35,920 --> 00:06:39,920 Speaker 1: you guys tell me about this episode because I liked it. 114 00:06:39,920 --> 00:06:45,279 Speaker 1: It's a favorite. Yeah is it? Oh no, you didn't 115 00:06:45,320 --> 00:06:47,680 Speaker 1: like it. I liked it. It was it was you know, 116 00:06:48,000 --> 00:06:53,400 Speaker 1: I liked it. I don't know, maybe theory. I had 117 00:06:53,400 --> 00:06:54,800 Speaker 1: a theory and why I liked it. I would love 118 00:06:54,839 --> 00:07:02,000 Speaker 1: your input because everything was really about the one storyline. 119 00:07:02,920 --> 00:07:08,040 Speaker 1: Everybody's mini stories were still back on the main storyline, 120 00:07:08,480 --> 00:07:11,520 Speaker 1: and I think for me, I was like, I love that. 121 00:07:12,120 --> 00:07:14,400 Speaker 1: It didn't feel like why is that happening? It was 122 00:07:14,480 --> 00:07:17,600 Speaker 1: like even though everyone had their own angles and different things, 123 00:07:18,000 --> 00:07:21,600 Speaker 1: it seemed really like centered. I feel you. I feel 124 00:07:21,600 --> 00:07:23,120 Speaker 1: you that I feel the same way. I love it. 125 00:07:23,160 --> 00:07:25,400 Speaker 1: When the episode everything's tied together and you're not all 126 00:07:25,440 --> 00:07:28,800 Speaker 1: scattered everywhere with everybody else's storylines because it sort of 127 00:07:29,120 --> 00:07:33,240 Speaker 1: diminishes it. I agree, And maybe that's why often I 128 00:07:33,320 --> 00:07:35,400 Speaker 1: tell you guys that go, oh, I'm bored because no 129 00:07:35,520 --> 00:07:37,560 Speaker 1: offense to anyone. Maybe if it's a storyline I'm not 130 00:07:37,600 --> 00:07:40,240 Speaker 1: as invested in. I kind of like zone out. Wait 131 00:07:40,280 --> 00:07:45,040 Speaker 1: wait wait. But because everybody's storyline was about this one 132 00:07:45,200 --> 00:07:48,880 Speaker 1: thing and came together, I loved every second of it. 133 00:07:50,160 --> 00:07:54,160 Speaker 1: I'm so glad. I'm very happy. So well, I liked it. 134 00:07:54,200 --> 00:07:56,920 Speaker 1: I did not like it. There wasn't I used. I'm 135 00:07:56,920 --> 00:07:59,720 Speaker 1: not doing backflips over anything right now, so but I 136 00:07:59,800 --> 00:08:02,040 Speaker 1: really they didn't like it, and I thought everybody did 137 00:08:02,080 --> 00:08:04,880 Speaker 1: such a great job. We are talking about season four, 138 00:08:04,920 --> 00:08:12,120 Speaker 1: episode eleven, take Back the Night, aired November sevent Synopsis. 139 00:08:12,200 --> 00:08:15,200 Speaker 1: Take Back the Night Week raises some tough questions amongst 140 00:08:15,240 --> 00:08:18,239 Speaker 1: the group. Laura's about to make a huge accusation against 141 00:08:18,280 --> 00:08:21,520 Speaker 1: Steve Sanders, John Sears Fine Way Shows has true colors, 142 00:08:21,520 --> 00:08:24,640 Speaker 1: and may he likes Pie, so Less gets her heartbroken 143 00:08:24,680 --> 00:08:28,680 Speaker 1: and Brandon gets blackmailed. Directed by James Whitmore Jr. Written 144 00:08:28,680 --> 00:08:34,720 Speaker 1: by Chip Johansson. Can I be controversial? Right from the start. Okay, 145 00:08:34,760 --> 00:08:37,680 Speaker 1: So I've been waiting to say the water cooler moment. Okay. 146 00:08:37,920 --> 00:08:42,600 Speaker 1: So Tracy Mittendorff plays Laura, and she was like around 147 00:08:42,760 --> 00:08:44,240 Speaker 1: like I think she was maybe on Days of our 148 00:08:44,280 --> 00:08:47,520 Speaker 1: Lives at some point. I don't know she was on 149 00:08:47,559 --> 00:08:50,280 Speaker 1: like she was the second Carrie Brady on Days for 150 00:08:50,280 --> 00:08:52,960 Speaker 1: Our Lives. Yeah, she was always in different things, right, 151 00:08:52,960 --> 00:08:54,839 Speaker 1: But I think this was the first I've ever saw her. 152 00:08:55,800 --> 00:08:59,319 Speaker 1: I feel bad for saying this, but for her entire career, 153 00:08:59,440 --> 00:09:01,760 Speaker 1: every time I always saw her, I found her annoying. 154 00:09:02,520 --> 00:09:09,080 Speaker 1: And I literally think it's because of this Laura, God 155 00:09:09,080 --> 00:09:15,760 Speaker 1: bless her is annoying. So I am wondering if for 156 00:09:15,840 --> 00:09:18,480 Speaker 1: that girl's entire career, every time she would pop up, 157 00:09:18,480 --> 00:09:20,640 Speaker 1: I'd be like, like, I never liked her as the 158 00:09:20,720 --> 00:09:24,080 Speaker 1: other carry not because I don't like Tracy Minendoor if 159 00:09:24,160 --> 00:09:25,439 Speaker 1: she's not a good actress, but I think it was 160 00:09:25,480 --> 00:09:30,320 Speaker 1: because always Laura. I was like, w t F Laura, 161 00:09:30,520 --> 00:09:35,880 Speaker 1: Like I get it, it's messy, but like, WHOA, yeah, 162 00:09:36,520 --> 00:09:40,400 Speaker 1: is not going to come on this show. I mean 163 00:09:40,440 --> 00:09:42,520 Speaker 1: we sealed that deal. It's okay. I want to ask 164 00:09:42,520 --> 00:09:44,960 Speaker 1: her about Days realized. Sorry, go ahead when I got 165 00:09:45,040 --> 00:09:47,200 Speaker 1: when I saw that Kelly was getting all twisted up 166 00:09:47,200 --> 00:09:50,240 Speaker 1: it with Laura. I was like, no, don't get involved, 167 00:09:51,040 --> 00:09:53,800 Speaker 1: She's going to bring you into a crazy world. But 168 00:09:53,880 --> 00:09:57,160 Speaker 1: I did like you guys together. I liked the scene. 169 00:09:58,040 --> 00:10:01,960 Speaker 1: It's so weird. Um when I saw them together, I 170 00:10:02,160 --> 00:10:09,280 Speaker 1: remember that character as the cuckoo date rape girl. No, no, 171 00:10:08,880 --> 00:10:12,520 Speaker 1: there's no way down the road. I could see how 172 00:10:13,040 --> 00:10:18,120 Speaker 1: you would think that though, because she does like look 173 00:10:18,160 --> 00:10:20,599 Speaker 1: like she could want to be I want to be Kelly. 174 00:10:20,920 --> 00:10:23,600 Speaker 1: I could see that. Yeah. There were times when I 175 00:10:23,640 --> 00:10:26,800 Speaker 1: was like, hey, is that No, that's not Kelly, that's whatever. 176 00:10:26,800 --> 00:10:30,280 Speaker 1: Her name was Laura. In fact, off show, we had 177 00:10:30,280 --> 00:10:32,120 Speaker 1: this conversation like how do we know her? And we 178 00:10:32,200 --> 00:10:34,400 Speaker 1: know her and we were like, did she play like 179 00:10:34,760 --> 00:10:39,240 Speaker 1: your sister and something like she could be? Yeah, Kelly 180 00:10:39,280 --> 00:10:42,840 Speaker 1: she worked a lot like back then and up until 181 00:10:43,040 --> 00:10:46,559 Speaker 1: you know, whenever she's she's a great actress. But her 182 00:10:46,640 --> 00:10:51,439 Speaker 1: character was and I feel bad not liking her because 183 00:10:51,440 --> 00:10:55,600 Speaker 1: she did her job. Well, yeah, do you feel sympathy 184 00:10:55,679 --> 00:10:59,760 Speaker 1: for her because she obviously was crushing so hard on Steve. 185 00:11:00,960 --> 00:11:04,520 Speaker 1: I also liked how they did the two versions her flash. 186 00:11:04,640 --> 00:11:08,840 Speaker 1: I mean, it's the whole like that. Yeah, because I 187 00:11:08,880 --> 00:11:13,880 Speaker 1: wasn't there. I hated it. What didn't you like movies? Like? 188 00:11:13,920 --> 00:11:17,760 Speaker 1: I was like, oh, like kep showing her bra and 189 00:11:17,800 --> 00:11:20,040 Speaker 1: her boobies. I was like, whoa, whoa, whoa, that's a 190 00:11:20,080 --> 00:11:23,240 Speaker 1: lot for And it was all black and white, which 191 00:11:23,280 --> 00:11:26,560 Speaker 1: I liked, but it made it seem just so much 192 00:11:26,679 --> 00:11:30,960 Speaker 1: more boobyish. I don't know everything they talk about for 193 00:11:31,080 --> 00:11:34,679 Speaker 1: that time period, the bra and was too much for you? 194 00:11:35,080 --> 00:11:38,400 Speaker 1: It was. And then just like when in her version 195 00:11:38,480 --> 00:11:42,199 Speaker 1: when she it's like a you know, not a happy situation. 196 00:11:43,080 --> 00:11:46,200 Speaker 1: When when I don't like seeing I didn't like seeing 197 00:11:46,760 --> 00:11:50,880 Speaker 1: Steve act as if he was doing it and being 198 00:11:50,920 --> 00:11:53,640 Speaker 1: aggressive with her, and like him when he threw her 199 00:11:53,679 --> 00:11:56,080 Speaker 1: down on the bed, he's like that sound. I didn't 200 00:11:56,120 --> 00:11:58,720 Speaker 1: like it. I don't like it because he doesn't get 201 00:11:58,720 --> 00:12:03,600 Speaker 1: a full hale pass. He still jerk. Yeah. I wanted 202 00:12:03,600 --> 00:12:06,720 Speaker 1: to feel bad for but I couldn't because he's a cheerer. 203 00:12:07,600 --> 00:12:11,840 Speaker 1: Yeah yeah, why okay? I God have so many questions. 204 00:12:11,920 --> 00:12:14,000 Speaker 1: First of all, when you watched it and you saw 205 00:12:14,080 --> 00:12:18,680 Speaker 1: both versions, did you immediately know, of course Steve's version 206 00:12:18,960 --> 00:12:21,719 Speaker 1: is the real version the truth or do you think 207 00:12:21,760 --> 00:12:23,720 Speaker 1: the truth was somewhere a little bit more in the middle. 208 00:12:24,559 --> 00:12:28,840 Speaker 1: The middle. Do you think in the middle you think 209 00:12:28,880 --> 00:12:32,240 Speaker 1: a little more skewed. I think it's definitely he was 210 00:12:32,280 --> 00:12:36,599 Speaker 1: telling the right version. But I think when you know, machismo, 211 00:12:36,880 --> 00:12:40,880 Speaker 1: like like I know, I don't know, I think a 212 00:12:40,960 --> 00:12:46,200 Speaker 1: man's version is probably a little skewed, more like ego. 213 00:12:46,360 --> 00:12:49,679 Speaker 1: There's an ego based. But I didn't feel like there 214 00:12:49,760 --> 00:12:52,920 Speaker 1: was a middle situation at all, because we we know 215 00:12:53,040 --> 00:12:57,480 Speaker 1: Steve really well, such a kind hearted person, and he's 216 00:12:57,520 --> 00:13:02,920 Speaker 1: so tender and you know, he valued use that like that, 217 00:13:02,920 --> 00:13:06,000 Speaker 1: that the act of like loving, you know, like he's 218 00:13:06,000 --> 00:13:09,160 Speaker 1: so that way, and I just she just her character. 219 00:13:09,360 --> 00:13:11,960 Speaker 1: We don't know her, we don't trust her, we don't 220 00:13:12,040 --> 00:13:14,560 Speaker 1: feel for her. And she comes in and she just 221 00:13:14,600 --> 00:13:17,600 Speaker 1: wants a kid guy and she's just so you know, 222 00:13:17,720 --> 00:13:20,439 Speaker 1: that's her mom. And I just felt like I didn't 223 00:13:20,480 --> 00:13:23,960 Speaker 1: see him having a partner at all other than just 224 00:13:24,120 --> 00:13:27,439 Speaker 1: you know, thinking with his you know what, yeah and 225 00:13:27,559 --> 00:13:33,480 Speaker 1: getting called Actually, I actually think they really pushed it 226 00:13:33,640 --> 00:13:36,640 Speaker 1: to have him sleep with her, because I don't think 227 00:13:37,480 --> 00:13:42,120 Speaker 1: the Steve, that the real Steve would have I get 228 00:13:42,160 --> 00:13:47,640 Speaker 1: it's a show and whatever. I'm sure I agree with you. Yeah, 229 00:13:47,840 --> 00:13:50,440 Speaker 1: I don't think he would have was not into her. 230 00:13:50,679 --> 00:13:53,160 Speaker 1: He loves the last He didn't want any part of this, 231 00:13:53,720 --> 00:13:56,000 Speaker 1: Like when it comes right down to it, like he 232 00:13:56,360 --> 00:13:59,040 Speaker 1: was flirty with the New York girl and he's always 233 00:13:59,400 --> 00:14:03,120 Speaker 1: google boggling over Kelly. But they had a pass. Yeah, 234 00:14:03,160 --> 00:14:05,120 Speaker 1: but there was there's that part of Steve that he 235 00:14:05,120 --> 00:14:08,520 Speaker 1: would he wouldn't take it all the way. I don't think. Yeah, 236 00:14:08,520 --> 00:14:11,480 Speaker 1: I just don't believe that. Sorry, sorry you guys. It's 237 00:14:11,559 --> 00:14:15,480 Speaker 1: just a young guy, first year of college. I just 238 00:14:15,559 --> 00:14:19,480 Speaker 1: think I don't know things happen. I don't think you're 239 00:14:19,520 --> 00:14:23,720 Speaker 1: always a bad guy. But I think men, especially young guys, 240 00:14:25,200 --> 00:14:31,080 Speaker 1: like they think with their other head and it oh man, 241 00:14:31,880 --> 00:14:34,240 Speaker 1: I don't want to hear that. They think with their pep. 242 00:14:34,520 --> 00:14:37,800 Speaker 1: What do you want to hear? I think it's an 243 00:14:37,800 --> 00:14:42,840 Speaker 1: interesting question because he was not into her. He really 244 00:14:42,840 --> 00:14:45,320 Speaker 1: didn't want to go on the date. He was doing 245 00:14:45,360 --> 00:14:48,040 Speaker 1: it as a brother. I feel like he would have 246 00:14:48,080 --> 00:14:51,640 Speaker 1: just been like, great nights, you never like. I don't know. 247 00:14:52,120 --> 00:14:54,080 Speaker 1: I don't buy it. It didn't track with me that 248 00:14:54,120 --> 00:14:58,680 Speaker 1: he actually would have slept with her. Maybe if it 249 00:14:58,760 --> 00:15:01,960 Speaker 1: was but he did. Maybe if it was Kelly, but 250 00:15:01,960 --> 00:15:07,800 Speaker 1: but he did so so bad though, when when it 251 00:15:07,880 --> 00:15:10,720 Speaker 1: was breakup time for celest like, she was so sweet 252 00:15:10,760 --> 00:15:12,600 Speaker 1: and cute in that scene in the in the peach 253 00:15:12,600 --> 00:15:16,000 Speaker 1: pit when they're breaking up and my heart just broke 254 00:15:16,080 --> 00:15:19,920 Speaker 1: for her. Wait, is that it for them? Amy? You know? 255 00:15:20,360 --> 00:15:23,880 Speaker 1: She back? That's it? No, I think she comes back 256 00:15:24,120 --> 00:15:26,520 Speaker 1: because I don't want to sell her on her show yet. 257 00:15:26,560 --> 00:15:30,000 Speaker 1: And I love her, we love her. There's more. I 258 00:15:30,080 --> 00:15:34,320 Speaker 1: actually didn't love her performance. I think I wrote down 259 00:15:34,920 --> 00:15:41,000 Speaker 1: Jennifer was doing bad acting. Wait, wait, hell do I know? Okay, well, 260 00:15:41,000 --> 00:15:47,840 Speaker 1: I guess she won't come on our show either, But 261 00:15:47,920 --> 00:15:52,240 Speaker 1: I did. I felt her feelings. I felt her sadness 262 00:15:52,280 --> 00:15:54,560 Speaker 1: in that moment, and I felt she did a great job. 263 00:15:56,160 --> 00:16:00,880 Speaker 1: But what do I know? A lot that said, but 264 00:16:01,000 --> 00:16:04,600 Speaker 1: she does have gray hair always, so you know what, Yeah, 265 00:16:04,640 --> 00:16:06,920 Speaker 1: she's and she's great. In the rest of the episode, 266 00:16:06,920 --> 00:16:08,720 Speaker 1: I just thought maybe it was a little hard. That 267 00:16:08,800 --> 00:16:15,240 Speaker 1: was a hard scene. But the whole episode is really good. Like, 268 00:16:15,280 --> 00:16:17,880 Speaker 1: what did you think? It felt very contemporary. I don't 269 00:16:17,880 --> 00:16:19,600 Speaker 1: know if that's like quite the right word, because when 270 00:16:19,640 --> 00:16:23,280 Speaker 1: you say contemporary, it's like, no, it really did. Even 271 00:16:23,280 --> 00:16:31,920 Speaker 1: the dialogue except Brandon calling Brenda chick like, but there's 272 00:16:31,920 --> 00:16:36,120 Speaker 1: a couple of piggy moments. Yeah, but yeah, you know, 273 00:16:37,320 --> 00:16:41,360 Speaker 1: yeah it did, it did. Okay, so let's go back 274 00:16:41,400 --> 00:16:45,200 Speaker 1: to the beginning. So we we immediately know that this 275 00:16:45,320 --> 00:16:46,960 Speaker 1: is going to be sort of the take Back the 276 00:16:47,080 --> 00:16:50,880 Speaker 1: Night episode stop Violence against Women, and we get into 277 00:16:50,920 --> 00:16:53,680 Speaker 1: that really quickly. It's take Back the Night week, and 278 00:16:53,680 --> 00:16:58,320 Speaker 1: we see Lucinda lecturing, so it's like, Lucinda is not 279 00:16:58,400 --> 00:17:01,520 Speaker 1: going anywhere, so she's around, yeah, and we know that 280 00:17:01,600 --> 00:17:04,320 Speaker 1: Brandon's got to go there for dinner. So then the 281 00:17:04,400 --> 00:17:05,920 Speaker 1: other thing I thought, Okay, so we go to the 282 00:17:06,000 --> 00:17:10,200 Speaker 1: Keghouse and they're really I'm not sure brothers in a 283 00:17:10,280 --> 00:17:13,239 Speaker 1: fraternity would be doing what they're doing to Steve, Like 284 00:17:13,720 --> 00:17:16,720 Speaker 1: Laura's calling, here's the fun, you know, like I feel 285 00:17:16,720 --> 00:17:20,080 Speaker 1: like we can only defer to you on this because 286 00:17:20,119 --> 00:17:23,640 Speaker 1: we don't know. I don't in college. I think if 287 00:17:24,000 --> 00:17:26,439 Speaker 1: a bunch of dudes are in the fraternity together and 288 00:17:26,440 --> 00:17:28,080 Speaker 1: one guy's like, you know, this girl likes me, I'm 289 00:17:28,080 --> 00:17:31,119 Speaker 1: not indoor, I don't think they're going to go the opposite. 290 00:17:31,119 --> 00:17:33,280 Speaker 1: They would have sort of been like, we get it, bro, 291 00:17:33,720 --> 00:17:36,840 Speaker 1: you know really, yeah, here's me piping in and I 292 00:17:36,880 --> 00:17:40,040 Speaker 1: never went to college. I feel like men would be like, 293 00:17:40,119 --> 00:17:42,040 Speaker 1: what do you what's wrong with you? She's hot, just 294 00:17:42,080 --> 00:17:45,040 Speaker 1: go with her. I don't know, I mean I feel 295 00:17:45,040 --> 00:17:49,320 Speaker 1: like that voice first of all voice pretty good. Fraternity 296 00:17:49,359 --> 00:17:52,240 Speaker 1: boys are pretty respectful of like the dude with the 297 00:17:52,280 --> 00:17:56,200 Speaker 1: girlfriend that has never matched up for me. I mean 298 00:17:56,200 --> 00:17:59,840 Speaker 1: all the yeah, I mean yeah, and they're also soup 299 00:18:00,000 --> 00:18:03,639 Speaker 1: were protective of each other. They just would not be 300 00:18:03,720 --> 00:18:08,000 Speaker 1: like throwing throwing under the bus. And like young men 301 00:18:08,119 --> 00:18:11,520 Speaker 1: in general, like stand up for the girlfriend. They're always like, 302 00:18:11,600 --> 00:18:13,800 Speaker 1: you're young, like live your life, go with the Really, 303 00:18:14,400 --> 00:18:17,000 Speaker 1: it's not my experience. Yeah, like all the dude the 304 00:18:17,080 --> 00:18:22,719 Speaker 1: dude had a girlfriend, and especially if the girlfriend was 305 00:18:22,800 --> 00:18:26,560 Speaker 1: at the same school. Maybe if the girlfriend was like 306 00:18:26,600 --> 00:18:28,359 Speaker 1: long distance, they might be like, come on, bro, have 307 00:18:28,440 --> 00:18:30,360 Speaker 1: fun with us, you know whatever. But if the girlfriends 308 00:18:30,359 --> 00:18:32,720 Speaker 1: at the same school, it was not my experience. But like, 309 00:18:34,520 --> 00:18:36,600 Speaker 1: I guess not the guys we were around at that time, 310 00:18:36,680 --> 00:18:41,280 Speaker 1: and alternative boys get a bad rap on. No, I'm 311 00:18:41,280 --> 00:18:44,199 Speaker 1: just talking about men in general when they're young and horny, right. 312 00:18:45,240 --> 00:18:47,960 Speaker 1: I think the one thing about this episode that was 313 00:18:48,000 --> 00:18:53,000 Speaker 1: a little bit maybe uh dated was how it was, 314 00:18:53,119 --> 00:18:57,800 Speaker 1: so this happens to women and only women, and this 315 00:18:57,840 --> 00:19:00,480 Speaker 1: is what men do where it is not white like that, 316 00:19:00,520 --> 00:19:04,760 Speaker 1: and I actually Andrea, Yeah, Andrea was sort of taking 317 00:19:05,000 --> 00:19:08,040 Speaker 1: the other perspective a little bit. I felt like, wait, 318 00:19:08,080 --> 00:19:11,320 Speaker 1: whoa and that I don't know. I didn't know what 319 00:19:11,359 --> 00:19:13,240 Speaker 1: was she was. I didn't know what she was doing 320 00:19:13,240 --> 00:19:15,720 Speaker 1: in that moment when she piped up, I felt like 321 00:19:15,760 --> 00:19:20,400 Speaker 1: she was really being strong. It was she defending guys 322 00:19:21,119 --> 00:19:24,200 Speaker 1: in that situation or was she just saying, look, there's 323 00:19:24,240 --> 00:19:26,960 Speaker 1: two sides to the coin. I think she wants women 324 00:19:27,000 --> 00:19:30,480 Speaker 1: to take responsibility to if there was a case where 325 00:19:30,920 --> 00:19:34,120 Speaker 1: like a Laura, I think she was sort of almost 326 00:19:34,160 --> 00:19:38,280 Speaker 1: foreshadowing that in that, Look, if you want to pursue 327 00:19:38,320 --> 00:19:42,600 Speaker 1: a man and you you can. This doesn't just have 328 00:19:42,640 --> 00:19:44,399 Speaker 1: to be about like the man has to be the pursuer, 329 00:19:44,480 --> 00:19:47,239 Speaker 1: but you also have to take ownership of that and 330 00:19:47,320 --> 00:19:51,320 Speaker 1: you you can't later than say do you know what 331 00:19:51,359 --> 00:19:54,680 Speaker 1: I mean? Like Laura was the initiatively had I mean 332 00:19:54,800 --> 00:19:57,640 Speaker 1: one of my favorite scene in it. Actually sorry I'm 333 00:19:57,640 --> 00:20:02,879 Speaker 1: skiving Hedgen, but but I didn't say, you know, I 334 00:20:02,920 --> 00:20:05,200 Speaker 1: didn't say no, but I didn't know I didn't say yes, 335 00:20:05,240 --> 00:20:09,880 Speaker 1: but I didn't say no, which is Andrew's point probably, 336 00:20:10,440 --> 00:20:15,160 Speaker 1: and there unless the comply crux, because that's the thing. 337 00:20:15,560 --> 00:20:20,080 Speaker 1: It's a fine line and it's hard to decide which 338 00:20:20,400 --> 00:20:23,359 Speaker 1: you know which can't you want to be with the 339 00:20:23,640 --> 00:20:30,640 Speaker 1: you know? Yeah? I think maybe the three version is 340 00:20:31,840 --> 00:20:36,080 Speaker 1: you also are allowed to say yes without feeling bad 341 00:20:36,160 --> 00:20:39,520 Speaker 1: about yourself. I think that's something that is now, do 342 00:20:39,560 --> 00:20:41,640 Speaker 1: you know what I'm saying? Like, I think the real 343 00:20:41,760 --> 00:20:44,280 Speaker 1: version with Laura is that she really wanted to sleep 344 00:20:44,320 --> 00:20:47,080 Speaker 1: with Steve, probably for the wrong reasons because she thought 345 00:20:47,080 --> 00:20:49,879 Speaker 1: it was going to get her the boyfriend. But she 346 00:20:50,080 --> 00:20:52,560 Speaker 1: I believe she was the aggressor she's been calling him. 347 00:20:52,600 --> 00:20:57,560 Speaker 1: She's really pursuing him, and she doesn't have to necessarily 348 00:20:57,600 --> 00:21:00,480 Speaker 1: feel shame about that, But she can't then flipped the 349 00:21:00,520 --> 00:21:04,560 Speaker 1: script on him, right, Did she feel shame or was 350 00:21:04,600 --> 00:21:08,879 Speaker 1: she pissed and so she did that Maybe she was 351 00:21:08,920 --> 00:21:14,040 Speaker 1: dissembarrassed that Yeah, maybe she's embarrassed that he didn't reciprocate 352 00:21:14,200 --> 00:21:18,560 Speaker 1: her feelings about it, or when she's embarrassed her like 353 00:21:18,560 --> 00:21:20,880 Speaker 1: I'm going to take him down because I wanted him. 354 00:21:20,920 --> 00:21:24,000 Speaker 1: He didn't reciprocate these feelings, so at him, I'm going 355 00:21:24,119 --> 00:21:26,200 Speaker 1: I'm going to go for it. And he had a girlfriend, 356 00:21:26,240 --> 00:21:28,720 Speaker 1: which is kind of a d move. So let me 357 00:21:28,720 --> 00:21:32,919 Speaker 1: ask you guys, this doesn't Laura also say she didn't 358 00:21:33,000 --> 00:21:37,160 Speaker 1: say yes, but she didn't say no? Does she repeat 359 00:21:37,200 --> 00:21:40,800 Speaker 1: that line? I think for me that didn't track because 360 00:21:41,119 --> 00:21:47,800 Speaker 1: she did she said yes, yeah, and now she's saying 361 00:21:47,840 --> 00:21:50,040 Speaker 1: she said no. But who knows because none of us 362 00:21:50,040 --> 00:21:53,359 Speaker 1: were in the room. We only have the two flashbacks 363 00:21:53,400 --> 00:21:57,040 Speaker 1: to go to go off of. Right, the takeaway for 364 00:21:57,160 --> 00:22:01,720 Speaker 1: me was that Steve's version was the more accurate version 365 00:22:02,400 --> 00:22:06,440 Speaker 1: where she was the pursuer. She was the one who 366 00:22:06,520 --> 00:22:11,800 Speaker 1: was really signifying yes, agreed yeah. Her quote was I 367 00:22:11,840 --> 00:22:14,520 Speaker 1: didn't say yes, but I never said no. But I 368 00:22:14,560 --> 00:22:17,639 Speaker 1: think she did say yes. But that's debatable and everyone 369 00:22:17,720 --> 00:22:20,680 Speaker 1: could have their own perspective because she really would. She 370 00:22:20,680 --> 00:22:24,920 Speaker 1: didn't say as but she but she said yes right 371 00:22:25,560 --> 00:22:29,680 Speaker 1: as as moms. Have you guys ever seen that booby? 372 00:22:30,640 --> 00:22:42,600 Speaker 1: She said yes? Yes. Hey. I'm Lance Bass, host of 373 00:22:42,600 --> 00:22:45,840 Speaker 1: the New I Heart podcast Frosted Tips with Lance Bass. 374 00:22:45,880 --> 00:22:47,760 Speaker 1: The hardest thing could be knowing who to turn to 375 00:22:47,920 --> 00:22:50,840 Speaker 1: when questions arise, or times get tough or you're at 376 00:22:50,880 --> 00:22:53,480 Speaker 1: the end of the road. Okay, I see what you're doing. 377 00:22:53,560 --> 00:22:55,960 Speaker 1: Do you ever think to yourself, what advice would Lance 378 00:22:55,960 --> 00:22:58,880 Speaker 1: Bass and my favorite boy bands give me in this situation? 379 00:22:59,080 --> 00:23:01,359 Speaker 1: If you do, you've come to the right place, because 380 00:23:01,480 --> 00:23:05,680 Speaker 1: I'm here to help this. I promise you seriously, I swear, 381 00:23:05,920 --> 00:23:07,960 Speaker 1: and you won't have to send an S O S 382 00:23:08,200 --> 00:23:11,399 Speaker 1: because I'll be there for you, and so will my 383 00:23:11,480 --> 00:23:14,480 Speaker 1: husband Michael. Hey, that's me. Yea. We know that Michael 384 00:23:14,480 --> 00:23:17,600 Speaker 1: and a different hot sexy teen crush boybander each week 385 00:23:17,640 --> 00:23:22,720 Speaker 1: to guide you through life step by step, not another one. Kids, relationships, 386 00:23:22,880 --> 00:23:25,439 Speaker 1: life in general can get messy. You may be thinking, 387 00:23:25,600 --> 00:23:27,959 Speaker 1: this is the story of my life. Just stop now. 388 00:23:28,240 --> 00:23:33,080 Speaker 1: If so, tell everybody, yeah, everybody about my new podcast 389 00:23:33,119 --> 00:23:35,800 Speaker 1: and make sure to listen so we'll never ever have 390 00:23:35,920 --> 00:23:38,840 Speaker 1: to say bye bye bye. Listen to Frosted Tips with 391 00:23:38,880 --> 00:23:41,240 Speaker 1: a Lance Bass on the I Heart Radio app, Apple 392 00:23:41,280 --> 00:23:48,680 Speaker 1: podcast or wherever you listen to podcasts. Have you, guys 393 00:23:48,760 --> 00:23:51,159 Speaker 1: seen your kids that have these apps or whatever? Are 394 00:23:51,200 --> 00:23:55,080 Speaker 1: these papers that they want? Like almost like you press 395 00:23:55,119 --> 00:23:57,920 Speaker 1: a button on an app to say yes, do you 396 00:23:57,960 --> 00:24:01,160 Speaker 1: guys in time out? I'm sorry, I need the Apple 397 00:24:01,720 --> 00:24:04,119 Speaker 1: a button that says no, no no, no no no. 398 00:24:05,600 --> 00:24:08,119 Speaker 1: I mean they're not there yet, but I could be 399 00:24:08,119 --> 00:24:09,960 Speaker 1: wrong because I don't have teenagers, but I'm pretty sure 400 00:24:10,000 --> 00:24:13,400 Speaker 1: my mom friends have said, like they really teach now 401 00:24:14,240 --> 00:24:18,960 Speaker 1: that it's you must say yes right, that the boys 402 00:24:18,960 --> 00:24:22,159 Speaker 1: are supposed to say, like Jenny, is it okay if 403 00:24:22,160 --> 00:24:24,719 Speaker 1: I kiss you? Yes? And then is it okay if 404 00:24:24,720 --> 00:24:27,640 Speaker 1: I touch your boobs? Or I mean, that's what they 405 00:24:27,760 --> 00:24:29,560 Speaker 1: teach and that's what we see. But I don't know 406 00:24:29,600 --> 00:24:33,200 Speaker 1: if that's actually happened out there in the field, right 407 00:24:34,800 --> 00:24:38,640 Speaker 1: I r L Yeah, I mean that's definitely. I thought 408 00:24:38,640 --> 00:24:42,640 Speaker 1: there's some like you both press an app. I don't 409 00:24:42,840 --> 00:24:46,000 Speaker 1: never have you seen it? Why couldn't they just say 410 00:24:46,040 --> 00:24:48,040 Speaker 1: it in real to each other? Why they have to 411 00:24:48,080 --> 00:24:51,800 Speaker 1: push an app? My kids are so naive and grateful 412 00:24:51,840 --> 00:24:55,640 Speaker 1: for that, like my fourteen and fifth year old, like, goodness, 413 00:24:55,800 --> 00:25:01,080 Speaker 1: not there yet and I'm okay with that, but that's good. 414 00:25:01,160 --> 00:25:03,159 Speaker 1: So you're saying they press something instead of saying it 415 00:25:03,200 --> 00:25:05,960 Speaker 1: if they're embarrassed. There's like I think Jenny's righting that 416 00:25:06,040 --> 00:25:10,720 Speaker 1: no app is called consent. The consent, Yeah, I don't 417 00:25:10,760 --> 00:25:12,840 Speaker 1: think anyone uses it. I don't know that app. I'm 418 00:25:12,880 --> 00:25:14,679 Speaker 1: going to download it and use it tonight. What are 419 00:25:14,680 --> 00:25:18,320 Speaker 1: you nuts? Wait, I'm seriously looking it up on the 420 00:25:18,320 --> 00:25:24,679 Speaker 1: app store right now. What did you think about that 421 00:25:24,800 --> 00:25:29,320 Speaker 1: Nat loved Laura? I was like, oh god, just a 422 00:25:29,320 --> 00:25:34,000 Speaker 1: few checkboxes away. Oh my gosh, Wow, that takes some 423 00:25:34,320 --> 00:25:37,680 Speaker 1: mood out, Like that kills a mood. That's so two 424 00:25:37,760 --> 00:25:42,639 Speaker 1: three everything's quick. Consent is that it I don't see it. 425 00:25:43,000 --> 00:25:50,760 Speaker 1: The consent really blow out my trustee phone. I'm sorry, Amy, 426 00:25:50,800 --> 00:25:53,840 Speaker 1: what were you saying that? You know? One of the 427 00:25:53,880 --> 00:25:58,400 Speaker 1: things about Laura is she really was, um, I don't know, 428 00:25:58,840 --> 00:26:02,000 Speaker 1: doing the psycho girl thing where she's you know, she's 429 00:26:02,080 --> 00:26:07,760 Speaker 1: befriending Andrea. She's befriending She's in there. She's charming the 430 00:26:08,080 --> 00:26:10,520 Speaker 1: you know, sharp charming Nat and that you know, he 431 00:26:10,640 --> 00:26:13,320 Speaker 1: really was like pleasure was mine, sweetheart? You know, like 432 00:26:13,400 --> 00:26:18,560 Speaker 1: she's really worming her way into Steve's world. I just 433 00:26:18,680 --> 00:26:22,879 Speaker 1: remember back in the nineties being so uncomfortable with Laura. 434 00:26:24,280 --> 00:26:30,520 Speaker 1: Everything about her can be uncomfortable. Yeah, me too, m great, 435 00:26:32,240 --> 00:26:34,960 Speaker 1: But now because she's younger and we're older at the time, 436 00:26:35,040 --> 00:26:39,560 Speaker 1: we're not like as threatened by That's right, Tory. That's 437 00:26:39,560 --> 00:26:43,240 Speaker 1: such a great point. I do see her differently now 438 00:26:43,320 --> 00:26:47,679 Speaker 1: she's not quite so it's sort of you feel sorry 439 00:26:47,720 --> 00:26:51,080 Speaker 1: for her now I just feel sorry for Yeah, it's 440 00:26:51,160 --> 00:26:54,040 Speaker 1: really changed because looking at her then she could be 441 00:26:54,040 --> 00:26:58,520 Speaker 1: our all of our daughters. I'm telling you now, you go, Jimmy, 442 00:26:58,560 --> 00:27:00,240 Speaker 1: how did you guys feel? I just want to which 443 00:27:00,280 --> 00:27:05,280 Speaker 1: I'm tired of this storyline. Okay, how did you guys feel? Okay? 444 00:27:05,480 --> 00:27:10,920 Speaker 1: Then we had the Lucinda Brandon thing. Listen to Brandon, 445 00:27:11,240 --> 00:27:14,760 Speaker 1: Deshaun knows what's up one meal and this guy, you know, 446 00:27:14,840 --> 00:27:17,240 Speaker 1: he's sitting down and he's like he could you could 447 00:27:17,280 --> 00:27:19,919 Speaker 1: see that he realizes what's happening, and then he calls 448 00:27:19,960 --> 00:27:25,080 Speaker 1: it up and use it to his advantage because he's smart. Um, 449 00:27:25,280 --> 00:27:28,679 Speaker 1: but it's so cringe e Like she's doing all that 450 00:27:28,800 --> 00:27:32,639 Speaker 1: right in front of her husband. Well, and she's the opposite. 451 00:27:33,280 --> 00:27:38,160 Speaker 1: She is the aggressor to an inappropriate point. She wants 452 00:27:38,200 --> 00:27:40,840 Speaker 1: to take back the night in a different way. So 453 00:27:40,880 --> 00:27:45,040 Speaker 1: she's she's the adult version of Laura in this the 454 00:27:45,440 --> 00:27:48,960 Speaker 1: y a little slicker and just put together so no 455 00:27:49,000 --> 00:27:52,080 Speaker 1: one would suspect it. She's you know, I think the 456 00:27:52,119 --> 00:27:58,359 Speaker 1: writers were quite intentional with that story, like smart, I 457 00:27:58,400 --> 00:28:03,800 Speaker 1: don't like Lucinda at all. Like that character. She's a 458 00:28:03,840 --> 00:28:08,760 Speaker 1: saucy lady who owns her power, but her power is 459 00:28:08,760 --> 00:28:14,359 Speaker 1: being abused, uses her power or femininity, her her and 460 00:28:14,520 --> 00:28:18,479 Speaker 1: her stature, Like I don't. I don't like her character. Okay, 461 00:28:18,520 --> 00:28:21,440 Speaker 1: So it's interesting because we're talking about then and now. 462 00:28:21,640 --> 00:28:25,840 Speaker 1: So then I was all like this, Lucinda is awful, 463 00:28:26,040 --> 00:28:28,760 Speaker 1: and I was so like, I don't know, I didn't 464 00:28:28,760 --> 00:28:31,280 Speaker 1: like her. And I'm not talking about you know, Dina, 465 00:28:31,400 --> 00:28:34,840 Speaker 1: Like it was the character of Lucenda. But now I 466 00:28:34,880 --> 00:28:37,720 Speaker 1: look at it and there was something that I'm like, oh, 467 00:28:37,880 --> 00:28:40,120 Speaker 1: not that I want to be that person, but I 468 00:28:40,160 --> 00:28:44,520 Speaker 1: was like, young, a bit of that confidence in power. 469 00:28:44,840 --> 00:28:48,240 Speaker 1: I totally what you're saying. She's sexy and powerful and 470 00:28:48,320 --> 00:28:53,760 Speaker 1: strong and unintimidated, but she's also a married woman and 471 00:28:53,840 --> 00:28:56,640 Speaker 1: this Brandon has told her no, and Brandon has been 472 00:28:56,720 --> 00:29:01,080 Speaker 1: very righteous and doing the right thing all through. Oh 473 00:29:01,120 --> 00:29:03,360 Speaker 1: my god. Oh we just said oh my god about 474 00:29:03,560 --> 00:29:07,400 Speaker 1: Oh my God. If Brandon gives in and the storyline 475 00:29:07,440 --> 00:29:09,360 Speaker 1: goes in the direction where they do get together, I'm 476 00:29:09,360 --> 00:29:12,360 Speaker 1: going to be so upset that doesn't happen? Does it? 477 00:29:14,080 --> 00:29:19,040 Speaker 1: Oh my god, do you want a dream just hits you? Sorry, 478 00:29:19,040 --> 00:29:21,640 Speaker 1: getting back to your question one second? Sorry? Sorry? Do 479 00:29:21,680 --> 00:29:23,560 Speaker 1: you know you just realize your dream because you're talking 480 00:29:23,560 --> 00:29:26,200 Speaker 1: about something? What I think? Because I watched the episode 481 00:29:26,280 --> 00:29:31,840 Speaker 1: last night? Did you dream of Jason Prisley? Oh? Dirty? No? 482 00:29:32,360 --> 00:29:35,560 Speaker 1: A dirty one or just a regular one? Oh? Those eyes? 483 00:29:37,200 --> 00:29:40,520 Speaker 1: You had a sex dream about JP? I didn't say sex, 484 00:29:40,960 --> 00:29:43,920 Speaker 1: a dirty one? What was he in the mud? What? 485 00:29:44,120 --> 00:29:48,800 Speaker 1: I don't understand? What are you doing something? We won't 486 00:29:48,800 --> 00:29:55,720 Speaker 1: be showing us with iron all the time. The weirdest 487 00:29:55,960 --> 00:30:01,560 Speaker 1: part is, oh my god, we were in a hotel room, 488 00:30:01,600 --> 00:30:08,240 Speaker 1: but we were not alone, and we're with jen ear muffs. 489 00:30:09,600 --> 00:30:13,280 Speaker 1: I'm not la la la la la la la Tiffany, 490 00:30:13,440 --> 00:30:17,600 Speaker 1: and I'm messing with you. I just like to play 491 00:30:17,640 --> 00:30:20,600 Speaker 1: into the press. It's non existent. But what the press says, 492 00:30:20,600 --> 00:30:22,520 Speaker 1: we like to make poke fun of what the press 493 00:30:22,600 --> 00:30:28,400 Speaker 1: like heightens and it's not true. Um, but she wasn't Tiffany. 494 00:30:28,560 --> 00:30:34,200 Speaker 1: She was the Lucinda character. And yeah, I can hair style. 495 00:30:34,360 --> 00:30:41,280 Speaker 1: This dream happened last night. Yes, And so the Jason character, 496 00:30:41,400 --> 00:30:46,440 Speaker 1: who was probably Brandon in my dream, was like, let's 497 00:30:46,480 --> 00:30:48,920 Speaker 1: go like, hey, you want to hook up? But basically 498 00:30:48,960 --> 00:30:51,440 Speaker 1: it wasn't brand it was Brandon, it wasn't Jason, and 499 00:30:51,520 --> 00:30:53,040 Speaker 1: he wasn't gross like, hey you want to hook up. 500 00:30:53,080 --> 00:30:56,080 Speaker 1: I'm just doing a dude gross voice. Um. And I 501 00:30:56,160 --> 00:30:59,760 Speaker 1: was like, she's right here, and she was like, you guys, 502 00:30:59,880 --> 00:31:02,560 Speaker 1: I ordered breakfast in bed but it was night and 503 00:31:02,600 --> 00:31:04,560 Speaker 1: I was like, and I was like, well, what you again? 504 00:31:04,680 --> 00:31:06,560 Speaker 1: You just ate all the mashed potatoes and now I 505 00:31:06,600 --> 00:31:10,920 Speaker 1: have nothing to eat him like that. I was so hungry. Yeah, 506 00:31:10,960 --> 00:31:12,720 Speaker 1: you're right, I didn't eat less night in my ambient 507 00:31:12,760 --> 00:31:15,160 Speaker 1: that's why. Okay. So and I was like, what are 508 00:31:15,200 --> 00:31:17,120 Speaker 1: you talking about? She's right here and he's like, okay, 509 00:31:17,160 --> 00:31:18,680 Speaker 1: do you want to go in the bathroom? And I 510 00:31:18,760 --> 00:31:21,720 Speaker 1: was like so. I was like, god, okay, I guess, 511 00:31:21,760 --> 00:31:23,840 Speaker 1: but I don't really want to do this, like and 512 00:31:23,880 --> 00:31:27,720 Speaker 1: then nothing happened. I woke up. Oh man, you have 513 00:31:27,880 --> 00:31:29,880 Speaker 1: me on the edge of my seat. It's a bad ending, 514 00:31:29,920 --> 00:31:34,000 Speaker 1: but but good story. That happens to me with Iron 515 00:31:34,040 --> 00:31:35,960 Speaker 1: all the time. I'm just gonna admit it, Like every 516 00:31:36,000 --> 00:31:37,880 Speaker 1: time I watched the show, I know I have like 517 00:31:38,000 --> 00:31:39,680 Speaker 1: he gets in my dream. Not every time, but like 518 00:31:39,880 --> 00:31:42,280 Speaker 1: you know, I don't know the only thing my takeaways 519 00:31:42,320 --> 00:31:45,320 Speaker 1: I just want mashed potatoes now, Okay, that makes me 520 00:31:45,400 --> 00:31:49,360 Speaker 1: think though of this. You know the opening credits when 521 00:31:49,440 --> 00:31:52,600 Speaker 1: Luke either whispers in your ear Tory, I know we've 522 00:31:52,600 --> 00:31:55,520 Speaker 1: talked about it before he kisses you, so cute. I 523 00:31:55,640 --> 00:31:59,440 Speaker 1: noticed it when I watched this particular episode. Anyway, I 524 00:31:59,440 --> 00:32:05,280 Speaker 1: wonder what he saying, Let's go back on her. Yes, 525 00:32:07,040 --> 00:32:11,960 Speaker 1: she's sort of uh yeah, like she's she needs to 526 00:32:12,000 --> 00:32:15,080 Speaker 1: dial it back. And Brandon says to the to the husband, 527 00:32:15,120 --> 00:32:20,120 Speaker 1: the teacher, whatever his name is he said, He says, 528 00:32:20,240 --> 00:32:22,320 Speaker 1: right now to him, lustend as a player, all right, 529 00:32:22,560 --> 00:32:26,280 Speaker 1: Like it's so heavy handed that this is this guy 530 00:32:26,360 --> 00:32:29,880 Speaker 1: in on it or oh my god, remember she's like, 531 00:32:29,920 --> 00:32:32,120 Speaker 1: have you ever done it on a kitchen table? Like 532 00:32:32,160 --> 00:32:38,880 Speaker 1: it's so unique, modernized. I don't know what the word is, 533 00:32:39,760 --> 00:32:41,600 Speaker 1: not swingers, because I don't think he want to be 534 00:32:41,600 --> 00:32:46,920 Speaker 1: a relationship like something about it. Maybe he's the guy 535 00:32:46,960 --> 00:32:49,400 Speaker 1: that couldn't get that girl and she's like we're together, 536 00:32:49,480 --> 00:32:51,320 Speaker 1: but she's like, I want to do this and he 537 00:32:51,400 --> 00:32:54,960 Speaker 1: kind of gets off maybe in some weird way kind 538 00:32:55,000 --> 00:32:59,960 Speaker 1: of wink wink. I don't know. I think I remember 539 00:33:00,640 --> 00:33:03,160 Speaker 1: he married this woman who's so all about this that 540 00:33:03,200 --> 00:33:06,720 Speaker 1: maybe they do have an arrangement. Now that would be 541 00:33:06,920 --> 00:33:10,960 Speaker 1: interesting and fun story line to watch. But that was 542 00:33:11,160 --> 00:33:15,240 Speaker 1: very ahead of its time. But yeah, exactly, this whole 543 00:33:15,240 --> 00:33:17,479 Speaker 1: episode is sort of ahead of its time. It really is. 544 00:33:18,880 --> 00:33:23,080 Speaker 1: Were you guys happy to see um, Dylan and Brenda together? 545 00:33:23,280 --> 00:33:25,280 Speaker 1: Like it's from the get go in the beginning in 546 00:33:25,320 --> 00:33:29,480 Speaker 1: the hallway, that's cute to bother? Do you know what? 547 00:33:29,520 --> 00:33:32,080 Speaker 1: I love? Though? When they're walking down the hallway and 548 00:33:32,120 --> 00:33:34,760 Speaker 1: they're talking about their class and they're talking about their 549 00:33:34,760 --> 00:33:39,360 Speaker 1: poetry thing, and Luke does that impression of the the professor. 550 00:33:40,040 --> 00:33:42,200 Speaker 1: He's talk like zes or something. I don't know, I 551 00:33:42,240 --> 00:33:45,440 Speaker 1: can't do it, but I can remember Luke always making that, 552 00:33:45,600 --> 00:33:48,560 Speaker 1: doing that same accent, just making me laugh so hard. 553 00:33:48,920 --> 00:33:52,000 Speaker 1: They totally improvised. Yes, I don't want to be a weird. 554 00:33:52,800 --> 00:33:54,240 Speaker 1: I really don't. I don't want to be a weird. 555 00:33:54,520 --> 00:33:57,800 Speaker 1: Really we need to be. There was sort of a 556 00:33:57,800 --> 00:34:01,360 Speaker 1: wedding dress part two moments in the episode. Did you 557 00:34:01,360 --> 00:34:05,240 Speaker 1: guys notice that the fresh you're talking about the end? 558 00:34:06,200 --> 00:34:07,920 Speaker 1: I can't remember where it was in the episode, but 559 00:34:07,960 --> 00:34:10,160 Speaker 1: I'm like it was at the very end. You know, 560 00:34:10,239 --> 00:34:14,279 Speaker 1: I saw it because it really bothers me personally. I 561 00:34:14,320 --> 00:34:18,360 Speaker 1: don't want to see nips on TV. Not her nips, 562 00:34:18,400 --> 00:34:21,160 Speaker 1: not my nips, not anybody's nips. I'm not mad at 563 00:34:21,160 --> 00:34:22,960 Speaker 1: it because it didn't. She was just like, this is 564 00:34:23,000 --> 00:34:26,120 Speaker 1: getting to be a pattern. What was going on? I 565 00:34:26,160 --> 00:34:28,520 Speaker 1: don't like it? Um, you know, And that reminded me 566 00:34:28,600 --> 00:34:32,480 Speaker 1: that you brought that up. That reminded me this is 567 00:34:32,520 --> 00:34:36,080 Speaker 1: another like one of those like realizations of about the 568 00:34:36,680 --> 00:34:40,319 Speaker 1: environment in which we grew up in Toria, me and 569 00:34:40,360 --> 00:34:43,440 Speaker 1: you and those girls of us on the show, the 570 00:34:43,520 --> 00:34:47,279 Speaker 1: environment that we grew up and that wasn't very PC. 571 00:34:47,560 --> 00:34:53,400 Speaker 1: Let's just say, uh, I remember the cameraman. I remember 572 00:34:53,480 --> 00:34:56,799 Speaker 1: Jason always saying, or Luke always saying to the to 573 00:34:56,920 --> 00:35:00,719 Speaker 1: the camera operator, where's the frame? What the frame? What's 574 00:35:00,719 --> 00:35:04,360 Speaker 1: the shot? And the the the guy behind the camera 575 00:35:04,400 --> 00:35:07,400 Speaker 1: would say, it's two tease, it's too tease. And I 576 00:35:07,440 --> 00:35:10,319 Speaker 1: was always like, what's that mean to tease? But now 577 00:35:10,360 --> 00:35:13,520 Speaker 1: I know it's that's their way of saying, it's right 578 00:35:13,560 --> 00:35:18,759 Speaker 1: at her two tables and a microphone, where it's at 579 00:35:18,880 --> 00:35:23,800 Speaker 1: tune in Tokyo. There was so many little references no better, 580 00:35:25,239 --> 00:35:27,239 Speaker 1: and we would just laugh and go along with it, 581 00:35:27,280 --> 00:35:30,239 Speaker 1: but normal. And then as we grew up when men 582 00:35:30,320 --> 00:35:32,360 Speaker 1: didn't do that because they respected as we were like 583 00:35:32,400 --> 00:35:35,319 Speaker 1: what what, what's wrong with us? Have you ever heard 584 00:35:35,320 --> 00:35:38,640 Speaker 1: of camera person say that ever? Again? Two tease? Maybe 585 00:35:38,719 --> 00:35:40,920 Speaker 1: that's like an expression, Maybe they say that for men 586 00:35:40,960 --> 00:35:43,520 Speaker 1: to I don't know, but that in that moment of 587 00:35:43,560 --> 00:35:45,880 Speaker 1: seeing the nips in the end of the episode again, 588 00:35:46,600 --> 00:35:49,799 Speaker 1: I was like, two tease. It's two tease right there. Yeah, 589 00:35:49,800 --> 00:35:52,640 Speaker 1: my gut would be it wasn't a good feeling if 590 00:35:52,680 --> 00:35:58,319 Speaker 1: you remembered it, so clearly, I don't think you right. Well, 591 00:35:58,440 --> 00:36:03,120 Speaker 1: speaking of pigs, should we talk about on Sears? Yeah, sucks. 592 00:36:04,600 --> 00:36:08,319 Speaker 1: Not want to see Kelly and John Sears macking it down. 593 00:36:09,040 --> 00:36:11,600 Speaker 1: I did not want to hear the little squeals you 594 00:36:11,680 --> 00:36:15,520 Speaker 1: made when you were saying like you weren't ready, You're like, 595 00:36:15,960 --> 00:36:20,080 Speaker 1: it was not good. It was cringe worthy. I didn't 596 00:36:20,080 --> 00:36:27,560 Speaker 1: get cringe nothing about it. He's an ass, which makes 597 00:36:28,640 --> 00:36:31,880 Speaker 1: his characters are really good. Yeah. Yeah, No, he's a 598 00:36:31,880 --> 00:36:38,000 Speaker 1: good actor too, because I completely forget Paul Johnson completely 599 00:36:38,640 --> 00:36:42,440 Speaker 1: and am fully John Sears, like, I'm not like thinking 600 00:36:42,480 --> 00:36:48,080 Speaker 1: about him. He's too good at it though. I think 601 00:36:48,120 --> 00:36:53,600 Speaker 1: that was always my thing with with um Paul Johansson 602 00:36:54,040 --> 00:36:57,520 Speaker 1: when we were working together. I couldn't keep the two 603 00:36:57,640 --> 00:37:02,520 Speaker 1: separate separate. I was like, this guy is John Sears. 604 00:37:03,760 --> 00:37:08,640 Speaker 1: Oh wow, I wondered that. Yeah, I mean that makes 605 00:37:08,640 --> 00:37:12,640 Speaker 1: sense because it is very seamless. Like, yeah, I couldn't 606 00:37:12,680 --> 00:37:16,400 Speaker 1: like off camera. I couldn't cool with him. I couldn't 607 00:37:16,400 --> 00:37:18,480 Speaker 1: like him. It couldn't be nice to him because I 608 00:37:18,520 --> 00:37:22,160 Speaker 1: felt so icky around him character because of the character. 609 00:37:22,600 --> 00:37:24,520 Speaker 1: The thing I think that's interesting too, is I never 610 00:37:24,600 --> 00:37:27,160 Speaker 1: find myself going like, that's the dude from One Tree Hill. 611 00:37:27,200 --> 00:37:29,480 Speaker 1: When I'm watching this, I am very honed in on 612 00:37:29,560 --> 00:37:32,160 Speaker 1: him being John Sears. You know that that works for 613 00:37:32,160 --> 00:37:34,640 Speaker 1: me because I never saw one tree in my life. 614 00:37:36,840 --> 00:37:39,000 Speaker 1: But yeah, I mean he's gross. What do you think 615 00:37:39,040 --> 00:37:42,520 Speaker 1: that she went to Dylan? Why did you do this? 616 00:37:42,800 --> 00:37:46,160 Speaker 1: Why is she going running to Dylan? I liked it, 617 00:37:46,280 --> 00:37:51,080 Speaker 1: but because he's her safe place. Yeah, he was very safe. 618 00:37:51,120 --> 00:37:53,200 Speaker 1: He's like as long as you're okay. He wasn't like 619 00:37:54,080 --> 00:37:58,040 Speaker 1: the heartbroken ex boyfriend. He was really the loyal friend 620 00:37:58,160 --> 00:38:02,680 Speaker 1: and confidant like I really was like, huh, And he 621 00:38:02,800 --> 00:38:05,879 Speaker 1: was pisted he was he didn't want to hit him. 622 00:38:06,000 --> 00:38:10,240 Speaker 1: But in theory, I do feel like she wouldn't have gone. 623 00:38:11,360 --> 00:38:16,200 Speaker 1: I don't know. I don't think that's something you do 624 00:38:16,320 --> 00:38:21,200 Speaker 1: with your acts like you might me I'm wrong, Yeah, 625 00:38:21,239 --> 00:38:26,279 Speaker 1: I mean I guess if there wasn't a lot going 626 00:38:26,280 --> 00:38:28,239 Speaker 1: on with Steve in this episode, would you have gone 627 00:38:28,239 --> 00:38:32,000 Speaker 1: to him? Like who would you? And they're so undone, 628 00:38:32,160 --> 00:38:36,640 Speaker 1: meaning they're they're not finished Kelly and Dylan, that's there. 629 00:38:36,760 --> 00:38:39,319 Speaker 1: It's all a little that's a little bit twisted on 630 00:38:39,400 --> 00:38:45,960 Speaker 1: that part. But what do you think about him? I mean, hey, 631 00:38:46,160 --> 00:38:49,680 Speaker 1: it's so worth it with the pie the pie, but 632 00:38:49,800 --> 00:38:52,000 Speaker 1: I'm not I kind of wanted to see him knock 633 00:38:52,080 --> 00:38:54,759 Speaker 1: him out. He was gonna man, he had him in 634 00:38:54,800 --> 00:38:57,319 Speaker 1: the face hard with that pie, like you know that 635 00:38:57,400 --> 00:39:01,000 Speaker 1: had to hurt. I Actually, he liked the scene where 636 00:39:01,000 --> 00:39:04,160 Speaker 1: he confronts him and says, like, you know, stay away 637 00:39:04,200 --> 00:39:06,480 Speaker 1: from her. She decides you make her sick, and I 638 00:39:06,560 --> 00:39:09,320 Speaker 1: like the whole scene was like, what's your problem? McKay? 639 00:39:09,360 --> 00:39:13,640 Speaker 1: Like I liked that where he was like, dude, we've 640 00:39:13,640 --> 00:39:18,240 Speaker 1: said this before. Other another episode like they're them together 641 00:39:18,400 --> 00:39:23,160 Speaker 1: are great, Like they bring the most out of each 642 00:39:23,160 --> 00:39:27,399 Speaker 1: other like they both have brought it Like Brandon episode. Sorry, 643 00:39:27,440 --> 00:39:32,640 Speaker 1: I know I'm switching, but um he got heated at 644 00:39:32,680 --> 00:39:37,319 Speaker 1: the end there too. Yeah, and he was He's want 645 00:39:37,360 --> 00:39:40,279 Speaker 1: to say, christ Brandon's great with his steadiness of doing 646 00:39:40,320 --> 00:39:43,399 Speaker 1: the right thing, like he's like, I am not gonna 647 00:39:43,760 --> 00:39:46,239 Speaker 1: he yelled, I'm not gonna sleep with this married woman. 648 00:39:46,280 --> 00:39:48,560 Speaker 1: I'm not taking your tests for you. I am not. 649 00:39:49,360 --> 00:39:52,719 Speaker 1: You can, you can blackmail me all you want. But 650 00:39:53,840 --> 00:39:55,880 Speaker 1: great in that episode, and not just because I had 651 00:39:55,880 --> 00:39:57,439 Speaker 1: a sex stream about him last night. Like I thought 652 00:39:57,480 --> 00:39:59,719 Speaker 1: he was great in that episode. I thought everyone was 653 00:39:59,760 --> 00:40:02,239 Speaker 1: great in this episode. I really did too. That's why 654 00:40:02,239 --> 00:40:08,800 Speaker 1: I really liked it. I think. Hi, I'm Christine Taylor 655 00:40:08,880 --> 00:40:11,880 Speaker 1: and I'm David Lasher. David and I start in a 656 00:40:12,000 --> 00:40:15,080 Speaker 1: little show in the nineties called Hey Dude, and now 657 00:40:15,080 --> 00:40:17,719 Speaker 1: we're teaming up once again as the host of a 658 00:40:17,800 --> 00:40:21,239 Speaker 1: new I Heart podcast Hey Dude the nineties called do 659 00:40:21,320 --> 00:40:24,040 Speaker 1: you remember the motor rolla flip Phone? Do you remember 660 00:40:24,080 --> 00:40:27,160 Speaker 1: going to Blockbuster? Do you remember Nintendo sixty four? Do 661 00:40:27,239 --> 00:40:30,239 Speaker 1: you remember getting frosted tips? Was that a serial? No, 662 00:40:30,360 --> 00:40:32,920 Speaker 1: it was hair? Do you remember a O L Instant Messenger? 663 00:40:33,000 --> 00:40:36,000 Speaker 1: And the dial up sound like Poltergeist? Do you remember 664 00:40:36,040 --> 00:40:39,399 Speaker 1: when we dated? Okay, save that for the podcast. We're 665 00:40:39,400 --> 00:40:41,600 Speaker 1: going to use Hey Dude as our jumping off point, 666 00:40:41,600 --> 00:40:44,120 Speaker 1: but we are going to unpack and dive back into 667 00:40:44,160 --> 00:40:46,960 Speaker 1: the decade of the nineties. We lived it, and now 668 00:40:47,000 --> 00:40:49,320 Speaker 1: we're calling on all of our friends to come back 669 00:40:49,440 --> 00:40:52,719 Speaker 1: and relive it. Each episode will rival the feeling of 670 00:40:52,760 --> 00:40:55,040 Speaker 1: taking out the cartridge from your game boy, blowing on it, 671 00:40:55,080 --> 00:40:57,359 Speaker 1: and popping it back in as we take you back 672 00:40:57,400 --> 00:41:01,040 Speaker 1: to the nineties. So listen to Hey Dude, the Nineties 673 00:41:01,080 --> 00:41:03,840 Speaker 1: called on the I Heart Radio app, Apple Podcasts, or 674 00:41:03,880 --> 00:41:13,800 Speaker 1: wherever you listen to podcasts. Hey there, I'm Hollen Rowden 675 00:41:14,040 --> 00:41:16,200 Speaker 1: and I am the host of a new podcast called 676 00:41:16,520 --> 00:41:19,680 Speaker 1: Holler Back Now. Moons Full and Beacon Hills and the 677 00:41:19,719 --> 00:41:24,040 Speaker 1: Wolves are coming out again. You know me as Lydia 678 00:41:24,080 --> 00:41:27,080 Speaker 1: Martin from Teen Wolf, and on this podcast, we will 679 00:41:27,120 --> 00:41:31,279 Speaker 1: rewatch every episode from the beginning. So join me and 680 00:41:31,440 --> 00:41:34,800 Speaker 1: my favorite Teen Wolf stars and friends as we reunite 681 00:41:34,840 --> 00:41:37,800 Speaker 1: the cast, the crew, and the heroes and the villains. 682 00:41:38,239 --> 00:41:42,080 Speaker 1: Will be sharing every gory detail with you, because as 683 00:41:42,120 --> 00:41:45,160 Speaker 1: if a hundred episodes wasn't enough, I am bringing you 684 00:41:45,400 --> 00:41:47,560 Speaker 1: all the behind the scenes. There's gonna be so much 685 00:41:47,560 --> 00:41:51,640 Speaker 1: more from each episode. Nothing is off limits and oh 686 00:41:51,680 --> 00:41:54,640 Speaker 1: that's right, we'll be talking about teen Wolf the movie. 687 00:41:55,280 --> 00:41:57,960 Speaker 1: I cannot wait. The wolves are helling once again. What 688 00:41:58,080 --> 00:42:01,440 Speaker 1: can I say? So Howard back now and join us 689 00:42:01,480 --> 00:42:04,560 Speaker 1: each week listen to Hallerback Now on the I Heart 690 00:42:04,640 --> 00:42:12,920 Speaker 1: Radio app, Apple podcast or wherever you listen to podcasts. Okay, 691 00:42:13,000 --> 00:42:15,960 Speaker 1: tell me your favorite lines from the episode. Oh my god, 692 00:42:15,960 --> 00:42:18,400 Speaker 1: I have so much more to talk about. Time your 693 00:42:18,440 --> 00:42:21,520 Speaker 1: time is up? Baby? Wait? Can I give it really 694 00:42:21,560 --> 00:42:24,840 Speaker 1: fast story? But you have to say it. It's Leslie Sumner. 695 00:42:25,360 --> 00:42:28,560 Speaker 1: She's still around like Pantelinic council. Did you guys know 696 00:42:28,600 --> 00:42:31,880 Speaker 1: what Pantalonic was? Does that mean anything to you? Don't know? 697 00:42:32,000 --> 00:42:36,160 Speaker 1: Don't care? Didn't look system? Next before we do best lines? 698 00:42:36,200 --> 00:42:39,239 Speaker 1: Can I do cringe eest line? Okay? When they say 699 00:42:39,239 --> 00:42:41,719 Speaker 1: are you going to the like the rally there'll be 700 00:42:41,719 --> 00:42:44,840 Speaker 1: a lot of babes there. I was like, oh god, cringe, 701 00:42:45,280 --> 00:42:49,239 Speaker 1: yeah that cringe e Then um, that looks like that 702 00:42:49,280 --> 00:42:52,960 Speaker 1: look said you two are doing the sweet thing. That's 703 00:42:53,040 --> 00:42:58,879 Speaker 1: that I think to Shawn said that about Brandon. Yes dead, Yes, 704 00:43:00,760 --> 00:43:02,400 Speaker 1: I mean, I already said about it. I didn't like 705 00:43:02,560 --> 00:43:04,799 Speaker 1: when Brandon said, what do you say to you're still 706 00:43:04,800 --> 00:43:06,680 Speaker 1: a cool chick or you're the coolest chick. I don't 707 00:43:06,680 --> 00:43:11,480 Speaker 1: know the word chick really bothers me, Like, yeah, more 708 00:43:11,520 --> 00:43:15,560 Speaker 1: than vagina. That bothers me. Right up there about Luscinda's 709 00:43:15,560 --> 00:43:18,160 Speaker 1: denim on Denham tied up. I like that look. I 710 00:43:18,239 --> 00:43:22,960 Speaker 1: like that, although she's kind of cringe for me. Did 711 00:43:23,000 --> 00:43:26,680 Speaker 1: she say something about a younger, younger man, bolder woman? 712 00:43:27,560 --> 00:43:30,719 Speaker 1: Did she say bolder older? I didn't see that. I 713 00:43:30,760 --> 00:43:34,120 Speaker 1: didn't hear. And here I might have to like because 714 00:43:34,160 --> 00:43:36,799 Speaker 1: I thought, oh she did, because she is that that's 715 00:43:36,800 --> 00:43:41,000 Speaker 1: her thing bolder, and it's sort of like bullying. She's 716 00:43:41,200 --> 00:43:45,640 Speaker 1: very like, yeah, can you guys explain to me? Sorry, 717 00:43:45,640 --> 00:43:48,600 Speaker 1: I didn't get it that everyone's doing it like whatever, 718 00:43:49,200 --> 00:43:52,800 Speaker 1: even Charlie Chaplin, Like, I don't get it. Oh, Charlie Chaplin, 719 00:43:52,800 --> 00:43:57,360 Speaker 1: I think was notorious for having many women. Am I okay? 720 00:43:57,480 --> 00:44:02,480 Speaker 1: These many children I need? We're went down to Charlie 721 00:44:02,560 --> 00:44:05,480 Speaker 1: Chaplin spiral like a few months ago, where I just 722 00:44:05,520 --> 00:44:08,560 Speaker 1: started Wikipedia everything about him. I have no idea why 723 00:44:08,600 --> 00:44:12,439 Speaker 1: I've never seen Charlie Chapman so that. Actually, I don't 724 00:44:12,440 --> 00:44:14,520 Speaker 1: know why I did that. I think I wanted to 725 00:44:14,520 --> 00:44:16,680 Speaker 1: know if any of his errors were alive. I don't 726 00:44:16,680 --> 00:44:19,680 Speaker 1: remember why I did it, but I think he might have. 727 00:44:19,880 --> 00:44:22,440 Speaker 1: I'm going to look that up, or maybe Lorraine, will 728 00:44:22,440 --> 00:44:25,000 Speaker 1: you look that up? If Charlie Chaplin was of notorious 729 00:44:25,000 --> 00:44:29,080 Speaker 1: for like being a player? Yeah, what you guys? I 730 00:44:29,120 --> 00:44:31,880 Speaker 1: have a question from both to both of you. Have 731 00:44:31,960 --> 00:44:36,600 Speaker 1: you ever done it on a kitchen table? No, Lucinda 732 00:44:36,680 --> 00:44:42,560 Speaker 1: asked Brandon. Jenny done on a kitchen table? Oh my gosh, silence? 733 00:44:43,200 --> 00:44:49,160 Speaker 1: Is it? Does the kitchen counter account as the table? Whoa? Jenny? Well, 734 00:44:49,200 --> 00:44:51,400 Speaker 1: I had a really big island in my kitchen. And 735 00:44:51,640 --> 00:44:54,279 Speaker 1: I don't believe you. She said, you notorious cleaner. You'd 736 00:44:54,280 --> 00:44:57,680 Speaker 1: be like, no, no, you don't want no fluids on 737 00:44:57,760 --> 00:45:04,719 Speaker 1: my kitchen counter? Uh backwards? Can you guys see what 738 00:45:04,800 --> 00:45:08,280 Speaker 1: Lorraine said? Something about he was he was very incorrigible 739 00:45:08,360 --> 00:45:13,800 Speaker 1: for his advances towards women. Oh something like that, Chaplin? 740 00:45:13,840 --> 00:45:18,680 Speaker 1: But who cares? He boasted about his conquest. It was 741 00:45:19,560 --> 00:45:22,759 Speaker 1: reference in a teen drama. Because I'm like, I'm an 742 00:45:22,760 --> 00:45:27,960 Speaker 1: adult now and I still didn't came up with that 743 00:45:28,080 --> 00:45:31,240 Speaker 1: and like from song was one of our younger writers. 744 00:45:31,239 --> 00:45:33,680 Speaker 1: Though right, I don't remember now, maybe I'm wrong with 745 00:45:33,719 --> 00:45:37,600 Speaker 1: that line. Yeah, because that James Mary Mons is like 746 00:45:37,640 --> 00:45:42,280 Speaker 1: Harri James Whitmore junior. The director was No Spring Chicken 747 00:45:42,480 --> 00:45:47,080 Speaker 1: wasn't true. I like you stray you pay? That's fine? 748 00:45:47,960 --> 00:45:52,120 Speaker 1: Oh shoot, sorry, Jenny, No, that's fine. I'm good. That 749 00:45:52,239 --> 00:45:55,520 Speaker 1: was a good one. We really fast. Before we go 750 00:45:56,080 --> 00:45:59,400 Speaker 1: really fast, what did you think of the Kelly Steve 751 00:45:59,560 --> 00:46:01,719 Speaker 1: that We didn't really dig into that and there was 752 00:46:01,760 --> 00:46:04,839 Speaker 1: a lot of Kelly Steve that I really liked. I'm 753 00:46:04,840 --> 00:46:09,440 Speaker 1: a fan of them together not together air quotes, but 754 00:46:10,800 --> 00:46:13,760 Speaker 1: just I don't know. I believe like the friendship, the history, 755 00:46:13,880 --> 00:46:16,840 Speaker 1: like I like it. It feels so real when they're 756 00:46:16,880 --> 00:46:19,880 Speaker 1: when they have scenes together and they're very brotherly sisterly. 757 00:46:20,600 --> 00:46:25,400 Speaker 1: It does it feels deep. Yeah, Kenn and Barbie, Like 758 00:46:25,440 --> 00:46:30,160 Speaker 1: I'm into it, and therefore it Kenn Barbie. Oh my god, 759 00:46:30,200 --> 00:46:33,200 Speaker 1: if they did the Kenn and Barbie movie that was 760 00:46:33,239 --> 00:46:37,799 Speaker 1: with Ryan Gosling and Margot Robbie, if they had done it, 761 00:46:37,840 --> 00:46:44,840 Speaker 1: then it could have been iron zering. Well. That a 762 00:46:44,840 --> 00:46:48,320 Speaker 1: bout wraps up this episode. Next week we have great, 763 00:46:48,400 --> 00:46:55,760 Speaker 1: oar love. What's your scores? Dare you drum roll? Please? 764 00:46:58,160 --> 00:47:06,960 Speaker 1: They're like eight and a half eight and a half's 765 00:47:07,000 --> 00:47:10,959 Speaker 1: going to tables on a microphone, some titties and net. 766 00:47:11,760 --> 00:47:17,160 Speaker 1: But I gave it a ten yeah for me? Wait? Jen, 767 00:47:17,400 --> 00:47:21,040 Speaker 1: so you okay? You started this thinking maybe you didn't 768 00:47:21,080 --> 00:47:24,120 Speaker 1: love it as much as some of the other episodes, 769 00:47:24,200 --> 00:47:27,040 Speaker 1: and then you got to give it an eight point five. Well, 770 00:47:27,080 --> 00:47:29,480 Speaker 1: I liked it because you know, everybody was all together. 771 00:47:29,560 --> 00:47:33,439 Speaker 1: You know, I love an episode altogether. Did you guys 772 00:47:33,480 --> 00:47:38,560 Speaker 1: see the extreme foreshadowing coming out of Brandon's drawer? No? 773 00:47:40,080 --> 00:47:43,560 Speaker 1: Are you guys kidding me? Out of his drawer when 774 00:47:43,640 --> 00:47:47,120 Speaker 1: he is packing to get away? You guys don't know 775 00:47:47,160 --> 00:47:49,839 Speaker 1: what's happening. I'll say it, say it. He said he's 776 00:47:49,840 --> 00:47:54,160 Speaker 1: going camping. Yeah, and he also even mentioned it by 777 00:47:54,320 --> 00:47:58,960 Speaker 1: name of He gives a shout out. I think I'm 778 00:47:58,960 --> 00:48:03,160 Speaker 1: pretty sure Emily, Oh the picture? He saw the picture 779 00:48:03,200 --> 00:48:05,479 Speaker 1: from Emily? Is he? Is she back on the show? 780 00:48:05,920 --> 00:48:14,120 Speaker 1: He's going to San Francisco, right, Brandon? Don't do it? Oh? Wait? 781 00:48:14,160 --> 00:48:20,719 Speaker 1: Isn't she enough? Okay? And foreshadowing that I think it's 782 00:48:20,719 --> 00:48:23,920 Speaker 1: happening soon. Isn't it like David's frustration with Donna I 783 00:48:24,120 --> 00:48:27,200 Speaker 1: have sex with Oh man, you guys to sit out 784 00:48:27,239 --> 00:48:30,960 Speaker 1: that episode. I'm gonna be so devastated. He cannot take 785 00:48:31,000 --> 00:48:35,080 Speaker 1: it anymore. That poor kid. I mean, blue balls are 786 00:48:35,120 --> 00:48:41,839 Speaker 1: a thing. Totally alright, you guys on that note good. 787 00:48:42,160 --> 00:48:44,359 Speaker 1: I love I mean, I can't wait to hear from 788 00:48:44,360 --> 00:48:48,960 Speaker 1: everybody because I love this episode. Let us know, let 789 00:48:49,040 --> 00:48:51,759 Speaker 1: us know. Yeah, all right, you guys, have a great week. 790 00:48:52,440 --> 00:48:55,400 Speaker 1: We love you. By