1 00:00:01,080 --> 00:00:03,760 Speaker 1: This is Bombing with Eric Andre, the podcast where I 2 00:00:03,800 --> 00:00:06,640 Speaker 1: talk with friends, comedians, musicians, and other creative people about 3 00:00:06,640 --> 00:00:09,559 Speaker 1: their worst moments on stage and getting shot on by 4 00:00:09,600 --> 00:00:12,560 Speaker 1: a live audience. And we have our first musician on 5 00:00:12,600 --> 00:00:15,520 Speaker 1: the show. I talked to my good pal Mac DeMarco. 6 00:00:15,840 --> 00:00:18,680 Speaker 1: Crazy talented. He's toured all over the world and shared 7 00:00:18,680 --> 00:00:21,520 Speaker 1: his music amongst endless fans like passing out pieces and 8 00:00:21,560 --> 00:00:24,319 Speaker 1: freaking out the neighborhood. Let's time to this conversation about 9 00:00:24,320 --> 00:00:26,080 Speaker 1: his life on the road and what wild shit he's 10 00:00:26,079 --> 00:00:28,800 Speaker 1: scene on stage. Don't forget to subscribe to the podcast 11 00:00:28,840 --> 00:00:31,120 Speaker 1: to get new episodes every week. Rate A five stars, 12 00:00:31,120 --> 00:00:33,280 Speaker 1: and if you're on Apple Podcasts, subscribed to Big Money 13 00:00:33,280 --> 00:00:36,320 Speaker 1: Players Diamond to get exclusive bonus clips from every episode 14 00:00:36,320 --> 00:00:47,080 Speaker 1: plus ad free episodes weekly. Let's do it Bombing with 15 00:00:47,320 --> 00:00:50,520 Speaker 1: Eric Andre. So what's the worst you've ever bombed? 16 00:00:50,840 --> 00:00:52,440 Speaker 2: I have a list with are there's some you know? 17 00:00:52,479 --> 00:00:53,400 Speaker 2: I was thinking about it. 18 00:00:53,360 --> 00:00:55,680 Speaker 1: The three questions I asked every guest what's the worst 19 00:00:55,680 --> 00:00:58,480 Speaker 1: ever bombed on stage? What's the worst bomb you've ever seen? 20 00:00:59,440 --> 00:00:59,480 Speaker 2: Like? 21 00:01:00,360 --> 00:01:02,440 Speaker 1: I once saw cap Power live and she ripped their 22 00:01:02,480 --> 00:01:04,440 Speaker 1: piano and a half or whatever it is. I just 23 00:01:04,480 --> 00:01:07,200 Speaker 1: made that story up. So what's the worst you've ever bob? 24 00:01:07,240 --> 00:01:09,640 Speaker 1: What's the worst bomb you've ever seen? And what is 25 00:01:09,680 --> 00:01:13,440 Speaker 1: the most wasted you've ever been on stage? You know? 26 00:01:13,560 --> 00:01:16,960 Speaker 1: I had one guest on whose answer to that last 27 00:01:17,000 --> 00:01:21,679 Speaker 1: question was on stage with Mac DeMarco, was really, yeah, 28 00:01:21,800 --> 00:01:25,240 Speaker 1: DJ DJ Doug Pound, Oh yeah, that's the most waste 29 00:01:25,280 --> 00:01:27,760 Speaker 1: you've been on stage? You had like the little beer 30 00:01:27,880 --> 00:01:29,120 Speaker 1: section or something you'd. 31 00:01:28,920 --> 00:01:33,400 Speaker 3: Have people see it's called the bestro table. You sit 32 00:01:33,440 --> 00:01:36,440 Speaker 3: people on stage and get them wasted. He doesn't drink 33 00:01:36,480 --> 00:01:38,039 Speaker 3: that much, he said. He got hammered out of his 34 00:01:38,080 --> 00:01:39,680 Speaker 3: mind and then out of nowhere. You were like, Doug, 35 00:01:39,720 --> 00:01:42,600 Speaker 3: why don't you get on the drums and play through 36 00:01:42,760 --> 00:01:46,600 Speaker 3: this next? And he was like he's not a drummer. 37 00:01:46,840 --> 00:01:48,000 Speaker 3: He rarely drinks. 38 00:01:48,160 --> 00:01:51,320 Speaker 1: And he was like annihilated in front of a fucking 39 00:01:51,440 --> 00:01:56,840 Speaker 1: arena of billions of fans. Just yeah, fucking you're years ago, 40 00:01:57,000 --> 00:01:59,040 Speaker 1: but you were like you were, You're happy as a clam. 41 00:01:59,160 --> 00:02:01,640 Speaker 2: That's I mean, you know, it's like I don't. It's 42 00:02:01,640 --> 00:02:04,040 Speaker 2: funny because yeah, probably my worst bomb and the drunks 43 00:02:04,080 --> 00:02:06,000 Speaker 2: I've ever been those might be the same story. 44 00:02:06,160 --> 00:02:06,960 Speaker 1: We'll tell us a tell. 45 00:02:07,160 --> 00:02:09,359 Speaker 2: There's like so many times I was thinking about it too, 46 00:02:09,360 --> 00:02:11,920 Speaker 2: because it's like, you know, I think about what it 47 00:02:12,040 --> 00:02:16,200 Speaker 2: means to bomb in comedy versus music, and it's like 48 00:02:16,919 --> 00:02:21,080 Speaker 2: I feel like there's a difference where, you know, like 49 00:02:21,120 --> 00:02:23,240 Speaker 2: in music, I feel like there's a soft bomb, like 50 00:02:23,280 --> 00:02:25,200 Speaker 2: if you play a song that the crowd doesn't really 51 00:02:25,280 --> 00:02:26,720 Speaker 2: know or they don't really care, you play it and 52 00:02:26,760 --> 00:02:29,799 Speaker 2: they're like okay, right, and it's like that's kind of bombing. 53 00:02:29,919 --> 00:02:31,440 Speaker 2: But then there's like the kind of you know, then 54 00:02:31,480 --> 00:02:33,679 Speaker 2: there's like some of these stories that I'll tell you 55 00:02:33,720 --> 00:02:37,040 Speaker 2: here where it's like savagely something savage happens and everyone's 56 00:02:37,120 --> 00:02:37,400 Speaker 2: kind of. 57 00:02:37,320 --> 00:02:40,640 Speaker 1: Like what it's like, yeah, yeah, like like when Prince 58 00:02:41,160 --> 00:02:43,600 Speaker 1: used to open up for the Rolling Stones and people 59 00:02:43,639 --> 00:02:44,720 Speaker 1: would throw bottles. 60 00:02:45,320 --> 00:02:48,080 Speaker 2: Yeah, that would be like got off that stage. And 61 00:02:48,120 --> 00:02:50,120 Speaker 2: then with you know, I don't know, comedy, it's like 62 00:02:50,160 --> 00:02:53,840 Speaker 2: you such, it's like such a closer connection or it's 63 00:02:53,840 --> 00:02:55,720 Speaker 2: like a more intimate connection, I think, or like I 64 00:02:55,720 --> 00:02:58,040 Speaker 2: don't know, person, I don't know, it depends, but let's see. 65 00:02:58,360 --> 00:03:00,600 Speaker 2: I have a little list here. I was thinking the 66 00:03:00,600 --> 00:03:03,359 Speaker 2: there was one instance we played at we were doing 67 00:03:03,400 --> 00:03:06,680 Speaker 2: I think three nights at the Teargram Ballroom just downtown 68 00:03:06,720 --> 00:03:10,840 Speaker 2: in LA And the first night, I don't really know 69 00:03:10,919 --> 00:03:13,280 Speaker 2: why it happened. I don't know what happened, but I 70 00:03:13,400 --> 00:03:18,240 Speaker 2: got like really really really drunk on stage and I 71 00:03:18,280 --> 00:03:20,000 Speaker 2: was in a bit of a mood. Sometimes you get 72 00:03:20,040 --> 00:03:22,280 Speaker 2: into mood, you know, I write these songs that mean 73 00:03:22,400 --> 00:03:24,320 Speaker 2: something to me. You know, it's like sometimes you get 74 00:03:24,840 --> 00:03:27,120 Speaker 2: you get emotional, which I think, I think those are 75 00:03:27,120 --> 00:03:28,760 Speaker 2: the best kinds of show. Like, here's the thing too 76 00:03:28,800 --> 00:03:30,400 Speaker 2: about this show is like some of my friends will 77 00:03:30,440 --> 00:03:32,320 Speaker 2: be like Jesus Christ, like what was that? And then 78 00:03:32,360 --> 00:03:34,239 Speaker 2: other other friends will be like that was the most 79 00:03:34,880 --> 00:03:37,400 Speaker 2: the best show I've ever seen you do. But I 80 00:03:37,400 --> 00:03:39,680 Speaker 2: guess essentially what happened we I think we kind of 81 00:03:39,720 --> 00:03:43,600 Speaker 2: stumbled through most of the set, and then we got 82 00:03:43,600 --> 00:03:46,400 Speaker 2: to this point where we were kind of jamming up there, 83 00:03:46,720 --> 00:03:51,160 Speaker 2: and I had taken my shirt off and I was 84 00:03:51,240 --> 00:03:53,640 Speaker 2: kind of crouched like a gargoyle on top of my amp, 85 00:03:53,720 --> 00:03:55,400 Speaker 2: like staring out at the audience, and I had I 86 00:03:55,440 --> 00:03:58,600 Speaker 2: had made everybody sit down, and they were all sitting down, 87 00:03:59,040 --> 00:04:00,640 Speaker 2: and for a long time, I would I was turned 88 00:04:00,640 --> 00:04:02,200 Speaker 2: and the bestro table was right there, like we were 89 00:04:02,200 --> 00:04:04,120 Speaker 2: talking about with Doug Pound. But I was turned around 90 00:04:04,200 --> 00:04:06,280 Speaker 2: for a while and I had the microphone in my mouth, 91 00:04:07,120 --> 00:04:08,520 Speaker 2: like the whole bulb of it, and I was just 92 00:04:08,560 --> 00:04:11,480 Speaker 2: screaming and screaming into it. And then I turned around. 93 00:04:11,920 --> 00:04:13,240 Speaker 2: Kids would try to get up and I'd be like, 94 00:04:13,360 --> 00:04:16,839 Speaker 2: it's not like fucked like And at one point I 95 00:04:16,920 --> 00:04:20,840 Speaker 2: put a cigarette out on my chest. Yeah, the scar 96 00:04:21,000 --> 00:04:23,480 Speaker 2: is here. If you can see that, that little white patch, 97 00:04:24,360 --> 00:04:26,919 Speaker 2: the scar is there. Yeah, but I put this smoke 98 00:04:26,920 --> 00:04:28,960 Speaker 2: out of my chest like fully pushed in, which I 99 00:04:29,000 --> 00:04:31,279 Speaker 2: had never done before. It really hurts. I mean I 100 00:04:31,279 --> 00:04:33,080 Speaker 2: didn't really feel at the time. Next day was horrible, 101 00:04:33,120 --> 00:04:36,760 Speaker 2: but Drigger whiskey, Yeah, Jamison used to be my weapon 102 00:04:36,800 --> 00:04:39,320 Speaker 2: of choice. But there was all of that, and I 103 00:04:39,320 --> 00:04:41,080 Speaker 2: remember just and it was getting to the point where 104 00:04:41,080 --> 00:04:42,920 Speaker 2: it was kind of like the music wasn't even sounding 105 00:04:42,920 --> 00:04:44,760 Speaker 2: like music anymore. People had been sitting on the ground 106 00:04:44,760 --> 00:04:47,719 Speaker 2: for a long time. It was just confusing. And then 107 00:04:48,240 --> 00:04:50,280 Speaker 2: my mom and my mom wasn't there, and I'll get 108 00:04:50,320 --> 00:04:52,760 Speaker 2: to that, but there was one girl in the middle 109 00:04:52,760 --> 00:04:55,640 Speaker 2: of the crowd and she I remember she stood up 110 00:04:56,200 --> 00:04:58,360 Speaker 2: and everyone uls was on the ground it's probably you know, 111 00:04:58,400 --> 00:05:00,240 Speaker 2: like six hundred person venue or something like. You know, 112 00:05:00,480 --> 00:05:03,240 Speaker 2: she stood up and she was weeping, and she just 113 00:05:03,240 --> 00:05:06,599 Speaker 2: spent what the fuck are you doing? Bag? 114 00:05:11,080 --> 00:05:11,520 Speaker 1: And then. 115 00:05:12,920 --> 00:05:16,080 Speaker 2: Yeah, deeply, deeply disturbed. 116 00:05:19,240 --> 00:05:21,800 Speaker 1: She wanted she wanted some nice tunes. You were like, 117 00:05:21,880 --> 00:05:23,560 Speaker 1: g it was. 118 00:05:24,080 --> 00:05:26,880 Speaker 2: It was so brutal and yeah, and then the next 119 00:05:26,920 --> 00:05:28,799 Speaker 2: you know, the show finished, we went home. I remember 120 00:05:28,800 --> 00:05:30,280 Speaker 2: getting a call from my mom in the morning that 121 00:05:30,320 --> 00:05:33,200 Speaker 2: I was being like, is everything all right, sweetheart? Like 122 00:05:33,240 --> 00:05:35,120 Speaker 2: it had made the rounds of the internet, like Mac 123 00:05:35,160 --> 00:05:36,840 Speaker 2: played a real raw one last night. 124 00:05:36,960 --> 00:05:41,240 Speaker 1: You know, it's just okay, O, no are concerned for you? 125 00:05:41,560 --> 00:05:44,080 Speaker 2: Yeah, exactly. But then the show we did the next 126 00:05:44,160 --> 00:05:46,080 Speaker 2: night there was great, so you know, it was redeemed, 127 00:05:46,120 --> 00:05:48,159 Speaker 2: I guess. But I remember pulling up to the venue 128 00:05:48,800 --> 00:05:51,000 Speaker 2: that like the next day, because it's a residency, it's 129 00:05:51,040 --> 00:05:52,960 Speaker 2: not even like we did this insane thing and we 130 00:05:53,000 --> 00:05:55,440 Speaker 2: can just leave town. It's like nope, coming back the 131 00:05:55,440 --> 00:05:57,919 Speaker 2: next night, pulling in and one of the guys that 132 00:05:57,960 --> 00:06:00,760 Speaker 2: worked at the venue is like, pretty interesting show last night, man. 133 00:06:00,800 --> 00:06:02,479 Speaker 2: I was like, yeah, yeah, pretty weird, and he just 134 00:06:02,480 --> 00:06:04,359 Speaker 2: went prett embarrassing and I went. 135 00:06:04,400 --> 00:06:06,960 Speaker 1: Oh, really, he said that to you. 136 00:06:07,760 --> 00:06:11,960 Speaker 2: That's rude. I mean, you know, whatever would. 137 00:06:11,760 --> 00:06:14,839 Speaker 1: He say that to the fucking artist that has a residency. 138 00:06:15,160 --> 00:06:18,039 Speaker 1: What are you gonna do? Keep that tearsself, I don't 139 00:06:18,080 --> 00:06:22,040 Speaker 1: agree with that guy. That's fucking passive aggressive. That'n't even 140 00:06:22,040 --> 00:06:23,400 Speaker 1: passive agresses. That's aggressive. 141 00:06:23,960 --> 00:06:25,680 Speaker 2: Yeah, I guess so, But you know what, I don't know. 142 00:06:25,800 --> 00:06:27,640 Speaker 1: I'm sensitive to that kind of shit. One time I 143 00:06:27,720 --> 00:06:30,040 Speaker 1: was doing stand up in Alabama and I spilled ranch 144 00:06:30,520 --> 00:06:33,640 Speaker 1: salad dressing all over the stage. And the guy that 145 00:06:33,800 --> 00:06:35,960 Speaker 1: ran he wasn't even the guy that ran the club. 146 00:06:36,279 --> 00:06:38,080 Speaker 1: He was just like a random guy that worked there. 147 00:06:39,160 --> 00:06:42,760 Speaker 1: Was so angry at me and mopped between I had 148 00:06:42,760 --> 00:06:44,279 Speaker 1: like a eight o'clock show and a ten o'clock show, 149 00:06:44,440 --> 00:06:46,120 Speaker 1: And then he took out a mop bucket and he 150 00:06:47,000 --> 00:06:51,280 Speaker 1: stared daggers at me as he mop up the ranch. 151 00:06:51,400 --> 00:06:53,480 Speaker 1: That wasn't that much, honestly, it was like besides of 152 00:06:53,520 --> 00:06:56,520 Speaker 1: a dinner plate. Yeah, And I was like, okay, I'm sorry, 153 00:06:56,560 --> 00:06:58,480 Speaker 1: and I went and I grabbed the mop and I 154 00:06:58,520 --> 00:07:01,279 Speaker 1: mopped the rest of the the ranch up and like 155 00:07:01,360 --> 00:07:04,159 Speaker 1: finished the mopping, and then and then I mopped the 156 00:07:04,160 --> 00:07:05,760 Speaker 1: second show. Its like it's going to happen again at 157 00:07:05,760 --> 00:07:07,880 Speaker 1: the second show, and I mopped the other one and 158 00:07:07,960 --> 00:07:09,920 Speaker 1: he was still poudy about it. I was like, the 159 00:07:10,080 --> 00:07:11,560 Speaker 1: fuck you Alabama man. 160 00:07:12,240 --> 00:07:14,840 Speaker 2: Yeah, I don't know. Some people just don't have you know. 161 00:07:15,000 --> 00:07:17,360 Speaker 2: I remember there was a kid. There was a kid. 162 00:07:17,560 --> 00:07:20,360 Speaker 2: Where were we in DC? I think? And we played. 163 00:07:20,560 --> 00:07:22,840 Speaker 2: He was really excited to he was working at the show. 164 00:07:22,840 --> 00:07:24,480 Speaker 2: I think he was doing merch for us, and I 165 00:07:24,600 --> 00:07:26,880 Speaker 2: used to do this thing where I hit the microphone 166 00:07:26,880 --> 00:07:28,840 Speaker 2: into my chest like this just I don't know why, 167 00:07:28,920 --> 00:07:32,920 Speaker 2: some kind of caveman shit or whatever. But after the show, 168 00:07:32,920 --> 00:07:34,520 Speaker 2: I went up to go say like, oh, thank you 169 00:07:34,560 --> 00:07:36,280 Speaker 2: so much, like if you want any merch, like you know, 170 00:07:36,400 --> 00:07:38,320 Speaker 2: like that, you know, thank you so much for working 171 00:07:38,320 --> 00:07:40,440 Speaker 2: with us. But he was like disturbed by me because 172 00:07:40,480 --> 00:07:42,760 Speaker 2: I mean, I don't know, maybe he has some I 173 00:07:42,800 --> 00:07:44,640 Speaker 2: don't know what it is, but he thought that they 174 00:07:44,640 --> 00:07:47,680 Speaker 2: were gunning shots every time. I was just kind of like, 175 00:07:48,680 --> 00:07:50,640 Speaker 2: it's a mac Marco's show. You know, It's like we're 176 00:07:50,680 --> 00:07:52,520 Speaker 2: not you know, it's like it's not even I don't know. 177 00:07:52,600 --> 00:07:54,560 Speaker 2: Maybe maybe he had an experience that made him feel 178 00:07:54,640 --> 00:07:56,120 Speaker 2: uncomfortable in that way. But it was kind of like, 179 00:07:56,200 --> 00:07:57,960 Speaker 2: you don't know. He wouldn't even look at me after 180 00:07:57,960 --> 00:08:00,200 Speaker 2: the show, and I was kind of man like, I 181 00:08:00,240 --> 00:08:00,720 Speaker 2: don't know. 182 00:08:01,160 --> 00:08:03,920 Speaker 1: So what is this bestro table? Do you serve food there? 183 00:08:04,080 --> 00:08:08,360 Speaker 2: The bistro table was invented at this venue in Toronto 184 00:08:09,080 --> 00:08:11,200 Speaker 2: years ago, probably in like two thousand and eight or nine. 185 00:08:11,360 --> 00:08:13,720 Speaker 2: One of the first tours I ever went on this 186 00:08:13,840 --> 00:08:16,840 Speaker 2: venue called the Horseshoe Tavern Legendary Tour at Toronto Venue, 187 00:08:16,960 --> 00:08:18,200 Speaker 2: and it was kind of like, you know, I used 188 00:08:18,240 --> 00:08:21,280 Speaker 2: to I don't know, It's like it's like whin. I 189 00:08:21,280 --> 00:08:23,200 Speaker 2: had some friends and it was like we put a 190 00:08:23,240 --> 00:08:25,320 Speaker 2: table on the stage and I bought them some pictures 191 00:08:25,360 --> 00:08:28,400 Speaker 2: and they just sat there while we played and they 192 00:08:28,480 --> 00:08:30,880 Speaker 2: get to enjoy. Yeah, they get to enjoy this shit. 193 00:08:30,880 --> 00:08:33,199 Speaker 2: It's like the ultimate VIP experience, you know. And it 194 00:08:33,720 --> 00:08:36,320 Speaker 2: kind of snowballed. And we've been doing it for years 195 00:08:36,360 --> 00:08:36,959 Speaker 2: and years and years. 196 00:08:36,960 --> 00:08:37,800 Speaker 1: Do you still do it? 197 00:08:37,920 --> 00:08:38,760 Speaker 2: We will do it? 198 00:08:38,800 --> 00:08:40,000 Speaker 1: Yeah? Do you do it every show? 199 00:08:40,640 --> 00:08:41,160 Speaker 2: It depends. 200 00:08:41,240 --> 00:08:43,160 Speaker 1: I want to be on the b strow table. 201 00:08:43,120 --> 00:08:44,640 Speaker 2: Next time we play in La can be at the Beast? 202 00:08:45,080 --> 00:08:46,160 Speaker 1: Can I make little drinks? 203 00:08:46,240 --> 00:08:49,160 Speaker 2: Yeah? Well that's the thing. Sometimes the promoters are really 204 00:08:49,200 --> 00:08:51,120 Speaker 2: about it, and they're like, there's this one guy in 205 00:08:51,120 --> 00:08:52,880 Speaker 2: France actually that does our shows there and he gets 206 00:08:52,920 --> 00:08:55,880 Speaker 2: a nice tablecloth and he gets flowers and the food. 207 00:08:56,280 --> 00:08:56,960 Speaker 1: I loved that. 208 00:08:57,200 --> 00:09:00,200 Speaker 2: Yeah, the only problem is sometimes we don't, you know, 209 00:09:00,240 --> 00:09:02,000 Speaker 2: I need to put like little speakers over there, because 210 00:09:02,000 --> 00:09:03,480 Speaker 2: when you're standing on the side of the stage and 211 00:09:03,520 --> 00:09:05,680 Speaker 2: there's no pa like, it just kind of sounds like 212 00:09:05,720 --> 00:09:07,160 Speaker 2: you're like, well, I'm at the show, but I can't 213 00:09:07,160 --> 00:09:09,280 Speaker 2: hear it down then it's going. So it's like kind 214 00:09:09,280 --> 00:09:12,320 Speaker 2: of the you know, the shittiest place to watch from, 215 00:09:12,360 --> 00:09:16,120 Speaker 2: but it's also tight. But but yeah, no, it's been Actually, 216 00:09:16,160 --> 00:09:18,200 Speaker 2: there's an interesting story about the be Strow table in 217 00:09:18,360 --> 00:09:21,199 Speaker 2: La that long time ago, probably like seven years ago. 218 00:09:21,200 --> 00:09:22,800 Speaker 2: We were playing a couple of nights at the Fonda 219 00:09:23,400 --> 00:09:26,400 Speaker 2: and there was a kid i'd met him at on 220 00:09:26,480 --> 00:09:28,320 Speaker 2: the street in Highland Park, I think maybe in front 221 00:09:28,320 --> 00:09:31,120 Speaker 2: of Future Music or or some music store something, and 222 00:09:31,200 --> 00:09:33,040 Speaker 2: him and his girlfriend. I was like, oh, you come 223 00:09:33,040 --> 00:09:34,599 Speaker 2: to the show, no problem, And I got them on 224 00:09:34,640 --> 00:09:37,480 Speaker 2: the guests as they came, and they came and sat 225 00:09:37,520 --> 00:09:39,640 Speaker 2: at the Bestrow table and I think they're, like Doug 226 00:09:39,720 --> 00:09:41,160 Speaker 2: was saying, like they I don't know if they drank 227 00:09:41,160 --> 00:09:43,440 Speaker 2: that much, but there's a lot of booze around and they. 228 00:09:43,679 --> 00:09:45,640 Speaker 1: Is it fans. There's friends of yours at the be 229 00:09:45,720 --> 00:09:46,240 Speaker 1: Stow table. 230 00:09:46,440 --> 00:09:48,520 Speaker 2: Friends usually fan. I don't know. It's kind of like 231 00:09:48,559 --> 00:09:52,640 Speaker 2: whoever is or it depends, you know, now it's usually friends, 232 00:09:52,640 --> 00:09:54,520 Speaker 2: I would say, but you know, it just depends. But 233 00:09:55,240 --> 00:09:57,880 Speaker 2: they were sitting up there and yeah, and the kid 234 00:09:57,920 --> 00:10:00,160 Speaker 2: got hammered, and I, you know, I didn't see him 235 00:10:00,280 --> 00:10:02,199 Speaker 2: till after the show. Well, yeah I didn't. I noticed 236 00:10:02,200 --> 00:10:03,640 Speaker 2: he was kind of drunk at the table, but there 237 00:10:03,679 --> 00:10:05,360 Speaker 2: was like twenty five people at the table or something. 238 00:10:05,400 --> 00:10:08,920 Speaker 2: So anyway, I go finish the show. Great rock show, really, 239 00:10:09,240 --> 00:10:12,080 Speaker 2: you know, nailed it home. Everyone was loving the rock music. 240 00:10:12,640 --> 00:10:15,600 Speaker 2: And I go down the stairs and I see the 241 00:10:15,679 --> 00:10:18,480 Speaker 2: kid's girlfriend and there's a stretcher and there's the kid 242 00:10:18,520 --> 00:10:20,360 Speaker 2: and they're pulling the white sheet over his head. And 243 00:10:20,360 --> 00:10:23,920 Speaker 2: I was like, oh god, your like someone died at 244 00:10:23,920 --> 00:10:26,400 Speaker 2: my show. But no, he wasn't dead. He wasn't dead. 245 00:10:26,480 --> 00:10:28,720 Speaker 2: He was just he had like alcohol poisoning or something, 246 00:10:28,960 --> 00:10:30,679 Speaker 2: or you know, had like thrown up or something. They 247 00:10:30,720 --> 00:10:32,960 Speaker 2: were taking him out, like I don't know why the 248 00:10:33,000 --> 00:10:36,640 Speaker 2: white sheet, but it was like I was like kidding, Yeah, 249 00:10:36,679 --> 00:10:38,320 Speaker 2: it was crazy. I was coming off this light. I 250 00:10:38,360 --> 00:10:40,280 Speaker 2: was like, yes, like I'm a rock star. Then you 251 00:10:40,280 --> 00:10:42,960 Speaker 2: go downstairs like oh my god, like like right at 252 00:10:42,960 --> 00:10:46,920 Speaker 2: the bottom of the stairs. It was so brutal, but uh, yeah, 253 00:10:46,960 --> 00:10:49,959 Speaker 2: it's pretty. You know the beastra table sometimes good, sometimes bad. 254 00:10:51,160 --> 00:10:58,960 Speaker 1: That's cool. It's SUPERBCT. So you're putting cigarettes out on yourself. Yeah, 255 00:10:59,000 --> 00:11:01,520 Speaker 1: and then the guy the next day said that was 256 00:11:01,559 --> 00:11:04,520 Speaker 1: embarrassing or whatever. Did you go into the next set 257 00:11:04,640 --> 00:11:08,760 Speaker 1: the second day like straight as an arrow sober or 258 00:11:08,840 --> 00:11:12,520 Speaker 1: were you still in that mode where you were like 259 00:11:12,520 --> 00:11:14,760 Speaker 1: like iggy pop like on PCP. 260 00:11:15,160 --> 00:11:17,600 Speaker 2: No, it was more sober. The next night was like 261 00:11:17,720 --> 00:11:21,360 Speaker 2: really wholesome somehow, like John c Riley introduced us and 262 00:11:21,480 --> 00:11:23,640 Speaker 2: we had well your bass player one time before he 263 00:11:23,720 --> 00:11:26,480 Speaker 2: stopped page right Pierce Pierce yea. 264 00:11:27,000 --> 00:11:30,319 Speaker 1: He used to drink. He was so drunk. One time 265 00:11:30,320 --> 00:11:32,440 Speaker 1: at the bar he stuck all four fingers up. My 266 00:11:32,520 --> 00:11:35,600 Speaker 1: ass cracked. When I was talking to with Gal at 267 00:11:35,600 --> 00:11:38,520 Speaker 1: the bar. Out of nowhere, he like crammed and he 268 00:11:38,520 --> 00:11:41,200 Speaker 1: wanted to stop. He was like trying to cram his 269 00:11:41,440 --> 00:11:44,640 Speaker 1: like hand into my ass and I was like, and 270 00:11:44,679 --> 00:11:48,960 Speaker 1: I was so drunk and it was so violating and shocking. 271 00:11:49,080 --> 00:11:50,920 Speaker 1: I like snapped on him. I was like, get the 272 00:11:50,960 --> 00:11:52,880 Speaker 1: fuck away, and he was like. 273 00:11:55,920 --> 00:11:57,720 Speaker 2: And then I don't even know if I would have 274 00:11:57,760 --> 00:11:58,320 Speaker 2: been there for that. 275 00:11:59,080 --> 00:12:01,040 Speaker 1: You weren't there. You were And then like the next 276 00:12:01,080 --> 00:12:03,760 Speaker 1: week he came out of my house and I play 277 00:12:03,840 --> 00:12:07,520 Speaker 1: upright bass, and it's expensive instrument, and it's it's a 278 00:12:07,559 --> 00:12:10,280 Speaker 1: it's a fragile instrument, a cheap upright bas is ten 279 00:12:10,320 --> 00:12:13,120 Speaker 1: thousand dollars and they go up, yeah, two hundred and 280 00:12:13,120 --> 00:12:16,200 Speaker 1: fifty k. You know, my teachers, the bases they played, 281 00:12:16,240 --> 00:12:18,439 Speaker 1: they had to take that mortgages from the bank basis. 282 00:12:18,679 --> 00:12:20,599 Speaker 1: It's expensive instrument. I don't mind people playing it, but 283 00:12:20,600 --> 00:12:22,880 Speaker 1: you gotta be a little bit careful. He's wasted and 284 00:12:22,920 --> 00:12:25,880 Speaker 1: he's like grabbing it, he's flopping it around and just 285 00:12:26,360 --> 00:12:28,240 Speaker 1: you know, six days ago, stuck all four fingers in 286 00:12:28,280 --> 00:12:30,400 Speaker 1: my ass. I was like, get out of my house. 287 00:12:30,840 --> 00:12:32,800 Speaker 1: I kicked him out of my house. I kicked out. 288 00:12:33,520 --> 00:12:35,040 Speaker 1: I was like, get away from me. 289 00:12:36,080 --> 00:12:38,439 Speaker 2: Well, he's not drinking anymore, making for the bask Yeah. 290 00:12:38,600 --> 00:12:40,679 Speaker 1: The next time I saw he was like, oh yeah, 291 00:12:40,679 --> 00:12:43,720 Speaker 1: I don't drink anymore. You know. 292 00:12:43,800 --> 00:12:45,760 Speaker 2: That's what happens sometimes when you when you when you 293 00:12:45,800 --> 00:12:48,000 Speaker 2: finish all of your allot of drinks and then you know, 294 00:12:48,080 --> 00:12:50,800 Speaker 2: there's all his drinks. He finished all his drinks real early. 295 00:12:51,280 --> 00:12:52,840 Speaker 2: God bless them, yeah. 296 00:12:52,559 --> 00:12:55,040 Speaker 3: God bless but what he was drinking, he was like, 297 00:12:55,280 --> 00:12:57,280 Speaker 3: fucking goddamn. 298 00:12:57,840 --> 00:13:00,040 Speaker 1: Jerry Lee Lewis Great Balls of Fire. 299 00:12:59,600 --> 00:13:02,400 Speaker 2: A great story of Pierce. Once we were playing in Australia. 300 00:13:02,640 --> 00:13:04,400 Speaker 2: This is kind of a bomb, I guess, but Pierce 301 00:13:04,440 --> 00:13:07,040 Speaker 2: and Andy, Pierce, we used to used to get into 302 00:13:07,080 --> 00:13:08,960 Speaker 2: quite a mood on stage sometimes too. I love this 303 00:13:09,040 --> 00:13:11,320 Speaker 2: man still today. He's one of my best friends. But 304 00:13:11,320 --> 00:13:13,800 Speaker 2: but he there was a night we were playing in 305 00:13:13,800 --> 00:13:15,640 Speaker 2: Australia and it was near the end of the show 306 00:13:16,320 --> 00:13:19,559 Speaker 2: and him and my guitarist Andy were looking at each 307 00:13:19,559 --> 00:13:21,040 Speaker 2: other and Pierce was kind of he was just not 308 00:13:21,080 --> 00:13:22,880 Speaker 2: having it, like he was just not having a good 309 00:13:22,880 --> 00:13:24,959 Speaker 2: time on stage, didn't want to be there. And Andy 310 00:13:25,040 --> 00:13:26,520 Speaker 2: was kind of egging him on, like why do you 311 00:13:26,520 --> 00:13:28,720 Speaker 2: just leave then? Like why don't you go? Like come on, 312 00:13:28,760 --> 00:13:30,440 Speaker 2: like what are you gonna do? You know? And Pierce 313 00:13:30,520 --> 00:13:33,280 Speaker 2: was like fuck it, and he took his bass off 314 00:13:33,400 --> 00:13:36,040 Speaker 2: and left the stage. I didn't even notice, yeah, but 315 00:13:36,240 --> 00:13:37,520 Speaker 2: like right near the end of the show and I 316 00:13:37,559 --> 00:13:39,240 Speaker 2: was like, oh, I didn't really know what's going on. 317 00:13:39,280 --> 00:13:40,760 Speaker 2: So I got there was that some of the guys 318 00:13:40,760 --> 00:13:42,679 Speaker 2: from that band King Gizzard and the Lizard Wizard were there. 319 00:13:42,720 --> 00:13:44,400 Speaker 2: So this guy Cookie, I was like, Cooky, cook, get 320 00:13:44,480 --> 00:13:45,920 Speaker 2: up here and play the last song. He was like, 321 00:13:46,000 --> 00:13:47,280 Speaker 2: I don't know, and I was like, it'll be fine. 322 00:13:47,280 --> 00:13:51,000 Speaker 2: Dorn Pierce left and he went to the green room 323 00:13:51,040 --> 00:13:53,720 Speaker 2: and he grabbed two beers and ahead of broccoli for 324 00:13:53,720 --> 00:13:56,120 Speaker 2: some reason, just really drunk and was like I'm out 325 00:13:56,120 --> 00:13:58,080 Speaker 2: of here and tried to leave out the front door, 326 00:13:59,280 --> 00:14:01,240 Speaker 2: and the bouncer was like, you can't take those beers 327 00:14:01,240 --> 00:14:03,320 Speaker 2: out of here, and he's liked make me and the 328 00:14:03,360 --> 00:14:06,400 Speaker 2: guy grabbed the beers out the bottom, so it like slashed, 329 00:14:06,760 --> 00:14:09,680 Speaker 2: you know, the little beer bottle capital slashed his like 330 00:14:09,760 --> 00:14:12,120 Speaker 2: tendon hero open. There was blood all over the place. 331 00:14:12,320 --> 00:14:13,960 Speaker 2: I don't know what he was doing with the broccoli. 332 00:14:14,040 --> 00:14:15,680 Speaker 2: But the next day we were supposed to go to 333 00:14:15,720 --> 00:14:19,520 Speaker 2: that like wildlife conservatory place where you like hold the 334 00:14:19,560 --> 00:14:21,840 Speaker 2: koalas and stuff. And I remember in the morning waking 335 00:14:21,920 --> 00:14:23,640 Speaker 2: up and I hadn't seen him for the rest of 336 00:14:23,680 --> 00:14:25,720 Speaker 2: the night. But waking up in the morning and everyone 337 00:14:25,800 --> 00:14:27,680 Speaker 2: being like, so are we going to the petting day? 338 00:14:27,720 --> 00:14:31,640 Speaker 2: I was like, no, Fred, not like not today, not 339 00:14:31,640 --> 00:14:34,720 Speaker 2: not after last night. Sorry about that was. 340 00:14:34,640 --> 00:14:35,800 Speaker 1: His hand all funked up. 341 00:14:36,120 --> 00:14:37,920 Speaker 2: Yeah, he was out of these fucking cuts all. 342 00:14:37,840 --> 00:14:42,320 Speaker 1: Over his but he had to play, he had to 343 00:14:42,320 --> 00:14:43,720 Speaker 1: play an instrument. Yeah. 344 00:14:43,840 --> 00:14:45,720 Speaker 2: I think luckily it was his right hand so that, 345 00:14:45,800 --> 00:14:50,080 Speaker 2: you know, it didn't go much his brutal Yeah, yeah, 346 00:14:50,120 --> 00:14:52,880 Speaker 2: he was, you know, it was a wild child. 347 00:14:53,040 --> 00:14:56,800 Speaker 1: Yeah, you know who the most stressful guys to drink with. 348 00:14:56,920 --> 00:14:59,240 Speaker 1: Have you ever drank with the jack jackass guys? 349 00:14:59,400 --> 00:15:02,600 Speaker 2: I've never even really met met the I remember you 350 00:15:02,680 --> 00:15:04,440 Speaker 2: were over here at one point and you when you 351 00:15:04,480 --> 00:15:06,520 Speaker 2: came over, you came in and you were like surveying 352 00:15:06,560 --> 00:15:09,000 Speaker 2: the backyard because you weren't sure where and when they 353 00:15:09,040 --> 00:15:11,240 Speaker 2: would be. Yes. 354 00:15:11,480 --> 00:15:14,720 Speaker 1: Like I was at tiki bar with Knoxville and I 355 00:15:14,720 --> 00:15:19,240 Speaker 1: had sandals on, which I'd never have. Yeah, and I'm 356 00:15:19,240 --> 00:15:22,080 Speaker 1: not paying attention, I'm talking it. I was Jeff Germaine. 357 00:15:22,120 --> 00:15:25,800 Speaker 1: I'm talking to Germaine, and my left foot feels like 358 00:15:25,840 --> 00:15:31,880 Speaker 1: it's having like the worst allergic reaction, like just like inflamed. 359 00:15:31,960 --> 00:15:34,680 Speaker 1: I'm like, God, what the fuck? My left foot feels 360 00:15:34,680 --> 00:15:36,880 Speaker 1: like I must be having an allergic reaction. I'm feel 361 00:15:36,880 --> 00:15:39,120 Speaker 1: like I'm having a stroke. I looked down. My whole 362 00:15:39,240 --> 00:15:41,640 Speaker 1: left foot is on fire. Knoxville got like a bottle 363 00:15:41,680 --> 00:15:44,120 Speaker 1: of one fifty one rum and matches, and he's like 364 00:15:44,200 --> 00:15:47,240 Speaker 1: just pouring one fifty one all over my foot and 365 00:15:47,320 --> 00:15:51,960 Speaker 1: throwing matches at Wow, and you can't stop it out. 366 00:15:52,000 --> 00:15:53,360 Speaker 1: You're just stomping it around. 367 00:15:53,520 --> 00:15:56,600 Speaker 2: It's like it's amazing, though, you know, that's like it's 368 00:15:56,800 --> 00:15:59,120 Speaker 2: just the way it should be. I think with those guys, 369 00:15:59,120 --> 00:16:01,480 Speaker 2: you know what I mean like that, because how old 370 00:16:01,560 --> 00:16:03,160 Speaker 2: is he now? He's like in his fifties or. 371 00:16:03,080 --> 00:16:07,360 Speaker 1: Something fifty, the early fifties. 372 00:16:07,280 --> 00:16:09,360 Speaker 2: And he's still lighting people's feet on fire. 373 00:16:09,960 --> 00:16:12,680 Speaker 1: That's great. And you gotta like the whole crew. It's 374 00:16:12,720 --> 00:16:15,520 Speaker 1: not just the guys on the cast. It's like you 375 00:16:15,560 --> 00:16:18,720 Speaker 1: always have to have like your your beer like this 376 00:16:18,760 --> 00:16:21,320 Speaker 1: because they pee, they take out their dicks at the 377 00:16:21,440 --> 00:16:25,520 Speaker 1: arm pee in your beer while they're talking about like 378 00:16:25,600 --> 00:16:28,400 Speaker 1: Frank tow is drinking a beer and then like and 379 00:16:28,440 --> 00:16:31,160 Speaker 1: then like Tom toothless, Tom, who's not even on he's 380 00:16:31,160 --> 00:16:36,680 Speaker 1: a camera operator like Pee all in towns Beer. The 381 00:16:37,120 --> 00:16:39,880 Speaker 1: key is you can't you can't act nervous around them, 382 00:16:39,880 --> 00:16:41,600 Speaker 1: and then when they do prank, you just act gotta 383 00:16:41,600 --> 00:16:44,000 Speaker 1: act cool because the more you stress, the more they're 384 00:16:44,040 --> 00:16:44,440 Speaker 1: gonna be like. 385 00:16:46,920 --> 00:16:48,160 Speaker 2: Wow, that's insane. 386 00:16:48,720 --> 00:16:54,080 Speaker 1: Yeah, that's it's tough. Yeah, Pee and fucking fire. 387 00:16:59,200 --> 00:17:00,320 Speaker 2: With a Dre. 388 00:17:08,400 --> 00:17:11,919 Speaker 1: With Adre. That's what's the worst bomb you've ever seen? 389 00:17:12,600 --> 00:17:16,520 Speaker 1: Have you ever seen a performer tank just eat a 390 00:17:16,520 --> 00:17:18,040 Speaker 1: bag of shit on stage? 391 00:17:18,640 --> 00:17:20,760 Speaker 2: Trying to think of like a really like maybe a 392 00:17:20,840 --> 00:17:21,600 Speaker 2: musical one. 393 00:17:21,800 --> 00:17:29,080 Speaker 1: I saw like Aril Pink early Ario Pink shows every day. 394 00:17:29,680 --> 00:17:31,600 Speaker 2: That was kind of what he did though at that 395 00:17:31,640 --> 00:17:32,760 Speaker 2: but you know he would just pull up with the 396 00:17:32,760 --> 00:17:34,960 Speaker 2: boombox and people would be like this isn't even good, 397 00:17:35,000 --> 00:17:37,639 Speaker 2: Like fuck you, this isn't good. You know, it's just 398 00:17:37,680 --> 00:17:41,280 Speaker 2: like this sucks. So I don't know, I feel like 399 00:17:41,400 --> 00:17:43,960 Speaker 2: but that. But it's like charming in a way as well. 400 00:17:43,960 --> 00:17:46,600 Speaker 2: It's like if you saw those shows. I saw one 401 00:17:46,640 --> 00:17:48,000 Speaker 2: of them back in the day, but I remember my 402 00:17:48,040 --> 00:17:49,800 Speaker 2: friend Cody was just like, yeah I saw it the 403 00:17:49,840 --> 00:17:51,919 Speaker 2: other day and Montreal like it fucking sucks, and I 404 00:17:51,960 --> 00:17:52,200 Speaker 2: was like. 405 00:17:54,640 --> 00:17:57,680 Speaker 1: Cat power Cat power would notoriously mount down on stage 406 00:17:57,680 --> 00:18:00,080 Speaker 1: all the time too. She would she would have a 407 00:18:00,119 --> 00:18:02,440 Speaker 1: really tough time. She would unravel. 408 00:18:02,720 --> 00:18:05,480 Speaker 2: I mean see that there's like a difference because I 409 00:18:05,520 --> 00:18:07,680 Speaker 2: remember seeing there was a band called fuck Are They 410 00:18:07,720 --> 00:18:10,679 Speaker 2: called a garage band from Montreal. They came over to 411 00:18:10,760 --> 00:18:12,640 Speaker 2: Vancouver and they were playing. It was this big deal, 412 00:18:12,720 --> 00:18:15,359 Speaker 2: like when garage was kind of really having its moment, 413 00:18:15,440 --> 00:18:17,399 Speaker 2: like two thousand and seven, two thousand and eight or whatever, 414 00:18:17,440 --> 00:18:19,959 Speaker 2: and maybe two thousand and nine even and what were 415 00:18:19,960 --> 00:18:24,159 Speaker 2: they called I can't remember, but but that in that instance, 416 00:18:24,200 --> 00:18:27,119 Speaker 2: it was like the drummer was just so hammered that 417 00:18:27,280 --> 00:18:29,639 Speaker 2: like they couldn't, Like the whole band is like trying 418 00:18:29,640 --> 00:18:32,360 Speaker 2: to play in the drummers just can't can't get in there. 419 00:18:32,359 --> 00:18:34,159 Speaker 2: Which is it just like it just didn't sound like 420 00:18:34,280 --> 00:18:37,240 Speaker 2: music at all. You know, there's instances like that where 421 00:18:37,280 --> 00:18:39,879 Speaker 2: it's kind of like technically impossible. But then there's the 422 00:18:39,880 --> 00:18:44,280 Speaker 2: ones where it is just like h meltdown status like 423 00:18:44,320 --> 00:18:45,440 Speaker 2: screaming at the audience. 424 00:18:45,520 --> 00:18:45,679 Speaker 1: You know. 425 00:18:45,680 --> 00:18:47,479 Speaker 2: I have a friend Sean that used to you know, 426 00:18:47,880 --> 00:18:49,480 Speaker 2: I love this guy as well. I just recorded a 427 00:18:49,480 --> 00:18:50,920 Speaker 2: record for him a couple of years ago. But back 428 00:18:50,920 --> 00:18:53,719 Speaker 2: in the day he would have you know, Sean Nicholas Savage, 429 00:18:53,720 --> 00:18:56,360 Speaker 2: he would he would. He had some shows, some difficult 430 00:18:56,359 --> 00:18:58,680 Speaker 2: shows where he would get quite angry at that. Actually, 431 00:18:58,760 --> 00:19:00,439 Speaker 2: on tour with us, I hope he doesn't minded I'm 432 00:19:00,440 --> 00:19:04,000 Speaker 2: telling these stories. But there was a tour where he 433 00:19:04,000 --> 00:19:05,360 Speaker 2: he was in the van with us the whole time, 434 00:19:05,359 --> 00:19:08,359 Speaker 2: and he had he would he would use olive oil 435 00:19:08,440 --> 00:19:09,960 Speaker 2: in his hair to slick it back. He was looking 436 00:19:09,960 --> 00:19:11,800 Speaker 2: good on the story in an Italian suit, slicked his 437 00:19:11,880 --> 00:19:14,280 Speaker 2: hair back every day. He's kind of you know, very uh, 438 00:19:14,680 --> 00:19:16,960 Speaker 2: kind of a cloud snowmy style look. Sometimes you know, 439 00:19:16,960 --> 00:19:20,480 Speaker 2: a very skinny guy, like beautiful guy. But I remember 440 00:19:20,520 --> 00:19:22,600 Speaker 2: there was this one we played in Glasgow or something, 441 00:19:22,640 --> 00:19:24,600 Speaker 2: and they didn't have normal olive oil. We're playing at 442 00:19:24,640 --> 00:19:26,880 Speaker 2: a pizza restaurant, but they had like the pizza olive 443 00:19:26,880 --> 00:19:30,040 Speaker 2: oil spicy, so it had like the peppers in it 444 00:19:30,040 --> 00:19:32,359 Speaker 2: and stuff. So Sean he got mad. There was no 445 00:19:32,440 --> 00:19:34,960 Speaker 2: hot water in the green rooms. He was frustrated about that, 446 00:19:35,040 --> 00:19:36,520 Speaker 2: and then they didn't have the olive oil. They only 447 00:19:36,560 --> 00:19:38,800 Speaker 2: had the pizza of olive oil. So he took a 448 00:19:38,840 --> 00:19:40,720 Speaker 2: cold shower and then he smelled like a pizza cause 449 00:19:40,720 --> 00:19:43,120 Speaker 2: he uses pizza of olive oil and he just got 450 00:19:43,400 --> 00:19:45,080 Speaker 2: that night though, I think it was like a we 451 00:19:45,119 --> 00:19:47,719 Speaker 2: had just a mess of shit happening that, you know, 452 00:19:48,080 --> 00:19:49,399 Speaker 2: that tour, and it was that was one of the 453 00:19:49,840 --> 00:19:52,000 Speaker 2: you know, I feel like our fuse was quite short, 454 00:19:52,000 --> 00:19:55,160 Speaker 2: but somehow he had a dress when we played that night, 455 00:19:55,200 --> 00:19:57,600 Speaker 2: and he was like crawling around and just screaming, and 456 00:19:57,640 --> 00:20:00,560 Speaker 2: it was like it was just punishing, you know, punishing 457 00:20:00,560 --> 00:20:03,040 Speaker 2: the people that came to But even that, it's like 458 00:20:03,320 --> 00:20:06,920 Speaker 2: I love the punishment like them. 459 00:20:07,040 --> 00:20:09,080 Speaker 1: To me, it's like the most entertaining show. 460 00:20:08,920 --> 00:20:11,840 Speaker 2: To me, it's like, yeah, somebody Steve. 461 00:20:12,040 --> 00:20:14,200 Speaker 1: Oh no, I saw a super cut of Steve Lacey 462 00:20:14,760 --> 00:20:18,159 Speaker 1: taking people's iPhones out of their hands, like breaking them one. 463 00:20:18,840 --> 00:20:20,520 Speaker 2: But even that, it's like, you know, that's one of 464 00:20:20,520 --> 00:20:22,480 Speaker 2: those things we're onlinecause I've seen those clips and I 465 00:20:22,520 --> 00:20:24,440 Speaker 2: love Steve too, He's my my good buddy. But it's 466 00:20:24,480 --> 00:20:28,560 Speaker 2: like with that, it's it's kind of like people are like, 467 00:20:28,560 --> 00:20:31,560 Speaker 2: like I am so angry at you, Steve, Like I paid, 468 00:20:31,920 --> 00:20:33,600 Speaker 2: like right now, we're living in this in this world 469 00:20:33,600 --> 00:20:35,600 Speaker 2: where it's kind of like I paid for your. 470 00:20:35,480 --> 00:20:36,680 Speaker 1: Record Outraged Economy. 471 00:20:36,800 --> 00:20:39,000 Speaker 2: Yeah, I I own you well that and it's like 472 00:20:39,240 --> 00:20:41,480 Speaker 2: it's like I I should have a say, you know, 473 00:20:41,560 --> 00:20:43,960 Speaker 2: it's like I am your fan and I paid to 474 00:20:44,000 --> 00:20:44,480 Speaker 2: be your fan. 475 00:20:44,560 --> 00:20:46,760 Speaker 1: So but it's like, no, you let him break your phone. 476 00:20:46,920 --> 00:20:48,080 Speaker 1: I like, I love it. 477 00:20:48,200 --> 00:20:51,320 Speaker 2: I love him camera Like fuck yeah, Steve, like get 478 00:20:51,359 --> 00:20:54,119 Speaker 2: it because it is you know, it's annoying. You know, 479 00:20:54,200 --> 00:20:56,359 Speaker 2: it's fucking annoying. You know, but it's I don't know, 480 00:20:56,400 --> 00:20:59,520 Speaker 2: it's like even that like but that's what I'm saying, 481 00:20:59,600 --> 00:21:03,560 Speaker 2: is like a diference between the music bombing and the comedy. 482 00:21:03,560 --> 00:21:05,160 Speaker 2: But I don't know. Bombing is such like it's such 483 00:21:05,160 --> 00:21:10,639 Speaker 2: a very particular thing, like it's I don't know. I 484 00:21:10,680 --> 00:21:13,399 Speaker 2: think that the worst is when something happens that is 485 00:21:13,440 --> 00:21:16,439 Speaker 2: out of your control and then you can't reel it 486 00:21:16,520 --> 00:21:18,600 Speaker 2: back in. Yeah, you know, like like say for like 487 00:21:19,520 --> 00:21:20,440 Speaker 2: and then it just gets. 488 00:21:20,280 --> 00:21:24,320 Speaker 1: All like technical equipment like yeah, audio going down or that. 489 00:21:24,320 --> 00:21:24,760 Speaker 2: Kind of thing. 490 00:21:24,840 --> 00:21:25,000 Speaker 1: You know. 491 00:21:25,040 --> 00:21:27,000 Speaker 2: It's kind of like I think back to like when 492 00:21:27,000 --> 00:21:29,919 Speaker 2: we saw radio Head at Coachella, like I don't know, 493 00:21:29,960 --> 00:21:32,560 Speaker 2: five years ago or four years ago whatever, and uh, 494 00:21:32,600 --> 00:21:34,240 Speaker 2: and the P eight has kept shutting off and the 495 00:21:34,280 --> 00:21:36,040 Speaker 2: first time you're like, oh, that's cute. The PA is 496 00:21:36,040 --> 00:21:38,000 Speaker 2: shutting off, and then it happens again and again. 497 00:21:38,200 --> 00:21:39,720 Speaker 1: Radioheads PA, Well that's what I'm saying. 498 00:21:39,760 --> 00:21:42,119 Speaker 2: Yeah, the console is exploding or something, and like, you know, 499 00:21:42,240 --> 00:21:43,840 Speaker 2: even you can even see it in the guys. I 500 00:21:43,840 --> 00:21:46,040 Speaker 2: mean they're professionals, they take care of business or whatever. 501 00:21:46,080 --> 00:21:48,040 Speaker 2: But you know, it happens two or three times, and 502 00:21:48,040 --> 00:21:49,280 Speaker 2: you get to the point where you're kind of like 503 00:21:50,359 --> 00:21:52,000 Speaker 2: you're like, yeah, I don't know if I have any 504 00:21:52,080 --> 00:21:54,800 Speaker 2: more like cute jokes about the ship being fucked, Like 505 00:21:54,840 --> 00:21:56,439 Speaker 2: the shit's just kind of fucked, you know what I mean. 506 00:21:56,480 --> 00:21:58,879 Speaker 2: It's like at that point, it's kind of like like 507 00:21:59,080 --> 00:22:02,680 Speaker 2: you get that. Yeah, Yeah, I feel like I had 508 00:22:02,680 --> 00:22:07,760 Speaker 2: it so badly recently. What was it? The cringe? It's 509 00:22:07,760 --> 00:22:10,080 Speaker 2: almost Yeah, the cringe is what I That's what I 510 00:22:10,200 --> 00:22:11,800 Speaker 2: search you for. That's what I love. 511 00:22:12,280 --> 00:22:15,000 Speaker 1: Yeah, I heard Frank Ocean was having a tough time. 512 00:22:15,720 --> 00:22:18,560 Speaker 2: That was I Yeah, I was there for that as well. 513 00:22:18,720 --> 00:22:21,760 Speaker 1: Danny buddies with Bunny Blanco. He said the show was amazing. 514 00:22:21,760 --> 00:22:23,000 Speaker 1: He goes, I don't why everybody's get. 515 00:22:23,080 --> 00:22:24,880 Speaker 2: People really loved it. I didn't stay for the whole 516 00:22:24,880 --> 00:22:26,800 Speaker 2: thing just because I was like I don't want to 517 00:22:26,880 --> 00:22:29,400 Speaker 2: wait for the traffic, but uh, I'm out. I'll say 518 00:22:29,400 --> 00:22:32,040 Speaker 2: that some components of it, like his voice sounded amazing. 519 00:22:32,640 --> 00:22:35,280 Speaker 2: It was just like there's parts about it where you know, 520 00:22:35,359 --> 00:22:37,360 Speaker 2: there was a lot of waiting, there was a lot 521 00:22:37,359 --> 00:22:39,240 Speaker 2: of it was strange. 522 00:22:39,280 --> 00:22:42,359 Speaker 1: It was really strange. I think Cochella is a tough crowd. 523 00:22:42,440 --> 00:22:45,239 Speaker 1: Don't you think Coachella is a tough coachell is? We did? 524 00:22:45,359 --> 00:22:48,800 Speaker 1: We performed at Gouceella together. That's right, we performed Atella together. 525 00:22:49,000 --> 00:22:49,800 Speaker 1: Never forget the. 526 00:22:49,680 --> 00:22:51,920 Speaker 2: Theremin and the Giant. It was at twenty inch deal 527 00:22:52,119 --> 00:22:52,520 Speaker 2: the Giant. 528 00:22:53,720 --> 00:22:56,720 Speaker 1: But it's don't you think that Coachella is a tough crowd. 529 00:22:57,200 --> 00:22:59,720 Speaker 2: Coachella is like not a music crowd. It's like a 530 00:22:59,760 --> 00:23:02,359 Speaker 2: butt cheeks crowd. Like it's like, you know, everybody's there 531 00:23:02,400 --> 00:23:04,679 Speaker 2: with like barely any clothes on, and like it's more 532 00:23:04,680 --> 00:23:07,520 Speaker 2: about getting the photos and ship. Yes, I mean, Frank 533 00:23:07,560 --> 00:23:10,280 Speaker 2: Ocean is like you know those butt cheek people like 534 00:23:10,359 --> 00:23:12,560 Speaker 2: do know about Frank? Like they love Frank. 535 00:23:12,880 --> 00:23:14,639 Speaker 1: It's so fun. It's such a funny, you know what 536 00:23:14,640 --> 00:23:16,639 Speaker 1: I mean? So what is that are you describing? Like 537 00:23:16,680 --> 00:23:19,359 Speaker 1: the southern California girl with a flower crown and the 538 00:23:19,640 --> 00:23:22,520 Speaker 1: big time but cheeks are just out. They don't even 539 00:23:22,520 --> 00:23:24,080 Speaker 1: know the bands, they're just they're. 540 00:23:24,680 --> 00:23:26,680 Speaker 2: Fuck like that. I have a problem with the butt 541 00:23:26,720 --> 00:23:27,200 Speaker 2: cheek people. 542 00:23:27,359 --> 00:23:29,040 Speaker 4: I have a problem with the but cheek people, the 543 00:23:29,040 --> 00:23:33,160 Speaker 4: budgeting people. They're low cutie pies, but they're fucking they are. 544 00:23:33,720 --> 00:23:38,680 Speaker 4: They are the stereotype of the southern California ding dong 545 00:23:39,400 --> 00:23:42,520 Speaker 4: oh yeah. Like, And that's my problem with the Coachella crowd. 546 00:23:42,560 --> 00:23:44,119 Speaker 4: I don't think anybody's paying attention. 547 00:23:44,400 --> 00:23:47,720 Speaker 1: It's very hot. Here's my here's my issues with Coachella. 548 00:23:47,880 --> 00:23:50,040 Speaker 1: I'll tell you one of the best festivals ever played. 549 00:23:50,200 --> 00:23:53,600 Speaker 1: Fucking uh b c. Pemberton, British col. 550 00:23:53,680 --> 00:23:54,679 Speaker 2: Yeah, I've heard that's a nice one. 551 00:23:54,720 --> 00:23:58,560 Speaker 1: Under been there, But Pemberton, all Pacific Northwest outside land 552 00:23:58,600 --> 00:24:03,479 Speaker 1: festivals of San Francisco's amazing, Sasquatch, all those like, all 553 00:24:03,520 --> 00:24:08,919 Speaker 1: those like rural Washington state kind of festivals amazing. The 554 00:24:08,960 --> 00:24:15,520 Speaker 1: weather's amazing, the landscape's amazing. Indio, California, Coachello Valley is 555 00:24:15,640 --> 00:24:21,480 Speaker 1: just a flat, brutal, hot, brutal nightmare strawberry farm. It's 556 00:24:21,520 --> 00:24:23,359 Speaker 1: just a fucking strawberry farm. 557 00:24:23,720 --> 00:24:25,680 Speaker 2: Butt cheeks everywhere. 558 00:24:25,440 --> 00:24:30,560 Speaker 1: And then ding Dong's from Orange County and Arizona in 559 00:24:30,760 --> 00:24:35,399 Speaker 1: La La ding Dongs gorgeous idiots coming for miles around. 560 00:24:35,800 --> 00:24:37,840 Speaker 1: I don't know, it just feels a little too cool. 561 00:24:38,160 --> 00:24:41,400 Speaker 2: It's not even cool, Like it's like, but it's not cool. 562 00:24:41,440 --> 00:24:43,359 Speaker 1: The irony is it's not cool. But it feels like 563 00:24:43,600 --> 00:24:45,840 Speaker 1: it feels like girls with flower crowns that are like 564 00:24:45,920 --> 00:24:50,560 Speaker 1: this rave is important, man, exactly, and it's like is important. 565 00:24:51,160 --> 00:24:53,639 Speaker 2: It feels expensive in a way, you know what I mean, 566 00:24:53,720 --> 00:24:55,399 Speaker 2: But it kind of it's like it's like greasy in 567 00:24:55,400 --> 00:24:57,280 Speaker 2: a way. But here's the thing is, I talked to 568 00:24:57,320 --> 00:24:59,399 Speaker 2: my friend Jania that a couple of weeks ago, and 569 00:24:59,440 --> 00:25:01,280 Speaker 2: he was saying that he went to Cochelle. He'd never 570 00:25:01,280 --> 00:25:03,320 Speaker 2: really been in music, vessels, guys, a painters, a good 571 00:25:03,320 --> 00:25:05,240 Speaker 2: pel of mine, and the you know, he was saying 572 00:25:05,280 --> 00:25:07,280 Speaker 2: that he he went with this stay with this guy 573 00:25:07,320 --> 00:25:09,400 Speaker 2: that you know, I think is an art dealer or something, 574 00:25:09,440 --> 00:25:12,120 Speaker 2: and they had the real they had the lux Coachell experience, 575 00:25:12,119 --> 00:25:14,359 Speaker 2: Like the guy's got a humongous house on a golf 576 00:25:14,400 --> 00:25:17,080 Speaker 2: course and there's you know, chefs and like just a 577 00:25:17,160 --> 00:25:19,520 Speaker 2: million dollar experience, you know, and like the artists don't 578 00:25:19,560 --> 00:25:22,240 Speaker 2: even have that there. You know, it's like I you know, 579 00:25:22,800 --> 00:25:24,920 Speaker 2: you like in a dusty trailer or something, and like 580 00:25:24,960 --> 00:25:26,920 Speaker 2: we all caterings closing, It's like, oh, can I still 581 00:25:26,960 --> 00:25:29,240 Speaker 2: get dinner? It's like sorry now, you know, it's like 582 00:25:30,000 --> 00:25:32,600 Speaker 2: you know, it's like it's it's I don't know, it's 583 00:25:32,680 --> 00:25:34,520 Speaker 2: But that's the whole point too, is that you can 584 00:25:34,800 --> 00:25:37,480 Speaker 2: you can essentially buy the artist experience a cochelle. You 585 00:25:37,480 --> 00:25:39,320 Speaker 2: can like buy an artist pass, you can buy a 586 00:25:39,400 --> 00:25:42,480 Speaker 2: VIP pass whatever. So it's enticing to these people. But 587 00:25:42,520 --> 00:25:44,000 Speaker 2: that's why I love it. You know, it's like the 588 00:25:45,280 --> 00:25:47,280 Speaker 2: you go for the celebs, you know, you go to 589 00:25:47,720 --> 00:25:50,600 Speaker 2: people watch. Although the first couple of years we played, 590 00:25:50,640 --> 00:25:52,520 Speaker 2: I was looking for the wrong celebs, Like I'm looking 591 00:25:52,560 --> 00:25:55,840 Speaker 2: for like Jack Nicholson or something like. You know, you 592 00:25:55,880 --> 00:25:58,800 Speaker 2: got to look for the contemporary, the TikTokers, You got to. 593 00:25:58,720 --> 00:26:01,080 Speaker 1: Look for your eyes feel for Jack. 594 00:26:01,359 --> 00:26:02,800 Speaker 2: I mean I would I saw, you know, you go 595 00:26:02,800 --> 00:26:04,679 Speaker 2: to Lakers game, that's where you see Jack. Yeah, you 596 00:26:04,680 --> 00:26:06,600 Speaker 2: ever see that photo of him at the Lakers game 597 00:26:06,880 --> 00:26:09,240 Speaker 2: where him and his buddy brought homemade chili to eat 598 00:26:09,600 --> 00:26:11,840 Speaker 2: and he just spilt it all over his pants. 599 00:26:12,080 --> 00:26:15,840 Speaker 1: It's so and he's just. 600 00:26:15,760 --> 00:26:17,800 Speaker 2: Sitting there like a shit, Like, what do I do now? 601 00:26:18,880 --> 00:26:36,160 Speaker 1: Jack with aericnre with aericndre, what's the well you already 602 00:26:36,160 --> 00:26:37,720 Speaker 1: said the most wasted you've been on stage. 603 00:26:37,880 --> 00:26:40,640 Speaker 2: I don't know if that was the most wasted. There's 604 00:26:40,760 --> 00:26:44,600 Speaker 2: definitely been other instances where I've just been I mean 605 00:26:44,640 --> 00:26:47,280 Speaker 2: it's like, you know, it's it's funny getting into the 606 00:26:47,320 --> 00:26:49,840 Speaker 2: swing of Like there was about a year and a 607 00:26:49,880 --> 00:26:51,639 Speaker 2: half or two year period where I would drink a 608 00:26:51,680 --> 00:26:54,560 Speaker 2: full two six of Jamison on stage every night. It 609 00:26:54,600 --> 00:26:55,240 Speaker 2: was like I would just. 610 00:26:56,800 --> 00:26:59,119 Speaker 1: Are those early tours or are those your early tours? 611 00:26:59,240 --> 00:27:01,919 Speaker 2: No, this is like this is like maybe you know 612 00:27:02,040 --> 00:27:07,359 Speaker 2: the two albums ago, last album? Yeah, so it's like 613 00:27:07,359 --> 00:27:10,600 Speaker 2: but you build our nerves or just for fun. I 614 00:27:10,600 --> 00:27:12,560 Speaker 2: think it was just like, well, let's just see how 615 00:27:12,600 --> 00:27:14,800 Speaker 2: far down this road we can go, you know, But 616 00:27:15,160 --> 00:27:18,080 Speaker 2: it was there were there were nights. I remember we 617 00:27:18,119 --> 00:27:19,520 Speaker 2: played a show I think it might be the only 618 00:27:19,560 --> 00:27:23,040 Speaker 2: show we ever played in Pittsburgh and we just played 619 00:27:23,119 --> 00:27:24,960 Speaker 2: for I mean, we played the songs we were gonna play, 620 00:27:25,000 --> 00:27:28,840 Speaker 2: like my songs, and then I was so so like 621 00:27:29,040 --> 00:27:32,359 Speaker 2: it just erupted into this like jam thing. I like 622 00:27:32,400 --> 00:27:34,800 Speaker 2: don't remember the show at all, but there's videos of it. 623 00:27:35,080 --> 00:27:37,080 Speaker 2: We played for like three and a half hours or 624 00:27:37,080 --> 00:27:39,040 Speaker 2: something Like a lot of it is just like kind 625 00:27:39,040 --> 00:27:41,360 Speaker 2: of weird slow jamming, and I'm making people say I'm 626 00:27:41,359 --> 00:27:43,720 Speaker 2: like Turkey, and they're like saying Turkey back to It's 627 00:27:43,760 --> 00:27:46,200 Speaker 2: this whole thing, and I just remember, you know, the 628 00:27:46,240 --> 00:27:49,360 Speaker 2: show was finished. I'm laying on the back the back patio. 629 00:27:49,400 --> 00:27:54,040 Speaker 2: There's like a masseuse there giving me a massage. I 630 00:27:54,080 --> 00:27:56,199 Speaker 2: don't know, it's just like there's a blur of this 631 00:27:56,280 --> 00:27:58,240 Speaker 2: era where it's like, you know, there were a lot 632 00:27:58,240 --> 00:28:01,560 Speaker 2: of shows where I couldn't walk after the show, and 633 00:28:01,680 --> 00:28:02,280 Speaker 2: that was like that. 634 00:28:02,359 --> 00:28:06,200 Speaker 1: You know, do you think toe to toe drink for drink, 635 00:28:06,280 --> 00:28:10,720 Speaker 1: cigarette for cigarette? Did you ever surpass post malone or 636 00:28:10,720 --> 00:28:13,320 Speaker 1: were you guys to kind of neck and neck for SIGs. 637 00:28:13,600 --> 00:28:15,680 Speaker 2: Post party with this? One time we parted would Post 638 00:28:15,840 --> 00:28:18,879 Speaker 2: in Tokyo. We were both playing at Fuji Rock and 639 00:28:18,920 --> 00:28:19,720 Speaker 2: we took him to this. 640 00:28:19,840 --> 00:28:22,600 Speaker 1: Did any smoke four to five packs a day? 641 00:28:22,760 --> 00:28:25,800 Speaker 2: I wouldn't be surprised. I mean I never I'm sure 642 00:28:25,800 --> 00:28:27,280 Speaker 2: that if I was at you know, if it was 643 00:28:27,320 --> 00:28:29,159 Speaker 2: the right Music festival, and we played early enough in 644 00:28:29,200 --> 00:28:32,000 Speaker 2: the day, like four packs wouldn't be out of the four. 645 00:28:31,880 --> 00:28:32,960 Speaker 1: That's eighty cigarettes. 646 00:28:33,280 --> 00:28:35,199 Speaker 2: Yeah, it's a shitload, I mean, but it's like, you know, 647 00:28:35,840 --> 00:28:37,680 Speaker 2: here's the thing. I bet it's the same a Post too. 648 00:28:37,720 --> 00:28:40,160 Speaker 2: When you're posting, you got SIGs. Everybody's having a sig. 649 00:28:40,200 --> 00:28:41,719 Speaker 2: You go through four or five packs, I don't know, 650 00:28:41,800 --> 00:28:43,480 Speaker 2: but there, I mean, there was a long time where 651 00:28:43,480 --> 00:28:45,360 Speaker 2: I was smoking at least two packs a day, which 652 00:28:45,400 --> 00:28:48,440 Speaker 2: is like, that's a lot of cigarettes, you know. But 653 00:28:48,440 --> 00:28:50,000 Speaker 2: but Post, I remember there was a nut yet We 654 00:28:50,040 --> 00:28:52,960 Speaker 2: took him to Beat Cafe. This guy Kato man In 655 00:28:52,960 --> 00:28:55,240 Speaker 2: in Tokyo. He runs this bar named Beat Cafe. And 656 00:28:55,240 --> 00:28:59,000 Speaker 2: we went there with Post and me and all my guys. 657 00:28:59,120 --> 00:29:00,760 Speaker 2: We drank. We all drink a lot. A lot of 658 00:29:00,840 --> 00:29:02,600 Speaker 2: us were from Canada. It's like it's kind of you know, 659 00:29:02,680 --> 00:29:03,400 Speaker 2: that's that's the. 660 00:29:03,840 --> 00:29:06,000 Speaker 1: Yeah, it's a nation founded by alcoholics. 661 00:29:06,400 --> 00:29:07,080 Speaker 2: Exactactly. 662 00:29:07,160 --> 00:29:09,600 Speaker 1: John, what's what's your George Roshing called Johnny apple Seed? 663 00:29:09,800 --> 00:29:12,760 Speaker 1: What's like Johnny Appleseed? He's got the big schnas. 664 00:29:13,040 --> 00:29:13,680 Speaker 2: I don't even know. 665 00:29:13,840 --> 00:29:17,440 Speaker 1: John McDonald, John McDonald, John McDonald, have you seen that guy? 666 00:29:17,520 --> 00:29:22,960 Speaker 1: Schnas that guy drank his face into an explosion exactly. Yeah, 667 00:29:23,120 --> 00:29:25,880 Speaker 1: but I know, so you're drinking in Tokyo Post. 668 00:29:26,000 --> 00:29:27,560 Speaker 2: Yeah, we were with Posts and we were drinking in 669 00:29:27,600 --> 00:29:29,720 Speaker 2: there and Post, I mean Post there was it got 670 00:29:29,760 --> 00:29:31,320 Speaker 2: to the post gets hammered. I don't know if he 671 00:29:31,320 --> 00:29:32,920 Speaker 2: does anymore. I haven't seen him in quite a few years, 672 00:29:32,960 --> 00:29:35,240 Speaker 2: but but he was like on the ground, like rolling 673 00:29:35,240 --> 00:29:37,400 Speaker 2: around and we had that. There was a point where 674 00:29:37,440 --> 00:29:39,160 Speaker 2: we were all hammered too. We had to go to security, 675 00:29:39,240 --> 00:29:41,520 Speaker 2: like don't you think like maybe you should take him home? 676 00:29:41,600 --> 00:29:44,080 Speaker 2: Like you can't stand up now, what's going on? So 677 00:29:44,280 --> 00:29:46,760 Speaker 2: in that one instance, we I would say, we out 678 00:29:46,840 --> 00:29:49,880 Speaker 2: drank Post nice. But he's a he's a beer man, 679 00:29:49,960 --> 00:29:52,840 Speaker 2: like he loves to drink the bud night guy. Yeah 680 00:29:52,960 --> 00:29:55,360 Speaker 2: that was interesting too. That year he actually had like 681 00:29:55,520 --> 00:29:58,640 Speaker 2: palettes of bud Light flown into Fuji Rock, which is. 682 00:29:58,600 --> 00:30:01,400 Speaker 1: Like rough bud Light. 683 00:30:01,520 --> 00:30:04,280 Speaker 2: Yeah, Japan Japan's got good like light light beer, Like 684 00:30:04,320 --> 00:30:06,080 Speaker 2: why not just drink that? But he is a he 685 00:30:06,160 --> 00:30:07,120 Speaker 2: loves his bud Lights. 686 00:30:07,120 --> 00:30:08,640 Speaker 1: So bud Light's tough. 687 00:30:08,760 --> 00:30:11,120 Speaker 2: Man, It's easy to drink. I think that's the thing. 688 00:30:11,160 --> 00:30:14,080 Speaker 2: It's like a casual doesn't make you feel full, doesn't 689 00:30:14,120 --> 00:30:15,240 Speaker 2: make you drunk too fast. 690 00:30:16,400 --> 00:30:18,320 Speaker 1: But also I like drinking to get drunk. 691 00:30:18,400 --> 00:30:21,280 Speaker 2: I'm like, exactly, that's the whole thing. I never really 692 00:30:21,320 --> 00:30:24,760 Speaker 2: thought that there was any you know, I mean the flavor. 693 00:30:24,920 --> 00:30:26,880 Speaker 2: Never I don't know, fancy cocktail. 694 00:30:26,520 --> 00:30:26,800 Speaker 1: I don't know. 695 00:30:26,840 --> 00:30:29,440 Speaker 2: It's just kind of like the faster the you know. 696 00:30:29,440 --> 00:30:31,440 Speaker 2: That's why jamison is so great. It's because it's it's 697 00:30:31,520 --> 00:30:33,440 Speaker 2: quite easy to drink, and you can drink it fast, 698 00:30:33,440 --> 00:30:36,200 Speaker 2: and it's kind of like the Coca cola hard alcohol 699 00:30:36,320 --> 00:30:38,320 Speaker 2: or whatever. And then there you are. 700 00:30:38,440 --> 00:30:40,720 Speaker 1: I'm a big rum guy, I'm a rum. I'm part 701 00:30:40,800 --> 00:30:42,880 Speaker 1: pirate rum. Rum is mine. 702 00:30:44,240 --> 00:30:46,400 Speaker 2: I'll say this. This is another instance of me being 703 00:30:46,680 --> 00:30:50,360 Speaker 2: really hammered on stage that I'm just remembering. My friend 704 00:30:50,400 --> 00:30:54,520 Speaker 2: Mollie Lewis. She's a whistler and she was doing the show. 705 00:30:55,800 --> 00:30:57,800 Speaker 2: Do you mean she's like a whistler, she's a whistlership, 706 00:30:58,160 --> 00:31:02,200 Speaker 2: you know, she's like she could yeah, she's crazy, really 707 00:31:02,240 --> 00:31:05,080 Speaker 2: good whistler. And she was professional. Oh yeah, yeah, yeah 708 00:31:05,160 --> 00:31:07,760 Speaker 2: yeah yeah. And she was doing a whistle show down 709 00:31:07,840 --> 00:31:10,720 Speaker 2: at Zebulon like not far from you know, the zone 710 00:31:10,760 --> 00:31:14,440 Speaker 2: in La and uh and she wanted me to come 711 00:31:14,520 --> 00:31:17,280 Speaker 2: and sing this Frank Sinatra song, a song called Change Partners. 712 00:31:17,280 --> 00:31:20,160 Speaker 2: This was years ago, and I don't drink gin really. 713 00:31:20,160 --> 00:31:21,880 Speaker 2: I was a whiskey guy or tequila guy or whatever. 714 00:31:21,960 --> 00:31:23,480 Speaker 2: I love so but I was like, I'm singing a 715 00:31:23,520 --> 00:31:28,560 Speaker 2: Frank Sinatra song tonight, I'm gonna drink Martini's. And so 716 00:31:28,760 --> 00:31:31,160 Speaker 2: I just started drinking these. Jim Martinez, I think I 717 00:31:31,160 --> 00:31:35,080 Speaker 2: had like maybe twenty maybe twenty gin, and it was this. 718 00:31:36,640 --> 00:31:37,760 Speaker 2: It was fucked up. 719 00:31:38,840 --> 00:31:41,200 Speaker 1: Martini is basically just Gin with a little remove. 720 00:31:41,800 --> 00:31:43,880 Speaker 2: It was like that. The performance was okay, and I 721 00:31:43,920 --> 00:31:47,160 Speaker 2: had a nice time there, but I was so drunk. 722 00:31:47,160 --> 00:31:48,680 Speaker 2: And say it was what happened after? You know that 723 00:31:48,680 --> 00:31:51,720 Speaker 2: plays Astro diner down the street from the so I 724 00:31:51,840 --> 00:31:54,960 Speaker 2: was there. I was one thing led to another. Was 725 00:31:55,000 --> 00:31:56,960 Speaker 2: hugging my friend, you know, he had to leave. I 726 00:31:57,000 --> 00:31:58,960 Speaker 2: don't know. I ended up falling through one of the 727 00:31:59,000 --> 00:32:02,840 Speaker 2: stained glass windows was at Aftra Diner. But but my 728 00:32:02,960 --> 00:32:05,240 Speaker 2: I also had my my cock and balls out of 729 00:32:05,240 --> 00:32:08,040 Speaker 2: my jeans for some reason. So I fell through and 730 00:32:08,080 --> 00:32:09,960 Speaker 2: as soon as I fell through, I was like it 731 00:32:10,080 --> 00:32:12,360 Speaker 2: was so sobering. All of a sudden, I was like, oh, Okay, 732 00:32:12,400 --> 00:32:13,920 Speaker 2: time to get up and go tell them that I'll 733 00:32:13,960 --> 00:32:16,040 Speaker 2: replace the glass, and I like start walking in, but 734 00:32:16,160 --> 00:32:18,400 Speaker 2: cure my girlfriend was like like stop stop, and I 735 00:32:18,400 --> 00:32:20,000 Speaker 2: was like what and she had to like she pushed 736 00:32:20,000 --> 00:32:22,920 Speaker 2: my balls back in my jeans and hipped the jeans up, 737 00:32:23,280 --> 00:32:25,120 Speaker 2: and then I walked in. I was like, I'm so 738 00:32:25,160 --> 00:32:27,080 Speaker 2: sorry I've destroyed your and I actually I paid for 739 00:32:27,080 --> 00:32:29,000 Speaker 2: the windows like two hundred bucks, like it took like 740 00:32:29,080 --> 00:32:30,560 Speaker 2: months and months and months, and then to get it. 741 00:32:30,640 --> 00:32:32,960 Speaker 1: They have staying that windows like a church. 742 00:32:33,000 --> 00:32:35,240 Speaker 2: These low there's these low ones. Yeah, I mean I 743 00:32:35,280 --> 00:32:37,080 Speaker 2: think that place has been there for a long time, 744 00:32:37,160 --> 00:32:40,320 Speaker 2: but they kind of know me in there now because I, yeah, 745 00:32:40,440 --> 00:32:42,160 Speaker 2: fell the acids. 746 00:32:42,240 --> 00:32:44,600 Speaker 1: Windows like twenties zebul. 747 00:32:46,560 --> 00:32:49,080 Speaker 2: Yeah, brutal, But what are you gonna do? 748 00:32:49,240 --> 00:32:51,960 Speaker 1: Were you ever a cocaine guy? Where you big coke? Coke? 749 00:32:52,080 --> 00:32:52,600 Speaker 2: Not really? 750 00:32:52,680 --> 00:32:55,000 Speaker 1: No, There's a lot of big drinkers are like they 751 00:32:55,120 --> 00:32:58,680 Speaker 1: like sniffing the they like sniffing the stuff to kind 752 00:32:58,680 --> 00:32:59,240 Speaker 1: of get them die. 753 00:32:59,440 --> 00:33:01,280 Speaker 2: Yeah. I never you know, it's funny, It's like I 754 00:33:01,360 --> 00:33:03,520 Speaker 2: never really became that much of a drugman. 755 00:33:03,760 --> 00:33:05,920 Speaker 1: You were popping mally shelf and pingers. 756 00:33:06,160 --> 00:33:08,320 Speaker 2: I mean there's been music festivals over the years that 757 00:33:08,480 --> 00:33:10,200 Speaker 2: for sure, you know, but but it's like I never 758 00:33:10,520 --> 00:33:12,360 Speaker 2: I never really seeked it out. I guess it was 759 00:33:12,360 --> 00:33:14,480 Speaker 2: always just kind of like I suppose, I suppose I 760 00:33:14,480 --> 00:33:16,960 Speaker 2: will Yeah, no, probably, yeah, some of those I mean, 761 00:33:17,080 --> 00:33:19,000 Speaker 2: especially with the Malli and that. You know, it's like 762 00:33:19,360 --> 00:33:21,600 Speaker 2: you just don't know what you're getting sometimes and you know, 763 00:33:21,640 --> 00:33:23,920 Speaker 2: you end up having a insane We have had some 764 00:33:24,000 --> 00:33:27,440 Speaker 2: insane experiences. But I remember just watching we watched Outcast 765 00:33:27,480 --> 00:33:31,200 Speaker 2: at a festival in Belgium, and we had all the 766 00:33:31,240 --> 00:33:34,200 Speaker 2: whole crew had taken some pills that some kid had 767 00:33:34,240 --> 00:33:36,200 Speaker 2: given us, and we're just in that little there's that 768 00:33:36,240 --> 00:33:38,560 Speaker 2: little turret or like the little like mote or whatever 769 00:33:38,600 --> 00:33:41,000 Speaker 2: that you know, from the front of house to the stage, 770 00:33:41,000 --> 00:33:43,400 Speaker 2: and we're all in there holding the railing like watching 771 00:33:43,400 --> 00:33:47,920 Speaker 2: out Class play, like just so terrified and like so 772 00:33:47,920 --> 00:33:50,160 Speaker 2: so high. Yeah, horrible. 773 00:33:50,200 --> 00:33:50,360 Speaker 1: You know. 774 00:33:50,400 --> 00:33:51,400 Speaker 2: It's kind of. 775 00:33:51,000 --> 00:33:54,800 Speaker 1: Drug is whippets. I've probably done millions and millions and 776 00:33:54,800 --> 00:33:55,680 Speaker 1: millions of whippets. 777 00:33:55,760 --> 00:33:57,520 Speaker 2: I've never done whippets, but I have a lot of 778 00:33:57,600 --> 00:34:01,240 Speaker 2: friends that have indulged in that. It's is it similar 779 00:34:01,280 --> 00:34:02,160 Speaker 2: to like poppers? 780 00:34:02,560 --> 00:34:05,760 Speaker 1: No, I think poppers is the poor man's whip poppers. 781 00:34:06,120 --> 00:34:12,080 Speaker 1: VHS cleaner, like it is true huffing chemicals. Nitrous oxide 782 00:34:12,600 --> 00:34:14,960 Speaker 1: is not only food grade, but the dentist gives it 783 00:34:15,000 --> 00:34:16,919 Speaker 1: to you when they give you a dental procedure. They're 784 00:34:16,960 --> 00:34:20,319 Speaker 1: not giving they're not giving you VHS cleaner. So I'm 785 00:34:20,480 --> 00:34:23,840 Speaker 1: very Uh, I'm a whippid advocate. 786 00:34:24,239 --> 00:34:27,840 Speaker 2: That's medical. I like that, that's medical stuff. I feel. 787 00:34:27,840 --> 00:34:29,960 Speaker 2: We there was a while we knew this guy and uh, 788 00:34:30,160 --> 00:34:32,200 Speaker 2: just speaking about interesting drugs. At this point. There was 789 00:34:32,239 --> 00:34:34,719 Speaker 2: a guy named Bruno that used to take us around 790 00:34:34,719 --> 00:34:36,759 Speaker 2: when we go down to Brazil, and he would still 791 00:34:36,760 --> 00:34:38,160 Speaker 2: but we'd have been down in a long time, but 792 00:34:38,160 --> 00:34:40,359 Speaker 2: he used to have this He never sat down. This guy, 793 00:34:40,400 --> 00:34:43,000 Speaker 2: he's like a very you know, very fit bald man. 794 00:34:43,040 --> 00:34:44,920 Speaker 2: Wore a nice little hat. He had this amulet he 795 00:34:44,920 --> 00:34:47,360 Speaker 2: would always wear and he and we'd ask about it. 796 00:34:47,360 --> 00:34:48,920 Speaker 2: He'd be like, you can look, but like no touching. 797 00:34:48,960 --> 00:34:50,759 Speaker 2: And he was always kind of dancing like this. And 798 00:34:51,400 --> 00:34:53,560 Speaker 2: he never sat down. He was always standing up. Even 799 00:34:53,600 --> 00:34:55,480 Speaker 2: if we're driving. We would drive like four hours doing 800 00:34:55,520 --> 00:34:57,480 Speaker 2: their city. He'd stand up in the in the you know, 801 00:34:57,520 --> 00:35:00,200 Speaker 2: the van the whole time. But he had this, uh 802 00:35:00,239 --> 00:35:02,360 Speaker 2: this it was like a little tin of like brown 803 00:35:02,560 --> 00:35:05,239 Speaker 2: powder and he used to sprinkle a little bit like 804 00:35:05,280 --> 00:35:07,440 Speaker 2: right there on his hand, and you know, it's like 805 00:35:07,480 --> 00:35:09,440 Speaker 2: some kind of like brown cocaine. I was like, what 806 00:35:09,480 --> 00:35:12,319 Speaker 2: the fun Bruno? What is that? It was apparently like 807 00:35:12,360 --> 00:35:19,359 Speaker 2: the crushed up roots of like an ancient tree gets 808 00:35:19,440 --> 00:35:23,040 Speaker 2: yell jacked up. It's some crazy. 809 00:35:24,280 --> 00:35:25,279 Speaker 1: I love it. 810 00:35:26,320 --> 00:35:28,720 Speaker 2: That's so cool. It's amazing. 811 00:35:28,719 --> 00:35:31,279 Speaker 1: That's so cool. That guys sounds like the coolest guy. 812 00:35:31,960 --> 00:35:33,960 Speaker 2: He's cool. He had a lot of good times and Bruno, 813 00:35:34,000 --> 00:35:38,239 Speaker 2: he's a great guy. Montelvo that's his last name. Great guy. 814 00:35:39,360 --> 00:35:41,759 Speaker 1: What more can we say? I mean, the craziest thing 815 00:35:41,760 --> 00:35:45,120 Speaker 1: you've done is like acupuncture and you got to like, 816 00:35:45,280 --> 00:35:47,600 Speaker 1: what do you gotta do like explode semen and your 817 00:35:47,600 --> 00:35:48,840 Speaker 1: girlfriend or something. 818 00:35:48,640 --> 00:35:52,520 Speaker 2: No semen allowed, where you explode the uterus? No semen allowed? 819 00:35:53,080 --> 00:35:53,839 Speaker 1: How do you do that? 820 00:35:54,000 --> 00:35:56,480 Speaker 2: I don't know? I said, like he you know, doctor 821 00:35:56,520 --> 00:35:59,160 Speaker 2: Kim is like he speaks English, but he's he's Korean 822 00:35:59,200 --> 00:36:01,799 Speaker 2: and he's like cell so it's kind of like you 823 00:36:01,800 --> 00:36:03,960 Speaker 2: know I was, I said. When he said that, I 824 00:36:03,960 --> 00:36:08,799 Speaker 2: was like like edging, and he went, Okay, you know, 825 00:36:08,840 --> 00:36:10,400 Speaker 2: we didn't really meet in the middle on it, but 826 00:36:10,880 --> 00:36:12,720 Speaker 2: he says a lot of crazy things. You know, yesterday 827 00:36:12,719 --> 00:36:14,120 Speaker 2: he told me some cool ones where he was kind 828 00:36:14,120 --> 00:36:19,920 Speaker 2: of like, he say, sandwich work, never sandwich while working. 829 00:36:20,040 --> 00:36:23,160 Speaker 2: Never never sandwich time, work time. I was like, okay, 830 00:36:23,280 --> 00:36:25,920 Speaker 2: I respect that. Do not eat when you work, make 831 00:36:25,960 --> 00:36:27,960 Speaker 2: it separate, do not the other thing he says all 832 00:36:28,000 --> 00:36:31,920 Speaker 2: the time. He says, I should become a CIA agent 833 00:36:32,280 --> 00:36:34,920 Speaker 2: so I can get the license to kill. Then I 834 00:36:34,920 --> 00:36:38,440 Speaker 2: can kill my boss. Because my boss is stressing me out. 835 00:36:38,440 --> 00:36:40,319 Speaker 2: I don't think he realizes that I'm kind of like 836 00:36:40,360 --> 00:36:44,360 Speaker 2: a you know, I kind of am the boss. But yes, insane. 837 00:36:44,880 --> 00:36:46,600 Speaker 2: He's fully insane. And I lay there and I let 838 00:36:46,680 --> 00:36:48,800 Speaker 2: him just shove me full of needles. Actually, one of 839 00:36:48,840 --> 00:36:50,400 Speaker 2: the ones that he put in my arm yesterday, my 840 00:36:50,400 --> 00:36:51,719 Speaker 2: hands kind of fucked up from it. 841 00:36:51,760 --> 00:36:54,960 Speaker 1: So I think some of those needles are dirty. I 842 00:36:54,960 --> 00:36:56,880 Speaker 1: did acupuncture a few times. I'm like, I feel like 843 00:36:56,880 --> 00:36:58,480 Speaker 1: they're reusing some of these needles. 844 00:36:58,560 --> 00:36:59,240 Speaker 2: Yeah, I wonder. 845 00:36:59,400 --> 00:37:03,920 Speaker 1: I don't like a few times gives me the fucking 846 00:37:03,920 --> 00:37:05,120 Speaker 1: Hebrew gis a little bit. 847 00:37:05,320 --> 00:37:07,440 Speaker 2: Yeah. The cupping has you have you ever done the 848 00:37:07,560 --> 00:37:08,280 Speaker 2: blood cupping? 849 00:37:08,320 --> 00:37:08,440 Speaker 1: Oh? 850 00:37:08,480 --> 00:37:10,640 Speaker 2: Yeah, he like stabbed my foot three times and I 851 00:37:10,680 --> 00:37:12,680 Speaker 2: was like, ah yeah, and then he sucked all this 852 00:37:12,719 --> 00:37:14,440 Speaker 2: blood out and he's like, you have a fever in 853 00:37:14,480 --> 00:37:19,480 Speaker 2: your liver, but don't worry. I'm sucking it up now. Okay, brutal, 854 00:37:19,600 --> 00:37:21,480 Speaker 2: but you know, kind of cool. Interesting. 855 00:37:21,600 --> 00:37:23,080 Speaker 1: I want to hang with this guy in Bruno. 856 00:37:23,320 --> 00:37:27,000 Speaker 2: Yeah, Bruno and doctor Cam That would be a wild. 857 00:37:26,320 --> 00:37:33,040 Speaker 1: What a tour Brazil with both of them. I love it, Mac. 858 00:37:33,120 --> 00:37:34,200 Speaker 1: What's left to be said? 859 00:37:34,440 --> 00:37:36,319 Speaker 2: I don't know. Thank you for having me on your show. 860 00:37:36,440 --> 00:37:38,959 Speaker 1: Yeah, thanks man, Thanks thanks. It's a new show and 861 00:37:39,360 --> 00:37:42,479 Speaker 1: we're figuring it out as we go, and that's cool. 862 00:37:42,600 --> 00:37:44,719 Speaker 1: You are a phenomenal guest, and you know I love 863 00:37:44,760 --> 00:37:47,640 Speaker 1: you and I will be back in l A in 864 00:37:47,680 --> 00:37:49,759 Speaker 1: a couple of weeks. And let's go to fucking Astroberger 865 00:37:49,800 --> 00:37:56,960 Speaker 1: and crashing absolutely crash the windows, Belismo bellissimo, all right, 866 00:37:57,000 --> 00:38:03,040 Speaker 1: buddy with Eric Andre Bombing with Eric Andres. Brought to 867 00:38:03,080 --> 00:38:06,719 Speaker 1: you by Will Ferrell's Big Money Players Network and iHeart Podcast. 868 00:38:06,920 --> 00:38:10,359 Speaker 1: Executive produced by Han Sani Olivia Aguilar, edited and sound 869 00:38:10,400 --> 00:38:13,280 Speaker 1: designed by Andy Harris, and our art is by Dylan Vanderberg. 870 00:38:13,520 --> 00:38:15,359 Speaker 1: If you want to confess to your own bombing moments, 871 00:38:15,440 --> 00:38:17,120 Speaker 1: or give us a shout out. Go rate us five 872 00:38:17,160 --> 00:38:19,480 Speaker 1: stars and drop a review on your podcast app a choice, 873 00:38:19,520 --> 00:38:22,200 Speaker 1: write about your own stories of bombing at life and 874 00:38:22,360 --> 00:38:24,560 Speaker 1: if you're on Apple Podcasts, you can also subscribe to 875 00:38:24,600 --> 00:38:27,520 Speaker 1: Big Money Player's Diamond to get exclusive bonus content with 876 00:38:27,560 --> 00:38:29,880 Speaker 1: every episode, and listen to all my episodes at free. 877 00:38:29,920 --> 00:38:33,160 Speaker 1: The guests on Bombing with Eric Andre were recorded before 878 00:38:33,400 --> 00:38:36,480 Speaker 1: the sac after strike. I'm innocent, I swear ay Bye