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Speaker 1: All right, the Bobby Bones post show, pre show. I

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Speaker 1: went to get my suit fitted yesterday for Ray's wedding.

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Speaker 1: You I never got harassed by you to get it

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Speaker 1: done though, because Lunchbox I said you were harassing him.

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Speaker 1: I feel like I can text him pretty much whatever

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Speaker 1: I want to, and so that's what I did. I mean,

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Speaker 1: every single day, pimp get suit suit today, pimp uh,

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Speaker 1: don't be a loser, get a suit. I mean just

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Speaker 1: every single day. Finally, okay, I wouldn't got the suit fit.

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Speaker 1: You did too, yes, because he's so annoyed. But you

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Speaker 1: don't know. It's not just me. I got a wedding

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Speaker 1: planner asking me, hey, who's still on the list hasn't done.

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Speaker 1: I got a fiance asking me, hey, what's up with

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Speaker 1: your grooms when all my bridesmaids are good to go?

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Speaker 1: So yeah, no, I mean everything's about to be. All

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Speaker 1: ducks are in a row. It took fifteen seconds, by

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Speaker 1: the way, Yeah, it's very easy, thank you. Yeah. I

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Speaker 1: walked in. They were like, what's I show you? What

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Speaker 1: I am? I or do I tell people? They're like,

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Speaker 1: are you? I was like okay, eleven and then they

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Speaker 1: measured your waist and they measure your shoulders, put jacking on.

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Speaker 1: You're out of there in five minutes. I was just

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Speaker 1: getting there. It's in a rough part of town. Sorry

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Speaker 1: about that. Oh no, it's fine, it's fine. We've all

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Speaker 1: done it though, right, all the groomsmen have done it.

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Speaker 1: Job guys. I got hit last night from Kay Lynch

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Speaker 1: was like, hey, um, they're asking if we can go

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Speaker 1: to a rehearsal. And I was like, man, I'm only

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Speaker 1: trying to limit myself around folks. She goes, you only

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Speaker 1: once in your life does one of your good friends

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Speaker 1: get married? Yeah? Yolo? God dang it. Man, So we're coming.

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Speaker 1: Did she tell you guys that? Well? I'm hoping yeah,

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Speaker 1: but they want to do the run through that so

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Speaker 1: it's we're not all flustered day of like game day

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Speaker 1: and then all we're freaking out fumbling stuff. It's gonna

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Speaker 1: be on Fox or what's what's happening here? Did I'll

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Speaker 1: tell you what he wants? Have you? Have you told bones?

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Speaker 1: Well we're doing before your wedding? Oh? Man, I think

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Speaker 1: that's kind of on the DL for now. All right, whoa, whoa, whoa.

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Speaker 1: There's no way you two should know what's happening and

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Speaker 1: I not. Yeah, it's weird that Bones doesn't know. Is

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Speaker 1: he not part of it? The reason I had to

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Speaker 1: give them a heads up and a couple of my

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Speaker 1: other buddies is because you've been doing something every week

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Speaker 1: that will prepare you for this, but nobody else really has.

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Speaker 1: So I wanted to give him a heads up so

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Speaker 1: they don't just show up and they're like, wow, I

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Speaker 1: haven't done this since I was in second grade. I

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Speaker 1: wish somebody would have told me to prepare him. Yes,

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Speaker 1: we're gonna play Red Rover before the wedding. I mean,

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Speaker 1: it's amazing. He has this whole game plan. We're not

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Speaker 1: playing Red Rover. He wants to do field day track

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Speaker 1: and field like sack races before the wedding. Yeah, there's

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Speaker 1: gonna be some fun stuff just where we can meet up.

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Speaker 1: The girls would then come on their own, but it's

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Speaker 1: very entertaining and it'll keep us, like our minds off

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Speaker 1: of the wedding at hand. Okay, here here's the twist though.

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Speaker 1: He says that we need to get ready there with him,

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Speaker 1: and there are showers. No, you gotta let us go

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Speaker 1: home and get cleaned up. I listen, I'm in whatever

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Speaker 1: you need and what I said, Yeah, we gotta go

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Speaker 1: home and get cleaned up. We gotta put on suits.

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Speaker 1: You gotta do that from the comfany of your own home,

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Speaker 1: not at the back of the Y says he's got

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Speaker 1: showers there, so we're gonna get all sweaty grows and

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Speaker 1: then we shower together and then we go to the wedding.

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Speaker 1: That's some real binding I've been hold though. It's a

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Speaker 1: we have an area where we could all shower together,

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Speaker 1: and it's very feature. I don't want to have to

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Speaker 1: carry towels all my bathroom stuff to right. You gotta

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Speaker 1: let us go home. It's just an option. Anybody can

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Speaker 1: do whatever they want to. But for the camaraderie. Can

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Speaker 1: you see us all slapping each other in the butt

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Speaker 1: with the towel? I can't. I can't. That's the problem.

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Speaker 1: What is happening now? I told you, dude, and you

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Speaker 1: didn't want to tell you this. He wants to go

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Speaker 1: back to middle school gym class. That's what are you

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Speaker 1: guys doing in middle school gym class? Where you're all

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Speaker 1: in the shower and this is we were showering at

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Speaker 1: middle school and you get showered in middle school together.

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Speaker 1: Yeah we didn't. Oh I didn't I put cologne on. Yeah. No,

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Speaker 1: no one just just no one. In middle school. It

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Speaker 1: wasn't until like eleventh grade where eleventh grade we finally

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Speaker 1: at football football. Tenth grade, I was the youngest, the

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Speaker 1: youngest grade on the senior high team. There's no way

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Speaker 1: with those big guys you were going to get in

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Speaker 1: that shower. I said, I'm just telling you about eleventh

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Speaker 1: grade us to get a little plan time. So I

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Speaker 1: felt like, hey, it is what it is, a shower.

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Speaker 1: By my senior year, I was king dangling and not

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Speaker 1: just metaphorically speaking, you know what I mean. So, Ray,

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Speaker 1: I think I'm happy to go. Wait, how far away

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Speaker 1: is how far away is this though? Twenty five minutes?

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Speaker 1: So why don't we do it? Have fun in the morning.

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Speaker 1: Drop so whatever we're doing in the shower and go

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Speaker 1: back home, not in the shower. Excuse me, I'm trying.

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Speaker 1: I'm trying to go with everything but the shower. Then

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Speaker 1: go back home and clean up and then come back.

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Speaker 1: That could definitely happen as well, but for convenience, if

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Speaker 1: Lunch doesn't want to drive all the way to Befe

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Speaker 1: wherever he lives. He can stay there and shower with

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Speaker 1: I'll be showering there, lunch, can shower there any of

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Speaker 1: the other people that are invited as well. I wanted

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Speaker 1: to also invite Amy's husband, so it'll be a fun

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Speaker 1: time if you guys are down for it. Up to you, guys.

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Speaker 1: And also, I'm I have to come to the wedding

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Speaker 1: with Caitlin. Right. I thought maybe some of the girls could,

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Speaker 1: like Amy and your girlfriend would come together, lunch at

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Speaker 1: wive and Eddie's wife would come together. It would actually

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Speaker 1: could work out. But up up shower there from my

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Speaker 1: wife and Eddie's wife. What are you talking about? Almost

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Speaker 1: y'all would get ready one of y'all houses. Yeah, okay,

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Speaker 1: but yeah, so you're down. You're not down on the shower.

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Speaker 1: I just think it's not even by the shower, right,

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Speaker 1: you guys want to shower together, great problem that. I

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Speaker 1: have no problem with that. Comfortable, don't care, however, I

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Speaker 1: just want to go on a shower on my own

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Speaker 1: house with my own stuff, so and get ready at

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Speaker 1: my house, all right, It's just more comfortable to do that, right.

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Speaker 1: That's not weird, is it? No? I agree to think that,

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Speaker 1: but I will say, on wedding days, it's not unusual

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Speaker 1: to just go to the venues. You're already there and

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Speaker 1: everybody get ready together the field day at the venue,

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Speaker 1: you don't have to sweat and wash sweat off. You

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Speaker 1: go and you just do your thing and put a

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Speaker 1: suit on. Yeah, that's the difference. I'm just sharing with you. No, no,

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Speaker 1: but I'm sharing with you. What you're sharing isn't exactly

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Speaker 1: accurate because most folks are not there running a triathlon

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Speaker 1: before it's time to do the wedding. You have shower

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Speaker 1: for the most Okay. Yeah, part of me was just like, hey, Ray,

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Speaker 1: is your wedding, dude, Like whatever you want to do.

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Speaker 1: But then anyone tell me because I was gonna be like,

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Speaker 1: I'm not doing that. I'm happy to be there for

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Speaker 1: everything else. I'm gonna go home, take my skinny beat

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Speaker 1: back to the house. I have my own dial. I

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Speaker 1: like to use the soap dial. Yeah. Okay, Sofia Vergara,

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Speaker 1: he just did it. By the way, Well, Sofia Vergara

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Speaker 1: is orb's highest paid actress again. She made forty three

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Speaker 1: million dollars what last year? Wow, isn't it crazy? She's

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Speaker 1: high acts Modern Family, Modern family is a part of it.

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Speaker 1: John hold On, Sofia Vergara, Sometimes we don't realize what

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Speaker 1: people are doing, right because we don't watch every TV

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Speaker 1: show anymore. But she is on America's Got Talent as

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Speaker 1: a judge apparently. Now did you know that? Yes, I

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Speaker 1: saw her on that. She good or no? It's all right.

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Speaker 1: You know it's her because she's got that thick accent.

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Speaker 1: So I mean, she's got definitely has a stable between

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Speaker 1: modern family and that and apparently some movie she made

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Speaker 1: forty three million dollars Angela and Joliet two, gal Gado

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Speaker 1: from Wonder Woman three, Melissa McCarthy twenty five million bucks

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Speaker 1: at four, and Meryl Street at number five. So I

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Speaker 1: just thought Sophia Regard was an interesting person to make

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Speaker 1: the most money, and then Angelina is still just making money,

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Speaker 1: just raking it in. Wow, I'm just raking it in. Awesome.

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Speaker 1: Amy on your podcast, your Fifth Thing podcast, Yes, this

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Speaker 1: is the one where you share emails from people and

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Speaker 1: you talk about it. But did you address Raymundo's critique

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Speaker 1: that he gave you about it. I didn't necessarily address it.

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Speaker 1: I just implemented things what you do well. I made

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Speaker 1: sure to have somebody else on with me, which for

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Speaker 1: the email episode, I don't always have who doesn't joined

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Speaker 1: me my friend Andrea. She was in town, and so

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Speaker 1: it was good because we were able to just talk

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Speaker 1: like we just had. It was like sitting talking with

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Speaker 1: a friend and going over the email. So that part

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Speaker 1: was fun. And then I made sure to work in

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Speaker 1: your book. I plugged fail until you don't supporting the

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Speaker 1: Bobby Bones show. That an argument. Yeah, he said, I

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Speaker 1: needed to work in things about the show so that

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Speaker 1: I don't forget where I came from or something like that.

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Speaker 1: On our podcast on Losers Show, we always try to

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Speaker 1: reference the Big Show is what we call it, at

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Speaker 1: least five times because that's where we came from. We're

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Speaker 1: just a spin off. Yeah, and I understand that that's

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Speaker 1: not lost on me. I do feel like there was

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Speaker 1: sabotage because when he aired the clip of me talking,

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Speaker 1: he cut out the part where I said the Bobby

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Speaker 1: that's the beauty of being an audio guy. Yeah, it's

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Speaker 1: my favorite part of that whole segment. Last week from

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Speaker 1: when Ray was critiquing Amy's podcast was when Ray goes, listen,

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Speaker 1: you just gotta put some laughter in there, and Amy goes.

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Speaker 1: The podcast was about depression. Yeah, it was a mental

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Speaker 1: health episode for suicide awareness. So yeah, I but I

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Speaker 1: thank you Ray. I appreciated the god your feedback and

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Speaker 1: I like constructive criticism and I was able to work

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Speaker 1: it into my episode. So check out Amy's podcast The

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Speaker 1: Fifth the four Things, But today's the fifth thing. Yeah

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Speaker 1: it's four things for me Brown, But yeah, anything else

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Speaker 1: you want to say, it's it. Okay, you have a

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Speaker 1: lock of the week this week. It still needs to

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Speaker 1: be got. It's not ready yet. This is it. I

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Speaker 1: know you blow this one. It's over. And I felt

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Speaker 1: real out about the last one. It wasn't even close.

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Speaker 1: The last one too. Oh, I know, I watched the

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Speaker 1: whole game. Yeah, did you bet it too? Do you

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Speaker 1: bet your lock of the week? If when you bet it,

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Speaker 1: I bet, I'm all in. I'm not just watching it

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Speaker 1: from a side. I'm placing your bets, betting my bets.

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Speaker 1: I'm all my locks. I feel the same pain as

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Speaker 1: everybody else or excitement. When is sports scambling? Because I

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Speaker 1: know they say November in Tennessee, but they're saying it

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Speaker 1: may them earlier. When do I not have to do

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Speaker 1: shady bets with Ray? That's a good question. I said,

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Speaker 1: I give him a couple of bucks just to make

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Speaker 1: the bet, just for him, like his own little money.

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Speaker 1: What is it happening? That's a good question because I

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Speaker 1: was thinking, man, what if I hit Because I do

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Speaker 1: dollar bets, you know, like I bet fifteen games and

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Speaker 1: I put a dollar on it. So if I hit it, dude,

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Speaker 1: it's like three thousand bucks. But have you ever in

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Speaker 1: your whole life hit one? Never? But I'm saying if

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Speaker 1: I do, and I gotta cash that out, that can

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Speaker 1: be big trouble. Right, Well, Ray gets me my money,

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Speaker 1: I know, but I think that's when the red flag

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Speaker 1: comes in, like three thousand dollars from Joe's Sandwich Shop

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Speaker 1: in Jersey. Like that's really your shady you know what.

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Speaker 1: That's something that that's a bridge you'd like to cross. Yeah,

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Speaker 1: when we win, Yeah, if you get there. November first,

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Speaker 1: twenty twenties, the day they're still saying that it's legal here,

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Speaker 1: but I was just reading it may actually be a

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Speaker 1: little earlier. All Right, that's it, Thank you, guys, have

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Speaker 1: a good day. Enjoyed today's show. I guess Alaska. Hey, guys,

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Speaker 1: good morning, Welcome, welcome, welcome, Morris Studio Morning. Yesterday, we

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Speaker 1: talked about Mike D proposing to his girl and what

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Speaker 1: happened there. You can read about it or listen to

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Speaker 1: the podcast from yesterday's show. Today, we'll talk about how

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Speaker 1: upset Ray is with Mike D because he says Mike

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Speaker 1: de propose close to his wedding and if that's even

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Speaker 1: a thing he should be irritated about. So that's something

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Speaker 1: we also talked about people that were told no during

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Speaker 1: a proposal. Right but a Josh here from Alabama. Josh,

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Speaker 1: and I appreciate you being being on with us. Thisss earily, Josh,

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Speaker 1: tell me your story, man, Yes, sir, so, I was

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Speaker 1: about twenty years old anyone. We had just had a

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Speaker 1: kid together, and I said, Okay, I'm gonna go buy

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Speaker 1: this ring and I'm gonna propose. Well, I had it

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Speaker 1: put up waiting for the right time. I get off

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Speaker 1: work one day I was building houses, walk up in

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Speaker 1: the front yard and she's sitting on the front steps

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Speaker 1: mad and she's like, who's this for and pulls out

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Speaker 1: the ring and I was like, uh, well it was

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Speaker 1: for you. I was trying to wait for the right time,

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Speaker 1: and so I get down on my knee, and I'm like,

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Speaker 1: I guess, will you marry me? And uh, it did

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Speaker 1: not work out? To say, we split up about a

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Speaker 1: year or two later. We still have a beautiful son.

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Speaker 1: And here it is eighteen years later. I proposed to

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Speaker 1: my recent my girlfriend now and we actually went and

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Speaker 1: took engagement pictures yesterday, and I'm getting married in May. Hey. Nice, awesome.

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Speaker 1: I'm surprised just hearing the story, I'm surprised. I guess,

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Speaker 1: will you marry me? Didn't work? I guess that sting

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Speaker 1: so that she found it? Did you not hide it?

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Speaker 1: Very good? Josh, Man, I hadn't put up in my

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Speaker 1: jeor that it's like my jeory, my jeor that she

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Speaker 1: does not go in. And I don't know, man, maybe

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Speaker 1: I was acting weird or something, so she was. But yeah,

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Speaker 1: it didn't work out. We got a beautiful nineteen year

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Speaker 1: old son together. We're still friends. And I was like,

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Speaker 1: after that situation, like I'm never getting married, you know,

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Speaker 1: I'm just I'm not gonna do it. And I've been

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Speaker 1: dating this girl for five years, she's my best friend.

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Speaker 1: And I proposed but was actually gonna try to get

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Speaker 1: married in November. But with COVID and everything. We pushed

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Speaker 1: it back to May the eighth, which is the Saturday

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Speaker 1: before Mother's Day. So we talked to our moms about it.

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Speaker 1: They was like, well, that'd be the best Mother's Day

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Speaker 1: gift we can get from from either one of you.

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Speaker 1: So I'm super super exciting. I'll be forty, forty forty

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Speaker 1: years old and finally gonna do it at least one time. Hey, listen,

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Speaker 1: I'm forty. I've never been married, so I feel you

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Speaker 1: on that. So congratulations, man. You all our inspiration to me. Man.

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Speaker 1: I we went through the tornado down and here in

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Speaker 1: Lee County and just I listened to y'all every morning.

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Speaker 1: I try to. I've opened up my own plumbing company,

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Speaker 1: and y'all have inspired me and pushed me to be good,

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Speaker 1: to be a better man. And that's what I'm That's

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Speaker 1: what I'm doing, man, And thank y'all and thank you studio.

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Speaker 1: Well that's that's extremely nice. Why don't you do a

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Speaker 1: little plug for your plumbing company? I need to don't know, Yeah,

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Speaker 1: go ahead, I got you got it right here, go ahead. Hey,

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Speaker 1: hey all, your plumbing needs residential commercial service work called

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Speaker 1: Miller Plumbing LLC. Three three four four, three four four,

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Speaker 1: five seven one. Thank you so much. Say that number again,

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Speaker 1: slower though, because it's tough of people to hear numbers

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Speaker 1: on on the air. Do it one more time, three

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Speaker 1: three four, four, three four four or five seven one.

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Speaker 1: And that's Miller Plumbing, LC Lee County, Alabama. I love

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Speaker 1: this guy. That's that's awesome. Thank y'all so much for that,

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Speaker 1: and thanks for the shout out right dude, Maybe maybe

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Speaker 1: i'll get from calls in any anything I get from

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Speaker 1: the radio show, I'll do to y'all's charity of y'all's choice. Well,

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Speaker 1: why don't you just do you? You just do you.

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Speaker 1: We're happy you exist, we're happy you listen. We're very

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Speaker 1: thankful for you. And you know s down hole for

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Speaker 1: a second, all right, Josh, yes, sir, ery, there's Josh.

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Speaker 1: How about that. That's awesome morning, everybody. We're getting so

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Speaker 1: close to this days until Lunchbox goes to the Axe

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Speaker 1: murderer ghost House. So Lunchboxes driving to Iowa. We'll be

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Speaker 1: spending the night in the house where many people were murdered.

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Speaker 1: You still have no one to go with you, still

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Speaker 1: no one to go with me? No teach Keats said no.

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Speaker 1: He said no, So who'd you call next? Well, Scooba?

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Speaker 1: Steve said, what about a country artist? And I was like,

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Speaker 1: I don't really know many country artists. The only one

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Speaker 1: I've really ever talked to outside of like this studio

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Speaker 1: is Lauren Elena. So I was like, I guess I'll

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Speaker 1: call Lauren Elena and asked her she wants to go

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Speaker 1: out of the Blue. Didn't give her any warning, just

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Speaker 1: got her number from the record label and called her. Okay,

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Speaker 1: here you go. Hey, hello everyone, Laura. What up? It's lunchbox?

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Speaker 1: How are you fanastic? How are you? I am great? Look,

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Speaker 1: I'm calling because I'm giving you. I'm calling with the

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Speaker 1: opportunity of a lifetime for you. Okay. So on October twentieth,

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Speaker 1: I'm driving to Iowa and I'm gonna stay in the

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Speaker 1: Vacilla Axe murder House where seven people were hacked to

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Speaker 1: death with an axe like chopped up, and I'm gonna

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Speaker 1: spend the night. And I want to know if you

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Speaker 1: want to go with me? Are you being serious? Yeah? Yeah,

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Speaker 1: I'll go, and we gotta drive. Well here's it. Don't

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Speaker 1: don't forget about this. We gotta drive ten hours there

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Speaker 1: in a car and then ten hours back. Well, I'm

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Speaker 1: just gonna be with you. No, that's so awkward. How

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Speaker 1: is that awkward? Can I think about it? Well, you

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Speaker 1: haven't told me what's awkward about it? You're awkward? How

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Speaker 1: the heck am I hawkward? I'm just kidding. I'm very confused,

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Speaker 1: but I will do it. I'm always down for an adventure.

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Speaker 1: We're going, all right, pick me up at eight. I

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Speaker 1: have to pick you. I don't even know where to

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Speaker 1: pick you up. We're taking your car, You're paying for

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Speaker 1: the gas. I'll get the meals. Okay, great, I really

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Speaker 1: will go. I can't tell if you're being serious. If

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Speaker 1: you are being serious, I will one with you. There

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Speaker 1: you go? Wow? Why don't you Why don't you so

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Speaker 1: she doesn't feel weird? Because I'd feel weird going with

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Speaker 1: you too? How's the girl? What do you mean? Why

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Speaker 1: is that weird? Just to get one of her bandmates

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Speaker 1: and all three of you guys can go. I don't

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Speaker 1: know who. It's crazy lunchboxes. I know no country art.

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Speaker 1: They're all in here all the time and they all

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Speaker 1: come in. They're like, hey, lunchbox and he's like, I

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Speaker 1: don't know you wait, what car is he taking? Oh

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Speaker 1: I got I got a car from Toyota. They hooked

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Speaker 1: me up. Yeah, you got sponsors. I love it. Yeah,

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Speaker 1: because I was worried about them to ride in your car.

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Speaker 1: So why don't you to ask Lauren Antico to go? Okay?

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Speaker 1: So I need to call her back and ask her

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Speaker 1: to bring Just say, hey, if you want someone else

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Speaker 1: to go, why don't you bring Tico or you can

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Speaker 1: take like random kid Cody, I asked him, but he

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Speaker 1: has to move that day. Well, I do think someone

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Speaker 1: else should go, And that's weird, Like I wonder what

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Speaker 1: his wife thinks like about this Lunchbog's going? Was just

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Speaker 1: a girl. And are you sure she's serious? Have you

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Speaker 1: talked to her? Not being no, I haven't talked her

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Speaker 1: off the I hung up and I figured if she

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Speaker 1: didn't want it and she would contact us, and I

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Speaker 1: guess we haven't been contacted. And what do you mean,

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Speaker 1: what do you mean my wife? Like I tell you guys,

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Speaker 1: my wife doesn't care about things like this, Okay, Okay.

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Speaker 1: I just don't think Laura Lena would have said that

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Speaker 1: she's serious, she really will go if she didn't mean it,

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Speaker 1: could do this reach out to her today have a

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Speaker 1: serious conversation. Say, hey, we're gonna do it as a bit.

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Speaker 1: We're gonna go up, spend the night in the murder House.

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Speaker 1: Come back. Yeah, if you want the show recommended, we

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Speaker 1: bring Tico too. Okay, right, yeah. Maybe you take a

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Speaker 1: guitar and you live stream a Bobby Bone Show performance

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Speaker 1: with Lauren from the from the Toyota House. Oh like

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Speaker 1: on Facebook live. There's a lot here. Okay, yes, I see,

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Speaker 1: and then let us know tomorrow. Okay, I'll call her back, Scooba.

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Speaker 1: How do you feel about this? Is this possible? It

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Speaker 1: does seem possible. I talk to her after the show,

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Speaker 1: and she seems she's game for it as long as

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Speaker 1: she can bring someone with her. Yeah. Oh yeah, she

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Speaker 1: put that stipulation. I agree, So figure that out who

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Speaker 1: that is and let us know tomorrow. Okay, that's good though.

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Speaker 1: Lunchbox in Lauren Alanna go into the ghost House. Yeah,

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Speaker 1: I mean it's gonna be weird because I don't really know, Like,

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Speaker 1: I really don't know her that well. You will after this,

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Speaker 1: I promise you, Like I don't. Is Alana her last name? Yes? Okay,

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Speaker 1: I thought that was versed in middle name. I had

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Speaker 1: no idea. I don't know how old she is. Nothing

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Speaker 1: younger than you would think because you want idol at sixteen.

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Speaker 1: Laura and I are decent friends. So but yeah, she's

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Speaker 1: what is Lauren twenty five? Yeah? Okay, cool, all right,

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Speaker 1: I'll find out her favorite caller everything at a boy.

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Speaker 1: Here you go. Lauren's full name, by the way, Lauren

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Speaker 1: Elena is her first and last stage name. Lauren's Lauren

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Speaker 1: Elena Christine Suiteth. Oh you were honest on the lunch,

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Speaker 1: That's what I'm saying. I don't know anything about the girl.

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Speaker 1: Maybe I don't know where that well either, Maybe you

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Speaker 1: should go with them? Crap? All right, Update tomorrow, Update tomorrow.

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Speaker 1: We're gonna play never gonna get it? Which is a

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Speaker 1: really hard question, but there's money on the line. Let's go.

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Speaker 1: We're gonna let two callers play today. First up is

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Speaker 1: Angela in Minnesota. Angela, Welcome to the show. How are you?

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Speaker 1: I'm good? What you say? How about you? Oh? Yeah,

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Speaker 1: how did you say how about you? Yeah? She might

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Speaker 1: have yeah? Yeah, yeah, nice? Hey Amy, speaking about the Amy,

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Speaker 1: say this word out loud. Pecan Okay, because I love

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Speaker 1: Pecans and so I'm doing some work with the America

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Speaker 1: Pecan Council just about it's a healthy snack, great snack.

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Speaker 1: But we had to have a call to say how

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00:20:10,440 --> 00:20:12,680
Speaker 1: to say it? Oh man, Yeah, because some people say

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Speaker 1: p can? What was the would y'all come to the

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Speaker 1: way I say it? Pecan? Lucka Lee is the right way.

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Speaker 1: That's what the council said. Yeah, good, how would you

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Speaker 1: say pecan? Angela? Okay, see, there's a lot we're all

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Speaker 1: alike in some way. We're focused on the differences. Yeah,

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Speaker 1: he can pecan m Yeah, yeah, totally. So we're gonna

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Speaker 1: give you a chance to play. Never gonna get it, Angela?

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Speaker 1: Where do you live in Minnesota? Minnesota? Okay, you stay

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Speaker 1: on the hole for one second. I'm gonna go burn

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Speaker 1: and meet our other player. This is Mario, who's in Austin. Austin, Mario,

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Speaker 1: how are you? Buddy? Good? Cool? Cool? All right, what

416
00:20:47,800 --> 00:20:50,960
Speaker 1: we're gonna do. We're gonna play. I'm gonna ask this question.

417
00:20:51,000 --> 00:20:52,560
Speaker 1: You guys can team up with one of the show.

418
00:20:52,760 --> 00:20:54,560
Speaker 1: All right, ready, guys, hit me with that. Never gonna

419
00:20:54,560 --> 00:20:59,760
Speaker 1: get a clip on more time. According to a recent

420
00:20:59,800 --> 00:21:05,320
Speaker 1: on line survey, surprisingly, men do this four times faster

421
00:21:05,440 --> 00:21:11,440
Speaker 1: than women. What is it. According to a very very

422
00:21:11,440 --> 00:21:16,720
Speaker 1: recent online survey, Surprisingly, men do this four times faster

423
00:21:16,840 --> 00:21:19,919
Speaker 1: than women. What is it? Now? We have four players

424
00:21:19,960 --> 00:21:21,919
Speaker 1: here up for grabs? Amke? How much money is in

425
00:21:21,920 --> 00:21:27,640
Speaker 1: the in the pool? Five dollars? Twenty five dollars? Angela,

426
00:21:27,640 --> 00:21:29,640
Speaker 1: who would you like a team with? Amy, Lunchbox, Eddie

427
00:21:29,640 --> 00:21:33,760
Speaker 1: your Morgan? Okay? Okay? And Mario? Who would you like

428
00:21:33,800 --> 00:21:36,000
Speaker 1: to team with? Pick one of these guys? Mario, let's

429
00:21:36,000 --> 00:21:40,720
Speaker 1: do Okay, now we're gonna come back? Great? What I mean?

430
00:21:40,760 --> 00:21:48,199
Speaker 1: I have it? Guys, okay, let's play never gonna get it.

431
00:21:52,280 --> 00:21:56,040
Speaker 1: According to a recent online survey, surprisingly, men do this

432
00:21:56,119 --> 00:21:59,120
Speaker 1: four times faster than women. Up for grabs twenty five

433
00:21:59,160 --> 00:22:01,320
Speaker 1: bucks on the line for anyone on the show, who

434
00:22:01,320 --> 00:22:04,160
Speaker 1: gets it? And also Angela and Minnesota and Mario in Austin.

435
00:22:04,840 --> 00:22:06,840
Speaker 1: All right, Amy, I'll come to you first, Go ahead,

436
00:22:07,000 --> 00:22:11,840
Speaker 1: shower shower. According to recent All Line serve, men did

437
00:22:11,840 --> 00:22:15,000
Speaker 1: this four times faster than women. Oh that's interesting. I

438
00:22:15,119 --> 00:22:18,160
Speaker 1: get in and get out. Yeah, huh okay, Lunchbox. See,

439
00:22:18,160 --> 00:22:20,840
Speaker 1: I don't think that would be surprising. I think that's expected.

440
00:22:21,840 --> 00:22:25,439
Speaker 1: I love you. Okay. Oh that's how you do it?

441
00:22:25,480 --> 00:22:28,560
Speaker 1: Pretty good? Eddie, Yeah, I missed out on the surprising

442
00:22:28,680 --> 00:22:31,639
Speaker 1: far and I would change my answer, But what I

443
00:22:31,680 --> 00:22:34,080
Speaker 1: had originally, I'm gonna go with that is get dressed.

444
00:22:35,000 --> 00:22:40,919
Speaker 1: Not so surprising though, So I think I got it wrong, Morgan. Yeah,

445
00:22:40,960 --> 00:22:45,920
Speaker 1: I think I'm gonna go with driving. Men drive four

446
00:22:45,960 --> 00:22:49,160
Speaker 1: times faster than women. Yeah. Well, because I'm not saying

447
00:22:49,200 --> 00:22:53,320
Speaker 1: you're wrong? Yeah, will you repeat the question? Women get

448
00:22:53,320 --> 00:22:56,080
Speaker 1: flapped for being bad drivers, so maybe it's like, surprisingly,

449
00:22:56,119 --> 00:22:59,480
Speaker 1: women drive faster than women. Well, according to a recent

450
00:22:59,480 --> 00:23:01,640
Speaker 1: A Line service, men do this four times faster than women.

451
00:23:02,040 --> 00:23:05,080
Speaker 1: I'll say that it's not driving. Morgan, You've been eliminated. Oh, Raymond,

452
00:23:05,119 --> 00:23:07,840
Speaker 1: do you want to answer? Yeah, I put respond to

453
00:23:07,920 --> 00:23:14,680
Speaker 1: a tweet? Okay, incorrect, You're out, Eddie, I'm out, You're out. Yeah,

454
00:23:14,720 --> 00:23:18,320
Speaker 1: I knew it. Dang, it's Amy lunch box. What did

455
00:23:18,320 --> 00:23:20,479
Speaker 1: he say? Again? Amy? What did you say? I said showering?

456
00:23:20,560 --> 00:23:27,960
Speaker 1: Showering is incorrect and lunchbox is incorrect too. Is it

457
00:23:27,960 --> 00:23:31,480
Speaker 1: it's the right ballpark? Oh? H? It does have to

458
00:23:31,480 --> 00:23:35,200
Speaker 1: do with love. It's fall in love. According to a

459
00:23:35,280 --> 00:23:37,960
Speaker 1: recent online survey, men do this four times faster than women.

460
00:23:38,040 --> 00:23:40,360
Speaker 1: What is it? Fall in love? On average, men say

461
00:23:40,400 --> 00:23:42,920
Speaker 1: they know they're falling in love after three dates, but

462
00:23:43,000 --> 00:23:45,760
Speaker 1: women say they don't fall in love until date fourteen.

463
00:23:46,000 --> 00:23:49,600
Speaker 1: Oh wow, okay, is that surprising to you? That's shocking

464
00:23:49,800 --> 00:23:51,800
Speaker 1: because I mean, for me, I've only ever been in

465
00:23:51,840 --> 00:23:54,640
Speaker 1: love with one person period. So but again, I'm I'm

466
00:23:54,680 --> 00:23:57,920
Speaker 1: built a little different, in a little odd Who said

467
00:23:57,920 --> 00:23:59,800
Speaker 1: it first? I said it first in our relationship? Who

468
00:23:59,800 --> 00:24:02,159
Speaker 1: said first? In years? Said me? For sure? Amy, my

469
00:24:02,240 --> 00:24:07,000
Speaker 1: husband when he proposed lunchbox? Probably my wife. No, it's you,

470
00:24:07,000 --> 00:24:10,040
Speaker 1: you know I really honestly, honestly, I have no idea.

471
00:24:10,160 --> 00:24:12,960
Speaker 1: You probably cried when you did it. Here we go again, guys.

472
00:24:13,160 --> 00:24:16,119
Speaker 1: I never cried at my wedding. I never cried. I

473
00:24:16,119 --> 00:24:18,280
Speaker 1: don't cry in my relationship. But I would assume my

474
00:24:18,320 --> 00:24:21,080
Speaker 1: wife said I love you, because that's how she got

475
00:24:21,080 --> 00:24:24,840
Speaker 1: her claws. And Mike, whenever you were m proposing to

476
00:24:24,920 --> 00:24:26,720
Speaker 1: your girl this weekend, did you start to cry it all?

477
00:24:26,960 --> 00:24:30,560
Speaker 1: My eyes got a little tear, they did. Did she cry? No?

478
00:24:30,760 --> 00:24:32,119
Speaker 1: She did not cry at all. What's up with all

479
00:24:32,119 --> 00:24:34,920
Speaker 1: the dudes? I'm not say bad. I'm telling you because

480
00:24:34,920 --> 00:24:37,560
Speaker 1: we're betting. I bet ray wouldn't cry. But who took

481
00:24:37,560 --> 00:24:40,720
Speaker 1: the money against me. All I think I said he

482
00:24:40,760 --> 00:24:44,480
Speaker 1: would cry, yeah, all three I said he woulding. But

483
00:24:45,880 --> 00:24:48,639
Speaker 1: maybe all the dudes are Yeah, dude, I'm telling you.

484
00:24:48,720 --> 00:24:50,560
Speaker 1: That's that's why it's not surprising to me. All the guys,

485
00:24:50,640 --> 00:24:53,159
Speaker 1: I love you. Oh my god, you're so emotional. We

486
00:24:53,240 --> 00:24:55,400
Speaker 1: all act up, but we're so emotionally. Did you cry

487
00:24:55,400 --> 00:24:59,160
Speaker 1: at your wedding? You did? We all saw lunch cry. Yes,

488
00:24:59,280 --> 00:25:02,080
Speaker 1: we did. There's know if you can produce one photo

489
00:25:02,160 --> 00:25:04,040
Speaker 1: with me crying at my wedding photo. But we have

490
00:25:04,119 --> 00:25:08,200
Speaker 1: three witnesses here. We saw it in person. We saw lunchbox.

491
00:25:08,320 --> 00:25:11,440
Speaker 1: Christ say, there's three. With the court of the law,

492
00:25:11,440 --> 00:25:13,760
Speaker 1: you would go to jail. Yeah, but you're not an

493
00:25:13,800 --> 00:25:15,760
Speaker 1: impartial jury. Of course you're gonna say that to make

494
00:25:15,800 --> 00:25:18,240
Speaker 1: me look bad. That's the whole. I honestly don't care

495
00:25:18,240 --> 00:25:20,359
Speaker 1: if people know whether you cried or not. You do

496
00:25:20,400 --> 00:25:22,920
Speaker 1: because you made up stories. Okay, all right, we didn't

497
00:25:22,920 --> 00:25:24,960
Speaker 1: make up the story. We saw this story. We're just

498
00:25:25,040 --> 00:25:28,280
Speaker 1: telling what we saw. Angela and Mario, both of you

499
00:25:28,280 --> 00:25:30,600
Speaker 1: guys have something for you anyway. I don't normally give

500
00:25:30,640 --> 00:25:32,520
Speaker 1: prizes if you don't win, but I need to give

501
00:25:32,560 --> 00:25:34,760
Speaker 1: these away today, so you are un luck I'm gonna

502
00:25:34,800 --> 00:25:37,600
Speaker 1: give you, guys each of one hundred Walmart Photo gift card.

503
00:25:37,880 --> 00:25:39,879
Speaker 1: Walmart Photo invite you to stay connected to the ones

504
00:25:39,920 --> 00:25:42,080
Speaker 1: you love. I'm making beautiful Prince Photo books and Walart

505
00:25:42,080 --> 00:25:44,760
Speaker 1: from your favorite photos taken during your time spinning home.

506
00:25:44,960 --> 00:25:46,520
Speaker 1: All right, both of you guys get one of those.

507
00:25:46,560 --> 00:25:50,800
Speaker 1: Congratulations to the show. You another dollar to the pot. Yes,

508
00:25:51,400 --> 00:25:54,760
Speaker 1: so we'll play again later in the week. The Latest

509
00:25:54,840 --> 00:26:00,199
Speaker 1: from Nashville and Tullywood Morgan Number two, Reba McIntire, and

510
00:26:00,359 --> 00:26:03,840
Speaker 1: Darius Rucker were announced as hosts of the CMA Awards.

511
00:26:04,040 --> 00:26:07,879
Speaker 1: The show is happening November eleventh on ABC. Brett Eldred

512
00:26:07,920 --> 00:26:10,520
Speaker 1: shared an acoustic version of his song the One You

513
00:26:10,560 --> 00:26:17,760
Speaker 1: Need on his Instagram, If you just led me be

514
00:26:18,440 --> 00:26:26,960
Speaker 1: the One. Kane Brown announced he'll be an advisor on

515
00:26:27,000 --> 00:26:30,000
Speaker 1: the upcoming season of The Voice. He'll be helping out

516
00:26:30,000 --> 00:26:33,840
Speaker 1: Blake Shelton's team. The Voice premiere is October nineteenth on NBC.

517
00:26:34,119 --> 00:26:36,879
Speaker 1: I'm Morgan number two. That's your skinny hat. It's time

518
00:26:36,920 --> 00:26:43,960
Speaker 1: for the good news. Producer ready. Isaac Michelson. He's a

519
00:26:43,960 --> 00:26:46,800
Speaker 1: sophomore at Skyline High School. In Idaho Falls, and he

520
00:26:46,880 --> 00:26:49,560
Speaker 1: loves football. He goes to all the high school football games. Well,

521
00:26:49,560 --> 00:26:52,320
Speaker 1: one of the activities director comes up to him because

522
00:26:52,359 --> 00:26:54,479
Speaker 1: he's in a wheelchair. He's been in a wheelchair's whole life.

523
00:26:54,520 --> 00:26:57,239
Speaker 1: And he says, Isaac, if you could do whatever you

524
00:26:57,280 --> 00:26:58,960
Speaker 1: wanted if you were in that wheelchair, what would you do.

525
00:26:59,040 --> 00:27:02,439
Speaker 1: He said, easy? Play football. So they organized a play

526
00:27:02,560 --> 00:27:05,040
Speaker 1: at the end of the game on Friday night where

527
00:27:05,080 --> 00:27:07,200
Speaker 1: he's in his wheelchair. He's at the fifty yard line.

528
00:27:07,480 --> 00:27:09,719
Speaker 1: Quarterback gets the snap, he throws the ball to him,

529
00:27:09,760 --> 00:27:12,840
Speaker 1: he catches it and scores a fifty yard touchdown. I'm

530
00:27:12,840 --> 00:27:15,760
Speaker 1: watching it now, number four. Hands off. He's in his wheelchair.

531
00:27:16,200 --> 00:27:18,719
Speaker 1: He's on the fifty two yard line. Come on and

532
00:27:18,800 --> 00:27:21,200
Speaker 1: here he goes, and there and the other teams. You know,

533
00:27:21,240 --> 00:27:24,360
Speaker 1: they're putting up an okay effort. Yeah, Blondeville High School. Yeah,

534
00:27:24,359 --> 00:27:26,360
Speaker 1: they're pretty good team. And they go he's got blockers

535
00:27:26,359 --> 00:27:27,879
Speaker 1: in front of him. Come on, there he goes. He's

536
00:27:28,040 --> 00:27:33,440
Speaker 1: the ten. Yeah, five touchdown. They're going crazy. Isaac Michelson.

537
00:27:34,440 --> 00:27:37,199
Speaker 1: That's awesome, pretty cool. Huh, Yeah, that's real that that

538
00:27:37,280 --> 00:27:39,840
Speaker 1: was so special to that kid, for sure. Man that's

539
00:27:39,880 --> 00:27:42,960
Speaker 1: good stuff. That's what it's all about. That was tell

540
00:27:43,040 --> 00:27:48,760
Speaker 1: me something good. Sorry up today. This story comes us

541
00:27:48,840 --> 00:27:52,000
Speaker 1: from Lubbock, Texas. Hey, forty two year old man had

542
00:27:52,040 --> 00:27:54,720
Speaker 1: too much to drink, but he really wanted some ice cream,

543
00:27:54,760 --> 00:27:56,960
Speaker 1: and lucky for him, his thirteen year old niece was

544
00:27:57,000 --> 00:27:59,679
Speaker 1: at the house. Said hey, here's the keys, drive me

545
00:27:59,720 --> 00:28:02,200
Speaker 1: to get some ice cream. They were driving. She didn't

546
00:28:02,240 --> 00:28:04,240
Speaker 1: know how to drive. She's swerving all over the road.

547
00:28:04,320 --> 00:28:06,520
Speaker 1: Police pull her over say can I have your I

548
00:28:06,640 --> 00:28:09,240
Speaker 1: D please, and they say why are you driving? Well,

549
00:28:09,280 --> 00:28:11,560
Speaker 1: my uncle's drunk and he wants ice cream. So he

550
00:28:11,640 --> 00:28:14,159
Speaker 1: was arrested for endangerment of a child. How do you

551
00:28:14,200 --> 00:28:17,760
Speaker 1: feel about that? I mean, not good about it. You

552
00:28:17,800 --> 00:28:21,120
Speaker 1: can you can't do that. You can't do that, absolutely

553
00:28:21,200 --> 00:28:23,199
Speaker 1: right wrong. I'm just gonna say it wrong now, if

554
00:28:23,200 --> 00:28:25,880
Speaker 1: you would you rather him hop in the car, because

555
00:28:25,920 --> 00:28:28,240
Speaker 1: if he's like, I'm going to get ice cream, what

556
00:28:28,280 --> 00:28:33,240
Speaker 1: would you rather? Then? I guess that bad hit him

557
00:28:33,359 --> 00:28:36,919
Speaker 1: or her? Oh? Her a twelve year old? Yeah, why not?

558
00:28:37,320 --> 00:28:41,520
Speaker 1: My daughter gets thirteen, she could do it. Okay, I'm

559
00:28:41,560 --> 00:28:44,440
Speaker 1: just wondering. It's wrong. What about you? Yeah? Probably the

560
00:28:44,480 --> 00:28:46,640
Speaker 1: kid if it were me, I know how to drive

561
00:28:46,680 --> 00:28:48,760
Speaker 1: that young Yeah. I like where his mind was though

562
00:28:48,840 --> 00:28:51,400
Speaker 1: he knew he couldn't drive. Yeah, that's true. That's good

563
00:28:51,400 --> 00:28:53,320
Speaker 1: for him. I thought you were talking about the ice cream.

564
00:28:54,480 --> 00:28:57,560
Speaker 1: I'm munch boxed out your bone Head story. The day.

565
00:28:58,360 --> 00:29:01,040
Speaker 1: We're moments away from Tim mc all here on the studio.

566
00:29:01,160 --> 00:29:03,120
Speaker 1: I have so many questions about nineties country that I

567
00:29:03,160 --> 00:29:05,320
Speaker 1: want to ask him. We always love when Tim stops five.

568
00:29:05,400 --> 00:29:07,520
Speaker 1: So that's in the next five minutes or so, I

569
00:29:07,560 --> 00:29:09,200
Speaker 1: did quickly. I want to ask Eddie, is your wife's

570
00:29:09,200 --> 00:29:10,600
Speaker 1: trying to get you to shave your head? Yeah? She

571
00:29:10,680 --> 00:29:13,360
Speaker 1: just says it's time. She's never said this before, by

572
00:29:13,360 --> 00:29:16,280
Speaker 1: the way, ever, because you're losing your hair in the middle.

573
00:29:16,400 --> 00:29:19,800
Speaker 1: Bones what. I've been losing my hair for ten years

574
00:29:19,880 --> 00:29:22,040
Speaker 1: or so. But it's the Front's fine, the big deal.

575
00:29:22,080 --> 00:29:24,640
Speaker 1: It's it's the back has always had like a little

576
00:29:24,640 --> 00:29:27,480
Speaker 1: bald in but now she says, the entire top is

577
00:29:27,560 --> 00:29:30,320
Speaker 1: kind of going already, and your dad has that it's

578
00:29:30,400 --> 00:29:34,000
Speaker 1: genetic from your dad. Correct. I'm headed my dad's direction. Yes,

579
00:29:34,120 --> 00:29:36,680
Speaker 1: So are you gonna do the full shave? Oh? I

580
00:29:36,680 --> 00:29:38,720
Speaker 1: don't want to. I don't. She's just saying this. I

581
00:29:38,720 --> 00:29:40,240
Speaker 1: don't want to do any of this, and I don't

582
00:29:40,280 --> 00:29:42,200
Speaker 1: know if it's just me trying to hold on. I

583
00:29:42,200 --> 00:29:44,400
Speaker 1: don't mind trying a little comb over for a little bit.

584
00:29:45,040 --> 00:29:48,320
Speaker 1: Don't do that, you know what I mean? Why don't

585
00:29:48,320 --> 00:29:50,920
Speaker 1: you do the ring like the half ring on your head,

586
00:29:51,080 --> 00:29:57,280
Speaker 1: the George Jefferson because nobody's rocking that style. No, there's

587
00:29:57,320 --> 00:29:59,480
Speaker 1: an NBA player that it has that, And it's like,

588
00:29:59,480 --> 00:30:01,000
Speaker 1: I don't what do you are you doing? Like? It's

589
00:30:01,000 --> 00:30:03,400
Speaker 1: just I think if I take my hat off and

590
00:30:03,480 --> 00:30:06,200
Speaker 1: I do the ring thing, I will look like I'm

591
00:30:06,240 --> 00:30:09,480
Speaker 1: fifty years old for sure, and I'm forty one. I'm

592
00:30:09,520 --> 00:30:12,880
Speaker 1: not fifty yet. So shave it, shave it all the way. No,

593
00:30:12,880 --> 00:30:15,440
Speaker 1: no, no no, no, no no, I'm not ready to do that. Guys.

594
00:30:15,720 --> 00:30:17,480
Speaker 1: Let us see how bad do you see? You want

595
00:30:17,480 --> 00:30:18,960
Speaker 1: to see it? Yeah? I take it off. Have you

596
00:30:18,960 --> 00:30:21,080
Speaker 1: guys seen my head? Not in a while? Shave it?

597
00:30:21,280 --> 00:30:23,800
Speaker 1: Do you say? The front is okay? Yeah? Losing on

598
00:30:23,880 --> 00:30:26,800
Speaker 1: both sides, front and back. I don't know you have

599
00:30:26,960 --> 00:30:30,080
Speaker 1: enough to not shave it honestly? Okay? Really yeah, I

600
00:30:30,160 --> 00:30:33,800
Speaker 1: mean see it's the top. We'll check back in another

601
00:30:33,840 --> 00:30:36,640
Speaker 1: six months. What do you think what I think it's

602
00:30:36,640 --> 00:30:38,120
Speaker 1: grown in? What do you want? I think it's okay.

603
00:30:38,160 --> 00:30:39,840
Speaker 1: I don't think you shave it yet? Really you have

604
00:30:40,000 --> 00:30:42,960
Speaker 1: enough there for another six months? Six? I really enjoy

605
00:30:43,040 --> 00:30:46,200
Speaker 1: this next sex, really enjoy it. Yeah, man, you need

606
00:30:46,200 --> 00:30:53,960
Speaker 1: to yolo do permit? Diet yo hard with that hairy?

607
00:30:54,120 --> 00:30:57,080
Speaker 1: Are so dupe? I don't know. I'm not even thinking

608
00:30:57,080 --> 00:31:01,200
Speaker 1: about shaving it. If anything, I'll go really short, you know,

609
00:31:01,280 --> 00:31:03,240
Speaker 1: like um, let us have to do a bet one day?

610
00:31:03,240 --> 00:31:05,760
Speaker 1: Ready has to shave it. Yeah, I've done that before. Guys,

611
00:31:05,760 --> 00:31:07,520
Speaker 1: I hate the way I look bald. I don't know

612
00:31:07,520 --> 00:31:10,600
Speaker 1: if I'll ever get to that point on the Bobby

613
00:31:10,640 --> 00:31:13,640
Speaker 1: Bones Show. Now, how are you man? Doing well? How

614
00:31:13,680 --> 00:31:17,400
Speaker 1: about you? Good to see you you too? Everything safe? Healthy,

615
00:31:17,480 --> 00:31:20,200
Speaker 1: everything good? Yeah, for the for the most part. I

616
00:31:20,240 --> 00:31:23,360
Speaker 1: mean everybody's doing well. Kids are you know? We have

617
00:31:23,440 --> 00:31:26,320
Speaker 1: two kids on the on the West coast, and what

618
00:31:26,520 --> 00:31:28,920
Speaker 1: our youngest daughter graduated high school this year, so she's

619
00:31:28,920 --> 00:31:32,040
Speaker 1: been stuck with us since March, so she's pretty much

620
00:31:32,120 --> 00:31:34,720
Speaker 1: tired of us. Right now. Are you going down to

621
00:31:34,840 --> 00:31:37,600
Speaker 1: your island place much? We haven't been much. We were

622
00:31:37,640 --> 00:31:40,280
Speaker 1: down there earlier in the spring when everything first started happening.

623
00:31:40,400 --> 00:31:42,600
Speaker 1: We were down there for a bit, but but now

624
00:31:42,680 --> 00:31:44,960
Speaker 1: we've we've been staying close to home. We've done a

625
00:31:45,000 --> 00:31:48,560
Speaker 1: few trips like drive cross country trips driving um, Faith

626
00:31:48,600 --> 00:31:51,600
Speaker 1: and I and Ardy, our youngest. We drove Gosh to

627
00:31:51,600 --> 00:31:54,040
Speaker 1: California back, maybe two or three times this summer, back

628
00:31:54,080 --> 00:31:57,280
Speaker 1: and forth. Whenever you post these pictures of these big fish,

629
00:31:57,360 --> 00:31:59,040
Speaker 1: are you catching them with the rod and reel? No? No,

630
00:31:59,240 --> 00:32:02,840
Speaker 1: us die free dive with a pole spear. So you

631
00:32:02,840 --> 00:32:05,120
Speaker 1: have to get like a foot from them to shoot them.

632
00:32:05,760 --> 00:32:08,320
Speaker 1: So you're down in a in scuba. No, not scuba,

633
00:32:08,440 --> 00:32:11,440
Speaker 1: just a snorkel. Oh, you're not even all the way under,

634
00:32:11,480 --> 00:32:13,640
Speaker 1: You're just on the surface. We're going down thirty or

635
00:32:13,640 --> 00:32:15,760
Speaker 1: forty feet. Wait, how long is the snorkel? I've never

636
00:32:15,840 --> 00:32:18,520
Speaker 1: heard of the snorkels. You gotta hold your breath, man,

637
00:32:19,000 --> 00:32:20,880
Speaker 1: You gotta hold your breath to get down. Really. Yeah,

638
00:32:21,000 --> 00:32:23,480
Speaker 1: your cruise across the top. When you talk to Brett,

639
00:32:23,520 --> 00:32:25,080
Speaker 1: if you ever talk to Brett and Brad, ask them

640
00:32:25,080 --> 00:32:28,080
Speaker 1: about it. The Brad's gotten pretty good at it. Brett's

641
00:32:28,120 --> 00:32:30,280
Speaker 1: still struggling a little bit. But when you go, you

642
00:32:30,320 --> 00:32:32,920
Speaker 1: go across the top and you look and you start

643
00:32:32,520 --> 00:32:34,560
Speaker 1: to learn to spot the fish and know what fish

644
00:32:34,600 --> 00:32:36,520
Speaker 1: are good fishing because you see the big ones and

645
00:32:36,560 --> 00:32:39,080
Speaker 1: they'll hide under rocks and stuff. And then you have

646
00:32:39,160 --> 00:32:42,960
Speaker 1: to catch your breath and figure the current, how the

647
00:32:42,960 --> 00:32:45,040
Speaker 1: current's blowing, how you want to attack the fish, where

648
00:32:45,040 --> 00:32:46,960
Speaker 1: you want to shoot from, how you're what your angle

649
00:32:47,040 --> 00:32:49,800
Speaker 1: is going to be. And then you take off down

650
00:32:49,800 --> 00:32:51,240
Speaker 1: there and shoot it and bring it up. What if

651
00:32:51,240 --> 00:32:53,320
Speaker 1: you miss, you get back up and get some there

652
00:32:53,360 --> 00:32:55,120
Speaker 1: and then try to find it again. Do you have

653
00:32:55,120 --> 00:32:58,200
Speaker 1: to go find the spear? No? No, you What happens

654
00:32:58,280 --> 00:33:00,880
Speaker 1: is when you it's hard to describe it scart surgical

655
00:33:01,760 --> 00:33:03,840
Speaker 1: tubing on the end of it, and then you stretch

656
00:33:03,920 --> 00:33:06,719
Speaker 1: it like a sling shot. You grab the spear like this,

657
00:33:06,840 --> 00:33:09,440
Speaker 1: and when you shoot and hit, you automatically grab the

658
00:33:09,480 --> 00:33:11,840
Speaker 1: rubber as it goes by you. So so if you're

659
00:33:11,840 --> 00:33:13,760
Speaker 1: grabbing that and you're grabbing your spear, and then you're

660
00:33:13,800 --> 00:33:15,480
Speaker 1: swimming up with the fish, what's the biggest one you

661
00:33:15,480 --> 00:33:18,640
Speaker 1: ever caught? Id? And you have to think come up

662
00:33:18,680 --> 00:33:20,640
Speaker 1: with it too? Like you after it's down, Yeah, you

663
00:33:20,640 --> 00:33:22,600
Speaker 1: have to go. I assume you go up, get air,

664
00:33:22,680 --> 00:33:24,160
Speaker 1: then go back down no, no, you bring it up

665
00:33:24,160 --> 00:33:25,600
Speaker 1: with you. Sometimes you have to do that, Like if

666
00:33:25,880 --> 00:33:27,520
Speaker 1: it gets stuck in a hole and you can't get

667
00:33:27,560 --> 00:33:29,040
Speaker 1: it out, like you're down there pulling, you can't get

668
00:33:29,040 --> 00:33:30,440
Speaker 1: it out your burning oxygen, so you need to get

669
00:33:30,440 --> 00:33:32,080
Speaker 1: back up and get air. Then you have to. And

670
00:33:32,200 --> 00:33:33,920
Speaker 1: we spent thirty minutes trying to get a big fish

671
00:33:33,920 --> 00:33:36,160
Speaker 1: out of the place before. Yeah, that's wild. And then

672
00:33:36,480 --> 00:33:38,600
Speaker 1: and then the taxman shows up too, and you gotta

673
00:33:38,680 --> 00:33:41,720
Speaker 1: worry about him because he's swimming around watching you. Who

674
00:33:41,920 --> 00:33:45,240
Speaker 1: the sharks they're swimming around because But I've been in

675
00:33:45,240 --> 00:33:49,400
Speaker 1: the music business for a long time. Your number one

676
00:33:49,440 --> 00:33:52,440
Speaker 1: streaming song is from twenty sixteen, probably your last number one,

677
00:33:52,520 --> 00:33:57,280
Speaker 1: Humbling kind Yeah, do you know your other biggest streaming songs? Then?

678
00:33:57,360 --> 00:34:01,240
Speaker 1: I guess Highway Don't Care? Maybe number two? Nice of

679
00:34:01,360 --> 00:34:04,920
Speaker 1: twenty thirteen, that was a number one? What else you got?

680
00:34:05,080 --> 00:34:08,200
Speaker 1: I can't hear you? What can you hear me? Now

681
00:34:08,840 --> 00:34:10,960
Speaker 1: I hear the music? What else do you think after

682
00:34:11,040 --> 00:34:14,560
Speaker 1: Highway Don't Care? What else? Live? Like you're diying? Number three?

683
00:34:14,719 --> 00:34:20,759
Speaker 1: Come on? He looks every day. Doesn't mean they've been

684
00:34:20,840 --> 00:34:22,920
Speaker 1: pretty opt to me? Those are the one I wouldn't

685
00:34:22,920 --> 00:34:25,560
Speaker 1: say they're obvious that they would be big streamer, but

686
00:34:25,719 --> 00:34:28,520
Speaker 1: they're probably the biggest, I guess the biggest successful songs.

687
00:34:28,880 --> 00:34:31,719
Speaker 1: Do you know the only because they put eight songs up,

688
00:34:31,760 --> 00:34:33,440
Speaker 1: do you know the only one in the top eight

689
00:34:33,480 --> 00:34:36,520
Speaker 1: that wasn't a number one? For you? The top eight

690
00:34:36,600 --> 00:34:38,319
Speaker 1: that wasn't a number one, they're only one of these

691
00:34:38,320 --> 00:34:40,600
Speaker 1: in your top streaming songs that wasn't a number one.

692
00:34:40,960 --> 00:34:44,319
Speaker 1: Red Rack top Indian Outlaw in nineteen ninety four, Yeah,

693
00:34:44,440 --> 00:34:47,239
Speaker 1: peaked at number eight. Yeah. When I think of my

694
00:34:47,320 --> 00:34:49,440
Speaker 1: life listening to country music, I remember listening to Kissing

695
00:34:49,480 --> 00:34:52,279
Speaker 1: ninety six as a kid and hearing Indian Outlaw. That

696
00:34:52,280 --> 00:34:54,200
Speaker 1: was my introduction to you. And it it was right when

697
00:34:54,200 --> 00:34:56,480
Speaker 1: I was really getting into current country music and my

698
00:34:56,520 --> 00:34:58,960
Speaker 1: grandmother brought me up on classic country and I just

699
00:34:59,000 --> 00:35:01,600
Speaker 1: thought that's what it was, and the gospel records, Johnny

700
00:35:01,640 --> 00:35:05,520
Speaker 1: Cash and so you and Indian Outlaw was really that

701
00:35:05,560 --> 00:35:09,120
Speaker 1: time of introduction to me. And I was like, holy crap,

702
00:35:09,239 --> 00:35:10,719
Speaker 1: this is the greatest thing I've ever heard in my life.

703
00:35:10,800 --> 00:35:12,120
Speaker 1: To me, in my head, that's like one of the

704
00:35:12,160 --> 00:35:14,040
Speaker 1: biggest number ones of all time. Ard it was only

705
00:35:14,080 --> 00:35:17,160
Speaker 1: at number eight. It's crazy. Well, yeah, I think there

706
00:35:17,160 --> 00:35:18,560
Speaker 1: were a lot of stations. I think it wouldn't play

707
00:35:18,560 --> 00:35:20,319
Speaker 1: it because it was so different at the time, and

708
00:35:20,560 --> 00:35:22,839
Speaker 1: I guess I had a little controversy did at the time,

709
00:35:22,880 --> 00:35:25,719
Speaker 1: but not that that big. But um, yeah, there were

710
00:35:25,760 --> 00:35:28,520
Speaker 1: some place stations that wouldn't play it. So I get that.

711
00:35:28,600 --> 00:35:33,359
Speaker 1: But um, I think fortunate for me is after having

712
00:35:33,360 --> 00:35:35,640
Speaker 1: that song, because I thought the same. I loved that song.

713
00:35:35,640 --> 00:35:37,600
Speaker 1: I heard that song the first night I moved to Nashville.

714
00:35:37,960 --> 00:35:40,360
Speaker 1: When I moved to Nashville, stayed at the Hall of

715
00:35:40,440 --> 00:35:42,279
Speaker 1: Fame Lounge. I don't know if you guys remember, used

716
00:35:42,280 --> 00:35:44,400
Speaker 1: to be the Hall of Fame Lounge at the hotel

717
00:35:44,480 --> 00:35:46,840
Speaker 1: right down the streets or off the Mombrian right. It

718
00:35:47,000 --> 00:35:50,160
Speaker 1: used to be Barbara Mandrell, you know, Hall of Fame,

719
00:35:50,200 --> 00:35:52,280
Speaker 1: and then the Hall of Fame Lounge right across the street.

720
00:35:53,160 --> 00:35:55,120
Speaker 1: And I stayed there when I first got to town.

721
00:35:55,680 --> 00:35:58,200
Speaker 1: And the first night in town I met Tommy Barnes

722
00:35:58,560 --> 00:36:02,680
Speaker 1: who wrote Indian Outlaw, and so he and Matt Vickery

723
00:36:02,719 --> 00:36:05,359
Speaker 1: who wrote The Fireman, met him the first night in town.

724
00:36:05,880 --> 00:36:08,800
Speaker 1: And while Bill Emerson, who wrote some some Hank Williams

725
00:36:08,880 --> 00:36:11,319
Speaker 1: Junior songs. I met those guys in the bar, and

726
00:36:11,440 --> 00:36:13,239
Speaker 1: later that night we all went up to the room

727
00:36:13,320 --> 00:36:15,719
Speaker 1: I had rented there with the last money that I

728
00:36:15,719 --> 00:36:18,080
Speaker 1: had when I moved to town, and we also sat

729
00:36:18,120 --> 00:36:20,840
Speaker 1: around playing guitars and playing songs. And two songs that

730
00:36:20,840 --> 00:36:23,600
Speaker 1: I would eventually cut ended up being heard that night

731
00:36:23,719 --> 00:36:25,040
Speaker 1: was I don't want to be there in the morning

732
00:36:25,040 --> 00:36:26,759
Speaker 1: when she wakes up and finds me gone, and in

733
00:36:26,840 --> 00:36:29,960
Speaker 1: the An Outlaw, both of those songs Tommy played for

734
00:36:30,000 --> 00:36:32,160
Speaker 1: me that night, and when I put a band together

735
00:36:32,200 --> 00:36:34,000
Speaker 1: and started playing clubs, I was playing in then Outlaw

736
00:36:34,080 --> 00:36:36,120
Speaker 1: for three or four years before, two or three years

737
00:36:36,160 --> 00:36:38,640
Speaker 1: before I cut it, and I tried to cut it

738
00:36:38,640 --> 00:36:41,040
Speaker 1: on my very first album, but I couldn't talk anybody

739
00:36:41,040 --> 00:36:42,560
Speaker 1: into letting me cut it, and then we cut it

740
00:36:42,600 --> 00:36:44,560
Speaker 1: for the second album. But I think it worked. Of

741
00:36:44,600 --> 00:36:46,839
Speaker 1: the biggest songs in my life that there were country

742
00:36:46,920 --> 00:36:49,120
Speaker 1: music songs, that's one of them, because that was right

743
00:36:49,160 --> 00:36:52,799
Speaker 1: when I was really going I'm all into this, and

744
00:36:52,880 --> 00:36:54,279
Speaker 1: that was like the biggest song to me. And then

745
00:36:54,280 --> 00:36:55,839
Speaker 1: Don't Take the Girl came and Holy crowd, my life

746
00:36:55,880 --> 00:36:57,080
Speaker 1: change because I was the first song that the nby

747
00:36:57,080 --> 00:36:59,160
Speaker 1: feel sad about something and I was a kid. Yeah,

748
00:36:59,239 --> 00:37:01,879
Speaker 1: you know, I'm how nineteen years old, and Don't Take

749
00:37:01,880 --> 00:37:03,839
Speaker 1: the Girl comes out, and I remember thinking, well, I

750
00:37:03,880 --> 00:37:07,839
Speaker 1: was twelve. Nice, That's what I'm saying. What we were

751
00:37:07,840 --> 00:37:09,440
Speaker 1: talking about on the show was at the end of

752
00:37:09,480 --> 00:37:11,560
Speaker 1: Don't Take the Girl, does she live or die in

753
00:37:11,560 --> 00:37:13,200
Speaker 1: your mind? I don't. I don't think I want it

754
00:37:13,200 --> 00:37:15,239
Speaker 1: to be resolved. I never I never wanted it to

755
00:37:15,280 --> 00:37:17,799
Speaker 1: be resolved, because I just think that that's what makes

756
00:37:17,840 --> 00:37:19,440
Speaker 1: that sound great is it makes you think, It makes

757
00:37:19,480 --> 00:37:23,120
Speaker 1: you wander, and it makes it apply, you know, in

758
00:37:23,160 --> 00:37:26,200
Speaker 1: people's lives in different ways. Back in nineteen ninety three,

759
00:37:26,560 --> 00:37:28,799
Speaker 1: your first album, he brought it up, it didn't do

760
00:37:28,840 --> 00:37:30,959
Speaker 1: as well as maybe you had hoped. Do you think

761
00:37:31,000 --> 00:37:33,440
Speaker 1: after that didn't do well at all? Well? Do you

762
00:37:33,520 --> 00:37:37,080
Speaker 1: think that after that has still hasn't done well. Do

763
00:37:37,160 --> 00:37:41,040
Speaker 1: you think maybe this town is not for me? No?

764
00:37:41,120 --> 00:37:43,960
Speaker 1: I mean I think I when I decided to move

765
00:37:44,000 --> 00:37:47,920
Speaker 1: to Nashville, and you know, to me, I mean all

766
00:37:47,920 --> 00:37:49,480
Speaker 1: of us in this business. We're all here because we

767
00:37:49,520 --> 00:37:51,759
Speaker 1: love music and because it inspires us and moves us,

768
00:37:51,800 --> 00:37:54,000
Speaker 1: and we know the effect that it has on people,

769
00:37:54,120 --> 00:37:56,120
Speaker 1: and because it has an effect on us. That's why

770
00:37:56,160 --> 00:37:58,319
Speaker 1: we're involved in it, because we're passionate about it. But

771
00:37:58,360 --> 00:37:59,839
Speaker 1: when I first moved to Nashville, and I think all

772
00:37:59,880 --> 00:38:01,520
Speaker 1: of so when we get inside to get into this business,

773
00:38:01,520 --> 00:38:04,600
Speaker 1: it's like you know, running at midnight drunk and jumping

774
00:38:04,640 --> 00:38:06,200
Speaker 1: off a cliff and not knowing what's going to be

775
00:38:06,280 --> 00:38:08,239
Speaker 1: under you. And that's a big leap. It's a leap

776
00:38:08,280 --> 00:38:11,000
Speaker 1: of faith. And when I moved here and decided to

777
00:38:11,040 --> 00:38:12,640
Speaker 1: do this for a look, and I knew I'd put

778
00:38:12,640 --> 00:38:14,360
Speaker 1: all my eggs and I quit college. I was I

779
00:38:14,360 --> 00:38:15,640
Speaker 1: was going to be a lawyer and all that stuff,

780
00:38:15,960 --> 00:38:18,680
Speaker 1: which and I moved to town, and I knew that

781
00:38:18,719 --> 00:38:20,040
Speaker 1: this was what I was going to do and where

782
00:38:20,080 --> 00:38:21,800
Speaker 1: I was going to be, whether I was going to

783
00:38:21,840 --> 00:38:25,080
Speaker 1: be carrying somebody's guitar case or I thought maybe I

784
00:38:25,320 --> 00:38:28,000
Speaker 1: might be working at a publishing company, you know, pitching

785
00:38:28,040 --> 00:38:30,200
Speaker 1: songs to artists or something like that. I knew I

786
00:38:30,200 --> 00:38:31,439
Speaker 1: was going to be in this business, and I knew

787
00:38:31,440 --> 00:38:33,360
Speaker 1: I was gonna be here. So after the record doesn't

788
00:38:33,360 --> 00:38:34,800
Speaker 1: do well, you're like, all right, loaded that, let's do

789
00:38:34,800 --> 00:38:38,160
Speaker 1: it again, Let's get really well. It's funny because I

790
00:38:38,239 --> 00:38:40,040
Speaker 1: was I kind of fell off the radar with my

791
00:38:40,080 --> 00:38:42,360
Speaker 1: record label at the time because it didn't work. We

792
00:38:42,400 --> 00:38:44,319
Speaker 1: didn't have any hits. I think we had one song

793
00:38:44,400 --> 00:38:46,440
Speaker 1: that was in the top forty, and I was playing

794
00:38:46,440 --> 00:38:48,160
Speaker 1: clubs all over the place. I mean, we were playing

795
00:38:48,719 --> 00:38:51,920
Speaker 1: hundreds of clubs every year, and so I sort of

796
00:38:52,400 --> 00:38:54,920
Speaker 1: just on my own, went back in this started collecting

797
00:38:54,960 --> 00:38:57,600
Speaker 1: these songs and just went back in the studio and

798
00:38:57,640 --> 00:38:59,480
Speaker 1: just didn't really tell anybody I was going back in

799
00:38:59,520 --> 00:39:01,360
Speaker 1: the studio. I think that I was off their radar

800
00:39:01,440 --> 00:39:03,520
Speaker 1: so much that they didn't really realize it until I'd

801
00:39:03,520 --> 00:39:05,800
Speaker 1: finished her record and turned her record, and that was

802
00:39:05,840 --> 00:39:08,200
Speaker 1: the Anatomi Wa Too Soon record. I bring that up

803
00:39:08,200 --> 00:39:09,799
Speaker 1: because we were looking at a list here, and it's

804
00:39:09,800 --> 00:39:12,080
Speaker 1: so funny because you're as relevant today as you ever were,

805
00:39:12,360 --> 00:39:15,200
Speaker 1: and I was looking at the top nineties country artists,

806
00:39:15,400 --> 00:39:17,840
Speaker 1: and in terms of artists at number one total weeks,

807
00:39:18,040 --> 00:39:20,279
Speaker 1: you're number two, only behind George Strait like he was

808
00:39:20,320 --> 00:39:23,040
Speaker 1: at forty nine weeks. You're at forty after you was Garth,

809
00:39:23,120 --> 00:39:25,279
Speaker 1: Alan Jackson and Brooks and Dunne. So you put out

810
00:39:25,280 --> 00:39:27,120
Speaker 1: a record, it doesn't do well, but that doesn't mean

811
00:39:27,160 --> 00:39:29,279
Speaker 1: you can't do humongous great things. If the first shot

812
00:39:29,280 --> 00:39:31,200
Speaker 1: you get at something in life doesn't go right, well,

813
00:39:31,239 --> 00:39:32,960
Speaker 1: if you learn from it, I think, right, what did

814
00:39:32,960 --> 00:39:36,520
Speaker 1: you learn? I learned now? It was really the first

815
00:39:36,560 --> 00:39:38,480
Speaker 1: time I've really been in a real studio and did so.

816
00:39:38,480 --> 00:39:40,279
Speaker 1: I've done a few things in some small studios. The

817
00:39:40,360 --> 00:39:43,280
Speaker 1: first time I really went in and saw how it worked,

818
00:39:43,640 --> 00:39:46,239
Speaker 1: and I just started soaking it up instantly. And I think, look,

819
00:39:46,239 --> 00:39:49,640
Speaker 1: I had two as a producer that I became later,

820
00:39:50,080 --> 00:39:51,920
Speaker 1: and I was always very involved in my music. I

821
00:39:51,920 --> 00:39:55,640
Speaker 1: had two great mentors and teachers in the studio, Byron

822
00:39:55,719 --> 00:39:58,520
Speaker 1: Galimore who's still with me, and James Stroud. Early on.

823
00:39:58,719 --> 00:40:00,799
Speaker 1: Those guys taught me so much and I learned so

824
00:40:00,880 --> 00:40:03,359
Speaker 1: much right at the beginning, about how a records made,

825
00:40:03,400 --> 00:40:05,080
Speaker 1: what it takes to make a record, how deep you

826
00:40:05,120 --> 00:40:07,640
Speaker 1: have to think about the songs, how important the songs are.

827
00:40:07,640 --> 00:40:09,759
Speaker 1: And I think that's the biggest thing that I learned

828
00:40:09,800 --> 00:40:14,879
Speaker 1: and still know and learn and understand that it's it's

829
00:40:14,920 --> 00:40:18,200
Speaker 1: not about me singing the song so much as finding

830
00:40:18,239 --> 00:40:20,440
Speaker 1: great songs. The song is the most important thing in

831
00:40:20,920 --> 00:40:23,840
Speaker 1: any music. It's particularly in country music. I think that

832
00:40:23,840 --> 00:40:25,719
Speaker 1: that if you don't put the song first, and you're

833
00:40:26,239 --> 00:40:28,880
Speaker 1: you're going to do your career disservice. If you're singing

834
00:40:28,920 --> 00:40:31,200
Speaker 1: in the studio and it's a sad song, do you

835
00:40:31,239 --> 00:40:35,000
Speaker 1: try to put yourself in a mentally sad state to

836
00:40:35,160 --> 00:40:37,480
Speaker 1: better pull off the song, or if you just kind

837
00:40:37,480 --> 00:40:40,239
Speaker 1: of memorize how to sing the song. No, not in

838
00:40:40,280 --> 00:40:42,000
Speaker 1: a mentally sad state. But what I try to do

839
00:40:42,080 --> 00:40:44,799
Speaker 1: is create a scene really in my mind, and you know,

840
00:40:44,840 --> 00:40:46,600
Speaker 1: you try to get the studio in a place that

841
00:40:46,680 --> 00:40:49,680
Speaker 1: feels as inspiring as you can. You know, it feels

842
00:40:49,719 --> 00:40:51,279
Speaker 1: as good as you can to do something like that.

843
00:40:51,320 --> 00:40:56,000
Speaker 1: But then I've always said that, you know, I'm I'm

844
00:40:56,040 --> 00:40:58,319
Speaker 1: not sure I'm singing at you or it can sing

845
00:40:58,920 --> 00:41:01,120
Speaker 1: great or anything like that. But I think that what

846
00:41:01,239 --> 00:41:04,640
Speaker 1: I try to do is pretend that I'm sitting, you know,

847
00:41:04,680 --> 00:41:07,799
Speaker 1: across a table from somebody, and I'm trying to tell them,

848
00:41:08,200 --> 00:41:10,120
Speaker 1: tell them about how I feel, or tell them trying

849
00:41:10,160 --> 00:41:12,040
Speaker 1: to walk through this scene with them and sort of

850
00:41:12,040 --> 00:41:14,000
Speaker 1: interpret this scene enough for them that they get into

851
00:41:14,000 --> 00:41:16,440
Speaker 1: the scene as well. So every song to me is

852
00:41:16,440 --> 00:41:19,040
Speaker 1: like a small cinematic vignette in a lot of ways.

853
00:41:19,360 --> 00:41:21,799
Speaker 1: Two thousand and one I'm gonna read you the Nolin

854
00:41:21,880 --> 00:41:23,880
Speaker 1: East for Entertainer of the Year, it's you, Tim McGraw,

855
00:41:24,000 --> 00:41:27,560
Speaker 1: Brooks and Done, Dixie Chicks, Alan Jackson, and George Strait. Now,

856
00:41:27,640 --> 00:41:30,400
Speaker 1: as you're going to this and you're not, who do

857
00:41:30,440 --> 00:41:33,240
Speaker 1: you think is going to win? Probably read that again,

858
00:41:33,320 --> 00:41:37,600
Speaker 1: it's you Brooks and Done, Dixie Chicks, Alan Jackson, and

859
00:41:37,680 --> 00:41:40,440
Speaker 1: George Strait. Oh. Probably at that time, I would probably

860
00:41:40,560 --> 00:41:42,239
Speaker 1: have thought Dixie Chicks should have won. It's what I

861
00:41:42,239 --> 00:41:44,080
Speaker 1: would have probably would have thought at the time when

862
00:41:44,520 --> 00:41:47,080
Speaker 1: probably George Straight I would have imagined when they say

863
00:41:47,080 --> 00:41:48,360
Speaker 1: and do you remember when they're like the entertainer of

864
00:41:48,360 --> 00:41:53,359
Speaker 1: the year as Tim McGraw. Yeah, you know, those those

865
00:41:53,440 --> 00:41:56,400
Speaker 1: kinds of moments in your career are things that happened

866
00:41:56,400 --> 00:41:58,600
Speaker 1: in such a blur and you're so shocked and surprised,

867
00:41:58,640 --> 00:42:02,719
Speaker 1: but that it's hard to even grasp that memory. Do

868
00:42:02,760 --> 00:42:06,040
Speaker 1: you remember being on stage given the speech? No, not

869
00:42:06,120 --> 00:42:08,839
Speaker 1: at all, not one clue. And I've never watched it back.

870
00:42:08,840 --> 00:42:12,440
Speaker 1: I never watched back, never seen it back. Here's a

871
00:42:12,520 --> 00:42:15,799
Speaker 1: question I call Mommy goes number one. The lyrics at

872
00:42:15,800 --> 00:42:17,719
Speaker 1: the start of the chorus are so I stopped off

873
00:42:17,719 --> 00:42:19,719
Speaker 1: at a Texico, bought a slim gem and a coke.

874
00:42:20,160 --> 00:42:21,680
Speaker 1: When is the last time you had a slim gem

875
00:42:21,680 --> 00:42:25,279
Speaker 1: and drank a coke? And drank a coke the other day? Really? Yeah,

876
00:42:25,320 --> 00:42:28,080
Speaker 1: you allow yourself that year? Yeah, man, I had had

877
00:42:28,080 --> 00:42:33,200
Speaker 1: a cherry fritter this morning. I don't know what. Oh, yeah,

878
00:42:33,200 --> 00:42:35,360
Speaker 1: it was good. By the way, Tim brought donuts. He

879
00:42:35,400 --> 00:42:38,400
Speaker 1: shows up early and brings donuts. And I tell a

880
00:42:38,440 --> 00:42:41,200
Speaker 1: lot of young artists and even my listeners too, like

881
00:42:41,200 --> 00:42:43,280
Speaker 1: the one thing you can control in your life whenever

882
00:42:43,320 --> 00:42:45,120
Speaker 1: you're trying to do something professionals, when you get to

883
00:42:45,160 --> 00:42:47,520
Speaker 1: a place and the work ethic you have, you're at

884
00:42:47,560 --> 00:42:49,840
Speaker 1: your attitude and when you get there is And I

885
00:42:49,920 --> 00:42:52,120
Speaker 1: say that the people that we work with, the biggest

886
00:42:52,120 --> 00:42:55,240
Speaker 1: stars are often those people that live by that you're

887
00:42:55,280 --> 00:42:58,240
Speaker 1: here early every time, Garth, this here early, every Dolly

888
00:42:58,400 --> 00:43:00,120
Speaker 1: is here, and you don't have to be because that

889
00:43:00,120 --> 00:43:01,360
Speaker 1: you guys could sho up an hour later. We just

890
00:43:01,400 --> 00:43:03,439
Speaker 1: be like, what're the help of you here? But we're not.

891
00:43:03,560 --> 00:43:06,680
Speaker 1: And I think that says a lot to your mindset

892
00:43:06,760 --> 00:43:09,200
Speaker 1: even to this day, Like what do you tell young

893
00:43:09,280 --> 00:43:10,520
Speaker 1: artists when they ask you, like, what what is it?

894
00:43:10,560 --> 00:43:11,960
Speaker 1: What do I have to do to make it well?

895
00:43:12,960 --> 00:43:17,479
Speaker 1: For professionalism is always key everybody I know in any

896
00:43:17,520 --> 00:43:20,359
Speaker 1: part of the entertainment business, and the heroes that I'm met,

897
00:43:20,360 --> 00:43:22,920
Speaker 1: and the biggest artists that I'm at in the movie stars.

898
00:43:23,000 --> 00:43:25,160
Speaker 1: I mean, there's always exceptions. There's always somebody that's just

899
00:43:25,200 --> 00:43:27,080
Speaker 1: so talented to no matter what they do, they're just

900
00:43:27,120 --> 00:43:29,239
Speaker 1: got talent just oozing out of And there's always those

901
00:43:29,280 --> 00:43:32,000
Speaker 1: exceptions and those kinds of people. But for the most part,

902
00:43:32,000 --> 00:43:34,560
Speaker 1: and even athletes I find that I've known are been

903
00:43:34,600 --> 00:43:37,600
Speaker 1: the people who work the hardest and people who consistently

904
00:43:37,600 --> 00:43:41,160
Speaker 1: worked hardest. Sure they've got talent, but talent, you know,

905
00:43:41,400 --> 00:43:43,279
Speaker 1: get you a cup of coffee without some work ethic

906
00:43:43,360 --> 00:43:45,160
Speaker 1: behind it, and you have to work hard, and you

907
00:43:45,160 --> 00:43:48,480
Speaker 1: have to constantly, you know, put other people in mind.

908
00:43:48,520 --> 00:43:51,640
Speaker 1: And about being on time. I think that's about respecting

909
00:43:51,680 --> 00:43:54,040
Speaker 1: other people's time. I mean, if it's all about just

910
00:43:54,120 --> 00:43:55,960
Speaker 1: your time, then nobody's gonna respect you if you don't

911
00:43:55,960 --> 00:44:00,200
Speaker 1: respect their time. Love it it sound familiar, Y beat

912
00:44:00,239 --> 00:44:02,440
Speaker 1: them up over there and they're great now, but there

913
00:44:02,480 --> 00:44:04,719
Speaker 1: was a time, well there was a time. If they

914
00:44:04,719 --> 00:44:07,640
Speaker 1: were amy, you can tell them. But if they go ahead,

915
00:44:07,800 --> 00:44:10,440
Speaker 1: we want to talk about you can go ahead. Okay, Well,

916
00:44:10,680 --> 00:44:15,240
Speaker 1: there has been times in the fifteen years or whatever

917
00:44:15,239 --> 00:44:17,120
Speaker 1: we've been doing this that maybe some of us have

918
00:44:17,200 --> 00:44:20,319
Speaker 1: been sent home if we were thirty seconds late. We

919
00:44:20,400 --> 00:44:23,080
Speaker 1: have a time and I say, hey, if you're not

920
00:44:23,120 --> 00:44:24,560
Speaker 1: here at this time, and everybody else says, you're not

921
00:44:24,600 --> 00:44:26,560
Speaker 1: respecting them. They decided to get up and be at

922
00:44:26,560 --> 00:44:29,839
Speaker 1: work on time. So what I just all right, late,

923
00:44:29,960 --> 00:44:31,920
Speaker 1: got to go home. Still love you, but you got

924
00:44:31,920 --> 00:44:34,520
Speaker 1: to go home. And you know what, nobody's late anywhere

925
00:44:34,520 --> 00:44:38,080
Speaker 1: in their life anymore. They still here. Oh I've been late,

926
00:44:39,080 --> 00:44:46,240
Speaker 1: sent home. I'm trying not to be yea, We're still around,

927
00:44:46,239 --> 00:44:48,600
Speaker 1: and so something's working. You wrote a poem on Instagram

928
00:44:48,600 --> 00:44:50,600
Speaker 1: for your wife's birthday. I read it and I thought,

929
00:44:50,640 --> 00:44:52,160
Speaker 1: why is Tim trying to make us all look bad?

930
00:44:52,320 --> 00:44:54,120
Speaker 1: Like after all this time, you're still I'm trying to

931
00:44:54,120 --> 00:44:57,520
Speaker 1: make me look good? What is it? What is it

932
00:44:58,360 --> 00:45:01,560
Speaker 1: like a long term successful marriage? Like for you? What

933
00:45:01,640 --> 00:45:05,120
Speaker 1: has been the key? Um? Just sitting in a corner

934
00:45:05,120 --> 00:45:09,840
Speaker 1: and being quiet? No, really, look, I think that it's you.

935
00:45:10,440 --> 00:45:12,560
Speaker 1: It's a conscious decision that this is what you want

936
00:45:12,560 --> 00:45:14,000
Speaker 1: to do, and this is what you want your life

937
00:45:14,000 --> 00:45:15,600
Speaker 1: to be and how you want it to play out.

938
00:45:15,960 --> 00:45:18,400
Speaker 1: I think you just you know, there's always tough times

939
00:45:18,400 --> 00:45:21,239
Speaker 1: for everybody, and there's always struggles, and there's always times

940
00:45:21,239 --> 00:45:23,839
Speaker 1: where it's not as the way you want it to be,

941
00:45:24,480 --> 00:45:27,479
Speaker 1: certainly from both sides. But I think it's you want

942
00:45:27,480 --> 00:45:28,840
Speaker 1: this out of your life and you want this for

943
00:45:28,960 --> 00:45:32,040
Speaker 1: your life, and that's the decision that you made. And

944
00:45:32,480 --> 00:45:35,600
Speaker 1: love and respect of course, that's the foundation of all

945
00:45:35,640 --> 00:45:38,080
Speaker 1: of it. But I think the biggest thing is to

946
00:45:38,120 --> 00:45:40,760
Speaker 1: be making a commitment and sticking to it and believing

947
00:45:40,760 --> 00:45:43,279
Speaker 1: in each other to keep that commitment. If you put

948
00:45:43,360 --> 00:45:45,200
Speaker 1: music under that, that's the number one. All you have

949
00:45:45,320 --> 00:45:47,880
Speaker 1: to do is put like an acoustic guitar strumming and

950
00:45:47,960 --> 00:45:49,959
Speaker 1: there you go, that's your next one. Well I would

951
00:45:50,000 --> 00:45:51,799
Speaker 1: do it, but I'm not. I'm not my average at

952
00:45:51,800 --> 00:45:54,160
Speaker 1: best on a guitar, although I've gotten better. I used

953
00:45:54,200 --> 00:45:56,040
Speaker 1: to play all the time. I used to play all

954
00:45:56,080 --> 00:45:57,840
Speaker 1: the time when first come up, I played, and I

955
00:45:57,960 --> 00:45:59,840
Speaker 1: still play on stage and stuff because I know those songs.

956
00:45:59,840 --> 00:46:03,000
Speaker 1: But but I for a long time I always said

957
00:46:03,000 --> 00:46:04,760
Speaker 1: that as soon as I started paying a guitar player,

958
00:46:04,800 --> 00:46:07,359
Speaker 1: that was better than me. Then I'd stop playing. And

959
00:46:07,360 --> 00:46:09,000
Speaker 1: that didn't take all. I could pay somebody a hundred

960
00:46:09,000 --> 00:46:11,160
Speaker 1: bucks and are better than me, but I did. I

961
00:46:11,160 --> 00:46:13,239
Speaker 1: have picked up up and played a lot more during

962
00:46:13,280 --> 00:46:15,640
Speaker 1: the sort of downtime that we've had. You've kind a

963
00:46:15,640 --> 00:46:17,480
Speaker 1: little better, back better, and you put out a record

964
00:46:17,640 --> 00:46:19,520
Speaker 1: during the downtime, which has got to be an awkward

965
00:46:19,520 --> 00:46:21,200
Speaker 1: thing because you're like, man, I'm I want to be

966
00:46:21,200 --> 00:46:22,960
Speaker 1: out in front as many people as I can, and

967
00:46:23,040 --> 00:46:24,400
Speaker 1: so you put out Here on Earth. And one of

968
00:46:24,440 --> 00:46:28,600
Speaker 1: the songs on there is called Cheryl Crowe. So is

969
00:46:28,640 --> 00:46:32,919
Speaker 1: that a conversation you have with her before it? What's

970
00:46:32,960 --> 00:46:36,080
Speaker 1: that conversation with Cheryl about? Well, here's what happened. You know.

971
00:46:36,160 --> 00:46:37,719
Speaker 1: We recorded the song and I love this. It was

972
00:46:37,760 --> 00:46:39,200
Speaker 1: one of the first ones we recorded. We worked on

973
00:46:39,200 --> 00:46:41,120
Speaker 1: this record for gosh two and a half years, I think,

974
00:46:41,360 --> 00:46:43,560
Speaker 1: trying to get it ready. Are just working on it

975
00:46:43,600 --> 00:46:45,200
Speaker 1: as we went along. We started working on it at

976
00:46:45,200 --> 00:46:47,040
Speaker 1: the end of the Soul to Soul tour, which for

977
00:46:47,160 --> 00:46:49,279
Speaker 1: me not to get all track. For me that I

978
00:46:49,320 --> 00:46:52,840
Speaker 1: always find that after Faith and I've worked together for

979
00:46:52,920 --> 00:46:54,760
Speaker 1: a while and had to sing with her on stage

980
00:46:54,760 --> 00:46:56,880
Speaker 1: every because to me, She's one of the greatest singers

981
00:46:57,320 --> 00:46:59,680
Speaker 1: ever on earth. Having to sing with her every night

982
00:47:00,080 --> 00:47:03,160
Speaker 1: makes me much sharper and much better at what I do,

983
00:47:03,239 --> 00:47:04,719
Speaker 1: so I want to take advantage of that. After I

984
00:47:04,800 --> 00:47:06,440
Speaker 1: sing with her and going to studio and cup that

985
00:47:06,480 --> 00:47:08,480
Speaker 1: was one of the first things that we cut, and

986
00:47:08,600 --> 00:47:11,839
Speaker 1: I just liked how it used. Cheryl Crowle is sort

987
00:47:11,840 --> 00:47:14,520
Speaker 1: of the metaphor for our music, as a sort of

988
00:47:14,560 --> 00:47:17,160
Speaker 1: the metaphor for how you felt about someone when you

989
00:47:17,200 --> 00:47:20,799
Speaker 1: first met him and I. She and I have the

990
00:47:20,840 --> 00:47:23,640
Speaker 1: same publicists, so our publicist asked she could play the

991
00:47:23,680 --> 00:47:25,960
Speaker 1: song for Cheryl, and I got the sweetest note back

992
00:47:25,960 --> 00:47:27,799
Speaker 1: from Cheryl, which was really good, because if you if

993
00:47:27,840 --> 00:47:30,960
Speaker 1: you have a song about someone and they you play

994
00:47:31,000 --> 00:47:33,759
Speaker 1: it for him and they yeah, you know, I'm I

995
00:47:33,800 --> 00:47:35,319
Speaker 1: don't know about this, but I don't know if. But

996
00:47:35,360 --> 00:47:36,960
Speaker 1: she sent me the sweetest note about how much she

997
00:47:37,000 --> 00:47:39,319
Speaker 1: liked the song and enjoyed it hearing it and how

998
00:47:39,840 --> 00:47:42,040
Speaker 1: cool she thought it was. So that put it at

999
00:47:42,080 --> 00:47:43,360
Speaker 1: easy and it made it easier to put it on

1000
00:47:43,400 --> 00:47:44,920
Speaker 1: the album and not have to you know, I don't

1001
00:47:44,960 --> 00:47:46,680
Speaker 1: want to make Ryl crow Matt Well if you name

1002
00:47:46,719 --> 00:47:48,120
Speaker 1: one after me. Next album I don't care. You can

1003
00:47:48,239 --> 00:47:50,920
Speaker 1: already give you permission, all right, you gotta do, And

1004
00:47:51,040 --> 00:47:53,239
Speaker 1: I forget if you've I think maybe you've talked about

1005
00:47:53,280 --> 00:47:56,239
Speaker 1: this before here, but I forget Taylor Swift when she

1006
00:47:56,360 --> 00:47:58,839
Speaker 1: did that? How did you first hear that song? Our

1007
00:47:58,880 --> 00:48:01,759
Speaker 1: first heard him? Gral Oddly enough, I heard it before

1008
00:48:01,760 --> 00:48:04,520
Speaker 1: she put it out. I'd heard it because i'd heard

1009
00:48:04,520 --> 00:48:06,600
Speaker 1: the demo of it. I think because somebody else was

1010
00:48:07,040 --> 00:48:09,360
Speaker 1: played it for me. I can't remember exactly how that happened.

1011
00:48:09,680 --> 00:48:11,239
Speaker 1: But when I first heard the record and it came

1012
00:48:11,239 --> 00:48:13,640
Speaker 1: out and it blew up and she blew up, my

1013
00:48:13,640 --> 00:48:17,440
Speaker 1: first thought was, okay, let me let me reevaluate here.

1014
00:48:17,800 --> 00:48:20,520
Speaker 1: Does this mean? What does this mean? Does this mean

1015
00:48:20,560 --> 00:48:23,240
Speaker 1: that all right? If there's a song that she's singing,

1016
00:48:23,440 --> 00:48:25,279
Speaker 1: does this mean I'm done? I mean, is this like,

1017
00:48:25,880 --> 00:48:30,400
Speaker 1: you know, tribute alt the Door? But then I realized

1018
00:48:30,480 --> 00:48:32,200
Speaker 1: somebody told me she was like thirteen and wrote it

1019
00:48:32,200 --> 00:48:33,560
Speaker 1: in math class, and I thought, well, that so I

1020
00:48:33,600 --> 00:48:35,840
Speaker 1: can live with that. It's not like some you know,

1021
00:48:36,160 --> 00:48:38,040
Speaker 1: thirty five year old artists saying you know, hey, I

1022
00:48:38,160 --> 00:48:40,239
Speaker 1: used to listen to him and going I'm done. I

1023
00:48:40,360 --> 00:48:42,920
Speaker 1: remember her performing this and maybe the cmas and the

1024
00:48:43,000 --> 00:48:45,879
Speaker 1: camera's on you as she's singing about it was awkward. Yeah,

1025
00:48:45,880 --> 00:48:47,600
Speaker 1: I would think, like, what, give me a second, let

1026
00:48:47,640 --> 00:48:49,239
Speaker 1: me hit, I don't know what to do. Did they

1027
00:48:49,239 --> 00:48:50,560
Speaker 1: tell you, hey, we're gonna put this camera on you

1028
00:48:50,600 --> 00:48:53,080
Speaker 1: the whole time, be prepared. No? No, And then she

1029
00:48:53,160 --> 00:48:55,560
Speaker 1: came over and started singing right to me. It was

1030
00:48:55,880 --> 00:48:57,759
Speaker 1: I mean, she's a lot of love Taylor. She was,

1031
00:48:57,920 --> 00:49:00,440
Speaker 1: she was awesome. It just seems like it feel long.

1032
00:49:00,440 --> 00:49:02,120
Speaker 1: I don't like what someone tells gives me a compliment

1033
00:49:02,160 --> 00:49:05,880
Speaker 1: at all. No, No, it's awkward for sure. Well just

1034
00:49:05,920 --> 00:49:07,759
Speaker 1: because I didn't know what to do. Yeah, yeah, yeah,

1035
00:49:08,360 --> 00:49:11,480
Speaker 1: well congratulations, I call MoMA. Gonna be the first one

1036
00:49:11,560 --> 00:49:14,200
Speaker 1: man in four years. You just so pumped about it.

1037
00:49:14,239 --> 00:49:16,360
Speaker 1: You know, we love you here. Anytime you need anything,

1038
00:49:16,480 --> 00:49:18,520
Speaker 1: let us know and tell Faith. We say hello and

1039
00:49:18,520 --> 00:49:21,600
Speaker 1: everybody check out here on earth. Um, let me play.

1040
00:49:22,000 --> 00:49:23,520
Speaker 1: Let's play it a little bit here on earth, right

1041
00:49:23,920 --> 00:49:41,439
Speaker 1: real quick. We have that ready right here. Any chance

1042
00:49:41,440 --> 00:49:44,719
Speaker 1: this is the next single, I know what the next thing.

1043
00:49:44,760 --> 00:49:46,600
Speaker 1: It's not that one. No, but but that is one

1044
00:49:46,600 --> 00:49:47,960
Speaker 1: of my favorites. But I can tell you, I mean

1045
00:49:48,000 --> 00:49:49,879
Speaker 1: I love look, I could be happy with any song

1046
00:49:49,960 --> 00:49:51,759
Speaker 1: off this album somebody, since this is next thing, I

1047
00:49:51,960 --> 00:49:54,040
Speaker 1: can say, I'm fine with that because that's the way

1048
00:49:54,080 --> 00:49:56,440
Speaker 1: we recorded this album. But I tell you, one of

1049
00:49:56,480 --> 00:49:58,720
Speaker 1: my favorite records I've ever made is on this album,

1050
00:49:58,880 --> 00:50:01,279
Speaker 1: and it's la very first song on the album. It's

1051
00:50:01,360 --> 00:50:04,120
Speaker 1: It's to Me. It's one of my favorite. I'll I

1052
00:50:04,120 --> 00:50:06,400
Speaker 1: could put that one in mix and say it's up

1053
00:50:06,400 --> 00:50:08,480
Speaker 1: there with please Remember Me or something like that, which

1054
00:50:08,480 --> 00:50:10,120
Speaker 1: is also one of my favorite. Well, thank you for

1055
00:50:10,160 --> 00:50:12,480
Speaker 1: stopping by. Thanks for bringing donuts. We're not gonna eat

1056
00:50:12,520 --> 00:50:14,000
Speaker 1: them for fun of you, because we're acting like we

1057
00:50:14,000 --> 00:50:16,440
Speaker 1: don't eat donuts. But when you leave, we're going to town.

1058
00:50:16,560 --> 00:50:19,520
Speaker 1: Yeah yeah, yeah, Tim McGraw, everybody check out here on Earth.

1059
00:50:19,560 --> 00:50:24,560
Speaker 1: That's the album. Thank you, all right, there is. Amy

1060
00:50:24,560 --> 00:50:26,880
Speaker 1: told me a second ago that she had a story

1061
00:50:26,920 --> 00:50:30,400
Speaker 1: coming up in the pile about outlaw country. Yeah. Well,

1062
00:50:30,440 --> 00:50:34,240
Speaker 1: it's just that outlaw artists they need to be told

1063
00:50:34,280 --> 00:50:36,759
Speaker 1: that they're an outlaw. They can't just claim themselves that

1064
00:50:36,840 --> 00:50:39,560
Speaker 1: they're an outlaw. Okay, but there's a big time artist

1065
00:50:39,640 --> 00:50:42,719
Speaker 1: speaking out about it. Nice, maybe calling other people out, like,

1066
00:50:42,800 --> 00:50:47,439
Speaker 1: stop calling yourself an outlaw? Nice? Is it? Dan and Jay. Yeah,

1067
00:50:47,440 --> 00:50:52,200
Speaker 1: they're outlaws for sure, right in a way, yes, honestly, yeah, yeah,

1068
00:50:52,239 --> 00:50:55,120
Speaker 1: because they can kick the genre wall down and picture that,

1069
00:50:55,160 --> 00:51:03,640
Speaker 1: but not in the conventional sense. You're Samy's pile of stories.

1070
00:51:03,760 --> 00:51:06,279
Speaker 1: So there's a new trend where people are already putting

1071
00:51:06,320 --> 00:51:09,120
Speaker 1: up their Christmas trees, but they're decorating them with things

1072
00:51:09,160 --> 00:51:14,200
Speaker 1: like fall leaves and pumpkins to make them fall Christmas trees. Heck, man,

1073
00:51:14,280 --> 00:51:15,800
Speaker 1: leave a tree up all year, put hearts on it

1074
00:51:15,880 --> 00:51:18,200
Speaker 1: from Februaries, did they say, and it Easter comes, put

1075
00:51:18,239 --> 00:51:21,279
Speaker 1: little bunnies and eggs on it. Yeah, that's gotta be

1076
00:51:21,320 --> 00:51:23,719
Speaker 1: a fake tree, though, if you live, one's dead in

1077
00:51:23,760 --> 00:51:26,439
Speaker 1: like a month. Yeah, Kylen loves Christmas. I think we'll

1078
00:51:26,480 --> 00:51:32,000
Speaker 1: probably when November hits, go ahead and throw it up. Okay, yeah,

1079
00:51:32,000 --> 00:51:34,719
Speaker 1: it'll be earlier than normal, real early. So, but she's

1080
00:51:34,719 --> 00:51:37,319
Speaker 1: a big Christmas lover. I'm not. We never really had

1081
00:51:37,320 --> 00:51:39,400
Speaker 1: a big Christmas as a kid, but I'm kind of

1082
00:51:39,400 --> 00:51:41,919
Speaker 1: excited to be with someone who loves Christmas. Maybe that'll

1083
00:51:42,000 --> 00:51:44,440
Speaker 1: change my outlook on it. I love that. Okay. So

1084
00:51:44,520 --> 00:51:47,840
Speaker 1: the opposite of Christmas and joy is well just stress

1085
00:51:47,880 --> 00:51:50,360
Speaker 1: and all the stress that people are feeling lately. And

1086
00:51:50,440 --> 00:51:53,799
Speaker 1: there was a survey done and people said that they

1087
00:51:53,840 --> 00:51:58,640
Speaker 1: would spend five hundred dollars just to have one completely

1088
00:51:58,920 --> 00:52:05,879
Speaker 1: stress free day. That's it. It's too that would give

1089
00:52:05,920 --> 00:52:07,319
Speaker 1: me stress all the things that could have spent five

1090
00:52:07,400 --> 00:52:10,560
Speaker 1: hundred bucks on totally. I hope. I think that's just

1091
00:52:11,000 --> 00:52:14,880
Speaker 1: indicative of how stressed out people are, because they're willing

1092
00:52:14,920 --> 00:52:17,000
Speaker 1: to maybe even go broke or put it on the

1093
00:52:17,080 --> 00:52:20,480
Speaker 1: credit card just to like breathe for a day. And

1094
00:52:20,520 --> 00:52:24,359
Speaker 1: I'll have any stress or issues. I don't know. If

1095
00:52:24,360 --> 00:52:27,040
Speaker 1: there's a group on code for that, maybe I'll take it. So.

1096
00:52:27,120 --> 00:52:31,480
Speaker 1: Chris Stapleton says that an artist cannot call themselves a

1097
00:52:31,560 --> 00:52:35,279
Speaker 1: country outlaw, that it has to be bestowed upon them. Yeah,

1098
00:52:35,280 --> 00:52:39,560
Speaker 1: because outlaw country is kind of a genre, a self

1099
00:52:39,600 --> 00:52:43,600
Speaker 1: assigned genre of artists, and people have called Chris Stapleton alt.

1100
00:52:43,680 --> 00:52:45,560
Speaker 1: I was like, hey, I don't think I am. Other

1101
00:52:45,560 --> 00:52:48,200
Speaker 1: people have to call me that. Yeah, he said that.

1102
00:52:48,239 --> 00:52:51,400
Speaker 1: Marty Stewart told him a real outlaw doesn't need a

1103
00:52:51,560 --> 00:52:53,640
Speaker 1: sign that says he is one. Yeah. I kind of

1104
00:52:53,680 --> 00:52:56,000
Speaker 1: roll my eyes. People say they're either quote real country

1105
00:52:56,080 --> 00:52:57,560
Speaker 1: or outlaw country. I'm like, you don't have to say

1106
00:52:57,600 --> 00:53:00,000
Speaker 1: that about yourself. We'll take care of that. Yeah. Yeah,

1107
00:53:00,120 --> 00:53:02,680
Speaker 1: let people say what they think about you. So do

1108
00:53:02,719 --> 00:53:04,440
Speaker 1: you want to know some artists that are currently in

1109
00:53:04,480 --> 00:53:12,480
Speaker 1: the outlaw category? Um? I would say Casey Musgraves oddly, gah,

1110
00:53:12,520 --> 00:53:19,680
Speaker 1: she's on there. Tyler Childers put him in there. It's

1111
00:53:19,680 --> 00:53:24,640
Speaker 1: about it. What about Eric Church Stergill Simpson, Yeah, Stergill,

1112
00:53:24,760 --> 00:53:31,399
Speaker 1: I say Eric, Eric, Eric's mainstream? Is he a mainstream outlaw? Yeah?

1113
00:53:31,480 --> 00:53:35,200
Speaker 1: Eric's weird Eric because he's for sure mainstream in Chase's radio,

1114
00:53:35,400 --> 00:53:38,360
Speaker 1: but does it in a weird way. Yeah. Yeah, we

1115
00:53:38,480 --> 00:53:41,680
Speaker 1: didn't give me one more Brandy Lark Okay, all right,

1116
00:53:41,719 --> 00:53:43,359
Speaker 1: what else you got? Anything else? I made me? That's

1117
00:53:43,400 --> 00:53:47,840
Speaker 1: my pile. That was Amy's Kyle of stories. It's time

1118
00:53:47,880 --> 00:53:55,840
Speaker 1: for the good news. Brock Bailey's a junior in high school,

1119
00:53:55,880 --> 00:53:58,440
Speaker 1: plays football and Georgia and he's with his mom when

1120
00:53:58,440 --> 00:54:01,080
Speaker 1: he hears a boom. It's a car wreck, and they

1121
00:54:01,160 --> 00:54:03,600
Speaker 1: run outside and they see this car is on fire,

1122
00:54:04,040 --> 00:54:06,400
Speaker 1: and Brock's like, man, I gotta do something. He runs

1123
00:54:06,400 --> 00:54:09,719
Speaker 1: over and gets the driver's door open and pulls this

1124
00:54:09,800 --> 00:54:12,319
Speaker 1: girl to safety. She's a senior that goes to his

1125
00:54:12,400 --> 00:54:14,839
Speaker 1: high school and the car was on fire, and Brock's like, hey,

1126
00:54:14,880 --> 00:54:16,680
Speaker 1: I got her out, no problem. I'm not a hero.

1127
00:54:17,520 --> 00:54:19,520
Speaker 1: And no word on if she's asked him to prom yet.

1128
00:54:21,719 --> 00:54:24,200
Speaker 1: I mean she's got to, right, he saved the live

1129
00:54:25,200 --> 00:54:27,399
Speaker 1: Oh that's a tough one. A lot of pressure. That's

1130
00:54:27,400 --> 00:54:29,319
Speaker 1: a tough one. Yeah, it's good though, That's awesome. That's

1131
00:54:29,360 --> 00:54:32,319
Speaker 1: what it's all about. That was tell me something good.

1132
00:54:33,800 --> 00:54:37,880
Speaker 1: Let's go over to Amy now with The Morning Corny.

1133
00:54:39,080 --> 00:54:43,799
Speaker 1: The Morning Corny generation does Forrest Gump belong to? What

1134
00:54:43,880 --> 00:54:52,719
Speaker 1: generation does Forrest Gump belong to? A jen A? That

1135
00:54:52,920 --> 00:54:55,600
Speaker 1: was The Morning Corny And he wants you decide on that.

1136
00:54:55,640 --> 00:54:58,400
Speaker 1: I'm letting your son watch Forrest Gump. I've decided that

1137
00:54:58,440 --> 00:55:00,600
Speaker 1: I'm going to do it because you guys are my

1138
00:55:00,640 --> 00:55:03,400
Speaker 1: friends and I trust you. Also, yes, we're gonna do

1139
00:55:03,440 --> 00:55:06,600
Speaker 1: this nice. Speaking of Eddie, here's a voice. Good morning studio,

1140
00:55:06,880 --> 00:55:09,879
Speaker 1: or should I say Bueno's least feel I just want

1141
00:55:09,880 --> 00:55:13,760
Speaker 1: to say I have some beef with Eddie. You've branded

1142
00:55:13,800 --> 00:55:16,520
Speaker 1: yourself as our favorite Mexican, which, by the way, you

1143
00:55:16,640 --> 00:55:19,719
Speaker 1: very much are. But dude, it's been Hispanic Heritage month

1144
00:55:19,760 --> 00:55:22,200
Speaker 1: and we need a Hispanic semment from you. She's a

1145
00:55:22,200 --> 00:55:25,120
Speaker 1: couple of ideas that I have either Spanish Word of

1146
00:55:25,120 --> 00:55:29,760
Speaker 1: the Day, Heritage Mond edition, or music school about Mexican

1147
00:55:29,920 --> 00:55:34,520
Speaker 1: music or its influence. Anyway, Hispanic Heritage Month ends October fifteen,

1148
00:55:34,560 --> 00:55:38,680
Speaker 1: so you still have time, all right, tomorrow bring us something. Okay. Wow,

1149
00:55:38,719 --> 00:55:41,800
Speaker 1: I didn't realize it's a lot of pressure. This is

1150
00:55:41,840 --> 00:55:44,120
Speaker 1: for Hispanic Heritage Months. Yeah. Wow, it's a big deal.

1151
00:55:44,160 --> 00:55:47,800
Speaker 1: All right, tomorrow morning. Can it better be a plus? Okay? Oh?

1152
00:55:47,840 --> 00:55:50,359
Speaker 1: I was thinking of you, Eddie, because my daughter is

1153
00:55:50,560 --> 00:55:53,600
Speaker 1: taking Spanish and she came up with this on her own,

1154
00:55:53,640 --> 00:55:55,279
Speaker 1: and I think it's a great idea. But she's like,

1155
00:55:55,320 --> 00:55:59,240
Speaker 1: I feel like if I listen to Spanish music, I'll

1156
00:55:59,320 --> 00:56:02,400
Speaker 1: learn it fast. So now she asks Alexa to play

1157
00:56:02,560 --> 00:56:04,880
Speaker 1: songs in Spanish, and I need to give her your

1158
00:56:04,960 --> 00:56:07,120
Speaker 1: uncle's song. I'm gonna do a whole playlist for you.

1159
00:56:07,120 --> 00:56:10,960
Speaker 1: We go, okay, yes, in a minute, we'll get into

1160
00:56:11,080 --> 00:56:13,040
Speaker 1: if Ray has the right to be mad at Mike

1161
00:56:13,120 --> 00:56:16,360
Speaker 1: d for proposing, because Ray's wedding isn't about three weeks.

1162
00:56:17,280 --> 00:56:18,880
Speaker 1: I'll tell you what happened. There's a little drama here,

1163
00:56:18,920 --> 00:56:20,480
Speaker 1: but we'll talk about that coming up in a second.

1164
00:56:20,840 --> 00:56:22,880
Speaker 1: A couple of things I wanted to get into. First

1165
00:56:22,880 --> 00:56:25,239
Speaker 1: of all, people are asking me how I like that

1166
00:56:25,280 --> 00:56:27,880
Speaker 1: show Away on Netflix with hil Reese wank It. We're

1167
00:56:27,920 --> 00:56:31,120
Speaker 1: all looking for shows to get into. Right, It's okay,

1168
00:56:32,200 --> 00:56:36,320
Speaker 1: it's pretty good. I'm on episode five of eight. I'm

1169
00:56:36,360 --> 00:56:38,440
Speaker 1: gonna finish it. It's good enough for me to finish it.

1170
00:56:38,560 --> 00:56:39,759
Speaker 1: But I don't go. I can't wait to get to

1171
00:56:39,800 --> 00:56:42,880
Speaker 1: the next episode. I go, you know, I should just

1172
00:56:42,960 --> 00:56:45,200
Speaker 1: watch it and get it over with. I don't hate it.

1173
00:56:45,360 --> 00:56:47,600
Speaker 1: That's not even a good place to be. It's that

1174
00:56:47,640 --> 00:56:49,279
Speaker 1: weird middle play. I'd rather just be able to give

1175
00:56:49,360 --> 00:56:52,080
Speaker 1: up on. It's just good enough to stay in it.

1176
00:56:52,520 --> 00:56:55,239
Speaker 1: There are parts that are slow. Maybe you're yeah, like

1177
00:56:55,400 --> 00:57:00,359
Speaker 1: the first five episodes. No, it's it's okay. Well, it's okay.

1178
00:57:00,360 --> 00:57:03,279
Speaker 1: I'm gonna say that. So there's my review so far. Amy.

1179
00:57:03,320 --> 00:57:05,719
Speaker 1: You're watching What with Your Daughter Now? Heart of Dixie,

1180
00:57:06,040 --> 00:57:08,399
Speaker 1: which is an old show. I guess it's got four

1181
00:57:08,440 --> 00:57:13,160
Speaker 1: seasons with the girl from the OC Rachel Bielsen, isn't it.

1182
00:57:13,400 --> 00:57:16,480
Speaker 1: I think it was on early twenty tens at some point,

1183
00:57:16,680 --> 00:57:21,480
Speaker 1: and we love it. What do you watch it on Netflix? Okay,

1184
00:57:21,680 --> 00:57:25,400
Speaker 1: and it's our show that we've decided it's ours. She

1185
00:57:25,440 --> 00:57:28,000
Speaker 1: doesn't watch it without me. I don't watch it without her.

1186
00:57:28,280 --> 00:57:30,560
Speaker 1: And when we can, we'll get together and knock out

1187
00:57:30,600 --> 00:57:33,080
Speaker 1: an episode. And man, I can't wait for a day

1188
00:57:33,080 --> 00:57:35,080
Speaker 1: where we have a little bit of time and we

1189
00:57:35,120 --> 00:57:38,240
Speaker 1: can knock out like three episodes together. So would you

1190
00:57:38,240 --> 00:57:40,919
Speaker 1: recommend this to other parents? Yes, if you're a mom

1191
00:57:41,240 --> 00:57:43,840
Speaker 1: or even a dad and you've got a teenager, I

1192
00:57:43,880 --> 00:57:46,840
Speaker 1: think it's appropriate there. I really haven't come across anything

1193
00:57:46,960 --> 00:57:50,600
Speaker 1: that has, you know, maybe it's just stuff my daughter's

1194
00:57:50,640 --> 00:57:52,760
Speaker 1: seen if it's been a little too adult. But I

1195
00:57:52,760 --> 00:57:54,960
Speaker 1: think it's fine and it's a fun show if you've

1196
00:57:54,960 --> 00:57:57,480
Speaker 1: got a teenager. Morgan Jever watched Heart of Dixie. Oh yeah,

1197
00:57:57,480 --> 00:58:00,400
Speaker 1: I did when it was out on TV. Of it.

1198
00:58:00,400 --> 00:58:03,240
Speaker 1: It's a great show. Okay, I'm excited. I'm way behind

1199
00:58:03,280 --> 00:58:06,200
Speaker 1: because it's definitely came out eight years ago or so.

1200
00:58:06,520 --> 00:58:08,600
Speaker 1: Anybody watching anything new that they haven't mentioned on the

1201
00:58:08,600 --> 00:58:11,120
Speaker 1: show yet they want to recommend? Yeah. The only other

1202
00:58:11,120 --> 00:58:13,520
Speaker 1: thing we thought about watching is I'll go to Caitlin

1203
00:58:13,600 --> 00:58:15,880
Speaker 1: with options and I was like, hey, what do you

1204
00:58:15,880 --> 00:58:18,120
Speaker 1: want because we're watching the final season of we'll call

1205
00:58:18,200 --> 00:58:20,520
Speaker 1: it spitz Creek, right, and I like that show. But

1206
00:58:20,560 --> 00:58:22,240
Speaker 1: she was one like, let's watch it. I'm like, great,

1207
00:58:22,240 --> 00:58:24,360
Speaker 1: So we've been watching that and I said, well, let's

1208
00:58:24,360 --> 00:58:26,320
Speaker 1: watch Away on Netflix. I said, or we can do

1209
00:58:26,320 --> 00:58:27,840
Speaker 1: a Way, or we can do that documentary about the

1210
00:58:27,880 --> 00:58:31,400
Speaker 1: Challenger explosion. So oddly I picked two space things and

1211
00:58:31,480 --> 00:58:35,120
Speaker 1: she's like, okay, buzz, Aldrin, like, what's up with all

1212
00:58:35,160 --> 00:58:39,760
Speaker 1: your picks here? Buzz? So did anyone watch the Challenger documentary?

1213
00:58:39,760 --> 00:58:42,280
Speaker 1: I did? I did. Have you watched it? No? But

1214
00:58:42,760 --> 00:58:44,840
Speaker 1: is it good? It's good? It's good, and it's not

1215
00:58:44,920 --> 00:58:47,360
Speaker 1: long at all. I think it's like fourisodes. Four episodes

1216
00:58:47,400 --> 00:58:49,280
Speaker 1: and they're not long, and you'll learn a lot of

1217
00:58:49,320 --> 00:58:51,640
Speaker 1: stuff that you didn't know already. But she's not into it.

1218
00:58:51,680 --> 00:58:53,120
Speaker 1: Is it good enough? Because you know, when someone's out

1219
00:58:53,120 --> 00:58:55,520
Speaker 1: into something, they really got to be convinced. They have

1220
00:58:55,520 --> 00:58:57,520
Speaker 1: to really like it to be convinced. So here's the

1221
00:58:57,600 --> 00:58:59,840
Speaker 1: thing with that. I didn't know a lot of it.

1222
00:59:00,040 --> 00:59:02,960
Speaker 1: Maybe I just wasn't dialing or didn't learn later in

1223
00:59:03,000 --> 00:59:05,480
Speaker 1: life what happened. But my husband wasn't that into it

1224
00:59:05,480 --> 00:59:08,840
Speaker 1: because he thought he knew everything. I was fascinated by

1225
00:59:08,960 --> 00:59:12,200
Speaker 1: these what are those little rings? Oh rings? And my

1226
00:59:12,280 --> 00:59:13,840
Speaker 1: husband's like, oh yeah yeah, And I mean then the

1227
00:59:13,840 --> 00:59:17,040
Speaker 1: guy went before Congress and they expander and don't expand

1228
00:59:17,080 --> 00:59:19,680
Speaker 1: or in cold weather she's spoiling things. No, no, it's

1229
00:59:19,720 --> 00:59:23,040
Speaker 1: just because it's just that my husband knows it all

1230
00:59:23,080 --> 00:59:25,920
Speaker 1: and so, but I feel like, you know probably what

1231
00:59:25,960 --> 00:59:28,520
Speaker 1: happened with The Challenger. I think I do. Yeah, you

1232
00:59:28,640 --> 00:59:31,440
Speaker 1: think you don't, Okay, well there, yeah you don't. It

1233
00:59:31,480 --> 00:59:33,280
Speaker 1: was like the social experiment or whatever it was called.

1234
00:59:33,280 --> 00:59:35,800
Speaker 1: What's it called the social dilemma? Yeah, I know, I

1235
00:59:35,840 --> 00:59:38,280
Speaker 1: knew all that, right, That's how I'm hesitant now to

1236
00:59:38,520 --> 00:59:41,800
Speaker 1: I liked The Challenger a lot, but then my husband

1237
00:59:42,080 --> 00:59:44,840
Speaker 1: was like, eh, so I feel as though you'll know

1238
00:59:44,960 --> 00:59:46,560
Speaker 1: so much of it that you may not enjoy it.

1239
00:59:46,600 --> 00:59:48,880
Speaker 1: We'll check it out. I'm also watching The Boys privately.

1240
00:59:49,240 --> 00:59:52,240
Speaker 1: It's so good. Privately, it's the great about yourself. Yeah,

1241
00:59:52,440 --> 00:59:54,160
Speaker 1: like I have to watch like twenty minute spots or

1242
00:59:54,200 --> 00:59:55,720
Speaker 1: she'll fall asleep at night and I'll watch it when

1243
00:59:55,720 --> 00:59:59,600
Speaker 1: she's asleep. That's what I still feel strongly about this

1244
00:59:59,680 --> 01:00:02,400
Speaker 1: ta Ron show. So maybe check that. I don't even

1245
01:00:02,400 --> 01:00:06,960
Speaker 1: know what channel that is. Apple same place that. Yeah,

1246
01:00:07,000 --> 01:00:09,160
Speaker 1: I bet it's great. Apple didn't promote their stuff that

1247
01:00:09,200 --> 01:00:12,200
Speaker 1: well yet. Yeah. No, you kind of just gotta go searching.

1248
01:00:12,200 --> 01:00:13,800
Speaker 1: And I wouldn't have picked that one if it wasn't

1249
01:00:13,800 --> 01:00:17,320
Speaker 1: for my husband and we're into it. Okay, Well, the

1250
01:00:17,440 --> 01:00:21,520
Speaker 1: drama was Mike D proposed. Ray said, you proposed too

1251
01:00:21,520 --> 01:00:24,200
Speaker 1: close to my wedding. If you miss yesterday's show, we

1252
01:00:24,240 --> 01:00:27,120
Speaker 1: found dicta on Saturday, Mike D got his girl up

1253
01:00:27,160 --> 01:00:31,080
Speaker 1: at a park a special spot proposed. She said, yes,

1254
01:00:31,360 --> 01:00:34,640
Speaker 1: he posted that video on his Instagram yesterday at Mike

1255
01:00:34,720 --> 01:00:39,560
Speaker 1: dstro so check that out. Well, Raymundo's troll and Mike

1256
01:00:39,640 --> 01:00:43,480
Speaker 1: the whole weekend. Were you upset? For real? I had

1257
01:00:43,520 --> 01:00:46,600
Speaker 1: about white five white claws when I saw the post

1258
01:00:46,600 --> 01:00:48,920
Speaker 1: that he got engaged, and I just thought the timing

1259
01:00:48,920 --> 01:00:50,720
Speaker 1: couldn't have been worse. And there were some people that

1260
01:00:50,760 --> 01:00:53,479
Speaker 1: I was around socially distanced with, and they said, yeah,

1261
01:00:53,520 --> 01:00:55,760
Speaker 1: he should have asked you, especially since you're on a

1262
01:00:55,880 --> 01:00:59,440
Speaker 1: national show together. Okay, Well, everyone in the room's reacting

1263
01:00:59,440 --> 01:01:02,040
Speaker 1: definitely did that. I hadn't thought about it, and I

1264
01:01:02,080 --> 01:01:05,920
Speaker 1: mean I hadn't either honestly, now that I'm thinking about it. Okay,

1265
01:01:06,040 --> 01:01:07,640
Speaker 1: Mike D, how do you feel about Ray saying this?

1266
01:01:07,880 --> 01:01:09,800
Speaker 1: I mean, it never really came into my head to

1267
01:01:09,920 --> 01:01:11,720
Speaker 1: think to ask Gray or like I was stealing it

1268
01:01:11,920 --> 01:01:14,800
Speaker 1: under anything. It's just a month I had planned a

1269
01:01:14,880 --> 01:01:16,800
Speaker 1: while ago. You didn't do it at his wedding. I

1270
01:01:16,800 --> 01:01:18,880
Speaker 1: didn't do it like on his wedding or like the

1271
01:01:18,920 --> 01:01:21,400
Speaker 1: week of. So yeah, I didn't even think about it.

1272
01:01:21,720 --> 01:01:24,040
Speaker 1: I have no problem with it because I didn't think

1273
01:01:24,080 --> 01:01:27,240
Speaker 1: it was an issue. And it's as long as it's

1274
01:01:27,280 --> 01:01:32,200
Speaker 1: not the week of. Me and my friend Billy. We

1275
01:01:32,240 --> 01:01:34,400
Speaker 1: honestly made sure it wasn't the same month because I said,

1276
01:01:34,400 --> 01:01:36,320
Speaker 1: I want you to have an entire month when you propose,

1277
01:01:36,400 --> 01:01:37,800
Speaker 1: and then I'm going to do it at a a different month.

1278
01:01:38,040 --> 01:01:40,800
Speaker 1: I didn't propose on Chris and Mike. Aren't you and Billy?

1279
01:01:41,160 --> 01:01:43,600
Speaker 1: I know, but we're Billy hang out, but we're on

1280
01:01:43,640 --> 01:01:45,760
Speaker 1: the show. We're considered very very close to the people

1281
01:01:45,760 --> 01:01:47,320
Speaker 1: that listen to us in their car. MIKEA, would you

1282
01:01:47,360 --> 01:01:49,560
Speaker 1: invite to the wedding? I was, but I was uninvited.

1283
01:01:50,040 --> 01:01:55,520
Speaker 1: There you go, Yeah, that's good. But the fact that

1284
01:01:55,520 --> 01:01:57,600
Speaker 1: he's not even going to the wedding. Mike's new wedding

1285
01:01:57,680 --> 01:02:01,040
Speaker 1: datas October twenty four. We have to decide where we're

1286
01:02:01,040 --> 01:02:04,320
Speaker 1: gonna go. Um, I don't think it was a big deal,

1287
01:02:04,440 --> 01:02:07,040
Speaker 1: So I'm gonna be on that side to where I don't.

1288
01:02:07,920 --> 01:02:10,640
Speaker 1: I think there's enough thunder for everybody. Honestly, I'm a

1289
01:02:10,640 --> 01:02:12,800
Speaker 1: big believer in that there's enough thunder to go around.

1290
01:02:12,960 --> 01:02:16,480
Speaker 1: The more thunder, the better. There was no thunder stealing lunchbox.

1291
01:02:16,520 --> 01:02:19,320
Speaker 1: What do you think? Listen? When I saw Ray's reply

1292
01:02:19,400 --> 01:02:22,360
Speaker 1: to Mike Destro, I immediately was like, Ray is one

1293
01:02:22,440 --> 01:02:25,840
Speaker 1: hundred percent right. Because if it was a normal work

1294
01:02:25,920 --> 01:02:27,960
Speaker 1: environment where you were working in a cubicle over here

1295
01:02:27,960 --> 01:02:30,200
Speaker 1: and you were no cubicle, no big deal. But this

1296
01:02:30,280 --> 01:02:33,600
Speaker 1: is a national radio show and Ray's big month a

1297
01:02:33,640 --> 01:02:36,240
Speaker 1: few weeks away. Now he has to split the attention.

1298
01:02:36,240 --> 01:02:39,080
Speaker 1: So when people call in, they're gonna be like, Hey, congratulations,

1299
01:02:39,120 --> 01:02:42,040
Speaker 1: Mike d. It's no longer about Ray's wedding. It's about

1300
01:02:42,040 --> 01:02:45,480
Speaker 1: the engagement. It should be all about Ray's wedding this month. Ray,

1301
01:02:45,520 --> 01:02:50,000
Speaker 1: I'm with you might be bad etiquette. And I'm also curious,

1302
01:02:50,040 --> 01:02:51,920
Speaker 1: So since you didn't ask me to propose did you

1303
01:02:51,960 --> 01:02:55,760
Speaker 1: ask her father if you could propose to her? Yeah,

1304
01:02:55,280 --> 01:02:56,960
Speaker 1: you're oh wait a minute, you think you should have

1305
01:02:57,000 --> 01:03:00,680
Speaker 1: asked you you're out of your mond to go ahead, Mike,

1306
01:03:00,680 --> 01:03:02,120
Speaker 1: you talked to her dad. I talked to her dad

1307
01:03:02,120 --> 01:03:05,240
Speaker 1: and her mom the day before. I proposed the day before. Yeah, okay,

1308
01:03:05,240 --> 01:03:07,560
Speaker 1: and they were cool. They're totally cool. How's the day

1309
01:03:07,560 --> 01:03:10,600
Speaker 1: before sound to you, guys? Yes, enough time, Yes, like

1310
01:03:11,120 --> 01:03:12,880
Speaker 1: driving on the way up there. Yeah, that's fine. That

1311
01:03:12,920 --> 01:03:15,480
Speaker 1: way they don't blow it. Yeah, well, no, that's something too.

1312
01:03:15,560 --> 01:03:18,000
Speaker 1: You the more people to know loose lips sink ships

1313
01:03:18,000 --> 01:03:21,160
Speaker 1: and spoil proposals. Yeah, and snitches get stitches. Well that's

1314
01:03:21,200 --> 01:03:26,560
Speaker 1: a whole different level. What you take out your in laws? Amy,

1315
01:03:26,600 --> 01:03:28,120
Speaker 1: How do you feel? What do you think about this

1316
01:03:28,480 --> 01:03:32,520
Speaker 1: scenario here? I think it's fine. There's nothing to be

1317
01:03:32,560 --> 01:03:34,960
Speaker 1: worried about. No. I mean, we talked about it today

1318
01:03:35,120 --> 01:03:38,000
Speaker 1: and probably maybe a little bit tomorrow, and then the

1319
01:03:38,040 --> 01:03:39,720
Speaker 1: next time it comes up will be when we get

1320
01:03:39,720 --> 01:03:43,120
Speaker 1: closer to his wedding. Yeah. I don't think we're gonna

1321
01:03:43,160 --> 01:03:46,160
Speaker 1: do three weeks of Mike de proposing right and at

1322
01:03:46,240 --> 01:03:48,840
Speaker 1: my wedding if it gets brought up once, Oh, Mikey's engaged.

1323
01:03:48,880 --> 01:03:52,640
Speaker 1: I'm gonna be like, here we go my wedding. Well,

1324
01:03:52,760 --> 01:03:54,760
Speaker 1: good thing. He won't be top of mind because he

1325
01:03:54,800 --> 01:03:57,600
Speaker 1: won't be there and you uninvited him. So I think

1326
01:03:57,640 --> 01:04:01,760
Speaker 1: a little bit of your power is lost. Yeah right, Eddie. Look, man,

1327
01:04:01,840 --> 01:04:03,880
Speaker 1: he lost all credibility to me when he says I

1328
01:04:04,160 --> 01:04:07,040
Speaker 1: was five white claws in and I started tweeting. This

1329
01:04:07,120 --> 01:04:09,400
Speaker 1: is the thing. Like, I think, deep inside he doesn't care,

1330
01:04:09,440 --> 01:04:12,080
Speaker 1: but when he's drinking he gets angry. Man. But what

1331
01:04:12,120 --> 01:04:14,880
Speaker 1: do you always say, Eddie when you're drinking? What what

1332
01:04:14,960 --> 01:04:16,880
Speaker 1: the truth comes out? Oh? Oh well, I don't know.

1333
01:04:16,920 --> 01:04:19,000
Speaker 1: I don't know about that. I'd really think Ray doesn't care.

1334
01:04:19,040 --> 01:04:22,520
Speaker 1: It's not that big of a deal. No, I think

1335
01:04:22,600 --> 01:04:25,680
Speaker 1: Ray is being a total groomsela right now. I think

1336
01:04:25,760 --> 01:04:29,240
Speaker 1: Mike is totally fine. Everyone has their own stuff going

1337
01:04:29,280 --> 01:04:31,240
Speaker 1: on and it's awesome and we should all be excited

1338
01:04:31,240 --> 01:04:34,680
Speaker 1: to each other. That's right. We can be excited for everyone. Yes,

1339
01:04:34,920 --> 01:04:39,680
Speaker 1: we need all the positivity. There's no timeline for love. Man, Mike,

1340
01:04:39,720 --> 01:04:43,200
Speaker 1: do you feel like you need to apologize to Ray? No? Okay, cool,

1341
01:04:44,400 --> 01:04:48,160
Speaker 1: I don't need what'd your fiance? I say? Ray? She

1342
01:04:48,240 --> 01:04:50,000
Speaker 1: agrees with me, why do you think we're getting married?

1343
01:04:50,560 --> 01:04:53,320
Speaker 1: That's I would not say that. I don't. She doesn't

1344
01:04:53,360 --> 01:04:56,200
Speaker 1: always agree with you on this one, she does. What

1345
01:04:56,440 --> 01:04:59,760
Speaker 1: does that have to do with why'll get all? Right?

1346
01:05:00,040 --> 01:05:02,760
Speaker 1: Our Facebook page, let us know what you think. If

1347
01:05:03,320 --> 01:05:06,440
Speaker 1: Mike d was in the wrong for proposing three weeks

1348
01:05:06,440 --> 01:05:08,439
Speaker 1: out from Ray's wedding day, by the way, a wedding

1349
01:05:08,480 --> 01:05:12,000
Speaker 1: he's not even invited to, well no, no, he was invited.

1350
01:05:12,200 --> 01:05:14,520
Speaker 1: We got uninvited. No, I get even worse. And what

1351
01:05:14,560 --> 01:05:16,280
Speaker 1: I heard is he wasn't gonna do it, but then

1352
01:05:16,320 --> 01:05:19,800
Speaker 1: he did it. I heard, yeah, yeah, yeah. Well her

1353
01:05:20,120 --> 01:05:25,680
Speaker 1: was this is Nate from Memphis today. I'm on the

1354
01:05:25,720 --> 01:05:28,720
Speaker 1: beach in Panama City and I just saw some chicks

1355
01:05:28,840 --> 01:05:32,720
Speaker 1: on the beach in her cameo Pimp and Joy shirt.

1356
01:05:32,960 --> 01:05:34,600
Speaker 1: And you know what I did. Agree were a fist

1357
01:05:34,640 --> 01:05:38,800
Speaker 1: bump and I said pop and Joy Bobby Bones. She

1358
01:05:38,960 --> 01:05:42,800
Speaker 1: was like yeah, and I was like yeah, So anyways,

1359
01:05:42,920 --> 01:05:45,680
Speaker 1: shout out Bobby Bones, shout out Pimp and Joy. Y'all

1360
01:05:45,680 --> 01:05:46,920
Speaker 1: have a great day. It would have been a fun

1361
01:05:46,960 --> 01:05:48,640
Speaker 1: interaction to see. I would I'd love to see that.

1362
01:05:48,960 --> 01:05:50,640
Speaker 1: Thank you guys for sharing your stories. When you see

1363
01:05:50,640 --> 01:05:53,439
Speaker 1: other folks wearing Pimp and joy or just to listen

1364
01:05:53,480 --> 01:05:56,720
Speaker 1: to the show. We're very grateful for that. All right,

1365
01:05:56,720 --> 01:06:00,680
Speaker 1: who's the voicemail we got last night? My d ooh,

1366
01:06:00,800 --> 01:06:04,200
Speaker 1: I'm looking at your photos. You on your name proposing

1367
01:06:04,200 --> 01:06:08,600
Speaker 1: to your girlfriends so huge. I'm so happy for you.

1368
01:06:09,240 --> 01:06:12,000
Speaker 1: Big story on the show yesterday was Mike de proposing.

1369
01:06:12,080 --> 01:06:14,160
Speaker 1: We just talked about Mike d versus Ray is Ray's

1370
01:06:14,160 --> 01:06:16,120
Speaker 1: weddings coming up in a couple of weeks. But some

1371
01:06:16,240 --> 01:06:19,560
Speaker 1: listeners have now flowed the conspiracy theory that Mike the

1372
01:06:19,720 --> 01:06:23,280
Speaker 1: only proposed to get out of holding his sign because

1373
01:06:23,280 --> 01:06:26,920
Speaker 1: he lost his movie that last week and he has

1374
01:06:26,920 --> 01:06:28,720
Speaker 1: to hold a sign on the street. And they said

1375
01:06:28,760 --> 01:06:30,520
Speaker 1: he proposed I wouldn't have to do that, we'd forget

1376
01:06:30,560 --> 01:06:33,040
Speaker 1: about it. So we wouldn't forget about it, because we're

1377
01:06:33,040 --> 01:06:35,600
Speaker 1: gonna do it today. Nice. So here's what I'm gonna

1378
01:06:35,640 --> 01:06:38,240
Speaker 1: run by you guys. These are some options he didn't

1379
01:06:38,240 --> 01:06:41,720
Speaker 1: get the ratings for when he did movie. Mike recommends

1380
01:06:41,760 --> 01:06:43,640
Speaker 1: we all recommend a movie. Gave ratings to his movies.

1381
01:06:44,240 --> 01:06:46,680
Speaker 1: So here are some signs that he has to hold

1382
01:06:46,720 --> 01:06:48,000
Speaker 1: on the street. You guys, tell me if you like

1383
01:06:48,000 --> 01:06:50,640
Speaker 1: these are not okay, okay, just imagine Mike on the

1384
01:06:51,520 --> 01:06:55,160
Speaker 1: busy street corner holding a big sign that says, I

1385
01:06:55,240 --> 01:06:57,400
Speaker 1: have like seven of them. I've been a bad boy

1386
01:06:57,440 --> 01:07:01,400
Speaker 1: and this is my punishment. You're you're in a car

1387
01:07:01,440 --> 01:07:04,240
Speaker 1: and you see someone holding that. That's pretty funny, right, yeah,

1388
01:07:04,400 --> 01:07:06,360
Speaker 1: and then you're probably a signing in your mind what

1389
01:07:06,400 --> 01:07:10,440
Speaker 1: they did all the way to work. Honk. If you

1390
01:07:10,440 --> 01:07:15,680
Speaker 1: think Carol Baskin killed her husband, Oh that's funny. What

1391
01:07:15,680 --> 01:07:17,720
Speaker 1: do you think? No? Not very many hanks a little

1392
01:07:17,720 --> 01:07:21,080
Speaker 1: while ago. Yeah, how about I'm a moron? Honk if

1393
01:07:21,080 --> 01:07:25,120
Speaker 1: you hate morons, Okay, my name is Mike, and I

1394
01:07:25,120 --> 01:07:26,680
Speaker 1: suck at my job and this is my funny sent

1395
01:07:27,440 --> 01:07:34,880
Speaker 1: that's really good. How about coronavirus is a hoax? Oh yeah, yeah,

1396
01:07:37,480 --> 01:07:43,160
Speaker 1: Oh my gosh, can you imagine my gear? I mean

1397
01:07:43,200 --> 01:07:48,320
Speaker 1: probably happened half huh No, not happening half on the

1398
01:07:48,400 --> 01:07:52,600
Speaker 1: right side of it. Um, you guys have any ideas?

1399
01:07:53,440 --> 01:07:55,760
Speaker 1: I mean, no, those are pretty good. The first one

1400
01:07:55,920 --> 01:07:58,880
Speaker 1: bad boy, I've been a bad boy, or coronavirus is

1401
01:07:58,880 --> 01:08:02,200
Speaker 1: a hoax. I'll worry about his health for coronavirus. Fine,

1402
01:08:02,240 --> 01:08:04,240
Speaker 1: and I'm Mike, and I'm I suck at my job

1403
01:08:05,240 --> 01:08:06,520
Speaker 1: more than I've been a bad boy, and this is

1404
01:08:06,560 --> 01:08:08,440
Speaker 1: my punishment. Oh no, that one first. But I was

1405
01:08:08,480 --> 01:08:11,840
Speaker 1: saying between those two, which one lunchbox man said, you're

1406
01:08:11,840 --> 01:08:13,760
Speaker 1: not gonna let him do the Corona one. I guess

1407
01:08:13,760 --> 01:08:17,519
Speaker 1: I've been a bad bad boy. I've been a bad boy,

1408
01:08:17,520 --> 01:08:19,519
Speaker 1: and this is my punishment. Eddie, You're you're for sure

1409
01:08:19,600 --> 01:08:23,400
Speaker 1: no on Corona. I just yeah, I mean, if you are,

1410
01:08:23,479 --> 01:08:29,120
Speaker 1: I mean I just think somebody yeah, yeah, yeah, gosh,

1411
01:08:29,120 --> 01:08:31,639
Speaker 1: that's funny though. All right, I'll go bad bad boy. Okay,

1412
01:08:31,640 --> 01:08:34,800
Speaker 1: So tomorrow, Mike, you'll be holding a sign on the street,

1413
01:08:34,800 --> 01:08:36,840
Speaker 1: a poster board. We need to be able to check

1414
01:08:36,840 --> 01:08:38,920
Speaker 1: it off before you go out there that says I've

1415
01:08:38,920 --> 01:08:40,920
Speaker 1: been a bad boy and this is my punishment, and

1416
01:08:40,960 --> 01:08:46,559
Speaker 1: you have to underline bad all right, tomorrow morning, this

1417
01:08:46,600 --> 01:08:51,400
Speaker 1: time right here on the show, like we'd forget. Yeah, yeah,

1418
01:08:51,479 --> 01:08:53,840
Speaker 1: the bad boys, but the best one. Because coronavirus it's

1419
01:08:53,840 --> 01:08:56,120
Speaker 1: such a sensitive thing. Someone could be driving by that

1420
01:08:56,880 --> 01:08:58,720
Speaker 1: had it and had a really rough time with it,

1421
01:08:58,840 --> 01:09:01,880
Speaker 1: or lost somebody to it. Yeah, so I can't do that.

1422
01:09:02,360 --> 01:09:04,800
Speaker 1: Tom Cruise is balancing on the top of a speeding train.

1423
01:09:04,800 --> 01:09:07,559
Speaker 1: Permission impossible. I saw this picture. I'm just wondering what

1424
01:09:08,200 --> 01:09:11,080
Speaker 1: Tom's issue is because this guy is wanting to go

1425
01:09:11,120 --> 01:09:13,000
Speaker 1: to space, He's jumping out of things, He's doing his

1426
01:09:13,000 --> 01:09:15,920
Speaker 1: own stunts. He has the need. Well is it because

1427
01:09:15,960 --> 01:09:18,439
Speaker 1: I was thinking about this? Is he too rich where

1428
01:09:18,479 --> 01:09:20,479
Speaker 1: everything in life is given to him, there's no thrill

1429
01:09:20,520 --> 01:09:21,680
Speaker 1: for him, so he has to go out and do

1430
01:09:21,720 --> 01:09:24,240
Speaker 1: these physical things. Is it because he's too short? And

1431
01:09:24,400 --> 01:09:26,000
Speaker 1: his whole life he's been told he's short and he

1432
01:09:26,000 --> 01:09:29,080
Speaker 1: wants to prove it. You know what they call shortman syndrome?

1433
01:09:30,439 --> 01:09:34,000
Speaker 1: Is that what it is? It? Is he getting older

1434
01:09:34,120 --> 01:09:36,160
Speaker 1: or he's always been a young guy, but now he's

1435
01:09:36,160 --> 01:09:39,559
Speaker 1: fifty eight and he has to go, well, I got

1436
01:09:39,640 --> 01:09:42,360
Speaker 1: to prove people that I'm not old, I'm young, Tom Cruise,

1437
01:09:42,880 --> 01:09:45,760
Speaker 1: What do you think is his hang up here? I

1438
01:09:45,800 --> 01:09:50,840
Speaker 1: think he just has a adrenaline rush type personnel. All

1439
01:09:50,920 --> 01:09:52,800
Speaker 1: that comes from I don't remember doing this early in

1440
01:09:52,840 --> 01:09:55,479
Speaker 1: his career. Yeah, yeah, I don't know. I don't know

1441
01:09:55,479 --> 01:09:58,639
Speaker 1: what he was like back then, But like my father

1442
01:09:58,720 --> 01:10:00,920
Speaker 1: in law is like that, and I don't I think

1443
01:10:00,920 --> 01:10:03,960
Speaker 1: he's always been that way, Like flu fighter Jets and

1444
01:10:04,160 --> 01:10:07,880
Speaker 1: Vietnam and then has been seeking thrill type stuff ever

1445
01:10:07,920 --> 01:10:12,800
Speaker 1: since Lunchbox. I think it's the I'm not old. I'm

1446
01:10:12,800 --> 01:10:14,800
Speaker 1: trying to hang on to being young and trying to

1447
01:10:14,800 --> 01:10:17,080
Speaker 1: stay cool. Like, look at all the cool things I'm doing,

1448
01:10:17,400 --> 01:10:20,920
Speaker 1: don't look at me as a fifty eight year old dude.

1449
01:10:21,160 --> 01:10:23,240
Speaker 1: I'm with the first one. I think he's bored. I

1450
01:10:23,280 --> 01:10:25,439
Speaker 1: think he's done everything and he's like, gosh, what else

1451
01:10:25,479 --> 01:10:27,080
Speaker 1: can I do? I have all the money in the world,

1452
01:10:27,280 --> 01:10:30,759
Speaker 1: I'm famous, Like, give me something, let's go to space something,

1453
01:10:30,840 --> 01:10:33,200
Speaker 1: And I think it's short. We're all different on this one.

1454
01:10:34,360 --> 01:10:36,360
Speaker 1: It could be all of it. Oh yeah, maybe it's

1455
01:10:36,400 --> 01:10:38,639
Speaker 1: a combo. His movies have goes over four billion dollars

1456
01:10:38,680 --> 01:10:41,519
Speaker 1: in North America and over ten billion worldwide, making I'm

1457
01:10:41,520 --> 01:10:43,720
Speaker 1: one of the highest grossing box office stars of all time.

1458
01:10:44,560 --> 01:10:48,160
Speaker 1: Pop Gun. I like the Mission Impossible series. I think

1459
01:10:48,200 --> 01:10:50,000
Speaker 1: there are good But what's he been in? That's it's

1460
01:10:50,040 --> 01:10:52,320
Speaker 1: been great Days of Thunder. Oh that's a good one.

1461
01:10:53,360 --> 01:10:57,479
Speaker 1: Oh Bones, Cold Trickle, drop the hammer. Come on just

1462
01:10:57,560 --> 01:10:59,280
Speaker 1: by you guys saying this stuff, and you can remind

1463
01:10:59,280 --> 01:11:00,720
Speaker 1: me that I've seen I want you to go out

1464
01:11:00,720 --> 01:11:03,160
Speaker 1: there and hit the pace car. Hey, Rubbin's racing, Harry.

1465
01:11:03,200 --> 01:11:06,840
Speaker 1: If you ain't robbing, you ain't. Okay, just drive through it,

1466
01:11:07,400 --> 01:11:09,840
Speaker 1: drive through it. I don't know that i've seen this either.

1467
01:11:10,680 --> 01:11:15,759
Speaker 1: So good Rainman, that might be it for me. Rainman

1468
01:11:15,920 --> 01:11:17,840
Speaker 1: was so good and it wasn't. He's had so many

1469
01:11:17,880 --> 01:11:20,160
Speaker 1: action movies. They all tend to blur into each other.

1470
01:11:20,280 --> 01:11:25,720
Speaker 1: What's the tropic thunder? That's funny? Yeah? Is he in that? Yeah?

1471
01:11:26,640 --> 01:11:30,519
Speaker 1: What are you gonna say? What's the underwear one is? Yeah?

1472
01:11:30,600 --> 01:11:33,320
Speaker 1: Risky busky business. That's good. Oh you didn't see it.

1473
01:11:33,360 --> 01:11:36,120
Speaker 1: Now you're suggesting it a few good men? Oh that's

1474
01:11:36,120 --> 01:11:39,679
Speaker 1: a movie. Yeah, we forget all like the real good roles.

1475
01:11:39,680 --> 01:11:41,840
Speaker 1: He's done because he's just jumping around and parashooting places

1476
01:11:41,880 --> 01:11:49,040
Speaker 1: all the time. It's time for the good news. A

1477
01:11:49,240 --> 01:11:51,679
Speaker 1: mom of three is paying forward an act of kindness

1478
01:11:51,720 --> 01:11:55,720
Speaker 1: she received from a teenage McDonald's employee. Brettany Reid went

1479
01:11:55,760 --> 01:11:58,080
Speaker 1: to the drive through out of Mickey D's in Waynesville,

1480
01:11:58,160 --> 01:12:01,200
Speaker 1: Ohio after football practice. Her kids were crying in the back,

1481
01:12:01,600 --> 01:12:04,160
Speaker 1: just as she realized, oh crap, I forgot my purse

1482
01:12:04,240 --> 01:12:06,639
Speaker 1: at home. So she looked at the young man behind

1483
01:12:06,640 --> 01:12:08,920
Speaker 1: the register said she got a little teary eyed. She goes, hey,

1484
01:12:08,960 --> 01:12:10,840
Speaker 1: I'm sorry, I got to cancel the order because I

1485
01:12:10,880 --> 01:12:14,439
Speaker 1: don't have my wallet. But the employee, Whyatt Jones, said

1486
01:12:14,479 --> 01:12:16,479
Speaker 1: I got you, pulls out his own wallet as he's working,

1487
01:12:16,960 --> 01:12:20,000
Speaker 1: swipes it and said, hey, don't worry about it, I

1488
01:12:20,040 --> 01:12:22,760
Speaker 1: got it. So she goes okay, She goes home, finds

1489
01:12:22,760 --> 01:12:25,360
Speaker 1: out who he is, starts to go fund me page

1490
01:12:25,720 --> 01:12:28,439
Speaker 1: because the kid wants to go to college. Raised twenty

1491
01:12:28,520 --> 01:12:32,639
Speaker 1: nine thousand dollars by telling the story. That's awesome. How

1492
01:12:32,640 --> 01:12:34,720
Speaker 1: about that? And all he did was just pay for

1493
01:12:34,720 --> 01:12:40,040
Speaker 1: her groceries wanting nothing. By the way, correct pay for McDonald's. McDonald's. Yeah,

1494
01:12:40,080 --> 01:12:43,599
Speaker 1: that is crazy in many ways. That's amazing. Whyatt Jones, man,

1495
01:12:43,680 --> 01:12:45,720
Speaker 1: I see you. That's that's a great story. That's what

1496
01:12:45,760 --> 01:12:50,880
Speaker 1: it's all about. That was tell me something good on

1497
01:12:51,080 --> 01:12:55,040
Speaker 1: right now? That's Katie and Florida. Katie. What's going on? Hi?

1498
01:12:55,360 --> 01:12:57,160
Speaker 1: How are you pretty good? What can I do? Who

1499
01:12:57,160 --> 01:13:00,519
Speaker 1: are you? So? I listened to the part cast time.

1500
01:13:00,560 --> 01:13:02,080
Speaker 1: I live in Orlando as the show is not on

1501
01:13:02,200 --> 01:13:05,639
Speaker 1: here sadly, and I heard you guys talking about if

1502
01:13:05,640 --> 01:13:08,479
Speaker 1: you had someone proposed to you and you said no, Yeah,

1503
01:13:08,520 --> 01:13:12,360
Speaker 1: that happened to you. Yes. So I was dating a

1504
01:13:12,400 --> 01:13:15,080
Speaker 1: guy for about five years and we broke up. It

1505
01:13:15,080 --> 01:13:17,599
Speaker 1: just wasn't working out anymore. We weren't right for each other,

1506
01:13:18,360 --> 01:13:21,439
Speaker 1: and everything was fine. A few months later he reached

1507
01:13:21,439 --> 01:13:23,080
Speaker 1: out all of a sudden and was getting kind of weird,

1508
01:13:23,080 --> 01:13:25,320
Speaker 1: like he would show up at my job with flowers

1509
01:13:25,400 --> 01:13:28,479
Speaker 1: and it just kind of got strange. And he said

1510
01:13:28,479 --> 01:13:30,280
Speaker 1: he really need a closure and if I could please

1511
01:13:30,360 --> 01:13:33,160
Speaker 1: just meet him to get him closure. So I did.

1512
01:13:33,200 --> 01:13:35,040
Speaker 1: I went and had a breakfast with him and it

1513
01:13:35,080 --> 01:13:37,160
Speaker 1: was fine, and at the end he told, you get

1514
01:13:37,200 --> 01:13:39,040
Speaker 1: a little weird. But I left and it was fine.

1515
01:13:39,200 --> 01:13:42,240
Speaker 1: Then I noticed he was following me home, and when

1516
01:13:42,280 --> 01:13:44,120
Speaker 1: I got home, I finally stopped and got out of

1517
01:13:44,120 --> 01:13:45,920
Speaker 1: the carlston An apartment at the time, so I knew

1518
01:13:45,920 --> 01:13:48,840
Speaker 1: he wouldn't know exactly where. And he got out behind

1519
01:13:48,920 --> 01:13:50,320
Speaker 1: me and got down on one name, pulled out a

1520
01:13:50,400 --> 01:13:53,360
Speaker 1: ring and said, when you married me? Oh, what'd you say?

1521
01:13:54,600 --> 01:14:00,759
Speaker 1: I said, no? Wow. Do you think he was so

1522
01:14:00,920 --> 01:14:04,599
Speaker 1: emotionally hurt that he made a decision based off of

1523
01:14:04,640 --> 01:14:07,559
Speaker 1: emotion or do you think he really wanted to marry

1524
01:14:07,560 --> 01:14:10,680
Speaker 1: you for a long time. No, I think it was

1525
01:14:10,760 --> 01:14:13,400
Speaker 1: just emotions. I think he was having a hard time.

1526
01:14:14,479 --> 01:14:17,559
Speaker 1: But when we broke up that it was final. I

1527
01:14:17,600 --> 01:14:19,759
Speaker 1: think he was expecting me to kind of run after

1528
01:14:19,840 --> 01:14:22,120
Speaker 1: him and keep trying to get back with him. So

1529
01:14:22,200 --> 01:14:24,519
Speaker 1: when I didn't, I think that rejection kind of hurt

1530
01:14:24,520 --> 01:14:26,559
Speaker 1: a little bit, and he thought, well, if I propose,

1531
01:14:26,680 --> 01:14:29,160
Speaker 1: maybe that'll kind of fix it all. We'll get back together.

1532
01:14:29,240 --> 01:14:30,800
Speaker 1: I don't know. Well, there are two things that can

1533
01:14:30,840 --> 01:14:34,080
Speaker 1: fix a relationship, proposing or baby, you know there are

1534
01:14:34,600 --> 01:14:37,120
Speaker 1: those are two things you should do if you want

1535
01:14:37,120 --> 01:14:39,439
Speaker 1: to fix a relationship. And so do you talk to

1536
01:14:39,439 --> 01:14:42,840
Speaker 1: this guy at all anymore? No? I actually know that

1537
01:14:42,880 --> 01:14:45,720
Speaker 1: he did get married, so that's great. I'm happy for him.

1538
01:14:45,760 --> 01:14:47,760
Speaker 1: I hope he's happy. But no, I haven't spoken to

1539
01:14:47,840 --> 01:14:52,040
Speaker 1: him in forever. Man, I wonder it's our life. Oh yeah,

1540
01:14:52,880 --> 01:14:56,639
Speaker 1: that same. If she knows the story of him being

1541
01:14:56,800 --> 01:15:00,000
Speaker 1: going a little probably not a loot crazy, because here's

1542
01:14:59,640 --> 01:15:02,280
Speaker 1: because he followed her. Let me run this by you, guys.

1543
01:15:02,360 --> 01:15:05,200
Speaker 1: Let's say you're a girl and you're dating a guy

1544
01:15:05,600 --> 01:15:07,559
Speaker 1: and you find out that that guy proposed to somebody,

1545
01:15:07,560 --> 01:15:11,280
Speaker 1: and she said no, prior that one, he's proposed and

1546
01:15:11,479 --> 01:15:14,400
Speaker 1: was rejected and maybe wants to be with her. That

1547
01:15:14,439 --> 01:15:17,160
Speaker 1: would just be a weird thing, right, That's why he's

1548
01:15:17,160 --> 01:15:20,520
Speaker 1: going to make sure that she doesn't know that story. Yeah.

1549
01:15:20,520 --> 01:15:23,240
Speaker 1: But also I'm taking into account what you often say

1550
01:15:23,400 --> 01:15:26,360
Speaker 1: is if if we like the guy, it's not crazy,

1551
01:15:26,520 --> 01:15:29,160
Speaker 1: it's sweet. Like if she really if she if you

1552
01:15:29,200 --> 01:15:31,559
Speaker 1: wanted to marry him, you would think it was awesome

1553
01:15:31,600 --> 01:15:38,000
Speaker 1: that he followed you home and then gotic. Right, guys,

1554
01:15:38,040 --> 01:15:40,880
Speaker 1: he followed me all the way home, even though he

1555
01:15:40,920 --> 01:15:45,200
Speaker 1: didn't quit. He was tenacious. Yeah, he just really wanted

1556
01:15:45,200 --> 01:15:47,360
Speaker 1: to marry me. But because you know, if you don't

1557
01:15:47,400 --> 01:15:50,200
Speaker 1: like them, you don't, then suddenly it's creepy. Okay. Did

1558
01:15:50,240 --> 01:15:53,280
Speaker 1: you get a chance to see that ring though? Well? Yeah,

1559
01:15:53,280 --> 01:15:55,360
Speaker 1: and it was beautiful. But that's what I also wondered.

1560
01:15:55,520 --> 01:15:58,080
Speaker 1: I wonder if when he got married did he use

1561
01:15:58,120 --> 01:16:00,000
Speaker 1: the same ring? Because he got married just a year

1562
01:16:00,000 --> 01:16:03,599
Speaker 1: you're after that? Oh for sure? Yeah? Is there a wait?

1563
01:16:03,640 --> 01:16:05,160
Speaker 1: Do you know who we married? Can you look at

1564
01:16:05,680 --> 01:16:09,200
Speaker 1: and what's her Instagram? No? Do you know she? Are

1565
01:16:09,200 --> 01:16:11,840
Speaker 1: you friends with her? Or no? No? I don't know

1566
01:16:11,920 --> 01:16:14,200
Speaker 1: her at all. Okay, well, thank you for your story.

1567
01:16:14,200 --> 01:16:16,120
Speaker 1: I appreciate that. That's a good one. Not good that

1568
01:16:16,120 --> 01:16:18,000
Speaker 1: it happened to you, but it was entertaining for us.

1569
01:16:18,080 --> 01:16:20,240
Speaker 1: Let's be honest. And if you're that guy and you're listening, Colin,

1570
01:16:20,320 --> 01:16:21,920
Speaker 1: he probably not. He probably lives in Is he living

1571
01:16:22,000 --> 01:16:26,840
Speaker 1: Orlando too? Yeah? He does, all right, he bind not listening. Okay, well,

1572
01:16:26,880 --> 01:16:29,880
Speaker 1: thank you, Katie. Appreciate you and we love that you

1573
01:16:29,880 --> 01:16:31,720
Speaker 1: listen to the podcast and you call us, even if

1574
01:16:31,760 --> 01:16:35,000
Speaker 1: it's a day later. Can you ask me how I'm feeling?

1575
01:16:35,400 --> 01:16:39,200
Speaker 1: I can't. Hey, so Katie, how you feeling? I feel good?

1576
01:16:39,720 --> 01:16:43,840
Speaker 1: I feel so good? Oh nice, there s great car.

1577
01:16:43,880 --> 01:16:46,400
Speaker 1: All right, Katie. Hopefully we'll talk to you soon. Thank you,

1578
01:16:46,520 --> 01:16:51,080
Speaker 1: all right, bye bye. Let's try the big story. Let's story.

1579
01:16:52,240 --> 01:16:55,360
Speaker 1: Twenty five year old woman discovered after she had a headache.

1580
01:16:55,400 --> 01:16:57,880
Speaker 1: She's like having these headaches all the time. He's like,

1581
01:16:58,360 --> 01:17:01,519
Speaker 1: I don't know what's going on. Is it water? Am

1582
01:17:01,520 --> 01:17:04,519
Speaker 1: I dehydrated? Is am I wearing my hair in a

1583
01:17:04,520 --> 01:17:07,080
Speaker 1: weird style? No? None of that. She had a tapeworm

1584
01:17:07,120 --> 01:17:11,960
Speaker 1: in her brain. It's only twenty five years old. Tapeworm.

1585
01:17:12,080 --> 01:17:15,040
Speaker 1: The aches were caused by tapeworm larva that had taken

1586
01:17:15,120 --> 01:17:18,160
Speaker 1: up space in her brain. Now I think every time

1587
01:17:18,200 --> 01:17:21,080
Speaker 1: I have a headache, I sure how big the tapeworm is. Yeah,

1588
01:17:22,200 --> 01:17:26,960
Speaker 1: the woman who never traveled overseas is the first case

1589
01:17:26,960 --> 01:17:29,960
Speaker 1: where she's from. For the past seven years she had headaches.

1590
01:17:30,000 --> 01:17:32,040
Speaker 1: They would occur two or three times a month, and

1591
01:17:32,160 --> 01:17:36,360
Speaker 1: they went away with prescribed migraine medication. However, the last

1592
01:17:36,360 --> 01:17:38,360
Speaker 1: one was more than a week and she's like, most

1593
01:17:38,400 --> 01:17:40,599
Speaker 1: of my visions getting blurry. So they went into the brain,

1594
01:17:41,640 --> 01:17:46,919
Speaker 1: found that worm and they got it chilling. That stinks.

1595
01:17:47,080 --> 01:17:49,400
Speaker 1: That's the that's your big story. There is, thank you,

1596
01:17:50,080 --> 01:17:54,599
Speaker 1: bobbies story. I have a secondo. Last night on Dancing

1597
01:17:54,600 --> 01:17:56,160
Speaker 1: with the Stars, there was a big mess up at

1598
01:17:56,160 --> 01:17:58,719
Speaker 1: the end of the show where and I'll just play

1599
01:17:58,720 --> 01:18:00,559
Speaker 1: this for you at Tyra Banks and now that Monica

1600
01:18:00,560 --> 01:18:02,479
Speaker 1: and vow we're say they left the floor and then

1601
01:18:02,479 --> 01:18:04,040
Speaker 1: she was like, oh, I did the wrong thing, and

1602
01:18:04,080 --> 01:18:06,360
Speaker 1: then that she had to call him back out. Oh no. Also,

1603
01:18:06,400 --> 01:18:10,759
Speaker 1: Tyra's not a great ad libber though. Oh here Anne

1604
01:18:10,840 --> 01:18:14,160
Speaker 1: and Kyo and Vernon and Peter are at the bottom

1605
01:18:14,160 --> 01:18:17,200
Speaker 1: two there's actually been an error. I'm looking right now

1606
01:18:17,320 --> 01:18:20,679
Speaker 1: and we have three couples, so we need to clarify

1607
01:18:20,720 --> 01:18:24,719
Speaker 1: this for one second. The bottom two couples are Anne

1608
01:18:24,800 --> 01:18:32,840
Speaker 1: and Kyo and Monica and Devo. Please come back, please

1609
01:18:32,840 --> 01:18:36,519
Speaker 1: have my This is a live TV, right, this is

1610
01:18:36,520 --> 01:18:41,599
Speaker 1: the craziness applied t VS. What do you do? That's

1611
01:18:41,640 --> 01:18:43,920
Speaker 1: it now? Then you just fix it and move forward.

1612
01:18:44,200 --> 01:18:46,400
Speaker 1: But last night an hash was eliminated, probably should have

1613
01:18:46,439 --> 01:18:49,160
Speaker 1: been anyway. So but there you go. Now there are

1614
01:18:49,160 --> 01:18:51,080
Speaker 1: ten couples left, which is crazy. They are still that many.

1615
01:18:51,120 --> 01:18:54,439
Speaker 1: They gotta stop chopping him quick now. But that the

1616
01:18:54,600 --> 01:18:56,920
Speaker 1: Neve guys real good. AJ McClain. He danced with the

1617
01:18:56,920 --> 01:18:59,639
Speaker 1: Backstreet Boys all behind him on a big screen. Oh

1618
01:18:59,680 --> 01:19:03,320
Speaker 1: that's it's pretty cool. Yeah, so that's your other big story.

1619
01:19:03,360 --> 01:19:05,680
Speaker 1: If you're watching Dancing with the Stars, there you go,

1620
01:19:06,160 --> 01:19:09,920
Speaker 1: call us if you want. Eight seven seven seventy seven,

1621
01:19:10,240 --> 01:19:13,800
Speaker 1: Bobby eight seven seven seventy seven, Bobby, let's go to

1622
01:19:13,880 --> 01:19:15,920
Speaker 1: Lindsay and Saint Louis, who's on right now? Call him

1623
01:19:15,920 --> 01:19:19,160
Speaker 1: the show, Lindsay, what's going on with you? Not much?

1624
01:19:19,200 --> 01:19:20,800
Speaker 1: How are you guys? Pretty good? What can I do

1625
01:19:20,840 --> 01:19:24,080
Speaker 1: for you? I was just calling the way in on

1626
01:19:24,160 --> 01:19:29,280
Speaker 1: the Ray and Mikey situation. So the week of my wedding,

1627
01:19:29,280 --> 01:19:30,960
Speaker 1: I got married in August. The week of my wedding,

1628
01:19:31,000 --> 01:19:34,840
Speaker 1: my sister actually told my parents that she was pregnant. Now,

1629
01:19:34,880 --> 01:19:37,240
Speaker 1: how would you have wanted that to go? Because I

1630
01:19:37,280 --> 01:19:39,559
Speaker 1: hear your story, how would you have wanted your sister

1631
01:19:39,600 --> 01:19:42,679
Speaker 1: to handle that? I mean, I feel like I could

1632
01:19:42,680 --> 01:19:45,759
Speaker 1: have waited like at least a week after so because

1633
01:19:45,800 --> 01:19:49,240
Speaker 1: he had just found out. So I was kind of like,

1634
01:19:49,479 --> 01:19:51,760
Speaker 1: um okay, Like and she told me like two or

1635
01:19:51,800 --> 01:19:53,720
Speaker 1: three days after my wedding, so I was kind of

1636
01:19:53,760 --> 01:19:56,200
Speaker 1: still on like that newly wed high, I guess, so

1637
01:19:56,240 --> 01:19:58,759
Speaker 1: I was like just kind of like burst my bubble

1638
01:19:58,760 --> 01:20:01,040
Speaker 1: a little bit. Well, if she only told your mom

1639
01:20:01,040 --> 01:20:03,519
Speaker 1: and dad, though, how much thunder is that actually stealing?

1640
01:20:03,880 --> 01:20:07,360
Speaker 1: It's not like she announced it at the world because yeah,

1641
01:20:07,439 --> 01:20:09,800
Speaker 1: but then that, like my mom told some of my

1642
01:20:09,800 --> 01:20:12,720
Speaker 1: other family members, and so it was kind of like

1643
01:20:12,840 --> 01:20:15,320
Speaker 1: a thing that other people knew. How do you guys

1644
01:20:15,320 --> 01:20:19,360
Speaker 1: feel about that? I don't think it is either it's

1645
01:20:19,360 --> 01:20:21,760
Speaker 1: a baby, it's your mom. Yea, these are all good

1646
01:20:21,840 --> 01:20:24,160
Speaker 1: things that happen. I don't think you're stealing Thunder because

1647
01:20:24,160 --> 01:20:26,920
Speaker 1: you're adding something awesome, amazing I think it would have

1648
01:20:26,960 --> 01:20:28,640
Speaker 1: at the wedding, I think to stand up and go

1649
01:20:28,880 --> 01:20:33,680
Speaker 1: look at my older's own correct, that would have been understealing, Yes, exactly,

1650
01:20:34,000 --> 01:20:39,080
Speaker 1: But I get it, lindsay I do. I go ahead,

1651
01:20:39,200 --> 01:20:41,439
Speaker 1: I say, because because of COVID, Like, it was just

1652
01:20:41,479 --> 01:20:43,479
Speaker 1: like a whole big thing that we even got married.

1653
01:20:44,120 --> 01:20:47,120
Speaker 1: So it was just like a lot of emotion that

1654
01:20:47,160 --> 01:20:49,920
Speaker 1: it's like built up up to the wedding. So so

1655
01:20:50,000 --> 01:20:55,160
Speaker 1: did you say something to her? Um? I did, and

1656
01:20:57,000 --> 01:20:59,519
Speaker 1: it didn't go over very well. She's no longer going

1657
01:20:59,560 --> 01:21:04,120
Speaker 1: on the wedding. Oh that stinks. Yeah, younger older sister,

1658
01:21:04,200 --> 01:21:08,920
Speaker 1: which one younger? Oh yeah, that's what we younger kids

1659
01:21:09,000 --> 01:21:12,160
Speaker 1: do sometimes. I'm sorry to hear that. You want us

1660
01:21:12,160 --> 01:21:13,519
Speaker 1: to call her on the air and pass this up.

1661
01:21:15,000 --> 01:21:17,680
Speaker 1: I know, I think I'll be okay, Okay, Hey, we

1662
01:21:17,760 --> 01:21:20,160
Speaker 1: appreciate that call, Lindsey, thank you for sharing with us.

1663
01:21:21,520 --> 01:21:25,679
Speaker 1: Thanks all right, bye bye. Let's go to Brook in Tampa.

1664
01:21:25,720 --> 01:21:32,240
Speaker 1: Who is standing by Hey, Brook, what's going on running studio? Um?

1665
01:21:32,439 --> 01:21:35,240
Speaker 1: My question is for Eddie. Um. I know he is

1666
01:21:35,280 --> 01:21:38,440
Speaker 1: like a diehard Cowboys fan, and I remember last Christmas

1667
01:21:38,479 --> 01:21:41,120
Speaker 1: there was a whole fiasco about his foster son wanting

1668
01:21:41,120 --> 01:21:44,640
Speaker 1: Patriots here, um, and he got the Tom Brady jerseys.

1669
01:21:44,680 --> 01:21:46,960
Speaker 1: But my question is, what is your foster son doing

1670
01:21:47,000 --> 01:21:49,160
Speaker 1: this year for football season since Tom Brady is no

1671
01:21:49,240 --> 01:21:52,160
Speaker 1: longer with the Patriots and he's playing for the Bucks. Well,

1672
01:21:52,400 --> 01:21:55,680
Speaker 1: it's funny. Obviously he's kind of on the Tampa Bay

1673
01:21:55,720 --> 01:21:59,000
Speaker 1: Buccaneers team. Now now he's really he's calling him Tampa

1674
01:21:59,040 --> 01:22:02,479
Speaker 1: Bay and he's all along that that bandwagon. But I'm

1675
01:22:02,520 --> 01:22:06,040
Speaker 1: happy to say that slowly he's liking the Cowboys because

1676
01:22:06,040 --> 01:22:08,439
Speaker 1: he gets excited every week, says what time in the Cowboys?

1677
01:22:08,560 --> 01:22:09,800
Speaker 1: Would you do that to him? Right now? What do

1678
01:22:09,840 --> 01:22:12,040
Speaker 1: you mean? Why would you force him? This is a

1679
01:22:12,080 --> 01:22:15,160
Speaker 1: family thing, bones, and he's a part of our family.

1680
01:22:15,400 --> 01:22:18,559
Speaker 1: My little seven year old junior junior, he loves he

1681
01:22:18,600 --> 01:22:21,360
Speaker 1: started to love the Cowboys. Now my foster son started

1682
01:22:21,360 --> 01:22:23,160
Speaker 1: to love the Cowboys. I think my job is a

1683
01:22:23,240 --> 01:22:29,160
Speaker 1: d Dad is finally coming around, so he's off. Still

1684
01:22:29,200 --> 01:22:32,519
Speaker 1: he's still Tampa Tampa Bay, you know. But I think slowly,

1685
01:22:32,560 --> 01:22:34,240
Speaker 1: I think by the end of the year, we're gonna

1686
01:22:34,240 --> 01:22:36,920
Speaker 1: have him need to win for that, that's right, You're right,

1687
01:22:37,160 --> 01:22:38,639
Speaker 1: You're right. They need to win at least a couple

1688
01:22:38,680 --> 01:22:40,720
Speaker 1: of games. Brooke, thank you for the car. I have

1689
01:22:40,720 --> 01:22:44,719
Speaker 1: a great day. Thank you. See later. I did Marty

1690
01:22:44,760 --> 01:22:46,720
Speaker 1: Smith's podcast yesterday. Do you know who Martin Smith is

1691
01:22:46,720 --> 01:22:49,960
Speaker 1: from ESPN. So we talked about a whole bunch of stuff,

1692
01:22:49,960 --> 01:22:52,080
Speaker 1: and I don't know Marty very well, but he was

1693
01:22:52,160 --> 01:22:53,679
Speaker 1: nice enough to have me. All we talked about forty

1694
01:22:53,720 --> 01:22:56,479
Speaker 1: five minutes or so, and speaking of like losing, what

1695
01:22:56,560 --> 01:22:58,760
Speaker 1: I was talking about was the last few years with

1696
01:22:58,920 --> 01:23:02,479
Speaker 1: Arkansas because that's all we had. That's all we have,

1697
01:23:02,560 --> 01:23:04,880
Speaker 1: but don't have any ProTeams, how many we don't have

1698
01:23:04,920 --> 01:23:07,160
Speaker 1: pro baseball, football, basketball, we have the Arkansas so we

1699
01:23:07,200 --> 01:23:10,439
Speaker 1: are as as the Razorbacks do and so, but it

1700
01:23:10,479 --> 01:23:12,200
Speaker 1: was cool. You can check out his podcast. It's called

1701
01:23:12,400 --> 01:23:17,920
Speaker 1: Made in America or wait, America. The podcast it's called America.

1702
01:23:18,000 --> 01:23:20,120
Speaker 1: Just look at Marty Smith's Marty That's what it's called,

1703
01:23:20,120 --> 01:23:23,400
Speaker 1: Marty Smith's America. Ok. Yeah, so did that yesterday. Really

1704
01:23:23,479 --> 01:23:25,559
Speaker 1: nice guy. Really enjoyed my talk over there. I saw

1705
01:23:25,560 --> 01:23:28,960
Speaker 1: where Netflix is probably gonna raise their subscription prices again.

1706
01:23:29,760 --> 01:23:33,200
Speaker 1: So right now on Netflix is twelve ninety nine and

1707
01:23:33,320 --> 01:23:35,160
Speaker 1: so they need to raise about a billion bucks to

1708
01:23:35,200 --> 01:23:37,080
Speaker 1: cover all their production costs of their new movies or

1709
01:23:37,080 --> 01:23:41,519
Speaker 1: new shows, especially during the pandemic. Here's the thing, twelve

1710
01:23:41,680 --> 01:23:43,400
Speaker 1: ninety nine and I never want to pay more money

1711
01:23:43,439 --> 01:23:46,439
Speaker 1: for anything, but twelve ninety nine's a deal for as

1712
01:23:46,520 --> 01:23:48,840
Speaker 1: much as they have up there. They have a lot

1713
01:23:48,840 --> 01:23:51,120
Speaker 1: twelve ninety nine for as much as you can just

1714
01:23:51,479 --> 01:23:53,960
Speaker 1: when you don't have to stay on Netflix, but you

1715
01:23:54,000 --> 01:23:58,280
Speaker 1: could probably if you had to stay on Netflix all day,

1716
01:23:58,280 --> 01:24:01,439
Speaker 1: and that's it, just about anything you wanted to except

1717
01:24:01,439 --> 01:24:05,200
Speaker 1: for live sports. Other than that, we twelve ninety nine

1718
01:24:05,280 --> 01:24:07,360
Speaker 1: is a deal. And here's the thing too. If they

1719
01:24:07,479 --> 01:24:09,920
Speaker 1: raise it like a quarter every week, I wouldn't even notice.

1720
01:24:10,200 --> 01:24:15,040
Speaker 1: Well they have to tell you, yeah, don't get the

1721
01:24:15,080 --> 01:24:17,799
Speaker 1: idea Netflix, But being honest, I don't know if I noticed.

1722
01:24:18,000 --> 01:24:20,519
Speaker 1: Netflix is twelve ninety nine. If you had to pick

1723
01:24:20,600 --> 01:24:23,600
Speaker 1: one service, which which would it be all encompassing? I

1724
01:24:23,720 --> 01:24:27,240
Speaker 1: go Hulu because what we do who I love Netflix,

1725
01:24:27,280 --> 01:24:30,880
Speaker 1: But Hulu has live so I can get almost the

1726
01:24:31,080 --> 01:24:33,439
Speaker 1: same things I can get on Netflix ish, but we

1727
01:24:33,479 --> 01:24:35,559
Speaker 1: can also get live things. I don't even have Hulu.

1728
01:24:35,680 --> 01:24:39,160
Speaker 1: Yeah I don't either. You don't, but you charge handmaids.

1729
01:24:39,160 --> 01:24:41,439
Speaker 1: You cut your cable though, right, yeah, we cut it,

1730
01:24:41,479 --> 01:24:43,920
Speaker 1: so Hulu Live is our main source, and then we

1731
01:24:44,000 --> 01:24:47,280
Speaker 1: go to Amazon Prime and Netflix for other things. Did

1732
01:24:47,280 --> 01:24:49,920
Speaker 1: you save money by cutting cable and adding the subscriptions?

1733
01:24:49,920 --> 01:24:53,400
Speaker 1: Oh yeah, for surely yes. Yeah. And then I also

1734
01:24:53,439 --> 01:24:56,160
Speaker 1: we also have Disney Plus and Apple Plus, all of

1735
01:24:56,160 --> 01:24:58,120
Speaker 1: which I signed up for the two week trials and

1736
01:24:58,120 --> 01:25:01,800
Speaker 1: then never canceled. So but we did the math and

1737
01:25:01,800 --> 01:25:04,599
Speaker 1: it's still fine to keep them because it's still less

1738
01:25:04,600 --> 01:25:08,559
Speaker 1: than we were paying for bajillion stations that we never used.

1739
01:25:08,880 --> 01:25:11,400
Speaker 1: Netflix is probably the one I would pick if my

1740
01:25:11,400 --> 01:25:13,840
Speaker 1: favorite favorites are probably on Amazon but more that I like,

1741
01:25:14,000 --> 01:25:16,160
Speaker 1: or on Netflix. Yeah. Yeah, so I'd probably have to

1742
01:25:16,160 --> 01:25:21,200
Speaker 1: go what would you do? The sports m just watched

1743
01:25:21,240 --> 01:25:27,639
Speaker 1: Last Chance of You or sports movies? Yeah? Call Eddie, Hey,

1744
01:25:27,680 --> 01:25:29,160
Speaker 1: hold your phone up to the screen, Eddie, let me

1745
01:25:29,160 --> 01:25:31,559
Speaker 1: watch this. I guess that works too. Yeah, but Netflix

1746
01:25:31,600 --> 01:25:33,599
Speaker 1: could be going up a dollar or so, everybody heads

1747
01:25:33,680 --> 01:25:35,719
Speaker 1: up there. I do want to mention the story about Amy.

1748
01:25:35,960 --> 01:25:37,960
Speaker 1: You were where were you? And your pastor was nearby

1749
01:25:38,120 --> 01:25:42,559
Speaker 1: soccer game? What happened? And he? So we My son

1750
01:25:42,840 --> 01:25:47,160
Speaker 1: was being really kind of rude and demanding, and I

1751
01:25:47,240 --> 01:25:49,360
Speaker 1: was trying to find a way to correct him, and

1752
01:25:49,479 --> 01:25:51,240
Speaker 1: it had been going on and on, and I had

1753
01:25:51,240 --> 01:25:55,360
Speaker 1: been patient, but then in a very firm way but

1754
01:25:55,479 --> 01:25:59,840
Speaker 1: also kind, I said, why why do you have to

1755
01:25:59,840 --> 01:26:05,360
Speaker 1: be so freaking demanding right now? And then I looked

1756
01:26:05,439 --> 01:26:08,160
Speaker 1: up and I have no idea if he heard. He

1757
01:26:08,200 --> 01:26:12,040
Speaker 1: didn't say anything, but I look up and he's literally

1758
01:26:12,320 --> 01:26:15,920
Speaker 1: right in front of us, and I just thought, I mean,

1759
01:26:15,960 --> 01:26:17,800
Speaker 1: I don't want any parent to hear me say that,

1760
01:26:17,880 --> 01:26:21,800
Speaker 1: but especially my pastor, because I don't hear it that way.

1761
01:26:22,040 --> 01:26:24,400
Speaker 1: He's heard a lot of things. That's it's gonna be nothing.

1762
01:26:24,439 --> 01:26:26,439
Speaker 1: I know that's gonna be nothing, so it's fine. But

1763
01:26:26,560 --> 01:26:29,320
Speaker 1: I just thought, Okay, at least it wasn't anything worse.

1764
01:26:29,560 --> 01:26:31,960
Speaker 1: I was watching this morning. There was the TikTok videos

1765
01:26:31,960 --> 01:26:36,160
Speaker 1: where kids are telling their parent to shut up. The

1766
01:26:36,240 --> 01:26:39,240
Speaker 1: other parents in on the joke, and so they're recording it.

1767
01:26:39,280 --> 01:26:42,400
Speaker 1: But a kid goes like the shut up mom, and

1768
01:26:42,439 --> 01:26:46,800
Speaker 1: then the dad, who does not in the joke, loses it, yes,

1769
01:26:47,160 --> 01:26:50,360
Speaker 1: and Jess takes off all of them, like to beat

1770
01:26:50,400 --> 01:26:53,080
Speaker 1: some butt, and then some of them. The mom can't

1771
01:26:53,120 --> 01:26:55,439
Speaker 1: catch the dad in time, and the dad's grab it.

1772
01:26:55,760 --> 01:26:59,200
Speaker 1: They're so funny I watched probably nine of them this morning.

1773
01:26:59,560 --> 01:27:01,880
Speaker 1: The shut challenge is making me laugh so hard. I

1774
01:27:01,920 --> 01:27:04,240
Speaker 1: like that. I want to watch. One kid was upstairs

1775
01:27:04,360 --> 01:27:05,800
Speaker 1: and the mom and dad was blowing. The mom was like, hey,

1776
01:27:05,800 --> 01:27:09,080
Speaker 1: come down, it's up for school, and he goes, Mom,

1777
01:27:09,240 --> 01:27:12,559
Speaker 1: shut up, and the dad goes, You saw the dad

1778
01:27:12,640 --> 01:27:19,360
Speaker 1: slowly incredible, hulk, what do you? I was laughing so

1779
01:27:19,439 --> 01:27:21,320
Speaker 1: hard this morning, it was like three thirty. I was

1780
01:27:21,360 --> 01:27:23,880
Speaker 1: n laughing. Okay, I might need it. That would go

1781
01:27:23,920 --> 01:27:27,880
Speaker 1: over you entertaining from our house for sure, but I'm

1782
01:27:27,880 --> 01:27:30,160
Speaker 1: nervous to like, yeah, see if I could catch my

1783
01:27:30,240 --> 01:27:33,200
Speaker 1: husband in time. I had t tears coming down my

1784
01:27:33,200 --> 01:27:36,320
Speaker 1: eyes just because the parents were in on it too.

1785
01:27:36,400 --> 01:27:39,519
Speaker 1: The other parent right one, dad goes, did he dead? Ay,

1786
01:27:39,600 --> 01:27:42,040
Speaker 1: just tell you to shut up? And she goes, I guess,

1787
01:27:42,040 --> 01:27:43,960
Speaker 1: and he goes, oh no he didn't, and take some

1788
01:27:44,200 --> 01:27:46,559
Speaker 1: one a bee line to get that kid. Oh no,

1789
01:27:46,640 --> 01:27:49,680
Speaker 1: he did. Hilarious that, I tell you. Between that and

1790
01:27:49,720 --> 01:27:51,639
Speaker 1: watching all the Morgan Walla videos making out all those

1791
01:27:51,640 --> 01:27:55,280
Speaker 1: girls in Alabama, you're loving TikTok rd the Morgan wall

1792
01:27:55,360 --> 01:27:57,639
Speaker 1: and stuff is so funny. He went to the Alabama

1793
01:27:57,680 --> 01:27:59,920
Speaker 1: football game. I didn't know when it was, it's now Reese.

1794
01:28:00,600 --> 01:28:03,720
Speaker 1: He went to the Alabama football game, and you see

1795
01:28:03,760 --> 01:28:05,560
Speaker 1: the text messages. He's sitting back and forth with some

1796
01:28:05,640 --> 01:28:07,720
Speaker 1: of these girls or like dms and he's like, yeah,

1797
01:28:07,760 --> 01:28:08,960
Speaker 1: picked me up. So he ends up going back to

1798
01:28:08,960 --> 01:28:11,000
Speaker 1: their dorm and it's him and a ton of girls

1799
01:28:11,280 --> 01:28:12,880
Speaker 1: and is at a bar and a dorm and and

1800
01:28:13,000 --> 01:28:15,640
Speaker 1: he's like either like making out with them or like

1801
01:28:15,760 --> 01:28:18,760
Speaker 1: passing shots mouth to mouth. So I mean he's he's

1802
01:28:18,760 --> 01:28:20,960
Speaker 1: playing guitar in their dorm room later and they're all

1803
01:28:21,080 --> 01:28:24,000
Speaker 1: like filming. It's not his account but everyone. So they're

1804
01:28:24,040 --> 01:28:26,240
Speaker 1: like thirty videos of a Morgan Wall and just going

1805
01:28:26,720 --> 01:28:29,800
Speaker 1: by the way. I'm not hating. The only thing that

1806
01:28:29,920 --> 01:28:31,760
Speaker 1: made me a little weird was was like COVID. But

1807
01:28:32,040 --> 01:28:35,280
Speaker 1: I'm not hating. He's twenty seven and single. I know

1808
01:28:35,360 --> 01:28:37,879
Speaker 1: he's got a baby, but that's not it's not his girlfriend.

1809
01:28:37,880 --> 01:28:42,960
Speaker 1: I don't with their wife. But then all the tiktoks

1810
01:28:43,080 --> 01:28:45,720
Speaker 1: are about that were day two and they're like me

1811
01:28:45,840 --> 01:28:48,000
Speaker 1: as Morgan Wall and waking up with a VD and

1812
01:28:48,200 --> 01:28:54,080
Speaker 1: COVID just so funny. So he's twenty seven and these

1813
01:28:54,160 --> 01:28:57,360
Speaker 1: girls are twenty two, not twenty one who comes. I

1814
01:28:57,360 --> 01:29:03,240
Speaker 1: don't be hated by Morgan wall Morgan Wallen is he does,

1815
01:29:03,400 --> 01:29:06,240
Speaker 1: He isn't unapologetic who he is. If they're in college,

1816
01:29:06,240 --> 01:29:09,840
Speaker 1: they're anywhere from eighteen to twenty two, so they're all good. Yeah,

1817
01:29:10,120 --> 01:29:13,000
Speaker 1: all good. Let him have it. Yeah, go to town.

1818
01:29:13,160 --> 01:29:16,599
Speaker 1: All the cliches you say about living life. I love

1819
01:29:16,720 --> 01:29:19,519
Speaker 1: that guy. Doing anything wrong? Not yet, I don't know.

1820
01:29:19,560 --> 01:29:21,120
Speaker 1: I don't know anything he's done wrong. But I'm telling

1821
01:29:21,160 --> 01:29:25,960
Speaker 1: you between mine is the COVID between the shut Up

1822
01:29:26,040 --> 01:29:27,840
Speaker 1: Challenge and the Morgan Wallen making health all the girls

1823
01:29:27,880 --> 01:29:32,760
Speaker 1: in Alabama TikTok entertained the last couple of days. Man.

1824
01:29:35,160 --> 01:29:41,599
Speaker 1: Today is Morgan number two's birthday. Yeah, that's twenty seven two.

1825
01:29:42,320 --> 01:29:44,640
Speaker 1: I feel old. I feel like I'm getting older by

1826
01:29:44,720 --> 01:29:47,960
Speaker 1: the minute. My hangovers are worse, my bones are starting

1827
01:29:48,000 --> 01:29:50,960
Speaker 1: to her it is. It's not good. I feel old.

1828
01:29:51,000 --> 01:29:55,960
Speaker 1: She's the youngest. It's like reading the room. So Morgan

1829
01:29:56,040 --> 01:29:58,120
Speaker 1: number two turns twenty seven today. She was born in

1830
01:29:58,240 --> 01:30:00,640
Speaker 1: nineteen ninety three, is the youngest on the show. Here

1831
01:30:00,720 --> 01:30:02,960
Speaker 1: are some throwback facts from the year she was born

1832
01:30:03,360 --> 01:30:08,080
Speaker 1: nineteen ninety three. The nineteen ninety three VHS release of

1833
01:30:08,120 --> 01:30:12,320
Speaker 1: Aladdin sold ten point six million copies it's first week,

1834
01:30:12,920 --> 01:30:14,439
Speaker 1: so as soon as it came out a video, people

1835
01:30:14,439 --> 01:30:17,960
Speaker 1: were were popping it. This meat loaf song was the

1836
01:30:18,080 --> 01:30:27,840
Speaker 1: top selling single of the year. Here you go, and

1837
01:30:27,960 --> 01:30:35,839
Speaker 1: we still don't know what that is? The Sony Walkman

1838
01:30:35,920 --> 01:30:40,200
Speaker 1: costs twenty nine ninety eight. Michael, what nothing? This is

1839
01:30:40,240 --> 01:30:42,920
Speaker 1: the fact that that was your first response. Believed it?

1840
01:30:43,000 --> 01:30:45,680
Speaker 1: Why were you so delayed in that? Because I was

1841
01:30:45,760 --> 01:30:48,439
Speaker 1: like picturing someone else being in their car right now

1842
01:30:48,640 --> 01:30:51,479
Speaker 1: and just casually driving along looking like, did you just

1843
01:30:51,560 --> 01:30:57,040
Speaker 1: say butt stuff? Right? It's later on in the morning.

1844
01:30:57,120 --> 01:31:00,080
Speaker 1: Sometimes it takes me a minute. It is experience it

1845
01:31:00,200 --> 01:31:03,320
Speaker 1: with the listeners, and then I laugh. Oprah's nineteen ninety

1846
01:31:03,320 --> 01:31:05,320
Speaker 1: three interview the Michael Jackson is the most watched interview

1847
01:31:05,360 --> 01:31:09,040
Speaker 1: in the history television. The fashion of the day included

1848
01:31:09,120 --> 01:31:11,760
Speaker 1: high waisted jeans, baby doll dresses with dog Martins, and

1849
01:31:11,960 --> 01:31:16,280
Speaker 1: plaid squirts with belly shirts. Between February and April, the

1850
01:31:16,400 --> 01:31:19,680
Speaker 1: Branch Davidian hit Waco and that's when all that went down.

1851
01:31:19,800 --> 01:31:22,400
Speaker 1: Remember that the FBI rated the Branch Davidian and then

1852
01:31:22,400 --> 01:31:24,680
Speaker 1: Michael Jordan hired from basketball going to baseball. The next

1853
01:31:24,760 --> 01:31:26,160
Speaker 1: year he came back. But there you go, that's the

1854
01:31:26,200 --> 01:31:28,519
Speaker 1: nineteen ninety three Morgan's birth year. What do you remember

1855
01:31:28,520 --> 01:31:31,640
Speaker 1: about that year, Morgan? I remember nothing. That song. I think.

1856
01:31:31,680 --> 01:31:34,800
Speaker 1: The only reason I know that song is from a commercial. Pea. Yeah,

1857
01:31:35,040 --> 01:31:38,840
Speaker 1: and all of those fashion trends I'm pretty sure are

1858
01:31:38,880 --> 01:31:42,760
Speaker 1: back now. Ironically, I have a friend that claims, I've

1859
01:31:42,760 --> 01:31:45,000
Speaker 1: told you guys this that he remembers coming out of

1860
01:31:45,040 --> 01:31:49,280
Speaker 1: his mom Yea, he swears and has never He's never

1861
01:31:49,400 --> 01:31:51,479
Speaker 1: backed away from going now. I swear to you I

1862
01:31:51,600 --> 01:31:53,479
Speaker 1: remember it, and to this day he will look me

1863
01:31:53,520 --> 01:31:55,800
Speaker 1: in the eye and go, all I remember is that

1864
01:31:55,880 --> 01:31:58,640
Speaker 1: air started to like pound me in the face, and

1865
01:31:58,760 --> 01:32:01,840
Speaker 1: then light opened and there were adult people over the

1866
01:32:01,920 --> 01:32:07,519
Speaker 1: top of me. Ye people. Yeah. Oh. The thing is,

1867
01:32:07,600 --> 01:32:10,360
Speaker 1: we can't prove he did it. I know, I don't.

1868
01:32:12,000 --> 01:32:14,479
Speaker 1: It's pretty funny, though, Like you can't argue. He told

1869
01:32:14,520 --> 01:32:16,240
Speaker 1: me that when I was like eighteen years old, and

1870
01:32:16,400 --> 01:32:19,280
Speaker 1: I saw him and went to Oklahoma City a couple

1871
01:32:19,320 --> 01:32:22,400
Speaker 1: of months ago, and he told me that again. I

1872
01:32:22,600 --> 01:32:24,360
Speaker 1: was like, remember that dumb story used to tell me?

1873
01:32:24,760 --> 01:32:27,120
Speaker 1: Is that about being born? It ain't dumb, It's true.

1874
01:32:28,240 --> 01:32:30,880
Speaker 1: The dumbest thing I ever heard. We could all be

1875
01:32:31,160 --> 01:32:34,000
Speaker 1: all probably picture that happening and think that it happened

1876
01:32:34,000 --> 01:32:36,000
Speaker 1: to us, or we could all say the same thing. Yeah,

1877
01:32:36,080 --> 01:32:37,679
Speaker 1: it came out of there was a big lighting people

1878
01:32:37,760 --> 01:32:41,200
Speaker 1: there he had. It was like COVID. Every had masks

1879
01:32:41,240 --> 01:32:47,200
Speaker 1: on Corey and Alabama. What's up? Man? Hey, how are

1880
01:32:47,200 --> 01:32:52,120
Speaker 1: you guys doing morning studio Morning? I had a question

1881
01:32:52,320 --> 01:32:55,920
Speaker 1: about something Bobby does regularly, and I think it's kind

1882
01:32:56,000 --> 01:32:59,200
Speaker 1: of a new thing that he does. But anytime he

1883
01:32:59,280 --> 01:33:02,600
Speaker 1: hears something he doesn't particularly like or agree with, he

1884
01:33:02,760 --> 01:33:06,880
Speaker 1: goes and I have picked that up and I get

1885
01:33:06,920 --> 01:33:08,680
Speaker 1: the craziest looks for it, and I just wanted to

1886
01:33:08,720 --> 01:33:11,840
Speaker 1: know where it came from. I don't know. I do that. Yeah,

1887
01:33:12,040 --> 01:33:13,960
Speaker 1: It's kind of like when you end a rant and

1888
01:33:14,080 --> 01:33:19,240
Speaker 1: you're frustrated at it and you're just like, anyway, that's

1889
01:33:19,280 --> 01:33:21,280
Speaker 1: what you do. I haven't noticed, but I'm gonna now,

1890
01:33:21,320 --> 01:33:23,720
Speaker 1: I'm gonna look out for it. Why don't you notice

1891
01:33:23,760 --> 01:33:29,600
Speaker 1: if I do? I don't know. Well, that's funny that

1892
01:33:29,640 --> 01:33:32,120
Speaker 1: you pick it up, Corey. It's you hang around people enough,

1893
01:33:32,240 --> 01:33:33,880
Speaker 1: or you listen to us. I do that too. Sometimes

1894
01:33:34,200 --> 01:33:36,200
Speaker 1: sometimes you kind of adopt things that other people do.

1895
01:33:36,720 --> 01:33:39,240
Speaker 1: I need to listen though, because I think my crutches

1896
01:33:39,320 --> 01:33:42,960
Speaker 1: are all right. That's a big crutch for me, and

1897
01:33:43,040 --> 01:33:46,360
Speaker 1: it crutch something you lean on whenever you're trying to

1898
01:33:46,400 --> 01:33:48,920
Speaker 1: go somewhere. I'm like, all right, well, all right, it's

1899
01:33:48,920 --> 01:33:52,000
Speaker 1: a big one. But I haven't done ah yet. M

1900
01:33:52,880 --> 01:33:57,559
Speaker 1: Amy's is like, yeah, she lives on those crushes. Hey,

1901
01:33:57,720 --> 01:34:01,880
Speaker 1: have I gotten better? Like yeah, all these years that

1902
01:34:01,960 --> 01:34:04,240
Speaker 1: we've been working on it. Corey, where do you listening to? Alabama?

1903
01:34:05,720 --> 01:34:08,479
Speaker 1: I actually listened to the part I'm in out of Huntsville.

1904
01:34:08,520 --> 01:34:11,040
Speaker 1: Oh cool man, Well, I appreciate that call. Well, thanks

1905
01:34:11,040 --> 01:34:13,960
Speaker 1: for sharing with that. I hope you have a good day. Man. Oh,

1906
01:34:14,080 --> 01:34:16,400
Speaker 1: can I shout out my sister back in Arkansas? Have

1907
01:34:16,560 --> 01:34:21,200
Speaker 1: at it? Shout out to my sister Aaron back in Russellville, Arkansas.

1908
01:34:21,600 --> 01:34:23,639
Speaker 1: I'll miss you and I can't wait to see you again.

1909
01:34:23,920 --> 01:34:25,519
Speaker 1: And thank you guys so much for taking my call.

1910
01:34:25,520 --> 01:34:27,240
Speaker 1: All right, Corey, have a good day, Bun you too.

1911
01:34:27,400 --> 01:34:32,640
Speaker 1: But sweet it is shouting out. Let's go to Alison

1912
01:34:32,760 --> 01:34:35,760
Speaker 1: in Florida, who has called the show. Alison, we appreciate you.

1913
01:34:35,880 --> 01:34:41,439
Speaker 1: What's going on with you? Hello? Hey Alison, Hi, how

1914
01:34:41,479 --> 01:34:43,080
Speaker 1: are you pretty good? What can I do for you?

1915
01:34:44,520 --> 01:34:47,800
Speaker 1: I was just gonna stare that my sister had also

1916
01:34:48,840 --> 01:34:51,120
Speaker 1: In two thousand and eight, when I got married, my

1917
01:34:51,200 --> 01:34:53,760
Speaker 1: sister found out she was pregnant, and she announced that

1918
01:34:53,840 --> 01:34:57,320
Speaker 1: she was pregnant before my wedding, and I had a

1919
01:34:57,360 --> 01:35:00,120
Speaker 1: completely different reaction. I was completely fine with it. It's

1920
01:35:00,120 --> 01:35:02,920
Speaker 1: happy for her and even people at my wedding, and

1921
01:35:03,120 --> 01:35:04,960
Speaker 1: she was pregnant and it wasn't a big deal. It

1922
01:35:05,040 --> 01:35:08,200
Speaker 1: did not steal my fun. Everything was good. So same

1923
01:35:08,240 --> 01:35:10,800
Speaker 1: thing with Mike c and ray I think it's all good.

1924
01:35:11,040 --> 01:35:14,200
Speaker 1: Understealing has been the topic of conversation here. Raymundo was

1925
01:35:14,200 --> 01:35:17,439
Speaker 1: getting married in a little less than three weeks. Mike

1926
01:35:17,479 --> 01:35:20,360
Speaker 1: Deep proposes and Raymond was like, you're still on my

1927
01:35:20,400 --> 01:35:22,960
Speaker 1: thunder go listen to the podcast from today. They got

1928
01:35:23,000 --> 01:35:24,600
Speaker 1: into it a little bit, but then we had a

1929
01:35:24,640 --> 01:35:26,240
Speaker 1: caller who called in and said, Hey, my sister and

1930
01:35:26,280 --> 01:35:28,160
Speaker 1: now she was pregnant like a week before our wedding,

1931
01:35:28,880 --> 01:35:31,680
Speaker 1: And then we debated if that was thunderstealing. But we

1932
01:35:31,760 --> 01:35:34,240
Speaker 1: appreciate your perspective and your story, Alison, So thanks for

1933
01:35:34,320 --> 01:35:37,160
Speaker 1: sharing that. No no problem, Thank you for having right,

1934
01:35:37,160 --> 01:35:39,040
Speaker 1: see you later. That's it for us, Amy, what's going

1935
01:35:39,040 --> 01:35:41,760
Speaker 1: on today? A normal day for me? What about you?

1936
01:35:42,520 --> 01:35:45,880
Speaker 1: What's a normal day? Oh? I mean just get go

1937
01:35:46,040 --> 01:35:48,800
Speaker 1: back to the house, get some work done there, do

1938
01:35:49,160 --> 01:35:52,439
Speaker 1: laundry and doing all the sheets and stuff today. Then

1939
01:35:52,840 --> 01:35:55,000
Speaker 1: go it's like before you know it. Then it's time

1940
01:35:55,040 --> 01:35:57,240
Speaker 1: to go get the kids. And then I picked the

1941
01:35:57,360 --> 01:35:59,880
Speaker 1: kids up, and then we figure out dinner, and we

1942
01:36:00,040 --> 01:36:03,680
Speaker 1: do homework, and then we play and then hopefully then

1943
01:36:03,720 --> 01:36:05,559
Speaker 1: we go to bed on time. Yeah, it all happened

1944
01:36:05,600 --> 01:36:09,400
Speaker 1: so fast. Not the same for me. Yeah, my day

1945
01:36:09,479 --> 01:36:11,680
Speaker 1: is completely different. Um, I'll go home. I have to

1946
01:36:11,960 --> 01:36:13,960
Speaker 1: do some stuff with the opery today. I taped some

1947
01:36:14,040 --> 01:36:17,600
Speaker 1: stuff on today's Tuesday, right, Yeah, I taped stuff on

1948
01:36:17,680 --> 01:36:20,719
Speaker 1: Tuesdays at the grandel Opery. Then we have our phone

1949
01:36:20,760 --> 01:36:23,040
Speaker 1: meeting for my taping on my neat Geo show this weekend,

1950
01:36:23,080 --> 01:36:26,479
Speaker 1: which is in Virginia, going to a farm over there.

1951
01:36:26,560 --> 01:36:31,080
Speaker 1: So different than yours for sure. Yeah, lin's a different

1952
01:36:31,120 --> 01:36:34,360
Speaker 1: kind of work. Yeah, it's a less rewarding kind of work.

1953
01:36:34,400 --> 01:36:38,000
Speaker 1: Oh no, it's we get rewarded in different ways. See

1954
01:36:38,000 --> 01:36:40,960
Speaker 1: you guys tomorrow. Thank you very much. On Twitter and

1955
01:36:41,280 --> 01:36:43,120
Speaker 1: sigund mister Bobby Ball,