1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:07,680 Speaker 1: It's ready. Are you welcome to Stuff you Should Know 3 00:00:08,240 --> 00:00:11,159 Speaker 1: from house Stuff Works dot com and be sure to 4 00:00:11,240 --> 00:00:13,440 Speaker 1: check out the new Stuff you Should Know blog now 5 00:00:13,520 --> 00:00:17,520 Speaker 1: on the house Stuff Works homepage. This podcast is brought 6 00:00:17,560 --> 00:00:20,720 Speaker 1: to you by Audible dot com, the Internet's leading provider 7 00:00:20,800 --> 00:00:24,560 Speaker 1: of spoken word entertainment. Get a free audio book download 8 00:00:24,600 --> 00:00:27,760 Speaker 1: of your choice when you sign up today. Blog onto 9 00:00:28,040 --> 00:00:33,280 Speaker 1: audible podcast dot com slash stuff today for details. Hey, 10 00:00:33,320 --> 00:00:36,720 Speaker 1: and welcome to the podcast. I'm Josh Clark. With me 11 00:00:36,920 --> 00:00:40,159 Speaker 1: is Charles W. Chuck Bryant. Uh. And you put the 12 00:00:40,159 --> 00:00:42,320 Speaker 1: two of us together, you know that you have stuff 13 00:00:42,320 --> 00:00:45,040 Speaker 1: you should know? Right? That's right, Josh, as you're doing there, Chuff, 14 00:00:45,159 --> 00:00:47,519 Speaker 1: I know you're laughing because I am doing a little thing. 15 00:00:47,560 --> 00:00:50,199 Speaker 1: I have punk in my ear and I could use 16 00:00:50,200 --> 00:00:52,480 Speaker 1: a cute tip if you have one. Hey, fun fact. 17 00:00:52,520 --> 00:00:55,000 Speaker 1: Did you know that cute tips originally called baby gaze? 18 00:00:55,400 --> 00:00:58,000 Speaker 1: Baby Gaze? I don't think I knew that, but it 19 00:00:58,040 --> 00:01:01,520 Speaker 1: sounds familiar. True story story. Very cool. I like starting 20 00:01:01,520 --> 00:01:03,720 Speaker 1: off with a fact that has nothing to do with 21 00:01:03,760 --> 00:01:08,160 Speaker 1: our show. Sure, right, So, Chuck, speaking of having nothing 22 00:01:08,160 --> 00:01:11,640 Speaker 1: to do with our show. Um, let's talk about deja vu? 23 00:01:11,720 --> 00:01:14,240 Speaker 1: You ever had it? I have? And uh, let me 24 00:01:14,280 --> 00:01:17,959 Speaker 1: add this as a listener suggestion. Yeah. Dedicated to one 25 00:01:18,040 --> 00:01:20,679 Speaker 1: Peter Harrison of Pittman, New Jersey, Keeping It Real and 26 00:01:20,959 --> 00:01:23,880 Speaker 1: New Jersey in the Garden State. He actually had deja 27 00:01:23,959 --> 00:01:28,080 Speaker 1: vu when he was listening to I Believe our Exorcism podcast. 28 00:01:28,720 --> 00:01:32,399 Speaker 1: So weird the thought of it unsettling one to have 29 00:01:32,480 --> 00:01:34,480 Speaker 1: deja vu over I would think. It turns out we 30 00:01:34,520 --> 00:01:37,000 Speaker 1: had a great article on it, so away we go. Yeah, 31 00:01:37,080 --> 00:01:39,480 Speaker 1: let's do this, Chuck. You know, are you part of 32 00:01:39,520 --> 00:01:45,399 Speaker 1: the thirty percent who has reported never having all? I 33 00:01:45,400 --> 00:01:48,720 Speaker 1: guess just hasn't reported having deja vu? Are you part 34 00:01:48,720 --> 00:01:52,080 Speaker 1: of the sixty to seventy seventy It definitely have had 35 00:01:52,120 --> 00:01:54,560 Speaker 1: deja many, many times. I was actually surprised to find 36 00:01:54,600 --> 00:01:56,640 Speaker 1: that number was as low as it was. I thought 37 00:01:56,640 --> 00:01:58,720 Speaker 1: it'd be hovering in the nineties, you know, and then 38 00:01:58,760 --> 00:02:00,840 Speaker 1: the other people were just too late. Say you'd ever say, yeah, 39 00:02:00,840 --> 00:02:04,320 Speaker 1: I've had deja vu. It seems like something everybody would have, right, right, 40 00:02:04,440 --> 00:02:07,440 Speaker 1: or nothing familiar has ever happened to me exactly like 41 00:02:07,480 --> 00:02:09,880 Speaker 1: I don't pay attention to anything at all. Right, I 42 00:02:09,960 --> 00:02:12,280 Speaker 1: just watched you know, Dancing with the Stars all the time. 43 00:02:13,120 --> 00:02:15,959 Speaker 1: So um, alright, chuck, Well, let's let's start with the 44 00:02:16,040 --> 00:02:19,200 Speaker 1: nuts and bolts, shall we. Deja vu French four French 45 00:02:19,280 --> 00:02:22,640 Speaker 1: four already seen and I believe it was named by 46 00:02:22,639 --> 00:02:26,679 Speaker 1: Emil Borak, who was a French scientist, first guy to 47 00:02:26,760 --> 00:02:29,360 Speaker 1: ever study it, so he take it its name in 48 00:02:29,639 --> 00:02:34,880 Speaker 1: his eighteen seventy six book Leveneer decien Ces Physiques. Wow, 49 00:02:35,000 --> 00:02:37,200 Speaker 1: thank you three years under my belt, pal, I feel 50 00:02:37,240 --> 00:02:40,960 Speaker 1: like you just channeled Peppy le Pew. So deja vu, 51 00:02:41,120 --> 00:02:45,120 Speaker 1: as everyone knows is uh is a feeling that you've 52 00:02:45,120 --> 00:02:48,720 Speaker 1: seen or experienced something before when you know that you 53 00:02:48,800 --> 00:02:53,520 Speaker 1: have not. Yeah. Yeah, it's a sense of familiarity, unplaced familiarity. Right. 54 00:02:53,560 --> 00:02:55,520 Speaker 1: For instance, I walk into a store I've never been 55 00:02:55,560 --> 00:02:59,280 Speaker 1: in and uh see a person I've never seen. I think, wow, 56 00:02:59,320 --> 00:03:02,760 Speaker 1: this is feel eerily familiar. Yeah. What usually happens to me, 57 00:03:02,880 --> 00:03:07,400 Speaker 1: I'm part of the sixties to self reported, Um, and uh, 58 00:03:07,480 --> 00:03:11,079 Speaker 1: what happens to me usually is there's about three different 59 00:03:11,240 --> 00:03:14,920 Speaker 1: things that are going on in conjunction with one another, Like, um, 60 00:03:14,960 --> 00:03:17,600 Speaker 1: you know, a fish jumps in a lake, and a 61 00:03:17,600 --> 00:03:20,520 Speaker 1: woman walks by with a baby stroller and then like 62 00:03:20,639 --> 00:03:24,560 Speaker 1: as a cloud passes in front of the sun, it'll 63 00:03:24,680 --> 00:03:27,200 Speaker 1: that's how my deja vu is. And I'm like, wow, 64 00:03:27,240 --> 00:03:29,920 Speaker 1: I've been standing in the same spot watching these the 65 00:03:30,080 --> 00:03:33,200 Speaker 1: same group of things happen, and then it just kind 66 00:03:33,200 --> 00:03:36,280 Speaker 1: of passes. Interesting. I'm like, WHOA, I don't know if 67 00:03:36,280 --> 00:03:39,480 Speaker 1: I could categorize mine that specifically, but well done, thanks, 68 00:03:39,600 --> 00:03:43,040 Speaker 1: thank you very much. That's my deja vu. Um. But yeah, 69 00:03:43,080 --> 00:03:48,040 Speaker 1: so essentially, um, what was the guy's named war Rock? He? Uh, 70 00:03:48,160 --> 00:03:50,920 Speaker 1: he mentioned deja vu, but he didn't really go into 71 00:03:51,000 --> 00:03:54,960 Speaker 1: detail about it. The first really respected I guess scientist 72 00:03:55,440 --> 00:03:58,800 Speaker 1: to really take up the mantle was Freud, right, and 73 00:03:58,920 --> 00:04:02,720 Speaker 1: he basically created the theory that that was the driving 74 00:04:02,840 --> 00:04:06,920 Speaker 1: explanation behind deja vu throughout the twentieth century. Um, and 75 00:04:07,000 --> 00:04:10,880 Speaker 1: that was that he uh, he believed it were that 76 00:04:11,000 --> 00:04:13,720 Speaker 1: deja vu was the result of repressed memories. He said 77 00:04:13,720 --> 00:04:17,600 Speaker 1: that about everything everything. If it wasn't about the penis 78 00:04:17,720 --> 00:04:20,840 Speaker 1: or the vagina, it was about repressed memories and possibly 79 00:04:20,920 --> 00:04:24,200 Speaker 1: mother's teet. Yeah, I went to the Freud house. Did 80 00:04:24,240 --> 00:04:26,479 Speaker 1: you have a nice photo in front of it? That's 81 00:04:26,600 --> 00:04:30,120 Speaker 1: that's great side. Yeah, what what city is that? Vienna? 82 00:04:31,360 --> 00:04:34,200 Speaker 1: I am almost positive it was Vienna. We'll find out, 83 00:04:34,200 --> 00:04:37,840 Speaker 1: won't we. Yes, Yeah, trapsed around though, and all those 84 00:04:37,880 --> 00:04:43,480 Speaker 1: memories aren't firmly rooted. So there's a deja vu joke 85 00:04:43,520 --> 00:04:45,360 Speaker 1: in there somewhere. I just can't find it right now, 86 00:04:45,640 --> 00:04:48,120 Speaker 1: so we'll just keep going. Huh, sure, we'll edit in later. 87 00:04:48,160 --> 00:04:50,400 Speaker 1: All right. So, at some point, as we said, Freud, 88 00:04:50,520 --> 00:04:53,520 Speaker 1: you know, he deja vu explained. And then once Freud 89 00:04:53,640 --> 00:04:57,919 Speaker 1: basically was found out to be a m basically a fraud. Okay, 90 00:04:58,200 --> 00:05:03,880 Speaker 1: well U co addicted um postulator rather than maybe a 91 00:05:03,960 --> 00:05:06,560 Speaker 1: real scientist. In my opinion, I'm more of a young 92 00:05:06,600 --> 00:05:09,919 Speaker 1: Gian than than the Freudian. Of course, Um, I'm a doctor, 93 00:05:09,920 --> 00:05:14,160 Speaker 1: phil guy, are you? You can't go wrong with that guy. Um. Eventually, 94 00:05:14,200 --> 00:05:18,680 Speaker 1: at some point in time, the deja vu was attached 95 00:05:18,680 --> 00:05:21,920 Speaker 1: to the paranormal. I'm not entirely certain when this happened, 96 00:05:21,920 --> 00:05:23,600 Speaker 1: but you know, you you've heard that kind of thing 97 00:05:23,640 --> 00:05:26,400 Speaker 1: like it had to do with precognition. Yeah, and and 98 00:05:26,440 --> 00:05:30,160 Speaker 1: real scientists wouldn't They kind of just brushed it aside. Well, actually, 99 00:05:30,200 --> 00:05:35,320 Speaker 1: one one um does explain deja vu through precognitive dreams. 100 00:05:35,360 --> 00:05:37,400 Speaker 1: But we'll get to that later, right, that's right. Um, 101 00:05:37,440 --> 00:05:39,800 Speaker 1: but yeah, that that anytime you put the stank of 102 00:05:39,880 --> 00:05:44,520 Speaker 1: paranormal onto something that's arguably real, people science just turns 103 00:05:44,520 --> 00:05:46,360 Speaker 1: her back on it. They can't stand things that they 104 00:05:46,360 --> 00:05:49,000 Speaker 1: can't apply the scientific method to whether it's real or not. Right, 105 00:05:50,000 --> 00:05:52,400 Speaker 1: So everybody just kind of dropped, at least the scientific 106 00:05:52,400 --> 00:05:57,320 Speaker 1: community kind of dropped deja vu until our great friend, 107 00:05:57,360 --> 00:06:00,240 Speaker 1: the functional m r I was invented a k a. 108 00:06:00,440 --> 00:06:04,159 Speaker 1: The Wonder Machine, and it sparked this renewed interest in 109 00:06:04,240 --> 00:06:07,440 Speaker 1: research into into deja vu. Right. Well, yeah, because now 110 00:06:07,520 --> 00:06:09,599 Speaker 1: you can actually look at the brain function and try 111 00:06:09,600 --> 00:06:11,640 Speaker 1: and figure out the science behind it instead of just 112 00:06:11,960 --> 00:06:16,320 Speaker 1: doing the Freudian thing which just makes stuff up. Right. Um, 113 00:06:16,600 --> 00:06:21,000 Speaker 1: So this is really really really new research. I mean 114 00:06:21,080 --> 00:06:23,880 Speaker 1: just last several years. Right, So the jury is still 115 00:06:23,920 --> 00:06:26,279 Speaker 1: definitely out, which is good for us and our listeners 116 00:06:26,320 --> 00:06:28,240 Speaker 1: because we get to talk about a bunch of competing 117 00:06:28,440 --> 00:06:30,720 Speaker 1: theories that are super cool, and there's a lot of them. 118 00:06:30,720 --> 00:06:33,640 Speaker 1: I think they're the articles. It's like over forty theories 119 00:06:33,760 --> 00:06:36,840 Speaker 1: of what actually is and I think we shouldn't go 120 00:06:36,880 --> 00:06:39,760 Speaker 1: into all four this would be a four hour podcast. 121 00:06:39,800 --> 00:06:44,440 Speaker 1: But they they've basically split deja vu into two two 122 00:06:44,600 --> 00:06:49,800 Speaker 1: broad categories. Right, there's associative and biological. And which one 123 00:06:49,839 --> 00:06:53,400 Speaker 1: is associative. Well, that's the one that most people out 124 00:06:53,400 --> 00:06:58,200 Speaker 1: there probably are more familiar with. And that's when you 125 00:06:58,200 --> 00:07:01,080 Speaker 1: your senses are reacting and you see here, smell something 126 00:07:01,640 --> 00:07:05,159 Speaker 1: that stirs up a feeling inside you, and uh it's 127 00:07:05,240 --> 00:07:08,320 Speaker 1: you know, it's memory based, and it's very fleeting, like 128 00:07:08,400 --> 00:07:12,800 Speaker 1: ten to twenty seconds and shorter than that. Actually, yeah, 129 00:07:12,840 --> 00:07:15,800 Speaker 1: I would say less than ten. Usually is there a 130 00:07:15,800 --> 00:07:20,200 Speaker 1: baby carriage involved? Um? These this is this is a 131 00:07:20,200 --> 00:07:24,320 Speaker 1: deja vu among generally healthy people. Right, so we're not 132 00:07:24,480 --> 00:07:27,360 Speaker 1: we're not really attaching any real meaning to it. It's 133 00:07:27,360 --> 00:07:29,840 Speaker 1: more like a WHOA, that was cool deja vu kind 134 00:07:29,880 --> 00:07:33,000 Speaker 1: of thing. Right. The other one, biological is actually the 135 00:07:33,040 --> 00:07:40,080 Speaker 1: result of like some sort of structural impairment to the brain. Um, say, epilepsy, yeah, um, 136 00:07:40,200 --> 00:07:44,680 Speaker 1: possibly schizophrenia. Uh. And these are these episodes are much 137 00:07:44,720 --> 00:07:49,760 Speaker 1: more vivid um deja vu than than associative deja vu. 138 00:07:50,280 --> 00:07:54,200 Speaker 1: And uh, the people who experience biological deja vu have 139 00:07:54,320 --> 00:07:56,400 Speaker 1: much more of a tendency to attach real meaning to 140 00:07:56,480 --> 00:08:00,600 Speaker 1: it and really believe like they they're experiencing something to wise, right, 141 00:08:00,640 --> 00:08:03,600 Speaker 1: it's not like a fleeting feeling. And if you're an 142 00:08:03,600 --> 00:08:07,160 Speaker 1: epileptic and you have a case of vivid deja vu, 143 00:08:07,280 --> 00:08:10,600 Speaker 1: prepare for a seizure. Oh, it's it's right before the seizure, 144 00:08:10,680 --> 00:08:13,680 Speaker 1: right before. Yeah. And apparently they also smell flowers, sometimes 145 00:08:13,720 --> 00:08:17,120 Speaker 1: two or oranges, that's what I've heard. Interesting, I agree. 146 00:08:17,440 --> 00:08:21,040 Speaker 1: So those are the two broad categories. Right. Still, it 147 00:08:21,040 --> 00:08:25,600 Speaker 1: doesn't really explain anything right now, it doesn't um with 148 00:08:25,600 --> 00:08:28,640 Speaker 1: with the biology. It seems like researchers have the biological 149 00:08:28,680 --> 00:08:32,040 Speaker 1: explanation of deja vu down a little more pat it's 150 00:08:32,040 --> 00:08:34,840 Speaker 1: a little more medically based. Yeah, it's like a temporal 151 00:08:34,880 --> 00:08:39,520 Speaker 1: lobe malfunction possibly. Um. And actually it seems like the temple, 152 00:08:39,720 --> 00:08:42,880 Speaker 1: the temporal lobe has everything to do with deja vu, 153 00:08:42,960 --> 00:08:47,320 Speaker 1: whether it's structural or you know, associative, right, because that's 154 00:08:47,320 --> 00:08:51,240 Speaker 1: where our conscious memory is is happening basically, which would 155 00:08:51,240 --> 00:08:57,360 Speaker 1: be a pretty appropriate place for deja vu to take place, rightly, Um, So, basically, Uh, 156 00:08:58,040 --> 00:09:00,680 Speaker 1: there's this part called the there's a part there's a 157 00:09:00,720 --> 00:09:05,720 Speaker 1: temporal lobe region called the medial temporal lobe and um, that's, 158 00:09:05,760 --> 00:09:08,840 Speaker 1: like you said, the part that's responsible for processing conscious memory. 159 00:09:09,200 --> 00:09:14,839 Speaker 1: And there's this guy named Robert Efron, and he's a neurologist. 160 00:09:14,880 --> 00:09:19,360 Speaker 1: I take it of some stripe and he did some 161 00:09:19,400 --> 00:09:22,200 Speaker 1: investigation into the temporal lobe and he found that it 162 00:09:22,280 --> 00:09:29,080 Speaker 1: receives information the same sensory input twice in Yeah, and 163 00:09:29,080 --> 00:09:31,199 Speaker 1: it's still held up his valid It makes a lot 164 00:09:31,200 --> 00:09:34,920 Speaker 1: of sense. Okay, So what what Effron postulated was that 165 00:09:36,320 --> 00:09:39,480 Speaker 1: if we're getting the same information twice, ones direct to 166 00:09:39,600 --> 00:09:43,600 Speaker 1: the temporal lobe, which which process of sensory information. The 167 00:09:43,679 --> 00:09:47,120 Speaker 1: other one is slightly indirect. It gets routed through the 168 00:09:47,200 --> 00:09:49,840 Speaker 1: right hemisphere of the brain and then shoots over to 169 00:09:49,880 --> 00:09:53,120 Speaker 1: the to the left hemisphere of the temporal lobe within milliseconds. 170 00:09:53,160 --> 00:09:55,560 Speaker 1: But there is a delay. There's a lag. And so 171 00:09:55,640 --> 00:10:00,360 Speaker 1: what Efron said was if this delay is longer than normal, 172 00:10:00,480 --> 00:10:03,600 Speaker 1: extended by even a couple of milliseconds, the brain has 173 00:10:03,679 --> 00:10:07,040 Speaker 1: the potential to confuse you know what what, I guess 174 00:10:07,120 --> 00:10:10,400 Speaker 1: kind of time stamper, you know what situation or context 175 00:10:10,440 --> 00:10:14,040 Speaker 1: that this this um this century input was taken in 176 00:10:14,800 --> 00:10:19,240 Speaker 1: UM and maybe a sign uh an incorrect category Hence 177 00:10:19,320 --> 00:10:22,360 Speaker 1: we get the feeling that we've been there before, we've 178 00:10:22,400 --> 00:10:25,360 Speaker 1: experienced this before because we're we're confused, and that's what 179 00:10:25,440 --> 00:10:28,120 Speaker 1: deja vu is, which makes tons of sense. Pretty cool. Yeah, 180 00:10:28,480 --> 00:10:31,960 Speaker 1: that's certainly not the only uh theory of what deja 181 00:10:32,080 --> 00:10:35,000 Speaker 1: vu is, No, uh, cell phone theory, So we talk 182 00:10:35,040 --> 00:10:38,360 Speaker 1: about that. Yes, this Dr Alan Brown is a guy 183 00:10:38,360 --> 00:10:40,720 Speaker 1: who's don't on our research in this area as well, 184 00:10:40,800 --> 00:10:44,720 Speaker 1: and he did studies at Duke University and SMU Southern 185 00:10:44,800 --> 00:10:48,839 Speaker 1: Methodist with Elizabeth Marsh it's a lady's name. And what 186 00:10:48,880 --> 00:10:52,360 Speaker 1: they did was they worked with subliminal suggestion, which is 187 00:10:52,400 --> 00:10:54,719 Speaker 1: one of my favorite things. I think it's really cool 188 00:10:54,720 --> 00:10:58,880 Speaker 1: and interesting. Uh. They showed photographs of different locations to 189 00:10:59,000 --> 00:11:02,040 Speaker 1: students and they're gonna you know, the plan was to 190 00:11:02,080 --> 00:11:04,760 Speaker 1: ask them which ones were familiar, but before they did this, 191 00:11:04,880 --> 00:11:09,320 Speaker 1: they showed the same photos at subliminal speeds so like 192 00:11:09,360 --> 00:11:12,720 Speaker 1: ten of twenty milliseconds. And what happened was the brain 193 00:11:12,760 --> 00:11:16,560 Speaker 1: of course registered it and unconsciously, right unconsciously, and that 194 00:11:16,679 --> 00:11:21,000 Speaker 1: they found familiarity with these slides of locations that they've 195 00:11:21,000 --> 00:11:23,240 Speaker 1: never been to. Like they showed the people the same 196 00:11:23,280 --> 00:11:27,280 Speaker 1: picture uh once in a split second, and then later 197 00:11:27,400 --> 00:11:30,080 Speaker 1: on they thought that they hadn't seen it before, but 198 00:11:30,120 --> 00:11:33,120 Speaker 1: the brain had already unconsciously a process there, right, And 199 00:11:33,160 --> 00:11:35,200 Speaker 1: you got it, buddy, so and and there was an 200 00:11:35,240 --> 00:11:39,319 Speaker 1: increase in deja vu among those people. Yeah, and um, 201 00:11:39,400 --> 00:11:41,600 Speaker 1: I saw a thing on YouTube and this isn't exactly 202 00:11:41,640 --> 00:11:43,679 Speaker 1: deja vu, but this is a really cool thing. There 203 00:11:43,720 --> 00:11:46,720 Speaker 1: was a guy in England named Darren Brown. He's a 204 00:11:46,760 --> 00:11:51,240 Speaker 1: magician and mentalist, which I think is a great title. Uh, 205 00:11:51,280 --> 00:11:53,160 Speaker 1: And he did this, if you look up on YouTube 206 00:11:53,240 --> 00:11:56,040 Speaker 1: Darren Brown and subliminal advertising. He did the school deal 207 00:11:56,080 --> 00:12:00,000 Speaker 1: where he brought in these two advertising guys and said, hey, 208 00:12:00,559 --> 00:12:02,680 Speaker 1: I want you to come up with an advertising plan 209 00:12:02,800 --> 00:12:06,319 Speaker 1: for me based on taxidermy. And that's all he told him. 210 00:12:06,600 --> 00:12:08,280 Speaker 1: And then he sat down an envelope and said this 211 00:12:08,360 --> 00:12:10,400 Speaker 1: is my plan and don't look at it or anything 212 00:12:10,440 --> 00:12:13,160 Speaker 1: like that sealed. These guys came up with a little 213 00:12:13,280 --> 00:12:15,960 Speaker 1: you know, sketch and a logo and a and a tagline. 214 00:12:16,360 --> 00:12:19,040 Speaker 1: He came back in ten minutes later or however long 215 00:12:19,040 --> 00:12:22,440 Speaker 1: it was, and opened up his envelope and the logo, 216 00:12:22,679 --> 00:12:26,280 Speaker 1: the tagline, everything was really really really similar. And these guys. 217 00:12:26,280 --> 00:12:29,400 Speaker 1: These ad guys were just blown away. And then it 218 00:12:29,480 --> 00:12:34,200 Speaker 1: showed a replay of their trip to the studio where 219 00:12:34,200 --> 00:12:37,559 Speaker 1: they did this, and he had placed these little subliminal 220 00:12:37,600 --> 00:12:39,760 Speaker 1: suggestions everywhere. One is a little sticker on the inside 221 00:12:39,760 --> 00:12:42,200 Speaker 1: of their cab. One was on a road sign that 222 00:12:42,240 --> 00:12:44,559 Speaker 1: they passed. One was a group of students that were 223 00:12:44,559 --> 00:12:46,600 Speaker 1: wearing a T shirt with a logo that passed in 224 00:12:46,640 --> 00:12:49,000 Speaker 1: front of the car. And their brains picked all this 225 00:12:49,000 --> 00:12:54,400 Speaker 1: stuff up. It was again Darren Brown. Okay, what was 226 00:12:54,400 --> 00:12:56,320 Speaker 1: the name of the clip? Do you remember, Darren Brown? 227 00:12:56,400 --> 00:13:01,199 Speaker 1: Subliminal advertising, very direct and appropriate it yes, So what 228 00:13:01,520 --> 00:13:03,840 Speaker 1: are you doing there, Chuck? You okay? Well, yeah, my 229 00:13:03,920 --> 00:13:06,760 Speaker 1: ear is uh got some gunk in it? Oh yeah, yeah, 230 00:13:06,840 --> 00:13:09,440 Speaker 1: I could use a qute tip. Actually, hey, Chuck, did 231 00:13:09,440 --> 00:13:13,480 Speaker 1: you know that qute tips originally called baby gaze gay 232 00:13:13,520 --> 00:13:16,040 Speaker 1: as in g A y S. I didn't know that, 233 00:13:16,080 --> 00:13:18,480 Speaker 1: but that sounds familiar back in. That's what it's interesting. 234 00:13:19,440 --> 00:13:24,480 Speaker 1: Another aside. Sorry, So okay, Chuck, that cell phone theory, right, 235 00:13:24,600 --> 00:13:26,920 Speaker 1: that's what it was called. That was Alan Brown. Yeah, 236 00:13:26,960 --> 00:13:32,080 Speaker 1: so it um it applies to deja vu in that 237 00:13:33,000 --> 00:13:36,040 Speaker 1: I guess Dr Brown is saying that we are when 238 00:13:36,040 --> 00:13:39,880 Speaker 1: we're not really paying attention, when we're distracted, UM, we're 239 00:13:40,280 --> 00:13:44,120 Speaker 1: still processing sensory information unconsciously. So then let's say you 240 00:13:44,160 --> 00:13:46,040 Speaker 1: walk into a room and you're not really paying attention 241 00:13:46,040 --> 00:13:48,800 Speaker 1: to you're talking to somebody. Um, when you do turn 242 00:13:48,840 --> 00:13:51,400 Speaker 1: your attention to your surroundings and you start taking that 243 00:13:51,440 --> 00:13:56,000 Speaker 1: sensory and putting consciously, that's where potentially where deja vu 244 00:13:56,120 --> 00:13:59,360 Speaker 1: comes in. Because we're comparing this new conscious sensory and 245 00:13:59,440 --> 00:14:01,480 Speaker 1: put into something or brain is already familiar with him. 246 00:14:01,520 --> 00:14:04,280 Speaker 1: We're like, whoa, I've been here before. And they found 247 00:14:04,280 --> 00:14:06,880 Speaker 1: that some people that are stressed and have anxiety are 248 00:14:06,880 --> 00:14:09,240 Speaker 1: more prone to it. They also found that people who 249 00:14:09,280 --> 00:14:13,760 Speaker 1: are refreshed and rested are more prone to it. So yeah, 250 00:14:13,800 --> 00:14:16,120 Speaker 1: we're still getting a handle on deja vu. Right. Yeah, 251 00:14:16,160 --> 00:14:18,000 Speaker 1: one study says one thing and the other says the 252 00:14:18,040 --> 00:14:20,960 Speaker 1: exact opposite. I love those. I've got another study, beautiful, 253 00:14:21,080 --> 00:14:24,520 Speaker 1: let's hear it. It's called the hologram study. Good one. Okay, 254 00:14:24,600 --> 00:14:29,080 Speaker 1: So this guy's name is Hermann's no s no no W, 255 00:14:29,400 --> 00:14:33,320 Speaker 1: and he's Dutch, and um, he basically has the theory 256 00:14:33,400 --> 00:14:37,760 Speaker 1: that UM memory memories are like a hologram, right, like 257 00:14:37,800 --> 00:14:42,760 Speaker 1: a three D construct, and they are if you take it, 258 00:14:43,000 --> 00:14:44,960 Speaker 1: just a small piece of it, you can reconstruct a 259 00:14:45,040 --> 00:14:47,920 Speaker 1: memory from it. But if you take a very very 260 00:14:47,960 --> 00:14:51,600 Speaker 1: small fragment, the memory is not going to be completely 261 00:14:51,600 --> 00:14:55,960 Speaker 1: accurate or true. Right. So Dr Snow's theory actually I 262 00:14:56,000 --> 00:15:00,560 Speaker 1: think he's a philosopher. Maybe his theory is that, uh, 263 00:15:00,800 --> 00:15:05,560 Speaker 1: we have little snippets of memory brought back, we recall 264 00:15:05,640 --> 00:15:08,680 Speaker 1: them that are triggered by something familiar, but then we 265 00:15:08,720 --> 00:15:12,440 Speaker 1: reconstruct those memories incorrectly too, and we use that immediate 266 00:15:12,640 --> 00:15:16,960 Speaker 1: um experience. Uh say, getting into a car, we have 267 00:15:17,040 --> 00:15:20,880 Speaker 1: a memory that we've forgotten about a similar car um so, 268 00:15:21,120 --> 00:15:23,320 Speaker 1: but we still recall a little bit of it, but 269 00:15:23,400 --> 00:15:25,840 Speaker 1: we reconstructed around the car that we're in right now, 270 00:15:26,120 --> 00:15:29,440 Speaker 1: and we feel like we've been there before. He's a psychiatrist, 271 00:15:29,440 --> 00:15:31,760 Speaker 1: by the way, thank you for that. Thank you, no 272 00:15:31,880 --> 00:15:34,400 Speaker 1: listener mail on that one. Fact checking as we go. Yeah, 273 00:15:34,440 --> 00:15:37,480 Speaker 1: you're quick, chuck, thank you you got any more? Uh? Well, 274 00:15:37,520 --> 00:15:40,560 Speaker 1: I know you probably wanted to hit um the precognitive 275 00:15:40,640 --> 00:15:43,200 Speaker 1: dream thing. Yeah, and I don't remember who came up 276 00:15:43,200 --> 00:15:47,760 Speaker 1: with this one, do you. Yeah. Swiss scientist Arthur funk Houser. Okay, 277 00:15:47,840 --> 00:15:51,240 Speaker 1: so funk Houser with the coolest name on the planet. 278 00:15:51,760 --> 00:15:57,880 Speaker 1: He he believed that we actually have dreams that pretend 279 00:15:57,920 --> 00:16:01,960 Speaker 1: the future, if essentially very cool, um, and that it's 280 00:16:02,000 --> 00:16:05,800 Speaker 1: generally mundane stuff that we easily forget. And he actually 281 00:16:05,840 --> 00:16:08,160 Speaker 1: conducted a study I think back in nine of a 282 00:16:08,200 --> 00:16:12,040 Speaker 1: bunch of kids at Oxford and found that something somewhere 283 00:16:12,080 --> 00:16:16,000 Speaker 1: around like twelve point seven percent of their dreams eventually 284 00:16:16,480 --> 00:16:20,880 Speaker 1: bore a striking similarity to future events. And he said, 285 00:16:20,880 --> 00:16:23,600 Speaker 1: it's as simple as that we we have somehow have 286 00:16:23,680 --> 00:16:28,360 Speaker 1: an ability to see what's coming down the road. Uh, 287 00:16:28,400 --> 00:16:31,160 Speaker 1: And that's where deja vu comes from. Well, I did, 288 00:16:31,200 --> 00:16:33,680 Speaker 1: like you said, it was usually more mundane things. What 289 00:16:33,720 --> 00:16:36,800 Speaker 1: he theorized, and this makes sense too, is that if 290 00:16:37,000 --> 00:16:39,480 Speaker 1: if it wasn't mundane, were more likely to remember it 291 00:16:39,560 --> 00:16:42,000 Speaker 1: in our you know, just waking conscious right, and these 292 00:16:42,000 --> 00:16:43,760 Speaker 1: are the ones that slipped between the cracks, right, and 293 00:16:43,800 --> 00:16:45,840 Speaker 1: since it was Monday, since we can forget it. That 294 00:16:45,880 --> 00:16:49,880 Speaker 1: would explain that kind of hazy quality that um that 295 00:16:49,960 --> 00:16:53,840 Speaker 1: deja vu always has. You know, it's nothing's quite right 296 00:16:53,880 --> 00:16:56,600 Speaker 1: all of a sudden, it's pretty cool, yeah, uh. And 297 00:16:56,880 --> 00:17:00,640 Speaker 1: and actually, interestingly, his theory was backed up by another 298 00:17:00,720 --> 00:17:05,000 Speaker 1: study from I found similar results, except that it was 299 00:17:05,080 --> 00:17:07,959 Speaker 1: more in the ten percent of you know, dreams pretend 300 00:17:08,000 --> 00:17:10,199 Speaker 1: the future. I think it's actually ten percent of the 301 00:17:10,240 --> 00:17:13,639 Speaker 1: people have dreams that could not ten percent of dreams. 302 00:17:13,680 --> 00:17:16,320 Speaker 1: Are you sure? I would say ten to twelve percent 303 00:17:16,320 --> 00:17:19,879 Speaker 1: of my dreams come true. It's happening right now. You 304 00:17:20,000 --> 00:17:23,440 Speaker 1: dreamed of having a podcast with me one day check. 305 00:17:24,200 --> 00:17:29,320 Speaker 1: Should we talk about jen vu? Yes? Please? Jean vu 306 00:17:29,400 --> 00:17:32,000 Speaker 1: is the opposite of day. I know a lot of 307 00:17:32,000 --> 00:17:34,399 Speaker 1: people say day, but that's just kind of a funny 308 00:17:34,440 --> 00:17:38,159 Speaker 1: way to say. It is actually a real term. I 309 00:17:38,160 --> 00:17:40,880 Speaker 1: I passed over this part in the article. Fuck, I'm 310 00:17:40,880 --> 00:17:42,879 Speaker 1: not kidding. This is brand new to me. It was 311 00:17:42,920 --> 00:17:45,199 Speaker 1: not in the article. My friend, It's called supplemental research. 312 00:17:45,680 --> 00:17:49,320 Speaker 1: You should try it sometimes. No, jan vu is is 313 00:17:49,359 --> 00:17:52,040 Speaker 1: a real thing. It means never seen and uh. It's 314 00:17:52,040 --> 00:17:56,119 Speaker 1: when a familiar situation is not recognized. It's like face blindness. 315 00:17:57,720 --> 00:18:02,080 Speaker 1: Not really, Okay, it was worth the shot, Chuck right. Actually, Like, 316 00:18:02,160 --> 00:18:04,040 Speaker 1: have you ever had the situation where you've said a 317 00:18:04,040 --> 00:18:06,240 Speaker 1: word like over and over in your head and then 318 00:18:06,280 --> 00:18:10,000 Speaker 1: the word starts to sound funny or that happens to 319 00:18:10,040 --> 00:18:12,880 Speaker 1: me when I see it spelled right exactly. That's John 320 00:18:12,960 --> 00:18:16,439 Speaker 1: avou And basically what's happening there is um. The word 321 00:18:16,720 --> 00:18:19,399 Speaker 1: is just existing in its form, so the function of 322 00:18:19,440 --> 00:18:22,760 Speaker 1: meaning is lost. So weird. You're not applying the function 323 00:18:22,760 --> 00:18:26,760 Speaker 1: of meaning. So you say, um, eggs benedict fifteen times 324 00:18:26,840 --> 00:18:28,960 Speaker 1: and by the end of it, or if you write 325 00:18:28,960 --> 00:18:31,600 Speaker 1: it out fifteen times, you're gonna be thinking eggs benedict? 326 00:18:31,680 --> 00:18:35,960 Speaker 1: What are eggs and benedict? And what is hollandaise sauce? 327 00:18:36,119 --> 00:18:39,720 Speaker 1: This this word looks so weird. That's one example of 328 00:18:39,760 --> 00:18:43,720 Speaker 1: John don't don't forget the Canadian bacon. Chuck, who can Yeah, 329 00:18:43,880 --> 00:18:46,040 Speaker 1: I don't know. Our Canadian friends, we love your bacon. 330 00:18:46,119 --> 00:18:48,159 Speaker 1: They just call it bacon up there. Well we call 331 00:18:48,200 --> 00:18:52,240 Speaker 1: it ham. That's true. So um, so wow, Chuck, you 332 00:18:52,359 --> 00:18:55,159 Speaker 1: just you dazzled me just now. Good. Yeah, I'd like 333 00:18:55,240 --> 00:18:57,959 Speaker 1: to do that. Yeah from time to time. Well that's uh, 334 00:18:58,000 --> 00:19:00,840 Speaker 1: that's sto, I guess for now, until you know, somebody 335 00:19:00,840 --> 00:19:03,439 Speaker 1: finally cements down exactly what's going on. And again, I 336 00:19:03,440 --> 00:19:05,840 Speaker 1: think the Wonder Machine is going to be the the 337 00:19:06,119 --> 00:19:09,320 Speaker 1: utility that does it for us. Je vu all over again, 338 00:19:09,440 --> 00:19:13,800 Speaker 1: as uh Yogi Barrow went said, great man, Um and Chuck, 339 00:19:14,160 --> 00:19:17,440 Speaker 1: I think it's time to say hey to the people 340 00:19:17,440 --> 00:19:22,320 Speaker 1: at audible. Audible dot com are one of our beloved sponsors. 341 00:19:22,359 --> 00:19:24,680 Speaker 1: Even better than that, let's tell everybody that the people 342 00:19:24,680 --> 00:19:27,119 Speaker 1: at Audible are trying to say hey, it's all of 343 00:19:27,160 --> 00:19:31,400 Speaker 1: our listeners. If they go right now, UM to audible 344 00:19:31,480 --> 00:19:34,920 Speaker 1: podcast dot com slash stuff and sign up, they'll get 345 00:19:34,960 --> 00:19:38,359 Speaker 1: one free download. And this is actually kind of big. 346 00:19:38,400 --> 00:19:42,320 Speaker 1: They have fifty tho plus titles on the site. You 347 00:19:42,320 --> 00:19:44,280 Speaker 1: can get a book if you want. Yeah, you can 348 00:19:44,320 --> 00:19:47,080 Speaker 1: get stand up and actually, um, I was looking on 349 00:19:47,080 --> 00:19:49,360 Speaker 1: the site and they have a bunch of George Carlin 350 00:19:49,800 --> 00:19:53,159 Speaker 1: and specifically a Place for My Stuff are arguably his 351 00:19:53,280 --> 00:19:57,760 Speaker 1: greatest work ever. Um it's my personal favorite. Um. So yeah, 352 00:19:57,760 --> 00:20:00,359 Speaker 1: there's all sorts of it's not just audiobooks, yeah Carlin. 353 00:20:00,480 --> 00:20:03,200 Speaker 1: And speaking of which, this is an audiobook either and 354 00:20:03,280 --> 00:20:05,960 Speaker 1: I'm surprised you didn't pick this one. It's your your plug. 355 00:20:06,040 --> 00:20:09,240 Speaker 1: But maybe the Gonzo Tapes the Life and Work of 356 00:20:09,359 --> 00:20:12,680 Speaker 1: Dr Hunter S. Thompson. These were just recently released and 357 00:20:12,720 --> 00:20:15,280 Speaker 1: these are just it's a long series, I believe that's 358 00:20:15,280 --> 00:20:18,040 Speaker 1: an abridge version on audible dot com about but you 359 00:20:18,040 --> 00:20:23,640 Speaker 1: get about six hours worth of famous author extraordinary Hunter 360 00:20:23,800 --> 00:20:27,280 Speaker 1: S Thompson uh speaking into a tape recorder. Over the 361 00:20:27,359 --> 00:20:29,560 Speaker 1: years he did this and they've gathered all these tapes 362 00:20:29,600 --> 00:20:32,240 Speaker 1: and it's really really awesome. I have found my one 363 00:20:32,280 --> 00:20:35,160 Speaker 1: free download. So what I will be doing is going 364 00:20:35,200 --> 00:20:44,400 Speaker 1: to audible podcast dot com slash stuff in signing up. So, Chuck, 365 00:20:44,480 --> 00:20:46,760 Speaker 1: I know you love plugging the blog. You want to 366 00:20:46,800 --> 00:20:49,159 Speaker 1: you want to take the opportunity. Sure, I would like 367 00:20:49,200 --> 00:20:51,760 Speaker 1: to direct everyone to our new blog, which is a 368 00:20:52,760 --> 00:20:58,399 Speaker 1: Internet term for blogged, and Josh and I write on 369 00:20:58,480 --> 00:20:59,879 Speaker 1: this sing a couple of times a day and we 370 00:21:00,040 --> 00:21:02,960 Speaker 1: talk about cool stuff. And basically the idea here was 371 00:21:03,040 --> 00:21:05,359 Speaker 1: to get the stuff you should Know Nation involved with 372 00:21:05,359 --> 00:21:08,280 Speaker 1: each other and leading comments and talking to each other 373 00:21:08,400 --> 00:21:11,440 Speaker 1: and reading about cool stuff that they should know, uh, 374 00:21:11,520 --> 00:21:14,480 Speaker 1: instead of just listening to us say it. And also, 375 00:21:14,520 --> 00:21:16,640 Speaker 1: don't forget to join these stuff you should Know Nation. 376 00:21:16,720 --> 00:21:20,199 Speaker 1: We are actually buying a plot of land right um. 377 00:21:20,480 --> 00:21:24,320 Speaker 1: We'll be sending details out via our blog ironically enough, 378 00:21:24,640 --> 00:21:26,399 Speaker 1: and you can access it through the homepage on how 379 00:21:26,440 --> 00:21:29,240 Speaker 1: stuff works dot com. Oh yeah, and it's called stuff 380 00:21:29,240 --> 00:21:32,480 Speaker 1: you should know. Yeah, yeah, appropriately enough and you can 381 00:21:32,520 --> 00:21:35,359 Speaker 1: see lovely photo of Josh who looks cute as a 382 00:21:35,600 --> 00:21:38,800 Speaker 1: dang button and chunking his black cap. That's right, so 383 00:21:38,880 --> 00:21:41,399 Speaker 1: looking good. It's good stuff. So now, yeah, there's a 384 00:21:41,480 --> 00:21:49,320 Speaker 1: blog plug. Let's do listener man, right, you ready for this? Josh? 385 00:21:49,400 --> 00:21:51,399 Speaker 1: I was born ready, Chuck. I have a couple of 386 00:21:51,480 --> 00:21:56,959 Speaker 1: stuff we should know, which our new nicer name for corrections. Um, 387 00:21:57,080 --> 00:21:59,680 Speaker 1: christ I thought it was stuff we should have known. Sure, 388 00:22:00,000 --> 00:22:04,240 Speaker 1: it sounds good. Christine Lee of Toronto, Ontario. And as 389 00:22:04,240 --> 00:22:05,840 Speaker 1: a quick side note, I can't remember his name, but 390 00:22:05,880 --> 00:22:07,919 Speaker 1: we had a Canadian friend right in and say it 391 00:22:07,960 --> 00:22:11,160 Speaker 1: really bugs when we say like Montreal, Canada. He said 392 00:22:11,160 --> 00:22:14,959 Speaker 1: they'd be like saying Atlanta, United States. So we need 393 00:22:15,480 --> 00:22:19,080 Speaker 1: to start saying the prob So Christine Lee is of 394 00:22:19,160 --> 00:22:22,639 Speaker 1: Korean descent, and she said in the Friday thirteenth podcast, 395 00:22:23,400 --> 00:22:27,280 Speaker 1: we talked about unlucky numbers in China and Japan and 396 00:22:27,320 --> 00:22:29,800 Speaker 1: again and can people die a fright? We talked about 397 00:22:30,080 --> 00:22:32,680 Speaker 1: the same thing and it's actually true in Korea as well, 398 00:22:32,720 --> 00:22:36,920 Speaker 1: and she feels like Koreans are often slighted uh to 399 00:22:37,080 --> 00:22:40,840 Speaker 1: their Chinese and Japanese friends, so we need to start 400 00:22:40,920 --> 00:22:45,680 Speaker 1: looking into other Asian countries. Basically, yes, apparently four is 401 00:22:45,680 --> 00:22:47,879 Speaker 1: an unlucky number in Korea, and thank you Christine Lee 402 00:22:47,960 --> 00:22:51,520 Speaker 1: for that. Sorry Christine and Chris from Pennsylvania. This is 403 00:22:51,520 --> 00:22:54,159 Speaker 1: what you're gonna love this one. Uh, he said he 404 00:22:54,200 --> 00:22:58,120 Speaker 1: listened to the Comas podcast. I'm surprised that between Josh's 405 00:22:58,119 --> 00:23:00,960 Speaker 1: Magnum p I knowledge and Ucks movie knowledge that you 406 00:23:00,960 --> 00:23:03,560 Speaker 1: guys never brought up the connection between Magnum in the 407 00:23:03,640 --> 00:23:07,600 Speaker 1: nine movie Coma. Tom Selleck was actually in that movie, 408 00:23:08,200 --> 00:23:10,480 Speaker 1: and I haven't seen it in years, but I remember 409 00:23:10,560 --> 00:23:13,280 Speaker 1: him being one of the Comma patients that was suspended 410 00:23:13,320 --> 00:23:16,399 Speaker 1: on wires, and that is indeed true. I don't remember 411 00:23:16,440 --> 00:23:19,240 Speaker 1: Tom Selleck in now when my earliest memory of Tom 412 00:23:19,280 --> 00:23:22,800 Speaker 1: Sellek in a movie was a Looker. No, he wasn't 413 00:23:22,840 --> 00:23:24,520 Speaker 1: in it. Okay, what was the other one with the 414 00:23:24,800 --> 00:23:29,800 Speaker 1: robots in? Right? You're thinking of Runaway? Very nice? Yeah? 415 00:23:29,880 --> 00:23:31,720 Speaker 1: Are you sure he wasn't in Looker? Yeah? That was 416 00:23:31,760 --> 00:23:33,960 Speaker 1: Albert Finney. That was a great movie though for an 417 00:23:33,960 --> 00:23:38,399 Speaker 1: eighties sci fi. I agree. Susan Day's in it too. Yeah. 418 00:23:38,720 --> 00:23:40,959 Speaker 1: All right, well we should probably get out of here 419 00:23:41,000 --> 00:23:45,320 Speaker 1: before Chuck and I say something to embarrass ourselves right further. Yeah, um, 420 00:23:45,359 --> 00:23:48,679 Speaker 1: so thanks for listening. Uh. I would advise everybody to 421 00:23:48,720 --> 00:23:52,760 Speaker 1: go onto the site and um check out how deja 422 00:23:52,840 --> 00:23:56,200 Speaker 1: vu works by an article written by our colleague leanne Opringer. 423 00:23:56,640 --> 00:23:59,720 Speaker 1: There's a nice little easter egg hidden in the article 424 00:23:59,800 --> 00:24:02,880 Speaker 1: that may induce deja vu in you. You can find 425 00:24:02,880 --> 00:24:05,320 Speaker 1: that by typing in how deja vu works in our 426 00:24:05,440 --> 00:24:08,320 Speaker 1: handy search bar how stuff works dot com And if 427 00:24:08,320 --> 00:24:11,680 Speaker 1: you want to send Chuck in I a message via 428 00:24:11,760 --> 00:24:15,520 Speaker 1: electronic mail, a non haiku related message, Yes Chuck, yes, 429 00:24:15,960 --> 00:24:22,200 Speaker 1: non haiku. You can alert us at stuff podcast at 430 00:24:22,240 --> 00:24:28,520 Speaker 1: how stuff works dot com for more on this and 431 00:24:28,600 --> 00:24:31,119 Speaker 1: thousands of other topics. Is it how stuff works dot 432 00:24:31,200 --> 00:24:36,320 Speaker 1: com h brought to you by the reinvented two thousand 433 00:24:36,320 --> 00:24:38,480 Speaker 1: twelve camera. It's ready, are you